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Speaker 1: O Willian Now, happy last day of twenty twenty four.

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Speaker 1: All I can say is it was a year. A

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Speaker 1: year happened.

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Speaker 2: How many years was this year? This year was like

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Speaker 2: four years had to be.

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Speaker 1: I used to have so much more thoughts on, like

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Speaker 1: was this a good year or is this a bad year?

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Speaker 1: I'm just in the gray area of all that. Now

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Speaker 1: a year happens and I'm here.

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Speaker 2: And a lot has happened in this year that made

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Speaker 2: it feel like great things, bad things a few years,

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Speaker 2: but you.

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Speaker 1: Know, it was a fucking year.

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Speaker 2: This is December thirty first, twenty twenty four four.

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Speaker 3: Wow.

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Speaker 1: Yes, according to Twitter, ten years ago twenty twenty five,

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Speaker 1: women will be having sex with robots. So we have

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Speaker 1: one more day where you can get some pussy because

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Speaker 1: we will be replaced in the morning. Okay, so I'm

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Speaker 1: excited to see where that goes. Also, every baby being

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Speaker 1: born tomorrow will be part of jen Beta.

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Speaker 2: What a what a pussy fucking name?

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Speaker 3: Really?

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Speaker 1: Imagine being part of Generation Beta.

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Speaker 2: Twenty twenty five is beta?

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Speaker 3: Yeah?

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Speaker 2: Okay, a bunch of beta days?

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Speaker 3: All right?

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Speaker 2: Well, I mean litten, I'll look forward to it. Man,

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Speaker 2: this year was definitely a year of at.

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Speaker 1: Least at least my generation is named after a great tour.

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Speaker 2: See what just that fast? What do you mean just

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Speaker 2: turned everything off?

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Speaker 1: You're part of the generation too, am i?

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Speaker 3: Yea?

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Speaker 1: Y'all keep telling me that you're a millennial?

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Speaker 3: What's sor? Right?

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Speaker 4: Barely?

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Speaker 2: Yeah? Ata is crazy? Thank god? Tomar is not beta?

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Speaker 3: What is tomorrow?

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Speaker 2: Big alpha dog?

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Speaker 1: I think I assume if it's beta, it was alpha before, right,

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Speaker 1: I know, I Greek alphabet that changed though.

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Speaker 4: I think like fifteen ten or fifteen.

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Speaker 1: No, because millennials are like eighty one to ninety three

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Speaker 1: or somewhere like that, ninety sixty.

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Speaker 4: It's like, yeah, that's why I don't think mal is

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Speaker 4: a millennial.

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Speaker 2: He's an ares He's not that either. What why am

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Speaker 2: I not a millennial? Whatever?

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Speaker 1: The moon's in the stars, they change it. We've been

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Speaker 1: through this before. But I just think it's funny that

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Speaker 1: people are gonna be called generation Beta. They're never gonna

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Speaker 1: at the end of that, especially from our generation. Yeah,

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Speaker 1: so good luck with that.

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Speaker 3: You bea babies.

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Speaker 4: It is like it's like fifteen years because millennials are

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Speaker 4: not eighty one to ninety six.

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Speaker 1: That feels like, oh yeah, I guess that's fifteen years exactly.

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Speaker 4: Uh, gen Z was ninety seven to twenty ten and

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Speaker 4: then yes she's outpha tw twenty four.

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Speaker 2: So why are you, well, baby d why you said

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Speaker 2: you feel like I'm not millennial?

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Speaker 4: Because you're you're a bit like I was making this joke,

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Speaker 4: but like, yeah, you're like beard, like you're scratching. You

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Speaker 4: were almost gen X. He birthed us by like seven,

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Speaker 4: by like eleven months. You were almost gen X.

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Speaker 1: So you can't really say anything bad about millennials because

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Speaker 1: you really were our leader. You started this millennial shit.

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Speaker 2: Yeah, I was a millennial longer than you were.

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Speaker 4: You were very much longer than I was.

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Speaker 2: Yeah, so put some respect when I walk out the house, But.

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Speaker 1: Don't shit on the younger millennial.

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Speaker 2: Mall matter of fact, Homi millennial, mall from that one.

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Speaker 2: That's what you're gonna do, Comie millennial mall right.

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Speaker 4: Nah, you know what I'm saying. But I appreci you're

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Speaker 4: saying that.

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Speaker 2: Glad we have a nice.

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Speaker 1: That's my bad, right, I should have been calling you

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Speaker 1: eminem my bad.

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Speaker 2: I don't even know make it what.

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Speaker 1: I just took the two letters eminem. Well, I mean

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Speaker 1: I was a little offended. I mean the group chat

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Speaker 1: was quiet just because it was holidays. People were their family,

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Speaker 1: But no one checked on me when I gifted myself

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Speaker 1: major surgery over the holiday break.

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Speaker 3: What surgery did you get?

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Speaker 1: I wouldn't under the needle, if you will, I gifted

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Speaker 1: myself p r F F my under eyes. What is

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Speaker 1: pr F demeris that I got boatos. I did not

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Speaker 1: get fucking boatos. So, because I'm exhausted all the time

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Speaker 1: and we're on camera constantly, I thought I would gift

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Speaker 1: myself for the dark circles out of my eyes. It

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Speaker 1: always looks like somebody knocked me the fuck out. This

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Speaker 1: is our career. I went under the needle. Man me

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Speaker 1: and Kim Me and Kim k upper east side. We

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Speaker 1: got the vampire blood all over our faces. We'd sacrifice

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Speaker 1: the child on Christmas Day?

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Speaker 3: What is PRF so? What they do?

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Speaker 1: Essentially, And I'm not ashamed of it. The woman that

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Speaker 1: did it was incredible, and you know, just small talk

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Speaker 1: of like what do you do, why do you want this?

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Speaker 2: Etc.

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Speaker 1: And I was like, and I'm I'm on camera, that's

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Speaker 1: part of my life. I have no shame in you know,

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Speaker 1: fixing dark circles under my eyes, and she was like, oh,

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Speaker 1: we can hide it like no personal information. I'm like,

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Speaker 1: I don't give a fuck to tell the world that

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Speaker 1: you took blood from my arm and then injected it

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Speaker 1: to my under art like to make Yeah, they take

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Speaker 1: blood from your arm. It's like an IBBL. It's like

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Speaker 1: an eye fat transfer, but they do it with blood,

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Speaker 1: take it from your arm and put it like right

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Speaker 1: here to get the blood cells rejuvenile. Yeah, and it

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Speaker 1: looks like I probably got punched here.

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Speaker 2: But there's three.

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Speaker 1: There's three sessions. She said, I wouldn't see any results

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Speaker 1: on the first one. I can already see. I was

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Speaker 1: very pleased with the whole procedure. And I think, men,

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Speaker 1: it's okay for us to do this. I don't think

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Speaker 1: we should feel ashamed. Botox that's a little too far.

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Speaker 1: I think my grandfather would rise out of his f great.

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Speaker 1: It's smacked fire, smacked the botox out my fucking face.

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Speaker 1: But I feel like, with my ego and fragile masculinity,

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Speaker 1: just taking blood from my arm and put in my eye.

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Speaker 2: It's not that bad.

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Speaker 1: I don't think it's that crazy. So you know, I

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Speaker 1: gifted myself.

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Speaker 3: You look good, got a.

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Speaker 1: Little pamper days.

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Speaker 2: Are you going to get the second session?

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Speaker 1: There's two more? Three told I got the package deal

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Speaker 1: Christmas Holly. Yeah, actually, and I get fifty dollars off

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Speaker 1: anyone that uh I bring. Yeah, if you guys want

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Speaker 1: to go okay, No, I'm cool. We could swap blood too,

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Speaker 1: like I can put my blood.

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Speaker 3: I'm cool. I'm cool.

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Speaker 2: I will give you guys my blood. There's nothing in that.

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Speaker 2: I don't want your blood under my eyes.

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Speaker 1: No, No, we blood brothers. It would make us family

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Speaker 1: for really this time instead of signing blood under a contract, like,

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Speaker 1: we could actually have blood together in our bodies. Yea,

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Speaker 1: and I could share DNA with pigs and hot.

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Speaker 2: I'm cool, but you know you look good. Looking forward

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Speaker 2: to seeing the full results of your new journey, your

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Speaker 2: transition into like beautiful eyes.

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Speaker 1: And once again, after Damaris ignored me with me sending

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Speaker 1: my album to her, I sent her a photo of

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Speaker 1: me in the chair saying bad bitch alert loading mm

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Speaker 1: no response nothing.

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Speaker 4: He's a liar. I said, are you getting a BBL

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Speaker 4: That's what I said.

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Speaker 2: I had.

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Speaker 1: It looked like I got two punches directly to my face.

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Speaker 2: And she said, you get into bbl in your.

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Speaker 4: Face always your eye is always dark and like dreary

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Speaker 4: and hopeless. So I didn't know that's.

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Speaker 2: Why I got was dark and dreary. That's why he's

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Speaker 2: That's why he went to get pr F.

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Speaker 1: There you go, and the amount of people, like, not

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Speaker 1: even leading up to it, the amount of people that

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Speaker 1: have botox. I had no fucking idea. I don't know

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Speaker 1: that was such a common fucking thing.

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Speaker 2: With people going to the dentist. Yeah, which I didn't know.

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Speaker 4: Yeah, absolutely, I want to get botox too. I'm a

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Speaker 4: start because botox is supposed to be preventative, so I

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Speaker 4: do want to prevent some stuff from happening.

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Speaker 3: You want to prevent bad.

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Speaker 4: Like wrinkles on my forehead. I have. I laugh a

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Speaker 4: lot because I'm a childish ass person, so I have

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Speaker 4: like prominent smile lines. Nothing that makes me any less beautiful.

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Speaker 4: I'm still gorgeous, but shift that later on in life,

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Speaker 4: Like I don't you know, I'm not aging gracefully. I'm

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Speaker 4: pulling this shit way back, okay, tho, not aging gracefully.

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Speaker 1: What was crazy is she was like, Yo, don't if

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Speaker 1: you have to be on camera on Monday. I did

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Speaker 1: this on Friday on the twenty seventh, So if you

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Speaker 1: have to be on camera Monday, your eyes are going

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Speaker 1: to be super swollen, like I hope you know that.

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Speaker 1: I was like, well, I don't have for the rest

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Speaker 1: of the year. I have to record Thursdays and Mondays,

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Speaker 1: no matter what. This is the only time slot I

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Speaker 1: would have, and I could do it three times. Fuck it,

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Speaker 1: I'll go on air. It'll be a funny thing to

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Speaker 1: talk about with my eyes puffy. My skin didn't react

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Speaker 1: to it in that type of way except for the

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Speaker 1: first day, and I didn't mind explaining it to the

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Speaker 1: pod audience that's going to make fun of me rightfully.

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Speaker 1: So it was walking around in my everyday life on

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Speaker 1: Thursday and Friday, We're like walking in to Kia's building

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Speaker 1: with security like, yo.

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Speaker 2: What happened?

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Speaker 3: Yo?

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Speaker 1: We gotta see somebody like talking to my because my

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Speaker 1: family was there all the way through Sunday.

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Speaker 2: Somebody put hands on you and.

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Speaker 1: Was like, yo, what the fuck happened? Everyone was asking

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Speaker 1: me what's going on? That was harder to explain what

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Speaker 1: PRF was than anything. I was like, so why, because

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Speaker 1: like you know, all my family is blue collar, fucking

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Speaker 1: you know, they're working their roadwork. Yeah, like, so wait,

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Speaker 1: you took blood and put it in your eye? For

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Speaker 1: what I was like, because on camera have dark circle.

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Speaker 1: I want I want to use the word that they.

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Speaker 2: Said, Oh, I know one of my fas. I should

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Speaker 2: have just said I got knocked out, one of my

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Speaker 2: favorite words.

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Speaker 1: They wouldn't have called me that if I got knocked out. Yeah,

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Speaker 1: it would have probably been more manly if I was like, yeah,

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Speaker 1: it's jumped, knocked both my eyes out perfectly in the

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Speaker 1: same spot.

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Speaker 2: See Rory got pr f baby d wants to get bolts,

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Speaker 2: and here I am. I got offended that a friend

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Speaker 2: of mine asked me if I died my beard, and

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Speaker 2: I thought that that was completely disrespectful. I mean, but

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Speaker 2: it's yeah, but I would never die my beard.

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Speaker 3: I wouldn't.

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Speaker 4: Also, you're getting older, mall, so they probably think that

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Speaker 4: eventually you would have grays.

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Speaker 2: I have grays now. I'm not dying it though, I

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Speaker 2: would never You think I'm gonna go get that coffee

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Speaker 2: mean a.

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Speaker 1: Die And there's more than just that, though it doesn't

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Speaker 1: have to just be that that's the shade, just be

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Speaker 1: the Carlos boozer like.

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Speaker 2: But that would be the shade I would have to

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Speaker 2: get would like it be like a brownish black type.

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Speaker 3: Of like mix.

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Speaker 1: Not everything is uh, what's the ship in Jersey that

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Speaker 1: they use?

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Speaker 2: Beijing? Beijing? Everything has I'm not saying Beijing. I'm just

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Speaker 2: saying I would never go and buy die and get

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Speaker 2: him in the mirror, brush my beard and like just

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Speaker 2: sit still until it like soaks in and then wrints

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Speaker 2: my face for what to not have gray hairs?

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Speaker 1: You start smoking and starts dripping.

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Speaker 3: I'm not doing that, like bring on the grays.

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Speaker 4: Oh you gotta lay on a bad bitch, bad pillow

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Speaker 4: all dark?

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Speaker 1: Does that happen to you?

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Speaker 4: No, I don't know, you think I look? No, No,

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Speaker 4: you wouldn't know. No, I would know my pillow would

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Speaker 4: be fucked up.

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Speaker 2: The blame it on you, though your mask, carrot.

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Speaker 4: I'm not laying next to no nigga that has to

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Speaker 4: dye his beard.

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Speaker 3: See all right? See?

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Speaker 2: So why was you surprised when I was offended by it?

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Speaker 4: Because it's because it is common. I'm hard to please,

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Speaker 4: but it is common. I should use couldn't be like I.

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Speaker 2: Just never understood that, Like, why as an older guy,

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Speaker 2: why are you id degrades? Though I was offended.

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Speaker 1: Over the holiday break, a woman told me that twenty

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Speaker 1: percent of my beard is gray, and I was actually

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Speaker 1: offended by that, and I started adding up the percentages

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Speaker 1: of what she considered ten percent, like I did a

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Speaker 1: whole graph of my beard. I was like, you're telling

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Speaker 1: me you think twenty percent of this little patch right here,

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Speaker 1: which I don't mind.

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Speaker 2: My grades?

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Speaker 1: Is my grades?

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Speaker 3: Right?

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Speaker 1: You think that this is five percent?

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Speaker 2: Maybe?

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Speaker 3: Yeah?

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Speaker 1: I started maybe counting like one by maybe.

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Speaker 3: Maybe ten percent, maybe eight. That's like say eight.

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Speaker 2: Twenty. I'm not twenty eight twenty is crazy? Yeah, yeah, no,

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Speaker 2: you're not twenty percent grade.

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Speaker 1: Because I was like, all right, two, four, six, eight, ten.

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Speaker 4: You just proved their point.

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Speaker 3: By the way, wait, that's the Matthew did.

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Speaker 1: I started counting individual pieces of my beard. That's how

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Speaker 1: petty I was being about it. But now that I

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Speaker 1: just did it that way, yeah, it would be twenty

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Speaker 1: percent exactly.

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Speaker 2: Well, I'm glad you got your eyes up, bloody, yes,

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Speaker 2: and hopefully you know you feel better, you feel more

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Speaker 2: luxurious about yourself, and.

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Speaker 1: We'll see on the second treatment, maybe my eyes will

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Speaker 1: still be swollen.

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Speaker 2: And living on cameras, you're looking beautiful all right, are

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Speaker 2: you usual? I mean that means that means you got

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Speaker 2: to go back to the other two sessions.

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Speaker 1: That's and like, no matter how I'm lit at all times,

286
00:11:15,840 --> 00:11:19,439
Speaker 1: it always looks like I'm punching the face pictures all

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Speaker 1: the time.

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Speaker 3: Oh, you know, it's all right.

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Speaker 5: It's part.

290
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Speaker 1: It's part of the gig, it's.

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Speaker 3: Part of Ye's baby. We should be asking you that

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Speaker 3: what you're doing for New Year's Eve?

293
00:11:29,000 --> 00:11:30,360
Speaker 4: I said, what the holes that you asking me where

294
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Speaker 4: I'm gonna be? As see, that's disrespectful, Not.

295
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Speaker 1: That you're a hole.

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Speaker 2: You know what a hole? You like women, so you

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Speaker 2: wouldn't know where they're at for New Year's I.

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Speaker 4: Am going to be at home alone alone. No, I'm serious.

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Speaker 4: It's gonna be my first New Year's Eve alone, well

300
00:11:44,240 --> 00:11:47,280
Speaker 4: technically alone. Alex and her boyfriend are gonna be upstairs

301
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Speaker 4: and upstairs.

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Speaker 2: And you're gonna be by yourself.

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Speaker 4: Yeah, I'm making smoke. I mean, I'm gonna make some

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Speaker 4: collar greens, honey, butter, corn bread, rice and peas for

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00:11:56,240 --> 00:11:59,440
Speaker 4: yourself for somebody for yourself, Yeah, and some smother turkey wings.

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Speaker 1: Why you choosing this year to be alone?

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Speaker 4: There's no other place I would rather be honestly, like,

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Speaker 4: if I like, you know what I'm saying, Like, it

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00:12:06,559 --> 00:12:08,280
Speaker 4: would be a force for me to go anywhere else.

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Speaker 4: I just kind of want to be alone.

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Speaker 2: No special guy that you want to kiss at midnight.

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Speaker 4: Now, I'm so good, guys. One of my New Year's

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Speaker 4: resolutions is all new dick. I don't want anything old.

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Speaker 4: I don't want no old holes. I swear to god.

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00:12:23,559 --> 00:12:25,239
Speaker 1: I thought I was pushing it with new eyes.

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Speaker 4: No, no new penis.

317
00:12:28,800 --> 00:12:30,760
Speaker 3: I thought I was pushing it with a new beerd

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Speaker 3: She's a new dick.

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Speaker 1: Yes, I don't want no old Okay, this is what

320
00:12:35,559 --> 00:12:37,760
Speaker 1: I hate when you give friends advice and they ignore

321
00:12:37,800 --> 00:12:40,400
Speaker 1: it until someone else gives them advice. This is the

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00:12:40,440 --> 00:12:42,640
Speaker 1: same shit she was getting mad at me and Deanni

323
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Speaker 1: about when we were telling her this in the car,

324
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Speaker 1: Like don't spend the block. Maybe it's time to move

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Speaker 1: on to something completely new instead of the same spind

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Speaker 1: the block you've been doing for five, ten fucking years. Now,

327
00:12:52,960 --> 00:12:55,280
Speaker 1: all of a sudden, it's she's the chick with the

328
00:12:55,320 --> 00:12:56,520
Speaker 1: baggage going up the steps.

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Speaker 4: Yeah, that's me.

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Speaker 2: You're not stepping over new Dick, you're stepping on new

331
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Speaker 2: Dick sitting.

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00:13:03,800 --> 00:13:08,440
Speaker 4: Spitting. I'm I'm tired of you.

333
00:13:08,440 --> 00:13:09,400
Speaker 2: Wait, you're tired of.

334
00:13:10,840 --> 00:13:12,400
Speaker 3: We don't know what spin?

335
00:13:14,960 --> 00:13:17,720
Speaker 1: Sounds pretty good, though, if you had a strategy for.

336
00:13:21,600 --> 00:13:23,439
Speaker 4: This podcast now listen good.

337
00:13:24,320 --> 00:13:28,160
Speaker 1: What about maybe like valuing new relationships and friendships, getting

338
00:13:28,160 --> 00:13:30,320
Speaker 1: to know that Dick before This isn't the audience.

339
00:13:30,640 --> 00:13:33,240
Speaker 4: We know who our audience is. But no, I really

340
00:13:33,280 --> 00:13:36,360
Speaker 4: I had to come to the realization that I have

341
00:13:36,480 --> 00:13:38,760
Speaker 4: been afraid to step out into new avenues in my

342
00:13:38,840 --> 00:13:41,679
Speaker 4: life because I don't have the confidence and I'm just

343
00:13:41,760 --> 00:13:43,880
Speaker 4: I'm scared of everything. I'm scared of failing. So I

344
00:13:43,960 --> 00:13:46,960
Speaker 4: keep going back to the same thing I watched. Yes,

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Speaker 4: I watched the same I watched the same TV shows

346
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Speaker 4: because it doesn't give me anxiety. I date the same

347
00:13:51,640 --> 00:13:53,600
Speaker 4: men because it doesn't give me anxiety because I know

348
00:13:53,640 --> 00:13:55,800
Speaker 4: what to expect. So there's a comfort zone there, and

349
00:13:55,840 --> 00:13:57,439
Speaker 4: I want to step out of that. I want to grow.

350
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Speaker 3: I respect that, so sitt and spit.

351
00:14:00,360 --> 00:14:02,880
Speaker 1: I don't know if that's that's that's first step in

352
00:14:02,920 --> 00:14:05,839
Speaker 1: the strategy. I've been getting to know someone that maybe

353
00:14:05,840 --> 00:14:08,960
Speaker 1: lowers that anxiety and makes you feel wanted and respected.

354
00:14:09,320 --> 00:14:13,400
Speaker 2: Then you spit and sit anxiety. I can tell you

355
00:14:13,440 --> 00:14:17,520
Speaker 2: once you spit, have anxiety, you feel anxious. You have

356
00:14:17,559 --> 00:14:18,079
Speaker 2: the least.

357
00:14:17,920 --> 00:14:19,840
Speaker 1: Amount of anxiety of any human being I've ever met.

358
00:14:20,320 --> 00:14:22,800
Speaker 1: In twenty five I want to be more like your bring,

359
00:14:23,640 --> 00:14:26,640
Speaker 1: more anxious. But I really think mal actually gets eight

360
00:14:26,640 --> 00:14:29,440
Speaker 1: hours to sleep every night. I think when Maul closes

361
00:14:29,440 --> 00:14:31,800
Speaker 1: his eyes, he goes to sleep. You're fucking crazy, that is,

362
00:14:32,080 --> 00:14:34,960
Speaker 1: to lay down in bed and go and then fall asleep,

363
00:14:35,040 --> 00:14:37,480
Speaker 1: instead of having your mind race about thirty thousand fucking

364
00:14:37,480 --> 00:14:39,880
Speaker 1: things and hating yourself and wondering what.

365
00:14:41,080 --> 00:14:43,480
Speaker 2: I'm going to give you the secret, You have to

366
00:14:43,520 --> 00:14:46,359
Speaker 2: just lay down at night and say fuck.

367
00:14:46,120 --> 00:14:49,040
Speaker 3: It and go to sleep. I don't care what's happening.

368
00:14:49,400 --> 00:14:50,680
Speaker 3: I don't care who needs.

369
00:14:50,480 --> 00:14:51,680
Speaker 2: My next, who needs what?

370
00:14:51,880 --> 00:14:52,040
Speaker 5: Well?

371
00:14:52,040 --> 00:14:53,760
Speaker 1: Why why should I say fuck it? If I say

372
00:14:53,800 --> 00:14:56,040
Speaker 1: fuck it, this will happen. I want to say fuck it?

373
00:14:56,160 --> 00:14:57,560
Speaker 3: So what? So? What?

374
00:14:58,480 --> 00:14:58,600
Speaker 2: So?

375
00:14:58,680 --> 00:15:01,880
Speaker 1: What leads to all the things I can't control, of

376
00:15:01,920 --> 00:15:03,480
Speaker 1: all the possibilities of what would happen.

377
00:15:03,520 --> 00:15:05,200
Speaker 2: Because here's why it makes no sense to go to

378
00:15:05,240 --> 00:15:06,960
Speaker 2: bed stressed out and anxious and all.

379
00:15:06,840 --> 00:15:07,200
Speaker 3: Of this shit.

380
00:15:07,240 --> 00:15:09,680
Speaker 2: Because if you look back at every moment where you

381
00:15:09,800 --> 00:15:12,080
Speaker 2: have to control that I don't know how I'm gonna

382
00:15:12,080 --> 00:15:13,080
Speaker 2: get out of this situation.

383
00:15:13,800 --> 00:15:17,520
Speaker 4: Get out of it, right, Sure, that's really I'm still

384
00:15:17,520 --> 00:15:18,000
Speaker 4: a debt.

385
00:15:18,480 --> 00:15:21,880
Speaker 2: Yeah, but that's that's so people. So people with fifty

386
00:15:21,920 --> 00:15:22,960
Speaker 2: and hundred million dollars.

387
00:15:24,400 --> 00:15:26,240
Speaker 1: Yeah, but their debt is cute and part of their

388
00:15:26,280 --> 00:15:27,160
Speaker 1: IRS strategy.

389
00:15:28,240 --> 00:15:29,320
Speaker 4: Cute debt is funny.

390
00:15:29,320 --> 00:15:30,560
Speaker 3: It's taking a part of your own.

391
00:15:30,600 --> 00:15:31,200
Speaker 2: Have cute debt.

392
00:15:31,240 --> 00:15:33,320
Speaker 1: That's like, Hey, my company didn't make any money, but

393
00:15:33,360 --> 00:15:34,480
Speaker 1: I'm liquid six billion.

394
00:15:34,680 --> 00:15:38,080
Speaker 2: Yeah, so make that yours? I RS coy, I ain't

395
00:15:38,080 --> 00:15:39,040
Speaker 2: got it. What y'all gonna do?

396
00:15:39,080 --> 00:15:42,080
Speaker 1: I They told us they ain't got it either, exactly.

397
00:15:42,120 --> 00:15:43,840
Speaker 1: Broad still getting fixed, Like y'all ain't got it.

398
00:15:43,920 --> 00:15:45,360
Speaker 2: Y'all can't even find the two trillion.

399
00:15:45,920 --> 00:15:48,200
Speaker 1: Okay, If I do that, then I will be doing

400
00:15:48,200 --> 00:15:51,200
Speaker 1: the same strategy in a jail cell. If I do

401
00:15:51,280 --> 00:15:52,280
Speaker 1: the fucking IRS.

402
00:15:52,320 --> 00:15:54,560
Speaker 3: Now you have no Now you have no bills.

403
00:15:55,200 --> 00:15:58,680
Speaker 2: My asshole is probably that's that's movie shit that don't

404
00:15:58,680 --> 00:16:01,560
Speaker 2: happen in you. Why fuck that don't happen like that?

405
00:16:01,600 --> 00:16:01,800
Speaker 5: Man?

406
00:16:03,080 --> 00:16:05,520
Speaker 1: Wait, you don't think anyone would suck me in prison?

407
00:16:06,200 --> 00:16:08,920
Speaker 1: I'm not like no, that's like a little offensive. You

408
00:16:08,960 --> 00:16:12,160
Speaker 1: don't think I would you. I mean, I think I'd

409
00:16:12,160 --> 00:16:14,640
Speaker 1: be a pretty high pick breaker.

410
00:16:14,840 --> 00:16:16,240
Speaker 3: He wanted to do that draft on Patreon.

411
00:16:16,760 --> 00:16:18,440
Speaker 1: What do you think?

412
00:16:19,080 --> 00:16:20,200
Speaker 3: What do you think you get drifted?

413
00:16:20,720 --> 00:16:21,680
Speaker 2: Said was the funniest shit.

414
00:16:21,720 --> 00:16:23,480
Speaker 1: We just can't say it on mic of what rhymes

415
00:16:23,520 --> 00:16:25,560
Speaker 1: with patreon and what would happen in that situation.

416
00:16:27,040 --> 00:16:29,280
Speaker 2: Yeah, but you don't think like.

417
00:16:30,800 --> 00:16:33,160
Speaker 1: Coming like off the bus, like you know, I would

418
00:16:33,160 --> 00:16:35,440
Speaker 1: still do the jail strategy of taking the risk of

419
00:16:35,480 --> 00:16:37,720
Speaker 1: like starting a fight just so they know, you know,

420
00:16:37,840 --> 00:16:39,680
Speaker 1: you can't completely take advantage of me, and like I

421
00:16:39,680 --> 00:16:40,640
Speaker 1: still want to call my mom.

422
00:16:40,760 --> 00:16:42,280
Speaker 2: You can't have my commissary.

423
00:16:42,480 --> 00:16:44,200
Speaker 1: But before that, when I'm just like on some Andy

424
00:16:44,280 --> 00:16:46,760
Speaker 1: Dufrain getting off the bus and they all have cigarettes

425
00:16:46,760 --> 00:16:48,720
Speaker 1: in their bedding, because I think prison is just like

426
00:16:48,760 --> 00:16:51,640
Speaker 1: the nineteen forties, You don't think I would be high

427
00:16:51,680 --> 00:16:53,760
Speaker 1: on the rape list of I just got my underreyes done.

428
00:16:54,160 --> 00:16:57,120
Speaker 2: I'm looking young, rejuvenated. Well, because you're a redhead, and

429
00:16:57,200 --> 00:16:58,760
Speaker 2: you know, you're like a trophy in the hood. A

430
00:16:58,800 --> 00:17:01,520
Speaker 2: lot of guys have never dated a redhead or slept

431
00:17:01,520 --> 00:17:02,080
Speaker 2: with a redhead.

432
00:17:02,160 --> 00:17:04,520
Speaker 1: So maybe I got a lot of pussy I didn't

433
00:17:04,520 --> 00:17:07,399
Speaker 1: deserve because a lot of women had never slept with

434
00:17:07,400 --> 00:17:08,560
Speaker 1: a white redhead, and we're just.

435
00:17:08,520 --> 00:17:09,119
Speaker 2: Like, I'm curious.

436
00:17:09,200 --> 00:17:11,280
Speaker 1: Yeah, exactly, bunch of pussy I didn't deserve. So I

437
00:17:11,280 --> 00:17:13,040
Speaker 1: think I'd get a lot of prison rate that I

438
00:17:13,040 --> 00:17:13,679
Speaker 1: don't deserve.

439
00:17:13,720 --> 00:17:15,080
Speaker 2: But i'd be a commodity.

440
00:17:14,720 --> 00:17:16,560
Speaker 4: They're gonna select. You'll call you firecrotch.

441
00:17:17,560 --> 00:17:18,920
Speaker 3: What firecrotch?

442
00:17:19,280 --> 00:17:21,560
Speaker 4: They want to see if the if the curtains mashed

443
00:17:21,560 --> 00:17:22,040
Speaker 4: the drapes.

444
00:17:23,680 --> 00:17:26,720
Speaker 1: Unfortunately, they'd be a little disappointed because it's hardwood floors

445
00:17:26,760 --> 00:17:33,879
Speaker 1: and and that shower, John, you have hor shave. Shaving

446
00:17:33,960 --> 00:17:36,399
Speaker 1: your pews in prison would be the funniest. Yeah, what

447
00:17:36,440 --> 00:17:39,680
Speaker 1: you're doing, man, that's what you're using your razor.

448
00:17:39,520 --> 00:17:43,280
Speaker 2: Your man escaping in prison is wild. What you don't.

449
00:17:44,760 --> 00:17:48,159
Speaker 3: What you mean, like what you're shaving in prison for?

450
00:17:49,640 --> 00:17:50,680
Speaker 3: What's the point of that?

451
00:17:50,840 --> 00:17:51,680
Speaker 4: Maybe, I don't know.

452
00:17:51,720 --> 00:17:53,639
Speaker 2: You ain't got no action. Ain't nobody finna come in

453
00:17:53,640 --> 00:17:56,159
Speaker 2: here and see you, unless I mean you would do

454
00:17:56,320 --> 00:17:57,200
Speaker 2: some other ship in prison.

455
00:17:57,200 --> 00:17:57,600
Speaker 3: I don't know.

456
00:17:57,640 --> 00:17:59,880
Speaker 2: That's you know, that's Luigi was getting his haircuts and ship.

457
00:18:00,680 --> 00:18:01,919
Speaker 2: He's been in there for two weeks.

458
00:18:03,560 --> 00:18:07,080
Speaker 1: But but Luigi, first of all, what they said about

459
00:18:07,119 --> 00:18:09,399
Speaker 1: Luigi we don't know that this is a fact going

460
00:18:09,440 --> 00:18:11,600
Speaker 1: off the news that never lies to us. He's a

461
00:18:11,720 --> 00:18:19,399
Speaker 1: by curious Italian Ivy League graduate. He definitely has a

462
00:18:19,520 --> 00:18:24,199
Speaker 1: very interesting pubic area and how he chooses to to

463
00:18:24,280 --> 00:18:28,400
Speaker 1: shape it up Italians are Harry, I don't know how.

464
00:18:28,359 --> 00:18:30,640
Speaker 2: You got to that math, but you know it's all good.

465
00:18:31,880 --> 00:18:35,760
Speaker 1: Strip something yeah, something interesting. Okay, some of the little

466
00:18:35,760 --> 00:18:38,040
Speaker 1: like vintage nineties to you know, mix it up. But

467
00:18:38,040 --> 00:18:39,480
Speaker 1: he's been getting But he's been getting a haircuts.

468
00:18:39,440 --> 00:18:41,960
Speaker 3: They said he's been in there two weeks. How many

469
00:18:41,960 --> 00:18:45,320
Speaker 3: haircutters is he getting? He's been in jail two weeks.

470
00:18:45,400 --> 00:18:47,640
Speaker 2: He just caught that nigga two weeks ago.

471
00:18:47,680 --> 00:18:49,879
Speaker 3: How many haircuts are you getting in two weeks?

472
00:18:51,000 --> 00:18:54,040
Speaker 1: That's hilarious. Well, I don't know how he even got

473
00:18:54,080 --> 00:18:56,840
Speaker 1: on the prison rate. But over the holidays, let's not

474
00:18:56,960 --> 00:18:59,920
Speaker 1: avoid the actual elephant in the entire fucking room. Mall

475
00:19:00,320 --> 00:19:03,160
Speaker 1: needs to come clean and apologize to everyone in this room.

476
00:19:03,600 --> 00:19:05,359
Speaker 4: He gonna gas like you say, Oh, I didn't know

477
00:19:05,359 --> 00:19:06,320
Speaker 4: it was only on Netflix.

478
00:19:06,359 --> 00:19:10,280
Speaker 2: Watch Oh that did we spoke about that off camera? No,

479
00:19:10,440 --> 00:19:11,280
Speaker 2: let's set it up.

480
00:19:11,800 --> 00:19:14,679
Speaker 1: Oh my god, weeks and weeks ago when Beyonce had

481
00:19:14,720 --> 00:19:20,840
Speaker 1: announced she would be performing on Netflix Houston. What's is

482
00:19:20,960 --> 00:19:21,800
Speaker 1: the Astros anymore?

483
00:19:21,880 --> 00:19:23,960
Speaker 2: The Dome Houston Texans.

484
00:19:23,840 --> 00:19:27,440
Speaker 1: Ratlift Stadium, whatever is in Friday Night Lights? She performed

485
00:19:27,440 --> 00:19:33,240
Speaker 1: at halftime. You said it would surpass the mark of

486
00:19:33,320 --> 00:19:37,560
Speaker 1: the Super Bowl watch numbers, which we looked up, which

487
00:19:37,600 --> 00:19:40,560
Speaker 1: I think was averaged around in the eighty millions. And

488
00:19:40,560 --> 00:19:42,680
Speaker 1: Beyonce did, from what I understand, twenty seven or did

489
00:19:42,680 --> 00:19:47,200
Speaker 1: the entire day due twenty seven with Mariah Carey opening

490
00:19:47,280 --> 00:19:48,600
Speaker 1: up the Steelers game or whatever.

491
00:19:48,520 --> 00:19:51,720
Speaker 4: Was No, she did twenty seven like during her halftime performance.

492
00:19:52,480 --> 00:19:56,240
Speaker 2: Okay, and then that's incredible, incredible, And did I not

493
00:19:56,320 --> 00:19:59,200
Speaker 2: sit in here when we were off camera and say, oh,

494
00:19:59,280 --> 00:20:03,200
Speaker 2: I didn't realize it was exclusive only Netflix, but we

495
00:20:03,440 --> 00:20:04,680
Speaker 2: knew that. I didn't know.

496
00:20:04,640 --> 00:20:06,359
Speaker 1: That that was the whole thing. We even talked about

497
00:20:06,440 --> 00:20:10,119
Speaker 1: this is a crazy shift. If Netflix ends up getting

498
00:20:10,119 --> 00:20:13,520
Speaker 1: the TV rights down the line, that changes everything.

499
00:20:13,960 --> 00:20:15,040
Speaker 2: We had a whole conversation.

500
00:20:15,080 --> 00:20:18,000
Speaker 1: It's okay to say that it was nowhere near what's

501
00:20:18,040 --> 00:20:20,080
Speaker 1: gonna happen with not like us. In February.

502
00:20:20,240 --> 00:20:22,359
Speaker 4: You literally said you were like, oh, Netflix better not

503
00:20:22,400 --> 00:20:24,680
Speaker 4: crash how they did with Jake Paul and what you

504
00:20:24,720 --> 00:20:27,280
Speaker 4: might call it, Beyonce. That was like your first sentence.

505
00:20:27,440 --> 00:20:29,600
Speaker 2: Yeah, but I still didn't because when I think it

506
00:20:29,640 --> 00:20:31,119
Speaker 2: was me and Peage was in there. But we was

507
00:20:31,119 --> 00:20:33,640
Speaker 2: talking about it and I was like, oh, so this

508
00:20:33,680 --> 00:20:37,199
Speaker 2: is exclusively these games only on Netflix this day, and

509
00:20:37,240 --> 00:20:38,640
Speaker 2: he was like yeah. I was like, oh shit, See

510
00:20:38,680 --> 00:20:41,520
Speaker 2: I didn't know that, and I really didn't. But that's

511
00:20:41,560 --> 00:20:44,800
Speaker 2: neither here nor there. Of course, it didn't surpass those numbers.

512
00:20:45,560 --> 00:20:48,800
Speaker 2: But the point I was trying to make was the

513
00:20:48,840 --> 00:20:52,520
Speaker 2: performance aspect of it. Yeah, this is essentially like performing

514
00:20:52,600 --> 00:20:55,400
Speaker 2: after Michael Jackson, who wants to get on stage after Mike.

515
00:20:55,440 --> 00:20:57,760
Speaker 1: Okay, I respect that you are shifting the narrative to

516
00:20:57,800 --> 00:21:00,880
Speaker 1: take any accountability and that you were definitely wrong of

517
00:21:01,320 --> 00:21:05,040
Speaker 1: Beyonce surpassing any Super Bowl numbers. With that said, I

518
00:21:05,080 --> 00:21:07,880
Speaker 1: will now come to this new conversation, which is, of course,

519
00:21:07,960 --> 00:21:11,560
Speaker 1: Kendrick Lamar is not going to outperform Beyonce Noles Carter

520
00:21:11,960 --> 00:21:16,399
Speaker 1: at any live performance, and this being a performance of

521
00:21:16,440 --> 00:21:19,320
Speaker 1: Beyonces that didn't have all her hit records, maybe my

522
00:21:19,400 --> 00:21:22,639
Speaker 1: favorite Beyonce performance I've ever seen in my fucking life. Really,

523
00:21:22,640 --> 00:21:26,280
Speaker 1: this shit should be in the Smithsonian of live performances.

524
00:21:26,760 --> 00:21:28,600
Speaker 1: It was so fucking good. I don't care if you

525
00:21:28,640 --> 00:21:31,520
Speaker 1: call me a dick ryder. I like to watch Legends

526
00:21:31,560 --> 00:21:34,240
Speaker 1: on Christmas Day perform better than everyone else.

527
00:21:34,720 --> 00:21:38,320
Speaker 2: That shit was insane. It didn't matter I knew.

528
00:21:38,119 --> 00:21:40,400
Speaker 1: The songs because I really do like Cowboy Carter play.

529
00:21:40,400 --> 00:21:43,840
Speaker 1: It often was even in my Spotify. Shit, even if

530
00:21:43,880 --> 00:21:46,960
Speaker 1: you didn't know any of those fucking songs. Every single

531
00:21:47,080 --> 00:21:50,320
Speaker 1: record hit with a new performance. It was incredible. It

532
00:21:50,359 --> 00:21:52,720
Speaker 1: was a masterclass. I can't think of the last time

533
00:21:52,720 --> 00:21:55,879
Speaker 1: I saw a performance that good, including Beyonce at the

534
00:21:55,920 --> 00:22:00,040
Speaker 1: super Bowl. This was better than her brutal marshit. I

535
00:22:00,040 --> 00:22:01,240
Speaker 1: know it's a litt unfair because it was a lot

536
00:22:01,280 --> 00:22:03,680
Speaker 1: of other person that she also.

537
00:22:03,480 --> 00:22:05,480
Speaker 4: Had her own super Bowl, though, I feel like y'all

538
00:22:05,520 --> 00:22:09,000
Speaker 4: keep forgetting that. Oh yeah, she reunited Destiny shit.

539
00:22:09,080 --> 00:22:11,080
Speaker 1: Yeah, and I still think this was better I saw

540
00:22:11,119 --> 00:22:12,720
Speaker 1: On The Run too, which was one of my favorite

541
00:22:12,720 --> 00:22:17,920
Speaker 1: shows in person. If she had this type of energy

542
00:22:17,920 --> 00:22:20,639
Speaker 1: for an entire concert, I think it could be on

543
00:22:20,720 --> 00:22:24,199
Speaker 1: the Run too. And maybe I'm having way too much

544
00:22:24,240 --> 00:22:26,000
Speaker 1: of a hot take in real time. That was one

545
00:22:26,040 --> 00:22:27,600
Speaker 1: of the best performances I've ever seen.

546
00:22:27,640 --> 00:22:29,600
Speaker 2: I love the fact that she incorporated, you know, a

547
00:22:29,600 --> 00:22:34,560
Speaker 2: lot of the young country artists, black country artist.

548
00:22:34,920 --> 00:22:37,440
Speaker 4: I thought that was amazing, the first black rodeo queen

549
00:22:37,480 --> 00:22:39,679
Speaker 4: from Arkansas. I'm not mistaking. She had her on one

550
00:22:39,680 --> 00:22:43,719
Speaker 4: of the floats. Bluebe was there, I said, yelled yet

551
00:22:43,760 --> 00:22:44,440
Speaker 4: louder for Blue.

552
00:22:45,960 --> 00:22:47,880
Speaker 1: It was definitely a nice surprise when Blue just stay

553
00:22:47,920 --> 00:22:48,280
Speaker 1: in the frame.

554
00:22:48,320 --> 00:22:51,520
Speaker 4: It was like Blue yep, Like it's so nice to

555
00:22:51,560 --> 00:22:53,040
Speaker 4: see her. She does such a good.

556
00:22:52,920 --> 00:22:55,800
Speaker 1: Job and only for the real Beehive. It was nice

557
00:22:55,800 --> 00:22:58,360
Speaker 1: to see Ashley the dance captain. Right when I saw

558
00:22:58,480 --> 00:23:01,600
Speaker 1: Ashley and Blue, I was blew my behiveh fucking mind

559
00:23:02,040 --> 00:23:03,320
Speaker 1: felt like twenty sixteen all.

560
00:23:03,240 --> 00:23:06,840
Speaker 2: Over against now. She looked great, she sounded great. Seeing

561
00:23:06,840 --> 00:23:09,359
Speaker 2: a lot of people online saying that Beyonce wasn't singing,

562
00:23:09,480 --> 00:23:12,439
Speaker 2: let me just assure y'all was that Beyonce was definitely singing.

563
00:23:13,480 --> 00:23:16,520
Speaker 2: But I thought the performance was dope. I just I

564
00:23:16,560 --> 00:23:23,560
Speaker 2: think everything just looked perfect, the costumes, the choreography, obviously,

565
00:23:23,560 --> 00:23:26,840
Speaker 2: her vocals sounded amazing. I thought it was dope. I

566
00:23:26,880 --> 00:23:28,840
Speaker 2: thought it was a really really good show. And back

567
00:23:28,880 --> 00:23:31,199
Speaker 2: to what I was originally saying was the fact of

568
00:23:31,240 --> 00:23:32,080
Speaker 2: the performance?

569
00:23:32,680 --> 00:23:33,439
Speaker 3: How man?

570
00:23:33,560 --> 00:23:34,280
Speaker 2: That is what I said.

571
00:23:34,320 --> 00:23:36,320
Speaker 4: I said that he did say that.

572
00:23:36,640 --> 00:23:39,720
Speaker 1: You would never argue that Kendrick Lamar would not would

573
00:23:39,760 --> 00:23:40,960
Speaker 1: do a better performance than Beyonce.

574
00:23:41,680 --> 00:23:44,880
Speaker 2: I said, if you're Kendrick, are you upset that they

575
00:23:45,000 --> 00:23:48,400
Speaker 2: booked such a huge artist, a great performer like that,

576
00:23:48,800 --> 00:23:52,320
Speaker 2: two much before your dude to hit essentially the same stage,

577
00:23:52,320 --> 00:23:55,400
Speaker 2: which would be a halftime show for the NFL.

578
00:23:56,040 --> 00:23:58,920
Speaker 1: I don't know if i'd feel away because it's.

579
00:23:58,960 --> 00:24:02,760
Speaker 2: We've never seen this before where somebody performed earlier, like

580
00:24:03,280 --> 00:24:06,000
Speaker 2: Christmas Day that's essentially a bigger artist than the one

581
00:24:06,040 --> 00:24:08,280
Speaker 2: that has the super Bowl halftime show. I don't think

582
00:24:08,320 --> 00:24:12,040
Speaker 2: we've ever seen that. Yeah, this is something totally different.

583
00:24:12,119 --> 00:24:14,800
Speaker 2: So I was posing the question of if I'm Kendrick,

584
00:24:14,840 --> 00:24:17,320
Speaker 2: and I don't know how people don't feel like Kendrick

585
00:24:17,320 --> 00:24:19,440
Speaker 2: woudn't feel a way about that like any artist wild

586
00:24:19,440 --> 00:24:21,000
Speaker 2: feel about like god d I gotta go out of

587
00:24:21,000 --> 00:24:24,439
Speaker 2: here and and top that, like fuck.

588
00:24:24,760 --> 00:24:27,320
Speaker 4: But I think when it's Beyonce, nobody expects you to

589
00:24:27,320 --> 00:24:30,600
Speaker 4: top it. You can't expects you to rite.

590
00:24:30,640 --> 00:24:34,760
Speaker 2: But we've also never seen something to a Christmas Day

591
00:24:34,840 --> 00:24:38,480
Speaker 2: the artist that's performing at that halftime show is bigger.

592
00:24:38,680 --> 00:24:40,639
Speaker 2: It's a bigger artist than the person that has the

593
00:24:40,680 --> 00:24:43,880
Speaker 2: super Bowl halftime. We've never I don't know, maybe I'm wrong,

594
00:24:43,920 --> 00:24:44,760
Speaker 2: but I've never seen that.

595
00:24:44,800 --> 00:24:47,880
Speaker 1: I'll say this, Let's say if maybe a Travis Scott

596
00:24:47,920 --> 00:24:50,919
Speaker 1: did Christmas and completely smoked it, Like we know he's

597
00:24:50,960 --> 00:24:53,840
Speaker 1: a great live performer, but even above what Travis usually does,

598
00:24:54,760 --> 00:24:58,119
Speaker 1: then I think Kendrick would have more pressure, like Damn

599
00:24:58,160 --> 00:25:00,080
Speaker 1: Tyler killed Christmas.

600
00:24:59,760 --> 00:25:00,639
Speaker 3: Because he's a rapper.

601
00:25:01,520 --> 00:25:05,040
Speaker 1: Yes, I don't know if anyone that's alive could be

602
00:25:05,080 --> 00:25:08,440
Speaker 1: compared to a Beyonce live show at all. I think

603
00:25:08,480 --> 00:25:10,400
Speaker 1: everyone that could is passed.

604
00:25:10,720 --> 00:25:13,320
Speaker 2: I mean people, people, people online killed me. They told

605
00:25:13,359 --> 00:25:16,400
Speaker 2: me that Travis Scott performs better. They told me that

606
00:25:16,600 --> 00:25:19,720
Speaker 2: Bruno Mars performs better. They told me that Chris Brown

607
00:25:19,760 --> 00:25:21,640
Speaker 2: performs better. They told me.

608
00:25:21,600 --> 00:25:23,320
Speaker 1: That one person on Twitter say that, or like, well,

609
00:25:23,320 --> 00:25:23,679
Speaker 1: a few.

610
00:25:23,520 --> 00:25:25,200
Speaker 2: People were chiming in. I mean a lot of people

611
00:25:25,760 --> 00:25:28,720
Speaker 2: named Chris. And you know, we always give Chris what

612
00:25:28,800 --> 00:25:32,720
Speaker 2: I do. Y'all think that he's okay, a better dancer, yeah,

613
00:25:32,720 --> 00:25:36,439
Speaker 2: but I always give Chris his his his his his

614
00:25:36,520 --> 00:25:39,879
Speaker 2: flowers for being an incredible performer, but he was one

615
00:25:39,920 --> 00:25:41,679
Speaker 2: of their names. He was one of the names that

616
00:25:41,720 --> 00:25:45,119
Speaker 2: a lot of people online kind of threw in the mentions.

617
00:25:45,160 --> 00:25:47,840
Speaker 2: But people were running down a whole bunch of names,

618
00:25:47,880 --> 00:25:49,639
Speaker 2: and I was I didn't respond. I was like, all right, man,

619
00:25:49,720 --> 00:25:52,480
Speaker 2: y'all at this point, fucking anybody can perform better than Beyonce.

620
00:25:52,520 --> 00:25:56,040
Speaker 2: If y'all start naming Travis Scott and Bruno Mars, It's like,

621
00:25:56,080 --> 00:25:56,679
Speaker 2: all right, man.

622
00:25:56,760 --> 00:25:58,520
Speaker 1: But you can't win in that Twitter shit, because even

623
00:25:58,520 --> 00:26:00,560
Speaker 1: though I know some people do have rough holidays and

624
00:26:00,560 --> 00:26:03,560
Speaker 1: take it out on everyone else, by the numbers on Twitter,

625
00:26:03,560 --> 00:26:05,239
Speaker 1: that couldn't have been the case. Some people are just

626
00:26:05,320 --> 00:26:08,359
Speaker 1: like miserable all the time. Why are you so upset

627
00:26:08,400 --> 00:26:11,680
Speaker 1: that I enjoyed a Beyonce concert on fucking Christmas Day?

628
00:26:12,760 --> 00:26:17,119
Speaker 1: I don't know, because that upset because I tweeted some

629
00:26:17,160 --> 00:26:18,600
Speaker 1: ebonezer shit, she's.

630
00:26:18,400 --> 00:26:21,160
Speaker 2: The best, that she's the best performer. Like, I don't

631
00:26:21,160 --> 00:26:21,960
Speaker 2: think that's a hot take.

632
00:26:22,040 --> 00:26:24,480
Speaker 1: Yeah, I think that's a pretty sound take what I've

633
00:26:24,520 --> 00:26:25,399
Speaker 1: learned about Beyonce.

634
00:26:25,520 --> 00:26:27,760
Speaker 4: And I think this is Moll's same point with Drake,

635
00:26:27,800 --> 00:26:29,800
Speaker 4: but I think it leans more. I think it's very

636
00:26:29,800 --> 00:26:32,880
Speaker 4: easy with Beyonce because she's a woman. People hate what

637
00:26:32,960 --> 00:26:35,760
Speaker 4: everybody loves if some If everybody loves something, there are

638
00:26:35,800 --> 00:26:38,600
Speaker 4: some people who are just determined to hate it. They

639
00:26:38,600 --> 00:26:42,440
Speaker 4: are determined to be the contrarian, and it's annoying as fuck.

640
00:26:42,480 --> 00:26:44,240
Speaker 4: I see it with Beyonce a lot. They're like, oh

641
00:26:44,320 --> 00:26:45,919
Speaker 4: my gosh, she's so overrated. You don't have to like

642
00:26:45,960 --> 00:26:47,479
Speaker 4: her music, but you don't have to say that her

643
00:26:47,520 --> 00:26:48,400
Speaker 4: talent is overrated.

644
00:26:48,440 --> 00:26:48,919
Speaker 3: It's okay.

645
00:26:49,800 --> 00:26:52,000
Speaker 4: Your favorite artist or favorite singer that you're listening to.

646
00:26:52,080 --> 00:26:54,600
Speaker 4: Your cool little indie artists looks up to Beyonce will

647
00:26:54,640 --> 00:26:56,240
Speaker 4: probably shit their pants if she was the blow of

648
00:26:56,320 --> 00:26:57,040
Speaker 4: kissing their direction.

649
00:26:57,160 --> 00:27:00,240
Speaker 2: I just think it's I just think it's the fatigue

650
00:27:00,280 --> 00:27:03,200
Speaker 2: of seeing somebody be great for so long. I think

651
00:27:03,200 --> 00:27:05,360
Speaker 2: at some point you kind of want to see somebody

652
00:27:05,400 --> 00:27:08,560
Speaker 2: else surpass that person and kind of see them. And

653
00:27:08,640 --> 00:27:10,960
Speaker 2: I understand that. But my thing is, at least let

654
00:27:11,000 --> 00:27:14,679
Speaker 2: it actually happen. At least let somebody come along and

655
00:27:14,760 --> 00:27:17,639
Speaker 2: really be better, a better performer than Beyonce, and be

656
00:27:17,680 --> 00:27:19,960
Speaker 2: a better artist than Beyonce. Like, let it actually, but

657
00:27:20,040 --> 00:27:22,440
Speaker 2: don't just start taking who you think is your favorite

658
00:27:23,160 --> 00:27:25,000
Speaker 2: artists and like ooh nah. You know Travis Scott, you

659
00:27:25,000 --> 00:27:25,840
Speaker 2: know he would have smoked that.

660
00:27:25,880 --> 00:27:29,959
Speaker 1: And it's like, I mean, I definitely have contrarian tendencies

661
00:27:30,040 --> 00:27:33,840
Speaker 1: for sure, but I also love greatness. Like what's you

662
00:27:33,840 --> 00:27:35,359
Speaker 1: guys don't want to live in an era where we

663
00:27:35,440 --> 00:27:38,480
Speaker 1: witness greatness? Like I'm not a Chiefs fan by any means.

664
00:27:39,040 --> 00:27:42,960
Speaker 1: I think it's really great to watch Patrick Mahomes possibly

665
00:27:43,000 --> 00:27:44,560
Speaker 1: become one of the greatest quarterbacks of all time.

666
00:27:44,680 --> 00:27:46,679
Speaker 2: I love that I get to witness that. Yeah, I was.

667
00:27:46,680 --> 00:27:49,280
Speaker 1: Alive for the Jordan shit, but I was such a kid.

668
00:27:49,280 --> 00:27:52,800
Speaker 1: I didn't get to witness too much of it. I'm

669
00:27:52,840 --> 00:27:56,520
Speaker 1: not gonna hate the Chiefs because they're winning all the time, right,

670
00:27:56,520 --> 00:27:58,120
Speaker 1: we get to witness fucking greatness here.

671
00:27:58,200 --> 00:28:00,080
Speaker 2: Yeah, but I think you know someone who doesn't want.

672
00:27:59,920 --> 00:28:02,880
Speaker 1: To Even if you didn't listen to Cowboy Carter, what's

673
00:28:02,920 --> 00:28:05,440
Speaker 1: wrong with seeing a masterclass and how to perform?

674
00:28:05,760 --> 00:28:07,679
Speaker 2: That was my thing? Even if you never heard Cowboy

675
00:28:07,720 --> 00:28:11,160
Speaker 2: Carter and you saw that performance, if you if you're

676
00:28:11,160 --> 00:28:14,080
Speaker 2: into live performance in artistry, you have to have look

677
00:28:14,119 --> 00:28:14,880
Speaker 2: at that.

678
00:28:15,480 --> 00:28:18,439
Speaker 1: Into art by any means, they're into opinion, and to

679
00:28:18,520 --> 00:28:21,119
Speaker 1: Demarius's point, they want to have the opposite opinion of

680
00:28:21,119 --> 00:28:23,280
Speaker 1: what everyone's saying because they think it garners some type

681
00:28:23,280 --> 00:28:26,360
Speaker 1: of attention if they say, yeah, Beyonce's performance is great,

682
00:28:26,359 --> 00:28:28,399
Speaker 1: but why didn't she address Diddy during the performance, like

683
00:28:28,640 --> 00:28:29,240
Speaker 1: now you're all right?

684
00:28:29,240 --> 00:28:29,400
Speaker 3: Man?

685
00:28:29,440 --> 00:28:32,080
Speaker 1: Like I can't even have a conversation with you, Like, okay,

686
00:28:32,200 --> 00:28:33,120
Speaker 1: but what about Epstein?

687
00:28:33,680 --> 00:28:38,680
Speaker 2: What she's on the flight log? So are you all right?

688
00:28:39,400 --> 00:28:39,920
Speaker 1: Isn't on that?

689
00:28:40,200 --> 00:28:42,360
Speaker 2: But shout out to Beyonce. She definitely did her thing.

690
00:28:42,560 --> 00:28:44,040
Speaker 4: Did you guys watch the football games?

691
00:28:44,280 --> 00:28:44,480
Speaker 1: Yeah?

692
00:28:44,600 --> 00:28:45,200
Speaker 4: Actual games.

693
00:28:45,640 --> 00:28:48,240
Speaker 1: I didn't miss Ryan Carroll And I'm not here to start.

694
00:28:48,080 --> 00:28:50,880
Speaker 4: An arguing it the pre recorded performance, Okay, she mouthed,

695
00:28:50,920 --> 00:28:53,720
Speaker 4: she didn't even record. She mouthed the lyrics.

696
00:28:53,400 --> 00:28:54,080
Speaker 2: Sam on top of it.

697
00:28:54,240 --> 00:28:57,520
Speaker 4: Yeah, the Steelers stressed me out so bad, and I

698
00:28:57,720 --> 00:29:00,720
Speaker 4: remembered why I stopped being a stealer. You're still yeah,

699
00:29:00,760 --> 00:29:02,880
Speaker 4: I was always a Steelers fan. I stopped watching football

700
00:29:02,960 --> 00:29:06,280
Speaker 4: during the boycott, and then my cousin got drafted to

701
00:29:06,320 --> 00:29:08,120
Speaker 4: the Giants, so I was like, okay, well I'll go

702
00:29:08,400 --> 00:29:09,920
Speaker 4: That's when I started watching football again.

703
00:29:10,120 --> 00:29:13,360
Speaker 1: You agreed with police brutality after he was drafted, naturally,

704
00:29:13,360 --> 00:29:14,840
Speaker 1: then you're like you know what I mean, Come on,

705
00:29:14,960 --> 00:29:18,720
Speaker 1: black lives matter, but I thought we're we'reeing.

706
00:29:18,840 --> 00:29:22,680
Speaker 2: Giants are plant. Black lives matter, but giants are plant.

707
00:29:22,760 --> 00:29:24,000
Speaker 3: Like I get it.

708
00:29:24,720 --> 00:29:27,480
Speaker 2: They put racism in the end zone. Problem.

709
00:29:27,680 --> 00:29:31,000
Speaker 4: Back into into watching the Steelers and you know, try

710
00:29:31,040 --> 00:29:34,120
Speaker 4: to see Russell do some good things, but it was tough.

711
00:29:34,320 --> 00:29:37,280
Speaker 1: Are you a Steelers fan? Because of it's usually your.

712
00:29:37,200 --> 00:29:40,320
Speaker 4: Dad that makes you a Steelers Fanteelers fan, my mother

713
00:29:40,400 --> 00:29:41,160
Speaker 4: is a Giants fan.

714
00:29:41,760 --> 00:29:43,400
Speaker 2: How did you end up with the Steelers? Who you

715
00:29:43,480 --> 00:29:44,600
Speaker 2: liked big roths?

716
00:29:44,680 --> 00:29:47,560
Speaker 4: Well, when I was when I was when I had

717
00:29:47,600 --> 00:29:51,200
Speaker 4: a crush to not be beautiful, but.

718
00:29:50,800 --> 00:29:52,880
Speaker 2: But Troy Conditioned through the screen.

719
00:29:53,080 --> 00:29:55,640
Speaker 4: Yeah, I had the hugest crush on him. But then

720
00:29:55,680 --> 00:30:00,080
Speaker 4: I actually got into the game because.

721
00:29:59,400 --> 00:30:02,120
Speaker 1: But Troy po Yeah, I mean one of the greatest

722
00:30:02,160 --> 00:30:03,880
Speaker 1: defensive players of all time. So I can't be mad

723
00:30:03,880 --> 00:30:04,840
Speaker 1: at that at all.

724
00:30:04,920 --> 00:30:05,960
Speaker 3: But luxurious here.

725
00:30:06,160 --> 00:30:09,000
Speaker 1: Usually when it's Cowboys or Steelers, it's always their dad

726
00:30:09,280 --> 00:30:11,240
Speaker 1: liked the teams in the eighties. But I've come to

727
00:30:11,240 --> 00:30:14,360
Speaker 1: find out of people that aren't from pittsburghor Dollas. It

728
00:30:14,440 --> 00:30:17,640
Speaker 1: was a good, good Christmas for football. I enjoyed it.

729
00:30:18,880 --> 00:30:22,120
Speaker 1: Other than that, it was pretty fucking calm. Yeah, same

730
00:30:22,280 --> 00:30:24,680
Speaker 1: didn't didn't do much of anything at all.

731
00:30:24,720 --> 00:30:25,960
Speaker 4: I turn it up for New Year's Eve.

732
00:30:26,320 --> 00:30:30,960
Speaker 3: I know I'm in the house, but you okay, somebody

733
00:30:31,040 --> 00:30:32,560
Speaker 3: I'm going to baby The's house with New Years.

734
00:30:33,480 --> 00:30:35,520
Speaker 2: You're cooking all that ship I'm coming in there. I

735
00:30:35,560 --> 00:30:38,160
Speaker 2: just want to smell it. The food, the food, because

736
00:30:38,160 --> 00:30:40,680
Speaker 2: you know, the internet to take that and they'll go

737
00:30:40,720 --> 00:30:42,520
Speaker 2: their way with it. The food, she says, she cooking

738
00:30:42,640 --> 00:30:47,680
Speaker 2: smoked turkey neck and mother turkey wings, some mother turkey

739
00:30:47,680 --> 00:30:48,720
Speaker 2: wings and rice.

740
00:30:48,520 --> 00:30:52,040
Speaker 3: And peas and bake mac. Now I'm not doing the

741
00:30:52,120 --> 00:30:53,640
Speaker 3: potato salad with the peppery going there.

742
00:30:53,840 --> 00:30:57,560
Speaker 4: Nah, potato salad. No, I'm not cooking all that. It's

743
00:30:57,680 --> 00:31:00,560
Speaker 4: just me, Like it's just me. I am doing a

744
00:31:00,600 --> 00:31:03,000
Speaker 4: stuff shrimp though, crab stuff shrimp h.

745
00:31:04,520 --> 00:31:05,640
Speaker 2: And uh.

746
00:31:05,840 --> 00:31:09,400
Speaker 1: An artist friend of mine texted me yesterday about New

747
00:31:09,480 --> 00:31:11,520
Speaker 1: Year's Eve plans and sent a whole bunch of fucking

748
00:31:11,560 --> 00:31:14,560
Speaker 1: locations that there's no way I'm going we record I

749
00:31:14,600 --> 00:31:16,960
Speaker 1: think not the next day. With the day after that

750
00:31:17,480 --> 00:31:22,880
Speaker 1: sending fucking uh piss on me, Dubai Flyers, Miami. Uh,

751
00:31:23,080 --> 00:31:24,960
Speaker 1: let's go to Saint Tom's all the shit where I'm like, yeah,

752
00:31:25,000 --> 00:31:28,080
Speaker 1: it sounds cool, but I can't do that just with Tom.

753
00:31:28,240 --> 00:31:30,000
Speaker 1: I'm not gonna say I'll tell you guys off Mike. Okay,

754
00:31:30,280 --> 00:31:31,880
Speaker 1: everyone knows who this person is.

755
00:31:31,960 --> 00:31:32,360
Speaker 3: This what I'm not.

756
00:31:33,760 --> 00:31:37,040
Speaker 1: She hit me this morning and said, what if I

757
00:31:37,120 --> 00:31:41,080
Speaker 1: had two tickets tomorrow a Lago on Christmas Eve? I said,

758
00:31:41,120 --> 00:31:43,760
Speaker 1: how the fuck did you get two tickets tomorrow Laco

759
00:31:44,120 --> 00:31:46,280
Speaker 1: for Christmas Eve party to go see.

760
00:31:46,080 --> 00:31:46,800
Speaker 2: The Big Don.

761
00:31:48,440 --> 00:31:51,480
Speaker 1: The answer is no, But now I have some question.

762
00:31:51,680 --> 00:31:53,800
Speaker 1: I didn't care about us getting shitted on in Dubai.

763
00:31:53,960 --> 00:31:56,680
Speaker 1: That checks out. That's fine. I understand that's part of

764
00:31:56,720 --> 00:32:00,360
Speaker 1: the game, Emirates. If all expenses paid, you gotta take

765
00:32:00,360 --> 00:32:01,240
Speaker 1: a little piss in the face.

766
00:32:01,280 --> 00:32:01,720
Speaker 2: It's whatever.

767
00:32:01,760 --> 00:32:03,400
Speaker 1: I just got my eyes done. I'll be all right.

768
00:32:03,600 --> 00:32:06,680
Speaker 1: I'll fit in. But the mar A Lago plus one

769
00:32:06,840 --> 00:32:08,640
Speaker 1: was not what I was expecting to close my year

770
00:32:08,640 --> 00:32:12,080
Speaker 1: out with, and part of me, who is not a

771
00:32:12,120 --> 00:32:15,080
Speaker 1: supporter whatsoever, was a bit curious just to see what

772
00:32:15,120 --> 00:32:15,600
Speaker 1: it looks like.

773
00:32:15,880 --> 00:32:16,680
Speaker 3: Yeah, why not.

774
00:32:18,480 --> 00:32:19,280
Speaker 4: I would go.

775
00:32:20,760 --> 00:32:22,040
Speaker 3: You're supposed to go to marl Lago.

776
00:32:22,600 --> 00:32:25,280
Speaker 1: It's a short flight too. Yeah, I can make it

777
00:32:25,320 --> 00:32:26,200
Speaker 1: back to the pot and Trump.

778
00:32:26,560 --> 00:32:30,240
Speaker 3: He has a family, Yeah, but he doesn't support Trump,

779
00:32:31,600 --> 00:32:32,920
Speaker 3: so I should support my family.

780
00:32:32,920 --> 00:32:35,360
Speaker 2: He got all those votes and nobody supports him. Who

781
00:32:35,400 --> 00:32:35,920
Speaker 2: said that?

782
00:32:36,760 --> 00:32:38,560
Speaker 3: Who you think he voted for when he win that booth?

783
00:32:39,000 --> 00:32:42,560
Speaker 3: This guy wasn't common. I could take that.

784
00:32:42,560 --> 00:32:44,840
Speaker 1: That's not true. You can look at my tax returns.

785
00:32:44,840 --> 00:32:47,320
Speaker 2: It's there. It did.

786
00:32:47,480 --> 00:32:50,120
Speaker 1: It did cross my mind to accept that that invitation.

787
00:32:52,560 --> 00:32:54,360
Speaker 1: What would I do at mar A Lago outside of

788
00:32:54,440 --> 00:32:55,160
Speaker 1: just tweet l O.

789
00:32:55,320 --> 00:33:01,560
Speaker 2: L Yeah, play some pickleball, golf, Smoka Kodak black, smoke

790
00:33:01,600 --> 00:33:02,360
Speaker 2: a cigar or something.

791
00:33:02,360 --> 00:33:02,600
Speaker 3: Why not.

792
00:33:03,720 --> 00:33:05,960
Speaker 1: I don't even think your big guy will be there though.

793
00:33:06,360 --> 00:33:08,160
Speaker 1: I think it's just like a party at mar A Lago.

794
00:33:08,320 --> 00:33:09,880
Speaker 2: Yeah, that's how you that's the best parties that throw

795
00:33:09,920 --> 00:33:10,520
Speaker 2: the party at my house.

796
00:33:11,000 --> 00:33:12,560
Speaker 1: It's just a rumor that might be in one of

797
00:33:12,560 --> 00:33:13,560
Speaker 1: the I think he's here.

798
00:33:13,880 --> 00:33:16,720
Speaker 2: No, I'm not. I'm not there.

799
00:33:17,120 --> 00:33:19,000
Speaker 1: Like the amount of people that have probably went to

800
00:33:19,120 --> 00:33:21,160
Speaker 1: like a Drake party at his house when he was

801
00:33:21,200 --> 00:33:23,360
Speaker 1: overseas has happened to that's.

802
00:33:23,200 --> 00:33:24,840
Speaker 2: The best parties. Yeah, go ahead, party of my house.

803
00:33:24,880 --> 00:33:27,560
Speaker 1: I'm not there, though, I would be very curious just

804
00:33:27,560 --> 00:33:29,240
Speaker 1: to people watch to be a fly on the wall

805
00:33:29,280 --> 00:33:32,680
Speaker 1: at mar A Lago would be insane. Yeah, you could

806
00:33:32,680 --> 00:33:34,440
Speaker 1: take you could take my ticket. I'll see if a

807
00:33:34,560 --> 00:33:36,160
Speaker 1: Ticketmaster can transfer it over.

808
00:33:36,400 --> 00:33:38,160
Speaker 2: Yeah, you can get it from Ticketmaster and then send

809
00:33:38,160 --> 00:33:41,560
Speaker 2: it to my phone. Tickets all the time.

810
00:33:42,080 --> 00:33:44,040
Speaker 1: But you'll have to go with this person.

811
00:33:45,200 --> 00:33:45,960
Speaker 4: She a baddie.

812
00:33:46,600 --> 00:33:48,040
Speaker 2: Yeah, I think I think she's very attractive.

813
00:33:49,560 --> 00:33:50,160
Speaker 3: I like that.

814
00:33:50,960 --> 00:33:53,960
Speaker 2: Maul noser though, Oh ship damn.

815
00:33:54,080 --> 00:33:55,600
Speaker 3: That means she don't she don't want me to go.

816
00:33:55,680 --> 00:33:57,320
Speaker 4: You would never fucking the Royal friends.

817
00:33:58,120 --> 00:34:01,680
Speaker 3: When you define friends, it's a good point. His friend,

818
00:34:01,760 --> 00:34:06,440
Speaker 3: like his home girls, associates, associates.

819
00:34:05,640 --> 00:34:07,320
Speaker 4: He have, is the ones he haven't clapped.

820
00:34:08,360 --> 00:34:10,680
Speaker 2: Oh yeah, I knocked those right down.

821
00:34:11,600 --> 00:34:14,239
Speaker 3: Yeah, it's like he didn't hit. Is she cute?

822
00:34:14,239 --> 00:34:14,480
Speaker 5: Why not?

823
00:34:14,920 --> 00:34:15,280
Speaker 4: Okay?

824
00:34:16,000 --> 00:34:18,080
Speaker 1: Yeah, I keep a good circle of women that have

825
00:34:18,160 --> 00:34:20,080
Speaker 1: really good hearts and intentions.

826
00:34:20,120 --> 00:34:21,120
Speaker 2: Like that's why you would.

827
00:34:20,880 --> 00:34:23,840
Speaker 3: Because yes, great women. I love great women.

828
00:34:24,120 --> 00:34:25,759
Speaker 4: That's a good that's a compliment to you. It means

829
00:34:25,760 --> 00:34:26,799
Speaker 4: you keep baddies around you.

830
00:34:26,880 --> 00:34:27,560
Speaker 2: Yeah, why not?

831
00:34:27,800 --> 00:34:30,160
Speaker 1: Well, I think they have better character and they're funny

832
00:34:30,200 --> 00:34:32,200
Speaker 1: and can bring a lot to conversation.

833
00:34:32,920 --> 00:34:35,360
Speaker 2: And they look good. You put that in it to

834
00:34:35,480 --> 00:34:36,040
Speaker 2: all of those things.

835
00:34:36,120 --> 00:34:38,239
Speaker 1: Yes, it's probably clapped a few of my friends in

836
00:34:38,239 --> 00:34:39,839
Speaker 1: twenty twenty four. I just didn't know about it. No,

837
00:34:39,880 --> 00:34:41,040
Speaker 1: because I was inside all year.

838
00:34:41,239 --> 00:34:43,680
Speaker 2: I did not clap any of your friends in twenty two. Yo.

839
00:34:43,719 --> 00:34:45,680
Speaker 2: What I know, there's been a lot of shit going

840
00:34:45,719 --> 00:34:47,920
Speaker 2: on this hit, But why would you say that associates?

841
00:34:47,920 --> 00:34:51,279
Speaker 1: I feel like you probably have no Yeah, I know

842
00:34:51,400 --> 00:34:54,279
Speaker 1: too many money bag evidence that I've seen, Like I

843
00:34:54,320 --> 00:34:55,200
Speaker 1: don't even know that girl.

844
00:34:55,760 --> 00:34:58,359
Speaker 2: Yeah, but that don't mean not clap because she came

845
00:34:58,360 --> 00:35:01,760
Speaker 2: across my algorithm. Yeah, that means I hit. Maybe.

846
00:35:02,040 --> 00:35:03,919
Speaker 4: I don't think MA puts money bags under the woman

847
00:35:03,960 --> 00:35:04,960
Speaker 4: that he's actually sleeping with.

848
00:35:06,360 --> 00:35:08,920
Speaker 1: I think to throw off under everyone.

849
00:35:09,080 --> 00:35:10,919
Speaker 2: Now, some of them, some of them we've we've had

850
00:35:10,960 --> 00:35:14,120
Speaker 2: some nights together, but not nights. But that's not me

851
00:35:14,200 --> 00:35:16,440
Speaker 2: marking my territory, nothing like that. Like, that's not that

852
00:35:17,000 --> 00:35:20,319
Speaker 2: you know. I mean, it's beautiful women. Somebody got it.

853
00:35:20,360 --> 00:35:21,280
Speaker 2: You know I've.

854
00:35:21,080 --> 00:35:23,840
Speaker 4: Gotten money bags before, so I know it's not that.

855
00:35:24,280 --> 00:35:26,080
Speaker 2: Yeah, I'm not that guy.

856
00:35:26,160 --> 00:35:28,560
Speaker 3: You know that. I'm not the thirsty guy that's like

857
00:35:29,239 --> 00:35:30,359
Speaker 3: trying to be in everybody's face.

858
00:35:30,400 --> 00:35:30,920
Speaker 2: I'm not that guy.

859
00:35:30,960 --> 00:35:32,640
Speaker 1: But we we've known his strategy at this point. He

860
00:35:32,920 --> 00:35:35,880
Speaker 1: puts them under everyone's picture so it doesn't look like that.

861
00:35:35,920 --> 00:35:40,080
Speaker 1: We don't think he smashed Missy, like who is that rappers.

862
00:35:42,840 --> 00:35:43,040
Speaker 2: With you?

863
00:35:43,400 --> 00:35:45,560
Speaker 1: Anyways, we did get some good music right before the

864
00:35:45,640 --> 00:35:47,160
Speaker 1: end of the year, which I didn't expect because I

865
00:35:47,160 --> 00:35:50,399
Speaker 1: thought everyone was just gonna be quiet. Mm hmm because

866
00:35:50,400 --> 00:35:52,840
Speaker 1: everything shuts down. And shout out to Sissor for even

867
00:35:53,280 --> 00:35:57,359
Speaker 1: getting mixes added to u DSPs during Christmas time Love

868
00:35:57,360 --> 00:36:00,680
Speaker 1: Scissors project Jack Carl put out, I wouldn't call it

869
00:36:00,680 --> 00:36:03,680
Speaker 1: a freestyle, per say, but it's it's a great record.

870
00:36:03,719 --> 00:36:06,279
Speaker 2: Can we get the actual name of that. It's called Tranquility,

871
00:36:06,400 --> 00:36:09,320
Speaker 2: Tranquility with a visual. It's like two thirty.

872
00:36:09,960 --> 00:36:11,440
Speaker 1: I think Jack is rapping on it. I thought it

873
00:36:11,480 --> 00:36:14,080
Speaker 1: was a cool way to close out the year, to

874
00:36:14,120 --> 00:36:17,960
Speaker 1: say that you know, I have music coming at this point. Yeah,

875
00:36:18,440 --> 00:36:21,719
Speaker 1: tackled a few things that I saw the timeline and

876
00:36:21,760 --> 00:36:24,960
Speaker 1: their feelings about which is gonna happen. He brought up

877
00:36:25,000 --> 00:36:27,160
Speaker 1: a credibility line and saying I don't really care who

878
00:36:27,239 --> 00:36:30,719
Speaker 1: gives me credibility. I'm feeling me that that ruffled the

879
00:36:30,760 --> 00:36:33,520
Speaker 1: real hip hop Twitter, which they don't get ruffled. As

880
00:36:33,560 --> 00:36:35,799
Speaker 1: much as they used to. They couldn't wait to tear

881
00:36:35,840 --> 00:36:38,680
Speaker 1: up Jack Harlow's white ass after that. We're the only

882
00:36:38,680 --> 00:36:40,320
Speaker 1: ones that could give you credibility.

883
00:36:39,920 --> 00:36:43,560
Speaker 2: Jack, So Jack feels like he doesn't get mentioned enough. Yeah,

884
00:36:43,600 --> 00:36:44,760
Speaker 2: and he said enough respect.

885
00:36:44,840 --> 00:36:46,200
Speaker 1: He's at a point in his career where he does

886
00:36:46,239 --> 00:36:49,120
Speaker 1: not care anymore about who is giving him any credibility.

887
00:36:49,320 --> 00:36:51,520
Speaker 2: That means he cares when they get to that. I

888
00:36:51,560 --> 00:36:53,239
Speaker 2: don't even care no more, you know, I just I'm

889
00:36:53,280 --> 00:36:54,959
Speaker 2: just from the heart. The art is from the heart.

890
00:36:55,000 --> 00:36:59,040
Speaker 2: It's like Nigga, cut it out, you cand if they

891
00:36:59,080 --> 00:37:01,319
Speaker 2: we ain't got you on a list, if we ain't

892
00:37:01,360 --> 00:37:04,839
Speaker 2: got you in our conversations, you definitely care about that.

893
00:37:04,960 --> 00:37:06,960
Speaker 2: We ain't gonna act like you don't care. Every artist,

894
00:37:07,000 --> 00:37:09,960
Speaker 2: every creator, wants to be recognized for their art, wants

895
00:37:10,000 --> 00:37:12,279
Speaker 2: to be recognized with how dope they are. Now.

896
00:37:12,280 --> 00:37:15,240
Speaker 3: I can understand that not being all you care about,

897
00:37:15,760 --> 00:37:16,680
Speaker 3: but you care about that.

898
00:37:18,080 --> 00:37:20,520
Speaker 1: I think Jack probably got more of the quote unquote

899
00:37:20,600 --> 00:37:25,360
Speaker 1: hip hop credibility before his run with Come Home, the

900
00:37:25,400 --> 00:37:27,560
Speaker 1: Kids Miss You, when he had two fucking huge records

901
00:37:27,600 --> 00:37:31,240
Speaker 1: and the Drake feature. It was quiet in twenty twenty

902
00:37:31,239 --> 00:37:32,959
Speaker 1: four for him, and I think in a good way.

903
00:37:34,000 --> 00:37:35,920
Speaker 1: I think him taking a break, especially with everything that

904
00:37:35,960 --> 00:37:38,719
Speaker 1: was going on for the year, this is the best strategy.

905
00:37:39,200 --> 00:37:41,200
Speaker 1: Jack Man twenty twenty three was good. He got back

906
00:37:41,239 --> 00:37:43,920
Speaker 1: to soul beats and just rapping. But that just felt

907
00:37:43,920 --> 00:37:46,000
Speaker 1: like a Hey, I know, I was a pop star

908
00:37:46,280 --> 00:37:48,120
Speaker 1: for all of twenty twenty two. I could still rap.

909
00:37:49,080 --> 00:37:51,239
Speaker 1: He did it for the people that would give him credibility,

910
00:37:52,120 --> 00:37:54,480
Speaker 1: but I feel like it went kind of under the

911
00:37:54,520 --> 00:37:57,359
Speaker 1: radar compared to what had happened the year before, which

912
00:37:57,360 --> 00:37:59,440
Speaker 1: can put you in an odd place. With jack Man,

913
00:37:59,440 --> 00:38:00,839
Speaker 1: he said he didn't really want to do to come

914
00:38:00,840 --> 00:38:03,840
Speaker 1: home the kids miss you huge records anymore.

915
00:38:03,920 --> 00:38:04,680
Speaker 2: I just want to rap.

916
00:38:05,480 --> 00:38:08,680
Speaker 1: But that didn't go the best way because you were

917
00:38:08,680 --> 00:38:11,560
Speaker 1: a superstar at that point, right. I think this is

918
00:38:11,560 --> 00:38:13,880
Speaker 1: one of those I'm kind of confused, but in a

919
00:38:13,920 --> 00:38:15,480
Speaker 1: good way of where my career wants to go.

920
00:38:16,320 --> 00:38:18,640
Speaker 2: Well, this is you know, artists tend to do this

921
00:38:18,840 --> 00:38:22,359
Speaker 2: a lot, where they have success and then they put

922
00:38:22,360 --> 00:38:25,239
Speaker 2: out another project that it was okay, didn't have the

923
00:38:25,239 --> 00:38:27,440
Speaker 2: success as the previous project.

924
00:38:27,239 --> 00:38:28,879
Speaker 1: And I don't know do we count I mean, jack

925
00:38:28,880 --> 00:38:32,839
Speaker 1: Man was an album, It's thirteen thirty one minutes that

926
00:38:32,840 --> 00:38:35,840
Speaker 1: that's an album an album, but coming off what he

927
00:38:35,880 --> 00:38:38,520
Speaker 1: had done a few months prior, it felt like a hey,

928
00:38:38,560 --> 00:38:40,319
Speaker 1: this is also for more of my core fan base.

929
00:38:40,800 --> 00:38:42,120
Speaker 2: It didn't. There was no roll out, there was.

930
00:38:42,120 --> 00:38:46,239
Speaker 1: No single, no album though true, still no disography.

931
00:38:46,239 --> 00:38:48,879
Speaker 2: So I think sometimes you know, artists getting his own way,

932
00:38:48,880 --> 00:38:53,120
Speaker 2: they they start speaking to you know, what they're reading online,

933
00:38:53,120 --> 00:38:56,640
Speaker 2: like people saying, oh, that last effort was a little lackluster.

934
00:38:56,840 --> 00:38:59,560
Speaker 2: Wasn't that hard? And now you give us a freestyle

935
00:38:59,640 --> 00:39:03,360
Speaker 2: kind of dressing those you know, conversations and things that

936
00:39:03,400 --> 00:39:08,160
Speaker 2: you're seeing people say. For me personally, though, with Jack Harlow,

937
00:39:08,560 --> 00:39:12,319
Speaker 2: I'm still a little indifferent about him. Though I like

938
00:39:12,440 --> 00:39:18,160
Speaker 2: Jack Harlow, but I'm not sure if I'm sold like

939
00:39:18,200 --> 00:39:20,160
Speaker 2: I like Jack Harlow, I'm not sure if I would

940
00:39:20,160 --> 00:39:23,040
Speaker 2: go to a Jack Harlow show. I tried, they wouldn't

941
00:39:23,040 --> 00:39:25,800
Speaker 2: love you. Well, yeah, you can't go to it my way.

942
00:39:26,000 --> 00:39:28,880
Speaker 2: But it's like I recognize the talent. I think he

943
00:39:29,000 --> 00:39:33,320
Speaker 2: has some good records. I think he has some good bars,

944
00:39:34,840 --> 00:39:38,000
Speaker 2: and anytime I see like you know him in interview speaking,

945
00:39:38,320 --> 00:39:40,880
Speaker 2: he seems like he seems like a pretty cool guy. Yeah,

946
00:39:41,640 --> 00:39:44,520
Speaker 2: but it's something. It's just it's something I don't know

947
00:39:44,520 --> 00:39:48,880
Speaker 2: if it's because I don't know enough of his story,

948
00:39:49,080 --> 00:39:52,480
Speaker 2: like his life is it's something that I can't connect

949
00:39:52,640 --> 00:39:55,799
Speaker 2: with with Jack Harlow, but I recognize the talent that

950
00:39:55,920 --> 00:39:56,239
Speaker 2: is there.

951
00:39:56,680 --> 00:40:00,719
Speaker 1: Well, he kind of had the catch twenty two of Excess,

952
00:40:00,760 --> 00:40:04,400
Speaker 1: like even sweet Action, that's what they all say. That

953
00:40:04,560 --> 00:40:08,040
Speaker 1: was more of like the Jack mixtape when he was,

954
00:40:08,480 --> 00:40:10,920
Speaker 1: you know fully being guided by drama even more on

955
00:40:10,920 --> 00:40:14,120
Speaker 1: the mixtape side, he was doing Sway freestyles, like he

956
00:40:14,200 --> 00:40:16,960
Speaker 1: definitely shifted into what would be more of a Drake

957
00:40:17,080 --> 00:40:21,120
Speaker 1: lane once he caught that first single and then his idea,

958
00:40:21,280 --> 00:40:25,759
Speaker 1: like his identity shifted because Jack was a rapper for

959
00:40:25,840 --> 00:40:29,480
Speaker 1: someone like me to listen to prior to Come Home

960
00:40:29,560 --> 00:40:33,400
Speaker 1: the Kids Missue, and then his whole fan base shifted

961
00:40:34,120 --> 00:40:36,920
Speaker 1: to like younger girls. So he didn't really have an

962
00:40:36,920 --> 00:40:39,879
Speaker 1: identity during that album and then tried to come out

963
00:40:39,920 --> 00:40:44,040
Speaker 1: of that back to his original identity, and now all

964
00:40:44,280 --> 00:40:46,239
Speaker 1: the younger kids are confused on who the fuck he is.

965
00:40:47,200 --> 00:40:49,719
Speaker 1: And even with what was the single love It On

966
00:40:49,760 --> 00:40:52,359
Speaker 1: Me that came out at the end of twenty twenty three,

967
00:40:52,480 --> 00:40:53,600
Speaker 1: I thought it was great and it was a good

968
00:40:53,640 --> 00:40:57,040
Speaker 1: follow up, like oh, Jack's back on Radio Hit Records.

969
00:40:57,360 --> 00:41:00,000
Speaker 1: Thought it was great, But wasn't that a simple Yeah?

970
00:41:00,000 --> 00:41:02,279
Speaker 1: I mean so was his So was nail Tech and

971
00:41:03,520 --> 00:41:06,160
Speaker 1: the other record. Yeah, so the first Class and nail

972
00:41:06,200 --> 00:41:06,760
Speaker 1: Tech are both.

973
00:41:07,120 --> 00:41:07,440
Speaker 3: That's so.

974
00:41:07,640 --> 00:41:11,280
Speaker 2: I think, So that can that can hinder an artist,

975
00:41:11,320 --> 00:41:17,040
Speaker 2: Like when you're quote unquote biggest records are samples.

976
00:41:16,480 --> 00:41:18,520
Speaker 1: And those kids didn't know those samples though.

977
00:41:19,200 --> 00:41:21,879
Speaker 2: I mean, but it's they they know it. They may

978
00:41:21,920 --> 00:41:23,799
Speaker 2: not know it, but they they heard that it.

979
00:41:23,960 --> 00:41:26,839
Speaker 1: Worked because that melody has checked out for twenty years,

980
00:41:26,880 --> 00:41:30,240
Speaker 1: and it's we know it works because we've seen it work. Okay,

981
00:41:30,320 --> 00:41:33,680
Speaker 1: these young kids would say that's Jack Harlowe. Fully, they

982
00:41:33,680 --> 00:41:35,759
Speaker 1: wouldn't even go down the rabbit hole of what those

983
00:41:35,800 --> 00:41:40,120
Speaker 1: samples would be. So I just think he's kind of

984
00:41:40,160 --> 00:41:42,799
Speaker 1: has and this outside looking in. Even my talks with

985
00:41:43,120 --> 00:41:46,120
Speaker 1: Drama Lake Cannon nothing to do with with how I

986
00:41:46,200 --> 00:41:49,200
Speaker 1: view this. I think he's having an identity crisis and

987
00:41:49,320 --> 00:41:51,560
Speaker 1: was talking about it in this freestyle, which I think

988
00:41:51,640 --> 00:41:53,239
Speaker 1: is great. I love when artists do that type of shit,

989
00:41:53,600 --> 00:41:56,920
Speaker 1: and even taking accountability at the end and saying I

990
00:41:56,920 --> 00:41:58,880
Speaker 1: don't think I've even made great shit, yet he sounds

991
00:41:58,920 --> 00:42:02,080
Speaker 1: confused about his how he've used his own career, like, yeah,

992
00:42:02,080 --> 00:42:04,879
Speaker 1: I was the number one artist in twenty twenty three,

993
00:42:05,640 --> 00:42:08,880
Speaker 1: did every fucking tour, sold everything. I don't really know

994
00:42:08,920 --> 00:42:10,719
Speaker 1: who the fuck I am at this point, but what

995
00:42:10,960 --> 00:42:13,399
Speaker 1: does it look like in twenty twenty five after having

996
00:42:13,440 --> 00:42:15,120
Speaker 1: an album like Come Home the Kids Miss You and

997
00:42:15,120 --> 00:42:17,400
Speaker 1: then jack Man right after that. Those are two completely

998
00:42:17,440 --> 00:42:20,640
Speaker 1: different artists And that's where you get your perspective of

999
00:42:20,719 --> 00:42:21,840
Speaker 1: I don't really know who the fuck.

1000
00:42:21,680 --> 00:42:23,880
Speaker 2: This guy is, but that's where you're.

1001
00:42:23,760 --> 00:42:26,720
Speaker 1: Going from different, different fan bases to different fan bases.

1002
00:42:27,080 --> 00:42:30,480
Speaker 1: And only a few artists have been super successful in

1003
00:42:30,600 --> 00:42:33,000
Speaker 1: doing that, and that's been artists like Drake, this artist

1004
00:42:33,040 --> 00:42:36,360
Speaker 1: like Rihanna. They have been able to go from different

1005
00:42:36,400 --> 00:42:39,120
Speaker 1: fan base to different fan base and grab everyone. That's

1006
00:42:39,120 --> 00:42:41,720
Speaker 1: tough for someone that just flat out raps, and that's Jack.

1007
00:42:41,640 --> 00:42:45,200
Speaker 2: Even the jack the tranquility of the video you shot

1008
00:42:46,560 --> 00:42:51,640
Speaker 2: by myself, gloomy, rainy out walking through the city. Nobody

1009
00:42:51,680 --> 00:42:56,319
Speaker 2: knows me. I don't even know myself that type of

1010
00:42:56,440 --> 00:42:58,880
Speaker 2: you know, you gave like the treatment. I mean, you

1011
00:42:58,920 --> 00:43:00,200
Speaker 2: shot that on the iPhone.

1012
00:43:00,040 --> 00:43:03,400
Speaker 3: But it's like, I mean, Jack, he got movies.

1013
00:43:03,040 --> 00:43:05,000
Speaker 1: Right, Yeah, he did The White Man Can Jump and

1014
00:43:05,000 --> 00:43:05,200
Speaker 1: he did.

1015
00:43:05,440 --> 00:43:06,399
Speaker 3: He's a he's a star.

1016
00:43:06,520 --> 00:43:08,600
Speaker 1: What's the one with a guy with Matt Damon? He

1017
00:43:08,840 --> 00:43:10,400
Speaker 1: got killed pretty quick, but he was great.

1018
00:43:11,120 --> 00:43:14,719
Speaker 2: I mean, I think that Jack Harlow has been you know,

1019
00:43:14,960 --> 00:43:18,920
Speaker 2: he's been fortunate enough to get opportunities that place him

1020
00:43:18,920 --> 00:43:22,440
Speaker 2: in a certain star caliber. When you start to get movies,

1021
00:43:22,600 --> 00:43:25,560
Speaker 2: lead roles in movies and things like that, you know

1022
00:43:25,640 --> 00:43:28,520
Speaker 2: that that's that's them propping you up, like your your

1023
00:43:28,600 --> 00:43:30,480
Speaker 2: your star and we're gonna get you there. But now

1024
00:43:30,520 --> 00:43:33,600
Speaker 2: you put out a freestyle speaking to you know what

1025
00:43:33,680 --> 00:43:36,640
Speaker 2: he's speaking to and then just the aesthetic of it alone,

1026
00:43:36,840 --> 00:43:40,360
Speaker 2: no crew, no homies, is just me walking around the city,

1027
00:43:41,040 --> 00:43:45,279
Speaker 2: raining getting my thoughts together. Maybe I'm depressed. Maybe I

1028
00:43:45,280 --> 00:43:48,480
Speaker 2: took a shower today. Maybe I didn't. That's not you know,

1029
00:43:48,800 --> 00:43:51,240
Speaker 2: I knowthetic.

1030
00:43:51,320 --> 00:43:52,480
Speaker 3: I know when rappers get that.

1031
00:43:52,600 --> 00:43:54,680
Speaker 2: I ain't. I might have showered, I might not have showered.

1032
00:43:54,719 --> 00:43:55,160
Speaker 3: Aesthetic.

1033
00:43:55,480 --> 00:43:56,400
Speaker 2: I know that aesthetic.

1034
00:43:56,920 --> 00:43:59,920
Speaker 1: There was a bit of a walk of shame. This

1035
00:44:00,000 --> 00:44:03,640
Speaker 1: This was my outfit last night from a meatpacking club. Yeah,

1036
00:44:03,880 --> 00:44:06,239
Speaker 1: and I caught a look with a chick that has

1037
00:44:06,280 --> 00:44:07,799
Speaker 1: some money and now I'm leaving in the morning.

1038
00:44:07,840 --> 00:44:10,040
Speaker 2: I gotta stop talking with girls just for sexist and

1039
00:44:10,120 --> 00:44:12,800
Speaker 2: I feel empty once she gets in the uber and leaves,

1040
00:44:12,840 --> 00:44:14,920
Speaker 2: like and I'm looking at my ceiling like what was

1041
00:44:14,920 --> 00:44:15,319
Speaker 2: that for?

1042
00:44:16,160 --> 00:44:18,000
Speaker 3: You know, he getting out the stat for just like

1043
00:44:18,200 --> 00:44:18,759
Speaker 3: what was that for?

1044
00:44:18,960 --> 00:44:20,560
Speaker 2: Like I don't even know that girl.

1045
00:44:20,320 --> 00:44:22,200
Speaker 1: After that morning? Pissed and then you look in her

1046
00:44:22,239 --> 00:44:23,439
Speaker 1: mirror like what's wrong with yeah?

1047
00:44:23,480 --> 00:44:24,600
Speaker 3: Like why what time is it?

1048
00:44:24,600 --> 00:44:25,320
Speaker 1: You don't even know where.

1049
00:44:25,160 --> 00:44:28,000
Speaker 2: You're Like again, you do this again? You said this

1050
00:44:28,080 --> 00:44:30,000
Speaker 2: was the last time. The last time he got that

1051
00:44:30,040 --> 00:44:31,160
Speaker 2: aesthetic right now.

1052
00:44:31,680 --> 00:44:34,200
Speaker 1: Which makes sense though, with the with the years he's had,

1053
00:44:35,400 --> 00:44:38,440
Speaker 1: I'm sure that was a crazy one. Eight in his

1054
00:44:38,480 --> 00:44:40,520
Speaker 1: life from twenty twenty two to twenty twenty three, came

1055
00:44:40,520 --> 00:44:41,479
Speaker 1: the biggest rapper in the world.

1056
00:44:42,800 --> 00:44:45,480
Speaker 2: So was he was he ready for it? Probably not,

1057
00:44:46,520 --> 00:44:47,120
Speaker 2: that's honest.

1058
00:44:47,680 --> 00:44:50,200
Speaker 1: Probably not, just because he was making good music, but

1059
00:44:50,239 --> 00:44:56,160
Speaker 1: not music that appeared like you were trying your best

1060
00:44:56,200 --> 00:44:58,799
Speaker 1: to catch one, like nail Tech and all that. I

1061
00:44:58,840 --> 00:45:00,680
Speaker 1: do like because it sounds like probably would have just

1062
00:45:00,680 --> 00:45:02,480
Speaker 1: made that record and it happened to catch. That's why

1063
00:45:02,480 --> 00:45:05,520
Speaker 1: I do respect it. I don't think unless you're sitting

1064
00:45:05,560 --> 00:45:07,040
Speaker 1: there like with the mind state of I have to

1065
00:45:07,080 --> 00:45:09,279
Speaker 1: catch one, you're ready for a complete one eighty in

1066
00:45:09,320 --> 00:45:12,120
Speaker 1: your life, from Sway freestyles to now I am the

1067
00:45:12,160 --> 00:45:15,279
Speaker 1: biggest rapper. This is arena shit, I'm selling out the

1068
00:45:15,280 --> 00:45:18,560
Speaker 1: Barclays and within one year. Yeah, that's a I wouldn't

1069
00:45:18,560 --> 00:45:20,000
Speaker 1: I wouldn't know what that feels like. Yeah, but I

1070
00:45:20,040 --> 00:45:23,560
Speaker 1: could imagine. It's an insane one eighty. And Jack, to me,

1071
00:45:23,680 --> 00:45:25,799
Speaker 1: isn't really that type of guy. Why you say he

1072
00:45:25,800 --> 00:45:28,120
Speaker 1: comes across conness as like a down to earth regular guy.

1073
00:45:28,400 --> 00:45:30,719
Speaker 1: I believe that. I believe probably very odd.

1074
00:45:30,800 --> 00:45:32,920
Speaker 2: I believe it too. It's just something. It's just something

1075
00:45:32,960 --> 00:45:34,960
Speaker 2: about Jack Haller that I can't.

1076
00:45:35,040 --> 00:45:38,040
Speaker 1: The label he was. He brought up Julie Greenwall, which

1077
00:45:38,040 --> 00:45:41,279
Speaker 1: I don't even think works at Atlantic anymore, which I

1078
00:45:41,320 --> 00:45:42,799
Speaker 1: thought was odd. I was like, did he record this

1079
00:45:42,840 --> 00:45:46,120
Speaker 1: before Lucian's son took over? I don't know anyone's dealing,

1080
00:45:46,280 --> 00:45:49,560
Speaker 1: so don't quote me. Everyone asking where's this shit at?

1081
00:45:49,640 --> 00:45:51,640
Speaker 1: And then you deliver something like loving it, which is

1082
00:45:51,680 --> 00:45:54,480
Speaker 1: in that vein. I'm glad he just chilled for a second,

1083
00:45:54,480 --> 00:45:56,440
Speaker 1: because if he stayed with that It's like, all right,

1084
00:45:56,440 --> 00:45:58,520
Speaker 1: this is going to be nail tech, first class kid

1085
00:45:58,520 --> 00:46:00,600
Speaker 1: for the rest of his life if he keeps doing

1086
00:46:00,640 --> 00:46:03,200
Speaker 1: these type of records. Yeah, I'm glad he took damn

1087
00:46:03,200 --> 00:46:04,920
Speaker 1: near the whole year off. I love the record he

1088
00:46:04,960 --> 00:46:07,399
Speaker 1: did with Dave. They were both wrapping their asses off.

1089
00:46:07,440 --> 00:46:11,080
Speaker 1: Like I think Jack has actually made smart moves since

1090
00:46:11,760 --> 00:46:15,120
Speaker 1: the jack Man album. I'm excited to see what happens.

1091
00:46:15,120 --> 00:46:16,680
Speaker 1: But I'm with you too. A lot of stuff doesn't

1092
00:46:16,680 --> 00:46:18,560
Speaker 1: connec because I feel like it's probably for younger kids,

1093
00:46:19,000 --> 00:46:20,719
Speaker 1: but it's had a bad thing.

1094
00:46:20,719 --> 00:46:22,799
Speaker 2: It's just I'm old as fuck. Well, we fuck with

1095
00:46:22,880 --> 00:46:25,239
Speaker 2: Jack Harlow and you know we want to see him

1096
00:46:25,280 --> 00:46:27,600
Speaker 2: do great things because I do think he's talented. It's

1097
00:46:27,640 --> 00:46:30,000
Speaker 2: just some something that I can't connect to Jack yet.

1098
00:46:30,880 --> 00:46:34,480
Speaker 1: I'm gonna give you one last opportunity before the year's

1099
00:46:34,520 --> 00:46:35,800
Speaker 1: up to shoot on Kendrick Lamar.

1100
00:46:36,760 --> 00:46:37,960
Speaker 3: I don't want to fucking with you.

1101
00:46:39,120 --> 00:46:41,759
Speaker 1: Just how could we close the year? Did you hear

1102
00:46:41,840 --> 00:46:44,799
Speaker 1: Tyler's freestyle over here? Now put a visual out too? Yeah,

1103
00:46:45,880 --> 00:46:48,440
Speaker 1: I absolutely loved it. But you know I'm a Tyler

1104
00:46:48,440 --> 00:46:48,879
Speaker 1: Dick rider.

1105
00:46:48,920 --> 00:46:51,760
Speaker 2: According to you guys, I think time you support somebody,

1106
00:46:51,960 --> 00:46:52,239
Speaker 2: of course.

1107
00:46:52,800 --> 00:46:56,880
Speaker 1: I enjoyed the Beyonce show on Christmas. I thought it

1108
00:46:56,920 --> 00:46:59,400
Speaker 1: was a missed opportunity for the real one. This is

1109
00:46:59,400 --> 00:47:01,040
Speaker 1: one of those remix is like damn, that would have

1110
00:47:01,080 --> 00:47:04,680
Speaker 1: been on GNX. Yeah, that verse is fucking that took

1111
00:47:04,719 --> 00:47:07,799
Speaker 1: that song to a whole other level. I wish that

1112
00:47:07,960 --> 00:47:10,560
Speaker 1: was like on the album and you can.

1113
00:47:10,640 --> 00:47:11,600
Speaker 2: You can replace shit.

1114
00:47:11,520 --> 00:47:15,960
Speaker 1: Like, there's no more rules. Yeah, scissors uploading different mixes.

1115
00:47:15,960 --> 00:47:16,279
Speaker 2: I love it.

1116
00:47:16,280 --> 00:47:17,640
Speaker 1: If there's a better version of the song and you

1117
00:47:17,640 --> 00:47:19,560
Speaker 1: could shift it out, bet, let's fucking do it. If

1118
00:47:19,560 --> 00:47:22,319
Speaker 1: you refresh Vultures right now, one and two, I'm sure

1119
00:47:22,320 --> 00:47:23,160
Speaker 1: there's ten new songs.

1120
00:47:23,200 --> 00:47:24,160
Speaker 3: Absolutely, I was.

1121
00:47:24,080 --> 00:47:25,480
Speaker 1: Listening to that shit. Five point thirty is one of

1122
00:47:25,520 --> 00:47:27,799
Speaker 1: my favorite new Kanye records. It's a whole new song,

1123
00:47:27,880 --> 00:47:30,879
Speaker 1: like the fuck you finished the second verse? Yeah, make

1124
00:47:30,920 --> 00:47:32,000
Speaker 1: the official one with Tyler.

1125
00:47:33,080 --> 00:47:34,319
Speaker 2: You just swap it out.

1126
00:47:34,400 --> 00:47:36,120
Speaker 1: There's no rules anymore with the streaming shit.

1127
00:47:36,600 --> 00:47:36,920
Speaker 2: Nope.

1128
00:47:37,000 --> 00:47:38,600
Speaker 1: Yeah, there'll be a few people on Twitter saying that's

1129
00:47:38,600 --> 00:47:39,040
Speaker 1: not hip hop.

1130
00:47:39,080 --> 00:47:40,520
Speaker 2: You can't do that. The rules are different.

1131
00:47:40,560 --> 00:47:42,960
Speaker 1: We're in a different era. Why can't the official version

1132
00:47:43,000 --> 00:47:45,799
Speaker 1: now of an incredible verse that takes a record to

1133
00:47:45,840 --> 00:47:48,440
Speaker 1: a whole other level that's not on GNX, like that.

1134
00:47:48,440 --> 00:47:49,000
Speaker 2: Type of feel.

1135
00:47:49,760 --> 00:47:53,359
Speaker 1: Make it official, give Tyler to twenty five percent pub

1136
00:47:53,400 --> 00:47:55,640
Speaker 1: and put it up on fucking streaming.

1137
00:47:55,480 --> 00:47:57,560
Speaker 2: Nah, because then it goes against the whole portrait that

1138
00:47:57,640 --> 00:48:00,160
Speaker 2: Kendrick was painting. Tyler's from the West Guida And you

1139
00:48:00,200 --> 00:48:01,520
Speaker 2: gotta listen to the album in reverse?

1140
00:48:01,560 --> 00:48:02,920
Speaker 3: Did you see that? I did?

1141
00:48:03,000 --> 00:48:05,239
Speaker 4: Yes, that's a classic one.

1142
00:48:05,320 --> 00:48:06,040
Speaker 2: You gotta listen to.

1143
00:48:06,040 --> 00:48:07,640
Speaker 1: The reverse, but Dan was in reverse.

1144
00:48:08,400 --> 00:48:10,840
Speaker 2: Not only do I listen to it in reverse, you

1145
00:48:10,880 --> 00:48:15,520
Speaker 2: gotta be driving in reverse, but.

1146
00:48:15,480 --> 00:48:18,040
Speaker 1: When that offset the reverse, because that's like a double negative,

1147
00:48:19,760 --> 00:48:23,680
Speaker 1: you have to go. You have to do k turns counterclockwise.

1148
00:48:23,719 --> 00:48:25,759
Speaker 2: You got to you gotta drive like Sonny in a

1149
00:48:25,800 --> 00:48:29,200
Speaker 2: bronze tail. Hey, listen to gn X from in reverse,

1150
00:48:29,320 --> 00:48:30,879
Speaker 2: and then that's how you're gonna really get the full

1151
00:48:30,920 --> 00:48:32,480
Speaker 2: picture of what Kendrick was trying.

1152
00:48:32,719 --> 00:48:34,520
Speaker 1: I actually didn't see those thing pieces. I know Damn

1153
00:48:34,600 --> 00:48:36,080
Speaker 1: was meant to be in reverse, which I thought was

1154
00:48:36,120 --> 00:48:36,520
Speaker 1: really cool.

1155
00:48:37,520 --> 00:48:40,279
Speaker 2: Is that what they're saying, That's what I'm seeing. They're saying, No,

1156
00:48:40,400 --> 00:48:43,120
Speaker 2: you're not listening. You think I listened to the reverse?

1157
00:48:45,200 --> 00:48:47,040
Speaker 2: Telling me that you think that I listened to Kendricks's

1158
00:48:47,040 --> 00:48:47,720
Speaker 2: album in reverse.

1159
00:48:47,920 --> 00:48:49,680
Speaker 4: Do they mean like in reverse or do they mean

1160
00:48:49,760 --> 00:48:51,000
Speaker 4: like the last song first?

1161
00:48:51,160 --> 00:48:53,640
Speaker 2: Yeah, I think that's what they mean. Yeah, started the

1162
00:48:53,680 --> 00:48:54,920
Speaker 2: last song and go to the.

1163
00:48:54,920 --> 00:48:57,160
Speaker 1: I can see that whackeddown Murros could be a cool

1164
00:48:57,800 --> 00:48:59,640
Speaker 1: outro and Glory could be a good intro. Yeah, I

1165
00:48:59,680 --> 00:49:00,120
Speaker 1: can see it.

1166
00:49:01,360 --> 00:49:03,120
Speaker 2: I'm not saying I don't see it. I'm just saying

1167
00:49:03,120 --> 00:49:05,440
Speaker 2: I just laugh at when I see those think pieces

1168
00:49:05,440 --> 00:49:07,759
Speaker 2: on Twitter and then the people that chime in like duh,

1169
00:49:07,800 --> 00:49:10,440
Speaker 2: y'all didn't even see the teaser on YouTube. I'm like,

1170
00:49:10,760 --> 00:49:12,560
Speaker 2: all right, I just want to listen to but don't

1171
00:49:12,560 --> 00:49:12,799
Speaker 2: do that.

1172
00:49:12,800 --> 00:49:15,080
Speaker 1: That's always been a music thing, like even when I

1173
00:49:15,080 --> 00:49:17,680
Speaker 1: don't know, is it the Pink Floyd records that you

1174
00:49:17,719 --> 00:49:20,680
Speaker 1: would have to go and reverse and like that's led

1175
00:49:20,719 --> 00:49:22,560
Speaker 1: Zeppelin was doing in.

1176
00:49:22,480 --> 00:49:25,440
Speaker 2: The tupox on slow and said, shug shot me get it.

1177
00:49:25,640 --> 00:49:26,440
Speaker 3: I get it. I was there.

1178
00:49:26,440 --> 00:49:28,000
Speaker 1: I was in that ere I did that as a

1179
00:49:28,080 --> 00:49:30,879
Speaker 1: kid multiple times, even slowed it down all my little

1180
00:49:30,880 --> 00:49:32,000
Speaker 1: boombox thing. He did not.

1181
00:49:32,000 --> 00:49:32,880
Speaker 3: Say he did.

1182
00:49:35,480 --> 00:49:37,799
Speaker 1: I tried to convince myself he said it, and still

1183
00:49:37,880 --> 00:49:40,919
Speaker 1: was like, he's not saying that. I was even lying

1184
00:49:40,920 --> 00:49:42,360
Speaker 1: to my friends, like, naw, he's saying that ship and

1185
00:49:42,440 --> 00:49:43,840
Speaker 1: in my head he's saying.

1186
00:49:44,080 --> 00:49:46,120
Speaker 2: Saying that it's okay to just listen to music and

1187
00:49:46,160 --> 00:49:50,160
Speaker 2: just relaxed with God. Damn Holy think everybody thinking God,

1188
00:49:51,719 --> 00:49:54,800
Speaker 2: everybody's goting.

1189
00:49:54,640 --> 00:49:56,279
Speaker 1: Wrong with think pieces and people that are thinking. I

1190
00:49:56,280 --> 00:49:58,799
Speaker 1: think that's important. It's when people wouldn't have thought about

1191
00:49:58,840 --> 00:50:01,200
Speaker 1: this if it wasn't popular. It's like, you don't need

1192
00:50:01,239 --> 00:50:02,520
Speaker 1: to think peace if you wouldn't have thought about this

1193
00:50:02,600 --> 00:50:03,000
Speaker 1: to begin with.

1194
00:50:03,520 --> 00:50:06,000
Speaker 2: Yeah, man, it is what it is, man. But shout

1195
00:50:06,040 --> 00:50:08,360
Speaker 2: out to anybody, man, shout out. Twenty twenty four was

1196
00:50:08,400 --> 00:50:10,200
Speaker 2: a great year. A lot of fun.

1197
00:50:10,480 --> 00:50:12,640
Speaker 4: Shit was terrible, bro, what are you talking about?

1198
00:50:12,920 --> 00:50:14,440
Speaker 3: Twenty twenty four was lit? Man?

1199
00:50:14,480 --> 00:50:17,319
Speaker 4: Don't you hated this year? Why you hated it, baby

1200
00:50:17,320 --> 00:50:19,000
Speaker 4: do a lot of reasons I hated it. I'm ready

1201
00:50:19,040 --> 00:50:20,480
Speaker 4: for this ship to end.

1202
00:50:20,840 --> 00:50:23,359
Speaker 1: Yeah, here's the thing I've I've never been the hater

1203
00:50:23,440 --> 00:50:23,920
Speaker 1: of New Year.

1204
00:50:24,000 --> 00:50:24,239
Speaker 3: K new me.

1205
00:50:24,400 --> 00:50:26,319
Speaker 1: If that's what it takes to do a reset, cool,

1206
00:50:26,360 --> 00:50:26,759
Speaker 1: I like that.

1207
00:50:26,920 --> 00:50:29,319
Speaker 2: But saying baby d got the slogan for twenty five

1208
00:50:29,760 --> 00:50:32,520
Speaker 2: New Dick, New Year, New Dick, sitting and spit, Sitting

1209
00:50:32,520 --> 00:50:34,400
Speaker 2: and spitting, sitting and fucking spitting.

1210
00:50:35,160 --> 00:50:37,880
Speaker 1: If the year is over tomorrow, it's still gonna be

1211
00:50:37,960 --> 00:50:43,000
Speaker 1: like the same time, Like it doesn't reset tomorrow, It's

1212
00:50:43,000 --> 00:50:44,920
Speaker 1: still gonna just be a continuous what you're going through.

1213
00:50:44,760 --> 00:50:45,200
Speaker 3: At the moment.

1214
00:50:46,320 --> 00:50:46,600
Speaker 4: Damn.

1215
00:50:46,680 --> 00:50:48,759
Speaker 2: Like you see the ju ju he throw on you

1216
00:50:48,760 --> 00:50:51,440
Speaker 2: for twenty five, like you wish, why you wishot on

1217
00:50:51,440 --> 00:50:53,439
Speaker 2: her twenty five, the same energy from twenty four you wish.

1218
00:50:53,480 --> 00:50:55,360
Speaker 2: Can't change the world until you change yourself. That's what

1219
00:50:55,360 --> 00:50:58,000
Speaker 2: I'm trying to say. I'm changing myself high elevation.

1220
00:50:58,200 --> 00:51:00,000
Speaker 1: That's what Big told Puff. I saw it on intil

1221
00:51:01,120 --> 00:51:02,760
Speaker 1: right before he dies. What he said right before.

1222
00:51:03,040 --> 00:51:04,640
Speaker 4: Yolaturist is really a good movie.

1223
00:51:04,640 --> 00:51:04,879
Speaker 2: Though.

1224
00:51:05,800 --> 00:51:07,040
Speaker 4: It really is a good movie.

1225
00:51:07,239 --> 00:51:08,680
Speaker 1: It's definitely it's definitely not bad.

1226
00:51:08,719 --> 00:51:09,239
Speaker 2: I like it.

1227
00:51:09,280 --> 00:51:10,399
Speaker 1: I just felt like it was too soon.

1228
00:51:11,120 --> 00:51:13,040
Speaker 2: Oh man, we might have stumbled upon like we we

1229
00:51:14,160 --> 00:51:14,719
Speaker 2: we were just there.

1230
00:51:14,800 --> 00:51:19,040
Speaker 4: Just happened, and it came out twenty years after that happened.

1231
00:51:19,040 --> 00:51:20,960
Speaker 4: What are you talking about?

1232
00:51:21,239 --> 00:51:23,319
Speaker 1: There was just so many people alive to consult on

1233
00:51:23,360 --> 00:51:25,239
Speaker 1: it that weren't like That's why it felt weird, Like

1234
00:51:25,280 --> 00:51:27,000
Speaker 1: we get ask the people right now, they right here

1235
00:51:27,960 --> 00:51:30,080
Speaker 1: and they didn't, So I don't know if it was like.

1236
00:51:30,080 --> 00:51:33,359
Speaker 4: The rule they ask puff Puff Like damn, near ran.

1237
00:51:33,280 --> 00:51:33,919
Speaker 3: The movie, right.

1238
00:51:34,719 --> 00:51:36,799
Speaker 1: That's why everyone that could tell the real story was

1239
00:51:36,800 --> 00:51:37,520
Speaker 1: fucking upset.

1240
00:51:38,360 --> 00:51:41,240
Speaker 2: They didn't even ask his mom. Yeah, that was crazy.

1241
00:51:41,920 --> 00:51:42,560
Speaker 3: That was wild.

1242
00:51:42,680 --> 00:51:44,160
Speaker 1: Like, no, you know, sees is still a lot sees

1243
00:51:44,239 --> 00:51:45,280
Speaker 1: right here, right.

1244
00:51:45,120 --> 00:51:47,840
Speaker 2: There, right here, Kim, right here too. You have a

1245
00:51:47,920 --> 00:51:49,560
Speaker 2: whole main character, Kim. You could ask her.

1246
00:51:49,600 --> 00:51:51,040
Speaker 1: She could be on set and tell you what happened,

1247
00:51:51,920 --> 00:51:53,200
Speaker 1: crazy Mary j somebody.

1248
00:51:53,280 --> 00:51:54,719
Speaker 4: Yeah, Kim said she didn't like the way that they

1249
00:51:54,719 --> 00:51:56,680
Speaker 4: portray her. They just portray her like she was just

1250
00:51:56,719 --> 00:51:59,319
Speaker 4: like some side chick. And she said, I she ain't

1251
00:51:59,360 --> 00:51:59,680
Speaker 4: like that.

1252
00:52:00,719 --> 00:52:02,920
Speaker 1: Here's what I saw when Kim said all that. I

1253
00:52:02,960 --> 00:52:06,719
Speaker 1: don't think they did a bad job with Kim. It

1254
00:52:06,760 --> 00:52:08,560
Speaker 1: didn't seem like she was a side chick. It felt

1255
00:52:08,640 --> 00:52:11,279
Speaker 1: like what we know to be the truth. He was

1256
00:52:11,280 --> 00:52:13,080
Speaker 1: fucking with both of them, seriously, he just happened to

1257
00:52:13,080 --> 00:52:16,360
Speaker 1: marry one of them, but he was very much committed

1258
00:52:16,400 --> 00:52:17,000
Speaker 1: to Kim at the top.

1259
00:52:17,320 --> 00:52:20,799
Speaker 2: Yeah, I ain't gonna lie. We might have to go back,

1260
00:52:20,800 --> 00:52:22,200
Speaker 2: We might have to go down the list of like

1261
00:52:23,440 --> 00:52:25,920
Speaker 2: best worst rap movies.

1262
00:52:26,560 --> 00:52:30,440
Speaker 4: Straight out of better movie.

1263
00:52:31,400 --> 00:52:34,920
Speaker 2: I don't even think it's great. Out of Comfort, Out

1264
00:52:34,920 --> 00:52:37,560
Speaker 2: of Conference is a better movie.

1265
00:52:37,880 --> 00:52:40,640
Speaker 4: But can you explain why you think if you listening

1266
00:52:40,680 --> 00:52:43,359
Speaker 4: to this right and not comments you bugging nah bro No.

1267
00:52:43,400 --> 00:52:44,799
Speaker 1: And I'm not evenna make this a puff thing. But

1268
00:52:44,840 --> 00:52:47,640
Speaker 1: he made himself seem like fucking Morpheus and a Versace,

1269
00:52:47,960 --> 00:52:48,960
Speaker 1: you know what he was.

1270
00:52:49,800 --> 00:52:53,560
Speaker 2: I'm gonna watch it because like you saying that, but

1271
00:52:53,719 --> 00:52:56,640
Speaker 2: like my my initial reaction is is straight out of Compton.

1272
00:52:56,719 --> 00:52:59,600
Speaker 2: But it's been a while since I seen notorious. Notorious

1273
00:52:59,640 --> 00:53:00,839
Speaker 2: is a good No, it's a good movie.

1274
00:53:00,920 --> 00:53:03,880
Speaker 4: I like move Puff's ego from like watching it like

1275
00:53:03,920 --> 00:53:06,480
Speaker 4: Puff really like if you remove his ego from it,

1276
00:53:06,480 --> 00:53:08,799
Speaker 4: it is a very enjoyable I really enjoyed it. I

1277
00:53:08,880 --> 00:53:09,920
Speaker 4: enjoy straight out of content.

1278
00:53:09,960 --> 00:53:12,040
Speaker 2: Who played Puff, Derek Luke.

1279
00:53:12,880 --> 00:53:14,320
Speaker 3: That's why I didn't like that movie.

1280
00:53:14,600 --> 00:53:17,960
Speaker 1: He did a good job as Puff. Again, he's good,

1281
00:53:18,000 --> 00:53:18,600
Speaker 1: but it's not straight.

1282
00:53:18,840 --> 00:53:20,400
Speaker 2: It was like his It was the way he was

1283
00:53:20,440 --> 00:53:23,400
Speaker 2: saying ship. It was like, you ain't never talk like

1284
00:53:23,440 --> 00:53:24,000
Speaker 2: That's what I said.

1285
00:53:24,000 --> 00:53:26,480
Speaker 1: He's like he thought he was Morpheus than as.

1286
00:53:26,280 --> 00:53:28,640
Speaker 2: Yeah, I remember now we thinking about it, I'm like

1287
00:53:28,719 --> 00:53:30,800
Speaker 2: it was something about notorious that I remember when I

1288
00:53:30,880 --> 00:53:33,840
Speaker 2: was watching, like, I don't like the way somebody was talking.

1289
00:53:34,400 --> 00:53:36,239
Speaker 4: We can't we can't change the world, so we change

1290
00:53:36,239 --> 00:53:36,960
Speaker 4: ourselves Big.

1291
00:53:38,360 --> 00:53:40,000
Speaker 3: Yeah, I don't think it went like that, Like, I

1292
00:53:40,040 --> 00:53:43,960
Speaker 3: don't think that's I don't think it went like that.

1293
00:53:44,760 --> 00:53:46,000
Speaker 4: Tell the person I was there that that.

1294
00:53:46,440 --> 00:53:48,719
Speaker 2: I just don't think it went like that, Like I

1295
00:53:48,719 --> 00:53:49,040
Speaker 2: got it.

1296
00:53:49,080 --> 00:53:51,680
Speaker 1: And I've watched Rest in Peace to see and Clark,

1297
00:53:51,719 --> 00:53:54,719
Speaker 1: and I've watched all of their interviews about Big. They

1298
00:53:54,719 --> 00:53:58,160
Speaker 1: were there, grew up with Big. At one point, Puff

1299
00:53:58,320 --> 00:54:00,319
Speaker 1: never said to him on my daddy was out here

1300
00:54:00,400 --> 00:54:02,319
Speaker 1: hustling these streets, so you gotta stop.

1301
00:54:02,400 --> 00:54:02,520
Speaker 3: Now.

1302
00:54:02,600 --> 00:54:04,560
Speaker 1: Big was like, I never even thought of it that way, Puff,

1303
00:54:04,760 --> 00:54:06,880
Speaker 1: I'm gonna stop. He didn't listen to Puff at all.

1304
00:54:06,880 --> 00:54:09,840
Speaker 1: He kept selling drugs in Virginia. And that's another that

1305
00:54:09,840 --> 00:54:10,520
Speaker 1: didn't happen that way.

1306
00:54:10,560 --> 00:54:12,440
Speaker 2: I don't like those movies where they keep saying each

1307
00:54:12,480 --> 00:54:14,880
Speaker 2: other's name when they talking to each other, like they

1308
00:54:14,960 --> 00:54:17,320
Speaker 2: supposed to remind us that that's Puff and then that's Big.

1309
00:54:17,840 --> 00:54:19,600
Speaker 3: I've never talked to Rory and was like, yo, yo.

1310
00:54:19,560 --> 00:54:21,640
Speaker 2: You know what I'm saying, Rory. I mean, I guess

1311
00:54:21,239 --> 00:54:24,239
Speaker 2: I've done that screenwriting. I don't know. Maybe I just

1312
00:54:24,280 --> 00:54:24,840
Speaker 2: hate that, you.

1313
00:54:24,840 --> 00:54:27,800
Speaker 3: Know, I hate We know that's supposed to be puff.

1314
00:54:28,200 --> 00:54:30,560
Speaker 3: We know this is supposed to be big. Stop saying

1315
00:54:30,600 --> 00:54:33,719
Speaker 3: each other's names when y'all talking to each other. I

1316
00:54:33,760 --> 00:54:35,480
Speaker 3: don't know. I just look at movies like that, you

1317
00:54:35,520 --> 00:54:35,680
Speaker 3: know what.

1318
00:54:35,760 --> 00:54:37,480
Speaker 4: I never really thought about that. But we don't really

1319
00:54:37,480 --> 00:54:39,640
Speaker 4: say each other. I say you guys' names, but I

1320
00:54:39,640 --> 00:54:41,920
Speaker 4: guess men don't really say each other's names like that.

1321
00:54:42,080 --> 00:54:44,239
Speaker 2: I have never had a conversation with Rory and was like, yo,

1322
00:54:44,400 --> 00:54:45,880
Speaker 2: I ain't gonna lie. You know, we gotta do what

1323
00:54:45,960 --> 00:54:48,080
Speaker 2: we gotta do, Rory.

1324
00:54:49,320 --> 00:54:50,960
Speaker 1: That's because we're not saying profound things.

1325
00:54:54,320 --> 00:54:57,000
Speaker 2: Who does that? Like I don't talk. I'm talking about

1326
00:54:57,120 --> 00:54:59,399
Speaker 2: your homeie like a nigga you talk to every day.

1327
00:54:59,400 --> 00:55:01,719
Speaker 2: You don't talk to him like that. Now, if it's somebody,

1328
00:55:02,239 --> 00:55:05,160
Speaker 2: you know, I'll guess later on in this episode, Elliott

1329
00:55:05,200 --> 00:55:07,239
Speaker 2: I might say, yo ya dad, you know what I'm saying.

1330
00:55:07,239 --> 00:55:09,440
Speaker 2: Elliott I might do that because me and Elliott, we

1331
00:55:09,480 --> 00:55:11,799
Speaker 2: don't talk, we don't hang out like that. But if

1332
00:55:11,800 --> 00:55:15,080
Speaker 2: it's my man I'm with every day in the studio

1333
00:55:15,160 --> 00:55:17,080
Speaker 2: making music, traveling, the world before me.

1334
00:55:17,320 --> 00:55:19,480
Speaker 4: So I'm not having what do you call them?

1335
00:55:19,760 --> 00:55:22,920
Speaker 2: I just talked to him like, Yo, we gotta go,

1336
00:55:23,200 --> 00:55:24,799
Speaker 2: we gotta we gotta do something else. Man, I ain't

1337
00:55:24,800 --> 00:55:26,600
Speaker 2: gonna lie this, this shit gonna crazy or what we

1338
00:55:26,680 --> 00:55:28,839
Speaker 2: what we're gonna do? Man, I don't be like Yo,

1339
00:55:28,840 --> 00:55:29,480
Speaker 2: I ain't gonna lie.

1340
00:55:29,480 --> 00:55:29,640
Speaker 5: Though.

1341
00:55:29,640 --> 00:55:31,320
Speaker 2: I don't feel like your Rory.

1342
00:55:31,960 --> 00:55:33,719
Speaker 4: I think it's because Rory name though.

1343
00:55:34,000 --> 00:55:39,520
Speaker 3: Cause anybody damaras. I have never had a conversation with themarriage.

1344
00:55:40,320 --> 00:55:41,719
Speaker 4: You say, baby, did you call me baby?

1345
00:55:41,719 --> 00:55:43,080
Speaker 3: Did a lot?

1346
00:55:43,800 --> 00:55:46,080
Speaker 4: It's just Rory. Rory got that name. Don't nobody want

1347
00:55:46,080 --> 00:55:46,560
Speaker 4: to say that?

1348
00:55:47,360 --> 00:55:48,880
Speaker 3: Peace? Do I say your name when I talk to you?

1349
00:55:50,080 --> 00:55:50,520
Speaker 4: He just did.

1350
00:55:50,719 --> 00:55:52,440
Speaker 2: Let's just know I'm directing the question to you.

1351
00:55:52,480 --> 00:55:54,400
Speaker 1: But I'm just saying, like it's just YouTube in the studio.

1352
00:55:55,160 --> 00:55:56,960
Speaker 1: He's not saying page at the end of ek sentence.

1353
00:55:58,239 --> 00:55:58,560
Speaker 4: Yeah.

1354
00:55:58,760 --> 00:55:59,919
Speaker 3: I don't. I just don't. I don't.

1355
00:56:00,080 --> 00:56:02,200
Speaker 2: That's not a natural thing in conversations. I mean, I

1356
00:56:02,239 --> 00:56:02,560
Speaker 2: don't know.

1357
00:56:02,640 --> 00:56:05,840
Speaker 1: That's maybe screenplay shit that we're aware of to for

1358
00:56:05,880 --> 00:56:08,040
Speaker 1: people's attention spans and like characters.

1359
00:56:08,280 --> 00:56:10,239
Speaker 2: I could just be nitpicking, but it was. It was

1360
00:56:10,280 --> 00:56:13,720
Speaker 2: something about notorious when it came out, and I remember

1361
00:56:13,840 --> 00:56:15,520
Speaker 2: watching like maybe two or three times, and it was

1362
00:56:15,520 --> 00:56:17,960
Speaker 2: something that I just was like, I can't, I just

1363
00:56:18,000 --> 00:56:20,359
Speaker 2: can't get into the movie like that because it's something

1364
00:56:20,440 --> 00:56:22,239
Speaker 2: was pissing me off. So I gotta watch it again.

1365
00:56:22,280 --> 00:56:24,640
Speaker 2: And I'm gonna remember exactly what it was. But my

1366
00:56:24,719 --> 00:56:28,520
Speaker 2: knee jerk response to Notorious or straight out of Compton,

1367
00:56:28,920 --> 00:56:31,000
Speaker 2: Straight out of Compton, I.

1368
00:56:30,960 --> 00:56:33,480
Speaker 1: Just thought it was funny. Everyone aged and Notorious except

1369
00:56:33,520 --> 00:56:35,919
Speaker 1: for Seas. He was always a twelve year old child

1370
00:56:35,920 --> 00:56:40,200
Speaker 1: the entire movie. Everybody grew up sees character, same actor

1371
00:56:40,200 --> 00:56:40,839
Speaker 1: the entire time.

1372
00:56:40,920 --> 00:56:42,719
Speaker 3: The funny shit is that character is a groom man

1373
00:56:42,840 --> 00:56:43,919
Speaker 3: like that action he played.

1374
00:56:44,560 --> 00:56:47,680
Speaker 1: Get rid of that trying great active a little bit

1375
00:56:48,560 --> 00:56:51,160
Speaker 1: like they had twelve year old seeds because accurate they

1376
00:56:51,160 --> 00:56:52,879
Speaker 1: got in a car accident when Big broke his legs,

1377
00:56:53,280 --> 00:56:55,400
Speaker 1: they got twelve year old seeds like under.

1378
00:56:55,480 --> 00:56:56,920
Speaker 2: You know why they got an action he couldn't seal

1379
00:56:56,920 --> 00:56:57,279
Speaker 2: it with.

1380
00:56:59,120 --> 00:57:02,360
Speaker 1: And if it's accurate away after a pot got shot

1381
00:57:02,480 --> 00:57:04,640
Speaker 1: and Big tried to call him, and Puff grabbed the

1382
00:57:04,640 --> 00:57:08,120
Speaker 1: phone and was like, don't do it, Big, my man's

1383
00:57:08,480 --> 00:57:11,160
Speaker 1: facing a rape charge. You can't even call him see,

1384
00:57:11,200 --> 00:57:13,439
Speaker 1: and Big was like, damn puff, I never even thought

1385
00:57:13,440 --> 00:57:13,919
Speaker 1: about that.

1386
00:57:14,560 --> 00:57:16,000
Speaker 3: See, what was I to do?

1387
00:57:17,200 --> 00:57:19,120
Speaker 4: That's not what he said, though he said he got

1388
00:57:19,120 --> 00:57:20,919
Speaker 4: that rape case. You know he not thinking right.

1389
00:57:21,320 --> 00:57:23,480
Speaker 1: And then so let me call my man's and tell

1390
00:57:23,560 --> 00:57:26,720
Speaker 1: him he is bugging. You have inaccurate information. I did

1391
00:57:26,720 --> 00:57:29,080
Speaker 1: not set you up, and I'm also not gonna tell

1392
00:57:29,080 --> 00:57:30,760
Speaker 1: you who set you up because I got nothing to

1393
00:57:30,800 --> 00:57:32,280
Speaker 1: do with this ship and I want to stay far

1394
00:57:32,320 --> 00:57:32,920
Speaker 1: the funk away from it.

1395
00:57:32,960 --> 00:57:33,880
Speaker 2: I'm gonna watch it again.

1396
00:57:34,440 --> 00:57:36,960
Speaker 1: It's a great movie. They shouldn't have cut out that

1397
00:57:36,960 --> 00:57:40,040
Speaker 1: that other nude scene with a little Kim when she

1398
00:57:40,080 --> 00:57:40,640
Speaker 1: was in the pool.

1399
00:57:40,680 --> 00:57:41,840
Speaker 2: Go look at the deleted scenes.

1400
00:57:43,200 --> 00:57:44,720
Speaker 1: Crazy, calm your low.

1401
00:57:44,960 --> 00:57:47,040
Speaker 2: Nah, So with you, I'm glad you got.

1402
00:57:47,120 --> 00:57:49,800
Speaker 1: I'm glad you got that Rowan powering and kept giving

1403
00:57:49,880 --> 00:57:55,000
Speaker 1: us some content because her scenes were crazy fire an'ytthing.

1404
00:57:55,480 --> 00:57:57,160
Speaker 3: Would you call him hot crotch?

1405
00:57:57,840 --> 00:57:58,080
Speaker 2: Fire?

1406
00:57:58,400 --> 00:58:01,080
Speaker 1: Hot crotch is way funnier. Hot crotch is hilarious. I

1407
00:58:01,120 --> 00:58:03,200
Speaker 1: might have to start a brand called hot I'm gonna

1408
00:58:03,200 --> 00:58:04,280
Speaker 1: sell crop pots and call it that.

1409
00:58:05,680 --> 00:58:12,760
Speaker 3: Now, you hot crotches, it's an awfully hot call crotch.

1410
00:58:12,880 --> 00:58:19,800
Speaker 2: Not but yes, straight out of Compton is a better

1411
00:58:19,800 --> 00:58:21,640
Speaker 2: fucking movie, I think, So I'm gonna watch I'm gonna

1412
00:58:21,640 --> 00:58:22,720
Speaker 2: watch Notorious again for you.

1413
00:58:26,400 --> 00:58:28,280
Speaker 1: There's not very many rap movies to begin with. That's

1414
00:58:28,280 --> 00:58:29,400
Speaker 1: why I don't even want to save this for like

1415
00:58:29,400 --> 00:58:34,520
Speaker 1: a Patreon. What about actual real rap ship? What is there?

1416
00:58:34,800 --> 00:58:35,520
Speaker 2: All Eyes on Me?

1417
00:58:36,400 --> 00:58:36,640
Speaker 3: Hm?

1418
00:58:37,920 --> 00:58:39,160
Speaker 4: He wasn't a real rapper.

1419
00:58:39,200 --> 00:58:42,720
Speaker 1: That was like loosely based off Eminem's life story, which

1420
00:58:42,720 --> 00:58:44,919
Speaker 1: he said it wasn't. So I don't think like eight

1421
00:58:44,920 --> 00:58:47,520
Speaker 1: mile accounts get Richard not trying the same way.

1422
00:58:47,560 --> 00:58:49,520
Speaker 2: He said that wasn't really his life, alright, So so

1423
00:58:49,560 --> 00:58:51,240
Speaker 2: we got to just make it best rap movies?

1424
00:58:52,920 --> 00:58:56,160
Speaker 1: Okay, But I mean people were rapping in Juice?

1425
00:58:56,280 --> 00:58:57,120
Speaker 2: Is it a rap movie?

1426
00:58:59,720 --> 00:59:01,080
Speaker 3: Pock is in it?

1427
00:59:01,920 --> 00:59:07,400
Speaker 1: He didn't, he just killed his friends poetic She didn't

1428
00:59:07,440 --> 00:59:07,880
Speaker 1: wrap though.

1429
00:59:10,000 --> 00:59:11,000
Speaker 3: I mean some rappers in there.

1430
00:59:11,040 --> 00:59:13,640
Speaker 1: Though, it's not that's racist. You just think any black

1431
00:59:13,640 --> 00:59:15,720
Speaker 1: movies a rap I'm watching bill O Rady.

1432
00:59:16,000 --> 00:59:17,000
Speaker 2: Juice is not a rap movie.

1433
00:59:17,040 --> 00:59:21,600
Speaker 4: You might have to open it up to just like biopics, period.

1434
00:59:21,920 --> 00:59:27,800
Speaker 1: Iopics, bio and this could sound terrible. What besides All

1435
00:59:27,840 --> 00:59:32,480
Speaker 1: Eyes on Me Notorious straight out of Comting? Am I

1436
00:59:32,520 --> 00:59:33,920
Speaker 1: missing another one.

1437
00:59:33,960 --> 00:59:35,240
Speaker 4: No, not that I can think of.

1438
00:59:36,200 --> 00:59:38,200
Speaker 1: Get Rich of dots Ry, No, he said, I mean

1439
00:59:38,240 --> 00:59:42,560
Speaker 1: it's loosely. That wasn't come on one of his real

1440
00:59:42,640 --> 00:59:45,480
Speaker 1: singles at the end of the movie. That's because it

1441
00:59:45,520 --> 00:59:47,800
Speaker 1: was on the sound The whole movie is him rapping

1442
00:59:47,960 --> 00:59:49,520
Speaker 1: things that ended up on the soundtrack. He's just a

1443
00:59:49,520 --> 00:59:52,520
Speaker 1: good businessman, Like when it rains, it pours when he's

1444
00:59:52,560 --> 00:59:53,000
Speaker 1: in prison.

1445
00:59:53,080 --> 00:59:55,439
Speaker 2: That was on the album. Yeah, but that's what I'm saying,

1446
00:59:55,480 --> 00:59:56,840
Speaker 2: So that's a that's a rap movie.

1447
00:59:56,920 --> 00:59:59,200
Speaker 1: He never killed Prime in a hallway before he stepped

1448
00:59:59,320 --> 01:00:03,920
Speaker 1: on Pelham Bay stage to perform. Terence Howard didn't just

1449
01:00:03,920 --> 01:00:05,720
Speaker 1: casually take out a gun and kill Supreme.

1450
01:00:05,800 --> 01:00:06,560
Speaker 3: I understand that.

1451
01:00:06,600 --> 01:00:08,960
Speaker 2: But what I'm saying is that was loosely based on

1452
01:00:09,720 --> 01:00:13,720
Speaker 2: a real dad, a road rappers like life. He was

1453
01:00:13,720 --> 01:00:16,840
Speaker 2: from the Bronx. I don't know, man, I think we

1454
01:00:16,840 --> 01:00:17,200
Speaker 2: could do it.

1455
01:00:17,320 --> 01:00:19,200
Speaker 1: You think his his real name was Young Caesar.

1456
01:00:19,080 --> 01:00:21,040
Speaker 2: No, No, in fact, I know it was.

1457
01:00:21,160 --> 01:00:22,920
Speaker 1: I think get Rich is a classic movie, but I

1458
01:00:22,960 --> 01:00:25,320
Speaker 1: wouldn't call that the fifty cent story, nor would I

1459
01:00:25,320 --> 01:00:27,280
Speaker 1: call it eight Mile the eminem story.

1460
01:00:28,720 --> 01:00:30,840
Speaker 2: But how could you not call it the fifty cent

1461
01:00:30,920 --> 01:00:33,680
Speaker 2: story when he got shot, literally in his face, was

1462
01:00:33,880 --> 01:00:37,280
Speaker 2: rapping with a his voice was different every that's literally

1463
01:00:37,280 --> 01:00:38,080
Speaker 2: what happened to fifty.

1464
01:00:38,160 --> 01:00:40,680
Speaker 1: I think he pulled certain things from his life, of

1465
01:00:40,720 --> 01:00:44,919
Speaker 1: course he did. But just because he got shot, plenty

1466
01:00:44,920 --> 01:00:47,520
Speaker 1: of people get shot, doesn't make it the fifty cent story.

1467
01:00:49,000 --> 01:00:51,000
Speaker 2: See you doing this thing that you like to do. Yes,

1468
01:00:51,040 --> 01:00:54,280
Speaker 2: plenty of people get shot. That's a fact. Nobody's saying

1469
01:00:54,320 --> 01:00:56,120
Speaker 2: because you get shot it makes it the fifty cents.

1470
01:00:56,160 --> 01:01:00,000
Speaker 1: Nobody from his internal crew, fucking bangam Smurf didn't sit

1471
01:01:00,080 --> 01:01:03,200
Speaker 1: with them like it's a whole different storyline. His man

1472
01:01:03,280 --> 01:01:04,520
Speaker 1: shot him, that betrayed him.

1473
01:01:04,520 --> 01:01:07,600
Speaker 2: In that hole where loosely based comes in there, Rory,

1474
01:01:07,760 --> 01:01:10,640
Speaker 2: I just think it's completely it's not it's not a documentary,

1475
01:01:10,680 --> 01:01:13,320
Speaker 2: it's loosely based. I think get Rich of Doc Trine

1476
01:01:13,440 --> 01:01:18,560
Speaker 2: is definitely a fifty his life story loosely But let's

1477
01:01:18,560 --> 01:01:19,520
Speaker 2: have that draft though.

1478
01:01:19,880 --> 01:01:21,400
Speaker 4: I don't there's nothing to draft though.

1479
01:01:21,480 --> 01:01:27,120
Speaker 2: Papa's best rap movies we just named There's seven is

1480
01:01:27,120 --> 01:01:27,680
Speaker 2: more than that.

1481
01:01:27,720 --> 01:01:30,040
Speaker 4: Man, think of name.

1482
01:01:32,000 --> 01:01:33,000
Speaker 3: There's more. I mean.

1483
01:01:34,520 --> 01:01:35,960
Speaker 2: We could sit down and do a draft, though, I

1484
01:01:35,960 --> 01:01:36,480
Speaker 2: think we could.

1485
01:01:37,200 --> 01:01:40,040
Speaker 4: I think that's what I said, doing a biopic draft

1486
01:01:40,160 --> 01:01:40,760
Speaker 4: will be better.

1487
01:01:41,160 --> 01:01:44,600
Speaker 1: Oh wait, there's a Roxanne Roxanne which was fire on Netflix. Credible,

1488
01:01:45,480 --> 01:01:49,280
Speaker 1: so fucking good, incredible. That might be the that would

1489
01:01:49,360 --> 01:01:52,680
Speaker 1: rival straight out of confidence to me, the only one.

1490
01:01:53,600 --> 01:01:55,640
Speaker 1: But other than that, that's the only ones that are here.

1491
01:01:58,480 --> 01:02:01,360
Speaker 1: I'm trying to go through a Tupac resurrection. But that

1492
01:02:01,400 --> 01:02:02,440
Speaker 1: was just a great documentary.

1493
01:02:02,680 --> 01:02:03,640
Speaker 2: That was a documentary.

1494
01:02:03,720 --> 01:02:04,080
Speaker 3: Loved it.

1495
01:02:05,120 --> 01:02:07,360
Speaker 4: Do we count Michel AI's movie.

1496
01:02:07,880 --> 01:02:09,480
Speaker 2: Crush grooveigas, ain't that?

1497
01:02:09,480 --> 01:02:09,640
Speaker 3: Ain't?

1498
01:02:09,640 --> 01:02:11,640
Speaker 1: Oh yeah, Crush Grooves. Yeah that counts.

1499
01:02:11,640 --> 01:02:12,800
Speaker 4: I've never even heard of that.

1500
01:02:12,880 --> 01:02:15,200
Speaker 3: You never saw a crush Oh shit, I never.

1501
01:02:15,280 --> 01:02:17,720
Speaker 2: I forgot you were so young. Oh my god, you

1502
01:02:17,760 --> 01:02:20,400
Speaker 2: gotta watch, you gotta watch Crush Groove.

1503
01:02:20,480 --> 01:02:23,520
Speaker 1: Crush Groove is an eighties film written by Ralph You

1504
01:02:23,600 --> 01:02:25,440
Speaker 1: Got It and directed by Michael Schultz.

1505
01:02:25,720 --> 01:02:26,200
Speaker 2: Ironic.

1506
01:02:26,520 --> 01:02:29,080
Speaker 1: It's Blair Underwood as a young Russell Simmons in the

1507
01:02:29,080 --> 01:02:31,840
Speaker 1: early days of Deaf jam. Russell Simmons was the film's

1508
01:02:31,880 --> 01:02:34,640
Speaker 1: co producer and story consultant. I'm sure he left out

1509
01:02:34,640 --> 01:02:36,720
Speaker 1: a lot of things because he was the consultant and

1510
01:02:36,720 --> 01:02:39,240
Speaker 1: we didn't get an accurate story. What was that show

1511
01:02:39,240 --> 01:02:40,640
Speaker 1: that they canceled on VH one.

1512
01:02:40,760 --> 01:02:45,280
Speaker 2: That was amazing. The Breaks, I think that sounds familiar.

1513
01:02:45,360 --> 01:02:47,960
Speaker 1: Ye, that was loosely based off Russell and the Deaf

1514
01:02:48,040 --> 01:02:51,000
Speaker 1: jam Ship. They've had a young nas like that show

1515
01:02:51,120 --> 01:02:52,760
Speaker 1: was amazing. I wish they kept up with that.

1516
01:02:52,920 --> 01:02:54,680
Speaker 2: Crush Groove, Baby, the watch Crush Groove.

1517
01:02:54,840 --> 01:02:56,560
Speaker 4: Okay, I'm gonna have to check it out. I'm sure

1518
01:02:56,600 --> 01:02:58,240
Speaker 4: my dad knows what it is, so maybe I'll make

1519
01:02:58,320 --> 01:02:59,000
Speaker 4: him watch it with me.

1520
01:02:59,240 --> 01:03:02,160
Speaker 2: You gotta watch Crush Groove. You gotta watch the disorder

1521
01:03:02,200 --> 01:03:06,760
Speaker 2: leads with the fat Boys. Trying to think of another

1522
01:03:07,000 --> 01:03:10,919
Speaker 2: eighties breaking Gotta watch Breaking.

1523
01:03:14,200 --> 01:03:15,920
Speaker 3: The Start. There, that's a good three pack.

1524
01:03:16,200 --> 01:03:18,120
Speaker 1: I mean, outside of rapper stuff. The New Edition story

1525
01:03:18,200 --> 01:03:20,680
Speaker 1: was great. The TLC movie was great. The Iliya movie

1526
01:03:20,800 --> 01:03:26,200
Speaker 1: was fucking buns. They've done it for outside of rap Yeah,

1527
01:03:26,560 --> 01:03:28,120
Speaker 1: atl apparently is one.

1528
01:03:28,240 --> 01:03:30,280
Speaker 4: The Jackson's That American Dream might be the best one

1529
01:03:30,280 --> 01:03:32,480
Speaker 4: out all of them.

1530
01:03:32,560 --> 01:03:35,200
Speaker 2: Yeah, that was a great, great series. I might watch

1531
01:03:35,240 --> 01:03:37,320
Speaker 2: that every year they come out. Every year it's on

1532
01:03:37,400 --> 01:03:38,440
Speaker 2: VH one. I might watch that.

1533
01:03:39,320 --> 01:03:40,880
Speaker 4: I haven't seen it in a while. I have to

1534
01:03:40,920 --> 01:03:42,400
Speaker 4: go back and watch it. I never knew that it

1535
01:03:42,440 --> 01:03:45,360
Speaker 4: was a made for TV series because when I was

1536
01:03:45,400 --> 01:03:47,320
Speaker 4: watching it, they will play it like straight through. So

1537
01:03:47,320 --> 01:03:48,840
Speaker 4: I always just thought it was a really long movie

1538
01:03:48,880 --> 01:03:49,760
Speaker 4: when I was growing up.

1539
01:03:49,880 --> 01:03:51,880
Speaker 2: Yeah, no, on VH one. I think when it first

1540
01:03:51,920 --> 01:03:52,440
Speaker 2: came out.

1541
01:03:52,360 --> 01:03:55,160
Speaker 1: You know, would be the craziest series ever. It could

1542
01:03:55,200 --> 01:03:59,080
Speaker 1: not be a movie whatsoever, just based off everything BG

1543
01:03:59,280 --> 01:04:02,479
Speaker 1: has capt to and who Birdman became. The cash Money

1544
01:04:02,520 --> 01:04:06,240
Speaker 1: story would be the greatest rap TV series. If done right,

1545
01:04:06,840 --> 01:04:10,080
Speaker 1: that story would be insane. The first season would just

1546
01:04:10,120 --> 01:04:13,280
Speaker 1: fucking be Birdman and BG doing insane things that are

1547
01:04:13,280 --> 01:04:16,680
Speaker 1: already on records. So we're not snitchingh he cops like

1548
01:04:16,760 --> 01:04:17,520
Speaker 1: forty bodies.

1549
01:04:20,000 --> 01:04:20,680
Speaker 2: It's state property.

1550
01:04:20,720 --> 01:04:22,680
Speaker 1: I don't think you'd get to lowl Wayne, So season three,

1551
01:04:23,480 --> 01:04:25,240
Speaker 1: Drake would be in season fourteen.

1552
01:04:24,960 --> 01:04:26,360
Speaker 3: It's state property or rap movie.

1553
01:04:27,360 --> 01:04:32,280
Speaker 1: They're up there. They're my my personal okay, But that

1554
01:04:32,400 --> 01:04:35,720
Speaker 1: was really wasn't about them, Like, I don't think Jay

1555
01:04:35,760 --> 01:04:37,640
Speaker 1: and Dame happened to be robbing the same house at

1556
01:04:37,680 --> 01:04:39,160
Speaker 1: the same time. It was like, Yo, you take upstairs,

1557
01:04:39,200 --> 01:04:40,160
Speaker 1: I'll take downstairs.

1558
01:04:40,560 --> 01:04:43,760
Speaker 4: That's not that's not out of Rory always rewriting this.

1559
01:04:43,880 --> 01:04:45,080
Speaker 1: That's not that's what happened.

1560
01:04:45,080 --> 01:04:47,400
Speaker 2: That's not what happened to State property that was paper sold.

1561
01:04:47,520 --> 01:04:48,000
Speaker 1: Oh my bad.

1562
01:04:48,440 --> 01:04:51,120
Speaker 2: We talk about and it was going to rob the studio.

1563
01:04:51,160 --> 01:04:51,680
Speaker 2: He opened the door.

1564
01:04:51,760 --> 01:04:54,040
Speaker 3: Jay was in here recorded and then they just closed

1565
01:04:54,040 --> 01:04:55,120
Speaker 3: the door, like now we're not robbing this.

1566
01:04:56,080 --> 01:04:58,400
Speaker 1: I don't think tats I ever said being suck my dick.

1567
01:04:58,440 --> 01:05:00,840
Speaker 3: Like, no, that's hilarious.

1568
01:05:01,880 --> 01:05:04,280
Speaker 1: Those are great movies, but I wouldn't consider them rap movies,

1569
01:05:04,360 --> 01:05:08,040
Speaker 1: just great you know, hood films. But uh, while we're

1570
01:05:08,040 --> 01:05:10,320
Speaker 1: on Hot Boys for Gets and voicemails and we have

1571
01:05:10,360 --> 01:05:12,640
Speaker 1: an amazing conversation with Elliott Wilson after this as well.

1572
01:05:14,480 --> 01:05:17,400
Speaker 1: You know, Travis Hunter, man, I didn't really care about

1573
01:05:17,440 --> 01:05:19,080
Speaker 1: that girlfriend. Shit, none of my fucking business.

1574
01:05:19,120 --> 01:05:19,600
Speaker 2: I don't care.

1575
01:05:20,200 --> 01:05:22,200
Speaker 1: Love is love, rev run do whatever the fuck you

1576
01:05:22,240 --> 01:05:24,520
Speaker 1: want to do. And this is gonna sound like hate,

1577
01:05:24,520 --> 01:05:25,920
Speaker 1: but I have to be honest. Why are you signing

1578
01:05:25,960 --> 01:05:27,920
Speaker 1: to Young Money Sports Agency?

1579
01:05:28,360 --> 01:05:28,919
Speaker 3: Is that real?

1580
01:05:29,280 --> 01:05:31,680
Speaker 2: Wife? Whoever the fuck you want a wife? Just whatever? Man?

1581
01:05:31,720 --> 01:05:32,520
Speaker 3: But is that real?

1582
01:05:32,520 --> 01:05:33,560
Speaker 1: Deal with what comes with it?

1583
01:05:33,600 --> 01:05:34,880
Speaker 3: Is that real? Yeah?

1584
01:05:34,880 --> 01:05:36,360
Speaker 2: What is Young Money Sports Agency?

1585
01:05:36,360 --> 01:05:36,720
Speaker 3: What is that?

1586
01:05:36,760 --> 01:05:38,640
Speaker 1: I had to look, I had to find the website

1587
01:05:39,840 --> 01:05:42,840
Speaker 1: and before everyone starts and clips this, whatever, Wayne, we

1588
01:05:42,920 --> 01:05:45,640
Speaker 1: absolutely love legend in his own right. Done amazing things,

1589
01:05:45,640 --> 01:05:49,200
Speaker 1: cool whatever, What the fuck is young money APPA Sports?

1590
01:05:50,240 --> 01:05:52,720
Speaker 1: I can't even find I have the about section which

1591
01:05:52,760 --> 01:05:55,800
Speaker 1: has all like their staff. I don't see who is

1592
01:05:55,840 --> 01:05:58,520
Speaker 1: signed to them. I did not know this existed. But again,

1593
01:05:58,760 --> 01:06:00,280
Speaker 1: I may be out of the out of the loop.

1594
01:06:01,040 --> 01:06:02,920
Speaker 1: Lamar Jackson maybe signed them and I just didn't know.

1595
01:06:03,080 --> 01:06:04,320
Speaker 1: I've just yet to see a young man.

1596
01:06:05,320 --> 01:06:06,320
Speaker 2: I've never heard of this.

1597
01:06:06,640 --> 01:06:07,760
Speaker 3: Uh, I've ever heard of it.

1598
01:06:08,840 --> 01:06:10,680
Speaker 2: And I mean, listen, no, no slight to Wayne. He

1599
01:06:10,760 --> 01:06:12,080
Speaker 2: may be, you know, he might have a lot of

1600
01:06:12,080 --> 01:06:14,400
Speaker 2: the right people, could be amazing over there that's ready

1601
01:06:14,440 --> 01:06:16,320
Speaker 2: to do great things for Travis Hunter. But I just

1602
01:06:17,280 --> 01:06:20,200
Speaker 2: you know, on one hand, it's okay, cool Travis Hunter,

1603
01:06:20,200 --> 01:06:23,280
Speaker 2: you know, want to keep it, keep keep business black

1604
01:06:23,360 --> 01:06:26,480
Speaker 2: and you know, sign with you know, black CEOs.

1605
01:06:26,560 --> 01:06:28,600
Speaker 3: Okay, cool, but love it.

1606
01:06:29,440 --> 01:06:32,400
Speaker 2: I think there's some maybe a few more reputable and

1607
01:06:32,600 --> 01:06:36,240
Speaker 2: black agents in the that he could have went with first.

1608
01:06:36,280 --> 01:06:39,640
Speaker 2: I mean, Rich Paul's out there somewhere. Yeah, who's Who's

1609
01:06:39,800 --> 01:06:42,720
Speaker 2: I think he's a black man and a pretty good

1610
01:06:42,720 --> 01:06:46,320
Speaker 2: fucking agent. Pretty good agent established.

1611
01:06:45,880 --> 01:06:48,800
Speaker 1: In twenty seventeen is when it happened. I feel like

1612
01:06:48,960 --> 01:06:53,440
Speaker 1: Wayne has even done enough first take interviews and pretty

1613
01:06:53,480 --> 01:06:55,160
Speaker 1: I think Wayne talks about sports more than.

1614
01:06:55,080 --> 01:06:56,200
Speaker 2: He does hip hop.

1615
01:06:56,800 --> 01:06:57,400
Speaker 3: Oh for sure.

1616
01:06:57,520 --> 01:06:59,480
Speaker 1: Maybe I missed the interview of when he was like, yo,

1617
01:06:59,520 --> 01:07:00,800
Speaker 1: I have a sports can see as.

1618
01:07:00,720 --> 01:07:04,760
Speaker 2: Well, Yeah, who is who's Travis? Because I don't, you know,

1619
01:07:04,800 --> 01:07:08,560
Speaker 2: I like who's in this, Who's in his corner? Who's

1620
01:07:08,600 --> 01:07:13,280
Speaker 2: who's is like his day to day you know, consigli airs.

1621
01:07:13,640 --> 01:07:16,360
Speaker 1: I mean we we haven't really commented on a lot

1622
01:07:16,360 --> 01:07:18,120
Speaker 1: of this because I feel like that's been piling on

1623
01:07:18,200 --> 01:07:21,560
Speaker 1: and just to not girlfriend whatever this is where I

1624
01:07:21,600 --> 01:07:24,400
Speaker 1: was like, all right, who is in your corner?

1625
01:07:24,480 --> 01:07:28,000
Speaker 2: Young man? Yeah that's what that's that's my and you know,

1626
01:07:29,280 --> 01:07:31,600
Speaker 2: to have a coach like Deon saying, is somebody who

1627
01:07:32,320 --> 01:07:34,840
Speaker 2: did it at the highest level where you talk about

1628
01:07:34,880 --> 01:07:40,200
Speaker 2: just superstar flash you know, bright lights, women, cars, jewelry

1629
01:07:40,280 --> 01:07:42,400
Speaker 2: like you know it, don't get it, don't get much

1630
01:07:42,520 --> 01:07:45,280
Speaker 2: much better than Prime time when it comes to that.

1631
01:07:45,400 --> 01:07:50,640
Speaker 2: I just feel like maybe he should lean on his

1632
01:07:50,680 --> 01:07:52,760
Speaker 2: coach a little more when it comes to like off

1633
01:07:52,760 --> 01:07:56,800
Speaker 2: the field personal life ship. I mean, you got you

1634
01:07:56,880 --> 01:07:58,680
Speaker 2: got Deon saying this is in your locker room at

1635
01:07:58,680 --> 01:08:01,880
Speaker 2: your disposal every day to talk about life after college

1636
01:08:01,880 --> 01:08:05,200
Speaker 2: and what to expect being a high profile player going

1637
01:08:05,200 --> 01:08:09,120
Speaker 2: into the NFL. It don't get much better than Deon Sanders.

1638
01:08:09,200 --> 01:08:11,880
Speaker 2: So I you know, you see Travis going through things

1639
01:08:11,880 --> 01:08:15,000
Speaker 2: with his girl. You know, I'm I hope that maybe

1640
01:08:15,040 --> 01:08:18,040
Speaker 2: he spoke to coach saying is about that and how

1641
01:08:18,080 --> 01:08:20,479
Speaker 2: to navigate through those type of things, relationships with women

1642
01:08:22,080 --> 01:08:24,720
Speaker 2: and even on the business side of signing with a

1643
01:08:24,800 --> 01:08:27,719
Speaker 2: young money again. You know, maybe he's a big Wayne fan,

1644
01:08:29,320 --> 01:08:31,200
Speaker 2: but I just feel like with Deon Sander's right there,

1645
01:08:31,360 --> 01:08:33,080
Speaker 2: I feel like Dion would have been like, Son, you

1646
01:08:33,160 --> 01:08:33,680
Speaker 2: show that's what.

1647
01:08:33,800 --> 01:08:36,560
Speaker 1: You want to And again, who's to say that the

1648
01:08:37,200 --> 01:08:40,960
Speaker 1: major regular agencies are great. I'm Drew rosenhlls smaller shit

1649
01:08:41,520 --> 01:08:43,840
Speaker 1: that could be awful too for a young athlete as well.

1650
01:08:43,920 --> 01:08:47,640
Speaker 1: But I have some questions on young money APAA sports.

1651
01:08:47,920 --> 01:08:50,639
Speaker 2: I never I just have never heard bad things about

1652
01:08:50,800 --> 01:08:54,400
Speaker 2: clutch Yeah sports and what Rich's over there doing. I've

1653
01:08:54,439 --> 01:08:57,519
Speaker 2: only heard great things. Is you know, from what I

1654
01:08:57,520 --> 01:08:59,320
Speaker 2: see when I was looking at Rich's got a lot

1655
01:08:59,360 --> 01:09:02,080
Speaker 2: of his players overpaid, you know, I mean, it's like

1656
01:09:02,160 --> 01:09:03,599
Speaker 2: good players, but it's like Rich got.

1657
01:09:03,520 --> 01:09:06,599
Speaker 1: Him how much Deon guiding you outside of just fuck

1658
01:09:06,640 --> 01:09:11,040
Speaker 1: sports knowledge. Dion understands marketing, branding, what it's like to

1659
01:09:11,120 --> 01:09:14,160
Speaker 1: be in the spotlight more than probably any athlete that

1660
01:09:14,240 --> 01:09:16,519
Speaker 1: you can name outside of a few. It is a

1661
01:09:16,680 --> 01:09:18,840
Speaker 1: it is a bit odd where decisions have been made.

1662
01:09:18,680 --> 01:09:21,840
Speaker 2: Wes Travis Hunter from Originally it's a good question.

1663
01:09:22,160 --> 01:09:28,439
Speaker 1: I'm not sure, Like I can't see Dion letting his

1664
01:09:28,520 --> 01:09:30,880
Speaker 1: son sign something like that.

1665
01:09:31,520 --> 01:09:33,800
Speaker 2: I can promise you Dion Chicourt won't be signing with

1666
01:09:33,840 --> 01:09:34,880
Speaker 2: Young Money a p A A.

1667
01:09:35,160 --> 01:09:37,799
Speaker 4: He's from West Palm Beach, Florida. He moved to Georgia

1668
01:09:37,840 --> 01:09:38,759
Speaker 4: in the eighth grade.

1669
01:09:39,160 --> 01:09:41,240
Speaker 3: West Palm Beach, Florida, Wayne.

1670
01:09:41,040 --> 01:09:47,280
Speaker 2: Florida, mar A Lago tomorrow. Okay, listen, god, I wish

1671
01:09:47,360 --> 01:09:47,840
Speaker 2: him the best.

1672
01:09:47,840 --> 01:09:48,040
Speaker 3: Man.

1673
01:09:48,439 --> 01:09:50,880
Speaker 2: He's a he's a He's a talented player. He seems

1674
01:09:50,920 --> 01:09:54,960
Speaker 2: to be a good kid. You know, hopefully he has

1675
01:09:55,000 --> 01:09:59,400
Speaker 2: is off the field, you know, things in order and

1676
01:09:59,760 --> 01:10:01,559
Speaker 2: has the right people around him because you know, it

1677
01:10:01,600 --> 01:10:05,120
Speaker 2: can go left really fast. But good luck to him, man,

1678
01:10:05,280 --> 01:10:06,760
Speaker 2: this might end up being great. He might be the

1679
01:10:07,040 --> 01:10:09,720
Speaker 2: player that you know, turns Young Money a PAA.

1680
01:10:09,479 --> 01:10:11,280
Speaker 3: Into a powerhouse.

1681
01:10:11,320 --> 01:10:13,360
Speaker 2: You know, you never know, but I just think going

1682
01:10:13,400 --> 01:10:17,880
Speaker 2: into it, the Heisman Trophy winner. I think you kind

1683
01:10:17,880 --> 01:10:20,760
Speaker 2: of want to, you know, align with stronger players as

1684
01:10:20,760 --> 01:10:25,080
Speaker 2: far as business, get a Wayne feature, whatever that would

1685
01:10:25,120 --> 01:10:27,080
Speaker 2: do for him at this point. I don't know, you know,

1686
01:10:27,880 --> 01:10:30,080
Speaker 2: good luck to him, man, he's he's having a.

1687
01:10:30,120 --> 01:10:33,280
Speaker 1: Rough Wayne knows, Robert Kraft, the Patriots probably get the first.

1688
01:10:33,320 --> 01:10:36,839
Speaker 2: Has anybody had a rougher Heisman Trophy year than Travis

1689
01:10:36,920 --> 01:10:39,920
Speaker 2: under Like off the field? I'm pretty sure we I mean, shit,

1690
01:10:40,600 --> 01:10:41,639
Speaker 2: it's been Reggie.

1691
01:10:41,680 --> 01:10:43,880
Speaker 1: Reggie got his taken away, but that was years later,

1692
01:10:44,120 --> 01:10:45,880
Speaker 1: years later, and then got it back.

1693
01:10:46,400 --> 01:10:46,920
Speaker 2: Yeah, I don't know.

1694
01:10:47,000 --> 01:10:51,559
Speaker 1: I think I'm sure there's somebody that don't know about that. Probably.

1695
01:10:51,640 --> 01:10:54,479
Speaker 2: I mean, I think Woric's correct. One Heisman right, he

1696
01:10:54,560 --> 01:10:58,400
Speaker 2: had a crazy fucking year. Yeah, that was that. He

1697
01:10:58,479 --> 01:11:00,400
Speaker 2: ended up having a crazy time. It was a fucking

1698
01:11:00,400 --> 01:11:01,360
Speaker 2: doozy what he went through.

1699
01:11:01,439 --> 01:11:01,960
Speaker 3: Yeah.

1700
01:11:02,000 --> 01:11:05,960
Speaker 4: When it comes to Travis Hunter's girlfriend situation, did you

1701
01:11:05,960 --> 01:11:09,799
Speaker 4: guys ever watch the video that she released talking about everything,

1702
01:11:09,800 --> 01:11:11,479
Speaker 4: and she's like, Travis told me to come out here

1703
01:11:11,479 --> 01:11:12,080
Speaker 4: and talk about this.

1704
01:11:12,160 --> 01:11:13,360
Speaker 2: I would never click on that, you know.

1705
01:11:13,560 --> 01:11:16,160
Speaker 1: I remember seeing it and seeing the length of the

1706
01:11:16,240 --> 01:11:20,400
Speaker 1: video and said, that's nice. Prayers for everyone involved, So

1707
01:11:20,439 --> 01:11:21,559
Speaker 1: I went.

1708
01:11:21,960 --> 01:11:23,240
Speaker 4: I went to watch it, but I had it on

1709
01:11:23,280 --> 01:11:25,439
Speaker 4: two times two X speed because I'm never listening to

1710
01:11:25,520 --> 01:11:28,200
Speaker 4: somebody talk like that. But from what it seems like,

1711
01:11:28,240 --> 01:11:30,360
Speaker 4: what she was saying was that there were clips of

1712
01:11:30,400 --> 01:11:32,599
Speaker 4: her being taken out of context, and she was being

1713
01:11:32,640 --> 01:11:34,760
Speaker 4: bullied on the internet for clips of her being taken

1714
01:11:34,760 --> 01:11:36,439
Speaker 4: out of context. People are like, oh, they're saying I'm

1715
01:11:36,479 --> 01:11:39,639
Speaker 4: pouting when he won this, or I'm pouting when he's

1716
01:11:39,680 --> 01:11:42,040
Speaker 4: hugging cheerleaders, and that's not true. Like, this is what

1717
01:11:42,200 --> 01:11:44,360
Speaker 4: actually happened these this is what was.

1718
01:11:44,439 --> 01:11:46,120
Speaker 2: I'm pretty sure that's part of it. I'm pretty sure

1719
01:11:46,120 --> 01:11:47,679
Speaker 2: some of that ship was taken out of context.

1720
01:11:47,760 --> 01:11:50,120
Speaker 4: Yeah sure, but it's just like once the internet finds

1721
01:11:50,120 --> 01:11:52,120
Speaker 4: out that you're the person to ship on, especially if

1722
01:11:52,120 --> 01:12:00,200
Speaker 4: you're a girl. Yeah yeah, yeah, well because so, oh

1723
01:12:00,240 --> 01:12:02,960
Speaker 4: the reason why she said that is because everybody was

1724
01:12:02,960 --> 01:12:04,920
Speaker 4: on her ass because and I'm not sticking up for her,

1725
01:12:05,240 --> 01:12:07,519
Speaker 4: but I just want the full story. Everybody was on

1726
01:12:07,560 --> 01:12:10,200
Speaker 4: her ass because she has said he wasn't originally her

1727
01:12:10,280 --> 01:12:13,960
Speaker 4: type and then she ended up dating him anyways, so

1728
01:12:14,000 --> 01:12:15,479
Speaker 4: she was like, she came on there. She said, well,

1729
01:12:15,479 --> 01:12:17,760
Speaker 4: he wasn't originally my type because when he originally slid

1730
01:12:17,840 --> 01:12:19,920
Speaker 4: in my DMS, he had a girlfriend, and cheaters aren't

1731
01:12:19,920 --> 01:12:20,400
Speaker 4: my type.

1732
01:12:21,920 --> 01:12:26,600
Speaker 2: Ah, she gave you the dignity, pride, honor, she was like.

1733
01:12:26,720 --> 01:12:29,320
Speaker 4: So then when he got single, he doubled back or

1734
01:12:29,320 --> 01:12:30,840
Speaker 4: something like that, and then he ended up in a

1735
01:12:30,880 --> 01:12:32,759
Speaker 4: relationship with he doubled back a chance.

1736
01:12:32,920 --> 01:12:36,280
Speaker 1: But I mean, it's typocritical because we're on a podcast

1737
01:12:36,320 --> 01:12:38,519
Speaker 1: and we always talk about a bunch of nonsense sometimes

1738
01:12:38,560 --> 01:12:39,960
Speaker 1: that we don't care about. But why do y'all care

1739
01:12:39,960 --> 01:12:41,599
Speaker 1: that much about his girlfriend?

1740
01:12:41,720 --> 01:12:46,720
Speaker 4: Like people always worried about the money of men that

1741
01:12:46,760 --> 01:12:49,439
Speaker 4: they are not sleeping with men be worried about other

1742
01:12:49,479 --> 01:12:50,280
Speaker 4: men money so much.

1743
01:12:50,320 --> 01:12:52,519
Speaker 1: It's so it confuses me, okay, to what P is

1744
01:12:52,560 --> 01:12:55,240
Speaker 1: saying that people are concerned about his finances and that

1745
01:12:55,320 --> 01:12:57,719
Speaker 1: she's just there to take his money. That's a slow

1746
01:12:57,800 --> 01:13:02,559
Speaker 1: news day in the NFL, NBA, MLB, NHL, any Wall

1747
01:13:02,600 --> 01:13:05,400
Speaker 1: Street and like, that's a slow fucking news day to

1748
01:13:05,439 --> 01:13:08,400
Speaker 1: me that somebody y'all deem as loose is going to

1749
01:13:08,439 --> 01:13:10,400
Speaker 1: take money And I don't know that gross what I'm saying,

1750
01:13:10,400 --> 01:13:13,240
Speaker 1: how y'all deem it that that girl is taking advantage

1751
01:13:13,320 --> 01:13:15,439
Speaker 1: of somebody that has potential to be rich.

1752
01:13:16,360 --> 01:13:17,920
Speaker 2: Whoa, whoa.

1753
01:13:19,720 --> 01:13:21,559
Speaker 1: If he likes a girl, he likes a girl, I

1754
01:13:21,600 --> 01:13:23,519
Speaker 1: mean it may bite him in the ass later on

1755
01:13:23,560 --> 01:13:25,640
Speaker 1: when it starts affecting his play because she could be

1756
01:13:25,640 --> 01:13:27,439
Speaker 1: a fucking nightmare. Oh but there's plenty of women that

1757
01:13:27,439 --> 01:13:29,120
Speaker 1: aren't gold diggers that could do the same fucking thing

1758
01:13:29,160 --> 01:13:29,719
Speaker 1: in your household.

1759
01:13:29,840 --> 01:13:31,280
Speaker 2: So oh, he's gonna bite him.

1760
01:13:31,160 --> 01:13:31,759
Speaker 3: In his ass.

1761
01:13:32,200 --> 01:13:34,160
Speaker 4: But see, I don't think that'd be like, I don't.

1762
01:13:34,439 --> 01:13:36,360
Speaker 1: I think her and I don't know this to be

1763
01:13:36,400 --> 01:13:38,120
Speaker 1: true because I haven't been following it. I think a

1764
01:13:38,160 --> 01:13:40,479
Speaker 1: girl that wants more attention than money is way more

1765
01:13:40,520 --> 01:13:43,120
Speaker 1: dangerous in that situation than a girl that just wants

1766
01:13:43,120 --> 01:13:45,920
Speaker 1: your finances and maybe will take fifty percent of your

1767
01:13:45,960 --> 01:13:49,280
Speaker 1: contract in ten years. If she wants to be a star,

1768
01:13:49,840 --> 01:13:52,439
Speaker 1: that's an issue. You're fucked at that point. If this

1769
01:13:52,520 --> 01:13:54,280
Speaker 1: chick wants to be in the locker room, wants to

1770
01:13:54,280 --> 01:13:57,040
Speaker 1: be on camera, everything she does is now going to

1771
01:13:57,080 --> 01:13:58,439
Speaker 1: be attached to you because she wants to be on

1772
01:13:58,520 --> 01:14:00,840
Speaker 1: camera non fucking stop and all. She is just some

1773
01:14:00,880 --> 01:14:03,040
Speaker 1: college student that happened to be in the same dorm

1774
01:14:03,080 --> 01:14:06,280
Speaker 1: as you, And fuck, that's an issue to me. They're

1775
01:14:06,280 --> 01:14:09,040
Speaker 1: all gonna get their money taken in divorce at some point.

1776
01:14:09,240 --> 01:14:09,839
Speaker 2: That's America.

1777
01:14:10,840 --> 01:14:11,800
Speaker 3: It's the American way.

1778
01:14:12,439 --> 01:14:14,479
Speaker 4: Damn God. The way y'all look at love is just

1779
01:14:14,600 --> 01:14:15,439
Speaker 4: dark and dreary.

1780
01:14:16,200 --> 01:14:17,960
Speaker 2: No, I just think that it's you know, we gotta

1781
01:14:18,000 --> 01:14:20,240
Speaker 2: look at things for what they are, especially when these

1782
01:14:20,520 --> 01:14:23,760
Speaker 2: young men are, you know, potential hundreds of millions of

1783
01:14:23,840 --> 01:14:28,200
Speaker 2: dollars players walking around and you know, a girl sees him,

1784
01:14:28,280 --> 01:14:31,439
Speaker 2: doesn't know who he is at first, and then somebody

1785
01:14:31,760 --> 01:14:33,120
Speaker 2: puts it on like you know, you know, he's like

1786
01:14:33,120 --> 01:14:34,720
Speaker 2: the top player in the nation.

1787
01:14:34,840 --> 01:14:37,040
Speaker 3: It's like, oh, he's cute. All of a sudden, it's like, okay, cool.

1788
01:14:37,280 --> 01:14:39,160
Speaker 2: So if shit starts to happen and people start to

1789
01:14:39,200 --> 01:14:42,800
Speaker 2: notice that, they call it out cool. I'm not saying

1790
01:14:42,800 --> 01:14:45,200
Speaker 2: that this girl is around for money grabbing it. I

1791
01:14:45,280 --> 01:14:47,320
Speaker 2: don't know about it. I don't All I'm saying is

1792
01:14:47,360 --> 01:14:49,920
Speaker 2: to Roy saying, if it is, it's not the first time,

1793
01:14:51,040 --> 01:14:54,080
Speaker 2: who cares, Like, we we get it. Yeah, that's what's

1794
01:14:54,080 --> 01:14:56,240
Speaker 2: gonna happen. This kid has potential to make a shit

1795
01:14:56,320 --> 01:14:58,760
Speaker 2: ton of money. Women are gonna throw themselves at him.

1796
01:14:59,640 --> 01:15:02,080
Speaker 2: Why his news, Like because we're seeing it from the

1797
01:15:02,120 --> 01:15:05,920
Speaker 2: college level happening, Like, Okay, if she's gonna take him

1798
01:15:05,960 --> 01:15:08,160
Speaker 2: for his money and you know he's a sucker, she

1799
01:15:08,240 --> 01:15:09,440
Speaker 2: gonna lick him.

1800
01:15:09,439 --> 01:15:09,839
Speaker 3: Simple.

1801
01:15:10,160 --> 01:15:13,679
Speaker 1: And I mean, there could have been fair assessments of

1802
01:15:13,720 --> 01:15:16,280
Speaker 1: her character and who she is, but I'm saying her like,

1803
01:15:16,280 --> 01:15:19,320
Speaker 1: oh shit, this girl was in a music video three

1804
01:15:19,360 --> 01:15:21,920
Speaker 1: years ago. You mean somebody that's going to the league

1805
01:15:21,960 --> 01:15:25,600
Speaker 1: wifed a video girl. It's stupid, top of top of

1806
01:15:25,600 --> 01:15:26,160
Speaker 1: the news list.

1807
01:15:26,840 --> 01:15:28,000
Speaker 3: This shit is stupid, man.

1808
01:15:28,000 --> 01:15:29,799
Speaker 1: Oh yeah, she was in a SoundCloud rappers.

1809
01:15:29,920 --> 01:15:32,960
Speaker 2: This is honestly, this is what's supposed to happen.

1810
01:15:33,240 --> 01:15:38,599
Speaker 1: But I did see that one clip where she said

1811
01:15:38,840 --> 01:15:40,599
Speaker 1: he used to drive in the parties and wait outside.

1812
01:15:41,000 --> 01:15:45,640
Speaker 1: He seems like the guy that would do that. He

1813
01:15:46,080 --> 01:15:47,080
Speaker 1: gives me those vibes.

1814
01:15:47,400 --> 01:15:49,479
Speaker 2: I know a few dudes that do that, And I

1815
01:15:49,600 --> 01:15:51,120
Speaker 2: just like, yo, if you're happy, man, if you want

1816
01:15:51,120 --> 01:15:53,760
Speaker 2: to shit out here and listen to a podcast while

1817
01:15:53,760 --> 01:15:57,200
Speaker 2: you're girl in there grinding, nigga, who am I to be?

1818
01:15:57,200 --> 01:15:57,240
Speaker 5: Like?

1819
01:15:57,320 --> 01:15:59,280
Speaker 4: Yo, you broke Like that's a good boyfriend, though, Like,

1820
01:15:59,280 --> 01:16:01,080
Speaker 4: if you don't want to wait, wait, wait wait, if

1821
01:16:01,120 --> 01:16:02,400
Speaker 4: you don't want to come with me, but you want

1822
01:16:02,439 --> 01:16:04,320
Speaker 4: me to be safe, I'm going to have fun.

1823
01:16:04,720 --> 01:16:06,479
Speaker 2: You think it's a good boyfriend that's gonna drop you

1824
01:16:06,520 --> 01:16:08,439
Speaker 2: off to a party. Let you go in there dance

1825
01:16:08,439 --> 01:16:09,600
Speaker 2: with a bunch of dudes and he's sitting in there.

1826
01:16:09,600 --> 01:16:11,000
Speaker 1: But who says that she's dancing with a bunch of

1827
01:16:11,000 --> 01:16:13,000
Speaker 1: do because that's what they do when they go to parties.

1828
01:16:13,000 --> 01:16:16,880
Speaker 2: Baby, d No, that's not always young girls are not

1829
01:16:17,000 --> 01:16:17,839
Speaker 2: dancing at parties.

1830
01:16:17,920 --> 01:16:21,280
Speaker 3: How young was shed? She not twenty three? She's not

1831
01:16:21,280 --> 01:16:21,720
Speaker 3: twenty two?

1832
01:16:21,720 --> 01:16:22,960
Speaker 2: Were playing Jenga.

1833
01:16:22,840 --> 01:16:24,640
Speaker 4: Back in it? But girls, don't you do know that?

1834
01:16:24,720 --> 01:16:27,280
Speaker 4: Especially her era, girls don't really dance with dudes anymore.

1835
01:16:27,280 --> 01:16:29,240
Speaker 4: Like it ain't like your time, like that error they

1836
01:16:29,320 --> 01:16:29,840
Speaker 4: used to get.

1837
01:16:30,080 --> 01:16:31,880
Speaker 2: This girl was like twenty one years old. I know

1838
01:16:32,040 --> 01:16:33,880
Speaker 2: she's sitting at a party with a phone like this

1839
01:16:34,120 --> 01:16:34,799
Speaker 2: with her friends.

1840
01:16:34,880 --> 01:16:37,120
Speaker 3: She might years ago at a college party.

1841
01:16:37,479 --> 01:16:41,519
Speaker 4: I'm telling you they don't dance with men at anymore. Yeah,

1842
01:16:42,080 --> 01:16:44,120
Speaker 4: that was a music video for a hit record. That

1843
01:16:44,160 --> 01:16:44,880
Speaker 4: was a music video.

1844
01:16:45,600 --> 01:16:47,519
Speaker 3: Ought to say, No, why you keep saying music video

1845
01:16:47,640 --> 01:16:50,080
Speaker 3: like that was off gn X or something? That was

1846
01:16:50,120 --> 01:16:50,639
Speaker 3: that nigga?

1847
01:16:50,840 --> 01:16:52,559
Speaker 2: Hey, now who's the artist?

1848
01:16:53,400 --> 01:16:55,000
Speaker 3: It was a music who he did.

1849
01:16:54,920 --> 01:16:56,839
Speaker 2: Some corny shit and put out merch with the image

1850
01:16:57,280 --> 01:16:57,639
Speaker 2: Oh he.

1851
01:16:59,200 --> 01:16:59,599
Speaker 3: So go ahead.

1852
01:16:59,640 --> 01:16:59,800
Speaker 1: Music.

1853
01:17:00,560 --> 01:17:02,840
Speaker 4: People will do anything for money. These people will like

1854
01:17:02,880 --> 01:17:05,240
Speaker 4: they don't nobody cares about being lame no more because

1855
01:17:05,240 --> 01:17:07,160
Speaker 4: of money and attention, nobody cares about being lame.

1856
01:17:07,280 --> 01:17:09,760
Speaker 1: This is fucked up for this new generation where I

1857
01:17:09,760 --> 01:17:13,400
Speaker 1: feel bad for them. Their entire lives have been recorded.

1858
01:17:13,439 --> 01:17:15,920
Speaker 1: No matter who the fuck they are, they could be

1859
01:17:15,920 --> 01:17:19,400
Speaker 1: the brokest person on earth. Their entire fucking life has

1860
01:17:19,439 --> 01:17:23,240
Speaker 1: been on a phone. The women, wait, we may revere

1861
01:17:23,280 --> 01:17:25,400
Speaker 1: that are the wives of athletes that are quiet and

1862
01:17:25,439 --> 01:17:28,000
Speaker 1: like put together this and that. We don't know what

1863
01:17:28,000 --> 01:17:30,479
Speaker 1: the fuck they was doing because it there was not

1864
01:17:30,520 --> 01:17:32,800
Speaker 1: a camera around at all times. These poor girls. Yeah,

1865
01:17:32,920 --> 01:17:36,120
Speaker 1: she was probably eighteen and a guy she was seeing

1866
01:17:36,240 --> 01:17:38,080
Speaker 1: was like, yo, being my music video, you know me?

1867
01:17:38,160 --> 01:17:40,360
Speaker 1: Fucking women on earth have done that that you wouldn't know,

1868
01:17:40,560 --> 01:17:43,040
Speaker 1: Like just because the song never hit, that's fucked up.

1869
01:17:43,080 --> 01:17:44,760
Speaker 1: Like I feel for this girl now our whole life.

1870
01:17:44,760 --> 01:17:47,200
Speaker 1: Because it was on camera, she's gonna be judged different

1871
01:17:47,240 --> 01:17:50,240
Speaker 1: than another NFL wife that probably did some wilder shit,

1872
01:17:50,280 --> 01:17:52,240
Speaker 1: we just don't know about it. It's fucked up for

1873
01:17:52,240 --> 01:17:52,679
Speaker 1: these kids.

1874
01:17:52,760 --> 01:17:54,240
Speaker 4: I was in a music video in college.

1875
01:17:54,640 --> 01:17:58,840
Speaker 1: Every he was rapping right now, who's dard One?

1876
01:18:00,080 --> 01:18:02,639
Speaker 4: He almost invited you to the fraank stamp. This is

1877
01:18:02,680 --> 01:18:05,120
Speaker 4: this rapper, but he's cool now he's like in this.

1878
01:18:05,320 --> 01:18:07,479
Speaker 4: I think he's like in the school system, but he

1879
01:18:08,200 --> 01:18:10,120
Speaker 4: We had a music video. I was like drunk in it,

1880
01:18:10,200 --> 01:18:13,360
Speaker 4: like up like in the college, like the closet, like

1881
01:18:13,400 --> 01:18:14,960
Speaker 4: they had me up like they put me like up

1882
01:18:15,000 --> 01:18:18,240
Speaker 4: at the top of the closet shelf. It was called

1883
01:18:18,240 --> 01:18:19,960
Speaker 4: Welcome to My Dorm Party. It was a playoff of

1884
01:18:20,000 --> 01:18:21,000
Speaker 4: Welcome to My House.

1885
01:18:20,760 --> 01:18:23,519
Speaker 1: Party, okay, And they told you how did you get

1886
01:18:23,560 --> 01:18:25,440
Speaker 1: up in the tubby.

1887
01:18:24,760 --> 01:18:26,160
Speaker 4: They lifted me up there. I used to weigh like

1888
01:18:26,160 --> 01:18:27,960
Speaker 4: one hundred and fifteen.

1889
01:18:27,360 --> 01:18:29,520
Speaker 2: Pounds and then you just lay down when he was sleep.

1890
01:18:29,439 --> 01:18:30,639
Speaker 4: Yeah, with a cup of my hand.

1891
01:18:31,120 --> 01:18:31,599
Speaker 2: I like it.

1892
01:18:32,680 --> 01:18:34,200
Speaker 3: I'm so glad you got away from that life.

1893
01:18:34,360 --> 01:18:36,559
Speaker 4: That was my idea, though, actually I'll bet a producer. Yeah,

1894
01:18:36,640 --> 01:18:37,360
Speaker 4: that was my idea.

1895
01:18:38,080 --> 01:18:38,759
Speaker 3: That was your idea.

1896
01:18:38,800 --> 01:18:43,160
Speaker 2: They put me up there, yeah, yo, be in the closet.

1897
01:18:43,360 --> 01:18:45,559
Speaker 2: Treat me like a hat. Put me on the top show.

1898
01:18:46,000 --> 01:18:47,679
Speaker 2: Put me on the top show for the closet.

1899
01:18:48,320 --> 01:18:49,280
Speaker 4: Treat me like a hat.

1900
01:18:49,439 --> 01:18:50,400
Speaker 3: Treat me like a hat.

1901
01:18:50,600 --> 01:18:51,400
Speaker 2: This is my moment.

1902
01:18:52,400 --> 01:18:54,360
Speaker 3: I could be a hat. Look what so?

1903
01:18:54,479 --> 01:18:54,679
Speaker 2: Yeah?

1904
01:18:54,720 --> 01:18:56,040
Speaker 1: Now I feel like for the rest of your life

1905
01:18:56,040 --> 01:18:57,880
Speaker 1: you should be judged for that moment, for every decision

1906
01:18:57,880 --> 01:18:59,400
Speaker 1: that you ever make. Any man that you go near,

1907
01:18:59,400 --> 01:19:00,360
Speaker 1: they should bring that up.

1908
01:19:01,680 --> 01:19:02,360
Speaker 3: Your gold digger.

1909
01:19:02,520 --> 01:19:05,639
Speaker 4: Yeah, this podcast, every decision. I'll never get married because

1910
01:19:05,640 --> 01:19:06,200
Speaker 4: of this podcast.

1911
01:19:06,320 --> 01:19:10,320
Speaker 2: That's not true. It's close somebody, but you got New Year?

1912
01:19:10,600 --> 01:19:11,920
Speaker 4: Would you date a female podcaster?

1913
01:19:12,560 --> 01:19:12,840
Speaker 2: Sure?

1914
01:19:13,360 --> 01:19:16,280
Speaker 4: Yeah, seriously, would you marry a female podcaster? It's not

1915
01:19:16,280 --> 01:19:17,160
Speaker 4: the fuck up you wouldn't.

1916
01:19:17,240 --> 01:19:18,880
Speaker 1: I would Wait why are you say? Why do you

1917
01:19:18,880 --> 01:19:19,760
Speaker 1: say that you would not?

1918
01:19:19,920 --> 01:19:20,800
Speaker 4: Bro? You would not?

1919
01:19:20,880 --> 01:19:21,200
Speaker 3: Why not?

1920
01:19:21,840 --> 01:19:23,479
Speaker 2: Why why you would not sit.

1921
01:19:23,400 --> 01:19:24,840
Speaker 4: Up there and date a female podcast that I was

1922
01:19:24,840 --> 01:19:26,559
Speaker 4: talking about sitting and spitting for the New Year. You're

1923
01:19:26,600 --> 01:19:27,240
Speaker 4: not doing that.

1924
01:19:27,320 --> 01:19:28,960
Speaker 2: You're not doing well sitting and spitting.

1925
01:19:29,080 --> 01:19:32,320
Speaker 1: Why do you think every podcast is sitting and spitting on?

1926
01:19:32,400 --> 01:19:32,599
Speaker 3: Who?

1927
01:19:32,600 --> 01:19:34,479
Speaker 2: Though? Like, she would have to be clear about if

1928
01:19:34,479 --> 01:19:36,599
Speaker 2: it's my girl, she would have to be clear about

1929
01:19:36,720 --> 01:19:38,640
Speaker 2: if now my girls a female positive she's like, YO,

1930
01:19:39,000 --> 01:19:42,080
Speaker 2: New Year, New dick, then I'm gonna have a problem there.

1931
01:19:42,479 --> 01:19:44,960
Speaker 2: But if she's saying like YO, New year me and

1932
01:19:45,040 --> 01:19:47,559
Speaker 2: my man, I'm gonna be sitting and spitting on him more.

1933
01:19:47,840 --> 01:19:49,200
Speaker 3: Oh then we're in love. Yeah.

1934
01:19:49,240 --> 01:19:50,799
Speaker 2: Cool, But you can't just be yelling.

1935
01:19:50,560 --> 01:19:51,040
Speaker 3: Out New Year.

1936
01:19:51,240 --> 01:19:51,840
Speaker 4: You're not doing that.

1937
01:19:51,880 --> 01:19:53,519
Speaker 2: You can't be yelling at New Year, New dick and

1938
01:19:53,680 --> 01:19:54,480
Speaker 2: in a relationship.

1939
01:19:54,720 --> 01:19:58,160
Speaker 1: If Sarah from the serial podcast, look you here, If

1940
01:19:58,160 --> 01:20:00,840
Speaker 1: you're not gonna pursue that girl, you're not gonna do that?

1941
01:20:01,200 --> 01:20:01,479
Speaker 4: Why not?

1942
01:20:01,720 --> 01:20:04,320
Speaker 3: I would she liked to sit and spit? What times

1943
01:20:04,320 --> 01:20:04,880
Speaker 3: she get off?

1944
01:20:05,080 --> 01:20:07,360
Speaker 1: You say that? Like all these girls on Instagram on

1945
01:20:07,400 --> 01:20:09,240
Speaker 1: their story aren't revealing these things.

1946
01:20:09,720 --> 01:20:11,960
Speaker 2: Yeah, but it's different because they not. They not, They're

1947
01:20:12,000 --> 01:20:15,160
Speaker 2: not getting paid for that. They selling pussies, baby d

1948
01:20:15,240 --> 01:20:17,639
Speaker 2: selling Hope. I didn't think of it that way.

1949
01:20:18,040 --> 01:20:20,040
Speaker 1: It's a difference and closet space.

1950
01:20:19,960 --> 01:20:23,160
Speaker 2: And yeah, she's showing you listen, this is how you compartmentalize.

1951
01:20:24,520 --> 01:20:25,679
Speaker 2: This is your closet design.

1952
01:20:26,080 --> 01:20:26,639
Speaker 3: Yo, sitting?

1953
01:20:26,800 --> 01:20:28,880
Speaker 1: Is that the Asian chick that says does it mean

1954
01:20:28,920 --> 01:20:31,880
Speaker 1: anything to you? What's that that series where she teaches

1955
01:20:31,920 --> 01:20:34,160
Speaker 1: you how to get everything out of your closet?

1956
01:20:34,640 --> 01:20:35,840
Speaker 2: It's fine, you guys, aren't culture?

1957
01:20:36,120 --> 01:20:36,879
Speaker 3: Was that on Netflix?

1958
01:20:37,720 --> 01:20:38,559
Speaker 2: It should be by now.

1959
01:20:38,720 --> 01:20:39,280
Speaker 3: I feel like that.

1960
01:20:39,280 --> 01:20:41,439
Speaker 1: As its savory to your life, Like that's the only

1961
01:20:41,439 --> 01:20:43,040
Speaker 1: thing she could say, and if you say yes or no,

1962
01:20:43,320 --> 01:20:44,880
Speaker 1: then it just thrown out on Netflix.

1963
01:20:44,920 --> 01:20:45,360
Speaker 2: She treats you.

1964
01:20:45,479 --> 01:20:47,640
Speaker 1: She shows you how to like put drunk women in

1965
01:20:47,640 --> 01:20:48,120
Speaker 1: your closet.

1966
01:20:48,520 --> 01:20:50,080
Speaker 2: No, she doesn't show you that. She shows you how

1967
01:20:50,080 --> 01:20:52,640
Speaker 2: to like make space, keep everything. I feel like that

1968
01:20:52,680 --> 01:20:53,960
Speaker 2: was a Netflix that was on Netflix.

1969
01:20:55,520 --> 01:20:55,720
Speaker 3: Yeah.

1970
01:20:55,720 --> 01:20:57,320
Speaker 2: I feel like we talked about that, like when we

1971
01:20:57,360 --> 01:21:00,280
Speaker 2: was watching it when it came out. Who knows, Yeah,

1972
01:21:00,600 --> 01:21:01,160
Speaker 2: I remember that.

1973
01:21:01,240 --> 01:21:02,920
Speaker 1: I don't even know who need to get to voice

1974
01:21:02,920 --> 01:21:04,920
Speaker 1: mails before with Marie Condo.

1975
01:21:05,200 --> 01:21:06,320
Speaker 2: Maybe I don't know.

1976
01:21:07,640 --> 01:21:11,040
Speaker 3: Was it Netflix? I feel we definitely watched that.

1977
01:21:11,400 --> 01:21:14,679
Speaker 4: Yeah, oh yeah Netflix? Yeah, watched Tidying Up Netflix.

1978
01:21:16,000 --> 01:21:18,240
Speaker 1: Did you guys watch anything over the holiday? I did

1979
01:21:18,240 --> 01:21:21,160
Speaker 1: have time finally to like watch some of the big

1980
01:21:21,360 --> 01:21:24,280
Speaker 1: jur number two I watched on Max which was big.

1981
01:21:24,479 --> 01:21:26,640
Speaker 1: And then did you guys watch Carry On with Jason Batam?

1982
01:21:26,840 --> 01:21:28,559
Speaker 2: No? I keep seeing every time in one Netflix I

1983
01:21:28,560 --> 01:21:30,120
Speaker 2: see it, I'm like, I want to want to watch it.

1984
01:21:30,120 --> 01:21:31,080
Speaker 3: How was it?

1985
01:21:31,080 --> 01:21:34,680
Speaker 1: It's It's really good, highly highly suggested. But what's that

1986
01:21:35,200 --> 01:21:37,360
Speaker 1: Kevin Hart movie that we love where he turns into

1987
01:21:37,400 --> 01:21:41,080
Speaker 1: Jason Bourn at the Yeah, which is a great fun movie,

1988
01:21:41,680 --> 01:21:43,760
Speaker 1: it just starts to get it starts to get like

1989
01:21:43,800 --> 01:21:47,840
Speaker 1: a little bit too insane. Yeah, I don't carry on.

1990
01:21:48,000 --> 01:21:50,599
Speaker 1: Is incredible, but at one point you're gonna be like, Okay,

1991
01:21:50,600 --> 01:21:52,599
Speaker 1: we have now went from this could be a really

1992
01:21:52,600 --> 01:21:55,960
Speaker 1: cool storyline. So now we're living in the make belief. Kevin,

1993
01:21:57,960 --> 01:22:01,160
Speaker 1: they stashing dead bodies in t SA rooms. I'm like,

1994
01:22:01,160 --> 01:22:03,400
Speaker 1: all right, man, there's not one camera in sight. Yeah.

1995
01:22:03,760 --> 01:22:05,760
Speaker 2: That's when she get just too unrealistic for me. Kevin

1996
01:22:05,840 --> 01:22:07,800
Speaker 2: Hart killed the niggas with two head shots.

1997
01:22:07,720 --> 01:22:10,320
Speaker 1: Two niggas, one hand. No look, I think he even

1998
01:22:10,320 --> 01:22:13,519
Speaker 1: covered his eyes and went like this, you made us.

1999
01:22:13,439 --> 01:22:16,439
Speaker 2: Watch this whole thing, and this is how it ends.

2000
01:22:17,280 --> 01:22:20,040
Speaker 1: I had a crush on the girl that died. She

2001
01:22:20,200 --> 01:22:21,360
Speaker 1: was only in a few scenes, but even.

2002
01:22:22,600 --> 01:22:25,280
Speaker 4: Even dead, she was bad as crazy. I finally watched

2003
01:22:25,320 --> 01:22:26,320
Speaker 4: It ends with us.

2004
01:22:27,080 --> 01:22:27,960
Speaker 2: How was it?

2005
01:22:27,960 --> 01:22:30,240
Speaker 4: It was good? It was really good. It was it

2006
01:22:30,280 --> 01:22:33,160
Speaker 4: was good. Like knowing all that when I went into it,

2007
01:22:33,160 --> 01:22:36,160
Speaker 4: I had heard about the the things that were going

2008
01:22:36,240 --> 01:22:39,000
Speaker 4: on behind the scenes with Blake Lively and her co

2009
01:22:39,160 --> 01:22:41,920
Speaker 4: star and how they hated each other, suing him right.

2010
01:22:41,800 --> 01:22:44,439
Speaker 2: Now, I thought it was a director to proper he was.

2011
01:22:44,479 --> 01:22:46,439
Speaker 4: He was her co star in the director or the

2012
01:22:46,840 --> 01:22:49,479
Speaker 4: production company. I think he owned it some nasty yeah,

2013
01:22:49,560 --> 01:22:51,880
Speaker 4: he was like making being weird and stuff and yeah,

2014
01:22:51,920 --> 01:22:53,599
Speaker 4: but the movie came out really good.

2015
01:22:53,920 --> 01:22:56,800
Speaker 1: Squid Game two and when started I won episode three?

2016
01:22:57,680 --> 01:22:58,759
Speaker 3: Yeah, yeah.

2017
01:22:58,920 --> 01:23:01,440
Speaker 4: Ever since I've seen mister Beasts do it, I'm like,

2018
01:23:01,439 --> 01:23:03,760
Speaker 4: like when mister when mister Beast did it, it was real,

2019
01:23:04,040 --> 01:23:05,120
Speaker 4: Like you know what I'm saying, I don't want to

2020
01:23:05,120 --> 01:23:05,960
Speaker 4: see the show no more.

2021
01:23:06,760 --> 01:23:08,320
Speaker 1: Mister Beasts did a real two game.

2022
01:23:08,360 --> 01:23:08,719
Speaker 4: He didn't.

2023
01:23:08,920 --> 01:23:10,680
Speaker 1: He cooked s twitter like he did a No, he.

2024
01:23:10,680 --> 01:23:13,519
Speaker 4: Did an entire squid Game and gave away money.

2025
01:23:13,560 --> 01:23:14,400
Speaker 1: Did people die?

2026
01:23:14,920 --> 01:23:15,639
Speaker 4: No, nobody died.

2027
01:23:15,840 --> 01:23:16,439
Speaker 3: It wasn't real.

2028
01:23:17,439 --> 01:23:20,360
Speaker 4: I thought, that's but they killed He killed it. He

2029
01:23:20,360 --> 01:23:21,919
Speaker 4: had the whole set like everything.

2030
01:23:22,280 --> 01:23:23,000
Speaker 1: No, I gotta see that.

2031
01:23:23,160 --> 01:23:27,160
Speaker 2: Speaking of Blake Lobby, I'm watching a Gossip Girl that's

2032
01:23:27,200 --> 01:23:31,400
Speaker 2: cute x So, Gossip Girl, do you like it so far?

2033
01:23:31,840 --> 01:23:33,640
Speaker 4: How about you to watch grays Anatomy if you watch it,

2034
01:23:33,720 --> 01:23:36,840
Speaker 4: gossip Girl, I've watched Anatomy. You saw it, but did

2035
01:23:36,840 --> 01:23:38,640
Speaker 4: you watch it from the beginning? Like, really watch it?

2036
01:23:38,720 --> 01:23:41,200
Speaker 2: I watched it up until I didn't I didn't finish

2037
01:23:41,240 --> 01:23:45,559
Speaker 2: Grays Anatomy. I think I'll stopped the second season before

2038
01:23:45,560 --> 01:23:46,600
Speaker 2: the last.

2039
01:23:47,080 --> 01:23:50,920
Speaker 4: There is no last season still, it's still no, it's

2040
01:23:50,920 --> 01:23:52,400
Speaker 4: still going. It's on season twenty.

2041
01:23:52,960 --> 01:23:55,439
Speaker 1: I thought Grays Anatomy is still so why did all

2042
01:23:55,439 --> 01:23:57,439
Speaker 1: the women cry? Like two years ago? I thought it

2043
01:23:57,479 --> 01:23:59,200
Speaker 1: was done done. That's because the main one of the

2044
01:23:59,200 --> 01:24:01,880
Speaker 1: main characters died it George Clooney. Just when did the

2045
01:24:01,880 --> 01:24:05,400
Speaker 1: Oceans movies? That was a r okay, no, same thing.

2046
01:24:05,880 --> 01:24:07,800
Speaker 4: It's going into like season twenty one right now. I

2047
01:24:07,800 --> 01:24:10,800
Speaker 4: think Damn Gray's Anatomy is still on. Yeah, that's why

2048
01:24:10,840 --> 01:24:12,400
Speaker 4: you like when it ended. I'm like, what the fuck?

2049
01:24:12,479 --> 01:24:13,920
Speaker 2: Oh, I'm not gonna finish that shit.

2050
01:24:15,240 --> 01:24:18,400
Speaker 4: It stops being good around season sixteen seventeen, so just

2051
01:24:18,400 --> 01:24:18,960
Speaker 4: go up to there.

2052
01:24:19,160 --> 01:24:21,720
Speaker 2: Season sixteen is at that point. It's like saying, all right,

2053
01:24:21,720 --> 01:24:22,679
Speaker 2: wrap this shit up.

2054
01:24:22,600 --> 01:24:25,080
Speaker 4: Manna, I love it. You gotta watch it. Watch it

2055
01:24:25,120 --> 01:24:25,759
Speaker 4: from the beginning.

2056
01:24:26,160 --> 01:24:28,599
Speaker 2: I'm gonna finish Gossip Girl first. I like it.

2057
01:24:29,160 --> 01:24:31,040
Speaker 1: For the people that are not on Patreon. We have

2058
01:24:31,400 --> 01:24:37,120
Speaker 1: two sitcom TV show drafts. We split them up by

2059
01:24:37,160 --> 01:24:40,920
Speaker 1: race naturally, of course, and I was thinking over the

2060
01:24:40,960 --> 01:24:44,840
Speaker 1: holiday break that we were completely wrong. I do feel

2061
01:24:44,840 --> 01:24:47,760
Speaker 1: like sitcoms need a live studio audience. Like I don't

2062
01:24:47,800 --> 01:24:49,360
Speaker 1: know if The Office is a sitcom.

2063
01:24:49,040 --> 01:24:50,919
Speaker 4: Bro, the Office is a sitcom.

2064
01:24:51,000 --> 01:24:51,240
Speaker 3: Dog.

2065
01:24:51,840 --> 01:24:54,160
Speaker 1: I was watching The Office over the break and I

2066
01:24:54,200 --> 01:24:58,640
Speaker 1: was like, this is just a hilarious comedy series. I

2067
01:24:58,680 --> 01:25:01,719
Speaker 1: feel like a sitcom in introspect needs the studio audience.

2068
01:25:01,720 --> 01:25:02,599
Speaker 1: I think that's what makes that.

2069
01:25:02,600 --> 01:25:03,880
Speaker 2: It's not fair, Like you have a set.

2070
01:25:03,920 --> 01:25:05,439
Speaker 1: There's only like three different fucking sets.

2071
01:25:05,479 --> 01:25:06,960
Speaker 2: But that's not fair because if you're gonna do that,

2072
01:25:07,000 --> 01:25:09,080
Speaker 2: then the live a color as a sitcom. And you

2073
01:25:09,120 --> 01:25:12,200
Speaker 2: said it was you said it was sketch comedy. That's

2074
01:25:12,200 --> 01:25:13,560
Speaker 2: a live audience.

2075
01:25:13,479 --> 01:25:15,920
Speaker 1: But that's sketch. Like Chappelle's show was live audience, but

2076
01:25:15,960 --> 01:25:16,720
Speaker 1: that's a sketch show.

2077
01:25:16,760 --> 01:25:16,960
Speaker 2: To me.

2078
01:25:17,760 --> 01:25:19,800
Speaker 1: SNL has a live audience. That's a sketch showed to me.

2079
01:25:19,960 --> 01:25:21,840
Speaker 2: All that. But you're saying you feel like sitcoms need

2080
01:25:21,880 --> 01:25:23,160
Speaker 2: to have a live audience.

2081
01:25:22,920 --> 01:25:24,679
Speaker 1: But that doesn't make or break it. I'm not saying

2082
01:25:24,680 --> 01:25:26,800
Speaker 1: anything with a live studio Like Martha Stewart had a

2083
01:25:26,840 --> 01:25:29,120
Speaker 1: live studio audience. The View has a live studio audience.

2084
01:25:29,120 --> 01:25:30,680
Speaker 1: I'm not saying that makes it a sitcom, But I

2085
01:25:30,720 --> 01:25:35,360
Speaker 1: feel like a sitcom needs those three interchanging sets and

2086
01:25:35,439 --> 01:25:37,200
Speaker 1: a live studio audience in retrospect.

2087
01:25:37,200 --> 01:25:40,559
Speaker 2: No way, if you feel like Curb your Enthusiasm is

2088
01:25:40,560 --> 01:25:42,400
Speaker 2: not a sitcom, I don't think so. Get the fuck

2089
01:25:42,479 --> 01:25:43,439
Speaker 2: you crazy, bro.

2090
01:25:45,120 --> 01:25:47,680
Speaker 1: Everything I said on Patreon, which is two amazing episodes.

2091
01:25:47,640 --> 01:25:50,519
Speaker 4: Is amy there. No, No, that's not I think show

2092
01:25:50,600 --> 01:25:51,520
Speaker 4: was not a sitcom.

2093
01:25:51,800 --> 01:25:56,240
Speaker 2: No, what the fucking what are y'all talking about right now?

2094
01:25:57,160 --> 01:25:58,719
Speaker 3: Chris Fox was not a sitcom?

2095
01:25:58,880 --> 01:26:00,160
Speaker 4: Yeah, you sound crazy.

2096
01:26:01,200 --> 01:26:05,200
Speaker 1: That's a sitcom, Friends, sitcom, Seinfeld sitcom, Chris.

2097
01:26:05,479 --> 01:26:06,720
Speaker 3: Everybody hates Chris.

2098
01:26:06,439 --> 01:26:09,280
Speaker 4: Just because the original way that they did sitcoms with

2099
01:26:09,360 --> 01:26:11,840
Speaker 4: the live studio audience. It doesn't mean that that's only

2100
01:26:12,040 --> 01:26:14,800
Speaker 4: Bernie macoms and then that means there will never be

2101
01:26:14,840 --> 01:26:18,559
Speaker 4: another sitcom again, just because they changed the way they did.

2102
01:26:18,439 --> 01:26:22,960
Speaker 1: Sit crazy, But did Gerrard Carmichael Show, which more recent

2103
01:26:23,040 --> 01:26:24,679
Speaker 1: that was a sitcom to me in the modern era.

2104
01:26:26,320 --> 01:26:29,760
Speaker 4: There was no live studio audience. It had a laugh track.

2105
01:26:29,800 --> 01:26:31,080
Speaker 4: It was not a live studio audience.

2106
01:26:31,439 --> 01:26:33,400
Speaker 1: Okay, well, I guess I'm saying more laugh track than anything.

2107
01:26:34,400 --> 01:26:35,920
Speaker 1: I don't know, just my thoughts of with a break

2108
01:26:35,960 --> 01:26:37,679
Speaker 1: of we we maybe had it completely wrong.

2109
01:26:37,880 --> 01:26:40,120
Speaker 2: Nah, Man, you read you read a comment or two,

2110
01:26:40,160 --> 01:26:40,920
Speaker 2: and now you feel like.

2111
01:26:41,320 --> 01:26:43,519
Speaker 1: Obviously did not read a single comment about anything.

2112
01:26:43,560 --> 01:26:45,600
Speaker 2: Man, Curby Enthusiasm is a sitcom. I don't want to

2113
01:26:45,640 --> 01:26:47,960
Speaker 2: care what y'all told him. Great, Everybody Hates Chris is

2114
01:26:48,000 --> 01:26:48,519
Speaker 2: a sitcom.

2115
01:26:48,560 --> 01:26:50,919
Speaker 4: Everybody Hates Chris is definitely a fucking sitcom.

2116
01:26:51,040 --> 01:26:53,840
Speaker 2: Y'all are tripping. I don't know, man, y'all crazy as fuck.

2117
01:26:54,200 --> 01:26:55,000
Speaker 3: You've got mail?

2118
01:26:56,520 --> 01:26:58,960
Speaker 5: How do y'all make the difference? How do y'all know

2119
01:26:59,040 --> 01:27:04,160
Speaker 5: the difference between a hole that's for you and a

2120
01:27:04,240 --> 01:27:08,520
Speaker 5: hole that you only fucking Is it a difference sexually

2121
01:27:08,560 --> 01:27:09,639
Speaker 5: in what she giving you?

2122
01:27:10,680 --> 01:27:12,200
Speaker 2: I don't fully understand this question.

2123
01:27:13,360 --> 01:27:17,240
Speaker 5: Y'all both seem like some cool niggas like y'a would like, you.

2124
01:27:17,160 --> 01:27:20,200
Speaker 2: Know, I'll kind of fly or whatever he high right now.

2125
01:27:20,280 --> 01:27:22,080
Speaker 5: It seemed like y'all will kind of play in the

2126
01:27:22,080 --> 01:27:26,040
Speaker 5: same streets as well, Like are y'all asking brothers? I

2127
01:27:26,080 --> 01:27:27,840
Speaker 5: feel like I ain't never heard y'all speak on that.

2128
01:27:29,320 --> 01:27:31,280
Speaker 5: That was a rocker with y'all up.

2129
01:27:32,200 --> 01:27:35,800
Speaker 4: So his first original question, his first original question.

2130
01:27:36,120 --> 01:27:37,080
Speaker 2: How do you know what hole is for?

2131
01:27:37,120 --> 01:27:39,200
Speaker 1: You, It was a profound question if you get if

2132
01:27:39,240 --> 01:27:41,280
Speaker 1: you peel back the layers, that was an onion.

2133
01:27:41,000 --> 01:27:43,559
Speaker 4: Question, like if she if she like, if she a whole,

2134
01:27:43,680 --> 01:27:45,479
Speaker 4: like she really doing like, you know, whole shit in

2135
01:27:45,560 --> 01:27:47,439
Speaker 4: the bedroom. How do you know that? How do you

2136
01:27:47,479 --> 01:27:49,200
Speaker 4: know the difference between a whole that's just for fun

2137
01:27:49,280 --> 01:27:51,280
Speaker 4: or a hole that you should take seriously, it's a.

2138
01:27:51,280 --> 01:27:54,040
Speaker 1: Hole for you? Oh God, tell her that hole for you?

2139
01:27:54,200 --> 01:27:54,880
Speaker 3: So if so?

2140
01:27:54,960 --> 01:27:59,559
Speaker 2: Basically, if she's a freaking bedroom, yeah, but how do

2141
01:27:59,600 --> 01:28:01,519
Speaker 2: you know she just being freaky with you and not

2142
01:28:01,680 --> 01:28:03,960
Speaker 2: just out here freaking with everybody?

2143
01:28:04,880 --> 01:28:07,360
Speaker 4: How do you know what holds are worth with our

2144
01:28:07,439 --> 01:28:09,880
Speaker 4: worth ignoring the wholeness for like, how do you know

2145
01:28:09,960 --> 01:28:10,559
Speaker 4: this hole is for you?

2146
01:28:10,680 --> 01:28:12,840
Speaker 1: That's how I took it, as when do you start

2147
01:28:12,920 --> 01:28:15,639
Speaker 1: ignoring that You know for a fact that this woman

2148
01:28:15,680 --> 01:28:17,559
Speaker 1: has been for the streets for a while, but you

2149
01:28:17,680 --> 01:28:20,719
Speaker 1: like this whole a lot. What are the deciding factors?

2150
01:28:22,439 --> 01:28:22,880
Speaker 3: I don't know.

2151
01:28:22,960 --> 01:28:24,720
Speaker 2: That's a tough question to ask me, because I feel like,

2152
01:28:24,760 --> 01:28:26,760
Speaker 2: if I know a hole is for the streets, I'm

2153
01:28:26,760 --> 01:28:28,800
Speaker 2: not even entertaining her or even letting it get to

2154
01:28:28,840 --> 01:28:32,080
Speaker 2: a point where I feel like, Yo, noa she my hops.

2155
01:28:31,960 --> 01:28:35,040
Speaker 4: About and mall, I think he's talking about like normal hole.

2156
01:28:35,200 --> 01:28:38,160
Speaker 4: I think what you're thinking is what a normal so

2157
01:28:38,160 --> 01:28:39,360
Speaker 4: so I think he's talking.

2158
01:28:39,160 --> 01:28:40,559
Speaker 2: About a woman more than one.

2159
01:28:41,000 --> 01:28:44,040
Speaker 4: Yeah, like a girl that she's not She's not innocent, right,

2160
01:28:44,080 --> 01:28:46,880
Speaker 4: but she's not fucking out here just fucking anybody or

2161
01:28:46,880 --> 01:28:49,240
Speaker 4: for the streets. But she has she's not a fucking

2162
01:28:49,640 --> 01:28:50,160
Speaker 4: her number.

2163
01:28:50,640 --> 01:28:53,280
Speaker 1: Her number would make you uncomfortable, but it's not anything

2164
01:28:53,320 --> 01:28:54,360
Speaker 1: that's crazy, okay.

2165
01:28:54,960 --> 01:28:57,479
Speaker 4: Yeah, and like she's like you like damn, like I

2166
01:28:57,520 --> 01:28:59,720
Speaker 4: really like this girl like that type shit, not like

2167
01:28:59,760 --> 01:29:02,080
Speaker 4: the not the girl I got passed around by the homemies.

2168
01:29:02,160 --> 01:29:05,360
Speaker 4: Like I think that's what he's asking, Like, yo, like

2169
01:29:05,400 --> 01:29:07,200
Speaker 4: how do I know that? Like this hole is for me?

2170
01:29:07,400 --> 01:29:11,720
Speaker 1: Or she's she spent a lot of twenty fifteen on

2171
01:29:11,840 --> 01:29:14,439
Speaker 1: vacation with no real sense of income.

2172
01:29:14,600 --> 01:29:16,519
Speaker 4: No, those aren't see that's those are.

2173
01:29:16,439 --> 01:29:19,040
Speaker 1: That was in twenty fifteen. It's four different holes.

2174
01:29:19,240 --> 01:29:22,400
Speaker 4: Just normal regular hole like regular people holes, y'all be experienced.

2175
01:29:22,680 --> 01:29:26,000
Speaker 1: Well, First of all, Instagram has changed that aspect. Regular

2176
01:29:26,080 --> 01:29:29,640
Speaker 1: assholes are in Abiza right now with everybody.

2177
01:29:29,760 --> 01:29:32,120
Speaker 2: Yeah, Monday, like it used to be the it used

2178
01:29:32,120 --> 01:29:33,120
Speaker 2: to be the elite ones.

2179
01:29:33,880 --> 01:29:38,320
Speaker 1: The elite ones have that's been ran through these everyone's

2180
01:29:38,360 --> 01:29:41,519
Speaker 1: finding the regular holes. Now it'd be chicks from I'm.

2181
01:29:41,400 --> 01:29:43,479
Speaker 2: Like foreigner followers up here for ten years.

2182
01:29:43,520 --> 01:29:44,439
Speaker 1: How the fuck is you out there?

2183
01:29:44,760 --> 01:29:45,479
Speaker 2: I don't know how.

2184
01:29:45,680 --> 01:29:46,160
Speaker 3: I don't know.

2185
01:29:46,479 --> 01:29:49,639
Speaker 2: I guess it ultimately comes down to if you're kicking

2186
01:29:49,680 --> 01:29:51,360
Speaker 2: it with a well that too. But if you're kicking

2187
01:29:51,360 --> 01:29:54,160
Speaker 2: it with a girl and you know her history and

2188
01:29:54,200 --> 01:29:56,360
Speaker 2: you know you know however, you know, however you introduced

2189
01:29:56,400 --> 01:29:59,479
Speaker 2: to her kind of got the car facts on her.

2190
01:30:00,080 --> 01:30:02,960
Speaker 2: I think you just make your own, you know, like,

2191
01:30:03,000 --> 01:30:04,160
Speaker 2: if what you all right? Cool?

2192
01:30:04,200 --> 01:30:04,360
Speaker 4: Yeah?

2193
01:30:04,400 --> 01:30:07,160
Speaker 2: I know she was bopping around, but fuck it, I

2194
01:30:07,320 --> 01:30:10,439
Speaker 2: like her. I've seen dudes do that. But it's like, yo,

2195
01:30:10,479 --> 01:30:13,680
Speaker 2: you know you like? I ain't she cool? Though? What

2196
01:30:13,760 --> 01:30:17,559
Speaker 2: can I say to that makes me happy? It's subjective, man.

2197
01:30:17,600 --> 01:30:20,400
Speaker 2: If you cool and no matter what her history is

2198
01:30:20,439 --> 01:30:24,280
Speaker 2: and you know who dated her and all have fun.

2199
01:30:24,320 --> 01:30:27,640
Speaker 1: Man, it's very hard to find people that you actually like.

2200
01:30:27,920 --> 01:30:31,000
Speaker 1: That's a very difficult thing. She happens to have a past,

2201
01:30:31,120 --> 01:30:33,160
Speaker 1: you know, keep pushing.

2202
01:30:33,320 --> 01:30:34,040
Speaker 4: Love is rare.

2203
01:30:34,439 --> 01:30:35,519
Speaker 2: Just don't ask questions.

2204
01:30:35,560 --> 01:30:38,519
Speaker 4: It's rare. Love and happiness are rare. If you find

2205
01:30:38,520 --> 01:30:40,519
Speaker 4: somebody who makes you happy and that you click with,

2206
01:30:41,040 --> 01:30:43,840
Speaker 4: don't be worried about what the fucking happened ten years ago,

2207
01:30:43,960 --> 01:30:45,240
Speaker 4: Like that's you're wasting your time.

2208
01:30:45,280 --> 01:30:47,880
Speaker 2: I mean it does. I mean you can't ignore what

2209
01:30:48,000 --> 01:30:50,760
Speaker 2: happened because you got to look at what happened to

2210
01:30:50,880 --> 01:30:52,240
Speaker 2: kind of know, you.

2211
01:30:52,200 --> 01:30:53,599
Speaker 4: Know, you gotta look where you've been to know where

2212
01:30:53,640 --> 01:30:54,200
Speaker 4: you're going.

2213
01:30:54,160 --> 01:30:56,240
Speaker 2: Right, you gotta kind of just make the you know,

2214
01:30:57,040 --> 01:31:00,519
Speaker 2: have discernment. I think a lot of people don't have discernment,

2215
01:31:00,600 --> 01:31:02,880
Speaker 2: have discernment, like, yeah, she's she was out in the street,

2216
01:31:02,960 --> 01:31:03,759
Speaker 2: she was playing around.

2217
01:31:03,640 --> 01:31:05,680
Speaker 3: Dated a few guys, you know, whatever. Whatever.

2218
01:31:06,479 --> 01:31:08,280
Speaker 2: But if you're kicking with her, you spending time with her,

2219
01:31:08,720 --> 01:31:10,599
Speaker 2: that may be a part of her life that she's

2220
01:31:11,080 --> 01:31:12,760
Speaker 2: closed and she's done with and she want to really

2221
01:31:12,920 --> 01:31:15,920
Speaker 2: be with one person to have a great time, fun, laugh,

2222
01:31:16,000 --> 01:31:16,800
Speaker 2: you'll laugh together, you know.

2223
01:31:16,840 --> 01:31:18,760
Speaker 1: If if it's like that and you fall in love,

2224
01:31:20,600 --> 01:31:22,519
Speaker 1: I mean, not to get too deep for the end

2225
01:31:22,560 --> 01:31:24,000
Speaker 1: of the year, but sometimes you have to look in

2226
01:31:24,040 --> 01:31:26,080
Speaker 1: the mirror and say, what is a stream? I don't

2227
01:31:26,120 --> 01:31:28,720
Speaker 1: define what that is. Yeah, what your definition of a

2228
01:31:28,760 --> 01:31:30,719
Speaker 1: hoe is could be your own internal shit.

2229
01:31:30,800 --> 01:31:31,360
Speaker 2: And she's not.

2230
01:31:31,400 --> 01:31:34,439
Speaker 1: Really a hoe, or she's a super hoe and you're

2231
01:31:34,479 --> 01:31:36,840
Speaker 1: okay with that. Yeah, you don't get to define what

2232
01:31:36,880 --> 01:31:39,960
Speaker 1: the definition of ho is just in your ego maniac

2233
01:31:40,040 --> 01:31:42,800
Speaker 1: fucking brain. You think because she slept with one person

2234
01:31:42,800 --> 01:31:45,240
Speaker 1: you happy to fucking know and had one summer where

2235
01:31:45,280 --> 01:31:47,200
Speaker 1: she went a little crazy. You don't get to define

2236
01:31:47,200 --> 01:31:51,160
Speaker 1: what the cost of a stream is. You're you're not Spotify.

2237
01:31:51,360 --> 01:31:53,800
Speaker 1: You don't define her past as being a hoe. If

2238
01:31:53,840 --> 01:31:55,639
Speaker 1: you like the girl, you like the girl, just take

2239
01:31:55,680 --> 01:31:57,360
Speaker 1: the exchange rate and keep it pushing if you like

2240
01:31:57,400 --> 01:31:57,800
Speaker 1: your album.

2241
01:31:57,960 --> 01:32:00,639
Speaker 2: But the problem I have with that is when dudes

2242
01:32:00,680 --> 01:32:02,679
Speaker 2: all get with a girl like that that has a history,

2243
01:32:02,680 --> 01:32:04,960
Speaker 2: has a pass and now they feel like, you know,

2244
01:32:05,080 --> 01:32:07,160
Speaker 2: this is my girl, and then they find out she

2245
01:32:07,280 --> 01:32:10,680
Speaker 2: out here still seeing other guys, and then they want

2246
01:32:10,720 --> 01:32:12,840
Speaker 2: to go to violence and home the girl.

2247
01:32:12,840 --> 01:32:14,200
Speaker 3: But it's like, nigge, you knew she was.

2248
01:32:14,280 --> 01:32:17,040
Speaker 1: There's a difference between hoe and a cheaterah, And of

2249
01:32:17,040 --> 01:32:19,960
Speaker 1: course those lines can blend, but there's plenty Some of

2250
01:32:20,000 --> 01:32:22,439
Speaker 1: the quote unquote biggest that would be deemed the biggest

2251
01:32:22,439 --> 01:32:24,839
Speaker 1: hoes that I know are typically the most loyal girlfriends,

2252
01:32:24,840 --> 01:32:27,400
Speaker 1: best girlfriends, like they be in the streets when they single,

2253
01:32:28,040 --> 01:32:30,200
Speaker 1: when it's time shit to be in a relationship, they're

2254
01:32:30,280 --> 01:32:31,760
Speaker 1: my man, my man, my man, my man.

2255
01:32:32,080 --> 01:32:37,200
Speaker 2: Yeah right, yeah, that's her man. But I'm not saying that,

2256
01:32:37,240 --> 01:32:38,439
Speaker 2: ain't your man, your man, your man?

2257
01:32:38,880 --> 01:32:41,000
Speaker 4: I don't know, Like I like the hose that I know,

2258
01:32:41,080 --> 01:32:43,120
Speaker 4: And I'm talking about hoes that like were hoe and

2259
01:32:43,160 --> 01:32:45,439
Speaker 4: since they were like twelve thirteen years old, like this

2260
01:32:45,560 --> 01:32:46,040
Speaker 4: is in them?

2261
01:32:46,080 --> 01:32:47,840
Speaker 3: Who is howe? And since twelve thirteen years.

2262
01:32:47,720 --> 01:32:54,120
Speaker 4: Old, plenty plenty plenty believe me? Oh yeah, like dedicated holes.

2263
01:32:54,240 --> 01:32:57,240
Speaker 4: They make the greatest wives, like they're because they got

2264
01:32:57,280 --> 01:32:58,840
Speaker 4: all their shit out the way, like they've been doing

2265
01:32:58,840 --> 01:33:01,639
Speaker 4: it for so long. That shit is baby an owl chilling.

2266
01:33:03,520 --> 01:33:05,439
Speaker 4: Maybe the girl that you that got her heart broken

2267
01:33:05,479 --> 01:33:07,559
Speaker 4: by a nigga recently and she been a good girl

2268
01:33:07,560 --> 01:33:09,599
Speaker 4: her whole life and a nigga did her dirty and

2269
01:33:09,640 --> 01:33:12,639
Speaker 4: she got that that impurity in her heart.

2270
01:33:12,760 --> 01:33:16,960
Speaker 1: Yeah, and she's she's never known what the false glamor

2271
01:33:17,120 --> 01:33:19,360
Speaker 1: of being in the streets is like, she's never been

2272
01:33:19,400 --> 01:33:22,400
Speaker 1: on a vacation, she didn't earn she's never had the

2273
01:33:22,439 --> 01:33:24,200
Speaker 1: opportunity to just be in a d mL. You want

2274
01:33:24,200 --> 01:33:26,759
Speaker 1: to fly to fucking turks that bring all your friends.

2275
01:33:26,760 --> 01:33:30,040
Speaker 1: Here's let's go to the fucking private airport. She don't

2276
01:33:30,040 --> 01:33:32,280
Speaker 1: even know about that, so she goes crazy because she's

2277
01:33:32,320 --> 01:33:34,760
Speaker 1: never experienced those things. The hope been doing that since

2278
01:33:34,760 --> 01:33:35,439
Speaker 1: she was eighteen.

2279
01:33:36,240 --> 01:33:38,200
Speaker 3: I just don't think yours.

2280
01:33:38,320 --> 01:33:39,840
Speaker 2: I just don't think people give enough credit to the

2281
01:33:39,880 --> 01:33:42,040
Speaker 2: amount of women that are out here that don't have

2282
01:33:42,080 --> 01:33:44,960
Speaker 2: a whole past that are cool as well. I think

2283
01:33:45,120 --> 01:33:46,719
Speaker 2: I kind of act like those women are extinct.

2284
01:33:46,720 --> 01:33:48,960
Speaker 1: I think we've been trying to tell you that that's

2285
01:33:49,000 --> 01:33:52,800
Speaker 1: the case. No, I've been explaining to you that I

2286
01:33:52,880 --> 01:33:53,160
Speaker 1: know that.

2287
01:33:53,120 --> 01:33:55,599
Speaker 2: There's cool girls out here that don't have whole past.

2288
01:33:55,720 --> 01:33:58,080
Speaker 2: Most of the times they're either already in relationships taking

2289
01:33:58,120 --> 01:34:00,200
Speaker 2: like you know, she like that. But I I just

2290
01:34:00,200 --> 01:34:03,479
Speaker 2: think that if somebody poses a question like that, I

2291
01:34:03,479 --> 01:34:05,760
Speaker 2: think it's because just be honest, you like holes, and

2292
01:34:05,760 --> 01:34:06,799
Speaker 2: it's okay to like hose.

2293
01:34:07,520 --> 01:34:10,120
Speaker 1: But they came on here and said he likes promiscuous women.

2294
01:34:10,200 --> 01:34:12,720
Speaker 2: I thought that was great. Who Clay? He said his

2295
01:34:12,800 --> 01:34:14,800
Speaker 2: ths is type. He likes those type of women, And

2296
01:34:14,840 --> 01:34:16,760
Speaker 2: that's fine. Like, if that's what you like, yo, day,

2297
01:34:16,800 --> 01:34:19,280
Speaker 2: who you like man, that's it's twenty. We're gonna twenty

2298
01:34:19,280 --> 01:34:23,360
Speaker 2: twenty five date who you like. It doesn't even matter anymore,

2299
01:34:23,400 --> 01:34:25,920
Speaker 2: whoever you like, whoever you in love with, whoever you

2300
01:34:25,960 --> 01:34:28,000
Speaker 2: want to be with, no matter who you with, If

2301
01:34:28,000 --> 01:34:29,599
Speaker 2: somebody gonna talk about you, they're gonna talk.

2302
01:34:29,479 --> 01:34:31,800
Speaker 1: About the aliens are gonna come in twenty twenty five,

2303
01:34:31,920 --> 01:34:34,240
Speaker 1: and nobody is gonna give a fuck about who she

2304
01:34:34,400 --> 01:34:35,439
Speaker 1: fucked in twenty fourteen.

2305
01:34:35,720 --> 01:34:38,160
Speaker 4: Yeah, the alien, Right, if you fucking alien? I don't

2306
01:34:38,200 --> 01:34:39,920
Speaker 4: know because like you know what I'm saying, Like, if

2307
01:34:39,920 --> 01:34:41,479
Speaker 4: you fucking alien, I don't think I could get past

2308
01:34:41,520 --> 01:34:43,839
Speaker 4: that type shit because like what if you not pleased

2309
01:34:43,880 --> 01:34:45,840
Speaker 4: with me? Like what if the alien has some fire?

2310
01:34:46,000 --> 01:34:46,439
Speaker 4: I don't know?

2311
01:34:47,280 --> 01:34:52,120
Speaker 1: Hmmm, did the alien like run in my my friend circle?

2312
01:34:52,680 --> 01:34:53,479
Speaker 2: Like was he around?

2313
01:34:54,280 --> 01:34:55,880
Speaker 1: Does the alien know people that I know that it

2314
01:34:55,880 --> 01:34:57,920
Speaker 1: could get back to me and affects like my future

2315
01:34:57,920 --> 01:35:00,479
Speaker 1: with her? Like are they gonna be with bring at

2316
01:35:00,479 --> 01:35:03,519
Speaker 1: the alien mixer? Like, yo, fam he with her?

2317
01:35:04,200 --> 01:35:07,160
Speaker 2: Y'all joking, But it's gonna come to a point where we.

2318
01:35:06,720 --> 01:35:08,719
Speaker 1: We flew out to Area fifty one and got busy

2319
01:35:08,720 --> 01:35:09,120
Speaker 1: with her.

2320
01:35:09,560 --> 01:35:12,320
Speaker 2: We're gonna start walking past aliens like a normal day

2321
01:35:12,360 --> 01:35:14,600
Speaker 2: in Manhattan. I think we're doing it now. Yeah, like

2322
01:35:14,760 --> 01:35:16,799
Speaker 2: alien on the corner, it's the alien over the everybody

2323
01:35:16,840 --> 01:35:19,160
Speaker 2: taking pictures of it. I believe that's where it's headed.

2324
01:35:19,640 --> 01:35:21,360
Speaker 2: And I'm dead serious. How they can be walking hitting

2325
01:35:21,400 --> 01:35:24,120
Speaker 2: picture with the naked cowboy and Tom Square. It's gonna

2326
01:35:24,120 --> 01:35:26,400
Speaker 2: be like an It's gonna be an alien. Yeah, and

2327
01:35:26,400 --> 01:35:28,320
Speaker 2: people can be like, oh shit, they're real like yeah,

2328
01:35:28,400 --> 01:35:30,560
Speaker 2: like yeah, they're not harmful, they just chilling.

2329
01:35:30,320 --> 01:35:31,759
Speaker 1: Like it'll get to that point eventually.

2330
01:35:31,800 --> 01:35:32,360
Speaker 3: Absolutely.

2331
01:35:33,160 --> 01:35:38,000
Speaker 1: Well, let's get into this conversation with Elliott Wilson got

2332
01:35:38,000 --> 01:35:40,200
Speaker 1: into some yearine wrap up shit, some arguments we had

2333
01:35:40,200 --> 01:35:42,400
Speaker 1: depressed Elliott, Where's b dot?

2334
01:35:42,800 --> 01:35:43,559
Speaker 3: Where is b dot?

2335
01:35:43,600 --> 01:35:45,680
Speaker 1: What's up with this new West Coast podcast? And you

2336
01:35:45,720 --> 01:35:48,320
Speaker 1: know it was. It was a cool conversation. Always fun

2337
01:35:48,320 --> 01:35:51,000
Speaker 1: to have Elliott on, especially to end the year. Happy

2338
01:35:51,040 --> 01:35:53,639
Speaker 1: New Year. Everyone, have a safe night. It's amateur night.

2339
01:35:54,240 --> 01:35:55,960
Speaker 1: Please please be safe.

2340
01:35:55,960 --> 01:36:00,880
Speaker 2: Be safe, be blessed. Happy twenty twenty five. How you

2341
01:36:00,920 --> 01:36:04,160
Speaker 2: lemon and drink lemon? Because I am a lemon ginger? Yeah,

2342
01:36:04,479 --> 01:36:06,840
Speaker 2: living life, nigga? It helps.

2343
01:36:08,960 --> 01:36:14,400
Speaker 1: Yeah, fuck, it's just adding in a It's like my steroids.

2344
01:36:15,680 --> 01:36:17,320
Speaker 2: There's a little lemon thing right.

2345
01:36:17,439 --> 01:36:20,519
Speaker 1: But we are back for the last episode of twenty

2346
01:36:20,560 --> 01:36:25,879
Speaker 1: twenty four, right before New Year's Eve, and we figured

2347
01:36:27,200 --> 01:36:30,719
Speaker 1: because he traveled all the way from the left coast

2348
01:36:30,840 --> 01:36:31,639
Speaker 1: the left side.

2349
01:36:32,280 --> 01:36:34,880
Speaker 2: I'm not gonna lie. When I woke up this morning,

2350
01:36:35,680 --> 01:36:37,720
Speaker 2: you looked outside the window roor you know what I'm saying.

2351
01:36:37,720 --> 01:36:40,320
Speaker 2: I have my cuple cup of cup of coffee. Yeah,

2352
01:36:40,880 --> 01:36:43,760
Speaker 2: I said, you know, for a little oppy outside. I didn't.

2353
01:36:43,800 --> 01:36:44,840
Speaker 1: It was overcast is that way.

2354
01:36:44,840 --> 01:36:46,840
Speaker 2: It was a little gloomy. It was like I didn't

2355
01:36:46,840 --> 01:36:49,000
Speaker 2: know if it was raining. It was a little drizzle.

2356
01:36:49,479 --> 01:36:52,200
Speaker 1: It felt like someone brought like some smoths on the

2357
01:36:52,200 --> 01:36:54,760
Speaker 1: west coast, you know, over to the east coast the

2358
01:36:55,120 --> 01:36:56,280
Speaker 1: side could this would.

2359
01:36:56,080 --> 01:36:58,120
Speaker 2: Be the holiday, you know, the holiday kind of like

2360
01:36:58,200 --> 01:37:00,760
Speaker 2: depression when the holidays here, the ending and in the

2361
01:37:00,880 --> 01:37:02,920
Speaker 2: end of the year, and you know, you start metaphor

2362
01:37:03,360 --> 01:37:05,360
Speaker 2: saying this is the I didn't know what it was.

2363
01:37:05,439 --> 01:37:07,439
Speaker 2: And then version of it. As I'm sitting in the

2364
01:37:07,439 --> 01:37:10,439
Speaker 2: office today, Rory, the elevator door is open, yes, And

2365
01:37:10,600 --> 01:37:13,639
Speaker 2: Elliott Wilson gets off the elevator and I'm like, yes.

2366
01:37:13,520 --> 01:37:16,559
Speaker 1: Oh, West Coast Wilson, which he coined himself by.

2367
01:37:16,520 --> 01:37:20,519
Speaker 2: The way he coined himself West Coast Wilson. I mean, listen,

2368
01:37:20,520 --> 01:37:22,160
Speaker 2: if that's what you coin yourself, I'm here to call

2369
01:37:22,200 --> 01:37:26,000
Speaker 2: you that man. Thank you West Coast Wilson for joining us. You.

2370
01:37:26,520 --> 01:37:30,000
Speaker 2: I've been waiting for this face to face. Let's go.

2371
01:37:30,520 --> 01:37:31,000
Speaker 2: I'm ready.

2372
01:37:31,040 --> 01:37:34,840
Speaker 3: It's very interesting. I'm just listen, man. My energy is.

2373
01:37:36,360 --> 01:37:40,479
Speaker 2: Exactly. I love, I love everybody, love you exactly. So

2374
01:37:40,640 --> 01:37:42,800
Speaker 2: I'm just happy to finally be able to sit here

2375
01:37:43,240 --> 01:37:45,960
Speaker 2: and talk to you face fit and laugh about the year.

2376
01:37:47,920 --> 01:37:48,360
Speaker 3: It's been.

2377
01:37:48,479 --> 01:37:51,519
Speaker 2: It felt like five years, right, This one year has

2378
01:37:51,560 --> 01:37:54,639
Speaker 2: felt like five Every time he and Rory talk about something,

2379
01:37:54,680 --> 01:37:57,280
Speaker 2: it's like, wait, that happened this year? It's crazy, Oh do.

2380
01:37:57,280 --> 01:37:59,439
Speaker 1: You get years? Do fly by twenty twenty four? Did

2381
01:37:59,479 --> 01:38:01,120
Speaker 1: not know this ship felt long?

2382
01:38:01,479 --> 01:38:04,519
Speaker 2: Marathon lot a lot has helping this happen this year.

2383
01:38:04,600 --> 01:38:07,000
Speaker 2: But all jokes aside of this is good to see you,

2384
01:38:07,520 --> 01:38:09,280
Speaker 2: thank you, welcome, welcome to I.

2385
01:38:09,160 --> 01:38:11,719
Speaker 3: Know Marlin's really fuck with a lot of guests, true.

2386
01:38:11,960 --> 01:38:14,519
Speaker 3: I mean, I'm like the main American niggas like that.

2387
01:38:14,720 --> 01:38:17,320
Speaker 3: He does love for that. My god shout like mal

2388
01:38:17,439 --> 01:38:19,479
Speaker 3: was shut it down. It's like Rory, He's like Okay,

2389
01:38:19,520 --> 01:38:21,760
Speaker 3: come to the program. But like Marlin's not like a

2390
01:38:21,760 --> 01:38:23,200
Speaker 3: lot of guests, so I respect it.

2391
01:38:23,320 --> 01:38:25,120
Speaker 2: Not that I don't like a lot of guests. I

2392
01:38:25,640 --> 01:38:28,120
Speaker 2: just don't want to have guests on that either me

2393
01:38:28,200 --> 01:38:30,680
Speaker 2: or Rory kind of don't really have I don't have

2394
01:38:30,720 --> 01:38:33,160
Speaker 2: to get to know people on cameras me. I'm just

2395
01:38:33,200 --> 01:38:35,439
Speaker 2: not I'd rather have some type of rapport in real

2396
01:38:35,479 --> 01:38:36,559
Speaker 2: life away from the camera.

2397
01:38:36,640 --> 01:38:38,000
Speaker 1: And you guys have a lot of years in do

2398
01:38:38,000 --> 01:38:39,479
Speaker 1: you feel like there was a bit of a shift

2399
01:38:39,479 --> 01:38:41,280
Speaker 1: in twenty twenty four. I'm here just to be like

2400
01:38:41,320 --> 01:38:45,120
Speaker 1: the couple's counselor with everything, well, just of who Elliott

2401
01:38:45,160 --> 01:38:49,800
Speaker 1: aligned himself with. Ironically, because the last time we were

2402
01:38:50,400 --> 01:38:52,120
Speaker 1: the last time we were all together.

2403
01:38:52,120 --> 01:38:53,840
Speaker 2: What is the last time he was on went together?

2404
01:38:54,080 --> 01:38:55,680
Speaker 1: Me and Elliott have had dinner plenty of times. I

2405
01:38:55,680 --> 01:38:57,559
Speaker 1: see him all the time. That's my man. But on

2406
01:38:57,680 --> 01:39:00,160
Speaker 1: Mike to the public, the last time we were all

2407
01:39:00,200 --> 01:39:03,000
Speaker 1: together we were in Paul's a hot ash trailer at

2408
01:39:03,080 --> 01:39:04,759
Speaker 1: Maide in America, in the du s trailer.

2409
01:39:04,920 --> 01:39:05,160
Speaker 3: Damn.

2410
01:39:05,560 --> 01:39:09,559
Speaker 1: The last time we had shot we had view Elliott

2411
01:39:09,560 --> 01:39:11,520
Speaker 1: and beat out as rap Radar.

2412
01:39:11,360 --> 01:39:12,880
Speaker 2: Did me first and then didn me and be that.

2413
01:39:13,000 --> 01:39:15,840
Speaker 2: After that, I double so we should.

2414
01:39:15,560 --> 01:39:19,040
Speaker 1: Have said the divide at that point, Elliott his solo

2415
01:39:19,200 --> 01:39:20,280
Speaker 1: and his that was too.

2416
01:39:20,280 --> 01:39:22,559
Speaker 2: Yeah, and I pulled the home we love.

2417
01:39:22,680 --> 01:39:25,120
Speaker 1: Yes, of course it's weird beat out from my understanding,

2418
01:39:25,160 --> 01:39:26,120
Speaker 1: lives on the East coast.

2419
01:39:26,200 --> 01:39:29,240
Speaker 2: And we have another chair. Yeah, we're not short of chairs.

2420
01:39:29,360 --> 01:39:31,519
Speaker 3: What's up, man, let's get let's start.

2421
01:39:31,640 --> 01:39:34,920
Speaker 2: Yeah, because I'm saying a lot of Elliott and DJ Head.

2422
01:39:35,439 --> 01:39:37,439
Speaker 2: You know what I'm saying, shout the head, that's my god.

2423
01:39:37,520 --> 01:39:39,120
Speaker 2: But it's like, what's going what?

2424
01:39:39,120 --> 01:39:41,360
Speaker 3: What theory you think that? I started the show with

2425
01:39:41,439 --> 01:39:43,000
Speaker 3: DJ had called the Bigger Picture.

2426
01:39:44,600 --> 01:39:45,360
Speaker 1: It's recorded.

2427
01:39:45,479 --> 01:39:48,000
Speaker 3: I'm more already like gonna be asked with the boy

2428
01:39:48,320 --> 01:39:51,760
Speaker 3: going forward? Right? Yeah, I say, yeah, there we go.

2429
01:39:54,560 --> 01:39:55,080
Speaker 3: He said, Yeah.

2430
01:39:55,160 --> 01:39:57,439
Speaker 1: I think this guy has been doing media for so long.

2431
01:39:57,479 --> 01:40:00,519
Speaker 1: Look at how he deflected. I asked about that his partner.

2432
01:40:00,520 --> 01:40:03,839
Speaker 1: He said, Yo, DJ Head, I can't even fun with drink.

2433
01:40:03,920 --> 01:40:04,760
Speaker 2: DJ Head and the boys.

2434
01:40:04,800 --> 01:40:05,680
Speaker 3: I said, I love that.

2435
01:40:05,800 --> 01:40:08,599
Speaker 2: I said, Brian Miller, you love Brian Miller legend.

2436
01:40:09,640 --> 01:40:11,760
Speaker 3: Yeah, you know what I'm saying. What's up though?

2437
01:40:12,240 --> 01:40:14,840
Speaker 2: Where where's y'all working relationship? At first of all, where's

2438
01:40:14,880 --> 01:40:18,400
Speaker 2: your personal relationship. At my guy, when's the last time

2439
01:40:18,439 --> 01:40:19,120
Speaker 2: you spoke to him?

2440
01:40:19,160 --> 01:40:19,720
Speaker 3: You saw him?

2441
01:40:20,439 --> 01:40:22,439
Speaker 2: You tricked us. I thought there was a big return

2442
01:40:22,479 --> 01:40:25,920
Speaker 2: with Christmas. Was like, well that's nothing, dame. It's like nigga,

2443
01:40:26,160 --> 01:40:30,200
Speaker 2: if I saw if somebody saw Rory on camera with

2444
01:40:30,680 --> 01:40:33,760
Speaker 2: you know, a J whoever every fucking week you can say,

2445
01:40:33,840 --> 01:40:35,439
Speaker 2: DJ head, yeah, DJ head.

2446
01:40:35,640 --> 01:40:37,840
Speaker 3: You know what I'm saying. Somebody would ask Rory. But

2447
01:40:38,000 --> 01:40:39,080
Speaker 3: you like, Yo, what's where moll?

2448
01:40:39,120 --> 01:40:40,040
Speaker 4: What's up with a?

2449
01:40:40,600 --> 01:40:40,960
Speaker 3: So?

2450
01:40:41,120 --> 01:40:42,960
Speaker 2: I love to be that you said, that's the.

2451
01:40:43,600 --> 01:40:46,840
Speaker 3: Podcast is iconic. Of course. You know, we get the

2452
01:40:46,920 --> 01:40:49,920
Speaker 3: right situation, we rack at it. You know what I'm saying, Like,

2453
01:40:50,080 --> 01:40:52,639
Speaker 3: we gotta get the right paperwork, right, okay, right, okay?

2454
01:40:53,160 --> 01:40:57,360
Speaker 2: Legendary like baby, what's up?

2455
01:40:57,600 --> 01:40:59,920
Speaker 4: Profit partners? Huh? Are your profit part?

2456
01:41:00,640 --> 01:41:01,840
Speaker 3: Of course? Absolutely?

2457
01:41:02,520 --> 01:41:03,400
Speaker 2: I think co owners.

2458
01:41:03,439 --> 01:41:06,280
Speaker 3: I don't know. Yeah, whatever it is like, you got.

2459
01:41:06,240 --> 01:41:10,559
Speaker 2: No time, no wohdy. He wears a dou rag all

2460
01:41:10,560 --> 01:41:10,720
Speaker 2: the time.

2461
01:41:10,720 --> 01:41:11,240
Speaker 1: You got them in three.

2462
01:41:12,200 --> 01:41:14,360
Speaker 3: That's not south Side ship. That's the Jamaica ship. I

2463
01:41:14,400 --> 01:41:18,519
Speaker 3: can't we get along the south Side on wood Side.

2464
01:41:18,720 --> 01:41:19,639
Speaker 3: It's tough. So y'all.

2465
01:41:19,680 --> 01:41:23,760
Speaker 2: Everything is cool on the personal level, but everything on

2466
01:41:23,760 --> 01:41:26,519
Speaker 2: the person level. Y'all good, We're good, okay, just making

2467
01:41:26,520 --> 01:41:26,920
Speaker 2: sure so.

2468
01:41:26,960 --> 01:41:30,120
Speaker 3: We get the deal right, you hit the best interviews,

2469
01:41:30,120 --> 01:41:33,320
Speaker 3: like that's thing. It's like, Yo, no interviews anymore. It's like, Yo,

2470
01:41:33,360 --> 01:41:36,160
Speaker 3: we just kind of interviews. You just don't like the

2471
01:41:36,160 --> 01:41:38,639
Speaker 3: new interviews. Hello, you've been very vocal.

2472
01:41:39,080 --> 01:41:39,920
Speaker 2: You're disdained.

2473
01:41:42,200 --> 01:41:45,439
Speaker 1: I think I think it's I think it's obviously the

2474
01:41:45,479 --> 01:41:49,360
Speaker 1: podcast space is completely different financially for everybody. I don't

2475
01:41:49,360 --> 01:41:51,559
Speaker 1: care whose part it is. Yeah, the times have changed,

2476
01:41:52,000 --> 01:41:54,000
Speaker 1: so I can obviously see that being a thing. You

2477
01:41:54,000 --> 01:41:55,960
Speaker 1: guys both have other ship going on. But to the

2478
01:41:55,960 --> 01:41:59,000
Speaker 1: most point, let's say it was the old podcast boom

2479
01:41:59,000 --> 01:42:02,439
Speaker 1: in twenty sixteen, twenty seventeen. Is there a space for

2480
01:42:02,520 --> 01:42:05,240
Speaker 1: real interviews anymore? Does anyone actually want to sit with

2481
01:42:05,280 --> 01:42:06,880
Speaker 1: two journalists.

2482
01:42:06,840 --> 01:42:07,880
Speaker 2: And well even one?

2483
01:42:08,040 --> 01:42:09,599
Speaker 3: But that's why I mean, because I got Eli Wilson

2484
01:42:09,640 --> 01:42:16,800
Speaker 3: experience launching January seventh, Rockgnations powered me a soul Wilee

2485
01:42:17,360 --> 01:42:21,639
Speaker 3: who I got a Lee Snoop, your favorite Leon Thomas,

2486
01:42:22,280 --> 01:42:23,599
Speaker 3: Thank you de Rory for pull up.

2487
01:42:23,760 --> 01:42:24,280
Speaker 2: You know what I'm saying.

2488
01:42:24,360 --> 01:42:26,679
Speaker 3: Like, So, yeah, I think that hasn't be a space

2489
01:42:26,720 --> 01:42:29,240
Speaker 3: for the I fl me. I think it does.

2490
01:42:29,400 --> 01:42:31,599
Speaker 2: I think there is a there is a space still

2491
01:42:31,640 --> 01:42:35,559
Speaker 2: for the traditional interview journalism type of thing. I just

2492
01:42:35,600 --> 01:42:39,360
Speaker 2: think that you caught some slack online because you know,

2493
01:42:39,479 --> 01:42:42,280
Speaker 2: coming from the era we're from. Yeah, you know, I

2494
01:42:42,320 --> 01:42:43,920
Speaker 2: we used to stand. I used to stand in the

2495
01:42:43,960 --> 01:42:45,599
Speaker 2: corner store and remagazines all day.

2496
01:42:45,960 --> 01:42:46,160
Speaker 5: You know.

2497
01:42:47,120 --> 01:42:48,840
Speaker 2: No, I didn't never paid. I just used to read them.

2498
01:42:48,840 --> 01:42:50,880
Speaker 2: And then you know, you steal the ship. It counts

2499
01:42:50,920 --> 01:42:56,240
Speaker 2: as to sell. Yeah, yeah, if you still right, So

2500
01:42:56,280 --> 01:42:56,920
Speaker 2: we come from that.

2501
01:42:57,080 --> 01:42:58,080
Speaker 5: But you.

2502
01:42:59,840 --> 01:43:03,000
Speaker 2: You this is a win win, So you do have

2503
01:43:03,040 --> 01:43:07,240
Speaker 2: to understand how in twenty twenty three, twenty four things

2504
01:43:07,280 --> 01:43:11,920
Speaker 2: have changed. Yes, media has changed. Technology has made it

2505
01:43:11,960 --> 01:43:15,360
Speaker 2: to where people enjoy things differently. Now people want to

2506
01:43:15,400 --> 01:43:17,360
Speaker 2: sit and watch somebody's stream and just be in.

2507
01:43:17,320 --> 01:43:18,839
Speaker 3: The house and do whatever.

2508
01:43:18,920 --> 01:43:20,920
Speaker 2: And if a celebrity pulls up to kick it with

2509
01:43:20,920 --> 01:43:23,120
Speaker 2: them on they stream, people watch it. They like, Yes,

2510
01:43:23,439 --> 01:43:25,760
Speaker 2: it doesn't have to be the prototypical Hey, let's sit down,

2511
01:43:25,880 --> 01:43:30,280
Speaker 2: let's talk. Let's yeah, people, people people like to I think,

2512
01:43:30,479 --> 01:43:32,920
Speaker 2: you know, for celebrities and things like that, I think

2513
01:43:32,960 --> 01:43:37,360
Speaker 2: they they rather feel more comfortable in that ease instead

2514
01:43:37,400 --> 01:43:39,920
Speaker 2: of sitting somewhere and feeling like they're being grilled. Yeah,

2515
01:43:41,360 --> 01:43:44,240
Speaker 2: what's going and you spoke out about you know, your

2516
01:43:44,280 --> 01:43:46,200
Speaker 2: feelings on that, and it bothers me.

2517
01:43:46,960 --> 01:43:49,439
Speaker 3: But why does it bother you? Because it's like there

2518
01:43:49,520 --> 01:43:50,880
Speaker 3: needs to be a balance. I think when you put

2519
01:43:50,920 --> 01:43:54,320
Speaker 3: an album out, for example, any artists, right, you put

2520
01:43:54,320 --> 01:43:56,960
Speaker 3: an album out, I don't think the album is like

2521
01:43:57,000 --> 01:43:58,600
Speaker 3: your own reflection of it. I think you need to

2522
01:43:58,640 --> 01:44:02,679
Speaker 3: talk about your art, what you did to somebody you trust,

2523
01:44:02,680 --> 01:44:06,679
Speaker 3: some respect, like as it gets lost. Without that, it's

2524
01:44:06,720 --> 01:44:08,880
Speaker 3: just like one album, like oh with the album out,

2525
01:44:09,520 --> 01:44:12,439
Speaker 3: Freddie Gibbs, y'all shod with Freddie Gibs album right all day?

2526
01:44:12,840 --> 01:44:15,799
Speaker 3: Freddie gives Freddy gis he don't want to talk to nobody.

2527
01:44:15,840 --> 01:44:17,280
Speaker 2: It's like, yo, what the fuck?

2528
01:44:17,880 --> 01:44:21,000
Speaker 1: But I think Freddy's comes from just more disdain for

2529
01:44:21,600 --> 01:44:23,640
Speaker 1: being in the industry for ten years and a lot

2530
01:44:23,680 --> 01:44:24,960
Speaker 1: of shit going on. Absolutely with that.

2531
01:44:25,280 --> 01:44:28,240
Speaker 3: But there's an imbalance in the game where I think

2532
01:44:28,280 --> 01:44:28,719
Speaker 3: it's odd.

2533
01:44:28,760 --> 01:44:31,200
Speaker 1: And I've defended you all year when it was you

2534
01:44:31,280 --> 01:44:33,360
Speaker 1: verse the streamers just because you my man's but I

2535
01:44:33,400 --> 01:44:36,000
Speaker 1: am here to say that my issue is that you

2536
01:44:36,080 --> 01:44:38,360
Speaker 1: haven't leaned all the way into it because I agree

2537
01:44:38,360 --> 01:44:41,000
Speaker 1: with you. There's still it's okay to have our favorite

2538
01:44:41,080 --> 01:44:42,519
Speaker 1: artists go and have fun on a stream and do

2539
01:44:42,560 --> 01:44:44,880
Speaker 1: a sleepover with Kai. I think it's incredible, But there

2540
01:44:44,920 --> 01:44:46,960
Speaker 1: needs to be somewhat of a balance, especially in a

2541
01:44:47,040 --> 01:44:50,160
Speaker 1: time where if we don't get an interview, we don't

2542
01:44:50,200 --> 01:44:54,160
Speaker 1: know anything about your life. And rappers are more celebrities

2543
01:44:54,160 --> 01:44:56,680
Speaker 1: than they are musicians now. If I don't get a

2544
01:44:56,680 --> 01:44:58,479
Speaker 1: hove in Drake nas, if I don't get any of

2545
01:44:58,479 --> 01:45:00,280
Speaker 1: those interviews, I can go to the album them and

2546
01:45:00,320 --> 01:45:02,120
Speaker 1: find out where they're at in their life. That's how

2547
01:45:02,120 --> 01:45:04,439
Speaker 1: you get attached as a fan to an artist. Now

2548
01:45:04,479 --> 01:45:07,360
Speaker 1: they're more celebrity than they are a musician, so who

2549
01:45:07,439 --> 01:45:09,519
Speaker 1: you are as a person is way more important. I

2550
01:45:09,520 --> 01:45:12,479
Speaker 1: think to sit down interview is what people y'all not

2551
01:45:12,520 --> 01:45:13,479
Speaker 1: talking about shit in your music.

2552
01:45:14,120 --> 01:45:15,439
Speaker 2: I can't get any type of connection.

2553
01:45:15,520 --> 01:45:16,960
Speaker 3: Why so cool? We all media now?

2554
01:45:16,960 --> 01:45:18,680
Speaker 2: But then by those talks of media, it's like it's

2555
01:45:18,680 --> 01:45:19,280
Speaker 2: a balance.

2556
01:45:19,520 --> 01:45:22,519
Speaker 1: I mean media is only interviewing media because I feel

2557
01:45:22,560 --> 01:45:25,200
Speaker 1: like the fans shifted and I think we saw that

2558
01:45:25,280 --> 01:45:26,560
Speaker 1: the most. And I don't want to get in a

2559
01:45:26,560 --> 01:45:28,800
Speaker 1: full blown Kendrick Drake thing, but we saw that we

2560
01:45:28,840 --> 01:45:31,880
Speaker 1: saw that in May, the complete shift. It was right

2561
01:45:31,920 --> 01:45:34,040
Speaker 1: in front of our faces that these people are fans

2562
01:45:34,120 --> 01:45:36,960
Speaker 1: of content, they're not fans of music, and a lot

2563
01:45:37,000 --> 01:45:41,200
Speaker 1: of those fans are fans of media people. Even though

2564
01:45:41,200 --> 01:45:42,960
Speaker 1: we talk about music, we do talk about a bunch

2565
01:45:43,000 --> 01:45:45,200
Speaker 1: of other shit. It's very much a lifestyle, content based

2566
01:45:45,240 --> 01:45:48,840
Speaker 1: game with podcasting and streaming. Like as much as I

2567
01:45:48,920 --> 01:45:51,320
Speaker 1: do want to hear from Kai about music, that's like

2568
01:45:51,560 --> 01:45:54,559
Speaker 1: a miniscule part of Kai's brand, from Kai Kai's brand,

2569
01:45:54,600 --> 01:45:57,360
Speaker 1: not his opinion on what a Cardi song is. So

2570
01:45:57,840 --> 01:46:01,559
Speaker 1: these fans are interested in media and messy media shit,

2571
01:46:01,640 --> 01:46:05,040
Speaker 1: in media talking to other media, less than the artists

2572
01:46:05,040 --> 01:46:09,080
Speaker 1: because the artists aren't as interesting maybe as we once

2573
01:46:09,120 --> 01:46:09,559
Speaker 1: thought they were.

2574
01:46:09,560 --> 01:46:11,040
Speaker 3: Well, we have to have the end of that balance

2575
01:46:11,120 --> 01:46:13,439
Speaker 3: the commentary, right, like we have commentary all day, but

2576
01:46:13,479 --> 01:46:16,559
Speaker 3: it's like, Yo, where's the conversation with these people that

2577
01:46:16,600 --> 01:46:19,280
Speaker 3: are making the art? But do you think where's that balance?

2578
01:46:19,400 --> 01:46:20,759
Speaker 3: Like there's no balance anymore.

2579
01:46:20,800 --> 01:46:22,360
Speaker 1: Do you think there's a lot of artists that have

2580
01:46:22,840 --> 01:46:25,559
Speaker 1: good teams behind them that are telling them don't go

2581
01:46:25,640 --> 01:46:27,400
Speaker 1: do that because people have a different view of you.

2582
01:46:27,880 --> 01:46:29,559
Speaker 1: When you have to do a long form I saw

2583
01:46:29,600 --> 01:46:32,599
Speaker 1: with the presidency shit where everyone was saying, Yo, Trump

2584
01:46:32,600 --> 01:46:35,160
Speaker 1: did a great thing by going with Rogan. People got

2585
01:46:35,160 --> 01:46:37,000
Speaker 1: to know him for three hours, not talk about politics.

2586
01:46:37,080 --> 01:46:38,439
Speaker 2: Yes to carry a three hour.

2587
01:46:38,240 --> 01:46:41,680
Speaker 1: Conversation, and commlish team said they didn't want to do

2588
01:46:41,720 --> 01:46:43,400
Speaker 1: that because it was exposing too much of who she

2589
01:46:43,479 --> 01:46:46,280
Speaker 1: really was. She can't control a three hour interview. I

2590
01:46:46,320 --> 01:46:49,200
Speaker 1: think people are getting the same advice to their artists,

2591
01:46:49,560 --> 01:46:52,800
Speaker 1: whether it be Labe. We know how you are when

2592
01:46:52,840 --> 01:46:55,680
Speaker 1: you're not on a microphone, everyone's going to dislike you.

2593
01:46:57,160 --> 01:46:59,280
Speaker 1: So if you have to do a two hour interview

2594
01:46:59,320 --> 01:47:01,920
Speaker 1: with someone that's really a journalist, if I'm managing an

2595
01:47:01,960 --> 01:47:04,240
Speaker 1: artist I know is not built for that, I'm definitely

2596
01:47:04,280 --> 01:47:04,840
Speaker 1: gonna tell that.

2597
01:47:05,800 --> 01:47:07,360
Speaker 2: And why are you prepare to tell the truth?

2598
01:47:07,640 --> 01:47:11,280
Speaker 3: Like is Drake prepared to have a real conversation about

2599
01:47:11,760 --> 01:47:15,200
Speaker 3: everything went on? Like Kendrick Cole? Are they prepared right

2600
01:47:15,200 --> 01:47:16,240
Speaker 3: now to have a real conversation?

2601
01:47:16,520 --> 01:47:16,960
Speaker 2: Maybe not?

2602
01:47:17,800 --> 01:47:21,599
Speaker 1: Okay, probably, But why would they owe that this soon?

2603
01:47:21,640 --> 01:47:22,720
Speaker 2: Even though I would know it.

2604
01:47:22,760 --> 01:47:24,920
Speaker 3: I'm saying that they're not ready for it. I don't

2605
01:47:24,920 --> 01:47:25,760
Speaker 3: think right now.

2606
01:47:26,120 --> 01:47:27,760
Speaker 2: But why do you say they're not ready for it?

2607
01:47:28,439 --> 01:47:31,240
Speaker 3: Because it requires so much honesty of like really looking

2608
01:47:31,280 --> 01:47:35,640
Speaker 3: at the whole landscape of what happened, the introspection of it.

2609
01:47:35,640 --> 01:47:37,160
Speaker 3: It's like, yo, we're not there yet.

2610
01:47:37,280 --> 01:47:39,479
Speaker 1: But with people like Cole and Drake, I think we're

2611
01:47:39,479 --> 01:47:41,920
Speaker 1: going to get that in the music on the next album,

2612
01:47:42,000 --> 01:47:44,200
Speaker 1: both of them. So yeah, of course I want them

2613
01:47:44,400 --> 01:47:47,240
Speaker 1: to sit down and have to really answer to certain question.

2614
01:47:47,520 --> 01:47:50,200
Speaker 1: I would love for Kendrick to sit with someone and

2615
01:47:50,200 --> 01:47:51,760
Speaker 1: someone straight up asks do you really think Drake is

2616
01:47:51,760 --> 01:47:54,160
Speaker 1: better about Like I want those questions of course, yeah,

2617
01:47:54,200 --> 01:47:57,479
Speaker 1: but with them out there as much because they will

2618
01:47:57,479 --> 01:47:59,880
Speaker 1: put that in the music. These younger artists, the don't

2619
01:48:00,160 --> 01:48:02,960
Speaker 1: saying ship either, So where is the connection?

2620
01:48:03,520 --> 01:48:04,639
Speaker 2: Arts don't even know how to talk.

2621
01:48:05,240 --> 01:48:08,080
Speaker 4: Yeah, I was just saying they're not doing because they

2622
01:48:08,080 --> 01:48:08,479
Speaker 4: don't want to.

2623
01:48:08,880 --> 01:48:11,120
Speaker 2: Half of these young artists speak, don't even how to talk.

2624
01:48:11,160 --> 01:48:11,800
Speaker 2: But y'all say that.

2625
01:48:11,840 --> 01:48:14,080
Speaker 1: But there's also this other group of artists that are

2626
01:48:14,120 --> 01:48:19,000
Speaker 1: now content creators their media. Like we we always do

2627
01:48:19,360 --> 01:48:21,479
Speaker 1: the City Girl number seven as a joke, but she

2628
01:48:21,640 --> 01:48:24,320
Speaker 1: is young, Miami is good at what she does. For

2629
01:48:24,400 --> 01:48:27,280
Speaker 1: the purpose of it. There is still a side and

2630
01:48:27,320 --> 01:48:29,559
Speaker 1: those people that could do great interviewers are now becoming

2631
01:48:29,560 --> 01:48:29,920
Speaker 1: the media.

2632
01:48:30,120 --> 01:48:35,599
Speaker 3: Yes, everybody's media. Someone Walker's media. Cameron is running a bud,

2633
01:48:35,600 --> 01:48:38,200
Speaker 3: He's Stephen A Smith. It's what we're dealing with.

2634
01:48:38,280 --> 01:48:40,160
Speaker 2: What they're saying, like he Stephen and why he's not

2635
01:48:40,200 --> 01:48:44,080
Speaker 2: running around like Cameron he's That's what people be mad

2636
01:48:44,080 --> 01:48:46,240
Speaker 2: at you about when you say ship like that, which

2637
01:48:46,240 --> 01:48:48,240
Speaker 2: I think he should lean out. Be the old villain,

2638
01:48:49,200 --> 01:48:50,320
Speaker 2: you know what I'm saying. That's why I think people

2639
01:48:50,400 --> 01:48:52,960
Speaker 2: be mad at you. Cam is running around like like

2640
01:48:53,040 --> 01:48:56,280
Speaker 2: he Stephen Smith. Why is this journalist because he has

2641
01:48:56,320 --> 01:48:57,240
Speaker 2: an opinion.

2642
01:48:57,320 --> 01:49:01,120
Speaker 1: But him and Mason proved to have a good having

2643
01:49:01,160 --> 01:49:04,240
Speaker 1: a job and really check because the bag is there.

2644
01:49:04,680 --> 01:49:07,559
Speaker 2: Elliott, you don't think that we all come from the

2645
01:49:07,600 --> 01:49:10,680
Speaker 2: culture of we all sit around in our neighborhoods in

2646
01:49:10,680 --> 01:49:13,880
Speaker 2: front of our buildingssts. I'm just saying, we all sit

2647
01:49:13,960 --> 01:49:17,479
Speaker 2: around and our groups with our friends talk about music.

2648
01:49:17,720 --> 01:49:18,120
Speaker 2: That's all.

2649
01:49:18,400 --> 01:49:20,160
Speaker 3: That's all these guys are doing right now.

2650
01:49:20,360 --> 01:49:22,360
Speaker 1: But that's not fair, is Shannon Sharper journalists?

2651
01:49:24,160 --> 01:49:27,160
Speaker 2: No, But that's that's the that's the easier experience from it.

2652
01:49:27,400 --> 01:49:30,559
Speaker 3: That's where the athlete becomes the media. That's the easier

2653
01:49:30,960 --> 01:49:33,120
Speaker 3: Charles Barker that's easier transition.

2654
01:49:33,120 --> 01:49:34,920
Speaker 2: So why is it easier for the athlete but not

2655
01:49:34,960 --> 01:49:35,479
Speaker 2: the artists?

2656
01:49:36,560 --> 01:49:38,360
Speaker 3: It's not easier, But I don't like it because, like

2657
01:49:38,760 --> 01:49:40,840
Speaker 3: you imagine, like this is the ship I do well

2658
01:49:41,479 --> 01:49:45,120
Speaker 3: and not everybody want to do it, and you don't like.

2659
01:49:45,080 --> 01:49:47,680
Speaker 2: It because you feel like they're not coming to the

2660
01:49:47,760 --> 01:49:51,639
Speaker 2: journalists to have that which affects your bottom.

2661
01:49:51,800 --> 01:49:54,360
Speaker 3: Ever do is me with that? So then you want

2662
01:49:54,360 --> 01:49:57,320
Speaker 3: to be that off celebrity of whatever. So I could

2663
01:49:57,360 --> 01:49:59,600
Speaker 3: talk about that. I don't like that ship and not

2664
01:49:59,720 --> 01:50:03,280
Speaker 3: be a It's reality. I don't like it. You don't

2665
01:50:03,360 --> 01:50:04,960
Speaker 3: like it because you don't think they're good at it.

2666
01:50:05,640 --> 01:50:08,520
Speaker 3: I know I'm better at it. It's me, it's my life.

2667
01:50:08,600 --> 01:50:11,280
Speaker 4: But Elliott think you better at it because in this

2668
01:50:11,400 --> 01:50:14,000
Speaker 4: day and age, it's just not about getting the information right.

2669
01:50:14,040 --> 01:50:16,599
Speaker 4: It's about who's more entertaining. So who are you to

2670
01:50:16,640 --> 01:50:19,280
Speaker 4: say I'm better at this than them when I'll.

2671
01:50:19,200 --> 01:50:20,880
Speaker 3: Prove it to you I'm better than you, Like I'm

2672
01:50:20,920 --> 01:50:22,320
Speaker 3: the best emble informs?

2673
01:50:22,400 --> 01:50:25,400
Speaker 4: Are you better at telling a story? Are you accurate?

2674
01:50:25,439 --> 01:50:28,040
Speaker 3: They're not better? Like cringe worthy? I want say ship,

2675
01:50:28,080 --> 01:50:34,240
Speaker 3: it's not good popping this pop? What's the camera interview

2676
01:50:34,320 --> 01:50:36,800
Speaker 3: was like you Cameron really asked the questions, what are

2677
01:50:36,800 --> 01:50:37,439
Speaker 3: you talking about?

2678
01:50:37,520 --> 01:50:40,000
Speaker 1: No, but what what interview to Cam take away from

2679
01:50:40,040 --> 01:50:42,439
Speaker 1: something of let's let's say where the hip hop Even

2680
01:50:42,439 --> 01:50:44,040
Speaker 1: if law and I are on journalists, we're still in

2681
01:50:44,080 --> 01:50:46,600
Speaker 1: hip hop media. You are a hip hop journalist. What

2682
01:50:46,720 --> 01:50:48,280
Speaker 1: interview to Cam take away from us?

2683
01:50:49,479 --> 01:50:53,640
Speaker 3: They have celebrity has access to different things that I

2684
01:50:53,720 --> 01:50:54,400
Speaker 3: may not have.

2685
01:50:54,880 --> 01:50:58,839
Speaker 2: And again I do feel like the underperformed see.

2686
01:50:58,720 --> 01:51:00,800
Speaker 1: I think I have to play it's to push me

2687
01:51:00,840 --> 01:51:05,760
Speaker 1: back there because you have had twenty five years of

2688
01:51:05,960 --> 01:51:12,320
Speaker 1: relationships with double Interview, the three Majors where Cam, Yes,

2689
01:51:12,360 --> 01:51:15,000
Speaker 1: Camus is celebrity and has, you know, relationships for him

2690
01:51:15,040 --> 01:51:17,000
Speaker 1: being in the game for thirty years, but you have

2691
01:51:17,120 --> 01:51:19,880
Speaker 1: direct relationships with the Majors that the rest of the

2692
01:51:19,880 --> 01:51:23,599
Speaker 1: podcasting world never had, So you still do have that.

2693
01:51:23,720 --> 01:51:25,960
Speaker 1: I think we have to go back to the period

2694
01:51:26,000 --> 01:51:28,400
Speaker 1: at the end of the sentence of what the fans

2695
01:51:28,439 --> 01:51:31,680
Speaker 1: want and with Cam or Young Young Miami, maybe they

2696
01:51:31,720 --> 01:51:33,760
Speaker 1: just want to be entertained. With Kai, they just want

2697
01:51:33,760 --> 01:51:35,720
Speaker 1: to be entertained. They don't want to be they don't

2698
01:51:35,720 --> 01:51:36,479
Speaker 1: want to be informed.

2699
01:51:36,800 --> 01:51:39,479
Speaker 3: The access goes to them above me. That's the problem

2700
01:51:39,479 --> 01:51:43,680
Speaker 3: I have. That's what it comes down to. You see

2701
01:51:43,720 --> 01:51:48,080
Speaker 3: what I'm saying because it seems sexy, like Yo, Cam's

2702
01:51:48,120 --> 01:51:48,920
Speaker 3: the sports reporter.

2703
01:51:49,080 --> 01:51:51,960
Speaker 1: Now, hey, okay, but let's not act like that's not

2704
01:51:52,000 --> 01:51:54,519
Speaker 1: always been hip hop or entertainment at the time. We've

2705
01:51:54,520 --> 01:51:57,080
Speaker 1: seen things that were hot and then failed immediately. But

2706
01:51:57,120 --> 01:51:58,679
Speaker 1: at that time, that was the hot shit that people

2707
01:51:58,680 --> 01:51:58,920
Speaker 1: went to.

2708
01:51:59,280 --> 01:52:01,639
Speaker 2: And like any job, you don't have to fail. It's

2709
01:52:01,640 --> 01:52:02,000
Speaker 2: all good.

2710
01:52:02,040 --> 01:52:03,960
Speaker 3: They can do the thing. I'm just saying, like, Yo,

2711
01:52:04,560 --> 01:52:06,840
Speaker 3: I'm competing. I want a shot. I mean this, I'm

2712
01:52:06,840 --> 01:52:08,920
Speaker 3: still here. I want to compete.

2713
01:52:10,080 --> 01:52:11,680
Speaker 2: But that I mean that goes back. But now you

2714
01:52:11,800 --> 01:52:13,880
Speaker 2: sound like the old nigga in the park that don't

2715
01:52:13,880 --> 01:52:16,160
Speaker 2: get picked up no more. And I don't want to

2716
01:52:16,200 --> 01:52:19,439
Speaker 2: be that, right Yeah, but I'm not. And I'm not

2717
01:52:19,439 --> 01:52:22,000
Speaker 2: saying that you are that because it's I know your work.

2718
01:52:22,800 --> 01:52:25,800
Speaker 2: I'm from New York City, I know Elliott Wilson's work.

2719
01:52:26,439 --> 01:52:29,120
Speaker 2: But I'm just I'm just I do understand. At the

2720
01:52:29,120 --> 01:52:32,400
Speaker 2: same time, like there was a time where what I

2721
01:52:32,520 --> 01:52:35,479
Speaker 2: was into growing up, you know, my parents and my

2722
01:52:35,560 --> 01:52:36,880
Speaker 2: uncle's Dave was kind of like, yo, what is that

2723
01:52:36,920 --> 01:52:41,479
Speaker 2: you listen to that's great. It wasn't fly to be media. No,

2724
01:52:41,600 --> 01:52:43,799
Speaker 2: that's a fact, Niga media.

2725
01:52:43,960 --> 01:52:48,400
Speaker 3: That's a fact. You built the whole foundation. It wasn't yeah,

2726
01:52:48,640 --> 01:52:51,040
Speaker 3: but that you did that you won't for y'all.

2727
01:52:51,120 --> 01:52:55,080
Speaker 1: Yeah was a fly that plus the format changing, whether

2728
01:52:55,120 --> 01:52:58,439
Speaker 1: it is that because print was cool, but it was

2729
01:52:58,520 --> 01:53:01,680
Speaker 1: never sexy because it was just I.

2730
01:53:01,680 --> 01:53:03,599
Speaker 3: Mean, as far as I could back then with double

2731
01:53:03,600 --> 01:53:06,760
Speaker 3: axel right, it wasn't that fly.

2732
01:53:07,680 --> 01:53:09,240
Speaker 1: But I feel like you, And this is why I

2733
01:53:09,280 --> 01:53:13,160
Speaker 1: was defending you all year. You adapted and why I

2734
01:53:13,160 --> 01:53:15,559
Speaker 1: think people like Kai and other streamers should look at

2735
01:53:15,560 --> 01:53:17,760
Speaker 1: you because I watched you since I was a kid,

2736
01:53:17,840 --> 01:53:20,080
Speaker 1: adapt to the new shit. Every time the source was

2737
01:53:20,120 --> 01:53:22,760
Speaker 1: the source. It was the only thing dead, or that

2738
01:53:22,880 --> 01:53:25,360
Speaker 1: was it the Bible. There could never be another magazine.

2739
01:53:25,520 --> 01:53:28,680
Speaker 1: Shifted went to double XL. Everyone was blackballed. All right,

2740
01:53:28,720 --> 01:53:30,080
Speaker 1: I'll go with the people that are black balled. Here

2741
01:53:30,120 --> 01:53:32,280
Speaker 1: you go, here's fifty cent on a cover Double XL,

2742
01:53:32,800 --> 01:53:35,240
Speaker 1: like you always shifted with that. Then when the blogs came,

2743
01:53:35,560 --> 01:53:37,559
Speaker 1: even though you pissed off not Right and everyone else

2744
01:53:37,560 --> 01:53:38,960
Speaker 1: because they felt like you were late to the party,

2745
01:53:39,000 --> 01:53:43,320
Speaker 1: to the regular consumer, you were radar game. But then

2746
01:53:44,000 --> 01:53:46,080
Speaker 1: how all those bloggers viewed you, I think is how

2747
01:53:46,080 --> 01:53:48,360
Speaker 1: you're viewing someone like Cameron, because you have all the

2748
01:53:48,400 --> 01:53:53,880
Speaker 1: connections and relationships that maybe sk Low Mech and them

2749
01:53:53,920 --> 01:53:56,479
Speaker 1: didn't have, but you still looked like somebody that was

2750
01:53:56,520 --> 01:53:59,559
Speaker 1: at the forefront of shifting to blogs. Then we made

2751
01:53:59,560 --> 01:54:02,240
Speaker 1: podcasts and popping then rap Rate our podcast game, and

2752
01:54:02,280 --> 01:54:04,479
Speaker 1: you took god knows how many interviews from us.

2753
01:54:08,560 --> 01:54:10,240
Speaker 2: But you continue to adapt well.

2754
01:54:10,240 --> 01:54:12,800
Speaker 1: So that's that's why I'm shocked to hear the things

2755
01:54:12,800 --> 01:54:16,080
Speaker 1: that you're saying now, because I only know you to adapt.

2756
01:54:17,200 --> 01:54:19,320
Speaker 3: And you're right now. I'm in the process of adapting.

2757
01:54:20,280 --> 01:54:22,720
Speaker 3: I got my own Ellie Wilson experience. Things popping off

2758
01:54:22,800 --> 01:54:28,240
Speaker 3: January seventh interviews, big opicions you had, Jeremy Hack, I'm trying.

2759
01:54:28,400 --> 01:54:29,720
Speaker 2: I'm out here, and I.

2760
01:54:29,640 --> 01:54:32,160
Speaker 1: Think what you guys have done this year with the

2761
01:54:32,440 --> 01:54:37,280
Speaker 1: elephant in the room about it and Kendrick Wilson. I

2762
01:54:37,320 --> 01:54:38,360
Speaker 1: know your West Coast Wilson.

2763
01:54:38,560 --> 01:54:41,160
Speaker 2: Let's go, let's most Wilson is crazy.

2764
01:54:41,360 --> 01:54:45,520
Speaker 3: Let me let me just put yourself. West Coast Wilson

2765
01:54:45,560 --> 01:54:47,600
Speaker 3: is absolutely crazy.

2766
01:54:48,120 --> 01:54:49,760
Speaker 2: You've been in LA how many years now?

2767
01:54:50,040 --> 01:54:51,800
Speaker 3: No?

2768
01:54:51,880 --> 01:54:52,720
Speaker 2: Not even two years?

2769
01:54:52,800 --> 01:54:52,960
Speaker 3: Right?

2770
01:54:53,040 --> 01:54:53,400
Speaker 2: Yeah?

2771
01:54:53,520 --> 01:54:53,760
Speaker 3: Two?

2772
01:54:53,800 --> 01:54:54,040
Speaker 2: Three?

2773
01:54:54,520 --> 01:54:59,400
Speaker 3: Cole it West Coast. You East Village Radio is like

2774
01:54:59,440 --> 01:55:02,680
Speaker 3: a state, Like, what do we the West Coast Wilson?

2775
01:55:02,920 --> 01:55:05,160
Speaker 2: You abandoned the East Village Radio?

2776
01:55:05,440 --> 01:55:07,960
Speaker 1: I think I think Drake walked in the East Village.

2777
01:55:07,960 --> 01:55:08,760
Speaker 1: No securities do that?

2778
01:55:09,040 --> 01:55:14,080
Speaker 2: Yeah, Oliver Aldolo like mad, let's let's get to let's

2779
01:55:14,080 --> 01:55:18,600
Speaker 2: get get because I have some So, so what's up man?

2780
01:55:18,640 --> 01:55:22,360
Speaker 2: Because I honestly I feel like had Elliott Wilson not

2781
01:55:22,480 --> 01:55:26,680
Speaker 2: been relocated and living in on the West Coast in California,

2782
01:55:26,800 --> 01:55:28,480
Speaker 2: I feel like your stance on a lot of the

2783
01:55:28,520 --> 01:55:30,240
Speaker 2: whole Kendrick Drake shit would be different.

2784
01:55:30,360 --> 01:55:33,320
Speaker 3: Wow, Okay, I feel like it was by proxy.

2785
01:55:34,040 --> 01:55:34,160
Speaker 1: Yo.

2786
01:55:34,800 --> 01:55:39,080
Speaker 2: It's palm trees and sunshine. It's pretty women. You know,

2787
01:55:39,920 --> 01:55:41,680
Speaker 2: it's like it's sixties outside.

2788
01:55:41,720 --> 01:55:43,840
Speaker 3: And see what I'm saying, it's pru's outside fucking as

2789
01:55:43,880 --> 01:55:46,680
Speaker 3: much I'm West Coast Wilson, now you know what I'm saying. Like,

2790
01:55:46,720 --> 01:55:49,160
Speaker 3: I feel like if Elliott was still living in New

2791
01:55:49,240 --> 01:55:51,720
Speaker 3: York City, I don't feel like your stance on a

2792
01:55:51,760 --> 01:55:52,960
Speaker 3: lot of things will be what it.

2793
01:55:52,960 --> 01:55:54,680
Speaker 2: Is right now. I'm gonna be honest, I don't think so.

2794
01:55:54,840 --> 01:55:58,200
Speaker 2: I love you. I received that therapist said, I received,

2795
01:55:58,440 --> 01:56:02,600
Speaker 2: but no speed to it, though. How much of it

2796
01:56:02,640 --> 01:56:05,520
Speaker 2: is because you were on the way, you felt that energy,

2797
01:56:05,560 --> 01:56:08,280
Speaker 2: you felt that you know the entire comic.

2798
01:56:08,520 --> 01:56:14,840
Speaker 3: You only disappointed that our guy, the boy lost his battle.

2799
01:56:16,880 --> 01:56:18,560
Speaker 3: But why do you feel like he lost the battle

2800
01:56:18,920 --> 01:56:23,880
Speaker 3: because he never viewed him as a worthy opponent underestimated

2801
01:56:23,880 --> 01:56:24,440
Speaker 3: his opponents.

2802
01:56:24,720 --> 01:56:28,280
Speaker 2: He's like, yo, I take this seriously. Now we disagreed.

2803
01:56:28,280 --> 01:56:30,200
Speaker 2: Now we got our first disagreement. We got our first

2804
01:56:30,200 --> 01:56:32,800
Speaker 2: disagreement of the night. I'm on the opposite side of that.

2805
01:56:32,920 --> 01:56:36,600
Speaker 2: I feel like he doesn't catches on his level. I

2806
01:56:36,640 --> 01:56:38,720
Speaker 2: don't see I don't believe that he does not know

2807
01:56:38,880 --> 01:56:41,000
Speaker 2: he still doesn't. I don't think still does. I don't

2808
01:56:41,000 --> 01:56:44,560
Speaker 2: think Drake engages with anybody unless he feels like they're worthy.

2809
01:56:44,880 --> 01:56:47,280
Speaker 3: No, but he turned every twenty v one everything with

2810
01:56:47,400 --> 01:56:49,880
Speaker 3: everything he did was that literally a family mass. I

2811
01:56:49,880 --> 01:56:52,520
Speaker 3: gotta get serious bout I gotta even focus family matters.

2812
01:56:52,600 --> 01:56:53,960
Speaker 3: He says that about the ship.

2813
01:56:54,040 --> 01:56:54,320
Speaker 2: He can't.

2814
01:56:54,800 --> 01:56:57,480
Speaker 1: That's because the part of family matters was from the

2815
01:56:57,520 --> 01:56:59,440
Speaker 1: beat of push ups, and it felt like he probably

2816
01:56:59,440 --> 01:57:00,560
Speaker 1: had most of that on already.

2817
01:57:00,760 --> 01:57:02,400
Speaker 2: Yeah, and then continued on.

2818
01:57:03,720 --> 01:57:07,680
Speaker 3: And it wasn't like Kendrick is a dreat to me.

2819
01:57:08,560 --> 01:57:11,560
Speaker 3: He could be greater than me. Drake never thought that,

2820
01:57:13,280 --> 01:57:13,840
Speaker 3: So I just.

2821
01:57:13,920 --> 01:57:15,640
Speaker 1: I don't think he's replying to the twenty v one

2822
01:57:15,680 --> 01:57:18,400
Speaker 1: ship unless Kendrick is involved in it, or Kendrick was

2823
01:57:18,440 --> 01:57:20,880
Speaker 1: the one that said something on like that. If like

2824
01:57:20,880 --> 01:57:23,120
Speaker 1: that doesn't have Kendrick, I don't think he's replying to

2825
01:57:23,160 --> 01:57:24,960
Speaker 1: the Weekend with I think it's just gonna be a

2826
01:57:24,960 --> 01:57:27,760
Speaker 1: sub future, just a sub. I don't think we get

2827
01:57:28,000 --> 01:57:29,720
Speaker 1: the Metro. Shut your hoo ass up. I don't think

2828
01:57:29,720 --> 01:57:32,000
Speaker 1: we get any of the twenty v one if Kendrick's not.

2829
01:57:32,200 --> 01:57:34,720
Speaker 3: We know Kendrick always wanted to like have the battle

2830
01:57:34,760 --> 01:57:37,400
Speaker 3: with dude, to try to tear him down, but everything

2831
01:57:37,560 --> 01:57:41,240
Speaker 3: then he was never like he's my opponent. So when

2832
01:57:41,280 --> 01:57:45,000
Speaker 3: he when he challenges me, I'm gonna like get him right.

2833
01:57:45,360 --> 01:57:47,640
Speaker 2: Well you started. You know what I'm saying makes sense? Right?

2834
01:57:48,440 --> 01:57:53,400
Speaker 2: I thought to what Kendrick and Drake tension was your fault?

2835
01:57:53,720 --> 01:57:58,040
Speaker 1: Okay, control verse control vers came out. Everyone laughed about it.

2836
01:57:58,560 --> 01:58:02,360
Speaker 1: Mac Miller put out a beautiful everyone that was really,

2837
01:58:03,480 --> 01:58:05,720
Speaker 1: can I still use like verbs and similes or something?

2838
01:58:05,760 --> 01:58:06,040
Speaker 3: He said.

2839
01:58:06,160 --> 01:58:09,400
Speaker 2: Matt said something fucking hilarious. A lot of people took.

2840
01:58:09,240 --> 01:58:11,000
Speaker 1: It with a grain of salt that it was just competition.

2841
01:58:11,600 --> 01:58:14,640
Speaker 1: You interviewed Drake live after nothing was the same, and

2842
01:58:14,720 --> 01:58:17,600
Speaker 1: Drake sounded I'm not saying this was the case. I'm

2843
01:58:17,640 --> 01:58:20,400
Speaker 1: just observing as a fan. Sounded like he was a

2844
01:58:20,400 --> 01:58:23,320
Speaker 1: bit in his feelings because his temperament changed, and said,

2845
01:58:23,320 --> 01:58:25,040
Speaker 1: you remember any other line off that.

2846
01:58:25,200 --> 01:58:25,760
Speaker 2: Which is cool.

2847
01:58:25,760 --> 01:58:28,680
Speaker 1: He's entitled to do that. That started everything to me

2848
01:58:28,880 --> 01:58:30,080
Speaker 1: when he was on stage with you.

2849
01:58:30,480 --> 01:58:32,440
Speaker 2: Damn. So what would you what would you like to

2850
01:58:32,440 --> 01:58:36,200
Speaker 2: see Drake do it? Post battle? Would review him?

2851
01:58:37,600 --> 01:58:37,960
Speaker 3: You know what?

2852
01:58:38,280 --> 01:58:42,440
Speaker 2: Let's get to it, same city, same city in Toronto.

2853
01:58:42,560 --> 01:58:49,080
Speaker 2: You're in Toronto at the Rogers Center, Kendrick is five

2854
01:58:49,120 --> 01:58:52,080
Speaker 2: hours from performing. Let's let's not.

2855
01:58:52,000 --> 01:58:53,720
Speaker 1: Put you at the Rogers Center. Let's put you in

2856
01:58:54,440 --> 01:58:55,960
Speaker 1: Let's put you in the Marriott.

2857
01:58:57,800 --> 01:59:00,280
Speaker 2: Let's put you in a beautiful hotel in Toronto. Let's

2858
01:59:00,280 --> 01:59:02,120
Speaker 2: put you at the one Hotels. Let's do it.

2859
01:59:02,200 --> 01:59:03,320
Speaker 3: Let's do it, and.

2860
01:59:03,240 --> 01:59:07,960
Speaker 2: You get a text from Kendrick. Yo, listen, I have

2861
01:59:08,000 --> 01:59:11,600
Speaker 2: a window from five to six. I'm open, big window.

2862
01:59:11,800 --> 01:59:13,160
Speaker 2: Can I do you want to do an interview?

2863
01:59:13,240 --> 01:59:14,040
Speaker 3: Real quick? Yes?

2864
01:59:14,960 --> 01:59:17,880
Speaker 2: And you say, okay, cool, I'm on my way. Ten

2865
01:59:17,920 --> 01:59:21,240
Speaker 2: minutes later, Drake text you to say you're listen. I'm

2866
01:59:21,240 --> 01:59:25,080
Speaker 2: flying out at seven pm. I'm free five to six.

2867
01:59:25,680 --> 01:59:28,040
Speaker 2: If you want to get this interview real quick, let

2868
01:59:28,120 --> 01:59:29,240
Speaker 2: me know. I'll send a car for you.

2869
01:59:29,760 --> 01:59:31,040
Speaker 1: He can find a loophole on this one.

2870
01:59:31,080 --> 01:59:31,760
Speaker 2: I'm gonna change it.

2871
01:59:31,840 --> 01:59:34,920
Speaker 1: Just about both them. Text you at four thirty pm.

2872
01:59:35,240 --> 01:59:37,280
Speaker 1: At five pm, I'll pushing one back.

2873
01:59:37,320 --> 01:59:40,840
Speaker 2: I'm getting both. I do five. I can't push nothing back?

2874
01:59:40,880 --> 01:59:43,600
Speaker 2: Which taking How you can't You don't have the power

2875
01:59:43,640 --> 01:59:44,960
Speaker 2: to push Kendrick lamar Drake.

2876
01:59:45,000 --> 01:59:49,320
Speaker 3: I'm taking Drake. I'm taking Drake above Kendrick. Yeah. More.

2877
01:59:49,640 --> 01:59:51,080
Speaker 2: Why because that's the story.

2878
01:59:51,360 --> 01:59:54,640
Speaker 4: Drake is the one who has to like respond now Kendrick,

2879
01:59:55,120 --> 01:59:56,480
Speaker 4: He's had to say nobody cares what.

2880
01:59:59,200 --> 02:00:02,960
Speaker 2: I said, Drake. There's more questions that.

2881
02:00:02,920 --> 02:00:06,360
Speaker 3: We have interview. Could we never see him be the

2882
02:00:06,600 --> 02:00:09,600
Speaker 3: like like catch you just keep it real, let's go

2883
02:00:09,920 --> 02:00:11,480
Speaker 3: keep let's go mom.

2884
02:00:11,480 --> 02:00:13,080
Speaker 2: Why would you take that interview? Why would you take

2885
02:00:13,080 --> 02:00:14,640
Speaker 2: the Drake interview? And don't tell me it's because people

2886
02:00:14,680 --> 02:00:15,959
Speaker 2: want to hear from Drake while.

2887
02:00:15,760 --> 02:00:20,879
Speaker 3: We who Kendrick is in terms of his legacy compared

2888
02:00:20,920 --> 02:00:21,600
Speaker 3: to him.

2889
02:00:21,880 --> 02:00:22,760
Speaker 2: That's the big battle.

2890
02:00:22,920 --> 02:00:25,000
Speaker 3: We know, it's the big free It's like Kendrick Drake call,

2891
02:00:25,520 --> 02:00:27,920
Speaker 3: what is Kenjing Me to his legacy?

2892
02:00:28,160 --> 02:00:28,360
Speaker 2: Right?

2893
02:00:29,080 --> 02:00:31,600
Speaker 3: Because you know he's an icon, he's great, But what

2894
02:00:31,720 --> 02:00:33,680
Speaker 3: is Kenjing Me? Is he a worthy rival?

2895
02:00:34,120 --> 02:00:35,560
Speaker 2: Who is he to him?

2896
02:00:36,040 --> 02:00:38,600
Speaker 3: Obviously he's a worthy rival. He battled, but he never

2897
02:00:38,720 --> 02:00:40,920
Speaker 3: treated that nigga like he was. That's why he lost.

2898
02:00:41,080 --> 02:00:43,920
Speaker 3: I'm telling you every time, and I got back and listen,

2899
02:00:44,480 --> 02:00:45,240
Speaker 3: I wasn't there.

2900
02:00:45,640 --> 02:00:48,240
Speaker 1: I don't know this stuff is true. But from the

2901
02:00:48,280 --> 02:00:52,160
Speaker 1: West Coast affiliates to Kendrick, people that have like a

2902
02:00:52,160 --> 02:00:54,600
Speaker 1: one degree of separation relationship with him or direct to

2903
02:00:55,440 --> 02:00:58,200
Speaker 1: have given me damn near every question I had about

2904
02:00:58,280 --> 02:01:00,840
Speaker 1: what was happening that week in May. Do you agree

2905
02:01:00,880 --> 02:01:03,440
Speaker 1: with your co hosts on four or five Radar.

2906
02:01:03,520 --> 02:01:05,920
Speaker 3: That what Radar.

2907
02:01:07,200 --> 02:01:09,560
Speaker 1: That all of us need to move all our music

2908
02:01:09,600 --> 02:01:12,320
Speaker 1: to ninety bpm because Kendrick Lamar want a rap battle.

2909
02:01:14,960 --> 02:01:18,760
Speaker 2: Shot DJ head out look, we love j It's incredible.

2910
02:01:19,000 --> 02:01:21,320
Speaker 1: Don you guys start that show without the battle because

2911
02:01:21,840 --> 02:01:23,680
Speaker 1: we've had had in our green rooms before all the time.

2912
02:01:23,720 --> 02:01:26,400
Speaker 3: I think he has a great I told me and

2913
02:01:26,400 --> 02:01:28,040
Speaker 3: the boy would never be because I started the show

2914
02:01:28,040 --> 02:01:31,680
Speaker 3: with him as the opp because he challenged. He challenged

2915
02:01:31,760 --> 02:01:33,440
Speaker 3: Drag at the time, we can push ups. When it

2916
02:01:33,440 --> 02:01:35,960
Speaker 3: first came out, is it a real record? You're putting

2917
02:01:36,000 --> 02:01:40,520
Speaker 3: it out academics was playing it. It wasn't real. Had

2918
02:01:40,680 --> 02:01:43,880
Speaker 3: challenged him like, Yo, it's your record, claim it, bring

2919
02:01:43,920 --> 02:01:45,800
Speaker 3: it to streaming. That's what happened.

2920
02:01:45,880 --> 02:01:46,440
Speaker 2: I was there.

2921
02:01:46,560 --> 02:01:49,120
Speaker 1: I think I have a great question to put the

2922
02:01:49,160 --> 02:01:52,760
Speaker 1: bowl on this conversation because I am a man without

2923
02:01:52,800 --> 02:01:54,880
Speaker 1: a country. I have no flag in this. But this

2924
02:01:54,920 --> 02:01:56,400
Speaker 1: has been a conversation post.

2925
02:01:56,240 --> 02:01:56,680
Speaker 2: Battle and.

2926
02:01:58,560 --> 02:02:01,400
Speaker 1: For how DJ and had Man was because I don't

2927
02:02:01,400 --> 02:02:02,840
Speaker 1: want to use caping any of those weird words. I

2928
02:02:02,840 --> 02:02:04,800
Speaker 1: think DJ Head just is a fan of Kendrick Lamar

2929
02:02:04,840 --> 02:02:07,640
Speaker 1: and has a relationship and he's always defended the West

2930
02:02:07,680 --> 02:02:10,080
Speaker 1: Coast forever. That's been head way before this bat. Yes,

2931
02:02:10,800 --> 02:02:13,760
Speaker 1: people have been saying that Kendrick Oh's DJ Head some

2932
02:02:13,840 --> 02:02:17,280
Speaker 1: form of an interview, and people have said Drake os

2933
02:02:17,360 --> 02:02:23,320
Speaker 1: Mall or even act some type of interview that I

2934
02:02:23,360 --> 02:02:26,080
Speaker 1: wanted to ask both of you'll opinion on that. I

2935
02:02:26,160 --> 02:02:28,520
Speaker 1: never felt like that's an artist owed someone.

2936
02:02:29,000 --> 02:02:34,440
Speaker 3: But but we started this conversation with Elliot saying he's

2937
02:02:34,440 --> 02:02:34,800
Speaker 3: pissed it.

2938
02:02:34,920 --> 02:02:37,000
Speaker 1: These artists aren't sitting down with people and it fly Yo,

2939
02:02:37,280 --> 02:02:39,800
Speaker 1: we helped in a battle from some certain platform.

2940
02:02:40,080 --> 02:02:43,800
Speaker 3: Or there's too much media, say that there's too much

2941
02:02:43,880 --> 02:02:46,280
Speaker 3: media without the conversation of like with the artists. Some

2942
02:02:46,400 --> 02:02:50,360
Speaker 3: sense that it's an imbalance, right, we admit it's one way.

2943
02:02:50,840 --> 02:02:55,280
Speaker 3: We commentary all day. There's no conversation and no engagement.

2944
02:02:56,160 --> 02:02:57,000
Speaker 3: It's an imbalance.

2945
02:02:57,240 --> 02:02:57,680
Speaker 2: Not cool.

2946
02:02:58,640 --> 02:03:00,360
Speaker 3: Like I think if you put a record out, like

2947
02:03:00,400 --> 02:03:02,960
Speaker 3: that's one thing. But like Dac, like I put the

2948
02:03:03,000 --> 02:03:05,600
Speaker 3: record on and I talk about it, It's like like why,

2949
02:03:05,840 --> 02:03:11,440
Speaker 3: Like you're voling yourself, Like what what was my man's

2950
02:03:11,440 --> 02:03:14,080
Speaker 3: mind with gn X, Like what like talk about the album?

2951
02:03:14,240 --> 02:03:16,960
Speaker 3: Like to people like why why is it cool to

2952
02:03:17,000 --> 02:03:17,920
Speaker 3: not do interviews?

2953
02:03:18,920 --> 02:03:20,440
Speaker 2: Why is it cool for not to talk to us

2954
02:03:20,480 --> 02:03:22,000
Speaker 2: when everybody wants to be immedia? Right now?

2955
02:03:22,240 --> 02:03:25,800
Speaker 1: I thought, this is the Scissen and Kendrick interview was great.

2956
02:03:26,040 --> 02:03:28,320
Speaker 1: Did you see the only thing that they clipped? There's

2957
02:03:28,360 --> 02:03:31,960
Speaker 1: pages and pages of amazing conversation between two superstar artists

2958
02:03:31,960 --> 02:03:35,440
Speaker 1: that are both in their almost mid thirties, that are

2959
02:03:35,480 --> 02:03:37,800
Speaker 1: going through life changes that was an incredible combo.

2960
02:03:38,600 --> 02:03:40,960
Speaker 2: What was clipped bullshit? Right?

2961
02:03:41,760 --> 02:03:46,160
Speaker 1: Three sentences of fucking nonsense. So even artists that would

2962
02:03:46,160 --> 02:03:48,840
Speaker 1: sit down and have a real intellectual conversation or even

2963
02:03:48,880 --> 02:03:51,440
Speaker 1: sit with someone because I know Sissa and Kendrick obviously

2964
02:03:51,440 --> 02:03:54,520
Speaker 1: have years and years of a relationship outside of just music,

2965
02:03:55,360 --> 02:03:56,720
Speaker 1: even that gets clipped to bullshit.

2966
02:03:57,640 --> 02:03:59,040
Speaker 2: So why I would.

2967
02:03:58,880 --> 02:04:00,360
Speaker 3: Point to me like, I don't feel like it has

2968
02:04:00,360 --> 02:04:02,280
Speaker 3: been clipped that way? With the rap Raider with jay Z,

2969
02:04:02,720 --> 02:04:05,760
Speaker 3: sure Will Smith Drake like it's not been clipped that way.

2970
02:04:05,920 --> 02:04:10,240
Speaker 1: So but again, different times, because you're looking at twenty

2971
02:04:10,280 --> 02:04:13,760
Speaker 1: sixteen and hip hop now lives in one year is

2972
02:04:13,800 --> 02:04:15,800
Speaker 1: five years, or I could even argue one year is

2973
02:04:15,840 --> 02:04:18,680
Speaker 1: ten years. The way things move twenty sixteen was a

2974
02:04:18,720 --> 02:04:21,480
Speaker 1: different time. And even with a lot of that four

2975
02:04:21,560 --> 02:04:23,720
Speaker 1: four four interview that I is one of my favorites

2976
02:04:23,760 --> 02:04:26,760
Speaker 1: ever in podcasting, a lot of the bullshit was clipped to.

2977
02:04:27,240 --> 02:04:29,320
Speaker 1: And then when he did it, when he did the

2978
02:04:29,360 --> 02:04:32,320
Speaker 1: New York Times and sat like this for three hours,

2979
02:04:32,360 --> 02:04:33,600
Speaker 1: which I have no idea how he did that.

2980
02:04:34,240 --> 02:04:36,320
Speaker 2: They clipped cheating rumors.

2981
02:04:36,520 --> 02:04:39,480
Speaker 1: He said amazing things in the New York Times article.

2982
02:04:40,320 --> 02:04:42,040
Speaker 1: It's always going to be clipped with the bullshit at

2983
02:04:42,080 --> 02:04:44,440
Speaker 1: this point. So I get the frustration of even artists

2984
02:04:44,480 --> 02:04:48,360
Speaker 1: that don't want to sit. Do I think it's odd

2985
02:04:48,440 --> 02:04:50,400
Speaker 1: that Drake did the aid and raw shit instead?

2986
02:04:50,680 --> 02:04:51,320
Speaker 2: Sure, but.

2987
02:04:52,920 --> 02:04:54,000
Speaker 1: That's the time we're in now.

2988
02:04:54,040 --> 02:04:54,160
Speaker 3: Sit.

2989
02:04:54,600 --> 02:04:54,920
Speaker 2: Yeah.

2990
02:04:54,840 --> 02:04:58,040
Speaker 1: Should I complain about the artist or should I complain

2991
02:04:58,080 --> 02:04:59,600
Speaker 1: about the time we don't even need to make it

2992
02:04:59,680 --> 02:05:02,520
Speaker 1: Drake's Pacific. Should I complain about the audience and the

2993
02:05:02,680 --> 02:05:05,040
Speaker 1: error we're in, or should I be mad at the

2994
02:05:05,080 --> 02:05:07,280
Speaker 1: artists for making the decision that's better for their career

2995
02:05:07,600 --> 02:05:10,760
Speaker 1: in the time that we're living in. At the time

2996
02:05:10,800 --> 02:05:12,920
Speaker 1: when double XL was popping, Yeah, it made sense for

2997
02:05:12,960 --> 02:05:15,400
Speaker 1: an artist to go have a write up from Elliott Wilson.

2998
02:05:16,160 --> 02:05:18,880
Speaker 1: They would did what was right for their career. That now,

2999
02:05:19,000 --> 02:05:21,560
Speaker 1: whether we like it or not, is what the streamers are.

3000
02:05:21,640 --> 02:05:24,080
Speaker 3: They're making a better You actually an artist yourself, right,

3001
02:05:24,160 --> 02:05:26,920
Speaker 3: So you make an album, it's like, yo, you don't

3002
02:05:26,920 --> 02:05:29,120
Speaker 3: feel like you should go anywhere to explain Look about

3003
02:05:29,160 --> 02:05:29,560
Speaker 3: your album.

3004
02:05:29,600 --> 02:05:32,160
Speaker 1: Go look at my go look at my minuscule press

3005
02:05:32,200 --> 02:05:35,120
Speaker 1: run that I did, and why I didn't want to

3006
02:05:35,160 --> 02:05:38,600
Speaker 1: do much. And I love talking like keV loved talking

3007
02:05:38,640 --> 02:05:42,120
Speaker 1: to a d everyone. What was clipped from all that

3008
02:05:43,200 --> 02:05:49,000
Speaker 1: podcast gossip? Mm hmm bullshit mee me getting off my

3009
02:05:49,000 --> 02:05:51,120
Speaker 1: square coming out of some emotional shit because I saw

3010
02:05:51,120 --> 02:05:54,160
Speaker 1: another clip. Nobody wanted to talk to me about my

3011
02:05:54,160 --> 02:05:57,000
Speaker 1: fucking R and B album, And even when I do

3012
02:05:57,080 --> 02:06:00,920
Speaker 1: reach out to a platform, I think they exist, but

3013
02:06:01,000 --> 02:06:03,960
Speaker 1: also it's tough to even promote. So my thinking was,

3014
02:06:04,760 --> 02:06:06,720
Speaker 1: all right, I guess what's good for the goose is

3015
02:06:06,720 --> 02:06:08,400
Speaker 1: good for the gander if I can at least get

3016
02:06:08,440 --> 02:06:12,000
Speaker 1: on these platforms to have the clickbaity conversations that I

3017
02:06:12,080 --> 02:06:15,120
Speaker 1: usually tend to stay away from, but also promote my

3018
02:06:15,280 --> 02:06:17,800
Speaker 1: R and B album that did sell better than a

3019
02:06:17,840 --> 02:06:18,720
Speaker 1: lot of major.

3020
02:06:18,520 --> 02:06:23,640
Speaker 2: Artists talk about American that's the way.

3021
02:06:23,720 --> 02:06:29,360
Speaker 1: But let's look at somebody like Offset, for example, much

3022
02:06:29,560 --> 02:06:32,240
Speaker 1: so much shit going on in his personal life. That

3023
02:06:32,480 --> 02:06:35,480
Speaker 1: not that I particularly care to hear a real sit

3024
02:06:35,560 --> 02:06:37,360
Speaker 1: down interview from, but I think there is a deeper

3025
02:06:37,360 --> 02:06:42,760
Speaker 1: conversation with his relationship with the right interviewer, yes, but

3026
02:06:42,920 --> 02:06:46,560
Speaker 1: with his image and how the stand culture fights the

3027
02:06:46,600 --> 02:06:48,680
Speaker 1: other stand culture. And it doesn't even matter the records.

3028
02:06:48,720 --> 02:06:51,400
Speaker 1: It's all about, you know, it's fucking the Eagles and

3029
02:06:51,400 --> 02:06:54,440
Speaker 1: the giants. Better for his image to go to Ky's

3030
02:06:54,480 --> 02:06:57,040
Speaker 1: house and dance. He looks like a happy person.

3031
02:06:57,160 --> 02:06:59,440
Speaker 3: So I can't accept that that bothers be and I

3032
02:06:59,440 --> 02:06:59,800
Speaker 3: want to be that.

3033
02:07:00,840 --> 02:07:03,080
Speaker 2: I think you should be bad at audience.

3034
02:07:03,640 --> 02:07:06,400
Speaker 3: I'm mad because me and j fell out, like Martin

3035
02:07:06,400 --> 02:07:08,840
Speaker 3: Pillains are hurt. Like I'm a real person like you.

3036
02:07:09,200 --> 02:07:10,920
Speaker 3: Why's it got to be fake? It's like it's what

3037
02:07:10,960 --> 02:07:13,960
Speaker 3: it is, like yo, Like I wanted to be that

3038
02:07:14,000 --> 02:07:14,960
Speaker 3: person to media.

3039
02:07:15,760 --> 02:07:16,000
Speaker 2: Right.

3040
02:07:16,880 --> 02:07:20,000
Speaker 1: You were though and can continue to be. You just

3041
02:07:20,000 --> 02:07:22,480
Speaker 1: have to adjust to what the audience is now. And

3042
02:07:22,560 --> 02:07:24,040
Speaker 1: I think a lot of that comes from what you're

3043
02:07:24,040 --> 02:07:27,360
Speaker 1: doing with Elliott, experience, with talking with artists that do

3044
02:07:27,480 --> 02:07:28,360
Speaker 1: want to talk about.

3045
02:07:28,160 --> 02:07:31,120
Speaker 3: Music exactly like you got Leon Thomas.

3046
02:07:31,160 --> 02:07:33,440
Speaker 2: Like Leon Thomas, a phenomenal album.

3047
02:07:33,240 --> 02:07:36,600
Speaker 3: Best album, all your crowns it Freddy Freddy. I think

3048
02:07:36,640 --> 02:07:38,760
Speaker 3: Freddy has the best rap album. Okay, Freddy, I love

3049
02:07:38,960 --> 02:07:42,560
Speaker 3: I wanted to bring it up. I love Freddy the whole,

3050
02:07:42,720 --> 02:07:47,120
Speaker 3: like the skits, with the whole narrative. That's what you got.

3051
02:07:47,240 --> 02:07:49,600
Speaker 3: But I understand it. To get the skits not good,

3052
02:07:49,720 --> 02:07:51,680
Speaker 3: but I get the skits because he's speaking to his

3053
02:07:51,840 --> 02:07:55,320
Speaker 3: vices and things that he's recognizing and taking accountability for

3054
02:07:55,400 --> 02:07:57,240
Speaker 3: that to hisself and.

3055
02:07:57,200 --> 02:07:59,960
Speaker 2: His career throughout the years. So I get that part

3056
02:08:00,040 --> 02:08:02,640
Speaker 2: part of it. I just think it went a little.

3057
02:08:03,880 --> 02:08:11,400
Speaker 3: Kind of way. Gives the wrapping the production.

3058
02:08:12,320 --> 02:08:14,600
Speaker 2: It's the best not rap album.

3059
02:08:14,600 --> 02:08:16,520
Speaker 3: Was like, yo, you way you'll like making Freddy gives

3060
02:08:16,520 --> 02:08:18,600
Speaker 3: the album to yell, I gotta talk worries about this ship.

3061
02:08:18,600 --> 02:08:21,560
Speaker 3: I'm like, yo, I can't deal with the whole skits

3062
02:08:21,560 --> 02:08:23,040
Speaker 3: of this ship like it's great.

3063
02:08:22,840 --> 02:08:25,360
Speaker 1: And he put he didn't reverse, like the better skits

3064
02:08:25,360 --> 02:08:28,040
Speaker 1: are towards the end. It just popped off again. Concept

3065
02:08:28,080 --> 02:08:29,160
Speaker 1: was great execution.

3066
02:08:28,840 --> 02:08:32,360
Speaker 3: With the record, but he also twenty reck you lost

3067
02:08:32,360 --> 02:08:36,080
Speaker 3: that ship up sampling the sign a versary.

3068
02:08:36,320 --> 02:08:37,160
Speaker 2: It got taken off.

3069
02:08:37,400 --> 02:08:39,960
Speaker 1: Oh that's not that's one of the best songs that guy.

3070
02:08:40,040 --> 02:08:40,920
Speaker 2: So we got taken off.

3071
02:08:41,240 --> 02:08:41,720
Speaker 1: Just listened to this.

3072
02:08:41,880 --> 02:08:43,880
Speaker 2: He didn't clear it. Oh god damn, I don't think

3073
02:08:43,920 --> 02:08:44,240
Speaker 2: he did.

3074
02:08:44,760 --> 02:08:45,000
Speaker 3: Yeah.

3075
02:08:45,160 --> 02:08:47,400
Speaker 2: That that that Freddy Gibson, right, yeah, yeah, yeah yeah.

3076
02:08:47,960 --> 02:08:49,920
Speaker 1: My personal for for this year, which we talked about

3077
02:08:49,960 --> 02:08:51,640
Speaker 1: on the last episode. But I am curious what your

3078
02:08:51,680 --> 02:08:54,440
Speaker 1: wrap top ten was. I have Gibbs at number one, Dochi,

3079
02:08:54,840 --> 02:08:58,280
Speaker 1: Vince Staples number three, Tyler number four, Taro, Whack number five,

3080
02:08:58,400 --> 02:09:02,320
Speaker 1: Cold number six, school Boy Q number seven, Kendrick eight nine,

3081
02:09:02,360 --> 02:09:05,280
Speaker 1: Future Metro ten Rhapso this is my personal taste. This

3082
02:09:05,320 --> 02:09:07,480
Speaker 1: isn't what I think like the top is.

3083
02:09:08,280 --> 02:09:11,280
Speaker 3: But my top three is Kendreick, g and X, Tyler

3084
02:09:11,400 --> 02:09:14,760
Speaker 3: and then Future Metro. I'll trust you, Okay, those are

3085
02:09:14,760 --> 02:09:15,400
Speaker 3: my top three?

3086
02:09:16,200 --> 02:09:19,520
Speaker 2: Wait, Kendrick, what gn X maul?

3087
02:09:19,560 --> 02:09:21,360
Speaker 3: You never heard his album called g and X? Never

3088
02:09:21,360 --> 02:09:23,560
Speaker 3: heard of it from the guy that won the battle,

3089
02:09:23,720 --> 02:09:26,320
Speaker 3: never heard of it did to pop out? So Freddie

3090
02:09:26,360 --> 02:09:28,280
Speaker 3: dropped the album. So Freddy's not in your top three?

3091
02:09:29,160 --> 02:09:32,160
Speaker 2: Not top three? No, for real?

3092
02:09:32,320 --> 02:09:33,720
Speaker 3: What Freddie rap?

3093
02:09:33,920 --> 02:09:34,640
Speaker 2: Personal taste though?

3094
02:09:34,680 --> 02:09:38,200
Speaker 3: Yeah, Freddy rapping, I'll just not talk.

3095
02:09:38,280 --> 02:09:40,520
Speaker 2: I didn't say they gotta be number one, but not

3096
02:09:40,600 --> 02:09:44,520
Speaker 2: even top three rapping. Who you think Tyler rapped better

3097
02:09:44,680 --> 02:09:45,200
Speaker 2: than Freddy?

3098
02:09:45,560 --> 02:09:49,040
Speaker 3: Tyers, Tylers the man I need the fut it Big

3099
02:09:49,080 --> 02:09:52,040
Speaker 3: Taler Tyler. I love Taler, but he didn't rap better

3100
02:09:52,040 --> 02:09:54,760
Speaker 3: than Freddy on his album We Get the fuck out

3101
02:09:54,800 --> 02:09:56,920
Speaker 3: of It. Tyler steps crazy as hell.

3102
02:09:57,680 --> 02:10:03,120
Speaker 1: Freddy rapped better on his album Sure better rapt Tyler's album.

3103
02:10:03,520 --> 02:10:05,000
Speaker 2: Talk about that type of ship? I get that.

3104
02:10:05,080 --> 02:10:07,800
Speaker 3: I'm saying with that bar proper. It's not about bars competition.

3105
02:10:07,840 --> 02:10:09,839
Speaker 3: I'm something like the music itself.

3106
02:10:09,920 --> 02:10:12,000
Speaker 2: Did you guys you when the last time you listened

3107
02:10:12,040 --> 02:10:13,360
Speaker 2: to that Tile album?

3108
02:10:14,160 --> 02:10:14,280
Speaker 5: Thing?

3109
02:10:15,400 --> 02:10:15,480
Speaker 1: Like?

3110
02:10:15,520 --> 02:10:16,800
Speaker 3: I love that ship It's crazy.

3111
02:10:16,920 --> 02:10:19,520
Speaker 1: I listened to it over Christmas break for sure.

3112
02:10:19,840 --> 02:10:23,440
Speaker 2: Yo, man, I can't.

3113
02:10:22,720 --> 02:10:25,320
Speaker 1: Does that a lot trying to tell me when was

3114
02:10:25,320 --> 02:10:27,000
Speaker 1: the last time you listened to it? And doesn't believe me.

3115
02:10:27,120 --> 02:10:29,440
Speaker 2: I'm on my way here. I was listening to these

3116
02:10:29,480 --> 02:10:35,560
Speaker 2: people this year is and wrap ups Drake.

3117
02:10:35,720 --> 02:10:39,200
Speaker 3: It was funny, very top is very clear, kendre gn X,

3118
02:10:39,520 --> 02:10:42,440
Speaker 3: it was Cardi Tyler ship party in Future mentioned the

3119
02:10:42,440 --> 02:10:46,160
Speaker 3: first one. Those are the top three, okay for you,

3120
02:10:46,520 --> 02:10:46,880
Speaker 3: I get it.

3121
02:10:46,920 --> 02:10:49,120
Speaker 2: I respect next door with everybody.

3122
02:10:49,400 --> 02:10:50,320
Speaker 3: That's not my top three.

3123
02:10:50,440 --> 02:10:53,000
Speaker 2: What you're talking about Freddy Gibbs and Freddy. I don't know.

3124
02:10:53,040 --> 02:10:54,960
Speaker 2: I don't remember my list. It was I think Freddy,

3125
02:10:55,800 --> 02:10:57,240
Speaker 2: you will do the order. You're like, you're like, you

3126
02:10:57,320 --> 02:10:59,800
Speaker 2: don't do the er. Freddy was number one. I know

3127
02:10:59,840 --> 02:11:03,360
Speaker 2: that everything else kind of was like depending on the terrible. Yeah,

3128
02:11:03,400 --> 02:11:06,760
Speaker 2: but that don't mean the songs was terrible. Now it

3129
02:11:06,840 --> 02:11:07,919
Speaker 2: sounds like you nitpicking.

3130
02:11:07,960 --> 02:11:09,920
Speaker 3: Now. The skits was terrible, so.

3131
02:11:09,840 --> 02:11:12,800
Speaker 2: You're saying because the skits was terrible that album doesn't.

3132
02:11:15,320 --> 02:11:20,120
Speaker 3: Like what the devil. Yeah, but you know that's gay,

3133
02:11:20,160 --> 02:11:22,720
Speaker 3: that's not that's not that's not gang what we're.

3134
02:11:22,560 --> 02:11:24,400
Speaker 1: Talking about talking to the devil, that's gang gang.

3135
02:11:24,840 --> 02:11:25,800
Speaker 3: That's not hot.

3136
02:11:25,960 --> 02:11:27,200
Speaker 2: But all right, has there been?

3137
02:11:27,360 --> 02:11:30,360
Speaker 3: He said, sambasize his own ship.

3138
02:11:30,960 --> 02:11:37,280
Speaker 1: Kanye always had really good skits, good getting Mad City,

3139
02:11:37,880 --> 02:11:42,000
Speaker 1: great skits. Eminem like him or not, those Paul skits,

3140
02:11:42,040 --> 02:11:44,600
Speaker 1: even when he was doing weird I c p Filatio ship.

3141
02:11:45,520 --> 02:11:47,440
Speaker 2: It was. It was a time. Whether we like it

3142
02:11:47,520 --> 02:11:47,720
Speaker 2: or not.

3143
02:11:48,720 --> 02:11:51,040
Speaker 1: Yeah, gives album might be the first one that I

3144
02:11:51,040 --> 02:11:53,840
Speaker 1: said could potentially it was my favorite, but could be

3145
02:11:53,920 --> 02:11:55,880
Speaker 1: a classic with bad skits. That maybe the first time

3146
02:11:55,920 --> 02:11:56,880
Speaker 1: that's happened in rap history.

3147
02:11:57,000 --> 02:11:59,480
Speaker 2: Right now that that's the album. If the skits wasn't

3148
02:11:59,520 --> 02:12:04,000
Speaker 2: on it, I'm not out of it. But the skits,

3149
02:12:04,200 --> 02:12:05,800
Speaker 2: they weren't in his favorite the whole album.

3150
02:12:06,120 --> 02:12:09,080
Speaker 1: That Lane's album that was actually good, but the skits

3151
02:12:09,120 --> 02:12:10,200
Speaker 1: were fucking god awful.

3152
02:12:10,360 --> 02:12:11,520
Speaker 3: That was his first first one.

3153
02:12:11,560 --> 02:12:12,640
Speaker 1: Yeah, those were those.

3154
02:12:12,520 --> 02:12:15,800
Speaker 3: Were that's Freddy shit. That's how I feel with that. Okay,

3155
02:12:15,960 --> 02:12:18,040
Speaker 3: I would love that Fady have those skits.

3156
02:12:18,040 --> 02:12:19,520
Speaker 2: I would love it way more everyone.

3157
02:12:19,560 --> 02:12:20,920
Speaker 1: This is nothing to do with the combat we had

3158
02:12:20,960 --> 02:12:23,880
Speaker 1: before for all the Dogs. I thought those skits were

3159
02:12:23,920 --> 02:12:26,560
Speaker 1: were weird. Either make it a radio show or don't

3160
02:12:26,560 --> 02:12:27,520
Speaker 1: like commit to it or don't.

3161
02:12:28,600 --> 02:12:29,760
Speaker 2: I don't even remember those skits.

3162
02:12:29,920 --> 02:12:31,520
Speaker 1: He like, halfway through the album, all of a sudden,

3163
02:12:31,560 --> 02:12:34,560
Speaker 1: the snow Dogs on the radio the whole time.

3164
02:12:34,680 --> 02:12:38,000
Speaker 2: Okay, yeah, going to slip me out right. Okay, it

3165
02:12:38,080 --> 02:12:41,600
Speaker 2: was weird. So yeah, I feel you on that. So Freddy,

3166
02:12:41,640 --> 02:12:43,440
Speaker 2: don't have skits on This album doesn't make your top three,

3167
02:12:45,560 --> 02:12:48,360
Speaker 2: top ten, not top three, so it's not even top

3168
02:12:48,400 --> 02:12:50,960
Speaker 2: ten for you. My top three is very clear. Wait,

3169
02:12:51,400 --> 02:12:54,240
Speaker 2: Freddy is not in your top future metro. Freddy's not

3170
02:12:54,240 --> 02:12:56,920
Speaker 2: in your confident in my top three, know your top ten.

3171
02:12:57,400 --> 02:12:59,120
Speaker 2: Freddy's album is not even I.

3172
02:12:59,080 --> 02:13:01,160
Speaker 3: Said it might be in the top ten and the

3173
02:13:01,160 --> 02:13:02,400
Speaker 3: bottom half of the top ten.

3174
02:13:02,480 --> 02:13:04,240
Speaker 2: Yeah, damn, that's crazy.

3175
02:13:04,320 --> 02:13:07,600
Speaker 3: Damn baby, it was not.

3176
02:13:08,080 --> 02:13:11,160
Speaker 2: It was not ten rap Come on, dog bro, it

3177
02:13:11,200 --> 02:13:13,320
Speaker 2: was not ten rap albums better than Freddy's album this year.

3178
02:13:13,360 --> 02:13:14,240
Speaker 3: We're not doing it.

3179
02:13:14,520 --> 02:13:16,600
Speaker 2: We're not doing that, Elliott, we are not doing it.

3180
02:13:17,200 --> 02:13:26,120
Speaker 3: There was not ten rap albums better than you one gifts.

3181
02:13:23,960 --> 02:13:25,640
Speaker 1: I almost want her to pull up twenty twenty four

3182
02:13:25,720 --> 02:13:27,920
Speaker 1: rap albums and make you answer this like.

3183
02:13:27,880 --> 02:13:30,360
Speaker 2: You're not saying, Man Freddy's album is a top ten

3184
02:13:30,440 --> 02:13:32,120
Speaker 2: rap album this year, bro, it might be in the

3185
02:13:32,120 --> 02:13:34,720
Speaker 2: bottom half. I said that top three is solidified.

3186
02:13:35,160 --> 02:13:39,160
Speaker 3: It's Kendrick Tyler Future Metro the first one.

3187
02:13:39,560 --> 02:13:41,280
Speaker 2: I feel confident that my top three.

3188
02:13:41,200 --> 02:13:44,040
Speaker 1: Is it better than j Cole might delete later even

3189
02:13:44,080 --> 02:13:45,040
Speaker 1: though that's an EP to me, But.

3190
02:13:45,080 --> 02:13:47,720
Speaker 3: I don't got that. No, yes, that's low with me too.

3191
02:13:48,120 --> 02:13:49,280
Speaker 3: But it was bullshit.

3192
02:13:49,040 --> 02:13:53,040
Speaker 1: Considered Album of the Year with the Grammys.

3193
02:13:54,120 --> 02:13:56,600
Speaker 4: It wasn't no bullshit. You don't gotta be disrespectful, wasn't bullshit?

3194
02:13:56,680 --> 02:13:59,720
Speaker 3: Where's the fall off? I'm talking about the full off.

3195
02:14:00,920 --> 02:14:03,600
Speaker 3: It would have fall off the full of it. What

3196
02:14:03,760 --> 02:14:06,080
Speaker 3: did is half step? And last, how do you feel

3197
02:14:06,080 --> 02:14:07,280
Speaker 3: about Cold throughout all of this?

3198
02:14:09,880 --> 02:14:12,840
Speaker 1: Did you get your rise or passes to the question?

3199
02:14:14,360 --> 02:14:16,080
Speaker 2: I'm just asking how do you feel about how you

3200
02:14:16,120 --> 02:14:17,960
Speaker 2: feel about Cold through all of this? Because you your

3201
02:14:18,000 --> 02:14:20,040
Speaker 2: your hip hop journals and you know what hip hop

3202
02:14:20,040 --> 02:14:22,480
Speaker 2: culture is. You know, you know you know what we

3203
02:14:23,040 --> 02:14:26,800
Speaker 2: witnessed with us with witnessing that was absolute blaspheming.

3204
02:14:26,880 --> 02:14:30,680
Speaker 3: You know it was you are you shot that. I'm

3205
02:14:30,680 --> 02:14:32,800
Speaker 3: just saying you said you'll had an amazing year shot.

3206
02:14:34,080 --> 02:14:39,640
Speaker 3: I appreciate that shout out to you, Dje, because you

3207
02:14:39,680 --> 02:14:41,680
Speaker 3: called it what it was. I feel the same way

3208
02:14:41,720 --> 02:14:44,200
Speaker 3: I called it what it was at the time. What

3209
02:14:44,280 --> 02:14:46,839
Speaker 3: I don't like is that I thought the port Antannio

3210
02:14:46,960 --> 02:14:49,720
Speaker 3: record was dope, but everybody took the records like yo

3211
02:14:50,000 --> 02:14:51,800
Speaker 3: he said, if I was in the battle, I would

3212
02:14:51,800 --> 02:14:53,920
Speaker 3: have bowed a loss of friends and then like they

3213
02:14:53,960 --> 02:14:56,760
Speaker 3: gravitated towards that when they didn't appreciate the record.

3214
02:14:56,800 --> 02:14:59,400
Speaker 2: How was But he knew that as a as a writer,

3215
02:14:59,480 --> 02:15:01,080
Speaker 2: he knew what that I hate that ship though, but

3216
02:15:01,120 --> 02:15:03,720
Speaker 2: he knew what that call from that one lyric and

3217
02:15:03,840 --> 02:15:06,800
Speaker 2: like yo oh dismissed it. But what I'm saying is

3218
02:15:06,880 --> 02:15:09,200
Speaker 2: Cole knew what that bar was going to do. He

3219
02:15:09,240 --> 02:15:11,120
Speaker 2: did did He definitely did.

3220
02:15:11,360 --> 02:15:12,000
Speaker 3: Are you kidding me?

3221
02:15:12,520 --> 02:15:13,280
Speaker 2: Doing an interview?

3222
02:15:13,440 --> 02:15:16,040
Speaker 3: He's speaking directly to the back No, but the backlash

3223
02:15:16,040 --> 02:15:19,960
Speaker 3: of that bar not representing and respecting the song song

3224
02:15:20,080 --> 02:15:21,760
Speaker 3: was dope. Yeah, the song was dope.

3225
02:15:21,840 --> 02:15:24,280
Speaker 1: I think he was prepared going into it knowing that

3226
02:15:24,280 --> 02:15:26,520
Speaker 1: that was going to be dissected. Those two bars rather

3227
02:15:26,560 --> 02:15:29,480
Speaker 1: than the story he told about his life on the.

3228
02:15:29,960 --> 02:15:32,240
Speaker 3: People could take a look even hard part six. They

3229
02:15:32,240 --> 02:15:35,560
Speaker 3: took it like, yo, Drake sounds defeated. That wasn't his intent, right,

3230
02:15:36,000 --> 02:15:37,600
Speaker 3: and then you run with that ship. It's like yo,

3231
02:15:37,960 --> 02:15:38,760
Speaker 3: that's the narrative.

3232
02:15:39,240 --> 02:15:44,240
Speaker 1: But that's that's been forever. Like Blueprint too, Hove is

3233
02:15:44,280 --> 02:15:47,120
Speaker 1: talking on that. What's the only what's the only line that.

3234
02:15:47,080 --> 02:15:47,760
Speaker 2: Was got sected?

3235
02:15:48,080 --> 02:15:49,520
Speaker 1: Just because he wear a coofie, It don't mean that

3236
02:15:49,520 --> 02:15:52,800
Speaker 1: he's bright. Yeah, but go into that record, there's so

3237
02:15:52,880 --> 02:15:56,640
Speaker 1: much other stuff. And I think Jaye knew that going

3238
02:15:56,640 --> 02:15:58,320
Speaker 1: into it, and I think Cole knew that as well.

3239
02:15:58,360 --> 02:15:59,640
Speaker 1: He just wanted to put out a good record. If

3240
02:15:59,680 --> 02:16:01,920
Speaker 1: I have to address it, let me attach it too

3241
02:16:01,960 --> 02:16:05,280
Speaker 1: some ship. That's not because my real fans also care

3242
02:16:05,280 --> 02:16:06,640
Speaker 1: about my music rather than just the beat.

3243
02:16:06,760 --> 02:16:07,720
Speaker 2: I think Cole's dope.

3244
02:16:07,880 --> 02:16:10,520
Speaker 3: I think Carl has a sawt spot that he can

3245
02:16:10,560 --> 02:16:12,120
Speaker 3: never really go at Kendrick Drake.

3246
02:16:12,480 --> 02:16:14,120
Speaker 2: He can't go no, no, he can't go no.

3247
02:16:14,120 --> 02:16:14,240
Speaker 5: No.

3248
02:16:14,280 --> 02:16:15,800
Speaker 2: Everybody else don't.

3249
02:16:15,920 --> 02:16:16,480
Speaker 3: He can't do that.

3250
02:16:16,560 --> 02:16:19,720
Speaker 2: No, he can't do that everybody but Drake. But listen

3251
02:16:20,000 --> 02:16:22,440
Speaker 2: fred telling you on Freddie album. Freddy kinda threw a

3252
02:16:22,440 --> 02:16:25,040
Speaker 2: shot at cold Cole can't say nothing he would do it.

3253
02:16:25,480 --> 02:16:25,920
Speaker 3: He can't know.

3254
02:16:26,000 --> 02:16:27,720
Speaker 2: Cole can't go at nobody. He can't.

3255
02:16:27,800 --> 02:16:29,760
Speaker 3: Don't believe that selective pot. You can't do that in

3256
02:16:29,840 --> 02:16:32,360
Speaker 3: hip hop. You can't pick and choose. He's snob and

3257
02:16:32,440 --> 02:16:34,879
Speaker 3: the whole little brother big brother ship with Kendrick and

3258
02:16:34,920 --> 02:16:36,120
Speaker 3: Drake he is.

3259
02:16:36,520 --> 02:16:38,240
Speaker 2: Everybody else can get that smoke.

3260
02:16:38,040 --> 02:16:40,320
Speaker 1: Elliot, not call I feel like but Cole from you,

3261
02:16:40,320 --> 02:16:46,320
Speaker 1: you are way too to you think that Ja Cole

3262
02:16:46,360 --> 02:16:50,520
Speaker 1: could go after any rapper unless somebody that's his superior,

3263
02:16:50,520 --> 02:16:52,640
Speaker 1: If like a NOAs or jay Z shot at him,

3264
02:16:52,840 --> 02:16:55,360
Speaker 1: yes he could reply J Cole, And I'm not on

3265
02:16:55,400 --> 02:16:57,480
Speaker 1: the drastic side. Mall is of I don't even want

3266
02:16:57,480 --> 02:16:59,360
Speaker 1: to hear a Cole lyric when he's talking greasy, don't.

3267
02:16:59,400 --> 02:16:59,920
Speaker 2: I'm here for that.

3268
02:17:00,360 --> 02:17:01,760
Speaker 1: I can't wait for the fall off and if Cole

3269
02:17:01,800 --> 02:17:04,640
Speaker 1: wants to talk greasy on it whatever, he cannot go

3270
02:17:04,720 --> 02:17:06,920
Speaker 1: after another rapper ever for the rest of his life,

3271
02:17:07,400 --> 02:17:09,960
Speaker 1: unless it's somebody that is his elder saying he said

3272
02:17:10,000 --> 02:17:10,640
Speaker 1: something first.

3273
02:17:10,840 --> 02:17:13,039
Speaker 3: I don't think say he's willing to go after them.

3274
02:17:13,120 --> 02:17:17,920
Speaker 3: I trying to say he showed us he's not spot

3275
02:17:18,520 --> 02:17:21,640
Speaker 3: his mind, but who else would beef?

3276
02:17:21,680 --> 02:17:23,520
Speaker 1: That would look weird if he'd ever be with anyone

3277
02:17:23,560 --> 02:17:27,320
Speaker 1: else with or without this battle. Because I thought the

3278
02:17:27,360 --> 02:17:29,000
Speaker 1: No Name thing was a conversation.

3279
02:17:29,040 --> 02:17:31,120
Speaker 2: I don't think that was lost.

3280
02:17:31,520 --> 02:17:37,280
Speaker 1: I think the little Pump thing he lost name. Don't

3281
02:17:37,320 --> 02:17:39,680
Speaker 1: do that first of all, because no Name is he incredible,

3282
02:17:39,720 --> 02:17:42,920
Speaker 1: No Name is one of the better lyricists, but this era,

3283
02:17:43,640 --> 02:17:45,800
Speaker 1: and they pieced it up and said there wasn't even.

3284
02:17:45,920 --> 02:17:50,000
Speaker 2: He lost lost about it. I think he.

3285
02:17:50,879 --> 02:17:55,800
Speaker 1: I think he brought up some points that lost during

3286
02:17:55,840 --> 02:17:57,800
Speaker 1: that time, but it was such a heightened time on

3287
02:17:57,840 --> 02:17:58,480
Speaker 1: the timeline.

3288
02:17:58,920 --> 02:18:00,880
Speaker 2: No matter what.

3289
02:18:00,280 --> 02:18:02,440
Speaker 1: A man said to a woman, it was going to

3290
02:18:02,480 --> 02:18:05,560
Speaker 1: be taken to a whole other le. So I give

3291
02:18:05,600 --> 02:18:07,480
Speaker 1: Cold some grace on that only because No Name gave

3292
02:18:07,520 --> 02:18:09,720
Speaker 1: him grace on it, and they've spoken in cool. I

3293
02:18:09,720 --> 02:18:12,600
Speaker 1: think the little Pump thing was not a battle. I

3294
02:18:12,600 --> 02:18:15,680
Speaker 1: think he just put that generation in their place, like

3295
02:18:16,879 --> 02:18:17,879
Speaker 1: y'all need to relax.

3296
02:18:17,840 --> 02:18:18,400
Speaker 3: Understand that.

3297
02:18:20,640 --> 02:18:23,560
Speaker 2: Bat. I think that perfect people.

3298
02:18:25,480 --> 02:18:27,800
Speaker 1: Absolutely, that was let me sit down and tell you

3299
02:18:27,840 --> 02:18:29,960
Speaker 1: about this game and look where it got him now.

3300
02:18:30,240 --> 02:18:33,959
Speaker 1: So Cole was correct there. Who else would Cold battle

3301
02:18:34,000 --> 02:18:37,240
Speaker 1: besides Kendrick and Drake who would be on his level

3302
02:18:38,040 --> 02:18:39,160
Speaker 1: and without it looking.

3303
02:18:39,240 --> 02:18:40,640
Speaker 2: That's why I was mad that he did what he

3304
02:18:40,680 --> 02:18:42,480
Speaker 2: did because we finally had the moment.

3305
02:18:44,760 --> 02:18:45,400
Speaker 3: But you know why.

3306
02:18:45,520 --> 02:18:47,760
Speaker 2: But you know why because if you go battle, but

3307
02:18:47,760 --> 02:18:49,400
Speaker 2: if you go back to the if you go back

3308
02:18:49,400 --> 02:18:51,480
Speaker 2: to the game, if you go back to the beginning.

3309
02:18:52,000 --> 02:18:54,400
Speaker 2: I said, I don't I don't care if Drake responded that,

3310
02:18:54,840 --> 02:18:57,480
Speaker 2: I want to hear Cole because we never saw Cold

3311
02:18:57,480 --> 02:18:59,560
Speaker 2: in that type of a battle, So I was more

3312
02:18:59,560 --> 02:19:03,280
Speaker 2: interested him his performance because he's one of the MC.

3313
02:19:03,440 --> 02:19:07,440
Speaker 3: You felt was like half hearted the record. I felt

3314
02:19:07,480 --> 02:19:10,600
Speaker 3: it was. I felt like it was the second part

3315
02:19:10,600 --> 02:19:12,960
Speaker 3: of the record conductor. That beat was so dope, but

3316
02:19:13,000 --> 02:19:15,040
Speaker 3: it still was like he wasn't fully I'm not gonna

3317
02:19:15,040 --> 02:19:17,040
Speaker 3: say it was half hearted, but I do remember saying,

3318
02:19:17,520 --> 02:19:21,959
Speaker 3: I feel like this is his Kendrick, Yo, chill, you

3319
02:19:21,959 --> 02:19:23,320
Speaker 3: don't want this problem. Yeah.

3320
02:19:23,360 --> 02:19:25,360
Speaker 2: Yeah, I didn't feel like it was. I didn't feel

3321
02:19:25,360 --> 02:19:27,240
Speaker 2: like he was going to delete and apologize, but I

3322
02:19:27,240 --> 02:19:29,120
Speaker 2: did feel like it was more. I felt like, yoa,

3323
02:19:29,440 --> 02:19:32,600
Speaker 2: he got more, he got more steam coming after this.

3324
02:19:32,720 --> 02:19:34,360
Speaker 2: But this is the like, Yo, Kendricks, are you sure

3325
02:19:34,360 --> 02:19:36,240
Speaker 2: you want to do that? That's what I felt like

3326
02:19:36,240 --> 02:19:36,600
Speaker 2: that was.

3327
02:19:37,000 --> 02:19:39,920
Speaker 1: I think it was the strategy that Drake thought he

3328
02:19:40,000 --> 02:19:42,400
Speaker 1: was going into the twenty v one. This is my strategy.

3329
02:19:42,440 --> 02:19:45,120
Speaker 1: I think I'm above everybody. I'll go at all twenty

3330
02:19:45,160 --> 02:19:46,600
Speaker 1: of you because you're coming at me. I think Cole

3331
02:19:46,760 --> 02:19:50,160
Speaker 1: was here's an EP, I'm focused on my music. Here's

3332
02:19:50,200 --> 02:19:52,360
Speaker 1: six amazing records that have nothing to do with you.

3333
02:19:52,879 --> 02:19:56,800
Speaker 1: At the end, I'll check the temperature. But my music

3334
02:19:56,920 --> 02:19:59,240
Speaker 1: is so much more important than my battle with you

3335
02:19:59,560 --> 02:20:00,199
Speaker 1: at the time.

3336
02:20:00,000 --> 02:20:01,560
Speaker 2: Time was a perfect strategy.

3337
02:20:01,760 --> 02:20:03,880
Speaker 1: I just gave you six incredible fucking joints, and I'm

3338
02:20:03,879 --> 02:20:05,240
Speaker 1: talking about to fall off. You want to do you

3339
02:20:05,240 --> 02:20:07,560
Speaker 1: a little like that one trick pony shit. Cole set

3340
02:20:07,600 --> 02:20:10,840
Speaker 1: it up perfectly, drastically changed within forty eight hours.

3341
02:20:10,840 --> 02:20:13,720
Speaker 2: But I think Cole had the best setup.

3342
02:20:13,760 --> 02:20:16,720
Speaker 1: The way Drake thought he was devaluing Kendrick by saying,

3343
02:20:16,920 --> 02:20:18,680
Speaker 1: it's twenty it takes twenty y'all to come near me.

3344
02:20:19,080 --> 02:20:21,640
Speaker 1: Cole was going the I'm focused on my album right now.

3345
02:20:21,680 --> 02:20:24,039
Speaker 1: If you want to shoot real quick, all right, whatever,

3346
02:20:24,160 --> 02:20:26,720
Speaker 1: I'll add that to my already EP that's coming out.

3347
02:20:27,360 --> 02:20:29,560
Speaker 1: It just went the other way, but I wouldn't I

3348
02:20:29,600 --> 02:20:31,960
Speaker 1: get why someone would discredit my delete later, I still

3349
02:20:31,959 --> 02:20:33,440
Speaker 1: have it high on my list because of all the.

3350
02:20:33,360 --> 02:20:36,320
Speaker 2: Other one of my favorite projects. He was going nuts

3351
02:20:36,360 --> 02:20:38,480
Speaker 2: on that. Yeah, but you was in North Carolina when

3352
02:20:38,560 --> 02:20:41,440
Speaker 2: came out. Oh, you would have known if I was

3353
02:20:41,440 --> 02:20:46,840
Speaker 2: that dream Ville, when I would have been on somebody's blood,

3354
02:20:47,360 --> 02:20:50,160
Speaker 2: I would have been going fucking crazy getting North Carolina.

3355
02:20:49,800 --> 02:20:52,200
Speaker 3: Like, are you kidding? I flew down there for this

3356
02:20:52,320 --> 02:20:55,720
Speaker 3: shit I can't hit because I thought it was with

3357
02:20:55,720 --> 02:20:58,640
Speaker 3: the record before on stage kid Mad City Pop laster

3358
02:20:58,760 --> 02:21:02,480
Speaker 3: than Door slide You keep but why do you keep quote?

3359
02:21:02,480 --> 02:21:04,440
Speaker 2: Because you're in quoting that boss that you walked in here?

3360
02:21:05,120 --> 02:21:09,080
Speaker 2: Why he tweets it like all the no I feel

3361
02:21:09,080 --> 02:21:09,800
Speaker 2: like you, I feel like you.

3362
02:21:10,240 --> 02:21:13,240
Speaker 3: I feel like that's like an underhanded like no you.

3363
02:21:13,480 --> 02:21:17,400
Speaker 2: He showed out this year m v P type run.

3364
02:21:17,840 --> 02:21:19,760
Speaker 1: I knew, I knew we were going to get on this,

3365
02:21:19,760 --> 02:21:21,800
Speaker 1: this drinking cold tangent. I'm gonna get us off and

3366
02:21:21,800 --> 02:21:23,199
Speaker 1: go back to the original conversation.

3367
02:21:23,640 --> 02:21:26,920
Speaker 3: Where's beat one number two?

3368
02:21:27,080 --> 02:21:28,000
Speaker 2: Slide number two?

3369
02:21:29,080 --> 02:21:31,160
Speaker 1: I'm gonna challenge you to say that artists are still

3370
02:21:31,160 --> 02:21:33,440
Speaker 1: doing sit down interviews because little baby, who we would

3371
02:21:33,440 --> 02:21:36,280
Speaker 1: consider in the hip hop world. Probably artist sat down

3372
02:21:36,320 --> 02:21:38,000
Speaker 1: with Charlemagne and God and didn't one on one interview.

3373
02:21:38,000 --> 02:21:43,080
Speaker 2: It's still I saw he deleted delete later. Yeah, that

3374
02:21:43,720 --> 02:21:44,200
Speaker 2: seven is.

3375
02:21:44,520 --> 02:21:46,520
Speaker 3: I think shut that ship down. As far as I

3376
02:21:46,560 --> 02:21:47,480
Speaker 3: know who.

3377
02:21:47,400 --> 02:21:51,920
Speaker 2: Shut it down. Charlemagne deleted it. You see.

3378
02:21:52,120 --> 02:21:57,920
Speaker 1: Yeah, why can we speculate with no information whatsoever? I

3379
02:21:57,920 --> 02:22:02,920
Speaker 1: meant this so Charlamagne, who I give credit, asked the

3380
02:22:03,000 --> 02:22:04,959
Speaker 1: questions that the world wanted to know from a little baby.

3381
02:22:05,000 --> 02:22:05,960
Speaker 2: That's why I got shut it down?

3382
02:22:07,720 --> 02:22:10,840
Speaker 1: But how could how could Key QC I didn't even

3383
02:22:10,840 --> 02:22:12,119
Speaker 1: know coaching?

3384
02:22:12,160 --> 02:22:15,199
Speaker 3: P Right shut down Right Coaching.

3385
02:22:14,800 --> 02:22:16,720
Speaker 1: Are some of the best minds that we have period

3386
02:22:16,879 --> 02:22:17,800
Speaker 1: in modern hip hop.

3387
02:22:17,840 --> 02:22:19,840
Speaker 2: For sure, Shot he shut that down.

3388
02:22:20,000 --> 02:22:21,840
Speaker 1: They are well aware of what is going to be

3389
02:22:21,879 --> 02:22:24,800
Speaker 1: asked of baby. And even though we get PC Charlemagne

3390
02:22:24,840 --> 02:22:27,400
Speaker 1: now and he's changed his life, he's still no matter

3391
02:22:27,440 --> 02:22:30,000
Speaker 1: what Charlamage the God is gonna ask about Gunna.

3392
02:22:29,800 --> 02:22:30,400
Speaker 2: And young Thug.

3393
02:22:30,560 --> 02:22:31,959
Speaker 1: Yeah, but why do you feel like why would you

3394
02:22:32,000 --> 02:22:35,199
Speaker 1: go into an interview and then be mad that someone

3395
02:22:35,240 --> 02:22:35,920
Speaker 1: asked a question?

3396
02:22:36,040 --> 02:22:38,879
Speaker 2: But there say listen, don't ask none of this like

3397
02:22:38,920 --> 02:22:39,760
Speaker 2: they would have did that.

3398
02:22:39,879 --> 02:22:43,360
Speaker 3: No, that's the problem. That's why I'm mad. It's like yo,

3399
02:22:43,640 --> 02:22:46,879
Speaker 3: like we have to have conversations for real, Like you're.

3400
02:22:46,800 --> 02:22:49,440
Speaker 2: Right, and I think, and we put it out.

3401
02:22:49,480 --> 02:22:50,800
Speaker 3: But then it was like all said that you went

3402
02:22:50,840 --> 02:22:53,119
Speaker 3: privately on YouTube, Like wait, why is it privately on YouTube?

3403
02:22:54,320 --> 02:22:55,080
Speaker 2: He shut it down?

3404
02:22:55,360 --> 02:22:57,280
Speaker 1: Okay, do we think QC shut it down or do

3405
02:22:57,360 --> 02:22:59,640
Speaker 1: we think I think you said that may have a

3406
02:22:59,640 --> 02:23:01,480
Speaker 1: better ship with Gunner than we actually think and he

3407
02:23:01,520 --> 02:23:02,039
Speaker 1: shut it down.

3408
02:23:03,560 --> 02:23:07,320
Speaker 3: Either way, he got shut down. So we're our interviews. Man,

3409
02:23:07,480 --> 02:23:07,920
Speaker 3: that's just.

3410
02:23:08,000 --> 02:23:09,680
Speaker 2: You know, some information right now. I'm not letting you

3411
02:23:09,680 --> 02:23:11,879
Speaker 2: off the hook. What no, I think I shut down.

3412
02:23:11,879 --> 02:23:12,240
Speaker 1: I saw it.

3413
02:23:12,280 --> 02:23:15,240
Speaker 3: I got shut down. I was like, yo, Matt gotta

3414
02:23:15,360 --> 02:23:20,040
Speaker 3: like yo, I see it shut down, shut down. Nobody, nobody,

3415
02:23:20,120 --> 02:23:22,039
Speaker 3: but nobody was it's a light. I was like, yo,

3416
02:23:22,120 --> 02:23:22,840
Speaker 3: it's shut down.

3417
02:23:24,160 --> 02:23:24,800
Speaker 2: That knows.

3418
02:23:25,400 --> 02:23:28,360
Speaker 1: And that's also because I came in here and gave

3419
02:23:28,400 --> 02:23:30,640
Speaker 1: Charlemage's flowers on it. He asked the right questions. But

3420
02:23:30,760 --> 02:23:33,000
Speaker 1: it was only that clip, two clips that went around.

3421
02:23:33,280 --> 02:23:36,560
Speaker 1: He felt like yeah, because I don't think. I mean,

3422
02:23:36,600 --> 02:23:38,680
Speaker 1: baby's proven for most of his career.

3423
02:23:39,640 --> 02:23:42,440
Speaker 3: Because YACHTI is like the home team and someboy, so

3424
02:23:42,480 --> 02:23:46,080
Speaker 3: he has a Yachta interview Okay, that's cool. Is much

3425
02:23:46,080 --> 02:23:48,840
Speaker 3: better than yeah exactly. So the YadA was like, Yo,

3426
02:23:48,879 --> 02:23:52,320
Speaker 3: that's cool. The vibes of that cool, but talking to

3427
02:23:52,400 --> 02:23:56,360
Speaker 3: him and like woo, only the reaction to that like nah.

3428
02:23:56,800 --> 02:23:59,320
Speaker 2: But you see the comfortability level in little baby sitting

3429
02:23:59,360 --> 02:24:01,879
Speaker 2: with Charlemagnere, you're sitting with Yachti exactly. He seemed more

3430
02:24:01,879 --> 02:24:05,600
Speaker 2: comfortable with Ya, seemed more willing to talk about certain things.

3431
02:24:05,240 --> 02:24:07,560
Speaker 3: Always my goal, I want to make somebody feel comfortable

3432
02:24:07,600 --> 02:24:10,640
Speaker 3: to have a conversation. That's the whole point, right, It's important,

3433
02:24:11,040 --> 02:24:14,760
Speaker 3: But it's lost now because it's like Yo, everybody's the

3434
02:24:14,800 --> 02:24:18,080
Speaker 3: ops and ship like Yo, can't talk to somebody there

3435
02:24:18,160 --> 02:24:21,000
Speaker 3: the ops like wait what yeah?

3436
02:24:21,160 --> 02:24:24,760
Speaker 1: But also, you guys, as journalists in the past had

3437
02:24:24,800 --> 02:24:26,160
Speaker 1: it a bit safer that you had to put out

3438
02:24:26,200 --> 02:24:29,800
Speaker 1: a few articles per month. We have to talk every

3439
02:24:29,800 --> 02:24:32,800
Speaker 1: single day and have opinions every single day. It's set

3440
02:24:32,879 --> 02:24:35,520
Speaker 1: up for us to eventually say something that isn't gonna

3441
02:24:35,560 --> 02:24:39,240
Speaker 1: like exactly journalism coming out once a month. You could

3442
02:24:39,240 --> 02:24:41,959
Speaker 1: focus Yo, my piece this this week is just on

3443
02:24:42,040 --> 02:24:44,879
Speaker 1: t I just gonna focus on that. You don't have

3444
02:24:44,920 --> 02:24:46,600
Speaker 1: to have an opinion for every last fucking thing that

3445
02:24:46,640 --> 02:24:50,840
Speaker 1: happens with every artist's life. So it's set up for

3446
02:24:50,879 --> 02:24:52,440
Speaker 1: the artists to be pissed at us and they live

3447
02:24:52,480 --> 02:24:59,480
Speaker 1: on the internet, whereas crazy like boom the amount of

3448
02:24:59,520 --> 02:25:04,720
Speaker 1: artists that for five, six, seven years and I'll say

3449
02:25:04,760 --> 02:25:07,080
Speaker 1: one small little content that's the first thing that they

3450
02:25:07,120 --> 02:25:09,440
Speaker 1: d M me or or come up to me, and

3451
02:25:09,440 --> 02:25:12,440
Speaker 1: I'm like, you know how much I've supported your fucking trip?

3452
02:25:14,360 --> 02:25:17,000
Speaker 2: This year for me was nothing but that. I'm like,

3453
02:25:17,200 --> 02:25:22,920
Speaker 2: big mall, I didn't like one, like one recognition and

3454
02:25:22,959 --> 02:25:25,000
Speaker 2: I turned it to the biggest hater. I'm like, because

3455
02:25:25,000 --> 02:25:28,520
Speaker 2: I didn't like one song. Yeah, like that's just stupid. Yeah,

3456
02:25:29,120 --> 02:25:31,640
Speaker 2: you pot of the shoulder up on us this year. Nah, man,

3457
02:25:31,640 --> 02:25:34,200
Speaker 2: I just listen, man, I'm just trying. I'm just trying

3458
02:25:34,240 --> 02:25:36,920
Speaker 2: to figure I'm just trying to figure out what the

3459
02:25:36,920 --> 02:25:40,760
Speaker 2: fuck is going on. That's a man, you know. I'm

3460
02:25:40,760 --> 02:25:42,480
Speaker 2: just I'm just trying to figure sit out. That's it,

3461
02:25:42,760 --> 02:25:44,240
Speaker 2: all right, Rory. So it's the end of the year,

3462
02:25:44,920 --> 02:25:48,040
Speaker 2: which means we are down to our last top ten

3463
02:25:48,120 --> 02:25:50,360
Speaker 2: get up anthems. Yes, and what do you know it?

3464
02:25:50,360 --> 02:25:52,400
Speaker 2: Today we have West Coast Wilson with a perfect time,

3465
02:25:53,000 --> 02:25:56,040
Speaker 2: perfect time for this way. So today we're getting into

3466
02:25:56,040 --> 02:25:58,240
Speaker 2: the get Up Anthem Top ten get Up anthems from

3467
02:25:58,400 --> 02:26:01,480
Speaker 2: L a billboard and threats I see on this Tequila

3468
02:26:01,720 --> 02:26:05,120
Speaker 2: have teamed up with LA's own D Smoke, who we

3469
02:26:05,200 --> 02:26:07,840
Speaker 2: are huge fans of, and the Game also, who we

3470
02:26:07,840 --> 02:26:09,879
Speaker 2: are huge fans of, to bring us the top ten

3471
02:26:09,959 --> 02:26:12,879
Speaker 2: get up Anthems from LA. This This is a you

3472
02:26:12,879 --> 02:26:15,120
Speaker 2: know a list of some of the songs that get

3473
02:26:15,160 --> 02:26:17,640
Speaker 2: the clubs and that certain cities shaken.

3474
02:26:17,400 --> 02:26:20,039
Speaker 3: And get their crowd. So we're going to go through

3475
02:26:20,040 --> 02:26:23,120
Speaker 3: the list. Hopefully Game and D Smoke did not disappoint.

3476
02:26:23,280 --> 02:26:27,920
Speaker 1: We did Atlanta so far, We've done Chicago, we did

3477
02:26:27,959 --> 02:26:31,840
Speaker 1: Miami as well. Yep, La, I'm curious. LA probably had

3478
02:26:32,040 --> 02:26:33,879
Speaker 1: the greatest year I've seen in quite some time. Even

3479
02:26:33,920 --> 02:26:37,840
Speaker 1: their soccer team won. I saw the LA Galaxy win

3480
02:26:37,920 --> 02:26:39,640
Speaker 1: last week. I was like, Yo, can can LA stop

3481
02:26:40,000 --> 02:26:40,720
Speaker 1: winning everything?

3482
02:26:41,160 --> 02:26:44,120
Speaker 2: Damn man soccer too? Well, I can promise the Lakers

3483
02:26:44,120 --> 02:26:47,440
Speaker 2: won't be winning. Yes, the Lakers will not be winning shit.

3484
02:26:48,360 --> 02:26:50,640
Speaker 1: So yes, twenty twenty four was good to the West Coast.

3485
02:26:51,400 --> 02:26:53,120
Speaker 1: So let's start at number one.

3486
02:26:53,879 --> 02:26:54,720
Speaker 2: It was a good day.

3487
02:26:54,840 --> 02:26:57,560
Speaker 1: Ice Cube can't really argue that I kind of.

3488
02:26:57,680 --> 02:26:59,080
Speaker 2: I feel them. You want to go from one to

3489
02:26:59,080 --> 02:27:00,039
Speaker 2: ten or ten to one.

3490
02:27:00,080 --> 02:27:00,680
Speaker 1: Go ten to one?

3491
02:27:00,840 --> 02:27:03,720
Speaker 2: All right, yeah we start there, Okay, I.

3492
02:27:03,680 --> 02:27:05,840
Speaker 1: Just want to get mama a good day out. No hog,

3493
02:27:07,280 --> 02:27:08,520
Speaker 1: do we think he got a triple double?

3494
02:27:08,600 --> 02:27:13,080
Speaker 3: Is what I'm asking? Who kept thats a right? Like?

3495
02:27:13,120 --> 02:27:13,800
Speaker 2: Who was like that?

3496
02:27:14,240 --> 02:27:15,240
Speaker 3: Diamonds for ice Cube?

3497
02:27:16,400 --> 02:27:18,119
Speaker 1: Who was yelling at And you know what's crazy when

3498
02:27:18,120 --> 02:27:20,320
Speaker 1: we saw a shout out to ice cube son. He's

3499
02:27:20,320 --> 02:27:23,720
Speaker 1: been on tour with CBE and of course Cube performs

3500
02:27:23,760 --> 02:27:25,240
Speaker 1: it was a good day and his son is his

3501
02:27:25,320 --> 02:27:27,600
Speaker 1: hype man and finishes the lyrics or whatever. That's got

3502
02:27:27,600 --> 02:27:29,360
Speaker 1: to be a little awkward when it gets to I

3503
02:27:29,360 --> 02:27:30,400
Speaker 1: gotta beat from Kim.

3504
02:27:30,280 --> 02:27:31,360
Speaker 2: And she could fuck all night.

3505
02:27:32,480 --> 02:27:34,560
Speaker 3: Ah awkward.

3506
02:27:34,760 --> 02:27:35,760
Speaker 1: I'm not with my pops.

3507
02:27:36,080 --> 02:27:38,840
Speaker 2: It's I'm not finishing the sentence.

3508
02:27:39,280 --> 02:27:41,080
Speaker 1: You gotta beat from Kathy and she could fuck all night.

3509
02:27:41,080 --> 02:27:43,680
Speaker 1: I'm not finishing a right, Let's start at number ten.

3510
02:27:43,800 --> 02:27:44,600
Speaker 1: We can start at ten.

3511
02:27:44,920 --> 02:27:48,440
Speaker 2: So number ten you have uh BP.

3512
02:27:50,360 --> 02:27:54,280
Speaker 1: Okay, I wouldn't have thought that would make this list,

3513
02:27:54,360 --> 02:27:55,760
Speaker 1: But I'm not mad at that at all, because I

3514
02:27:55,760 --> 02:27:58,520
Speaker 1: think My Crazy Life is a classic West Coast album.

3515
02:27:58,640 --> 02:28:01,960
Speaker 1: Yeapt On had some modern classic to me, So I'm

3516
02:28:01,959 --> 02:28:02,600
Speaker 1: not mad at that.

3517
02:28:02,720 --> 02:28:04,000
Speaker 2: Did not expect.

3518
02:28:04,040 --> 02:28:06,240
Speaker 1: BBT to be on this list whatsoever? What the West

3519
02:28:06,240 --> 02:28:06,600
Speaker 1: Coast had?

3520
02:28:07,080 --> 02:28:07,440
Speaker 4: I like it.

3521
02:28:07,480 --> 02:28:10,360
Speaker 2: I agree a lot. Number nine I expected to be

3522
02:28:10,480 --> 02:28:13,039
Speaker 2: a little higher, but that's just my age talking regulate

3523
02:28:13,080 --> 02:28:14,320
Speaker 2: Warren g feature in Nate Dogs.

3524
02:28:14,440 --> 02:28:15,600
Speaker 1: That's a little weird at nine.

3525
02:28:15,760 --> 02:28:17,760
Speaker 2: That's I expected that to be a little a little

3526
02:28:17,840 --> 02:28:19,720
Speaker 2: higher than that. Number eight.

3527
02:28:20,120 --> 02:28:24,400
Speaker 1: We can freak it corrupt, uh, I am not a

3528
02:28:24,440 --> 02:28:27,000
Speaker 1: resident of the West Coast, but we have to go

3529
02:28:27,040 --> 02:28:30,760
Speaker 1: to our judges. Should he be on the get up

3530
02:28:30,760 --> 02:28:34,279
Speaker 1: Philly anthems or the lay reason.

3531
02:28:34,120 --> 02:28:37,360
Speaker 3: Of world West Coast Bob though gotta gotta no corrupt

3532
02:28:37,440 --> 02:28:39,880
Speaker 3: is that's I mean, I get it, but that's West Coast.

3533
02:28:40,120 --> 02:28:42,560
Speaker 1: I'm not mad at that. I'm glad corrupt was represented.

3534
02:28:42,200 --> 02:28:45,160
Speaker 3: On Philly Brad, but he adapted absolutely.

3535
02:28:45,360 --> 02:28:47,560
Speaker 2: Number seven I expected to be a lot higher as well,

3536
02:28:47,720 --> 02:28:50,440
Speaker 2: saying nothing but a g thing doctor dre features you

3537
02:28:50,520 --> 02:28:50,720
Speaker 2: know the.

3538
02:28:50,760 --> 02:28:52,879
Speaker 3: Number seven number one for.

3539
02:28:52,879 --> 02:28:55,200
Speaker 2: Me, that definitely could have been number one.

3540
02:28:55,800 --> 02:28:58,119
Speaker 1: Number six last time that I checked, Nipsey Hustle yg,

3541
02:28:58,240 --> 02:29:01,240
Speaker 1: I think that belongs to from modern West Coast shit.

3542
02:29:01,600 --> 02:29:03,760
Speaker 1: Number five, I think belongs here, not like us Kendrick

3543
02:29:03,840 --> 02:29:06,360
Speaker 1: Lamar for top five get up anthems for sure.

3544
02:29:06,879 --> 02:29:07,920
Speaker 2: Number four still Dre.

3545
02:29:09,320 --> 02:29:12,680
Speaker 1: I think that more of my era, But I still

3546
02:29:12,720 --> 02:29:14,520
Speaker 1: think that's crazier that that's over nothing but a g

3547
02:29:14,680 --> 02:29:17,640
Speaker 1: thing one of my favorite beats ever, but that's still

3548
02:29:17,640 --> 02:29:19,879
Speaker 1: wild to me. Then from here on that, I think

3549
02:29:19,879 --> 02:29:23,920
Speaker 1: it's just all Doctor Dre, California, Tupac and Doctor Dre,

3550
02:29:24,080 --> 02:29:26,119
Speaker 1: Number two, Gin and Juice Snoop Dogg, and then at

3551
02:29:26,240 --> 02:29:27,039
Speaker 1: number one we.

3552
02:29:27,200 --> 02:29:29,640
Speaker 3: Have it was a good Day ice Q.

3553
02:29:31,600 --> 02:29:34,039
Speaker 1: I feel like they I see what they tried to do.

3554
02:29:34,080 --> 02:29:38,680
Speaker 1: They tried to include nifty and YG, which I get

3555
02:29:38,680 --> 02:29:41,400
Speaker 1: they should be there, but there's a huge gap. And

3556
02:29:41,440 --> 02:29:44,840
Speaker 1: maybe this was the first time game was humble. I

3557
02:29:44,879 --> 02:29:47,240
Speaker 1: think hated or love it could be up here for sure.

3558
02:29:48,840 --> 02:29:50,840
Speaker 1: I think what we do could be up here. There's

3559
02:29:50,920 --> 02:29:53,080
Speaker 1: a bunch of game records that I feel could be

3560
02:29:53,200 --> 02:29:55,520
Speaker 1: on this list, and even Killer Mike put himself on

3561
02:29:55,560 --> 02:29:58,160
Speaker 1: the Atlanta list. A lot of this I feel like

3562
02:29:58,400 --> 02:30:02,080
Speaker 1: pulls from almost the same era, or they spread it

3563
02:30:02,120 --> 02:30:04,640
Speaker 1: out with as many Doctor Dre produced songs as they

3564
02:30:04,640 --> 02:30:06,039
Speaker 1: fucking could.

3565
02:30:06,080 --> 02:30:06,520
Speaker 3: I don't know.

3566
02:30:06,560 --> 02:30:08,280
Speaker 2: I don't know if it was a good day. It's

3567
02:30:08,440 --> 02:30:14,000
Speaker 2: number one though, but not over g thing. Yeah, but

3568
02:30:14,959 --> 02:30:16,400
Speaker 2: it was a good day. It's definitely on the top

3569
02:30:16,440 --> 02:30:18,320
Speaker 2: ten l A.

3570
02:30:19,920 --> 02:30:21,800
Speaker 1: I mean, I know they didn't want to make this

3571
02:30:21,879 --> 02:30:25,160
Speaker 1: a complete doctor Dre list, but how the fuck is

3572
02:30:25,680 --> 02:30:27,760
Speaker 1: fuck the police or straight out of comptent not on

3573
02:30:27,840 --> 02:30:29,640
Speaker 1: a top ten l A list.

3574
02:30:29,720 --> 02:30:31,480
Speaker 2: That's not saying that's a different anthem. That's not a

3575
02:30:31,480 --> 02:30:32,320
Speaker 2: get up mother.

3576
02:30:33,840 --> 02:30:38,080
Speaker 1: You don't think it was a get up anthem and

3577
02:30:38,560 --> 02:30:39,240
Speaker 1: get up and get out.

3578
02:30:40,360 --> 02:30:41,880
Speaker 3: It was a get out So it's time to get

3579
02:30:42,000 --> 02:30:45,840
Speaker 3: out of here. It's time to get out of here.

3580
02:30:46,160 --> 02:30:48,720
Speaker 2: Absolutely, get up and get out, Get up and get out.

3581
02:30:49,800 --> 02:30:51,960
Speaker 1: I'm just looking through other lists to DJ Quick isn't

3582
02:30:52,000 --> 02:30:55,360
Speaker 1: on there, which I think is a little crazy. I'm

3583
02:30:55,360 --> 02:30:58,000
Speaker 1: a nerd, so I think far side running or passing

3584
02:30:58,000 --> 02:30:58,680
Speaker 1: me by?

3585
02:30:58,959 --> 02:31:02,200
Speaker 3: Yeah, for sure, years up bad. That's not LA though.

3586
02:31:03,040 --> 02:31:04,760
Speaker 2: They from the bay right so far side from the bay.

3587
02:31:04,959 --> 02:31:06,400
Speaker 3: Yeah, that's bay, I think.

3588
02:31:06,959 --> 02:31:10,560
Speaker 1: Okay, well not like us as a bay sound, so

3589
02:31:11,879 --> 02:31:14,959
Speaker 1: it's points have it made Philly, I don't just feel

3590
02:31:14,959 --> 02:31:16,520
Speaker 1: like the Eric l A.

3591
02:31:16,600 --> 02:31:18,760
Speaker 2: Or by the bay too.

3592
02:31:18,800 --> 02:31:23,600
Speaker 3: Yeah, I think they might be in the bay.

3593
02:31:22,000 --> 02:31:24,800
Speaker 1: No Cypress Hill. I think it's kind of crazy. That's

3594
02:31:24,800 --> 02:31:28,400
Speaker 1: still l a man. That's get up anthem ships.

3595
02:31:27,959 --> 02:31:28,640
Speaker 3: Definitely get a band.

3596
02:31:28,959 --> 02:31:31,400
Speaker 2: They play that at every fucking basketball game when they

3597
02:31:31,440 --> 02:31:32,840
Speaker 2: have the towels, when they throw the t shirts in

3598
02:31:32,879 --> 02:31:33,320
Speaker 2: the stands.

3599
02:31:33,840 --> 02:31:37,440
Speaker 3: Man, it's always house of how do we killing man?

3600
02:31:37,920 --> 02:31:39,200
Speaker 3: When they're doing the towels.

3601
02:31:40,640 --> 02:31:42,840
Speaker 1: This showed my nervous that Above the Law definitely has

3602
02:31:42,879 --> 02:31:44,200
Speaker 1: some joints that con Superman.

3603
02:31:44,480 --> 02:31:44,960
Speaker 2: For sure.

3604
02:31:45,560 --> 02:31:49,240
Speaker 4: It's only ten, Like I know, I feel like in

3605
02:31:49,280 --> 02:31:51,920
Speaker 4: the seventeen he on number twenty three right now.

3606
02:31:53,680 --> 02:31:57,000
Speaker 1: Okay, we yes, this is probably accurate as far as

3607
02:31:57,040 --> 02:31:59,640
Speaker 1: the real top ten. But with the other cities like

3608
02:31:59,680 --> 02:32:02,520
Speaker 1: the Myami one for example. I love that they put

3609
02:32:02,720 --> 02:32:07,040
Speaker 1: they represented every sound an era of Miami in their list.

3610
02:32:07,400 --> 02:32:11,160
Speaker 1: This to me is is one one era plus not

3611
02:32:11,280 --> 02:32:13,560
Speaker 1: like us. And last time that I checked, mm hmm,

3612
02:32:14,520 --> 02:32:17,400
Speaker 1: it's Mustard and Dre, which is cool. But I think

3613
02:32:17,440 --> 02:32:19,320
Speaker 1: there's more West Coast ship in there.

3614
02:32:19,560 --> 02:32:22,960
Speaker 3: I mean the list can go curate it a little more.

3615
02:32:23,560 --> 02:32:25,480
Speaker 1: I think half the documentary can make this list.

3616
02:32:25,640 --> 02:32:27,920
Speaker 2: Yeah no, I mean I definitely feel like a game

3617
02:32:28,000 --> 02:32:30,039
Speaker 2: record should be on here for sure, But you know,

3618
02:32:30,200 --> 02:32:32,400
Speaker 2: game is being humble and just you know, paying respect

3619
02:32:32,480 --> 02:32:34,720
Speaker 2: to to the guys that he was. Why is the

3620
02:32:34,760 --> 02:32:36,600
Speaker 2: Game like the most underrated of that ship.

3621
02:32:36,720 --> 02:32:39,400
Speaker 1: It's crazy, right, I think Game has Game is probably

3622
02:32:39,400 --> 02:32:41,720
Speaker 1: one of the best rap desographies ever.

3623
02:32:41,959 --> 02:32:44,320
Speaker 3: But he's the most underrated in that era. It's crazy

3624
02:32:44,320 --> 02:32:46,480
Speaker 3: when you think about it, right, you think he's underrated.

3625
02:32:46,840 --> 02:32:48,240
Speaker 3: Absolute he knows he is.

3626
02:32:48,959 --> 02:32:52,080
Speaker 1: But he also didn't have like an era to stand with.

3627
02:32:52,280 --> 02:32:53,640
Speaker 1: It was just him and him.

3628
02:32:53,560 --> 02:32:58,480
Speaker 2: Alone, at least with he was the king before kendrick

3629
02:32:59,200 --> 02:32:59,720
Speaker 2: Y g was.

3630
02:32:59,640 --> 02:33:03,200
Speaker 1: Doing with Tie and Mustard and Trachio and TD. There

3631
02:33:03,240 --> 02:33:04,920
Speaker 1: was just so much going on in the West Coast

3632
02:33:04,959 --> 02:33:07,160
Speaker 1: at that time they could work to. It was just

3633
02:33:07,200 --> 02:33:12,240
Speaker 1: Game and Spider Lobe at that time, Spider no dispects

3634
02:33:12,360 --> 02:33:14,200
Speaker 1: to Spider log and it put out a lot of

3635
02:33:14,240 --> 02:33:16,080
Speaker 1: great jointsful world ship.

3636
02:33:16,080 --> 02:33:19,480
Speaker 2: It was the rolling sixties, uh tell Us to wrap

3637
02:33:19,480 --> 02:33:23,560
Speaker 2: it up was throwing up neighborhood neighborhood.

3638
02:33:23,480 --> 02:33:25,440
Speaker 1: And I'm gonna I'm only going to do this because

3639
02:33:25,720 --> 02:33:28,720
Speaker 1: you know, West Coast Wilson four or five is.

3640
02:33:28,680 --> 02:33:33,040
Speaker 2: In the building billboard. I've loved all these think you

3641
02:33:33,640 --> 02:33:33,920
Speaker 2: think you.

3642
02:33:34,000 --> 02:33:36,120
Speaker 1: Picked the best people to put these lists together for

3643
02:33:36,160 --> 02:33:39,200
Speaker 1: their city. I've appreciated this entire series. I think it's

3644
02:33:39,240 --> 02:33:41,040
Speaker 1: a little ironic that everyone's a little scared to do

3645
02:33:41,080 --> 02:33:42,880
Speaker 1: the New York LISTA.

3646
02:33:43,800 --> 02:33:44,360
Speaker 3: It's scared.

3647
02:33:45,760 --> 02:33:48,520
Speaker 1: I understand it's been a long time since we have been,

3648
02:33:49,200 --> 02:33:52,279
Speaker 1: you know, number one. But let's not forget about twenty

3649
02:33:52,280 --> 02:33:55,000
Speaker 1: five years. The New York List isn't going to be

3650
02:33:55,280 --> 02:33:57,720
Speaker 1: the same seven artists for one through.

3651
02:33:57,520 --> 02:33:59,720
Speaker 2: Ten, No at all, it's up.

3652
02:34:00,000 --> 02:34:01,760
Speaker 4: What would you can you think of like your first

3653
02:34:01,760 --> 02:34:02,680
Speaker 4: Top three New York.

3654
02:34:02,879 --> 02:34:07,520
Speaker 2: Shook Ones, Nigga Juicy, number one, Juicy. The juicy to

3655
02:34:07,560 --> 02:34:11,680
Speaker 2: me is the number one rap ones one one. I

3656
02:34:11,720 --> 02:34:13,920
Speaker 2: would never be mad, but shook Ones would be two.

3657
02:34:14,120 --> 02:34:17,880
Speaker 2: Depends on where I'm at. If if a lot of

3658
02:34:17,920 --> 02:34:19,480
Speaker 2: women in the room, we gotta go with Juice.

3659
02:34:20,800 --> 02:34:24,520
Speaker 1: In twenty twenty five, when the Aliens show themselves from

3660
02:34:24,560 --> 02:34:26,960
Speaker 1: the sea, land and air and they asked what is

3661
02:34:27,040 --> 02:34:30,160
Speaker 1: rap music? Even though they have Spotify accounts, shook Ones

3662
02:34:30,200 --> 02:34:31,080
Speaker 1: is playing them.

3663
02:34:31,800 --> 02:34:32,039
Speaker 4: I g.

3664
02:34:33,920 --> 02:34:37,800
Speaker 2: If the if the Aliens showed themselves in twenty five,

3665
02:34:38,040 --> 02:34:39,840
Speaker 2: the first alien that come up out of that water,

3666
02:34:40,200 --> 02:34:41,840
Speaker 2: I want the first thing that Nigga hit it to

3667
02:34:41,959 --> 02:34:44,400
Speaker 2: be to all the killers in one hundred dollars billis

3668
02:34:44,680 --> 02:34:45,320
Speaker 2: shook ones.

3669
02:34:46,320 --> 02:34:48,640
Speaker 3: They shook ones for New York City.

3670
02:34:48,600 --> 02:34:52,080
Speaker 2: Do you think those drums are scaling? They got lasers?

3671
02:34:52,600 --> 02:34:57,200
Speaker 2: Ship Ladyship two. Absolutely it's us.

3672
02:34:57,280 --> 02:34:59,200
Speaker 4: But get up. But do you think of shook up

3673
02:34:59,240 --> 02:35:00,240
Speaker 4: ones when you think up?

3674
02:35:00,280 --> 02:35:00,840
Speaker 2: Hell?

3675
02:35:00,959 --> 02:35:06,320
Speaker 3: Yeah, yes, you know, just like move right in the club.

3676
02:35:07,120 --> 02:35:13,480
Speaker 2: On Yes, that's not that. Look I'm thinking knock yourself out.

3677
02:35:13,600 --> 02:35:15,520
Speaker 4: Yeah, like get up, like the things that are going

3678
02:35:15,560 --> 02:35:17,880
Speaker 4: to get the women up, moving, the men up, moving

3679
02:35:18,040 --> 02:35:19,600
Speaker 4: like not just y'all wrapping mad.

3680
02:35:19,840 --> 02:35:20,640
Speaker 2: I think this is still.

3681
02:35:23,360 --> 02:35:26,000
Speaker 3: New York without the girl element like no disrespect, but

3682
02:35:26,080 --> 02:35:29,760
Speaker 3: something like Yo ship ones is like about New York.

3683
02:35:30,040 --> 02:35:31,680
Speaker 2: That's the anthem. That is the anthem.

3684
02:35:31,760 --> 02:35:34,000
Speaker 1: I mean, I'm kind of contradicting my point here because

3685
02:35:34,040 --> 02:35:37,160
Speaker 1: I think Top three could have juicy and all about Benjamin,

3686
02:35:37,520 --> 02:35:37,920
Speaker 1: all about the.

3687
02:35:37,879 --> 02:35:41,680
Speaker 3: Benjamin's too Benjamin, But that means the girls to the party.

3688
02:35:41,680 --> 02:35:44,240
Speaker 2: It's like Benjamin's Pop coming DMX.

3689
02:35:44,360 --> 02:35:47,680
Speaker 4: Party up definitely, Party Up is probably that didn't.

3690
02:35:47,400 --> 02:35:50,000
Speaker 1: Make like a top thirty.

3691
02:35:51,480 --> 02:35:52,160
Speaker 2: That's white people.

3692
02:35:52,240 --> 02:35:55,640
Speaker 4: That's that's not white people. We made it so popular that.

3693
02:35:57,600 --> 02:36:01,480
Speaker 2: No, that's c r L Pizza, nobody.

3694
02:36:05,520 --> 02:36:05,960
Speaker 3: What's song?

3695
02:36:08,879 --> 02:36:11,200
Speaker 1: And there was was when even though dm X had

3696
02:36:11,240 --> 02:36:15,840
Speaker 1: his year album and there was X was when white

3697
02:36:15,879 --> 02:36:19,920
Speaker 1: people really started to love. The first two rap albums

3698
02:36:19,959 --> 02:36:22,440
Speaker 1: that were given to me by my mom that I

3699
02:36:22,480 --> 02:36:25,000
Speaker 1: asked her by. It was Volume three and there was X.

3700
02:36:25,120 --> 02:36:29,119
Speaker 2: She's Young, and that was because you know the whites.

3701
02:36:30,520 --> 02:36:30,960
Speaker 3: Exactly.

3702
02:36:31,040 --> 02:36:33,480
Speaker 1: I liked party Up in Big Pimping, but the edited

3703
02:36:33,560 --> 02:36:35,080
Speaker 1: version I didn't even know what it was talking about

3704
02:36:35,080 --> 02:36:35,480
Speaker 1: on Big.

3705
02:36:35,320 --> 02:36:35,760
Speaker 3: Pimp And that was.

3706
02:36:38,240 --> 02:36:40,600
Speaker 4: Not because when it comes to Party Up, I feel

3707
02:36:40,600 --> 02:36:42,720
Speaker 4: like it doesn't get the respect it deserves because it

3708
02:36:42,840 --> 02:36:45,120
Speaker 4: became so big and it became a mainstream That's what

3709
02:36:45,160 --> 02:36:51,800
Speaker 4: I'm everywhere. You wouldn't feel that way, like, oh yeah,

3710
02:36:51,800 --> 02:36:54,000
Speaker 4: it's just played like no, you wouldn't feel that way

3711
02:36:54,080 --> 02:36:56,320
Speaker 4: if it was a B side, you would never feel that.

3712
02:36:56,400 --> 02:36:56,800
Speaker 2: Of course not.

3713
02:36:56,920 --> 02:36:58,240
Speaker 1: But it became such a character.

3714
02:36:58,400 --> 02:37:01,880
Speaker 2: It was a bunch of like action movies like it

3715
02:37:02,040 --> 02:37:02,560
Speaker 2: just became.

3716
02:37:02,920 --> 02:37:05,720
Speaker 3: It became the cool thing for whiteboy to like embrace

3717
02:37:05,800 --> 02:37:06,959
Speaker 3: DMX as he's the guy.

3718
02:37:07,120 --> 02:37:08,840
Speaker 4: But it doesn't make it any less good of a song.

3719
02:37:09,560 --> 02:37:12,320
Speaker 4: That's fair and it's not even a pop it's like

3720
02:37:12,400 --> 02:37:15,600
Speaker 4: it's a pop whitewash song. It's actually a very like

3721
02:37:16,120 --> 02:37:19,640
Speaker 4: vulgar and like crazy as his song like every gangster.

3722
02:37:21,600 --> 02:37:25,000
Speaker 1: Just fuck the chorus god thinking this will be in

3723
02:37:25,040 --> 02:37:28,040
Speaker 1: mission impossible to he just made it because he's it

3724
02:37:28,200 --> 02:37:31,120
Speaker 1: just happened across over. But I mean, Tom Cruise can

3725
02:37:31,200 --> 02:37:33,119
Speaker 1: kill shit. I feel like shout out to young Jock.

3726
02:37:33,200 --> 02:37:34,960
Speaker 1: But when Tom Cruise did this ship on Oprah, it

3727
02:37:35,040 --> 02:37:35,480
Speaker 1: was over for that.

3728
02:37:36,640 --> 02:37:37,119
Speaker 3: It was done.

3729
02:37:37,560 --> 02:37:38,000
Speaker 5: We was not.

3730
02:37:38,320 --> 02:37:44,080
Speaker 2: It was not going down because the Tropic Thunder, that's

3731
02:37:44,120 --> 02:37:46,280
Speaker 2: a classic scene when he played that in Tropic Thunder

3732
02:37:46,280 --> 02:37:47,920
Speaker 2: and start dancing in the office. Don't do that. We're

3733
02:37:47,959 --> 02:37:50,840
Speaker 2: not doing that. We're not doing that. Don't disrespect Tom Cruise.

3734
02:37:51,440 --> 02:37:55,039
Speaker 1: Tropic Thunder isn't classic, but him rolling around on Oprah's

3735
02:37:55,080 --> 02:37:56,440
Speaker 1: couch and then doing it is going down.

3736
02:37:57,000 --> 02:37:59,240
Speaker 3: Well, that's where it came from. That rule, it came

3737
02:37:59,280 --> 02:38:00,640
Speaker 3: from the movie. That's what Well.

3738
02:38:00,680 --> 02:38:02,800
Speaker 2: Anyway, Shout out to bill Board and Threats Hanging Out

3739
02:38:03,360 --> 02:38:07,520
Speaker 2: Tequila for their top ten get Up Anthems of twenty

3740
02:38:07,640 --> 02:38:08,119
Speaker 2: twenty four.

3741
02:38:08,520 --> 02:38:10,360
Speaker 1: Yes, and uh, before we get out of here, we

3742
02:38:10,400 --> 02:38:14,600
Speaker 1: do want to thank West Coast Wilson. Wilson Happy New

3743
02:38:14,680 --> 02:38:18,760
Speaker 1: Year Experience January seventh, Yet work again.

3744
02:38:18,560 --> 02:38:23,039
Speaker 2: Yo, twenty twenty five. My brothers y'all did your thing.

3745
02:38:23,120 --> 02:38:25,400
Speaker 1: Man, thank you, thank you, thank We really appreciate that.

3746
02:38:25,520 --> 02:38:26,760
Speaker 2: We do no but thank you Elliott.

3747
02:38:26,760 --> 02:38:30,600
Speaker 3: Thank you. That means thank you man.

3748
02:38:30,920 --> 02:38:33,520
Speaker 1: We appreciate it and hope to have you back in

3749
02:38:33,560 --> 02:38:35,800
Speaker 1: twenty twenty five to promote some more ship. Yeah, and

3750
02:38:35,920 --> 02:38:37,280
Speaker 1: I mean, if you want to have us on the

3751
02:38:37,320 --> 02:38:38,960
Speaker 1: Ellie Wilson Experience, we'll go to the Bronx.

3752
02:38:40,280 --> 02:38:41,680
Speaker 2: Yeah, let's do it in the Bronx. Let's do the

3753
02:38:41,840 --> 02:38:43,400
Speaker 2: X style. Let's do it at the Yankee Stadium.

3754
02:38:44,320 --> 02:38:45,360
Speaker 3: Yep, I'm not scared of that.

3755
02:38:45,560 --> 02:38:48,119
Speaker 1: All right, it's a good Let's walk through Woodside see

3756
02:38:48,120 --> 02:38:48,640
Speaker 1: if you're still good.

3757
02:38:48,760 --> 02:38:54,200
Speaker 3: Now, thank you.

3758
02:38:56,000 --> 02:38:59,720
Speaker 1: Me man, We appreciate it. We just I mean, we'll

3759
02:38:59,760 --> 02:39:00,600
Speaker 1: have you back in Queens.

3760
02:39:00,600 --> 02:39:04,279
Speaker 2: I'm sorry. I just feels like you loves that projects projects.

3761
02:39:04,720 --> 02:39:07,560
Speaker 2: You feel like you went on my projects. I don't know, man,

3762
02:39:07,600 --> 02:39:10,120
Speaker 2: you're feeling very vincent. Chase, what's up. I'm just saying

3763
02:39:10,160 --> 02:39:12,080
Speaker 2: the boy might have put some money into projects for you.

3764
02:39:14,080 --> 02:39:17,119
Speaker 2: You might not be able to go home. The word

3765
02:39:17,160 --> 02:39:18,840
Speaker 2: spread that the Bugatti is in the projects.

3766
02:39:19,440 --> 02:39:25,240
Speaker 3: You know what I'm saying? The boys the boys home, Elliott, Man, Elliott,

3767
02:39:25,280 --> 02:39:26,760
Speaker 3: we thank you so much for pulling up on us.

3768
02:39:26,840 --> 02:39:27,840
Speaker 2: Man, appreciate you much.

3769
02:39:27,920 --> 02:39:28,160
Speaker 5: Love.

3770
02:39:29,040 --> 02:39:30,920
Speaker 2: All right, we'll get out of here man. Yeah,