1 00:00:00,320 --> 00:00:20,720 Speaker 1: Worry today's episode Canday's spoilers for Skeleton Crew episode six Oho, 2 00:00:21,079 --> 00:00:24,639 Speaker 1: my name is Jason Tepti and on Mersday Night and 3 00:00:24,760 --> 00:00:27,400 Speaker 1: welcome back x ray vision of the podcast where we'd 4 00:00:27,400 --> 00:00:28,600 Speaker 1: dive with your favorite shows. 5 00:00:28,400 --> 00:00:29,520 Speaker 2: Movies, comics of pop culture. 6 00:00:29,520 --> 00:00:32,680 Speaker 1: Coming you remind our podcast where we're bringing you in 7 00:00:32,800 --> 00:00:38,640 Speaker 1: this new year, the same thing. Three episodes a week, 8 00:00:38,720 --> 00:00:42,840 Speaker 1: Tuesday Thursday, with an extra episode on Wednesday. 9 00:00:43,000 --> 00:00:44,400 Speaker 3: We do know when that's gonna come out. 10 00:00:44,479 --> 00:00:48,320 Speaker 1: We don't really know, but happy New Year to you all. 11 00:00:48,440 --> 00:00:52,280 Speaker 2: There'll be short it probably Tuesday, most likely Thursday, and 12 00:00:52,280 --> 00:00:53,040 Speaker 2: then we'll see. 13 00:00:55,960 --> 00:00:59,680 Speaker 4: In today's episode, we are talking about Skeleton Crew episode one, 14 00:01:00,120 --> 00:01:02,360 Speaker 4: six zero Friends Again. 15 00:01:02,440 --> 00:01:03,720 Speaker 3: I wonder who that could be. 16 00:01:03,720 --> 00:01:08,360 Speaker 4: Referencing who's once again betraying all of his friends and ending. 17 00:01:08,200 --> 00:01:11,840 Speaker 3: Up scamming again. Could it be Joed Silva, whatever you 18 00:01:11,920 --> 00:01:12,440 Speaker 3: call him. 19 00:01:12,600 --> 00:01:19,160 Speaker 1: Probably let's get it to it, okay. Episode six zero 20 00:01:19,280 --> 00:01:24,360 Speaker 1: Friends Again picks up seconds after the previous episode ends. 21 00:01:24,400 --> 00:01:26,880 Speaker 1: We find the kids falling down. 22 00:01:26,640 --> 00:01:29,560 Speaker 3: A shoot their goonies of them. 23 00:01:29,480 --> 00:01:33,040 Speaker 1: Very very goonies of them from the One Eyed Willie 24 00:01:33,840 --> 00:01:38,640 Speaker 1: Treasure Room of tac renod this trapdoor that they triggered 25 00:01:38,680 --> 00:01:42,240 Speaker 1: to escape from jod semi on purpose, kind of on accident, 26 00:01:42,280 --> 00:01:46,200 Speaker 1: and they are then spit out onto a desolate, snowy 27 00:01:46,480 --> 00:01:49,880 Speaker 1: field that we are soon to find out is like 28 00:01:50,680 --> 00:01:54,920 Speaker 1: I would say, two one hundred meters or something below 29 00:01:54,960 --> 00:01:56,160 Speaker 1: the landing pad. 30 00:01:55,960 --> 00:01:56,600 Speaker 2: Of the spot. 31 00:01:56,760 --> 00:01:58,600 Speaker 3: Yeah, not great. 32 00:01:58,960 --> 00:02:03,480 Speaker 1: And KB has been, we are soon to learn, has 33 00:02:03,520 --> 00:02:07,360 Speaker 1: been kind of getting run down by this very dirty 34 00:02:07,400 --> 00:02:12,320 Speaker 1: and steamy and cold adventure. Her servos, her machinery is 35 00:02:12,360 --> 00:02:16,400 Speaker 1: getting gunked up, and also the fall didn't do her, 36 00:02:17,280 --> 00:02:20,240 Speaker 1: didn't do her any favors. So Fern does some quick 37 00:02:20,280 --> 00:02:24,200 Speaker 1: maintenance on KB, and Neil and Wim are clearly like 38 00:02:24,520 --> 00:02:29,120 Speaker 1: very very concerned and very worried. John meanwhile, not worried 39 00:02:29,120 --> 00:02:33,320 Speaker 1: at all. He climbs out of tach red tunnel leading 40 00:02:33,320 --> 00:02:37,119 Speaker 1: from tech Renas treasure room, and he is like covered 41 00:02:38,040 --> 00:02:45,080 Speaker 1: rosy in jewelry, in fine gold necklaces, wineries. Yes, he's 42 00:02:45,120 --> 00:02:49,600 Speaker 1: looking he's looking quite royal, and he is quite delighted 43 00:02:49,639 --> 00:02:53,120 Speaker 1: with himself. He appears before the SPA staff, who are 44 00:02:53,160 --> 00:02:57,280 Speaker 1: shocked to see him, and he's like, haha, well, I'd 45 00:02:57,320 --> 00:03:00,000 Speaker 1: like to pay for my room, but I'd like to leave. Well, 46 00:03:00,080 --> 00:03:03,160 Speaker 1: he can't because He's immediately waylaid by Gunter, one of 47 00:03:03,200 --> 00:03:08,640 Speaker 1: Brutus's pirate crew, played by Julil White of Arkle Fame. 48 00:03:08,760 --> 00:03:11,440 Speaker 2: Of course, delightful to see him, love to see him 49 00:03:11,520 --> 00:03:13,040 Speaker 2: in the Star Wars universe. Good for him. 50 00:03:13,080 --> 00:03:15,720 Speaker 1: And I have to say, when you add in Kelly McDonald, 51 00:03:16,160 --> 00:03:19,840 Speaker 1: when you add in Jude Law, when you add in 52 00:03:19,960 --> 00:03:22,960 Speaker 1: the Goonies, feel and now Jalil White, this is a 53 00:03:23,120 --> 00:03:26,320 Speaker 1: very like old millennial gen X coded. 54 00:03:26,639 --> 00:03:29,520 Speaker 2: Oh yeah, that's in a lot of ways. 55 00:03:29,680 --> 00:03:33,640 Speaker 4: It's it's a smart way to bring the nostalgia to 56 00:03:33,680 --> 00:03:35,800 Speaker 4: the and everybody. 57 00:03:35,280 --> 00:03:39,680 Speaker 3: While making it a very like, really enjoyable watch. 58 00:03:39,720 --> 00:03:41,600 Speaker 2: I completely agree, it's wonderful. 59 00:03:43,120 --> 00:03:46,360 Speaker 1: Jod tries to get s M thirty three to like, 60 00:03:47,240 --> 00:03:49,760 Speaker 1: you know, resists, you know, get in the fight so 61 00:03:49,800 --> 00:03:55,040 Speaker 1: he can get out of there. Sm immediately incapacitated. But really, 62 00:03:55,120 --> 00:03:58,120 Speaker 1: before Jod can try anything, a squadron of X Wings 63 00:03:58,120 --> 00:04:00,200 Speaker 1: show up and they start fighting the pirate chips. The 64 00:04:00,240 --> 00:04:04,840 Speaker 1: pirates have to flee far below on that snowy field. 65 00:04:04,840 --> 00:04:07,240 Speaker 1: The kids look up and they come to the realization 66 00:04:07,280 --> 00:04:08,640 Speaker 1: they wait to sing and are the X Wings the 67 00:04:08,680 --> 00:04:11,440 Speaker 1: good guys. This is very interesting because it shows you 68 00:04:11,480 --> 00:04:14,360 Speaker 1: that again, the kids have been out of it for 69 00:04:14,480 --> 00:04:15,480 Speaker 1: who knows how long. 70 00:04:18,320 --> 00:04:22,160 Speaker 4: Told are not complete. You know, we know that they 71 00:04:22,160 --> 00:04:24,599 Speaker 4: have these kind of myths of the Jedi, but the 72 00:04:24,640 --> 00:04:27,200 Speaker 4: fact they don't know what an x wing is also 73 00:04:27,600 --> 00:04:30,960 Speaker 4: just want to say, very nice to see. We rarely 74 00:04:30,960 --> 00:04:35,520 Speaker 4: get any last Jedi nods, but during Jod's little escapade 75 00:04:35,760 --> 00:04:38,799 Speaker 4: we do get a I believe a g Deck, which 76 00:04:38,839 --> 00:04:41,479 Speaker 4: is the alien that's kind of covered in all those 77 00:04:41,520 --> 00:04:45,200 Speaker 4: weird like fleshy things. And in the Last Jedi she's 78 00:04:45,240 --> 00:04:47,880 Speaker 4: the woman who sings like there's a version who sings 79 00:04:47,920 --> 00:04:49,000 Speaker 4: like the opera. 80 00:04:49,200 --> 00:04:51,919 Speaker 3: When Rose and Finn are going through. 81 00:04:52,040 --> 00:04:54,920 Speaker 4: So it's nice to see and I like her last 82 00:04:55,000 --> 00:04:55,640 Speaker 4: Jedi riff. 83 00:04:55,680 --> 00:04:56,640 Speaker 3: Whenever we get. 84 00:04:56,480 --> 00:05:01,640 Speaker 1: One, the kids have a disagreement, is like, well, we 85 00:05:01,680 --> 00:05:03,479 Speaker 1: need to get back up to our ship. Our ship 86 00:05:03,560 --> 00:05:08,760 Speaker 1: is all the way up there, so let's climb. KB meanwhile, 87 00:05:08,880 --> 00:05:12,280 Speaker 1: who is still very shaken from everything that's been going on, 88 00:05:12,360 --> 00:05:17,359 Speaker 1: and while the maintenance did help, it's clearly she's still limited, 89 00:05:19,000 --> 00:05:22,640 Speaker 1: and she says, I disagree. I don't think we should 90 00:05:22,640 --> 00:05:24,120 Speaker 1: do that. I think it's too dangerous and I think 91 00:05:24,160 --> 00:05:27,800 Speaker 1: it's a bad idea. Whim Meanwhile, has like made the 92 00:05:27,839 --> 00:05:33,640 Speaker 1: acquaintance of various trash crabs, these like greed scavenger crabs 93 00:05:34,080 --> 00:05:37,599 Speaker 1: who just keep saying like follow us or you know, 94 00:05:37,839 --> 00:05:40,960 Speaker 1: just repeating words that he says to them. And he's like, well, 95 00:05:41,680 --> 00:05:44,240 Speaker 1: and I think the logic is kind of sound rosy, 96 00:05:44,400 --> 00:05:52,719 Speaker 1: which they're from here. The crabs are from here, so 97 00:05:53,720 --> 00:05:57,120 Speaker 1: why don't we follow them? And maybe they have an 98 00:05:57,160 --> 00:05:59,200 Speaker 1: easier way to get back up to the ship that's 99 00:05:59,200 --> 00:06:03,919 Speaker 1: not climbing the very treacherous climb. Uh, women, KB go 100 00:06:03,960 --> 00:06:08,200 Speaker 1: with the crabs. Fern and Neil go climbing. We go 101 00:06:08,360 --> 00:06:11,920 Speaker 1: to Captain Brutus's ship. They're coming out of hyperspace. They've 102 00:06:12,040 --> 00:06:15,040 Speaker 1: escaped from the X Wings and the captain is presiding. 103 00:06:14,640 --> 00:06:15,760 Speaker 2: Over pirate court. 104 00:06:16,200 --> 00:06:20,919 Speaker 1: The accused sits on the docket is Jod Slash Jack 105 00:06:21,160 --> 00:06:31,720 Speaker 1: Slash Slash, whatever his name is. Brutus with alacrity, finds 106 00:06:31,800 --> 00:06:34,160 Speaker 1: Jod guilty and sentences him to. 107 00:06:34,240 --> 00:06:35,080 Speaker 2: Death by airlock. 108 00:06:35,120 --> 00:06:38,800 Speaker 1: We're gonna let him out the airlock, but as various 109 00:06:38,839 --> 00:06:45,240 Speaker 1: members of the pirate court, we're looking on mention, hey, 110 00:06:46,400 --> 00:06:49,520 Speaker 1: we are pirates. But there is a very stringent legal 111 00:06:49,600 --> 00:06:55,760 Speaker 1: code that says the accused must have equal time to 112 00:06:56,160 --> 00:07:00,360 Speaker 1: argue their side of things. So Brutus very begrudgingly turns 113 00:07:00,360 --> 00:07:06,640 Speaker 1: over a a uh sand of hourglass and is like, okay, 114 00:07:06,720 --> 00:07:10,400 Speaker 1: go ahead, a very cool like lava lamp, lava lamp, 115 00:07:11,320 --> 00:07:14,240 Speaker 1: A good a good plasma lamp. 116 00:07:14,320 --> 00:07:14,760 Speaker 4: Yeah. 117 00:07:15,480 --> 00:07:22,960 Speaker 1: Jod then very patiently, with a kind of air of weariness, like, 118 00:07:23,120 --> 00:07:28,920 Speaker 1: oh this, you know, I guess it's my time and 119 00:07:29,000 --> 00:07:31,600 Speaker 1: I have to tell the truth in the face of 120 00:07:31,760 --> 00:07:34,760 Speaker 1: that injustice. And he makes his case, and his case 121 00:07:34,840 --> 00:07:39,600 Speaker 1: is essentially a class warfare case, saying, hey, we're the 122 00:07:39,680 --> 00:07:44,400 Speaker 1: down trodden, we are the poor, we. 123 00:07:44,480 --> 00:07:46,080 Speaker 2: Don't have anything. 124 00:07:46,840 --> 00:07:50,720 Speaker 1: No one is looking out for us. Therefore why shouldn't 125 00:07:50,760 --> 00:07:53,960 Speaker 1: we Robin Steely, how much as can we survive? 126 00:07:54,880 --> 00:07:55,080 Speaker 2: Right? 127 00:07:55,520 --> 00:07:57,880 Speaker 3: I like, brow you also stole from these people? 128 00:07:57,960 --> 00:08:00,880 Speaker 4: Like I feel like it's not like a great argument. 129 00:08:00,520 --> 00:08:05,000 Speaker 2: By getting it's a very lizen. It's an argument that 130 00:08:05,040 --> 00:08:07,160 Speaker 2: has its merits if it's not coming from John, who 131 00:08:07,200 --> 00:08:08,040 Speaker 2: is a person. 132 00:08:09,440 --> 00:08:10,400 Speaker 3: Truth truth. 133 00:08:10,560 --> 00:08:13,240 Speaker 1: So he gets he finally gets to the point he's like, listen, 134 00:08:13,840 --> 00:08:17,400 Speaker 1: I'm tired and hungry, and I know you're tired and hungry, and. 135 00:08:17,600 --> 00:08:18,240 Speaker 2: Here we are. 136 00:08:18,440 --> 00:08:20,960 Speaker 1: You guys are working for Brutus and it's very dangerous 137 00:08:20,960 --> 00:08:24,440 Speaker 1: work when you really get any kind of loot. Well, 138 00:08:24,920 --> 00:08:28,360 Speaker 1: I know of a place that's just loot, loot, loot, loot, loot. 139 00:08:28,280 --> 00:08:31,080 Speaker 2: All it is lute. They actually make loot there. It 140 00:08:31,200 --> 00:08:32,400 Speaker 2: is at Aton. 141 00:08:32,480 --> 00:08:35,400 Speaker 1: Treasure Plane, at home of the Old Republic Mint. And 142 00:08:35,440 --> 00:08:38,840 Speaker 1: guess what I got the details from the legend himself. 143 00:08:39,120 --> 00:08:44,040 Speaker 1: Tack renod like bullsh fucking bullshit, I call bullshit tech. 144 00:08:43,960 --> 00:08:52,480 Speaker 5: Round finally fucking like speaks like come on, realists, man, Yeah, like, 145 00:08:52,640 --> 00:08:54,439 Speaker 5: come on, guys, don't trust Joad again. 146 00:08:54,480 --> 00:08:55,960 Speaker 2: But also don't do it again. 147 00:08:56,320 --> 00:09:00,320 Speaker 4: He's scamming as always, so good for him, incredible, you 148 00:09:00,320 --> 00:09:04,600 Speaker 4: know what, maybe more sensitive because he can scam anyone 149 00:09:04,600 --> 00:09:05,440 Speaker 4: out of anything. 150 00:09:05,760 --> 00:09:08,800 Speaker 1: He can talk his way out of a situation. So 151 00:09:08,880 --> 00:09:11,440 Speaker 1: he's like, listen, I know this place. He sings the 152 00:09:11,520 --> 00:09:13,080 Speaker 1: tack renod at at and song. 153 00:09:14,440 --> 00:09:15,240 Speaker 2: He says, I have. 154 00:09:15,320 --> 00:09:19,120 Speaker 4: A who doesn't want to listen to Jude Law sing 155 00:09:19,160 --> 00:09:21,160 Speaker 4: at because I was more. 156 00:09:21,280 --> 00:09:23,680 Speaker 3: Let's add more in the last two episodes. More she's 157 00:09:23,840 --> 00:09:24,679 Speaker 3: sea shanty. 158 00:09:25,080 --> 00:09:26,760 Speaker 2: So he sings the sea shanty. 159 00:09:26,800 --> 00:09:29,640 Speaker 1: And this seems to convince everybody that maybe this is 160 00:09:29,880 --> 00:09:33,280 Speaker 1: the you know, the score is worth the risk and 161 00:09:33,320 --> 00:09:35,240 Speaker 1: he and he says like, I've got the details. I 162 00:09:35,320 --> 00:09:37,800 Speaker 1: know where it is, these kids being from their proofs 163 00:09:37,840 --> 00:09:40,760 Speaker 1: that it's real. I got the details from tach Renod. 164 00:09:40,840 --> 00:09:41,240 Speaker 2: Let's go. 165 00:09:41,360 --> 00:09:43,480 Speaker 1: Let's make the biggest score of our lives. It'll be 166 00:09:43,559 --> 00:09:47,480 Speaker 1: big rock Candy Mountain. You know, it's like candy and 167 00:09:47,600 --> 00:09:50,640 Speaker 1: cakes all day for dinner, and an endless fountain of 168 00:09:50,720 --> 00:09:53,160 Speaker 1: coins and it'll never run out and we'll all have 169 00:09:53,240 --> 00:09:56,400 Speaker 1: as much as we want. Brutus is like, okay, but 170 00:09:57,480 --> 00:09:59,680 Speaker 1: if the treasure's not there, you're dead. 171 00:10:00,760 --> 00:10:03,000 Speaker 4: Very dumb for John to do this when he has 172 00:10:03,080 --> 00:10:05,880 Speaker 4: no idea if this is actually what the treasure. 173 00:10:05,600 --> 00:10:08,080 Speaker 2: Is, very very dumb for Brutus. 174 00:10:08,160 --> 00:10:13,319 Speaker 1: Yes, I agree, Yeah, I think Brutus, why are we 175 00:10:13,320 --> 00:10:15,560 Speaker 1: gonna trust this guy again? But I'm glad we do 176 00:10:15,600 --> 00:10:20,440 Speaker 1: because the story continues. Yeah, the long walk with KB 177 00:10:20,559 --> 00:10:25,360 Speaker 1: and Whim, KB collapses. Her hardware is it's all gunked up, 178 00:10:25,480 --> 00:10:29,120 Speaker 1: all this like this planet. The environment is not great 179 00:10:29,360 --> 00:10:32,080 Speaker 1: for her machinery. And they've been in steam rooms, they've 180 00:10:32,120 --> 00:10:33,880 Speaker 1: been in water, they've been in snow. 181 00:10:34,280 --> 00:10:35,319 Speaker 2: Yeah, that's bad. 182 00:10:35,800 --> 00:10:40,520 Speaker 1: And she basically walks Whim through what he's going to 183 00:10:40,600 --> 00:10:44,840 Speaker 1: need to do in order to fix her machinery, and 184 00:10:44,960 --> 00:10:48,000 Speaker 1: luckily they're like in this trash field where there's SM 185 00:10:48,120 --> 00:10:52,079 Speaker 1: thirty three probably would have ended up if he had 186 00:10:52,120 --> 00:10:53,240 Speaker 1: been completely destroyed. 187 00:10:53,240 --> 00:10:55,320 Speaker 2: There's just droids that are ded droids everywhere. 188 00:10:56,960 --> 00:11:00,800 Speaker 1: Up above, Fern is really pushing Neil Art on this climb, 189 00:11:00,800 --> 00:11:04,960 Speaker 1: but Neil points out, hey, listen, like I'm literally cheaped 190 00:11:05,040 --> 00:11:08,240 Speaker 1: differently than you. My legs are shorter, my arms are shorter. 191 00:11:08,360 --> 00:11:11,040 Speaker 1: You've got these long limbs. You're very athletic, like not 192 00:11:11,160 --> 00:11:15,600 Speaker 1: everybody's like you, and you can't just be like, let's, 193 00:11:15,720 --> 00:11:17,640 Speaker 1: you know, climb, climb, climb, climb climb. 194 00:11:17,840 --> 00:11:21,520 Speaker 4: Yeah, there's a really good duality in those two scenes 195 00:11:21,559 --> 00:11:24,240 Speaker 4: because also we're dealing with the fact that KB is 196 00:11:24,320 --> 00:11:29,360 Speaker 4: like she's disabled. Fern will not do anything different because 197 00:11:29,360 --> 00:11:32,920 Speaker 4: she doesn't want to acknowledge that KB has like different 198 00:11:33,040 --> 00:11:35,839 Speaker 4: needs since the accident, and she just wants to pretend 199 00:11:35,880 --> 00:11:39,120 Speaker 4: everything's okay. And that's actually like very real to how 200 00:11:39,160 --> 00:11:41,800 Speaker 4: it is when you have a disability, Like people just 201 00:11:41,880 --> 00:11:44,680 Speaker 4: want you to be fine, because then they're not. They 202 00:11:44,720 --> 00:11:47,280 Speaker 4: feel uncomfortable exactly, And I. 203 00:11:47,200 --> 00:11:48,160 Speaker 3: Thought that was really cool. 204 00:11:48,200 --> 00:11:52,120 Speaker 4: There's been a lot too Star Wars disability representation. In 205 00:11:52,160 --> 00:11:54,760 Speaker 4: the last few years, my great friend Jules Green, who 206 00:11:54,800 --> 00:11:58,040 Speaker 4: is a fantastic writer, he wrote a piece of Adventures 207 00:11:58,080 --> 00:12:02,040 Speaker 4: in Poor Taste about a character called Baylor Balance, who's 208 00:12:02,080 --> 00:12:04,000 Speaker 4: like an old Star Wars character that they brought back 209 00:12:04,000 --> 00:12:08,520 Speaker 4: in Bounty Hunters, and he's had this really incredible kind 210 00:12:08,559 --> 00:12:11,959 Speaker 4: of journey as a character who at first was just 211 00:12:12,000 --> 00:12:14,480 Speaker 4: like he's a cyborg, but now they've done a lot 212 00:12:14,480 --> 00:12:18,920 Speaker 4: of like interesting representations of like disability in space and 213 00:12:19,480 --> 00:12:23,040 Speaker 4: war and cyborgs and war and disability. So I'm glad 214 00:12:23,080 --> 00:12:25,680 Speaker 4: that we got that here, and I'm also glad that 215 00:12:26,480 --> 00:12:30,400 Speaker 4: it was Bryce styles sour direct thing, because I do 216 00:12:30,400 --> 00:12:31,199 Speaker 4: just think. 217 00:12:31,440 --> 00:12:32,319 Speaker 2: There's a sensorship. 218 00:12:32,640 --> 00:12:35,920 Speaker 4: She's so fantastic, Like, when will we give her her 219 00:12:35,960 --> 00:12:36,760 Speaker 4: own trilogy? 220 00:12:37,120 --> 00:12:39,000 Speaker 2: Please, guys, She's real good. 221 00:12:40,520 --> 00:12:45,960 Speaker 1: More on this storyline and a bit, Wim gets all 222 00:12:45,960 --> 00:12:52,560 Speaker 1: the stuff and repairs KB, and as he's doing so, 223 00:12:53,280 --> 00:12:58,520 Speaker 1: KB is talking about the situation with Fern and admits that, 224 00:12:58,960 --> 00:13:03,280 Speaker 1: you know, I can't with you because I don't think 225 00:13:03,320 --> 00:13:04,680 Speaker 1: I can make the climb physically. 226 00:13:04,720 --> 00:13:05,760 Speaker 2: I can't do it. 227 00:13:05,880 --> 00:13:12,200 Speaker 1: And Fern doesn't appreciate that, doesn't understand that since the 228 00:13:12,240 --> 00:13:15,400 Speaker 1: accident I'm just limited in different ways, and she doesn't 229 00:13:15,400 --> 00:13:19,400 Speaker 1: want to hear it, and she also brings up and 230 00:13:19,440 --> 00:13:23,360 Speaker 1: I thought this was very sensitive and very real. Like 231 00:13:23,400 --> 00:13:26,320 Speaker 1: anybody who's you know, there comes this is the age 232 00:13:26,440 --> 00:13:30,560 Speaker 1: when you're a kid where friends start going in different 233 00:13:30,559 --> 00:13:33,719 Speaker 1: directions sometimes, you know, because you know, when you're a kid, 234 00:13:33,720 --> 00:13:35,840 Speaker 1: you're just like that kid lives next to me. 235 00:13:35,880 --> 00:13:37,040 Speaker 2: Therefore we are friends. 236 00:13:36,840 --> 00:13:40,679 Speaker 1: We are friendly, like you're close, but like at that age, 237 00:13:40,720 --> 00:13:45,200 Speaker 1: you start realizing like, oh, we're different people, and that 238 00:13:45,240 --> 00:13:47,600 Speaker 1: brings up all different kinds of emotions. And I thought 239 00:13:47,600 --> 00:13:49,920 Speaker 1: they did a really good job here where Kabe basically 240 00:13:50,000 --> 00:13:52,800 Speaker 1: says like I and I didn't bring this up to 241 00:13:53,760 --> 00:13:57,000 Speaker 1: Fern because I'm afraid of losing her friend. I don't 242 00:13:57,040 --> 00:13:59,600 Speaker 1: want to lose my best friend and then I'll be alone. 243 00:14:00,000 --> 00:14:02,280 Speaker 4: Also, like when you're disabled and you start saying like 244 00:14:02,320 --> 00:14:04,440 Speaker 4: oh I can't do that, I'm tired, or I can't 245 00:14:04,480 --> 00:14:07,400 Speaker 4: make it, you do quickly use lose friends as a kid. 246 00:14:07,320 --> 00:14:10,520 Speaker 2: Especially, Yeah, because people just yeah. 247 00:14:10,240 --> 00:14:11,480 Speaker 3: They want to do fun stuff. 248 00:14:11,840 --> 00:14:12,439 Speaker 2: They want to do. 249 00:14:12,400 --> 00:14:14,400 Speaker 1: Fun stuff, or they don't want to be you know, 250 00:14:14,520 --> 00:14:18,199 Speaker 1: being there's a hierarchy that's very very rigid when you're 251 00:14:18,200 --> 00:14:21,160 Speaker 1: a kid and it's that and you feel it all 252 00:14:21,200 --> 00:14:21,600 Speaker 1: the time. 253 00:14:21,840 --> 00:14:23,280 Speaker 2: Yeah. 254 00:14:24,120 --> 00:14:28,240 Speaker 1: So Wim performs a procedure and then KB goes very ominously. 255 00:14:27,760 --> 00:14:28,920 Speaker 2: Quiet for a while. 256 00:14:28,960 --> 00:14:32,600 Speaker 1: It's very very scary, but then she reboots and she's okay, 257 00:14:32,800 --> 00:14:36,720 Speaker 1: up above fern now with a rope connected to Neil, 258 00:14:36,960 --> 00:14:43,560 Speaker 1: so she's listening to criticisms. Is now coaching him through climbing. 259 00:14:43,800 --> 00:14:44,880 Speaker 2: Is not just like come on. 260 00:14:45,200 --> 00:14:48,880 Speaker 1: Neil loo, she's actually being like, Okay, one step at 261 00:14:48,880 --> 00:14:51,800 Speaker 1: a time and let's go and I grab here. Meanwhile, 262 00:14:51,800 --> 00:14:56,800 Speaker 1: the crabs take women KB to like this rocky outcrop 263 00:14:57,280 --> 00:15:00,920 Speaker 1: where there's like a giant crab Kaiju waiting who just 264 00:15:00,960 --> 00:15:02,760 Speaker 1: wants to eat them. And it's very clear that what 265 00:15:02,880 --> 00:15:04,920 Speaker 1: happened is the trash crabs just brought them. 266 00:15:05,120 --> 00:15:06,800 Speaker 2: Yeah, I would like lunch to this. 267 00:15:06,840 --> 00:15:09,400 Speaker 3: They surely like Wim just saved kb's life. 268 00:15:09,440 --> 00:15:13,320 Speaker 4: But then he's like, let's get eaten by like the giants, 269 00:15:13,480 --> 00:15:18,520 Speaker 4: you know, Mohanatu tamatoa, Like let's sing shiny, where's Jermaine? 270 00:15:18,560 --> 00:15:20,880 Speaker 4: Like yeah that was I thought that was so funny 271 00:15:20,880 --> 00:15:23,520 Speaker 4: because I was like, this is classic Wim, Like he'll 272 00:15:23,520 --> 00:15:25,080 Speaker 4: come through in a moment when you need him, but 273 00:15:25,080 --> 00:15:25,720 Speaker 4: he'll also be. 274 00:15:25,760 --> 00:15:27,920 Speaker 3: Like, let's just follow some trash crabs. 275 00:15:27,920 --> 00:15:31,320 Speaker 4: This seems like a good, magical fairytale plan that couldn't 276 00:15:31,320 --> 00:15:32,440 Speaker 4: possibly end badly. 277 00:15:33,160 --> 00:15:37,560 Speaker 1: Meanwhile, Fern and Neil are like have climbed level with 278 00:15:38,080 --> 00:15:41,800 Speaker 1: their ship that is being like uh towed by these 279 00:15:41,840 --> 00:15:47,600 Speaker 1: like little tugboat ships. They very dangerously jump on top 280 00:15:47,640 --> 00:15:50,600 Speaker 1: of their ship and manage to like guide the tugboats 281 00:15:50,720 --> 00:15:55,480 Speaker 1: down to the crab kaiju and they save KB and 282 00:15:55,560 --> 00:15:58,160 Speaker 1: WIM and it's very a very close thing, and then. 283 00:15:58,080 --> 00:15:59,480 Speaker 2: The ship crashes. 284 00:15:59,520 --> 00:16:01,720 Speaker 1: The kids for all off, but everybody's saved. 285 00:16:01,720 --> 00:16:02,360 Speaker 2: They're okay. 286 00:16:03,160 --> 00:16:06,640 Speaker 1: The kids, uh you know, are so happy to see 287 00:16:06,640 --> 00:16:10,560 Speaker 1: each other. KB apologizes to Fern. 288 00:16:10,960 --> 00:16:11,520 Speaker 3: Didn't need to. 289 00:16:11,640 --> 00:16:12,840 Speaker 2: KB didn't need to. 290 00:16:13,040 --> 00:16:17,200 Speaker 1: Fern first apologize to K for and I'm sorry too 291 00:16:17,240 --> 00:16:20,680 Speaker 1: for not saying anything. And that's fine, but I just 292 00:16:20,760 --> 00:16:22,440 Speaker 1: want to say, KB, you don't have nothing to apoligh 293 00:16:22,440 --> 00:16:28,040 Speaker 1: you actually think don't apologize. Don't apologize when you're the 294 00:16:28,120 --> 00:16:32,480 Speaker 1: person that doesn't need to. But I appreciate it. I 295 00:16:32,520 --> 00:16:36,960 Speaker 1: appreciate the thought, but you you didn't need to. And anyway, 296 00:16:37,120 --> 00:16:39,560 Speaker 1: the kids are like our ship, what the fuck? They 297 00:16:39,600 --> 00:16:42,520 Speaker 1: look over and it's about to be like chewed up 298 00:16:42,560 --> 00:16:45,840 Speaker 1: by this huge scrapper. So they get in the ship. 299 00:16:46,320 --> 00:16:50,040 Speaker 1: Neil gets in the pilot seat, KB goes running off 300 00:16:50,080 --> 00:16:51,240 Speaker 1: to the engine room to. 301 00:16:51,320 --> 00:16:52,360 Speaker 2: Like do repairs. 302 00:16:52,840 --> 00:16:56,160 Speaker 1: Whim of course gets behind the big cannon. 303 00:16:56,280 --> 00:16:56,880 Speaker 3: And this guy. 304 00:16:57,040 --> 00:16:59,200 Speaker 4: Can we just say, like, this guy needs to stay 305 00:16:59,200 --> 00:17:03,360 Speaker 4: away from a like why is he god? 306 00:17:03,400 --> 00:17:07,680 Speaker 2: Actually that's very childlike. Actually he loves a gun. 307 00:17:07,720 --> 00:17:09,040 Speaker 3: He's a gun, loves the light. 308 00:17:10,080 --> 00:17:12,760 Speaker 1: And then but it doesn't seem like anything's gonna work. 309 00:17:12,920 --> 00:17:16,160 Speaker 1: You know, they've got full power going, they're they're they've 310 00:17:16,240 --> 00:17:19,399 Speaker 1: got the thrusters engaged. Neil is pulling up on the yoke, 311 00:17:19,480 --> 00:17:21,160 Speaker 1: and then finally they're like, well, I guess we got 312 00:17:21,200 --> 00:17:22,040 Speaker 1: to push this button. 313 00:17:22,359 --> 00:17:25,640 Speaker 2: Yeah, you were told never to push never Ever, Fern 314 00:17:25,720 --> 00:17:26,280 Speaker 2: pushes the. 315 00:17:26,200 --> 00:17:30,960 Speaker 1: Button and what it does is like Jettison's the outer 316 00:17:31,160 --> 00:17:35,440 Speaker 1: skin of the ship, the junkie really shitty outer skin 317 00:17:35,520 --> 00:17:39,960 Speaker 1: of the ship to reveal a sleek, very old school 318 00:17:40,800 --> 00:17:49,200 Speaker 1: old Republic looking like Noboo looking ship and then they 319 00:17:49,200 --> 00:18:07,639 Speaker 1: fly off off to ad Adam. Wonderful episode. 320 00:18:09,040 --> 00:18:13,160 Speaker 4: Yeah, very fun episode. I you know what, sometimes when 321 00:18:13,240 --> 00:18:17,600 Speaker 4: Disney is like uses Star Wars to like advertise stuff 322 00:18:17,640 --> 00:18:19,840 Speaker 4: I can be annoyed, but I'm not gonna lie. I 323 00:18:19,880 --> 00:18:24,119 Speaker 4: have played the Scavengers run ride at Disneyland, and it 324 00:18:24,200 --> 00:18:25,360 Speaker 4: is very fun to see. 325 00:18:25,160 --> 00:18:27,280 Speaker 3: The kids essentially doing the same thing. 326 00:18:29,320 --> 00:18:32,240 Speaker 2: Everybody. 327 00:18:32,400 --> 00:18:35,359 Speaker 3: Yeah, also as well, like it's nice to see them 328 00:18:35,440 --> 00:18:37,120 Speaker 3: kind of become a crew. 329 00:18:37,920 --> 00:18:40,080 Speaker 4: I thought this was a great episode. I think Kab 330 00:18:40,400 --> 00:18:43,520 Speaker 4: deserved an episode like this. I love that everyone's getting 331 00:18:43,560 --> 00:18:47,120 Speaker 4: their episodes. I think it was super producer Aaron who 332 00:18:47,160 --> 00:18:50,119 Speaker 4: before was talking about, like, next episode feels like it 333 00:18:50,119 --> 00:18:52,120 Speaker 4: has to be a whim episode. What do you think 334 00:18:52,240 --> 00:18:56,240 Speaker 4: or do you think the wim episode for the finale. 335 00:18:56,520 --> 00:18:58,560 Speaker 1: Feels like it has to be a whim episode, and 336 00:18:58,560 --> 00:19:01,520 Speaker 1: then the parents get an episode we figure out what's 337 00:19:01,560 --> 00:19:04,359 Speaker 1: going on. That's where I feel like we're going. Or 338 00:19:04,400 --> 00:19:06,960 Speaker 1: maybe we get a job episode in the finale. Oh, 339 00:19:07,000 --> 00:19:08,640 Speaker 1: that could be adults episode. 340 00:19:08,680 --> 00:19:10,159 Speaker 2: In the adults episode. 341 00:19:10,160 --> 00:19:13,480 Speaker 3: Also, I do feel like I feel like Jod. 342 00:19:13,440 --> 00:19:15,960 Speaker 4: Is trying to get back to and for a reason 343 00:19:16,080 --> 00:19:18,600 Speaker 4: other than the treasure, like maybe he had. 344 00:19:18,520 --> 00:19:20,000 Speaker 3: Been there before or something. 345 00:19:20,119 --> 00:19:22,320 Speaker 4: So I feel like there's gonna be some kind of connection, 346 00:19:22,960 --> 00:19:25,600 Speaker 4: some kind of new fake name or maybe his real 347 00:19:25,680 --> 00:19:28,800 Speaker 4: name when he meets the parents. I also think I 348 00:19:28,840 --> 00:19:31,280 Speaker 4: feel like we're gonna get more of Whim's dad. Maybe 349 00:19:31,280 --> 00:19:33,439 Speaker 4: that will be in the next episode, if it is 350 00:19:33,480 --> 00:19:37,240 Speaker 4: a Whim episode. Yeah, I'm very interested. I feel like 351 00:19:37,280 --> 00:19:40,000 Speaker 4: there is a lot to tie up into episodes, but 352 00:19:40,160 --> 00:19:44,440 Speaker 4: so far this show has been no filler, only bangers. 353 00:19:45,000 --> 00:19:47,960 Speaker 1: I do agree that there feels like there is something 354 00:19:48,080 --> 00:19:49,800 Speaker 1: else behind Jod's mission. 355 00:19:50,000 --> 00:19:50,600 Speaker 2: That's said. 356 00:19:52,600 --> 00:19:55,800 Speaker 1: The light in his eyes when he climbed out of 357 00:19:55,960 --> 00:20:00,680 Speaker 1: tech Renod's treasure room laden jewels. Oh, he looks jewel treasures. 358 00:20:01,200 --> 00:20:05,240 Speaker 1: Was impot he was beaming. He looked so happy to 359 00:20:05,320 --> 00:20:08,720 Speaker 1: be covered in lout. So I agree with you, But 360 00:20:08,760 --> 00:20:10,760 Speaker 1: I do think he is heavily loot motivating. 361 00:20:10,760 --> 00:20:12,760 Speaker 2: You know, he loves treasure absolutely. 362 00:20:12,840 --> 00:20:14,600 Speaker 4: I just think that might be like a little bit, 363 00:20:15,119 --> 00:20:17,359 Speaker 4: a little bit more. Maybe he feels like maybe he 364 00:20:17,440 --> 00:20:18,639 Speaker 4: used to walk at the minute. 365 00:20:18,680 --> 00:20:19,760 Speaker 3: I don't know, but I do. 366 00:20:19,920 --> 00:20:21,560 Speaker 2: Yeah, obviously he does love treasure. 367 00:20:21,800 --> 00:20:26,200 Speaker 1: Let's just I also feel like good shows, and this 368 00:20:26,280 --> 00:20:29,800 Speaker 1: is a good show always figure out a way to 369 00:20:29,880 --> 00:20:34,760 Speaker 1: make you forget about the cold open and then it matters. Yeah, 370 00:20:34,880 --> 00:20:39,600 Speaker 1: that cold open is gonna matter somehow. Yeah, And I 371 00:20:39,800 --> 00:20:44,440 Speaker 1: don't know how yet, But there's something in the storytelling 372 00:20:44,480 --> 00:20:48,639 Speaker 1: of that that's gonna matter. I feel like I also 373 00:20:48,640 --> 00:20:51,600 Speaker 1: feel like, just to return to the disability plot line again, 374 00:20:51,680 --> 00:20:54,119 Speaker 1: I thought they I thought it was I thought they 375 00:20:54,160 --> 00:20:59,600 Speaker 1: did an amazing job too, with how hard it can 376 00:20:59,600 --> 00:21:02,440 Speaker 1: be to feel different and to not want to bring 377 00:21:02,480 --> 00:21:05,280 Speaker 1: it up, but also to have to just coming having 378 00:21:05,320 --> 00:21:08,200 Speaker 1: to come to terms with it on your own. Kabe 379 00:21:08,359 --> 00:21:11,199 Speaker 1: is really having to do. She's having to come to 380 00:21:11,440 --> 00:21:17,320 Speaker 1: terms with herself and her comfort level with herself and 381 00:21:17,359 --> 00:21:22,159 Speaker 1: her confidence in advocating for herself, which is, again, you 382 00:21:22,160 --> 00:21:24,480 Speaker 1: didn't need to apologize, you were advocated. You need to 383 00:21:24,640 --> 00:21:28,080 Speaker 1: You've got to advocate for yourself. N't apologetically, but I 384 00:21:28,119 --> 00:21:32,160 Speaker 1: get it. It's it's hardly at that age, which again 385 00:21:32,200 --> 00:21:37,400 Speaker 1: I think they they tackled that with immense sensitivity, even 386 00:21:37,480 --> 00:21:40,440 Speaker 1: like the climb where Fern is like driving, like come 387 00:21:40,480 --> 00:21:45,919 Speaker 1: on deal and dude, my fucking legs are literally like. 388 00:21:47,359 --> 00:21:53,080 Speaker 4: It's like I'm a cute, chubby elephant like climbing, Yeah, 389 00:21:53,320 --> 00:21:56,000 Speaker 4: I have three fat fingers, Like I can't. 390 00:21:56,480 --> 00:21:57,680 Speaker 2: It's not easy. 391 00:21:57,920 --> 00:22:01,199 Speaker 1: And I think they did a great job and just 392 00:22:01,280 --> 00:22:04,760 Speaker 1: bring highlighting differences and how other characters kind of like 393 00:22:04,880 --> 00:22:08,240 Speaker 1: need to appreciate them and acknowledge it. 394 00:22:08,280 --> 00:22:10,679 Speaker 2: I think it was. I was. 395 00:22:10,920 --> 00:22:14,560 Speaker 1: I am always surprised by this show, just like how 396 00:22:14,600 --> 00:22:15,959 Speaker 1: good and thoughtful it really is. 397 00:22:16,040 --> 00:22:18,560 Speaker 4: And it's yeah, and the layers to it as well, 398 00:22:18,600 --> 00:22:20,720 Speaker 4: because like you said, it's hot. It really is just 399 00:22:21,040 --> 00:22:23,080 Speaker 4: like a treasure hunt and there's a lot of Yeah, 400 00:22:23,119 --> 00:22:25,040 Speaker 4: you know, we get a lot of pirate lingo in 401 00:22:25,119 --> 00:22:29,800 Speaker 4: this episode. There's lots of like sme and he's getting 402 00:22:29,840 --> 00:22:33,520 Speaker 4: captured again, Like, there's all these kind of references and 403 00:22:33,600 --> 00:22:37,760 Speaker 4: throwbacks to pirate law. Jod obviously loves treasure. We get 404 00:22:37,800 --> 00:22:40,480 Speaker 4: some funny treasure moments. But within all of that, they've 405 00:22:40,520 --> 00:22:43,359 Speaker 4: found a space to like tell these stories and I 406 00:22:43,400 --> 00:22:46,680 Speaker 4: think that is really great. And I really really want 407 00:22:46,720 --> 00:22:51,880 Speaker 4: to know more about Wim and Whim's dad and where 408 00:22:51,880 --> 00:22:55,680 Speaker 4: the Whim's mum is the secret supervisor slash pirate at 409 00:22:55,720 --> 00:22:57,240 Speaker 4: the Tack Reynold, I. 410 00:22:57,200 --> 00:23:00,000 Speaker 3: Don't know, but I'm I'm interested to see what happens now. 411 00:23:00,640 --> 00:23:04,920 Speaker 4: And I'm very excited that we're only two episodes away. 412 00:23:05,080 --> 00:23:07,399 Speaker 3: Yes, so I will miss this show. 413 00:23:07,800 --> 00:23:10,159 Speaker 2: I will miss it too. It's been fun. Well. 414 00:23:10,480 --> 00:23:14,000 Speaker 1: Coming up tomorrow, we're doing our twenty twenty five look 415 00:23:14,040 --> 00:23:16,520 Speaker 1: ahead at movies and TV shows and all the stuff 416 00:23:16,520 --> 00:23:19,800 Speaker 1: we're looking forward to in this year of twenty twenty five. 417 00:23:19,800 --> 00:23:22,080 Speaker 1: And of course we're going to continue to cover Skeleton 418 00:23:22,119 --> 00:23:24,639 Speaker 1: Crew Episode seven of Skeleton Crew next week. That's it 419 00:23:24,680 --> 00:23:25,480 Speaker 1: for this episode. 420 00:23:25,520 --> 00:23:26,280 Speaker 3: Thanks for listening. 421 00:23:26,760 --> 00:23:35,600 Speaker 1: Bye x ray Vision is hosted by Jason Kensumsion and 422 00:23:35,720 --> 00:23:39,840 Speaker 1: Rosie Knight and is a production of iHeart Podcasts. Our 423 00:23:39,880 --> 00:23:44,119 Speaker 1: executive producers are Joelle Smith and Aaron Kaufman. Our supervising 424 00:23:44,119 --> 00:23:48,840 Speaker 1: producer is a Boo Zafar. Our producers are Carmen Lawn 425 00:23:49,600 --> 00:23:53,240 Speaker 1: and Mia Taylor. Our theme song is by Brian Basquez. 426 00:23:53,720 --> 00:23:58,040 Speaker 4: Special thanks to Soul Rubin and Chris Lord, Kenny Goodman 427 00:23:58,400 --> 00:24:00,440 Speaker 4: and Heidi On Discored a Racer 428 00:24:07,760 --> 00:24:08,040 Speaker 5: MHM