1 00:00:00,720 --> 00:00:04,080 Speaker 1: I am all in again. 2 00:00:06,559 --> 00:00:10,440 Speaker 2: Oh, let's just you. 3 00:00:17,280 --> 00:00:21,680 Speaker 1: I am all in again with Scott Patterson and iHeartRadio 4 00:00:21,760 --> 00:00:24,840 Speaker 1: Podcast Everybody, Scott Patterson, I Am all in Podcast, one 5 00:00:24,880 --> 00:00:30,760 Speaker 1: of them productions. iHeart Radio Media. iHeart Podcast Recap, Season two, 6 00:00:30,760 --> 00:00:33,040 Speaker 1: Episode fourteen. It should have been Laurel I. Air date 7 00:00:33,120 --> 00:00:35,919 Speaker 1: February twelfth, two thousand and two. I have a very 8 00:00:35,960 --> 00:00:41,440 Speaker 1: special guest today, Ladies and gentlemen, we have somehow I 9 00:00:41,479 --> 00:00:46,000 Speaker 1: mean hit upon such a stroke of luck, Suzanne Francis 10 00:00:46,120 --> 00:00:49,320 Speaker 1: joining us. Her schedule is so filled right now. She 11 00:00:49,640 --> 00:00:52,800 Speaker 1: was on a helicopter on her way to the island 12 00:00:52,920 --> 00:00:56,840 Speaker 1: of Maui and then off on Dakona, and we got 13 00:00:56,840 --> 00:01:00,480 Speaker 1: her to step off and delay that trip because I 14 00:01:00,560 --> 00:01:02,080 Speaker 1: know happened to know the pilot and I know the 15 00:01:02,120 --> 00:01:06,720 Speaker 1: company that runs that, and she's decided, and she's in 16 00:01:06,840 --> 00:01:10,199 Speaker 1: the airport right now, in that little helliport, and she's 17 00:01:10,240 --> 00:01:14,120 Speaker 1: decided through her phone to give us some of her time. 18 00:01:14,280 --> 00:01:17,600 Speaker 1: Thank you for delaying your now your personal appearances all 19 00:01:17,600 --> 00:01:21,600 Speaker 1: over the world, your world famous, so much appreciated, Suzanne. 20 00:01:21,680 --> 00:01:22,800 Speaker 1: Thank you for joining us. 21 00:01:23,000 --> 00:01:27,760 Speaker 2: And Aloha, absolutely aloha. I am always happy to drop 22 00:01:28,319 --> 00:01:31,440 Speaker 2: whatever I'm doing, even if I'm, you know, thirty thousand 23 00:01:31,440 --> 00:01:33,119 Speaker 2: feet over the Pacific Ocean, I. 24 00:01:33,080 --> 00:01:36,840 Speaker 1: Will Oh, you'd already taken off in your to circle back. 25 00:01:37,400 --> 00:01:42,720 Speaker 1: So that's wow. I appreciate that when you got that, 26 00:01:42,800 --> 00:01:45,080 Speaker 1: when you got those texts for me like that, do 27 00:01:45,160 --> 00:01:47,160 Speaker 1: you want to have a job or do you want 28 00:01:47,160 --> 00:01:49,160 Speaker 1: to go to Hawaii? Then you came back. I like that. 29 00:01:49,440 --> 00:01:50,520 Speaker 2: I like that exactly. 30 00:01:50,680 --> 00:01:54,840 Speaker 1: I'm subtle, all right. Christopher's backing Star's Hollow Company by 31 00:01:54,840 --> 00:01:58,960 Speaker 1: his new girlfriend Sherry, and she's committed to starting a 32 00:01:59,000 --> 00:02:01,760 Speaker 1: friendship with Rory Mean, while Emily is upset that Laura 33 00:02:01,880 --> 00:02:06,760 Speaker 1: and Christopher couldn't make their relationship work. Leslie Linka linka Gladder, 34 00:02:06,800 --> 00:02:12,160 Speaker 1: who directed the pilot directed this. Daniel Palladino wrote it, 35 00:02:13,120 --> 00:02:15,440 Speaker 1: And did I tell you Suzanne French? We plucked her 36 00:02:15,840 --> 00:02:17,640 Speaker 1: two thousand feet out of the air and here she 37 00:02:17,800 --> 00:02:20,320 Speaker 1: is And did they was the last couple hundred feet 38 00:02:20,360 --> 00:02:22,639 Speaker 1: just like a ladder he had to climb down or 39 00:02:22,680 --> 00:02:23,200 Speaker 1: did they laying? 40 00:02:23,400 --> 00:02:25,200 Speaker 2: Yeah, it was a little harry. It was kind of 41 00:02:25,240 --> 00:02:26,800 Speaker 2: windy out there as kind of blowing back. 42 00:02:26,720 --> 00:02:29,399 Speaker 1: And forth, but it was like a bond FHIW the podcast, 43 00:02:29,520 --> 00:02:34,200 Speaker 1: like I had unbelievable. Thank you so much, Suzanne, Tom 44 00:02:34,280 --> 00:02:39,520 Speaker 1: Cruise French. Chris is in town for work and comes 45 00:02:39,520 --> 00:02:43,639 Speaker 1: to Rory's debate at Chilton. He brings Sherry, his lady love. 46 00:02:43,840 --> 00:02:46,280 Speaker 1: Cherry approaches Laura and tells her how important it is 47 00:02:47,600 --> 00:02:49,480 Speaker 1: to got her to know Rory. Rory and Cherry make 48 00:02:49,560 --> 00:02:52,440 Speaker 1: plans to hang out that night, much to the chagrin 49 00:02:52,520 --> 00:02:56,760 Speaker 1: of Loralai, while Chris and Lorlei go to the Gilmours 50 00:02:56,840 --> 00:02:59,320 Speaker 1: for a Friday night dinner. There's a lot of Christopher 51 00:02:59,520 --> 00:03:01,720 Speaker 1: for all you Christopher, of all three of you Christopher 52 00:03:01,720 --> 00:03:03,560 Speaker 1: fans out there, this must have been a great watch 53 00:03:03,560 --> 00:03:08,560 Speaker 1: for you. Listen, let's get into this. We see Christopher 54 00:03:09,360 --> 00:03:12,960 Speaker 1: coming to Rory's debate, but doesn't mention bringing his new girlfriend. 55 00:03:12,960 --> 00:03:14,880 Speaker 1: Share you think that was an appropriate way for christ 56 00:03:14,880 --> 00:03:18,640 Speaker 1: to introduced his girlfriend to his kid and to surprise Laurel. 57 00:03:18,720 --> 00:03:23,880 Speaker 2: I like that, well, I mean the invitation was initiated 58 00:03:23,919 --> 00:03:28,480 Speaker 2: by Laurel. I so I don't think Christopher necessarily planned 59 00:03:28,720 --> 00:03:31,880 Speaker 2: for that to be how they met. But it does 60 00:03:31,960 --> 00:03:34,880 Speaker 2: make me wonder, like, at what point was Christopher planning 61 00:03:34,960 --> 00:03:41,000 Speaker 2: to introduce Cherry to Rory, Because it would have to 62 00:03:41,040 --> 00:03:43,160 Speaker 2: they've been living together for a while now, they say 63 00:03:43,200 --> 00:03:45,320 Speaker 2: they've been together for eight months, Like it had to 64 00:03:45,320 --> 00:03:47,520 Speaker 2: have happened at some point, So I wonder how Chris 65 00:03:47,600 --> 00:03:50,920 Speaker 2: was planning on doing that. But really it only happened 66 00:03:50,960 --> 00:03:54,280 Speaker 2: this way because Laura I had initiated that invitation. So 67 00:03:55,680 --> 00:03:59,200 Speaker 2: whether or not it's appropriate, you know, I don't know. 68 00:03:59,280 --> 00:04:01,240 Speaker 2: I think it just kind of happened the way it happened. 69 00:04:01,360 --> 00:04:04,120 Speaker 1: I think you kind of expect something like that from Christopher. 70 00:04:05,040 --> 00:04:08,400 Speaker 2: Yeah, I mean he typically is. He's kind of oblivious. 71 00:04:08,480 --> 00:04:10,600 Speaker 1: He's not not thinking right, he's not. 72 00:04:10,560 --> 00:04:13,600 Speaker 2: Always connecting the dots like he probably didn't. 73 00:04:13,720 --> 00:04:16,479 Speaker 1: Is he's smart enough to be, like, you know, chess 74 00:04:16,520 --> 00:04:20,240 Speaker 1: maneuvers manipulation, not really right, I don't think he's not 75 00:04:20,360 --> 00:04:20,960 Speaker 1: capable of that. 76 00:04:21,240 --> 00:04:24,400 Speaker 2: Yeah, I don't think he's capable of that. 77 00:04:25,160 --> 00:04:27,839 Speaker 1: What do you think Sherry's motivations really were in pushing 78 00:04:27,880 --> 00:04:30,080 Speaker 1: to get so close to Rory so quickly, because she 79 00:04:30,200 --> 00:04:34,200 Speaker 1: really just was like all over everybody with her charm. Offensive. 80 00:04:34,600 --> 00:04:36,719 Speaker 2: Yeah, she really was, And I have to wonder like 81 00:04:36,800 --> 00:04:41,000 Speaker 2: maybe what we didn't see was maybe she had been 82 00:04:41,160 --> 00:04:43,520 Speaker 2: asking Chris, when can I meet Rory? When can I 83 00:04:43,520 --> 00:04:47,760 Speaker 2: meet Rory, and maybe Christopher is the one who wasn't 84 00:04:48,000 --> 00:04:51,800 Speaker 2: letting that happen, and maybe she thought this was going 85 00:04:51,880 --> 00:04:53,840 Speaker 2: to be her only chance to meet Rory, so it 86 00:04:53,920 --> 00:04:56,880 Speaker 2: was like, you know, take advantage of it because who 87 00:04:56,920 --> 00:04:58,080 Speaker 2: knows what it's going to happen again. 88 00:04:58,160 --> 00:05:00,000 Speaker 1: So that's a very good that's actually a very good point. 89 00:05:00,920 --> 00:05:03,880 Speaker 2: So yeah, I think she was really pushy, But at 90 00:05:03,880 --> 00:05:08,240 Speaker 2: the same time, I kind of also didn't blame her, 91 00:05:08,279 --> 00:05:10,800 Speaker 2: like because we don't know, this is the first time 92 00:05:10,800 --> 00:05:12,920 Speaker 2: we've seen Sherry. We don't really know that much about her. 93 00:05:12,960 --> 00:05:19,359 Speaker 2: She seems like a likable enough person, so you know, 94 00:05:19,440 --> 00:05:21,880 Speaker 2: maybe she just she just thought this was going to 95 00:05:21,960 --> 00:05:23,320 Speaker 2: be her only chance to do it. 96 00:05:23,400 --> 00:05:25,720 Speaker 1: And it's one of the few times that we've ever 97 00:05:25,720 --> 00:05:28,680 Speaker 1: seen Laurel I dumbstruck. I mean, she was just profoundly 98 00:05:29,320 --> 00:05:31,880 Speaker 1: back on her heels the entire time she was dealing 99 00:05:31,920 --> 00:05:34,120 Speaker 1: with Sherry, and we never see that she was she 100 00:05:34,320 --> 00:05:35,040 Speaker 1: was she was. 101 00:05:35,080 --> 00:05:37,440 Speaker 2: She was thrown off by that. And then Emily also 102 00:05:37,520 --> 00:05:40,800 Speaker 2: got inside her head at the Friday night dinner and 103 00:05:40,839 --> 00:05:44,800 Speaker 2: so Laurel I really like didn't know what to make 104 00:05:44,880 --> 00:05:48,039 Speaker 2: of Sherry, but also what to think about her relationship 105 00:05:48,040 --> 00:05:52,240 Speaker 2: like Laureli's relationship with Chris Right, it's a different side 106 00:05:52,240 --> 00:05:54,159 Speaker 2: of Laurelai that we don't see very often. 107 00:05:54,320 --> 00:05:57,360 Speaker 1: All Right, So Lane's grounding. Lane is grounded over her 108 00:05:57,480 --> 00:06:01,920 Speaker 1: argument with her mother about Henry. Rory finds a way 109 00:06:01,960 --> 00:06:06,680 Speaker 1: to get Lane a newly released CD with Michelle and 110 00:06:06,800 --> 00:06:10,080 Speaker 1: Kirk's help. And this is a question for me. This 111 00:06:10,160 --> 00:06:13,800 Speaker 1: is from the fans. They want to know this as 112 00:06:13,839 --> 00:06:18,320 Speaker 1: a musician, as the musician that I am, how can 113 00:06:18,320 --> 00:06:22,160 Speaker 1: you relate to Lane's passion for music? Well, Susan, you 114 00:06:22,160 --> 00:06:28,440 Speaker 1: want to answer that, because I know answer that. 115 00:06:30,480 --> 00:06:34,000 Speaker 2: I You know, I can't speak for you, obviously. 116 00:06:33,720 --> 00:06:34,800 Speaker 1: But I'm telling you too. 117 00:06:37,160 --> 00:06:40,880 Speaker 2: So how how does Scott Patterson relate to Lane's passion 118 00:06:40,880 --> 00:06:44,479 Speaker 2: for music? I mean, I think I think both Scott 119 00:06:44,520 --> 00:06:49,440 Speaker 2: Patterson and Lane cam music is just like the foundation 120 00:06:50,279 --> 00:06:53,279 Speaker 2: of your soul. It just is kind of the underpinning 121 00:06:53,600 --> 00:06:59,760 Speaker 2: of everything else that happens. That's my opinion, really, really, 122 00:07:00,040 --> 00:07:00,440 Speaker 2: I promise. 123 00:07:00,520 --> 00:07:02,680 Speaker 1: So I'm gonna let's go with that. I like that. 124 00:07:03,000 --> 00:07:08,480 Speaker 1: I like that. I will not refute that. I could, 125 00:07:08,480 --> 00:07:12,240 Speaker 1: but I won't because I'm dying because I've got to 126 00:07:12,320 --> 00:07:15,720 Speaker 1: satisfy another hunger, which is actual food. So let's get 127 00:07:15,760 --> 00:07:19,360 Speaker 1: to the Friday night dinner. Huh. How's that for a segue. 128 00:07:19,920 --> 00:07:22,920 Speaker 1: Richard and Emily are thrilled to have Chris join them 129 00:07:22,920 --> 00:07:26,160 Speaker 1: for Friday night dinner, of course, and I'm counting them 130 00:07:26,200 --> 00:07:29,440 Speaker 1: as the two of the fans of Christopher. There's actually 131 00:07:30,840 --> 00:07:36,000 Speaker 1: registered in our Gilmour logs Bryan dinner. When Emily finds 132 00:07:36,000 --> 00:07:38,960 Speaker 1: out where Rory is, she drills Chris with questions about Sherry. 133 00:07:38,960 --> 00:07:41,120 Speaker 1: Emily and Laura I get into a heated argument in 134 00:07:41,160 --> 00:07:44,480 Speaker 1: the kitchen. Emily asked Laura if she really doesn't have 135 00:07:44,560 --> 00:07:47,440 Speaker 1: feelings for Chris and if this is all fine with her, 136 00:07:47,600 --> 00:07:50,920 Speaker 1: Lauri said. Laura says, that's not important. All that is 137 00:07:50,960 --> 00:07:55,160 Speaker 1: important is that Christopher is doing well, Susanne. Emily says 138 00:07:55,200 --> 00:07:58,200 Speaker 1: she's heartbroken that Chris and Laura I are not together. 139 00:07:58,480 --> 00:08:02,000 Speaker 1: Is this heartbreak for lorell I or her vision of 140 00:08:02,040 --> 00:08:04,160 Speaker 1: a perfect Gilmore family. 141 00:08:06,160 --> 00:08:10,480 Speaker 2: Emily is really good at playing the victim. Emily's heartbreak 142 00:08:10,680 --> 00:08:14,800 Speaker 2: is one hundred percent about Emily and what she wants, 143 00:08:15,120 --> 00:08:18,920 Speaker 2: And it's irrelevant that Laurel I didn't want to be 144 00:08:19,840 --> 00:08:26,080 Speaker 2: with Christopher. It's just that Emily has this vision of 145 00:08:26,320 --> 00:08:31,920 Speaker 2: them being this happy little family, and after sixteen years 146 00:08:32,600 --> 00:08:37,439 Speaker 2: of this, Emily still can't accept that Chris and Laurel 147 00:08:37,520 --> 00:08:42,880 Speaker 2: I aren't together. And I think Emily's also jealous because 148 00:08:42,920 --> 00:08:48,480 Speaker 2: she's going on about how we'll never see she jumps 149 00:08:48,520 --> 00:08:50,959 Speaker 2: immediately to the conclusion that we're never going to see 150 00:08:51,040 --> 00:08:53,200 Speaker 2: Rory again and don't let that woman have her on 151 00:08:53,240 --> 00:08:56,760 Speaker 2: the weekends, et cetera. So I think Emily's heartbreak is 152 00:08:56,800 --> 00:08:59,600 Speaker 2: really about Emily and nobody else. 153 00:09:00,160 --> 00:09:03,520 Speaker 1: Right, do you think Laurlai and Christopher are meant to be? 154 00:09:04,160 --> 00:09:06,840 Speaker 2: To me? And I know there's other people that have 155 00:09:06,880 --> 00:09:10,920 Speaker 2: different opinions, but Suzanne French's opinion Lorelai and Chris always 156 00:09:11,000 --> 00:09:15,800 Speaker 2: feels forced to me. Like the two characters, I don't 157 00:09:15,800 --> 00:09:17,440 Speaker 2: think they were meant to be. I think Chris was 158 00:09:17,520 --> 00:09:19,640 Speaker 2: just the boyfriend that happened to get her pregnant. We 159 00:09:19,720 --> 00:09:23,240 Speaker 2: know that Lorlai has dated a lot of guys, and 160 00:09:23,320 --> 00:09:26,000 Speaker 2: I think it was the last episode where maybe the 161 00:09:26,080 --> 00:09:28,200 Speaker 2: last one where Laura I was talking about having a 162 00:09:28,240 --> 00:09:31,040 Speaker 2: guy hidden in the closet that Emily didn't. I mean, 163 00:09:31,440 --> 00:09:33,920 Speaker 2: she dated a lot. We know that, and I think 164 00:09:34,000 --> 00:09:37,960 Speaker 2: that Chris was just the one that happened to get 165 00:09:38,000 --> 00:09:40,480 Speaker 2: her pregnant. I don't think that they were ever endgame. 166 00:09:40,559 --> 00:09:43,160 Speaker 2: I don't think they were meant to be together in 167 00:09:43,200 --> 00:09:46,560 Speaker 2: some long term way. And we see that because when 168 00:09:46,559 --> 00:09:49,079 Speaker 2: they tried to get together several times and it never 169 00:09:49,160 --> 00:09:52,400 Speaker 2: worked out, it always came apart for various reasons. 170 00:09:52,800 --> 00:09:55,440 Speaker 1: Yeah, I mean, look at the way they handled their 171 00:09:55,520 --> 00:10:01,280 Speaker 1: post pregnancy lives, right, Rory's point, Look at what she 172 00:10:01,400 --> 00:10:05,920 Speaker 1: did versus what he's done, right, I mean, he's miles behind. 173 00:10:06,040 --> 00:10:09,000 Speaker 2: He's yeah, he never grew up Lauraake kind of had 174 00:10:09,040 --> 00:10:11,560 Speaker 2: to grow up. But Christopher is still always just very 175 00:10:11,640 --> 00:10:15,760 Speaker 2: much in that high school mentality that you know, nothing, 176 00:10:16,000 --> 00:10:18,040 Speaker 2: nothing affect him. He could just do whatever he wants. 177 00:10:18,080 --> 00:10:22,120 Speaker 2: He doesn't have any responsibilities. So yeah, so I don't 178 00:10:22,120 --> 00:10:23,600 Speaker 2: I don't think they were endgame. 179 00:10:25,360 --> 00:10:28,400 Speaker 1: Well, if Laura I has feelings for Chris, why won't 180 00:10:28,440 --> 00:10:30,840 Speaker 1: she tell him? And do you think she has feelings 181 00:10:30,840 --> 00:10:31,280 Speaker 1: for him? 182 00:10:31,720 --> 00:10:33,560 Speaker 2: I think there's a couple of things going on here. 183 00:10:33,600 --> 00:10:36,319 Speaker 2: I think one is that if she does have feelings 184 00:10:36,360 --> 00:10:38,720 Speaker 2: for Chris, she doesn't ever want to admit that Emily 185 00:10:38,840 --> 00:10:42,640 Speaker 2: might be right, So that fact alone might prevent her 186 00:10:42,720 --> 00:10:47,120 Speaker 2: from saying anything. But I also think maybe she's not 187 00:10:47,200 --> 00:10:49,719 Speaker 2: sure if she has feelings for him, because there was 188 00:10:49,760 --> 00:10:53,400 Speaker 2: a previous episode where she told Emily that she might 189 00:10:53,520 --> 00:10:57,760 Speaker 2: have feelings for Luke. So I don't think it's automatically 190 00:10:58,520 --> 00:11:01,880 Speaker 2: a foregone conclusion that Laura I always has feelings for Christopher. 191 00:11:01,920 --> 00:11:03,840 Speaker 2: I think she may not be sure how she. 192 00:11:03,760 --> 00:11:15,240 Speaker 1: Feels right, right, right, all right, And now we're getting 193 00:11:15,320 --> 00:11:17,280 Speaker 1: up to the closing. Seeing Laura I ask Rory if 194 00:11:17,320 --> 00:11:21,720 Speaker 1: she's ever pictured Chris and her together. She says, Rory, quote, 195 00:11:22,440 --> 00:11:27,400 Speaker 1: should it have been me? End quote? Laura I tells 196 00:11:27,440 --> 00:11:30,320 Speaker 1: Chris that she's been sabotaging all of her relationship because 197 00:11:30,920 --> 00:11:33,040 Speaker 1: she's always had him in the back of her mind. Boy, 198 00:11:33,080 --> 00:11:35,360 Speaker 1: that was a tough sell, don't you think that was? 199 00:11:35,559 --> 00:11:38,839 Speaker 1: That was awkward? So that was like, wow. 200 00:11:39,080 --> 00:11:43,000 Speaker 2: Yeah, I probably would not have shared that particular revelation with. 201 00:11:45,640 --> 00:11:48,360 Speaker 1: Seeing him settle down with Sherry allows her to move 202 00:11:48,360 --> 00:11:52,280 Speaker 1: on to before storming out. Chris yells at Laura I, 203 00:11:52,400 --> 00:11:57,120 Speaker 1: saying that she's blaming fifteen years of unhappiness and her 204 00:11:57,240 --> 00:12:01,440 Speaker 1: breakup with Max on him. All right, so what does 205 00:12:01,520 --> 00:12:04,280 Speaker 1: laurel ize should it have been me? Calment say about 206 00:12:04,280 --> 00:12:06,760 Speaker 1: her regrets and her lack of closure with Chris. 207 00:12:07,280 --> 00:12:09,960 Speaker 2: Well, to me, first of all, I hate that she 208 00:12:10,080 --> 00:12:13,400 Speaker 2: even said that, Tory, because to me, that is crossing. 209 00:12:13,520 --> 00:12:16,559 Speaker 2: That's not something that you discussed with your child. And 210 00:12:16,600 --> 00:12:19,200 Speaker 2: I know that, like the line between parent and child 211 00:12:19,240 --> 00:12:22,840 Speaker 2: with the two of them is blurry. But I just 212 00:12:23,040 --> 00:12:25,240 Speaker 2: I hate that she even asked Rory that, because it's 213 00:12:25,280 --> 00:12:28,080 Speaker 2: not really the kind of thing that it felt to 214 00:12:28,120 --> 00:12:30,000 Speaker 2: me like she it was odd when she was putting 215 00:12:30,040 --> 00:12:33,840 Speaker 2: Rory on the spot. But in terms to answer your question, 216 00:12:34,120 --> 00:12:37,880 Speaker 2: like what does it say about her? I think Emily 217 00:12:38,040 --> 00:12:41,319 Speaker 2: got inside her head and got her confused. And now 218 00:12:41,480 --> 00:12:45,680 Speaker 2: she's looking at Christopher finally getting his act together and 219 00:12:45,920 --> 00:12:49,600 Speaker 2: maturing and moving on, and now she's seeing what she 220 00:12:49,679 --> 00:12:53,120 Speaker 2: could have had had she made a different decision, you know, 221 00:12:53,320 --> 00:12:56,040 Speaker 2: back when they were when this whole thing first started, 222 00:12:56,040 --> 00:12:57,960 Speaker 2: when she was when she was a teenager. 223 00:12:58,240 --> 00:13:01,400 Speaker 1: Well, that begs this question, should they have tried harder 224 00:13:01,440 --> 00:13:04,200 Speaker 1: to make it work as teens, even just so they 225 00:13:04,240 --> 00:13:06,280 Speaker 1: could have known they tried and it didn't work. 226 00:13:06,840 --> 00:13:09,760 Speaker 2: I mean, yes and no, you could say that, But 227 00:13:09,880 --> 00:13:13,200 Speaker 2: at the same time, that isn't how teenage brains work, right, 228 00:13:13,559 --> 00:13:17,120 Speaker 2: So at the time when they were, you know, fifteen, 229 00:13:17,160 --> 00:13:20,880 Speaker 2: sixteen years old. They're not able to see past the 230 00:13:20,920 --> 00:13:23,920 Speaker 2: immediate crisis. They're not looking out into their thirties and 231 00:13:23,960 --> 00:13:26,880 Speaker 2: forties and thinking, you know, let's try to make this work. 232 00:13:26,960 --> 00:13:30,319 Speaker 2: I just I don't think that would have happened as teenagers. 233 00:13:31,559 --> 00:13:33,439 Speaker 1: You think Chris had the right to lash out a 234 00:13:33,520 --> 00:13:35,400 Speaker 1: Lauraai the way he did and Luke Steiner in front 235 00:13:35,400 --> 00:13:37,319 Speaker 1: of Luke, Well. 236 00:13:37,400 --> 00:13:39,360 Speaker 2: Like I said, I if I were Laura l I 237 00:13:39,360 --> 00:13:41,480 Speaker 2: would not have even said that to Chris in the 238 00:13:41,520 --> 00:13:44,280 Speaker 2: first place. I get where she was coming from. But 239 00:13:44,360 --> 00:13:49,280 Speaker 2: he misinterpreted what she said and then immediately jumped on 240 00:13:49,320 --> 00:13:53,720 Speaker 2: the defensive. So whether he had the right to lash out, 241 00:13:53,800 --> 00:13:56,240 Speaker 2: I mean, I think he was just reacting to what 242 00:13:56,360 --> 00:13:58,680 Speaker 2: he thought she was saying. I think he thought she 243 00:13:58,880 --> 00:14:02,240 Speaker 2: was blaming him, which she wasn't. Really, she was saying, hey, 244 00:14:02,760 --> 00:14:05,640 Speaker 2: you know, I realized that I've been sabotaging myself. It 245 00:14:05,679 --> 00:14:08,000 Speaker 2: was really more about what she was doing to herself, 246 00:14:08,080 --> 00:14:10,560 Speaker 2: not what he was doing to her. But he misinterpreted that. 247 00:14:10,760 --> 00:14:14,200 Speaker 2: So I can see how he was reacting to what 248 00:14:14,240 --> 00:14:17,520 Speaker 2: he thought she was saying, But it was an overreaction 249 00:14:17,640 --> 00:14:18,920 Speaker 2: to what she was actually. 250 00:14:18,760 --> 00:14:22,880 Speaker 1: But it's also you know, an interesting three dimensional device 251 00:14:23,800 --> 00:14:28,560 Speaker 1: in Dan's writing where you know, you're wondering, Luke's in 252 00:14:28,600 --> 00:14:31,520 Speaker 1: the background, what's he going to do? So it adds 253 00:14:31,560 --> 00:14:34,440 Speaker 1: tension to that and it makes him look better because 254 00:14:34,480 --> 00:14:37,560 Speaker 1: this guy's being such a you know what, even if 255 00:14:37,640 --> 00:14:39,920 Speaker 1: Laura I shouldn't have asked the question in the first place, 256 00:14:39,960 --> 00:14:42,760 Speaker 1: he's still being inappropriate. Everybody's being inappropriate. But I mean 257 00:14:42,760 --> 00:14:44,160 Speaker 1: there's levels to it, right. 258 00:14:44,240 --> 00:14:46,880 Speaker 2: Yeah, And I mean there's just basic decorum, like you 259 00:14:46,920 --> 00:14:49,640 Speaker 2: don't scream at someone in a restaurant. Like there's always 260 00:14:49,640 --> 00:14:50,800 Speaker 2: that aspect of it too. 261 00:14:51,200 --> 00:14:54,120 Speaker 1: But it just it just shows how immature he is. 262 00:14:55,040 --> 00:14:57,840 Speaker 1: That's how I took it. And then Luke showing his 263 00:14:58,240 --> 00:15:00,720 Speaker 1: you know, he's resisting the urge to come over and 264 00:15:00,800 --> 00:15:02,360 Speaker 1: just like pick him up and throw them out. 265 00:15:02,440 --> 00:15:05,000 Speaker 2: Oh yeah, he was like ready to jump to Laurelized 266 00:15:05,040 --> 00:15:06,280 Speaker 2: defense if it was needed. 267 00:15:06,480 --> 00:15:09,040 Speaker 1: For sure, you think the show should have given Chris 268 00:15:09,080 --> 00:15:10,320 Speaker 1: and Laurel I are real chance. 269 00:15:12,000 --> 00:15:15,000 Speaker 2: I think they did give them a chance. I do too, 270 00:15:15,280 --> 00:15:19,120 Speaker 2: together twice. The first time was right before Suki's wedding, 271 00:15:19,160 --> 00:15:20,480 Speaker 2: and they decided they're going to try to make a 272 00:15:20,480 --> 00:15:22,880 Speaker 2: go of it, and then they found out Sherry was pregnant, 273 00:15:22,920 --> 00:15:25,240 Speaker 2: and so Chris was like, oh, I have to turn 274 00:15:25,320 --> 00:15:28,800 Speaker 2: this direction now because he can't comprehend he can have 275 00:15:28,840 --> 00:15:32,160 Speaker 2: a relationship with Lorelai and still parent this new child. 276 00:15:33,400 --> 00:15:36,320 Speaker 2: And then of course the season seven when the whole 277 00:15:36,560 --> 00:15:39,120 Speaker 2: marriage fiasco. So I think they did try to give 278 00:15:39,160 --> 00:15:42,920 Speaker 2: them a chance, but the they didn't really have that 279 00:15:43,080 --> 00:15:46,720 Speaker 2: much in common. To me, they had like the their 280 00:15:46,880 --> 00:15:51,280 Speaker 2: high school romance, but that didn't translate into thirty something 281 00:15:51,360 --> 00:15:56,160 Speaker 2: adults still having a connection like they had that the 282 00:15:56,600 --> 00:15:59,560 Speaker 2: Rory connection, but they didn't have really the connection independent 283 00:15:59,600 --> 00:15:59,800 Speaker 2: of that. 284 00:16:00,360 --> 00:16:04,280 Speaker 1: Right, you know, not to get too personal, but tell 285 00:16:04,280 --> 00:16:08,080 Speaker 1: me about moments in your life where you can relate 286 00:16:08,080 --> 00:16:12,160 Speaker 1: to everything that's happening here. Can exes be friends. 287 00:16:11,840 --> 00:16:14,200 Speaker 2: You know, not to put you on the spot, maybe 288 00:16:14,240 --> 00:16:17,800 Speaker 2: some can. I don't know. I am not personally. I 289 00:16:17,840 --> 00:16:21,480 Speaker 2: am not in contact with any of my exes. I 290 00:16:21,560 --> 00:16:24,800 Speaker 2: did recently one of my ex boyfriends, Well. 291 00:16:24,680 --> 00:16:28,960 Speaker 1: What about now that you've become like globally famous and 292 00:16:29,040 --> 00:16:30,160 Speaker 1: completely unattainable. 293 00:16:30,760 --> 00:16:33,440 Speaker 2: Yeah, now, you know, people from my past are calling 294 00:16:33,480 --> 00:16:37,520 Speaker 2: me all the time wanting loans and things like that. 295 00:16:38,480 --> 00:16:41,920 Speaker 2: So I just ignore them. But no, I did have 296 00:16:42,000 --> 00:16:45,560 Speaker 2: There was a college boyfriend that my husband also knew, 297 00:16:45,600 --> 00:16:49,360 Speaker 2: and he recently reached out to my husband on LinkedIn, 298 00:16:50,040 --> 00:16:51,800 Speaker 2: and so the two of them like had a nice 299 00:16:51,800 --> 00:16:55,160 Speaker 2: little conversation and I don't know, I don't even I 300 00:16:55,200 --> 00:16:57,880 Speaker 2: didn't talk to the accent. Actually, I don't even know 301 00:16:57,920 --> 00:17:01,400 Speaker 2: if he realizes that John is married to me. I 302 00:17:01,400 --> 00:17:03,440 Speaker 2: think like the two of them were just talking and 303 00:17:03,480 --> 00:17:07,560 Speaker 2: not not even realize that we're together. But yeah, so 304 00:17:07,800 --> 00:17:10,520 Speaker 2: probably some people can be friends with their exes. I 305 00:17:10,760 --> 00:17:14,840 Speaker 2: personally am not not that all. We just haven't kept 306 00:17:14,840 --> 00:17:15,160 Speaker 2: in touch. 307 00:17:15,240 --> 00:17:18,399 Speaker 1: Depends on how it ended, right right, right. 308 00:17:18,480 --> 00:17:21,280 Speaker 2: Yeah, there were definitely some that were worse than others. 309 00:17:21,560 --> 00:17:24,800 Speaker 1: Yes, and we've touched on this, But what do we 310 00:17:24,840 --> 00:17:26,320 Speaker 1: think Luke is thinking during this fight. 311 00:17:27,640 --> 00:17:31,359 Speaker 2: I think he's just watching to see how it's gonna 312 00:17:31,400 --> 00:17:33,960 Speaker 2: play out, and I think he was ready to if 313 00:17:34,000 --> 00:17:37,640 Speaker 2: it escalated, he was ready to jump in and you know, 314 00:17:38,440 --> 00:17:42,959 Speaker 2: not rescue, but jump into Laurelized defense if needed. But then, 315 00:17:43,240 --> 00:17:47,199 Speaker 2: you know, because you saw how he like they he 316 00:17:47,240 --> 00:17:49,400 Speaker 2: and Laurela I made eye contact and then he really 317 00:17:49,480 --> 00:17:52,320 Speaker 2: quick looked down at whatever he was doing, Like so 318 00:17:52,359 --> 00:17:54,760 Speaker 2: he was watching it, but he didn't necessarily want her 319 00:17:54,800 --> 00:17:56,439 Speaker 2: to see he was watching it. But I think he 320 00:17:56,600 --> 00:18:00,720 Speaker 2: was ready to intervene. But Christopher's so. 321 00:18:00,680 --> 00:18:04,240 Speaker 1: It was and the fact that he did nothing right, well, 322 00:18:04,240 --> 00:18:07,800 Speaker 1: he did something. He stopped himself, So that's something. Yeah, 323 00:18:08,040 --> 00:18:15,200 Speaker 1: makes the punch all that much more satisfying, right, Susan French. Uh, 324 00:18:15,359 --> 00:18:17,040 Speaker 1: we're going to have to cut this off. We know 325 00:18:17,160 --> 00:18:21,199 Speaker 1: the hell of port is just panicked right now. They're calling, Uh, 326 00:18:21,359 --> 00:18:24,640 Speaker 1: get back on that shopper. Have a great trip to Hawaii. 327 00:18:24,640 --> 00:18:27,760 Speaker 1: Say hello to everybody. I understand you're going to the 328 00:18:27,800 --> 00:18:30,359 Speaker 1: North Shore and you're you're gonna do some kind of 329 00:18:30,359 --> 00:18:33,080 Speaker 1: ceremony over there. You're like paddling out on a surfboard 330 00:18:33,119 --> 00:18:36,200 Speaker 1: with all that. That's what I do a Lacama or somebody, 331 00:18:36,280 --> 00:18:39,320 Speaker 1: or Jason Momoa or somebody. And what are you doing. 332 00:18:39,359 --> 00:18:42,240 Speaker 1: You're you're blessing the sea. You're blessing the north Shore. 333 00:18:43,119 --> 00:18:45,280 Speaker 2: You know, I'm not even sure something. 334 00:18:45,040 --> 00:18:49,080 Speaker 1: Like underneath the waves, right, okay, all right, well be safe, right. 335 00:18:49,119 --> 00:18:51,399 Speaker 1: I mean it's summertimes that the waves aren't huge, huge 336 00:18:51,440 --> 00:18:54,640 Speaker 1: over there, but you know there's still you know, ten 337 00:18:54,720 --> 00:18:57,520 Speaker 1: feet I think, right, that's that's big. Those when you 338 00:18:57,520 --> 00:18:59,680 Speaker 1: when you're in the water and a ten footer comes 339 00:18:59,680 --> 00:19:01,120 Speaker 1: you wish you weren't in the water. 340 00:19:02,160 --> 00:19:04,480 Speaker 2: Yeah, that's what I'm in a life jacket. 341 00:19:04,760 --> 00:19:06,879 Speaker 1: Yeah no, that's a good idea, does it? But make 342 00:19:06,920 --> 00:19:11,199 Speaker 1: sure it has our logo. Okay, did they get you 343 00:19:11,240 --> 00:19:13,040 Speaker 1: on because we have those life jackets? 344 00:19:13,040 --> 00:19:14,840 Speaker 2: First, your face is right across the back. 345 00:19:15,160 --> 00:19:22,800 Speaker 1: Yeah, well those are those are the new ones. Yeah yeah, 346 00:19:23,280 --> 00:19:26,080 Speaker 1: soon your face will be on them because you're blowing up. 347 00:19:26,640 --> 00:19:29,440 Speaker 1: We love you, Thank you for all the contributions and 348 00:19:30,080 --> 00:19:31,560 Speaker 1: good luck and Hawaii Helloa. 349 00:19:32,000 --> 00:19:32,760 Speaker 2: Thank you very much. 350 00:19:33,840 --> 00:19:36,600 Speaker 1: That's going to wrap us up here. Thanks to Susanne French. 351 00:19:36,600 --> 00:19:40,160 Speaker 1: It's always a special recap when when she can put 352 00:19:40,160 --> 00:19:45,560 Speaker 1: her Gilmore brain to bear on this on this podcast. 353 00:19:45,800 --> 00:19:49,440 Speaker 1: We so appreciate your time and remember you're the best 354 00:19:49,440 --> 00:19:51,480 Speaker 1: fans on the planet. Keep the cards and letters coming, 355 00:19:51,800 --> 00:20:23,320 Speaker 1: and where you lead, we will follow. Stay sick, hey everybody, 356 00:20:23,359 --> 00:20:26,720 Speaker 1: and to forget follow us on Instagram at I Am 357 00:20:26,760 --> 00:20:31,720 Speaker 1: all In podcast and email us at Gilmore at iHeartRadio 358 00:20:32,040 --> 00:20:43,359 Speaker 1: dot com.