WEBVTT - What's the History of Remote Controls?

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<v Speaker 1>Welcome to brainstud a production of iHeartRadio, Hey Brain Stuff

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<v Speaker 1>Lauren vogelbam here. Remote controls are one of the most

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<v Speaker 1>ubiquitous symbols of our modern technologies. Even if you're the

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<v Speaker 1>sort of minimalist who's consolidated your entertainment system's controls to

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<v Speaker 1>a single remote or a set of smartphone apps, you

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<v Speaker 1>might have another dozen or so around your home. We

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<v Speaker 1>control everything from ceiling fans and air conditioners, to car

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<v Speaker 1>door locks and garage or gate openers, to laundry machines

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<v Speaker 1>and lamps via remote. And this isn't a scientific fact,

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<v Speaker 1>but I think chances are decent that we all have

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<v Speaker 1>one or two remotes permanently lost amid an army of

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<v Speaker 1>dust bunnies in our couches. The most ubiquitous use of

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<v Speaker 1>remotes may be for television control, but these devices far

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<v Speaker 1>pre date TV. They're an invention born of the late

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<v Speaker 1>eighteen hundreds. Renowned Serbian American inventor Nikola Tesla created one

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<v Speaker 1>of the world's first wireless remote controls, which he unveiled

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<v Speaker 1>at Madison Square Garden in New York City in nineteen

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<v Speaker 1>eighty nine. He called his Fledgling System, which could be

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<v Speaker 1>used to control a range of mechanical contraptions a tele automaton.

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<v Speaker 1>Before his demonstration, Tesla employed a miniature boat controlled by

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<v Speaker 1>radio waves. The boat had a small metal antenna that

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<v Speaker 1>could receive exactly one radio frequency. Tesla sent signals to

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<v Speaker 1>the boat using a box equipped with a lever and

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<v Speaker 1>a telegraph key, originally designed to send Morse code signals.

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<v Speaker 1>The signals generated from this box shifted electrical contacts aboard

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<v Speaker 1>the boat, which in turn adjusted settings for the rudder

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<v Speaker 1>and propeller, allowing the operator to control the boat's motion. Financially,

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<v Speaker 1>Tesla's remote controlled boats were a flop. His intented client,

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<v Speaker 1>the US Navy, thought the technology was too flimsy for war,

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<v Speaker 1>but the concept of remote control caught on shortly after

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<v Speaker 1>Tesla's breakthroughs. Spanish engineer Leonardo Torres Cavedo used wireless telegraph

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<v Speaker 1>transmitters to control first a tricycle, then an engine powered boat,

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<v Speaker 1>and even submarine torpedoes. The work of these inventors was

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<v Speaker 1>a harbinger of things to come. In World War One,

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<v Speaker 1>the German Navy used remotely controlled boats loaded with explosives

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<v Speaker 1>to attack opposition ships. It was the advent of a

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<v Speaker 1>new type of warfare in which armed forces could direct

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<v Speaker 1>armaments from a distance. During World War II, the German

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<v Speaker 1>and American armed militaries also experimented with and deployed a

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<v Speaker 1>range of guided missiles and torpedoes. Beginning in the nineteen thirties,

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<v Speaker 1>a few consumer electronics incorporated remote controls that operated by

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<v Speaker 1>transmitting radio frequency signals like garage door openers, model airplanes,

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<v Speaker 1>and home radios. The first remote controls for radios were wired,

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<v Speaker 1>but in nineteen thirty nine phil Co at the Philadelphia

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<v Speaker 1>Storage Battery Company, offered some of its high end radios

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<v Speaker 1>with a wireless, battery powered remote, which it called the

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<v Speaker 1>Mystery Control. This remote had a spring loaded dial like

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<v Speaker 1>old fashioned telephones do, with ten stops along the dial,

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<v Speaker 1>corresponding to eight preset radio stations, and then volume up

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<v Speaker 1>and volume down. You'd turn the dial to the stop

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<v Speaker 1>you wanted, save the station that played lots of Ella Fitzgerald,

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<v Speaker 1>and let it go. As the dial rotated back to

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<v Speaker 1>its starting position, Each stop would generate a radio frequency

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<v Speaker 1>pulse that was then received by a device in the

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<v Speaker 1>radio cabinet. Based on the number of pulses it received,

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<v Speaker 1>it would know which station to tune to. These remotes

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<v Speaker 1>made a big splash when they debuted, but there are

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<v Speaker 1>a few issues with radio frequency remote technology that prevented

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<v Speaker 1>it from becoming the main choice for home entertainment systems.

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<v Speaker 1>There are a lot of radio signals flying through the

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<v Speaker 1>air at any given time. These remotes were programmed to

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<v Speaker 1>transmit and receive specific frequencies, but there were also a

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<v Speaker 1>growing number of these remotes. Since radio waves can travel

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<v Speaker 1>through walls and for a decent range, interference grew more

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<v Speaker 1>likely the more people adopted these devices. That may be

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<v Speaker 1>why television manufacturers didn't rush to incorporate them when TVs

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<v Speaker 1>became commercially available after World War Two. Before remotes, TV

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<v Speaker 1>viewers had to plod to their televisions to change the

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<v Speaker 1>channel and volume, using rotating dials or buttons. I being

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<v Speaker 1>an old remember sets like this at my grandparents' houses.

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<v Speaker 1>In nineteen fifty, electronics manufacturer's Zeni introduced the Lazybones remote.

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<v Speaker 1>It was the old wired type with a long, snaking

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<v Speaker 1>cable that turned as many ankles as it did channels.

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<v Speaker 1>A few years later, Zenith engineers devised the flash Maatic

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<v Speaker 1>TV remote, which looked like a small pistol and used

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<v Speaker 1>directional flashes of light to control a television settings, but

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<v Speaker 1>the TV's four photo cells, one in each corner of

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<v Speaker 1>the screen, responded to all sorts of light sources, including

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<v Speaker 1>sunlight and ceiling lights, causing spontaneous channel changes. In nineteen

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<v Speaker 1>fifty six, Zenith created the Space Command control, which employed

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<v Speaker 1>high frequency ultrasonic sound instead of light. This new remote

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<v Speaker 1>didn't even require batteries. Instead, it contained tiny hammers to

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<v Speaker 1>strike one of four aluminum rods, creating different sounds to

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<v Speaker 1>be picked up by the TV's receiver. One rod each

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<v Speaker 1>controlled the on and off power functions and the channel

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<v Speaker 1>up and down functions. There was no volume control. This

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<v Speaker 1>style of remote increased the price of a new TV

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<v Speaker 1>by a third, but that didn't stop people from buying

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<v Speaker 1>them in mass quantities. These remotes became known as clickers

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<v Speaker 1>due to the audible click the hammers made when they

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<v Speaker 1>hit the rods. Their ultrasonic frequencies were inaudible to humans,

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<v Speaker 1>but they drove a lot of dogs a little bonkers.

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<v Speaker 1>The drawback to these devices was that they could be persnickety,

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<v Speaker 1>especially if you weren't holding still when you used them.

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<v Speaker 1>That's because of the Doppler effect, which describes how motion

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<v Speaker 1>can change the pitch of sound waves. Remote controls changed

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<v Speaker 1>the way we interacted with our electronic devices, planting us

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<v Speaker 1>like proverbial potatoes and couches with no risk of outside

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<v Speaker 1>distraction or of getting a few steps in by making

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<v Speaker 1>us get up to change a radio station or TV channel.

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<v Speaker 1>It was a time when channel choices were expanding, and

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<v Speaker 1>because viewers tended to click away during commercials or slow scenes,

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<v Speaker 1>TV programs changed as well, with faster pacing to keep

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<v Speaker 1>people continuously engaged, and remotes themselves kept evolving. Ultrasonic remotes

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<v Speaker 1>remain to these standard for televisions and stereos until nineteen eighty,

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<v Speaker 1>which is when remotes began using the infrared light signals

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<v Speaker 1>that are most common today. Infrared light is a part

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<v Speaker 1>of the electromagnetic spectrum that we can't see, but that

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<v Speaker 1>we experience as heat, in this case, very mild heat.

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<v Speaker 1>Infrared remotes work by using that part of the spectrum

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<v Speaker 1>to transmit signals to a receiver in the electronic device

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<v Speaker 1>in question. The little red light that blinks on the

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<v Speaker 1>remote when you push a button is just so that

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<v Speaker 1>you know it's working. The transmitter in the remote sends

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<v Speaker 1>pulses of infrared light that represent specific binary codes, you know,

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<v Speaker 1>a string of ones and zeros. These binary codes correspond

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<v Speaker 1>to commands and such as power on or volume up.

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<v Speaker 1>The receiver in the device decodes the ul of light

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<v Speaker 1>into their representative binary data. A microprocessor in the device

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<v Speaker 1>can understand this data and carry out the corresponding command.

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<v Speaker 1>Infrared remotes work well enough and are cheap enough to

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<v Speaker 1>make that they've stuck around, but they do have some

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<v Speaker 1>limitations based on the fact that they use light signals.

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<v Speaker 1>They therefore have a range of only about thirty feet

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<v Speaker 1>or ten meters, and they require line of sight, which

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<v Speaker 1>is why you sometimes have trouble with a remote if

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<v Speaker 1>an entertainment system's receiver isn't in the most obvious place,

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<v Speaker 1>say it's far to one side instead of right near

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<v Speaker 1>the TV screen. Pretty quickly, by the mid nineteen eighties,

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<v Speaker 1>infrared remotes became so common for so many different home

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<v Speaker 1>entertainment devices that electronics companies started producing universal remotes that

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<v Speaker 1>could work with or be programmed specifically for controlling many

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<v Speaker 1>different devices. Think not just televisions and stereos, so cable boxes,

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<v Speaker 1>VCRs or betamax maybe a separate CD player if your

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<v Speaker 1>old stereo didn't come with one, then LaserDisc, satellite television, DVRs, DVDs,

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<v Speaker 1>blu ray, and now streaming service boxes. Remote overload is real,

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<v Speaker 1>and radio frequency remotes never died out, They just specialized.

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<v Speaker 1>These days, radio frequency remotes are used for things that

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<v Speaker 1>benefit from their greater range up to one hundred feet

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<v Speaker 1>or thirty meters, like garage door openers, carfobs, and ceiling fans.

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<v Speaker 1>Modern radio frequency remotes transmit radio waves that correspond to

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<v Speaker 1>the binary command for the button you're pushing. A radio

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<v Speaker 1>receiver on the controlled device receives a signal and decodes it.

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<v Speaker 1>Of course, way more devices are transmitting radio signals these days,

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<v Speaker 1>cell phones, Wi Fi setups, and Bluetooth devices like wireless

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<v Speaker 1>speakers and headphones. Today's radio frequency remotes address the interference

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<v Speaker 1>issue by transmitting at specific radio frequencies and by embedding

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<v Speaker 1>digital address codes in the radio signal. This lets the

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<v Speaker 1>radio receiver on the intended device know when to respond

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<v Speaker 1>to the signal and when to ignore it. Perhaps the

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<v Speaker 1>most universal remote today is a smartphone. With the right

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<v Speaker 1>app and coordinating hardware, you can use your phone to

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<v Speaker 1>unlock a car door, turn household lights on and off

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<v Speaker 1>while you're on vacation, and of course, change channels and

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<v Speaker 1>a lot more on your television, all of which is

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<v Speaker 1>extremely useful. But radio technology has very grand applications as well.

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<v Speaker 1>For example, NASA has relied on radio frequency remote control

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<v Speaker 1>systems to send commands to its MARS rovers, including some

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<v Speaker 1>complex compensation for the Doppler effect. As we continue to

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<v Speaker 1>weave new technologies into our lives, it's likely that we'll

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<v Speaker 1>still need remotes in whatever format to help keep things

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<v Speaker 1>under control. Today's episode is based on the articles what

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<v Speaker 1>is the History of the Remote Control written by Nathan

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<v Speaker 1>Chandler and How Remote Controls Work? Written by Julia Layton

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<v Speaker 1>on HowStuffWorks dot com. Brain Stuff is production of iHeartRadio

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<v Speaker 1>in partnership with HowStuffWorks dot Com and is produced by

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<v Speaker 1>Tyler Klang. For more podcasts from my heart Radio, visit

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<v Speaker 1>the iHeartRadio app, Apple Podcasts, or wherever you listen to

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<v Speaker 1>your favorite shows.