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Speaker 1: Hey, fan, Rito's this episode will be discussing the Tooth

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Speaker 1: Fairy and Santa Claus. So if you have little ones

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Speaker 1: who believe that are listening to this episode with you,

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Speaker 1: you might want to skip through certain parts.

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Speaker 2: Oh my voice, I like my allergies? What did I sound? Still,

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Speaker 2: it's gonna be the next several months as long as

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Speaker 2: I live here in like southern California. It's this time

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Speaker 2: of year is awful. Or to be fair, I did

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Speaker 2: scream really loud at Celia's daughter's high school graduation to

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Speaker 2: be part of it. Yeah, Harper graduated, and I went

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Speaker 2: with Celia to the graduation, which I went to the

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Speaker 2: middle to be's middle school graduation and then Harper's high

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Speaker 2: school graduation back to back, like two days.

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Speaker 1: In a row.

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Speaker 2: And let me tell you, it's a lot of names. Yeah,

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Speaker 2: but I was very glad to be there. But I

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Speaker 2: definitely yelled a little bit loudly.

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Speaker 1: Well good, I'm sure Harper could hear.

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Speaker 2: You if from from she Ever, the guy in front

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Speaker 2: of me was like, hey, I don't think she could

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Speaker 2: hear you, And I was like I even moved to

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Speaker 2: the like to the isle of the stands because I

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Speaker 2: knew I'm such I know, I'm such a loud yeller,

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Speaker 2: old yeller that I didn't want to be standing like

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Speaker 2: right next to or behind in someone and yell that

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Speaker 2: loud because that would make someone angry. So I did

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Speaker 2: at least go to like the isle, and even Celia.

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Speaker 2: Celia didn't realize I'd walked like ten feet that way

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Speaker 2: and she heard just someone yelling for Harper and was like,

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Speaker 2: who is that crazy? Oh, oh, it's Jody. It's just

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Speaker 2: Joy And that was just when they walked in, Like

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Speaker 2: that was just when I just saw Harper. I was

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Speaker 2: like yeah, and she was like, oh my god. Yeah.

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Speaker 2: She was like, Auntie, Jody's gonna be very proud of

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Speaker 2: you. You worked hard.

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Speaker 1: Oh that's so sweeteet.

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Speaker 2: And I yell. We yelled for me too. Zoe came

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Speaker 2: with us. It was very early graduations. We had to

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Speaker 2: be there at seven thirty am.

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Speaker 1: At least it's early in the day before the heat.

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Speaker 1: Like our graduation ceremonies are always the hottest day of

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Speaker 1: the year at five PM in the direct sun, and

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Speaker 1: it is like Lord of the Flies out there. You

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Speaker 1: have to bring cooler every water, you have to bring

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Speaker 1: an umbrella. But then people yell at you to put

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Speaker 1: down your umbrella anyway.

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Speaker 2: Yeah, but it was it's been a week of graduations

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Speaker 2: and all manner of things, and apparently I have lost

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Speaker 2: my voice.

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Speaker 1: That's okay, that's it. You sound normal to me, so

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Speaker 1: this is your.

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Speaker 2: Yeah, wow, well that sounds so you're saying I sound

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Speaker 2: this terrible normal.

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Speaker 1: No, I'm saying you don't sound terrible. Although when you

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Speaker 1: got closer to your microphone, you sounded a little bit

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Speaker 1: like sexy phone.

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Speaker 2: If I have Hello, No, I have to back off

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Speaker 2: the mic a little bit, otherwise it's going to sound

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Speaker 2: like someone's gargling gravel in the microphone.

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Speaker 1: It's true. We don't want that panor which.

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Speaker 2: I you know, that might also be adding to it.

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Speaker 2: I should stop doing that.

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Speaker 1: From regarding with ground flat.

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Speaker 2: Yeah, it's so hard, you know, It's just it really

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Speaker 2: polishes my teeth.

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Speaker 1: Okay, and your epiglottis you're wait, no, you're hangy ball.

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Speaker 1: What is it? What did you call it? Your hangy ball?

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Speaker 2: The hangy ball thing?

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Speaker 1: Of course?

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Speaker 2: Oh, it's your your your courage you're oh, hold on,

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Speaker 2: well is it?

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Speaker 1: No, it's somebody someone corrected us.

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Speaker 2: It's I think it might betis I think.

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Speaker 1: Okay, the epiglottis is some somewhere back there.

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Speaker 2: I think it's I think that might be what it is.

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Speaker 1: But the hangy ball of courage or what hangy ball is,

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Speaker 1: that's what it is.

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Speaker 2: There we go or uvula, uvula uvula. Well, what the

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Speaker 2: hell is the other thing that we said epiglottis? I

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Speaker 2: don't know that.

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Speaker 1: Maybe it's like the little.

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Speaker 2: Something in your soft palate. Oh, the epic is that

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Speaker 2: like the little where you swallow?

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Speaker 1: Yeah, I wonder if it's back by the swallowing mechanism.

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Speaker 1: It's been so long since I took it's biology.

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Speaker 2: It's so oh god. It's such a good thing that

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Speaker 2: we're actors and not doctors.

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Speaker 1: This is why we don't teach.

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Speaker 2: This is why, right, although to be fair, we've also

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Speaker 2: never played doctors on TV, so we wouldn't know these things.

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Speaker 2: And it also has been it's been since high school

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Speaker 2: since I took anatomy, so yeah, these are these are

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Speaker 2: so yeah.

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Speaker 1: Anyways, that was a tangent. Wow, how did we get

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Speaker 1: on you?

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Speaker 2: Yes, I know that's it. I give up. I'm going home.

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Speaker 2: I don't know what's happening. Okay, Oh wait, I am home.

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Speaker 1: Okay, well we could, we could recap an episode.

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Speaker 2: I mean, that's we could, you know, I feel like,

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Speaker 2: why not we should? And I again, I have that

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Speaker 2: thoughts on this episode.

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Speaker 1: Oh, I got thoughts too. I feel like I always

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Speaker 1: have the same thoughts on all these episodes too.

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Speaker 2: I know, I'm like, I got the same thought. I guess,

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Speaker 2: but you know, well you'll figure out what it is

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Speaker 2: pretty quickly.

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Speaker 1: But yeah, okay, well let's let's do it.

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Speaker 2: But it was just so I literally, I literally when

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Speaker 2: it's when this episode started happening, and what I went, Oh, no,

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Speaker 2: here we go.

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Speaker 1: Well, okay, I'm gonna save my thoughts.

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Speaker 2: Let's let's see.

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Speaker 1: Listen, let me start the show officially here, let's start

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Speaker 1: the show. Welcome back to How Rude Tan Rito's.

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Speaker 2: I'm Andrea Barber and I'm Jody Sweeten.

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Speaker 1: And today we're discussing season three, episode three, breaking up

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Speaker 1: is hard to do in twenty two minutes? Is that

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Speaker 1: really the title? That wasn't the title of blou So

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Speaker 1: that's the little.

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Speaker 2: Yeah, I believe that's the I think that's the full title.

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Speaker 1: Oh funny, that's hysterical.

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Speaker 2: They're making reference to, Yeah, the sitcom being twenty two minutes.

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Speaker 1: Right, that's hysterical. It originally aired October sixth, nineteen eighty nine,

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Speaker 1: and it goes little something like this when Jesse and

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Speaker 1: Rebecca hit a rough patch in their relationship, DJ and

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Speaker 1: Stephanie try to fix things between them, Your Little Meddlers,

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Speaker 1: Medley Kids. It was directed by Billy Fausta Coffee Coffee,

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Speaker 1: and it was written by Jeff Franklin. We have two

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Speaker 1: guest stars this week. We have Bobby Eeks. I hope

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Speaker 1: I said that correct, as Diane yep Okay, best known

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Speaker 1: for her work on soap operas, two soap operas All

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Speaker 1: My Children, where she did six hundred and six hundred

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Speaker 1: and sixty episodes.

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Speaker 2: Oh My God.

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Speaker 1: The Bold and the Beautiful where she did one thy

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Speaker 1: two hundred and five episodes. What that soap opera life?

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Speaker 2: You do one a day? Well, I know that's true.

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Speaker 2: One a day. That's years, that's always the thing. It

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Speaker 2: sounds like, right, that's two that's two years, six hundred

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Speaker 2: and something episodes. Basically, yeah, oh no, like it's what

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Speaker 2: it sounds like. I've been here forever, right.

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Speaker 1: It's been eighty four years, right, it's.

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Speaker 2: Yeah, exactly. And they're like no, I just I worked

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Speaker 2: on it for like, you know, two to three years.

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Speaker 1: Yeah, yeah, no, that it's so impressive. But you're like, yeah,

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Speaker 1: that's soap life. You do a lot of it. But

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Speaker 1: they don't really take breaks, I think except Christmas Day

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Speaker 1: or like the bank episodes for holidays. But yeah, they

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Speaker 1: don't take many breaks. It's it's grueling, very grueling. So

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Speaker 1: my hat is off to her. And next we have

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Speaker 1: Aaron Brownstein who plays Lenny, the little redheaded kid in

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Speaker 1: the Sandbox. And Aaron became a television writer and producer.

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Speaker 1: He stopped acting after this one role, as full house

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Speaker 1: tends to do, and he has worked on Santa Clarita,

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Speaker 1: Diet about a Boy, and he's co creator of a

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Speaker 1: show called Miss twenty fifty nine or twenty fifteen.

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Speaker 2: Great, yeah, good for him, I know, good for him.

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Speaker 1: Aaron pivoted to writing and producing and I'm very proud

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Speaker 1: of him.

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Speaker 2: Well, he was named after he was named after Lenny. Yeah,

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Speaker 2: so he became a his.

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Speaker 1: That's would you just get that? Yeah? Well not that

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Speaker 1: he I figured it was he was named after Lenny,

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Speaker 1: that Lenny was our writer.

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Speaker 2: He's not actually named after Lenny, but the show he was,

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Speaker 2: so I'm going to say his name is Lenny and

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Speaker 2: he's carrying on the tradition. I love that.

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Speaker 1: Oh man, I just got some warm fuzzies. All Right,

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Speaker 1: we're gonna have to get in touch with Aaron and

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Speaker 1: tell him that we're very impressed since it's been thirty

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Speaker 1: six years. Okay, let's get into the show. We start

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Speaker 1: with our teaser. In the living room, Danny and Michelle

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Speaker 1: are playing baby basketball. Danny dunks on Michelle as she

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Speaker 1: attempts to guard him. Michelle tells her dad it's her turn.

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Speaker 1: She seizes her opportunity by running through Danny's legs. Danny

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Speaker 1: picks her up and flies her around the room before

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Speaker 1: allowing her to shoot the ball into the hoop. Danny

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Speaker 1: excitedly points at his daughter and says, in your face,

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Speaker 1: and Michelle repeats the line back at him with her

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Speaker 1: little lisp, in your faith. So cute. Danny adds NBA action,

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Speaker 1: it's Michelle enthusiastically concludes fantastic. Danny laughs and kisses Michelle

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Speaker 1: on the cheek.

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Speaker 2: Very cute. That was very cute. Yeah, Although I will

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Speaker 2: say that was the tallest baby basketball hoop I've ever

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Speaker 2: seen in my life. Yeah, that was like at least

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Speaker 2: like they actually right. I was like, it's a very

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Speaker 2: large baby.

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Speaker 1: Yeah, it's three feet taller. They're usually as tall as

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Speaker 1: the kid.

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Speaker 2: Yeah, I wonder I was like, is there is there

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Speaker 2: like an extension? Like did they make it taller because

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Speaker 2: Bob is so tall? Tall?

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Speaker 1: I bet you, I bet the otherwise his.

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Speaker 2: Looked weird in the frame, right, yeah, exactly. Probably couldn't

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Speaker 2: get his head in the frame while holding the show

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Speaker 2: with the basketball thing, it probably looked weird.

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Speaker 1: So, yeah, that's a that's a good catch. I didn't

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Speaker 1: notice that, but yeah, I just think that, right.

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Speaker 2: I don't think they make them that high. Then you're

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Speaker 2: just playing regular basketball.

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Speaker 1: Then you got to lift the kid up every time

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Speaker 1: make a basket. Yeah.

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Speaker 2: Right.

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Speaker 1: So next door in the kitchen, Joey walks in announcing

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Speaker 1: that the sandbox is ready for Michelle's playdate. Danny shows

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Speaker 1: off the platter of celery sticks that he made for her.

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Speaker 2: Friends, to which.

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Speaker 1: To which Joey responds, m Celery sticks every kid's favorite.

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Speaker 1: Every Halloween. I would head straight to the house that

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Speaker 1: gave out celery Come on, Danny, no peanut butter, no

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Speaker 1: raisins on a log, peanut butter, a little bit something.

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Speaker 1: This is a classic, was a little I was.

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Speaker 2: I was actually a little shocked by Danny's lack of preparedness.

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Speaker 2: I feel like he's usually more uh on the ball

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Speaker 2: and sort of has things like a like a spread,

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Speaker 2: you know what I.

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Speaker 1: Mean, he would at least throw some carrots in there,

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Speaker 1: or you know, cucumbers and something just but yeah, just

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Speaker 1: plain celery sticks. But the jacks, I don't know.

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Speaker 2: Celery isn't celery is it's stringy and yeah.

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Speaker 1: It's like crunchy air. It's like crunchy again.

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Speaker 2: Well and actually it's like it takes more calories to

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Speaker 2: eat it than it and it actually is worth nutritionally,

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Speaker 2: I believe something like that. It's like the chewing exerts

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Speaker 2: more energy than the celery is even worth. Okay, that's hysterical,

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Speaker 2: I don't I mean, I don't know if that's factually true,

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Speaker 2: but I'm gonna I'm saying it's close enough. Well, I'm

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Speaker 2: sure that's a selling point, right, right, somebody weigh in

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Speaker 2: is celery? Right? Is chewing celery burning more calories than

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Speaker 2: it than it's than you're eating because it's just water

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Speaker 2: threads you know it's.

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Speaker 1: Yeah, it's crunchy, crunchy water threads. Yeah, it tinted green.

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Speaker 2: Yeah.

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Speaker 1: Anyway, anyway, so Steph walks down the stairs attempting to talk,

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Speaker 1: but the giant apple in her mouth is muffling her words.

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Speaker 1: How did you do this? Did you actually have to

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Speaker 1: hold it in your mouth? Like? Yeah, you just like

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Speaker 1: took a bite and like held it with.

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Speaker 2: You just like took a bite and held it.

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Speaker 1: Oh wow, that's good because that's a pretty big apple

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Speaker 1: for your tiny little you had such a tiny little

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Speaker 1: head and a tiny little mouth.

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Speaker 2: I know, I just well, yeah, it's a very it's

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Speaker 2: but no, I think yeah, I just had I mean

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Speaker 2: I was already missing the tooth, so the other one

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Speaker 2: I think was still pretty substantially in there. I could

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Speaker 2: hook it on, you know.

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Speaker 1: Okay, So did they write this because you lost your

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Speaker 1: tooth or.

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Speaker 2: I mean I would start yeah, I was starting to

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Speaker 2: lose my front teeth, so I'm sure that they were like, oh,

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Speaker 2: let's make it a storyline, got it?

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Speaker 1: So you just had no flipper in your mouth, a

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Speaker 1: little fake tooth.

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Speaker 2: Yeah, they were like, oh, we're just gonna have a

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Speaker 2: missing tooth.

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Speaker 1: Okay, great, And.

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Speaker 2: Then I'm sure it'll I don't know though. I think

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Speaker 2: maybe they left it missing for a little while. And

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Speaker 2: then I got like the flippers, which were the little

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Speaker 2: fake removable teeth to keep continuity for when you're loosing teeth.

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Speaker 1: Flippers are were a big part of life as a

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Speaker 1: child actor. Okay, So Steph has walked downstairs the apples

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Speaker 1: in her mouth, and Danny asks Joey what she said,

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Speaker 1: and Joey mimics these muffled noises. Danny pulls the apple

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Speaker 1: out of STEP's mouth and asks her what she said.

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Speaker 1: Steph clearly states I said, don't pull that apple out

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Speaker 1: of my mouth. My loose tooth is stuck. Danny looks

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Speaker 1: at the apple and points out, not anymore, it's in

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Speaker 1: this apple. Am I the only one that couldn't see

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Speaker 1: the apple or couldn't see the tooth in the apple?

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Speaker 2: No, because there was no tooth in the apple.

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Speaker 1: Ab well, not for reals. But wouldn't props have put

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Speaker 1: a fake tooth in the apple?

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Speaker 2: No? No, No, we weren't that. We weren't that The

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Speaker 2: attention to detailed. Truly, if you look at like old

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Speaker 2: like older sitcoms, think about the way props and set

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Speaker 2: deck and everything is done. Now I find it to

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Speaker 2: be much more like thorough and detailed for sure, probably

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Speaker 2: would or you would have gotten an insert on the

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Speaker 2: like now you would have got like that was for me.

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Speaker 2: I was like, oh, they're going to get an insert

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Speaker 2: on the apple, but they did it.

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Speaker 1: Yeah, I was waiting for the insert.

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Speaker 2: Yeah, right, that's I think that's what it was. There

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Speaker 2: was no insert on the apple that I feel like

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Speaker 2: might be a little more present if in like the

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Speaker 2: style of directing maybe today.

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Speaker 1: Yeah, Okay, so that wasn't a big thing back in

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Speaker 1: the eighties. Billy Foster didn't.

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Speaker 2: Didn't or maybe they were just like, we're not gonna no,

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Speaker 2: we're not doing this. That's stupid.

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Speaker 1: So anyway, so I didn't miss it.

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Speaker 2: You didn't miss anything. There was no tooth in the apple. Okay,

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Speaker 2: you got it.

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Speaker 1: Yeah, so Steph is relieved. She was wiggling that tooth

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Speaker 1: around in her mouth for a week, but it kept

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Speaker 1: hanging on by this one little slimy, skinny string of

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Speaker 1: tooth cuts.

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Speaker 2: What a description, right, but you know exactly what I'm

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Speaker 2: talking about, and it's so gross. Everyone every human is

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Speaker 2: like yep, one that where you're like oh go and

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Speaker 2: it like and it's the last one that kind of

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Speaker 2: hurts and you're like, ohh, I don't want to I

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Speaker 2: just want to read. Yeah, that was usually the one

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Speaker 2: that my dad would go, wait, wait American, it's just

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Speaker 2: gonna look at it. Just want to then yank it. Yeah.

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Speaker 1: Oh yeah, that's just it's the grossest feeling. It's gross

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Speaker 1: to look at, it's gross to feel it. Like I

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Speaker 1: do not miss them.

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Speaker 2: It's gross and exciting all at once.

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Speaker 1: True.

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Speaker 2: Okay, And I will say also there was for losing

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Speaker 2: a front tooth, there was a very minimal amount of

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Speaker 2: any sort of bleeding, thankfully.

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Speaker 1: Good, okay, good.

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Speaker 2: I feel like with teeth loss there's always that's always

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Speaker 2: that's usually the panic that kids lose their first few

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Speaker 2: to and they're like, ah and because they're mountain, they're like,

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Speaker 2: oh my god, I'm dying. You're like, you're not dying.

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Speaker 1: Yeah, it's just it gets blood.

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Speaker 2: I remember Bee was a little scared of losing her

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Speaker 2: teeth because she thought like she didn't like the bleeding

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Speaker 2: freaked her out. Oh really, it's like it's okay, it

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Speaker 2: stops very quickly. Yeah, okay, yeah, all right, So well anyways,

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Speaker 2: and then you grow out. Here we go.

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Speaker 1: Now it's a storyline. So Stuff announces that she's going

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Speaker 1: to put the tooth under her pillow right now for

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Speaker 1: the tooth Fairy. She tells them this thing is money

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Speaker 1: in the bank and runs out of the kitchen. We

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Speaker 1: cut too the living room. DJ enters through the front

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Speaker 1: door and sees Steph running towards the stairs, and I

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Speaker 1: love how you like swing wide as you're running to

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Speaker 1: the stairs to like kill some times make for DJ

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Speaker 1: to make her well, well.

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Speaker 2: What it was is I had to make sure and

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Speaker 2: come close enough to the stairs that when you're doing

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Speaker 2: the shot, you can see me running by and DJ

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Speaker 2: coming in the door so that she says something to me.

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Speaker 2: Otherwise I'm not in the frame, okay, And then she's

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Speaker 2: just talking to no one.

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Speaker 1: Okay, that's it, because I was just like, why are

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Speaker 1: you running? Like? This is not the past now, it's.

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Speaker 2: When you banana into a shot and you're like, I'm

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Speaker 2: going to make a really weird angle so that I

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Speaker 2: make it into frame just where I need to.

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Speaker 1: That must that must be So that must have been

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Speaker 1: so weird for us as kids to get directions like that,

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Speaker 1: which you followed it very well. But did you ever

350
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Speaker 1: wonder like, why is the director having us do this?

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Speaker 1: Like because we didn't understand I didn't understand camera shot you.

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Speaker 2: I guess I kind of got the I understood the

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Speaker 2: point or maybe they explained it. I don't know, maybe,

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Speaker 2: but I guess it was that was just always like

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Speaker 2: I knew. I was like, oh, I just have to

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Speaker 2: get closer so that what the camera needs to see

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Speaker 2: is together.

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Speaker 1: Yeah that's true. By season three, like we knew what

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Speaker 1: a two shot is and yeah, what a widing? Yeah yeah,

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Speaker 1: we knew all those things. Okay, so maybe it wasn't weird, okay,

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Speaker 1: anyways brilliant.

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Speaker 2: Or maybe I just took a really wide turn. I

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Speaker 2: don't know. Maybe I'm making more out of it than

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Speaker 2: than there was. Maybe I was just being stupid.

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Speaker 1: Oh it was intentional.

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Speaker 2: Why did you do it that way?

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Speaker 1: We were way over by the piano organ thing like

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Speaker 1: you were. It was intentional, So yeah, you did very well.

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Speaker 1: Uh So DJ calls out Stephanie and Steph responds DJ

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Speaker 1: and runs back towards her sister. DJ exclaims, wait till

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Speaker 1: you hear what happened to me, and Steph says, wait,

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Speaker 1: till you hear what happened to me. Steph tells DJ

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Speaker 1: that her tooth came out, and DJ says, that's nothing.

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Speaker 1: I jumped my first fence today. Steph snaps back, big deal,

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Speaker 1: you didn't jump it your horse?

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Speaker 2: Did you see my head? I went, why did you

377
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Speaker 2: jump at a fence? And then I was like, oh

378
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Speaker 2: the horse? I was like, what's she running away from?

379
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Speaker 2: Why does DJ jumping fences? What's happening here? Yeah?

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Speaker 1: No, this this has been a through line like this

381
00:17:42,680 --> 00:17:44,880
Speaker 1: is carried over from season two from that's.

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Speaker 2: Like, yeah, I should have picked up on that. I

383
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Speaker 2: was a little more like, is DJ like she like

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Speaker 2: steals something and she's running or what happened? Like why

385
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Speaker 2: is she running jumping a fence?

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Speaker 1: Yeah?

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Speaker 2: She was like oh no, but that's my brain. No.

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Speaker 1: I'm sure other people felt that too. They should have

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Speaker 1: said I jumped a fence with rocket the horror or something.

390
00:18:03,960 --> 00:18:07,480
Speaker 1: That should have been some sort of clarification. But that's

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Speaker 1: what I guess.

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Speaker 2: Then that would kill the joke of you didn't jump

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Speaker 2: at your horse?

394
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Speaker 1: Did oh? Yeah? This this was you said this? So

395
00:18:13,320 --> 00:18:17,080
Speaker 1: seriously You're just like, I'm like, this is the Janice

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00:18:17,080 --> 00:18:20,800
Speaker 1: sweetened sarcat like right here, like I can see exactly

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Speaker 1: where this comes from, and I love it. So DJ

398
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Speaker 1: hits her right back. So you didn't lose your tooth.

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Speaker 1: Your gums did kind of a week come back, and.

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Speaker 2: I was like, that's a comeback. It's technically there's still

401
00:18:33,720 --> 00:18:35,920
Speaker 2: my gums. Yeah, you know what I mean, it's still

402
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Speaker 2: attached to my person.

403
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Speaker 1: It's still on your person.

404
00:18:38,240 --> 00:18:40,200
Speaker 2: That horse could jump that fence with or without you.

405
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Speaker 1: So true, so true. All right, so Stephanie, Stephanie won

406
00:18:44,359 --> 00:18:48,840
Speaker 1: DJ zero. Right should the comebacks this week? The girls

407
00:18:48,920 --> 00:18:51,520
Speaker 1: run up to their room together and Becky enters through

408
00:18:51,560 --> 00:18:55,080
Speaker 1: the front door, yelling, come on, partner, mosey on in here.

409
00:18:55,920 --> 00:19:00,760
Speaker 1: Jesse staggers in, bow legged and covered in mud. I

410
00:19:00,840 --> 00:19:03,639
Speaker 1: just love John's physical comedy gets better and better.

411
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Speaker 2: I was gonna say, here we are again, John with

412
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Speaker 2: the physical comedy. He really it's as I've grown older,

413
00:19:09,640 --> 00:19:14,040
Speaker 2: I just see how much the Dick Van Dyke and

414
00:19:14,119 --> 00:19:19,240
Speaker 2: Jerry Lewis and Dean Martinette, like all of these old

415
00:19:19,359 --> 00:19:23,280
Speaker 2: comedians had such an influence on John.

416
00:19:24,359 --> 00:19:27,040
Speaker 1: I never remembered him being this good at physical comedy.

417
00:19:27,040 --> 00:19:30,119
Speaker 1: I knew he's a funny actor. But I didn't. I

418
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Speaker 1: just don't remember these comedic well. I never had seen

419
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Speaker 1: this episode before either, But I'm just like, wow, he

420
00:19:34,480 --> 00:19:36,600
Speaker 1: is right exactly like I didn't. I didn't know he

421
00:19:36,640 --> 00:19:38,560
Speaker 1: did this. Yeah, but he's so good the way he

422
00:19:38,640 --> 00:19:43,080
Speaker 1: like swings his leg down the stairs. It's really really funny,

423
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Speaker 1: fantastic work. John So Becky says to him, don't be

424
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Speaker 1: a baby. You know you had fun. Jesse insists the

425
00:19:51,760 --> 00:19:54,000
Speaker 1: horse had it in for him. He tried to be

426
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Speaker 1: nice to the horse, but the horse thanked him by

427
00:19:56,280 --> 00:19:59,280
Speaker 1: throwing him in the mud and laughing at him. Jesse

428
00:19:59,400 --> 00:20:02,160
Speaker 1: tries to mimic the horses laugh, which kind of sounds

429
00:20:02,200 --> 00:20:04,800
Speaker 1: like the Wicked Witch of the West, but he hurts

430
00:20:04,800 --> 00:20:08,560
Speaker 1: his back in the process. Jesse asks Becky for a chair,

431
00:20:08,680 --> 00:20:12,600
Speaker 1: and she slides a stool between his legs. I was impressive. Yeah,

432
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Speaker 1: I'm like, I wonder how many times they had to

433
00:20:14,880 --> 00:20:18,600
Speaker 1: rehearse that because it was great, great timing. Becky tells

434
00:20:18,640 --> 00:20:21,080
Speaker 1: Jesse the next time they go riding, she'll get him

435
00:20:21,240 --> 00:20:25,160
Speaker 1: a cute little pony, but Jesse thinks not. He admits,

436
00:20:25,600 --> 00:20:27,760
Speaker 1: I had a little chat with my butt. There will

437
00:20:27,800 --> 00:20:31,840
Speaker 1: be no more horseback riding. Becky tells him that's not

438
00:20:31,920 --> 00:20:34,840
Speaker 1: fair because she always does everything he wants to do,

439
00:20:35,160 --> 00:20:39,120
Speaker 1: like going to hear his band play. Jesse argues, well, yeah,

440
00:20:39,119 --> 00:20:44,280
Speaker 1: but that's fun. Oh here we go? No?

441
00:20:44,520 --> 00:20:47,040
Speaker 2: Yeah, I was like, oh, here we go.

442
00:20:47,920 --> 00:20:50,879
Speaker 1: But Becky pushes back, well, I happen to think that

443
00:20:51,000 --> 00:20:54,040
Speaker 1: riding a horse is fun. She begins to walk out

444
00:20:54,080 --> 00:20:55,960
Speaker 1: of the room and Jesse tries to follow her, but

445
00:20:56,040 --> 00:20:59,920
Speaker 1: he's still on this stool. After wincing in pain, he asks,

446
00:21:00,240 --> 00:21:02,600
Speaker 1: you mean to tell me that horse riding is more

447
00:21:02,680 --> 00:21:05,960
Speaker 1: fun than music. When's the last time you saw mister

448
00:21:06,200 --> 00:21:09,840
Speaker 1: Ed play in front of fifty thousand screaming fans? Huh?

449
00:21:10,160 --> 00:21:13,040
Speaker 1: Becky shoots back, and did Guns and Roses ever win

450
00:21:13,160 --> 00:21:17,520
Speaker 1: the Kentucky Derby? These are just like this is so

451
00:21:17,640 --> 00:21:22,440
Speaker 1: nineteen eighty nine, right, You're like, oh, yes, guns n' Roses?

452
00:21:22,640 --> 00:21:23,600
Speaker 2: Yes, right.

453
00:21:24,400 --> 00:21:26,560
Speaker 1: Jesse tells Becky if she doesn't want to go to

454
00:21:26,600 --> 00:21:29,199
Speaker 1: the smash club tonight, then she should just skip it.

455
00:21:29,880 --> 00:21:31,560
Speaker 2: After a moment, I don't know why, and then I

456
00:21:31,640 --> 00:21:33,399
Speaker 2: was like, Anne, done.

457
00:21:33,240 --> 00:21:38,200
Speaker 1: Right episode the episode, the end of the fight, right, okay?

458
00:21:39,359 --> 00:21:41,120
Speaker 2: Yeah? And then I was like, oh wait, no, we're

459
00:21:41,200 --> 00:21:42,359
Speaker 2: gonna keep going. Okay, got it.

460
00:21:42,400 --> 00:21:44,720
Speaker 1: We're only on like minute two of the twenty two.

461
00:21:45,200 --> 00:21:49,359
Speaker 1: I was like, okay, this is yeah. So Jesse asks

462
00:21:49,359 --> 00:21:53,240
Speaker 1: her for a nice soothing BackRub, and Becky responds, Okay,

463
00:21:53,320 --> 00:21:55,640
Speaker 1: I could really use one, and she sits in front

464
00:21:55,640 --> 00:21:57,040
Speaker 1: of him on the stool.

465
00:21:57,440 --> 00:22:01,800
Speaker 2: I do love Becky. Becky, She's just just a check.

466
00:22:01,880 --> 00:22:11,679
Speaker 1: She's the best. Sure. Next, were in the backyard. Joey

467
00:22:11,720 --> 00:22:14,119
Speaker 1: is telling a story to Michelle and her friends while

468
00:22:14,119 --> 00:22:15,280
Speaker 1: they sit in the sandbox.

469
00:22:15,840 --> 00:22:17,840
Speaker 2: As Joey suddenly appearing sandbox.

470
00:22:18,000 --> 00:22:20,720
Speaker 1: Yeah, you know, the shape shifting backyard, the shape shift

471
00:22:21,600 --> 00:22:22,439
Speaker 1: in the box.

472
00:22:22,480 --> 00:22:27,440
Speaker 2: Suddenly we've got a giant sandbox and seven hundred pounds

473
00:22:27,480 --> 00:22:30,159
Speaker 2: of sand. Yeah you know that have somehow made it

474
00:22:30,160 --> 00:22:30,840
Speaker 2: into the backyard.

475
00:22:31,080 --> 00:22:33,359
Speaker 1: Just another day at the at the full house at

476
00:22:33,440 --> 00:22:37,199
Speaker 1: the right. Yeah, As Joey makes spaceship noises. None of

477
00:22:37,240 --> 00:22:38,680
Speaker 1: the kids look impressed.

478
00:22:39,359 --> 00:22:40,520
Speaker 2: He was impressed.

479
00:22:40,760 --> 00:22:41,000
Speaker 1: I was.

480
00:22:41,160 --> 00:22:44,240
Speaker 2: I wrote down like Dave's noises, Yeah, they're so cool.

481
00:22:44,320 --> 00:22:46,040
Speaker 2: I love his little Jetson's noises.

482
00:22:46,200 --> 00:22:48,920
Speaker 1: Now the kids, the kids weren't buying it, but which

483
00:22:48,960 --> 00:22:51,480
Speaker 1: is like He's he would be a hit with the

484
00:22:51,520 --> 00:22:52,359
Speaker 1: preschool set.

485
00:22:52,440 --> 00:22:55,240
Speaker 2: You know, like with all the voices, this was it's

486
00:22:55,280 --> 00:22:57,280
Speaker 2: true target audience.

487
00:22:57,600 --> 00:23:00,720
Speaker 1: I think, yeah, yeah, so okay, But for whatever reason,

488
00:23:00,760 --> 00:23:05,080
Speaker 1: these kids aren't impressed with it. Danny comes out and

489
00:23:05,080 --> 00:23:07,280
Speaker 1: he tells the kids he has something that they are

490
00:23:07,280 --> 00:23:11,400
Speaker 1: going to love. One kid named Lenny pleads no more.

491
00:23:11,560 --> 00:23:15,800
Speaker 1: Celery serious, Oh I love this kid already. I just

492
00:23:15,840 --> 00:23:19,960
Speaker 1: love him. Danny hands out sandbox toys for the kids.

493
00:23:20,480 --> 00:23:23,439
Speaker 1: Joey hands a toy to Lenny, but Michelle grabs it

494
00:23:23,480 --> 00:23:27,359
Speaker 1: from him and says, my toy. Joey reminds Michelle not

495
00:23:27,440 --> 00:23:30,879
Speaker 1: to be selfish. Danny stands up for his daughter, saying,

496
00:23:30,960 --> 00:23:34,960
Speaker 1: his sweet Michelle was just informing this little sand crab

497
00:23:35,480 --> 00:23:38,800
Speaker 1: that that's one of her favorite toys. He proceeds to

498
00:23:38,840 --> 00:23:42,240
Speaker 1: hand Lenny a new toy, and Michelle grabs it from him, again,

499
00:23:42,440 --> 00:23:43,600
Speaker 1: saying my toy.

500
00:23:44,800 --> 00:23:45,000
Speaker 2: Dan.

501
00:23:45,119 --> 00:23:49,760
Speaker 1: Danny disregards Michelle's selfishness as just something that happens in families.

502
00:23:49,920 --> 00:23:53,920
Speaker 1: No one knows why it happens. So Joey grabs Danny's

503
00:23:53,960 --> 00:23:56,680
Speaker 1: mini broom and offers it to Lenny. Before the little

504
00:23:56,720 --> 00:23:59,240
Speaker 1: boy can take it, Danny grabs it and emphasizes that

505
00:23:59,320 --> 00:24:05,240
Speaker 1: it's his. He realizes his selfish behavior and sheepstly, sheepishly

506
00:24:05,720 --> 00:24:08,920
Speaker 1: gives the broom to Lenny, asking him not to bend

507
00:24:09,000 --> 00:24:09,760
Speaker 1: any bristles.

508
00:24:10,359 --> 00:24:13,560
Speaker 2: I remember when my kids went through this. Yeah, don't

509
00:24:13,600 --> 00:24:16,480
Speaker 2: mean they still go through it with each other. That's mine.

510
00:24:16,560 --> 00:24:19,480
Speaker 2: You know, they will fight to the death over a

511
00:24:19,520 --> 00:24:20,200
Speaker 2: lip gloss.

512
00:24:20,480 --> 00:24:22,840
Speaker 1: Yeah, but it's a tough pre school set.

513
00:24:23,200 --> 00:24:26,119
Speaker 2: What was the what did they say for the rules

514
00:24:26,160 --> 00:24:28,720
Speaker 2: for toddlers? What's mine is mine? And what's yours is mine?

515
00:24:28,720 --> 00:24:31,920
Speaker 1: Too? Oh? Yes, very accurate.

516
00:24:32,200 --> 00:24:34,879
Speaker 2: Yeah, yeah, or toys that are laying on the ground.

517
00:24:34,920 --> 00:24:37,720
Speaker 2: I either am coming back to that or I just

518
00:24:37,760 --> 00:24:39,800
Speaker 2: haven't started playing with it yet. But it's mine.

519
00:24:41,200 --> 00:24:43,680
Speaker 1: Inside the mind of a preschooler, yep.

520
00:24:43,520 --> 00:24:46,000
Speaker 2: Right, yep. And and I find there are a lot

521
00:24:46,040 --> 00:24:50,080
Speaker 2: of people that never quite outgrow that mentality. True.

522
00:24:50,119 --> 00:24:53,840
Speaker 1: You can tell the adults that grew up never the

523
00:24:53,840 --> 00:24:57,760
Speaker 1: ones that were raised by Danny Tanner, never correcting their selfish.

524
00:24:57,520 --> 00:25:00,639
Speaker 2: They're just really self Yeah. Yeah, finding a lot of

525
00:25:00,640 --> 00:25:05,960
Speaker 2: them on the world, now, okay, but yeah, it's uh yeah,

526
00:25:06,119 --> 00:25:09,840
Speaker 2: it's interesting, the toddler mentality of like all of it's mine.

527
00:25:09,920 --> 00:25:13,800
Speaker 2: Everything I did, I looked at it, mine, mine, mine, mine, mine.

528
00:25:13,800 --> 00:25:18,080
Speaker 2: They're like the little seagulls from Nemo. Mine, Ye, mine

529
00:25:18,240 --> 00:25:19,639
Speaker 2: mine exactly.

530
00:25:19,760 --> 00:25:21,919
Speaker 1: No, they are they it's it's just a phase they

531
00:25:22,000 --> 00:25:23,520
Speaker 1: have to grow out of too. You know. It's hard

532
00:25:23,560 --> 00:25:26,439
Speaker 1: to it's hard to be parent that, but the Tanners

533
00:25:26,440 --> 00:25:29,680
Speaker 1: are trying. Next, we're in the kitchen and DJ is

534
00:25:29,720 --> 00:25:33,120
Speaker 1: wiping down the table as Steph walks over. She tells

535
00:25:33,160 --> 00:25:36,440
Speaker 1: her big sister that she's been thinking, which prompts DJ

536
00:25:36,560 --> 00:25:39,840
Speaker 1: to say, uh oh, Steph truly, Steph continues, is a

537
00:25:39,880 --> 00:25:41,960
Speaker 1: dangerous pastime. You never you never know what's going to

538
00:25:42,040 --> 00:25:43,000
Speaker 1: come out of Steph's mouth.

539
00:25:43,160 --> 00:25:44,960
Speaker 2: Whenever I walk up to anyone and go, you know,

540
00:25:45,000 --> 00:25:48,440
Speaker 2: I've been thinking, it's watch out, just watch out.

541
00:25:49,600 --> 00:25:53,720
Speaker 1: But Steph continues. She says, Santa Claus works one night

542
00:25:53,800 --> 00:25:56,840
Speaker 1: a year and always gets milk and cookies. But the

543
00:25:56,880 --> 00:25:59,679
Speaker 1: Tooth Fairy works every night and all she gets is

544
00:25:59,680 --> 00:26:01,320
Speaker 1: a sad full of old teeth.

545
00:26:01,840 --> 00:26:03,679
Speaker 2: Patriarchy in action.

546
00:26:04,400 --> 00:26:07,240
Speaker 1: Steph, this is actually very logical, Like this makes sense,

547
00:26:07,400 --> 00:26:10,320
Speaker 1: very true. I'm proud of Stephanie. She's like, wait, where's

548
00:26:10,320 --> 00:26:12,720
Speaker 1: the equality here? You know, the tooth Fairy.

549
00:26:12,600 --> 00:26:16,040
Speaker 2: Deserves she's working every day, yep, and he gets all

550
00:26:16,080 --> 00:26:16,880
Speaker 2: the now.

551
00:26:17,000 --> 00:26:22,280
Speaker 1: Yeah, exactly. Yeah, maybe it's because the tooth Fairy doesn't

552
00:26:22,280 --> 00:26:24,520
Speaker 1: want to get cavities. So maybe you should have left

553
00:26:24,520 --> 00:26:28,080
Speaker 1: her celery instead of cookies, because that would not have

554
00:26:28,240 --> 00:26:30,679
Speaker 1: rotted her teeth. She's a big fan of.

555
00:26:31,440 --> 00:26:34,280
Speaker 2: She's got ample teeth and make dentures out of She

556
00:26:34,320 --> 00:26:35,879
Speaker 2: could figure it out, you know what I mean. She

557
00:26:36,880 --> 00:26:38,879
Speaker 2: care about cavity, she could just pop a new one in.

558
00:26:38,960 --> 00:26:40,880
Speaker 1: Yeah, it's true. She's got a bag, a bag full

559
00:26:40,880 --> 00:26:41,120
Speaker 1: of them.

560
00:26:41,760 --> 00:26:43,640
Speaker 2: That's why there was a horror movie actually made about

561
00:26:43,640 --> 00:26:45,280
Speaker 2: the tooth Fairy because it is a little creepy when

562
00:26:45,320 --> 00:26:49,160
Speaker 2: you think about someone going around with a bag of teeth. Yeah, well,

563
00:26:49,160 --> 00:26:52,160
Speaker 2: Felicity was tearing for a normal person and you were like, here,

564
00:26:52,160 --> 00:26:53,919
Speaker 2: look at this bag of teeth. I have people be like,

565
00:26:53,960 --> 00:26:57,200
Speaker 2: that's strange. It's strange, and grow put on fairy wings

566
00:26:57,200 --> 00:26:59,840
Speaker 2: and all of a sudden, everyone's like, hey, cool, oh

567
00:27:00,040 --> 00:27:00,680
Speaker 2: creep in my room.

568
00:27:00,920 --> 00:27:03,280
Speaker 1: Yeah no, my kid. Felicity would not. She never put

569
00:27:03,280 --> 00:27:05,680
Speaker 1: her tooth, never put a tooth under her pillow, because

570
00:27:05,680 --> 00:27:09,000
Speaker 1: she was terrified of this little creature flying around her room.

571
00:27:09,080 --> 00:27:12,200
Speaker 1: And I'm like, okay, I'll support that. That's fine. Yeah,

572
00:27:12,480 --> 00:27:14,159
Speaker 1: she never I never had to pay for her teeth,

573
00:27:14,520 --> 00:27:16,400
Speaker 1: so I did.

574
00:27:16,480 --> 00:27:19,240
Speaker 2: And there were occasionally times the Tooth Fairy was very

575
00:27:19,280 --> 00:27:24,240
Speaker 2: busy and fell asleep or overlooked it, and I was like, oh,

576
00:27:24,359 --> 00:27:29,160
Speaker 2: she must have been really backed up on duties that night.

577
00:27:29,200 --> 00:27:31,120
Speaker 2: I'd bet she'll come tomorrow and then she would also

578
00:27:31,240 --> 00:27:33,680
Speaker 2: have to leave a note. But that was what busted

579
00:27:33,680 --> 00:27:36,199
Speaker 2: me eventually, was Zoe realized that the notes from the

580
00:27:36,200 --> 00:27:42,160
Speaker 2: Tooth Fairy and the notes from Santah looked oddly similar.

581
00:27:42,240 --> 00:27:46,280
Speaker 1: Oh no, she got on wow, yeah, wow.

582
00:27:46,320 --> 00:27:49,120
Speaker 2: She was like she literally had two notes and she

583
00:27:49,200 --> 00:27:50,240
Speaker 2: was like, she's.

584
00:27:50,080 --> 00:27:53,520
Speaker 1: Like handwriting analysis, Like, yeah, for real, at like nine,

585
00:27:54,160 --> 00:27:56,520
Speaker 1: why did the Tooth Fairy and Santa write?

586
00:27:56,520 --> 00:28:00,920
Speaker 2: And I was like, okay, are you ready for some truth?

587
00:28:03,000 --> 00:28:07,320
Speaker 1: Yeah, that's a yes, that's that's she's too smart. She's

588
00:28:07,920 --> 00:28:09,440
Speaker 1: she's always been too smart.

589
00:28:09,720 --> 00:28:13,480
Speaker 2: But wow, I'm gonna take this to a professional handwriting analysis.

590
00:28:13,640 --> 00:28:14,360
Speaker 1: That's impressive.

591
00:28:14,440 --> 00:28:16,720
Speaker 2: Okay, back to the recap, back to full house.

592
00:28:16,840 --> 00:28:20,399
Speaker 1: Yes, right, So Steph is taking it upon herself to

593
00:28:20,480 --> 00:28:23,520
Speaker 1: leave the Tooth Fairy milk and cookies. She tells DJ,

594
00:28:23,640 --> 00:28:25,600
Speaker 1: don't try to stop me. I've made up my mind.

595
00:28:25,840 --> 00:28:29,160
Speaker 1: End of story, case closed, good night, and good luck.

596
00:28:30,560 --> 00:28:33,639
Speaker 1: She's just very Steph has feelings about this, like she

597
00:28:33,760 --> 00:28:35,520
Speaker 1: is serious about this tooth.

598
00:28:35,400 --> 00:28:37,720
Speaker 2: Well, she's probably used to DJ being like, I have

599
00:28:37,840 --> 00:28:42,360
Speaker 2: some thoughts and Stef's like, don't even I'm done as

600
00:28:42,720 --> 00:28:43,800
Speaker 2: yeah yeah, yeah.

601
00:28:43,880 --> 00:28:46,880
Speaker 1: So Steph heads up to bed and DJ size so

602
00:28:47,080 --> 00:28:51,000
Speaker 1: young and yet so strange. I never believed in the

603
00:28:51,000 --> 00:28:55,400
Speaker 1: tooth Fairy or Santa, did you like as a kid? Yeah, well,

604
00:28:55,440 --> 00:28:58,000
Speaker 1: Sherry Barber, oh my god, yeah, oh Sherry Barber didn't.

605
00:28:58,080 --> 00:29:00,400
Speaker 1: She wasn't a fan. She's she thought it was like

606
00:29:00,480 --> 00:29:01,440
Speaker 1: lying to kids.

607
00:29:01,440 --> 00:29:05,080
Speaker 2: That was that Bee's dad was like, that was like, well,

608
00:29:05,080 --> 00:29:07,280
Speaker 2: I'm not going to lie, and I was like, yeah,

609
00:29:07,320 --> 00:29:10,840
Speaker 2: we are, like and what my thing was there is

610
00:29:10,960 --> 00:29:15,760
Speaker 2: a limited amount of time in your life where you

611
00:29:15,880 --> 00:29:19,560
Speaker 2: get the opportunity to have the innocence of belief in

612
00:29:19,680 --> 00:29:25,040
Speaker 2: something that is so out of the realm of possibility

613
00:29:27,000 --> 00:29:30,560
Speaker 2: that I didn't want to steal that bit of innocence.

614
00:29:31,640 --> 00:29:33,000
Speaker 1: That's a great way to look at it.

615
00:29:33,080 --> 00:29:35,200
Speaker 2: That's you know, it's like, look, you get to like

616
00:29:35,280 --> 00:29:38,840
Speaker 2: you you well, I guess some people like to continue

617
00:29:38,880 --> 00:29:41,400
Speaker 2: believing in a lot of things, but it yeah, it

618
00:29:41,440 --> 00:29:45,320
Speaker 2: was like, you get to, you know, believe in things

619
00:29:45,360 --> 00:29:49,920
Speaker 2: like this as a kid. Yeah, magic, you know, Like

620
00:29:50,960 --> 00:29:53,960
Speaker 2: I didn't want to take that, so oh.

621
00:29:53,560 --> 00:29:54,960
Speaker 1: Yeah, that's a great way to look at it.

622
00:29:54,960 --> 00:29:55,680
Speaker 2: I did.

623
00:29:55,760 --> 00:29:56,960
Speaker 1: I did this with my kids too.

624
00:29:56,960 --> 00:29:59,720
Speaker 2: We all lie to our kids about I was like,

625
00:29:59,840 --> 00:30:03,120
Speaker 2: just to add it to that's life, kids, just like, yeah,

626
00:30:03,200 --> 00:30:04,800
Speaker 2: that's life. Yeah.

627
00:30:04,800 --> 00:30:07,080
Speaker 1: I did the Sada stuff with my kids just because

628
00:30:07,080 --> 00:30:08,920
Speaker 1: I'm like, they're hearing about it at school. I don't

629
00:30:08,920 --> 00:30:12,720
Speaker 1: want them to. But no, Sherry Barber was like, it's

630
00:30:12,800 --> 00:30:14,760
Speaker 1: lying and I want credit for the gifts that I

631
00:30:14,760 --> 00:30:17,240
Speaker 1: give you. I don't want this random man to get

632
00:30:17,520 --> 00:30:18,880
Speaker 1: that cedit tracks.

633
00:30:19,160 --> 00:30:21,920
Speaker 2: Yeah, Cherry Barber like that. No, we're not doing that,

634
00:30:21,960 --> 00:30:24,000
Speaker 2: Scherry Barber's and I'm going to tell you why in

635
00:30:24,080 --> 00:30:25,640
Speaker 2: a presentation, right yeah.

636
00:30:25,680 --> 00:30:27,480
Speaker 1: Yeah, I will be writing a dissertation on that.

637
00:30:27,560 --> 00:30:29,120
Speaker 2: I will be writing yeah yeah, yeah, well I will

638
00:30:29,160 --> 00:30:31,880
Speaker 2: be uh disseminating it at our family meeting yea, and

639
00:30:32,240 --> 00:30:34,000
Speaker 2: yeah I would like you all to take notes.

640
00:30:34,240 --> 00:30:38,480
Speaker 1: Yeah, very Sherry Barber. Okay, enough about the tooth fairy.

641
00:30:38,960 --> 00:30:40,640
Speaker 1: Becky walks into the good.

642
00:30:40,840 --> 00:30:43,480
Speaker 2: We are just tangent all over the place today.

643
00:30:43,560 --> 00:30:45,000
Speaker 1: It's like two hour podcasts.

644
00:30:45,040 --> 00:30:48,320
Speaker 2: Sorry, folks, we're only recording one episode, but it took

645
00:30:48,400 --> 00:30:51,160
Speaker 2: us just as long as we do when we record.

646
00:30:50,880 --> 00:30:54,760
Speaker 1: Two parts are like, get on with it, girls.

647
00:30:55,160 --> 00:30:58,200
Speaker 2: Yeah, Michael's like, I'm just cutting all the shit out anyway,

648
00:30:58,200 --> 00:30:58,800
Speaker 2: it doesn't matter.

649
00:30:59,640 --> 00:31:00,719
Speaker 1: He'll leave it in.

650
00:31:00,800 --> 00:31:04,000
Speaker 2: He leaves it in. Well, it's part of her charm.

651
00:31:04,720 --> 00:31:05,320
Speaker 2: That's what we do.

652
00:31:05,640 --> 00:31:07,960
Speaker 1: Like, nobody just wants to recap. They want our thoughts

653
00:31:08,000 --> 00:31:09,240
Speaker 1: on it. That's why we're doing it.

654
00:31:09,320 --> 00:31:12,280
Speaker 2: So watch the show, Watch the show. Watch here are

655
00:31:12,440 --> 00:31:16,680
Speaker 2: random yammerings anywhere else exactly this is and that's good

656
00:31:16,720 --> 00:31:18,000
Speaker 2: for you. This is what we're here for.

657
00:31:18,280 --> 00:31:20,800
Speaker 1: Yep. Okay, So back to the show. Back to the

658
00:31:20,840 --> 00:31:26,560
Speaker 1: shows for that intermission. Back from our commercial break. Does

659
00:31:26,560 --> 00:31:30,440
Speaker 1: anyone need a potty break, like a snack break? Take

660
00:31:30,480 --> 00:31:30,760
Speaker 1: it now?

661
00:31:31,760 --> 00:31:32,160
Speaker 2: Okay.

662
00:31:32,600 --> 00:31:35,239
Speaker 1: So Becky walks into the kitchen and DJ asks her

663
00:31:35,320 --> 00:31:38,160
Speaker 1: if they can go riding next week. Becky agrees, and

664
00:31:38,200 --> 00:31:41,480
Speaker 1: then she compliments DJ on how well she did today.

665
00:31:41,680 --> 00:31:44,719
Speaker 1: Becky asks when did DJ decide to jump the fence

666
00:31:45,040 --> 00:31:49,520
Speaker 1: and DJ admits, well, when the horse was about halfway over. See,

667
00:31:49,560 --> 00:31:51,840
Speaker 1: Steph was right, It was all the horse, the horse,

668
00:31:51,880 --> 00:31:52,320
Speaker 1: did it not?

669
00:31:52,480 --> 00:31:56,280
Speaker 2: DJ? Exactly, she just held long ago, right.

670
00:31:57,400 --> 00:32:00,320
Speaker 1: So Jesse walks in, happy to see Becky. He grabs

671
00:32:00,360 --> 00:32:03,160
Speaker 1: her hand and says, the band doesn't go on till nine,

672
00:32:03,240 --> 00:32:04,840
Speaker 1: so I figured we could get a bite to eat

673
00:32:04,880 --> 00:32:07,920
Speaker 1: before we go. Becky says she's been thinking about what

674
00:32:07,960 --> 00:32:12,400
Speaker 1: he said earlier, and she thinks he's right. Jesse responds,

675
00:32:12,400 --> 00:32:15,120
Speaker 1: of course I was right. What did I say? She

676
00:32:15,240 --> 00:32:17,920
Speaker 1: reminds him of what he said about her skipping the club,

677
00:32:18,560 --> 00:32:21,239
Speaker 1: and Jesse says, Oh, he didn't mean skip it, skip it.

678
00:32:21,320 --> 00:32:25,880
Speaker 1: He meant skip the argument, skip it. Becky responds, so

679
00:32:25,920 --> 00:32:27,880
Speaker 1: you didn't mean it when you said you'd never go

680
00:32:27,960 --> 00:32:32,200
Speaker 1: writing again. Jesse admits, Oh, no, I meant that. Jesse

681
00:32:32,320 --> 00:32:34,440
Speaker 1: asks why she doesn't want to come to the club,

682
00:32:34,880 --> 00:32:37,720
Speaker 1: and Becky admits is because he plays the same songs

683
00:32:37,840 --> 00:32:38,480
Speaker 1: every time.

684
00:32:39,560 --> 00:32:44,840
Speaker 2: I get that. I've been with a musician. Sometimes you're like, hey,

685
00:32:45,560 --> 00:32:49,280
Speaker 2: I don't want to hear this at all anymore. Yeah,

686
00:32:49,320 --> 00:32:51,600
Speaker 2: Like that's totally Yeah.

687
00:32:51,480 --> 00:32:54,360
Speaker 1: That's a valid feeling. It is a valid feeling, and

688
00:32:54,400 --> 00:32:57,960
Speaker 1: it's not offensive. That's just you know, it is what

689
00:32:58,040 --> 00:32:58,400
Speaker 1: it is.

690
00:32:58,680 --> 00:33:00,800
Speaker 2: It is what it is. You play this songs every time?

691
00:33:00,880 --> 00:33:04,440
Speaker 1: Yeah, yeah, So Meanwhile, Joey has walked upstairs with his

692
00:33:04,520 --> 00:33:07,440
Speaker 1: laundry basket and finds himself literally in the middle of

693
00:33:07,480 --> 00:33:08,080
Speaker 1: this argument.

694
00:33:08,560 --> 00:33:10,400
Speaker 2: Oh worst timing ever. Dang it.

695
00:33:10,920 --> 00:33:13,800
Speaker 1: Becky tries to recruit Joey into the argument, and Jesse

696
00:33:13,920 --> 00:33:17,520
Speaker 1: does the same, adding, come on, the smash club is fun, right, Joey.

697
00:33:18,360 --> 00:33:21,960
Speaker 1: Becky says it's loud and smelly, and then sarcastically adds

698
00:33:21,960 --> 00:33:25,760
Speaker 1: that the lady's room is immaculate. Jesse tells Joey to

699
00:33:26,200 --> 00:33:29,280
Speaker 1: argue that Becky is wrong about the lady's room. Becky

700
00:33:29,360 --> 00:33:31,920
Speaker 1: yells for Joey to tell Jesse she's right about it.

701
00:33:32,160 --> 00:33:36,080
Speaker 2: My god, Joey throw uping other people into their nonsense.

702
00:33:36,160 --> 00:33:39,400
Speaker 2: Now whole family's getting in an argument because you too

703
00:33:39,440 --> 00:33:41,400
Speaker 2: can't be mature enough to just go do your own

704
00:33:41,400 --> 00:33:42,160
Speaker 2: thing for an evening.

705
00:33:42,240 --> 00:33:45,400
Speaker 1: Good lord, God, it's getting tedious and petty, and I'm

706
00:33:45,480 --> 00:33:48,400
Speaker 1: just like, wow, this is here we go, Here we go.

707
00:33:49,680 --> 00:33:53,120
Speaker 1: Joey awkwardly states I think I better just stay out

708
00:33:53,160 --> 00:33:56,880
Speaker 1: of the lady's room, and he crosses off. Jesse is

709
00:33:56,920 --> 00:33:59,520
Speaker 1: in disbelief that Becky doesn't want to come to the

710
00:33:59,560 --> 00:34:00,800
Speaker 1: smash Club tonight.

711
00:34:01,160 --> 00:34:06,680
Speaker 2: Oh the arrogance. How dah you not want to come?

712
00:34:06,720 --> 00:34:08,799
Speaker 2: I'm like, bro, And it's not like.

713
00:34:08,800 --> 00:34:10,920
Speaker 1: It's so an important, like it's it's it's not like

714
00:34:10,960 --> 00:34:13,279
Speaker 1: it's his first time at this venue and it's a

715
00:34:13,360 --> 00:34:16,040
Speaker 1: first performance and she's got to be the opening night. No,

716
00:34:16,160 --> 00:34:18,799
Speaker 1: it's the same same damn show that he's always done.

717
00:34:18,840 --> 00:34:20,960
Speaker 2: So I feel like most of the time, like I

718
00:34:21,040 --> 00:34:22,600
Speaker 2: actually tell my husband, like, you don't have to come

719
00:34:22,600 --> 00:34:24,640
Speaker 2: to that. Don't worry about how it's fine, Just don't

720
00:34:24,840 --> 00:34:26,520
Speaker 2: just it's yeah.

721
00:34:26,440 --> 00:34:27,439
Speaker 1: Yeah, no, it's true.

722
00:34:27,440 --> 00:34:29,920
Speaker 2: It's it's a lot, but I get. But Jesse and Becky,

723
00:34:30,280 --> 00:34:32,160
Speaker 2: it was a different time. It was the eighties. There

724
00:34:32,200 --> 00:34:34,279
Speaker 2: was more expectation. I guess you had to do everything together.

725
00:34:34,320 --> 00:34:36,800
Speaker 1: I don't know, I don't know. It's very codependent. But okay,

726
00:34:37,000 --> 00:34:39,320
Speaker 1: so is everybody else in the full house. We're all codependent.

727
00:34:39,440 --> 00:34:41,880
Speaker 2: Well, right, look, this is we could break down the

728
00:34:41,920 --> 00:34:46,080
Speaker 2: psychological profile of this entire household and family, but we won't.

729
00:34:46,560 --> 00:34:48,680
Speaker 2: We'll save that for a right, and minis so we'll say, well,

730
00:34:48,719 --> 00:34:50,440
Speaker 2: we'll save that for in like twenty minutes.

731
00:34:51,880 --> 00:34:55,160
Speaker 1: So suddenly Michelle talks to Jesse through the baby monitor,

732
00:34:55,560 --> 00:34:57,920
Speaker 1: and she says uncle, Jesse, it's me, Michelle Tanner.

733
00:35:00,360 --> 00:35:03,600
Speaker 2: Also, baby monitors work one way, don't they?

734
00:35:04,000 --> 00:35:05,960
Speaker 1: No, they could work both ways. But where this is?

735
00:35:06,000 --> 00:35:09,960
Speaker 1: Where did this baby monitor come from? Like? Hello, device,

736
00:35:10,320 --> 00:35:14,240
Speaker 1: got work? Yeah, it's just like this is so awkward.

737
00:35:14,360 --> 00:35:16,560
Speaker 1: And why is she introducing herself to her uncle with

738
00:35:16,600 --> 00:35:18,560
Speaker 1: her first and last name like she's never.

739
00:35:18,400 --> 00:35:20,120
Speaker 2: Met since they do that, I don't know, because they

740
00:35:20,120 --> 00:35:22,279
Speaker 2: do that sometimes they're being weird and silly. They were

741
00:35:22,280 --> 00:35:23,200
Speaker 2: trying to make a joke.

742
00:35:23,239 --> 00:35:25,839
Speaker 1: It was just so like, yeah, when little kids learn

743
00:35:25,920 --> 00:35:28,239
Speaker 1: their full name, when they learn their full name and

744
00:35:28,280 --> 00:35:30,239
Speaker 1: they're like, hello, I am, and you're like, I know,

745
00:35:30,320 --> 00:35:32,440
Speaker 1: I've actually bestowed that name upon you.

746
00:35:32,480 --> 00:35:33,719
Speaker 2: But thank you, I.

747
00:35:33,719 --> 00:35:34,840
Speaker 1: Signed the birth certificate.

748
00:35:34,880 --> 00:35:35,880
Speaker 2: I R yeah, exactly.

749
00:35:37,200 --> 00:35:42,480
Speaker 1: So Jesse storms off to Michelle's room. Becky asks Joey, why,

750
00:35:42,520 --> 00:35:45,279
Speaker 1: oh wait, it is one way, isn't it. They're the

751
00:35:45,280 --> 00:35:46,520
Speaker 1: baby monitor's supposed to be.

752
00:35:46,640 --> 00:35:50,440
Speaker 2: Yes, it's one way. Baby monitors are. The baby's not

753
00:35:50,520 --> 00:35:51,719
Speaker 2: monitoring you.

754
00:35:51,480 --> 00:35:53,560
Speaker 1: Right, you're monitoring the baby.

755
00:35:53,840 --> 00:35:55,640
Speaker 2: The baby doesn't need to hear what the hell you're

756
00:35:55,640 --> 00:35:57,200
Speaker 2: doing unless you push the button.

757
00:35:57,360 --> 00:35:59,799
Speaker 1: Oh but does he talk back to her?

758
00:36:00,239 --> 00:36:00,439
Speaker 2: No?

759
00:36:01,200 --> 00:36:02,600
Speaker 1: I don't know if he talks back to her.

760
00:36:02,840 --> 00:36:04,800
Speaker 2: No, he doesn't. He leaves it on the wall.

761
00:36:05,080 --> 00:36:08,400
Speaker 1: She's got to leave it so the joke works, right, right, Okay, Okay,

762
00:36:08,560 --> 00:36:11,560
Speaker 1: I just got really confused there for a second. Okay,

763
00:36:11,560 --> 00:36:14,680
Speaker 1: So Jesse's gone. He's gone off to see Michelle. Becky

764
00:36:14,719 --> 00:36:19,080
Speaker 1: asks Joey why men cling to their antiquated macho attitudes.

765
00:36:19,840 --> 00:36:22,800
Speaker 1: Joey responds in a deep, husky voice, because we're tough

766
00:36:22,880 --> 00:36:25,600
Speaker 1: and we're rugged, and then he goes back to separating

767
00:36:25,640 --> 00:36:31,320
Speaker 1: his laundry. Love it. Yeah. In Michelle's room, Jesse walks

768
00:36:31,320 --> 00:36:34,440
Speaker 1: in and asks how he can help her. Michelle asks

769
00:36:34,440 --> 00:36:36,839
Speaker 1: for a kiss, and Jesse proceeds to give her an

770
00:36:36,920 --> 00:36:41,000
Speaker 1: upside down kiss. He adds, see someone still loves me.

771
00:36:42,200 --> 00:36:45,480
Speaker 1: It's all about Jesse here. Jesse rests his head on

772
00:36:45,520 --> 00:36:48,560
Speaker 1: the crib and asks Michelle if he can talk to her.

773
00:36:49,280 --> 00:36:54,840
Speaker 2: Why why I was like, why, I literally went why

774
00:36:55,880 --> 00:36:58,040
Speaker 2: what I feel Why?

775
00:36:58,920 --> 00:37:01,480
Speaker 1: I feel like, why would you talk to a toddler

776
00:37:01,680 --> 00:37:02,880
Speaker 1: about your love life?

777
00:37:03,000 --> 00:37:06,640
Speaker 2: About your love life? It's so weird.

778
00:37:07,040 --> 00:37:09,080
Speaker 1: Well, yeah, and I don't know for sure, but I

779
00:37:09,080 --> 00:37:11,200
Speaker 1: feel like this is a running theme where Jesse's always

780
00:37:11,200 --> 00:37:15,239
Speaker 1: talking to Michelle about deep problems that he Yeah, I'm

781
00:37:15,239 --> 00:37:15,520
Speaker 1: like this.

782
00:37:15,520 --> 00:37:18,200
Speaker 2: Poor child, this she doesn't have the capability to deal

783
00:37:18,239 --> 00:37:20,320
Speaker 2: with this. Yeah, I mean here.

784
00:37:21,160 --> 00:37:24,120
Speaker 1: Usually I feel like shows will use a different type

785
00:37:24,160 --> 00:37:26,600
Speaker 1: of plot device, like either you're on the phone, or

786
00:37:26,600 --> 00:37:28,200
Speaker 1: you're writing in your diary, or.

787
00:37:28,400 --> 00:37:31,480
Speaker 2: You're talking, you're talking to another adult, or the baby

788
00:37:31,480 --> 00:37:33,799
Speaker 2: monter happens to be in the room, not that you're like, hey,

789
00:37:34,719 --> 00:37:37,560
Speaker 2: I need to unload some things on you two year old,

790
00:37:38,000 --> 00:37:39,080
Speaker 2: like it was.

791
00:37:39,160 --> 00:37:40,680
Speaker 1: I know, and I know they did, I know why

792
00:37:40,719 --> 00:37:41,120
Speaker 1: they did it.

793
00:37:41,160 --> 00:37:44,839
Speaker 2: And then the best part comes next though, Oh when

794
00:37:44,880 --> 00:37:48,560
Speaker 2: he says when she says by saying she's a monkey,

795
00:37:48,600 --> 00:37:50,440
Speaker 2: and he's like, can I tell you my problem first?

796
00:37:50,560 --> 00:37:53,120
Speaker 2: Like yeah, yeah, yeah, kid, stop being a toddler.

797
00:37:53,520 --> 00:37:57,319
Speaker 1: Got back to me, back to me, yes, I'm like,

798
00:37:57,400 --> 00:38:00,200
Speaker 1: she's three years old. She is not your therapists. See,

799
00:38:00,360 --> 00:38:04,520
Speaker 1: come on, it's just peak Jesse, peak Jesse.

800
00:38:04,719 --> 00:38:09,239
Speaker 2: It really is right, just just making his emotional problems

801
00:38:09,239 --> 00:38:12,399
Speaker 2: some woman's issue, you know what I mean, Like, yeah,

802
00:38:12,640 --> 00:38:14,960
Speaker 2: it doesn't matter how they are problem, it doesn't matter

803
00:38:15,080 --> 00:38:17,680
Speaker 2: old just like here, solve my solve my problems because

804
00:38:17,680 --> 00:38:20,399
Speaker 2: I can't handle myself because Grandpa Nick.

805
00:38:22,160 --> 00:38:25,759
Speaker 1: It's all started with handle himself. Well, yeah, so Jesse

806
00:38:25,840 --> 00:38:28,760
Speaker 1: takes Michelle's bear from her and she says, my toy.

807
00:38:29,960 --> 00:38:32,319
Speaker 1: Jesse responds, Michelle, you don't want to grow up and

808
00:38:32,360 --> 00:38:36,160
Speaker 1: be selfish like Becky. Next thing, you know, you won't

809
00:38:36,160 --> 00:38:39,879
Speaker 1: want to go hear your boyfriend sing, just grow up.

810
00:38:40,400 --> 00:38:43,719
Speaker 2: Stop it. He was just like, you're such an You're

811
00:38:43,920 --> 00:38:44,680
Speaker 2: such an idiot.

812
00:38:44,760 --> 00:38:48,719
Speaker 1: He's such an ass he is. We cut to the

813
00:38:48,800 --> 00:38:51,600
Speaker 1: kitchen where what do you know, Becky can hear everything

814
00:38:51,680 --> 00:38:55,719
Speaker 1: Jesse is saying through the baby monitor. Jesse goes on

815
00:38:55,760 --> 00:38:58,759
Speaker 1: to tell Michelle that Becky is really starting to get

816
00:38:58,760 --> 00:39:01,839
Speaker 1: on his nerves. Joey and Becky hear this, and Joey

817
00:39:01,920 --> 00:39:05,520
Speaker 1: quickly gets up, saying he better turn on the garbage disposal.

818
00:39:05,960 --> 00:39:10,520
Speaker 2: Or turn off the baby monitor. You know what I mean, Like,

819
00:39:10,920 --> 00:39:12,760
Speaker 2: just turn off the baby monitor.

820
00:39:13,000 --> 00:39:15,759
Speaker 1: This is so awkward on so many levels, Like it's

821
00:39:16,080 --> 00:39:20,640
Speaker 1: so awkward to watch. Jesse continues to say. Sometimes she

822
00:39:20,680 --> 00:39:25,319
Speaker 1: gets so stubborn and pigheaded. Becky's eyes go wide as

823
00:39:25,360 --> 00:39:28,880
Speaker 1: she turns to Joey and says, excuse me before running

824
00:39:28,920 --> 00:39:29,879
Speaker 1: up to Michelle's room.

825
00:39:30,280 --> 00:39:30,839
Speaker 2: Oh boy.

826
00:39:31,760 --> 00:39:34,160
Speaker 1: She runs into Michelle's room and holds the baby monitor

827
00:39:34,239 --> 00:39:36,600
Speaker 1: up behind Jesse's ear so that he can hear his

828
00:39:36,760 --> 00:39:41,680
Speaker 1: own voice echoing. Jesse nervously turns and says, Hi, you

829
00:39:41,760 --> 00:39:44,719
Speaker 1: found the baby monitor. He asks Michelle to do that

830
00:39:44,800 --> 00:39:47,719
Speaker 1: impression of him again, and Michelle shakes her head.

831
00:39:47,760 --> 00:39:52,360
Speaker 2: No, dude, now you're throwing a toddler right under the

832
00:39:52,360 --> 00:39:56,200
Speaker 2: bus because you talk some shit and now you can't

833
00:39:56,640 --> 00:39:57,160
Speaker 2: back it up.

834
00:39:57,239 --> 00:39:59,520
Speaker 1: Yeah, okay't he's digging that whole.

835
00:39:59,480 --> 00:40:01,080
Speaker 2: Charity of middle schooler Jessie.

836
00:40:01,280 --> 00:40:03,200
Speaker 1: Yeah, he's just give him a shovel. He's digging that

837
00:40:03,239 --> 00:40:04,719
Speaker 1: hole deeper and deeper.

838
00:40:05,000 --> 00:40:06,480
Speaker 2: Michelle's like, I want no part of this.

839
00:40:06,560 --> 00:40:08,920
Speaker 1: She's give me my toy, give me my monkey.

840
00:40:09,200 --> 00:40:11,160
Speaker 2: Yeah, it's like my toy, my monkey. I just wanted

841
00:40:11,200 --> 00:40:13,400
Speaker 2: to say bye. That was it here. I'm in the

842
00:40:13,440 --> 00:40:13,880
Speaker 2: middle of this.

843
00:40:14,000 --> 00:40:16,000
Speaker 1: This poor child just wanted to kiss. Like all she

844
00:40:16,040 --> 00:40:19,600
Speaker 1: wanted to kiss from Hi, I just and he unloaded

845
00:40:19,640 --> 00:40:22,840
Speaker 1: everything on her. Now she's witnessed to this dispute. It

846
00:40:23,000 --> 00:40:25,440
Speaker 1: is just a poor child is going to need a

847
00:40:25,440 --> 00:40:29,640
Speaker 1: therapist in a few years. So Becky tells Jesse she

848
00:40:29,719 --> 00:40:32,440
Speaker 1: wants to talk to him alone, and Jesse insists that

849
00:40:32,480 --> 00:40:34,480
Speaker 1: anything she wants to say to him she can say

850
00:40:34,480 --> 00:40:37,919
Speaker 1: in front of his niece. Becky smiles and says, that's

851
00:40:38,000 --> 00:40:39,759
Speaker 1: not true, and she turns.

852
00:40:39,520 --> 00:40:42,200
Speaker 2: And walks out brilliant, loved it.

853
00:40:42,400 --> 00:40:44,759
Speaker 1: She just does not take any crap from him. She's

854
00:40:44,840 --> 00:40:47,920
Speaker 1: just like, nope, we're talking alone. Yeah, I love Becky.

855
00:40:48,880 --> 00:40:52,760
Speaker 1: So they go immediately into Jesse's room, and Becky angrily yells,

856
00:40:52,920 --> 00:40:56,239
Speaker 1: stubborn pig headed. Well, it just so happens that this

857
00:40:56,400 --> 00:41:01,400
Speaker 1: stubborn pighead only goes to that club to be with you, see.

858
00:41:02,440 --> 00:41:05,200
Speaker 1: Jesse coolly responds, then why are we arguing?

859
00:41:05,360 --> 00:41:05,719
Speaker 2: Let's go?

860
00:41:06,840 --> 00:41:10,480
Speaker 1: Becky scoffs, no way. Becky asks why she should do

861
00:41:10,520 --> 00:41:13,520
Speaker 1: what Jesse wants to do if he isn't going to

862
00:41:13,560 --> 00:41:17,080
Speaker 1: do what she wants to do. Jesse says, Oh, he

863
00:41:17,120 --> 00:41:20,000
Speaker 1: gets it. This whole thing is about revenge.

864
00:41:20,120 --> 00:41:24,080
Speaker 2: What you started it you what what I mean? This

865
00:41:24,200 --> 00:41:27,719
Speaker 2: whole thing, the whole thing that you what's happening.

866
00:41:28,320 --> 00:41:30,520
Speaker 1: He's the one that was talking into a baby monitor

867
00:41:30,520 --> 00:41:32,440
Speaker 1: about his pig headed, selfish girlfriends.

868
00:41:32,800 --> 00:41:35,560
Speaker 2: Right, well, well, I think he's saying that that that

869
00:41:35,680 --> 00:41:37,680
Speaker 2: the whole thing is about revenge because he didn't want

870
00:41:37,719 --> 00:41:43,280
Speaker 2: to go horsebend. Oh it's not, but like, it's not revenge.

871
00:41:43,480 --> 00:41:46,000
Speaker 2: If you get to say you have don't like something,

872
00:41:46,040 --> 00:41:47,319
Speaker 2: she gets to say she doesn't like him.

873
00:41:47,440 --> 00:41:50,200
Speaker 1: Yeah, and she said revenge. She's saying she loves him.

874
00:41:50,239 --> 00:41:53,320
Speaker 1: She only goes to this danky nightclub for him because

875
00:41:53,360 --> 00:41:55,680
Speaker 1: she loves him, and it's he just this. He misses

876
00:41:55,680 --> 00:41:59,920
Speaker 1: the point completely. Jesse accuses Becky of not wanting to

877
00:42:00,080 --> 00:42:02,239
Speaker 1: go to the club because he he doesn't want to

878
00:42:02,280 --> 00:42:06,080
Speaker 1: ride her stupid horses. Becky says that the stupid horses

879
00:42:06,120 --> 00:42:07,960
Speaker 1: are a lot smarter than him.

880
00:42:08,520 --> 00:42:11,719
Speaker 2: They're getting asked me certainly more emotionally intelligent. Horses are

881
00:42:11,920 --> 00:42:15,120
Speaker 2: very intuitive. Yeah, they can sense a vibe.

882
00:42:15,320 --> 00:42:18,680
Speaker 1: They are very smart. Jesse does not sense a vibe. Yeah,

883
00:42:18,719 --> 00:42:21,520
Speaker 1: they have those like therapy horses too. Maybe maybe Jesse

884
00:42:21,560 --> 00:42:23,160
Speaker 1: should get on a therapy horse.

885
00:42:23,200 --> 00:42:27,520
Speaker 2: And yeah, all equine therapy is you don't ride the horse.

886
00:42:27,719 --> 00:42:29,719
Speaker 2: Do you just get the No, you just get the

887
00:42:29,760 --> 00:42:31,919
Speaker 2: horse to do what you want it to do through

888
00:42:32,000 --> 00:42:35,640
Speaker 2: nonverbal commands. It literally is all about attaching your energy

889
00:42:35,680 --> 00:42:38,759
Speaker 2: to the horse and getting a horse and you to

890
00:42:38,840 --> 00:42:42,840
Speaker 2: communicate in a way that you that doesn't use language.

891
00:42:43,000 --> 00:42:44,200
Speaker 1: Oh, I didn't know that.

892
00:42:44,360 --> 00:42:48,560
Speaker 2: I didn't because horses are extremely intuitive. They can pick

893
00:42:48,719 --> 00:42:51,680
Speaker 2: up on your energy on your so if you're super nervous,

894
00:42:51,760 --> 00:42:54,839
Speaker 2: they will not come towards you. Oh wow, Yeah, they

895
00:42:54,960 --> 00:42:57,400
Speaker 2: they're really really intuitive. You have to like kind of

896
00:42:57,400 --> 00:42:59,759
Speaker 2: sync up with one before you really ride one or

897
00:42:59,840 --> 00:43:01,080
Speaker 2: do anything with them.

898
00:43:01,160 --> 00:43:03,160
Speaker 1: Yeah, that makes a lot of sense. Oh that's cool.

899
00:43:03,200 --> 00:43:04,319
Speaker 1: I didn't know that fun fact.

900
00:43:04,360 --> 00:43:06,840
Speaker 2: Yeah, for the day. They are extremely emotionally intelligent.

901
00:43:06,920 --> 00:43:09,239
Speaker 1: So oh maybe that Well, that explains why the horse

902
00:43:09,280 --> 00:43:11,080
Speaker 1: threw Jesse into the mud and laughed at him.

903
00:43:11,239 --> 00:43:13,160
Speaker 2: Exactly. No, the yellow horse was like, get off me.

904
00:43:13,239 --> 00:43:14,600
Speaker 2: I don't need this energy on my back.

905
00:43:15,640 --> 00:43:19,160
Speaker 1: Jesse tells her, just say I'm right. So she bites back, Okay,

906
00:43:19,400 --> 00:43:22,040
Speaker 1: I'm right, and she storms out the door, through the

907
00:43:22,080 --> 00:43:26,680
Speaker 1: hallway and down the stairs, going against Jesse's demands. Jesse

908
00:43:26,760 --> 00:43:27,440
Speaker 1: tells beck.

909
00:43:27,320 --> 00:43:31,239
Speaker 2: Girl, yeah good, she's like back here, she's ending the argument. Yeah,

910
00:43:31,280 --> 00:43:33,160
Speaker 2: and she's like, I'm done. I'm gonna walk on down

911
00:43:33,200 --> 00:43:35,120
Speaker 2: the stairs. I'm gonna walk down that stair and that's here,

912
00:43:35,160 --> 00:43:35,719
Speaker 2: and that's stare and.

913
00:43:35,640 --> 00:43:38,160
Speaker 1: That's their Yeah, this isn't a productive argument. They're just

914
00:43:38,200 --> 00:43:41,239
Speaker 1: getting nasty and below the belt. So yeah, it's time

915
00:43:41,239 --> 00:43:45,520
Speaker 1: to leave. Jesse meets her on the stairs, the landing

916
00:43:45,520 --> 00:43:47,839
Speaker 1: of the stairs and tells her that this whole thing

917
00:43:47,960 --> 00:43:52,560
Speaker 1: is her fault. Becky disagrees and says, what else is new?

918
00:43:52,680 --> 00:43:57,520
Speaker 1: We always disagree. We're completely different people with completely different interests.

919
00:43:57,960 --> 00:44:01,520
Speaker 1: This is such an interesting camera shot where they're like

920
00:44:01,560 --> 00:44:05,040
Speaker 1: the camp. Billy Foster does this, He pushes in into

921
00:44:05,040 --> 00:44:05,399
Speaker 1: the set.

922
00:44:05,520 --> 00:44:09,080
Speaker 2: He definitely Yeah, he definitely uses the depth of the

923
00:44:09,120 --> 00:44:13,000
Speaker 2: set more than other directors do. And that's usually because

924
00:44:13,160 --> 00:44:15,719
Speaker 2: that takes a reset and it takes a repo and

925
00:44:15,719 --> 00:44:18,239
Speaker 2: it you know, yeah, different paths and all the stuff because

926
00:44:18,239 --> 00:44:19,640
Speaker 2: you got to get the camera in and move stuff

927
00:44:19,640 --> 00:44:22,120
Speaker 2: out of the way. But I like it because it

928
00:44:22,160 --> 00:44:25,759
Speaker 2: gives it a little bit more reality. H I will say.

929
00:44:25,840 --> 00:44:29,200
Speaker 2: The lighting in this episode was very strange to me. Yeah.

930
00:44:29,400 --> 00:44:31,520
Speaker 2: It was like we were it was like being on

931
00:44:31,960 --> 00:44:34,399
Speaker 2: like a theater stage. It was almost like we were

932
00:44:34,440 --> 00:44:36,439
Speaker 2: lit from the front and up.

933
00:44:36,880 --> 00:44:39,080
Speaker 1: Oh yeah, okay.

934
00:44:38,719 --> 00:44:40,560
Speaker 2: You know what I mean, like like but the front

935
00:44:40,600 --> 00:44:44,120
Speaker 2: lights were way like they were bright, way too bright.

936
00:44:44,400 --> 00:44:46,840
Speaker 2: It was weirdly flat anyway. Yeah, strange.

937
00:44:47,560 --> 00:44:50,040
Speaker 1: Yeah, And in this shot right here, they're very dark.

938
00:44:50,080 --> 00:44:51,239
Speaker 1: It's very dark on that.

939
00:44:51,560 --> 00:44:54,680
Speaker 2: Yeah, well, sight because it wasn't lit was a different

940
00:44:54,920 --> 00:44:57,360
Speaker 2: light for well you, it was lit from above, but

941
00:44:57,400 --> 00:45:00,239
Speaker 2: you didn't light for back there because you lit for

942
00:45:00,440 --> 00:45:02,799
Speaker 2: closer to the camera aisle. Because you didn't, you rarely

943
00:45:02,840 --> 00:45:05,400
Speaker 2: pushed up that far. So that's why, like when we're

944
00:45:05,440 --> 00:45:08,319
Speaker 2: in the little alcove in the girl's room, or on

945
00:45:08,360 --> 00:45:10,560
Speaker 2: the stairs or in the alcohol, like, it's so much

946
00:45:10,680 --> 00:45:13,360
Speaker 2: darker back there because you didn't have the type of

947
00:45:13,440 --> 00:45:16,279
Speaker 2: lights that you could just direct everywhere. You had well

948
00:45:16,320 --> 00:45:21,120
Speaker 2: you know those big, gigantic glass bulb, huge hot studio lights.

949
00:45:21,320 --> 00:45:24,319
Speaker 1: Yeah, oh yeah, no, it's very very interesting, but.

950
00:45:24,280 --> 00:45:26,680
Speaker 2: It is an interesting shot. I definitely noticed that he

951
00:45:26,760 --> 00:45:27,800
Speaker 2: does stuff like that over.

952
00:45:27,840 --> 00:45:30,040
Speaker 1: Yeah, I like it. It's different, and I do like it.

953
00:45:30,880 --> 00:45:34,480
Speaker 1: Jesse argues, well, maybe we should start dating other people

954
00:45:34,560 --> 00:45:38,160
Speaker 1: we have more in common with. Becky laughs, Oh so

955
00:45:38,200 --> 00:45:41,359
Speaker 1: that's what you want. Jesse insists, Well, it's obviously what

956
00:45:41,440 --> 00:45:44,319
Speaker 1: you want. Becky says, she never said that. She never

957
00:45:44,320 --> 00:45:47,760
Speaker 1: said that, No, she didn't. Becky slams the baby monitor

958
00:45:47,760 --> 00:45:51,279
Speaker 1: against his chest and declares, fine, this relationship is over.

959
00:45:51,520 --> 00:45:56,480
Speaker 1: Goodbye Jesse. He yells right back, fine, goodbye, Rebecca. She

960
00:45:56,600 --> 00:45:59,560
Speaker 1: walks out the front door, slamming it shut. Once she

961
00:45:59,560 --> 00:46:03,680
Speaker 1: gets out, she sighs with regret. She walks back to

962
00:46:03,719 --> 00:46:06,720
Speaker 1: the front door, ready to open it, but decides against

963
00:46:06,719 --> 00:46:09,759
Speaker 1: it and walks away. Jesse opens the door to see

964
00:46:09,800 --> 00:46:15,360
Speaker 1: if she's still there, but she's gone. We cut to

965
00:46:15,400 --> 00:46:25,520
Speaker 1: an uncomfortable commercial breakdown, and then we're back in the

966
00:46:25,520 --> 00:46:29,640
Speaker 1: girls room. Stef's alarm clock goes off and she excitedly

967
00:46:29,680 --> 00:46:32,440
Speaker 1: sits up, exclaiming she's been waiting all night for this.

968
00:46:33,920 --> 00:46:35,919
Speaker 1: Why are the girls sleeping with the lights on? Like again?

969
00:46:36,000 --> 00:46:38,239
Speaker 1: Talking about the lighting. It is very bright in this.

970
00:46:38,320 --> 00:46:42,160
Speaker 2: Room, right, yeah, it's there's no sort of sort of well,

971
00:46:42,160 --> 00:46:44,279
Speaker 2: it's it's daytime, you know what I mean. So all

972
00:46:44,280 --> 00:46:46,920
Speaker 2: of that light is obviously coming through that window in

973
00:46:46,960 --> 00:46:50,279
Speaker 2: the back there or whatever window you don't see on

974
00:46:50,320 --> 00:46:53,920
Speaker 2: the fourth wall. It's an expansive window, very long. It's

975
00:46:53,920 --> 00:46:57,600
Speaker 2: just all all glass. Yeah, it's a big sliding door.

976
00:46:58,200 --> 00:46:58,719
Speaker 2: I feel bad.

977
00:46:58,719 --> 00:47:01,279
Speaker 1: I feel bad for trying to sleep and stuff is.

978
00:47:01,239 --> 00:47:05,360
Speaker 2: Just Michelle's getting Nobody ever gets to sleep in the

979
00:47:05,440 --> 00:47:07,799
Speaker 2: dark in this house. They're all it's some sort of

980
00:47:07,840 --> 00:47:11,520
Speaker 2: psychological torture. They're all kept slightly awake. And yeah, in

981
00:47:11,640 --> 00:47:13,719
Speaker 2: the in the bright lights. It's not fair.

982
00:47:14,160 --> 00:47:18,400
Speaker 1: It's so funny to me. DJ complains that it's Saturday,

983
00:47:18,560 --> 00:47:22,600
Speaker 1: but Steph reminds her right, Saturday's sleep in for crying

984
00:47:22,600 --> 00:47:26,120
Speaker 1: out out. But Steph reminds her it's tooth fairy Day

985
00:47:26,560 --> 00:47:30,440
Speaker 1: and she looks under her pillow. She finds money and says,

986
00:47:30,640 --> 00:47:33,959
Speaker 1: whoa baby? Now. I don't think this is the first

987
00:47:33,960 --> 00:47:37,239
Speaker 1: time we've said whoa baby? But whose catchphrase is this?

988
00:47:37,360 --> 00:47:40,280
Speaker 1: I thought it was Michelle's catchphrase, whoa baby?

989
00:47:40,400 --> 00:47:42,759
Speaker 2: Well, not not even a catch I think it was

990
00:47:42,840 --> 00:47:44,640
Speaker 2: just sort of a she would say it sometimes.

991
00:47:44,640 --> 00:47:46,239
Speaker 1: Okay, okay, because the like.

992
00:47:46,320 --> 00:47:48,399
Speaker 2: Three people it kind of I got pat This one's

993
00:47:48,440 --> 00:47:50,360
Speaker 2: one that like got passed around. We all would say it.

994
00:47:50,520 --> 00:47:54,800
Speaker 2: I remember. It was kind of a collective. Yeah, yeah, okay, okay.

995
00:47:55,719 --> 00:47:59,239
Speaker 1: So DJ judges Stephanie for getting so excited about a

996
00:47:59,320 --> 00:48:03,319
Speaker 1: one dollar bill, but Steph shows DJ the dollar bill

997
00:48:03,400 --> 00:48:07,000
Speaker 1: and she shoots up out of bed and shouts twenty dollars.

998
00:48:07,480 --> 00:48:11,919
Speaker 1: Whoa baby. Steph knew that those milk and cookies would

999
00:48:11,960 --> 00:48:15,279
Speaker 1: pay off, but DJ bursts her bubble, telling Steph that

1000
00:48:15,360 --> 00:48:18,640
Speaker 1: she's the one who ate the cookies. Steph scolds her

1001
00:48:18,719 --> 00:48:20,880
Speaker 1: and warrants her that she'll be in trouble this Christmas

1002
00:48:20,920 --> 00:48:23,879
Speaker 1: because the Tooth Fairy and Santa Claus are like this,

1003
00:48:24,280 --> 00:48:26,560
Speaker 1: and she crosses her fingers to bring her point across.

1004
00:48:27,280 --> 00:48:28,840
Speaker 2: But it was more like this this.

1005
00:48:29,040 --> 00:48:32,520
Speaker 1: You're like, y, Yeah, and here's another interesting camera angle.

1006
00:48:32,600 --> 00:48:34,120
Speaker 1: Sorry I'm talking about this so much, but.

1007
00:48:34,120 --> 00:48:36,279
Speaker 2: No, I love it because, yeah, they pushed all the

1008
00:48:36,320 --> 00:48:37,920
Speaker 2: way into the second of the bed up.

1009
00:48:38,560 --> 00:48:41,319
Speaker 1: Yeah, you can see the girl's door behind you.

1010
00:48:41,520 --> 00:48:44,400
Speaker 2: Well, that's a very that feels to me like a

1011
00:48:44,560 --> 00:48:49,480
Speaker 2: very single cam sort of shot, because usually when you're

1012
00:48:49,560 --> 00:48:54,239
Speaker 2: doing like a single cam show or whatever, and it's

1013
00:48:54,239 --> 00:48:56,600
Speaker 2: not a single cam, you usually have two, but you're

1014
00:48:56,680 --> 00:49:01,359
Speaker 2: usually getting like your you know, cross like perspective. Yeah,

1015
00:49:01,480 --> 00:49:05,000
Speaker 2: everyone's perspective, And so in a sitcom you usually put

1016
00:49:05,040 --> 00:49:07,600
Speaker 2: people on the same plane so that you don't have

1017
00:49:07,680 --> 00:49:10,279
Speaker 2: to do that and necessarily to get their shot. It's like,

1018
00:49:10,320 --> 00:49:12,680
Speaker 2: why you never turn your back towards camera in a sitcom,

1019
00:49:12,719 --> 00:49:16,600
Speaker 2: you always turned towards the camera. But Billy really would

1020
00:49:16,600 --> 00:49:23,440
Speaker 2: go push into set and and like you'd see different parts,

1021
00:49:24,160 --> 00:49:26,480
Speaker 2: one of which we see in this scene.

1022
00:49:26,640 --> 00:49:29,280
Speaker 1: Yeah, Oh it's so cool. First time it really stands

1023
00:49:29,320 --> 00:49:31,080
Speaker 1: out to me. I don't know if it stands out

1024
00:49:31,080 --> 00:49:33,319
Speaker 1: to the fan ritos, but I'm interested to know if

1025
00:49:33,320 --> 00:49:37,000
Speaker 1: they caught that too. But yeah, it's fascinating. You're right,

1026
00:49:37,000 --> 00:49:38,600
Speaker 1: that does seem like a single cam you know, in

1027
00:49:38,640 --> 00:49:41,520
Speaker 1: the very few single cam things that I've done. It

1028
00:49:41,600 --> 00:49:43,040
Speaker 1: is weird because I'm so used to like, you have

1029
00:49:43,080 --> 00:49:45,520
Speaker 1: to cheat out towards the camera, right, right, you know,

1030
00:49:46,080 --> 00:49:47,880
Speaker 1: you have to project your voice.

1031
00:49:48,280 --> 00:49:50,239
Speaker 2: It's right. When you're doing a single cam thing, you

1032
00:49:50,280 --> 00:49:52,560
Speaker 2: can turn wherever, whatever direction you want.

1033
00:49:53,000 --> 00:49:57,040
Speaker 1: It's very different, very very different. So now we're in

1034
00:49:57,080 --> 00:50:01,080
Speaker 1: the kitchen. Danny is consoling Jesse about Becky, telling him

1035
00:50:01,080 --> 00:50:04,680
Speaker 1: to call her and apologize. Jesse admits that they don't

1036
00:50:04,760 --> 00:50:07,440
Speaker 1: have one thing in common, and Joey argues, well, you're

1037
00:50:07,480 --> 00:50:11,880
Speaker 1: both crazy about me. Steph runs in, shouting about her

1038
00:50:11,960 --> 00:50:15,520
Speaker 1: twenty dollars bill from the Tooth Fairy. Danny takes the

1039
00:50:15,520 --> 00:50:20,240
Speaker 1: bill and says, whoa baby. He's obviously shocked. Dj claims

1040
00:50:20,280 --> 00:50:23,160
Speaker 1: this isn't fair. She asks her dad why she never

1041
00:50:23,239 --> 00:50:26,320
Speaker 1: got that kind of money from the tooth Fairy. Danny

1042
00:50:26,400 --> 00:50:29,560
Speaker 1: tries to say the tooth Fairy was possibly fumbling around

1043
00:50:29,600 --> 00:50:32,239
Speaker 1: in the dark and accidentally took the wrong bill out

1044
00:50:32,280 --> 00:50:36,560
Speaker 1: of his or her wallet. DJ says that she hopes

1045
00:50:36,600 --> 00:50:41,160
Speaker 1: the allowance fairy makes the same mistake. So the family

1046
00:50:41,160 --> 00:50:43,800
Speaker 1: sits at the table for a pancake breakfast and Michelle

1047
00:50:43,800 --> 00:50:48,040
Speaker 1: grabs the plate, saying my pancakes. Joey asks everyone to

1048
00:50:48,080 --> 00:50:52,120
Speaker 1: show Michelle how much fun sharing can be. So each

1049
00:50:52,160 --> 00:50:55,200
Speaker 1: member of the family passes a single pancake to the

1050
00:50:55,320 --> 00:50:59,879
Speaker 1: person next to them, demonstrating sharing. And here we see

1051
00:50:59,880 --> 00:51:02,160
Speaker 1: the fourth wall behind Dave and Canda.

1052
00:51:02,280 --> 00:51:04,080
Speaker 2: That was what I was gonna say, is this is

1053
00:51:04,120 --> 00:51:05,800
Speaker 2: the I don't know that we've seen it yet.

1054
00:51:06,400 --> 00:51:07,799
Speaker 1: Yeah, is this the first fourth wall?

1055
00:51:07,840 --> 00:51:10,160
Speaker 2: I think it is the first fourth wall? Oh wow

1056
00:51:10,280 --> 00:51:14,120
Speaker 2: again Billy Foster getting these interesting shots of the full

1057
00:51:14,200 --> 00:51:17,000
Speaker 2: kind of the full view of the or more of

1058
00:51:17,040 --> 00:51:19,480
Speaker 2: the view of the house that that you don't usually

1059
00:51:19,560 --> 00:51:23,640
Speaker 2: see in some of the episodes. But yeah, this was

1060
00:51:23,680 --> 00:51:24,279
Speaker 2: the fourth wall.

1061
00:51:24,440 --> 00:51:26,440
Speaker 1: I wonder if he was a single cam direct Like,

1062
00:51:26,440 --> 00:51:27,880
Speaker 1: I wonder if he did a lot of single cam work,

1063
00:51:27,920 --> 00:51:29,879
Speaker 1: because you're right, this is like the single cam thing.

1064
00:51:30,320 --> 00:51:32,520
Speaker 1: And that's like I don't think the fanerritos know like

1065
00:51:32,600 --> 00:51:35,920
Speaker 1: just how much time this takes to like set up

1066
00:51:35,960 --> 00:51:38,240
Speaker 1: the wall. You have to dress the wall with things

1067
00:51:38,280 --> 00:51:39,799
Speaker 1: on the wall, you know, and then you have to

1068
00:51:40,080 --> 00:51:43,239
Speaker 1: repoe the camera. It's it's a whole thing. It takes

1069
00:51:43,239 --> 00:51:45,560
Speaker 1: like forty five minutes for this one little shot of

1070
00:51:45,680 --> 00:51:48,759
Speaker 1: Dave and Tanda's passing a pancake to each other. You know,

1071
00:51:48,960 --> 00:51:51,480
Speaker 1: it's it's so cool. I'm glad. I'm glad he did

1072
00:51:51,520 --> 00:51:52,080
Speaker 1: it because.

1073
00:51:51,840 --> 00:51:55,319
Speaker 2: It's it's different. But we'll give some dimension to the

1074
00:51:55,600 --> 00:51:57,520
Speaker 2: set and to the house, and you know, it makes

1075
00:51:57,560 --> 00:51:59,560
Speaker 2: it feel like a real house, not just yeah, a

1076
00:51:59,600 --> 00:52:01,640
Speaker 2: stage with a set exactly.

1077
00:52:02,480 --> 00:52:06,040
Speaker 1: So, once the pancake gets to Michelle, Danny says, I

1078
00:52:06,120 --> 00:52:09,760
Speaker 1: wish someone would share their pancake with me. Michelle grabs

1079
00:52:09,760 --> 00:52:12,680
Speaker 1: the pancake with her hands, crumbles it up, and passes

1080
00:52:12,719 --> 00:52:16,680
Speaker 1: it to Danny, saying, here, Daddy, she's so cute in this.

1081
00:52:17,960 --> 00:52:21,040
Speaker 1: Danny thanks Michelle and sarcastically tells her he's proud of her.

1082
00:52:22,160 --> 00:52:24,520
Speaker 1: Becky knocks at the kitchen door and Danny gets up

1083
00:52:24,560 --> 00:52:27,080
Speaker 1: to open it. Jesse turns to Johan.

1084
00:52:26,880 --> 00:52:27,600
Speaker 2: Is it ever locked?

1085
00:52:28,000 --> 00:52:30,160
Speaker 1: Oh? Yeah? And why is she coming to the back door?

1086
00:52:30,239 --> 00:52:31,440
Speaker 1: Where does she live? Like? Why?

1087
00:52:31,560 --> 00:52:33,840
Speaker 2: Well, because everyone's in the back because everyone's in the kitchen,

1088
00:52:33,880 --> 00:52:35,400
Speaker 2: so otherwise it'd be weird if she came in the

1089
00:52:35,400 --> 00:52:37,439
Speaker 2: front door. Because you're right, you've got to have everyone

1090
00:52:37,480 --> 00:52:37,879
Speaker 2: in the shot.

1091
00:52:37,960 --> 00:52:41,080
Speaker 1: That's true. Okay, okay, the girl. The backyard is used

1092
00:52:41,080 --> 00:52:43,760
Speaker 1: a lot in this episode, between the Sandbox and Becky.

1093
00:52:44,360 --> 00:52:47,160
Speaker 2: Well, there's that hole. There's a whole imaginary land back

1094
00:52:47,200 --> 00:52:49,680
Speaker 2: there where people come and go and cars drive in

1095
00:52:49,719 --> 00:52:51,400
Speaker 2: and out, and it's like Narnia.

1096
00:52:51,440 --> 00:52:52,440
Speaker 1: I love it.

1097
00:52:52,440 --> 00:52:55,560
Speaker 2: It is. Yeah, that's the Yeah, the Lion, the Witch,

1098
00:52:55,680 --> 00:52:59,759
Speaker 2: and the Tanner's backyards.

1099
00:53:00,000 --> 00:53:06,279
Speaker 1: Perfect. That'll be the next installment in that. So Jesse

1100
00:53:06,360 --> 00:53:09,560
Speaker 1: assumes that Becky's coming back to apologize to him, of course,

1101
00:53:10,400 --> 00:53:13,680
Speaker 1: but Becky enters holding a box of Jesse's things. She

1102
00:53:13,719 --> 00:53:17,399
Speaker 1: addresses him as mister Kitsopolis and sets the box down,

1103
00:53:17,760 --> 00:53:20,520
Speaker 1: assuming that he wants his possessions back that he left

1104
00:53:20,520 --> 00:53:25,440
Speaker 1: at her apartment. The possessions include an emergency hair dryer

1105
00:53:25,640 --> 00:53:30,080
Speaker 1: an emergency styling spray. Well, Jesse insists that the spray

1106
00:53:30,120 --> 00:53:34,239
Speaker 1: is Becky's because it's for hard to manage hair, and

1107
00:53:34,280 --> 00:53:36,719
Speaker 1: she responds, no, it must be yours. It's for vain

1108
00:53:37,000 --> 00:53:41,759
Speaker 1: and pompous hair. Steph butts in asking if the two

1109
00:53:41,800 --> 00:53:45,680
Speaker 1: of them are having a fight. Thank you, Stephanie, Stephanie.

1110
00:53:46,000 --> 00:53:48,400
Speaker 1: Steph is our Greek chorus, like she is always just

1111
00:53:48,400 --> 00:53:49,399
Speaker 1: saying what's on our line?

1112
00:53:49,480 --> 00:53:52,120
Speaker 2: She really is. She's always just like, are you hey, Hi,

1113
00:53:52,960 --> 00:53:55,840
Speaker 2: there's a family here, the pancakes. You just want to

1114
00:53:55,840 --> 00:53:56,759
Speaker 2: take this elsewhere?

1115
00:53:58,400 --> 00:54:01,439
Speaker 1: Steph is the only reasonable one in the else.

1116
00:54:02,680 --> 00:54:03,400
Speaker 2: Uh So.

1117
00:54:03,440 --> 00:54:06,440
Speaker 1: Becky tells her that they decided not to be boyfriend

1118
00:54:06,560 --> 00:54:10,879
Speaker 1: and girlfriend anymore. DJ's panics. She says they can't break up.

1119
00:54:11,640 --> 00:54:14,080
Speaker 1: Steph agrees, saying they're just like Ken and Barbie.

1120
00:54:14,160 --> 00:54:16,560
Speaker 2: Funny. That joke went it was relevant than not so

1121
00:54:16,640 --> 00:54:19,560
Speaker 2: much than now again. Oh yeah, you know that's right.

1122
00:54:19,840 --> 00:54:20,880
Speaker 1: It made a full circle.

1123
00:54:21,480 --> 00:54:22,360
Speaker 2: Yeah.

1124
00:54:22,600 --> 00:54:25,279
Speaker 1: Steph tells Danny to make them hug and say I

1125
00:54:25,320 --> 00:54:29,440
Speaker 1: love you. Danny uncomfortably relays this message to Becky and

1126
00:54:29,520 --> 00:54:33,160
Speaker 1: Jesse and is met with no response. Becky admits that

1127
00:54:33,200 --> 00:54:35,680
Speaker 1: she should get going, and DJ quickly tells her that

1128
00:54:35,760 --> 00:54:38,640
Speaker 1: she has an idea. She decides that they should all

1129
00:54:38,680 --> 00:54:41,520
Speaker 1: go to the movies tonight. Stefph holds up her twenty

1130
00:54:41,560 --> 00:54:44,280
Speaker 1: dollars bill and says it's on me and the tooth Fairy.

1131
00:54:45,560 --> 00:54:49,840
Speaker 2: Becky thinks byby eighties, twenty dollars three people could go

1132
00:54:49,920 --> 00:54:50,960
Speaker 2: to a movie.

1133
00:54:50,800 --> 00:54:53,600
Speaker 1: That won't even get you a small popcorn anymore. Like good,

1134
00:54:53,640 --> 00:54:54,280
Speaker 1: I mon't even.

1135
00:54:54,120 --> 00:54:57,960
Speaker 2: Get you a ticket. Now, let's go on unless you're

1136
00:54:57,960 --> 00:54:59,000
Speaker 2: sixty five or older.

1137
00:55:00,520 --> 00:55:02,000
Speaker 1: Yeah, true, so true.

1138
00:55:02,440 --> 00:55:02,680
Speaker 2: Yeah.

1139
00:55:03,520 --> 00:55:06,880
Speaker 1: Becky says, thanks, but she admits that she has plans tonight.

1140
00:55:07,760 --> 00:55:12,120
Speaker 1: This gets Jesse's attention. When Becky finally leaves, he says,

1141
00:55:12,440 --> 00:55:15,200
Speaker 1: I can't believe it. She already has a date. DJ

1142
00:55:15,360 --> 00:55:18,000
Speaker 1: runs outside, chasing after Becky.

1143
00:55:18,400 --> 00:55:20,920
Speaker 2: He Jesse should be in the Olympics. For all of

1144
00:55:20,960 --> 00:55:25,720
Speaker 2: the jumping to conclusions that he does this, man jumps.

1145
00:55:27,440 --> 00:55:29,719
Speaker 1: It's always worst case scenario. It's always a blow to

1146
00:55:29,760 --> 00:55:32,600
Speaker 1: his ego, even if it's not right instence, Yes, she

1147
00:55:32,640 --> 00:55:33,920
Speaker 1: already has a date, bro, Nobody.

1148
00:55:33,760 --> 00:55:36,680
Speaker 2: Said that she's got plans. Her plans might be sitting

1149
00:55:36,719 --> 00:55:38,799
Speaker 2: at home and eating food and crying. I don't know.

1150
00:55:39,239 --> 00:55:41,440
Speaker 1: Maybe she's plans with a girlfriend or her brother.

1151
00:55:41,840 --> 00:55:44,400
Speaker 2: You know this, there's a lot of options right to

1152
00:55:45,840 --> 00:55:46,719
Speaker 2: how is this about me?

1153
00:55:46,920 --> 00:55:51,560
Speaker 1: Yep yep So in the backyard, DJ asks Becky if

1154
00:55:51,640 --> 00:55:53,960
Speaker 1: she and Jesse are going to get back together, and

1155
00:55:53,960 --> 00:55:58,120
Speaker 1: Becky says she can't promise that. DJ tells her she

1156
00:55:58,200 --> 00:56:01,600
Speaker 1: has to. She sighed, telling Becky that if she stopped

1157
00:56:01,600 --> 00:56:05,440
Speaker 1: coming over, DJ would really miss her. Becky assures her

1158
00:56:05,480 --> 00:56:08,279
Speaker 1: that the two of them are always going to be friends.

1159
00:56:08,760 --> 00:56:11,200
Speaker 1: This is so sweet, you know, like Becky's become like

1160
00:56:11,200 --> 00:56:14,160
Speaker 1: a mother figure and a friend. And yes, made me

1161
00:56:14,160 --> 00:56:18,200
Speaker 1: a little sad. I was just like, oh, I feel pain.

1162
00:56:18,480 --> 00:56:20,759
Speaker 2: So it's the hard thing about like adult breakups and

1163
00:56:20,800 --> 00:56:21,840
Speaker 2: you know, kids and stuff.

1164
00:56:21,880 --> 00:56:26,000
Speaker 1: It's the kids get attached. Yeah, of course hard. So

1165
00:56:26,080 --> 00:56:28,359
Speaker 1: DJ is very hopeful, asking if they can still go

1166
00:56:28,400 --> 00:56:33,200
Speaker 1: writing and talk about stuff. Becky smiles, telling DJ absolutely,

1167
00:56:33,600 --> 00:56:36,439
Speaker 1: anytime you need me, I'm here for you. She also

1168
00:56:36,480 --> 00:56:39,560
Speaker 1: agrees to go see the movie tonight with DJ and Steph.

1169
00:56:39,719 --> 00:56:43,560
Speaker 1: They say they're goodbyes, and DJ goes back inside. A

1170
00:56:43,600 --> 00:56:46,719
Speaker 1: little bit later, up in the girl's room, Steph runs in,

1171
00:56:46,880 --> 00:56:50,319
Speaker 1: telling DJ that Becky is on her way up. DJ

1172
00:56:50,440 --> 00:56:53,680
Speaker 1: is polishing her writing boots. When Steph asks where is Jesse.

1173
00:56:54,280 --> 00:56:57,640
Speaker 1: DJ says he's not here yet. Steph wonders, well, then,

1174
00:56:57,680 --> 00:57:01,160
Speaker 1: how are we gonna get them back together? DJ tells

1175
00:57:01,160 --> 00:57:04,520
Speaker 1: her they got a stall. Becky and Steph nods got it.

1176
00:57:04,880 --> 00:57:08,440
Speaker 1: The girls are scheming to get these two back together. Indeed,

1177
00:57:08,719 --> 00:57:11,279
Speaker 1: Becky walks in asking if they're ready for the movies yet.

1178
00:57:11,680 --> 00:57:14,400
Speaker 1: Steph responds, not yet. You got to make up with

1179
00:57:14,480 --> 00:57:19,000
Speaker 1: uncle Jesse first. Steph first, I mean she is.

1180
00:57:19,120 --> 00:57:23,880
Speaker 2: It's she's the Greek chorus and also the the the idiot,

1181
00:57:23,920 --> 00:57:27,800
Speaker 2: the right right that. Yeah, She's just like, I'm just

1182
00:57:28,240 --> 00:57:30,840
Speaker 2: you asked a question and I'm giving you the factual answer.

1183
00:57:31,040 --> 00:57:34,240
Speaker 1: She can't, she can't hold it in, like she's like, yeah,

1184
00:57:34,280 --> 00:57:34,840
Speaker 1: this is why.

1185
00:57:34,720 --> 00:57:36,760
Speaker 2: This is why you're He's like, no, no, no, this is yeah.

1186
00:57:36,840 --> 00:57:38,440
Speaker 2: We're not doing that yet because you got to do

1187
00:57:38,480 --> 00:57:42,000
Speaker 2: this first. Oh sorry, surprise, whoops.

1188
00:57:42,880 --> 00:57:46,240
Speaker 1: So DJ takes the reins, telling Becky that Jesse feels

1189
00:57:46,400 --> 00:57:50,280
Speaker 1: really terrible. Steph adds, he told us how sorry he

1190
00:57:50,440 --> 00:57:53,840
Speaker 1: was for everything he's supposed to be sorry for. The

1191
00:57:53,880 --> 00:57:56,400
Speaker 1: girls say he's been walking around with a sad, little

1192
00:57:56,440 --> 00:57:59,640
Speaker 1: puppy dog face, and they proceed to mimic the face

1193
00:57:59,760 --> 00:58:02,960
Speaker 1: for Becky. It's very cute. You guys tilt your heads

1194
00:58:03,000 --> 00:58:07,320
Speaker 1: the same way, right, It's so cute. So we cut

1195
00:58:07,320 --> 00:58:09,760
Speaker 1: to the living room, where Jesse walks through the front

1196
00:58:09,800 --> 00:58:11,240
Speaker 1: door with another girl.

1197
00:58:12,120 --> 00:58:13,200
Speaker 2: I can't.

1198
00:58:14,000 --> 00:58:14,480
Speaker 1: I knew it.

1199
00:58:14,520 --> 00:58:15,000
Speaker 2: I knew it.

1200
00:58:15,040 --> 00:58:17,640
Speaker 1: I knew it, Like, this is just a classic move

1201
00:58:17,720 --> 00:58:21,160
Speaker 1: a class I was. I was like, this is the

1202
00:58:21,200 --> 00:58:23,480
Speaker 1: same day, right, this is because they went they were

1203
00:58:23,480 --> 00:58:26,800
Speaker 1: going to the movies that year, So this, yeah, he's

1204
00:58:26,800 --> 00:58:27,680
Speaker 1: already been on a date.

1205
00:58:28,360 --> 00:58:33,720
Speaker 2: This fool oh because he jumped to a conclusion because

1206
00:58:33,720 --> 00:58:36,320
Speaker 2: he assumed, and you know what they say about assumption.

1207
00:58:36,600 --> 00:58:39,800
Speaker 1: Yeah, like he's made his own bed like this. You know,

1208
00:58:39,880 --> 00:58:45,040
Speaker 1: he's creating problems for himself. So he calls see Jesse Jesse. Yes,

1209
00:58:45,840 --> 00:58:49,680
Speaker 1: he compliments, uh this this girl's Elvis impression, saying it's

1210
00:58:49,720 --> 00:58:53,280
Speaker 1: the best one he's ever seen a woman do. The girl,

1211
00:58:53,320 --> 00:58:56,600
Speaker 1: whose name is Diane, tells Jesse that she loved watching

1212
00:58:56,600 --> 00:58:59,560
Speaker 1: his show. Jesse tells her that this whole day has

1213
00:58:59,560 --> 00:59:03,720
Speaker 1: been rate, adding Becky would have never sat through a rehearsal.

1214
00:59:04,640 --> 00:59:08,880
Speaker 1: What dude, like, not only is he is this offensive

1215
00:59:08,880 --> 00:59:11,880
Speaker 1: towards Becky, it's offensive towards this girl too, Like, don't look, So.

1216
00:59:11,880 --> 00:59:14,920
Speaker 2: That's what I'm saying. I was like, ew ew, bro,

1217
00:59:15,200 --> 00:59:18,600
Speaker 2: you do just literally need somewhere, someone there to fan

1218
00:59:18,720 --> 00:59:23,160
Speaker 2: your ego all the time, Like yeah, Jesse, get it's

1219
00:59:23,200 --> 00:59:28,440
Speaker 2: really really. I was like, ew gross, stop, very very toxic.

1220
00:59:28,640 --> 00:59:30,680
Speaker 2: And I also said that. I also was like, oh,

1221
00:59:30,680 --> 00:59:32,880
Speaker 2: this girl is just stop. She's desperate.

1222
00:59:33,240 --> 00:59:35,400
Speaker 1: Yeah, she seems to sit through it and stop.

1223
00:59:35,160 --> 00:59:36,640
Speaker 2: It, honey, stop it. Yeah.

1224
00:59:36,680 --> 00:59:39,320
Speaker 1: It's their first date, so she's trying to Maybe she's

1225
00:59:39,320 --> 00:59:41,520
Speaker 1: trying to stroke his ego a little bit, and I

1226
00:59:41,560 --> 00:59:44,880
Speaker 1: don't know. It's I felt bad for Diane and for Becky.

1227
00:59:44,960 --> 00:59:47,720
Speaker 2: I felt bet it was. I was just very upset

1228
00:59:47,720 --> 00:59:48,120
Speaker 2: at Jesse.

1229
00:59:50,160 --> 00:59:54,360
Speaker 1: So Jesse gives the girl a hypothetical. If I said,

1230
00:59:54,440 --> 00:59:57,560
Speaker 1: let's hop on a Harley go to Vegas, roll some dice,

1231
00:59:57,880 --> 01:00:01,600
Speaker 1: what would you say? She answers, I'd say your bike

1232
01:00:01,720 --> 01:00:05,920
Speaker 1: or mine? He enthusiastically says yes, and then compares it

1233
01:00:05,960 --> 01:00:09,800
Speaker 1: to what he thinks Becky would say. The girl questions,

1234
01:00:10,040 --> 01:00:13,160
Speaker 1: how come you can't go five minutes without mentioning Becky.

1235
01:00:14,560 --> 01:00:17,480
Speaker 1: Jesse apologizes and says he's gonna go upstairs and not

1236
01:00:17,800 --> 01:00:23,000
Speaker 1: mention the B word. So upstairs, Jesse runs into DJ,

1237
01:00:23,360 --> 01:00:25,479
Speaker 1: who tries talking to him, but he blows her off.

1238
01:00:26,040 --> 01:00:28,960
Speaker 1: She mentions that Becky's there, and he asks, my Becky,

1239
01:00:29,160 --> 01:00:33,040
Speaker 1: I mean my ex Becky. Jesse starts to stress out

1240
01:00:33,080 --> 01:00:36,520
Speaker 1: about this situation that he has found himself in because

1241
01:00:36,560 --> 01:00:39,400
Speaker 1: he created it. He's trying to think of what to do.

1242
01:00:40,480 --> 01:00:43,320
Speaker 1: DJ tells him that Becky said she was really sorry

1243
01:00:43,360 --> 01:00:47,000
Speaker 1: for everything she's supposed to be sorry for. She claims

1244
01:00:47,000 --> 01:00:49,040
Speaker 1: all she does is make a sad, little puppy dog

1245
01:00:49,120 --> 01:00:53,080
Speaker 1: face and again mimics the face for him. DJ adds

1246
01:00:53,120 --> 01:00:56,280
Speaker 1: that Becky was crying all day, and Jesse begins to

1247
01:00:56,320 --> 01:01:00,680
Speaker 1: look concerned. DJ leads Jesse into the girl room where

1248
01:01:00,680 --> 01:01:04,880
Speaker 1: Becky is. The two say hello, and Jesse admits, well,

1249
01:01:05,160 --> 01:01:09,560
Speaker 1: it's nice of you to apologize. Becky asks nice of

1250
01:01:09,600 --> 01:01:14,520
Speaker 1: me and DJ. She says DJ said, but he adds

1251
01:01:14,560 --> 01:01:17,040
Speaker 1: that DJ and said Becky's been making a puppy dog

1252
01:01:17,120 --> 01:01:20,240
Speaker 1: face all day, and he shows her the face. Becky

1253
01:01:20,360 --> 01:01:23,080
Speaker 1: argues that the girls told her he's the one who's

1254
01:01:23,080 --> 01:01:25,840
Speaker 1: been making that face. Jesse and Becky turned to Steph

1255
01:01:25,880 --> 01:01:29,320
Speaker 1: and DJ and the girls make that puppy face to them,

1256
01:01:29,520 --> 01:01:32,240
Speaker 1: and Stuff asks, come on, didn't you guys miss each

1257
01:01:32,240 --> 01:01:36,120
Speaker 1: other like crazy just a little? And Jesse admits that, well,

1258
01:01:36,160 --> 01:01:39,440
Speaker 1: maybe he missed her like crazy a little if she

1259
01:01:39,560 --> 01:01:41,520
Speaker 1: missed him.

1260
01:01:41,440 --> 01:01:44,040
Speaker 2: How do you have time? Do you have time to

1261
01:01:44,280 --> 01:01:45,800
Speaker 2: it's mean. I know he was talking about it this

1262
01:01:45,840 --> 01:01:47,600
Speaker 2: whole time with Diane, but he had time to give

1263
01:01:47,600 --> 01:01:48,120
Speaker 2: her a call.

1264
01:01:48,320 --> 01:01:51,080
Speaker 1: Yeah, yeah, you know, it's been like two hours. People

1265
01:01:51,120 --> 01:01:52,479
Speaker 1: like this breakup is still higher.

1266
01:01:52,760 --> 01:01:54,480
Speaker 2: Oh my damn, it was quick.

1267
01:01:55,160 --> 01:01:57,040
Speaker 1: They haven't even had time to just like think this

1268
01:01:57,200 --> 01:02:01,280
Speaker 1: over and like let it marinate a little bit. Becky says,

1269
01:02:01,640 --> 01:02:05,160
Speaker 1: of course I missed you. Jesse grabs her head and

1270
01:02:05,240 --> 01:02:08,000
Speaker 1: kisses it, saying, oh, Becky, I've been thinking about you

1271
01:02:08,160 --> 01:02:13,040
Speaker 1: non stop as he holds her. Diane from downstairs walks

1272
01:02:13,080 --> 01:02:15,920
Speaker 1: up behind him and says, Jess, I thought we were leaving.

1273
01:02:16,920 --> 01:02:20,400
Speaker 1: This is such a good moment. It's right, you're like, oh,

1274
01:02:20,480 --> 01:02:21,520
Speaker 1: you idiot.

1275
01:02:21,240 --> 01:02:23,920
Speaker 2: But also like, why is this lady just walking upstairs

1276
01:02:23,960 --> 01:02:25,640
Speaker 2: in the house of people she doesn't know?

1277
01:02:25,760 --> 01:02:28,160
Speaker 1: Yeah, it was a little forward. She got tired of.

1278
01:02:29,640 --> 01:02:33,560
Speaker 2: Yeah, yeah, she got tired of. Wait, right, but oh.

1279
01:02:33,480 --> 01:02:38,959
Speaker 1: Boy Becky's reaction. Becky is just like, who is this?

1280
01:02:40,000 --> 01:02:43,280
Speaker 1: And Jesse nervously chokes up, and Steph whispers to DJ

1281
01:02:43,760 --> 01:02:48,800
Speaker 1: this could get ugly. Wait, that's the understatement of the year, right,

1282
01:02:50,280 --> 01:02:53,400
Speaker 1: So Becky breaks the ice, addressing the girl, Well, it's

1283
01:02:53,480 --> 01:02:55,920
Speaker 1: nice to meet you. Whoever you are, I'm sure you

1284
01:02:55,960 --> 01:03:00,120
Speaker 1: too have a lot in common. Goodbye, Jess, and she leaves.

1285
01:03:00,120 --> 01:03:02,200
Speaker 1: He tells Diane to stay there as he quickly follows

1286
01:03:02,200 --> 01:03:02,760
Speaker 1: Becky out.

1287
01:03:04,280 --> 01:03:06,680
Speaker 2: I would have been like, why would stay there? Like

1288
01:03:06,960 --> 01:03:10,320
Speaker 2: sn get out and home? Yes, like right, just release,

1289
01:03:10,440 --> 01:03:13,040
Speaker 2: children will escort you out the back door, right like.

1290
01:03:13,840 --> 01:03:15,440
Speaker 2: There's obviously two ways to get out of the in

1291
01:03:15,480 --> 01:03:17,640
Speaker 2: and out of the house. Why's she got to stay?

1292
01:03:18,080 --> 01:03:23,320
Speaker 1: It's it's so awful, dripping with awkwardness. So in the hallway,

1293
01:03:23,440 --> 01:03:27,040
Speaker 1: Jesse calls after Becky and she furiously turns around, asking

1294
01:03:27,320 --> 01:03:30,720
Speaker 1: you couldn't even wait one day?

1295
01:03:31,040 --> 01:03:33,800
Speaker 2: Barely an hour? Yeah? Really one hour?

1296
01:03:34,040 --> 01:03:37,520
Speaker 1: Yeah, it's it's it's oh. I don't even have words

1297
01:03:37,520 --> 01:03:41,040
Speaker 1: for this. Jesse claims he only made a date because

1298
01:03:41,080 --> 01:03:44,720
Speaker 1: she said she made a date. Becky corrects him. I

1299
01:03:44,720 --> 01:03:47,480
Speaker 1: didn't say I made a date. I said I made plans.

1300
01:03:48,360 --> 01:03:54,480
Speaker 1: Mm yeah, listening. Listening is an important skill. The new girl,

1301
01:03:54,760 --> 01:03:57,720
Speaker 1: the new girl, Diane interrupts, excuse me, but there's no

1302
01:03:57,800 --> 01:03:59,800
Speaker 1: other way out of here, and she leaves.

1303
01:04:00,080 --> 01:04:03,920
Speaker 2: But there is. You should see this shape shifting backyard. Diane,

1304
01:04:03,960 --> 01:04:05,840
Speaker 2: Please score you out that way.

1305
01:04:05,920 --> 01:04:11,120
Speaker 1: Yep, Jesse tells Diane he's really sorry. Diane faces Becky

1306
01:04:11,160 --> 01:04:13,720
Speaker 1: and says, I hope you're Becky because if you're not,

1307
01:04:14,120 --> 01:04:16,560
Speaker 1: you're going to hear an awful lot about her for

1308
01:04:16,600 --> 01:04:20,640
Speaker 1: the rest of the day. And Diane leaves Becky.

1309
01:04:20,800 --> 01:04:22,880
Speaker 2: You imagine if it wasn't Becky, and then that one

1310
01:04:22,960 --> 01:04:24,080
Speaker 2: would have been like, who's Becky?

1311
01:04:24,280 --> 01:04:28,200
Speaker 1: Right, he's just digging that hole.

1312
01:04:28,280 --> 01:04:29,680
Speaker 2: Yeah yeah.

1313
01:04:29,840 --> 01:04:33,480
Speaker 1: Becky slowly turns to Jesse and her demeanor has softened.

1314
01:04:34,000 --> 01:04:37,280
Speaker 1: She asks him if that's true, and Jesse says yes,

1315
01:04:37,800 --> 01:04:42,080
Speaker 1: and he even admits I sang viva loss Becky. Becky

1316
01:04:42,160 --> 01:04:45,480
Speaker 1: laughs at this, and Jesse leads her into his room.

1317
01:04:45,720 --> 01:04:48,120
Speaker 1: Jesse says he hates it when they fight. It's always

1318
01:04:48,200 --> 01:04:48,800
Speaker 1: so silly.

1319
01:04:49,400 --> 01:04:52,160
Speaker 2: He claims, it's always yours. You always started Jesse.

1320
01:04:52,520 --> 01:04:53,720
Speaker 1: That's not what he says.

1321
01:04:53,880 --> 01:04:56,040
Speaker 2: He's like, I hate it. It's so silly. I mean,

1322
01:04:56,080 --> 01:04:56,640
Speaker 2: I do it.

1323
01:04:56,720 --> 01:05:00,360
Speaker 1: But he's like, you always first, you get me, and

1324
01:05:00,400 --> 01:05:02,400
Speaker 1: then I get mad, and then they're just fighting about

1325
01:05:02,480 --> 01:05:03,760
Speaker 1: who gets mad first.

1326
01:05:04,120 --> 01:05:06,720
Speaker 2: This is just so I've done that.

1327
01:05:06,920 --> 01:05:09,600
Speaker 1: I know when you're in it, you can't see outside

1328
01:05:09,640 --> 01:05:11,440
Speaker 1: of it, right, and it's like you need someone to

1329
01:05:11,520 --> 01:05:12,600
Speaker 1: just smack you upside the head.

1330
01:05:12,800 --> 01:05:13,400
Speaker 2: Yeah.

1331
01:05:13,560 --> 01:05:16,240
Speaker 1: Jesse finally yells for them to stop and then asks

1332
01:05:16,400 --> 01:05:18,920
Speaker 1: what are we fighting about this time? And Becky says

1333
01:05:19,080 --> 01:05:22,360
Speaker 1: about the way we fight. Jesse realizes that this is

1334
01:05:22,400 --> 01:05:24,200
Speaker 1: their stupidest fight yet.

1335
01:05:25,200 --> 01:05:27,080
Speaker 2: Jesse claims, you don't know, I don't know. There's been

1336
01:05:27,120 --> 01:05:30,400
Speaker 2: some pretty stupid ones. This is this is yeah, fighting

1337
01:05:30,400 --> 01:05:31,640
Speaker 2: about the way you fight is up there.

1338
01:05:31,760 --> 01:05:35,120
Speaker 1: It's up there. Jesse claims that he doesn't care about

1339
01:05:35,160 --> 01:05:38,200
Speaker 1: winning fights. He just wants her to understand him better.

1340
01:05:39,120 --> 01:05:39,760
Speaker 1: Now if he win.

1341
01:05:41,240 --> 01:05:44,760
Speaker 2: That does feel like absolutely cares about winning fights?

1342
01:05:45,000 --> 01:05:46,920
Speaker 1: Is that's his number one goal is to be right.

1343
01:05:47,000 --> 01:05:48,600
Speaker 2: This is right. It's just be right.

1344
01:05:49,440 --> 01:05:51,880
Speaker 1: So Becky says, well, instead of arguing with each other,

1345
01:05:52,240 --> 01:05:57,240
Speaker 1: why don't we try really listening to each other. Jesse

1346
01:05:57,360 --> 01:06:00,360
Speaker 1: says that's exactly what he wants. He wants them to

1347
01:06:00,440 --> 01:06:04,760
Speaker 1: know and understand each other better. Jesse and Becky try

1348
01:06:04,800 --> 01:06:08,920
Speaker 1: applying this method to their current problem. Jesse says, so,

1349
01:06:09,120 --> 01:06:11,080
Speaker 1: all we have to do is give up everything we've

1350
01:06:11,120 --> 01:06:14,720
Speaker 1: ever loved before and we'll both be happy, right, And

1351
01:06:14,760 --> 01:06:18,320
Speaker 1: Becky's like, no, you're wrong. She assures him that they

1352
01:06:18,360 --> 01:06:21,280
Speaker 1: don't have to give up anything. They can do their

1353
01:06:21,320 --> 01:06:25,280
Speaker 1: own things and still be a couple. Ding ding ding

1354
01:06:25,760 --> 01:06:29,760
Speaker 1: that there we ago there. Yeah, the moral of the story,

1355
01:06:29,920 --> 01:06:32,960
Speaker 1: the simple solution that took twenty two minutes to get

1356
01:06:33,000 --> 01:06:33,920
Speaker 1: to right.

1357
01:06:33,800 --> 01:06:38,960
Speaker 2: Right, Yeah it is. Hey, I don't like horses. Okay, cool,

1358
01:06:39,000 --> 01:06:40,760
Speaker 2: I'm gonna go ride and I don't feel like going

1359
01:06:40,800 --> 01:06:44,360
Speaker 2: to your show tonight. All right cool? See after that's it. Yeah, done,

1360
01:06:44,600 --> 01:06:45,680
Speaker 2: it's problem solved.

1361
01:06:45,880 --> 01:06:49,320
Speaker 1: You fight, you have to bean yeah you know, you know,

1362
01:06:49,520 --> 01:06:53,120
Speaker 1: no sling and mud. Yeah, it's it's you have to

1363
01:06:53,160 --> 01:06:55,040
Speaker 1: be a whole person in order to be the other

1364
01:06:55,080 --> 01:06:55,920
Speaker 1: half of a couple.

1365
01:06:56,440 --> 01:06:58,760
Speaker 2: In my bed. So I love that.

1366
01:06:59,080 --> 01:07:01,640
Speaker 1: So like, this is what Becky is saying. She's just like,

1367
01:07:01,640 --> 01:07:03,520
Speaker 1: you gonna have your own interests and we'll join each

1368
01:07:03,560 --> 01:07:06,080
Speaker 1: other sometimes and other times. You know, it's good to.

1369
01:07:06,040 --> 01:07:09,280
Speaker 2: Have space, Like, hey, yeah, it's great to have space.

1370
01:07:09,360 --> 01:07:13,920
Speaker 2: I love space, I love my favorite. Space is wonderful. Yes,

1371
01:07:15,200 --> 01:07:17,480
Speaker 2: But I think that's also something that comes with maturity.

1372
01:07:17,680 --> 01:07:21,400
Speaker 2: And to be fair, Jesse and Becky are still in

1373
01:07:21,480 --> 01:07:22,400
Speaker 2: their twenties.

1374
01:07:22,440 --> 01:07:23,800
Speaker 1: Yeah, they're in their mid twenties.

1375
01:07:24,920 --> 01:07:27,520
Speaker 2: You're still very like it's all or nothing.

1376
01:07:27,800 --> 01:07:28,880
Speaker 1: So that's true.

1377
01:07:29,120 --> 01:07:31,120
Speaker 2: Yeah, I will think like when I think about, like

1378
01:07:31,200 --> 01:07:32,680
Speaker 2: back to when I was like twenty five, it was

1379
01:07:32,840 --> 01:07:35,400
Speaker 2: it was that sort of dramatic all or nothing, like

1380
01:07:35,600 --> 01:07:38,160
Speaker 2: you know that's true, look a little while to figure out.

1381
01:07:38,160 --> 01:07:42,280
Speaker 2: Oh wait, actually a healthy relationship is just easy.

1382
01:07:42,880 --> 01:07:48,000
Speaker 1: Yeah, I forgot what I was gonna say. I gets distracted.

1383
01:07:48,320 --> 01:07:52,200
Speaker 1: U Becky says, how about you only go writing with

1384
01:07:52,240 --> 01:07:55,640
Speaker 1: me because you want to? And Jesse says, all right,

1385
01:07:55,720 --> 01:07:57,920
Speaker 1: and you only go to the club with me because

1386
01:07:57,960 --> 01:08:01,440
Speaker 1: you want to, and Becky responds, okay, but never because

1387
01:08:01,480 --> 01:08:05,360
Speaker 1: we feel that we have to. Jesse admits he'll still

1388
01:08:05,360 --> 01:08:08,440
Speaker 1: go horse horseback riding with her because he really loves

1389
01:08:08,520 --> 01:08:12,000
Speaker 1: being with her. There you go, that's it. That was all.

1390
01:08:12,480 --> 01:08:15,320
Speaker 1: That wasn't that hard. It wasn't that wasn't that hard.

1391
01:08:15,160 --> 01:08:17,800
Speaker 2: Jesse, Becky, you could have started there.

1392
01:08:19,439 --> 01:08:22,280
Speaker 1: But the show, the show has to work. The storyline

1393
01:08:22,280 --> 01:08:22,680
Speaker 1: has to work.

1394
01:08:22,720 --> 01:08:24,439
Speaker 2: He's like, Okay, I'll do the thing that I should

1395
01:08:24,439 --> 01:08:28,800
Speaker 2: have done. You're like, but how we yep, yep, I

1396
01:08:28,840 --> 01:08:30,599
Speaker 2: get it, I get We're all it's.

1397
01:08:30,840 --> 01:08:33,280
Speaker 1: I get it. Yeah, And this is probably Jesse's first

1398
01:08:33,400 --> 01:08:37,480
Speaker 1: like real long term relationship. If you think about yeah.

1399
01:08:37,120 --> 01:08:39,640
Speaker 2: I mean, we've seen we've seen who he's been before that.

1400
01:08:39,800 --> 01:08:40,719
Speaker 1: Yeah, so he's learned.

1401
01:08:41,160 --> 01:08:44,840
Speaker 2: We've seen who he was four minutes ago. Yeah, so yeah,

1402
01:08:44,880 --> 01:08:45,799
Speaker 2: you know, I'll cut.

1403
01:08:45,680 --> 01:08:48,360
Speaker 1: Him some slack here because he does. He's learning, and

1404
01:08:48,520 --> 01:08:50,559
Speaker 1: it takes him a while. It takes him twenty two minutes,

1405
01:08:50,600 --> 01:08:52,880
Speaker 1: but he does come around and he's like, okay, he does.

1406
01:08:52,960 --> 01:08:55,280
Speaker 1: He's learning and he's growing along with him.

1407
01:08:55,280 --> 01:08:57,960
Speaker 2: So yeah, Becky is forcing him to kind of grow

1408
01:08:58,040 --> 01:08:59,320
Speaker 2: up a little bit. I appreciate this.

1409
01:08:59,439 --> 01:09:04,559
Speaker 1: He needed Becky so badly. Oh yeah, so Becky says,

1410
01:09:04,560 --> 01:09:07,080
Speaker 1: there's one good thing about fighting. They have a great

1411
01:09:07,160 --> 01:09:11,040
Speaker 1: time making up. Jesse goes off on a tangent about

1412
01:09:11,040 --> 01:09:13,880
Speaker 1: how many gross things their love is better then, and

1413
01:09:13,920 --> 01:09:17,320
Speaker 1: Becky interrupts, just say have mercy and kiss me, and

1414
01:09:17,400 --> 01:09:20,320
Speaker 1: Jesse does just that. DJ and Stuff stand in the

1415
01:09:20,320 --> 01:09:23,840
Speaker 1: doorway and say, aw in Unison, I can't believe you

1416
01:09:23,840 --> 01:09:26,200
Speaker 1: guys left your room to come in to watch them

1417
01:09:26,200 --> 01:09:28,400
Speaker 1: making out Like this is so opposite of how.

1418
01:09:28,240 --> 01:09:31,080
Speaker 2: It usually Well that's the that's what the Tanner House does.

1419
01:09:31,120 --> 01:09:32,960
Speaker 2: No one can make out unless there's someone there to

1420
01:09:33,000 --> 01:09:34,439
Speaker 2: watch it. It's like if a you know, if a

1421
01:09:34,520 --> 01:09:36,160
Speaker 2: tree falls in the woods and no one's there to

1422
01:09:36,200 --> 01:09:38,680
Speaker 2: hear it. If if two people make out in the

1423
01:09:38,720 --> 01:09:40,760
Speaker 2: Tanner household, and no one's there to witness it, did

1424
01:09:40,800 --> 01:09:41,400
Speaker 2: it really happen?

1425
01:09:41,439 --> 01:09:44,479
Speaker 1: This is that is the most accurate thing you've said today.

1426
01:09:44,560 --> 01:09:45,879
Speaker 1: That is so funny.

1427
01:09:46,040 --> 01:09:52,960
Speaker 2: Yes, yeah, yeah. They can also like my kids even

1428
01:09:53,000 --> 01:09:56,160
Speaker 2: now there's sixteen, almost fourteen, if they see me give

1429
01:09:56,240 --> 01:09:59,559
Speaker 2: my husband a kiss, they're like, ell as so grossed out.

1430
01:10:00,040 --> 01:10:01,360
Speaker 2: They're like, oh God, that's gross.

1431
01:10:01,479 --> 01:10:04,320
Speaker 1: Ill yeah, it's gross. I mean in that last decadees

1432
01:10:04,360 --> 01:10:06,799
Speaker 1: like that doesn't go away once you're no longer a teenager.

1433
01:10:06,920 --> 01:10:08,920
Speaker 2: You never I guess you're I guess you're never like

1434
01:10:08,960 --> 01:10:11,160
Speaker 2: you're always like, oh, I just don't I don't want

1435
01:10:11,160 --> 01:10:13,439
Speaker 2: to see that your parents, you know, I don't want

1436
01:10:13,479 --> 01:10:15,280
Speaker 2: to see you have an emotion. It'd be weird and

1437
01:10:15,360 --> 01:10:18,720
Speaker 2: like kiss your my dad or what? Ill gross?

1438
01:10:19,000 --> 01:10:22,800
Speaker 1: Right, it is super weird. So Jesse stands saying he

1439
01:10:22,880 --> 01:10:24,400
Speaker 1: knew the girls were going to come in.

1440
01:10:25,240 --> 01:10:29,040
Speaker 2: See he knew the makehout alarm went off and they

1441
01:10:29,080 --> 01:10:30,720
Speaker 2: were like, wait, we ot to go witness it.

1442
01:10:30,760 --> 01:10:33,280
Speaker 1: That's the natural laws of the universe. In the Tanner

1443
01:10:33,360 --> 01:10:34,160
Speaker 1: house of In.

1444
01:10:34,240 --> 01:10:38,639
Speaker 2: The Tanner Household rights, shape shifting backyard and uh public may.

1445
01:10:38,880 --> 01:10:43,280
Speaker 1: Public public PDA. Yeah, so he thanks the girls for

1446
01:10:43,400 --> 01:10:46,600
Speaker 1: sticking their noses where they don't belong. DJ smiles and

1447
01:10:46,640 --> 01:10:50,200
Speaker 1: says anytime. Steph offers to still pay for that movie,

1448
01:10:50,880 --> 01:10:55,120
Speaker 1: but DJ tells her twenty dollars won't be enough. Steff

1449
01:10:55,120 --> 01:10:57,360
Speaker 1: assures her, I'm good for it. I got a mouth

1450
01:10:57,479 --> 01:11:00,400
Speaker 1: full of baby teeth. She walks towards Jesse and Becky

1451
01:11:00,479 --> 01:11:02,960
Speaker 1: as she points to each tooth, adding up how much

1452
01:11:03,040 --> 01:11:05,240
Speaker 1: money she's going to get for all of them? And

1453
01:11:05,439 --> 01:11:10,439
Speaker 1: that's our shown. Oh that's what you were. Very funny.

1454
01:11:10,479 --> 01:11:15,200
Speaker 1: The tooth storyline was very cute. The Michelle not sharing

1455
01:11:15,240 --> 01:11:19,920
Speaker 1: her toys. That was a very short, short storyline, but sure,

1456
01:11:20,120 --> 01:11:21,599
Speaker 1: but it was a way to tie.

1457
01:11:21,520 --> 01:11:23,560
Speaker 2: Michelle into it. With the It was a you know,

1458
01:11:23,600 --> 01:11:25,240
Speaker 2: it was Jesse and Becky heavy.

1459
01:11:25,200 --> 01:11:28,200
Speaker 1: Very very heavy on Jesse and Becky, which I had

1460
01:11:28,200 --> 01:11:30,280
Speaker 1: a problem with. I was just like, good God, they're

1461
01:11:30,320 --> 01:11:33,479
Speaker 1: always fighting, but I weren't they just fighting a few

1462
01:11:33,520 --> 01:11:36,519
Speaker 1: episodes ago, and they were, but it was last but.

1463
01:11:36,560 --> 01:11:38,920
Speaker 2: It was last season, right, So that's the thing, is

1464
01:11:39,040 --> 01:11:40,960
Speaker 2: I That's why I was like, oh my god, this again.

1465
01:11:41,160 --> 01:11:42,960
Speaker 2: But I was like, oh, it's because we're watching the

1466
01:11:43,000 --> 01:11:45,720
Speaker 2: episodes like Closer in succession, right, it does feel like

1467
01:11:45,760 --> 01:11:48,280
Speaker 2: they're back at it again. But but to be to

1468
01:11:48,479 --> 01:11:54,680
Speaker 2: be fair, to be fair, they do there's a lot

1469
01:11:54,800 --> 01:11:59,960
Speaker 2: of it's a semi contentious relationship, and it's there seems

1470
01:12:00,120 --> 01:12:02,759
Speaker 2: to be a fairly high amount of conflict.

1471
01:12:03,040 --> 01:12:05,479
Speaker 1: There's there's a lot of red flags. And I how

1472
01:12:05,560 --> 01:12:07,479
Speaker 1: long have they been dating? I'm trying to do the math,

1473
01:12:07,760 --> 01:12:10,320
Speaker 1: like they've been dating what a few months? Six months

1474
01:12:10,400 --> 01:12:10,720
Speaker 1: or less?

1475
01:12:10,760 --> 01:12:12,200
Speaker 2: I don't know, because it's a lot.

1476
01:12:12,120 --> 01:12:16,559
Speaker 1: Of fighting for a new couple, a brand new couple. Yeah, yeah,

1477
01:12:16,600 --> 01:12:18,880
Speaker 1: and I'm trying to separate. Okay, what if three months

1478
01:12:18,960 --> 01:12:21,479
Speaker 1: had passed before we started season three? Like it would

1479
01:12:21,479 --> 01:12:22,680
Speaker 1: be normal, you know, right?

1480
01:12:22,720 --> 01:12:24,479
Speaker 2: And I think that's kind of the implication because we

1481
01:12:24,560 --> 01:12:27,280
Speaker 2: did stay true to the kids' ages. We never aged

1482
01:12:27,360 --> 01:12:29,479
Speaker 2: up anybody or you know what I mean, Like, so

1483
01:12:29,600 --> 01:12:32,680
Speaker 2: the kids sort of aged in their real time rue.

1484
01:12:32,960 --> 01:12:35,519
Speaker 2: So yeah, it would be it's probably been a year

1485
01:12:35,600 --> 01:12:37,000
Speaker 2: almost eight six months.

1486
01:12:36,960 --> 01:12:40,519
Speaker 1: Is yeah, at least six months, maybe closer to a year, yeah, okay, yeah.

1487
01:12:40,960 --> 01:12:44,080
Speaker 2: Still, it's just it does feel like a lot of fighting.

1488
01:12:44,200 --> 01:12:46,320
Speaker 2: It's a lot of fighting. I but maybe we're you know,

1489
01:12:46,439 --> 01:12:47,920
Speaker 2: we're looking at it with a different lens.

1490
01:12:47,960 --> 01:12:49,599
Speaker 1: Yeah, that's true.

1491
01:12:49,880 --> 01:12:53,080
Speaker 2: Half an hour every week. It feels different than when

1492
01:12:53,080 --> 01:12:56,040
Speaker 2: you're watching it like we do and watching several episodes

1493
01:12:56,080 --> 01:12:59,280
Speaker 2: and then you know, recapping them. But I still I

1494
01:13:00,040 --> 01:13:02,240
Speaker 2: still do have it's weird, do you have mine?

1495
01:13:02,280 --> 01:13:04,120
Speaker 1: I know, I've read some of the fan Rito's comments,

1496
01:13:04,120 --> 01:13:05,720
Speaker 1: and there's a lot of people that disagree that. A

1497
01:13:05,760 --> 01:13:07,880
Speaker 1: lot of people think we're being too hard on Jesse.

1498
01:13:08,520 --> 01:13:11,040
Speaker 2: Yeah, they're just like, maybe, you know what, maybe I mean,

1499
01:13:11,120 --> 01:13:13,400
Speaker 2: maybe we are, Maybe we are. I don't know. Maybe

1500
01:13:13,720 --> 01:13:17,719
Speaker 2: I think I think because I think it's we personal experience.

1501
01:13:17,800 --> 01:13:19,559
Speaker 1: That's what I was going to say, because we're we're

1502
01:13:19,600 --> 01:13:22,600
Speaker 1: in our forties now, we've had we've been in toxic relationships.

1503
01:13:22,840 --> 01:13:25,320
Speaker 2: So that's what it is. That's exactly what it is is.

1504
01:13:25,439 --> 01:13:27,640
Speaker 2: I'm like, this is triggered. Like fan Rito's are like,

1505
01:13:27,880 --> 01:13:30,400
Speaker 2: don't be so hard. I'm like, no, this you should

1506
01:13:30,400 --> 01:13:32,800
Speaker 2: be right on this behavior. Don't do it like this

1507
01:13:33,040 --> 01:13:34,920
Speaker 2: is as a forty two year old woman, like this

1508
01:13:35,120 --> 01:13:36,519
Speaker 2: is the thing that you go oh no, no, no, no,

1509
01:13:36,640 --> 01:13:39,439
Speaker 2: no no no. So it is I have a very

1510
01:13:39,520 --> 01:13:44,240
Speaker 2: different perspective on it. When seeing yep, like yep, all

1511
01:13:44,320 --> 01:13:49,120
Speaker 2: of these things aren't necessarily great uh things, but it's

1512
01:13:49,320 --> 01:13:50,000
Speaker 2: yeah personal.

1513
01:13:50,320 --> 01:13:52,240
Speaker 1: I think if you've been in a relationship like this,

1514
01:13:52,560 --> 01:13:55,560
Speaker 1: it stands out like a sore thumb and you you

1515
01:13:55,760 --> 01:13:57,920
Speaker 1: you kind of triggered, not triggered.

1516
01:13:57,640 --> 01:13:59,439
Speaker 2: But just like well, and I guess the thing is

1517
01:13:59,520 --> 01:14:03,240
Speaker 2: too like look right, we have a viseral reaction because

1518
01:14:03,240 --> 01:14:05,519
Speaker 2: we're like, oh my gosh. If this were real life,

1519
01:14:06,280 --> 01:14:08,360
Speaker 2: this would not be a great they would be fighting

1520
01:14:08,400 --> 01:14:10,360
Speaker 2: all the time in this way. But it's it's just

1521
01:14:10,600 --> 01:14:14,240
Speaker 2: you know, I forget it. It's it's sick. And so

1522
01:14:14,680 --> 01:14:19,160
Speaker 2: if there's no contentiousness and no like back and forth,

1523
01:14:19,400 --> 01:14:22,400
Speaker 2: you have no storyline. Yeah yeah, because storylines depend on

1524
01:14:22,520 --> 01:14:24,200
Speaker 2: some sort of conflict, you know.

1525
01:14:24,840 --> 01:14:27,799
Speaker 1: So, and sitcoms are known for just their manufacturing drama

1526
01:14:28,160 --> 01:14:29,200
Speaker 1: no right.

1527
01:14:29,600 --> 01:14:32,120
Speaker 2: Right for no reason. So I get it, I get it,

1528
01:14:32,240 --> 01:14:34,840
Speaker 2: and it is, but it definitely is. I think it's

1529
01:14:34,880 --> 01:14:37,840
Speaker 2: those things where we're like we're seeing it as a

1530
01:14:37,960 --> 01:14:41,559
Speaker 2: pattern of behavior of like, oh, this would extrapolate into

1531
01:14:41,680 --> 01:14:43,600
Speaker 2: someone who would be very difficult to deal with it,

1532
01:14:43,760 --> 01:14:46,360
Speaker 2: but really it's like they're fine, they make it through.

1533
01:14:46,640 --> 01:14:49,880
Speaker 2: We see them at the end. Jesse's still making Becky

1534
01:14:49,960 --> 01:14:51,600
Speaker 2: carry all the bags. It's just who they are.

1535
01:14:51,760 --> 01:14:55,639
Speaker 1: Ye, well, and we we we know we know the grow.

1536
01:14:55,760 --> 01:14:57,559
Speaker 1: We know that Jesse's growing, like he's growing.

1537
01:14:57,800 --> 01:14:58,960
Speaker 2: Yeah, he's growing.

1538
01:14:59,040 --> 01:15:01,280
Speaker 1: So it's not like we're always going to be ragging

1539
01:15:01,360 --> 01:15:03,360
Speaker 1: on him like this. He's a young guy, right with

1540
01:15:03,479 --> 01:15:06,680
Speaker 1: hormone young He's learning. We're learning along with him. So

1541
01:15:07,479 --> 01:15:08,679
Speaker 1: you know, it's a journey people.

1542
01:15:09,080 --> 01:15:10,720
Speaker 2: I'm not Yeah, we're not trying to be hard of

1543
01:15:10,880 --> 01:15:12,800
Speaker 2: this is this is what I do. It's my you know,

1544
01:15:13,040 --> 01:15:16,400
Speaker 2: I'm the We're we're for those of you who are

1545
01:15:16,400 --> 01:15:19,160
Speaker 2: old enough to remember the Muppet Show, We're like Stetler

1546
01:15:19,200 --> 01:15:21,720
Speaker 2: and Waldorf, the two old man muppets in the bout

1547
01:15:22,280 --> 01:15:24,320
Speaker 2: which I used to so I used to say that

1548
01:15:24,560 --> 01:15:26,559
Speaker 2: they reminded me of my dad because that was my dad.

1549
01:15:26,600 --> 01:15:28,960
Speaker 2: And now I'm like, now that I have become one

1550
01:15:29,000 --> 01:15:32,200
Speaker 2: of them, where it's just always some smart ass comment

1551
01:15:32,960 --> 01:15:35,120
Speaker 2: up in the balcony from the peanut gallery that's not

1552
01:15:35,320 --> 01:15:38,560
Speaker 2: useful or helpful, but just wow, this guy's doing it

1553
01:15:38,680 --> 01:15:41,040
Speaker 2: in like I'm like, oh, I've become that. That's it.

1554
01:15:41,400 --> 01:15:45,160
Speaker 2: It's just everyone, It's okay. We love Jesse we love Becky.

1555
01:15:45,720 --> 01:15:48,519
Speaker 2: We're not trying to be harsh.

1556
01:15:48,840 --> 01:15:51,240
Speaker 1: We do. We love we love these characters. We played

1557
01:15:51,280 --> 01:15:51,759
Speaker 1: these characters.

1558
01:15:51,760 --> 01:15:56,120
Speaker 2: We love these characters. But but sometimes Jesse was a

1559
01:15:56,280 --> 01:15:58,920
Speaker 2: bit much. But he's he's a twenty six yearld man.

1560
01:15:58,960 --> 01:16:00,519
Speaker 2: He's learning. Yep, he's learning.

1561
01:16:00,600 --> 01:16:06,320
Speaker 1: And and Becky is icon, she is she's a great

1562
01:16:06,439 --> 01:16:08,920
Speaker 1: role model. Oh this is this is how you need

1563
01:16:09,000 --> 01:16:10,960
Speaker 1: to defend yourself when you're in a relationship.

1564
01:16:11,080 --> 01:16:13,439
Speaker 2: Yes, yes, so, And that's the thing is like, I

1565
01:16:14,000 --> 01:16:16,559
Speaker 2: I love that because it does it gives Jesse somewhere

1566
01:16:16,600 --> 01:16:18,479
Speaker 2: to go, like if he did, if he wasn't like this,

1567
01:16:19,920 --> 01:16:21,720
Speaker 2: Becky wouldn't have anything to be like, this is not

1568
01:16:21,800 --> 01:16:24,160
Speaker 2: how you behave you know, you wouldn't have get to

1569
01:16:24,200 --> 01:16:25,160
Speaker 2: see like his journey.

1570
01:16:25,200 --> 01:16:27,439
Speaker 1: So I do I get that nobody wants to watch

1571
01:16:27,560 --> 01:16:30,240
Speaker 1: perfectly formed people that No, no.

1572
01:16:30,920 --> 01:16:33,360
Speaker 2: But the best shows are about terrible people that you're like, oh,

1573
01:16:33,479 --> 01:16:36,679
Speaker 2: this is you know, sort of morally ambiguous. It's not, Yeah,

1574
01:16:36,720 --> 01:16:39,439
Speaker 2: it's not that. Just look, we're forty year old women

1575
01:16:39,479 --> 01:16:42,000
Speaker 2: who have seen some sh okay guys. We have our

1576
01:16:42,040 --> 01:16:44,559
Speaker 2: own bring our own personalities to them.

1577
01:16:44,640 --> 01:16:47,360
Speaker 1: Yes, And that's the point of a rewatch. Podcast is

1578
01:16:47,439 --> 01:16:49,920
Speaker 1: just to get into the knitting gretty take things way

1579
01:16:50,000 --> 01:16:51,360
Speaker 1: more seriously than you need to.

1580
01:16:51,920 --> 01:16:54,080
Speaker 2: Right, this is just right, that's what we do. Breaking

1581
01:16:54,160 --> 01:16:55,720
Speaker 2: up is hard to do in twenty two minutes. It's

1582
01:16:56,360 --> 01:16:59,360
Speaker 2: it is so is a good deep dive on narcissism,

1583
01:16:59,520 --> 01:17:03,760
Speaker 2: but we try. You know what, Okay, so I have

1584
01:17:03,920 --> 01:17:04,960
Speaker 2: an everywhere you look.

1585
01:17:04,920 --> 01:17:07,000
Speaker 1: Good because I have a really bad one. It's not

1586
01:17:07,320 --> 01:17:09,880
Speaker 1: it doesn't really count. So you go go, okay, Well,

1587
01:17:11,200 --> 01:17:13,519
Speaker 1: remember last week we talked about the Mel Gibson poster

1588
01:17:13,960 --> 01:17:18,240
Speaker 1: up in the upright in the Jays, right above DJ's bed. Well,

1589
01:17:18,240 --> 01:17:20,840
Speaker 1: I was looking at it again and it looks like

1590
01:17:20,960 --> 01:17:24,040
Speaker 1: it's not really it's not like a rectangular poster. It's

1591
01:17:24,080 --> 01:17:24,720
Speaker 1: like cut out.

1592
01:17:25,320 --> 01:17:27,240
Speaker 2: It's a cut out of his head. It looks so

1593
01:17:27,640 --> 01:17:30,479
Speaker 2: is head cut out. That's what I said. It's a

1594
01:17:30,560 --> 01:17:32,160
Speaker 2: head cut out. Last week I was like, it is

1595
01:17:32,280 --> 01:17:34,240
Speaker 2: just a cutout head of Mel.

1596
01:17:34,560 --> 01:17:36,360
Speaker 1: Yeah, I didn't. I thought it was just a regular poster.

1597
01:17:36,400 --> 01:17:37,240
Speaker 1: I didn't realize it was.

1598
01:17:37,360 --> 01:17:40,040
Speaker 2: Just at it's a cutout.

1599
01:17:39,760 --> 01:17:42,040
Speaker 1: Like one of those fat heads or whatever whatever they

1600
01:17:42,240 --> 01:17:44,920
Speaker 1: you know, Kimmy Gibbler had won in Fuller House. But yeah,

1601
01:17:45,040 --> 01:17:46,920
Speaker 1: that was just I'm like, this is it wasn't a

1602
01:17:47,000 --> 01:17:49,000
Speaker 1: lethal weapon poster, which is what I thought it was.

1603
01:17:49,080 --> 01:17:51,720
Speaker 2: No, No, it was just his head with his beautiful hair.

1604
01:17:51,960 --> 01:17:52,679
Speaker 2: It's so weird.

1605
01:17:52,880 --> 01:17:54,320
Speaker 1: Anyways, that was that was mine.

1606
01:17:54,439 --> 01:17:58,080
Speaker 2: That's the only that was yours. So mine actually happened

1607
01:17:58,160 --> 01:18:02,400
Speaker 2: because I watched through the very end of the credits,

1608
01:18:02,520 --> 01:18:06,439
Speaker 2: so good for you, and uh it came. The very

1609
01:18:06,600 --> 01:18:09,479
Speaker 2: last shot of the credits is us all around the

1610
01:18:09,560 --> 01:18:14,120
Speaker 2: kitchen table and it's a pullback shot where it's uh

1611
01:18:14,960 --> 01:18:17,840
Speaker 2: starts on Danny picking the shell up and putting her

1612
01:18:17,880 --> 01:18:19,519
Speaker 2: in the high chair, and then it pulls back to

1613
01:18:19,600 --> 01:18:23,160
Speaker 2: reveal the whole family. But the pullback, if you watch

1614
01:18:23,240 --> 01:18:25,479
Speaker 2: it is super rough, like the camera's like doing a

1615
01:18:25,520 --> 01:18:27,479
Speaker 2: little bit like there's no you know. It's this is

1616
01:18:27,520 --> 01:18:29,920
Speaker 2: in the days before you could have the like auto whatever,

1617
01:18:30,479 --> 01:18:32,920
Speaker 2: so the wheels going over the set or just like

1618
01:18:33,200 --> 01:18:36,360
Speaker 2: picking up every little bump. So it's like and it

1619
01:18:36,800 --> 01:18:39,840
Speaker 2: it tilts, it tilts up and you see off the

1620
01:18:40,040 --> 01:18:42,920
Speaker 2: set like by where the stairs are and the back

1621
01:18:43,000 --> 01:18:45,479
Speaker 2: window there you totally see up off the stairs. But

1622
01:18:45,600 --> 01:18:48,800
Speaker 2: it's just a really rough pullback and like up it's

1623
01:18:48,920 --> 01:18:51,760
Speaker 2: it's just it's an interesting shot because it's sir, just

1624
01:18:51,840 --> 01:18:54,160
Speaker 2: so not smooth at all, you know. For like the

1625
01:18:54,280 --> 01:18:57,160
Speaker 2: last supposed to be sort of beauty shot pulling away,

1626
01:18:57,200 --> 01:18:59,960
Speaker 2: it just looks like like somebody's doing it over ground.

1627
01:19:00,160 --> 01:19:02,200
Speaker 1: They just grabbed a handheld and we're just you know,

1628
01:19:02,240 --> 01:19:03,599
Speaker 1: instead of having a camera on wheels.

1629
01:19:03,680 --> 01:19:05,560
Speaker 2: Yeah. No, no, it was very obvious that it was

1630
01:19:05,680 --> 01:19:09,240
Speaker 2: just a dolly shot that is not on even you know,

1631
01:19:09,439 --> 01:19:12,920
Speaker 2: or it was on those tripods like the Yeah. Oh yeah,

1632
01:19:13,360 --> 01:19:15,040
Speaker 2: so that was Yeah. That came about because I was

1633
01:19:15,160 --> 01:19:18,160
Speaker 2: just I was watching through the credits because I just

1634
01:19:18,240 --> 01:19:20,840
Speaker 2: wanted to see people's names that I remember and that

1635
01:19:20,920 --> 01:19:22,439
Speaker 2: had maybe hadn't thought about in a while.

1636
01:19:22,880 --> 01:19:23,080
Speaker 1: Yeah.

1637
01:19:23,080 --> 01:19:23,840
Speaker 2: Oh that's a good idea.

1638
01:19:23,840 --> 01:19:26,200
Speaker 1: I should I'm going to start doing that because yeah

1639
01:19:26,400 --> 01:19:27,920
Speaker 1: usually do that, So okay, I'm gonna do that.

1640
01:19:28,560 --> 01:19:30,599
Speaker 2: Yeah, even like people that worked in the office or whatever.

1641
01:19:30,760 --> 01:19:32,479
Speaker 2: I was like, oh my god, that's yeah, I remember

1642
01:19:32,560 --> 01:19:34,240
Speaker 2: that person. Yep, yep.

1643
01:19:34,680 --> 01:19:36,840
Speaker 1: It's like a where's Walt on your little postery you

1644
01:19:36,880 --> 01:19:39,120
Speaker 1: have right next to you. Yeah, where it's the whole

1645
01:19:39,200 --> 01:19:42,040
Speaker 1: cast and crew, all these little what do you call it,

1646
01:19:42,040 --> 01:19:44,759
Speaker 1: a little montage of all of them, the little collage

1647
01:19:44,800 --> 01:19:46,400
Speaker 1: that's the word I was looking for. Yeah, it's a

1648
01:19:46,720 --> 01:19:48,599
Speaker 1: you can pick them out like where's Waldo? Oh?

1649
01:19:49,040 --> 01:19:50,160
Speaker 2: Yeah, that so great. I love that.

1650
01:19:50,400 --> 01:19:50,599
Speaker 1: Well.

1651
01:19:51,000 --> 01:19:53,760
Speaker 2: Thank you everybody for joining us for a very long

1652
01:19:53,840 --> 01:19:58,000
Speaker 2: recap episode full of tangents. We appreciate you, guys, We

1653
01:19:58,120 --> 01:20:00,679
Speaker 2: love you. Thanks for listening. If you want to find

1654
01:20:00,720 --> 01:20:03,080
Speaker 2: us on Instagram, you can make sure and follow us

1655
01:20:03,120 --> 01:20:06,840
Speaker 2: at how Rude Podcast. You can also make sure and

1656
01:20:06,960 --> 01:20:10,360
Speaker 2: find the podcast and subscribe and review it wherever you're

1657
01:20:10,400 --> 01:20:12,000
Speaker 2: listening to it, so you can make sure and get

1658
01:20:12,040 --> 01:20:14,080
Speaker 2: all the newest episodes as soon as they come out

1659
01:20:14,479 --> 01:20:17,080
Speaker 2: and go ahead and review it. And we love to

1660
01:20:17,120 --> 01:20:19,560
Speaker 2: read your reviews. Other than the fact that you know

1661
01:20:19,680 --> 01:20:20,639
Speaker 2: we're being too hard on Jesse.

1662
01:20:21,479 --> 01:20:23,360
Speaker 1: Hey, I'm welcome. I welcome all opinions.

1663
01:20:23,400 --> 01:20:27,280
Speaker 2: I welcome, I am open to all the absolutely but yes,

1664
01:20:27,640 --> 01:20:31,160
Speaker 2: please send us an emails, shoot us a follow on Instagram.

1665
01:20:31,680 --> 01:20:34,559
Speaker 2: Uh and I have to say you, guys, we might

1666
01:20:34,600 --> 01:20:35,559
Speaker 2: be changing the outro.

1667
01:20:35,920 --> 01:20:40,400
Speaker 1: Big news, big news people, big news big Yes, We've

1668
01:20:40,520 --> 01:20:43,880
Speaker 1: we've heard. We've heard you, we've heard your suggestions.

1669
01:20:43,920 --> 01:20:47,120
Speaker 2: We've heard you. Right, we've heard, we've heard you. I

1670
01:20:47,520 --> 01:20:50,040
Speaker 2: am glad to not screw up the same thing anymore

1671
01:20:50,120 --> 01:20:53,280
Speaker 2: and screw up something different for you. But here's what

1672
01:20:53,400 --> 01:20:58,040
Speaker 2: we have. Our new tagline comes to us from Instagram

1673
01:20:58,160 --> 01:21:02,000
Speaker 2: user Amanda follow Well, who offered up an outro that

1674
01:21:02,479 --> 01:21:06,760
Speaker 2: we were particularly fond of. Here we go go, the

1675
01:21:06,880 --> 01:21:11,280
Speaker 2: house is full, but the door is always open. Ah,

1676
01:21:11,720 --> 01:21:14,639
Speaker 2: what do you think, guys, listeners, what do we think? Yeah? Yea,

1677
01:21:15,240 --> 01:21:19,680
Speaker 2: do we change it every week? Keep this so? Yeah? Right,

1678
01:21:19,800 --> 01:21:21,920
Speaker 2: and they're like, yeah, the door is full, but the

1679
01:21:22,000 --> 01:21:22,639
Speaker 2: house is open.

1680
01:21:22,800 --> 01:21:24,880
Speaker 1: No, wait, you're gonna need a new bracelet for sure.

1681
01:21:25,720 --> 01:21:28,960
Speaker 2: Here we go. The house is full, but the door's

1682
01:21:29,040 --> 01:21:31,800
Speaker 2: always open. I like it. It's a little off on

1683
01:21:32,000 --> 01:21:35,320
Speaker 2: the on the cadenlabic symmetry.

1684
01:21:35,800 --> 01:21:38,200
Speaker 1: It's a little it's it's a little off, but that's okay.

1685
01:21:38,760 --> 01:21:40,240
Speaker 2: The world is small, but the house is full.

1686
01:21:40,320 --> 01:21:40,360
Speaker 1: That.

1687
01:21:41,120 --> 01:21:43,240
Speaker 2: Yeah, but the house is full, but the door is open.

1688
01:21:43,720 --> 01:21:46,400
Speaker 2: But that but the door is always open to Yeah. Okay,

1689
01:21:46,800 --> 01:21:48,560
Speaker 2: it's a work in progress, but please let us know

1690
01:21:48,600 --> 01:21:51,800
Speaker 2: what you think, Amanda fallow Well, thank you, Amana. We

1691
01:21:51,960 --> 01:21:54,439
Speaker 2: love it. And uh, we'll see you guys. We'll see

1692
01:21:54,479 --> 01:21:57,719
Speaker 2: you next week or the next episode, or you know, whenever.

1693
01:21:57,880 --> 01:21:59,599
Speaker 2: Whenever you hear our voices, We'll.

1694
01:21:59,479 --> 01:22:02,080
Speaker 1: Try to be more concise next time. I know, we won't.

1695
01:22:02,800 --> 01:22:06,200
Speaker 2: We won't. We won't. That's a lie. We won't. I

1696
01:22:15,000 --> 01:22:15,320
Speaker 2: m hm