1 00:00:03,240 --> 00:00:05,880 Speaker 1: What's up its way for Angela Yee. I'm Angela Yee, 2 00:00:05,920 --> 00:00:09,240 Speaker 1: and I guess we can see the iconic Rashidi Harper 3 00:00:09,320 --> 00:00:10,080 Speaker 1: is here with us today. 4 00:00:10,119 --> 00:00:10,520 Speaker 2: Why not? 5 00:00:10,600 --> 00:00:12,720 Speaker 3: Yes, you've done some iconic things already. 6 00:00:12,880 --> 00:00:14,240 Speaker 2: Absolutely, absolutely. 7 00:00:14,440 --> 00:00:17,480 Speaker 1: And let's so first before we talk about Kevin Hart 8 00:00:17,520 --> 00:00:21,000 Speaker 1: and Chris Rock Headliners Only, which is on Netflix on 9 00:00:21,040 --> 00:00:24,160 Speaker 1: December twelfth tomorrow, I want to talk about your history 10 00:00:24,200 --> 00:00:25,880 Speaker 1: and how you even got to this point, because I 11 00:00:25,960 --> 00:00:29,400 Speaker 1: always when I look at documentaries, it's not easy to 12 00:00:29,440 --> 00:00:32,960 Speaker 1: get people to feel comfortable enough to want to open 13 00:00:33,120 --> 00:00:35,559 Speaker 1: up and tell their stories and to trust, you know, 14 00:00:35,640 --> 00:00:38,519 Speaker 1: the person who is behind the camera. So how do 15 00:00:38,640 --> 00:00:40,920 Speaker 1: you think that you've been able to relate so well 16 00:00:40,920 --> 00:00:43,280 Speaker 1: to people that you work with Serena and Venus and 17 00:00:43,400 --> 00:00:46,599 Speaker 1: doctor Dre and you did Hip Hop Uncovered, people who 18 00:00:46,640 --> 00:00:49,159 Speaker 1: notoriously are like not trying to tell their business. 19 00:00:49,560 --> 00:00:52,559 Speaker 2: Yeah. I think, first of all, I've been in this 20 00:00:52,600 --> 00:00:56,040 Speaker 2: business for a long time. My whole adult life. I've 21 00:00:56,080 --> 00:01:02,440 Speaker 2: been working in production and uh direct, from music videos 22 00:01:02,520 --> 00:01:06,880 Speaker 2: to television, unscripted and scripted, and I've just been around, 23 00:01:06,920 --> 00:01:08,480 Speaker 2: you know, And because I've been around and I have 24 00:01:08,560 --> 00:01:11,839 Speaker 2: that experience, I've been on lots of sets with lots 25 00:01:11,880 --> 00:01:16,520 Speaker 2: of people, and I'm not afraid to ask for what 26 00:01:16,560 --> 00:01:20,080 Speaker 2: i want, and I communicate with the talent or with 27 00:01:20,840 --> 00:01:23,760 Speaker 2: the subject that we're talking about about what we're after, 28 00:01:24,000 --> 00:01:25,920 Speaker 2: you know, And a lot of times what I'm after 29 00:01:26,000 --> 00:01:28,040 Speaker 2: is honesty and good storytelling. 30 00:01:28,640 --> 00:01:31,600 Speaker 1: Okay, that makes sense. Do you prefer scripted or unscripted? 31 00:01:31,640 --> 00:01:34,680 Speaker 1: Because I feel like you really enjoy unscripted? 32 00:01:35,920 --> 00:01:40,200 Speaker 2: I do. I prefer whatever is in front of me 33 00:01:40,240 --> 00:01:43,440 Speaker 2: at any given moment, you know what I mean. I'm 34 00:01:43,480 --> 00:01:47,000 Speaker 2: not always in control of what happens and how the 35 00:01:47,040 --> 00:01:51,440 Speaker 2: market changes. So in the last ten years, I've been 36 00:01:51,800 --> 00:01:56,240 Speaker 2: doing unscripted and working in the documentary space because that's 37 00:01:57,200 --> 00:02:00,559 Speaker 2: that was kind of part of the transition from film 38 00:02:00,560 --> 00:02:04,200 Speaker 2: into digital, you know what I mean. I first picked 39 00:02:04,240 --> 00:02:07,600 Speaker 2: up a camera and started documenting in a real way 40 00:02:07,800 --> 00:02:11,000 Speaker 2: probably in twenty ten, when I had the opportunity to 41 00:02:11,040 --> 00:02:12,440 Speaker 2: go on tour Worth Winding Fire. 42 00:02:13,680 --> 00:02:15,240 Speaker 3: Now those are some legends right there. 43 00:02:15,480 --> 00:02:17,720 Speaker 2: Yeah, it's some legends on the resume for show. 44 00:02:17,840 --> 00:02:20,240 Speaker 3: Yeah. What was that like with Earth Wind and Fire? 45 00:02:20,400 --> 00:02:23,320 Speaker 2: It was amazing. It was top tier. It was being 46 00:02:23,360 --> 00:02:26,440 Speaker 2: able to be around some legends and watch them navigate 47 00:02:26,680 --> 00:02:30,079 Speaker 2: I think we went to like thirteen different countries or 48 00:02:30,120 --> 00:02:36,639 Speaker 2: something like that, and being around guys that understand the 49 00:02:36,720 --> 00:02:40,160 Speaker 2: business and understand how to move, and their whole team 50 00:02:40,400 --> 00:02:42,480 Speaker 2: was just solid. Like it was just a team of 51 00:02:42,639 --> 00:02:46,920 Speaker 2: veterans and a couple of other younger you know, probably 52 00:02:47,080 --> 00:02:53,560 Speaker 2: our era cats like learning and figuring out how things work. 53 00:02:53,720 --> 00:02:59,040 Speaker 2: You know. My man Damien Smith, big big manager in LA. 54 00:03:00,280 --> 00:03:02,840 Speaker 2: He put me into that mix and we had a 55 00:03:02,919 --> 00:03:03,480 Speaker 2: great time. 56 00:03:04,560 --> 00:03:05,239 Speaker 3: I think they have. 57 00:03:05,760 --> 00:03:09,120 Speaker 1: I saw them perform one time, right, and when I say, 58 00:03:09,160 --> 00:03:12,799 Speaker 1: it was incredible, And it's interesting to me how performances 59 00:03:12,840 --> 00:03:15,760 Speaker 1: have changed so much, Like it's very rare that you'll 60 00:03:15,840 --> 00:03:18,200 Speaker 1: see you know, even I mean there's people who do 61 00:03:18,320 --> 00:03:20,160 Speaker 1: it today, but like on the level of an earth 62 00:03:20,240 --> 00:03:24,000 Speaker 1: wind and fire. I think sometimes people neglect the importance 63 00:03:24,040 --> 00:03:25,519 Speaker 1: of having a great stage show. 64 00:03:26,200 --> 00:03:29,120 Speaker 2: Yeah, and also the importance of classic records, you know 65 00:03:29,160 --> 00:03:31,880 Speaker 2: what I mean, Like they're playing songs that they made 66 00:03:31,960 --> 00:03:34,600 Speaker 2: in the seventies, you know what I mean. And it's amazing. 67 00:03:35,080 --> 00:03:38,880 Speaker 2: One of my favorite experiences was being in Soul, Korea 68 00:03:38,960 --> 00:03:43,880 Speaker 2: with them and watching the crowd of twenty somethings lose 69 00:03:43,920 --> 00:03:47,280 Speaker 2: their shit, like twenty somethings right, and I was like, 70 00:03:47,360 --> 00:03:49,800 Speaker 2: how do they even know about earth Wind and Fire 71 00:03:49,880 --> 00:03:52,160 Speaker 2: like that? But they were so passionate about the music, 72 00:03:52,480 --> 00:03:55,520 Speaker 2: and obviously the band is tight. The songs are classic. 73 00:03:56,640 --> 00:03:58,200 Speaker 2: I mean, they know what they're doing up there on 74 00:03:58,240 --> 00:03:59,040 Speaker 2: that stage for sure. 75 00:03:59,160 --> 00:04:01,800 Speaker 3: What's your favorite earth Way the Fire song? After being 76 00:04:01,880 --> 00:04:02,240 Speaker 3: with them? 77 00:04:04,680 --> 00:04:10,800 Speaker 2: Man, I mean, gratitude is one is you know? Uh, 78 00:04:11,080 --> 00:04:13,560 Speaker 2: it's definitely a top one. I hate to man, you 79 00:04:13,640 --> 00:04:15,040 Speaker 2: caught me. You caught me out there. I don't want 80 00:04:15,040 --> 00:04:19,040 Speaker 2: to stay September. I don't want to stay September. Can't 81 00:04:19,120 --> 00:04:19,560 Speaker 2: hide Love? 82 00:04:19,680 --> 00:04:20,760 Speaker 3: Probably I can't. 83 00:04:21,279 --> 00:04:23,520 Speaker 2: I Love is a real dope record, you know. 84 00:04:24,360 --> 00:04:28,080 Speaker 1: All right, Okay, so let's get to even when you 85 00:04:28,160 --> 00:04:31,280 Speaker 1: first started, and you know, early on, I know that 86 00:04:31,640 --> 00:04:33,520 Speaker 1: I read that at first she wanted to be an 87 00:04:33,560 --> 00:04:36,520 Speaker 1: actor from when you were like a little, little, little 88 00:04:37,440 --> 00:04:38,080 Speaker 1: eight years old. 89 00:04:38,200 --> 00:04:42,640 Speaker 2: Yeah, yeah, that's how I started. My mother, who is 90 00:04:43,640 --> 00:04:44,919 Speaker 2: in town for this premiere. 91 00:04:46,000 --> 00:04:48,120 Speaker 3: Oh, I know, she's like, I don't want to write 92 00:04:48,120 --> 00:04:48,599 Speaker 3: track early? 93 00:04:48,920 --> 00:04:49,160 Speaker 1: Yeah? 94 00:04:49,520 --> 00:04:51,800 Speaker 2: Yeah, she was great. You know, my mom was a 95 00:04:51,880 --> 00:04:55,000 Speaker 2: single mother and just was super supportive, you know. And 96 00:04:55,320 --> 00:04:56,760 Speaker 2: I guess when I was a kid, I used to 97 00:04:56,800 --> 00:04:59,400 Speaker 2: watch a lot of TV, and I told her one day, 98 00:04:59,640 --> 00:05:02,120 Speaker 2: I think I could do that, and she was like, oh, okay. 99 00:05:02,360 --> 00:05:04,520 Speaker 2: And we had some neighbors. You know, it's La right, 100 00:05:04,600 --> 00:05:06,920 Speaker 2: So at the time we lived in Hollywood, and we 101 00:05:07,000 --> 00:05:09,440 Speaker 2: had some young actors that lived next door, and they 102 00:05:09,520 --> 00:05:15,440 Speaker 2: were always like encouraging her to like really find an 103 00:05:15,480 --> 00:05:18,480 Speaker 2: agent for me, and I think at some point they helped. 104 00:05:18,720 --> 00:05:23,560 Speaker 2: They helped her find an agency and signed me up 105 00:05:24,600 --> 00:05:27,920 Speaker 2: and I started auditioning for commercials. But along the way, 106 00:05:28,440 --> 00:05:30,680 Speaker 2: my mother was an actress herself. She was a student, 107 00:05:30,960 --> 00:05:35,080 Speaker 2: a theater student at La City College, and I used 108 00:05:35,080 --> 00:05:36,560 Speaker 2: to sit in the back of the theater and watch 109 00:05:36,600 --> 00:05:40,200 Speaker 2: rehearsals all the time, and I remember the adjustments that 110 00:05:40,279 --> 00:05:43,239 Speaker 2: were being made. I remember paying close attention to the director, 111 00:05:43,560 --> 00:05:47,520 Speaker 2: this gentleman named Winston Butler, who I still remember. And 112 00:05:48,360 --> 00:05:51,960 Speaker 2: I just loved the art of it. And then I 113 00:05:52,040 --> 00:05:56,560 Speaker 2: started doing it myself and eventually booked a couple of things, 114 00:05:56,560 --> 00:05:58,800 Speaker 2: a couple of commercials, came really close to getting on 115 00:05:59,000 --> 00:06:00,880 Speaker 2: some big series, and just loved it. 116 00:06:01,240 --> 00:06:03,800 Speaker 3: Wow, Like what big series did you come close to? 117 00:06:04,240 --> 00:06:09,520 Speaker 2: Hill Street Blues? WHOA can you imagine Hill Street Blues? Yeah? 118 00:06:10,480 --> 00:06:13,600 Speaker 2: I remember everything about it. I auditioned for a very 119 00:06:13,680 --> 00:06:17,720 Speaker 2: famous casting director named Ruben Cannon, Who's Who's you know, 120 00:06:17,839 --> 00:06:21,640 Speaker 2: Hollywood Royalty and on the black side for sure. And 121 00:06:21,720 --> 00:06:24,600 Speaker 2: I remember everything about that audition. It was hilarious. It's 122 00:06:24,640 --> 00:06:26,240 Speaker 2: hilarious me acting tough. 123 00:06:26,480 --> 00:06:28,760 Speaker 3: You know, it's dope that you told your mom. 124 00:06:28,920 --> 00:06:31,839 Speaker 1: I could see myself doing it, and she actually pursued 125 00:06:31,880 --> 00:06:34,160 Speaker 1: it because some parents might just be like, Okay, you know, 126 00:06:34,279 --> 00:06:35,360 Speaker 1: let's be more realistic. 127 00:06:35,960 --> 00:06:38,400 Speaker 2: Yeah, we weren't even in a situation for her to 128 00:06:38,520 --> 00:06:41,280 Speaker 2: really focus her energy on that. You know, we were 129 00:06:41,320 --> 00:06:44,800 Speaker 2: in survival mode, and she found a way, and like 130 00:06:44,920 --> 00:06:48,839 Speaker 2: most good parents, they find a way. And I'm super 131 00:06:49,000 --> 00:06:51,560 Speaker 2: super blessed and always thankful when I think about just 132 00:06:51,640 --> 00:06:56,920 Speaker 2: our relationship and how she's been supportive to me, like 133 00:06:57,080 --> 00:06:59,480 Speaker 2: every step of the way. You know, it's it's really 134 00:06:59,600 --> 00:07:01,720 Speaker 2: been amazing, you know. 135 00:07:02,080 --> 00:07:04,600 Speaker 3: And now you have your son on set with you. 136 00:07:04,800 --> 00:07:07,159 Speaker 3: I saw that he just turned eighteen. 137 00:07:07,600 --> 00:07:11,440 Speaker 2: Is that I have two sons, got one that just 138 00:07:11,480 --> 00:07:12,040 Speaker 2: turned twenty. 139 00:07:12,120 --> 00:07:13,000 Speaker 3: Oh he's the one I say. 140 00:07:13,040 --> 00:07:14,840 Speaker 2: He was going on set on this one. And my 141 00:07:15,720 --> 00:07:21,320 Speaker 2: youngest son, Hayden eighteen and interested in modeling a little bit. 142 00:07:21,480 --> 00:07:23,800 Speaker 2: We just had a conversation. There's this thing going around 143 00:07:23,800 --> 00:07:26,160 Speaker 2: on the internet about like AI models. 144 00:07:26,200 --> 00:07:28,640 Speaker 1: And kind of was like, damn, I didn't get a 145 00:07:28,720 --> 00:07:32,800 Speaker 1: chance to give up started, But how did that feel 146 00:07:32,840 --> 00:07:34,480 Speaker 1: to have your son working with you? 147 00:07:36,080 --> 00:07:40,040 Speaker 2: It's amazing. I try to expose them in the same 148 00:07:40,080 --> 00:07:42,360 Speaker 2: way that I was exposed to things as a kid, 149 00:07:42,480 --> 00:07:44,560 Speaker 2: So I try to expose them to what I'm up to. 150 00:07:44,880 --> 00:07:47,840 Speaker 2: I sort of held them back from it for a 151 00:07:47,920 --> 00:07:50,440 Speaker 2: while because I just I know a lot of Hollywood 152 00:07:50,520 --> 00:07:55,040 Speaker 2: kids and like celebrity kids, and it's a tough road 153 00:07:55,120 --> 00:07:57,080 Speaker 2: for them to grow up and find themselves. So I 154 00:07:57,400 --> 00:08:00,160 Speaker 2: sort of steered them away from that early and just 155 00:08:00,200 --> 00:08:02,120 Speaker 2: wanted them to choose it if that's what they want. 156 00:08:02,240 --> 00:08:04,240 Speaker 2: And it turns out, you know, both of them are 157 00:08:04,320 --> 00:08:07,720 Speaker 2: in college right now. They might each of them might 158 00:08:07,800 --> 00:08:10,720 Speaker 2: choose to get in entertainment. So you know, I'm proud 159 00:08:10,760 --> 00:08:11,000 Speaker 2: of them. 160 00:08:11,200 --> 00:08:13,200 Speaker 3: I know that's exciting, all right. 161 00:08:13,280 --> 00:08:15,600 Speaker 1: And then it's interesting too because I was when I 162 00:08:15,720 --> 00:08:18,400 Speaker 1: was watching the Kevin Hart and Chris Rock headliners only 163 00:08:19,600 --> 00:08:22,160 Speaker 1: even seeing like that dynamic between Chris Rock and his 164 00:08:22,360 --> 00:08:26,120 Speaker 1: brother Tony Rock. He was like, and you have a 165 00:08:26,160 --> 00:08:28,360 Speaker 1: lot of people who and we'll talk about this in 166 00:08:28,440 --> 00:08:30,840 Speaker 1: a second, but even him when it comes to being 167 00:08:30,920 --> 00:08:33,360 Speaker 1: related to Chris Rock, it's kind of like a gift 168 00:08:33,440 --> 00:08:35,719 Speaker 1: in the curse, you know, because sometimes you have to 169 00:08:35,880 --> 00:08:38,679 Speaker 1: like extra prove yourself because you don't want people to 170 00:08:38,720 --> 00:08:40,959 Speaker 1: think I just got in the room because this is 171 00:08:41,040 --> 00:08:42,040 Speaker 1: my dad, you know. 172 00:08:42,400 --> 00:08:48,400 Speaker 2: And yeah, Tony, Tony was amazing in the film and 173 00:08:48,559 --> 00:08:49,240 Speaker 2: I'm sorry, are you. 174 00:08:49,920 --> 00:08:51,720 Speaker 1: I was just saying I was talking about like family 175 00:08:51,840 --> 00:08:54,280 Speaker 1: members in the business. And then with Tony Rock, he 176 00:08:54,320 --> 00:08:57,600 Speaker 1: said he never asked Chris Rock, never like he asked 177 00:08:57,679 --> 00:08:59,559 Speaker 1: him for a favor, like maybe a couple of times. 178 00:08:59,640 --> 00:09:01,480 Speaker 1: And then the one time he was like, a my 179 00:09:01,559 --> 00:09:04,280 Speaker 1: ass is one last time, and that was to perform 180 00:09:04,440 --> 00:09:06,119 Speaker 1: at the to open up at the Barclays. 181 00:09:06,320 --> 00:09:07,760 Speaker 3: Yeah, in Brooklyn where you're from. 182 00:09:08,000 --> 00:09:12,560 Speaker 2: Absolutely, I think people want to achieve on their own 183 00:09:12,640 --> 00:09:16,160 Speaker 2: merit and sometimes, you know, we all want to feel 184 00:09:16,240 --> 00:09:19,760 Speaker 2: like we've done it on our own and on our 185 00:09:19,800 --> 00:09:24,079 Speaker 2: own terms. But everybody needs help. You know. I'm not 186 00:09:24,280 --> 00:09:26,559 Speaker 2: sitting here today because I did it by myself. I 187 00:09:26,640 --> 00:09:28,640 Speaker 2: had a lot of help. There's a lot of people 188 00:09:28,760 --> 00:09:31,319 Speaker 2: that stepped up at one point or another throughout my 189 00:09:31,440 --> 00:09:36,640 Speaker 2: long career. And I think you use whatever advantages you have, 190 00:09:37,040 --> 00:09:41,680 Speaker 2: Like I don't think people should if their parents are famous, 191 00:09:41,800 --> 00:09:44,679 Speaker 2: they should shy away from it. It's like, man, their 192 00:09:44,720 --> 00:09:46,760 Speaker 2: parents probably worked really hard to put them in a 193 00:09:46,840 --> 00:09:50,040 Speaker 2: position to have the opportunities to do whatever it is 194 00:09:50,120 --> 00:09:53,560 Speaker 2: that they they want to do. That being said, obviously 195 00:09:53,640 --> 00:09:54,920 Speaker 2: you should be dope at anything. 196 00:09:55,000 --> 00:09:55,520 Speaker 3: Yeah, you got. 197 00:09:57,080 --> 00:10:02,480 Speaker 1: You know, I also saw that, you know, working with 198 00:10:02,520 --> 00:10:05,760 Speaker 1: doctor Jay early on you filmed his daughter's birthday party. 199 00:10:06,000 --> 00:10:08,960 Speaker 3: But that's a humbling experience. Like you said, at that time, 200 00:10:09,040 --> 00:10:09,760 Speaker 3: did you think. 201 00:10:09,600 --> 00:10:12,599 Speaker 1: All right, I'm gonna do this because I know it 202 00:10:12,640 --> 00:10:15,040 Speaker 1: could lead to other things, Because in my head I'm 203 00:10:15,080 --> 00:10:17,760 Speaker 1: always like, all right, I'm gonna go do this, but 204 00:10:17,920 --> 00:10:20,920 Speaker 1: I know, like it's a good thing. Perhaps maybe maybe not, 205 00:10:21,080 --> 00:10:23,320 Speaker 1: maybe ten years from now. You never know what can happen, 206 00:10:24,120 --> 00:10:26,200 Speaker 1: you know, but that is something to be like, Hey, 207 00:10:26,320 --> 00:10:27,080 Speaker 1: I'm you know. 208 00:10:27,080 --> 00:10:29,440 Speaker 3: With shitty Harper. You want me to film your daughter's birthday? 209 00:10:29,720 --> 00:10:32,599 Speaker 2: Yeah, first of all, shout out to doctor Dre and 210 00:10:32,640 --> 00:10:35,360 Speaker 2: shout out to truly that's his daughter who was having 211 00:10:35,400 --> 00:10:39,199 Speaker 2: a ten year old birthday party at the time. You know, 212 00:10:40,720 --> 00:10:45,040 Speaker 2: I'm from LA, right, I've grown up between LA and 213 00:10:45,120 --> 00:10:47,040 Speaker 2: the Bay Area. But I've spent my whole life in 214 00:10:47,120 --> 00:10:50,280 Speaker 2: Los Angeles, and so I know doctor Dre. I've seen 215 00:10:50,360 --> 00:10:54,400 Speaker 2: him around my whole life in certain circles, and I 216 00:10:54,480 --> 00:10:56,599 Speaker 2: saw it as an opportunity. We had never worked with 217 00:10:56,720 --> 00:10:59,600 Speaker 2: each other, you know, obviously I had bigger ambitions than 218 00:10:59,600 --> 00:11:04,319 Speaker 2: a birthday party. But at the time, it was like 219 00:11:04,760 --> 00:11:06,920 Speaker 2: why not, you know, why not give it a shot? 220 00:11:07,200 --> 00:11:10,920 Speaker 2: And what was great about it, and and very telling 221 00:11:11,000 --> 00:11:13,560 Speaker 2: about doctor Dre as a person and as a creative, 222 00:11:13,679 --> 00:11:16,160 Speaker 2: is that he took it very seriously, you know what 223 00:11:16,200 --> 00:11:19,480 Speaker 2: I mean, he and his wife at the time, and 224 00:11:19,840 --> 00:11:21,240 Speaker 2: it was like a real job. It was like a 225 00:11:21,320 --> 00:11:23,199 Speaker 2: real gig. Like he wanted to meet me first, he 226 00:11:23,320 --> 00:11:25,480 Speaker 2: wanted to see my real He was like, he wants 227 00:11:25,480 --> 00:11:27,800 Speaker 2: to see my real Like what And. 228 00:11:28,640 --> 00:11:30,319 Speaker 3: At that point, where were you in your career? Like 229 00:11:30,320 --> 00:11:31,760 Speaker 3: where were some things under your belt? 230 00:11:33,120 --> 00:11:35,640 Speaker 2: I mean I had already by then. I worked with Snow, 231 00:11:35,679 --> 00:11:37,560 Speaker 2: I worked with everybody in the business at that time. 232 00:11:37,800 --> 00:11:40,120 Speaker 2: I had a long music video career. 233 00:11:40,400 --> 00:11:41,520 Speaker 3: I just want to put it INTI. 234 00:11:41,679 --> 00:11:47,280 Speaker 2: Yeah, so here, here's what it is, right, Entertainment and 235 00:11:47,440 --> 00:11:50,559 Speaker 2: life in general. Sometimes it's a roller coaster. Sometimes you 236 00:11:50,679 --> 00:11:54,120 Speaker 2: know you're on a run, sometimes it gets slow. That's 237 00:11:54,160 --> 00:11:57,280 Speaker 2: the difference between maybe a nine to five, right, And 238 00:11:58,160 --> 00:12:01,160 Speaker 2: at that time, I had already work with a lot 239 00:12:01,240 --> 00:12:05,079 Speaker 2: of a list talent like Dre and so sure my 240 00:12:05,240 --> 00:12:08,079 Speaker 2: ego was like a little girl's birthday party like that 241 00:12:08,320 --> 00:12:12,439 Speaker 2: just felt it felt wrong to me in some ways, 242 00:12:12,679 --> 00:12:16,079 Speaker 2: but the reality was at the moment it was a 243 00:12:16,160 --> 00:12:21,440 Speaker 2: good move. And sometimes you sometimes it's about creating relationships 244 00:12:21,800 --> 00:12:25,280 Speaker 2: and really just putting your best into it. The other 245 00:12:25,360 --> 00:12:27,640 Speaker 2: thing is I busted my ass on that ten year 246 00:12:27,679 --> 00:12:30,240 Speaker 2: old birthday party. Like I didn't take no shorts. I 247 00:12:30,360 --> 00:12:32,719 Speaker 2: called my favorite DP, you know what I mean. I 248 00:12:32,760 --> 00:12:36,839 Speaker 2: brought my team with me and we did it. It 249 00:12:36,960 --> 00:12:40,079 Speaker 2: was great. It was at the SLS at the SLS Hotel, 250 00:12:40,240 --> 00:12:42,559 Speaker 2: you know what I'm saying. And I met that's the 251 00:12:42,600 --> 00:12:44,559 Speaker 2: same hotel. Wasn't called that at the time, but I 252 00:12:44,679 --> 00:12:46,439 Speaker 2: met Tupac at that hotel, you know what I'm saying. 253 00:12:46,480 --> 00:12:50,160 Speaker 2: So it's like it's all full circle moments. It's all 254 00:12:50,360 --> 00:12:53,160 Speaker 2: season the opportunities, And like I said earlier about doing 255 00:12:53,240 --> 00:12:54,959 Speaker 2: what's in front of you, you know, that was the 256 00:12:55,040 --> 00:12:57,040 Speaker 2: opportunity in front of me, and I didn't know where 257 00:12:57,040 --> 00:12:59,520 Speaker 2: it was gonna lead. But it led to not only 258 00:12:59,600 --> 00:13:03,120 Speaker 2: more work, but like a friendship with Dre that I 259 00:13:03,280 --> 00:13:06,600 Speaker 2: never really thought would have happened. Like that's my dude, 260 00:13:06,800 --> 00:13:07,520 Speaker 2: you know what I'm saying. 261 00:13:07,880 --> 00:13:10,520 Speaker 1: I just think that's a good lesson to learn for 262 00:13:10,720 --> 00:13:13,679 Speaker 1: people to Sometimes somebody might ask you, but you have 263 00:13:13,840 --> 00:13:15,839 Speaker 1: to look at what this could and even if it 264 00:13:15,960 --> 00:13:18,120 Speaker 1: doesn't lead to more, you know, it is what it is. 265 00:13:18,280 --> 00:13:20,640 Speaker 1: But there's a lot of things that I do that 266 00:13:20,720 --> 00:13:23,200 Speaker 1: I'm like, all right, I got you know, we are 267 00:13:23,400 --> 00:13:27,240 Speaker 1: gonna constantly have to It's not about sometimes like the 268 00:13:27,360 --> 00:13:30,920 Speaker 1: biggest project or the biggest paycheck. Sometimes it is about 269 00:13:31,440 --> 00:13:34,439 Speaker 1: what can come from this one first step. 270 00:13:34,840 --> 00:13:36,880 Speaker 2: Yeah. I mean I like to say it's about the 271 00:13:37,000 --> 00:13:40,400 Speaker 2: work I've I've got a body of work, Like this 272 00:13:40,559 --> 00:13:43,760 Speaker 2: isn't this documentary is not my first thing, it's not 273 00:13:43,880 --> 00:13:48,280 Speaker 2: my last thing. It's a very very big moment something 274 00:13:48,320 --> 00:13:50,800 Speaker 2: that I'm super proud of to work with Kevin Hart 275 00:13:50,800 --> 00:13:53,640 Speaker 2: and Chris Rock. I mean, those are definitely bucket lists. 276 00:13:53,800 --> 00:13:56,320 Speaker 3: Definitely Headline is only you absolutely one. 277 00:13:56,200 --> 00:13:59,839 Speaker 2: Thousand percent, And you know Dave Chappelle. I mean, like 278 00:14:00,520 --> 00:14:03,240 Speaker 2: I got to like go to Dave Chappelle's city where 279 00:14:03,280 --> 00:14:07,160 Speaker 2: he lives at and film his interview Yellow Springs, Yellow Springs, Yeah, Ohio. 280 00:14:07,520 --> 00:14:09,840 Speaker 2: Like I never thought I would be in Yellow Springs, Ohio, 281 00:14:10,040 --> 00:14:14,720 Speaker 2: like hanging out with Dave Chappelle, you know, But those 282 00:14:15,000 --> 00:14:16,679 Speaker 2: those are some of the perks of it. And in 283 00:14:16,760 --> 00:14:20,400 Speaker 2: between these big jobs as other smaller jobs or less 284 00:14:20,560 --> 00:14:24,680 Speaker 2: paying jobs or passion projects. And the point is just 285 00:14:24,800 --> 00:14:26,000 Speaker 2: to keep working here. 286 00:14:26,360 --> 00:14:29,840 Speaker 1: No, absolutely, And so let's oh and you did before 287 00:14:29,840 --> 00:14:34,440 Speaker 1: we get to Kevin and Chris rock hip Hop Uncovered. Yeah, 288 00:14:34,920 --> 00:14:37,880 Speaker 1: that felt like a passion project for you too, because 289 00:14:37,920 --> 00:14:40,480 Speaker 1: it was a different angle. We got to hear from 290 00:14:40,520 --> 00:14:43,280 Speaker 1: people that normally we don't hear from and hear stories 291 00:14:43,320 --> 00:14:44,480 Speaker 1: that we've never heard before. 292 00:14:44,720 --> 00:14:47,880 Speaker 2: Absolutely. Absolutely. So I have a company called The fifty 293 00:14:47,920 --> 00:14:52,359 Speaker 2: one b and my partners are Malcolm Spelman and Obiakoye, 294 00:14:52,880 --> 00:14:55,520 Speaker 2: and that project is the one that like sort of 295 00:14:55,760 --> 00:15:01,480 Speaker 2: put us on the map together as a unit. Jimmy 296 00:15:01,760 --> 00:15:05,280 Speaker 2: Jimmy Chris, who is a blood from comp from Compton 297 00:15:05,840 --> 00:15:09,440 Speaker 2: and Big U, who is a Crip from the Crenshaw 298 00:15:09,520 --> 00:15:13,280 Speaker 2: District sort of brought put this put this project together. 299 00:15:13,440 --> 00:15:17,440 Speaker 2: And for me being from LA and growing up there 300 00:15:17,720 --> 00:15:20,520 Speaker 2: and seeing all of the negative things with bloods and 301 00:15:20,600 --> 00:15:23,800 Speaker 2: crips that are portrayed. It was fun for me to 302 00:15:25,040 --> 00:15:28,320 Speaker 2: have have both those sides come together and do something 303 00:15:28,400 --> 00:15:33,040 Speaker 2: extremely positive and extremely valuable for the culture, right, and 304 00:15:33,200 --> 00:15:36,160 Speaker 2: that is telling our stories and the angle and hip 305 00:15:36,200 --> 00:15:41,080 Speaker 2: Hop Uncovered was looking at how the streets and hip 306 00:15:41,080 --> 00:15:45,160 Speaker 2: hop are intertwined pretty much forever and why right, And 307 00:15:45,560 --> 00:15:50,280 Speaker 2: that was important because I think as the genre has 308 00:15:50,400 --> 00:15:55,600 Speaker 2: grown and gone global and gone super commercial and become 309 00:15:55,800 --> 00:15:59,200 Speaker 2: more of a commodity, we just didn't want people to 310 00:15:59,280 --> 00:16:04,000 Speaker 2: forget that this music and culture and this work and 311 00:16:04,120 --> 00:16:09,880 Speaker 2: this this this business that we've built and are all 312 00:16:09,920 --> 00:16:13,520 Speaker 2: a part of, started in our communities, you know what 313 00:16:13,600 --> 00:16:16,480 Speaker 2: I'm saying. And it started with people that look like us, 314 00:16:17,160 --> 00:16:21,640 Speaker 2: that struggled like us, and that brought a lot of value, 315 00:16:21,840 --> 00:16:25,760 Speaker 2: passion and care to making a way out of no way. 316 00:16:26,240 --> 00:16:28,720 Speaker 2: And that was what was so fun about making it. 317 00:16:28,880 --> 00:16:32,600 Speaker 2: And then what I'm proud about is that it wasn't 318 00:16:32,920 --> 00:16:35,800 Speaker 2: surface level, man Like, we really get in there and 319 00:16:35,920 --> 00:16:39,640 Speaker 2: we talk about real situations with real people and street 320 00:16:39,760 --> 00:16:43,880 Speaker 2: legends and you know, people that have grown and turned 321 00:16:43,880 --> 00:16:47,480 Speaker 2: their lives around and become productive citizens along the way. 322 00:16:47,680 --> 00:16:47,840 Speaker 2: You know. 323 00:16:48,160 --> 00:16:49,160 Speaker 3: Yeah, before this started. 324 00:16:49,200 --> 00:16:51,440 Speaker 1: We talked about Trick Chick and he definitely showed a 325 00:16:51,440 --> 00:16:54,520 Speaker 1: different side of himself, you know, on Hip Hop Uncovered. 326 00:16:54,720 --> 00:16:56,560 Speaker 1: In case people haven't seen it, you can go back 327 00:16:56,600 --> 00:16:57,200 Speaker 1: and watch. 328 00:16:57,040 --> 00:17:00,200 Speaker 2: That, yeah, streaming on Hulu. It's still there. But if 329 00:17:00,240 --> 00:17:03,040 Speaker 2: you haven't seen it, you should treat yourself and really 330 00:17:03,280 --> 00:17:06,359 Speaker 2: educate yourself on this music and this culture and some 331 00:17:06,480 --> 00:17:09,600 Speaker 2: people behind the scenes that don't typically get a lot 332 00:17:09,640 --> 00:17:13,600 Speaker 2: of a lot of credit, which is also which is 333 00:17:13,640 --> 00:17:16,000 Speaker 2: also why I'm here today. You know, like I'm definitely 334 00:17:16,040 --> 00:17:18,879 Speaker 2: a behind the scenes person, but we're living in a 335 00:17:19,040 --> 00:17:21,159 Speaker 2: in a space where it's like, man, you gotta you 336 00:17:21,240 --> 00:17:23,720 Speaker 2: gotta you gotta use the mouthpiece, you gotta talk and 337 00:17:23,800 --> 00:17:25,120 Speaker 2: let people know you here or else. 338 00:17:25,400 --> 00:17:29,440 Speaker 1: Right, Sometimes sometimes people assume others know their credentials and 339 00:17:29,960 --> 00:17:31,879 Speaker 1: but you never know that. I didn't know he did that. 340 00:17:32,080 --> 00:17:34,760 Speaker 1: And kind of connecting the dots from all the different 341 00:17:34,800 --> 00:17:35,439 Speaker 1: things that you've. 342 00:17:35,359 --> 00:17:36,040 Speaker 3: Been involved in. 343 00:17:36,359 --> 00:17:37,040 Speaker 2: Yeah, you know. 344 00:17:37,600 --> 00:17:39,400 Speaker 1: And so now let's get to Kevin Hart and Chris 345 00:17:39,600 --> 00:17:42,360 Speaker 1: rock headline is only anybody who knows me knows I'm 346 00:17:42,359 --> 00:17:43,840 Speaker 1: a huge fan of. 347 00:17:43,960 --> 00:17:44,840 Speaker 3: Stand up comedy. 348 00:17:45,040 --> 00:17:47,399 Speaker 1: Like when it's nothing going on and I have a 349 00:17:47,520 --> 00:17:49,720 Speaker 1: day off, I will definitely go to the comedy club, 350 00:17:50,160 --> 00:17:52,800 Speaker 1: you know, Carolines, which unfortunately is closed here. 351 00:17:52,960 --> 00:17:53,120 Speaker 3: Now. 352 00:17:53,600 --> 00:17:56,119 Speaker 1: You even had Caroline from Caroline's on here and a 353 00:17:56,160 --> 00:17:59,120 Speaker 1: lot of legends went by there. If you're from New York, 354 00:17:59,119 --> 00:18:02,040 Speaker 1: you know, the comedy is still a place where all 355 00:18:02,080 --> 00:18:04,520 Speaker 1: the comedians go to work on material. You never know 356 00:18:04,560 --> 00:18:07,120 Speaker 1: who's going to pop up there, and so you showcase 357 00:18:07,200 --> 00:18:10,639 Speaker 1: some legendary spots on here. But even the relationship between 358 00:18:10,760 --> 00:18:13,280 Speaker 1: Kevin Hart and Chris Rock is kind of like Eddie 359 00:18:13,359 --> 00:18:16,280 Speaker 1: Murphy helped Chris Rock, and I didn't realize how much 360 00:18:16,320 --> 00:18:18,879 Speaker 1: he helped Chris Rock. And then Chris Rock really helped 361 00:18:19,240 --> 00:18:21,800 Speaker 1: Kevin Hart, you know. And I think they realized things 362 00:18:21,840 --> 00:18:24,159 Speaker 1: about each other and their relationship that the other person 363 00:18:24,760 --> 00:18:25,159 Speaker 1: didn't know. 364 00:18:25,400 --> 00:18:28,320 Speaker 3: Also, so how did this even come about? 365 00:18:28,400 --> 00:18:30,399 Speaker 1: For I know, the two of them decided to go 366 00:18:30,480 --> 00:18:33,080 Speaker 1: on tour together, but how did they decide to do 367 00:18:33,160 --> 00:18:34,320 Speaker 1: a documentary about it? 368 00:18:34,960 --> 00:18:39,080 Speaker 2: Well, I first heard about it probably in the spring 369 00:18:39,320 --> 00:18:44,840 Speaker 2: of twenty two. I got a call from Kevin's team 370 00:18:45,040 --> 00:18:49,160 Speaker 2: saying they had seen Hip Hop Uncovered and that Kevin 371 00:18:49,240 --> 00:18:50,840 Speaker 2: and Chris were about to go on tour and they 372 00:18:50,880 --> 00:18:53,959 Speaker 2: wanted to do something sort of more than a behind 373 00:18:54,000 --> 00:19:00,560 Speaker 2: the scenes you know, And we talked with Kevin and 374 00:19:00,640 --> 00:19:05,400 Speaker 2: his team and Chris and came up with some ideas 375 00:19:05,920 --> 00:19:10,600 Speaker 2: of themes that we thought could be useful, but mostly 376 00:19:10,760 --> 00:19:13,119 Speaker 2: we wanted to talk about the New York comedy scene 377 00:19:13,560 --> 00:19:16,440 Speaker 2: and how it raises a comedian, you know, and it 378 00:19:16,680 --> 00:19:20,520 Speaker 2: raised a lot of legends out here, you know. And 379 00:19:21,280 --> 00:19:25,240 Speaker 2: what's interesting about their paths is that they're probably about 380 00:19:25,320 --> 00:19:29,320 Speaker 2: fifteen thirteen, fifteen years apart, you know, And so they 381 00:19:29,400 --> 00:19:31,879 Speaker 2: grew up on the same comedy scene, but in different 382 00:19:31,960 --> 00:19:37,119 Speaker 2: eras at different times, and still wound up meeting at 383 00:19:37,200 --> 00:19:40,919 Speaker 2: the top and doing this magical you know, tour together 384 00:19:41,080 --> 00:19:44,879 Speaker 2: and show at Madison Square Garden, which everybody knows is 385 00:19:44,960 --> 00:19:47,440 Speaker 2: sort of a legendary mecca type of place. 386 00:19:48,400 --> 00:19:51,080 Speaker 1: What was interesting to me was there were because sometimes 387 00:19:51,119 --> 00:19:53,800 Speaker 1: we feel like, okay, we've seen a lot about Kevin Hart, 388 00:19:53,920 --> 00:19:56,000 Speaker 1: and as a comedian, he tells a lot about his 389 00:19:56,080 --> 00:19:58,760 Speaker 1: life on stage, you know, Chris Rock, they tell a 390 00:19:58,800 --> 00:20:00,800 Speaker 1: lot about their lives. But there was stories that I 391 00:20:01,000 --> 00:20:04,080 Speaker 1: got to learn from watching this, and you had some 392 00:20:04,560 --> 00:20:08,200 Speaker 1: really great clips, like Chris Rock's first ever TV appearance. 393 00:20:08,359 --> 00:20:09,440 Speaker 3: On Joan Rivers. 394 00:20:10,000 --> 00:20:12,280 Speaker 1: Yeah, that was and to hear like the backstory of 395 00:20:12,320 --> 00:20:14,280 Speaker 1: what happened, because if you're just watching it, you have 396 00:20:14,440 --> 00:20:17,560 Speaker 1: no idea, you know, sometimes things don't go the way 397 00:20:17,680 --> 00:20:18,320 Speaker 1: that you plan. 398 00:20:19,040 --> 00:20:21,480 Speaker 2: Yeah. I think what I love about this film and 399 00:20:21,640 --> 00:20:25,080 Speaker 2: what we were trying to accomplish, is that we're used 400 00:20:25,119 --> 00:20:28,040 Speaker 2: to seeing Kevin and Chris at the top, you know, 401 00:20:28,400 --> 00:20:33,000 Speaker 2: like they are icons in this space, and rightly so, 402 00:20:33,600 --> 00:20:37,400 Speaker 2: but sometimes we forget about the story. And in this moment, 403 00:20:37,480 --> 00:20:40,879 Speaker 2: I feel like a lot of people, just because you know, 404 00:20:41,040 --> 00:20:43,600 Speaker 2: of age or whatever, they don't even really know Chris's 405 00:20:43,640 --> 00:20:45,639 Speaker 2: story because they didn't live through it. For me, I 406 00:20:45,760 --> 00:20:47,960 Speaker 2: lived through it. I saw the whole thing, so I 407 00:20:48,080 --> 00:20:50,440 Speaker 2: was familiar. But it was fun for me to go 408 00:20:50,640 --> 00:20:54,720 Speaker 2: back and just sort of remind people who Chris Rock 409 00:20:54,960 --> 00:20:58,560 Speaker 2: is and how he came about and that no, everything's 410 00:20:58,720 --> 00:21:02,000 Speaker 2: never perfect. I mean, from from Chris's situation on The 411 00:21:02,080 --> 00:21:05,960 Speaker 2: Jones River Show to Kevin, you know, landing his first 412 00:21:07,000 --> 00:21:11,200 Speaker 2: television series, I mean broke broke his heart. Yeah, like 413 00:21:11,400 --> 00:21:14,280 Speaker 2: things happened, you know what I mean, Things things happen, 414 00:21:14,800 --> 00:21:15,159 Speaker 2: and we. 415 00:21:16,640 --> 00:21:20,359 Speaker 1: You know, but it encourages us too because we might 416 00:21:20,440 --> 00:21:22,399 Speaker 1: feel like, man, this didn't work, why can't I be 417 00:21:22,480 --> 00:21:24,119 Speaker 1: And then you don't see what it took for somebody 418 00:21:24,200 --> 00:21:26,400 Speaker 1: to get there, so to see, well, it didn't work 419 00:21:26,440 --> 00:21:27,760 Speaker 1: for him at first either, and. 420 00:21:27,840 --> 00:21:28,520 Speaker 3: He went through a lot. 421 00:21:28,560 --> 00:21:31,280 Speaker 1: He was on TV, but still you know, sleeping at 422 00:21:31,320 --> 00:21:34,080 Speaker 1: home in the same bedroom as your brother, like and 423 00:21:34,200 --> 00:21:36,359 Speaker 1: that's the truth. Sometimes people think you're on TV, that 424 00:21:36,480 --> 00:21:40,520 Speaker 1: means you're rich, that means you made it, and it 425 00:21:40,640 --> 00:21:43,680 Speaker 1: could be the exact opposite. And I think sometimes we 426 00:21:43,840 --> 00:21:47,000 Speaker 1: also take for granted, like like you said, Kevin Hart 427 00:21:47,040 --> 00:21:49,159 Speaker 1: got his for he's having a launch party for his 428 00:21:49,280 --> 00:21:50,880 Speaker 1: first ever television show. 429 00:21:50,760 --> 00:21:53,120 Speaker 2: And then and then it goes left. 430 00:21:53,240 --> 00:21:54,560 Speaker 3: Yeah you know, so you got to watch it. 431 00:21:55,520 --> 00:21:59,040 Speaker 1: Yeah, yeah, yeah, but even just to hear how they 432 00:21:59,119 --> 00:22:01,800 Speaker 1: helped each other and you had like DL hugely, you know, 433 00:22:01,920 --> 00:22:04,840 Speaker 1: kings of comedy, and how they came together and were 434 00:22:04,840 --> 00:22:08,359 Speaker 1: able to do something that was huge that actually benefited 435 00:22:09,400 --> 00:22:12,119 Speaker 1: each other. And then Chris Rock and Kevin Hart went 436 00:22:12,200 --> 00:22:14,159 Speaker 1: and did the same type of thing. Because it's not 437 00:22:15,000 --> 00:22:19,360 Speaker 1: too often you see it happens, but not as much 438 00:22:19,520 --> 00:22:20,280 Speaker 1: as it could. 439 00:22:20,800 --> 00:22:24,440 Speaker 2: And definitely it doesn't happen with people at the level 440 00:22:24,520 --> 00:22:26,800 Speaker 2: of Chris and Kevin. You know, I mean, you're in 441 00:22:26,880 --> 00:22:30,000 Speaker 2: this business and so you know that people's teams have 442 00:22:30,119 --> 00:22:32,960 Speaker 2: to work with each other and sometimes that can be challenging. 443 00:22:33,320 --> 00:22:35,680 Speaker 2: It's no different than a tour when tours happen or 444 00:22:35,680 --> 00:22:39,720 Speaker 2: when groups break up. You know, long runs are long runs, 445 00:22:40,040 --> 00:22:43,280 Speaker 2: you know. And I think what we wanted to really 446 00:22:43,400 --> 00:22:47,200 Speaker 2: show and what Kevin was insistent upon, was, man, I 447 00:22:47,320 --> 00:22:52,360 Speaker 2: want to tell a story about not competing all the time, 448 00:22:52,760 --> 00:22:58,200 Speaker 2: about supporting each other, about what does what does the 449 00:22:58,320 --> 00:23:01,680 Speaker 2: goat really mean? You know what I'm saying, And is 450 00:23:01,760 --> 00:23:05,879 Speaker 2: there really just one ever? You know, we're such a competitive, 451 00:23:06,000 --> 00:23:10,280 Speaker 2: competitive society that you know, sometimes we get caught up 452 00:23:10,320 --> 00:23:12,520 Speaker 2: in that part of the race. And I think, I 453 00:23:12,600 --> 00:23:16,440 Speaker 2: think what was fun about it is seeing Chris and 454 00:23:16,560 --> 00:23:19,480 Speaker 2: Kevin come together and just be supportive of each other. 455 00:23:19,640 --> 00:23:20,560 Speaker 3: They really like each other. 456 00:23:21,560 --> 00:23:24,080 Speaker 2: Yeah, yeah, they're cool with each other. Man, Like they're 457 00:23:24,160 --> 00:23:26,840 Speaker 2: really boys. So it was fun to see that because 458 00:23:26,880 --> 00:23:28,800 Speaker 2: I had no idea that they were cool like that. 459 00:23:29,160 --> 00:23:31,399 Speaker 1: I hate when people do that one of them has 460 00:23:31,480 --> 00:23:33,520 Speaker 1: to go, you know how they do those memes on 461 00:23:33,680 --> 00:23:36,359 Speaker 1: social media and then they'll put like the tap and 462 00:23:36,400 --> 00:23:38,240 Speaker 1: they're like one of that that's hurt, Like that's hurt 463 00:23:38,280 --> 00:23:40,320 Speaker 1: for one of them has to go, and there's six 464 00:23:40,400 --> 00:23:43,280 Speaker 1: people and you got to pick which one iconic person 465 00:23:43,400 --> 00:23:46,560 Speaker 1: gotta go, you know, and then they're trending and you're like, damn. 466 00:23:47,200 --> 00:23:47,720 Speaker 3: People like me. 467 00:23:48,080 --> 00:23:51,000 Speaker 2: But that's just that's you know, that's this society that 468 00:23:51,080 --> 00:23:55,080 Speaker 2: we live in, like doggy dog competitive, like you know 469 00:23:55,119 --> 00:23:57,159 Speaker 2: what I mean, And some of life is that. But 470 00:23:57,720 --> 00:23:59,680 Speaker 2: there's also the part of life where it's like, man, 471 00:23:59,720 --> 00:24:03,680 Speaker 2: let me enjoyed this moment. Let me respect others that 472 00:24:03,800 --> 00:24:06,600 Speaker 2: are that I respect, and let them know that I 473 00:24:06,760 --> 00:24:08,840 Speaker 2: respect them and not try to be too cool and 474 00:24:08,960 --> 00:24:10,480 Speaker 2: all of those things, you know what I'm saying. 475 00:24:10,880 --> 00:24:13,400 Speaker 1: When you're filming people and you're getting them at moments 476 00:24:13,480 --> 00:24:17,000 Speaker 1: that are behind the scenes, that are vulnerable, like in 477 00:24:17,080 --> 00:24:18,720 Speaker 1: something like this, but there's certain things they be like 478 00:24:18,920 --> 00:24:20,600 Speaker 1: you know what, can we not put that in? 479 00:24:20,960 --> 00:24:24,160 Speaker 3: Or can we take that out? And sometimes those could 480 00:24:24,200 --> 00:24:24,439 Speaker 3: be like. 481 00:24:24,480 --> 00:24:26,960 Speaker 1: A great moment and it's like, damn, I don't know 482 00:24:27,000 --> 00:24:29,119 Speaker 1: if I want to, you know, but I have to 483 00:24:29,200 --> 00:24:31,119 Speaker 1: respect it. Like does that happen a lot? 484 00:24:31,320 --> 00:24:34,440 Speaker 2: There was nothing specific in this film that was really 485 00:24:34,640 --> 00:24:38,520 Speaker 2: like that. But I also am dealing with sasoned veterans 486 00:24:38,520 --> 00:24:41,040 Speaker 2: who know how to talk in front of the camera 487 00:24:41,200 --> 00:24:42,920 Speaker 2: and tell you what they want to tell you, no 488 00:24:43,040 --> 00:24:46,000 Speaker 2: matter how much you dig. So I think we made 489 00:24:46,040 --> 00:24:49,840 Speaker 2: a film that speaks to what they had on their 490 00:24:49,920 --> 00:24:54,280 Speaker 2: hearts and wanted to say and communicate. And I got 491 00:24:54,320 --> 00:24:55,919 Speaker 2: some of the things that I wanted to get out 492 00:24:55,960 --> 00:24:57,800 Speaker 2: as well. So it was it was a win win 493 00:24:57,920 --> 00:24:58,240 Speaker 2: for sure. 494 00:24:58,560 --> 00:25:02,439 Speaker 1: Yeah, cause this was after the whole slap situation too, 495 00:25:02,640 --> 00:25:05,320 Speaker 1: And so we see when Chris Rock goes out and 496 00:25:05,359 --> 00:25:07,840 Speaker 1: does his first stand up after that and he's like, 497 00:25:07,880 --> 00:25:11,520 Speaker 1: I'm okay, yeah for anybody. 498 00:25:11,240 --> 00:25:14,560 Speaker 2: Else, he's great. Man. It was great watching him sort 499 00:25:14,600 --> 00:25:20,240 Speaker 2: of work through that process, but in his work, you know, 500 00:25:20,440 --> 00:25:24,080 Speaker 2: up on that stage. And again, the film we were 501 00:25:24,160 --> 00:25:27,920 Speaker 2: making was really not focused on that, but focused on 502 00:25:28,080 --> 00:25:31,399 Speaker 2: the themes of brotherhood and like what it took to 503 00:25:31,520 --> 00:25:34,200 Speaker 2: get to this moment that they're both in right. 504 00:25:34,160 --> 00:25:35,960 Speaker 3: Now and family drama. 505 00:25:36,119 --> 00:25:39,240 Speaker 1: Imagine being a comedian and you have to deal with 506 00:25:39,440 --> 00:25:42,359 Speaker 1: your mother passing or you know, and you still got 507 00:25:42,480 --> 00:25:44,720 Speaker 1: to get on stage and work through those things. I 508 00:25:44,760 --> 00:25:47,680 Speaker 1: remember Marlon Wayams, we interviewed him and he said that 509 00:25:47,800 --> 00:25:50,640 Speaker 1: they can find humor in anything, even at a funeral. 510 00:25:50,800 --> 00:25:53,760 Speaker 1: Like him and his brothers will figure out some jokes 511 00:25:53,840 --> 00:25:56,680 Speaker 1: to make, but that's not an easy thing for people 512 00:25:56,720 --> 00:25:59,040 Speaker 1: to push through. Sometimes that is like a band aid 513 00:25:59,119 --> 00:26:00,200 Speaker 1: over something, you know. 514 00:26:00,480 --> 00:26:02,440 Speaker 2: Yeah, and I think the Waynes are a special. 515 00:26:02,160 --> 00:26:07,320 Speaker 1: Family because I was like, damn your dad's funeral making jokes? 516 00:26:07,440 --> 00:26:10,520 Speaker 3: Yeah, yeah, there wasn't joking there though. 517 00:26:10,840 --> 00:26:13,720 Speaker 1: That was I think they were talking about because there's 518 00:26:13,800 --> 00:26:15,960 Speaker 1: so many different legends. But even to hear about like 519 00:26:16,040 --> 00:26:17,840 Speaker 1: Patrise on it, I love Patrise O'Neill. 520 00:26:19,920 --> 00:26:23,440 Speaker 2: Patrice, Yeah, Patrise, I mean that's a's a that's a legend. 521 00:26:23,480 --> 00:26:25,399 Speaker 2: I mean there's a lot of there's a lot of 522 00:26:25,520 --> 00:26:28,960 Speaker 2: legends in this film, a lot of laughs. 523 00:26:28,680 --> 00:26:30,880 Speaker 3: A lot of Arry Seinfeld's in here, Tiffany. 524 00:26:30,600 --> 00:26:33,679 Speaker 2: Hattish, yeah, Wanda Sykes, Oh my god, I love one 525 00:26:33,880 --> 00:26:36,040 Speaker 2: Sykes Yeah, Bill Bird. Like a lot of a lot 526 00:26:36,119 --> 00:26:40,000 Speaker 2: of great people are involved in the project and and 527 00:26:40,080 --> 00:26:41,879 Speaker 2: they helped us tell this story of what it's like 528 00:26:41,960 --> 00:26:42,720 Speaker 2: to be a comedian. 529 00:26:43,400 --> 00:26:45,680 Speaker 1: All right, well listen, this is on Netflix. Kevin Hart 530 00:26:45,680 --> 00:26:49,399 Speaker 1: and Chris Rock Headline is only December twelfth. You know, 531 00:26:49,560 --> 00:26:51,280 Speaker 1: I love to see it, and you guys are gonna 532 00:26:51,320 --> 00:26:53,840 Speaker 1: really enjoy it. I didn't know what to expect from 533 00:26:53,920 --> 00:26:56,240 Speaker 1: it until I was able to watch it, because you 534 00:26:56,280 --> 00:26:57,560 Speaker 1: do get to see some jokes, but you get to 535 00:26:57,600 --> 00:27:00,360 Speaker 1: see the funny interactions between them, but also some really 536 00:27:00,440 --> 00:27:04,600 Speaker 1: heartfelt moments and the importance of helping put other people 537 00:27:04,680 --> 00:27:07,120 Speaker 1: on Yeah, you know, because I think that's what makes 538 00:27:07,160 --> 00:27:09,000 Speaker 1: you a legend when it's not just you by yourself. 539 00:27:09,080 --> 00:27:11,080 Speaker 1: I made it, but when you're able to help create 540 00:27:11,160 --> 00:27:11,880 Speaker 1: other legends. 541 00:27:12,080 --> 00:27:14,560 Speaker 2: It's no fun when you at the talk by yourself, right, 542 00:27:15,000 --> 00:27:15,560 Speaker 2: you know what I mean? 543 00:27:15,840 --> 00:27:18,960 Speaker 1: No, absolutely, And Rashidi, what else are you working on 544 00:27:19,080 --> 00:27:21,600 Speaker 1: after this? Because I already know I saw you. You 545 00:27:21,680 --> 00:27:24,560 Speaker 1: know you've been posting some things like okay, my next. 546 00:27:24,680 --> 00:27:29,480 Speaker 2: Yeah, I've got a few projects that that I can't 547 00:27:29,600 --> 00:27:31,960 Speaker 2: really talk about, but one is with Rolling Stone and 548 00:27:32,040 --> 00:27:35,080 Speaker 2: another is with the New York Times, and that's on 549 00:27:35,160 --> 00:27:37,480 Speaker 2: the unscripted side. Good things are coming for sure. 550 00:27:37,720 --> 00:27:40,280 Speaker 1: All Right, Well, thank you congratulations on everything, because I 551 00:27:40,359 --> 00:27:41,840 Speaker 1: know this is not easy to do that, but it's 552 00:27:42,000 --> 00:27:43,600 Speaker 1: great quality work that you've been doing. 553 00:27:43,920 --> 00:27:45,720 Speaker 3: So we appreciate you for that, and thanks for taking 554 00:27:45,800 --> 00:27:47,000 Speaker 3: time to come see me. 555 00:27:47,280 --> 00:27:49,280 Speaker 2: Thank you, and one time, let me give it up 556 00:27:49,320 --> 00:27:52,200 Speaker 2: to Angela. Ye as they say, you got to do it. 557 00:27:53,200 --> 00:27:53,840 Speaker 3: It's way up 558 00:28:00,640 --> 00:28:00,680 Speaker 1: Z.