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Speaker 1: It's time time time to wake up, to take in

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Speaker 1: financial League and Charlotte, I mean the Doctor to Practice Club, bitch,

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Speaker 1: the voice of the culture. People watch The Rectors Club

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Speaker 1: for like news to really be tuned in. It's one

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Speaker 1: of my favorite shows to dude, just because y'all always

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Speaker 1: keep you one hunting. Y'all keep it really. They might

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Speaker 1: not watch the news, but they're on Twitter, they're on Facebook,

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Speaker 1: they're you know, they're listening to the back of the Brothers.

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Speaker 1: It's your ass. It did your time to get it

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Speaker 1: off your chests, whether you're man or blessed. So people

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Speaker 1: to have the same endtry We want to hear from

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Speaker 1: you on the Breakfast Club. Hello, who's this? Hey, this

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Speaker 1: is Carolina. A four three was happening, the little country

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Speaker 1: was happening. What's something? I'm good? Okay, So I just

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Speaker 1: need to get it off my chest. Okay. I just

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Speaker 1: got a new job, so I moved to Green West,

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Speaker 1: South Carolina. There are so many snakes around here. Me like,

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Speaker 1: physical snakes are like human beings. No physical snakes. I

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Speaker 1: guess somebody has some pancers and they released them in

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Speaker 1: the wood. So they've been coming out all over the

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Speaker 1: place and there was this really long one, like the

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Speaker 1: size of like three lands on the interstate, and then

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Speaker 1: white people try to catch in the head. So now

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Speaker 1: you scared the big ass snakes? Hunh. You know what.

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Speaker 1: The only time I ever didn't take get killed from

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Speaker 1: my granddaddy went outside and chopped the head off, and

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Speaker 1: I was like, you're from South Carolina, you know we

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Speaker 1: chopped that head off and didn't hold that snake for

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Speaker 1: everybody to come look at. Charlomagne ain't talking that type

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Speaker 1: of snake. He ain't talking about that type of snake, Mama.

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Speaker 1: He talking about the one eyed snake. I'm sure I

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Speaker 1: ain't talking about no one eyed snake. Why are you

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Speaker 1: see what's wrong with you? Why are you thinking about

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Speaker 1: one eyed snakes early this morning? That's what you said.

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Speaker 1: You can't say you have never seen the state before.

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Speaker 1: I can't say nothing. You are kinky. Don't start that

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Speaker 1: this morning out man. Oh my god, I'm just sending

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Speaker 1: chopped that up to everybody being tired this morning. Thank you, mama. Hello,

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Speaker 1: who's dance? You know? Doors calling from South Dakota from Florida.

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Speaker 1: But I'm not a crazy one. Did you just said

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Speaker 1: you called from South Dakota from Florida. Did you say,

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Speaker 1: but you're not a crazy one. I'm calling from South Dakota,

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Speaker 1: but I'm from Florida. Got you? But I am crazy?

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Speaker 1: All right? Uh? I want to say good morning to

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Speaker 1: all three of y'all. Love y'all, listen to y'all every morning.

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Speaker 1: Thank you for having no tab Uh? I said, so amozos,

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Speaker 1: I want to shut up D two D tops dot com.

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Speaker 1: I thought you talked another language with me. No, no, no,

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Speaker 1: that's all my business. D two D tops dot com.

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Speaker 1: Uh follow me on Instagram. D two D tops underscore Sorry,

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Speaker 1: D two D top score Yeah, D two D underscore

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Speaker 1: tops Is that a sex type? Nervous? Yeah, that's my website.

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Speaker 1: Why did D two D? What does that mean? That's

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Speaker 1: determined to demonstrate? As in I thought of this. I

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Speaker 1: thought of this business, and now I'm pursuing it. I'm

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Speaker 1: doing it. I thought it was like a D two

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Speaker 1: D for tops dot com. Geez, can't get this morning? Hello?

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Speaker 1: Who's this? Yes? This is William Hey William, Good morning sir.

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Speaker 1: Hello Bill? Hey, what's scalling up? What's going on? DJ? Listen? Man?

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Speaker 1: Get it off? Matter? Well? The first thing I want

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Speaker 1: to get off my chest? Is that in the morning?

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Speaker 1: You know you guys say that? Or Charlemagne basically puts

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Speaker 1: on mister lamon saw and he asked, just come to

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Speaker 1: go through his spiel. And once mister Lamonsol goes to

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Speaker 1: a spiels, he'll never drop you. He's a bull. I

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Speaker 1: think that's BS because I had a case just recently

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Speaker 1: and he dropped me. Who dropped off? For everybody? For

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Speaker 1: everybody out of state. Mister Lamosaw is an attorney in

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Speaker 1: Ye City who hands are like a lot of personal

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Speaker 1: injury cases and accidents and stuff like that. Oh yeah,

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Speaker 1: you do the commercials. Yeah, I'm not even talking about this, Steph.

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Speaker 1: You used to clean the house the feminine product to

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Speaker 1: do it? Anything is the feminine product. A lot of drums,

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Speaker 1: girls use limosol the house together. I don't understand now now, okay,

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Speaker 1: what what does this have to do anything? So you

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Speaker 1: mad at him this morning? Yeah, I'm mad at him

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Speaker 1: because she shows on the radio he's a bull. He'll

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Speaker 1: never drop your case. And I'm my case got dropped

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Speaker 1: because I missed some more therapy sessions. You should never

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Speaker 1: miss therapy session. Responsible therapy sessions are amazing. No, No,

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Speaker 1: I was hurt. Let me physical therapy, physical therapy, physical therapy. Yeah,

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Speaker 1: I got hurt in an accident. Well, call mister Lamosow

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Speaker 1: and uh call his office. Let me think. Yeah, called

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Speaker 1: mister Lamosow and take this up with his office, sir,

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Speaker 1: and I respect you expressing your frustration. But he is

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Speaker 1: a great outstanding spending customer herest well, care about the people,

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Speaker 1: spends that money, all right, but you can call him,

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Speaker 1: call him now, call him. Get it off your chests.

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Speaker 1: Eight hundred and five eight five one on five one.

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Speaker 1: If you need to vent, hit us up now. It's

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Speaker 1: the breakfast club. Good morning, the breakfast club. This is

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Speaker 1: your time to get it off your chest. Whether you're

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Speaker 1: man from you on the breakfast club. But you got

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Speaker 1: something on your mind? Was this good morning? This was Nicole? Nicole?

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Speaker 1: How are you? DAGs? Good? Good? Good? What's up? Mama?

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Speaker 1: All right? Real quick? Let me tell you where I'm mad.

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Speaker 1: I'm just mad because of court. Of course, I drove

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Speaker 1: five hours to about work for two days and I

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Speaker 1: get there and I'm dealing with a substitute judge and

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Speaker 1: she's not familiar with my case, and so she had

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Speaker 1: to dismiss it for which they reopened it because she's

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Speaker 1: up in there, so I have to go back again.

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Speaker 1: And before I guess the real judge. That judge was

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Speaker 1: a social worker, and so she was a little lost.

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Speaker 1: And to me, that's not scared. Don't putting nobody up there,

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Speaker 1: that's not familiar with all of the law. You wasted

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Speaker 1: your time, right, Yeah, what did you do anyway? What

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Speaker 1: do you accuse that? What are you accused of? It

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Speaker 1: wasn't accused. I was going to court for violations for

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Speaker 1: the father not allow me to see the child. Okay,

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Speaker 1: dang you. Now this is a role reversal, yousallyed the

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Speaker 1: other way around. This is even strange. I actually had

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Speaker 1: to challenge the whole time of birth up until five.

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Speaker 1: Then finally had to started to reach out, Hey, you

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Speaker 1: have a son and we're going a DNA test. He's

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Speaker 1: a father, and immediately he went for custody and one

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Speaker 1: because he was in the military and he was more

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Speaker 1: stable than me, which to me is crazy, doing me,

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Speaker 1: a judge of to take a child from a mother. Wow,

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Speaker 1: that is ridiculous. I'm gonna say. I'm gonna say for

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Speaker 1: you what I say to everybody. A child needs both parents,

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Speaker 1: but a child definitely needs his mom, right, I'm sorry, mama. Alrighty,

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Speaker 1: don't have a good day for you, praying for you.

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Speaker 1: Helloy to have your child just taken from you. Hello,

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Speaker 1: good morning? Is this all homies from California? Yes? Hey

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Speaker 1: you guys be up early? Are you this morning too? Not? Hi? No? No,

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Speaker 1: unfortunately not unfortunately. All right, we'll get it off your chest. Well,

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Speaker 1: we want to say we're blessed again two days in

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Speaker 1: a row, and we want to give a shout out

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Speaker 1: to our five friends. Um and um what to call

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Speaker 1: aubrey NSA do these they're all our friends that we

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Speaker 1: have a little click that we friends. You have eight

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Speaker 1: friends now we are your friends now, yay, Well tell

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Speaker 1: we'll tell the gang. Okay, Well, thank you very much,

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Speaker 1: and keep your circle just a small bull Do we

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Speaker 1: have like a group text or something going? No, well,

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Speaker 1: we kind of. We went around our little circle and

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Speaker 1: told everyone that we got through the phone yesterday and

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Speaker 1: we're gonna tell everyone today. So we're cool now, Hey,

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Speaker 1: gang gang, you also recorded us to play it back

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Speaker 1: later for everybody. Oh it's on you know, it's on

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Speaker 1: the YouTube. Okay, okay for telling us. Thank you, mamma.

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Speaker 1: We know it's on YouTube too. Thank you though, Hello,

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Speaker 1: who's this? It's a channel? Fronk cool. I'm so y'all

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Speaker 1: doing chandelan man, what's up? Get you up your chests? Bro?

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Speaker 1: Good morning, good morning, good morning. Just been a little

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Speaker 1: rough two weeks. My car went down again. Uh, cars

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Speaker 1: back in the shop, and I gotta kind of hold

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Speaker 1: that back because I got a trial for custom and

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Speaker 1: my daughter next week, and I gotta pay my lawyer

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Speaker 1: three stacks, which is crazy, but UH just want to

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Speaker 1: let everybody now it could always be worse, all right,

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Speaker 1: when we wish you luck man in court, oh thank you.

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Speaker 1: And by the way, dj Envy Charlottagne bothered you and

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Speaker 1: that shoulder challenge thing, Hey he killing with the shoulders?

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Speaker 1: Who was dressed better? Killing with the shoulders? Oh definitely

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Speaker 1: dress not even a fair competition, y'all know my dressing

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Speaker 1: his trash shoulders like that? You know, Charlottagne more sassy?

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Speaker 1: I went talking T shirts. Listen. First of all, it

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Speaker 1: has nothing to do with sass. You got sas, Okay,

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Speaker 1: I do have a little sass, you go, all right,

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Speaker 1: I'm a sassy savage here you go. I'm not on

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Speaker 1: a little busy levels. But I'm here, get it off

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Speaker 1: your chests eight hundred five eight five one oh five

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Speaker 1: one here everybody's dj Envy, Angela yee, Charlomagne the guy,

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Speaker 1: we are the breakfast club. Now we're asking you know.

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Speaker 1: Kevin Gates recently got a lot of uh. I would

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Speaker 1: say a lot of criticism for him kissing his dog

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Speaker 1: and went asking do you mind with people kiss it dog?

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Speaker 1: And do you kiss your dog? Now? Charloman, you don't

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Speaker 1: have a dog? Correct? No, I don't have a dog.

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Speaker 1: I had bad experiences with dogs growing up. Um. I

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Speaker 1: had two Rotte Wilders named Bear and Tara, and Tara

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Speaker 1: was real, real mean and so um they ended up

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Speaker 1: having to put him down. And my other Rotte Wilder,

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Speaker 1: Bear got poisoned by my neighbors and he died. So

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Speaker 1: I've had a very bad experience with dogs. And had

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Speaker 1: another dog named Budweiser that I found on the screen

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Speaker 1: that was Aray and my daddy took that to the

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Speaker 1: proud too. So I've had bad experiences with dogs. I

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Speaker 1: don't like getting my heartbroaks. I don't have dogs, okay,

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Speaker 1: but have you ever kissed any of them? No? I

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Speaker 1: used to feed bear gummy bears though. Okay, anyway, well,

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Speaker 1: I have two dogs and I have it ends up

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Speaker 1: Belgian Mally Wall and I also have a German Shepherd

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Speaker 1: named Chuck Norris. And those dogs are dirty dogs like

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Speaker 1: they play outside, they play with with with their their

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Speaker 1: toys and their balls and as dirty as nasty. I

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Speaker 1: would not come up to my dog and say, give

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Speaker 1: me kiss me. I want to watch Kevin gets things

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Speaker 1: the dog's mouth was cleaning it in the humans mouth.

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Speaker 1: Dogs gonna wake up in the morning to brush their teeth.

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Speaker 1: You don't pull the into the mic. Pulled Dan into

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Speaker 1: the like Dan? Can you can you tell Dan? Dan?

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Speaker 1: Dan's proud to the looms wearing a total bunch this

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Speaker 1: morning because he could not believe that we don't kiss

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Speaker 1: our dogs in the mouth. I don't have a dog.

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Speaker 1: I don't think it's a big deal. You don't think

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Speaker 1: it's a big So you kiss your dog in the

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Speaker 1: mouth before, Yes, you do a numerous occasions. Yeah, mouth

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Speaker 1: clothes though they disclaiming no tongue, no tongue. Okay, I

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Speaker 1: feel like accidentally sneaks in. That's disgusting, but it's happened

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Speaker 1: to you. Yeah, Oh my goodness, that that you wipe

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Speaker 1: off your face when you kiss you go you go

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Speaker 1: hate boo boo boo ba boom. He's like, yeah, I

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Speaker 1: love my dog. Man. I guess it's kind of like

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Speaker 1: your child though, right, because if you're not gonna turn it,

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Speaker 1: chiss away from your child. And I don't have a kid.

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Speaker 1: The child came from your sperm. It came out to

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Speaker 1: your wife or your girls. The giant firm. What you

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Speaker 1: put your firm on your lips? You're telling us, No,

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Speaker 1: that's what it sounds. You just mean. I don't know

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Speaker 1: why you even bought that up, because it's not just firm,

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Speaker 1: it's firm and eggs. That because said both, I said

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Speaker 1: the woman in the band's fur. Yeah, but you got

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Speaker 1: to complete that recipe. Okay, you can't just get half

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Speaker 1: the recipe. You're not gonna take the firm of rubbing

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Speaker 1: it on your lips while you it technic meet all

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Speaker 1: of your kids? Did you kiss those kids? Let's go

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Speaker 1: too far? Man? Hello, who's this? Geordan? Hey, Josh? You

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Speaker 1: kisses burn? Absolutely not. The question was oh your quick, buddy,

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Speaker 1: your quick, And we asked you do you kiss your dog? Bro? No? Absolutely,

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Speaker 1: not people. People kill me with that because people love

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Speaker 1: to be like, oh yeah, scientists said that, you know,

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Speaker 1: it's the bactory and they'me out. But then be the

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Speaker 1: same people that be like, oh, scientists said that used

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Speaker 1: to take back things, but oh I'm not taking them.

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Speaker 1: But I'm like you us just taking these people worried.

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Speaker 1: Have you ever done any sort of research on the

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Speaker 1: clean mount because they sit and lick themselves all day

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Speaker 1: and eat dead animals and all this kind of stuff

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Speaker 1: on a regular basis. Like, I mean, I don't think

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Speaker 1: these guys dogs eating dead animals, now, Cabo, you know

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Speaker 1: what's going on? Man? Yo? You kiss your dog? Bro? No? Never?

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Speaker 1: Like I literally just seen the dog eat your own thrower, bro,

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Speaker 1: Like why would somebody kiss that? You're writing dogs be

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Speaker 1: sniffing up the dogs butts, man, and you know in

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Speaker 1: licking butts. So I don't know exactly, Mannine. Now listen,

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Speaker 1: stop it off. We all ask don't get mad at

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Speaker 1: the dog because they you mad at the the dog

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Speaker 1: doing what we do. All right, Hey, not me broy

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Speaker 1: with waves licking man? You never you never that you

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Speaker 1: never licked the butt? Boyna, bro, I can't do it. Well,

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Speaker 1: learn from your dog. You said what I said, I

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Speaker 1: know what comes out of my when I eat a

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Speaker 1: good burrito. So no, oh yeah, So I understand you

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Speaker 1: wouldn't want to look another man because you know what

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Speaker 1: comes out of yours. I get it. That's what you

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Speaker 1: just said. Goodness gracious, How how does everything go to

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Speaker 1: two butts in on this show? Five A five one

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Speaker 1: on five we do that. We're talking about kissing a dog.

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Speaker 1: Eight hundred five A five one on five one Do

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Speaker 1: you kiss dogs? Do you have a problem with it?

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Speaker 1: Call us now? It's the Breakfast Club in the morning,

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Speaker 1: the Breakfast Club Morning. Everybody is DJ Envy, Angela Yee,

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Speaker 1: Charlomagne the guy. We are the Breakfast Club. Now Kevin Gates.

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Speaker 1: He got a little criticism for kissing his dog. We

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Speaker 1: have the audio. I want to talk about me kissing

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Speaker 1: my dog and the mouth I did that. A dog

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Speaker 1: has a bad tear in his mouth that kills drums.

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Speaker 1: A dog mouth cleaner than a human mouth. So we're

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Speaker 1: asking eight hundred and five eight five one oh five one,

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Speaker 1: do you kiss your dog? I own two dogs. I

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Speaker 1: own a Belgian Mali wah uh named Enza and a

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Speaker 1: German shepherd named Chuck Norris. I don't kiss them in

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Speaker 1: the mouth. Um, I don't. I try not to get

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Speaker 1: my mouth too close to their face anyway. Really, yeah,

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Speaker 1: just you know there were tack dogs, don't. I don't

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Speaker 1: want you. I don't want you in my face. I

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Speaker 1: don't have any dogs that've had bad experiences with dogs

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Speaker 1: in my life. But I don't knock anybody who does

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Speaker 1: let their dog lift them in the face so they

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Speaker 1: kiss their dog because the dog is like your child.

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Speaker 1: So it's like if if your child runs up on

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Speaker 1: you and tried to kiss you the face, you're not

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Speaker 1: gonna say no. You didn't have to put the reget

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Speaker 1: in the room. That's drum drum because drum was upset.

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Speaker 1: I wasn't upset. First of all, you have a dog, right,

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Speaker 1: I haven't I had a dog yet. And you got

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Speaker 1: a beard. I don't know if that means so, so

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Speaker 1: what is that? What did you like kissing your dog

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Speaker 1: in the mouth. It's not like one of my favorite pastimes,

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Speaker 1: an I think, But he kiss me in a mout bekass?

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Speaker 1: You got your tongue no tongue, no tongue? All right?

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Speaker 1: And what kind of dog cock spending? Let's kid I mean,

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Speaker 1: I don't know, I don't know what your being on

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Speaker 1: your dog side burns? What's dan? Yeah? What man? Now

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Speaker 1: you used to kick get You used to kiss your dog? Yeah?

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Speaker 1: I used to man when you know a while though, Man,

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Speaker 1: But like I said, you know, I mean one day, man,

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Speaker 1: I swear to my dog the crap man inside and

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Speaker 1: I'm on the couch and now I look at the

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Speaker 1: dog licking button and then the kind of come over

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Speaker 1: to me like like you know, we want to looking

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Speaker 1: in the mouth and stuff. And I started thinking like,

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Speaker 1: oh man, you just don't looking butt and taking a

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Speaker 1: squad at the same time, or I can't. We can't

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Speaker 1: get down with that. That's a man. I pray. I

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Speaker 1: pray that one day. I pray one day your dog

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Speaker 1: walks in and sees you eating your woman's ass, and

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Speaker 1: then when you try to kiss your dog, he walks

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Speaker 1: away from you. What hey, I wouldn't blame the dog.

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Speaker 1: I'd be like, he ain't got come on down. No,

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Speaker 1: I just saw what you did. Get down with that,

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Speaker 1: all right? Thank you? Brother? Hello? Who's this Jason? Hey? Jason?

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Speaker 1: You you you kiss your dog? Jason? No, I do

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Speaker 1: not kiss my dog. I did a Callege research paper

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Speaker 1: visors about ten years ago. Talk to me, give us

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Speaker 1: some facts. They do eat pooh, and they do eat

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Speaker 1: very all the bacteria ciss schools. Yes, there is bacteria

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Speaker 1: the mouth that does kill other bacteria, but you do

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Speaker 1: not have those bacterials in your mouth. And there's a

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Speaker 1: lot of equal particular that isn't the dog's mouth that

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Speaker 1: I would not walk in my mouth. Oh okay, I

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Speaker 1: see that what you just said, it's very accurate. We

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Speaker 1: don't have the same bacteria that dogs have a nit mouth,

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Speaker 1: so they can eat fieces and stuff. We can't handle it, bake,

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Speaker 1: eat poop the animals because the bacteria that mouth will

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Speaker 1: kill it, but will not kill it. So you are

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Speaker 1: eating pop if you kiss your dog in the mouth.

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Speaker 1: And this is why the Breakfast Club have the best listeners,

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Speaker 1: because as much ignorance as we have call on this phone,

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Speaker 1: we have smart guys like you. Thank you, sir, thank you.

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Speaker 1: All right, Hello, who's this? Hey, I'm Samara, Good morning,

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Speaker 1: how y'all doing? Good morning? Tom? Do you kiss your

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Speaker 1: dog on the mouth? No, absolutely not. Why not? I

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Speaker 1: think I just think it's not you know, my father,

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Speaker 1: I don't own a dog with my father and his wife.

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Speaker 1: They have five dogs, and you know they keep mother

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Speaker 1: to kitch him when it's on the cooks and they're

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Speaker 1: all in dogs. You know, they stay in the house

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Speaker 1: and that's it and they go outside. But they don't

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Speaker 1: they don't do none of that in the mouth stuff.

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Speaker 1: That's just that's not what we do. You know, that's

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Speaker 1: we from texts, We from the shop. We don't do

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Speaker 1: all that. True, true, true, mamma. I mean it's not

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Speaker 1: standing here for the most part. You know. I just

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Speaker 1: saw a special on Megan Kelly on her TV shows.

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Speaker 1: A systimal boy he was kissing the neighbor's dogs and

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Speaker 1: he lost the arm because of it. I mean it's

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Speaker 1: very rare. Yes, yeah, I mean it's very rare. I

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Speaker 1: thowt they like Friday or thirst. Yeah. I think I

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Speaker 1: heard that story the bacteria and yeah, I did see that.

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Speaker 1: Really yeah rare. They said, it's very rare, but it's

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Speaker 1: it happens and a little boy he lost his lamp

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Speaker 1: yeah arms. Yeah, And it was very sad to hear

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Speaker 1: that story. So it's just a heads up to people,

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Speaker 1: you know, I mean, it can happen. Do what you do,

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Speaker 1: but you know, there's possibilities for everything. I would think

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Speaker 1: that it would be way more one armed white people

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Speaker 1: in this world. If they're back tearing from dogs at

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Speaker 1: somebody should go out there and do a study about that.

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Speaker 1: You know, it ain't gonna be me. We're not gonna

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Speaker 1: be statistics statistics of that. I tell you that. My God,

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Speaker 1: next time I see a one on one on white person,

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Speaker 1: I'm gonna be thinking, now, he kissed the dog, you

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Speaker 1: kissed you, This guy kisses do What's the mother of

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Speaker 1: the story. The moll of the story is never underestimate

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Speaker 1: the power of a sloppy kissing a wet nose on

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Speaker 1: a bad day. I don't know what that means. You

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Speaker 1: want to find out? No, I do not. I'm gonna

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Speaker 1: to human resources, all right, I want to everybody is

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Speaker 1: DJ Envy, Angela Yee, Charlomagne, the guy we are the

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Speaker 1: breakfast club. We got special guests in the building, sir,

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Speaker 1: she's back. Mister mill Hill, Hey, how y'all doing for

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Speaker 1: having me changed so drastically from when you were here

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Speaker 1: last I know right exactly. Wasn't us, No, no, it

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Speaker 1: wasn't you, guys, but a little bit different circumstances than

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Speaker 1: the last time I was here. Now with ESPN, was

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Speaker 1: it like a Jeff Session situation where they asked you

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Speaker 1: to resign, You're just gonna get right into it. No

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Speaker 1: warm just now congratulation, thank you, I said that. Congratulations

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Speaker 1: from getting rich. Yeah, oh yes, you know, it was

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Speaker 1: a thing. It was. Look, I know when you hear

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Speaker 1: am a couple party, everybody immediately caused like this is bs,

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Speaker 1: like this is not the case, But in this case,

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Speaker 1: it really was. I mean, I've been there twelve years,

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Speaker 1: so obviously I love the place. It's the longest job

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Speaker 1: I've ever had. It's the best job I've ever had,

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Speaker 1: and I think it's sort of I compared it to

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Speaker 1: a relationship, and I'm sure you guys have experienced this where, uh,

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Speaker 1: you know you're in love with somebody, but you realize

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Speaker 1: that you have no business being together. Right, So we

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Speaker 1: loved each other, you had no business being together, not

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Speaker 1: at not at this point. So we are just kind

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Speaker 1: of reached the end of the road. I know that

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Speaker 1: feeling sometimes you love your job and what it is

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Speaker 1: that you do, but you don't love other things that

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Speaker 1: come with that. Behind the scenes. Well, I think for

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Speaker 1: me it was just what I didn't love is that

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Speaker 1: I felt a little constrained and in the sense that

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Speaker 1: there was just such a bigger opportunity to do more.

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Speaker 1: And I realized that ESPN, I mean their sports network,

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Speaker 1: that's they're there to serve fans and to put on games,

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Speaker 1: and we're there to talk about, you know, results, but

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Speaker 1: especially in this climate, there was just a lot more

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Speaker 1: that I just kind of wanted to get mixed up in.

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Speaker 1: And I knew that things I wanted to get mixed

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Speaker 1: up in was not going to be good business for them.

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Speaker 1: Were you surprised with the good streets? Um? No, because

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Speaker 1: they're considering what the company is about. Yeah, they probably

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Speaker 1: should be there. I thought. I just kind of reached

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Speaker 1: a point where I wanted to be a little more active,

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Speaker 1: a little more vocal, and not have to worry about

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Speaker 1: email chain starting every time I said something right? Tone deaf?

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Speaker 1: Were the people at ESPN to where they say, don't

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Speaker 1: talk about politics when the head of state is talking

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Speaker 1: about sports. Yeah, if the head of state of talking

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Speaker 1: about sports, and why wouldn't sports journal Let's talk about politics.

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Speaker 1: But see, this is the thing, though, I know that

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Speaker 1: people have looked at the comments that have been made

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Speaker 1: by the current president Jimmy Pataro and even by the

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Speaker 1: chairman of Disney by Biker. I think people took what

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Speaker 1: they said a little bit too literally. Never did I

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Speaker 1: hear that when it made sense, when it was newsworthy

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Speaker 1: not to talk about these things, because you know, when

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Speaker 1: the president inserts themselves in the NFL anthem issue and

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Speaker 1: all these other things concerning sports, you have to talk

419
00:20:15,960 --> 00:20:19,800
Speaker 1: about it. That's your job and roll you have to

420
00:20:19,880 --> 00:20:22,560
Speaker 1: talk about it because that's newsworthy, right. The people that

421
00:20:22,680 --> 00:20:26,920
Speaker 1: complained about ESPN being too political a probably didn't appreciate

422
00:20:27,040 --> 00:20:29,800
Speaker 1: the viewpoint be expressed, so they had an issue with

423
00:20:29,960 --> 00:20:32,480
Speaker 1: the issues being discussed and the point of view being taken.

424
00:20:32,840 --> 00:20:35,480
Speaker 1: And it was just lazy and dumb in a stupid narrative,

425
00:20:35,560 --> 00:20:37,560
Speaker 1: because it's not like when you turn to like when

426
00:20:37,600 --> 00:20:39,600
Speaker 1: we were on the six o'clock Sports Center, Mike and

427
00:20:39,640 --> 00:20:41,920
Speaker 1: I were talking about illegal immigration, or we were talking

428
00:20:41,920 --> 00:20:44,680
Speaker 1: about healthcare, like none of that ever happened. Like we

429
00:20:44,760 --> 00:20:47,440
Speaker 1: were talking about sports, and anything happening to do with

430
00:20:47,560 --> 00:20:51,440
Speaker 1: politics or social justice involving sports were well within the

431
00:20:51,520 --> 00:20:54,760
Speaker 1: frame of news. You feel like you had done wrong anyway,

432
00:20:54,840 --> 00:20:57,520
Speaker 1: not at all. ESPN changed my life, yeah, you know,

433
00:20:57,800 --> 00:21:01,919
Speaker 1: and I mean obvious. See, um, it changes your fortune

434
00:21:01,920 --> 00:21:08,800
Speaker 1: a little bit. Six million dollars get off, and I

435
00:21:09,000 --> 00:21:11,720
Speaker 1: know they checked and they sat checked everything getting out

436
00:21:11,800 --> 00:21:14,080
Speaker 1: all of that. I am not here to confirm any

437
00:21:14,160 --> 00:21:16,880
Speaker 1: of those details, all right. I just want everybody out

438
00:21:16,880 --> 00:21:18,720
Speaker 1: there to know. Man, I just say again, you never

439
00:21:18,840 --> 00:21:20,919
Speaker 1: heard a figure come out of my mouth? All right,

440
00:21:22,920 --> 00:21:26,440
Speaker 1: Never say it's not true either. Again, no figures have

441
00:21:26,640 --> 00:21:29,159
Speaker 1: come out of my mouth. All right. If it wasn't too,

442
00:21:29,200 --> 00:21:32,240
Speaker 1: you'd be like you got legally she can't see in

443
00:21:32,280 --> 00:21:35,439
Speaker 1: the mouth. But but here's the thing. You didn't move

444
00:21:35,480 --> 00:21:39,840
Speaker 1: to La too. Now that ain't La and cheat. Look.

445
00:21:39,880 --> 00:21:42,119
Speaker 1: I got about twenty five hustles out here because I'm

446
00:21:42,160 --> 00:21:47,600
Speaker 1: out here. One of lebron documentary Shut Up and Dribble,

447
00:21:47,840 --> 00:21:49,920
Speaker 1: which is available on Showtime on demand. I thought I

448
00:21:50,080 --> 00:21:52,520
Speaker 1: throw that in there. And I'm also you know, Saffrida

449
00:21:52,600 --> 00:21:54,600
Speaker 1: at the Atletic. So I got jobs, you know, and

450
00:21:54,760 --> 00:21:57,920
Speaker 1: you your own production comes at my own production union.

451
00:21:58,080 --> 00:22:00,399
Speaker 1: Thank you. I mean I'm trying to A friend once

452
00:22:00,400 --> 00:22:01,960
Speaker 1: told me a long time ago that you gotta have

453
00:22:02,080 --> 00:22:04,440
Speaker 1: five hustles, So I got three. Sony two more so

454
00:22:04,480 --> 00:22:06,560
Speaker 1: if y'all got something for me, you know, let me know.

455
00:22:06,720 --> 00:22:09,280
Speaker 1: All right, Hey, we can all invest in some stuff.

456
00:22:09,480 --> 00:22:13,359
Speaker 1: I'm saying, you've got six millions. You want to talk

457
00:22:13,359 --> 00:22:15,520
Speaker 1: about some hustles. You mentioned you you do have a

458
00:22:16,119 --> 00:22:18,920
Speaker 1: scripted show I heard with Kelly Carter coming and Hi. Yeah,

459
00:22:19,040 --> 00:22:23,040
Speaker 1: so we're working on a scripted comedy um with that's

460
00:22:23,080 --> 00:22:27,800
Speaker 1: being developed by Sony also with Gabrielle Union as a producer,

461
00:22:27,920 --> 00:22:30,320
Speaker 1: not as as in front of the camera. And this

462
00:22:30,520 --> 00:22:32,400
Speaker 1: is the thing. You know, as a journalist, you're storyteller

463
00:22:32,840 --> 00:22:35,399
Speaker 1: and you guys know, you know, you collect some crazy

464
00:22:35,480 --> 00:22:38,000
Speaker 1: stories the longer you're in the media game. And uh,

465
00:22:38,359 --> 00:22:41,280
Speaker 1: you know, being a black creative now it's hot in Hollywood.

466
00:22:41,440 --> 00:22:45,240
Speaker 1: This is like a totally different um sort of experience

467
00:22:45,280 --> 00:22:46,520
Speaker 1: and I think than what it used to be. And

468
00:22:46,640 --> 00:22:49,760
Speaker 1: so looking at Netflix dropping that Billy on Content and

469
00:22:49,960 --> 00:22:52,840
Speaker 1: Hulu and Amazon and all these different places we wanted

470
00:22:52,840 --> 00:22:54,720
Speaker 1: to get into storytelling but doing it in a little

471
00:22:54,760 --> 00:22:56,399
Speaker 1: bit of a different way. All right. We got more

472
00:22:56,440 --> 00:22:58,479
Speaker 1: with Jamil here when we come back, do move. It's

473
00:22:58,480 --> 00:23:05,359
Speaker 1: the Breakfast Club. Good morning, The Breakfast Club. Cj Envy,

474
00:23:05,560 --> 00:23:08,440
Speaker 1: Angela Yee Charlomagne to God. We are to breakfast club.

475
00:23:08,480 --> 00:23:11,000
Speaker 1: We have Jamal Hill in the building. Yee. You know

476
00:23:11,080 --> 00:23:13,040
Speaker 1: what I wanted to ask you about. I thought about

477
00:23:13,080 --> 00:23:15,200
Speaker 1: you yesterday, right. I was at the Gracie Awards and

478
00:23:15,280 --> 00:23:18,720
Speaker 1: they honored Pam Oliver. She was the keynote speaker. And

479
00:23:18,960 --> 00:23:20,680
Speaker 1: I hear this all the time from women who have

480
00:23:20,800 --> 00:23:23,159
Speaker 1: to work in sports, who choose to work in sports,

481
00:23:23,400 --> 00:23:26,040
Speaker 1: how much harder it is because and especially being a

482
00:23:26,119 --> 00:23:28,600
Speaker 1: black woman working in sports, not just from people that

483
00:23:28,760 --> 00:23:32,520
Speaker 1: weigh in and comment on your abilities, but also from

484
00:23:32,760 --> 00:23:35,040
Speaker 1: co workers, like she talked about the beginning of her career,

485
00:23:35,119 --> 00:23:37,200
Speaker 1: which is, you know, earlier than the beginning of your career,

486
00:23:37,560 --> 00:23:40,000
Speaker 1: but just even like offering her services to help out

487
00:23:40,040 --> 00:23:42,320
Speaker 1: and no one wanted her help just because she was

488
00:23:42,400 --> 00:23:44,760
Speaker 1: a black woman. What has your experience been like, Well,

489
00:23:44,800 --> 00:23:48,080
Speaker 1: there is definitely a level of scrutiny and criticism that

490
00:23:48,160 --> 00:23:49,840
Speaker 1: you faced that will be a lot different than the men.

491
00:23:49,920 --> 00:23:52,720
Speaker 1: And I don't know how we got to this point

492
00:23:52,880 --> 00:23:54,760
Speaker 1: or I just always was amused by the fact that

493
00:23:54,920 --> 00:23:57,560
Speaker 1: even though for many years I worked alongside men that

494
00:23:57,720 --> 00:24:00,440
Speaker 1: never played professional sports, I had a better high school

495
00:24:00,440 --> 00:24:02,080
Speaker 1: sports career than a lot of them did it all right?

496
00:24:02,119 --> 00:24:04,600
Speaker 1: I started every year. I was like, all right, that's

497
00:24:04,600 --> 00:24:06,800
Speaker 1: what I'm talking about it, Like I had some little

498
00:24:06,840 --> 00:24:09,560
Speaker 1: small college offers, and a lot of dudes didn't even

499
00:24:10,160 --> 00:24:12,520
Speaker 1: do that. But yet, when it comes to talking about

500
00:24:12,560 --> 00:24:14,960
Speaker 1: sports and being involved in sports, for some reason, we

501
00:24:15,040 --> 00:24:17,399
Speaker 1: think your level of sports and knowledge is directly related

502
00:24:17,440 --> 00:24:19,480
Speaker 1: to your genitalia. And that's just not the way that

503
00:24:19,560 --> 00:24:23,120
Speaker 1: it works. And so, you know, for me, I had

504
00:24:23,160 --> 00:24:26,360
Speaker 1: to of course realize that a lot of times when

505
00:24:26,560 --> 00:24:30,240
Speaker 1: I write something or my commentary, especially if it's scoring

506
00:24:30,280 --> 00:24:33,560
Speaker 1: against what conventional mail analysts say, then you have to

507
00:24:33,640 --> 00:24:35,600
Speaker 1: be prepared for the fact that people are going to

508
00:24:35,680 --> 00:24:38,719
Speaker 1: say that's why women shouldn't talk about sports. I remember,

509
00:24:38,880 --> 00:24:41,440
Speaker 1: and I still like to you know, the few times

510
00:24:41,480 --> 00:24:44,560
Speaker 1: I'm actually right about things, I still like the Lord

511
00:24:44,600 --> 00:24:47,120
Speaker 1: this over, folks. I remember when Khalil Mack was coming

512
00:24:47,160 --> 00:24:49,480
Speaker 1: out in the draft and I saw him play against

513
00:24:49,480 --> 00:24:51,800
Speaker 1: Ohio State and he was the best player on the field,

514
00:24:51,800 --> 00:24:54,400
Speaker 1: and I was like, look, I know, Jadeveon Clowney had

515
00:24:54,640 --> 00:24:57,080
Speaker 1: you know, the hit of all hits against Michigan, but like,

516
00:24:57,200 --> 00:24:59,600
Speaker 1: Khalil Mack is the best player in this draft. Man

517
00:25:00,160 --> 00:25:03,879
Speaker 1: so many dudes rip me to shreds for saying that.

518
00:25:04,280 --> 00:25:05,760
Speaker 1: All I gotta say is how you like me now?

519
00:25:05,960 --> 00:25:08,760
Speaker 1: Because Khalil Back is probably the best defensive player in

520
00:25:08,800 --> 00:25:11,560
Speaker 1: the league, him or Aaron Donald. That's interesting though, because

521
00:25:11,760 --> 00:25:17,119
Speaker 1: skip bells ain't never write about nothing. But I cannot

522
00:25:17,160 --> 00:25:18,639
Speaker 1: think of one time skim Bell has has been right

523
00:25:18,680 --> 00:25:21,320
Speaker 1: about something. You know, he had told a few things

524
00:25:21,400 --> 00:25:23,040
Speaker 1: here and there. But that's what I'm saying is that,

525
00:25:23,200 --> 00:25:26,120
Speaker 1: like you know, he has an edgy opinion. And while

526
00:25:26,200 --> 00:25:29,560
Speaker 1: he is ridicute for that opinion at times, but it's

527
00:25:29,560 --> 00:25:32,399
Speaker 1: still more welcome for him to have that kind of

528
00:25:32,480 --> 00:25:34,919
Speaker 1: opinion as opposed to me. We all make mistakes at

529
00:25:34,960 --> 00:25:37,640
Speaker 1: times writing things that may not be true, or make

530
00:25:37,920 --> 00:25:43,200
Speaker 1: a mistake. Do you bad predictions? It's okay, I'm just

531
00:25:43,280 --> 00:25:45,360
Speaker 1: predicted the Giant who's gonna win this year. We knew

532
00:25:45,400 --> 00:25:50,119
Speaker 1: that lesson too, just like Super Bowl every year for

533
00:25:50,200 --> 00:25:52,040
Speaker 1: the past. But do you feel like you get attacked

534
00:25:52,040 --> 00:25:55,440
Speaker 1: a lot more? Oh? Absolutely, man, because when I do,

535
00:25:55,640 --> 00:25:57,680
Speaker 1: it's just like again, it's supposed to be some kind

536
00:25:57,680 --> 00:26:00,960
Speaker 1: of indictment of my genders involved in sports. Do you

537
00:26:01,040 --> 00:26:04,480
Speaker 1: think the media will ever respect opinions from strong black women.

538
00:26:04,720 --> 00:26:07,400
Speaker 1: That's a good question. Um. Kind of hard too when

539
00:26:07,400 --> 00:26:10,520
Speaker 1: your president doesn't seem too right now. Um, I would

540
00:26:10,560 --> 00:26:13,640
Speaker 1: say that's gonna always be a slippery slope for most

541
00:26:13,680 --> 00:26:18,080
Speaker 1: black women because when we express an opinion, especially a

542
00:26:18,119 --> 00:26:20,480
Speaker 1: strong point of view, in general, we're like angry or

543
00:26:20,560 --> 00:26:23,960
Speaker 1: allowed or fit fit in a certain stereotype. So I

544
00:26:24,160 --> 00:26:27,439
Speaker 1: just think in certain spaces, yes, but in most spaces

545
00:26:27,520 --> 00:26:31,040
Speaker 1: probably not. I want to go to the NBA anymore

546
00:26:32,040 --> 00:26:34,360
Speaker 1: fun anymore? Or does that team win the next five years,

547
00:26:34,400 --> 00:26:36,520
Speaker 1: seven years, eight years? No, you need a village. And

548
00:26:36,600 --> 00:26:39,600
Speaker 1: look at this riff that's going on between Kevin duran

549
00:26:39,640 --> 00:26:42,560
Speaker 1: and Draymond Green. I don't understand that. I don't, but

550
00:26:42,840 --> 00:26:44,720
Speaker 1: yet I sort of do. And it's not one of

551
00:26:44,760 --> 00:26:47,000
Speaker 1: those things. I think it's gonna blow over easily because

552
00:26:47,040 --> 00:26:50,080
Speaker 1: about how to stop. Well, clearly that the real tension

553
00:26:50,200 --> 00:26:52,520
Speaker 1: is in the fact that you know, Kevin Durant is

554
00:26:52,560 --> 00:26:55,879
Speaker 1: coming up on some free on free agency, and clearly

555
00:26:55,960 --> 00:26:58,680
Speaker 1: Draymond Green feels some kind of way about the fact

556
00:26:58,760 --> 00:27:02,359
Speaker 1: that he has not eliminated some of the speculation and

557
00:27:02,480 --> 00:27:04,440
Speaker 1: hasn't shut it down, and it is allowed it to

558
00:27:04,480 --> 00:27:08,320
Speaker 1: be a storyline and let's just talk money. Draymond Green

559
00:27:08,440 --> 00:27:09,879
Speaker 1: is gonna be up soon and he could get a

560
00:27:09,960 --> 00:27:13,480
Speaker 1: max deal. They can't keep everybody you have claim. Somebody

561
00:27:13,520 --> 00:27:15,760
Speaker 1: gonna have to Somebody is gonna is gonna be left

562
00:27:15,760 --> 00:27:19,560
Speaker 1: without to check look at him. So nobody coming here.

563
00:27:20,920 --> 00:27:22,600
Speaker 1: By the way, whichever one of them leave, they're going

564
00:27:22,600 --> 00:27:26,399
Speaker 1: to LA to play with Bron, whether Kevin. So, let

565
00:27:26,480 --> 00:27:28,639
Speaker 1: me ask you this, what would be the reaction if

566
00:27:28,720 --> 00:27:30,640
Speaker 1: Kevin Durand went to play with Lebron ject? I don't

567
00:27:30,640 --> 00:27:33,359
Speaker 1: think people would care no more. I think I think

568
00:27:33,400 --> 00:27:36,520
Speaker 1: people over there, I think after Lebron's decision and keV

569
00:27:36,640 --> 00:27:38,840
Speaker 1: going to Golden State, I don't think people are people

570
00:27:39,080 --> 00:27:41,639
Speaker 1: still on Katie's here about going to Golden State and

571
00:27:41,760 --> 00:27:49,000
Speaker 1: taking the quote unquote easy way. See, I'm gonna just

572
00:27:49,119 --> 00:27:52,639
Speaker 1: keep into sports. Lets you're in the relationship with Lebron, like,

573
00:27:52,880 --> 00:27:55,879
Speaker 1: because now that you're narrating his film, his documentary, some

574
00:27:56,000 --> 00:27:57,920
Speaker 1: people might feel like, well, now she's not gonna say

575
00:27:58,000 --> 00:28:01,679
Speaker 1: nothing that because they were together. No. No, I mean

576
00:28:01,760 --> 00:28:04,800
Speaker 1: I think he understands the function of what my job is.

577
00:28:04,880 --> 00:28:08,399
Speaker 1: And I've always had this attitude, regardless of whether or

578
00:28:08,480 --> 00:28:10,920
Speaker 1: not I had the sort of working relationship that I

579
00:28:11,000 --> 00:28:13,160
Speaker 1: had with Lebron or not. Is that I'm never gonna

580
00:28:13,200 --> 00:28:16,320
Speaker 1: say something on television or write something about an athlete

581
00:28:16,359 --> 00:28:18,680
Speaker 1: I can't say to their face, right, And I think

582
00:28:18,680 --> 00:28:21,359
Speaker 1: it's just a good guideline for journalists to have because

583
00:28:21,760 --> 00:28:25,040
Speaker 1: regardless even if a guy is not necessarily good, I

584
00:28:25,160 --> 00:28:27,600
Speaker 1: have enough professional respect for the amount of work that

585
00:28:27,720 --> 00:28:29,440
Speaker 1: they have put in to get to that point, because

586
00:28:29,440 --> 00:28:31,440
Speaker 1: it's hard to be a professional, and so I understand that.

587
00:28:31,800 --> 00:28:34,280
Speaker 1: And even when I'm talking to coaches, I never come

588
00:28:34,320 --> 00:28:36,400
Speaker 1: into this situation like I know more than them. I don't.

589
00:28:36,480 --> 00:28:39,800
Speaker 1: I never can because they practice at this craft much longer. Now,

590
00:28:39,880 --> 00:28:41,400
Speaker 1: that doesn't mean that I'm not going to ask Pee

591
00:28:41,440 --> 00:28:43,680
Speaker 1: Carroll while he handed Baltom Mars Shawn Lynch, because you know,

592
00:28:43,760 --> 00:28:45,880
Speaker 1: we could all see he should have ended at the

593
00:28:45,920 --> 00:28:48,480
Speaker 1: Baltom Marshawn Lynch. But that being said, there's just a

594
00:28:48,560 --> 00:28:52,240
Speaker 1: mutual respect there as for Lebron, even though I'm narrating

595
00:28:52,280 --> 00:28:54,680
Speaker 1: this documentary, I mean, Lebron and I like we ain't

596
00:28:54,680 --> 00:28:56,480
Speaker 1: going to them all together, you know, like we know

597
00:28:57,080 --> 00:29:00,680
Speaker 1: and are aware of who each other is. And we've

598
00:29:00,720 --> 00:29:03,920
Speaker 1: had conversations before in the past, and I just thank

599
00:29:04,000 --> 00:29:06,960
Speaker 1: him for honestly allowing me to have this opportunity to

600
00:29:07,120 --> 00:29:10,600
Speaker 1: narrate this documentary, because, as you notice, you don't hear

601
00:29:10,640 --> 00:29:13,560
Speaker 1: a lot of women narrating sports documentaries, and so not

602
00:29:13,680 --> 00:29:15,520
Speaker 1: only to pick a woman, but to pick a black woman,

603
00:29:16,200 --> 00:29:18,520
Speaker 1: I think that says a lot about who he is

604
00:29:18,640 --> 00:29:20,880
Speaker 1: and what's important to him. All Right, we got more

605
00:29:20,920 --> 00:29:22,920
Speaker 1: with Jamil Hill when we come back. Don't move. It's

606
00:29:22,960 --> 00:29:25,640
Speaker 1: to breakfast club. Good morning, good morning. Everybody is DJ

607
00:29:26,160 --> 00:29:29,520
Speaker 1: Envy Angela Yee. Charlomagne the god. We are the Breakfast Club.

608
00:29:29,600 --> 00:29:31,920
Speaker 1: We have Jamal Hill in the building. Charlomagne. Do you

609
00:29:31,960 --> 00:29:34,440
Speaker 1: think Draymon should have gotten suspended for arguing with Kevin Durant?

610
00:29:34,440 --> 00:29:36,120
Speaker 1: That's his teamMy well, the fact that he did get

611
00:29:36,160 --> 00:29:38,680
Speaker 1: suspended lets you know the seriousness of it. Man. That's

612
00:29:38,720 --> 00:29:40,400
Speaker 1: why I said this thing is not gonna blow over.

613
00:29:41,120 --> 00:29:43,880
Speaker 1: I think there's some real animosity there. And even hearing

614
00:29:43,920 --> 00:29:47,280
Speaker 1: how Kevin Durant responded when asked if he and Draymond

615
00:29:47,320 --> 00:29:49,960
Speaker 1: had talked, the fact that they hadn't. Any NBA player

616
00:29:50,000 --> 00:29:51,720
Speaker 1: would tell you through a course of a season, it's

617
00:29:51,760 --> 00:29:54,440
Speaker 1: a grind. And even if You've won a lot together,

618
00:29:54,960 --> 00:29:57,320
Speaker 1: You've spent a lot of time together. You know, it's

619
00:29:57,360 --> 00:30:00,680
Speaker 1: like familiarity breeds content, that's what they often say, or

620
00:30:00,760 --> 00:30:03,600
Speaker 1: contempt rather and so um, I think there are some

621
00:30:03,720 --> 00:30:06,320
Speaker 1: issues that they had there. And Draymond, you know, he

622
00:30:06,520 --> 00:30:10,080
Speaker 1: has a very forceful personality and he's always at guys

623
00:30:10,120 --> 00:30:12,600
Speaker 1: and he had just made a mistake. Kevin Durant was

624
00:30:12,680 --> 00:30:14,680
Speaker 1: and then it was like, so why you out here

625
00:30:15,000 --> 00:30:17,720
Speaker 1: letting a speculation right a free agency? It's like, whoa dude,

626
00:30:18,040 --> 00:30:20,360
Speaker 1: what's the real issue here? And so that leads me

627
00:30:20,480 --> 00:30:22,640
Speaker 1: to believe that this is not just one of those

628
00:30:22,760 --> 00:30:25,400
Speaker 1: arguments that take place that takes place during the course

629
00:30:25,480 --> 00:30:28,080
Speaker 1: of the season. We might be looking at how their

630
00:30:28,120 --> 00:30:33,080
Speaker 1: team winds up ending this dynasty down LA Kevin or

631
00:30:33,160 --> 00:30:35,600
Speaker 1: Draymond in LA. Also with the dynasty, right, I don't

632
00:30:35,640 --> 00:30:38,160
Speaker 1: understand why people get upset when Golden State wins every year.

633
00:30:38,320 --> 00:30:40,400
Speaker 1: We all grew up in the nineties, right with the

634
00:30:40,440 --> 00:30:44,000
Speaker 1: bold winning six championship. This doesn't feel like a fight

635
00:30:44,080 --> 00:30:47,480
Speaker 1: with It's not interesting. Not interesting. You really challenged the

636
00:30:47,560 --> 00:30:51,080
Speaker 1: bulls during that. It's like, Mike, we knew that was

637
00:30:51,120 --> 00:30:54,400
Speaker 1: a foregone conclusion. He was what was it a so

638
00:30:54,600 --> 00:30:56,960
Speaker 1: called all star team or did he put those players

639
00:30:57,000 --> 00:30:59,200
Speaker 1: and make those players? Why does it matter? It does?

640
00:30:59,640 --> 00:31:01,720
Speaker 1: It does? Mike never been to a game seven in

641
00:31:01,720 --> 00:31:03,160
Speaker 1: the finals. We knew what Mike was going to do.

642
00:31:03,200 --> 00:31:05,160
Speaker 1: An NBA final doesn't matter. It doesn't matter. We love

643
00:31:05,200 --> 00:31:08,040
Speaker 1: everybody scoring thirty and nobody, well the Knicks, I ain't

644
00:31:08,040 --> 00:31:11,320
Speaker 1: gonna get it. How do you feel about Nike doing

645
00:31:11,360 --> 00:31:14,520
Speaker 1: a deal with Colin Kaepernick? I love it, um, but

646
00:31:14,720 --> 00:31:17,800
Speaker 1: I want people to understanding this. They didn't do it

647
00:31:17,960 --> 00:31:20,160
Speaker 1: out of charity. They didn't do it because they have

648
00:31:20,320 --> 00:31:22,840
Speaker 1: a social conscience. They did it to make money. Look

649
00:31:22,840 --> 00:31:25,040
Speaker 1: at how that merchant. Some people might have thought that

650
00:31:25,120 --> 00:31:28,000
Speaker 1: it wouldn't make money. No, they knew. Let me, it's Nike,

651
00:31:28,200 --> 00:31:32,560
Speaker 1: like they look into market research. And one of the

652
00:31:32,680 --> 00:31:35,720
Speaker 1: things that's always bothered me whenever there's discussions about Colin

653
00:31:35,840 --> 00:31:38,760
Speaker 1: Kaepernick is we spend so much time talking about people

654
00:31:39,200 --> 00:31:43,760
Speaker 1: who dislike his dance and the detractors not realizing like

655
00:31:43,880 --> 00:31:46,720
Speaker 1: he has a huge fan base. Like for all the

656
00:31:46,840 --> 00:31:50,520
Speaker 1: idiots out there burning knows mall Walker elevens or whatever,

657
00:31:51,120 --> 00:31:54,880
Speaker 1: there are twice as many people who would buy anything

658
00:31:54,960 --> 00:31:58,120
Speaker 1: with Colin Kaepernick's name or likeness on the T shirt said,

659
00:31:58,120 --> 00:31:59,840
Speaker 1: he asked for Nike, They're already guard like you can't

660
00:31:59,840 --> 00:32:02,480
Speaker 1: even to get those things. I think another company was

661
00:32:02,560 --> 00:32:05,200
Speaker 1: trying to step up, and even I do, I do

662
00:32:06,080 --> 00:32:09,400
Speaker 1: it was it was I completely believe that because he

663
00:32:09,520 --> 00:32:12,600
Speaker 1: can still generate buzz. I mean the amount of media

664
00:32:12,760 --> 00:32:15,160
Speaker 1: attention what they say was almost two hundred million dollars

665
00:32:15,200 --> 00:32:19,320
Speaker 1: that he generated for Nike in two days. So wherever

666
00:32:19,520 --> 00:32:23,120
Speaker 1: he goes like he's somebody who's you know, so polarizing

667
00:32:23,200 --> 00:32:25,920
Speaker 1: that he's gonna draw from both sides. He's gonna have

668
00:32:26,040 --> 00:32:28,000
Speaker 1: his fans that are gonna ride for him and the

669
00:32:28,120 --> 00:32:30,280
Speaker 1: people that don't like him are still gonna pay attention

670
00:32:30,280 --> 00:32:32,040
Speaker 1: to his every move. So he's sort of in the

671
00:32:32,080 --> 00:32:35,000
Speaker 1: perfect space in that regard. But it was, you know,

672
00:32:35,080 --> 00:32:37,920
Speaker 1: a bold decision by Nike and ultimate troll move for

673
00:32:38,000 --> 00:32:42,120
Speaker 1: his first commercial running that first weekend other NFL season. Yeah,

674
00:32:42,200 --> 00:32:44,440
Speaker 1: that's brilliant, checkmate. I'm glad he did to deal. I like,

675
00:32:44,480 --> 00:32:46,200
Speaker 1: people are aking like Nike is the new black power,

676
00:32:46,640 --> 00:32:48,640
Speaker 1: Like nah, no, man, they need to relax on that.

677
00:32:48,720 --> 00:32:52,080
Speaker 1: I also don't like along those same lines, people thinking

678
00:32:52,360 --> 00:32:54,600
Speaker 1: that you have to be broke if you're an activist.

679
00:32:55,040 --> 00:32:58,440
Speaker 1: You know, I've had conversations with both Tommy Smith and

680
00:32:58,520 --> 00:33:00,840
Speaker 1: John Carlos about what life was like for them after

681
00:33:00,880 --> 00:33:04,000
Speaker 1: they raised the FIST. They couldn't afford to feed their families,

682
00:33:04,200 --> 00:33:07,680
Speaker 1: and they couldn't get jobs, and they were ostracized in

683
00:33:07,760 --> 00:33:11,320
Speaker 1: this country, and that put them under financial hardship. Part

684
00:33:11,360 --> 00:33:13,760
Speaker 1: of the reason why Colin Kaepernick is able to keep

685
00:33:14,080 --> 00:33:16,719
Speaker 1: his activism in this fight going is because he has

686
00:33:16,800 --> 00:33:19,600
Speaker 1: financial leverage, because he made the money in San Francisco.

687
00:33:20,000 --> 00:33:24,080
Speaker 1: Because you know, he could probably have any speaking engagement

688
00:33:24,160 --> 00:33:27,200
Speaker 1: he wants and commands any dollar figure because Nike is

689
00:33:27,720 --> 00:33:30,360
Speaker 1: continuing to give him a contract. That's part of what

690
00:33:30,520 --> 00:33:33,280
Speaker 1: gets this and keeps him in the news and keeps

691
00:33:33,320 --> 00:33:36,480
Speaker 1: this conversation, this very important conversation going. So he so,

692
00:33:37,080 --> 00:33:40,000
Speaker 1: just because you stand for something doesn't mean that your

693
00:33:40,160 --> 00:33:42,600
Speaker 1: checking account has to be on zero. Because some people

694
00:33:42,600 --> 00:33:44,720
Speaker 1: are trying to say that he's trying to profit off

695
00:33:44,840 --> 00:33:48,360
Speaker 1: being involved in social justice issue issues, when I think

696
00:33:48,400 --> 00:33:50,200
Speaker 1: he's just doing the smart thing. And not to mention

697
00:33:50,480 --> 00:33:53,600
Speaker 1: his jersey sales with the NFL, he donated all of

698
00:33:53,640 --> 00:33:56,640
Speaker 1: that to different social justice causes, so he's put his

699
00:33:56,800 --> 00:34:00,600
Speaker 1: beliefs in his money. They've certainly aligned les talking about

700
00:34:00,640 --> 00:34:05,080
Speaker 1: decisions right leaving teams, Let's talk about you for a second.

701
00:34:05,400 --> 00:34:08,160
Speaker 1: Are you feeling great and comfortable now not being in

702
00:34:08,239 --> 00:34:10,040
Speaker 1: front of the camera and being more behind the scenes.

703
00:34:10,040 --> 00:34:12,840
Speaker 1: Do you like that better? I do? I mean I

704
00:34:12,960 --> 00:34:15,600
Speaker 1: want to better its relative and I want people to

705
00:34:15,719 --> 00:34:19,279
Speaker 1: understand I haven't retired from television, okay, right now, I'm

706
00:34:19,320 --> 00:34:21,719
Speaker 1: just sort of mulling my options and thinking about what

707
00:34:22,040 --> 00:34:25,279
Speaker 1: makes the most sense. I've never This is a very

708
00:34:25,800 --> 00:34:29,560
Speaker 1: foreign stage for me in my career. Like I came

709
00:34:29,640 --> 00:34:32,440
Speaker 1: up under the umbrella of traditional media. So I'm used

710
00:34:32,440 --> 00:34:35,320
Speaker 1: to working for just one place. That's where the paycheck

711
00:34:35,440 --> 00:34:38,160
Speaker 1: is coming from, representing just them, and then that's it.

712
00:34:38,840 --> 00:34:41,560
Speaker 1: I'm now building my career more ala carte, all right,

713
00:34:41,680 --> 00:34:43,800
Speaker 1: And so you know, as you mentioned, I have the

714
00:34:43,840 --> 00:34:48,520
Speaker 1: production company writing for the Atlantic, mulling some podcast opportunities

715
00:34:48,600 --> 00:34:52,279
Speaker 1: as well, and thinking about what direction I want my

716
00:34:52,560 --> 00:34:55,000
Speaker 1: television career to go. Now, you could produce your own

717
00:34:55,040 --> 00:34:57,080
Speaker 1: TV show. I could, but you know, most of the

718
00:34:57,080 --> 00:34:58,960
Speaker 1: stuff that I want to do with the production company

719
00:34:59,000 --> 00:35:02,040
Speaker 1: does not involve me being front facing talent um because

720
00:35:02,239 --> 00:35:04,120
Speaker 1: I still want to tell stories. That's the whole reason

721
00:35:04,160 --> 00:35:07,759
Speaker 1: I became a journalist, and so the other part of it,

722
00:35:07,880 --> 00:35:10,160
Speaker 1: I think for me too is one thing I think

723
00:35:10,160 --> 00:35:12,680
Speaker 1: I learned over the last year, year and a half

724
00:35:13,200 --> 00:35:14,880
Speaker 1: is that I don't know that I ever want to

725
00:35:14,920 --> 00:35:17,800
Speaker 1: be sort of solely owned by one entity. You know,

726
00:35:17,920 --> 00:35:21,239
Speaker 1: my greatest asset is my versatility. And as you guys know,

727
00:35:21,440 --> 00:35:23,600
Speaker 1: there's a lot of companies that you work for that

728
00:35:23,640 --> 00:35:25,360
Speaker 1: won't let you do other things. And I don't know

729
00:35:25,400 --> 00:35:28,960
Speaker 1: if I want to be under that kind of constraint again. So, um,

730
00:35:29,360 --> 00:35:31,920
Speaker 1: how you walk in demanding what you want because you're

731
00:35:32,040 --> 00:35:34,960
Speaker 1: in a situation where you don't need to have something

732
00:35:35,040 --> 00:35:37,040
Speaker 1: else and you can say, look, I already have this,

733
00:35:37,200 --> 00:35:40,680
Speaker 1: this and that going on. See there, y'all go man,

734
00:35:41,200 --> 00:35:43,640
Speaker 1: y'all have relatives I've never heard of. Call of me

735
00:35:44,120 --> 00:35:49,160
Speaker 1: after doing this shit. I'm I feel like God moved

736
00:35:49,160 --> 00:35:52,800
Speaker 1: you for a reason. Though, because you a reason, everything

737
00:35:52,880 --> 00:35:56,120
Speaker 1: happens for you cannot be handcuffed. The ESPN. M. Mel

738
00:35:56,200 --> 00:35:58,400
Speaker 1: Hill has too much to offer the world. Everything happens

739
00:35:58,440 --> 00:36:00,239
Speaker 1: for a reason. I'm a big believer in that, and

740
00:36:00,920 --> 00:36:03,200
Speaker 1: I definitely believe in the adage of when guy closes

741
00:36:03,239 --> 00:36:06,359
Speaker 1: the door, he opens a window, right, And so that's

742
00:36:06,400 --> 00:36:09,440
Speaker 1: why I'm able or was able to leave espn A.

743
00:36:09,600 --> 00:36:12,320
Speaker 1: What a great deal of peace of mind because I

744
00:36:12,400 --> 00:36:14,320
Speaker 1: knew I was in the exact place that I was

745
00:36:14,360 --> 00:36:16,960
Speaker 1: supposed to be. I appreciate you guys for having me. Well,

746
00:36:16,960 --> 00:36:18,960
Speaker 1: thank you, I left having a millionaire woman in the room.

747
00:36:19,000 --> 00:36:26,200
Speaker 1: You know, so we appreciate you because too got it.

748
00:36:27,040 --> 00:36:29,520
Speaker 1: It's the mill Hill. Yes, it's the Breakfast Club. Thank

749
00:36:29,520 --> 00:36:33,320
Speaker 1: you because it stopping through ej Envy Angela yee. Charlemagne

750
00:36:33,360 --> 00:36:35,239
Speaker 1: the guy, we are the breakfast club. Now if he

751
00:36:35,320 --> 00:36:37,919
Speaker 1: just joined us. We were talking about Jada Pinkett Smith.

752
00:36:38,000 --> 00:36:40,359
Speaker 1: She did an interview with Sway and they were talking

753
00:36:40,400 --> 00:36:43,200
Speaker 1: about Will's X. Let's see what they had to say.

754
00:36:43,360 --> 00:36:45,920
Speaker 1: You know, she's going on vacations with Will without me

755
00:36:46,160 --> 00:36:48,560
Speaker 1: with Trey. You know what I mean, Because I feel

756
00:36:48,600 --> 00:36:51,719
Speaker 1: as though Trey needs to feel that dynamic between his

757
00:36:51,840 --> 00:36:54,840
Speaker 1: two parents. That's very important that he can feel that

758
00:36:55,480 --> 00:36:59,560
Speaker 1: connection and feel you know, where they do meet, so

759
00:36:59,800 --> 00:37:04,000
Speaker 1: that he can feel, um, you know that that parental

760
00:37:04,480 --> 00:37:07,920
Speaker 1: connection while you're married with Will, they've been on vacation

761
00:37:07,960 --> 00:37:10,520
Speaker 1: together yes, they have. They actually just came off for one.

762
00:37:10,760 --> 00:37:12,680
Speaker 1: So Charlottage, what do you think. Well, first of all,

763
00:37:12,680 --> 00:37:14,520
Speaker 1: I want to drop on the clues bombs with Jada

764
00:37:14,560 --> 00:37:16,759
Speaker 1: pinker Smith. I am a pinker Smith. When he knows Carter,

765
00:37:16,960 --> 00:37:20,800
Speaker 1: I feel like I respect the fact that she's secure

766
00:37:21,000 --> 00:37:24,360
Speaker 1: in hers enough and she trusts Will enough that he

767
00:37:24,440 --> 00:37:26,600
Speaker 1: will go on this trip and do the right thing.

768
00:37:26,800 --> 00:37:29,400
Speaker 1: Because I really don't think I have a problem with

769
00:37:29,560 --> 00:37:32,640
Speaker 1: two parents co parenting, even if both of those parents

770
00:37:32,680 --> 00:37:34,719
Speaker 1: have moved on and they're married to somebody else, I

771
00:37:34,719 --> 00:37:36,439
Speaker 1: don't have a problem with them co parenting and still

772
00:37:36,520 --> 00:37:39,160
Speaker 1: doing things with the child right. And I think that

773
00:37:39,560 --> 00:37:41,680
Speaker 1: vacation is a different step though. I mean, it's really

774
00:37:41,760 --> 00:37:44,840
Speaker 1: not if you not if you trust your partner and

775
00:37:44,960 --> 00:37:47,480
Speaker 1: you really feel like nothing's going on between these two

776
00:37:47,680 --> 00:37:49,480
Speaker 1: and you feel like they're just gonna go out and

777
00:37:49,840 --> 00:37:51,640
Speaker 1: have fun with the child, I don't think there's anything

778
00:37:51,680 --> 00:37:54,760
Speaker 1: wrong with that whatsoever. I really don't. I me personally,

779
00:37:55,000 --> 00:37:57,560
Speaker 1: would I be for that. No, But I'm, you know,

780
00:37:57,800 --> 00:37:59,719
Speaker 1: still dealing with a lot of my own insecurities, and

781
00:37:59,800 --> 00:38:03,719
Speaker 1: you know, I'm my emotional intelligence is high, but but

782
00:38:03,920 --> 00:38:06,719
Speaker 1: my sometimes I can get a little sensitive. I'm saying

783
00:38:06,760 --> 00:38:08,560
Speaker 1: I'm a camping I mean, I couldn't. I don't think

784
00:38:08,560 --> 00:38:11,000
Speaker 1: I could do with that with you. I like, yeah,

785
00:38:11,080 --> 00:38:12,680
Speaker 1: I know what I'm supposed to say. I'm supposed to

786
00:38:12,719 --> 00:38:14,719
Speaker 1: be like, sure, go ahead going out, but y'all have

787
00:38:14,800 --> 00:38:17,080
Speaker 1: a great time. Matter of fact, you know what, just

788
00:38:17,320 --> 00:38:19,080
Speaker 1: hit me when you hit me, just bring me back

789
00:38:19,080 --> 00:38:21,279
Speaker 1: a souvenir. Nah be, That's that's not how I'm They've

790
00:38:21,280 --> 00:38:23,719
Speaker 1: been together a long time, bro, Will and jad have

791
00:38:23,760 --> 00:38:25,480
Speaker 1: been together a long time, and it's always been the

792
00:38:25,600 --> 00:38:28,360
Speaker 1: rumors that they swing, right, So you know, you wouldn't

793
00:38:28,400 --> 00:38:30,319
Speaker 1: give a damn if he went out with his ex

794
00:38:30,400 --> 00:38:32,920
Speaker 1: baby Mama. If that was your relationship and they swing there,

795
00:38:33,000 --> 00:38:35,360
Speaker 1: that's cool. But I don't think I'm not secure, bro,

796
00:38:35,600 --> 00:38:38,560
Speaker 1: I'm just not like. That's why I say I respect

797
00:38:38,719 --> 00:38:41,960
Speaker 1: Jada's security, love right, and the fact that she trust

798
00:38:42,080 --> 00:38:44,600
Speaker 1: Will that much and I got to see the baby

799
00:38:44,640 --> 00:38:48,759
Speaker 1: Mama depends how I'm saying baby Mama might not be

800
00:38:48,880 --> 00:38:50,680
Speaker 1: a popping you, right, because that could that could be

801
00:38:50,719 --> 00:38:52,200
Speaker 1: a lot to do with it too, And that's part

802
00:38:52,239 --> 00:38:54,000
Speaker 1: of it, because think about it, if she if she

803
00:38:54,200 --> 00:38:56,960
Speaker 1: not attractive, it t she ain't know she ain't been

804
00:38:57,000 --> 00:39:01,279
Speaker 1: working out, ain't tripping. I don't know what will baby

805
00:39:01,320 --> 00:39:02,920
Speaker 1: Mama look like? You know what I'm saying, so that

806
00:39:03,080 --> 00:39:04,880
Speaker 1: that that fact is in it too. I thought that's

807
00:39:04,920 --> 00:39:07,359
Speaker 1: just my superficial ask. Right now, now, think about let's

808
00:39:07,400 --> 00:39:10,000
Speaker 1: say she let's say, let's say Will Smith baby mama.

809
00:39:10,560 --> 00:39:14,080
Speaker 1: Let me see somebody Charlomagne like Nicole Murphy. Nicole's all right,

810
00:39:14,160 --> 00:39:17,200
Speaker 1: she cool. That she's just cool. Now, would you let

811
00:39:17,760 --> 00:39:19,760
Speaker 1: would still be cool. I'm more of a Kelly Roland

812
00:39:19,760 --> 00:39:23,200
Speaker 1: type of but but but you know, Kelly's married and

813
00:39:23,280 --> 00:39:27,520
Speaker 1: none I'm married. That that conversation just to get it,

814
00:39:27,719 --> 00:39:29,640
Speaker 1: you know, that's why I mean, I still consider Kelly

815
00:39:29,719 --> 00:39:31,680
Speaker 1: Rolling the good of chocolate goddess. But right for I

816
00:39:31,800 --> 00:39:33,799
Speaker 1: see what you're saying. Forget it. I see what you're

817
00:39:33,800 --> 00:39:36,120
Speaker 1: saying in my scenario. By the way, if my baby

818
00:39:36,239 --> 00:39:38,920
Speaker 1: mama right looked like Kelly Roland, she would not be

819
00:39:39,040 --> 00:39:41,120
Speaker 1: my ex baby mama. She would be my wife. Let's

820
00:39:41,160 --> 00:39:44,239
Speaker 1: be clear about that. Okay, all right, I'm not even

821
00:39:44,280 --> 00:39:47,160
Speaker 1: playing this game with you. Brother. Hello, who's this? Hello?

822
00:39:47,280 --> 00:39:50,600
Speaker 1: This is say hey Stacy, good morning, good morning. Would

823
00:39:50,600 --> 00:39:52,480
Speaker 1: you let your man go on vacation with his ex.

824
00:39:52,800 --> 00:39:55,799
Speaker 1: I definitely would. I think Jada is right that they

825
00:39:55,920 --> 00:39:58,360
Speaker 1: need to have that dynamic between trade by themselves. I

826
00:39:58,480 --> 00:40:01,440
Speaker 1: definitely agree with that. I kind of agreed you. I mean,

827
00:40:01,520 --> 00:40:04,920
Speaker 1: you know, the sensitive side of me, the insecure side

828
00:40:05,040 --> 00:40:08,680
Speaker 1: says hell no, hell, But the mature adult side that's

829
00:40:08,719 --> 00:40:11,600
Speaker 1: been going to therapy and can deal with my insecurities

830
00:40:11,800 --> 00:40:13,680
Speaker 1: says yes. I don't have a problem with that. I'm

831
00:40:13,719 --> 00:40:16,759
Speaker 1: in the middle. Bron, I don't know. Thank you, Mama, Hello,

832
00:40:16,840 --> 00:40:19,799
Speaker 1: who's this? Hey mama? Now? Would you let your ex

833
00:40:19,920 --> 00:40:23,120
Speaker 1: go on vacation with uh his baby? Mama? No, I wouldn't.

834
00:40:23,160 --> 00:40:27,720
Speaker 1: I would have to be in that same hotel day resort,

835
00:40:28,160 --> 00:40:32,719
Speaker 1: I'd have to be close. And why you trust them? Well,

836
00:40:32,719 --> 00:40:36,080
Speaker 1: I do trust them, but still, I mean, you're insecure,

837
00:40:36,160 --> 00:40:37,680
Speaker 1: like one of us, shine of y'all, and neither one

838
00:40:37,680 --> 00:40:41,319
Speaker 1: of y'all would let yall spouse go. So don't act

839
00:40:41,400 --> 00:40:47,480
Speaker 1: like right, we just asked you. I'm just saying so, No,

840
00:40:47,560 --> 00:40:50,080
Speaker 1: I wouldn't feel comfortable with that. But I feel like

841
00:40:50,200 --> 00:40:52,840
Speaker 1: in their case, that's the backs of wife, and they

842
00:40:52,920 --> 00:40:55,360
Speaker 1: seem to be working on their relationship for a long time,

843
00:40:55,480 --> 00:40:59,400
Speaker 1: so we don't know what they got going on fingers

844
00:40:59,440 --> 00:41:01,960
Speaker 1: though I've always been the rum I don't know. I

845
00:41:02,000 --> 00:41:04,440
Speaker 1: don't think I know right now. Okay, thank you, But

846
00:41:04,560 --> 00:41:07,279
Speaker 1: like like y'all said, the rumor is always better than

847
00:41:07,320 --> 00:41:10,800
Speaker 1: the truth, especially when it's more attaining. Y'all have a

848
00:41:10,840 --> 00:41:13,719
Speaker 1: good morning. An eight hundred and five A five one

849
00:41:13,760 --> 00:41:17,080
Speaker 1: oh five one. Now, would you let your boyfriend, your girlfriend,

850
00:41:17,160 --> 00:41:20,160
Speaker 1: your wife, your husband go on vacation without you with

851
00:41:20,360 --> 00:41:22,440
Speaker 1: their X because they have a baby together, for the

852
00:41:22,480 --> 00:41:24,239
Speaker 1: sake of the baby. Would you call us now? Is

853
00:41:24,280 --> 00:41:27,520
Speaker 1: the Breakfast Club? Go Morning Putting? Everybody is DJ Envy,

854
00:41:27,680 --> 00:41:30,759
Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club.

855
00:41:30,840 --> 00:41:32,360
Speaker 1: Now if you just joined us, we're talking J to

856
00:41:32,400 --> 00:41:35,560
Speaker 1: Pinkett Smith. She did an interview with Sway and she

857
00:41:35,800 --> 00:41:38,640
Speaker 1: was talking about Will Smith's ex and them going on

858
00:41:38,800 --> 00:41:41,480
Speaker 1: vacation without her. Let's listen. You know she's gone on

859
00:41:41,600 --> 00:41:44,800
Speaker 1: vacations with Will without me with Trey. You know what

860
00:41:44,880 --> 00:41:47,279
Speaker 1: I mean? Because I feel as though Trey needs to

861
00:41:47,440 --> 00:41:51,040
Speaker 1: feel that dynamic between his two parents. That's very important

862
00:41:51,080 --> 00:41:54,759
Speaker 1: that he can feel that connection and feel you know,

863
00:41:55,080 --> 00:41:59,200
Speaker 1: where they do meet, so that he can feel um

864
00:41:59,719 --> 00:42:03,799
Speaker 1: you that that parental connection while you're married with Will.

865
00:42:04,239 --> 00:42:06,840
Speaker 1: They've been on vacation together, Yes they have. They actually

866
00:42:06,920 --> 00:42:08,680
Speaker 1: just came off for one. Let me be honest, man,

867
00:42:08,680 --> 00:42:10,800
Speaker 1: I've been thinking about this. I've been thinking about this,

868
00:42:10,880 --> 00:42:13,640
Speaker 1: and I had to remove myself out of the situation

869
00:42:13,719 --> 00:42:16,080
Speaker 1: and think if I was Jaden Will and how long

870
00:42:16,200 --> 00:42:19,880
Speaker 1: we've been together, and if I had an ex baby Mama,

871
00:42:20,360 --> 00:42:22,120
Speaker 1: I don't think I would have a problem with this, bro.

872
00:42:22,200 --> 00:42:23,680
Speaker 1: And the reason I would not have a problem with

873
00:42:23,760 --> 00:42:25,879
Speaker 1: this because you do have to trust your significant other.

874
00:42:25,920 --> 00:42:28,640
Speaker 1: You have to be secure, and you have to have

875
00:42:28,760 --> 00:42:30,880
Speaker 1: the utmost confidence that your significant other would do the

876
00:42:31,000 --> 00:42:34,359
Speaker 1: right thing. But the number one factor for me would

877
00:42:34,400 --> 00:42:37,399
Speaker 1: be how to Mama. Look, you know the ex baby

878
00:42:37,440 --> 00:42:40,960
Speaker 1: Mama is banging, then I don't know if I'd put

879
00:42:41,000 --> 00:42:42,879
Speaker 1: my man in that position. See, and I was thinking

880
00:42:42,920 --> 00:42:45,759
Speaker 1: the same thing, like, I trust my wife. Go, But

881
00:42:46,360 --> 00:42:50,200
Speaker 1: now what happened if her exes Michael b. Jordan or

882
00:42:50,239 --> 00:42:54,359
Speaker 1: her exes what's the name Shama More or or one

883
00:42:54,400 --> 00:42:58,239
Speaker 1: of them the brothers that all Chisel done, Yes, no

884
00:42:58,400 --> 00:43:00,600
Speaker 1: doubt it was. Guys got a sex when them guys

885
00:43:00,600 --> 00:43:03,640
Speaker 1: you think is sex with them guys? That are sex. Um, Yeah,

886
00:43:04,080 --> 00:43:08,120
Speaker 1: I don't yeah, yeah, yeah, yeah yeah. Michael B. Jordans,

887
00:43:08,440 --> 00:43:10,040
Speaker 1: I would wife's ex. You know why I would be

888
00:43:10,120 --> 00:43:14,200
Speaker 1: so intertill about that situation? Why why you left for me? Okay,

889
00:43:14,360 --> 00:43:16,400
Speaker 1: I'm saying, like, why are you left that for me?

890
00:43:17,080 --> 00:43:18,759
Speaker 1: You know what I'm saying. I can't be that nice

891
00:43:18,800 --> 00:43:20,560
Speaker 1: of a guy. I don't make you laugh that much, right,

892
00:43:20,760 --> 00:43:22,640
Speaker 1: you know what I'm saying, Why why? Why did you

893
00:43:22,800 --> 00:43:24,719
Speaker 1: leave him for me? That's what would make me in

894
00:43:24,760 --> 00:43:28,560
Speaker 1: secure about that whole situation. I would never left Maybe

895
00:43:28,880 --> 00:43:31,920
Speaker 1: I would never be secure in our relationship because I

896
00:43:31,960 --> 00:43:34,160
Speaker 1: would be wondering why you left him for me? Michael B.

897
00:43:34,280 --> 00:43:37,000
Speaker 1: Jordan chilling there on the beat, shirt off your wife

898
00:43:37,080 --> 00:43:43,640
Speaker 1: coming out with take calls, get upset? Hello, who's this? Hey?

899
00:43:43,760 --> 00:43:47,080
Speaker 1: Would you let your man go on vacation with his ex? No?

900
00:43:47,760 --> 00:43:51,200
Speaker 1: Why not? I chose my man, But I don't choked

901
00:43:51,440 --> 00:43:56,439
Speaker 1: her might be Okay. Will's son is twenty six years old.

902
00:43:56,719 --> 00:43:58,480
Speaker 1: I mean, what are they gonna do on vacation this

903
00:43:58,640 --> 00:44:01,160
Speaker 1: year that they haven't done in the past twenty five years?

904
00:44:01,160 --> 00:44:03,440
Speaker 1: They probably never went on vacation. That's the thing. And

905
00:44:03,520 --> 00:44:05,799
Speaker 1: the fact that he is so old. You don't need

906
00:44:05,840 --> 00:44:07,719
Speaker 1: to go. You don't need know the vacation gonna vacation

907
00:44:07,800 --> 00:44:10,640
Speaker 1: by yourself. Illo. Who's this? Yeah? My name Chloe. I'm

908
00:44:10,719 --> 00:44:13,480
Speaker 1: calling him because I feel like on suffering stuff, some

909
00:44:13,640 --> 00:44:16,200
Speaker 1: parents do need to sit down on their kids get

910
00:44:16,280 --> 00:44:18,680
Speaker 1: up age, especially if they going to college or they

911
00:44:18,800 --> 00:44:20,960
Speaker 1: got life plans that's going on and it ain't need

912
00:44:21,000 --> 00:44:22,719
Speaker 1: to sit down and figure out what's going on with

913
00:44:22,880 --> 00:44:25,879
Speaker 1: their kids. A lot of black parents don't communicate well

914
00:44:25,960 --> 00:44:28,160
Speaker 1: when he comes to passing. So I wouldn't have an

915
00:44:28,200 --> 00:44:30,880
Speaker 1: issue with my child's father. Met him, have great report,

916
00:44:30,960 --> 00:44:33,120
Speaker 1: he got kids by other women. For me and him

917
00:44:33,120 --> 00:44:36,439
Speaker 1: to sit down, have a joint, we can smoke, talk

918
00:44:36,480 --> 00:44:40,440
Speaker 1: about our kids, figure out, you know, school plans, stuff

919
00:44:40,480 --> 00:44:43,080
Speaker 1: that they evolved in. You know, it's bigger than just

920
00:44:43,280 --> 00:44:47,360
Speaker 1: being sexual. Sometimes when you got kids, you got so

921
00:44:47,480 --> 00:44:49,200
Speaker 1: let me ask you question, would you let your man

922
00:44:49,880 --> 00:44:52,840
Speaker 1: go on vacation with his ex with their child without you?

923
00:44:53,200 --> 00:44:55,040
Speaker 1: Right now? I really wish he would be able to

924
00:44:55,160 --> 00:44:57,319
Speaker 1: go on the triple his ex because he doesn't really

925
00:44:57,360 --> 00:44:59,439
Speaker 1: get to see his daughter like that. Maybe they could

926
00:44:59,560 --> 00:45:02,279
Speaker 1: sit there down and a constant and see how happy

927
00:45:02,360 --> 00:45:05,760
Speaker 1: their daughter is to have them together. That's real. Things

928
00:45:06,000 --> 00:45:07,680
Speaker 1: be better if you can sit down and see your

929
00:45:07,800 --> 00:45:10,800
Speaker 1: kids smile and know like my parents is cool because

930
00:45:10,840 --> 00:45:12,480
Speaker 1: I didn't have that growing up, so I said, when

931
00:45:12,520 --> 00:45:14,520
Speaker 1: I had kids, me and my kids find I ain't

932
00:45:14,560 --> 00:45:17,440
Speaker 1: been together for five sixty years now, But when he

933
00:45:17,560 --> 00:45:20,080
Speaker 1: called my phone, I pick up. When he emailed me

934
00:45:20,120 --> 00:45:23,000
Speaker 1: about his kid or some hallwork or some packing, I'm

935
00:45:23,080 --> 00:45:26,880
Speaker 1: emailing back when his father daughter dance, I'm communicating because

936
00:45:26,920 --> 00:45:29,319
Speaker 1: he is just as important as I am to my daughter,

937
00:45:29,880 --> 00:45:32,200
Speaker 1: and we need to look beyond all this all or

938
00:45:32,280 --> 00:45:35,200
Speaker 1: all they might be having sex. He not even attracted

939
00:45:35,280 --> 00:45:37,879
Speaker 1: to me no more. You're right, all right, Well, thank you, mama,

940
00:45:38,160 --> 00:45:40,439
Speaker 1: So you know, detroying to be able? Then what else

941
00:45:40,480 --> 00:45:44,359
Speaker 1: I'm in Charlotte and love you dear, Hey, y'all, Well

942
00:45:45,360 --> 00:45:46,920
Speaker 1: what some all of the story, man, and all of

943
00:45:46,920 --> 00:45:48,600
Speaker 1: the story is. I guess we have to stop being

944
00:45:48,680 --> 00:45:50,960
Speaker 1: so insecure. Yeah, you know what I'm saying. I respect

945
00:45:51,000 --> 00:45:53,960
Speaker 1: the level of security that Jada Pinkett Smith is shown

946
00:45:54,080 --> 00:45:56,359
Speaker 1: by a line Will Smith to go on a date

947
00:45:56,400 --> 00:45:59,120
Speaker 1: with a date, not a date of vacation with his ex.

948
00:45:59,480 --> 00:46:00,960
Speaker 1: But I still I see what his next baby mama

949
00:46:01,040 --> 00:46:02,759
Speaker 1: look like I gotta see how much Will Powell Will

950
00:46:02,800 --> 00:46:06,120
Speaker 1: Smith guy right, right? But Will Will seems like a

951
00:46:06,239 --> 00:46:10,880
Speaker 1: highly enlightened individual, right like like if anybody can go

952
00:46:11,080 --> 00:46:14,359
Speaker 1: out and have a good time with his ex wife,

953
00:46:14,440 --> 00:46:16,239
Speaker 1: it's Will Smith. But but you know what, man, no

954
00:46:16,320 --> 00:46:17,640
Speaker 1: more I think about it. As I get older, I

955
00:46:17,680 --> 00:46:19,840
Speaker 1: get mature, I don't have those crazy er just like

956
00:46:19,880 --> 00:46:21,600
Speaker 1: that because in a way, in a way, it's like

957
00:46:21,880 --> 00:46:23,840
Speaker 1: when you go out of town by yourself, You're right.

958
00:46:23,920 --> 00:46:25,200
Speaker 1: When I go out of town for the weekend by

959
00:46:25,280 --> 00:46:27,920
Speaker 1: myself and my wife not around, it's plenty of opportunity

960
00:46:28,000 --> 00:46:30,080
Speaker 1: to do some bs. I'm just not with it right now.

961
00:46:30,360 --> 00:46:32,160
Speaker 1: And Will Smith, you're not read it no more. Ever,

962
00:46:32,280 --> 00:46:34,239
Speaker 1: I'm not with it no more ever. And Will Smith

963
00:46:34,320 --> 00:46:37,400
Speaker 1: about ten fifteen years no holds? Will Smith? Old? He

964
00:46:37,560 --> 00:46:39,680
Speaker 1: up there? He about ten years older than me. I

965
00:46:39,719 --> 00:46:42,480
Speaker 1: wouldn't say ten six seven years old. You no way

966
00:46:43,520 --> 00:46:47,399
Speaker 1: gotta be damn fifty. Yeah, he's fine, forty six forty seven.

967
00:46:47,520 --> 00:46:50,799
Speaker 1: We'll gotta be damned at fifty at least. So all

968
00:46:50,840 --> 00:46:54,000
Speaker 1: I'm all I'm saying is if how old he so

969
00:46:54,120 --> 00:46:55,920
Speaker 1: he's ten years old? Ten years old of me? So

970
00:46:56,480 --> 00:46:59,400
Speaker 1: all I'm saying with Will Smith is if he's tired

971
00:47:00,440 --> 00:47:02,880
Speaker 1: at forty nine, if I'm tired at thirty nine, I

972
00:47:03,040 --> 00:47:05,440
Speaker 1: know Will time at forty nine. All right, exactly, That's

973
00:47:05,480 --> 00:47:08,200
Speaker 1: all I'm saying. The Breakfast Club, your mornings will never

974
00:47:08,440 --> 00:47:12,280
Speaker 1: be the same. Don't see me. The Adventure with Luke's

975
00:47:12,320 --> 00:47:15,200
Speaker 1: commander as he teams up with Albus Dumbledore to stop

976
00:47:15,239 --> 00:47:20,080
Speaker 1: the dark wizard Grundebald's plans divide the Wizarding World Fantastic

977
00:47:20,200 --> 00:47:23,960
Speaker 1: Beasts The Crimes of Grundebald now playing ratey PG. Thirteen.

978
00:47:24,400 --> 00:47:31,680
Speaker 1: Don't be at a date time you get Dunky, you

979
00:47:32,400 --> 00:47:39,359
Speaker 1: are acting. I'm gonna fatten all that around your eye.

980
00:47:39,560 --> 00:47:42,080
Speaker 1: They want this man two Donden blowers. Man, they're waiting

981
00:47:42,120 --> 00:47:44,480
Speaker 1: for Charlomagne, the top in gloves. Let's go. He had

982
00:47:44,520 --> 00:47:46,120
Speaker 1: to make a judgment as who was going to be

983
00:47:46,200 --> 00:47:49,000
Speaker 1: on the donkey of the day. They chose you because

984
00:47:49,040 --> 00:47:51,400
Speaker 1: the Breakfast Club. Bitch you, Who's donkey of the day

985
00:47:51,480 --> 00:47:55,440
Speaker 1: to day? All right, listen, man, Charlomagne and got here.

986
00:47:55,480 --> 00:47:57,279
Speaker 1: I'm on vacation. I don't give a damn what y'all

987
00:47:57,320 --> 00:47:59,880
Speaker 1: think about that, because I deserve it. Now. The Breakfast

988
00:48:00,000 --> 00:48:01,600
Speaker 1: I was in eighty plus markets in a one hundred

989
00:48:01,600 --> 00:48:02,960
Speaker 1: and fifty country. So we have a lot of new

990
00:48:03,000 --> 00:48:05,440
Speaker 1: listeners who probably don't even know who Charlomagne the God is.

991
00:48:05,520 --> 00:48:08,239
Speaker 1: So use my time off to catch up on some

992
00:48:08,400 --> 00:48:11,319
Speaker 1: of my past work. Okay, okay, if you knew here,

993
00:48:11,480 --> 00:48:13,480
Speaker 1: I do a segment every day called Donkey to Day

994
00:48:13,600 --> 00:48:15,759
Speaker 1: donkey as in jackass, and that's when I give someone

995
00:48:15,800 --> 00:48:18,160
Speaker 1: the credit they deserve for being stupid. So if you've

996
00:48:18,160 --> 00:48:19,840
Speaker 1: never heard of it, this is new to you. But

997
00:48:19,880 --> 00:48:21,400
Speaker 1: if you are a regular listener, and this is an

998
00:48:21,440 --> 00:48:24,280
Speaker 1: oldiep but goody because it's the best of the Donkey

999
00:48:24,320 --> 00:48:25,960
Speaker 1: of the day. Donkey of to Day goes to a

1000
00:48:26,000 --> 00:48:29,839
Speaker 1: young woman from Arizona named Jacqueline Ideas. She's thirty one

1001
00:48:29,920 --> 00:48:31,960
Speaker 1: years old and was arrested on suspicion of stalking and

1002
00:48:32,080 --> 00:48:35,000
Speaker 1: arrassing a man she met online. Let me tell you something, man,

1003
00:48:35,080 --> 00:48:37,000
Speaker 1: we have all dealt with someone in our lives who

1004
00:48:37,120 --> 00:48:39,840
Speaker 1: just wasn't into us the way we were into them. Okay,

1005
00:48:39,880 --> 00:48:42,600
Speaker 1: it happens, But I was always taught to, you know,

1006
00:48:42,840 --> 00:48:45,560
Speaker 1: never make someone a priority if you only remain that option. Well,

1007
00:48:45,640 --> 00:48:48,359
Speaker 1: Jacqueline didn't get that memo. At all. Okay. In fact,

1008
00:48:48,440 --> 00:48:50,920
Speaker 1: Jacqueline is a harsh reminded to tell us that there

1009
00:48:51,040 --> 00:48:53,400
Speaker 1: is levels to thirst. Okay, as humans, we all have

1010
00:48:53,520 --> 00:48:56,319
Speaker 1: a basic instinct when it comes to thirst, so right,

1011
00:48:56,360 --> 00:48:59,040
Speaker 1: and natural craving for fluids. But that's not the level

1012
00:48:59,040 --> 00:49:02,160
Speaker 1: of the third I'm talking about. I'm talking continuous dehydration.

1013
00:49:02,320 --> 00:49:04,719
Speaker 1: I'm talking a deficit of total body water. I'm talking

1014
00:49:04,760 --> 00:49:07,560
Speaker 1: about the kind of dehydration that happens when free water

1015
00:49:07,640 --> 00:49:10,840
Speaker 1: lass exceeds free water intake. What are the causes of

1016
00:49:11,000 --> 00:49:15,080
Speaker 1: this kind of dehydration. Well, usually it's due to exercise, disease,

1017
00:49:15,200 --> 00:49:19,359
Speaker 1: high environmental temperatures, but most commonly caused by a new

1018
00:49:19,480 --> 00:49:22,920
Speaker 1: love interest. Okay, a new bay or the prospect of

1019
00:49:22,960 --> 00:49:26,160
Speaker 1: a new bay can make up most hydrated hydrated amongst

1020
00:49:26,239 --> 00:49:28,920
Speaker 1: us thirsty all right. In Jacqueline is just another example

1021
00:49:29,000 --> 00:49:31,560
Speaker 1: of that. The Jacqueline met a man on a dating website.

1022
00:49:32,080 --> 00:49:34,000
Speaker 1: She said, they went on a few dates and Jacqueline

1023
00:49:34,040 --> 00:49:36,560
Speaker 1: immediately felt like she had met her soul mate. Well,

1024
00:49:37,440 --> 00:49:39,879
Speaker 1: here's the thing about that whole soul mate thing. Both

1025
00:49:39,960 --> 00:49:42,399
Speaker 1: parties have to feel that way. Okay, if you feel

1026
00:49:42,440 --> 00:49:44,320
Speaker 1: like I'm your soul mate and I feel like you

1027
00:49:44,440 --> 00:49:47,000
Speaker 1: just some chick I'm smashing for the summer. The fastest

1028
00:49:47,040 --> 00:49:49,120
Speaker 1: way to make me moon walk out of this situation

1029
00:49:49,680 --> 00:49:51,920
Speaker 1: is to say to me, you're my soul mate. Do

1030
00:49:52,040 --> 00:49:54,480
Speaker 1: you realize you can scare a man away with that

1031
00:49:54,640 --> 00:49:56,719
Speaker 1: kind of talk too early? Go on a couple of

1032
00:49:56,800 --> 00:49:58,880
Speaker 1: dates with a woman, and you know, and then have

1033
00:49:59,000 --> 00:50:02,560
Speaker 1: that woman tell you you want to get married all right,

1034
00:50:03,680 --> 00:50:06,719
Speaker 1: Tell that man you want to have his baby, right,

1035
00:50:07,120 --> 00:50:09,120
Speaker 1: tell him you feel like y'all a soul mate, and

1036
00:50:09,200 --> 00:50:11,560
Speaker 1: then watch that man quickly fade away like an avenger

1037
00:50:11,719 --> 00:50:14,680
Speaker 1: after Thanos gets all the Infinity stunt. Okay, well, that's

1038
00:50:14,719 --> 00:50:17,719
Speaker 1: clearly what happened in this situation, but Jacqueline refused to

1039
00:50:17,800 --> 00:50:20,240
Speaker 1: fade to dust without a fight. Let's go to Aisy

1040
00:50:20,280 --> 00:50:22,680
Speaker 1: family dot com for the report. Please. A woman accused

1041
00:50:22,719 --> 00:50:25,120
Speaker 1: of stalking and threatening a valley man she met online

1042
00:50:25,120 --> 00:50:29,479
Speaker 1: after they went on only one date. Feliche, she wolf

1043
00:50:29,640 --> 00:50:33,680
Speaker 1: His phone was sixty five thousand text message. Jacqueline Addis

1044
00:50:33,800 --> 00:50:36,680
Speaker 1: claims she went on three dates with a Paradise Valley

1045
00:50:36,760 --> 00:50:41,080
Speaker 1: man she met through an online dating service for millionaire matchmaking.

1046
00:50:41,560 --> 00:50:44,960
Speaker 1: Court records say Addas sent the victim sixty five thousand

1047
00:50:45,080 --> 00:50:49,040
Speaker 1: text messages, including threats to kill him where his body

1048
00:50:49,120 --> 00:50:52,360
Speaker 1: parts and bathe in his blood. Addis does not deny

1049
00:50:52,480 --> 00:50:56,239
Speaker 1: the volume of text messages she did, however, regret the

1050
00:50:56,400 --> 00:50:59,680
Speaker 1: nature of some of those messages. Addis said she never

1051
00:51:00,080 --> 00:51:02,840
Speaker 1: tended to hurt or scare the victim, and she doesn't

1052
00:51:02,840 --> 00:51:06,400
Speaker 1: blame him for her incarceration. Jacqueline Addis is being held

1053
00:51:06,520 --> 00:51:11,840
Speaker 1: in jail without bond. Sixty five thousand. That's crazy. Sixty

1054
00:51:11,920 --> 00:51:15,719
Speaker 1: five time for that thousand? How do you even say?

1055
00:51:15,760 --> 00:51:17,400
Speaker 1: I don't even think I've sent that many text messages

1056
00:51:17,400 --> 00:51:19,719
Speaker 1: in my life. My man, I didn't block her, my

1057
00:51:19,840 --> 00:51:22,359
Speaker 1: man exactly, my man who was receiving those texts? At

1058
00:51:22,400 --> 00:51:24,160
Speaker 1: what point do you decide you may need to block

1059
00:51:24,239 --> 00:51:28,280
Speaker 1: this number? Sixty five thousand texts? Bro, crazy, I'm blocking

1060
00:51:28,320 --> 00:51:30,120
Speaker 1: your number if you talk spicy to me after three

1061
00:51:30,120 --> 00:51:33,600
Speaker 1: to four texts? All right, sixty five thousand, ladies, Please

1062
00:51:33,640 --> 00:51:36,040
Speaker 1: don't ever come across this part. All right? Remember Law

1063
00:51:36,200 --> 00:51:37,960
Speaker 1: thirty six and to forty eight Laws of power to

1064
00:51:38,040 --> 00:51:41,080
Speaker 1: say things you cannot have ignoring ignoring them as the

1065
00:51:41,160 --> 00:51:43,520
Speaker 1: best revenge I had get fly on his ass. All right,

1066
00:51:43,560 --> 00:51:45,319
Speaker 1: Just make sure you don't block him on social media

1067
00:51:45,440 --> 00:51:47,279
Speaker 1: so you can see you shining, act like you're having

1068
00:51:47,320 --> 00:51:49,880
Speaker 1: a ball without him, and I guarantee he will hit

1069
00:51:49,920 --> 00:51:53,200
Speaker 1: you up. But whatever you do, don't sound like this. Okay,

1070
00:51:53,320 --> 00:51:57,680
Speaker 1: this is Jacqueline Addis live from jail. What's here? What

1071
00:51:57,719 --> 00:51:59,680
Speaker 1: she had to say. I felt like I meant my soul.

1072
00:52:00,040 --> 00:52:01,680
Speaker 1: Everything was just the way it was, and I thought

1073
00:52:01,920 --> 00:52:03,480
Speaker 1: we would just do what everybody else did and we

1074
00:52:03,480 --> 00:52:05,239
Speaker 1: would just like get married and everything would be fine.

1075
00:52:05,280 --> 00:52:09,239
Speaker 1: But that's not what happens. You're not angry, Oh my god, No,

1076
00:52:09,360 --> 00:52:11,120
Speaker 1: I love him so much. I just want to love

1077
00:52:11,239 --> 00:52:13,400
Speaker 1: him so much. That's it. And if he doesn't like it,

1078
00:52:13,520 --> 00:52:16,520
Speaker 1: then I'll go home and I'll love my exployment. What

1079
00:52:16,640 --> 00:52:19,120
Speaker 1: am I says to do the point of love is

1080
00:52:19,200 --> 00:52:22,000
Speaker 1: to keep giving it. That's the math equation. It's love

1081
00:52:22,440 --> 00:52:25,560
Speaker 1: equals three point three, which is infinity times equals, and

1082
00:52:25,680 --> 00:52:28,920
Speaker 1: he's squared, which is light. Light is forever l If

1083
00:52:29,040 --> 00:52:30,799
Speaker 1: love was a number, it would be three, so it's

1084
00:52:30,800 --> 00:52:33,960
Speaker 1: infinity times light, which is also infinity. So it's just forward,

1085
00:52:34,200 --> 00:52:36,960
Speaker 1: forever forward. And if you're selfish, you can't understand that

1086
00:52:37,320 --> 00:52:39,680
Speaker 1: because you want something in return he's not giving me

1087
00:52:39,719 --> 00:52:41,759
Speaker 1: anything in return, and I still love him any Right,

1088
00:52:41,840 --> 00:52:43,760
Speaker 1: That's what love is. That's what the universe is supposed

1089
00:52:43,760 --> 00:52:46,920
Speaker 1: to be made of. When you're finding love. Not everything

1090
00:52:47,040 --> 00:52:50,040
Speaker 1: is perfect. This was a journey, and I want to

1091
00:52:50,160 --> 00:52:53,960
Speaker 1: apologize because nobody would ever be more sorry. See, I

1092
00:52:54,000 --> 00:52:57,960
Speaker 1: don't understand that's that deal with that kind of crazy,

1093
00:52:58,480 --> 00:53:01,000
Speaker 1: because that kind of crazy didn't just come out of nowhere,

1094
00:53:01,280 --> 00:53:03,920
Speaker 1: all right. It had to be a sign of that

1095
00:53:04,120 --> 00:53:06,840
Speaker 1: type of crazy when y'all first started kicking it with

1096
00:53:06,880 --> 00:53:08,960
Speaker 1: each other. I got a homeboy right now who's dealing

1097
00:53:09,000 --> 00:53:12,799
Speaker 1: with some crazy and early, early, early on in the relationship,

1098
00:53:12,920 --> 00:53:16,640
Speaker 1: he found out that this young woman left her children

1099
00:53:17,200 --> 00:53:21,960
Speaker 1: in her crib by by himself so she could go

1100
00:53:23,320 --> 00:53:25,440
Speaker 1: check on her other dude at the club. Right, But

1101
00:53:25,680 --> 00:53:29,240
Speaker 1: isn't that a sign of crazy? How old were a kid? Yeah, toddlers,

1102
00:53:29,360 --> 00:53:32,360
Speaker 1: So that's crazy, That's what I'm saying. So when you

1103
00:53:32,520 --> 00:53:34,880
Speaker 1: when they show you that in the beginning and then

1104
00:53:34,920 --> 00:53:38,319
Speaker 1: it escalates the things even worse, that's kind of your

1105
00:53:38,400 --> 00:53:40,760
Speaker 1: fault because you had to see this type of crazy

1106
00:53:42,120 --> 00:53:45,400
Speaker 1: kids this summer. Remember, there's a fine line between interests

1107
00:53:45,400 --> 00:53:47,880
Speaker 1: and stalking and let's just all stay on the right

1108
00:53:47,960 --> 00:53:51,360
Speaker 1: side of that. Okay, some donkey the days just sell themselves.

1109
00:53:51,640 --> 00:53:58,040
Speaker 1: Please give Jacqueline I just the biggest he hall. Did

1110
00:53:58,120 --> 00:54:01,680
Speaker 1: she say that she's just gonna go back to her ex?

1111
00:54:02,400 --> 00:54:05,200
Speaker 1: Did she say that play that type of crazy again?

1112
00:54:05,800 --> 00:54:07,680
Speaker 1: She said she's gonna go back to that. I felt

1113
00:54:07,719 --> 00:54:09,360
Speaker 1: like I meant my soul me and everything was just

1114
00:54:09,480 --> 00:54:11,080
Speaker 1: the way it was, and I thought we would just

1115
00:54:11,120 --> 00:54:12,640
Speaker 1: do what everybody else did and we would just like

1116
00:54:12,680 --> 00:54:14,400
Speaker 1: get married and everything would be fine. But that's not

1117
00:54:14,480 --> 00:54:17,600
Speaker 1: what happens. So you're not angry with him? No, oh

1118
00:54:17,680 --> 00:54:19,480
Speaker 1: my god, No, I love him so much. I just

1119
00:54:19,560 --> 00:54:21,919
Speaker 1: want to love him so much. And if he doesn't

1120
00:54:21,960 --> 00:54:24,799
Speaker 1: like it, then I'll go home and I'll love my exployment.

1121
00:54:27,200 --> 00:54:28,680
Speaker 1: Now from the ex boyfriend, I gotta beat up the

1122
00:54:28,680 --> 00:54:32,839
Speaker 1: new boyfriend. No, that boyfriend doesn't want her either, because

1123
00:54:32,840 --> 00:54:34,239
Speaker 1: I don't want to. No, No, don't come back to me.

1124
00:54:34,440 --> 00:54:36,600
Speaker 1: Joe basically saying, I'm trying to upgrade, but if the

1125
00:54:36,680 --> 00:54:38,319
Speaker 1: bank don't get me the loan, you know, I'm gonna

1126
00:54:38,400 --> 00:54:40,360
Speaker 1: gonna stay in the car. And I'm man, Okay, I

1127
00:54:40,400 --> 00:54:43,400
Speaker 1: canna buy a new car. What she's saying morning. Everybody

1128
00:54:43,560 --> 00:54:46,960
Speaker 1: is DJ Envy Angela Ye, Charlomagne the guy. We are

1129
00:54:47,040 --> 00:54:50,040
Speaker 1: the breakfast Club. We got a special guest in the building.

1130
00:54:50,080 --> 00:54:59,839
Speaker 1: I'm telling you sex sex symbol extraordinair. Okay, brush my god,

1131
00:55:01,480 --> 00:55:04,879
Speaker 1: Michael no good and will all the ladies and all

1132
00:55:04,920 --> 00:55:07,560
Speaker 1: the fellows like Michael B. Jordan's okay, ask him to

1133
00:55:07,560 --> 00:55:13,680
Speaker 1: take your shirt onverw oh Man man, real quick, awkward.

1134
00:55:14,280 --> 00:55:16,680
Speaker 1: Jesus's the movement going on now. And you guys can't

1135
00:55:16,760 --> 00:55:21,960
Speaker 1: just harass Michael people. That's what you got to say

1136
00:55:22,000 --> 00:55:27,359
Speaker 1: that you say, you say, how are you, sir? I'm

1137
00:55:27,400 --> 00:55:29,959
Speaker 1: doing good man. How is your life changed since Black Panther?

1138
00:55:30,200 --> 00:55:33,720
Speaker 1: It's insane. Uh, it's uh, you know, kind of known before.

1139
00:55:33,800 --> 00:55:36,480
Speaker 1: I guess now it's just it's can't go anywhere, malls

1140
00:55:36,480 --> 00:55:38,279
Speaker 1: off limits. You know what I'm saying. Postmates, you know

1141
00:55:38,280 --> 00:55:40,200
Speaker 1: what I'm saying. My Postmates, Bill went through the roof.

1142
00:55:40,239 --> 00:55:43,680
Speaker 1: I'm in your house. It's just a it's incredible, especially

1143
00:55:43,680 --> 00:55:46,080
Speaker 1: with the kids next generation. Man, just seeing them kind

1144
00:55:46,120 --> 00:55:48,479
Speaker 1: of how excited they've been, you know, after seeing the movie,

1145
00:55:48,480 --> 00:55:50,879
Speaker 1: and just kind of their reaction to me walking around

1146
00:55:50,920 --> 00:55:53,400
Speaker 1: has been It's been pretty incredible, incredible that buried me

1147
00:55:53,440 --> 00:55:55,680
Speaker 1: in the ocean with my ancestors that jumped from ships

1148
00:55:55,680 --> 00:55:57,719
Speaker 1: because they knew death was better than Bondage who wrote

1149
00:55:57,760 --> 00:56:01,719
Speaker 1: that line, I was right, man, Wow, Ryan, Ryan Cooler's uh,

1150
00:56:02,280 --> 00:56:04,480
Speaker 1: he's incredible man. We just wanted to, you know, really

1151
00:56:04,520 --> 00:56:06,560
Speaker 1: get the essence of what kill Monger was trying to

1152
00:56:07,080 --> 00:56:09,840
Speaker 1: was trying to say, and you know, going and change,

1153
00:56:09,920 --> 00:56:11,880
Speaker 1: trying to you know, trying to trying to live. It

1154
00:56:12,080 --> 00:56:14,319
Speaker 1: wasn't really on his agenda. He was willing to die

1155
00:56:14,360 --> 00:56:16,160
Speaker 1: for what he believed in, and you know, going out

1156
00:56:16,239 --> 00:56:18,360
Speaker 1: what his answers did was was proving his point. I

1157
00:56:18,440 --> 00:56:19,800
Speaker 1: think I think he won. I think he got his

1158
00:56:19,880 --> 00:56:21,920
Speaker 1: point across in the end. You see you see the

1159
00:56:22,000 --> 00:56:23,520
Speaker 1: child to actually go back to Oakland. You know what

1160
00:56:23,560 --> 00:56:25,759
Speaker 1: I'm saying, by the buildings really like you know, open

1161
00:56:25,880 --> 00:56:27,880
Speaker 1: up the borders of Wakanda. So that was you know,

1162
00:56:27,960 --> 00:56:30,319
Speaker 1: kill Monger's victory. I want to say, said to keep

1163
00:56:30,360 --> 00:56:33,279
Speaker 1: my diary during the time that you did Black Panther. Yeah,

1164
00:56:33,400 --> 00:56:36,520
Speaker 1: for most of my characters in general, um, not for television,

1165
00:56:36,600 --> 00:56:38,680
Speaker 1: but for film. I like to write a diary from

1166
00:56:38,719 --> 00:56:40,680
Speaker 1: like the earliest memory of a character. Up until the

1167
00:56:40,719 --> 00:56:42,359
Speaker 1: first page of the script, which just kind of gives

1168
00:56:42,400 --> 00:56:45,759
Speaker 1: me like a backstory, a subtext to always know where

1169
00:56:45,800 --> 00:56:47,480
Speaker 1: my characters are at. So I always kind of like

1170
00:56:47,600 --> 00:56:49,279
Speaker 1: keep those. So I got a like a you know,

1171
00:56:49,719 --> 00:56:52,040
Speaker 1: a crate full of, like you know, meet notebooks of

1172
00:56:52,120 --> 00:56:53,759
Speaker 1: like all my characters that I played thus far, and

1173
00:56:53,840 --> 00:56:57,279
Speaker 1: it's kind of memory that you think, oh no, maybe

1174
00:56:57,400 --> 00:56:59,040
Speaker 1: like maybe when it's alsoting done, or like you know,

1175
00:56:59,080 --> 00:57:00,200
Speaker 1: at the end of it, you know, some than that

1176
00:57:00,200 --> 00:57:01,920
Speaker 1: people kind of look back on and just kind of

1177
00:57:02,000 --> 00:57:04,640
Speaker 1: get a subtext to all the characters that that's actually

1178
00:57:04,680 --> 00:57:06,600
Speaker 1: a good idea maybe something like that. Never really thought

1179
00:57:06,640 --> 00:57:08,200
Speaker 1: about it like that. But let's break it down. Let's

1180
00:57:08,200 --> 00:57:10,600
Speaker 1: go to the beginning. What made what made? What introduced

1181
00:57:10,640 --> 00:57:12,239
Speaker 1: you to this character? Why did you want to play

1182
00:57:12,320 --> 00:57:14,360
Speaker 1: Kim Ryan Coo? Yeah, I mean he just called me

1183
00:57:14,480 --> 00:57:15,879
Speaker 1: up and I was like, yo, might un to this movie,

1184
00:57:16,000 --> 00:57:21,600
Speaker 1: and I was like, exactly, nah. It was like it

1185
00:57:21,760 --> 00:57:25,640
Speaker 1: wasn't even um. Just as soon as he got the

1186
00:57:25,960 --> 00:57:27,920
Speaker 1: job pretty much, he hit me up a little bit

1187
00:57:28,040 --> 00:57:29,560
Speaker 1: after that and I was just like, yo, you want

1188
00:57:29,560 --> 00:57:31,120
Speaker 1: to play this? You know, kill Monger? You know what

1189
00:57:31,120 --> 00:57:32,440
Speaker 1: I'm saying. The villain I think would be a good

1190
00:57:32,440 --> 00:57:33,600
Speaker 1: move from me. I was like, all right, cool, w

1191
00:57:33,880 --> 00:57:35,720
Speaker 1: would you winto comics when you went to Yeah, it

1192
00:57:35,800 --> 00:57:39,080
Speaker 1: was a big comical guy growing up. More Marvel. Okay,

1193
00:57:39,200 --> 00:57:40,720
Speaker 1: I mean I always like like Batman, you know what

1194
00:57:40,760 --> 00:57:42,600
Speaker 1: I'm saying. But Batman might have been the best one.

1195
00:57:42,640 --> 00:57:43,880
Speaker 1: The best one, you know what I'm saying. He was

1196
00:57:43,920 --> 00:57:45,520
Speaker 1: like for me, he was just the smartest. He was

1197
00:57:45,520 --> 00:57:47,520
Speaker 1: always like a like ahead of everybody else. He had

1198
00:57:47,560 --> 00:57:49,400
Speaker 1: ways to kill everybody just in case they started tripping.

1199
00:57:49,400 --> 00:57:51,640
Speaker 1: I always thought that was like super dope. But Marvel

1200
00:57:51,760 --> 00:57:53,520
Speaker 1: was always like top not if. But they were jumping

1201
00:57:53,560 --> 00:57:55,480
Speaker 1: out the window online saying Batman could beat thing. Though

1202
00:57:55,520 --> 00:57:57,720
Speaker 1: that ain't happening. No never, no, no, no, no, He's

1203
00:57:57,720 --> 00:58:00,640
Speaker 1: not that smart. It wasn't gonna happen. It's I always

1204
00:58:00,640 --> 00:58:02,160
Speaker 1: been a big comic book guy growing up. But so

1205
00:58:02,640 --> 00:58:05,720
Speaker 1: playing kill Monger was like a no brainer for sure.

1206
00:58:05,920 --> 00:58:07,360
Speaker 1: And it's my first time playing the villain. How do

1207
00:58:07,440 --> 00:58:08,920
Speaker 1: you prepare it for the role, Like, did you have

1208
00:58:09,000 --> 00:58:10,760
Speaker 1: to bulk up? It? Was it a lot of training?

1209
00:58:10,800 --> 00:58:12,240
Speaker 1: Did you watch a lot of videos of black men

1210
00:58:12,280 --> 00:58:15,400
Speaker 1: getting shot by police? Not really get angry and Wait, No,

1211
00:58:15,560 --> 00:58:17,840
Speaker 1: I mean that didn't. I mean, that's not too hard,

1212
00:58:17,920 --> 00:58:19,200
Speaker 1: you know what I'm saying. Like for me, it was

1213
00:58:19,280 --> 00:58:26,920
Speaker 1: more or less a sorry allergies, No, just not. It

1214
00:58:26,960 --> 00:58:28,600
Speaker 1: ain't that hard for me out there. I'm good. I'm good.

1215
00:58:28,640 --> 00:58:31,360
Speaker 1: I'm good, I'm good. Um No, It's one of those

1216
00:58:31,360 --> 00:58:34,200
Speaker 1: things were like, uh, it took me to a dark place.

1217
00:58:34,320 --> 00:58:37,440
Speaker 1: This character not even a dark place, but I just isolated,

1218
00:58:37,560 --> 00:58:38,560
Speaker 1: you know what I mean. Like it was one of

1219
00:58:38,640 --> 00:58:40,640
Speaker 1: those things where you know, kill Monger, what he was

1220
00:58:40,680 --> 00:58:45,080
Speaker 1: fighting for wasn't too far from you know, what the

1221
00:58:45,160 --> 00:58:47,160
Speaker 1: culture was feeling at the moment. You know what I'm saying.

1222
00:58:47,400 --> 00:58:49,480
Speaker 1: It was an opportunity for me to kind of express

1223
00:58:49,800 --> 00:58:52,800
Speaker 1: I think with our generation it's feeling right now, you

1224
00:58:52,880 --> 00:58:54,360
Speaker 1: know through my art, you know what I'm saying. And

1225
00:58:54,440 --> 00:58:56,600
Speaker 1: that was that was like a real liberating you know

1226
00:58:56,640 --> 00:58:58,400
Speaker 1: what I'm saying. Feeling for me. So you know, I

1227
00:58:58,440 --> 00:59:00,240
Speaker 1: spent a lot of time away from my family, really

1228
00:59:00,280 --> 00:59:01,400
Speaker 1: talking to my mom and my dad, you know what

1229
00:59:01,400 --> 00:59:03,400
Speaker 1: I'm saying, like my brothers and sisters and stuff like that.

1230
00:59:03,880 --> 00:59:06,240
Speaker 1: You know, I was you know, I worked out a lot.

1231
00:59:06,320 --> 00:59:07,720
Speaker 1: It was a sad place, man. I just kind of

1232
00:59:07,720 --> 00:59:10,280
Speaker 1: like stayed to myself, and so the physical aspect was

1233
00:59:10,440 --> 00:59:12,360
Speaker 1: that was the easy part. Mentally, kind of going to

1234
00:59:12,440 --> 00:59:14,560
Speaker 1: that lonely place and willing to do whatever it takes

1235
00:59:14,760 --> 00:59:17,280
Speaker 1: to kind of free as people was the not that

1236
00:59:17,840 --> 00:59:19,440
Speaker 1: was a more challenging part, you know what I'm saying.

1237
00:59:19,480 --> 00:59:20,880
Speaker 1: But it was a lot of fun too. What about

1238
00:59:20,880 --> 00:59:23,120
Speaker 1: white women? Did you cut off white women doing that? More? Man?

1239
00:59:23,800 --> 00:59:26,320
Speaker 1: Why wasn't that go back there? I like women, period,

1240
00:59:26,400 --> 00:59:34,200
Speaker 1: all women. Everybody's on the table. Okay, everybody's table. Everybody's

1241
00:59:34,200 --> 00:59:36,120
Speaker 1: on the table, man, everybody. How much how much of

1242
00:59:36,200 --> 00:59:40,920
Speaker 1: kill Monger philosophy do you agree with? Um? I mean,

1243
00:59:41,520 --> 00:59:43,560
Speaker 1: I feel like, first of all, it's a movie, you

1244
00:59:43,600 --> 00:59:44,960
Speaker 1: know what I'm saying. So there's a lot of things

1245
00:59:45,160 --> 00:59:47,640
Speaker 1: that Kilmunger has to do to service the character. You

1246
00:59:47,680 --> 00:59:48,960
Speaker 1: know what I'm saying, That service the story, you know

1247
00:59:48,960 --> 00:59:51,360
Speaker 1: what I'm saying. To the challenge to Challa, he's a tool,

1248
00:59:51,400 --> 00:59:52,960
Speaker 1: you know what I'm saying in that movie. But there's

1249
00:59:52,960 --> 00:59:54,320
Speaker 1: a lot of it that you know, I mean, you

1250
00:59:54,360 --> 00:59:56,040
Speaker 1: grew up in a press society, you know I'm saying,

1251
00:59:56,080 --> 01:00:00,400
Speaker 1: systemic society. You know you're gonna create kill Monger like you.

1252
01:00:00,400 --> 01:00:03,240
Speaker 1: You can't create that. So I feel like this there's

1253
01:00:03,280 --> 01:00:04,680
Speaker 1: something that I agree with the something that I don't.

1254
01:00:04,720 --> 01:00:06,400
Speaker 1: He's an extreme version of what I think a lot

1255
01:00:06,400 --> 01:00:08,560
Speaker 1: of people feel today. And it was I was glad

1256
01:00:08,560 --> 01:00:10,000
Speaker 1: to kind of be able to play that character and

1257
01:00:10,120 --> 01:00:12,040
Speaker 1: like bring that to the screen. That form a little

1258
01:00:12,120 --> 01:00:15,840
Speaker 1: double little creed jabs he gave me just now you

1259
01:00:15,880 --> 01:00:21,240
Speaker 1: should have fell out. Did you anticipate the movie would

1260
01:00:21,280 --> 01:00:23,040
Speaker 1: have the impact that it was going to have when

1261
01:00:23,080 --> 01:00:25,480
Speaker 1: you were filming it. I mean I thought we I

1262
01:00:25,600 --> 01:00:27,520
Speaker 1: thought we had something special, you know, if we all

1263
01:00:27,600 --> 01:00:28,960
Speaker 1: kind of did our jobs, you know what I'm saying

1264
01:00:29,000 --> 01:00:31,360
Speaker 1: from behind the camera in front of the camera. I

1265
01:00:31,600 --> 01:00:34,120
Speaker 1: never imagined that it was going to have the reach

1266
01:00:34,520 --> 01:00:37,720
Speaker 1: that it did. I did. I told Ryan last summer,

1267
01:00:38,160 --> 01:00:39,640
Speaker 1: I said, you know, black pans are gonna make of

1268
01:00:39,720 --> 01:00:42,080
Speaker 1: a billion dollars. He was like, what I said, I'm

1269
01:00:42,120 --> 01:00:44,120
Speaker 1: telling you because you don't have all the Marvel fans

1270
01:00:44,200 --> 01:00:46,440
Speaker 1: and every black person in America who ain't even up

1271
01:00:46,480 --> 01:00:48,120
Speaker 1: on comments gonna go see it's gonna do with a

1272
01:00:48,160 --> 01:00:49,920
Speaker 1: billion now? And then we didn't really account for I

1273
01:00:49,960 --> 01:00:52,000
Speaker 1: think people going to see it three, four or five times.

1274
01:00:52,040 --> 01:00:55,160
Speaker 1: And I saw it three times. That's that's what coming

1275
01:00:55,200 --> 01:00:58,760
Speaker 1: to people buying out the theaters as being able to

1276
01:00:58,840 --> 01:01:01,160
Speaker 1: like take kids that wouldn't actially had the opportunity or

1277
01:01:01,240 --> 01:01:02,840
Speaker 1: the means to go see the film. So it was,

1278
01:01:03,000 --> 01:01:05,000
Speaker 1: it was, it was a big deal, and it's kind

1279
01:01:05,040 --> 01:01:07,280
Speaker 1: of like it's kind of surreal, but the impact hasn't

1280
01:01:07,280 --> 01:01:09,200
Speaker 1: really hit me right now. It's still like because it's

1281
01:01:09,200 --> 01:01:11,600
Speaker 1: still living and still you know, so I think the

1282
01:01:11,720 --> 01:01:15,440
Speaker 1: real impact for me personally won't happen until, you know,

1283
01:01:15,720 --> 01:01:17,840
Speaker 1: years later after it desk really settles. But you can

1284
01:01:17,840 --> 01:01:20,080
Speaker 1: see the shift because Denzelzel was like, Yo, Michael can

1285
01:01:20,160 --> 01:01:25,840
Speaker 1: have all my old holes. That's what he said. Next,

1286
01:01:26,000 --> 01:01:27,640
Speaker 1: it was that was a cool interview I did with

1287
01:01:27,720 --> 01:01:29,320
Speaker 1: him in the New York Times, man, honestly, just to

1288
01:01:29,360 --> 01:01:31,040
Speaker 1: be able to have a conversation with him, you know,

1289
01:01:31,160 --> 01:01:33,680
Speaker 1: and just spit those gems and being able to like,

1290
01:01:33,800 --> 01:01:36,200
Speaker 1: you know, hear him kind of like you know, kick

1291
01:01:36,240 --> 01:01:38,840
Speaker 1: that wisdom was was was a big deal, he said,

1292
01:01:38,840 --> 01:01:40,720
Speaker 1: you next, it's a lot of pressure, bro A little

1293
01:01:40,760 --> 01:01:43,280
Speaker 1: bit not for me. It's like, I mean, I'm just

1294
01:01:43,320 --> 01:01:44,880
Speaker 1: gonna keep doing what I've been doing, you know what

1295
01:01:44,880 --> 01:01:47,000
Speaker 1: I'm saying, Like you know, creating a production company, you know,

1296
01:01:47,040 --> 01:01:49,280
Speaker 1: outline of Society was a big deal for me, Um

1297
01:01:50,200 --> 01:01:52,520
Speaker 1: because I realized, like the true powers behind the camera.

1298
01:01:52,800 --> 01:01:54,320
Speaker 1: You know what I'm saying. Everybody wants to, you know,

1299
01:01:54,920 --> 01:01:57,040
Speaker 1: be in front of the camera, be a star, be famous.

1300
01:01:57,080 --> 01:01:58,360
Speaker 1: You know what I'm saying. All that good stuff, and

1301
01:01:58,440 --> 01:02:00,080
Speaker 1: that's cool and fun and all that good stuff. But

1302
01:02:00,560 --> 01:02:02,400
Speaker 1: you know, when you got to make the decisions when

1303
01:02:02,400 --> 01:02:04,880
Speaker 1: you get a chance to employ people, but key people

1304
01:02:04,960 --> 01:02:06,480
Speaker 1: of color. You know what I'm saying. Women, You know

1305
01:02:06,520 --> 01:02:09,360
Speaker 1: what I'm saying, Like in in those positions that are

1306
01:02:09,400 --> 01:02:11,440
Speaker 1: really going to make a difference, that's when you really

1307
01:02:11,440 --> 01:02:13,680
Speaker 1: start to see some We got more with Michael B.

1308
01:02:13,840 --> 01:02:15,560
Speaker 1: Jordan when we come back, keep it locked as the

1309
01:02:15,600 --> 01:02:19,360
Speaker 1: Breakfast Club. Good morning, everybody is DJ Envy, Angela Yee,

1310
01:02:19,560 --> 01:02:22,000
Speaker 1: Charlemagne the guy we all the Breakfast Club. Michael B.

1311
01:02:22,160 --> 01:02:26,960
Speaker 1: Jordan's in the building. Ye. It is from your production company,

1312
01:02:27,600 --> 01:02:30,760
Speaker 1: a co production between UM you know, hbo UM and

1313
01:02:30,960 --> 01:02:34,760
Speaker 1: um Ram and Ronnie's who's our director with his production

1314
01:02:34,760 --> 01:02:37,200
Speaker 1: company as well. And it was my first you know,

1315
01:02:38,000 --> 01:02:41,120
Speaker 1: real project that I got a chance to produce. So

1316
01:02:41,280 --> 01:02:43,400
Speaker 1: that was nah very much. So you know, to go

1317
01:02:43,480 --> 01:02:45,280
Speaker 1: from like Wallace on the Wire, you know, being casted

1318
01:02:45,320 --> 01:02:48,640
Speaker 1: in front of the camera. So, you know, fifteen years later,

1319
01:02:48,840 --> 01:02:51,000
Speaker 1: being able to like produce something, it was a it

1320
01:02:51,080 --> 01:02:53,120
Speaker 1: was a milestone. I wondered what y'all was going to

1321
01:02:53,160 --> 01:02:55,360
Speaker 1: do after Black Panther. So what you mean like this

1322
01:02:55,520 --> 01:02:57,800
Speaker 1: in general, like like what what's the next role you

1323
01:02:57,880 --> 01:03:00,520
Speaker 1: take when you do something that monumental? Yeah? So why

1324
01:03:00,720 --> 01:03:05,919
Speaker 1: farne um? I think because it's so relevant to what's

1325
01:03:05,920 --> 01:03:07,600
Speaker 1: going on today. You know what I'm saying with like

1326
01:03:07,720 --> 01:03:10,560
Speaker 1: media control, you know, anti intellectualism, you know what I'm saying,

1327
01:03:10,600 --> 01:03:13,640
Speaker 1: the fact that you know, free thought, freethinking, all the

1328
01:03:13,720 --> 01:03:15,800
Speaker 1: distractions that we have due to technology. You know what

1329
01:03:15,800 --> 01:03:18,520
Speaker 1: I'm saying, propaganda, et cetera, et cetera. You know what

1330
01:03:19,040 --> 01:03:21,560
Speaker 1: Ray Bradberry did you know over sixty years ago, still

1331
01:03:21,840 --> 01:03:24,240
Speaker 1: very much so relevant today. And we wrote that movie

1332
01:03:24,280 --> 01:03:26,480
Speaker 1: before the you know, the presidential elections. So it's like

1333
01:03:26,560 --> 01:03:28,200
Speaker 1: there's a lot of things that are in this film

1334
01:03:28,720 --> 01:03:34,120
Speaker 1: that that are very real today. Um, obviously there's some

1335
01:03:34,240 --> 01:03:37,040
Speaker 1: changes due to like no technology and the digital area

1336
01:03:37,080 --> 01:03:39,480
Speaker 1: that error that we live in. We incorporated a lot

1337
01:03:39,520 --> 01:03:41,760
Speaker 1: of like you know, kind of futuristic sci fi things,

1338
01:03:41,840 --> 01:03:44,200
Speaker 1: but it's in the near future like things that we

1339
01:03:44,280 --> 01:03:45,920
Speaker 1: were like, okay, cool, we can see if we go

1340
01:03:46,000 --> 01:03:47,800
Speaker 1: ten more years down the road, we could probably be

1341
01:03:47,960 --> 01:03:50,040
Speaker 1: in that situation right now. So that's one of the

1342
01:03:50,080 --> 01:03:52,520
Speaker 1: reasons why I really wanted to step into that character

1343
01:03:52,560 --> 01:03:53,760
Speaker 1: and played that role. You knew it was gonna be

1344
01:03:53,760 --> 01:03:55,920
Speaker 1: a TV movie or he didn't care. Now I knew

1345
01:03:55,960 --> 01:03:57,600
Speaker 1: it was gonna be on HBO. Okay, okay, I mean

1346
01:03:57,680 --> 01:04:00,480
Speaker 1: for me, honestly, it was it was it was opportunity

1347
01:04:00,520 --> 01:04:04,880
Speaker 1: to aid to that story, be able to produce something,

1348
01:04:05,040 --> 01:04:06,920
Speaker 1: get a credit, you know I'm saying under my production company,

1349
01:04:06,920 --> 01:04:09,080
Speaker 1: to get some real stake with the credibility of HBO.

1350
01:04:09,160 --> 01:04:10,400
Speaker 1: You know what I'm saying, to be able to like,

1351
01:04:10,600 --> 01:04:12,760
Speaker 1: you know, have my logo go up right after HBO

1352
01:04:12,960 --> 01:04:15,320
Speaker 1: is like okay cool. That instantly gives my company a

1353
01:04:15,400 --> 01:04:17,880
Speaker 1: lot of a lot of cashe and then um, yeah,

1354
01:04:17,920 --> 01:04:19,200
Speaker 1: in the story I believe that, you know, working with

1355
01:04:19,280 --> 01:04:21,000
Speaker 1: Michael Shannon also, you know what I'm saying, it's like

1356
01:04:21,040 --> 01:04:22,960
Speaker 1: a credible actor. So it was it was a win

1357
01:04:23,000 --> 01:04:24,600
Speaker 1: win for me all the right around. But what got

1358
01:04:24,640 --> 01:04:26,400
Speaker 1: what got you into acting? I know, you. You were

1359
01:04:26,480 --> 01:04:29,000
Speaker 1: raised in New Yep. A lot of times, Nwik is

1360
01:04:29,000 --> 01:04:30,760
Speaker 1: probably one of those places where it's one of the

1361
01:04:31,320 --> 01:04:33,919
Speaker 1: shout out you could get somebody. I mean we often

1362
01:04:34,080 --> 01:04:37,760
Speaker 1: called city feel me. So what got you into acting? Um?

1363
01:04:38,040 --> 01:04:41,520
Speaker 1: I mean it was it was random. My mom has

1364
01:04:41,640 --> 01:04:44,320
Speaker 1: Lucas or whatever. She was going to a doctor's appointment

1365
01:04:44,320 --> 01:04:45,959
Speaker 1: when I was like eleven years old. I was sitting

1366
01:04:45,960 --> 01:04:48,560
Speaker 1: in the waiting room. She came out. The receptionist was like, Yo,

1367
01:04:48,640 --> 01:04:50,360
Speaker 1: do you want to You know, you should get your

1368
01:04:50,360 --> 01:04:52,000
Speaker 1: son in the modeling. I started out modeling for like

1369
01:04:52,120 --> 01:04:54,400
Speaker 1: toys and Russ and models. I told you that eleven.

1370
01:04:55,400 --> 01:04:58,160
Speaker 1: She was a pedophile. Cut it out. She had she

1371
01:04:58,280 --> 01:05:00,480
Speaker 1: had two sons that was in the business, probably like you.

1372
01:05:00,560 --> 01:05:02,080
Speaker 1: My mom was probably talking to her, you know, some

1373
01:05:02,160 --> 01:05:04,520
Speaker 1: other appointments about you know, we were pour growing up,

1374
01:05:04,520 --> 01:05:06,240
Speaker 1: you know what I'm saying. Didn't like making extra bucks.

1375
01:05:06,280 --> 01:05:07,840
Speaker 1: It was easy to come to the city, go to

1376
01:05:08,040 --> 01:05:10,560
Speaker 1: like go see you know, quick booking whatever whatever. And

1377
01:05:11,560 --> 01:05:13,920
Speaker 1: I guess over time I started booking. So I guess

1378
01:05:13,960 --> 01:05:16,640
Speaker 1: over the next year or so, my agent was just like, yo,

1379
01:05:16,760 --> 01:05:18,040
Speaker 1: do you want to like start going out for like,

1380
01:05:18,640 --> 01:05:21,919
Speaker 1: you know, commercials, and background and extra working all that stuff,

1381
01:05:21,920 --> 01:05:24,280
Speaker 1: and then it just slowly evolved into acting. Like I

1382
01:05:24,400 --> 01:05:29,000
Speaker 1: never really liked acting seriously until probably The Wire and

1383
01:05:29,120 --> 01:05:33,280
Speaker 1: being around like I Dress and David Simon and JD

1384
01:05:33,440 --> 01:05:35,640
Speaker 1: Williams and Andre Royal and all these like all the

1385
01:05:35,680 --> 01:05:38,280
Speaker 1: phenomenal veteran actors on that show. They're like, Yo, Mike,

1386
01:05:38,360 --> 01:05:40,720
Speaker 1: you can actually do something with this. You can make

1387
01:05:40,760 --> 01:05:42,120
Speaker 1: a career out of this. And that's when I kind

1388
01:05:42,160 --> 01:05:44,080
Speaker 1: of started taking it seriously. So you've had a relationship

1389
01:05:44,120 --> 01:05:47,400
Speaker 1: with HBO for a while. Yeah, yeah, it's been it's

1390
01:05:47,400 --> 01:05:49,840
Speaker 1: been like sixteen years. A lot more respect now, I'm sure,

1391
01:05:50,080 --> 01:05:51,680
Speaker 1: without a doubt. I mean it's gross, you know. I

1392
01:05:51,720 --> 01:05:53,280
Speaker 1: mean I kind of like paid my dues as a

1393
01:05:53,360 --> 01:05:55,120
Speaker 1: kid and kind of grew into the man that I

1394
01:05:55,240 --> 01:05:57,560
Speaker 1: am today and looking back at I was, I guess

1395
01:05:57,600 --> 01:05:59,440
Speaker 1: I was a child actor. But it wasn't like I

1396
01:05:59,520 --> 01:06:02,080
Speaker 1: got too much too fast where I was like emotionally

1397
01:06:02,200 --> 01:06:04,360
Speaker 1: not able to handle what was going on. So you

1398
01:06:04,400 --> 01:06:06,360
Speaker 1: ain't gonna see me on the you know, running the

1399
01:06:06,400 --> 01:06:08,560
Speaker 1: street going crazy, you know what I'm saying, No drug habits.

1400
01:06:09,720 --> 01:06:11,920
Speaker 1: I got a good family, like my family, my friends,

1401
01:06:12,000 --> 01:06:14,160
Speaker 1: everybody kind of keeps me grounded. And if you ever

1402
01:06:14,200 --> 01:06:15,800
Speaker 1: around me and my friends, you're like, damn, you might

1403
01:06:15,840 --> 01:06:17,560
Speaker 1: need some new friends because they hate you. They keep

1404
01:06:17,600 --> 01:06:19,320
Speaker 1: it real with me. They touched you know what I'm saying.

1405
01:06:19,360 --> 01:06:20,920
Speaker 1: They just they keep me home. You still live with

1406
01:06:21,000 --> 01:06:26,960
Speaker 1: your parents. They live with me. But it's like position.

1407
01:06:27,360 --> 01:06:29,000
Speaker 1: But it's like, why wouldn't not You know what I'm saying.

1408
01:06:29,000 --> 01:06:30,360
Speaker 1: If you get the opportunity, you make the money, you

1409
01:06:30,360 --> 01:06:31,720
Speaker 1: know what I'm saying, making enough money to be able

1410
01:06:31,760 --> 01:06:33,240
Speaker 1: to take care of your family that took care of

1411
01:06:33,280 --> 01:06:35,080
Speaker 1: you your whole life, while wouldn't you move them out?

1412
01:06:36,280 --> 01:06:37,680
Speaker 1: You know what I'm saying, And I'm never home. You

1413
01:06:37,720 --> 01:06:39,320
Speaker 1: feel like you got short shafted for black parents. And

1414
01:06:39,400 --> 01:06:41,800
Speaker 1: speaking of money, what I mean I was looking at

1415
01:06:41,840 --> 01:06:45,440
Speaker 1: the salaries. Did you didn't look too chunky? If you

1416
01:06:45,480 --> 01:06:46,720
Speaker 1: look at the sally what do they say you made

1417
01:06:46,800 --> 01:06:48,480
Speaker 1: like maybe two million? I don't know. I mean, I'm

1418
01:06:48,480 --> 01:06:50,600
Speaker 1: just man, that's probably wrong. How are you? How are

1419
01:06:50,600 --> 01:06:52,240
Speaker 1: you getting How you getting these numbers? Where you getting

1420
01:06:52,240 --> 01:06:56,200
Speaker 1: these nims? From what I'm saying, that's what fool for

1421
01:06:56,240 --> 01:06:57,640
Speaker 1: you want to So I'm putting everything you read on

1422
01:06:57,640 --> 01:06:59,080
Speaker 1: the end of it ain't true, true, true, you know

1423
01:06:59,080 --> 01:07:00,400
Speaker 1: what I'm saying. But now, but one of those things

1424
01:07:00,440 --> 01:07:07,439
Speaker 1: were like you live with your mom, that's what masking many. Yeah, yeah,

1425
01:07:08,640 --> 01:07:10,480
Speaker 1: that's one of those things. We're like, you know, at

1426
01:07:10,520 --> 01:07:12,120
Speaker 1: the end of the day, like Marvel's Marvel, and you

1427
01:07:12,240 --> 01:07:13,960
Speaker 1: gotta be do what's best for the project at that

1428
01:07:14,000 --> 01:07:15,439
Speaker 1: stage in the game. You know what I'm saying. We're

1429
01:07:15,760 --> 01:07:18,400
Speaker 1: you know, individually in our acting careers, we're all kind

1430
01:07:18,440 --> 01:07:20,360
Speaker 1: of like, you know, featuring our quote. We're doing we

1431
01:07:20,400 --> 01:07:23,720
Speaker 1: gotta do you climbing that letter. You have a Netflix

1432
01:07:23,840 --> 01:07:27,680
Speaker 1: movie too, deals with Netflix. Yeah, I gotta, I gotta

1433
01:07:27,760 --> 01:07:30,680
Speaker 1: a show that I um that I sold to Netflix,

1434
01:07:31,080 --> 01:07:34,480
Speaker 1: Raising Dion. It's about a single mom raising her eight

1435
01:07:34,560 --> 01:07:37,120
Speaker 1: year old with superpowers and sold to the Miles Perspective

1436
01:07:37,440 --> 01:07:41,680
Speaker 1: um or Superhero Kid. Yeah yeah, yeah, yeah, single black mom,

1437
01:07:41,760 --> 01:07:44,200
Speaker 1: you know, raising a kid, and uh, you know producing

1438
01:07:44,280 --> 01:07:46,800
Speaker 1: that as well. So I'm actually I'm being in as well.

1439
01:07:46,800 --> 01:07:48,560
Speaker 1: I'm starting in it for a couple of episodes. That

1440
01:07:48,640 --> 01:07:50,120
Speaker 1: was the trade off, you know, when you when you

1441
01:07:50,160 --> 01:07:53,120
Speaker 1: get to a certain point of you know, making production

1442
01:07:53,200 --> 01:07:56,280
Speaker 1: deals right now as an actor, you gotta kind of

1443
01:07:56,320 --> 01:07:58,360
Speaker 1: like negotiate a little bit, and you know, trade yourself

1444
01:07:58,400 --> 01:08:00,240
Speaker 1: off a little bit for a couple of episodes, get

1445
01:08:00,280 --> 01:08:02,520
Speaker 1: that producer credit to get that show on the air.

1446
01:08:02,640 --> 01:08:04,560
Speaker 1: So that was one of those things. But Netflix is

1447
01:08:04,560 --> 01:08:07,040
Speaker 1: an incredible home to work with, great collaborators. They believe

1448
01:08:07,040 --> 01:08:08,840
Speaker 1: in the creatives. They give us a lot of control

1449
01:08:08,920 --> 01:08:10,760
Speaker 1: to go off and do our things. So I teamed

1450
01:08:10,800 --> 01:08:13,720
Speaker 1: up with macro Charles King over there. He's amazing and

1451
01:08:13,960 --> 01:08:15,680
Speaker 1: um yeah, man, we got with getting ready to start

1452
01:08:15,720 --> 01:08:17,840
Speaker 1: shooting at the summer. So let's talk about these women. Man,

1453
01:08:17,960 --> 01:08:21,000
Speaker 1: you know what's going on? Why? Well, why everybody want

1454
01:08:21,040 --> 01:08:22,400
Speaker 1: to know about what I'm doing on my life. You've

1455
01:08:22,439 --> 01:08:24,960
Speaker 1: got to be disciplined, Michael, because they on you all

1456
01:08:25,040 --> 01:08:27,760
Speaker 1: right now, they on you now. Now. Recently, this girl

1457
01:08:27,800 --> 01:08:29,600
Speaker 1: from Temple got into your DMS and brought you a

1458
01:08:29,640 --> 01:08:31,479
Speaker 1: smoothe and you pulled up on it. No, she didn't,

1459
01:08:31,800 --> 01:08:33,920
Speaker 1: and you pulled up one look at I love like

1460
01:08:34,479 --> 01:08:40,439
Speaker 1: you bought your smoothie and you pulled up on it. Lot.

1461
01:08:41,600 --> 01:08:44,679
Speaker 1: If you read the Internet, I declined to smoothie. Okay,

1462
01:08:44,800 --> 01:08:48,439
Speaker 1: she didn't buy me no smooth Let's happen. I think

1463
01:08:49,560 --> 01:08:51,120
Speaker 1: this happened. So you want to go see it. Listen

1464
01:08:51,200 --> 01:08:53,439
Speaker 1: this no, no, this is what happened right. So this

1465
01:08:53,640 --> 01:08:56,720
Speaker 1: got right here? Boy, So uh, we're shooting at tip

1466
01:08:56,720 --> 01:08:59,639
Speaker 1: the university and our base camp is behind the door rooms.

1467
01:08:59,680 --> 01:09:01,240
Speaker 1: Let's come out of hair and make a trailer. It

1468
01:09:01,360 --> 01:09:03,920
Speaker 1: was in the windows went crazy, blah blah blah. Yeah yeah.

1469
01:09:03,960 --> 01:09:05,639
Speaker 1: I went out, talked to a couple of them through

1470
01:09:05,680 --> 01:09:07,200
Speaker 1: the window, just like, you know, show them some love.

1471
01:09:08,320 --> 01:09:10,240
Speaker 1: Went off of the cook. I was like, cool, cook

1472
01:09:10,320 --> 01:09:13,240
Speaker 1: me something whatever, just being nice. They slid in my DMS.

1473
01:09:14,160 --> 01:09:16,320
Speaker 1: Where can I see the food? I answered? A couple

1474
01:09:16,360 --> 01:09:18,280
Speaker 1: of them said cool, just come down and meet me

1475
01:09:18,320 --> 01:09:21,000
Speaker 1: at my at the base camp. I'll tell the security

1476
01:09:21,040 --> 01:09:23,679
Speaker 1: to chill out. Went out there, gave me a flake

1477
01:09:24,120 --> 01:09:26,479
Speaker 1: some other friends. I told her bringing friends. We took

1478
01:09:26,520 --> 01:09:28,599
Speaker 1: some pictures. You ate it. That was it. I took

1479
01:09:28,600 --> 01:09:30,760
Speaker 1: a couple of bikes. You're not worried about period, blake,

1480
01:09:31,320 --> 01:09:36,879
Speaker 1: Come on, come on, how they get you? That's roots voodoo?

1481
01:09:37,600 --> 01:09:40,680
Speaker 1: I mean, nah, I took good bikes whatever, man, what

1482
01:09:40,760 --> 01:09:42,559
Speaker 1: I mean whatever? I know what I'm saying. I took

1483
01:09:42,560 --> 01:09:44,439
Speaker 1: a good bikes. It was cool and let's tell page

1484
01:09:44,479 --> 01:09:49,000
Speaker 1: come in man, I need to shoot from my come,

1485
01:09:49,200 --> 01:09:50,760
Speaker 1: I took a couple of bikes. It was cool though

1486
01:09:51,000 --> 01:09:52,200
Speaker 1: back the end of the day like that was some

1487
01:09:52,320 --> 01:09:54,519
Speaker 1: craziest thing a girl has done to get your attention

1488
01:09:54,560 --> 01:09:57,720
Speaker 1: as they eat them, popped about your crib, laid in

1489
01:09:57,760 --> 01:10:01,600
Speaker 1: your bed, and you no, you see that. See the

1490
01:10:01,640 --> 01:10:03,599
Speaker 1: blonde right there? She said, know what she's been talking

1491
01:10:03,600 --> 01:10:08,160
Speaker 1: about in your ask for much? I have her own

1492
01:10:08,240 --> 01:10:11,599
Speaker 1: video says she don't even want to come in here now.

1493
01:10:12,200 --> 01:10:18,720
Speaker 1: Out of control. You have out of control energy that

1494
01:10:18,880 --> 01:10:21,640
Speaker 1: they have with Michael B. Jordan. Rumor has it that

1495
01:10:21,720 --> 01:10:25,720
Speaker 1: he's in a relationship. So I'm really look, I'm chilling, man,

1496
01:10:25,760 --> 01:10:29,599
Speaker 1: I keep I keep my i'mna keep on personal life. Okay,

1497
01:10:29,640 --> 01:10:32,920
Speaker 1: I'm keeping that. I'm chilling. We got more with Michael B.

1498
01:10:33,479 --> 01:10:35,960
Speaker 1: Jordan at tour when we come back. Keeping locked as

1499
01:10:35,960 --> 01:10:41,960
Speaker 1: the breakfast Club one morning, the breakfast Club. Everybody is

1500
01:10:42,080 --> 01:10:45,519
Speaker 1: DJ Envy, Angela Yee, Charlemagne the guy. We are the

1501
01:10:45,640 --> 01:10:48,880
Speaker 1: breakfast club. We have Michael B. Jordan in the building. Now,

1502
01:10:49,080 --> 01:10:51,880
Speaker 1: what is the craziest thing a female fan has done

1503
01:10:51,920 --> 01:10:54,080
Speaker 1: for you? I mean, I don't know. It's one fan

1504
01:10:54,120 --> 01:10:56,760
Speaker 1: in Philly. I guess made a cut out of me

1505
01:10:56,960 --> 01:10:59,880
Speaker 1: and like, you know, actually took me to prim Taket

1506
01:11:00,000 --> 01:11:02,080
Speaker 1: shot out to problem exactly and that was a little extreme,

1507
01:11:02,080 --> 01:11:03,640
Speaker 1: you know what I'm saying. So I responded back to her.

1508
01:11:03,680 --> 01:11:05,680
Speaker 1: So she got she got my attention with that one. Yeah,

1509
01:11:05,720 --> 01:11:07,320
Speaker 1: she got my attention with that one. So I mean,

1510
01:11:07,479 --> 01:11:09,360
Speaker 1: I'm not a rapper like these rappers be having, like

1511
01:11:09,439 --> 01:11:11,160
Speaker 1: you know what, I'm seeing these fans and stuff going crazy.

1512
01:11:11,200 --> 01:11:13,800
Speaker 1: I think musician fans and like active fans are different,

1513
01:11:13,840 --> 01:11:15,120
Speaker 1: you know. I think it's a different type of like,

1514
01:11:15,479 --> 01:11:17,559
Speaker 1: you know, obsession a little bit. So I don't really

1515
01:11:17,600 --> 01:11:20,360
Speaker 1: get too many crazy, crazy, crazy fans of a woman

1516
01:11:20,400 --> 01:11:21,840
Speaker 1: throwing her panties on the stage if you were a

1517
01:11:21,880 --> 01:11:25,960
Speaker 1: singer and in the acting world screenshot at her without

1518
01:11:26,000 --> 01:11:29,720
Speaker 1: parties on. I don't know, man, I don't know. I

1519
01:11:29,800 --> 01:11:34,160
Speaker 1: listen to Tiffany Hatrish. Yeah, my family crazy. But she

1520
01:11:34,240 --> 01:11:35,599
Speaker 1: told me something. I don't even know if I should

1521
01:11:35,600 --> 01:11:37,479
Speaker 1: be repeating this, but oh man, so don't no listen.

1522
01:11:37,560 --> 01:11:41,640
Speaker 1: She's so she said she's not shaving her pupid hair

1523
01:11:42,000 --> 01:11:44,200
Speaker 1: until she has sex with you. Okay, now you know

1524
01:11:44,240 --> 01:11:46,240
Speaker 1: it's gonna be hot this summer. Do you do you

1525
01:11:46,320 --> 01:11:48,439
Speaker 1: do you want to have her down there all bush?

1526
01:11:48,560 --> 01:11:50,000
Speaker 1: Can you make that happen? I know you're gonna see

1527
01:11:50,000 --> 01:11:51,519
Speaker 1: her at night at the met Yallas, So you're gonna

1528
01:11:51,520 --> 01:11:53,920
Speaker 1: put that on me? Yes? What you mean, ain't gonna

1529
01:11:53,960 --> 01:11:55,360
Speaker 1: do me? Let her walk around with a bush? I

1530
01:11:55,439 --> 01:11:56,760
Speaker 1: ain't gonna do it me. I never this first time

1531
01:11:56,760 --> 01:11:59,160
Speaker 1: I'm hearing about it. How long those this was yesterday?

1532
01:11:59,600 --> 01:12:03,040
Speaker 1: So that day? No, she know what you're talking about?

1533
01:12:03,240 --> 01:12:06,439
Speaker 1: Been growing? That'd be a good look for you. She'll

1534
01:12:06,479 --> 01:12:09,200
Speaker 1: do love African princess. Why don't you do stand upright? Man?

1535
01:12:09,320 --> 01:12:10,880
Speaker 1: You don't think about it? What's up? No? I know,

1536
01:12:11,000 --> 01:12:13,600
Speaker 1: I know? Why don't you have to stand up? You

1537
01:12:13,640 --> 01:12:17,040
Speaker 1: got a black man? Oh you? Oh you got a relationship.

1538
01:12:17,520 --> 01:12:20,280
Speaker 1: Why y'all trying to bait me into answering this goddamn question.

1539
01:12:20,640 --> 01:12:23,040
Speaker 1: I'm chilling. I'm chilling. I'm chilling. What is this white

1540
01:12:23,080 --> 01:12:26,120
Speaker 1: woman's name? What are you talking about? Why do you

1541
01:12:26,200 --> 01:12:28,599
Speaker 1: talking about? You know? Why you cleave me alone? Or anything?

1542
01:12:29,720 --> 01:12:33,040
Speaker 1: Or anything or anything? Asking? I'm just asking, man, I'm chilling. Man,

1543
01:12:33,360 --> 01:12:34,920
Speaker 1: So no real interest, and Tiffany had this is what

1544
01:12:34,960 --> 01:12:38,720
Speaker 1: you're telling. Tiffany's dope. So, oh that's a good You're

1545
01:12:38,720 --> 01:12:40,439
Speaker 1: saying you're not going to bait him in this interview

1546
01:12:40,720 --> 01:12:42,160
Speaker 1: is basically all I'm telling you is when you see

1547
01:12:42,160 --> 01:12:43,599
Speaker 1: her the night at the Macgalla, she got a full

1548
01:12:43,640 --> 01:12:47,040
Speaker 1: bush down there on you on me to get it removed.

1549
01:12:47,520 --> 01:12:50,080
Speaker 1: You're a friend, right, Yeah, why can't you can't You

1550
01:12:50,160 --> 01:12:52,160
Speaker 1: can't convince her to take care of that. She wanted you.

1551
01:12:52,360 --> 01:12:57,519
Speaker 1: She said she's not back, and then you got to

1552
01:12:57,560 --> 01:12:59,120
Speaker 1: think about all the money she's gonna make in the future. Man,

1553
01:12:59,120 --> 01:13:04,040
Speaker 1: that's a good y'a can build your you don't think

1554
01:13:04,080 --> 01:13:11,960
Speaker 1: so leave me alone. You have to be very fitting

1555
01:13:11,960 --> 01:13:13,600
Speaker 1: in shape. You think you can do something that you

1556
01:13:13,640 --> 01:13:17,880
Speaker 1: actually had to gain, say sixty pounds out of shape.

1557
01:13:18,320 --> 01:13:20,240
Speaker 1: I can't wait you would do that? Oh man, I

1558
01:13:20,280 --> 01:13:21,960
Speaker 1: can't wait. Just like I said, I got to do

1559
01:13:22,000 --> 01:13:23,719
Speaker 1: it soon because like the older you get, the harder

1560
01:13:23,720 --> 01:13:25,160
Speaker 1: it is to get back in the shape. But I

1561
01:13:25,280 --> 01:13:26,840
Speaker 1: really can't wait to like play a role. I gotta

1562
01:13:26,840 --> 01:13:28,639
Speaker 1: put on a lot of weight. I could just eat,

1563
01:13:30,240 --> 01:13:32,640
Speaker 1: not work out. It'll be awesome. Right now, we're in

1564
01:13:32,680 --> 01:13:34,360
Speaker 1: the middle of the shooting Create two, and it's like

1565
01:13:34,800 --> 01:13:37,800
Speaker 1: my body's like, whoof I am tired? I am tired,

1566
01:13:38,160 --> 01:13:39,680
Speaker 1: tired was there any part of you that didn't want

1567
01:13:39,680 --> 01:13:41,479
Speaker 1: to come back and do create two because Ryan wasn't

1568
01:13:41,479 --> 01:13:44,240
Speaker 1: doing it In the beginning, I was. I was a

1569
01:13:44,280 --> 01:13:47,160
Speaker 1: little hesitant, honestly. Um, you know, it was something that

1570
01:13:47,200 --> 01:13:49,000
Speaker 1: we started, we created, you know, but he came on

1571
01:13:49,120 --> 01:13:51,040
Speaker 1: board and you know, he's producing it as well, so

1572
01:13:51,360 --> 01:13:53,439
Speaker 1: he still has his finger prints on and he's still involved.

1573
01:13:53,479 --> 01:13:56,880
Speaker 1: But in the beginning, you know, uh yeah, it was

1574
01:13:56,920 --> 01:13:59,760
Speaker 1: a little hesitation there. But Stephen Cables when we finally

1575
01:13:59,800 --> 01:14:02,960
Speaker 1: got him, we locked down to a director. He's from Cleveland, Um,

1576
01:14:03,320 --> 01:14:06,000
Speaker 1: you know, went to usc Um. You know, he did

1577
01:14:06,040 --> 01:14:07,880
Speaker 1: this film called The Land. You know, did a lot

1578
01:14:07,920 --> 01:14:09,720
Speaker 1: of made a lot of noise and sundance. He's an

1579
01:14:09,760 --> 01:14:12,679
Speaker 1: incredible filmmaker and we're really lucky to have him because

1580
01:14:12,680 --> 01:14:15,200
Speaker 1: we're he's putting his fingerprints on it too, so we're good.

1581
01:14:15,200 --> 01:14:17,080
Speaker 1: We're in good shape. I don't like the premise though,

1582
01:14:17,520 --> 01:14:19,360
Speaker 1: you don't even know the premise stopped reading the Internet.

1583
01:14:19,520 --> 01:14:22,000
Speaker 1: Stop reading the Internet. And the Russian it's so predictable.

1584
01:14:22,160 --> 01:14:24,840
Speaker 1: Like first about the second one. The sequel is really tough,

1585
01:14:25,000 --> 01:14:27,040
Speaker 1: okay too to anything. It's really hard to make, you

1586
01:14:27,080 --> 01:14:29,160
Speaker 1: know what I'm saying, and to really like bringing nostalgic

1587
01:14:29,280 --> 01:14:31,040
Speaker 1: back and tie in you know what I'm saying with

1588
01:14:31,160 --> 01:14:34,120
Speaker 1: Rocky and and and still give create his own legacy

1589
01:14:34,160 --> 01:14:36,479
Speaker 1: and like brancha off down and you know, give Creed

1590
01:14:36,520 --> 01:14:38,920
Speaker 1: his own his own lane. There's a there's a there's

1591
01:14:38,920 --> 01:14:41,599
Speaker 1: a natural tie, and there's not natural balance there between

1592
01:14:41,880 --> 01:14:43,280
Speaker 1: making a second one a little bit bigger than the

1593
01:14:43,360 --> 01:14:45,200
Speaker 1: first one. You know what I'm saying. We didn't have

1594
01:14:45,479 --> 01:14:48,439
Speaker 1: a true bad guy. It wasn't a real antagonist in

1595
01:14:48,520 --> 01:14:50,960
Speaker 1: the first film. Um, it was really about the origin

1596
01:14:51,080 --> 01:14:53,120
Speaker 1: story of a donna. So this one, we're gonna try to,

1597
01:14:53,280 --> 01:14:56,000
Speaker 1: you know, make things a little bit more spicy during

1598
01:14:56,040 --> 01:14:58,080
Speaker 1: this one, because the first one, we want to flight

1599
01:14:58,160 --> 01:15:03,720
Speaker 1: together and I look over Envy and he's crying. For

1600
01:15:03,840 --> 01:15:05,679
Speaker 1: the record, your shirt was off when he was crying.

1601
01:15:11,320 --> 01:15:19,240
Speaker 1: I'm not sure. It was a little awkward. I don't

1602
01:15:19,240 --> 01:15:20,639
Speaker 1: even know what babe cry. It was a little tear

1603
01:15:20,720 --> 01:15:24,960
Speaker 1: came down already. You know, you're like, you're naturally more

1604
01:15:25,000 --> 01:15:28,479
Speaker 1: emotional when you're playing in there, You're more you're you're

1605
01:15:28,560 --> 01:15:32,519
Speaker 1: more likely to cry. Washing what you're saying I read

1606
01:15:32,600 --> 01:15:39,160
Speaker 1: on the internet, Speaking of the internet, this is America.

1607
01:15:39,200 --> 01:15:40,800
Speaker 1: I saw you tweeting that you I mean, keep posting

1608
01:15:40,800 --> 01:15:43,040
Speaker 1: on Instagram how much you enjoyed that video. Yeah, man,

1609
01:15:43,120 --> 01:15:45,840
Speaker 1: it's incredible. I think it's like right on time. Honestly. Um,

1610
01:15:46,400 --> 01:15:48,719
Speaker 1: you know, I feel like Donald, you know, we're actually

1611
01:15:48,800 --> 01:15:51,720
Speaker 1: kicking it last night. We were we were hanging out

1612
01:15:51,800 --> 01:15:53,320
Speaker 1: last night. He's in town for the met and stuff

1613
01:15:53,360 --> 01:15:55,800
Speaker 1: like that. We you know, singing his praise and stuff

1614
01:15:55,840 --> 01:15:57,360
Speaker 1: all night. Man, we had a good time. But, um,

1615
01:15:57,960 --> 01:16:00,320
Speaker 1: I feel like Donald is the distraction. You know what

1616
01:16:00,320 --> 01:16:04,200
Speaker 1: I'm saying, Child, child's gaming up, Child's game's distraction to

1617
01:16:04,320 --> 01:16:06,640
Speaker 1: what's really going on. You know what I'm saying in

1618
01:16:06,720 --> 01:16:08,679
Speaker 1: the world right now, just as much as we're distracted

1619
01:16:08,720 --> 01:16:10,479
Speaker 1: by everything else that's going on and not really pay

1620
01:16:10,479 --> 01:16:13,960
Speaker 1: attention to the world around us. So I encourage people

1621
01:16:13,960 --> 01:16:18,120
Speaker 1: to watch the video, but don't look at it at child.

1622
01:16:18,640 --> 01:16:20,559
Speaker 1: Try not to. Yeah, could you see the pale horse

1623
01:16:20,600 --> 01:16:23,080
Speaker 1: in the background. Exactly what the cop call following up

1624
01:16:23,400 --> 01:16:25,720
Speaker 1: the kids on their cell phone according everything. You know

1625
01:16:25,760 --> 01:16:27,800
Speaker 1: what I'm saying, You see you see you know Donald?

1626
01:16:27,800 --> 01:16:29,080
Speaker 1: You know what I'm saying. Shoot my man, you know

1627
01:16:29,080 --> 01:16:31,320
Speaker 1: what I'm saying. Traymon Martin I'm saying, popping on the

1628
01:16:31,400 --> 01:16:34,240
Speaker 1: head or whatever, but then also seeing him Traymon Martin,

1629
01:16:34,560 --> 01:16:37,160
Speaker 1: isn't it tym his father? No, it's not, it's not,

1630
01:16:37,320 --> 01:16:40,840
Speaker 1: it's not it's another artist. Yes, it's an artist, all right,

1631
01:16:40,920 --> 01:16:45,559
Speaker 1: Miss bokeaeople thought that it wasn't okay cool. I saw

1632
01:16:45,640 --> 01:16:47,880
Speaker 1: the resemblance and okay, all good. But anyway, but you

1633
01:16:47,960 --> 01:16:50,439
Speaker 1: see the way guncre know, I'm saying, way for the gun,

1634
01:16:50,479 --> 01:16:51,640
Speaker 1: you know what I'm saying, nightly the way, but the

1635
01:16:51,680 --> 01:16:54,400
Speaker 1: body is dragged away and some people exactly. So there's

1636
01:16:54,400 --> 01:16:56,160
Speaker 1: a lot of little things in there that I feel

1637
01:16:56,200 --> 01:16:59,200
Speaker 1: like it's super important. And he's a genius heroes, isn't

1638
01:16:59,200 --> 01:17:01,240
Speaker 1: amazing to the director? Um, there's a lot of the

1639
01:17:01,320 --> 01:17:03,240
Speaker 1: laner you know what I'm saying, and all of his

1640
01:17:03,600 --> 01:17:06,760
Speaker 1: childish music videos. So yeah, man, it's a It was

1641
01:17:06,760 --> 01:17:08,240
Speaker 1: a good video. I loved it. I just wish that

1642
01:17:08,600 --> 01:17:10,479
Speaker 1: in that one scene where he shot the choir, I

1643
01:17:10,520 --> 01:17:12,400
Speaker 1: wish he was a white person actually shooting the choir

1644
01:17:12,560 --> 01:17:17,360
Speaker 1: instead of Perkins because I don't feel I feel like people.

1645
01:17:18,200 --> 01:17:20,599
Speaker 1: I don't like the optics of black people killing black people.

1646
01:17:20,640 --> 01:17:22,200
Speaker 1: See what you're saying. Yeah, yeah, it might have been

1647
01:17:22,240 --> 01:17:24,880
Speaker 1: a little bit more like clear yea what he's trying

1648
01:17:24,920 --> 01:17:26,400
Speaker 1: to say? Yeah, Because I mean, if you're white and

1649
01:17:26,439 --> 01:17:28,479
Speaker 1: you're watching that, all you see is black black killing

1650
01:17:28,520 --> 01:17:29,680
Speaker 1: black people. Yeah, I see, you know what I mean,

1651
01:17:29,680 --> 01:17:31,720
Speaker 1: And it reinforces the negative stereotype you already have of

1652
01:17:31,840 --> 01:17:33,760
Speaker 1: us anyway. But other than that, I thought it was

1653
01:17:34,200 --> 01:17:37,320
Speaker 1: a genius video, iconic video. I think it goes down legendary.

1654
01:17:37,520 --> 01:17:39,240
Speaker 1: Michael Jordan gotta get about it. He got some TV

1655
01:17:39,360 --> 01:17:42,160
Speaker 1: to do. It's very busy, but we really appreciate you

1656
01:17:42,240 --> 01:17:45,920
Speaker 1: for stopping. I always tell people from Hollywood, especially the

1657
01:17:46,000 --> 01:17:48,519
Speaker 1: black actors, they forget about their black basis, you know

1658
01:17:48,560 --> 01:17:50,120
Speaker 1: what I'm saying. So it's good to see y'all still

1659
01:17:50,160 --> 01:17:52,240
Speaker 1: coming back with the rush off to the white people. No,

1660
01:17:52,479 --> 01:17:56,720
Speaker 1: not coming. I never. I never lose touch man, never

1661
01:17:56,800 --> 01:17:59,680
Speaker 1: lose touch. Bro alright to me, I appreciate you guys. Absolutely.

1662
01:17:59,720 --> 01:18:02,120
Speaker 1: It's my Kail B. Jordan. It's the Breakfast Club. Good morning,