WEBVTT - QLS Classic: Little Brother

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<v Speaker 1>Questloft Supreme is a production of iHeartRadio. So y'all, June

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<v Speaker 1>is Black Music Momp, and every year we use this

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<v Speaker 1>time to knowledge something that really can't be overstated. Black

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<v Speaker 1>music is one of the foundational forces behind modern culture. Now,

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<v Speaker 1>back when Teams Supreme and I we're doing the Quest

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<v Speaker 1>Love Supreme and now on the Quest Love Show, We've

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<v Speaker 1>always tried to create a space for those stories. So

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<v Speaker 1>for the entire month of June, we're bringing you an

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<v Speaker 1>episode every day focus on the history, influence, and ongoing

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<v Speaker 1>evolutions black music. A team and I dug through the

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<v Speaker 1>catalog and selected episodes that build especially meaningful for now

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<v Speaker 1>conversations that are formed and entertained and connect the dots

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<v Speaker 1>between where this music comes from and where it's headed.

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<v Speaker 2>Now.

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<v Speaker 1>Alongside those, we'll be releasing four new episodes on Quest

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<v Speaker 1>Loft Show featuring trailblazers, innovator and cultural connectors and visionaries

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<v Speaker 1>who represent the past, present and future.

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<v Speaker 2>Of black music. I want you to enjoy the same.

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<v Speaker 1>Thank you, ladies and gentlemen, Welcome to another episode of

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<v Speaker 1>Quest Love Supreme.

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<v Speaker 2>I'm your host Questlove with Me.

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<v Speaker 1>Today is Boss Bill and kind of Weird is Fontigolo

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<v Speaker 1>on his own former podcast as Sudds the proud of

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<v Speaker 1>his son, his return and the one and only Big Pooh,

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<v Speaker 1>collectively known as Durham, North Carolina's finest little Brother. I'm

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<v Speaker 1>correct and seeing Durham correct yep, yep, and you claim

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<v Speaker 1>dorm as well, Pooh.

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<v Speaker 3>Durham claims me.

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<v Speaker 1>Like who's one of the tug of war of where

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<v Speaker 1>the genesis little brother actually lies? It all started at Central,

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<v Speaker 1>you know what I mean with students in North Carolina

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<v Speaker 1>Central together, So Durham, for all intents and purposes, it

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<v Speaker 1>is the birthplace a little brother. Yeah, I just I

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<v Speaker 1>just have to make it clear that I'm from Virginia

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<v Speaker 1>originally just what cities Alexandria, all through northern Virginia, but

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<v Speaker 1>Alexandria and Fairfax specifically. Okay, all right, So I in

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<v Speaker 1>the attempts to treat Fonte as a regular guest, to

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<v Speaker 1>not assume that everyone knews his story.

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<v Speaker 2>I do.

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<v Speaker 1>However, I'm not that familiar with your story, Pooh. So

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<v Speaker 1>to give us a recap or whatever, I'll start with you.

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<v Speaker 1>What was your entry into music?

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<v Speaker 4>Probably the radio, but like more importantly BM when they

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<v Speaker 4>did the h you could get like.

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<v Speaker 3>CDs for a dollar or whatever.

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<v Speaker 2>Were you or were you scamming?

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<v Speaker 3>I was scamming big time.

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<v Speaker 2>Yeah.

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<v Speaker 4>Yeah, I did it about five different times and got

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<v Speaker 4>five different groups of CDs. But that was probably my

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<v Speaker 4>real intro, just learning about so many different.

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<v Speaker 3>Artists. And I had friends from New York.

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<v Speaker 4>I mean everybody probably did at that time, back in

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<v Speaker 4>the nineties who would come down with tapes like That's

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<v Speaker 4>how I first heard the big ee nas and just

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<v Speaker 4>different artists from out of New York.

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<v Speaker 3>At the time.

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<v Speaker 4>And between that and radio, because radio was real regional

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<v Speaker 4>in the nineties, so you, I mean we were. It

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<v Speaker 4>was heavy go go influence, but you would get when

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<v Speaker 4>the artists come through, you will start getting a different artist.

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<v Speaker 4>So that's how I got put on to like when

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<v Speaker 4>Ray Kwan when he dropped the Purple tape, he came through,

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<v Speaker 4>did an interview. They actually debut you incarcerated scar faces

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<v Speaker 4>on the radio. I'll never forget it in DC.

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<v Speaker 3>So that was my start.

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<v Speaker 5>Man.

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<v Speaker 4>I was actually just talking about this with my wife yesterday,

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<v Speaker 4>Like we didn't listen to music in the house. My

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<v Speaker 4>mom is not a huge music fan, so I just

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<v Speaker 4>had to get into other places because it didn't come

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<v Speaker 4>from the crib.

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<v Speaker 1>Yeah, I was gonna ask for and the same for you, Fante, Like,

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<v Speaker 1>was there trickle down creativity in your life like an

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<v Speaker 1>older cousin and older like, Yeah, for me, it absolutely was.

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<v Speaker 1>It was it was my mom. I think it started

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<v Speaker 1>with my mom. So the thing where you know, I

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<v Speaker 1>have very young parents, So my mother was my mother

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<v Speaker 1>when she had me, she was fifteen and my dad

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<v Speaker 1>was seventeen. So I was pretty much with my mom

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<v Speaker 1>like all the time. So wherever she went, I was there.

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<v Speaker 1>So during the summer, but during the like the weekends,

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<v Speaker 1>that was when we had to clean up well with

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<v Speaker 1>my grandmother, So that was clean up time. So that

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<v Speaker 1>was when she was playing all the you know, all

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<v Speaker 1>just you know, the classic R and B stuff, Luther Patty,

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<v Speaker 1>you know, you had Johnny Guitar Watson. She used to

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<v Speaker 1>like Love Jones by Johnny Guitar Watson and we would

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<v Speaker 1>sing that. And then during the week if she went

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<v Speaker 1>out to like the park or whatever. That's why I

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<v Speaker 1>heard all like the early eighties, you know, Nucleus gem

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<v Speaker 1>on It, Shannon let the music play. That was kind

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<v Speaker 1>of where I was hearing all that, and so between

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<v Speaker 1>her and my uncle, my two uncles. My one uncle Mike,

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<v Speaker 1>he was a DJ, and he would get like all

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<v Speaker 1>the promo records from the station and bring them home

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<v Speaker 1>and I would go through the promo records. And then

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<v Speaker 1>my other uncle, my uncle brid he was super. He

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<v Speaker 1>was kind of the more experimental, I guess in terms

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<v Speaker 1>of his taste, Like he was heavy.

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<v Speaker 2>P funk heavy. He was a big dance music fan,

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<v Speaker 2>so a lot.

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<v Speaker 1>Of South Old stuff, southsol orchestra, instant funk that my

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<v Speaker 1>mom made up.

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<v Speaker 2>He like Heart. I remember he had like the Heart,

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<v Speaker 2>the Dreamboat and the album, you know what I'm saying.

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<v Speaker 1>So he he went all over everywhere. So he was probably,

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<v Speaker 1>you know, one of my biggest musical influences in terms

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<v Speaker 1>of no regard for a genre.

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<v Speaker 2>If it was funky to him, he just fucked with it.

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<v Speaker 2>And that's what it was.

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<v Speaker 1>So with Pooh, for you you not having that like

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<v Speaker 1>what was it just recreational or just an escape or

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<v Speaker 1>like I was life playing?

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<v Speaker 3>It was an escape for me.

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<v Speaker 4>I can put on music, had a bite walk man,

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<v Speaker 4>just ride around town unless how I was just listening

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<v Speaker 4>to music. Had the auto reverse so flip itself and

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<v Speaker 4>so you know, I just for me. It was just

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<v Speaker 4>something I just.

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<v Speaker 3>Always innately enjoyed and just enjoy listening.

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<v Speaker 4>I was always a writer, not necessarily of music, but

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<v Speaker 4>like I would write poetry, I would write short stories.

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<v Speaker 4>So that inspired like that intrigued me in music. That's

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<v Speaker 4>why I took to Nas like I did, because his

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<v Speaker 4>rhymes are more like stories to me. So that's why

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<v Speaker 4>I took the Prince. His stuff was like stories, and

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<v Speaker 4>I mean that was that was pretty much it. I

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<v Speaker 4>later learned that my dad is a big music head

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<v Speaker 4>and fan, but you know, I didn't meet him until

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<v Speaker 4>I was nineteen, so I would not have known that

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<v Speaker 4>in my younger year.

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<v Speaker 1>Now, I mean, is this the typical narrative for a

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<v Speaker 1>young black teenager in the early nineties to go this

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<v Speaker 1>particular route, because again, I mean, you know, I'll call

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<v Speaker 1>truly ignorant Northerners are and what our thoughts are about

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<v Speaker 1>anybody below the Mason Dixon line. So I mean just

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<v Speaker 1>in general, because Aucass had this problem as well. Yeah,

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<v Speaker 1>like people just are landing whatever, you know, not, So

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<v Speaker 1>was there ever a I mean, is this the typical

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<v Speaker 1>route of a young black teenager in that time period?

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<v Speaker 1>I definitely wouldn't say it was typical, just because you

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<v Speaker 1>know where we grew up at where I grew up

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<v Speaker 1>in Greensboro, North Carolina. You know, there wasn't There were

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<v Speaker 1>people who made music, but there wasn't really the thought

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<v Speaker 1>of actually making it as a musician. It was just yo,

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<v Speaker 1>we like music, we spend records, you know, we freestyle whatever.

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<v Speaker 1>But I don't think there was ever a real thought of, like, yo,

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<v Speaker 1>you could make a living doing this. This the South

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<v Speaker 1>at that time and still in many ways it's still

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<v Speaker 1>very traditional in the sense of you know, you go

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<v Speaker 1>to school, you get a job, you get you some benefits.

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<v Speaker 1>You know, you bring a steady check home. You know

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<v Speaker 1>what I'm saying. That was life, That's what it was. Yeah.

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<v Speaker 1>So in terms of just musically though, we were always

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<v Speaker 1>the South was always a big kind of melting pot

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<v Speaker 1>because and I think a lot of things that people

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<v Speaker 1>didn't understand, the problem that cast had and also you know,

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<v Speaker 1>a problem that little brother had, you know, people didn't

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<v Speaker 1>understand it. In the South, we grew up listening to everything,

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<v Speaker 1>like the South was the meeting point for all kinds

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<v Speaker 1>of music. So you had, of course, you know where

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<v Speaker 1>we were and I talked about this for on the

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<v Speaker 1>show where we were in Greensboro, that was you know,

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<v Speaker 1>it's the South, it's East Coast, but it was a

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<v Speaker 1>lot of traffic that went through Greensboro, be it college students,

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<v Speaker 1>be it drug dealers, be it you know, just all

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<v Speaker 1>kinds of transplants that was bringing their music, you know,

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<v Speaker 1>to our area. And then, like Pool was saying, you

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<v Speaker 1>had the Cats coming from DC. They brought the go go,

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<v Speaker 1>you know what I mean, and so we were getting

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<v Speaker 1>Then you had Florida that was you know, Magic Mike

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<v Speaker 1>two Live Crew. You had the base you know from

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<v Speaker 1>from Florida and Atlanta. And then you know the West

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<v Speaker 1>Coast you know, with like Chronic of course, I mean

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<v Speaker 1>Chronic was kind of the bomb that went off everywhere.

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<v Speaker 1>But we were students and that was something that I

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<v Speaker 1>think we always had an advantage of as Southerners because

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<v Speaker 1>we really had to study all types of music versus

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<v Speaker 1>New York.

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<v Speaker 2>They kind of.

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<v Speaker 1>Got caught off guard, like the South was a sucker

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<v Speaker 1>punch to them, Like when they saw you know, when

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<v Speaker 1>Master p blew up and you know, no limit, you know,

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<v Speaker 1>cash money.

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<v Speaker 2>They got caught off guard. It was like what the

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<v Speaker 2>fuck is this?

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<v Speaker 1>But in the South, we knew that shit was coming,

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<v Speaker 1>you know what I mean, because we had been studying it.

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<v Speaker 1>So Okay, when I first started coming down to North Carolina,

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<v Speaker 1>there was a club called is it the Cat's Cradle?

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<v Speaker 3>Yep?

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<v Speaker 1>Okay, So like one of our very first gigs was

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<v Speaker 1>at the Cat's Cradle. And I mean, you know, we

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<v Speaker 1>were the roots, so of course we're going to attract

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<v Speaker 1>sort of an alternative sort of audience whatnot.

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<v Speaker 2>So there was.

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<v Speaker 1>Like an element of culture that I was familiar with

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<v Speaker 1>down there that wasn't too certain of that. I don't

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<v Speaker 1>know if you guys know Dave Tompkins, he was like

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<v Speaker 1>a writer.

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<v Speaker 2>Yeah, he was a writer. I know of him. I

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<v Speaker 2>don't know him personally, but I know who he is.

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<v Speaker 1>Yeah, he wrote for like Vibe and all that stuff

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<v Speaker 1>and whatnot. So he was like showing me around North

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<v Speaker 1>Carolina and whatnot. So I meant, was there a first

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<v Speaker 1>draft of a crew like how how do you two meet?

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<v Speaker 1>And a manga mat into what will eventually be known

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<v Speaker 1>as Little Brother, Like what's what's the circle?

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<v Speaker 4>I mean, we initially met uh in a dorm room.

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<v Speaker 4>Uh Tay came through in this ever ever bubbly personality.

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<v Speaker 4>Uh to spit a rhyme he wrote for English class.

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<v Speaker 4>Uh and and that's how we met.

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<v Speaker 2>As that was first time we met straight up. It was.

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<v Speaker 4>Ari on the hallway, Joe Joe Wright, I remember his

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<v Speaker 4>last name today, Joe Wright.

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<v Speaker 3>He was.

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<v Speaker 4>It was his room and he used to just have

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<v Speaker 4>mad people come in the room. And I was fresh

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<v Speaker 4>on the hallway because I actually stayed in a hotel

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<v Speaker 4>for half of my first semester in college.

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<v Speaker 3>But I got there.

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<v Speaker 4>We were in the room kicking it, and Fonte come

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<v Speaker 4>in and was like, yeah, wrote this around for English class.

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<v Speaker 4>It's called no apologies. And he starts spitting and I'm

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<v Speaker 4>just like, what you wrote there for English class? That

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<v Speaker 4>could be on the radio or some shit. And that's

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<v Speaker 4>when he let everybody know he was quitting football as well.

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<v Speaker 4>I didn't know he played football, but he was quitting

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<v Speaker 4>out of that you.

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<v Speaker 2>Played football for man. I played football.

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<v Speaker 1>I started playing football in the sixth grade, and I

0:12:40.040 --> 0:12:43.160
<v Speaker 1>played all through middle school, all through high school, and

0:12:43.200 --> 0:12:46.000
<v Speaker 1>I played my first two years in college and I

0:12:46.000 --> 0:12:49.600
<v Speaker 1>played fullback. And you know, by the time I got

0:12:49.600 --> 0:12:53.800
<v Speaker 1>to college, I realized that it was a much more

0:12:54.000 --> 0:12:57.160
<v Speaker 1>of a It was a commitment that I just didn't have.

0:12:57.480 --> 0:13:00.400
<v Speaker 1>Like I didn't love the game. I wasn't on scholar ship.

0:13:01.000 --> 0:13:01.960
<v Speaker 1>I didn't care.

0:13:02.600 --> 0:13:04.560
<v Speaker 2>You know. I was like, why am I out here? Fuck?

0:13:04.640 --> 0:13:04.720
<v Speaker 3>This?

0:13:05.360 --> 0:13:08.640
<v Speaker 1>Was it a Friday night lights culture for football down

0:13:08.679 --> 0:13:13.600
<v Speaker 1>there or high football? And yeah, it kind of was.

0:13:13.679 --> 0:13:15.960
<v Speaker 1>I mean it was a big So the school I

0:13:15.960 --> 0:13:19.640
<v Speaker 1>played for in high school, Page high school, we used

0:13:19.679 --> 0:13:21.760
<v Speaker 1>to whip ass like we was the truth. And so

0:13:22.520 --> 0:13:26.040
<v Speaker 1>my senior, my junior, senior year, my senior year, we

0:13:26.120 --> 0:13:29.880
<v Speaker 1>got to the semifinals and we almost took state, but

0:13:29.920 --> 0:13:32.800
<v Speaker 1>we lost in the semifinals. But we always had a

0:13:32.840 --> 0:13:36.120
<v Speaker 1>good program, and so it was something I think for me,

0:13:36.240 --> 0:13:37.760
<v Speaker 1>it was just something that was more social.

0:13:37.800 --> 0:13:39.680
<v Speaker 2>In high school, it was just you know, I was

0:13:39.720 --> 0:13:40.480
<v Speaker 2>a big kid.

0:13:40.520 --> 0:13:44.120
<v Speaker 1>I had decent size, you know, decent speed, and you

0:13:44.160 --> 0:13:45.320
<v Speaker 1>know I like to hit motherfuckers.

0:13:45.320 --> 0:13:47.000
<v Speaker 2>So I was like, all right, fuck it, I play football.

0:13:47.280 --> 0:13:50.440
<v Speaker 1>But once I got the was I got to college,

0:13:50.840 --> 0:13:53.160
<v Speaker 1>That's when I was like, yo, this ship is a business,

0:13:53.200 --> 0:13:56.200
<v Speaker 1>Like you really got to be committed, and I just

0:13:56.240 --> 0:13:57.440
<v Speaker 1>didn't have the love for it.

0:13:57.480 --> 0:14:00.080
<v Speaker 2>And I'm just like, man, while am I out here?

0:14:00.120 --> 0:14:02.000
<v Speaker 1>I love doing music, So let me go do music.

0:14:02.440 --> 0:14:04.080
<v Speaker 1>And that was around the time that that was when

0:14:04.080 --> 0:14:04.680
<v Speaker 1>me and who met.

0:14:04.960 --> 0:14:08.199
<v Speaker 4>That's where we met, And I mean it morphed into

0:14:08.600 --> 0:14:13.400
<v Speaker 4>a different variations of what it ultimately became. It was

0:14:13.440 --> 0:14:15.600
<v Speaker 4>a big ass group of us at one time called

0:14:15.600 --> 0:14:20.400
<v Speaker 4>the organization. Then that whittled down to give me how.

0:14:20.280 --> 0:14:22.920
<v Speaker 2>Many how many people in that organization? I don't know

0:14:23.000 --> 0:14:27.000
<v Speaker 2>what nine So it was okay, the organization. It was me, you.

0:14:28.560 --> 0:14:31.520
<v Speaker 2>I guess ninth was in it by default. I think

0:14:31.640 --> 0:14:32.560
<v Speaker 2>I don't even think he.

0:14:32.560 --> 0:14:35.840
<v Speaker 3>Was in the organization. It was people I can't even

0:14:35.840 --> 0:14:36.560
<v Speaker 3>remember their name.

0:14:36.680 --> 0:14:37.640
<v Speaker 2>It was this organization.

0:14:37.760 --> 0:14:41.040
<v Speaker 1>It was this organization, So I know, Devin, it was me, you, Joe,

0:14:42.960 --> 0:14:47.920
<v Speaker 1>God who you remember? Rosie Rosie it was it was

0:14:47.920 --> 0:14:49.480
<v Speaker 1>a girl who used to run with named Rosie.

0:14:49.520 --> 0:14:53.440
<v Speaker 2>Who was MC. She was Dope. Uh, Medina of course

0:14:53.480 --> 0:14:53.960
<v Speaker 2>she was in that.

0:14:54.760 --> 0:14:59.840
<v Speaker 3>Yes, yes, it was Theda.

0:15:00.200 --> 0:15:01.800
<v Speaker 2>Modina was Medina was A.

0:15:01.960 --> 0:15:04.240
<v Speaker 1>She was another girl she was she was an m

0:15:04.320 --> 0:15:08.320
<v Speaker 1>C and Modina was Dope and Medina and and Sean Dawn.

0:15:09.120 --> 0:15:11.200
<v Speaker 2>They had a whirlwind.

0:15:10.800 --> 0:15:14.280
<v Speaker 4>Romance, tumotualist eumotualistuous relationship.

0:15:15.600 --> 0:15:16.440
<v Speaker 3>And it was.

0:15:16.400 --> 0:15:21.520
<v Speaker 1>The original Chris Brown and Rihanna Mann Man.

0:15:21.160 --> 0:15:26.960
<v Speaker 4>Old man, listen, Okay, we leave that man to tell

0:15:27.000 --> 0:15:28.840
<v Speaker 4>his own his own war war stories.

0:15:28.920 --> 0:15:31.640
<v Speaker 1>Those stories are not ours to tell. But we were

0:15:31.680 --> 0:15:34.040
<v Speaker 1>a collective of just em c's and and then we

0:15:34.080 --> 0:15:36.520
<v Speaker 1>had a Z Yoursell Collins.

0:15:36.760 --> 0:15:38.320
<v Speaker 2>He was he was our R and B singer.

0:15:38.840 --> 0:15:44.080
<v Speaker 4>Yeah, keep them hollering Collins. He had like somebody else

0:15:44.120 --> 0:15:45.960
<v Speaker 4>that raped. I can't remember that. I can't remember who

0:15:45.960 --> 0:15:49.720
<v Speaker 4>it was. But it was just a very loose and

0:15:49.760 --> 0:15:53.920
<v Speaker 4>I used that term loose lee. It was very loose

0:15:53.960 --> 0:15:59.040
<v Speaker 4>collective of people who went to school together and we

0:15:59.080 --> 0:16:02.400
<v Speaker 4>would just go to each other each other rooms, freestyling style,

0:16:02.560 --> 0:16:04.880
<v Speaker 4>and that was that was it. And then it whittled

0:16:04.920 --> 0:16:09.400
<v Speaker 4>down to give me which is me sean Dan, give

0:16:09.440 --> 0:16:10.240
<v Speaker 4>me a g I.

0:16:10.240 --> 0:16:10.720
<v Speaker 2>M m E.

0:16:11.120 --> 0:16:12.600
<v Speaker 3>Yep, yeah, yep.

0:16:13.120 --> 0:16:15.440
<v Speaker 2>That was no name. What that was at an acronym,

0:16:15.480 --> 0:16:17.120
<v Speaker 2>was it? It was? Of course it was an acronym.

0:16:18.200 --> 0:16:25.760
<v Speaker 4>Of course, give us God the murder me God, I

0:16:25.880 --> 0:16:27.080
<v Speaker 4>murdered menyms.

0:16:27.640 --> 0:16:30.000
<v Speaker 2>That was one of them. Yeah, we had a couple

0:16:30.040 --> 0:16:30.400
<v Speaker 2>of them.

0:16:30.720 --> 0:16:31.640
<v Speaker 3>That was the main one.

0:16:32.000 --> 0:16:33.960
<v Speaker 1>That was the main one, God I murdered man. It

0:16:34.080 --> 0:16:37.840
<v Speaker 1>was so many bad We had so many bad meanings

0:16:37.880 --> 0:16:39.840
<v Speaker 1>for the acronym, but that was it.

0:16:40.920 --> 0:16:43.160
<v Speaker 2>I want a group to come out named acronym in

0:16:43.200 --> 0:16:44.040
<v Speaker 2>the an.

0:16:47.440 --> 0:16:55.640
<v Speaker 1>Accomplished character, resigious, resilience, nigga.

0:16:57.080 --> 0:16:58.920
<v Speaker 3>I don't get that ship way the fun up out

0:16:58.960 --> 0:16:59.200
<v Speaker 3>of here.

0:16:59.680 --> 0:17:04.280
<v Speaker 4>Yeah, but I mean it transformed into many different took

0:17:04.280 --> 0:17:07.240
<v Speaker 4>many different shapes, and I still remember this is this

0:17:07.240 --> 0:17:09.159
<v Speaker 4>would always be funny to me. I mean, this was

0:17:09.160 --> 0:17:12.480
<v Speaker 4>the moment that changed my rap career. But it's it's

0:17:12.480 --> 0:17:16.240
<v Speaker 4>still funny because it's ironic how it ended up. Seandan

0:17:16.320 --> 0:17:19.040
<v Speaker 4>didn't come back to school one semester, so that was

0:17:19.080 --> 0:17:22.080
<v Speaker 4>the end of gimme and h Fante was in my

0:17:22.119 --> 0:17:23.800
<v Speaker 4>dorm room and he was like, yo, man.

0:17:23.600 --> 0:17:25.239
<v Speaker 2>We got he went to New York. He went back

0:17:25.280 --> 0:17:25.760
<v Speaker 2>to New York.

0:17:25.840 --> 0:17:28.359
<v Speaker 4>Yeah, Sean went back to New York. So I was like,

0:17:28.400 --> 0:17:31.640
<v Speaker 4>what's good man. He's like, yeah, man, I don't see

0:17:31.640 --> 0:17:35.000
<v Speaker 4>as being no duo. So uh, you know you gotta

0:17:35.040 --> 0:17:37.399
<v Speaker 4>do some more work. So but if you need me

0:17:37.440 --> 0:17:38.000
<v Speaker 4>for something, just.

0:17:37.960 --> 0:17:38.480
<v Speaker 2>I let me.

0:17:41.400 --> 0:17:44.440
<v Speaker 3>That conversation changed my It changed my rap career.

0:17:44.520 --> 0:17:44.720
<v Speaker 2>Man.

0:17:44.920 --> 0:17:48.400
<v Speaker 4>It made me work hard at ship, like I never

0:17:48.440 --> 0:17:51.440
<v Speaker 4>worked so hard in my life at something. But I mean,

0:17:52.000 --> 0:17:55.000
<v Speaker 4>it's ironic because that's we ended up a duo anyway.

0:17:55.680 --> 0:17:58.720
<v Speaker 1>During that period, I mean, how how much would you

0:17:58.760 --> 0:18:03.080
<v Speaker 1>say you were committing to your craft as opposed to

0:18:03.080 --> 0:18:05.880
<v Speaker 1>like surviving going your job and I write rhyme.

0:18:05.800 --> 0:18:10.280
<v Speaker 4>Maybe I was surviving man. Uh yeah, yeah, it wasn't

0:18:10.440 --> 0:18:14.520
<v Speaker 4>It wasn't serious for me. I still didn't I still

0:18:14.560 --> 0:18:17.560
<v Speaker 4>didn't believe that it could be more than just something

0:18:17.560 --> 0:18:21.240
<v Speaker 4>we were doing in school at the time, because I

0:18:21.280 --> 0:18:24.320
<v Speaker 4>never saw this as a career for me. It was

0:18:24.359 --> 0:18:29.040
<v Speaker 4>just something I love to do. And that moment let

0:18:29.080 --> 0:18:32.280
<v Speaker 4>me know, like, hey man, you gotta step your ship

0:18:32.400 --> 0:18:35.680
<v Speaker 4>up or you better start really going to class.

0:18:35.840 --> 0:18:37.040
<v Speaker 3>It was. It was one of those.

0:18:38.880 --> 0:18:40.480
<v Speaker 2>Yeah I'm saying I.

0:18:40.400 --> 0:18:41.680
<v Speaker 3>Didn't choose class.

0:18:42.920 --> 0:18:43.920
<v Speaker 2>Yeah, that was the thing.

0:18:43.960 --> 0:18:45.880
<v Speaker 1>I mean, I remember at that time because we were

0:18:46.040 --> 0:18:47.960
<v Speaker 1>kind of it was a pivotal moment for all of

0:18:48.000 --> 0:18:50.280
<v Speaker 1>us because at that time, Shan Donnie went back to

0:18:50.320 --> 0:18:53.320
<v Speaker 1>New York and Pool was still me and you. We

0:18:53.320 --> 0:18:55.800
<v Speaker 1>were the only ones I think still in Durham and

0:18:56.040 --> 0:18:57.760
<v Speaker 1>you were about to go home that summer. We were

0:18:57.840 --> 0:19:00.239
<v Speaker 1>about to just go home for that summer, and there

0:19:00.280 --> 0:19:05.359
<v Speaker 1>was just this is ninety eight, ninety nine, No, this

0:19:05.440 --> 0:19:08.360
<v Speaker 1>was this was probably was it two thousand, It had

0:19:08.400 --> 0:19:09.640
<v Speaker 1>to be the two thousand.

0:19:10.119 --> 0:19:13.520
<v Speaker 3>It was two thousand and one because that's the summer.

0:19:13.720 --> 0:19:17.200
<v Speaker 2>We you know what it was two thousand and one.

0:19:17.480 --> 0:19:19.880
<v Speaker 3>It was spring. It was spring two thousand and one.

0:19:21.440 --> 0:19:25.080
<v Speaker 4>I went to Charlotte for the summer and I was

0:19:25.160 --> 0:19:27.360
<v Speaker 4>taking the train back to Durham because that's when the.

0:19:27.440 --> 0:19:28.480
<v Speaker 3>Justice League started.

0:19:29.160 --> 0:19:32.440
<v Speaker 4>Yeah, that's when little brother became little brother like that,

0:19:32.760 --> 0:19:33.200
<v Speaker 4>and that.

0:19:33.560 --> 0:19:36.119
<v Speaker 1>Us Spring two thousand and one. That was like dealing.

0:19:36.240 --> 0:19:39.639
<v Speaker 1>It was born. My oldest son was born. He was

0:19:39.640 --> 0:19:43.520
<v Speaker 1>born December two thousand, so yeah, around two thousand and

0:19:43.640 --> 0:19:45.480
<v Speaker 1>one spring old Nigga.

0:19:45.280 --> 0:19:47.600
<v Speaker 2>My head was in a whole nother place. I was like, Yo,

0:19:48.080 --> 0:19:48.720
<v Speaker 2>if you ain't.

0:19:48.560 --> 0:19:51.520
<v Speaker 1>Real about this shit, nigga, yeah, you better find something

0:19:51.560 --> 0:19:52.720
<v Speaker 1>else because nigga, I got a kid.

0:19:53.400 --> 0:19:54.360
<v Speaker 2>Yeah, I'm not going to say.

0:19:54.880 --> 0:19:56.920
<v Speaker 1>When you have a kid and when you have real

0:19:56.960 --> 0:20:03.080
<v Speaker 1>life situations, then how much pressure to pursue your your craft?

0:20:03.720 --> 0:20:05.080
<v Speaker 1>Like what's the ratio balance?

0:20:05.400 --> 0:20:06.520
<v Speaker 2>Man? I was scared of ship.

0:20:07.640 --> 0:20:08.119
<v Speaker 3>I was.

0:20:08.160 --> 0:20:08.479
<v Speaker 2>I was.

0:20:08.560 --> 0:20:11.679
<v Speaker 1>I was scared to tell you know, my son was

0:20:11.720 --> 0:20:14.600
<v Speaker 1>born the end of December.

0:20:15.080 --> 0:20:16.680
<v Speaker 2>Uh he you know, he was Christmas.

0:20:16.720 --> 0:20:20.680
<v Speaker 1>He was Christmas Eve two thousand and so I ended

0:20:20.720 --> 0:20:24.320
<v Speaker 1>up finishing my degree in that like that following semester

0:20:24.400 --> 0:20:25.720
<v Speaker 1>of like May two thousand and one.

0:20:26.760 --> 0:20:28.800
<v Speaker 2>His mother ended up coming back.

0:20:28.800 --> 0:20:31.639
<v Speaker 1>I think that next the semester after that, and she

0:20:31.680 --> 0:20:35.080
<v Speaker 1>finished her degree like in December. So we were young

0:20:35.200 --> 0:20:38.280
<v Speaker 1>parents and we had no fucking idea what we were

0:20:38.320 --> 0:20:41.000
<v Speaker 1>gonna do. You know, I had no clue you know

0:20:41.080 --> 0:20:44.520
<v Speaker 1>what what it was gonna be. And me and Pooh

0:20:44.760 --> 0:20:46.879
<v Speaker 1>we were we had started kind of making records. We

0:20:46.880 --> 0:20:49.080
<v Speaker 1>had made a couple of records. It's give me and

0:20:49.280 --> 0:20:51.639
<v Speaker 1>you know, I felt like we had something. It was dope.

0:20:52.080 --> 0:20:54.440
<v Speaker 1>But uh, you know, Seanna went back to New York.

0:20:55.200 --> 0:20:57.480
<v Speaker 1>Me and Pool were just, you know, kind of here.

0:20:57.800 --> 0:21:00.320
<v Speaker 1>He was going back home for the summer and and

0:21:00.480 --> 0:21:02.240
<v Speaker 1>he was going back home to Charlotte, and we had

0:21:02.240 --> 0:21:04.240
<v Speaker 1>that conversation was like, yo, man, I don't really see

0:21:04.320 --> 0:21:06.920
<v Speaker 1>us being the duo. But that summer, I remember Pooh

0:21:06.960 --> 0:21:09.680
<v Speaker 1>went home and that was it was this event used

0:21:09.720 --> 0:21:12.399
<v Speaker 1>to call fat City that a buddy of ours was

0:21:12.400 --> 0:21:15.959
<v Speaker 1>having its cat dj DR and it was like an

0:21:16.000 --> 0:21:20.240
<v Speaker 1>open mic kind of freestyle thing, and Pooh he put

0:21:20.320 --> 0:21:23.600
<v Speaker 1>in work and he came back that next semester, and

0:21:24.240 --> 0:21:25.520
<v Speaker 1>his rhymes was just different.

0:21:25.560 --> 0:21:26.200
<v Speaker 2>He was rhyming.

0:21:26.240 --> 0:21:28.280
<v Speaker 1>I was like, nigga, you this shit sound good, you

0:21:28.320 --> 0:21:30.600
<v Speaker 1>know what I mean? And I could just see he

0:21:30.680 --> 0:21:32.439
<v Speaker 1>had really put that work in. I mean, and we

0:21:32.480 --> 0:21:34.800
<v Speaker 1>always kind of been putting it in, but I really

0:21:34.840 --> 0:21:36.919
<v Speaker 1>just saw in him. I was like, yeah, like he

0:21:37.000 --> 0:21:40.720
<v Speaker 1>really he really about it now, and you know, we all,

0:21:41.280 --> 0:21:44.200
<v Speaker 1>you know, we took him seriously at that point. Okay,

0:21:44.320 --> 0:21:50.359
<v Speaker 1>so where does Ninth come into the equation of the

0:21:50.400 --> 0:21:55.400
<v Speaker 1>original incarnation of Little Brother? Ninth originally was man ninth?

0:21:55.600 --> 0:22:00.000
<v Speaker 1>Was I met Knife in ninety eight?

0:22:00.080 --> 0:22:00.760
<v Speaker 2>It was ninety eight.

0:22:01.240 --> 0:22:05.080
<v Speaker 1>Yeah, So ninety eight we were moving into the dorm.

0:22:05.160 --> 0:22:08.720
<v Speaker 1>This was like, uh, you the day when everybody moves

0:22:08.760 --> 0:22:11.080
<v Speaker 1>into the dorm. I was playing football, so I had

0:22:11.119 --> 0:22:13.879
<v Speaker 1>already been there earlier to report for camp. So we

0:22:13.960 --> 0:22:15.800
<v Speaker 1>had been in there all the all the football players.

0:22:16.200 --> 0:22:19.080
<v Speaker 1>But this is when the civilians we used to call them,

0:22:19.119 --> 0:22:21.439
<v Speaker 1>you know, the civilians had first moved in, So all

0:22:21.480 --> 0:22:24.639
<v Speaker 1>the niggas didn'tvolve like it's like it's civilians about to

0:22:24.640 --> 0:22:27.600
<v Speaker 1>move in, the civilians coming, and so now it was.

0:22:27.600 --> 0:22:29.680
<v Speaker 2>Supports at first, and then the civilians come.

0:22:29.880 --> 0:22:31.840
<v Speaker 1>Yeah, that's when the civilians come after that, because we

0:22:31.880 --> 0:22:34.080
<v Speaker 1>had to report early, you know, for two days, with

0:22:34.520 --> 0:22:37.920
<v Speaker 1>three of days really and so so man, so i'm

0:22:38.040 --> 0:22:39.879
<v Speaker 1>I'm in the joint. I walk into the dorm and

0:22:39.920 --> 0:22:42.359
<v Speaker 1>it's like the lobby kind of commons area, and I

0:22:42.400 --> 0:22:44.919
<v Speaker 1>see this dude holding a source magazine and I was.

0:22:44.920 --> 0:22:46.600
<v Speaker 2>Like, yo, man, let let me let me see that.

0:22:46.640 --> 0:22:47.680
<v Speaker 2>Let me let me see that source.

0:22:48.160 --> 0:22:52.199
<v Speaker 1>And at that time, this was again, this is like

0:22:52.280 --> 0:22:56.600
<v Speaker 1>ninety eight, so this is master p you know, bad boy.

0:22:56.760 --> 0:22:58.960
<v Speaker 1>I mean, this is kind of like the peak of

0:22:59.400 --> 0:23:02.560
<v Speaker 1>that era, you know, approaching that era. So to see

0:23:02.560 --> 0:23:06.760
<v Speaker 1>somebody with a source magazine that shit was like, Nigga,

0:23:06.800 --> 0:23:08.760
<v Speaker 1>that's like manner from heaven, you know what I mean.

0:23:08.760 --> 0:23:10.920
<v Speaker 2>It's like, oh my god, you know about this too?

0:23:11.040 --> 0:23:15.560
<v Speaker 2>What the fuck? You know? And so he was like yeah, man.

0:23:15.600 --> 0:23:17.879
<v Speaker 1>So we me and him started going through the source

0:23:17.920 --> 0:23:21.440
<v Speaker 1>together and it was an ad for most Steps Black

0:23:21.440 --> 0:23:24.800
<v Speaker 1>on Black Side, and I think either me or him

0:23:24.920 --> 0:23:26.480
<v Speaker 1>was like, yo, man, I'm waiting on this shit.

0:23:26.920 --> 0:23:28.720
<v Speaker 2>And I was like, nigga, you know about that? Like

0:23:28.720 --> 0:23:29.480
<v Speaker 2>what you were you.

0:23:29.600 --> 0:23:32.960
<v Speaker 1>Up on most And from that point on, me and

0:23:33.040 --> 0:23:35.800
<v Speaker 1>Knine like we were like that was it you know

0:23:35.840 --> 0:23:38.280
<v Speaker 1>what I mean. It was like, you know, I found

0:23:38.359 --> 0:23:40.880
<v Speaker 1>kind of another Jedi. So that was ninety eight.

0:23:41.680 --> 0:23:43.480
<v Speaker 2>Can I ask? Can I ask something? Sure?

0:23:43.760 --> 0:23:43.960
<v Speaker 3>Well?

0:23:44.000 --> 0:23:47.359
<v Speaker 1>When I met culturally, did you often have to code

0:23:47.400 --> 0:23:50.400
<v Speaker 1>switch musically to fit.

0:23:50.200 --> 0:23:52.560
<v Speaker 2>In with whatever social circle you were in?

0:23:52.840 --> 0:23:56.920
<v Speaker 1>So say, if like someone's not into most that is

0:23:57.119 --> 0:24:01.520
<v Speaker 1>in your parameter in college, like who else are you

0:24:01.600 --> 0:24:02.080
<v Speaker 1>listening to?

0:24:02.200 --> 0:24:02.800
<v Speaker 2>At that time?

0:24:04.080 --> 0:24:07.159
<v Speaker 1>No Limit they ran ship because I couldn't make No

0:24:08.560 --> 0:24:11.520
<v Speaker 1>Limit ran ship, bro Like that was for me. It

0:24:11.680 --> 0:24:15.600
<v Speaker 1>was different because so I didn't get No Limit until

0:24:15.600 --> 0:24:18.920
<v Speaker 1>I got to college because at the time that was

0:24:18.920 --> 0:24:22.640
<v Speaker 1>when we was playing football, and so all the football

0:24:22.640 --> 0:24:23.800
<v Speaker 1>players like all.

0:24:23.600 --> 0:24:26.159
<v Speaker 2>In the locker room. That was what we was bumping

0:24:26.200 --> 0:24:28.240
<v Speaker 2>about it about it the true.

0:24:28.040 --> 0:24:31.880
<v Speaker 1>Album No Limit Soldiers, like you know, before we went

0:24:31.880 --> 0:24:34.439
<v Speaker 1>to the weight room, like we bumped that ship. So

0:24:35.160 --> 0:24:38.199
<v Speaker 1>that was when No Limit clicked for me because I

0:24:38.200 --> 0:24:40.480
<v Speaker 1>was like, Okay, this is what the music is used for.

0:24:40.720 --> 0:24:42.879
<v Speaker 2>It wasn't necessarily nothing. I was riding around in my

0:24:42.960 --> 0:24:43.879
<v Speaker 2>car playing you.

0:24:43.880 --> 0:24:45.960
<v Speaker 1>Know at no point where you guys like, hey, this

0:24:46.040 --> 0:24:47.399
<v Speaker 1>is this thing called the love movement.

0:24:52.960 --> 0:24:55.800
<v Speaker 2>I was called get a hold, you know.

0:24:56.400 --> 0:24:59.800
<v Speaker 3>I was still I was still in high school. But

0:25:00.200 --> 0:25:01.600
<v Speaker 3>I mean for us, it wasn't.

0:25:01.640 --> 0:25:03.719
<v Speaker 4>It was just like you like what you liked, and

0:25:04.520 --> 0:25:09.400
<v Speaker 4>you learned from other people about other you know, other shit.

0:25:09.600 --> 0:25:11.919
<v Speaker 4>So I learned from other people about No Limit. I

0:25:12.000 --> 0:25:14.200
<v Speaker 4>learned because I was listening to New York stuff personally.

0:25:14.280 --> 0:25:17.320
<v Speaker 4>So I learned from other people about No Limit. I

0:25:17.400 --> 0:25:19.239
<v Speaker 4>learned from other people about the West Coast. I had

0:25:19.240 --> 0:25:22.400
<v Speaker 4>a homeboy who was from Oakland originally, so he put

0:25:22.440 --> 0:25:25.479
<v Speaker 4>me on to drew Down and Too Short and all

0:25:25.520 --> 0:25:28.720
<v Speaker 4>the guys from Oakland and and so that's how I

0:25:28.800 --> 0:25:32.520
<v Speaker 4>started just taking everything in. But it wasn't like a

0:25:33.080 --> 0:25:35.120
<v Speaker 4>if you come into the circle and you be like, yo, man,

0:25:35.160 --> 0:25:38.480
<v Speaker 4>I listened to you know, the Jungle Brothers and somebody

0:25:38.560 --> 0:25:41.280
<v Speaker 4>was like, man, I'm listening to fucking n w.

0:25:41.119 --> 0:25:41.800
<v Speaker 3>A man Like.

0:25:42.000 --> 0:25:44.800
<v Speaker 4>It wasn't a seemed like they wasn't that. It was

0:25:44.880 --> 0:25:47.280
<v Speaker 4>just like, oh well, let me see what that's talking about.

0:25:47.400 --> 0:25:50.200
<v Speaker 4>And it was like a sharing experience.

0:25:50.200 --> 0:25:52.760
<v Speaker 1>It was a way a lot more sharing, way more

0:25:52.760 --> 0:25:56.200
<v Speaker 1>communal experience. We gotten a no limit, but it was

0:25:56.200 --> 0:26:01.720
<v Speaker 1>more like with binoculars, see what they're doing a distance.

0:26:02.400 --> 0:26:04.840
<v Speaker 1>Let's see what they're doing. I mean when the movie

0:26:04.880 --> 0:26:06.560
<v Speaker 1>came out. We had it on the tour bus. But

0:26:06.600 --> 0:26:10.240
<v Speaker 1>it's more like, look at those guys, but we I

0:26:10.280 --> 0:26:12.880
<v Speaker 1>didn't realize that that ship was a culture.

0:26:13.400 --> 0:26:16.919
<v Speaker 4>It's it was a that ship, yeah man, Yeah, it

0:26:16.960 --> 0:26:18.159
<v Speaker 4>wasn't a movement, nigga.

0:26:18.280 --> 0:26:19.480
<v Speaker 3>It was definitely a culture.

0:26:19.640 --> 0:26:25.680
<v Speaker 1>Like you saw that No Limit tank out the way,

0:26:26.720 --> 0:26:29.440
<v Speaker 1>And yet the thing that's curious to me is that

0:26:29.480 --> 0:26:35.919
<v Speaker 1>you guys still decided to go to another pasture that

0:26:36.040 --> 0:26:38.280
<v Speaker 1>not travel before down there where it could have been

0:26:38.320 --> 0:26:43.679
<v Speaker 1>easy for you guys to just go that route. I

0:26:43.760 --> 0:26:46.199
<v Speaker 1>just think that that wasn't who we were, you know,

0:26:46.359 --> 0:26:49.520
<v Speaker 1>because I've you know, I've been asked that question a

0:26:49.560 --> 0:26:52.560
<v Speaker 1>lot about, you know, why we chose the route that

0:26:52.600 --> 0:26:56.399
<v Speaker 1>we did, and you know, for me, I think it

0:26:56.480 --> 0:26:58.200
<v Speaker 1>was just an extension of who we were, you know

0:26:58.200 --> 0:27:00.159
<v Speaker 1>what I mean. I mean the No Limit stuff and

0:27:00.320 --> 0:27:02.080
<v Speaker 1>like a lot of the South stuff that was popping

0:27:02.119 --> 0:27:04.680
<v Speaker 1>at that time. You know, I enjoyed those records, and

0:27:04.880 --> 0:27:06.760
<v Speaker 1>you know, they certainly had a place in my life,

0:27:07.280 --> 0:27:10.040
<v Speaker 1>but I knew I couldn't live that, you know what

0:27:10.080 --> 0:27:14.240
<v Speaker 1>I mean, And so I was like, well, the stuff

0:27:14.280 --> 0:27:18.959
<v Speaker 1>that is more connected to me in terms of, you know,

0:27:19.080 --> 0:27:20.720
<v Speaker 1>just who I am as a person and kind of

0:27:20.720 --> 0:27:21.960
<v Speaker 1>way I want to live my life.

0:27:22.720 --> 0:27:24.000
<v Speaker 2>It was tribe.

0:27:24.080 --> 0:27:26.760
<v Speaker 1>It was calm and the roots, and you know, it

0:27:26.840 --> 0:27:29.520
<v Speaker 1>was all the stuff from that kind of native tongue tree,

0:27:30.080 --> 0:27:34.000
<v Speaker 1>and that was what felt right to us in terms

0:27:34.000 --> 0:27:38.119
<v Speaker 1>of making records. Now, I'll say what attracted me to

0:27:38.240 --> 0:27:40.520
<v Speaker 1>you guys when I first heard of you guys was

0:27:40.560 --> 0:27:44.160
<v Speaker 1>the fact that, well, first, I mean, our listeners need

0:27:44.200 --> 0:27:48.400
<v Speaker 1>to know exactly how ahead of your time you guys

0:27:48.480 --> 0:27:51.760
<v Speaker 1>were as far as I mean, what people are doing now,

0:27:51.880 --> 0:27:56.880
<v Speaker 1>as far as like do it yourself, as far as

0:27:56.960 --> 0:28:01.280
<v Speaker 1>doing stuff for yourself, making records and final product in

0:28:01.359 --> 0:28:05.280
<v Speaker 1>your houses, in your apartment, that sort of thing, which

0:28:06.240 --> 0:28:08.240
<v Speaker 1>I mean is practically unheard of. I mean, for all

0:28:08.240 --> 0:28:12.080
<v Speaker 1>the folklore of Rizza, yeah, making the wood taking stuff

0:28:12.080 --> 0:28:14.720
<v Speaker 1>in his apartment, he still brought those a debts to

0:28:14.800 --> 0:28:17.399
<v Speaker 1>a real studio to polish them and all those things.

0:28:17.440 --> 0:28:20.480
<v Speaker 1>So the first, you know, when you guys told me

0:28:20.560 --> 0:28:24.120
<v Speaker 1>that all this stuff was made in your in your

0:28:24.200 --> 0:28:27.679
<v Speaker 1>dorm room and on fruity loops and on computers and

0:28:27.680 --> 0:28:32.000
<v Speaker 1>all that stuff like that was like talking Greek to me.

0:28:32.119 --> 0:28:34.120
<v Speaker 1>I How did you.

0:28:34.040 --> 0:28:38.840
<v Speaker 2>Guys even know? I mean, how are you guys.

0:28:38.720 --> 0:28:42.200
<v Speaker 1>Even pioneers of just new ways of recording and whatnot.

0:28:42.520 --> 0:28:43.200
<v Speaker 2>That's all we had.

0:28:43.560 --> 0:28:45.920
<v Speaker 4>We black folk man, you know what I'm saying, working

0:28:45.960 --> 0:28:50.120
<v Speaker 4>with what you got, Like, we didn't have no studios,

0:28:50.200 --> 0:28:53.240
<v Speaker 4>We didn't have no you know, knife didn't have no

0:28:53.320 --> 0:28:54.080
<v Speaker 4>beat machine.

0:28:54.520 --> 0:28:57.520
<v Speaker 1>Like I mean, at no point was it like because

0:28:57.560 --> 0:28:59.960
<v Speaker 1>even with us, it was like, okay, well we got

0:29:00.080 --> 0:29:02.120
<v Speaker 1>to get to a real studio one day. So like

0:29:02.160 --> 0:29:04.240
<v Speaker 1>we pulled it up our money and just went to

0:29:04.240 --> 0:29:04.760
<v Speaker 1>a real.

0:29:04.600 --> 0:29:07.880
<v Speaker 4>Studio, and no point is there, Like we heard what

0:29:07.920 --> 0:29:10.000
<v Speaker 4>we had and what we were doing, it was like

0:29:10.120 --> 0:29:13.440
<v Speaker 4>fuck that studio, like this is and then were good and.

0:29:13.520 --> 0:29:16.000
<v Speaker 1>Then too on top of that, and on top of that,

0:29:16.080 --> 0:29:19.000
<v Speaker 1>you remember we heard, so we heard the stuff that

0:29:19.040 --> 0:29:21.640
<v Speaker 1>we were making in our studio, and then we also

0:29:21.680 --> 0:29:24.120
<v Speaker 1>heard the stuff that was coming out of the big

0:29:24.240 --> 0:29:27.680
<v Speaker 1>studios at that time, right, and that shit was garbage.

0:29:27.960 --> 0:29:30.840
<v Speaker 1>And so I think that kind of gave us even

0:29:30.840 --> 0:29:33.440
<v Speaker 1>more confidence because we was like, yo, if we're doing

0:29:33.480 --> 0:29:36.800
<v Speaker 1>this shit in our fucking in my homies apartment and

0:29:37.000 --> 0:29:38.520
<v Speaker 1>y'all niggas is going to ease.

0:29:38.600 --> 0:29:38.800
<v Speaker 2>You know.

0:29:38.880 --> 0:29:41.080
<v Speaker 1>It was mixed on this twenty four track or whatever,

0:29:41.360 --> 0:29:43.840
<v Speaker 1>and the music still ain't good, So I think for

0:29:44.000 --> 0:29:44.560
<v Speaker 1>me that was.

0:29:44.560 --> 0:29:46.040
<v Speaker 2>A big That was a big factor too.

0:29:46.440 --> 0:29:49.360
<v Speaker 4>That's when I realized it was the man, not the machine.

0:29:50.200 --> 0:29:51.640
<v Speaker 4>That's that's that's what that taught me.

0:29:53.000 --> 0:29:56.840
<v Speaker 1>What were the alternative group names besides Little I mean,

0:29:57.200 --> 0:29:58.080
<v Speaker 1>was it Little Brother?

0:29:58.200 --> 0:30:00.440
<v Speaker 2>Just in automatic, like that's what we are? Did you

0:30:00.480 --> 0:30:02.640
<v Speaker 2>have other that was.

0:30:02.600 --> 0:30:03.360
<v Speaker 3>The first name?

0:30:03.960 --> 0:30:04.200
<v Speaker 2>Yeah?

0:30:04.320 --> 0:30:06.520
<v Speaker 1>I think another one. The only one I can remember

0:30:06.680 --> 0:30:09.640
<v Speaker 1>was Round Midnight. I remember we had that was one

0:30:10.040 --> 0:30:10.520
<v Speaker 1>which things?

0:30:10.600 --> 0:30:13.960
<v Speaker 4>That was one we had one that we just all

0:30:14.040 --> 0:30:15.840
<v Speaker 4>knew it couldn't be used for a rap group.

0:30:16.200 --> 0:30:17.480
<v Speaker 3>Flea market Mannequins.

0:30:19.400 --> 0:30:20.560
<v Speaker 2>I remember that.

0:30:21.040 --> 0:30:22.640
<v Speaker 3>I'm still hearsing that ship for something.

0:30:22.960 --> 0:30:23.160
<v Speaker 2>Why.

0:30:25.520 --> 0:30:28.120
<v Speaker 1>I have no idea where that came from. I remember

0:30:28.200 --> 0:30:30.200
<v Speaker 1>that name, but I don't know what the thought of

0:30:30.240 --> 0:30:32.680
<v Speaker 1>it was. I think maybe I was, like I was.

0:30:32.720 --> 0:30:35.479
<v Speaker 1>I was listening to like Google Dolls and like food Fighters.

0:30:35.720 --> 0:30:37.240
<v Speaker 1>I was into that ship. So I was trying to

0:30:37.240 --> 0:30:39.200
<v Speaker 1>think of a name that sounded something like that, but

0:30:39.280 --> 0:30:41.800
<v Speaker 1>an alternative name that you get you all the booked

0:30:41.840 --> 0:30:44.320
<v Speaker 1>at a club, right, Wait a.

0:30:44.240 --> 0:30:48.840
<v Speaker 3>Minute, right, A lot of pissed off people.

0:31:04.640 --> 0:31:08.640
<v Speaker 1>So what was the genesis of what we now know

0:31:08.880 --> 0:31:13.600
<v Speaker 1>as the listening at the beginning of it, Man, the

0:31:13.720 --> 0:31:18.000
<v Speaker 1>listening was, Yeah, by this time, this is around two

0:31:18.080 --> 0:31:20.880
<v Speaker 1>thousand and one, it's old one.

0:31:20.960 --> 0:31:21.200
<v Speaker 2>Yeah.

0:31:21.280 --> 0:31:26.360
<v Speaker 1>I graduated school in May, and Ninth he was by

0:31:26.400 --> 0:31:29.440
<v Speaker 1>this time he was fully fledged, like making beats. So

0:31:29.480 --> 0:31:31.880
<v Speaker 1>the thing with Ninth was that, you know, we met

0:31:31.920 --> 0:31:36.280
<v Speaker 1>in ninety eight. I didn't hear a beat from him

0:31:36.480 --> 0:31:38.880
<v Speaker 1>until like a year later. I didn't even know he

0:31:38.960 --> 0:31:41.680
<v Speaker 1>made beats. He came to my room. We met in

0:31:41.760 --> 0:31:45.560
<v Speaker 1>ninety eight. He came to my room one day and

0:31:45.760 --> 0:31:48.040
<v Speaker 1>he had He's like, Yo, man, I got something I

0:31:48.040 --> 0:31:49.600
<v Speaker 1>want to play for you. He's like, yeah, I got

0:31:49.640 --> 0:31:51.120
<v Speaker 1>the black Star bootleg.

0:31:51.160 --> 0:31:52.360
<v Speaker 2>I was like, word, you got that.

0:31:52.400 --> 0:31:55.520
<v Speaker 1>She's like hell yeah. And so we played the black

0:31:55.560 --> 0:31:59.440
<v Speaker 1>Star album. We was listening to the Blackstar record and

0:31:59.480 --> 0:32:01.479
<v Speaker 1>I was like, man, and this shit crazy as hell,

0:32:01.520 --> 0:32:04.920
<v Speaker 1>this shit dope. And so then I didn't see Ninth

0:32:05.000 --> 0:32:07.880
<v Speaker 1>again for like months at a time because he was

0:32:08.560 --> 0:32:09.200
<v Speaker 1>in school.

0:32:09.320 --> 0:32:12.000
<v Speaker 2>But I don't think he was really in school. Yeah,

0:32:12.040 --> 0:32:14.880
<v Speaker 2>he was a career student. Like, how do y'all do that?

0:32:15.080 --> 0:32:20.040
<v Speaker 1>Likes Yo, if you get if you hang around the dorm,

0:32:20.280 --> 0:32:23.440
<v Speaker 1>if you can get uh, you know, if you're good

0:32:23.520 --> 0:32:25.880
<v Speaker 1>with somebody in the calf, you can eat. So if

0:32:25.920 --> 0:32:27.640
<v Speaker 1>you ain't, even if you ain't got no meal playing,

0:32:28.120 --> 0:32:29.240
<v Speaker 1>you know, you can get in the.

0:32:29.240 --> 0:32:31.120
<v Speaker 2>Calf on especially on like Chicken Day.

0:32:31.720 --> 0:32:35.200
<v Speaker 1>Nigga, come on on Chicken Day.

0:32:38.320 --> 0:32:40.760
<v Speaker 2>Day. Essential was like the club I was gonna say.

0:32:40.840 --> 0:32:44.320
<v Speaker 1>At to Reach school, they did not allow any rentals,

0:32:44.320 --> 0:32:49.479
<v Speaker 1>wrap or foil uh inside their cafeteria for fear that

0:32:49.600 --> 0:32:51.760
<v Speaker 1>you know, the students would steal the food and take

0:32:51.800 --> 0:32:54.920
<v Speaker 1>it back to their dorm. Man, listen, man, niggas took

0:32:54.960 --> 0:32:56.400
<v Speaker 1>all kind of ship back from the door.

0:32:57.600 --> 0:32:59.720
<v Speaker 2>We were taking sid everything.

0:32:59.760 --> 0:33:03.600
<v Speaker 4>I'm we had a takeout line in the caf so

0:33:03.680 --> 0:33:05.840
<v Speaker 4>you can come and get your food and lead like

0:33:05.880 --> 0:33:07.720
<v Speaker 4>get it to go and lead.

0:33:07.600 --> 0:33:08.880
<v Speaker 2>Straight up, straight up.

0:33:09.280 --> 0:33:12.200
<v Speaker 1>But so yeah, so around that time, you know, nany

0:33:12.280 --> 0:33:15.160
<v Speaker 1>nine Poop ninth wasn't on campus like that. I've just

0:33:15.200 --> 0:33:18.120
<v Speaker 1>kind of see him sporadically. But Nan, he bring the

0:33:18.120 --> 0:33:19.720
<v Speaker 1>Black Star album to my room.

0:33:19.760 --> 0:33:20.400
<v Speaker 2>We listened to it.

0:33:20.480 --> 0:33:23.360
<v Speaker 1>And then in ninety nine he shows back up. And

0:33:23.360 --> 0:33:25.200
<v Speaker 1>by this time we were in a new dorm. We

0:33:25.200 --> 0:33:27.360
<v Speaker 1>were in the new residence, and so we had moved

0:33:27.360 --> 0:33:29.280
<v Speaker 1>and we had like this little sweet or whatever, and

0:33:29.360 --> 0:33:30.840
<v Speaker 1>so he come and he like, yo, man, I got

0:33:30.840 --> 0:33:32.640
<v Speaker 1>some joints I want to play for you. And I

0:33:32.680 --> 0:33:34.480
<v Speaker 1>was like, and I was thinking he had like another

0:33:34.560 --> 0:33:38.480
<v Speaker 1>unreleased album and he plays he puts the tape in,

0:33:38.600 --> 0:33:40.720
<v Speaker 1>plays it and I'm like, yo, this shit, dope, who

0:33:40.760 --> 0:33:43.800
<v Speaker 1>is this? He's like, yo, this is me? I said, word.

0:33:43.840 --> 0:33:46.000
<v Speaker 1>I said, you're like, you made these beats? He was like, yeah,

0:33:46.080 --> 0:33:48.600
<v Speaker 1>these joints. I said, what you make them on? He said, man,

0:33:48.640 --> 0:33:51.040
<v Speaker 1>I just make him on fruity loops or well no, no, no,

0:33:51.080 --> 0:33:52.520
<v Speaker 1>I'm sorry. It wasn't frud loops at the time. This

0:33:52.560 --> 0:33:54.720
<v Speaker 1>is even before fruit loops. He was using a program

0:33:54.840 --> 0:33:58.520
<v Speaker 1>called beat Nah. This is even before acid. It was

0:33:58.600 --> 0:34:02.719
<v Speaker 1>called it was a program called b box, and he

0:34:02.800 --> 0:34:04.920
<v Speaker 1>was using b box and cool let it to make

0:34:05.280 --> 0:34:10.000
<v Speaker 1>to make tracks. And I mean again, it was unheard

0:34:10.040 --> 0:34:11.560
<v Speaker 1>of me. I was like, nigga, what the fuck? Like

0:34:12.160 --> 0:34:15.160
<v Speaker 1>really on a computer? And so, but he had some

0:34:15.239 --> 0:34:18.520
<v Speaker 1>joints and so one record he had was one beat had.

0:34:18.880 --> 0:34:20.920
<v Speaker 2>I said, man, when you let me wrap over this?

0:34:21.000 --> 0:34:22.920
<v Speaker 1>He was like, all right, cool, he said you really

0:34:22.920 --> 0:34:24.399
<v Speaker 1>want to wrap I said, yeah, let me wrap over

0:34:24.400 --> 0:34:27.280
<v Speaker 1>this joint. And I did a record called paper Lines

0:34:27.440 --> 0:34:29.160
<v Speaker 1>and that was like ninety nine. That was like the

0:34:29.200 --> 0:34:32.239
<v Speaker 1>first song me and him ever did together. And I

0:34:32.280 --> 0:34:36.239
<v Speaker 1>remember doing it. I played it for Pool, played it

0:34:36.239 --> 0:34:37.960
<v Speaker 1>for just Cats and our crew. They really they really

0:34:37.960 --> 0:34:41.080
<v Speaker 1>fucked with it. And that was that was kind of

0:34:41.160 --> 0:34:44.200
<v Speaker 1>when it all first started. So around the time, by

0:34:44.239 --> 0:34:46.719
<v Speaker 1>the time oh one World Around, that was when the

0:34:46.800 --> 0:34:49.680
<v Speaker 1>league had all we was just recording so much shit

0:34:49.800 --> 0:34:52.680
<v Speaker 1>together and it was still just kind of loose. But

0:34:52.719 --> 0:34:56.680
<v Speaker 1>by this time we would had started work on a song.

0:34:56.760 --> 0:34:59.120
<v Speaker 1>It was called Speed, and originally it was supposed to

0:34:59.160 --> 0:35:04.080
<v Speaker 1>be me and Median. Median never shows up to the

0:35:04.120 --> 0:35:07.520
<v Speaker 1>studio and so who was there. I can't remember if

0:35:07.520 --> 0:35:09.640
<v Speaker 1>you wrote with me to the studio that night or yeah.

0:35:09.680 --> 0:35:11.719
<v Speaker 3>I think I think I came up on the train

0:35:11.800 --> 0:35:12.640
<v Speaker 3>and I wrote with you.

0:35:13.040 --> 0:35:13.600
<v Speaker 2>Yeah, we came.

0:35:13.640 --> 0:35:16.279
<v Speaker 1>We came to the studio together and I was like,

0:35:17.000 --> 0:35:18.560
<v Speaker 1>I was like, well, ship Pool here, like you you

0:35:18.560 --> 0:35:21.000
<v Speaker 1>want to rocket? He was like, yeah, I rocket. And

0:35:21.040 --> 0:35:24.359
<v Speaker 1>so we did that song together and that was it.

0:35:24.440 --> 0:35:25.640
<v Speaker 1>That was just like the Speed.

0:35:25.719 --> 0:35:28.160
<v Speaker 2>I know, that was their first joint together. That was

0:35:28.160 --> 0:35:31.880
<v Speaker 2>the very first song we ever got together. Oh shit, okay, okay.

0:35:32.719 --> 0:35:35.000
<v Speaker 1>So it's also explained to me who is in the

0:35:35.120 --> 0:35:39.680
<v Speaker 1>Justice League. Okay, all right, I'm sorry should I say

0:35:40.000 --> 0:35:40.720
<v Speaker 1>Justice League?

0:35:44.160 --> 0:35:47.160
<v Speaker 3>That side was to remember the names?

0:35:47.480 --> 0:35:51.239
<v Speaker 1>It's fifteen of them, and how do you how do

0:35:51.320 --> 0:35:53.800
<v Speaker 1>you wrestle with that Justice League?

0:35:53.920 --> 0:35:56.600
<v Speaker 2>And have y'all ever had a meeting a collective meeting?

0:35:56.719 --> 0:36:00.680
<v Speaker 1>Like I talked to Rook I been talked to Rook

0:36:00.719 --> 0:36:04.120
<v Speaker 1>in sometimes Rook from the Justice League, but it was

0:36:04.160 --> 0:36:08.320
<v Speaker 1>it was always love love. Yeah, we met. At one point,

0:36:08.360 --> 0:36:10.880
<v Speaker 1>me and Rook was talking. This was years ago. He

0:36:10.960 --> 0:36:12.640
<v Speaker 1>was like, yo, man, we need to do a Justice

0:36:12.719 --> 0:36:15.400
<v Speaker 1>League meets Justice League, Like let's let's collab, let's do

0:36:15.440 --> 0:36:17.920
<v Speaker 1>some ship and we were talking about doing it, but

0:36:17.960 --> 0:36:20.440
<v Speaker 1>you know, it just never happened. But it was never no, no,

0:36:20.440 --> 0:36:22.719
<v Speaker 1>smoking's first.

0:36:23.200 --> 0:36:24.160
<v Speaker 2>I think we were first.

0:36:24.239 --> 0:36:25.280
<v Speaker 3>I think we were first.

0:36:25.640 --> 0:36:26.520
<v Speaker 2>I think yeah.

0:36:27.080 --> 0:36:30.760
<v Speaker 4>All right, all right, so so Justice League members, Okay,

0:36:30.920 --> 0:36:33.279
<v Speaker 4>so let's we're gonna do this the easy way.

0:36:33.520 --> 0:36:36.080
<v Speaker 2>Start with the niggas on the phone.

0:36:35.800 --> 0:36:36.120
<v Speaker 3>Me and.

0:36:38.440 --> 0:36:39.320
<v Speaker 2>Do you have nine?

0:36:40.200 --> 0:36:45.440
<v Speaker 3>Did you have Sean Dawn? You have Shamba crisis?

0:36:46.840 --> 0:36:50.560
<v Speaker 2>Uh Nason right com.

0:36:52.880 --> 0:37:01.000
<v Speaker 4>Uhccentric ecentric centric, It's to do the big though.

0:37:01.040 --> 0:37:08.920
<v Speaker 2>Legacy though legs legas thirteen crisis crisis, I said crisis.

0:37:08.960 --> 0:37:12.160
<v Speaker 2>You got crisis. I said, you show you Allen Poe

0:37:12.360 --> 0:37:13.839
<v Speaker 2>and Eiggar Allan poe Or.

0:37:15.040 --> 0:37:17.000
<v Speaker 3>Said flow the flow.

0:37:17.040 --> 0:37:21.120
<v Speaker 4>I said, po Yeah, he gott the flow the reason nig.

0:37:21.120 --> 0:37:23.320
<v Speaker 4>I think that's it. I think forgetting.

0:37:23.320 --> 0:37:25.160
<v Speaker 2>So it's fifteen we forget.

0:37:25.360 --> 0:37:28.080
<v Speaker 1>We got Mike Bird, we got eccentric, we got some

0:37:28.200 --> 0:37:31.319
<v Speaker 1>of your real got some of your got bird Bird

0:37:31.400 --> 0:37:32.560
<v Speaker 1>says all We got.

0:37:32.400 --> 0:37:36.920
<v Speaker 3>Book saves off crisis, leg crisis.

0:37:37.239 --> 0:37:39.399
<v Speaker 2>I think what about the weight? You said, the Waight team,

0:37:39.600 --> 0:37:44.920
<v Speaker 2>that's prices. I think we got everybody median media damn

0:37:45.600 --> 0:37:47.080
<v Speaker 2>median median.

0:37:47.640 --> 0:37:47.839
<v Speaker 3>Yeah.

0:37:48.000 --> 0:37:48.280
<v Speaker 2>Yeah.

0:37:48.320 --> 0:37:51.120
<v Speaker 1>Another dude that showed up intermittently like he was just

0:37:51.239 --> 0:37:53.640
<v Speaker 1>vanished for like months at a time and then just

0:37:53.640 --> 0:37:54.279
<v Speaker 1>popped back up.

0:37:54.480 --> 0:37:56.799
<v Speaker 2>That was That's that's been meetings and mo since I

0:37:56.840 --> 0:37:57.440
<v Speaker 2>know them.

0:37:57.719 --> 0:38:04.440
<v Speaker 1>Everybody needs your Molik be in their life. Just shows

0:38:04.520 --> 0:38:05.160
<v Speaker 1>up in plano.

0:38:05.280 --> 0:38:06.359
<v Speaker 2>He that was him.

0:38:06.400 --> 0:38:12.279
<v Speaker 1>That was him, so with speed, like when is it

0:38:12.400 --> 0:38:13.920
<v Speaker 1>the official like okay, are.

0:38:13.760 --> 0:38:17.920
<v Speaker 2>We a group? Or was it just like okay, what

0:38:18.360 --> 0:38:18.600
<v Speaker 2>is this?

0:38:19.040 --> 0:38:20.840
<v Speaker 1>I mean is it like a relationship where you're like,

0:38:21.719 --> 0:38:24.719
<v Speaker 1>you know, like after the third date, then she's like okay, so.

0:38:24.640 --> 0:38:28.360
<v Speaker 2>What are we? We are farmers.

0:38:30.680 --> 0:38:34.200
<v Speaker 4>For that, I think like a day or two later,

0:38:35.000 --> 0:38:37.400
<v Speaker 4>like we all just kept listening to the song and

0:38:37.680 --> 0:38:42.120
<v Speaker 4>noticed the chemistry and said, hey, this sounds good. Let's

0:38:42.200 --> 0:38:44.560
<v Speaker 4>let's make a few more and see how it come out.

0:38:44.760 --> 0:38:47.560
<v Speaker 4>And a few more turned into a whole lass out.

0:38:47.800 --> 0:38:50.360
<v Speaker 1>Okay, Now I really want to Now that I've established

0:38:50.360 --> 0:38:52.960
<v Speaker 1>the story for those that are not familiar, now I

0:38:53.000 --> 0:38:57.839
<v Speaker 1>want to get to my real first question, because even

0:38:57.960 --> 0:39:01.560
<v Speaker 1>more than the roots, like okay, okay, granted it's like

0:39:01.800 --> 0:39:04.480
<v Speaker 1>eleven of us, but really the roots are two people,

0:39:05.520 --> 0:39:08.840
<v Speaker 1>and it comes down to me and Tarique, and fifty

0:39:08.880 --> 0:39:09.480
<v Speaker 1>to fifty.

0:39:09.320 --> 0:39:14.279
<v Speaker 2>Is a little bit more easier than thirty three or

0:39:14.480 --> 0:39:15.840
<v Speaker 2>three and third.

0:39:16.600 --> 0:39:21.640
<v Speaker 1>So in the beginning, are you guys ever.

0:39:21.840 --> 0:39:25.280
<v Speaker 2>Like, what is the the.

0:39:24.760 --> 0:39:28.960
<v Speaker 1>Democratic process of how decisions.

0:39:28.440 --> 0:39:30.600
<v Speaker 2>Are made man?

0:39:30.680 --> 0:39:35.040
<v Speaker 1>At that time, I mean, it was we had I

0:39:35.080 --> 0:39:39.400
<v Speaker 1>think I thought was a fairly a good system that

0:39:39.520 --> 0:39:43.960
<v Speaker 1>got kind of you know, corroded over time. But but originally,

0:39:44.000 --> 0:39:45.279
<v Speaker 1>you know, it was the three of us. It was me,

0:39:45.360 --> 0:39:50.439
<v Speaker 1>poor Knife, and Doe was our manager. So pretty much

0:39:50.560 --> 0:39:53.600
<v Speaker 1>whenever it came down to do something, me poor Knife

0:39:53.600 --> 0:39:57.120
<v Speaker 1>would discuss it internally. And it's three of us, So automatically,

0:39:57.120 --> 0:39:59.680
<v Speaker 1>somebody's gonna lose, you know what I mean, sometimes I lose,

0:39:59.719 --> 0:40:03.000
<v Speaker 1>sometime Pool lose, Ninth, flues whatever. But whatever it was

0:40:03.040 --> 0:40:05.880
<v Speaker 1>that we voted on, we would then go to our

0:40:05.920 --> 0:40:08.319
<v Speaker 1>manager and be like, look, this is what we agreed on,

0:40:08.719 --> 0:40:10.480
<v Speaker 1>this is what we're gonna do, and that was it.

0:40:11.840 --> 0:40:14.839
<v Speaker 2>Once Ninth left the group, that was.

0:40:14.760 --> 0:40:18.239
<v Speaker 1>When things changed and we no longer had that kind

0:40:18.280 --> 0:40:22.520
<v Speaker 1>of third swing vote, so to speak. So that was

0:40:22.560 --> 0:40:27.080
<v Speaker 1>when for me, I think just the group became very

0:40:27.120 --> 0:40:32.359
<v Speaker 1>taxing because it was just, yeah, it was, but yeah,

0:40:32.520 --> 0:40:35.080
<v Speaker 1>particularly and hard as a twosome at that point because

0:40:35.080 --> 0:40:38.000
<v Speaker 1>at that point in time, me and Poo hadn't really

0:40:38.400 --> 0:40:39.120
<v Speaker 1>I don't think me and.

0:40:39.000 --> 0:40:41.359
<v Speaker 2>You had really talked like that about what we.

0:40:41.280 --> 0:40:43.560
<v Speaker 1>Wanted and about kind of at all. We didn't have

0:40:43.600 --> 0:40:46.239
<v Speaker 1>none of them conversations. So we were just making a

0:40:46.239 --> 0:40:49.319
<v Speaker 1>lot of them decisions on the fly, and you know,

0:40:49.400 --> 0:40:51.399
<v Speaker 1>when you don't have a third person there to kind

0:40:51.400 --> 0:40:55.319
<v Speaker 1>of help smooth things over, in some ways it made

0:40:55.320 --> 0:40:55.879
<v Speaker 1>it really hard.

0:40:55.880 --> 0:40:57.160
<v Speaker 2>But in the beginning, that's what it was.

0:40:57.200 --> 0:40:59.120
<v Speaker 1>It was the three of us, we make a decision

0:40:59.360 --> 0:41:01.960
<v Speaker 1>and then just told our manager what we wanted.

0:41:01.680 --> 0:41:02.200
<v Speaker 2>To do with it.

0:41:03.080 --> 0:41:06.400
<v Speaker 1>So what were your initial goals for the listening? Was

0:41:06.440 --> 0:41:09.520
<v Speaker 1>it like, Okay, we'll have these collection of songs, we'll

0:41:09.600 --> 0:41:10.919
<v Speaker 1>try to get a major deal.

0:41:11.760 --> 0:41:12.200
<v Speaker 3>Too much.

0:41:15.120 --> 0:41:20.480
<v Speaker 4>It was let's do these songs, sell them ourselves and

0:41:20.560 --> 0:41:21.440
<v Speaker 4>see what happens.

0:41:22.000 --> 0:41:25.000
<v Speaker 1>Yeah, originally we was gonna do We was gonna do it,

0:41:25.040 --> 0:41:28.200
<v Speaker 1>put it out ourselves because I was on I think

0:41:28.239 --> 0:41:29.640
<v Speaker 1>I had like a credit card at that time. I

0:41:29.640 --> 0:41:32.880
<v Speaker 1>had my little Discovery card and I was we was

0:41:32.920 --> 0:41:35.080
<v Speaker 1>on disc makers and I was just running numbers.

0:41:35.120 --> 0:41:37.799
<v Speaker 2>I'm like, yo, so how much if we just press

0:41:37.880 --> 0:41:38.759
<v Speaker 2>this shit ourselves?

0:41:38.800 --> 0:41:40.840
<v Speaker 1>And we moved out the trunk like I was, you know,

0:41:40.960 --> 0:41:43.360
<v Speaker 1>doing it just in my mind. And I was talking

0:41:43.400 --> 0:41:45.239
<v Speaker 1>to Ninth about it because I remember we were in

0:41:45.960 --> 0:41:47.400
<v Speaker 1>we were in the computer.

0:41:47.080 --> 0:41:50.640
<v Speaker 2>Lab at at at in c State.

0:41:51.040 --> 0:41:53.600
<v Speaker 1>So another fun fact about this time, which I'm just

0:41:53.640 --> 0:41:56.920
<v Speaker 1>now remembering. Even though the listening was recorded on a computer,

0:41:57.200 --> 0:42:00.239
<v Speaker 1>none of us had personal computers at that time. Yea,

0:42:01.040 --> 0:42:04.680
<v Speaker 1>like none of us had personal computers. I didn't story, yo,

0:42:05.040 --> 0:42:06.960
<v Speaker 1>bro for real, Like I didn't have a computer.

0:42:07.200 --> 0:42:10.399
<v Speaker 2>Ninth ain't had one. Ninth was using he was a courting.

0:42:10.440 --> 0:42:12.520
<v Speaker 1>We was recording at Sazar Comanche's crib and he had

0:42:12.520 --> 0:42:16.600
<v Speaker 1>a compact for Sario, So that was the computer. So

0:42:16.760 --> 0:42:19.560
<v Speaker 1>whenever I wanted, whenever I wanted to get on like

0:42:19.680 --> 0:42:22.960
<v Speaker 1>Okay player and ship Nigga, that was all computer labs.

0:42:23.080 --> 0:42:25.719
<v Speaker 2>So my homie Median.

0:42:25.600 --> 0:42:28.239
<v Speaker 1>He was a student at n C State but like

0:42:28.320 --> 0:42:30.279
<v Speaker 1>not really a student, but he had an I D.

0:42:31.840 --> 0:42:39.160
<v Speaker 2>So he was there. You know, we used Yo Reil

0:42:39.560 --> 0:42:40.240
<v Speaker 2>yeah Leroy.

0:42:41.000 --> 0:42:41.200
<v Speaker 5>Uh.

0:42:41.239 --> 0:42:43.480
<v Speaker 3>We used LeRoy's roommate, U.

0:42:44.239 --> 0:42:48.000
<v Speaker 1>Louis Cheron like he was the he was the cafe Nigga.

0:42:48.040 --> 0:42:51.880
<v Speaker 1>Pretty pretty pretty low when we use this joint. And

0:42:51.880 --> 0:42:54.680
<v Speaker 1>and then like when I was at Central like that,

0:42:54.680 --> 0:42:57.080
<v Speaker 1>that that my last year. That was when I was

0:42:57.400 --> 0:42:59.799
<v Speaker 1>I was on the newspaper. I was an editor. I

0:42:59.840 --> 0:43:02.839
<v Speaker 1>was and arts and entertainment editor on our newspaper, and

0:43:02.920 --> 0:43:05.560
<v Speaker 1>so I would be in a computer lab all the time.

0:43:05.960 --> 0:43:06.160
<v Speaker 2>You know.

0:43:06.480 --> 0:43:08.640
<v Speaker 1>That's when I would get all my ok Player post off.

0:43:08.960 --> 0:43:10.239
<v Speaker 1>But after that, I.

0:43:10.200 --> 0:43:12.120
<v Speaker 2>Mean I was going home, like nigga, we have no

0:43:12.160 --> 0:43:14.000
<v Speaker 2>computers at the crib, no.

0:43:14.000 --> 0:43:16.640
<v Speaker 3>Small phone shit Ty didn't he have a cell phone

0:43:16.680 --> 0:43:17.239
<v Speaker 3>at that time?

0:43:17.560 --> 0:43:19.040
<v Speaker 1>Yeah, I don't think I got my first cell phone

0:43:19.120 --> 0:43:21.200
<v Speaker 1>probably like oh what four something like that.

0:43:21.239 --> 0:43:21.799
<v Speaker 2>Some shit like that.

0:43:21.880 --> 0:43:25.719
<v Speaker 1>Yeah, three four, Yeah, Boss Bill, correct me if I'm wrong. No,

0:43:25.840 --> 0:43:29.720
<v Speaker 1>this is literally the Bill Gates story. Bill Gates's story

0:43:30.080 --> 0:43:33.799
<v Speaker 1>had a faulty ID that let him stay in the

0:43:33.840 --> 0:43:37.880
<v Speaker 1>computer lab, like fifteen hours a time. To be in

0:43:37.880 --> 0:43:41.160
<v Speaker 1>the computer lab during Bill Gates day was like attaxing,

0:43:41.320 --> 0:43:45.080
<v Speaker 1>like forty dollars an hour thing, but he never got

0:43:45.160 --> 0:43:45.880
<v Speaker 1>charged for it.

0:43:45.960 --> 0:43:47.080
<v Speaker 2>So then he was like, all right.

0:43:46.960 --> 0:43:49.399
<v Speaker 1>I'm gonna stay in this motherfucker for fifteen hours a day,

0:43:50.000 --> 0:43:52.839
<v Speaker 1>get his figure out how to turn this big ass

0:43:52.920 --> 0:44:00.560
<v Speaker 1>room into a laptop. So basically sneaking in computer labs,

0:44:01.120 --> 0:44:04.600
<v Speaker 1>barring other people's idea and what not, this is the

0:44:04.640 --> 0:44:05.440
<v Speaker 1>Bill Gates story.

0:44:05.600 --> 0:44:06.719
<v Speaker 2>That's well, I.

0:44:06.640 --> 0:44:11.560
<v Speaker 1>Wish we made Bill Gates money, but really, but fate

0:44:11.600 --> 0:44:12.439
<v Speaker 1>didn't have it that way.

0:44:12.800 --> 0:44:14.799
<v Speaker 2>But but no, that was it. We were just doing

0:44:14.800 --> 0:44:15.280
<v Speaker 2>those records.

0:44:15.320 --> 0:44:18.200
<v Speaker 1>So at that time, Yeah, the thought wasn't you know,

0:44:18.239 --> 0:44:21.360
<v Speaker 1>at least for me, the thought it was just Okay,

0:44:21.400 --> 0:44:23.600
<v Speaker 1>we made this record, let's just get it out so

0:44:23.640 --> 0:44:24.440
<v Speaker 1>people can hear it.

0:44:25.000 --> 0:44:27.680
<v Speaker 2>And you know, it was just.

0:44:29.320 --> 0:44:32.040
<v Speaker 1>Like, I don't think no one had a thought of

0:44:32.239 --> 0:44:35.440
<v Speaker 1>where it was gonna go. I knew my life was

0:44:35.480 --> 0:44:39.160
<v Speaker 1>gonna change, like I can specifically remember the night when

0:44:39.200 --> 0:44:42.279
<v Speaker 1>we finished everything and like we had the final mix

0:44:42.360 --> 0:44:44.680
<v Speaker 1>down and sequence of the album, and I just sat

0:44:44.680 --> 0:44:47.640
<v Speaker 1>outside my apartment in the car just listen to the record,

0:44:48.080 --> 0:44:51.000
<v Speaker 1>and I just I knew things were gonna change. I

0:44:51.080 --> 0:44:53.640
<v Speaker 1>just felt that we had something special. It wasn't like,

0:44:54.120 --> 0:44:56.080
<v Speaker 1>you know, yo, we're gonna be rich or we're gonna

0:44:56.080 --> 0:44:59.360
<v Speaker 1>be whatever. But I specifically remember having the feeling of

0:44:59.440 --> 0:45:02.440
<v Speaker 1>just like yo, like something is around the corner. I

0:45:02.440 --> 0:45:04.440
<v Speaker 1>don't know what it is, but I know something's coming.

0:45:04.960 --> 0:45:08.719
<v Speaker 2>And at that time, we just wanted people to hear it.

0:45:08.760 --> 0:45:11.239
<v Speaker 2>That was the only that was the only mo O.

0:45:12.040 --> 0:45:14.480
<v Speaker 1>What was the first sign of that, of that assurance.

0:45:14.600 --> 0:45:16.680
<v Speaker 1>Was it like your first out out of state show?

0:45:17.080 --> 0:45:20.520
<v Speaker 1>Was it like a mentioned in the source or like

0:45:20.520 --> 0:45:22.359
<v Speaker 1>what was that moment where it was like, oh shit,

0:45:22.600 --> 0:45:23.520
<v Speaker 1>what happened?

0:45:23.880 --> 0:45:27.920
<v Speaker 4>I think for me it was when uh, when Benny

0:45:28.000 --> 0:45:32.080
<v Speaker 4>b got in touch with us just.

0:45:32.000 --> 0:45:34.880
<v Speaker 3>To have somebody Benny b from ABB Records.

0:45:35.080 --> 0:45:39.279
<v Speaker 2>Okay, so that was not your label, No, No, not

0:45:39.320 --> 0:45:40.160
<v Speaker 2>at all at all.

0:45:40.280 --> 0:45:43.600
<v Speaker 1>I always thought that ABB was your Now ABB was

0:45:43.600 --> 0:45:47.120
<v Speaker 1>Benny b Uh from the Bay Area. They they had

0:45:47.120 --> 0:45:49.439
<v Speaker 1>put out like a lot of dilated people's twelve ins.

0:45:49.480 --> 0:45:51.760
<v Speaker 1>That was kind of their claim to fame, uh, dillate

0:45:51.840 --> 0:45:54.160
<v Speaker 1>People's the far Ride. They had put out like just

0:45:54.200 --> 0:45:55.920
<v Speaker 1>a lot of stuff and they were known for just

0:45:55.960 --> 0:46:00.200
<v Speaker 1>moving vinyl. Yeah, And that was how a buddy of ours,

0:46:00.360 --> 0:46:04.240
<v Speaker 1>a promoter out this way bum Rush DJ bum Rush.

0:46:04.280 --> 0:46:09.160
<v Speaker 1>He had to connected abb Ian Davis, I D and

0:46:09.440 --> 0:46:11.839
<v Speaker 1>I D heard our stuff on the n from all

0:46:11.880 --> 0:46:12.120
<v Speaker 1>of us.

0:46:12.239 --> 0:46:14.560
<v Speaker 2>We had posted on okay Player and all that.

0:46:14.480 --> 0:46:17.640
<v Speaker 1>Shit, and we had the little site that was when

0:46:17.680 --> 0:46:20.680
<v Speaker 1>Bossville had the John he had the Yeah, it's like

0:46:20.840 --> 0:46:22.520
<v Speaker 1>he posted up to join us up on there.

0:46:22.680 --> 0:46:24.759
<v Speaker 2>So it was just kind of spreading and so I

0:46:24.880 --> 0:46:26.239
<v Speaker 2>G I I D from a dB.

0:46:26.520 --> 0:46:28.520
<v Speaker 1>ABB caught wind of it and reached out to the

0:46:28.520 --> 0:46:30.040
<v Speaker 1>bum Rush and was like, Yo, you gotta line on

0:46:30.080 --> 0:46:33.800
<v Speaker 1>these little brother dudes. And I D caught my crib

0:46:34.080 --> 0:46:36.120
<v Speaker 1>you know what I'm saying one day, and that's how

0:46:36.160 --> 0:46:39.760
<v Speaker 1>we started talking. And that was how the ABB relationship, Uh,

0:46:40.080 --> 0:46:40.680
<v Speaker 1>that was how we.

0:46:40.760 --> 0:46:41.880
<v Speaker 2>Came to sign with them.

0:46:42.120 --> 0:46:46.319
<v Speaker 1>So, Bill, were you the okay player that officially introduced

0:46:46.400 --> 0:46:49.440
<v Speaker 1>okay player to introduced a little.

0:46:49.200 --> 0:46:50.320
<v Speaker 2>Brother to Okay Player?

0:46:51.440 --> 0:46:53.520
<v Speaker 5>I guess, but I mean I got it through Von

0:46:53.600 --> 0:46:56.760
<v Speaker 5>p from currently a Tania Morgan and like Vaughn hooked

0:46:56.760 --> 0:46:58.680
<v Speaker 5>me up with the Centric, and the Centric sent me

0:46:58.840 --> 0:47:01.840
<v Speaker 5>u like the He's for Love joint revisited.

0:47:01.719 --> 0:47:02.279
<v Speaker 2>And like so I was.

0:47:02.480 --> 0:47:04.400
<v Speaker 5>I was a Ninth Wonder fan first, and then I

0:47:04.400 --> 0:47:06.719
<v Speaker 5>didn't even know about these two until later, Like I

0:47:06.719 --> 0:47:08.759
<v Speaker 5>think I heard speeding away from me, like maybe not

0:47:08.920 --> 0:47:10.839
<v Speaker 5>maybe like a week or two after that, and then

0:47:10.880 --> 0:47:13.240
<v Speaker 5>I was like, damn, what is this ship?

0:47:13.760 --> 0:47:15.919
<v Speaker 2>Slot funked us too. He was another one.

0:47:15.920 --> 0:47:18.920
<v Speaker 1>He was the one that really cause again we had

0:47:18.960 --> 0:47:22.360
<v Speaker 1>no computers, let alone a way to build a website

0:47:22.440 --> 0:47:24.920
<v Speaker 1>or none of that ship. So Slot was the one

0:47:24.960 --> 0:47:28.160
<v Speaker 1>that had. He had built like a little site for us,

0:47:28.200 --> 0:47:29.640
<v Speaker 1>and he was like, yo, I can put some joints

0:47:29.719 --> 0:47:32.080
<v Speaker 1>up for y'all. I was like cool, And I was

0:47:32.080 --> 0:47:34.480
<v Speaker 1>working at Blue Cross Blue Shield at the time, and

0:47:34.680 --> 0:47:36.160
<v Speaker 1>he would call me, you know.

0:47:36.400 --> 0:47:38.240
<v Speaker 2>We would we would he would well he would DM

0:47:38.239 --> 0:47:39.439
<v Speaker 2>me or PM.

0:47:39.080 --> 0:47:40.759
<v Speaker 1>Me as we would call it back then, and he

0:47:40.840 --> 0:47:43.399
<v Speaker 1>was like, yo, man, like y'all, joints just crashed my server.

0:47:43.600 --> 0:47:46.040
<v Speaker 2>I gotta like everybody been coming to this ship.

0:47:46.120 --> 0:47:48.239
<v Speaker 1>I was like word for real and we just had

0:47:48.239 --> 0:47:50.400
<v Speaker 1>like three folks songes up there, so slop was a

0:47:50.440 --> 0:47:52.200
<v Speaker 1>big a big part of that.

0:47:53.719 --> 0:47:56.160
<v Speaker 2>Was it you and ninth or you and Pooh or

0:47:56.320 --> 0:47:57.840
<v Speaker 2>were you alone? Would you?

0:47:59.200 --> 0:48:01.479
<v Speaker 3>I wouldn't. I went to the Greensboro show.

0:48:01.880 --> 0:48:04.360
<v Speaker 2>I didn't go to that, Okay.

0:48:04.960 --> 0:48:08.080
<v Speaker 1>All I remember was that we were doing a show

0:48:08.680 --> 0:48:13.399
<v Speaker 1>and it was about to rain, and I remember we

0:48:13.400 --> 0:48:16.799
<v Speaker 1>were having an argument backstage because Help was bitching and

0:48:16.880 --> 0:48:21.240
<v Speaker 1>said we should cancel this show because it's electric and whatever.

0:48:21.239 --> 0:48:23.279
<v Speaker 1>And I'm like, dude, you wear Timberland's like no one's.

0:48:23.400 --> 0:48:29.080
<v Speaker 1>You ain't getting to eletrocuted. And he like protested. I

0:48:29.080 --> 0:48:31.160
<v Speaker 1>think he didn't play this show or like walked off

0:48:31.160 --> 0:48:32.399
<v Speaker 1>stage earlier or something shit.

0:48:32.760 --> 0:48:34.479
<v Speaker 2>And I felt bad and.

0:48:34.400 --> 0:48:37.480
<v Speaker 1>I did something very uncharacteristic, like I'm never the guy

0:48:37.480 --> 0:48:39.600
<v Speaker 1>that like goes to the audience and like, hey, how

0:48:39.640 --> 0:48:43.719
<v Speaker 1>you doing, thanks for you know. But some sid said

0:48:43.719 --> 0:48:46.400
<v Speaker 1>all right, go out there and shake hands for the

0:48:46.440 --> 0:48:48.640
<v Speaker 1>first time in your whole career. And I did it,

0:48:48.680 --> 0:48:51.920
<v Speaker 1>and you put it in my hand. You reminded me

0:48:53.200 --> 0:48:56.000
<v Speaker 1>that this was the little brother I read about. Okay player,

0:48:56.080 --> 0:49:01.560
<v Speaker 1>oh wow wow, okay. And normally, you know, normally anybody

0:49:01.600 --> 0:49:05.760
<v Speaker 1>hands me disc is instant. Uh, you know, coffee table

0:49:06.560 --> 0:49:15.160
<v Speaker 1>coaster from Frisby about to break up my draw on

0:49:15.200 --> 0:49:21.120
<v Speaker 1>your CD, Nigga, I just I just thought it right now,

0:49:21.360 --> 0:49:24.600
<v Speaker 1>I can't do that. I just leave it back backstage.

0:49:24.640 --> 0:49:26.400
<v Speaker 1>I don't know, like I'm kind of proud of my

0:49:26.480 --> 0:49:29.239
<v Speaker 1>track record like something. I was going to leave it

0:49:29.360 --> 0:49:32.360
<v Speaker 1>backstage and I looked at it, and I don't know

0:49:32.360 --> 0:49:36.080
<v Speaker 1>if it was the fact that you're handwriting like the

0:49:36.400 --> 0:49:38.800
<v Speaker 1>the your your your font or whatever.

0:49:38.880 --> 0:49:42.160
<v Speaker 2>You really Yeah, some spoke to me.

0:49:42.200 --> 0:49:44.279
<v Speaker 1>I'm like, yo, he really puts some effort into this

0:49:44.280 --> 0:49:46.800
<v Speaker 1>homemade uh this artwork.

0:49:47.520 --> 0:49:49.680
<v Speaker 2>I was like, And I went back picked it up and.

0:49:49.960 --> 0:49:51.880
<v Speaker 1>Listened to it, and I was like, holy shit, like

0:49:52.520 --> 0:49:55.239
<v Speaker 1>I'm poor lone jealous of this, like like this ship

0:49:56.600 --> 0:50:01.160
<v Speaker 1>and and like yeah, like I I'll say that I've

0:50:01.239 --> 0:50:10.480
<v Speaker 1>only you know, Jill Blow, slum Village, Cody Chestnut and

0:50:10.560 --> 0:50:14.840
<v Speaker 1>you guys. I'm sure I'm missing somebody else. But like

0:50:15.600 --> 0:50:18.200
<v Speaker 1>something told me to listen to that ship. And that

0:50:18.280 --> 0:50:23.520
<v Speaker 1>ship like that changed my life, man, because I personally

0:50:23.600 --> 0:50:26.760
<v Speaker 1>didn't think I would at that time. I was concerned

0:50:26.760 --> 0:50:31.359
<v Speaker 1>because there was the idea of a group existing was

0:50:31.400 --> 0:50:36.839
<v Speaker 1>becoming uh endangered and in dangerous species and I was like, yo,

0:50:37.000 --> 0:50:40.000
<v Speaker 1>a real group, not not a bunch of soloists. And

0:50:41.520 --> 0:50:44.239
<v Speaker 1>you know, from there then I just saw the word

0:50:44.320 --> 0:50:48.040
<v Speaker 1>spread and spread and spread. So when it like, what

0:50:48.200 --> 0:50:51.200
<v Speaker 1>was the decision to not go the slow and steady

0:50:51.239 --> 0:50:53.520
<v Speaker 1>route and like, let's get it real, let's get a

0:50:53.560 --> 0:50:56.520
<v Speaker 1>deal through atlantic and poverty.

0:50:59.200 --> 0:51:01.400
<v Speaker 2>So as you're record label, all right, so what is

0:51:01.440 --> 0:51:05.239
<v Speaker 2>it back then? What was what were the roadblocks and

0:51:05.320 --> 0:51:08.680
<v Speaker 2>the potholes in being your own record label?

0:51:10.080 --> 0:51:14.240
<v Speaker 4>Shit, you should have yeah, distribution, you didn't have director

0:51:14.280 --> 0:51:19.920
<v Speaker 4>consumer back then. But I think for for I can

0:51:19.960 --> 0:51:24.000
<v Speaker 4>speak for me on this my decision. I think if

0:51:24.040 --> 0:51:27.520
<v Speaker 4>abb if that experience would have been a better experience

0:51:27.560 --> 0:51:30.399
<v Speaker 4>for us, it wouldn't have been a thing of well, man,

0:51:30.440 --> 0:51:32.960
<v Speaker 4>let's go get this deal. We'd been like, it would

0:51:33.000 --> 0:51:35.000
<v Speaker 4>have been more like, shit, we good where we at.

0:51:35.520 --> 0:51:40.160
<v Speaker 4>But the experience wasn't good because paid So yeah, that

0:51:40.200 --> 0:51:43.040
<v Speaker 4>makes the experience terrible. We still haven't gotten paid.

0:51:43.680 --> 0:51:45.439
<v Speaker 1>So can I ask, well, let me ask, let me ask,

0:51:46.320 --> 0:51:48.880
<v Speaker 1>all right, So that it came out on two thousand

0:51:48.880 --> 0:51:52.160
<v Speaker 1>and two, two thousand and three, Yeah, two thousand and three, okay,

0:51:52.560 --> 0:51:58.640
<v Speaker 1>so had technology as we know now in twenty twenty

0:51:59.239 --> 0:52:04.600
<v Speaker 1>been available in two thousand and two, two thousand and three.

0:52:04.760 --> 0:52:09.480
<v Speaker 1>Would this had been a different outcome? Very different, very different.

0:52:09.600 --> 0:52:12.440
<v Speaker 1>I wouldn't have fucked personally. I wouldn't have fucked with

0:52:12.480 --> 0:52:15.200
<v Speaker 1>no label had we had it, you know, had we

0:52:15.680 --> 0:52:17.960
<v Speaker 1>back then, you know, we already had the means of

0:52:18.000 --> 0:52:18.800
<v Speaker 1>our own production.

0:52:18.960 --> 0:52:20.920
<v Speaker 2>So we owned our means of production. We could make

0:52:20.960 --> 0:52:21.640
<v Speaker 2>it ourselves.

0:52:22.160 --> 0:52:24.640
<v Speaker 1>You know, if we had a straight pipeline, we could

0:52:24.680 --> 0:52:27.719
<v Speaker 1>get it directly to our fans and see the money back. Man,

0:52:27.840 --> 0:52:33.160
<v Speaker 1>fuck a label, straight up. But that was but pooh,

0:52:33.400 --> 0:52:35.359
<v Speaker 1>But you made a great point, you know, when you

0:52:35.360 --> 0:52:37.440
<v Speaker 1>you know, you ask about what made us make that jump.

0:52:37.800 --> 0:52:40.560
<v Speaker 1>You know, I really think an agree one hundred percent

0:52:40.640 --> 0:52:43.239
<v Speaker 1>that had it, if our indie experience would have been

0:52:43.320 --> 0:52:46.520
<v Speaker 1>better and we would have actually been like paid fairly

0:52:46.640 --> 0:52:48.640
<v Speaker 1>and you know, according to our contract, if we would

0:52:48.640 --> 0:52:51.920
<v Speaker 1>have actually been compensated for our work on an indie label,

0:52:53.000 --> 0:52:56.600
<v Speaker 1>I think we would have been much more hesitant about

0:52:56.640 --> 0:52:59.359
<v Speaker 1>signing to a major. But at that time, you know,

0:52:59.440 --> 0:53:01.439
<v Speaker 1>we we put out the records and you know, you're

0:53:01.440 --> 0:53:04.000
<v Speaker 1>hearing all this buzz and you know, everybody saying, oh man,

0:53:04.080 --> 0:53:06.319
<v Speaker 1>y'all about to blow up, y'all due whatever. So then

0:53:06.400 --> 0:53:09.360
<v Speaker 1>Atlantic comes knocking and it was a bunch of labels

0:53:09.400 --> 0:53:12.359
<v Speaker 1>that wanted to sign us at that time, but that

0:53:12.440 --> 0:53:15.840
<v Speaker 1>kind of fed uh well.

0:53:16.080 --> 0:53:19.240
<v Speaker 4>Mike Karen reached out first, but we were we were told,

0:53:19.320 --> 0:53:20.320
<v Speaker 4>we got the word.

0:53:20.200 --> 0:53:24.520
<v Speaker 3>Not to deal with him. So like we ended up.

0:53:24.560 --> 0:53:26.640
<v Speaker 3>We met with Warner, We met with.

0:53:26.719 --> 0:53:34.880
<v Speaker 4>Jive, and then we met It's Warner and then it

0:53:34.960 --> 0:53:35.959
<v Speaker 4>was Warner because Tom Waller.

0:53:36.000 --> 0:53:37.880
<v Speaker 2>That's when we met Tom Wally, Tom Waally.

0:53:38.680 --> 0:53:41.439
<v Speaker 3>We met with Rest of Peace, Chris Lighty and Peter

0:53:41.560 --> 0:53:42.439
<v Speaker 3>THEO and Jive.

0:53:43.239 --> 0:53:45.040
<v Speaker 2>Chris Rdy to throw something.

0:53:45.840 --> 0:53:49.320
<v Speaker 4>Yeah, yeah, Chris Lighty, man, he came to Day and

0:53:49.360 --> 0:53:54.799
<v Speaker 4>Tall out to the club, took us to the house and.

0:53:55.360 --> 0:53:59.680
<v Speaker 2>Lighty yeah, like the thing was, man, I'll never forget

0:53:59.680 --> 0:54:01.760
<v Speaker 2>this ship. Man. I remember being in there.

0:54:01.880 --> 0:54:05.680
<v Speaker 1>And because this is around the time of Chris Lighty

0:54:05.840 --> 0:54:10.239
<v Speaker 1>like g Unit Holland on records, Chris Lighty, right, So

0:54:10.239 --> 0:54:11.399
<v Speaker 1>so the thing was, man.

0:54:11.520 --> 0:54:12.920
<v Speaker 2>So we went into the meeting.

0:54:13.000 --> 0:54:15.480
<v Speaker 1>We had a meeting at Jive and you know, Chris

0:54:15.600 --> 0:54:18.160
<v Speaker 1>Lighty comes in and we're all sitting there at the table.

0:54:18.160 --> 0:54:21.200
<v Speaker 2>It's Chris Lighty, It's me Pooh.

0:54:21.160 --> 0:54:24.839
<v Speaker 1>Doe our manager at the time, and Wayne Williams DJ

0:54:24.880 --> 0:54:26.120
<v Speaker 1>Wayne Williams out of Chicago.

0:54:27.239 --> 0:54:28.440
<v Speaker 2>We're all sitting in there.

0:54:29.480 --> 0:54:34.480
<v Speaker 1>Williams from R Kelly, Yes, yes, yeah. R Kelly chosen

0:54:34.480 --> 0:54:36.480
<v Speaker 1>a few DJs, Wayne Williams, you know what I'm saying.

0:54:36.760 --> 0:54:39.680
<v Speaker 1>So he's in there, and so, man, so we we

0:54:40.040 --> 0:54:43.840
<v Speaker 1>talking and stuff, and and I remember Chris saying he

0:54:43.920 --> 0:54:45.840
<v Speaker 1>was like, you know, man, I listened to y'all album

0:54:46.320 --> 0:54:48.960
<v Speaker 1>and he's like, Yo, it tells a whole story. He's like,

0:54:49.000 --> 0:54:51.759
<v Speaker 1>it's not just singles. He's like, you know, it tells

0:54:51.800 --> 0:54:54.400
<v Speaker 1>a whole story. And you know, I really think I

0:54:54.440 --> 0:54:56.040
<v Speaker 1>love what you guys are doing. I think, you know,

0:54:56.080 --> 0:54:58.520
<v Speaker 1>we can push it. And I was just sitting there.

0:54:58.560 --> 0:55:00.319
<v Speaker 1>I was like wow, and he was like, you know, man.

0:55:00.360 --> 0:55:03.040
<v Speaker 1>I remember he's like he was talking about fifty and

0:55:03.080 --> 0:55:05.040
<v Speaker 1>he was like, you know, the whole thing with fifty

0:55:05.320 --> 0:55:07.239
<v Speaker 1>was get ready to root for.

0:55:07.160 --> 0:55:07.759
<v Speaker 2>The bad guy.

0:55:08.000 --> 0:55:10.439
<v Speaker 1>That was our whole marketing scheme. And I was like, yeah,

0:55:10.440 --> 0:55:12.799
<v Speaker 1>it's like the movie Payback. And he was like, yo,

0:55:12.880 --> 0:55:13.759
<v Speaker 1>I like this guy.

0:55:14.120 --> 0:55:16.840
<v Speaker 2>I like this guy. You know, like it was funny. He'said, yo,

0:55:16.920 --> 0:55:19.040
<v Speaker 2>I like this guy. And I said yeah. It was

0:55:19.040 --> 0:55:19.239
<v Speaker 2>like that.

0:55:19.320 --> 0:55:20.719
<v Speaker 1>He was like, yeah, He's like, you know, that was

0:55:20.760 --> 0:55:23.520
<v Speaker 1>my whole thing with fifty and he said, but I

0:55:23.600 --> 0:55:25.960
<v Speaker 1>really like y'all. He said, y'all are like different from

0:55:25.960 --> 0:55:28.240
<v Speaker 1>everything else that's out and y'all really cut through the clutter.

0:55:28.760 --> 0:55:31.160
<v Speaker 1>And he was talking. He started talking about his time

0:55:31.200 --> 0:55:33.759
<v Speaker 1>at Death Jam. I never get this shit, he was like, yo,

0:55:33.920 --> 0:55:35.920
<v Speaker 1>he said, man, you know when I was at Death Jam,

0:55:36.320 --> 0:55:38.160
<v Speaker 1>he said, you know, I was fresh off the Mister

0:55:38.200 --> 0:55:40.879
<v Speaker 1>Smith album, so I was the prince of Death Jam.

0:55:40.920 --> 0:55:43.839
<v Speaker 1>He was like, I could do whatever I wanted, he said,

0:55:43.840 --> 0:55:46.399
<v Speaker 1>And so the next record I signed was this this

0:55:46.640 --> 0:55:51.000
<v Speaker 1>record called Crew now Me. You know, hip hop, fucking

0:55:51.120 --> 0:55:54.440
<v Speaker 1>rap nerd. I'm like, niggaw, I'm like, yeah, thirty thirty.

0:55:54.480 --> 0:55:57.520
<v Speaker 2>I love that fucking album. And he again, he was like, yeah,

0:55:57.600 --> 0:55:58.319
<v Speaker 2>I like this guy.

0:55:58.520 --> 0:56:01.080
<v Speaker 1>Like this guy. I'd say this, I like this guy.

0:56:01.400 --> 0:56:03.480
<v Speaker 1>I said, no, man, thirty thirty that was the ship.

0:56:03.719 --> 0:56:05.440
<v Speaker 1>And he said something He's like, I never get it.

0:56:05.440 --> 0:56:06.080
<v Speaker 2>He said yeah.

0:56:06.120 --> 0:56:08.640
<v Speaker 1>He said, man, I love that record too, but just

0:56:08.680 --> 0:56:10.000
<v Speaker 1>because you love something don't mean.

0:56:09.920 --> 0:56:14.080
<v Speaker 2>It's gonna sell. And I was like, damn, that's the

0:56:14.120 --> 0:56:14.760
<v Speaker 2>fucking truth.

0:56:14.840 --> 0:56:18.319
<v Speaker 1>But but yeah, man, he was, I you know, that

0:56:18.440 --> 0:56:21.840
<v Speaker 1>was just my only encounter with Chris, but I really

0:56:21.880 --> 0:56:22.239
<v Speaker 1>liked him.

0:56:22.239 --> 0:56:24.240
<v Speaker 2>Man, I fucked with Chris. He was a straight shooter,

0:56:24.400 --> 0:56:24.600
<v Speaker 2>you know.

0:56:24.719 --> 0:56:27.080
<v Speaker 3>He you know, He's where we wanted to go.

0:56:27.440 --> 0:56:29.279
<v Speaker 1>We wanted That's where we wanted to go for real,

0:56:29.800 --> 0:56:32.680
<v Speaker 1>because you remember, Job was like they wanted to just

0:56:32.719 --> 0:56:34.879
<v Speaker 1>re release the listening first, and that was.

0:56:34.800 --> 0:56:40.480
<v Speaker 4>The problem because they them re releasing the listening means

0:56:40.520 --> 0:56:43.600
<v Speaker 4>they now take some ownership, if not all, ownership of

0:56:43.640 --> 0:56:48.480
<v Speaker 4>the album. And Benny Beef maybe b wasn't given that album.

0:56:48.719 --> 0:56:52.000
<v Speaker 4>He wasn't given that album. And I'm sorry, Yeah, we

0:56:53.520 --> 0:56:57.239
<v Speaker 4>get we had to go. We essentially had to go

0:56:57.960 --> 0:57:00.480
<v Speaker 4>where he was comfortable going. That's how we ended up

0:57:00.520 --> 0:57:02.560
<v Speaker 4>at Atlanta. Well, we would have never went to Atlanta.

0:57:02.600 --> 0:57:04.080
<v Speaker 1>And the only reason I think, well, I wan't to

0:57:04.080 --> 0:57:05.680
<v Speaker 1>say the only reason I know, a big reason why

0:57:05.719 --> 0:57:08.799
<v Speaker 1>he chose Atlantic was because Atlantic let him keep his

0:57:08.880 --> 0:57:13.120
<v Speaker 1>vinyl rights. So Atlantic let him continue to press the

0:57:13.160 --> 0:57:16.640
<v Speaker 1>all the LB vinyl, but they retained the rights for

0:57:16.680 --> 0:57:17.400
<v Speaker 1>everything else.

0:57:17.640 --> 0:57:19.600
<v Speaker 2>And so that was how we ended up at Atlantic.

0:57:20.120 --> 0:57:22.920
<v Speaker 5>That's almost unpressing in it that did he press anything

0:57:22.960 --> 0:57:24.280
<v Speaker 5>up for the second album other than loving it.

0:57:24.320 --> 0:57:28.880
<v Speaker 2>Twelve minutes. There was a minstrel show Vinyl. I think

0:57:28.960 --> 0:57:29.200
<v Speaker 2>there was.

0:57:29.240 --> 0:57:33.920
<v Speaker 4>Mister Show Vinyl, and I think it was a it

0:57:34.040 --> 0:57:36.360
<v Speaker 4>was another single. I gotta look through my records.

0:57:36.360 --> 0:57:38.040
<v Speaker 3>I think a single.

0:57:40.040 --> 0:57:44.360
<v Speaker 4>Again again, I think again. Yeah, and then and then

0:57:44.440 --> 0:57:47.440
<v Speaker 4>he reissued the listening in the Mystery Show.

0:57:47.560 --> 0:57:49.000
<v Speaker 2>A couple of years ago. It's like a year or

0:57:49.000 --> 0:57:49.320
<v Speaker 2>two ago.

0:57:50.000 --> 0:57:52.440
<v Speaker 3>Yeah, didn't he had a courtesy to send us in

0:57:52.560 --> 0:57:54.040
<v Speaker 3>me of this fabulous reissues?

0:57:54.160 --> 0:57:57.040
<v Speaker 4>Vinyl ain't paying us.

0:57:57.040 --> 0:58:00.280
<v Speaker 3>Play Boy could have gave us some Vinyl ship that

0:58:00.480 --> 0:58:02.880
<v Speaker 3>gold minor look good, it looks, it looks fasty.

0:58:03.000 --> 0:58:03.240
<v Speaker 4>You know.

0:58:07.280 --> 0:58:10.400
<v Speaker 1>I have to ask you a question, which is like, like,

0:58:10.600 --> 0:58:15.240
<v Speaker 1>I know, as not not trite, but as you know,

0:58:16.720 --> 0:58:20.280
<v Speaker 1>as it not meaning something today as it once meant

0:58:20.840 --> 0:58:25.880
<v Speaker 1>back in the nineties. But did it mean anything to

0:58:25.920 --> 0:58:27.920
<v Speaker 1>you to see those four and a half mics in

0:58:27.960 --> 0:58:28.880
<v Speaker 1>the source head?

0:58:29.560 --> 0:58:33.920
<v Speaker 3>Yes, yes, it meant everything.

0:58:34.160 --> 0:58:37.720
<v Speaker 1>Yeah, anything, Yeah, seeing the four and a half, seeing

0:58:37.800 --> 0:58:41.400
<v Speaker 1>you know we got four on the listening because again

0:58:41.520 --> 0:58:44.440
<v Speaker 1>this was something that you know, this is pre like

0:58:44.840 --> 0:58:46.040
<v Speaker 1>you know social.

0:58:45.680 --> 0:58:48.280
<v Speaker 2>Media, you know, for the blocks took over.

0:58:48.560 --> 0:58:53.000
<v Speaker 1>Yeah, yeah, so I mean we were literally hearing about this,

0:58:53.080 --> 0:58:55.280
<v Speaker 1>so it will be like, yo, your words that y'all

0:58:55.280 --> 0:58:57.040
<v Speaker 1>got four in the source, Like what, nigga?

0:58:57.080 --> 0:58:58.800
<v Speaker 2>What? And then you see it.

0:58:58.880 --> 0:59:01.040
<v Speaker 1>I remember like going to the you know, grocery store

0:59:01.080 --> 0:59:03.400
<v Speaker 1>and buying the source and you see it and it's

0:59:03.440 --> 0:59:06.160
<v Speaker 1>like holy shit, like this is really it's a real thing.

0:59:06.680 --> 0:59:10.240
<v Speaker 1>And and I got like the hip hop quotable and

0:59:10.720 --> 0:59:14.760
<v Speaker 1>that to me was like holy shit because I grew up.

0:59:14.840 --> 0:59:16.480
<v Speaker 2>Wait a minute, what did you get quotable for? I

0:59:16.520 --> 0:59:18.160
<v Speaker 2>got it twice. I got it one.

0:59:18.280 --> 0:59:19.760
<v Speaker 1>The first time I got was for the Yo Yo,

0:59:19.800 --> 0:59:21.640
<v Speaker 1>and then the second time I got it was course

0:59:21.760 --> 0:59:24.600
<v Speaker 1>my verse on the off for you off a Mister show,

0:59:24.840 --> 0:59:27.840
<v Speaker 1>And that to me was just like man, holy shit.

0:59:28.160 --> 0:59:30.280
<v Speaker 1>You know that was a moment. So yeah, that ship

0:59:30.400 --> 0:59:32.120
<v Speaker 1>meant a lot back then. That should have been a

0:59:32.120 --> 0:59:32.560
<v Speaker 1>whole lot.

0:59:33.800 --> 0:59:34.000
<v Speaker 2>Yeah.

0:59:34.040 --> 0:59:35.919
<v Speaker 1>I tried to act like four and a half mics

0:59:35.960 --> 0:59:40.560
<v Speaker 1>on me nothing like, but you know it's still hanging

0:59:40.600 --> 0:59:41.080
<v Speaker 1>on my wall.

0:59:41.720 --> 0:59:44.440
<v Speaker 4>No, four and a half is the real five. I mean,

0:59:44.520 --> 0:59:46.240
<v Speaker 4>me and you talked about this a lot, but four

0:59:46.280 --> 0:59:47.400
<v Speaker 4>and a half is the real five.

0:59:48.120 --> 0:59:54.720
<v Speaker 2>It is. It is absolutely so with.

0:59:57.360 --> 1:00:03.760
<v Speaker 1>In hindsight, how was the Mentell Show experience? Because there

1:00:03.840 --> 1:00:07.680
<v Speaker 1>was so much expectations and so much was happening.

1:00:07.880 --> 1:00:10.440
<v Speaker 2>I meant like Hove was co.

1:00:10.480 --> 1:00:14.120
<v Speaker 1>Signing you guys, like everybody was, like all the stars

1:00:14.160 --> 1:00:15.160
<v Speaker 1>were aligned.

1:00:17.040 --> 1:00:21.960
<v Speaker 2>Like at the end of the day, what happened? Man?

1:00:23.200 --> 1:00:27.720
<v Speaker 3>So have you been watching the Last Dance Bulls documentary?

1:00:29.160 --> 1:00:33.000
<v Speaker 1>I just got them watching it, Okay, So I watched

1:00:33.040 --> 1:00:34.320
<v Speaker 1>it at eight o'clock this morning.

1:00:34.960 --> 1:00:38.280
<v Speaker 4>So the thing about it is like at the time,

1:00:38.480 --> 1:00:40.840
<v Speaker 4>we only knew what we saw. So it was just

1:00:40.880 --> 1:00:44.120
<v Speaker 4>like you just see the you know, them going for

1:00:44.280 --> 1:00:46.520
<v Speaker 4>the the you know, the third championship in the row

1:00:46.600 --> 1:00:49.360
<v Speaker 4>for the second time, but you don't see all all

1:00:49.400 --> 1:00:51.440
<v Speaker 4>of the underlying stuff that's going.

1:00:51.280 --> 1:00:54.040
<v Speaker 3>On during that time.

1:00:54.160 --> 1:00:57.760
<v Speaker 4>It's just like, Yo, the concentration the motherfuckers had was amazing.

1:00:58.440 --> 1:01:01.200
<v Speaker 4>And I look at the Mintroll Show, it wasn't that dramatic,

1:01:01.360 --> 1:01:04.040
<v Speaker 4>but it was dramatic enough for us. You know, I

1:01:04.080 --> 1:01:08.200
<v Speaker 4>was twenty four five years old at the time, hadn't

1:01:08.240 --> 1:01:13.320
<v Speaker 4>really experienced a lot, and we're trying to record this album,

1:01:13.920 --> 1:01:19.320
<v Speaker 4>major label, trying to keep maintain our sound, dealing with

1:01:19.320 --> 1:01:22.440
<v Speaker 4>our own shit as a group at the time, because

1:01:22.440 --> 1:01:26.000
<v Speaker 4>that was when the group really started to splinter during

1:01:26.040 --> 1:01:30.360
<v Speaker 4>that time, and so you got all that happening, and

1:01:30.400 --> 1:01:35.560
<v Speaker 4>then you have this album that people at the label

1:01:36.200 --> 1:01:42.200
<v Speaker 4>say they excited for, but you know there's some trepidation

1:01:42.400 --> 1:01:45.000
<v Speaker 4>because of the title, and nobody, all the white people,

1:01:45.000 --> 1:01:46.160
<v Speaker 4>they don't want to deal with this shit.

1:01:46.240 --> 1:01:53.160
<v Speaker 1>Now, let me ask, Okay, so is this Craig Kelman

1:01:53.560 --> 1:02:01.000
<v Speaker 1>or or Julie or like what era of Atlantic Craig.

1:01:59.720 --> 1:02:01.800
<v Speaker 3>And jew When? When when death Jam took over?

1:02:02.720 --> 1:02:03.040
<v Speaker 2>Yes?

1:02:04.160 --> 1:02:08.360
<v Speaker 4>Or Kevin It's it's right, it's at the takeover. It's

1:02:08.400 --> 1:02:12.960
<v Speaker 4>at the Death Jam takeover Warner. And so the real

1:02:13.040 --> 1:02:17.440
<v Speaker 4>problem started before the ink was dry. On our contract

1:02:17.480 --> 1:02:21.240
<v Speaker 4>with Atlantic. Robert Reef too low.

1:02:23.280 --> 1:02:26.919
<v Speaker 1>If you say, if you say his whole name, then

1:02:26.960 --> 1:02:28.960
<v Speaker 1>this might not be good. He's gonna say it was

1:02:29.120 --> 1:02:30.920
<v Speaker 1>it was Reefed there because he would seem like your

1:02:30.920 --> 1:02:31.480
<v Speaker 1>biggest man.

1:02:31.560 --> 1:02:33.919
<v Speaker 3>Well he started there.

1:02:34.920 --> 1:02:37.080
<v Speaker 4>And then when we went into his office after the

1:02:37.120 --> 1:02:39.400
<v Speaker 4>deal was done, we saw the boxes in there.

1:02:41.840 --> 1:02:43.600
<v Speaker 3>And he was on the way out. But it was

1:02:43.680 --> 1:02:45.360
<v Speaker 3>it was. It was nothing more telling.

1:02:45.440 --> 1:02:48.560
<v Speaker 4>Then we pulled up for a meeting one time and

1:02:48.640 --> 1:02:51.560
<v Speaker 4>we were walking into the building in New York. Were

1:02:51.560 --> 1:02:54.640
<v Speaker 4>walking into the building and Rob and Reef is coming

1:02:54.680 --> 1:02:55.959
<v Speaker 4>in at the same time.

1:02:57.000 --> 1:02:59.400
<v Speaker 3>And he waiting at the desk. We're about to go upstairs.

1:02:59.400 --> 1:03:00.680
<v Speaker 4>We're like, yo, what you doing? He said, Man, I

1:03:00.680 --> 1:03:03.400
<v Speaker 4>gotta wait to get to get let up our A

1:03:03.520 --> 1:03:09.080
<v Speaker 4>and R right because he was no longer They let

1:03:09.160 --> 1:03:11.640
<v Speaker 4>him get A and R of the album, but he

1:03:11.800 --> 1:03:13.160
<v Speaker 4>wasn't no longer.

1:03:13.200 --> 1:03:14.360
<v Speaker 3>He was no longer employed.

1:03:14.520 --> 1:03:19.800
<v Speaker 1>Man's was not an employee of it. Like and this

1:03:19.920 --> 1:03:21.439
<v Speaker 1>how you this is how you're finding out.

1:03:21.880 --> 1:03:25.440
<v Speaker 2>Yes, we found out. We found out Reef was fired

1:03:26.040 --> 1:03:26.640
<v Speaker 2>when we came.

1:03:26.800 --> 1:03:29.240
<v Speaker 1>Just like Boo said, we came to the building and

1:03:29.320 --> 1:03:31.360
<v Speaker 1>you know, we realized that he had to get buzzed

1:03:31.400 --> 1:03:33.000
<v Speaker 1>in just like we had to get buzzed and we're like.

1:03:32.920 --> 1:03:34.800
<v Speaker 2>What the fuck. So then we get up to his

1:03:34.920 --> 1:03:37.920
<v Speaker 2>office and we see all the boxes, be like, Nigga,

1:03:38.040 --> 1:03:39.400
<v Speaker 2>like you really fired.

1:03:39.040 --> 1:03:42.080
<v Speaker 1>Out this bitch, and you know, and he was, I mean,

1:03:42.120 --> 1:03:44.080
<v Speaker 1>I actually funny thing. We actually saw Reef in New

1:03:44.160 --> 1:03:45.960
<v Speaker 1>York like last year. We was kind of doing our

1:03:46.000 --> 1:03:48.640
<v Speaker 1>press run and I mean it's all love. I mean,

1:03:48.640 --> 1:03:51.640
<v Speaker 1>it's you know, it was you know, I mean, everybody

1:03:51.680 --> 1:03:53.000
<v Speaker 1>had to do what they had to do at that time.

1:03:53.040 --> 1:03:55.320
<v Speaker 2>So it was no like hate or nothing like that.

1:03:55.560 --> 1:03:56.760
<v Speaker 2>It was it was it was all love.

1:03:56.880 --> 1:03:59.800
<v Speaker 1>But but yeah, reef bound that was when he bounced

1:03:59.800 --> 1:04:03.000
<v Speaker 1>something with the Shady right we went to He wouldn't.

1:04:02.960 --> 1:04:03.440
<v Speaker 3>I think he?

1:04:03.520 --> 1:04:07.000
<v Speaker 4>I know he ended up over Shady Shade for five

1:04:07.080 --> 1:04:11.120
<v Speaker 4>But it was just one of the things where we

1:04:11.120 --> 1:04:11.960
<v Speaker 4>were in the building.

1:04:12.480 --> 1:04:12.960
<v Speaker 3>We're new.

1:04:13.120 --> 1:04:16.360
<v Speaker 4>They don't know what to do with us, really because

1:04:16.360 --> 1:04:19.120
<v Speaker 4>we're unlike what they have or what they what they

1:04:19.200 --> 1:04:23.400
<v Speaker 4>had and we don't have an a n r uh

1:04:23.920 --> 1:04:27.520
<v Speaker 4>our marketing guy James Lopez who now runs the Will

1:04:27.600 --> 1:04:32.439
<v Speaker 4>Packer Productions. Uh so, James Lopez was marketing. He ended

1:04:32.560 --> 1:04:36.440
<v Speaker 4>up being our marketing, our an R our cheerleader.

1:04:36.960 --> 1:04:38.320
<v Speaker 2>All we had him.

1:04:39.040 --> 1:04:42.320
<v Speaker 3>Punching bag Rodney Johnson Johnson.

1:04:42.440 --> 1:04:45.080
<v Speaker 1>Wait, can I ask is was Rick Morales there yet?

1:04:45.360 --> 1:04:46.840
<v Speaker 1>Or was this before he came to?

1:04:50.920 --> 1:04:55.880
<v Speaker 4>Jay Brown ended up being there right before we left

1:04:55.920 --> 1:04:58.360
<v Speaker 4>because Jay Brown was Loupe's A and R.

1:05:00.000 --> 1:05:04.120
<v Speaker 1>It's like the Hollywood shuffle of music, Like literally def Jam.

1:05:03.920 --> 1:05:07.040
<v Speaker 2>And Shady are just that's all. It was switching characters.

1:05:09.000 --> 1:05:12.160
<v Speaker 4>So yeah, Julie too, man, Julie always was in our

1:05:12.160 --> 1:05:15.600
<v Speaker 4>corner and she and she was with whatever, like as

1:05:15.640 --> 1:05:18.040
<v Speaker 4>long as we came in and showed her that we

1:05:18.080 --> 1:05:19.920
<v Speaker 4>was passionate about what we wanted to do.

1:05:20.360 --> 1:05:24.000
<v Speaker 3>She was witty. So shout out to Julie Green Walk.

1:05:24.760 --> 1:05:27.600
<v Speaker 1>Okay, so I love the title the minstrul Show, but

1:05:28.720 --> 1:05:30.840
<v Speaker 1>humor me, why did you decide to go with the

1:05:30.840 --> 1:05:31.439
<v Speaker 1>minstrel show?

1:05:31.520 --> 1:05:33.240
<v Speaker 3>Because we couldn't call it nigga music.

1:05:39.280 --> 1:05:41.040
<v Speaker 1>You wanted to call that, we wanted to call it.

1:05:41.120 --> 1:05:43.240
<v Speaker 1>We was like, man, what we call this ship nigga music?

1:05:43.720 --> 1:05:45.920
<v Speaker 1>And that was like the running we were with it.

1:05:46.000 --> 1:05:47.840
<v Speaker 1>I think that might have lasted for like three weeks.

1:05:47.880 --> 1:05:50.120
<v Speaker 1>And then we realized, Okay, we can't call it autum.

1:05:50.000 --> 1:05:51.800
<v Speaker 3>They're not gonna let us do that. We didn't even

1:05:51.800 --> 1:05:52.840
<v Speaker 3>think they won't let us do.

1:05:54.400 --> 1:05:57.200
<v Speaker 2>But we nigga music in the pocket. It's like we

1:05:57.720 --> 1:06:04.120
<v Speaker 2>did want to call it nigga music to make the wait?

1:06:04.200 --> 1:06:05.280
<v Speaker 2>Was there any red flax?

1:06:05.400 --> 1:06:08.240
<v Speaker 1>Like wait a minute, I don't know because and oftentimes

1:06:08.240 --> 1:06:10.760
<v Speaker 1>I don't have to explain to white people what minstrel

1:06:10.840 --> 1:06:12.960
<v Speaker 1>see is and they.

1:06:12.880 --> 1:06:13.760
<v Speaker 2>Never know what it is.

1:06:13.880 --> 1:06:17.240
<v Speaker 1>And then like they're already in the middle of you know,

1:06:17.320 --> 1:06:21.720
<v Speaker 1>the swamp, So like, what were people thinking at the time?

1:06:21.800 --> 1:06:23.640
<v Speaker 2>Man, at the time, I think they were.

1:06:23.720 --> 1:06:25.160
<v Speaker 1>I mean, the one thing I got to give Atlantic

1:06:25.200 --> 1:06:28.120
<v Speaker 1>credit for you know, they let us do us. And

1:06:28.160 --> 1:06:32.040
<v Speaker 1>so my main thought in going into the Minstrel Show,

1:06:32.440 --> 1:06:35.680
<v Speaker 1>particularly once we you know, signed to Atlantic, My whole

1:06:35.720 --> 1:06:38.680
<v Speaker 1>thing was, we got to show our fans that we.

1:06:38.640 --> 1:06:41.360
<v Speaker 2>Can still do us on a major label, because.

1:06:41.080 --> 1:06:44.760
<v Speaker 1>Around that time, you know, signing to a major label

1:06:45.560 --> 1:06:46.680
<v Speaker 1>in a lot of ways, it was kind of the

1:06:46.760 --> 1:06:48.240
<v Speaker 1>kiss of death, you know what I mean. If you

1:06:48.320 --> 1:06:50.680
<v Speaker 1>heard that your favorite band signed to a big label,

1:06:51.160 --> 1:06:53.240
<v Speaker 1>the first thing as a music fan is your mind

1:06:53.360 --> 1:06:55.840
<v Speaker 1>is like ah man in a scope, about the fuck

1:06:55.840 --> 1:06:57.760
<v Speaker 1>they should have Atlanta, about the fuck they should up,

1:06:57.760 --> 1:07:00.440
<v Speaker 1>you know what I'm saying. So our whole thing was, well,

1:07:00.480 --> 1:07:02.560
<v Speaker 1>man first and foremost, we got to show our fans

1:07:02.560 --> 1:07:06.840
<v Speaker 1>and we can still beat us, you know, unapologetically us

1:07:07.880 --> 1:07:08.920
<v Speaker 1>on a major label.

1:07:09.160 --> 1:07:12.120
<v Speaker 2>And so Atlantic they stood behind that.

1:07:12.240 --> 1:07:14.840
<v Speaker 1>You know, it was a gamble and you know, and

1:07:14.880 --> 1:07:17.920
<v Speaker 1>they let us the record that y'all hear. That is

1:07:17.960 --> 1:07:21.080
<v Speaker 1>the exact record that we took out of our computer

1:07:22.520 --> 1:07:26.760
<v Speaker 1>in Durham and put out to the world. And you know,

1:07:26.880 --> 1:07:29.160
<v Speaker 1>from the stories I've heard just from so many cats

1:07:29.200 --> 1:07:33.280
<v Speaker 1>on uh you know labels, that is something that rarely happened.

1:07:33.320 --> 1:07:35.800
<v Speaker 2>Certainly didn't. It wasn't happening back then, you know what

1:07:35.840 --> 1:07:36.280
<v Speaker 2>I'm saying.

1:07:36.800 --> 1:07:41.360
<v Speaker 1>And we learned it using real facilities this time around,

1:07:41.640 --> 1:07:43.600
<v Speaker 1>this was same thing. It was the same. We still

1:07:43.640 --> 1:07:46.120
<v Speaker 1>recorded that one. I think by this time we weren't

1:07:46.120 --> 1:07:50.439
<v Speaker 1>recording in Comanche's crib no more. We had the chop

1:07:50.480 --> 1:07:51.400
<v Speaker 1>shop by that point.

1:07:51.720 --> 1:07:55.360
<v Speaker 4>Yeah, we actually had an office space that we dubbed

1:07:55.360 --> 1:07:57.479
<v Speaker 4>the studio and it.

1:07:57.400 --> 1:07:58.200
<v Speaker 2>Was the same ship.

1:07:59.600 --> 1:08:03.680
<v Speaker 4>Set up, same setup, just a communal space and not

1:08:04.240 --> 1:08:05.200
<v Speaker 4>someone's apartment.

1:08:05.720 --> 1:08:07.040
<v Speaker 2>Yeah, but it was the exact same setup.

1:08:07.080 --> 1:08:10.479
<v Speaker 1>We had a computer, we had uh, we had a mic,

1:08:10.640 --> 1:08:14.600
<v Speaker 1>we used the.

1:08:13.000 --> 1:08:17.120
<v Speaker 2>Road, we had monitors was Likens.

1:08:16.880 --> 1:08:19.640
<v Speaker 4>The same, the same mic that I have in my

1:08:19.640 --> 1:08:21.800
<v Speaker 4>my setup right now is the mic we recorded the

1:08:21.840 --> 1:08:23.240
<v Speaker 4>Mynstry show, Get back.

1:08:23.760 --> 1:08:24.240
<v Speaker 2>All that on.

1:08:24.920 --> 1:08:29.639
<v Speaker 1>But mix wise, uh, Guru, mix it at a real

1:08:30.080 --> 1:08:31.320
<v Speaker 1>basically mix the baseline.

1:08:31.320 --> 1:08:32.400
<v Speaker 3>You mix that baseline.

1:08:33.680 --> 1:08:36.759
<v Speaker 1>That was probably like the only kind of upgrade I guess,

1:08:36.920 --> 1:08:38.479
<v Speaker 1>you know what I mean, just that, you know, Google,

1:08:38.479 --> 1:08:41.400
<v Speaker 1>he mixed the baseline. But everything else, Man, that ship

1:08:41.439 --> 1:08:45.320
<v Speaker 1>was straight out of our computers, and you know that

1:08:45.520 --> 1:08:47.920
<v Speaker 1>was that was what it was. And I think we

1:08:48.040 --> 1:08:50.760
<v Speaker 1>learned a valuable lesson too. You know, when you ask

1:08:50.840 --> 1:08:53.000
<v Speaker 1>about you know, what was the climate like in terms

1:08:53.040 --> 1:08:56.559
<v Speaker 1>of us calling it the minstral show or whatever. I

1:08:56.560 --> 1:08:59.479
<v Speaker 1>don't even know if the people around, if the if

1:08:59.600 --> 1:09:01.439
<v Speaker 1>you know, the Julie and Craig and all them, I

1:09:01.439 --> 1:09:03.680
<v Speaker 1>don't even think they got too much into the politics

1:09:03.680 --> 1:09:05.599
<v Speaker 1>of it. I think they were just like, Yo, this

1:09:05.640 --> 1:09:09.120
<v Speaker 1>is something new. These guys are buzzing. Let's just throw

1:09:09.160 --> 1:09:12.559
<v Speaker 1>it out and see what happens. And one of the

1:09:12.600 --> 1:09:14.760
<v Speaker 1>things that we learned that you know, me and Pooh

1:09:14.840 --> 1:09:18.240
<v Speaker 1>learned and Pool was even doing now like in his

1:09:18.439 --> 1:09:21.920
<v Speaker 1>uh career as a manager. You know, we we were

1:09:22.080 --> 1:09:24.800
<v Speaker 1>very self contained. So we came to a label and

1:09:24.840 --> 1:09:27.240
<v Speaker 1>in our mind we thinking like, yo, we got our

1:09:27.320 --> 1:09:29.519
<v Speaker 1>artwork done, we got our music done, we know who

1:09:29.520 --> 1:09:31.760
<v Speaker 1>we want to master, Like we came in with all

1:09:31.760 --> 1:09:35.160
<v Speaker 1>that shit already, and in our minds it's like, yo,

1:09:35.200 --> 1:09:38.920
<v Speaker 1>we're making the job of the label easier. But what

1:09:39.160 --> 1:09:41.559
<v Speaker 1>really happens is that you don't have anyone to root

1:09:41.600 --> 1:09:44.960
<v Speaker 1>for you because they don't have no one can lay

1:09:44.960 --> 1:09:47.360
<v Speaker 1>a claim to your success, like no one can.

1:09:47.240 --> 1:09:50.160
<v Speaker 5>Say they're not personally invested in it.

1:09:50.200 --> 1:09:52.519
<v Speaker 1>They got no investment, they got no skin in the game,

1:09:52.720 --> 1:09:56.559
<v Speaker 1>So you know, that's one of the things that for

1:09:56.720 --> 1:10:00.400
<v Speaker 1>us it was like hell yeah, but it up being

1:10:00.439 --> 1:10:02.559
<v Speaker 1>a liability when trying to come into the measure label

1:10:02.600 --> 1:10:05.880
<v Speaker 1>system because everybody is trying to look for a leg up.

1:10:05.920 --> 1:10:09.040
<v Speaker 1>Every A n R nigga want to be VP, every

1:10:09.080 --> 1:10:10.680
<v Speaker 1>mail room nigga want to be an A n R.

1:10:10.960 --> 1:10:14.400
<v Speaker 1>So everybody's looking for that thing to hold on to

1:10:14.640 --> 1:10:16.960
<v Speaker 1>that's going to be the star to take them somewhere else.

1:10:17.360 --> 1:10:20.760
<v Speaker 1>And if they can't hitch their wagon to your star,

1:10:21.000 --> 1:10:22.040
<v Speaker 1>then they don't give a fuck.

1:10:22.880 --> 1:10:23.080
<v Speaker 3>Man.

1:10:23.120 --> 1:10:28.519
<v Speaker 4>I still remember we gave Sycamore so much. We gave

1:10:28.600 --> 1:10:31.759
<v Speaker 4>him the petty that Babyface gave Teddy Riley the other night.

1:10:34.200 --> 1:10:38.080
<v Speaker 2>Like Sycamore down with uh Sycamore?

1:10:38.200 --> 1:10:42.200
<v Speaker 3>Is the DJ? Sycamore was it?

1:10:43.120 --> 1:10:43.800
<v Speaker 2>What are you wrong with?

1:10:45.160 --> 1:10:46.880
<v Speaker 3>I remember who he ran, but I just know he was.

1:10:46.920 --> 1:10:48.880
<v Speaker 3>He was fresh, He was fresh A and R over there.

1:10:49.560 --> 1:10:54.840
<v Speaker 4>And because the crazy thing is Hip Hop wanted to

1:10:54.880 --> 1:10:55.559
<v Speaker 4>be our an R.

1:10:56.520 --> 1:11:00.040
<v Speaker 3>But Craig Callman wouldn't let us go over.

1:11:00.200 --> 1:11:02.439
<v Speaker 4>With hot because Hop and G had the office over there,

1:11:02.960 --> 1:11:05.840
<v Speaker 4>and Hop was like, YO, give me them, give me

1:11:05.920 --> 1:11:09.920
<v Speaker 4>Saigon and it was somebody else and Craig Carman wouldn't

1:11:09.960 --> 1:11:13.200
<v Speaker 4>do it, so he ended up giving us the Sycamore.

1:11:13.240 --> 1:11:14.679
<v Speaker 3>And I remember us going to New York.

1:11:14.680 --> 1:11:19.599
<v Speaker 4>We was working on I think, yeah, it became Get Back,

1:11:19.680 --> 1:11:21.880
<v Speaker 4>and we went up there and we just had we

1:11:21.960 --> 1:11:24.200
<v Speaker 4>were just so off put the Sycamore, man like.

1:11:24.120 --> 1:11:25.439
<v Speaker 3>Man, we know what the fuck were doing.

1:11:25.520 --> 1:11:27.320
<v Speaker 4>Man, I don't even know why we're up here with

1:11:27.479 --> 1:11:30.040
<v Speaker 4>you no taking us off round all these producers and

1:11:30.040 --> 1:11:30.559
<v Speaker 4>shiit nigga.

1:11:30.600 --> 1:11:31.320
<v Speaker 3>We don't need these.

1:11:31.280 --> 1:11:34.680
<v Speaker 4>Niggas, Like, I don't remember that attitude that we had, man.

1:11:34.720 --> 1:11:36.760
<v Speaker 4>And I was like, just like like you said, just

1:11:36.800 --> 1:11:40.080
<v Speaker 4>thinking back on it as as a manager now with

1:11:40.200 --> 1:11:43.400
<v Speaker 4>an artist that signed to Dreamville and the Scope and

1:11:43.520 --> 1:11:47.240
<v Speaker 4>another one on indie label Mellow Music, I just I

1:11:47.360 --> 1:11:49.360
<v Speaker 4>understand now how.

1:11:50.160 --> 1:11:51.160
<v Speaker 3>Off putting we were.

1:11:52.160 --> 1:11:55.360
<v Speaker 4>And we didn't even allow them to treat us like

1:11:55.439 --> 1:11:58.800
<v Speaker 4>stars like that was a big thing I noticed as well,

1:11:58.840 --> 1:12:01.840
<v Speaker 4>because we were so self con we didn't allow them

1:12:02.000 --> 1:12:07.200
<v Speaker 4>to pamper us, if you will, and that is very

1:12:07.240 --> 1:12:10.160
<v Speaker 4>off put and to label folk, yeah, because.

1:12:09.960 --> 1:12:12.080
<v Speaker 1>They because the thing is man like and the other

1:12:12.120 --> 1:12:14.439
<v Speaker 1>thing too, Like I just kind of saw is like

1:12:15.200 --> 1:12:18.960
<v Speaker 1>how much the the record industry, you know, at that time,

1:12:19.040 --> 1:12:22.480
<v Speaker 1>and I mean even certainly now how much it perpetuates

1:12:22.640 --> 1:12:26.760
<v Speaker 1>dysfunction and how much it requires that ship in order

1:12:26.760 --> 1:12:29.360
<v Speaker 1>to remain a business model. Because you know, like we

1:12:29.360 --> 1:12:31.360
<v Speaker 1>were saying earlier, you know what made the sign the deal.

1:12:31.800 --> 1:12:34.200
<v Speaker 2>Nigga was poverty, Like niggas was broke and shit.

1:12:34.320 --> 1:12:36.920
<v Speaker 1>So like when I saw you know, you know, a

1:12:36.960 --> 1:12:39.880
<v Speaker 1>couple of weeks ago, months ago, whatever, when when Meg

1:12:40.000 --> 1:12:42.800
<v Speaker 1>was going through that ship with her label and all

1:12:42.840 --> 1:12:44.960
<v Speaker 1>that shit came out and they were talking about Meg

1:12:45.000 --> 1:12:48.000
<v Speaker 1>the Stallion and her deal, and everybody was just, oh, well,

1:12:48.360 --> 1:12:50.040
<v Speaker 1>you know, why don't you just get a lawyer and

1:12:50.080 --> 1:12:53.679
<v Speaker 1>why don't you just get this Yeah, And it's like, Nigga,

1:12:53.720 --> 1:12:57.160
<v Speaker 1>you don't understand the consequences that the artists are living

1:12:57.200 --> 1:12:59.920
<v Speaker 1>in when they signed these fucking contracts, you know.

1:13:00.080 --> 1:13:01.559
<v Speaker 2>I mean, it's hard to think.

1:13:02.280 --> 1:13:05.800
<v Speaker 1>Two three years down the line when nigga rent is

1:13:05.840 --> 1:13:08.360
<v Speaker 1>about to be due on the first, So you know

1:13:08.400 --> 1:13:14.000
<v Speaker 1>what I mean, So you can't you know the circumstances

1:13:14.000 --> 1:13:17.439
<v Speaker 1>of what you signed this shit. You know, the record industry,

1:13:17.479 --> 1:13:19.920
<v Speaker 1>the shit is, the shit is pretty much a goddamn

1:13:19.960 --> 1:13:23.320
<v Speaker 1>glorified payday loan, you know what I mean, it's more

1:13:23.439 --> 1:13:26.200
<v Speaker 1>predatory lending than anything else, you know what I mean.

1:13:26.320 --> 1:13:29.720
<v Speaker 1>So poverty and dysfunction, that shit is baked into their

1:13:29.760 --> 1:13:33.639
<v Speaker 1>business model. So in a lot of ways, it again,

1:13:33.720 --> 1:13:36.360
<v Speaker 1>it becomes a liability if you're an artist that is

1:13:36.400 --> 1:13:39.240
<v Speaker 1>self contained, know what you want, show up on time,

1:13:39.400 --> 1:13:42.760
<v Speaker 1>do your job, just do it whatever, because at that

1:13:42.920 --> 1:13:45.400
<v Speaker 1>point they have nothing. They can't control you with nothing.

1:13:46.160 --> 1:13:49.439
<v Speaker 1>And we were those dudes, like we just didn't give

1:13:49.479 --> 1:13:51.240
<v Speaker 1>a fuck. We was just like, yo, we make the

1:13:51.360 --> 1:13:53.120
<v Speaker 1>music we want to make. If we don't get this

1:13:53.240 --> 1:13:55.840
<v Speaker 1>look or that look or that look, who fucking cares.

1:13:56.479 --> 1:13:59.120
<v Speaker 1>But when you're a part of that bureacracy, you can't

1:13:59.160 --> 1:13:59.479
<v Speaker 1>be like that.

1:14:00.560 --> 1:14:02.479
<v Speaker 2>So let me ask if.

1:14:03.920 --> 1:14:08.000
<v Speaker 1>If say the outcome of the Menstreal Show turned out

1:14:08.040 --> 1:14:13.120
<v Speaker 1>to be more rosier than what happened, Uh, what we

1:14:13.880 --> 1:14:18.160
<v Speaker 1>would you guys have delved into your next step, which

1:14:18.360 --> 1:14:20.680
<v Speaker 1>was like uh, I mean for Pooh was like the

1:14:20.720 --> 1:14:29.759
<v Speaker 1>Sleepers project, Fonte, You're you're making Foreign Exchange, uh with Nikola,

1:14:30.120 --> 1:14:34.120
<v Speaker 1>like you're doing these side projects, still committed to the well.

1:14:34.280 --> 1:14:37.600
<v Speaker 1>I mean, then there's ninth departure, so his leaving to

1:14:37.720 --> 1:14:42.920
<v Speaker 1>do more production and whatnot, like your your next step

1:14:43.240 --> 1:14:46.040
<v Speaker 1>was splintering up and taking a break for a while.

1:14:47.040 --> 1:14:50.960
<v Speaker 1>But had the outcome been different, would you guys have

1:14:52.560 --> 1:14:56.160
<v Speaker 1>even chartered off into the territory or the.

1:14:57.000 --> 1:15:00.360
<v Speaker 4>The the outcome, And the funny thing is the outcome

1:15:00.800 --> 1:15:03.360
<v Speaker 4>of the Minstry show didn't even weigh in because the

1:15:03.479 --> 1:15:07.320
<v Speaker 4>first for in Exchange and my album, my Sleepers album

1:15:07.360 --> 1:15:07.840
<v Speaker 4>were done.

1:15:08.160 --> 1:15:08.960
<v Speaker 2>It was already done.

1:15:09.040 --> 1:15:10.719
<v Speaker 3>Four. Yeah, that was done before.

1:15:12.080 --> 1:15:13.880
<v Speaker 1>Okay, I thought, I've been sure. It was two thousand and.

1:15:14.200 --> 1:15:16.000
<v Speaker 3>It was five, two thousand and five, four.

1:15:15.960 --> 1:15:19.840
<v Speaker 1>Two thousand and five, okay, okay, and Sleepers came out

1:15:19.880 --> 1:15:21.080
<v Speaker 1>in February of five.

1:15:22.920 --> 1:15:26.080
<v Speaker 2>I forgot when that first Connecting Connected came out in four.

1:15:26.280 --> 1:15:29.320
<v Speaker 1>It was it was like all four, I want to say, yeah,

1:15:29.360 --> 1:15:32.599
<v Speaker 1>And we were working on those records like with each other.

1:15:32.880 --> 1:15:35.800
<v Speaker 1>So yeah, it was never a thing of like, you know,

1:15:35.840 --> 1:15:37.519
<v Speaker 1>if Pool's like, I'm working on a record, I need

1:15:37.560 --> 1:15:39.280
<v Speaker 1>a verse for that, all right, cool, I jump on it.

1:15:39.640 --> 1:15:42.479
<v Speaker 1>He jumped on you know, Foreign Exchange records. So there

1:15:42.600 --> 1:15:46.000
<v Speaker 1>was always you know, me just kind of being a

1:15:46.040 --> 1:15:49.360
<v Speaker 1>student of the game. I always saw the groups that

1:15:49.640 --> 1:15:53.320
<v Speaker 1>allowed themselves to kind of do their own thing. They

1:15:53.439 --> 1:15:55.720
<v Speaker 1>seemed to work a lot better, you know what I mean,

1:15:55.880 --> 1:15:57.600
<v Speaker 1>Like even with like Gang Star was kind of my

1:15:57.720 --> 1:16:02.439
<v Speaker 1>example where Pream was doing remixes for everybody, but Guru

1:16:02.560 --> 1:16:04.800
<v Speaker 1>had Jasmin tasks like that was his own thing that

1:16:04.920 --> 1:16:07.519
<v Speaker 1>he did, and then they came together and do Gang Star,

1:16:07.680 --> 1:16:10.320
<v Speaker 1>And so that was always my thought. So when it

1:16:10.400 --> 1:16:14.000
<v Speaker 1>came for us doing side projects and solo stuff, even

1:16:14.040 --> 1:16:15.760
<v Speaker 1>went ninth with all the stuff he was doing, we

1:16:15.840 --> 1:16:18.560
<v Speaker 1>were all very much a part of that and we

1:16:19.080 --> 1:16:26.720
<v Speaker 1>championed that. Okay, So without making this you guys's audio obituary,

1:16:30.080 --> 1:16:34.000
<v Speaker 1>so then you all right? So I actually want to

1:16:34.080 --> 1:16:39.760
<v Speaker 1>cut in Tarantino this skipping in the future because I

1:16:39.920 --> 1:16:44.800
<v Speaker 1>don't know the story of after me begging and begging

1:16:44.880 --> 1:16:48.640
<v Speaker 1>and publicly begging. We've talked about this story before in

1:16:48.680 --> 1:16:51.639
<v Speaker 1>the salone episode of me trying to wield a little

1:16:51.720 --> 1:16:53.960
<v Speaker 1>brother reunion into existence.

1:16:54.560 --> 1:16:58.000
<v Speaker 2>But what was the straw that at least.

1:16:59.640 --> 1:17:03.920
<v Speaker 1>That unbroke the camel's back for you to be like, okay,

1:17:04.280 --> 1:17:04.559
<v Speaker 1>like what.

1:17:06.200 --> 1:17:07.240
<v Speaker 2>You down? You down?

1:17:09.240 --> 1:17:12.439
<v Speaker 3>I think it was just us becoming friends, Like.

1:17:14.280 --> 1:17:16.719
<v Speaker 4>We just had to take time to after we didn't

1:17:16.720 --> 1:17:19.760
<v Speaker 4>speak for a while, We just had to take time

1:17:19.840 --> 1:17:25.479
<v Speaker 4>to just become friends. And that just really and honestly,

1:17:25.640 --> 1:17:29.280
<v Speaker 4>like for almost two years, we didn't discuss making no

1:17:29.439 --> 1:17:33.599
<v Speaker 4>music together. We didn't discuss It was more like, yo,

1:17:33.800 --> 1:17:36.600
<v Speaker 4>how you doing in life? Like what's going on in

1:17:36.680 --> 1:17:37.160
<v Speaker 4>your life?

1:17:37.400 --> 1:17:37.880
<v Speaker 2>And then.

1:17:39.560 --> 1:17:43.160
<v Speaker 4>Eventually once we did that show the next day, it

1:17:43.320 --> 1:17:45.240
<v Speaker 4>was just it was unspoken, like I went to take

1:17:45.320 --> 1:17:49.400
<v Speaker 4>house to pick my money up and he was like, yo,

1:17:49.760 --> 1:17:52.920
<v Speaker 4>I'm cooking. He said, I'm cooking. I said, I'll stay.

1:17:53.320 --> 1:17:55.280
<v Speaker 4>You know what I'm saying. I'm not gonna turn down

1:17:55.320 --> 1:17:58.759
<v Speaker 4>the free meal. And we just was talking before everybody

1:17:58.840 --> 1:18:01.160
<v Speaker 4>else pulled up, and it was just one of those

1:18:01.200 --> 1:18:02.519
<v Speaker 4>things it's like, man, how you feel?

1:18:02.640 --> 1:18:04.639
<v Speaker 3>It was like, shit, I feel good? How you feel?

1:18:06.000 --> 1:18:06.280
<v Speaker 2>Okay?

1:18:06.360 --> 1:18:07.680
<v Speaker 1>So now I want to go back a little bit.

1:18:07.880 --> 1:18:10.040
<v Speaker 1>How hard is it to walk away? Because for me,

1:18:11.840 --> 1:18:14.639
<v Speaker 1>I know, for me and Tarique, like, yes, we were

1:18:16.360 --> 1:18:19.320
<v Speaker 1>birds of a feather, best friends in high school, spending

1:18:19.400 --> 1:18:23.400
<v Speaker 1>night each other's couches, you know whatever, do everything together,

1:18:24.160 --> 1:18:27.080
<v Speaker 1>and then we start a business with each other, and

1:18:28.439 --> 1:18:32.680
<v Speaker 1>we're just slowly now we're just slowly now now that

1:18:32.760 --> 1:18:36.600
<v Speaker 1>we're inching to fifty, we're slowly now inching back to

1:18:36.680 --> 1:18:40.439
<v Speaker 1>where we were when we were fourteen and fifteen, But

1:18:40.600 --> 1:18:42.240
<v Speaker 1>there was a period between.

1:18:43.560 --> 1:18:47.560
<v Speaker 2>Ages twenty three to forty seven.

1:18:50.320 --> 1:18:56.760
<v Speaker 1>In which we were very committed business partners and it

1:18:56.840 --> 1:18:59.240
<v Speaker 1>was like, no matter what, this group is not dying,

1:18:59.439 --> 1:19:04.080
<v Speaker 1>which doesn't make for good chemistry if you're you know,

1:19:04.680 --> 1:19:08.000
<v Speaker 1>if you're making creative products. So it's playing together for

1:19:08.040 --> 1:19:10.439
<v Speaker 1>the kids, Yeah, is.

1:19:12.800 --> 1:19:13.160
<v Speaker 2>Defeat.

1:19:14.560 --> 1:19:17.360
<v Speaker 1>Did you feel a sense of like a dream deferred?

1:19:17.439 --> 1:19:19.640
<v Speaker 1>Once it was like, okay, this group is officially a

1:19:19.760 --> 1:19:23.160
<v Speaker 1>rap and just put it on the shelf and you'll

1:19:23.200 --> 1:19:24.439
<v Speaker 1>go that way and I'll go this way.

1:19:26.560 --> 1:19:28.160
<v Speaker 2>I'll let you goo. Uh.

1:19:29.680 --> 1:19:31.760
<v Speaker 3>I think for me that didn't hit till later.

1:19:33.840 --> 1:19:37.120
<v Speaker 4>At the time when we stopped speaking, I think I

1:19:37.240 --> 1:19:39.120
<v Speaker 4>was just I was so pissed, and I think we

1:19:39.240 --> 1:19:42.880
<v Speaker 4>were so just frustrated at just a bunch of things

1:19:43.040 --> 1:19:46.960
<v Speaker 4>and turn each other that it was more like fuck

1:19:47.000 --> 1:19:51.080
<v Speaker 4>that ship, I'm gonna show this nigga. And later on

1:19:52.040 --> 1:19:56.040
<v Speaker 4>it started to really sink in, like, yo, I think

1:19:56.080 --> 1:19:58.280
<v Speaker 4>we fucked up, but it's too late to.

1:19:58.320 --> 1:19:59.000
<v Speaker 3>Turn back now.

1:19:59.640 --> 1:20:02.840
<v Speaker 2>Yeah, path, Yeah, it was.

1:20:03.200 --> 1:20:05.639
<v Speaker 1>I didn't realize that, I think, you know, at the time,

1:20:05.760 --> 1:20:09.439
<v Speaker 1>when we you know, just said fuck it, I was

1:20:09.600 --> 1:20:12.479
<v Speaker 1>just tired, you know what. I mean, and I just

1:20:13.080 --> 1:20:15.720
<v Speaker 1>you know, we had spent so many years just kind

1:20:15.760 --> 1:20:19.920
<v Speaker 1>of in a pressure cooker together, just album mixtape tour, mixtape,

1:20:19.960 --> 1:20:24.519
<v Speaker 1>album tour, and I was just fucking exhausted, man. And

1:20:24.880 --> 1:20:27.800
<v Speaker 1>uh So at the time when we said, you know,

1:20:28.000 --> 1:20:30.479
<v Speaker 1>it was over, I was like, Okay, well, you know,

1:20:30.600 --> 1:20:33.000
<v Speaker 1>we hadn't really been, you know, because because lot of

1:20:33.000 --> 1:20:35.000
<v Speaker 1>people asked, well, if the record, if you think if

1:20:35.040 --> 1:20:37.639
<v Speaker 1>the record would have sold better, y'all would have stayed together.

1:20:38.080 --> 1:20:40.479
<v Speaker 1>The thing about it, at the time when we broke

1:20:40.600 --> 1:20:44.320
<v Speaker 1>up in Old Well ninth left and O seven and

1:20:44.439 --> 1:20:45.920
<v Speaker 1>then we improved.

1:20:48.880 --> 1:20:49.320
<v Speaker 2>Twenty ten.

1:20:50.000 --> 1:20:52.800
<v Speaker 1>At that time, that was when we were seeing some

1:20:52.960 --> 1:20:57.800
<v Speaker 1>of our best shows. So you know, after get Back,

1:20:58.240 --> 1:21:01.599
<v Speaker 1>that was when we got a really big black audience.

1:21:02.920 --> 1:21:06.080
<v Speaker 1>So our shows were still going up. Like I you know,

1:21:06.240 --> 1:21:08.720
<v Speaker 1>we were doing really good business on the road, and

1:21:08.920 --> 1:21:10.840
<v Speaker 1>you know, we could have kept you know, going out

1:21:10.840 --> 1:21:12.920
<v Speaker 1>there and getting that money. But I think it was

1:21:13.000 --> 1:21:18.360
<v Speaker 1>a combination of just exhaustion and then just it wasn't fun,

1:21:18.520 --> 1:21:21.360
<v Speaker 1>Like we just weren't enjoying each other, We weren't enjoying

1:21:21.400 --> 1:21:24.840
<v Speaker 1>the experience. We were literally just coming on stage just

1:21:25.160 --> 1:21:26.960
<v Speaker 1>rap rap, rap, And then we would go off in

1:21:27.000 --> 1:21:31.720
<v Speaker 1>two separate directions. And for me, you know, I mean,

1:21:31.760 --> 1:21:34.519
<v Speaker 1>you know, you gotta make money. Money is important. But

1:21:34.760 --> 1:21:37.040
<v Speaker 1>the minute this shit started feeling like a job, nigga,

1:21:37.120 --> 1:21:39.559
<v Speaker 1>I'm gone. I didn't get in this shit because.

1:21:39.320 --> 1:21:40.680
<v Speaker 2>I wanted to work a job. I could have kept

1:21:40.720 --> 1:21:41.840
<v Speaker 2>my job, you know.

1:21:42.040 --> 1:21:43.840
<v Speaker 1>I got in this to, you know, make a living

1:21:43.960 --> 1:21:46.840
<v Speaker 1>and be around people I love and us build something together.

1:21:47.200 --> 1:21:49.160
<v Speaker 2>And once it shit became work, it was like, man,

1:21:49.240 --> 1:21:49.600
<v Speaker 2>fuck this.

1:21:50.880 --> 1:21:52.600
<v Speaker 4>And for me it was, like I said, it was

1:21:52.680 --> 1:21:54.519
<v Speaker 4>just I think for me, it was just hard just

1:21:54.600 --> 1:21:58.120
<v Speaker 4>looking at the scene at the time and it was like, Yo,

1:21:58.280 --> 1:22:01.479
<v Speaker 4>this shit is wide. This is what we fought all

1:22:01.560 --> 1:22:04.080
<v Speaker 4>them fucking years for is to get to this point,

1:22:04.200 --> 1:22:06.880
<v Speaker 4>and we got here. We're the man in the cave

1:22:07.600 --> 1:22:09.680
<v Speaker 4>that all we had to do was hit that take

1:22:09.760 --> 1:22:10.760
<v Speaker 4>that pitchfork and hit.

1:22:10.680 --> 1:22:13.200
<v Speaker 2>That dirt one more time, and the diamond the diamond.

1:22:14.040 --> 1:22:16.559
<v Speaker 3>But we turned around and walked away where that where

1:22:16.600 --> 1:22:16.960
<v Speaker 3>that guy?

1:22:17.560 --> 1:22:21.519
<v Speaker 4>Like, That's that's how I felt, just how everything turned around,

1:22:21.600 --> 1:22:24.360
<v Speaker 4>and I was just like, damn, we we missed an

1:22:24.360 --> 1:22:29.760
<v Speaker 4>opportunity there. But like you said, man, we just exhausted, man,

1:22:30.000 --> 1:22:34.120
<v Speaker 4>just with each other, with the situation with just everything.

1:22:34.200 --> 1:22:36.600
<v Speaker 4>It was just like, man, I just need time to

1:22:36.840 --> 1:22:40.439
<v Speaker 4>go be free over here by myself or doing some other.

1:22:40.360 --> 1:22:42.400
<v Speaker 2>Shit and get back.

1:22:42.439 --> 1:22:44.760
<v Speaker 1>But that was our last album, We Owe ABB And

1:22:44.960 --> 1:22:48.320
<v Speaker 1>after that that was like freedom. I felt freedom in

1:22:48.360 --> 1:22:50.200
<v Speaker 1>a way that I hadn't felt in a long time.

1:22:50.960 --> 1:22:53.519
<v Speaker 1>And that was when I met I was like, nigga,

1:22:53.800 --> 1:22:56.800
<v Speaker 1>fuck a label, Like fuck we out this deal. We're

1:22:56.840 --> 1:23:00.680
<v Speaker 1>free of Atlantic abb Man, fuck this ship. And that

1:23:00.840 --> 1:23:04.599
<v Speaker 1>was when me and Nick form FIEW Music after that. Okay,

1:23:05.240 --> 1:23:08.639
<v Speaker 1>all right, so everyone that listens to the show knows

1:23:08.880 --> 1:23:15.080
<v Speaker 1>Fonte's disdain for me holding on tightly to politically correct

1:23:15.360 --> 1:23:17.160
<v Speaker 1>non gotcha questions.

1:23:19.439 --> 1:23:21.439
<v Speaker 2>Go in something we talk about whatever. We're in the

1:23:21.520 --> 1:23:22.559
<v Speaker 2>age of the Rona, Nick.

1:23:27.200 --> 1:23:29.960
<v Speaker 3>Now the age of the Roma.

1:23:31.720 --> 1:23:41.200
<v Speaker 1>So should I will publicly into the future a reunion

1:23:42.360 --> 1:23:45.120
<v Speaker 1>of the original unit of this group. Well, I can

1:23:45.200 --> 1:23:48.120
<v Speaker 1>tell you this, damn you already started.

1:23:48.720 --> 1:23:51.200
<v Speaker 2>You can, you can, you can, you.

1:23:51.320 --> 1:23:54.439
<v Speaker 4>Can say out loud and put into the air as

1:23:54.520 --> 1:23:57.400
<v Speaker 4>much as you want, brother emir, I can tell you

1:23:57.439 --> 1:23:58.280
<v Speaker 4>what ain't gonna happen.

1:24:00.760 --> 1:24:03.879
<v Speaker 2>Listen, listen, listen, listen, but wait, okay.

1:24:04.040 --> 1:24:05.719
<v Speaker 3>Listen, I listen.

1:24:05.960 --> 1:24:06.360
<v Speaker 2>Hear me.

1:24:06.640 --> 1:24:08.479
<v Speaker 3>I know my ass already, but I listen.

1:24:09.520 --> 1:24:10.879
<v Speaker 2>Because I believe.

1:24:11.320 --> 1:24:15.200
<v Speaker 1>Okay, for those that never heard the salone episode, I

1:24:16.120 --> 1:24:21.040
<v Speaker 1>went on Twitter, I think in I was at least

1:24:21.200 --> 1:24:22.080
<v Speaker 1>at Fallon at the time.

1:24:22.200 --> 1:24:27.280
<v Speaker 2>It's like twenty twelve thirteen. It nah, this was later

1:24:27.360 --> 1:24:30.400
<v Speaker 2>than that. This was this is about twenty.

1:24:32.760 --> 1:24:33.240
<v Speaker 3>This when.

1:24:34.960 --> 1:24:38.400
<v Speaker 4>This is when you got yeah, oh yeah, that was

1:24:38.400 --> 1:24:42.840
<v Speaker 4>about twelve thirteen is I decided, you know what I'm

1:24:42.880 --> 1:24:43.400
<v Speaker 4>gonna will.

1:24:43.600 --> 1:24:46.920
<v Speaker 1>I'm a publicly will a little Brother reunion for the

1:24:47.000 --> 1:24:50.840
<v Speaker 1>greater good. You know, the road to Hell's paid with

1:24:50.960 --> 1:24:54.479
<v Speaker 1>great intentions. Facts I put it. I put a tweet

1:24:54.520 --> 1:24:56.599
<v Speaker 1>out there. I was like I want little I forget

1:24:56.640 --> 1:24:59.240
<v Speaker 1>the exact wording, but it's like I'm willing a little

1:24:59.280 --> 1:25:04.280
<v Speaker 1>brother union because damn it I needed And you know,

1:25:04.920 --> 1:25:06.240
<v Speaker 1>Fante kind of did the.

1:25:08.040 --> 1:25:08.760
<v Speaker 4>You when.

1:25:10.439 --> 1:25:12.320
<v Speaker 2>I was like, nah, man, chill, don't do that.

1:25:12.520 --> 1:25:16.120
<v Speaker 1>Chill. I tried, I tried. I tried to defuse the bomb,

1:25:16.640 --> 1:25:18.880
<v Speaker 1>and you did it. Like yo man, my wife and

1:25:19.080 --> 1:25:22.400
<v Speaker 1>my wife was here like like what are you doing?

1:25:22.840 --> 1:25:27.439
<v Speaker 1>Like that sort of thing right right right. He gave

1:25:27.479 --> 1:25:30.320
<v Speaker 1>an example of like, yo, man, this is like me

1:25:30.400 --> 1:25:32.360
<v Speaker 1>putting out there like you and Salons and da da

1:25:32.400 --> 1:25:34.960
<v Speaker 1>da da da. And then Slan saw our name says

1:25:35.080 --> 1:25:38.200
<v Speaker 1>wait wait me and a mirror what and then it caused.

1:25:39.560 --> 1:25:42.040
<v Speaker 2>What a time I saw? I saw all that. That's all.

1:25:45.479 --> 1:25:48.720
<v Speaker 1>Yeah, yeah, we weren't even talking at that time. We

1:25:49.080 --> 1:25:51.680
<v Speaker 1>were talking at that time, but that ship went off.

1:25:51.720 --> 1:25:52.400
<v Speaker 2>That was crazy.

1:25:53.240 --> 1:25:58.200
<v Speaker 1>My whole point was that this still happened, and you

1:25:58.320 --> 1:26:03.280
<v Speaker 1>said it would never happen, So that's had never happened.

1:26:06.320 --> 1:26:11.479
<v Speaker 3>Oh, back back to my answer. That was a nice story, like.

1:26:13.040 --> 1:26:16.920
<v Speaker 4>This is the thing this, yeah, this is this is

1:26:17.000 --> 1:26:22.080
<v Speaker 4>the thing we when we came back this time, we

1:26:22.360 --> 1:26:28.479
<v Speaker 4>realized the fundamental differences as men and you can't get

1:26:28.560 --> 1:26:32.680
<v Speaker 4>past that fact, like he is who he is, we

1:26:32.840 --> 1:26:36.519
<v Speaker 4>are who we are, and we see things differently than

1:26:36.560 --> 1:26:41.120
<v Speaker 4>the way he does, and the clarity is there.

1:26:42.520 --> 1:26:43.200
<v Speaker 3>And that's just it.

1:26:43.600 --> 1:26:47.120
<v Speaker 4>Like because for me, what the thing I always said

1:26:47.120 --> 1:26:49.080
<v Speaker 4>about little brother, even when we weren't talking, when we

1:26:49.160 --> 1:26:52.320
<v Speaker 4>weren't making music, the magic in the music was that

1:26:53.720 --> 1:26:54.800
<v Speaker 4>it was our relationship.

1:26:55.400 --> 1:26:57.960
<v Speaker 3>It wouldn't the fact that T Dope, I'm dope night

1:26:58.200 --> 1:27:00.720
<v Speaker 3>beasts for Dope. It's our real relationship.

1:27:00.880 --> 1:27:03.519
<v Speaker 4>It's the way we approach records, the way we made

1:27:03.600 --> 1:27:06.400
<v Speaker 4>records you can hear the joy in the records.

1:27:06.720 --> 1:27:08.800
<v Speaker 3>In our later records, you can start to not hear

1:27:08.880 --> 1:27:13.160
<v Speaker 3>that joy. A little by little, it was gone.

1:27:13.320 --> 1:27:17.559
<v Speaker 4>And so when we came back to do which ended

1:27:17.640 --> 1:27:20.120
<v Speaker 4>up being made a little watch, me and Tay had

1:27:20.160 --> 1:27:24.439
<v Speaker 4>a talk and it basically was like, listen, man, we here.

1:27:24.360 --> 1:27:26.880
<v Speaker 3>To do this for each other. We here to have

1:27:27.080 --> 1:27:31.320
<v Speaker 3>fun doing this shit, and nigga anything more than that,

1:27:33.160 --> 1:27:35.000
<v Speaker 3>we ain't. It's whatever, like we ain't here for it.

1:27:36.080 --> 1:27:39.960
<v Speaker 3>And we realized very quickly that we saw things that

1:27:40.080 --> 1:27:44.760
<v Speaker 3>way he did not. And so it's just like, yo,

1:27:44.840 --> 1:27:48.080
<v Speaker 3>we're good, like we're good, like we're good.

1:27:48.160 --> 1:27:50.800
<v Speaker 2>When when's the last time you guys have spoken to ninth?

1:27:51.880 --> 1:27:58.920
<v Speaker 2>Twenty eighteen, the twenty for me and you bro, it

1:27:59.000 --> 1:27:59.639
<v Speaker 2>was twenty eighteen.

1:28:00.200 --> 1:28:03.040
<v Speaker 3>You was twenty eighteen. For me it was twenty nineteen.

1:28:03.200 --> 1:28:04.760
<v Speaker 3>It was March twenty nineteen.

1:28:04.600 --> 1:28:08.320
<v Speaker 1>Yeah, because it was around the time Nip died and yeah, yeah, yeah, Marsh,

1:28:09.000 --> 1:28:11.160
<v Speaker 1>Yeah it was to March sween nineteen. Yeah for me

1:28:11.320 --> 1:28:14.439
<v Speaker 1>at twenty eighteen, the last the last time we actually

1:28:14.600 --> 1:28:19.679
<v Speaker 1>saw each other like saw saw each other was yeah, yeah,

1:28:20.520 --> 1:28:22.080
<v Speaker 1>come back article festival.

1:28:23.040 --> 1:28:25.360
<v Speaker 2>Yeah. So August twenty eighteen. That was the last time

1:28:25.400 --> 1:28:25.920
<v Speaker 2>we saw each other.

1:28:26.880 --> 1:28:30.880
<v Speaker 1>And that performance was just someone saying, hey, who was missing?

1:28:30.920 --> 1:28:36.040
<v Speaker 1>Who was supposed to Royce y? Yeah, Royce Man. Who

1:28:36.120 --> 1:28:38.880
<v Speaker 1>was the person that was the point person who reached

1:28:38.880 --> 1:28:42.200
<v Speaker 1>out to him? It was so's my man Suleyman Massi.

1:28:42.360 --> 1:28:46.880
<v Speaker 1>He's a promoter and he runs now he owns the

1:28:47.560 --> 1:28:50.160
<v Speaker 1>Article festival with the music festival that goes on down

1:28:50.200 --> 1:28:55.280
<v Speaker 1>here in Durham. And Royce Miss's Flight and me and Suleiman,

1:28:55.439 --> 1:28:57.519
<v Speaker 1>you know, we had a working relationship. He had booked

1:28:57.520 --> 1:28:59.719
<v Speaker 1>for an exchanged a bunch of times, so we knew.

1:28:59.560 --> 1:29:01.080
<v Speaker 2>Each other just you know, over the years.

1:29:01.520 --> 1:29:03.639
<v Speaker 1>And so he reached out to me and was like, yo, man,

1:29:03.720 --> 1:29:05.800
<v Speaker 1>Royce Smist's Flight, do you want to do a solo set?

1:29:06.479 --> 1:29:10.240
<v Speaker 1>And I'm literally at home in you know, a T

1:29:10.439 --> 1:29:15.840
<v Speaker 1>shirt and my boxers, just like doing nothing. And I said, well,

1:29:15.920 --> 1:29:19.280
<v Speaker 1>let me check and see if it's even possible. So

1:29:19.320 --> 1:29:21.360
<v Speaker 1>I ended up making the calls. I called reached out

1:29:21.360 --> 1:29:24.840
<v Speaker 1>to Flash it was my two DJ. First he didn't

1:29:24.880 --> 1:29:26.960
<v Speaker 1>get answer for him, so then I reached out to

1:29:27.080 --> 1:29:29.880
<v Speaker 1>Knife and me and Knife had been hanging in Durham

1:29:29.960 --> 1:29:31.360
<v Speaker 1>that previous night, so I hit him.

1:29:31.400 --> 1:29:33.920
<v Speaker 2>I was like, hey, man, suleymn hit me by wanting

1:29:33.920 --> 1:29:36.040
<v Speaker 2>to do this this show. You know, would you would

1:29:36.040 --> 1:29:38.280
<v Speaker 2>you DJ for me? He was like, yeah, I'll DJ

1:29:38.439 --> 1:29:38.640
<v Speaker 2>for you.

1:29:39.240 --> 1:29:41.280
<v Speaker 1>And I said, man, you know it'd be crazy, man,

1:29:41.320 --> 1:29:42.720
<v Speaker 1>what if we get Pool involved in this shit?

1:29:42.760 --> 1:29:45.960
<v Speaker 2>And he was like, ah, hell, I mean he was.

1:29:46.080 --> 1:29:49.400
<v Speaker 1>He was super reluctant about it, but you know, I

1:29:50.200 --> 1:29:51.680
<v Speaker 1>you know, kind of twisted his arm and he was like,

1:29:51.720 --> 1:29:53.600
<v Speaker 1>all right, cool, you know, I'll do it. And I

1:29:53.680 --> 1:29:56.479
<v Speaker 1>called Pooh and hit suleit mine back and we got

1:29:56.520 --> 1:29:59.439
<v Speaker 1>everything sorted out and so that all came together within

1:29:59.520 --> 1:30:00.800
<v Speaker 1>the matter of three four hours.

1:30:00.840 --> 1:30:04.800
<v Speaker 2>I mean, it was super super fast. And that was it.

1:30:04.960 --> 1:30:06.960
<v Speaker 2>I mean that was kind of what started it. And

1:30:08.439 --> 1:30:09.800
<v Speaker 2>that was the last time.

1:30:10.760 --> 1:30:13.599
<v Speaker 1>And at the end and at the end, it wasn't

1:30:13.720 --> 1:30:17.639
<v Speaker 1>like yeah, I enjoyed that, It was absolutely yeah.

1:30:17.760 --> 1:30:20.400
<v Speaker 3>I mean the funny the funny part about it was

1:30:21.600 --> 1:30:25.200
<v Speaker 3>foreshadowing in life. I didn't see him when it was over.

1:30:27.360 --> 1:30:29.400
<v Speaker 4>Me and Tate no, no, lie, no bullshit like me

1:30:29.479 --> 1:30:31.560
<v Speaker 4>and Tate walked back up to the to the to

1:30:31.680 --> 1:30:36.280
<v Speaker 4>the RVs which were our trailers, and he didn't because

1:30:36.320 --> 1:30:38.439
<v Speaker 4>he went down there to the stage before we did,

1:30:39.160 --> 1:30:41.000
<v Speaker 4>and he didn't go back up when we went up,

1:30:41.479 --> 1:30:43.439
<v Speaker 4>and I ain't seen him since we walked off that stage.

1:30:43.479 --> 1:30:46.920
<v Speaker 4>We took like two pictures together, and then I was like, man,

1:30:46.960 --> 1:30:48.519
<v Speaker 4>fuck this, I ain't got to stay down here taking

1:30:48.520 --> 1:30:49.160
<v Speaker 4>all these pictures.

1:30:49.200 --> 1:30:53.120
<v Speaker 3>We're going going upstairs to get drunk like, and Tate

1:30:53.240 --> 1:30:55.640
<v Speaker 3>was like, Nick, I'm going upstairs too, And we went

1:30:55.760 --> 1:30:59.920
<v Speaker 3>upstairs and I didn't. I haven't seen him since. Like, no, lie,

1:31:00.760 --> 1:31:03.559
<v Speaker 3>no cat, as the young people say, no cap, not a.

1:31:03.600 --> 1:31:05.639
<v Speaker 2>Cat, not a cap at all, No cap, no fedora,

1:31:05.800 --> 1:31:08.639
<v Speaker 2>no none of that ship. Because all right, man, twenty

1:31:08.720 --> 1:31:11.280
<v Speaker 2>twenty two, I'm getting you all, life coach. We don't

1:31:11.320 --> 1:31:14.200
<v Speaker 2>need one man. Were good not for this.

1:31:14.600 --> 1:31:15.960
<v Speaker 1>I mean, if you want to have a life coach,

1:31:16.040 --> 1:31:18.400
<v Speaker 1>just talk about childhood trauma and shit like that.

1:31:18.520 --> 1:31:19.080
<v Speaker 2>We talking about that.

1:31:19.439 --> 1:31:22.479
<v Speaker 3>That's that's something totally different. We're good on this, don't

1:31:22.720 --> 1:31:23.639
<v Speaker 3>We don't work this out.

1:31:23.960 --> 1:31:28.000
<v Speaker 2>We don't go all the way out. Okay, all right,

1:31:28.680 --> 1:31:33.040
<v Speaker 2>I feel you, man, you know you? Hey hey, no, no, no, no,

1:31:33.320 --> 1:31:35.160
<v Speaker 2>I'll take that. Look this this is a little this

1:31:35.320 --> 1:31:37.360
<v Speaker 2>official Little Brother reunion. I'll take it.

1:31:37.840 --> 1:31:41.000
<v Speaker 1>The album's banging. You're happy to have been a part

1:31:41.040 --> 1:31:46.439
<v Speaker 1>of it, thank you. So what happens? Uh? Okay, So

1:31:46.640 --> 1:31:48.720
<v Speaker 1>obviously we're in the edge of the runa now where

1:31:48.840 --> 1:31:53.000
<v Speaker 1>all the breaks have suddenly halted on our professional lives.

1:31:53.960 --> 1:32:00.479
<v Speaker 1>And you know what happens now is this time for

1:32:00.640 --> 1:32:01.400
<v Speaker 1>a new album?

1:32:01.760 --> 1:32:01.920
<v Speaker 2>Is it?

1:32:02.400 --> 1:32:04.800
<v Speaker 3>We're making it through the rona man. That's all.

1:32:05.080 --> 1:32:07.320
<v Speaker 2>That's all you can do right now, one day at

1:32:07.360 --> 1:32:08.680
<v Speaker 2>a time, one day.

1:32:09.960 --> 1:32:12.400
<v Speaker 4>You know, people always ask us about another album. Man,

1:32:12.520 --> 1:32:14.960
<v Speaker 4>it's one for us. It's just one of them things where.

1:32:14.840 --> 1:32:16.640
<v Speaker 2>It's like, let's be like, you're lucky you got the

1:32:16.680 --> 1:32:17.160
<v Speaker 2>one you got.

1:32:18.800 --> 1:32:22.880
<v Speaker 3>Not only that, but like we.

1:32:23.040 --> 1:32:26.360
<v Speaker 2>Both have just a lot of other things that we

1:32:26.520 --> 1:32:27.160
<v Speaker 2>have going on.

1:32:27.439 --> 1:32:32.080
<v Speaker 4>And you know, like I managed full time, so luckily

1:32:32.439 --> 1:32:35.040
<v Speaker 4>Big Dough my partner, so he was able to pick

1:32:35.120 --> 1:32:37.280
<v Speaker 4>up a lot of that slack and and.

1:32:37.360 --> 1:32:40.599
<v Speaker 2>What is that into now? Who being a manager being

1:32:40.680 --> 1:32:42.040
<v Speaker 2>a suit Listen, man.

1:32:42.000 --> 1:32:42.840
<v Speaker 3>Let me tell you something, bro.

1:32:44.720 --> 1:32:48.240
<v Speaker 4>This ship is this ship well you can't see him

1:32:48.280 --> 1:32:49.880
<v Speaker 4>in the camera, but I got a lot of grades

1:32:49.960 --> 1:32:52.000
<v Speaker 4>down here now, a lot of grades.

1:32:52.080 --> 1:32:52.200
<v Speaker 2>Man.

1:32:52.280 --> 1:32:54.400
<v Speaker 3>It's you know, it's for me. It's just one of

1:32:54.439 --> 1:32:54.760
<v Speaker 3>them things.

1:32:54.800 --> 1:32:54.960
<v Speaker 2>Man.

1:32:54.960 --> 1:32:56.840
<v Speaker 3>I just love music and I love the.

1:32:56.880 --> 1:32:59.880
<v Speaker 4>Guys that I have, and I believe in them full force,

1:33:00.040 --> 1:33:01.680
<v Speaker 4>and I just want to see them accomplish some of

1:33:01.720 --> 1:33:03.799
<v Speaker 4>the things that they want to accomplish, if not everything.

1:33:04.360 --> 1:33:06.519
<v Speaker 4>So I'm here, I'm right or die. That's why I

1:33:06.560 --> 1:33:08.479
<v Speaker 4>don't have a lot of clients. Man, like I gotta

1:33:09.479 --> 1:33:12.680
<v Speaker 4>I gotta feel goosebumps when I hear you for the

1:33:12.760 --> 1:33:15.360
<v Speaker 4>first time. And all these guys, I had that feeling.

1:33:15.439 --> 1:33:19.599
<v Speaker 4>But it's hard, man, it's stressful. It's three it's three

1:33:19.640 --> 1:33:25.320
<v Speaker 4>different people, three different personalities, three different levels in their

1:33:25.400 --> 1:33:26.280
<v Speaker 4>careers right now.

1:33:27.720 --> 1:33:30.640
<v Speaker 1>But you're using You're using the wisdom all of it

1:33:30.840 --> 1:33:33.360
<v Speaker 1>that you all right, everything that you have.

1:33:33.640 --> 1:33:37.480
<v Speaker 2>But this is the thing. How old are the thirty.

1:33:38.880 --> 1:33:42.400
<v Speaker 3>Thirty, thirty, thirty one and twenty four.

1:33:44.240 --> 1:33:45.000
<v Speaker 2>Young? Yeah?

1:33:46.080 --> 1:33:47.920
<v Speaker 3>And this is this is the thing I tell people

1:33:48.920 --> 1:33:49.040
<v Speaker 3>I have.

1:33:49.360 --> 1:33:51.200
<v Speaker 4>I have a lot of wisdom, right, I have a

1:33:51.240 --> 1:33:56.320
<v Speaker 4>lot of wisdom, But this is their careers. So I

1:33:56.400 --> 1:33:58.519
<v Speaker 4>don't I don't rule with the iron fists.

1:33:58.640 --> 1:33:59.240
<v Speaker 3>I'm more of a.

1:34:00.800 --> 1:34:04.439
<v Speaker 4>Let's have a conversation about whatever the situation is. Let's

1:34:04.479 --> 1:34:06.839
<v Speaker 4>way to pros the cars. I'll give you my advice.

1:34:07.000 --> 1:34:09.880
<v Speaker 4>I'll give you some you know, some anecdotes. If I

1:34:10.000 --> 1:34:12.080
<v Speaker 4>have any but at the end of the day, you

1:34:12.280 --> 1:34:14.640
<v Speaker 4>have to make a choice for you because it's your

1:34:14.720 --> 1:34:17.439
<v Speaker 4>career and I'm gonna ride whatever that choice is, whether

1:34:17.439 --> 1:34:19.680
<v Speaker 4>I agree or not, but it has to be your

1:34:19.800 --> 1:34:22.040
<v Speaker 4>choice because you gotta go out here and sell it.

1:34:22.080 --> 1:34:25.040
<v Speaker 1>Shit Exactly. We were always kind of on some when

1:34:25.120 --> 1:34:27.479
<v Speaker 1>it came to us dealing with other acts whatever. We

1:34:27.560 --> 1:34:29.840
<v Speaker 1>were always kind of on some tigos to the Runner shit,

1:34:30.240 --> 1:34:32.639
<v Speaker 1>just in the sense of, you know, like he said,

1:34:32.840 --> 1:34:34.600
<v Speaker 1>it's like, I can have my thoughts about it, but

1:34:34.680 --> 1:34:37.360
<v Speaker 1>if it's a song you believe in, you the one

1:34:37.400 --> 1:34:39.160
<v Speaker 1>that's got to walk out here on this shit, not me.

1:34:39.280 --> 1:34:40.880
<v Speaker 2>It's it's your name that's attached to it.

1:34:41.000 --> 1:34:43.600
<v Speaker 1>So I could hate the fucking song, But if you

1:34:43.960 --> 1:34:46.280
<v Speaker 1>love it and this is what you believe in, then

1:34:46.720 --> 1:34:48.519
<v Speaker 1>I'll stand behind you on it because it's you the

1:34:48.600 --> 1:34:50.960
<v Speaker 1>one that's got to sell it, and it's gonna follow you.

1:34:52.439 --> 1:34:55.600
<v Speaker 4>It's gonna follow you. I think the best thing for me,

1:34:56.600 --> 1:34:59.200
<v Speaker 4>the best thing for me and my position is I

1:34:59.360 --> 1:35:04.080
<v Speaker 4>have a legacy. See that's cemented. Whether I stopped today

1:35:04.360 --> 1:35:06.760
<v Speaker 4>and just go back to being Thomas Jones and go

1:35:06.960 --> 1:35:09.719
<v Speaker 4>work at the airport or some ship like my legacy

1:35:09.800 --> 1:35:13.520
<v Speaker 4>is cemented already, so I don't have that fear.

1:35:14.040 --> 1:35:17.599
<v Speaker 3>Of the fuck up. And it's just like, yo, let's

1:35:17.800 --> 1:35:19.639
<v Speaker 3>let's let's go, let's.

1:35:19.439 --> 1:35:21.600
<v Speaker 4>Go fast, let's go hard, and if we suck up

1:35:21.600 --> 1:35:25.599
<v Speaker 4>along the way, it's gonna happen. Mistake's going to hunted

1:35:25.680 --> 1:35:28.040
<v Speaker 4>and mistakes going ten. There's two different type of mistakes.

1:35:28.960 --> 1:35:30.960
<v Speaker 4>Let's go on hunting and that's.

1:35:30.880 --> 1:35:31.479
<v Speaker 3>Just what we do.

1:35:31.600 --> 1:35:33.719
<v Speaker 2>Yeah, yeah, I was. I was thinking.

1:35:34.040 --> 1:35:36.200
<v Speaker 1>We had Jimmy jam on you know, the other day,

1:35:36.360 --> 1:35:40.360
<v Speaker 1>and you know, he was talking about how his wife,

1:35:40.439 --> 1:35:42.439
<v Speaker 1>you know, how he got involved in the Grammys and stuff,

1:35:42.479 --> 1:35:44.800
<v Speaker 1>and it was his wife that was telling him like, Yo,

1:35:44.880 --> 1:35:46.519
<v Speaker 1>this is what you're supposed to be doing now, you

1:35:46.600 --> 1:35:50.000
<v Speaker 1>know what I mean. And that really resonated with me

1:35:50.080 --> 1:35:52.680
<v Speaker 1>because it kind of reminded me. I think that was

1:35:52.720 --> 1:35:54.680
<v Speaker 1>a lot of what me and Pool would have conversations

1:35:54.760 --> 1:35:58.000
<v Speaker 1>with about. Made the Little Watch one of the earliest

1:35:58.040 --> 1:36:01.679
<v Speaker 1>conversations we had. After we finished the record. The first

1:36:01.720 --> 1:36:05.680
<v Speaker 1>thing we thought about was, Okay, who can we help, Like,

1:36:06.240 --> 1:36:08.439
<v Speaker 1>now that we've done this, how can we use this

1:36:08.520 --> 1:36:11.320
<v Speaker 1>new platform we have to you know, jump somebody else

1:36:11.400 --> 1:36:14.639
<v Speaker 1>all so help you know, someone else. And so when

1:36:14.680 --> 1:36:18.800
<v Speaker 1>it comes to you asked about doing another album for me,

1:36:19.200 --> 1:36:22.000
<v Speaker 1>you know, that record just took a lot, like it

1:36:22.120 --> 1:36:25.120
<v Speaker 1>took everything out of me because it was so much

1:36:25.520 --> 1:36:27.240
<v Speaker 1>we knew we had to get right. And I mean,

1:36:27.360 --> 1:36:29.599
<v Speaker 1>you know, and you always, you know, not to say

1:36:29.640 --> 1:36:32.240
<v Speaker 1>that it's ever been, you know, records that we have

1:36:32.400 --> 1:36:35.719
<v Speaker 1>stepped on or like purposely just did some bullshit or whatever.

1:36:35.720 --> 1:36:37.920
<v Speaker 1>I mean, we always put our best foot forward. But

1:36:38.240 --> 1:36:40.960
<v Speaker 1>we made a little watch that was just a draining

1:36:41.120 --> 1:36:44.439
<v Speaker 1>process because we did everything ourselves, you know.

1:36:44.400 --> 1:36:47.479
<v Speaker 2>What I mean. We cleared our samples, we were budget

1:36:47.560 --> 1:36:51.120
<v Speaker 2>label studio, the whole nine, you know what I'm saying.

1:36:51.560 --> 1:36:54.960
<v Speaker 1>So it just took so much out of us both,

1:36:55.280 --> 1:36:58.880
<v Speaker 1>and I think in terms of us doing another record

1:37:00.520 --> 1:37:03.600
<v Speaker 1>for me, it really just came down to I just

1:37:03.680 --> 1:37:07.320
<v Speaker 1>wanted us to do something, so where now the errors

1:37:07.360 --> 1:37:09.200
<v Speaker 1>out of the room. So now if I just want

1:37:09.240 --> 1:37:11.360
<v Speaker 1>to jump on a song for his album or he

1:37:11.479 --> 1:37:13.519
<v Speaker 1>jump on song on my album, we can just do

1:37:13.640 --> 1:37:15.600
<v Speaker 1>a fucking song and that be the end of it.

1:37:15.680 --> 1:37:18.599
<v Speaker 1>It's no more discussion of oh well what does this mean?

1:37:18.760 --> 1:37:20.920
<v Speaker 1>And nigga just mean we do the song together, you

1:37:21.000 --> 1:37:23.640
<v Speaker 1>know what I mean? So we have the freedom to

1:37:23.720 --> 1:37:26.519
<v Speaker 1>do that now. And if another record comes, if we

1:37:26.560 --> 1:37:28.560
<v Speaker 1>feel like we got something else to say, you know,

1:37:28.720 --> 1:37:33.120
<v Speaker 1>we can do that. But as of right now, speaking

1:37:33.200 --> 1:37:35.200
<v Speaker 1>for me, I'm just kind of enjoying the piece of

1:37:36.560 --> 1:37:38.599
<v Speaker 1>just having you know, my brother back in my life

1:37:38.640 --> 1:37:42.519
<v Speaker 1>again and us being able to use our influence to

1:37:42.600 --> 1:37:43.360
<v Speaker 1>help other people.

1:37:43.640 --> 1:37:47.200
<v Speaker 2>Like that's the most that's the most joy the joyous

1:37:47.240 --> 1:37:47.920
<v Speaker 2>part of it for me.

1:37:48.640 --> 1:37:51.880
<v Speaker 4>And we still got cities we ain't touched yet because

1:37:51.920 --> 1:37:55.120
<v Speaker 4>of the role now. Man, straight up, we ain't been

1:37:55.160 --> 1:37:58.839
<v Speaker 4>to New York, Houston, Detroit, to Rod Boston.

1:37:59.680 --> 1:38:01.440
<v Speaker 3>We ain't did a show at the crib.

1:38:01.360 --> 1:38:04.800
<v Speaker 4>Sits the festival, like, man, y'all ain't getting no album

1:38:04.840 --> 1:38:06.800
<v Speaker 4>to that halfwy twenty five.

1:38:09.600 --> 1:38:12.599
<v Speaker 1>Hey man, look a burden in hend a burden in hand,

1:38:13.200 --> 1:38:15.439
<v Speaker 1>Beast two in the bush. I mean I wanted a

1:38:15.560 --> 1:38:18.560
<v Speaker 1>new Little Brother record. You got it, I got I

1:38:18.640 --> 1:38:20.880
<v Speaker 1>got a Christmas gift. I'm not being greedy.

1:38:21.560 --> 1:38:24.720
<v Speaker 2>Thank you, I appreciate it. Thank you for this man.

1:38:25.080 --> 1:38:27.519
<v Speaker 4>Yeah, man, oh and I always wanted to thank you

1:38:28.080 --> 1:38:31.280
<v Speaker 4>Amir for I don't know if you remember, but we

1:38:31.400 --> 1:38:32.040
<v Speaker 4>did a show.

1:38:31.880 --> 1:38:32.519
<v Speaker 2>At the t l A.

1:38:32.920 --> 1:38:35.240
<v Speaker 3>This is this is around this is the listening time.

1:38:36.080 --> 1:38:39.160
<v Speaker 3>And you came to the show, and I.

1:38:39.240 --> 1:38:40.679
<v Speaker 2>Know what you're talking about.

1:38:40.720 --> 1:38:42.599
<v Speaker 3>I remember you said, Yo, I want.

1:38:42.439 --> 1:38:45.280
<v Speaker 4>To buy some CDs from y'all and we said, okay,

1:38:45.360 --> 1:38:49.640
<v Speaker 4>how many you want? You paid for thirty CDs. You

1:38:49.800 --> 1:38:53.720
<v Speaker 4>left them CDs there, I did so we were able

1:38:53.760 --> 1:38:57.160
<v Speaker 4>to resell them CDs money in the half, and we

1:38:57.360 --> 1:38:58.120
<v Speaker 4>needed that money.

1:38:58.200 --> 1:39:03.000
<v Speaker 2>So I thank you for that purpose.

1:39:03.040 --> 1:39:06.519
<v Speaker 1>That's that's a very mere thing to do. But I

1:39:06.600 --> 1:39:09.160
<v Speaker 1>think I also did it on dollars. Got niggas back

1:39:09.200 --> 1:39:17.559
<v Speaker 1>down ninety five. All right, well, look I'm wrapping up

1:39:17.600 --> 1:39:21.400
<v Speaker 1>the show man. Wait, but Bill, you usually have a

1:39:21.520 --> 1:39:27.080
<v Speaker 1>trick and thank you Bill, Yo. I want to thank

1:39:27.120 --> 1:39:32.840
<v Speaker 1>you all for doing this show. You know, under under

1:39:32.880 --> 1:39:36.160
<v Speaker 1>these circumstances, I never thought i'd get the Little Brother episode.

1:39:36.200 --> 1:39:38.040
<v Speaker 1>But you know what, though, man on some Britain, this

1:39:38.200 --> 1:39:44.200
<v Speaker 1>is just my mind working post edible. How poetic is

1:39:44.280 --> 1:39:46.720
<v Speaker 1>it that we all met on the internet and now

1:39:46.920 --> 1:39:48.840
<v Speaker 1>we're doing our show in.

1:39:53.240 --> 1:39:55.600
<v Speaker 2>My God, can't do won't do it?

1:39:57.640 --> 1:40:01.439
<v Speaker 1>It's only right Well on behalf of Big Pooh, font Ticolo,

1:40:01.720 --> 1:40:05.080
<v Speaker 1>Boss Bill, the rest of the teams, Supreme, Liah Suk

1:40:05.120 --> 1:40:08.240
<v Speaker 1>and Steve unpaid bill and fantic.

1:40:08.439 --> 1:40:09.800
<v Speaker 2>Oh my god, I was about to see you out

1:40:09.840 --> 1:40:14.800
<v Speaker 2>getting cigarettes. Anyway, I'm back now, all you good, All right.

1:40:15.000 --> 1:40:17.880
<v Speaker 1>This is quest Love and thank you for tuning in

1:40:18.120 --> 1:40:19.720
<v Speaker 1>and we will see you on the next go round

1:40:19.800 --> 1:40:20.880
<v Speaker 1>of Quest Love Supreme.

1:40:21.080 --> 1:40:31.840
<v Speaker 2>Thank you. West.

1:40:31.880 --> 1:40:40.120
<v Speaker 1>Love Supreme is a production of iHeart Radio. For more

1:40:40.160 --> 1:40:44.160
<v Speaker 1>podcasts from iHeart Radio, visit the iHeart Radio app, Apple Podcasts,

1:40:44.600 --> 1:40:46.320
<v Speaker 1>or wherever you listen to your favorite shows.