WEBVTT - David Sedaris

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Sets podcast.

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<v Speaker 1>My guest today is David Sedaris. David, when we talked

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<v Speaker 1>about doing this, you said, oh, it could be eleven

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<v Speaker 1>o'clock or later. Are you a late night person?

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<v Speaker 2>Yeah, I am, well, especially because I'm in England right now,

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<v Speaker 2>so there's a big time difference. So sometimes when I

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<v Speaker 2>have to do interviews, I'll do them like it. I

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<v Speaker 2>don't know, midnight, that's always a good time to me,

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<v Speaker 2>you know, that's I don't know, still a reasonable hour,

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<v Speaker 2>you know, on the West coast of the United States

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<v Speaker 2>or even on the East coast.

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<v Speaker 1>Well, if you don't have to do an interview, what

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<v Speaker 1>time would you go to sleep?

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<v Speaker 2>Usually between two and three?

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<v Speaker 1>And what are you doing late at night?

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<v Speaker 2>I leave? I usually leave at midnight and I walk

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<v Speaker 2>to the train station because with a headlamp on. I

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<v Speaker 2>live out in the country and there are any street

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<v Speaker 2>lights or anything like that. But it's a five mile

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<v Speaker 2>walk to the train station and back. So I usually

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<v Speaker 2>do that because there's not any traffic then and I

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<v Speaker 2>can clean the busy road, you know, pick up trash

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<v Speaker 2>on busy roads and not have to worry about traffic.

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<v Speaker 1>And do you listen to anything on your phone or

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<v Speaker 1>are you in silence? What do you do?

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<v Speaker 2>I listen to audio books and sometimes I listen to podcasts,

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<v Speaker 2>but mainly books.

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<v Speaker 1>And how do you view the experience of audio books

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<v Speaker 1>as a writer yourself, as opposed to reading a printed book.

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<v Speaker 2>I think the difference is a book comes into you go.

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<v Speaker 2>You enter the world of a book, and an audiobook

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<v Speaker 2>enters your world. Right, So I can recall where I

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<v Speaker 2>was when I was listening to certain audiobooks, but I

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<v Speaker 2>can't recall where I was when I read a book,

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<v Speaker 2>you know, Like I often don't think, oh, I remember

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<v Speaker 2>I was lying on the sofa when I first read

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<v Speaker 2>that passage. But I can remember, Uh. You know there's

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<v Speaker 2>a like less you know, a novel by Andrew Greer,

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<v Speaker 2>whan I remember the stretch of road I was cleaning

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<v Speaker 2>when I just really was just just convinced I was

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<v Speaker 2>listening to the best book ever. Uh. I like audiobooks

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<v Speaker 2>because you can do other things at the same time.

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<v Speaker 2>You know, I have a I have shit to do.

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<v Speaker 2>You know.

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<v Speaker 1>Do you find that your mind drifts and you have

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<v Speaker 1>to rewind or you concentrate. No problem, if it's if.

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<v Speaker 2>It's you know, if it's not a very compelling book,

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<v Speaker 2>that'll happen. But uh, but I think it's you know,

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<v Speaker 2>it's probably just like skimming, you know, it's the same thing.

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<v Speaker 1>And how do you decide what to listen to?

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<v Speaker 2>Gosh, Well, there's this writer named Alexander Heman, and I

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<v Speaker 2>read something by him years ago, and then a couple

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<v Speaker 2>of days ago, I thought, oh right, Alexander Heman. So

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<v Speaker 2>then I bought one of his audio books and just

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<v Speaker 2>loved it. And so now I'm listening to another one,

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<v Speaker 2>and so I'll just kind of dig him for a while.

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<v Speaker 1>Okay, So you're walking late at night? Are you also

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<v Speaker 1>walking after you wake up?

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<v Speaker 2>No? When I wake up, I just go to my

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<v Speaker 2>desk and work.

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<v Speaker 1>Okay, so you'll only walk once a day?

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<v Speaker 2>No, I walk at midnight. I go out, now walk

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<v Speaker 2>five miles, and then at one o'clock I'll go out

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<v Speaker 2>and I'll walk you know, ten twelve miles.

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<v Speaker 1>Okay. How often do you have to replease your shoes?

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<v Speaker 2>Well? The main issue, I mean more than that, my

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<v Speaker 2>toenails fall off a lot. Like I'll take my socks

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<v Speaker 2>off and I'll feel something hard in my sock and

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<v Speaker 2>it's always a toenail. They fall off like you wouldn't believe,

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<v Speaker 2>Like like autumn leaves, my toenails fall off because I

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<v Speaker 2>walk so much.

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<v Speaker 1>Well, what's your strategy there? How do you prevent them

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<v Speaker 1>from falling off? Is it about the sock?

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<v Speaker 2>I don't shoe, I don't, I don't know. I don't

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<v Speaker 2>know what else I can do. I have, but it

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<v Speaker 2>doesn't worry me, Like it didn't hurt when they fall

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<v Speaker 2>off and new ones grow back, So I think it

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<v Speaker 2>really doesn't bother me in the least. I just am

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<v Speaker 2>mad because I wish i'd started collecting them years ago.

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<v Speaker 1>How many do you have?

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<v Speaker 2>I'd have a jar fall by now. But you know

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<v Speaker 2>how that is. You don't start collecting something, and then

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<v Speaker 2>I always feel it's like too late to start collecting,

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<v Speaker 2>you know, like, oh, if I started collecting now, I

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<v Speaker 2>would just have like three toenails in my jar with

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<v Speaker 2>heart start, you know, ten years ago in vi a

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<v Speaker 2>jar full.

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<v Speaker 1>Well, I remember when my mother my father died. My

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<v Speaker 1>mother threw out everything you owned within a week. So

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<v Speaker 1>all these things you're collecting, what do you anticipate will

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<v Speaker 1>happen to them? Or are you leaving them to when

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<v Speaker 1>you die.

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<v Speaker 2>Well toenails would be an issue. But other things I collect,

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<v Speaker 2>like well I collect. I have a really good collection

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<v Speaker 2>of model mushrooms.

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<v Speaker 1>Okay, and I don't.

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<v Speaker 2>Know what will happen to my mushrooms when I die.

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<v Speaker 2>I mean it's a really nice collection, and they look

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<v Speaker 2>really good in my house here where I've got them.

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<v Speaker 2>They just seem like they just you know, I'm in

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<v Speaker 2>England right now and it's a five hundred year old

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<v Speaker 2>house and there are beams everywhere, and the mushrooms looked

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<v Speaker 2>just like they just came up on their own. You know.

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<v Speaker 2>It's not like having them in a in a sleek

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<v Speaker 2>modern setting, but they would they could work there as well.

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<v Speaker 1>Where's a good place to find model mushrooms?

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<v Speaker 2>Gosh, Paris is a good place to find them. I

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<v Speaker 2>often find them when I'm traveling in other countries, Like

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<v Speaker 2>if you can find a like a kind of a

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<v Speaker 2>shop that sells natural history stuff, you know, like two

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<v Speaker 2>headed cow skulls and weird like there's a it was

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<v Speaker 2>a store I went to once that sold like wax

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<v Speaker 2>figures that they used to to show what different diseases

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<v Speaker 2>look like, you know, like a woman with horrible herbes

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<v Speaker 2>blisters on her lips. H You know, walk into a

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<v Speaker 2>store like that, there pretty much guaranteed they're gonna have

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<v Speaker 2>some mushrooms in there.

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<v Speaker 1>So how many mushrooms do you own?

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<v Speaker 2>I only have, like, I don't know, I don't know

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<v Speaker 2>thirty mushrooms, but they're good ones. I discriminate, you know.

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<v Speaker 2>Sometimes people give me mushrooms and I say, that's great,

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<v Speaker 2>but I don't keep it because it's not the standard

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<v Speaker 2>to which I'm.

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<v Speaker 1>So what do you do? What do you do with

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<v Speaker 1>a substandard mushroom?

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<v Speaker 2>Give it away to somebody? When I go on tour,

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<v Speaker 2>I always have gifts for teenagers, and quite often it's

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<v Speaker 2>things like that. It's things people have given me and

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<v Speaker 2>then I say, oh, I've got something for you. And

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<v Speaker 2>then you know, they can go with you do with

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<v Speaker 2>it what they want, but I don't want them to.

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<v Speaker 2>I don't know. I'm always so flattered that a teenager

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<v Speaker 2>would come to my show. I mean I was flattered

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<v Speaker 2>thirty years ago, but now I'm like their grandfather's age.

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<v Speaker 2>So that's somebody going to hear someone their grandfather's age

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<v Speaker 2>read out loud. But they would just be poisoned to

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<v Speaker 2>a teenager but still they come with their parents sometimes

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<v Speaker 2>and I just always want to have something for them.

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<v Speaker 2>I can really count on one hand the time I

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<v Speaker 2>haven't had something for a teenager.

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<v Speaker 1>Okay, what if someone comes to your house and says,

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<v Speaker 1>where's the mushroom I gave you?

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<v Speaker 2>Most people wouldn't do that. But here's the thing. This

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<v Speaker 2>sounds bad. I have two I have six houses, so

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<v Speaker 2>I just say it's in another house. I say, Oh

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<v Speaker 2>it's in Paris, or oh it's at the beach, or

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<v Speaker 2>oh it's in North Carolina, or oh it's in London.

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<v Speaker 1>Okay, you have six houses, are you viewing another one

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<v Speaker 1>to purchase or you're looking at downsize? Your six is

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<v Speaker 1>the right number?

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<v Speaker 2>Well, my boyfriend Hugh, he's the one who takes care

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<v Speaker 2>of everything, and it's always something. You know, A couple

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<v Speaker 2>of the houses are on the coast of North Carolina,

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<v Speaker 2>and you know, a hurricane comes and tears the roof

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<v Speaker 2>off the house, you know, so you have to put

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<v Speaker 2>a new roof on. Or somebody needs the account and

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<v Speaker 2>needs to know how much interest our French checking account

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<v Speaker 2>earned last year, you know. So I would never do

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<v Speaker 2>a thing like that. I would just never answer that

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<v Speaker 2>kind of an email. I don't even open emails from

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<v Speaker 2>the account, right, I don't open any envelope that doesn't

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<v Speaker 2>look like fan mail. I'm useless that way. But my boyfriend, Hugh,

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<v Speaker 2>he takes care of that. So he sold something recently

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<v Speaker 2>and I thought, well, okay, I can't really complain. He's

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<v Speaker 2>the one who has to take care of it.

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<v Speaker 1>So now, if you have six houses, houses need maintenance.

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<v Speaker 1>There's issues with theft. Is there someone in every house

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<v Speaker 1>at all times, a caretaker, someone looking after it sometimes?

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<v Speaker 2>I mean there was a man we knew in London

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<v Speaker 2>named mister T and his wife kicked him out of

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<v Speaker 2>their house I don't know, thirty years ago, and he'd

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<v Speaker 2>been living in his car ever since. And so mister

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<v Speaker 2>T used to stay at our house in London for

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<v Speaker 2>months when we weren't there, he would stay there. We

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<v Speaker 2>told him to make himself at home, but he never slept.

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<v Speaker 2>He brought a sleeping bag and slept on top of

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<v Speaker 2>the bed. And he uh only used one cop. Well,

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<v Speaker 2>you never used any pots and pants, just one cop.

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<v Speaker 2>And then eventually there was nice mister Government found a

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<v Speaker 2>house for him, an apartment for him, uh, and he

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<v Speaker 2>would go on weekends. He had a friend who lived

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<v Speaker 2>in a trailer and didn't have any legs, So mister

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<v Speaker 2>T would carry this guy to the car and they

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<v Speaker 2>would go bird watching all week But mister T, everyone

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<v Speaker 2>needs someone like that. You know, he's a plumber as well.

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<v Speaker 2>You know, he just operates out of his car. But

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<v Speaker 2>mister T was exactly the kind of person who Or

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<v Speaker 2>one time I was in Greece and I met this

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<v Speaker 2>woman and she was working in a tomato plant and

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<v Speaker 2>the museum of a tomato in the gift shop of

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<v Speaker 2>a tomato paste factory, right, and I'm.

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<v Speaker 1>Waiting to hear what they sell there at the gift

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<v Speaker 1>shop of the tomato Peasce factory.

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<v Speaker 2>Well, they had like big cans of tomato paste that

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<v Speaker 2>they turned into baskets. They had different labels, you know,

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<v Speaker 2>old labels from tomato paste. I actually bought a lot there.

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<v Speaker 2>But there was this woman who worked there, and she

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<v Speaker 2>used to have her own TV show in Greece, and

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<v Speaker 2>then the economy tanked and then her English was perfect,

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<v Speaker 2>and and I said, do you think you can get

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<v Speaker 2>a job in England with that interest you? And she said,

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<v Speaker 2>I would love that. So she came and stayed in

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<v Speaker 2>our house for I don't know, four months when we

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<v Speaker 2>were away, so you know, it's it's And then we've

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<v Speaker 2>had some friends who just have had financial problems and

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<v Speaker 2>they've stayed in like in the apartment in Paris. You know,

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<v Speaker 2>one person stayed there for two years. You know another

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<v Speaker 2>person stayed there for six months. So I don't know,

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<v Speaker 2>that's part of the reason to have them, you know,

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<v Speaker 2>so that you could set somebody up.

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<v Speaker 1>You know, Okay, you keep referencing you as your boyfriend.

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<v Speaker 1>Although I've been married once before. I've been with my

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<v Speaker 1>girlfriend for eighteen years and we're not married. Why don't

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<v Speaker 1>you marry you?

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<v Speaker 2>I don't want to be the kind of gay guy

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<v Speaker 2>who's like, this is my husband, Brad. I just don't

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<v Speaker 2>want to. I wanted gay marriage. I wanted gay marriage

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<v Speaker 2>to become legal, and then I wanted no gay person

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<v Speaker 2>to act on it. I thought that would have been

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<v Speaker 2>perfect for every one of them, to say, you know why,

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<v Speaker 2>you'd take that marriage and shove it up your ass.

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<v Speaker 2>That's what I wanted. So I just don't. I just

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<v Speaker 2>don't want to be married. I mean, I don't want to.

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<v Speaker 2>I don't ever want to use the word my husband.

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<v Speaker 1>You know, okay, from growing up, have you always been

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<v Speaker 1>kind of a contrary, Like if the mainstream is one thing,

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<v Speaker 1>you're saying, no, I'm evaluating I'm the opposite.

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<v Speaker 2>No, no, But I just I don't know. I did

0:13:58.880 --> 0:14:01.520
<v Speaker 2>feel that way about Marri. I know it's different for

0:14:01.640 --> 0:14:06.200
<v Speaker 2>young people today. I mean I never grew up thinking

0:14:07.679 --> 0:14:09.400
<v Speaker 2>that I would get married one day, Like it was

0:14:09.480 --> 0:14:14.200
<v Speaker 2>never a dream of mine to get married. But now

0:14:14.200 --> 0:14:18.760
<v Speaker 2>you meet young gay people and marriage has been legal

0:14:18.920 --> 0:14:22.160
<v Speaker 2>since they were you know, when they're late teens and

0:14:22.200 --> 0:14:25.120
<v Speaker 2>they're talking about kids. You know, I mean some in

0:14:25.240 --> 0:14:27.520
<v Speaker 2>my age, like growing up the way I did, you

0:14:27.560 --> 0:14:30.440
<v Speaker 2>could never get your hands on a child, you know, like,

0:14:30.760 --> 0:14:33.120
<v Speaker 2>no way you could get your hands on a child.

0:14:34.320 --> 0:14:38.240
<v Speaker 2>That makes me sound like a betaphile, but there's no

0:14:38.320 --> 0:14:41.200
<v Speaker 2>way you could be allowed to adopt the child, or

0:14:41.440 --> 0:14:43.600
<v Speaker 2>you know, probably if your sister died and left you

0:14:43.600 --> 0:14:46.480
<v Speaker 2>her child, and once the authorities found out you were gay,

0:14:46.480 --> 0:14:48.800
<v Speaker 2>they'd come and take it away. So it just wasn't

0:14:48.840 --> 0:14:51.120
<v Speaker 2>ever a part of my thing. Like I never dreamed

0:14:51.120 --> 0:14:53.440
<v Speaker 2>of getting married, and I never dreamed of having kid.

0:14:53.560 --> 0:14:59.440
<v Speaker 2>I just I never Maybe if I were twenty, it

0:14:59.440 --> 0:15:02.160
<v Speaker 2>would be different, but no, I don't need it.

0:15:02.640 --> 0:15:05.520
<v Speaker 1>So you're growing up in North Carolina. What was your

0:15:05.520 --> 0:15:10.280
<v Speaker 1>experience growing up being gay in that environment? I mean, now,

0:15:10.320 --> 0:15:13.960
<v Speaker 1>having such fame and notoriety, it's a different game in

0:15:14.240 --> 0:15:16.440
<v Speaker 1>fifty years of gone by. But what was it like

0:15:16.560 --> 0:15:17.040
<v Speaker 1>back then?

0:15:19.240 --> 0:15:23.200
<v Speaker 2>Well, there weren't any books in the library about it.

0:15:23.280 --> 0:15:25.840
<v Speaker 2>I don't mean in the school library. I mean, of

0:15:25.840 --> 0:15:28.000
<v Speaker 2>course they weren't in the school library, but they weren't

0:15:28.000 --> 0:15:32.680
<v Speaker 2>in a public library either. So I thought, I really

0:15:32.720 --> 0:15:34.680
<v Speaker 2>thought I was the only gay person in the world.

0:15:35.480 --> 0:15:37.360
<v Speaker 2>I mean, there was nobody to talk to about it.

0:15:37.680 --> 0:15:39.880
<v Speaker 2>I just thought I was the only one. And then,

0:15:40.200 --> 0:15:45.720
<v Speaker 2>very ironically, I was at the library. My mother took

0:15:45.720 --> 0:15:48.400
<v Speaker 2>me to the library one Saturday because I had a

0:15:48.400 --> 0:15:51.040
<v Speaker 2>book report due, and I walked into the men's room

0:15:51.040 --> 0:15:53.200
<v Speaker 2>and there were two men having sex in the bathroom,

0:15:53.280 --> 0:15:57.040
<v Speaker 2>and I thought, oh, it's not just me, there's those

0:15:57.080 --> 0:15:59.880
<v Speaker 2>two guys too. And I learned it at the live

0:16:00.440 --> 0:16:04.720
<v Speaker 2>which is what's just funny to me. But you know,

0:16:05.640 --> 0:16:10.160
<v Speaker 2>I'm fine. I mean, this is something I guess when

0:16:10.160 --> 0:16:13.720
<v Speaker 2>I read a book, I would, you know, I would

0:16:13.760 --> 0:16:16.840
<v Speaker 2>relate to the characters because they were human and I

0:16:16.960 --> 0:16:20.320
<v Speaker 2>was human, right, now, I feel like so many people

0:16:20.360 --> 0:16:23.000
<v Speaker 2>they need a mirror, right. It has to be a

0:16:23.040 --> 0:16:26.200
<v Speaker 2>book where the character's gay, and the character's American and

0:16:26.200 --> 0:16:30.240
<v Speaker 2>the character lives in England. You know, people want to

0:16:31.040 --> 0:16:35.520
<v Speaker 2>they don't. They can't relate unless they're looking into a mirror, right,

0:16:37.560 --> 0:16:40.400
<v Speaker 2>But I don't know. I kind of feel fortunate to

0:16:40.480 --> 0:16:45.040
<v Speaker 2>have come up in a time where again I could

0:16:45.080 --> 0:16:47.760
<v Speaker 2>relate to a book or a movie or anything, because

0:16:47.840 --> 0:16:52.600
<v Speaker 2>I'm human and they were human as well. There's something about,

0:16:52.720 --> 0:16:56.680
<v Speaker 2>you know, like now everything's about inclusion. There's something about

0:16:56.760 --> 0:17:01.400
<v Speaker 2>that that almost embarrasses me. You know, Like I'm doing

0:17:01.440 --> 0:17:06.600
<v Speaker 2>this duo lingo to learn German, and the sentences are like,

0:17:08.520 --> 0:17:11.840
<v Speaker 2>you know, a man will say that's my husband over there,

0:17:12.280 --> 0:17:17.240
<v Speaker 2>or my grandmother has a new girlfriend, or my aunt's

0:17:17.680 --> 0:17:21.680
<v Speaker 2>wife is a lawyer, and I guess that's supposed to

0:17:21.720 --> 0:17:25.640
<v Speaker 2>make me feel included and stuff. But I never felt unincluded.

0:17:25.680 --> 0:17:28.400
<v Speaker 2>When I was in high school and I was studying Spanish,

0:17:28.520 --> 0:17:30.919
<v Speaker 2>you know, they didn't teach us to say I am

0:17:30.920 --> 0:17:34.159
<v Speaker 2>in the closet or Carlos is my type. But I

0:17:34.320 --> 0:17:37.080
<v Speaker 2>just figured if I wanted to make that sentence, they

0:17:37.080 --> 0:17:40.880
<v Speaker 2>gave me the building blocks and I could make them.

0:17:42.160 --> 0:17:46.360
<v Speaker 2>I mean, I know it's a different world. Now. I'm

0:17:46.440 --> 0:17:49.760
<v Speaker 2>not saying you know now a kid, you know, you

0:17:49.800 --> 0:17:52.720
<v Speaker 2>didn't be really dumb to think you're the only gay

0:17:52.760 --> 0:17:56.120
<v Speaker 2>person in the world. You know, you have the evidence

0:17:56.200 --> 0:17:59.800
<v Speaker 2>on television and pretty much everywhere you turn, and that

0:18:02.840 --> 0:18:04.879
<v Speaker 2>you know there's something to be said for that. But

0:18:05.000 --> 0:18:11.040
<v Speaker 2>I'm just saying it didn't. It didn't destroy me to

0:18:11.160 --> 0:18:11.680
<v Speaker 2>not have that.

0:18:13.040 --> 0:18:15.640
<v Speaker 1>Okay, you were in high school. How did you fit

0:18:15.760 --> 0:18:18.359
<v Speaker 1>in or not fit in? In high school? Were you

0:18:18.400 --> 0:18:21.280
<v Speaker 1>a member of the group, were you an outcast? What

0:18:21.320 --> 0:18:22.040
<v Speaker 1>did it look like?

0:18:23.400 --> 0:18:25.439
<v Speaker 2>Oh? I think I was most like most kids, you know,

0:18:25.640 --> 0:18:31.159
<v Speaker 2>you you're kind of lost and then you find your people.

0:18:31.920 --> 0:18:38.040
<v Speaker 2>And I found mine in the tenth grade or eleventh

0:18:38.040 --> 0:18:41.760
<v Speaker 2>grade one in the drama club. You know, it never

0:18:41.760 --> 0:18:45.119
<v Speaker 2>occurred to me to do drama. And when I look back,

0:18:45.359 --> 0:18:47.600
<v Speaker 2>every guy in the drama club was just as gay

0:18:47.640 --> 0:18:51.080
<v Speaker 2>as it could be. But you didn't know it, you know,

0:18:51.359 --> 0:18:53.720
<v Speaker 2>like because I still thought I was the only one.

0:18:54.480 --> 0:18:58.879
<v Speaker 2>But but I don't, you know it was it was

0:18:58.960 --> 0:19:02.520
<v Speaker 2>really I just woke up when I found the drama club.

0:19:03.040 --> 0:19:06.679
<v Speaker 2>I just I'm not a good actor, never was but

0:19:06.720 --> 0:19:08.800
<v Speaker 2>they were a really fun group of people, and I

0:19:08.920 --> 0:19:11.160
<v Speaker 2>just felt like I had a lot in common with them,

0:19:11.200 --> 0:19:17.840
<v Speaker 2>and they were funny, and they didn't they didn't you know,

0:19:18.080 --> 0:19:21.440
<v Speaker 2>we did obnoxious things like wear top hats to the airport,

0:19:21.600 --> 0:19:26.480
<v Speaker 2>you know. I mean, I see kids like that now

0:19:26.520 --> 0:19:29.080
<v Speaker 2>and I think, oh my god, that's so obnoxious. But

0:19:29.119 --> 0:19:31.160
<v Speaker 2>at the same time I have to think, like, oh,

0:19:31.440 --> 0:19:34.840
<v Speaker 2>you know, I hope they're having a good time. I

0:19:34.920 --> 0:19:35.320
<v Speaker 2>know them.

0:19:36.280 --> 0:19:38.080
<v Speaker 1>Okay, when did you know you were gay?

0:19:39.520 --> 0:19:42.520
<v Speaker 2>Come? I don't know, Like, there wasn't a word for it,

0:19:42.840 --> 0:19:45.239
<v Speaker 2>but I just knew that I didn't fit in, you know,

0:19:45.320 --> 0:19:48.800
<v Speaker 2>that something was wrong. I'm not wrong. Well, yeah, it

0:19:48.880 --> 0:19:52.879
<v Speaker 2>felt wrong to me. You know. I wasn't interested in sports.

0:19:52.960 --> 0:19:56.000
<v Speaker 2>I didn't like being around boys. I preferred the company

0:19:56.000 --> 0:20:01.119
<v Speaker 2>of girls. I didn't I just I felt a difference

0:20:01.200 --> 0:20:06.760
<v Speaker 2>between me and boys. And again I didn't have a

0:20:06.880 --> 0:20:09.080
<v Speaker 2>name for it, but I figured that out by the

0:20:09.119 --> 0:20:13.320
<v Speaker 2>time I was like, I don't know, seven, but I wasn't,

0:20:13.720 --> 0:20:17.000
<v Speaker 2>you know. And then when I was became like fourteen

0:20:17.200 --> 0:20:20.080
<v Speaker 2>or thirteen, you know, and then you start getting attracted

0:20:20.119 --> 0:20:22.840
<v Speaker 2>to people, and then you feel, you know, then you're

0:20:22.840 --> 0:20:28.320
<v Speaker 2>pretty sure of it. You know, when you when you're

0:20:31.520 --> 0:20:33.359
<v Speaker 2>I had a woman come up a while ago and

0:20:33.440 --> 0:20:36.000
<v Speaker 2>say she had an eight year old son, and she said,

0:20:36.119 --> 0:20:39.000
<v Speaker 2>my eight year old is gay. And I thought, really,

0:20:39.359 --> 0:20:43.199
<v Speaker 2>I mean that seems a little bit early to me,

0:20:43.560 --> 0:20:47.600
<v Speaker 2>you know too. I mean maybe he felt different, but

0:20:49.520 --> 0:20:54.640
<v Speaker 2>I don't know that at eight years old, you are

0:20:54.680 --> 0:20:57.119
<v Speaker 2>physically you know, you don't get an erection. You're not

0:20:58.440 --> 0:21:06.440
<v Speaker 2>turned on by someone at the age of eight.

0:21:09.800 --> 0:21:11.040
<v Speaker 1>So when did you know you want me to be

0:21:11.080 --> 0:21:11.400
<v Speaker 1>a writer?

0:21:14.400 --> 0:21:21.159
<v Speaker 2>I dropped out of college and then I was picking

0:21:21.200 --> 0:21:24.199
<v Speaker 2>apples in a little town in Oregon, and I was

0:21:24.240 --> 0:21:28.040
<v Speaker 2>by myself, and there was a library there, and I

0:21:28.160 --> 0:21:31.400
<v Speaker 2>just didn't have any friends or anything. So I started

0:21:31.680 --> 0:21:36.879
<v Speaker 2>going to the library and reading. And then I just

0:21:37.000 --> 0:21:42.840
<v Speaker 2>noticed how moved I was by what I read in books.

0:21:43.640 --> 0:21:47.440
<v Speaker 2>And I was doing visual artwork, but I wasn't ever

0:21:47.560 --> 0:21:50.080
<v Speaker 2>really very good at it. I mean I was disciplined,

0:21:50.119 --> 0:21:53.159
<v Speaker 2>but I wasn't good at it. And then I just

0:21:53.280 --> 0:22:00.560
<v Speaker 2>noticed again, books were, you know, just I would read

0:22:00.560 --> 0:22:02.840
<v Speaker 2>something in a book and I would memorize it, and

0:22:02.960 --> 0:22:05.639
<v Speaker 2>I would when then when I was at work in

0:22:05.680 --> 0:22:09.160
<v Speaker 2>the canning factory or out picking apples, I could turn

0:22:09.200 --> 0:22:11.840
<v Speaker 2>it over and over in my mind, and it's a

0:22:11.840 --> 0:22:15.400
<v Speaker 2>pleasure it would bring me to recite something to myself.

0:22:16.040 --> 0:22:21.240
<v Speaker 2>And I started keeping a diary, and then I remember,

0:22:24.040 --> 0:22:26.320
<v Speaker 2>and then I secretly thought, like, wow, it would be

0:22:26.359 --> 0:22:28.520
<v Speaker 2>great to be a writer. But I would look at

0:22:28.520 --> 0:22:30.920
<v Speaker 2>what I wrote and it sucked. And then I would think, well,

0:22:30.960 --> 0:22:34.680
<v Speaker 2>of course it sucks. I just I just started six

0:22:34.760 --> 0:22:38.240
<v Speaker 2>months ago. Of course it's going to suck. And then

0:22:38.320 --> 0:22:40.320
<v Speaker 2>a year later I thought, well, I just started a

0:22:40.400 --> 0:22:42.359
<v Speaker 2>year ago, of course it's going to suck. And then

0:22:42.440 --> 0:22:45.600
<v Speaker 2>three years ago, I three years later, I thought, it

0:22:45.680 --> 0:22:50.720
<v Speaker 2>still sucks, you know. But you know that makes sense.

0:22:51.240 --> 0:22:54.040
<v Speaker 2>So I never put a timer on it. You know,

0:22:54.080 --> 0:22:58.040
<v Speaker 2>I never said to myself, I need to publish a book.

0:22:58.080 --> 0:23:00.239
<v Speaker 2>Why I'm twenty By the time I'm twenty seve and

0:23:00.359 --> 0:23:04.040
<v Speaker 2>I'm giving up. It wasn't that. I just figured I

0:23:04.240 --> 0:23:07.160
<v Speaker 2>just work at it every day and very slowly I'd

0:23:07.160 --> 0:23:10.320
<v Speaker 2>get better. And I just completely kept it to myself

0:23:10.440 --> 0:23:13.320
<v Speaker 2>for seven years. I never showed anybody anything i'd written,

0:23:14.160 --> 0:23:19.240
<v Speaker 2>because it sucked, you know. And then I went back

0:23:19.280 --> 0:23:22.680
<v Speaker 2>to college. I had dropped out, so I went back

0:23:22.680 --> 0:23:28.640
<v Speaker 2>to college and I took a writing class and started

0:23:28.640 --> 0:23:33.000
<v Speaker 2>writing more than a diary, you know, started writing short stories,

0:23:33.080 --> 0:23:39.000
<v Speaker 2>and uh, and I chose the right place to go

0:23:39.040 --> 0:23:41.080
<v Speaker 2>to college because it was I went to the school

0:23:41.080 --> 0:23:43.359
<v Speaker 2>at the Art Institute of Chicago, and they didn't have

0:23:43.400 --> 0:23:47.600
<v Speaker 2>a writing program, but they had some you had, they

0:23:47.640 --> 0:23:53.040
<v Speaker 2>had some people teaching creative writing, and and there were

0:23:53.080 --> 0:23:55.240
<v Speaker 2>really good people, and they had so much to give,

0:23:56.000 --> 0:23:58.760
<v Speaker 2>and nobody really wanted it, you know, but I did.

0:23:59.320 --> 0:24:03.359
<v Speaker 2>So they gave me all their attention and they gave

0:24:03.400 --> 0:24:06.280
<v Speaker 2>me all of their knowledge, like there was nobody else

0:24:06.440 --> 0:24:13.040
<v Speaker 2>asking for it, just me, and and it was really

0:24:13.080 --> 0:24:15.399
<v Speaker 2>the right It was just the right place for me.

0:24:15.800 --> 0:24:17.399
<v Speaker 2>Like I feel like if I had gone to the

0:24:17.440 --> 0:24:21.280
<v Speaker 2>Iowa Writers Workshop, I would have sunk, you know, I

0:24:21.320 --> 0:24:24.399
<v Speaker 2>would have I wouldn't have been strong enough. And I

0:24:24.400 --> 0:24:27.879
<v Speaker 2>didn't I don't know that I wouldn't have gotten in

0:24:28.000 --> 0:24:29.840
<v Speaker 2>the first place, but I don't think I would have

0:24:29.840 --> 0:24:34.280
<v Speaker 2>been able to. This was a good environment for me

0:24:34.359 --> 0:24:42.760
<v Speaker 2>because there really wasn't any well, competition is not the

0:24:42.840 --> 0:24:48.600
<v Speaker 2>right word. It was like it was like I had

0:24:48.600 --> 0:24:52.359
<v Speaker 2>my own It was like I had my own private teachers,

0:24:52.440 --> 0:24:58.080
<v Speaker 2>and they really responded to what I wrote.

0:24:58.520 --> 0:25:01.240
<v Speaker 1>A writer is born were the taught.

0:25:03.080 --> 0:25:05.040
<v Speaker 2>I don't know that you can teach writing. I had

0:25:05.040 --> 0:25:08.760
<v Speaker 2>a student I taught for a brief while at the

0:25:08.840 --> 0:25:11.560
<v Speaker 2>Art School of the Art Institute. I was never qualified

0:25:11.560 --> 0:25:16.520
<v Speaker 2>to teach, but a teacher back down at the last minute.

0:25:16.560 --> 0:25:20.399
<v Speaker 2>And so two years after I graduated, I was thirty,

0:25:20.440 --> 0:25:23.920
<v Speaker 2>I think my old teacher called me and said, there's

0:25:23.960 --> 0:25:28.080
<v Speaker 2>this creative writing class and there's two classes, and we

0:25:28.119 --> 0:25:30.040
<v Speaker 2>don't have anyone to teach. Will you come and do it?

0:25:30.960 --> 0:25:34.399
<v Speaker 2>And like I said, I wasn't qualified. You know, I

0:25:34.440 --> 0:25:38.120
<v Speaker 2>never went to graduate school. I don't know. I don't

0:25:38.119 --> 0:25:40.719
<v Speaker 2>really know how to fix my own I know how

0:25:40.720 --> 0:25:42.399
<v Speaker 2>to fix my own stuff, but I don't know how

0:25:42.400 --> 0:25:46.280
<v Speaker 2>to fix other people's. But I had one student, and

0:25:46.320 --> 0:25:50.199
<v Speaker 2>it was really clear that she was talented. And the

0:25:50.280 --> 0:25:54.720
<v Speaker 2>difference is that she read. She read a lot, and

0:25:54.800 --> 0:26:01.080
<v Speaker 2>she was disciplined, and so I could be her cheerleader

0:26:02.040 --> 0:26:05.600
<v Speaker 2>and I could suggest things for her to read, and

0:26:05.640 --> 0:26:09.160
<v Speaker 2>I could read everything she ever gave me and get

0:26:09.200 --> 0:26:12.000
<v Speaker 2>back to her as soon as I possibly could. That's

0:26:12.000 --> 0:26:16.320
<v Speaker 2>the best I could do. And anyway, her first book

0:26:16.359 --> 0:26:18.200
<v Speaker 2>came out a year and a half ago, and I've

0:26:18.200 --> 0:26:26.400
<v Speaker 2>never felt that. I never felt well, I guess I've

0:26:26.640 --> 0:26:29.520
<v Speaker 2>always felt proud of my sister Amy, you know, and

0:26:29.560 --> 0:26:35.760
<v Speaker 2>I felt proud of Hugh. But anyway, I felt so proud.

0:26:35.960 --> 0:26:41.840
<v Speaker 2>It was such a it was such a wonderful feeling,

0:26:42.280 --> 0:26:50.480
<v Speaker 2>you know, to to watch somebody come into her own

0:26:51.119 --> 0:26:57.840
<v Speaker 2>like that and create something that was so magnificent and

0:26:59.240 --> 0:27:05.240
<v Speaker 2>just I guess, I guess it was the only time

0:27:05.280 --> 0:27:08.359
<v Speaker 2>I'd ever mentored anybody. You know. Somebody came up to

0:27:08.400 --> 0:27:10.240
<v Speaker 2>me at a book signing once and said, will you be

0:27:10.359 --> 0:27:12.400
<v Speaker 2>my mentor? And I said, well, it doesn't really work

0:27:12.440 --> 0:27:15.000
<v Speaker 2>that way, you know. I mean, it's a beautiful thing

0:27:15.040 --> 0:27:17.240
<v Speaker 2>when it works out, but it has to be organic.

0:27:17.640 --> 0:27:18.320
<v Speaker 2>I think.

0:27:19.680 --> 0:27:22.800
<v Speaker 1>Let's go back to the Iowa Writers' School. A lot

0:27:22.800 --> 0:27:28.480
<v Speaker 1>of that is about adopting a literary style. They talk

0:27:28.520 --> 0:27:32.639
<v Speaker 1>about rewriting as opposed to writing. What's your view on

0:27:32.760 --> 0:27:33.680
<v Speaker 1>writing like that?

0:27:36.000 --> 0:27:38.560
<v Speaker 2>It just takes a while to find your style, you know.

0:27:38.760 --> 0:27:42.160
<v Speaker 2>I mean, you know, you start off and you imitate

0:27:42.240 --> 0:27:46.080
<v Speaker 2>other people, and then there comes a point where you think,

0:27:46.200 --> 0:27:51.040
<v Speaker 2>all right, I'm never going to be that person. But

0:27:51.160 --> 0:27:53.200
<v Speaker 2>what have I got right?

0:27:54.000 --> 0:27:54.840
<v Speaker 1>What what do.

0:27:54.880 --> 0:27:58.439
<v Speaker 2>I have that nobody else has? Or stop trying to

0:27:58.480 --> 0:28:01.600
<v Speaker 2>be somebody or not, and stop being ashamed of what

0:28:01.640 --> 0:28:04.960
<v Speaker 2>you've got. I remember I was. I had asked my

0:28:05.040 --> 0:28:10.119
<v Speaker 2>students one time to write something about their lives, and everybody,

0:28:10.600 --> 0:28:17.040
<v Speaker 2>well not the majority of the students wrote, you know,

0:28:17.080 --> 0:28:19.600
<v Speaker 2>made it sound like they were raised by wolves, you know.

0:28:20.520 --> 0:28:23.399
<v Speaker 2>And I realized they were ashamed of their lives. And

0:28:23.440 --> 0:28:25.920
<v Speaker 2>they were ashamed of their lives because they were middle

0:28:25.920 --> 0:28:29.880
<v Speaker 2>class and they grew up in the suburbs, and they

0:28:30.000 --> 0:28:35.960
<v Speaker 2>felt that their life was inherently uninteresting. And I thought, wow,

0:28:36.000 --> 0:28:39.240
<v Speaker 2>that's really sad. You know. It used to be poor

0:28:39.280 --> 0:28:42.560
<v Speaker 2>people who were ashamed of their lives, you know, and

0:28:42.600 --> 0:28:46.400
<v Speaker 2>then it became wealthy people and middle class people. But

0:28:46.480 --> 0:28:51.400
<v Speaker 2>I thought, I thought, well, I didn't want to be like,

0:28:51.680 --> 0:28:59.280
<v Speaker 2>there's nothing extraordinary about my life, but I I didn't

0:28:59.280 --> 0:29:01.320
<v Speaker 2>want to be ashamed of it, you know. I didn't

0:29:01.320 --> 0:29:06.479
<v Speaker 2>want to to feel like it. I mean, what an

0:29:06.480 --> 0:29:13.560
<v Speaker 2>awful feeling to just think that your life there's no value,

0:29:13.720 --> 0:29:19.160
<v Speaker 2>or that you have none of your stories are worth telling.

0:29:22.360 --> 0:29:26.840
<v Speaker 2>But I again, I think that had to do with

0:29:27.040 --> 0:29:29.680
<v Speaker 2>just not putting a timer on things, and even because

0:29:29.720 --> 0:29:35.400
<v Speaker 2>I did find my voice eventually, but if I had

0:29:35.760 --> 0:29:38.360
<v Speaker 2>put a timer on things and said, well, if I don't,

0:29:38.440 --> 0:29:41.040
<v Speaker 2>you know, if I don't get something published by this age,

0:29:41.200 --> 0:29:45.560
<v Speaker 2>then it's all over. You know. It takes some people

0:29:45.680 --> 0:29:50.160
<v Speaker 2>longer than others, you know, to not find out who

0:29:50.200 --> 0:29:53.320
<v Speaker 2>they are, but just allow themselves to be themselves.

0:29:53.960 --> 0:29:57.800
<v Speaker 1>You know, are you ever even at this lead date?

0:29:57.880 --> 0:29:59.640
<v Speaker 1>Like I saw you a few months ago, you were

0:29:59.680 --> 0:30:03.360
<v Speaker 1>talking about your relationship with your father. You're peening your

0:30:03.360 --> 0:30:06.560
<v Speaker 1>father somewhat negatively, and then you said, but you're alive

0:30:06.640 --> 0:30:10.600
<v Speaker 1>and he's dead. Are you ever self conscious? Are you

0:30:10.680 --> 0:30:15.440
<v Speaker 1>ever self conscious about about revealing information and how people

0:30:15.440 --> 0:30:17.960
<v Speaker 1>will judge you as a result thereof?

0:30:19.760 --> 0:30:22.880
<v Speaker 2>I usually feel that the more honest you can be,

0:30:23.000 --> 0:30:27.360
<v Speaker 2>the more people will relate to you. Yeah, I mean,

0:30:27.400 --> 0:30:30.640
<v Speaker 2>you can usually tell when someone's thinking it, when somebody's

0:30:30.760 --> 0:30:46.000
<v Speaker 2>faking like a h when somebody's oh, just kind of

0:30:46.080 --> 0:30:49.160
<v Speaker 2>spouting bullshit. You know, you can usually tell and if

0:30:49.160 --> 0:30:53.880
<v Speaker 2>somebody is being honest about something, even if it's not like,

0:30:53.920 --> 0:30:55.720
<v Speaker 2>there's a way that somebody could get up there and

0:30:55.840 --> 0:31:01.720
<v Speaker 2>just be honest about something that's really pretty brutal or

0:31:01.760 --> 0:31:06.880
<v Speaker 2>something that even that I don't believe in, But there'd

0:31:06.920 --> 0:31:12.080
<v Speaker 2>be a way that maybe I could relate to it,

0:31:12.680 --> 0:31:15.360
<v Speaker 2>maybe just because they're being honest about it, you know,

0:31:15.480 --> 0:31:17.520
<v Speaker 2>Like if I think about it, like if one of

0:31:17.560 --> 0:31:23.240
<v Speaker 2>those January sixth people right could tell me a story

0:31:24.320 --> 0:31:31.560
<v Speaker 2>about that day. But if they were, I don't know

0:31:31.640 --> 0:31:36.520
<v Speaker 2>if they were if they were honest about it, and

0:31:36.600 --> 0:31:41.080
<v Speaker 2>if they were, I don't know if there was some

0:31:41.120 --> 0:31:46.560
<v Speaker 2>way I could connect to them about it, right, I mean,

0:31:46.600 --> 0:31:51.200
<v Speaker 2>I guess that's the thing. I like, we we live

0:31:51.240 --> 0:31:53.840
<v Speaker 2>in we're in the country right now. I'm in the countryside, right,

0:31:53.880 --> 0:31:58.520
<v Speaker 2>I'm in West Sussex, and we have a pastor behind

0:31:58.560 --> 0:32:03.320
<v Speaker 2>our house, and there's a shepherd we know. That a

0:32:03.320 --> 0:32:06.720
<v Speaker 2>great sentence. There's a shepherd we know, and he was

0:32:06.720 --> 0:32:09.480
<v Speaker 2>looking for someone's place to put his rams, and so

0:32:10.040 --> 0:32:12.000
<v Speaker 2>we said, well, we have a pasture behind our house

0:32:12.000 --> 0:32:13.840
<v Speaker 2>and we have these rams who have been living in

0:32:13.840 --> 0:32:18.880
<v Speaker 2>our backyard. And rams are assholes, right. So I wanted

0:32:18.920 --> 0:32:22.000
<v Speaker 2>to write about the rams, but I wanted someone who's

0:32:22.040 --> 0:32:24.960
<v Speaker 2>never seen a ram to be able to relate to it, right.

0:32:25.560 --> 0:32:28.120
<v Speaker 2>So that's when I sit down to write about it,

0:32:28.200 --> 0:32:30.720
<v Speaker 2>I think, Okay, how can I approach this in a

0:32:30.760 --> 0:32:37.600
<v Speaker 2>way that somebody who's has no relationships with rams? Could connect.

0:32:37.880 --> 0:32:42.720
<v Speaker 2>And I don't know. I wrote this essay. It's the

0:32:42.760 --> 0:32:45.000
<v Speaker 2>New Yorker just bought it. I'm going to read it

0:32:45.040 --> 0:32:47.400
<v Speaker 2>on tour next week and I'll see if it works.

0:32:47.480 --> 0:32:52.680
<v Speaker 2>But I think I found a way that it could

0:32:54.240 --> 0:32:58.200
<v Speaker 2>everyone could. I don't know, yeh, connect with it?

0:32:58.920 --> 0:33:02.320
<v Speaker 1>Okay. When you're walking lead at night? Is that when

0:33:02.360 --> 0:33:06.200
<v Speaker 1>your ideas come to you spontaneously? When do your ideas

0:33:06.240 --> 0:33:08.320
<v Speaker 1>come to you? And how do they come to you?

0:33:09.440 --> 0:33:12.360
<v Speaker 2>Usually they usually come to me at my desk, you know,

0:33:12.480 --> 0:33:14.520
<v Speaker 2>I just get up and I go right to my desk.

0:33:15.160 --> 0:33:17.640
<v Speaker 2>I don't like to write on my feet because then

0:33:19.240 --> 0:33:21.000
<v Speaker 2>I don't know. I sit at my desk and I'm

0:33:21.000 --> 0:33:24.240
<v Speaker 2>just kind of forcing something. But where I like for

0:33:24.320 --> 0:33:26.600
<v Speaker 2>it to just be organic and come out of I mean,

0:33:26.640 --> 0:33:33.560
<v Speaker 2>I have a list of story ideas, and so I

0:33:33.720 --> 0:33:36.520
<v Speaker 2>sometimes I turn to that, but I don't want to

0:33:36.520 --> 0:33:41.080
<v Speaker 2>get ahead of myself. Right Like I was with my

0:33:41.200 --> 0:33:48.760
<v Speaker 2>friend Dawn in Montrose, Colorado, which is just a very flats,

0:33:48.840 --> 0:33:49.960
<v Speaker 2>really hot.

0:33:51.160 --> 0:33:54.160
<v Speaker 1>A little bit slow. I've been to Montrose, Colorado, which

0:33:54.160 --> 0:33:56.160
<v Speaker 1>of course you fly into if you want to go

0:33:56.200 --> 0:33:58.880
<v Speaker 1>to tell your ride, and it's south of Grand Junction.

0:33:59.160 --> 0:34:01.600
<v Speaker 1>What would you doing in Montrose, Colorado.

0:34:02.120 --> 0:34:04.480
<v Speaker 2>I had a show and tell your ride, but I

0:34:04.520 --> 0:34:06.600
<v Speaker 2>had to leave early the next morning. So I was

0:34:06.640 --> 0:34:10.520
<v Speaker 2>staying in Montrose at a hotel. It was like a

0:34:10.640 --> 0:34:15.439
<v Speaker 2>four minute walk from the airport, right. And the thing

0:34:15.680 --> 0:34:19.520
<v Speaker 2>is I found when you when you go on tour,

0:34:20.280 --> 0:34:24.120
<v Speaker 2>if you're staying like at a four Seasons, you know

0:34:26.320 --> 0:34:28.839
<v Speaker 2>you're not going to get a story out of it, right,

0:34:29.440 --> 0:34:32.359
<v Speaker 2>But if you're staying at a hotel, well you can

0:34:32.400 --> 0:34:35.320
<v Speaker 2>walk to the airport. They're usually going to leave with

0:34:35.400 --> 0:34:40.560
<v Speaker 2>the story. So I did, but I put that on

0:34:40.640 --> 0:34:42.759
<v Speaker 2>my story list and was trying to think of a

0:34:42.800 --> 0:34:50.200
<v Speaker 2>way to h and then sometimes something happens, like I

0:34:50.280 --> 0:34:53.960
<v Speaker 2>was in Australia and something happened and our flight got

0:34:54.920 --> 0:34:57.280
<v Speaker 2>delayed and delayed and delayed, and I wrote the entire

0:34:57.400 --> 0:35:00.319
<v Speaker 2>essay right there on the airport, you know, the thing

0:35:00.320 --> 0:35:03.560
<v Speaker 2>that had happened the day before. I mean, it needed

0:35:03.560 --> 0:35:06.200
<v Speaker 2>to be rewritten like a dozen times, but I got

0:35:06.200 --> 0:35:11.640
<v Speaker 2>the first draft out usually, you know, and I'm like everybody,

0:35:11.680 --> 0:35:14.960
<v Speaker 2>you know, every every now and then I think like, okay,

0:35:15.040 --> 0:35:18.360
<v Speaker 2>that's it, there's nothing more. I reached the bottom of

0:35:18.360 --> 0:35:22.719
<v Speaker 2>the barrel, and that's it. But then I find when

0:35:22.760 --> 0:35:26.799
<v Speaker 2>I read something really good, all kinds of ideas come

0:35:26.840 --> 0:35:29.880
<v Speaker 2>to me. Not you know, It's like if I'm reading

0:35:29.880 --> 0:35:36.080
<v Speaker 2>a book about, you know, somebody with COVID. That doesn't

0:35:36.120 --> 0:35:38.359
<v Speaker 2>mean that I think, oh, I'll write about COVID too,

0:35:38.880 --> 0:35:42.880
<v Speaker 2>But it can just make me look at the world

0:35:44.680 --> 0:35:47.160
<v Speaker 2>with fresh eyes. Again. That's what it does. It takes

0:35:47.200 --> 0:35:50.839
<v Speaker 2>my eyes out of my head, it washes them, and

0:35:50.880 --> 0:35:54.800
<v Speaker 2>it pops them back in and then for a brief time,

0:35:54.960 --> 0:35:59.920
<v Speaker 2>everything looks new and interesting to me.

0:36:01.120 --> 0:36:04.640
<v Speaker 1>Can you be just as inspired staying home for a

0:36:04.760 --> 0:36:08.200
<v Speaker 1>month reading as you would be going on the road

0:36:08.239 --> 0:36:10.440
<v Speaker 1>and interacting with others for a month?

0:36:11.320 --> 0:36:13.800
<v Speaker 2>Yeah? Well, like the story I just wrote, the essay

0:36:13.840 --> 0:36:22.640
<v Speaker 2>I just wrote about the rams, you know, ah, yeah,

0:36:22.760 --> 0:36:23.160
<v Speaker 2>very much.

0:36:23.200 --> 0:36:26.040
<v Speaker 1>So let me ask you this, if you were to

0:36:26.239 --> 0:36:29.719
<v Speaker 1>just read, would you have enough ideas? Or is it

0:36:29.840 --> 0:36:34.239
<v Speaker 1>everyday life interacting with other elements, animate or inanimate that

0:36:34.360 --> 0:36:35.000
<v Speaker 1>inspire you.

0:36:36.200 --> 0:36:39.640
<v Speaker 2>It's a combination of the two. You know, it's reading

0:36:39.880 --> 0:36:43.080
<v Speaker 2>and it's living. It's going out into the world and

0:36:44.320 --> 0:36:51.680
<v Speaker 2>having things happen. And again, it's not like massive things

0:36:51.719 --> 0:36:58.600
<v Speaker 2>happen to me. But I don't know, I just I

0:36:58.719 --> 0:37:00.919
<v Speaker 2>like to kind of make something out of nothing.

0:37:02.920 --> 0:37:05.960
<v Speaker 1>Or take the micro and expand it. But so when

0:37:06.000 --> 0:37:10.600
<v Speaker 1>you sit down every day, are you usually working on

0:37:10.680 --> 0:37:13.759
<v Speaker 1>something you started or are you starting something? What do

0:37:13.840 --> 0:37:15.399
<v Speaker 1>you do when you literally sit down?

0:37:17.719 --> 0:37:19.960
<v Speaker 2>Well, I sit down every morning, and first thing I

0:37:20.000 --> 0:37:22.080
<v Speaker 2>do is I write in my diary, and then I

0:37:22.200 --> 0:37:25.480
<v Speaker 2>turned to whatever it is and I'm working on. And

0:37:25.520 --> 0:37:28.279
<v Speaker 2>then sometimes, like yesterday, I had to make a hard

0:37:28.360 --> 0:37:33.960
<v Speaker 2>choice and I abandoned something. You know, I thought, well,

0:37:34.400 --> 0:37:36.480
<v Speaker 2>maybe in a year I can come back to it

0:37:36.560 --> 0:37:41.160
<v Speaker 2>and get it to work, but I'm not. It just

0:37:41.200 --> 0:37:44.239
<v Speaker 2>felt like I'd already written it, you know, so I

0:37:44.280 --> 0:37:45.400
<v Speaker 2>turned to something else.

0:37:45.880 --> 0:37:49.320
<v Speaker 1>Is the process that you lay it all down quickly

0:37:49.760 --> 0:37:51.839
<v Speaker 1>and we write it or do you eke it out

0:37:51.880 --> 0:37:53.759
<v Speaker 1>sentenced by sentence? How does it come?

0:37:55.880 --> 0:38:00.359
<v Speaker 2>Oh? I don't know. Like today I probably wrote three

0:38:00.440 --> 0:38:10.480
<v Speaker 2>pages on something I started, and then you know, I'll

0:38:10.480 --> 0:38:15.960
<v Speaker 2>expand on it tomorrow. I'm going to love to be

0:38:17.440 --> 0:38:19.600
<v Speaker 2>finished with it in a week, but I don't know

0:38:19.680 --> 0:38:25.480
<v Speaker 2>that that's gonna happen. It'll just come in its own time.

0:38:26.760 --> 0:38:29.960
<v Speaker 2>It's hard to write things whole cloth when I'm on tour,

0:38:30.120 --> 0:38:32.120
<v Speaker 2>Like I start a tour next week, so I'm going

0:38:32.160 --> 0:38:36.239
<v Speaker 2>to I don't know, forty two cities or something. But

0:38:36.280 --> 0:38:39.200
<v Speaker 2>I can rewrite when I'm traveling, so I have a

0:38:39.200 --> 0:38:41.480
<v Speaker 2>lot to rewrite.

0:38:47.239 --> 0:38:50.560
<v Speaker 1>Okay, you have this great success. You were on the road.

0:38:51.080 --> 0:38:56.200
<v Speaker 1>Many people who have household names success which you do have, say,

0:38:56.280 --> 0:38:59.440
<v Speaker 1>oh no, it just happened to me. But most of

0:38:59.480 --> 0:39:04.080
<v Speaker 1>these people were driven. They needed it. So why are

0:39:04.160 --> 0:39:07.600
<v Speaker 1>you so successful? Being talented is not enough.

0:39:09.160 --> 0:39:13.520
<v Speaker 2>No, But I was always on fire, you know, like

0:39:14.600 --> 0:39:16.959
<v Speaker 2>when I was doing visual art, it was the same thing.

0:39:17.040 --> 0:39:22.000
<v Speaker 2>I was just on fire, had blinders on, nothing else.

0:39:23.120 --> 0:39:26.080
<v Speaker 2>You know, everybody else is going to the party. I'm

0:39:26.120 --> 0:39:32.560
<v Speaker 2>staying home and working. I've just always been that way,

0:39:32.680 --> 0:39:36.560
<v Speaker 2>Like I just a kind of a laser focus. And

0:39:36.719 --> 0:39:42.080
<v Speaker 2>also I'm you know, I have some obsessive compulsive stuff

0:39:42.120 --> 0:39:44.560
<v Speaker 2>going on, and so it was always very easy for

0:39:44.600 --> 0:39:46.720
<v Speaker 2>me to do the exact same thing at the exact

0:39:46.800 --> 0:39:47.959
<v Speaker 2>same time every day.

0:39:48.520 --> 0:39:50.680
<v Speaker 1>Tell me a little bit more about the OCD. I

0:39:50.719 --> 0:39:54.120
<v Speaker 1>get that, But like, are you locking the door twenty times?

0:39:54.120 --> 0:39:55.040
<v Speaker 1>Are your order?

0:39:55.280 --> 0:39:57.359
<v Speaker 2>It used to be? I mean I used to lock

0:39:57.400 --> 0:40:01.840
<v Speaker 2>the door twenty times, and then it when I was

0:40:01.880 --> 0:40:06.040
<v Speaker 2>a kid, it was just like really bad. But then

0:40:06.080 --> 0:40:09.839
<v Speaker 2>when I got older. You know, I'd written something about

0:40:09.840 --> 0:40:12.560
<v Speaker 2>it one time and I had said, how you know,

0:40:12.560 --> 0:40:15.319
<v Speaker 2>it seemed to get my life thing to get better

0:40:15.360 --> 0:40:17.960
<v Speaker 2>when I started smoking. And then someone called and said, no,

0:40:18.120 --> 0:40:22.360
<v Speaker 2>that makes sense. You know that nicotine can can be

0:40:22.400 --> 0:40:24.919
<v Speaker 2>a way to self medicate for that kind of thing.

0:40:26.840 --> 0:40:30.320
<v Speaker 2>But then I quit smoking, and I thought everyone everything

0:40:30.320 --> 0:40:34.280
<v Speaker 2>would come roaring back, but it didn't. Now I'm more

0:40:35.080 --> 0:40:38.440
<v Speaker 2>like I'm a prisoner of a Yeah, I'm a prisoner.

0:40:38.520 --> 0:40:44.400
<v Speaker 2>Like I got a fit bit, you know, and so

0:40:44.440 --> 0:40:47.120
<v Speaker 2>that's why I go out after midnight. I forgot a

0:40:47.160 --> 0:40:50.400
<v Speaker 2>fit bit. So then I started walking between fifteen and

0:40:50.440 --> 0:40:53.520
<v Speaker 2>twenty miles a day when I'm in Sussex, right, so

0:40:53.560 --> 0:40:56.799
<v Speaker 2>I have to do that. Then I have to do

0:40:57.160 --> 0:40:59.920
<v Speaker 2>duo lingo. But it's not just I have to do it,

0:41:00.440 --> 0:41:06.040
<v Speaker 2>like I have to be like in the top three.

0:41:07.160 --> 0:41:10.000
<v Speaker 2>And so that's hours and hours and hours and hours

0:41:10.040 --> 0:41:13.120
<v Speaker 2>and hours that I have to do that. And I

0:41:13.120 --> 0:41:15.719
<v Speaker 2>have to do my own work, and then I have

0:41:15.880 --> 0:41:20.759
<v Speaker 2>to swim a certain distance every day and I have

0:41:21.000 --> 0:41:27.800
<v Speaker 2>to Uh, it's it's a lot on my little schedule,

0:41:27.920 --> 0:41:31.759
<v Speaker 2>Like there really not enough hours in the day, and

0:41:31.880 --> 0:41:34.560
<v Speaker 2>I never know when something else is gonna pop up.

0:41:34.800 --> 0:41:37.600
<v Speaker 2>One time it was feeding spiders. And I'm telling you

0:41:39.680 --> 0:41:42.880
<v Speaker 2>I fed spiders. This was in France, and we had

0:41:43.360 --> 0:41:47.600
<v Speaker 2>lots of spiders in our house, and I was feeding

0:41:47.640 --> 0:41:52.120
<v Speaker 2>spiders for hours every day, right and monitoring them.

0:41:52.280 --> 0:41:54.360
<v Speaker 1>No, wait, a little bit more, a little slow, a

0:41:54.400 --> 0:41:58.320
<v Speaker 1>little more granular. So you see a spider in the house,

0:41:58.480 --> 0:42:01.040
<v Speaker 1>you think they're hungry. What's going on there?

0:42:01.680 --> 0:42:06.040
<v Speaker 2>There was a spider, a Taganaria gigantia, who lives in

0:42:06.280 --> 0:42:07.960
<v Speaker 2>They live in a horizontal sheet web.

0:42:08.719 --> 0:42:13.200
<v Speaker 1>And how big a spider is that? And I think

0:42:13.239 --> 0:42:16.040
<v Speaker 1>I know what a horizontal web is, but tell me.

0:42:16.800 --> 0:42:20.239
<v Speaker 2>The size of an unshelled peanut. It's a pretty big,

0:42:21.440 --> 0:42:26.600
<v Speaker 2>black brown you know. Horizontal seat web, It's just a

0:42:26.640 --> 0:42:31.080
<v Speaker 2>flat web, right, with a little funnel that it goes

0:42:31.120 --> 0:42:33.480
<v Speaker 2>into that it lives in. And they can be pretty

0:42:33.480 --> 0:42:37.520
<v Speaker 2>big those. So it was in the corner. We had

0:42:37.760 --> 0:42:40.160
<v Speaker 2>a casement window. It was in France, so it was

0:42:40.200 --> 0:42:43.800
<v Speaker 2>an old casement window. So there was a there was

0:42:43.840 --> 0:42:47.000
<v Speaker 2>a it was built at the bottom of the window

0:42:47.040 --> 0:42:49.440
<v Speaker 2>so I couldn't open the window because I would destroy

0:42:49.520 --> 0:42:53.440
<v Speaker 2>the web. Right, So, and I heard a fly buzz

0:42:53.719 --> 0:42:56.200
<v Speaker 2>and then I heard it buzz differently, and I stood

0:42:56.280 --> 0:42:58.279
<v Speaker 2>up and I went over to the window and I

0:42:58.400 --> 0:43:04.719
<v Speaker 2>saw the had gotten a fly. It was dragging it

0:43:04.760 --> 0:43:08.439
<v Speaker 2>into its little home, right, And I thought, I want

0:43:08.440 --> 0:43:12.120
<v Speaker 2>to see that again. So I caught a fly in

0:43:12.200 --> 0:43:15.400
<v Speaker 2>a jar and then I shook the jar up so

0:43:15.480 --> 0:43:17.919
<v Speaker 2>the flylight would hit its head, you know, and get

0:43:18.000 --> 0:43:20.360
<v Speaker 2>knocked out. And then I poured it into a web,

0:43:20.920 --> 0:43:24.239
<v Speaker 2>and then when it came to the spider came out

0:43:24.480 --> 0:43:27.800
<v Speaker 2>and took it right. And we had so many spiders

0:43:27.840 --> 0:43:32.319
<v Speaker 2>in our house, and then we had outbuildings, so it

0:43:32.400 --> 0:43:36.719
<v Speaker 2>was easy to feed forty spiders a day, right, so

0:43:37.000 --> 0:43:39.839
<v Speaker 2>all day long, I mean, and we kept our door

0:43:39.880 --> 0:43:43.200
<v Speaker 2>open so the house was for flies. So that wasn't

0:43:43.239 --> 0:43:47.319
<v Speaker 2>hard to do. But you know, flies can eat like

0:43:47.520 --> 0:43:49.480
<v Speaker 2>I mean, spiders can eat like once a week and

0:43:49.480 --> 0:43:54.000
<v Speaker 2>they're okay. But spiders got so fat, you know what

0:43:54.000 --> 0:43:57.719
<v Speaker 2>I mean. It just wasn't good for him. But I

0:43:57.880 --> 0:43:59.960
<v Speaker 2>just kept doing it. And then I went on tour,

0:44:00.160 --> 0:44:02.799
<v Speaker 2>and of course I didn't have my spiders, and then

0:44:02.800 --> 0:44:05.120
<v Speaker 2>I went back to France and then it was winter

0:44:06.000 --> 0:44:09.000
<v Speaker 2>so we didn't have flies. And I don't know, there's

0:44:09.040 --> 0:44:12.239
<v Speaker 2>a flimsy kind of a spider that you don't want,

0:44:12.320 --> 0:44:16.520
<v Speaker 2>you wouldn't think twice about, but it would devour all

0:44:16.560 --> 0:44:19.160
<v Speaker 2>the other spiders. So by the time I got home,

0:44:19.200 --> 0:44:21.880
<v Speaker 2>there was nothing left but the flimsy spiders. And the

0:44:22.080 --> 0:44:25.080
<v Speaker 2>next summer I did it all over again. And it

0:44:25.120 --> 0:44:28.000
<v Speaker 2>wasn't until I moved to England that I stopped with that.

0:44:30.239 --> 0:44:32.360
<v Speaker 2>But I never know when something's going to come along.

0:44:32.560 --> 0:44:34.919
<v Speaker 2>It's like a hobby, but it's just taken too far.

0:44:35.239 --> 0:44:37.400
<v Speaker 1>But is it a compulsion more than a hobby.

0:44:37.480 --> 0:44:38.880
<v Speaker 2>Yeah, yeah, it's a compulsion.

0:44:39.400 --> 0:44:43.920
<v Speaker 1>So the compulsion cannot be broken by you. It has

0:44:44.000 --> 0:44:47.200
<v Speaker 1>to be like a very distinct thing, like you leave

0:44:47.320 --> 0:44:48.880
<v Speaker 1>town or something like that.

0:44:49.560 --> 0:44:55.120
<v Speaker 2>Yeah, I can't. I can't like the duo lingo thing.

0:44:55.120 --> 0:44:56.279
<v Speaker 2>It's just ridiculous.

0:44:56.640 --> 0:44:58.600
<v Speaker 1>Just a little bit. There's a chart you say being

0:44:58.640 --> 0:44:59.479
<v Speaker 1>in the top three.

0:45:00.040 --> 0:45:03.480
<v Speaker 2>Explain that there's a competitive aspect to do a lingo,

0:45:03.560 --> 0:45:04.719
<v Speaker 2>which I didn't realize.

0:45:04.760 --> 0:45:06.600
<v Speaker 1>It's a lot I told you told me in my

0:45:06.640 --> 0:45:08.279
<v Speaker 1>audience A little bit more about dual linger.

0:45:08.400 --> 0:45:11.840
<v Speaker 2>It's a language learning app, right, So you choose what

0:45:12.000 --> 0:45:16.200
<v Speaker 2>language you want, and I started off with Japanese and

0:45:17.080 --> 0:45:19.879
<v Speaker 2>it will teach you the alphabet and then it will

0:45:19.920 --> 0:45:24.040
<v Speaker 2>give you a sentence in Japanese. You have to translate

0:45:24.480 --> 0:45:28.120
<v Speaker 2>right from a menu of words below, or it'll give

0:45:28.160 --> 0:45:31.759
<v Speaker 2>you sEH, It'll give you a sentence in English, and

0:45:31.760 --> 0:45:41.919
<v Speaker 2>then you have to construct it in Japanese translated into Japanese.

0:45:42.320 --> 0:45:48.000
<v Speaker 2>And I had studied some Japanese before, but I'd never

0:45:48.040 --> 0:45:50.160
<v Speaker 2>really learned to read, so it was good for that.

0:45:51.160 --> 0:45:53.040
<v Speaker 2>And then I branched out, and then I started doing

0:45:53.080 --> 0:45:57.000
<v Speaker 2>the German as well, right, And then I discovered one

0:45:57.080 --> 0:46:00.879
<v Speaker 2>day that there was there were leagues I just hadn't no, right,

0:46:01.320 --> 0:46:06.040
<v Speaker 2>So there's like the Obsidian League and the Pearl League,

0:46:04.920 --> 0:46:09.160
<v Speaker 2>and I would get these congratulations, Oh, you're in the

0:46:09.200 --> 0:46:13.359
<v Speaker 2>Pearl League, and I thought, so that feels good. And

0:46:13.440 --> 0:46:17.200
<v Speaker 2>then the highest is the Diamond League. Right, so you

0:46:17.239 --> 0:46:21.280
<v Speaker 2>get these extra points on dual lingo and a normal

0:46:21.360 --> 0:46:25.120
<v Speaker 2>person might get, oh, I don't know, forty extra points

0:46:25.160 --> 0:46:29.440
<v Speaker 2>a day, and I'll be getting like four thousand extra

0:46:29.480 --> 0:46:32.160
<v Speaker 2>points a day. So it was like it was a

0:46:32.200 --> 0:46:35.799
<v Speaker 2>big part of my day. It's a huge part of

0:46:35.840 --> 0:46:41.640
<v Speaker 2>my day. And I can't even say that that It

0:46:41.680 --> 0:46:44.839
<v Speaker 2>wasn't even about learning anymore. It just became I've never

0:46:44.840 --> 0:46:47.080
<v Speaker 2>played a video game in my life. But that's I

0:46:47.120 --> 0:46:49.959
<v Speaker 2>think what it became was me was a video game.

0:46:50.719 --> 0:46:55.160
<v Speaker 2>Today when I walked to the village today, we live

0:46:55.239 --> 0:46:58.799
<v Speaker 2>on the edge of what's essentially Downton Abbey, and I

0:46:58.840 --> 0:47:07.840
<v Speaker 2>can there's this massive, massive tudor. It's not a castle,

0:47:09.840 --> 0:47:13.640
<v Speaker 2>it's just a pile, you know, It's just it's on

0:47:13.800 --> 0:47:16.879
<v Speaker 2>thousands of acres of land. And it's also a deer

0:47:17.000 --> 0:47:20.600
<v Speaker 2>park and there's right away in England. So I cut

0:47:20.640 --> 0:47:25.919
<v Speaker 2>across the grounds and this is the time of year

0:47:26.000 --> 0:47:31.600
<v Speaker 2>when the stags stand underneath trees and cough to attract

0:47:31.640 --> 0:47:34.920
<v Speaker 2>females like I never thought deer made any noise at all,

0:47:35.000 --> 0:47:46.319
<v Speaker 2>but they it is cough. It is unspeakably beautiful and

0:47:46.360 --> 0:47:50.960
<v Speaker 2>it's fall and the temperature has changed and the air

0:47:51.080 --> 0:47:57.520
<v Speaker 2>feels different. And I'm leaving tomorrow to start my tour.

0:47:58.680 --> 0:48:03.680
<v Speaker 2>And I walked across the param house twice today doing

0:48:03.800 --> 0:48:08.200
<v Speaker 2>dual lingo as I walked right doing it on my

0:48:08.280 --> 0:48:14.720
<v Speaker 2>iPad so I could rack up four thousand extra points.

0:48:15.200 --> 0:48:18.839
<v Speaker 2>And I'm so mad at myself because I stopped at

0:48:18.840 --> 0:48:23.640
<v Speaker 2>one point. It's so beautiful that every day I notice

0:48:23.640 --> 0:48:28.120
<v Speaker 2>how beautiful it is. Every day I think what a

0:48:28.200 --> 0:48:29.840
<v Speaker 2>kind of a world is this that I get to

0:48:29.880 --> 0:48:33.359
<v Speaker 2>live amongst such beauty? Right? And I didn't do it

0:48:33.480 --> 0:48:37.359
<v Speaker 2>because I was doing this stupid duo lingo and I'm

0:48:37.400 --> 0:48:40.160
<v Speaker 2>competing against people I don't even know who they are.

0:48:40.920 --> 0:48:43.560
<v Speaker 2>They're like twenty five of them from all over the world.

0:48:43.640 --> 0:48:50.600
<v Speaker 2>Everyone has a nickname, right, it doesn't matter at all? Right,

0:48:51.719 --> 0:48:57.440
<v Speaker 2>And I don't. I can't. I can't. It's like a trap.

0:48:57.480 --> 0:48:59.960
<v Speaker 2>I man, I can't get out of it. And Hughes said,

0:49:00.040 --> 0:49:02.160
<v Speaker 2>has just stop doing it? But I can't.

0:49:03.120 --> 0:49:06.920
<v Speaker 1>Okay, just for one second. You're in the competition with

0:49:07.040 --> 0:49:10.480
<v Speaker 1>duo lingo. But the main goal of duo lingo is

0:49:10.520 --> 0:49:14.280
<v Speaker 1>to learn the language. Right, have you learned the language?

0:49:14.360 --> 0:49:16.000
<v Speaker 1>Racking up all these extra points?

0:49:17.280 --> 0:49:20.040
<v Speaker 2>There's only well, see, the way to rack up the

0:49:20.080 --> 0:49:24.359
<v Speaker 2>extra points is to do these practice because you get

0:49:24.360 --> 0:49:29.000
<v Speaker 2>more points doing the practice thing. So, but I was

0:49:29.040 --> 0:49:31.719
<v Speaker 2>in Germany a week ago. I was there on a

0:49:31.719 --> 0:49:37.160
<v Speaker 2>book tour, and I talk to German all the time.

0:49:38.000 --> 0:49:43.520
<v Speaker 2>I and people said, oh my god, I didn't know

0:49:43.560 --> 0:49:46.359
<v Speaker 2>you spoke German. And they said, oh my god, your

0:49:46.400 --> 0:49:50.640
<v Speaker 2>German is perfect. Now my German is not perfect. They

0:49:50.640 --> 0:49:54.080
<v Speaker 2>were just being nice, but and I would overhear people

0:49:54.120 --> 0:49:57.759
<v Speaker 2>talking and maybe I would understand one word out of

0:49:57.800 --> 0:50:02.560
<v Speaker 2>every twenty. But then, you know, so it's easy to

0:50:02.600 --> 0:50:06.120
<v Speaker 2>give up. But then you think, well, one word out

0:50:06.120 --> 0:50:08.239
<v Speaker 2>of every twenty is better than one word out of

0:50:08.239 --> 0:50:11.960
<v Speaker 2>every fifty or one word out of every hundred. You know,

0:50:12.640 --> 0:50:23.760
<v Speaker 2>so keep at it and and you'll get better.

0:50:24.800 --> 0:50:27.919
<v Speaker 1>Okay, So you're at home. Let's say one day it's

0:50:28.080 --> 0:50:32.600
<v Speaker 1>really raining, terrible weather, you're driven, you have to walk anyway.

0:50:33.520 --> 0:50:37.880
<v Speaker 2>Oh yeah, oh yeah, that rain, and that happens a

0:50:37.880 --> 0:50:41.040
<v Speaker 2>lot here. No, they didn't stop anything.

0:50:42.080 --> 0:50:45.960
<v Speaker 1>What would it take for you not to go out

0:50:46.000 --> 0:50:46.720
<v Speaker 1>on your walk?

0:50:47.760 --> 0:50:51.640
<v Speaker 2>One night, I was out after midnight and the police

0:50:51.680 --> 0:50:56.879
<v Speaker 2>stopped me, and there was somebody who I don't understand

0:50:56.920 --> 0:50:59.000
<v Speaker 2>if it was somebody who ran away from home or

0:50:59.000 --> 0:51:03.080
<v Speaker 2>they were looking for the police. And there were helicopters overhead, right,

0:51:03.400 --> 0:51:05.240
<v Speaker 2>I don't know if it was somebody who had wandered

0:51:05.280 --> 0:51:07.600
<v Speaker 2>away from their home or run away from home. They

0:51:07.600 --> 0:51:10.480
<v Speaker 2>wouldn't tell me, right, but they just said, you can't

0:51:10.520 --> 0:51:13.160
<v Speaker 2>be out here, and they put me in the police

0:51:13.160 --> 0:51:18.400
<v Speaker 2>car and drove me home. And the second they were gone,

0:51:18.760 --> 0:51:21.320
<v Speaker 2>I went out to get you in the other direction,

0:51:22.080 --> 0:51:23.960
<v Speaker 2>and I just thought, well, if I see the police

0:51:23.960 --> 0:51:26.319
<v Speaker 2>car coming, I'll just run into the woods. You know.

0:51:27.600 --> 0:51:29.520
<v Speaker 1>Let's say I was in your house and I locked

0:51:29.560 --> 0:51:32.400
<v Speaker 1>all the doors and I said, you cannot leave today.

0:51:32.760 --> 0:51:34.960
<v Speaker 1>What would be going on inside your mind?

0:51:38.120 --> 0:51:47.600
<v Speaker 2>Uh? Well, how I would overpower you? Because like even

0:51:47.719 --> 0:51:52.239
<v Speaker 2>the pandemic, that didn't stop me, you know. But it

0:51:52.239 --> 0:51:54.520
<v Speaker 2>would have been different if I'd been in Paris, because

0:51:54.600 --> 0:51:56.839
<v Speaker 2>in France you had to have a document to go out.

0:51:57.400 --> 0:52:00.000
<v Speaker 2>You had to and the police would check your documents.

0:52:00.280 --> 0:52:02.359
<v Speaker 2>I guess you downloaded it and you have to put

0:52:02.400 --> 0:52:04.279
<v Speaker 2>the time you leave and all that stuff. So that

0:52:04.320 --> 0:52:06.439
<v Speaker 2>would have been a hardship for me. But I would

0:52:06.480 --> 0:52:08.680
<v Speaker 2>have just left the country that that had been the thing,

0:52:08.880 --> 0:52:10.879
<v Speaker 2>and I would have gone to a place where they

0:52:10.880 --> 0:52:13.120
<v Speaker 2>didn't have They weren't quite so strict.

0:52:14.080 --> 0:52:18.160
<v Speaker 1>Well, I guess, are you tortured by this? It's one

0:52:18.160 --> 0:52:20.520
<v Speaker 1>thing to do it. It's another thing to say I

0:52:20.600 --> 0:52:22.480
<v Speaker 1>have to do it or I just won't feel right.

0:52:24.080 --> 0:52:30.520
<v Speaker 2>No, un tortured, Yeah, no, it becomes It's it's like

0:52:30.680 --> 0:52:34.400
<v Speaker 2>I really admire people who have hobbies.

0:52:35.320 --> 0:52:42.440
<v Speaker 1>You do know that there's therapy for this? Now? Yeah,

0:52:42.800 --> 0:52:47.840
<v Speaker 1>if I said I could get you with a therapist

0:52:48.120 --> 0:52:51.800
<v Speaker 1>such that you would not be tortured. Is that something

0:52:51.880 --> 0:52:54.240
<v Speaker 1>you would be thumbs up or thumbs down about.

0:52:55.760 --> 0:52:59.600
<v Speaker 2>I'd be thumbs down because I feel like the things

0:52:59.600 --> 0:53:04.200
<v Speaker 2>that I do are good things to do. Right, It's

0:53:04.239 --> 0:53:07.160
<v Speaker 2>good to walk, It's good to walk.

0:53:07.560 --> 0:53:11.640
<v Speaker 1>Okay, all that rationalization is good. But the question is

0:53:12.239 --> 0:53:15.719
<v Speaker 1>to what degree are you tortured? To what degree does

0:53:15.760 --> 0:53:18.400
<v Speaker 1>it interfere with you living your regular life?

0:53:20.600 --> 0:53:23.480
<v Speaker 2>Well, I'm always I always think like I can handle this,

0:53:23.640 --> 0:53:27.120
<v Speaker 2>but see, then what happens is that I go on tour, right,

0:53:28.480 --> 0:53:32.839
<v Speaker 2>and then on tour you don't have control. You know,

0:53:32.880 --> 0:53:37.160
<v Speaker 2>you're out of your You're out of your environment.

0:53:37.520 --> 0:53:37.759
<v Speaker 1>Right.

0:53:38.400 --> 0:53:44.560
<v Speaker 2>So sometimes it'll happen that a plane will be delayed

0:53:45.200 --> 0:53:48.160
<v Speaker 2>or canceled, and then my agent will call and say

0:53:48.239 --> 0:53:50.799
<v Speaker 2>we've sent a car and a car is going to

0:53:50.840 --> 0:53:54.279
<v Speaker 2>take you seven hours to somewhere, right, And I'm like

0:53:54.920 --> 0:53:57.160
<v Speaker 2>seven hours. I can't get my steps in. If I'm

0:53:57.160 --> 0:53:59.320
<v Speaker 2>in a car for seven hours, right, what am I

0:53:59.360 --> 0:54:05.200
<v Speaker 2>going to do? So what I do in that situation

0:54:05.360 --> 0:54:10.360
<v Speaker 2>is I get I mean, so in case that should happen,

0:54:11.760 --> 0:54:14.640
<v Speaker 2>I would never leave my hotel in the morning with

0:54:14.760 --> 0:54:19.160
<v Speaker 2>no steps right, so I would have gotten up. If

0:54:19.160 --> 0:54:21.200
<v Speaker 2>it means getting up at five o'clock in the morning,

0:54:21.280 --> 0:54:22.839
<v Speaker 2>I'll get up at five o'clock the monay it means

0:54:22.840 --> 0:54:24.600
<v Speaker 2>getting about four o'clock in the morning, I get up

0:54:24.600 --> 0:54:27.640
<v Speaker 2>at four o'clock in the morning right, just on the

0:54:27.680 --> 0:54:30.960
<v Speaker 2>off chance that that might happen. And then one time

0:54:32.520 --> 0:54:35.560
<v Speaker 2>I was thrown into a car for eight hours and

0:54:36.280 --> 0:54:40.480
<v Speaker 2>I hadn't met the minimum right number of steps I need.

0:54:41.440 --> 0:54:43.759
<v Speaker 2>And so I was signing this young woman's book and

0:54:43.800 --> 0:54:45.640
<v Speaker 2>I said, what are you going to do now? She said,

0:54:45.640 --> 0:54:48.160
<v Speaker 2>now nothing, I'm not doing anything. And I think she

0:54:48.200 --> 0:54:49.720
<v Speaker 2>thought I was going to ask her out to dinner.

0:54:50.360 --> 0:54:52.320
<v Speaker 2>And I said, great, I'll give you twenty dollars to

0:54:52.360 --> 0:54:54.120
<v Speaker 2>go out and walk two miles. And I put my

0:54:54.200 --> 0:54:56.840
<v Speaker 2>Apple watch on her and I gave her twenty dollars,

0:54:57.480 --> 0:54:59.839
<v Speaker 2>and I had her walk for me.

0:55:00.000 --> 0:55:03.000
<v Speaker 1>Well, a little bit slower. Why does her walk work

0:55:03.080 --> 0:55:05.200
<v Speaker 1>because it's on your watch and therefore it's part of

0:55:05.239 --> 0:55:06.319
<v Speaker 1>the chart I gave him.

0:55:06.520 --> 0:55:08.680
<v Speaker 2>I put my watch on her wrist, so and I

0:55:08.760 --> 0:55:10.040
<v Speaker 2>sent her out to walk for.

0:55:11.800 --> 0:55:15.399
<v Speaker 1>I understand what you did, but you're saying it's more

0:55:15.440 --> 0:55:18.920
<v Speaker 1>about the number on your watch than what's going on

0:55:19.080 --> 0:55:20.839
<v Speaker 1>inside you as a human being.

0:55:21.840 --> 0:55:24.359
<v Speaker 2>Well, no, because we have some French friends who are

0:55:24.360 --> 0:55:26.480
<v Speaker 2>staying right now with us, and they went to the

0:55:26.560 --> 0:55:29.839
<v Speaker 2>village and back today and when they left, I thought, fuck,

0:55:29.920 --> 0:55:32.720
<v Speaker 2>I should have given him my watch, you know, to wear,

0:55:32.880 --> 0:55:36.759
<v Speaker 2>because that would have been an extra six miles. But no,

0:55:37.040 --> 0:55:40.000
<v Speaker 2>that's different because they weren't six miles that I would

0:55:40.040 --> 0:55:42.879
<v Speaker 2>have earned, you know what I mean, Like, I'm in

0:55:42.920 --> 0:55:47.040
<v Speaker 2>my environment, I'll earn the miles, I'll earn the steps.

0:55:47.120 --> 0:55:51.760
<v Speaker 1>Okay, Now, so somebody has to earn the miles. Generally speaking,

0:55:51.800 --> 0:55:54.920
<v Speaker 1>it doesn't have to be you. You want it to be you,

0:55:55.320 --> 0:55:58.120
<v Speaker 1>But if it's someone else, that would be okay.

0:55:58.239 --> 0:56:02.799
<v Speaker 2>Because I have When I look at my watch, it

0:56:02.960 --> 0:56:08.000
<v Speaker 2>tells me that I have a perfect record for one thousand,

0:56:08.160 --> 0:56:12.040
<v Speaker 2>seven hundred and seventy nine days. Right, I've had a

0:56:12.080 --> 0:56:17.400
<v Speaker 2>perfect record on my Apple Watch. I cannot lose that

0:56:18.560 --> 0:56:19.320
<v Speaker 2>perfect record.

0:56:19.719 --> 0:56:21.319
<v Speaker 1>Just so I know how many steps is that?

0:56:22.680 --> 0:56:25.200
<v Speaker 2>Oh a set to I have to walk like ten

0:56:25.239 --> 0:56:29.760
<v Speaker 2>thousand steps a day, which is nothing. That's like depend

0:56:29.880 --> 0:56:31.600
<v Speaker 2>It's just like four and a half miles.

0:56:31.920 --> 0:56:34.239
<v Speaker 1>Right, Okay, let's get into it for a minute. I

0:56:34.360 --> 0:56:39.480
<v Speaker 1>had a fit bit, and the accuracy of the step

0:56:39.520 --> 0:56:42.920
<v Speaker 1>count on the fit bit was completely different from what

0:56:42.960 --> 0:56:45.680
<v Speaker 1>it was on the phone. I mean, there are certain

0:56:45.719 --> 0:56:47.759
<v Speaker 1>times I'll be hiking in the mountains and I know

0:56:47.880 --> 0:56:51.719
<v Speaker 1>the altitude difference and the phone does not register it,

0:56:52.239 --> 0:56:56.000
<v Speaker 1>whereas the fit bit did. Are you just locked into

0:56:56.040 --> 0:56:58.560
<v Speaker 1>the equipment or do you ever think about, well, it's

0:56:58.560 --> 0:56:59.240
<v Speaker 1>this accurate.

0:57:00.280 --> 0:57:01.879
<v Speaker 2>Well, for a long time I had a fit bit

0:57:01.960 --> 0:57:05.319
<v Speaker 2>and an Apple Watch, and I wore them both. But

0:57:05.440 --> 0:57:08.319
<v Speaker 2>then I thought I was too old to have two

0:57:08.400 --> 0:57:11.680
<v Speaker 2>things on my wrist, so I just have the Apple Watch.

0:57:11.760 --> 0:57:15.360
<v Speaker 2>Now they were close enough, you know, I felt like

0:57:15.440 --> 0:57:17.840
<v Speaker 2>the two things were pretty close. I've never used my

0:57:17.960 --> 0:57:20.280
<v Speaker 2>phone to check my steps. I've never done that.

0:57:20.840 --> 0:57:22.439
<v Speaker 1>Well, you can look on her in the health app.

0:57:22.480 --> 0:57:27.320
<v Speaker 1>I find it wildly inaccurate. So what about the swimming, Although.

0:57:27.320 --> 0:57:31.240
<v Speaker 2>My record is I walked forty two miles in a day.

0:57:32.560 --> 0:57:35.440
<v Speaker 1>You know, we are not young people by the standards

0:57:35.480 --> 0:57:40.240
<v Speaker 1>of human life. You walk that much, does your body hurt?

0:57:40.960 --> 0:57:44.680
<v Speaker 2>Yeah? It hurt for days afterwards. Forty two miles was like,

0:57:46.320 --> 0:57:50.240
<v Speaker 2>that's a really long walk. I started at midnight. I

0:57:50.280 --> 0:57:51.880
<v Speaker 2>did it with a friend of mine and we came

0:57:51.960 --> 0:57:54.600
<v Speaker 2>back at six in the morning, and we rested for

0:57:54.640 --> 0:57:57.160
<v Speaker 2>three hours, and we went out again, came home for lunch,

0:57:57.200 --> 0:58:01.920
<v Speaker 2>went out again, came home for dinner. Uh yeah, that

0:58:02.040 --> 0:58:05.160
<v Speaker 2>was a real accomplishment.

0:58:05.800 --> 0:58:08.600
<v Speaker 1>Well, most sports industries, court and I've had plenty of

0:58:08.760 --> 0:58:11.880
<v Speaker 1>talk to the doctors, are from over use. So as

0:58:11.920 --> 0:58:15.200
<v Speaker 1>we sit here now, since you've been walking using the

0:58:15.240 --> 0:58:18.560
<v Speaker 1>same muscles, et cetera, how's your body right now?

0:58:20.440 --> 0:58:24.720
<v Speaker 2>Oh, that's pretty good. I mean, my poor boyfriend, Hugh,

0:58:24.880 --> 0:58:30.800
<v Speaker 2>he's got like, you know, sciatica, and you know, his

0:58:30.960 --> 0:58:33.680
<v Speaker 2>hip bothers him, and I just feel bad for him.

0:58:33.720 --> 0:58:35.760
<v Speaker 2>I don't really have anything like that, you know, I

0:58:35.800 --> 0:58:43.680
<v Speaker 2>don't have anything that's that troubles me. And then he

0:58:43.760 --> 0:58:46.960
<v Speaker 2>had a pool put in and so then it's like,

0:58:47.840 --> 0:58:51.800
<v Speaker 2>you know, gonna have to swim.

0:58:51.800 --> 0:58:52.840
<v Speaker 1>How many laps a day?

0:58:54.760 --> 0:58:58.480
<v Speaker 2>Oh, not that, you know, not that many laps, like,

0:58:59.240 --> 0:59:04.200
<v Speaker 2>you know, just it's a lap pool. But before I

0:59:04.240 --> 0:59:06.640
<v Speaker 2>was caught in this swimming thing and then that because

0:59:06.680 --> 0:59:09.520
<v Speaker 2>swim is really boring to me, And then I would

0:59:09.520 --> 0:59:11.960
<v Speaker 2>swim a mile every time I went to the pool,

0:59:12.600 --> 0:59:15.640
<v Speaker 2>and that's so boring to me. So now it's like

0:59:15.880 --> 0:59:17.680
<v Speaker 2>just a quarter of a mile. It's not that much,

0:59:17.800 --> 0:59:19.040
<v Speaker 2>but it's still something I have to do.

0:59:19.720 --> 0:59:24.080
<v Speaker 1>And how much is this exercises about? We control body image.

0:59:25.800 --> 0:59:29.080
<v Speaker 2>I eat a lot of food, Like I can eat

0:59:29.280 --> 0:59:33.280
<v Speaker 2>anybody under the table. I will eat as long as

0:59:33.280 --> 0:59:37.560
<v Speaker 2>there's food on the table. I will eat your food.

0:59:38.040 --> 0:59:41.480
<v Speaker 2>I will eat the person next to you, I'll eat

0:59:41.520 --> 0:59:43.320
<v Speaker 2>their food. I'll say, are you going to finish that?

0:59:46.880 --> 0:59:50.000
<v Speaker 2>And so it's I just have to exercise a lot

0:59:50.080 --> 0:59:52.760
<v Speaker 2>if I'm going to continue to eat the way that

0:59:52.800 --> 0:59:53.040
<v Speaker 2>I do.

0:59:53.800 --> 0:59:57.680
<v Speaker 1>And were you always insatiable or eating well available?

0:59:58.960 --> 1:00:01.400
<v Speaker 2>And it's funny, my bro he eats the same way

1:00:01.440 --> 1:00:05.200
<v Speaker 2>I do, and it's shocking to watch him eat, you know,

1:00:05.320 --> 1:00:07.160
<v Speaker 2>but we eat the same way. I don't know if

1:00:07.200 --> 1:00:10.360
<v Speaker 2>it was six kids and you're just always convinced there's

1:00:10.400 --> 1:00:12.640
<v Speaker 2>not going to be enough food and you have to

1:00:12.800 --> 1:00:17.600
<v Speaker 2>really you eat with your handguarding your plate, you know,

1:00:17.640 --> 1:00:20.400
<v Speaker 2>corraling your plate, and you just shovel it in and

1:00:20.440 --> 1:00:25.320
<v Speaker 2>then you fight for seconds. And we weren't poor, you know,

1:00:25.960 --> 1:00:29.320
<v Speaker 2>it was you know, let's say all the chicken was gone, well,

1:00:29.720 --> 1:00:32.360
<v Speaker 2>there would still be stuff. You could make a sandwich

1:00:32.480 --> 1:00:37.280
<v Speaker 2>or you could you know, make yourself a pancake or something.

1:00:37.440 --> 1:00:41.280
<v Speaker 2>It wasn't off limits, you know, the kitchen wasn't off

1:00:41.360 --> 1:00:44.640
<v Speaker 2>limits to you. But I don't know, am I other

1:00:44.680 --> 1:00:46.760
<v Speaker 2>people in my family don't eat that way, but just

1:00:46.840 --> 1:00:47.560
<v Speaker 2>my brother and me.

1:00:48.600 --> 1:00:51.840
<v Speaker 1>And does it matter what kind of food it is.

1:00:52.000 --> 1:00:54.480
<v Speaker 1>It could be junk food, it could be gourmet food,

1:00:54.560 --> 1:00:56.760
<v Speaker 1>just as long as it's no I'm.

1:00:56.640 --> 1:01:00.800
<v Speaker 2>Not a big I'm not a big junk food person,

1:01:04.280 --> 1:01:06.720
<v Speaker 2>and I'm not a food snob. I mean, he was

1:01:06.720 --> 1:01:15.040
<v Speaker 2>a really good cook, uh but and I don't like it,

1:01:15.160 --> 1:01:19.320
<v Speaker 2>you know. I don't want to come home at two

1:01:19.360 --> 1:01:21.439
<v Speaker 2>thirty in the morning after a walk, and I don't

1:01:21.480 --> 1:01:23.720
<v Speaker 2>want to sit there in front of the refrigerator and

1:01:23.840 --> 1:01:28.040
<v Speaker 2>eat cheese. You know. That doesn't make me feel good

1:01:28.040 --> 1:01:33.720
<v Speaker 2>about myself. I bought all these crazy outfits to wear

1:01:33.760 --> 1:01:38.520
<v Speaker 2>on tour, and they're really expensive, you know. And I

1:01:38.560 --> 1:01:44.800
<v Speaker 2>would just feel like such a loser if I was

1:01:44.800 --> 1:01:47.680
<v Speaker 2>too big to fit into him, you know. So that's

1:01:47.720 --> 1:01:50.320
<v Speaker 2>a lot of it right there. I gotta I have

1:01:50.400 --> 1:01:54.920
<v Speaker 2>to do this so I can fit into like a

1:01:54.960 --> 1:02:01.240
<v Speaker 2>backless floor length sport coach. Just crazy stuff.

1:02:08.400 --> 1:02:10.360
<v Speaker 1>When did this clothing obsession begin?

1:02:12.720 --> 1:02:16.840
<v Speaker 2>I always when I started reading out Loud. I was

1:02:16.880 --> 1:02:21.680
<v Speaker 2>living in Chicago, and I would go to other people's readings,

1:02:22.040 --> 1:02:24.840
<v Speaker 2>and you know, people would usually I wasn't the only

1:02:24.840 --> 1:02:26.800
<v Speaker 2>one on the bill. Maybe they'd be like three or

1:02:26.800 --> 1:02:29.480
<v Speaker 2>four people on the belt, and I would just notice

1:02:29.520 --> 1:02:31.560
<v Speaker 2>people would get up there and they would be wearing

1:02:33.280 --> 1:02:34.880
<v Speaker 2>you know, they would just looked like they were mowing

1:02:34.920 --> 1:02:37.280
<v Speaker 2>their lawn. And then thought, oh fuck, I have that

1:02:37.360 --> 1:02:40.800
<v Speaker 2>show to do tonight. But I always got dressed up

1:02:41.240 --> 1:02:44.240
<v Speaker 2>because just so the audience would know you made an effort,

1:02:44.520 --> 1:02:49.080
<v Speaker 2>you know that you that if nothing else, you know,

1:02:49.120 --> 1:02:52.560
<v Speaker 2>you're going to try something new, and maybe it wouldn't work,

1:02:53.440 --> 1:02:57.400
<v Speaker 2>but you took it seriously enough to put a tie

1:02:57.400 --> 1:03:03.880
<v Speaker 2>on right, And and then it just got more abstract,

1:03:03.960 --> 1:03:07.000
<v Speaker 2>you know, as the years passed, Like I always you know,

1:03:07.040 --> 1:03:10.400
<v Speaker 2>I used to wear a jacket a tie, and then

1:03:10.400 --> 1:03:14.240
<v Speaker 2>a jacket and a tie, and then oh now, I

1:03:14.280 --> 1:03:17.920
<v Speaker 2>mean I just bought a jacket that doesn't have any arms.

1:03:18.040 --> 1:03:21.800
<v Speaker 2>It's not a cape. It's just a jacket that doesn't

1:03:21.880 --> 1:03:25.520
<v Speaker 2>have any arms. We're just like wearing a bell. We

1:03:25.680 --> 1:03:29.600
<v Speaker 2>just want to find that come to Girlson. It's a

1:03:29.840 --> 1:03:35.120
<v Speaker 2>it's a Japanese designer Ray Kawakuba, who has a company

1:03:35.160 --> 1:03:38.440
<v Speaker 2>called Come to Girlson And it's like a plaid bell

1:03:39.120 --> 1:03:46.520
<v Speaker 2>right that I'm gonna wear on stage. And then I

1:03:46.560 --> 1:03:50.360
<v Speaker 2>also got for this tour. It's like a black sport

1:03:50.440 --> 1:03:53.040
<v Speaker 2>coat that's cut off at the bottom of the ribcage

1:03:53.200 --> 1:03:58.240
<v Speaker 2>with scissors. But then in the back it's like one

1:03:58.280 --> 1:04:01.680
<v Speaker 2>of those pillows that people use on lanes, you know,

1:04:01.720 --> 1:04:05.800
<v Speaker 2>Tho's neck fellows is sewn into the back, so you

1:04:05.920 --> 1:04:14.720
<v Speaker 2>have a hump back and this abbreviated jacket with it,

1:04:16.040 --> 1:04:18.080
<v Speaker 2>and all I do is think about what I'm going

1:04:18.160 --> 1:04:19.400
<v Speaker 2>to pair it with. You know.

1:04:21.360 --> 1:04:25.240
<v Speaker 1>Okay, you know a musician goes on the road, he

1:04:25.360 --> 1:04:29.920
<v Speaker 1>literally brings a wardrobe trunk. How many outfits do you

1:04:29.960 --> 1:04:31.840
<v Speaker 1>bring on the road and how do you decide what

1:04:31.880 --> 1:04:33.439
<v Speaker 1>to bring and how do you carry them?

1:04:34.600 --> 1:04:38.840
<v Speaker 2>I just bring, you know, last year I started bringing

1:04:39.000 --> 1:04:42.680
<v Speaker 2>two suitcases, well a suitcase and then a Duffel bag.

1:04:43.160 --> 1:04:45.320
<v Speaker 2>And you know, there's no turning back once you add

1:04:45.320 --> 1:04:49.520
<v Speaker 2>that second bag, there's no turning back. So now I'm

1:04:49.560 --> 1:04:52.160
<v Speaker 2>a two bag person. But I'm just gonna Usually I

1:04:52.200 --> 1:04:54.640
<v Speaker 2>just bring one sport coat to wear on stage, but

1:04:54.720 --> 1:04:57.520
<v Speaker 2>I'll just have two this time. But one doesn't have

1:04:57.560 --> 1:04:59.800
<v Speaker 2>any arms and the other one's cut off in the middle.

1:05:00.400 --> 1:05:02.640
<v Speaker 2>They're only taking up as much room as well as

1:05:06.280 --> 1:05:09.240
<v Speaker 2>and then you know theaters usually have washes and dryers,

1:05:09.680 --> 1:05:12.400
<v Speaker 2>you know, big theaters, right, So I don't need to

1:05:12.400 --> 1:05:16.000
<v Speaker 2>bring that many shirts, and maybe I'll bring, like I

1:05:16.000 --> 1:05:20.720
<v Speaker 2>don't know, three pairs of shoes, you know, a pair

1:05:20.760 --> 1:05:23.400
<v Speaker 2>of sneakers from when I go walking or go to

1:05:23.440 --> 1:05:26.000
<v Speaker 2>the fitness center. And then two pairs of a pair

1:05:26.040 --> 1:05:30.160
<v Speaker 2>of airport shoes and a pair of because sometimes you know,

1:05:30.200 --> 1:05:33.080
<v Speaker 2>your luggage gets lost and you don't want to show

1:05:33.160 --> 1:05:37.360
<v Speaker 2>up at the theater looking like a slob, you know,

1:05:39.840 --> 1:05:42.040
<v Speaker 2>so you need that extra pair of shoes and you

1:05:42.080 --> 1:05:44.880
<v Speaker 2>need airport clothes, right.

1:05:45.680 --> 1:05:50.000
<v Speaker 1>Okay, the musicians, the super successful ones, there is a

1:05:50.080 --> 1:05:53.320
<v Speaker 1>very thin elite that they'll locate in one town and

1:05:53.360 --> 1:05:56.800
<v Speaker 1>fly out for each gig. But most of the others,

1:05:56.880 --> 1:06:00.640
<v Speaker 1>just one step down, have all given up flying to

1:06:00.720 --> 1:06:03.200
<v Speaker 1>be in the bus because the bus leaves when the

1:06:03.240 --> 1:06:06.440
<v Speaker 1>gig is over and it arrives, you're not waiting in

1:06:06.520 --> 1:06:10.560
<v Speaker 1>the airport, et cetera. Is that something you ever thought about?

1:06:10.800 --> 1:06:16.480
<v Speaker 2>Something they've talked to me about a boss, And but

1:06:16.600 --> 1:06:18.600
<v Speaker 2>The thing about a boss is, let's say you get

1:06:18.600 --> 1:06:21.000
<v Speaker 2>on the bus and then you go to the hotel

1:06:21.080 --> 1:06:21.840
<v Speaker 2>the next morning.

1:06:22.920 --> 1:06:23.680
<v Speaker 1>That's what you do.

1:06:23.800 --> 1:06:30.480
<v Speaker 2>Yeah, yeah, that's I mean, I'd be willing to give

1:06:30.480 --> 1:06:32.840
<v Speaker 2>it a try for a while and see, you know,

1:06:32.880 --> 1:06:37.600
<v Speaker 2>I'd give it an honest try. But what if you're

1:06:37.640 --> 1:06:39.280
<v Speaker 2>just going like four hours.

1:06:40.160 --> 1:06:43.720
<v Speaker 1>Well, the nature of the bus is the bus is

1:06:44.440 --> 1:06:48.640
<v Speaker 1>got all your amenities and has space, so it leaves

1:06:48.720 --> 1:06:52.400
<v Speaker 1>when the gig is over. You don't burn all that time.

1:06:52.440 --> 1:06:54.520
<v Speaker 1>You don't have to wear a schedule. So if you

1:06:54.560 --> 1:06:58.960
<v Speaker 1>were sleeping when you get to the destination, you continue

1:06:58.960 --> 1:07:03.320
<v Speaker 1>to sleep. If you're up, check into the hotel. Yeah,

1:07:03.800 --> 1:07:05.800
<v Speaker 1>let me go one step willing to try it, let's

1:07:05.800 --> 1:07:08.520
<v Speaker 1>go one step further. You are you know you have

1:07:08.600 --> 1:07:11.000
<v Speaker 1>one of the best gigs of all time. Maybe you

1:07:11.160 --> 1:07:15.960
<v Speaker 1>travel with a microphone at most. Okay, and you ever

1:07:16.760 --> 1:07:19.320
<v Speaker 1>hire a plane fly private from gig to gig.

1:07:19.840 --> 1:07:22.720
<v Speaker 2>Well, you know, one time I was doing a show

1:07:22.720 --> 1:07:25.880
<v Speaker 2>in Santa Barbara and I was flying out of Portland, Oregon,

1:07:26.080 --> 1:07:29.880
<v Speaker 2>and the plane was delayed, delayed, delayed, then canceled. So

1:07:29.960 --> 1:07:33.080
<v Speaker 2>my agent called and said, I've gotten you a I

1:07:33.120 --> 1:07:36.400
<v Speaker 2>booked you a private plane, get your luggage back. You're

1:07:36.440 --> 1:07:40.120
<v Speaker 2>going next door to the airport. There's a And it

1:07:40.160 --> 1:07:44.920
<v Speaker 2>turns out that next door to every big airport right

1:07:45.040 --> 1:07:51.760
<v Speaker 2>there's it's called a clubhouse. Then there's no security. You

1:07:52.400 --> 1:07:55.120
<v Speaker 2>don't have to turn anything off, you don't have to

1:07:55.200 --> 1:07:58.360
<v Speaker 2>fasten your seat belt, you don't have to do anything

1:07:58.400 --> 1:08:00.560
<v Speaker 2>you don't want to do. And the first time I

1:08:00.560 --> 1:08:03.720
<v Speaker 2>flew private, I thought, why didn't I do this every day?

1:08:04.320 --> 1:08:07.360
<v Speaker 2>And then I found out it was ten thousand dollars

1:08:07.400 --> 1:08:09.680
<v Speaker 2>and I had to pay for it, And I said,

1:08:09.960 --> 1:08:13.400
<v Speaker 2>how was that fair? You know, like the theater, if

1:08:13.440 --> 1:08:15.960
<v Speaker 2>I'd had to cancel the show, they would have to

1:08:15.960 --> 1:08:20.840
<v Speaker 2>refund all that money. And my agent's still getting a cut, right,

1:08:21.280 --> 1:08:23.720
<v Speaker 2>so how is it that I have to pay the

1:08:23.760 --> 1:08:27.240
<v Speaker 2>ten thousand dollars? Anyway, we wounded up splitting it three ways,

1:08:27.560 --> 1:08:30.080
<v Speaker 2>so every now and then that'll happen. You know that

1:08:30.200 --> 1:08:34.280
<v Speaker 2>I have to take a private plane, but I'd never

1:08:35.680 --> 1:08:39.840
<v Speaker 2>have asked for one, or I've never you know, it's

1:08:40.000 --> 1:08:43.600
<v Speaker 2>enough already to have people say, aren't you ashamed of

1:08:43.640 --> 1:08:46.479
<v Speaker 2>yourself for flying on airplanes? And I think, well, the

1:08:46.520 --> 1:08:49.559
<v Speaker 2>plane wouldn't be The plane is going to New York,

1:08:49.640 --> 1:08:53.760
<v Speaker 2>whether I'm monitored or not. But a private plane that's

1:08:53.760 --> 1:08:56.479
<v Speaker 2>a little bit different because it's not going to New York.

1:08:56.520 --> 1:09:02.760
<v Speaker 2>You know, it's not going to Cleveland, whether or not

1:09:03.080 --> 1:09:06.000
<v Speaker 2>you're on, if you're not honored, it's not going to Cleveland,

1:09:06.360 --> 1:09:06.880
<v Speaker 2>although you.

1:09:06.840 --> 1:09:09.680
<v Speaker 1>Know are There are these new airlines like JSX in

1:09:09.760 --> 1:09:12.840
<v Speaker 1>the West, which hold like twenty to forty people. But

1:09:12.880 --> 1:09:15.120
<v Speaker 1>it's like flying private. I mean, you have to get there,

1:09:15.160 --> 1:09:18.000
<v Speaker 1>but you only have to get there twenty minutes before.

1:09:18.240 --> 1:09:23.800
<v Speaker 1>There's no security. Yeah, google it JSX, but they don't

1:09:23.800 --> 1:09:27.320
<v Speaker 1>fly absolutely everywhere you have to be going where they're flying.

1:09:29.280 --> 1:09:36.000
<v Speaker 2>Wow JSX, Yeah, huh, I'll fuck it.

1:09:36.640 --> 1:09:40.479
<v Speaker 1>And it can be mine, you know it can. At

1:09:40.520 --> 1:09:43.960
<v Speaker 1>some times I had to fly to Denver and they

1:09:44.000 --> 1:09:47.519
<v Speaker 1>fly to Bloomfield as opposed to da which is east

1:09:47.560 --> 1:09:51.640
<v Speaker 1>of Denver by a significant amount whatever, it ended up

1:09:51.640 --> 1:09:54.519
<v Speaker 1>being cheaper because it turns out if you rent a

1:09:54.560 --> 1:09:57.439
<v Speaker 1>car in the suburbs, it's actually cheaper than renting the

1:09:57.520 --> 1:09:59.400
<v Speaker 1>car at the airport.

1:09:59.720 --> 1:10:02.080
<v Speaker 2>Oh, I never learned to drive.

1:10:04.160 --> 1:10:07.680
<v Speaker 1>You never. Let's let's wait, let's go back just a

1:10:07.800 --> 1:10:12.920
<v Speaker 1>chapter before that. What do people not understand about the

1:10:12.960 --> 1:10:16.360
<v Speaker 1>rest of the world, you're a world traveler, you live

1:10:16.400 --> 1:10:18.759
<v Speaker 1>in the UK, have a house in Paris, et cetera.

1:10:19.360 --> 1:10:24.200
<v Speaker 1>We have a very closed minded, ethnocentric population and they

1:10:24.680 --> 1:10:27.400
<v Speaker 1>hear socialism and they run away. What do people not

1:10:27.560 --> 1:10:29.639
<v Speaker 1>understand about life and the rest of the world.

1:10:33.200 --> 1:10:39.840
<v Speaker 2>Uh, oh gosh, there's so much they don't understand, you know.

1:10:39.920 --> 1:10:45.560
<v Speaker 2>Like one thing, Americans I think tend to feel like

1:10:45.560 --> 1:10:49.120
<v Speaker 2>like when it comes to it's an outdated term. But

1:10:49.320 --> 1:10:52.759
<v Speaker 2>like when I was in Germany in Italy last week

1:10:53.680 --> 1:10:57.880
<v Speaker 2>on book tours, every question was about political correctness, which

1:10:57.920 --> 1:11:00.360
<v Speaker 2>is an outdated term in the United States. Not sure

1:11:00.439 --> 1:11:02.559
<v Speaker 2>what it's been replaced by, but I know that it

1:11:02.560 --> 1:11:06.479
<v Speaker 2>feels outdated. Americans think that that the only ones in

1:11:06.520 --> 1:11:11.080
<v Speaker 2>the world who are have undergone a sea change in

1:11:11.160 --> 1:11:15.840
<v Speaker 2>terms of language and behaviors, and it's happening everywhere. You know,

1:11:17.360 --> 1:11:20.920
<v Speaker 2>Americans believe that they have the best healthcare in the world,

1:11:21.040 --> 1:11:23.840
<v Speaker 2>which is not even not even in the top ten.

1:11:24.600 --> 1:11:28.519
<v Speaker 2>You know. I just always feel like everyone should just

1:11:29.200 --> 1:11:32.879
<v Speaker 2>get out more. You know. When I lived in Paris,

1:11:32.920 --> 1:11:36.040
<v Speaker 2>one time I flew back to New York and there

1:11:36.080 --> 1:11:37.920
<v Speaker 2>were these students on the plane and they kissed the

1:11:37.960 --> 1:11:40.000
<v Speaker 2>ground when they got off the plane, and I thought,

1:11:40.240 --> 1:11:43.519
<v Speaker 2>because you couldn't get a big gulp what I mean, like,

1:11:44.120 --> 1:11:49.800
<v Speaker 2>how how bad was France? You know? But it's true

1:11:49.840 --> 1:11:51.920
<v Speaker 2>you can't get a big gulp and carry it into

1:11:51.960 --> 1:11:54.640
<v Speaker 2>a store. People would be like, no, you can't do

1:11:54.760 --> 1:12:00.000
<v Speaker 2>that here. I just don't always interested like the free

1:12:00.000 --> 1:12:02.760
<v Speaker 2>items that so many people in America are concerned with,

1:12:02.920 --> 1:12:06.000
<v Speaker 2>you know, like I need to be free to bring

1:12:06.040 --> 1:12:10.559
<v Speaker 2>a gun to Starbucks, which is just not but here

1:12:10.640 --> 1:12:13.720
<v Speaker 2>you're free to send your kid to school and not

1:12:13.840 --> 1:12:16.280
<v Speaker 2>worry that your kid's going to get shot up, you know.

1:12:17.080 --> 1:12:27.320
<v Speaker 2>So they're they're trade offs, right. There was an artarticle

1:12:27.360 --> 1:12:29.439
<v Speaker 2>in the New York Times a couple of days ago,

1:12:30.600 --> 1:12:34.719
<v Speaker 2>and it was about in Korea, if you're a senior citizen,

1:12:34.840 --> 1:12:38.360
<v Speaker 2>you get to ride the subway for free, right, And

1:12:38.439 --> 1:12:42.600
<v Speaker 2>so it was people in Seoul riding the subway and

1:12:42.640 --> 1:12:46.640
<v Speaker 2>it was so delicious to read the comments, you know,

1:12:47.240 --> 1:12:48.680
<v Speaker 2>and it was in the New York Times. So the

1:12:48.720 --> 1:12:51.519
<v Speaker 2>comments aren't like you're a fat, no you are, you know,

1:12:51.560 --> 1:12:55.040
<v Speaker 2>they're thoughtful comments. But everyone was the same thing, like

1:12:55.240 --> 1:12:59.720
<v Speaker 2>they couldn't imagine riding the subway for pleasure, and what

1:12:59.720 --> 1:13:06.560
<v Speaker 2>they saw a sparkling, clean subway. You know, nobody playing music, nobody,

1:13:08.000 --> 1:13:14.719
<v Speaker 2>nobody's sleeping, nobody stretched out, nobody eating. Like the rest

1:13:14.720 --> 1:13:18.040
<v Speaker 2>of the world has a whole lot to recommend it,

1:13:18.400 --> 1:13:21.840
<v Speaker 2>you know, really does. I just feel like it would

1:13:21.880 --> 1:13:24.920
<v Speaker 2>just do everybody some good to just get out and

1:13:25.000 --> 1:13:28.240
<v Speaker 2>just see what's going on in other places.

1:13:28.880 --> 1:13:32.720
<v Speaker 1>Okay, for me, the more exotic the place, the more

1:13:32.760 --> 1:13:34.720
<v Speaker 1>I'm into it. I mean, England is great, but they

1:13:34.760 --> 1:13:37.759
<v Speaker 1>speak English. I once went on a business trip about

1:13:37.760 --> 1:13:41.679
<v Speaker 1>ten years ago to Colombia and everybody who was around

1:13:41.680 --> 1:13:45.960
<v Speaker 1>me they'd had a family member shot and killed. And

1:13:46.040 --> 1:13:48.760
<v Speaker 1>it was just a fascinating place. So where have been

1:13:48.800 --> 1:13:51.080
<v Speaker 1>the more fascinating places that you have been?

1:13:53.000 --> 1:14:01.960
<v Speaker 2>Law? India, Uh, Vietnam. I'm going to Pakistan in a

1:14:02.000 --> 1:14:15.759
<v Speaker 2>few months. That should be pretty interesting. Uh, Brazil was Uh, China.

1:14:17.920 --> 1:14:21.880
<v Speaker 2>I mean, I'm with you, like, you know, when you've

1:14:21.920 --> 1:14:27.040
<v Speaker 2>got uh, it's nice to have nothing to hold on

1:14:27.120 --> 1:14:28.960
<v Speaker 2>to and you have to look at the people around

1:14:29.000 --> 1:14:32.160
<v Speaker 2>you and just do what they do. And I'm always

1:14:32.160 --> 1:14:35.640
<v Speaker 2>surprised by that when I traveled with other people and

1:14:35.680 --> 1:14:38.960
<v Speaker 2>that they don't do that. And then I'd say, like,

1:14:39.120 --> 1:14:42.639
<v Speaker 2>do you not notice that nobody is standing side by

1:14:42.640 --> 1:14:46.200
<v Speaker 2>side on the escalator, like if you've not looked around

1:14:46.280 --> 1:14:48.719
<v Speaker 2>and noticed that. The first time I went to Tokyo,

1:14:49.560 --> 1:14:53.400
<v Speaker 2>I got off the the Narita Express in the middle

1:14:53.400 --> 1:14:55.439
<v Speaker 2>of town and I lit a cigarette, and then I

1:14:55.439 --> 1:15:00.160
<v Speaker 2>looked around and I noticed nobody was smoking. So I

1:15:00.200 --> 1:15:03.519
<v Speaker 2>put the cigarette out, and I noticed there were no

1:15:03.720 --> 1:15:06.120
<v Speaker 2>cigarette butts on the street, and I thought, we'll just

1:15:06.120 --> 1:15:08.000
<v Speaker 2>put it in trash can, and I noticed there were

1:15:08.080 --> 1:15:10.719
<v Speaker 2>no trash cans, so I put it in the cuff

1:15:10.760 --> 1:15:13.800
<v Speaker 2>of my pants right and then threw it away when

1:15:13.800 --> 1:15:18.240
<v Speaker 2>I got to my hotel. But I love when you're

1:15:18.240 --> 1:15:21.240
<v Speaker 2>in a situation like that and you just don't know

1:15:21.360 --> 1:15:25.400
<v Speaker 2>the rules, and it just makes you super observant. It's

1:15:26.240 --> 1:15:30.680
<v Speaker 2>a gift to have to be observant like that.

1:15:32.080 --> 1:15:34.040
<v Speaker 1>And where have you not been that you want to go?

1:15:36.200 --> 1:15:44.080
<v Speaker 2>I've been to Africa except for Northern Africa. But I

1:15:44.160 --> 1:15:46.800
<v Speaker 2>was on a plane one day and there was a

1:15:47.120 --> 1:15:52.760
<v Speaker 2>I was flying from Paris to Lisbon, and there was

1:15:53.320 --> 1:15:56.280
<v Speaker 2>a fellow in the window seat, and then an empty seat,

1:15:56.320 --> 1:16:00.080
<v Speaker 2>and then me, and at one point the fellow in

1:16:00.120 --> 1:16:05.640
<v Speaker 2>the window seat put a plastic bag of euro coins

1:16:06.160 --> 1:16:10.400
<v Speaker 2>on the seat, the empty seat, And I said, is

1:16:10.439 --> 1:16:13.320
<v Speaker 2>that sixty eight dollars worth of euro change? And he said,

1:16:13.360 --> 1:16:16.200
<v Speaker 2>that is exactly sixty eight dollars worth of euro change.

1:16:16.960 --> 1:16:19.840
<v Speaker 2>And he is a doctor, this guy, and he buys

1:16:19.960 --> 1:16:24.320
<v Speaker 2>change on the internet, right, buy let's say one hundred

1:16:24.360 --> 1:16:29.559
<v Speaker 2>dollars worth of change for ninety dollars, right. So he

1:16:29.680 --> 1:16:33.599
<v Speaker 2>buys change and then he goes on vacation with it.

1:16:34.120 --> 1:16:36.880
<v Speaker 2>But the bill will come and help. It's like he

1:16:37.040 --> 1:16:41.880
<v Speaker 2>pays for a bill with twenty p and fifty p

1:16:42.960 --> 1:16:49.320
<v Speaker 2>a one pound coins, right, So it was just so

1:16:49.439 --> 1:16:53.080
<v Speaker 2>funny to me. Anyway, he is that turned out to

1:16:53.120 --> 1:16:57.200
<v Speaker 2>be a doctor, and he travels around the world and

1:16:57.400 --> 1:17:01.519
<v Speaker 2>he he does a lot of things for free, like

1:17:01.680 --> 1:17:04.759
<v Speaker 2>maxillo facial surgeons, you know, like if somebody is born

1:17:04.840 --> 1:17:07.280
<v Speaker 2>with and so he said, why don't you come with me?

1:17:08.640 --> 1:17:11.480
<v Speaker 2>He said, because I always wanted to go to Lagos, Nigeria.

1:17:12.000 --> 1:17:15.000
<v Speaker 2>You can't really go there on vacation, you know what

1:17:15.000 --> 1:17:17.439
<v Speaker 2>I mean, you can't go on I don't want to

1:17:17.439 --> 1:17:19.200
<v Speaker 2>go on vacation to a place where they don't have

1:17:19.240 --> 1:17:25.160
<v Speaker 2>a word for vacation, you know. So but this way

1:17:25.320 --> 1:17:27.160
<v Speaker 2>I could go, and I could I don't know, hold

1:17:27.240 --> 1:17:30.400
<v Speaker 2>somebody down while he makes him a new nose or something,

1:17:30.520 --> 1:17:32.799
<v Speaker 2>you know. And I thought, oh, that'd be the perfect

1:17:32.840 --> 1:17:40.600
<v Speaker 2>way to go, because I'd like to. I'd like to.

1:17:43.120 --> 1:17:46.599
<v Speaker 2>I mean, India was interesting to me, just the everybody

1:17:46.680 --> 1:17:51.599
<v Speaker 2>was super sweet. But I always wanted to go to

1:17:51.640 --> 1:17:55.120
<v Speaker 2>India and leave when I got thirsty, you know. But

1:17:55.600 --> 1:17:59.360
<v Speaker 2>and so's I stayed three days. But the thing is

1:17:59.640 --> 1:18:02.599
<v Speaker 2>when you stay for a shorter period of time, then

1:18:02.640 --> 1:18:06.080
<v Speaker 2>you just see, you just notice the thing. Anyone would notice,

1:18:06.160 --> 1:18:08.760
<v Speaker 2>you know, who was there. It would be like you'd

1:18:08.760 --> 1:18:11.400
<v Speaker 2>go to Paris and someone said, what Paris like their

1:18:11.439 --> 1:18:14.960
<v Speaker 2>dog shit everywhere. It's like, yeah, you know, if you

1:18:15.040 --> 1:18:20.559
<v Speaker 2>stay longer, you get beyond that. But I didn't stay

1:18:20.560 --> 1:18:25.040
<v Speaker 2>long enough to get beyond that in India. But there

1:18:25.120 --> 1:18:31.680
<v Speaker 2>was shocking to see just the juxtaposition of wealth and

1:18:32.320 --> 1:18:33.400
<v Speaker 2>extreme poverty.

1:18:33.760 --> 1:18:35.960
<v Speaker 1>Where were you in India?

1:18:36.280 --> 1:18:37.680
<v Speaker 2>In Mumbai? No.

1:18:37.840 --> 1:18:41.120
<v Speaker 1>I was in Mumbai for about a week, and you

1:18:41.160 --> 1:18:44.320
<v Speaker 1>saw the extreme poverty. But the other thing was I

1:18:44.439 --> 1:18:49.479
<v Speaker 1>was just stunned how educated the average person was. You

1:18:49.520 --> 1:18:52.040
<v Speaker 1>know that we would go for these meetings. These are

1:18:52.040 --> 1:18:54.799
<v Speaker 1>all people in the entertainment business. They all had graduate degrees.

1:18:55.600 --> 1:18:57.880
<v Speaker 1>It was just, you know, much more than you would

1:18:57.960 --> 1:19:03.720
<v Speaker 1>see in the US, as they say, yeah, you don't

1:19:03.760 --> 1:19:06.720
<v Speaker 1>want to drink the water. The funniest thing though, I

1:19:06.760 --> 1:19:09.400
<v Speaker 1>was in a hotel. There's two. There's the main hotel

1:19:09.400 --> 1:19:11.320
<v Speaker 1>where they have the bombing, and they have an outpost

1:19:11.360 --> 1:19:13.679
<v Speaker 1>on the other end of town, which where I was standing,

1:19:14.000 --> 1:19:16.439
<v Speaker 1>and I called up an uber and it was an

1:19:16.560 --> 1:19:19.200
<v Speaker 1>Uber X. It looked like a Fred Flintstone car. Like

1:19:19.400 --> 1:19:22.320
<v Speaker 1>the guy was using his feet together and there's a

1:19:22.400 --> 1:19:25.439
<v Speaker 1>gate for security. Whatever. This guy pulls up in this car.

1:19:25.720 --> 1:19:27.759
<v Speaker 1>They give me a look like they're ready to eject

1:19:27.800 --> 1:19:30.720
<v Speaker 1>this guy. I didn't realize if you're in Mumbai, you

1:19:30.760 --> 1:19:34.439
<v Speaker 1>get the best Uber available, which is still like nothing.

1:19:35.720 --> 1:19:38.120
<v Speaker 1>So you love a good hotel, we're a couple of

1:19:38.160 --> 1:19:39.400
<v Speaker 1>the great hotels you've been to.

1:19:41.720 --> 1:19:46.120
<v Speaker 2>Oh gosh, well, I just stated this. Four Seasons in

1:19:46.200 --> 1:19:50.120
<v Speaker 2>Tokyo that was amazing. Usually we stayed in an apartment there,

1:19:50.120 --> 1:19:55.000
<v Speaker 2>but the apartment was available. But this four Seasons had

1:19:55.040 --> 1:19:59.800
<v Speaker 2>a service where they would take you it was right

1:19:59.840 --> 1:20:05.639
<v Speaker 2>now to the Tokyo train station, like and they would

1:20:05.800 --> 1:20:08.760
<v Speaker 2>take you, walk you to Tokyo station and put you

1:20:08.880 --> 1:20:11.800
<v Speaker 2>on the Narrita Express, which I don't need them to

1:20:11.800 --> 1:20:13.679
<v Speaker 2>do that. I mean, I've taken it so many times.

1:20:13.840 --> 1:20:17.120
<v Speaker 2>But if you'd never been to Japan before, it would

1:20:17.160 --> 1:20:19.840
<v Speaker 2>be really great, you know, because there's you have an

1:20:19.840 --> 1:20:23.479
<v Speaker 2>assigned seat on the train and assigned car, and if

1:20:23.479 --> 1:20:26.519
<v Speaker 2>you've never been before, it might be too confusing. I mean,

1:20:27.080 --> 1:20:29.600
<v Speaker 2>it would be confusing and you wouldn't be able to

1:20:29.680 --> 1:20:35.360
<v Speaker 2>find your h see. But it's a service they offer

1:20:35.439 --> 1:20:37.519
<v Speaker 2>that they take you there and put you on the train,

1:20:38.200 --> 1:20:40.080
<v Speaker 2>And I think what I like too is that you

1:20:40.160 --> 1:20:44.360
<v Speaker 2>just absolutely do not tip in Japan, you know, so

1:20:44.800 --> 1:20:47.240
<v Speaker 2>it was kind of nice to have that burden lifted.

1:20:47.520 --> 1:20:50.640
<v Speaker 2>So you weren't always thinking, oh is that enough? Should I?

1:20:51.000 --> 1:20:55.160
<v Speaker 2>You know, should I have given more money? Should I?

1:20:55.600 --> 1:20:58.960
<v Speaker 2>Like I was in I had just shown Copenhagen and

1:20:59.040 --> 1:21:03.120
<v Speaker 2>I stayed at the oh gosh, what was the name

1:21:03.160 --> 1:21:08.400
<v Speaker 2>of it. It was like like everybody was waiting for

1:21:08.640 --> 1:21:12.040
<v Speaker 2>Deposh Mode was staying there, so there were people outside

1:21:12.080 --> 1:21:14.760
<v Speaker 2>waiting for them to come out, and the next day

1:21:14.800 --> 1:21:19.720
<v Speaker 2>there was like some big rap star staying there. It

1:21:19.800 --> 1:21:24.200
<v Speaker 2>was like it was almost like being first class on

1:21:24.240 --> 1:21:29.040
<v Speaker 2>an international flight, like like business is good enough, you know,

1:21:29.080 --> 1:21:31.840
<v Speaker 2>what I mean, like first class sometimes is like just

1:21:32.479 --> 1:21:34.240
<v Speaker 2>they didn't want to bother you. See, you wind up

1:21:34.240 --> 1:21:36.719
<v Speaker 2>having to ask for everything, and if you're a timid person,

1:21:36.840 --> 1:21:39.639
<v Speaker 2>it just, you know what I mean, you just think, oh,

1:21:39.960 --> 1:21:42.960
<v Speaker 2>just put me back in business class. And that hotel

1:21:43.160 --> 1:21:49.240
<v Speaker 2>was like that. Sometimes when it's so you know, so grand,

1:21:49.400 --> 1:21:56.280
<v Speaker 2>you just feel well, uncomfortable. I suppose would be the word.

1:21:57.520 --> 1:22:06.080
<v Speaker 2>I love the gosh I used to. I always loved

1:22:06.160 --> 1:22:10.439
<v Speaker 2>that built Moore in Santa Barbara, and oh yeah, it's

1:22:10.520 --> 1:22:12.719
<v Speaker 2>right on the beach. But there's some kind of labor

1:22:12.760 --> 1:22:16.720
<v Speaker 2>dispute or something and it's closed now.

1:22:17.000 --> 1:22:18.720
<v Speaker 1>There was I haven't kept up with that. I know

1:22:18.760 --> 1:22:20.679
<v Speaker 1>there was a labor dispute.

1:22:20.320 --> 1:22:24.920
<v Speaker 2>But it's just sitting there empty. Now. I've never found

1:22:25.000 --> 1:22:28.360
<v Speaker 2>my hotel in Los Angeles. I mean I go there

1:22:28.400 --> 1:22:31.000
<v Speaker 2>a lot, and I've stayed in a million places, but

1:22:31.040 --> 1:22:32.480
<v Speaker 2>I've never found.

1:22:32.479 --> 1:22:36.040
<v Speaker 1>Okay, okay. So if I say you're going someplace, it

1:22:36.080 --> 1:22:40.240
<v Speaker 1>can go to the Four Seasons, and we know every

1:22:40.280 --> 1:22:45.679
<v Speaker 1>four Seasons is not physically identical, although they are very similar.

1:22:46.640 --> 1:22:48.679
<v Speaker 1>Or I could say you can go to the one

1:22:48.760 --> 1:22:53.559
<v Speaker 1>off special hotel rated as well. But you're listening to

1:22:53.600 --> 1:22:55.519
<v Speaker 1>the travel agent. It's not like you're talking to five

1:22:55.560 --> 1:22:57.840
<v Speaker 1>people who went there. Which one are you going to choose?

1:23:00.400 --> 1:23:03.679
<v Speaker 2>Wait, my choices? Are you telling me to go somewhere?

1:23:03.760 --> 1:23:06.400
<v Speaker 1>No, you're going somewhere. You got to choose a hotel.

1:23:06.439 --> 1:23:10.400
<v Speaker 1>It could be the Four Seasons, my known quantity.

1:23:10.560 --> 1:23:14.519
<v Speaker 2>Yeah, or a uh. I'm probably gonna go with the

1:23:14.560 --> 1:23:16.880
<v Speaker 2>Four Seasons. I'm not proud of myself for saying that,

1:23:17.240 --> 1:23:21.080
<v Speaker 2>but it's all about a pillow to me. You know

1:23:22.200 --> 1:23:25.960
<v Speaker 2>about a really soft pillow in the Four Seasons. I

1:23:26.000 --> 1:23:28.120
<v Speaker 2>know what the pillows and sheets are like, and they're

1:23:28.120 --> 1:23:33.040
<v Speaker 2>really it feels really good to be between those sheets

1:23:33.280 --> 1:23:36.640
<v Speaker 2>with your head on that pillow. I remember being with

1:23:36.680 --> 1:23:40.400
<v Speaker 2>my dad one time and we were driving from Illinois

1:23:40.439 --> 1:23:45.200
<v Speaker 2>to Tennessee and every place he stopped was like, oh,

1:23:45.280 --> 1:23:48.519
<v Speaker 2>I don't know, Like it was McDonald's and it was

1:23:49.080 --> 1:23:52.280
<v Speaker 2>everything was a chain, and I said, why are we

1:23:52.400 --> 1:23:55.760
<v Speaker 2>doing this? And he said, because yeah, I know what

1:23:55.800 --> 1:24:01.000
<v Speaker 2>you're gonna get. And then I remember because we passed

1:24:01.000 --> 1:24:03.320
<v Speaker 2>all these great places and he wouldn't stop at any

1:24:03.360 --> 1:24:07.559
<v Speaker 2>of them. So I hate being that way with you know,

1:24:07.680 --> 1:24:10.120
<v Speaker 2>to say, oh, I'll stay at the Four Seasons rather

1:24:10.240 --> 1:24:16.840
<v Speaker 2>than the one off hotel that we like. Do you

1:24:16.840 --> 1:24:18.479
<v Speaker 2>go to Portland, Oregon? Very often?

1:24:18.920 --> 1:24:20.800
<v Speaker 1>No? I've been there, but not often.

1:24:21.080 --> 1:24:24.200
<v Speaker 2>Okay, because I used to stay at the Heathmen, and

1:24:24.240 --> 1:24:27.000
<v Speaker 2>then someone said, oh, you have to stay at the Nines. Right,

1:24:27.560 --> 1:24:31.160
<v Speaker 2>that's where the basketball players stay. But the Nines is

1:24:31.960 --> 1:24:34.280
<v Speaker 2>used to be a department store. So unless you have

1:24:34.439 --> 1:24:36.880
<v Speaker 2>one of the windows facing the street, you're in an

1:24:36.880 --> 1:24:40.160
<v Speaker 2>interior courtyards. You know, you look out the window and

1:24:40.200 --> 1:24:43.000
<v Speaker 2>you see the restaurant. You know. I can't stand that

1:24:43.120 --> 1:24:43.639
<v Speaker 2>kind of a thing.

1:24:43.720 --> 1:24:46.560
<v Speaker 1>No, No, it's like that big hotel in Nashville.

1:24:46.920 --> 1:24:49.280
<v Speaker 2>Well, I like the Hermitage in Nashville.

1:24:49.360 --> 1:24:52.120
<v Speaker 1>Yeah, but Andrew the one convention hotel where everything looks

1:24:52.120 --> 1:24:55.679
<v Speaker 1>in on a courtyard. It's very very weird. But whatever

1:24:55.720 --> 1:24:55.920
<v Speaker 1>they do.

1:24:56.640 --> 1:24:59.479
<v Speaker 2>Well, see, I like the Hermitage. And then they opened

1:24:59.479 --> 1:25:04.479
<v Speaker 2>a four seat Seasons in Nashville. And then I think, well,

1:25:04.560 --> 1:25:10.000
<v Speaker 2>I don't want to be disloyal to the Hermitage. And

1:25:10.040 --> 1:25:13.400
<v Speaker 2>the Hermitage has really nice sheets, you know, so I

1:25:13.439 --> 1:25:18.120
<v Speaker 2>think that's the situation where I would remain loyal to them. Right.

1:25:19.240 --> 1:25:23.760
<v Speaker 2>But in Portland, the Heathman then got sold and we

1:25:23.840 --> 1:25:26.439
<v Speaker 2>just went right down the tubes the Nines. But then

1:25:26.479 --> 1:25:30.080
<v Speaker 2>they opened a Ritz Carlton, and I can't wait to

1:25:30.120 --> 1:25:33.680
<v Speaker 2>stay there because I don't feel a need to be

1:25:33.880 --> 1:25:38.880
<v Speaker 2>loyal to those other places, because they both let me down.

1:25:39.400 --> 1:25:43.519
<v Speaker 1>I'd hate to be elitist like this. But isn't the

1:25:43.600 --> 1:25:48.400
<v Speaker 1>four seasons more dependable than the rich Carleton?

1:25:50.360 --> 1:25:53.200
<v Speaker 2>Yeah? It is right, But I always stay at the

1:25:53.280 --> 1:25:58.120
<v Speaker 2>Ritz Carlton in Chicago always, and I'm never not interested

1:25:58.160 --> 1:26:00.599
<v Speaker 2>in trying any other hotel there. I mean I have

1:26:00.760 --> 1:26:04.080
<v Speaker 2>before I found them. It's Carlton, but I think because

1:26:04.160 --> 1:26:10.960
<v Speaker 2>they can keep staff, you know, So I don't know,

1:26:11.080 --> 1:26:14.200
<v Speaker 2>I just really I just like everything about it, and

1:26:14.240 --> 1:26:17.200
<v Speaker 2>I like the restaurant, and I like the and I

1:26:17.280 --> 1:26:20.640
<v Speaker 2>know that sounds you know, I know what that sounds like.

1:26:20.800 --> 1:26:24.519
<v Speaker 2>But I'm never the one paining for my room. If

1:26:24.520 --> 1:26:26.960
<v Speaker 2>someone else is paying for your room, why don't you

1:26:27.040 --> 1:26:28.160
<v Speaker 2>get the best room in twn?

1:26:28.439 --> 1:26:29.040
<v Speaker 1>Exactly?

1:26:29.880 --> 1:26:32.960
<v Speaker 2>And then if I'm going to forty two cities in

1:26:33.040 --> 1:26:36.040
<v Speaker 2>forty four days, I can do that. I can go

1:26:36.080 --> 1:26:41.240
<v Speaker 2>to forty two cities in forty four days. But being

1:26:41.439 --> 1:26:44.719
<v Speaker 2>in a nice hotel just makes it easier.

1:26:45.640 --> 1:26:48.360
<v Speaker 1>You know, you got to ask for it. Otherwise they'll

1:26:48.360 --> 1:26:51.439
<v Speaker 1>give you. You learn that over time. It's built in

1:26:51.520 --> 1:26:55.000
<v Speaker 1>if you ask, and it makes such a difference. It's

1:26:55.040 --> 1:26:55.559
<v Speaker 1>really cool.

1:26:55.640 --> 1:26:58.120
<v Speaker 2>One thing I learned a long time ago on a

1:26:58.160 --> 1:27:00.920
<v Speaker 2>book tour, right, Because sometimes you go on a book

1:27:00.920 --> 1:27:04.479
<v Speaker 2>tour and the publicist will say the bookstore recommended this hotel.

1:27:04.560 --> 1:27:06.080
<v Speaker 2>I'm like, no, now, new, new, new.

1:27:06.320 --> 1:27:06.599
<v Speaker 1>Never.

1:27:07.360 --> 1:27:10.320
<v Speaker 2>They make it sound like the like, what I need

1:27:10.360 --> 1:27:14.439
<v Speaker 2>is something within walking distance. I said, no, I don't

1:27:14.479 --> 1:27:18.320
<v Speaker 2>want walking distance. I want a nice hotel.

1:27:19.040 --> 1:27:21.160
<v Speaker 1>Yeah, the whole I was in Toronto last week, the

1:27:21.200 --> 1:27:23.040
<v Speaker 1>same thing you wanted. First of all, Toronto is not

1:27:23.080 --> 1:27:27.200
<v Speaker 1>that big. They put me in a hotel. God, worst

1:27:27.240 --> 1:27:31.880
<v Speaker 1>hotel I stayedd in years. But uh, if you're in

1:27:31.920 --> 1:27:34.720
<v Speaker 1>the hotel, will you venture out for food or you

1:27:34.880 --> 1:27:36.320
<v Speaker 1>a room service kind of guy.

1:27:37.439 --> 1:27:41.479
<v Speaker 2>I don't like room service because it's your room, but

1:27:41.600 --> 1:27:45.839
<v Speaker 2>then somebody comes into it, and then it they violated

1:27:45.880 --> 1:27:49.320
<v Speaker 2>your space, even though and it's crazy to say that

1:27:50.040 --> 1:27:57.160
<v Speaker 2>because it's not really yours, but it just feels like. So.

1:27:58.120 --> 1:28:00.000
<v Speaker 2>I usually eat dinner while I signed books.

1:28:01.840 --> 1:28:03.599
<v Speaker 1>Is that part of your contract? Part of your deal?

1:28:03.640 --> 1:28:04.479
<v Speaker 1>They serve your dinner?

1:28:05.200 --> 1:28:08.080
<v Speaker 2>Well, otherwise, by the time I get back to the hotel.

1:28:08.360 --> 1:28:10.880
<v Speaker 2>It's midnight or one, and it's going to take an

1:28:10.920 --> 1:28:14.639
<v Speaker 2>hour for the food to come. And then when I'm

1:28:14.680 --> 1:28:16.680
<v Speaker 2>on tour, I just go back to the room and

1:28:16.720 --> 1:28:20.960
<v Speaker 2>go right to bed. So I eat did it while

1:28:21.000 --> 1:28:23.000
<v Speaker 2>I signed books and they bring me menus and I

1:28:23.120 --> 1:28:26.080
<v Speaker 2>choose something. I'm not a big you know, I'm not

1:28:26.120 --> 1:28:28.960
<v Speaker 2>a snob about food, but I can't be anything I

1:28:29.000 --> 1:28:31.120
<v Speaker 2>eat with my hands because I have just signed books.

1:28:38.040 --> 1:28:41.360
<v Speaker 1>Okay, so you're legendarily will stay there until the last

1:28:41.400 --> 1:28:45.920
<v Speaker 1>person is there, and you talk to those people. If

1:28:45.920 --> 1:28:50.600
<v Speaker 1>you're talking for hours a night to the guests, be

1:28:50.680 --> 1:28:52.360
<v Speaker 1>I know that you want people to tell you jokes,

1:28:52.360 --> 1:28:54.760
<v Speaker 1>et cetera. How many times do you have an A

1:28:54.920 --> 1:28:57.160
<v Speaker 1>level experience talking to all those people?

1:29:00.520 --> 1:29:13.000
<v Speaker 2>If I'm lucky, I'm lucky twice a week. When I

1:29:13.040 --> 1:29:16.400
<v Speaker 2>say a level, I mean like they just told me

1:29:16.439 --> 1:29:20.840
<v Speaker 2>a story and it's like unbelievable. And I don't mean

1:29:20.880 --> 1:29:23.040
<v Speaker 2>they were saving it up to tell me, right, I

1:29:23.080 --> 1:29:26.120
<v Speaker 2>mean we got to talking and then I learned something

1:29:26.200 --> 1:29:29.200
<v Speaker 2>that's like wow, you know that just blows my mind.

1:29:30.040 --> 1:29:31.080
<v Speaker 1>Tell me a couple of those.

1:29:32.479 --> 1:29:35.760
<v Speaker 2>A woman she said, oh, you have the same My

1:29:36.479 --> 1:29:39.400
<v Speaker 2>father was just like yours. She said, he just never

1:29:39.600 --> 1:29:42.080
<v Speaker 2>liked me. And when she was young, she was sitting

1:29:42.120 --> 1:29:44.840
<v Speaker 2>on a fence and there was a German shepherd on

1:29:44.880 --> 1:29:46.240
<v Speaker 2>the other side of it, and it came and it

1:29:46.360 --> 1:29:50.320
<v Speaker 2>bit her hand and it bit through her hand right, so,

1:29:50.760 --> 1:29:52.599
<v Speaker 2>and her father said, you know, this is all your

1:29:52.640 --> 1:29:54.880
<v Speaker 2>fault and took her to the hospital and was yelling

1:29:54.920 --> 1:29:56.920
<v Speaker 2>at her the whole time. And then he said, you know,

1:29:57.040 --> 1:29:59.760
<v Speaker 2>I'm going back to that house. And she thought, oh,

1:30:00.040 --> 1:30:02.479
<v Speaker 2>that's going to go and cause some real trouble. Her

1:30:02.520 --> 1:30:05.160
<v Speaker 2>father went and bought one of the puppies. It turned

1:30:05.200 --> 1:30:07.759
<v Speaker 2>out the dog that bit her had puppies. He bought

1:30:07.760 --> 1:30:10.000
<v Speaker 2>one of the puppies and brought it home, so the

1:30:10.040 --> 1:30:16.760
<v Speaker 2>girl had to raise it. Isn't that isn't that like

1:30:16.880 --> 1:30:22.400
<v Speaker 2>that's a level story. That's that's really good.

1:30:23.000 --> 1:30:28.360
<v Speaker 1>Wow? Yeah, okay, do you do this to get the

1:30:28.439 --> 1:30:30.479
<v Speaker 1>love of your father that you didn't get?

1:30:32.920 --> 1:30:36.920
<v Speaker 2>Uh? Oh, I don't know. I mean, I think everybody

1:30:37.000 --> 1:30:42.519
<v Speaker 2>who maybe not everybody, but I mean I think usually

1:30:42.520 --> 1:30:45.519
<v Speaker 2>people who perform or whatever are trying to fill some hole,

1:30:46.400 --> 1:30:53.519
<v Speaker 2>you know, and it's maybe it's a different hole for everybody.

1:30:53.560 --> 1:30:53.720
<v Speaker 1>But.

1:30:56.439 --> 1:30:58.599
<v Speaker 2>I don't know. When I was young, I just wanted

1:30:58.640 --> 1:31:01.519
<v Speaker 2>to I wanted to walk into a room and have

1:31:01.640 --> 1:31:07.760
<v Speaker 2>people say that damn and just I was just going

1:31:07.840 --> 1:31:10.280
<v Speaker 2>to die if that didn't happen, you know, I'm just

1:31:10.320 --> 1:31:13.559
<v Speaker 2>gonna die if I didn't. Then when I was in school,

1:31:13.640 --> 1:31:16.840
<v Speaker 2>I part school, I would I would just think, like,

1:31:17.120 --> 1:31:19.439
<v Speaker 2>give me a sign, Like somebody in this room is

1:31:19.439 --> 1:31:22.320
<v Speaker 2>going to make it. Just give me a sign, you know,

1:31:22.560 --> 1:31:26.040
<v Speaker 2>like let me know who it is. And I think,

1:31:26.160 --> 1:31:28.360
<v Speaker 2>like most people. I remember there was this guy when

1:31:28.400 --> 1:31:31.640
<v Speaker 2>I lived in Chicago, when he was really he was

1:31:31.680 --> 1:31:35.880
<v Speaker 2>a boy. He was an alcoholic, you know, go to

1:31:35.960 --> 1:31:39.040
<v Speaker 2>a do a reading and then afterwards punch somebody in

1:31:39.080 --> 1:31:43.280
<v Speaker 2>the face and then be found passed out on the

1:31:43.280 --> 1:31:46.559
<v Speaker 2>street the next day. And he was super good looking.

1:31:46.720 --> 1:31:49.639
<v Speaker 2>And I remember thinking, Oh, he's going to be famous,

1:31:49.680 --> 1:31:53.680
<v Speaker 2>And then I thought, why it's just said he's his

1:31:53.760 --> 1:31:58.719
<v Speaker 2>writing's not good. He's just good looking and he looks

1:31:58.720 --> 1:32:03.599
<v Speaker 2>good passed out, you know. So I think we all

1:32:03.680 --> 1:32:07.120
<v Speaker 2>tend to put our bets on that person. You know,

1:32:07.560 --> 1:32:12.280
<v Speaker 2>we're gonna we're gonna put our money on you know,

1:32:12.479 --> 1:32:15.839
<v Speaker 2>really super good looking person or a super popular person

1:32:16.160 --> 1:32:20.920
<v Speaker 2>or but it's not always that person, you know. Uh,

1:32:22.360 --> 1:32:24.720
<v Speaker 2>And I remember thinking like, well, then it could be me.

1:32:24.920 --> 1:32:26.880
<v Speaker 2>If it's not always that person, it can be me,

1:32:27.760 --> 1:32:34.200
<v Speaker 2>you know. And you know it's just a midget celebrity.

1:32:34.400 --> 1:32:37.800
<v Speaker 2>You know, it's not an everyone in the world knows

1:32:37.800 --> 1:32:42.040
<v Speaker 2>who I am. But enough I just have enough people

1:32:42.720 --> 1:32:46.879
<v Speaker 2>know who I am to fill a theater. I'm happy, okay,

1:32:47.080 --> 1:32:49.560
<v Speaker 2>And again it could be more. You know, I'm a publisher.

1:32:49.600 --> 1:32:51.280
<v Speaker 2>What we say, we need to take this to the

1:32:51.320 --> 1:32:54.400
<v Speaker 2>next level, and I would say, no, we don't. Let's

1:32:54.439 --> 1:32:56.840
<v Speaker 2>say I have a really good audience, and one of

1:32:56.880 --> 1:32:58.960
<v Speaker 2>the things they like about me is that I've never

1:32:59.040 --> 1:33:03.519
<v Speaker 2>treated them like they're not good enough, you know, like, oh,

1:33:03.560 --> 1:33:05.960
<v Speaker 2>you're a good starter, audience, but I can do better

1:33:06.000 --> 1:33:09.240
<v Speaker 2>than you. I can't do better than them, I really can't.

1:33:09.360 --> 1:33:12.240
<v Speaker 2>And I don't know that those other people would be

1:33:12.320 --> 1:33:14.200
<v Speaker 2>loyal the way that these people are.

1:33:15.080 --> 1:33:18.080
<v Speaker 1>However, the nature of being an artist is you always

1:33:18.160 --> 1:33:22.479
<v Speaker 1>want your work to reach more people. Now, live is

1:33:22.560 --> 1:33:25.479
<v Speaker 1>one thing, in book is another. But let's just talk

1:33:25.520 --> 1:33:28.360
<v Speaker 1>about the book side. Do you have a desire always

1:33:28.400 --> 1:33:30.120
<v Speaker 1>to reach a larger populace?

1:33:32.720 --> 1:33:38.599
<v Speaker 2>Uh? Well, I think my books except for the first

1:33:38.640 --> 1:33:43.040
<v Speaker 2>book and then a book of fiction that I wrote,

1:33:44.960 --> 1:33:47.479
<v Speaker 2>my first and second book, and a book of fiction

1:33:47.600 --> 1:33:50.200
<v Speaker 2>I wrote. So ten of my books have been number

1:33:50.200 --> 1:33:52.479
<v Speaker 2>one on the New York Times bestseller list, right, so

1:33:54.000 --> 1:34:00.320
<v Speaker 2>that doesn't you know, me doesn't get better than that. Now,

1:34:00.320 --> 1:34:08.960
<v Speaker 2>if a book didn't reach number one, I'd be pretty meserable. Now,

1:34:09.040 --> 1:34:12.479
<v Speaker 2>I figure when I talk about a bigger audience, I

1:34:12.560 --> 1:34:18.960
<v Speaker 2>mean it's hard because well, there's an audience that pays

1:34:19.000 --> 1:34:21.200
<v Speaker 2>for stuff, and then there's an audience, do you know

1:34:21.240 --> 1:34:28.760
<v Speaker 2>what I mean? And now paying for something's a choice, right,

1:34:29.280 --> 1:34:35.920
<v Speaker 2>you feel benevolent if you paid for something, Right, you're

1:34:36.000 --> 1:34:39.000
<v Speaker 2>the big man because you paid two dollars for a

1:34:39.080 --> 1:34:43.479
<v Speaker 2>song instead of just getting it for free. Right. And

1:34:43.520 --> 1:34:47.400
<v Speaker 2>it's easy to get my books for free. And now

1:34:47.400 --> 1:34:50.280
<v Speaker 2>there's some kind of a national library where you can

1:34:50.320 --> 1:34:53.799
<v Speaker 2>get the audio books for free, you know. So really

1:34:53.920 --> 1:34:58.559
<v Speaker 2>the only so if you look at book sales, right,

1:34:58.720 --> 1:35:01.720
<v Speaker 2>those are down, but they're not down, I don't know

1:35:01.920 --> 1:35:04.639
<v Speaker 2>because fewer people are reading my books. It's just fewer

1:35:04.640 --> 1:35:11.360
<v Speaker 2>people are paying for my books, right, Yeah, And that's

1:35:11.479 --> 1:35:14.120
<v Speaker 2>like that, It's like that for everybody now.

1:35:14.960 --> 1:35:20.000
<v Speaker 1>And where do you stand on the digital versus print divide.

1:35:20.439 --> 1:35:24.639
<v Speaker 2>Uh, I don't I understand that a lot of people.

1:35:24.920 --> 1:35:27.439
<v Speaker 2>I'd like, I'm not a person who needs to hold

1:35:27.479 --> 1:35:32.400
<v Speaker 2>onto books, you know, So I get books. I buy

1:35:32.439 --> 1:35:36.120
<v Speaker 2>digital books, you know, every now and then. I mean,

1:35:36.160 --> 1:35:39.840
<v Speaker 2>if a friend has a book out, I buy the audiobook,

1:35:40.200 --> 1:35:43.800
<v Speaker 2>I buy the physical book, and usually I buy the

1:35:43.840 --> 1:35:46.080
<v Speaker 2>digital book as well, because if I want to quote,

1:35:46.400 --> 1:35:48.880
<v Speaker 2>you know, quote long passages, that's easy to do with

1:35:48.960 --> 1:35:51.560
<v Speaker 2>that with the digital book, and then email little passages

1:35:51.560 --> 1:35:55.960
<v Speaker 2>to yourself. I mean, I'll go all out, you know,

1:35:56.080 --> 1:36:00.439
<v Speaker 2>if it's uh God, I want that person to have sales.

1:36:00.479 --> 1:36:04.799
<v Speaker 2>I want those sales to register. I want I want

1:36:05.960 --> 1:36:07.719
<v Speaker 2>success for that person.

1:36:09.000 --> 1:36:15.480
<v Speaker 1>You're a very competitive person, though you have a unique act.

1:36:15.840 --> 1:36:19.360
<v Speaker 1>Who is in your league? I know you're suey generous,

1:36:19.479 --> 1:36:22.640
<v Speaker 1>but when you think about people who read live, do

1:36:22.680 --> 1:36:26.080
<v Speaker 1>you say I'm the bests or anybody else to say, well,

1:36:26.080 --> 1:36:27.240
<v Speaker 1>that person's competition.

1:36:29.000 --> 1:36:32.800
<v Speaker 2>I don't know who else does it really well? Neil

1:36:32.960 --> 1:36:35.599
<v Speaker 2>Neil Gaiman, I think. I mean, I have a lecture agent,

1:36:35.720 --> 1:36:40.160
<v Speaker 2>and he has other clients, you know, but I don't

1:36:40.160 --> 1:36:43.040
<v Speaker 2>think they work. They don't work like I do. They

1:36:43.080 --> 1:36:46.880
<v Speaker 2>don't go to one hundred cities a year. Now, sometimes

1:36:48.520 --> 1:36:50.479
<v Speaker 2>they don't go to one hundred cities a year because

1:36:52.000 --> 1:36:54.400
<v Speaker 2>you know, Zadi Smith could go to one hundred cities

1:36:54.439 --> 1:36:56.920
<v Speaker 2>a year, but she doesn't want to. She's got a family,

1:36:57.160 --> 1:37:01.120
<v Speaker 2>she doesn't want to leave them. She doesn'tay it. You know,

1:37:03.080 --> 1:37:04.800
<v Speaker 2>there are a lot of people who don't do it

1:37:04.880 --> 1:37:11.640
<v Speaker 2>because they don't enjoy it. I enjoy it, and uh

1:37:12.479 --> 1:37:16.360
<v Speaker 2>one Garrison Keeler. He I mean he would have his show,

1:37:16.479 --> 1:37:20.040
<v Speaker 2>but also he would go out and just read and

1:37:20.640 --> 1:37:24.040
<v Speaker 2>recite things from you know, recite poetry and read things

1:37:24.040 --> 1:37:31.759
<v Speaker 2>from books. But I don't really know who else does it? Really?

1:37:31.840 --> 1:37:36.240
<v Speaker 2>I mean, who goes on a reading tour?

1:37:37.920 --> 1:37:40.320
<v Speaker 1>I don't. There is nobody else. And you have to

1:37:40.320 --> 1:37:44.000
<v Speaker 1>be credited for building this unique business, both the business

1:37:44.040 --> 1:37:46.760
<v Speaker 1>itself and the art upon which it's based. But what

1:37:46.880 --> 1:37:50.960
<v Speaker 1>we've established here is there's a gamification in your life

1:37:51.320 --> 1:37:54.640
<v Speaker 1>and there's a ladder. Now, maybe the fact that this

1:37:54.840 --> 1:37:58.640
<v Speaker 1>is separate works in you say, I'm unique if you

1:37:58.680 --> 1:38:00.800
<v Speaker 1>want what I'm delivered and you can only get it

1:38:00.840 --> 1:38:05.280
<v Speaker 1>from me, and I have a status, But it's always

1:38:06.280 --> 1:38:11.000
<v Speaker 1>in the overall sphere. I mean, you've established with duo

1:38:11.160 --> 1:38:13.880
<v Speaker 1>lingo and all these other things. Where you are on

1:38:13.960 --> 1:38:15.960
<v Speaker 1>the ladder, where you are in the landscape is very

1:38:15.960 --> 1:38:16.680
<v Speaker 1>important to you.

1:38:19.360 --> 1:38:23.040
<v Speaker 2>I guess it is. I mean, I don't feel competitive

1:38:23.640 --> 1:38:29.479
<v Speaker 2>with other writers. I don't feel competitive, like, no, I don't.

1:38:29.560 --> 1:38:36.880
<v Speaker 2>I feel like I celebrate them because I think my

1:38:36.960 --> 1:38:43.400
<v Speaker 2>boyfriend Hugh, his French is perfect. Right, So if someone

1:38:43.680 --> 1:38:47.320
<v Speaker 2>speaks lousy French, Hugh says, no, their French is good,

1:38:47.920 --> 1:38:52.519
<v Speaker 2>because he's confident enough to feel that about people, you know.

1:38:53.280 --> 1:39:03.000
<v Speaker 2>So I don't feel I don't feel what's the word,

1:39:03.120 --> 1:39:09.400
<v Speaker 2>uncomfident about what I have. I don't feel like it's threatened.

1:39:09.520 --> 1:39:12.960
<v Speaker 2>I don't feel like I mean, I feel like I'm

1:39:12.960 --> 1:39:14.920
<v Speaker 2>in a pretty good place with it. And so that

1:39:15.080 --> 1:39:27.040
<v Speaker 2>allows me, I think, to feel generous towards my fellow writers.

1:39:27.800 --> 1:39:35.120
<v Speaker 2>I I don't feel like I I don't know. I know,

1:39:35.240 --> 1:39:41.479
<v Speaker 2>I don't feel competitive, I guess because what we're doing

1:39:41.600 --> 1:39:46.280
<v Speaker 2>is so different. And then also it's not like if

1:39:46.360 --> 1:39:48.920
<v Speaker 2>you look at the best seller list, it's like a

1:39:48.920 --> 1:39:52.280
<v Speaker 2>little lot of really shitty books on the bestself, you

1:39:52.320 --> 1:39:54.240
<v Speaker 2>know what I mean. So it doesn't mean that my

1:39:54.320 --> 1:39:58.479
<v Speaker 2>book is good, right if it's number one, And if

1:39:58.479 --> 1:40:01.360
<v Speaker 2>I look at what's around me, like that's really you

1:40:01.400 --> 1:40:03.760
<v Speaker 2>know what I mean, Like Tucker Carlson's number two. So

1:40:03.880 --> 1:40:11.360
<v Speaker 2>it's not like it's rewarding, wonderful writing. So it doesn't

1:40:12.840 --> 1:40:17.800
<v Speaker 2>It's just a sales that's just about sales. I'm not.

1:40:21.439 --> 1:40:27.160
<v Speaker 3>I but does it make sense because I said Sam,

1:40:28.320 --> 1:40:31.960
<v Speaker 3>I mean I'm I mean, I'm driven.

1:40:36.040 --> 1:40:39.840
<v Speaker 2>I don't know if that's the same as competitive.

1:40:41.640 --> 1:40:45.360
<v Speaker 1>Well, you're definitely driven. I mean, I don't need to

1:40:45.360 --> 1:40:48.960
<v Speaker 1>psychoanalyze you. I'm not a professional anyway, but you do

1:40:49.200 --> 1:40:52.479
<v Speaker 1>have the situation with dual lingo for let's go back

1:40:52.520 --> 1:40:56.080
<v Speaker 1>the other way. People who are don't have your level

1:40:56.120 --> 1:41:01.000
<v Speaker 1>of success have no idea how hard it is to

1:41:01.000 --> 1:41:04.879
<v Speaker 1>be that successful. They have no idea of the drive,

1:41:05.520 --> 1:41:10.160
<v Speaker 1>They have no idea of the constant focus and what

1:41:10.200 --> 1:41:15.360
<v Speaker 1>the sacrifices are. So the people who reach an iconic level,

1:41:15.439 --> 1:41:20.960
<v Speaker 1>which you have, okay, there is something inside them that

1:41:21.080 --> 1:41:24.719
<v Speaker 1>made them iconic. They may be talented enough to be iconic,

1:41:25.160 --> 1:41:28.640
<v Speaker 1>but there was something inside as you say, you mean

1:41:28.920 --> 1:41:31.320
<v Speaker 1>you said it. He let somebody talk long enough. You

1:41:31.400 --> 1:41:33.599
<v Speaker 1>wanted to be the person to say, oh that's little

1:41:33.680 --> 1:41:36.559
<v Speaker 1>David over here, Yeah, we'd come. He play he's the guy.

1:41:37.600 --> 1:41:41.759
<v Speaker 1>And if you didn't have that, I think, as you said,

1:41:41.880 --> 1:41:44.120
<v Speaker 1>you said, if your book wasn't number one, you'd be

1:41:44.160 --> 1:41:48.559
<v Speaker 1>greatly disappointed. Where someone could call you up and say, oh, well,

1:41:48.640 --> 1:41:51.519
<v Speaker 1>this week, this politician put out a book. They only

1:41:51.520 --> 1:41:53.920
<v Speaker 1>sold ten thousand, and they gave away a certain number

1:41:53.960 --> 1:41:57.680
<v Speaker 1>for free. You would say, no, it has to be

1:41:57.840 --> 1:42:00.960
<v Speaker 1>number one, not because of any honey, I'm gonna make

1:42:01.040 --> 1:42:02.920
<v Speaker 1>no one's going to give me an award or whatever.

1:42:03.240 --> 1:42:06.880
<v Speaker 1>It's an internal thing, and I would think if it

1:42:07.000 --> 1:42:10.400
<v Speaker 1>wasn't number one, as you said, you go into a tailspin.

1:42:10.479 --> 1:42:12.719
<v Speaker 1>I don't know how long that tailspin lasts two days,

1:42:12.720 --> 1:42:15.680
<v Speaker 1>two months, whatever, and you're going to say, fuck this,

1:42:15.960 --> 1:42:17.360
<v Speaker 1>I'm going to show him next time.

1:42:18.720 --> 1:42:23.400
<v Speaker 2>Well, because everybody's waiting, you know, nothing lasts forever, you know,

1:42:23.640 --> 1:42:26.280
<v Speaker 2>so I'm always waiting to get to the theater and they'll

1:42:26.360 --> 1:42:28.720
<v Speaker 2>be like, oh, we had to cancel the show. You know,

1:42:29.320 --> 1:42:33.160
<v Speaker 2>well the only twenty tickets sold. I mean, it's going

1:42:33.240 --> 1:42:38.280
<v Speaker 2>to happen, and I'm just always waiting for it, right,

1:42:38.840 --> 1:42:42.080
<v Speaker 2>But I don't want it to be my fault. I mean,

1:42:42.240 --> 1:42:44.680
<v Speaker 2>it could be my fault because people are tired of me.

1:42:44.800 --> 1:42:46.439
<v Speaker 2>But I don't want it to be my fault because

1:42:46.439 --> 1:42:48.240
<v Speaker 2>it was lazy, you know what I mean, I don't

1:42:48.240 --> 1:42:50.000
<v Speaker 2>want it to be my fault movement. I got out

1:42:50.040 --> 1:42:53.519
<v Speaker 2>there and thought, like, I'll just read something old or

1:42:54.240 --> 1:42:58.959
<v Speaker 2>it doesn't matter, you know, it's just it's just a kipsie.

1:42:59.200 --> 1:43:02.920
<v Speaker 2>It doesn't really mean any difference. I don't ever, I

1:43:02.960 --> 1:43:07.240
<v Speaker 2>don't ever, I don't know. I read an interview with

1:43:07.320 --> 1:43:11.439
<v Speaker 2>Tony Bennett or it was a Terry Gross interviewed Tony Bennett, right,

1:43:11.720 --> 1:43:16.240
<v Speaker 2>and it was so beautiful to hear him talk about

1:43:16.240 --> 1:43:25.560
<v Speaker 2>his audience and just talk about uh, just the gratitude

1:43:25.600 --> 1:43:27.559
<v Speaker 2>and respect that he had. You know, it was a

1:43:27.760 --> 1:43:31.640
<v Speaker 2>really I'm going to say that's old fashioned thing, but

1:43:31.720 --> 1:43:35.040
<v Speaker 2>I don't. I don't think it is. I mean, I

1:43:35.080 --> 1:43:37.519
<v Speaker 2>know that there are acts who will get up there

1:43:37.560 --> 1:43:40.240
<v Speaker 2>and just if they're contracted for forty minutes, they will

1:43:40.320 --> 1:43:42.760
<v Speaker 2>only do forty minutes and not one second later. And

1:43:42.800 --> 1:43:44.439
<v Speaker 2>I know there are people who show up at the

1:43:44.439 --> 1:43:48.679
<v Speaker 2>theater and you know, they watch basketball games in the hotel,

1:43:48.880 --> 1:43:52.080
<v Speaker 2>you know, in the backstage while the audience waits an hour,

1:43:52.280 --> 1:43:58.599
<v Speaker 2>two hours, you know, but you know, I'm sure Bonnie

1:43:58.680 --> 1:44:03.200
<v Speaker 2>Rait gives everything she's got to be. I mean, there's

1:44:03.360 --> 1:44:06.200
<v Speaker 2>plenty of plenty of people out there who.

1:44:06.200 --> 1:44:08.760
<v Speaker 1>Just well, let's go the other extreme, because you're talking

1:44:08.800 --> 1:44:12.280
<v Speaker 1>about the person, the person who's phoning it in. Then

1:44:12.360 --> 1:44:15.280
<v Speaker 1>we have people like Bruce Springsteen. When I say about

1:44:15.320 --> 1:44:17.960
<v Speaker 1>Bruce Springsteen, I have no problem with Bruce Springsteen, I

1:44:18.000 --> 1:44:22.600
<v Speaker 1>just hate his audience. These people become prisoners of the audience,

1:44:23.600 --> 1:44:25.479
<v Speaker 1>like he split up from the Eastreet Band. This is

1:44:25.520 --> 1:44:29.720
<v Speaker 1>thirty years ago now, and everybody got all this negative blowback.

1:44:30.080 --> 1:44:33.240
<v Speaker 1>If Bruce Springsteen were to come out and play for

1:44:33.280 --> 1:44:35.559
<v Speaker 1>an hour and a half, people would go say, well,

1:44:35.600 --> 1:44:37.720
<v Speaker 1>you know, you're letting us down. He was charging one

1:44:37.800 --> 1:44:41.080
<v Speaker 1>hundred dollars and people said that was too much, So

1:44:41.439 --> 1:44:44.920
<v Speaker 1>you can ultimately, you know, this is an interesting thing.

1:44:44.960 --> 1:44:50.080
<v Speaker 1>This is we're talking about musicians. Neil Young has survived

1:44:50.240 --> 1:44:53.280
<v Speaker 1>by constantly decimating his audience, saying I'm not going to

1:44:53.360 --> 1:44:58.080
<v Speaker 1>give you what you're looking for. Okay. You know you're

1:44:58.280 --> 1:45:03.280
<v Speaker 1>different in terms of writing because most writers don't have

1:45:03.360 --> 1:45:06.719
<v Speaker 1>this profile. Zadie Smith has a new book, but White

1:45:06.720 --> 1:45:12.639
<v Speaker 1>Teeth was the first book huge footprint in America. Now.

1:45:12.800 --> 1:45:16.080
<v Speaker 1>Zadie Smith is from the UK, but in America your

1:45:16.240 --> 1:45:20.000
<v Speaker 1>level of reach is probably three or four times that

1:45:20.120 --> 1:45:24.880
<v Speaker 1>of Zadie Smith. It's a whole completely different league. As

1:45:24.920 --> 1:45:28.360
<v Speaker 1>I say, you are an entertainer in addition to being

1:45:28.400 --> 1:45:32.120
<v Speaker 1>a writer, and that makes all the You know, this

1:45:32.200 --> 1:45:35.679
<v Speaker 1>is the opposite of what's his name, Pinchon. You don't

1:45:35.720 --> 1:45:38.200
<v Speaker 1>know where he lives and he's just ekeing out a book.

1:45:38.439 --> 1:45:42.599
<v Speaker 1>You are very accessible. You are working it even though

1:45:42.640 --> 1:45:46.400
<v Speaker 1>you're not singing songs. You're doing something traditional that many

1:45:46.439 --> 1:45:50.840
<v Speaker 1>people do live, which makes it both fascinating and I'm

1:45:50.880 --> 1:45:54.599
<v Speaker 1>sure you feeling you're walking that tightrope. You can't say, well,

1:45:54.640 --> 1:45:57.439
<v Speaker 1>this person does it. Their audience is steady. That person

1:45:57.479 --> 1:46:00.040
<v Speaker 1>ever started. Oh, in Cleveland, business is pretty good. But

1:46:00.240 --> 1:46:03.519
<v Speaker 1>every time you go out, it's just you. The nature

1:46:03.520 --> 1:46:07.360
<v Speaker 1>of writing is private. But let me just put it

1:46:07.439 --> 1:46:10.439
<v Speaker 1>another way, and you mentioned it going to Germany next week.

1:46:10.520 --> 1:46:15.120
<v Speaker 1>To what degree is the audience in your mind when

1:46:15.200 --> 1:46:15.799
<v Speaker 1>you write?

1:46:17.960 --> 1:46:23.479
<v Speaker 2>Uh? Very much. I mean I'm thinking, I'm thinking when

1:46:23.520 --> 1:46:26.960
<v Speaker 2>I'm writing something, I think, oh, that's been a long contince.

1:46:27.000 --> 1:46:29.040
<v Speaker 2>I've had any dialogue that's going to be boring to

1:46:29.080 --> 1:46:33.519
<v Speaker 2>an audience, you know, or gosh, that's a lot of

1:46:33.560 --> 1:46:36.759
<v Speaker 2>information right there. I should break that up into smaller

1:46:36.800 --> 1:46:39.120
<v Speaker 2>portions because that's going to be boring to an audience.

1:46:39.800 --> 1:46:42.000
<v Speaker 2>Or oh, I could do this is my voice when

1:46:42.000 --> 1:46:44.760
<v Speaker 2>I read this out loud? Or that'll be fun. It

1:46:44.760 --> 1:46:46.599
<v Speaker 2>would be more fun to do it, then I should.

1:46:46.640 --> 1:46:49.760
<v Speaker 2>What if I whispered that? So I think about it

1:46:50.040 --> 1:46:53.120
<v Speaker 2>a lot. I'm going to think about the performative aspect

1:46:53.160 --> 1:46:53.360
<v Speaker 2>of it.

1:46:53.960 --> 1:46:56.479
<v Speaker 1>Well what about the reverse? You say, this is what

1:46:56.520 --> 1:46:58.000
<v Speaker 1>I want to do, but I know I'm going to

1:46:58.080 --> 1:47:01.280
<v Speaker 1>lose the audience a little bit, orclosing the audience.

1:47:02.840 --> 1:47:07.160
<v Speaker 2>Uh, well, you know, just thinking about that because I

1:47:07.200 --> 1:47:10.840
<v Speaker 2>was writing something about my friend Dawn, one of my

1:47:10.880 --> 1:47:11.639
<v Speaker 2>oldest friends.

1:47:12.479 --> 1:47:13.960
<v Speaker 1>Does she live in Montrose?

1:47:15.320 --> 1:47:17.640
<v Speaker 2>No, No, she came with She comes with me on

1:47:17.680 --> 1:47:23.840
<v Speaker 2>tour sometimes. Okay, we both hate dogs. Nothing will it

1:47:23.840 --> 1:47:29.280
<v Speaker 2>cause you to lose an audience more? I'm you hate dogs?

1:47:30.160 --> 1:47:33.320
<v Speaker 2>People you just feel them leaving you, you know what

1:47:33.360 --> 1:47:37.040
<v Speaker 2>I mean? Like you could say you hate children, not

1:47:37.200 --> 1:47:41.360
<v Speaker 2>a problem, right. Uh, you say you hate Catholics, they'll

1:47:41.560 --> 1:47:44.160
<v Speaker 2>find a way to forgive you. But if you hate dogs,

1:47:44.479 --> 1:47:48.080
<v Speaker 2>oh my goodness. So just thinking about putting that in

1:47:48.080 --> 1:47:52.519
<v Speaker 2>this essay, that I'm writing that done dogs, and I

1:47:52.640 --> 1:47:57.439
<v Speaker 2>thought I just thought about it, you know, because really

1:47:57.560 --> 1:48:01.240
<v Speaker 2>people get so upset when you don't like dogs, so.

1:48:01.160 --> 1:48:02.679
<v Speaker 1>You got to put it in or leave it out.

1:48:04.479 --> 1:48:12.080
<v Speaker 2>Ah, I don't know, I don't know. I think I

1:48:12.160 --> 1:48:15.200
<v Speaker 2>mean Don really, Don hates dogs so much that she

1:48:17.000 --> 1:48:19.719
<v Speaker 2>will like cross the street if she sees one coming.

1:48:20.000 --> 1:48:22.799
<v Speaker 2>Like she's very She's the kind of person who doesn't

1:48:22.800 --> 1:48:26.479
<v Speaker 2>like cigarette smoke but goes like this. You know, it's

1:48:26.640 --> 1:48:29.240
<v Speaker 2>kind of overkill, right, you know, you can just sort

1:48:29.240 --> 1:48:32.599
<v Speaker 2>of quietly hate a dog. You know, you don't need

1:48:32.640 --> 1:48:35.280
<v Speaker 2>to make a big show about it. And I've often

1:48:35.360 --> 1:48:38.040
<v Speaker 2>pointed that out to her. But I would love to

1:48:38.040 --> 1:48:40.599
<v Speaker 2>get on an airplane and not have a full sized

1:48:40.640 --> 1:48:43.080
<v Speaker 2>dog sitting next to me on the airplane. I'd love that.

1:48:44.240 --> 1:48:47.120
<v Speaker 1>Oh yeah, but you know, what you're act is such

1:48:47.160 --> 1:48:50.360
<v Speaker 1>that you're breaking taboos all along. But you're just saying

1:48:50.439 --> 1:48:52.160
<v Speaker 1>dogs is the third rail?

1:48:52.720 --> 1:48:53.680
<v Speaker 2>Yeah, it really is.

1:48:57.200 --> 1:49:01.479
<v Speaker 1>Okay, let's talk about woke it politically incorrect. You tell

1:49:01.720 --> 1:49:06.200
<v Speaker 1>phenomenal jokes. The joke you said about you know, the

1:49:06.240 --> 1:49:09.280
<v Speaker 1>size of a woman's vagina whatever, I've told that a

1:49:09.360 --> 1:49:14.599
<v Speaker 1>million times, That the one about the railroad. I've heard

1:49:14.680 --> 1:49:18.360
<v Speaker 1>that a friend of mine tells that whatever. But by

1:49:18.479 --> 1:49:23.160
<v Speaker 1>traditional standards, many people would say these are off color,

1:49:23.200 --> 1:49:28.120
<v Speaker 1>politically incorrect. How come you get away with it when

1:49:28.160 --> 1:49:28.880
<v Speaker 1>no one else can?

1:49:31.080 --> 1:49:32.920
<v Speaker 2>Well, I don't know, I mean, but those jokes are

1:49:32.960 --> 1:49:37.479
<v Speaker 2>nothing to me, I mean are not. I don't you know.

1:49:38.400 --> 1:49:40.920
<v Speaker 2>Someone told me that I didn't write them. I'm just

1:49:41.000 --> 1:49:44.240
<v Speaker 2>repeating them. But I can see how that doesn't make

1:49:44.240 --> 1:49:49.680
<v Speaker 2>any difference if you're in front of an audience. But gosh,

1:49:49.840 --> 1:49:51.719
<v Speaker 2>I don't know. I mean, I know there are jokes

1:49:51.760 --> 1:49:53.880
<v Speaker 2>I wouldn't tell on stage. You know that are just

1:49:54.080 --> 1:49:57.320
<v Speaker 2>racist jokes. I mean, that's the whole point out them,

1:49:57.439 --> 1:50:01.360
<v Speaker 2>is that they're racist jokes. That's not going to work

1:50:01.400 --> 1:50:04.960
<v Speaker 2>in front of an audience now. But I wouldn't have

1:50:05.000 --> 1:50:07.599
<v Speaker 2>read those on stage ten years ago either. I mean,

1:50:07.640 --> 1:50:13.439
<v Speaker 2>I might read them at a dinner party. But well, like,

1:50:13.520 --> 1:50:15.400
<v Speaker 2>there was a joke that somebody told me that I

1:50:15.439 --> 1:50:19.439
<v Speaker 2>repeated on stage. And a woman calls her husband very

1:50:19.520 --> 1:50:22.320
<v Speaker 2>upset because their son has just had sex with this

1:50:22.479 --> 1:50:28.599
<v Speaker 2>teacher and been expelled from school, and she's devastated. But

1:50:28.640 --> 1:50:31.120
<v Speaker 2>the father goes and buys his son a brand new

1:50:31.160 --> 1:50:34.400
<v Speaker 2>bicycle and presents it to him and says, I just

1:50:34.439 --> 1:50:36.040
<v Speaker 2>want you to know I'm kind of proud of you.

1:50:36.360 --> 1:50:40.040
<v Speaker 2>And the kid looks at the bike and says, maybe

1:50:40.120 --> 1:50:47.160
<v Speaker 2>i'll ride it later after my ass stops hurting, And

1:50:47.240 --> 1:50:48.600
<v Speaker 2>then the audience.

1:50:50.720 --> 1:50:52.080
<v Speaker 1>That's fantastic.

1:50:52.920 --> 1:50:55.880
<v Speaker 2>The audience usually groans, and I'm like, why didn't you

1:50:56.000 --> 1:50:58.439
<v Speaker 2>groan when you heard the kid had sex with this teacher?

1:50:58.680 --> 1:51:00.720
<v Speaker 2>Why do you only groan when you find out if

1:51:00.720 --> 1:51:03.960
<v Speaker 2>it's a male teacher. I love that kind of a

1:51:04.040 --> 1:51:09.559
<v Speaker 2>joke because because it's true. Why do you grown? Why

1:51:09.560 --> 1:51:11.479
<v Speaker 2>do you only grow when you learn it was a

1:51:11.520 --> 1:51:14.240
<v Speaker 2>man you know? Well?

1:51:14.240 --> 1:51:17.960
<v Speaker 1>But just to stay on the theme, if a straight

1:51:18.120 --> 1:51:22.360
<v Speaker 1>guy told some of these jokes, I think that there

1:51:22.400 --> 1:51:25.720
<v Speaker 1>would be noise. I think there would be blowback. Really, oh,

1:51:26.040 --> 1:51:29.160
<v Speaker 1>I thought about this a lot. Absolutely, you're saying I'm

1:51:29.240 --> 1:51:32.800
<v Speaker 1>the other, therefore I can get away with it. This

1:51:32.840 --> 1:51:35.800
<v Speaker 1>is part of my persona I don't even know.

1:51:35.960 --> 1:51:37.000
<v Speaker 2>I don't know.

1:51:37.520 --> 1:51:45.439
<v Speaker 1>Definitely, definitely. The only problem is your lack of you

1:51:45.560 --> 1:51:48.519
<v Speaker 1>was so far not hit a major third rail. Not

1:51:48.640 --> 1:51:53.240
<v Speaker 1>that that's your general act, but the fact that you

1:51:53.320 --> 1:51:55.719
<v Speaker 1>don't seem to under you don't see that some straight

1:51:55.800 --> 1:51:58.880
<v Speaker 1>Guys by Dad problems makes you wonder whether you whether

1:51:58.920 --> 1:52:04.040
<v Speaker 1>there's some third rail lurking out there. But okay, if

1:52:04.080 --> 1:52:06.280
<v Speaker 1>you say you sold the story to the New Yorker,

1:52:06.880 --> 1:52:09.599
<v Speaker 1>you know, and that's going to be printed, to what

1:52:09.720 --> 1:52:14.040
<v Speaker 1>degree do you start getting anxious feeling knowing the stories

1:52:14.080 --> 1:52:16.840
<v Speaker 1>come out then it does come out. How much feedback

1:52:16.880 --> 1:52:19.800
<v Speaker 1>do you get in your inbox or in the phone

1:52:19.840 --> 1:52:20.439
<v Speaker 1>call whatever?

1:52:21.400 --> 1:52:27.840
<v Speaker 2>Not much? Not so much. I mean maybe a couple

1:52:27.840 --> 1:52:30.040
<v Speaker 2>of friends will say, oh, I saw your essay in

1:52:30.080 --> 1:52:33.240
<v Speaker 2>the New Yorker, But I mean I don't I'm not

1:52:33.360 --> 1:52:36.640
<v Speaker 2>on social media. I don't know what goes on.

1:52:38.240 --> 1:52:42.120
<v Speaker 1>Well, I'm talking more. Okay, you write an essay, let's

1:52:42.160 --> 1:52:43.960
<v Speaker 1>just use for the sake of discussion. It's not going

1:52:44.000 --> 1:52:46.280
<v Speaker 1>to be well, how long is usually the lag time?

1:52:48.080 --> 1:52:49.720
<v Speaker 2>What do you mean the time between you and.

1:52:49.840 --> 1:52:51.920
<v Speaker 1>You finished something and it hits print.

1:52:53.439 --> 1:52:56.440
<v Speaker 2>Oh well, gosh, my agent gave this to the magazine

1:52:56.560 --> 1:52:59.320
<v Speaker 2>like three weeks ago, and then we just heard a

1:52:59.360 --> 1:53:01.360
<v Speaker 2>couple of days ago they're taking it. And so I've

1:53:01.400 --> 1:53:05.280
<v Speaker 2>done the first rewrite, and then you know, the fact

1:53:05.400 --> 1:53:09.080
<v Speaker 2>checkers will call. So today I wrote to the Shepherd

1:53:09.240 --> 1:53:12.559
<v Speaker 2>and just sent him the essay and said, did I

1:53:12.560 --> 1:53:16.679
<v Speaker 2>get anything wrong here? You know? And are you okay

1:53:16.720 --> 1:53:19.000
<v Speaker 2>with the fact checker calling you from the New Yorker?

1:53:19.720 --> 1:53:24.200
<v Speaker 1>So when it's going to be published, do you get spilkissed?

1:53:24.200 --> 1:53:26.280
<v Speaker 1>Do you get up tight now that it's going to

1:53:26.320 --> 1:53:27.800
<v Speaker 1>hit the world at large?

1:53:28.479 --> 1:53:33.439
<v Speaker 2>No? I mean no, I'm excited. I mean I think

1:53:33.439 --> 1:53:34.439
<v Speaker 2>it's a pretty good essay.

1:53:36.280 --> 1:53:38.360
<v Speaker 1>I guess, you know, when I write something and then

1:53:38.400 --> 1:53:41.920
<v Speaker 1>people could read it, there's an emotional process and then

1:53:41.960 --> 1:53:44.640
<v Speaker 1>a cool down. But each to his own. Let me

1:53:44.640 --> 1:53:47.519
<v Speaker 1>ask you another, just one final question here? What do

1:53:47.560 --> 1:53:48.960
<v Speaker 1>you do with all the money.

1:53:50.320 --> 1:53:50.960
<v Speaker 2>I buy a house?

1:53:53.280 --> 1:53:55.320
<v Speaker 1>If I were to ask you, and I'm not going

1:53:55.360 --> 1:53:58.360
<v Speaker 1>to ask you how much money you have, would you

1:53:58.439 --> 1:54:00.200
<v Speaker 1>have any idea?

1:54:00.920 --> 1:54:02.040
<v Speaker 2>I don't really know much.

1:54:03.680 --> 1:54:07.120
<v Speaker 1>Do you ever say I would like to buy something,

1:54:07.200 --> 1:54:08.760
<v Speaker 1>but maybe I can't afford it.

1:54:10.360 --> 1:54:13.200
<v Speaker 2>Well, like we were just talking about there's a house

1:54:13.280 --> 1:54:15.639
<v Speaker 2>near us that came up for sale, and we were

1:54:15.680 --> 1:54:18.559
<v Speaker 2>talking about, we'd like to buy it for this young

1:54:18.600 --> 1:54:22.200
<v Speaker 2>couple we know, you know, and then they could with

1:54:22.280 --> 1:54:24.760
<v Speaker 2>the understanding they could kind of check in on us

1:54:24.760 --> 1:54:27.880
<v Speaker 2>when we're older and we're you know, we're thinking, well,

1:54:28.200 --> 1:54:30.400
<v Speaker 2>what if they get a divorce, what if this? What

1:54:30.439 --> 1:54:37.680
<v Speaker 2>if that? But uh, I don't know, I'm not uh

1:54:37.800 --> 1:54:42.240
<v Speaker 2>And I'd buy art a lot, you know, like paintings

1:54:42.280 --> 1:54:48.240
<v Speaker 2>that are really expensive that I never thought I would

1:54:48.320 --> 1:54:52.320
<v Speaker 2>be able to do or And you're crazy if you

1:54:52.320 --> 1:54:54.880
<v Speaker 2>think of it as an investment, because what twenty year

1:54:54.920 --> 1:54:57.520
<v Speaker 2>old on the street today wants to buy a Picasso pain?

1:54:58.320 --> 1:55:01.080
<v Speaker 2>You know they're they're you know.

1:55:01.200 --> 1:55:03.800
<v Speaker 1>Art has become detached from the art itself and it's

1:55:03.840 --> 1:55:07.720
<v Speaker 1>become a trading item. You sit here and talk about

1:55:07.840 --> 1:55:11.240
<v Speaker 1>devaluation of Picasso. I'm not sure. I don't agree with that.

1:55:11.760 --> 1:55:13.440
<v Speaker 1>Picasso's one thing, It's forever.

1:55:14.080 --> 1:55:17.240
<v Speaker 2>But what I'm saying is you better like it. You know,

1:55:17.400 --> 1:55:19.440
<v Speaker 2>if you're buying something, you better like it. So that's

1:55:19.480 --> 1:55:23.480
<v Speaker 2>my attitude. You know. I'm not thinking will I get

1:55:23.520 --> 1:55:26.360
<v Speaker 2>my money back? Or will it increase in value? I'm

1:55:26.440 --> 1:55:30.480
<v Speaker 2>just thinking, oh, do I love it enough? And the

1:55:30.520 --> 1:55:32.720
<v Speaker 2>answer is often yes.

1:55:34.480 --> 1:55:37.720
<v Speaker 1>And have you made it to the mountaintop or is

1:55:37.720 --> 1:55:40.240
<v Speaker 1>there a peak in the distance that you want to climb.

1:55:41.440 --> 1:55:44.640
<v Speaker 2>I've made it to the mountaintop, So.

1:55:44.640 --> 1:55:45.760
<v Speaker 1>What keeps you going? Now?

1:55:47.600 --> 1:55:55.040
<v Speaker 2>I love it. I really like what I do. I

1:55:55.240 --> 1:55:59.760
<v Speaker 2>find it incredibly rewarding. I feel I'm at my best

1:56:00.440 --> 1:56:05.680
<v Speaker 2>when I'm on tour. I will be really, really sad

1:56:05.720 --> 1:56:06.920
<v Speaker 2>when I can't do it anymore.

1:56:08.480 --> 1:56:10.800
<v Speaker 1>How much of the enjoyment is writing the piece as

1:56:10.800 --> 1:56:12.120
<v Speaker 1>opposed to performing live?

1:56:16.360 --> 1:56:19.280
<v Speaker 2>Thirty writing it seventy percent performing at live.

1:56:19.480 --> 1:56:23.720
<v Speaker 1>Wow. Wow, that's very interesting. Okay. I want to thank

1:56:23.760 --> 1:56:26.919
<v Speaker 1>you so much for taking the time, David, to speaking

1:56:27.000 --> 1:56:30.800
<v Speaker 1>with me, and my audience certainly learned certain things about

1:56:30.840 --> 1:56:33.040
<v Speaker 1>you that I did not know. I'll be thinking as

1:56:33.080 --> 1:56:35.480
<v Speaker 1>someone who has their own issues with OCD. I found

1:56:35.520 --> 1:56:36.520
<v Speaker 1>that very interesting.

1:56:37.520 --> 1:56:39.879
<v Speaker 2>I really enjoyed this. Thank you so much for having.

1:56:39.680 --> 1:56:43.200
<v Speaker 1>Me right and I just have to comment. You know,

1:56:43.280 --> 1:56:46.600
<v Speaker 1>I was aware of you and you were off. I'm

1:56:46.640 --> 1:56:50.160
<v Speaker 1>not really a big NPR person, although I've subscribed to

1:56:50.200 --> 1:56:55.560
<v Speaker 1>The New Yorker forever, but my girlfriend about fifteen years

1:56:55.560 --> 1:57:01.800
<v Speaker 1>ago said, we had to see you at UCLA. And

1:57:01.960 --> 1:57:07.120
<v Speaker 1>once someone sees you, they're closed. I mean, theoretically, someone

1:57:07.160 --> 1:57:09.520
<v Speaker 1>could be at your gig and leave within the first

1:57:09.560 --> 1:57:12.920
<v Speaker 1>two minutes, but if you're there for two minutes, you're

1:57:13.000 --> 1:57:16.680
<v Speaker 1>there till the end. It's you know, it's a unique act.

1:57:17.200 --> 1:57:20.640
<v Speaker 1>No one can sit there and say, hey, I've seen

1:57:20.720 --> 1:57:24.680
<v Speaker 1>this before, and I think one of the most interesting

1:57:24.760 --> 1:57:26.840
<v Speaker 1>things I say, and this goes back to the woke thing,

1:57:26.960 --> 1:57:30.840
<v Speaker 1>is you say the unsayable that we all know. It's

1:57:30.840 --> 1:57:33.880
<v Speaker 1>like your point about the middle class. I believe everybody

1:57:33.920 --> 1:57:36.640
<v Speaker 1>has a story, at least one story, the story of

1:57:36.680 --> 1:57:40.120
<v Speaker 1>their life. And when you're going on about your father

1:57:40.680 --> 1:57:44.040
<v Speaker 1>on this recent tour, we all have you know, it's

1:57:44.120 --> 1:57:49.520
<v Speaker 1>Kiaraskiro with our parents at best. So for someone to say, hey,

1:57:49.560 --> 1:57:52.760
<v Speaker 1>this is my experience. We all live in a very

1:57:52.920 --> 1:57:56.800
<v Speaker 1>lonely world and we're looking to identify and you're providing

1:57:56.840 --> 1:58:00.920
<v Speaker 1>a service to all these people who don't feel connected.

1:58:01.400 --> 1:58:03.680
<v Speaker 1>Forget the people who are just saying I subscribe to

1:58:03.760 --> 1:58:06.720
<v Speaker 1>the New Yorker. I hear you on Terry Grows, I'm

1:58:06.720 --> 1:58:10.600
<v Speaker 1>a fan. There's an essence there. And the great thing

1:58:10.600 --> 1:58:13.560
<v Speaker 1>about it is you're not pandering in the process, because

1:58:13.560 --> 1:58:16.760
<v Speaker 1>many people are. You continue to chart your own course,

1:58:16.920 --> 1:58:20.560
<v Speaker 1>which is just a long winded way to say, if

1:58:20.680 --> 1:58:24.520
<v Speaker 1>David is in your town, you must go. You must go.

1:58:25.600 --> 1:58:28.560
<v Speaker 1>Everybody will be talking about it. You'll live on the story.

1:58:28.760 --> 1:58:30.840
<v Speaker 1>You know. You can watch a movie then say where

1:58:30.840 --> 1:58:32.240
<v Speaker 1>are we going to dinner? That but if you go

1:58:32.280 --> 1:58:34.080
<v Speaker 1>to see David you'll be talking about it for at

1:58:34.160 --> 1:58:36.680
<v Speaker 1>least a week, so thanks again for taking the time.

1:58:37.800 --> 1:58:42.000
<v Speaker 1>Thanks Bob, till next time. This is Bob Left Sense