Speaker 1: Lookout. It's only films to be buried with, Hello, films
Speaker 1: to be buried with Crewe. This is your producer, Buddy Peace.
Speaker 1: I am checking in on behalf of Brett, your usual
Speaker 1: voice you'll hear at the start of every episode, just
Speaker 1: to let you know what's going on with this episode
Speaker 1: and perhaps a few going into the future. Basically, due
Speaker 1: to the ongoing SAG after a strike, we will be
Speaker 1: temporarily on pause and there will be a few rewind
Speaker 1: episodes basically episodes where we look back into the voluminous
Speaker 1: archives or films to be buried with and present you
Speaker 1: with a few sort of repackaged and re polished episodes
Speaker 1: from our history. And in this case, we have a
Speaker 1: fabulous episode with Sarah Snook, who you might be familiar
Speaker 1: with from her character Shiv and Succession, which at that
Speaker 1: point in time was I think it had just finished
Speaker 1: its second season, so we had a further two more
Speaker 1: seasons to come. And also so this episode was recorded
Speaker 1: in person with Brett and they were working on at
Speaker 1: that point an untitled project which would go on to
Speaker 1: be known as Soulmates. This episode was aired originally on
Speaker 1: January the sixteenth, twenty twenty so that marks it a well,
Speaker 1: you could call it a pre pandemic podcast episode. So
Speaker 1: it's pretty interesting going back to hear this one, in
Speaker 1: particular because obviously so much just happened since in terms
Speaker 1: of what Sarah has been working on and in the world,
Speaker 1: so it's an interesting one to hear in a different context. Yeah,
Speaker 1: we really think you're like this one. It's lovely to
Speaker 1: hear Sarah because I don't think she does a whole
Speaker 1: ton of these kind of things. So yeah, please enjoy,
Speaker 1: and we will check in again with a few more
Speaker 1: rewinded episodes going back into the Films to be Buried
Speaker 1: with archives, But for now, please enjoy the wonderful Sarah Snooke.
Speaker 2: Hello, and welcome to Films to be Buried with. It
Speaker 2: is me Brett Goldstein, and I'm joined today by a writer,
Speaker 2: a director, a award nominated and when this comes out,
Speaker 2: possibly award winning. Although she's won awards before. Let's face it,
Speaker 2: she's absolutely decorated. She's caked in awards. She is an
Speaker 2: actor and a hero and succession. Little Please welcome to
Speaker 2: the show, the brilliant Sarah Snake. Hi, Hi, Sarah, how
Speaker 2: are you?
Speaker 3: I'm good? Did you call me a succession.
Speaker 2: Lord, I said you were successional.
Speaker 3: Oh successional?
Speaker 2: We are in Madrid, Yeah, the show that Will Bridges
Speaker 2: and I co created.
Speaker 3: Right.
Speaker 2: You play the lead, indn't he in the opening episode?
Speaker 3: Yeah?
Speaker 2: And you were so phenomenal that we decided to say
Speaker 2: that you had to come back to Madrid to film
Speaker 2: an extacy. But in fact it was a trap to
Speaker 2: make you do the podcast.
Speaker 3: Got it, I knew it.
Speaker 2: So thank you for coming back here.
Speaker 3: You're welcome. Thanks for having me.
Speaker 2: Oh, where do I start? You don't do a lot
Speaker 2: of podcasts.
Speaker 3: Yeah, I think I have done one and only one,
Speaker 3: and I don't think I've done more. But I listened
Speaker 3: to a lot of podcasts, Yeah, a lot of podcasts.
Speaker 2: Do you listen to the serious depressing ones?
Speaker 3: Yeah?
Speaker 2: Yes.
Speaker 3: I feel like there's like a constant guilt over my
Speaker 3: head that I'm not learning enough or not engaging my
Speaker 3: brain enough, and so I'm constantly listening to the stuff
Speaker 3: that sometimes I'm boring myself with that I'm like must
Speaker 3: cram information in now that I don't you know that
Speaker 3: I'm not at university or at school or anything.
Speaker 2: You live in New York, Yeah, you're from Australia. Yeah,
Speaker 2: you're in the show that people fucking love and sort
Speaker 2: of everyone I know, it's all they talk about.
Speaker 3: So what is that like for you? It's weird, it's
Speaker 3: odd being on the inside of it, and I at
Speaker 3: the same time, I was also like, I love the
Speaker 3: show myself, so it's kind of it's great because like,
Speaker 3: what a kick to to be with people who are like,
Speaker 3: I love your show. It was like me too, I
Speaker 3: love you know, everyone on the show, and there are
Speaker 3: all such talented people and creatives who make it, and
Speaker 3: the technical sort of the crew who make it as
Speaker 3: well are also so great, and like it's a very
Speaker 3: good experience to create the show. So to have people
Speaker 3: like it is icing on the cake, really because I
Speaker 3: keep making it. If people didn't like it because it's.
Speaker 2: So much fun, then you're sort of actually as well.
Speaker 3: If yeah, it's lucky that it's a nice prison.
Speaker 2: Yeah, that's very good. You like films, I do.
Speaker 3: I do like films, but I feel like I'm constantly
Speaker 3: maybe this is this is a theme, like i feel
Speaker 3: like I've not seen enough films, and I'm like, I
Speaker 3: must I've not seen that film, And i feel like
Speaker 3: I'm always like behind on information and I'll find on
Speaker 3: films and behind on DV and.
Speaker 2: Pressure on yourself. You're crabbing a lot of news in
Speaker 2: your head.
Speaker 3: Yeah, you've got time to stop watching listen to podcasts,
Speaker 3: and start watching more films.
Speaker 2: Okay, let's let's get into this. I've forgotten to tell
Speaker 2: you something. You've come this way, you come all the
Speaker 2: way to Madrid to come back to Madrid from York,
Speaker 2: and I've forgotten to tell you. And I feel like
Speaker 2: a dickhead because I probably should have.
Speaker 3: Told you before I got on the plane.
Speaker 2: Yeah, in a way, because at least you could have
Speaker 2: been a bit more prepared. But ah, okay, I'll just
Speaker 2: tell you you died.
Speaker 3: You've died.
Speaker 2: Yeah, yeah, really yeah, really damn it. How do you feel?
Speaker 2: How did you die?
Speaker 3: I feel a lot freer.
Speaker 2: Yeah, Yeah, you don't have to keep craving all them
Speaker 2: depressing podcasts.
Speaker 3: Yeah, watching many movies, although in heaven I get to
Speaker 3: watch as many I provided. I'm going to heaven, I
Speaker 3: get to watch as many movies as I want. I died.
Speaker 3: I died in a great space accident.
Speaker 2: Nice what happened?
Speaker 3: Ah? Well, because it would be hard, I think for
Speaker 3: you to just suddenly die because you would have no
Speaker 3: impact and not feel the pain, and like you have
Speaker 3: the impact and not feel the pain and all that stuff.
Speaker 3: That's that's great for you, but not nice for your family.
Speaker 3: But I thought that if I went into space, that
Speaker 3: everyone's sort of on board with the possible dangers of
Speaker 3: me going into space for this sort of I don't
Speaker 3: know what it is, but it's like some sort of
Speaker 3: gala thing of like just some some heroic thing in space.
Speaker 3: I'm doing something good in space, and it's likely that
Speaker 3: I could perish and.
Speaker 2: If I climate change, plug in the if.
Speaker 3: I managed not like I managed to succeed, then I'm
Speaker 3: a hero, but I could actually also die doing it.
Speaker 3: I trying, and so then it's painless for me because
Speaker 3: I just run out of oxygen and go into delirium
Speaker 3: and then I die. That's nice because like you would
Speaker 3: have you drowning, it's a drowning in space. I don't
Speaker 3: wouldn't like to drown because the panic of drowning. But
Speaker 3: in space there's no gravity and so there's no there's
Speaker 3: like less potential for panic.
Speaker 2: Right in your death, have you like popped out of
Speaker 2: the spaceship, But you're just free floating.
Speaker 3: Yeah, I had to do something on the spacecraft.
Speaker 2: And if you were on this side of it with
Speaker 2: all the gear on.
Speaker 3: M Yeah, it's a bit like gravity, I guess now
Speaker 3: that I think about it, which terrified me as a
Speaker 3: film and also what a view like you see lovely
Speaker 3: argue with that and then you come You know, if
Speaker 3: you re entered the atmosphere, you'd burn up.
Speaker 2: Which way you're going, but you're burning up as you.
Speaker 3: Re entered the No, I'm going. I'm already dead. I'm
Speaker 3: getting space.
Speaker 2: You fell off the edge of the space ship. Yeah,
Speaker 2: trying to fix something. Yeah, and you slowly run out
Speaker 2: of oxygen, and that is a nicer death than drove.
Speaker 3: Well, maybe I wouldn't slowly run out of oxygen. I
Speaker 3: would just open my mask.
Speaker 2: But then your head would explained, would yeah, yeah.
Speaker 3: Okay, I'll slowly run out of oxygen. Your head actually.
Speaker 2: Explode, Yeah, I've seen totally cool. I think it does
Speaker 2: because the pressure is too much.
Speaker 3: Selling maybe i'd pump all the oxygen in at once
Speaker 3: so that I overinflate my I'm like, because isn't there
Speaker 3: like an oxygen saturation? Isn't there like a weird high
Speaker 3: or delirium thing that you would go into. Basically, I
Speaker 3: would need to pass out and then obviously die because.
Speaker 2: You really have to buzz at this moment. I get
Speaker 2: that I'm slightly worried about the build up to the delirium.
Speaker 3: Because I have to be in space because I feel
Speaker 3: like family and friends. It's not nice to just suddenly die.
Speaker 3: So then if they are prepared for my death somehow.
Speaker 2: You've treated it like a goalkeeper soccer during a penalty shootout,
Speaker 2: in that you're a hero because no one's expecting you
Speaker 2: to save any If you save work, yeah, you're amazing. Yeah,
Speaker 2: you're going on a space mission that no one's expected
Speaker 2: you to come back. But if you did amazing. Yeah,
Speaker 2: but instead you fell off the edge, you would you
Speaker 2: just fell off the spaceship.
Speaker 3: But I also we still think you're a hero. Fell
Speaker 3: before I fell off. I gave it's a really important data, right,
Speaker 3: data collection that was really important, that intrinsic to saving
Speaker 3: the world in the future.
Speaker 2: Right, And it did help this account, the accounts that
Speaker 2: you downloaded from space, it really helped. Yeah.
Speaker 3: I sent them straight to Grenna Dunberg and she, you know,
Speaker 3: she's the queen of the world at that time. This
Speaker 3: isn't it. This isn't like sixty years time.
Speaker 2: You know, Okay, I'm nine year old to do some
Speaker 2: do some invoicing in space. You stepped off the side
Speaker 2: of the rocket. You're like, oh, just input the data. Oops,
Speaker 2: falling off. I'll tell you what will give me a
Speaker 2: nice high, nice breath of air opened the viy. Their
Speaker 2: head exploits, No.
Speaker 3: This is you're making it mockery.
Speaker 2: No, it's very it's good. It's very back.
Speaker 1: Yeah.
Speaker 3: Yeah, but you didn't watch many movies.
Speaker 2: And people they're sad, but they were prepared as you
Speaker 2: went up as a ninety two year old.
Speaker 3: Probably none of them left anymore.
Speaker 2: Yeah, they said, well she's the light.
Speaker 3: Yeah, a good innings, Yeah, ninety two year old astronaut.
Speaker 2: Yeah, it's a good idea. Actually, send ninety two year
Speaker 2: olds on missions, on suicide mission. It's a very good idea. Yeah.
Speaker 3: That was what I was paying the way for. That's
Speaker 3: was the first.
Speaker 2: Yeah, lots of people going, what the fuck Now I've
Speaker 2: got to go save the world again. Yes, grandma, and
Speaker 2: we're going to say goodbye now just in case.
Speaker 3: I love that? All right, are you do? You worry
Speaker 3: about death. No. I don't know whether it's because I
Speaker 3: haven't had a close family member pass away sort of
Speaker 3: like immediate family. But I haven't had a lot of
Speaker 3: experience with death, and blithely I think that I'm fine
Speaker 3: with it, but I'm sure that wants it sort.
Speaker 2: Of you don't worry about your own death like life
Speaker 2: you have.
Speaker 3: I'm pretty happy. I often think that it's like, well,
Speaker 3: this is enough. It's great, so far, so good.
Speaker 2: Thanks, Yeah, that's very healthy. Do you think there's enough
Speaker 2: to life?
Speaker 3: I wouldn't rule it out. I think it would be
Speaker 3: presumptuous of us to completely rule that out, because who's
Speaker 3: to say, in which case I would say, yes, there's
Speaker 3: some sort of energetic, spiritual I don't know. There's something, surely,
Speaker 3: something arrogant to us to presume absolutely not when there
Speaker 3: are so many other wonders in the universe.
Speaker 2: What is it?
Speaker 3: What is the answer?
Speaker 2: Life?
Speaker 3: Energy echoes? That painting looks like.
Speaker 2: The Yeah, I mean in an apartment in where there
Speaker 2: are two paintings on the wall that look like they're
Speaker 2: in twin peaks firework with me and they scare me
Speaker 2: every night. And sometimes I think if you look at
Speaker 2: them long enough, you will appear in them.
Speaker 3: Yeah, that's the afterlife.
Speaker 2: That's painting.
Speaker 3: Boy, I don't know something, there's something there. Yeah, we
Speaker 3: can't be the only miracle of the universe, you know, Like,
Speaker 3: yeah's kind of yeah. I'm sure that somehow we'll find
Speaker 3: life somewhere, even if it's in sort of another dimension.
Speaker 3: I have no idea, but I'm just I'm not like
Speaker 3: that going to rule it out like that.
Speaker 2: Do you think there's multiple realities happening at.
Speaker 3: Works, possibly like a sliding doors kind of thing. Yeah,
Speaker 3: I mean not really, I but no, no, I mean
Speaker 3: I like the idea of it. Well, isn't that what
Speaker 3: I mean? Einstein said that time is like a loaf
Speaker 3: of bread, and if you sliced it into slices and
Speaker 3: put a point of.
Speaker 2: Bread, great.
Speaker 3: Einstein, Gump, it's no one of the scientists. Oh god,
Speaker 3: I've described it. No, I'm sound really dumb, but there's
Speaker 3: like it's like time can be described like a loaf
Speaker 3: of bread, and if you drew a point from one
Speaker 3: side of a loaf to the other, even if you
Speaker 3: sliced it and then reorganized it, those points would be
Speaker 3: in different places. But still it's like a relativity thing.
Speaker 2: I don't know what they're fixed. You can you can
Speaker 2: shuffle the bread.
Speaker 3: You can shuffle the bread, and they're fixed only But
Speaker 3: I don't. I can see the diagram and I can't
Speaker 3: explain it. But I know that is like a loaf
Speaker 3: of bread. Yes, yes, multiple dimensions and realities can be
Speaker 3: happening at once because time is a construct in our
Speaker 3: own minds, because we have to organize the passage of deterioration,
Speaker 3: I guess, and the passage of time and things. But
Speaker 3: that it's our own experience of it, and that there
Speaker 3: is apparently argument that all things are all happening all
Speaker 3: at once. So the ancient Egypt and Einstein and all
Speaker 3: these things are all happening all at once. It's just
Speaker 3: our perception of how we experience it. Personally. We're always
Speaker 3: in the center of it, so we can discern that
Speaker 3: there is a future, and discern that there is a past.
Speaker 3: It's only relative to us because we're in the center
Speaker 3: of that moment. I'm sure I'm getting this science wrong.
Speaker 2: And that is exactly like a life of bread.
Speaker 3: Apparently it's like a loaf of bread. I'm going to
Speaker 3: find that us find the scientists and tell you it's
Speaker 3: like I don't know, not Brian Cox, but one of.
Speaker 2: Those Well you were right, after all, there is a
Speaker 2: heaven and it's filled with cinemas. Your favorite kind of cinema,
Speaker 2: which is.
Speaker 3: I really like a cinema that serves you food?
Speaker 2: Do you I can dig that?
Speaker 3: Yeah? Not into do.
Speaker 2: You know what? I was even looking today to go
Speaker 2: to the cinema and the nearest one is one the
Speaker 2: one's we like luxury reclaiming. I don't.
Speaker 3: I'm not going for nap, not into the luxury. No, no, no,
Speaker 3: not that I want to say. There's one in in
Speaker 3: in Williamsburg called Nighthawk. It's in Prospect Park as well,
Speaker 3: and it's like upright chairs but there's like a little
Speaker 3: table between the two of you and you can just
Speaker 3: like order a cocktail or order nachos, and like, I
Speaker 3: kind of dig that's something.
Speaker 2: Yeah, I think I treat the cinema like some sort
Speaker 2: of punishment that I think the church. But you yeah,
Speaker 2: she sit up on an uncomfortable chair straight wow, no
Speaker 2: one bringing you ship. That's what's the fucking thing. Not
Speaker 2: trying to lie down and a meal? Pathetic? Do you
Speaker 2: know what?
Speaker 3: I actually, yeah, my favorite cinema is a full one,
Speaker 3: because my favorite cinema going experiences have been when when
Speaker 3: it's been full, when it's a theater full of people.
Speaker 3: I always prefer films. I always like, you know, I
Speaker 3: love the films they see at film festivals because they
Speaker 3: are often full cinemas, and because people are reacting audibly
Speaker 3: to what they're watching. And they're also often at film festivals,
Speaker 3: you know, film nerds and buffs and fanatics, so they're
Speaker 3: more willing to react. Yeah, my favorite experiences of film
Speaker 3: watching I've been in full cinemas.
Speaker 2: We like community. Yeah, that's nice. In this heaven, everyone's
Speaker 2: obsessed with films. Is like an old film festival crowd,
Speaker 2: but like not in a bad way. And when they
Speaker 2: ask questions, and they actually ask questions, they don't just tell.
Speaker 3: You that they're right.
Speaker 2: They're making their own thing. And yeah, and anyway, that
Speaker 2: was it's more of a comment than the question. Yeah, anyway,
Speaker 2: they want to know about your life through films. The
Speaker 2: first thing they ask is what is the first film
Speaker 2: you remember seeing?
Speaker 3: Okay, the first film I remember seeing at the cinema
Speaker 3: was Aladdin, and I went with was Matthew Nobles's birthday
Speaker 3: and I was the only girl invited. I don't know
Speaker 3: if I've seen him since. I think I was about
Speaker 3: five or so when I came out and I was
Speaker 3: the only girl invited, and I loved it. We were
Speaker 3: I remember sitting or all sitting in a row in
Speaker 3: the cinema and I was just in rapture watching this
Speaker 3: and to the point where at the end, my favorite point,
Speaker 3: like the genie doing all this stuff, obsessed and when
Speaker 3: the Genie pool, like, they kiss, so I'm really into
Speaker 3: the story, they kiss and all the boys next to
Speaker 3: me went and I had been like, you know, leaning
Speaker 3: forward in my seat, going and then they kissed, like
Speaker 3: oh my goodness, and hear this, I go, oh no,
Speaker 3: oh immediate judgment or shame of going yay romance and
Speaker 3: then oh no, boys don't like romance. Oh hang on,
Speaker 3: what's going on here? And then having this like rollercoaster
Speaker 3: of emotion where suddenly the Genie pulls up the screen
Speaker 3: and goes made you look and I was like, he's in.
Speaker 4: The cell, like it's so matter, not even really knowing
Speaker 4: what that meant, but I just thought that was the cleverest.
Speaker 2: How many pieces were you at with?
Speaker 3: Makes it like a really weird five road day. Yeah,
Speaker 3: the monment about thirteen of us or like ten of
Speaker 3: us at least. Oh no, maybe not, but I remember
Speaker 3: catching the tram back later we were saying on the
Speaker 3: platform and everyone was like talking about the film and
Speaker 3: I was like, yeah, when they when they rode to
Speaker 3: the carpet was and the genie. They're like, yeah, but
Speaker 3: how gross is it when they kissed?
Speaker 2: Like, yeah, I hope I never kiss What did you
Speaker 2: do that? Matthew Noble, who was the year above no Less,
Speaker 2: he was like, I don't like girls, but she's cool.
Speaker 3: So our sisters used to go to well, we went
Speaker 3: to the same must. Yeah, we did go to the
Speaker 3: same school. Our sisters were in the same year, so
Speaker 3: they were friends. And I would around and play with Matthew,
Speaker 3: I think as well, and you know, we would play
Speaker 3: cars and trucks and like I you know, it was
Speaker 3: a bit of a tom Boy. And my sisters would
Speaker 3: dress me up for photo shoots at their house in
Speaker 3: like little bo Peep outfits or with their dog, Minus,
Speaker 3: who terrified me completely vas Yeah there, tiny little Jack
Speaker 3: Roswell called Minus fucking terror of a dog. Yeah, really
Speaker 3: sharp claws. He didn't like me and I didn't like him,
Speaker 3: and yet we had to pose pose together.
Speaker 2: So the route, Yeah, was it with Matthew Nobles mom
Speaker 2: and dad Lynn Noble took Yeah. Shout out to Lynn,
Speaker 2: amazing big.
Speaker 3: Matthew Noble's dad was my dentist for years, like eighteen
Speaker 3: years straight. Would have been until I moved out of
Speaker 3: Adelaide to Sydney. Yeah, wow, I forgot about that. No
Speaker 3: even longer, Yeah, mister Noble, Yeah, yeah.
Speaker 2: You love the cinema, big old cinema.
Speaker 3: It's the one where sort of that Yeah, yea, it
Speaker 3: would have been.
Speaker 2: Yeah, I would have been like, did you think I
Speaker 2: want to do this?
Speaker 3: Not then I didn't know that that was a job.
Speaker 2: You could be an animated case.
Speaker 1: No, I didn't.
Speaker 3: I just wanted them to be.
Speaker 2: No, how many siblings?
Speaker 3: You've got two older sisters nine age ten and six
Speaker 3: years older.
Speaker 2: But yeah close, Yeah, what is the film that made
Speaker 2: you cry the most?
Speaker 3: I remember? Okay, So I have a specific memory of
Speaker 3: crying because I cry a lot in films, and I
Speaker 3: cry on planes a lot, and sometimes I will choose
Speaker 3: the film in order to cry on planes, Like I'll
Speaker 3: be like, this looks like a sad film. I'm want
Speaker 3: to play it. I'm gonna watch it because it's just
Speaker 3: so good. I don't know what it is. I don't
Speaker 3: know there's something in but it's anecdotal. I don't know
Speaker 3: what the science says, but there's anecdotal evidence of crying.
Speaker 3: Crying on planes happened. So I'll set it up so
Speaker 3: that I do And I didn't do this in this case,
Speaker 3: but I remember watching Warrior Joel legitim yeah, yeah, and
Speaker 3: ball Balling. I don't even I can't really remember what
Speaker 3: the film's about, but.
Speaker 2: Balling episode six of this show that you're in. One
Speaker 2: of the big visual references is Warrior.
Speaker 3: Oh, there you go. I found it really upsetting.
Speaker 2: Well, it's a really good film with a really ridiculous pitch.
Speaker 2: I could just hear the picture go this is god ship.
Speaker 2: Two brothers was forced to UFC each other.
Speaker 3: Oh yeah, that's right, that's the yeah pitch.
Speaker 2: Yeah, and they'll finally work out who's the two strange right, Yeah,
Speaker 2: got a UFC. Yeah.
Speaker 3: I found it desperately sad. And then like as a kid,
Speaker 3: my girl obviously killed me like death. That was like, yeah,
Speaker 3: that's a real first experience of death.
Speaker 2: When you say you have an experienced less you mean.
Speaker 3: Yeah, and like such a heroic act. Didn't doesn't he
Speaker 3: run in there to get her ring? And then he
Speaker 3: loses his glasses and that's how he dies. But he
Speaker 3: but there's something that he didn't need to go in there,
Speaker 3: and he did for something for her.
Speaker 2: So worried You're on a plane? Is your film amazing?
Speaker 2: I think so embarrassingly people clan to keep your space.
Speaker 3: I'm like, what does the state of humanity if two
Speaker 3: brothers have to fight each other?
Speaker 2: Oh?
Speaker 3: God?
Speaker 2: Yeah? What is the film that scared you the most?
Speaker 3: I did do a horror film a couple of years ago,
Speaker 3: and I had never watched It's called Jessobel. Yeah, Puzzled look, Yeah,
Speaker 3: And I'd never seen any horror because I've been too
Speaker 3: scared to watch films. It's scare me. And also I
Speaker 3: think I've been told by mum not to watch them
Speaker 3: or I wasn't allowed to watch them. But I never
Speaker 3: had an interest in seeking out scaring myself. So I
Speaker 3: went on a whole binge of watching horror films. Was like,
Speaker 3: this is my research, or watch a horror films, and
Speaker 3: I found that I was like Oh, I quite like
Speaker 3: horror films that scare you because I know that it's
Speaker 3: not real. But the one that scared me the most,
Speaker 3: that actually gen only scared me is American Psycho. Interesting
Speaker 3: because that's possibly real and I just want people to
Speaker 3: real nice and whatnot, all to get along and to
Speaker 3: have someone be so cruel and malicious in for intent
Speaker 3: and personal gain and narcissism and all of that just
Speaker 3: just make it. Yeah, I found that really deeply unsettling
Speaker 3: and scary.
Speaker 2: That's very interesting. Yeah, it's also a comedy, that film.
Speaker 2: Yeah it's made as a comedy, but I didn't really
Speaker 2: know that's totally fair.
Speaker 3: But maybe I'll watch it again. But I kind of
Speaker 3: came away from that guy.
Speaker 2: Humans is terrifying, but that's also the world of success
Speaker 2: in Yeah, it's very interesting.
Speaker 3: But when I was a kid, the one that scared
Speaker 3: me the most was I don't even really remember the
Speaker 3: rest of the film because I was probably in the
Speaker 3: corner in terror. Went on to a sleepover for a
Speaker 3: friend's fifteenth fourteenth birthday, A bunch of girls, maybe one
Speaker 3: of us in a living room and we watched a jawbreaker,
Speaker 3: a film jaw Breaker. I don't really remember it much,
Speaker 3: but it's like three girls who kidnapped a friend of
Speaker 3: theirs as a joke, and they tie her up. They like,
Speaker 3: you know, dress up and they as like people who
Speaker 3: are gonna mug her, and they tie her up and
Speaker 3: they put a gumball, a jawbreaker gumball in her mouth,
Speaker 3: and then they throw her in the boot of the
Speaker 3: car and they've put like duct tape over the top,
Speaker 3: and then they get to where they're going and it's
Speaker 3: all meant to be a big old joke, and then
Speaker 3: they through to the car and she swallowed the gum
Speaker 3: ball and it's in the middle of her throat and
Speaker 3: she's dead that and I'm like a of eleven girls
Speaker 3: and going, what's.
Speaker 2: Going to kill me?
Speaker 3: I put a jawbreaker in my mouth. I don't remember
Speaker 3: the rest of the film. I was terrified, and I
Speaker 3: also was the only one who didn't sleep that night,
Speaker 3: so I remember people would watching the film going this
Speaker 3: is stupid and dropping off and I was just sitting
Speaker 3: there in terror. I can't remember the rest of the film,
Speaker 3: and it's just vigilant that.
Speaker 2: Like, yeah, like I need to get over to Matthew Nables.
Speaker 2: It's gonna be back to Aladdin, but that's horrible.
Speaker 3: Yeah, it's probably a comedy as well. It's probably a comedy,
Speaker 3: and I missed the point and I just took it
Speaker 3: too literally. It's like, you don't be scared. I don't
Speaker 3: mind it. I quite like, you know, like I love
Speaker 3: going to you know, the Hollywood Horronites and all those
Speaker 3: sort of like silly quote unquote silly sort of horror
Speaker 3: stuff because you know, like being chased by a chainsaw
Speaker 3: in a theme, but it's a lot of fun because
Speaker 3: I know that there's no there's no teeth in that
Speaker 3: chain so it's just like the sound like I remember
Speaker 3: we went to the Hollywood Horrorites. Is it the Universal Studios?
Speaker 3: I think? And I was genuinely running in a circle.
Speaker 3: The guy was chasing me in a circle around myself.
Speaker 3: If I wanted to get away, I could have, but
Speaker 3: I was in tears, laughing so hard and so scared,
Speaker 3: but in this kind of like hysteria.
Speaker 2: Yeah.
Speaker 3: My boyfriend at the time was just like standing back
Speaker 3: watching me, going, you're only in a circle, like you
Speaker 3: actually that scared. I'm like, I'm terrified, and I love
Speaker 3: that feeling. But I when it's and when it's darkness
Speaker 3: with like the human soul and our capacity to hurt
Speaker 3: each other. That's yeah, abide that.
Speaker 2: I love her, but I don't like I hate torture
Speaker 2: ones ahead where it's just people being I like ghostly ones.
Speaker 3: Yeah, those are fun. I remember at the Conjury.
Speaker 2: Love the Country, Love the Conjuring. It's fucking brilliant. Yeah.
Speaker 3: I went and saw that at the cinema and that
Speaker 3: was the best because like, you're scared at the same
Speaker 3: time and then everyone and then someone at the back
Speaker 3: goes and everyone laughs at them, but they're also like, oh,
Speaker 3: I'm so glad someone else made the sound that I
Speaker 3: wanted to. And there's that sort of tension release thing,
Speaker 3: like watching a quiet place at the cinema. Wow.
Speaker 2: Yeah an experience. Everyone's so quiet, untouched my popcorn and
Speaker 2: that's furious.
Speaker 3: Yeah. Yeah, I'm glad you didn't need it.
Speaker 2: Crying and ship you don't mind crack in front of people.
Speaker 3: Don't mind crying in front of people, No, I mean
Speaker 3: I do it from my job.
Speaker 2: Yeah, I can ask you about that. You genuinely I
Speaker 2: say this, have said this to you of Mike, I
Speaker 2: say it one. You're a fucking amazing actor. And in
Speaker 2: a show you were extraordinary and there's a bit no spoilers,
Speaker 2: but at some point you have to do a bit
Speaker 2: of crying. It was so good. But I'm genuinely I
Speaker 2: don't know how you do it, No wonder if you
Speaker 2: could tell me. Is it just you're imagining exactly? Is
Speaker 2: the character? Is there a trick in your head? Is
Speaker 2: there a physical thing you can make yourself do that
Speaker 2: makes you cry?
Speaker 3: Yeah, there's like you know, you keep your eyes open
Speaker 3: as long as you can. That helps having empathy for
Speaker 3: the character. Maybe that's why I cry more now in
Speaker 3: films than I used to. I remember being a teenager
Speaker 3: and seeing like my mom cry on the film or
Speaker 3: something like that, and being like, why you crying? This
Speaker 3: isn't sad. But teenagers genuinely, like scientific like neurologically have
Speaker 3: less empathy really, which is really in a child less
Speaker 3: than a child. They go through a stage developmentally where
Speaker 3: they have less empathy, and part of that is I'm
Speaker 3: not sure why, but there's probably a reason for evolutionary wise,
Speaker 3: but that's part of why people like Hitler and who
Speaker 3: was the one Paul Pott like these like youths, teenage
Speaker 3: rebel youths are so easily sort of converted and able
Speaker 3: to commit such atrocities that you're like, how could you
Speaker 3: bear to do that? Because they genuinely have less empathy.
Speaker 3: It's not that they're not going to grow into empathy.
Speaker 3: It's just it's a neurological thing where I have to
Speaker 3: learn it again. And I feel like that I've had
Speaker 3: that experience where I've seen, you know, a film that
Speaker 3: I didn't really understand, or I watched and yeah, that's
Speaker 3: a good film and then watched it again and bowled
Speaker 3: my eyes out, or even a film like watching I
Speaker 3: started watching Molana on the plane because I wanted to cry,
Speaker 3: and I can't remember what part. I ended up not
Speaker 3: finishing it because I could know because something else was happening.
Speaker 3: But I remember just like just the barest thing made
Speaker 3: me start crying. I was like, I don't think I'm
Speaker 3: ready ready for this right now. I just I can't.
Speaker 3: I'm gonna bowl completely, So I'm going to stop this now,
Speaker 3: because like it was like a really small thing. I
Speaker 3: was like, I don't know, someone getting a scratch and crying,
Speaker 3: or usually the thing that makes me cry is kindness
Speaker 3: to other people, like in toy story. What's the one
Speaker 3: three with the kids where it's like he's got to
Speaker 3: go to college? Is that the one three? The only
Speaker 3: part that maybe crying that, like I really expected to
Speaker 3: cry a lot more. The only part that maybe cry
Speaker 3: was when when she offers him the toys back when
Speaker 3: they're playing together. It's like, oh, that's really sad. Yeah.
Speaker 3: But anyway, I think as I've gotten older, it's easier
Speaker 3: to imagine just to cry, but to imagine what it's
Speaker 3: like to be another person because you have more sort
Speaker 3: of experience of that you've gone through yourself, and that
Speaker 3: you can imaginatively then put yourself in the position of
Speaker 3: that character. Also, just breathing, Yeah, it's a technical sort
Speaker 3: of thing, just like being in touch with your breath
Speaker 3: and allowing something to hit you or allowing yourself to
Speaker 3: really feel something on a deep level.
Speaker 2: I mean, we didn't make you do it a lot,
Speaker 2: but could you if we if we live for whatever reason,
Speaker 2: had to sort of shoot that all day because you
Speaker 2: have kept crying, or would it have been like I'm
Speaker 2: done there?
Speaker 3: Yeah, it depends. I've learned that, like you get a
Speaker 3: muscle memory for it. And this sounds really weird. But
Speaker 3: also hydrating because like you're you're expelling liquid and so
Speaker 3: you need to hydrate and it Actually I have found
Speaker 3: when I've decided to like no, stay in it, stay
Speaker 3: in it. You've got to You've got to be in
Speaker 3: it and can't leave. Then you sort of deplete the cup,
Speaker 3: I guess, and you have to step away from it
Speaker 3: and think about other things. And I find it very
Speaker 3: difficult to stay in something without giving myself a break
Speaker 3: for it, from it so that when I come back
Speaker 3: to it it's fresh. So it's much easier if you
Speaker 3: sort of just break the spell for a second, if
Speaker 3: you're going to be going for you know, five six hours.
Speaker 3: Not that I've ever really had to do a crying
Speaker 3: something for six hours, in which case I would be like,
Speaker 3: you need to schedule better. And also like maybe I
Speaker 3: shouldn't be crying. Is that why we're going again? Like
Speaker 3: maybe I should be acting better? Like, yeah, just keep
Speaker 3: keep up with tears.
Speaker 2: What is the film that people don't like? Critically? Not
Speaker 2: a claimed Most people think it's ship, But you're like everyone,
Speaker 2: this film's brilliant.
Speaker 3: I don't have a lot of films like that where
Speaker 3: I love it and yeah, but I think I've had
Speaker 3: the experience where I remember liking a film a lot
Speaker 3: and I saw it was when I was a kid.
Speaker 3: I haven't seen it since. Maybe it doesn't hold up,
Speaker 3: but i've heard it since been disparaged and people are like, oh,
Speaker 3: that film, what is it exactly? And I'm like, oh, yeah,
Speaker 3: but I had such a great time when I watched it.
Speaker 2: I think that film is like totally lovely. Fine, Yeah,
Speaker 2: it's not a bad film in any way. I think
Speaker 2: it's just like yeah, some people like, yeah, yeah, it's
Speaker 2: definitely not a bad film.
Speaker 3: Okay, cool. I mean, I've never seen it again. I
Speaker 3: was sorry a couple of times when I was a kid. Obviously,
Speaker 3: yea lovely film is lovely, lovely, but a lot of
Speaker 3: people don't like it.
Speaker 2: So people don't like lovely, people don't like people.
Speaker 3: Didn't like Eat, Pray, Love as well, those kinds of films.
Speaker 3: But I sort of like I get the purpose of them,
Speaker 3: you know, like, and I make people happy, give people hope.
Speaker 3: Do you know what I did? I actually looked up
Speaker 3: the top on IMDb. I was like, I got to
Speaker 3: get my film knowledge up again, and I was like
Speaker 3: scrolling through, it's somewhat revealing about the state of humanity.
Speaker 3: I guess at the top two hundred films, a lot
Speaker 3: of them are about guns and violence and murder and
Speaker 3: war and and not many prey loves.
Speaker 2: Not enough women going on tours. Well women.
Speaker 3: Top ten films all male leads and male like male
Speaker 3: protagonists and male directors.
Speaker 2: And this is the top ten.
Speaker 3: No, it's like top IMDb rated.
Speaker 2: So you know that's like sure shag.
Speaker 3: Yeah. Yeah. Annie was in the top two hundred, which
Speaker 3: is why I reminded me of and she was number
Speaker 3: two hundred.
Speaker 2: Yeah, you used to like me, that's all right. What's
Speaker 2: the what's the film that you used to love? What
Speaker 2: the reason I don't like this anymore?
Speaker 3: I don't know why. But I used to be a
Speaker 3: really big Billy Crystal fan. Yeah, me too, Yeah, city
Speaker 3: slickers love that film does not hold on? Really terrible.
Speaker 2: Used to be one of my favorite fast same I.
Speaker 3: Was likes crazy. It's just like boring, saccharin and sentimental
Speaker 3: and here's me going like friends around. It's just like
Speaker 3: and you want to fucking you want a moscar for
Speaker 3: it as well? No, really, Billy Crystal, he was nominated
Speaker 3: for it, I think, or.
Speaker 2: When the best sport acts.
Speaker 3: Yeah, but posthumously he had died between.
Speaker 2: No, because he did the shops at the Oscars when
Speaker 2: I got it.
Speaker 3: Wow, well maybe really Crystal got nominated for a Golden Globe.
Speaker 3: Then anyway, it's not good. It's not great.
Speaker 2: It doing a party arm pit.
Speaker 3: Yeah, yeah, watch it.
Speaker 2: I don't want it now.
Speaker 3: I mean maybe I was not in the right mood
Speaker 3: to watch it again, but I was pretty excited to
Speaker 3: watch it again and was like, this is just destroying
Speaker 3: my childhood because I was like, I watched it the
Speaker 3: slikers to watch analyze this.
Speaker 2: To be what it was sort of killed for me
Speaker 2: by City Sniggers too, Yeah, which is a dark I
Speaker 2: don't remember money just I think because the message of
Speaker 2: City Slingersen was so sort of joyful and seize the
Speaker 2: day and live your life and have adventures, and then
Speaker 2: they made City Stiggers too, it's like let's make money
Speaker 2: yeah instead.
Speaker 3: Yeah, all right, that's maybe said. What is the film
Speaker 3: that means the nice to you?
Speaker 2: Not because the film itself is any good might be,
Speaker 2: but more because the experience you had watching it, the
Speaker 2: story you remember it from.
Speaker 3: Got two okay one watching and I know that I'm
Speaker 3: not mentioned Titanic, but K Titanic only because it was
Speaker 3: the first film that I saw in loved and I
Speaker 3: was like, this film is amazing, Like I saw it
Speaker 3: at the cinema and I felt some adult going and
Speaker 3: seeing that. And then I went and saw it with
Speaker 3: my sister at the cinema again, and I had forgotten.
Speaker 3: I guess what happens. It was fucking crushed. No, no,
Speaker 3: no earlier, this was like the joyful opening sequence of
Speaker 3: him getting on the boat. I was in tears, balling
Speaker 3: so uncontrollably that I had to leave. My sister thought
Speaker 3: that I'd gone food poisoning, and I was throwing up
Speaker 3: in the bathroom. I watched for the first third of
Speaker 3: the maybe even half of the film. I watched it
Speaker 3: in the entrance the vomb like I'd gone to the
Speaker 3: toilet because I couldn't bear the fact that they were
Speaker 3: getting on the boat that was doomed, that was going
Speaker 3: to snk, and I knew what was going to think,
Speaker 3: and I couldn't actually do anything about it. I couldn't.
Speaker 3: I wanted to yell at the screen, like don't get
Speaker 3: on the boat, just don't, just don't. It's fate, Like
Speaker 3: I can't stop it, and they can't. They won't, They're
Speaker 3: not They're gonna get on the boat. And I just
Speaker 3: they're going to have this whole thing, Yeah, the experience
Speaker 3: of knowing what was the future for these people and
Speaker 3: not being able to prevent their deaths or their experiencing. Yeah.
Speaker 3: And so then I round. I left the cinemaon and went.
Speaker 2: To the bathroom and for three hours.
Speaker 3: No, I you know, cried for longer. And then I
Speaker 3: got myself together and splashed my face with water, and
Speaker 3: I came back into the little you know, like is
Speaker 3: it the vomb the vomitorium, the entrance into I don't
Speaker 3: know what it's called, anyway, the entrance into the cinema
Speaker 3: where you can see the cinema and then you have
Speaker 3: to go around to get to the seats see the screen.
Speaker 3: And as soon as I entered again, I was like, oh,
Speaker 3: they're on the boat. They're on the boat, bawling again.
Speaker 3: But I'm warning I can't do anything about this crying.
Speaker 3: But then I saw I sat there for a long time.
Speaker 3: I must have looked like I'd snuck into the cinema
Speaker 3: and I had a ticket, and my sister was like,
Speaker 3: where it is Sarah sat by the entrance because I
Speaker 3: couldn't bear the pain of watching them suffer, and then
Speaker 3: went and sat by my sister. She's like Okay, I'm like, yeah,
Speaker 3: so I just got upset.
Speaker 2: That's really sad. Yeah. Yeah.
Speaker 3: But the other greats was The Artist. I was in
Speaker 3: New York for the first time and a friend and
Speaker 3: a friend. A friend got in touch with their friend
Speaker 3: and said, Ryan, can you take Sarah Out's only she's
Speaker 3: in New York. And we went out for coffee or something,
Speaker 3: and he said, I've got five dollar tickets. I'm a
Speaker 3: moment member five dollar tickets to this new film called
Speaker 3: The Artist. Do you want to come? It's a special screening.
Speaker 3: I think they're doing a Q and A afterwards. And
Speaker 3: I had never heard of the film, didn't know that
Speaker 3: it had just been to carn and done all the
Speaker 3: sort of the whole thing. The most extraordinary film I've
Speaker 3: ever seen in the cinema because the audience it's a
Speaker 3: silent film. The audience did the soundtrack because they're all going,
Speaker 3: oh oh, like all these laughs were in Unison and
Speaker 3: music for it. If you watch it with a cinema
Speaker 3: full of people, the music for it guides you. It's extraordinary.
Speaker 3: It was just an amazing cinema experience to have. And
Speaker 3: then you know, everyone immediately stood and clapped and yeah,
Speaker 3: so much so that I was desperate for my boyfriend
Speaker 3: at the time. I was like, we have to go
Speaker 3: see this film. You would have loved it. Blah blah blah.
Speaker 3: We went and saw it in Newtown and Sydney and
Speaker 3: there were six people in the audience and it was
Speaker 3: really slow. It was very boring. It was hard to watch.
Speaker 3: I had an exact opposite experience. I enjoyed it still,
Speaker 3: but I was so desperate for everybody to enjoy it
Speaker 3: as much as I did the first time that I
Speaker 3: was getting anxiet idea that no one that the people
Speaker 3: would think less of the film because they didn't have
Speaker 3: the experience the most watching it.
Speaker 2: I had the same experience with Bad Boys too. It's
Speaker 2: a Bad Boys in the packed cinema and over the
Speaker 2: day in Harlem. Yeah, and it was fucking amazing. People
Speaker 2: were showing at the screen. It was like, it was
Speaker 2: one of my favorites cinema experiences. And then six months later,
Speaker 2: I Won't Sit in Kent with my friend Paul was
Speaker 2: basically taking it to the best film ever made. About
Speaker 2: ten people there. No one laughed, and I was like,
Speaker 2: this is shit. I hate Ken oh Man, that's doesn't
Speaker 2: know how to watch bad Boys.
Speaker 3: It came backfire though, because I saw Moneyball at the cinema,
Speaker 3: in a full cinema, and I got really like, I
Speaker 3: don't like that film for some reason. I think I
Speaker 3: should watch it again because I've heard that it is good,
Speaker 3: and I know that it's probably good. But I got
Speaker 3: very Australian about the vocal American support for Bratton Pitt.
Speaker 3: In particular. They were like, yeah, you don't Brad like
Speaker 3: yelling at the screen, like what the fuck let him do?
Speaker 3: Like let's just settle down, all right. So I had
Speaker 3: the I had like a Reddit like, you know, it
Speaker 3: was turning me off the film rather than like encouraging
Speaker 3: me to be a part of it.
Speaker 2: So that's fairy. What is the What is the sexiest
Speaker 2: film you've ever seen?
Speaker 3: I think Romeo and Juliet nice. Yeah, well it's at
Speaker 3: that time. I guess the soundtrack as well, really good soundtrack,
Speaker 3: the great soundtracks. Great soundtrack holds up still yeah, and
Speaker 3: just there's like there's no I'm just thinking about it now,
Speaker 3: Like there's like the romance of obviously Romeo and Juliet,
Speaker 3: but there's also a lot of sensuality to the film,
Speaker 3: which I think you don't sort of think of when
Speaker 3: you think of Romeo and Juliet as the play or
Speaker 3: the star cross lovers. They're very like you don't think
Speaker 3: of the sensuality or the sort of explosion of puberty
Speaker 3: in that kind of world. I think the film does
Speaker 3: well in exploring this is a sub category.
Speaker 2: Yeah, this question traveling bone is worrying why I don't
Speaker 2: a film you found a rising but you weren't sure
Speaker 2: you ship.
Speaker 3: I think Aladdin is the answer to this because you
Speaker 3: were immediately shamed, immediately shamed. I also wanted to be
Speaker 3: Aladdin but had a crush on Aladdin, which I think
Speaker 3: is a lot of the time, Like that's how my
Speaker 3: romantic life is being is like I want to be
Speaker 3: you or I'll just be with you, you know, like
Speaker 3: I like such a either idolizing of the person that
Speaker 3: I'm like, you know, I kind of just want to
Speaker 3: be you, but if I so, Yeah, I wanted to
Speaker 3: be Aladdin, but also like I definitely wanted to be
Speaker 3: the Genie, but I think, Yeah, I think Aladdin, like
Speaker 3: you had a bit of a crush on him.
Speaker 2: He's not really my type now, but nipples.
Speaker 3: Now, I'm not wearing purple vests and pandaloons with the
Speaker 3: little Fez fancied a bit as well. Yeah yeah yeah,
Speaker 3: definitely big broadcast, Yeah, funny, very slim, ways turn into anything, Yeah,
Speaker 3: you know.
Speaker 2: Be anywhere. Yeah, he's great and voices, yeah, very entertaining.
Speaker 2: What is the film you most relate to?
Speaker 3: Yeah, so this is maybe a different kind of answer.
Speaker 3: I did a film back in like twenty eleven I
Speaker 3: think could not suitable for children, and when it came out,
Speaker 3: people were like, Wow, Sarah cool, she's great, She's Australia's
Speaker 3: Emma Stone.
Speaker 2: I was like, fuck, I know what you are Australia.
Speaker 3: Yeah. Thanks, Yeah. So I kept getting this and sleep.
Speaker 3: Some people get on telling me this and I've never
Speaker 3: seen any of her stuff. But I was a bit like,
Speaker 3: can I just be Australia's Sarah Snook? Can I just
Speaker 3: be like my own name? Or can I be like
Speaker 3: can't she be Americas?
Speaker 2: You know?
Speaker 3: Like just I wanted to be my own person anyway.
Speaker 3: Then I went and watched Easy A which had come
Speaker 3: out maybe the year two years before. It was sort
Speaker 3: of like at the beginning of her thing. I watched that.
Speaker 3: I was like, oh, yep, no, I am Australia's demistone.
Speaker 3: She's a better version of me. Fuck god, damn, damn it.
Speaker 3: I could I could have done this film. I wouldn't
Speaker 3: have done it as well as she does because I
Speaker 3: have a better copy of.
Speaker 2: Fuck.
Speaker 3: Yeah.
Speaker 2: Yeah, so that's the one I watched.
Speaker 3: And this is me and I think we thought we
Speaker 3: were get together. I know you've been infusive in your praise.
Speaker 3: Need to cover your disappointments.
Speaker 2: Yeah, now listen credits.
Speaker 3: We don't have to. No, you can just change the name.
Speaker 3: No one else will know. They'll be like, oh yeah,
Speaker 3: Hemma Stone just looks a little different, not that much different,
Speaker 3: even do the same.
Speaker 2: Yeah, we've also got J. J. Field in this series.
Speaker 2: He looks exactly like Tom. Basically we've made.
Speaker 3: As the double Gaggers.
Speaker 2: Yeah, what is the film? Objectively, that's the greatest film
Speaker 2: of all times. This is a hard one favorite just objectively,
Speaker 2: the pedicle of cinema.
Speaker 3: I don't like saying things that are in this way.
Speaker 2: Unfortunately, that's the I wouldn't answer that question. But then
Speaker 2: I haven't died fully of a rocket ship well trying
Speaker 2: to save you.
Speaker 3: I mean that case, it should be gravity. I think
Speaker 3: it's possibly The Incredibles.
Speaker 2: I mean, no one saw that coming, no one. I
Speaker 2: love that film, not even ever in your head. Tell
Speaker 2: me about The Incredibles.
Speaker 3: The only film a little walked out of at the
Speaker 3: end and walked straight back in and take it and
Speaker 3: watched it again. Yeah, I loved it. I got I
Speaker 3: just loved it. I loved I loved Superheroes. Surprisingly, I
Speaker 3: haven't like watched a lot of Avengers or any of
Speaker 3: the other superhero films, but I just love the concept.
Speaker 3: I really did love the concept of superheroes at that time.
Speaker 3: It's funny, it's got a good message. And then Incredibles too,
Speaker 3: super psyched, and I really loved it as well. Yeah,
Speaker 3: I don't know what objectively is the greatest. Probably the Godfather.
Speaker 3: Probably everyone says incredible, more interesting.
Speaker 2: I answer, well, a bit.
Speaker 3: Of lightness, a bit of fun, bit of humor, Life
Speaker 3: of Brian.
Speaker 2: Maybe. I think that's a very good chat.
Speaker 3: I think humor needs to be in the greatest molm
Speaker 3: of all time, because otherwise where are we in the
Speaker 3: top ten films in IMDb's sort of reckoning do not
Speaker 3: have really any I don't think so. From memory, I
Speaker 3: was like, that's dark, that's dark, that's got guns. Damn,
Speaker 3: that's like.
Speaker 2: I think people forget about humor. It's still take it
Speaker 2: for they Yeah, and that it's quite easy to beat.
Speaker 3: It is comparatively, and I love watching films with humor,
Speaker 3: but I don't seek I don't go and watch I'm
Speaker 3: gonna go watch a comedy now. For some reason, I
Speaker 3: don't do that. But a film that has that is
Speaker 3: funny with drama and heart, that makes me that's the
Speaker 3: best The Incredibles, yeah, or maybe I'm going to put
Speaker 3: that for somebody else.
Speaker 2: Yeah, I'm giving you the Incredible. Okay, great, it's a
Speaker 2: very good film. And that's your choice. What is the
Speaker 2: film you can or have watched the most over and
Speaker 2: over again.
Speaker 3: I got a lot of answers, and they all seem
Speaker 3: to be in the nineties. Okay, But I think I
Speaker 3: watched like films a lot when I was because I
Speaker 3: was kind alone a lot when I was a kid
Speaker 3: by myself, and I must have just watched a lot
Speaker 3: of films then and watched the same ones over and over,
Speaker 3: like I've watched Aladdin count like infinite amount of times
Speaker 3: and Lanking and Free Willy and Beethoven and Little Princess
Speaker 3: and Pretty Woman and Goodwill Hunting and Best Friend's Wedding
Speaker 3: and Pacific Created the Desert and in the Cupboard and
Speaker 3: Mighty Ducks and White Fang and Matilda and Missus Doubtfire
Speaker 3: and Dramangi and all the like the ones with Robin Williams. Yeah,
Speaker 3: so ones that I could watch over and over again.
Speaker 3: Now I don't tend to watch films twice, but then
Speaker 3: I used to watch them a lot. Incredible was the
Speaker 3: last film I did that with, like walked out and
Speaker 3: watched This was two days apart the Lego movie. Was
Speaker 3: this last time I saw twice? Yeah? Yeah, love and animated.
Speaker 3: My mom used to be a Disney rap would bring
Speaker 3: home animated films, so I used to just watched like
Speaker 3: Aladdin White Well, I think she's just like yeah, like
Speaker 3: like selling Disney vhs and so I grew up watching.
Speaker 3: She would bring them home for me to watch. Cool,
Speaker 3: very cool, So like Little Mermaid, Peter pan Wi, the
Speaker 3: Pooh Uh Snow White and the Seven Dwarves. Cinderella, Aladdin,
Speaker 3: Yan King, No, she'd left by the time that one
Speaker 3: came out.
Speaker 2: Seen that.
Speaker 3: I've got to really like sort of line between like
Speaker 3: Milan she'd gone that, you know, like there's a there's
Speaker 3: a late Disney that I'm like, no, it's not it's
Speaker 3: not real Jsney just recently right, Yeah, it's informed a lot.
Speaker 3: And also within that, like all the characters. My favorite
Speaker 3: character because I look so I because I have a problem,
Speaker 3: I guess with the idea of this like this princess
Speaker 3: sort of thing where you need a man to save
Speaker 3: you and you know, the kiss of the Sleeping Beauty
Speaker 3: and all those kinds of things. I'm like, that's a
Speaker 3: bit as a narrative to be telling our young daughters
Speaker 3: of the world. And yet I watched all those films
Speaker 3: growing up, and the thing I came away with it
Speaker 3: was like, I want to be Ursula, I want to
Speaker 3: be Jafar, I want to be the Genie, I want
Speaker 3: to be Aladdin, I want to be Sebastian. And I
Speaker 3: like all the characters. Okay, yeah, I could dig a
Speaker 3: little sit but Nala whatever tomorrow and Bumba definitely. Yeah.
Speaker 2: Yeah, not even Cinderella. What about in cinereata. Do you
Speaker 2: want to be pretty termining? I mean he's interested, yeah,
Speaker 2: and Sleeping Beauty won't be.
Speaker 3: I didn't really watch that very much because there was
Speaker 3: no evil character that snow White. The dwarves and the Queen,
Speaker 3: but most.
Speaker 2: Of the Dwarves isn't Maleficent in Sleep Beauty.
Speaker 3: No, it's the story of the evil Queen. Right, I
Speaker 3: haven't seen Maleficent.
Speaker 2: She's the bad guy. Slip Beauty. You have like that?
Speaker 3: What?
Speaker 2: Okay, I'm going to give you the engine in the cupboard?
Speaker 2: What is the We don't like to be negative, but
Speaker 2: we'll do it quick. What's the worst film you've ever seen?
Speaker 3: Gremlins?
Speaker 2: Okay? A lot of people just throwing their listening devices
Speaker 2: at the wall and they're like, I liked Australia's ever.
Speaker 2: I'm totally happy to hear your thoughts on whys. Beloved
Speaker 2: literally just re released and every film magazine is giving
Speaker 2: it five stars.
Speaker 3: Beloved Gremlins literally re released and given five stars.
Speaker 2: Yeah, this month, I've read it in four magazines and
Speaker 2: I'm surprised. Five stars acrossupport.
Speaker 3: It's terrible. It's such a bad film. What the puppetry
Speaker 3: is bad. I've watched it, okay, granted, yeah, I have
Speaker 3: zero nostalgic attachment to it. I never saw it until
Speaker 3: three years ago, and I was like, oh, Gremlins. Everyone
Speaker 3: loves Gremlins. You can watch Gremlins. Was like, this is
Speaker 3: some xenophobic weird Like, no, it's terrible. It's really bad.
Speaker 3: The Gremlins are kind of like ah, no, I just
Speaker 3: got really pissed off watching it. Maybe that's why I
Speaker 3: City Slickers was bad, because he watched them the same.
Speaker 2: I think I watched Gremlins recently and think my criticism
Speaker 2: was only that it's very slow, surprising song, it's amazing.
Speaker 2: I loant it for gm to pop up in Gremlin's Yeah,
Speaker 2: but Gremlin's.
Speaker 3: Two really okay, Gremlin's two. The only thing I know
Speaker 3: about Gremen's two is Jordan's Peel's and I think that's brilliant.
Speaker 3: I just don't need to watch it now.
Speaker 2: That's like, but it's really funny. It's just like a
Speaker 2: sketch show and it's taking the place out of Trump. Okay,
Speaker 2: and I'll watch it funny and they all sing New
Speaker 2: New York.
Speaker 3: Oh yeah, yeah, Gremlin's won the man. Slow.
Speaker 2: It is slow.
Speaker 3: All this like, oh, it's a German made cards probably
Speaker 3: Like what the fuck is this xenophobe? Like, come on,
Speaker 3: can't we all.
Speaker 2: Just get along? What is the listen? You're funny? What's
Speaker 2: the funniest? What's the film that made you laugh the most?
Speaker 3: The Castle?
Speaker 2: Fucking great film.
Speaker 3: Castle, And that would be like one if I was
Speaker 3: going to watch again and again and again. I've seen
Speaker 3: that one so many times. I love that film. It's
Speaker 3: so good, it's great, It's just so charming. They shot
Speaker 3: it in like ten days. They like the best sort
Speaker 3: of cobbled together brilliance and teamwork, and I love it.
Speaker 2: You know, I really like a lot. Every Australian that
Speaker 2: I had on this show has picked The Castle. And
Speaker 2: the reason I really like that is that I love
Speaker 2: the Castle around the world and was but it's the
Speaker 2: sort of film where I would worry that in Australian
Speaker 2: that's not what Australia is like.
Speaker 3: But yeah, Crocodile Dundee is like, yeah, that's not that
Speaker 3: I'm to be honest, I've never seen the film, but
Speaker 3: the Castle is just so good. When they're shopping trolley
Speaker 3: home with the luggage in it, because they're so close
Speaker 3: to the airport and the happiness about that, like sort
Speaker 3: of like the innocent naivety of like, yeah, and it's
Speaker 3: great because we just bring so close to the airport,
Speaker 3: but everyone get away from the airport is bad real estate.
Speaker 3: They're like, oh, isn't it great? Just like seeing the
Speaker 3: good side of things, seeing the bright side of life,
Speaker 3: seeing like, you know, choose to see the positive side.
Speaker 2: I love that.
Speaker 3: Tell them is dreamond you know all those like all
Speaker 3: the quotes, it's the vibe.
Speaker 2: It's Eric Banner.
Speaker 3: Yeah, great, yeah, comedy excellent.
Speaker 2: Love the answer Sarah Snook. Yes, you've been wonderful. However,
Speaker 2: when you you were ninety two and as part of
Speaker 2: a new program that you set up, which was Old
Speaker 2: People Saved the World, yeah, you said goodbye to your
Speaker 2: remaining family. They were fine with it. They were like listen.
Speaker 2: You were like listen, I might come back. And they
Speaker 2: were like, okay, we'll say goodbye just in case, wink wink.
Speaker 2: And you're like, no, no, I think I'll come back.
Speaker 2: And they went, yeah, okay, grand and they said, but
Speaker 2: just so you know, I'm saying goodbye. I love you,
Speaker 2: and I goodbye. And you were like, see you with
Speaker 2: the bit and they were like mm hmm, yeah, and
Speaker 2: the super Grand got on this. You went super Grand.
Speaker 2: You went on a rocket ship, you got out of
Speaker 2: the atmosphere, you got a load of space invoices, and
Speaker 2: you started putting data that would forget the burg to
Speaker 2: put into her abacus because she doesn't use and.
Speaker 3: You did, you did it.
Speaker 2: But for some reason, one of the accounts that flew
Speaker 2: out the window. I'll better get on the side of
Speaker 2: the rock ship pick up that invoice. You stepped out
Speaker 2: with your helmet everything, but you fell off, just slipped
Speaker 2: off the edge, clumsy, and you slipped off the edge
Speaker 2: of the spaceship and you started free floating through, heading
Speaker 2: towards the atmosphere because you've pointed down and you thought, oh,
Speaker 2: it'd be nice to get a little high. I haven't
Speaker 2: got any weed on me. Maybe i'll see if I
Speaker 2: can take a load of oxygen. And as your body
Speaker 2: got near the atmosphere, it was about to explain. Instead
Speaker 2: you popped open the hood of your helmet. You went
Speaker 2: and your head exploded, just explaining it all over space. Yeah, anyway,
Speaker 2: I heard about this and I was like, bloody hell,
Speaker 2: Muggin's ear has got a clean up, so I had
Speaker 2: to lay into space.
Speaker 3: Yeah.
Speaker 2: I went out and one of them wrote things scraping
Speaker 2: up the bits. If you are blown up, listen, I'm
Speaker 2: my friend. Scraped it all together. But there's bits of
Speaker 2: debris from the space suit that exploded with it. There's
Speaker 2: like bits of stars. I mean, we made of stuff.
Speaker 2: But you at this point literally were anyway. I got
Speaker 2: all of you back together. I brought you back to her.
Speaker 2: It was a fucking mess. I'm going to lie and
Speaker 2: there was a lot more of you than I had
Speaker 2: expected because of all the extra bits I picked up
Speaker 2: stuff all of you into a coffin. The coffin was
Speaker 2: originally made to your specifications, but there's more more of you.
Speaker 3: Well, I was melded with the debris.
Speaker 2: The pressure of them actually made your body expand and
Speaker 2: the explosion are real.
Speaker 3: It's a real mess. Yeah, stuffed you in the thing
Speaker 3: is it's full now?
Speaker 2: This coffin is absolutely rammed and there's only room for
Speaker 2: one DVD that I could slide in the side, send
Speaker 2: you over to the other side, and on the other side.
Speaker 2: It's movie night every night. What movie are you taking
Speaker 2: to show everyone on your movie night? I think boy
Speaker 2: she's taking Boy.
Speaker 3: I think, boy, there's a lot of films one could take.
Speaker 2: Yeah, I think James Acaster is taking.
Speaker 3: Boy, so damn it, I have to take a different one.
Speaker 2: No, you've taken it. People like it that much, they'll
Speaker 2: be happy came around again.
Speaker 3: Maybe if no one's taken Priscilla quid the doesn't have
Speaker 3: they taken that one?
Speaker 2: No, I think that's stayed on there, so you can
Speaker 2: take all right, boy, you take Boy?
Speaker 3: Yeah, it's a gold, gold, platinum edition.
Speaker 2: Is there anything you would like to tell anyone to
Speaker 2: look out for?
Speaker 3: Follow you one, look out for my Space program. I'll
Speaker 3: look out both ways across the road. I don't know.
Speaker 3: We start shooting in April, so for the third season.
Speaker 3: There is a third season that will come out next
Speaker 3: year at some point. Look up for this. The thing
Speaker 3: which doesn't have a name yet, doesn't is a name.
Speaker 2: Oh yeah, I mean, I don't know if we're allowed.
Speaker 3: Yet, untitled Red Wilbridges Project. Multiple people. It's about soments.
Speaker 2: Yeah. It stars English Tom Ministon and Australia's Ever and
Speaker 2: it also has things in it, so it's got a lot.
Speaker 2: Thank you so much. It's a really big deal. I
Speaker 2: know you don't do these things, and I really appreciate you.
Speaker 2: You're welcome, thank you very much. All right, well done,
Speaker 2: thank you, thank you.
Speaker 3: Good to be here.
Speaker 2: Thanks, good to have you.
Speaker 1: So that was the wonderful Sarah Snook in a rewind
Speaker 1: episode of Films to be Buried with We'll see you
Speaker 1: again next week for another episode, but in the meantime,
Speaker 1: and I'm doing this off memory, so I'm not going
Speaker 1: to get this right. But be well, take care of
Speaker 1: yourselves and each other. That's not it, is it? Oh yeah, yeah, yeah,
Speaker 1: this is it. Be excellent to each other.