WEBVTT - Pop w/ Audrie Neenan

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<v Speaker 1>Of the Law and Order franchises, SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies.

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<v Speaker 3>These episodes are based on These are our stories.

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<v Speaker 4>Done done.

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<v Speaker 2>Yay, that's messed up. In SVU podcast another episode.

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<v Speaker 3>Here we are. I'm Lisa Traeger and I'm Kara Klank.

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<v Speaker 1>We talk SVU episodes, True Crimes, talk to guests from

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<v Speaker 1>the show and we chat and we've.

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<v Speaker 3>Got we've I haven't talked. Yeah, I haven't seen you

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<v Speaker 3>in weeks.

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<v Speaker 2>I have a huge name dropping moment that I'd like

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<v Speaker 2>to discuss.

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<v Speaker 3>Okay, so you.

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<v Speaker 2>Know, I've been raving about Natalie Polomidez's show. She's here

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<v Speaker 2>in New York. I don't know why she thought of me,

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<v Speaker 2>but I'm glad she did. She messages me, She goes,

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<v Speaker 2>I have tickets to Broadway show. Do you want to

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<v Speaker 2>come with me on Friday? I go, you are Friday

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<v Speaker 2>night off? You're like, you're always performing? She goes, and

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<v Speaker 2>my show's aren't one in the morning, so I was free.

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<v Speaker 1>So so she's like, they have a private event.

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<v Speaker 2>I have free Do you want to go to this

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<v Speaker 2>Broadway show? I go great. We get there. It's called art.

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<v Speaker 2>We have like four throw seats and I know this

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<v Speaker 2>play from high school, so I feel really like educated

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<v Speaker 2>and cool. But it's James Cordon. Yes, it's Bobby kind

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<v Speaker 2>of Ollie, and it's Neil Patrick Harris. And basically James

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<v Speaker 2>Cordon and Neil Patrick Harris went to her show. We're

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<v Speaker 2>obsessed with it, gave her these tickets. We're backstage. James

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<v Speaker 2>Cordon's making me a cocktail. Neil Patrick Harris is on

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<v Speaker 2>the floor so I could sit on a chair, and

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<v Speaker 2>I'm talking to Bobby kennavally, trying that to say funky

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<v Speaker 2>tasting spunk directly to his face.

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<v Speaker 3>I didn't. I didn't, but.

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<v Speaker 1>I'm like, God, of course this happens after we've done

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<v Speaker 1>his episode of Best for You, haven't we.

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<v Speaker 3>I didn't even bring up best Tea.

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<v Speaker 2>I acted since I was a plus one, you know,

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<v Speaker 2>I acted normal enough. I brought up Dexter to Neil

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<v Speaker 2>Patrick Harris. I did. I brought up I'll tell you

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<v Speaker 2>my thing right now for this.

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<v Speaker 3>I have one too. I have one too. But it

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<v Speaker 3>was so cool.

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<v Speaker 1>Wait, that's crazy. I passed the poster for it on

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<v Speaker 1>my way to see you. Mary this summer and Jared

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<v Speaker 1>and I were talking about it because my husband used

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<v Speaker 1>to work for Cordon and he My and Jared knew

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<v Speaker 1>the play. He's like, oh, yeah, I knew that play

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<v Speaker 1>was I brought them up. I go my high school

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<v Speaker 1>did it? They go, you're a high school? And then

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<v Speaker 1>I got to be like my high school put up equis.

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<v Speaker 1>It was a really progressive, cool program, you know. But

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<v Speaker 1>but Bobby eventually goes, so do you know anyone here?

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<v Speaker 2>And I go, no, I'm her plus echo that's why.

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<v Speaker 2>But James really like, I mean, he blew it out

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<v Speaker 2>of the wall. I mean, he was incredible. He was

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<v Speaker 2>the best part of that show.

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<v Speaker 3>Really.

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<v Speaker 2>Yeah, it's like kind of crazy. I didn't expect it.

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<v Speaker 2>I didn't expect my I mean, I'm obsessed with Bobby Kennavolli.

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<v Speaker 3>That's whoy.

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<v Speaker 1>I was like most excited to see and for throw

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<v Speaker 1>and the lighting, like it was really cool.

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<v Speaker 2>And because it's the like Theater Cares Week or something

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<v Speaker 2>like that, they were auctioning off paintings at the end

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<v Speaker 2>from the show for an Aide's charity, and so that

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<v Speaker 2>was cool. They broke the fourth wall at the end

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<v Speaker 2>and there was like five thousand and fourth. You know,

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<v Speaker 2>like people were going out things, but I like love

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<v Speaker 2>New York. I had the best day. Well, yeah, I

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<v Speaker 2>started at the Food Pank, then I went to World

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<v Speaker 2>Trade Center to do a podcast seventy seventh floor. Then

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<v Speaker 2>I walked to go to a Broadway show, and then

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<v Speaker 2>I walked to the Comedy Cellar fifty blocks and I

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<v Speaker 2>had three spots, and I go, I mean, New York

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<v Speaker 2>City is insane. I'm like, I can't even believe I

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<v Speaker 2>did so much in a day. I'm sitting with Bobby

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<v Speaker 2>Kennavali and I have like four more hours of activity left.

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<v Speaker 2>So I've just been really corny about New York. But

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<v Speaker 2>that was like so cool. I love being backstage at Broadway.

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<v Speaker 2>It means more than anything. I think it's like more

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<v Speaker 2>exciting than even SNL.

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<v Speaker 1>I think the only time I've ever done that was

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<v Speaker 1>for Oh Mary, But that's the only time I've ever

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<v Speaker 1>done it.

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<v Speaker 3>It's cool, though it's.

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<v Speaker 2>Hard, yeah, but oh but also what was funny because

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<v Speaker 2>I fucked up in my head.

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<v Speaker 3>You know, I'm stoned.

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<v Speaker 2>But Natalie, we went outside and we're trying to enter,

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<v Speaker 2>which is crazy. You're supposed to like wait inside and

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<v Speaker 2>then be brought backstage. So then the security was looking

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<v Speaker 2>for us, and then they're like Natalie, And then everyone

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<v Speaker 2>that was waiting at the stage door was like happy

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<v Speaker 2>for Natalie. So everyone kept going okay, Natalie, and everyone

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<v Speaker 2>started clapping that we got to go backstage, so it

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<v Speaker 2>was like really a supportive group as well.

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<v Speaker 1>I bet it's so funny if you're just like a

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<v Speaker 1>Broadway like if you're just like a tourist going to

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<v Speaker 1>see Broadway or you don't really know like how that

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<v Speaker 1>Natalie is such a talented performer, You're like, Wow, James

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<v Speaker 1>Cordon and the cast of Art really loved the girl

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<v Speaker 1>from the progressive commercials, you know, like yeah.

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<v Speaker 3>Like wow, Okay, I guess that's but all stage all right.

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<v Speaker 2>I wonder if it's such a star studded performance. I

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<v Speaker 2>would say it was like the coolest door guy's security

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<v Speaker 2>of any show I'd ever been to, Like chatting with

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<v Speaker 2>me when I was waiting for Natalie to arrive, like

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<v Speaker 2>didn't know what, like just really cool people working at

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<v Speaker 2>this theater.

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<v Speaker 1>It's really exesing and you I'm sorry you said, what

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<v Speaker 1>did you say about Dexter? Did you talk to Neil

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<v Speaker 1>Patrick Harris about Dexter well, because I'm wearing a Dexter

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<v Speaker 1>Morgan bracelet. So I got to be like Yana and

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<v Speaker 1>this seems bad, but like, I don't care about him

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<v Speaker 1>as much as Bobby, Like I'm trying to preserve some

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<v Speaker 1>sort of humility with this other man, you know, Like,

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<v Speaker 1>and I mostly just talked about how great Natalie Show was,

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<v Speaker 1>which might have been rude, but Neil I was like, dude,

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<v Speaker 1>I loved that noise you made.

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<v Speaker 3>He hasn't watched it yet.

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<v Speaker 2>And then he told me who he based his character on,

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<v Speaker 2>and I fully forgot, So that sucks, but I.

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<v Speaker 3>Go, that was so cool. I'm like, you guys were fun.

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<v Speaker 2>I loved when he like realized, you know, he was

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<v Speaker 2>the Bay Harper Butcher and we had like a funny

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<v Speaker 2>little chat about it.

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<v Speaker 1>Wow, the president, you think the president of the Magic

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<v Speaker 1>Castle hanging out? He's the president of the Magic Castle.

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<v Speaker 1>He at least he was for a long time.

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<v Speaker 3>He still is. No but James Gordon, I would say,

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<v Speaker 3>blew me away.

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<v Speaker 2>And I didn't realize he was like this Tony winner

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<v Speaker 2>and a theater guy, and maybe I should have, but

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<v Speaker 2>he really like surprised me. It was so like, I

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<v Speaker 2>loved his physicality. Oh my god, did you see this

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<v Speaker 2>Quentin Tarantino interview? Okay, so I woke up this morning.

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<v Speaker 2>I just scrolled. I don't have anything. So he was

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<v Speaker 2>doing an interview and it's like his ten favorite or

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<v Speaker 2>twenty favorite movies of this century or something I don't know.

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<v Speaker 2>And he hates Paul Dano. There will be blood, he goes,

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<v Speaker 2>it would be higher on my list. But fuck Paul Dano.

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<v Speaker 2>He's weak sauce. He's not a good actor. He sucked

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<v Speaker 2>in Little Miss Sunshine. I'm adding my own.

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<v Speaker 1>He did not say what like, but that's yeah, yeah,

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<v Speaker 1>but yeah, just like fully going in on Paul Dano

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<v Speaker 1>and how much he sucks. Whoa, Okay, yeah, crazy because

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<v Speaker 1>I think he's really talented. Well, but Quentin Tarantino strikes

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<v Speaker 1>me as the kind of person that if you pissed

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<v Speaker 1>him off, he never forgets.

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<v Speaker 2>Oh yeah, he said he was uninteresting in Little Miss

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<v Speaker 2>Sunshine and oh so you put him with the weakest

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<v Speaker 2>male actor in SAG. I'm not saying he's giving a

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<v Speaker 2>terrible performance. I'm saying he's giving a non entity performance

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<v Speaker 2>I don't care for. Okay, this is why I'm bringing

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<v Speaker 2>this up. I was like, why am I saying this? Okay,

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<v Speaker 2>I don't care for him. I don't care for Owen Wilson,

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<v Speaker 2>and I don't care for Matthew Lillard.

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<v Speaker 3>Whoa yeah, Tarantino just out here, just right a bullet.

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<v Speaker 2>But remember I told Matthew Lillard I loved his physicality

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<v Speaker 2>and facial expressions. He said it was like the rudest

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<v Speaker 2>thing you could say to an actor and got so offended.

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<v Speaker 2>And so with James Corden, I wanted to be like,

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<v Speaker 2>I loved his physicality, like I loved the way he

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<v Speaker 2>played this character. But I'm like, is it rude because

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<v Speaker 2>of this Matthew Lillard thing? And then Quentin Tarantino thinks

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<v Speaker 2>Matthew Lillard is like the worst actor.

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<v Speaker 1>There might be a difference though, also because physicality in

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<v Speaker 1>a play is like necessary because you really have to

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<v Speaker 1>do play for like people that are in the back

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<v Speaker 1>of the room, you know, like whereas on TV. I

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<v Speaker 1>think when people hear physicality they think that you're eating,

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<v Speaker 1>like you're doing too much, you know, you're like chewing

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<v Speaker 1>the scenery. I guess, but wait, that's that's wow, okay,

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<v Speaker 1>And I.

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<v Speaker 2>Do want to do own also, So I went to

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<v Speaker 2>the food bank a few times. I am obsessed, but

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<v Speaker 2>I was going through donations because thinks, you know, holidays,

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<v Speaker 2>people donate more. We had to check all the expiration

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<v Speaker 2>dates food that expired in twenty nineteen. Yeah, I mean

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<v Speaker 2>everyone's clear their cabinets out. That's like crazy, That's yeah,

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<v Speaker 2>it's sort of why. It's like if you heard, yeah,

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<v Speaker 2>you should either mostly go out and buy cans or you.

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<v Speaker 1>Should just give money because the food banks, Like what

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<v Speaker 1>I've heard is like if you have the means to

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<v Speaker 1>give money, food banks need they have deals with places,

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<v Speaker 1>so your money will go farther if you just give

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<v Speaker 1>them money as opposed to you going to like a

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<v Speaker 1>shopwrite and buying a bunch of cans of peas.

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<v Speaker 5>You know.

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<v Speaker 2>Yeah, but also you know, some of them a lot

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<v Speaker 2>of good, Like there was a lot of the say,

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<v Speaker 2>like you could tell it was one person went and

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<v Speaker 2>bought like every mac and cheese box at their local

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<v Speaker 2>store or something, and that was great. But yeah, I

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<v Speaker 2>was really I guess I wasn't shocked, but I was like,

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<v Speaker 2>what the fuck, Like, you're trying to give people food

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<v Speaker 2>that expired six years ago?

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<v Speaker 1>That's what you want to give them. I was really disturbed. Actually, well, okay, wait,

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<v Speaker 1>let me tell you my name.

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<v Speaker 3>Who I saw.

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<v Speaker 1>So I was at a party that I go to

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<v Speaker 1>every year, and I saw David des Melchin. Oh my god,

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<v Speaker 1>and he I just read his article either he just

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<v Speaker 1>did a big interview.

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<v Speaker 3>Oh he would bulcher.

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<v Speaker 1>Yeah, because I didn't know about him until Dexter, and

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<v Speaker 1>so I've been reading so much about him.

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<v Speaker 3>Well, like we always just like say hi to each other.

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<v Speaker 1>But I was like, he doesn't know who I am,

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<v Speaker 1>but he said hi to me for he was like

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<v Speaker 1>saying hi to me first. And I was like, oh

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<v Speaker 1>my god, I'm so glad I'm running into you. I

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<v Speaker 1>was like, I you know, I watched that Boston Strangler

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<v Speaker 1>movie you were in and I thought it was really great.

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<v Speaker 1>And he goes, oh god, I'm so horrible, like like

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<v Speaker 1>meeting his characters, like the things I.

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<v Speaker 3>Have to do in that movie.

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<v Speaker 1>Oh, And I go, yeah, I go And then I go,

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<v Speaker 1>wait a minute, Dexter, I also saw you in Dexter.

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<v Speaker 3>You were awesome. He goes, now that was fun.

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<v Speaker 1>He just kept talking about how fun it was, and

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<v Speaker 1>I go, yeah, and like you're the well it's no spoilers,

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<v Speaker 1>but I'm like the twists, you know, like he goes,

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<v Speaker 1>I know, wasn't that cool? Like he was really he

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<v Speaker 1>was like, I was like, you know, the Boston Shrinkler

0:09:56.200 --> 0:09:57.640
<v Speaker 1>movie was really good. I don't know why it didn't

0:09:57.640 --> 0:09:59.680
<v Speaker 1>get he goes was He's agreed, He's like, I thought

0:09:59.679 --> 0:10:00.920
<v Speaker 1>that was a great film.

0:10:00.920 --> 0:10:03.120
<v Speaker 3>I was surprised that it didn't get more. I was.

0:10:03.240 --> 0:10:04.800
<v Speaker 1>I was saying that. I said, I'm surprised to get

0:10:04.800 --> 0:10:06.800
<v Speaker 1>more attention. And then I was like, but Dexter and

0:10:06.800 --> 0:10:08.760
<v Speaker 1>he was like, just couldn't stop talking about how fun

0:10:08.800 --> 0:10:09.040
<v Speaker 1>it was.

0:10:09.400 --> 0:10:10.960
<v Speaker 3>Well, and he was friended with Kristin Ritter.

0:10:11.040 --> 0:10:12.880
<v Speaker 2>It seems what I got from the interviews with her

0:10:13.040 --> 0:10:14.960
<v Speaker 2>like she loves him the most, Like they were friends

0:10:15.000 --> 0:10:17.880
<v Speaker 2>going into it. I wonder if they did some if

0:10:18.080 --> 0:10:20.360
<v Speaker 2>Marvel something together or something like that.

0:10:20.440 --> 0:10:23.840
<v Speaker 1>Oh, perhaps he's like, yeah, he's yeah, I forgot.

0:10:23.840 --> 0:10:24.559
<v Speaker 3>He's in Dark Night.

0:10:24.559 --> 0:10:27.320
<v Speaker 1>He's in so much more sad than I know, because

0:10:27.360 --> 0:10:29.640
<v Speaker 1>I don't watch a lot of this stuff exactly. Oh,

0:10:29.720 --> 0:10:33.320
<v Speaker 1>he's not in my genre. Wait, isn't Prisoners a famous

0:10:33.320 --> 0:10:34.240
<v Speaker 1>Paul Dano movie?

0:10:34.559 --> 0:10:37.080
<v Speaker 3>Yes? And that that's what I was reading.

0:10:37.080 --> 0:10:39.720
<v Speaker 2>I was reading, like the it was mostly the whole

0:10:39.720 --> 0:10:43.520
<v Speaker 2>interview was him talking about his work in Prisoners, but

0:10:44.440 --> 0:10:46.640
<v Speaker 2>changed his life because he was supposed to. He was

0:10:46.679 --> 0:10:49.080
<v Speaker 2>broke as fuck. He was offered this movie for twenty

0:10:49.120 --> 0:10:52.079
<v Speaker 2>grand and he needed the money. But there was like

0:10:52.120 --> 0:10:54.280
<v Speaker 2>a Michael Kane quote about listening to your heart and

0:10:54.320 --> 0:10:56.199
<v Speaker 2>what does your heart say? And he just he turned

0:10:56.200 --> 0:10:58.520
<v Speaker 2>it down and the next day he had the audition

0:10:58.640 --> 0:11:03.560
<v Speaker 2>for Prisoners. Because the guy Dallas villa Venu or whatever.

0:11:03.800 --> 0:11:04.040
<v Speaker 1>He.

0:11:08.640 --> 0:11:15.240
<v Speaker 3>Dennis villa Venue I believe it's pronounced Denny Villeneu.

0:11:18.640 --> 0:11:21.040
<v Speaker 2>He loved The Dark Knight and Nolan, so he like

0:11:21.600 --> 0:11:25.320
<v Speaker 2>was he was excited to cast this guy and just

0:11:25.480 --> 0:11:27.600
<v Speaker 2>mansion and said like during the whole time on set

0:11:28.360 --> 0:11:31.000
<v Speaker 2>that like Dennis wanted to talk about Nolan and like,

0:11:31.240 --> 0:11:34.480
<v Speaker 2>oh nor now. But because he didn't take this twenty

0:11:34.520 --> 0:11:36.480
<v Speaker 2>thousand dollars project, he was able because he would have

0:11:36.480 --> 0:11:38.160
<v Speaker 2>been on a flight, he wouldn't be able to go

0:11:38.200 --> 0:11:42.080
<v Speaker 2>an audition for Prisoners, okay, and it changes everything.

0:11:42.559 --> 0:11:44.960
<v Speaker 1>He's the nicest guy, Like we chatted for a little

0:11:44.960 --> 0:11:49.240
<v Speaker 1>while and what's crazy is I just googled him to

0:11:49.240 --> 0:11:50.959
<v Speaker 1>make sure that I was saying his last name right,

0:11:51.040 --> 0:11:53.360
<v Speaker 1>and when you google him, it says people also search

0:11:53.440 --> 0:11:56.400
<v Speaker 1>for Paul Dano, and it says trending under Paul Dano's

0:11:56.480 --> 0:12:00.840
<v Speaker 1>name because clearly he Quententino his name in his mouth,

0:12:01.280 --> 0:12:03.240
<v Speaker 1>Tarantina about his name in his mouth, and now everyone's

0:12:03.280 --> 0:12:04.000
<v Speaker 1>talking about Paul.

0:12:03.920 --> 0:12:06.400
<v Speaker 2>Dan But also like he was a kid, but obviously

0:12:06.520 --> 0:12:09.360
<v Speaker 2>so good in There Will be Blood but like Escape It,

0:12:09.440 --> 0:12:12.080
<v Speaker 2>Dan Mora is incredible. I just don't think he's back

0:12:12.120 --> 0:12:14.880
<v Speaker 2>like Owen Wilson. Sure, but then Midnight in Paris is

0:12:14.880 --> 0:12:16.800
<v Speaker 2>in his top twenty movies or in his top ten,

0:12:17.080 --> 0:12:21.400
<v Speaker 2>like he keeps putting people the movies that with the actors,

0:12:21.440 --> 0:12:24.160
<v Speaker 2>Like you hate Owen Wilson, but you loved Midnight in Paris.

0:12:24.200 --> 0:12:27.480
<v Speaker 2>I don't understand that. Yeah, but Toy Story three is

0:12:27.480 --> 0:12:28.480
<v Speaker 2>his number two pick?

0:12:31.600 --> 0:12:36.240
<v Speaker 3>Wow? Wow? Wait who else did I see it?

0:12:36.280 --> 0:12:36.480
<v Speaker 1>Wait?

0:12:36.600 --> 0:12:38.959
<v Speaker 2>So, but you could tell he had fun with that part.

0:12:39.480 --> 0:12:42.360
<v Speaker 2>It was Yeah, I'm glad you guys hung out. Yeah, Holiday,

0:12:42.480 --> 0:12:43.920
<v Speaker 2>he's gonna start it, honey.

0:12:44.040 --> 0:12:46.800
<v Speaker 1>Oh, I know, I saw I saw former guests of

0:12:46.840 --> 0:12:50.320
<v Speaker 1>the pod Ricky Linnholm, I saw a couple of other

0:12:50.559 --> 0:12:51.360
<v Speaker 1>fun folks.

0:12:51.920 --> 0:12:56.000
<v Speaker 2>Oh, and I'm mid Montreal December seventeenth, tomorrow, tomorrow if

0:12:56.000 --> 0:12:59.240
<v Speaker 2>you're watching, oh yeah, you're listening comesorrow Montreal.

0:13:02.679 --> 0:13:08.240
<v Speaker 1>Okay, wait, so let's talk about how my of course,

0:13:08.440 --> 0:13:10.560
<v Speaker 1>my feed is filled with this, so your feed's gonna

0:13:10.559 --> 0:13:12.920
<v Speaker 1>be filled with this. But like, I keep seeing ninety

0:13:13.000 --> 0:13:16.800
<v Speaker 1>different videos about how Rollin's and Finn are having to

0:13:16.840 --> 0:13:21.640
<v Speaker 1>split time because SVU cannot afford both actors full time.

0:13:22.520 --> 0:13:25.720
<v Speaker 1>I'm like, sort of, I do feel like the money

0:13:25.800 --> 0:13:27.760
<v Speaker 1>is probably insane when you've just been on a show

0:13:27.800 --> 0:13:31.640
<v Speaker 1>for that long, But I'm like, you can't figure out

0:13:31.640 --> 0:13:31.960
<v Speaker 1>a way.

0:13:32.160 --> 0:13:34.679
<v Speaker 2>But to me, it's like, keep Rollin's part time, we

0:13:34.720 --> 0:13:36.040
<v Speaker 2>need Finn full time.

0:13:36.120 --> 0:13:39.000
<v Speaker 3>Like she's a professor on the side. I don't get that, but.

0:13:39.160 --> 0:13:40.720
<v Speaker 1>I think they should just bring her in as the

0:13:40.720 --> 0:13:43.160
<v Speaker 1>bad Wong, have her come into profile once in a while.

0:13:43.200 --> 0:13:46.200
<v Speaker 1>But she's not in every Is she in the beginning?

0:13:47.040 --> 0:13:48.880
<v Speaker 1>Is she in the credits this season? I can't remember,

0:13:48.960 --> 0:13:51.240
<v Speaker 1>I don't I have I'm really behind on this season,

0:13:51.320 --> 0:13:53.800
<v Speaker 1>to be honest, Yeah, but I mean, I oh, I'm

0:13:53.840 --> 0:13:56.640
<v Speaker 1>caught up. But I said he's not mad and that

0:13:56.679 --> 0:13:59.240
<v Speaker 1>he's annoyed with people spinning it. It just is what

0:13:59.280 --> 0:14:01.600
<v Speaker 1>it is, and he's just looking forward to season twenty

0:14:01.640 --> 0:14:03.320
<v Speaker 1>seven is what he said, or twenty eight or whatever.

0:14:03.360 --> 0:14:05.400
<v Speaker 1>He's like, I'm just looking for the next one. It's

0:14:05.400 --> 0:14:06.520
<v Speaker 1>about making it to twenty eight.

0:14:06.559 --> 0:14:08.560
<v Speaker 3>He goes. I love this show. They've done so much

0:14:08.559 --> 0:14:08.840
<v Speaker 3>for me.

0:14:09.520 --> 0:14:12.240
<v Speaker 2>And he said, and that gives He goes, if I

0:14:12.280 --> 0:14:14.360
<v Speaker 2>got time, I'll find a way to make a dime

0:14:14.559 --> 0:14:15.160
<v Speaker 2>something like that.

0:14:15.240 --> 0:14:16.520
<v Speaker 3>So yeah, he's work.

0:14:16.600 --> 0:14:19.480
<v Speaker 1>He's out there working and doing other stuff, focusing on music.

0:14:19.640 --> 0:14:21.520
<v Speaker 1>So I don't know, well I know, but also that

0:14:21.800 --> 0:14:24.400
<v Speaker 1>CMZ started to interrupt you. But this TMZ interview was

0:14:24.440 --> 0:14:27.160
<v Speaker 1>at Chanelle's tenth birthday party. So at the end of

0:14:27.160 --> 0:14:29.320
<v Speaker 1>the interview, he goes and thanks everyone for showing up

0:14:29.360 --> 0:14:33.120
<v Speaker 1>to Chanelle's tenth birthday, TMZ leave your gift on the

0:14:33.120 --> 0:14:38.520
<v Speaker 1>gift table, Like, what is happening? I I feel like, oh,

0:14:38.560 --> 0:14:40.520
<v Speaker 1>I'm caught up. And so I know a lot of

0:14:40.560 --> 0:14:43.000
<v Speaker 1>people that listen to us, maybe a lot of people

0:14:43.040 --> 0:14:45.000
<v Speaker 1>say they stopped after the Maloney years, so some people

0:14:45.000 --> 0:14:48.040
<v Speaker 1>don't still watch the show. But if you're not caught

0:14:48.120 --> 0:14:52.360
<v Speaker 1>up recently, he fit, we talked about it. I think

0:14:52.360 --> 0:14:56.760
<v Speaker 1>on this podcast, Finn got like bamboozled. He got like

0:14:56.840 --> 0:14:58.760
<v Speaker 1>sort of led into a bait and switch and he

0:14:58.840 --> 0:15:03.280
<v Speaker 1>got eat up. And so now the context is he

0:15:03.360 --> 0:15:05.280
<v Speaker 1>keeps he came back on the last episode, but then

0:15:05.320 --> 0:15:07.600
<v Speaker 1>he's like, I don't think I'm ready yet. I'm like,

0:15:07.720 --> 0:15:10.280
<v Speaker 1>fucking Finn Tutuola is ready to come back, you know

0:15:10.280 --> 0:15:12.240
<v Speaker 1>what I mean. But they're saying he's not ready because

0:15:12.280 --> 0:15:14.440
<v Speaker 1>it's this whole thing. I just hope it's not too

0:15:15.200 --> 0:15:18.000
<v Speaker 1>distracting because I do like a lot of these new

0:15:18.040 --> 0:15:20.480
<v Speaker 1>episodes in the newer season. I really feel like this

0:15:20.520 --> 0:15:22.640
<v Speaker 1>new showrunner is bringing it back to old school and

0:15:22.680 --> 0:15:24.920
<v Speaker 1>I like it, Like did you watch the Jemima Kirk

0:15:24.920 --> 0:15:27.440
<v Speaker 1>episode yet? Or you haven't had a chance. The Jemima

0:15:27.560 --> 0:15:31.160
<v Speaker 1>Kirk episode is really cool. They did like a Oppenheim

0:15:31.200 --> 0:15:34.040
<v Speaker 1>Brothers episode or like not really, but it's like these

0:15:34.080 --> 0:15:37.920
<v Speaker 1>two bros that do real estate together, and that one's

0:15:37.960 --> 0:15:41.160
<v Speaker 1>really fucked up. There's a couple of like really like

0:15:41.360 --> 0:15:42.160
<v Speaker 1>interesting episode.

0:15:42.160 --> 0:15:44.600
<v Speaker 3>I don't know. It's like, like, I like where it's

0:15:44.640 --> 0:15:47.600
<v Speaker 3>going this season. Some of it. I feel like I

0:15:47.680 --> 0:15:49.080
<v Speaker 3>saw one where I was like, what.

0:15:49.000 --> 0:15:50.960
<v Speaker 2>Well, let's bond over all because I watched all her

0:15:51.000 --> 0:15:52.160
<v Speaker 2>fault and beast in me.

0:15:52.760 --> 0:15:55.840
<v Speaker 1>Okay, so be Sindmy's my next thing, because everybody's been

0:15:55.840 --> 0:15:59.000
<v Speaker 1>telling me how good that is. We've been watching Slow Horses.

0:15:59.040 --> 0:16:02.280
<v Speaker 1>We're almost done. Fucking loves Slow Horses. But I just

0:16:02.320 --> 0:16:04.640
<v Speaker 1>watched All Her Fault.

0:16:06.640 --> 0:16:07.640
<v Speaker 3>I haven't watched that yet.

0:16:07.680 --> 0:16:13.520
<v Speaker 2>It's funny. Oh it's this guy slow Horses. I mean, Gary, oldman. Gary.

0:16:13.520 --> 0:16:15.480
<v Speaker 2>Can you have the same face for one minute?

0:16:16.040 --> 0:16:19.000
<v Speaker 1>No, he can't, but he's he's really I think we

0:16:19.080 --> 0:16:20.680
<v Speaker 1>might have already talked about this on this pot, but

0:16:20.720 --> 0:16:22.680
<v Speaker 1>I love him and he's so smelly in the show.

0:16:22.720 --> 0:16:27.360
<v Speaker 1>But he's really good, but smell. But yeah, All Her

0:16:27.440 --> 0:16:30.680
<v Speaker 1>Fault let's talk about everybody. Give it a give it

0:16:30.720 --> 0:16:33.240
<v Speaker 1>a watch. I really would Jared watch it with you.

0:16:33.880 --> 0:16:36.320
<v Speaker 1>He watched the first two and then he went out

0:16:36.360 --> 0:16:38.360
<v Speaker 1>of town and I was like, can I keep going?

0:16:38.400 --> 0:16:39.520
<v Speaker 3>And he was like yeah, So.

0:16:39.960 --> 0:16:42.400
<v Speaker 1>He also when we were watching it together, he was

0:16:42.640 --> 0:16:45.200
<v Speaker 1>definitely like kept going, Wait can we pause it?

0:16:45.280 --> 0:16:45.960
<v Speaker 3>Do I do that?

0:16:46.120 --> 0:16:49.400
<v Speaker 1>Like? He was really like, I think everybody should watch

0:16:49.400 --> 0:16:52.800
<v Speaker 1>it with their husbands. If you're in a heteronormative relationship,

0:16:52.880 --> 0:16:55.840
<v Speaker 1>and if you have kids, like watch it with your

0:16:55.880 --> 0:16:58.680
<v Speaker 1>husbands and see how they react, because it's pretty heavy

0:16:58.680 --> 0:17:01.640
<v Speaker 1>handed on how men. But the thing they think that

0:17:01.680 --> 0:17:04.399
<v Speaker 1>everything's fifty to fifty and it's not. But it's not heavy.

0:17:04.760 --> 0:17:07.560
<v Speaker 1>It is heavy handed because the messaging is very clear.

0:17:07.960 --> 0:17:10.080
<v Speaker 1>But I don't find that it's hitting you over the head.

0:17:10.119 --> 0:17:14.160
<v Speaker 1>It is subtle a story. It is done so well.

0:17:14.200 --> 0:17:16.920
<v Speaker 1>I thought, yeah, if you're a woman, it's heavy. It's

0:17:16.960 --> 0:17:19.399
<v Speaker 1>like if you know it, you can recognize it. But

0:17:19.440 --> 0:17:22.520
<v Speaker 1>I would say it's not heavy. Heavy handed is the

0:17:22.560 --> 0:17:24.879
<v Speaker 1>wrong word. It's just a clear message, clear like of

0:17:24.920 --> 0:17:27.240
<v Speaker 1>what they're talking about. It's not beating you over the

0:17:27.280 --> 0:17:31.320
<v Speaker 1>head for sure. But I thought the show was really good.

0:17:31.640 --> 0:17:34.239
<v Speaker 1>I love the twists and turns. At the end, I

0:17:34.320 --> 0:17:37.440
<v Speaker 1>was like, this is gonzo, Like the ending is gonzo,

0:17:37.600 --> 0:17:39.800
<v Speaker 1>But I thought, like, it's.

0:17:39.520 --> 0:17:42.280
<v Speaker 2>Not that gonzo because to me, it hammer's home. The

0:17:42.400 --> 0:17:45.360
<v Speaker 2>point spoiler. If you have not seen it and don't

0:17:45.400 --> 0:17:48.159
<v Speaker 2>want the end, just fast forward fast thirty seconds. I

0:17:48.240 --> 0:17:50.800
<v Speaker 2>have to say this, Casey, I don't know, plug your ears,

0:17:50.800 --> 0:17:54.480
<v Speaker 2>but I doubt you care. You're gonna watch this. But

0:17:56.040 --> 0:17:58.800
<v Speaker 2>I loved when she goes, yeah, I manage your allergies.

0:17:59.000 --> 0:18:00.000
<v Speaker 3>Yeah yeah, yeah.

0:18:00.480 --> 0:18:02.760
<v Speaker 1>I just thought that was but not that part. I

0:18:02.760 --> 0:18:05.480
<v Speaker 1>didn't think that part was Gonzo. I kind of thought,

0:18:05.520 --> 0:18:10.320
<v Speaker 1>just like how they're connected is like insane. Oh the car,

0:18:10.480 --> 0:18:13.800
<v Speaker 1>the car crashed, the babies, like they're both driving home

0:18:13.840 --> 0:18:15.160
<v Speaker 1>with new babies on the same night.

0:18:15.280 --> 0:18:18.400
<v Speaker 3>Like, but I liked it because it like shows the path.

0:18:18.480 --> 0:18:18.679
<v Speaker 1>You know.

0:18:18.760 --> 0:18:22.640
<v Speaker 3>It's like this guy that on the paper, I didn't

0:18:22.640 --> 0:18:24.000
<v Speaker 3>think he could get more evil.

0:18:24.480 --> 0:18:27.719
<v Speaker 2>And Sarah Snook was saying in an interview that like

0:18:28.400 --> 0:18:31.240
<v Speaker 2>for this all to work, she had to make sure

0:18:31.280 --> 0:18:33.560
<v Speaker 2>that it like she was obsessed with him in the beginning,

0:18:33.960 --> 0:18:36.240
<v Speaker 2>you know, like there she was really in love with

0:18:36.320 --> 0:18:38.640
<v Speaker 2>him and happy that to be in a relationship with him,

0:18:38.640 --> 0:18:38.840
<v Speaker 2>you know.

0:18:38.920 --> 0:18:42.800
<v Speaker 1>And somebody wrote something somewhere that I'm sorry, I can't

0:18:42.800 --> 0:18:44.200
<v Speaker 1>credit you because I don't remember, and it might have

0:18:44.240 --> 0:18:46.119
<v Speaker 1>been read it. But like they were like at this

0:18:46.320 --> 0:18:49.720
<v Speaker 1>point that that actor Jake Lacey, We're just you're not

0:18:49.760 --> 0:18:51.680
<v Speaker 1>gonna cast him in anything where I don't immediately think

0:18:51.720 --> 0:18:54.520
<v Speaker 1>he's the fucking villain, like he's so he was good

0:18:54.520 --> 0:18:56.679
<v Speaker 1>and obvious child and not a villain.

0:18:56.840 --> 0:18:59.080
<v Speaker 3>But yeah, then yeah, and then on it's just been.

0:18:59.000 --> 0:19:02.520
<v Speaker 1>Like yeah, but since and it's just been like douche vibes.

0:19:02.600 --> 0:19:04.639
<v Speaker 1>I was next to him at an airport, going to

0:19:05.040 --> 0:19:09.440
<v Speaker 1>UH with his family, going to Aspen for a gig

0:19:09.520 --> 0:19:11.080
<v Speaker 1>a couple like a year ago, a year and a

0:19:11.119 --> 0:19:14.200
<v Speaker 1>half ago, and I was like, damn, even in person,

0:19:14.240 --> 0:19:15.800
<v Speaker 1>I'm kind of like, are you a dick? Like I

0:19:15.800 --> 0:19:20.240
<v Speaker 1>don't know, he's definitely And then he played the We've

0:19:20.240 --> 0:19:23.840
<v Speaker 1>covered it on the podcast The Abducted in plain Sight,

0:19:24.040 --> 0:19:27.040
<v Speaker 1>a documentary that like, he plays that guy in the

0:19:27.119 --> 0:19:29.800
<v Speaker 1>dramatization of it that was on Hulu or whatever, like

0:19:29.840 --> 0:19:30.679
<v Speaker 1>a friend of the Family.

0:19:30.720 --> 0:19:31.400
<v Speaker 3>I think it's.

0:19:31.200 --> 0:19:34.520
<v Speaker 1>Called he plays the guy who like grooms his next

0:19:34.520 --> 0:19:35.359
<v Speaker 1>door neighbor and then.

0:19:35.320 --> 0:19:37.240
<v Speaker 3>Kidnaps her twice. Damn.

0:19:37.640 --> 0:19:39.879
<v Speaker 1>So like they're giving him he's taking a lot of

0:19:40.600 --> 0:19:41.520
<v Speaker 1>dirtbag rolls.

0:19:42.040 --> 0:19:45.280
<v Speaker 2>And the only thing that bothers me and it's kind

0:19:45.320 --> 0:19:47.679
<v Speaker 2>of informed. What I'm trying to work on is just

0:19:47.720 --> 0:19:52.520
<v Speaker 2>like I and this happened, and it's like so heavy handed.

0:19:52.680 --> 0:19:56.920
<v Speaker 2>In the foreshadow, they'll like zoom in on an item

0:19:56.960 --> 0:19:58.560
<v Speaker 2>and you're like, Okay, well, I guess that.

0:19:58.880 --> 0:20:01.280
<v Speaker 1>It's like those when they zoom in on a scar

0:20:01.480 --> 0:20:03.679
<v Speaker 1>and you're like, okay, flag that for follow up.

0:20:03.800 --> 0:20:05.360
<v Speaker 3>You know, I don't strike.

0:20:05.119 --> 0:20:08.680
<v Speaker 2>These little drops of stuff that are so like did

0:20:08.720 --> 0:20:11.320
<v Speaker 2>you see the security systems turned off, and.

0:20:11.280 --> 0:20:12.920
<v Speaker 3>It's like, yeah, we got it.

0:20:13.040 --> 0:20:16.120
<v Speaker 1>I don't, well because I don't really I get that

0:20:16.200 --> 0:20:19.320
<v Speaker 1>people maybe feel like they have to telegraph stuff for

0:20:19.440 --> 0:20:21.040
<v Speaker 1>people that are like dumb or something.

0:20:21.200 --> 0:20:23.359
<v Speaker 3>Not I'm we're on our phones they don't trust.

0:20:23.640 --> 0:20:27.480
<v Speaker 1>Yeah, is that it? It's called because the thing is

0:20:27.480 --> 0:20:29.879
<v Speaker 1>is like people are more sleuthy than ever. People are

0:20:29.920 --> 0:20:32.080
<v Speaker 1>more looking for Easter eggs than ever before. I mean,

0:20:32.119 --> 0:20:36.480
<v Speaker 1>I remember in mad Men, everybody's like Don Draper's wife

0:20:36.480 --> 0:20:38.280
<v Speaker 1>is going to get killed by the Manson family. There's

0:20:38.320 --> 0:20:41.120
<v Speaker 1>so many clues, there's so many Easter eggs, Like everyone's

0:20:41.160 --> 0:20:43.640
<v Speaker 1>looking for Easter eggs, like if you had just For example,

0:20:43.680 --> 0:20:45.199
<v Speaker 1>in All Her Fault, there is a moment where they

0:20:45.280 --> 0:20:47.399
<v Speaker 1>zoom in on Sarah Stook's scar on her shoulder and

0:20:47.440 --> 0:20:50.840
<v Speaker 1>they don't talk about it until for five episodes later.

0:20:51.440 --> 0:20:53.639
<v Speaker 1>Could they not just have shown her taking the selfie

0:20:53.640 --> 0:20:55.280
<v Speaker 1>and if you notice the scar, you notice the scar?

0:20:56.119 --> 0:20:57.320
<v Speaker 3>You know what I mean? It's the dumbing.

0:20:57.520 --> 0:20:59.800
<v Speaker 1>It's like the Internet would have said, I saw the

0:20:59.800 --> 0:21:01.119
<v Speaker 1>scar are in the selfie scene?

0:21:01.200 --> 0:21:03.040
<v Speaker 3>You know what I mean? Like, I'm with you.

0:21:03.200 --> 0:21:08.560
<v Speaker 2>I I don't like feeling like I'm an idiot that

0:21:08.600 --> 0:21:09.600
<v Speaker 2>I'm being treated.

0:21:09.280 --> 0:21:09.879
<v Speaker 3>Like an idiot.

0:21:10.119 --> 0:21:12.680
<v Speaker 1>I don't, yeah, but I agree. It's like they are.

0:21:12.720 --> 0:21:15.240
<v Speaker 1>They're not calling you an idiot, they're saying everyone's an idiot.

0:21:15.280 --> 0:21:15.960
<v Speaker 1>They're on their phones.

0:21:16.440 --> 0:21:16.600
<v Speaker 3>Like.

0:21:16.640 --> 0:21:20.040
<v Speaker 2>But I liked the I liked the Chicago element, of course,

0:21:20.119 --> 0:21:23.040
<v Speaker 2>and I liked the married element. I liked the now

0:21:23.160 --> 0:21:26.680
<v Speaker 2>way I live in Chicago, where you have that home,

0:21:26.880 --> 0:21:29.679
<v Speaker 2>I would, I believe because I think I told you

0:21:29.720 --> 0:21:31.280
<v Speaker 2>this last summer when I was on a boat. Remember

0:21:31.280 --> 0:21:32.520
<v Speaker 2>I was on a boat and then we passed the

0:21:32.520 --> 0:21:34.240
<v Speaker 2>house and he's like, I live there. So I feel

0:21:34.280 --> 0:21:38.800
<v Speaker 2>it's like Evanston, Winetka, like those first north Shore suburbs

0:21:39.200 --> 0:21:41.960
<v Speaker 2>on the water, or those homes and just that because

0:21:42.000 --> 0:21:43.879
<v Speaker 2>like when I grew up, me and my friends in

0:21:43.960 --> 0:21:45.719
<v Speaker 2>high school would get in her car and drive up

0:21:45.760 --> 0:21:47.800
<v Speaker 2>the North up the Lake Shore, drive all the way

0:21:47.840 --> 0:21:49.040
<v Speaker 2>north and look at the big houses.

0:21:49.080 --> 0:21:52.560
<v Speaker 3>That was like part of our like lives, like our

0:21:52.600 --> 0:21:53.120
<v Speaker 3>free time.

0:21:53.440 --> 0:21:57.400
<v Speaker 2>Yeah, so up like north Shore, the houses are big

0:21:57.440 --> 0:21:59.159
<v Speaker 2>and like up all the way to Lake Forest. But

0:21:59.200 --> 0:22:01.399
<v Speaker 2>I feel like they're more right north Shore because they

0:22:01.400 --> 0:22:02.640
<v Speaker 2>go to work in the city.

0:22:02.760 --> 0:22:06.080
<v Speaker 1>Because they do these like sweeping like drone shots of

0:22:06.119 --> 0:22:08.480
<v Speaker 1>their whole property and You're like, what the fuck that's

0:22:08.480 --> 0:22:10.000
<v Speaker 1>like in a city, Like it's crazy.

0:22:10.000 --> 0:22:12.280
<v Speaker 3>I mean, I know someone, but it's closed.

0:22:12.359 --> 0:22:14.359
<v Speaker 2>Someone said that they filmed it in a different place

0:22:14.400 --> 0:22:15.800
<v Speaker 2>and it was so obvious, and I'm like, I don't

0:22:15.800 --> 0:22:17.959
<v Speaker 2>think it was. It wasn't obvious to me because I know, like,

0:22:18.160 --> 0:22:20.520
<v Speaker 2>you can have those homes in Evanston, which is ten

0:22:20.560 --> 0:22:23.840
<v Speaker 2>minutes from the city or like thirty twenty minutes from downtown.

0:22:23.920 --> 0:22:24.080
<v Speaker 3>You know.

0:22:24.560 --> 0:22:29.000
<v Speaker 1>I was also very and you know, I'm just nitpicking.

0:22:29.200 --> 0:22:33.000
<v Speaker 1>I was very wonder I was wondering how Dakota Fanning's

0:22:33.040 --> 0:22:35.679
<v Speaker 1>character is so rich. And yes, there's generational well she

0:22:35.680 --> 0:22:39.119
<v Speaker 1>probably has family money, but she's sort of high up

0:22:39.160 --> 0:22:41.920
<v Speaker 1>in publishing, but not really because she's not. She's still

0:22:41.960 --> 0:22:44.280
<v Speaker 1>waiting for this big fish that she's trying to get. Right,

0:22:44.320 --> 0:22:48.080
<v Speaker 1>She's not like yeah making she means. And her husband's

0:22:48.080 --> 0:22:48.960
<v Speaker 1>a high school teacher.

0:22:49.080 --> 0:22:51.840
<v Speaker 2>I know there's he comes from money for sure, one

0:22:51.880 --> 0:22:54.320
<v Speaker 2>of them come from money because even working and publishing,

0:22:54.359 --> 0:22:56.159
<v Speaker 2>like he makes a comment to her like oh a

0:22:56.160 --> 0:22:59.040
<v Speaker 2>promotion and more responsibly even no more money. So that's

0:22:59.080 --> 0:23:01.960
<v Speaker 2>a passion project high school. That's like a passion thing

0:23:02.000 --> 0:23:04.560
<v Speaker 2>like that. Yeah, and they go to the same school.

0:23:04.680 --> 0:23:06.800
<v Speaker 1>They go to this same like private school with these

0:23:06.840 --> 0:23:09.440
<v Speaker 1>freaking people that have this massive So I was kind

0:23:09.440 --> 0:23:12.280
<v Speaker 1>of wondering, how Dakota fanning, But yeah, family money for sure.

0:23:13.640 --> 0:23:14.520
<v Speaker 3>I like it.

0:23:14.560 --> 0:23:17.399
<v Speaker 1>I like the friendship in it. I think that that

0:23:17.480 --> 0:23:20.320
<v Speaker 1>girl's relationship with her husband is so fucking nuts too.

0:23:20.920 --> 0:23:24.160
<v Speaker 1>The mom culture of it, with that that woman at

0:23:24.160 --> 0:23:27.040
<v Speaker 1>school that's always like, are you gonna volunteer for the fundraiser?

0:23:27.240 --> 0:23:29.840
<v Speaker 1>And like, you know, I thought there was like a

0:23:29.840 --> 0:23:31.600
<v Speaker 1>lot of good shit in that show.

0:23:31.640 --> 0:23:34.000
<v Speaker 2>It was really fun. I had a lot of fun.

0:23:34.960 --> 0:23:38.040
<v Speaker 2>I did watch a movie I hadn't seen ever before.

0:23:38.080 --> 0:23:40.120
<v Speaker 2>I watched Magnolia for the first time.

0:23:40.320 --> 0:23:44.639
<v Speaker 1>Wait, that's crazy because Jared has talked to me like

0:23:44.760 --> 0:23:48.680
<v Speaker 1>three times in the past two months about how Magnolia

0:23:48.760 --> 0:23:52.240
<v Speaker 1>is so good. And at Thanksgiving dinner, somebody was trying

0:23:52.240 --> 0:23:53.840
<v Speaker 1>to tell me that Tom Cruise has like never made

0:23:53.880 --> 0:23:55.520
<v Speaker 1>a bad movie and that he's a great person, and

0:23:55.560 --> 0:23:57.399
<v Speaker 1>I was like, I can't have this conversation with you,

0:23:58.440 --> 0:24:01.399
<v Speaker 1>But I was like, it could be a generous person

0:24:01.560 --> 0:24:05.600
<v Speaker 1>and I'm sure in general, but he's like, yeah, what

0:24:05.840 --> 0:24:08.880
<v Speaker 1>like and I was like, somebody told you one story

0:24:08.880 --> 0:24:10.639
<v Speaker 1>about how he's nice on a set. That does not

0:24:10.960 --> 0:24:12.960
<v Speaker 1>mean like that he's not responsible for a lot of

0:24:12.960 --> 0:24:14.040
<v Speaker 1>bad shit that's gone down.

0:24:14.080 --> 0:24:16.400
<v Speaker 2>Also, with rich people being nice, it's like sending everyone

0:24:16.440 --> 0:24:20.600
<v Speaker 2>a coconut cake doesn't affect him. Like it's also about

0:24:20.600 --> 0:24:22.760
<v Speaker 2>what you sacrifice when you do something nice, right, So

0:24:22.800 --> 0:24:26.320
<v Speaker 2>it's like buying pizzas for everyone on crew doesn't affect him.

0:24:26.640 --> 0:24:29.080
<v Speaker 2>He also sends Coda Fanning a pair of shoes every

0:24:29.160 --> 0:24:32.280
<v Speaker 2>year for her birthday. I saw that on an Instagram.

0:24:32.720 --> 0:24:34.000
<v Speaker 2>They worked on something together.

0:24:34.840 --> 0:24:38.120
<v Speaker 1>Sure, I'm like trying to think and he sends her shoes, right,

0:24:38.240 --> 0:24:39.160
<v Speaker 1>did she play his kid?

0:24:39.520 --> 0:24:45.720
<v Speaker 3>I don't know. I know she's worked with Denzel, but

0:24:46.080 --> 0:24:46.840
<v Speaker 3>I don't know.

0:24:46.960 --> 0:24:48.840
<v Speaker 1>She said it's Tom Cruise that he finds out her

0:24:48.880 --> 0:24:51.160
<v Speaker 1>size and like get her nice ass shoes.

0:24:52.359 --> 0:24:55.280
<v Speaker 3>They're in war of the World's war. That's it. Thank you,

0:24:55.800 --> 0:24:58.960
<v Speaker 3>thank you. Yep, it's a woman, it's a woman's worth.

0:24:59.280 --> 0:24:59.919
<v Speaker 3>So I don't think I.

0:25:00.040 --> 0:25:02.120
<v Speaker 1>Women's Where Daily picked it up right away in their

0:25:02.119 --> 0:25:07.000
<v Speaker 1>footwear news section. They're like, hold up, but somebody was saying, well,

0:25:07.040 --> 0:25:09.000
<v Speaker 1>have you ever seen Magnolia? And I go no, I've

0:25:09.000 --> 0:25:11.000
<v Speaker 1>never seen Magnolia. That's a blind spot for me. I

0:25:11.040 --> 0:25:12.240
<v Speaker 1>really need to see that movie.

0:25:12.320 --> 0:25:14.439
<v Speaker 2>Well, I bought it for four ninety nine because I'm

0:25:14.440 --> 0:25:16.320
<v Speaker 2>gonna watch it again because I didn't care for it,

0:25:16.400 --> 0:25:18.040
<v Speaker 2>but I like but I do think it's like one

0:25:18.040 --> 0:25:19.760
<v Speaker 2>of Tom Crus's best performances.

0:25:20.040 --> 0:25:23.440
<v Speaker 3>Okay, like he is really good in it. It's weird.

0:25:23.520 --> 0:25:26.520
<v Speaker 3>I have to give it another watch. Casey, I would say,

0:25:26.560 --> 0:25:29.080
<v Speaker 3>it's the movie that changed my life single handedly.

0:25:30.119 --> 0:25:32.520
<v Speaker 1>I went to film school after I wanted to go

0:25:32.520 --> 0:25:34.080
<v Speaker 1>to After I watched that movie, I was like.

0:25:34.119 --> 0:25:36.960
<v Speaker 3>I want to go to film school and move to California.

0:25:37.320 --> 0:25:41.080
<v Speaker 3>So I love me. I got a wow because I

0:25:41.200 --> 0:25:44.080
<v Speaker 3>like Hidings. Well. The reason I watched it.

0:25:44.160 --> 0:25:47.159
<v Speaker 2>Kate Berlant did an interview about gift giving, and I

0:25:47.160 --> 0:25:51.720
<v Speaker 2>guess in high school her friend gave her a prop

0:25:51.760 --> 0:25:53.680
<v Speaker 2>from the movie One of the Frogs.

0:25:54.160 --> 0:25:55.840
<v Speaker 3>Oh, okay, and.

0:25:55.760 --> 0:25:58.280
<v Speaker 2>So she has it authenticated and it's this like great

0:25:58.320 --> 0:26:01.800
<v Speaker 2>gift And I've just been on a Kate Berlant kick lately,

0:26:01.840 --> 0:26:06.200
<v Speaker 2>I would say. And so I went to watch Magnolia

0:26:06.280 --> 0:26:08.760
<v Speaker 2>because of it, and I have to I have to

0:26:08.760 --> 0:26:10.840
<v Speaker 2>watch it again because it's phil Seymour Hoffmann.

0:26:10.840 --> 0:26:16.440
<v Speaker 1>It's it's fun, but it was tough. Yeah, yeah, yeah,

0:26:16.440 --> 0:26:17.840
<v Speaker 1>I should watch it on the big screen. I watched

0:26:17.840 --> 0:26:19.919
<v Speaker 1>it on my laptop and I was playing Tetras, so

0:26:20.000 --> 0:26:21.560
<v Speaker 1>it's like, oh.

0:26:21.520 --> 0:26:22.280
<v Speaker 3>Yeah, oh my god.

0:26:22.520 --> 0:26:25.439
<v Speaker 1>There's like all these photos of him and Dakota together

0:26:25.520 --> 0:26:28.920
<v Speaker 1>doing press for War of the World. Okay, anyway, that

0:26:29.119 --> 0:26:31.600
<v Speaker 1>is our little recommendation corner for everybody.

0:26:32.760 --> 0:26:34.160
<v Speaker 3>Let's should we get started.

0:26:34.520 --> 0:26:37.840
<v Speaker 1>Go to GODA That's messed Up live dot com for

0:26:38.160 --> 0:26:40.000
<v Speaker 1>the link to Lisa's site. You can check out her

0:26:40.080 --> 0:26:43.480
<v Speaker 1>road dates. You can also buy our merch We have

0:26:43.560 --> 0:26:47.600
<v Speaker 1>our lowest Louise Louis Lewis whatever shirt that is amazing.

0:26:47.680 --> 0:26:51.960
<v Speaker 1>It's really soft and I love wearing it. It is

0:26:52.000 --> 0:26:54.360
<v Speaker 1>on sale as well as a Christmas ornament a couple

0:26:54.400 --> 0:26:55.040
<v Speaker 1>of other things.

0:26:55.280 --> 0:26:57.560
<v Speaker 3>Go buy some that's messed up crap.

0:26:57.359 --> 0:27:00.760
<v Speaker 1>For your for yourself and for your the TMU lover

0:27:00.880 --> 0:27:01.520
<v Speaker 1>in your life.

0:27:01.920 --> 0:27:08.960
<v Speaker 3>And let's get started. Let's go.

0:27:09.119 --> 0:27:14.479
<v Speaker 1>We're gonna do Pop Today, Season twelve, episode eleven.

0:27:14.760 --> 0:27:15.760
<v Speaker 3>No recollection of this.

0:27:15.840 --> 0:27:17.879
<v Speaker 2>Like I knew Drea Matteo is in this episode, so

0:27:17.880 --> 0:27:20.800
<v Speaker 2>when I sawry, I go, oh this one, But then

0:27:20.840 --> 0:27:23.679
<v Speaker 2>I went why don't I know this at all.

0:27:24.560 --> 0:27:27.840
<v Speaker 1>Absolutely knew there was an episode of this, have seen it.

0:27:28.800 --> 0:27:31.280
<v Speaker 1>I have seen Drea to Matteo. I've always known that

0:27:31.320 --> 0:27:36.080
<v Speaker 1>she was a guest, but totally was like, how's it

0:27:36.119 --> 0:27:36.640
<v Speaker 1>gonna end?

0:27:36.720 --> 0:27:39.040
<v Speaker 3>Like I really did, Like I love that, I love

0:27:39.160 --> 0:27:39.720
<v Speaker 3>I love.

0:27:39.600 --> 0:27:42.520
<v Speaker 1>Not remembering, and I have a lot of thoughts, but

0:27:42.600 --> 0:27:44.679
<v Speaker 1>let's let's let's let's start, okay.

0:27:44.840 --> 0:27:47.080
<v Speaker 3>So this episode comes out in twenty eleven.

0:27:47.080 --> 0:27:50.000
<v Speaker 1>We're going back to twenty eleven, and I always think

0:27:50.000 --> 0:27:51.960
<v Speaker 1>of season twelve, as you know, the final Benson and

0:27:51.960 --> 0:27:53.119
<v Speaker 1>Stabler together season.

0:27:53.200 --> 0:27:53.880
<v Speaker 3>So these are there.

0:27:54.200 --> 0:27:56.280
<v Speaker 1>These are sort of their final moments together, the last

0:27:56.320 --> 0:27:59.240
<v Speaker 1>few episodes of them together. They don't know it at

0:27:59.240 --> 0:28:02.560
<v Speaker 1>the time. So we open on a guy making balloon animals,

0:28:02.560 --> 0:28:05.880
<v Speaker 1>a carousel, carnival music, smiling children. So this is going

0:28:05.920 --> 0:28:09.320
<v Speaker 1>nowhere good because we're watching S FORU. And then this

0:28:09.400 --> 0:28:11.560
<v Speaker 1>guy is ushering all these kids off the marry go

0:28:11.720 --> 0:28:13.439
<v Speaker 1>round and he sees this one kid on the bench

0:28:14.080 --> 0:28:15.679
<v Speaker 1>he's on like one of those This is what Oscar

0:28:15.760 --> 0:28:17.320
<v Speaker 1>likes to ride when he goes on the carousel. He

0:28:17.359 --> 0:28:18.920
<v Speaker 1>likes to be in the bench where he sits down.

0:28:19.359 --> 0:28:21.639
<v Speaker 1>And I always have to go with him, and I'm like,

0:28:21.680 --> 0:28:23.000
<v Speaker 1>this is can we not go on the park that

0:28:23.040 --> 0:28:23.680
<v Speaker 1>goes up and down?

0:28:23.680 --> 0:28:23.879
<v Speaker 3>You know?

0:28:23.960 --> 0:28:26.360
<v Speaker 1>He wants the bench that looks like a peacock that's

0:28:26.359 --> 0:28:26.960
<v Speaker 1>his thing.

0:28:27.600 --> 0:28:29.160
<v Speaker 3>And this kid's lying on it.

0:28:29.520 --> 0:28:32.000
<v Speaker 1>And the guy goes, yeah, man, faking sleep's not going

0:28:32.080 --> 0:28:33.919
<v Speaker 1>to get you a free ride. He sees this like

0:28:34.160 --> 0:28:36.800
<v Speaker 1>nine ten year old kid like asleep, and he nudges

0:28:36.840 --> 0:28:38.800
<v Speaker 1>the kid and the kid falls right over and the

0:28:38.800 --> 0:28:40.280
<v Speaker 1>guy's like, someone call nine one one.

0:28:40.800 --> 0:28:40.960
<v Speaker 3>Now.

0:28:41.000 --> 0:28:43.280
<v Speaker 1>Ben's and his stabler are on the scene getting the scoop.

0:28:43.440 --> 0:28:46.560
<v Speaker 1>No parents, no id, no one's reported a kid missing

0:28:46.560 --> 0:28:49.280
<v Speaker 1>in the area. Melinda's like, the kid's body temp is

0:28:49.280 --> 0:28:51.280
<v Speaker 1>down two degrees and Stabler goes, so he's been dead

0:28:51.320 --> 0:28:52.120
<v Speaker 1>a little over an hour.

0:28:52.160 --> 0:28:52.960
<v Speaker 3>And Milinda's like.

0:28:52.960 --> 0:28:56.400
<v Speaker 1>Okay, go off, I guess you know some information about

0:28:56.400 --> 0:28:59.280
<v Speaker 1>forensics now, baby, And he's like, yeah, I wish I

0:28:59.320 --> 0:29:01.040
<v Speaker 1>wasn't so good at that, but I have been finding

0:29:01.080 --> 0:29:04.320
<v Speaker 1>dead kids for eleven years now. So we also know

0:29:04.440 --> 0:29:06.680
<v Speaker 1>that this kid is dead now that we're hearing about

0:29:06.680 --> 0:29:08.640
<v Speaker 1>the body temperature. Like I didn't know at the beginning,

0:29:08.680 --> 0:29:10.320
<v Speaker 1>it wasn't very clear that he was totally dead, but

0:29:10.320 --> 0:29:13.240
<v Speaker 1>the kid is dead. He's in clean clothes, he's got

0:29:13.280 --> 0:29:16.760
<v Speaker 1>new shoes. Maybe he's a runaway because when she lifts

0:29:16.800 --> 0:29:19.160
<v Speaker 1>up his shirt, he's got bruises all over his torso

0:29:19.240 --> 0:29:22.000
<v Speaker 1>that are healing. Some could be as old as two weeks.

0:29:22.000 --> 0:29:24.200
<v Speaker 1>They could be as recent as eighteen hours. She doesn't

0:29:24.240 --> 0:29:27.520
<v Speaker 1>really know. And Stabler's like, the only thing we do know.

0:29:27.680 --> 0:29:29.560
<v Speaker 1>Someone beat the hell out of this kid. And then

0:29:29.560 --> 0:29:32.080
<v Speaker 1>they do a close up on the cold dead body

0:29:32.080 --> 0:29:34.120
<v Speaker 1>of a kid who looks like he's nine. It's a lot,

0:29:34.480 --> 0:29:37.080
<v Speaker 1>and then we're at the credits, so now we're downloading

0:29:37.160 --> 0:29:39.239
<v Speaker 1>Daddy Craigan. The kid was on the carousel for an

0:29:39.360 --> 0:29:42.640
<v Speaker 1>hour before the guy noticed, So I guess falling asleep

0:29:42.680 --> 0:29:44.600
<v Speaker 1>isn't really the tact to getting a free ride. It's

0:29:44.640 --> 0:29:48.880
<v Speaker 1>just existing. Because this guy doesn't notice anything. It was crowded,

0:29:48.880 --> 0:29:50.760
<v Speaker 1>he said, he didn't check. The kid must have snuck on.

0:29:50.880 --> 0:29:55.480
<v Speaker 1>Elliott's going through you know CCTV footage or you know

0:29:55.560 --> 0:29:58.640
<v Speaker 1>security footage. And Benson's like, I gotta go. I've got

0:29:58.640 --> 0:30:01.600
<v Speaker 1>to find the missing witness on them marine trial. And

0:30:02.280 --> 0:30:05.680
<v Speaker 1>I wonder what was up because they don't usually dismiss

0:30:05.760 --> 0:30:08.239
<v Speaker 1>Benson for a full day unless she's like pregnant or

0:30:08.320 --> 0:30:10.800
<v Speaker 1>doing the VMA's or something like that. You know, like

0:30:11.400 --> 0:30:13.400
<v Speaker 1>we I don't know why she would just be like, bye,

0:30:13.400 --> 0:30:14.920
<v Speaker 1>I gotta go for the day and not be in

0:30:15.000 --> 0:30:16.880
<v Speaker 1>this episode of this show that I'm the star of.

0:30:16.960 --> 0:30:19.440
<v Speaker 3>But she ain't. She ain't here for much of the episode.

0:30:19.440 --> 0:30:20.520
<v Speaker 3>She comes back a little at the end.

0:30:20.720 --> 0:30:24.440
<v Speaker 1>Uh So, Stabler shows up with footage of the kid

0:30:25.520 --> 0:30:29.280
<v Speaker 1>getting out of a cab, So let's find this cab

0:30:29.440 --> 0:30:31.720
<v Speaker 1>the cab. Finn and Stabler go talk to the cab driver.

0:30:32.000 --> 0:30:33.640
<v Speaker 1>They show him the pick the picture of the kid

0:30:33.640 --> 0:30:36.200
<v Speaker 1>getting out, and dunt done. He's like, that's my nephew Ethan.

0:30:36.760 --> 0:30:40.280
<v Speaker 1>So now we're at Melinda's house and she's giving the

0:30:40.320 --> 0:30:43.920
<v Speaker 1>cops the cause of death tension pneumothorax, which like she

0:30:44.120 --> 0:30:47.520
<v Speaker 1>describes as a basically a broken rib that punctured his lungs.

0:30:48.080 --> 0:30:51.280
<v Speaker 1>Stabler thinks someone beat this kid and caused his bet

0:30:51.320 --> 0:30:53.040
<v Speaker 1>death and Melinda's like, no, but it could have been

0:30:53.080 --> 0:30:56.400
<v Speaker 1>an accident. I have to rule it inconclusive. So that's

0:30:56.440 --> 0:30:58.440
<v Speaker 1>we've talked about that before on the podcast. It can

0:30:58.520 --> 0:31:01.520
<v Speaker 1>either it's like it's not not either way, making a

0:31:01.560 --> 0:31:05.320
<v Speaker 1>determination it's inconclusive. So next we have the sad pull

0:31:05.400 --> 0:31:07.680
<v Speaker 1>the sheet back moment where the cab driver and his

0:31:07.800 --> 0:31:09.160
<v Speaker 1>sister are iding the body.

0:31:09.160 --> 0:31:09.720
<v Speaker 3>It's awful.

0:31:09.760 --> 0:31:13.240
<v Speaker 1>The mom is devastated, she's crying and don't worry, there's

0:31:13.280 --> 0:31:16.200
<v Speaker 1>more sadness to come. Ethan's father was a nine to

0:31:16.240 --> 0:31:19.840
<v Speaker 1>eleven like first responder and died from inhaling toxic dust.

0:31:20.400 --> 0:31:21.520
<v Speaker 3>So he's gone.

0:31:22.280 --> 0:31:24.880
<v Speaker 1>And Joe was his brother is his brother, and he's

0:31:24.920 --> 0:31:27.000
<v Speaker 1>the cab driver and he's been like filling in in

0:31:27.080 --> 0:31:29.680
<v Speaker 1>a dad role. And Ethan wasn't feeling good that day,

0:31:29.720 --> 0:31:31.520
<v Speaker 1>so he kept him home from school because he had

0:31:31.520 --> 0:31:32.480
<v Speaker 1>a stomach ache.

0:31:32.680 --> 0:31:33.360
<v Speaker 3>But they're like, but.

0:31:33.400 --> 0:31:35.480
<v Speaker 1>Why did you drop him off in your cab at

0:31:35.480 --> 0:31:38.000
<v Speaker 1>a playground or at a park and he's like, well,

0:31:38.040 --> 0:31:39.480
<v Speaker 1>he said he was feeling better and he asked me

0:31:39.480 --> 0:31:40.800
<v Speaker 1>if he could go to a birthday party.

0:31:41.720 --> 0:31:43.080
<v Speaker 3>Did he make it to the birthday party?

0:31:43.120 --> 0:31:45.160
<v Speaker 1>There's no birthday party there where They were like, hey,

0:31:45.240 --> 0:31:47.640
<v Speaker 1>Ethan was a guest here and now he's dead, Like,

0:31:47.720 --> 0:31:50.760
<v Speaker 1>I don't know. That's a hole that never gets closed up.

0:31:51.160 --> 0:31:53.160
<v Speaker 1>So when they tell the mom about the broken rib,

0:31:53.880 --> 0:31:56.920
<v Speaker 1>she suddenly knows exactly who did it. She goes, it's

0:31:56.960 --> 0:32:00.400
<v Speaker 1>that kid, that kid at school, Blake Murphy. He gave

0:32:00.520 --> 0:32:03.920
<v Speaker 1>Ethan a black eye two weeks before. So now we're

0:32:03.960 --> 0:32:07.720
<v Speaker 1>at Blake's house and this mom is hashtag boy momming

0:32:07.760 --> 0:32:10.280
<v Speaker 1>as hard as she fucking can. She's like, oh, the

0:32:10.320 --> 0:32:13.200
<v Speaker 1>school made such a federal case out of nothing. And

0:32:13.240 --> 0:32:15.840
<v Speaker 1>then she goes, Blake, get your heinie out here, and

0:32:15.880 --> 0:32:18.800
<v Speaker 1>I hadn't heard heine in a long time. And she's

0:32:18.840 --> 0:32:22.200
<v Speaker 1>annoyed that Blake got suspended for assaulting a teacher because

0:32:22.280 --> 0:32:23.800
<v Speaker 1>she had to stay home with him for a week

0:32:23.800 --> 0:32:27.280
<v Speaker 1>and miss work. And then they stopped this kid from

0:32:27.280 --> 0:32:30.120
<v Speaker 1>playing video games and he's like, no, Ethan was the

0:32:30.120 --> 0:32:32.160
<v Speaker 1>one hitting me. He kept telling Blake how he was

0:32:32.240 --> 0:32:34.640
<v Speaker 1>learning to fight so he could kick his ass, and

0:32:35.000 --> 0:32:36.480
<v Speaker 1>they were like, well, who was teaching him to fight?

0:32:36.520 --> 0:32:38.440
<v Speaker 1>And he goes, he said his uncle, Joe was teaching him.

0:32:38.480 --> 0:32:40.520
<v Speaker 1>So uh oh, let's go back around to this uncle

0:32:41.080 --> 0:32:43.680
<v Speaker 1>at the cab company. The boss shows them the GPS

0:32:43.720 --> 0:32:47.000
<v Speaker 1>where Joe is and he's an inwood Hill Park, which

0:32:47.040 --> 0:32:51.000
<v Speaker 1>is like up in the Bronx and no, he's Stabler's like, no,

0:32:51.000 --> 0:32:52.440
<v Speaker 1>one's going to take a cab from there, and the

0:32:52.480 --> 0:32:54.440
<v Speaker 1>boss is pissed. He's like, this guy's gonna lose his job.

0:32:54.480 --> 0:32:56.840
<v Speaker 1>He hasn't moved in a half an hour. So Finn

0:32:56.840 --> 0:32:59.040
<v Speaker 1>and Stabler pull up to this park. It's dark. They

0:32:59.040 --> 0:33:02.080
<v Speaker 1>see Joe and his cab. He's making some kind of

0:33:02.160 --> 0:33:05.000
<v Speaker 1>extremely obvious deal that they can see everything in the

0:33:05.080 --> 0:33:08.680
<v Speaker 1>darkness of him, you know, handing someone a lot of money.

0:33:08.960 --> 0:33:11.400
<v Speaker 1>Stabler and Finn start moving through the woods, but it's

0:33:11.480 --> 0:33:14.400
<v Speaker 1>kind of just like a few branches, like they're not actually,

0:33:14.400 --> 0:33:16.240
<v Speaker 1>it's not like a thicket. It's just them moving a

0:33:16.240 --> 0:33:18.400
<v Speaker 1>couple of branches out of the way. And then they

0:33:18.480 --> 0:33:22.080
<v Speaker 1>stumble upon this group of guys and they're watching two

0:33:22.280 --> 0:33:26.480
<v Speaker 1>others fight. They break it up and really quickly find

0:33:26.480 --> 0:33:30.280
<v Speaker 1>out that done done done. It's a fight club, and

0:33:30.320 --> 0:33:32.320
<v Speaker 1>they're like, no one's getting hurt here, we're doing this

0:33:32.440 --> 0:33:32.880
<v Speaker 1>for fun.

0:33:33.720 --> 0:33:36.320
<v Speaker 3>So now we will.

0:33:35.920 --> 0:33:39.360
<v Speaker 2>Obviously get into it with the crimes. But what is

0:33:39.400 --> 0:33:41.200
<v Speaker 2>your relationship with the movie Fight Club?

0:33:42.160 --> 0:33:45.400
<v Speaker 1>I mean, my relationship with the movie Flight Club is

0:33:45.400 --> 0:33:47.440
<v Speaker 1>that I watched it when it came out, but not

0:33:47.560 --> 0:33:50.240
<v Speaker 1>in the theater, in a dorm room with my friends,

0:33:50.240 --> 0:33:52.880
<v Speaker 1>and we thought it was a cinematic masterpiece, like we

0:33:52.960 --> 0:33:55.400
<v Speaker 1>had never seen anything better, Like we loved it so much,

0:33:55.440 --> 0:33:58.640
<v Speaker 1>we love the music, we love the movie. Like I

0:33:58.680 --> 0:34:00.920
<v Speaker 1>know now it's a bit of a it feels like

0:34:00.960 --> 0:34:02.920
<v Speaker 1>it's like an edge Lord's anthem type.

0:34:03.040 --> 0:34:07.720
<v Speaker 2>Well, because they've misunderstood it. Yes, it's a satire that

0:34:07.800 --> 0:34:11.440
<v Speaker 2>they missed. It's like the like so many things. Well,

0:34:11.440 --> 0:34:14.120
<v Speaker 2>it's like the Wall Street guys being into American psycho

0:34:14.680 --> 0:34:16.879
<v Speaker 2>and it's like yeah, no, no, no, no, no, no, that's

0:34:16.920 --> 0:34:18.319
<v Speaker 2>not what it's not aspirational.

0:34:18.320 --> 0:34:19.120
<v Speaker 3>We're making fun of you.

0:34:19.280 --> 0:34:23.080
<v Speaker 2>Yeah, yeah, yeah, I would say, because I was an

0:34:23.160 --> 0:34:27.840
<v Speaker 2>Edward Norton head. Yes, at this movie was everything to me,

0:34:28.239 --> 0:34:30.600
<v Speaker 2>and it made me start reading Chuck Pollonic books. And

0:34:30.640 --> 0:34:32.400
<v Speaker 2>I've read almost every single one of his books up

0:34:32.440 --> 0:34:36.640
<v Speaker 2>to Haunted. I owned them all multiple times, hardcovers. I

0:34:36.719 --> 0:34:40.000
<v Speaker 2>joined his Chuck Polani's fan club. I was in I'm

0:34:40.000 --> 0:34:42.439
<v Speaker 2>a sticker from the fan club on my mirror still

0:34:42.480 --> 0:34:45.680
<v Speaker 2>from my childhood bedroom, and I had a movie sized

0:34:45.719 --> 0:34:46.239
<v Speaker 2>poster in.

0:34:46.160 --> 0:34:51.120
<v Speaker 1>My college door room off club soap. Yeah, No, it

0:34:51.200 --> 0:34:53.640
<v Speaker 1>was that. I think it was the two of them.

0:34:53.960 --> 0:34:57.359
<v Speaker 1>I feel like I wouldn't have gotten it without their faces.

0:34:56.840 --> 0:34:59.200
<v Speaker 3>And well, no, it's like the one where brad Pitt's

0:34:59.200 --> 0:34:59.839
<v Speaker 3>holding the box.

0:35:00.040 --> 0:35:03.960
<v Speaker 1>It's like coming it right. I love Helena Bonham Carter,

0:35:04.080 --> 0:35:06.719
<v Speaker 1>I love Edward Norton. I've or expressed my at the

0:35:06.760 --> 0:35:09.040
<v Speaker 1>time adoration for brad Pitt, like so I was just

0:35:09.080 --> 0:35:11.160
<v Speaker 1>like all about it. I like loved that movie. I

0:35:11.160 --> 0:35:14.279
<v Speaker 1>thought it was so cool and like and well, sure

0:35:14.680 --> 0:35:15.560
<v Speaker 1>is so cool.

0:35:15.920 --> 0:35:19.759
<v Speaker 2>And I guess it didn't do well in the box

0:35:19.800 --> 0:35:23.520
<v Speaker 2>office and it was panned. It's in the in the DVDs.

0:35:23.600 --> 0:35:25.520
<v Speaker 2>Is when it came to like everyone was like, this

0:35:25.560 --> 0:35:28.960
<v Speaker 2>is trash. Rosy O'Donnell I remember ruined it for me

0:35:29.000 --> 0:35:32.680
<v Speaker 2>on her show. She revealed the end oh wow before

0:35:32.680 --> 0:35:34.160
<v Speaker 2>I even saw it. But I was young enough that

0:35:34.200 --> 0:35:36.160
<v Speaker 2>didn't bother me or something like that, Like but I

0:35:36.160 --> 0:35:39.600
<v Speaker 2>remember her being like, what the fuck? And one of

0:35:39.600 --> 0:35:42.360
<v Speaker 2>the articles I read for the crime talked about Rose A.

0:35:42.400 --> 0:35:43.000
<v Speaker 3>Donald doing it.

0:35:43.000 --> 0:35:44.600
<v Speaker 1>It was at a time where like a kind of

0:35:44.640 --> 0:35:47.960
<v Speaker 1>a twist was like, so a big twist at the end,

0:35:48.120 --> 0:35:49.879
<v Speaker 1>was like, I mean, isn't it around the same time

0:35:49.920 --> 0:35:52.839
<v Speaker 1>as like I see dead people and that like you know.

0:35:52.920 --> 0:35:56.279
<v Speaker 2>How shit, Yeah, And that's what Rosie was saying. She goes,

0:35:56.360 --> 0:36:00.920
<v Speaker 2>well that the sixth sense was better because here he

0:36:01.040 --> 0:36:05.160
<v Speaker 2>gave him a business card, and I get the sentiment

0:36:05.200 --> 0:36:07.640
<v Speaker 2>of like, you shouldn't have a physical card and hand

0:36:07.719 --> 0:36:10.600
<v Speaker 2>it over if you're a figment of someone's imagination or something.

0:36:11.080 --> 0:36:14.920
<v Speaker 2>But like Bitch has barely been out, like you can't

0:36:14.960 --> 0:36:19.400
<v Speaker 2>say that, but it sold sixteen million DVDs.

0:36:19.800 --> 0:36:22.000
<v Speaker 3>Wow, And that's how I watched it. I watched it

0:36:22.040 --> 0:36:23.480
<v Speaker 3>on DVD and.

0:36:23.480 --> 0:36:25.799
<v Speaker 2>Fincher, I guess these are just facts that won't be

0:36:25.920 --> 0:36:28.080
<v Speaker 2>in the crime. But I learned from reading all this stuff.

0:36:28.440 --> 0:36:32.040
<v Speaker 2>It was Edward Norton looked like the most ordinary actor

0:36:32.080 --> 0:36:34.640
<v Speaker 2>he'd ever seen, and he fought to have him. And

0:36:34.680 --> 0:36:37.160
<v Speaker 2>then they also talked about how Brad Pitch just like

0:36:37.800 --> 0:36:40.640
<v Speaker 2>set the bar for like six pack was invented after

0:36:40.680 --> 0:36:43.480
<v Speaker 2>that movie, like that he set the bar for action stars.

0:36:43.480 --> 0:36:46.520
<v Speaker 2>Like his body in that movie is like it's pretty

0:36:46.560 --> 0:36:50.839
<v Speaker 2>nuts wild. Yeah, No, I I loved it.

0:36:50.560 --> 0:36:52.040
<v Speaker 3>Seems were crazy movie.

0:36:52.120 --> 0:36:54.359
<v Speaker 1>It was just dark and bad and like meat Loaf

0:36:54.400 --> 0:36:56.839
<v Speaker 1>has tits and you're like, what the fuck is going on?

0:36:57.320 --> 0:37:01.920
<v Speaker 3>What's this penguin? Like I just it really blew was

0:37:02.000 --> 0:37:05.359
<v Speaker 3>Robert Paulson right? Is that? Yeah? Like there's so much

0:37:05.360 --> 0:37:07.640
<v Speaker 3>from it. Like that's the thing. I don't really feel

0:37:07.680 --> 0:37:09.000
<v Speaker 3>like I've rewatched it.

0:37:09.160 --> 0:37:12.160
<v Speaker 1>I've maybe caught it again like a piece of it,

0:37:12.200 --> 0:37:14.719
<v Speaker 1>but I don't really feel like I've rewatched it a ton.

0:37:14.880 --> 0:37:16.359
<v Speaker 3>I think I've seen it more than once, but.

0:37:16.440 --> 0:37:19.400
<v Speaker 1>Like, oh, I watched it once every year or two,

0:37:19.600 --> 0:37:22.319
<v Speaker 1>I would say, yeah, it's a it's it was. It's

0:37:22.320 --> 0:37:24.680
<v Speaker 1>a good one. But that's interesting how it's been kind

0:37:24.680 --> 0:37:30.759
<v Speaker 1>of like bastardized by a different culture of guys. But

0:37:31.600 --> 0:37:33.759
<v Speaker 1>the that's the end of Act one. Though of this

0:37:33.880 --> 0:37:36.000
<v Speaker 1>episode is we're finding out that this is a fucking

0:37:36.000 --> 0:37:38.200
<v Speaker 1>fight club and it's twenty eleven. So I don't know

0:37:38.200 --> 0:37:40.680
<v Speaker 1>if that's like a time Liza is gonna get into it,

0:37:40.719 --> 0:37:42.200
<v Speaker 1>but apparently people are fight clubbing.

0:37:42.600 --> 0:37:44.840
<v Speaker 2>So in wood reun also is this thing of like

0:37:44.960 --> 0:37:47.680
<v Speaker 2>is it like a Marilyn Manson video games are disrupting

0:37:47.719 --> 0:37:49.880
<v Speaker 2>the youth or like is it a blame or is

0:37:49.880 --> 0:37:50.279
<v Speaker 2>it a.

0:37:50.160 --> 0:37:51.879
<v Speaker 3>Thing that right some people do.

0:37:52.480 --> 0:37:57.400
<v Speaker 1>Yeah, So at the top of act two, we're in

0:37:57.440 --> 0:37:59.560
<v Speaker 1>Woodroom Blinds. One of the kids from the fight is

0:37:59.640 --> 0:38:02.479
<v Speaker 1>Nicki Roberts. Stabler goes to talk to him, asks about

0:38:02.480 --> 0:38:05.399
<v Speaker 1>his fight with this kid Anthony, and he's like, oh,

0:38:05.440 --> 0:38:08.120
<v Speaker 1>tonight was our first fight. I never knew him before, Like,

0:38:08.560 --> 0:38:11.399
<v Speaker 1>and uh, how did this come to be? He goes

0:38:11.440 --> 0:38:14.040
<v Speaker 1>Pop set it up and they're like, who's Pop and

0:38:14.080 --> 0:38:18.040
<v Speaker 1>he's like his dad hank uh And they're like, he

0:38:18.040 --> 0:38:19.839
<v Speaker 1>looks kind of young to be your dad, like cause

0:38:19.840 --> 0:38:23.160
<v Speaker 1>you're thirteen or something. And he's like, oh, he married

0:38:23.160 --> 0:38:26.560
<v Speaker 1>my mom five years ago. He adopted me and said

0:38:26.600 --> 0:38:31.080
<v Speaker 1>I have to call him Pop, which is wild I

0:38:32.000 --> 0:38:35.040
<v Speaker 1>And it's one of these double, these clever nicknames of

0:38:35.080 --> 0:38:36.759
<v Speaker 1>these shows, Like I always think of it as pop,

0:38:36.840 --> 0:38:39.440
<v Speaker 1>like poping someone in the face, you know, and but

0:38:39.480 --> 0:38:41.239
<v Speaker 1>it's also what he has to call his stepdad. So

0:38:41.840 --> 0:38:45.399
<v Speaker 1>just as Stabler is asking, well does your stepdad make

0:38:45.440 --> 0:38:48.560
<v Speaker 1>you fight? In walks the mom and it's Drea de Matteo.

0:38:48.719 --> 0:38:53.759
<v Speaker 1>As we've mentioned of Soprano's fame, she has gone a

0:38:53.840 --> 0:38:56.359
<v Speaker 1>little bit off the deep end. I feel like I

0:38:56.400 --> 0:38:59.560
<v Speaker 1>saw her on a podcast recently talking about chemtrail.

0:39:00.440 --> 0:39:02.560
<v Speaker 3>Casey's nodding, I don't know what a Kim trail is.

0:39:02.600 --> 0:39:03.239
<v Speaker 3>What's going on?

0:39:03.880 --> 0:39:05.960
<v Speaker 1>Yeah, I think that's why we didn't try to get

0:39:05.960 --> 0:39:09.560
<v Speaker 1>her for the pod, because I actually know somebody who

0:39:09.640 --> 0:39:11.120
<v Speaker 1>kind of knows her, And I feel like I could

0:39:11.120 --> 0:39:12.879
<v Speaker 1>have tried, and I was like, no, we can't. She's

0:39:12.920 --> 0:39:16.919
<v Speaker 1>like maga, She's like KEM trail, Like, keem trails are

0:39:16.960 --> 0:39:18.759
<v Speaker 1>like kem trails are like do you ever look up

0:39:18.760 --> 0:39:21.640
<v Speaker 1>in the sky and just see like a white like

0:39:21.640 --> 0:39:24.239
<v Speaker 1>like not a cloud, but like a white plume going

0:39:24.239 --> 0:39:25.000
<v Speaker 1>across the sky.

0:39:25.200 --> 0:39:25.520
<v Speaker 3>Yeah.

0:39:25.640 --> 0:39:31.600
<v Speaker 1>People think that's chemicals being distributed onto our crops, into

0:39:31.600 --> 0:39:34.239
<v Speaker 1>our water supply to control us to do this and that,

0:39:34.320 --> 0:39:36.400
<v Speaker 1>like there's a whole conspiracy about chemtrails.

0:39:37.320 --> 0:39:38.319
<v Speaker 3>And I saw her.

0:39:38.520 --> 0:39:42.239
<v Speaker 1>She went on the podcast of Jamie Lin Sigler and

0:39:42.280 --> 0:39:44.000
<v Speaker 1>whoever plays the brother on the Sopranos.

0:39:44.000 --> 0:39:46.640
<v Speaker 3>They have a podcast. Yeah I like it, right, Why

0:39:46.760 --> 0:39:48.279
<v Speaker 3>one of the clips but I like that?

0:39:48.360 --> 0:39:50.440
<v Speaker 1>Well, yeah, I saw one of the clips and she's

0:39:50.560 --> 0:39:53.040
<v Speaker 1>on and she's talking to them about how she's done

0:39:53.080 --> 0:39:56.200
<v Speaker 1>her own research about kemtrails and she's like, I started

0:39:56.239 --> 0:39:59.960
<v Speaker 1>to notice that the snow tasted differently, and they're like,

0:40:00.440 --> 0:40:03.000
<v Speaker 1>you're eating the snow. She goes, yeah, I gotta find

0:40:03.000 --> 0:40:05.120
<v Speaker 1>out what's going on. She was talking about like tasting

0:40:05.320 --> 0:40:09.600
<v Speaker 1>snow pre and post chemtrail and Jamie and Jamie Lynn

0:40:09.640 --> 0:40:13.440
<v Speaker 1>and the host were just like uh huh yeah, Like

0:40:13.480 --> 0:40:15.959
<v Speaker 1>they were just kind of like, well, we're not gonna

0:40:16.000 --> 0:40:18.080
<v Speaker 1>like call you out for being kogub bananas right here,

0:40:18.080 --> 0:40:20.560
<v Speaker 1>but like she's got some pretty fringe ideas.

0:40:20.600 --> 0:40:21.040
<v Speaker 3>I'll say that.

0:40:21.640 --> 0:40:27.400
<v Speaker 1>Uh so, I know, disappointing, but she's was at a

0:40:27.440 --> 0:40:30.799
<v Speaker 1>time at this time was quite famous for the Sopranos,

0:40:30.840 --> 0:40:33.480
<v Speaker 1>and this is like a big guest star for her.

0:40:34.080 --> 0:40:39.160
<v Speaker 1>And uh she's she comes barging into the room. Her

0:40:39.200 --> 0:40:42.680
<v Speaker 1>name is Sandra, and she's like, I don't want to

0:40:42.719 --> 0:40:44.640
<v Speaker 1>hear shit from you. Like she doesn't even really like

0:40:44.640 --> 0:40:46.800
<v Speaker 1>talk Tostable, doesn't even let him talk, and she's like, Nikki,

0:40:46.880 --> 0:40:48.960
<v Speaker 1>let's go. And Stabler's like, excuse me, I'm not done

0:40:48.960 --> 0:40:50.680
<v Speaker 1>with him, and she's a pushy broad like she's like,

0:40:50.719 --> 0:40:52.560
<v Speaker 1>I'm taking my son and my husband and we're getting

0:40:52.560 --> 0:40:55.560
<v Speaker 1>out of here. And the kid looks back at Stabler

0:40:55.640 --> 0:40:57.560
<v Speaker 1>as his mom drags him away, and it's kind of

0:40:57.560 --> 0:40:59.880
<v Speaker 1>one of those looks, one of those looks that hauntspent

0:41:00.040 --> 0:41:01.920
<v Speaker 1>and is Stabler when a kid is like, you're not

0:41:01.960 --> 0:41:05.719
<v Speaker 1>gonna help me, like and so Stabler sees the other

0:41:05.800 --> 0:41:08.719
<v Speaker 1>kid from the fight walking away. Ed is like so

0:41:08.760 --> 0:41:11.280
<v Speaker 1>he's just walking and Hardwick's like, well it's his first defense,

0:41:11.320 --> 0:41:14.040
<v Speaker 1>so it's a desk ticket, bye bye, and Stabler's pissed.

0:41:14.080 --> 0:41:16.680
<v Speaker 1>She He's like, these guys are forcing their kids to

0:41:16.719 --> 0:41:20.239
<v Speaker 1>fight and they're betting on it. And she's like, well,

0:41:20.280 --> 0:41:22.360
<v Speaker 1>the boy didn't say he was forced, so it seems

0:41:22.360 --> 0:41:25.080
<v Speaker 1>like it's just for sport. And they're like, well, what

0:41:25.120 --> 0:41:28.120
<v Speaker 1>about the dead kid Ethan And she's like, hold on,

0:41:28.280 --> 0:41:29.960
<v Speaker 1>dead kid, Like what does that have to do with this?

0:41:30.160 --> 0:41:32.560
<v Speaker 1>And they're like, well, we saw his uncle Joe paying

0:41:32.560 --> 0:41:36.200
<v Speaker 1>off Nicki steppedad Hank and it's probably because Ethan lost

0:41:36.239 --> 0:41:39.160
<v Speaker 1>to Nicki in a fight, and Finn's like, yeah, like

0:41:39.760 --> 0:41:41.799
<v Speaker 1>there definitely was a fight, but we just have to

0:41:41.840 --> 0:41:44.879
<v Speaker 1>prove it. So in the cement room bars we've got

0:41:44.920 --> 0:41:49.680
<v Speaker 1>Hank Roberts and he gives Stabler this like sort of cocky,

0:41:49.800 --> 0:41:52.520
<v Speaker 1>half assed apology like, sorry, officer, we didn't know we

0:41:52.520 --> 0:41:55.359
<v Speaker 1>were doing anything wrong. And they're like, well, you were

0:41:55.400 --> 0:41:57.400
<v Speaker 1>promoting gambling, so you're gonna get a ticket for that,

0:41:57.440 --> 0:42:00.239
<v Speaker 1>and he's like, yeah, but you know I could of

0:42:00.320 --> 0:42:02.520
<v Speaker 1>Like I could have you could have get let me

0:42:02.520 --> 0:42:02.839
<v Speaker 1>out of here.

0:42:02.840 --> 0:42:04.200
<v Speaker 3>A while ago with the ticket. What's going on?

0:42:04.200 --> 0:42:05.920
<v Speaker 1>And they're like, well, let's talk about that. You know,

0:42:06.040 --> 0:42:08.759
<v Speaker 1>fat stack of cash. We saw Joe handing you and

0:42:08.800 --> 0:42:10.520
<v Speaker 1>he goes, what do you want? Like it was alone,

0:42:10.560 --> 0:42:13.160
<v Speaker 1>he needed he needed a car repair. I gave him

0:42:13.200 --> 0:42:16.360
<v Speaker 1>a loan and Stabler's not buying and he's like, well,

0:42:16.520 --> 0:42:20.560
<v Speaker 1>Joe's next door talking, so we're obviously doing a back

0:42:20.600 --> 0:42:23.280
<v Speaker 1>and forth cut next door to where Finn is putting

0:42:23.280 --> 0:42:25.719
<v Speaker 1>the fear of God in Joe the uncle, being like,

0:42:25.920 --> 0:42:27.640
<v Speaker 1>you know you're good for the murder of your fucking

0:42:27.719 --> 0:42:31.080
<v Speaker 1>nephew right now, you little shit, And Joe's like denying everything,

0:42:31.200 --> 0:42:33.600
<v Speaker 1>and Finn's like turning up the heat. He's like, you're

0:42:33.600 --> 0:42:36.080
<v Speaker 1>a pimp making a couple bucks watching your nephew get

0:42:36.080 --> 0:42:39.279
<v Speaker 1>beat to death, scumbag, like you probably bet against your

0:42:39.320 --> 0:42:42.160
<v Speaker 1>own nephew. And then Joe pipes up and goes, no,

0:42:42.280 --> 0:42:44.880
<v Speaker 1>that's against the rules. And then it's like you just

0:42:44.920 --> 0:42:46.920
<v Speaker 1>told on yourself, bro, Like now we know that this

0:42:46.960 --> 0:42:50.600
<v Speaker 1>is some kind of actual organized fucking thing, where what rules?

0:42:50.719 --> 0:42:51.520
<v Speaker 3>Finn wants to know.

0:42:52.040 --> 0:42:54.799
<v Speaker 1>Back to Stabler, pushing Hank for more details about this

0:42:54.920 --> 0:42:56.920
<v Speaker 1>kiddy fight club, and he goes, so you just let

0:42:56.960 --> 0:42:59.719
<v Speaker 1>your steps on beat kids up while you pocket the cash,

0:42:59.760 --> 0:43:02.400
<v Speaker 1>and Hank's like, I got a right to remain silent.

0:43:02.880 --> 0:43:04.759
<v Speaker 3>And then Stabler's like.

0:43:04.840 --> 0:43:07.040
<v Speaker 1>Yeah, okay, well I got dirt on you, like and

0:43:07.080 --> 0:43:09.520
<v Speaker 1>he pulls out his rap sheet. He's got three nine

0:43:09.600 --> 0:43:13.440
<v Speaker 1>one one calls for domestic violence and he's like, neighbors

0:43:13.480 --> 0:43:14.360
<v Speaker 1>made those calls.

0:43:14.440 --> 0:43:16.759
<v Speaker 3>I was never arrested, as if that's.

0:43:16.520 --> 0:43:18.960
<v Speaker 1>Like a badge of honor, Like, yeah, I got away

0:43:18.960 --> 0:43:22.080
<v Speaker 1>with it three times, and Stabler's like, oh yeah, because

0:43:22.080 --> 0:43:24.000
<v Speaker 1>you know where to punch so no marks are left.

0:43:24.440 --> 0:43:24.600
<v Speaker 3>Yeah.

0:43:24.640 --> 0:43:27.120
<v Speaker 1>I noticed that you're ten years younger than your wife.

0:43:27.120 --> 0:43:29.080
<v Speaker 1>She probably thought she got so lucky with you until

0:43:29.120 --> 0:43:32.200
<v Speaker 1>you started smacking her around. You hit Nikki too, and

0:43:32.239 --> 0:43:34.759
<v Speaker 1>he goes, I love my son, and then he's like,

0:43:34.800 --> 0:43:36.320
<v Speaker 1>well then why are you hooring him out as a

0:43:36.360 --> 0:43:39.840
<v Speaker 1>punching bag. And Stabler is really taunting this guy, and

0:43:39.840 --> 0:43:42.800
<v Speaker 1>then finally Hank stands up and they're doing their little

0:43:42.840 --> 0:43:44.680
<v Speaker 1>like dance that they do where they move in a

0:43:44.680 --> 0:43:46.680
<v Speaker 1>circle and they kind of look like they're about to kiss,

0:43:46.760 --> 0:43:49.280
<v Speaker 1>you know. It's like this close talking thing that Stable

0:43:49.360 --> 0:43:52.399
<v Speaker 1>does with everybody, and he's like, what kind of man

0:43:52.480 --> 0:43:54.399
<v Speaker 1>does that? And he's like, why don't you take off

0:43:54.400 --> 0:43:56.399
<v Speaker 1>your gun and I'll show you. So this guy Hank

0:43:56.440 --> 0:43:59.279
<v Speaker 1>wants to fucking square up with Stabler, and Stabler's big.

0:43:59.280 --> 0:44:00.720
<v Speaker 1>I don't know why you think you can just fucking

0:44:01.080 --> 0:44:02.960
<v Speaker 1>take Stabler and Stable.

0:44:03.080 --> 0:44:04.799
<v Speaker 3>He's pretty outwardly muscular.

0:44:04.880 --> 0:44:08.120
<v Speaker 1>There's like, right, it's not like, oh, man, underneath that

0:44:08.120 --> 0:44:10.040
<v Speaker 1>big sweatshirt, I didn't know it. He wears these like

0:44:10.040 --> 0:44:12.239
<v Speaker 1>little dress shirts that are he's busting out of them.

0:44:12.320 --> 0:44:14.799
<v Speaker 3>You know, we've seen the butt too. Come on, he's

0:44:14.800 --> 0:44:15.520
<v Speaker 3>doing squats.

0:44:16.080 --> 0:44:18.440
<v Speaker 1>So Stabler slams him up against the wall in a

0:44:18.520 --> 0:44:20.399
<v Speaker 1>choke hold, and he's like, I don't have my gun

0:44:20.480 --> 0:44:22.239
<v Speaker 1>on me, but I've been looking for an excuse to

0:44:22.360 --> 0:44:25.880
<v Speaker 1>manhandle your ass. So Craigan walks in to get Stabler

0:44:26.000 --> 0:44:28.359
<v Speaker 1>to drop the guy. We've always got, Craigan. They always

0:44:28.400 --> 0:44:30.320
<v Speaker 1>have to have somebody watching Stable. Do you think Stabler's

0:44:30.320 --> 0:44:33.160
<v Speaker 1>ever done an unsupervised thing, because he'll he'll kill somebody

0:44:33.160 --> 0:44:35.600
<v Speaker 1>if you don't look out for him. And then Hardwick

0:44:35.719 --> 0:44:37.400
<v Speaker 1>is like, you're just gonna like rough that guy up

0:44:37.520 --> 0:44:39.200
<v Speaker 1>right in front of me. You just like bait him.

0:44:39.239 --> 0:44:41.560
<v Speaker 1>And then choke him out, like what the fuck? And

0:44:42.320 --> 0:44:44.880
<v Speaker 1>in the next room, Uncle Joe is spilling. He's like,

0:44:45.280 --> 0:44:47.840
<v Speaker 1>Hank never told me that Nicky was so much bigger

0:44:47.840 --> 0:44:51.279
<v Speaker 1>than Ethan. Like this idiot, this uncle cab driver is

0:44:51.360 --> 0:44:52.839
<v Speaker 1>just like I thought it was just gonna be two

0:44:52.880 --> 0:44:54.719
<v Speaker 1>little kids hitting each other. I didn't realize how big

0:44:54.800 --> 0:44:56.759
<v Speaker 1>this kid was. And to be fair, this kid Nicki

0:44:56.920 --> 0:44:59.720
<v Speaker 1>is like, not to sound girl, he's like a jacked

0:44:59.760 --> 0:45:02.640
<v Speaker 1>thirt ten year old, Like he's very strong, Like he's

0:45:02.840 --> 0:45:06.640
<v Speaker 1>very very muscly, and the other kid that they found

0:45:06.640 --> 0:45:09.200
<v Speaker 1>on the carousel looks little like so this was not

0:45:09.239 --> 0:45:12.040
<v Speaker 1>a fair fight. And he's like I tried to stop

0:45:12.080 --> 0:45:14.480
<v Speaker 1>the fight, but Hank held me back. By the time

0:45:14.480 --> 0:45:16.439
<v Speaker 1>I broke free, Ethan was on the ground. I didn't

0:45:16.440 --> 0:45:18.520
<v Speaker 1>mean for him to get hurt. And it's like you didn't.

0:45:18.520 --> 0:45:20.840
<v Speaker 1>Also didn't bring him to a hospital either, did you. Like,

0:45:20.880 --> 0:45:22.759
<v Speaker 1>you didn't bring him to get any medical attention. You

0:45:22.840 --> 0:45:24.160
<v Speaker 1>just took him home and let him stay home from

0:45:24.200 --> 0:45:27.320
<v Speaker 1>school with a stomach ache. Hardwick is like, Okay, well

0:45:27.680 --> 0:45:30.480
<v Speaker 1>tell Joe, we're going to charge him for criminally negligent homicide.

0:45:30.880 --> 0:45:33.839
<v Speaker 1>And what about Hank Stabler wants to know. Well, Hank

0:45:33.880 --> 0:45:35.880
<v Speaker 1>can't be charged on the word of a co conspirator.

0:45:36.200 --> 0:45:38.479
<v Speaker 1>We have to find another witness who saw the fight.

0:45:39.200 --> 0:45:42.400
<v Speaker 1>So and Joe's an idiot. He should have just given

0:45:42.600 --> 0:45:44.560
<v Speaker 1>He should have angled for a deal and said, I'll

0:45:44.560 --> 0:45:46.640
<v Speaker 1>tell you everything if I get immunity, and this guy,

0:45:46.640 --> 0:45:49.759
<v Speaker 1>I'll tell you everything about Hank because he's the fucking ringleader.

0:45:49.760 --> 0:45:53.000
<v Speaker 1>It seems like, so Stabler's pissed. We're just giving Hank

0:45:53.040 --> 0:45:55.560
<v Speaker 1>free reign to beat his wife and son. So now

0:45:55.600 --> 0:45:59.000
<v Speaker 1>Stabler's at the desk with the whole family, Hank, Sandra,

0:45:59.120 --> 0:46:02.840
<v Speaker 1>and Nicki, and he's writing out the desk ticket and

0:46:02.880 --> 0:46:07.280
<v Speaker 1>he goes to leave with Sandra and Nicki, and Stabler

0:46:07.320 --> 0:46:10.160
<v Speaker 1>goes Nicky and she's like, get away from my son.

0:46:10.200 --> 0:46:12.360
<v Speaker 1>But Stable just gives him like a handshake and was like,

0:46:12.480 --> 0:46:14.600
<v Speaker 1>nice to meet you. But he's obviously slipping him a

0:46:14.600 --> 0:46:18.640
<v Speaker 1>card as they love to do. As if I don't know,

0:46:18.920 --> 0:46:20.839
<v Speaker 1>I guess there's nine one one, but I guess it's

0:46:20.880 --> 0:46:22.319
<v Speaker 1>it is a good idea. The card is a good

0:46:22.320 --> 0:46:24.640
<v Speaker 1>idea because you know, Olivia gets people close to her

0:46:24.640 --> 0:46:26.279
<v Speaker 1>and then it's like, here's my number, call me day

0:46:26.320 --> 0:46:26.560
<v Speaker 1>or night.

0:46:26.600 --> 0:46:28.359
<v Speaker 3>It's smart. Craigan like knows his boy.

0:46:28.480 --> 0:46:31.560
<v Speaker 1>He's like, you better not, Stabler, stay away from that kid.

0:46:32.000 --> 0:46:35.160
<v Speaker 1>And Stabler's like, no, I'm going home. And it's like, yeah, right,

0:46:35.200 --> 0:46:36.880
<v Speaker 1>you're like allergic to your home, you're not going to

0:46:36.920 --> 0:46:39.919
<v Speaker 1>your home. And but at home, he does go home

0:46:40.080 --> 0:46:42.840
<v Speaker 1>and he's sitting on his bed and he's just Eli

0:46:43.120 --> 0:46:45.960
<v Speaker 1>is lying there awake, second on a pacifier, and they're

0:46:45.960 --> 0:46:47.799
<v Speaker 1>just staring at each other, like it's not like he's

0:46:48.080 --> 0:46:49.200
<v Speaker 1>watching a sleeping child.

0:46:49.239 --> 0:46:51.120
<v Speaker 3>Eli's like, what are you looking at? Dad?

0:46:51.120 --> 0:46:55.560
<v Speaker 1>And Stabler's just like intense. That definitely had to affect Eli, right,

0:46:55.600 --> 0:46:58.320
<v Speaker 1>He's like, I just have memories being like two three

0:46:58.440 --> 0:47:00.879
<v Speaker 1>of waking up and my dad just intense's staring at

0:47:00.880 --> 0:47:03.520
<v Speaker 1>me while I'm sitting on the edge of my bed

0:47:03.560 --> 0:47:05.600
<v Speaker 1>because he had to see so much horror every day.

0:47:06.200 --> 0:47:08.400
<v Speaker 1>And you know, obviously this is one of those moments

0:47:08.440 --> 0:47:10.920
<v Speaker 1>where we've got a show that Stabler has a personal

0:47:10.960 --> 0:47:13.360
<v Speaker 1>connection because he also has children, and what kind of

0:47:13.360 --> 0:47:16.000
<v Speaker 1>person would fucking put their kid into a fight club

0:47:16.040 --> 0:47:19.680
<v Speaker 1>and hurt them for money. The next day, we're at

0:47:19.920 --> 0:47:23.680
<v Speaker 1>ed Koch Middle School and Stabler sees Nicki walking into school,

0:47:23.800 --> 0:47:24.520
<v Speaker 1>chases him down.

0:47:24.560 --> 0:47:25.719
<v Speaker 3>When he grows to grab his arm.

0:47:25.800 --> 0:47:28.840
<v Speaker 1>Nicki winces and he's like, I fell, and Stabler's like,

0:47:28.880 --> 0:47:30.480
<v Speaker 1>come on, and he goes, you can't let your dad

0:47:30.520 --> 0:47:33.440
<v Speaker 1>get away with this. Sometimes if you talk to us

0:47:33.480 --> 0:47:36.160
<v Speaker 1>like words can do more than a punch. Sometimes Nicki

0:47:36.239 --> 0:47:38.520
<v Speaker 1>opens up. He goes, Hank punched me in the chest

0:47:38.560 --> 0:47:42.000
<v Speaker 1>when he found your business card on me. So Stabler

0:47:42.360 --> 0:47:45.839
<v Speaker 1>drives Nicki home and when he gets there, they're like, oh,

0:47:45.880 --> 0:47:47.920
<v Speaker 1>what's going on. There's like a cop car outside the

0:47:47.960 --> 0:47:50.879
<v Speaker 1>house and the mom is outside, and who gets out

0:47:50.880 --> 0:47:54.080
<v Speaker 1>of the car ed Tucker. IAB still not on our

0:47:54.120 --> 0:47:56.200
<v Speaker 1>good side at this point season twelve, we don't like

0:47:56.280 --> 0:47:59.160
<v Speaker 1>Tucker quite yet. He hasn't started He hasn't started actually

0:47:59.200 --> 0:48:01.920
<v Speaker 1>being helpful to the YPD, and he also hasn't started

0:48:02.760 --> 0:48:06.520
<v Speaker 1>dating Benson. So Sandra is like, that's him. I saw him.

0:48:06.520 --> 0:48:08.360
<v Speaker 1>I saw him do it. He beat my husband. And

0:48:08.360 --> 0:48:10.920
<v Speaker 1>Stabler's like she's lying, and then Tucker goes, I don't know,

0:48:11.000 --> 0:48:13.959
<v Speaker 1>I believe them. Hank gets out of the car. He's

0:48:13.960 --> 0:48:17.120
<v Speaker 1>got blood. All his nose is totally bloodied. It's dripping

0:48:17.160 --> 0:48:19.479
<v Speaker 1>down his whole face like he's been beat the fuck

0:48:19.520 --> 0:48:22.680
<v Speaker 1>out of So this guy's trying to pull some shit

0:48:22.719 --> 0:48:25.080
<v Speaker 1>though on the wrong dude, Like, we're not going we

0:48:25.120 --> 0:48:27.680
<v Speaker 1>are absolutely not in the business of getting Stabler busted

0:48:27.719 --> 0:48:30.960
<v Speaker 1>for punches he didn't throw, because let's be real, his

0:48:31.160 --> 0:48:33.840
<v Speaker 1>jacket is filled with punches he did throw. So in

0:48:33.920 --> 0:48:38.080
<v Speaker 1>interrogation with Tucker, Sabler's like, look, I love to punch people,

0:48:38.120 --> 0:48:39.920
<v Speaker 1>but I am not dumb enough to punch someone in

0:48:39.920 --> 0:48:42.160
<v Speaker 1>broad daylight in front of their own house, Like like,

0:48:42.239 --> 0:48:42.640
<v Speaker 1>look at me.

0:48:42.800 --> 0:48:44.840
<v Speaker 3>It's season twelve. Come on, I'm not that stupid.

0:48:45.320 --> 0:48:49.120
<v Speaker 1>And Hank is giving Kragan this sob story about how

0:48:49.480 --> 0:48:52.560
<v Speaker 1>Sailor had a short fuse and attacked him. And I

0:48:52.600 --> 0:48:55.160
<v Speaker 1>was just watching Nicky walk to school and then Stabler

0:48:55.239 --> 0:48:58.200
<v Speaker 1>just jumped me from behind, like he got me down

0:48:58.200 --> 0:49:00.439
<v Speaker 1>on the ground. I saw it with him a lot.

0:49:00.520 --> 0:49:03.400
<v Speaker 1>It's like, ah, he molested me, he touched me, he

0:49:03.520 --> 0:49:05.480
<v Speaker 1>fought me. You know that happens to him a lot.

0:49:06.000 --> 0:49:07.319
<v Speaker 3>It does, It really does.

0:49:07.520 --> 0:49:12.359
<v Speaker 1>And it's funny because I feel like mostly people are

0:49:13.719 --> 0:49:16.720
<v Speaker 1>pretty scared to like do anything against the cops because

0:49:16.719 --> 0:49:19.160
<v Speaker 1>they have all the power, and like people see this

0:49:19.320 --> 0:49:20.800
<v Speaker 1>massive guy and they're like, I think I'm going to

0:49:21.120 --> 0:49:24.040
<v Speaker 1>level of false accusation against this guy, like it doesn't

0:49:24.040 --> 0:49:29.400
<v Speaker 1>happen to Benson, right, Benson's not gotten accused of. She's

0:49:29.440 --> 0:49:32.879
<v Speaker 1>been framed, but she's not gotten accused of like Mishandling

0:49:32.880 --> 0:49:35.879
<v Speaker 1>a witness. I think they can tell he's a hot

0:49:35.880 --> 0:49:36.839
<v Speaker 1>head and they will try to.

0:49:36.840 --> 0:49:40.680
<v Speaker 3>Use it, right, Yeah, I just want it now.

0:49:40.719 --> 0:49:42.759
<v Speaker 1>I'm like, I'm trying to figure out because I feel

0:49:42.800 --> 0:49:46.759
<v Speaker 1>like it has happened to Benson. But where someone said

0:49:46.800 --> 0:49:50.440
<v Speaker 1>you touched me not yeah, you're right, it's framing or

0:49:50.480 --> 0:49:53.960
<v Speaker 1>like she's taking a kid or yeah, yeah, like she

0:49:54.000 --> 0:49:58.680
<v Speaker 1>definitely got framed, but yeah the biker so yeah, anyway,

0:50:00.120 --> 0:50:03.440
<v Speaker 1>and then now Dreanda Matteo, Okay, Sandra's talking to Finn,

0:50:03.520 --> 0:50:06.520
<v Speaker 1>going yes, Stabler said that he was going to teach

0:50:06.520 --> 0:50:09.160
<v Speaker 1>Hank a lesson for disrespecting him and then kicked him

0:50:09.200 --> 0:50:11.880
<v Speaker 1>in the face, and Finn's like, you saw all this

0:50:12.040 --> 0:50:14.120
<v Speaker 1>and she goes, yeah, I don't got eyes. Like she's

0:50:14.239 --> 0:50:16.560
<v Speaker 1>very she's very sopranos the whole time.

0:50:17.120 --> 0:50:17.239
<v Speaker 5>Uh.

0:50:17.719 --> 0:50:22.279
<v Speaker 1>Stabler tells Tucker they're just saying this as revenge for

0:50:22.360 --> 0:50:24.640
<v Speaker 1>me breaking up their little fight club, and Tucker is

0:50:24.680 --> 0:50:27.920
<v Speaker 1>as usual antagonizing Stabler and being like, yeah, seems like

0:50:27.960 --> 0:50:31.759
<v Speaker 1>this whole family's in pain. When you're around and outside

0:50:31.760 --> 0:50:34.399
<v Speaker 1>the room, Sandra and Nicki are fighting, so everybody goes

0:50:34.440 --> 0:50:37.759
<v Speaker 1>to like check it out, and Sandra Nicky's like, she's

0:50:37.760 --> 0:50:39.759
<v Speaker 1>trying to get me to lie and to say that

0:50:39.800 --> 0:50:42.600
<v Speaker 1>Stabler hit me and that I saw Stabler hit Hank.

0:50:42.600 --> 0:50:44.000
<v Speaker 3>And Nicky is over this shit.

0:50:44.120 --> 0:50:47.240
<v Speaker 1>He's like and Sandra's like, come on, Niki, like, without

0:50:47.280 --> 0:50:49.080
<v Speaker 1>Hank will be out on the street. She's like really

0:50:49.080 --> 0:50:51.920
<v Speaker 1>trying to get him to lie, and he goes, that's

0:50:51.920 --> 0:50:53.799
<v Speaker 1>what you said about the other guys too. At least

0:50:53.840 --> 0:50:56.359
<v Speaker 1>they didn't beat you up like Hank does. She looks

0:50:56.400 --> 0:50:58.759
<v Speaker 1>around at Sabler and everyone is watching this go down,

0:50:58.800 --> 0:51:01.480
<v Speaker 1>and she goes, well, I look like somebody punched me.

0:51:01.880 --> 0:51:03.600
<v Speaker 1>And this is where Nicky lifts up his shirt to

0:51:03.600 --> 0:51:05.680
<v Speaker 1>show this huge bruise on his chest and goes, what

0:51:05.719 --> 0:51:06.360
<v Speaker 1>do I look like?

0:51:06.440 --> 0:51:06.680
<v Speaker 6>Mom?

0:51:06.920 --> 0:51:08.239
<v Speaker 1>And this is where you do see that he is

0:51:08.360 --> 0:51:11.520
<v Speaker 1>quite a jacked thirteen year old. So Stabler didn't do

0:51:11.600 --> 0:51:14.640
<v Speaker 1>this to me, he goes, Hank did my loving pop?

0:51:15.120 --> 0:51:18.040
<v Speaker 1>And Sandra's like, oh, baby, say it ain't so I

0:51:18.040 --> 0:51:19.880
<v Speaker 1>mean She's doing quite an act too. She's trying to

0:51:19.880 --> 0:51:21.880
<v Speaker 1>act like she doesn't know that the abuse is going on.

0:51:22.000 --> 0:51:24.520
<v Speaker 1>She's like, say it ain't so, and Hank's like, no

0:51:24.640 --> 0:51:27.759
<v Speaker 1>way tell him, Nicky. And then Stabler pipes in and goes,

0:51:27.840 --> 0:51:30.440
<v Speaker 1>NICKI did say his dad hit him last night, and

0:51:30.560 --> 0:51:34.160
<v Speaker 1>Nicki adds, and he made her hit him last night

0:51:34.200 --> 0:51:36.719
<v Speaker 1>to frame Stabler. So the injury that Hank has on

0:51:36.760 --> 0:51:40.160
<v Speaker 1>his face is from Sandra. And Stabler looks at Tucker

0:51:40.400 --> 0:51:44.120
<v Speaker 1>and then goes to arrest Hank. So it's like, look,

0:51:44.200 --> 0:51:46.680
<v Speaker 1>you gotta like you really didn't have any business being here.

0:51:46.680 --> 0:51:48.319
<v Speaker 3>Get the fuck out. We don't see Tucker again.

0:51:48.920 --> 0:51:52.080
<v Speaker 1>In wood Room Blinds, Nicky is gabbing with Stabler, going,

0:51:52.160 --> 0:51:54.400
<v Speaker 1>I never told my mom about the abuse because she

0:51:54.520 --> 0:51:56.920
<v Speaker 1>works late and I didn't want her to worry. So

0:51:57.080 --> 0:51:58.960
<v Speaker 1>in this case, now we are to believe that she

0:51:59.040 --> 0:52:02.000
<v Speaker 1>doesn't know about the abuse as far as we know. Here,

0:52:02.960 --> 0:52:05.920
<v Speaker 1>when did the fighting start last year? He said he

0:52:06.000 --> 0:52:08.400
<v Speaker 1>Picnicky up from school and took him to the park

0:52:08.480 --> 0:52:10.480
<v Speaker 1>and then just threw him in with another kid and

0:52:10.480 --> 0:52:12.400
<v Speaker 1>told him to just start fighting on the grass.

0:52:12.800 --> 0:52:13.799
<v Speaker 3>And he goes, well, what did you do?

0:52:13.880 --> 0:52:15.920
<v Speaker 1>He goes, well, I knocked the kid out, but I

0:52:16.000 --> 0:52:18.799
<v Speaker 1>thought I killed him until I saw him start to move,

0:52:19.200 --> 0:52:20.719
<v Speaker 1>and he's like, and what does your dad do? He goes, oh,

0:52:20.800 --> 0:52:24.080
<v Speaker 1>Pop was smiling, said he was proud. Oh, and then

0:52:24.280 --> 0:52:26.880
<v Speaker 1>he goes, whenever I lose, Pop says, it's my fault

0:52:26.880 --> 0:52:28.000
<v Speaker 1>that we can't pay our bills.

0:52:28.040 --> 0:52:29.279
<v Speaker 3>So this is like fucked up.

0:52:29.320 --> 0:52:32.239
<v Speaker 1>This guy is fully just making money off of this

0:52:32.320 --> 0:52:34.040
<v Speaker 1>and then blaming the kid when he doesn't do well

0:52:34.040 --> 0:52:36.120
<v Speaker 1>in a fight. He goes, one time I lost because

0:52:36.160 --> 0:52:37.839
<v Speaker 1>I had a hurt shoulder, and when I got home,

0:52:37.880 --> 0:52:39.799
<v Speaker 1>he just kept punching me over and over in the

0:52:39.800 --> 0:52:46.680
<v Speaker 1>bad shoulder freak awful, like a masochist psycho. Sabler's like, okay, well,

0:52:46.680 --> 0:52:49.080
<v Speaker 1>we got to talk about Ethan Gilbert and Nikki's upset.

0:52:49.080 --> 0:52:51.279
<v Speaker 1>He's shaking his head. He goes, he was a little kid.

0:52:51.320 --> 0:52:53.879
<v Speaker 1>I told Hank it wasn't fair. I punched him light

0:52:53.920 --> 0:52:55.839
<v Speaker 1>at first, and then Hank said, if you don't knock

0:52:55.880 --> 0:52:58.880
<v Speaker 1>him out, you'll get it worse. And Hank is yelling

0:52:58.960 --> 0:53:02.080
<v Speaker 1>break his nose him in the eye, like sick fuck,

0:53:02.600 --> 0:53:06.560
<v Speaker 1>and Nicki said Ethan started puking, and Pop shouted at him,

0:53:06.600 --> 0:53:09.520
<v Speaker 1>knock him out, and he goes and I started pounding

0:53:09.560 --> 0:53:11.440
<v Speaker 1>him and it felt good and he didn't know why,

0:53:11.480 --> 0:53:13.440
<v Speaker 1>and I couldn't stop. And then he went down and

0:53:13.480 --> 0:53:15.560
<v Speaker 1>he didn't get up, and then he's crying and he's

0:53:15.960 --> 0:53:18.360
<v Speaker 1>he's saying, I'm sorry, I'm so sorry that he died,

0:53:18.440 --> 0:53:21.000
<v Speaker 1>and he's like, this kid is like fucking traumatized. So

0:53:21.600 --> 0:53:24.360
<v Speaker 1>Craigan instance, he give you the vibe of the cool

0:53:24.680 --> 0:53:28.120
<v Speaker 1>older kid of in Sandlot Or am I delusional?

0:53:28.320 --> 0:53:29.600
<v Speaker 3>The boy Nikki doesn't know?

0:53:30.400 --> 0:53:33.040
<v Speaker 1>Yeah, the guy who actually eventually becomes up an MLB

0:53:33.120 --> 0:53:33.840
<v Speaker 1>baseball player.

0:53:33.960 --> 0:53:35.560
<v Speaker 3>Yeah, yeah, I get that.

0:53:35.640 --> 0:53:39.080
<v Speaker 1>Don't you feel like they have the same kind of yes, yeah,

0:53:39.320 --> 0:53:42.400
<v Speaker 1>I swag, yeah coolness.

0:53:42.480 --> 0:53:45.520
<v Speaker 3>Yeah, I mean one's more abused than the other, of course.

0:53:45.600 --> 0:53:45.799
<v Speaker 5>Yeah.

0:53:45.840 --> 0:53:48.719
<v Speaker 1>If this kid wasn't totally traumatized, I bet he'd be

0:53:48.760 --> 0:53:52.000
<v Speaker 1>a star athlete. He's very very strong, as I've said

0:53:52.080 --> 0:53:56.320
<v Speaker 1>many times, and he's just like just got this fucking

0:53:56.440 --> 0:53:57.719
<v Speaker 1>awful stepfather.

0:53:58.080 --> 0:54:04.800
<v Speaker 2>Wait, I'm not paying attention, or we we we met Joe?

0:54:05.000 --> 0:54:07.319
<v Speaker 3>What the guy who plays Joe?

0:54:07.800 --> 0:54:12.600
<v Speaker 2>Yeah, yeah, you know, he's the he's the powerful lifeguard.

0:54:13.120 --> 0:54:17.239
<v Speaker 3>Shut the fuck up. Yeah, he's the only one.

0:54:17.280 --> 0:54:19.279
<v Speaker 1>I didn't look him up because I go, I don't

0:54:19.280 --> 0:54:21.799
<v Speaker 1>recognize that guy. That's why I was like, wait, was

0:54:21.840 --> 0:54:26.600
<v Speaker 1>I like, did I? She must mention Banello. He's the

0:54:26.719 --> 0:54:27.399
<v Speaker 1>fucking gird.

0:54:27.719 --> 0:54:28.200
<v Speaker 3>Oh my god.

0:54:28.239 --> 0:54:31.239
<v Speaker 1>It just goes to show you how much a mustache

0:54:31.239 --> 0:54:35.200
<v Speaker 1>can do, because that mustache well and a decade, yeah,

0:54:35.320 --> 0:54:37.359
<v Speaker 1>eleven years in a mustache will really put it.

0:54:37.400 --> 0:54:38.960
<v Speaker 3>That's a good that's a good disguise.

0:54:39.480 --> 0:54:42.160
<v Speaker 1>I did not clock that he's Paul Greco from the

0:54:42.200 --> 0:54:45.160
<v Speaker 1>episode Breakwater, the most powerful lifeguard in New York.

0:54:45.800 --> 0:54:47.719
<v Speaker 3>And yes, oh.

0:54:47.520 --> 0:54:51.200
<v Speaker 1>My god, I didn't catch it while watching it, though

0:54:51.320 --> 0:54:54.319
<v Speaker 1>I just got it. I didn't catch it because I

0:54:54.360 --> 0:54:56.759
<v Speaker 1>was thinking of the Sandlot thing, and so I looked

0:54:56.800 --> 0:55:01.200
<v Speaker 1>it up and then I went, wait, excuse, Oh my gosh,

0:55:01.239 --> 0:55:06.000
<v Speaker 1>I can't believe. Wow, another another IMDb connection put together.

0:55:06.200 --> 0:55:11.440
<v Speaker 1>I love it so much, Oh my god. So well,

0:55:11.560 --> 0:55:13.279
<v Speaker 1>that's the last time we see Joe, and still he

0:55:13.320 --> 0:55:14.719
<v Speaker 1>comes back eleven years later as.

0:55:14.600 --> 0:55:15.760
<v Speaker 3>A very powerful lifeguard.

0:55:15.840 --> 0:55:20.279
<v Speaker 1>But Craigan and Sandra are watching Nicky's whole confession, him

0:55:20.320 --> 0:55:23.080
<v Speaker 1>crying about Ethan. They're watching it all go down from

0:55:23.120 --> 0:55:25.440
<v Speaker 1>the other side of the fish bowl glass and Craigan's like, well,

0:55:25.480 --> 0:55:30.359
<v Speaker 1>what happened to Nicky's like, bio dad and she's sniffling, Oh,

0:55:30.480 --> 0:55:33.839
<v Speaker 1>Nicky's dad took off when he was two, And did

0:55:33.880 --> 0:55:37.040
<v Speaker 1>you know about Hank abusing Nicki? And she goes, he

0:55:37.120 --> 0:55:40.880
<v Speaker 1>always said sorry, and it's like, so before you were

0:55:40.920 --> 0:55:43.280
<v Speaker 1>acting like you didn't know, and the brother was also

0:55:43.320 --> 0:55:45.080
<v Speaker 1>the son was also saying that you didn't know. But

0:55:45.120 --> 0:55:47.440
<v Speaker 1>now she's like, no, I knew, but like and that

0:55:47.640 --> 0:55:50.520
<v Speaker 1>then yeah, he says sorry until the next time he

0:55:50.600 --> 0:55:54.000
<v Speaker 1>hits you hit and he hits your son, and she's like, well,

0:55:54.040 --> 0:55:56.080
<v Speaker 1>Hank got laid off two years ago. All he could

0:55:56.120 --> 0:55:58.439
<v Speaker 1>find was a job driving a cab. He hates it.

0:55:58.920 --> 0:56:01.719
<v Speaker 1>I feel bad for him. And Craigan's like yeah, but babe,

0:56:01.760 --> 0:56:03.680
<v Speaker 1>that doesn't give him the right to like beat you

0:56:03.960 --> 0:56:06.440
<v Speaker 1>or Nicky and she's like, no, he loves Nikki. He

0:56:06.520 --> 0:56:09.480
<v Speaker 1>adopted him, Like why else would he adopt it. It's

0:56:09.520 --> 0:56:12.319
<v Speaker 1>like yeah, because it's like way easier to abuse him

0:56:12.320 --> 0:56:13.239
<v Speaker 1>if he is his.

0:56:13.360 --> 0:56:15.960
<v Speaker 3>Like legal father. And he's like, he loves me.

0:56:16.040 --> 0:56:17.759
<v Speaker 1>He tells me all the time that he loves me,

0:56:18.080 --> 0:56:21.239
<v Speaker 1>and Craigan goes they all say that every last one

0:56:21.280 --> 0:56:24.080
<v Speaker 1>of them. Craigan goes press charges and will get him

0:56:24.120 --> 0:56:26.400
<v Speaker 1>out of your and Nicky's lives, and she drops a

0:56:26.400 --> 0:56:28.720
<v Speaker 1>little bomb, I'm having his baby.

0:56:28.800 --> 0:56:29.640
<v Speaker 3>I need him.

0:56:30.360 --> 0:56:34.000
<v Speaker 1>So she's pregnant with the abuser's baby, and Craigan's like, well,

0:56:34.040 --> 0:56:35.640
<v Speaker 1>you need to get rid of him before he kills

0:56:35.640 --> 0:56:38.080
<v Speaker 1>one of you, and she goes, I already lost one

0:56:38.080 --> 0:56:39.560
<v Speaker 1>family when Nicky's father left.

0:56:39.680 --> 0:56:41.319
<v Speaker 3>I'm not going to break up this family too.

0:56:41.400 --> 0:56:45.680
<v Speaker 1>And that's it's just like the craziest I understand like

0:56:45.719 --> 0:56:49.200
<v Speaker 1>that the domestic violence like has so many circumstances and stuff,

0:56:49.239 --> 0:56:54.160
<v Speaker 1>but like your first guy left eleven years ago, this

0:56:54.239 --> 0:56:56.160
<v Speaker 1>guy is beating the shit out of you. I don't

0:56:56.160 --> 0:56:59.279
<v Speaker 1>really know what the connection is, but keeping together the

0:56:59.280 --> 0:57:01.640
<v Speaker 1>happy family, know is a thing that people think about

0:57:01.680 --> 0:57:04.120
<v Speaker 1>when they don't leave. One of the reasons people don't leave.

0:57:04.120 --> 0:57:07.360
<v Speaker 1>But it's frustrating to see from the outside. Of course,

0:57:07.800 --> 0:57:12.880
<v Speaker 1>at arraignment, Hank is up and who's there but our Queen,

0:57:13.120 --> 0:57:19.920
<v Speaker 1>Judge Louise Lewis Lewis Lewis, Louis Slowis Preston and she's

0:57:19.960 --> 0:57:24.360
<v Speaker 1>on the stand and this guy pleads not guilty. His

0:57:24.480 --> 0:57:27.320
<v Speaker 1>lawyer looks like a fucking blonde dork and he's like

0:57:27.520 --> 0:57:30.080
<v Speaker 1>Hardwick's like, I want remand for this wife beater, and

0:57:30.080 --> 0:57:33.400
<v Speaker 1>the lawyer's like, actually, he has very strong ties.

0:57:33.200 --> 0:57:33.840
<v Speaker 3>To the community.

0:57:33.840 --> 0:57:39.400
<v Speaker 1>It's like he's a scumbag, Like he's got three DV calls?

0:57:39.560 --> 0:57:41.440
<v Speaker 3>How is does he have strong ties to the community?

0:57:41.480 --> 0:57:42.080
<v Speaker 3>Like how is this not?

0:57:43.040 --> 0:57:45.400
<v Speaker 1>I guess no arrests And that's the problem. It's like,

0:57:45.400 --> 0:57:48.160
<v Speaker 1>no arrests means it's not like technically on the record.

0:57:48.320 --> 0:57:53.160
<v Speaker 1>So so Judge Lois gives him fifty k cash only

0:57:54.280 --> 0:57:57.880
<v Speaker 1>is the bail with an order of protection to have

0:57:58.080 --> 0:58:00.200
<v Speaker 1>and she grants it so he cannot go within two

0:58:00.280 --> 0:58:02.640
<v Speaker 1>hundred feet of his wife or steps on And those

0:58:02.680 --> 0:58:03.280
<v Speaker 1>really work.

0:58:04.200 --> 0:58:07.400
<v Speaker 3>Yeah, they work. We've never seen them not work.

0:58:07.440 --> 0:58:10.840
<v Speaker 1>It's basically putting a layer of glass around your victims.

0:58:11.360 --> 0:58:14.800
<v Speaker 1>And he's like, so where am I gonna stay? And

0:58:14.840 --> 0:58:17.440
<v Speaker 1>they're like Riker's Island if you fuck this up. So

0:58:18.680 --> 0:58:21.600
<v Speaker 1>as they're taking him away, Sandra's like, we'll get the money, baby,

0:58:21.920 --> 0:58:24.320
<v Speaker 1>and he goes, no broad in a black robe is

0:58:24.360 --> 0:58:28.200
<v Speaker 1>gonna keep me from what's mine? And Stabler's like, yeah,

0:58:28.200 --> 0:58:32.360
<v Speaker 1>if she doesn't, I will, and she tells Sabler. The wife,

0:58:32.440 --> 0:58:35.000
<v Speaker 1>Sandra tells Stabler, I don't need the restraining order. Hank

0:58:35.040 --> 0:58:40.240
<v Speaker 1>would never hurt us, Like what are He's literally like

0:58:40.920 --> 0:58:44.200
<v Speaker 1>hurting you all the time. And it's like you could

0:58:44.240 --> 0:58:47.280
<v Speaker 1>just say, you could literally go he loves us, he's

0:58:47.280 --> 0:58:49.960
<v Speaker 1>getting better or something that would all make more sense

0:58:50.000 --> 0:58:53.040
<v Speaker 1>to me than he's He would never like it's just

0:58:53.160 --> 0:58:57.040
<v Speaker 1>fall de Lulu and like I wrote, yeah, like try

0:58:57.080 --> 0:58:59.120
<v Speaker 1>he's changed, he'll be different. There's so many more lies

0:58:59.120 --> 0:59:03.360
<v Speaker 1>you could go with. Sabler says, uh, he's gonna drive

0:59:03.400 --> 0:59:05.440
<v Speaker 1>them home and they're gonna put a patrol car on

0:59:05.480 --> 0:59:08.320
<v Speaker 1>their house all night. So then Craigan shows up and

0:59:08.360 --> 0:59:11.360
<v Speaker 1>tells them, listen, there's a shortage of police. We got

0:59:11.360 --> 0:59:14.280
<v Speaker 1>a traffic cop a little bit here, Like, uh, we

0:59:14.320 --> 0:59:16.720
<v Speaker 1>don't have we don't have anybody from this one precinct

0:59:16.760 --> 0:59:18.720
<v Speaker 1>on their house anymore. So we got to go over

0:59:18.760 --> 0:59:23.080
<v Speaker 1>there and watch them ourselves. And uh, Finn offers to

0:59:23.120 --> 0:59:25.960
<v Speaker 1>go and with Stabler, and Craigan's like, no, I'll go.

0:59:26.760 --> 0:59:29.560
<v Speaker 1>He doesn't want this dumb ass guy trying to set

0:59:29.600 --> 0:59:30.640
<v Speaker 1>up any more of his cops.

0:59:31.000 --> 0:59:33.240
<v Speaker 3>So Stabler and Craigan pull up to the house.

0:59:33.080 --> 0:59:36.680
<v Speaker 1>And Craigan acts daddy you know, yeah, and he and

0:59:37.640 --> 0:59:39.800
<v Speaker 1>he puts his money where his mouth is, you know,

0:59:40.080 --> 0:59:43.200
<v Speaker 1>or right he goes like on the steakouts. He could

0:59:43.240 --> 0:59:44.680
<v Speaker 1>just be behind a desk and he gets out in

0:59:44.680 --> 0:59:47.240
<v Speaker 1>the field. And I like that about Craigan. That's like

0:59:47.720 --> 0:59:50.680
<v Speaker 1>truthfully currently on the show, that's let live like live.

0:59:50.720 --> 0:59:52.280
<v Speaker 1>I don't think ever has to be at a crime scene,

0:59:52.280 --> 0:59:55.120
<v Speaker 1>and she's at every crime scene like she's at every

0:59:55.120 --> 0:59:57.960
<v Speaker 1>single one hands on. So Stabler's about to get out

0:59:58.000 --> 1:00:00.400
<v Speaker 1>of the car and go check to make everything okay

1:00:00.440 --> 1:00:03.280
<v Speaker 1>at the house when we hear a gunshot. They call

1:00:03.320 --> 1:00:05.560
<v Speaker 1>it in. They run into the house. When they get there,

1:00:05.600 --> 1:00:08.160
<v Speaker 1>they see blood on the kitchen floor. When they go

1:00:08.200 --> 1:00:12.440
<v Speaker 1>down to the basement, Sandra is like slumped up on

1:00:12.480 --> 1:00:13.800
<v Speaker 1>the floor against the wall.

1:00:14.280 --> 1:00:16.600
<v Speaker 3>She's got blood all over her face. She's moaning.

1:00:17.040 --> 1:00:20.360
<v Speaker 1>Hank is lying face down looking pretty dead, and Nicki

1:00:20.560 --> 1:00:24.040
<v Speaker 1>is in the corner holding a gun. Stabler calmly tells

1:00:24.080 --> 1:00:26.480
<v Speaker 1>him to drop it. Obviously, Stabler has a rapport with

1:00:26.520 --> 1:00:29.080
<v Speaker 1>all angry young men. He tells him to drop it

1:00:30.080 --> 1:00:33.120
<v Speaker 1>and the mom he goes Mom let him in and

1:00:33.160 --> 1:00:34.240
<v Speaker 1>he started beating her up.

1:00:34.240 --> 1:00:36.480
<v Speaker 3>I didn't know what else to do. And that's the

1:00:36.600 --> 1:00:37.439
<v Speaker 3>end of act three.

1:00:37.680 --> 1:00:41.320
<v Speaker 1>Okay, So now top of act four, A lot of

1:00:41.360 --> 1:00:44.000
<v Speaker 1>action in this act. Top of act four, Sandra's getting

1:00:44.000 --> 1:00:46.840
<v Speaker 1>wheeled into an ambulance on a stretcher. Her face is bloody.

1:00:46.920 --> 1:00:50.479
<v Speaker 1>She's like, is my baby okay? And Nicky's like, I'm sorry, Mom,

1:00:50.560 --> 1:00:53.320
<v Speaker 1>I love you. She's giving him nothing, She's giving Nicki

1:00:53.440 --> 1:00:57.000
<v Speaker 1>nothing back. It's okay, son, We'll be all right. I think, honestly,

1:00:57.080 --> 1:00:59.560
<v Speaker 1>deep down, she's pissed. You just killed my boyfriend, my husband.

1:01:00.080 --> 1:01:02.440
<v Speaker 1>So we see Hank's body in a body bag, so

1:01:02.480 --> 1:01:06.440
<v Speaker 1>officially he is dead, and Nicki is talking to Stabler

1:01:06.480 --> 1:01:09.320
<v Speaker 1>and he's like, I'm glad he's dead, and frankly, Nikki same,

1:01:09.440 --> 1:01:11.480
<v Speaker 1>I think we all feel that way. And then Nicky

1:01:11.520 --> 1:01:14.840
<v Speaker 1>starts angrily confessing all these details of the crime to Stabler,

1:01:14.960 --> 1:01:17.560
<v Speaker 1>like I came up behind him and I just and

1:01:17.600 --> 1:01:20.320
<v Speaker 1>Stabler's like, shut up, shut the fuck up, don't say

1:01:20.360 --> 1:01:23.280
<v Speaker 1>anything else to me, don't say anything to anyone without

1:01:23.320 --> 1:01:23.640
<v Speaker 1>a lay.

1:01:24.120 --> 1:01:28.040
<v Speaker 2>This episode is just like every stereotype of Stabler in

1:01:28.080 --> 1:01:32.560
<v Speaker 2>one like totally breaking rules, trying to be a hero,

1:01:33.720 --> 1:01:35.080
<v Speaker 2>sneak in some car.

1:01:35.320 --> 1:01:38.000
<v Speaker 1>Like the truth, telling the truth on the stand even

1:01:38.040 --> 1:01:39.880
<v Speaker 1>when he doesn't have to, like I don't know, Like

1:01:40.000 --> 1:01:40.520
<v Speaker 1>this is.

1:01:40.440 --> 1:01:42.400
<v Speaker 3>A Stabler Bingo episode.

1:01:42.800 --> 1:01:47.960
<v Speaker 1>Yeah, it really is. It really fucking is going home

1:01:47.960 --> 1:01:50.080
<v Speaker 1>to his kids, Kathy looking in on it. You know,

1:01:50.120 --> 1:01:54.080
<v Speaker 1>we had, We've got everything. It's incredible Stabler only getting

1:01:54.160 --> 1:01:57.000
<v Speaker 1>super invested in a case when it involves anybody that

1:01:57.040 --> 1:02:02.680
<v Speaker 1>mirrors his own children, you know, so.

1:02:00.000 --> 1:02:02.680
<v Speaker 3>Oh so uh.

1:02:03.040 --> 1:02:06.080
<v Speaker 1>He tells Nikki shut your fucking damn mouth unless a

1:02:06.120 --> 1:02:07.200
<v Speaker 1>lawyer tells you to talk.

1:02:07.320 --> 1:02:08.360
<v Speaker 3>You hear me? Do you understand?

1:02:08.360 --> 1:02:10.080
<v Speaker 1>And he's like, I understand, and then he gets taken

1:02:10.080 --> 1:02:12.640
<v Speaker 1>away to the precinct. But while that combo was going on,

1:02:13.680 --> 1:02:17.440
<v Speaker 1>we see Hardwick has gotten the attention. Okay, and like

1:02:17.520 --> 1:02:21.200
<v Speaker 1>Hardwick again, we've talked about her, the most forgettable.

1:02:20.800 --> 1:02:23.800
<v Speaker 3>DA that we have ada we have in SVU history.

1:02:23.880 --> 1:02:27.200
<v Speaker 1>She's just so discount bin Cabot, Like it's like you

1:02:27.360 --> 1:02:30.120
<v Speaker 1>just found an old Cabot in a at the bottom

1:02:30.120 --> 1:02:31.880
<v Speaker 1>of the bargain basement and you were like, I guess

1:02:31.880 --> 1:02:33.600
<v Speaker 1>this will work, but it's rude.

1:02:33.680 --> 1:02:35.919
<v Speaker 2>But it's like when she talks, it feels like she's

1:02:36.000 --> 1:02:39.520
<v Speaker 2>auditioning for the part, Like you see her thinking about

1:02:39.520 --> 1:02:42.240
<v Speaker 2>the lines before she's like they're not in her.

1:02:42.760 --> 1:02:45.680
<v Speaker 1>Yeah, and she's flat, Well, we just this actress was

1:02:45.920 --> 1:02:48.560
<v Speaker 1>just in the episode with the banana up the ass,

1:02:48.640 --> 1:02:50.280
<v Speaker 1>Remember which one was that that we.

1:02:50.320 --> 1:02:50.920
<v Speaker 3>Just did.

1:02:52.760 --> 1:02:57.120
<v Speaker 1>The Russia Love Poeck. Yes, she's in Russian love poem.

1:02:57.200 --> 1:02:59.160
<v Speaker 1>She's the one that's like the guy with the banana

1:02:59.160 --> 1:03:00.600
<v Speaker 1>of the butt. She was having some to them. She's like,

1:03:00.640 --> 1:03:02.960
<v Speaker 1>he knows all the moves. Like she was better as

1:03:03.040 --> 1:03:06.640
<v Speaker 1>the horny art lady in that episode. And then they

1:03:06.640 --> 1:03:08.440
<v Speaker 1>bring her back to be this da And I don't know.

1:03:08.480 --> 1:03:12.840
<v Speaker 1>I think sometimes people think playing it like very neutral

1:03:13.000 --> 1:03:15.480
<v Speaker 1>deadpan is like the way an eightya would be. And

1:03:15.520 --> 1:03:17.120
<v Speaker 1>I think there's just some people better at doing that

1:03:17.160 --> 1:03:20.440
<v Speaker 1>than others. And those people are Diane Neil and Stephanie

1:03:20.480 --> 1:03:26.320
<v Speaker 1>March and Brefael Barba rol as barsa excuse me. Yeah,

1:03:26.640 --> 1:03:31.720
<v Speaker 1>So anyway, she gets she doesn't hear anything in the conversation,

1:03:31.800 --> 1:03:34.000
<v Speaker 1>but she sees that they're having this heated conversation Nicki

1:03:34.040 --> 1:03:36.680
<v Speaker 1>and Stabler, and we get a little like side eye

1:03:36.680 --> 1:03:38.960
<v Speaker 1>from her, okay, and the camera is letting us know

1:03:39.040 --> 1:03:43.160
<v Speaker 1>that she's clocked this conversation and so when she when

1:03:43.200 --> 1:03:46.080
<v Speaker 1>Stabler walks up to Hardwicke, Melinda, and Craigan, they're all

1:03:46.120 --> 1:03:48.640
<v Speaker 1>in a huddle. Melinda's like, well, the stippling indicates that

1:03:48.680 --> 1:03:51.120
<v Speaker 1>he was shot at point blank range in the back

1:03:51.120 --> 1:03:54.640
<v Speaker 1>of the head. I'm ruling it a homicide. And Hardwick's like, okay,

1:03:54.760 --> 1:03:57.920
<v Speaker 1>we go in with justifiable and Stabler's like, yeah, Nikki

1:03:57.960 --> 1:04:00.000
<v Speaker 1>saw Hank beating the mom, got the gun to stuff

1:04:00.160 --> 1:04:03.320
<v Speaker 1>him from killing her, but not necessarily in that order,

1:04:03.400 --> 1:04:05.360
<v Speaker 1>says the voice of a random CSU tech.

1:04:05.400 --> 1:04:07.560
<v Speaker 3>I've never clocked before, but his.

1:04:07.560 --> 1:04:10.720
<v Speaker 1>Name is Adrian Sung, and he's been in seven episodes

1:04:10.800 --> 1:04:13.960
<v Speaker 1>over the course of The character's name is Adrian Sung.

1:04:14.000 --> 1:04:16.160
<v Speaker 1>He's been in seven episodes over the course of seasons

1:04:16.160 --> 1:04:18.760
<v Speaker 1>twelve and thirteen, but only one that we've covered, So

1:04:18.760 --> 1:04:20.600
<v Speaker 1>I guess that's why I'm not I haven't really like

1:04:21.080 --> 1:04:24.400
<v Speaker 1>fully focused on him yet for a recap. And he

1:04:24.640 --> 1:04:28.280
<v Speaker 1>found something in the basement that might change the story. Oh,

1:04:28.320 --> 1:04:30.000
<v Speaker 1>so they all go down there and the tech does

1:04:30.000 --> 1:04:32.000
<v Speaker 1>a nice little forensic show and tell in the basement.

1:04:32.040 --> 1:04:35.360
<v Speaker 1>He shows them the trajectory of the slug where the

1:04:35.360 --> 1:04:38.600
<v Speaker 1>slug ends it up and he sprays something on a

1:04:38.680 --> 1:04:41.680
<v Speaker 1>laser beam to make to show a trajectory like it's

1:04:41.880 --> 1:04:47.960
<v Speaker 1>very you know, it's very ooh forensic science, and it

1:04:48.040 --> 1:04:53.080
<v Speaker 1>basically informs that Nikki's too short to have shot Hank

1:04:53.200 --> 1:04:55.320
<v Speaker 1>if in the back of the head, if Hank was

1:04:55.360 --> 1:04:58.160
<v Speaker 1>standing up, so he must have been kneeling down at

1:04:58.200 --> 1:05:00.800
<v Speaker 1>the sink because the bullet was found like underneath the

1:05:00.880 --> 1:05:03.400
<v Speaker 1>kitchen sink or the basement sink. I guess we're in

1:05:03.400 --> 1:05:07.040
<v Speaker 1>a basement, so it's not the kitchen. But so they're like, oh,

1:05:07.080 --> 1:05:10.240
<v Speaker 1>so he shot Hank execution style. He was bent down

1:05:10.320 --> 1:05:12.800
<v Speaker 1>on the ground and they're like yeah, or Hank was

1:05:12.880 --> 1:05:16.080
<v Speaker 1>already down there getting something from the cabinet, like maybe

1:05:16.080 --> 1:05:18.400
<v Speaker 1>this flask that he pulls out. Song pulls out this

1:05:18.440 --> 1:05:21.080
<v Speaker 1>little flask. They're like, Sabler's like, is there a weapon

1:05:21.120 --> 1:05:24.520
<v Speaker 1>down there? And he's like, no, no weapon. So then

1:05:24.520 --> 1:05:27.440
<v Speaker 1>there was no imminent threat to Nicki's life, Hardwick says,

1:05:27.520 --> 1:05:30.720
<v Speaker 1>and I'm like, you are such a dumb bitch, Like

1:05:30.800 --> 1:05:32.920
<v Speaker 1>I don't know. This kid is a d V victim,

1:05:33.000 --> 1:05:35.160
<v Speaker 1>Like there's always an imminent threat to his life in

1:05:35.200 --> 1:05:38.480
<v Speaker 1>his mind, and he's now defied an order of protection

1:05:38.560 --> 1:05:41.960
<v Speaker 1>from the police, So would you not think, oh my god,

1:05:42.040 --> 1:05:43.720
<v Speaker 1>this guy could do anything like and now he knows

1:05:43.720 --> 1:05:45.880
<v Speaker 1>we've gone to the police about him, like he's gonna

1:05:45.920 --> 1:05:48.680
<v Speaker 1>kill me. And Stabler's like, did you see the mother's face?

1:05:49.160 --> 1:05:51.200
<v Speaker 1>And Craigan goes, well, with this family, let's talk to

1:05:51.200 --> 1:05:52.880
<v Speaker 1>the mom before we jump to conclusions.

1:05:53.640 --> 1:05:55.200
<v Speaker 3>I don't know. I don't know why anyone is why

1:05:55.240 --> 1:05:56.480
<v Speaker 3>are we even prosecuting this man?

1:05:56.520 --> 1:06:00.400
<v Speaker 1>But anyway, in the hospital, Sandra's in the hospit bed

1:06:00.520 --> 1:06:04.240
<v Speaker 1>face looking rough, okay, and she's like, what I remember

1:06:04.560 --> 1:06:06.720
<v Speaker 1>is Hank shows up at the door. He's begging me.

1:06:07.240 --> 1:06:08.720
<v Speaker 1>I can't leave him out in the cold, so I

1:06:08.760 --> 1:06:10.400
<v Speaker 1>let him in. As soon as I let him in,

1:06:10.440 --> 1:06:12.800
<v Speaker 1>he starts beating me up, calling me a no good slut.

1:06:13.240 --> 1:06:15.920
<v Speaker 1>Nikki comes running out. As soon as she starts screaming,

1:06:16.400 --> 1:06:18.640
<v Speaker 1>Hank throws him to the floor.

1:06:18.400 --> 1:06:20.840
<v Speaker 3>And then he just kept kicking me.

1:06:21.040 --> 1:06:23.000
<v Speaker 1>And that's all I remember, Like, he's kicking you, and

1:06:23.000 --> 1:06:26.280
<v Speaker 1>you're pregnant with his child, so you know not that

1:06:26.360 --> 1:06:29.680
<v Speaker 1>you should kick a non pregnant woman. But nothing is

1:06:29.720 --> 1:06:31.600
<v Speaker 1>off limits for this guy, Like he's a psycho.

1:06:31.840 --> 1:06:34.400
<v Speaker 2>I mean, I think I mentioned it a few episodes ago.

1:06:34.520 --> 1:06:37.920
<v Speaker 2>But like the percentage of women in prison, like I

1:06:37.920 --> 1:06:40.240
<v Speaker 2>think it's the percentage is so hide people that just

1:06:40.280 --> 1:06:41.160
<v Speaker 2>killed their abusers.

1:06:41.680 --> 1:06:46.440
<v Speaker 3>Yeah, I just don't think it should even be honishable.

1:06:47.080 --> 1:06:51.240
<v Speaker 2>No, But like if the police and justice system don't

1:06:51.280 --> 1:06:54.800
<v Speaker 2>stop the domestic violence and don't care about victims, that

1:06:54.840 --> 1:06:58.760
<v Speaker 2>means they relate to the perpetrators, which means they're more

1:06:58.800 --> 1:06:59.680
<v Speaker 2>sympathetic to them.

1:07:00.200 --> 1:07:02.439
<v Speaker 1>And I saw I keep I've seen this a couple

1:07:02.520 --> 1:07:05.200
<v Speaker 1>of times, this interview with this woman who went to

1:07:05.280 --> 1:07:07.360
<v Speaker 1>jail because she killed her abuser and he was in

1:07:08.000 --> 1:07:10.240
<v Speaker 1>the straw that broke the camel's back for her was

1:07:10.280 --> 1:07:12.800
<v Speaker 1>when he started hitting her kids and she killed him

1:07:12.800 --> 1:07:15.520
<v Speaker 1>and she was in jail and she's like, honestly, in here,

1:07:15.600 --> 1:07:18.720
<v Speaker 1>I'm safe and I've learned a trade, and I you know.

1:07:18.840 --> 1:07:21.120
<v Speaker 2>Now she said the first time she felt free as prison,

1:07:21.200 --> 1:07:23.520
<v Speaker 2>Like she went to prison to feel free because that's

1:07:23.520 --> 1:07:28.000
<v Speaker 2>how awful she felt, this abusive relationship.

1:07:28.200 --> 1:07:30.800
<v Speaker 3>It's like crazy, it's it's it's but.

1:07:30.760 --> 1:07:32.600
<v Speaker 2>It's what we talked about this with the Eileen Werno's

1:07:32.680 --> 1:07:34.840
<v Speaker 2>case to where it's or maybe we didn't, but it's

1:07:34.920 --> 1:07:37.920
<v Speaker 2>like if people are against type, we expect men to

1:07:37.960 --> 1:07:40.040
<v Speaker 2>be monsters or whatnot, and so like then when a

1:07:40.120 --> 1:07:43.360
<v Speaker 2>woman does it, you punish. It's like it's when people go, well,

1:07:43.400 --> 1:07:45.320
<v Speaker 2>women could be worse, I'm like, could they?

1:07:45.880 --> 1:07:47.920
<v Speaker 1>Well, it's like when we did the episode, the Whoopi

1:07:47.960 --> 1:07:51.240
<v Speaker 1>Goldberg episode and the woman whose husband killed her child

1:07:51.280 --> 1:07:53.600
<v Speaker 1>got less time than she did for not stopping it.

1:07:53.840 --> 1:07:58.480
<v Speaker 3>Yep. Yeah, Like women are not allowed to be like.

1:07:58.680 --> 1:08:03.000
<v Speaker 1>The bad guys. So that's all she remembers. Okay, she

1:08:03.120 --> 1:08:05.960
<v Speaker 1>did not see Nicki shoot Hank, she says, and then

1:08:06.600 --> 1:08:10.720
<v Speaker 1>Hardwick is like, well the evidence doesn't suggest self defense,

1:08:10.840 --> 1:08:14.920
<v Speaker 1>and Sandra goes you saying you don't believe Nicki, and

1:08:15.080 --> 1:08:19.360
<v Speaker 1>Hardwick has the stupidest face on, like like I know

1:08:19.400 --> 1:08:20.200
<v Speaker 1>you guys can't see me.

1:08:20.240 --> 1:08:21.000
<v Speaker 3>It's a podcast.

1:08:21.040 --> 1:08:23.639
<v Speaker 1>But she's like, go back and freeze on that face,

1:08:23.680 --> 1:08:26.000
<v Speaker 1>like the face, it's the worst face, and they hang

1:08:26.040 --> 1:08:27.720
<v Speaker 1>on it. The camera hangs on it for like a

1:08:28.040 --> 1:08:30.000
<v Speaker 1>second too long. It made me want to punch her.

1:08:30.320 --> 1:08:33.400
<v Speaker 1>And now Drea de Matteo summons all of her sopranos'

1:08:33.439 --> 1:08:35.920
<v Speaker 1>powers and she sits up in her hospital bed and

1:08:35.960 --> 1:08:38.960
<v Speaker 1>goes the only reason Hank got close to my house

1:08:39.000 --> 1:08:42.000
<v Speaker 1>is because your cops took off and now you're accusing

1:08:42.120 --> 1:08:46.759
<v Speaker 1>my boy of lying. And then it's kind of like yeah, tea,

1:08:47.000 --> 1:08:50.160
<v Speaker 1>you know, like she's right, and then she tells them

1:08:50.320 --> 1:08:53.080
<v Speaker 1>do not go near Nicki. So outside the hospital room,

1:08:53.240 --> 1:08:56.160
<v Speaker 1>Sabler is getting into it with Hardwick. He's like nice

1:08:56.160 --> 1:08:59.320
<v Speaker 1>bedside manner, and she's like, I want the truth and

1:08:59.520 --> 1:09:01.479
<v Speaker 1>she's like, what was that conversation that you had with

1:09:01.560 --> 1:09:04.240
<v Speaker 1>Nikki by the ambulance when Hank went buying the body bag.

1:09:04.360 --> 1:09:06.639
<v Speaker 3>And Stabler like is like pissed.

1:09:06.680 --> 1:09:10.559
<v Speaker 1>He's like, listen, this guy violated a protection order and

1:09:11.120 --> 1:09:14.080
<v Speaker 1>Hardwick is arguing, yeah, but he wasn't threatening anyone when

1:09:14.080 --> 1:09:15.880
<v Speaker 1>he was on his knees and that kid blew his

1:09:15.920 --> 1:09:18.960
<v Speaker 1>brains out, so and again I'm like, is.

1:09:18.920 --> 1:09:19.840
<v Speaker 3>She fucking kidding me?

1:09:19.960 --> 1:09:22.559
<v Speaker 1>Like this is basically like if you're in the middle

1:09:22.600 --> 1:09:25.280
<v Speaker 1>of a home invasion and the guy who's invading your

1:09:25.280 --> 1:09:28.640
<v Speaker 1>house and has tied you up stops to eat a sandwich,

1:09:29.040 --> 1:09:30.280
<v Speaker 1>are you not allowed to break free.

1:09:30.200 --> 1:09:31.080
<v Speaker 3>And shoot him?

1:09:31.400 --> 1:09:33.840
<v Speaker 1>Like just because he stopped to go get alcohol, you

1:09:33.840 --> 1:09:36.040
<v Speaker 1>think that the behavior was gonna get nicer when he

1:09:36.040 --> 1:09:38.839
<v Speaker 1>got his flat, was like things were going to improve

1:09:38.920 --> 1:09:41.280
<v Speaker 1>once he got some booze in his system, Like, I

1:09:41.360 --> 1:09:42.880
<v Speaker 1>just think this woman is such a dumb bitch. This

1:09:42.880 --> 1:09:44.439
<v Speaker 1>doesn't feel like I'm like, send her a pair of

1:09:44.479 --> 1:09:48.879
<v Speaker 1>our dumb bitch socks, like you're not going to convince

1:09:48.960 --> 1:09:51.160
<v Speaker 1>a jury that, like he didn't think he was in

1:09:51.280 --> 1:09:54.320
<v Speaker 1>danger just because he didn't shoot the guy as he

1:09:54.400 --> 1:09:57.200
<v Speaker 1>was coming toward him with a raised fist, like he's

1:09:57.240 --> 1:10:01.040
<v Speaker 1>thirteen years old. And then she goes, he's thirteen, I

1:10:01.040 --> 1:10:05.000
<v Speaker 1>can try him as an adult, and okay, I'm like,

1:10:05.120 --> 1:10:07.160
<v Speaker 1>and why do you want to do that? He's an

1:10:07.200 --> 1:10:10.000
<v Speaker 1>abused boy, Like wouldn't you try to move it to

1:10:10.040 --> 1:10:12.639
<v Speaker 1>family court even if it was on purpose, like even

1:10:12.640 --> 1:10:15.000
<v Speaker 1>if it was like wow, he really did say yes,

1:10:15.040 --> 1:10:16.120
<v Speaker 1>I plotted this for days.

1:10:16.120 --> 1:10:19.479
<v Speaker 3>But he's thirteen years old and like an abuse victim.

1:10:19.960 --> 1:10:22.200
<v Speaker 1>And Stabler's like, oh, so you can parade him into

1:10:22.240 --> 1:10:24.559
<v Speaker 1>the court and win points with the DA And she

1:10:24.640 --> 1:10:27.040
<v Speaker 1>tells him, do your job, arrest Nikki for second Drea

1:10:27.120 --> 1:10:29.400
<v Speaker 1>murder and he goes, do it yourself and he walks away,

1:10:29.439 --> 1:10:32.599
<v Speaker 1>which I love. Now we're at the precinct, Stabler's looking

1:10:32.640 --> 1:10:35.080
<v Speaker 1>over the case on the blackboard, of course, and Live

1:10:35.160 --> 1:10:37.400
<v Speaker 1>is back and she's like, wow, I was in court

1:10:37.439 --> 1:10:40.040
<v Speaker 1>all day and you're the one pissing off lawyers. And

1:10:40.080 --> 1:10:43.479
<v Speaker 1>he's like, oh, you talk to Hardwick And this idiot

1:10:44.120 --> 1:10:47.120
<v Speaker 1>called Benson to see if she would maybe get some

1:10:47.280 --> 1:10:50.040
<v Speaker 1>info out of Stabler about the conversation with Niki, and

1:10:50.080 --> 1:10:52.240
<v Speaker 1>it's like, wow, you're even dumber than I thought you were.

1:10:52.439 --> 1:10:55.400
<v Speaker 1>Benson obviously tells her to shove it. Benson and Stabler

1:10:55.479 --> 1:10:58.880
<v Speaker 1>talk about the Nicky situation and Benson tells him you

1:10:58.920 --> 1:11:01.160
<v Speaker 1>didn't do anything wrong, and Sailor goes, we'll tell me

1:11:01.200 --> 1:11:03.000
<v Speaker 1>that tomorrow. And he's like, I really don't want to

1:11:03.080 --> 1:11:06.080
<v Speaker 1>arrest Nikki and Benson goes, so fight fire with fire?

1:11:06.600 --> 1:11:10.000
<v Speaker 3>What does that mean? We'll find out after this commercial break.

1:11:10.040 --> 1:11:10.360
<v Speaker 3>So no.

1:11:10.360 --> 1:11:13.080
<v Speaker 1>Now we're talking to Sandra in cement room bars and

1:11:13.120 --> 1:11:15.880
<v Speaker 1>she's like, you cannot talk to Nicki and Hardwick goes,

1:11:16.479 --> 1:11:18.640
<v Speaker 1>he's a miner, so you have to be present when

1:11:18.680 --> 1:11:21.759
<v Speaker 1>I mirandized him. And I'm like in my head, going, okay,

1:11:21.760 --> 1:11:24.599
<v Speaker 1>so he's a miner. He cannot be mirandized without a parent,

1:11:24.600 --> 1:11:27.560
<v Speaker 1>but he can be tried as an adult, Like what

1:11:27.560 --> 1:11:30.920
<v Speaker 1>what is this system here? Like if he's a little

1:11:30.920 --> 1:11:32.519
<v Speaker 1>baby that needs to have a parent with him to

1:11:32.520 --> 1:11:34.040
<v Speaker 1>get his Miranda rights. Then that's how you have to

1:11:34.080 --> 1:11:37.400
<v Speaker 1>try him at court too. So Nicki comes into the room,

1:11:37.479 --> 1:11:38.479
<v Speaker 1>he runs to his mom.

1:11:38.520 --> 1:11:39.120
<v Speaker 3>They're hugging.

1:11:39.200 --> 1:11:42.639
<v Speaker 1>Hardwick immediately starts the Miranda rights, and right as she says,

1:11:42.640 --> 1:11:44.639
<v Speaker 1>if you give up that right, we hear, Oh he's

1:11:44.720 --> 1:11:49.360
<v Speaker 1>not an in strolls absolute icon of cinema and my life,

1:11:49.400 --> 1:11:54.639
<v Speaker 1>Olympia du Caucus with a perfectly smooth silver sus Ormon haircut.

1:11:54.760 --> 1:11:59.240
<v Speaker 1>She is a vision. I love Olympia du Caucus. I

1:11:59.240 --> 1:12:01.960
<v Speaker 1>don't know if you have a relationship with her. She

1:12:02.280 --> 1:12:07.040
<v Speaker 1>shares mother in Moonstruck. She's a main character in Steel Magnolius.

1:12:07.120 --> 1:12:10.080
<v Speaker 1>Her relationship with Shirley McClain's character in Steel Magnolia is

1:12:10.080 --> 1:12:10.879
<v Speaker 1>one of my favorites.

1:12:11.200 --> 1:12:13.559
<v Speaker 3>Weeza and I forgot.

1:12:13.600 --> 1:12:15.880
<v Speaker 1>I honestly forget what Olympia's character's name is because Wesa

1:12:15.920 --> 1:12:16.760
<v Speaker 1>is so iconic too.

1:12:16.800 --> 1:12:18.799
<v Speaker 3>But I love Olympia to Caucus.

1:12:18.840 --> 1:12:21.000
<v Speaker 1>She just passed into twenty twenty one, and I just

1:12:21.040 --> 1:12:23.799
<v Speaker 1>like love her so much. I think she's the Bee's

1:12:23.840 --> 1:12:27.800
<v Speaker 1>fucking knees. And uh, Sandra doesn't know who this brad is?

1:12:27.920 --> 1:12:30.640
<v Speaker 1>When she walks in, she says she's Debbie Marsh and

1:12:30.680 --> 1:12:33.439
<v Speaker 1>she goes. Stabler says, you need a lawyer, and Sandra goes, well,

1:12:33.479 --> 1:12:35.600
<v Speaker 1>I can't afford you. She just looks her up and

1:12:35.600 --> 1:12:38.320
<v Speaker 1>down and is like, whatever this is, I can't afford it.

1:12:38.439 --> 1:12:40.960
<v Speaker 1>She's like, you are not a public defender, and she goes,

1:12:41.000 --> 1:12:43.639
<v Speaker 1>it's on the house. And then she goes to Hardwick

1:12:43.880 --> 1:12:46.800
<v Speaker 1>proud of yourself charging a battered kid with murder two

1:12:47.240 --> 1:12:49.519
<v Speaker 1>and she goes, I'm more than open to a deal,

1:12:50.000 --> 1:12:52.799
<v Speaker 1>and Olympia Doucoccus goes, well, I'm.

1:12:52.640 --> 1:12:55.360
<v Speaker 3>Not and just go the fuck off. I love her

1:12:55.400 --> 1:12:55.880
<v Speaker 3>so much.

1:12:56.439 --> 1:12:59.280
<v Speaker 1>She's like, no jury's gonna convict this kid once they

1:12:59.280 --> 1:13:02.320
<v Speaker 1>hear what this like monster did to him. So now

1:13:02.360 --> 1:13:04.400
<v Speaker 1>we're in court, and I love that they got to

1:13:04.439 --> 1:13:06.320
<v Speaker 1>Olpia du Caucus, but they probably could only get her

1:13:06.320 --> 1:13:07.439
<v Speaker 1>for like a day of shooting.

1:13:07.560 --> 1:13:09.559
<v Speaker 3>So she's only really in this last bit, right.

1:13:10.120 --> 1:13:12.439
<v Speaker 1>So now we're in court and Debbie's got Stabler on

1:13:12.479 --> 1:13:15.000
<v Speaker 1>the stand and he's describing Nicky's state of mind the

1:13:15.080 --> 1:13:17.839
<v Speaker 1>night of the murder, what happened. Stabler's like, I believe

1:13:17.960 --> 1:13:20.200
<v Speaker 1>him that, you know he was scared and he thought

1:13:20.200 --> 1:13:20.680
<v Speaker 1>that there was.

1:13:20.640 --> 1:13:23.120
<v Speaker 3>A threat on his life. And now Hardwick it's her turn.

1:13:23.240 --> 1:13:25.600
<v Speaker 1>She asked Stabler, what did you and Nicky say in

1:13:25.600 --> 1:13:31.479
<v Speaker 1>this private conversation that I witnessed and Olympia Debbie argues,

1:13:31.640 --> 1:13:34.840
<v Speaker 1>this is inadmissible, like, you know, he's a minor, he

1:13:34.880 --> 1:13:37.840
<v Speaker 1>had not been mirandized. And Hardwick is trying to say

1:13:37.840 --> 1:13:41.439
<v Speaker 1>that it's a spontaneous utterance. The law is so weird,

1:13:41.560 --> 1:13:43.720
<v Speaker 1>isn't it so weird that if you I don't even

1:13:43.720 --> 1:13:48.000
<v Speaker 1>know that well, you know how, like you can't interrogate

1:13:48.040 --> 1:13:49.280
<v Speaker 1>somebody without a lawyer.

1:13:49.320 --> 1:13:50.759
<v Speaker 3>But if you get to a crime.

1:13:50.560 --> 1:13:52.439
<v Speaker 1>Scene and somebody goes, I did it, I killed him,

1:13:52.479 --> 1:13:54.800
<v Speaker 1>that counts as a spontaneous utterance even though their lawyer

1:13:54.880 --> 1:13:57.719
<v Speaker 1>wasn't there. It is just a weird caveat we've carved

1:13:57.720 --> 1:14:00.200
<v Speaker 1>into the law, like if you're keyed up when you

1:14:00.200 --> 1:14:04.360
<v Speaker 1>say something, it's out. But if you were calm, like

1:14:04.439 --> 1:14:06.120
<v Speaker 1>it's in, you know, but if you were calm when

1:14:06.120 --> 1:14:07.960
<v Speaker 1>you said it, we can't use it. Like I don't.

1:14:08.000 --> 1:14:11.200
<v Speaker 1>It's it's so funny to me. But Debbie argues, like, yeah,

1:14:11.240 --> 1:14:13.519
<v Speaker 1>this is a kid, and the judge is not buying it.

1:14:13.560 --> 1:14:15.120
<v Speaker 1>I think this is the judge who had the dolphin

1:14:15.120 --> 1:14:17.160
<v Speaker 1>porn on his computer, but I can't remember exactly.

1:14:17.479 --> 1:14:19.240
<v Speaker 3>I tried to look it up, but I didn't have time.

1:14:19.880 --> 1:14:23.160
<v Speaker 1>And then he overrules the objection and orders Stabler to

1:14:23.200 --> 1:14:23.960
<v Speaker 1>answer the question.

1:14:24.439 --> 1:14:27.120
<v Speaker 3>Why can't Stabler just lie? Nobody knows what was said

1:14:27.160 --> 1:14:27.720
<v Speaker 3>between them?

1:14:28.000 --> 1:14:31.120
<v Speaker 1>He could have just said that, then Stabler wouldn't be Stabler.

1:14:31.400 --> 1:14:34.080
<v Speaker 1>I know, I know, but it's like this poor fucking

1:14:34.160 --> 1:14:37.519
<v Speaker 1>beaten up kid, Like, couldn't you just say no, one

1:14:37.600 --> 1:14:39.800
<v Speaker 1>knows except for you, Like you could just say he

1:14:39.920 --> 1:14:42.080
<v Speaker 1>just was rambling. I couldn't really make a lot out

1:14:42.080 --> 1:14:43.960
<v Speaker 1>of what he was saying. It was a lot about what,

1:14:44.120 --> 1:14:45.880
<v Speaker 1>you know, how his dad was hurting him.

1:14:46.120 --> 1:14:46.320
<v Speaker 5>You know.

1:14:46.600 --> 1:14:50.519
<v Speaker 2>I think this was the judge that has the championship roses.

1:14:51.240 --> 1:14:54.800
<v Speaker 1>No, it's not. It's not no different judge. I think

1:14:54.840 --> 1:14:57.799
<v Speaker 1>this is dolphin porn judge. I thought it was older.

1:14:57.840 --> 1:15:01.800
<v Speaker 1>I thought that wasn't an older guy. I thought it

1:15:01.880 --> 1:15:03.840
<v Speaker 1>was like, who's the main one, who's the main We

1:15:03.880 --> 1:15:07.240
<v Speaker 1>need to make a fucking full roster of all the judges.

1:15:07.320 --> 1:15:09.120
<v Speaker 1>But this is judge Walter Bradley.

1:15:09.920 --> 1:15:10.880
<v Speaker 3>He's in.

1:15:12.479 --> 1:15:15.760
<v Speaker 1>Oh my god, he's in so many episodes. Wait, there's

1:15:15.760 --> 1:15:19.320
<v Speaker 1>an SVU episode called Hubris. I think that might be

1:15:19.360 --> 1:15:22.000
<v Speaker 1>from a different The way you say franchise is hard

1:15:22.040 --> 1:15:22.280
<v Speaker 1>for me.

1:15:22.960 --> 1:15:25.880
<v Speaker 3>What Hubris? Yeah, that's how you say it.

1:15:26.120 --> 1:15:27.720
<v Speaker 1>I know I've been saying it wrong and it makes

1:15:27.760 --> 1:15:29.360
<v Speaker 1>me uncomfortable to hear you say it.

1:15:29.479 --> 1:15:31.880
<v Speaker 3>Oh, how do you say it Hubris? Oh? Hugh, I

1:15:31.880 --> 1:15:34.680
<v Speaker 3>think you can say Hubris too, right. I don't know.

1:15:34.840 --> 1:15:38.200
<v Speaker 3>I don't really use that word much. No, I said

1:15:38.200 --> 1:15:41.360
<v Speaker 3>it a lot. I said it today in one of

1:15:41.360 --> 1:15:42.599
<v Speaker 3>our interviews. I did, right.

1:15:43.920 --> 1:15:45.559
<v Speaker 1>I don't. I don't say it a lot, but I

1:15:45.560 --> 1:15:47.080
<v Speaker 1>I did learn it in high school. It was a

1:15:47.120 --> 1:15:50.600
<v Speaker 1>part of my vocab. Oh no, sorry, Yeah, Hubris is

1:15:50.640 --> 1:15:53.200
<v Speaker 1>a Law and Order regular. So this guy goes across,

1:15:53.560 --> 1:15:57.120
<v Speaker 1>he goes across both both things.

1:15:58.760 --> 1:15:59.719
<v Speaker 3>He was in the episode.

1:16:00.240 --> 1:16:02.800
<v Speaker 2>Can I remember the dolphin thing being like, oh, I

1:16:02.960 --> 1:16:04.519
<v Speaker 2>fucked up my Matt?

1:16:04.800 --> 1:16:06.120
<v Speaker 3>Like, but maybe this guy has.

1:16:06.080 --> 1:16:08.080
<v Speaker 1>Been older we have to Yeah, we can move on,

1:16:08.240 --> 1:16:11.559
<v Speaker 1>but we'll figure it out before the post mortem. Yeah,

1:16:11.840 --> 1:16:15.000
<v Speaker 1>poison retro. Yeah, he's been in a lot anyway. Anyway,

1:16:15.080 --> 1:16:16.880
<v Speaker 1>we'll figure it out for you, guys, don't worry.

1:16:17.000 --> 1:16:18.479
<v Speaker 3>Keep listening. Yeah, listening.

1:16:18.920 --> 1:16:21.439
<v Speaker 1>Wait, have you seen the post? If you're in line

1:16:21.600 --> 1:16:24.880
<v Speaker 1>to suck, If you're in line to suck Bill Clinton's dick,

1:16:25.200 --> 1:16:32.120
<v Speaker 1>stay line. So you know, I hate the Internet in

1:16:32.160 --> 1:16:33.960
<v Speaker 1>a lot of ways, but it's so it brings me

1:16:34.160 --> 1:16:35.040
<v Speaker 1>so many laughs.

1:16:35.400 --> 1:16:36.800
<v Speaker 3>People are so funny.

1:16:37.200 --> 1:16:40.760
<v Speaker 1>What in ancient times we couldn't spread humor to each

1:16:40.760 --> 1:16:43.559
<v Speaker 1>other at this rate? It was just it's too good,

1:16:43.600 --> 1:16:48.600
<v Speaker 1>all right. So Stabler can't just lie. He tells the

1:16:48.640 --> 1:16:51.479
<v Speaker 1>court that Nikki said he was glad his stepdad was

1:16:51.520 --> 1:16:53.600
<v Speaker 1>dead and that he deserved to die for what he

1:16:53.640 --> 1:16:57.640
<v Speaker 1>did to his mom. So uh, I'm like, okay, So

1:16:57.760 --> 1:16:59.400
<v Speaker 1>he's in shock, Like, I don't see how that's a

1:16:59.439 --> 1:17:03.280
<v Speaker 1>smoking guy either, And they also say what did he yell?

1:17:03.320 --> 1:17:05.479
<v Speaker 1>And he goes, he yelled I put the gun to

1:17:05.600 --> 1:17:09.080
<v Speaker 1>his head again, So what, Like, I still don't buy

1:17:09.160 --> 1:17:12.640
<v Speaker 1>how any of this is not excusable by being a

1:17:12.720 --> 1:17:17.680
<v Speaker 1>traumatized victim. And outside the courthouse now, Stabler rolls up

1:17:17.680 --> 1:17:21.240
<v Speaker 1>on Sandra, who's just having a little pregnancy smoke and

1:17:22.280 --> 1:17:23.960
<v Speaker 1>she go he goes, are you smoking?

1:17:24.000 --> 1:17:24.600
<v Speaker 3>Are you kidding me?

1:17:24.640 --> 1:17:26.280
<v Speaker 1>And he goes, you ever stop being a cop, And

1:17:26.320 --> 1:17:28.439
<v Speaker 1>it's like, I don't think he cares about smoking in general.

1:17:28.920 --> 1:17:32.040
<v Speaker 1>But go he goes, I'll stop becoming a cop once

1:17:32.080 --> 1:17:34.120
<v Speaker 1>you start being a mother. He goes, You're on the

1:17:34.200 --> 1:17:36.400
<v Speaker 1>stand in ten minutes. And she's like, I can't do it,

1:17:36.439 --> 1:17:38.920
<v Speaker 1>and he's like, you have to. Nicky needs you, and

1:17:38.960 --> 1:17:41.160
<v Speaker 1>she goes, you know the night that Hank was hitting

1:17:41.200 --> 1:17:43.559
<v Speaker 1>NICKI in the shoulder, I watched him do it. I

1:17:43.600 --> 1:17:45.679
<v Speaker 1>felt every punch and I knew where he had his gun,

1:17:45.720 --> 1:17:47.200
<v Speaker 1>and I wanted to go get it, but I didn't.

1:17:47.240 --> 1:17:48.200
<v Speaker 3>I didn't do a damn thing.

1:17:48.479 --> 1:17:50.040
<v Speaker 1>And now I have to go what go admit to

1:17:50.080 --> 1:17:52.080
<v Speaker 1>this jury what a shitty mom I've been. And it's like, yeah,

1:17:52.080 --> 1:17:54.760
<v Speaker 1>that's the fucking least you could do, babe. At this point,

1:17:54.800 --> 1:17:56.640
<v Speaker 1>like I do believe she's a victim as well, but

1:17:56.680 --> 1:17:58.719
<v Speaker 1>it's like, you don't need to not go on trial

1:17:58.760 --> 1:18:02.559
<v Speaker 1>for your son. And then Stabler goes, this isn't about you,

1:18:02.640 --> 1:18:04.640
<v Speaker 1>it's about Nicky, and she goes, you really think I

1:18:04.640 --> 1:18:06.320
<v Speaker 1>don't give a crap about him, and Sablor goes, no,

1:18:06.439 --> 1:18:08.200
<v Speaker 1>I think you're a battered woman who doesn't know where

1:18:08.280 --> 1:18:11.240
<v Speaker 1>to turn. And she's like, Hank paid the bills, he

1:18:11.320 --> 1:18:13.160
<v Speaker 1>fixed the house, he put food on the table, he

1:18:13.240 --> 1:18:15.720
<v Speaker 1>kept everything under control. What am I going to do

1:18:15.760 --> 1:18:18.200
<v Speaker 1>without him now? And he's like, well, now you're in control,

1:18:18.240 --> 1:18:19.640
<v Speaker 1>and you have to protect your son, and it might

1:18:19.680 --> 1:18:21.439
<v Speaker 1>be your last chance to fucking do it, so get

1:18:21.439 --> 1:18:23.600
<v Speaker 1>your ass on the stand. So now she's on the

1:18:23.640 --> 1:18:27.320
<v Speaker 1>stand and Hank said, she's reporting that. Hank said he

1:18:27.360 --> 1:18:28.840
<v Speaker 1>was going to make me pay for ratting him out

1:18:28.840 --> 1:18:31.720
<v Speaker 1>to the cops while and then he started beating me

1:18:31.760 --> 1:18:34.680
<v Speaker 1>in the kitchen, and I was like, I could never

1:18:34.720 --> 1:18:37.280
<v Speaker 1>be on this jury because I'd be like, anyone is

1:18:37.320 --> 1:18:39.160
<v Speaker 1>allowed to kill this man, Like anyone on the street

1:18:39.160 --> 1:18:41.240
<v Speaker 1>can kill this man, Like I don't care, you know, Like,

1:18:41.800 --> 1:18:44.960
<v Speaker 1>and I don't think it'd be fun to uh be

1:18:45.400 --> 1:18:48.519
<v Speaker 1>on a jury with yeah, Like I would try to

1:18:48.520 --> 1:18:53.639
<v Speaker 1>be the foreman, I think, right, and then he would

1:18:53.640 --> 1:18:54.680
<v Speaker 1>never let me sit on it.

1:18:54.760 --> 1:18:57.760
<v Speaker 3>But I never getting on a journey for I think

1:18:57.760 --> 1:18:59.040
<v Speaker 3>we're never getting on a jury for the rest of

1:18:59.120 --> 1:18:59.960
<v Speaker 3>our lives because we have.

1:19:00.280 --> 1:19:02.599
<v Speaker 1>But did you I think see the clip where Reese

1:19:02.640 --> 1:19:05.639
<v Speaker 1>Witherspoon did an interview and she would serve jury duty

1:19:05.680 --> 1:19:08.360
<v Speaker 1>and they made her the foreman because of legally blonde

1:19:08.400 --> 1:19:10.280
<v Speaker 1>and she had to be like you, I'm not a lawyer,

1:19:10.280 --> 1:19:12.240
<v Speaker 1>and they're like, you do it and they made.

1:19:12.160 --> 1:19:14.160
<v Speaker 3>Reese do it. You went to Harvard Law.

1:19:14.479 --> 1:19:17.759
<v Speaker 1>Yeah, wow, that's crazy.

1:19:17.760 --> 1:19:22.200
<v Speaker 3>I never heard that. That's wild. Oh my god, I'm so.

1:19:22.320 --> 1:19:24.880
<v Speaker 1>Surpri Okay, whatever, I I just you and I will

1:19:24.880 --> 1:19:26.880
<v Speaker 1>never if they ask us, like, do you watch do

1:19:26.920 --> 1:19:28.080
<v Speaker 1>you know anything about the law?

1:19:28.200 --> 1:19:30.600
<v Speaker 2>They want people that are interested in the law and

1:19:30.720 --> 1:19:31.599
<v Speaker 2>know about it, like I don't.

1:19:31.680 --> 1:19:33.479
<v Speaker 1>I don't think they want people that think they know

1:19:33.560 --> 1:19:36.280
<v Speaker 1>a lot about the law because they've watched like TV

1:19:36.400 --> 1:19:39.200
<v Speaker 1>shows and because we've like actually researched some laws.

1:19:39.240 --> 1:19:40.880
<v Speaker 3>Like I don't think they want people like that, like

1:19:41.080 --> 1:19:41.439
<v Speaker 3>at all.

1:19:42.200 --> 1:19:47.120
<v Speaker 1>But Debbie asks her what happened next, and Sandra gets distracted.

1:19:47.200 --> 1:19:49.040
<v Speaker 1>She goes, I want to say something, and the judge

1:19:49.080 --> 1:19:51.680
<v Speaker 1>is like, answer the question, and then she goes, I

1:19:51.760 --> 1:19:53.600
<v Speaker 1>never thought you'd go after NICKI and I can't let

1:19:53.680 --> 1:19:55.600
<v Speaker 1>him go to prison for something that I did. It

1:19:55.720 --> 1:19:58.200
<v Speaker 1>was me I killed Hank. And then Nicky stands up

1:19:58.200 --> 1:20:00.840
<v Speaker 1>and goes, mom, no, this is twist I didn't see

1:20:00.880 --> 1:20:03.560
<v Speaker 1>coming and I didn't realize that this is the exact

1:20:03.600 --> 1:20:05.599
<v Speaker 1>plot of the ballot of Dwight and Arena the other

1:20:05.640 --> 1:20:08.439
<v Speaker 1>episode that we've done with where Ricky Lindholm was Our

1:20:08.439 --> 1:20:11.759
<v Speaker 1>guests like, it's the same plot. It's like abusive dad

1:20:12.479 --> 1:20:16.240
<v Speaker 1>beating up a step son beating up a wife. One

1:20:16.280 --> 1:20:18.960
<v Speaker 1>of them kills him, and we don't really know which

1:20:18.960 --> 1:20:20.920
<v Speaker 1>one because they're going to play a sort of mistrial

1:20:21.040 --> 1:20:25.320
<v Speaker 1>strategy on each other and causing reasonable doubt. So my

1:20:25.439 --> 1:20:27.560
<v Speaker 1>first thought is okay, Like when they have tested for

1:20:27.640 --> 1:20:30.120
<v Speaker 1>gunshot residue on both of their hands, like, I'm always

1:20:30.160 --> 1:20:32.679
<v Speaker 1>looking for the holes, you know, And the judge tells

1:20:32.720 --> 1:20:35.760
<v Speaker 1>her like, Sandra, you are confessing to crime, to a

1:20:35.800 --> 1:20:37.640
<v Speaker 1>crime of murder in open court. You have the right

1:20:37.680 --> 1:20:40.120
<v Speaker 1>to remain silent. She's like, I don't want to remain silent.

1:20:40.160 --> 1:20:41.840
<v Speaker 3>He was beating me. He was going to kill both

1:20:41.880 --> 1:20:42.200
<v Speaker 3>of us.

1:20:42.439 --> 1:20:44.200
<v Speaker 1>I went and found his gun, and when he was

1:20:44.200 --> 1:20:46.040
<v Speaker 1>by the work bench, I guess it wasn't a sink.

1:20:46.080 --> 1:20:47.400
<v Speaker 3>It was like a work bench. It looked like a

1:20:47.439 --> 1:20:48.719
<v Speaker 3>sink to me, but it was dark.

1:20:49.520 --> 1:20:50.960
<v Speaker 1>She goes, when he was at the work bench, I

1:20:51.000 --> 1:20:53.439
<v Speaker 1>stuck up behind him and I blew the bastard's brains out.

1:20:53.680 --> 1:20:55.280
<v Speaker 3>And Nicki's like, don't listen to her.

1:20:55.400 --> 1:20:57.960
<v Speaker 1>She's lying to save me. I did it, and then

1:20:58.000 --> 1:21:00.160
<v Speaker 1>she's like, no, I did it, and she's crying. The

1:21:00.200 --> 1:21:01.840
<v Speaker 1>judge calls a recess. I don't know what else you

1:21:01.840 --> 1:21:05.120
<v Speaker 1>can do, and then Hardwick turns to Stabler in a

1:21:05.160 --> 1:21:07.960
<v Speaker 1>callback to his earlier comment and goes, my parade just

1:21:08.000 --> 1:21:11.320
<v Speaker 1>became a circus. And now we're back with Sung, this

1:21:11.479 --> 1:21:15.040
<v Speaker 1>technician and he's showing Hardwick and Stabler one of those

1:21:15.080 --> 1:21:18.000
<v Speaker 1>top of the line animated videos that the NYPD makes

1:21:18.040 --> 1:21:21.640
<v Speaker 1>to show how like crime scenes can play out, and

1:21:21.680 --> 1:21:26.320
<v Speaker 1>he's like, look, it's plausible that Sandra shot Hank NICKI

1:21:26.439 --> 1:21:29.120
<v Speaker 1>came and took the gun out of her hands, and

1:21:29.200 --> 1:21:31.439
<v Speaker 1>she ended up across the room, which is why we

1:21:31.520 --> 1:21:33.960
<v Speaker 1>never suspected her. And I'm like, because she was across

1:21:34.000 --> 1:21:38.000
<v Speaker 1>the room, what like, she was all the way ten.

1:21:37.880 --> 1:21:39.120
<v Speaker 3>Feet away from where it happened.

1:21:39.120 --> 1:21:41.320
<v Speaker 1>We didn't think it could have been her like, and

1:21:41.360 --> 1:21:44.120
<v Speaker 1>then he goes, then that's why we never tested her clothes. Again,

1:21:44.240 --> 1:21:46.960
<v Speaker 1>this feels like it all police work could.

1:21:46.760 --> 1:21:47.559
<v Speaker 3>Have been done.

1:21:48.080 --> 1:21:50.320
<v Speaker 1>And then so they end up they do test her

1:21:50.320 --> 1:21:55.800
<v Speaker 1>clothes now, which I guess haven't been washed or maybe

1:21:55.840 --> 1:21:58.160
<v Speaker 1>the hospital has them. So chain of custody has been

1:21:58.280 --> 1:22:03.639
<v Speaker 1>maintained her turtle was saturated with gunshot residue and fine

1:22:03.720 --> 1:22:07.559
<v Speaker 1>blood spatter particulate. So they're like, oh, okay, so Nicki

1:22:07.640 --> 1:22:09.200
<v Speaker 1>didn't kill him, it was her and Song.

1:22:09.520 --> 1:22:09.680
<v Speaker 6>Yeah.

1:22:09.760 --> 1:22:12.120
<v Speaker 2>Do you think if I was on jury duty selection

1:22:12.200 --> 1:22:13.280
<v Speaker 2>and I said, what was that word?

1:22:13.280 --> 1:22:16.559
<v Speaker 3>You just said? Particulate but blood spatter particulate? Yeah?

1:22:16.600 --> 1:22:18.080
<v Speaker 1>Do you think if I said that then let me

1:22:18.120 --> 1:22:27.080
<v Speaker 1>stay I'm pretty interested in blood spatter. Yeah, particulate. Yeah.

1:22:27.479 --> 1:22:31.600
<v Speaker 1>So Song is like, I can't actually testify to that

1:22:31.720 --> 1:22:35.160
<v Speaker 1>because Niki also had gunshot residue and spatter on him,

1:22:35.600 --> 1:22:38.000
<v Speaker 1>So either one of them could have shot Hank with

1:22:38.040 --> 1:22:39.280
<v Speaker 1>the other close by.

1:22:40.400 --> 1:22:42.400
<v Speaker 3>So it's the twins.

1:22:42.640 --> 1:22:46.880
<v Speaker 1>It's the twins if you can't, Yeah.

1:22:46.880 --> 1:22:48.960
<v Speaker 3>It's the twins from identity. I mean.

1:22:49.000 --> 1:22:51.479
<v Speaker 1>The thing is, though, it's like, I really do feel

1:22:51.479 --> 1:22:54.559
<v Speaker 1>like the gunshot residue is more apparent on the person

1:22:54.640 --> 1:22:57.960
<v Speaker 1>who shot the shot. So if they swab Nicki's hands

1:22:57.960 --> 1:23:00.120
<v Speaker 1>and he didn't really have it on his hands, but

1:23:00.160 --> 1:23:02.360
<v Speaker 1>he had it on him and she did it, I

1:23:02.360 --> 1:23:03.960
<v Speaker 1>don't know. It feels like this could have been solved

1:23:03.960 --> 1:23:06.840
<v Speaker 1>with forensics, but they're acting like it was so forensically

1:23:06.880 --> 1:23:10.040
<v Speaker 1>perfectly set up that either ononer of them could be it,

1:23:10.160 --> 1:23:13.040
<v Speaker 1>and Hardwick goes, I'm screwed, aren't I? And Sabler goes,

1:23:13.240 --> 1:23:15.280
<v Speaker 1>now you know how they felt? Give it to her?

1:23:15.840 --> 1:23:16.920
<v Speaker 3>And like, I know.

1:23:17.040 --> 1:23:19.040
<v Speaker 1>Justice is blind, but I honestly don't even understand why

1:23:19.080 --> 1:23:21.880
<v Speaker 1>we prosecute crimes like this, Like when someone has like

1:23:21.960 --> 1:23:25.240
<v Speaker 1>the fucking record of just like abuse and there's a

1:23:25.280 --> 1:23:28.679
<v Speaker 1>testimony and evidence of someone just being an abusive asshole,

1:23:28.720 --> 1:23:30.920
<v Speaker 1>and we're like, let's spend tax payer money to put

1:23:31.000 --> 1:23:34.240
<v Speaker 1>the person who murdered them to jail. I don't get it,

1:23:34.320 --> 1:23:36.360
<v Speaker 1>Like I really don't, But I understand that that's like

1:23:36.400 --> 1:23:37.840
<v Speaker 1>not how the system works, and we have to do

1:23:37.880 --> 1:23:40.080
<v Speaker 1>it that way. But I think there should be some

1:23:40.160 --> 1:23:44.880
<v Speaker 1>cases where it's just like, oh, this monster, Like, yeah,

1:23:45.200 --> 1:23:46.920
<v Speaker 1>I don't, we don't have to do it. Like if

1:23:47.240 --> 1:23:50.479
<v Speaker 1>they like found evidence of like who killed Epstein in jail,

1:23:50.520 --> 1:23:52.560
<v Speaker 1>it was like another inmate, we're not prosecuting.

1:23:52.600 --> 1:23:53.840
<v Speaker 3>I don't, We're not doing it.

1:23:54.240 --> 1:23:57.080
<v Speaker 1>Was I that was a job, of course, of course,

1:23:57.080 --> 1:23:59.679
<v Speaker 1>of course, but that just came to mind as another

1:23:59.680 --> 1:24:05.520
<v Speaker 1>bad person. So next scene, next and final scene, NICKI

1:24:05.360 --> 1:24:14.400
<v Speaker 1>said on everybody's lips, is gonna be Epstein Epstein. Sorry

1:24:14.439 --> 1:24:16.479
<v Speaker 1>I did that. It just really came over me like

1:24:16.560 --> 1:24:18.519
<v Speaker 1>a and you guys are gonna see it soon. But

1:24:18.920 --> 1:24:20.559
<v Speaker 1>we did have a guest ask us, have you guys

1:24:20.560 --> 1:24:23.040
<v Speaker 1>ever seen Chicago the musical? What a laugh? What a

1:24:23.120 --> 1:24:26.519
<v Speaker 1>laugh we had? Not only do we see I think

1:24:26.560 --> 1:24:29.960
<v Speaker 1>I like quote it once a day. So in then

1:24:29.960 --> 1:24:32.320
<v Speaker 1>the last scene, Nicki and Sandra have been upgraded to

1:24:32.360 --> 1:24:35.880
<v Speaker 1>wood room blinds. Okay, Stabler and Hardwick tell them listen,

1:24:36.120 --> 1:24:38.320
<v Speaker 1>neither of you is being charged with Hank's murder. That's

1:24:38.320 --> 1:24:41.479
<v Speaker 1>why your lawyer's not here. But we just have this

1:24:41.520 --> 1:24:43.640
<v Speaker 1>thing where we gotta know, So can you tell us

1:24:43.640 --> 1:24:45.920
<v Speaker 1>what happened? One of you pulled the trigger, one of

1:24:45.960 --> 1:24:48.080
<v Speaker 1>you tried to knock the gun away. I promise no

1:24:48.120 --> 1:24:51.000
<v Speaker 1>one will prosecute you. So which one was it? And

1:24:51.080 --> 1:24:54.479
<v Speaker 1>they both say I did in unison And they're so right.

1:24:54.520 --> 1:24:56.960
<v Speaker 1>Don't trust this dumb strawberry blonde bitch. She's not gonna

1:24:57.000 --> 1:24:58.480
<v Speaker 1>help you like she could. Absolutely.

1:24:58.720 --> 1:24:59.439
<v Speaker 3>She just goes, you have.

1:24:59.600 --> 1:25:02.519
<v Speaker 2>My w because it wasn't double jeopardy, it wasn't thrown

1:25:02.560 --> 1:25:04.320
<v Speaker 2>out yet, Like you can't fucking do that shit.

1:25:04.760 --> 1:25:06.360
<v Speaker 3>No, if she found out the truth.

1:25:06.400 --> 1:25:08.080
<v Speaker 1>I could see this woman going and trying to find

1:25:08.120 --> 1:25:10.960
<v Speaker 1>more evidence that supports the truth and then taking it

1:25:11.080 --> 1:25:14.640
<v Speaker 1>back to trial. What I don't think happened is that

1:25:15.520 --> 1:25:17.599
<v Speaker 1>I think Nicki did it and she tried to stop

1:25:17.640 --> 1:25:19.840
<v Speaker 1>because I think if Sandra was gonna shoot him, Nicky

1:25:19.840 --> 1:25:23.080
<v Speaker 1>wouldn't have tried to stop it. So why would there

1:25:23.080 --> 1:25:28.120
<v Speaker 1>be gunshot residue on him? But that's my personal theory.

1:25:28.240 --> 1:25:31.040
<v Speaker 1>Who cares. They're they're free to go. They both walk

1:25:31.040 --> 1:25:34.240
<v Speaker 1>out hugging in and hopefully maybe she stays celibate for

1:25:34.280 --> 1:25:34.760
<v Speaker 1>a little bit.

1:25:34.920 --> 1:25:38.400
<v Speaker 3>No dating, No dating, Yeah, no dating? Why therapy?

1:25:38.640 --> 1:25:42.840
<v Speaker 1>He said, she works crazy hours, work your job, put

1:25:42.840 --> 1:25:44.280
<v Speaker 1>food on the table for you and your kid.

1:25:44.360 --> 1:25:47.000
<v Speaker 3>Let's leave it, you know, like, let's do it, like

1:25:47.080 --> 1:25:49.040
<v Speaker 3>whatever I feel. Whatever.

1:25:49.720 --> 1:25:53.200
<v Speaker 1>So Hardwick says we're never going to know which one

1:25:53.200 --> 1:25:55.519
<v Speaker 1>of them did it, and Sabler goes, does it matter?

1:25:56.080 --> 1:25:57.400
<v Speaker 3>And that's dick wolf Baby.

1:25:58.479 --> 1:26:01.519
<v Speaker 1>They're happy another abuse user is dead and that his

1:26:01.600 --> 1:26:05.639
<v Speaker 1>buddy Nikki is not going to jail. Yeah, all right,

1:26:05.880 --> 1:26:14.440
<v Speaker 1>take me to the modern fight Club, Lisa.

1:26:15.400 --> 1:26:18.920
<v Speaker 2>Listen, this is one of those where, like even on

1:26:18.960 --> 1:26:22.080
<v Speaker 2>the Wick, it's like inspired by the fight club phenomenon

1:26:22.160 --> 1:26:24.080
<v Speaker 2>caused by the book and film, and it's like I

1:26:24.120 --> 1:26:27.360
<v Speaker 2>don't know, I don't buy it, but yeah, because but

1:26:27.400 --> 1:26:30.439
<v Speaker 2>maybe I do whatever. But we're fight club's the thing

1:26:30.479 --> 1:26:32.880
<v Speaker 2>before the fight club. Like I don't know, I don't know,

1:26:34.000 --> 1:26:36.000
<v Speaker 2>like we're people fighting. I think people.

1:26:35.840 --> 1:26:39.600
<v Speaker 1>Definitely did like boxing clubs and shit like that, but

1:26:40.000 --> 1:26:40.840
<v Speaker 1>we're boxing clubs.

1:26:40.840 --> 1:26:45.120
<v Speaker 3>That's what's Yeah, Well, I just think this movie made

1:26:45.200 --> 1:26:46.080
<v Speaker 3>it that.

1:26:46.160 --> 1:26:50.000
<v Speaker 1>It's like you're hitting to like feel something, right, Like

1:26:50.040 --> 1:26:52.280
<v Speaker 1>aren't you hitting to like aren't you in this fight

1:26:52.320 --> 1:26:55.080
<v Speaker 1>club to like feel like a man and act like

1:26:55.120 --> 1:26:55.519
<v Speaker 1>a man?

1:26:55.800 --> 1:26:59.920
<v Speaker 2>Yeah, it's like the malaise of consumerism and like you know,

1:27:00.320 --> 1:27:00.800
<v Speaker 2>all of that.

1:27:01.200 --> 1:27:04.639
<v Speaker 1>And then it's like, yeah, men don't get out there

1:27:04.640 --> 1:27:06.759
<v Speaker 1>and hunt and gather anymore or whatever.

1:27:07.240 --> 1:27:09.240
<v Speaker 3>They're stopping you. I don't understand.

1:27:09.320 --> 1:27:12.599
<v Speaker 2>Always, oh we can't do what you go go gather,

1:27:12.880 --> 1:27:13.439
<v Speaker 2>go hunt.

1:27:14.040 --> 1:27:17.760
<v Speaker 1>Yeah I could see though, people, I mean the whole

1:27:18.160 --> 1:27:21.240
<v Speaker 1>stopping guy Bottoms has a bunch of girls starting a

1:27:21.240 --> 1:27:23.720
<v Speaker 1>fight Bottoms.

1:27:24.240 --> 1:27:25.640
<v Speaker 3>I can't believe I forgot about that.

1:27:26.720 --> 1:27:30.920
<v Speaker 1>Yeah, I just feel like outside of violence and rape,

1:27:31.000 --> 1:27:34.680
<v Speaker 1>like if you're a dude, do whatever you want, go

1:27:34.720 --> 1:27:35.400
<v Speaker 1>do what anything?

1:27:35.400 --> 1:27:38.439
<v Speaker 3>Else you want. We're not stopping you. The only thing we.

1:27:38.439 --> 1:27:41.200
<v Speaker 1>Don't want is just like, uh, we just want to

1:27:41.200 --> 1:27:42.559
<v Speaker 1>be able to like choose our future.

1:27:42.920 --> 1:27:46.200
<v Speaker 2>Like I don't understan, I don't understand. Well, there was

1:27:46.200 --> 1:27:49.280
<v Speaker 2>another thing online where it's like men suffer in silence,

1:27:49.280 --> 1:27:51.080
<v Speaker 2>and it's like, well, then why am I hearing about it?

1:27:51.479 --> 1:27:57.240
<v Speaker 1>Yeah, I'm hearing quiet. Yeah it's not very silent or

1:27:57.360 --> 1:27:59.160
<v Speaker 1>the cool. Yeah, I just I have to get off

1:27:59.160 --> 1:28:04.360
<v Speaker 1>the internet. I just beacon memes. Ah, the male loneliness

1:28:04.439 --> 1:28:06.920
<v Speaker 1>epidemic is not being solved by a fight club.

1:28:06.920 --> 1:28:08.639
<v Speaker 2>Well, it's like men can't cry, and it's like, well,

1:28:08.640 --> 1:28:10.599
<v Speaker 2>men shouldn't hit women, but you guys found a way.

1:28:10.680 --> 1:28:12.920
<v Speaker 3>I don't know, like figure it out. Go cry and

1:28:12.960 --> 1:28:15.120
<v Speaker 3>men can cry. Nobody said they can't.

1:28:15.320 --> 1:28:18.160
<v Speaker 2>Come on, Well, they're just trying to back the only

1:28:18.200 --> 1:28:21.000
<v Speaker 2>person says men can't cry or other men. Well, and

1:28:21.360 --> 1:28:23.720
<v Speaker 2>there are true there are women that are for it,

1:28:23.800 --> 1:28:26.920
<v Speaker 2>and these guys want to fuck these women. Yeah, and

1:28:27.200 --> 1:28:29.519
<v Speaker 2>sometimes you do what you gotta do to fuck the

1:28:29.560 --> 1:28:33.080
<v Speaker 2>women that you want to fuck, and some of them

1:28:33.640 --> 1:28:35.559
<v Speaker 2>don't want you cry. I'm thinking about the movie Don

1:28:35.680 --> 1:28:38.360
<v Speaker 2>John where Scarlet Johanson's like, don't you fucking clean your

1:28:38.360 --> 1:28:41.200
<v Speaker 2>own apartment? It's like what, But you do what you

1:28:41.240 --> 1:28:42.760
<v Speaker 2>have to do if Scarjoe tells you to.

1:28:43.320 --> 1:28:44.679
<v Speaker 3>Yeah, all right.

1:28:44.760 --> 1:28:49.400
<v Speaker 2>So we're in Indio, California, and the La Times reported

1:28:49.400 --> 1:28:50.320
<v Speaker 2>in two thousand and six.

1:28:50.520 --> 1:28:53.360
<v Speaker 1>Guess how I read this article. I got into the

1:28:53.479 --> 1:28:54.040
<v Speaker 1>La Times.

1:28:54.160 --> 1:28:57.719
<v Speaker 2>I copied everything and was able to paste it into

1:28:57.920 --> 1:28:59.080
<v Speaker 2>a Google doc because I.

1:28:59.120 --> 1:29:00.599
<v Speaker 3>Will not pay for the La Times.

1:29:01.360 --> 1:29:06.840
<v Speaker 1>Yes, so I quickly and I found a new hopper.

1:29:07.000 --> 1:29:07.200
<v Speaker 3>I know.

1:29:07.520 --> 1:29:10.040
<v Speaker 2>Everyone always is so kind and sends me so many

1:29:10.080 --> 1:29:13.120
<v Speaker 2>things to help me, and I am just gonna try

1:29:13.120 --> 1:29:16.599
<v Speaker 2>to race the time and copy and paste full articles

1:29:16.600 --> 1:29:17.040
<v Speaker 2>and ads.

1:29:18.000 --> 1:29:18.240
<v Speaker 3>So yeah.

1:29:18.280 --> 1:29:20.519
<v Speaker 2>Two thousand and six, A boy dies in a fight club,

1:29:20.600 --> 1:29:25.000
<v Speaker 2>sixteen years old, Jefferson Pittner. He collapsed after fighting in

1:29:25.040 --> 1:29:29.080
<v Speaker 2>three boxing matches in Palm Desert Park and it was boxing,

1:29:29.120 --> 1:29:31.479
<v Speaker 2>and like the one in Minnesota I cover later, also

1:29:31.560 --> 1:29:33.639
<v Speaker 2>boxing gloves, Like a lot of these boys were wearing

1:29:33.680 --> 1:29:35.679
<v Speaker 2>boxing gloves, so it's not like they were like trying

1:29:35.680 --> 1:29:38.680
<v Speaker 2>to murder each other, I don't think. After collapsing, the

1:29:38.720 --> 1:29:41.519
<v Speaker 2>other teenagers called nine to one one immediately, According to

1:29:41.600 --> 1:29:45.400
<v Speaker 2>Sergeant Earl Quinata, who is a spokesperson for the Sheriff's office.

1:29:46.200 --> 1:29:50.000
<v Speaker 2>This young boy died of head injuries just before eleven pm.

1:29:50.479 --> 1:29:52.400
<v Speaker 2>There were eleven boys that were part of the club

1:29:52.439 --> 1:29:55.320
<v Speaker 2>that were questioned, and it wasn't really a popular thing.

1:29:56.120 --> 1:29:57.800
<v Speaker 2>It's not like the whole neighborhood was like look at

1:29:57.840 --> 1:29:58.839
<v Speaker 2>those cool guys.

1:29:59.400 --> 1:30:01.479
<v Speaker 3>They'd just been doing it for a few years.

1:30:01.560 --> 1:30:05.160
<v Speaker 2>And like I said, it was with boxing gloves. It

1:30:05.280 --> 1:30:08.599
<v Speaker 2>was treated like a homicide. But I couldn't find any

1:30:08.720 --> 1:30:09.759
<v Speaker 2>charges being filed.

1:30:10.920 --> 1:30:14.479
<v Speaker 1>Okay, so maybe they investigated and then like kind of.

1:30:16.080 --> 1:30:19.639
<v Speaker 3>Weren't able to charge anybody. Yeah.

1:30:19.720 --> 1:30:24.479
<v Speaker 1>I mean also like, was there any bedding going on

1:30:24.640 --> 1:30:24.960
<v Speaker 1>in this?

1:30:25.600 --> 1:30:25.960
<v Speaker 3>No?

1:30:25.960 --> 1:30:28.400
<v Speaker 1>No, was it just this something It's like fight thought

1:30:28.439 --> 1:30:30.639
<v Speaker 1>the movie had nothing to do with making any money

1:30:30.640 --> 1:30:33.120
<v Speaker 1>off of it, right, Like, well, and it wasn't children,

1:30:33.280 --> 1:30:37.240
<v Speaker 1>I guess, right, I don't. To me, this feels like

1:30:37.280 --> 1:30:39.320
<v Speaker 1>it's a combo of the fight club thing and the

1:30:39.360 --> 1:30:42.599
<v Speaker 1>dog fighting thing, like the dog fighting scandal had happened

1:30:42.640 --> 1:30:45.759
<v Speaker 1>like in the early two thousands with Michael Vick.

1:30:45.640 --> 1:30:47.439
<v Speaker 3>Right I recovered the VIC case.

1:30:47.800 --> 1:30:52.240
<v Speaker 1>No, No, I feel like it's just like dog fighting

1:30:52.280 --> 1:30:55.320
<v Speaker 1>is in people's minds and the SPU is probably always like,

1:30:55.360 --> 1:30:58.439
<v Speaker 1>how do I turn something into something that's kids? And

1:30:58.479 --> 1:31:00.280
<v Speaker 1>it's like, oh, these fight clubs are happening, and so

1:31:00.320 --> 1:31:01.840
<v Speaker 1>they like combo it, you know what I mean?

1:31:02.640 --> 1:31:05.840
<v Speaker 2>Yeah, and it could like when I was growing up,

1:31:05.920 --> 1:31:10.320
<v Speaker 2>people were backyard wrestling, you know, I just think there.

1:31:10.880 --> 1:31:12.360
<v Speaker 2>And when I was in high school, I was doing

1:31:12.479 --> 1:31:17.000
<v Speaker 2>jackass stuff. I was definitely out there. I was definitely

1:31:17.040 --> 1:31:22.240
<v Speaker 2>doing things with mouse traps and hills and like I

1:31:22.320 --> 1:31:25.559
<v Speaker 2>was doing stuff I love jackass. I was like jumping

1:31:25.640 --> 1:31:30.919
<v Speaker 2>onto Christmas blow up decoration. Like, so kids do stupid

1:31:31.000 --> 1:31:34.639
<v Speaker 2>things I don't and and don't care about their bodily

1:31:34.680 --> 1:31:38.559
<v Speaker 2>harm unfortunately, because you know we covered that kid. What's

1:31:38.640 --> 1:31:42.000
<v Speaker 2>the episode with the the light bulb that severed the

1:31:42.040 --> 1:31:44.479
<v Speaker 2>carotid artery on the thigh?

1:31:44.720 --> 1:31:47.200
<v Speaker 3>Is the thigh the karateid? What's the thigh? And the

1:31:47.240 --> 1:31:48.680
<v Speaker 3>girl sounds like this thigh is?

1:31:51.000 --> 1:31:55.120
<v Speaker 1>But what there was an episode Oh yes with the fighting.

1:31:55.320 --> 1:31:59.400
<v Speaker 1>Yes there was another fighting and the girls. Yeah, she

1:31:59.439 --> 1:32:02.439
<v Speaker 1>had her wired shut. And also like beef was the

1:32:02.479 --> 1:32:05.360
<v Speaker 1>episode right before the season right before this, Yes, and

1:32:05.400 --> 1:32:08.360
<v Speaker 1>in beef cockfighting, Like there's cock fighting. So it's like

1:32:08.400 --> 1:32:11.240
<v Speaker 1>there are people trying to like make money off of fights,

1:32:11.240 --> 1:32:13.120
<v Speaker 1>and I feel like s V was like, let's just

1:32:13.200 --> 1:32:17.680
<v Speaker 1>throw kids in the ring, which is I've up, I do.

1:32:17.720 --> 1:32:19.960
<v Speaker 2>Like a boxing mac share in there, but I'm really

1:32:19.960 --> 1:32:21.320
<v Speaker 2>not into violence.

1:32:22.040 --> 1:32:24.040
<v Speaker 3>Yeah, so twenty eleven.

1:32:25.960 --> 1:32:28.559
<v Speaker 2>This this also so the episode came out in twenty

1:32:28.560 --> 1:32:31.439
<v Speaker 2>eleven as well, So this could be you know, something

1:32:31.439 --> 1:32:34.439
<v Speaker 2>that Neil Bear caught while reading the paper.

1:32:34.960 --> 1:32:37.000
<v Speaker 3>But Naperville a suburb of Chicago.

1:32:37.120 --> 1:32:39.920
<v Speaker 2>It is a bunch of boys aged eleven to thirteen,

1:32:40.680 --> 1:32:43.080
<v Speaker 2>and they were meeting in the school locker room and

1:32:43.120 --> 1:32:45.320
<v Speaker 2>it was voluntary, but a fight club.

1:32:45.439 --> 1:32:47.519
<v Speaker 3>It's not like they were like forcing kids to do it.

1:32:48.200 --> 1:32:51.600
<v Speaker 2>One of the students videotaping of course, of course, and

1:32:51.640 --> 1:32:54.439
<v Speaker 2>the rule was no face hitting, and they had code words.

1:32:54.479 --> 1:32:57.800
<v Speaker 2>So I'm like, these boys are doing a pretty responsible

1:32:57.840 --> 1:32:59.080
<v Speaker 2>fight club if you ask me.

1:32:59.520 --> 1:33:02.840
<v Speaker 1>Yeah, no face hitting, yeah, because then there's no The

1:33:02.880 --> 1:33:04.960
<v Speaker 1>boys were disciplined in the school and then.

1:33:04.880 --> 1:33:06.440
<v Speaker 3>That was it. Yeah.

1:33:06.479 --> 1:33:09.720
<v Speaker 2>And again, we can't really know that any of these

1:33:09.720 --> 1:33:12.040
<v Speaker 2>were inspired, like the show is inspired by any of these,

1:33:12.040 --> 1:33:15.400
<v Speaker 2>But I just looked at some fight clubs from before

1:33:15.439 --> 1:33:18.519
<v Speaker 2>twenty eleven. So March twenty six, two thousand and six,

1:33:18.600 --> 1:33:22.320
<v Speaker 2>during a lunch break, in Junction City, organ teens were

1:33:22.360 --> 1:33:25.519
<v Speaker 2>pummeling each other for sport while their friends cheered them on,

1:33:25.680 --> 1:33:28.800
<v Speaker 2>and of course videotaped it. And everyone keeps blaming Fight Club.

1:33:28.800 --> 1:33:32.600
<v Speaker 2>But again, I just don't know. I think it's like

1:33:32.600 --> 1:33:34.679
<v Speaker 2>a Marilyn Manson video game thing, or maybe they wouldn't

1:33:34.680 --> 1:33:37.040
<v Speaker 2>have thought about it. But this is also the movie

1:33:37.160 --> 1:33:39.160
<v Speaker 2>six years after the movie came out. But I guess

1:33:39.200 --> 1:33:41.000
<v Speaker 2>that's the popularity of the DVD of it all.

1:33:41.160 --> 1:33:41.559
<v Speaker 3>I don't know.

1:33:42.400 --> 1:33:43.960
<v Speaker 1>This is a very loose one. I would say this

1:33:44.000 --> 1:33:46.519
<v Speaker 1>is yeah, yes, it's closer to our loose episode. A

1:33:46.560 --> 1:33:49.519
<v Speaker 1>loose episode, okay. So then there's a New York Post

1:33:49.600 --> 1:33:52.960
<v Speaker 1>article okay, twenty ten.

1:33:53.760 --> 1:33:55.559
<v Speaker 2>Also, if any of you got the New York Post

1:33:55.720 --> 1:33:57.599
<v Speaker 2>communist mom Donnie Cover, you.

1:33:57.520 --> 1:34:00.360
<v Speaker 3>Could ship it to me. I want it. Oh, I

1:34:00.400 --> 1:34:02.519
<v Speaker 3>want to frame it. Okay.

1:34:02.560 --> 1:34:06.200
<v Speaker 2>So this is in Queen's elementary school. A dad hurt.

1:34:06.320 --> 1:34:08.719
<v Speaker 2>I mean, this could be the Cloe. This could actually

1:34:08.760 --> 1:34:12.320
<v Speaker 2>be it because of the New York connection. Maybe a dad.

1:34:12.200 --> 1:34:14.920
<v Speaker 1>Hurt his kid complaining he didn't get enough applause during

1:34:15.120 --> 1:34:15.559
<v Speaker 1>his fight.

1:34:16.800 --> 1:34:18.559
<v Speaker 2>So the dad's like, what fight, what the fuck are

1:34:18.600 --> 1:34:21.200
<v Speaker 2>you talking about? Grilled him, found out his fourth grade

1:34:21.200 --> 1:34:24.280
<v Speaker 2>teacher set up the fight. So the fourth grade teacher's

1:34:24.320 --> 1:34:27.720
<v Speaker 2>name is Joseph Galata, and he and so basically this

1:34:27.840 --> 1:34:29.920
<v Speaker 2>kid was supposed to fight another kid that he was

1:34:30.000 --> 1:34:31.960
<v Speaker 2>mad at. But the teacher goes, no, I like that kid,

1:34:32.000 --> 1:34:34.519
<v Speaker 2>fight this kid instead. I don't like him as much,

1:34:34.560 --> 1:34:37.519
<v Speaker 2>And so he kind of like encouraged him to fight

1:34:37.560 --> 1:34:40.559
<v Speaker 2>this other kid. He closed the classroom door and got

1:34:40.600 --> 1:34:44.000
<v Speaker 2>the classmates to cheer around them. The teacher used the

1:34:44.040 --> 1:34:46.040
<v Speaker 2>quote from the movie to shut them up, like, don't

1:34:46.040 --> 1:34:49.160
<v Speaker 2>talk about fight club, and he instructed the kids to

1:34:49.200 --> 1:34:51.120
<v Speaker 2>lie to the nurse about their injuries.

1:34:51.520 --> 1:34:53.040
<v Speaker 3>Now the cops recalled.

1:34:53.080 --> 1:34:56.639
<v Speaker 2>The teacher was arrested along with his para professional, Abraham Fox,

1:34:57.120 --> 1:35:00.360
<v Speaker 2>and they were charged with acting in a manner injurious

1:35:02.000 --> 1:35:05.160
<v Speaker 2>I'm gonna name my dog in Jurius to a child

1:35:05.640 --> 1:35:09.240
<v Speaker 2>under seventeen. There was also complaints that he was showing

1:35:09.280 --> 1:35:12.200
<v Speaker 2>students inappropriate sexual photos of girls and women in bathing

1:35:12.240 --> 1:35:15.320
<v Speaker 2>suits and sometimes would place hands on butts.

1:35:15.560 --> 1:35:19.439
<v Speaker 1>So not great. The men, though, were both acquitted of

1:35:19.479 --> 1:35:20.040
<v Speaker 1>the charges.

1:35:21.280 --> 1:35:24.400
<v Speaker 2>They were acquitted and then the parents sued Galata, and

1:35:24.439 --> 1:35:27.439
<v Speaker 2>then Galatta asked the school for a lawyer because of

1:35:27.479 --> 1:35:31.480
<v Speaker 2>an education law section three zero two eight and municipal

1:35:31.560 --> 1:35:36.360
<v Speaker 2>law section fifty dash K. But those requests were denied

1:35:36.439 --> 1:35:38.679
<v Speaker 2>and so he ended up suing the school board because

1:35:38.680 --> 1:35:41.360
<v Speaker 2>they wouldn't pay for his lawyer. And it was granted

1:35:41.400 --> 1:35:43.360
<v Speaker 2>and the board had to pay for all his attorney's

1:35:43.439 --> 1:35:44.440
<v Speaker 2>fees and expenses.

1:35:45.160 --> 1:35:47.000
<v Speaker 3>What that's crazy.

1:35:47.280 --> 1:35:49.840
<v Speaker 2>Yeah, And then May fifth, twenty thirteen, the school board

1:35:49.840 --> 1:35:52.600
<v Speaker 2>Disciplinary Hearing issued a decision that the teacher did not

1:35:52.800 --> 1:35:56.679
<v Speaker 2>encourage or direct the fighting, but find him twenty grand

1:35:56.760 --> 1:35:58.519
<v Speaker 2>for at least not being on top of it or

1:35:58.640 --> 1:35:59.839
<v Speaker 2>ending the fight sooner.

1:36:00.360 --> 1:36:07.840
<v Speaker 1>Like the Marshawn Lynch character in Bottoms, When is his

1:36:07.960 --> 1:36:08.679
<v Speaker 1>next vehicle?

1:36:08.840 --> 1:36:09.160
<v Speaker 3>I need?

1:36:11.560 --> 1:36:14.720
<v Speaker 2>But in two thousand and eight, there's a Boulder, Colorado

1:36:14.760 --> 1:36:17.880
<v Speaker 2>fight club fifteen to twenty students reported by the Denver

1:36:17.960 --> 1:36:19.360
<v Speaker 2>Post videotaped.

1:36:19.439 --> 1:36:21.160
<v Speaker 1>I guess that's against the number one rule of the

1:36:21.160 --> 1:36:22.679
<v Speaker 1>fight clubs. But like they are all.

1:36:22.680 --> 1:36:25.160
<v Speaker 3>Videotaping, stop videotaping it.

1:36:27.040 --> 1:36:29.400
<v Speaker 2>But they were like they didn't they couldn't figure out

1:36:29.439 --> 1:36:31.600
<v Speaker 2>this was a one time deal or they were constantly

1:36:31.680 --> 1:36:34.280
<v Speaker 2>doing it. Like why an article like no one gives

1:36:34.280 --> 1:36:40.200
<v Speaker 2>it likes? And but the month prior another like another

1:36:40.240 --> 1:36:43.280
<v Speaker 2>high school in the district, were cited for public brawling.

1:36:43.400 --> 1:36:48.719
<v Speaker 2>But I think that's just what people do. It's upsetting, honestly.

1:36:48.840 --> 1:36:51.000
<v Speaker 2>I don't like violence. But like unless the kid dies,

1:36:51.400 --> 1:36:53.599
<v Speaker 2>who care? Or permanent damage? Who cares?

1:36:53.680 --> 1:36:54.080
<v Speaker 3>I don't know.

1:36:54.240 --> 1:36:57.960
<v Speaker 2>Yeah, a Deluthe paper said they brought up a great point.

1:36:58.040 --> 1:37:01.600
<v Speaker 2>There was a they said, if tans are willingly engaging

1:37:01.640 --> 1:37:05.599
<v Speaker 2>in fistfights and taping them willingly, what's the crime. Yeah,

1:37:05.800 --> 1:37:09.120
<v Speaker 2>But in Monticello, Minnesota, sixteen year old boy was treated

1:37:09.120 --> 1:37:12.000
<v Speaker 2>for facial injuries after fighting in a gravel pit behind

1:37:12.000 --> 1:37:12.600
<v Speaker 2>a Walmart.

1:37:13.080 --> 1:37:15.400
<v Speaker 3>I don't know. Oh well, I mean, like, I don't know.

1:37:15.479 --> 1:37:17.840
<v Speaker 1>I guess it's better than beating kids up that don't

1:37:17.880 --> 1:37:19.640
<v Speaker 1>want to be beat up. Is like doing it with

1:37:19.760 --> 1:37:24.040
<v Speaker 1>a consent, a consenting other kid. I mean, I feel like,

1:37:24.840 --> 1:37:27.040
<v Speaker 1>what do you feel? Yeah, I don't know. I don't

1:37:27.040 --> 1:37:28.920
<v Speaker 1>think this was I don't think that anything like the

1:37:28.960 --> 1:37:31.680
<v Speaker 1>actual episode was happening at least in the United States

1:37:31.800 --> 1:37:35.000
<v Speaker 1>at all. Or it's underground. It's like an Epstein thing.

1:37:35.560 --> 1:37:40.000
<v Speaker 1>Oh yeah, oh that's yeah. Like in Thailand, I think

1:37:40.040 --> 1:37:43.280
<v Speaker 1>they have like young kids Domi Thai and stuff to like,

1:37:43.400 --> 1:37:47.920
<v Speaker 1>but that's training, and it's a trained Yeah, I don't know,

1:37:48.080 --> 1:37:50.360
<v Speaker 1>it's not it's not. I don't think there's anything quite

1:37:50.360 --> 1:37:53.439
<v Speaker 1>like this. This is so diabolical and crazy, and like

1:37:53.840 --> 1:37:56.640
<v Speaker 1>I just wonder what the uncle Joe thought he was

1:37:56.680 --> 1:37:58.920
<v Speaker 1>getting out of it. Did he think that he was

1:37:58.960 --> 1:38:01.799
<v Speaker 1>really teaching his kids to defend it, like his nephew

1:38:01.800 --> 1:38:04.600
<v Speaker 1>to defend his bully, or was he like, do you

1:38:04.640 --> 1:38:06.640
<v Speaker 1>really think that little kid Ethan was good? Like the

1:38:06.720 --> 1:38:08.720
<v Speaker 1>nine year old was gonna make him some money in

1:38:08.760 --> 1:38:09.120
<v Speaker 1>the ring.

1:38:09.400 --> 1:38:14.160
<v Speaker 2>I don't know, I guess now just thinking this isn't children,

1:38:14.240 --> 1:38:17.120
<v Speaker 2>But I think of the movie Django Unchained, and I

1:38:17.240 --> 1:38:21.840
<v Speaker 2>wonder if like this could have been something with enslaved

1:38:21.880 --> 1:38:26.639
<v Speaker 2>populations or groups that are dehumanized within and.

1:38:26.640 --> 1:38:29.519
<v Speaker 1>Going all the way back to the ancient Romans, like

1:38:29.960 --> 1:38:31.439
<v Speaker 1>what happened in the Colisseum. You know.

1:38:32.720 --> 1:38:36.439
<v Speaker 2>Yeah, but okay, so you know, outside of the fight

1:38:36.479 --> 1:38:40.479
<v Speaker 2>Club's you know, the big thing now with in Cell

1:38:40.560 --> 1:38:43.000
<v Speaker 2>red Pill cultural of that is like people didn't realize

1:38:43.000 --> 1:38:45.360
<v Speaker 2>that fight Club was satire, which we talked about, and

1:38:45.400 --> 1:38:48.360
<v Speaker 2>it was supposed to be a warning and it all

1:38:48.400 --> 1:38:50.080
<v Speaker 2>did come true, but it was a warning.

1:38:50.640 --> 1:38:53.160
<v Speaker 3>But men look up to this movie.

1:38:53.240 --> 1:38:55.519
<v Speaker 2>The New Yorker wrote, the movie has become part of

1:38:55.560 --> 1:38:59.600
<v Speaker 2>the contemporary mass cultural canon through which large numbers of

1:38:59.680 --> 1:39:02.160
<v Speaker 2>men tried to think through masculinity.

1:39:03.120 --> 1:39:03.600
<v Speaker 3>Peter C.

1:39:03.760 --> 1:39:06.320
<v Speaker 2>Baker, who wrote this New Yorker piece, he said that

1:39:06.439 --> 1:39:08.080
<v Speaker 2>like he went to all the message boards and alt

1:39:08.160 --> 1:39:11.120
<v Speaker 2>right in cell groups, and they love Tyler Durdan. They

1:39:11.120 --> 1:39:13.200
<v Speaker 2>see him as an alpha male who does what he

1:39:13.280 --> 1:39:16.120
<v Speaker 2>wants and doesn't let anyone stand in his way. And

1:39:16.160 --> 1:39:18.639
<v Speaker 2>it's like, okay, but he was like in a dirty

1:39:18.720 --> 1:39:21.400
<v Speaker 2>tub in a warehouse, Like I don't it's not like

1:39:21.479 --> 1:39:26.120
<v Speaker 2>it was a great life, but like, no one's standing

1:39:26.160 --> 1:39:28.439
<v Speaker 2>in your way to go be in a dirty tub.

1:39:29.120 --> 1:39:30.800
<v Speaker 2>But he's not real, and he is a figment of

1:39:30.800 --> 1:39:31.800
<v Speaker 2>a man's imagination.

1:39:32.080 --> 1:39:33.040
<v Speaker 3>Yeah, that's the thing.

1:39:33.560 --> 1:39:35.920
<v Speaker 2>But their whole thing is like stop being a beta

1:39:36.000 --> 1:39:39.680
<v Speaker 2>white caller Ed Norton, Like Ed is miserable, like you

1:39:39.760 --> 1:39:40.759
<v Speaker 2>gotta be Tyler.

1:39:41.400 --> 1:39:43.800
<v Speaker 3>But Norton kills Tyler in the end.

1:39:43.920 --> 1:39:46.720
<v Speaker 1>So it's a critique of Tyler Jrton in his way

1:39:46.720 --> 1:39:48.040
<v Speaker 1>of like if you know what I mean, he.

1:39:48.040 --> 1:39:49.400
<v Speaker 3>Like fucking shoots himself.

1:39:50.080 --> 1:39:54.520
<v Speaker 2>And it's also like about waking up and being empowered

1:39:54.520 --> 1:39:59.120
<v Speaker 2>and authentic. But Tyler then demands subservience from these men

1:39:59.160 --> 1:40:02.120
<v Speaker 2>he claims to be. So that's another thing, and I

1:40:02.160 --> 1:40:03.680
<v Speaker 2>see that all the time with the men in the

1:40:03.680 --> 1:40:06.160
<v Speaker 2>podcast the Rogue at all of that, Like a lot

1:40:06.200 --> 1:40:11.400
<v Speaker 2>of these alpha male want wanna beers or like cooks

1:40:11.520 --> 1:40:14.280
<v Speaker 2>to the podcasts and like the tapes that they listen to.

1:40:15.320 --> 1:40:19.080
<v Speaker 2>So it's like Tyler Dirton is like, be yourself, be authentic,

1:40:19.360 --> 1:40:20.200
<v Speaker 2>like live freedom.

1:40:20.280 --> 1:40:21.080
<v Speaker 3>And then like none of.

1:40:21.040 --> 1:40:23.000
<v Speaker 2>These boys are marching, you know what I mean, Like

1:40:23.720 --> 1:40:24.639
<v Speaker 2>they have no freedom.

1:40:24.640 --> 1:40:27.360
<v Speaker 1>They're doing whatever this man says. So that doesn't make

1:40:27.400 --> 1:40:28.200
<v Speaker 1>sense to me either.

1:40:29.360 --> 1:40:33.680
<v Speaker 2>But then this journalist met with fight club heads and

1:40:33.720 --> 1:40:36.759
<v Speaker 2>they all relate to feeling aimless, no passion, just working

1:40:36.800 --> 1:40:40.639
<v Speaker 2>to have things. But then it's like, okay, and this

1:40:40.680 --> 1:40:42.599
<v Speaker 2>is what I like, This is like the most important

1:40:42.680 --> 1:40:45.800
<v Speaker 2>I think. Why do these stories of men finding joy

1:40:46.000 --> 1:40:49.800
<v Speaker 2>have to inflict pain on others? Is there not a

1:40:49.880 --> 1:40:52.720
<v Speaker 2>journey for men that isn't violence and being awful to

1:40:52.800 --> 1:40:57.479
<v Speaker 2>other people? And that is something I'm like really thinking

1:40:57.520 --> 1:41:00.160
<v Speaker 2>about where it's like so much of masculinity is the

1:41:00.200 --> 1:41:03.599
<v Speaker 2>subjugation of women, and it's like can you not find freedom?

1:41:03.760 --> 1:41:07.479
<v Speaker 2>Enjoy without like making other people's lives awful.

1:41:08.360 --> 1:41:11.599
<v Speaker 1>You can, that's the easy way. That's the easier way.

1:41:11.760 --> 1:41:14.400
<v Speaker 1>To just find who you think is weaker and subjugate

1:41:14.439 --> 1:41:18.800
<v Speaker 1>them is the is the easier sort of uh people

1:41:18.840 --> 1:41:21.479
<v Speaker 1>are way of doing it. There's plenty of men that

1:41:21.560 --> 1:41:24.080
<v Speaker 1>are happy in the world, feel happy and liberated and

1:41:24.160 --> 1:41:28.040
<v Speaker 1>are in good relationships and not hurting people. But these

1:41:28.080 --> 1:41:30.479
<v Speaker 1>guys are like, I know a great way to get

1:41:30.479 --> 1:41:34.639
<v Speaker 1>to it. Like Hank in this episode. That's a fucking

1:41:34.640 --> 1:41:37.519
<v Speaker 1>guy who thinks he's like the top dog guy and

1:41:37.560 --> 1:41:39.680
<v Speaker 1>no one's gonna take what's mine and I'll show you

1:41:39.720 --> 1:41:42.800
<v Speaker 1>what I'll show you what I got, you know, like yeah,

1:41:42.840 --> 1:41:45.960
<v Speaker 1>fucking fight clubbing little kids, fifth graders.

1:41:46.000 --> 1:41:46.880
<v Speaker 3>And that's another thing.

1:41:46.880 --> 1:41:49.439
<v Speaker 2>This journalist is like this or maybe this movie only

1:41:49.479 --> 1:41:52.360
<v Speaker 2>has one female character and she's treated like shit, and

1:41:52.400 --> 1:41:54.840
<v Speaker 2>all these dudes are like, Tyler is the way to

1:41:54.920 --> 1:41:57.920
<v Speaker 2>live and they're like, yeah, he's truly like using her

1:41:58.080 --> 1:42:02.200
<v Speaker 2>for sex then emotionally like being negligent in the day,

1:42:02.320 --> 1:42:06.240
<v Speaker 2>treating her awful, and guys are like, we love this, Yeah,

1:42:06.320 --> 1:42:08.519
<v Speaker 2>we love this movie. It's like one girl they were

1:42:08.640 --> 1:42:11.400
<v Speaker 2>gonna Courtney Love was dating at Norton at the time,

1:42:12.200 --> 1:42:15.120
<v Speaker 2>and she was supposed to do this, and Fincher went, no,

1:42:15.960 --> 1:42:20.040
<v Speaker 2>I want against type, and he fought to have Helena.

1:42:20.160 --> 1:42:22.840
<v Speaker 1>I love Helena Bottom Carter, me too. She seems fun

1:42:22.840 --> 1:42:25.040
<v Speaker 1>as fuck. Yeah, I've always loved her.

1:42:25.080 --> 1:42:28.000
<v Speaker 2>But then David Fincher is quoted in the Huffington Post

1:42:28.040 --> 1:42:31.880
<v Speaker 2>and it says he's fun. It's impossible for me to

1:42:32.000 --> 1:42:35.160
<v Speaker 2>imagine that people don't understand that Tyler Dirdan is a

1:42:35.160 --> 1:42:36.200
<v Speaker 2>negative influence.

1:42:37.240 --> 1:42:38.160
<v Speaker 3>I think it's funny.

1:42:38.800 --> 1:42:41.920
<v Speaker 2>And then Fincher to The New York Times said women

1:42:42.000 --> 1:42:45.680
<v Speaker 2>maybe get the humor faster. Young female audiences seem to

1:42:45.720 --> 1:42:50.800
<v Speaker 2>appreciate the film's satirical spin on macho posturing. And I

1:42:50.840 --> 1:42:54.479
<v Speaker 2>felt pretty good about myself when I read that. But yeah,

1:42:54.600 --> 1:42:56.960
<v Speaker 2>I also just thought they were hot, like I was young,

1:42:57.160 --> 1:42:57.360
<v Speaker 2>you know.

1:42:57.840 --> 1:43:00.120
<v Speaker 1>No, it was, and it was. It was a cool movie.

1:43:00.960 --> 1:43:03.960
<v Speaker 1>But hopefully nobody's really doing fight clubs. I mean, there's

1:43:03.960 --> 1:43:05.679
<v Speaker 1>another episode that we're going to do in the future.

1:43:05.680 --> 1:43:08.160
<v Speaker 1>I'm sure that I just caught, like in a hotel recently,

1:43:08.560 --> 1:43:10.680
<v Speaker 1>of the woman that comes home from like being in

1:43:10.720 --> 1:43:13.120
<v Speaker 1>the military and she's like in a fight club that

1:43:13.200 --> 1:43:15.479
<v Speaker 1>she goes to to like but she just goes to

1:43:15.560 --> 1:43:18.120
<v Speaker 1>like win, but like fights and she fights other people

1:43:18.280 --> 1:43:21.639
<v Speaker 1>and like she's super strong, and then she gets attacked

1:43:21.720 --> 1:43:24.240
<v Speaker 1>leaving one of the meetings at night. But I think, like,

1:43:24.240 --> 1:43:26.679
<v Speaker 1>because she's from the she has like trauma from the military,

1:43:26.720 --> 1:43:29.120
<v Speaker 1>and I think just fighting makes her feel alive or something.

1:43:29.160 --> 1:43:31.439
<v Speaker 1>I don't know, I forgot the actual it's a more

1:43:31.520 --> 1:43:34.800
<v Speaker 1>it's a teen season like skydiving. I guess fighting is.

1:43:35.360 --> 1:43:37.840
<v Speaker 1>Maybe this is all about class consciousness. Yeah, at the

1:43:37.960 --> 1:43:43.280
<v Speaker 1>end of the day, fight club is probably cheaper. But yeah,

1:43:43.360 --> 1:43:47.120
<v Speaker 1>so I'm sorry this wasn't hardcore true crime, and I

1:43:47.120 --> 1:43:50.800
<v Speaker 1>think it's close, but it's close interesting enough.

1:43:51.080 --> 1:43:53.200
<v Speaker 3>Influence what influences the culture.

1:43:54.040 --> 1:43:56.360
<v Speaker 2>And I guess Finscher said to brad Pitt because because

1:43:56.560 --> 1:43:58.880
<v Speaker 2>it got panned and like, you know, know it didn't do

1:43:59.160 --> 1:44:03.960
<v Speaker 2>good number why or whatever. And brad Pitt went to

1:44:04.000 --> 1:44:05.960
<v Speaker 2>Fincher was like, this is the best thing I've ever made.

1:44:06.000 --> 1:44:08.040
<v Speaker 2>I don't give a fuck how it does. But then

1:44:08.080 --> 1:44:10.040
<v Speaker 2>Fincher goes, I'm here to make movies that are gonna

1:44:10.080 --> 1:44:12.360
<v Speaker 2>last for twenty years. I don't care what happens now.

1:44:13.040 --> 1:44:14.720
<v Speaker 2>And he's really been able to do that a lot.

1:44:15.000 --> 1:44:17.439
<v Speaker 1>I think if you watch Fight Club, it's like, fuck,

1:44:19.000 --> 1:44:20.800
<v Speaker 1>like he was right about Ever, it's worse than Ever,

1:44:21.479 --> 1:44:26.080
<v Speaker 1>like yeah, yeah, but his movies do last. Yeah, And

1:44:26.120 --> 1:44:29.320
<v Speaker 1>if that's his goal, he's done it. I don't know

1:44:29.320 --> 1:44:31.280
<v Speaker 1>whose goal is. I want to one and done, but

1:44:31.439 --> 1:44:35.120
<v Speaker 1>like my goal is to make a movie that pops

1:44:35.120 --> 1:44:38.240
<v Speaker 1>with an audience now and then has forgotten forever and

1:44:37.160 --> 1:44:37.360
<v Speaker 1>no one.

1:44:38.280 --> 1:44:41.680
<v Speaker 2>I also understand like attaching yourself for being interested in

1:44:41.720 --> 1:44:45.040
<v Speaker 2>the anti capitalists, like anti buying stuff, anti doing things

1:44:45.120 --> 1:44:48.200
<v Speaker 2>you don't love. But again, I don't know if being

1:44:48.320 --> 1:44:50.040
<v Speaker 2>violent in the basement.

1:44:49.640 --> 1:44:53.599
<v Speaker 1>Of a of a liquor store or something is yeah,

1:44:53.680 --> 1:44:54.400
<v Speaker 1>yeah to.

1:44:54.360 --> 1:44:58.720
<v Speaker 2>Do, Like I guess what I feel sad for not

1:44:58.800 --> 1:45:01.599
<v Speaker 2>to like be sad for a but it's like they

1:45:01.640 --> 1:45:04.680
<v Speaker 2>can't because of their lack of wanting to appreciate or

1:45:04.720 --> 1:45:07.160
<v Speaker 2>like be in touch with femininity or women, Like they're

1:45:07.200 --> 1:45:10.240
<v Speaker 2>missing out on like a really joyous, great life, Like

1:45:10.400 --> 1:45:12.920
<v Speaker 2>they can do better than fighting each other and being

1:45:12.960 --> 1:45:17.120
<v Speaker 2>angry and like doing what you know, all this fucked

1:45:17.240 --> 1:45:19.960
<v Speaker 2>Like they have the world, like the world is here.

1:45:19.800 --> 1:45:20.559
<v Speaker 3>To bring you joy.

1:45:20.920 --> 1:45:25.840
<v Speaker 2>Yeah, And it's sad when you think your only option

1:45:26.720 --> 1:45:30.160
<v Speaker 2>is like to be a fighting cook for people that

1:45:30.200 --> 1:45:31.160
<v Speaker 2>don't even think about you.

1:45:31.160 --> 1:45:34.559
<v Speaker 1>The male loneliness epidemic persists. I don't know how we're

1:45:34.600 --> 1:45:35.280
<v Speaker 1>going to stop it.

1:45:35.840 --> 1:45:38.200
<v Speaker 2>But yeah, so if I cold was So that's the question,

1:45:38.320 --> 1:45:40.479
<v Speaker 2>like did it predict it or did it help cause it?

1:45:40.600 --> 1:45:40.840
<v Speaker 3>You know?

1:45:40.960 --> 1:45:43.040
<v Speaker 2>But I think it was like he probably saw this

1:45:43.400 --> 1:45:47.080
<v Speaker 2>predictive because Chuck is like a gay dude.

1:45:47.280 --> 1:45:50.680
<v Speaker 1>I mean that wrote the book. So I feel like

1:45:50.720 --> 1:45:52.559
<v Speaker 1>he was making a comment.

1:45:54.120 --> 1:45:56.360
<v Speaker 3>All right, well, we have a great interview coming. Trying

1:45:56.360 --> 1:45:57.639
<v Speaker 3>to think what the other books are called.

1:45:57.640 --> 1:46:00.880
<v Speaker 2>It was like Invisible Monsters was one that one I'm

1:46:00.920 --> 1:46:02.840
<v Speaker 2>gonna I mean, I think Jared's read a bunch of

1:46:02.880 --> 1:46:03.960
<v Speaker 2>his stuff and said it's great too.

1:46:04.080 --> 1:46:06.439
<v Speaker 1>Yeah, I mean it's it's like the R. L. Stein

1:46:06.560 --> 1:46:10.000
<v Speaker 1>if you're a little older, like he's bumped for a

1:46:10.040 --> 1:46:10.599
<v Speaker 1>little older.

1:46:10.960 --> 1:46:13.920
<v Speaker 2>Yeah, like that's how I felt. I felt really cool.

1:46:14.080 --> 1:46:17.960
<v Speaker 2>Oh yeah, Invisible Monsters Haunted. I read Survivor, I read Snuff,

1:46:17.960 --> 1:46:21.720
<v Speaker 2>I read Lallah Bye, I read multiple times. I have

1:46:22.000 --> 1:46:24.680
<v Speaker 2>rant I don't think I read it though in a book.

1:46:24.439 --> 1:46:26.800
<v Speaker 2>I read a loud fight Club. Yeah, I think I

1:46:26.880 --> 1:46:27.960
<v Speaker 2>read all of his books.

1:46:28.080 --> 1:46:32.120
<v Speaker 3>This is crazy, damn Is he still alive. Yeah, he's alive.

1:46:32.320 --> 1:46:32.880
<v Speaker 3>He's alive.

1:46:32.880 --> 1:46:35.280
<v Speaker 2>Annoyed, well, he because he had a day job when

1:46:35.320 --> 1:46:40.080
<v Speaker 2>he even wrote Fight Club, like he didn't. Yeah, I

1:46:40.200 --> 1:46:43.320
<v Speaker 2>think for his book was seven thousand dollars.

1:46:44.320 --> 1:46:50.200
<v Speaker 3>Whoa, Yeah, that's like crazy, that's nothing. The numbers aren't

1:46:50.200 --> 1:46:51.160
<v Speaker 3>even that different today.

1:46:51.240 --> 1:46:56.320
<v Speaker 1>Like I know, all right, let's get going to our

1:46:56.360 --> 1:46:58.320
<v Speaker 1>guests because we've got a good guest for you today.

1:46:58.400 --> 1:47:10.759
<v Speaker 1>Hold on to your butts. Okay, this guest what Aget.

1:47:10.840 --> 1:47:14.240
<v Speaker 1>We've been wanting to get her since the beginning. She

1:47:14.520 --> 1:47:17.280
<v Speaker 1>is an actress, a legend who has been in movies

1:47:17.320 --> 1:47:19.880
<v Speaker 1>like Sudden Impact and Doubt. She has worked with some

1:47:19.920 --> 1:47:23.000
<v Speaker 1>of the greatest greats in the business. She was featured

1:47:23.040 --> 1:47:25.400
<v Speaker 1>in the show, not necessarily the news, but you know

1:47:25.479 --> 1:47:30.960
<v Speaker 1>her best as Judge Louise Lewis Lewis Lois Preston. Please

1:47:31.080 --> 1:47:34.200
<v Speaker 1>enjoy our chat with the iconic Audrey Ninan.

1:47:34.960 --> 1:47:35.120
<v Speaker 6>Hi.

1:47:35.320 --> 1:47:37.360
<v Speaker 3>We're so thrilled. We're thrilled.

1:47:37.560 --> 1:47:41.160
<v Speaker 6>Hill, I'm so happy. Thank you for asking. This is

1:47:41.280 --> 1:47:45.479
<v Speaker 6>huge for us. Listen, first thing we have to tell

1:47:45.520 --> 1:47:46.880
<v Speaker 6>you is I'm Kara.

1:47:47.280 --> 1:47:48.200
<v Speaker 3>This is Lisa.

1:47:48.680 --> 1:47:52.360
<v Speaker 1>Lisa sometimes has a little bit of mispronunciation, of things

1:47:52.360 --> 1:47:54.880
<v Speaker 1>once in a while on the podcast, and whenever your

1:47:54.960 --> 1:47:57.360
<v Speaker 1>character comes on, I have a lot of struggle with

1:47:57.400 --> 1:47:59.880
<v Speaker 1>your name, a lot of struggles. She'll call your character

1:48:00.080 --> 1:48:05.160
<v Speaker 1>Louise Lewis all these different things, and it's become this

1:48:05.320 --> 1:48:08.880
<v Speaker 1>running joke on the podcast. And so we did recently

1:48:09.080 --> 1:48:14.320
<v Speaker 1>order merch that it says Louise Lewis Lewis.

1:48:14.640 --> 1:48:17.439
<v Speaker 5>Oh my god, I love that, Oh my god.

1:48:17.600 --> 1:48:20.519
<v Speaker 3>And it's all based on your character. Yeah, so we

1:48:20.600 --> 1:48:23.320
<v Speaker 3>needed you. So no, we're wearing them right now.

1:48:24.240 --> 1:48:26.200
<v Speaker 5>Oh I wish I could sign it for you.

1:48:26.920 --> 1:48:32.360
<v Speaker 3>Oh my gosh, Oh my gosh. Collectors. So we are.

1:48:32.600 --> 1:48:36.240
<v Speaker 1>Yeah, you are the honorable Judge Lois Preston. This is amazing.

1:48:37.880 --> 1:48:40.040
<v Speaker 1>You're the first recording judge we've talked to because we

1:48:40.040 --> 1:48:42.200
<v Speaker 1>did teach We did talk to Tom Scarett, who was

1:48:42.240 --> 1:48:44.600
<v Speaker 1>an evil judge, and you were in that episode.

1:48:44.720 --> 1:48:46.440
<v Speaker 3>You were in the Tom Scared episode.

1:48:47.000 --> 1:48:49.439
<v Speaker 5>Yeah, where he was the corrupt judge.

1:48:49.520 --> 1:48:49.920
<v Speaker 3>Yeah.

1:48:50.040 --> 1:48:53.760
<v Speaker 6>Yes, there were some very you know, come and go

1:48:53.840 --> 1:48:56.280
<v Speaker 6>and in fact, in the episode that you're talking about

1:48:56.320 --> 1:49:01.760
<v Speaker 6>pop there was Olympiad caucus. Yes, well I was not

1:49:01.920 --> 1:49:05.600
<v Speaker 6>the judge when she was in the courtroom, but she

1:49:05.760 --> 1:49:07.280
<v Speaker 6>was there on the set, and I was just like,

1:49:08.320 --> 1:49:10.559
<v Speaker 6>you know, I got for clumped.

1:49:10.600 --> 1:49:13.679
<v Speaker 5>I cried, I couldn't say anything.

1:49:14.120 --> 1:49:17.000
<v Speaker 6>And I finally it was like dinner time or something,

1:49:17.040 --> 1:49:19.880
<v Speaker 6>and I sat down with her at a table and

1:49:19.920 --> 1:49:21.840
<v Speaker 6>I just went, hello, how do you do?

1:49:22.080 --> 1:49:25.200
<v Speaker 5>I'm the judge in another section of this How do

1:49:25.240 --> 1:49:27.639
<v Speaker 5>you do? She said? She finished her meal and she left.

1:49:27.680 --> 1:49:28.439
<v Speaker 5>She was working.

1:49:28.840 --> 1:49:32.000
<v Speaker 6>Yeah, you know what I mean, she was already, she

1:49:32.200 --> 1:49:33.559
<v Speaker 6>was in, she was working.

1:49:33.720 --> 1:49:35.760
<v Speaker 5>I could tell she was, so I didn't bother her

1:49:35.800 --> 1:49:36.439
<v Speaker 5>the whole meal.

1:49:36.840 --> 1:49:40.479
<v Speaker 1>I just kind of, yeah, Olympia du Caucus seemed like

1:49:40.520 --> 1:49:42.600
<v Speaker 1>she didn't take any nonsense from anybody.

1:49:43.200 --> 1:49:45.320
<v Speaker 5>No, you know, I know, well, and it wasn't. She

1:49:45.360 --> 1:49:47.960
<v Speaker 5>wasn't being rude, and no, yeah, she's working, you know

1:49:48.000 --> 1:49:48.400
<v Speaker 5>what I mean.

1:49:48.439 --> 1:49:50.240
<v Speaker 6>And I sat down and then I just kind of

1:49:50.280 --> 1:49:53.360
<v Speaker 6>gazed at her working. Why she ate, which was the

1:49:53.439 --> 1:49:57.160
<v Speaker 6>mustard made her feel very uncomfortable. I look back at

1:49:57.200 --> 1:49:59.960
<v Speaker 6>the people I've worked with, and you know, people say,

1:50:00.280 --> 1:50:03.400
<v Speaker 6>what Clint East would really like, you know, and I go,

1:50:04.200 --> 1:50:07.920
<v Speaker 6>he's exactly who you think he is. He is exactly

1:50:07.960 --> 1:50:10.479
<v Speaker 6>what except for the you know, the clown shoes and

1:50:10.520 --> 1:50:13.240
<v Speaker 6>the big red nose that he wears to the set.

1:50:13.680 --> 1:50:17.240
<v Speaker 5>You know, that's that's nothing. You know, No, he doesn't.

1:50:17.760 --> 1:50:21.080
<v Speaker 6>He's exactly who you think he is, you know, but

1:50:21.439 --> 1:50:25.839
<v Speaker 6>famous people. Robin Williams did one of the shows, yeah,

1:50:25.880 --> 1:50:27.760
<v Speaker 6>you know, and I was the judge on that one.

1:50:27.840 --> 1:50:30.240
<v Speaker 5>Yeah, and we go way back.

1:50:30.560 --> 1:50:33.160
<v Speaker 6>I worked with Robin and the Comedy Store Players out

1:50:33.200 --> 1:50:40.439
<v Speaker 6>in la in nineteen eighty, nineteen seventy nine, nineteen eighty. Yeah,

1:50:40.439 --> 1:50:44.680
<v Speaker 6>he was doing morecan mindy and or he had just

1:50:44.800 --> 1:50:47.799
<v Speaker 6>gotten it, But anyway, he would been with the Comedy

1:50:47.840 --> 1:50:49.960
<v Speaker 6>Store Players and a couple of us from Chicago.

1:50:50.360 --> 1:50:52.280
<v Speaker 5>You came from Chicago too, didn't you.

1:50:52.600 --> 1:50:52.800
<v Speaker 3>Yeah?

1:50:52.800 --> 1:50:55.479
<v Speaker 2>I grew up He's Inkchi and then I started comedy

1:50:55.520 --> 1:50:56.439
<v Speaker 2>everything in Chicago.

1:50:57.800 --> 1:51:00.800
<v Speaker 5>Did you ever do Second City? Did you ever go there?

1:51:01.000 --> 1:51:04.200
<v Speaker 1>I take any classes, but then once I found stand up,

1:51:04.320 --> 1:51:07.960
<v Speaker 1>I stopped going to class. I really enjoyed my my

1:51:08.080 --> 1:51:11.120
<v Speaker 1>nighttime gremlin lifestyle, so I stopped.

1:51:11.200 --> 1:51:15.000
<v Speaker 6>Well, it's also a real choice, isn't a stand up

1:51:15.200 --> 1:51:19.240
<v Speaker 6>or Second City? Because I mean second city you're working

1:51:19.280 --> 1:51:22.200
<v Speaker 6>with a lot of other people and you're dependent on

1:51:22.320 --> 1:51:25.040
<v Speaker 6>them for the yes, and you know what I mean,

1:51:25.080 --> 1:51:26.800
<v Speaker 6>if you're up there on your own you got to

1:51:26.840 --> 1:51:29.800
<v Speaker 6>do that, yes, and yourself you got to keep that

1:51:29.880 --> 1:51:31.440
<v Speaker 6>ball absolutely.

1:51:31.680 --> 1:51:36.280
<v Speaker 5>Yeah, and you two. That's so different, isn't it?

1:51:35.880 --> 1:51:37.760
<v Speaker 3>It is it is.

1:51:37.920 --> 1:51:40.519
<v Speaker 1>I felt like improv was positive. It was like we

1:51:40.640 --> 1:51:42.639
<v Speaker 1>got you, I got your back, We're here.

1:51:42.840 --> 1:51:45.680
<v Speaker 2>And then stand ups were a little more darker, and

1:51:45.720 --> 1:51:48.439
<v Speaker 2>I kind of gravit stated towards that under.

1:51:48.439 --> 1:51:50.600
<v Speaker 3>Yeah, how long were you in Chicago?

1:51:51.040 --> 1:51:51.360
<v Speaker 1>Oh?

1:51:51.479 --> 1:51:52.639
<v Speaker 5>For years and years.

1:51:53.640 --> 1:51:59.040
<v Speaker 6>I graduated from Barrack College up in Lake Forest, Illinois

1:51:59.680 --> 1:52:02.559
<v Speaker 6>at north to Chicago, and we had been to Second City,

1:52:03.560 --> 1:52:05.679
<v Speaker 6>but you know, during college years.

1:52:06.080 --> 1:52:08.280
<v Speaker 5>So I said, yeah, that's where I'm going. I want

1:52:08.320 --> 1:52:10.040
<v Speaker 5>to go there, And.

1:52:12.040 --> 1:52:16.240
<v Speaker 6>Yeah, I was there for only really for like seven

1:52:16.320 --> 1:52:20.919
<v Speaker 6>years before I moved to LA for like a decade

1:52:21.280 --> 1:52:23.439
<v Speaker 6>and then came back to New York because a girl

1:52:23.439 --> 1:52:26.040
<v Speaker 6>broker leg and I had to open on Broadway, you

1:52:26.080 --> 1:52:28.880
<v Speaker 6>know what I mean. And it was I really I've

1:52:28.880 --> 1:52:32.320
<v Speaker 6>had one of those type of experiences. And no, I

1:52:32.320 --> 1:52:36.360
<v Speaker 6>didn't do LA until after I did Broadway. And then

1:52:37.080 --> 1:52:40.040
<v Speaker 6>then I got noticed by somebody there when I did

1:52:40.120 --> 1:52:42.920
<v Speaker 6>Broadway and they said, come to LA and do not

1:52:42.960 --> 1:52:46.760
<v Speaker 6>necessarily the news and that was another comedy show.

1:52:46.760 --> 1:52:47.000
<v Speaker 3>Wow.

1:52:47.120 --> 1:52:50.679
<v Speaker 6>Yeah, And we did the Comedy Zone up in Canada

1:52:51.320 --> 1:52:54.280
<v Speaker 6>and that and no, no, we did the Comedy Zone

1:52:54.320 --> 1:52:56.760
<v Speaker 6>in New York. That was with New York Playwrights and

1:52:56.840 --> 1:53:01.040
<v Speaker 6>Jerry Gutierres was the New York direct and we did

1:53:01.760 --> 1:53:05.920
<v Speaker 6>scenes and that was a CBS series. But it only

1:53:06.040 --> 1:53:11.240
<v Speaker 6>lasted like six months. You know, So comedy doesn't last, right.

1:53:12.880 --> 1:53:15.120
<v Speaker 6>It's always a hustle, that's for sure.

1:53:15.640 --> 1:53:18.080
<v Speaker 1>Do you have any other like any other people where

1:53:18.120 --> 1:53:20.720
<v Speaker 1>you got to set at SVU and you were like,

1:53:20.840 --> 1:53:23.120
<v Speaker 1>oh my gosh, I can't believe they're going to be

1:53:23.160 --> 1:53:24.240
<v Speaker 1>in my courtroom today.

1:53:25.040 --> 1:53:28.599
<v Speaker 2>Because what's cool about being the judge is you get

1:53:28.600 --> 1:53:33.320
<v Speaker 2>to see the guest stars, the victims, the villains, all

1:53:33.360 --> 1:53:37.480
<v Speaker 2>the different ways, all the detectives, all the back everybody.

1:53:37.880 --> 1:53:42.840
<v Speaker 6>I get everybody, and at the gang from SVU was

1:53:42.880 --> 1:53:44.800
<v Speaker 6>always very cool with me.

1:53:45.120 --> 1:53:46.360
<v Speaker 5>They would come up. Well.

1:53:46.400 --> 1:53:48.400
<v Speaker 6>I had a thing also to get people to come

1:53:48.479 --> 1:53:51.200
<v Speaker 6>up to the desk. Came up, come up to the bench.

1:53:51.600 --> 1:53:54.439
<v Speaker 6>But I would take in chocolate covered espresso beans.

1:53:54.520 --> 1:53:56.120
<v Speaker 3>Oh my god, cute.

1:53:56.400 --> 1:53:58.560
<v Speaker 5>Yeah, the worst, like a charm.

1:54:00.600 --> 1:54:04.040
<v Speaker 6>Because everything is going on around you as the judge,

1:54:04.080 --> 1:54:07.479
<v Speaker 6>everything is going on out there, okay, and you're just

1:54:07.520 --> 1:54:11.280
<v Speaker 6>sitting here. The cameras are all facing everybody else. They're

1:54:11.280 --> 1:54:17.000
<v Speaker 6>facing you know, Mariska and and you know, everybody in

1:54:17.040 --> 1:54:22.200
<v Speaker 6>the stands, and they're facing the lawyers and everybody. Everybody

1:54:22.320 --> 1:54:25.960
<v Speaker 6>is from here or the person who is testifying, and

1:54:26.720 --> 1:54:29.400
<v Speaker 6>you know, so that's sometimes you'll get an over the shot,

1:54:29.439 --> 1:54:32.480
<v Speaker 6>but most of the time you're completely off camera. I

1:54:32.600 --> 1:54:36.920
<v Speaker 6>always had the the Martini shot, you know, the last

1:54:36.920 --> 1:54:39.640
<v Speaker 6>shot of the night. Well, that's it's it's a wrap,

1:54:39.680 --> 1:54:45.360
<v Speaker 6>it's Martini time. So because I would sit there all

1:54:45.480 --> 1:54:47.920
<v Speaker 6>day and if I didn't have my lines by the

1:54:48.000 --> 1:54:50.080
<v Speaker 6>end of the day, because I had to keep saying

1:54:50.120 --> 1:54:53.960
<v Speaker 6>the lines during the scenes, you know, objection overruled or whatever.

1:54:54.080 --> 1:54:56.640
<v Speaker 5>You know, you can't stop having babies and killing them.

1:54:57.120 --> 1:55:03.720
<v Speaker 6>Million dollars bail, oh my god, yes, boo, oh my god,

1:55:03.880 --> 1:55:04.320
<v Speaker 6>you know.

1:55:04.280 --> 1:55:08.120
<v Speaker 1>Them all of course. That's a classic. And yeah, where

1:55:08.160 --> 1:55:10.600
<v Speaker 1>you're like, do you think you could maybe not get

1:55:10.600 --> 1:55:13.120
<v Speaker 1>pregnant in the nest? And she's like, I really can't

1:55:13.120 --> 1:55:14.040
<v Speaker 1>promise that.

1:55:14.240 --> 1:55:18.160
<v Speaker 6>Oh yeah, okay, million dollars.

1:55:20.480 --> 1:55:26.200
<v Speaker 2>Did you always agree with Judge Preston's rulings.

1:55:25.280 --> 1:55:28.760
<v Speaker 6>Yeah, yeah, yeah, there was there's just nothing, you know,

1:55:30.120 --> 1:55:33.040
<v Speaker 6>they wrote for her, it was called the toughest judge

1:55:33.040 --> 1:55:36.360
<v Speaker 6>in New York. That's that was my rep there at

1:55:36.360 --> 1:55:39.000
<v Speaker 6>the at the thing. I haven't done one in years.

1:55:39.080 --> 1:55:41.120
<v Speaker 6>I'd love to do another one, but.

1:55:41.600 --> 1:55:45.520
<v Speaker 1>They yeah, Top was your last one, and I think

1:55:45.600 --> 1:55:49.360
<v Speaker 1>we was it, Yeah, Crimean chronologically it was the last

1:55:49.400 --> 1:55:50.080
<v Speaker 1>one that you did.

1:55:50.240 --> 1:55:55.760
<v Speaker 6>Yeah. But I get recognized most often for sudden impact

1:55:56.680 --> 1:56:01.000
<v Speaker 6>and the judge of course, because as for you, because

1:56:01.080 --> 1:56:03.960
<v Speaker 6>we're in people's homes, we're in your bedroom, we're in

1:56:04.000 --> 1:56:07.040
<v Speaker 6>your living room, we're in your kitchen, and with the

1:56:07.040 --> 1:56:13.840
<v Speaker 6>most awful story, we're just almost the shuddering I mean

1:56:15.880 --> 1:56:20.600
<v Speaker 6>in the violence happens off camera. That's you know, what's

1:56:21.080 --> 1:56:24.640
<v Speaker 6>very noir about the whole thing is that you you

1:56:24.680 --> 1:56:30.120
<v Speaker 6>don't often see the beatings the child. You know, you

1:56:30.160 --> 1:56:33.120
<v Speaker 6>know the one I don't remember.

1:56:32.840 --> 1:56:33.360
<v Speaker 5>The name of it.

1:56:33.480 --> 1:56:38.120
<v Speaker 6>It's the one John Larrakatt, which I admire him so much.

1:56:38.160 --> 1:56:39.120
<v Speaker 5>We had a great time.

1:56:39.280 --> 1:56:41.520
<v Speaker 1>But you know, the episode you're talking about with John

1:56:41.600 --> 1:56:45.320
<v Speaker 1>larra Catt is actually called Anchor, and that's from season eleven,

1:56:45.760 --> 1:56:50.920
<v Speaker 1>and it's all about like people being immigration and people

1:56:50.960 --> 1:56:52.840
<v Speaker 1>being racist against immigrants.

1:56:52.880 --> 1:56:54.920
<v Speaker 3>And it's like we watch these episodes all the time.

1:56:54.960 --> 1:56:59.320
<v Speaker 1>We can't believe how SVU, like so little has changed

1:56:59.640 --> 1:57:01.280
<v Speaker 1>in a lot of the things that they talk about.

1:57:01.560 --> 1:57:03.600
<v Speaker 6>You know, I have to tell you, I was sitting

1:57:03.600 --> 1:57:08.959
<v Speaker 6>in the makeup chair for that episode and was already

1:57:09.120 --> 1:57:13.360
<v Speaker 6>just like horrified at the episode, you know, And this

1:57:13.480 --> 1:57:17.200
<v Speaker 6>little kid comes in, and one of the little kids

1:57:17.200 --> 1:57:20.920
<v Speaker 6>who was killed. I guess, yeah, And she said to

1:57:21.080 --> 1:57:27.080
<v Speaker 6>the makeup woman, she said, can you the director wants

1:57:27.280 --> 1:57:28.160
<v Speaker 6>me to have.

1:57:28.040 --> 1:57:32.840
<v Speaker 5>Some more blood around my neck around the chain or

1:57:32.880 --> 1:57:35.400
<v Speaker 5>the chain. No, it needs some more blood.

1:57:35.960 --> 1:57:38.520
<v Speaker 6>And I'm looking at this thing, no bigger than a

1:57:38.600 --> 1:57:44.080
<v Speaker 6>minute and beautiful and with this mark surround her neck.

1:57:44.120 --> 1:57:45.920
<v Speaker 5>And the makeup girl says sure.

1:57:46.280 --> 1:57:49.160
<v Speaker 6>I mean they have they have to have iron you know,

1:57:49.320 --> 1:57:51.120
<v Speaker 6>constitutions there at that show.

1:57:51.680 --> 1:57:52.640
<v Speaker 5>So she says sure.

1:57:53.760 --> 1:58:00.000
<v Speaker 6>And I had just gotten a racist thing from somebody,

1:58:00.480 --> 1:58:03.800
<v Speaker 6>an old friend who's no longer a friend. And it

1:58:03.880 --> 1:58:07.080
<v Speaker 6>was over this text that she sent me right at

1:58:07.080 --> 1:58:09.880
<v Speaker 6>that moment when I was seeing this child. She sent

1:58:09.920 --> 1:58:13.560
<v Speaker 6>me some something about Mexicans something.

1:58:13.520 --> 1:58:15.760
<v Speaker 5>And I just lost it.

1:58:16.040 --> 1:58:18.600
<v Speaker 6>And I told her she better confessed to her pretty

1:58:18.640 --> 1:58:24.440
<v Speaker 6>stently better. I lost lost the friendship. It's over because

1:58:24.480 --> 1:58:24.680
<v Speaker 6>of that.

1:58:24.800 --> 1:58:27.200
<v Speaker 3>We're on that set. That's so wild.

1:58:27.400 --> 1:58:30.280
<v Speaker 6>While I was on this set, because how much can

1:58:30.320 --> 1:58:35.040
<v Speaker 6>you take seeing a baby child with chain around its neck?

1:58:35.360 --> 1:58:38.640
<v Speaker 6>And then complete the episode where you know, the guy

1:58:38.680 --> 1:58:41.840
<v Speaker 6>says I'm free to do more, right?

1:58:42.880 --> 1:58:43.120
<v Speaker 1>You know?

1:58:43.360 --> 1:58:44.800
<v Speaker 5>Then he got elected president.

1:58:45.040 --> 1:58:45.240
<v Speaker 3>You know.

1:58:47.840 --> 1:58:50.720
<v Speaker 2>Well, I wanted to mention, speaking of hair and makeup,

1:58:51.080 --> 1:58:55.320
<v Speaker 2>I watched all of your your moments yesterday, a different

1:58:55.320 --> 1:58:57.960
<v Speaker 2>hairstyle every episode, right right.

1:58:58.000 --> 1:59:01.000
<v Speaker 3>Always take a fun new haird no wonder.

1:59:00.800 --> 1:59:03.400
<v Speaker 5>You're always There were some barrels, there.

1:59:03.360 --> 1:59:07.360
<v Speaker 2>Were some curls, some little bobs half up, half down.

1:59:08.640 --> 1:59:13.120
<v Speaker 6>This these these episodes that I did were like twenty

1:59:13.160 --> 1:59:13.880
<v Speaker 6>five years ago.

1:59:14.200 --> 1:59:16.960
<v Speaker 1>Yeah, the show has been on, it's in season twenty

1:59:17.000 --> 1:59:17.720
<v Speaker 1>seven right now.

1:59:17.760 --> 1:59:18.480
<v Speaker 3>It's crazy.

1:59:19.360 --> 1:59:22.480
<v Speaker 1>Yeah, you're right, you've been in our lives.

1:59:23.240 --> 1:59:27.120
<v Speaker 6>I have been grateful for every minute. I mean, well,

1:59:27.120 --> 1:59:29.640
<v Speaker 6>of course, not to mention the residuals.

1:59:30.120 --> 1:59:32.720
<v Speaker 2>That was actually one of my questions. I want to Yeah,

1:59:32.880 --> 1:59:34.280
<v Speaker 2>what's how's that working?

1:59:34.400 --> 1:59:35.000
<v Speaker 3>Okay? Great?

1:59:35.200 --> 1:59:39.920
<v Speaker 6>Yeah, yeah, I mean they I don't know what the

1:59:39.960 --> 1:59:42.680
<v Speaker 6>base pay is anymore, and I don't know what it

1:59:42.720 --> 1:59:44.000
<v Speaker 6>was ago.

1:59:44.680 --> 1:59:48.360
<v Speaker 5>Yeah, yeah, I know it's television. It's funny.

1:59:48.400 --> 1:59:52.080
<v Speaker 6>Television and theater don't really pay but the residuals are

1:59:52.120 --> 1:59:54.480
<v Speaker 6>like a fine wine that just keeps.

1:59:54.240 --> 1:59:55.840
<v Speaker 5>Getting better and better, you know.

1:59:56.560 --> 2:00:01.200
<v Speaker 6>And I mean I made sudden impact in eighty three

2:00:01.400 --> 2:00:03.360
<v Speaker 6>eighty four, and that's the thing.

2:00:03.520 --> 2:00:05.520
<v Speaker 3>It just delivers like weekly.

2:00:05.760 --> 2:00:10.880
<v Speaker 6>Wow, so oh please, this Beau and the SBU and

2:00:11.640 --> 2:00:14.080
<v Speaker 6>all of the law and Orders get shown all over

2:00:14.120 --> 2:00:14.920
<v Speaker 6>the world.

2:00:15.120 --> 2:00:18.440
<v Speaker 5>We get we get residuals from Spain.

2:00:18.240 --> 2:00:23.040
<v Speaker 6>And Portugal and Germany and Sweden. We're big in Sweden

2:00:23.200 --> 2:00:27.720
<v Speaker 6>and the Netherlands. I mean, it's just the residuals are

2:00:27.760 --> 2:00:28.920
<v Speaker 6>like manna from heaven.

2:00:29.240 --> 2:00:31.160
<v Speaker 5>You know, you can't count on it.

2:00:31.600 --> 2:00:36.400
<v Speaker 6>You know, it just drops and you know it's either

2:00:36.440 --> 2:00:41.760
<v Speaker 6>wine money or rent money, you know, and if you

2:00:42.520 --> 2:00:47.640
<v Speaker 6>if you're lucky enough, it's somewhere in between. And because

2:00:47.680 --> 2:00:51.120
<v Speaker 6>you're sharing that space with a lot of New York actors.

2:00:51.920 --> 2:00:54.680
<v Speaker 6>So a lot of New York actors have been paying

2:00:54.840 --> 2:01:01.080
<v Speaker 6>the rent with these residuals all these years, Yeah, they

2:01:01.080 --> 2:01:05.040
<v Speaker 6>have employed. It's not uncommon. It's it's in fact, it's

2:01:05.160 --> 2:01:10.400
<v Speaker 6>quite common to see Law and Order in every playbill.

2:01:10.960 --> 2:01:13.320
<v Speaker 3>Yeah, ye for it, I look for it.

2:01:13.840 --> 2:01:15.040
<v Speaker 5>Oh yeah, I do too.

2:01:15.240 --> 2:01:15.520
<v Speaker 3>Or else.

2:01:15.640 --> 2:01:17.400
<v Speaker 2>I saw someone on Death Becomes Her and I was

2:01:17.400 --> 2:01:18.640
<v Speaker 2>like he was in an SVU for sure.

2:01:18.680 --> 2:01:18.840
<v Speaker 6>I know.

2:01:18.960 --> 2:01:23.680
<v Speaker 3>Oh yeah, yeah, that guy I saw him. Yeah, yeah, yeah.

2:01:23.720 --> 2:01:29.360
<v Speaker 1>It's interesting to see what streaming will do to the

2:01:29.400 --> 2:01:33.360
<v Speaker 1>future of that because the residuals just aren't the same

2:01:33.560 --> 2:01:36.360
<v Speaker 1>and like, and there's not the same twenty two episodes,

2:01:36.680 --> 2:01:39.080
<v Speaker 1>you know, yeah season. Like we talked to so many

2:01:39.160 --> 2:01:42.600
<v Speaker 1>actors who are have such interesting careers and have been

2:01:42.600 --> 2:01:44.640
<v Speaker 1>able to do all this these different things and have

2:01:44.720 --> 2:01:47.600
<v Speaker 1>had highs and lows, and it just I don't know

2:01:47.720 --> 2:01:49.880
<v Speaker 1>that people will hang on for as long if they

2:01:49.880 --> 2:01:52.360
<v Speaker 1>don't have like, you know, residuals and stuff like that

2:01:52.360 --> 2:01:54.720
<v Speaker 1>that kind of kept them going. You're not going to

2:01:54.760 --> 2:01:58.640
<v Speaker 1>see people that work for forty years or whatever, you know,

2:01:59.760 --> 2:02:04.160
<v Speaker 1>with out getting like regular work. You know.

2:02:05.240 --> 2:02:05.520
<v Speaker 5>Yeah.

2:02:06.480 --> 2:02:08.800
<v Speaker 6>I have been lucky to make my living at this.

2:02:08.920 --> 2:02:13.160
<v Speaker 6>I haven't been a waitress since nineteen.

2:02:14.560 --> 2:02:15.800
<v Speaker 5>Seventy six.

2:02:16.520 --> 2:02:17.960
<v Speaker 3>Were in New York.

2:02:18.000 --> 2:02:21.640
<v Speaker 6>But when you were no, No, I was a waitress

2:02:21.640 --> 2:02:27.400
<v Speaker 6>in Chicago, well Mark mel Mark on uh Eatery in

2:02:27.880 --> 2:02:28.600
<v Speaker 6>Lincoln Park.

2:02:29.320 --> 2:02:31.560
<v Speaker 5>I lived on the North Side. Where did you live

2:02:31.600 --> 2:02:31.880
<v Speaker 5>in the.

2:02:32.800 --> 2:02:35.680
<v Speaker 3>I lived in Bucktown and Roscoe Village.

2:02:37.040 --> 2:02:39.680
<v Speaker 5>See these are neighborhoods. They came on after I left.

2:02:39.760 --> 2:02:41.720
<v Speaker 1>You know what, I did want to ask you if

2:02:41.720 --> 2:02:44.360
<v Speaker 1>you went to Old Town Alehouse, if that was a

2:02:44.400 --> 2:02:45.920
<v Speaker 1>place across the street.

2:02:45.960 --> 2:02:46.480
<v Speaker 3>Yeah, it was.

2:02:47.040 --> 2:02:49.080
<v Speaker 5>It was across the street from Second City.

2:02:49.280 --> 2:02:50.240
<v Speaker 3>You know, I love that bar.

2:02:50.440 --> 2:02:54.480
<v Speaker 5>I was in Second City from like seventy.

2:02:55.560 --> 2:02:57.200
<v Speaker 3>Three. Oh my god.

2:02:57.440 --> 2:03:00.520
<v Speaker 6>And we didn't you didn't used to have to take classes. Well,

2:03:00.560 --> 2:03:03.680
<v Speaker 6>there was a class. Joe Forresburg taught a class, and

2:03:03.760 --> 2:03:06.800
<v Speaker 6>a bunch of us who.

2:03:05.920 --> 2:03:07.960
<v Speaker 5>Came up in the same companies.

2:03:09.000 --> 2:03:12.600
<v Speaker 6>Went to Joe Forresburgh's classes or Dell Close and Del

2:03:12.680 --> 2:03:14.920
<v Speaker 6>Close would just grab you by the breast, you know,

2:03:15.120 --> 2:03:18.080
<v Speaker 6>and say you've had a class. You know, Dell Close

2:03:18.320 --> 2:03:23.800
<v Speaker 6>was a serious problem as well as a serious genius.

2:03:24.040 --> 2:03:24.240
<v Speaker 3>Yeah.

2:03:24.280 --> 2:03:26.280
<v Speaker 1>I was in New York, so I was operated to

2:03:26.360 --> 2:03:29.440
<v Speaker 1>as this brigade for all my improv stuff. Oh my god,

2:03:29.800 --> 2:03:32.840
<v Speaker 1>did the Dell Close marathon and we all prayed at

2:03:32.840 --> 2:03:36.400
<v Speaker 1>the Church of del Clothes for a long time. Not me,

2:03:36.640 --> 2:03:38.520
<v Speaker 1>but like you had to read the books for your

2:03:38.520 --> 2:03:39.520
<v Speaker 1>classes and stuff.

2:03:40.440 --> 2:03:44.040
<v Speaker 5>Oh yeah, well you know he was.

2:03:44.600 --> 2:03:47.200
<v Speaker 6>You know, there's the story of him putting his arm

2:03:47.240 --> 2:03:48.600
<v Speaker 6>off stage, you know that one.

2:03:48.720 --> 2:03:50.320
<v Speaker 3>No, I don't know anything of this.

2:03:50.880 --> 2:03:54.960
<v Speaker 6>Dell once took a hit some one of the other ones,

2:03:55.320 --> 2:03:58.880
<v Speaker 6>one of his other compatriots backstage there say Kamara, Kamara

2:03:59.000 --> 2:04:01.360
<v Speaker 6>got a hit for you that was, you know, some

2:04:01.480 --> 2:04:01.960
<v Speaker 6>dope in the.

2:04:03.520 --> 2:04:07.120
<v Speaker 5>So he he was on stage at the moment, so

2:04:07.240 --> 2:04:08.080
<v Speaker 5>he just went off.

2:04:08.080 --> 2:04:09.720
<v Speaker 6>And I don't know if you're familiar with the Second

2:04:09.720 --> 2:04:12.240
<v Speaker 6>City stage, but you can just go off and you

2:04:12.280 --> 2:04:14.760
<v Speaker 6>can still be on and put your arm off. And

2:04:14.840 --> 2:04:19.160
<v Speaker 6>he so the story went, He put his arm off,

2:04:19.280 --> 2:04:21.800
<v Speaker 6>the guy tied him off, shot him up, and he

2:04:22.080 --> 2:04:24.600
<v Speaker 6>came back. But I wouldn't put it past him, and

2:04:24.600 --> 2:04:27.920
<v Speaker 6>he was just that, he was, oh.

2:04:27.560 --> 2:04:30.520
<v Speaker 3>Oh, oh, oh, no, no, thank you.

2:04:30.960 --> 2:04:32.960
<v Speaker 5>I have a thing. I have a theory. Time is

2:04:33.040 --> 2:04:33.520
<v Speaker 5>on time.

2:04:34.120 --> 2:04:38.040
<v Speaker 6>Well, my friend and dear little brother, like the late

2:04:38.120 --> 2:04:40.360
<v Speaker 6>Jerry Gutierras, had asked me to do this play in

2:04:40.440 --> 2:04:44.080
<v Speaker 6>Chicago and it was called Cursive an Aching Heart, and

2:04:44.120 --> 2:04:47.520
<v Speaker 6>it was the It was a follow up to Hogan's

2:04:47.520 --> 2:04:50.960
<v Speaker 6>Goat that had been done with Faye done Away in

2:04:51.080 --> 2:04:54.080
<v Speaker 6>New York, and Faye Dunaway made her Broadway debut. I

2:04:54.120 --> 2:04:59.480
<v Speaker 6>believe in Hogan's Goat, so I said yes, I'll do it.

2:04:59.560 --> 2:05:01.320
<v Speaker 6>And a year and a half later, when we were

2:05:01.320 --> 2:05:04.160
<v Speaker 6>supposed to be doing it. Some film got destroyed and

2:05:04.240 --> 2:05:07.400
<v Speaker 6>I had to go up for a reshoot at Mackinaw

2:05:07.480 --> 2:05:11.440
<v Speaker 6>Island for Somewhere in Time, where I played an actress

2:05:11.480 --> 2:05:18.120
<v Speaker 6>in the Traveling Acting Company with Seymour, Jane Seymour. When

2:05:18.120 --> 2:05:21.600
<v Speaker 6>she went off and spoke to Christopher Reeve in the audience,

2:05:21.960 --> 2:05:24.240
<v Speaker 6>I was on stage with her, and that film had

2:05:24.280 --> 2:05:27.600
<v Speaker 6>been somehow altered or destroyed and we had to do

2:05:27.640 --> 2:05:30.360
<v Speaker 6>a reshoot up and it got right in the middle

2:05:30.400 --> 2:05:33.560
<v Speaker 6>of when the play would be opening in Chicago. I said,

2:05:33.600 --> 2:05:36.000
<v Speaker 6>I can't, I got to do this. He brought in

2:05:36.080 --> 2:05:39.040
<v Speaker 6>Mary Lou Risotto. She stayed in my apartment. I went

2:05:39.120 --> 2:05:42.800
<v Speaker 6>up and did reshoots, came back. Mary Lou was done

2:05:42.880 --> 2:05:47.120
<v Speaker 6>with the play and had gone home back to New York,

2:05:47.440 --> 2:05:52.120
<v Speaker 6>and I moved to LA and came back to Chicago

2:05:52.200 --> 2:05:55.600
<v Speaker 6>to do some plays and got the call. And I

2:05:55.680 --> 2:05:58.040
<v Speaker 6>was in between Second City. I was going back in

2:05:58.080 --> 2:06:00.040
<v Speaker 6>on Tin Types. I was performing in Tin Time. I

2:06:00.120 --> 2:06:02.440
<v Speaker 6>said it was going back into the company in Second City,

2:06:02.760 --> 2:06:05.560
<v Speaker 6>and I stopped at my house to change clothes. They

2:06:05.600 --> 2:06:10.920
<v Speaker 6>were in between, and Uh, I got the call from

2:06:10.960 --> 2:06:13.840
<v Speaker 6>Jerry Gouteris. Mary Louis Outo has broken her leg. We're

2:06:13.880 --> 2:06:16.920
<v Speaker 6>opening on Broadway in ten days. Can you be here

2:06:16.960 --> 2:06:22.880
<v Speaker 6>in New York tomorrow? And I said yes, I'll be there,

2:06:22.880 --> 2:06:24.400
<v Speaker 6>and I didn't.

2:06:24.160 --> 2:06:24.800
<v Speaker 5>Mention I was.

2:06:24.920 --> 2:06:27.280
<v Speaker 6>I said yes, I'm out of ten types right now

2:06:27.680 --> 2:06:30.520
<v Speaker 6>because I have a back injury. But he said can

2:06:30.520 --> 2:06:32.680
<v Speaker 6>you roller skate? And I said I could be taught.

2:06:34.000 --> 2:06:36.920
<v Speaker 6>So that's how Mary Lou had broken her leg. She

2:06:37.080 --> 2:06:41.480
<v Speaker 6>was roller skating. God yeah, and in a rehearsal hall

2:06:41.640 --> 2:06:43.920
<v Speaker 6>and had broken her leg. So I had to come

2:06:43.960 --> 2:06:48.360
<v Speaker 6>in and I had to meet Faye Dunaway and we

2:06:48.440 --> 2:06:51.240
<v Speaker 6>did the whole thing and again, and I got the

2:06:51.520 --> 2:06:53.800
<v Speaker 6>you know, of course they I got the part because

2:06:53.840 --> 2:06:55.160
<v Speaker 6>what with else are they going to do?

2:06:55.320 --> 2:06:56.000
<v Speaker 5>Was ten days?

2:06:56.200 --> 2:06:56.520
<v Speaker 3>Right?

2:06:56.960 --> 2:07:00.920
<v Speaker 6>I meet Fage on Away and they say, I came

2:07:01.000 --> 2:07:07.840
<v Speaker 6>in from New Chicago overnight and I said, you know, oh,

2:07:07.880 --> 2:07:10.200
<v Speaker 6>I dropped my bags. I came right from the airport.

2:07:10.960 --> 2:07:15.160
<v Speaker 6>And they said, can you look at the script? And

2:07:15.840 --> 2:07:19.080
<v Speaker 6>I said, oh, sure, went in the other room and

2:07:19.160 --> 2:07:20.960
<v Speaker 6>I looked at the script, which I was kind of

2:07:21.000 --> 2:07:24.160
<v Speaker 6>familiar with anyway, and I came back in and I

2:07:24.240 --> 2:07:26.320
<v Speaker 6>did this scene and they went, okay, could you leave

2:07:26.320 --> 2:07:28.880
<v Speaker 6>the room for a second, And I went okay. And

2:07:28.920 --> 2:07:30.600
<v Speaker 6>I went out of the room and they went, okay,

2:07:30.600 --> 2:07:32.120
<v Speaker 6>come back, and you got it, okay.

2:07:33.520 --> 2:07:35.360
<v Speaker 5>I guess they had to get a nod from her

2:07:35.480 --> 2:07:35.960
<v Speaker 5>or something.

2:07:36.320 --> 2:07:38.760
<v Speaker 6>Well, within like two days they had to ask me

2:07:38.800 --> 2:07:40.080
<v Speaker 6>to stop handling her.

2:07:42.040 --> 2:07:42.840
<v Speaker 3>What does that mean?

2:07:43.520 --> 2:07:45.200
<v Speaker 5>Well, I was like grabbing onto her.

2:07:45.280 --> 2:07:47.720
<v Speaker 6>We do this scene where we're like fourteen and sixteen

2:07:47.800 --> 2:07:49.920
<v Speaker 6>years old, and we I must have been just like

2:07:50.080 --> 2:07:53.160
<v Speaker 6>grabbing onto her. Well, anyway, I have to tell you

2:07:53.160 --> 2:07:58.680
<v Speaker 6>this story about the lost prop about okay, so that

2:07:59.280 --> 2:08:02.400
<v Speaker 6>we come out, we're fourteen years old. In the first

2:08:02.440 --> 2:08:05.440
<v Speaker 6>scene we come out, I put on my roller skates.

2:08:05.480 --> 2:08:08.880
<v Speaker 6>She's already in her roller skates and skating around the stage.

2:08:09.240 --> 2:08:11.440
<v Speaker 5>And I come out and I say grand and Fran.

2:08:12.200 --> 2:08:16.080
<v Speaker 6>And as I'm putting on my skates, I say Lugs,

2:08:16.360 --> 2:08:18.800
<v Speaker 6>And as her boyfriend who's to become her husband in

2:08:18.880 --> 2:08:22.400
<v Speaker 6>the play, Lugs give me a letter for you. And

2:08:22.480 --> 2:08:26.640
<v Speaker 6>the letter contains a ring that she wears for their

2:08:26.800 --> 2:08:32.640
<v Speaker 6>entire life. And but now we're fourteen and the letter

2:08:32.720 --> 2:08:35.120
<v Speaker 6>is in my sock. Only the letter is not in

2:08:35.200 --> 2:08:38.800
<v Speaker 6>my sock this night. Now I have jammed this entire

2:08:38.880 --> 2:08:42.640
<v Speaker 6>play into my head in ten days and William Alfred

2:08:42.720 --> 2:08:47.360
<v Speaker 6>kept coming into rehearsals and even during previews with full

2:08:47.400 --> 2:08:50.000
<v Speaker 6>pages for me. He'd give me this and he say,

2:08:50.080 --> 2:08:52.280
<v Speaker 6>can you put this in tonight? And it was you know,

2:08:52.360 --> 2:08:58.320
<v Speaker 6>good Terarist said control but yes, okay, so okay. So

2:08:58.360 --> 2:09:01.480
<v Speaker 6>there was there was the letter, and I knew where

2:09:01.520 --> 2:09:06.360
<v Speaker 6>it was. It was downstairs in the dressing room. Well,

2:09:06.400 --> 2:09:11.360
<v Speaker 6>as the skates were going on, I'm just like, I'm freaking.

2:09:11.040 --> 2:09:12.840
<v Speaker 5>Out because I know that letter is not there.

2:09:14.240 --> 2:09:17.840
<v Speaker 6>And now she always says, and I say, fran Loves,

2:09:17.880 --> 2:09:18.760
<v Speaker 6>give me a letter for you.

2:09:18.880 --> 2:09:20.960
<v Speaker 5>She says, bring it here and let's read it.

2:09:21.160 --> 2:09:23.520
<v Speaker 6>We put our feet over the side of the stage

2:09:23.560 --> 2:09:26.840
<v Speaker 6>that's where we were lit and read the letter.

2:09:29.000 --> 2:09:32.520
<v Speaker 5>Well, fran Loves, give me a letter for you. She

2:09:32.600 --> 2:09:33.360
<v Speaker 5>s bring it here.

2:09:33.520 --> 2:09:35.600
<v Speaker 6>Before she could sit down on the stage, I had

2:09:35.640 --> 2:09:40.840
<v Speaker 6>to say, I want brand, but I lost it. Now

2:09:41.080 --> 2:09:43.920
<v Speaker 6>Faye dune Away comes up to me, skates over to

2:09:43.960 --> 2:09:48.000
<v Speaker 6>me and puts her hand, her nail flight into my

2:09:48.120 --> 2:09:52.840
<v Speaker 6>shoulder and she goes standing there. I'm sitting on an

2:09:53.480 --> 2:09:58.440
<v Speaker 6>apple cart. She said, you lost it, and I said yeah.

2:10:00.240 --> 2:10:05.080
<v Speaker 5>But I read it first. Fran you read it, and.

2:10:05.000 --> 2:10:10.120
<v Speaker 6>I said, yeah, it said deir Frand and still skating

2:10:10.160 --> 2:10:12.800
<v Speaker 6>down into the light. This was sitting on the apple

2:10:12.840 --> 2:10:19.000
<v Speaker 6>box while her hand slowly let up as I recited

2:10:19.080 --> 2:10:23.960
<v Speaker 6>the entire letter and then and then I turned to

2:10:24.040 --> 2:10:27.400
<v Speaker 6>her and I said, and there was a ring friend,

2:10:27.640 --> 2:10:29.959
<v Speaker 6>But I'll find that ring.

2:10:33.080 --> 2:10:33.720
<v Speaker 3>Amazing.

2:10:34.680 --> 2:10:37.760
<v Speaker 6>It wasn't until two scenes later we were able to

2:10:37.800 --> 2:10:42.160
<v Speaker 6>contact each other. We had different things to do and

2:10:42.360 --> 2:10:45.000
<v Speaker 6>exits and stuff, and we were riding out on a

2:10:45.120 --> 2:10:48.360
<v Speaker 6>trolley car and she said, how the fuck did you

2:10:48.720 --> 2:10:49.360
<v Speaker 6>to that?

2:10:50.120 --> 2:10:52.680
<v Speaker 5>And I said, I don't know.

2:10:53.040 --> 2:10:57.560
<v Speaker 1>You got that's the improv training, that's the improv. Well,

2:10:57.640 --> 2:11:01.600
<v Speaker 1>a preparation I mean to have, yeah, memorized that you

2:11:01.680 --> 2:11:02.200
<v Speaker 1>might not have.

2:11:02.400 --> 2:11:04.560
<v Speaker 5>Well, it went in. It didn't.

2:11:04.600 --> 2:11:08.360
<v Speaker 6>I didn't mean to memorize it, but it just everything

2:11:08.560 --> 2:11:12.200
<v Speaker 6>just got jammed in there so fast that it survived.

2:11:12.720 --> 2:11:14.720
<v Speaker 3>Oh my gosh.

2:11:14.760 --> 2:11:17.120
<v Speaker 6>She was all right. She was an all right egg.

2:11:17.240 --> 2:11:20.880
<v Speaker 6>She had a tough time, you know, coming back, but.

2:11:21.800 --> 2:11:22.720
<v Speaker 5>She was all right.

2:11:23.760 --> 2:11:24.839
<v Speaker 3>And you were in the departed.

2:11:26.240 --> 2:11:30.360
<v Speaker 6>I was in the departed, the departed. I was in

2:11:30.400 --> 2:11:34.800
<v Speaker 6>the departed. I'd played Nuns and Judges, you know, I did.

2:11:35.160 --> 2:11:38.880
<v Speaker 6>I did Sister Act the musical, you know, on Broadway,

2:11:39.280 --> 2:11:41.720
<v Speaker 6>and I did at the Mary Wicks part in.

2:11:41.800 --> 2:11:44.880
<v Speaker 3>That, you know, and you were in dowb. I don't

2:11:44.880 --> 2:11:47.480
<v Speaker 3>think you were, Oh you were a sister.

2:11:47.480 --> 2:11:48.560
<v Speaker 5>Yeah, yeah, I was.

2:11:48.760 --> 2:11:52.880
<v Speaker 6>I was. I'm sitting on the at the table with

2:11:52.920 --> 2:11:58.760
<v Speaker 6>her having dinner, you know, and she was so unbelievably present.

2:11:59.440 --> 2:12:03.520
<v Speaker 6>And the moment that we were watching a rehearsal for

2:12:03.680 --> 2:12:08.520
<v Speaker 6>the for the children's holiday show and we're sitting there

2:12:08.520 --> 2:12:12.000
<v Speaker 6>and we had just discussed going to get some coffee,

2:12:12.040 --> 2:12:14.000
<v Speaker 6>and then we said no, I'll just sit here. And

2:12:14.040 --> 2:12:16.160
<v Speaker 6>we sat there and talked while they set the lights

2:12:16.200 --> 2:12:20.440
<v Speaker 6>for this scene. And for the first time in my life,

2:12:20.480 --> 2:12:24.120
<v Speaker 6>I know we shot the scene, but I cannot tell

2:12:24.120 --> 2:12:25.280
<v Speaker 6>you where the camera was.

2:12:25.640 --> 2:12:28.480
<v Speaker 5>I have no idea where the camera was. They just

2:12:28.520 --> 2:12:30.600
<v Speaker 5>said we're ready to shoot. We shot.

2:12:30.920 --> 2:12:34.320
<v Speaker 6>We were concentrated on the children, and you know the

2:12:34.400 --> 2:12:37.480
<v Speaker 6>discussion we were having about makeup and this and that.

2:12:38.000 --> 2:12:40.880
<v Speaker 6>And I tell you that night I went home and

2:12:40.880 --> 2:12:43.920
<v Speaker 6>I went, it's that camera. And to this day I

2:12:43.960 --> 2:12:47.520
<v Speaker 6>can't figure out where that camera was. And I've seen

2:12:47.560 --> 2:12:50.160
<v Speaker 6>the film, I've seen the scene. I still can't figure

2:12:50.160 --> 2:12:54.720
<v Speaker 6>out where the camera was. And there wasn't anything self

2:12:54.720 --> 2:12:57.200
<v Speaker 6>diffused about it. They weren't hiding it. It was just

2:12:57.240 --> 2:13:00.680
<v Speaker 6>that you're aware of these things, you know, working with

2:13:00.800 --> 2:13:04.680
<v Speaker 6>Meryl Streep, you just you just do the work and

2:13:04.720 --> 2:13:07.280
<v Speaker 6>you're you're on another plane. You just kind of lift

2:13:07.360 --> 2:13:10.920
<v Speaker 6>up and your feet take off and nobody says to you,

2:13:11.160 --> 2:13:11.960
<v Speaker 6>there's the camera.

2:13:12.600 --> 2:13:15.400
<v Speaker 5>You know what I mean. You're just you don't think

2:13:15.400 --> 2:13:15.960
<v Speaker 5>about it.

2:13:15.880 --> 2:13:16.320
<v Speaker 6>Do you?

2:13:16.760 --> 2:13:21.120
<v Speaker 1>As judge Lois Preston, did you have any preferences vers

2:13:21.160 --> 2:13:24.280
<v Speaker 1>of being in chambers versus being on the bench.

2:13:26.360 --> 2:13:28.400
<v Speaker 5>I liked when it was in chambers. They let me

2:13:28.440 --> 2:13:29.280
<v Speaker 5>put up pictures.

2:13:29.600 --> 2:13:34.040
<v Speaker 6>Oh yeah, but they walk and talk between the chambers

2:13:34.640 --> 2:13:37.960
<v Speaker 6>and the and the and the bench.

2:13:39.880 --> 2:13:40.839
<v Speaker 5>That's not easy.

2:13:41.040 --> 2:13:41.280
<v Speaker 6>Yeah.

2:13:41.360 --> 2:13:43.360
<v Speaker 1>We talk about the deal all the time with people

2:13:43.400 --> 2:13:45.040
<v Speaker 1>we interview. Were like, how didn't you know that much

2:13:45.040 --> 2:13:46.680
<v Speaker 1>medical jargon while you were walking?

2:13:47.680 --> 2:13:49.400
<v Speaker 5>Oh? I know, I know?

2:13:49.760 --> 2:13:53.240
<v Speaker 6>And how much legal My first walk and talk I

2:13:53.400 --> 2:13:56.640
<v Speaker 6>kind of got tripped up, you know, And I think

2:13:56.760 --> 2:13:58.960
<v Speaker 6>I was a little bit. I think I only had

2:13:59.000 --> 2:14:03.440
<v Speaker 6>one or two, but this this one, I was just

2:14:03.520 --> 2:14:08.000
<v Speaker 6>like and I can remember being in the hallway. I

2:14:08.040 --> 2:14:11.440
<v Speaker 6>think that was when I had knocked my teeth out

2:14:11.640 --> 2:14:15.960
<v Speaker 6>knock wood. I had an accident leaving the stage where

2:14:15.960 --> 2:14:21.400
<v Speaker 6>I knocked out my teeth, Yeah, and but I knock

2:14:21.440 --> 2:14:23.600
<v Speaker 6>wood all the times that didn't touch my eyes.

2:14:23.640 --> 2:14:26.000
<v Speaker 5>You know, I landed on a chair.

2:14:26.200 --> 2:14:30.000
<v Speaker 6>So so I say, I've taken a chair to the face,

2:14:30.360 --> 2:14:33.360
<v Speaker 6>you know what I mean? And I survived and that

2:14:33.520 --> 2:14:39.120
<v Speaker 6>was a review in the theater. But some of the

2:14:39.160 --> 2:14:42.400
<v Speaker 6>teeth went away and I had to have some replacements

2:14:42.400 --> 2:14:45.480
<v Speaker 6>put in and some work done, and that work that

2:14:45.680 --> 2:14:49.600
<v Speaker 6>show where I did the walk and talk, I had

2:14:49.680 --> 2:14:52.160
<v Speaker 6>only like half the teeth I had.

2:14:52.200 --> 2:14:54.400
<v Speaker 5>Some something was wrong I was.

2:14:54.560 --> 2:14:58.560
<v Speaker 6>I just remembered saying to the DP, so you're not

2:14:58.640 --> 2:15:03.040
<v Speaker 6>really seeing inside mouth? Are You are kind of staying

2:15:03.040 --> 2:15:06.000
<v Speaker 6>away from that, aren't we? So I just kind of

2:15:06.040 --> 2:15:10.040
<v Speaker 6>remember that being kind of distracting. And Mariska said, do

2:15:10.080 --> 2:15:12.760
<v Speaker 6>you need some help? And I went yes, and she

2:15:13.000 --> 2:15:15.600
<v Speaker 6>just said this is what you do and she kind

2:15:15.640 --> 2:15:18.080
<v Speaker 6>of walked me through it and it just completely I

2:15:18.120 --> 2:15:21.160
<v Speaker 6>put my shoulders down, and I was so grateful. She

2:15:21.240 --> 2:15:25.160
<v Speaker 6>was always very kind. Couldn't have been nicer. And a

2:15:25.160 --> 2:15:27.040
<v Speaker 6>bunch of them came to see me do a play

2:15:27.880 --> 2:15:30.880
<v Speaker 6>Kristen Rag's piece that I did at the Public Theater.

2:15:32.160 --> 2:15:33.280
<v Speaker 5>Why torture is Wrong?

2:15:33.400 --> 2:15:35.839
<v Speaker 6>And the people who love them or I kept getting

2:15:35.880 --> 2:15:40.600
<v Speaker 6>to drop my underpants kept dropping. I mean, what a

2:15:40.640 --> 2:15:43.000
<v Speaker 6>gift is that? What kind of a gift is that

2:15:43.120 --> 2:15:43.680
<v Speaker 6>of a role?

2:15:43.920 --> 2:15:44.720
<v Speaker 3>Huh?

2:15:44.880 --> 2:15:48.480
<v Speaker 6>You get to keep dropping your underpants. So anyway, a

2:15:48.520 --> 2:15:49.800
<v Speaker 6>bunch of them came to see the show.

2:15:50.000 --> 2:15:54.200
<v Speaker 2>Wait, we've been talking about like people, are there any

2:15:54.240 --> 2:15:56.680
<v Speaker 2>new actors that you admire their work or you can't

2:15:56.680 --> 2:15:58.560
<v Speaker 2>wait to see? Like, are there any new up and

2:15:58.680 --> 2:16:00.200
<v Speaker 2>becoming actors that you're in too?

2:16:01.120 --> 2:16:03.440
<v Speaker 5>Well, there's not. He's not so much up and coming.

2:16:03.520 --> 2:16:05.280
<v Speaker 5>But what's his name?

2:16:05.400 --> 2:16:09.160
<v Speaker 6>The Irish boy who's got a movie out now about

2:16:09.240 --> 2:16:10.960
<v Speaker 6>gambling in macau.

2:16:11.000 --> 2:16:14.080
<v Speaker 3>Is it Paul no Oh?

2:16:14.120 --> 2:16:20.520
<v Speaker 2>Colin Farrell, Colin Farrell, Colin I abdure Colline, Oh, I

2:16:20.600 --> 2:16:21.680
<v Speaker 2>adure Colin Farrell.

2:16:21.720 --> 2:16:23.280
<v Speaker 6>It's all I've won the street once in the East

2:16:23.360 --> 2:16:26.000
<v Speaker 6>Village and it's just I shutter. I think I think

2:16:26.080 --> 2:16:29.000
<v Speaker 6>he's terrific and I think he's got a lot of range.

2:16:29.360 --> 2:16:32.040
<v Speaker 3>Yeah. Wait, we also have to ask one more thing

2:16:32.160 --> 2:16:32.959
<v Speaker 3>you were in Friends?

2:16:34.280 --> 2:16:38.680
<v Speaker 6>Yeah? Yeah, and the one where Joey, Joey gets a

2:16:38.800 --> 2:16:42.520
<v Speaker 6>Joey gets his uh his place, Joey gets his own

2:16:42.520 --> 2:16:47.199
<v Speaker 6>a place, his own apartment. That's what the one which

2:16:47.520 --> 2:16:51.360
<v Speaker 6>and he yeah, we sing happy birthday. The parents are

2:16:51.440 --> 2:16:55.800
<v Speaker 6>upstairs fucking in the shower and we're we're we are we.

2:16:55.879 --> 2:17:00.480
<v Speaker 5>Sing Happy birthday, bringing in the cake. Yeah, I got it.

2:17:00.520 --> 2:17:04.520
<v Speaker 6>One line, Oh, she probably has something about her kits

2:17:06.120 --> 2:17:08.160
<v Speaker 6>press that are still standing straight up.

2:17:08.520 --> 2:17:12.680
<v Speaker 1>I don't remember this line from nineteen ninety something like five.

2:17:12.840 --> 2:17:18.360
<v Speaker 6>That's wild because it got a laugh. If it's a

2:17:18.440 --> 2:17:20.959
<v Speaker 6>laugh line, you remember, lever, I get it.

2:17:22.040 --> 2:17:22.520
<v Speaker 3>Yeah.

2:17:22.720 --> 2:17:23.560
<v Speaker 5>Yeah.

2:17:24.320 --> 2:17:26.440
<v Speaker 6>In the movie you go ahead and make my day,

2:17:27.240 --> 2:17:32.320
<v Speaker 6>you know, I played a woman who gang raped, set

2:17:32.400 --> 2:17:37.640
<v Speaker 6>up a gang rape for two sisters. Oh right, yeah, yeah,

2:17:37.680 --> 2:17:42.000
<v Speaker 6>and one girl is catatonic. The younger sister is catatonic

2:17:42.080 --> 2:17:45.920
<v Speaker 6>after the rape. This gang rape underneath the boardwalk, and

2:17:46.280 --> 2:17:49.880
<v Speaker 6>I taught them about well they're being raped by the way,

2:17:50.600 --> 2:17:53.160
<v Speaker 6>and her older sister comes back and kills everybody who

2:17:53.200 --> 2:17:55.320
<v Speaker 6>was involved in the rape. And I know that she's

2:17:55.320 --> 2:17:58.280
<v Speaker 6>in town and killing people. So when she comes to

2:17:58.360 --> 2:18:01.520
<v Speaker 6>kill me, she's got a gun aimed at me. And

2:18:01.560 --> 2:18:05.080
<v Speaker 6>here's a line that's your slut sister.

2:18:05.959 --> 2:18:06.560
<v Speaker 3>Boom.

2:18:07.000 --> 2:18:07.480
<v Speaker 1>Wow.

2:18:08.879 --> 2:18:12.800
<v Speaker 3>That's my last to the very end. Oh my god.

2:18:13.200 --> 2:18:16.480
<v Speaker 6>So I've done some scary things, but mostly I do

2:18:16.560 --> 2:18:17.320
<v Speaker 6>funny things.

2:18:18.240 --> 2:18:21.120
<v Speaker 5>Right, So you you women know what that is.

2:18:21.240 --> 2:18:25.080
<v Speaker 6>That's lifting your soul, that's feeding your soul to go

2:18:25.120 --> 2:18:30.120
<v Speaker 6>out there and make people laugh. It's the most goddamn seductive.

2:18:29.320 --> 2:18:30.000
<v Speaker 5>Thing there is.

2:18:31.520 --> 2:18:36.240
<v Speaker 6>It's seductive for them, and it's seductive for you, you know.

2:18:36.920 --> 2:18:39.440
<v Speaker 3>Yeah, So you're the best.

2:18:39.640 --> 2:18:41.520
<v Speaker 5>Give you prop You're the best.

2:18:42.680 --> 2:18:45.200
<v Speaker 1>This was so amazing. Thank you so much for taking

2:18:45.200 --> 2:18:46.320
<v Speaker 1>the time to talk to us.

2:18:46.440 --> 2:18:48.520
<v Speaker 5>Thank you, thank you. I had a good time.

2:18:48.680 --> 2:18:51.960
<v Speaker 3>Thanks hearing everything. Yes, good, a great.

2:18:53.800 --> 2:18:56.120
<v Speaker 5>I'm enjoying the podcast now too.

2:18:56.240 --> 2:18:59.920
<v Speaker 6>So who would ever get so I'm enjoying it now,

2:19:00.240 --> 2:19:01.640
<v Speaker 6>so I'll be listening.

2:19:01.800 --> 2:19:05.959
<v Speaker 1>Yeah, you can hear all the times I mispronounce your name, Lewis.

2:19:11.080 --> 2:19:14.520
<v Speaker 1>Oh my god, that's what a dream, what a lovely

2:19:15.240 --> 2:19:18.480
<v Speaker 1>I love meeting these people who are like just career

2:19:19.320 --> 2:19:23.560
<v Speaker 1>actors with all these stories and what a memory, great

2:19:23.640 --> 2:19:29.520
<v Speaker 1>memory lines from decades ago, little moments, the espresso beans.

2:19:29.600 --> 2:19:31.119
<v Speaker 3>But we've been chased center down. I want.

2:19:31.240 --> 2:19:34.280
<v Speaker 1>Yeah, it couldn't have happened at a better time. A

2:19:34.320 --> 2:19:38.720
<v Speaker 1>Christmas miracle, A Christmas miracle. We got the subject of

2:19:38.760 --> 2:19:44.400
<v Speaker 1>our Louis Luis T shirt on the pod. The best

2:19:44.600 --> 2:19:47.199
<v Speaker 1>T shirts still available you probably won't get it for Christmas,

2:19:47.240 --> 2:19:49.959
<v Speaker 1>but you can not at this point, I think, But

2:19:50.000 --> 2:19:51.960
<v Speaker 1>you can get it for a little New Year's treat

2:19:52.920 --> 2:19:53.920
<v Speaker 1>on New Year's treet.

2:19:54.120 --> 2:19:55.040
<v Speaker 3>But yeah, amazing.

2:19:55.080 --> 2:19:58.000
<v Speaker 2>I love that she remembers the guest stars, the attorneys,

2:19:58.120 --> 2:20:03.080
<v Speaker 2>all the moments with the detectives their and makeup the plot.

2:20:03.080 --> 2:20:07.400
<v Speaker 2>Plus I mean it was like Dunaway story, Like I mean,

2:20:07.480 --> 2:20:09.560
<v Speaker 2>I barely read a script when it's not my part,

2:20:09.760 --> 2:20:13.640
<v Speaker 2>Like I can't imagine memorizing like the Yatters and everything.

2:20:14.480 --> 2:20:17.840
<v Speaker 1>And she named names, which I enjoy. She gave us,

2:20:18.120 --> 2:20:20.000
<v Speaker 1>you know, she gave us a lot of tea and

2:20:20.040 --> 2:20:23.359
<v Speaker 1>a lot of attitude. Dell Close doing Heroin in the Doorways,

2:20:23.480 --> 2:20:29.199
<v Speaker 1>you know. Yeah, Lois was giving the t for sure.

2:20:29.600 --> 2:20:32.640
<v Speaker 3>Uh yeah.

2:20:33.560 --> 2:20:36.119
<v Speaker 1>And Sbu does need to bring her back and maybe

2:20:36.160 --> 2:20:39.160
<v Speaker 1>they need to like help her do something like she

2:20:39.280 --> 2:20:43.840
<v Speaker 1>reaches out to them or do they even do recurring

2:20:43.959 --> 2:20:44.920
<v Speaker 1>judges anymore?

2:20:45.240 --> 2:20:46.600
<v Speaker 3>Like I don't think about that.

2:20:46.760 --> 2:20:51.440
<v Speaker 2>They well, yeah, the soprano's sister, But is she still

2:20:51.440 --> 2:20:53.000
<v Speaker 2>into the into the current?

2:20:53.680 --> 2:20:59.440
<v Speaker 3>To me? She is, but yeah, I hate it. Let's

2:20:59.480 --> 2:21:00.720
<v Speaker 3>see what her list one.

2:21:00.720 --> 2:21:03.480
<v Speaker 1>Speaking of a sopranos sister, I mean we had Dreya's

2:21:03.480 --> 2:21:04.240
<v Speaker 1>to Matteo on.

2:21:04.280 --> 2:21:08.200
<v Speaker 2>This week sixteen episodes up until so she was from

2:21:08.280 --> 2:21:11.960
<v Speaker 2>season fourteen until it says twenty seven. She's in season

2:21:12.000 --> 2:21:15.160
<v Speaker 2>twenty seven, episode one, and they wind all right. I

2:21:15.200 --> 2:21:17.640
<v Speaker 2>would say, okay, he's the one, because all the men

2:21:17.840 --> 2:21:22.120
<v Speaker 2>end up always being in the the big busts of chess.

2:21:22.200 --> 2:21:25.960
<v Speaker 1>Yeah, pedophilia judges basically every time they do like Adelia,

2:21:26.040 --> 2:21:28.000
<v Speaker 1>they've got to just wipe the whole slate of all

2:21:28.000 --> 2:21:31.080
<v Speaker 1>the male judges and like only the female judges survive.

2:21:31.800 --> 2:21:35.760
<v Speaker 3>That's so true. Yeah, they get swept up in the sweeps. Baby.

2:21:36.280 --> 2:21:39.879
<v Speaker 1>But speaking of sopranos, this episode, Dreya's de Matteo does

2:21:39.959 --> 2:21:40.640
<v Speaker 1>a great job.

2:21:40.720 --> 2:21:44.720
<v Speaker 3>Too bad she's gone a little bit logo. This is

2:21:44.840 --> 2:21:45.320
<v Speaker 3>a dang.

2:21:45.600 --> 2:21:49.480
<v Speaker 1>It's like, don't have kids if you don't want to

2:21:49.480 --> 2:21:51.440
<v Speaker 1>be a parent. But if you're gonna be a parent,

2:21:51.480 --> 2:21:53.600
<v Speaker 1>why don't you Why don't you be a parent? Why

2:21:53.600 --> 2:21:56.760
<v Speaker 1>don't you put your kid before a stepfather that beats them?

2:21:56.840 --> 2:22:00.640
<v Speaker 2>Like, go fuck yourself? Sorry, people are I would never.

2:22:00.760 --> 2:22:02.039
<v Speaker 2>I would never. I'm sorry.

2:22:02.200 --> 2:22:04.760
<v Speaker 3>No, I mean I know it's like more complicated than that.

2:22:05.280 --> 2:22:07.800
<v Speaker 1>But she made a lot of excuses and she did

2:22:07.800 --> 2:22:10.360
<v Speaker 1>a lot of acting for the cops in this episode.

2:22:10.840 --> 2:22:13.240
<v Speaker 3>Right, they both got away with it, like I'll tell

2:22:13.280 --> 2:22:13.880
<v Speaker 3>you that much.

2:22:14.120 --> 2:22:17.000
<v Speaker 1>Yeah, they were smart enough to conspire and know the

2:22:17.080 --> 2:22:19.840
<v Speaker 1>law and know about how double Jeopardy works and stuff

2:22:19.879 --> 2:22:23.520
<v Speaker 1>and how you know both can't be uh, you know

2:22:23.560 --> 2:22:25.680
<v Speaker 1>you both can't like do you excuse I mean? But

2:22:25.680 --> 2:22:27.720
<v Speaker 1>then they kind of did that plot again for the

2:22:27.720 --> 2:22:31.879
<v Speaker 1>Ballad of Dwight and Arena. So interesting. I wonder how

2:22:32.080 --> 2:22:34.200
<v Speaker 1>close to the real I'm sure our law our law

2:22:34.240 --> 2:22:36.520
<v Speaker 1>girlies will let us know how close said is. Like

2:22:37.040 --> 2:22:40.119
<v Speaker 1>if many people just both confess, they both just get

2:22:40.160 --> 2:22:40.480
<v Speaker 1>to leave.

2:22:40.920 --> 2:22:43.080
<v Speaker 3>Kara. I went to Marie's crisis.

2:22:43.400 --> 2:22:45.240
<v Speaker 2>For those who don't know, it's like a Broadway bar

2:22:45.280 --> 2:22:47.800
<v Speaker 2>in New York where there's a piano guy and people sing,

2:22:48.160 --> 2:22:49.959
<v Speaker 2>and I got to saying, they both, they.

2:22:49.840 --> 2:22:50.760
<v Speaker 3>Both, they both, they both.

2:22:54.040 --> 2:22:57.080
<v Speaker 2>It was so fun like sometimes people are like, you know,

2:22:57.160 --> 2:22:59.160
<v Speaker 2>it's theater people, so they know the deep cuts and

2:22:59.200 --> 2:23:00.480
<v Speaker 2>so it's not very on for me.

2:23:00.879 --> 2:23:02.000
<v Speaker 3>But this guy was just.

2:23:02.000 --> 2:23:06.120
<v Speaker 1>Hit Hit Hit Chicago La Miss Grease, Hairspray, like what

2:23:06.280 --> 2:23:09.080
<v Speaker 1>I love that we would know and so I but

2:23:09.200 --> 2:23:11.360
<v Speaker 1>when I got to sing the gun, I obviously thought

2:23:11.360 --> 2:23:11.520
<v Speaker 1>of you.

2:23:11.920 --> 2:23:12.560
<v Speaker 3>So true.

2:23:12.840 --> 2:23:14.960
<v Speaker 1>I like sometimes when they do too many of like

2:23:15.000 --> 2:23:17.119
<v Speaker 1>the B side ballads from a show that you've never

2:23:17.160 --> 2:23:19.360
<v Speaker 1>heard of. You're like, this is from assassins, Like okay,

2:23:19.400 --> 2:23:23.760
<v Speaker 1>what Like, yeah, I just and good for them.

2:23:23.800 --> 2:23:26.080
<v Speaker 2>I'm glad they have a place to sing. Yeah, weird songs.

2:23:26.120 --> 2:23:27.879
<v Speaker 2>But when I'm there, I want the hits and I

2:23:27.879 --> 2:23:31.040
<v Speaker 2>got But no, I was gonna say, I like when

2:23:31.040 --> 2:23:33.840
<v Speaker 2>people answer at the same time, you know what I mean,

2:23:33.879 --> 2:23:36.240
<v Speaker 2>when like Trey Mateo and the Sun at the same time,

2:23:36.280 --> 2:23:37.000
<v Speaker 2>we're like, it's.

2:23:36.840 --> 2:23:40.160
<v Speaker 3>Me, it was me me, Yeah, it's.

2:23:40.160 --> 2:23:49.119
<v Speaker 1>Me, Okay, I speaking of Broadway. Yeah, this episode tough stuff.

2:23:49.240 --> 2:23:54.480
<v Speaker 1>I mean, just fucking the depravity. It's like, yeah, people

2:23:54.480 --> 2:23:56.840
<v Speaker 1>have been like smacking their kids around.

2:23:56.959 --> 2:23:58.480
<v Speaker 3>That's like not something new on the show.

2:23:58.480 --> 2:24:02.000
<v Speaker 1>But it's like betting on your child, beating up smaller children.

2:24:02.360 --> 2:24:04.520
<v Speaker 3>It's like another level of well, I don't know.

2:24:04.600 --> 2:24:07.119
<v Speaker 1>I mean early seasons we had someone adopting a boy

2:24:07.200 --> 2:24:09.560
<v Speaker 1>to get him murdered to get a payout.

2:24:09.840 --> 2:24:13.360
<v Speaker 2>I mean, these people are crazy. We need to protect children.

2:24:13.440 --> 2:24:19.240
<v Speaker 2>Never forget the raw adopters. Oh my god, that's so true.

2:24:19.320 --> 2:24:23.440
<v Speaker 2>That's so sick. But yeah, but this is not gonna

2:24:23.480 --> 2:24:26.760
<v Speaker 2>make any excuse, not like Moby Dick White Whale. But

2:24:26.959 --> 2:24:30.280
<v Speaker 2>I would say Judge Preston is someone we've been really

2:24:30.320 --> 2:24:32.680
<v Speaker 2>gunning for. I don't know why I wanted to get her,

2:24:32.920 --> 2:24:35.720
<v Speaker 2>and she gave us everything. I mean, you guys are

2:24:35.720 --> 2:24:38.560
<v Speaker 2>getting the best. I mean, it was tough to edit,

2:24:38.640 --> 2:24:39.760
<v Speaker 2>I would say, I will tell it.

2:24:39.840 --> 2:24:41.400
<v Speaker 1>We talked to her for an hour and a half

2:24:41.600 --> 2:24:44.520
<v Speaker 1>over yeah, an hour and forty two minutes we talked,

2:24:44.800 --> 2:24:48.080
<v Speaker 1>So it was incredible. So big ups to Casey for

2:24:48.240 --> 2:24:50.959
<v Speaker 1>editing that down to something that you guys could listen to.

2:24:51.120 --> 2:24:52.800
<v Speaker 1>And I feel bad for you guys that you don't

2:24:52.800 --> 2:24:56.560
<v Speaker 1>get to hear more, to be honest, because so many

2:24:56.560 --> 2:24:59.440
<v Speaker 1>good stories and tales and remember and I love her

2:25:00.000 --> 2:25:02.039
<v Speaker 1>bringing up Colin Ferrell being an up and coming I.

2:25:02.000 --> 2:25:02.640
<v Speaker 3>Mean he was not.

2:25:02.879 --> 2:25:04.400
<v Speaker 1>We're like, who do you like that's up and coming?

2:25:04.520 --> 2:25:08.080
<v Speaker 1>Colin Farrell? Amazing. It seemed like she had a crush

2:25:08.120 --> 2:25:11.680
<v Speaker 1>on Colin Farrell. Maybe she's seen his sex tape. I

2:25:11.760 --> 2:25:13.400
<v Speaker 1>kind of had a crush on him more after I

2:25:13.440 --> 2:25:15.240
<v Speaker 1>saw his sex tape.

2:25:15.360 --> 2:25:19.320
<v Speaker 3>I I really I thought I like him. I like

2:25:19.360 --> 2:25:20.920
<v Speaker 3>Colin Farrell. Oh me too.

2:25:21.000 --> 2:25:23.160
<v Speaker 2>I don't think I've ever seen one movie he's ever done,

2:25:23.200 --> 2:25:24.440
<v Speaker 2>but I like him.

2:25:24.920 --> 2:25:27.960
<v Speaker 3>Let me look at his IMDb. Hold on, oh I have?

2:25:28.720 --> 2:25:30.840
<v Speaker 1>I mean also TV shows too, I guess, like True

2:25:30.840 --> 2:25:31.720
<v Speaker 1>Detective and stuff.

2:25:31.760 --> 2:25:33.879
<v Speaker 3>But what are let's.

2:25:33.680 --> 2:25:36.000
<v Speaker 2>See I'm gonna see if I've seen his movie. I

2:25:36.040 --> 2:25:37.920
<v Speaker 2>will want to watch the Penguin since he won the

2:25:37.959 --> 2:25:45.440
<v Speaker 2>award and stuff. She's of Scheran. Can you imagine that, Shearon?

2:25:45.640 --> 2:25:46.879
<v Speaker 2>That's just not gonna happen.

2:25:47.080 --> 2:25:50.640
<v Speaker 1>Yeah, I didn't see the Lobster, but I did see

2:25:50.680 --> 2:25:51.119
<v Speaker 1>the other.

2:25:51.560 --> 2:25:54.000
<v Speaker 3>Isn't he in Killing of a Sacred Deer? Yes?

2:25:54.080 --> 2:25:58.080
<v Speaker 2>I did see that one. Not I would see the Beguiles.

2:25:58.320 --> 2:26:00.680
<v Speaker 2>I haven't seen solid. I didn't want his season of.

2:26:00.680 --> 2:26:03.560
<v Speaker 1>Shoot you didn't watch the Dumbo reboot? Are you out

2:26:03.560 --> 2:26:05.000
<v Speaker 1>of the live action Dumbo?

2:26:06.040 --> 2:26:09.480
<v Speaker 2>I actually was screaming at people yesterday about how against

2:26:09.560 --> 2:26:15.280
<v Speaker 2>I am a against uh. Things should be made into cartoons,

2:26:15.280 --> 2:26:18.920
<v Speaker 2>not cartoons, right, vis It makes no sense saving mister

2:26:19.000 --> 2:26:23.040
<v Speaker 2>bank snow. Okay, Farrel's in Horrible Bosses and he's in

2:26:23.200 --> 2:26:25.640
<v Speaker 2>Seven Psychopaths. I saw that. That's where I'm at right now.

2:26:25.680 --> 2:26:28.359
<v Speaker 2>I've seen Seven Psychopaths and I've seen Horrible Bosses.

2:26:29.720 --> 2:26:31.880
<v Speaker 3>But you're right, I know him so much more as

2:26:31.959 --> 2:26:35.439
<v Speaker 3>just a hot man. I have not seen so many.

2:26:35.200 --> 2:26:38.360
<v Speaker 2>Of these movies that I have not seen another movie

2:26:38.440 --> 2:26:40.600
<v Speaker 2>but Veronica Gern I should remember for the movie Game,

2:26:40.680 --> 2:26:43.879
<v Speaker 2>Kate Blenchett, let's get that in my head. I know

2:26:43.959 --> 2:26:46.560
<v Speaker 2>about Phone Booth. Oh, I watched Minority Report this year

2:26:48.000 --> 2:26:51.360
<v Speaker 2>because I'm yeah, like the Recruit, Daredevil, all this stuff.

2:26:51.360 --> 2:26:53.600
<v Speaker 2>It's like, I never I don't. I've never seen any

2:26:53.640 --> 2:26:57.600
<v Speaker 2>of the Alexander. Alexander was like his version of like

2:26:58.160 --> 2:27:00.560
<v Speaker 2>Troy Yeah yeah or no, what?

2:27:00.720 --> 2:27:07.080
<v Speaker 1>Yeah? Should I name more one from the one Gladiator?

2:27:07.400 --> 2:27:09.120
<v Speaker 1>You know what? It felt like that kind of type

2:27:09.120 --> 2:27:11.720
<v Speaker 1>of movie. But yes, you had the exact same.

2:27:12.120 --> 2:27:15.840
<v Speaker 2>So I've seen three out of his sixty seven credits.

2:27:16.200 --> 2:27:17.959
<v Speaker 2>But he's been a part of my life and he

2:27:18.200 --> 2:27:20.840
<v Speaker 2>is hot and that's important.

2:27:20.840 --> 2:27:25.400
<v Speaker 1>And then true Detective, he's amazing. I've never seen fantastic Beasts. Yeah,

2:27:25.680 --> 2:27:28.480
<v Speaker 1>this is crazy. Oh Widows. I saw Widows. We know,

2:27:28.560 --> 2:27:32.240
<v Speaker 1>I fucking love Widows. I did not Widows. Oh man,

2:27:32.480 --> 2:27:35.240
<v Speaker 1>I did like Widows con like not for real, but

2:27:35.320 --> 2:27:38.120
<v Speaker 1>like I was like throwing up w's taking photos of

2:27:38.160 --> 2:27:39.400
<v Speaker 1>myself at the movie theater.

2:27:39.360 --> 2:27:40.640
<v Speaker 3>Like I love Widows.

2:27:41.000 --> 2:27:47.240
<v Speaker 1>Oh the first time I saw Cynthia Rivo. Yes, dude,

2:27:48.000 --> 2:27:51.480
<v Speaker 1>she's a pretty big part of Widows and she's twenty

2:27:51.520 --> 2:27:53.959
<v Speaker 1>five people down on the on the list on IMDb.

2:27:54.640 --> 2:27:57.720
<v Speaker 3>I had to go to more cast. That's crazy.

2:27:57.920 --> 2:27:59.600
<v Speaker 1>That's the first thing I saw Cynthia Rivo, and I

2:27:59.600 --> 2:28:02.280
<v Speaker 1>think was because I had not seen her in any

2:28:02.280 --> 2:28:05.640
<v Speaker 1>of her like live theater. But tune in next week

2:28:05.840 --> 2:28:09.920
<v Speaker 1>for our recaps of my recap of for Good.

2:28:12.480 --> 2:28:15.560
<v Speaker 3>But yeah, do you want to get into what has

2:28:15.760 --> 2:28:17.400
<v Speaker 3>changed within me? Yeah?

2:28:17.800 --> 2:28:19.720
<v Speaker 1>I can't believe you got to do don't reach? They

2:28:19.920 --> 2:28:22.320
<v Speaker 1>both reached for the gun. That's such a fun one

2:28:22.600 --> 2:28:27.320
<v Speaker 1>was electric it? Oh yes, did you just slow down part? Oh?

2:28:27.400 --> 2:28:27.640
<v Speaker 3>Yes?

2:28:27.879 --> 2:28:31.200
<v Speaker 1>So everything you know you were with the theater geeks.

2:28:31.400 --> 2:28:33.480
<v Speaker 1>So yeah, all the little moments.

2:28:33.840 --> 2:28:36.920
<v Speaker 2>Yeah, and we got the best booth, Like there's like

2:28:37.000 --> 2:28:40.040
<v Speaker 2>one table that's amazing, and we had it because if

2:28:40.040 --> 2:28:42.240
<v Speaker 2>there wasn't, if I wasn't at that table, I would.

2:28:42.000 --> 2:28:46.800
<v Speaker 1>Have left very quickly. Oh, we had Like I've never

2:28:46.879 --> 2:28:49.400
<v Speaker 1>been there. I maybe some of those other like Don't

2:28:49.440 --> 2:28:51.400
<v Speaker 1>Tell Mama's, I've been to some of those other Broadway bars,

2:28:51.400 --> 2:28:53.320
<v Speaker 1>but I've never been to Marie's crisis.

2:28:53.680 --> 2:28:57.360
<v Speaker 2>Yeah, I guess it's become a thing for me, but

2:28:57.440 --> 2:28:58.520
<v Speaker 2>I'm not happy about it.

2:29:00.800 --> 2:29:05.920
<v Speaker 1>Tell the people how they can help, Okay the people.

2:29:05.879 --> 2:29:07.440
<v Speaker 3>Let's get to what would Sister Peg do.

2:29:07.800 --> 2:29:11.560
<v Speaker 1>This is our weekly segment where we direct you towards,

2:29:11.600 --> 2:29:14.480
<v Speaker 1>you know, an organization, a book, an article, something to

2:29:14.480 --> 2:29:16.200
<v Speaker 1>give you more info about what we talked about today.

2:29:16.440 --> 2:29:18.200
<v Speaker 3>And this week we're pointing you.

2:29:18.680 --> 2:29:24.959
<v Speaker 1>I felt like, after seeing Drea de Matteo's character struggling

2:29:25.040 --> 2:29:27.879
<v Speaker 1>in this relationship, I wanted to point to a domestic

2:29:27.959 --> 2:29:31.320
<v Speaker 1>violence organization, and I found one called Live your dream

2:29:31.440 --> 2:29:35.360
<v Speaker 1>dot org, which is about a movement fiercely dedicated to

2:29:35.480 --> 2:29:38.119
<v Speaker 1>ensuring every woman and girl has the opportunity to reach

2:29:38.160 --> 2:29:41.160
<v Speaker 1>her full potential, be free from violence, and live her dreams.

2:29:41.560 --> 2:29:43.760
<v Speaker 1>They provide women and girls with access to the education

2:29:43.840 --> 2:29:46.800
<v Speaker 1>and training they need to achieve economic empowerment. So for

2:29:46.840 --> 2:29:49.800
<v Speaker 1>more information or to donate, head over to Live your

2:29:49.840 --> 2:29:53.720
<v Speaker 1>dream dot orga live your Dreams that will always be

2:29:54.040 --> 2:29:57.360
<v Speaker 1>in our show notes linked all of our wwspds or

2:29:57.360 --> 2:29:59.039
<v Speaker 1>in our show notes linked. And then they get put

2:29:59.080 --> 2:30:00.960
<v Speaker 1>in a store that comes out the day of the

2:30:01.000 --> 2:30:05.600
<v Speaker 1>episode airs, and those get saved on our Instagram page.

2:30:05.600 --> 2:30:08.880
<v Speaker 1>That's messed up pod under our WWSPD highlight.

2:30:09.760 --> 2:30:12.000
<v Speaker 3>Thank you so much. You're welcome.

2:30:12.640 --> 2:30:14.560
<v Speaker 1>Oh now we have to talk about what we're doing

2:30:14.560 --> 2:30:15.720
<v Speaker 1>next week because it's different.

2:30:16.840 --> 2:30:19.240
<v Speaker 2>Oh okay, do you want to do it? Do you

2:30:19.320 --> 2:30:22.040
<v Speaker 2>want to double duty? Well, let me try and then

2:30:22.080 --> 2:30:24.800
<v Speaker 2>you can make it more professional. Remember I was at

2:30:24.840 --> 2:30:30.800
<v Speaker 2>a party with a killer. So no, we're going to

2:30:30.840 --> 2:30:33.480
<v Speaker 2>be doing something, yeah, different from the holidays. We've never

2:30:33.520 --> 2:30:37.680
<v Speaker 2>done anything like it. And we're going to watch death

2:30:37.760 --> 2:30:41.279
<v Speaker 2>and Apartment six. So three what Happened to Ellen Greenberg?

2:30:41.360 --> 2:30:44.440
<v Speaker 2>It's a three part doc on Hulu and we are

2:30:44.480 --> 2:30:47.119
<v Speaker 2>going to be speaking to the director of the doc

2:30:47.600 --> 2:30:50.040
<v Speaker 2>and we're going to do a deep dive fully into

2:30:50.080 --> 2:30:53.560
<v Speaker 2>this case and documentary with the director of the documentary,

2:30:53.680 --> 2:30:58.920
<v Speaker 2>who is such an accomplished person. And it was Yeah,

2:30:58.959 --> 2:31:03.560
<v Speaker 2>so we hope you enjoy this and get enraged with

2:31:03.600 --> 2:31:04.280
<v Speaker 2>this one.

2:31:04.400 --> 2:31:06.760
<v Speaker 3>You know this this episode we're doing that's different.

2:31:07.520 --> 2:31:09.920
<v Speaker 1>Yeah, we just wanted to do something a little bit

2:31:09.959 --> 2:31:12.680
<v Speaker 1>different for the holidays, and so we're giving you this

2:31:13.320 --> 2:31:16.240
<v Speaker 1>fun little deep dive documentary thing where we talk with

2:31:16.360 --> 2:31:18.680
<v Speaker 1>Nancy Schwartzman. So it's gonna be great. Tune in next week.

2:31:19.080 --> 2:31:21.400
<v Speaker 1>Happy holidays, everybody, see you next week.

2:31:29.640 --> 2:31:31.840
<v Speaker 2>That's Messed Up as an Exactly Right production.

2:31:32.280 --> 2:31:34.360
<v Speaker 1>If you have compliments you'd like to give us or

2:31:34.440 --> 2:31:36.680
<v Speaker 1>episodes you'd like us to cover, shoot us an email

2:31:36.680 --> 2:31:40.000
<v Speaker 1>at That's Messed uppod at gmail dot com. Listen to

2:31:40.080 --> 2:31:42.960
<v Speaker 1>That's Messed Up on the iHeartRadio app, Apple Podcasts, or

2:31:43.000 --> 2:31:44.439
<v Speaker 1>wherever you get your podcasts.

2:31:44.600 --> 2:31:47.760
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod,

2:31:48.000 --> 2:31:51.840
<v Speaker 2>and follow us personally at Kara Klank and at Glitter Cheese.

2:31:52.120 --> 2:31:54.800
<v Speaker 1>As always, please see our show notes for sources and

2:31:54.840 --> 2:31:55.480
<v Speaker 1>more information.

2:31:55.920 --> 2:31:58.879
<v Speaker 2>Thank you so much to our senior producer Casey O'Brien

2:31:59.080 --> 2:32:02.240
<v Speaker 2>and our associate producer Christina Chamberlain, and to.

2:32:02.240 --> 2:32:05.839
<v Speaker 1>Our mixer John Bradley and our guest booker Patrick Cottner.

2:32:05.560 --> 2:32:08.240
<v Speaker 2>And to Henry Kaperski for our theme song and Carly

2:32:08.360 --> 2:32:11.520
<v Speaker 2>Jean Andrews for our artwork. Thank you to our executive

2:32:11.520 --> 2:32:15.720
<v Speaker 2>producers Georgia Hardstart, Karen Kilgarriff, Daniel Kramer, and everybody at

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<v Speaker 2>Exactly Right Media.

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<v Speaker 4>Dun Dun