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Speaker 1: I am all in, I am all in with Scott

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Speaker 1: Patterson and I heart radio podcast. I got all misty

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Speaker 1: on this episode. I got misty. I missed my sister's

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Speaker 1: I missed my family. It's just like, Wow, the thanks

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Speaker 1: the whole the whole thanksgiving me really is another Dan

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Speaker 1: Palladino masterpiece, another Kenya, another Kenny Ortega masterpiece. And we'll

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Speaker 1: get into the details of why. I think why I

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Speaker 1: know that this was extra special episode. Yes, I think

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Speaker 1: it's interesting that two iconic episodes, which I didn't realize

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Speaker 1: until we did this podcast, we're both directed by Kenny Ortega.

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Speaker 1: What's the other one, the day Dance? Oh that was Kenny,

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Speaker 1: of course. I'm sorry, I'm so sorry. Yeah, be It's like, yes,

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Speaker 1: two of the best episodes of the whole series. So

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Speaker 1: we went back to back. I think was there one

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Speaker 1: in between there? Yeah, there was Yale, right, so there

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Speaker 1: was they shoot Gilmore. Don't say than Yale than this

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Speaker 1: Kenn Artega. So have a question when you guys say,

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Speaker 1: like your top favorite Gilmore episodes, like how many are there?

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Speaker 1: Because two back to back, Like I'm stressed that we're

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Speaker 1: not going to have the best episodes something. Oh, my god. Total.

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Speaker 1: So I would say there's ten for me that really

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Speaker 1: stand out. Maybe maybe a little bit more, maybe ten, twelve. Yeah,

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Speaker 1: there's I don't know. They just keep getting better. They're

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Speaker 1: so good and then you don't think they can top them,

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Speaker 1: and then they just get better. And this one was

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Speaker 1: a prime example. It's like and and better in a

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Speaker 1: in a different way though. I mean, it's like showing

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Speaker 1: you know, different h you know, different variations on their

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Speaker 1: writing style and their tone, and you know how they

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Speaker 1: treat the holiday. And if one I think it's very

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Speaker 1: interesting is how they treat Thanksgiving in this town and

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Speaker 1: you get to juxtapose that on how you do it

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Speaker 1: and how the rest of the country does it, and

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Speaker 1: it's just it's just so unique and wonderful and interesting.

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Speaker 1: So anyway, let's get started. Hey everybody, I'm Scott Patterson.

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Speaker 1: This is the I m All in Podcast Radio one

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Speaker 1: eleven Productions. We have our ball club to Tara s Hello,

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Speaker 1: Amy Sugarman, the One and Only, and Danielle Romo is

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Speaker 1: joining us as well. Um and this is what episode nine,

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Speaker 1: Season three, Episode ten, Season three, episode nine nine, Yeah,

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Speaker 1: deep Fried Korean Thanksgiving, Happy Thanksgiving. Before we get into it.

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Speaker 1: Are the Kims vegetarians, And I just didn't fully ever

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Speaker 1: like give them that all because because because all the

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Speaker 1: tofu Yeah, yeah, I guess so right, they must be Yeah,

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Speaker 1: man Is Kim is Yeah, you guys, first of all,

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Speaker 1: happy Thanksgiving? Should I give us synopsis? And and you

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Speaker 1: know what, before we get too far down away from

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Speaker 1: the station here the trains pulling out, Let's let's have

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Speaker 1: Danielle our conductor, collecting tickets, making announcements of stops. You know,

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Speaker 1: I do this for everyone listening because they are very

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Speaker 1: very adamant about having a synopsis. No, no, you need it,

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Speaker 1: next stop, Hartford connect stop, No, go ahead, Danielle so good?

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Speaker 1: All right, He's in three, episode nine, a deep fried

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Speaker 1: Korean Thanksgiving synopsis. Lorela and Rory's Thanksgiving day is packed

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Speaker 1: as they have committed to four dinners. Lane and Dave's

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Speaker 1: relationship takes a big leap forward. Zuki is upset because

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Speaker 1: Jackson is frying a turkey, and Rory tells her family

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Speaker 1: she applied to Yale as a backup her adopts of

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Speaker 1: meme Cat. That's part of the show was that Kirk

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Speaker 1: adopts a meme cat. Plus Dean stands up to Jazz

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Speaker 1: after seeing him kiss Rory right in front of Lukes.

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Speaker 1: You know, you're going to have to organize this man,

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Speaker 1: because like, I'm just going to go off on everything.

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Speaker 1: I want to start with the fact that they were

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Speaker 1: watching Gray Gardens. Did you guys, Did you guys know

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Speaker 1: what that was? I did not know what that was,

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Speaker 1: and all I heard was Kennedy and eccentric Kennedy family,

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Speaker 1: and I thought, oh, that's fun, but I didn't know

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Speaker 1: what it was. From Tara will Phillison later this week

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Speaker 1: on Pop Culture. But so, Gray Gardens was like two things.

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Speaker 1: So it was it was like a documentary about those

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Speaker 1: two women that were related to Jackie Kennedy, and they

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Speaker 1: basically were like kind of high salutant ladies, a mother

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Speaker 1: and a daughter, a very high falutin family, and the

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Speaker 1: husband leaves and then they just live in this Gray

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Speaker 1: Gardens mansion for the rest of their lives together with

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Speaker 1: just like cats and newspapers and like. So then okay,

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Speaker 1: so it was a documentary on the real ladies. And

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Speaker 1: then they made a movie with Drew Barrymore and Jessica Lane,

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Speaker 1: like recreating the documentary, and I was like, so disturbed

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Speaker 1: by it, Like I where were they living? Where were

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Speaker 1: they living in like some one of those fancy places

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Speaker 1: on the East coast, the Hampton's or something. I don't

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Speaker 1: have to learn more. I can only just sort of

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Speaker 1: paraphrase it. So they were just like completely botso buffo.

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Speaker 1: They went, they went, they went like they were pretty

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Speaker 1: much together, like they had there. They were fancy people,

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Speaker 1: fancy family who once the husband left and the mother

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Speaker 1: and the daughter just thickest the and it just went weird,

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Speaker 1: you know. And then this crew comes out to the

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Speaker 1: house and discovers it and it's all like broken down,

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Speaker 1: and they're no, no, no, nobody's crazy. Nobody's crazier than

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Speaker 1: the rich, right, nobody. I mean, you know that old

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Speaker 1: joke that the comedians they tell that old joke every

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Speaker 1: time the aristocrats. You know that joke the aristocrats. Yeah,

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Speaker 1: I don't know it, but I just don't know that joke. No,

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Speaker 1: but these are nutty rich people. So there's a joke,

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Speaker 1: there's a joke that all of these you know, it's

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Speaker 1: like the most famous and the most fun joke to

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Speaker 1: tell because it's like completely it's like you can just

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Speaker 1: say anything, right because the punch line is The Aristocrats,

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Speaker 1: Like that's the punch line. And you know, I know

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Speaker 1: I saw this movie and it's like, you wouldn't believe

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Speaker 1: this film I saw, and you know, and I don't

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Speaker 1: want to get into it. But it's all X rated

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Speaker 1: stuff and you can just say anything you want. You

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Speaker 1: can say the most disgust us, think gross things that

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Speaker 1: people are doing to each other, all these kind of things,

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Speaker 1: and then you can go over ten minutes and people

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Speaker 1: are laughing that I can't can't believe what's going on

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Speaker 1: with what's coming out of his mouth. How X rated

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Speaker 1: it is, the whole thing, and then he goes he

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Speaker 1: asked me what the name of the movie wasn't what's

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Speaker 1: the name of the movie? The Aristocrats? Seriously, it's kind

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Speaker 1: of great gardens issue. It's almost like they were so

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Speaker 1: quirky and kind of weird. But when I want you

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Speaker 1: guys to watch the Drew Barrymore version because it like

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Speaker 1: almost breaked me out, Like I was like, I don't

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Speaker 1: want to watch this ever again, So why would we

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Speaker 1: want to see Why would we want to see it once?

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Speaker 1: Because I need you if you don't want to see

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Speaker 1: it ever again. If it was that dramatic and experience.

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Speaker 1: Didn't I talk about the bad Ben Affleck movie that

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Speaker 1: I need everyone to watch. Tell me it was terrible. Like,

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Speaker 1: there's a lot of them, so which one paycheck paycheck?

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Speaker 1: But no deep water? Deep water? The water was pretty bad. Dude,

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Speaker 1: who's in deep water? Ben Affleck and on a dar

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Speaker 1: miss And I thought it was one of the worst

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Speaker 1: movies I've ever seen in my whole life. The scary one. Yeah,

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Speaker 1: it's very recent because he just was in a relationship

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Speaker 1: with her. Yeah, that's atrocious. It's such a bad movie.

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Speaker 1: And I'm a big I like Ben Affleck. I almost

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Speaker 1: wanted to stop watching it, and then I had to

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Speaker 1: convince myself, don't give up, don't give up, Like try

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Speaker 1: to see what happens. And it's so dumb. Did you

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Speaker 1: think it was dumbed her? Yeah? I just the whole time.

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Speaker 1: I was like, if this was real life, this relationship

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Speaker 1: would have ended. Like five minutes into the movie, we

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Speaker 1: go back to Gray Gardens. So I want you to

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Speaker 1: watch Gray Gardens. So in the Gilmore Girls, they're watching

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Speaker 1: the documentary one. I watched the Drew Barrymore one. I

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Speaker 1: need you guys to watch either and tell me if

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Speaker 1: it just freaks you out, all right, so we're gonna

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Speaker 1: we'll check it out. Let's uh, let's get this horse

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Speaker 1: out of the barn. Also, the monkey lamp had a

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Speaker 1: purple shade, which was the first time I noticed the

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Speaker 1: purple shade, but could have been there. Okay, So we uh,

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Speaker 1: Basically we go from that scene into the kitchen at

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Speaker 1: the Dragonfly and we see Suki preparing, and we we

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Speaker 1: start to understand she's not going to be at the

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Speaker 1: end for Thanksgiving. So this is sort of setting up

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Speaker 1: that she has a really bad O c D where

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Speaker 1: she was really just just piping hot. Whyn't she It's

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Speaker 1: not comfortable seeing our beloved Suki that angry, right, No,

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Speaker 1: it's not like, what is the deal? She was really staming.

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Speaker 1: We know she's a control freak about her kitchen. Well,

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Speaker 1: you gotta be right, I mean, that's all the greats

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Speaker 1: are perfectionists, and you know, if you're around a perfectionist,

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Speaker 1: your life is going to be hell And let's let's

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Speaker 1: face it, if it's their baby, it's it's gonna be hell. Um.

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Speaker 1: But yeah, it's she was very, very nervous and it

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Speaker 1: was not but she really you know, it really paid

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Speaker 1: off on the drunk drunkie drunk scene, which total total

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Speaker 1: epic genius acting. We will get to that I'm there,

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Speaker 1: I got to I'm there, I'm right there. I'm waiting

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Speaker 1: for you. I'm there. We're not to talk about it.

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Speaker 1: Let's jump back to where she's being kind of. So

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Speaker 1: we're in the kitchen at the dragon Flight and Emily

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Speaker 1: bops up and Lorela doesn't really realize she's behind it,

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Speaker 1: and that's how we set up that they will be

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Speaker 1: having Thanksgiving at the Gilmore's also, so we start to

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Speaker 1: get the gist. Wasn't that going to be for Thanksgivings?

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Speaker 1: And that Richard and Emily are going to be gone

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Speaker 1: through all of December, So we also learned that little tidbit.

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Speaker 1: I love that. I love that scene when Emily comes

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Speaker 1: up and Laurela I didn't realize she was actually there.

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Speaker 1: She goes, what are we in high school? Yeah? What? Yeah?

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Speaker 1: I look behind you? Is Joseph Stalin h question question

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Speaker 1: about the end? Just because I'm blanking? Is it already

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Speaker 1: the Dragonfly I've been calling it the dragon Flights? Yeah,

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Speaker 1: I'm sorry, I just like to be googling. I'm like,

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Speaker 1: thank you for the correction. I'm like, you miss episodes,

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Speaker 1: you know, you totally have it right if it independ

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Speaker 1: this's in. I'm so sorry everybody wanted to scream at

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Speaker 1: their podcast. These fans know the second time I've done

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Speaker 1: that in this pod, Like not this episode, but like

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Speaker 1: in the run of our podcast, I have it, like

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Speaker 1: I apologize Independence in. And I also thought they sort

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Speaker 1: of I did have one criticism. There's a shot of

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Speaker 1: the Independence in that establishes that that we're going inside.

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Speaker 1: This shot looks like a frozen picture. It doesn't have

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Speaker 1: any movement, Like did they just find a picture still shot? Like,

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Speaker 1: so y'all need to rewatch that and tell me if

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Speaker 1: it looked fake or like a frozen image to you guys. Okay,

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Speaker 1: after after we delve into the Gray Gardens thing and

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Speaker 1: watch that obsessively, then we'll go back that. Okay. And also,

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Speaker 1: this is gonna age me, but like, sort of it

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Speaker 1: reminds me of New Heart. Do you remember Scott like

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Speaker 1: the house for over forties in the group. Maybe maybe

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Speaker 1: that was intentional. Who knows, Kenny Ortega, he is a genius.

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Speaker 1: Come on. Anyway, So we go to biology class now

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Speaker 1: and we've got all the kids in biology class and

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Speaker 1: tell me what you think. And that's how we learned

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Speaker 1: Luise's dad's in jail. Um, what the heck was that there? Um,

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Speaker 1: that's a science class right there explaining what happened. This

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Speaker 1: episode feels very pop culture episode E to me, there's

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Speaker 1: nothing wrong with that. There was like doing pop culture.

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Speaker 1: We'll get to it. There was so much. I don't

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Speaker 1: think we could even include everything. We'll do it, we'll

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Speaker 1: cram it in, we'll figure it out. So, you guys,

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Speaker 1: this is where Paris is having her sort of like

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Speaker 1: melt down because she can't get a position volunteering on

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Speaker 1: Thanksgiving and she's like losing her bleep over it. The

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Speaker 1: kitchens won't even hire Paris, just like nope, sorry. You know.

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Speaker 1: This is a very realistic depiction of a person who

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Speaker 1: is filled with anxiety about meeting the requirements, just the

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Speaker 1: basic requirements for getting into Harvard because it's very, very

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Speaker 1: very difficult, and everybody is Valta Victorian or salutorian. They're

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Speaker 1: the top, top of the food chain. Everybody's an academic

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Speaker 1: superstar that goes there. They need to know that you're

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Speaker 1: going to fit in, and and the more I see

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Speaker 1: of Paris, the more I think that she's very capable

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Speaker 1: of of I mean, she's almost a prototypical Harvard accept

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Speaker 1: t because she's a leader. The only thing and the

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Speaker 1: only thing that I would you know, there's a long

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Speaker 1: list of criteria that they look for at Harvard and

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Speaker 1: and one of them is that you can take on mentors.

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Speaker 1: Not to get too far off the track here, but

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Speaker 1: you know, it was interesting because we're looking into colleges.

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Speaker 1: You know, I'm looking ten years ahead in colleges for

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Speaker 1: my son because he's doing so well in school. So

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Speaker 1: we're having to really sort of readjust our whole you know,

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Speaker 1: life planned, where we want to live and what we

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Speaker 1: will expose him to because he's showing so many Do

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Speaker 1: you have to think about sending him to like private Yes? Yes,

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Speaker 1: And that was the discussion we had last night. Because

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Speaker 1: of the size of the endowments and the quality of

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Speaker 1: the teaching and the money goes right to the students.

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Speaker 1: Feel if he wanted to go to boarding school, I

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Speaker 1: don't know that that's going to happen. I think you

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Speaker 1: can go to day school, you don't have to board, right,

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Speaker 1: So we would have to move to that area. Well, sure,

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Speaker 1: so we could come home at night, right, so he

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Speaker 1: we would see him at night. Yeah. Yeah, you save

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Speaker 1: money and you don't have to worry, and you know,

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Speaker 1: you know and so and way. Um. I do like

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Speaker 1: the boarding school aspect of it because it really prepares

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Speaker 1: those kids to go off to college. And if they're

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Speaker 1: going to Harvard, that's a super competitive environment and they're

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Speaker 1: not going to be ready for it. If their mom

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Speaker 1: is boys and girls, Chilton could have easily been a

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Speaker 1: boarding school also, it has that same sort of does

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Speaker 1: so I think, you know anyway, that's just a sort

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Speaker 1: of a what Amy would refer to as a sidebar,

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Speaker 1: which is legal legal, We love us. Sidebar is like

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Speaker 1: Jamie Jamie Jane does just call it Jamie Amy is

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Speaker 1: the judge and she calls the lawyers up for a sidebar. Right.

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Speaker 1: Sidebars gives us, gives us life on that whole thing.

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Speaker 1: I did have one question, and you all give me

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Speaker 1: your opinions. And maybe it's just because children is so small,

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Speaker 1: but is it not a little bit unrealistic that the

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Speaker 1: four girls Paris, Rory, Louise, and Madeline always have their

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Speaker 1: glasses together. Yeah, I always like, wouldn't they being different?

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Speaker 1: But I feel like if it's such a small school,

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Speaker 1: then maybe like everyone in the grade just has like

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Speaker 1: all the same classes. Yeah, but there's more than thirty

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Speaker 1: kids in their grades. I don't know. It's just a

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Speaker 1: little small flaw. So I've got two flaws in this episode.

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Speaker 1: And Algie, here's the first time I noticed that this

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Speaker 1: episode was edited differently and directed differently. It was the

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Speaker 1: it was the snappy back and forth, the little uh punchlines,

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Speaker 1: the little jokes, the little comments coming out of Louise

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Speaker 1: and Madeline, the little stuff, and it was just it was,

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Speaker 1: you know, my the clever meter was going up to tent.

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Speaker 1: It was really fast and funny and witty and clever

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Speaker 1: and sharp, didn't you say Dan Palladino wrote this one.

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Speaker 1: He writes like that, So imagine we've got that writing,

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Speaker 1: Ortega's directing, which is so like a film, right. Yes.

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Speaker 1: And it was just breathtaking how weickly these scenes happened,

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Speaker 1: and how quickly these lines were delivered, and the editing

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Speaker 1: really came into play, especially in the living room scene

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Speaker 1: with Richard and the French couple and a and at

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Speaker 1: the dinner table. So all of these jokes really, you know,

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Speaker 1: all these great lines popped even more for me because

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Speaker 1: the editing I just was just for me. It was

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Speaker 1: the best edited episode and you know, one of the

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Speaker 1: best written. That's why because they were cut cut, cut,

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Speaker 1: back and forth boom. They didn't let the camera linger

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Speaker 1: on anybody, and it was all this back and forth.

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Speaker 1: I never had a moment of like always all two

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Speaker 1: more thanksgivings like sometimes jam packed. The ending scene I

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Speaker 1: was just a lot, a lot because they because they

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Speaker 1: didn't linger in any one location. They just it move, move, move, move,

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Speaker 1: and they left before you wanted him to leave. They

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Speaker 1: left at the height of the humor, and then they

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Speaker 1: went to another place right and then they were out

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Speaker 1: and out and out. It was great. What year is

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Speaker 1: it in real life? Again? Is it two thousand three

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Speaker 1: to two thousand? Kenny Ortega goes on to do high

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Speaker 1: school musical in two thousand six. I have to imagine,

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Speaker 1: and hopefully we're going to have him on. So Scott,

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Speaker 1: you've got to ask him this, if this really helped

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Speaker 1: prepare him to make high school musical. I have to

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Speaker 1: imagine he was. He was. He was well prepared for

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Speaker 1: high school musical way before. So he was just already

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Speaker 1: like a genius director. But you guys had him he

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Speaker 1: was he was Kenny Ortega back then. Did he bring

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Speaker 1: such a light about him like I had interviewed him before,

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Speaker 1: and these episodes have that. I have that same like

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Speaker 1: high school musical energy. Both the dance episode and this

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Speaker 1: there's a there's a real seamless, smooth kind of pop

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Speaker 1: and energy to the Kenny Ortega stuff. It really, it

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Speaker 1: really does take on his personality because he's kind of

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Speaker 1: light and bright and quick and funny and and full

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Speaker 1: of law there and and competence. You know. The thing

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Speaker 1: you get it from Kennedy is he really knows his stuff. Yeah,

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Speaker 1: I totally agree, there's some there's sort of an energy.

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Speaker 1: But Okay, so we're going on and we are now

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Speaker 1: at because I'll tell you the rest of those slubs,

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Speaker 1: I don't know where they're going. I'm them all look

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Speaker 1: bad all stunt. Wait. I do think we realize it's

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Speaker 1: it's the Autumn Festival. We see some signs by the

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Speaker 1: Autumn Festival, and I thought there was a shot of

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Speaker 1: a gallery store. This is sort of how we realized

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Speaker 1: Kirk's getting the cat. He's at the Chat club and

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Speaker 1: they show like an art gallery or a gallery that

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Speaker 1: I don't know that we've seen before. Tara, do you

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Speaker 1: did that look familiar? You have to go back and no,

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Speaker 1: I don't we see Okay, so this is where we

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Speaker 1: learned Kirk got the cat named Kirk. His reasoning was

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Speaker 1: not bad, but I had to give it to Kurt

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Speaker 1: for naming his cut Kurt Kurt. But how about his

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Speaker 1: line at the very top of that scene, No, there're

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Speaker 1: still items left in the store. Wasted everything in the store. No, no, Rory,

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Speaker 1: there's still items left in the store. It's what my

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Speaker 1: mom calls cat Kirk, human Kerk. And I like how

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Speaker 1: Lord Lion Rory like helped him realize, like, oh, it's

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Speaker 1: gonna be really confusing calling, like when his mom calls

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Speaker 1: and he's like, oh yeah, thanks, Oh my god. It's

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Speaker 1: totally reminds me of like a Saturday Night Live sketch.

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Speaker 1: Is this guy a character on SNL? Yeah? No, it's

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Speaker 1: just pure brilliant. I also love how Kirk always has

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Speaker 1: this like underlying like story, his own storyline. Like I

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Speaker 1: feel like he's the only other character besides like the

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Speaker 1: main characters that has this whole story and you're like

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Speaker 1: constantly wanting to know what's going on with him. He

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Speaker 1: also like can have a scene by himself. Yeah you

348
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Speaker 1: know what I mean, Like in that scene, like lord,

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Speaker 1: Lyn and Rory were there, but it was all about Kirk.

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Speaker 1: You know, Like it's at one point, does he get

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Speaker 1: a fifty one because he's insane? I mean getting a break?

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Speaker 1: Is he not insane? I think maybe the morning after

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Speaker 1: sleeping the gazebo at night. He's truly like he's out there, right,

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Speaker 1: I mean, let's just look at it from you know,

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Speaker 1: a real human perspective. I mean, does where does he

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Speaker 1: fit in it? The only place you can get away

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Speaker 1: with this stuff, this behavior is in that town. Who

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Speaker 1: just thinks it's because it's so full of love and

359
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Speaker 1: acceptance that he's not love. This guy's nuts, right, We

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Speaker 1: love him so much. He's so harmless because he's not dangerous.

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Speaker 1: He's not a dangerous guy only to himself with the cat,

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Speaker 1: not really, I mean, right, but he's just a very gentle,

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Speaker 1: lovely soul who's incredibly insane. I mean, he's just so

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Speaker 1: whacked out. I love him. It's it's so great, it's

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Speaker 1: so great. So we go to the diner and actually

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Speaker 1: So this is where they talk about Thanksgiving, and at

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Speaker 1: first she tells Luke she's not gonna be able to

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Speaker 1: and she sees how disappointed and she changes it. But

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Speaker 1: did she order a French dip and cherry pie? Who

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Speaker 1: made that? My notes? A French dip cherry pie? And

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Speaker 1: I'm like, she think that seems like something Lorela would order.

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Speaker 1: But I guess that's what she orders on Wednesday. What's

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Speaker 1: wrong with why wouldn't she She's a she's as you know,

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Speaker 1: she's a she's a garbage truck. She'll eat anything. I

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Speaker 1: was more focused on the fact that Luke was so

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Speaker 1: sick you don't want to show it, though he didn't,

377
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Speaker 1: but you can tell that's the beauty of luralized. She

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Speaker 1: looks like and first of all, I must say, the

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Speaker 1: blue eyes really came through, like piercing through me the

380
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Speaker 1: entire episode. I agree. And her hair was like fair

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Speaker 1: faucet like throughout the whole episode. And I don't know

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Speaker 1: how right she looks she she did. She looked like

383
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Speaker 1: a Charlie's Angel. She looked like Jacqueline Smith. I agree,

384
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Speaker 1: like her sister. Yeah, it was like whoa um and

385
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Speaker 1: the blue eyes just like the raging blue eyes, the piercing,

386
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Speaker 1: the piercing of the blue eyes. Um, I don't know

387
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Speaker 1: how I could have mistook those for green. Maybe I

388
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Speaker 1: don't know. Maybe when I look in her eyes, I

389
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Speaker 1: just see money. Well, in person, they could be more

390
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Speaker 1: like blue green, but I don't know. Maybe the way

391
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Speaker 1: the light was hitting, you know, those days that I

392
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Speaker 1: was looking into her eyes deeply and then I learned

393
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Speaker 1: not to do it because it was too But it

394
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Speaker 1: depends what they're wearing. They might, you know, like sometimes

395
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Speaker 1: throwing a blue shirt, their eyes are blue. Good, God,

396
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Speaker 1: what do you have? I got you, No, Daniel, I

397
00:24:02,240 --> 00:24:13,200
Speaker 1: can see yours brown brown, blue, same mass And Okay,

398
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Speaker 1: So we come to we now know they're going to

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Speaker 1: four dinners, and they either in this scene or the

400
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Speaker 1: scene shortly after, they acknowledge like they've been training for this,

401
00:24:23,000 --> 00:24:25,960
Speaker 1: they can do this. They won't eat rolls. There's some

402
00:24:26,000 --> 00:24:29,560
Speaker 1: mention of Tom's and those being amateur pills, and then

403
00:24:29,640 --> 00:24:33,879
Speaker 1: they're they're in docs market. So Lura Ly goes in.

404
00:24:33,920 --> 00:24:35,800
Speaker 1: I think we fast forwarded to I think it is

405
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Speaker 1: now Thanksgiving, and this is where Laura Lee goes in

406
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Speaker 1: because obviously Rory doesn't want to go in because of Dean,

407
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Speaker 1: and then here comes Jess and there's the kiss. I

408
00:24:45,119 --> 00:24:47,600
Speaker 1: will say the timeline of this part really threw me off.

409
00:24:49,040 --> 00:24:51,720
Speaker 1: Went quickly offer was Thanksgiving. Yeah, it was like, oh,

410
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Speaker 1: it's now Thanksgiving and they're buying flowers like I thought

411
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Speaker 1: they were buying flowers the day before. There was I

412
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Speaker 1: agree that there was. There wasn't a super clear transition.

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Speaker 1: You kind of have to go, oh, okay, I got it,

414
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Speaker 1: thank you, because it dressed up a little bit. Yeah.

415
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Speaker 1: So what do you all think of Jess and Rory? Well,

416
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Speaker 1: I like to what happened before before that, you mean

417
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Speaker 1: the little lane kiss that she got accused of, like

418
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Speaker 1: that that comes later, the lane kiss in front of

419
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Speaker 1: things Want to GOA has the scene with Dean. That's

420
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Speaker 1: right exactly, Scott, Dean and Laura I have their very

421
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Speaker 1: sweet moment while simultaneously, Rory and Jess are kind of

422
00:25:35,840 --> 00:25:38,080
Speaker 1: making out and she doesn't. They talk about p d

423
00:25:38,200 --> 00:25:40,520
Speaker 1: A and that we shouldn't flaunt it to the town.

424
00:25:41,960 --> 00:25:46,600
Speaker 1: Did not kiss in front of Dean specifically, And this

425
00:25:46,680 --> 00:25:49,840
Speaker 1: is a very nice scene that this really showed the character,

426
00:25:51,040 --> 00:25:53,560
Speaker 1: you know, the kind of the kind of character that

427
00:25:53,480 --> 00:25:57,080
Speaker 1: that Laurel. That Laurela is that she's going to go

428
00:25:57,160 --> 00:26:01,560
Speaker 1: in and she's gonna say, hey, you know, I still

429
00:26:01,560 --> 00:26:05,000
Speaker 1: adore you. We can still talk and be friends. I

430
00:26:05,040 --> 00:26:06,840
Speaker 1: can still be there for you as a friend in

431
00:26:06,880 --> 00:26:09,399
Speaker 1: this town. It's a small town, you know. On that

432
00:26:09,440 --> 00:26:11,919
Speaker 1: line where she said, like, even though you guys broke up,

433
00:26:12,000 --> 00:26:17,040
Speaker 1: we didn't like, I act love that each other. And

434
00:26:17,400 --> 00:26:19,200
Speaker 1: the relief on his face, I mean, it's a very

435
00:26:19,200 --> 00:26:22,960
Speaker 1: touching scene. And I think that says everything about why

436
00:26:23,000 --> 00:26:25,240
Speaker 1: the show is so appealing to so many people is

437
00:26:25,320 --> 00:26:28,920
Speaker 1: because that doesn't happen, you know that. I mean, I mean,

438
00:26:29,160 --> 00:26:32,000
Speaker 1: actually it does. It does, and it's nice to see it.

439
00:26:32,480 --> 00:26:35,840
Speaker 1: She calls the town their own teeny tiny Hamlet. Didn't

440
00:26:35,840 --> 00:26:38,480
Speaker 1: she say that? I didn't get I'm red Hamlets, don't

441
00:26:38,880 --> 00:26:41,359
Speaker 1: She shouldn't mean Hamlet in the sense of the play.

442
00:26:42,080 --> 00:26:45,359
Speaker 1: Hamlet is another name for a town, a small English town,

443
00:26:45,560 --> 00:26:49,679
Speaker 1: a tiny hamlet. No, no, no, no no. But I

444
00:26:49,680 --> 00:26:52,119
Speaker 1: didn't know that either. You know, it had nothing to

445
00:26:52,160 --> 00:26:58,160
Speaker 1: do with uh, the Shakespeare, which I immediately thought, oh,

446
00:26:58,200 --> 00:27:01,000
Speaker 1: there must be some reference. I mean, because if there

447
00:27:01,000 --> 00:27:03,359
Speaker 1: ever is a reverence to Hamlet, then you will not

448
00:27:03,560 --> 00:27:06,240
Speaker 1: shut me up for the whole two hours. We know,

449
00:27:06,320 --> 00:27:08,560
Speaker 1: you know your Shakespeare. They also got which is so

450
00:27:08,800 --> 00:27:12,800
Speaker 1: amazing because I have this chocolate turkey. Okay, so they

451
00:27:12,840 --> 00:27:16,320
Speaker 1: got chocolate turkeys and first she got cranberry sauce, which

452
00:27:16,359 --> 00:27:19,720
Speaker 1: I also brought this can cranberry sauce, which can cranberry

453
00:27:19,720 --> 00:27:22,360
Speaker 1: sauce is not really my way to go. But this

454
00:27:22,440 --> 00:27:25,080
Speaker 1: is so what month is it now? It's like June, right,

455
00:27:25,359 --> 00:27:28,240
Speaker 1: So I have a chocolate turkey all the way back

456
00:27:28,359 --> 00:27:32,320
Speaker 1: from November. So I googled and you can like eat

457
00:27:32,359 --> 00:27:34,640
Speaker 1: chocolate for up to a year. But this is a

458
00:27:34,760 --> 00:27:37,280
Speaker 1: question we have for you, Scott, and then we're gonna

459
00:27:37,280 --> 00:27:39,400
Speaker 1: ask a bunch of other people. How do you eat

460
00:27:39,440 --> 00:27:45,120
Speaker 1: a chocolate turkey with your face, with your mouth? Would

461
00:27:45,160 --> 00:27:47,560
Speaker 1: you like go for the head first? I think you

462
00:27:47,720 --> 00:27:50,719
Speaker 1: would know. I think take one of those mallets and like,

463
00:27:50,840 --> 00:27:54,000
Speaker 1: what do you do? I think you just bite off

464
00:27:54,000 --> 00:27:57,159
Speaker 1: the head. That's how you That's how you rock at

465
00:27:57,200 --> 00:27:59,960
Speaker 1: chocolate turkey. When they got to Mrs Kim's, wasn't the

466
00:28:00,040 --> 00:28:03,919
Speaker 1: head missing? Yeah, that's how laural i ate and she

467
00:28:03,960 --> 00:28:09,720
Speaker 1: gave her the wrong one that was forty. This reminds

468
00:28:09,760 --> 00:28:13,399
Speaker 1: me very much of beheading the butter swans. Do you

469
00:28:13,400 --> 00:28:19,560
Speaker 1: guys remember that? Oh my god, yes, what was that? Like? Rude? Rude?

470
00:28:21,320 --> 00:28:25,000
Speaker 1: This one has no head. Oh sorry, that's that's mine. Here,

471
00:28:25,000 --> 00:28:30,399
Speaker 1: you got that one for you? Oh my god. So

472
00:28:31,480 --> 00:28:33,560
Speaker 1: we want to know from everybody, how do you eat

473
00:28:33,600 --> 00:28:37,480
Speaker 1: a chocolate turkey? I would not bite it because to

474
00:28:37,560 --> 00:28:40,200
Speaker 1: me that would be like leave my slabber. So I

475
00:28:40,240 --> 00:28:44,160
Speaker 1: think I would like hit it with something. What are

476
00:28:44,200 --> 00:28:46,440
Speaker 1: you sharing? Someone? Hit it? What are you talking about?

477
00:28:46,480 --> 00:28:50,200
Speaker 1: Hit it with like a like a little malady things.

478
00:28:50,360 --> 00:28:52,480
Speaker 1: We could break it so I could have little pieces

479
00:28:52,560 --> 00:28:55,480
Speaker 1: of the chocolate turkey if I don't eat my slabber behind,

480
00:28:55,520 --> 00:28:58,760
Speaker 1: even if I'm not sharing it, the head off? What's wrong?

481
00:28:59,400 --> 00:29:03,080
Speaker 1: She's going to bite head off? You're a tail first, Amy.

482
00:29:03,120 --> 00:29:05,440
Speaker 1: If anybody on this panels a head bitter, it's you

483
00:29:05,560 --> 00:29:09,400
Speaker 1: give me a break. I would not bite into this,

484
00:29:10,280 --> 00:29:16,360
Speaker 1: So everyone please give us feedback. I would right for

485
00:29:16,400 --> 00:29:20,880
Speaker 1: the head full slabber. Just do it, just just end it, alright.

486
00:29:20,920 --> 00:29:25,360
Speaker 1: So Lane's Lane's thanksgiving his number one? What did you think?

487
00:29:26,120 --> 00:29:31,160
Speaker 1: Hysterical laurelized Entrance saying hello Mrs Yim, Mr John, you

488
00:29:31,240 --> 00:29:33,880
Speaker 1: know she knew all the names. She knew everyone, but

489
00:29:34,000 --> 00:29:38,600
Speaker 1: she didn't engage them, and she did her like not her.

490
00:29:38,800 --> 00:29:41,360
Speaker 1: It wasn't condescending. It was just like we're in a rush,

491
00:29:41,400 --> 00:29:43,640
Speaker 1: we're busy. This is the first one or second one

492
00:29:43,720 --> 00:29:45,840
Speaker 1: knows the first She just paid her dues and major

493
00:29:45,880 --> 00:29:48,040
Speaker 1: she said, hid everyone that way she can just head

494
00:29:48,040 --> 00:29:50,440
Speaker 1: out as But she just she knew everybody, which was

495
00:29:50,760 --> 00:29:55,040
Speaker 1: kind of nice, you know, uh, and very funny. I

496
00:29:55,120 --> 00:29:57,840
Speaker 1: thought through what got me the which one? Which one

497
00:30:00,080 --> 00:30:06,280
Speaker 1: has anyone had to fk no? No. Also, Dave, I

498
00:30:06,360 --> 00:30:08,880
Speaker 1: just love that he was just playing the whole time

499
00:30:08,920 --> 00:30:12,320
Speaker 1: and he was just happy that he's so sweet. He's

500
00:30:12,360 --> 00:30:19,120
Speaker 1: so cool, like honestly so cool. Yes, and he did

501
00:30:19,200 --> 00:30:20,920
Speaker 1: have the best line in the whole thing. And nobody's

502
00:30:20,960 --> 00:30:23,200
Speaker 1: gonna usurp me. Nobody's gonna steal that best line for

503
00:30:23,240 --> 00:30:24,720
Speaker 1: me because it's going to be my best line. You

504
00:30:24,760 --> 00:30:27,480
Speaker 1: know what I'm talking about, So don't mess with me

505
00:30:27,520 --> 00:30:29,520
Speaker 1: on this one. I own the line, you know what

506
00:30:29,560 --> 00:30:33,320
Speaker 1: I'm talking about. Don't mess with me on best lines

507
00:30:33,520 --> 00:30:36,840
Speaker 1: and steal and hang on, hang on, hang on, I'm

508
00:30:36,840 --> 00:30:39,160
Speaker 1: going to go first on best lines. I'm just establishing

509
00:30:39,200 --> 00:30:42,360
Speaker 1: that now. So that I can own this line. That's fair.

510
00:30:42,480 --> 00:30:49,120
Speaker 1: Don't steal. Don't steal my line, you break. So Lane's

511
00:30:49,160 --> 00:30:53,440
Speaker 1: outfit was amazing, adorable. She just had a really cute

512
00:30:53,440 --> 00:30:56,200
Speaker 1: Thanksgiving Look now, am I going out of order? Or

513
00:30:56,240 --> 00:31:00,719
Speaker 1: does the kiss happen now? No? No, no, no at

514
00:31:00,760 --> 00:31:04,720
Speaker 1: the end of the episode, thank you. Well alright, so

515
00:31:05,040 --> 00:31:07,680
Speaker 1: we got one down then, so they have to gag

516
00:31:07,720 --> 00:31:09,600
Speaker 1: down the to fur key. They wish they didn't that.

517
00:31:09,640 --> 00:31:10,840
Speaker 1: She thought she was gonna be able to hide it

518
00:31:10,840 --> 00:31:12,960
Speaker 1: and ms Kim had eyeballs on her and off we go,

519
00:31:12,960 --> 00:31:15,280
Speaker 1: got eyes on her with the napkins. She wasn't able

520
00:31:15,320 --> 00:31:20,280
Speaker 1: to dump it. She had to eat it all. So

521
00:31:20,280 --> 00:31:23,479
Speaker 1: we go to Suki's and here comes a deep fried turkey.

522
00:31:23,640 --> 00:31:25,800
Speaker 1: And my first question to you all is who were

523
00:31:25,840 --> 00:31:28,280
Speaker 1: all those guys? Did you? Okay, So that's my question.

524
00:31:28,600 --> 00:31:33,960
Speaker 1: Did you ever envision like Jackson to have that group

525
00:31:34,040 --> 00:31:36,720
Speaker 1: of friends. He's a vegetable guy. But was it family?

526
00:31:36,840 --> 00:31:39,000
Speaker 1: Was it friend? Like? Who was it? It was? It

527
00:31:39,080 --> 00:31:41,320
Speaker 1: was like a biker gang, it was. It was so

528
00:31:41,360 --> 00:31:44,320
Speaker 1: out of left field for me, really was I did

529
00:31:44,320 --> 00:31:46,840
Speaker 1: not know how Jackson hung out with friends like that

530
00:31:46,840 --> 00:31:49,400
Speaker 1: looked familiar, like we might have to zoom in on.

531
00:31:49,440 --> 00:31:52,040
Speaker 1: There's like a group shot. One dude looked familiar, the

532
00:31:52,080 --> 00:31:53,320
Speaker 1: rest of them like, I don't know who any of

533
00:31:53,320 --> 00:31:55,760
Speaker 1: these people are, but it was it was terribly funny.

534
00:31:55,920 --> 00:31:58,280
Speaker 1: I just assumed it was his family that we've never met.

535
00:31:58,400 --> 00:32:01,400
Speaker 1: That was just my guests. But it was so random.

536
00:32:02,000 --> 00:32:04,200
Speaker 1: I can't maybe it was a brother and his friends

537
00:32:04,280 --> 00:32:07,480
Speaker 1: or I don't know, yeah, that, but it was It

538
00:32:07,520 --> 00:32:10,960
Speaker 1: was not beyond the realm right of possibility because there's

539
00:32:11,080 --> 00:32:13,640
Speaker 1: more people in the town and they've obviously got friends.

540
00:32:13,480 --> 00:32:15,600
Speaker 1: It's hic when he comes out with a turkey on

541
00:32:15,640 --> 00:32:23,200
Speaker 1: the chain, right, she was at the table with the

542
00:32:23,360 --> 00:32:25,880
Speaker 1: platform get just kind of like, I think this is happening,

543
00:32:25,920 --> 00:32:29,320
Speaker 1: just starting to drink. But do you fried turkey is

544
00:32:29,480 --> 00:32:34,360
Speaker 1: so good? Yes, I've I don't think I fried turkey before.

545
00:32:34,680 --> 00:32:38,240
Speaker 1: Have you made one? I mean I haven't, but I've

546
00:32:38,240 --> 00:32:42,120
Speaker 1: had it. The Romo family makes. Yeah. My my uncle

547
00:32:42,120 --> 00:32:44,080
Speaker 1: always makes the turkey, and he does too. He does

548
00:32:44,120 --> 00:32:47,640
Speaker 1: a smoked one, fried one and a fried one smoked.

549
00:32:47,840 --> 00:32:52,160
Speaker 1: I don't think, really good, delicious. It's great. Next time

550
00:32:52,160 --> 00:32:54,600
Speaker 1: we all get together, I'll bring some fried turkey es.

551
00:32:55,520 --> 00:32:57,440
Speaker 1: I mean the first time we all get anything fried

552
00:32:57,560 --> 00:33:00,920
Speaker 1: is good? Guys, come on roast in turkey like in

553
00:33:00,960 --> 00:33:06,560
Speaker 1: the oven. That's lame tradition. Is that lame? Is it? Danielle? Oh?

554
00:33:07,440 --> 00:33:09,920
Speaker 1: Just very ordinary? Do you guys think of the fact

555
00:33:09,960 --> 00:33:12,280
Speaker 1: that the next day with the leftovers, I dip it

556
00:33:12,320 --> 00:33:16,360
Speaker 1: in mayonnaise? Does that make Why do you even stop it?

557
00:33:16,720 --> 00:33:22,240
Speaker 1: Stop it? Like? Great? Do you dip your French fries

558
00:33:22,280 --> 00:33:33,120
Speaker 1: in maynaise? Stopful? Do you like not? Like pretty much? Chicken? Sad? Gravy? Gravy?

559
00:33:34,000 --> 00:33:36,320
Speaker 1: When you think of mayo, just like on the side

560
00:33:36,320 --> 00:33:41,600
Speaker 1: of your plate, like to dip it's just stop it mayonnaise. No,

561
00:33:42,240 --> 00:33:47,800
Speaker 1: you guys don't ever have artichokes? What's artichokes? You dip

562
00:33:47,840 --> 00:33:52,239
Speaker 1: the artichoke leaves in mannase? Oh God, you're killing me.

563
00:33:53,240 --> 00:33:56,960
Speaker 1: You're killing me. You don't did broccoli and manna anything

564
00:33:57,760 --> 00:34:00,440
Speaker 1: you want to use mayonnaise for? I use it if

565
00:34:00,480 --> 00:34:08,520
Speaker 1: I make tuna fish. That's that's that's just like? No,

566
00:34:08,880 --> 00:34:12,359
Speaker 1: when'd you do like ranch? Thank you? Somebody just put

567
00:34:12,400 --> 00:34:17,560
Speaker 1: in our chat dipped Thank you? Easton broccoli. We are

568
00:34:17,600 --> 00:34:21,919
Speaker 1: going to have two poles this week, please Instagram now,

569
00:34:22,000 --> 00:34:23,840
Speaker 1: because not only are we going to discuss how do

570
00:34:23,840 --> 00:34:27,439
Speaker 1: you eat a chocolate turkey. We're also going to decide

571
00:34:27,680 --> 00:34:31,000
Speaker 1: or not broccoli. I kind of want to try it.

572
00:34:31,200 --> 00:34:33,920
Speaker 1: Who just type deep water is a work of art?

573
00:34:34,160 --> 00:34:44,880
Speaker 1: Is that Easton? That's what we call a call back. Okay,

574
00:34:44,960 --> 00:34:48,960
Speaker 1: so now we're heading to change of subject somehow. Just

575
00:34:49,000 --> 00:34:51,919
Speaker 1: real quick about Suki. Did the location of her home

576
00:34:52,040 --> 00:34:55,759
Speaker 1: throw anyone else off? Like if you if you at

577
00:34:55,800 --> 00:34:59,880
Speaker 1: the end when they pan over, like her home just

578
00:35:00,040 --> 00:35:03,160
Speaker 1: seems like it's in the middle of the town. I

579
00:35:03,160 --> 00:35:05,920
Speaker 1: thought it was always kind of close to town. Remember, Scott,

580
00:35:06,040 --> 00:35:08,360
Speaker 1: you've kind of told us that, like things are closer

581
00:35:08,360 --> 00:35:10,560
Speaker 1: to town than we think. I thought, yeah, they are.

582
00:35:10,719 --> 00:35:13,680
Speaker 1: I thought it was next to Mrs Kim's. Yeah, I

583
00:35:13,680 --> 00:35:17,040
Speaker 1: think it's like Mrs Kim Suki and then Laurel House.

584
00:35:17,160 --> 00:35:18,920
Speaker 1: I didn't watch it back, but basically when they were

585
00:35:18,920 --> 00:35:20,359
Speaker 1: walking at the end of the night, when they said

586
00:35:20,400 --> 00:35:23,200
Speaker 1: hi to Suki at the very end, that threw me

587
00:35:23,239 --> 00:35:27,319
Speaker 1: off because I think that the close the church was

588
00:35:27,400 --> 00:35:28,920
Speaker 1: like right there, and I was like, wait a minute,

589
00:35:29,200 --> 00:35:33,040
Speaker 1: where are we? But well, okay, so so the church

590
00:35:33,239 --> 00:35:37,080
Speaker 1: is on the opposite side of the high school. Okay.

591
00:35:37,160 --> 00:35:39,759
Speaker 1: And then if you go if you pan right of

592
00:35:39,880 --> 00:35:43,160
Speaker 1: the church as you're facing the church, then there's the

593
00:35:43,160 --> 00:35:47,000
Speaker 1: gas station. There's there's Rosie's gas station, rosads gas station.

594
00:35:47,040 --> 00:35:50,480
Speaker 1: What's her name in the show Gypsy's gas Station? And

595
00:35:50,520 --> 00:35:53,279
Speaker 1: then the first house is Kim's Antiques, and then I

596
00:35:53,280 --> 00:35:55,560
Speaker 1: guess it's Sukis and then it's Laurel Less. Okay, I

597
00:35:55,600 --> 00:35:58,120
Speaker 1: always knew Mrs Kim's was first. I just didn't know that.

598
00:35:58,600 --> 00:36:02,680
Speaker 1: And then across the street from uh, laureall Ez is

599
00:36:02,760 --> 00:36:05,520
Speaker 1: the movie theater where they go and watch movies. I

600
00:36:05,560 --> 00:36:08,000
Speaker 1: need to know this. What did you guys ever in

601
00:36:08,040 --> 00:36:12,359
Speaker 1: a scene accidentally call each other like your real life name,

602
00:36:13,120 --> 00:36:14,920
Speaker 1: Like you know how you just said Rose but you

603
00:36:14,960 --> 00:36:17,200
Speaker 1: meant Gypsy like and sometimes I have to do that

604
00:36:17,239 --> 00:36:22,280
Speaker 1: where I go like, say Alexis. When you're talking about Alexis,

605
00:36:22,320 --> 00:36:24,399
Speaker 1: say Rory, Like I always want to just call her Rory.

606
00:36:24,800 --> 00:36:27,640
Speaker 1: Like nobody ever was doing a scene and they're like, Stott,

607
00:36:27,760 --> 00:36:35,279
Speaker 1: get back here, and I mean, no, no, that that

608
00:36:35,400 --> 00:36:38,560
Speaker 1: never happened to me when I was shooting. Did anyone

609
00:36:38,600 --> 00:36:40,319
Speaker 1: ever call you the wrong name? Or like? That would

610
00:36:40,360 --> 00:36:42,440
Speaker 1: have been so like I would have not thought, how

611
00:36:42,440 --> 00:36:47,160
Speaker 1: do you screw up? Luke. I don't know. I could

612
00:36:47,160 --> 00:36:50,239
Speaker 1: easily have seen myself saying being in a scene with

613
00:36:50,320 --> 00:36:53,560
Speaker 1: Lauren and trying to say Laura, la and then listen

614
00:36:55,600 --> 00:36:59,560
Speaker 1: when you when you, how can I compete? I want

615
00:36:59,560 --> 00:37:04,560
Speaker 1: to to help the listening audience imagine what it's like too,

616
00:37:05,640 --> 00:37:07,319
Speaker 1: to go into the belly of the beast, you know,

617
00:37:07,360 --> 00:37:10,440
Speaker 1: to go into a scene, to go through the rehearsal process,

618
00:37:10,880 --> 00:37:13,879
Speaker 1: and then you know, here we go. We're gonna, we're

619
00:37:13,880 --> 00:37:16,000
Speaker 1: gonna do a take. We're gonna really, we're gonna put

620
00:37:16,000 --> 00:37:20,400
Speaker 1: one on film, right, And it's exactly like have you

621
00:37:20,480 --> 00:37:25,680
Speaker 1: ever watched the professional bull riding? No, but oh no,

622
00:37:25,760 --> 00:37:28,120
Speaker 1: but you've seen it on TV. You've seen those cowboys

623
00:37:28,160 --> 00:37:30,080
Speaker 1: get in there and they there's a bunch of guys

624
00:37:30,120 --> 00:37:31,920
Speaker 1: holding the bowl and the guy's holding the gate and

625
00:37:31,920 --> 00:37:34,399
Speaker 1: you get on the strap in your your one hand,

626
00:37:34,440 --> 00:37:36,480
Speaker 1: and you're like, there's all this tension and all this nerve.

627
00:37:36,520 --> 00:37:38,319
Speaker 1: It's like, oh my god, it's really gonna happen. They

628
00:37:38,360 --> 00:37:40,719
Speaker 1: open the gate and it flies out. That's what it's like.

629
00:37:42,719 --> 00:37:45,120
Speaker 1: So you're so the So the point I'm making is

630
00:37:45,280 --> 00:37:50,359
Speaker 1: you're super concentrated, your your focus and your concentration is

631
00:37:50,440 --> 00:37:53,920
Speaker 1: so intense and so sharp that you that you're so

632
00:37:54,080 --> 00:37:56,319
Speaker 1: in that moment because it is life or death. It's

633
00:37:56,360 --> 00:37:58,600
Speaker 1: just like a bull rider and you don't want to

634
00:37:58,600 --> 00:38:00,520
Speaker 1: get kicked off that bowl, so you down that bull

635
00:38:00,560 --> 00:38:02,280
Speaker 1: as long as you can. And there's bucking and bronckin

636
00:38:02,360 --> 00:38:04,200
Speaker 1: going on those things. There's a lot of bucking and bronken.

637
00:38:04,520 --> 00:38:06,120
Speaker 1: You know, they're trying to bump you off that horse,

638
00:38:06,880 --> 00:38:09,600
Speaker 1: I would imagine, especially like all those different things coming

639
00:38:09,600 --> 00:38:11,200
Speaker 1: at a lot of stuff coming at you. So you

640
00:38:11,200 --> 00:38:15,120
Speaker 1: gotta staying and got to stay on. But it's exciting.

641
00:38:16,280 --> 00:38:20,120
Speaker 1: It's exciting to like, you know, when you knock on

642
00:38:20,160 --> 00:38:22,360
Speaker 1: your trailer door and they go okay, they're ready for you,

643
00:38:22,520 --> 00:38:25,600
Speaker 1: cameras up and you're like, oh, then the music starts

644
00:38:25,600 --> 00:38:27,719
Speaker 1: playing in your head. Okay, here we go. We're gonna

645
00:38:27,760 --> 00:38:30,879
Speaker 1: go kill this scene. We're gonna anail this scene. Then

646
00:38:30,880 --> 00:38:34,160
Speaker 1: you get on set and you're like, stalking around, does

647
00:38:34,160 --> 00:38:37,120
Speaker 1: it give you like adrenaline? Oh God, that's why you're

648
00:38:37,160 --> 00:38:39,799
Speaker 1: so tired and wiped out at the end of the day,

649
00:38:39,960 --> 00:38:43,200
Speaker 1: because it's that that that adrenaline just pumping through you

650
00:38:43,360 --> 00:38:45,919
Speaker 1: while you know when they knock on the door. They're ready,

651
00:38:45,960 --> 00:38:51,200
Speaker 1: cameras ready, ready for you, Scott and then Tara Danielle.

652
00:38:51,200 --> 00:38:53,680
Speaker 1: Have you guys ever been It's really cool, it's really cool,

653
00:38:55,840 --> 00:38:58,640
Speaker 1: but like, were you an actor, like an extra? Neither

654
00:38:58,719 --> 00:39:01,399
Speaker 1: daniel was an extra x to once. I think I've

655
00:39:01,400 --> 00:39:04,440
Speaker 1: actually talked about on this on this show before. Um

656
00:39:04,480 --> 00:39:07,600
Speaker 1: it was for some weird movie that my friend was

657
00:39:07,640 --> 00:39:10,320
Speaker 1: a p a on and it was like this party

658
00:39:10,400 --> 00:39:12,319
Speaker 1: scene where they just needed to people to like play

659
00:39:12,320 --> 00:39:15,200
Speaker 1: beer pong and like chug a beer in the background

660
00:39:15,440 --> 00:39:18,840
Speaker 1: and so perfect college and our friend was like, everyone

661
00:39:18,960 --> 00:39:22,080
Speaker 1: shot you get free booth, Like, let's go take it back.

662
00:39:22,120 --> 00:39:27,560
Speaker 1: I've done a music video this band R five, who

663
00:39:27,600 --> 00:39:29,279
Speaker 1: was signed to Disney at the time, and they were

664
00:39:29,320 --> 00:39:32,399
Speaker 1: like yeah, like Ross Lintil, like we need party people

665
00:39:32,400 --> 00:39:33,960
Speaker 1: in the back, and so I was the same thing,

666
00:39:34,000 --> 00:39:37,200
Speaker 1: that's why. But never I've been on the set, but never,

667
00:39:37,400 --> 00:39:41,840
Speaker 1: like I mean, yeah, yeah, So we don't really know

668
00:39:41,880 --> 00:39:45,080
Speaker 1: what it's like. Knock knock, We've not addressing. It's really exciting,

669
00:39:45,160 --> 00:39:49,440
Speaker 1: no dressing room. It's probably the same feeling that musicians

670
00:39:49,480 --> 00:39:52,880
Speaker 1: get when they walk backstage and the crowd is roaring

671
00:39:52,880 --> 00:39:54,719
Speaker 1: and the lights go out and it's like I was,

672
00:39:55,520 --> 00:39:57,400
Speaker 1: their hearts are beaten and it's like they've done it

673
00:39:57,440 --> 00:40:01,120
Speaker 1: a million times before, but it's still exciting as hell, right,

674
00:40:01,160 --> 00:40:03,080
Speaker 1: and they get out there and they just like because

675
00:40:03,080 --> 00:40:05,080
Speaker 1: you want to do great, you know, you want to

676
00:40:05,080 --> 00:40:07,360
Speaker 1: do great. And it's like it's like if you're in

677
00:40:07,400 --> 00:40:09,080
Speaker 1: a scene with Lauren, or you're in a scene with

678
00:40:09,120 --> 00:40:14,000
Speaker 1: a bunch of you know, actors on the show, um Man,

679
00:40:14,080 --> 00:40:16,440
Speaker 1: I tell you, it's like it's like your athletes out

680
00:40:16,480 --> 00:40:19,320
Speaker 1: there and you're sort of you're not competing against people,

681
00:40:19,360 --> 00:40:21,920
Speaker 1: but you want to do well for the team. You know,

682
00:40:21,960 --> 00:40:25,719
Speaker 1: you want to you want to make everybody great. You

683
00:40:25,760 --> 00:40:27,880
Speaker 1: want to be great. You won't want to miss your ques.

684
00:40:27,960 --> 00:40:31,040
Speaker 1: You want to execute and do well. And it's like

685
00:40:31,120 --> 00:40:33,520
Speaker 1: that's how everybody is on that set. That's how they

686
00:40:33,520 --> 00:40:36,480
Speaker 1: were on that set because the work was so crucial,

687
00:40:36,520 --> 00:40:39,440
Speaker 1: it was so important. It was such an actor centric

688
00:40:40,320 --> 00:40:45,839
Speaker 1: um show. You know, the performances needed to be delivered

689
00:40:46,400 --> 00:40:48,799
Speaker 1: and they had to be delivered with verve. You know,

690
00:40:48,840 --> 00:40:52,399
Speaker 1: it had to be really, really concentrated. So there wasn't

691
00:40:52,400 --> 00:40:56,680
Speaker 1: a chance anybody called anybody by their real name. Oh no,

692
00:40:56,800 --> 00:40:58,719
Speaker 1: that would have been evidence that somebody who's just not

693
00:40:58,840 --> 00:41:02,680
Speaker 1: like in the moment of not concentrating. It's like, you know,

694
00:41:02,719 --> 00:41:04,680
Speaker 1: if somebody called me by my real name, I would

695
00:41:04,719 --> 00:41:08,240
Speaker 1: have slapped him and said, you know, serving focusing, getting focused,

696
00:41:09,160 --> 00:41:16,200
Speaker 1: But what are you doing speaking of calling you by

697
00:41:16,239 --> 00:41:23,840
Speaker 1: the right name? Luke? Were now Luke's for Thanksgiving? So

698
00:41:25,640 --> 00:41:29,000
Speaker 1: this is where you and Laura Lee have your stop

699
00:41:29,000 --> 00:41:30,960
Speaker 1: bringing the flowers blah blah blah. And they all go

700
00:41:31,000 --> 00:41:35,920
Speaker 1: back and forth, and Kirk's there, but best loves that banswer.

701
00:41:36,320 --> 00:41:38,799
Speaker 1: He was waiting for it. What a crank trace though

702
00:41:39,920 --> 00:41:44,560
Speaker 1: crank he purposely doesn't have a vase. Yeah, because he

703
00:41:44,680 --> 00:41:49,399
Speaker 1: wants that conversation everything. That's the only way to her

704
00:41:49,440 --> 00:41:53,760
Speaker 1: heart is to give her, give her time, right demo.

705
00:41:54,520 --> 00:41:59,280
Speaker 1: They waited for Jess and Luke waited for Rory and Laurel,

706
00:42:00,280 --> 00:42:02,279
Speaker 1: and then they're like, we wouldn't really wait for you,

707
00:42:02,440 --> 00:42:04,680
Speaker 1: like I just worked up this way, you know. And

708
00:42:04,719 --> 00:42:08,200
Speaker 1: then that's where everyone's like a lame oh kiss, half

709
00:42:08,200 --> 00:42:10,640
Speaker 1: asked kiss. They referred to it as a couple of

710
00:42:10,719 --> 00:42:15,320
Speaker 1: chickens kissing each other. I just died, Wait a minute,

711
00:42:15,880 --> 00:42:18,560
Speaker 1: can we uh, can we just honor the greatness that

712
00:42:18,680 --> 00:42:24,120
Speaker 1: is Sally Strother, that wasn't a kiss. You kind of

713
00:42:24,120 --> 00:42:28,520
Speaker 1: put a little something into its so brief, and it

714
00:42:28,640 --> 00:42:33,680
Speaker 1: totally stands out. It was a lame kiss. It was

715
00:42:33,719 --> 00:42:38,759
Speaker 1: so funny, Sally the other one. I think she said

716
00:42:38,800 --> 00:42:45,200
Speaker 1: something about very uncooled cat. Yeah right, because Kurt it

717
00:42:45,320 --> 00:42:51,440
Speaker 1: was like sixty in My body is scratched. Also, I'm

718
00:42:51,520 --> 00:42:54,640
Speaker 1: so confused why when Luke and Jess got up that

719
00:42:54,840 --> 00:42:57,640
Speaker 1: loyalize picking food off of Luke's plate as if they

720
00:42:57,640 --> 00:43:02,120
Speaker 1: don't have fun dinner? Hang on? That is okay, That's

721
00:43:02,200 --> 00:43:04,080
Speaker 1: one thing that I thought of last night after I

722
00:43:04,080 --> 00:43:09,000
Speaker 1: watched How Why Lauren is Lauren? That's why she's so good?

723
00:43:09,200 --> 00:43:10,880
Speaker 1: Do you know why? Do you know how many actresses

724
00:43:10,880 --> 00:43:14,719
Speaker 1: would have done that? Not many? You know, there would

725
00:43:14,719 --> 00:43:17,520
Speaker 1: have been some, but only the top people do things

726
00:43:17,600 --> 00:43:20,880
Speaker 1: like that. And let me let me explain why, because

727
00:43:20,920 --> 00:43:23,160
Speaker 1: it was in the dialogue right, she wanted more marshmallows,

728
00:43:23,200 --> 00:43:25,239
Speaker 1: and so he went and got more marshmallows. So she

729
00:43:25,320 --> 00:43:28,279
Speaker 1: took the marshmallows off his plate. So that gives her

730
00:43:28,400 --> 00:43:32,600
Speaker 1: something to do, that says something that is so she's

731
00:43:32,640 --> 00:43:34,919
Speaker 1: a she doesn't have to eat because she doesn't want

732
00:43:34,920 --> 00:43:36,960
Speaker 1: to eat in a scene and deliver all that dialogue.

733
00:43:36,960 --> 00:43:38,640
Speaker 1: She doesn't want to choose, she doesn't want to swallow,

734
00:43:38,800 --> 00:43:40,920
Speaker 1: she doesn't want to try to match it. But she

735
00:43:41,040 --> 00:43:44,320
Speaker 1: wants to be active with her fork. So a great

736
00:43:44,680 --> 00:43:47,520
Speaker 1: a great, It is a great actor. Look, acting is

737
00:43:47,520 --> 00:43:51,360
Speaker 1: all about making the choice, the geniuses in the choice.

738
00:43:51,600 --> 00:43:56,640
Speaker 1: And that was evidence that that Lauren like knows her

739
00:43:56,680 --> 00:43:59,600
Speaker 1: stuff like few people know their stuff. It's like, how

740
00:43:59,600 --> 00:44:01,880
Speaker 1: do I make this active? How do I connect with

741
00:44:01,960 --> 00:44:04,080
Speaker 1: Luke in this way to make it familiar and like

742
00:44:04,120 --> 00:44:08,000
Speaker 1: we're family because she's just taking the marshmalls off his plate? Right,

743
00:44:08,320 --> 00:44:10,440
Speaker 1: So it made it sort of cozy and homie and

744
00:44:10,480 --> 00:44:14,520
Speaker 1: it felt family ish, right, And and that's the kind

745
00:44:14,560 --> 00:44:17,560
Speaker 1: of relationship because it's not gonna bother him. They share everything.

746
00:44:17,719 --> 00:44:20,400
Speaker 1: It's like that's kind of love. It's like she's expressing

747
00:44:20,440 --> 00:44:23,080
Speaker 1: her love for him by just take feeling like she

748
00:44:23,120 --> 00:44:25,640
Speaker 1: can take the marshmalls. And not once did she take

749
00:44:25,680 --> 00:44:28,680
Speaker 1: a bite of those marshmalls. She almost brought she brought

750
00:44:28,680 --> 00:44:32,800
Speaker 1: the fork a little bit like up and that's when Sally.

751
00:44:33,480 --> 00:44:35,520
Speaker 1: This queue was for sal and she turned around like

752
00:44:35,719 --> 00:44:37,400
Speaker 1: the kiss you know, you put a little more into it,

753
00:44:37,520 --> 00:44:39,319
Speaker 1: and she was holding the fork up. She never took

754
00:44:39,320 --> 00:44:42,959
Speaker 1: a bite, and I just thought, that is genius. That's

755
00:44:43,000 --> 00:44:46,600
Speaker 1: how you act in a scene and connect with the

756
00:44:46,600 --> 00:44:49,920
Speaker 1: other actor who's not even there saying so much with

757
00:44:50,040 --> 00:44:55,160
Speaker 1: your actions. Um, And I mean, I just you gotta

758
00:44:55,200 --> 00:44:57,080
Speaker 1: hand it to her. You gotta take that off to her,

759
00:44:57,080 --> 00:44:59,440
Speaker 1: because there there aren't a lot of actors that are

760
00:44:59,440 --> 00:45:01,839
Speaker 1: gonna do that or even going to know to do that.

761
00:45:01,920 --> 00:45:06,359
Speaker 1: And that is that is her actor brain looking at

762
00:45:06,400 --> 00:45:08,960
Speaker 1: the scene, breaking the scene down, saying I'm going to

763
00:45:09,000 --> 00:45:11,000
Speaker 1: do this because X, Y and Z, and there's a

764
00:45:11,080 --> 00:45:15,120
Speaker 1: million different positives that flow from that, right, So there

765
00:45:15,120 --> 00:45:22,359
Speaker 1: you go, best best example of great acting. Um, I

766
00:45:22,400 --> 00:45:25,799
Speaker 1: think that I've seen her do in a couple of

767
00:45:25,800 --> 00:45:29,960
Speaker 1: episodes of all the great stuff that she does. No, no, no, no,

768
00:45:30,000 --> 00:45:32,759
Speaker 1: I was not because it's real life. She was going

769
00:45:32,840 --> 00:45:37,640
Speaker 1: to say, Yeah, it's real life, that little stuff. I

770
00:45:37,719 --> 00:45:39,279
Speaker 1: just kept thinking, how are they going to eat? All?

771
00:45:39,360 --> 00:45:43,560
Speaker 1: This was like going through my head. But I mean,

772
00:45:43,680 --> 00:45:48,200
Speaker 1: you know, I love acting, and those little details are everything.

773
00:45:48,440 --> 00:45:52,480
Speaker 1: It's all in the details. And she she does, she

774
00:45:52,600 --> 00:45:55,920
Speaker 1: does the details. She does makes the view are more comfortable.

775
00:45:56,120 --> 00:46:01,439
Speaker 1: It does Yeah, it really, it makes it just so real.

776
00:46:01,719 --> 00:46:04,280
Speaker 1: So okay, we're heading to our fourth. Such a small

777
00:46:04,320 --> 00:46:07,279
Speaker 1: thing that you barely noticed, and it means so much,

778
00:46:07,760 --> 00:46:11,400
Speaker 1: you know, it says so many things. So very impressed,

779
00:46:11,560 --> 00:46:14,800
Speaker 1: very impressed. So we are now at the Gilmore's. My

780
00:46:14,960 --> 00:46:17,919
Speaker 1: two notes as before you guys discuss is one that

781
00:46:18,160 --> 00:46:23,239
Speaker 1: is John Anniston Jennifer Aniston, also known too many as

782
00:46:23,320 --> 00:46:26,720
Speaker 1: Victor Kiriakis on Days of our lives literally for like forever.

783
00:46:27,360 --> 00:46:29,719
Speaker 1: And I thought it was so hilarious the piano player,

784
00:46:29,760 --> 00:46:33,000
Speaker 1: and she saw that's brad. I found that. I was

785
00:46:33,000 --> 00:46:35,160
Speaker 1: gonna say, I don't think. I don't think Yourstrom has

786
00:46:35,200 --> 00:46:38,840
Speaker 1: piano players? Do they get rid of them? They do

787
00:46:38,920 --> 00:46:41,600
Speaker 1: not exist? And yeah they don't. Is that because of COVID.

788
00:46:42,200 --> 00:46:45,879
Speaker 1: Before COVID, I didn't see any they use that definitely

789
00:46:46,120 --> 00:46:49,680
Speaker 1: with like a thing walked into a Norch, dumb and

790
00:46:49,680 --> 00:46:53,600
Speaker 1: there was a piano player. So okay, here's like a story.

791
00:46:52,600 --> 00:46:55,800
Speaker 1: And if I'm supposed to tell I don't even know

792
00:46:55,800 --> 00:46:57,440
Speaker 1: if this is like whatever, here's I'll to sell you

793
00:46:57,480 --> 00:47:01,600
Speaker 1: the story. So my mom worked at is time at Nordstrom.

794
00:47:01,680 --> 00:47:05,160
Speaker 1: She was like a personal shopper and she remembers on

795
00:47:05,280 --> 00:47:10,600
Speaker 1: September eleven, two thousand one, it happening. She was in

796
00:47:10,640 --> 00:47:13,120
Speaker 1: the store, and I think she managed the store sometimes,

797
00:47:13,600 --> 00:47:15,960
Speaker 1: and she went to the store. They remember going to

798
00:47:16,000 --> 00:47:20,400
Speaker 1: the store manager and saying, this is so major. We

799
00:47:20,520 --> 00:47:25,080
Speaker 1: cannot have this guy playing piano right now. We need

800
00:47:25,120 --> 00:47:29,840
Speaker 1: to close the store and everyone go home. And they did.

801
00:47:30,160 --> 00:47:32,680
Speaker 1: And that's how I knew the piano players were still around,

802
00:47:32,680 --> 00:47:36,000
Speaker 1: because she remembers being like, we cannot be walking around

803
00:47:36,000 --> 00:47:38,560
Speaker 1: the store with this piano player playing this music like

804
00:47:38,640 --> 00:47:47,120
Speaker 1: everything's fine. Yeah, wow, anyway, taking you back in time. Um.

805
00:47:47,160 --> 00:47:50,879
Speaker 1: On that note, Natalie and Douglas, Claude and Monique are

806
00:47:50,920 --> 00:47:54,880
Speaker 1: all at the Gilmore's and uh, they all start chatting

807
00:47:55,040 --> 00:48:04,279
Speaker 1: and Laurel I only knows lady mamma lad huh, the

808
00:48:04,320 --> 00:48:06,759
Speaker 1: French girl was Actually she thought it was funny though,

809
00:48:07,440 --> 00:48:11,920
Speaker 1: so that was okay, but loyalized that Richard was mortified.

810
00:48:13,840 --> 00:48:15,839
Speaker 1: This is one of my favorites. I oh no, this

811
00:48:15,880 --> 00:48:20,200
Speaker 1: could be Scott's hopeably not something about the mother's wit.

812
00:48:20,360 --> 00:48:28,840
Speaker 1: I wish you'd give it back. That was really that

813
00:48:28,920 --> 00:48:31,560
Speaker 1: was the best scene in the in the living room,

814
00:48:31,760 --> 00:48:35,640
Speaker 1: that was the best scene of the episode. I mean,

815
00:48:35,840 --> 00:48:39,040
Speaker 1: it was just so great. It was so funny. And

816
00:48:39,080 --> 00:48:41,600
Speaker 1: the cuts back and forth, real fast cuts back and

817
00:48:41,640 --> 00:48:43,960
Speaker 1: forth everybody, and like you always say, it's so high

818
00:48:44,040 --> 00:48:48,720
Speaker 1: falutint with the ceremonial carving and the like the juxtaposition

819
00:48:48,840 --> 00:48:52,879
Speaker 1: between like Thanksgiving at Luke's and Thanksgiving at the Gilmore's.

820
00:48:52,960 --> 00:48:56,760
Speaker 1: It's like, oh my god, in the bell for dinner

821
00:48:58,800 --> 00:49:01,400
Speaker 1: as she was like ning ning, and all of a sudden,

822
00:49:01,440 --> 00:49:03,799
Speaker 1: all the food came rushing out, and then he only

823
00:49:03,840 --> 00:49:08,200
Speaker 1: cut the ceremonial It's like a kick out a wedding,

824
00:49:08,320 --> 00:49:11,839
Speaker 1: like literally like cut a little slice, but even pull

825
00:49:11,920 --> 00:49:18,200
Speaker 1: it out like I'm done. The full family brawl company

826
00:49:18,440 --> 00:49:22,760
Speaker 1: like oh my god. Yeah, and the poor ladies like sorry,

827
00:49:22,760 --> 00:49:27,600
Speaker 1: I mean to bring this up. So awkward, just so awkward,

828
00:49:27,640 --> 00:49:32,160
Speaker 1: and yet like don't act like no families have family

829
00:49:32,200 --> 00:49:36,520
Speaker 1: brawls on Thanksgiving. I swear, like of families have to

830
00:49:36,560 --> 00:49:39,880
Speaker 1: have some sort of family Oh yeah, yeah, I remember.

831
00:49:39,920 --> 00:49:41,600
Speaker 1: I remember when I was a kid, my mother used

832
00:49:41,600 --> 00:49:44,560
Speaker 1: to pound her fist on the on our my dad's

833
00:49:44,640 --> 00:49:49,120
Speaker 1: parents dining room table and because they were arguing about politics,

834
00:49:49,320 --> 00:49:56,080
Speaker 1: and we get up and leave and look out. I

835
00:49:56,160 --> 00:49:58,440
Speaker 1: just remember them arguing over Nixon, and my mother was

836
00:49:58,480 --> 00:50:01,200
Speaker 1: just pounding her fist on the tables. I don't remember

837
00:50:01,239 --> 00:50:03,800
Speaker 1: what she were saying. But after that, children were leaving.

838
00:50:05,560 --> 00:50:07,520
Speaker 1: I couldn't I couldn't go, But I did have a friend,

839
00:50:07,560 --> 00:50:10,120
Speaker 1: My friend Bennett invited me to his Thanksgiving ones and

840
00:50:10,160 --> 00:50:12,879
Speaker 1: he literally put in the text something like there will

841
00:50:13,000 --> 00:50:21,360
Speaker 1: definitely be like a brawl over politics, like dressed casual like. Also,

842
00:50:21,400 --> 00:50:23,319
Speaker 1: by the way, just fun fact, Norse from got rid

843
00:50:23,320 --> 00:50:28,680
Speaker 1: of their piano players in was it like too expensive

844
00:50:29,280 --> 00:50:31,399
Speaker 1: or just like nobody wouldn't read the full article while

845
00:50:31,400 --> 00:50:34,320
Speaker 1: we were talking against just looked it up. It was

846
00:50:34,360 --> 00:50:38,239
Speaker 1: really curious in there. Yes, So what did you think

847
00:50:38,280 --> 00:50:43,640
Speaker 1: of the Yale bomb show? Yeah? I think Lorelai was

848
00:50:43,640 --> 00:50:47,280
Speaker 1: in the wrong on this one. Yeah, I agree, Yeah,

849
00:50:47,719 --> 00:50:51,040
Speaker 1: but it made for a good scene. Yeah, and I

850
00:50:51,040 --> 00:50:55,160
Speaker 1: don't you know, this is what happens when things are unresolved, right,

851
00:50:55,360 --> 00:50:58,760
Speaker 1: I mean, the nerve endings were still raw from Yale.

852
00:50:59,200 --> 00:51:03,200
Speaker 1: Emily didn't really make any kind of um, you know,

853
00:51:03,239 --> 00:51:06,560
Speaker 1: she didn't. She didn't really offer an all of branch.

854
00:51:06,640 --> 00:51:08,879
Speaker 1: She didn't offer I mean, but Emily was so great

855
00:51:08,880 --> 00:51:11,560
Speaker 1: at Yale anyway, and she was really being very rational

856
00:51:12,120 --> 00:51:15,319
Speaker 1: about the whole thing, and they're just really looking out

857
00:51:15,360 --> 00:51:19,680
Speaker 1: for Rory's bench the best interests. So yeah, I think

858
00:51:19,719 --> 00:51:21,680
Speaker 1: I think I agree with you, Tara. I think it

859
00:51:21,760 --> 00:51:24,160
Speaker 1: was a little over the top, but I understand her

860
00:51:24,239 --> 00:51:27,840
Speaker 1: how raw her nerves web were at that time, because

861
00:51:28,440 --> 00:51:31,840
Speaker 1: you know, it's no kid applies to one college, you know,

862
00:51:32,080 --> 00:51:34,959
Speaker 1: I know, I know, I know. But it's the fact

863
00:51:35,000 --> 00:51:37,319
Speaker 1: that they helped they they hid it from Lorelai. I

864
00:51:37,360 --> 00:51:39,719
Speaker 1: think that's what angered or even her own daughter hit

865
00:51:39,800 --> 00:51:43,120
Speaker 1: it from her. So she felt like, you know, I

866
00:51:43,120 --> 00:51:45,319
Speaker 1: would be a little sad if I was a little

867
00:51:45,400 --> 00:51:47,520
Speaker 1: lie that I didn't even know my daughter applied to Yale.

868
00:51:47,800 --> 00:51:52,480
Speaker 1: But also, like you can tell that Rory likes Yale.

869
00:51:52,760 --> 00:51:56,879
Speaker 1: You can tell there's a little spark there. And I

870
00:51:56,880 --> 00:51:59,560
Speaker 1: think I'm kind of upset at Lord Lie for not

871
00:52:00,000 --> 00:52:03,839
Speaker 1: knowledging that and not like and not saying, you know what,

872
00:52:03,920 --> 00:52:06,400
Speaker 1: maybe she does actually like Yale, Like maybe just have

873
00:52:06,480 --> 00:52:08,759
Speaker 1: that conversation with or do you actually like Yale for

874
00:52:08,800 --> 00:52:12,000
Speaker 1: you and aside from Grandma and Grandpa, Like for you,

875
00:52:12,040 --> 00:52:13,879
Speaker 1: do you like Yale and it's so great? Then I'm

876
00:52:13,880 --> 00:52:16,399
Speaker 1: going to be behind you because she's just kind of

877
00:52:16,560 --> 00:52:20,480
Speaker 1: putting a big red X over it without even that's

878
00:52:20,600 --> 00:52:24,640
Speaker 1: because that's where they wanted her to go. And yeah,

879
00:52:24,640 --> 00:52:28,319
Speaker 1: but at one point, I don't want your pride aside.

880
00:52:27,880 --> 00:52:31,200
Speaker 1: I agree, And that scene when Emily's like, do you

881
00:52:31,239 --> 00:52:34,480
Speaker 1: really hate us that much? I'm like that was devastating.

882
00:52:34,760 --> 00:52:36,719
Speaker 1: That was that was there was no comeback for that.

883
00:52:36,800 --> 00:52:39,160
Speaker 1: I mean, yeah, sure. I also, did you tell your

884
00:52:39,200 --> 00:52:43,479
Speaker 1: parents every school you applied to? I did? I guess

885
00:52:43,480 --> 00:52:47,600
Speaker 1: they had to pay because let's go, yeah, because like

886
00:52:47,640 --> 00:52:49,839
Speaker 1: even I went to a cal State school, but like

887
00:52:49,880 --> 00:52:51,839
Speaker 1: everyone you applied to, you still have to pay for

888
00:52:51,880 --> 00:52:54,600
Speaker 1: each one, because it was like the UC system and

889
00:52:55,080 --> 00:52:56,800
Speaker 1: the state, like you have to pay for each school

890
00:52:56,800 --> 00:52:59,160
Speaker 1: you're applying. There was one like from what I remember,

891
00:52:59,200 --> 00:53:02,759
Speaker 1: like a general application fee, and then each school was

892
00:53:02,800 --> 00:53:10,839
Speaker 1: an additional payment, so I wasn't paying for it. Like yeah,

893
00:53:10,880 --> 00:53:12,520
Speaker 1: I mean it's sort of it sort of seemed like

894
00:53:12,560 --> 00:53:15,160
Speaker 1: a big fight over something that really didn't need to be.

895
00:53:15,600 --> 00:53:18,400
Speaker 1: But I think Scott's right, she's so it's such a

896
00:53:18,400 --> 00:53:23,120
Speaker 1: hot button for her and she's so triggered by it. Yeah,

897
00:53:23,320 --> 00:53:27,080
Speaker 1: she came around towards the end, she's just feeling very

898
00:53:29,080 --> 00:53:32,960
Speaker 1: I don't know all at once. She's feeling this sting

899
00:53:33,360 --> 00:53:36,080
Speaker 1: of how her life turned out or how she was

900
00:53:36,120 --> 00:53:39,520
Speaker 1: treated because her life didn't turn out the way Richard

901
00:53:39,600 --> 00:53:42,640
Speaker 1: Emiley wanted it to turn out on so many different levels,

902
00:53:43,080 --> 00:53:47,840
Speaker 1: and it's just really, you know, the Paladinos just really

903
00:53:47,840 --> 00:53:51,640
Speaker 1: set up this world where any touch points we're going

904
00:53:51,680 --> 00:53:54,879
Speaker 1: to trigger Laureline. I think that's brilliant and you can

905
00:53:54,960 --> 00:53:58,200
Speaker 1: justify it. You can always justify, you know, And uh,

906
00:53:58,239 --> 00:54:01,359
Speaker 1: I think that's you know, the utimate purpose of of

907
00:54:01,440 --> 00:54:05,440
Speaker 1: having Richard and Emily so deeply involved and you know,

908
00:54:05,640 --> 00:54:11,000
Speaker 1: just about every episode, whereas uh, you know, normally they

909
00:54:11,000 --> 00:54:14,640
Speaker 1: would be treated as secondary characters, they're not secondary characters

910
00:54:14,719 --> 00:54:18,879
Speaker 1: at all. So yeah, I mean, if if, if, if

911
00:54:18,960 --> 00:54:22,400
Speaker 1: that's you know that it's just fraught with land mines.

912
00:54:22,520 --> 00:54:25,040
Speaker 1: For for Laurela walking back into that house, she knows

913
00:54:25,080 --> 00:54:29,360
Speaker 1: she's going to get triggered. I would say, after Laurel

914
00:54:29,880 --> 00:54:33,719
Speaker 1: Rory Luke, it really is, you know, and whoever the

915
00:54:33,760 --> 00:54:35,920
Speaker 1: boyfriend of the moment is, whether it's Dean Logan, just

916
00:54:36,280 --> 00:54:38,680
Speaker 1: it really is Emily and rich Shirt. They are the

917
00:54:38,760 --> 00:54:44,399
Speaker 1: most prominent in the in the series. Absolutely, I mean,

918
00:54:44,440 --> 00:54:46,560
Speaker 1: you could even argue, and you know, I think the

919
00:54:48,400 --> 00:54:51,080
Speaker 1: you know, think think what you will of the episodes,

920
00:54:51,080 --> 00:54:54,360
Speaker 1: the Netflix episodes, you know those things that that really,

921
00:54:54,680 --> 00:54:58,720
Speaker 1: you know, vaulted Emily over and above everybody else except

922
00:54:58,760 --> 00:55:00,759
Speaker 1: for I mean, and put at her on the same

923
00:55:00,840 --> 00:55:06,120
Speaker 1: level as a Laurel and Rory. Yeah, Danielle has no idea.

924
00:55:06,360 --> 00:55:09,160
Speaker 1: I know you haven't seen the episodes. She doesn't. I

925
00:55:09,160 --> 00:55:17,600
Speaker 1: haven't seen the movies, nothing, nothing, So okay, So now

926
00:55:17,880 --> 00:55:20,840
Speaker 1: the kiss. I'm sorry I got all screwy on that before.

927
00:55:20,920 --> 00:55:23,959
Speaker 1: So we've got Adam Brody, who is but I'm sorry,

928
00:55:24,000 --> 00:55:28,520
Speaker 1: sorry just to say that dinner scene and that living

929
00:55:28,600 --> 00:55:36,000
Speaker 1: room scene, beautiful editing job. Just it was like hitting

930
00:55:36,000 --> 00:55:38,080
Speaker 1: the ball back and forth and you know when you're

931
00:55:38,080 --> 00:55:40,759
Speaker 1: at the net and it's just like you're hitting back

932
00:55:40,800 --> 00:55:42,120
Speaker 1: and forth with somebody at the net and it's like

933
00:55:42,160 --> 00:55:44,360
Speaker 1: this real fast motion. That's what that was like. That

934
00:55:44,440 --> 00:55:48,480
Speaker 1: was right, that camera boomtoon. It was great. It was

935
00:55:49,400 --> 00:55:53,600
Speaker 1: so great to watch. Yeah, anyway, go ahead. Sorry, no,

936
00:55:53,719 --> 00:55:56,839
Speaker 1: don't have him. So now we're with Adam Brody. I

937
00:55:56,880 --> 00:55:59,719
Speaker 1: love him. I literally love him in this such a

938
00:56:00,080 --> 00:56:03,919
Speaker 1: um it's it's like their first real date. Mrs Kim

939
00:56:03,920 --> 00:56:07,120
Speaker 1: pays them twenty bucks. This is where the kiss this

940
00:56:07,440 --> 00:56:10,480
Speaker 1: which I thought she played it cool too. Oh yeah,

941
00:56:10,600 --> 00:56:17,080
Speaker 1: my gosh, yes, everyone was cool. I love how he's like,

942
00:56:17,080 --> 00:56:19,440
Speaker 1: I'll put this twenty dollars towards our first date. I

943
00:56:19,520 --> 00:56:25,240
Speaker 1: was like, this cute, you got me, Daveve, you got me? Yeah,

944
00:56:25,440 --> 00:56:27,879
Speaker 1: I mean, I think consider this they're they're on a date.

945
00:56:27,920 --> 00:56:33,280
Speaker 1: But it was adorable the whole thing, and and spawned

946
00:56:33,560 --> 00:56:36,480
Speaker 1: my favorite line of the whole episode when she want

947
00:56:36,520 --> 00:56:39,680
Speaker 1: to tell us now, I will I will tell you

948
00:56:39,760 --> 00:56:42,320
Speaker 1: now because I don't trust that somebody's not gonna steal

949
00:56:42,360 --> 00:56:45,239
Speaker 1: this when we get there, I'm gonna get host. So

950
00:56:45,280 --> 00:56:48,080
Speaker 1: I'm gonna just spit it out right now. She runs.

951
00:56:48,680 --> 00:56:51,560
Speaker 1: He's surprised. He says, man, you're a fast You're a

952
00:56:51,640 --> 00:56:58,680
Speaker 1: quiet runner. He was. He was just like, wow, you're

953
00:56:58,719 --> 00:57:03,160
Speaker 1: you're a quiet runner. It's brilliant. What a funny line.

954
00:57:03,480 --> 00:57:06,160
Speaker 1: And I love then. So now we see Lord Hawaii

955
00:57:06,160 --> 00:57:11,480
Speaker 1: and Rory walking and they're going back to Luke's. Oh gosh,

956
00:57:11,760 --> 00:57:15,879
Speaker 1: so pit stop at sukis though, Yeah, right, okay, so

957
00:57:15,920 --> 00:57:21,880
Speaker 1: that's right drunk, let's talk about that. She finally loosened

958
00:57:21,960 --> 00:57:26,840
Speaker 1: up though, Hey, masterclass and great acting right there. That's

959
00:57:26,880 --> 00:57:31,160
Speaker 1: how you play drunk because there's different levels of drunk, right,

960
00:57:31,360 --> 00:57:38,640
Speaker 1: you know, there's the Foster Brooks drunk and right, yeah,

961
00:57:39,360 --> 00:57:42,040
Speaker 1: a little you know, there's that, and then there's you know,

962
00:57:42,120 --> 00:57:45,600
Speaker 1: there's mildly drunk. And then she really walked a very

963
00:57:45,760 --> 00:57:47,800
Speaker 1: fine line. She walked the tight rope on that one.

964
00:57:48,520 --> 00:57:51,640
Speaker 1: They were hysterical. They were the same exact position too,

965
00:57:51,760 --> 00:57:57,400
Speaker 1: as like seven hours earlier, was this when they were

966
00:57:57,400 --> 00:58:05,200
Speaker 1: defrying everything? Yeah? Everything? But weren't you with Melissa? Weren't

967
00:58:05,200 --> 00:58:08,280
Speaker 1: you hanging on every single word? Oh? Yeah. See, that's

968
00:58:08,320 --> 00:58:11,800
Speaker 1: the sign of a great actor actress is that you're

969
00:58:11,840 --> 00:58:14,200
Speaker 1: just hanging on every single world what she's gonna do next.

970
00:58:14,240 --> 00:58:15,959
Speaker 1: You're so focused on what they're going to say next,

971
00:58:15,960 --> 00:58:18,080
Speaker 1: and you're delighted by everything they're doing well. And I

972
00:58:18,120 --> 00:58:21,360
Speaker 1: love that we're coming back around and we're revisiting everybody

973
00:58:21,400 --> 00:58:27,360
Speaker 1: again briefly that we've had Thanksgiving with so there's nothing

974
00:58:27,360 --> 00:58:31,520
Speaker 1: else to do in that town. What do you think

975
00:58:31,600 --> 00:58:34,640
Speaker 1: made Rory kiss Jess the way she did? Was it

976
00:58:34,760 --> 00:58:38,040
Speaker 1: like the lame of I think it's his hair. I

977
00:58:38,040 --> 00:58:40,160
Speaker 1: think it's his hair. I think I think that's what

978
00:58:40,280 --> 00:58:43,040
Speaker 1: made her go wild. I think it was Babette, like

979
00:58:43,160 --> 00:58:45,400
Speaker 1: the fact that Babette knew she was like, well, I

980
00:58:45,440 --> 00:58:47,920
Speaker 1: guess it is what it is, like everyone knows what's happening,

981
00:58:47,960 --> 00:58:50,680
Speaker 1: and I'm just going to kiss him. Yeah, and also

982
00:58:50,840 --> 00:58:54,400
Speaker 1: like the the whole like, oh, I don't like pa,

983
00:58:54,440 --> 00:58:57,240
Speaker 1: I don't like pd A, but like just like come on,

984
00:58:57,400 --> 00:58:59,400
Speaker 1: like just give me a kiss. I don't know, Like

985
00:58:59,480 --> 00:59:02,520
Speaker 1: I think I think she realized that she was being weird.

986
00:59:03,320 --> 00:59:06,600
Speaker 1: Where did the kiss happen? By the way, it's in

987
00:59:06,600 --> 00:59:09,880
Speaker 1: front of the dinner, thank you very much. That's why

988
00:59:09,920 --> 00:59:13,680
Speaker 1: she felt she could let a little bit of the

989
00:59:13,720 --> 00:59:16,280
Speaker 1: animal out. You know what, I'm not that she felt

990
00:59:16,320 --> 00:59:18,480
Speaker 1: comfortable in at home, not knowing that Dean was around

991
00:59:18,480 --> 00:59:23,360
Speaker 1: the corner. You got a tailor, dozy antagonist to Luke

992
00:59:23,800 --> 00:59:27,240
Speaker 1: and a Dean dumped. You're not going to be hungry

993
00:59:27,280 --> 00:59:32,120
Speaker 1: for the jest lips. Yeah you're gonna wait, you guys,

994
00:59:32,240 --> 00:59:37,240
Speaker 1: Dean talk about it, talk about it, Oh my god,

995
00:59:37,680 --> 00:59:41,960
Speaker 1: talk about transition from goody two shoes to bad boy.

996
00:59:42,120 --> 00:59:45,800
Speaker 1: Yeah you didn't expect that from him at all? No,

997
00:59:46,200 --> 00:59:50,440
Speaker 1: I didn't. But now I'm like, whoa like now, just

998
00:59:50,520 --> 00:59:54,600
Speaker 1: like because the last episode, Rory was climbing into his

999
00:59:54,720 --> 00:59:58,160
Speaker 1: room being like, I hope you you aren't mad at

1000
00:59:58,200 --> 01:00:01,400
Speaker 1: me one day or whatever, and now he's just like

1001
01:00:01,480 --> 01:00:05,360
Speaker 1: filled with rage. And I was the guy code is

1002
01:00:06,600 --> 01:00:08,640
Speaker 1: you know, you don't pull that kind of stuff that

1003
01:00:08,760 --> 01:00:13,320
Speaker 1: just pulled on him. You don't do that, and that's

1004
01:00:13,320 --> 01:00:15,680
Speaker 1: going to get you pounded where I come from, You

1005
01:00:15,720 --> 01:00:19,600
Speaker 1: get beat up for going near somebody's girl or or

1006
01:00:19,640 --> 01:00:21,959
Speaker 1: trying to make you look bad in front of your girl.

1007
01:00:22,440 --> 01:00:26,200
Speaker 1: That's just a fight, you know, that's just a physical

1008
01:00:26,640 --> 01:00:30,240
Speaker 1: fight right there, somebody's getting their ass beat. And was

1009
01:00:30,280 --> 01:00:33,000
Speaker 1: really telling when Dean said, this is hit like, this

1010
01:00:33,040 --> 01:00:38,280
Speaker 1: is my town. I've done right. You gotta respect me,

1011
01:00:38,600 --> 01:00:43,720
Speaker 1: you know, right. So um, he deserved that, just deserved that.

1012
01:00:43,880 --> 01:00:46,120
Speaker 1: I mean, he was not being a good guy. He

1013
01:00:46,280 --> 01:00:48,560
Speaker 1: was not being a nice guy. Look all's fair in

1014
01:00:48,600 --> 01:00:51,640
Speaker 1: love and war. But you know, Dean never really responded,

1015
01:00:51,680 --> 01:00:55,560
Speaker 1: He never really backed him off the way you know

1016
01:00:56,040 --> 01:00:58,520
Speaker 1: old school says this is, you gotta back this guy out,

1017
01:00:58,520 --> 01:01:00,200
Speaker 1: You gotta blow him out of the equation. You got

1018
01:01:00,200 --> 01:01:03,200
Speaker 1: to do it in a way that is definitive. You know,

1019
01:01:03,200 --> 01:01:06,760
Speaker 1: it's not being quiet and you know stewing, and it's

1020
01:01:06,760 --> 01:01:09,080
Speaker 1: like you gotta show your girl, right, that's old like

1021
01:01:09,200 --> 01:01:12,479
Speaker 1: that Dean, That Dean that just showed up. Everybody likes

1022
01:01:12,520 --> 01:01:15,760
Speaker 1: that Dean that showed it. I don't like it at all.

1023
01:01:15,880 --> 01:01:19,480
Speaker 1: Are you kidding me? After what he went through? Oh,

1024
01:01:20,120 --> 01:01:22,360
Speaker 1: let's see, this is where the generation gap comes. This

1025
01:01:22,400 --> 01:01:25,480
Speaker 1: is where the generations differ. No, I do not like.

1026
01:01:25,520 --> 01:01:27,960
Speaker 1: I don't either, if you don't even know, not at all. Oh,

1027
01:01:28,160 --> 01:01:31,160
Speaker 1: we got another controversy on our hands. Well it could

1028
01:01:31,200 --> 01:01:43,400
Speaker 1: be a male female thing. Yeah, I just like I

1029
01:01:43,520 --> 01:01:47,720
Speaker 1: bring it on. Yeah, and so like and so not Dean.

1030
01:01:47,760 --> 01:01:50,000
Speaker 1: I feel like it's not his character to be like this,

1031
01:01:50,160 --> 01:01:53,320
Speaker 1: and I don't like that he is like, let's fight man.

1032
01:01:53,680 --> 01:01:56,480
Speaker 1: It's like, yeah, that's not Dean. You know what I mean?

1033
01:01:56,800 --> 01:01:59,160
Speaker 1: If it was it was, if it wasn't as aggressive

1034
01:01:59,240 --> 01:02:01,360
Speaker 1: and just like a conversation, I think I would have

1035
01:02:01,400 --> 01:02:04,200
Speaker 1: taken it differently. But like, he literally just came out

1036
01:02:04,200 --> 01:02:07,440
Speaker 1: of nowhere. When earlier that morning he was kind of

1037
01:02:07,480 --> 01:02:11,760
Speaker 1: calm with Laurela, like suddenly something happened on Thanksgiving. Maybe

1038
01:02:11,800 --> 01:02:14,520
Speaker 1: it was just seeing this kiss, but yeah, and then

1039
01:02:14,640 --> 01:02:18,320
Speaker 1: when Jess said, um, like he's not gonna react because

1040
01:02:18,320 --> 01:02:21,120
Speaker 1: of Rory. Then it was like you saw everyone's characters

1041
01:02:21,240 --> 01:02:24,240
Speaker 1: changing or there, you know, in that moment he was like,

1042
01:02:24,280 --> 01:02:26,080
Speaker 1: I'm not going to react to you because he doesn't

1043
01:02:26,120 --> 01:02:29,280
Speaker 1: want to mess it up. I liked Jess in that scene.

1044
01:02:29,480 --> 01:02:32,400
Speaker 1: I did sort of team Jess, Like I would have

1045
01:02:32,520 --> 01:02:36,280
Speaker 1: loved to see Dean right up like to Luke's diner

1046
01:02:36,400 --> 01:02:40,000
Speaker 1: and like the sickest car with like a girl in

1047
01:02:40,040 --> 01:02:42,320
Speaker 1: the car and him roll down the window and be

1048
01:02:42,480 --> 01:02:45,560
Speaker 1: like screw you Jess and Rory like that would have

1049
01:02:45,600 --> 01:02:47,600
Speaker 1: been cool to me. But this whole like by the

1050
01:02:47,600 --> 01:02:55,040
Speaker 1: garbage came the car or I don't know, somehow no,

1051
01:02:55,160 --> 01:03:01,560
Speaker 1: because you know what I mean, a convertible do I

1052
01:03:01,600 --> 01:03:07,160
Speaker 1: want revenge? But likes like Pamela Anderson. It's like Pam

1053
01:03:07,200 --> 01:03:11,320
Speaker 1: Anderson to think of, like who's the perfect Pamela Anderson?

1054
01:03:11,760 --> 01:03:15,439
Speaker 1: But Scott, you like this tougher Dean, Well, that's that's

1055
01:03:15,440 --> 01:03:18,080
Speaker 1: your Chicago boy right there. You know, I was playing.

1056
01:03:18,120 --> 01:03:19,600
Speaker 1: I was being the nice guy. I was, you know,

1057
01:03:19,640 --> 01:03:24,400
Speaker 1: I was domesticated stars hollow, hybrid guy. And I met

1058
01:03:24,400 --> 01:03:26,920
Speaker 1: this fantastic girl and she just put me through the

1059
01:03:26,920 --> 01:03:30,000
Speaker 1: meat grinder because this. You know, this little salt off

1060
01:03:30,800 --> 01:03:34,560
Speaker 1: wonder hair boy came along and just messed with this manipulative,

1061
01:03:34,680 --> 01:03:38,520
Speaker 1: sort of sociopathic kid, you know, just messed up my

1062
01:03:38,560 --> 01:03:43,120
Speaker 1: whole life. And you know he's probably he restrained himself

1063
01:03:43,240 --> 01:03:47,080
Speaker 1: long enough to look to be the guy, and even

1064
01:03:47,240 --> 01:03:51,200
Speaker 1: that wasn't good enough for Rory. Right, So it's like,

1065
01:03:51,240 --> 01:03:53,960
Speaker 1: look what Rory is doing to these these guys. She's

1066
01:03:54,040 --> 01:03:57,880
Speaker 1: twisting them around. Their personalities, are changing, their second guessing

1067
01:03:57,920 --> 01:04:01,480
Speaker 1: themselves there. They're restraining themselves because she's so extraordinary and

1068
01:04:01,520 --> 01:04:04,280
Speaker 1: they just want to beat with her so much. And

1069
01:04:04,800 --> 01:04:08,800
Speaker 1: you know what, that's what happens between guys when something

1070
01:04:10,200 --> 01:04:13,600
Speaker 1: is lost, like that, when you're seventeen and you're in

1071
01:04:13,680 --> 01:04:16,920
Speaker 1: love and somebody pulls that kind of a number on

1072
01:04:17,040 --> 01:04:19,440
Speaker 1: you and you lose what you think is going to

1073
01:04:19,520 --> 01:04:24,600
Speaker 1: be your future. Yeah, think not in his mind. And

1074
01:04:24,600 --> 01:04:27,040
Speaker 1: now he's getting Now, he's getting mad. Now he's getting man,

1075
01:04:27,080 --> 01:04:29,720
Speaker 1: he's gonna fight. Now, he's going to fight back. So

1076
01:04:29,760 --> 01:04:34,880
Speaker 1: here's my question, and it's the conversation true, what's the

1077
01:04:35,200 --> 01:04:38,680
Speaker 1: what how much of the conversation with Laura Lae earlier

1078
01:04:38,720 --> 01:04:43,040
Speaker 1: that day do you think influenced his rate a great question.

1079
01:04:43,080 --> 01:04:45,360
Speaker 1: I was thinking none, But I think it was the kiss.

1080
01:04:45,720 --> 01:04:48,800
Speaker 1: I was thinking that the conversation with that bed effect

1081
01:04:48,880 --> 01:04:51,200
Speaker 1: of Rory more of that or sorry with Laura lai

1082
01:04:51,880 --> 01:04:54,120
Speaker 1: Um when Loria was like, well, he's going to move

1083
01:04:54,120 --> 01:04:56,640
Speaker 1: on to I think that's when Rory realized, like I

1084
01:04:56,640 --> 01:04:59,600
Speaker 1: should just kiss him because like he's going to move

1085
01:04:59,640 --> 01:05:01,680
Speaker 1: on and find a girl. He's not gonna be single forever,

1086
01:05:01,760 --> 01:05:03,400
Speaker 1: so she might as well move on too. But I

1087
01:05:03,440 --> 01:05:07,320
Speaker 1: didn't think anything of the Dozies conversation. Yeah, I didn't either.

1088
01:05:07,880 --> 01:05:10,240
Speaker 1: You really have to watch this show to the very

1089
01:05:10,320 --> 01:05:12,840
Speaker 1: last second, you know, like it's one of those shows

1090
01:05:12,880 --> 01:05:16,080
Speaker 1: because like I know, I'm so repetitive and say this

1091
01:05:16,160 --> 01:05:19,480
Speaker 1: every week, but like the biggest thing in the episode

1092
01:05:19,520 --> 01:05:24,160
Speaker 1: happened in the last three minutes. Mm hmmm. I also

1093
01:05:24,200 --> 01:05:28,720
Speaker 1: think we noticed uh Nancy's cottage Calicos for the first time,

1094
01:05:28,920 --> 01:05:31,640
Speaker 1: just saying I'm assuming it's a fabric store in town,

1095
01:05:31,680 --> 01:05:34,720
Speaker 1: but I've noticed. So. I had two new spottings this

1096
01:05:34,760 --> 01:05:42,360
Speaker 1: weekend stars all just saying what's next week? I don't

1097
01:05:42,360 --> 01:05:47,760
Speaker 1: know what's next week? Danielle, Oh, that'll do Pig. I

1098
01:05:47,960 --> 01:05:51,920
Speaker 1: remember what this episode is Season three, Episode ten. Oh

1099
01:05:51,960 --> 01:05:54,240
Speaker 1: my god, that wasn't that. I don't know that was

1100
01:05:54,280 --> 01:05:58,120
Speaker 1: a That was a much. That was a very spirited discussion,

1101
01:05:58,680 --> 01:06:01,680
Speaker 1: wasn't it. Yeah, there's there's so much in there. He's

1102
01:06:01,720 --> 01:06:04,240
Speaker 1: from blabbing on for an hour. Jesus, you could go

1103
01:06:05,080 --> 01:06:08,360
Speaker 1: just blab on forever this episode, there was so much.

1104
01:06:08,680 --> 01:06:11,800
Speaker 1: We've got to wrap it up, alright, kids, alright, so

1105
01:06:12,200 --> 01:06:17,800
Speaker 1: let's do favorite lines, Tara, go ahead. It wasn't a

1106
01:06:17,840 --> 01:06:20,080
Speaker 1: specific like favorite line, but the whole back and forth

1107
01:06:20,080 --> 01:06:22,640
Speaker 1: about the flowers is probably my favorite. Just answer from

1108
01:06:22,680 --> 01:06:27,760
Speaker 1: the episode, Danielle, I said it earlier, but lor like

1109
01:06:27,920 --> 01:06:30,479
Speaker 1: to Dean, just because you and Rory broke up doesn't

1110
01:06:30,520 --> 01:06:33,360
Speaker 1: mean we did. That's a good one. Is that a

1111
01:06:33,400 --> 01:06:36,360
Speaker 1: funny line? Is that funny? It's funny? It seemed to

1112
01:06:36,400 --> 01:06:40,480
Speaker 1: be funny. Was this best lines or funniest lines? Best lines? Okay,

1113
01:06:40,520 --> 01:06:42,240
Speaker 1: so we changed it so it's best lines. I think

1114
01:06:42,280 --> 01:06:44,520
Speaker 1: it's always been best. I mean, I don't want to

1115
01:06:44,640 --> 01:06:47,200
Speaker 1: just become the funny ones. I think they're mostly funny.

1116
01:06:47,240 --> 01:06:51,880
Speaker 1: I will say at the very very last five seconds

1117
01:06:51,880 --> 01:06:55,520
Speaker 1: of the episode, Kirk sleeping in the gazebo, you have

1118
01:06:55,640 --> 01:07:00,560
Speaker 1: they give an honorable mention to that, like Mike Kirk

1119
01:07:01,720 --> 01:07:05,960
Speaker 1: just like it doesn't phase him at all. I don't

1120
01:07:05,960 --> 01:07:08,560
Speaker 1: think I have. I've said mine uncool cat, which I

1121
01:07:08,560 --> 01:07:11,840
Speaker 1: think was, and then you have your mother's wit. I

1122
01:07:11,880 --> 01:07:18,280
Speaker 1: wish you'd give it back, and I think I think

1123
01:07:18,320 --> 01:07:23,400
Speaker 1: I'm gonna do honorable mention is Babette's kiss was you

1124
01:07:23,400 --> 01:07:29,040
Speaker 1: gotta give it something? I didn't. I didn't get into it,

1125
01:07:29,040 --> 01:07:31,400
Speaker 1: and we'll have to not do it. But maybe for

1126
01:07:31,400 --> 01:07:34,600
Speaker 1: for everyone listening to think about, would they have had

1127
01:07:34,640 --> 01:07:37,920
Speaker 1: a brawl that big in front of company? I feel

1128
01:07:37,960 --> 01:07:40,520
Speaker 1: like no, but maybe it's just the wheels came off

1129
01:07:40,520 --> 01:07:42,160
Speaker 1: and it was at a cont I think it's touchy,

1130
01:07:42,280 --> 01:07:45,760
Speaker 1: So maybe yeah, because Chard was like I haven't talked

1131
01:07:45,800 --> 01:07:47,800
Speaker 1: about it since that day, Like he's like, I want

1132
01:07:47,880 --> 01:07:51,439
Speaker 1: nothing to do with it. But I mean, but that's

1133
01:07:51,680 --> 01:07:55,880
Speaker 1: a But that's exactly the kind of scenario that that

1134
01:07:55,960 --> 01:07:59,240
Speaker 1: makes laurel Ize sick to her stomach. All that pretentious

1135
01:07:59,280 --> 01:08:02,760
Speaker 1: and now you've got a French couple and Richard speaking French,

1136
01:08:02,840 --> 01:08:05,880
Speaker 1: and she was just she was probably gagging, like you've

1137
01:08:05,880 --> 01:08:08,240
Speaker 1: got to be kidding me. People, these are my parents,

1138
01:08:08,280 --> 01:08:11,160
Speaker 1: this is what they aspire to it's like they'd rather

1139
01:08:11,280 --> 01:08:18,000
Speaker 1: be French or British than you know, good parents to me, no, absolutely,

1140
01:08:18,040 --> 01:08:21,200
Speaker 1: but it was how she saw her parents jumping up

1141
01:08:21,240 --> 01:08:23,840
Speaker 1: and down because you know, there's a little culture in

1142
01:08:23,840 --> 01:08:26,559
Speaker 1: the room, you know, for God's say, you make me sick?

1143
01:08:26,600 --> 01:08:29,519
Speaker 1: Where were you when I needed you? Right? So she

1144
01:08:29,600 --> 01:08:33,360
Speaker 1: doesn't respect them at all and she doesn't like them

1145
01:08:33,360 --> 01:08:36,800
Speaker 1: at all. That's really apparent in this episode. So you

1146
01:08:36,840 --> 01:08:40,479
Speaker 1: know that's what makes horse races. So what alright, that's it, everybody,

1147
01:08:40,479 --> 01:08:45,400
Speaker 1: Thanks Danielle, Thanks Amy, thank you, Tara. Wonderful discussion, deep

1148
01:08:45,400 --> 01:08:50,719
Speaker 1: fried Korean Thanksgiving, and that's gonna wrap Episode nine, Season three.

1149
01:08:50,960 --> 01:08:53,880
Speaker 1: We'll see everybody next time. Thanks for downlan best bands

1150
01:08:53,920 --> 01:09:26,200
Speaker 1: on the planet. Stay safe, everyone, guys, hot, Hey everybody,

1151
01:09:26,200 --> 01:09:29,519
Speaker 1: and don't forget Follow us on Instagram at I Am

1152
01:09:29,600 --> 01:09:34,080
Speaker 1: all In podcast and Emailie at Gilmore at I Heart

1153
01:09:34,200 --> 01:09:37,320
Speaker 1: radio dot com. Oh you Gilmore fans. If you're looking

1154
01:09:37,360 --> 01:09:39,080
Speaker 1: for the best cup of coffee in the world, go

1155
01:09:39,200 --> 01:09:42,960
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1156
01:09:43,080 --> 01:09:45,439
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1157
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