1 00:00:05,240 --> 00:00:07,560 Speaker 1: Hey, this is Anny and Samantha. I'm welcome to Steff. 2 00:00:07,560 --> 00:00:09,799 Speaker 1: I never told your protection of iHeartRadio. 3 00:00:18,800 --> 00:00:23,560 Speaker 2: And welcome. We are currently entering Native American Heritage Month 4 00:00:23,600 --> 00:00:26,040 Speaker 2: here in the US, so of course we had to 5 00:00:26,079 --> 00:00:31,200 Speaker 2: start our activists around the world celebrating a Native Indigenous 6 00:00:31,680 --> 00:00:34,160 Speaker 2: activist and advocate. Yeah, just so you know, I guess 7 00:00:34,159 --> 00:00:37,839 Speaker 2: today is November fourth of twenty twenty four. During November 8 00:00:38,200 --> 00:00:41,400 Speaker 2: is when the US does the Native American Heritage Month, 9 00:00:41,640 --> 00:00:46,600 Speaker 2: not necessarily the same as the Indigenous People's Day, which 10 00:00:46,680 --> 00:00:48,840 Speaker 2: is when we do all instead of Columbus Day. We've 11 00:00:48,840 --> 00:00:53,159 Speaker 2: had many conversations about that, so because around what is 12 00:00:53,200 --> 00:00:58,760 Speaker 2: the US Thanksgiving? Realizing how kind of atrocious some of 13 00:00:58,800 --> 00:01:01,520 Speaker 2: these holidays are are the US just like you know, 14 00:01:01,600 --> 00:01:04,840 Speaker 2: we're going to stamp a time of celebration for the 15 00:01:05,360 --> 00:01:07,959 Speaker 2: you know, oppressed peoples. So if people don't get too 16 00:01:08,040 --> 00:01:11,120 Speaker 2: upset with us, So this month is celebrated as Native 17 00:01:11,360 --> 00:01:14,399 Speaker 2: American Heritage Month. And of course there's also a big 18 00:01:14,400 --> 00:01:19,880 Speaker 2: conversation about like the commonalities of titles and names. We 19 00:01:20,000 --> 00:01:24,720 Speaker 2: have gone through waves of different types of names for 20 00:01:24,840 --> 00:01:26,720 Speaker 2: the Native American communities. A lot of the Natives, I 21 00:01:26,720 --> 00:01:29,240 Speaker 2: think have said they rather be called first nations, which 22 00:01:29,319 --> 00:01:33,400 Speaker 2: makes perfect sense. I've had people say that native in general, 23 00:01:33,560 --> 00:01:35,679 Speaker 2: just point blank. And so there's a lot of deep 24 00:01:35,720 --> 00:01:39,479 Speaker 2: conversation Native Americans, even Harjoe, who were about to talk about, 25 00:01:39,560 --> 00:01:42,399 Speaker 2: you know, like who has talked about this situation about 26 00:01:42,400 --> 00:01:45,240 Speaker 2: you know, being okay with say Native American as is. 27 00:01:45,240 --> 00:01:48,240 Speaker 2: But things can change. So please note at this point 28 00:01:48,240 --> 00:01:51,640 Speaker 2: in time it is Native American Heritage Month. If that 29 00:01:51,840 --> 00:01:54,320 Speaker 2: changes in the future, we will change with the times 30 00:01:54,400 --> 00:01:57,880 Speaker 2: as the preferences have changed and will change throughout the years. 31 00:01:58,680 --> 00:01:59,800 Speaker 1: Just put that caveat there. 32 00:02:00,960 --> 00:02:03,240 Speaker 2: I love it with that. But today we are celebrating, 33 00:02:03,280 --> 00:02:07,240 Speaker 2: as we said, Joy Harjo a poet, musician, writer, activist, 34 00:02:07,400 --> 00:02:10,240 Speaker 2: so many things for her native community and just Native 35 00:02:10,240 --> 00:02:14,000 Speaker 2: communities in general. Harjo made history by being named the 36 00:02:14,040 --> 00:02:18,160 Speaker 2: first Native person to be a US Poet Laureate, and 37 00:02:18,240 --> 00:02:21,560 Speaker 2: she was appointed that in twenty nineteen and served every 38 00:02:21,639 --> 00:02:24,160 Speaker 2: year until twenty twenty one. And she has been recognized 39 00:02:24,160 --> 00:02:26,520 Speaker 2: for all her works before this, and of course continues 40 00:02:26,560 --> 00:02:28,840 Speaker 2: to get much praise since then. So we're not just 41 00:02:28,880 --> 00:02:31,240 Speaker 2: saying this is her only thing, but it was pretty 42 00:02:31,240 --> 00:02:33,400 Speaker 2: big significance. As you know, we love to talk about 43 00:02:33,400 --> 00:02:38,200 Speaker 2: first in general, which is atrocious that it was. Anyway, like, 44 00:02:38,240 --> 00:02:42,120 Speaker 2: there's so many things when it comes to writing and 45 00:02:42,440 --> 00:02:47,080 Speaker 2: arts where the people of color are just left behind 46 00:02:47,560 --> 00:02:51,560 Speaker 2: because the system is racist. But anyway, still we're gonna 47 00:02:51,600 --> 00:02:54,440 Speaker 2: celebrate this. As I say this in a very negative, 48 00:02:54,760 --> 00:02:57,920 Speaker 2: pessimistic way, but we celebrate her and the fact that 49 00:02:58,000 --> 00:03:01,799 Speaker 2: she was the first to be appointed as a poet 50 00:03:01,880 --> 00:03:04,600 Speaker 2: Laureate in twenty nineteen and again, as we said, she 51 00:03:04,639 --> 00:03:08,200 Speaker 2: said for three years. Harjo was born in Tulsa, Oklahoma, 52 00:03:08,240 --> 00:03:10,320 Speaker 2: in nineteen fifty one and is a part of the 53 00:03:10,440 --> 00:03:13,799 Speaker 2: Muskogee Creek Nation, and though her childhood was a rough one, 54 00:03:13,840 --> 00:03:16,239 Speaker 2: she was able to turn to her love for the 55 00:03:16,400 --> 00:03:19,240 Speaker 2: arts and education as a way of coping in her 56 00:03:19,320 --> 00:03:22,839 Speaker 2: teenage years. Harjo talked about how she joined an all 57 00:03:22,960 --> 00:03:25,399 Speaker 2: Native rock band, she wrote songs for them, and then 58 00:03:25,880 --> 00:03:29,080 Speaker 2: also a theater group at the Institute of American Indian 59 00:03:29,200 --> 00:03:32,560 Speaker 2: Arts or IAIA in New Mexico, and. 60 00:03:32,639 --> 00:03:35,119 Speaker 1: It was here she really started to understand the importance 61 00:03:35,200 --> 00:03:38,840 Speaker 1: of her heritage and of art. She told Southwest Contemporary 62 00:03:38,880 --> 00:03:42,680 Speaker 1: magazine this about her experience, quote, I was there during 63 00:03:42,680 --> 00:03:46,520 Speaker 1: the time of the contemporary Native art revitalization that changed 64 00:03:46,600 --> 00:03:49,440 Speaker 1: everything in the art world. It was an exciting time 65 00:03:49,480 --> 00:03:53,520 Speaker 1: to be at Iaia. Even we younger high school students 66 00:03:53,600 --> 00:03:55,520 Speaker 1: knew we were in the middle of a crucial time 67 00:03:55,560 --> 00:03:59,640 Speaker 1: in Indian country politics and thought we were part of 68 00:03:59,640 --> 00:04:01,760 Speaker 1: the gen racial current in which we were thinking about 69 00:04:01,800 --> 00:04:05,800 Speaker 1: cultural sovereignty before sovereignty was a common word on our tongues. 70 00:04:06,320 --> 00:04:08,880 Speaker 2: Right and throughout her life she has only grown in 71 00:04:08,920 --> 00:04:12,320 Speaker 2: her love for her community into bringing awareness for her community. 72 00:04:12,360 --> 00:04:14,040 Speaker 2: And it was through her art that she was able 73 00:04:14,040 --> 00:04:16,479 Speaker 2: to express herself and a love for her people. Here's 74 00:04:16,520 --> 00:04:19,599 Speaker 2: a bit from womenhistory dot Org. Harjo had a hard 75 00:04:19,640 --> 00:04:23,120 Speaker 2: time speaking out loud because of her many harsh experiences. 76 00:04:23,320 --> 00:04:26,000 Speaker 2: She said, quote, I remember the teachers at school threatening 77 00:04:26,000 --> 00:04:28,600 Speaker 2: to write my parents because I was not speaking in class, 78 00:04:28,760 --> 00:04:32,279 Speaker 2: but I was terrified. Instead, Harjo started painting as a 79 00:04:32,320 --> 00:04:35,520 Speaker 2: way to express herself. And yeah, she even talked about 80 00:04:35,520 --> 00:04:38,200 Speaker 2: the influences in her life as well. They said, growing up, 81 00:04:38,240 --> 00:04:41,239 Speaker 2: Harjo was surrounded by artists and musicians, but she didn't 82 00:04:41,279 --> 00:04:44,000 Speaker 2: know any poets. Her mother wrote songs, and her grandmother 83 00:04:44,040 --> 00:04:47,480 Speaker 2: and her aunt were both artists. These influential women inspired 84 00:04:47,480 --> 00:04:51,080 Speaker 2: Harjo to explore her creative side. Harjo recalls the very 85 00:04:51,120 --> 00:04:54,560 Speaker 2: first poem she wrote, which was in eighth grade, which 86 00:04:54,600 --> 00:04:57,159 Speaker 2: I feel like you and I have had these experiences 87 00:04:57,160 --> 00:04:59,760 Speaker 2: as well. We're like poetry have feeling. It's not on 88 00:04:59,760 --> 00:05:03,039 Speaker 2: her lif level. Like pretty sure about that, but still 89 00:05:03,640 --> 00:05:09,680 Speaker 2: we understand this need. So after graduating school, Harjo would 90 00:05:09,680 --> 00:05:11,760 Speaker 2: go on to attend the University of New Mexico and 91 00:05:11,800 --> 00:05:14,479 Speaker 2: eventually publish a book of our Poems in nineteen seventy 92 00:05:14,520 --> 00:05:17,320 Speaker 2: five titled The Last Song, which includes like nine of 93 00:05:17,360 --> 00:05:20,840 Speaker 2: her poems. After graduating, Harjo went on to attend the 94 00:05:20,920 --> 00:05:24,400 Speaker 2: University of Iowa for a Master of Fine Arts, and 95 00:05:24,440 --> 00:05:27,599 Speaker 2: then she continued her education at several other institutes for 96 00:05:27,600 --> 00:05:29,479 Speaker 2: film and other arts. So she just kept going. I 97 00:05:29,480 --> 00:05:33,560 Speaker 2: feel like she just loved the exploration part, and I love. 98 00:05:33,440 --> 00:05:33,960 Speaker 1: That for her. 99 00:05:34,760 --> 00:05:37,920 Speaker 2: And though she continues her time in the different variations 100 00:05:37,960 --> 00:05:42,279 Speaker 2: of artistry, including painting and music, her love for poetry remains. 101 00:05:42,839 --> 00:05:47,080 Speaker 1: Yes. And here's what she told Southwest Contemporary dot Com 102 00:05:47,600 --> 00:05:49,719 Speaker 1: when they asked her about the role of poetry and 103 00:05:49,760 --> 00:05:52,839 Speaker 1: why she continues to write it. Quote, I believe the 104 00:05:52,920 --> 00:05:56,040 Speaker 1: role of poetry is what it has always been our 105 00:05:56,080 --> 00:05:58,440 Speaker 1: hearts get broken again and again, but can be put 106 00:05:58,480 --> 00:06:02,520 Speaker 1: back together again with poetry. It is the art closest 107 00:06:02,560 --> 00:06:07,960 Speaker 1: to music. It Trump's rhetoric can carry grief, ecstasy, celebration, despair, 108 00:06:08,120 --> 00:06:10,359 Speaker 1: or joy. It is a tool for the kind of 109 00:06:10,400 --> 00:06:13,800 Speaker 1: disruption needed to clean a wound and heal. It predicts 110 00:06:13,800 --> 00:06:16,719 Speaker 1: how we will know who we are in forthcoming generations. 111 00:06:17,160 --> 00:06:20,200 Speaker 1: Without it, we will no longer be human. I keep 112 00:06:20,240 --> 00:06:22,840 Speaker 1: writing poems because it is kind of a calling, one 113 00:06:22,880 --> 00:06:26,159 Speaker 1: I didn't actually choose. I was in an art path. 114 00:06:26,360 --> 00:06:29,720 Speaker 1: I loved painting and photography. Poetry first came to me 115 00:06:29,800 --> 00:06:32,919 Speaker 1: through music. My very early years are marked by my 116 00:06:33,000 --> 00:06:37,120 Speaker 1: mother's song making and love of poetry. I loved poetry, 117 00:06:37,160 --> 00:06:39,760 Speaker 1: but had no intention of becoming a poet. It came 118 00:06:39,880 --> 00:06:42,240 Speaker 1: upon me and essentially asked me to take care of it. 119 00:06:42,680 --> 00:06:46,080 Speaker 1: Poetry has become my most demanding teacher. On that I 120 00:06:46,160 --> 00:06:48,040 Speaker 1: honor with poetry and music. 121 00:06:48,440 --> 00:06:49,720 Speaker 2: That sounds like a poem right there. 122 00:06:49,760 --> 00:06:51,120 Speaker 1: I love just her interviews. 123 00:06:51,279 --> 00:07:04,080 Speaker 2: I don't like that as well, so with the many 124 00:07:04,120 --> 00:07:08,400 Speaker 2: books she has written. She's also written in autobiography. In it, 125 00:07:08,480 --> 00:07:11,360 Speaker 2: she speaks about her becoming an advocate for her community 126 00:07:11,400 --> 00:07:14,640 Speaker 2: and the Native people. In an NPR interview, they asked 127 00:07:14,640 --> 00:07:17,400 Speaker 2: her about this, and she said, quote the sixties, I 128 00:07:17,480 --> 00:07:19,880 Speaker 2: equated with you know, civil rights. You know, it was 129 00:07:19,920 --> 00:07:23,000 Speaker 2: a humanity alert that this country is huge, there's more 130 00:07:23,040 --> 00:07:25,920 Speaker 2: of us, and not everyone has equal rights. In the 131 00:07:25,960 --> 00:07:29,240 Speaker 2: late sixties, I was at Indian boarding school in Santa Fe, 132 00:07:29,280 --> 00:07:32,040 Speaker 2: New Mexico. Not your usual boarding school, but it was 133 00:07:32,080 --> 00:07:35,280 Speaker 2: an art school. And I remember hearing about Martin Luther 134 00:07:35,360 --> 00:07:38,000 Speaker 2: King being killed and all of that was on the news. 135 00:07:38,120 --> 00:07:40,480 Speaker 2: And we were all young Native artists there from eighth 136 00:07:40,560 --> 00:07:44,080 Speaker 2: grade to two years postgraduate. We'd stay up late nights 137 00:07:44,120 --> 00:07:46,320 Speaker 2: talking and making art together and talking about what it 138 00:07:46,400 --> 00:07:49,120 Speaker 2: meant to be a Native person and about history and 139 00:07:49,200 --> 00:07:51,520 Speaker 2: about how our art was part it was part of 140 00:07:51,600 --> 00:07:54,520 Speaker 2: history making. And she continues, and I think what I've 141 00:07:54,560 --> 00:07:58,000 Speaker 2: become to realize that what has motivated my art making 142 00:07:58,200 --> 00:08:01,160 Speaker 2: is really a strong need for justice, for people to 143 00:08:01,200 --> 00:08:03,880 Speaker 2: be treated for everyone. And when I say people, I 144 00:08:03,880 --> 00:08:06,280 Speaker 2: also mean animals and insects and the birds, and the 145 00:08:06,320 --> 00:08:08,600 Speaker 2: earth and the earth person that we are all part of. 146 00:08:09,160 --> 00:08:11,720 Speaker 2: That there's a key element, and that's respect. And you know, 147 00:08:11,760 --> 00:08:14,040 Speaker 2: when I became more actively involved as a student at 148 00:08:14,040 --> 00:08:16,960 Speaker 2: the University of New Mexico. I was painting then and 149 00:08:17,120 --> 00:08:20,240 Speaker 2: just starting to write poetry. I remember thinking, if my 150 00:08:20,320 --> 00:08:22,480 Speaker 2: work does nothing else, when I get to the end 151 00:08:22,520 --> 00:08:25,040 Speaker 2: of my life, I want Native peoples to be seen 152 00:08:25,120 --> 00:08:28,160 Speaker 2: as human beings. And this message has been something she's 153 00:08:28,200 --> 00:08:32,080 Speaker 2: been spreading in her poems, books, songs, and paintings, and 154 00:08:32,160 --> 00:08:35,320 Speaker 2: along with her being appointed as a Poet Laureate for 155 00:08:35,360 --> 00:08:39,400 Speaker 2: three years, she has earned many other accolades, including winning 156 00:08:39,480 --> 00:08:43,200 Speaker 2: Yale's twenty twenty three Bulligan Prize for American Poetry. And 157 00:08:43,240 --> 00:08:46,120 Speaker 2: of course, she has won several awards for her music 158 00:08:46,160 --> 00:08:48,720 Speaker 2: album as well, including a recent work she just did. 159 00:08:49,800 --> 00:08:52,199 Speaker 2: And with all of that, we also had to end 160 00:08:52,280 --> 00:08:54,960 Speaker 2: with one of her poems. So that's how we're gonna go. 161 00:08:55,200 --> 00:08:59,320 Speaker 2: Apologies if we butcher it as pretty usual, and this 162 00:08:59,480 --> 00:09:03,280 Speaker 2: one is called fire. A woman can't survive by her 163 00:09:03,320 --> 00:09:07,000 Speaker 2: own breath alone. She must know the voices of mountains, 164 00:09:07,160 --> 00:09:11,120 Speaker 2: She must recognize the foreverness of blue sky. She must 165 00:09:11,160 --> 00:09:14,400 Speaker 2: flow with the elusive bodies of night winds who will 166 00:09:14,400 --> 00:09:15,720 Speaker 2: take her into herself. 167 00:09:16,160 --> 00:09:18,480 Speaker 1: Look at me, I am not a separate woman. I 168 00:09:18,520 --> 00:09:21,520 Speaker 1: am a continuance of blue sky. I am the throat 169 00:09:21,559 --> 00:09:24,880 Speaker 1: of the mountain's night wind, who burns with every breath 170 00:09:25,040 --> 00:09:26,240 Speaker 1: she takes. 171 00:09:26,280 --> 00:09:29,200 Speaker 2: Gorgeous and yeah, she has like ten books I believe, 172 00:09:29,559 --> 00:09:32,480 Speaker 2: just of her poetry alone, so definitely worth reading. She 173 00:09:32,520 --> 00:09:35,439 Speaker 2: has a lot out there that's just open, so if 174 00:09:35,440 --> 00:09:37,480 Speaker 2: you just want to look her up again. Her name 175 00:09:37,559 --> 00:09:41,880 Speaker 2: is Joe Harjo. She's pretty famous, so just because we're 176 00:09:41,920 --> 00:09:45,920 Speaker 2: featuring her doesn't mean she's not known obviously. Yeah, but 177 00:09:46,080 --> 00:09:49,319 Speaker 2: we just really wanted to celebrate what she's doing, give 178 00:09:49,360 --> 00:09:51,839 Speaker 2: her the flowers that she deserves, and many more as 179 00:09:51,840 --> 00:09:54,960 Speaker 2: she is still with us, and continue to see what 180 00:09:55,000 --> 00:09:56,880 Speaker 2: she does and how she publishes more and more of 181 00:09:56,880 --> 00:09:57,400 Speaker 2: her works. 182 00:09:57,720 --> 00:10:01,720 Speaker 1: Yes, yes, so go check her out listeners if you 183 00:10:01,800 --> 00:10:03,640 Speaker 1: have not already, and if you have and you have 184 00:10:03,679 --> 00:10:06,600 Speaker 1: a favorite poem, we do love poems here, so send 185 00:10:06,679 --> 00:10:09,760 Speaker 1: that our way. You can email us at stuffaniamom stuff 186 00:10:09,760 --> 00:10:11,760 Speaker 1: atiheartmedia dot com. You can find us on Twitter at 187 00:10:11,760 --> 00:10:14,079 Speaker 1: mom Stuff podcast, or on Instagram and TikTok at stuff. 188 00:10:14,080 --> 00:10:15,920 Speaker 1: I've never told you. We have a tea public store 189 00:10:15,960 --> 00:10:17,520 Speaker 1: and a book you can get wherever you get your 190 00:10:17,559 --> 00:10:20,240 Speaker 1: books things. As always to a super producer, Christina, our 191 00:10:20,280 --> 00:10:23,400 Speaker 1: executive producer May and our contributor Joey. Thank you and 192 00:10:23,440 --> 00:10:25,439 Speaker 1: thanks to you for listening. Stuff I Never Told You 193 00:10:25,480 --> 00:10:27,199 Speaker 1: is production of I Heart Radio. For more podcasts or 194 00:10:27,240 --> 00:10:28,800 Speaker 1: my heart Radio, you can check out the heart Radio 195 00:10:28,800 --> 00:10:31,520 Speaker 1: app Apple Podcasts wherever you listen to your favorite shows,