WEBVTT - The Original

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<v Speaker 1>Welcome to Aaron Manke's Cabinet of Curiosities, a production of

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<v Speaker 1>iHeartRadio and Grimm and Mild.

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<v Speaker 2>Our world is full of the unexplainable, and if history

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<v Speaker 2>is an open book, all of these amazing tales are

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<v Speaker 2>right there on display, just waiting for us to explore.

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<v Speaker 2>Welcome to the Cabinet of Curiosities. For the past two years,

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<v Speaker 2>on the second Wednesday of every month, a plate of

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<v Speaker 2>fifteen to twenty half peeled bananas has appeared on the

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<v Speaker 2>corner of Abbey Road and Wendsor Avenue in Beeston, a

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<v Speaker 2>small town in the Midlands of England. Residents have been

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<v Speaker 2>baffled as to the reason they keep appearing, and to

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<v Speaker 2>many the mystery is less important than the mess the

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<v Speaker 2>bananas leave in the street. One such resident, clear Short,

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<v Speaker 2>decided to try to reason with the mysterious gifter in

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<v Speaker 2>a note left in the banana's usual location, reading please respectfully,

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<v Speaker 2>no more bananas. The notes had no effect. The next month,

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<v Speaker 2>the bananas were there again, and it brings to mind

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<v Speaker 2>another such mystery concerning the final resting place of one

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<v Speaker 2>of America's most beloved authors. On October third of eighteen

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<v Speaker 2>forty nine, A man in crisis appeared outside of Gunner's Hall,

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<v Speaker 2>a busy tavern in Baltimore, Maryland. It was a dreary

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<v Speaker 2>day and the place was packed to the gills. At

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<v Speaker 2>first glance, the patrons took the man as another drunkard

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<v Speaker 2>due to his rumpled appearance and his day's demeanor. He

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<v Speaker 2>was clearly unwell and was brought to the hospital, where

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<v Speaker 2>he died four days later. He was buried in an

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<v Speaker 2>unmarked grave at Westminster Presbyterian Church. After a modest funeral.

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<v Speaker 1>In eighteen seventy five, his grave was moved and the

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<v Speaker 1>citizens of Baltimore gathered funds for a headstone. After all,

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<v Speaker 1>he was one of Baltimore's favorite sons, One Edgar Allen Poe.

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<v Speaker 1>One hundred years later, in nineteen forty nine, a shadowy

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<v Speaker 1>figure was noticed entering the graveyard. He was dressed in

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<v Speaker 1>black with a white scarf, his visage hidden by a

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<v Speaker 1>wide brimmed black hat. It was late on the nineteenth

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<v Speaker 1>of January, which happened to be Poe's birthday. The figure

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<v Speaker 1>was seen to kneel and place three roses on the grave,

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<v Speaker 1>after which he poured himself a glass of cognac to

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<v Speaker 1>toast the dead author. Once he had drained it, he

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<v Speaker 1>left the open bottle beside the flowers and disappeared into

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<v Speaker 1>the night. When a balto Our Sun reporter came inquiring,

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<v Speaker 1>the Reverend, Bruce McDonald suggested that the visits had been

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<v Speaker 1>occurring for years. The reporter noted, the anonymous citizen who

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<v Speaker 1>creeps in annually to place an empty bottle of excellent

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<v Speaker 1>label against the tomb of Poe on the anniversary of

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<v Speaker 1>his death is a jokester, mister McDonald figures, and so

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<v Speaker 1>the Poe toaster made his way into the public consciousness.

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<v Speaker 1>He returned each year, and each year performed the same ritual,

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<v Speaker 1>three roses the grave, a kgnak toast the remainder of

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<v Speaker 1>the bottle left for Poe. As the tradition continued, small

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<v Speaker 1>crowds began to gather to catch sight of the mysterious toaster.

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<v Speaker 1>The man never gave up his identity, and though there

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<v Speaker 1>has been much speculation, there has never been an explanation

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<v Speaker 1>for the yearly pilgrimage. But he remained faithful to Edgar

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<v Speaker 1>for decades, and then in nineteen ninety three he left

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<v Speaker 1>a note, perhaps as much for onlookers as for the author.

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<v Speaker 1>It read, the torch will be passed. A few short

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<v Speaker 1>years later, in nineteen ninety nine, another note was left

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<v Speaker 1>to confirm this. The original toaster had died the previous year,

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<v Speaker 1>but his successor continued the tradition for many years in

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<v Speaker 1>his stead, with modest crowds standing by to bear witness,

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<v Speaker 1>and then as inexplicably as it began, it ended Onlookers

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<v Speaker 1>in twenty ten found themselves quite disappointed when, for the

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<v Speaker 1>first time in over sixty years, the mysterious man failed

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<v Speaker 1>to appear. When he didn't show up the following year,

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<v Speaker 1>it became clear that the toaster would visit the grave

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<v Speaker 1>side nevermore. Although there has been a lot of speculation

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<v Speaker 1>around the identity of the original toaster, it remains uncertain

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<v Speaker 1>to this day who really was visiting Poe's grave, and

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<v Speaker 1>while there were other visitors who left tokens on the

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<v Speaker 1>grave as well, these were not seen as serious successors.

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<v Speaker 1>In twenty fifteen, the Maryland Historical Society declared that it

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<v Speaker 1>was searching for a new toaster. The following January, a

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<v Speaker 1>large crowd once again gathered outside the Westminster Graveyard for

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<v Speaker 1>a ceremony with food insider provided the audience was treated

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<v Speaker 1>to a reading of pose the cask of Amontiado. And then,

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<v Speaker 1>for the first time in half a decade, it happened

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<v Speaker 1>Poe's toaster entered the burial ground. He placed the three

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<v Speaker 1>roses on the grave and poured himself a glass of cognac.

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<v Speaker 1>And when he'd finished the tipple, he placed the bottle

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<v Speaker 1>beside the flowers, and then, to the delight of everyone there,

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<v Speaker 1>pulled out a violin and played Camille Sainssan's dance macab

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<v Speaker 1>And then he took his leave, identity still a secret,

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<v Speaker 1>and thus the tradition continues onward, bolstered by the passion

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<v Speaker 1>of its fans, who are bound together by the shared

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<v Speaker 1>love of a good old fashioned mystery. The abbey was

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<v Speaker 1>a peaceful place, nestled in the remote French countryside, many

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<v Speaker 1>miles from the east of Paris. There was a small

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<v Speaker 1>village nearby, but the monks largely kept to themselves. But

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<v Speaker 1>on this day they had a visitor. He was one

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<v Speaker 1>of the most famous philosophers of the Enlightenment, come to

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<v Speaker 1>stay in their village. He was eager to peruse the

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<v Speaker 1>extensive library kept within their walls. The priest came out

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<v Speaker 1>to greet him and welcome him. The visitor's name was Voltaire,

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<v Speaker 1>but this story isn't about him. It's about the priest

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<v Speaker 1>who welcomed him to Sunna be in seventeen fifty four.

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<v Speaker 1>His name was dom Augustine Calmet, and for someone who

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<v Speaker 1>lived a life as a monk, he left an indelible

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<v Speaker 1>mark on history. He was born in sixteen seventy two,

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<v Speaker 1>the son of a blacksmith. Without much in the way

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<v Speaker 1>of prospects for life, he began studying to become a

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<v Speaker 1>Benedictine monk at the age of fifteen. A student of rhetoric, philosophy,

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<v Speaker 1>and theology, he was an intelligent and capable learner. Even

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<v Speaker 1>as a priest, he was frequently engaged in scholarly work.

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<v Speaker 1>Dom Calmet's first published work was printed in seventeen oh seven,

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<v Speaker 1>and it was called a Literal Commentary on All the

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<v Speaker 1>Books of the Old and New Testaments. An extremely popular

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<v Speaker 1>work among Catholic thinkers, it would be printed and reprinted

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<v Speaker 1>several times over the following decades, during which Calmet also

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<v Speaker 1>worked on several other works of Christian and popular histories.

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<v Speaker 1>He wrote one called a Dissertation on the Highways of Lorraine,

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<v Speaker 1>and another called History of the Famous Men of Lorraine,

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<v Speaker 1>as well as a Tome of Universal History published beginning

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<v Speaker 1>in seventeen thirty five. As varied and specific as these

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<v Speaker 1>topics are, they would not be the topic that would

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<v Speaker 1>make him famous. That would be a little niche topic

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<v Speaker 1>that he turned his attention to. In the seventeen thirties, Europe,

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<v Speaker 1>you see, was in the middle of a strange period.

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<v Speaker 1>An epidemic of weird, superstitious stories had started popping up

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<v Speaker 1>throughout the countryside. They were mostly focused on Eastern Europe,

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<v Speaker 1>but some occurred in various other countries as well as

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<v Speaker 1>far south as the coast of Italy. And the stories

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<v Speaker 1>were about vampires. No two vampire stories were identical, but

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<v Speaker 1>all included elements of resurrection after death. And we know

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<v Speaker 1>that these were caused by a collision between the folk

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<v Speaker 1>beliefs of the people and Christianity as a religion. Peasants

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<v Speaker 1>who were used to burning their dead had to adopt

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<v Speaker 1>a religion that said that the body was necessary for

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<v Speaker 1>resurrection during the end times. It's a paradox that helped

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<v Speaker 1>create a monster. Meanwhile, dom Calmet knew none of this.

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<v Speaker 1>What he knew was that the people across Europe claimed

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<v Speaker 1>to have encountered men who came back from the dead,

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<v Speaker 1>a belief that was as heretical as it was impossible.

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<v Speaker 1>With the eye of both a historian and a Christian theologian,

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<v Speaker 1>he set out to write a study of these various

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<v Speaker 1>accounts and see what he could find. The majority of

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<v Speaker 1>vampire accounts at the time were written by Hungarian army

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<v Speaker 1>doctors sent to study the vampire panics by Empress Maria Theresa.

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<v Speaker 1>Calmet's Studies of Vampires gathered these altogether, as well as

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<v Speaker 1>several other stories from across the continent, to create a

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<v Speaker 1>study of what he saw as a modern phenomenon. His

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<v Speaker 1>resulting study was published in seventeen forty six as Dissertations

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<v Speaker 1>on the Apparitions of Angels, Demons and Spirits and on

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<v Speaker 1>the Revenants and Vampires of Hungary, Bohemia, Moravia and Cilicia.

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<v Speaker 1>And I'm sure that you won't be surprised to hear

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<v Speaker 1>that it was a best seller. It seems that everyone

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<v Speaker 1>had an opinion on the monk who wrote about the occult,

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<v Speaker 1>but much of the popular opinion was not a positive one.

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<v Speaker 1>Calmet's peers thought that he had succumbed to superstition writing

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<v Speaker 1>about the ravings of peasants far Afield. Even Voltaire, who

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<v Speaker 1>had greatly admired Calmet's theological writings, publicly decried this work.

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<v Speaker 1>But of course the book was also not without its

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<v Speaker 1>many admirers, and the subsequent attention was enough for Calmet

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<v Speaker 1>to expand it in seventeen forty eight, and the result

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<v Speaker 1>of his genuine curiosity was a much stronger foundation for

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<v Speaker 1>what this creature would become. Before his writing, vampire stories

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<v Speaker 1>vary greatly from region to region, but Calmet's efforts ensured

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<v Speaker 1>that the monster would become a specific thing in the

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<v Speaker 1>minds of the public. It's a curious story the few

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<v Speaker 1>people today remember. While bram Stoker gets all the credit

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<v Speaker 1>for the modern vampire, none of what he did would

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<v Speaker 1>have been possible at all without the efforts of a

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<v Speaker 1>Benedictine monk who lived a century earlier. Augustine Calmets would

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<v Speaker 1>never know it, but through his religious writings he left

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<v Speaker 1>a faint fingerprint on an entire genre of popular which

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<v Speaker 1>in a way has helped him live on long after

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<v Speaker 1>his death. I hope you've enjoyed today's guided tour of

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<v Speaker 1>the Cabinet of Curiosities. Subscribe for free on Apple Podcasts,

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<v Speaker 1>or learn more about the show by visiting Curiosities podcast

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<v Speaker 1>dot com. This show was created by me Aaron Mankey

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<v Speaker 1>in partnership with how Stuff Works. I make another award

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<v Speaker 1>winning show called Lore, which is a podcast, book series,

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<v Speaker 1>and television show, and you can learn all about it

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<v Speaker 1>over at the Worldoflore dot com. And until next time,

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<v Speaker 1>stay curious.