WEBVTT - Raphael Saadiq Part 1

0:00:00.040 --> 0:00:03.040
<v Speaker 1>Of Course Love Supreme is a production of I Heart Radio.

0:00:09.000 --> 0:00:13.920
<v Speaker 1>Ladies and gentlemen. Welcome to another episode of Course Love Supreme. Yo,

0:00:14.000 --> 0:00:20.120
<v Speaker 1>man dog, I ain't got time to waste, Steve, I'm

0:00:20.200 --> 0:00:28.960
<v Speaker 1>forgetting many questions to even start with the seven minute tribute.

0:00:29.080 --> 0:00:33.000
<v Speaker 1>You already know you're the man, Robaila. Okay, I'll start

0:00:33.040 --> 0:00:36.720
<v Speaker 1>with Okay, of course, I believe I knew that you

0:00:36.720 --> 0:00:39.320
<v Speaker 1>were born in Oakland. I don't know, but tell me

0:00:39.400 --> 0:00:44.360
<v Speaker 1>where were you born? I was actually born in Oakland, California. Um, yeah,

0:00:44.880 --> 0:00:49.560
<v Speaker 1>right in East Suckland Hating Hospital. I'm born and raised.

0:00:49.920 --> 0:00:52.920
<v Speaker 1>The rest of my family is from Louisiana, from Louisiana,

0:00:53.440 --> 0:00:57.280
<v Speaker 1>Sweet Port, Louisiana. And I'm the only out of fourteen,

0:00:57.360 --> 0:01:00.400
<v Speaker 1>I'm the only city slicker that was born in the city. Wait,

0:01:00.480 --> 0:01:05.440
<v Speaker 1>you have thirteen other siblings? Yeah? Are you the year

0:01:05.480 --> 0:01:09.480
<v Speaker 1>of the baby? A baby boy? But I have a

0:01:09.560 --> 0:01:12.760
<v Speaker 1>sister that's younger than me. What is it that like

0:01:12.840 --> 0:01:16.240
<v Speaker 1>in the household? Well, everybody wasn't the household. It was

0:01:16.440 --> 0:01:20.240
<v Speaker 1>it was a little bit of your dad. It's a

0:01:20.319 --> 0:01:22.960
<v Speaker 1>little bit of that. But we were like, uh, my

0:01:23.160 --> 0:01:25.920
<v Speaker 1>father has some kids before he married my mom, before

0:01:25.920 --> 0:01:28.640
<v Speaker 1>he's my mom and then you know my brother Duayne,

0:01:28.680 --> 0:01:30.600
<v Speaker 1>he had a different mother, So me and Dwayne have

0:01:30.720 --> 0:01:37.320
<v Speaker 1>different mothers. Okay, got you bind the family? Yeah? Is

0:01:37.360 --> 0:01:42.360
<v Speaker 1>the entire family musically inclined or just you and Duayne? No, uh,

0:01:42.440 --> 0:01:45.200
<v Speaker 1>it's a few of us. My brother Randy, as you

0:01:45.240 --> 0:01:47.240
<v Speaker 1>probably heard him seeing on a record called Holy Smokes

0:01:47.240 --> 0:01:51.560
<v Speaker 1>and Gee whiz Y. That's that's the real talent in

0:01:51.560 --> 0:01:53.560
<v Speaker 1>the in the family. We were all like an afterthought

0:01:53.560 --> 0:01:56.080
<v Speaker 1>when he came to music. We just kind of snuck

0:01:56.120 --> 0:01:59.200
<v Speaker 1>in there a little bit. Where does Randy fall into

0:01:59.600 --> 0:02:06.400
<v Speaker 1>the bruce? He's like the He's like the fourth from

0:02:06.440 --> 0:02:09.680
<v Speaker 1>the oldest. He's like another brother named Alvey Wiggins. Who's

0:02:09.840 --> 0:02:12.880
<v Speaker 1>uh he's saying country music. Charlie Pry was his favorite

0:02:12.960 --> 0:02:16.400
<v Speaker 1>uh uh singer. So he was a country singer, but

0:02:16.400 --> 0:02:18.800
<v Speaker 1>he was he was a street thug though he he

0:02:18.960 --> 0:02:22.320
<v Speaker 1>was a real hardcore He was not no thunk. He

0:02:22.440 --> 0:02:24.480
<v Speaker 1>was a classy like gangster, you know what I mean.

0:02:24.520 --> 0:02:31.480
<v Speaker 1>But he was he's saying country music. Yeah, this explains

0:02:31.520 --> 0:02:34.280
<v Speaker 1>a lot of your wait, where does where does that?

0:02:35.160 --> 0:02:38.640
<v Speaker 1>Where does Dwayne fall in line with you? Wayne's Dwayne

0:02:38.760 --> 0:02:41.280
<v Speaker 1>is we had another brother in between me and Duanne

0:02:41.320 --> 0:02:44.440
<v Speaker 1>named Desmond. Desmond was the drummer in the family, and

0:02:44.600 --> 0:02:48.680
<v Speaker 1>Desmond passed away when I was seventeen years old. And

0:02:48.880 --> 0:02:51.720
<v Speaker 1>the Wayne is the older than him, one a couple

0:02:51.720 --> 0:02:56.400
<v Speaker 1>of years older than Desmond, So Dwayne would be Dwayne

0:02:56.440 --> 0:03:02.520
<v Speaker 1>would be like the six youngest boy. Okay, that's confused,

0:03:02.520 --> 0:03:04.600
<v Speaker 1>And actually I started thinking about it like that. I'm

0:03:04.639 --> 0:03:09.240
<v Speaker 1>like totally confused. Okay, So I know Thanksgiving and Christmas

0:03:09.320 --> 0:03:11.799
<v Speaker 1>has been hell of crazy. Yeah, it was actually good

0:03:11.800 --> 0:03:13.240
<v Speaker 1>because you know, it's just a lot of music in

0:03:13.280 --> 0:03:15.600
<v Speaker 1>the house and a lot of Teddy. You know, my

0:03:15.639 --> 0:03:19.400
<v Speaker 1>step mom loved Teddy Pendergrass and Osley Brothers. So that's

0:03:19.440 --> 0:03:22.799
<v Speaker 1>where we that's where our guitar stuff comes from because

0:03:23.520 --> 0:03:25.880
<v Speaker 1>we get to stay outside as long as we could.

0:03:25.919 --> 0:03:27.440
<v Speaker 1>If you know, if they if they was having a

0:03:27.480 --> 0:03:30.040
<v Speaker 1>little party, but in the house, it will be Teddy

0:03:30.040 --> 0:03:34.120
<v Speaker 1>Pendergrass and it'd be uh Osly brother So this is

0:03:34.120 --> 0:03:36.520
<v Speaker 1>the first time I got a chance to say ship

0:03:36.640 --> 0:03:43.440
<v Speaker 1>was on Fight to Power Fun Parents. What what is

0:03:43.480 --> 0:03:48.280
<v Speaker 1>your actual first musical memory that you I think for me,

0:03:48.400 --> 0:03:50.760
<v Speaker 1>I was like a kid who like who had you know,

0:03:51.000 --> 0:03:53.240
<v Speaker 1>you know, you have to be outside playing with individuals

0:03:53.240 --> 0:03:56.160
<v Speaker 1>and your friends and I'm not really great friends and um,

0:03:56.240 --> 0:03:58.240
<v Speaker 1>but I think mine was when I first got my

0:03:58.440 --> 0:04:03.960
<v Speaker 1>first UM based amplifier. I had this uh unifox and

0:04:04.000 --> 0:04:08.120
<v Speaker 1>I had a copy fended jazz called the Orlando, and

0:04:08.200 --> 0:04:09.920
<v Speaker 1>I opened up the case and I thought it was

0:04:10.000 --> 0:04:12.960
<v Speaker 1>real fur. I thought I was rich because I had

0:04:12.960 --> 0:04:15.640
<v Speaker 1>this basic guitarist fur. It was this fur inside of it.

0:04:15.720 --> 0:04:20.200
<v Speaker 1>That was my first musical experiment experience really, And then

0:04:20.440 --> 0:04:23.200
<v Speaker 1>I played trump. I played first trumbone and jazz man too,

0:04:24.000 --> 0:04:27.440
<v Speaker 1>So I wanted to play saxophone, but they I wanted

0:04:27.440 --> 0:04:30.600
<v Speaker 1>to play saxophone but didn't have anymore. What ages this again?

0:04:31.160 --> 0:04:33.360
<v Speaker 1>This isn't just in grade school? Well, grade school I

0:04:33.440 --> 0:04:35.320
<v Speaker 1>was just starting to play. But by the time I

0:04:35.320 --> 0:04:37.799
<v Speaker 1>got to high school, I sat in the first chair

0:04:38.120 --> 0:04:43.880
<v Speaker 1>playing trumbone. Okay, So I mean, what what is it

0:04:44.040 --> 0:04:52.039
<v Speaker 1>like to grow up in Oakland? Um? Kind of watching?

0:04:53.800 --> 0:04:55.760
<v Speaker 1>You know, at least from my point of view. You know,

0:04:55.800 --> 0:04:58.719
<v Speaker 1>the legend of Oakland is it's slid on the family

0:04:58.760 --> 0:05:01.600
<v Speaker 1>Stone and Graham Central Station and Taro Power and all

0:05:02.320 --> 0:05:05.919
<v Speaker 1>all these like powerful musicians that are making like you know,

0:05:05.920 --> 0:05:08.640
<v Speaker 1>they're international stars. Like what kind of impression is that

0:05:08.720 --> 0:05:13.560
<v Speaker 1>leaving on you? For me, it was it was everything

0:05:13.600 --> 0:05:16.760
<v Speaker 1>because we're basically a Larry Graham was more of the

0:05:16.800 --> 0:05:19.000
<v Speaker 1>idol for for me because I'm a bass player, right

0:05:19.000 --> 0:05:22.960
<v Speaker 1>but right, so, you know, like one block you would have,

0:05:23.720 --> 0:05:25.719
<v Speaker 1>you know, a band plan and it was a band

0:05:25.760 --> 0:05:27.799
<v Speaker 1>in every garage everywhere we looked. It was like Natty

0:05:28.000 --> 0:05:30.640
<v Speaker 1>Natalie Cole had a band that was played in Oakland.

0:05:30.680 --> 0:05:33.800
<v Speaker 1>So when they were off and not touring, they would

0:05:33.839 --> 0:05:36.360
<v Speaker 1>be playing in the garage. So Willie Wild who played

0:05:36.960 --> 0:05:40.560
<v Speaker 1>with Graham, Central Station, and we would see like you know,

0:05:41.000 --> 0:05:43.839
<v Speaker 1>Larry Graham and Um, you know, riding through the neighborhood

0:05:43.880 --> 0:05:46.839
<v Speaker 1>on the Harley Davidson and then slide. That was their thing,

0:05:46.960 --> 0:05:49.960
<v Speaker 1>rides like Harley's, like the Choppers, the Short Choppers, and

0:05:50.240 --> 0:05:54.320
<v Speaker 1>so they were like our comic books characters for us

0:05:54.480 --> 0:05:55.919
<v Speaker 1>because I saw all we knew was like it was

0:05:55.920 --> 0:05:58.479
<v Speaker 1>almost like a like MCS, like Rappers. It was like

0:05:58.520 --> 0:06:02.760
<v Speaker 1>Battle the Bands. It was Battle Battle Rappers, Battle Battle

0:06:02.760 --> 0:06:05.880
<v Speaker 1>of the Band's Battle Base players. If you couldn't play

0:06:05.960 --> 0:06:10.040
<v Speaker 1>like um the jam or the Son called pile on

0:06:10.080 --> 0:06:16.520
<v Speaker 1>the base, how I got you that's a head country

0:06:16.520 --> 0:06:20.560
<v Speaker 1>and going to rock. I got that you will get

0:06:20.560 --> 0:06:26.440
<v Speaker 1>yours wrong. I mean everybody in our neighborhood. Everybody in

0:06:26.480 --> 0:06:30.440
<v Speaker 1>our neighborhood to play base, our our guitar or drums.

0:06:30.520 --> 0:06:34.400
<v Speaker 1>So I was about ten or eleven. You were walking

0:06:34.400 --> 0:06:36.920
<v Speaker 1>into a garage and the band was playing. Somebody would say, hey,

0:06:36.960 --> 0:06:40.080
<v Speaker 1>my little brother could play bass. So you you couldn't

0:06:40.080 --> 0:06:41.840
<v Speaker 1>really get on the base unless you knew how to

0:06:41.839 --> 0:06:45.360
<v Speaker 1>play pile, because somebody was gonna test you out. They

0:06:45.400 --> 0:06:49.159
<v Speaker 1>were gonna that was gonna say, and you play pile

0:06:49.480 --> 0:06:51.680
<v Speaker 1>and then you have to do like this, like yeah,

0:06:51.800 --> 0:06:53.839
<v Speaker 1>as soon as you say yes, they only give you

0:06:53.880 --> 0:06:57.040
<v Speaker 1>two seconds before the drummer just kick it off. Wait

0:06:57.080 --> 0:07:01.920
<v Speaker 1>a minute. This is how I knew you're a special individual.

0:07:02.680 --> 0:07:06.920
<v Speaker 1>Literally last week. Last week the roots like did our

0:07:07.920 --> 0:07:10.280
<v Speaker 1>like our first run in in like eighteen months. And

0:07:10.320 --> 0:07:14.160
<v Speaker 1>so I don't know how, but I think, uh, one

0:07:14.160 --> 0:07:16.640
<v Speaker 1>of the one of these songs from star Walk came on.

0:07:18.080 --> 0:07:21.320
<v Speaker 1>I think it was Sneaky Freak, and my band was

0:07:21.360 --> 0:07:24.440
<v Speaker 1>asking me about it, and the way I was putting

0:07:24.480 --> 0:07:28.160
<v Speaker 1>it to them was I was like, I don't know

0:07:28.200 --> 0:07:34.240
<v Speaker 1>how to accurately judge Larry Graham's cannon because I know,

0:07:34.560 --> 0:07:38.520
<v Speaker 1>like hit wise, you know, the first three gram Central

0:07:38.520 --> 0:07:42.119
<v Speaker 1>Station albums were like national hits like up until Ain't

0:07:42.120 --> 0:07:45.680
<v Speaker 1>no about to doubt it, but somehow it got a

0:07:45.680 --> 0:07:48.400
<v Speaker 1>little weird around not or Mirror was like a hit.

0:07:48.440 --> 0:07:50.040
<v Speaker 1>I remember that being a hit when I was a kid.

0:07:50.080 --> 0:07:54.200
<v Speaker 1>But it's something about now do you want to dance?

0:07:54.640 --> 0:07:57.800
<v Speaker 1>And my radio sounds good to me? And the star

0:07:57.880 --> 0:08:01.360
<v Speaker 1>Walk album albums that didn't have hits on them, but

0:08:01.720 --> 0:08:06.240
<v Speaker 1>every from Prince to every musician I know, they swear

0:08:06.320 --> 0:08:10.160
<v Speaker 1>by those three records. And we were watching Graham Central

0:08:10.160 --> 0:08:13.080
<v Speaker 1>Station do pow last week and we were kind of

0:08:13.120 --> 0:08:14.840
<v Speaker 1>I was I was laughing because I was like, I

0:08:14.920 --> 0:08:17.520
<v Speaker 1>know this is good, but it wasn't a hit. So

0:08:17.520 --> 0:08:20.080
<v Speaker 1>I'm trying to figure out, like, am I the only

0:08:20.080 --> 0:08:22.880
<v Speaker 1>one that got this song? And you mentioned so you're

0:08:22.920 --> 0:08:26.840
<v Speaker 1>saying to me in Oakland that song is a writer

0:08:26.880 --> 0:08:31.520
<v Speaker 1>of passage to everybody. I mean, I mean you could

0:08:31.560 --> 0:08:34.840
<v Speaker 1>walk up to a guy in Oakland and I have

0:08:34.880 --> 0:08:36.719
<v Speaker 1>a friend named Lord Nell and I didn't know this,

0:08:37.040 --> 0:08:40.640
<v Speaker 1>and um and um, he's just one day he asked

0:08:40.640 --> 0:08:42.679
<v Speaker 1>me what I know about Larry Graham and I'm like

0:08:43.080 --> 0:08:45.760
<v Speaker 1>looking at him like what this dude. All this dude say,

0:08:45.840 --> 0:08:48.520
<v Speaker 1>he's a security guy stand quin in prison. That's all

0:08:48.559 --> 0:08:52.199
<v Speaker 1>I know about him. He just goes but they'll smoke

0:08:52.280 --> 0:08:59.680
<v Speaker 1>a mama, And I'm like so and Oakland and and

0:08:59.760 --> 0:09:06.600
<v Speaker 1>oh Glinn, Larry is bigger than then this slid. Larry

0:09:06.760 --> 0:09:11.360
<v Speaker 1>is like Larry is like um. When I was a kid,

0:09:11.400 --> 0:09:12.959
<v Speaker 1>I went I was going on the snow trip and

0:09:13.000 --> 0:09:15.920
<v Speaker 1>Tahoe and I went to buy some mittens like ten

0:09:16.000 --> 0:09:19.840
<v Speaker 1>or eleven. And I was walking the store called Lungs Drugs.

0:09:19.880 --> 0:09:24.199
<v Speaker 1>It's in Saliandro and I walk in the store. I

0:09:24.320 --> 0:09:28.320
<v Speaker 1>walk in the grocery store in Larry Graham and Chockolate

0:09:28.920 --> 0:09:32.960
<v Speaker 1>is getting out of a black Thunderberg suicide doors with

0:09:33.120 --> 0:09:35.600
<v Speaker 1>the wig on, with the album released. How they looked

0:09:35.640 --> 0:09:37.920
<v Speaker 1>and release yourself when they're in the air jumping up

0:09:38.040 --> 0:09:42.360
<v Speaker 1>to sitting there is that Larry Graham. Wo So I

0:09:42.440 --> 0:09:46.400
<v Speaker 1>started following him around the grocery store, looking through boxes

0:09:46.559 --> 0:09:49.840
<v Speaker 1>and and everything. So before he walks out, I run

0:09:49.880 --> 0:09:51.920
<v Speaker 1>out and said at the bus stop right in front

0:09:51.960 --> 0:09:54.520
<v Speaker 1>of the store. But I'm not looking back at him.

0:09:54.679 --> 0:09:58.600
<v Speaker 1>I'm just looking at the street. So Larry and Chocolate

0:09:58.760 --> 0:10:00.560
<v Speaker 1>walk up to me in front of bus stop and

0:10:00.600 --> 0:10:02.760
<v Speaker 1>look dead at me and go how are you doing?

0:10:03.040 --> 0:10:05.280
<v Speaker 1>And I'm like freaking out, Like it's like a Star

0:10:05.320 --> 0:10:08.040
<v Speaker 1>Wars moment for me. I should not go like and

0:10:08.720 --> 0:10:11.320
<v Speaker 1>I go, are you Larry Graham? He was like, yeah,

0:10:11.320 --> 0:10:13.880
<v Speaker 1>I'm Larry Graham. It's a chocolate And I was like

0:10:14.120 --> 0:10:17.760
<v Speaker 1>freaking out. Bro. So yeah, he was like a superhero

0:10:17.840 --> 0:10:19.840
<v Speaker 1>to us. But Pop, you have to answer your question.

0:10:20.240 --> 0:10:29.080
<v Speaker 1>How the jam David dynamite? But what about earthquake? Earthquake? Um?

0:10:29.320 --> 0:10:32.280
<v Speaker 1>They were trying to destroy their base with the towel

0:10:32.400 --> 0:10:35.600
<v Speaker 1>and all that stuff that year. And if you listen

0:10:35.640 --> 0:10:41.079
<v Speaker 1>to sit today the song today, right, So we used

0:10:41.080 --> 0:10:43.800
<v Speaker 1>to sit in the room as kids and just sit

0:10:43.920 --> 0:10:46.680
<v Speaker 1>by the turntable and wait for that bill to go off.

0:10:48.080 --> 0:10:50.679
<v Speaker 1>Every time we let somebody hear that song, we would

0:10:50.679 --> 0:10:53.600
<v Speaker 1>never let them leave for the first time into the

0:10:53.640 --> 0:10:58.040
<v Speaker 1>bell rings all the way out. When I let D'Angelo

0:10:58.160 --> 0:11:01.240
<v Speaker 1>here today for the first time, I made D'Angelo listened

0:11:01.240 --> 0:11:03.080
<v Speaker 1>to it, to the bill win all the way off,

0:11:04.679 --> 0:11:06.720
<v Speaker 1>because that's how we kind of grew up. Everybody had

0:11:06.720 --> 0:11:11.000
<v Speaker 1>to listen to the bill the first time. Dog, what's

0:11:11.120 --> 0:11:13.880
<v Speaker 1>rain for? Like? What three minutes. That's what I was

0:11:15.040 --> 0:11:16.840
<v Speaker 1>For those who don't know about the song, he's saying

0:11:18.440 --> 0:11:21.679
<v Speaker 1>for three minutes. You know, I'm also hating that I'm

0:11:21.720 --> 0:11:25.080
<v Speaker 1>having this conversation because I think I was ready to

0:11:25.160 --> 0:11:28.600
<v Speaker 1>just dismiss it because one of the one of the

0:11:28.760 --> 0:11:33.000
<v Speaker 1>one of the playlists that I have or my Spotify

0:11:33.240 --> 0:11:36.400
<v Speaker 1>is called Songs and and E Minor and Songs and

0:11:36.559 --> 0:11:40.600
<v Speaker 1>the Minor that I hate. I know for bass players

0:11:41.360 --> 0:11:47.480
<v Speaker 1>like E Minor is like a rite of passage key,

0:11:47.520 --> 0:11:51.640
<v Speaker 1>but for me, it's like unless you're trying to top

0:11:52.800 --> 0:11:56.120
<v Speaker 1>the Jam or shigning Star or thank you for let

0:11:56.120 --> 0:11:59.160
<v Speaker 1>Me be Myself like or or a song like Glide,

0:12:00.080 --> 0:12:03.559
<v Speaker 1>like I almost feel like that's such a taboo key

0:12:03.600 --> 0:12:07.400
<v Speaker 1>for bass players. But yet like the amount of songs

0:12:07.400 --> 0:12:10.680
<v Speaker 1>that I hear people trying to attempt to to hop

0:12:10.720 --> 0:12:14.480
<v Speaker 1>that Jump, that Cliff that film and Louise Cliff and

0:12:14.520 --> 0:12:18.960
<v Speaker 1>they never make it. Now now you got me, Like,

0:12:19.240 --> 0:12:21.520
<v Speaker 1>now I gotta go back and reconsider that just because

0:12:21.720 --> 0:12:24.480
<v Speaker 1>it's it means something in Oakland. That's that's very true.

0:12:24.520 --> 0:12:27.520
<v Speaker 1>I mean, I mean I can't I've never I don't

0:12:27.520 --> 0:12:29.760
<v Speaker 1>think I've ever wrote a song that was worth anything

0:12:29.800 --> 0:12:36.440
<v Speaker 1>any Minor. I care from Oakland. I don't think you

0:12:36.559 --> 0:12:39.840
<v Speaker 1>is that even on purpose, Like I just don't think.

0:12:40.200 --> 0:12:42.520
<v Speaker 1>I just don't every time I don't. I heard, I

0:12:42.559 --> 0:12:44.959
<v Speaker 1>mean I heard through the grapevine that you know, um

0:12:44.960 --> 0:12:48.400
<v Speaker 1>through one of my friends. Um she does does she

0:12:48.440 --> 0:12:52.320
<v Speaker 1>does that. She has a podcast What what What? Most Steps? Mom?

0:12:52.600 --> 0:12:56.160
<v Speaker 1>Um and UM erica' connor and and she talked to

0:12:56.160 --> 0:12:58.680
<v Speaker 1>you spoke to your mom, I think, and they said

0:12:58.760 --> 0:13:00.880
<v Speaker 1>you had perfect your mom's that you have perfect pitch

0:13:00.920 --> 0:13:04.960
<v Speaker 1>as a kid. Yeah, so I only have perfect pitch

0:13:05.040 --> 0:13:11.040
<v Speaker 1>for a natural because of Larry Graham. Wow. Anything past that,

0:13:11.640 --> 0:13:14.800
<v Speaker 1>I'm done. You tell me because I played every every

0:13:14.840 --> 0:13:20.640
<v Speaker 1>Graham song and I could just now I know where

0:13:20.640 --> 0:13:23.480
<v Speaker 1>I'm Yeah, I mean I based all my things on

0:13:24.000 --> 0:13:27.160
<v Speaker 1>whatever the song is. You know, like if you say

0:13:27.240 --> 0:13:30.240
<v Speaker 1>b Minor, I just instantly think, don't stop the year enough.

0:13:30.280 --> 0:13:33.600
<v Speaker 1>If you say it's also based on the print of

0:13:33.640 --> 0:13:35.880
<v Speaker 1>Michael Jackson's on g I'm like, oh, that's shake your

0:13:35.920 --> 0:13:39.880
<v Speaker 1>body down to the ground, So it's not. And even

0:13:41.000 --> 0:13:43.600
<v Speaker 1>I spoke to Billy Graham one time I was hanging

0:13:43.640 --> 0:13:49.040
<v Speaker 1>outside of Oakland collis in. I think you meant Reverend

0:13:49.040 --> 0:13:53.319
<v Speaker 1>Billy Graham. I'm like, well, no, Bill Graham, the proter,

0:13:53.960 --> 0:13:57.560
<v Speaker 1>the promoter. He saw me trying to sneak in this concert.

0:13:58.679 --> 0:14:01.920
<v Speaker 1>He left me in the concert and he's said, are

0:14:01.920 --> 0:14:04.600
<v Speaker 1>you musician? I said yes, And he says, what do you?

0:14:04.640 --> 0:14:06.800
<v Speaker 1>What do you play outside of play bass? Who's your

0:14:06.840 --> 0:14:10.360
<v Speaker 1>favorite musician? I said Larry Graham. He said Larry would

0:14:10.360 --> 0:14:14.240
<v Speaker 1>be much better if you stopped making battle records and

0:14:14.280 --> 0:14:18.000
<v Speaker 1>so and by him saying that, who know I was

0:14:18.040 --> 0:14:20.600
<v Speaker 1>gonna be ever making records? I didn't know. I never

0:14:21.000 --> 0:14:22.760
<v Speaker 1>tried to be a singer or anything. I just want

0:14:22.800 --> 0:14:24.160
<v Speaker 1>to play in the band. I never wanted to be

0:14:24.760 --> 0:14:28.040
<v Speaker 1>a singer. I never wanted to be a lead singer.

0:14:28.080 --> 0:14:30.520
<v Speaker 1>I just wanted to play for a band and work

0:14:30.520 --> 0:14:33.960
<v Speaker 1>at a record store. That was probably it. And um,

0:14:33.960 --> 0:14:36.880
<v Speaker 1>but once he said that I started making music, it

0:14:36.880 --> 0:14:39.440
<v Speaker 1>always stayed in my head. Never tried to be a

0:14:39.480 --> 0:14:43.840
<v Speaker 1>battle band trying to make records. That makes sense because

0:14:44.160 --> 0:14:46.800
<v Speaker 1>even his songs were about how good of a band

0:14:46.840 --> 0:14:49.200
<v Speaker 1>we are and you'll never get to this level of

0:14:49.280 --> 0:14:52.440
<v Speaker 1>perfection that I'm iNTS to battist group from East to West.

0:14:55.000 --> 0:14:56.480
<v Speaker 1>What was it like the first time you got Larry

0:14:56.480 --> 0:15:00.160
<v Speaker 1>Graham's ere for real. When when I first got his yere,

0:15:00.160 --> 0:15:02.640
<v Speaker 1>I was I was at Eddie Murphy's house and he

0:15:02.680 --> 0:15:04.480
<v Speaker 1>was hanging out with Eddie Murphy and I'm like wow.

0:15:04.840 --> 0:15:08.880
<v Speaker 1>So he was just yeah, he was hanging out in

0:15:08.920 --> 0:15:11.080
<v Speaker 1>the garage. It was just me and him in the garage,

0:15:11.600 --> 0:15:13.040
<v Speaker 1>and I was like, Okay, when am I going to

0:15:13.080 --> 0:15:16.040
<v Speaker 1>break this to this dude? Did I've been like the

0:15:17.360 --> 0:15:20.960
<v Speaker 1>stalking my whole life and I'm because we're talking on

0:15:21.000 --> 0:15:22.760
<v Speaker 1>some creeens, just real cool, and I was just like,

0:15:22.800 --> 0:15:24.880
<v Speaker 1>forget it. Here we go. We're sitting in the garage

0:15:24.880 --> 0:15:27.480
<v Speaker 1>next to some jet skis. I said, hey, man, I

0:15:27.480 --> 0:15:29.840
<v Speaker 1>grew up in Oakland. I was in a band with

0:15:29.880 --> 0:15:34.440
<v Speaker 1>your son, Derek Graham and um in my high school band.

0:15:34.480 --> 0:15:36.920
<v Speaker 1>He was like really, I said, yeah, man, I played bass,

0:15:36.960 --> 0:15:39.320
<v Speaker 1>so I didn't have a bass on me. I had

0:15:39.360 --> 0:15:43.400
<v Speaker 1>an acoustic. So I tried to play something on acoustic

0:15:43.480 --> 0:15:48.600
<v Speaker 1>that was his and it just didn't work. Tony didn't

0:15:48.600 --> 0:15:51.600
<v Speaker 1>mean anything to him at that time. He I think

0:15:51.640 --> 0:15:53.640
<v Speaker 1>he knew about the Tonys, but he didn't know when

0:15:53.680 --> 0:15:59.800
<v Speaker 1>I played bass. Remember, nobody thought I was like everybody dance,

0:16:00.840 --> 0:16:04.000
<v Speaker 1>you know, Nobody knew that I was only made to

0:16:04.080 --> 0:16:07.080
<v Speaker 1>play Base because when we first came out, there were

0:16:07.080 --> 0:16:09.800
<v Speaker 1>no bands out and and everybody wanted us to be like,

0:16:09.880 --> 0:16:14.160
<v Speaker 1>you know, we had to compete with Guy and everybody

0:16:14.280 --> 0:16:15.800
<v Speaker 1>was out. So I had to put the base down

0:16:16.360 --> 0:16:18.960
<v Speaker 1>and had to become this other thing. So nobody really

0:16:19.040 --> 0:16:21.560
<v Speaker 1>knew me for playing bass, which I felt like Lioness

0:16:21.600 --> 0:16:24.080
<v Speaker 1>and Charlie Brown like, I put down my security blanket,

0:16:24.720 --> 0:16:26.920
<v Speaker 1>which was what's what's my base? That made me feel

0:16:27.040 --> 0:16:29.240
<v Speaker 1>very manly and tough and made me feel all these

0:16:29.240 --> 0:16:31.760
<v Speaker 1>different things. So when I put it down and became

0:16:31.840 --> 0:16:34.200
<v Speaker 1>and had to sing, I wasn't really confident about singing,

0:16:34.240 --> 0:16:36.520
<v Speaker 1>so he would have no way of knowing that I

0:16:36.560 --> 0:16:38.560
<v Speaker 1>was a bass player even though I played. I played

0:16:38.560 --> 0:16:40.840
<v Speaker 1>all the records on the base on based on the

0:16:40.880 --> 0:16:48.120
<v Speaker 1>Tony's album Wow. Got Graham in my studio and Blastlee

0:16:49.200 --> 0:16:51.360
<v Speaker 1>and he came over and I got on the base,

0:16:51.480 --> 0:16:54.720
<v Speaker 1>and I completely cannot play base in front of Ground.

0:16:58.560 --> 0:17:00.800
<v Speaker 1>It hasn't worked yet. Everything on I tried to play,

0:17:00.840 --> 0:17:03.440
<v Speaker 1>I was like bro for some reason, it just stopped

0:17:03.440 --> 0:17:08.399
<v Speaker 1>working right now, so I just left it alone. But

0:17:08.480 --> 0:17:13.120
<v Speaker 1>when he leaves, I'm like killing it. You got mine

0:17:13.160 --> 0:17:18.040
<v Speaker 1>control over Larry Graham. Yeah, stop talking, Yeah we we.

0:17:19.240 --> 0:17:21.320
<v Speaker 1>He played on my album, like two albums ago. We

0:17:21.359 --> 0:17:24.960
<v Speaker 1>did a slung together it's a hiding track and I

0:17:25.040 --> 0:17:27.760
<v Speaker 1>played guitar and Rob Bacon play guitar and he played

0:17:27.800 --> 0:17:30.879
<v Speaker 1>bass and he played right in front of me, and

0:17:30.920 --> 0:17:32.639
<v Speaker 1>I was just sitting there. I was playing guitar, like

0:17:33.600 --> 0:17:36.879
<v Speaker 1>this is crazy. And still you ain't playing bass in

0:17:36.960 --> 0:17:40.280
<v Speaker 1>front of him. Damn wow. I think I sat in

0:17:40.320 --> 0:17:44.879
<v Speaker 1>front of Slide and um Slide and and and George

0:17:44.880 --> 0:17:47.840
<v Speaker 1>Clinton maybe two times, and this is weird. Every time

0:17:47.840 --> 0:17:51.560
<v Speaker 1>I get around Slide it's weird too. I kind of

0:17:51.600 --> 0:17:55.160
<v Speaker 1>just staring Slide and I have to leave because I'm

0:17:55.200 --> 0:17:59.280
<v Speaker 1>like this dude is like right. I just kind of

0:18:00.080 --> 0:18:03.840
<v Speaker 1>walked out and George says, George told Slide he said, uh,

0:18:04.480 --> 0:18:06.760
<v Speaker 1>he said, yeah, boy did. He said, that's the answer

0:18:06.840 --> 0:18:08.600
<v Speaker 1>to you right here in Oakland. It's me. He said,

0:18:08.640 --> 0:18:10.119
<v Speaker 1>that's about me. And I was sitting there looking at

0:18:10.160 --> 0:18:12.639
<v Speaker 1>them because I'm friends with his daughter, and I was like,

0:18:12.720 --> 0:18:16.200
<v Speaker 1>all this greatness in the room, George and the Slot.

0:18:16.240 --> 0:18:18.320
<v Speaker 1>It was actually sitting in the mobile home in front

0:18:18.359 --> 0:18:23.960
<v Speaker 1>of Eddie Murphy's house for two hours, and so Eddie goes,

0:18:24.760 --> 0:18:26.879
<v Speaker 1>who is that in that in that mobile home? And

0:18:27.119 --> 0:18:32.320
<v Speaker 1>I goes and you' nobody was uh uh slide slide,

0:18:32.320 --> 0:18:34.919
<v Speaker 1>And George and Eddie started laughing. But I knew it

0:18:34.960 --> 0:18:37.439
<v Speaker 1>was them. They just sat in the in the in

0:18:37.480 --> 0:18:39.399
<v Speaker 1>the in the mobile home for two hours before they

0:18:39.440 --> 0:18:50.080
<v Speaker 1>walked in. What was they doing? You know? This was

0:18:50.280 --> 0:18:52.359
<v Speaker 1>this is no longer getting this is maybe four or

0:18:52.400 --> 0:19:03.680
<v Speaker 1>five years ago. Okay, gee yeah, yeah, he together, man,

0:19:03.760 --> 0:19:05.600
<v Speaker 1>I can see all this for hours. We gotta push

0:19:05.640 --> 0:19:08.879
<v Speaker 1>a little bit. Um. Before you started the group, I

0:19:08.880 --> 0:19:12.119
<v Speaker 1>know that you you you cut your teeth, uh playing

0:19:12.119 --> 0:19:16.000
<v Speaker 1>with bands, and I know that why I knew of

0:19:16.040 --> 0:19:19.960
<v Speaker 1>you because of your association with Sheila. But what acts

0:19:20.000 --> 0:19:22.400
<v Speaker 1>were you playing with? Was she like like the first

0:19:22.480 --> 0:19:25.359
<v Speaker 1>national act that you got to and how that situation happened?

0:19:25.720 --> 0:19:29.119
<v Speaker 1>Was there anyone before that? No? Really before that, I

0:19:29.200 --> 0:19:32.600
<v Speaker 1>was I was playing locally. Um that really started to Tony's.

0:19:32.640 --> 0:19:36.000
<v Speaker 1>I played a lot of local bands and I played

0:19:36.720 --> 0:19:44.000
<v Speaker 1>I played for the Hawkins family a bit. Yeah. Joel

0:19:44.040 --> 0:19:46.919
<v Speaker 1>Smith was sort of my um my idol bass player.

0:19:46.960 --> 0:19:49.439
<v Speaker 1>He passed away one of the best bass players in

0:19:49.440 --> 0:19:52.920
<v Speaker 1>the world and drummers and Um, besides you. You you're

0:19:52.920 --> 0:19:56.280
<v Speaker 1>probably my one of my best favorite basing drummers. I

0:19:56.359 --> 0:19:59.720
<v Speaker 1>tell everybody said one thing about Quest. No bass player

0:19:59.720 --> 0:20:01.840
<v Speaker 1>can hey on Quest. If you play bass, you should

0:20:01.880 --> 0:20:05.280
<v Speaker 1>just murder him. Because the kids una understand that I

0:20:05.359 --> 0:20:08.439
<v Speaker 1>had is It's like what I used to look for

0:20:08.480 --> 0:20:09.959
<v Speaker 1>as a kid. I would knock on if I hear

0:20:10.000 --> 0:20:12.480
<v Speaker 1>a drummer in the house, I would knock on the

0:20:12.480 --> 0:20:14.000
<v Speaker 1>door and say, hey man, I'll play bass. That's how

0:20:14.000 --> 0:20:17.439
<v Speaker 1>I grew up. So I started playing with the Hawkins family.

0:20:17.480 --> 0:20:19.840
<v Speaker 1>I played with the Nette Hawkins. I played with Shirley Miller,

0:20:20.200 --> 0:20:24.000
<v Speaker 1>I played with Vanessa Bill Armstrong, and then I started

0:20:24.000 --> 0:20:29.240
<v Speaker 1>playing with Sheila and eight six audition. Levi caesar Um

0:20:29.400 --> 0:20:32.119
<v Speaker 1>got me the gig. He called me and said, you

0:20:32.119 --> 0:20:34.680
<v Speaker 1>know you want auditioned for Sheiley and Eddie six audition

0:20:34.800 --> 0:20:38.280
<v Speaker 1>And we went on on the Cherry Moon tour in Japan,

0:20:39.280 --> 0:20:44.359
<v Speaker 1>and when Lisa was still playing with where in Japan?

0:20:44.520 --> 0:20:48.120
<v Speaker 1>Well the way that he fired the revolution After Purple Rain,

0:20:48.840 --> 0:20:51.760
<v Speaker 1>it finally made the Internet. It's it's the Clippers on

0:20:51.760 --> 0:20:54.359
<v Speaker 1>the Internet. But there's a moment where Wendy and Lisa

0:20:54.560 --> 0:20:56.760
<v Speaker 1>say they knew that they knew the band was over.

0:20:57.400 --> 0:21:02.359
<v Speaker 1>He took the cloud guitar and and destroyed it on stage,

0:21:03.240 --> 0:21:06.320
<v Speaker 1>walked off stage, came back, did another solo, and then

0:21:06.359 --> 0:21:09.720
<v Speaker 1>destroyed that Cloud guitar. And then when they and Lisa

0:21:09.760 --> 0:21:11.760
<v Speaker 1>and Bobby looked at each other and it's like, yeah

0:21:11.800 --> 0:21:16.480
<v Speaker 1>it's over, it was over. So yeah, it was pretty

0:21:16.520 --> 0:21:18.479
<v Speaker 1>It was pretty much over on that tour. But you know,

0:21:18.520 --> 0:21:21.239
<v Speaker 1>like I said, I was like eighteen years old, so

0:21:21.359 --> 0:21:23.119
<v Speaker 1>I just had a good time hanging out with Like

0:21:23.520 --> 0:21:27.720
<v Speaker 1>Cobby was a sound guy, um round Mark. I used

0:21:27.720 --> 0:21:30.159
<v Speaker 1>to get play out of his rig and and because

0:21:30.240 --> 0:21:32.520
<v Speaker 1>the band was breaking up, Prince would use us to

0:21:32.560 --> 0:21:35.320
<v Speaker 1>play all the after gigs. So I would play like

0:21:35.400 --> 0:21:38.800
<v Speaker 1>You Need Another Lover or the whole album. Um every

0:21:38.800 --> 0:21:41.640
<v Speaker 1>club Prince would call us to play instead of them.

0:21:41.840 --> 0:21:43.720
<v Speaker 1>Is that why one of our listeners asked me to

0:21:43.760 --> 0:21:46.280
<v Speaker 1>ask you about the opportunity to be in Princess band.

0:21:46.400 --> 0:21:49.280
<v Speaker 1>Was it from them? Well, I was. I was gonna

0:21:49.280 --> 0:21:51.920
<v Speaker 1>be an original band from Madhouse, the group called Madhouse

0:21:53.400 --> 0:21:57.200
<v Speaker 1>joint right. It wanted to be in being a band

0:21:57.240 --> 0:21:59.879
<v Speaker 1>called Madhouse. But when we heard the band was going

0:22:00.080 --> 0:22:02.760
<v Speaker 1>be wearing like mask over their face, which would have

0:22:02.840 --> 0:22:06.280
<v Speaker 1>could have been dope. We had already sort of formed

0:22:06.520 --> 0:22:08.879
<v Speaker 1>because at the time it was me and Tim to him.

0:22:08.880 --> 0:22:10.879
<v Speaker 1>Tim Riley who played with the Tony's, he was a

0:22:10.920 --> 0:22:14.320
<v Speaker 1>drummer and Um, I got the gig first, and then

0:22:14.359 --> 0:22:16.800
<v Speaker 1>Sheila was like, don't bring back a drummer. I brought

0:22:16.800 --> 0:22:21.399
<v Speaker 1>to him back anyway, he auditioned and and my friend

0:22:21.400 --> 0:22:24.600
<v Speaker 1>Carl Wheeler, he played keyboards, and all three of us went.

0:22:24.640 --> 0:22:27.520
<v Speaker 1>We rehearsed for like two months, fifteen hours a day.

0:22:27.600 --> 0:22:29.560
<v Speaker 1>Prince hired us to play for it because he was

0:22:29.840 --> 0:22:33.800
<v Speaker 1>paying the bills basically, and I was seeing his parts

0:22:33.800 --> 0:22:37.000
<v Speaker 1>in Erotic City. He would say stuff to me. But

0:22:37.040 --> 0:22:38.800
<v Speaker 1>the first time he walked up to us, he he

0:22:38.880 --> 0:22:40.520
<v Speaker 1>walked up to us with a yellow suit on, and

0:22:40.560 --> 0:22:43.400
<v Speaker 1>they came and he walks out and he goes, um,

0:22:43.520 --> 0:22:45.919
<v Speaker 1>what's your name? And you know, everybody said he name,

0:22:46.000 --> 0:22:50.280
<v Speaker 1>and then he goes, Hi, Prince. We're looking like, oh ship,

0:22:50.880 --> 0:22:53.680
<v Speaker 1>I mean we're in the middle of this, We're in

0:22:53.720 --> 0:22:56.600
<v Speaker 1>the middle of the stadium, like all this sound. I've

0:22:56.640 --> 0:23:00.160
<v Speaker 1>never heard this much power before. Because when we came out,

0:23:00.200 --> 0:23:01.639
<v Speaker 1>it was like when he came out, he would come

0:23:01.640 --> 0:23:05.560
<v Speaker 1>out around the world in the day and the curtains

0:23:05.640 --> 0:23:09.639
<v Speaker 1>would just be that the Yeah, And so I was

0:23:09.720 --> 0:23:13.159
<v Speaker 1>sitting I was sitting in a baseball dugout, which is

0:23:13.200 --> 0:23:16.760
<v Speaker 1>a folded like makes a folded cat movie, so you

0:23:16.760 --> 0:23:19.800
<v Speaker 1>can hear all the base and I'll just say the

0:23:19.840 --> 0:23:23.080
<v Speaker 1>Revolution was the best band he ever had, except you know,

0:23:23.200 --> 0:23:28.400
<v Speaker 1>I wish you, you know, death Daz would have been there. Yeah,

0:23:28.800 --> 0:23:31.400
<v Speaker 1>that was it. That was pretty much at school high school.

0:23:31.880 --> 0:23:34.960
<v Speaker 1>I played in jazz band, I played for choirs, I

0:23:35.000 --> 0:23:39.040
<v Speaker 1>played gospel, I played funk, I play every club there was.

0:23:39.200 --> 0:23:40.919
<v Speaker 1>And then it was then right off the back, it

0:23:40.960 --> 0:23:43.959
<v Speaker 1>was Prince and she like, look, I feel like this

0:23:44.000 --> 0:23:46.440
<v Speaker 1>is probably the only time I me get the opportunity

0:23:46.480 --> 0:23:48.800
<v Speaker 1>to ask you. And you know, I'm a print head,

0:23:48.840 --> 0:23:52.719
<v Speaker 1>but you already mentioned the Hawkins family, and I just

0:23:53.000 --> 0:23:58.160
<v Speaker 1>literally like, I, what is what is that circuit? Like

0:23:58.160 --> 0:24:02.879
<v Speaker 1>like that whole hospool circuit in in in the Hawkins.

0:24:03.240 --> 0:24:07.800
<v Speaker 1>Was it Walter or Edwin? It was Walter at this

0:24:07.920 --> 0:24:10.600
<v Speaker 1>at this time, it was more Walter that Edwin is

0:24:10.600 --> 0:24:12.720
<v Speaker 1>the pioneer who you know kind of produced that the

0:24:13.040 --> 0:24:16.200
<v Speaker 1>version of Old Happy Days because that's really an old song,

0:24:16.320 --> 0:24:20.960
<v Speaker 1>but he actually reproduced it his way, But honestly, playing

0:24:20.960 --> 0:24:24.000
<v Speaker 1>for playing for like the Hawkins family for us was

0:24:24.800 --> 0:24:28.760
<v Speaker 1>that's equivalent to like Tower power in Oakland. You know

0:24:28.880 --> 0:24:31.280
<v Speaker 1>we had Tower power then we had the Hawkins family

0:24:31.760 --> 0:24:35.360
<v Speaker 1>and they were the whole circuit. They were the whole gamute.

0:24:36.080 --> 0:24:39.080
<v Speaker 1>If you want to play gospel, that was the biggest god.

0:24:39.280 --> 0:24:41.080
<v Speaker 1>Besides you know, if you go down a little south,

0:24:41.080 --> 0:24:45.280
<v Speaker 1>you've got Andre Crouch. Did you play with Crouch at all? No? No,

0:24:45.400 --> 0:24:48.359
<v Speaker 1>justink my I'm a huge fan and I listened to

0:24:48.440 --> 0:24:51.080
<v Speaker 1>him like every every week. I listen to Dre Crouch.

0:24:52.960 --> 0:24:55.000
<v Speaker 1>But it's it's a big circuit. It was. It was

0:24:55.080 --> 0:24:58.240
<v Speaker 1>great music every Sunday morning every week. Uh. Right next

0:24:58.240 --> 0:25:03.040
<v Speaker 1>to to my high school was Love Centers First Church

0:25:03.080 --> 0:25:06.080
<v Speaker 1>where they recorded like follow Me in all these records.

0:25:06.080 --> 0:25:08.480
<v Speaker 1>So we would go to we would go to lunch

0:25:08.480 --> 0:25:11.040
<v Speaker 1>and we will listen to Joel Smith and Um Johnson

0:25:11.119 --> 0:25:16.600
<v Speaker 1>the boast rehearse at lunchtime. What yeah, How was the

0:25:16.640 --> 0:25:20.960
<v Speaker 1>money's gospel money? How's gospel money? As a teenager in

0:25:20.960 --> 0:25:22.959
<v Speaker 1>a band, how's the gospel money? Man? Let me tell

0:25:23.000 --> 0:25:26.159
<v Speaker 1>you something. I'm never worried about no money in the

0:25:26.200 --> 0:25:30.359
<v Speaker 1>music industry till now wait what now, I donunderstand. I

0:25:30.359 --> 0:25:32.840
<v Speaker 1>don't understand how much I love music. I made money

0:25:32.840 --> 0:25:36.719
<v Speaker 1>being an artist now, but I play so many gigs

0:25:37.080 --> 0:25:41.960
<v Speaker 1>because I love music. You know, whatever money I got Oakland,

0:25:42.000 --> 0:25:44.960
<v Speaker 1>Hey man, if he wasn't getting murdered or killed when

0:25:44.960 --> 0:25:53.040
<v Speaker 1>you wake up, everyone else is extra. I mean, we

0:25:53.160 --> 0:25:56.000
<v Speaker 1>used to. We had our sound managed to cost the Tony's.

0:25:56.040 --> 0:25:58.320
<v Speaker 1>Our sound managed to cost us a hundred and fifty dollars,

0:25:58.920 --> 0:26:01.040
<v Speaker 1>and we was making a hundred and fifty dollars playing

0:26:01.040 --> 0:26:04.639
<v Speaker 1>the clubs we just had. We just got rid of

0:26:04.640 --> 0:26:06.680
<v Speaker 1>the idle time that we didn't need to be hanging

0:26:06.680 --> 0:26:09.160
<v Speaker 1>out in the street because we were. We pretty much

0:26:09.240 --> 0:26:11.200
<v Speaker 1>just not no band. Dudes, if you're in Oakland, you

0:26:11.280 --> 0:26:15.240
<v Speaker 1>gotta do Oakland things too. When to you know, til

0:26:15.240 --> 0:26:19.320
<v Speaker 1>you get done with doing Oakland things? Okay? Since Too

0:26:19.320 --> 0:26:21.399
<v Speaker 1>Short was on the show and he kind of outed

0:26:21.480 --> 0:26:29.480
<v Speaker 1>himself as a nerd disguise as a gangster, we what

0:26:29.520 --> 0:26:33.280
<v Speaker 1>was I mean, how did how did you? Because I'm

0:26:33.320 --> 0:26:37.560
<v Speaker 1>I'm thinking that that life chooses you like you don't

0:26:37.640 --> 0:26:39.919
<v Speaker 1>have a choice to say I'm not going to do

0:26:40.000 --> 0:26:43.000
<v Speaker 1>that or I will do that, because I feel like

0:26:43.080 --> 0:26:45.480
<v Speaker 1>that life chooses you, like, you don't have a choice

0:26:45.480 --> 0:26:48.520
<v Speaker 1>but to walk past this corner and past this group

0:26:48.560 --> 0:26:52.000
<v Speaker 1>and either get jumped in or beat down whatever. Like,

0:26:52.720 --> 0:26:56.320
<v Speaker 1>how did you avoid what I know to be Oakland?

0:26:56.359 --> 0:27:00.840
<v Speaker 1>Because Oakland is probably want to be Rasies. I mean

0:27:00.840 --> 0:27:04.680
<v Speaker 1>the Bay Area in general, especially when we first started

0:27:04.720 --> 0:27:06.960
<v Speaker 1>going there, like in the nineties, so I know that

0:27:07.000 --> 0:27:09.480
<v Speaker 1>in the eighties and in the seventies. I mean, you're

0:27:09.520 --> 0:27:14.080
<v Speaker 1>you're forever gonna look thirty six, So I don't know

0:27:14.160 --> 0:27:17.720
<v Speaker 1>how old you are, but I know although you look

0:27:19.720 --> 0:27:27.119
<v Speaker 1>like old as hell? What was it I avoided? Because

0:27:27.520 --> 0:27:30.280
<v Speaker 1>you know, like I have a lot of families from Chicago,

0:27:30.320 --> 0:27:32.320
<v Speaker 1>a lot of family in Chicago on the South Side

0:27:32.320 --> 0:27:34.520
<v Speaker 1>and the West Side, and and you know, your your

0:27:34.520 --> 0:27:36.760
<v Speaker 1>parents on the phone, you're hearing about everything just happened

0:27:36.760 --> 0:27:39.240
<v Speaker 1>to your family. And also with all those brothers and sisters.

0:27:39.240 --> 0:27:41.760
<v Speaker 1>I lost three brothers and sisters. On one of my

0:27:41.800 --> 0:27:45.680
<v Speaker 1>brothers committed suicide. One of my brothers, Alvi got was murdered,

0:27:46.320 --> 0:27:49.400
<v Speaker 1>and my other's sister hit by a car some cop

0:27:49.520 --> 0:27:53.800
<v Speaker 1>running from a kid, uh a kid running from a

0:27:53.840 --> 0:27:56.600
<v Speaker 1>copy this car or kill my sister at permanent brain damage.

0:27:56.600 --> 0:27:59.639
<v Speaker 1>It when you see trauma like that, you know, and

0:27:59.720 --> 0:28:01.720
<v Speaker 1>you've My father would say to me all the time.

0:28:01.800 --> 0:28:04.679
<v Speaker 1>He was like, if you see somebody um when my

0:28:04.720 --> 0:28:07.639
<v Speaker 1>brother killed himself because he couldn't get off dope. So

0:28:07.760 --> 0:28:09.840
<v Speaker 1>my father was saying, if you see somebody shooting the

0:28:09.880 --> 0:28:13.400
<v Speaker 1>gun and wrapid rapid fire, what you're gonna do? At

0:28:13.400 --> 0:28:14.879
<v Speaker 1>this point, I was so young, I don't even know

0:28:14.880 --> 0:28:17.720
<v Speaker 1>what rapp it men. And I said, I'm gonna turn

0:28:17.760 --> 0:28:20.400
<v Speaker 1>around and go the other way. That's what I'm talking about.

0:28:20.400 --> 0:28:23.280
<v Speaker 1>He was just so frustrated. And he also said, if

0:28:23.320 --> 0:28:25.720
<v Speaker 1>you know, when you go to jail, it's a very

0:28:25.760 --> 0:28:28.800
<v Speaker 1>difficult thing. Down there is a system. It's hard to understand.

0:28:28.880 --> 0:28:31.680
<v Speaker 1>And you know, so when I do know one thing,

0:28:31.680 --> 0:28:34.240
<v Speaker 1>they give you one phone call. So I if you

0:28:34.320 --> 0:28:36.399
<v Speaker 1>go to jail, I think you should call somebody to

0:28:36.440 --> 0:28:38.600
<v Speaker 1>understand that system because I don't know anything about it.

0:28:39.000 --> 0:28:45.360
<v Speaker 1>And that's what KEPT mean, I'm not coming for you.

0:28:45.640 --> 0:28:48.000
<v Speaker 1>And my father wasn't only want to carry a pocket

0:28:48.040 --> 0:28:50.959
<v Speaker 1>full of money, a water full of money. So with that,

0:28:51.040 --> 0:28:53.280
<v Speaker 1>and and how much I love music, I will I'll

0:28:53.320 --> 0:28:57.120
<v Speaker 1>say that you know instrumentation musicians like earth wind and Fire,

0:28:57.280 --> 0:29:00.360
<v Speaker 1>and you know even like the mom was, the pop

0:29:00.400 --> 0:29:01.920
<v Speaker 1>was all the music I used here in Berkeley and

0:29:01.960 --> 0:29:03.960
<v Speaker 1>San Francisco, and the hippie stuff that I used to

0:29:04.760 --> 0:29:07.000
<v Speaker 1>here in all the gospel. It really saved my life.

0:29:07.040 --> 0:29:09.400
<v Speaker 1>So when I when I run into people like Rest

0:29:09.400 --> 0:29:12.040
<v Speaker 1>in Peace, like Maurice White, and I see Verdine and

0:29:12.040 --> 0:29:14.640
<v Speaker 1>those guys, I just tell them you basically saved my

0:29:14.720 --> 0:29:16.840
<v Speaker 1>life about making great music because it kept me in

0:29:16.880 --> 0:29:20.040
<v Speaker 1>my room making music, making music. But on the other side,

0:29:20.040 --> 0:29:22.720
<v Speaker 1>I felt like my life was like the the narration

0:29:22.760 --> 0:29:26.239
<v Speaker 1>of the movie City of Gods. Like I was with

0:29:26.520 --> 0:29:29.920
<v Speaker 1>I was like the kid with the camera. I had

0:29:29.960 --> 0:29:32.560
<v Speaker 1>a moped and I would ride around Oakland. I would

0:29:32.560 --> 0:29:35.360
<v Speaker 1>witness some murderers because I was everywhere. I would see stuff.

0:29:35.480 --> 0:29:37.800
<v Speaker 1>I would keep going and I would be listening to

0:29:38.000 --> 0:29:40.360
<v Speaker 1>in my headphones and my Sony walking in with a cassette.

0:29:40.720 --> 0:29:43.080
<v Speaker 1>I'll be listening to Ronnie run to Russia. Ron didn't

0:29:43.160 --> 0:29:46.120
<v Speaker 1>run to the Russia before It's too late, you know,

0:29:46.360 --> 0:29:49.080
<v Speaker 1>But that nobody knew what I'd be listening to. And

0:29:49.280 --> 0:29:53.040
<v Speaker 1>um so between the hood of everybody listening to Needy

0:29:53.360 --> 0:29:57.360
<v Speaker 1>and Funkadelic and everything, my neighborhood was listening. My neighborhood

0:29:57.400 --> 0:30:01.200
<v Speaker 1>was big on funkadelic, right, So I think the music

0:30:01.280 --> 0:30:04.880
<v Speaker 1>sort of like you said, the street is the street.

0:30:04.960 --> 0:30:07.480
<v Speaker 1>The streets could be your father and your mother. But

0:30:07.640 --> 0:30:09.680
<v Speaker 1>my father was my father, my mother was my mother,

0:30:10.280 --> 0:30:13.400
<v Speaker 1>and music was like my god. Parents. Can I have

0:30:13.600 --> 0:30:17.800
<v Speaker 1>the word, because um, I know most parents I know

0:30:18.600 --> 0:30:27.120
<v Speaker 1>well sort of drift towards safety more than pursuing a dream.

0:30:27.160 --> 0:30:32.760
<v Speaker 1>So assuming that you know you're that you were passionate

0:30:32.760 --> 0:30:35.800
<v Speaker 1>about your your your musical pursuits were your parents and

0:30:36.160 --> 0:30:39.239
<v Speaker 1>like encouraging and nurturing on that end, or were they

0:30:39.320 --> 0:30:41.440
<v Speaker 1>just like nah boyd like go to post office, get

0:30:41.440 --> 0:30:45.240
<v Speaker 1>a job. Like my mother was like get you fifty

0:30:45.280 --> 0:30:48.400
<v Speaker 1>years in over at the Highland Hospital and you're my age,

0:30:48.400 --> 0:30:55.320
<v Speaker 1>you can retire. Uh. My father was a little bit um.

0:30:55.400 --> 0:30:57.200
<v Speaker 1>My father could play guitar a little bit. He could

0:30:57.200 --> 0:30:59.400
<v Speaker 1>see my dad kind of seeking like Sam Cook. But

0:30:59.520 --> 0:31:01.560
<v Speaker 1>my dad was just like I used to work in

0:31:01.600 --> 0:31:03.680
<v Speaker 1>you you know, in the parcel for for a minute,

0:31:04.040 --> 0:31:06.080
<v Speaker 1>I had all kind of like I had jobs. I

0:31:06.120 --> 0:31:09.200
<v Speaker 1>was doing landscaping. It was another like you couldn't be

0:31:09.200 --> 0:31:11.000
<v Speaker 1>at my house and and tell somebody you're gonna be

0:31:11.040 --> 0:31:12.960
<v Speaker 1>a start and leave me alone. That ship was not

0:31:13.000 --> 0:31:19.080
<v Speaker 1>gonna lie. So uh, I think my father told me

0:31:19.520 --> 0:31:22.280
<v Speaker 1>when I told him I got this gig, he just

0:31:22.320 --> 0:31:25.760
<v Speaker 1>told me said, hey, if you want to, if you could,

0:31:25.800 --> 0:31:27.800
<v Speaker 1>because everybody was saying, you know, church people, you're going

0:31:27.840 --> 0:31:29.480
<v Speaker 1>to here because you're playing R and B, and my

0:31:29.600 --> 0:31:33.520
<v Speaker 1>dad would stay son the church KYFG is the same

0:31:33.640 --> 0:31:37.000
<v Speaker 1>key as R, R and B, the same KYRG. If

0:31:37.040 --> 0:31:39.239
<v Speaker 1>you don't, if you want to, if that scares you,

0:31:39.320 --> 0:31:41.480
<v Speaker 1>I got some work for you at it's a naval

0:31:41.520 --> 0:31:44.000
<v Speaker 1>air you know, if you've been come and work here.

0:31:44.040 --> 0:31:46.480
<v Speaker 1>But other than that, I just I think I got

0:31:46.480 --> 0:31:49.640
<v Speaker 1>a job playing this gig at this club called Lucky

0:31:49.720 --> 0:31:53.920
<v Speaker 1>Lion with this band. And I told my father because

0:31:53.960 --> 0:31:56.120
<v Speaker 1>I bust my fingers at ups, I bust three of

0:31:56.160 --> 0:31:58.560
<v Speaker 1>my fingers on the conveyor belt and then my nails

0:31:58.600 --> 0:32:01.520
<v Speaker 1>came right off. I quit because I didn't want to.

0:32:01.560 --> 0:32:04.440
<v Speaker 1>You know, they had these safety working days, and if

0:32:04.440 --> 0:32:06.520
<v Speaker 1>you're ringing the bell, you mess up the whole staff

0:32:06.840 --> 0:32:09.600
<v Speaker 1>safety working days. I tried to hold it for a minute,

0:32:09.600 --> 0:32:12.640
<v Speaker 1>but when the nails came out hit the alarm, called

0:32:12.640 --> 0:32:14.560
<v Speaker 1>my dad and said, I got this gig. I wanna

0:32:14.600 --> 0:32:17.240
<v Speaker 1>do this gig up and my dad said, well, don't

0:32:17.240 --> 0:32:20.040
<v Speaker 1>tell your mom. Do not tell your mother. If you

0:32:20.120 --> 0:32:23.960
<v Speaker 1>need some money, call me. And I never had to

0:32:24.000 --> 0:32:26.160
<v Speaker 1>call him because I had those little undred fifty dollar gigs.

0:32:26.200 --> 0:32:29.160
<v Speaker 1>But my mother didn't find out that I quit that

0:32:29.280 --> 0:32:32.880
<v Speaker 1>job until she saw me on the Tonys on arseni

0:32:32.960 --> 0:32:40.280
<v Speaker 1>or Hall Wow, And what did she say? She did?

0:32:40.440 --> 0:32:45.040
<v Speaker 1>My mother didn't know I could sing. She she know,

0:32:45.160 --> 0:32:47.440
<v Speaker 1>she knew, she saw me kind of thing. Unf I mean,

0:32:47.480 --> 0:32:50.400
<v Speaker 1>but that's not Nobody knew I could sing. Nobody in

0:32:50.400 --> 0:32:53.000
<v Speaker 1>my high school because I was singing at home. You

0:32:53.040 --> 0:32:56.080
<v Speaker 1>don't mess around. But my mother didn't realize that I

0:32:56.120 --> 0:32:59.520
<v Speaker 1>wasn't working at you ups until she turned to Arsenio

0:32:59.560 --> 0:33:01.880
<v Speaker 1>on it was Tony Tony an Tony and I was all,

0:33:02.560 --> 0:33:08.240
<v Speaker 1>you know, going for it, dog, yo, man, you don't

0:33:08.320 --> 0:33:12.840
<v Speaker 1>even know between between your love of pal and that story.

0:33:13.640 --> 0:33:15.800
<v Speaker 1>No one believes me when I tell my dad wanted

0:33:15.880 --> 0:33:17.760
<v Speaker 1>to say that my dad didn't know about the Roots

0:33:17.800 --> 0:33:22.360
<v Speaker 1>until our our second album. They're like, yeah, yeah, you

0:33:22.440 --> 0:33:26.000
<v Speaker 1>hide that ship yo, Wow hid you can't. It's none

0:33:26.000 --> 0:33:27.520
<v Speaker 1>of that. Come on, when I got a dream or

0:33:27.560 --> 0:33:34.280
<v Speaker 1>what wowdream? What a dream he won college and he

0:33:34.320 --> 0:33:37.440
<v Speaker 1>wasn't having that like just hang with that, Tarik. No,

0:33:38.000 --> 0:33:47.320
<v Speaker 1>you go sa that insurance that Tarik believe that hold

0:33:47.440 --> 0:33:55.400
<v Speaker 1>him right. Um, around eighties six, I know that. Um.

0:33:55.440 --> 0:33:58.440
<v Speaker 1>You know Foster McElroy produced the first Tony record. But

0:33:59.240 --> 0:34:03.280
<v Speaker 1>what was what was like the relationship? Did you guys

0:34:03.280 --> 0:34:07.120
<v Speaker 1>have any runnings with like j King the club New

0:34:07.240 --> 0:34:12.440
<v Speaker 1>Vot Click. Yeah. Well I lived in Sacramento for after

0:34:12.480 --> 0:34:14.160
<v Speaker 1>I moved out of Oakland. I came back off the

0:34:14.200 --> 0:34:16.200
<v Speaker 1>tour by first tour after the eight my mom had

0:34:16.239 --> 0:34:19.040
<v Speaker 1>moved to Sacramento. I came into my house and it

0:34:19.120 --> 0:34:21.839
<v Speaker 1>said we moved to Sacramento, and now the house I

0:34:21.880 --> 0:34:23.920
<v Speaker 1>bought my mom bought her on house. Everybody think I

0:34:23.960 --> 0:34:26.400
<v Speaker 1>bought my mother house. It was in Jet magazine and

0:34:26.760 --> 0:34:28.680
<v Speaker 1>he bought his MoMA house. My mother here, by the

0:34:29.000 --> 0:34:32.359
<v Speaker 1>damn thing. Good night. When you first saw the roots

0:34:32.400 --> 0:34:35.520
<v Speaker 1>in Sacramento, you still living in your mom's house. No, No,

0:34:35.600 --> 0:34:38.880
<v Speaker 1>I had bought a house in Sacramento. I followed. I

0:34:39.000 --> 0:34:43.279
<v Speaker 1>followed her. I lived there at the first couple of years.

0:34:43.360 --> 0:34:45.400
<v Speaker 1>I wasn't buying nothing, but I had a toyo. The

0:34:45.440 --> 0:34:49.560
<v Speaker 1>trade here wrapped all from my sister. I wasn't buying nothing,

0:34:49.560 --> 0:34:51.759
<v Speaker 1>but I was very fruble. I wasn't. I didn't believe

0:34:51.760 --> 0:34:54.120
<v Speaker 1>the hype either. They scared me so much about being

0:34:54.120 --> 0:34:57.640
<v Speaker 1>an artist. I never really bought into the whole artist thing. Really.

0:34:57.680 --> 0:35:02.000
<v Speaker 1>I kept I kept a very low pro but I

0:35:02.040 --> 0:35:04.840
<v Speaker 1>wrote just Me and you and my Mother's in my

0:35:04.920 --> 0:35:06.719
<v Speaker 1>room in my mother's house on an MP and a

0:35:06.840 --> 0:35:11.000
<v Speaker 1>T three accord. And I wasn't I wrote that in

0:35:11.040 --> 0:35:15.400
<v Speaker 1>my room. Wow. Yeah, So then I was. I just

0:35:15.440 --> 0:35:18.719
<v Speaker 1>so I didn't run into j King a lot um

0:35:18.719 --> 0:35:22.200
<v Speaker 1>Club New Vau, because he actually spun off Danny and Tommy,

0:35:22.280 --> 0:35:24.400
<v Speaker 1>and Denny and Tommy went on to get a production

0:35:24.400 --> 0:35:27.560
<v Speaker 1>deal with Ed Exstein over at um Wing Records, which

0:35:27.800 --> 0:35:32.640
<v Speaker 1>he became the predent president of PolyGram. And after that, right,

0:35:33.160 --> 0:35:35.880
<v Speaker 1>I'm Billy ex Stein and x Stein was Ed x

0:35:35.880 --> 0:35:40.480
<v Speaker 1>Stein was R. Clive Davis. After that, we never had one.

0:35:40.520 --> 0:35:43.279
<v Speaker 1>Since I've been pretty much on my own, I never

0:35:43.320 --> 0:35:45.200
<v Speaker 1>had to go to I had no connect after that.

0:35:45.239 --> 0:35:47.279
<v Speaker 1>After that was just connecting with artists and just kind

0:35:47.280 --> 0:35:51.440
<v Speaker 1>of just um doing myself. But Danny and Tommy was

0:35:51.480 --> 0:35:56.880
<v Speaker 1>definitely the ones who who spun us into making songs

0:35:56.880 --> 0:35:59.239
<v Speaker 1>because we had just left Print and I don't know

0:35:59.280 --> 0:36:01.200
<v Speaker 1>what what happened to us right after that. I don't

0:36:01.239 --> 0:36:04.960
<v Speaker 1>think we had any we we didn't have any producer

0:36:05.040 --> 0:36:09.759
<v Speaker 1>skills or any like. We knew structure, song structure, but

0:36:09.800 --> 0:36:12.279
<v Speaker 1>we wasn't studying it. We would have came out trying

0:36:12.320 --> 0:36:14.560
<v Speaker 1>to be probably Monserati and somebody if it wasn't for

0:36:14.600 --> 0:36:25.239
<v Speaker 1>those too. One, if Prince is offen you an opportunity

0:36:25.400 --> 0:36:28.719
<v Speaker 1>to do something, in your mind, it's like, yo, we're

0:36:28.719 --> 0:36:32.440
<v Speaker 1>about to make it. Like not how much courage did

0:36:32.480 --> 0:36:36.920
<v Speaker 1>it take? But obviously you gave them a note and

0:36:37.000 --> 0:36:39.440
<v Speaker 1>at one point, like was basically park even trying to

0:36:39.480 --> 0:36:43.080
<v Speaker 1>sign you guys, you never got it, never got that far.

0:36:43.160 --> 0:36:45.120
<v Speaker 1>I was just like Sheila was gonna fire us pretty

0:36:45.160 --> 0:36:47.040
<v Speaker 1>soon because she was going on to play on the

0:36:47.080 --> 0:36:51.120
<v Speaker 1>Signs at the Times tour. So like Prince will get

0:36:51.120 --> 0:36:55.320
<v Speaker 1>on the bus, he would play. He would play Signs

0:36:55.320 --> 0:36:58.120
<v Speaker 1>at the Times the whole album mark. He would he

0:36:58.200 --> 0:37:01.120
<v Speaker 1>would see me in the club and were like he's like,

0:37:01.160 --> 0:37:02.960
<v Speaker 1>come over here, I want to play you something, and

0:37:02.960 --> 0:37:05.759
<v Speaker 1>then we'll walk to the speaker. He would look at

0:37:05.760 --> 0:37:07.680
<v Speaker 1>the DJ and he was like, hold on he like,

0:37:07.760 --> 0:37:09.520
<v Speaker 1>put your head in the speaking, so both of us

0:37:09.520 --> 0:37:12.640
<v Speaker 1>would put our head inside of a folded cabinet in

0:37:12.840 --> 0:37:15.360
<v Speaker 1>like this, and then he'll points to the DJ and

0:37:15.360 --> 0:37:18.799
<v Speaker 1>then he played house Quake. And at that point I

0:37:18.880 --> 0:37:20.799
<v Speaker 1>knew Sheila was on our way and we was on

0:37:20.840 --> 0:37:23.520
<v Speaker 1>our way home. And then they put like they put

0:37:23.600 --> 0:37:27.400
<v Speaker 1>like her role manager Roy uh got his name at

0:37:27.440 --> 0:37:30.839
<v Speaker 1>the time. They put McDonald applications in our and our

0:37:30.920 --> 0:37:37.600
<v Speaker 1>bunks on the tour circle back again? So wait, circle

0:37:37.640 --> 0:37:40.600
<v Speaker 1>back again, Tony, Tony, Tony, what was your circle back

0:37:40.640 --> 0:37:46.080
<v Speaker 1>with Prince and Sheila? Appreciate that I did? I did,

0:37:46.120 --> 0:37:49.000
<v Speaker 1>I did? I said, let us sit for a second.

0:37:49.040 --> 0:37:51.400
<v Speaker 1>I'm sorry. I didn't know. I didn't when I considered

0:37:52.080 --> 0:37:55.680
<v Speaker 1>take the moment he walked up with Mickey d applications

0:37:55.719 --> 0:37:58.799
<v Speaker 1>in our bumps. Yeah, because that was it, and we

0:37:58.800 --> 0:38:01.600
<v Speaker 1>were going home because he was playing all these hits,

0:38:01.760 --> 0:38:05.279
<v Speaker 1>you know, offishing coffee was like damn. So he took

0:38:05.400 --> 0:38:08.879
<v Speaker 1>Levin Caesar, he took Sheila, and he took Bonnie Boy

0:38:08.960 --> 0:38:10.840
<v Speaker 1>and we were all in the band together with Sheila

0:38:11.480 --> 0:38:14.799
<v Speaker 1>talking about I know nothing about like Bonnie came from

0:38:14.840 --> 0:38:20.080
<v Speaker 1>Old correct, Bonnie was from Oakland. She was funky. I

0:38:20.080 --> 0:38:22.400
<v Speaker 1>mean she would pick up my basse and showed me

0:38:22.480 --> 0:38:26.640
<v Speaker 1>some funk licks that I didn't know. And yeah, so

0:38:27.000 --> 0:38:30.239
<v Speaker 1>her boyfriend growing up was in this band called Windstorm. Right.

0:38:31.560 --> 0:38:34.520
<v Speaker 1>Her boyfriend and back in the day was Rusty Allen.

0:38:35.320 --> 0:38:39.640
<v Speaker 1>Rusty Allen. She did that Rusty Allen's uh Larry's replacement

0:38:39.640 --> 0:38:44.000
<v Speaker 1>and family. So she knew all that bass stuff from him.

0:38:44.040 --> 0:38:46.960
<v Speaker 1>So she used to show me licks that I one day,

0:38:46.960 --> 0:38:49.040
<v Speaker 1>we're sitting down and I'll show you what she showed me.

0:38:49.440 --> 0:38:52.799
<v Speaker 1>She took my basse in the in the back of

0:38:52.840 --> 0:38:55.160
<v Speaker 1>the buzz and just took my basse like give me that.

0:38:55.480 --> 0:39:00.440
<v Speaker 1>It just started like and almost like damn like. So yeah,

0:39:00.520 --> 0:39:04.040
<v Speaker 1>Bonnie was. She was a Oakland on the Oakland's Greatest

0:39:04.640 --> 0:39:07.680
<v Speaker 1>she Um. She was a vocal colt. She was a

0:39:07.760 --> 0:39:11.719
<v Speaker 1>keyboard player with Sheila. She doubled Sheila vocals on the tour.

0:39:12.680 --> 0:39:14.759
<v Speaker 1>If you listen to Kissing you did, I did. I

0:39:14.800 --> 0:39:18.680
<v Speaker 1>produced for a Puffies group. Total um. That that the backgrounds,

0:39:18.680 --> 0:39:24.800
<v Speaker 1>that's her. That's Bonnie Boye. Wow, did not know. That's awesome.

0:39:26.040 --> 0:39:29.239
<v Speaker 1>So she was she was. She was. She was all

0:39:29.280 --> 0:39:32.880
<v Speaker 1>that man so that experience. Hey, one more quick question.

0:39:33.520 --> 0:39:38.720
<v Speaker 1>I know also know, I know that um around. Wait

0:39:39.000 --> 0:39:41.840
<v Speaker 1>was was Rosie from Oakland or was she from l A.

0:39:42.880 --> 0:39:44.680
<v Speaker 1>I don't. I don't know exactly what she's from, but

0:39:44.719 --> 0:39:47.200
<v Speaker 1>she lived in Oakland most of her life. She was

0:39:47.239 --> 0:39:50.400
<v Speaker 1>like she was in that circle as well, and didn't

0:39:50.400 --> 0:39:53.840
<v Speaker 1>come until the second draft wouldn't be g but I

0:39:53.880 --> 0:39:55.640
<v Speaker 1>wanted to know if she made her rounds in the

0:39:55.680 --> 0:39:59.240
<v Speaker 1>local Oh, she was like, she had like local gigs

0:39:59.239 --> 0:40:02.000
<v Speaker 1>and everybody play with her. She had a I mean,

0:40:02.000 --> 0:40:05.160
<v Speaker 1>Prince pretty much adopted everybody out of Oakland, from Miko

0:40:05.280 --> 0:40:12.520
<v Speaker 1>Weaver to Sheila's first bandakand Too. Yeah, bro, everybody getting him? Man, Oh,

0:40:13.520 --> 0:40:17.440
<v Speaker 1>everybody Prince used after the Revolution was all Oakland based,

0:40:18.280 --> 0:40:22.880
<v Speaker 1>mostly a Latin the next two bands obviously. Okay, that

0:40:22.960 --> 0:40:26.359
<v Speaker 1>makes that makes total sense. Okay, so circle back now

0:40:26.440 --> 0:40:29.319
<v Speaker 1>after the McDonald's applications are on your bed but you're grown.

0:40:29.640 --> 0:40:33.520
<v Speaker 1>You're right, Tony, Tony, Tony, what's the first running the

0:40:33.680 --> 0:40:36.440
<v Speaker 1>Prince and Sheila Eli, now that you have proven your

0:40:36.520 --> 0:40:40.560
<v Speaker 1>stelf to the world, Yeah, well, I think, uh, the

0:40:40.600 --> 0:40:42.680
<v Speaker 1>first one was when I wrote this song on my

0:40:42.760 --> 0:40:45.520
<v Speaker 1>first song called Born Out to Know, and I wrote

0:40:45.520 --> 0:40:47.839
<v Speaker 1>this line said for no reason. It's only because I'm

0:40:47.840 --> 0:40:51.560
<v Speaker 1>a lazy songwriter and I just wrote this lyric that said, uh,

0:40:51.680 --> 0:40:54.120
<v Speaker 1>things are getting crazy. I'm not wearing Paisley because I

0:40:54.160 --> 0:40:57.719
<v Speaker 1>was born out to know. So Prince must have heard that.

0:40:57.800 --> 0:41:01.680
<v Speaker 1>Invited me into a show in Hamptonsvirginia on the Love

0:41:01.760 --> 0:41:03.840
<v Speaker 1>Sexy tour and he asked me if I wanted to

0:41:03.840 --> 0:41:06.520
<v Speaker 1>come on stage, and I'm like, yeah, sure. So I

0:41:06.640 --> 0:41:08.400
<v Speaker 1>come on stage and he said, you want to come

0:41:08.440 --> 0:41:10.719
<v Speaker 1>up and play basketball. So we're just shooting basketball on

0:41:10.800 --> 0:41:14.000
<v Speaker 1>the court. He's shooting around and then he goes Then

0:41:14.000 --> 0:41:16.440
<v Speaker 1>it gets to Mike and he goes out, here's a

0:41:16.440 --> 0:41:19.000
<v Speaker 1>little boy who made the pays the rhyme. And I'm like, damn,

0:41:19.000 --> 0:41:26.160
<v Speaker 1>he heard that, and so right, boy, that's where I was.

0:41:28.719 --> 0:41:30.880
<v Speaker 1>I was at boy now, But to him, here's a

0:41:30.880 --> 0:41:32.799
<v Speaker 1>little boy who made the pays and rhyme. And I'm

0:41:32.840 --> 0:41:36.840
<v Speaker 1>like wow. So he gives me the microphone. He leaves

0:41:36.880 --> 0:41:40.759
<v Speaker 1>me on the stage. Now this is Pat and I'm like, well,

0:41:40.760 --> 0:41:42.560
<v Speaker 1>I've got a couple of band members up there. I'm like,

0:41:42.600 --> 0:41:44.560
<v Speaker 1>I don't know what to do, like you know, so

0:41:44.680 --> 0:41:48.080
<v Speaker 1>I started singing Heylo Walter and the crowd, and she

0:41:48.239 --> 0:41:51.400
<v Speaker 1>loves on drums, Bonny and everybody. And this time Prince

0:41:51.480 --> 0:41:54.000
<v Speaker 1>had from what I heard, princes never really invited people

0:41:54.040 --> 0:41:57.960
<v Speaker 1>on the stage for that, No Leanney, nobody, and he

0:41:58.040 --> 0:42:00.440
<v Speaker 1>invited me on the stage. And so everybody in the

0:42:00.520 --> 0:42:03.040
<v Speaker 1>band that knew me, they was all crying, and I'm like,

0:42:03.400 --> 0:42:05.880
<v Speaker 1>why are they crying Because they were saying because he

0:42:05.920 --> 0:42:08.439
<v Speaker 1>was being so nice to me. But he always been really,

0:42:08.480 --> 0:42:10.719
<v Speaker 1>really really nice to me. He always like invited me

0:42:10.760 --> 0:42:13.319
<v Speaker 1>out to dinner in Japan. You wanna go, you wanna

0:42:13.320 --> 0:42:15.319
<v Speaker 1>get something to eat, You want to go do this.

0:42:15.440 --> 0:42:17.920
<v Speaker 1>You need some girls, you need some models. He was

0:42:18.040 --> 0:42:21.600
<v Speaker 1>always like that to me. Um, it was weird because

0:42:21.920 --> 0:42:25.080
<v Speaker 1>nothing about Princess when Um, when when I was gonna

0:42:25.080 --> 0:42:27.360
<v Speaker 1>be in Madhouse, he told me, he told Levi to

0:42:27.400 --> 0:42:30.680
<v Speaker 1>tell me to go listen to the Chamber Brothers. I

0:42:30.800 --> 0:42:33.080
<v Speaker 1>never heard of the Chamber Brothers. So when I got

0:42:33.120 --> 0:42:35.160
<v Speaker 1>back home off the tour, after I decided not to

0:42:35.160 --> 0:42:38.160
<v Speaker 1>go back with friends like the Prince thing never came

0:42:38.200 --> 0:42:41.320
<v Speaker 1>to a few fuishtion like people thought, but I remember

0:42:41.360 --> 0:42:43.520
<v Speaker 1>him saying I should listen to the Chamber Brothers. So

0:42:43.560 --> 0:42:46.040
<v Speaker 1>I went to this place called Leopold's in Berkeley, and

0:42:46.080 --> 0:42:51.520
<v Speaker 1>I bought every Chamber Brothers album there was and when

0:42:51.560 --> 0:42:54.279
<v Speaker 1>I listened to it, they had a son called the

0:42:54.360 --> 0:42:58.239
<v Speaker 1>Spiritual Negro Spiritual called Wade in the Water and they

0:42:58.320 --> 0:42:59.759
<v Speaker 1>it was so dark and how they did it. And

0:42:59.840 --> 0:43:03.000
<v Speaker 1>my first single ever what the Tony's was hey little Walter.

0:43:03.719 --> 0:43:11.080
<v Speaker 1>Yeah right, so Prince was like, uh kind of responsible

0:43:11.120 --> 0:43:13.600
<v Speaker 1>for giving me a little light on that, which became

0:43:14.200 --> 0:43:19.080
<v Speaker 1>it Tony's first ever ever single hit song and Sindbad's

0:43:19.120 --> 0:43:24.400
<v Speaker 1>first video appearance. That's right. Wait, I just want to

0:43:24.440 --> 0:43:27.719
<v Speaker 1>put it in perspective because a little confused. Yeah, the

0:43:28.000 --> 0:43:30.440
<v Speaker 1>way that the Love Sex Tour was set up was

0:43:30.640 --> 0:43:35.200
<v Speaker 1>Prince also had a basketball court on the stage. Stage

0:43:35.560 --> 0:43:37.200
<v Speaker 1>it was it was the show was in the round.

0:43:37.400 --> 0:43:39.879
<v Speaker 1>I mean like his last rounce of shows worth so

0:43:40.760 --> 0:43:42.719
<v Speaker 1>it was like an elaborate It was probably his most

0:43:42.719 --> 0:43:49.760
<v Speaker 1>expensive setup. So yeah, uh wait, speaking of which, speaking

0:43:49.800 --> 0:43:59.839
<v Speaker 1>of who the song to six to one five, especially

0:44:00.200 --> 0:44:05.399
<v Speaker 1>the pre internet, whose idea was that was in mine?

0:44:06.719 --> 0:44:08.600
<v Speaker 1>Was that your brother? All right? First of all, can

0:44:08.640 --> 0:44:12.319
<v Speaker 1>you explain because I feel like the songs that your

0:44:12.320 --> 0:44:17.120
<v Speaker 1>brother produces sounds the way that you guys work like,

0:44:17.560 --> 0:44:20.400
<v Speaker 1>is there an alpha for the person that brings the

0:44:20.480 --> 0:44:26.439
<v Speaker 1>song to to the forefront or does he just work

0:44:26.480 --> 0:44:28.040
<v Speaker 1>on a song by himself and you work on a

0:44:28.080 --> 0:44:30.400
<v Speaker 1>song by yourself and you just figure like, Okay, well

0:44:30.960 --> 0:44:34.000
<v Speaker 1>here's our tony album or how does that work? And

0:44:34.080 --> 0:44:36.400
<v Speaker 1>then in the later albums it was really exactly what

0:44:36.480 --> 0:44:40.320
<v Speaker 1>you said. And the other one maybe the second album around.

0:44:40.320 --> 0:44:43.320
<v Speaker 1>The first album was mainly you know, Danny and Tommy

0:44:43.520 --> 0:44:46.440
<v Speaker 1>and us, but the first single, like Little Walter was

0:44:46.480 --> 0:44:51.440
<v Speaker 1>just me, uh, Danny and Tommy, those guys we got

0:44:51.440 --> 0:44:53.600
<v Speaker 1>our first song. They didn't even show up to the

0:44:53.600 --> 0:44:57.480
<v Speaker 1>studio at all, so um for the first song. And

0:44:57.560 --> 0:45:01.040
<v Speaker 1>so but Dwayne, Dwayne will come up songs at home.

0:45:01.719 --> 0:45:04.759
<v Speaker 1>He will he'll come in and will get together and

0:45:04.800 --> 0:45:06.319
<v Speaker 1>figure him out. But he will come up with a

0:45:06.360 --> 0:45:09.120
<v Speaker 1>title like two six one point five that's actually a

0:45:09.160 --> 0:45:17.200
<v Speaker 1>peno call for messing with. Yes, you know that's that's

0:45:17.480 --> 0:45:22.160
<v Speaker 1>that's crazy. You're the only one everybody we know who

0:45:22.200 --> 0:45:26.319
<v Speaker 1>knows that. I had to ask you, how would he

0:45:26.400 --> 0:45:30.680
<v Speaker 1>know that? Should I ask that? I didn't mean, I

0:45:30.719 --> 0:45:34.399
<v Speaker 1>don't think I think I think he was At the time,

0:45:34.440 --> 0:45:36.680
<v Speaker 1>he had dated a younger lady he was his friend,

0:45:37.480 --> 0:45:42.000
<v Speaker 1>and um, I think her auntie was an attorney. She was,

0:45:42.440 --> 0:45:44.520
<v Speaker 1>but she was pretty much a fast as one of

0:45:44.560 --> 0:45:48.240
<v Speaker 1>the fast as little girls who was like, you know, smart,

0:45:48.320 --> 0:45:50.399
<v Speaker 1>they're really smart, and was just like, you know, this

0:45:50.480 --> 0:45:52.600
<v Speaker 1>is like a two six one point five, and so

0:45:53.200 --> 0:45:56.080
<v Speaker 1>like that's the song. And so he wrote a song

0:45:56.120 --> 0:45:58.480
<v Speaker 1>about it, and we sort of took it from that. People,

0:45:58.600 --> 0:46:02.080
<v Speaker 1>let me tell you about a best friend. He's the

0:46:02.160 --> 0:46:06.200
<v Speaker 1>one first in and look and I always I always

0:46:06.320 --> 0:46:08.920
<v Speaker 1>love that show as a kid. So I added that

0:46:09.040 --> 0:46:13.160
<v Speaker 1>part the vamp of the song, and um, yeah, I

0:46:13.200 --> 0:46:15.680
<v Speaker 1>just yeah, that's the way and answer you a question. Yeah,

0:46:15.719 --> 0:46:18.319
<v Speaker 1>I was gonna say in an interview, you guys wants

0:46:18.320 --> 0:46:24.279
<v Speaker 1>to describe yourself, you said that you were seventy yourselves

0:46:24.480 --> 0:46:30.080
<v Speaker 1>the time and then ten percent the monkeys. That that

0:46:30.200 --> 0:46:32.239
<v Speaker 1>was the way. I had nothing to do with any

0:46:32.239 --> 0:46:36.439
<v Speaker 1>of that, the monkey. But the thing the thing is, though,

0:46:36.480 --> 0:46:39.759
<v Speaker 1>I mean I understood the monkey's reference. Mind you, he

0:46:39.800 --> 0:46:42.799
<v Speaker 1>said it on Soulturing, so like that would have thrown

0:46:42.880 --> 0:46:48.399
<v Speaker 1>everyone off, but I got it that you guys like

0:46:48.520 --> 0:46:53.280
<v Speaker 1>humor the time. The time definitely showed that humor because

0:46:53.360 --> 0:46:57.080
<v Speaker 1>we was none of that. If I could just clear.

0:46:57.160 --> 0:47:00.799
<v Speaker 1>If I could just say who we were, I would

0:47:00.840 --> 0:47:06.160
<v Speaker 1>say we were We were like everything that the Oakland

0:47:06.320 --> 0:47:09.560
<v Speaker 1>but Oakland gave us, and we were a bit of

0:47:09.680 --> 0:47:11.520
<v Speaker 1>trying to be like an earth Wind and Fire and

0:47:11.560 --> 0:47:14.960
<v Speaker 1>the Commodore's And like my brother used to singing like

0:47:15.080 --> 0:47:20.759
<v Speaker 1>this song called Hello Sunshine, Hello sun Shine. Dwayne was that.

0:47:21.080 --> 0:47:24.480
<v Speaker 1>Dwayne was more like the Pbow Bryson who played guitar.

0:47:24.600 --> 0:47:25.919
<v Speaker 1>We were a little bit of We were a little

0:47:25.920 --> 0:47:28.080
<v Speaker 1>bit of the Isley Brothers, a little bit of earth

0:47:28.120 --> 0:47:30.839
<v Speaker 1>Wind and Fire in the Commodores, and we we were

0:47:30.880 --> 0:47:33.320
<v Speaker 1>like a funk band. We were more like a brick.

0:47:34.840 --> 0:47:37.120
<v Speaker 1>I think that's who we were. I think doing Dwayne

0:47:37.120 --> 0:47:39.279
<v Speaker 1>would say things that he thought sounded great on TV.

0:47:39.360 --> 0:47:45.880
<v Speaker 1>I mean, I mean because you guys had you guys

0:47:45.880 --> 0:47:50.399
<v Speaker 1>were funny. You guys showed humor in like your pop

0:47:50.440 --> 0:47:55.480
<v Speaker 1>culture references and all that stuff that the wrong isn't

0:47:55.480 --> 0:47:58.600
<v Speaker 1>the wrong kid? Yeah, I mean, but for me, I

0:47:58.640 --> 0:48:01.480
<v Speaker 1>was always trying to be honestly. For me, I was

0:48:01.560 --> 0:48:03.680
<v Speaker 1>only trying to I was more of a hip hop

0:48:03.760 --> 0:48:07.120
<v Speaker 1>East Coast hip hop head, so I was always trying

0:48:07.160 --> 0:48:11.560
<v Speaker 1>to find out how why was those drums so dirty

0:48:11.560 --> 0:48:14.520
<v Speaker 1>and hip hop, and our drums were so clean. So

0:48:14.880 --> 0:48:18.239
<v Speaker 1>my whole quest was to find out how to you

0:48:18.400 --> 0:48:21.120
<v Speaker 1>to get dirty drums on my music. And how I

0:48:21.239 --> 0:48:23.520
<v Speaker 1>found out was I was I s ice Cube on

0:48:23.560 --> 0:48:29.040
<v Speaker 1>our first tour and because we toured in w as

0:48:30.880 --> 0:48:32.839
<v Speaker 1>it was, it was it was crazy because there were

0:48:32.880 --> 0:48:34.960
<v Speaker 1>no other bands, and I think they needed us on

0:48:34.960 --> 0:48:41.959
<v Speaker 1>the tour because it was for insurance reasons. It wasn't

0:48:42.160 --> 0:48:46.359
<v Speaker 1>you know, and it was for insurance reasons. Nobody told

0:48:46.400 --> 0:48:48.680
<v Speaker 1>me that. I had to figure that out. But anyway,

0:48:48.880 --> 0:48:50.560
<v Speaker 1>I was hanging out ice Cube and he told me

0:48:50.600 --> 0:48:53.759
<v Speaker 1>that the reason why drums sound like that, it's these

0:48:53.960 --> 0:48:56.400
<v Speaker 1>It's called break beats, and you could get up. You

0:48:56.400 --> 0:48:59.080
<v Speaker 1>could get these records from like forty five kings from

0:48:59.080 --> 0:49:02.799
<v Speaker 1>the Swap Meat to the Swap Meet, and I bought

0:49:02.840 --> 0:49:05.680
<v Speaker 1>every break beat and that's when I started hearing the

0:49:05.760 --> 0:49:08.399
<v Speaker 1>meters and that's the music I really love. And then

0:49:08.480 --> 0:49:13.640
<v Speaker 1>hip hop was like tried and everybody was sampling Slide

0:49:13.640 --> 0:49:15.040
<v Speaker 1>and the songs that I like, and I was like,

0:49:15.800 --> 0:49:18.200
<v Speaker 1>that's what I'm gonna get into was more of that,

0:49:18.320 --> 0:49:20.520
<v Speaker 1>and then I try to marry the both. So what

0:49:20.680 --> 0:49:23.200
<v Speaker 1>was that project that came after that, after you had

0:49:23.239 --> 0:49:24.719
<v Speaker 1>that conversation with I c me, you went out and

0:49:24.719 --> 0:49:26.520
<v Speaker 1>brought all that stuff. What was the Tony Tony proct?

0:49:28.600 --> 0:49:32.560
<v Speaker 1>So no revival? I was gonna say, what lessons did

0:49:32.600 --> 0:49:35.319
<v Speaker 1>you learn, assuming that you guys took the lead on it,

0:49:36.680 --> 0:49:41.400
<v Speaker 1>what lessons did you learn on revival um that you

0:49:41.480 --> 0:49:46.600
<v Speaker 1>didn't know on the Who record? And how did you

0:49:46.680 --> 0:49:49.040
<v Speaker 1>break to Danny and Tommy? Because I mean the Who

0:49:49.120 --> 0:49:50.839
<v Speaker 1>record was a hit. I mean, you guys have three

0:49:50.880 --> 0:49:54.719
<v Speaker 1>hits on it, So what's the like are you talking

0:49:54.760 --> 0:49:56.560
<v Speaker 1>to Ed x Stein saying like, look, I think we

0:49:56.560 --> 0:49:59.640
<v Speaker 1>could do this on our own. Let us I think

0:49:59.680 --> 0:50:01.279
<v Speaker 1>we just said that we wanted to do it on

0:50:01.280 --> 0:50:02.640
<v Speaker 1>our own. I don't know if we knew what the

0:50:02.680 --> 0:50:05.520
<v Speaker 1>hell we were doing it all. We were definitely you know,

0:50:05.800 --> 0:50:09.040
<v Speaker 1>you know, yeah, I'll give kudos to add because he

0:50:09.480 --> 0:50:12.799
<v Speaker 1>let us actually do it. But we've we've never had

0:50:12.800 --> 0:50:16.800
<v Speaker 1>to end our person nowhere near our rooms ever. We

0:50:17.360 --> 0:50:19.799
<v Speaker 1>just we just spent too much money figuring out on

0:50:19.800 --> 0:50:23.200
<v Speaker 1>that second album. I think we rented a Sinclavera for

0:50:23.200 --> 0:50:26.440
<v Speaker 1>like two hundred fifty dollars for the whole time, So

0:50:26.480 --> 0:50:28.680
<v Speaker 1>we got ripped off on that. So that's what I learned,

0:50:29.520 --> 0:50:32.239
<v Speaker 1>uh on how not to spend money on something you

0:50:32.280 --> 0:50:35.200
<v Speaker 1>didn't really need about to say that, y'all even use

0:50:35.239 --> 0:50:38.320
<v Speaker 1>it on that album, were using on the whole album.

0:50:38.360 --> 0:50:42.440
<v Speaker 1>That's why it sounds so clean, like whatever you want

0:50:42.440 --> 0:50:46.560
<v Speaker 1>to it's like, so it sounds like crisp. We just

0:50:46.719 --> 0:50:50.200
<v Speaker 1>we just interviewed Pat mcfenny, who also, like you know,

0:50:50.640 --> 0:50:54.800
<v Speaker 1>he's the think King. Yes, exactly. So he was explaining,

0:50:54.840 --> 0:50:57.760
<v Speaker 1>like the early stages of that was like very expensive

0:50:57.800 --> 0:51:01.239
<v Speaker 1>to operate when we looked at it. We looked at

0:51:01.239 --> 0:51:05.520
<v Speaker 1>the budget and I was like, okay, we'll never do that. Also,

0:51:05.560 --> 0:51:08.680
<v Speaker 1>I knew that, Um, you guys worked with Keith Crouch

0:51:09.080 --> 0:51:14.160
<v Speaker 1>on that album as well. He Keith, Yeah, Keith played um.

0:51:14.239 --> 0:51:17.879
<v Speaker 1>He's played This is a funny story. Keith. Keith played um,

0:51:17.960 --> 0:51:20.880
<v Speaker 1>he played He played bass synthesizer on maybe one of

0:51:20.920 --> 0:51:23.000
<v Speaker 1>the songs he tore with us. He didn't really he

0:51:23.040 --> 0:51:26.200
<v Speaker 1>played on those with the days I think okay, um,

0:51:26.239 --> 0:51:28.640
<v Speaker 1>but so and so me and Keith got into a

0:51:28.640 --> 0:51:32.160
<v Speaker 1>little altercation over this girl like when it was funny.

0:51:32.200 --> 0:51:34.000
<v Speaker 1>So right after he played almos So when I did

0:51:34.040 --> 0:51:39.360
<v Speaker 1>Tony's in the wrong key. I introduced everybody who played

0:51:39.360 --> 0:51:41.520
<v Speaker 1>with us. He heard it. His name used to be

0:51:41.560 --> 0:51:44.239
<v Speaker 1>on it. But when it got to his name, I said,

0:51:44.280 --> 0:51:47.319
<v Speaker 1>and we had this one man and his name is

0:51:47.360 --> 0:51:56.520
<v Speaker 1>and his name and his name is So and you

0:51:56.520 --> 0:52:02.560
<v Speaker 1>know Betty. So we're really cool. We're really cool. He

0:52:03.040 --> 0:52:05.040
<v Speaker 1>told me. A long time ago, he said, bro, I

0:52:05.120 --> 0:52:08.000
<v Speaker 1>was in the room with all my friends, and he said,

0:52:08.040 --> 0:52:10.319
<v Speaker 1>I was listing the record and said, by the name

0:52:10.360 --> 0:52:18.160
<v Speaker 1>of I was petty those days. I was very petty.

0:52:18.440 --> 0:52:22.120
<v Speaker 1>Oh man, I can't believe that ship. So you got

0:52:22.160 --> 0:52:25.879
<v Speaker 1>the game? Say it again? Did you get to PS five?

0:52:26.800 --> 0:52:30.560
<v Speaker 1>Just wait, Rol? You see him a PlayStation? Is that?

0:52:30.600 --> 0:52:32.720
<v Speaker 1>What's going on? Right? No, you don't want to answer

0:52:32.719 --> 0:52:38.000
<v Speaker 1>that question, Raphael. You want to finish the interview. Oh, okay,

0:52:39.080 --> 0:52:43.960
<v Speaker 1>your gamer? I am now, Yes, I was an ex gamer.

0:52:44.040 --> 0:52:45.759
<v Speaker 1>I thought I got out the game, and then when

0:52:45.760 --> 0:52:49.680
<v Speaker 1>I got this, uh my, my entire staff was like, yo, man,

0:52:50.239 --> 0:52:53.600
<v Speaker 1>your life is about to change. I'm afraid you open it.

0:52:53.960 --> 0:52:57.680
<v Speaker 1>The box is blacked out, Yes it is. Can we

0:52:57.719 --> 0:53:01.000
<v Speaker 1>see it? He want? Can we see it? Yes? Blackouts?

0:53:01.239 --> 0:53:04.000
<v Speaker 1>My game company is called il Phonic, and I've never

0:53:04.080 --> 0:53:09.560
<v Speaker 1>really questioning. He was like, what is this? So I

0:53:10.120 --> 0:53:13.080
<v Speaker 1>sent him a game to say, you know, we got

0:53:13.120 --> 0:53:15.560
<v Speaker 1>a game called r K getting. It's me and my engineer.

0:53:15.960 --> 0:53:18.560
<v Speaker 1>We started a game company called il Phonic and I'm

0:53:18.560 --> 0:53:20.360
<v Speaker 1>a nas is one of my favorite m sees. So

0:53:20.400 --> 0:53:24.680
<v Speaker 1>I called it Illphonic after Ilmatic and um yeah, so

0:53:24.760 --> 0:53:30.480
<v Speaker 1>we it's a guy in the world again. Thirteen years

0:53:30.520 --> 0:53:34.120
<v Speaker 1>of uh so, my partner Chuck brun Gard, we started

0:53:34.120 --> 0:53:36.840
<v Speaker 1>the game. We started this game coming together because we

0:53:37.120 --> 0:53:39.279
<v Speaker 1>were finding the heart of the music industry to like,

0:53:39.840 --> 0:53:42.160
<v Speaker 1>even we make records like record industry, people wouldn't even

0:53:42.200 --> 0:53:44.120
<v Speaker 1>let us makes our own records for other people that

0:53:44.160 --> 0:53:47.279
<v Speaker 1>we produced. So I came up with another game, a

0:53:47.320 --> 0:53:49.919
<v Speaker 1>game that we used to laugh about called Ghetto Golf

0:53:49.960 --> 0:53:51.719
<v Speaker 1>because they wouldn't let me in the fighting game on

0:53:51.960 --> 0:53:54.400
<v Speaker 1>Russell Simmons label. I knew I could never be on

0:53:54.400 --> 0:53:56.680
<v Speaker 1>the game. It was an RB, it was a rap game.

0:53:56.760 --> 0:54:01.359
<v Speaker 1>So we started this coming. We started this company back

0:54:01.360 --> 0:54:04.480
<v Speaker 1>then and we split up to start the game. He

0:54:04.520 --> 0:54:07.040
<v Speaker 1>moved to Denver. We started at my studio and like

0:54:07.120 --> 0:54:10.640
<v Speaker 1>after thirteen years, we did Predator Friday the thirteen and

0:54:12.000 --> 0:54:14.160
<v Speaker 1>doing really well. And then this is the first year

0:54:14.200 --> 0:54:16.759
<v Speaker 1>I started I said something about it because really, in

0:54:16.800 --> 0:54:19.920
<v Speaker 1>the gaming world, people don't really care about you being

0:54:19.960 --> 0:54:22.400
<v Speaker 1>a musician. They just want to have funny you know,

0:54:22.520 --> 0:54:25.279
<v Speaker 1>video games is about gameplay, and um, one of our

0:54:25.320 --> 0:54:28.560
<v Speaker 1>guys that Steve Wetman, is the visual guy who get

0:54:28.640 --> 0:54:31.279
<v Speaker 1>all the styles of music, which is uh, you know,

0:54:31.400 --> 0:54:33.719
<v Speaker 1>like the music is kind of based on like if

0:54:33.760 --> 0:54:37.640
<v Speaker 1>it was a futuristic dealer or fifty years from now

0:54:37.800 --> 0:54:40.120
<v Speaker 1>or like jungle funk, and it's a lot of different

0:54:40.120 --> 0:54:43.799
<v Speaker 1>people who um, a lot of different musicians who did

0:54:43.800 --> 0:54:45.719
<v Speaker 1>I didn't do any music in the game. Usually when

0:54:45.760 --> 0:54:48.560
<v Speaker 1>I talk about the video game, people go, oh, you

0:54:48.600 --> 0:54:51.359
<v Speaker 1>put music in the game. I'm like, uh no, No,

0:54:52.239 --> 0:54:57.000
<v Speaker 1>I owned the game company last game. Yeah, I just

0:54:57.000 --> 0:54:59.560
<v Speaker 1>want invested invested in it, and it's doing really well.

0:54:59.600 --> 0:55:02.480
<v Speaker 1>And in Quest is the first person that I actually

0:55:02.520 --> 0:55:12.960
<v Speaker 1>sent a personalized lacked out. It's a multiplayer Yeah, it's

0:55:12.960 --> 0:55:18.799
<v Speaker 1>a multiplayer game. Um um, you could play, you can play,

0:55:18.920 --> 0:55:21.480
<v Speaker 1>you could play it in the configuration on one on one,

0:55:21.520 --> 0:55:24.359
<v Speaker 1>you could do the way. But it's a quroberative multiplayer game.

0:55:24.400 --> 0:55:28.120
<v Speaker 1>If you know anything about games, and we just really, uh,

0:55:28.640 --> 0:55:30.200
<v Speaker 1>I just want to get into this world because I

0:55:30.280 --> 0:55:32.160
<v Speaker 1>just felt I found it kind of hard beauty in

0:55:32.160 --> 0:55:35.279
<v Speaker 1>the music injury so clicky, you know what I mean?

0:55:35.800 --> 0:55:37.480
<v Speaker 1>Like I said, I haven't had a goal to person

0:55:37.520 --> 0:55:40.440
<v Speaker 1>since Edex time. So I said, you know what, the

0:55:40.480 --> 0:55:42.760
<v Speaker 1>way the way the music industry is now with streaming.

0:55:43.239 --> 0:55:45.560
<v Speaker 1>You know, my music is not a game, and in

0:55:45.640 --> 0:55:48.040
<v Speaker 1>games they stream, so I was figured I should get

0:55:48.080 --> 0:55:50.759
<v Speaker 1>into something where streaming was gonna be very popular. Game.

0:55:50.800 --> 0:55:52.520
<v Speaker 1>So how many games you got in game? Like you

0:55:52.560 --> 0:55:55.680
<v Speaker 1>can go? How many games you got out Friday the thirteen,

0:55:55.719 --> 0:55:58.279
<v Speaker 1>the last one in Predator and be working on Ghostbusters

0:55:58.400 --> 0:56:01.920
<v Speaker 1>right now? And RK in his art right now it's

0:56:02.280 --> 0:56:04.959
<v Speaker 1>it's an Epics store in two thousand and twenty two.

0:56:05.280 --> 0:56:08.920
<v Speaker 1>It's gonna be a lot more platforms and um a

0:56:08.960 --> 0:56:11.080
<v Speaker 1>lot more platforms than just PS five, But right now

0:56:11.239 --> 0:56:15.080
<v Speaker 1>was the Epics Store. On PS five, I was game,

0:56:15.120 --> 0:56:16.640
<v Speaker 1>what games do you play? Like? What some of your

0:56:16.719 --> 0:56:19.120
<v Speaker 1>games that you just play to be a game? I

0:56:19.120 --> 0:56:21.399
<v Speaker 1>could play Caller do you a little bit a lot?

0:56:21.560 --> 0:56:23.719
<v Speaker 1>But I'm really I'm really like a sports junkie, like

0:56:23.760 --> 0:56:27.640
<v Speaker 1>I'm a statement man two K something like people like

0:56:27.680 --> 0:56:33.640
<v Speaker 1>to play nice my son, my son? They be on

0:56:33.719 --> 0:56:36.000
<v Speaker 1>two K he got new when he's been killing it,

0:56:36.120 --> 0:56:40.600
<v Speaker 1>does he play he plays two K he's on he's

0:56:40.640 --> 0:56:42.840
<v Speaker 1>on two K. I mean he was you know, like

0:56:42.880 --> 0:56:44.400
<v Speaker 1>all the kids when he was on Fortnite, you know

0:56:44.640 --> 0:56:47.520
<v Speaker 1>heavy when that was that was popular. But he's more

0:56:47.560 --> 0:56:50.880
<v Speaker 1>of a two k uh guy. I'm more of I

0:56:50.920 --> 0:56:53.080
<v Speaker 1>do first I could do first person shooter, but I'm

0:56:53.080 --> 0:56:56.799
<v Speaker 1>more so like you know, Resident Evil survival horror, like

0:56:56.840 --> 0:56:59.120
<v Speaker 1>I'm in the story type ship. You know what. Okay, yeah,

0:56:59.640 --> 0:57:03.000
<v Speaker 1>that's what this is. This is check it out. I

0:57:03.040 --> 0:57:05.520
<v Speaker 1>gotta P five too, I gotta P five. But I

0:57:05.560 --> 0:57:09.719
<v Speaker 1>want to say to question, congratulations on on the documentary.

0:57:09.719 --> 0:57:12.040
<v Speaker 1>I must have watched it like seven times on my couch.

0:57:12.120 --> 0:57:13.480
<v Speaker 1>And so you don't think you're about to leave a

0:57:13.520 --> 0:57:15.879
<v Speaker 1>maror he thinks he's satting down like he's thinking about

0:57:15.880 --> 0:57:18.560
<v Speaker 1>the clothes. I'm not sure. I just want to make

0:57:18.600 --> 0:57:21.880
<v Speaker 1>sure that I said that because when that comes up

0:57:21.880 --> 0:57:28.200
<v Speaker 1>in my queue, like, I get chills watching the Fifth Dimensions.

0:57:28.520 --> 0:57:31.360
<v Speaker 1>I've never seen the move, so to watch it come

0:57:31.440 --> 0:57:34.800
<v Speaker 1>to life and to know that that happened, and to know,

0:57:35.000 --> 0:57:39.400
<v Speaker 1>like I mean, people that need they were black. I mean,

0:57:39.400 --> 0:57:42.840
<v Speaker 1>there's so much question is always passing out history like

0:57:43.840 --> 0:57:47.560
<v Speaker 1>I'm definitely using it for my next project because yeah,

0:57:48.480 --> 0:57:51.000
<v Speaker 1>oh wow, yes you know what he told me his

0:57:51.120 --> 0:57:56.520
<v Speaker 1>daughter to me, Yeah, that's amazing. I shall be calling you.

0:58:01.120 --> 0:58:04.760
<v Speaker 1>What was how not? How or why? What was the process?

0:58:05.680 --> 0:58:09.760
<v Speaker 1>How was Lisa Bonne the deciding factor in directing uh

0:58:09.800 --> 0:58:14.000
<v Speaker 1>the California video? M hm for never end, A lot

0:58:14.000 --> 0:58:16.920
<v Speaker 1>of people turned the treatments. She just had the best.

0:58:17.040 --> 0:58:19.280
<v Speaker 1>She had the best treatment, honestly, And we were always

0:58:19.320 --> 0:58:24.120
<v Speaker 1>trying to we were always trying to be different. At

0:58:24.120 --> 0:58:27.920
<v Speaker 1>the same time, we didn't want to. We didn't want

0:58:27.920 --> 0:58:30.480
<v Speaker 1>to out our our the audience that we gained, right,

0:58:30.520 --> 0:58:34.720
<v Speaker 1>but we felt like we could gain a new audience

0:58:34.760 --> 0:58:36.600
<v Speaker 1>and we could. You know, we felt like Lisa just

0:58:36.720 --> 0:58:38.480
<v Speaker 1>she had to adge, she had to edge on them

0:58:39.280 --> 0:58:42.880
<v Speaker 1>all the interior decorating that that I like, Um, she

0:58:42.960 --> 0:58:45.040
<v Speaker 1>kind of gave me an apartment that I've never had

0:58:45.280 --> 0:58:48.840
<v Speaker 1>at that time, you know, um, just at that time,

0:58:48.880 --> 0:58:51.240
<v Speaker 1>I didn't know that she was heavily direct like into

0:58:51.360 --> 0:58:53.600
<v Speaker 1>directing videos or whatever. So she had like a rep

0:58:53.640 --> 0:58:57.280
<v Speaker 1>that said, like open, yeah, I guess she did. I

0:58:57.320 --> 0:59:00.520
<v Speaker 1>don't think she did it too much to think she

0:59:01.440 --> 0:59:04.640
<v Speaker 1>I think she disliked the record, and she just offered

0:59:04.640 --> 0:59:07.320
<v Speaker 1>a treatment, and we just chose her to to direct.

0:59:08.400 --> 0:59:12.360
<v Speaker 1>If the Prince was about to hire for one of

0:59:12.400 --> 0:59:16.640
<v Speaker 1>the songs on Diamonds Pros, the thing like walk don't Walk. Okay,

0:59:16.640 --> 0:59:20.080
<v Speaker 1>whether they shot it, I'm not certain, but I believe

0:59:20.120 --> 0:59:23.200
<v Speaker 1>that she was. I don't think they shot it, you know,

0:59:23.280 --> 0:59:24.800
<v Speaker 1>I mean, Prince is the kind of guy that will

0:59:24.840 --> 0:59:26.600
<v Speaker 1>do a movie and then put it away for like

0:59:27.600 --> 0:59:30.760
<v Speaker 1>forty two seconds. But you know, Oh, my boy wanted

0:59:30.800 --> 0:59:33.440
<v Speaker 1>me to ask you, how did you talk Don Cornelius

0:59:33.480 --> 0:59:41.120
<v Speaker 1>into the House Party video which I think Don does

0:59:41.160 --> 0:59:45.240
<v Speaker 1>a cameo. Don Cornelius has a cameo and the I

0:59:45.240 --> 0:59:48.120
<v Speaker 1>don't know what you come to do? Uh, I don't know.

0:59:48.200 --> 0:59:50.400
<v Speaker 1>I don't think Don is gonna like me too much.

0:59:50.440 --> 0:59:54.440
<v Speaker 1>I don't know, Wait what what you do? Don? I

0:59:54.520 --> 0:59:56.640
<v Speaker 1>love we loved, I love Don on me, I said.

0:59:58.320 --> 1:00:00.960
<v Speaker 1>I watched, So I think I found is that it

1:00:01.040 --> 1:00:03.880
<v Speaker 1>wasn't that he didn't like me. I remember doing soult

1:00:03.880 --> 1:00:07.000
<v Speaker 1>Train one time, and I just remember all these girls,

1:00:08.200 --> 1:00:10.440
<v Speaker 1>like I call it halftime when everybody's taking a break.

1:00:11.120 --> 1:00:13.560
<v Speaker 1>First time doing SoulTrain, and you're like, oh, this is Soultrained.

1:00:13.800 --> 1:00:15.600
<v Speaker 1>But then when I saw all the girls like feed

1:00:15.640 --> 1:00:19.400
<v Speaker 1>herding and eating Kentucky Fried Chicken and half time, I

1:00:19.480 --> 1:00:22.000
<v Speaker 1>was like, this ship is kind of cheesy a little bit,

1:00:22.120 --> 1:00:27.120
<v Speaker 1>right they feed them KFC and then um it was bad,

1:00:27.440 --> 1:00:29.760
<v Speaker 1>you know. And so but then we was on there

1:00:29.800 --> 1:00:33.840
<v Speaker 1>with a new edition, in a new edition, like they took,

1:00:34.480 --> 1:00:36.760
<v Speaker 1>they did one take, they looked at the monitor, they

1:00:36.880 --> 1:00:39.800
<v Speaker 1>came back, they did it over. They did over about

1:00:39.840 --> 1:00:42.680
<v Speaker 1>four or five times until they liked it. And Little

1:00:42.840 --> 1:00:45.000
<v Speaker 1>Rest in Peace Little Silas was an m c A

1:00:45.040 --> 1:00:47.840
<v Speaker 1>Records at the time, and so when we got up

1:00:47.840 --> 1:00:51.480
<v Speaker 1>there to our performance, man, we performed once and they

1:00:51.480 --> 1:00:54.760
<v Speaker 1>were like, got it. I'm like, we don't get to

1:00:54.800 --> 1:00:57.520
<v Speaker 1>look at the monitor, you see if we like what

1:00:57.560 --> 1:01:01.840
<v Speaker 1>I What I realized is that, you know, our label

1:01:01.880 --> 1:01:05.240
<v Speaker 1>probably wasn't spending spending the sponsor money. It's a nice

1:01:05.240 --> 1:01:08.360
<v Speaker 1>way to phrase that, you know. So we were pretty

1:01:08.400 --> 1:01:11.040
<v Speaker 1>much a one and done. And when I found out out,

1:01:11.080 --> 1:01:14.520
<v Speaker 1>I just I was kind of just a little disheartening with,

1:01:14.640 --> 1:01:16.440
<v Speaker 1>you know, the way that I was learning on the

1:01:16.440 --> 1:01:19.280
<v Speaker 1>fly how the industry was. So so when I did

1:01:19.400 --> 1:01:21.400
<v Speaker 1>get involved, I was done with Soul Trained. So when

1:01:21.400 --> 1:01:26.919
<v Speaker 1>I did get involved. Um yeah, they they they wanted

1:01:26.920 --> 1:01:29.400
<v Speaker 1>me to do to perform on Soul Train, and I

1:01:29.480 --> 1:01:35.880
<v Speaker 1>was like, and I'm not doing Soul Trained, so they

1:01:35.920 --> 1:01:37.720
<v Speaker 1>begged me to do it. So I was like, I

1:01:37.800 --> 1:01:41.120
<v Speaker 1>stood outside the paramount until it was time for me

1:01:41.120 --> 1:01:42.320
<v Speaker 1>to walk and say, I don't want to be in

1:01:42.360 --> 1:01:46.480
<v Speaker 1>the dressing room. I stood outside. I walked in and

1:01:46.560 --> 1:01:50.280
<v Speaker 1>I performed and I walked out. And then um years later,

1:01:50.600 --> 1:01:52.760
<v Speaker 1>I was up the street called whitenecka as it's a

1:01:52.800 --> 1:01:55.720
<v Speaker 1>little golf, a little driving range, and I went to

1:01:55.760 --> 1:01:57.920
<v Speaker 1>this little driving range just to hang out some balls

1:01:58.760 --> 1:02:03.040
<v Speaker 1>and Don Canuees was there just hitting balls and he

1:02:03.120 --> 1:02:06.520
<v Speaker 1>just walked up to me and we had a amazing conversation.

1:02:07.840 --> 1:02:10.080
<v Speaker 1>He was just giving me props in Solb'm watching you.

1:02:10.080 --> 1:02:13.440
<v Speaker 1>I'll see what you're doing. And he didn't he he

1:02:13.480 --> 1:02:16.120
<v Speaker 1>didn like me. But I was young and I was

1:02:16.160 --> 1:02:18.960
<v Speaker 1>confused about the politics. You know what I mean. Nobody,

1:02:19.120 --> 1:02:21.320
<v Speaker 1>nobody was spinning on bread with him at my label.

1:02:21.400 --> 1:02:25.760
<v Speaker 1>You know that you have dreams of like being on

1:02:25.800 --> 1:02:28.680
<v Speaker 1>this legacy show and then you get to see how

1:02:28.680 --> 1:02:31.440
<v Speaker 1>the sausage just made and it's not like how you

1:02:31.480 --> 1:02:34.440
<v Speaker 1>think it is. And that is disappointing. Yeah, you know

1:02:34.480 --> 1:02:35.680
<v Speaker 1>you could be like, you know, like you mean to

1:02:35.680 --> 1:02:37.480
<v Speaker 1>actually throw these saucers on the ground and kick him

1:02:37.520 --> 1:02:42.480
<v Speaker 1>around and then put him in the bun exactly. Yeah, Okay,

1:02:43.080 --> 1:02:45.440
<v Speaker 1>I gotta jump to suns and Soul. So the first

1:02:45.480 --> 1:02:49.240
<v Speaker 1>time that I had I didn't have an interaction with you.

1:02:50.120 --> 1:02:54.400
<v Speaker 1>This is weird enough. We had an audition, uh with

1:02:54.520 --> 1:02:58.200
<v Speaker 1>that x Stein and we were going to sign to

1:02:58.360 --> 1:03:04.360
<v Speaker 1>PolyGram H And I went to I went to some

1:03:04.480 --> 1:03:09.000
<v Speaker 1>dinner uptown. I forget where it was. You were also

1:03:09.200 --> 1:03:17.200
<v Speaker 1>at this restaurant, and I can overhear your conversation, and

1:03:18.480 --> 1:03:23.360
<v Speaker 1>you were talking about this tour and you were telling

1:03:23.400 --> 1:03:26.960
<v Speaker 1>the craziest stories I've ever heard in my life. Like

1:03:27.080 --> 1:03:30.000
<v Speaker 1>I would think that you were talking about like like

1:03:30.640 --> 1:03:35.320
<v Speaker 1>Hammer the God's era led Zeppelin, and you weren't talking

1:03:35.360 --> 1:03:41.880
<v Speaker 1>about You were talking about touring with Janet Jackson, now

1:03:42.000 --> 1:03:49.560
<v Speaker 1>without you burning bridges from one to ten And I'm

1:03:49.600 --> 1:03:51.960
<v Speaker 1>not talking about the Tony Tony Tony side of things

1:03:53.160 --> 1:03:56.600
<v Speaker 1>for one to ten. How crazy was that Janet Jackson tour?

1:03:59.240 --> 1:04:01.800
<v Speaker 1>It was a ten that planted a lot of seeds

1:04:01.800 --> 1:04:04.480
<v Speaker 1>in my head on like those things can happen on

1:04:04.480 --> 1:04:07.480
<v Speaker 1>the route. Yeah, it was just you know what it's like,

1:04:08.600 --> 1:04:10.400
<v Speaker 1>you know, we're of course we were like huge, j

1:04:10.560 --> 1:04:14.160
<v Speaker 1>I'm gonna use Michael. I'm a Jackson five fan, you know.

1:04:14.240 --> 1:04:16.480
<v Speaker 1>So I grew up with the Brothers, the first black families,

1:04:16.600 --> 1:04:20.960
<v Speaker 1>So I mean, you know, I love Randy, loved to Jackson.

1:04:21.080 --> 1:04:24.120
<v Speaker 1>So just to get on the tour and learning tour,

1:04:24.240 --> 1:04:27.320
<v Speaker 1>you just learned tour politics right, and the tour politics

1:04:27.320 --> 1:04:29.960
<v Speaker 1>were I took two guys. They were just out of

1:04:30.000 --> 1:04:32.440
<v Speaker 1>high school, really had nowhere to live. There were dancers.

1:04:32.840 --> 1:04:34.840
<v Speaker 1>I took him on the tour. I met him in Sacramento.

1:04:34.880 --> 1:04:37.000
<v Speaker 1>I just moved to San Francisco. Just oh hip hop

1:04:37.240 --> 1:04:40.840
<v Speaker 1>world and documental that I found and I used to

1:04:40.840 --> 1:04:43.200
<v Speaker 1>play with him freestyle. You know, I should play bass.

1:04:43.400 --> 1:04:46.280
<v Speaker 1>Was this thing called sixty seconds direct MC has come up.

1:04:46.320 --> 1:04:48.880
<v Speaker 1>It was based playering the drummer and so I will

1:04:48.920 --> 1:04:51.000
<v Speaker 1>meet all these mcs and and it was a couple

1:04:51.040 --> 1:04:53.240
<v Speaker 1>of dancers live in my neighborhood. So I took him

1:04:53.240 --> 1:04:56.880
<v Speaker 1>on the tour and Janet people said it was a

1:04:58.440 --> 1:05:01.720
<v Speaker 1>it was conflicting with their show with these two dancers

1:05:01.760 --> 1:05:05.200
<v Speaker 1>that we had no I think that Janet had like

1:05:05.400 --> 1:05:08.400
<v Speaker 1>thirty five whatever if you look at Pleasure Principle or whatever,

1:05:08.440 --> 1:05:14.760
<v Speaker 1>those those videos and she has the whole real nation. Yeah,

1:05:14.800 --> 1:05:17.320
<v Speaker 1>so they told us we had to like get rid

1:05:17.360 --> 1:05:21.280
<v Speaker 1>of the dances. What right her At the time, her

1:05:21.320 --> 1:05:25.480
<v Speaker 1>husband was his name was Renee. He kind of walked

1:05:25.520 --> 1:05:27.840
<v Speaker 1>in and said, you know, Janet thinks it's in conflict

1:05:27.880 --> 1:05:31.200
<v Speaker 1>with her. And I was like, man, look, we got

1:05:31.240 --> 1:05:38.120
<v Speaker 1>two dancers. If that's I'm leaving, I'm like, I'm like,

1:05:38.400 --> 1:05:40.280
<v Speaker 1>I'm not telling them kids. They got to go home.

1:05:40.560 --> 1:05:45.000
<v Speaker 1>These two kids are like eighteen years old, twenty but

1:05:45.160 --> 1:05:47.200
<v Speaker 1>no money, you know what I mean. We we only

1:05:47.320 --> 1:05:49.840
<v Speaker 1>they only had two sets of two suits to tour with,

1:05:50.560 --> 1:05:52.520
<v Speaker 1>I mean, and we had no lights on the stage

1:05:52.520 --> 1:05:55.280
<v Speaker 1>and nothing. I mean, you couldn't even see something that tour.

1:05:55.280 --> 1:05:56.760
<v Speaker 1>I should tell people on the radio, if you want

1:05:56.760 --> 1:06:03.200
<v Speaker 1>to see us, bring a flashlight. And then we never

1:06:03.240 --> 1:06:05.760
<v Speaker 1>really met Jannet, and she invited us on the tour.

1:06:05.920 --> 1:06:08.480
<v Speaker 1>So I remember I came. I came to the show

1:06:08.520 --> 1:06:12.520
<v Speaker 1>once and my whole band in the row cruise in

1:06:12.520 --> 1:06:15.840
<v Speaker 1>this big line and they by her room and they

1:06:15.880 --> 1:06:18.720
<v Speaker 1>were all walking to her room. She was in the

1:06:18.760 --> 1:06:21.360
<v Speaker 1>front door shaking their hand, and I just was walking

1:06:21.400 --> 1:06:23.280
<v Speaker 1>by and I'm like, I'm not standing in the line

1:06:23.280 --> 1:06:25.919
<v Speaker 1>and shake her hand. Like when you go on tour,

1:06:26.000 --> 1:06:28.320
<v Speaker 1>you supposed to like introduced to come say hi to

1:06:28.360 --> 1:06:32.120
<v Speaker 1>the group and say hey, you invited this. So that

1:06:32.280 --> 1:06:33.600
<v Speaker 1>was kind of that for me. And I think I

1:06:33.640 --> 1:06:35.520
<v Speaker 1>was on the radio station and I said, you know,

1:06:35.640 --> 1:06:38.600
<v Speaker 1>from Oakland something. They asked me, how was it, you know,

1:06:38.720 --> 1:06:41.520
<v Speaker 1>being you know, meeting Jenn I was like at this point,

1:06:41.600 --> 1:06:43.200
<v Speaker 1>it was We've been on tour a long time. I said,

1:06:43.240 --> 1:06:45.880
<v Speaker 1>I've never met her, but I think, you know, she

1:06:46.040 --> 1:06:52.280
<v Speaker 1>probably the same girl from Good Times Penny, you know. Yeah,

1:06:52.360 --> 1:06:55.400
<v Speaker 1>so you know, I had jokes, but you know, we

1:06:55.400 --> 1:06:58.080
<v Speaker 1>we love Janet and we mean, I love Jimmy and Terry,

1:06:58.160 --> 1:07:00.640
<v Speaker 1>and it was, you know, we well it was to

1:07:00.680 --> 1:07:03.480
<v Speaker 1>our support. We're only making like three thousand dollars a night,

1:07:04.360 --> 1:07:06.200
<v Speaker 1>so we had to pay for our tour bus. And

1:07:06.240 --> 1:07:10.080
<v Speaker 1>then like what happened was Michael started that Michael thing

1:07:10.160 --> 1:07:12.760
<v Speaker 1>has started to happen. So some shows we will get

1:07:12.800 --> 1:07:15.960
<v Speaker 1>to and it would be tours will be canceled. And

1:07:16.000 --> 1:07:19.400
<v Speaker 1>instead of somebody calling us and saying the show is canceled,

1:07:20.160 --> 1:07:22.880
<v Speaker 1>we will find out like the fans. So we still

1:07:22.880 --> 1:07:25.840
<v Speaker 1>have to pay the crew the buses. And it happened

1:07:25.840 --> 1:07:28.400
<v Speaker 1>like three or four times. I think she was kind

1:07:28.400 --> 1:07:31.880
<v Speaker 1>of helping Michael move around, which we understand that, but

1:07:32.000 --> 1:07:34.840
<v Speaker 1>we we didn't know, so she couldn't tell us right.

1:07:34.840 --> 1:07:38.200
<v Speaker 1>So but I said, if it happens again, I'm going home.

1:07:38.280 --> 1:07:41.160
<v Speaker 1>So I left in Philly the night he got canceled.

1:07:41.200 --> 1:07:45.520
<v Speaker 1>In Philly. Yes, well that was my last night. I

1:07:45.560 --> 1:07:47.160
<v Speaker 1>went to the I took I told the bus to

1:07:47.240 --> 1:07:50.320
<v Speaker 1>take me to the airport, and then they hired many

1:07:50.320 --> 1:07:59.160
<v Speaker 1>conditions a nice parallel move. Okay, I was gonna ask

1:07:59.200 --> 1:08:02.520
<v Speaker 1>you they did a makeup show and you guys weren't

1:08:02.560 --> 1:08:04.720
<v Speaker 1>the opener. And I was so disappointed and wanted to

1:08:04.760 --> 1:08:10.960
<v Speaker 1>know what happened. What happened? So needless to say, you

1:08:11.040 --> 1:08:13.040
<v Speaker 1>are the best person to tour with because you know

1:08:13.160 --> 1:08:15.840
<v Speaker 1>what the worst is like. You know what the worst

1:08:15.880 --> 1:08:18.519
<v Speaker 1>is like. Is I I treat people people toured us.

1:08:19.560 --> 1:08:22.280
<v Speaker 1>I mean I treat people like kings. Because the first

1:08:22.320 --> 1:08:25.559
<v Speaker 1>tour that Tony's ever did was really uh with the

1:08:25.640 --> 1:08:27.760
<v Speaker 1>Rare Rocks. We opened up for Earth Wind and Fire

1:08:27.880 --> 1:08:31.360
<v Speaker 1>when more Rese White was in the group, and they

1:08:31.400 --> 1:08:33.240
<v Speaker 1>wanted a band that was more of like a track

1:08:33.360 --> 1:08:35.200
<v Speaker 1>day band because since we had to set up, we

1:08:35.200 --> 1:08:38.040
<v Speaker 1>couldn't do as many shows within and Fire. But when

1:08:38.040 --> 1:08:40.320
<v Speaker 1>we did play with them more reach White brought us

1:08:40.360 --> 1:08:42.439
<v Speaker 1>to the back of the room and said, Hey, I

1:08:42.520 --> 1:08:46.880
<v Speaker 1>love you guys. Whenever you need you can have asked

1:08:46.880 --> 1:08:49.160
<v Speaker 1>for it, you got it. However much time you need,

1:08:49.600 --> 1:08:52.160
<v Speaker 1>you got it. And that's how we treated people when

1:08:52.160 --> 1:08:54.240
<v Speaker 1>we Uh, I think Joe opened up for us and

1:08:54.280 --> 1:08:56.679
<v Speaker 1>my and my tour manager was get off the stage.

1:08:57.960 --> 1:09:00.320
<v Speaker 1>I've walked in and saw that. I walked right in

1:09:00.320 --> 1:09:03.439
<v Speaker 1>the middle of them and said, Joe, take as much

1:09:03.479 --> 1:09:05.639
<v Speaker 1>time as you want, will be in the dress room.

1:09:05.880 --> 1:09:10.599
<v Speaker 1>When you're done, you come tell us and so yeah,

1:09:10.680 --> 1:09:12.679
<v Speaker 1>so I mean we just told with Bobby Brown, Bobby

1:09:12.680 --> 1:09:21.280
<v Speaker 1>Brown is just unplugged our instruments. Well, right, we when

1:09:21.280 --> 1:09:23.479
<v Speaker 1>we I love Bobby to this day, I see we

1:09:23.600 --> 1:09:25.200
<v Speaker 1>like this. But Bobby used to come and be just

1:09:25.280 --> 1:09:28.080
<v Speaker 1>like and just at take the big socket and just

1:09:28.240 --> 1:09:35.479
<v Speaker 1>unplug it. We up there just to ah damn. But

1:09:35.520 --> 1:09:37.599
<v Speaker 1>now that was like how tour was. Tour was like

1:09:38.120 --> 1:09:44.120
<v Speaker 1>R and b was kind of ghost back in the day. Okay,

1:09:44.160 --> 1:09:48.120
<v Speaker 1>I will say for me, Sons a Soul like every

1:09:48.160 --> 1:09:52.240
<v Speaker 1>person that every musician has, like that one the album

1:09:52.280 --> 1:09:55.880
<v Speaker 1>that's like they're they're saving grace. There's in m sort

1:09:55.920 --> 1:10:00.960
<v Speaker 1>of thing, and you know, the just during the time

1:10:00.960 --> 1:10:04.000
<v Speaker 1>and which like we were searching for a deal. I

1:10:04.000 --> 1:10:06.439
<v Speaker 1>mean we were traveling like the flint Stones inside of

1:10:06.439 --> 1:10:10.000
<v Speaker 1>a beat up two hundred dollars station wagon with no

1:10:10.120 --> 1:10:12.680
<v Speaker 1>floorboard in the back, like we have to elevate our

1:10:12.720 --> 1:10:14.720
<v Speaker 1>feet in the air to not hit the ground, like

1:10:15.760 --> 1:10:19.920
<v Speaker 1>traveling like the Middle Passage, and like you know, just

1:10:20.240 --> 1:10:22.200
<v Speaker 1>that whole period of like will we get a deal?

1:10:22.240 --> 1:10:25.040
<v Speaker 1>Will we not get a deal? And living in poverty

1:10:25.040 --> 1:10:29.479
<v Speaker 1>and all, and like just listening to that record like man,

1:10:29.560 --> 1:10:33.479
<v Speaker 1>one day I'm gonna play music like this and front

1:10:33.520 --> 1:10:36.000
<v Speaker 1>audiences and like I don't know, like Sons of Soul

1:10:36.080 --> 1:10:40.160
<v Speaker 1>wound up being that record from me. Yeah, that was

1:10:40.200 --> 1:10:44.280
<v Speaker 1>the one for me too, yea. And I know that

1:10:44.400 --> 1:10:50.519
<v Speaker 1>your your relationship with which he really solidified with that record,

1:10:50.600 --> 1:10:55.280
<v Speaker 1>assuming that he assisted on drums on like Tony's a

1:10:55.360 --> 1:10:57.759
<v Speaker 1>long key and all that stuff. I mean the drums

1:10:57.760 --> 1:11:01.320
<v Speaker 1>are definitely boombastic and loud like that just during that

1:11:01.360 --> 1:11:07.400
<v Speaker 1>time period how are you guys uh connecting as a group, Like,

1:11:07.479 --> 1:11:11.439
<v Speaker 1>how are decisions made? How are you know? Is it

1:11:11.520 --> 1:11:14.320
<v Speaker 1>every man like gets an equal vote or that sort

1:11:14.360 --> 1:11:16.519
<v Speaker 1>of thing, or is it like you're starting to see

1:11:16.560 --> 1:11:22.120
<v Speaker 1>the the kind of uh seems starting to break. Well,

1:11:22.200 --> 1:11:25.639
<v Speaker 1>I don't think. I think we were just I think

1:11:25.640 --> 1:11:29.320
<v Speaker 1>we were like so happy to be on. I think

1:11:29.400 --> 1:11:32.559
<v Speaker 1>my brother Dwayne is more of the person who was

1:11:32.600 --> 1:11:34.280
<v Speaker 1>in search of a deal more than any of us.

1:11:34.320 --> 1:11:37.080
<v Speaker 1>He was a couple of years older. Um, but once

1:11:37.120 --> 1:11:39.280
<v Speaker 1>we got in, you know, Duwayne was this party time

1:11:39.320 --> 1:11:43.559
<v Speaker 1>and I was more in a state of mind like

1:11:43.640 --> 1:11:46.120
<v Speaker 1>we could fall off. This is not promised to us,

1:11:46.240 --> 1:11:49.360
<v Speaker 1>and uh, I was just looking at things that our lives.

1:11:49.479 --> 1:11:53.519
<v Speaker 1>I think I became pretty much the the person that

1:11:53.640 --> 1:11:55.559
<v Speaker 1>was steering the boat. But I had a wall of

1:11:55.600 --> 1:11:57.880
<v Speaker 1>people behind me that was very talented. I always felt

1:11:57.880 --> 1:11:59.600
<v Speaker 1>like if you know, you're the best person in the

1:11:59.680 --> 1:12:02.519
<v Speaker 1>room and you're in the wrong room, and um, I

1:12:02.560 --> 1:12:05.160
<v Speaker 1>had a lot of great musicians around me that could,

1:12:05.240 --> 1:12:07.599
<v Speaker 1>you know, do the things that I needed to do

1:12:08.120 --> 1:12:09.960
<v Speaker 1>to make the records that I wanted to make. Now,

1:12:10.040 --> 1:12:12.640
<v Speaker 1>did I know that people are gonna like those records? No?

1:12:12.880 --> 1:12:16.080
<v Speaker 1>I didn't have a clue about record sales or number one.

1:12:16.520 --> 1:12:19.599
<v Speaker 1>I never cared about Billboard. I never looked at bill

1:12:19.640 --> 1:12:22.320
<v Speaker 1>Board for number one record. I was really trying to

1:12:22.360 --> 1:12:25.800
<v Speaker 1>impress the people before me. I just really wanted you know,

1:12:26.040 --> 1:12:29.160
<v Speaker 1>you know, hip hop, hip hop artists. You know. I

1:12:29.200 --> 1:12:32.200
<v Speaker 1>was really big on making hip hop people like my records,

1:12:33.320 --> 1:12:36.479
<v Speaker 1>all the records like we don't like and we don't know.

1:12:36.520 --> 1:12:38.040
<v Speaker 1>I was like, oh, you're gonna like this. R and B.

1:12:38.160 --> 1:12:41.640
<v Speaker 1>I had a chip on my shoulder about that and

1:12:41.840 --> 1:12:43.160
<v Speaker 1>was my joint on that record. It was just to

1:12:43.160 --> 1:12:46.880
<v Speaker 1>break be fun. That was my one. Yeah, I was

1:12:46.880 --> 1:12:50.840
<v Speaker 1>gonna say that. Yeah, Like I was definitely anti R

1:12:50.920 --> 1:12:53.080
<v Speaker 1>and B and ninety two, Like I just thoughted was

1:12:53.120 --> 1:12:57.240
<v Speaker 1>like warded down in corner understill why And I heard

1:12:57.280 --> 1:13:00.200
<v Speaker 1>it and if you know, first I was like front

1:13:00.240 --> 1:13:03.559
<v Speaker 1>like Tony, Tony got a record like whatever, And I

1:13:03.640 --> 1:13:06.200
<v Speaker 1>heard and I was like, wait a minute, Like there's

1:13:06.240 --> 1:13:08.479
<v Speaker 1>break beats and things that I like, like if a

1:13:08.520 --> 1:13:11.800
<v Speaker 1>trap called Quest made music, this is what it would be.

1:13:12.280 --> 1:13:18.120
<v Speaker 1>And yeah, and that's that's that's because Yeah, it's like

1:13:18.200 --> 1:13:21.599
<v Speaker 1>it's like the beginning seeds of that's that's the thing

1:13:22.000 --> 1:13:24.960
<v Speaker 1>I want to ask you were you were you are

1:13:24.960 --> 1:13:30.040
<v Speaker 1>aware what the state of emergency was for the Black Band,

1:13:30.120 --> 1:13:36.439
<v Speaker 1>because technically Tony Tony Tony is probably either the last

1:13:37.520 --> 1:13:42.320
<v Speaker 1>pure soul group you know, And that's where you mentioned

1:13:42.400 --> 1:13:45.280
<v Speaker 1>Chambers Brothers, because I was trying to find a band

1:13:46.000 --> 1:13:48.559
<v Speaker 1>that was self contained, not led by someone not slying

1:13:48.560 --> 1:13:53.000
<v Speaker 1>the family stone, not jeans around the famale. But okay,

1:13:53.080 --> 1:14:00.759
<v Speaker 1>man out, Okay, So the last batch between main condition

1:14:01.000 --> 1:14:04.240
<v Speaker 1>and and Tony Tony to like you guys are are

1:14:04.400 --> 1:14:09.040
<v Speaker 1>the last it's it's it's endangered species. You were you

1:14:09.040 --> 1:14:12.960
<v Speaker 1>guys even aware that there was like you guys were

1:14:12.960 --> 1:14:15.200
<v Speaker 1>about to be a novelty. I mean ten years later,

1:14:15.960 --> 1:14:21.280
<v Speaker 1>even the idea of groups being together would be like

1:14:21.400 --> 1:14:26.680
<v Speaker 1>a thing like to to even collaborate with people in

1:14:26.840 --> 1:14:30.599
<v Speaker 1>a unit. Were even aware of the time that time

1:14:30.680 --> 1:14:34.040
<v Speaker 1>is running out for the Black Band? Um, I don't

1:14:34.080 --> 1:14:36.200
<v Speaker 1>think we were aware of it. I think we we

1:14:36.320 --> 1:14:39.559
<v Speaker 1>just we were so blinded by what happened before us,

1:14:40.320 --> 1:14:45.080
<v Speaker 1>and um we were so stuck in the past and

1:14:45.160 --> 1:14:46.880
<v Speaker 1>living in the future at the same time. Because we

1:14:46.920 --> 1:14:49.200
<v Speaker 1>loved hip hop, we love what was going on, but

1:14:49.280 --> 1:14:51.960
<v Speaker 1>we always thought we were a part of I always

1:14:51.960 --> 1:14:53.960
<v Speaker 1>thought I could be a part of it. Like when

1:14:53.960 --> 1:14:56.040
<v Speaker 1>I got to New York and I saw rock Him

1:14:56.040 --> 1:14:58.800
<v Speaker 1>walking down the street where I was sitting in a

1:14:59.320 --> 1:15:01.400
<v Speaker 1>limo or something and getting ready to do an in store,

1:15:02.320 --> 1:15:04.280
<v Speaker 1>I see Eric being rock Him with a crew with

1:15:05.240 --> 1:15:08.280
<v Speaker 1>dapper dance, sweat suit tune, and I was just sitting

1:15:08.320 --> 1:15:11.040
<v Speaker 1>there like what. So as soon as I got to

1:15:11.080 --> 1:15:14.400
<v Speaker 1>New York, man I was. I broke free to every

1:15:14.400 --> 1:15:19.120
<v Speaker 1>studio and found everything I wanted to find. Um are as,

1:15:19.360 --> 1:15:24.639
<v Speaker 1>you know, tribe and um by powers and different people,

1:15:24.720 --> 1:15:29.759
<v Speaker 1>different outboard gear for studios, different you know, needs and

1:15:29.840 --> 1:15:31.960
<v Speaker 1>different were you saying, like was the rest of your

1:15:31.960 --> 1:15:35.320
<v Speaker 1>band sort of on line with you? Like, yo, we

1:15:35.400 --> 1:15:38.160
<v Speaker 1>need to we need to sound progressive like these people.

1:15:38.840 --> 1:15:42.720
<v Speaker 1>Now it was just me. They'll they'll tell you that too.

1:15:42.760 --> 1:15:46.800
<v Speaker 1>But everybody playing a good part, like tim was Timothy Riley.

1:15:46.840 --> 1:15:49.720
<v Speaker 1>Christian Riley is like like slide on the organ on

1:15:49.760 --> 1:15:53.479
<v Speaker 1>the B three. He's a drummer, but he's a great

1:15:54.400 --> 1:15:57.400
<v Speaker 1>Oregon player. So where he was at, he wanted to

1:15:57.439 --> 1:16:00.479
<v Speaker 1>be there, you know, um where Dwyane was at, he

1:16:00.840 --> 1:16:03.000
<v Speaker 1>Dwayne was like a guy who played football his whole

1:16:03.000 --> 1:16:06.040
<v Speaker 1>life and was in shape, and then when football was over,

1:16:06.479 --> 1:16:10.920
<v Speaker 1>He's like, I'm not working out no more. So once

1:16:10.960 --> 1:16:15.519
<v Speaker 1>we got on, Dwayne was like, we are you know

1:16:15.800 --> 1:16:19.160
<v Speaker 1>that's it? And I was like, man, I don't know

1:16:19.200 --> 1:16:22.920
<v Speaker 1>if we're really. I've seen too many groups when I

1:16:22.920 --> 1:16:25.200
<v Speaker 1>go to record stores and I'm going through vinyl and

1:16:25.200 --> 1:16:27.679
<v Speaker 1>all these groups that I've seen it we don't know about.

1:16:27.720 --> 1:16:32.240
<v Speaker 1>We never heard of. I wasn't really they thought they

1:16:32.240 --> 1:16:34.479
<v Speaker 1>were on too, so I was more. I was more

1:16:34.560 --> 1:16:37.760
<v Speaker 1>like I knew it was. It was a novelty. But

1:16:37.840 --> 1:16:39.439
<v Speaker 1>just because of the tours that we had to go on,

1:16:39.439 --> 1:16:42.120
<v Speaker 1>there was no space. I remember Salt and Pepper wanted

1:16:42.160 --> 1:16:47.400
<v Speaker 1>us to. We toured MC Hammer, Candy Man, I w

1:16:47.400 --> 1:16:50.880
<v Speaker 1>A and I remember Salton Pepper was like, pickt the

1:16:50.920 --> 1:16:52.920
<v Speaker 1>Tony's off the tour. They got a band to the

1:16:52.960 --> 1:16:55.599
<v Speaker 1>set changes too long, you know what I mean. It

1:16:55.680 --> 1:16:59.040
<v Speaker 1>wasn't like being nasty towards us, but the set change

1:16:59.120 --> 1:17:02.720
<v Speaker 1>had to be. They didn't like the set change. The

1:17:02.720 --> 1:17:04.519
<v Speaker 1>only person the only reason why we stayed on that

1:17:04.600 --> 1:17:07.320
<v Speaker 1>to us because Hammer Hammer kept us on the turk.

1:17:13.400 --> 1:17:14.680
<v Speaker 1>Can I ask you all the questions since this is

1:17:14.720 --> 1:17:17.679
<v Speaker 1>a rare moment, especially with you and Mirror and Raphael

1:17:17.920 --> 1:17:20.800
<v Speaker 1>on the line because I'm translating, and I always thought

1:17:20.800 --> 1:17:23.240
<v Speaker 1>in my mind, and now that you've clarified that you

1:17:23.280 --> 1:17:24.920
<v Speaker 1>were such a hip hop head and you had to

1:17:24.960 --> 1:17:28.320
<v Speaker 1>be you had to be there. This is the pivotal

1:17:28.360 --> 1:17:32.040
<v Speaker 1>start of Mirror, right of what we would call I mean.

1:17:32.760 --> 1:17:35.040
<v Speaker 1>So I just want to stay it out loud because

1:17:37.120 --> 1:17:40.120
<v Speaker 1>the father of that, and I hate to term. I

1:17:40.200 --> 1:17:44.680
<v Speaker 1>hate to term Neil. So everybody give me to give

1:17:44.720 --> 1:17:48.240
<v Speaker 1>me the everybody hate it, But what's the replace? But

1:17:48.280 --> 1:17:51.759
<v Speaker 1>it's like, it's the shortest way to describe you. Guys.

1:17:51.760 --> 1:17:56.000
<v Speaker 1>Definitely started something new, Okay, So I'm gonna kill it.

1:17:56.120 --> 1:17:58.240
<v Speaker 1>I've grown past it. I'm not like I used to

1:17:58.280 --> 1:18:00.720
<v Speaker 1>be about the word. Let me tell you why I

1:18:00.840 --> 1:18:02.760
<v Speaker 1>say it, why I was sending it back to And

1:18:02.840 --> 1:18:05.840
<v Speaker 1>I did this album called very right. On the back

1:18:05.960 --> 1:18:10.200
<v Speaker 1>I had a schoolstone it says Neo Soul rest in peace, right,

1:18:10.240 --> 1:18:14.000
<v Speaker 1>So I was all about that. So my thing was Neil.

1:18:14.120 --> 1:18:18.080
<v Speaker 1>Like like hip hop was a fresh, great brand, a

1:18:18.160 --> 1:18:22.760
<v Speaker 1>great idea, Neil Soul was more of a budget that

1:18:22.920 --> 1:18:25.400
<v Speaker 1>kid R. Massenberg kind of came up with for Erica

1:18:25.400 --> 1:18:27.960
<v Speaker 1>Bad and everybody ever thought about it, and it was

1:18:28.000 --> 1:18:30.400
<v Speaker 1>like the way to go to a marketing meeting and

1:18:30.479 --> 1:18:34.000
<v Speaker 1>say this group was not the Temptations are the Slide

1:18:34.000 --> 1:18:37.200
<v Speaker 1>and it's like new So it's neo. So when you

1:18:37.200 --> 1:18:39.679
<v Speaker 1>go to a meeting, instead of explaining they're not gonna

1:18:39.680 --> 1:18:43.519
<v Speaker 1>sell a million, they might do anywhere from two to three,

1:18:43.640 --> 1:18:47.320
<v Speaker 1>you just say for short neo soul. It had nothing

1:18:47.320 --> 1:18:49.479
<v Speaker 1>to do about the filling in the music like hip hop.

1:18:49.840 --> 1:18:53.519
<v Speaker 1>But but you do know to the fans it actually

1:18:53.520 --> 1:18:55.479
<v Speaker 1>so it might have started that way, but then it

1:18:55.560 --> 1:18:57.960
<v Speaker 1>kind of matriculated to fans to something else, to just

1:18:58.000 --> 1:19:02.599
<v Speaker 1>something that they could say, that's what it's can I ask, right,

1:19:02.760 --> 1:19:05.960
<v Speaker 1>so what would you have? What would you have called it?

1:19:06.000 --> 1:19:07.800
<v Speaker 1>Because it's your ship, so what would you were called?

1:19:09.280 --> 1:19:15.280
<v Speaker 1>I mean it was a moment. I mean someone didn't

1:19:15.479 --> 1:19:18.000
<v Speaker 1>when I did, When I didn't answer advantage, I was,

1:19:18.120 --> 1:19:20.320
<v Speaker 1>you know, I was striking a different thing, a couple

1:19:20.360 --> 1:19:22.799
<v Speaker 1>of things that didn't really stick, but I was trying,

1:19:23.160 --> 1:19:26.400
<v Speaker 1>and I came out with gospel delic for me, for

1:19:26.520 --> 1:19:30.120
<v Speaker 1>my own gospel. Man, it's gospel delic is mean, there's

1:19:30.160 --> 1:19:32.800
<v Speaker 1>some truth to it, and there's the funking the psychedelic

1:19:32.880 --> 1:19:34.720
<v Speaker 1>in what I do so I called Mommy is a

1:19:34.800 --> 1:19:38.800
<v Speaker 1>gospel delic. There's some truth, there's some funk psychedelic, that's

1:19:38.800 --> 1:19:42.280
<v Speaker 1>what I called it. Anything but that, but we would

1:19:42.280 --> 1:19:47.800
<v Speaker 1>have been called gospel. But honestly, look, look, I understand

1:19:48.320 --> 1:19:50.880
<v Speaker 1>any group that was under it. I understand because it

1:19:51.000 --> 1:19:52.920
<v Speaker 1>was a budget and everybody was getting on. It was

1:19:52.960 --> 1:19:55.559
<v Speaker 1>a deal with money behind it, So there's nothing really

1:19:55.600 --> 1:19:57.439
<v Speaker 1>wrong with it. It's just to me, it's a whack

1:19:57.479 --> 1:20:00.519
<v Speaker 1>ass name. But it's a beautiful movie. Man, it's a

1:20:00.520 --> 1:20:03.479
<v Speaker 1>wag name. I mean, it's great. Groups came out of it,

1:20:03.520 --> 1:20:06.000
<v Speaker 1>but none of those artists. I feel like it gave

1:20:06.120 --> 1:20:09.240
<v Speaker 1>it gave everybody a clock. But in hip hop, right,

1:20:09.960 --> 1:20:16.639
<v Speaker 1>it's forever. No, it's not backpacker hip hop, that's forever.

1:20:17.680 --> 1:20:20.960
<v Speaker 1>I mean, here's the thing, Like, the reason why I

1:20:21.000 --> 1:20:25.200
<v Speaker 1>don't it's so weird, especially with neo soul, It's just

1:20:25.320 --> 1:20:31.200
<v Speaker 1>that everyone in that category was helping on making sure

1:20:31.240 --> 1:20:35.040
<v Speaker 1>that you knew they're not in that category. And then

1:20:35.120 --> 1:20:36.920
<v Speaker 1>it just became funny to me because the thing is,

1:20:37.160 --> 1:20:38.760
<v Speaker 1>I didn't know that. I thought I was the only

1:20:39.320 --> 1:20:44.880
<v Speaker 1>everybody wants to people nobody under quote ar umbrella wants

1:20:44.920 --> 1:20:49.280
<v Speaker 1>to claim it. I mean, yes, I think kidar uh,

1:20:49.320 --> 1:20:52.080
<v Speaker 1>what do you call it? U copyrighting the word? Like?

1:20:52.840 --> 1:20:54.719
<v Speaker 1>And I told him this. I was like, you ended

1:20:54.760 --> 1:20:57.000
<v Speaker 1>the genre when you made a public that you copy

1:20:57.040 --> 1:21:01.120
<v Speaker 1>wrote the word, like who who's gonna like? You just

1:21:01.240 --> 1:21:03.840
<v Speaker 1>ended your own movement. But the thing is is like

1:21:03.960 --> 1:21:08.360
<v Speaker 1>as a guy who shops at Amiba or Raspputants or

1:21:08.520 --> 1:21:11.840
<v Speaker 1>Jerry's records, you know, I want to know where's the

1:21:11.920 --> 1:21:16.640
<v Speaker 1>quickest what like fine, Like it's an identifier for me,

1:21:16.680 --> 1:21:18.960
<v Speaker 1>so I know exactly what section to go to something

1:21:19.000 --> 1:21:20.680
<v Speaker 1>by the record I want to and not have to

1:21:20.720 --> 1:21:25.519
<v Speaker 1>scrounge through thousand records. But I mean I digress, like

1:21:26.280 --> 1:21:29.280
<v Speaker 1>I definitely feel as though you guys were a part

1:21:29.320 --> 1:21:31.800
<v Speaker 1>of something. And you know this, it's not only for

1:21:31.840 --> 1:21:35.280
<v Speaker 1>this genre. I remember when Luther and Anita was scoffing

1:21:35.320 --> 1:21:38.679
<v Speaker 1>at Nelson George's description where he called it retro noeuvou.

1:21:40.640 --> 1:21:45.200
<v Speaker 1>And you know, people, it's it's just hard to categorize

1:21:45.200 --> 1:21:47.439
<v Speaker 1>something or given opinion on something until like twenty years

1:21:47.479 --> 1:21:52.760
<v Speaker 1>has passed. But you know, especially now that thirty years

1:21:52.760 --> 1:21:56.720
<v Speaker 1>has passed since that movement, it's it's and I'm just

1:21:56.800 --> 1:22:01.479
<v Speaker 1>lazy well, yeah, you know, I don't know kind of

1:22:01.520 --> 1:22:07.759
<v Speaker 1>like to say to like if you listen to so yeah, yeah.

1:22:07.800 --> 1:22:09.519
<v Speaker 1>I mean when you look at music like I look

1:22:09.560 --> 1:22:14.080
<v Speaker 1>at all music like this, if it's early country music

1:22:14.360 --> 1:22:17.800
<v Speaker 1>like blues, early Muddy Waters, and you can go you

1:22:17.840 --> 1:22:21.040
<v Speaker 1>can go back before people was making records to beat

1:22:21.080 --> 1:22:24.240
<v Speaker 1>for Hot Sunny Hawks. Before you can go back to

1:22:24.240 --> 1:22:26.679
<v Speaker 1>when it was making records in the field, in the country,

1:22:27.040 --> 1:22:31.760
<v Speaker 1>all the way to now two. Black music is one

1:22:31.880 --> 1:22:35.479
<v Speaker 1>music to me, if you have to categorize it to

1:22:35.560 --> 1:22:39.400
<v Speaker 1>make money, to put in the categorize its categories to

1:22:39.439 --> 1:22:43.360
<v Speaker 1>differentiate and make money, but really it's all one. It's

1:22:43.400 --> 1:22:46.320
<v Speaker 1>all one music. It's it's because black people are so creative,

1:22:46.520 --> 1:22:50.680
<v Speaker 1>but it's all our music and basketball. We gotta crossover.

1:22:50.760 --> 1:22:53.840
<v Speaker 1>We do all these different things so good. So that's

1:22:53.880 --> 1:22:56.679
<v Speaker 1>when you listen to music like Trapp now Trapp is trapped,

1:22:56.720 --> 1:23:00.640
<v Speaker 1>now you got Drill right, It's just it's just I

1:23:00.640 --> 1:23:02.920
<v Speaker 1>feel like we're just it's all one thing. Like when

1:23:03.000 --> 1:23:05.680
<v Speaker 1>hip hop came out, I always wanted to see hip

1:23:05.720 --> 1:23:08.920
<v Speaker 1>hop get old. I always want to see the last

1:23:08.960 --> 1:23:12.400
<v Speaker 1>like the tribe, the generation before that. I wanted to

1:23:12.439 --> 1:23:14.240
<v Speaker 1>know how they were going to react as older men

1:23:14.640 --> 1:23:19.200
<v Speaker 1>because I got a chance to see the Temptations and

1:23:19.240 --> 1:23:23.000
<v Speaker 1>the Shalamars and and the whispers get old, and how

1:23:23.040 --> 1:23:25.519
<v Speaker 1>do they always want to see how the coolest cats

1:23:25.520 --> 1:23:28.320
<v Speaker 1>in the world hip hop was the coolest. We don't

1:23:28.400 --> 1:23:30.400
<v Speaker 1>like thorn. I want to see what they were gonna

1:23:30.400 --> 1:23:32.680
<v Speaker 1>be like as older men. And it's so funny to

1:23:32.720 --> 1:23:36.439
<v Speaker 1>watch when you see like hip hop casts like talking

1:23:36.479 --> 1:23:41.320
<v Speaker 1>about trap artists. That would have been the way whispers

1:23:41.360 --> 1:23:43.720
<v Speaker 1>what I've been talking about somebody rapping, Like what the

1:23:43.760 --> 1:23:45.679
<v Speaker 1>hell are you talking about? I don't know, blah blah blah.

1:23:46.320 --> 1:23:48.840
<v Speaker 1>Now you hear artists, hip hop artists saying that about

1:23:48.880 --> 1:23:52.519
<v Speaker 1>trap artists, And it's just because now our generation is

1:23:52.560 --> 1:23:57.680
<v Speaker 1>at PTA meetings. Let me just say this too. As

1:23:57.720 --> 1:24:01.639
<v Speaker 1>a former black radio person, you should know that neo

1:24:01.760 --> 1:24:04.880
<v Speaker 1>soul to a lot of people was rebellious music, and

1:24:05.000 --> 1:24:08.479
<v Speaker 1>especially to black radio people, because this was music that

1:24:08.520 --> 1:24:11.960
<v Speaker 1>we weren't necessary allowed to play. Literally, Raphael, I planned

1:24:11.960 --> 1:24:13.719
<v Speaker 1>to tell you the story about how I got fired

1:24:13.760 --> 1:24:16.000
<v Speaker 1>for interviewing you live on the radio, and I think

1:24:16.000 --> 1:24:25.240
<v Speaker 1>that a lot of times. Yes, y'all don't know, huh.

1:24:27.120 --> 1:24:29.519
<v Speaker 1>It was my pleasure. It was. It was my pleasure.

1:24:29.520 --> 1:24:32.880
<v Speaker 1>But understand that like people fought people like myself, tim

1:24:32.880 --> 1:24:35.920
<v Speaker 1>Me Bagon and like DJ's around the country that wasn't

1:24:36.000 --> 1:24:38.400
<v Speaker 1>it was called trauma. We was fighting for this ship.

1:24:38.520 --> 1:24:40.240
<v Speaker 1>When they when they said to me, yo, I'm a

1:24:40.400 --> 1:24:42.519
<v Speaker 1>real quick rock Field. They said to me rock Fails

1:24:42.920 --> 1:24:44.920
<v Speaker 1>is doing our music conference and we want you to

1:24:44.960 --> 1:24:47.160
<v Speaker 1>interview him and tape it and we're gonna play it

1:24:47.200 --> 1:24:49.599
<v Speaker 1>back after we start playing his record. Right, But this

1:24:49.640 --> 1:24:51.120
<v Speaker 1>was during the time when you put out the record

1:24:51.160 --> 1:24:54.000
<v Speaker 1>that was kind of Stacks inspired, right, and I'm on

1:24:54.080 --> 1:25:00.240
<v Speaker 1>the hip hop right, so I'm like, this is Philadelphi. Yeah,

1:25:01.720 --> 1:25:04.400
<v Speaker 1>I mean you remember because I was drilling you about

1:25:04.439 --> 1:25:07.919
<v Speaker 1>Josh Stone and stuff. We had a good time. So

1:25:07.920 --> 1:25:09.600
<v Speaker 1>so what's funny is when they said that they was

1:25:09.640 --> 1:25:11.880
<v Speaker 1>gonna play this ship back, I was like, that's a lie,

1:25:11.920 --> 1:25:13.800
<v Speaker 1>because you're not gonna never play no songs from this

1:25:13.840 --> 1:25:16.840
<v Speaker 1>record because they don't fit our format. Right. So when

1:25:16.880 --> 1:25:19.559
<v Speaker 1>you walked into the studio live, I was like, this

1:25:19.600 --> 1:25:22.479
<v Speaker 1>is fucking Rafael Sad, the father of this fucking ship.

1:25:22.600 --> 1:25:25.200
<v Speaker 1>That is the height. That's the reason that Philadelphia is

1:25:25.240 --> 1:25:27.040
<v Speaker 1>doing what it's doing right now. How would I be

1:25:27.160 --> 1:25:29.240
<v Speaker 1>like to sit here and lie and do a fake

1:25:29.280 --> 1:25:32.800
<v Speaker 1>interview with this person. So we went up live and

1:25:32.920 --> 1:25:35.920
<v Speaker 1>a week later they was like, you disobeyed what I did,

1:25:35.920 --> 1:25:38.040
<v Speaker 1>which we told you to do. That was part of

1:25:38.040 --> 1:25:41.280
<v Speaker 1>the story. So another funny story about that record when

1:25:41.280 --> 1:25:44.400
<v Speaker 1>I went to this radio station in South Carolina and

1:25:44.439 --> 1:25:46.120
<v Speaker 1>so the radio guy at the time, he was the

1:25:46.120 --> 1:25:49.760
<v Speaker 1>regional guy, was in Atlanta, so he took me in

1:25:49.760 --> 1:25:53.000
<v Speaker 1>this radio station. So my whole radio promo was a

1:25:53.080 --> 1:25:56.960
<v Speaker 1>fake out with Colombia. It was all fake, I believe it.

1:25:57.040 --> 1:26:00.479
<v Speaker 1>But they had to take me because of the respect

1:26:00.479 --> 1:26:02.600
<v Speaker 1>for the records that I was producing. They didn't just

1:26:02.600 --> 1:26:04.000
<v Speaker 1>want to let me go, so they took me on

1:26:04.040 --> 1:26:07.519
<v Speaker 1>this fake radio run that I was doing interviews. But

1:26:07.600 --> 1:26:10.240
<v Speaker 1>nobody was at the label cared about the records. So

1:26:10.560 --> 1:26:12.639
<v Speaker 1>they did tell me. Some of the guys that Columbia

1:26:12.680 --> 1:26:15.080
<v Speaker 1>told me just get his record away because streaming was

1:26:15.120 --> 1:26:17.240
<v Speaker 1>about to happen, and they didn't. They were spending money

1:26:17.280 --> 1:26:20.200
<v Speaker 1>on records and records weren't selling, so they were confused

1:26:20.200 --> 1:26:23.000
<v Speaker 1>because like Bruce Springsteen wasn't selling, None of the records

1:26:23.040 --> 1:26:27.360
<v Speaker 1>were selling because it was streaming, right, So I get

1:26:27.360 --> 1:26:30.559
<v Speaker 1>in the crop with this guy, and he says, he said, man,

1:26:31.520 --> 1:26:34.360
<v Speaker 1>your record is actually where they spinning that what the

1:26:34.439 --> 1:26:37.760
<v Speaker 1>numbers were like was was high on the record. So

1:26:37.800 --> 1:26:40.240
<v Speaker 1>he said, he said, he said because he said, well,

1:26:40.240 --> 1:26:42.800
<v Speaker 1>they told me, he said between me Columbia told me

1:26:42.880 --> 1:26:45.439
<v Speaker 1>just to take this record out and tell him it's

1:26:45.520 --> 1:26:49.160
<v Speaker 1>it's experimental record and just play it real late at night.

1:26:50.520 --> 1:26:53.880
<v Speaker 1>So like, but the record kind of caught fire, like

1:26:54.000 --> 1:26:56.320
<v Speaker 1>love that Girl, because people was like listening to it.

1:26:56.840 --> 1:27:00.639
<v Speaker 1>And so what happened was Europe ended up calling France.

1:27:00.680 --> 1:27:06.000
<v Speaker 1>Actually France called parents called they they called uh Strainger

1:27:06.080 --> 1:27:08.400
<v Speaker 1>over in Columbia. They said, I don't know about in

1:27:08.439 --> 1:27:11.679
<v Speaker 1>the States, but this is a real record over here.

1:27:12.520 --> 1:27:15.040
<v Speaker 1>And so that's when I started playing in front of

1:27:15.080 --> 1:27:19.559
<v Speaker 1>like fifteen thousand people by myself and Europe different venues.

1:27:20.000 --> 1:27:22.639
<v Speaker 1>But yeah, the whole record was like a fake out

1:27:24.920 --> 1:27:29.519
<v Speaker 1>and end up being one of my Yeah, that's that's funny.

1:27:29.520 --> 1:27:33.599
<v Speaker 1>I remember that. Wait, all right, things are coming back

1:27:33.600 --> 1:27:35.640
<v Speaker 1>to me now that I know I'll never get to

1:27:35.680 --> 1:27:38.240
<v Speaker 1>ask you again. I gotta go back to Sons and

1:27:38.320 --> 1:27:44.280
<v Speaker 1>Soul for this one question. All right, So you worked

1:27:44.640 --> 1:27:49.160
<v Speaker 1>with a guy who I had hope for to be

1:27:49.280 --> 1:27:51.519
<v Speaker 1>the future. And it's not who you think I'm talking about.

1:27:52.320 --> 1:27:56.479
<v Speaker 1>You work with director Sangi and this is hot office

1:27:56.600 --> 1:28:00.920
<v Speaker 1>passed me by success like black videos, we've never seen

1:28:01.000 --> 1:28:05.200
<v Speaker 1>somebody with like Spike Jones is aesthetic for black videos.

1:28:05.240 --> 1:28:09.920
<v Speaker 1>But dog the Pillow video, how did Homie talk to

1:28:09.960 --> 1:28:13.400
<v Speaker 1>you all into doing that video? Naked? But that wasn't

1:28:13.439 --> 1:28:21.040
<v Speaker 1>sun That wasn't That wasn't sund and leaving. I thought

1:28:21.040 --> 1:28:23.839
<v Speaker 1>he did all three of your videos. Okay, he wouldn't

1:28:23.840 --> 1:28:27.120
<v Speaker 1>have never done that. That was who did that? I

1:28:27.160 --> 1:28:29.760
<v Speaker 1>don't know. And those the people that're standing up those

1:28:29.800 --> 1:28:32.200
<v Speaker 1>are those are not us? That's not us. On the

1:28:32.280 --> 1:28:37.280
<v Speaker 1>doubles that spinned around bloodass neck that was that wasn't

1:28:38.200 --> 1:28:46.439
<v Speaker 1>Pillow forgot. I'm like, trust me, everybody was drinking. So

1:28:46.640 --> 1:28:50.040
<v Speaker 1>my my brother, my brother's thing was this. This is

1:28:50.040 --> 1:28:52.360
<v Speaker 1>all Dwayne he was. I'm not I'm not throwing him

1:28:52.439 --> 1:28:57.040
<v Speaker 1>under the bus because he stands by it. He stands

1:28:57.040 --> 1:29:00.240
<v Speaker 1>by trust me. My brother has no regrets about nothing

1:29:00.320 --> 1:29:07.519
<v Speaker 1>he does. I love you. Try to do the video.

1:29:08.560 --> 1:29:10.479
<v Speaker 1>Oh not in the in the part when the three

1:29:10.520 --> 1:29:13.200
<v Speaker 1>dudes are standing together and they spin and then when

1:29:13.200 --> 1:29:16.200
<v Speaker 1>you watch them they spend like really like it looked

1:29:16.200 --> 1:29:21.559
<v Speaker 1>real bad TV showing the video and they clouded up

1:29:21.600 --> 1:29:24.600
<v Speaker 1>all the private areas. So that's how like it's like

1:29:24.880 --> 1:29:27.680
<v Speaker 1>my brother. So my brother walks in like we like

1:29:27.800 --> 1:29:30.000
<v Speaker 1>the red hot chili peppers in his mind, so he's like,

1:29:30.479 --> 1:29:34.680
<v Speaker 1>he like, this could be like a real like this

1:29:34.720 --> 1:29:38.080
<v Speaker 1>could be like one of those what's the what's the cartoon?

1:29:38.280 --> 1:29:43.840
<v Speaker 1>Um George Clinton the tour bus? This could be like

1:29:43.920 --> 1:29:45.320
<v Speaker 1>the Tales of the tour Bus because like you know

1:29:45.360 --> 1:29:47.960
<v Speaker 1>when they showed George Clinton, just jump out their kid, right.

1:29:48.680 --> 1:29:51.280
<v Speaker 1>So it's like my brother walked in the room. And

1:29:51.360 --> 1:29:54.439
<v Speaker 1>my brother walks in the room and goes, hey, guess what, guys,

1:29:55.200 --> 1:29:57.400
<v Speaker 1>he could be the first band into a neked video.

1:29:58.040 --> 1:30:02.960
<v Speaker 1>And I was like what So so this is what

1:30:03.000 --> 1:30:07.200
<v Speaker 1>I said. I said, Well, if Tim Tim is a square,

1:30:07.720 --> 1:30:11.600
<v Speaker 1>was square this time it's nerd church boy, church of

1:30:11.640 --> 1:30:16.280
<v Speaker 1>God in Christ, I said Tim. I said that Tim agrees,

1:30:17.040 --> 1:30:19.960
<v Speaker 1>I'll do it. It's no way in hell Tim is

1:30:20.000 --> 1:30:22.760
<v Speaker 1>agreeing on this. Right. We walk in the room and

1:30:22.840 --> 1:30:25.960
<v Speaker 1>said what do you think Tim? Tim goes, let's do it.

1:30:27.120 --> 1:30:37.040
<v Speaker 1>Ship That's how that happened. Wow, man, man, Yeah, I

1:30:37.120 --> 1:30:41.640
<v Speaker 1>had another Sons of Soul question the interlude don't be bashfood,

1:30:41.680 --> 1:30:47.680
<v Speaker 1>don't be Was that a real hold guy? Oh no, no,

1:30:47.800 --> 1:30:50.839
<v Speaker 1>we we we are. Engineer Jerry Brown took this record

1:30:50.960 --> 1:30:54.719
<v Speaker 1>out in the middle of Manhattan and gave this guy

1:30:55.160 --> 1:30:57.320
<v Speaker 1>some money and he sang that he brought it back.

1:30:57.360 --> 1:31:10.400
<v Speaker 1>I was like that ship at speaking when when you

1:31:10.479 --> 1:31:13.760
<v Speaker 1>spoke of your engineer helping you develop, were you talking

1:31:13.800 --> 1:31:17.360
<v Speaker 1>about Jerry Jerry Brown? Is he still setting up Christmas

1:31:17.439 --> 1:31:20.920
<v Speaker 1>lights in the studio? Y'all gotta know, you know, Jerry

1:31:20.920 --> 1:31:25.240
<v Speaker 1>Brown is the first cat, first black cat I've ever

1:31:25.320 --> 1:31:28.559
<v Speaker 1>heard say. Yeah, man, you just gotta find your enerjoy.

1:31:28.840 --> 1:31:32.519
<v Speaker 1>And for me, every day is Christmas and there's no

1:31:33.120 --> 1:31:36.200
<v Speaker 1>when we did what they do, it was Christmas and

1:31:36.240 --> 1:31:38.840
<v Speaker 1>we did what they do and like we did it

1:31:38.840 --> 1:31:43.160
<v Speaker 1>in May, and he had that he had your studio

1:31:43.200 --> 1:31:46.280
<v Speaker 1>looking like Christmas. And then when he was working with

1:31:46.320 --> 1:31:48.960
<v Speaker 1>Alicia Keys, same thing. I walked in and saw this

1:31:49.080 --> 1:31:52.240
<v Speaker 1>Christmas decorations. I was like, oh, raphaels Deep must be

1:31:52.280 --> 1:31:55.360
<v Speaker 1>here because it's Christmas time. And Jerry came out. What

1:31:55.520 --> 1:31:57.800
<v Speaker 1>is what is the deal with Jerry? And as obsession

1:31:57.840 --> 1:32:00.880
<v Speaker 1>with every day is Christmas to him? You know what.

1:32:02.479 --> 1:32:04.280
<v Speaker 1>I never knew that's what he was doing until you

1:32:04.320 --> 1:32:11.240
<v Speaker 1>just said it. But you're right, because because the one

1:32:11.240 --> 1:32:13.439
<v Speaker 1>thing I do remember about Jerry is this. You know,

1:32:13.479 --> 1:32:15.559
<v Speaker 1>he's still around. You know he he makes a lot

1:32:15.560 --> 1:32:18.360
<v Speaker 1>of John legends. It's funny. He makes the John Leston

1:32:18.439 --> 1:32:25.919
<v Speaker 1>Christmas legend. Like YO, did Jerry? He's like, yes, he did. Yeah.

1:32:26.040 --> 1:32:28.240
<v Speaker 1>So the funny thing about Jerry. What I remember about

1:32:28.320 --> 1:32:31.439
<v Speaker 1>Jerry the Moostes. He talks about when songs in the

1:32:31.560 --> 1:32:34.880
<v Speaker 1>Kid of Life came out and he went and he

1:32:34.880 --> 1:32:37.360
<v Speaker 1>stood in line and Tower records on the sinset this

1:32:37.520 --> 1:32:40.840
<v Speaker 1>long line and he bought that record and he came

1:32:40.880 --> 1:32:44.519
<v Speaker 1>home and Christmas Eve and he played that record, so

1:32:44.640 --> 1:32:48.040
<v Speaker 1>he has to think about Christmas. You're right, that is crazy?

1:32:48.920 --> 1:32:50.519
<v Speaker 1>Is that? I was asking? Is that the same? Is

1:32:50.560 --> 1:32:53.559
<v Speaker 1>it Ali and Jerry? Is it the same? From Jerry?

1:32:53.800 --> 1:32:57.880
<v Speaker 1>Not him? Mixed the group called Climax. He Climax back

1:32:57.920 --> 1:33:02.200
<v Speaker 1>in the day. Um used to be a stud ABC.

1:33:02.360 --> 1:33:04.519
<v Speaker 1>He worked at ABC back in the day as an engineer.

1:33:06.840 --> 1:33:11.360
<v Speaker 1>FRANTI that Jerry is Jerry Knight who Jerry Knight Jack

1:33:11.400 --> 1:33:16.920
<v Speaker 1>and Jel radio singer? Okay, I was is that the

1:33:17.120 --> 1:33:21.680
<v Speaker 1>is that the largest hit tony believe it or not,

1:33:21.760 --> 1:33:23.920
<v Speaker 1>if I had no alluders, if I had alluded as

1:33:23.960 --> 1:33:28.479
<v Speaker 1>the highest charting record. But the biggest record to me

1:33:28.640 --> 1:33:33.360
<v Speaker 1>is probably it depends when you're talking, and that's me

1:33:33.400 --> 1:33:38.439
<v Speaker 1>and you was not a that's my first solo record. Okay,

1:33:38.880 --> 1:33:42.960
<v Speaker 1>it's okay only because at x tein wouldn't let me

1:33:43.000 --> 1:33:46.320
<v Speaker 1>put my name on the record. So what really? Yeah?

1:33:46.400 --> 1:33:49.920
<v Speaker 1>So yeah, so that record was just done and my

1:33:50.040 --> 1:33:52.160
<v Speaker 1>that's that's the record that was done in Sacramento in

1:33:52.200 --> 1:33:55.080
<v Speaker 1>my mother's house, in the room on the teeth on

1:33:55.120 --> 1:33:57.599
<v Speaker 1>the teeth three, which I and I put it out.

1:33:57.640 --> 1:34:01.240
<v Speaker 1>I gave it it John and the John Singleton they Polygraham,

1:34:01.280 --> 1:34:03.720
<v Speaker 1>I shouldn't say ed, but they said I couldn't use

1:34:03.760 --> 1:34:06.880
<v Speaker 1>my arm, I couldn't use my name. So the second

1:34:06.880 --> 1:34:09.360
<v Speaker 1>record I did was asked if you was on higher

1:34:09.439 --> 1:34:12.080
<v Speaker 1>learning and they told me I couldn't use my name again,

1:34:12.600 --> 1:34:15.280
<v Speaker 1>And I told John Singleton they couldn't use a song,

1:34:15.280 --> 1:34:18.760
<v Speaker 1>and John called PolyGram and said, this record is gonna

1:34:18.760 --> 1:34:22.000
<v Speaker 1>say rod fel sadik um. So the first my first

1:34:22.000 --> 1:34:24.519
<v Speaker 1>solo record would have been just me and you. And

1:34:24.560 --> 1:34:26.720
<v Speaker 1>the funny thing about it is Uh. That's when I

1:34:26.760 --> 1:34:29.479
<v Speaker 1>first figured out I had this pass called Jocko on

1:34:29.640 --> 1:34:33.679
<v Speaker 1>the T three, I was like, I called my godfather

1:34:34.040 --> 1:34:36.280
<v Speaker 1>James Levi. I used to play for the drummer for

1:34:36.680 --> 1:34:41.320
<v Speaker 1>with Herbie head Uh the head Hunters, and I called

1:34:41.400 --> 1:34:44.080
<v Speaker 1>him almost like who's that? Gave me a ride home

1:34:44.080 --> 1:34:45.840
<v Speaker 1>and it took his bass album played for me when

1:34:45.880 --> 1:34:53.120
<v Speaker 1>I was like fifteen. He was like Joao Jaco Jacko

1:34:53.200 --> 1:34:56.040
<v Speaker 1>played for me and my mom. He so, I'm in

1:34:56.120 --> 1:34:59.200
<v Speaker 1>velvet here in Oakland, James Levi is my godfather. Paul

1:34:59.280 --> 1:35:01.840
<v Speaker 1>Jackson all those the whispers used to come and watch

1:35:01.880 --> 1:35:04.559
<v Speaker 1>his plague and this band I was called tick Band.

1:35:04.600 --> 1:35:07.640
<v Speaker 1>And so I'm at the house one day and James go, hey, man,

1:35:07.680 --> 1:35:09.160
<v Speaker 1>give him a ride home and talk to him and

1:35:09.200 --> 1:35:11.000
<v Speaker 1>open up his heads. We got this four fifth y

1:35:11.040 --> 1:35:14.400
<v Speaker 1>s L convertibly drive. He stopped buying phone booth, get

1:35:14.400 --> 1:35:16.439
<v Speaker 1>on the phone and they take me about ten moles

1:35:16.479 --> 1:35:19.040
<v Speaker 1>to my house. He pulls his base out, he gets

1:35:19.040 --> 1:35:20.519
<v Speaker 1>on the ports. He plays for me and my mom

1:35:20.560 --> 1:35:22.559
<v Speaker 1>for like thirty minutes and talk to me and my mom,

1:35:22.800 --> 1:35:25.559
<v Speaker 1>which my mom don't know. My mom wouldn't know who

1:35:26.280 --> 1:35:29.599
<v Speaker 1>anybody is in R and b R nobody so Jazz,

1:35:29.640 --> 1:35:32.840
<v Speaker 1>you don't even know that. So when I and then

1:35:32.880 --> 1:35:36.040
<v Speaker 1>he leaves, and then I'm in my house making this record.

1:35:36.160 --> 1:35:40.400
<v Speaker 1>When I made that record years later, and then once

1:35:40.439 --> 1:35:42.559
<v Speaker 1>I make the record years later, I called, I said,

1:35:42.640 --> 1:35:45.639
<v Speaker 1>I've seen this, passee Jocko. Now I knew all about Jocko.

1:35:45.720 --> 1:35:49.200
<v Speaker 1>I'm like I called James, I said, who was that

1:35:49.240 --> 1:35:52.080
<v Speaker 1>to gave me a ride home? Without blinking? He goes,

1:35:52.800 --> 1:35:56.519
<v Speaker 1>what do you think it was? With Jocko? Stories? Oh? God, man,

1:35:56.920 --> 1:35:58.920
<v Speaker 1>you know how many other random stories do you have

1:35:59.040 --> 1:36:03.280
<v Speaker 1>like that? M Ladies and gentlemen. I know you hate

1:36:03.280 --> 1:36:05.360
<v Speaker 1>when my voice comes on and tells you you gotta

1:36:05.400 --> 1:36:07.720
<v Speaker 1>come back next week. But you know good and well

1:36:08.520 --> 1:36:11.200
<v Speaker 1>that we weren't going to give you the whole Angelotta

1:36:11.320 --> 1:36:14.360
<v Speaker 1>this one episode. So make sure you come back next

1:36:14.400 --> 1:36:19.519
<v Speaker 1>week when Rathiolsa Dick talks to you know, Layah Sugar,

1:36:19.560 --> 1:36:24.040
<v Speaker 1>Steve and Fon Tikolo and pay filled myself about his

1:36:24.200 --> 1:36:30.879
<v Speaker 1>solo work, about touring, about songwriting, about movie scoring, about bacon,

1:36:31.320 --> 1:36:38.000
<v Speaker 1>yes Bacon, and he drops a really awesome exclusive Jim,

1:36:38.040 --> 1:36:41.000
<v Speaker 1>So next week quest Love Supreme, I will see you

1:36:41.040 --> 1:36:51.439
<v Speaker 1>guys there much Love Supreme is a production of I

1:36:51.640 --> 1:36:58.080
<v Speaker 1>Heart Cupredio. For more podcasts for my heart Radio, visit

1:36:58.120 --> 1:37:01.240
<v Speaker 1>the I Heart Radio app, Apple Poe Podcast, or wherever

1:37:01.280 --> 1:37:02.519
<v Speaker 1>you listen to your favorite shows.