1 00:00:08,400 --> 00:00:10,760 Speaker 1: Oh yeah, we got us one today. 2 00:00:10,840 --> 00:00:14,800 Speaker 2: Brother, we got us one today. 3 00:00:16,400 --> 00:00:17,480 Speaker 3: Talk about legends. 4 00:00:17,520 --> 00:00:21,040 Speaker 4: Come on, man, come home, man, that's my words. 5 00:00:21,880 --> 00:00:26,160 Speaker 5: You changed the game in so many ways. Bro, most 6 00:00:26,280 --> 00:00:28,240 Speaker 5: we got the same for the podcast. I got stuff 7 00:00:28,280 --> 00:00:29,360 Speaker 5: I want to I won't wait. 8 00:00:29,440 --> 00:00:29,920 Speaker 1: I don't wait. 9 00:00:30,640 --> 00:00:33,360 Speaker 3: Yeah, what you want to hear? 10 00:00:34,360 --> 00:00:36,400 Speaker 2: We gotta play some classic because we get into it. 11 00:00:37,200 --> 00:00:38,599 Speaker 3: Oh, I know it don't matter. 12 00:00:42,159 --> 00:00:44,040 Speaker 1: That one, all right, bet. 13 00:00:48,640 --> 00:00:52,440 Speaker 2: Remember them classic man, you got to do that. You 14 00:00:52,520 --> 00:00:54,760 Speaker 2: got to do that hip hop when it was that 15 00:00:54,960 --> 00:00:58,440 Speaker 2: real ship, your little bomb. 16 00:00:58,600 --> 00:00:59,880 Speaker 1: I'll take the cake for your chain. 17 00:01:00,040 --> 00:01:03,000 Speaker 3: A show with the new cats. Who who like who? Who? 18 00:01:03,040 --> 00:01:03,720 Speaker 3: You may fucking on? 19 00:01:04,360 --> 00:01:08,800 Speaker 1: Shit, I mix it up. I mix it up like 20 00:01:08,800 --> 00:01:09,399 Speaker 1: cause we you. 21 00:01:09,360 --> 00:01:12,600 Speaker 2: Know, just being around the guys and shit, everybody always 22 00:01:13,640 --> 00:01:16,039 Speaker 2: putting us up on something new man. We just had 23 00:01:16,160 --> 00:01:17,800 Speaker 2: uh young got Primo rights. 24 00:01:17,600 --> 00:01:18,959 Speaker 1: Come through here though, he he dope. 25 00:01:19,560 --> 00:01:23,240 Speaker 2: Uh, you know, currency and Larry Chimne and all of 26 00:01:23,280 --> 00:01:26,040 Speaker 2: those guys. Man, I try to find something I like 27 00:01:26,120 --> 00:01:29,080 Speaker 2: from everybody that's out mm at least one. I feel 28 00:01:29,080 --> 00:01:33,319 Speaker 2: like everybody got at least one. I feel like a 29 00:01:33,360 --> 00:01:35,039 Speaker 2: lot of you know, a lot of the songs they got. 30 00:01:35,080 --> 00:01:38,680 Speaker 2: They play party music, you know, what I mean, party bullshit, 31 00:01:38,760 --> 00:01:42,920 Speaker 2: then you got your ups and downs and socially conscious. 32 00:01:42,560 --> 00:01:43,760 Speaker 1: And the music with a message. 33 00:01:43,800 --> 00:01:46,680 Speaker 2: So I try to have different genres all at all 34 00:01:46,800 --> 00:01:47,640 Speaker 2: times planning well. 35 00:01:47,640 --> 00:01:49,840 Speaker 3: I mean, yes, the beautile being very fire big could 36 00:01:49,840 --> 00:01:53,400 Speaker 3: have so many different vibes, so many different dynamics. Shit 37 00:01:53,600 --> 00:01:57,200 Speaker 3: or whether it's some party shit, some gangster shit, some 38 00:01:57,360 --> 00:02:00,160 Speaker 3: love shit, you know whatever, some conscious shit you Uh, 39 00:02:00,560 --> 00:02:02,680 Speaker 3: it can have so many different dynamics to it. 40 00:02:02,720 --> 00:02:02,920 Speaker 4: Man. 41 00:02:03,600 --> 00:02:07,760 Speaker 2: Well uh, any of the young guys ever hit you 42 00:02:07,800 --> 00:02:09,920 Speaker 2: and be like, oh gee, I need you on this one. 43 00:02:11,720 --> 00:02:14,799 Speaker 3: Not in a minute, nah, I not in a minute 44 00:02:15,800 --> 00:02:19,359 Speaker 3: like every once in a blue moon like something of 45 00:02:19,560 --> 00:02:22,640 Speaker 3: like young I guess up and coming might has but 46 00:02:22,720 --> 00:02:24,640 Speaker 3: you know, like what what they senting me, it's like, 47 00:02:24,680 --> 00:02:26,880 Speaker 3: you know, it's say, nah, you don't want me on 48 00:02:26,919 --> 00:02:29,400 Speaker 3: that man doning like trust me, you don't want me. 49 00:02:29,440 --> 00:02:32,040 Speaker 4: Y'll some of that shit. 50 00:02:32,080 --> 00:02:33,919 Speaker 6: It just be interesting to hear you on though. 51 00:02:34,240 --> 00:02:34,400 Speaker 1: Yeah. 52 00:02:34,440 --> 00:02:38,600 Speaker 3: Nah, I mean I I did one with a white shadow, uh, 53 00:02:38,880 --> 00:02:41,799 Speaker 3: lady guy gots DJ, I did one with me and 54 00:02:41,840 --> 00:02:46,520 Speaker 3: Trinidad James. I mean it's it's it's doable. I mean, 55 00:02:46,919 --> 00:02:51,320 Speaker 3: but I mean that was I think more. Uh, uh, 56 00:02:52,360 --> 00:02:54,000 Speaker 3: I guess more trapped. 57 00:02:53,720 --> 00:02:57,080 Speaker 2: Than dry word. Yeah, i'm'a have to look that one up. 58 00:02:57,160 --> 00:02:58,919 Speaker 2: Big Daddy Cane on some trap that shit. 59 00:02:59,320 --> 00:03:03,919 Speaker 1: Yeah, I like that, I do that one. 60 00:03:04,320 --> 00:03:06,240 Speaker 2: Yeah, it's gotta be. 61 00:03:07,120 --> 00:03:09,959 Speaker 3: You got some young cats you right with out here? 62 00:03:11,440 --> 00:03:14,600 Speaker 3: M I mean you know, I mean I've been saying 63 00:03:15,480 --> 00:03:17,120 Speaker 3: j Cole for a minute, but everybody do it now? 64 00:03:17,200 --> 00:03:21,320 Speaker 3: Mother fuck ain't young no more? Alright, you know how 65 00:03:21,360 --> 00:03:21,960 Speaker 3: this game goes. 66 00:03:21,960 --> 00:03:26,079 Speaker 5: Then if you ain't got damn eighteen, you old to them? 67 00:03:26,160 --> 00:03:29,079 Speaker 3: Yeah, fugger so So I mean other than that, I 68 00:03:29,120 --> 00:03:30,840 Speaker 3: guess pop only ones when I can't really think of 69 00:03:31,040 --> 00:03:33,600 Speaker 3: of 'em probably be Lady London. 70 00:03:33,919 --> 00:03:39,680 Speaker 2: Lady Cray, Lady London, shit. 71 00:03:38,160 --> 00:03:41,720 Speaker 3: Like Dogie Cat, you know what. Really That's why when 72 00:03:41,720 --> 00:03:44,600 Speaker 3: I was with y'all while I'm out Dosey Cat. 73 00:03:44,480 --> 00:03:48,600 Speaker 5: With still cart so al Man, she rapped, I guess 74 00:03:48,600 --> 00:03:53,120 Speaker 5: she do both. She everything R and B pop pop 75 00:03:54,360 --> 00:03:55,000 Speaker 5: hip hop. 76 00:03:56,200 --> 00:03:59,280 Speaker 3: So it ain't it ain't hip hop today? Well, I 77 00:03:59,320 --> 00:04:04,280 Speaker 3: mean it's hip pop, okay, So like, what what did 78 00:04:04,320 --> 00:04:06,000 Speaker 3: you call hammer been the ice? 79 00:04:07,880 --> 00:04:12,160 Speaker 1: I born hay Ache throw that out there. I ain't okay, Okay. 80 00:04:15,760 --> 00:04:18,160 Speaker 4: Before get starting out, he was warming it up in 81 00:04:18,240 --> 00:04:18,800 Speaker 4: eighty nine. 82 00:04:18,920 --> 00:04:24,600 Speaker 5: You was right right, they were warming up your bottom. 83 00:04:25,279 --> 00:04:27,000 Speaker 3: So you saying you're not familiar with hammer up in 84 00:04:27,040 --> 00:04:27,440 Speaker 3: the ice. 85 00:04:28,040 --> 00:04:30,159 Speaker 5: So when I when I was a kid, and that 86 00:04:30,279 --> 00:04:33,320 Speaker 5: was my age around that time and I was coming up, 87 00:04:33,360 --> 00:04:35,159 Speaker 5: I looked at it as hip hop. But then it 88 00:04:35,200 --> 00:04:36,760 Speaker 5: got to the point where I was like, oh, this pop. 89 00:04:37,200 --> 00:04:39,279 Speaker 5: But I'm also a kid at that stage. So now 90 00:04:39,320 --> 00:04:41,760 Speaker 5: looking back, I'm like, oh, that's more pop music, like 91 00:04:42,320 --> 00:04:44,960 Speaker 5: cause it just got taken by that and that's kind 92 00:04:44,960 --> 00:04:45,200 Speaker 5: of what. 93 00:04:45,160 --> 00:04:46,560 Speaker 3: It rock was. But I mean, you know there was 94 00:04:46,680 --> 00:04:48,840 Speaker 3: artist back getting in the eighties that had that whole 95 00:04:48,880 --> 00:04:52,279 Speaker 3: pop I mean, like Hammer like shit was like real pop. 96 00:04:52,480 --> 00:04:58,400 Speaker 3: Vanilla Ice on tone lower, Yeah, fucking called madel and 97 00:04:58,440 --> 00:04:59,279 Speaker 3: all that stuff. 98 00:04:59,360 --> 00:05:01,760 Speaker 2: Yeah, we gotta get it started. 99 00:05:01,839 --> 00:05:02,400 Speaker 1: Let's do it. 100 00:05:04,160 --> 00:05:07,480 Speaker 2: Play the music, play me some Pempy main got a 101 00:05:07,560 --> 00:05:10,280 Speaker 2: very special guests in the house with us today. Won't 102 00:05:10,279 --> 00:05:14,039 Speaker 2: bring number of legends through here, number of big legends 103 00:05:14,040 --> 00:05:18,640 Speaker 2: coming through the big legend, hood legends, ghetto legends, ghetto superstars, 104 00:05:19,040 --> 00:05:19,920 Speaker 2: black excellence. 105 00:05:20,520 --> 00:05:21,520 Speaker 1: That's what we are on today. 106 00:05:21,520 --> 00:05:25,640 Speaker 2: Now we know how to celebrate come on the anniversary 107 00:05:25,880 --> 00:05:29,599 Speaker 2: fifty years pop. So we went and got an official 108 00:05:29,960 --> 00:05:33,720 Speaker 2: legit hip hop high and there come on man from 109 00:05:33,720 --> 00:05:37,200 Speaker 2: one of my favorite cruisals all time, the Juice Crew. 110 00:05:37,360 --> 00:05:40,080 Speaker 1: What you already know who it is. 111 00:05:40,120 --> 00:05:40,760 Speaker 4: You're looking and. 112 00:05:40,760 --> 00:05:43,240 Speaker 5: You're like, oh no, no, they didn't, Yes they did. 113 00:05:43,360 --> 00:05:47,599 Speaker 2: This is a real hip hop legend. Many never seen 114 00:05:47,680 --> 00:05:51,159 Speaker 2: one of the coolest brothers that ever split on the microphone. 115 00:05:51,360 --> 00:05:53,880 Speaker 2: Then you might not know that we got Big Daddy. 116 00:05:53,640 --> 00:05:55,479 Speaker 6: Cane in there with us. 117 00:05:59,080 --> 00:06:04,160 Speaker 3: Hey, man, that's it. We got a loop, we got 118 00:06:04,160 --> 00:06:04,640 Speaker 3: a saloop. 119 00:06:04,720 --> 00:06:04,840 Speaker 4: Bro. 120 00:06:05,080 --> 00:06:06,560 Speaker 1: You got to say, come on. 121 00:06:06,600 --> 00:06:11,400 Speaker 4: Man, yes man, yes, y. 122 00:06:12,640 --> 00:06:17,440 Speaker 2: It's a privilege to have you in here with us today. Yeah, man, 123 00:06:17,560 --> 00:06:20,400 Speaker 2: and I come put it down. Made me want to 124 00:06:20,520 --> 00:06:23,760 Speaker 2: change this big bro. When y'all was playing cards in 125 00:06:23,800 --> 00:06:25,680 Speaker 2: the video and you want to change, I was like, man, 126 00:06:25,720 --> 00:06:26,760 Speaker 2: he already got a chain. 127 00:06:28,480 --> 00:06:31,760 Speaker 6: Damn he don't need that change. 128 00:06:32,360 --> 00:06:33,600 Speaker 3: He take it out man. 129 00:06:34,400 --> 00:06:37,680 Speaker 2: Yeah, bro, you you've always been one of the coolest 130 00:06:37,720 --> 00:06:40,760 Speaker 2: man Like you always had spit your rhymes and you 131 00:06:41,240 --> 00:06:43,680 Speaker 2: never fucked the money sounds just like you was listening 132 00:06:43,680 --> 00:06:46,160 Speaker 2: to the CD and you're still hitting the dances at 133 00:06:46,160 --> 00:06:46,920 Speaker 2: the same time. 134 00:06:47,160 --> 00:06:49,080 Speaker 4: So you get another salute. 135 00:06:48,880 --> 00:06:50,880 Speaker 1: Just for that. It takes a lot to rap that 136 00:06:50,960 --> 00:06:51,520 Speaker 1: ship that you. 137 00:06:51,520 --> 00:06:53,640 Speaker 2: Wrapped the way that you wrap it and not and 138 00:06:53,839 --> 00:06:55,320 Speaker 2: jump in and hit the dance move. 139 00:06:55,600 --> 00:06:59,200 Speaker 6: Come on man, fall back, get caught, get back up. 140 00:06:59,279 --> 00:07:04,479 Speaker 3: Man on some hip hop James Brown type shit with 141 00:07:04,640 --> 00:07:07,080 Speaker 3: the perfect flat top. Come on man, that's what he 142 00:07:07,120 --> 00:07:07,920 Speaker 3: was trying to do too. 143 00:07:08,040 --> 00:07:08,280 Speaker 1: Yeah. 144 00:07:08,600 --> 00:07:12,200 Speaker 5: D Kidd came down along with the fifteen seconds you 145 00:07:12,240 --> 00:07:13,920 Speaker 5: see them with the little TikTok that quick. 146 00:07:14,080 --> 00:07:14,920 Speaker 3: That's all they could do. 147 00:07:15,280 --> 00:07:17,480 Speaker 5: Come on, man, this man, it's been a whole album 148 00:07:17,520 --> 00:07:19,440 Speaker 5: and hit all that shit, whole show. 149 00:07:20,880 --> 00:07:25,520 Speaker 3: In broad control, but on the sound shit more bruh. 150 00:07:25,640 --> 00:07:28,680 Speaker 5: Now, I don't think people look at the technical aspects enough. 151 00:07:28,760 --> 00:07:30,560 Speaker 3: I think we too quick to like be like. 152 00:07:30,520 --> 00:07:31,200 Speaker 1: Oh well we ain't. 153 00:07:31,680 --> 00:07:33,320 Speaker 3: We ain't on that no more like the young people. 154 00:07:33,320 --> 00:07:37,440 Speaker 5: If y'all go back and like just look and see, like, yeah, 155 00:07:37,480 --> 00:07:38,480 Speaker 5: you was definitely. 156 00:07:38,120 --> 00:07:38,800 Speaker 1: A game change. 157 00:07:38,800 --> 00:07:40,840 Speaker 3: Well, I mean that's what it's it's really all about, 158 00:07:40,920 --> 00:07:44,239 Speaker 3: you know, just really studying your craft, studying your history 159 00:07:44,360 --> 00:07:48,640 Speaker 3: so you know how to better your future. You know 160 00:07:48,680 --> 00:07:52,040 Speaker 3: what I was doing back then, I was studying James Brown, 161 00:07:52,080 --> 00:07:56,880 Speaker 3: I was studying Marvin Gaye, h Barry White, you know, 162 00:07:56,920 --> 00:07:59,920 Speaker 3: and several others. You know, and trying to bring Ellen 163 00:08:00,160 --> 00:08:03,160 Speaker 3: Mets from soul and R and B and the hip 164 00:08:03,200 --> 00:08:05,960 Speaker 3: hop that no one had seen before, because you know, 165 00:08:06,000 --> 00:08:09,840 Speaker 3: pretty much everybody from the generation prior to mine was 166 00:08:09,960 --> 00:08:12,880 Speaker 3: basically like, it's following what Grandmaster Flash and the Furious 167 00:08:12,880 --> 00:08:15,320 Speaker 3: Five did you know? The error before me would be 168 00:08:15,400 --> 00:08:19,200 Speaker 3: like the L. L. Houdini, Uh run DMC. You know 169 00:08:19,280 --> 00:08:22,320 Speaker 3: they were like following what you know Grandma's the Flash 170 00:08:22,320 --> 00:08:24,280 Speaker 3: and the Furious Five is doing you know this type 171 00:08:24,320 --> 00:08:26,680 Speaker 3: of cat stretchers. Three of those dudes. You don't know 172 00:08:26,720 --> 00:08:37,439 Speaker 3: who the hell I'm talking about you. It's all good. No, no, no, no, no, 173 00:08:37,520 --> 00:08:39,839 Speaker 3: no listen, I just I just spit the names. I 174 00:08:39,920 --> 00:08:41,080 Speaker 3: spent the names. You can look them up. 175 00:08:41,120 --> 00:08:47,000 Speaker 5: Like I was like, spause you you be playing a 176 00:08:47,080 --> 00:08:49,679 Speaker 5: song the freaks come about at night? 177 00:08:49,920 --> 00:08:56,960 Speaker 3: That reason, Yeah, well ship, at least you're paying them. 178 00:08:57,559 --> 00:08:59,640 Speaker 3: You don't know who they are, at least you're paying them. 179 00:08:59,640 --> 00:09:00,319 Speaker 3: I was like that. 180 00:09:00,600 --> 00:09:02,480 Speaker 2: Now, people always tell you about how great of a 181 00:09:02,559 --> 00:09:04,679 Speaker 2: lyricis you are. I always wanted to ask you, like, 182 00:09:05,040 --> 00:09:08,480 Speaker 2: who is your inspiration? Who who showed you how to rap? 183 00:09:08,640 --> 00:09:10,319 Speaker 2: Or who did you hear a rap that made you 184 00:09:10,440 --> 00:09:11,000 Speaker 2: say shit? 185 00:09:11,080 --> 00:09:11,719 Speaker 1: I wanna do that. 186 00:09:13,520 --> 00:09:16,600 Speaker 3: Back then, there was a group called the Cold Crush Brothers. 187 00:09:16,840 --> 00:09:21,480 Speaker 3: What was that? And I wasn't even Kane and I 188 00:09:21,640 --> 00:09:27,400 Speaker 3: was actually using Tony t. Yeah this is eighty two, 189 00:09:28,280 --> 00:09:32,000 Speaker 3: you know. And when I first heard them, and I 190 00:09:32,160 --> 00:09:34,640 Speaker 3: heard this cat, grand Master Caz, you know, and he 191 00:09:34,840 --> 00:09:39,600 Speaker 3: was like grand Master Caz, captain of the four another 192 00:09:39,679 --> 00:09:41,680 Speaker 3: nigga couldn't touch me. If he had a rhymes store, 193 00:09:41,760 --> 00:09:44,160 Speaker 3: even if he had a plant manufacturing of rhymes, they 194 00:09:44,200 --> 00:09:46,160 Speaker 3: couldn't make 'em no better than I make minds. I 195 00:09:46,280 --> 00:09:49,319 Speaker 3: was like, yeah, I'm doing my shit all wrong, you know, Like, 196 00:09:49,400 --> 00:09:51,079 Speaker 3: and I'm like, yeah, I need to start all over 197 00:09:51,200 --> 00:09:53,640 Speaker 3: cause I'm not that nice. Mm. And that's what really 198 00:09:53,720 --> 00:09:54,440 Speaker 3: inspired me. 199 00:09:54,760 --> 00:09:58,400 Speaker 1: You know, yeah, yeah, shout out the grand Master Cave. 200 00:09:58,640 --> 00:10:02,240 Speaker 5: Yeah that's kind of where you took the the brag 201 00:10:02,400 --> 00:10:04,920 Speaker 5: and shit of just you know, talking to shit about 202 00:10:04,960 --> 00:10:07,520 Speaker 5: you being better than another. Yeah, I mean Caves. 203 00:10:07,600 --> 00:10:10,319 Speaker 3: His sarcasm was like that ship you hear in the 204 00:10:10,360 --> 00:10:13,079 Speaker 3: barber shop or the poolhole. You know. He had that 205 00:10:13,200 --> 00:10:16,520 Speaker 3: type of secastle. You know, I'm six one and a half, 206 00:10:16,720 --> 00:10:19,120 Speaker 3: no good at math, say rhyme still myself when I'm 207 00:10:19,120 --> 00:10:22,080 Speaker 3: taking a Bath got true clientele for Ness and Cloud 208 00:10:22,240 --> 00:10:23,760 Speaker 3: and I don't get into the ship that I can't 209 00:10:23,800 --> 00:10:29,800 Speaker 3: get out, you know that type of you know, like 210 00:10:29,920 --> 00:10:32,440 Speaker 3: when we look at that like the punch last, that's 211 00:10:32,960 --> 00:10:36,199 Speaker 3: that's kind of like where that kind of Yeah, I 212 00:10:36,240 --> 00:10:40,800 Speaker 3: think Grandmaster Kaz was pretty much the first uh all 213 00:10:40,920 --> 00:10:46,559 Speaker 3: around dope m C. Like to me, and I say 214 00:10:46,600 --> 00:10:51,120 Speaker 3: this repeatedly until eternity, Melly Mel is the most important 215 00:10:51,280 --> 00:10:55,280 Speaker 3: MC in hip hop because prior to him, it was 216 00:10:55,320 --> 00:10:58,760 Speaker 3: always about the DJ. You know, Flash and the Furious, 217 00:11:00,440 --> 00:11:03,160 Speaker 3: you know, Charlie chasing the Cook. It's always about it 218 00:11:03,240 --> 00:11:05,959 Speaker 3: was always about the DJ. And then he would have 219 00:11:06,040 --> 00:11:11,000 Speaker 3: in him. See once Mellie Mel started becoming lyrical, where 220 00:11:11,120 --> 00:11:14,120 Speaker 3: now you're listening to what the MC's saying. He not 221 00:11:14,320 --> 00:11:16,199 Speaker 3: just dip dip dye and on and on and on. 222 00:11:16,600 --> 00:11:19,880 Speaker 3: He's actually spitting some balls, you know what I'm saying. 223 00:11:20,840 --> 00:11:23,400 Speaker 3: It's like what he patted in seventy seven is pretty 224 00:11:23,480 --> 00:11:27,079 Speaker 3: much what the blueprint for every MC up until about 225 00:11:27,600 --> 00:11:31,199 Speaker 3: twenty thirteen, you know, when the migos I think changed 226 00:11:31,240 --> 00:11:34,160 Speaker 3: it to something different, you know, but I mean, yeah, 227 00:11:34,280 --> 00:11:35,800 Speaker 3: I think he's the most important them. 228 00:11:35,840 --> 00:11:36,040 Speaker 1: See. 229 00:11:36,160 --> 00:11:39,160 Speaker 3: But he had his one particular style. KAS was that 230 00:11:39,320 --> 00:11:42,280 Speaker 3: dude that just pretty much could just you know, do 231 00:11:42,480 --> 00:11:45,599 Speaker 3: everything great. You know. He was like lyrical when it 232 00:11:45,679 --> 00:11:48,000 Speaker 3: came to the conscious stuff. Lyrical, came when it came 233 00:11:48,040 --> 00:11:50,240 Speaker 3: to the battle stuff, lyrical when it came to girls. 234 00:11:50,800 --> 00:11:54,040 Speaker 3: Like the first girl rhyme I mean first girl rhyme 235 00:11:54,080 --> 00:11:58,840 Speaker 3: I heard was something from him called evett you know, yeah, yeah, 236 00:11:59,000 --> 00:11:59,199 Speaker 3: let me. 237 00:11:59,320 --> 00:12:02,640 Speaker 2: I wanted to add, what would be your definition of 238 00:12:02,720 --> 00:12:08,800 Speaker 2: a sucker MC? That's one of my favorite phrases if 239 00:12:08,840 --> 00:12:10,160 Speaker 2: I've been all time. 240 00:12:11,679 --> 00:12:16,439 Speaker 3: Well, you know, back then you had you had sucker MC's, 241 00:12:17,400 --> 00:12:21,120 Speaker 3: and you had biting them seeds, you know, and you 242 00:12:21,320 --> 00:12:25,880 Speaker 3: had wack m seeds. You know. The wack MC was 243 00:12:25,920 --> 00:12:28,719 Speaker 3: the dude with the real corny rhymes that you know, 244 00:12:28,920 --> 00:12:32,599 Speaker 3: nobody wanted to you know. The sucker m C, you know, 245 00:12:34,200 --> 00:12:37,240 Speaker 3: was the dude you like pretty most most most of 246 00:12:37,240 --> 00:12:40,400 Speaker 3: the time had someone writing for him. You know what 247 00:12:40,440 --> 00:12:43,800 Speaker 3: I'm saying writers back then to come on. And then 248 00:12:43,840 --> 00:12:45,960 Speaker 3: the biting them see was the one that was biting 249 00:12:46,040 --> 00:12:47,920 Speaker 3: like a rhyme. I heard you say the party. I 250 00:12:48,000 --> 00:12:51,360 Speaker 3: said that another party next week. That was the bite them. 251 00:12:56,840 --> 00:12:57,120 Speaker 7: Nigga. 252 00:12:57,160 --> 00:12:58,959 Speaker 3: He's sucker MC, and he know what it is. 253 00:13:02,120 --> 00:13:03,040 Speaker 1: I made these up. 254 00:13:04,120 --> 00:13:06,439 Speaker 3: Yeah yeah, like you know, like like like a suck MC. 255 00:13:06,559 --> 00:13:08,640 Speaker 3: It could be referring to a wack MC, or it 256 00:13:08,640 --> 00:13:10,719 Speaker 3: could be referring to someone that got someone writing for 257 00:13:10,840 --> 00:13:12,160 Speaker 3: the respect. 258 00:13:13,559 --> 00:13:13,679 Speaker 1: Na. 259 00:13:14,800 --> 00:13:19,400 Speaker 7: Nah, that's great because you wrote, Yeah, I wrote for 260 00:13:19,440 --> 00:13:22,040 Speaker 7: the rappers. Yeah yeah, but you understand. 261 00:13:24,240 --> 00:13:26,880 Speaker 3: Me. Let me but let me explain though you're talking 262 00:13:26,960 --> 00:13:29,520 Speaker 3: about hip hop. You know what I'm saying. When it's 263 00:13:29,559 --> 00:13:32,880 Speaker 3: a street culture, you know what I'm saying. Now we're 264 00:13:32,880 --> 00:13:37,160 Speaker 3: making records, so it's a real music genre. Because here's 265 00:13:37,160 --> 00:13:39,640 Speaker 3: the difference. When he was like him out as a 266 00:13:39,720 --> 00:13:43,280 Speaker 3: music genre most people a lot of you ask a 267 00:13:43,320 --> 00:13:46,599 Speaker 3: lot of people who's their favorite singer. A lot of 268 00:13:46,640 --> 00:13:50,600 Speaker 3: people that say Luther vandros damn it all his ship 269 00:13:50,720 --> 00:13:53,400 Speaker 3: was written by someone else, you see what I'm saying. 270 00:13:54,200 --> 00:13:57,520 Speaker 3: But he still was one of the greatest vocalists. You know, 271 00:13:58,040 --> 00:14:00,280 Speaker 3: because that's we talked about the music genre right now, 272 00:14:00,320 --> 00:14:02,680 Speaker 3: when we talk about hip hop on the street level, Yeah, 273 00:14:02,760 --> 00:14:04,319 Speaker 3: it's like you know, me and you battling at a 274 00:14:04,440 --> 00:14:07,079 Speaker 3: party and someone else writing for you. You know what 275 00:14:07,120 --> 00:14:09,760 Speaker 3: I'm saying. Oh yeah, yeah, you you you just sucking them, 276 00:14:09,800 --> 00:14:11,920 Speaker 3: see right, you know or you you you saying the 277 00:14:12,000 --> 00:14:13,800 Speaker 3: ride I heard him say two weeks ago he used 278 00:14:13,800 --> 00:14:15,880 Speaker 3: to biting them. See you know what I'm saying. But 279 00:14:16,000 --> 00:14:18,080 Speaker 3: it's like now it's a hip hop is a genre, 280 00:14:18,400 --> 00:14:20,720 Speaker 3: so it's different, you look at it differently now, you know. 281 00:14:21,000 --> 00:14:24,840 Speaker 2: Yeah, man, that's really now you gotta you gotta give 282 00:14:24,920 --> 00:14:27,560 Speaker 2: me some of your favorite Juice Cruise stories, cause that's 283 00:14:27,680 --> 00:14:29,640 Speaker 2: that's a that's a hell. 284 00:14:29,520 --> 00:14:29,920 Speaker 1: Of a crew. 285 00:14:30,720 --> 00:14:32,240 Speaker 3: Oh man, I mean. 286 00:14:33,600 --> 00:14:34,160 Speaker 1: Juice Crew. 287 00:14:35,400 --> 00:14:40,600 Speaker 3: I there's so many moments, you know, watching when Mster 288 00:14:40,680 --> 00:14:43,840 Speaker 3: Magic get high, where Magic get high. He the funniest 289 00:14:43,880 --> 00:14:47,560 Speaker 3: person on the planet, yeah, cause I mean yeah, he 290 00:14:47,840 --> 00:14:52,120 Speaker 3: cursed everybody out, you know, f you you not down 291 00:14:52,240 --> 00:14:56,080 Speaker 3: no more? Yeah, yeah, he was a yeah, he like 292 00:14:56,240 --> 00:14:58,600 Speaker 3: he was one of the funniest dudes on the planet. 293 00:14:59,120 --> 00:15:03,920 Speaker 3: And then you know, Bizz, you know, rest in peace. Man. 294 00:15:04,520 --> 00:15:07,320 Speaker 3: Nobody beats the big y'all y'all worked with him before, man, 295 00:15:08,160 --> 00:15:10,160 Speaker 3: So you know, it's like it's a's the type of 296 00:15:10,240 --> 00:15:12,720 Speaker 3: dude where you know, you looking at you know his 297 00:15:12,920 --> 00:15:15,920 Speaker 3: features and you just see an easy win till he 298 00:15:16,040 --> 00:15:19,120 Speaker 3: starts snapping right, and then you see you in for 299 00:15:19,240 --> 00:15:23,600 Speaker 3: a long night because he got jokes. He got jokes below. Yeah. 300 00:15:23,720 --> 00:15:25,400 Speaker 3: You know you look at Bizz, you'd be like, oh yeah, 301 00:15:25,400 --> 00:15:27,960 Speaker 3: I'm ana tears ugly ass up and guess what he 302 00:15:29,200 --> 00:15:31,200 Speaker 3: tear you up, tear you out. The frame. 303 00:15:31,720 --> 00:15:33,880 Speaker 6: Man came and do wild and now that he did, 304 00:15:34,080 --> 00:15:36,760 Speaker 6: like he stayed like the whole week. He did like 305 00:15:37,000 --> 00:15:38,960 Speaker 6: all the episodes, cause you know him and Nick were 306 00:15:39,080 --> 00:15:39,560 Speaker 6: real cool. 307 00:15:39,840 --> 00:15:41,240 Speaker 3: You know, I wouldn't be here it wasn't for Biz 308 00:15:41,440 --> 00:15:45,480 Speaker 3: Mack real talk or yeah, like yeah, I started rapping 309 00:15:45,520 --> 00:15:48,480 Speaker 3: in eighty two and I should go around everywhere, you know, 310 00:15:48,600 --> 00:15:53,080 Speaker 3: battling everybody. Couldn't get a record deal. Uh sent in demos, 311 00:15:53,480 --> 00:15:56,720 Speaker 3: even met with I think it was near records, you know, 312 00:15:56,760 --> 00:15:58,400 Speaker 3: everything to try to get a deal. Couldn't get on. 313 00:15:58,920 --> 00:16:01,320 Speaker 3: And then I end up meeting this dude that my 314 00:16:01,400 --> 00:16:03,200 Speaker 3: man had been bragging about for the longest. I was 315 00:16:03,200 --> 00:16:04,920 Speaker 3: sick of him telling me about her. He told me 316 00:16:05,040 --> 00:16:08,080 Speaker 3: it was across the street. I go and meet Bizz, 317 00:16:08,200 --> 00:16:11,600 Speaker 3: ask him for a battle. After the battle, he was like, yo, 318 00:16:12,240 --> 00:16:14,800 Speaker 3: you dope, you need to get down with me. Man. 319 00:16:15,280 --> 00:16:17,560 Speaker 3: I do a lot of shows and Harlem Bronx or 320 00:16:17,840 --> 00:16:19,400 Speaker 3: if you get down with me, I promise you one 321 00:16:19,480 --> 00:16:21,600 Speaker 3: day I'm gonna get a record deal. And as soon 322 00:16:21,640 --> 00:16:24,160 Speaker 3: as he got on, he put me down and got 323 00:16:24,200 --> 00:16:24,800 Speaker 3: me a record deal. 324 00:16:25,400 --> 00:16:27,840 Speaker 2: What was your reaction to that verse on the Vapors 325 00:16:28,080 --> 00:16:30,000 Speaker 2: where he told the Big Daddy King story. 326 00:16:30,600 --> 00:16:33,760 Speaker 6: I wrote it, yeah, but I'm saying that I know 327 00:16:33,840 --> 00:16:35,360 Speaker 6: you wrote it, but the way he. 328 00:16:35,440 --> 00:16:37,720 Speaker 1: Delivered that shit, it was so you know, colorful and 329 00:16:37,840 --> 00:16:39,800 Speaker 1: visual well. 330 00:16:43,840 --> 00:16:46,640 Speaker 3: That you know, because it's like I kind of that 331 00:16:46,760 --> 00:16:49,520 Speaker 3: one I kind of did in my style a little bit. 332 00:16:50,000 --> 00:16:52,120 Speaker 3: You know, I had some of his elements in there, 333 00:16:52,160 --> 00:16:55,720 Speaker 3: but that was kind of like nobody beats the Biz 334 00:16:55,840 --> 00:17:00,040 Speaker 3: would probably be my favorite because that's that's bizz. You 335 00:17:00,080 --> 00:17:02,720 Speaker 3: under saying me like, that's Bi's like saying, Yo, I 336 00:17:02,840 --> 00:17:08,720 Speaker 3: wanted to be like a zoo. That's what the fuck 337 00:17:08,760 --> 00:17:11,040 Speaker 3: I got to go off, you know what I'm saying. 338 00:17:11,720 --> 00:17:13,560 Speaker 3: But I mean, you know, we we gotta you know, 339 00:17:13,640 --> 00:17:16,200 Speaker 3: you know, me as a b I go for what 340 00:17:16,320 --> 00:17:18,040 Speaker 3: I know do on the show. It's like but it's 341 00:17:18,119 --> 00:17:20,000 Speaker 3: like this is all big style, this is all like, 342 00:17:20,160 --> 00:17:22,080 Speaker 3: you know, I just want to study step there I 343 00:17:22,119 --> 00:17:25,560 Speaker 3: wanted and that's what he's giving me, you know what 344 00:17:25,600 --> 00:17:29,560 Speaker 3: I'm saying. So that's all just mumbling. Ship is no 345 00:17:29,680 --> 00:17:39,480 Speaker 3: real words, That's what he's telling me. And now he's 346 00:17:39,520 --> 00:17:43,680 Speaker 3: like yeah, and he's like, you know, have Swan sing 347 00:17:43,800 --> 00:17:46,280 Speaker 3: that nobody beats the Wiz and but say nobody beats 348 00:17:46,320 --> 00:17:48,560 Speaker 3: the biz. You know it was like, you know, like 349 00:17:48,840 --> 00:17:51,400 Speaker 3: that like that one I think was the most amazing 350 00:17:51,560 --> 00:17:54,720 Speaker 3: and uh and then picking Buggets, you know, like stuff 351 00:17:54,760 --> 00:17:57,160 Speaker 3: where I know that I would never ever do for myself. 352 00:17:57,880 --> 00:18:00,200 Speaker 3: He taking me out of my comfort zone, you know, 353 00:18:00,520 --> 00:18:02,520 Speaker 3: you know, put something together for him that I know 354 00:18:02,600 --> 00:18:05,000 Speaker 3: I would never write a song called picking buckets, you 355 00:18:05,040 --> 00:18:05,520 Speaker 3: know what I'm saying. 356 00:18:06,480 --> 00:18:09,440 Speaker 2: But you know, yeah, so you you pinning all this 357 00:18:09,600 --> 00:18:12,080 Speaker 2: dope and ship, Like what was your proudest moment as 358 00:18:12,080 --> 00:18:12,400 Speaker 2: a writer? 359 00:18:12,720 --> 00:18:17,920 Speaker 1: Like some ship you helped create? I think. 360 00:18:19,480 --> 00:18:21,160 Speaker 3: My proudest moment. 361 00:18:22,480 --> 00:18:23,639 Speaker 1: May have came. 362 00:18:25,600 --> 00:18:30,960 Speaker 3: After having a nice day with Shante because you know, 363 00:18:31,080 --> 00:18:33,359 Speaker 3: me and KRS was boys. You know, we was tired 364 00:18:34,080 --> 00:18:36,760 Speaker 3: and you know, they wanted something and they're taking shots 365 00:18:36,840 --> 00:18:38,480 Speaker 3: at him, and you know, I wrote the song for 366 00:18:38,560 --> 00:18:42,320 Speaker 3: Shante and then I talked to Chris and I'm like, yo, 367 00:18:43,200 --> 00:18:45,280 Speaker 3: just just let you know, you know, I wrote this 368 00:18:45,440 --> 00:18:49,560 Speaker 3: joint for Shante, and you know, I took some jabs 369 00:18:49,600 --> 00:18:54,840 Speaker 3: that you a Scott and he like, you know, but no, 370 00:18:55,520 --> 00:19:00,680 Speaker 3: I just wrote I want you to hear. I didn't 371 00:19:00,680 --> 00:19:01,959 Speaker 3: play it for him. I didn't play it for him. 372 00:19:02,080 --> 00:19:03,600 Speaker 3: I just gave him the head sunk. But when he 373 00:19:03,720 --> 00:19:06,439 Speaker 3: heard it, you know, he reached out and was laughing. 374 00:19:06,560 --> 00:19:10,240 Speaker 3: He like, yo, man, you know the KRS that's that 375 00:19:10,440 --> 00:19:13,760 Speaker 3: was my graph name. But I'm sitting here listening to 376 00:19:13,840 --> 00:19:16,760 Speaker 3: this shot. I'm like, damn, it does sound like a 377 00:19:16,840 --> 00:19:19,960 Speaker 3: whack radio station. And he's laughing. You know, he's laughing 378 00:19:20,000 --> 00:19:22,200 Speaker 3: about the ship, you know, because I mean, that's my dude, 379 00:19:22,200 --> 00:19:23,800 Speaker 3: you know what I mean say, he was laughing about 380 00:19:23,840 --> 00:19:26,159 Speaker 3: it like that was I was like, okay, this was 381 00:19:26,240 --> 00:19:29,840 Speaker 3: christ a probe. Okay, so we're still cool that Yeah, 382 00:19:30,040 --> 00:19:31,439 Speaker 3: that was we got to have us. 383 00:19:31,880 --> 00:19:34,879 Speaker 5: I never had no beaver about it, like they just 384 00:19:34,920 --> 00:19:36,159 Speaker 5: probably be Could you reached that like that? 385 00:19:36,400 --> 00:19:36,600 Speaker 4: Yeah? 386 00:19:36,640 --> 00:19:38,720 Speaker 3: Yeah, yeah, I mean, but I mean, you know, you understand. 387 00:19:38,840 --> 00:19:43,359 Speaker 3: You know, while in the midst of allers, hear Juice 388 00:19:43,400 --> 00:19:46,400 Speaker 3: crew bedp stuff that's going on with him and Shan 389 00:19:47,119 --> 00:19:50,000 Speaker 3: you know this dude and his wife at the time 390 00:19:50,119 --> 00:19:53,040 Speaker 3: his melody Rest in Peace. They helped me move out 391 00:19:53,040 --> 00:19:56,320 Speaker 3: of my mother's crib, you know, into my first apartment, 392 00:19:56,440 --> 00:19:58,720 Speaker 3: you know. So you know, we was we was tight 393 00:19:58,840 --> 00:20:05,080 Speaker 3: like that, you feel me, But it seemed like it 394 00:20:05,240 --> 00:20:06,280 Speaker 3: wasn't that many of y'all. 395 00:20:06,359 --> 00:20:09,000 Speaker 5: So y'all had to run in them same circles, man 396 00:20:09,280 --> 00:20:13,520 Speaker 5: like almost like you know, like the overlap is crazy, 397 00:20:13,640 --> 00:20:15,760 Speaker 5: like wolla said, you know battle beerz. 398 00:20:16,720 --> 00:20:19,280 Speaker 3: Yeah, cause my man used to tell me about him 399 00:20:19,280 --> 00:20:20,920 Speaker 3: all the time, a a long Island dude that was 400 00:20:21,040 --> 00:20:23,600 Speaker 3: dating my cousin all the time. That's all I'm hearing. 401 00:20:23,680 --> 00:20:25,560 Speaker 3: All you gotta hear my man bis market you muma. 402 00:20:25,760 --> 00:20:27,479 Speaker 3: I was so sick of him telling you about this dude. Man, 403 00:20:27,520 --> 00:20:30,480 Speaker 3: And one day you just sit across the street, you know. 404 00:20:31,320 --> 00:20:34,600 Speaker 2: Yeah, alright, I gotta ask you this cause you know, 405 00:20:34,680 --> 00:20:36,960 Speaker 2: I love some old school cars and shit like that 406 00:20:37,160 --> 00:20:39,440 Speaker 2: man who had some of the coldest cars back in 407 00:20:39,480 --> 00:20:39,840 Speaker 2: the day. 408 00:20:40,520 --> 00:20:42,720 Speaker 3: Well, I mean, first, I gotta go with Eric Bee 409 00:20:43,400 --> 00:20:46,080 Speaker 3: cause I mean, you know, every kind of rolls back 410 00:20:46,119 --> 00:20:49,600 Speaker 3: then in in eighty eight, Damn damn eight Rose, Yeah, 411 00:20:49,640 --> 00:20:51,840 Speaker 3: every cat of Rose Royce in eighty eight. What's slick 412 00:20:51,920 --> 00:20:57,159 Speaker 3: river riding? I don't know, I don't know, I don't know. 413 00:20:57,240 --> 00:20:59,920 Speaker 3: I don't know what slick Wrick can I know? Yeah 414 00:21:00,040 --> 00:21:01,880 Speaker 3: you got damn yeah. 415 00:21:02,119 --> 00:21:03,720 Speaker 5: I mean this is the time of like, you know, 416 00:21:04,920 --> 00:21:07,480 Speaker 5: you know where you know you you bailing hard in 417 00:21:07,560 --> 00:21:09,120 Speaker 5: the three hundred Mercedes there. 418 00:21:09,240 --> 00:21:10,000 Speaker 1: Yeah, you know what I'm saying. 419 00:21:10,680 --> 00:21:14,800 Speaker 4: Just that's Mike Tyson And it was just foreign you. 420 00:21:14,840 --> 00:21:17,840 Speaker 5: Know for us down south. Anything fearing around in the eighties. Oh, 421 00:21:17,920 --> 00:21:20,040 Speaker 5: you're doing something, but nah, but you. 422 00:21:20,080 --> 00:21:25,800 Speaker 3: Got in steal cats, was copping cats, was copping Benzes, BIMs, 423 00:21:27,160 --> 00:21:28,879 Speaker 3: so Audis and this. 424 00:21:29,280 --> 00:21:36,320 Speaker 5: But this dude pulled up in the rolls in eighty eight. Yeah, yeah, yeah, 425 00:21:36,480 --> 00:21:38,200 Speaker 5: you did in a real kind of way. 426 00:21:38,520 --> 00:21:41,359 Speaker 2: I gotta ask you this because people may forget what 427 00:21:41,480 --> 00:21:44,560 Speaker 2: you did do the you did the uh the Rapper 428 00:21:44,720 --> 00:21:48,760 Speaker 2: actor transition, started doing some movies and ship did the 429 00:21:48,920 --> 00:21:51,280 Speaker 2: possib movie, Man Coat Classic Man. 430 00:21:51,320 --> 00:21:53,640 Speaker 1: What was it like working on that ship? Oh? 431 00:21:53,720 --> 00:21:57,520 Speaker 3: Man, it was great because it was like I wanted 432 00:21:57,560 --> 00:22:00,199 Speaker 3: people to take me serious and not you know, look 433 00:22:00,200 --> 00:22:02,080 Speaker 3: on the screen and see big that he came. So 434 00:22:02,240 --> 00:22:04,760 Speaker 3: it's like when uh Maria was explaining it to me, 435 00:22:05,960 --> 00:22:08,679 Speaker 3: He's like, you know, you're a gambler from New Orleans. 436 00:22:09,000 --> 00:22:12,159 Speaker 3: They migrated west and you're all about the money. You 437 00:22:12,240 --> 00:22:14,680 Speaker 3: don't really care about none of us. But then you 438 00:22:14,800 --> 00:22:18,520 Speaker 3: get an attachment to such and such on little j 439 00:22:19,240 --> 00:22:22,600 Speaker 3: and you start really having respect and love for the posse. 440 00:22:22,920 --> 00:22:25,520 Speaker 3: So he so us he's explaining the role. I'm like, okay, so, 441 00:22:25,640 --> 00:22:27,480 Speaker 3: you know, learning how to ride a horse, I got 442 00:22:27,520 --> 00:22:29,879 Speaker 3: thrown about three times, but I f I finally figured 443 00:22:29,880 --> 00:22:34,120 Speaker 3: it out. And you know from I'm you know, riding horses. 444 00:22:34,160 --> 00:22:36,160 Speaker 3: And then like since he said New Orleans, I knew 445 00:22:36,200 --> 00:22:38,280 Speaker 3: I didn't have to worry about having a Western accent. 446 00:22:38,720 --> 00:22:40,719 Speaker 3: So I just went to you know, spent like two 447 00:22:40,760 --> 00:22:44,119 Speaker 3: weeks with my family down in Bowman, South Carolina. 448 00:22:44,400 --> 00:22:45,919 Speaker 1: MM you know cause you know. 449 00:22:45,960 --> 00:22:48,080 Speaker 3: That's where you hear that where your name is, you know. 450 00:22:48,800 --> 00:22:51,040 Speaker 3: So I'm down there, you know, just just just studying 451 00:22:51,080 --> 00:22:53,760 Speaker 3: the language and trying to get that Southern slang down. 452 00:22:53,800 --> 00:22:56,080 Speaker 3: And you know, you know, a lot of people, I 453 00:22:56,119 --> 00:22:58,000 Speaker 3: think they you know, they enjoyed the road, you know, 454 00:22:58,200 --> 00:22:59,760 Speaker 3: and that's what all I just wanted them to see 455 00:22:59,840 --> 00:23:02,920 Speaker 3: me other than k no, that was definitely you know, 456 00:23:03,200 --> 00:23:05,440 Speaker 3: a cowboy. You know, you're going from a rapper to 457 00:23:05,560 --> 00:23:06,040 Speaker 3: a cowboy. 458 00:23:06,119 --> 00:23:08,600 Speaker 7: That's yeah, yeah, yeah, yeah, that's a big well, I 459 00:23:08,680 --> 00:23:11,600 Speaker 7: mean what ship? I mean more d didn't why West? 460 00:23:11,640 --> 00:23:12,200 Speaker 7: Why not mean? 461 00:23:12,320 --> 00:23:15,760 Speaker 3: Man? You know, yeah, yeah, you was in the first 462 00:23:15,760 --> 00:23:16,640 Speaker 3: black superhero movie. 463 00:23:16,720 --> 00:23:22,160 Speaker 5: It wasn't Oh yeah, Media Man, rapper Town some more Man. Yeah, 464 00:23:22,440 --> 00:23:24,040 Speaker 5: we're trying to give you credit. Man, that's the first 465 00:23:24,080 --> 00:23:26,760 Speaker 5: black superhero movie we had that I can think of. 466 00:23:27,440 --> 00:23:30,119 Speaker 3: Yeah, I just getting nervous talking about stuff like that, 467 00:23:30,520 --> 00:23:32,760 Speaker 3: about people like him because I had that blonde here. 468 00:23:35,160 --> 00:23:35,800 Speaker 2: The Lord we. 469 00:23:38,160 --> 00:23:45,840 Speaker 4: Root that. That was one of the ones. 470 00:23:46,160 --> 00:23:48,760 Speaker 3: Man. I appreciate you. 471 00:23:49,400 --> 00:23:52,399 Speaker 1: Hell of a career, many career. 472 00:23:53,080 --> 00:23:55,840 Speaker 2: So do you, like he asked earlier, are you are 473 00:23:55,880 --> 00:23:58,199 Speaker 2: you into any of the new school hip hop up 474 00:23:58,800 --> 00:24:00,920 Speaker 2: or ship like that? Are you still involved with the 475 00:24:01,040 --> 00:24:04,320 Speaker 2: music at all? You still you know urge? Do n 476 00:24:04,400 --> 00:24:05,160 Speaker 2: from time to town? 477 00:24:05,200 --> 00:24:07,320 Speaker 3: Oh yeah, yeah no, not from time to time. Yeah yeah, 478 00:24:07,720 --> 00:24:12,240 Speaker 3: you know it's like if with music, I love to 479 00:24:12,240 --> 00:24:18,120 Speaker 3: see it evolved. You know, I feel like after my heyday, 480 00:24:18,600 --> 00:24:22,159 Speaker 3: what happened with nas Biggie, Uh jay Z, you know, 481 00:24:22,240 --> 00:24:22,880 Speaker 3: it's beautiful? 482 00:24:23,200 --> 00:24:23,679 Speaker 1: What happened? 483 00:24:23,720 --> 00:24:27,600 Speaker 3: They always yeah, no, yeah, it's beautiful. What happened with 484 00:24:27,680 --> 00:24:32,920 Speaker 3: Jada kiss uh Eminem Ludacris t I you know, I 485 00:24:33,000 --> 00:24:35,280 Speaker 3: feel like, you know, you know beautiful, you know, so 486 00:24:35,359 --> 00:24:37,120 Speaker 3: I l I love watching it evolved. 487 00:24:39,080 --> 00:24:39,800 Speaker 1: Now it's it. 488 00:24:39,960 --> 00:24:42,960 Speaker 3: It has a different dynamic to it. But you still 489 00:24:43,080 --> 00:24:50,040 Speaker 3: have those lyrical cats like j Cole, Kendrick Conway, Benny 490 00:24:50,119 --> 00:24:52,800 Speaker 3: the Butcher, you know, and now you got the new 491 00:24:52,920 --> 00:24:56,919 Speaker 3: ones like this, some amazing sisters out there, Lady London 492 00:24:58,280 --> 00:25:02,360 Speaker 3: sob of the Goddess. Uh ah man, I can't think 493 00:25:02,400 --> 00:25:04,440 Speaker 3: of this other young lady name, but sh yeah, she's 494 00:25:04,440 --> 00:25:06,440 Speaker 3: a she's a she's a beast too, I mean, and 495 00:25:07,080 --> 00:25:09,760 Speaker 3: kaya baby this this, it's it's just you know, so 496 00:25:09,960 --> 00:25:12,720 Speaker 3: I'm I'm always watching to see how it evolves. You know. 497 00:25:12,800 --> 00:25:13,159 Speaker 1: It's just it. 498 00:25:13,640 --> 00:25:16,160 Speaker 3: I have to search harder now, yeah, you know, cause 499 00:25:16,160 --> 00:25:20,000 Speaker 3: it's not you know, uh getting the the real lyrics 500 00:25:20,040 --> 00:25:22,159 Speaker 3: just don't get mainstream radio, right, So I have to 501 00:25:22,160 --> 00:25:23,399 Speaker 3: search for But I don't have a problem to do, 502 00:25:23,600 --> 00:25:25,760 Speaker 3: cause that's how it was. You know, when we came out, 503 00:25:25,960 --> 00:25:27,800 Speaker 3: a lot of us wasn't getting radio to play. So 504 00:25:27,920 --> 00:25:29,600 Speaker 3: you had to search, you know. You you you you'd 505 00:25:29,640 --> 00:25:33,280 Speaker 3: hear uh uh a LLL record, a big Daddy Kane record, 506 00:25:33,400 --> 00:25:35,879 Speaker 3: you know, but you had to search to find a 507 00:25:36,000 --> 00:25:39,480 Speaker 3: King's son. You had to you know, search to find 508 00:25:39,520 --> 00:25:41,800 Speaker 3: you know, c you know, certain lyrical MC's there's a 509 00:25:41,840 --> 00:25:43,800 Speaker 3: certain point where you heard raps and you were like, 510 00:25:44,560 --> 00:25:49,200 Speaker 3: this shit ain't hit what they doing with it? Yeah? Yeah, yeah, yeah, yeah, 511 00:25:49,280 --> 00:25:53,560 Speaker 3: yeah absolutely. But I mean I at the same time 512 00:25:53,880 --> 00:25:59,720 Speaker 3: I'm saying this, say't it I understand, like, you know, 513 00:26:01,280 --> 00:26:04,879 Speaker 3: when Rapper's Delight dropped, how a lot of people felt 514 00:26:04,920 --> 00:26:09,200 Speaker 3: about rap period, you know, coming from you know, or 515 00:26:09,240 --> 00:26:11,800 Speaker 3: they hear his R and B so they're like, y'all 516 00:26:11,840 --> 00:26:15,639 Speaker 3: ain't doing nothing for talking. That ain't even y'all reckord, 517 00:26:15,720 --> 00:26:18,960 Speaker 3: y'all stole that from chic. That's good times. You know, 518 00:26:19,720 --> 00:26:22,440 Speaker 3: this shit ben't having nothing from the beginning. No, it's yeah, 519 00:26:22,480 --> 00:26:25,600 Speaker 3: it's like you hear something new and something different. Hey 520 00:26:25,800 --> 00:26:28,360 Speaker 3: you yeah, you know. So it's like when I hear something, 521 00:26:28,359 --> 00:26:30,000 Speaker 3: it's like, you know, I just I just simply say, 522 00:26:30,200 --> 00:26:32,880 Speaker 3: you know, well, shit, I'm fifty five man. This ain't 523 00:26:32,920 --> 00:26:35,280 Speaker 3: for me, you know, just for the young cats. Let 524 00:26:35,320 --> 00:26:35,879 Speaker 3: them enjoy it. 525 00:26:36,000 --> 00:26:39,119 Speaker 7: That's their thing, you know, the music back and they 526 00:26:39,160 --> 00:26:42,040 Speaker 7: have so much subsean that the music that only really 527 00:26:42,080 --> 00:26:44,200 Speaker 7: go crazy today is the one that they redo. 528 00:26:44,400 --> 00:26:47,720 Speaker 1: They have to remake music like they still remaking music 529 00:26:48,359 --> 00:26:49,000 Speaker 1: to this day. 530 00:26:50,920 --> 00:26:53,520 Speaker 5: Well, I mean, you know, hip hop kind of found 531 00:26:53,560 --> 00:26:56,040 Speaker 5: it on that almost a little bit with the sample shit. 532 00:26:56,520 --> 00:26:59,159 Speaker 1: Yeah for the love you think, Well, you know you 533 00:26:59,280 --> 00:27:00,080 Speaker 1: you you you you. 534 00:27:00,280 --> 00:27:03,960 Speaker 3: You run out of fresh ideas, right you start remaking stuff. 535 00:27:04,119 --> 00:27:05,960 Speaker 3: But I will say this to add on to what 536 00:27:06,119 --> 00:27:11,240 Speaker 3: you said, mimc Hero Grandmaster Kas is a statement he 537 00:27:11,359 --> 00:27:13,680 Speaker 3: made a few years ago and now I hear a 538 00:27:13,720 --> 00:27:16,600 Speaker 3: whole lot of people saying it. He said that hip 539 00:27:16,600 --> 00:27:21,960 Speaker 3: hop didn't invent anything, It reinvented everything, you know. 540 00:27:22,560 --> 00:27:26,080 Speaker 2: So I wanna ask you this, right, when did cause 541 00:27:26,080 --> 00:27:28,639 Speaker 2: you were rapping in the early stages of you know, 542 00:27:28,760 --> 00:27:30,920 Speaker 2: development of rap, when did it go from for you? 543 00:27:31,119 --> 00:27:32,840 Speaker 1: When did it go from like the truth, you know, 544 00:27:32,960 --> 00:27:33,760 Speaker 1: like the boom. 545 00:27:33,520 --> 00:27:38,040 Speaker 2: Bath style of the late seventies early eighties until you know, 546 00:27:38,160 --> 00:27:40,560 Speaker 2: the big Daddy came where you flipping words and rapping 547 00:27:40,680 --> 00:27:43,320 Speaker 2: fastest shit and you know what I mean, stretching the silly. 548 00:27:43,119 --> 00:27:44,680 Speaker 1: Was an all the year. 549 00:27:45,359 --> 00:27:48,200 Speaker 3: Like I don't know, bro, your shit was effortless and 550 00:27:48,320 --> 00:27:49,399 Speaker 3: it just sounded like. 551 00:27:49,720 --> 00:27:52,600 Speaker 1: And you just run through you know what I mean? 552 00:27:53,040 --> 00:27:56,720 Speaker 3: Well, I mean, you know I think that, like I 553 00:27:56,840 --> 00:27:59,919 Speaker 3: was saying in seventy seven when Melly Mel made it lyrical. 554 00:28:00,240 --> 00:28:03,760 Speaker 3: That's when now all these MC's gotta step their game up, 555 00:28:04,440 --> 00:28:07,800 Speaker 3: you know, the stuff that you know, DJ Hollywood Lovebug 556 00:28:07,880 --> 00:28:10,320 Speaker 3: starts getting them casts were throwing, No, you got to 557 00:28:10,359 --> 00:28:12,720 Speaker 3: be lyrical. Now it's not just about party and stuff 558 00:28:12,760 --> 00:28:14,920 Speaker 3: and call and response, right, you have to be lyrical. 559 00:28:15,400 --> 00:28:17,680 Speaker 3: And that's when you know, you you saw the like 560 00:28:17,720 --> 00:28:21,080 Speaker 3: the Grand Mester kaz uh CuMo d there was another 561 00:28:21,119 --> 00:28:23,680 Speaker 3: brother by the name of DLB Tito from the Failures 562 00:28:23,720 --> 00:28:27,119 Speaker 3: for you started seeing MC's becoming more lyrical, you know. 563 00:28:27,480 --> 00:28:30,520 Speaker 3: But by the time Uh Run DMC came out a 564 00:28:30,600 --> 00:28:34,119 Speaker 3: few years later, I think this stuff started, you know, 565 00:28:34,720 --> 00:28:39,760 Speaker 3: going more into a party phase, you know, and then 566 00:28:39,800 --> 00:28:41,959 Speaker 3: you had like uh I think like this the uh 567 00:28:42,640 --> 00:28:48,040 Speaker 3: uh the rox sante Chante's uh roxane chante salt and 568 00:28:48,080 --> 00:28:51,120 Speaker 3: pepper tea and it's it's it's on Dougie Fresh in 569 00:28:51,160 --> 00:28:53,400 Speaker 3: the show. But I think that the the show might 570 00:28:53,480 --> 00:28:55,680 Speaker 3: have been the one that really really took it to 571 00:28:55,800 --> 00:28:57,920 Speaker 3: that party, you know, like this is what we looking for, 572 00:28:58,040 --> 00:29:00,240 Speaker 3: some party stuff, right, you know what I'm saying to 573 00:29:00,240 --> 00:29:03,520 Speaker 3: show that was like a party jam, you know. But 574 00:29:03,720 --> 00:29:07,760 Speaker 3: then then are eighty six. I believe that's when I 575 00:29:07,840 --> 00:29:11,000 Speaker 3: think that's when rock Kim came out, and then k 576 00:29:11,160 --> 00:29:14,480 Speaker 3: r S and then right after that was me and 577 00:29:14,640 --> 00:29:16,680 Speaker 3: all three of us, you know, like it was just 578 00:29:17,440 --> 00:29:23,240 Speaker 3: living Oh I'm sorry, uh Rock Kim, KRS, Coolgie Rap 579 00:29:23,680 --> 00:29:24,120 Speaker 3: and then. 580 00:29:24,480 --> 00:29:27,600 Speaker 5: Yeah y'all yeah yeah yeah, so y'all like the mount 581 00:29:27,720 --> 00:29:31,400 Speaker 5: Rushmore of the of the of the style switch that 582 00:29:31,520 --> 00:29:31,920 Speaker 5: well that. 583 00:29:32,000 --> 00:29:34,200 Speaker 3: Ever, yeah, I could go with that. I wouldn't argue 584 00:29:34,280 --> 00:29:38,360 Speaker 3: that I could go with that, That's right. Yeah, Yeah, 585 00:29:38,480 --> 00:29:39,000 Speaker 3: that's hard. 586 00:29:39,320 --> 00:29:39,840 Speaker 4: That's real. 587 00:29:41,160 --> 00:29:42,920 Speaker 3: Yeah shit, I gotta get me a statue built now. 588 00:29:43,040 --> 00:29:43,840 Speaker 4: That hard. 589 00:29:44,880 --> 00:29:46,840 Speaker 5: You know, we be having so many artists and stuff. 590 00:29:46,920 --> 00:29:51,360 Speaker 5: Somebody go home. I mean every era has their U mouth. 591 00:29:51,880 --> 00:29:55,600 Speaker 5: Matter of fact, I'm curious, like for for you, who 592 00:29:55,600 --> 00:29:56,680 Speaker 5: would be your your mouth? 593 00:29:56,760 --> 00:30:02,200 Speaker 3: Rushmore? That's my top like just all around no today generation, 594 00:30:02,400 --> 00:30:02,880 Speaker 3: my generation. 595 00:30:03,680 --> 00:30:11,320 Speaker 1: I gotta say Tupac Anah Boone Duz and Harmony as 596 00:30:11,360 --> 00:30:11,880 Speaker 1: a whole. 597 00:30:12,240 --> 00:30:25,040 Speaker 3: Okay, one more uh them? Okay, yeah see, you know 598 00:30:25,320 --> 00:30:27,960 Speaker 3: that's that's the beautiful thing about hip hop, man. It's 599 00:30:28,080 --> 00:30:32,240 Speaker 3: like you can get into this and uh gravitate to 600 00:30:33,040 --> 00:30:36,960 Speaker 3: certain artists for so many different reasons, you know, for 601 00:30:37,080 --> 00:30:38,120 Speaker 3: so many different reasons. 602 00:30:38,600 --> 00:30:41,200 Speaker 7: I just missed back when it was when you knew 603 00:30:41,240 --> 00:30:43,760 Speaker 7: when you heard somebody like you knew where they were from. 604 00:30:43,920 --> 00:30:46,200 Speaker 7: I missed that, like we knew y'all was from up top, 605 00:30:46,560 --> 00:30:48,120 Speaker 7: we knew they was from over here like you. It 606 00:30:48,120 --> 00:30:49,680 Speaker 7: ain't like that no more. All it would just sound 607 00:30:49,840 --> 00:30:52,560 Speaker 7: just one one yeah, yeah, yeah, yeah, yeah, I agree 608 00:30:52,600 --> 00:30:54,640 Speaker 7: with you. That's why like like West Side Gunn, like 609 00:30:54,680 --> 00:30:56,600 Speaker 7: Griselda them like you were talking like they got that 610 00:30:56,760 --> 00:30:58,800 Speaker 7: old New York feel that, you know what I'm saying. 611 00:30:58,800 --> 00:31:01,400 Speaker 3: I like that. Yeah, and the Buffalo. I want to 612 00:31:01,440 --> 00:31:02,640 Speaker 3: hear that control over there. 613 00:31:02,720 --> 00:31:04,720 Speaker 1: Yeah, that New York ship like. 614 00:31:07,160 --> 00:31:09,920 Speaker 2: Is always People in the South are always listening to you, 615 00:31:10,320 --> 00:31:13,760 Speaker 2: always listening to New with Big Daddy came Man when 616 00:31:13,800 --> 00:31:14,720 Speaker 2: you were touring the ship. 617 00:31:14,760 --> 00:31:16,040 Speaker 1: Did you come to the South like that? 618 00:31:17,080 --> 00:31:17,280 Speaker 3: Yeah? 619 00:31:17,840 --> 00:31:18,360 Speaker 1: Yeah yeah. 620 00:31:19,840 --> 00:31:27,200 Speaker 3: I used to love doing shows, you know in Atlanta Mobile. 621 00:31:31,240 --> 00:31:35,120 Speaker 6: When you do a freaknk No, no, no, he did 622 00:31:35,160 --> 00:31:35,960 Speaker 6: his own freaknik. 623 00:31:37,600 --> 00:31:37,800 Speaker 1: Yeah. 624 00:31:39,600 --> 00:31:43,960 Speaker 6: Nobody to ask you about the Madonna Ship, you know, 625 00:31:44,040 --> 00:31:44,920 Speaker 6: what about to ask you that? 626 00:31:45,240 --> 00:31:46,160 Speaker 4: I want to know from you. 627 00:31:46,360 --> 00:31:47,160 Speaker 1: I got to hear from you. 628 00:31:47,520 --> 00:31:50,120 Speaker 6: This is one of my childhood dreams come come to light. 629 00:31:51,560 --> 00:31:52,920 Speaker 1: Well, who do you want to ask? 630 00:31:54,600 --> 00:31:55,360 Speaker 6: Take her on the top? 631 00:31:58,840 --> 00:32:03,360 Speaker 4: What you mean, who's all over? 632 00:32:05,000 --> 00:32:08,920 Speaker 3: Nah? Warner Brothers has sent us on a promotional tour. 633 00:32:09,520 --> 00:32:13,880 Speaker 3: It was myself, Madonna and color Me Bad. And you know, 634 00:32:14,000 --> 00:32:18,280 Speaker 3: we was visiting a lot of uh uh, upper class 635 00:32:18,480 --> 00:32:21,600 Speaker 3: white hospitals, you know, and you know the kids that 636 00:32:21,720 --> 00:32:23,880 Speaker 3: was in there were the kids in intensive care. But um, 637 00:32:23,880 --> 00:32:25,560 Speaker 3: you know they didn't they didn't really know who I was. 638 00:32:25,720 --> 00:32:27,720 Speaker 3: You know, they knew who Madonna was calling me bad, 639 00:32:27,720 --> 00:32:29,840 Speaker 3: but they know it. And like Madonna was like, and 640 00:32:29,960 --> 00:32:32,160 Speaker 3: this is big daddy gang. You know, he said, he's 641 00:32:32,160 --> 00:32:33,840 Speaker 3: a famous rapp let me. Let me let me hear 642 00:32:33,880 --> 00:32:36,040 Speaker 3: you say, ain't no. And I'm just sitting there like, 643 00:32:36,080 --> 00:32:39,680 Speaker 3: oh wow, Madonna, know my shit, Wow that's crazy. And 644 00:32:39,760 --> 00:32:43,800 Speaker 3: then afterwards she said that she was doing a book. 645 00:32:44,760 --> 00:32:46,440 Speaker 3: She was like, well, I'm working on this book. I 646 00:32:46,440 --> 00:32:48,040 Speaker 3: would you know, like you'd be in it. I would 647 00:32:48,080 --> 00:32:50,600 Speaker 3: be I would behind it. And she was like, well, 648 00:32:50,720 --> 00:32:53,720 Speaker 3: you know it's gonna be new photos. And I was like, well, shit, 649 00:32:53,840 --> 00:32:58,320 Speaker 3: even better. And we you know, we did it, and 650 00:32:58,560 --> 00:33:01,240 Speaker 3: you know, I f flew down to Miami and we 651 00:33:01,360 --> 00:33:04,880 Speaker 3: took a bunch of f photos meet her and Naomi Campbell. 652 00:33:05,040 --> 00:33:10,760 Speaker 1: And meet her. Camp was shot. 653 00:33:10,880 --> 00:33:14,720 Speaker 3: They have the sandwiches take a biture, Nah. 654 00:33:14,600 --> 00:33:16,160 Speaker 5: But it was all it was just it was just 655 00:33:16,240 --> 00:33:18,920 Speaker 5: a photo shoot though. That's all it's. It's nothing really 656 00:33:18,960 --> 00:33:19,560 Speaker 5: extra to tell. 657 00:33:19,680 --> 00:33:19,800 Speaker 3: Man. 658 00:33:19,880 --> 00:33:20,720 Speaker 1: Yeah, that's enough. 659 00:33:22,800 --> 00:33:24,120 Speaker 3: What's something of the tour man? 660 00:33:24,360 --> 00:33:27,680 Speaker 5: Like what you remember from just touring, Like when you 661 00:33:27,880 --> 00:33:29,840 Speaker 5: first set out there, when you kind of knew you 662 00:33:30,080 --> 00:33:33,320 Speaker 5: was you was up, Cause touring before you know, you 663 00:33:33,440 --> 00:33:37,240 Speaker 5: got it locked in. Its different than hitting that role 664 00:33:37,320 --> 00:33:39,360 Speaker 5: once you know, okay, now I'm here to stay. 665 00:33:39,640 --> 00:33:43,960 Speaker 3: Like it's fun, you know what I mean? The tour 666 00:33:44,040 --> 00:33:46,280 Speaker 3: bus life, especially when you know you're young and whatnot. 667 00:33:46,280 --> 00:33:48,520 Speaker 3: A tour bus life is a lot of fun. And 668 00:33:48,840 --> 00:33:52,320 Speaker 3: then just the energy cause it's like, you know, I'm 669 00:33:52,360 --> 00:33:55,280 Speaker 3: an artists. You're an artists. Youmine artists, you're an artists. 670 00:33:55,800 --> 00:33:58,720 Speaker 3: You know we grabbed it. You know, we probably shooting tights, 671 00:33:58,720 --> 00:34:01,640 Speaker 3: getting drunk every night, but you know when it's time 672 00:34:01,680 --> 00:34:08,040 Speaker 3: to hit that stage though, shit, yeah right, you know 673 00:34:08,520 --> 00:34:12,040 Speaker 3: we ain't cool right now? You know I got the hammer? 674 00:34:12,719 --> 00:34:15,640 Speaker 3: Huh like that? Man, Listen, let me tell you something. 675 00:34:18,640 --> 00:34:23,759 Speaker 3: Eric B could be at my house Thursday night and 676 00:34:23,920 --> 00:34:27,040 Speaker 3: we'll be sitting there in the back room looking at 677 00:34:27,080 --> 00:34:31,560 Speaker 3: our parents, my father and Eric Bee father, these dirty 678 00:34:31,600 --> 00:34:33,680 Speaker 3: ass old man they out there on the couch when 679 00:34:33,760 --> 00:34:36,360 Speaker 3: my pops is looking up the stairs making sure my 680 00:34:36,480 --> 00:34:39,239 Speaker 3: moms ain't coming down, telling Eric Popp's got ahead. He 681 00:34:39,440 --> 00:34:42,839 Speaker 3: ordering Uncle Luke videos on video jukebox so you can 682 00:34:42,880 --> 00:34:45,520 Speaker 3: see some booty shaped videos and shit, and be and 683 00:34:45,680 --> 00:34:48,720 Speaker 3: Eric sitting there laughing at them, crying, laughing at these dudes. 684 00:34:48,800 --> 00:34:52,840 Speaker 3: Right Friday night, come we got to show somewhere in 685 00:34:52,920 --> 00:34:56,640 Speaker 3: properties for aw hours wherever Eric ha smooth walked past 686 00:34:56,719 --> 00:34:58,640 Speaker 3: my ass like he don't see me. Now, we just 687 00:34:58,800 --> 00:35:01,840 Speaker 3: was together less night cause we in that zone we in. 688 00:35:01,920 --> 00:35:04,880 Speaker 3: It's your time. I got to have it. Every can 689 00:35:04,960 --> 00:35:06,560 Speaker 3: smooth walk past me like you don't see me with 690 00:35:06,640 --> 00:35:09,719 Speaker 3: his head up, you know. But that's but that's that 691 00:35:09,880 --> 00:35:11,600 Speaker 3: real hip hop shit though, you know what I'm saying. 692 00:35:12,360 --> 00:35:15,200 Speaker 2: Yeah, man, it's just clip for you rapping on stage 693 00:35:15,200 --> 00:35:17,560 Speaker 2: and the fucking might go out, then. 694 00:35:17,440 --> 00:35:19,520 Speaker 1: That shit pop back on it. You just keep rapping. 695 00:35:19,560 --> 00:35:21,120 Speaker 1: That shit in the crowd went crazy. 696 00:35:21,600 --> 00:35:23,719 Speaker 3: Oh well, you know that's something that honestly, that's something 697 00:35:23,719 --> 00:35:25,560 Speaker 3: we used to do every night. But that's you know, 698 00:35:25,680 --> 00:35:29,000 Speaker 3: before Internet, so nobody knew. It was like a surprise 699 00:35:29,160 --> 00:35:31,879 Speaker 3: everybody in every state that we went to. But then, 700 00:35:31,920 --> 00:35:33,920 Speaker 3: you know, once I seen the shit pop up on YouTube, 701 00:35:33,960 --> 00:35:36,120 Speaker 3: I said, well, we gotta retire that, you know what 702 00:35:38,520 --> 00:35:39,600 Speaker 3: that shit cause that shit? 703 00:35:39,719 --> 00:35:41,480 Speaker 1: So you playing you you had been doing this? 704 00:35:41,719 --> 00:35:41,879 Speaker 4: Yeah? 705 00:35:41,960 --> 00:35:43,839 Speaker 3: Yeah, yeah, but I mean it was like no one 706 00:35:43,960 --> 00:35:46,560 Speaker 3: new because you know, there wasn't you know, yeah, you know, 707 00:35:46,600 --> 00:35:49,280 Speaker 3: it wasn't no. Social media wasn't no. You know, nobody 708 00:35:49,360 --> 00:35:50,640 Speaker 3: was really on the internet like that. 709 00:35:50,920 --> 00:35:53,640 Speaker 1: You know, it's hard. 710 00:35:54,719 --> 00:35:57,080 Speaker 2: It's hard, man, Welcome back to the Ay five South show. 711 00:35:57,480 --> 00:35:59,400 Speaker 4: What none other. 712 00:36:00,960 --> 00:36:07,399 Speaker 2: Jam This is just this is beyond me right now, Jail, 713 00:36:08,680 --> 00:36:11,000 Speaker 2: she is crazy. This is unbelievable. 714 00:36:11,080 --> 00:36:11,279 Speaker 1: Man. 715 00:36:11,560 --> 00:36:14,080 Speaker 2: You gotta give me one of your favorite Bis Marquis stories. 716 00:36:14,239 --> 00:36:16,919 Speaker 2: I just watched you on the documentary and a great 717 00:36:17,000 --> 00:36:19,879 Speaker 2: life is a great dude, full of energy and love 718 00:36:20,000 --> 00:36:21,920 Speaker 2: and light. Man, So you got to give me one 719 00:36:21,920 --> 00:36:23,080 Speaker 2: of your favorite bid stories. 720 00:36:25,239 --> 00:36:36,800 Speaker 3: Uh uh, I just told there's so many, but I 721 00:36:36,960 --> 00:36:41,239 Speaker 3: think probably my favorite one was one night we did 722 00:36:41,280 --> 00:36:44,880 Speaker 3: a show. I don't know where it's Latin Quarters and 723 00:36:44,960 --> 00:36:49,080 Speaker 3: spoting New Yoke. Anyway, we did a show and we 724 00:36:49,239 --> 00:36:51,400 Speaker 3: got some girls in the little bit. This is deeper 725 00:36:51,480 --> 00:37:00,000 Speaker 3: day skypages. That's something, Okay, I'm just trying to keep 726 00:37:00,080 --> 00:37:07,840 Speaker 3: you with us playing. No, his beeple went on and 727 00:37:07,960 --> 00:37:15,680 Speaker 3: he looks at his beat and he's like Luther and 728 00:37:15,800 --> 00:37:17,960 Speaker 3: the girls, and I'm looking at this dude like, man, 729 00:37:18,000 --> 00:37:18,480 Speaker 3: don't do this. 730 00:37:18,719 --> 00:37:18,879 Speaker 1: Man. 731 00:37:19,160 --> 00:37:22,080 Speaker 3: But the girls they over there like buz, you know 732 00:37:22,239 --> 00:37:25,759 Speaker 3: Luther andros. Yeah. Man, he wanted me to beat box 733 00:37:25,840 --> 00:37:27,840 Speaker 3: for him at the garden, but I don't feel like it. 734 00:37:27,920 --> 00:37:29,640 Speaker 3: I told him. I just let him hold one of 735 00:37:29,640 --> 00:37:31,319 Speaker 3: my dookie ropes. And I'm just. 736 00:37:33,840 --> 00:37:36,640 Speaker 4: The yo. 737 00:37:36,840 --> 00:37:42,920 Speaker 3: People believe this ship like pay him for you wouldn't 738 00:37:42,920 --> 00:37:44,560 Speaker 3: none of y'all wouldn't believe nothing like that if he 739 00:37:44,680 --> 00:37:50,080 Speaker 3: was setting that front right right. Yeah, but you no, man, 740 00:37:50,160 --> 00:37:52,040 Speaker 3: come on, I'm. 741 00:37:51,920 --> 00:37:52,440 Speaker 1: Not believing it. 742 00:37:52,480 --> 00:37:54,120 Speaker 3: But I'm saying, maybe I can see some very. 743 00:37:54,120 --> 00:37:54,600 Speaker 8: Going for it. 744 00:37:54,800 --> 00:37:54,960 Speaker 3: Yeah. 745 00:37:55,239 --> 00:37:55,480 Speaker 4: They were. 746 00:37:55,560 --> 00:37:58,560 Speaker 3: They was excited. They was excited. I'm just sitting there like, 747 00:37:58,800 --> 00:38:02,239 Speaker 3: he probably don't winning bee his damn self and no, no, no, 748 00:38:02,400 --> 00:38:05,000 Speaker 3: someone beat him. But it wasn't God Damn Luther Vanders. 749 00:38:05,960 --> 00:38:08,279 Speaker 3: But you know, I'm used to biz tall tails, you 750 00:38:08,320 --> 00:38:10,279 Speaker 3: know what I'm saying. But I'm this is one of 751 00:38:10,320 --> 00:38:13,600 Speaker 3: the nights. Wee. I'm like, yo, you telling one, well, 752 00:38:14,120 --> 00:38:17,440 Speaker 3: we ain't gonna get no as the night, trying to 753 00:38:17,480 --> 00:38:19,759 Speaker 3: convince him that we know Luther vandros Man you know. 754 00:38:21,520 --> 00:38:25,120 Speaker 6: Yeah, yeah, every time Big went out him come home. 755 00:38:26,200 --> 00:38:27,200 Speaker 1: But that might have been. 756 00:38:27,080 --> 00:38:29,480 Speaker 3: Because look back then, you couldn't google nothing. 757 00:38:29,560 --> 00:38:30,120 Speaker 1: I wouldn't live. 758 00:38:30,400 --> 00:38:33,440 Speaker 3: Yeah, you couldn't google it. You're really gonna look it up? 759 00:38:33,719 --> 00:38:38,759 Speaker 3: You know what I'm saying, Like, Hey, okay, listen she 760 00:38:39,200 --> 00:38:45,399 Speaker 3: right now. You're used to seeing uh Rihanna standing next 761 00:38:45,480 --> 00:38:50,640 Speaker 3: to jay Z and stuff like that. No, no, not 762 00:38:50,920 --> 00:38:51,680 Speaker 3: my ever, man? 763 00:38:52,120 --> 00:38:52,279 Speaker 5: Is it. 764 00:38:54,040 --> 00:38:55,279 Speaker 1: Gall You know? Man? 765 00:38:56,280 --> 00:38:56,480 Speaker 4: Nah? 766 00:38:57,040 --> 00:39:01,279 Speaker 3: Me and Luther wouldn't be able to say. Luther wasn't 767 00:39:01,320 --> 00:39:02,839 Speaker 3: in the same room until I be in the song 768 00:39:02,880 --> 00:39:06,600 Speaker 3: with Patty LaBelle Man. Yeah right, we had to connect 769 00:39:06,640 --> 00:39:09,160 Speaker 3: through Patty. You know what I'm saying. I was working 770 00:39:09,200 --> 00:39:14,040 Speaker 3: for Paddy. Yep, No, you did that serious though, Yeah, 771 00:39:14,480 --> 00:39:18,400 Speaker 3: damn yeah, we both was Patty's playing put one me 772 00:39:18,560 --> 00:39:19,160 Speaker 3: and little throw. 773 00:39:19,640 --> 00:39:22,160 Speaker 1: Yeah. She's a nice lady. She's amazing. 774 00:39:22,239 --> 00:39:22,399 Speaker 3: Man. 775 00:39:24,239 --> 00:39:26,719 Speaker 4: Have you ever had a Patty pat Nah? 776 00:39:26,719 --> 00:39:28,680 Speaker 3: I don't, I don't. I don't eat sweets, but she did. 777 00:39:29,000 --> 00:39:31,640 Speaker 3: The day I laid my vocals. She cooked some vegetarian 778 00:39:31,719 --> 00:39:34,480 Speaker 3: collar greens, mac and cheese and some fried fish for 779 00:39:34,600 --> 00:39:39,160 Speaker 3: me and brought it to the studio Patty and labell me, 780 00:39:39,920 --> 00:39:42,719 Speaker 3: she's a beach in the kitchen. Yeah, she's a beach 781 00:39:42,760 --> 00:39:44,840 Speaker 3: in the kitchen. And like when he was on tour together, 782 00:39:45,280 --> 00:39:47,160 Speaker 3: like I've seen her do stuff. Were like, you know, 783 00:39:47,280 --> 00:39:50,560 Speaker 3: she'd get up in first class and go in there 784 00:39:50,600 --> 00:39:52,920 Speaker 3: fucking with the flight attendants. You like, no, I need 785 00:39:52,960 --> 00:39:54,440 Speaker 3: to put a little hot sauce and put a hot 786 00:39:54,440 --> 00:39:55,280 Speaker 3: sauce out of person. 787 00:39:55,640 --> 00:39:57,360 Speaker 1: Yeah yeah, yeah, yeah, that. 788 00:39:57,520 --> 00:39:59,920 Speaker 3: Bad when you smoke a cigarette on the plane. Nah. 789 00:40:03,880 --> 00:40:05,560 Speaker 3: You know what, you might won't be that one. 790 00:40:06,160 --> 00:40:09,399 Speaker 6: You might took two cheap jass so you might o't 791 00:40:09,440 --> 00:40:09,920 Speaker 6: be that one. 792 00:40:11,000 --> 00:40:12,040 Speaker 3: You might over be that one. 793 00:40:14,600 --> 00:40:17,200 Speaker 2: That's crazy, man, It's the legendary picture that come up 794 00:40:17,280 --> 00:40:19,920 Speaker 2: on Throwback Thursday. You're getting a haircut. Man, Yo, your 795 00:40:19,960 --> 00:40:22,360 Speaker 2: ship was always tight. Who was your bother. 796 00:40:22,280 --> 00:40:22,839 Speaker 1: Back in the day? 797 00:40:23,640 --> 00:40:27,640 Speaker 3: First it was my man Smooth, and then once we 798 00:40:27,760 --> 00:40:31,560 Speaker 3: started brother from O the White Coat Projects, we went 799 00:40:31,600 --> 00:40:33,920 Speaker 3: to high school together for a brief moment or you know, 800 00:40:34,160 --> 00:40:37,080 Speaker 3: my dude Smooth, and then like once we started going 801 00:40:37,120 --> 00:40:40,600 Speaker 3: on the road, school, my dancer. He was nice with 802 00:40:40,680 --> 00:40:43,120 Speaker 3: the couplers too, so then ended up being him. 803 00:40:44,640 --> 00:40:49,880 Speaker 5: White cout that that's that's Queens Brooklyn, Brooklyn. Okay, that's right, 804 00:40:51,360 --> 00:40:52,279 Speaker 5: you new Biggie person. 805 00:40:53,239 --> 00:40:59,399 Speaker 3: No, I mean I met Biggie and uh the brother 806 00:40:59,480 --> 00:41:01,400 Speaker 3: that was my there used to used to be my 807 00:41:01,560 --> 00:41:04,920 Speaker 3: DJ and the Just Discovery Biggie DJ misster c he 808 00:41:05,400 --> 00:41:07,080 Speaker 3: he put us on the phone like twice, Like we 809 00:41:07,160 --> 00:41:11,000 Speaker 3: talked on the phone twice. But I mean I didn't like, 810 00:41:11,080 --> 00:41:13,520 Speaker 3: we didn't really have a relationship. His relationship was we 811 00:41:13,600 --> 00:41:21,520 Speaker 3: missed to c but phenomenal mc man, yeah, phenomen bigger. 812 00:41:21,560 --> 00:41:23,200 Speaker 1: Did you ever think that hip hop would take it 813 00:41:23,280 --> 00:41:23,640 Speaker 1: this far? 814 00:41:24,520 --> 00:41:29,640 Speaker 3: Absolutely? Absolutely. I mean it's like just watching the way 815 00:41:29,760 --> 00:41:33,279 Speaker 3: people was bashing it, you know, in the beginning it 816 00:41:33,840 --> 00:41:37,279 Speaker 3: it was like the remnants of rock and roll. It's 817 00:41:37,280 --> 00:41:38,600 Speaker 3: the same thing they said about rock and roll in 818 00:41:38,600 --> 00:41:40,759 Speaker 3: the fifties and you saw what happened with that. So 819 00:41:40,880 --> 00:41:42,480 Speaker 3: it was like I kind of saw it that the 820 00:41:42,600 --> 00:41:47,640 Speaker 3: same way, you know, like, Okay, something new and revolutionary 821 00:41:47,760 --> 00:41:53,120 Speaker 3: is coming through that an older generation don't understand it's 822 00:41:53,200 --> 00:41:54,920 Speaker 3: gonna stick and it's gonna be. 823 00:41:56,680 --> 00:41:57,040 Speaker 1: Changes. 824 00:41:57,120 --> 00:41:59,800 Speaker 3: I don't feel like no other genre changes. When you 825 00:41:59,840 --> 00:42:03,080 Speaker 3: say their changes, what do you mean change like pushing 826 00:42:03,160 --> 00:42:03,440 Speaker 3: the day? 827 00:42:03,560 --> 00:42:06,000 Speaker 7: Like you really won't be nobody if you're not talking 828 00:42:06,000 --> 00:42:08,160 Speaker 7: about killing the niggas some stupid shit like that. 829 00:42:08,360 --> 00:42:09,799 Speaker 3: Like it's it's it's to the. 830 00:42:09,840 --> 00:42:13,520 Speaker 7: Point when you got eight year old kids rapping talking 831 00:42:13,560 --> 00:42:16,279 Speaker 7: about killing like clearly that's well. 832 00:42:16,400 --> 00:42:21,279 Speaker 3: I mean, you know, uh with rock and roll, you know, 833 00:42:23,280 --> 00:42:25,920 Speaker 3: with Chuck Berry and Little Richard Never's president them, it's 834 00:42:26,000 --> 00:42:29,800 Speaker 3: you know, it's started on some some party stuff and 835 00:42:30,160 --> 00:42:37,480 Speaker 3: then you know, it went into like psychedelic phase, you know, 836 00:42:38,040 --> 00:42:40,799 Speaker 3: talking about a lot of drugs and stuff, and then 837 00:42:40,840 --> 00:42:44,120 Speaker 3: it went into anti war and then it went into 838 00:42:44,200 --> 00:42:46,560 Speaker 3: heavy metal. So I mean rock and roll did a 839 00:42:46,600 --> 00:42:50,320 Speaker 3: whole lot of changes too, you know, you know, and 840 00:42:50,440 --> 00:42:53,239 Speaker 3: that psychedelic phase was about a lot of drugs, you know, 841 00:42:54,920 --> 00:42:57,839 Speaker 3: yeah that was the other day. Yeah, they just went 842 00:42:57,920 --> 00:43:03,400 Speaker 3: through it. Page No, I don't know ship cracks. Future 843 00:43:03,440 --> 00:43:04,520 Speaker 3: talk about smoothing crack. 844 00:43:06,560 --> 00:43:08,279 Speaker 2: I don't know if we ever gonna handle raper that 845 00:43:08,360 --> 00:43:10,560 Speaker 2: can successfully pull off that one smoke crack. 846 00:43:12,280 --> 00:43:14,719 Speaker 3: We didn't have them Future can do it. We didn't 847 00:43:14,719 --> 00:43:15,120 Speaker 3: have them. 848 00:43:16,560 --> 00:43:23,160 Speaker 6: That just was openly smoking crack, not openly hell no, 849 00:43:23,360 --> 00:43:24,200 Speaker 6: that ain't gonna happen. 850 00:43:24,800 --> 00:43:25,320 Speaker 3: I hope not. 851 00:43:25,480 --> 00:43:31,120 Speaker 1: Anyway, let them let that ship go. Drug rap though, but. 852 00:43:31,200 --> 00:43:32,880 Speaker 6: You know they got a lot of different dramas of 853 00:43:32,960 --> 00:43:35,279 Speaker 6: rap right now with you know, they got pussy rap. Now, 854 00:43:35,480 --> 00:43:37,080 Speaker 6: did you ever think that you would see a whole 855 00:43:37,160 --> 00:43:38,239 Speaker 6: genre pussy rap? 856 00:43:38,400 --> 00:43:44,680 Speaker 3: Yeah, it's you know, I mean that ain't for my ear. 857 00:43:44,880 --> 00:43:48,080 Speaker 3: I think there's a time in a place for everything, 858 00:43:48,280 --> 00:43:55,920 Speaker 3: you know, like before hip hop, you know, I like, 859 00:43:56,520 --> 00:44:00,799 Speaker 3: we had parents that would sit in front of us, 860 00:44:00,920 --> 00:44:07,319 Speaker 3: clean the house, playing Brothers, the Old Jays, and then 861 00:44:07,320 --> 00:44:10,960 Speaker 3: when we go to bed, they throwing Millie Jackson she's 862 00:44:11,000 --> 00:44:12,480 Speaker 3: singing but cursing her ass. 863 00:44:12,320 --> 00:44:14,360 Speaker 1: On mm, you know, most differently. 864 00:44:14,480 --> 00:44:17,279 Speaker 3: And then when we not there, they might throw some 865 00:44:17,400 --> 00:44:19,000 Speaker 3: dolamite on, you know. 866 00:44:22,120 --> 00:44:24,240 Speaker 1: Party records, like dolomite. 867 00:44:24,239 --> 00:44:26,520 Speaker 3: You talking about dolomite. Yeah, can. 868 00:44:28,520 --> 00:44:31,080 Speaker 4: That's why he's here. That's why he's here. 869 00:44:31,520 --> 00:44:32,360 Speaker 5: He needs to be. 870 00:44:34,520 --> 00:44:38,960 Speaker 3: I can't see he made what dolah bike? You talking 871 00:44:38,960 --> 00:44:42,480 Speaker 3: about dollar bike man? Call me birthday? 872 00:44:44,040 --> 00:44:46,279 Speaker 4: I just be damn nah. 873 00:44:46,360 --> 00:44:48,520 Speaker 3: Yeah, he made he made party records. But yeah, he 874 00:44:49,120 --> 00:44:50,880 Speaker 3: he did try to sing too, but I mean he 875 00:44:51,000 --> 00:44:54,320 Speaker 3: mainly party records. But but I mean, you know it, 876 00:44:54,480 --> 00:44:57,120 Speaker 3: it was like all this stuff exists, you know, uh, 877 00:44:57,600 --> 00:45:01,600 Speaker 3: you know, I just think that the d differences. Like 878 00:45:01,719 --> 00:45:04,920 Speaker 3: I said, that's what our parents played when we was 879 00:45:05,000 --> 00:45:07,200 Speaker 3: in at went to bed, or when we wasn't home. 880 00:45:07,960 --> 00:45:11,320 Speaker 1: You know, So parents gotta have some discretion. 881 00:45:11,600 --> 00:45:15,719 Speaker 2: Oh Radio two Mma, Radio two Radio got they got 882 00:45:15,760 --> 00:45:17,960 Speaker 2: a job to do. They gotta play with They somebody 883 00:45:18,040 --> 00:45:19,799 Speaker 2: telling them what they do, what they do. I don't 884 00:45:19,800 --> 00:45:20,919 Speaker 2: think they get to pick the music. 885 00:45:21,440 --> 00:45:21,600 Speaker 1: Well. 886 00:45:22,040 --> 00:45:24,279 Speaker 3: I mean, I'm not talking about the the on air 887 00:45:24,400 --> 00:45:27,279 Speaker 3: jock MM. I'm talking about you know, whoever running the 888 00:45:27,360 --> 00:45:29,360 Speaker 3: radio station. You know what I'm saying. I mean, you 889 00:45:29,440 --> 00:45:34,120 Speaker 3: know you know, yeah cause I mean, sh shit, That's 890 00:45:34,160 --> 00:45:37,120 Speaker 3: how it was with us. You had we had to 891 00:45:37,160 --> 00:45:40,000 Speaker 3: make no we had to make a clean version. If 892 00:45:40,040 --> 00:45:43,040 Speaker 3: you if you had some gangster stuff or some sectional stuff, 893 00:45:43,440 --> 00:45:46,720 Speaker 3: you had to make a clean version. When you're not cursing. 894 00:45:47,520 --> 00:45:49,640 Speaker 3: You know what I'm saying. You shooting a video, you 895 00:45:49,719 --> 00:45:52,960 Speaker 3: gotta picture weed or guns on your shirt. Now you 896 00:45:53,040 --> 00:45:56,520 Speaker 3: gotta take get out of it. Like my Smooth Operator video. 897 00:45:58,360 --> 00:46:01,120 Speaker 3: You see Chris Rock in there. You see I'll be 898 00:46:01,239 --> 00:46:04,960 Speaker 3: sure in there. But they completely cut condemed Hardston out 899 00:46:06,160 --> 00:46:08,719 Speaker 3: because I was on Warner Brothers and he had on 900 00:46:08,800 --> 00:46:12,000 Speaker 3: a T shirt that said Batman sucks and that was 901 00:46:12,040 --> 00:46:17,480 Speaker 3: a Warner Brothers movie. Yeah, Aman, you got to as 902 00:46:20,640 --> 00:46:25,280 Speaker 3: he did that to himself. Yeah, and we're talking about 903 00:46:25,719 --> 00:46:28,960 Speaker 3: the Michael Keaton back. Yeah, not not the new one. 904 00:46:30,600 --> 00:46:33,080 Speaker 3: Still no super Buswayne, but not not not with the 905 00:46:34,440 --> 00:46:36,600 Speaker 3: whoever whoever is Christian Bale who was playing him. Now 906 00:46:37,000 --> 00:46:39,120 Speaker 3: there was there was a guy named Michael Keaton. 907 00:46:39,160 --> 00:46:44,920 Speaker 1: Okay, that's how you know about. 908 00:46:46,560 --> 00:46:46,600 Speaker 3: You. 909 00:46:47,160 --> 00:46:48,520 Speaker 4: You know some old ship. 910 00:46:50,480 --> 00:46:50,759 Speaker 7: Some of. 911 00:46:52,480 --> 00:46:53,480 Speaker 3: He knows some old ship. 912 00:46:53,640 --> 00:46:55,480 Speaker 1: Now you had some of the coldest jewelrys too. 913 00:46:55,520 --> 00:46:59,239 Speaker 2: Man, where used to get the jewry's ship first? 914 00:46:59,480 --> 00:47:01,759 Speaker 1: Did you keep in and that ship? Nah? I wasn't 915 00:47:01,800 --> 00:47:05,080 Speaker 1: the competition with the jury most definitely probably. 916 00:47:04,920 --> 00:47:07,040 Speaker 3: Y'all had that ship. I don't know, like I felt 917 00:47:07,080 --> 00:47:10,200 Speaker 3: like yeah, like but see I got to a point 918 00:47:10,200 --> 00:47:14,120 Speaker 3: where it was irritating me, you know because like you know, 919 00:47:14,200 --> 00:47:17,879 Speaker 3: with the dances and come off stage, I all type 920 00:47:17,920 --> 00:47:19,840 Speaker 3: of nicks and scratches from me. Ton't bust me in 921 00:47:19,920 --> 00:47:23,960 Speaker 3: my face and stuff. Yeah, so I didn't you know, Yeah, 922 00:47:24,040 --> 00:47:25,399 Speaker 3: he got to a point where I was like, yeah, 923 00:47:25,640 --> 00:47:30,480 Speaker 3: take this out. Yeah, the cold, this jury game where 924 00:47:30,520 --> 00:47:35,520 Speaker 3: you like slick reck, slick hand, slick wreck, Yeah, Bust 925 00:47:35,600 --> 00:47:41,719 Speaker 3: at the Hill, Bust, pride, bust, the ship be chumped though, yeah, necklace, dumb, yeah, 926 00:47:41,760 --> 00:47:44,160 Speaker 3: bust be having a buster or ghost face. 927 00:47:44,239 --> 00:47:48,279 Speaker 1: There they be, they with the Wonder Woman, cuff with the. 928 00:47:50,080 --> 00:47:51,880 Speaker 3: Yeah. I don't know how that make it, moved around 929 00:47:51,920 --> 00:47:52,360 Speaker 3: with that, but. 930 00:47:54,840 --> 00:47:55,080 Speaker 1: Yeah. 931 00:47:55,160 --> 00:47:58,239 Speaker 3: See, once it started getting uncomfortable, I wasn't really thinking 932 00:47:58,239 --> 00:48:00,320 Speaker 3: about it no more. You know what I'm saying. I 933 00:48:00,400 --> 00:48:02,480 Speaker 3: can't move around and functioning this ship? Man? 934 00:48:03,160 --> 00:48:04,040 Speaker 1: How many times. 935 00:48:05,320 --> 00:48:05,719 Speaker 3: Every night? 936 00:48:06,920 --> 00:48:14,759 Speaker 1: Every night? This shit is iconic, though, man called ship? 937 00:48:15,040 --> 00:48:17,919 Speaker 1: Yeah hell yeah. 938 00:48:18,280 --> 00:48:21,040 Speaker 3: You were close to Slick to them, Yeah yeah, yeah. 939 00:48:21,560 --> 00:48:25,200 Speaker 3: I was in his first video, Teenage Love. Yeah yeah 940 00:48:26,120 --> 00:48:31,960 Speaker 3: yeah yeah. Slick Rick very unique rapper with an amazing voice, 941 00:48:32,239 --> 00:48:35,920 Speaker 3: you know, I mean yeah he I guess he was 942 00:48:36,920 --> 00:48:40,719 Speaker 3: hip hop version of of the Beatles. You know that 943 00:48:40,880 --> 00:48:44,279 Speaker 3: that that that that European yeah voice that just took 944 00:48:44,320 --> 00:48:47,680 Speaker 3: America by storm, you know, cause I mean back then, 945 00:48:47,760 --> 00:48:50,440 Speaker 3: there was a whole lot of rappers that tried to 946 00:48:50,600 --> 00:48:54,920 Speaker 3: use that European accent to come out with records, you know, 947 00:48:55,320 --> 00:48:58,960 Speaker 3: after Slick, after slick Rick, Yeah, yeah, we. 948 00:48:59,040 --> 00:48:59,919 Speaker 1: Got to find this ship. 949 00:49:01,000 --> 00:49:03,520 Speaker 2: Yeah, all the phield rappers who didn't do it with 950 00:49:03,640 --> 00:49:16,360 Speaker 2: the accent, oh yeah. 951 00:49:16,440 --> 00:49:22,960 Speaker 6: Almost sick yeah, slippery Richard. 952 00:49:25,320 --> 00:49:28,520 Speaker 3: Yeah, Rick Rick Rick Rick took the world by storm, man. 953 00:49:28,920 --> 00:49:30,760 Speaker 3: I mean, I mean it was like he was already 954 00:49:30,800 --> 00:49:33,960 Speaker 3: a dope m C. But that voice, though, just you know, 955 00:49:34,040 --> 00:49:35,279 Speaker 3: took it to a whole nother level. 956 00:49:35,360 --> 00:49:35,520 Speaker 4: Man. 957 00:49:36,080 --> 00:49:40,160 Speaker 3: Yeah, you like it's almost like you got the deep 958 00:49:40,280 --> 00:49:43,319 Speaker 3: smooth ship. My voice was much higher than my voice, 959 00:49:43,400 --> 00:49:47,640 Speaker 3: like I think when I turned twenty, my voice changed. Yeah, yeah, 960 00:49:47,760 --> 00:49:52,040 Speaker 3: but slick Rick was always a little high red like yeah, yeah. 961 00:49:53,480 --> 00:49:53,680 Speaker 1: Yeah. 962 00:49:53,960 --> 00:49:56,919 Speaker 5: And then you know he had a different vocabulary. Yeah, 963 00:49:57,239 --> 00:50:01,279 Speaker 5: you know, yeah, you know he got a British son. 964 00:50:01,360 --> 00:50:04,319 Speaker 5: He was just talking about he he got a British son. Man, 965 00:50:05,120 --> 00:50:05,920 Speaker 5: what your son. 966 00:50:05,840 --> 00:50:08,400 Speaker 3: Said toilet quickly? 967 00:50:15,160 --> 00:50:15,319 Speaker 1: Nah? 968 00:50:15,360 --> 00:50:19,080 Speaker 3: But I mean his his his his British slang was 969 00:50:19,120 --> 00:50:23,960 Speaker 3: different than American slang. You know, where we might say, 970 00:50:24,080 --> 00:50:28,800 Speaker 3: you know, trash uh Rick, call you crumbs. You know, 971 00:50:33,280 --> 00:50:35,800 Speaker 3: we said we're gonna destroy you know whatever, and he 972 00:50:35,840 --> 00:50:39,080 Speaker 3: would say, I'm gonna conquer you, you know. He and 973 00:50:39,160 --> 00:50:40,680 Speaker 3: so it was like he was just so unique. His 974 00:50:40,760 --> 00:50:43,360 Speaker 3: ship was like just so unique and different. 975 00:50:43,440 --> 00:50:43,640 Speaker 1: Man. 976 00:50:43,800 --> 00:50:47,759 Speaker 3: Yeah, he mean as equal. Yes, sir, how did you 977 00:50:47,840 --> 00:50:51,920 Speaker 3: come up with that? You know, deal with the five 978 00:50:51,960 --> 00:50:54,239 Speaker 3: percent they shake? You know, that was the attribute I chose. 979 00:50:54,760 --> 00:50:57,640 Speaker 3: You know well, I mean really it was just King Asiatic. 980 00:50:58,040 --> 00:51:00,440 Speaker 3: But in the rhyme, I said nobody's equal, and then 981 00:51:00,520 --> 00:51:03,839 Speaker 3: from that point everybody just kept saying it. So yeah, 982 00:51:04,360 --> 00:51:06,880 Speaker 3: I just you know, just but it's really just King Asiadic. 983 00:51:07,120 --> 00:51:08,920 Speaker 3: But then you know when I broke down Kine, I 984 00:51:08,960 --> 00:51:12,560 Speaker 3: said King Asiadic, nobody's equal. You broke it down like that. 985 00:51:12,680 --> 00:51:13,920 Speaker 1: I just came out like that. 986 00:51:15,200 --> 00:51:18,360 Speaker 3: I broke it down like that name Kine, it's superior 987 00:51:18,520 --> 00:51:22,120 Speaker 3: t too many people. It means King Asiadic, Nobody's equal. 988 00:51:22,600 --> 00:51:24,920 Speaker 1: Yeah. What was it like recording that symphony? 989 00:51:25,680 --> 00:51:35,080 Speaker 3: Symphony? Man s amazing? Amazing Cause I I recorded RUA 990 00:51:35,840 --> 00:51:37,600 Speaker 3: and the night I recorded RUW, Me and g Rap 991 00:51:37,840 --> 00:51:40,680 Speaker 3: just did a freestyle off of it, and Marley started 992 00:51:40,719 --> 00:51:43,640 Speaker 3: playing it on the air and people started requesting it. 993 00:51:44,160 --> 00:51:46,720 Speaker 3: So Marley said, Yo, I want y'all to do this again, 994 00:51:47,680 --> 00:51:50,520 Speaker 3: but on my album. So it was like okay, cool. 995 00:51:51,320 --> 00:51:52,839 Speaker 3: So Me and g Rap was gonna do a song 996 00:51:52,880 --> 00:51:58,440 Speaker 3: on mally album. Uh down the line, Marley is like, yo, 997 00:51:58,560 --> 00:52:01,920 Speaker 3: I told Craig that y'all gonna do something, and Craig 998 00:52:02,000 --> 00:52:04,560 Speaker 3: said he wanna be on it too. And Craig had 999 00:52:04,640 --> 00:52:07,360 Speaker 3: just came out with a song called Duck Alert and 1000 00:52:07,520 --> 00:52:10,080 Speaker 3: I heard, you know how, you know how he had 1001 00:52:10,160 --> 00:52:12,920 Speaker 3: elevated with his lyrical skills and everything, and he sounded 1002 00:52:13,000 --> 00:52:16,120 Speaker 3: so different and you know, killing it. And I was like, yeah, 1003 00:52:16,239 --> 00:52:18,479 Speaker 3: I'm like, I love how Craig's sounding right now. That's cool. 1004 00:52:19,520 --> 00:52:21,640 Speaker 3: And then we took the pictures for the album cover 1005 00:52:22,440 --> 00:52:24,440 Speaker 3: and we went back to Marley House and I was like, 1006 00:52:24,560 --> 00:52:28,680 Speaker 3: let's do the song. And then Marley says, well, this 1007 00:52:28,800 --> 00:52:32,600 Speaker 3: is my new artist, master Ace, you know, and we're 1008 00:52:32,600 --> 00:52:35,320 Speaker 3: gonna put him on the song too, and like Ace. 1009 00:52:36,640 --> 00:52:39,560 Speaker 3: Ace had these big ass wood woody Allen glasses on, right, 1010 00:52:40,239 --> 00:52:42,440 Speaker 3: and I was went to the corner and I went 1011 00:52:42,440 --> 00:52:46,239 Speaker 3: to g rapping. I'm like, yo, I ain't fucking with glasses, man, 1012 00:52:46,239 --> 00:52:48,800 Speaker 3: I'm out. I'm'a say I'm gonna get some pizza. And 1013 00:52:48,840 --> 00:52:51,520 Speaker 3: then I'm bouncing and g rapp, motherfuck you ain't leaving me. 1014 00:52:51,600 --> 00:52:53,920 Speaker 3: I'm out too. So we were talking about to them, 1015 00:52:54,040 --> 00:52:57,000 Speaker 3: they started talking about, uh, who gonna go first, and 1016 00:52:57,040 --> 00:53:01,080 Speaker 3: who gonna go last they start that conversation and we 1017 00:53:01,320 --> 00:53:03,520 Speaker 3: we like, we getting the fire here, and then h 1018 00:53:03,680 --> 00:53:05,920 Speaker 3: just says, you know that he's he'll go or whatever, 1019 00:53:06,000 --> 00:53:10,120 Speaker 3: you know, and Ace went and we heard him, and 1020 00:53:10,320 --> 00:53:13,600 Speaker 3: I'm back on to gep Ap. I'm like, your glass 1021 00:53:13,719 --> 00:53:14,399 Speaker 3: is nice as fuck? 1022 00:53:14,480 --> 00:53:14,640 Speaker 4: Man? 1023 00:53:16,040 --> 00:53:16,960 Speaker 3: Do I like this dude? 1024 00:53:17,000 --> 00:53:17,480 Speaker 1: You know you know? 1025 00:53:18,200 --> 00:53:21,040 Speaker 3: And he like yeah, yeah. Then we stayed and we 1026 00:53:21,160 --> 00:53:23,120 Speaker 3: made the song happen, and that's what's history. 1027 00:53:23,360 --> 00:53:28,240 Speaker 1: Yeah yeah, yeah, already. 1028 00:53:27,880 --> 00:53:29,719 Speaker 5: He had to go in there, but he probably felt 1029 00:53:29,800 --> 00:53:31,680 Speaker 5: it too, like, let me just go in here and 1030 00:53:32,160 --> 00:53:34,040 Speaker 5: rip this shit. So these niggas believe in me. 1031 00:53:34,239 --> 00:53:35,399 Speaker 3: Ace body that shit. 1032 00:53:36,440 --> 00:53:36,680 Speaker 1: Ace. 1033 00:53:36,840 --> 00:53:42,680 Speaker 3: Let me tell you something about Ace ace mindset, way 1034 00:53:42,760 --> 00:53:48,200 Speaker 3: of thinking, his vision. I wish he would have got 1035 00:53:48,400 --> 00:53:55,239 Speaker 3: down with the Juice Crew back in eighty six when 1036 00:53:55,280 --> 00:53:57,279 Speaker 3: I first started running on. I wish Ah would have 1037 00:53:57,360 --> 00:54:02,640 Speaker 3: got down then. I think that if Ace woulda got 1038 00:54:02,680 --> 00:54:04,480 Speaker 3: down then and the Juice Crew would have probably lasted 1039 00:54:04,520 --> 00:54:08,680 Speaker 3: another ten years. Uh right, Cause his mindset wasn't on 1040 00:54:09,160 --> 00:54:13,880 Speaker 3: just Ace being a celebrity. His mindset was on Juice 1041 00:54:13,920 --> 00:54:14,719 Speaker 3: Crew as a whole. 1042 00:54:15,480 --> 00:54:16,680 Speaker 1: Mmmm. 1043 00:54:16,800 --> 00:54:19,120 Speaker 3: He was thinking, you know, like, you know what we 1044 00:54:19,200 --> 00:54:21,839 Speaker 3: could do together? Who could pay up with like his m. Yeah, 1045 00:54:21,840 --> 00:54:24,239 Speaker 3: his mindset was somewhere else, right, Like you know, he 1046 00:54:24,440 --> 00:54:27,160 Speaker 3: was thinking like a record company executive. You know. 1047 00:54:27,480 --> 00:54:30,759 Speaker 2: Yeah, man, what was your first response when you saw 1048 00:54:30,880 --> 00:54:33,800 Speaker 2: young ass rock saying Chante rocking the mic like that. 1049 00:54:36,600 --> 00:54:39,879 Speaker 3: It's like, I'm hearing these songs right. And then Biz 1050 00:54:40,120 --> 00:54:43,800 Speaker 3: tells me he's going to power Play to record a 1051 00:54:43,840 --> 00:54:46,239 Speaker 3: song with Chante. I'm like, shit, I wanna come, I 1052 00:54:46,360 --> 00:54:50,000 Speaker 3: wanna see. And we get there and he's beat boxing 1053 00:54:50,719 --> 00:54:53,680 Speaker 3: and she's, you know, I'm shante you and the rhymes rahap. 1054 00:54:53,760 --> 00:54:58,680 Speaker 3: So she's robbing and fly tied to do the Owner label. 1055 00:54:58,800 --> 00:55:01,800 Speaker 3: He stopped her about some m told her she didn't 1056 00:55:01,800 --> 00:55:03,400 Speaker 3: do this or something, I don't know what it was. 1057 00:55:04,400 --> 00:55:11,600 Speaker 3: To it again. So she goes again. I'm like, okay, 1058 00:55:11,760 --> 00:55:16,080 Speaker 3: my tripping on her. That's something different. They stop her again, 1059 00:55:17,080 --> 00:55:20,279 Speaker 3: told her go again, and now I'm like, nah, I 1060 00:55:20,280 --> 00:55:22,839 Speaker 3: ain't tripping. These ain't the same rhymes. I'm like, every 1061 00:55:22,920 --> 00:55:26,200 Speaker 3: take she's saying something different, So I lean over the bitch. 1062 00:55:26,280 --> 00:55:31,120 Speaker 3: I'm like, Yo, she not gonna say the this shit 1063 00:55:31,160 --> 00:55:34,000 Speaker 3: she was saying at first, say cheonte, no right, no rhymes. 1064 00:55:34,080 --> 00:55:36,960 Speaker 3: All that shit is off the head. I'm like everything, 1065 00:55:37,280 --> 00:55:39,919 Speaker 3: He's like everything. I mean, what about the other fucking 1066 00:55:39,960 --> 00:55:42,960 Speaker 3: records like rock Set Intervention, you know, or he's everything. 1067 00:55:44,360 --> 00:55:47,920 Speaker 3: I'm sitting there blown away now, like oh shit. So 1068 00:55:48,040 --> 00:55:49,879 Speaker 3: she just going in the studio, just off the dome, 1069 00:55:50,080 --> 00:55:55,239 Speaker 3: just you know, nothing is written. He's nah. I'm like, 1070 00:55:55,480 --> 00:55:58,880 Speaker 3: oh shit, Like I was blown away, like you know, 1071 00:55:59,040 --> 00:56:01,480 Speaker 3: like yo, all these that we've been listening to all 1072 00:56:01,520 --> 00:56:03,800 Speaker 3: this time. She just going in freestyle. 1073 00:56:04,200 --> 00:56:09,439 Speaker 5: Yeah, so rappers been not writing, but that was I said, 1074 00:56:09,520 --> 00:56:13,040 Speaker 5: rapper's been not writing, but like she really freestyle and 1075 00:56:13,120 --> 00:56:16,920 Speaker 5: that ship. That's crazy record to catch, you know, but 1076 00:56:17,080 --> 00:56:20,880 Speaker 5: I mean her, yeah, yeah, that's wild. 1077 00:56:21,040 --> 00:56:24,680 Speaker 3: Yeah yeah, matter of fact, to have a nice day. 1078 00:56:24,800 --> 00:56:25,080 Speaker 1: Joint. 1079 00:56:26,120 --> 00:56:29,759 Speaker 3: Uh. That I wrote for her is her first written song. 1080 00:56:31,000 --> 00:56:33,520 Speaker 3: All the other hits was her just off the doll 1081 00:56:34,440 --> 00:56:36,480 Speaker 3: and so they rapping that bit. She just wrapped that 1082 00:56:36,560 --> 00:56:41,239 Speaker 3: shit start to finish, start to finish, and if if 1083 00:56:41,280 --> 00:56:43,200 Speaker 3: she fucked up, she'll just start with a whole new 1084 00:56:43,280 --> 00:56:44,680 Speaker 3: round now. But just. 1085 00:56:47,000 --> 00:56:47,480 Speaker 1: No punch. 1086 00:56:47,640 --> 00:56:49,680 Speaker 3: I know they could they couldn't. Well, I mean it's 1087 00:56:49,880 --> 00:56:52,440 Speaker 3: like punching for what. She don't remember what the fuck 1088 00:56:52,480 --> 00:56:54,160 Speaker 3: she just said, have been there ago, So she just 1089 00:56:54,239 --> 00:56:58,640 Speaker 3: go again from the tard. Yeah yeah, chante hard. Yeah, 1090 00:56:58,680 --> 00:57:01,439 Speaker 3: Shantea beats hard. Shante is a beast. 1091 00:57:01,800 --> 00:57:04,239 Speaker 1: I ain't heard that. Well, that's real, that's right. 1092 00:57:04,400 --> 00:57:06,000 Speaker 3: Let me tell you somebody I've seen it about Shante. 1093 00:57:07,560 --> 00:57:11,040 Speaker 3: This girl, I don't know, fifteen sixteen something like that, 1094 00:57:12,400 --> 00:57:17,400 Speaker 3: walking into a room and you see grown ass men 1095 00:57:20,680 --> 00:57:23,520 Speaker 3: don't want no smoke with her, Like, grown ass men 1096 00:57:23,760 --> 00:57:27,960 Speaker 3: just get up, walk out because you never know what 1097 00:57:28,120 --> 00:57:30,760 Speaker 3: she gonna do, right, you know, if she pop off, 1098 00:57:31,040 --> 00:57:33,320 Speaker 3: they decide that, no, we're gonna battle right now. 1099 00:57:36,240 --> 00:57:36,600 Speaker 1: Run it. 1100 00:57:36,760 --> 00:57:39,440 Speaker 3: You know, you never had a battle that you were like, 1101 00:57:40,360 --> 00:57:42,760 Speaker 3: fuck me up. Did you ever have a battle? You 1102 00:57:42,800 --> 00:57:50,520 Speaker 3: were like, hey, fuck me up, knock me yeah? Hell yeah. 1103 00:57:51,280 --> 00:57:53,520 Speaker 2: Man, you've been in all over the world. I saw 1104 00:57:53,560 --> 00:57:58,400 Speaker 2: a clip of you performing in Russia. Yeah, you're doing 1105 00:57:58,520 --> 00:58:05,640 Speaker 2: over there, man, over there now. 1106 00:58:05,720 --> 00:58:10,880 Speaker 3: I was over there thinking because we got there two 1107 00:58:10,960 --> 00:58:14,760 Speaker 3: days late. We got there the actual day of the show, 1108 00:58:15,720 --> 00:58:19,920 Speaker 3: and I had been on different flights from America to London, 1109 00:58:20,160 --> 00:58:25,480 Speaker 3: from London to Moscow, Moscow to Petersburg. So we just 1110 00:58:25,600 --> 00:58:27,600 Speaker 3: getting there and got to go straight to the venue 1111 00:58:27,640 --> 00:58:32,960 Speaker 3: and perform. So two days straight, same drawers kept it 1112 00:58:33,040 --> 00:58:33,640 Speaker 3: to myself. 1113 00:58:37,000 --> 00:58:37,560 Speaker 1: So yeah, that's what. 1114 00:58:37,920 --> 00:58:45,360 Speaker 3: What's your favorite part internationally? Internationally either London or Amsterdam? Okay, 1115 00:58:45,560 --> 00:58:49,320 Speaker 3: Like the energy is so crazy over there. And then 1116 00:58:49,400 --> 00:58:55,000 Speaker 3: also they they they sold, they so deep into the history, 1117 00:58:56,240 --> 00:58:59,600 Speaker 3: like all the or the order or the B sides out, 1118 00:58:59,720 --> 00:59:02,360 Speaker 3: you know, album cuts. They know they want to hear 1119 00:59:02,440 --> 00:59:08,160 Speaker 3: all that ship, not just the whole album. Yeah yeah, 1120 00:59:08,200 --> 00:59:10,040 Speaker 3: they want to hear all and he gonna sing it 1121 00:59:10,120 --> 00:59:14,840 Speaker 3: with you, yeah yeah. And they studied like everything on 1122 00:59:14,920 --> 00:59:18,760 Speaker 3: the back of that album cover whatever little hip hop 1123 00:59:18,880 --> 00:59:22,000 Speaker 3: facts whatever. They know that like homework, man, and they 1124 00:59:22,080 --> 00:59:25,880 Speaker 3: got questions. Yeah yeah, like, yeah, this would be the 1125 00:59:25,960 --> 00:59:27,760 Speaker 3: perfect time to bring my boy up in here. 1126 00:59:28,200 --> 00:59:30,480 Speaker 2: And now I was watching the documentary the other night 1127 00:59:31,400 --> 00:59:32,040 Speaker 2: about Beers. 1128 00:59:32,280 --> 00:59:33,640 Speaker 1: He was a hell of a collector. 1129 00:59:34,000 --> 00:59:36,000 Speaker 2: So I feel like I got to introduce you to 1130 00:59:36,240 --> 00:59:38,280 Speaker 2: my partner that's a hell of a collector, the hip 1131 00:59:38,320 --> 00:59:41,000 Speaker 2: hop historian none other than New Faith. 1132 00:59:42,960 --> 00:59:46,920 Speaker 1: He got all the ship, new Face, and I know 1133 00:59:47,040 --> 00:59:48,840 Speaker 1: he got some question. 1134 00:59:52,640 --> 00:59:55,120 Speaker 4: Yeah what you what you bring tonight? 1135 00:59:55,240 --> 00:59:55,520 Speaker 1: Larry. 1136 00:59:56,520 --> 00:59:59,600 Speaker 8: Recently this year, man, I've probably seen came about four 1137 00:59:59,680 --> 01:00:00,440 Speaker 8: times this year. 1138 01:00:00,880 --> 01:00:02,840 Speaker 3: I just seen you on the rock the Bell's Boat. 1139 01:00:03,480 --> 01:00:05,360 Speaker 8: We just on that rock, the Bell's boat man, you 1140 01:00:05,520 --> 01:00:08,200 Speaker 8: killed and gave those people on that boat the phenomenal show, 1141 01:00:08,280 --> 01:00:10,280 Speaker 8: and you was like your leg hurt, but i'm'a give. 1142 01:00:10,200 --> 01:00:13,560 Speaker 4: You man, what the crazy dude ran on stage? 1143 01:00:13,640 --> 01:00:17,520 Speaker 3: Oh yeah, oh you talk about was it London? Yeah? 1144 01:00:17,720 --> 01:00:17,919 Speaker 1: Yeah? 1145 01:00:19,560 --> 01:00:22,160 Speaker 8: That so what we got here is, you know he 1146 01:00:22,280 --> 01:00:25,400 Speaker 8: talks about this gentleman right here. That's came right there. 1147 01:00:25,880 --> 01:00:27,960 Speaker 8: I would love for you to autograph this. But you 1148 01:00:28,040 --> 01:00:31,320 Speaker 8: know in side there we got out. 1149 01:00:31,320 --> 01:00:31,919 Speaker 1: There as well. 1150 01:00:32,800 --> 01:00:38,120 Speaker 3: Yeah. You talking about hair on the inside, lay No, 1151 01:00:38,200 --> 01:00:40,640 Speaker 3: I mean on the front labe or the back, ok? 1152 01:00:41,360 --> 01:00:45,600 Speaker 1: You have you know, we look at that top notch 1153 01:00:45,720 --> 01:00:47,480 Speaker 1: fine lady, and you got your car. 1154 01:00:48,200 --> 01:00:51,560 Speaker 3: Oh the MTV joints, yeah, taste right there. 1155 01:00:56,520 --> 01:00:58,520 Speaker 1: You got two of these right there cause you wrote 1156 01:00:59,160 --> 01:01:04,200 Speaker 1: songs on that. He brought it. Yeah, I mean I 1157 01:01:04,280 --> 01:01:05,240 Speaker 1: knew you had that ship. 1158 01:01:05,400 --> 01:01:08,680 Speaker 8: You talking about the infamous one of my favorite haircuts, 1159 01:01:09,080 --> 01:01:10,840 Speaker 8: the photo you got it? 1160 01:01:12,280 --> 01:01:14,640 Speaker 1: Talking about this one right there, that's it right. 1161 01:01:14,600 --> 01:01:18,000 Speaker 3: There, we got it side yeah yeah yeah yeah. 1162 01:01:19,080 --> 01:01:24,400 Speaker 1: And then the infamous album covers. Then you talking about 1163 01:01:24,440 --> 01:01:25,200 Speaker 1: the juice crepser. 1164 01:01:25,560 --> 01:01:27,600 Speaker 3: Yeah, that's the day. That's the day we recorded the 1165 01:01:27,680 --> 01:01:30,560 Speaker 3: symphony word. Yeah, we took the pictures for Marlly's album 1166 01:01:30,600 --> 01:01:32,560 Speaker 3: cover and then left it went to his crib. 1167 01:01:32,400 --> 01:01:34,320 Speaker 1: And when they say glasses, it's cold, he was talking 1168 01:01:34,320 --> 01:01:34,640 Speaker 1: about the. 1169 01:01:35,280 --> 01:01:42,600 Speaker 3: Uh showing the glasses the hair. I'm sorry, I'm as 1170 01:01:43,400 --> 01:01:44,080 Speaker 3: mate on the glass. 1171 01:01:44,480 --> 01:01:47,240 Speaker 4: They got them big ass Bobby won't make glasses on it. 1172 01:01:48,520 --> 01:01:53,960 Speaker 1: There we got another your shoes the album covers as well, 1173 01:01:54,320 --> 01:01:57,880 Speaker 1: set for him. Your dances on the side as well. Yeah, 1174 01:01:58,800 --> 01:02:01,480 Speaker 1: oh yeah, I'm sleeping. But then what made you go 1175 01:02:01,600 --> 01:02:03,080 Speaker 1: with the four finger gold rings? 1176 01:02:03,120 --> 01:02:07,360 Speaker 3: That's some that's some hard shit. Oh you know they 1177 01:02:07,440 --> 01:02:12,360 Speaker 3: you know, you know the old brass knuckles. Look, then 1178 01:02:12,400 --> 01:02:13,560 Speaker 3: you're actually featured. 1179 01:02:13,280 --> 01:02:13,840 Speaker 1: In this book. 1180 01:02:14,160 --> 01:02:16,480 Speaker 3: You familiar with l L who Days the streets Win. 1181 01:02:17,280 --> 01:02:19,000 Speaker 3: I heard about it, I I've I haven't seen the 1182 01:02:19,120 --> 01:02:22,440 Speaker 3: uh never gotta have a copy. They have this photo 1183 01:02:22,480 --> 01:02:22,840 Speaker 3: of him. 1184 01:02:23,640 --> 01:02:25,480 Speaker 1: Wow, I big that it came as well. 1185 01:02:28,760 --> 01:02:32,000 Speaker 3: Wow yeah, Lash and the Janette Beckman joint. 1186 01:02:32,760 --> 01:02:34,200 Speaker 1: My favorite uh album coverse. 1187 01:02:34,240 --> 01:02:38,400 Speaker 8: It's my brother right here on Rolling Stones Top fifty 1188 01:02:38,480 --> 01:02:41,320 Speaker 8: Hip Hop Songs of All Time. They they registered it's 1189 01:02:41,360 --> 01:02:42,360 Speaker 8: at number twenty five. 1190 01:02:43,400 --> 01:02:47,840 Speaker 1: Eh, what's the story behind them? Behind that? Ain't no 1191 01:02:48,000 --> 01:02:50,720 Speaker 1: half step interesting? 1192 01:02:53,240 --> 01:02:57,840 Speaker 3: I went to COOLV House. That's Biz DJ and Biz 1193 01:02:58,040 --> 01:03:01,640 Speaker 3: had a bag of forty five's on the floor, so 1194 01:03:01,800 --> 01:03:05,080 Speaker 3: we looking through him and I found that blind Dalley 1195 01:03:05,120 --> 01:03:08,640 Speaker 3: beat from the Emotions. I'm like, you know, yo V 1196 01:03:09,400 --> 01:03:12,120 Speaker 3: and he like, yo, yeah, that's bid shit. Man. I'm like, 1197 01:03:12,200 --> 01:03:15,880 Speaker 3: come on, let's just vibe on it. So he looped 1198 01:03:15,920 --> 01:03:18,400 Speaker 3: it up like the the mix of that used to 1199 01:03:18,400 --> 01:03:22,160 Speaker 3: could loop, I mean caxample. He looped it up and 1200 01:03:22,280 --> 01:03:25,200 Speaker 3: I'm rhyming. I'm like, yeah, I gotta touch this, and 1201 01:03:25,280 --> 01:03:30,280 Speaker 3: I'm writ into it, and then Biz caused the house screaming, 1202 01:03:30,400 --> 01:03:31,120 Speaker 3: losing his mind. 1203 01:03:31,560 --> 01:03:32,280 Speaker 1: I found it. 1204 01:03:32,680 --> 01:03:33,360 Speaker 3: I found it. 1205 01:03:33,760 --> 01:03:37,120 Speaker 5: I finally found it. I'm telling you, we going platinum. 1206 01:03:37,200 --> 01:03:38,640 Speaker 5: Now we gonna i'm'a shore. 1207 01:03:38,960 --> 01:03:41,200 Speaker 1: I found it. I found the record. 1208 01:03:41,240 --> 01:03:44,520 Speaker 5: I was looking for it and I'm like the the 1209 01:03:45,520 --> 01:03:49,440 Speaker 5: He's like yes, man, He's like, I'm telling you, I'm 1210 01:03:49,520 --> 01:03:50,400 Speaker 5: going platinum. 1211 01:03:51,080 --> 01:03:53,960 Speaker 3: I was like, so, then that means you probably don't 1212 01:03:53,960 --> 01:03:55,760 Speaker 3: even really care about this blind Dowley record for me. 1213 01:03:56,160 --> 01:03:59,840 Speaker 3: You can have that shit man, like my man. 1214 01:04:00,920 --> 01:04:01,960 Speaker 4: And he gave me. 1215 01:04:02,240 --> 01:04:04,440 Speaker 5: This, gave me the beat for at a half stepping 1216 01:04:05,080 --> 01:04:07,520 Speaker 5: and the beat that he had been looking for for 1217 01:04:07,600 --> 01:04:11,880 Speaker 5: about almost two years that he finally found was the you. 1218 01:04:12,000 --> 01:04:12,960 Speaker 4: Got what I Need? 1219 01:04:16,480 --> 01:04:19,080 Speaker 3: Yeah, Now, he had been saying that. Listen, he had 1220 01:04:19,120 --> 01:04:21,760 Speaker 3: been saying that he when when he fined this, I 1221 01:04:21,840 --> 01:04:23,680 Speaker 3: guarantee you I'm going platinum. So wait a minute. 1222 01:04:23,680 --> 01:04:26,360 Speaker 5: He was really looking for the physical record Freddy Scott 1223 01:04:26,720 --> 01:04:28,600 Speaker 5: you Got what I Need. He knew this song from 1224 01:04:29,400 --> 01:04:31,800 Speaker 5: I think he said he saw that Bam boyd the 1225 01:04:31,880 --> 01:04:33,440 Speaker 5: house or something. I can't remember what he said, but 1226 01:04:33,680 --> 01:04:35,600 Speaker 5: he was been looking for it, but he couldn't didn't 1227 01:04:35,600 --> 01:04:38,040 Speaker 5: know the name. So when he came back to the 1228 01:04:38,120 --> 01:04:44,160 Speaker 5: house and he's playing it, I'm like, because I remember 1229 01:04:44,240 --> 01:04:44,680 Speaker 5: him going to. 1230 01:04:44,640 --> 01:04:46,440 Speaker 3: The record store looking but he was like, yo, it's 1231 01:04:46,520 --> 01:04:50,560 Speaker 3: this song. It got in the melody. It's like no name, no, 1232 01:04:51,680 --> 01:04:52,240 Speaker 3: And I'm. 1233 01:04:52,160 --> 01:04:56,200 Speaker 5: Like, yo, Fizz, you would be sitting there singing you 1234 01:04:56,480 --> 01:04:59,160 Speaker 5: don't name And then Coofee just started laughing. 1235 01:04:59,240 --> 01:05:01,680 Speaker 3: It's like, you know, his dumb ass forgot how it goes, 1236 01:05:05,000 --> 01:05:06,000 Speaker 3: So for years he. 1237 01:05:06,080 --> 01:05:06,800 Speaker 1: Was singing it wrong. 1238 01:05:06,880 --> 01:05:09,000 Speaker 3: That's why he couldn't find it, damn you know. 1239 01:05:09,360 --> 01:05:10,800 Speaker 1: So how did he eventually find it? 1240 01:05:10,960 --> 01:05:12,400 Speaker 3: I don't know. I don't know cause I mean me 1241 01:05:12,440 --> 01:05:14,160 Speaker 3: and if he was together, he was by hisself, so 1242 01:05:14,200 --> 01:05:14,520 Speaker 3: I don't know. 1243 01:05:14,600 --> 01:05:16,520 Speaker 1: How he founded stumbled. 1244 01:05:17,240 --> 01:05:20,840 Speaker 3: He takes hits for granted, Bro, that's crazy. Yeah, but 1245 01:05:21,000 --> 01:05:23,640 Speaker 3: I mean he shoid when he finded he going platinum 1246 01:05:23,760 --> 01:05:25,400 Speaker 3: and damn it was like. 1247 01:05:25,440 --> 01:05:26,880 Speaker 4: You said, he gave you this record. 1248 01:05:26,920 --> 01:05:29,920 Speaker 2: What was the processing in getting a record though? You 1249 01:05:30,000 --> 01:05:32,120 Speaker 2: know what I'm saying, like generally. 1250 01:05:32,440 --> 01:05:33,840 Speaker 1: Did you just be at the crib? He like, Bro, 1251 01:05:33,960 --> 01:05:34,560 Speaker 1: I'm fucking with that. 1252 01:05:34,640 --> 01:05:36,600 Speaker 3: I can have that. Well, back then, at that point 1253 01:05:36,600 --> 01:05:40,280 Speaker 3: in time period, you take it to Marley crib telling 1254 01:05:40,320 --> 01:05:42,920 Speaker 3: him what part you know, loop this part up here, 1255 01:05:43,000 --> 01:05:46,240 Speaker 3: boom boo boom, you know, I put this on and 1256 01:05:46,920 --> 01:05:49,840 Speaker 3: then we you know, going to booth and lay the vote. 1257 01:05:52,000 --> 01:05:53,760 Speaker 1: That's wow, that's crazy. 1258 01:05:54,400 --> 01:06:00,280 Speaker 8: Most recently Nash Scar facing rock him, order 'em to 1259 01:06:00,280 --> 01:06:02,160 Speaker 8: fund them two hundred and fifty thousand dollars. 1260 01:06:02,360 --> 01:06:03,480 Speaker 3: Uh honor them? 1261 01:06:03,680 --> 01:06:04,600 Speaker 1: Uh where you're aware of that? 1262 01:06:05,320 --> 01:06:05,520 Speaker 4: Yeah? 1263 01:06:05,680 --> 01:06:07,320 Speaker 3: Yeah, I thought that was beautiful. 1264 01:06:07,600 --> 01:06:11,080 Speaker 8: So if they asked, came next year, we wanna do 1265 01:06:11,240 --> 01:06:13,320 Speaker 8: that same thing with four MC's, who would you pick 1266 01:06:13,400 --> 01:06:13,800 Speaker 8: the person? 1267 01:06:14,080 --> 01:06:17,160 Speaker 1: If they after asked you, who would you pick for 1268 01:06:17,280 --> 01:06:17,600 Speaker 1: next year? 1269 01:06:17,720 --> 01:06:25,240 Speaker 3: Anna Reeds to be, Melloy, mel Grandmaster, Caz Coumo d 1270 01:06:27,680 --> 01:06:31,200 Speaker 3: and uh DJ Hollywood. 1271 01:06:32,200 --> 01:06:34,680 Speaker 1: I wanna ask this for my own person to record. 1272 01:06:34,760 --> 01:06:36,880 Speaker 2: I call New Face all the time and we talked 1273 01:06:36,960 --> 01:06:40,360 Speaker 2: hip hop. Man, give me, give me five old school 1274 01:06:40,520 --> 01:06:41,560 Speaker 2: hip hop songs to. 1275 01:06:41,640 --> 01:06:46,240 Speaker 1: Listen to, little known, your favorites, whatever the fuck, just 1276 01:06:46,320 --> 01:06:47,240 Speaker 1: give me five, like. 1277 01:06:50,240 --> 01:06:54,920 Speaker 3: Could you at Poison? Okay, keep this list, New Face, Yeah, 1278 01:06:55,000 --> 01:07:04,520 Speaker 3: could you at Poison? Divine Force, Holy War? Okay, that's 1279 01:07:04,560 --> 01:07:05,360 Speaker 3: where Ghosts got. 1280 01:07:05,320 --> 01:07:09,360 Speaker 5: That party, party cooked at that bardy oh okay, uh yeah, 1281 01:07:10,640 --> 01:07:12,040 Speaker 5: the Divine Force, Holy War. 1282 01:07:14,760 --> 01:07:15,920 Speaker 3: Chuck Rock caught Up. 1283 01:07:16,200 --> 01:07:24,200 Speaker 1: Okay, Chuck Burg used to go crazy. Yeah too, it 1284 01:07:24,360 --> 01:07:25,160 Speaker 1: was that was my ship. 1285 01:07:25,560 --> 01:07:29,720 Speaker 3: Yeah nah, that caught up though, Like I like y 1286 01:07:30,480 --> 01:07:33,160 Speaker 3: so the tape pop yeah, oh yeah. I don't know 1287 01:07:33,240 --> 01:07:35,880 Speaker 3: how many cassette tapes I popped listening to Caught Up. 1288 01:07:36,000 --> 01:07:38,680 Speaker 1: Word his boys too. He was another with the dark 1289 01:07:38,760 --> 01:07:40,840 Speaker 1: voice like I love like your boys. 1290 01:07:41,120 --> 01:07:44,040 Speaker 8: Guru had another voice, Jadakins Freeway like those we like 1291 01:07:44,120 --> 01:07:44,520 Speaker 8: the best of. 1292 01:07:44,600 --> 01:07:47,800 Speaker 1: Cason had a distinct voice like that. 1293 01:07:47,920 --> 01:07:54,560 Speaker 3: Always helped the record EMC Light ten percent okay, yeah, 1294 01:07:54,680 --> 01:08:00,720 Speaker 3: MC light ten percent this and oh uh grand Master 1295 01:08:00,840 --> 01:08:03,320 Speaker 3: Cats get down grand Master Okay, Well he did a 1296 01:08:03,360 --> 01:08:04,000 Speaker 3: solo song. 1297 01:08:04,240 --> 01:08:06,640 Speaker 1: Yeah you got about all that. 1298 01:08:09,600 --> 01:08:14,440 Speaker 5: I thought he was gonna say, nah, that's a good 1299 01:08:14,520 --> 01:08:16,479 Speaker 5: list man, i'ma checking him off. 1300 01:08:17,439 --> 01:08:19,680 Speaker 1: Yeah, most your verse man on. 1301 01:08:20,120 --> 01:08:22,960 Speaker 8: I mean, I've seen somebody after Rock the Bell's Boat 1302 01:08:23,200 --> 01:08:26,200 Speaker 8: bringing up Man with Big l You know, how was it? 1303 01:08:26,520 --> 01:08:28,400 Speaker 8: How did that come about? And maybe you could just 1304 01:08:28,680 --> 01:08:30,920 Speaker 8: let them know, you know, speak that verse, But how 1305 01:08:30,960 --> 01:08:31,679 Speaker 8: did that come about? 1306 01:08:31,840 --> 01:08:33,960 Speaker 1: Reaching out for you know that being a part of 1307 01:08:34,000 --> 01:08:34,360 Speaker 1: that song. 1308 01:08:38,360 --> 01:08:42,560 Speaker 3: I was at my lawyer's office and he was on 1309 01:08:42,720 --> 01:08:51,000 Speaker 3: the phone with Primo's lawyer and another gentleman by the 1310 01:08:51,080 --> 01:08:53,160 Speaker 3: name of Mike Haran. He just f informed me that 1311 01:08:53,280 --> 01:08:56,800 Speaker 3: he was on that call as well, but they was 1312 01:08:56,880 --> 01:08:59,800 Speaker 3: working out legal matters with somebody else that was on 1313 01:08:59,880 --> 01:09:03,240 Speaker 3: the album. And then my lawyer was like, y'all need 1314 01:09:03,360 --> 01:09:06,479 Speaker 3: to have Cane on there. And then like, well it's 1315 01:09:06,520 --> 01:09:09,719 Speaker 3: one of them, said to Primote you know s Theo said, 1316 01:09:09,840 --> 01:09:11,599 Speaker 3: you know, y'all need to have Cane. And then Pretiel 1317 01:09:11,680 --> 01:09:14,960 Speaker 3: was say, yo, where Kane at? He's me say he's here, 1318 01:09:15,240 --> 01:09:16,720 Speaker 3: You tell him to come to D and D now, 1319 01:09:17,680 --> 01:09:19,920 Speaker 3: and I just you know, went over there and we 1320 01:09:20,040 --> 01:09:20,280 Speaker 3: did it. 1321 01:09:20,439 --> 01:09:24,400 Speaker 1: Wow. Yeah, what's your process man? Putting this? Putting these 1322 01:09:24,479 --> 01:09:25,120 Speaker 1: rhymes together? 1323 01:09:25,720 --> 01:09:26,160 Speaker 3: It different? 1324 01:09:26,200 --> 01:09:28,719 Speaker 1: How do you get in that mode. I mean it difference. 1325 01:09:28,800 --> 01:09:30,880 Speaker 3: You know. Sometimes you know, you hear a track and 1326 01:09:31,000 --> 01:09:35,799 Speaker 3: it's like, okay, I can ride just like that, you know, Okay. 1327 01:09:36,680 --> 01:09:39,120 Speaker 3: Sometimes you know it might be some sh some shit 1328 01:09:39,200 --> 01:09:41,080 Speaker 3: that I wrote just in the crib just chill him 1329 01:09:41,880 --> 01:09:45,760 Speaker 3: and I hear beating. It's like, you know that what 1330 01:09:45,840 --> 01:09:48,640 Speaker 3: you call it rhyme could work on here, you know 1331 01:09:48,720 --> 01:09:51,400 Speaker 3: that work called yeah, you know, so it differs. You know, 1332 01:09:51,520 --> 01:09:53,560 Speaker 3: sometimes I would write to the track and sometimes I 1333 01:09:53,680 --> 01:09:58,040 Speaker 3: have stuff and then I'll be like, nah, too slow. 1334 01:09:58,760 --> 01:10:00,639 Speaker 3: Then you hear something else. Oh you had to work 1335 01:10:00,680 --> 01:10:02,320 Speaker 3: on this boor. 1336 01:10:04,200 --> 01:10:06,240 Speaker 1: It one with Conway and bust Ride. How does that 1337 01:10:06,320 --> 01:10:06,880 Speaker 1: one come about? 1338 01:10:09,160 --> 01:10:11,640 Speaker 5: Buster told me that he wanted to use the just 1339 01:10:11,720 --> 01:10:16,040 Speaker 5: rhyme with viz joint and you know, flip it, you know, 1340 01:10:16,360 --> 01:10:18,760 Speaker 5: you know, he was like, you know, put your shit 1341 01:10:18,840 --> 01:10:19,040 Speaker 5: to it. 1342 01:10:19,840 --> 01:10:22,760 Speaker 3: Was like, alright, so I I put the verse to it. 1343 01:10:23,439 --> 01:10:26,000 Speaker 3: And then he hit me and was like, yo, flex 1344 01:10:26,040 --> 01:10:28,439 Speaker 3: played it. Conway heard it and he wanted to put 1345 01:10:28,479 --> 01:10:31,080 Speaker 3: a verse to it. I'm like, oh, I'm like, yo, 1346 01:10:31,200 --> 01:10:34,160 Speaker 3: tell Telle dude, I'm a fan man. Yeah yeah, and 1347 01:10:34,240 --> 01:10:37,080 Speaker 3: then Conway put his verse to it and we shot 1348 01:10:37,120 --> 01:10:38,320 Speaker 3: a video yeah. 1349 01:10:40,160 --> 01:10:42,000 Speaker 8: And lastly, the one thing I wanna ask for older 1350 01:10:42,160 --> 01:10:45,799 Speaker 8: MC is like self Destructure're familiar with that, right, famous 1351 01:10:45,840 --> 01:10:47,920 Speaker 8: song and now were living in towns with drugs and 1352 01:10:48,040 --> 01:10:50,599 Speaker 8: violence is at all time high. If you were able 1353 01:10:50,680 --> 01:10:52,840 Speaker 8: to put like a self destruction of this version a 1354 01:10:52,920 --> 01:10:56,280 Speaker 8: generation like twenty twenty four, maybe three mcs you would 1355 01:10:56,280 --> 01:10:59,240 Speaker 8: wanna put on their self Construction twenty twenty. 1356 01:10:59,040 --> 01:11:06,719 Speaker 3: Four awright, Uh, definitely for one, I would definitely want 1357 01:11:08,439 --> 01:11:12,920 Speaker 3: one of the Migos, you know, due to circumstances, I 1358 01:11:12,920 --> 01:11:18,719 Speaker 3: would definitely want one of the migos on here little 1359 01:11:18,800 --> 01:11:31,519 Speaker 3: baby Kendrick, m Kendrick. I think he's amazing that those 1360 01:11:31,560 --> 01:11:33,800 Speaker 3: type of issues when it comes to like approaching those 1361 01:11:33,840 --> 01:11:39,240 Speaker 3: type you know, uh yeah, Kendrick, those would be three. 1362 01:11:40,920 --> 01:11:46,160 Speaker 8: Yeah, it's hard like the song, Yeah, I knew we 1363 01:11:46,320 --> 01:11:49,080 Speaker 8: all in the same game, like the West of those versions. 1364 01:11:50,439 --> 01:11:55,000 Speaker 3: I think that, you know, hearing one of the Migos 1365 01:11:55,680 --> 01:11:59,479 Speaker 3: on on on on a song like that would be 1366 01:11:59,640 --> 01:12:04,160 Speaker 3: very hard felt, you know. And then with a little 1367 01:12:04,240 --> 01:12:06,000 Speaker 3: baby like m I I can't remember the song like 1368 01:12:06,080 --> 01:12:08,040 Speaker 3: my my s my son listens to him and it 1369 01:12:08,160 --> 01:12:09,480 Speaker 3: was something that he was playing. 1370 01:12:09,240 --> 01:12:11,000 Speaker 1: Like why someone was bigger than black and White. 1371 01:12:11,320 --> 01:12:15,280 Speaker 3: I can't don't, but it was something my son was 1372 01:12:15,320 --> 01:12:16,960 Speaker 3: playing with a little baby and I like he was 1373 01:12:17,000 --> 01:12:19,720 Speaker 3: flowing like I was like, oh. I was like, dude, 1374 01:12:19,760 --> 01:12:24,280 Speaker 3: come rhyme, rhyme. I'm like, oh okay, I'm like wow, yeah, yeah. 1375 01:12:24,360 --> 01:12:27,360 Speaker 3: I was like, yeah, that's what. 1376 01:12:28,400 --> 01:12:31,120 Speaker 8: Thank you was honest and I I appreciate another aspect 1377 01:12:31,160 --> 01:12:31,639 Speaker 8: of your show. 1378 01:12:31,840 --> 01:12:33,040 Speaker 1: Uh b boy top Man. 1379 01:12:33,400 --> 01:12:35,479 Speaker 8: Just think of that, cause that brother was on the 1380 01:12:35,560 --> 01:12:36,599 Speaker 8: head just every time. 1381 01:12:36,680 --> 01:12:37,840 Speaker 1: I think, that's like my. 1382 01:12:37,960 --> 01:12:40,160 Speaker 8: Other my favorite part besides him coming to bring you 1383 01:12:40,240 --> 01:12:42,120 Speaker 8: the coke, but when he come and do his one two, 1384 01:12:42,160 --> 01:12:44,479 Speaker 8: when you let your DJ rock, Yeah, and that was 1385 01:12:44,720 --> 01:12:48,560 Speaker 8: monumental because even on that rock the Bell's cruise EPMD. 1386 01:12:48,240 --> 01:12:49,200 Speaker 1: Had you know, DCA. 1387 01:12:49,640 --> 01:12:52,519 Speaker 3: But then they brought DJ scratch. Yeah I heard did 1388 01:12:52,560 --> 01:12:55,240 Speaker 3: do the scratch. It was so what you're saying, Yeah, 1389 01:12:55,360 --> 01:12:57,600 Speaker 3: that's that's beautiful. We was on there with you know, 1390 01:12:57,800 --> 01:12:58,679 Speaker 3: it's the older folks. 1391 01:12:58,720 --> 01:13:01,120 Speaker 8: But then they like big that next I'm thinking the 1392 01:13:01,200 --> 01:13:03,599 Speaker 8: room is gonna empty, man, people stayed in the same 1393 01:13:03,680 --> 01:13:04,400 Speaker 8: room and watch you. 1394 01:13:04,640 --> 01:13:06,559 Speaker 1: He gave them a hell of five show man, So. 1395 01:13:08,200 --> 01:13:12,120 Speaker 3: Alright, what the hell you think the room was gonna empty? 1396 01:13:17,800 --> 01:13:18,320 Speaker 1: I want it. 1397 01:13:19,920 --> 01:13:27,599 Speaker 4: Ain't gonna have bro. You know that, man, Man, that's 1398 01:13:27,640 --> 01:13:31,000 Speaker 4: the sucking I messing with you. That's what man. 1399 01:13:31,080 --> 01:13:34,880 Speaker 6: It was black em that time you see Wading Sharp 1400 01:13:34,960 --> 01:13:35,360 Speaker 6: on the mic. 1401 01:13:35,439 --> 01:13:37,000 Speaker 3: Ain't since thing about man. 1402 01:13:38,000 --> 01:13:42,160 Speaker 2: Cold Chilling records. It's a hard as name. Bro, that's 1403 01:13:42,160 --> 01:13:44,559 Speaker 2: gonna be one for the books. What do you think 1404 01:13:44,640 --> 01:13:46,160 Speaker 2: when you hear cold chilling record? 1405 01:13:48,479 --> 01:13:50,559 Speaker 3: You know? I mean that was like, you know, one 1406 01:13:50,600 --> 01:13:54,040 Speaker 3: of those slang words from back, you know, I'm cold chilling. 1407 01:13:54,280 --> 01:13:57,000 Speaker 1: Yeah, and do it just like that too. You ain't lying, 1408 01:13:57,680 --> 01:13:58,960 Speaker 1: That's exactly how we do it. 1409 01:14:01,600 --> 01:14:02,280 Speaker 4: Then I can answer. 1410 01:14:02,320 --> 01:14:03,760 Speaker 1: I can ask you questions all day. 1411 01:14:03,840 --> 01:14:03,960 Speaker 3: Man. 1412 01:14:04,040 --> 01:14:06,760 Speaker 2: This is this is crazy many. 1413 01:14:06,800 --> 01:14:08,599 Speaker 1: This gotta be part what you gotta come back? 1414 01:14:08,680 --> 01:14:12,559 Speaker 5: Come back bro, I come back any child man, any child, man. 1415 01:14:12,600 --> 01:14:15,479 Speaker 5: I enjoy whenever you in or around the city. 1416 01:14:15,600 --> 01:14:15,720 Speaker 3: Bro. 1417 01:14:16,360 --> 01:14:18,519 Speaker 6: I don't given damn if you wake up and remember 1418 01:14:18,600 --> 01:14:19,360 Speaker 6: some shit called me. 1419 01:14:19,520 --> 01:14:23,920 Speaker 4: Oh yeah, and another thing I forgot to tell you 1420 01:14:24,000 --> 01:14:25,040 Speaker 4: about the fuck. 1421 01:14:28,760 --> 01:14:31,519 Speaker 1: Well man, it it's been an honor and the privilege, man. 1422 01:14:31,600 --> 01:14:33,599 Speaker 2: Anything you want to leave them with before we wrap 1423 01:14:33,720 --> 01:14:35,920 Speaker 2: this up social media anything? 1424 01:14:37,000 --> 01:14:37,559 Speaker 1: Nah, man. 1425 01:14:37,680 --> 01:14:40,080 Speaker 3: I All I want to say is that you know 1426 01:14:41,120 --> 01:14:45,880 Speaker 3: I appreciate everybody keeping hip hop alive, and I hope 1427 01:14:45,920 --> 01:14:49,680 Speaker 3: you continue to do that, and please remember that, you know, 1428 01:14:49,720 --> 01:14:53,840 Speaker 3: everybody's entitled to their own opinion. You know, people can 1429 01:14:53,920 --> 01:14:57,040 Speaker 3: post ay top five, they top ten, but you know, 1430 01:14:57,120 --> 01:14:59,800 Speaker 3: everybody's entitled to like who they want to like. And 1431 01:14:59,840 --> 01:15:01,840 Speaker 3: I think that's one of the beautiful things about music, 1432 01:15:01,960 --> 01:15:05,320 Speaker 3: having the ability to have different artists that can touch 1433 01:15:05,400 --> 01:15:11,080 Speaker 3: your soul, you know, and touch different emotions, you know. 1434 01:15:11,479 --> 01:15:13,680 Speaker 3: So I mean, I don't think there's no wrong on 1435 01:15:13,800 --> 01:15:17,240 Speaker 3: the right top five, it's just yours mind his is hers, 1436 01:15:17,840 --> 01:15:21,280 Speaker 3: you know, and follow, and also keep your eyes out 1437 01:15:21,320 --> 01:15:25,479 Speaker 3: from my hip hop documentary paragraphs I Manifest, which you know, 1438 01:15:25,600 --> 01:15:30,040 Speaker 3: features of course myself, Jay z J, Cole Snoop Dogg, 1439 01:15:30,280 --> 01:15:36,719 Speaker 3: Common Eminem, Lady London Goods, the Animal a Verb. 1440 01:15:39,600 --> 01:15:40,080 Speaker 1: And others. 1441 01:15:40,479 --> 01:15:42,960 Speaker 6: Well, we can't watching that battle rap battle up. 1442 01:15:43,040 --> 01:15:45,840 Speaker 3: Huh you've been watching that battle Well it's about lyrics. 1443 01:15:45,960 --> 01:15:47,040 Speaker 1: It's about lyrics, you know. 1444 01:15:47,200 --> 01:15:49,000 Speaker 3: So you know, we had a chance to sit and 1445 01:15:49,120 --> 01:15:52,600 Speaker 3: talk about battle rap today versus battle rap you know 1446 01:15:52,680 --> 01:15:55,200 Speaker 3: back in the days, right and all that stuff, you know, 1447 01:15:55,320 --> 01:15:58,080 Speaker 3: the difference, and yeah, yeah, I gotta see that was 1448 01:15:58,600 --> 01:16:00,920 Speaker 3: where where can we catch it. Oh well, we win 1449 01:16:00,960 --> 01:16:02,200 Speaker 3: the editing process right now. 1450 01:16:02,200 --> 01:16:02,479 Speaker 1: All right? 1451 01:16:02,640 --> 01:16:06,479 Speaker 3: Yeah, well ship, when you drop it, come back absolutely. Yeah. 1452 01:16:06,520 --> 01:16:08,200 Speaker 1: You gotta get you around the table. 1453 01:16:08,240 --> 01:16:08,400 Speaker 3: I know. 1454 01:16:08,479 --> 01:16:11,639 Speaker 2: You see, we got everybody who stops through the trap 1455 01:16:11,720 --> 01:16:13,080 Speaker 2: and then blesses man, we got. 1456 01:16:13,120 --> 01:16:16,639 Speaker 1: To find you a spot and go crazy. Yeah you see. 1457 01:16:17,000 --> 01:16:22,479 Speaker 3: Okay, I'm good right here. Yeah. 1458 01:16:24,680 --> 01:16:26,759 Speaker 1: Oh okay man, okay, bet. 1459 01:16:31,600 --> 01:16:35,759 Speaker 2: Guys, now it's official. We got nothing but legends slopping 1460 01:16:35,800 --> 01:16:37,840 Speaker 2: through the trap. You see the type of shows that 1461 01:16:37,960 --> 01:16:38,800 Speaker 2: we're having over here. 1462 01:16:38,920 --> 01:16:40,639 Speaker 1: You ain't bringing legends through your show. 1463 01:16:41,400 --> 01:16:43,840 Speaker 6: Cut it out, eighty five show. 1464 01:16:49,760 --> 01:16:57,839 Speaker 3: Thank you, fam. That was fun. Young Oldies 1465 01:17:00,120 --> 01:17:01,519 Speaker 4: Rains two