WEBVTT - Oscar

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<v Speaker 1>Warning. This episode contains references to extreme violence. Please use

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<v Speaker 1>discretion when listening.

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<v Speaker 2>The past is never dead. It isn't even past. William Faulkner.

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<v Speaker 1>Down a winding road on the west side of the

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<v Speaker 1>city of San Salvador, there's a peaceful little hideaway. The

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<v Speaker 1>grounds are covered with palm trees, snake plants, and flowering

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<v Speaker 1>buen villiers. It's a small hospital, the hospice really where

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<v Speaker 1>cancer patients go to live out their last days. And

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<v Speaker 1>it was here that Oscar Romero, a quiet man with

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<v Speaker 1>an easy smile and some seriously enviable eyebrows, made his home.

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<v Speaker 1>It's an odd choice. Oscar is not sick, and he's

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<v Speaker 1>supposed to be living in the heart of downtown because

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<v Speaker 1>Oscar is one of the most important people in El Salvador.

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<v Speaker 1>He's the archbishop, the highest ranking priest in a country

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<v Speaker 1>that's so Catholic it's named after Jesus. And on a

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<v Speaker 1>muggy March afternoon in nineteen eighty, Oscar Romero gathered a

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<v Speaker 1>group of worshippers to the hospital's chapel to commemorate the

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<v Speaker 1>life of a local grandmother. It's a ceremony he's done

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<v Speaker 1>thousands of times He steps up to the pulpit and

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<v Speaker 1>performs the rituals of Mass. He blesses the wine, turning

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<v Speaker 1>it into the blood of Christ. He prepares the Eucharist,

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<v Speaker 1>the gift of the flesh. Side a red Volkswagen has

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<v Speaker 1>pulled up to the entrance of the church. There are

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<v Speaker 1>two men in the car. There's no way to know

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<v Speaker 1>if Oscar saw them, but the street is only about

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<v Speaker 1>forty paces away from the pulpit. I think he must

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<v Speaker 1>have seen them. Oscar raises a chalice high above his head,

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<v Speaker 1>lifting it up to God, and mid sentence, he's shot

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<v Speaker 1>with a single bullet through the heart. Oscar Romero died

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<v Speaker 1>that day, killed by a twenty two caliber bullet. The

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<v Speaker 1>bullet fragmented inside of him, destroying everything it touched. It

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<v Speaker 1>sent a message because Oscar's killing wasn't just an act

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<v Speaker 1>of murder. It was an act of war, an attack

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<v Speaker 1>against the Catholic Church itself and in turn, the people

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<v Speaker 1>of al Salvador. Oscar would go on to become one

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<v Speaker 1>of the world's most beloved saints. There's even a statue

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<v Speaker 1>of him in Westminster Abbey, next to a statue of

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<v Speaker 1>Martin Luther King. But to become that Saint Oscar had

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<v Speaker 1>to sacrifice his life. His death marked the start of

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<v Speaker 1>one of the darkest times in Salvador in history, the

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<v Speaker 1>Civil War, a war that would leave more than seventy

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<v Speaker 1>five thousand people dead and send a million more across

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<v Speaker 1>the globe fleeing the violence. My family includes both those

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<v Speaker 1>that fled and those that died. When I started working

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<v Speaker 1>on this story, I wanted to find out what really

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<v Speaker 1>happened to Oscar Romero, who was responsible for his murder

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<v Speaker 1>and all of the violence that followed, And to find

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<v Speaker 1>out if the same forces that killed Oscar Romero were

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<v Speaker 1>the ones that brought death to my family's doorstep. I'm

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<v Speaker 1>Jasmine Romero, and this is Sacred Scandal, Season three, Nation

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<v Speaker 1>of Saints. This is episode one. Oscar. Okay, let's get

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<v Speaker 1>one thing out of the way. My name is Romero,

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<v Speaker 1>but I am not related to Oscar Romero. I think

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<v Speaker 1>I'm pretty sure. Well, I asked my parents and they're

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<v Speaker 1>pretty sure. But I guess it's possible. Romero is an

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<v Speaker 1>extremely common name in Elsalvador. In nineteen eighty one, my

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<v Speaker 1>parents fled from El Salvador with my three older sisters

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<v Speaker 1>to Los Angeles. Los Angeles has the largest population of

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<v Speaker 1>Salvadorans of any place outside of El Salvador. It's also

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<v Speaker 1>where I was born. I grew up going to MacArthur

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<v Speaker 1>Park on Saturdays to watch my dad plays soccer. The

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<v Speaker 1>field would be lined with other immigrant families like mine,

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<v Speaker 1>eating elotes and trying to start over. But the ghost

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<v Speaker 1>of Oscar Romero was everywhere. There's a statue of him

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<v Speaker 1>in that same park, and just up the street is

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<v Speaker 1>a clinic named after him. Los Angeles is covered in

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<v Speaker 1>murals of his face. But in my family, Oscar Romero

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<v Speaker 1>really wasn't a topic of discussion with.

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<v Speaker 3>I.

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<v Speaker 4>Central America has been transformational because of the politics.

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<v Speaker 1>Yeah, a few years ago, I went to this event

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<v Speaker 1>in La There was a salvador and comedian with this

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<v Speaker 1>big tattoo on her arm, and the host complimented her

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<v Speaker 1>on it.

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<v Speaker 4>Her arm has got the most beautiful tattoo I have

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<v Speaker 4>ever seen in my life, and it is of il

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<v Speaker 4>Arsobispo Arnulfo Romero on her arm.

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<v Speaker 1>They started talking about the war and the meaning of

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<v Speaker 1>Oscar Romero's life, and I remember feeling this embarrassment wash

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<v Speaker 1>over me. These two strangers knew more about the history

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<v Speaker 1>of my family's homeland than I did. My parents never

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<v Speaker 1>really talked much about El Salvador or the reasons why

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<v Speaker 1>they left. Growing up, we were so concerned with surviving

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<v Speaker 1>the present there wasn't much room to consider the past.

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<v Speaker 1>But I also had never really made the effort to

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<v Speaker 1>ask what horrors did my family experience that made them

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<v Speaker 1>leave a place that they truly love, Who was the

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<v Speaker 1>man on those murals? And if I really wanted the answers,

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<v Speaker 1>I knew where I needed to go. So it's one

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<v Speaker 1>in the morning. I'm at JFK.

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<v Speaker 5>Way did you board my flight?

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<v Speaker 1>My parents are going to pick me up when I

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<v Speaker 1>get there, and I'm very sleepy. A few years ago,

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<v Speaker 1>my parents shocked the entire family by moving back to

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<v Speaker 1>El Salvador to retire. They used their life's savings to

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<v Speaker 1>build a little house in their hometown, San Miguel. I've

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<v Speaker 1>been to Al Salvador a handful of times, mostly when

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<v Speaker 1>I was a kid, but ten years have passed since

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<v Speaker 1>my last visit. Looking around the plane, everyone's faces look

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<v Speaker 1>like mine, but I still feel like an outsider stepping

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<v Speaker 1>into a world that doesn't belong to me. I grabbed

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<v Speaker 1>my bags and headed out into the humid air to

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<v Speaker 1>look for my parents. They were thrilled I was coming,

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<v Speaker 1>even if it was for work. Wonder and yes, my

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<v Speaker 1>dad was holding up a handwritten sign that said Jasmine

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<v Speaker 1>Roulero in capital letters. It was written inside of a

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<v Speaker 1>pizza box, so I'm guessing they got hungry while they

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<v Speaker 1>were waiting for me. My mom just hugged me for

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<v Speaker 1>a long time. They both looked relaxed, which was nice

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<v Speaker 1>and confusing. If you grew up with immigrant parents, you

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<v Speaker 1>know what I mean. As we walked to my dad's

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<v Speaker 1>old pickup truck, my mom kept pointing out how nice

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<v Speaker 1>and new things look. At the last time I landed

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<v Speaker 1>in this airport, ten years ago, it had a different name.

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<v Speaker 1>It's now called the Oscar International Airport in honor of

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<v Speaker 1>the dead archbishop. It feels like everywhere you look there

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<v Speaker 1>are signs of change of a new era. The terminal

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<v Speaker 1>I flew into is only a year old, and there's

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<v Speaker 1>new pavement on the sidewalks everywhere, new tar in the

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<v Speaker 1>parking lot. Leaving the airport, we drive past a forest

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<v Speaker 1>of palm trees and tall billboards that welcome tourists to

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<v Speaker 1>explore the new El Salvador ads for swinkie resorts at

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<v Speaker 1>surf city, beach or day camps ziplining in the rainforest.

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<v Speaker 1>But just past those billboards there are rows and rows

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<v Speaker 1>of little roadside shacks, people selling fresh coconuts, bags of

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<v Speaker 1>water for a quarter, and souvenir machites, the tool of

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<v Speaker 1>choice for the country's working poor. El Salvador is still

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<v Speaker 1>considered a developing nation, which just means that most of

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<v Speaker 1>the population is living in poverty. The average Salvadoran makes

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<v Speaker 1>four hundred dollars a month, and it's even less in

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<v Speaker 1>more remote cities like San Miguel, where my family and

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<v Speaker 1>Oscar Romero's family both come from. Poverty is something that

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<v Speaker 1>both of our families knew very well. Oscar Romero was

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<v Speaker 1>one of eight kids, just like my dad. My mom

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<v Speaker 1>is one of nine. Both of my parents were raised

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<v Speaker 1>in homes where the floor wasn't made out of wood

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<v Speaker 1>or tile, it was dirt. My dad didn't even own

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<v Speaker 1>a pair of shoes until he was fifteen. All of

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<v Speaker 1>this is on my mind as we make the long

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<v Speaker 1>drive back to San Miguel to visit two of my

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<v Speaker 1>theas my aunt's there are constant reminders that this level

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<v Speaker 1>of poverty is still very much a reality here in

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<v Speaker 1>the new El Salvador. My Thea rents a place on

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<v Speaker 1>the outskirts of San Miguel with one of my cousins

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<v Speaker 1>and her young son, whose name I finally learn is Ken.

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<v Speaker 1>The house is made out of cement blocks with a

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<v Speaker 1>tin roof, and there are extra pieces of tin leaned

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<v Speaker 1>up against the house. She's saving up to install them

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<v Speaker 1>over the patio. As we settle into the plastic chairs

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<v Speaker 1>that Mithia set out for us, A herd of cows

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<v Speaker 1>passes by Ken waves. Mitha also takes care of my

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<v Speaker 1>great aunt, my Godmotherasita, who I haven't seen since I

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<v Speaker 1>was a little girl. Mathia. Pasita is eighty nine years old,

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<v Speaker 1>and she's so thin it feels like she'll snap if

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<v Speaker 1>I hug her too hard. She's almost completely blind, and

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<v Speaker 1>she's hard of hearing too. It takes a minute for

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<v Speaker 1>her to recognize me, but when she does see, she

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<v Speaker 1>smiles a big, toothless grin and wraps her frail arms

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<v Speaker 1>around me. She can't believe how big I've gotten. I

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<v Speaker 1>put her hand on top of my head to show

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<v Speaker 1>her how tall I am. We all start talking, catching up,

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<v Speaker 1>and it feels cozy and familiar. I snuggle in next

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<v Speaker 1>to my pass and we reminisce about the last time

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<v Speaker 1>she saw me. I don't have any memory of these events,

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<v Speaker 1>but the stories are familiar. The time I broke my wrist,

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<v Speaker 1>the time I gave her my mom's purse as a present.

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<v Speaker 1>Walking to church together. Finally, I tell her that I'm

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<v Speaker 1>here to learn about Oscar Romero.

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<v Speaker 5>Inn through Plat.

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<v Speaker 1>To my surprise, she starts talking about him like he's

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<v Speaker 1>an old friend. She tells me that she remembers going

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<v Speaker 1>to see him preach, which makes sense. For twenty three years,

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<v Speaker 1>Oscar Romero was the local priest in San Miguel, her priest.

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<v Speaker 1>San Miguel is where he got his start in the

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<v Speaker 1>Catholic Church. But I had no idea that my family

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<v Speaker 1>actually knew him. Used the.

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<v Speaker 5>Elt sre.

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<v Speaker 1>She tells me that she remembers him being tall, like

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<v Speaker 1>my dad, who's about six two, that he was the

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<v Speaker 1>kind of priest that you could talk to about anything,

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<v Speaker 1>that she often went to him for advice. I can

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<v Speaker 1>hear the affection in her voice. It's a strange feeling

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<v Speaker 1>to realize that my family was so close to such

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<v Speaker 1>an important historical figure. It's like finding out that your

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<v Speaker 1>dad played Little League with JFK. But being a local

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<v Speaker 1>priest was the vast majority of Oscar's life. For most

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<v Speaker 1>of his career, he just did the normal things that

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<v Speaker 1>a parish priest does. Attend funerals, perform baptisms, maybe the

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<v Speaker 1>occasional exorcism. Well maybe not that last part. Who knows.

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<v Speaker 1>In El Salvador, the local priest is an integral part

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<v Speaker 1>of the community. He's who you go to when you're

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<v Speaker 1>having a problem, and that's who Oscar Romeril was in

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<v Speaker 1>San Miguel. I keep asking my tepassy the questions, but

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<v Speaker 1>she starts to get tired. As I'm taking her inside

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<v Speaker 1>to rest, she mumbles something that makes my stomach turn.

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<v Speaker 1>What a punishment they gave him, she says. Going to

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<v Speaker 1>the capital was his ruin. It was in the capital

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<v Speaker 1>that he gave his last mesa before being shot down.

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<v Speaker 1>We'll be right back after this break. Being in this

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<v Speaker 1>cozy house, it's easy to see how San Miguel could

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<v Speaker 1>make you forget about the troubles of the world. It

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<v Speaker 1>has a small town quality to it, isolated from the

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<v Speaker 1>politics of the capital. Maybe that's why some of the

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<v Speaker 1>richest Salvadorans have estates out here. I didn't even know

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<v Speaker 1>there was such a thing as rich Salvadorans when I

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<v Speaker 1>was a kid, and now I'm learning a lot about

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<v Speaker 1>this hidden world that my parents never told me about.

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<v Speaker 1>On the drive home, I asked my parents about something

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<v Speaker 1>that I came across in my research, the fourteen families.

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<v Speaker 1>The fourteen families, they say, oh, they're the owners. It's

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<v Speaker 1>what Salvadorans call la the oligarchy, the rich land owning

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<v Speaker 1>families who have run the country since the late eighteen hundreds.

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<v Speaker 1>These families are the terretinents, the landowners that control most

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<v Speaker 1>of the country's wealth. These families became fabulously wealthy by

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<v Speaker 1>owning plantations that cultivated coffee, cotton, and corn. These families,

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<v Speaker 1>they owned the stores and the goods that filled the stores,

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<v Speaker 1>and the land that the goods were grown on. Meanwhile,

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<v Speaker 1>the compassinos who worked on those plantations lived in abject poverty.

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<v Speaker 6>Lussa ladio, heern dramente in crave lamentin houstos.

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<v Speaker 1>This is Marisa da Martinez. She invited me to her

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<v Speaker 1>home in the capitol and we spent an afternoon, sitting

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<v Speaker 1>in rocking chairs and talking about her work keeping Oscar

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<v Speaker 1>Romero's legacy alive. She's an activist who protested the unfair

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<v Speaker 1>treatment of the working class in the seventies, and she's

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<v Speaker 1>the co founder of the Oscar Romero Foundation. Because what

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<v Speaker 1>happened to Oscar Romero and the history of the working

0:19:07.320 --> 0:19:13.640
<v Speaker 1>class in El Salvador, they kind of go hand in hand.

0:19:12.600 --> 0:19:20.200
<v Speaker 6>And daran porlos seeing say colonees the ideas he Yeslasion

0:19:20.440 --> 0:19:26.680
<v Speaker 6>Soto Campina kea Pocamari Bivier sultante.

0:19:28.280 --> 0:19:31.119
<v Speaker 1>In the nineteen seventies, when Oscar Romero was serving in

0:19:31.200 --> 0:19:34.560
<v Speaker 1>San Miguel, the vast majority of the country lived this

0:19:34.720 --> 0:19:40.720
<v Speaker 1>way in an insulting poverty. Competinos made less than a

0:19:40.760 --> 0:19:46.720
<v Speaker 1>dollar a day, and most families suffered from malnutrition, including mine.

0:19:48.040 --> 0:19:52.240
<v Speaker 1>My great grandmother who helped raise me. She had fourteen kids,

0:19:53.359 --> 0:19:58.119
<v Speaker 1>only six of them survived past six months. That's the

0:19:58.240 --> 0:20:03.200
<v Speaker 1>kind of malnutrition we're talking about here. And for many families,

0:20:03.880 --> 0:20:07.480
<v Speaker 1>the only option to survive was to buy things on credit,

0:20:08.800 --> 0:20:24.360
<v Speaker 1>credit that they got from their own bosses, the plantation ownersdotals.

0:20:20.520 --> 0:20:27.200
<v Speaker 6>I mean fila de hintel di lacinde la fila the

0:20:27.280 --> 0:20:35.200
<v Speaker 6>hint parandoz it is euna.

0:20:40.480 --> 0:20:44.680
<v Speaker 1>It was a never ending cycle. Most Campsinos never learned

0:20:44.720 --> 0:20:48.040
<v Speaker 1>to read because there were no schools, and so neither

0:20:48.119 --> 0:20:51.119
<v Speaker 1>did their children. They lived at the mercy of the

0:20:51.200 --> 0:20:52.800
<v Speaker 1>plantation owners for.

0:20:52.960 --> 0:21:02.400
<v Speaker 6>Generations loke sinica potlaying Houstisia.

0:21:03.200 --> 0:21:06.800
<v Speaker 1>And these rich oligarchic families they didn't just control the

0:21:06.840 --> 0:21:11.440
<v Speaker 1>country's wealth. They were also deeply involved in the Catholic Church.

0:21:12.680 --> 0:21:20.440
<v Speaker 1>By involved, I mean controlling. Now, the relationship between the

0:21:20.480 --> 0:21:23.320
<v Speaker 1>wealthy and the Catholic Church didn't start in El Salvador.

0:21:23.960 --> 0:21:27.119
<v Speaker 1>They've been intertwined since the first gold bar was delivered

0:21:27.119 --> 0:21:30.800
<v Speaker 1>to Vatican City. But the relationship in El Salvador was

0:21:30.960 --> 0:21:36.080
<v Speaker 1>particularly tight. It was a well oiled machine. The country's

0:21:36.200 --> 0:21:40.080
<v Speaker 1>rich would provide lavish donations to the Church, and in return,

0:21:40.640 --> 0:21:43.800
<v Speaker 1>the Church would turn a blind eye to the systemic injustice.

0:21:46.000 --> 0:21:49.879
<v Speaker 1>Priests would tell the poor, your reward is waiting for

0:21:50.000 --> 0:21:55.440
<v Speaker 1>you in heaven. But in the seventies some priests dared

0:21:55.480 --> 0:22:17.719
<v Speaker 1>to break this protocol. That's after the break is one

0:22:17.760 --> 0:22:19.480
<v Speaker 1>of the priests who dared to step out of the

0:22:19.880 --> 0:22:25.920
<v Speaker 1>established oligarchy church relationship. I met him on a sweltering

0:22:25.960 --> 0:22:29.600
<v Speaker 1>afternoon at his parish in Montserrat, a suburb in the

0:22:29.680 --> 0:22:39.520
<v Speaker 1>hills around San Salvador. He's about eighty years old, with

0:22:39.680 --> 0:22:42.399
<v Speaker 1>a thin sheet of white hair and a twinkle in

0:22:42.480 --> 0:22:46.480
<v Speaker 1>his eye. He invites me, in my fixed Roerto, into

0:22:46.600 --> 0:22:50.680
<v Speaker 1>his cramped office in the back of the church. On

0:22:50.800 --> 0:22:53.680
<v Speaker 1>his desk is a picture of him as a young man,

0:22:54.320 --> 0:23:00.480
<v Speaker 1>smiling next to a somber oscar Romero. If this is safe, Eira,

0:23:03.040 --> 0:23:08.080
<v Speaker 1>It's ninety degrees with sixty percent humidity. I've already swept

0:23:08.119 --> 0:23:13.880
<v Speaker 1>through two shirts. He seems totally unfazed by the heat.

0:23:14.920 --> 0:23:16.960
<v Speaker 1>He offers me and Roerto some ice water. As we

0:23:17.040 --> 0:23:21.200
<v Speaker 1>settle in, Roberto asks him, don't you need some water?

0:23:22.160 --> 0:23:23.920
<v Speaker 1>Paparretoar just smiles.

0:23:25.560 --> 0:23:30.080
<v Speaker 7>No, tomorrow, keta Coca col.

0:23:32.800 --> 0:23:37.640
<v Speaker 1>Yeah, the old man's got swag anyway. When Barrettoar became

0:23:37.680 --> 0:23:40.440
<v Speaker 1>a priest in the early seventies, the church was still

0:23:40.520 --> 0:23:43.040
<v Speaker 1>doing what it had been doing since the Spaniards landed

0:23:43.080 --> 0:23:46.120
<v Speaker 1>on the shores of a place called Guscatlan and decided

0:23:46.160 --> 0:23:49.480
<v Speaker 1>to rename it after Jesus. Keeping their packed with the

0:23:49.600 --> 0:23:51.560
<v Speaker 1>rich and the poor in their place.

0:23:52.280 --> 0:23:58.520
<v Speaker 7>O Compecinokala King and Sulugan Ilo Rico Vivienzo Cistoia.

0:23:59.200 --> 0:24:02.119
<v Speaker 1>And this is where Oscar Romero comes back into the picture,

0:24:03.119 --> 0:24:06.600
<v Speaker 1>because while my tapas might remember him as a man

0:24:06.640 --> 0:24:09.440
<v Speaker 1>who knew the troubles of the poor, he did not

0:24:09.720 --> 0:24:12.160
<v Speaker 1>have that reputation among the country's elites.

0:24:14.680 --> 0:24:17.520
<v Speaker 7>Yes, Mother and Plata de San Miguel.

0:24:20.640 --> 0:24:23.639
<v Speaker 1>For the rich families in San Miguel, Oscar was the

0:24:23.800 --> 0:24:29.960
<v Speaker 1>ideal priest, quiet shy, happy to baptize their babies and

0:24:30.359 --> 0:24:32.639
<v Speaker 1>enjoy a good carna with them afterwards.

0:24:33.640 --> 0:24:48.760
<v Speaker 7>Elista and el sentido solo araci una fees in dimensium

0:24:49.720 --> 0:24:53.000
<v Speaker 7>uman as in dimension politic as in dimensium.

0:24:57.640 --> 0:25:02.280
<v Speaker 1>Oscar was regarded as a gentle bookworm, and this unassuming

0:25:02.440 --> 0:25:06.680
<v Speaker 1>nature it got him far. He quietly rose through the

0:25:06.800 --> 0:25:10.560
<v Speaker 1>ranks from deacon to priest to Bishop of San Miguel,

0:25:11.520 --> 0:25:15.480
<v Speaker 1>far from the politics of the capital. If he disagreed

0:25:15.520 --> 0:25:19.119
<v Speaker 1>with the elite's business practices, he didn't share it out loud.

0:25:20.080 --> 0:25:23.560
<v Speaker 1>Maybe he wrote about it in his journal, maybe he

0:25:23.680 --> 0:25:27.919
<v Speaker 1>prayed on it. But Oscar's easy life in San Miguel

0:25:28.560 --> 0:25:32.720
<v Speaker 1>would soon get flipped upside down. In nineteen seventy seven,

0:25:32.960 --> 0:25:36.080
<v Speaker 1>Oscar's boss, a man who had served as archbishop in

0:25:36.119 --> 0:25:42.200
<v Speaker 1>El Salvador for thirty eight years, decided to resign. But

0:25:42.359 --> 0:25:47.240
<v Speaker 1>who would be next? The Church and the oligarchy came

0:25:47.359 --> 0:25:51.320
<v Speaker 1>together to hand pick the country's next top priest. The

0:25:51.480 --> 0:25:56.040
<v Speaker 1>obvious and expected candidate was the auxiliary archbishop who had

0:25:56.080 --> 0:26:00.719
<v Speaker 1>been second in command, but to everyone's surprise, the Vatican

0:26:00.760 --> 0:26:06.040
<v Speaker 1>announced that Oscar Romero would take the position. The nation

0:26:06.280 --> 0:26:09.240
<v Speaker 1>turned their eyes to this quiet priest from the.

0:26:09.280 --> 0:26:11.960
<v Speaker 8>East, Hello the Rio.

0:26:13.200 --> 0:26:18.159
<v Speaker 7>Conveniencias digamos de fe in Lilesia.

0:26:19.760 --> 0:26:25.680
<v Speaker 1>Politic it was a politically convenient move. Oscar was known

0:26:25.800 --> 0:26:28.680
<v Speaker 1>as a quiet local priest, the kind who built his

0:26:28.800 --> 0:26:34.000
<v Speaker 1>career on staying away from controversy. In February of nineteen

0:26:34.040 --> 0:26:38.240
<v Speaker 1>seventy seven, Oscar Romero was named Archbishop of El Salvador

0:26:38.640 --> 0:26:40.080
<v Speaker 1>by Pope John Paul.

0:26:40.000 --> 0:26:45.360
<v Speaker 7>Himself stansso Fuelay Garda de Monsignor Romero.

0:26:47.320 --> 0:26:50.399
<v Speaker 1>Oscar moves to the capitol his new parish and starts

0:26:50.480 --> 0:26:53.600
<v Speaker 1>leading Sunday Mass in the largest cathedral in the country.

0:26:54.560 --> 0:26:56.680
<v Speaker 1>The rich pat themselves on the back for assigning a

0:26:56.720 --> 0:26:59.600
<v Speaker 1>priest that they believe will watch over their interests for

0:26:59.640 --> 0:27:02.800
<v Speaker 1>decad needs to come. Here's Marissa again.

0:27:03.800 --> 0:27:03.960
<v Speaker 9>La.

0:27:06.680 --> 0:27:13.280
<v Speaker 6>Porqurado alce seesuponi the via asumir elasovial.

0:27:14.520 --> 0:27:19.199
<v Speaker 1>But Oscar was stepping into a hornet's nest. There had

0:27:19.240 --> 0:27:23.680
<v Speaker 1>been unrest brewing in the capitol and several protests led

0:27:23.720 --> 0:27:30.359
<v Speaker 1>by Campasino groups. People were unionizing demanding better wages. The

0:27:30.440 --> 0:27:33.359
<v Speaker 1>military government's response had not been pretty.

0:27:41.000 --> 0:28:01.480
<v Speaker 6>The Graciaca guando marchas solicitando pacificamente dos tortillas lejuadrons de quesouevoitres.

0:28:05.000 --> 0:28:07.840
<v Speaker 1>Marisa says that the compasinos would organize marches in the

0:28:07.920 --> 0:28:12.720
<v Speaker 1>capitol asking for better wages, and that those protests regularly

0:28:12.920 --> 0:28:21.200
<v Speaker 1>ended with the military shooting directly into the crowd, and

0:28:21.280 --> 0:28:25.400
<v Speaker 1>when the protests didn't stop, the military started going after

0:28:25.520 --> 0:28:37.240
<v Speaker 1>the leaders of the movements. People started disappearing. Oscar Romero

0:28:37.400 --> 0:28:40.040
<v Speaker 1>had a habit of going out into his congregation after

0:28:40.160 --> 0:28:43.080
<v Speaker 1>mass on Sundays. He wanted to get to know the

0:28:43.120 --> 0:28:45.440
<v Speaker 1>people of his flock the way that he had in

0:28:45.600 --> 0:28:51.000
<v Speaker 1>San Miguel. But here in the capital people were coming

0:28:51.040 --> 0:28:55.720
<v Speaker 1>to him with names, the names of sons, brothers, mothers

0:28:56.240 --> 0:29:00.640
<v Speaker 1>who had disappeared or been taken. Oscar had gone from

0:29:00.680 --> 0:29:04.520
<v Speaker 1>baptizing babies to having to face the cries of mourning mothers.

0:29:07.040 --> 0:29:11.440
<v Speaker 1>In the span of a few years, Oscar transformed from

0:29:11.480 --> 0:29:16.640
<v Speaker 1>a quiet bookworm into a champion for the poor. Three

0:29:16.800 --> 0:29:20.280
<v Speaker 1>years after his arrival to the capitol, he stood before

0:29:20.320 --> 0:29:25.120
<v Speaker 1>his congregation as a changed man, not a puppet, but

0:29:25.240 --> 0:29:25.760
<v Speaker 1>a priest with.

0:29:25.800 --> 0:29:45.360
<v Speaker 9>A message Ermano's song de matan ermanos campesinostar ure lala matar.

0:29:49.840 --> 0:29:54.760
<v Speaker 1>He gave a speech that cemented his legacy. It's a

0:29:54.840 --> 0:29:58.680
<v Speaker 1>speech that's the Salvadoran equivalent of Martin Luther King's I

0:29:58.840 --> 0:29:59.760
<v Speaker 1>Have a Dream speech.

0:30:01.520 --> 0:30:05.000
<v Speaker 9>Nimundo esto.

0:30:10.040 --> 0:30:13.960
<v Speaker 1>Oscar was issuing a warning, a warning to the rich

0:30:14.600 --> 0:30:19.520
<v Speaker 1>that he would not be in their pockets. The speech

0:30:19.680 --> 0:30:23.760
<v Speaker 1>would be the landmark of his career, and he tells

0:30:23.840 --> 0:30:27.360
<v Speaker 1>the government soldiers to disobey the orders of their commanders,

0:30:28.480 --> 0:30:32.160
<v Speaker 1>to stop the repression against their own people and follow

0:30:32.200 --> 0:30:35.840
<v Speaker 1>God's most basic command, thou shalt not.

0:30:36.000 --> 0:30:46.400
<v Speaker 9>Kill ignombre de dios, the numbre pueblo, CuO lament maas

0:30:46.640 --> 0:30:55.760
<v Speaker 9>tumultuosos lesuplico leego leon.

0:31:00.760 --> 0:31:05.920
<v Speaker 1>It's the last homily he ever gave, the very next day,

0:31:06.680 --> 0:31:10.440
<v Speaker 1>before Oscar could give communion, he was shot in the heart,

0:31:11.840 --> 0:31:17.120
<v Speaker 1>murdered at his own pulpit. But Oscar was just the

0:31:17.200 --> 0:31:20.840
<v Speaker 1>beginning of a domino effect, one that brought us to

0:31:20.920 --> 0:31:26.320
<v Speaker 1>the new El Salvador we have today. El Salvador's President, Naibukele,

0:31:26.640 --> 0:31:29.440
<v Speaker 1>has won reelection today in a resounding victory that has

0:31:29.560 --> 0:31:36.400
<v Speaker 1>essentially wiped out the opposition. Over the next eleven episodes,

0:31:36.800 --> 0:31:39.960
<v Speaker 1>we're going to cover one of the bloodiest chapters in history,

0:31:40.720 --> 0:31:42.840
<v Speaker 1>one that includes government cover ups.

0:31:43.440 --> 0:31:45.720
<v Speaker 6>So it was just outrageous that the nuns would have

0:31:45.840 --> 0:31:48.560
<v Speaker 6>guns and would have exchanged fire.

0:31:48.880 --> 0:31:52.000
<v Speaker 8>A school for dictators every time there was a heinous

0:31:52.160 --> 0:31:57.920
<v Speaker 8>killing in Alsawada Hills with somebody that was past grides

0:31:58.000 --> 0:31:59.280
<v Speaker 8>of the School of America.

0:32:00.120 --> 0:32:03.560
<v Speaker 1>One of the biggest massacres to ever occur in the Americas.

0:32:04.680 --> 0:32:07.720
<v Speaker 3>The security forces in Al Salvador have been responsible for

0:32:07.840 --> 0:32:12.440
<v Speaker 3>the deaths of thousands and thousands of young people. Are

0:32:12.440 --> 0:32:17.080
<v Speaker 3>we really going to send military advisors in there to

0:32:17.240 --> 0:32:19.600
<v Speaker 3>be part of that type of machinery?

0:32:21.120 --> 0:32:24.880
<v Speaker 1>But I'll also tell you the story of one family mine,

0:32:26.040 --> 0:32:29.320
<v Speaker 1>because on this journey I discovered things about my family

0:32:29.480 --> 0:32:34.120
<v Speaker 1>that still haunt us today, Mom.

0:32:35.200 --> 0:32:38.320
<v Speaker 5>What happened to your sister Margarita?

0:32:41.920 --> 0:32:46.760
<v Speaker 1>Well, they said that they took her and the next day.

0:32:46.680 --> 0:32:49.560
<v Speaker 2>She was that she was killed.

0:32:50.240 --> 0:32:50.920
<v Speaker 8>She was killed.

0:32:57.720 --> 0:33:10.560
<v Speaker 1>Ye, that's this season on Nation of Saints Sacred Scandal.

0:33:10.680 --> 0:33:13.640
<v Speaker 1>Nation of Saints is a production of AJA Podcasts in

0:33:13.760 --> 0:33:17.280
<v Speaker 1>partnership with Iheart's Mike Wultura podcast Network, and is hosted

0:33:17.400 --> 0:33:21.520
<v Speaker 1>and written by me Jasmine Romero, produced by Jazmine Romero

0:33:21.920 --> 0:33:26.880
<v Speaker 1>with help from Jorge Just, Renald Gutierres, and Aloesbres. Research

0:33:26.960 --> 0:33:31.000
<v Speaker 1>and reporting by Jasmine Romero, Edited by Cyda Kevelo, Porge

0:33:31.280 --> 0:33:34.160
<v Speaker 1>Just and Rose Red. Nation of Saints was recorded in

0:33:34.200 --> 0:33:36.520
<v Speaker 1>New York City at the Relic Room with engineering by

0:33:36.600 --> 0:33:41.400
<v Speaker 1>Sam Bear, Mixing and sound designed by Paciquinones. Original music

0:33:41.480 --> 0:33:45.280
<v Speaker 1>by Golden Mines, Darko and Dieme based on Patrick Hart's

0:33:45.360 --> 0:33:51.160
<v Speaker 1>original composition. Fact checking by Erendidra Aquino Ayala. Executive producers

0:33:51.280 --> 0:33:54.840
<v Speaker 1>are Carman geraterol Isaac Lee, rose Red, and Nando Villa.

0:33:55.440 --> 0:33:59.080
<v Speaker 1>Our executive producers at iHeart are Giselle Mansis and Arlene Santana.

0:34:00.000 --> 0:34:03.200
<v Speaker 1>Sacred Scandal was created by Melanie Bartley and Paula Vadros.

0:34:03.760 --> 0:34:08.640
<v Speaker 1>Special thanks to Roerto Valencia, Matt Eisenbrandt, sayid Tjan Thomas,

0:34:08.920 --> 0:34:14.279
<v Speaker 1>Alice Wilder, Sofia Palita Carr, Eric Mennel, Peter Bresnan, and Riemachres.

0:34:15.080 --> 0:34:16.960
<v Speaker 1>The recording at the top of the episode is from

0:34:17.040 --> 0:34:22.000
<v Speaker 1>Latino USA and provided courtesy of Futuro Studios. This episode

0:34:22.080 --> 0:34:25.399
<v Speaker 1>is dedicated to Mythia Pacita, who passed in twenty twenty four.

0:34:26.920 --> 0:34:30.200
<v Speaker 1>For more podcasts, go to the iHeartRadio app or wherever

0:34:30.280 --> 0:34:31.880
<v Speaker 1>you listen to your favorite podcasts.