WEBVTT - Episode 526 | Reliving Reasonable Doubt with Memphis Bleek

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<v Speaker 3>No Wi, Good.

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<v Speaker 1>Doctor, We are back. Yes Special episode. This is the

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<v Speaker 1>official thirty year Reasonable Doubt episode sponsored by Boost Mobile

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<v Speaker 1>Unlimited Talk, Text and Data Rory Today that's joined by

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<v Speaker 1>special special. This is a special guest. This is not

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<v Speaker 1>this is family right, This is family right here We've

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<v Speaker 1>been waiting for this episode for a minute.

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<v Speaker 2>He's been stirring a little bit of trouble on the internet.

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<v Speaker 2>I mean, so, I think we caught him at the

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<v Speaker 2>right time. We caught him at the right time. But

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<v Speaker 2>all jokes aside. This is family, somebody who was very

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<v Speaker 2>pivotal in the you know, the ascension of the Rockefeller family,

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<v Speaker 2>the Rockefeller brand. Today we are joined by Brooklyn's very

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<v Speaker 2>own legendary.

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<v Speaker 1>Memphis believes in the appreciate appreciate my god.

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<v Speaker 4>What's up, man, man, same grind, different time.

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<v Speaker 1>Man. We've been trying to We've been trying to connect

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<v Speaker 1>for a minute.

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<v Speaker 4>Yeah, man, but we had to after you pick side.

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<v Speaker 3>Got it got derailed? Yeah, where he puts out, I

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<v Speaker 3>was like, the side that's available spot, I'm dead.

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<v Speaker 1>You know. It was funny because I supposed to.

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<v Speaker 2>It was like yo what I was like, Yo, what

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<v Speaker 2>you mean?

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<v Speaker 1>Man? He said, Nah, I'm coming up there. Man. Yeah,

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<v Speaker 1>like I had.

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<v Speaker 4>To because I understand you.

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<v Speaker 3>They call you over your more but they said you

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<v Speaker 3>said you didn't go to the show.

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<v Speaker 4>I forgot why you said you didn't.

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<v Speaker 2>I didn't go because I didn't. I felt like, that's

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<v Speaker 2>to me from what I see. That's that's Jay's last New.

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<v Speaker 4>York moment, you think so?

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<v Speaker 1>I think so? Because what do you do after that?

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<v Speaker 4>Me? Blizzle the Blizzle Tour come in age thirty.

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<v Speaker 1>Yeah, five hundred and thirty four days after five three four? Yo, yo,

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<v Speaker 1>bring him back out. I'm talking all right, that's that fire.

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<v Speaker 1>I'm talking about Jay's like his show. Oh yeah, nah,

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<v Speaker 1>I think that that's them. That's like you didn't want

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<v Speaker 1>to see it. People said you was full of ship

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<v Speaker 1>for that? Do you do you take his history?

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<v Speaker 3>No, I believe what the people saying. I'm with the people.

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<v Speaker 3>So you believe, said O Yo said no, So you

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<v Speaker 3>believe that. I believe that.

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<v Speaker 1>Yo. All right, So it was how do you think

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<v Speaker 1>Drake worded it? So it was so it was from Drake.

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<v Speaker 3>Came from probably top five, they know your top It

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<v Speaker 3>came from top five straight to top four?

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<v Speaker 4>All right?

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<v Speaker 2>So you believe I couldn't go because O Vo said

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<v Speaker 2>I couldn't go. And then I heard another one saying

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<v Speaker 2>that I was gonna get beat up by Rockefeller.

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<v Speaker 1>True, well, that one I believe. I don't know.

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<v Speaker 2>I think I think they thought Biggs was gonna beat

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<v Speaker 2>me up.

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<v Speaker 1>He was gonna beat big brother. What we're for.

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<v Speaker 3>This is why I'm glad I'm here because I want

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<v Speaker 3>to clear that up. Why we got beef with Drake

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<v Speaker 3>because Kendrick did the Super Bowl. I want to be

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<v Speaker 3>I want to know we got beef with Drake because

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<v Speaker 3>Kendrick did the.

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<v Speaker 1>Super I think that I think you said something that

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<v Speaker 1>you felt like Drake shouldn't should do or shouldn't do

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<v Speaker 1>during the battle, and I think I think Drake may

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<v Speaker 1>have responded to that to me. Yeah, I think you

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<v Speaker 1>said something on the podcast, like I.

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<v Speaker 2>Don't think on Drizzy. I'm not saying you should it

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<v Speaker 2>on him. I think you said something that you thought

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<v Speaker 2>he should have did during the battle. I can't really

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<v Speaker 2>remember what it was.

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<v Speaker 3>He did it. He came back and made hits. That's

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<v Speaker 3>what I said, don't focus on the draft focus.

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<v Speaker 1>I think it was something you said when you were

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<v Speaker 1>sitting down with Jim.

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<v Speaker 4>Yeah, I think he gotta make hits. You got to

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<v Speaker 4>come back with.

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<v Speaker 1>I think Drake had a response to that.

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<v Speaker 4>Yeah, And I said I fell off in ninety six,

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<v Speaker 4>so he can't.

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<v Speaker 3>I mean that year he said rappers from oh five

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<v Speaker 3>talking and I say he ain't talking about me.

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<v Speaker 4>I fell off O five.

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<v Speaker 1>You gotta be it's not it's not beef though, it's

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<v Speaker 1>no beef with like it like that and where is

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<v Speaker 1>it because it's on the internet because Drake said a

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<v Speaker 1>few things on Iceman and then Jay went on Ruth's

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<v Speaker 1>Picnic and just said check the right charge Champ like,

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<v Speaker 1>but that's rap ship. It big, that's rap ship. What

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<v Speaker 1>I've been saying.

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<v Speaker 3>Nigga, I took shots at beans hole looking at you,

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<v Speaker 3>me and him and how I'm talking about them niggas.

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<v Speaker 1>Yeah, a lot of people don't know that. A lot

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<v Speaker 1>of people didn't know.

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<v Speaker 3>Trying to be the best and anybody coming in that spot,

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<v Speaker 3>you're going to throw them shots. So it's respected. I

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<v Speaker 3>don't look at them niggas like yo, we see them

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<v Speaker 3>as up.

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<v Speaker 1>Yeah, no, no, no, I don't.

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<v Speaker 4>Why would niggs up with you?

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<v Speaker 1>That's internet ship. That's why I said.

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<v Speaker 2>That's why when people were like, oh, you didn't go

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<v Speaker 2>because Drake said that, I'm looking at I'm like, what

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<v Speaker 2>like there was mad people in the building that that

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<v Speaker 2>literally had Rockefeller at one point.

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<v Speaker 3>No, it's yeah, listen, we never had beef for nobody though.

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<v Speaker 2>Well it was just remember we don't start no, no, no no,

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<v Speaker 2>but you don't got to start trouble to both had beef.

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<v Speaker 2>There's been beef for Rockefeller, and there's a lot of

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<v Speaker 2>guys that defend out.

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<v Speaker 4>That as beef though, but when it's really up.

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<v Speaker 1>I'm talking about that's about rapper beef, real like families

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<v Speaker 1>are in danger.

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<v Speaker 4>That's like Twitter beef exactly.

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<v Speaker 1>But that's where a lot of this sh them.

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<v Speaker 2>So it's social media, which is why Jay being able

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<v Speaker 2>to sell out Yankee Stadium and all the people come

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<v Speaker 2>out with such a beautiful thing, because if you let

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<v Speaker 2>social media tell it, he can't do.

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<v Speaker 1>He's washed, he's old, he doesn't watch influence exact.

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<v Speaker 2>So that's why at that moment was the epitome of

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<v Speaker 2>the Internet is not a real place. It's a very

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<v Speaker 2>small corner of people that get together in their opinions

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<v Speaker 2>and try to make it seem like it's a thing.

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<v Speaker 3>And you said that the Internet and not a real

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<v Speaker 3>place because they tell me, yo, drake, Hope, don't come

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<v Speaker 3>on your part.

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<v Speaker 4>Nobody ain't never say your drake. They come up yo drizzy.

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<v Speaker 2>No no, they say, they say that's that was the whole

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<v Speaker 2>reason for me defend.

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<v Speaker 1>But the thing is this interview, that's what they claim.

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<v Speaker 1>What was my stance on the whole battles because.

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<v Speaker 4>This is my thing.

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<v Speaker 3>Right even if you did get that interview, like I

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<v Speaker 3>feel like with the j shit, will you go next? Now?

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<v Speaker 3>I gotta go for time, Perry Oprah. You can't go

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<v Speaker 3>from Jay and Drake, no disrespect. I even throw me

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<v Speaker 3>in there if you got this episode, could come after

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<v Speaker 3>the Drake episode. No, it ain't no matter, but the

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<v Speaker 3>number right right, that's the difference. So I want to

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<v Speaker 3>throw another rap in there. They diss me too. Ships

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<v Speaker 3>smoky out here right now.

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<v Speaker 1>Very smoky. Also like maybe I'm a bad friend. Just

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<v Speaker 1>because my friends started podcast doesn't mean that I now

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<v Speaker 1>owe an episode.

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<v Speaker 4>Yo.

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<v Speaker 1>Know, if that's the case of anyone who holds life

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<v Speaker 1>started podcast, now he got to go on their.

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<v Speaker 3>Show and they don't want that conversation. I don't want

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<v Speaker 3>that conversation. I don't want people to know the.

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<v Speaker 1>Nah, it's a lot of ship you want to run

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<v Speaker 1>from you.

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<v Speaker 3>I've run this ship into the world. Right if whole

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<v Speaker 3>sit there, he gonna tell him, I don't.

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<v Speaker 1>Bro It's gonna be put in to perspective.

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<v Speaker 3>So it's like, no, chill, I've run this ship over there.

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<v Speaker 3>Let me run this ship now.

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<v Speaker 2>A lot of a lot of the a lot of

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<v Speaker 2>the you know, Jay Drake quote unquote tension. It's not real,

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<v Speaker 2>and I'm glad that I have you here today to

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<v Speaker 2>kind of echo those sentiments. It's not a real thing.

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<v Speaker 2>I tell people all the time. Jay is not beefing

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<v Speaker 2>with anybody. You cannot beef with jay Z. There's no

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<v Speaker 2>there's It doesn't make sense.

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<v Speaker 4>I don't think he's paying nobody attention.

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<v Speaker 1>No, I'm like everything, he sees everything. Try to give

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<v Speaker 1>y'all some pushback, which you mean nobody could beef with

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<v Speaker 1>jay Z. I've heard him reply, what's about rape?

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<v Speaker 3>Right?

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<v Speaker 1>Yeah, you could reply his whole career to everybody today

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<v Speaker 1>he just went on roots and mind you, people have

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<v Speaker 1>been talking about him for years. But a lot of

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<v Speaker 1>every right to reply. But don't you can't say that

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<v Speaker 1>that's that's what. You can't say that Hove don't have

0:08:47.080 --> 0:08:49.520
<v Speaker 1>anyone's attention. I think Hove has a burner account and

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<v Speaker 1>pays attention to everything just because he's a good businessman,

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<v Speaker 1>understands the market. I agree with you.

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<v Speaker 2>I'm saying beef meaning like that Roots picnic thing was

0:08:56.000 --> 0:09:00.400
<v Speaker 2>him responding to years years of not rapper ship, years

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<v Speaker 2>of people trying to defamate his character. Sure you know,

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<v Speaker 2>the whole Tony Buzzby ship. He's selling out, selling out

0:09:07.160 --> 0:09:10.000
<v Speaker 2>the target, his whole political thing with the NFL and

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<v Speaker 2>the Super Bowl, taking that that job like. It wasn't

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<v Speaker 2>like he was responding to a bar.

0:09:14.880 --> 0:09:17.440
<v Speaker 1>A rapper set about that. That's what I'm speaking about.

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<v Speaker 1>He was. He was replying to Drake bar from well,

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<v Speaker 1>Drake would be the only one.

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<v Speaker 3>This is my thing though everybody took shots for years

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<v Speaker 3>and years and years and got one shot back and

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<v Speaker 3>went and cried.

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<v Speaker 4>Of course, it's insane to me.

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<v Speaker 1>We knew at Roots. We were all sitting there before

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<v Speaker 1>I allegedly got kicked out. We was like, all right,

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<v Speaker 1>Jay just gave According to the Internet, I got kicked

0:09:40.040 --> 0:09:47.080
<v Speaker 1>out the Roots over there kicked apparently. Apparently apparently Jay

0:09:47.160 --> 0:09:49.160
<v Speaker 1>came to the Duce Riser and said, your friends with

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<v Speaker 1>Drake get out. This is what Tasha k put out

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<v Speaker 1>to the World League.

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<v Speaker 4>Yo ship, that can't they can't.

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<v Speaker 1>That's real, that's real. Yes, she did like a whole

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<v Speaker 1>stream one and everything.

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<v Speaker 3>But in between you know what to do say like

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<v Speaker 3>being real, like but yeah, I don't think you know

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<v Speaker 3>where it's at or what it looks like because it

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<v Speaker 3>changes every show. So I guarantee you he didn't know

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<v Speaker 3>what the roote.

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<v Speaker 1>I'm guarantee. Look, he doesn't even know that I was there. No, No,

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<v Speaker 1>that's crazy. But I like it because it's it's it's

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<v Speaker 1>it's things to laugh at.

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<v Speaker 3>And me, I like these people man like it's entertainment,

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<v Speaker 3>the tasha Ks and all of them, because to me,

0:10:31.640 --> 0:10:34.800
<v Speaker 3>they just replaced the Inquirer. Remember you walking storing the

0:10:34.920 --> 0:10:37.559
<v Speaker 3>baby pooring this person gave birth to an alien.

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<v Speaker 1>They that, So it's like I need that, yeah, be

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<v Speaker 1>away from the rich. But that used to just be

0:10:45.080 --> 0:10:47.000
<v Speaker 1>when I was waiting in line to pay for my groceries.

0:10:47.280 --> 0:10:49.200
<v Speaker 1>That was five minutes of my time. Now you can't

0:10:49.240 --> 0:10:50.239
<v Speaker 1>open your phone.

0:10:50.120 --> 0:10:53.000
<v Speaker 4>Without seeing it. Yeah, but then you need the Inquirer.

0:10:53.000 --> 0:10:55.240
<v Speaker 3>We get the Member, you get the daily News, you

0:10:55.280 --> 0:10:57.440
<v Speaker 3>get the UK blogs, all that ship, but then you

0:10:57.480 --> 0:11:00.920
<v Speaker 3>need that Tasha k that that left field ship that

0:11:00.960 --> 0:11:02.640
<v Speaker 3>you know just don't make no sense.

0:11:02.679 --> 0:11:04.719
<v Speaker 4>And it's like, yeah, it's the inquire Section.

0:11:04.559 --> 0:11:07.679
<v Speaker 1>Right, even in Philadelphia, I wasn't even there. I was

0:11:07.720 --> 0:11:10.440
<v Speaker 1>home watching Game seven of the got kicked out of place.

0:11:10.600 --> 0:11:13.280
<v Speaker 1>I got city. You wasn't even I wasn't even there,

0:11:13.320 --> 0:11:15.760
<v Speaker 1>So I need that kickout. So it's like, you know,

0:11:15.880 --> 0:11:18.800
<v Speaker 1>you gotta you gotta laugh at that ship. Well, how

0:11:18.960 --> 0:11:20.880
<v Speaker 1>was a performing Roots Picnic? Because that that have been

0:11:20.920 --> 0:11:23.839
<v Speaker 1>a little minute since you Yes, yo with Jay, It's

0:11:23.880 --> 0:11:27.040
<v Speaker 1>been a minute, man, Jay, And you know I'm the nicest.

0:11:27.600 --> 0:11:29.400
<v Speaker 3>You know what I'm saying. You know, I get up.

0:11:29.440 --> 0:11:32.480
<v Speaker 3>That's why he want me on stage. He running from

0:11:32.520 --> 0:11:35.400
<v Speaker 3>the Yeah, like we're gonna try to burn me set

0:11:35.480 --> 0:11:39.760
<v Speaker 3>up the versus man, It's like, God, fuck that one verse,

0:11:39.800 --> 0:11:40.800
<v Speaker 3>get out of here, shorty.

0:11:41.000 --> 0:11:43.040
<v Speaker 4>Yeah so but nah the verse.

0:11:43.200 --> 0:11:46.280
<v Speaker 3>I mean, fucking Roots Picnic was dope just to be

0:11:46.320 --> 0:11:48.440
<v Speaker 3>able to get to see the State Property set again,

0:11:48.480 --> 0:11:50.360
<v Speaker 3>to see them, That's what I was working.

0:11:50.800 --> 0:11:50.920
<v Speaker 1>Like.

0:11:51.080 --> 0:11:54.040
<v Speaker 3>When I went to the rehearsal and saw the set list,

0:11:54.120 --> 0:11:57.000
<v Speaker 3>I was at first, I'm like, Liz only got.

0:11:56.840 --> 0:11:57.760
<v Speaker 4>One joint up there?

0:11:57.800 --> 0:11:59.000
<v Speaker 1>Who Guru? Yeah?

0:11:59.160 --> 0:12:01.640
<v Speaker 3>And then when I read the rest of the set

0:12:01.640 --> 0:12:04.280
<v Speaker 3>list and seeing State Probably, I'm like it makes sense,

0:12:04.640 --> 0:12:06.360
<v Speaker 3>you know what I mean, Let them do their thing

0:12:06.440 --> 0:12:08.880
<v Speaker 3>this Philly. Let them shine like I told them, how

0:12:08.920 --> 0:12:11.760
<v Speaker 3>many more Jay shows we're gonna get like this where

0:12:11.800 --> 0:12:14.040
<v Speaker 3>we can stand on this stage and do this. So

0:12:14.360 --> 0:12:17.040
<v Speaker 3>to see that was really really dope. He cracked everybody

0:12:17.080 --> 0:12:17.520
<v Speaker 3>out this show.

0:12:19.120 --> 0:12:21.800
<v Speaker 1>What was like rehearsals like seeing seeing all the guys together,

0:12:22.120 --> 0:12:22.400
<v Speaker 1>it was.

0:12:22.360 --> 0:12:26.199
<v Speaker 3>Like one big movie man cartoon again, everybody back together, laughing,

0:12:26.320 --> 0:12:27.840
<v Speaker 3>pop and ship neath time.

0:12:27.960 --> 0:12:29.839
<v Speaker 4>Tell me why he ain't come to my part.

0:12:30.440 --> 0:12:33.920
<v Speaker 1>I've been looking for He was ducking me come to

0:12:33.960 --> 0:12:34.240
<v Speaker 1>the park.

0:12:34.400 --> 0:12:36.240
<v Speaker 4>I forgot what he told me. He said. I hollered

0:12:36.240 --> 0:12:37.400
<v Speaker 4>at somebody. That's why I come.

0:12:37.520 --> 0:12:40.160
<v Speaker 3>So you ain't come to holler at me because me

0:12:40.200 --> 0:12:42.000
<v Speaker 3>and still need another conversation.

0:12:42.400 --> 0:12:43.439
<v Speaker 1>But that's my bros.

0:12:43.480 --> 0:12:44.480
<v Speaker 4>You know what it was like.

0:12:44.960 --> 0:12:47.640
<v Speaker 3>It was almost like being adults on a hard knocked

0:12:47.640 --> 0:12:50.120
<v Speaker 3>life to again, that's what it felt like one night

0:12:50.160 --> 0:12:52.400
<v Speaker 3>from hard knocked life, but instead of us being kids,

0:12:52.400 --> 0:12:55.200
<v Speaker 3>we were adults able to really reflect and look back

0:12:55.400 --> 0:12:58.160
<v Speaker 3>on shiit that we miss, opportunities, we fucked up, and

0:12:58.200 --> 0:12:59.080
<v Speaker 3>how we could fix it.

0:12:59.200 --> 0:12:59.760
<v Speaker 4>You know what I mean?

0:13:00.040 --> 0:13:02.440
<v Speaker 1>You know you and Beans talk about the album that

0:13:02.480 --> 0:13:05.480
<v Speaker 1>you gouts still ois yo, I haven't forgotten yo.

0:13:05.600 --> 0:13:09.000
<v Speaker 4>Listen right, i'ma be honest. Beans gonna be mad at me.

0:13:09.040 --> 0:13:11.480
<v Speaker 3>He gonna call me, But that's my dog right at

0:13:11.520 --> 0:13:14.320
<v Speaker 3>the roots picnic I told Jay, I said, Yo, we

0:13:14.360 --> 0:13:16.880
<v Speaker 3>need to do five song EP, you know, just on

0:13:16.920 --> 0:13:18.800
<v Speaker 3>some rock. She he like, yeah, make it happen. If

0:13:18.840 --> 0:13:20.960
<v Speaker 3>niggas ain't got five verses, I don't want his ship.

0:13:21.559 --> 0:13:25.200
<v Speaker 3>So I'm like, no, I got five? You know, beans

0:13:25.240 --> 0:13:25.960
<v Speaker 3>with up free?

0:13:26.000 --> 0:13:26.320
<v Speaker 1>What up?

0:13:26.640 --> 0:13:27.160
<v Speaker 4>Anybody like?

0:13:27.240 --> 0:13:27.480
<v Speaker 1>Yeah?

0:13:27.840 --> 0:13:30.080
<v Speaker 3>Bank sent us a five pack. Matter of fact, Bank

0:13:30.160 --> 0:13:32.640
<v Speaker 3>sent us ten beats, you know what I mean, versus

0:13:32.679 --> 0:13:34.040
<v Speaker 3>we laid.

0:13:36.040 --> 0:13:39.840
<v Speaker 1>Zero. So wait, but what happened? Niggas ain't have verses?

0:13:40.000 --> 0:13:41.000
<v Speaker 4>I don't know what happened.

0:13:41.040 --> 0:13:42.920
<v Speaker 1>Didn't this happen before? One time when y'all was together

0:13:42.920 --> 0:13:44.360
<v Speaker 1>and Jay said, why don't y'all go to the studio,

0:13:44.320 --> 0:13:45.360
<v Speaker 1>And none of y'all went to studio.

0:13:45.679 --> 0:13:47.360
<v Speaker 4>That's what Chris said. He said, we all went to

0:13:47.360 --> 0:13:48.160
<v Speaker 4>the Rihanna party.

0:13:48.400 --> 0:13:56.520
<v Speaker 1>H Well, I mean, I mean, I get yo, gonna

0:13:56.520 --> 0:13:58.920
<v Speaker 1>have to wait, man.

0:13:59.600 --> 0:14:02.520
<v Speaker 3>But the Roots picnic I don't know why we didn't

0:14:02.559 --> 0:14:04.679
<v Speaker 3>get together and do it. Everybody was in the studio,

0:14:04.800 --> 0:14:06.680
<v Speaker 3>We went to the freeway, got the studio in Philly.

0:14:06.720 --> 0:14:10.079
<v Speaker 3>We went freeways playing music. I played music, beings playing music.

0:14:10.480 --> 0:14:14.240
<v Speaker 3>It's just timing. Like I believe, everybody focused on their

0:14:14.320 --> 0:14:16.800
<v Speaker 3>own path and when time is right, we would do it.

0:14:16.880 --> 0:14:18.920
<v Speaker 3>I don't last thing you want to do is force. Yeah,

0:14:19.240 --> 0:14:22.040
<v Speaker 3>it's not gonna be real, it's.

0:14:21.160 --> 0:14:22.800
<v Speaker 1>Not gonna sound good. I mean it's cool that jay

0:14:22.880 --> 0:14:26.640
<v Speaker 1>Z to open like to Yo plenty five records instead

0:14:26.640 --> 0:14:27.440
<v Speaker 1>of like nah funk.

0:14:27.680 --> 0:14:30.280
<v Speaker 3>That's why when we came to New York, it was like, oh, bleek,

0:14:30.400 --> 0:14:33.160
<v Speaker 3>you're not gonna let this slip. Let's get one. Like

0:14:33.200 --> 0:14:35.240
<v Speaker 3>you said, how many more chances of this? You're gonna

0:14:35.280 --> 0:14:38.440
<v Speaker 3>get that light again on the Rockefeller errors. I gotta

0:14:38.480 --> 0:14:39.000
<v Speaker 3>take advance.

0:14:39.040 --> 0:14:41.680
<v Speaker 1>I just think that was the culmination of like again,

0:14:41.840 --> 0:14:46.560
<v Speaker 1>I just where where does Jake go from that president?

0:14:48.160 --> 0:14:51.200
<v Speaker 1>We want the White House dog luls of republic anymore?

0:14:51.440 --> 0:14:54.880
<v Speaker 3>For he definitely voting then because they fucking ship up

0:14:54.960 --> 0:14:58.000
<v Speaker 3>right there. They got shit twisted out here gas high.

0:14:58.080 --> 0:15:00.840
<v Speaker 3>We had war, real war, that ex war.

0:15:01.400 --> 0:15:03.120
<v Speaker 1>It's real war. You don't think Jay will be a

0:15:03.120 --> 0:15:05.840
<v Speaker 1>republican black black republic.

0:15:08.360 --> 0:15:13.840
<v Speaker 3>That's because he might have saved taxes that year wreckage.

0:15:13.920 --> 0:15:19.520
<v Speaker 1>You want to say every year version of Black Democrats.

0:15:19.760 --> 0:15:22.040
<v Speaker 1>That was my favorite freet Yo.

0:15:22.200 --> 0:15:23.240
<v Speaker 4>Pap is super nice.

0:15:23.320 --> 0:15:26.000
<v Speaker 1>I love in front of the nights.

0:15:26.040 --> 0:15:28.280
<v Speaker 3>He don't get the credit he deserved. Man, that is

0:15:28.400 --> 0:15:30.880
<v Speaker 3>super nice. That is great one of them dudes.

0:15:30.920 --> 0:15:33.480
<v Speaker 4>Have your ship together. You getting on the record with him?

0:15:33.560 --> 0:15:37.040
<v Speaker 1>No, for sure? So night one reason with doubt Yankee

0:15:37.040 --> 0:15:42.200
<v Speaker 1>Stadium in rehearsals, did you know that your favorite one?

0:15:42.280 --> 0:15:45.320
<v Speaker 3>Because I'm on stage, Okay, I prefer that night coming

0:15:45.400 --> 0:15:48.640
<v Speaker 3>age and for me it's significant because it's it's what

0:15:48.680 --> 0:15:49.480
<v Speaker 3>we prayed for.

0:15:49.640 --> 0:15:49.800
<v Speaker 1>Bro.

0:15:49.880 --> 0:15:52.520
<v Speaker 3>It's like, you know, when you're living in the moment,

0:15:52.560 --> 0:15:54.760
<v Speaker 3>you don't really get to reflect on the journey.

0:15:55.120 --> 0:15:57.520
<v Speaker 4>That night was the was like now.

0:15:57.440 --> 0:15:59.400
<v Speaker 3>They say you see your life flashed before your eyes,

0:15:59.400 --> 0:16:02.360
<v Speaker 3>but that only happens during the tragedy. This happened to

0:16:02.360 --> 0:16:05.360
<v Speaker 3>me during the celebration where I stood there and was like,

0:16:05.440 --> 0:16:08.920
<v Speaker 3>oh shit, remembering the baskets we was wrapping up the

0:16:08.920 --> 0:16:11.960
<v Speaker 3>sin of the DJs, remembering the nights going to Maria

0:16:12.040 --> 0:16:17.200
<v Speaker 3>Davis talent shows, Wednesday Mad Wednesdays, Remembering all of those days,

0:16:17.480 --> 0:16:20.280
<v Speaker 3>the stretching by Beto trying to get the rest of

0:16:20.320 --> 0:16:23.160
<v Speaker 3>piece big Al, the night to Piggy banging with big Al,

0:16:23.480 --> 0:16:26.920
<v Speaker 3>Dang or Original Flavor, all that shit just played in

0:16:26.960 --> 0:16:29.840
<v Speaker 3>my mind. It was like, Yo, it's crazy, like thirty

0:16:29.920 --> 0:16:31.840
<v Speaker 3>years ago, this is what we prayed for, and now

0:16:32.000 --> 0:16:32.400
<v Speaker 3>is it?

0:16:32.760 --> 0:16:34.560
<v Speaker 4>Yeah, it felt so.

0:16:34.640 --> 0:16:37.200
<v Speaker 2>At the time, at the time when Reasonable that was

0:16:37.240 --> 0:16:40.080
<v Speaker 2>being recorded, at the age or at that time, did

0:16:40.120 --> 0:16:45.920
<v Speaker 2>you think that it would in thirty years later Yankee

0:16:45.960 --> 0:16:49.520
<v Speaker 2>Stadium sold out would be a thing like in that moment,

0:16:49.560 --> 0:16:53.280
<v Speaker 2>because when you listen to Reasonable Now now in ninety six,

0:16:53.360 --> 0:16:56.040
<v Speaker 2>everything that Jay was rapping about, the music, everything was

0:16:56.040 --> 0:16:58.040
<v Speaker 2>so ahead of his time, and a lot of people

0:16:58.040 --> 0:17:00.840
<v Speaker 2>didn't understand it unless she was really living, unless she

0:17:00.960 --> 0:17:04.720
<v Speaker 2>was around that. So from ninety six to twenty twenty

0:17:04.760 --> 0:17:07.480
<v Speaker 2>six and you being at Yankee Stadium and seeing all

0:17:07.520 --> 0:17:11.280
<v Speaker 2>these people in the stands, like what is that?

0:17:11.480 --> 0:17:12.720
<v Speaker 1>What is that feeling like when you.

0:17:12.680 --> 0:17:15.960
<v Speaker 2>Think back to young Bleak and Marshy and where Bleak

0:17:16.040 --> 0:17:19.119
<v Speaker 2>is at today on stage Yankee Stadium.

0:17:19.200 --> 0:17:21.280
<v Speaker 3>Just like what you said with the fans man, I

0:17:21.320 --> 0:17:24.160
<v Speaker 3>didn't even understand the album, like you know what I mean,

0:17:24.200 --> 0:17:26.520
<v Speaker 3>certain shit on that album I'm doing now and be like,

0:17:26.920 --> 0:17:29.440
<v Speaker 3>hold on, sing was talking about this shit thirty years ago?

0:17:29.520 --> 0:17:30.320
<v Speaker 4>What the fuck like?

0:17:30.400 --> 0:17:34.719
<v Speaker 3>And I just figured it out so like Jay always

0:17:34.720 --> 0:17:38.359
<v Speaker 3>been a teacher, leader of the of the culture to me,

0:17:38.400 --> 0:17:40.600
<v Speaker 3>because it felt like when everybody was doing this. He

0:17:40.640 --> 0:17:44.159
<v Speaker 3>went on that the whole game was on goal. He

0:17:44.200 --> 0:17:47.240
<v Speaker 3>brought out Platinum Chick's daughter with silver and shit, everybody

0:17:47.320 --> 0:17:50.280
<v Speaker 3>was on mowat he was drinking Chris style. Then he like,

0:17:50.400 --> 0:17:52.679
<v Speaker 3>it's like he always been ahead of the game, and

0:17:52.760 --> 0:17:55.880
<v Speaker 3>back then I was watching from.

0:17:57.040 --> 0:17:57.119
<v Speaker 1>Now.

0:17:57.160 --> 0:17:59.480
<v Speaker 3>I want to say a fan because they wasn't famous

0:17:59.560 --> 0:18:01.399
<v Speaker 3>and we grew up together, so it's hard to be

0:18:01.440 --> 0:18:02.560
<v Speaker 3>a fan of your bro.

0:18:02.680 --> 0:18:05.600
<v Speaker 4>It's like inspiring, like, h that's somebody.

0:18:05.760 --> 0:18:05.920
<v Speaker 1>Man.

0:18:05.960 --> 0:18:07.840
<v Speaker 3>When I get older, I hope I'm living like that.

0:18:07.880 --> 0:18:10.199
<v Speaker 3>I hope I got my team like that. And you know,

0:18:10.280 --> 0:18:12.800
<v Speaker 3>and for him to rip a piece of paper out

0:18:12.800 --> 0:18:14.720
<v Speaker 3>of a notebook and tell me, as fast as you

0:18:14.800 --> 0:18:18.040
<v Speaker 3>remember this, this rhyme is as fast as your life change.

0:18:18.520 --> 0:18:22.760
<v Speaker 3>Thirty years later, we on Yankee Stadium stage, looking at

0:18:22.760 --> 0:18:27.640
<v Speaker 3>my life completely changed. It's like, wow, thirty years ago,

0:18:27.720 --> 0:18:31.080
<v Speaker 3>Niggazi and sardines out the can. Today Nigga, we getting

0:18:31.080 --> 0:18:32.840
<v Speaker 3>sushi made right there on the table.

0:18:32.880 --> 0:18:36.760
<v Speaker 1>You heard right fly to chef in Yeah, it's a difference.

0:18:37.080 --> 0:18:39.120
<v Speaker 1>How much different with your life have been if Shahem

0:18:39.119 --> 0:18:41.600
<v Speaker 1>from Wu Tang got the Coming of Age verse insteady.

0:18:41.359 --> 0:18:43.359
<v Speaker 4>I'd probably be in sardines.

0:18:49.320 --> 0:18:51.800
<v Speaker 1>Going back thirty years, do you remember I mean obviously

0:18:51.880 --> 0:18:53.760
<v Speaker 1>Jed features and like a few records out, but do

0:18:53.800 --> 0:18:55.840
<v Speaker 1>you remember when he was like bleak, I'm working on

0:18:55.880 --> 0:18:58.199
<v Speaker 1>an album, like when he actually took the ship here

0:18:58.200 --> 0:19:00.359
<v Speaker 1>Because he's always talked about he really didn't take rap seriously.

0:19:00.400 --> 0:19:02.360
<v Speaker 4>Beginning got to remember, I'm little Bro.

0:19:02.680 --> 0:19:04.760
<v Speaker 3>I wasn't a lot of people think I was part

0:19:04.800 --> 0:19:08.680
<v Speaker 3>of the movement, the action when they was in the street. Nah,

0:19:08.720 --> 0:19:11.720
<v Speaker 3>I was the if they had a third stringer, I

0:19:11.840 --> 0:19:15.640
<v Speaker 3>was the tenth the tenth phone call. That's little Bro

0:19:16.160 --> 0:19:18.000
<v Speaker 3>doing we get you when we need you. They can

0:19:18.080 --> 0:19:19.720
<v Speaker 3>go in the crib. We higher at you going to

0:19:19.760 --> 0:19:22.440
<v Speaker 3>black do what you do. It was that type of relationship.

0:19:22.760 --> 0:19:26.040
<v Speaker 3>So I used to have to steal records, like because

0:19:26.080 --> 0:19:28.320
<v Speaker 3>I wasn't in the studio all the time. Like so

0:19:28.440 --> 0:19:30.760
<v Speaker 3>we go to the crib and he'll play records and

0:19:30.800 --> 0:19:32.760
<v Speaker 3>then they'll leave and I'm at the crib and like, uh,

0:19:32.840 --> 0:19:33.680
<v Speaker 3>let me get this CD.

0:19:33.800 --> 0:19:35.360
<v Speaker 4>Go to the hood, play this for the homies.

0:19:35.760 --> 0:19:37.840
<v Speaker 3>I remember I got a call, they got a call

0:19:37.920 --> 0:19:40.679
<v Speaker 3>in j and b hide and not throwing my talk.

0:19:41.440 --> 0:19:43.639
<v Speaker 3>It was like, yo, we heard you down here burning

0:19:43.720 --> 0:19:45.240
<v Speaker 3>niggas copies of the record.

0:19:46.480 --> 0:19:50.080
<v Speaker 4>So I'm like, a, who told you that?

0:19:50.840 --> 0:19:54.360
<v Speaker 3>And they bought one of my right hand man standing

0:19:54.440 --> 0:19:57.639
<v Speaker 3>there like they was the fans like bleak, tell of

0:19:57.800 --> 0:19:58.240
<v Speaker 3>you did?

0:19:59.280 --> 0:20:03.480
<v Speaker 1>They got got us? And I'm looking at him like, fair,

0:20:04.119 --> 0:20:07.359
<v Speaker 1>you got yo? They just cut a nigga here man

0:20:09.080 --> 0:20:21.120
<v Speaker 1>right handed? You bring your man to the door. He's like, no, fair,

0:20:21.160 --> 0:20:23.440
<v Speaker 1>I think I gave you the copy on some lotion

0:20:24.040 --> 0:20:30.280
<v Speaker 1>and you radic your copy right said, bleed the evils

0:20:30.320 --> 0:20:33.040
<v Speaker 1>on it too. I thought I got. I thought I

0:20:33.119 --> 0:20:35.000
<v Speaker 1>was out the whip for that one. I was like,

0:20:35.040 --> 0:20:37.840
<v Speaker 1>I fucked up. I can't take no song on the.

0:20:39.680 --> 0:20:42.720
<v Speaker 3>The whole way like this, your son, you talk to you,

0:20:42.720 --> 0:20:45.280
<v Speaker 3>you know that's the prep you living with moms, then

0:20:45.359 --> 0:20:47.200
<v Speaker 3>you invite niggas and niggas like now.

0:20:47.200 --> 0:20:48.919
<v Speaker 1>Come in the hallway and come out. That's come in

0:20:48.960 --> 0:20:51.920
<v Speaker 1>the hallway with you. You don't know that's house. That's

0:20:51.960 --> 0:20:55.520
<v Speaker 1>just serious. You knew something was uping that's not regular

0:20:56.200 --> 0:20:57.400
<v Speaker 1>in your mom's house.

0:20:57.440 --> 0:21:00.280
<v Speaker 3>You come up side real quick like the homie, hide

0:21:00.280 --> 0:21:05.719
<v Speaker 3>and behind the elevator wall waiting for me to say, now, yeah, yo,

0:21:05.840 --> 0:21:06.720
<v Speaker 3>it was us.

0:21:07.440 --> 0:21:13.480
<v Speaker 1>What So this was before he asked you get on

0:21:13.480 --> 0:21:14.000
<v Speaker 1>coming to age.

0:21:14.560 --> 0:21:16.480
<v Speaker 3>I was on coming to age already, but it was

0:21:16.560 --> 0:21:19.439
<v Speaker 3>other records made that they were playing. I'm like, what

0:21:19.480 --> 0:21:22.119
<v Speaker 3>the fuck is this? What's that? So when d Evils

0:21:22.240 --> 0:21:25.520
<v Speaker 3>was like, Nigga, this's that ship. I gotta play this

0:21:25.600 --> 0:21:28.040
<v Speaker 3>for the hole. There's no way niggas can't hear this,

0:21:28.520 --> 0:21:31.399
<v Speaker 3>Like you know how it felt to be doing coming

0:21:31.400 --> 0:21:33.520
<v Speaker 3>to age one, coming to age two. You go to

0:21:33.560 --> 0:21:35.480
<v Speaker 3>the hood, you tell niggas you I just did records

0:21:35.480 --> 0:21:36.560
<v Speaker 3>with whole niggas.

0:21:36.200 --> 0:21:39.160
<v Speaker 1>Like me hear it, like yeah, I can't believe it's

0:21:39.200 --> 0:21:40.560
<v Speaker 1>till it come out.

0:21:41.600 --> 0:21:45.919
<v Speaker 3>Copy here in the studio because I stole the evil,

0:21:46.280 --> 0:21:50.680
<v Speaker 3>they never gave me copies or no other records until

0:21:50.760 --> 0:21:52.720
<v Speaker 3>I started making my own record.

0:21:55.359 --> 0:21:58.320
<v Speaker 1>They used to tell niggas, don't burn the CD for blee.

0:21:58.520 --> 0:22:01.879
<v Speaker 1>You're gonna take that ship right there bootlegging early. I

0:22:01.920 --> 0:22:02.359
<v Speaker 1>did that with.

0:22:03.440 --> 0:22:04.960
<v Speaker 2>We was in when we was in Baseline, when J

0:22:05.119 --> 0:22:08.320
<v Speaker 2>did P S A and I remember I got like

0:22:08.480 --> 0:22:09.840
<v Speaker 2>I had to take I took the train to D

0:22:09.880 --> 0:22:11.880
<v Speaker 2>train back uptown and I got to the block. I said,

0:22:11.920 --> 0:22:13.800
<v Speaker 2>my nigga, this nigga J got a W record, and

0:22:13.880 --> 0:22:17.440
<v Speaker 2>niggas is like, where's that. I'm like, I don't got it.

0:22:17.720 --> 0:22:20.160
<v Speaker 1>But when when niggas heard ps A for the first time,

0:22:20.200 --> 0:22:22.160
<v Speaker 1>they was like, oh, yeah, it's right, it's over.

0:22:22.640 --> 0:22:24.919
<v Speaker 3>Yeah, that's how it was. Man like that shit was

0:22:25.040 --> 0:22:28.200
<v Speaker 3>like real secretive back then. You know how many engineers

0:22:28.240 --> 0:22:31.000
<v Speaker 3>got they hag chopped, Like for sure you have a graide,

0:22:31.119 --> 0:22:34.200
<v Speaker 3>you had a blowoutigad you with the clippers?

0:22:35.560 --> 0:22:37.600
<v Speaker 1>You did? What? What?

0:22:37.600 --> 0:22:37.679
<v Speaker 3>What?

0:22:38.800 --> 0:22:39.600
<v Speaker 1>Yeah?

0:22:39.960 --> 0:22:44.000
<v Speaker 2>Do you feel like because you got on legendary rap

0:22:44.440 --> 0:22:49.199
<v Speaker 2>versus legendary rap records with guys like Sauce Money Jean Ja, Like,

0:22:49.240 --> 0:22:52.439
<v Speaker 2>do you feel like you get the credit you deserve

0:22:52.480 --> 0:22:54.359
<v Speaker 2>for just being able to hold your own with those

0:22:54.400 --> 0:22:57.320
<v Speaker 2>type of mcs and rappers, because not everybody can step

0:22:57.359 --> 0:23:01.000
<v Speaker 2>in the circle with a Sauce Money jay Z being

0:23:01.080 --> 0:23:05.119
<v Speaker 2>a young beans jazz o and really hold your own.

0:23:05.320 --> 0:23:08.000
<v Speaker 3>I definitely don't, But I love when they don't give

0:23:08.000 --> 0:23:10.200
<v Speaker 3>me the credit because the ones who feel like they

0:23:10.440 --> 0:23:13.440
<v Speaker 3>can compete don't want to compete. I tell all these guys,

0:23:13.480 --> 0:23:16.800
<v Speaker 3>I just hit Swiss yesterday. Swiss was hit me telling me, yo,

0:23:16.840 --> 0:23:20.119
<v Speaker 3>we see what's going on. We watch it like you

0:23:20.240 --> 0:23:22.920
<v Speaker 3>ready for the versus shit, and I'm like, I'm ready

0:23:22.960 --> 0:23:26.760
<v Speaker 3>for it for whoever. There's no target, whoever, you can

0:23:26.800 --> 0:23:30.560
<v Speaker 3>pick the opponent. Like that's how confident I am and

0:23:30.600 --> 0:23:32.720
<v Speaker 3>what I did over the years. And it's like people

0:23:32.760 --> 0:23:35.600
<v Speaker 3>don't remember. They don't remember, they don't give me the credit.

0:23:35.840 --> 0:23:38.600
<v Speaker 3>And like you said, rhyming behind Jay and Beans is

0:23:38.640 --> 0:23:39.720
<v Speaker 3>a task in itself.

0:23:39.960 --> 0:23:42.080
<v Speaker 4>You know how it felt to go in the.

0:23:42.000 --> 0:23:44.840
<v Speaker 3>Studio on you meet him and her hair hold like

0:23:44.920 --> 0:23:47.240
<v Speaker 3>Nigga knocked a horse off your polo sweater?

0:23:48.040 --> 0:23:51.080
<v Speaker 4>Like what the fuck am I supposed to say after this?

0:23:52.040 --> 0:23:53.480
<v Speaker 4>Like huh?

0:23:53.520 --> 0:23:55.560
<v Speaker 1>Like it was like I had to rhyme after that.

0:23:55.600 --> 0:23:58.120
<v Speaker 3>Then you're bringing up Sauce money, Like come on, man,

0:23:58.800 --> 0:24:04.639
<v Speaker 3>Sauce was just like the ultimate like it was times.

0:24:04.680 --> 0:24:08.679
<v Speaker 3>The way I felt like he made j better like

0:24:08.960 --> 0:24:12.040
<v Speaker 3>Sauce was was was. I remember when I was in

0:24:12.119 --> 0:24:14.800
<v Speaker 3>the projects one day with Sauce and thinking, man, you

0:24:14.920 --> 0:24:17.840
<v Speaker 3>not that nice, Nigga, I want your spot because remember

0:24:18.000 --> 0:24:20.960
<v Speaker 3>Sauce was the next up in line on the rock

0:24:21.320 --> 0:24:24.199
<v Speaker 3>or beings everybody or me. I don't know what happened

0:24:24.240 --> 0:24:27.919
<v Speaker 3>between him and Jay or how I skipped the line,

0:24:28.000 --> 0:24:29.919
<v Speaker 3>but Sauce was supposed to be the next stup. I

0:24:30.040 --> 0:24:32.040
<v Speaker 3>let him tell his story because I don't even know

0:24:32.080 --> 0:24:35.119
<v Speaker 3>what to tell it. But I remember I tried to

0:24:35.160 --> 0:24:37.359
<v Speaker 3>take that spot, like nigga, you can't fuck with me.

0:24:37.400 --> 0:24:38.320
<v Speaker 3>I'm new, young nigga.

0:24:38.359 --> 0:24:38.679
<v Speaker 1>What up?

0:24:39.119 --> 0:24:41.360
<v Speaker 3>And the projects had all my niggas with me ready

0:24:41.440 --> 0:24:43.240
<v Speaker 3>to rhyme. He like, all right, let me hear something.

0:24:43.280 --> 0:24:46.879
<v Speaker 3>I spit that niggas spit like six lines and I

0:24:46.960 --> 0:24:49.399
<v Speaker 3>just remember the one line. Niggas so niggas thought they

0:24:49.520 --> 0:24:53.159
<v Speaker 3>was Chinese the way they duck Sauce. Listen, I'm like ian,

0:24:53.840 --> 0:24:55.840
<v Speaker 3>I said what I called me when you got niggas

0:24:55.880 --> 0:24:56.719
<v Speaker 3>need me you feel me?

0:24:56.960 --> 0:24:58.160
<v Speaker 1>It was like the fuck?

0:24:58.600 --> 0:25:00.480
<v Speaker 3>Who I thought I was flaying with you. That's like

0:25:00.520 --> 0:25:02.439
<v Speaker 3>they get you ready for the bully. They can hit

0:25:02.480 --> 0:25:12.040
<v Speaker 3>you like wait, I see stars g I right with

0:25:12.080 --> 0:25:12.440
<v Speaker 3>you for free.

0:25:14.080 --> 0:25:16.800
<v Speaker 1>Don't give me another piece of paper. Let me practiced.

0:25:17.760 --> 0:25:20.399
<v Speaker 1>What do they take you? Seriously, though, at that point.

0:25:20.000 --> 0:25:24.560
<v Speaker 3>I felt like when Beans came around. When Beans came

0:25:24.600 --> 0:25:28.040
<v Speaker 3>around the way everything shifted and was on him that

0:25:28.160 --> 0:25:31.320
<v Speaker 3>it was like, oh, niggas, even my home team is

0:25:31.359 --> 0:25:33.600
<v Speaker 3>sleeping on me, like they don't think I got it.

0:25:33.640 --> 0:25:36.560
<v Speaker 3>So when me and Lenny just winning made coming to

0:25:36.640 --> 0:25:38.480
<v Speaker 3>Age the album and we turned it in and it

0:25:38.600 --> 0:25:40.320
<v Speaker 3>came out like that, and I skipped the line like,

0:25:40.359 --> 0:25:42.600
<v Speaker 3>oh first we were dropping this before everything. It was

0:25:42.680 --> 0:25:46.200
<v Speaker 3>like they're not earned the respect off coming to age

0:25:46.200 --> 0:25:49.040
<v Speaker 3>the myth bleak is what you think of that Regular

0:25:49.119 --> 0:25:51.760
<v Speaker 3>Cat and it's like, oh my god, I'm mad I

0:25:51.800 --> 0:25:52.840
<v Speaker 3>never shot a video for that.

0:25:52.880 --> 0:25:54.520
<v Speaker 1>I was about to say, why you ain't never shoot

0:25:54.520 --> 0:25:55.560
<v Speaker 1>a video for regular.

0:25:55.280 --> 0:25:57.400
<v Speaker 4>Cat because I ain't control the budgets.

0:25:57.280 --> 0:25:59.560
<v Speaker 1>And that record was that was the one.

0:25:59.480 --> 0:26:00.960
<v Speaker 4>And all I cared about back then.

0:26:01.080 --> 0:26:04.920
<v Speaker 3>I ain't gonna cap I was the major thirty body

0:26:05.880 --> 0:26:07.960
<v Speaker 3>about the video.

0:26:07.760 --> 0:26:11.120
<v Speaker 1>Girls like why y'all bought them? Yeah? Yeah? That was

0:26:10.840 --> 0:26:13.240
<v Speaker 1>that was That was a day to remember. Are you

0:26:13.440 --> 0:26:16.240
<v Speaker 1>kidding me? He was on that I had pulled up late.

0:26:16.240 --> 0:26:19.440
<v Speaker 1>They was wrapping up, but it was arrows everywhere.

0:26:19.200 --> 0:26:22.600
<v Speaker 2>Like Bleek Bleek was like at one point it was

0:26:22.600 --> 0:26:25.240
<v Speaker 2>like all the c girls in the hood. They was

0:26:25.359 --> 0:26:27.800
<v Speaker 2>like yo, bleak blok And I was like, hey, oh

0:26:27.880 --> 0:26:31.119
<v Speaker 2>they really like blocking because Jay was like, you're not

0:26:31.160 --> 0:26:33.679
<v Speaker 2>gonna even see j like you y'all don't have a

0:26:33.760 --> 0:26:35.200
<v Speaker 2>chance to even have a conversation with Jake.

0:26:36.040 --> 0:26:37.240
<v Speaker 1>You would see that nigga.

0:26:37.119 --> 0:26:40.480
<v Speaker 3>Right there in the middle, right, I'm walking the stream right,

0:26:40.720 --> 0:26:42.399
<v Speaker 3>I used to be. It was like them behind the

0:26:42.480 --> 0:26:45.000
<v Speaker 3>velvet rope on the opposite side. When we do it,

0:26:45.680 --> 0:26:49.480
<v Speaker 3>I'll be on stage. You're standing at the right on

0:26:49.640 --> 0:26:54.480
<v Speaker 3>Sun Road. That was me and who like are you

0:26:54.600 --> 0:26:58.000
<v Speaker 3>telling them the hotel you better stay at a different one,

0:26:58.200 --> 0:26:58.840
<v Speaker 3>but that's at the.

0:26:58.880 --> 0:27:02.720
<v Speaker 1>Red roof and were gone.

0:27:02.840 --> 0:27:04.760
<v Speaker 2>I'm mad you never shot a video for Regin Cat

0:27:04.840 --> 0:27:05.720
<v Speaker 2>like that record was.

0:27:06.200 --> 0:27:10.679
<v Speaker 3>It's a couple of records. I wish that Infatuated that was.

0:27:11.000 --> 0:27:14.080
<v Speaker 3>That was my ringtone, the one related. I should have

0:27:14.119 --> 0:27:16.680
<v Speaker 3>shot that with re read first, got on you know

0:27:16.720 --> 0:27:17.120
<v Speaker 3>what I mean?

0:27:17.640 --> 0:27:20.640
<v Speaker 2>Rest in peace, colleague. We burnt Infatuated down Bro when

0:27:20.640 --> 0:27:24.440
<v Speaker 2>that came out. We burnt that record, me, Colleague Vaughn.

0:27:24.560 --> 0:27:27.119
<v Speaker 2>We used to That's the only song we was playing

0:27:27.119 --> 0:27:29.960
<v Speaker 2>in the city. And you never shot a video. Jesus

0:27:30.000 --> 0:27:32.280
<v Speaker 2>Christ wasted. I wasted that one. I got a couple

0:27:32.280 --> 0:27:33.639
<v Speaker 2>of mishaps. No players.

0:27:36.960 --> 0:27:39.280
<v Speaker 1>Today's show was brought to you by presenting sponsored hard

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<v Speaker 1>But what happened?

0:28:58.240 --> 0:29:00.600
<v Speaker 2>What happened with I know that's his sorder to tell,

0:29:00.640 --> 0:29:03.800
<v Speaker 2>but that was one of the figures that I think

0:29:03.840 --> 0:29:06.000
<v Speaker 2>everybody felt because it was it was dope to see

0:29:06.480 --> 0:29:10.320
<v Speaker 2>Jay give Jazz's flowers on stage Niggers Stadium and say,

0:29:10.760 --> 0:29:13.840
<v Speaker 2>you know, this is the guy that's responsible for who

0:29:13.880 --> 0:29:16.720
<v Speaker 2>I am as an MC. And you know you said

0:29:16.760 --> 0:29:18.640
<v Speaker 2>the same about Sauce, like these are the guys who

0:29:18.640 --> 0:29:21.560
<v Speaker 2>he kind of honed his skills with. But like what

0:29:22.040 --> 0:29:25.160
<v Speaker 2>not getting too personal into it, like what happened with Sauce,

0:29:25.560 --> 0:29:29.920
<v Speaker 2>Like why wasn't he there? It may be two persons,

0:29:29.920 --> 0:29:31.480
<v Speaker 2>but like it's him and Jay in the space where

0:29:31.480 --> 0:29:33.800
<v Speaker 2>they even like cordial because for him not to be

0:29:33.840 --> 0:29:35.640
<v Speaker 2>at the Yankee stadium show. I'm not gonna lie to me.

0:29:36.040 --> 0:29:37.800
<v Speaker 2>That was one of the guys that I heard what

0:29:37.840 --> 0:29:38.160
<v Speaker 2>was going to.

0:29:38.160 --> 0:29:38.920
<v Speaker 4>Be there or me?

0:29:38.960 --> 0:29:39.120
<v Speaker 1>Bro?

0:29:39.200 --> 0:29:41.320
<v Speaker 3>When now, when we gave rehearsal and I've seen the

0:29:41.360 --> 0:29:45.000
<v Speaker 3>trailers and we all and I see jazz Oo, I'm like, oh, okay,

0:29:45.040 --> 0:29:47.120
<v Speaker 3>I know Sauce here. Then when I go talk to

0:29:47.200 --> 0:29:48.920
<v Speaker 3>Jazz and I'm like, yo, what's up with Sauce? And

0:29:48.960 --> 0:29:51.959
<v Speaker 3>he like, you know, certain shit niggas just don't want

0:29:52.000 --> 0:29:55.920
<v Speaker 3>to let go. Bro, Like you know, like certain people

0:29:56.040 --> 0:29:59.640
<v Speaker 3>harbor feel is different than oh yeah, and certain people

0:29:59.760 --> 0:30:03.960
<v Speaker 3>won't but that diret sorry they don't receive it.

0:30:03.960 --> 0:30:06.600
<v Speaker 4>It's like, fuck the world. Maybe that can be him.

0:30:06.640 --> 0:30:07.120
<v Speaker 4>I don't know.

0:30:08.040 --> 0:30:11.240
<v Speaker 3>So this is a very private person, like he never

0:30:11.320 --> 0:30:13.920
<v Speaker 3>really been out talking on the mics and yo, fuck

0:30:14.000 --> 0:30:16.800
<v Speaker 3>this person, so you were really never gonna know. I

0:30:16.840 --> 0:30:18.800
<v Speaker 3>tried to get him to come on the pard but

0:30:18.920 --> 0:30:20.880
<v Speaker 3>somehow him and Norri got some smoke.

0:30:20.960 --> 0:30:22.520
<v Speaker 4>So he's like, nah, fuck you believe me?

0:30:24.120 --> 0:30:28.160
<v Speaker 1>Yeah, like a quiet, passive person, but like you said,

0:30:28.200 --> 0:30:29.760
<v Speaker 1>you could be quiet and still have drum.

0:30:29.840 --> 0:30:30.640
<v Speaker 4>And you just tell me.

0:30:33.080 --> 0:30:34.480
<v Speaker 1>Might have said something that he's heard.

0:30:35.160 --> 0:30:38.959
<v Speaker 3>He felt like nor did it publicly and apology was

0:30:39.520 --> 0:30:40.840
<v Speaker 3>not behind the scenes.

0:30:40.880 --> 0:30:42.560
<v Speaker 4>He felt like the apology should.

0:30:42.360 --> 0:30:44.880
<v Speaker 2>Be it should it should I'm one of those guys.

0:30:44.920 --> 0:30:48.160
<v Speaker 2>I think the apology definitely sometimes respect this public. Apologies

0:30:48.480 --> 0:30:51.600
<v Speaker 2>sometimes go make the public the apology public. Pull up

0:30:51.640 --> 0:30:54.000
<v Speaker 2>the drink, Chack, pull up the rock solid the way

0:30:54.040 --> 0:30:55.920
<v Speaker 2>I could tell Norri pull up when you hear you

0:30:55.960 --> 0:30:58.520
<v Speaker 2>know what I'm saying. Sometimes everybody not gonna come to

0:30:58.560 --> 0:31:02.720
<v Speaker 2>you. You gotta go take it. And that's what apologies and opportunities.

0:31:03.600 --> 0:31:05.200
<v Speaker 1>What was on? What was that first convo with with

0:31:05.280 --> 0:31:06.600
<v Speaker 1>Jazz like a rehearsals.

0:31:06.920 --> 0:31:09.120
<v Speaker 3>My first convo with Jazz really would not had him

0:31:09.160 --> 0:31:11.480
<v Speaker 3>on the park. Okay, that's my first convo. And it

0:31:11.600 --> 0:31:14.920
<v Speaker 3>was like, man, I feel so bad that we even

0:31:15.000 --> 0:31:18.520
<v Speaker 3>went there with Jazz. Tho, like Jazz was he's the

0:31:18.720 --> 0:31:22.960
<v Speaker 3>og og Like yeah, Like I literally went to Jazz

0:31:23.000 --> 0:31:26.280
<v Speaker 3>for tips on how to write hooks tips or yo,

0:31:26.640 --> 0:31:29.280
<v Speaker 3>when should you put the punchline in the verse? When

0:31:29.440 --> 0:31:31.800
<v Speaker 3>like at what bar should I I think that the

0:31:32.040 --> 0:31:34.320
<v Speaker 3>lis line? And he just like used to give me

0:31:34.400 --> 0:31:37.200
<v Speaker 3>all different tips and pointers on this on how to

0:31:37.240 --> 0:31:40.160
<v Speaker 3>make a song and how to wrap sixteen bars and

0:31:40.240 --> 0:31:43.840
<v Speaker 3>all of this my first studio sessions before coming to Age,

0:31:43.880 --> 0:31:47.040
<v Speaker 3>before Lenny as before coming before all of that was

0:31:47.160 --> 0:31:50.560
<v Speaker 3>jazz picking me up in the projects, getting in the card,

0:31:50.560 --> 0:31:52.680
<v Speaker 3>then going to the studio with him and be high,

0:31:52.840 --> 0:31:54.880
<v Speaker 3>and it'll be us in the studio trying to figure

0:31:54.920 --> 0:31:56.560
<v Speaker 3>it out.

0:31:56.040 --> 0:31:58.560
<v Speaker 1>And like it was like man like seeing him.

0:31:58.480 --> 0:32:03.440
<v Speaker 3>Now older and it's like, damn, bro, like why we

0:32:03.520 --> 0:32:05.680
<v Speaker 3>ever get into it with you? We like we we

0:32:05.880 --> 0:32:08.479
<v Speaker 3>mastered it from the bricks. We never supposed to have

0:32:08.680 --> 0:32:12.240
<v Speaker 3>ever raised the pen on jazz. So if it's anything

0:32:12.280 --> 0:32:15.720
<v Speaker 3>in my career that I regret that, it's like we

0:32:15.720 --> 0:32:17.840
<v Speaker 3>were supposed to disrespect. That's real for sure.

0:32:18.200 --> 0:32:19.800
<v Speaker 1>Yeah. But I mean that's why I was happy that

0:32:20.120 --> 0:32:22.160
<v Speaker 1>Jay did that on stage, because rarely does Jay give

0:32:22.320 --> 0:32:24.600
<v Speaker 1>like that, that that long of a speech.

0:32:24.760 --> 0:32:29.880
<v Speaker 3>Some jazz desert, some humility, but that without him, none

0:32:29.880 --> 0:32:32.520
<v Speaker 3>of this would be possible. Bro, he saw it before

0:32:32.560 --> 0:32:34.840
<v Speaker 3>we all didn't really shout out the knight.

0:32:35.480 --> 0:32:36.440
<v Speaker 4>He really saw it.

0:32:36.720 --> 0:32:39.160
<v Speaker 3>And we're gonna steal them back because y'all queen's niggas

0:32:39.160 --> 0:32:41.680
<v Speaker 3>take a lot of ship man, and I just want

0:32:41.680 --> 0:32:44.640
<v Speaker 3>to let y'all know niking them is not from queens.

0:32:45.640 --> 0:32:50.280
<v Speaker 3>You know what I mean they all from Massy shirt Kings.

0:32:50.360 --> 0:32:55.320
<v Speaker 4>Is from Massy Project. They got money in Queens.

0:32:55.640 --> 0:32:59.040
<v Speaker 1>It's it's a difference, it's a different we're taking them back.

0:33:00.240 --> 0:33:02.800
<v Speaker 1>The Hypnotic record with you J and Beads, and it

0:33:02.840 --> 0:33:05.240
<v Speaker 1>didn't get clear. Is that any that got clear? It

0:33:05.360 --> 0:33:08.520
<v Speaker 1>was on the album, the original version. No, the original

0:33:08.560 --> 0:33:13.440
<v Speaker 1>didn't get clear. Is there anyway it was there? Is

0:33:13.480 --> 0:33:16.320
<v Speaker 1>that you wait in twenty twenty six, we can get

0:33:16.360 --> 0:33:16.760
<v Speaker 1>that clear?

0:33:17.840 --> 0:33:20.480
<v Speaker 3>I don't think so. That's like the record with Freeway

0:33:20.560 --> 0:33:24.800
<v Speaker 3>Man never got clear? The fuck was that's on night Shift?

0:33:25.280 --> 0:33:25.640
<v Speaker 1>Okay?

0:33:25.720 --> 0:33:26.800
<v Speaker 4>Yes, I never got clear?

0:33:27.120 --> 0:33:29.200
<v Speaker 1>Sample shit because I mean I see what Jay's doing now,

0:33:29.280 --> 0:33:31.520
<v Speaker 1>re releasing everything now that he could do it under

0:33:31.520 --> 0:33:33.560
<v Speaker 1>his own imprint. Sample shit.

0:33:33.640 --> 0:33:36.040
<v Speaker 4>Okay, they don't be certain the states.

0:33:35.760 --> 0:33:38.040
<v Speaker 1>That original version Hypnotic is crazy, you.

0:33:38.000 --> 0:33:39.960
<v Speaker 3>Know certain the states You know that shit go off

0:33:40.360 --> 0:33:43.240
<v Speaker 3>like your name? How much money they think they're gonna be.

0:33:43.800 --> 0:33:45.760
<v Speaker 3>They think you're gonna waste the record. They get like,

0:33:46.440 --> 0:33:50.000
<v Speaker 3>oh they had rapper Tom Katt, you're not making it

0:33:50.240 --> 0:33:52.080
<v Speaker 3>because what you think of that was like that they

0:33:52.120 --> 0:33:53.840
<v Speaker 3>didn't clear the sample that was supposed to be the

0:33:53.880 --> 0:33:55.400
<v Speaker 3>first single before menth bleak.

0:33:55.920 --> 0:33:58.080
<v Speaker 4>They didn't clear the sample to j put a Verse on.

0:33:58.120 --> 0:34:04.120
<v Speaker 1>It was like, you motherfuckers, were you around when Rockefeller

0:34:04.200 --> 0:34:08.520
<v Speaker 1>was calling mass space cakes? That was, yeah, that was you.

0:34:08.600 --> 0:34:10.839
<v Speaker 1>Were you there when the incident happens, Like we've gotten

0:34:10.880 --> 0:34:13.480
<v Speaker 1>we've gotten his point of view now that the incident happened.

0:34:13.480 --> 0:34:17.480
<v Speaker 1>That I think it was Christmas. It was scared you.

0:34:17.000 --> 0:34:19.799
<v Speaker 2>When everybody like like a week after I went the

0:34:19.840 --> 0:34:22.400
<v Speaker 2>baseline and everybody had heard the story about it.

0:34:22.440 --> 0:34:25.600
<v Speaker 1>And I think Beans is the one that came up

0:34:25.600 --> 0:34:27.439
<v Speaker 1>with the name space which he said in the rap.

0:34:27.760 --> 0:34:29.879
<v Speaker 2>But everybody started calling me that that was the worst

0:34:29.960 --> 0:34:30.919
<v Speaker 2>light of my fucking life.

0:34:30.960 --> 0:34:33.640
<v Speaker 3>And those was the fly that Shorty the space Cakes

0:34:33.760 --> 0:34:35.719
<v Speaker 3>was hitting as a short little bullshit.

0:34:36.160 --> 0:34:41.920
<v Speaker 4>It is mad nasty man, fucking what of those.

0:34:43.640 --> 0:34:43.680
<v Speaker 5>What?

0:34:43.920 --> 0:34:46.440
<v Speaker 1>What what was early mall swag? Like, like what was

0:34:46.440 --> 0:34:47.960
<v Speaker 1>your early memories of fly?

0:34:48.440 --> 0:34:51.200
<v Speaker 3>You know, Harlem niggas always came through with that extra

0:34:51.320 --> 0:34:53.880
<v Speaker 3>fly like they gotta take your bitch.

0:34:56.719 --> 0:34:59.560
<v Speaker 1>That was not what I was. That wasn't I wouldn't

0:34:59.600 --> 0:35:02.719
<v Speaker 1>be able to y'all niggas was rappers, but still we

0:35:02.760 --> 0:35:05.080
<v Speaker 1>ain't don't rap. So I gotta stand out somehow. I

0:35:05.080 --> 0:35:07.239
<v Speaker 1>gotta be funny. I gotta be fly, I gotta smell good,

0:35:07.239 --> 0:35:09.120
<v Speaker 1>I gotta have a haircut, you gotta do all the

0:35:09.160 --> 0:35:09.480
<v Speaker 1>other shit.

0:35:09.480 --> 0:35:12.319
<v Speaker 3>It was a different aura of Harlem though back then,

0:35:12.800 --> 0:35:16.160
<v Speaker 3>like Harlem felt like going out of towns. To me,

0:35:16.560 --> 0:35:20.640
<v Speaker 3>it's being in Brooklyn. Brooklyn, I cannot explain. Like for

0:35:20.719 --> 0:35:24.640
<v Speaker 3>those in Chicago, they would know. Brooklyn is just like Chicago.

0:35:25.120 --> 0:35:28.160
<v Speaker 3>It's no standing outside, like you on your block, you

0:35:28.360 --> 0:35:29.320
<v Speaker 3>chilling you alight?

0:35:29.360 --> 0:35:30.439
<v Speaker 1>Cool shots might.

0:35:30.400 --> 0:35:33.719
<v Speaker 3>Ring down, so y'all better keep a gun in the vicinity.

0:35:34.000 --> 0:35:36.160
<v Speaker 3>That's how it is on Chicago. Like I remember being

0:35:36.200 --> 0:35:38.640
<v Speaker 3>out there. Niggas like yo, the West Side, niggas outside

0:35:38.640 --> 0:35:40.160
<v Speaker 3>on the South Side, niggas ain't outside.

0:35:40.200 --> 0:35:41.080
<v Speaker 4>I can't steal around.

0:35:41.360 --> 0:35:43.560
<v Speaker 3>Nigga might spend that block and blow your ad off.

0:35:43.840 --> 0:35:45.920
<v Speaker 3>So it's like, oh, it's like where I'm from, and

0:35:46.080 --> 0:35:48.640
<v Speaker 3>I like Chicago. But then you go to Harlem and

0:35:48.760 --> 0:35:54.720
<v Speaker 3>dankment anybody outside, black parties, police even enjoying the festivities,

0:35:55.160 --> 0:35:57.120
<v Speaker 3>Like what the fuck going on over here? So it

0:35:57.160 --> 0:36:00.879
<v Speaker 3>felt like going to another place. So everybody up there

0:36:00.960 --> 0:36:04.480
<v Speaker 3>fly by talk Spanish. Everybody got Spanish homies. It's like,

0:36:05.239 --> 0:36:07.759
<v Speaker 3>what the fuck are we missing in BK, you know

0:36:07.800 --> 0:36:10.520
<v Speaker 3>what I'm saying. So they had a different level of

0:36:10.680 --> 0:36:13.560
<v Speaker 3>fly that we felt like, Nah, you think it's ain't

0:36:13.600 --> 0:36:16.279
<v Speaker 3>gonna outflies, You think you're gonna take all our bitches.

0:36:16.040 --> 0:36:18.760
<v Speaker 4>Because you got the new ups, you got the new pla.

0:36:19.960 --> 0:36:21.840
<v Speaker 1>So how did you feel the first time Jay brought

0:36:22.000 --> 0:36:24.920
<v Speaker 1>like Bigs Dame, just the whole Harlem crew to Marcy.

0:36:26.320 --> 0:36:27.520
<v Speaker 4>I didn't meet them in Marci.

0:36:27.640 --> 0:36:30.920
<v Speaker 3>I met them on First avenuet Dame Dash on First

0:36:30.960 --> 0:36:32.640
<v Speaker 3>Avenue when he had the crib. I don't know the

0:36:32.719 --> 0:36:36.560
<v Speaker 3>name of that project, that condominium. Yes, he was living

0:36:36.560 --> 0:36:38.920
<v Speaker 3>there on First Avenue. It's so crazy because Diamonds and

0:36:38.960 --> 0:36:41.840
<v Speaker 3>the Rough was living there too. Chicken Rebel was in

0:36:41.880 --> 0:36:44.720
<v Speaker 3>the same joint. That's when I first found out about

0:36:45.040 --> 0:36:48.640
<v Speaker 3>uh the Salamean cheese from the corner store. They make

0:36:48.680 --> 0:36:51.239
<v Speaker 3>the ship hot with the grill. Changed my life was like,

0:36:51.400 --> 0:36:53.919
<v Speaker 3>the fuck they do up here? They cook this ship

0:36:54.000 --> 0:36:57.839
<v Speaker 3>in the store too, whoa the fuck we gotta bringing

0:36:58.040 --> 0:36:58.319
<v Speaker 3>back to.

0:37:00.600 --> 0:37:05.759
<v Speaker 1>The concept of so hot sandwiches. Wasn't a thing like that,

0:37:06.000 --> 0:37:06.239
<v Speaker 1>not that.

0:37:06.480 --> 0:37:10.160
<v Speaker 3>Now you're gonna get a little but the nigga like, yo,

0:37:10.200 --> 0:37:12.759
<v Speaker 3>you want me? They fried on the grill. Hell, you're

0:37:12.760 --> 0:37:13.200
<v Speaker 3>gonna do we.

0:37:16.480 --> 0:37:20.160
<v Speaker 1>Cheese deli across from eleven. That's the legendary deli.

0:37:20.280 --> 0:37:24.359
<v Speaker 3>Oh yeah, that's the one that invented chopped cheese. Yeah,

0:37:24.440 --> 0:37:26.960
<v Speaker 3>that's when I first got my first salami cheese high

0:37:27.040 --> 0:37:29.120
<v Speaker 3>off the grill, and I never ate a cold saligny.

0:37:30.080 --> 0:37:32.360
<v Speaker 3>It was over like, that's gonna mind me that she

0:37:32.560 --> 0:37:36.879
<v Speaker 3>got him. But yeah, so meeting them up there, like

0:37:37.280 --> 0:37:38.080
<v Speaker 3>Dang was chilling.

0:37:38.120 --> 0:37:38.279
<v Speaker 6>You know.

0:37:38.320 --> 0:37:40.800
<v Speaker 4>At that time, Dang was managing Original Flavor.

0:37:41.239 --> 0:37:45.480
<v Speaker 3>You know, they had Hooker tone, Hooker ski shout out

0:37:45.560 --> 0:37:49.120
<v Speaker 3>Chubby Chub, I mean Chubby Chuck Diesel Chob. Now he's

0:37:49.120 --> 0:37:52.440
<v Speaker 3>not chubby no more. So you know like that, that

0:37:52.600 --> 0:37:55.320
<v Speaker 3>was that vibe, and it was like Dang was always

0:37:55.360 --> 0:37:57.960
<v Speaker 3>on that. Yo, man, we're gonna take this ship over, niggas,

0:37:58.160 --> 0:38:00.360
<v Speaker 3>listen us. We're gonna kick that dooring fuck. It was

0:38:00.400 --> 0:38:02.560
<v Speaker 3>always that energy and we gotta get it. Bigs was

0:38:02.640 --> 0:38:06.799
<v Speaker 3>laid back, like I'm getting money. I ain't just got

0:38:06.800 --> 0:38:10.440
<v Speaker 3>the play together yet, but I owe Biggs. Bigs guys

0:38:10.480 --> 0:38:12.279
<v Speaker 3>smoke with me and he don't even know it.

0:38:12.600 --> 0:38:14.080
<v Speaker 1>What whatever.

0:38:15.160 --> 0:38:17.879
<v Speaker 3>See, I'm married now, so I can't pay him back.

0:38:18.360 --> 0:38:22.120
<v Speaker 3>But I gotta do something, you know, it's like a Frank,

0:38:22.600 --> 0:38:24.319
<v Speaker 3>I gotta do something to get him back.

0:38:24.440 --> 0:38:27.640
<v Speaker 1>Fucking Yo. Listen, you know I has a shorter You.

0:38:27.680 --> 0:38:30.080
<v Speaker 3>Going on the road with the o g's. They give

0:38:30.120 --> 0:38:32.680
<v Speaker 3>you the game, Yo. You let the chick know where

0:38:32.719 --> 0:38:35.640
<v Speaker 3>you stay at. You know, bring it to the hotel.

0:38:35.800 --> 0:38:38.360
<v Speaker 3>You don't go nowhere with the girl, none of that.

0:38:38.480 --> 0:38:41.520
<v Speaker 3>I'm the young nigga fifteen on the road. First time

0:38:41.560 --> 0:38:43.719
<v Speaker 3>on the road with these niggas. Now, mind you they

0:38:43.840 --> 0:38:47.359
<v Speaker 3>on twenty four to twenty five big this at the time,

0:38:47.440 --> 0:38:51.560
<v Speaker 3>they was wearing the big bracelet with the they got

0:38:51.560 --> 0:38:55.160
<v Speaker 3>the pinky ring that looked like nigga liver Rotchi. They

0:38:55.160 --> 0:38:58.000
<v Speaker 3>took it from him. They was jeweled up. I had nothing.

0:38:58.120 --> 0:39:05.239
<v Speaker 3>I was naked, man play Jane me nothing. Girl looking

0:39:05.360 --> 0:39:07.560
<v Speaker 3>that me like hey were yutstares. So it's like, wait,

0:39:07.680 --> 0:39:10.560
<v Speaker 3>you are no where I'm stared, got her name everything ready.

0:39:10.600 --> 0:39:13.440
<v Speaker 3>She's like, yeah, I'm coming back with you. You coming

0:39:13.480 --> 0:39:15.239
<v Speaker 3>back to the hotel with me. So I was over

0:39:15.440 --> 0:39:20.000
<v Speaker 3>like what, oh, I got one the fishing line working.

0:39:21.080 --> 0:39:25.279
<v Speaker 3>It's oh, we got some I go tell bigs cause

0:39:25.320 --> 0:39:28.960
<v Speaker 3>you know your young. He the og next to me,

0:39:29.440 --> 0:39:32.040
<v Speaker 3>I don't got no cat, bunny, I don't know the

0:39:32.160 --> 0:39:34.360
<v Speaker 3>drivers for the car to take me to the hotel.

0:39:34.719 --> 0:39:37.839
<v Speaker 3>I'm here consent with y'all, so I have to leave

0:39:37.880 --> 0:39:40.520
<v Speaker 3>when y'all leave. So I tell Biggs, Yo, what time

0:39:40.560 --> 0:39:43.719
<v Speaker 3>we leaving the spot? He's like why, He's like, nah,

0:39:43.800 --> 0:39:44.040
<v Speaker 3>just what.

0:39:44.080 --> 0:39:46.600
<v Speaker 1>Time we leaving? Yo? Were about to get out of here,

0:39:46.719 --> 0:39:47.440
<v Speaker 1>like thirty forty?

0:39:47.480 --> 0:39:48.560
<v Speaker 4>Man, I think Jay finished.

0:39:48.560 --> 0:39:50.239
<v Speaker 3>You know we're gonna pop a few bottles and we out,

0:39:50.560 --> 0:39:52.359
<v Speaker 3>Like nah, but I got this joint ready to go.

0:39:52.480 --> 0:39:54.600
<v Speaker 1>There said which one?

0:39:55.000 --> 0:39:57.919
<v Speaker 3>I pointed out? How over there he went and took

0:39:57.960 --> 0:40:07.279
<v Speaker 3>it and left. Y'all said, So all I did was

0:40:07.440 --> 0:40:09.319
<v Speaker 3>warm it up, warm it out.

0:40:11.080 --> 0:40:15.120
<v Speaker 1>You entertained her until it's time relieved. Yes, over there

0:40:15.200 --> 0:40:19.560
<v Speaker 1>being the major major limit game. Yeah, yeah, you said

0:40:19.560 --> 0:40:25.279
<v Speaker 1>everybody game, you got, every joke you years, you got,

0:40:25.320 --> 0:40:28.919
<v Speaker 1>let that one probably married with kids, moved on. Bleak,

0:40:29.000 --> 0:40:33.480
<v Speaker 1>still turn the night, bleak. He's still like, nah, I

0:40:33.520 --> 0:40:34.120
<v Speaker 1>need my getting.

0:40:35.320 --> 0:40:38.920
<v Speaker 3>That was like the ultimate little bro like, get out

0:40:38.920 --> 0:40:40.040
<v Speaker 3>of here, little man, we got this.

0:40:40.160 --> 0:40:41.680
<v Speaker 1>That was that happened to me. That happened to me

0:40:41.680 --> 0:40:43.880
<v Speaker 1>when we went to All Star Weekend in d C.

0:40:44.000 --> 0:40:48.040
<v Speaker 1>Two thousand and one with Jay, I was wet do there.

0:40:48.080 --> 0:40:48.839
<v Speaker 1>We was at the risk call.

0:40:48.960 --> 0:40:51.440
<v Speaker 2>We stayed at the risk Caulton and I had I

0:40:51.480 --> 0:40:54.600
<v Speaker 2>had a nice one with me. You know, I'm going

0:40:54.600 --> 0:40:56.560
<v Speaker 2>to the I'm in the whole way like your commit

0:40:57.120 --> 0:40:59.000
<v Speaker 2>I go over there and it's like, no, come over

0:40:59.000 --> 0:41:00.200
<v Speaker 2>here with there in the whole way, like but the

0:41:00.280 --> 0:41:03.520
<v Speaker 2>rooms on opposite is. I turn around, all I see

0:41:03.560 --> 0:41:06.319
<v Speaker 2>is Shorty running down the hole with Jay Man. So, nah,

0:41:06.400 --> 0:41:09.440
<v Speaker 2>niggas ain't do this to me. It's in the morning.

0:41:09.719 --> 0:41:11.839
<v Speaker 2>It's for in the morning. Security got the police, got

0:41:11.840 --> 0:41:14.120
<v Speaker 2>the whole block of the hotel lockdown.

0:41:14.160 --> 0:41:15.799
<v Speaker 4>You can't get it nothing, yo.

0:41:15.880 --> 0:41:19.600
<v Speaker 3>You learned early when you met a joint, don't bring

0:41:19.600 --> 0:41:23.840
<v Speaker 3>them around just if jam them over there go this

0:41:24.000 --> 0:41:28.760
<v Speaker 3>sweat because I've seen girls lose they fucking cool. Remember

0:41:28.760 --> 0:41:30.680
<v Speaker 3>when Foxy had to be there with the big hat.

0:41:30.800 --> 0:41:34.560
<v Speaker 3>I'll never forget this. We're in Texas somewhere Shorty bad

0:41:34.560 --> 0:41:37.360
<v Speaker 3>as a motherfucker sitting on the couch chill.

0:41:37.200 --> 0:41:38.400
<v Speaker 1>It hof k.

0:41:39.239 --> 0:41:44.480
<v Speaker 3>That bitch got up and started crip walking hold.

0:41:43.560 --> 0:41:47.040
<v Speaker 1>On hack like yo. I would never forget this, and

0:41:47.160 --> 0:41:50.360
<v Speaker 1>it just made me lose all. It's like, yeah, I

0:41:50.360 --> 0:41:51.360
<v Speaker 1>thought you was cool.

0:41:53.440 --> 0:41:55.400
<v Speaker 2>And you can't say nothing because then you hated like

0:41:56.360 --> 0:41:57.400
<v Speaker 2>word like jaywalking.

0:41:57.480 --> 0:41:59.960
<v Speaker 1>Y'all get real different in here, like why the crip walk?

0:42:00.160 --> 0:42:03.840
<v Speaker 3>I was like we in Texas shut Like how you

0:42:03.880 --> 0:42:07.880
<v Speaker 3>even know that day? I'm telling you we used to

0:42:07.880 --> 0:42:09.320
<v Speaker 3>see all kind of ship.

0:42:09.160 --> 0:42:12.680
<v Speaker 1>Broo, what a time that?

0:42:13.719 --> 0:42:15.560
<v Speaker 4>It was the best time, man, it was the best.

0:42:15.800 --> 0:42:18.160
<v Speaker 2>How do you feel about because I get asked the questions,

0:42:18.200 --> 0:42:19.440
<v Speaker 2>so I'm throwing it on you now, how do you

0:42:19.480 --> 0:42:21.680
<v Speaker 2>feel about everything going on with Dame right now?

0:42:21.719 --> 0:42:21.959
<v Speaker 1>Man?

0:42:22.360 --> 0:42:24.800
<v Speaker 4>I don't feel I don't pay it. I don't indeulge.

0:42:24.800 --> 0:42:27.560
<v Speaker 3>I don't pay a door attention because I got too

0:42:27.600 --> 0:42:29.920
<v Speaker 3>much respect for that man to laugh and look at

0:42:29.960 --> 0:42:31.560
<v Speaker 3>him on whatever.

0:42:31.760 --> 0:42:33.640
<v Speaker 1>I do too. But when he said Biggs bleik, I

0:42:33.640 --> 0:42:36.319
<v Speaker 1>ain't gonna lie. I can't like that ship that.

0:42:36.600 --> 0:42:38.719
<v Speaker 3>He don't mean that though, bro, But so I say

0:42:38.800 --> 0:42:41.440
<v Speaker 3>it because you want a response. I think at this

0:42:41.480 --> 0:42:43.680
<v Speaker 3>point it's like us men when we win. The chick

0:42:44.120 --> 0:42:47.520
<v Speaker 3>think you been there before? Girl leaves, she like, I

0:42:47.560 --> 0:42:49.680
<v Speaker 3>ain't talking no more, she ain't picking up that phone.

0:42:49.760 --> 0:42:50.680
<v Speaker 3>It's taking a bitch.

0:42:50.719 --> 0:42:53.120
<v Speaker 1>I'm gonna kill you. I'm just to get real that.

0:42:53.200 --> 0:42:56.319
<v Speaker 4>Reaction, just that response. Sometimes I think it's that bro.

0:42:56.960 --> 0:43:00.400
<v Speaker 2>Yeah, but you know, like we it's just to me,

0:43:00.520 --> 0:43:04.560
<v Speaker 2>Dame is doing and saying things that at one point

0:43:04.600 --> 0:43:07.520
<v Speaker 2>he always thought was that's the like why would you

0:43:07.560 --> 0:43:09.960
<v Speaker 2>do that? Why would you say that? That is that's corny?

0:43:10.000 --> 0:43:11.600
<v Speaker 2>That he's the man shouldn't do that.

0:43:11.920 --> 0:43:15.480
<v Speaker 1>It's like he's the definition of everything he preached now.

0:43:15.920 --> 0:43:19.080
<v Speaker 2>Right, and it's but it hurts to see it. It's

0:43:19.160 --> 0:43:23.279
<v Speaker 2>it's almost like like damn, Like I want somebody to

0:43:23.360 --> 0:43:26.399
<v Speaker 2>reach out and talk to him, to be like yo,

0:43:26.640 --> 0:43:28.560
<v Speaker 2>like bro, like listen, I don't know what's going on,

0:43:28.640 --> 0:43:31.520
<v Speaker 2>but this is not who you are, or at least

0:43:31.520 --> 0:43:32.799
<v Speaker 2>who we know you to be.

0:43:32.960 --> 0:43:35.480
<v Speaker 3>I believe that's been done, and I just don't believe

0:43:35.560 --> 0:43:38.640
<v Speaker 3>danme receives it the right way. Like a lot of

0:43:38.680 --> 0:43:40.319
<v Speaker 3>people care, a lot of people reach out.

0:43:40.440 --> 0:43:40.480
<v Speaker 1>No.

0:43:40.600 --> 0:43:43.920
<v Speaker 4>I had conversations with Big Face Nori. You know what

0:43:43.960 --> 0:43:46.759
<v Speaker 4>I mean. Dang got kids, they old.

0:43:46.840 --> 0:43:48.640
<v Speaker 3>I'm pretty sure they look at they fuck and go

0:43:48.800 --> 0:43:49.960
<v Speaker 3>have a conversation with him.

0:43:50.000 --> 0:43:50.600
<v Speaker 1>You know what I'm saying.

0:43:50.640 --> 0:43:54.560
<v Speaker 3>It's like I don't think Dang listening to no one man.

0:43:54.640 --> 0:43:57.320
<v Speaker 3>Dang been the driver of the ship since he started.

0:43:57.440 --> 0:44:00.680
<v Speaker 3>I think he's gonna relinquish those keys, you know what

0:44:00.719 --> 0:44:01.000
<v Speaker 3>I mean?

0:44:01.480 --> 0:44:04.800
<v Speaker 1>If I've watched some of the Haven stuff on YouTube,

0:44:04.840 --> 0:44:06.760
<v Speaker 1>and he seems to be in a way different space

0:44:07.239 --> 0:44:09.160
<v Speaker 1>than back in the day on some of that stuff,

0:44:09.160 --> 0:44:11.600
<v Speaker 1>and it seems like he not reaching out per se,

0:44:11.680 --> 0:44:14.000
<v Speaker 1>but seems like he's open to a conversation, whereas the

0:44:14.120 --> 0:44:17.120
<v Speaker 1>Dame thing is kind of lost.

0:44:17.120 --> 0:44:20.120
<v Speaker 3>At that point, Gil is like, it's weird to me

0:44:20.160 --> 0:44:22.919
<v Speaker 3>because I see he bringing my name up in certain shit. Now, Yeah,

0:44:22.960 --> 0:44:25.560
<v Speaker 3>like youre fam I was a kid when y'all niggas

0:44:25.600 --> 0:44:26.080
<v Speaker 3>was Marvin.

0:44:26.160 --> 0:44:28.560
<v Speaker 4>I wasn't. I ain't have nothing to do with that.

0:44:28.640 --> 0:44:29.480
<v Speaker 4>I don't know anything.

0:44:29.800 --> 0:44:31.840
<v Speaker 3>But you know why yah, he say, But no, he

0:44:31.960 --> 0:44:34.040
<v Speaker 3>wants me to speak about it, And it's like, how

0:44:34.080 --> 0:44:36.400
<v Speaker 3>can you speak on something you don't know? All I

0:44:36.400 --> 0:44:39.799
<v Speaker 3>would you was give misinformation or information I heard through

0:44:39.800 --> 0:44:42.640
<v Speaker 3>the grapevine, and that would be wrong on my part

0:44:42.680 --> 0:44:42.920
<v Speaker 3>to do.

0:44:43.040 --> 0:44:45.839
<v Speaker 4>So I just don't speak on it. Now. Do I

0:44:45.920 --> 0:44:47.680
<v Speaker 4>know him? Yeah? I know him, But I knew you

0:44:47.719 --> 0:44:49.800
<v Speaker 4>as a kid. I don't know you as an adult.

0:44:50.120 --> 0:44:52.799
<v Speaker 3>Last time I probably seen to have a conversation with Gil,

0:44:52.840 --> 0:44:56.680
<v Speaker 3>I probably was twelve, thirteen years old. I'm forty eight

0:44:56.800 --> 0:45:00.480
<v Speaker 3>right now. I don't know him as a man. Is

0:45:00.520 --> 0:45:04.120
<v Speaker 3>my god sister. His sister rested pieces, My godmother rested peace.

0:45:04.440 --> 0:45:06.680
<v Speaker 3>And that's my family. We talked to this day. You

0:45:06.680 --> 0:45:08.359
<v Speaker 3>know what I'm saying. But with him, I never had

0:45:08.360 --> 0:45:12.480
<v Speaker 3>a conversation. I never needed to, Like you, j friend,

0:45:12.760 --> 0:45:15.160
<v Speaker 3>I didn't have nothing to do with that. Hustle My

0:45:15.280 --> 0:45:17.400
<v Speaker 3>mind my business, as they would tell me if it

0:45:17.480 --> 0:45:19.520
<v Speaker 3>was back then you'll bleep mind your business.

0:45:20.320 --> 0:45:21.040
<v Speaker 4>That's what I do.

0:45:22.280 --> 0:45:25.440
<v Speaker 1>No, that makes sense, that makes sense. I didn't want

0:45:25.440 --> 0:45:28.279
<v Speaker 1>to go through a few records or versus per se

0:45:29.800 --> 0:45:32.880
<v Speaker 1>and you just talk about what the sessions were like,

0:45:33.400 --> 0:45:36.239
<v Speaker 1>starting with one nine hundred hustler, which I've said when

0:45:36.280 --> 0:45:39.160
<v Speaker 1>you aren't here, this isn't cut. I think you have

0:45:39.160 --> 0:45:42.440
<v Speaker 1>the best verse on when I hearded them. What was

0:45:42.480 --> 0:45:43.120
<v Speaker 1>that session like?

0:45:43.360 --> 0:45:47.440
<v Speaker 3>Naw, that that session was super dope because it was

0:45:47.600 --> 0:45:50.120
<v Speaker 3>like we were in there like if you can almost

0:45:50.200 --> 0:45:52.960
<v Speaker 3>bring a comic book to life. That's like you know

0:45:53.040 --> 0:45:55.480
<v Speaker 3>how comic book you read and you see the action,

0:45:55.560 --> 0:45:57.960
<v Speaker 3>but then you see the little bubble of what they think.

0:45:58.400 --> 0:46:00.640
<v Speaker 4>That's what it was. It was like all of my thoughts.

0:46:00.400 --> 0:46:02.800
<v Speaker 3>And then you tell Bank that's Bank on the phone

0:46:02.800 --> 0:46:05.640
<v Speaker 3>calls doing the Yo man, I got somebody online, y'open

0:46:05.719 --> 0:46:08.120
<v Speaker 3>two chickens and all that, and you know, Beans and

0:46:08.280 --> 0:46:11.279
<v Speaker 3>Jay was the ones thinking about the chorus, Sho, we

0:46:11.320 --> 0:46:13.680
<v Speaker 3>should do this little hustle that it was j Ida,

0:46:14.520 --> 0:46:17.360
<v Speaker 3>it was j I dia we should do the one

0:46:17.520 --> 0:46:19.920
<v Speaker 3>nine hundred hustle like a hot line for hustlers.

0:46:20.120 --> 0:46:21.640
<v Speaker 4>And then Beans was coming to the idea.

0:46:21.760 --> 0:46:24.279
<v Speaker 3>Yo, but Homie on the phone talking reckless and you know,

0:46:24.400 --> 0:46:26.600
<v Speaker 3>somebody riffing with him, right, and then they hear it

0:46:26.680 --> 0:46:29.759
<v Speaker 3>being played down, was like, Yo, you just gotta write

0:46:29.760 --> 0:46:31.880
<v Speaker 3>a verse bleak online too. What you're gonna tell it?

0:46:31.960 --> 0:46:33.319
<v Speaker 4>Shorty. It was like the.

0:46:33.600 --> 0:46:36.960
<v Speaker 3>Easiest rhyme I probably ever wrote in my life. And

0:46:37.040 --> 0:46:39.640
<v Speaker 3>people could say it's like one of the best. That's

0:46:39.640 --> 0:46:43.560
<v Speaker 3>how I feel about the song. You just bought up hypnotic,

0:46:44.080 --> 0:46:46.640
<v Speaker 3>Like people say, that's one of my hardest verses too,

0:46:46.680 --> 0:46:49.759
<v Speaker 3>and it's like, that was the easiest round I wrote.

0:46:49.680 --> 0:46:53.359
<v Speaker 1>Ye coming to age two specifically because the first one

0:46:53.440 --> 0:46:56.040
<v Speaker 1>obviously Jay was heavily involved with the first one.

0:46:56.360 --> 0:46:58.120
<v Speaker 4>Part two two, I didn't Yo.

0:46:58.960 --> 0:47:01.520
<v Speaker 3>J is a genius man, And this is what I say, Like,

0:47:01.800 --> 0:47:03.839
<v Speaker 3>that's why I never put my hat in the race

0:47:03.920 --> 0:47:07.240
<v Speaker 3>for the top dog, because just off those two records,

0:47:07.280 --> 0:47:11.080
<v Speaker 3>I'm disqualified on rap rules, I'm disqualified.

0:47:11.239 --> 0:47:14.640
<v Speaker 1>But you have twenty years a body of worker, right, so.

0:47:14.760 --> 0:47:17.480
<v Speaker 3>Let it still like if we're gonna do it the others,

0:47:17.560 --> 0:47:20.040
<v Speaker 3>I do it to myself, I'm not going I respect them.

0:47:20.760 --> 0:47:22.640
<v Speaker 3>I respect they got to disqualify my soul.

0:47:22.719 --> 0:47:25.640
<v Speaker 4>So that's why I don't even argue I am about.

0:47:25.520 --> 0:47:28.920
<v Speaker 1>And while we're quickly here, can you please put to

0:47:29.040 --> 0:47:32.479
<v Speaker 1>rest what Maul and the rest of the Ovo crew

0:47:32.520 --> 0:47:34.800
<v Speaker 1>have put in the world that Caliko has been writing

0:47:34.920 --> 0:47:40.320
<v Speaker 1>jaj rimes. That's the funniest Cali man, that's my dog. No,

0:47:40.480 --> 0:47:41.880
<v Speaker 1>that was getting low records.

0:47:42.480 --> 0:47:47.040
<v Speaker 3>We need those publishing checks and he wrote them all the.

0:47:47.040 --> 0:47:49.759
<v Speaker 1>Black album according to the Ovo Internet, we need those

0:47:49.800 --> 0:47:55.839
<v Speaker 1>pop checks. That's crazy. But you distributed like that whole

0:47:55.840 --> 0:47:57.640
<v Speaker 1>little doc they tried to do where Calico Rolle.

0:47:57.680 --> 0:47:59.880
<v Speaker 3>Yeah, the Stajor Black. They put the clips in the

0:48:00.000 --> 0:48:01.120
<v Speaker 3>everything else in there with you.

0:48:01.200 --> 0:48:03.879
<v Speaker 1>The culprit. They said that hard drive that's like every

0:48:03.880 --> 0:48:06.000
<v Speaker 1>hard drive in every studio, the one you was holding

0:48:06.440 --> 0:48:08.920
<v Speaker 1>that was Calico's Black album that then you passed off

0:48:08.960 --> 0:48:09.160
<v Speaker 1>to ja.

0:48:09.480 --> 0:48:11.840
<v Speaker 4>Ooh, I'm that niggas.

0:48:13.400 --> 0:48:16.200
<v Speaker 1>I liked it. Then that detective they detect this shit.

0:48:16.960 --> 0:48:19.080
<v Speaker 1>They zoomeding on you holding the hard drive and was like,

0:48:19.120 --> 0:48:19.760
<v Speaker 1>we got.

0:48:19.560 --> 0:48:22.960
<v Speaker 4>Them, and that was the clear hard drive. I remember.

0:48:23.440 --> 0:48:24.600
<v Speaker 1>I think it was the Lazy Orange Jee.

0:48:24.680 --> 0:48:27.400
<v Speaker 3>Yeah, I remember that that picture. That's me holding the

0:48:27.440 --> 0:48:29.839
<v Speaker 3>hard drive, mad that this shit ain't worked, and we're

0:48:29.840 --> 0:48:31.520
<v Speaker 3>trying to go to the place and they had a

0:48:31.560 --> 0:48:33.960
<v Speaker 3>spot in the city that used to recover all the

0:48:34.000 --> 0:48:36.279
<v Speaker 3>shit off your hard drive, so you had to have

0:48:36.360 --> 0:48:38.480
<v Speaker 3>the one and the other day together. So we was

0:48:38.560 --> 0:48:42.360
<v Speaker 3>actually going to recover the hard drive because she had crashed.

0:48:42.440 --> 0:48:44.759
<v Speaker 3>Because I was teaching all of them back then. This

0:48:44.840 --> 0:48:47.040
<v Speaker 3>is when pro tooths came out. When we was using

0:48:47.080 --> 0:48:49.600
<v Speaker 3>it on a laptop. We were setting anywhere and record.

0:48:49.840 --> 0:48:51.879
<v Speaker 3>So that's why you will always see every picture see

0:48:51.920 --> 0:48:54.239
<v Speaker 3>Cali and it's a mic, a laptop, a hard drive

0:48:54.520 --> 0:48:59.160
<v Speaker 3>because him proof geter k them boys know how to record.

0:48:59.160 --> 0:49:01.400
<v Speaker 3>They can operate and run a studio right now if

0:49:01.440 --> 0:49:05.240
<v Speaker 3>they wanted to, because like we taught all our artists

0:49:05.239 --> 0:49:08.520
<v Speaker 3>how to be the bosses of their own career too.

0:49:08.600 --> 0:49:10.640
<v Speaker 3>That you didn't wait for engineer, you didn't wait for

0:49:10.680 --> 0:49:12.880
<v Speaker 3>studio time. You go do what you want to do

0:49:12.960 --> 0:49:15.480
<v Speaker 3>when you want to do it, and for them to

0:49:15.520 --> 0:49:19.040
<v Speaker 3>dig up all these years later to say Cali wrote

0:49:19.120 --> 0:49:23.120
<v Speaker 3>for j is like whoa I know he said somewhere

0:49:23.280 --> 0:49:25.839
<v Speaker 3>like niggaw, you.

0:49:25.960 --> 0:49:29.960
<v Speaker 1>Fucking getting me? Like what kind of one?

0:49:31.840 --> 0:49:31.920
<v Speaker 3>Like?

0:49:32.520 --> 0:49:33.080
<v Speaker 1>You know what I mean?

0:49:33.200 --> 0:49:36.520
<v Speaker 3>Like CALLI a good dude? Man, I know he he's

0:49:36.560 --> 0:49:41.120
<v Speaker 3>not one of those guys that's celebrating this, like man,

0:49:41.400 --> 0:49:43.680
<v Speaker 3>such a good dude. He ain't with that, he's super nice,

0:49:44.160 --> 0:49:46.560
<v Speaker 3>just never you know, a lot of guys at that time,

0:49:46.600 --> 0:49:50.120
<v Speaker 3>I felt like Rockefeller were moving so fast that a

0:49:50.120 --> 0:49:54.279
<v Speaker 3>lot of people missed opportunities or didn't get the opportunity

0:49:54.280 --> 0:49:54.840
<v Speaker 3>they deserve.

0:49:55.080 --> 0:49:55.919
<v Speaker 4>You know what I'm saying.

0:49:56.040 --> 0:49:58.879
<v Speaker 1>I mean, what was baseline like in that sense where

0:49:58.920 --> 0:50:01.000
<v Speaker 1>you had all the state proper which they propably grew

0:50:01.120 --> 0:50:03.600
<v Speaker 1>every boxing gloves like seven of them, and then you

0:50:03.680 --> 0:50:05.719
<v Speaker 1>got all of get low Like I'm sure that must

0:50:05.760 --> 0:50:07.319
<v Speaker 1>have been. How do you even get pass to the

0:50:07.360 --> 0:50:09.120
<v Speaker 1>microphone with anxiety? People?

0:50:09.239 --> 0:50:09.719
<v Speaker 4>Every day?

0:50:09.800 --> 0:50:14.040
<v Speaker 3>You know, we had first of all, every day everybody

0:50:14.080 --> 0:50:16.720
<v Speaker 3>ain't getting along every day niggas fighting like you said

0:50:16.800 --> 0:50:19.400
<v Speaker 3>studio time you in there, bullshit would beat you bullshit

0:50:19.480 --> 0:50:21.359
<v Speaker 3>with bars, waste the time they get the funk out

0:50:21.360 --> 0:50:25.400
<v Speaker 3>the booth, so excuse me, O g one and then

0:50:25.440 --> 0:50:28.359
<v Speaker 3>bought boxing gloves for niggas that want bullshit you won't

0:50:28.400 --> 0:50:30.600
<v Speaker 3>get off your chest. And remember we had the big

0:50:30.640 --> 0:50:34.080
<v Speaker 3>booth where it was the glass where you watch niggas

0:50:34.680 --> 0:50:35.360
<v Speaker 3>when you get.

0:50:35.239 --> 0:50:41.720
<v Speaker 1>Your ship off. Why did you care for that? Niggas?

0:50:41.760 --> 0:50:44.799
<v Speaker 3>Was a lot of niggas was on the floor like

0:50:44.880 --> 0:50:52.280
<v Speaker 3>this looking the glass like.

0:50:50.120 --> 0:50:52.240
<v Speaker 1>We don't have to know who lost, who got busy

0:50:52.239 --> 0:50:55.439
<v Speaker 1>the most, Who is the better fighter? You know who?

0:50:55.600 --> 0:51:00.520
<v Speaker 3>Out of a shocking who got hands man Sparks? Sparks

0:51:00.560 --> 0:51:05.040
<v Speaker 3>fucked a few niggas up in that Boothgas, I wanta

0:51:05.040 --> 0:51:05.640
<v Speaker 3>fight zoo.

0:51:06.239 --> 0:51:12.719
<v Speaker 1>He got in there, Yo.

0:51:13.239 --> 0:51:20.600
<v Speaker 2>The first time I remember in Baseline seeing Kanye, and

0:51:21.040 --> 0:51:24.719
<v Speaker 2>I remember everybody in there was just talking about the

0:51:24.760 --> 0:51:25.520
<v Speaker 2>way he was dressed.

0:51:25.520 --> 0:51:28.160
<v Speaker 1>He had on like a motorcycle leather. He had on

0:51:28.200 --> 0:51:32.400
<v Speaker 1>some Drago bootsferent.

0:51:30.800 --> 0:51:32.959
<v Speaker 2>And everybody was like, yo, who is And then once

0:51:33.160 --> 0:51:35.640
<v Speaker 2>we went in the b room and started listening to

0:51:35.680 --> 0:51:38.879
<v Speaker 2>the beats. I remember Jay walked in, was like, yo,

0:51:38.880 --> 0:51:41.080
<v Speaker 2>who is that he was like yea, that's hold me

0:51:41.120 --> 0:51:43.520
<v Speaker 2>in the front and the pool room and going to

0:51:43.520 --> 0:51:45.839
<v Speaker 2>the front and he in there, and it's like it

0:51:45.920 --> 0:51:48.520
<v Speaker 2>didn't match, Like wait, he's making all of this heat

0:51:49.040 --> 0:51:50.680
<v Speaker 2>and I tell you all the time, like Yo, when

0:51:51.040 --> 0:51:53.839
<v Speaker 2>Ya first came around, it was like he was such

0:51:53.840 --> 0:51:57.320
<v Speaker 2>an out outside because he looked different, he talked different,

0:51:57.320 --> 0:52:01.080
<v Speaker 2>he dressed different. But when he started playing that music,

0:52:01.239 --> 0:52:04.440
<v Speaker 2>he became I remember seeing everything in baseline.

0:52:03.960 --> 0:52:06.600
<v Speaker 4>Change like Kanye. Man.

0:52:06.600 --> 0:52:09.480
<v Speaker 3>I can honestly say, man, where Kanye got to his

0:52:09.560 --> 0:52:12.680
<v Speaker 3>career and where he at, that's the definition and the

0:52:12.760 --> 0:52:17.120
<v Speaker 3>results of a man who don't take no like y'all

0:52:17.160 --> 0:52:22.440
<v Speaker 3>Nigga said no fuck y'all watched this. That's that sure

0:52:22.600 --> 0:52:26.239
<v Speaker 3>desire and will to win and never quit and never

0:52:26.320 --> 0:52:28.680
<v Speaker 3>listen to what nobody got to say. Because back then

0:52:28.800 --> 0:52:31.279
<v Speaker 3>people was not even checking for his raps. It just

0:52:31.320 --> 0:52:33.720
<v Speaker 3>with the beats. He was making beats and shits. Everything

0:52:33.880 --> 0:52:37.600
<v Speaker 3>he made and played was phenomenal, Like oh shit, that's

0:52:37.600 --> 0:52:40.399
<v Speaker 3>why if you think I probably got one Kanye beat

0:52:40.400 --> 0:52:44.359
<v Speaker 3>out of them years in baseline, because everybody was on him,

0:52:44.400 --> 0:52:47.960
<v Speaker 3>he didn't had a chance to breathe. So then when

0:52:48.000 --> 0:52:50.160
<v Speaker 3>he got to the point and he started playing music.

0:52:50.560 --> 0:52:53.160
<v Speaker 3>I was one of the only niggas in there listening, like, Yo,

0:52:53.920 --> 0:52:56.040
<v Speaker 3>my g you're gonna be one of them greats nigga,

0:52:56.080 --> 0:52:59.160
<v Speaker 3>You're gonna take this shot over. So the difference in

0:52:59.280 --> 0:53:06.239
<v Speaker 3>Kanye see is that weird in this business only mean

0:53:06.320 --> 0:53:10.200
<v Speaker 3>two things. You either gonna fucking win and win a lot.

0:53:10.680 --> 0:53:14.839
<v Speaker 3>Because all the weirdos and we consider different. That's how

0:53:14.840 --> 0:53:17.280
<v Speaker 3>can we say they wear and they were, they probably weird,

0:53:17.400 --> 0:53:19.560
<v Speaker 3>you know what I'm saying, Like, everybody look at ushm

0:53:19.560 --> 0:53:23.359
<v Speaker 3>fucking weirdose, you know what I'm saying, Like, but they

0:53:23.440 --> 0:53:26.160
<v Speaker 3>win because in their mind, they they already know they

0:53:26.200 --> 0:53:29.160
<v Speaker 3>got the plan what they want to do. Where us,

0:53:29.160 --> 0:53:31.799
<v Speaker 3>we're so cool, bro, we think we got it and

0:53:31.840 --> 0:53:33.920
<v Speaker 3>it's like we don't plan. We just go off the

0:53:34.000 --> 0:53:37.560
<v Speaker 3>cool factor. Where the guy like that, that shit is

0:53:37.560 --> 0:53:40.480
<v Speaker 3>written down in the attic and you know exactly every

0:53:40.560 --> 0:53:42.799
<v Speaker 3>step he wanted to take and he did it. But

0:53:42.840 --> 0:53:45.520
<v Speaker 3>that's how like Jay is the coolest weird to me

0:53:45.920 --> 0:53:48.239
<v Speaker 3>because I ain't gonna wear it as a motherfucker too, Jay.

0:53:48.360 --> 0:53:50.759
<v Speaker 4>For them to be like that up, they gotta have a.

0:53:50.640 --> 0:53:52.920
<v Speaker 1>Little bit successful to be a little got it, like

0:53:53.120 --> 0:53:53.600
<v Speaker 1>my nigga.

0:53:53.680 --> 0:53:55.800
<v Speaker 3>I watched this nigga write a whole song in a

0:53:55.920 --> 0:53:59.600
<v Speaker 3>limo to the airport from that bar.

0:53:59.719 --> 0:54:02.600
<v Speaker 4>All right perspective, Barcley Center, JFK.

0:54:02.880 --> 0:54:06.760
<v Speaker 3>It's about a fifteen minute it wrote a whole song,

0:54:06.960 --> 0:54:09.120
<v Speaker 3>canceled the flag, and went back Jay's studio.

0:54:09.400 --> 0:54:11.080
<v Speaker 1>Yeah, the rest of us, it's like an hour.

0:54:11.160 --> 0:54:14.640
<v Speaker 4>Yeah yeah, yeah, Jay fenteen minutes. Yeah.

0:54:14.800 --> 0:54:17.560
<v Speaker 3>But to drive that's like we're in the limo going

0:54:17.600 --> 0:54:21.839
<v Speaker 3>to JFK. He'd be playing. We get the JFK, YO

0:54:21.920 --> 0:54:24.399
<v Speaker 3>call in and cancel the flag, Yo, book studio time.

0:54:24.400 --> 0:54:26.840
<v Speaker 3>I gotta lay this song, and then we turn around,

0:54:26.880 --> 0:54:29.239
<v Speaker 3>go to the studio, lays song, and Babyface come through

0:54:29.239 --> 0:54:29.560
<v Speaker 3>the hook.

0:54:30.040 --> 0:54:33.480
<v Speaker 1>Yeah yeah yeah, that's not fucking normal.

0:54:34.680 --> 0:54:37.399
<v Speaker 4>Yeah, that's not normal. I thought we was that way

0:54:37.440 --> 0:54:37.960
<v Speaker 4>to Houston.

0:54:41.800 --> 0:54:47.200
<v Speaker 2>But Jay's process of writing, obviously being privileged enough to

0:54:47.760 --> 0:54:51.320
<v Speaker 2>experience and see it, you don't know he's writing until

0:54:52.040 --> 0:54:53.560
<v Speaker 2>he leaves out the room and goes in the book.

0:54:53.600 --> 0:54:55.080
<v Speaker 2>You're like oh, because the whole time you think he's

0:54:55.120 --> 0:54:58.920
<v Speaker 2>staring at you and you're trying to figure out, like

0:54:58.960 --> 0:55:01.359
<v Speaker 2>what I did here, like like yeah, yeah, you think

0:55:01.400 --> 0:55:02.160
<v Speaker 2>he asked you something.

0:55:02.200 --> 0:55:02.799
<v Speaker 1>You didn't hear him.

0:55:02.800 --> 0:55:05.120
<v Speaker 2>You like, huh, and he like the wave you off

0:55:05.120 --> 0:55:06.400
<v Speaker 2>and he turned the other way and look and then

0:55:06.440 --> 0:55:09.520
<v Speaker 2>he go in the corner and and then just open

0:55:09.600 --> 0:55:11.240
<v Speaker 2>the door doing the booth.

0:55:12.280 --> 0:55:13.399
<v Speaker 1>And that's when it hit you, like.

0:55:13.440 --> 0:55:16.440
<v Speaker 3>Oh he was in here writing like ell like I

0:55:16.480 --> 0:55:21.680
<v Speaker 3>tried that when I fell off, Yeah I did. I

0:55:21.680 --> 0:55:24.600
<v Speaker 3>gotta keep it real, man, like people listen to coming

0:55:24.640 --> 0:55:29.359
<v Speaker 3>in and understanding and like a ship. When we went

0:55:29.440 --> 0:55:32.719
<v Speaker 3>to five three four and and made it was like,

0:55:32.960 --> 0:55:36.400
<v Speaker 3>I think I'm hope that I don't like before we

0:55:36.520 --> 0:55:39.640
<v Speaker 3>think this ship I like, I like before, but they

0:55:39.680 --> 0:55:43.120
<v Speaker 3>don't bang like the first and then now pumit three D.

0:55:43.719 --> 0:55:46.239
<v Speaker 4>I backed up. I ain't hold that's why they like.

0:55:47.120 --> 0:55:50.480
<v Speaker 1>But that was the problem that era, Like when Jay

0:55:50.480 --> 0:55:52.239
<v Speaker 1>would say I don't write nothing down like all right cool.

0:55:52.239 --> 0:55:54.160
<v Speaker 1>Then other rappers started saying, like, we could tell you

0:55:54.200 --> 0:55:56.040
<v Speaker 1>should probably like you should probably write something.

0:55:56.080 --> 0:55:58.719
<v Speaker 3>Why y'a ain't tell me that, right, he shity, y'all

0:55:58.760 --> 0:56:01.120
<v Speaker 3>could have kept it real normal, yo, we can tell

0:56:01.200 --> 0:56:01.880
<v Speaker 3>you ain't write that.

0:56:02.080 --> 0:56:04.400
<v Speaker 4>Yeah, that should sound like you freestyle something.

0:56:04.520 --> 0:56:06.359
<v Speaker 1>Yeah, it's not.

0:56:06.400 --> 0:56:08.840
<v Speaker 2>It's just it's just crazy for somebody to have that

0:56:08.960 --> 0:56:12.239
<v Speaker 2>ability to do that and just be that successful, like

0:56:12.320 --> 0:56:14.200
<v Speaker 2>you know over these people here, Like what you mean

0:56:14.239 --> 0:56:17.000
<v Speaker 2>he don't write, bro, he does not put pen to paper.

0:56:17.480 --> 0:56:17.800
<v Speaker 4>Nope.

0:56:18.000 --> 0:56:21.040
<v Speaker 1>Like it's just like he'll and then won't. It's not

0:56:21.080 --> 0:56:23.839
<v Speaker 1>like he going there and it's like fuck up, he'll

0:56:23.880 --> 0:56:25.479
<v Speaker 1>spit it all the way through one take.

0:56:25.520 --> 0:56:28.760
<v Speaker 3>Ho, come back out, let's clear out. I ain't gonna

0:56:28.760 --> 0:56:32.400
<v Speaker 3>do ad libs, right, which is just one take? Yeah,

0:56:32.640 --> 0:56:36.680
<v Speaker 3>like everybody else doubled a verse ad lib they could

0:56:36.680 --> 0:56:39.960
<v Speaker 3>do one take. That's it, yeah, and that shit sound

0:56:40.120 --> 0:56:43.359
<v Speaker 3>like that man, that's that's yeah, that's not yeah, that's

0:56:43.400 --> 0:56:43.799
<v Speaker 3>not normal.

0:56:43.840 --> 0:56:46.000
<v Speaker 1>What's what's the fastest y'all have seen him?

0:56:46.040 --> 0:56:46.160
<v Speaker 4>Right?

0:56:46.480 --> 0:56:49.400
<v Speaker 1>But what record that we know? The fastest that I

0:56:49.440 --> 0:56:50.040
<v Speaker 1>can remember?

0:56:50.719 --> 0:56:54.640
<v Speaker 2>It was something on the Black album, I think, and

0:56:54.719 --> 0:56:57.040
<v Speaker 2>I don't, and I might be overspeaking because I don't.

0:56:57.239 --> 0:56:59.240
<v Speaker 2>He may have had some ship in his head already,

0:56:59.760 --> 0:57:01.880
<v Speaker 2>but we was in the studio for no longer than

0:57:01.920 --> 0:57:03.879
<v Speaker 2>fifteen minutes and he went in the move and laid

0:57:03.920 --> 0:57:05.759
<v Speaker 2>some shit, and I was just like, there's no way

0:57:05.800 --> 0:57:07.319
<v Speaker 2>this nigga just wrote that in his head.

0:57:07.440 --> 0:57:12.440
<v Speaker 1>You remember what record it was because it wasn't fit

0:57:12.560 --> 0:57:14.000
<v Speaker 1>to black. There was songs that didn't make it. You

0:57:14.040 --> 0:57:15.759
<v Speaker 1>could tell, like, all right, this is I think it

0:57:15.840 --> 0:57:18.720
<v Speaker 1>was a lure. I think it was something on the

0:57:18.800 --> 0:57:21.439
<v Speaker 1>lore of the joints man. Yeah, my fastest. Of course,

0:57:21.480 --> 0:57:23.680
<v Speaker 1>the sunshineuse. Like I said, that record happened.

0:57:24.080 --> 0:57:27.479
<v Speaker 3>They're supposed to go to Houston and then hey, Poppy, okay,

0:57:27.680 --> 0:57:30.000
<v Speaker 3>cause Bill was supposed to meet us in the studio

0:57:30.040 --> 0:57:31.920
<v Speaker 3>and do the third verse. So when I came to

0:57:31.960 --> 0:57:34.120
<v Speaker 3>the studio, his verse and the hook was already done.

0:57:34.400 --> 0:57:36.680
<v Speaker 3>He like, bleak, do a verse. A mil gonna do

0:57:36.720 --> 0:57:38.360
<v Speaker 3>the third verse. So I'm like, all right, cool, fuck it,

0:57:38.440 --> 0:57:40.800
<v Speaker 3>let me do my verse. Lay my verse. He said,

0:57:40.840 --> 0:57:44.120
<v Speaker 3>a mil not coming. I got the third verse. When

0:57:44.960 --> 0:57:48.400
<v Speaker 3>the fuck I just was saying, right my shit. Like

0:57:48.480 --> 0:57:54.280
<v Speaker 3>when you got your verse, eat out it. You're like, Yo,

0:57:54.360 --> 0:57:59.280
<v Speaker 3>she not coming down. I got it. It's like, okay,

0:57:59.560 --> 0:58:02.200
<v Speaker 3>when you got it, yo telling you?

0:58:02.200 --> 0:58:05.800
<v Speaker 1>It was like, Yo, that nigga is different. Man, Like

0:58:06.560 --> 0:58:13.920
<v Speaker 1>a musician, is there anybody?

0:58:14.240 --> 0:58:18.920
<v Speaker 2>Is there any artists back then or producers that you

0:58:19.000 --> 0:58:21.240
<v Speaker 2>wanted to work with that you never got the opportunity

0:58:21.280 --> 0:58:24.360
<v Speaker 2>to work with produce artists and producers.

0:58:25.560 --> 0:58:27.960
<v Speaker 3>I say, like top three producers I wanted to work

0:58:27.960 --> 0:58:29.560
<v Speaker 3>with I never got to work with. Of course, you

0:58:29.560 --> 0:58:32.439
<v Speaker 3>ain't gonna say Doctor Dre. Every artist wanted to beat

0:58:32.480 --> 0:58:34.800
<v Speaker 3>from Doctor Dre. It's like a dream, you know what

0:58:34.880 --> 0:58:37.440
<v Speaker 3>I mean. Then like number two, I would say, gotta

0:58:37.480 --> 0:58:40.840
<v Speaker 3>be Many Fresh one of the many Fresh beat for sure.

0:58:41.360 --> 0:58:45.120
<v Speaker 1>M h Actually a bleak many Fresh song does make the.

0:58:45.240 --> 0:58:47.160
<v Speaker 4>Word many Fresh? Was that nigga too?

0:58:47.240 --> 0:58:51.720
<v Speaker 3>And then you're gonna hate me because I'll be fucking

0:58:51.760 --> 0:58:54.080
<v Speaker 3>up nigga's names once my man who did Rubber band

0:58:54.120 --> 0:58:54.640
<v Speaker 3>Man for t.

0:58:54.720 --> 0:58:59.360
<v Speaker 1>I h oh, so David Banner, Okay, so.

0:58:59.320 --> 0:59:01.120
<v Speaker 3>I'm saying a lot of people don't know David band

0:59:01.160 --> 0:59:05.000
<v Speaker 3>of Production. Yeah, they were serious. So he's another one

0:59:05.000 --> 0:59:07.800
<v Speaker 3>of those producers that I was like, Oh, I'd love

0:59:07.880 --> 0:59:09.400
<v Speaker 3>to work with him too, you know what I mean.

0:59:09.440 --> 0:59:12.360
<v Speaker 3>And he's a good dude, that's my guy. Like conversations

0:59:12.360 --> 0:59:13.800
<v Speaker 3>with him, very great guy.

0:59:14.000 --> 0:59:17.800
<v Speaker 1>Yeah, you brought just around right, It was just no Guru.

0:59:17.880 --> 0:59:22.840
<v Speaker 4>Did Guru brought Just Blaze? Yes? I didn't bring him well,

0:59:23.360 --> 0:59:25.560
<v Speaker 4>CO signed him coming shout out lau Real.

0:59:25.720 --> 0:59:28.800
<v Speaker 3>She was managing engineers at the time and one of

0:59:28.840 --> 0:59:31.080
<v Speaker 3>my engineers was he called down and she was like,

0:59:31.400 --> 0:59:33.840
<v Speaker 3>I got a new engineer from DC just got down here.

0:59:33.840 --> 0:59:36.800
<v Speaker 3>I just started managing them like he smoked weed. Yep,

0:59:36.960 --> 0:59:39.760
<v Speaker 3>send them income, Guru, fucking low Yoda?

0:59:39.960 --> 0:59:46.640
<v Speaker 1>Was that all that's crazy, that's crazy? Yeah, Yoda was

0:59:46.680 --> 0:59:54.880
<v Speaker 1>that that's crazy, Guru? What was like early, just like

0:59:54.880 --> 0:59:55.560
<v Speaker 1>at that time.

0:59:56.360 --> 0:59:59.640
<v Speaker 3>The same as now fucking big game up. You gotta

0:59:59.680 --> 1:00:03.000
<v Speaker 3>go just out there out the front playing Call of Duty,

1:00:03.600 --> 1:00:06.040
<v Speaker 3>Zelder and all type of other shit. You know kids

1:00:06.080 --> 1:00:08.200
<v Speaker 3>who played Zelda was always gonna be super.

1:00:07.960 --> 1:00:12.920
<v Speaker 2>Smooth, absolutely like, yeah, you're playing what exactly I'm on.

1:00:13.720 --> 1:00:17.840
<v Speaker 3>Jocks and now you gotta go to Japan handcuffed. Just

1:00:17.920 --> 1:00:21.160
<v Speaker 3>bring his ass back like a federal agent. Get over here.

1:00:21.320 --> 1:00:23.600
<v Speaker 3>You're getting extra daty back to America.

1:00:23.760 --> 1:00:25.920
<v Speaker 1>Remember just had all the two way alerts.

1:00:26.120 --> 1:00:29.080
<v Speaker 3>Yo used to make beats. Yeah, he made his own

1:00:29.160 --> 1:00:30.960
<v Speaker 3>beats for the two whee alerts.

1:00:31.000 --> 1:00:35.280
<v Speaker 1>Insane, bro, Yeah, crazy, I mean says obviously you grew

1:00:35.360 --> 1:00:37.560
<v Speaker 1>up in the same building as the entire family. The

1:00:37.560 --> 1:00:39.320
<v Speaker 1>first time you heard the last verse of You Must

1:00:39.360 --> 1:00:42.080
<v Speaker 1>Love Me about Jay in a situation where his brother,

1:00:43.640 --> 1:00:45.240
<v Speaker 1>what was your response to Jay, Like, Dan, are you

1:00:45.320 --> 1:00:47.560
<v Speaker 1>really about to talk about this, It was.

1:00:47.600 --> 1:00:50.720
<v Speaker 3>Like, Yo, you know you hear Pop say the really

1:00:50.800 --> 1:00:53.560
<v Speaker 3>ship I Ever wrote? I can honestly say that might

1:00:53.600 --> 1:00:54.480
<v Speaker 3>be the really ship.

1:00:54.360 --> 1:00:55.000
<v Speaker 4>Jay Ever rope.

1:00:55.040 --> 1:00:56.520
<v Speaker 1>It's one of my favorite verses of.

1:00:56.520 --> 1:00:59.960
<v Speaker 3>Me because it's one hundred percent all the way fat,

1:01:00.760 --> 1:01:02.760
<v Speaker 3>like you know what I mean, The cousins and all

1:01:02.800 --> 1:01:07.760
<v Speaker 3>that might be hypothetical where he changed a man to

1:01:07.840 --> 1:01:13.680
<v Speaker 3>a female, but the story is still one hundred percent facts. Yeah,

1:01:13.920 --> 1:01:17.960
<v Speaker 3>that song, my favorite J song in my favorite street

1:01:18.000 --> 1:01:20.160
<v Speaker 3>record in hip hop period of streets is watching.

1:01:20.400 --> 1:01:24.080
<v Speaker 4>They don't get no better than that. That's top tier.

1:01:24.720 --> 1:01:28.040
<v Speaker 3>Literally, I'm knee deep in the game, and I'm gonna

1:01:28.080 --> 1:01:32.120
<v Speaker 3>tell you the fears and of the hustlers mentality. If

1:01:32.160 --> 1:01:35.160
<v Speaker 3>any nigga who hustled, I'm going for you sell fireworks

1:01:35.200 --> 1:01:39.360
<v Speaker 3>or you sell spymats. If you hustling, you can relate

1:01:39.400 --> 1:01:41.040
<v Speaker 3>to that song. It's one of the only songs that

1:01:41.120 --> 1:01:45.360
<v Speaker 3>got four verses. Yeah, sit, three verses these days is.

1:01:47.160 --> 1:01:50.360
<v Speaker 1>Not normal anymore. How much of the movie Were You

1:01:50.440 --> 1:01:51.960
<v Speaker 1>Around for the Streets?

1:01:51.960 --> 1:01:55.480
<v Speaker 4>Is watching? Yeah, I know a lot. It's not like

1:01:55.480 --> 1:01:57.640
<v Speaker 4>a strip sing him and source money.

1:01:57.880 --> 1:02:01.400
<v Speaker 3>They leave me out for those videos, Like I remember

1:02:01.400 --> 1:02:04.000
<v Speaker 3>watching the movie like wait, wait when you shot this?

1:02:04.520 --> 1:02:08.040
<v Speaker 1>When did you have fifty? But I couldn't get the

1:02:08.040 --> 1:02:11.440
<v Speaker 1>call for that. Yeah yeah, what what was like the

1:02:11.440 --> 1:02:14.680
<v Speaker 1>production of that movie? Like like justind the scenes every

1:02:14.760 --> 1:02:17.200
<v Speaker 1>day shooting that souse. I mean to me, that's one

1:02:17.200 --> 1:02:21.760
<v Speaker 1>of the It's the best rap movie shot original new.

1:02:21.720 --> 1:02:27.240
<v Speaker 3>Hype Williams Abdul, that was our real hype Williams. Like

1:02:27.320 --> 1:02:30.240
<v Speaker 3>he was the guy who had a lot of vision

1:02:30.400 --> 1:02:35.200
<v Speaker 3>before vision became the thing. Like you know, I feel

1:02:35.320 --> 1:02:39.560
<v Speaker 3>like back then he was like what the Robin townsends

1:02:39.600 --> 1:02:43.200
<v Speaker 3>of the music industry with videos like he shot a

1:02:43.360 --> 1:02:44.160
<v Speaker 3>visionary for sure.

1:02:44.400 --> 1:02:46.960
<v Speaker 4>I mean like all.

1:02:46.840 --> 1:02:51.960
<v Speaker 3>Those all the beginning career videos of Jay that president,

1:02:52.680 --> 1:02:57.360
<v Speaker 3>all the in my lifetime remixed through my lifetime one

1:02:57.400 --> 1:02:59.640
<v Speaker 3>when they went the same times me on the speed book.

1:03:00.120 --> 1:03:02.960
<v Speaker 3>Last Malik Abdul even the streets is watching and he

1:03:03.040 --> 1:03:06.040
<v Speaker 3>shot state property. You know what I'm saying, Like he's

1:03:06.160 --> 1:03:08.160
<v Speaker 3>that guy, and I don't think he get enough credit,

1:03:08.240 --> 1:03:10.440
<v Speaker 3>like a lot of the guys in the industry. So

1:03:10.520 --> 1:03:16.120
<v Speaker 3>back then seeing them do it and it was no label.

1:03:16.600 --> 1:03:19.360
<v Speaker 3>There's no label funding this shit. This shit was funded

1:03:19.400 --> 1:03:24.040
<v Speaker 3>by the corner of New York City, Like straight out,

1:03:24.200 --> 1:03:25.800
<v Speaker 3>like the fun ran out.

1:03:25.880 --> 1:03:27.240
<v Speaker 4>Somebody gotta go stand all that.

1:03:27.160 --> 1:03:29.800
<v Speaker 3>Block and get the fun back up and were gonna

1:03:29.840 --> 1:03:34.959
<v Speaker 3>shoot tomorrow. So seeing that and back then, I didn't

1:03:35.040 --> 1:03:37.080
<v Speaker 3>understand it, but come being where I am now and

1:03:37.120 --> 1:03:40.240
<v Speaker 3>looking back, it was like, not only was he ahead

1:03:40.280 --> 1:03:42.280
<v Speaker 3>of his time, but Dame and Jay and all of

1:03:42.320 --> 1:03:45.320
<v Speaker 3>them was too man because to put a movie, to

1:03:45.440 --> 1:03:48.920
<v Speaker 3>know that the fans didn't understand your music right, and

1:03:49.000 --> 1:03:52.560
<v Speaker 3>to put it in movie formatt we're still videos, but

1:03:52.640 --> 1:03:55.400
<v Speaker 3>it flows like a movie and feels like a movie.

1:03:56.480 --> 1:03:58.160
<v Speaker 4>It's never I don't think it could be done again.

1:03:58.200 --> 1:04:01.880
<v Speaker 3>Nobody album even that solid a whole movie or your ship.

1:04:02.120 --> 1:04:04.360
<v Speaker 1>We have to leave some songs out. Some have tried,

1:04:04.440 --> 1:04:05.640
<v Speaker 1>but it didn't land this.

1:04:05.760 --> 1:04:08.040
<v Speaker 4>Yeah they put the wax on.

1:04:08.320 --> 1:04:11.960
<v Speaker 1>Yeah yeah, I mean, was there any thoughts of Jay

1:04:12.040 --> 1:04:14.240
<v Speaker 1>like not acting because I don't know Jay like that,

1:04:14.280 --> 1:04:16.000
<v Speaker 1>but he's cool when laid back like Dame, I'm sure

1:04:16.160 --> 1:04:19.320
<v Speaker 1>was like I'll act, I got you. But Jay doing that?

1:04:19.520 --> 1:04:21.320
<v Speaker 1>Did anyone have to talk him into like, Yo, you're

1:04:21.320 --> 1:04:23.760
<v Speaker 1>gonna lead a whole movie. Of course it's music videos,

1:04:23.880 --> 1:04:25.120
<v Speaker 1>but you acting through this whole ship?

1:04:25.800 --> 1:04:27.680
<v Speaker 4>No, I don't think so. I knew, he knew what

1:04:27.720 --> 1:04:29.360
<v Speaker 4>he needed to do. You know what I'm saying.

1:04:29.440 --> 1:04:31.960
<v Speaker 3>When you have a goal and you want to accomplish something,

1:04:32.440 --> 1:04:34.960
<v Speaker 3>you don't need coaching, You just need direction.

1:04:35.840 --> 1:04:36.680
<v Speaker 4>You need to target.

1:04:36.840 --> 1:04:40.680
<v Speaker 1>True. Yeah right, I hear that. We want to get

1:04:40.680 --> 1:04:43.840
<v Speaker 1>into some boys mouth on our show, we have listeners

1:04:43.880 --> 1:04:47.400
<v Speaker 1>call in and tell stories, ask questions, and it's specific

1:04:47.440 --> 1:04:49.840
<v Speaker 1>for you. We let our fans knowing Patreon, that you

1:04:49.880 --> 1:04:51.840
<v Speaker 1>would come by, so we got some bleak questions.

1:04:51.920 --> 1:04:53.800
<v Speaker 4>See hope we ain't getting no personal Hey, blieve you

1:04:53.800 --> 1:04:54.320
<v Speaker 4>remember me.

1:04:54.240 --> 1:04:57.640
<v Speaker 1>From Hey, I'm the girl that Biggs took from you.

1:04:57.720 --> 1:05:01.080
<v Speaker 1>I just want to say she was a human being.

1:05:01.080 --> 1:05:05.280
<v Speaker 1>You don't need to carry this anymore. You've got mail.

1:05:06.080 --> 1:05:09.520
<v Speaker 6>What up, guys, This is Darius. I am calling from

1:05:09.600 --> 1:05:16.080
<v Speaker 6>Charlotte and my question flash topic regarding reasonable doubt. It's

1:05:16.240 --> 1:05:21.400
<v Speaker 6>around the two versions of the Presidents, which for me,

1:05:22.040 --> 1:05:26.040
<v Speaker 6>my personal favorite and the one that when I hear

1:05:26.160 --> 1:05:28.720
<v Speaker 6>the beat, my mind of faults to part one.

1:05:30.560 --> 1:05:31.280
<v Speaker 1>But I know that.

1:05:31.200 --> 1:05:34.760
<v Speaker 6>Part two is probably the most popular one doing on

1:05:34.840 --> 1:05:38.520
<v Speaker 6>the album and probably the one that people relate tomorrow.

1:05:38.560 --> 1:05:42.360
<v Speaker 6>But just curious on you guys, thoughts on which version

1:05:42.440 --> 1:05:46.240
<v Speaker 6>you think is the better one and for Bleak specifically,

1:05:47.760 --> 1:05:50.280
<v Speaker 6>do you think it was the right call going with

1:05:50.400 --> 1:05:54.280
<v Speaker 6>part two for the album cut? And which one that

1:05:54.400 --> 1:05:54.800
<v Speaker 6>you prefer?

1:05:54.880 --> 1:05:55.560
<v Speaker 3>What's your favorite?

1:05:56.280 --> 1:05:58.240
<v Speaker 6>I'm always just curious to see what people think about

1:05:58.280 --> 1:06:01.040
<v Speaker 6>the two versions, which one they prefer, and how they

1:06:01.120 --> 1:06:01.640
<v Speaker 6>feel about it.

1:06:01.680 --> 1:06:03.959
<v Speaker 1>So I'm curious both, y'all.

1:06:04.000 --> 1:06:08.040
<v Speaker 2>Part one I always tell people, if I had to

1:06:08.080 --> 1:06:10.840
<v Speaker 2>play a record for somebody that never heard rap before

1:06:11.120 --> 1:06:13.000
<v Speaker 2>and this was their first time hand rap, I would

1:06:13.280 --> 1:06:14.600
<v Speaker 2>play Dead President's Too.

1:06:16.080 --> 1:06:20.040
<v Speaker 3>You personally over Part one? Yeah, I think I'll played

1:06:20.080 --> 1:06:22.840
<v Speaker 3>Part one. The one that made the album is fire.

1:06:22.920 --> 1:06:25.800
<v Speaker 3>That's fire, but part one is like the classic classic

1:06:26.080 --> 1:06:26.480
<v Speaker 3>it is.

1:06:26.560 --> 1:06:30.160
<v Speaker 1>But Dead President's two, Bro, I never knew why did

1:06:30.200 --> 1:06:32.880
<v Speaker 1>he do parts? Not that I'm complaining, but challenge the

1:06:33.000 --> 1:06:36.280
<v Speaker 1>verse just changed the third verse.

1:06:36.600 --> 1:06:38.960
<v Speaker 4>I think, I don't know.

1:06:39.200 --> 1:06:42.040
<v Speaker 3>It could be some type of rights and ownership record

1:06:42.080 --> 1:06:45.280
<v Speaker 3>because then one came out on pay Day, the other police.

1:06:45.000 --> 1:06:45.680
<v Speaker 4>On death Jam.

1:06:46.800 --> 1:06:50.080
<v Speaker 3>Yeah, it'd be some type of splits and ownership. Okay,

1:06:50.320 --> 1:06:52.200
<v Speaker 3>I gotta get out of my publishing deal. Let me

1:06:52.200 --> 1:06:53.200
<v Speaker 3>throw another verse.

1:06:54.840 --> 1:06:57.840
<v Speaker 2>The game a little bit. But Dead President's two to me,

1:06:58.400 --> 1:07:03.320
<v Speaker 2>like obviously Part one is they're both classics, So it's

1:07:03.320 --> 1:07:08.120
<v Speaker 2>no wrong answer. But I just think that his energy

1:07:08.160 --> 1:07:11.280
<v Speaker 2>on part two was just like it felt like, oh

1:07:11.320 --> 1:07:14.040
<v Speaker 2>in another thing. That's the vibe I get from Dead

1:07:14.080 --> 1:07:16.920
<v Speaker 2>President's too. It's like he has some other ship to

1:07:16.920 --> 1:07:17.520
<v Speaker 2>put to that.

1:07:17.640 --> 1:07:20.720
<v Speaker 3>How many people you think can release a record and

1:07:20.760 --> 1:07:23.560
<v Speaker 3>then re release it with new rhymes and they hit harder?

1:07:23.720 --> 1:07:26.120
<v Speaker 1>Yeah, Richard, Yeah, that's not that's not That's not the

1:07:26.120 --> 1:07:28.160
<v Speaker 1>thing that can be done. Yeah. Yeah, And that was

1:07:28.200 --> 1:07:30.640
<v Speaker 1>that answer. But for me too, that video was a

1:07:30.640 --> 1:07:32.840
<v Speaker 1>part one and two that had like azy big, they

1:07:32.880 --> 1:07:35.120
<v Speaker 1>was all playing your brother, they was all playing monopoly

1:07:35.120 --> 1:07:37.200
<v Speaker 1>with real money. That was in debt press two or one.

1:07:37.320 --> 1:07:38.920
<v Speaker 1>That video that was one.

1:07:38.760 --> 1:07:40.520
<v Speaker 4>I think I think I think that was.

1:07:41.480 --> 1:07:44.200
<v Speaker 1>Yeah, I have the cheat code. I would take from

1:07:44.240 --> 1:07:46.880
<v Speaker 1>part one the second verse and part two the first verse,

1:07:46.920 --> 1:07:52.280
<v Speaker 1>and that's the perfect Dead President. That's my cheek code version.

1:07:52.360 --> 1:07:52.800
<v Speaker 4>I need.

1:07:52.960 --> 1:08:01.080
<v Speaker 1>Yeah, another one? What's going on? Part more? Rory Baby

1:08:01.120 --> 1:08:02.320
<v Speaker 1>did names Man.

1:08:02.240 --> 1:08:02.880
<v Speaker 6>Not the Bronx?

1:08:03.120 --> 1:08:06.560
<v Speaker 1>My question for Bleaker is, if you had the chance to.

1:08:06.600 --> 1:08:11.479
<v Speaker 3>Do an album produced by Kanye or just Blaze, which

1:08:11.480 --> 1:08:12.040
<v Speaker 3>one will he.

1:08:12.040 --> 1:08:12.920
<v Speaker 1>Pick and why.

1:08:14.800 --> 1:08:15.720
<v Speaker 4>That's a good question.

1:08:15.880 --> 1:08:16.599
<v Speaker 1>It's a great question.

1:08:16.720 --> 1:08:18.080
<v Speaker 4>It's a fucking great question.

1:08:19.720 --> 1:08:20.360
<v Speaker 1>Oh man.

1:08:20.520 --> 1:08:23.240
<v Speaker 4>So we're gonna not talk about the present day people.

1:08:23.240 --> 1:08:25.599
<v Speaker 1>We're gonna what's your opinion on the Jewish community?

1:08:26.760 --> 1:08:35.480
<v Speaker 4>Yo, chick Chip, they gave me gosh, we're good.

1:08:41.320 --> 1:08:45.479
<v Speaker 1>Semitic acide. Just blaze of Kanye West, of who you

1:08:45.479 --> 1:08:47.880
<v Speaker 1>would want to do a project with at this point.

1:08:49.080 --> 1:08:52.000
<v Speaker 3>Just blaze for the last thirty years, it's gonna be

1:08:52.000 --> 1:08:56.879
<v Speaker 3>the same fucking problem. I gotta go find this Niggayah.

1:08:57.120 --> 1:08:58.639
<v Speaker 4>He ain't easy to be founded.

1:08:58.680 --> 1:09:01.840
<v Speaker 3>They even got a card that's drawing like a comic book.

1:09:01.880 --> 1:09:03.960
<v Speaker 3>You know, it's like at night you can't see if

1:09:04.000 --> 1:09:05.679
<v Speaker 3>you just see the outline of the car, you gotta

1:09:05.720 --> 1:09:07.120
<v Speaker 3>paint it the way at night.

1:09:06.960 --> 1:09:10.840
<v Speaker 4>It turns invisible almost. Yeah, just as different. So but

1:09:11.000 --> 1:09:14.720
<v Speaker 4>that being sad, today's Kanye West.

1:09:15.080 --> 1:09:20.360
<v Speaker 3>I had to find them, get him some help counseling

1:09:21.560 --> 1:09:23.639
<v Speaker 3>so I wouldn't be today's Kanye.

1:09:23.720 --> 1:09:25.000
<v Speaker 4>So let's go back in the day.

1:09:25.080 --> 1:09:29.000
<v Speaker 1>Okay, before you know the opinion of anyone, just as

1:09:29.080 --> 1:09:31.479
<v Speaker 1>discovered Nintendo, let's just both three times.

1:09:31.520 --> 1:09:34.920
<v Speaker 3>I have to say Kanye, okay, why because I never

1:09:34.960 --> 1:09:38.320
<v Speaker 3>got beats from him the way I wanted to, Just

1:09:38.400 --> 1:09:38.880
<v Speaker 3>as my bro.

1:09:39.040 --> 1:09:42.200
<v Speaker 4>I love him. I mean masterpieces. Just we had some classics.

1:09:42.280 --> 1:09:44.680
<v Speaker 3>Sure, Like I said, I have over ten to fifteen

1:09:44.800 --> 1:09:45.920
<v Speaker 3>records with Just already.

1:09:46.000 --> 1:09:47.679
<v Speaker 4>Yeah, one with Kanye.

1:09:48.040 --> 1:09:50.640
<v Speaker 3>So I would say Kanye just off that fact to

1:09:50.720 --> 1:09:53.160
<v Speaker 3>relive that moment and getting to work with him.

1:09:53.240 --> 1:09:55.720
<v Speaker 1>Yeah, I've heard you missed on the Uchi Wally be

1:09:55.840 --> 1:09:57.720
<v Speaker 1>Is there any just a Kanye beats that you passed on?

1:09:58.360 --> 1:10:01.800
<v Speaker 4>They said, I passed on. Oh boy, it wasn't. It

1:10:01.840 --> 1:10:02.200
<v Speaker 4>was whoa.

1:10:02.400 --> 1:10:02.920
<v Speaker 1>It was whoa?

1:10:02.960 --> 1:10:04.000
<v Speaker 4>Okay, whoa shout?

1:10:04.120 --> 1:10:06.800
<v Speaker 1>I forgot who passed on? You passed the Whoa?

1:10:07.040 --> 1:10:09.960
<v Speaker 3>But the beat not that it wasn't. What wasn't They

1:10:10.120 --> 1:10:15.160
<v Speaker 3>just saying that's what I trying to tell me made

1:10:15.160 --> 1:10:15.519
<v Speaker 3>it say.

1:10:16.680 --> 1:10:20.160
<v Speaker 2>But even that beat though, like I'm I'm like, I

1:10:20.200 --> 1:10:22.479
<v Speaker 2>don't see, No, that's a beat like that?

1:10:22.840 --> 1:10:26.360
<v Speaker 4>What you think of that? Over that the same tape?

1:10:26.920 --> 1:10:29.920
<v Speaker 1>Okay, well that worked out okay for everybody. Yeah, but

1:10:29.960 --> 1:10:31.439
<v Speaker 1>I could see that too, even the Whoe beat. Of

1:10:31.439 --> 1:10:34.519
<v Speaker 1>course it's crazy. But if you take out knowing what

1:10:34.720 --> 1:10:36.559
<v Speaker 1>Black Rob did on that, that could just be like

1:10:36.600 --> 1:10:37.760
<v Speaker 1>some radio freestyle beat.

1:10:37.800 --> 1:10:39.280
<v Speaker 3>At the end of the day, like I didn't see

1:10:39.280 --> 1:10:41.720
<v Speaker 3>the vision he heard to be like yo, everything, like

1:10:41.800 --> 1:10:42.599
<v Speaker 3>whoa you're just.

1:10:42.520 --> 1:10:44.439
<v Speaker 1>Having raw beats? What you think of that? Or WHOA?

1:10:44.560 --> 1:10:45.080
<v Speaker 1>What you thinking?

1:10:45.120 --> 1:10:47.559
<v Speaker 2>That would definitely grab your ear and you'll be like okay,

1:10:47.840 --> 1:10:50.840
<v Speaker 2>especially if you're thinking I need a single, like what

1:10:50.920 --> 1:10:51.400
<v Speaker 2>you think of that?

1:10:51.560 --> 1:10:54.000
<v Speaker 1>Just yeah, he's.

1:10:53.920 --> 1:10:55.040
<v Speaker 4>Got some classics.

1:10:55.080 --> 1:10:55.240
<v Speaker 1>Man.

1:10:55.600 --> 1:10:58.599
<v Speaker 4>The people I still discover records like Buck Wild did that?

1:10:58.800 --> 1:11:02.280
<v Speaker 1>Yeah? No, Buck is crazy? Yeah, uh Ron, we got

1:11:02.280 --> 1:11:05.640
<v Speaker 1>the last one that's that's non Bleak related. But I

1:11:05.680 --> 1:11:08.559
<v Speaker 1>do want your opinion. This gentleman's going through something.

1:11:09.040 --> 1:11:13.600
<v Speaker 7>Yeah, what's up to the marias Rory and Maul. My

1:11:13.720 --> 1:11:18.040
<v Speaker 7>name is Odds. I'm from Port Saint Lucie, Florida. I

1:11:18.080 --> 1:11:19.920
<v Speaker 7>got a story to tell. I'm gonna mackey quick. So

1:11:19.920 --> 1:11:24.719
<v Speaker 7>I tried this before. It didn't work. I got baby Mama.

1:11:25.280 --> 1:11:27.799
<v Speaker 7>I've been with this six We broke up in twenty nineteen.

1:11:27.840 --> 1:11:30.880
<v Speaker 7>She on me, she knew me with a chick. That

1:11:31.000 --> 1:11:31.920
<v Speaker 7>ship does happen.

1:11:32.320 --> 1:11:35.479
<v Speaker 1>Just so you niggas know, this game was.

1:11:35.479 --> 1:11:38.599
<v Speaker 7>Really can't compete.

1:11:39.000 --> 1:11:39.519
<v Speaker 1>They ended up.

1:11:39.560 --> 1:11:41.679
<v Speaker 7>I found out some years later because we stopped talking,

1:11:43.000 --> 1:11:44.320
<v Speaker 7>you know, not even for the kid.

1:11:44.360 --> 1:11:45.519
<v Speaker 1>We just stopped talking.

1:11:45.560 --> 1:11:48.680
<v Speaker 5>She was talking as well, but we stopped talking but

1:11:48.840 --> 1:11:49.719
<v Speaker 5>she married Homegirl.

1:11:49.840 --> 1:11:54.280
<v Speaker 1>Homegirls ended up leaving her because she found out she.

1:11:54.240 --> 1:11:57.080
<v Speaker 8>Had as She couldn't deal with that chip that wasn't like.

1:11:57.600 --> 1:12:03.880
<v Speaker 5>Yo, man just recently giving me some rhythm yo, apprehension

1:12:03.920 --> 1:12:06.800
<v Speaker 5>on how to pursue that if I should pursue that

1:12:07.000 --> 1:12:09.479
<v Speaker 5>part of me wants to pursue. That part of me is.

1:12:09.400 --> 1:12:11.799
<v Speaker 1>Like, yo, that's just that't going bro get.

1:12:11.640 --> 1:12:15.680
<v Speaker 8>Out My daughter fifteen this summer, like it's time to

1:12:15.720 --> 1:12:24.520
<v Speaker 8>get out, it's over. I just want some advice, you know, yo,

1:12:24.120 --> 1:12:28.320
<v Speaker 8>yo from my favorite podcast, What's Up?

1:12:28.760 --> 1:12:29.360
<v Speaker 5>Help me out?

1:12:29.960 --> 1:12:32.400
<v Speaker 4>Help him out? I need to start a help.

1:12:32.240 --> 1:12:35.800
<v Speaker 3>Out because that that is that jamake. You gotta said,

1:12:35.960 --> 1:12:42.840
<v Speaker 3>that's wicked any bed that's wicked, mind yo, I want

1:12:42.880 --> 1:12:43.400
<v Speaker 3>to laugh.

1:12:43.960 --> 1:12:47.040
<v Speaker 1>But he said she left me for a chick. Got

1:12:47.080 --> 1:12:47.800
<v Speaker 1>mad right there.

1:12:48.400 --> 1:12:52.160
<v Speaker 3>Let you know he wasn't paying her no attention. Girls

1:12:52.200 --> 1:12:55.040
<v Speaker 3>love attention. Girls gonna give each other that attention. They're

1:12:55.080 --> 1:12:57.680
<v Speaker 3>gonna go get that lunch, that brud. So, yeah, you

1:12:57.720 --> 1:13:00.000
<v Speaker 3>ain't paying your bitch no attentions. Nobody wills.

1:13:00.040 --> 1:13:01.720
<v Speaker 1>Somebody will for sure. There you go that.

1:13:02.120 --> 1:13:05.719
<v Speaker 4>But then the girl left her. That means she's double back.

1:13:05.920 --> 1:13:10.040
<v Speaker 1>No, she's fitting something he said, she's giving me rhythm. Yeah,

1:13:11.880 --> 1:13:16.639
<v Speaker 1>what he was feeling before, the basics, like the trouble

1:13:16.720 --> 1:13:17.720
<v Speaker 1>for sure, he got.

1:13:19.120 --> 1:13:22.559
<v Speaker 3>Now he's feeling the rythm, the rhythms well, and he

1:13:22.600 --> 1:13:25.760
<v Speaker 3>said his daughter is fifteen. He gotta go get out.

1:13:25.800 --> 1:13:27.880
<v Speaker 3>He answered his own question. He said, it's over.

1:13:28.080 --> 1:13:29.960
<v Speaker 1>That's why I think sometimes he said, we call in.

1:13:30.000 --> 1:13:31.920
<v Speaker 1>They just need to listen to their own voicemails, to

1:13:31.960 --> 1:13:33.840
<v Speaker 1>listen back to what you just said, Like because this

1:13:33.880 --> 1:13:35.760
<v Speaker 1>girl cheating on you with the girl and cool that

1:13:35.840 --> 1:13:38.160
<v Speaker 1>ended up being her queen. Whatever. She went to staples.

1:13:38.240 --> 1:13:42.160
<v Speaker 1>She wanted her scissors and she got them. She's happy.

1:13:42.200 --> 1:13:44.599
<v Speaker 1>But then her queen, who she finally found that would

1:13:44.600 --> 1:13:48.280
<v Speaker 1>pay attention, got ms, and I thought it was death

1:13:48.320 --> 1:13:50.800
<v Speaker 1>to us part. We have to fucking through sickness and health.

1:13:50.920 --> 1:13:56.160
<v Speaker 1>She gets ms and she's like, nah, back to the

1:13:56.200 --> 1:13:58.720
<v Speaker 1>only guy that she knows because they share a kid,

1:13:59.080 --> 1:14:01.360
<v Speaker 1>and she know that is just terrible. But not only that,

1:14:01.400 --> 1:14:03.559
<v Speaker 1>though they knew, he said, the knew they was six.

1:14:05.080 --> 1:14:06.439
<v Speaker 1>They think they I think he said that since they

1:14:06.479 --> 1:14:10.040
<v Speaker 1>were six, right, they grew and.

1:14:10.280 --> 1:14:13.920
<v Speaker 3>Say what they call that simple? Simply what's his name?

1:14:14.080 --> 1:14:18.400
<v Speaker 3>He ain't simply oh j simply another.

1:14:22.360 --> 1:14:26.560
<v Speaker 1>Yeah, simply that you would have handled out another way, simply.

1:14:28.160 --> 1:14:29.560
<v Speaker 4>Simply living days.

1:14:31.520 --> 1:14:37.080
<v Speaker 2>Oh my god, before we let you alone, before we

1:14:37.160 --> 1:14:42.479
<v Speaker 2>let you go. Is there any way we can bring

1:14:42.520 --> 1:14:45.880
<v Speaker 2>a man to some peace? To you and yay on murder.

1:14:46.240 --> 1:14:49.240
<v Speaker 3>Tell niggas come higher at me, man, they want me

1:14:49.240 --> 1:14:51.040
<v Speaker 3>to come on the war? What is the war report?

1:14:51.560 --> 1:14:53.840
<v Speaker 1>The real report? Put up to the.

1:14:53.800 --> 1:14:56.640
<v Speaker 3>Real report, they could pull up the rock solid, yo, bro,

1:14:56.800 --> 1:14:58.240
<v Speaker 3>I have no beef for nobody.

1:14:58.880 --> 1:15:00.479
<v Speaker 1>Know what you said? It was cool, like you A

1:15:00.560 --> 1:15:01.599
<v Speaker 1>murder was cool.

1:15:01.840 --> 1:15:04.439
<v Speaker 3>Yeah, we got three videos, we got mass sores together.

1:15:04.479 --> 1:15:06.240
<v Speaker 3>Me and the True Life is out here looking for

1:15:06.280 --> 1:15:11.080
<v Speaker 3>the ops together. Now that me and True just was

1:15:11.160 --> 1:15:13.679
<v Speaker 3>riding in the car ready for all smoke.

1:15:14.120 --> 1:15:17.160
<v Speaker 1>Now I'm in the smoke like goddam with a lot

1:15:17.160 --> 1:15:17.960
<v Speaker 1>of that's holding this.

1:15:18.640 --> 1:15:20.920
<v Speaker 2>Yeah, Yo, Dawn though, And I think that he kind

1:15:20.960 --> 1:15:23.680
<v Speaker 2>of felt like what you said about uh, you know

1:15:23.880 --> 1:15:26.160
<v Speaker 2>gu and It or anybody June affiliated.

1:15:26.439 --> 1:15:27.519
<v Speaker 1>He felt a way about that.

1:15:27.560 --> 1:15:30.920
<v Speaker 3>He can't do that. He gunit sendicate man, that's like

1:15:31.000 --> 1:15:33.840
<v Speaker 3>wou send the Kate. He not an original member of

1:15:34.000 --> 1:15:37.320
<v Speaker 3>g unit. The way he gonna take on the scars

1:15:37.360 --> 1:15:39.880
<v Speaker 3>and the wombs that they had from the beginning.

1:15:40.360 --> 1:15:42.599
<v Speaker 1>He sat in the beginning to fifty face.

1:15:42.640 --> 1:15:43.200
<v Speaker 4>He would never.

1:15:43.200 --> 1:15:46.479
<v Speaker 3>Sign to him, right, so you can't now wear the

1:15:46.520 --> 1:15:49.720
<v Speaker 3>scars nigga like, come on, that's like a nigga get

1:15:49.760 --> 1:15:51.960
<v Speaker 3>down with us right now. I'm not going he gonna

1:15:52.000 --> 1:15:55.439
<v Speaker 3>just act like he had beef with Nas and Jungle, like.

1:15:55.840 --> 1:15:58.639
<v Speaker 1>Come on, man, that's not right. But there is room

1:15:58.680 --> 1:16:00.120
<v Speaker 1>for y'all to sit down and.

1:16:00.120 --> 1:16:02.160
<v Speaker 3>All the time, because I don't have no pree for

1:16:02.240 --> 1:16:07.439
<v Speaker 3>nobody had chilling my life, got records moving, no more moving.

1:16:07.880 --> 1:16:10.679
<v Speaker 3>I'm the last thing before is to be riding around

1:16:10.720 --> 1:16:11.639
<v Speaker 3>New York hoppy.

1:16:14.200 --> 1:16:14.840
<v Speaker 1>It's too hot.

1:16:17.680 --> 1:16:19.760
<v Speaker 3>I don't even know how to get back a moment

1:16:20.520 --> 1:16:23.640
<v Speaker 3>like what's the outfit for the territory?

1:16:23.720 --> 1:16:28.800
<v Speaker 1>Dash? Gentrified? Now exactly what the fuck?

1:16:29.240 --> 1:16:31.320
<v Speaker 3>They're gonna run up on you with a fit fit

1:16:31.439 --> 1:16:35.160
<v Speaker 3>bit bracelet and kill you jogging, get count his steps

1:16:35.200 --> 1:16:35.800
<v Speaker 3>and clip you.

1:16:36.200 --> 1:16:43.240
<v Speaker 1>We're not ready for this, yo, We're not ready for

1:16:43.280 --> 1:16:48.960
<v Speaker 1>the way here that jo can sit down. And of

1:16:49.000 --> 1:16:50.840
<v Speaker 1>course we got to make that happen before it went

1:16:50.920 --> 1:16:51.400
<v Speaker 1>this far.

1:16:51.960 --> 1:16:54.960
<v Speaker 3>We reached out to Murder because I wanted to get

1:16:54.960 --> 1:16:58.040
<v Speaker 3>some clarification as to what Yeah, Yo meant maybe he

1:16:58.040 --> 1:16:59.600
<v Speaker 3>could have sat down with me and we could have

1:16:59.600 --> 1:17:02.040
<v Speaker 3>cleared it right. They didn't have to go this fuck

1:17:04.120 --> 1:17:05.960
<v Speaker 3>who knows man, you know what I mean. We gotta

1:17:06.040 --> 1:17:08.400
<v Speaker 3>make let's tell fifty comes to that. We want to

1:17:08.400 --> 1:17:10.120
<v Speaker 3>know what's up with him in the big Homie, come

1:17:10.160 --> 1:17:10.680
<v Speaker 3>talk to me.

1:17:10.880 --> 1:17:15.960
<v Speaker 1>Yeah, but we definitely do that hoppy our Yeah, it.

1:17:16.040 --> 1:17:18.280
<v Speaker 3>Might change my name the Optimist Prime.

1:17:23.320 --> 1:17:26.240
<v Speaker 1>Before we let you go to celebrate Reasonable Doubt thirty

1:17:26.320 --> 1:17:29.320
<v Speaker 1>years As of July thirty first, twenty twenty six. Top

1:17:29.320 --> 1:17:32.880
<v Speaker 1>five j albums in order, in order from number one

1:17:32.880 --> 1:17:33.240
<v Speaker 1>to five.

1:17:33.520 --> 1:17:44.120
<v Speaker 3>Me yeah, Black album, number one, American Gangster Ool.

1:17:44.600 --> 1:17:45.920
<v Speaker 1>I wasn't expecting you to say that.

1:17:47.800 --> 1:17:53.599
<v Speaker 4>Number three, Reasonable Doubt Before.

1:17:56.960 --> 1:17:59.439
<v Speaker 3>I'm gonna put a lot of curve ball in there.

1:17:59.439 --> 1:18:03.439
<v Speaker 3>I'm gonna go with the album with him and the

1:18:03.560 --> 1:18:08.559
<v Speaker 3>rock group, the Lincoln Parkship Lincoln Park, the live album,

1:18:08.640 --> 1:18:10.960
<v Speaker 3>because that got some gems like when they remix them

1:18:10.960 --> 1:18:12.479
<v Speaker 3>to be it's.

1:18:12.600 --> 1:18:15.519
<v Speaker 1>Different the Whites. We love that in the bar.

1:18:16.040 --> 1:18:17.280
<v Speaker 4>Number five, that's.

1:18:17.080 --> 1:18:19.080
<v Speaker 1>A great that's a great carry out the album. If

1:18:19.120 --> 1:18:20.760
<v Speaker 1>you go down, if you go down Jersey Shore, that

1:18:20.800 --> 1:18:27.960
<v Speaker 1>does not it does numbers out like you know alb

1:18:28.640 --> 1:18:31.559
<v Speaker 1>like and Congress. You performed for the first time in

1:18:31.840 --> 1:18:36.240
<v Speaker 1>shot No Congress, right, that's that's fire Man. Congratulations, Thank you. Bro.

1:18:36.400 --> 1:18:37.600
<v Speaker 4>Do say moving.

1:18:39.080 --> 1:18:39.599
<v Speaker 1>Number five?

1:18:39.680 --> 1:18:40.360
<v Speaker 4>Fifth album?

1:18:40.400 --> 1:18:44.080
<v Speaker 3>Man, I would say Volume two because that's the one

1:18:44.080 --> 1:18:45.960
<v Speaker 3>that took us over Bowl, you know what I mean?

1:18:46.000 --> 1:18:49.559
<v Speaker 3>Hard Knock Life, that's the one that on that crossover planet.

1:18:49.720 --> 1:18:59.519
<v Speaker 2>Yeah, more reasonable, hard Knock Black Album, Blueprint.

1:18:59.880 --> 1:19:03.719
<v Speaker 1>I forgot, Yeah, you gave Lincoln Park over a blueprint plak.

1:19:03.760 --> 1:19:04.800
<v Speaker 1>I'm never gonna forgive you.

1:19:04.840 --> 1:19:07.080
<v Speaker 4>No, No, it ain't over. But that's just like a f.

1:19:09.560 --> 1:19:17.519
<v Speaker 1>And then pri American Gangster gotcha mind changes often after

1:19:17.640 --> 1:19:21.560
<v Speaker 1>Yankee Stadium. It used to be Blueprint one, but Reasonable Doubt, Blueprint,

1:19:21.680 --> 1:19:25.439
<v Speaker 1>Black Album, American Gangster four forty four.

1:19:25.720 --> 1:19:27.720
<v Speaker 3>See and you and this get this? You said it

1:19:27.760 --> 1:19:29.439
<v Speaker 3>might be the end of the New York run. What

1:19:29.439 --> 1:19:30.719
<v Speaker 3>about Black Album thirty?

1:19:31.520 --> 1:19:37.360
<v Speaker 1>Blackout thirty, Oh, Shaye Stadium. I'm starting Sasha Stadium.

1:19:41.320 --> 1:19:46.120
<v Speaker 3>That would be ridiculous. Like Blackout thirty. You gotta have

1:19:46.160 --> 1:19:48.200
<v Speaker 3>a new New York blackout. You gotta have the city

1:19:48.200 --> 1:19:50.160
<v Speaker 3>shut down the power like it's O three. Do you

1:19:50.280 --> 1:19:52.120
<v Speaker 3>have what's next? That's what we do. Shut down the

1:19:52.200 --> 1:19:54.880
<v Speaker 3>Power Grig, Blackout, thirty Whole City.

1:19:55.080 --> 1:19:57.200
<v Speaker 1>When's the So Far Gone Anniversary might be the same year.

1:19:57.560 --> 1:19:59.000
<v Speaker 1>Do you want Do you want Jay to put out

1:19:59.000 --> 1:19:59.720
<v Speaker 1>a new album?

1:20:00.240 --> 1:20:02.160
<v Speaker 4>No, I don't either me neither.

1:20:02.200 --> 1:20:03.679
<v Speaker 1>I don't. I don't either.

1:20:03.760 --> 1:20:04.439
<v Speaker 4>I think he could.

1:20:04.880 --> 1:20:08.800
<v Speaker 3>He could give you one one one joint, Yeah, because

1:20:08.840 --> 1:20:12.320
<v Speaker 3>he got j Is on some major bullshit. Because I'm

1:20:12.320 --> 1:20:15.400
<v Speaker 3>a rapper and I know what rappers do. You practice?

1:20:15.720 --> 1:20:17.560
<v Speaker 3>You might see some ship like, oh, that gave me

1:20:17.560 --> 1:20:20.479
<v Speaker 3>an idea, yo goo put this beat on lay some ship.

1:20:20.840 --> 1:20:23.800
<v Speaker 3>Nobody hear it, but you don't know, Go tell me,

1:20:23.880 --> 1:20:24.360
<v Speaker 3>yo yo.

1:20:24.439 --> 1:20:25.240
<v Speaker 4>Jay got some ship.

1:20:25.880 --> 1:20:29.920
<v Speaker 3>It's like steal a hard drive the way they said

1:20:30.000 --> 1:20:33.479
<v Speaker 3>Cali hard Let's steal a JH. But we want the

1:20:33.600 --> 1:20:37.479
<v Speaker 3>Cali hard Drive. Let's get the j hard have changed

1:20:37.520 --> 1:20:40.080
<v Speaker 3>mad lives. I got I be Oprah with it. So

1:20:40.280 --> 1:20:44.080
<v Speaker 3>for you, so for you, so for you. That's talking

1:20:44.120 --> 1:20:51.760
<v Speaker 3>about it on there like I've told you Oprah.

1:20:51.960 --> 1:20:53.680
<v Speaker 1>Yeah, but I don't. I don't think I want another JA,

1:20:53.920 --> 1:20:55.679
<v Speaker 1>like a new Ja out. If he has something to say,

1:20:55.720 --> 1:20:57.720
<v Speaker 1>I want to and all hes gonna say.

1:20:57.760 --> 1:20:59.280
<v Speaker 3>See this is the thing I think we live in

1:20:59.280 --> 1:21:01.439
<v Speaker 3>the world at Nortter what he said. People gonna have

1:21:01.520 --> 1:21:04.160
<v Speaker 3>something to say, of course, so it's like it's no

1:21:04.400 --> 1:21:07.400
<v Speaker 3>right or wrong thing to say, and he wants anything

1:21:07.479 --> 1:21:10.360
<v Speaker 3>you say is gonna be whatever people deem it as

1:21:10.640 --> 1:21:13.840
<v Speaker 3>because ever since, like think about it, they crucified me

1:21:13.920 --> 1:21:16.479
<v Speaker 3>with the activism stuff because I did violate be like, yo,

1:21:16.560 --> 1:21:18.360
<v Speaker 3>I ain't with the activism shit. I don't know what

1:21:18.439 --> 1:21:21.800
<v Speaker 3>I was thinking. Bought me, had me hot. I never

1:21:21.840 --> 1:21:24.280
<v Speaker 3>want to see those shit like that. I gotta make

1:21:24.320 --> 1:21:27.439
<v Speaker 3>sure I old trip and slip or some shit like that.

1:21:27.600 --> 1:21:31.080
<v Speaker 3>Ever get But ever since I called the black hood

1:21:31.200 --> 1:21:35.680
<v Speaker 3>fabricAll my song shit been crickets now no, now the

1:21:35.760 --> 1:21:37.360
<v Speaker 3>activists don't want no smoke.

1:21:37.120 --> 1:21:40.000
<v Speaker 1>With a real activist wit you and mice have no

1:21:40.240 --> 1:21:42.599
<v Speaker 1>that's my dog, that's the hood fabric.

1:21:43.680 --> 1:21:46.920
<v Speaker 3>Yeah, they better put respect on niggas on the front line.

1:21:47.080 --> 1:21:49.639
<v Speaker 3>All these niggas on the front of the post. He's

1:21:49.720 --> 1:21:52.479
<v Speaker 3>on the front line, all the front of the post.

1:21:52.479 --> 1:21:55.559
<v Speaker 3>People was all in my comments going crazy. I bought

1:21:55.560 --> 1:21:58.400
<v Speaker 3>the front of the line. Nigga who outside with it?

1:21:58.439 --> 1:22:01.000
<v Speaker 3>Shit crickets Now it's quiet. Don't want no more smoke

1:22:01.160 --> 1:22:05.719
<v Speaker 3>that op died. I'm cool activist community.

1:22:05.720 --> 1:22:06.160
<v Speaker 4>I'm back.

1:22:07.520 --> 1:22:09.880
<v Speaker 1>That's why we have you here, Bleak. Exit strategy for

1:22:09.920 --> 1:22:13.799
<v Speaker 1>Iran yo, yeah, listen.

1:22:14.280 --> 1:22:17.680
<v Speaker 3>Exit strategy for I red is the reset. But like

1:22:17.720 --> 1:22:21.800
<v Speaker 3>going too you go too far to gaate like up,

1:22:22.160 --> 1:22:26.960
<v Speaker 3>like reset, let's start over. He's just reset this ship.

1:22:28.439 --> 1:22:33.640
<v Speaker 3>Just be like yo, listen, Wilent. Yeah, everybody race you

1:22:33.960 --> 1:22:34.920
<v Speaker 3>got one on the books.

1:22:34.920 --> 1:22:37.280
<v Speaker 4>We got one on the book back to zero.

1:22:38.000 --> 1:22:42.360
<v Speaker 2>So yes, even Stevens, we would start over the wrong fu. Yeah, absolutely,

1:22:42.840 --> 1:22:44.920
<v Speaker 2>you're bleak. We want to thank you for finally coming

1:22:45.000 --> 1:22:49.000
<v Speaker 2>up man man doing this episode. Man, salute to you

1:22:49.760 --> 1:22:52.200
<v Speaker 2>because we're talking about reasonable dout thirty years but obviously

1:22:52.240 --> 1:22:55.920
<v Speaker 2>you've been there every step of the way, still holding

1:22:55.960 --> 1:22:59.080
<v Speaker 2>the flag, still wrapping the rock. And I just want

1:22:59.120 --> 1:23:01.400
<v Speaker 2>to say we appreciate everything that you've given the culture,

1:23:01.400 --> 1:23:04.240
<v Speaker 2>everything that you've provided over the years, all of the balls,

1:23:04.280 --> 1:23:06.519
<v Speaker 2>all of the moments, and we hope to continue to

1:23:06.560 --> 1:23:08.080
<v Speaker 2>see you Bill and do say.

1:23:08.439 --> 1:23:09.920
<v Speaker 4>I appreciate rock solid.

1:23:09.960 --> 1:23:11.479
<v Speaker 1>Pocket. We gotta come dough rock solid.

1:23:11.600 --> 1:23:12.880
<v Speaker 4>Yes, you gotta pull up man.

1:23:12.920 --> 1:23:15.120
<v Speaker 1>Yeah, we're doing rock solid. You gotta do rock solid.

1:23:15.280 --> 1:23:18.080
<v Speaker 4>I'm glad I did this. Is not know my t

1:23:18.320 --> 1:23:19.840
<v Speaker 4>dot oh card is still good.

1:23:19.880 --> 1:23:27.240
<v Speaker 1>No, Yeah, you're good man. It's no beavers, no shout

1:23:27.240 --> 1:23:31.240
<v Speaker 1>out car real legend and they going the show with you.

1:23:31.240 --> 1:23:33.720
<v Speaker 1>You better pull out all your fucking joints because he

1:23:33.800 --> 1:23:37.679
<v Speaker 1>gonna make you this legend. People don't met him perform first.

1:23:37.600 --> 1:23:42.320
<v Speaker 1>That's right. You better touch the stage first. That's somebody else.

1:23:42.320 --> 1:23:44.080
<v Speaker 1>You want to talk to his car now, so we

1:23:44.160 --> 1:23:46.559
<v Speaker 1>gotta get car out of here. Man, that's easy. Yeah,

1:23:47.240 --> 1:23:50.800
<v Speaker 1>give him his flowers and ship man, absolutely, that's six. Ship.

1:23:51.080 --> 1:23:52.080
<v Speaker 4>Haven't been to the six.

1:23:53.479 --> 1:23:57.000
<v Speaker 1>You got to come to the six. Man. Make sure

1:23:57.080 --> 1:23:58.240
<v Speaker 1>we're good. Yeah, we're good man.

1:23:58.320 --> 1:24:01.240
<v Speaker 4>Niggas out there taking change that family in Toronto.

1:24:01.360 --> 1:24:03.800
<v Speaker 3>Man, I was the criminal across the border, like, no

1:24:04.840 --> 1:24:05.559
<v Speaker 3>fucking buggy.

1:24:05.960 --> 1:24:10.759
<v Speaker 1>Now, these niggas got goods. They were shice. Toronto always

1:24:10.800 --> 1:24:11.360
<v Speaker 1>been like that.

1:24:11.400 --> 1:24:16.599
<v Speaker 3>Though the most diverse girls happen to. The girl came

1:24:16.640 --> 1:24:20.599
<v Speaker 3>out was the one in the place in the world

1:24:20.640 --> 1:24:24.679
<v Speaker 3>where you win every rapper. That's why any basketball player

1:24:24.680 --> 1:24:27.799
<v Speaker 3>that ever got traded to Toronto, they never complain.

1:24:28.320 --> 1:24:29.880
<v Speaker 1>You never heard a nigga like, yo, we don't want

1:24:29.880 --> 1:24:33.880
<v Speaker 1>to go play. Niggas like we want to go bugging beautiful.

1:24:33.880 --> 1:24:38.559
<v Speaker 1>It is ippy out there. Issue with drinking is making

1:24:38.560 --> 1:24:40.519
<v Speaker 1>that sity so popular? Why did you tell the rest

1:24:40.520 --> 1:24:41.760
<v Speaker 1>of the world I was amazing this place.

1:24:42.080 --> 1:24:43.479
<v Speaker 4>Yeah, no, I be out there.

1:24:43.520 --> 1:24:49.479
<v Speaker 1>It's at he he shouldn't be mad. I'm trying to

1:24:49.520 --> 1:24:50.800
<v Speaker 1>make sure it's still good over there.

1:24:50.960 --> 1:24:53.439
<v Speaker 2>You're good, man, We're all good in Toronto. Man, that's

1:24:53.520 --> 1:24:55.240
<v Speaker 2>family up there. Man, everything good.

1:24:55.720 --> 1:24:58.000
<v Speaker 1>Why don't shoot his part in Toronto?

1:24:59.120 --> 1:25:02.840
<v Speaker 3>Got them make sure top five there, he gotta be got.

1:25:03.000 --> 1:25:06.120
<v Speaker 3>I gotta talk the top five. Certain niggas on the internet,

1:25:06.320 --> 1:25:09.920
<v Speaker 3>they do their thing. I'm watching. I gotta beat you.

1:25:10.360 --> 1:25:14.120
<v Speaker 1>I got you. I fucked with your step I got you.

1:25:14.360 --> 1:25:17.240
<v Speaker 1>Gift him the Nazi change. Yeah, this is what I'm saying.

1:25:17.320 --> 1:25:20.800
<v Speaker 1>Like you got questions. Yeah, I gotta sit with top

1:25:21.680 --> 1:25:24.800
<v Speaker 1>What is what is the opps like down here? What? What?

1:25:24.800 --> 1:25:25.760
<v Speaker 1>What a day?

1:25:25.400 --> 1:25:26.720
<v Speaker 4>And banging out here?

1:25:27.680 --> 1:25:30.519
<v Speaker 3>I gotta know because back then it wasn't like it

1:25:30.640 --> 1:25:31.120
<v Speaker 3>is today.

1:25:31.200 --> 1:25:32.040
<v Speaker 1>So it changed.

1:25:32.200 --> 1:25:33.960
<v Speaker 2>It was more, it was it was it was more

1:25:34.000 --> 1:25:36.080
<v Speaker 2>if you know, you know back then with the internet,

1:25:36.160 --> 1:25:39.240
<v Speaker 2>you know exactly, Toronto is like New York, bro. I

1:25:39.240 --> 1:25:41.280
<v Speaker 2>tell people all the time, Toronto is a lot like

1:25:41.320 --> 1:25:41.640
<v Speaker 2>New York.

1:25:41.680 --> 1:25:44.960
<v Speaker 3>Toron Why people better not sleep on ship, right, there

1:25:45.000 --> 1:25:48.880
<v Speaker 3>next to Buffalo. If you know Buffalo, everything in legal

1:25:48.960 --> 1:25:53.280
<v Speaker 3>go through Buffalo ship right there.

1:25:53.760 --> 1:25:55.599
<v Speaker 1>One of those things called parking Rymes by the bus

1:25:56.280 --> 1:25:59.799
<v Speaker 1>was a parking Ryan Sling. Shot you a pack across

1:26:00.040 --> 1:26:08.640
<v Speaker 1>a bro before the drum. Yeah, hell under now you

1:26:08.640 --> 1:26:12.920
<v Speaker 1>can drone drop the Yeah, I'm not fucking with Top five.

1:26:13.200 --> 1:26:14.600
<v Speaker 1>He got it. Look he got it.

1:26:15.080 --> 1:26:17.639
<v Speaker 3>How y'all gonna put that? See the top out there

1:26:17.640 --> 1:26:21.280
<v Speaker 3>putting in that work. I don't know about Top four

1:26:21.360 --> 1:26:23.400
<v Speaker 3>up here from New York, man, you know what I mean?

1:26:23.520 --> 1:26:25.599
<v Speaker 4>I think the Top four, but it got worked.

1:26:25.680 --> 1:26:29.599
<v Speaker 1>This niggas crazy. That was thirty years of reasonable doubt.

1:26:29.640 --> 1:26:32.800
<v Speaker 1>Shout out to Memphis, blinking the building, Drop that leg,

1:26:33.160 --> 1:26:34.120
<v Speaker 1>just jed, you always

1:26:34.160 --> 1:26:36.559
<v Speaker 3>Loved You know what it is that man, You know

1:26:36.600 --> 1:26:39.160
<v Speaker 3>what it is, y'all