WEBVTT - 5 | Steel Bars

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<v Speaker 1>Consumed is a production of iHeart Podcast and Grimm and

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<v Speaker 1>Mild from Aaron Maky Headphones. Recommended listener discretion advised.

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<v Speaker 2>Move got it, damn it?

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<v Speaker 3>What the fuck?

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<v Speaker 4>No?

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<v Speaker 5>No, no.

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<v Speaker 2>Facts, Jesus Christ?

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<v Speaker 6>Come on.

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<v Speaker 4>Great?

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<v Speaker 2>Where's my fucking iPod?

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<v Speaker 7>Hey?

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<v Speaker 2>Is is someone there? Hey? Hey? Hello, kahy I could

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<v Speaker 2>see you? What what the hell?

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<v Speaker 6>Ship?

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<v Speaker 3>Ship ship?

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<v Speaker 2>M come on, come on, pick up ship please please please.

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<v Speaker 8>Nine your emergency.

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<v Speaker 2>Yes, you're here. You have to you have to.

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<v Speaker 5>Come, sir. What's your name? Sir?

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<v Speaker 9>Take a glad.

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<v Speaker 2>You have to send someone. I I found him.

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<v Speaker 5>Mm hm hm h.

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<v Speaker 2>M hm.

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<v Speaker 5>H m hm h.

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<v Speaker 4>Yeah, boy, I read the boy.

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<v Speaker 10>Oh Sheriff Herding.

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<v Speaker 7>I thought it would no, no, no, no, no, Hi

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<v Speaker 7>can swellow?

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<v Speaker 2>Can I come in?

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<v Speaker 10>Of course, sheriff you heard something about my Arfonso.

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<v Speaker 7>Let's take a seat, shall we?

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<v Speaker 1>Oh?

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<v Speaker 10>Yes, yes, yes, of course. It's to smell criado simbron.

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<v Speaker 10>And then I see, don't mind them. It's how they talk.

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<v Speaker 10>Huh they see a sheriff about my son.

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<v Speaker 7>Earlier today?

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<v Speaker 10>Is it true? The first seventy two hours are the

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<v Speaker 10>most important. What I saw in sixteen minutes? How after

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<v Speaker 10>that chances drop. Less people are found. It's not that simple,

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<v Speaker 10>and even less alive. So tell me, sure, Alan, have

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<v Speaker 10>you found my son?

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<v Speaker 7>We found his body late last night in the woods.

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<v Speaker 3>There was evidence of foul play.

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<v Speaker 2>I'm sorry, you're wrong.

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<v Speaker 7>Can swallow this?

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<v Speaker 10>My son isn't dead.

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<v Speaker 7>I saw him myself.

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<v Speaker 11>No, no, I don't believe you.

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<v Speaker 7>Look, I can't even imagine what you must be feeling

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<v Speaker 7>right now, and I know it's hard, but we need

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<v Speaker 7>you to come down to identify his body. We will

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<v Speaker 7>bring whoever did this to justice.

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<v Speaker 10>It's a st look at Quentin in a step Pueblo.

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<v Speaker 10>I'm sorry, I don't understand quenta'ss meho barinte kao solo

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<v Speaker 10>skop and deus mismos Yes, show on some little diner bear.

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<v Speaker 6>The worst is Shaw?

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<v Speaker 2>What about Shaw?

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<v Speaker 10>No vacation, no breaks, calling him in whenever he's off,

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<v Speaker 10>kicking him out whenever he wants, and always making him

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<v Speaker 10>work nights. That's why my Alphonso was out so late.

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<v Speaker 10>You know, that's why he's still missing.

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<v Speaker 7>I'll arrange for a car to come when you're ready.

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<v Speaker 11>No, thank you.

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<v Speaker 10>I don't know who you saw, but it wasn't my son.

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<v Speaker 2>I know it and what makes you so sure?

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<v Speaker 10>Because he called me come again her phone? So I

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<v Speaker 10>heard him?

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<v Speaker 7>When was this last night?

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<v Speaker 10>Around ten pm?

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<v Speaker 7>I can swallow based on that time, he likely called

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<v Speaker 7>you just before and then again this morning.

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<v Speaker 2>That can't be right. It was his voice.

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<v Speaker 10>I would recognize it anywhere or what did it say?

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<v Speaker 10>How to tell that connection was bad?

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<v Speaker 11>But it was him that I know.

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<v Speaker 4>He's to seem I didn't take.

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<v Speaker 10>That deh teavali.

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<v Speaker 1>I know.

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<v Speaker 2>I'm all right. Thank you.

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<v Speaker 7>We'll be in touch, okay, can swallow reach out if

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<v Speaker 7>you need anything.

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<v Speaker 2>I mean it.

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<v Speaker 11>It is you, Sheriff bro your no so like and

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<v Speaker 11>tayuda pour guy, i'l gorra and Ste pueblo yes, albo

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<v Speaker 11>nos dedos ah.

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<v Speaker 6>Thank you for your time.

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<v Speaker 12>I'll be right with you.

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<v Speaker 8>All right.

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<v Speaker 4>We've got two eggs scrambled with pancakes, a slice of

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<v Speaker 4>or pine milk and ojay enjoy.

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<v Speaker 10>Actually I had the uh.

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<v Speaker 6>Oh and he's gone and I had the granola.

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<v Speaker 9>So this is basically the same thing.

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<v Speaker 13>I bett Shaw's really missing having fonts on the job

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<v Speaker 13>right about now. Sucks that this is what it took

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<v Speaker 13>for him to realize it.

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<v Speaker 9>As they say, you don't know what you've got.

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<v Speaker 6>So it's gone. Well, well that was drewry Man did die,

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<v Speaker 6>Sarah not exactly laughing matter, and I will.

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<v Speaker 12>Be sure to use as serious and weighty a tone

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<v Speaker 12>as possible when I write about.

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<v Speaker 6>It, really, because I'd want my obituary written in nothing

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<v Speaker 6>but puns.

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<v Speaker 5>Ah.

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<v Speaker 9>Yes, here lies Vicenta de la torre Morales. They'll once

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<v Speaker 9>a book where Now just food for the Oh that

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<v Speaker 9>that one darker than I intended.

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<v Speaker 10>Okay.

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<v Speaker 6>One, that's a gravestone, not an obituary. Two it was

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<v Speaker 6>barely a pun question mark in three. Wow, you got

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<v Speaker 6>my full name, right.

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<v Speaker 9>Of course I did. What makes you think I wouldn't.

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<v Speaker 13>Well, it's kind of long, but not by my family

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<v Speaker 13>standards though, Just to be clear, So a lot of

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<v Speaker 13>people they just don't bother.

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<v Speaker 12>Well, I'm not a lot of people, which I'm sure

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<v Speaker 12>you know by Now what are you blushing about?

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<v Speaker 9>I was talking professionally about my work.

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<v Speaker 6>Right, of course, your work, the reason you're here.

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<v Speaker 14>Yes, mister Roberto, my work. Oh wow, okay, okay, rhubarb.

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<v Speaker 14>So this must be where Pie goes to die?

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<v Speaker 1>Get it?

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<v Speaker 9>Because of the town and the deaths and the creepy Nope, nope,

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<v Speaker 9>not listening.

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<v Speaker 2>The only reason, what I mean is.

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<v Speaker 6>Your work, the only reason you're here.

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<v Speaker 12>Well, this pie's pretty good hah huh. And the weather's

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<v Speaker 12>kind of nice, and and there might be a certain

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<v Speaker 12>someone in town who have got my eye on.

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<v Speaker 6>Continue.

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<v Speaker 9>Well, he's handsome and smart and looks damn good in

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<v Speaker 9>a uniform. What yeah, that Oldbert guy? What a smoke show.

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<v Speaker 9>How I managed to control myself is beyond me. Check please, you,

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<v Speaker 9>Gordon are a different breed.

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<v Speaker 12>Last three guys I dated back home jump through hoops

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<v Speaker 12>to avoid defining things, and that.

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<v Speaker 9>Was fine by me.

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<v Speaker 6>Oh so you're saying we're dating.

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<v Speaker 9>Hence my exact point. We are happily coexisting in a

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<v Speaker 9>town where I am currently working. Anything more, And I

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<v Speaker 9>plead the fifth.

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<v Speaker 6>So what happens when the story is done?

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<v Speaker 9>Nope, I plead the fifth.

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<v Speaker 6>But you are at least a little here for me,

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<v Speaker 6>right sixty forty seventy five?

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<v Speaker 9>Five try five ninety five?

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<v Speaker 2>Brutal Shaw, Hey watch the door, please, Shaw?

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<v Speaker 4>She was here, erin was here? Not this again?

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<v Speaker 13>Kid?

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<v Speaker 7>Just go home?

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<v Speaker 2>Was she scared? Did she say where she was going?

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<v Speaker 2>Did she say anything?

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<v Speaker 4>This isn't the place avory, but it is.

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<v Speaker 5>This is the last place anyone saw her alive, and

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<v Speaker 5>you were one of the last people to see her. You.

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<v Speaker 4>It's just me here now, Okay. I don't have time

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<v Speaker 4>for this. Go home and clean up.

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<v Speaker 2>You had to have seen something anything.

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<v Speaker 4>I'm not gonna ask you again. Avery, leave before I

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<v Speaker 4>call your dad to come drag you home.

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<v Speaker 2>You're lying to me just like he is. You know something,

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<v Speaker 2>don't you.

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<v Speaker 4>Shut up and stop spreading that nonsense.

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<v Speaker 5>You didn't see him what they did to Fonso and

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<v Speaker 5>if erin if that's how she went.

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<v Speaker 4>H Avery, calm down.

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<v Speaker 2>I'm not leaving until you tell me everything.

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<v Speaker 3>Is there a problem here?

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<v Speaker 4>No, Sheriff. I'm sorry you got called in, but we're

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<v Speaker 4>all good here. Isn't that all right? Ay?

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<v Speaker 2>Yeah?

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<v Speaker 7>H Actually that's not why I came, Avery, Breweder. You're

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<v Speaker 7>under arrest for the murder of Aaron McDonald and Alfonso Campos.

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<v Speaker 7>You have the right to remain silent.

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<v Speaker 4>What get off of me.

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<v Speaker 7>Anything you say can and will be used against you

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<v Speaker 7>in a court of law.

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<v Speaker 2>I didn't do anything. It wasn't me. I would never

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<v Speaker 2>hurt her.

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<v Speaker 7>You have the right to an attorney and if you

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<v Speaker 7>cannot afford a lawyer. One will be provided for you.

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<v Speaker 2>Why are you doing this? Albert?

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<v Speaker 7>Take him outside on it?

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<v Speaker 2>Mom, Max, I'm sorry kid, Let's go. M Miss Simmons.

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<v Speaker 2>I thought I told you to leave town.

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<v Speaker 9>And if I was any good at listening, i'd probably

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<v Speaker 9>be a doctor right now.

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<v Speaker 6>So I see.

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<v Speaker 9>Gordon next, I thought she was gonna shoot me.

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<v Speaker 6>She's not used to disobedience. Yeah, no, So did you

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<v Speaker 6>get all that?

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<v Speaker 1>Sure?

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<v Speaker 9>Did hit it the second he walked in?

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<v Speaker 6>Does this mean that the story is over?

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<v Speaker 11>I don't know.

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<v Speaker 2>I already told you I went for a walk to

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<v Speaker 2>clear my head and he was just there.

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<v Speaker 7>So you went for a stroll in the same woods

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<v Speaker 7>where another body was found.

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<v Speaker 2>You didn't think that was dangerous? No, I didn't think.

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<v Speaker 2>I just wanted to get away.

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<v Speaker 7>We canvassed that entire area and couldn't find anything, but

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<v Speaker 7>you simply chanced up on a body. How do you

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<v Speaker 7>explain that.

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<v Speaker 2>Maybe you missed a spot. I don't know, I don't know,

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<v Speaker 2>I don't know.

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<v Speaker 7>Tell me again from the start.

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<v Speaker 2>I went for a walk, then I fell into a ditch.

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<v Speaker 2>Then I saw someone, so I followed them. But what

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<v Speaker 2>do you mean you saw someone I thought, I, it's

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<v Speaker 2>just it didn't feel like I was alone there. But

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<v Speaker 2>I was wrong.

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<v Speaker 7>And then what happened?

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<v Speaker 2>I saw his arm. It was sticking out behind a rock.

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<v Speaker 4>So I walked up and what.

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<v Speaker 2>What did it look like like? It wasn't real? Like

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<v Speaker 2>there'd been an accident in the meat aisle?

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<v Speaker 11>You know?

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<v Speaker 2>So why did you do it? I could barely look

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<v Speaker 2>at it. I couldn't do it.

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<v Speaker 7>Witnesses said, you came out running with blood on you.

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<v Speaker 2>It was my blood.

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<v Speaker 7>Well we'll see what the tests say when they come back.

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<v Speaker 2>Why would I hurt Fonso? He knew you.

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<v Speaker 7>Kids, didn't.

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<v Speaker 5>He looked out for you all.

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<v Speaker 7>I imagine if you saw one of you say Erin

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<v Speaker 7>getting hurt.

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<v Speaker 10>He'd step in.

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<v Speaker 2>I would never hurt Erin. I loved I was her friend,

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<v Speaker 2>just a friend.

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<v Speaker 1>Was that by her choice or yours?

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<v Speaker 2>I just found the body. That's it. It doesn't mean

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<v Speaker 2>I killed him.

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<v Speaker 8>Like it does that?

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<v Speaker 7>Sometimes start over again from the beginning.

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<v Speaker 2>No, no, no, no. How many times do I have

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<v Speaker 2>to tell you it's not me?

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<v Speaker 5>And while you're in here asking me the same damn

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<v Speaker 5>questions over and over again, the real killer is out

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<v Speaker 5>there getting away with it.

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<v Speaker 7>Are you finished.

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<v Speaker 2>You can't blame me for this simply because I found

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<v Speaker 2>the body. That's not how it works.

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<v Speaker 7>You're right, it isn't, and it's not the reason you're here.

0:13:36.040 --> 0:13:39.439
<v Speaker 3>What what did you you mean?

0:13:39.600 --> 0:13:42.199
<v Speaker 7>How did we find this hidden beneath your bedroom floor?

0:13:43.160 --> 0:13:44.040
<v Speaker 7>Anonymous tip?

0:13:45.080 --> 0:13:47.480
<v Speaker 2>This isn't It's not what it looks like.

0:13:48.000 --> 0:13:51.080
<v Speaker 7>So this isn't a women's brazier, lace front, polka dot

0:13:51.200 --> 0:13:54.640
<v Speaker 7>size thirty four B, the kind a teenage girl might wear.

0:13:54.880 --> 0:13:56.800
<v Speaker 2>No, you know you don't get it in the stain.

0:13:57.360 --> 0:13:58.559
<v Speaker 7>Isn't Erin's blood.

0:13:58.679 --> 0:14:02.959
<v Speaker 2>No, that's not that's wouldn't be there. Well, I'm a minor.

0:14:03.320 --> 0:14:05.160
<v Speaker 2>You can't talk to me without my parents here.

0:14:05.840 --> 0:14:06.679
<v Speaker 6>We'll see about that.

0:14:10.400 --> 0:14:13.839
<v Speaker 7>Albert keep an eye on him, will you well do.

0:14:23.640 --> 0:14:27.440
<v Speaker 7>We'll keep him in the interrogation room overnight. It's standard

0:14:27.520 --> 0:14:30.720
<v Speaker 7>practice to see what else he mentions, and then we'll

0:14:30.720 --> 0:14:33.040
<v Speaker 7>move him to a cell in the morning. We'll be

0:14:33.160 --> 0:14:36.600
<v Speaker 7>sure to keep him fed and warm, and Albert will

0:14:36.640 --> 0:14:37.960
<v Speaker 7>be there if he needs anything.

0:14:38.920 --> 0:14:42.240
<v Speaker 3>He did the right thing coming to us, You know that, right,

0:14:43.080 --> 0:14:47.600
<v Speaker 3>I hope, so, I really do. I never believe family

0:14:47.720 --> 0:14:51.520
<v Speaker 3>is capable of such things to you? Do you see

0:14:51.560 --> 0:14:57.560
<v Speaker 3>it right in front of you when I saw that.

0:14:58.760 --> 0:15:04.800
<v Speaker 3>The garment, Yeah, the garment. When I saw it. I

0:15:04.920 --> 0:15:09.120
<v Speaker 3>guess you never really do know anyone, even meet your

0:15:09.160 --> 0:15:09.640
<v Speaker 3>own son.

0:15:10.480 --> 0:15:12.520
<v Speaker 7>Will do our best to get to the bottom of this.

0:15:12.840 --> 0:15:15.960
<v Speaker 7>I can promise you that, missus Bruder, just keep my

0:15:16.080 --> 0:15:18.400
<v Speaker 7>boy safe, That's all I will.

0:15:19.200 --> 0:15:21.360
<v Speaker 3>There's a lot of anger wrapped up in this town

0:15:21.440 --> 0:15:23.160
<v Speaker 3>and it's all looking for a way out.

0:15:30.560 --> 0:15:32.200
<v Speaker 9>What can you share about the arrest that took place

0:15:32.240 --> 0:15:32.880
<v Speaker 9>earlier today?

0:15:33.280 --> 0:15:34.000
<v Speaker 2>No comment?

0:15:34.240 --> 0:15:36.800
<v Speaker 9>What about probable cause? What grounds was Avery.

0:15:36.600 --> 0:15:37.000
<v Speaker 5>Brought in on?

0:15:37.320 --> 0:15:38.960
<v Speaker 2>Do you have a motive? No comment?

0:15:39.240 --> 0:15:39.880
<v Speaker 8>Any thoughts on.

0:15:39.920 --> 0:15:41.840
<v Speaker 9>Whether these murders are related to the body shop death?

0:15:42.040 --> 0:15:45.200
<v Speaker 2>I said, no comment, And get that damn phone out

0:15:45.200 --> 0:15:47.520
<v Speaker 2>of my face. Don't need them microwaves all up in

0:15:47.600 --> 0:15:51.640
<v Speaker 2>my business. That's not how phones. Never mind, listen, Can

0:15:51.680 --> 0:15:54.880
<v Speaker 2>you tell me or not? Gordon? Take your girlfriend the

0:15:54.920 --> 0:15:57.960
<v Speaker 2>way before the boss moves her away? Will you excuse me?

0:15:58.720 --> 0:16:02.240
<v Speaker 6>Ooh yeah, no, oh, Olbert, I'd walk that back if

0:16:02.280 --> 0:16:04.760
<v Speaker 6>are you? I'd walk that back on many fronts.

0:16:05.160 --> 0:16:07.240
<v Speaker 12>What is it with this town thinking you answer for me?

0:16:07.720 --> 0:16:09.200
<v Speaker 6>Must be because I'm so dependable.

0:16:09.600 --> 0:16:13.480
<v Speaker 7>Yeah, that's it, sure, Albert, make sure to enter the

0:16:13.560 --> 0:16:16.400
<v Speaker 7>time stamps for the arrest and check Alfonso's call logs

0:16:16.440 --> 0:16:18.280
<v Speaker 7>when you get a chance, see if there were any

0:16:18.360 --> 0:16:21.440
<v Speaker 7>outgoing calls that we might have missed after midnight call ogs?

0:16:22.000 --> 0:16:23.400
<v Speaker 9>Are you thinking that I had something to do with

0:16:23.480 --> 0:16:24.680
<v Speaker 9>his murder on the record?

0:16:25.200 --> 0:16:28.280
<v Speaker 7>Correct me if I'm wrong, But didn't I clearly mention

0:16:28.480 --> 0:16:31.240
<v Speaker 7>how little another media fly was needed in this town.

0:16:32.400 --> 0:16:34.480
<v Speaker 9>As I recall, it was more of a vague threat.

0:16:35.160 --> 0:16:37.480
<v Speaker 12>But you know, different perceptions and all, such as I

0:16:37.640 --> 0:16:40.360
<v Speaker 12>was under the impression that freedom of the press still

0:16:40.400 --> 0:16:43.360
<v Speaker 12>applied even as far as Danville, and yet the press

0:16:43.520 --> 0:16:44.640
<v Speaker 12>is nowhere to be found.

0:16:45.240 --> 0:16:45.880
<v Speaker 7>Now, why is that?

0:16:46.640 --> 0:16:47.280
<v Speaker 9>Care to comment?

0:16:48.120 --> 0:16:49.600
<v Speaker 3>Just lucky, I guess so.

0:16:49.640 --> 0:16:51.480
<v Speaker 9>I wouldn't have anything to do with your office withholding

0:16:51.520 --> 0:16:53.920
<v Speaker 9>information my office.

0:16:54.480 --> 0:16:57.800
<v Speaker 7>Miss Simmons, I'm not sure what political drama you think

0:16:57.800 --> 0:17:00.320
<v Speaker 7>you've been living in these past few days. I don't

0:17:00.360 --> 0:17:04.640
<v Speaker 7>have the manpower to withhold anything. In fact, i'd say

0:17:04.800 --> 0:17:08.200
<v Speaker 7>you have access to more resources than I do, seeing

0:17:08.240 --> 0:17:11.760
<v Speaker 7>as Jack turned you out, and yet you still manage

0:17:11.840 --> 0:17:13.080
<v Speaker 7>to remain in town.

0:17:13.400 --> 0:17:16.320
<v Speaker 9>How is that a reporter never reveals her sources?

0:17:17.119 --> 0:17:18.320
<v Speaker 4>Gardon, I.

0:17:20.040 --> 0:17:23.239
<v Speaker 7>I don't asked an answered? Nice to see where your

0:17:23.320 --> 0:17:24.040
<v Speaker 7>loyalties lie.

0:17:24.640 --> 0:17:26.880
<v Speaker 2>Sorry, as a self declared.

0:17:26.640 --> 0:17:30.240
<v Speaker 7>Member of the press, you may ask whatever you please,

0:17:30.359 --> 0:17:34.240
<v Speaker 7>Miss Simmons, but there's no law requiring me to listen.

0:17:34.480 --> 0:17:37.680
<v Speaker 7>So if you will, the door.

0:17:37.600 --> 0:17:38.040
<v Speaker 8>Is that way?

0:17:38.280 --> 0:17:38.560
<v Speaker 7>I know.

0:17:43.840 --> 0:17:46.000
<v Speaker 6>That was less helpful than I hoped.

0:17:46.400 --> 0:17:47.880
<v Speaker 9>Yeah, real nice that one.

0:17:48.200 --> 0:17:49.399
<v Speaker 6>Oh, she's not that bad once.

0:17:49.280 --> 0:17:50.679
<v Speaker 2>You get to know her and you have.

0:17:52.960 --> 0:17:54.840
<v Speaker 6>Actually, I don't think anyone here has.

0:17:55.440 --> 0:17:56.640
<v Speaker 9>What makes you think she gets better?

0:17:57.320 --> 0:17:58.200
<v Speaker 6>Labor and optimism?

0:17:58.760 --> 0:17:59.000
<v Speaker 3>Sure?

0:17:59.440 --> 0:17:59.720
<v Speaker 9>Why not?

0:18:01.800 --> 0:18:03.479
<v Speaker 8>So what now?

0:18:04.320 --> 0:18:04.520
<v Speaker 9>Well?

0:18:05.359 --> 0:18:10.800
<v Speaker 8>I've got no answers, no motive, and no witness, which

0:18:10.960 --> 0:18:15.639
<v Speaker 8>means which means it's not a story yet, which means

0:18:16.320 --> 0:18:16.760
<v Speaker 8>that I.

0:18:16.960 --> 0:18:19.280
<v Speaker 9>Need to stick around for now.

0:18:21.280 --> 0:18:25.840
<v Speaker 2>Did you just skip? No, you skipped, I'm skipping to

0:18:25.960 --> 0:18:26.720
<v Speaker 2>the next topic.

0:18:42.680 --> 0:18:45.600
<v Speaker 10>How could you to your own son?

0:18:48.040 --> 0:18:48.240
<v Speaker 7>Why?

0:18:48.400 --> 0:18:50.119
<v Speaker 3>Yes, Jack, My day was nice.

0:18:50.240 --> 0:18:51.560
<v Speaker 2>I read how is yours?

0:18:51.760 --> 0:18:54.959
<v Speaker 1>I'm gone for one day to you right by our family,

0:18:55.600 --> 0:18:58.040
<v Speaker 1>and the first thing I hear when I return is

0:18:58.119 --> 0:18:59.840
<v Speaker 1>that our son has been.

0:18:59.800 --> 0:19:04.040
<v Speaker 2>A rested because of you, And I do it again.

0:19:04.320 --> 0:19:09.000
<v Speaker 2>I was looking out for us, No, you were gone and.

0:19:09.160 --> 0:19:10.600
<v Speaker 3>I couldn't afford to wait.

0:19:10.760 --> 0:19:14.000
<v Speaker 9>So now Avery is locked behind steel bars because if

0:19:14.160 --> 0:19:18.680
<v Speaker 9>you can't keep our son safe then I will.

0:19:27.400 --> 0:19:32.960
<v Speaker 1>Consumed. Episode five, Steel Bars, written by Alessandra Hara del Castillo,

0:19:33.400 --> 0:19:36.800
<v Speaker 1>editing and sound design by Trevor Young, Jesse Funk and

0:19:37.000 --> 0:19:43.000
<v Speaker 1>Rima Ilkali, Starring Rachel Rosenbloom and Arturo Castro, with Ruth Connell,

0:19:43.359 --> 0:19:49.560
<v Speaker 1>Sam Rod, Genevieve Padalaki, Benjamin Stockholm, Charlie David Newell, Mike Korich,

0:19:49.960 --> 0:19:54.879
<v Speaker 1>Anna east Fairweather, Junior a Lobby, Alma Martinez, Tracy Martin,

0:19:55.280 --> 0:20:00.080
<v Speaker 1>Laura Shine, George Vincent and Raphael Corkill. Directed by by

0:20:00.160 --> 0:20:05.000
<v Speaker 1>Alexander Williams, Assistant director Trevor Young, Casting by Sunday Bowling

0:20:05.200 --> 0:20:10.919
<v Speaker 1>CSA and Meg Mormon CSA. Production coordinator Wayna Calderon. Music

0:20:11.119 --> 0:20:15.000
<v Speaker 1>by Carlos Folia. Consumed the season one score available now

0:20:15.119 --> 0:20:19.639
<v Speaker 1>on Apple Music, Spotify, or wherever music is streamed. Executive

0:20:19.680 --> 0:20:24.640
<v Speaker 1>producers Aaron Manky, Carlos Folia, Matt Frederick and Alexander Williams.

0:20:25.000 --> 0:20:29.880
<v Speaker 1>Supervising producers Trevor Young and Josh Thain. Producers Noami Griffin,

0:20:30.080 --> 0:20:34.200
<v Speaker 1>Jesse Funk, and Rima Ilkeali. Recorded at This Is Sound

0:20:34.240 --> 0:20:41.040
<v Speaker 1>Design Studios, Burbank, California. Engineered by Ross Erroneou East Side Studios, Austin, Texas,

0:20:41.400 --> 0:20:46.560
<v Speaker 1>engineered by Austin Sisler and AOS Creative in Sound, Ohi, California,

0:20:46.800 --> 0:20:51.159
<v Speaker 1>engineered by Ken Aros. Consumed was created by Carlos Folia,

0:20:51.520 --> 0:20:54.879
<v Speaker 1>inspired by the novel by Aaron Manky. Consumed is the

0:20:54.960 --> 0:20:58.000
<v Speaker 1>newest chapter in the Bridgewater universe. To learn more and

0:20:58.119 --> 0:21:02.600
<v Speaker 1>catch up, visit Grim and Mild Slash Bridgewater. Learn more

0:21:02.600 --> 0:21:05.920
<v Speaker 1>about Consumed at Grimm andmile dot com, slash Consumed, and

0:21:06.200 --> 0:21:10.040
<v Speaker 1>find more podcasts from iHeartRadio by visiting the iHeartRadio app,

0:21:10.240 --> 0:21:13.520
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.