1 00:00:00,080 --> 00:00:02,320 Speaker 1: Coming up at the top of the hour, right about 2 00:00:02,320 --> 00:00:05,760 Speaker 1: four minutes after. It's my strawberry letter for today, the 3 00:00:05,800 --> 00:00:10,080 Speaker 1: subject we have a big problem since But right now 4 00:00:10,240 --> 00:00:13,160 Speaker 1: nephew in the building with today's prank phone call? What 5 00:00:13,280 --> 00:00:18,520 Speaker 1: you got? Can I paint your wife naked? Okay? Steve? 6 00:00:18,560 --> 00:00:20,560 Speaker 1: So you're just not gonna say anything, You're just gonna 7 00:00:20,560 --> 00:00:24,000 Speaker 1: sit there. But what I'm done? I'm done? What what 8 00:00:24,800 --> 00:00:27,760 Speaker 1: do you need to say? What did you hear the 9 00:00:27,760 --> 00:00:34,520 Speaker 1: title of the plant can paint your wife? Nick? It 10 00:00:34,600 --> 00:00:38,000 Speaker 1: is every day? Surely this start happened to you around 11 00:00:38,000 --> 00:00:42,559 Speaker 1: two thousand three? Yeah, well yeah, two thousand two. I 12 00:00:42,600 --> 00:00:49,720 Speaker 1: think this's been happening to Mesa nineteen sixty seven? Ain't 13 00:00:50,320 --> 00:00:56,720 Speaker 1: your wife Nick? Wife? Wife? I said that can I 14 00:00:56,760 --> 00:01:06,920 Speaker 1: paint your wife? Nick? That's a color? What he didn't 15 00:01:06,920 --> 00:01:21,320 Speaker 1: get that? EFFI and Junior? Hey yo, wife Nick? Hello, Hello, 16 00:01:21,360 --> 00:01:26,319 Speaker 1: I wish to speak with a Mr. Please Hello, sir. 17 00:01:27,160 --> 00:01:31,440 Speaker 1: My name is Sebastian. I am with the Art Institute 18 00:01:32,040 --> 00:01:35,120 Speaker 1: and I wanted to give you a call about Um. 19 00:01:35,160 --> 00:01:37,360 Speaker 1: I have a huge showing coming up where I am 20 00:01:37,520 --> 00:01:41,280 Speaker 1: going to be displaying my portfolio and all of my 21 00:01:41,400 --> 00:01:43,720 Speaker 1: drawings within it. But I have one drawing that I 22 00:01:43,760 --> 00:01:46,600 Speaker 1: am looking to display that I have not put on 23 00:01:46,680 --> 00:01:51,200 Speaker 1: canvas yet, and I'm looking to take something of essence 24 00:01:51,200 --> 00:01:53,080 Speaker 1: to put on canvas, and I want to call you 25 00:01:53,120 --> 00:01:56,280 Speaker 1: about getting permission. Wait, hold on, dog, just to stop 26 00:01:56,280 --> 00:01:58,160 Speaker 1: you right now, I don't do that, all right. I'm 27 00:01:58,200 --> 00:02:01,600 Speaker 1: not a model, that's not my professor, So you would 28 00:02:01,640 --> 00:02:03,320 Speaker 1: not waste your time no more. You know what I'm saying. 29 00:02:03,360 --> 00:02:06,920 Speaker 1: Just go ahead, mr. Mr. I don't think you understand 30 00:02:07,080 --> 00:02:10,760 Speaker 1: that my showing is gonna have some very important people there. 31 00:02:11,320 --> 00:02:14,639 Speaker 1: I am, like I said before, with our institute, and 32 00:02:15,360 --> 00:02:18,200 Speaker 1: I said, I don't do that. That's not me. I mean, 33 00:02:18,440 --> 00:02:20,760 Speaker 1: I hate you know what, would you just calling folks 34 00:02:20,800 --> 00:02:23,040 Speaker 1: up you a solicitor or something. I mean, y'all just 35 00:02:23,120 --> 00:02:25,040 Speaker 1: randomly picking out folks and trying to trying to get 36 00:02:25,080 --> 00:02:29,079 Speaker 1: them the model. Look man, sir, Mr, No, I'm not 37 00:02:29,200 --> 00:02:32,360 Speaker 1: just randomly calling people like I actually have done research 38 00:02:32,400 --> 00:02:34,800 Speaker 1: in order to get your number. What what I'm doing 39 00:02:34,919 --> 00:02:38,480 Speaker 1: is that I'm not calling you as for being a 40 00:02:38,600 --> 00:02:41,520 Speaker 1: model that I'm going to portray on canvas, but you 41 00:02:41,639 --> 00:02:45,640 Speaker 1: have something far more greater visually that I would like 42 00:02:45,680 --> 00:02:50,919 Speaker 1: to hold on canvas now you're married to your wife? 43 00:02:51,000 --> 00:02:53,919 Speaker 1: Is am I correct the whole whoa whoa, whoa dub? 44 00:02:54,760 --> 00:02:57,680 Speaker 1: No for who is this seriously? Because I can get 45 00:02:57,680 --> 00:02:59,799 Speaker 1: my number? No, I get my number because you're talking 46 00:02:59,800 --> 00:03:03,360 Speaker 1: about my wife and stuff on my wife. My name 47 00:03:03,440 --> 00:03:08,000 Speaker 1: is Sebastian. I am with Art Institute. What I'm trying 48 00:03:08,000 --> 00:03:11,160 Speaker 1: to do with capturing and mortalize the beauty of essence 49 00:03:11,160 --> 00:03:14,600 Speaker 1: on Canna lives. Okay yo, for real? Thought, you just can't. 50 00:03:15,040 --> 00:03:18,320 Speaker 1: You don't talk about my wife all right, So I'm not. 51 00:03:18,400 --> 00:03:22,000 Speaker 1: I'm not calling in a negative manner towards your wife. 52 00:03:22,040 --> 00:03:25,720 Speaker 1: I want to. I want to mortalize her and capture 53 00:03:25,760 --> 00:03:29,680 Speaker 1: her on canvas, the beauties that she beholds. I've seen 54 00:03:29,720 --> 00:03:33,120 Speaker 1: your wife several times, you guys reside, whoa whoa, whoa? 55 00:03:33,120 --> 00:03:35,040 Speaker 1: Do you see my wife? But wait, what do you 56 00:03:35,080 --> 00:03:36,840 Speaker 1: see my wife? That? What? Why do you? Why are you? 57 00:03:37,000 --> 00:03:39,560 Speaker 1: Why are you watching my wife? I've seen her. She 58 00:03:39,560 --> 00:03:41,800 Speaker 1: she shops on a hundred and twenty street in hall Im. 59 00:03:41,800 --> 00:03:44,440 Speaker 1: I've seen her so many times there, and she holds 60 00:03:44,480 --> 00:03:46,640 Speaker 1: all the beauty that an artist would like to put 61 00:03:46,680 --> 00:03:49,560 Speaker 1: on Kansas. Like I said before, I have a huge 62 00:03:49,560 --> 00:03:51,720 Speaker 1: showing in May You're welcome to come out as well. 63 00:03:52,280 --> 00:03:54,400 Speaker 1: There's gonna be so many important people there. But I 64 00:03:54,440 --> 00:03:57,680 Speaker 1: wanted to call and get permission from you about painting 65 00:03:57,800 --> 00:04:00,520 Speaker 1: your wife. No, you ain't got that permiss and play well, 66 00:04:00,520 --> 00:04:03,360 Speaker 1: you just can't. You just can't go around following my 67 00:04:03,400 --> 00:04:06,839 Speaker 1: wife and trying to mortalize or whatever. I just said. 68 00:04:06,840 --> 00:04:09,800 Speaker 1: All right, so so, but I would like to let 69 00:04:09,840 --> 00:04:12,880 Speaker 1: you know I have taken the liberty myself. I have 70 00:04:13,080 --> 00:04:18,320 Speaker 1: painted your wife's head. What, Joe, you have lost your 71 00:04:18,400 --> 00:04:21,240 Speaker 1: damn mind. You can't be just walking around here painting 72 00:04:21,279 --> 00:04:24,159 Speaker 1: folks headed. You gotta get permission for that. What's wrong 73 00:04:24,200 --> 00:04:27,520 Speaker 1: with you? If you are crazy? You don't understand your 74 00:04:27,520 --> 00:04:30,560 Speaker 1: wife holds the essence that every artist wants to don't 75 00:04:30,560 --> 00:04:33,560 Speaker 1: care what he holds. You can't be going around payton 76 00:04:33,720 --> 00:04:37,240 Speaker 1: folks heads. Wrong with you, sir, That's the reason why 77 00:04:37,240 --> 00:04:40,960 Speaker 1: I'm calling trying to get permission from you. I, Sebastian, 78 00:04:41,040 --> 00:04:43,760 Speaker 1: want to put your wife on canvas because she holds 79 00:04:43,760 --> 00:04:47,080 Speaker 1: the essence that every artist wants to behold. She mortalized 80 00:04:47,160 --> 00:04:49,760 Speaker 1: the beauty of Cannon. Whoa WHOA hold of God? Hold 81 00:04:49,760 --> 00:04:52,159 Speaker 1: of the hold of God? You're telling me you're walking around, 82 00:04:52,600 --> 00:04:57,600 Speaker 1: follom painting my wife's head? Is that? What? What are 83 00:04:57,600 --> 00:05:01,960 Speaker 1: you doing? Dude too? I only trying to complete my 84 00:05:01,960 --> 00:05:05,720 Speaker 1: power folio. Oh no, your portfolio here? Listen to this. 85 00:05:06,160 --> 00:05:08,360 Speaker 1: If I see my wife's head anywhere, I don't care 86 00:05:08,360 --> 00:05:10,240 Speaker 1: a new type of magazine. I don't care where, bill 87 00:05:10,360 --> 00:05:13,200 Speaker 1: or whatever. Yo, I'm gonna find your I'm gonna whoop you. 88 00:05:13,520 --> 00:05:15,480 Speaker 1: Do you understand what I'm saying to you? I'm gonna 89 00:05:15,480 --> 00:05:18,680 Speaker 1: s did you understand that I don't want to have 90 00:05:18,800 --> 00:05:24,400 Speaker 1: a duel with you, sir adel here's a duel. They 91 00:05:24,560 --> 00:05:29,080 Speaker 1: do what they do. In fact, what name is a baship? 92 00:05:29,279 --> 00:05:33,039 Speaker 1: Who name is? That's a baship? Sir. All I want 93 00:05:33,080 --> 00:05:35,840 Speaker 1: to do is paint your wife in her rawist and 94 00:05:36,000 --> 00:05:40,520 Speaker 1: purest foe. That's all. There's law and purist for me. 95 00:05:40,680 --> 00:05:43,880 Speaker 1: What what do you want? Seriously, I want to paint 96 00:05:43,920 --> 00:05:48,440 Speaker 1: your wife. I want to paint her in the nude. 97 00:05:49,240 --> 00:05:52,800 Speaker 1: How don't you watch your my exective? Nothing? I don't 98 00:05:52,839 --> 00:05:55,880 Speaker 1: know that's what you should do? Tell me where you 99 00:05:55,960 --> 00:05:57,840 Speaker 1: as you want to paint something, I'll give you something 100 00:05:57,880 --> 00:06:01,000 Speaker 1: to pay. Tell me where you are? What twenty five? 101 00:06:01,400 --> 00:06:04,800 Speaker 1: Read me? What five? That's what's up? I want to 102 00:06:04,800 --> 00:06:09,320 Speaker 1: whoop your read me, meet me, pay me, pay me? 103 00:06:10,040 --> 00:06:12,080 Speaker 1: You want your mind telling what you want to? Paint? 104 00:06:12,120 --> 00:06:14,760 Speaker 1: My wife in a new It's gonna take them brush. 105 00:06:14,760 --> 00:06:18,400 Speaker 1: She's a sticking up your listen. She holds the essence 106 00:06:18,480 --> 00:06:21,920 Speaker 1: that every person should. I'll give up what she holds asked, 107 00:06:21,960 --> 00:06:27,160 Speaker 1: I'll give us Ask me like that, sir, I must 108 00:06:27,200 --> 00:06:29,080 Speaker 1: ask you. Do you think that you are the only 109 00:06:29,200 --> 00:06:31,920 Speaker 1: person that has seen your wife in the new? Child? 110 00:06:31,960 --> 00:06:34,200 Speaker 1: That has been men before you that have seen her 111 00:06:34,279 --> 00:06:37,640 Speaker 1: in the new? That for you and my wife ain't 112 00:06:37,640 --> 00:06:40,040 Speaker 1: no more? You call my wife? Is that what she's saying? 113 00:06:40,200 --> 00:06:43,599 Speaker 1: Are you calling my wife? You? I want to pay 114 00:06:43,680 --> 00:06:46,679 Speaker 1: your wife and the beauty that she bought and on canvas? 115 00:06:47,440 --> 00:06:51,440 Speaker 1: Did you not understand? I just said, you know I 116 00:06:51,600 --> 00:06:55,520 Speaker 1: told you meet me on the corner of Once and 117 00:06:55,720 --> 00:06:59,640 Speaker 1: Claim Powell. I got one more thing I do. Wife 118 00:07:00,080 --> 00:07:05,400 Speaker 1: out saying, I'll me from the Steve All the Morning Show. 119 00:07:05,760 --> 00:07:12,480 Speaker 1: You just got paint my your boy? What what this is? 120 00:07:12,840 --> 00:07:15,560 Speaker 1: This is nephew, This is nephew timing for the Steve 121 00:07:15,600 --> 00:07:23,360 Speaker 1: Harman Martin. Yo oh oh oh man yo man, y'all. Yeah, 122 00:07:25,320 --> 00:07:29,680 Speaker 1: I was moving to fushion here, dude, I mean you 123 00:07:29,800 --> 00:07:35,320 Speaker 1: got me dogs? Oh? Man, y'all got it? Was Sebastian said, yeah, dude, 124 00:07:36,320 --> 00:07:40,040 Speaker 1: you get some bashid brother. I was about to move 125 00:07:40,120 --> 00:07:45,440 Speaker 1: with y'all and bash it. I was paint brushes and 126 00:07:45,480 --> 00:07:50,760 Speaker 1: now always about the paint autumn with your He told me, man, 127 00:07:50,840 --> 00:07:54,320 Speaker 1: he said, man, he said he loved his wife kids. 128 00:07:56,040 --> 00:07:58,240 Speaker 1: I said, let me let me say this right now, 129 00:08:00,480 --> 00:08:04,840 Speaker 1: you know, let me get one more thing from you. Man. 130 00:08:05,000 --> 00:08:08,679 Speaker 1: What is the baddest I'm talking about the baddest radio 131 00:08:08,960 --> 00:08:12,480 Speaker 1: show in the lands. Yeah. Man, it's Steve Harvey in 132 00:08:12,560 --> 00:08:18,000 Speaker 1: the morning. You ain't never painted nobody wife before? Boy, 133 00:08:18,400 --> 00:08:20,520 Speaker 1: don't even talk to me about nobody. Why I can 134 00:08:20,680 --> 00:08:26,720 Speaker 1: talk to you? Have you ever painted anybody's wife before? See? 135 00:08:26,920 --> 00:08:29,320 Speaker 1: My biggest fear is that I'm gonna end up in 136 00:08:29,400 --> 00:08:33,480 Speaker 1: jail trying to protect your ass. That's my biggest feel. Wow, 137 00:08:34,320 --> 00:08:37,000 Speaker 1: that's my biggest fear. Can I ask you something, man? 138 00:08:37,880 --> 00:08:42,040 Speaker 1: Why you don't like me? Oh Jesus, we don't. Did 139 00:08:42,080 --> 00:08:47,520 Speaker 1: it just get real? Why don't like this? Why you're 140 00:08:47,559 --> 00:08:50,280 Speaker 1: not like at having this today and not not in 141 00:08:50,400 --> 00:08:54,120 Speaker 1: front of this nation. You're like all your other nieces 142 00:08:54,200 --> 00:09:04,840 Speaker 1: and nephew like me. He likes you all right. All right, listen, 143 00:09:05,200 --> 00:09:06,800 Speaker 1: we gotta get out of here and get into the 144 00:09:06,840 --> 00:09:11,400 Speaker 1: Strawberry Letters subject, Oh my goodness, we have a big 145 00:09:11,559 --> 00:09:13,959 Speaker 1: problem sis. We'll get into it right after this