WEBVTT - Star Wars: Skeleton Crew Episode 6

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<v Speaker 1>Worry today's episode Canday's spoilers for Skeleton Crew episode six Oho,

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<v Speaker 1>my name is Jason Tepti and on Mersday Night and

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<v Speaker 1>welcome back x ray vision of the podcast where we'd

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<v Speaker 1>dive with your favorite shows.

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<v Speaker 2>Movies, comics of pop culture.

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<v Speaker 1>Coming you remind our podcast where we're bringing you in

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<v Speaker 1>this new year, the same thing. Three episodes a week,

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<v Speaker 1>Tuesday Thursday, with an extra episode on Wednesday.

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<v Speaker 3>We do know when that's gonna come out.

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<v Speaker 1>We don't really know, but happy New Year to you all.

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<v Speaker 2>There'll be short it probably Tuesday, most likely Thursday, and

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<v Speaker 2>then we'll see.

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<v Speaker 4>In today's episode, we are talking about Skeleton Crew episode one,

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<v Speaker 4>six zero Friends Again.

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<v Speaker 3>I wonder who that could be.

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<v Speaker 4>Referencing who's once again betraying all of his friends and ending.

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<v Speaker 3>Up scamming again. Could it be Joed Silva, whatever you

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<v Speaker 3>call him.

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<v Speaker 1>Probably let's get it to it, okay. Episode six zero

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<v Speaker 1>Friends Again picks up seconds after the previous episode ends.

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<v Speaker 1>We find the kids falling down.

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<v Speaker 3>A shoot their goonies of them.

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<v Speaker 1>Very very goonies of them from the One Eyed Willie

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<v Speaker 1>Treasure Room of tac renod this trapdoor that they triggered

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<v Speaker 1>to escape from jod semi on purpose, kind of on accident,

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<v Speaker 1>and they are then spit out onto a desolate, snowy

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<v Speaker 1>field that we are soon to find out is like

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<v Speaker 1>I would say, two one hundred meters or something below

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<v Speaker 1>the landing pad.

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<v Speaker 2>Of the spot.

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<v Speaker 3>Yeah, not great.

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<v Speaker 1>And KB has been, we are soon to learn, has

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<v Speaker 1>been kind of getting run down by this very dirty

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<v Speaker 1>and steamy and cold adventure. Her servos, her machinery is

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<v Speaker 1>getting gunked up, and also the fall didn't do her,

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<v Speaker 1>didn't do her any favors. So Fern does some quick

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<v Speaker 1>maintenance on KB, and Neil and Wim are clearly like

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<v Speaker 1>very very concerned and very worried. John meanwhile, not worried

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<v Speaker 1>at all. He climbs out of tach red tunnel leading

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<v Speaker 1>from tech Renas treasure room, and he is like covered

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<v Speaker 1>rosy in jewelry, in fine gold necklaces, wineries. Yes, he's

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<v Speaker 1>looking he's looking quite royal, and he is quite delighted

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<v Speaker 1>with himself. He appears before the SPA staff, who are

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<v Speaker 1>shocked to see him, and he's like, haha, well, I'd

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<v Speaker 1>like to pay for my room, but I'd like to leave. Well,

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<v Speaker 1>he can't because He's immediately waylaid by Gunter, one of

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<v Speaker 1>Brutus's pirate crew, played by Julil White of Arkle Fame.

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<v Speaker 2>Of course, delightful to see him, love to see him

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<v Speaker 2>in the Star Wars universe. Good for him.

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<v Speaker 1>And I have to say, when you add in Kelly McDonald,

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<v Speaker 1>when you add in Jude Law, when you add in

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<v Speaker 1>the Goonies, feel and now Jalil White, this is a

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<v Speaker 1>very like old millennial gen X coded.

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<v Speaker 2>Oh yeah, that's in a lot of ways.

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<v Speaker 4>It's it's a smart way to bring the nostalgia to

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<v Speaker 4>the and everybody.

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<v Speaker 3>While making it a very like, really enjoyable watch.

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<v Speaker 2>I completely agree, it's wonderful.

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<v Speaker 1>Jod tries to get s M thirty three to like,

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<v Speaker 1>you know, resists, you know, get in the fight so

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<v Speaker 1>he can get out of there. Sm immediately incapacitated. But really,

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<v Speaker 1>before Jod can try anything, a squadron of X Wings

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<v Speaker 1>show up and they start fighting the pirate chips. The

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<v Speaker 1>pirates have to flee far below on that snowy field.

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<v Speaker 1>The kids look up and they come to the realization

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<v Speaker 1>they wait to sing and are the X Wings the

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<v Speaker 1>good guys. This is very interesting because it shows you

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<v Speaker 1>that again, the kids have been out of it for

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<v Speaker 1>who knows how long.

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<v Speaker 4>Told are not complete. You know, we know that they

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<v Speaker 4>have these kind of myths of the Jedi, but the

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<v Speaker 4>fact they don't know what an x wing is also

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<v Speaker 4>just want to say, very nice to see. We rarely

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<v Speaker 4>get any last Jedi nods, but during Jod's little escapade

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<v Speaker 4>we do get a I believe a g Deck, which

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<v Speaker 4>is the alien that's kind of covered in all those

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<v Speaker 4>weird like fleshy things. And in the Last Jedi she's

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<v Speaker 4>the woman who sings like there's a version who sings

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<v Speaker 4>like the opera.

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<v Speaker 3>When Rose and Finn are going through.

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<v Speaker 4>So it's nice to see and I like her last

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<v Speaker 4>Jedi riff.

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<v Speaker 3>Whenever we get.

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<v Speaker 1>One, the kids have a disagreement, is like, well, we

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<v Speaker 1>need to get back up to our ship. Our ship

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<v Speaker 1>is all the way up there, so let's climb. KB meanwhile,

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<v Speaker 1>who is still very shaken from everything that's been going on,

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<v Speaker 1>and while the maintenance did help, it's clearly she's still limited,

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<v Speaker 1>and she says, I disagree. I don't think we should

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<v Speaker 1>do that. I think it's too dangerous and I think

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<v Speaker 1>it's a bad idea. Whim Meanwhile, has like made the

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<v Speaker 1>acquaintance of various trash crabs, these like greed scavenger crabs

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<v Speaker 1>who just keep saying like follow us or you know,

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<v Speaker 1>just repeating words that he says to them. And he's like, well,

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<v Speaker 1>and I think the logic is kind of sound rosy,

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<v Speaker 1>which they're from here. The crabs are from here, so

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<v Speaker 1>why don't we follow them? And maybe they have an

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<v Speaker 1>easier way to get back up to the ship that's

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<v Speaker 1>not climbing the very treacherous climb. Uh, women, KB go

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<v Speaker 1>with the crabs. Fern and Neil go climbing. We go

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<v Speaker 1>to Captain Brutus's ship. They're coming out of hyperspace. They've

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<v Speaker 1>escaped from the X Wings and the captain is presiding.

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<v Speaker 2>Over pirate court.

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<v Speaker 1>The accused sits on the docket is Jod Slash Jack

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<v Speaker 1>Slash Slash, whatever his name is. Brutus with alacrity, finds

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<v Speaker 1>Jod guilty and sentences him to.

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<v Speaker 2>Death by airlock.

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<v Speaker 1>We're gonna let him out the airlock, but as various

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<v Speaker 1>members of the pirate court, we're looking on mention, hey,

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<v Speaker 1>we are pirates. But there is a very stringent legal

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<v Speaker 1>code that says the accused must have equal time to

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<v Speaker 1>argue their side of things. So Brutus very begrudgingly turns

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<v Speaker 1>over a a uh sand of hourglass and is like, okay,

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<v Speaker 1>go ahead, a very cool like lava lamp, lava lamp,

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<v Speaker 1>A good a good plasma lamp.

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<v Speaker 4>Yeah.

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<v Speaker 1>Jod then very patiently, with a kind of air of weariness, like,

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<v Speaker 1>oh this, you know, I guess it's my time and

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<v Speaker 1>I have to tell the truth in the face of

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<v Speaker 1>that injustice. And he makes his case, and his case

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<v Speaker 1>is essentially a class warfare case, saying, hey, we're the

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<v Speaker 1>down trodden, we are the poor, we.

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<v Speaker 2>Don't have anything.

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<v Speaker 1>No one is looking out for us. Therefore why shouldn't

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<v Speaker 1>we Robin Steely, how much as can we survive?

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<v Speaker 2>Right?

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<v Speaker 3>I like, brow you also stole from these people?

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<v Speaker 4>Like I feel like it's not like a great argument.

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<v Speaker 2>By getting it's a very lizen. It's an argument that

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<v Speaker 2>has its merits if it's not coming from John, who

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<v Speaker 2>is a person.

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<v Speaker 3>Truth truth.

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<v Speaker 1>So he gets he finally gets to the point he's like, listen,

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<v Speaker 1>I'm tired and hungry, and I know you're tired and hungry, and.

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<v Speaker 2>Here we are.

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<v Speaker 1>You guys are working for Brutus and it's very dangerous

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<v Speaker 1>work when you really get any kind of loot. Well,

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<v Speaker 1>I know of a place that's just loot, loot, loot, loot, loot.

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<v Speaker 2>All it is lute. They actually make loot there. It

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<v Speaker 2>is at Aton.

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<v Speaker 1>Treasure Plane, at home of the Old Republic Mint. And

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<v Speaker 1>guess what I got the details from the legend himself.

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<v Speaker 1>Tack renod like bullsh fucking bullshit, I call bullshit tech.

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<v Speaker 5>Round finally fucking like speaks like come on, realists, man, Yeah, like,

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<v Speaker 5>come on, guys, don't trust Joad again.

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<v Speaker 2>But also don't do it again.

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<v Speaker 4>He's scamming as always, so good for him, incredible, you

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<v Speaker 4>know what, maybe more sensitive because he can scam anyone

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<v Speaker 4>out of anything.

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<v Speaker 1>He can talk his way out of a situation. So

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<v Speaker 1>he's like, listen, I know this place. He sings the

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<v Speaker 1>tack renod at at and song.

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<v Speaker 2>He says, I have.

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<v Speaker 4>A who doesn't want to listen to Jude Law sing

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<v Speaker 4>at because I was more.

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<v Speaker 3>Let's add more in the last two episodes. More she's

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<v Speaker 3>sea shanty.

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<v Speaker 2>So he sings the sea shanty.

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<v Speaker 1>And this seems to convince everybody that maybe this is

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<v Speaker 1>the you know, the score is worth the risk and

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<v Speaker 1>he and he says like, I've got the details. I

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<v Speaker 1>know where it is, these kids being from their proofs

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<v Speaker 1>that it's real. I got the details from tach Renod.

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<v Speaker 2>Let's go.

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<v Speaker 1>Let's make the biggest score of our lives. It'll be

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<v Speaker 1>big rock Candy Mountain. You know, it's like candy and

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<v Speaker 1>cakes all day for dinner, and an endless fountain of

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<v Speaker 1>coins and it'll never run out and we'll all have

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<v Speaker 1>as much as we want. Brutus is like, okay, but

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<v Speaker 1>if the treasure's not there, you're dead.

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<v Speaker 4>Very dumb for John to do this when he has

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<v Speaker 4>no idea if this is actually what the treasure.

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<v Speaker 2>Is, very very dumb for Brutus.

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<v Speaker 1>Yes, I agree, Yeah, I think Brutus, why are we

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<v Speaker 1>gonna trust this guy again? But I'm glad we do

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<v Speaker 1>because the story continues. Yeah, the long walk with KB

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<v Speaker 1>and Whim, KB collapses. Her hardware is it's all gunked up,

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<v Speaker 1>all this like this planet. The environment is not great

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<v Speaker 1>for her machinery. And they've been in steam rooms, they've

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<v Speaker 1>been in water, they've been in snow.

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<v Speaker 2>Yeah, that's bad.

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<v Speaker 1>And she basically walks Whim through what he's going to

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<v Speaker 1>need to do in order to fix her machinery, and

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<v Speaker 1>luckily they're like in this trash field where there's SM

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<v Speaker 1>thirty three probably would have ended up if he had

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<v Speaker 1>been completely destroyed.

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<v Speaker 2>There's just droids that are ded droids everywhere.

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<v Speaker 1>Up above, Fern is really pushing Neil Art on this climb,

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<v Speaker 1>but Neil points out, hey, listen, like I'm literally cheaped

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<v Speaker 1>differently than you. My legs are shorter, my arms are shorter.

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<v Speaker 1>You've got these long limbs. You're very athletic, like not

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<v Speaker 1>everybody's like you, and you can't just be like, let's,

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<v Speaker 1>you know, climb, climb, climb, climb climb.

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<v Speaker 4>Yeah, there's a really good duality in those two scenes

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<v Speaker 4>because also we're dealing with the fact that KB is

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<v Speaker 4>like she's disabled. Fern will not do anything different because

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<v Speaker 4>she doesn't want to acknowledge that KB has like different

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<v Speaker 4>needs since the accident, and she just wants to pretend

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<v Speaker 4>everything's okay. And that's actually like very real to how

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<v Speaker 4>it is when you have a disability, Like people just

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<v Speaker 4>want you to be fine, because then they're not. They

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<v Speaker 4>feel uncomfortable exactly, And I.

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<v Speaker 3>Thought that was really cool.

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<v Speaker 4>There's been a lot too Star Wars disability representation. In

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<v Speaker 4>the last few years, my great friend Jules Green, who

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<v Speaker 4>is a fantastic writer, he wrote a piece of Adventures

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<v Speaker 4>in Poor Taste about a character called Baylor Balance, who's

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<v Speaker 4>like an old Star Wars character that they brought back

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<v Speaker 4>in Bounty Hunters, and he's had this really incredible kind

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<v Speaker 4>of journey as a character who at first was just

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<v Speaker 4>like he's a cyborg, but now they've done a lot

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<v Speaker 4>of like interesting representations of like disability in space and

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<v Speaker 4>war and cyborgs and war and disability. So I'm glad

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<v Speaker 4>that we got that here, and I'm also glad that

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<v Speaker 4>it was Bryce styles sour direct thing, because I do

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<v Speaker 4>just think.

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<v Speaker 2>There's a sensorship.

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<v Speaker 4>She's so fantastic, Like, when will we give her her

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<v Speaker 4>own trilogy?

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<v Speaker 2>Please, guys, She's real good.

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<v Speaker 1>More on this storyline and a bit, Wim gets all

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<v Speaker 1>the stuff and repairs KB, and as he's doing so,

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<v Speaker 1>KB is talking about the situation with Fern and admits that,

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<v Speaker 1>you know, I can't with you because I don't think

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<v Speaker 1>I can make the climb physically.

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<v Speaker 2>I can't do it.

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<v Speaker 1>And Fern doesn't appreciate that, doesn't understand that since the

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<v Speaker 1>accident I'm just limited in different ways, and she doesn't

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<v Speaker 1>want to hear it, and she also brings up and

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<v Speaker 1>I thought this was very sensitive and very real. Like

0:13:23.400 --> 0:13:26.320
<v Speaker 1>anybody who's you know, there comes this is the age

0:13:26.440 --> 0:13:30.560
<v Speaker 1>when you're a kid where friends start going in different

0:13:30.559 --> 0:13:33.719
<v Speaker 1>directions sometimes, you know, because you know, when you're a kid,

0:13:33.720 --> 0:13:35.840
<v Speaker 1>you're just like that kid lives next to me.

0:13:35.880 --> 0:13:37.040
<v Speaker 2>Therefore we are friends.

0:13:36.840 --> 0:13:40.679
<v Speaker 1>We are friendly, like you're close, but like at that age,

0:13:40.720 --> 0:13:45.200
<v Speaker 1>you start realizing like, oh, we're different people, and that

0:13:45.240 --> 0:13:47.600
<v Speaker 1>brings up all different kinds of emotions. And I thought

0:13:47.600 --> 0:13:49.920
<v Speaker 1>they did a really good job here where Kabe basically

0:13:50.000 --> 0:13:52.800
<v Speaker 1>says like I and I didn't bring this up to

0:13:53.760 --> 0:13:57.000
<v Speaker 1>Fern because I'm afraid of losing her friend. I don't

0:13:57.040 --> 0:13:59.600
<v Speaker 1>want to lose my best friend and then I'll be alone.

0:14:00.000 --> 0:14:02.280
<v Speaker 4>Also, like when you're disabled and you start saying like

0:14:02.320 --> 0:14:04.440
<v Speaker 4>oh I can't do that, I'm tired, or I can't

0:14:04.480 --> 0:14:07.400
<v Speaker 4>make it, you do quickly use lose friends as a kid.

0:14:07.320 --> 0:14:10.520
<v Speaker 2>Especially, Yeah, because people just yeah.

0:14:10.240 --> 0:14:11.480
<v Speaker 3>They want to do fun stuff.

0:14:11.840 --> 0:14:12.439
<v Speaker 2>They want to do.

0:14:12.400 --> 0:14:14.400
<v Speaker 1>Fun stuff, or they don't want to be you know,

0:14:14.520 --> 0:14:18.199
<v Speaker 1>being there's a hierarchy that's very very rigid when you're

0:14:18.200 --> 0:14:21.160
<v Speaker 1>a kid and it's that and you feel it all

0:14:21.200 --> 0:14:21.600
<v Speaker 1>the time.

0:14:21.840 --> 0:14:23.280
<v Speaker 2>Yeah.

0:14:24.120 --> 0:14:28.240
<v Speaker 1>So Wim performs a procedure and then KB goes very ominously.

0:14:27.760 --> 0:14:28.920
<v Speaker 2>Quiet for a while.

0:14:28.960 --> 0:14:32.600
<v Speaker 1>It's very very scary, but then she reboots and she's okay,

0:14:32.800 --> 0:14:36.720
<v Speaker 1>up above fern now with a rope connected to Neil,

0:14:36.960 --> 0:14:43.560
<v Speaker 1>so she's listening to criticisms. Is now coaching him through climbing.

0:14:43.800 --> 0:14:44.880
<v Speaker 2>Is not just like come on.

0:14:45.200 --> 0:14:48.880
<v Speaker 1>Neil loo, she's actually being like, Okay, one step at

0:14:48.880 --> 0:14:51.800
<v Speaker 1>a time and let's go and I grab here. Meanwhile,

0:14:51.800 --> 0:14:56.800
<v Speaker 1>the crabs take women KB to like this rocky outcrop

0:14:57.280 --> 0:15:00.920
<v Speaker 1>where there's like a giant crab Kaiju waiting who just

0:15:00.960 --> 0:15:02.760
<v Speaker 1>wants to eat them. And it's very clear that what

0:15:02.880 --> 0:15:04.920
<v Speaker 1>happened is the trash crabs just brought them.

0:15:05.120 --> 0:15:06.800
<v Speaker 2>Yeah, I would like lunch to this.

0:15:06.840 --> 0:15:09.400
<v Speaker 3>They surely like Wim just saved kb's life.

0:15:09.440 --> 0:15:13.320
<v Speaker 4>But then he's like, let's get eaten by like the giants,

0:15:13.480 --> 0:15:18.520
<v Speaker 4>you know, Mohanatu tamatoa, Like let's sing shiny, where's Jermaine?

0:15:18.560 --> 0:15:20.880
<v Speaker 4>Like yeah that was I thought that was so funny

0:15:20.880 --> 0:15:23.520
<v Speaker 4>because I was like, this is classic Wim, Like he'll

0:15:23.520 --> 0:15:25.080
<v Speaker 4>come through in a moment when you need him, but

0:15:25.080 --> 0:15:25.720
<v Speaker 4>he'll also be.

0:15:25.760 --> 0:15:27.920
<v Speaker 3>Like, let's just follow some trash crabs.

0:15:27.920 --> 0:15:31.320
<v Speaker 4>This seems like a good, magical fairytale plan that couldn't

0:15:31.320 --> 0:15:32.440
<v Speaker 4>possibly end badly.

0:15:33.160 --> 0:15:37.560
<v Speaker 1>Meanwhile, Fern and Neil are like have climbed level with

0:15:38.080 --> 0:15:41.800
<v Speaker 1>their ship that is being like uh towed by these

0:15:41.840 --> 0:15:47.600
<v Speaker 1>like little tugboat ships. They very dangerously jump on top

0:15:47.640 --> 0:15:50.600
<v Speaker 1>of their ship and manage to like guide the tugboats

0:15:50.720 --> 0:15:55.480
<v Speaker 1>down to the crab kaiju and they save KB and

0:15:55.560 --> 0:15:58.160
<v Speaker 1>WIM and it's very a very close thing, and then.

0:15:58.080 --> 0:15:59.480
<v Speaker 2>The ship crashes.

0:15:59.520 --> 0:16:01.720
<v Speaker 1>The kids for all off, but everybody's saved.

0:16:01.720 --> 0:16:02.360
<v Speaker 2>They're okay.

0:16:03.160 --> 0:16:06.640
<v Speaker 1>The kids, uh you know, are so happy to see

0:16:06.640 --> 0:16:10.560
<v Speaker 1>each other. KB apologizes to Fern.

0:16:10.960 --> 0:16:11.520
<v Speaker 3>Didn't need to.

0:16:11.640 --> 0:16:12.840
<v Speaker 2>KB didn't need to.

0:16:13.040 --> 0:16:17.200
<v Speaker 1>Fern first apologize to K for and I'm sorry too

0:16:17.240 --> 0:16:20.680
<v Speaker 1>for not saying anything. And that's fine, but I just

0:16:20.760 --> 0:16:22.440
<v Speaker 1>want to say, KB, you don't have nothing to apoligh

0:16:22.440 --> 0:16:28.040
<v Speaker 1>you actually think don't apologize. Don't apologize when you're the

0:16:28.120 --> 0:16:32.480
<v Speaker 1>person that doesn't need to. But I appreciate it. I

0:16:32.520 --> 0:16:36.960
<v Speaker 1>appreciate the thought, but you you didn't need to. And anyway,

0:16:37.120 --> 0:16:39.560
<v Speaker 1>the kids are like our ship, what the fuck? They

0:16:39.600 --> 0:16:42.520
<v Speaker 1>look over and it's about to be like chewed up

0:16:42.560 --> 0:16:45.840
<v Speaker 1>by this huge scrapper. So they get in the ship.

0:16:46.320 --> 0:16:50.040
<v Speaker 1>Neil gets in the pilot seat, KB goes running off

0:16:50.080 --> 0:16:51.240
<v Speaker 1>to the engine room to.

0:16:51.320 --> 0:16:52.360
<v Speaker 2>Like do repairs.

0:16:52.840 --> 0:16:56.160
<v Speaker 1>Whim of course gets behind the big cannon.

0:16:56.280 --> 0:16:56.880
<v Speaker 3>And this guy.

0:16:57.040 --> 0:16:59.200
<v Speaker 4>Can we just say, like, this guy needs to stay

0:16:59.200 --> 0:17:03.360
<v Speaker 4>away from a like why is he god?

0:17:03.400 --> 0:17:07.680
<v Speaker 2>Actually that's very childlike. Actually he loves a gun.

0:17:07.720 --> 0:17:09.040
<v Speaker 3>He's a gun, loves the light.

0:17:10.080 --> 0:17:12.760
<v Speaker 1>And then but it doesn't seem like anything's gonna work.

0:17:12.920 --> 0:17:16.160
<v Speaker 1>You know, they've got full power going, they're they're they've

0:17:16.240 --> 0:17:19.399
<v Speaker 1>got the thrusters engaged. Neil is pulling up on the yoke,

0:17:19.480 --> 0:17:21.160
<v Speaker 1>and then finally they're like, well, I guess we got

0:17:21.200 --> 0:17:22.040
<v Speaker 1>to push this button.

0:17:22.359 --> 0:17:25.640
<v Speaker 2>Yeah, you were told never to push never Ever, Fern

0:17:25.720 --> 0:17:26.280
<v Speaker 2>pushes the.

0:17:26.200 --> 0:17:30.960
<v Speaker 1>Button and what it does is like Jettison's the outer

0:17:31.160 --> 0:17:35.440
<v Speaker 1>skin of the ship, the junkie really shitty outer skin

0:17:35.520 --> 0:17:39.960
<v Speaker 1>of the ship to reveal a sleek, very old school

0:17:40.800 --> 0:17:49.200
<v Speaker 1>old Republic looking like Noboo looking ship and then they

0:17:49.200 --> 0:18:07.639
<v Speaker 1>fly off off to ad Adam. Wonderful episode.

0:18:09.040 --> 0:18:13.160
<v Speaker 4>Yeah, very fun episode. I you know what, sometimes when

0:18:13.240 --> 0:18:17.600
<v Speaker 4>Disney is like uses Star Wars to like advertise stuff

0:18:17.640 --> 0:18:19.840
<v Speaker 4>I can be annoyed, but I'm not gonna lie. I

0:18:19.880 --> 0:18:24.119
<v Speaker 4>have played the Scavengers run ride at Disneyland, and it

0:18:24.200 --> 0:18:25.360
<v Speaker 4>is very fun to see.

0:18:25.160 --> 0:18:27.280
<v Speaker 3>The kids essentially doing the same thing.

0:18:29.320 --> 0:18:32.240
<v Speaker 2>Everybody.

0:18:32.400 --> 0:18:35.359
<v Speaker 3>Yeah, also as well, like it's nice to see them

0:18:35.440 --> 0:18:37.120
<v Speaker 3>kind of become a crew.

0:18:37.920 --> 0:18:40.080
<v Speaker 4>I thought this was a great episode. I think Kab

0:18:40.400 --> 0:18:43.520
<v Speaker 4>deserved an episode like this. I love that everyone's getting

0:18:43.560 --> 0:18:47.120
<v Speaker 4>their episodes. I think it was super producer Aaron who

0:18:47.160 --> 0:18:50.119
<v Speaker 4>before was talking about, like, next episode feels like it

0:18:50.119 --> 0:18:52.120
<v Speaker 4>has to be a whim episode. What do you think

0:18:52.240 --> 0:18:56.240
<v Speaker 4>or do you think the wim episode for the finale.

0:18:56.520 --> 0:18:58.560
<v Speaker 1>Feels like it has to be a whim episode, and

0:18:58.560 --> 0:19:01.520
<v Speaker 1>then the parents get an episode we figure out what's

0:19:01.560 --> 0:19:04.359
<v Speaker 1>going on. That's where I feel like we're going. Or

0:19:04.400 --> 0:19:06.960
<v Speaker 1>maybe we get a job episode in the finale. Oh,

0:19:07.000 --> 0:19:08.640
<v Speaker 1>that could be adults episode.

0:19:08.680 --> 0:19:10.159
<v Speaker 2>In the adults episode.

0:19:10.160 --> 0:19:13.480
<v Speaker 3>Also, I do feel like I feel like Jod.

0:19:13.440 --> 0:19:15.960
<v Speaker 4>Is trying to get back to and for a reason

0:19:16.080 --> 0:19:18.600
<v Speaker 4>other than the treasure, like maybe he had.

0:19:18.520 --> 0:19:20.000
<v Speaker 3>Been there before or something.

0:19:20.119 --> 0:19:22.320
<v Speaker 4>So I feel like there's gonna be some kind of connection,

0:19:22.960 --> 0:19:25.600
<v Speaker 4>some kind of new fake name or maybe his real

0:19:25.680 --> 0:19:28.800
<v Speaker 4>name when he meets the parents. I also think I

0:19:28.840 --> 0:19:31.280
<v Speaker 4>feel like we're gonna get more of Whim's dad. Maybe

0:19:31.280 --> 0:19:33.439
<v Speaker 4>that will be in the next episode, if it is

0:19:33.480 --> 0:19:37.240
<v Speaker 4>a Whim episode. Yeah, I'm very interested. I feel like

0:19:37.280 --> 0:19:40.000
<v Speaker 4>there is a lot to tie up into episodes, but

0:19:40.160 --> 0:19:44.440
<v Speaker 4>so far this show has been no filler, only bangers.

0:19:45.000 --> 0:19:47.960
<v Speaker 1>I do agree that there feels like there is something

0:19:48.080 --> 0:19:49.800
<v Speaker 1>else behind Jod's mission.

0:19:50.000 --> 0:19:50.600
<v Speaker 2>That's said.

0:19:52.600 --> 0:19:55.800
<v Speaker 1>The light in his eyes when he climbed out of

0:19:55.960 --> 0:20:00.680
<v Speaker 1>tech Renod's treasure room laden jewels. Oh, he looks jewel treasures.

0:20:01.200 --> 0:20:05.240
<v Speaker 1>Was impot he was beaming. He looked so happy to

0:20:05.320 --> 0:20:08.720
<v Speaker 1>be covered in lout. So I agree with you, But

0:20:08.760 --> 0:20:10.760
<v Speaker 1>I do think he is heavily loot motivating.

0:20:10.760 --> 0:20:12.760
<v Speaker 2>You know, he loves treasure absolutely.

0:20:12.840 --> 0:20:14.600
<v Speaker 4>I just think that might be like a little bit,

0:20:15.119 --> 0:20:17.359
<v Speaker 4>a little bit more. Maybe he feels like maybe he

0:20:17.440 --> 0:20:18.639
<v Speaker 4>used to walk at the minute.

0:20:18.680 --> 0:20:19.760
<v Speaker 3>I don't know, but I do.

0:20:19.920 --> 0:20:21.560
<v Speaker 2>Yeah, obviously he does love treasure.

0:20:21.800 --> 0:20:26.200
<v Speaker 1>Let's just I also feel like good shows, and this

0:20:26.280 --> 0:20:29.800
<v Speaker 1>is a good show always figure out a way to

0:20:29.880 --> 0:20:34.760
<v Speaker 1>make you forget about the cold open and then it matters. Yeah,

0:20:34.880 --> 0:20:39.600
<v Speaker 1>that cold open is gonna matter somehow. Yeah, And I

0:20:39.800 --> 0:20:44.440
<v Speaker 1>don't know how yet, But there's something in the storytelling

0:20:44.480 --> 0:20:48.639
<v Speaker 1>of that that's gonna matter. I feel like I also

0:20:48.640 --> 0:20:51.600
<v Speaker 1>feel like, just to return to the disability plot line again,

0:20:51.680 --> 0:20:54.119
<v Speaker 1>I thought they I thought it was I thought they

0:20:54.160 --> 0:20:59.600
<v Speaker 1>did an amazing job too, with how hard it can

0:20:59.600 --> 0:21:02.440
<v Speaker 1>be to feel different and to not want to bring

0:21:02.480 --> 0:21:05.280
<v Speaker 1>it up, but also to have to just coming having

0:21:05.320 --> 0:21:08.200
<v Speaker 1>to come to terms with it on your own. Kabe

0:21:08.359 --> 0:21:11.199
<v Speaker 1>is really having to do. She's having to come to

0:21:11.440 --> 0:21:17.320
<v Speaker 1>terms with herself and her comfort level with herself and

0:21:17.359 --> 0:21:22.159
<v Speaker 1>her confidence in advocating for herself, which is, again, you

0:21:22.160 --> 0:21:24.480
<v Speaker 1>didn't need to apologize, you were advocated. You need to

0:21:24.640 --> 0:21:28.080
<v Speaker 1>You've got to advocate for yourself. N't apologetically, but I

0:21:28.119 --> 0:21:32.160
<v Speaker 1>get it. It's it's hardly at that age, which again

0:21:32.200 --> 0:21:37.400
<v Speaker 1>I think they they tackled that with immense sensitivity, even

0:21:37.480 --> 0:21:40.440
<v Speaker 1>like the climb where Fern is like driving, like come

0:21:40.480 --> 0:21:45.919
<v Speaker 1>on deal and dude, my fucking legs are literally like.

0:21:47.359 --> 0:21:53.080
<v Speaker 4>It's like I'm a cute, chubby elephant like climbing, Yeah,

0:21:53.320 --> 0:21:56.000
<v Speaker 4>I have three fat fingers, Like I can't.

0:21:56.480 --> 0:21:57.680
<v Speaker 2>It's not easy.

0:21:57.920 --> 0:22:01.199
<v Speaker 1>And I think they did a great job and just

0:22:01.280 --> 0:22:04.760
<v Speaker 1>bring highlighting differences and how other characters kind of like

0:22:04.880 --> 0:22:08.240
<v Speaker 1>need to appreciate them and acknowledge it.

0:22:08.280 --> 0:22:10.679
<v Speaker 2>I think it was. I was.

0:22:10.920 --> 0:22:14.560
<v Speaker 1>I am always surprised by this show, just like how

0:22:14.600 --> 0:22:15.959
<v Speaker 1>good and thoughtful it really is.

0:22:16.040 --> 0:22:18.560
<v Speaker 4>And it's yeah, and the layers to it as well,

0:22:18.600 --> 0:22:20.720
<v Speaker 4>because like you said, it's hot. It really is just

0:22:21.040 --> 0:22:23.080
<v Speaker 4>like a treasure hunt and there's a lot of Yeah,

0:22:23.119 --> 0:22:25.040
<v Speaker 4>you know, we get a lot of pirate lingo in

0:22:25.119 --> 0:22:29.800
<v Speaker 4>this episode. There's lots of like sme and he's getting

0:22:29.840 --> 0:22:33.520
<v Speaker 4>captured again, Like, there's all these kind of references and

0:22:33.600 --> 0:22:37.760
<v Speaker 4>throwbacks to pirate law. Jod obviously loves treasure. We get

0:22:37.800 --> 0:22:40.480
<v Speaker 4>some funny treasure moments. But within all of that, they've

0:22:40.520 --> 0:22:43.359
<v Speaker 4>found a space to like tell these stories and I

0:22:43.400 --> 0:22:46.680
<v Speaker 4>think that is really great. And I really really want

0:22:46.720 --> 0:22:51.880
<v Speaker 4>to know more about Wim and Whim's dad and where

0:22:51.880 --> 0:22:55.680
<v Speaker 4>the Whim's mum is the secret supervisor slash pirate at

0:22:55.720 --> 0:22:57.240
<v Speaker 4>the Tack Reynold, I.

0:22:57.200 --> 0:23:00.000
<v Speaker 3>Don't know, but I'm I'm interested to see what happens now.

0:23:00.640 --> 0:23:04.920
<v Speaker 4>And I'm very excited that we're only two episodes away.

0:23:05.080 --> 0:23:07.399
<v Speaker 3>Yes, so I will miss this show.

0:23:07.800 --> 0:23:10.159
<v Speaker 2>I will miss it too. It's been fun. Well.

0:23:10.480 --> 0:23:14.000
<v Speaker 1>Coming up tomorrow, we're doing our twenty twenty five look

0:23:14.040 --> 0:23:16.520
<v Speaker 1>ahead at movies and TV shows and all the stuff

0:23:16.520 --> 0:23:19.800
<v Speaker 1>we're looking forward to in this year of twenty twenty five.

0:23:19.800 --> 0:23:22.080
<v Speaker 1>And of course we're going to continue to cover Skeleton

0:23:22.119 --> 0:23:24.639
<v Speaker 1>Crew Episode seven of Skeleton Crew next week. That's it

0:23:24.680 --> 0:23:25.480
<v Speaker 1>for this episode.

0:23:25.520 --> 0:23:26.280
<v Speaker 3>Thanks for listening.

0:23:26.760 --> 0:23:35.600
<v Speaker 1>Bye x ray Vision is hosted by Jason Kensumsion and

0:23:35.720 --> 0:23:39.840
<v Speaker 1>Rosie Knight and is a production of iHeart Podcasts. Our

0:23:39.880 --> 0:23:44.119
<v Speaker 1>executive producers are Joelle Smith and Aaron Kaufman. Our supervising

0:23:44.119 --> 0:23:48.840
<v Speaker 1>producer is a Boo Zafar. Our producers are Carmen Lawn

0:23:49.600 --> 0:23:53.240
<v Speaker 1>and Mia Taylor. Our theme song is by Brian Basquez.

0:23:53.720 --> 0:23:58.040
<v Speaker 4>Special thanks to Soul Rubin and Chris Lord, Kenny Goodman

0:23:58.400 --> 0:24:00.440
<v Speaker 4>and Heidi On Discored a Racer

0:24:07.760 --> 0:24:08.040
<v Speaker 5>MHM