WEBVTT - Mobits Extra: Mo’s Mystery Bust

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<v Speaker 1>Hi everyone, it's mo. I hope you're enjoying Season three

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<v Speaker 1>of Mobituaries. Now, if you know anything about me, you

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<v Speaker 1>know that I'm pretty proud of my presidential memorabilia collection,

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<v Speaker 1>my Benjamin Harrison campaign, Neckerchief, my ticket to the Andrew

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<v Speaker 1>Johnson impeachment trial. I don't do first tier presidential memorabilia.

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<v Speaker 1>I'm all about the guys you can't remember were president,

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<v Speaker 1>which is why I was pretty shaken when years ago

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<v Speaker 1>it was brought to my attention that my giant Grover

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<v Speaker 1>Cleveland bust might not actually be Grover Cleveland. Then in

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<v Speaker 1>the summer of I was invited on PBS's Antiques road show.

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<v Speaker 1>This was my chance to find out who this guy

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<v Speaker 1>I've been living with for over twenty years really was,

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<v Speaker 1>and it all came to a head, a very big

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<v Speaker 1>plaster head. This is a detective story with clues, suspects,

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<v Speaker 1>and a whole bunch of historical connections, including Grover Cleveland's grandson,

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<v Speaker 1>all of it documented on an episode of Detours, a

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<v Speaker 1>podcast that reveals what happens to all that stuff on

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<v Speaker 1>America's favorite antiques show. Here is that episode of Detours

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<v Speaker 1>from g H and pr X when we set out

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<v Speaker 1>to film in the summer of two thousand twenty. For

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<v Speaker 1>the first time in the history of gb h's Antiques

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<v Speaker 1>Road Show. We couldn't go out on the road. It

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<v Speaker 1>was a pandemic, after all. But we still had to

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<v Speaker 1>make a TV show, so we tried something a little different,

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<v Speaker 1>what we call Celebrity Edition. We went and visited the

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<v Speaker 1>homes and or near the homes of celebrities to find

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<v Speaker 1>out more about what they are. Here's my boss, Marcia Beemko.

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<v Speaker 1>The promise that we made to get them to come

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<v Speaker 1>to shoot with road Show is that we're here to

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<v Speaker 1>answer the questions about whatever you're cure us about. One

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<v Speaker 1>of our stops, New York City, for a visit with

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<v Speaker 1>humorist Mo Rocca. I was thrilled and I knew exactly

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<v Speaker 1>where I wanted this to go and perfect for road Show.

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<v Speaker 1>Mo had an object that he had questions about. I

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<v Speaker 1>looked right at my bust of who I then thought

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<v Speaker 1>was President Grover Cleveland, and I thought, you and me, baby,

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<v Speaker 1>we are going to find out your worth and well

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<v Speaker 1>who you are. I'm Adam Monahan, a producer with g

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<v Speaker 1>v H is Antiques Road Show, and this is detoured today.

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<v Speaker 1>Mo's mystery bust. Yeah, let's be clear. This is basically

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<v Speaker 1>a big mound of plaster that I that I managed

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<v Speaker 1>to balance on top of a column. Moe's object is

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<v Speaker 1>a large bust of a stern faced gentleman painted in

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<v Speaker 1>a coat of bronze. A chip on his face reveals

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<v Speaker 1>plaster beneath the paint, but that doesn't detract from the

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<v Speaker 1>air of importance he gives off. He sports a three

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<v Speaker 1>piece suit, a tie, and his defining feature a large,

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<v Speaker 1>bushy mustache. Moe remembers the day he came across the

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<v Speaker 1>bust well here he describes it while filming our celebrity series.

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<v Speaker 1>So cut to the summer of two thousand and I

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<v Speaker 1>went to visit my friends Christ and Madeleine on the

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<v Speaker 1>North Fork of New York's Long Island on a rainy afternoon.

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<v Speaker 1>Chris took me into Greenport, nice town, and we saw

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<v Speaker 1>a place called Capel real Estate and antiques, not a

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<v Speaker 1>typical combination, but we went inside and that's where I

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<v Speaker 1>saw him. We passed by this ju the full old

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<v Speaker 1>building on a corner with gigantic windows. Most friend Chris,

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<v Speaker 1>and I'm pretty sure the bust was in the window. Um,

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<v Speaker 1>so we pulled over and went inside, and they sold

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<v Speaker 1>very little in the way of antique, like I think

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<v Speaker 1>there may have been a giant model ship and a

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<v Speaker 1>couple of pots and this bust. And Moe was intrigued

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<v Speaker 1>by the bust, and I think he started talking to

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<v Speaker 1>the proprietor about it, and I don't think I was

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<v Speaker 1>paying attention, and it really did not occur to me

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<v Speaker 1>that he was going to buy this thing. There was

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<v Speaker 1>a tag and it's a Grover Cleveland a hundred and

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<v Speaker 1>fifty dollars, and I thought, I just have to have him.

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<v Speaker 1>To really get why MO had to have a bust

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<v Speaker 1>of Grover Cleveland, you first have to understand most unique

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<v Speaker 1>interest in presidential history. I'm particularly interested in the presidents

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<v Speaker 1>that you can't remember were president, the guys between Lincoln

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<v Speaker 1>and Teddy Roosevelt. They've got a lot of faith shill hair.

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<v Speaker 1>A couple of them were knocked off, one by an anarchist.

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<v Speaker 1>The other one among those guys is Grover Cleveland, who

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<v Speaker 1>had the distinct honor of serving as the twenty second

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<v Speaker 1>and twenty four president of the United States. And Grover

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<v Speaker 1>and Mo go way back. My attachment to Grover Cleveland

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<v Speaker 1>goes back to when I got on a bus to

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<v Speaker 1>visit Caldwell, New Jersey and the birthplace of Grover Cleveland.

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<v Speaker 1>The docent there Sharon Barrell. She raised her family inside

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<v Speaker 1>of the Grover Cleveland birthplace. I was so taken with

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<v Speaker 1>the whole experience. I began going and visiting all these homes,

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<v Speaker 1>and from there most love of lesser known presidents only blossomed.

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<v Speaker 1>So I bought a one way ticket on US airways

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<v Speaker 1>in to Indianapolis to visit the home of Benjamin Harrison,

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<v Speaker 1>our twenty third president. He's sort of the kind of

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<v Speaker 1>the meat in the Grover Cleveland sandwich. So a few

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<v Speaker 1>years later, when MO sees the bus tag Grover Cleveland

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<v Speaker 1>at the Long Island real estate slash antique shop, it

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<v Speaker 1>was like bumping into an old friend and well worth

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<v Speaker 1>the asking price of a hundred fifty dollars to bring

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<v Speaker 1>him home. I bought a pedestal because I couldn't have

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<v Speaker 1>him on the floor. I mean, he had been president

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<v Speaker 1>for two nonconsecutive terms. He doesn't belong on the floor. Um,

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<v Speaker 1>And he became a part of my life since that

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<v Speaker 1>fateful encounter, over twenty years ago. Moe has amassed a

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<v Speaker 1>collection of presidential memorabilia in his Greenwich Village apartment. What

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<v Speaker 1>was sold to me as a cocktail clock commemorating the

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<v Speaker 1>end of Prohibition in featuring FDR captaining the Ship if

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<v Speaker 1>you Will, a campaign neckerchief from the campaign of Benjamin

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<v Speaker 1>Harrison and his running mate Levi Morton, the Republican team

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<v Speaker 1>that ran in an admission ticket to the Senate impeachment

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<v Speaker 1>trial of our seventeenth President Andrew Johnson in April eight.

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<v Speaker 1>And the anchor to the collection, the Grover Cleveland that

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<v Speaker 1>inspired it all, who overlooks the city from his perch

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<v Speaker 1>where he's basted in domestic bliss for almost fifteen years,

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<v Speaker 1>without his authenticity ever coming into question. Cut to in

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<v Speaker 1>The New York Times came to do a piece about

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<v Speaker 1>my apartment on a short little feature, and I introduced

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<v Speaker 1>them to Grover Cleveland. They took a picture of me

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<v Speaker 1>next to Grover Cleveland. But then I got a call

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<v Speaker 1>from the writer of the article and she said, um, hey,

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<v Speaker 1>we're just doing a little back checking, just want to

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<v Speaker 1>make sure that's Grover Cleveland. And I sort of reacted defensively,

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<v Speaker 1>and I said, well, of course, it is who else

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<v Speaker 1>would it be? Sor? Okay, fine, fine, But then she

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<v Speaker 1>called back the next day and she said, you know,

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<v Speaker 1>there's some concern that this isn't Grover Cleveland. My editor

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<v Speaker 1>has some questions about it. And I said, now listen,

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<v Speaker 1>I'm telling you the tag on it said Grover Cleveland

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<v Speaker 1>back in two thousand when I bought him. So she

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<v Speaker 1>said okay, And then she called back the next day

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<v Speaker 1>again and she said, this has gone way up the

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<v Speaker 1>chain and there is concern at the highest levels that

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<v Speaker 1>this is not Grover Cleveland. And she said, why don't

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<v Speaker 1>we just call this a bust that Rockets says is

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<v Speaker 1>Grover Cleveland. I thought, all right, I can live with that,

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<v Speaker 1>I guess, but the seed of doubt had been planted.

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<v Speaker 1>Was he living with Grover Cleveland or with a stranger?

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<v Speaker 1>And then I went to the Marshfield, Missouri Cherry Blossom

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<v Speaker 1>Festival um where I met George Cleveland, the grandson of

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<v Speaker 1>Grover Cleveland. I thought, this is my chance, once and

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<v Speaker 1>for all to prove to myself in the New York

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<v Speaker 1>Times that this is Grover Cleveland. I showed him a

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<v Speaker 1>picture of the bust on my phone. He looked at it.

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<v Speaker 1>He turned to me and he said, that's not my grandfather.

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<v Speaker 1>When we come back, Road Show teams up with Mode

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<v Speaker 1>to figure out once and for all whose lightness Mo

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<v Speaker 1>has been living with for the past twenty years. One

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<v Speaker 1>of the most satisfying parts of my job is helping

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<v Speaker 1>guests get answers to their burning questions about the objects

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<v Speaker 1>they bring in. So, of course, when Mo agreed to

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<v Speaker 1>be on the show, I was eager to make good

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<v Speaker 1>on our promise to find out who the Grover Cleveland

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<v Speaker 1>bust was, if not Grover Cleveland. To do that, I

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<v Speaker 1>asked Mo to meet me at Lillian Nassau Gallery in

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<v Speaker 1>New York to visit with the praiser, Eric Silver. Moe

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<v Speaker 1>pulled up for the appraisal bust into on a little

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<v Speaker 1>red wagon secured by suspenders no less. So Moow, what

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<v Speaker 1>did you bring me today? Well, I brought you Grover

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<v Speaker 1>Cleveland or a bust of someone who I thought was

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<v Speaker 1>Grover Cleveland. Very much so. The piece has quite a

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<v Speaker 1>bit of quality and has a presence. So it was

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<v Speaker 1>done by a professional artist. It's not the work of

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<v Speaker 1>an amateur. I don't know if it's American, it could

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<v Speaker 1>be French. Italian, and so we just don't know. I mean,

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<v Speaker 1>I don't know if he looks like any particular nationality,

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<v Speaker 1>but there's no no way of knowing, and that's going

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<v Speaker 1>to make the search that much more difficulty. So you

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<v Speaker 1>don't know who it is. I don't know. I wish

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<v Speaker 1>I did, you know, and I was trying, you know,

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<v Speaker 1>I tried to look up the artist, you know, see

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<v Speaker 1>what he you know who he was, and I just, uh, come,

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<v Speaker 1>I didn't come up with anything. So there's just no

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<v Speaker 1>way of knowing. Moo took the news graciously, especially when

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<v Speaker 1>Eric's adjusted a way forward. If you expose it more,

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<v Speaker 1>somebody might recognize it. I mean that's that's the remote possibility.

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<v Speaker 1>So what you're saying is there could be a sequel episode,

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<v Speaker 1>right exactly, right. I mean, you can include in the

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<v Speaker 1>bottom of your emails, you can have a little photo

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<v Speaker 1>of him, and you know, as people if they know

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<v Speaker 1>who this person is. So it's just where we have

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<v Speaker 1>a lower third graphic. This is if you know who

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<v Speaker 1>this is, right to exactly Eric at anw dot com,

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<v Speaker 1>right exactly, and we'll solve it because millions of people

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<v Speaker 1>watching Antinks road shows, So you have a you have

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<v Speaker 1>a great chance. Maybe someone could pinpoint that exceptionally bushie mustache,

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<v Speaker 1>or maybe they'd noticed the little clues the sculptor left behind.

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<v Speaker 1>We see his first initials, and we see a date,

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<v Speaker 1>and then we see his first three letters of his

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<v Speaker 1>last name, the name of the artists, would no doubt

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<v Speaker 1>be a step in the right direction. On the side

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<v Speaker 1>of the bust are the letters P and S, followed

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<v Speaker 1>by A B, B, and right underneath the letters is

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<v Speaker 1>a date, and then it disappears. The thing is about

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<v Speaker 1>that a little insert on Eric is that Eric happens

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<v Speaker 1>to be one of the best generalists we have. Again,

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<v Speaker 1>my boss, Marsha Beemko, when he told you, Adam that

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<v Speaker 1>he couldn't figure it out, our hearts sank because it

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<v Speaker 1>was like, oh no, if he If Eric can't do it,

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<v Speaker 1>we might be in a tough spot here. Yeah. When

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<v Speaker 1>the episode aired in May of two thousand twenty one,

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<v Speaker 1>we put out a call for leads, and our viewers

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<v Speaker 1>were quick to share their theories. Perhaps it was Cecil

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<v Speaker 1>John Rhodes, founder of de Beers, the Diamond Company and

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<v Speaker 1>the Rhodes Scholarship, William Faulkner and Mark Twain, and even

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<v Speaker 1>John Ringling of Ringling Brothers Circus, all mustachioed, but none

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<v Speaker 1>checked out as our guy. So we were watching and

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<v Speaker 1>I like a challenge. Two people weren't giving up yet,

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<v Speaker 1>and they weren't the random history buffs we thought might

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<v Speaker 1>write in for these viewers. Most not Grover Cleveland. Bust

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<v Speaker 1>was more personal. I worked on his podcast. I was

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<v Speaker 1>connected to him through a mutual friend. Megan Marcus, was

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<v Speaker 1>a producer from mose podcast Mobituaries. He once referred to

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<v Speaker 1>her as all of Agatha Christie's detectives in one when

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<v Speaker 1>you guys couldn't cure it out. I love to get

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<v Speaker 1>to the bottom of things, and a knack for sleuthing

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<v Speaker 1>runs in the family. So Megan's sister Zoe got on

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<v Speaker 1>the case as well. I mean the first thing that

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<v Speaker 1>we started working off of was the crowd sourcing that

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<v Speaker 1>existed right after. And there was a name that came

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<v Speaker 1>up on Twitter and Zoe went to town on this. Yeah,

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<v Speaker 1>I think I went off to town. I went to

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<v Speaker 1>town in the wrong direction. Here's Zoe. But I saw

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<v Speaker 1>someone had said, oh you know who is It's Benjamin

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<v Speaker 1>Barker O'Dell, who was a governor of New York. That's

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<v Speaker 1>Benjamin Barker O'Dell Jr. Governor of New York from nineteen

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<v Speaker 1>o one to nineteen o four, not to be confused

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<v Speaker 1>with his father, Benjamin Barker O'Dell Senior, who also held

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<v Speaker 1>public office. It's plausible both had portrait bus made, but

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<v Speaker 1>O'Dell senior died five years before most bus was made,

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<v Speaker 1>so he's out. His son, on the other hand, lived

0:13:57.400 --> 0:14:01.880
<v Speaker 1>until ninety six, and he did have a mustache. And

0:14:01.960 --> 0:14:03.240
<v Speaker 1>I think they had a photo and I was like,

0:14:03.280 --> 0:14:05.280
<v Speaker 1>you know what, it does look like that, which, by

0:14:05.320 --> 0:14:07.319
<v Speaker 1>the way, a lot of men with a mustache and

0:14:07.360 --> 0:14:09.080
<v Speaker 1>BET are like they're all going to kind of look

0:14:09.120 --> 0:14:11.440
<v Speaker 1>like that. So that was like that, that's got to

0:14:11.440 --> 0:14:15.320
<v Speaker 1>be him, to be fair, Benjamin Barker O'Dell Junior's mustache

0:14:15.440 --> 0:14:18.040
<v Speaker 1>looks to be about the same density as our bus.

0:14:18.080 --> 0:14:21.160
<v Speaker 1>But Megan wasn't fully convinced. I looked at the photo.

0:14:21.240 --> 0:14:23.960
<v Speaker 1>He looked too skinny, like this was a heftier. I

0:14:23.960 --> 0:14:26.160
<v Speaker 1>thought it was artistic license that maybe you know, they

0:14:26.160 --> 0:14:29.960
<v Speaker 1>were just you know, well, it's hard because like all

0:14:30.800 --> 0:14:34.880
<v Speaker 1>the mustache thing is deceptive, so I was doubting it,

0:14:34.920 --> 0:14:37.040
<v Speaker 1>but I had nothing else to go off of and

0:14:37.080 --> 0:14:42.680
<v Speaker 1>then somebody tweets out with the sculptor's name. That name

0:14:42.720 --> 0:14:45.680
<v Speaker 1>came from viewer Mark McCarron. It might have been a

0:14:45.680 --> 0:14:48.080
<v Speaker 1>message that flashed up on the screen that said help

0:14:48.560 --> 0:14:52.400
<v Speaker 1>Morocca identify the sculpture, and I think it directed me

0:14:52.480 --> 0:14:56.040
<v Speaker 1>to a Twitter site. I don't remember exactly, but you know,

0:14:56.040 --> 0:14:58.960
<v Speaker 1>I got out my device and I started frantically trying

0:14:59.000 --> 0:15:03.320
<v Speaker 1>to act. Mark McCarron is the executive director of the

0:15:03.400 --> 0:15:07.880
<v Speaker 1>Historical Society in Torrington, Connecticut, and he's likely the only

0:15:08.000 --> 0:15:12.480
<v Speaker 1>person watching that night, possibly the only person period for

0:15:12.520 --> 0:15:16.760
<v Speaker 1>whom P S A B B rang a bell. When

0:15:16.800 --> 0:15:20.160
<v Speaker 1>mo was visiting the appraiser, I think the appraiser said, well,

0:15:20.160 --> 0:15:24.960
<v Speaker 1>there's obviously a professional sculpture, but you know, I can't

0:15:24.960 --> 0:15:27.720
<v Speaker 1>make out the signature and it's not somebody I'm familiar with.

0:15:28.120 --> 0:15:30.480
<v Speaker 1>And at that point the cameras zoomed in on the

0:15:30.480 --> 0:15:35.680
<v Speaker 1>sculpture and I immediately recognized it as Paulo as Sabate

0:15:35.960 --> 0:15:40.840
<v Speaker 1>because he worked in Torrington for many, many decades, and

0:15:40.960 --> 0:15:44.120
<v Speaker 1>we have a pretty good collection of his work and

0:15:44.240 --> 0:15:48.520
<v Speaker 1>his he signed everything. Mark revealed just enough new information

0:15:48.680 --> 0:15:52.080
<v Speaker 1>from Megan to make some progress, because remember the thinking

0:15:52.120 --> 0:15:55.960
<v Speaker 1>at that point is that it's Benjamin Barker O'Dell. So

0:15:56.040 --> 0:16:00.400
<v Speaker 1>I'm trying to connect Odell with Abote, not finding any

0:16:00.440 --> 0:16:03.040
<v Speaker 1>connection at all. So then I just do this is

0:16:03.040 --> 0:16:05.760
<v Speaker 1>my usual trick. I go on newspapers dot com and

0:16:05.800 --> 0:16:09.280
<v Speaker 1>I just put in the sculptor's name and bust, and

0:16:09.320 --> 0:16:12.200
<v Speaker 1>I'd give a time here. We knew it was, so

0:16:12.200 --> 0:16:13.920
<v Speaker 1>I'm like, let me do a little bit before and

0:16:13.960 --> 0:16:18.240
<v Speaker 1>a little bit after. So the first hit that comes

0:16:18.320 --> 0:16:23.120
<v Speaker 1>up on newspapers dot Com is from March the Brooklyn

0:16:23.200 --> 0:16:27.120
<v Speaker 1>Daily Eagle, and there is a photo of this exact bust,

0:16:27.800 --> 0:16:31.320
<v Speaker 1>and it says, a bust portrait of Police Commissioner Richard e.

0:16:31.600 --> 0:16:35.280
<v Speaker 1>Enright has just been completed in bronze by Paolo Esabate.

0:16:35.960 --> 0:16:38.560
<v Speaker 1>The bust is of heroic size and will be presented

0:16:38.560 --> 0:16:42.160
<v Speaker 1>to the Commissioner sometime during the summer. Its final resting

0:16:42.200 --> 0:16:45.480
<v Speaker 1>place has not been decided upon. Mr Abat is well

0:16:45.520 --> 0:16:48.840
<v Speaker 1>known in congregational circles in Brooklyn, where he is in

0:16:48.920 --> 0:16:51.520
<v Speaker 1>charge of the Italian Church of the Redeemer, Clinton and

0:16:51.640 --> 0:16:55.880
<v Speaker 1>Carroll Streets. I mean, there's your proof, of course, Megan

0:16:55.880 --> 0:16:59.680
<v Speaker 1>and Zoe were communicating every development to MO. It really

0:16:59.760 --> 0:17:03.920
<v Speaker 1>was while to see that sculpture, which is in my

0:17:04.000 --> 0:17:06.600
<v Speaker 1>apartment and has been with me for so long, in

0:17:06.640 --> 0:17:11.760
<v Speaker 1>an archival photo um, because I come to believe that

0:17:11.840 --> 0:17:16.239
<v Speaker 1>he just sort of via spontaneous generation, kind of was

0:17:16.359 --> 0:17:19.280
<v Speaker 1>born in that shop on the North Fork of Long

0:17:19.320 --> 0:17:22.400
<v Speaker 1>Island where I bought him. I mean, I'd given up

0:17:22.600 --> 0:17:25.600
<v Speaker 1>even imagining him in other settings, but to see him

0:17:25.600 --> 0:17:29.240
<v Speaker 1>in this setting with the sculptor um was really exciting.

0:17:29.359 --> 0:17:32.119
<v Speaker 1>It was it was kind of thrilling that made the

0:17:32.240 --> 0:17:35.280
<v Speaker 1>hairs in the back of my neck stand up. So

0:17:35.400 --> 0:17:39.040
<v Speaker 1>we got our full circle moment, the satisfying answer we

0:17:39.040 --> 0:17:42.880
<v Speaker 1>were all craving and a name to the face, Not

0:17:42.960 --> 0:17:47.280
<v Speaker 1>Grover Cleveland, but Richard E. N Right, a man I

0:17:47.320 --> 0:17:51.920
<v Speaker 1>had never heard of, but I did find someone who had.

0:17:52.880 --> 0:17:56.719
<v Speaker 1>So my name is Larry Sullivan, and I'm Professor Emeritus

0:17:57.119 --> 0:18:03.280
<v Speaker 1>and also Team Chief Flight Brian and Professor Criminal Justice

0:18:03.800 --> 0:18:07.359
<v Speaker 1>from the John J. College of Criminal Justice's The Lloyd

0:18:07.440 --> 0:18:11.159
<v Speaker 1>Seeley Library at John J College of Criminal Justice is

0:18:11.240 --> 0:18:15.000
<v Speaker 1>home to an archive of Richard E. Enwright materials and

0:18:15.080 --> 0:18:18.360
<v Speaker 1>it's only a few miles from most place. Now. Who

0:18:18.400 --> 0:18:21.679
<v Speaker 1>who was Richard E. En Right. All Right was the

0:18:21.800 --> 0:18:26.600
<v Speaker 1>first police commissioner that came to the racks. Five year

0:18:26.640 --> 0:18:31.080
<v Speaker 1>old and Right joined the NYPD in eight eventually becoming

0:18:31.119 --> 0:18:34.040
<v Speaker 1>the first officer to rise through the ranks from lieutenant

0:18:34.080 --> 0:18:37.840
<v Speaker 1>to police commissioner in nineteen eighteen and serving through nine

0:18:38.800 --> 0:18:42.000
<v Speaker 1>when he retired. If you look at the list of

0:18:42.160 --> 0:18:45.159
<v Speaker 1>the years of New York Police commission she was one

0:18:45.160 --> 0:18:48.240
<v Speaker 1>of the longest last. So with the with our bus

0:18:48.240 --> 0:18:52.399
<v Speaker 1>with Moroccos bust having the year one inscribed on it,

0:18:52.520 --> 0:18:54.680
<v Speaker 1>can you just paint the picture of what was going

0:18:54.760 --> 0:18:58.120
<v Speaker 1>on in New York City in the twenties. In New

0:18:58.200 --> 0:19:02.080
<v Speaker 1>York was three. Then he speakeasies all over the place

0:19:02.160 --> 0:19:05.840
<v Speaker 1>to crooked politicians, and he had to deal with us.

0:19:06.400 --> 0:19:09.639
<v Speaker 1>And that's probably one of these, uh, you know, his legacies.

0:19:09.960 --> 0:19:13.360
<v Speaker 1>I guess he was honest, which, as Larry pointed out,

0:19:13.600 --> 0:19:17.440
<v Speaker 1>was not a typical quality of Prohibition era police officers.

0:19:17.920 --> 0:19:21.520
<v Speaker 1>I mean, most of them would take payoffs. Two years

0:19:21.560 --> 0:19:25.399
<v Speaker 1>into en Right's career as commissioner, the National Prohibition Act

0:19:25.440 --> 0:19:29.400
<v Speaker 1>took effect. En Right, who was known for not tolerating graft,

0:19:29.720 --> 0:19:33.800
<v Speaker 1>cracked down on organized crime that became rampant during this

0:19:33.880 --> 0:19:37.480
<v Speaker 1>period and later when the police came under criticism for

0:19:37.600 --> 0:19:41.800
<v Speaker 1>ineffectively enforcing the National Prohibition Act, and Right made the

0:19:41.840 --> 0:19:46.399
<v Speaker 1>controversial decision to bring charges against members of the force.

0:19:47.240 --> 0:19:50.480
<v Speaker 1>But that wasn't all and Right is remembered for and

0:19:50.560 --> 0:19:53.680
<v Speaker 1>there may be two or three points that stand out.

0:19:53.960 --> 0:19:59.920
<v Speaker 1>One is ninety two he hosted the International Conference from

0:20:00.000 --> 0:20:03.359
<v Speaker 1>Police Choot. This was the first time such a conference

0:20:03.560 --> 0:20:07.720
<v Speaker 1>had been held in the US, uh that the next year.

0:20:07.840 --> 0:20:14.119
<v Speaker 1>Digipol Interpol is the organization that coordinates between local police

0:20:14.119 --> 0:20:17.760
<v Speaker 1>departments in countries all over the world, and its founding

0:20:17.800 --> 0:20:22.320
<v Speaker 1>can be traced back to n. Right. And also he

0:20:22.440 --> 0:20:27.440
<v Speaker 1>was a very advocate of printing. Fingerprint identification for criminal

0:20:27.480 --> 0:20:30.919
<v Speaker 1>investigation had only just been introduced in Europe by the

0:20:31.000 --> 0:20:34.320
<v Speaker 1>time and Right joined the police force in the eighteen nineties,

0:20:34.840 --> 0:20:37.320
<v Speaker 1>but it didn't take long for the novel system to

0:20:37.359 --> 0:20:41.920
<v Speaker 1>spread internationally, and by oh three, New York State prisons

0:20:41.920 --> 0:20:46.000
<v Speaker 1>were using the technique for criminal record purposes, and Right

0:20:46.200 --> 0:20:51.080
<v Speaker 1>envisioned fingerprints resolving identity questions of all kinds, not just

0:20:51.200 --> 0:20:55.680
<v Speaker 1>within the context of crime. In nineteen n Right wrote

0:20:55.680 --> 0:21:00.680
<v Speaker 1>an article for Scientific American titled Everybody should be Fingerprinted?

0:21:01.000 --> 0:21:07.280
<v Speaker 1>Where he advocated for a universal system of fingerprinting. Early

0:21:07.359 --> 0:21:11.199
<v Speaker 1>into retirement, and Right dabbled in fiction writing, publishing his

0:21:11.320 --> 0:21:15.320
<v Speaker 1>first book, Vultures of the Dark, a detective story based

0:21:15.359 --> 0:21:19.800
<v Speaker 1>on his own experiences in the NYPD. And although his

0:21:19.920 --> 0:21:23.679
<v Speaker 1>career as a crime novelist didn't take off commercially, he

0:21:23.760 --> 0:21:27.640
<v Speaker 1>did receive high praise from a fellow law enforcement official

0:21:27.880 --> 0:21:31.960
<v Speaker 1>turned writer, William J. Flynn, who described and write as

0:21:32.359 --> 0:21:35.919
<v Speaker 1>a holy new writer whose prolific brain can evolve and

0:21:36.000 --> 0:21:45.720
<v Speaker 1>depict fresh, sparkling detective situations. While we were learning of

0:21:45.840 --> 0:21:49.120
<v Speaker 1>en rights foray into crime fiction, Megan and Moe were

0:21:49.160 --> 0:21:52.800
<v Speaker 1>doing some research of their own. Well, Megan Marcus ended

0:21:52.880 --> 0:21:56.640
<v Speaker 1>up sending me an article about his sentent becoming a

0:21:56.680 --> 0:22:00.840
<v Speaker 1>cop on Long Island. I think the first um since

0:22:00.960 --> 0:22:05.040
<v Speaker 1>Richard N. Right in that family to do so um.

0:22:05.080 --> 0:22:07.120
<v Speaker 1>So I thought that was pretty cool, and I thought, well,

0:22:07.160 --> 0:22:09.720
<v Speaker 1>we could keep this thing going if I introduced this

0:22:10.440 --> 0:22:13.919
<v Speaker 1>young cop to the to the bust um. And of

0:22:13.960 --> 0:22:15.600
<v Speaker 1>course I was pleased to find out that he was

0:22:15.640 --> 0:22:19.679
<v Speaker 1>a particularly celebrated esteemed chief of police during Prohibition, at

0:22:19.680 --> 0:22:22.760
<v Speaker 1>a time when, of course, as anyone who's seen the

0:22:22.800 --> 0:22:25.320
<v Speaker 1>untouchable as the movie or the TV show can tell you,

0:22:25.320 --> 0:22:27.880
<v Speaker 1>it was a time of a lot of crime. So

0:22:27.960 --> 0:22:36.560
<v Speaker 1>I'm happy to have him in my home. I'm glad

0:22:36.600 --> 0:22:38.440
<v Speaker 1>we are able to solve the mystery from at the

0:22:38.520 --> 0:22:40.879
<v Speaker 1>end of the day. Like I can't even believe this

0:22:40.920 --> 0:22:45.399
<v Speaker 1>is the most unsatisfying appraisal that we might have done. Listen,

0:22:45.480 --> 0:22:48.360
<v Speaker 1>sometimes stuff like this happens. He was such a good

0:22:48.400 --> 0:22:52.040
<v Speaker 1>sport about us failing to answer the question that day.

0:22:52.400 --> 0:22:55.000
<v Speaker 1>We don't have all the answers we have of them,

0:22:55.040 --> 0:22:58.239
<v Speaker 1>but sometimes we don't. I love that this one was

0:22:58.560 --> 0:23:05.520
<v Speaker 1>such a group effort to get to the answer. No

0:23:09.000 --> 0:23:35.840
<v Speaker 1>yin It's store, we never in all. Watson Si de

0:23:36.040 --> 0:23:38.480
<v Speaker 1>Tours is a production of g b H in Boston

0:23:38.600 --> 0:23:41.560
<v Speaker 1>and pr X. This episode was written and produced by

0:23:41.640 --> 0:23:45.920
<v Speaker 1>Isabel Hibbert. Our editor is Galen Bebe. Our senior producer

0:23:46.000 --> 0:23:49.960
<v Speaker 1>and sound designer is Ian Coss. Jocelyn Gonzalez is the

0:23:50.000 --> 0:23:53.520
<v Speaker 1>director of pr X Productions. Devin Maverick Robbins is the

0:23:53.560 --> 0:23:56.800
<v Speaker 1>managing producer of podcast for g d H and Marsha

0:23:56.880 --> 0:24:00.600
<v Speaker 1>Benko is executive producer of Detours. I'm Your Host and

0:24:00.680 --> 0:24:05.000
<v Speaker 1>co executive producer Adam Monahan. Our theme music is Once

0:24:05.080 --> 0:24:08.080
<v Speaker 1>in a Century Storm by Will Daily from the album

0:24:08.200 --> 0:24:24.800
<v Speaker 1>National Throat. Thank you all for listening. Have a good one,

0:24:32.400 --> 0:24:38.479
<v Speaker 1>g B A. I hope you enjoyed listening to this

0:24:38.520 --> 0:24:42.120
<v Speaker 1>episode from season two of Detours from G B H

0:24:42.119 --> 0:24:45.679
<v Speaker 1>and pr Rex. We'll be back soon with new episodes

0:24:45.800 --> 0:24:50.320
<v Speaker 1>of Mobituaries, available on Amazon Music or wherever you get

0:24:50.359 --> 0:24:51.320
<v Speaker 1>your podcasts.