WEBVTT - Questlove Supreme: LL Cool J Part 1

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<v Speaker 1>Question.

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<v Speaker 2>Love Supreme is a production of iHeart Radio Sad Depressed,

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<v Speaker 2>Getting Killed.

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<v Speaker 3>Virum So Suprimo, roll called So three Sun Sun Subrivo,

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<v Speaker 3>role called Supremo So So Suprivo ro called.

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<v Speaker 1>Subrivo as you can tell. Yeah, we got ll yeah

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<v Speaker 1>and for the first time in history. Yeah, my roll

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<v Speaker 1>call fell subrivo called so.

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<v Speaker 4>My name is Fante and my rhymes is vicious. But

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<v Speaker 4>I'll also say yeah, pudding is delicious.

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<v Speaker 1>Supprivo suprivo soun s brivo.

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<v Speaker 5>My name sugar. Yeah, I need a beat, Yeah like

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<v Speaker 5>Quincy Jones needs like.

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<v Speaker 1>His feet up here? Bill, Yeah, back for more, Yeah,

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<v Speaker 1>Sugar Steve, Yeah, happy.

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<v Speaker 6>Port like yeah, more like Chris Robinson Yeah l L yeah, smoking.

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<v Speaker 7>L L Yeah, I say bless up. Yeah, I'm with

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<v Speaker 7>the tribe. This one's quest love.

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<v Speaker 1>So so so.

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<v Speaker 3>Supo Son Son sun Sel.

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<v Speaker 1>Damn like you speaking what rhymes with Robinson?

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<v Speaker 6>Smoking Son? Oh smoking.

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<v Speaker 1>Level.

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<v Speaker 7>We were both like, wait none rhymes and Robin we

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<v Speaker 7>started with smoking son and Robinson.

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<v Speaker 2>All right, okay, so look all right, all right. First

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<v Speaker 2>of all, yes, we're we're live and lost Ange. We're

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<v Speaker 2>taming Los Angeles with No No A C. But it's

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<v Speaker 2>all good.

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<v Speaker 7>Uh.

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<v Speaker 2>This is the Quest of Supreme podcast of course with

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<v Speaker 2>Fon Tickeelo, North Carolina's Finest Little Brother.

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<v Speaker 1>How's preparations going for for with Charlotte Dave Riley. What's

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<v Speaker 1>the Durham Durham made and Durham?

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<v Speaker 4>No, it's going well, man, It's just you know, we're

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<v Speaker 4>at the last kind of the stretch before we go,

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<v Speaker 4>so you know, you know how I go.

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<v Speaker 1>I mean a million to use the cross, you know.

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<v Speaker 1>I and you're organizing it too.

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<v Speaker 4>Yeah, not by myself. Okay, we have a team, but

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<v Speaker 4>but me and Pool were overseeing it from tip to tip.

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<v Speaker 4>Headaches out the ass get But it's going well though, Sugar.

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<v Speaker 4>Steve House, how's life in jazz business? Everything's good. It's

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<v Speaker 4>nice to be here. They don't let me have them

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<v Speaker 4>Manhattan much, so it's good to get away.

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<v Speaker 1>Okay, Steven Weed free right now?

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<v Speaker 6>Bro?

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<v Speaker 5>Yeah, there's that. There's that too, So I may talk

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<v Speaker 5>more during this.

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<v Speaker 1>Yeah. I was about to say, you seem very clear

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<v Speaker 1>today for some reason.

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<v Speaker 5>Took a shower.

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<v Speaker 2>Yeah, okay, that's that's good. You've been released from Sesame

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<v Speaker 2>Street prison. Yeah, where have you been at the Muppets?

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<v Speaker 2>Been holding you hostage.

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<v Speaker 1>Hostage. Yeah, I got negotiated out from Sesme Street and

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<v Speaker 1>I'm here.

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<v Speaker 5>I'm excited.

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<v Speaker 1>Really nothing not, everything's fine. No, no, I've been driving

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<v Speaker 1>my kids the volleyball. I was about to say, did

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<v Speaker 1>the strike even affect Sesame Street?

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<v Speaker 2>Not, that's that's what None of the muppets are unionized, No,

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<v Speaker 2>they all it's they're free from that, which is good.

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<v Speaker 1>Okay, that's that's good to hear.

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<v Speaker 2>Well, as is this speaking of course, you know, we

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<v Speaker 2>resolve to strike and you know who like wants me

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<v Speaker 2>back at thirty Rock immediately like yeah, exactly, Like how's

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<v Speaker 2>it going?

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<v Speaker 6>I am going good? Now are we getting this week started?

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<v Speaker 1>I was about to say, how long did it take you?

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<v Speaker 1>Ritty and l story?

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<v Speaker 6>First of all, shout outs to call you got a

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<v Speaker 6>shout out to the people that make it happen that

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<v Speaker 6>it took months, but it was so worth it, of course.

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<v Speaker 6>But yes, it's the perfect way to start our adventure.

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<v Speaker 1>With a legend.

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<v Speaker 2>I've been having a what's what's the term a t

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<v Speaker 2>d T tet A tet uh with with a very

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<v Speaker 2>passionate I would say over zealous person in in in

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<v Speaker 2>the I g d ms about how we always disrespect Yeah, okay, so.

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<v Speaker 5>I it's not talking about her feet or anything like that.

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<v Speaker 2>Right, it's an l a callback it is anyway, all right.

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<v Speaker 2>So look, I'm gonna do this Stephen A. Smith's out

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<v Speaker 2>because I'm world famous for the intros or lack of

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<v Speaker 2>intros or the over enthusiastic intros. But I think that

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<v Speaker 2>it's important that our listeners understand why we should address

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<v Speaker 2>our guest today in terms of royalty without making him

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<v Speaker 2>cringe or whatever. So basically, I will say, in the

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<v Speaker 2>past seven years of doing this podcast, you know, we've

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<v Speaker 2>had presidents and musical pioneers and actors and sports figures

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<v Speaker 2>and whatnot. For out of nine Jackson's we've had on

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<v Speaker 2>the show, Wow, But this is probably the episode I've

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<v Speaker 2>been waiting for. I mean, from a guy that has

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<v Speaker 2>co authored a song about hip hop being the love

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<v Speaker 2>of his life, I will say that who better than.

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<v Speaker 1>To have what I deem?

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<v Speaker 2>Probably I call him a junior pioneer only because he's

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<v Speaker 2>the reason why my definition of the pioneer never gets

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<v Speaker 2>the glory. But it's the person that comes behind it

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<v Speaker 2>that improves on the pioneer. Literally, our guest today is

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<v Speaker 2>the reason why I think that because and I had

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<v Speaker 2>to write this part down basically, you know at nausea

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<v Speaker 2>that yeah, okay, Curtis Blow was the first goal selling

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<v Speaker 2>rapper on a major label, but our guest today has

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<v Speaker 2>improved on that twelvefold. And also he literally built the

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<v Speaker 2>deaf Jam empire. Without his success, I don't know if

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<v Speaker 2>there would have been budget or whatever for the Beast's

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<v Speaker 2>down to public and me down, you know, literally built

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<v Speaker 2>an empire. Not to mention literally so many firsts that

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<v Speaker 2>our guest has achieved. If you want to say, the

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<v Speaker 2>three minute rap song, the idea of course, the skit

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<v Speaker 2>emotions on Wax.

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<v Speaker 1>Whatever, true, I have my only pair of troops. Yeah,

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<v Speaker 1>I was gonna say.

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<v Speaker 2>Smith him the idea of pivoting to something else besides

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<v Speaker 2>wrapping the comeback the remix. Like literally I made a

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<v Speaker 2>list and it was like over twenty but I would

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<v Speaker 2>bore you all, and I know he's like, yo, I

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<v Speaker 2>can't wait to get the funk out of here. Lad,

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<v Speaker 2>please welcome James Stop Smith a l.

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<v Speaker 1>Cool day to Let's love Supreme, Thank you, thank you.

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<v Speaker 2>You're also going to realize that the reason why we

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<v Speaker 2>really haven't had our first true conversation yet. Was I

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<v Speaker 2>was waiting for this play because I didn't want to like,

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<v Speaker 2>oh my god, I didn't want to freak you out

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<v Speaker 2>by like nerding out on you because I will go

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<v Speaker 2>cuckoo for Coca puffs.

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<v Speaker 1>But no, just save it, save it, save it for

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<v Speaker 1>the podcast notes.

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<v Speaker 6>Every time he thought that, well, why y'all want to

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<v Speaker 6>every time he thought, I hope he took a note

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<v Speaker 6>like yet.

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<v Speaker 2>No, literally, he would come and out hide like I

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<v Speaker 2>don't want to because I don't want him think like

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<v Speaker 2>I'm ignoring him whatever, not return his phone calls. But

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<v Speaker 2>I'm also the kind of guy that wants to know

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<v Speaker 2>like twelve things about his career in a casual moment.

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<v Speaker 1>And you know, I've always scared off many an R.

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<v Speaker 2>That's hilarious that way. So on the road, yes, we did, yeah,

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<v Speaker 2>oh man. And not to mention, I'm I'm back from

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<v Speaker 2>camp cool Jay talk about yeah we got to hear

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<v Speaker 2>about it. I heard about it, but talk about it.

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<v Speaker 2>How the regiment put people tour. The tour was just

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<v Speaker 2>it was rigorous.

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<v Speaker 7>I mean, you know, quest worked so hard, man, I mean,

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<v Speaker 7>rehearsing forty hours a day, you know, twenty four hundred

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<v Speaker 7>hours a day just bringing artists in and bringing guests

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<v Speaker 7>in and fitting them into the set, and like on stage,

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<v Speaker 7>I would call him my general every night because he was,

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<v Speaker 7>you know, just working so hard and so tirelessly to

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<v Speaker 7>make it look effortless, you know what I'm saying, for

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<v Speaker 7>the audience, and to make it a show where everybody

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<v Speaker 7>could just come in and once they get in, they

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<v Speaker 7>once they stood up, they basically never sat down for

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<v Speaker 7>two three hours and didn't mit three four hours and

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<v Speaker 7>didn't miss a beat.

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<v Speaker 1>It was It was a lot of fun. It was dope.

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<v Speaker 1>We put up.

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<v Speaker 7>It worked. It worked. It works for real. We still

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<v Speaker 7>got a couple more, but it really was serious. Like,

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<v Speaker 7>so you did a great job on that, man, Like

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<v Speaker 7>it was amazing. It was amazing, all.

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<v Speaker 2>Right, So let me get to the nerd part. Okay,

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<v Speaker 2>So without the usual rigmund like where were you born?

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<v Speaker 1>On? Stuff?

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<v Speaker 2>I actually I want to know what was your life

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<v Speaker 2>like in nineteen eighty three, one year before you started

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<v Speaker 2>your journey to your path, Like what was typically happening

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<v Speaker 2>to you in eighty three.

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<v Speaker 1>By that point?

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<v Speaker 7>Yeah, So in eighty three, I was just running around

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<v Speaker 7>the city networking with you know, other MC's and DJs

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<v Speaker 7>and producers, and spending a lot of time in Harlem.

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<v Speaker 7>I would go up to like see my man Silver Fox.

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<v Speaker 7>He lived across He had a record store across from

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<v Speaker 7>Grant Projects. This guy named Julio Gina had a record

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<v Speaker 7>store on a label CCL Records, And I was I

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<v Speaker 7>spent a lot of time in Harlem at the record store,

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<v Speaker 7>just kind of holding my craft, talking to Fox about

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<v Speaker 7>cadences and couplets and stuff like that. Like you know,

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<v Speaker 7>me and Kouji Rapp would be like down at this

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<v Speaker 7>place called Joe Grant one hundred tienth Street and Harlem

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<v Speaker 7>rhyming together and you know what I'm saying, Me and

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<v Speaker 7>him and Fox and you know that.

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<v Speaker 1>So I basically spent a lot of time.

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<v Speaker 7>And then i'd be if I was in Queens, I

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<v Speaker 7>might be in like Herbie Lovebugs basement, you know what

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<v Speaker 7>I'm saying, Like when he was like just making beats

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<v Speaker 7>he had and he didn't have any records out or anything,

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<v Speaker 7>but he was down there, like so we'd be down

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<v Speaker 7>there and just hanging out.

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<v Speaker 1>And you were born in Queens, No, I was born

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<v Speaker 1>in Long Island.

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<v Speaker 7>I was born in base Show base Shore, Long Island,

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<v Speaker 7>and then you know, I would go back and forth

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<v Speaker 7>between Base Show, Long Island and Queens and then you know,

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<v Speaker 7>spent obviously most of my time in Queen's ultimately, but

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<v Speaker 7>for many years I went back and forth, you know

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<v Speaker 7>what I'm saying to school, So because we.

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<v Speaker 1>Always hear the folklore of hip hop and.

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<v Speaker 2>All the Bronx stories, the Bronx Monks, marks Monks, Bronks

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<v Speaker 2>and all these tapes, tapes, tapes, how is the rest

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<v Speaker 2>of the Burroughs getting spread of this creative pandemic?

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<v Speaker 7>Like yeah, yeah, so create That's a good way of

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<v Speaker 7>looking at it, right, So what happened actually is me

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<v Speaker 7>being in Long Island, I was in North Babylon. I

0:11:05.640 --> 0:11:07.880
<v Speaker 7>would go back and forth between North Babylon and Queens.

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<v Speaker 7>When I was in North babylin next door to me

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<v Speaker 7>was a bunch of foster kids, so a woman, a

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<v Speaker 7>couple of them of colors, you know what I'm saying.

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<v Speaker 1>They had like five or six forster kids like in

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<v Speaker 1>the house.

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<v Speaker 7>And they were from Brooklyn, the Bronx uptown like everywhere,

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<v Speaker 7>and a lot of them like my man Kenny from

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<v Speaker 7>Brooklyn and Wayne was from the Bronx and Reynard and

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<v Speaker 7>them were, you know, so I would hear all the

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<v Speaker 7>tapes my manor Eric Ward and all them.

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<v Speaker 1>They would play all of the tapes from the Bronx.

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<v Speaker 7>So I was exposed to hip hop from day one,

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<v Speaker 7>like I was exposed to like Flashing, the Furious Four

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<v Speaker 7>and the Foursome Seas way early, like before the records,

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<v Speaker 7>before Raptors, the Light, before all that.

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<v Speaker 1>I was already hearing everything that was going on in.

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<v Speaker 7>The city first before yeah, there was the Furious Four

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<v Speaker 7>before they were the Furious Five. Yes, yeah, So I

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<v Speaker 7>was you know, I was hearing all these records and

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<v Speaker 7>hearing the Cold Crush.

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<v Speaker 1>So I got into it real early.

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<v Speaker 7>So at like nine years old, I was already like

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<v Speaker 7>rhyming and trying to rhyme like those guys and trying

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<v Speaker 7>to make up rhymes and stuff like that. So by

0:12:08.800 --> 0:12:11.720
<v Speaker 7>the time I was eleven or twelve, I actually started writing,

0:12:12.200 --> 0:12:14.439
<v Speaker 7>you know, at eleven or twelve, I started really getting

0:12:14.480 --> 0:12:18.079
<v Speaker 7>into it. So that's why I was actually ready when

0:12:18.080 --> 0:12:20.240
<v Speaker 7>I was sixteen to start death jam because I had

0:12:20.280 --> 0:12:23.640
<v Speaker 7>already been doing it like like, you know, maybe eight

0:12:23.760 --> 0:12:26.240
<v Speaker 7>years at that point. You know, at sixteen, I had

0:12:26.280 --> 0:12:29.120
<v Speaker 7>already been in hip hop like eight years, like trying

0:12:29.160 --> 0:12:30.599
<v Speaker 7>to you know, get good at it.

0:12:30.679 --> 0:12:35.200
<v Speaker 1>Who was your north star in terms of like that's

0:12:35.240 --> 0:12:36.160
<v Speaker 1>the MCI.

0:12:35.960 --> 0:12:38.719
<v Speaker 7>Like it was a mix of all of them. It

0:12:38.800 --> 0:12:40.480
<v Speaker 7>was a mix of all of them for different reasons.

0:12:40.760 --> 0:12:42.559
<v Speaker 7>It was more like mixed martial arts than it was

0:12:42.600 --> 0:12:45.200
<v Speaker 7>like one style. It wasn't just karate. It was mixed

0:12:45.240 --> 0:12:47.240
<v Speaker 7>martial arts, you know what I'm saying. So it was

0:12:47.760 --> 0:12:50.640
<v Speaker 7>you know, and funny, you know, I actually picked that

0:12:50.720 --> 0:12:52.839
<v Speaker 7>up from Bruce Lee, you know what I'm saying, because

0:12:52.920 --> 0:12:55.920
<v Speaker 7>G Condo was like the first MMA, right, Like it

0:12:56.040 --> 0:12:58.280
<v Speaker 7>was the way of the intercepting fists and it was

0:12:58.320 --> 0:13:00.839
<v Speaker 7>all about taking all of these very styles and putting

0:13:00.840 --> 0:13:04.319
<v Speaker 7>them together. So that's why, like you know, early on

0:13:04.520 --> 0:13:08.280
<v Speaker 7>I was able to do stories, love records, hard records,

0:13:08.360 --> 0:13:08.679
<v Speaker 7>this and that.

0:13:08.800 --> 0:13:10.800
<v Speaker 1>That's why, like I can do any kind of song now.

0:13:11.400 --> 0:13:13.439
<v Speaker 7>So it's like, you know, it's like a guy on

0:13:13.480 --> 0:13:15.800
<v Speaker 7>a basketball court who could play defense, who could shoot,

0:13:15.800 --> 0:13:17.120
<v Speaker 7>who could go left, who can go right?

0:13:17.360 --> 0:13:19.080
<v Speaker 1>Who could do threes? Who could dunk?

0:13:19.120 --> 0:13:22.160
<v Speaker 7>Who could you know, like pride in myself and doing anything,

0:13:22.679 --> 0:13:26.880
<v Speaker 7>you know, avant garde records like anything. So and that

0:13:27.040 --> 0:13:29.520
<v Speaker 7>came from just listening to all of them, right, listening

0:13:29.559 --> 0:13:33.040
<v Speaker 7>to hearing Spoony and hearing Mail and you know, hearing Mo.

0:13:33.240 --> 0:13:33.840
<v Speaker 1>But then like in.

0:13:33.920 --> 0:13:36.640
<v Speaker 7>DLB for different reasons, like in Tito for a different reason,

0:13:36.760 --> 0:13:39.200
<v Speaker 7>like and pays for a different reason, like in JDL

0:13:39.320 --> 0:13:41.839
<v Speaker 7>because of what he does, like in Ad for certain

0:13:41.920 --> 0:13:44.400
<v Speaker 7>reasons like like a cast for other you know, like

0:13:44.480 --> 0:13:46.240
<v Speaker 7>it was all these different people Shah Rock for the

0:13:46.280 --> 0:13:48.760
<v Speaker 7>Echo Chamber and you know hearing like so it was

0:13:48.880 --> 0:13:52.040
<v Speaker 7>all of these different people that you know, just kind

0:13:52.080 --> 0:13:54.040
<v Speaker 7>of I just absorbed all of it, you know what

0:13:54.080 --> 0:13:54.440
<v Speaker 7>I'm saying.

0:13:54.600 --> 0:13:58.360
<v Speaker 2>Well, I gotta ask you now, did you ever in

0:13:58.480 --> 0:14:04.679
<v Speaker 2>your wildest dreams ever imagine that, like one of the

0:14:04.920 --> 0:14:07.080
<v Speaker 2>one of the pegs of the ladder of your whole story,

0:14:07.600 --> 0:14:09.520
<v Speaker 2>that you actually go toe to toe with one of

0:14:09.559 --> 0:14:11.240
<v Speaker 2>those pioneers like in the beginning.

0:14:11.800 --> 0:14:16.120
<v Speaker 7>Definitely not definitely not man, Listen, you talked about Modi, right, Like,

0:14:16.400 --> 0:14:19.040
<v Speaker 7>oh definitely not, of course, not like I love Mo.

0:14:19.880 --> 0:14:23.640
<v Speaker 1>You know, I still love Mo. But you know it's

0:14:23.720 --> 0:14:25.280
<v Speaker 1>like basketball right or boxing.

0:14:25.400 --> 0:14:27.320
<v Speaker 7>I mean, you know, de la Joya had to fight

0:14:27.480 --> 0:14:31.680
<v Speaker 7>Chavez like regardless, so you know that was just it

0:14:31.800 --> 0:14:33.640
<v Speaker 7>just came with the territory. But I didn't lose any

0:14:33.720 --> 0:14:36.240
<v Speaker 7>respect for him. I never lost respect for him. I

0:14:36.320 --> 0:14:40.000
<v Speaker 7>never felt like personally insulted. Always took it as part

0:14:40.040 --> 0:14:40.440
<v Speaker 7>of the game.

0:14:41.360 --> 0:14:42.200
<v Speaker 1>Yeah, I see that.

0:14:42.680 --> 0:14:46.320
<v Speaker 2>So, I mean I've heard Ruben's side, I've talked to

0:14:46.360 --> 0:14:49.280
<v Speaker 2>ad of rock like them might be in NYU whatever.

0:14:50.160 --> 0:14:53.480
<v Speaker 2>So first of all, how did you even have And

0:14:53.560 --> 0:14:55.960
<v Speaker 2>we heard the story about like your grandfather getting you.

0:14:56.600 --> 0:14:58.840
<v Speaker 1>What equipment did he get you? Exactly? You got me too.

0:14:59.000 --> 0:15:02.560
<v Speaker 1>I wanted techniques, but you know my grandfather, you know

0:15:02.640 --> 0:15:03.640
<v Speaker 1>I wanted technique.

0:15:03.760 --> 0:15:08.680
<v Speaker 7>You know you're getting to Sheba's, right, Yeah, I got

0:15:09.600 --> 0:15:12.520
<v Speaker 7>I got to to Sheba's and I wanted I wanted

0:15:12.560 --> 0:15:14.200
<v Speaker 7>the Gemini he got me a uh.

0:15:15.640 --> 0:15:17.560
<v Speaker 1>It wasn't a new Mark, I forget the name of it,

0:15:17.640 --> 0:15:18.520
<v Speaker 1>but it was a different one.

0:15:18.840 --> 0:15:21.080
<v Speaker 7>It had a crossfader and a a and a turn

0:15:21.160 --> 0:15:24.000
<v Speaker 7>on it, and it didn't have a slide fada, had

0:15:24.000 --> 0:15:26.640
<v Speaker 7>a turn knob on it. But yeah, so I had

0:15:26.680 --> 0:15:29.800
<v Speaker 7>the mixer so you can dj oh yeah, okay, oh yeah,

0:15:29.840 --> 0:15:30.160
<v Speaker 7>oh yeah.

0:15:30.240 --> 0:15:30.440
<v Speaker 1>Yeah.

0:15:30.440 --> 0:15:34.160
<v Speaker 7>I started off that way because see my grandfather, he

0:15:34.280 --> 0:15:36.720
<v Speaker 7>was a jazz musician and He used to take me

0:15:36.800 --> 0:15:39.040
<v Speaker 7>in the basement when I was laby six five sixty

0:15:39.040 --> 0:15:42.920
<v Speaker 7>seven and record me like doing little jazz things, and

0:15:43.040 --> 0:15:45.240
<v Speaker 7>he would like mess with stuff, and he had like

0:15:45.320 --> 0:15:48.080
<v Speaker 7>a reel of reel and I'd be down there doing little.

0:15:48.000 --> 0:15:49.560
<v Speaker 1>Jazz stuff and all that, you know what I'm saying.

0:15:49.600 --> 0:15:53.000
<v Speaker 7>So I came up listening to like Jimmy Smith at

0:15:53.040 --> 0:15:55.120
<v Speaker 7>the Penthouse and you know, all of these.

0:15:55.280 --> 0:15:58.320
<v Speaker 1>But then I'd be listening to Smothers brothers, like Comedy records.

0:15:58.360 --> 0:16:00.520
<v Speaker 7>But then I'm listening to like So I I got

0:16:00.560 --> 0:16:03.560
<v Speaker 7>exposed to a lot of different kinds of music, whether

0:16:03.600 --> 0:16:06.400
<v Speaker 7>it was Miles or Charles, Charlie Parker or bird or

0:16:06.480 --> 0:16:09.560
<v Speaker 7>Birdland stuff and Ella Fitzgerald and Duke Ellington all this

0:16:09.600 --> 0:16:12.040
<v Speaker 7>stuff count Basi records, so I got and it was

0:16:12.040 --> 0:16:13.600
<v Speaker 7>a lot of big band too, So it wasn't just

0:16:13.680 --> 0:16:15.640
<v Speaker 7>the normal jazz. It was a lot of big band jazz.

0:16:15.680 --> 0:16:18.080
<v Speaker 7>But I say that to say that's where I kind

0:16:18.120 --> 0:16:20.520
<v Speaker 7>of got into it, you know what I'm saying. And

0:16:20.720 --> 0:16:23.440
<v Speaker 7>then I ended up getting the equipment because I fell

0:16:23.480 --> 0:16:24.880
<v Speaker 7>in love with it. Because I got hit on a

0:16:24.960 --> 0:16:28.560
<v Speaker 7>mini bike and my grandfather wanted to keep me in

0:16:28.600 --> 0:16:30.640
<v Speaker 7>the house, and it was a choice either money.

0:16:30.920 --> 0:16:32.480
<v Speaker 1>No, No, it was settled.

0:16:32.520 --> 0:16:33.920
<v Speaker 7>They were just trying to keep me in the house

0:16:34.040 --> 0:16:36.280
<v Speaker 7>because you know, we used to have a mini bikes

0:16:36.320 --> 0:16:38.400
<v Speaker 7>and all that with the you know, with the with

0:16:38.520 --> 0:16:41.480
<v Speaker 7>the shoelace tied to the throttle with no brakes on it,

0:16:44.640 --> 0:16:46.760
<v Speaker 7>just running around the block. And I got hit on

0:16:46.760 --> 0:16:49.240
<v Speaker 7>one of them joints, and then you know, they was

0:16:49.320 --> 0:16:51.920
<v Speaker 7>like my grandmother was going crazy and the neighborhood's talking.

0:16:52.000 --> 0:16:55.720
<v Speaker 7>That was like headline news. And then so he got

0:16:55.800 --> 0:16:57.520
<v Speaker 7>me some equipment to keep me in the house.

0:16:57.680 --> 0:17:01.160
<v Speaker 6>Because its household.

0:17:01.600 --> 0:17:04.200
<v Speaker 1>No, no, did they know what hip I was to be?

0:17:04.320 --> 0:17:04.359
<v Speaker 8>Like?

0:17:04.640 --> 0:17:08.119
<v Speaker 7>No, well, well, the only resistance came later when I

0:17:08.200 --> 0:17:12.680
<v Speaker 7>started becoming professional, because my grandmother didn't really believe that

0:17:12.760 --> 0:17:15.280
<v Speaker 7>it was real and she wanted me to stay in school.

0:17:15.320 --> 0:17:18.520
<v Speaker 7>And my mother secretly had made a pet with her

0:17:18.600 --> 0:17:20.040
<v Speaker 7>that she would let me stay out of school for

0:17:20.119 --> 0:17:22.600
<v Speaker 7>two years because remember I dropped out in the ninth

0:17:22.640 --> 0:17:26.920
<v Speaker 7>grade the store. When Radio came out, I was sixteen seventeen.

0:17:27.040 --> 0:17:29.159
<v Speaker 7>When when it dropped the single, when the when I

0:17:29.200 --> 0:17:31.320
<v Speaker 7>Need a B came I was sixteen Radio I was

0:17:31.359 --> 0:17:32.160
<v Speaker 7>turning seventeen.

0:17:32.240 --> 0:17:33.640
<v Speaker 1>I was around seventeen, because.

0:17:33.400 --> 0:17:37.119
<v Speaker 7>You had a deal that you would secret No, my

0:17:37.240 --> 0:17:39.560
<v Speaker 7>mother had a secret deal that she would let me

0:17:39.600 --> 0:17:42.000
<v Speaker 7>stay out of school and pursue my dreams for two years,

0:17:42.320 --> 0:17:44.159
<v Speaker 7>and if it didn't work out, she would make me

0:17:44.200 --> 0:17:46.280
<v Speaker 7>go back to school. Because I asked her, I'm like,

0:17:46.320 --> 0:17:48.160
<v Speaker 7>why did you let me do that? And she said,

0:17:48.840 --> 0:17:51.000
<v Speaker 7>because you were really, really passionate about it. And I

0:17:51.080 --> 0:17:52.440
<v Speaker 7>knew you were young enough to be able to go

0:17:52.560 --> 0:17:55.560
<v Speaker 7>back to school, So that that was a she took

0:17:55.640 --> 0:17:56.080
<v Speaker 7>that shot.

0:17:56.760 --> 0:17:59.439
<v Speaker 1>I'm glad she did. That's I'm glad she did.

0:18:00.800 --> 0:18:03.040
<v Speaker 5>Curious about your grandfather, what instrument did he play?

0:18:03.800 --> 0:18:06.280
<v Speaker 1>Tenor saxophone? Played the tennis sacks?

0:18:06.960 --> 0:18:10.200
<v Speaker 7>And so I used to, you know, grow up and

0:18:10.320 --> 0:18:12.520
<v Speaker 7>just change learning how to change the reads and how

0:18:12.560 --> 0:18:14.879
<v Speaker 7>to clean it, and you know, mess around with it

0:18:15.000 --> 0:18:17.640
<v Speaker 7>stuff like that. Well you would play sax I would

0:18:17.720 --> 0:18:19.920
<v Speaker 7>mess around with it, but nothing of any consequence. I

0:18:20.000 --> 0:18:21.600
<v Speaker 7>mean I used to mess around with it, but nothing.

0:18:22.000 --> 0:18:23.760
<v Speaker 7>You can at least play like love roller coaster. You know,

0:18:24.960 --> 0:18:28.160
<v Speaker 7>you know, you know, nothing, nothing of any real consequence.

0:18:28.240 --> 0:18:30.000
<v Speaker 7>But I but I did grow up around a lot

0:18:30.040 --> 0:18:32.080
<v Speaker 7>of instruments. He would buy me guitars. I would break

0:18:32.119 --> 0:18:34.760
<v Speaker 7>them and pop the strings and stuff like that, And

0:18:35.200 --> 0:18:37.240
<v Speaker 7>it was just he had a love for music, and

0:18:37.320 --> 0:18:40.399
<v Speaker 7>my grandmother loved music, and my mother wrote poetry, you

0:18:40.480 --> 0:18:43.280
<v Speaker 7>know what I'm saying, so you know, and play the

0:18:44.359 --> 0:18:47.440
<v Speaker 7>the accordion and you know, you know what I'm saying.

0:18:47.520 --> 0:18:54.560
<v Speaker 1>So we don't understand, like this makes sense exactly?

0:18:59.280 --> 0:19:04.040
<v Speaker 2>How did you even haven't wherewithal to know that? Let

0:19:04.160 --> 0:19:07.440
<v Speaker 2>me hand deliver these tapes. First of all, what's on

0:19:07.560 --> 0:19:09.600
<v Speaker 2>the tapes? Are you just like freestyling and piece to

0:19:09.640 --> 0:19:10.639
<v Speaker 2>president or like no?

0:19:10.880 --> 0:19:11.000
<v Speaker 1>Now?

0:19:11.680 --> 0:19:14.359
<v Speaker 7>So I was about to quit because I couldn't get

0:19:14.400 --> 0:19:17.919
<v Speaker 7>any make any headway because labels. A lot of labels

0:19:17.920 --> 0:19:20.040
<v Speaker 7>were turning me down. Well it wasn't that many, but

0:19:20.119 --> 0:19:21.919
<v Speaker 7>it was the first label you went to. I sent

0:19:22.000 --> 0:19:24.200
<v Speaker 7>something to sugar Hill. I tried to get on sugar Hill.

0:19:24.680 --> 0:19:27.159
<v Speaker 7>And when I started trying to get on sugar Hill,

0:19:27.200 --> 0:19:29.080
<v Speaker 7>I was probably like fourteen, maybe thirteen.

0:19:29.960 --> 0:19:33.760
<v Speaker 1>Do they know this? Now? They do now, you know?

0:19:37.520 --> 0:19:40.000
<v Speaker 7>And so when I was like thirteen fourteen, I started

0:19:40.000 --> 0:19:42.479
<v Speaker 7>sending demos to sugar Hill trying to get on them.

0:19:42.520 --> 0:19:44.960
<v Speaker 1>They responded, though they were polite.

0:19:44.960 --> 0:19:47.159
<v Speaker 7>They said, you know, we just want to inform you

0:19:47.240 --> 0:19:49.560
<v Speaker 7>that we're not interested in your material at this you know,

0:19:49.800 --> 0:19:52.359
<v Speaker 7>it was a standard letter, so it was cool. And

0:19:52.480 --> 0:19:54.920
<v Speaker 7>then after that, I was about to quit because I

0:19:54.960 --> 0:19:57.360
<v Speaker 7>had been trying since I was like fourteen years old

0:19:57.480 --> 0:19:59.360
<v Speaker 7>and it had been two years and now I'm sixteen

0:19:59.720 --> 0:20:01.159
<v Speaker 7>and I'm about to quit because I'm like, you know,

0:20:01.280 --> 0:20:03.879
<v Speaker 7>it's just I'm not making any headway. And I had

0:20:04.119 --> 0:20:06.840
<v Speaker 7>made a decision to go pro and be a professional

0:20:06.920 --> 0:20:10.640
<v Speaker 7>recording artist. And so my mother, you know, she found

0:20:10.680 --> 0:20:12.200
<v Speaker 7>one of the letters. I had balled it up and

0:20:12.280 --> 0:20:13.800
<v Speaker 7>threw it in my room and she walked in and

0:20:13.880 --> 0:20:16.560
<v Speaker 7>found it somehow and was reading it. And then she

0:20:16.680 --> 0:20:18.680
<v Speaker 7>came over and she was like giving me hug because

0:20:18.680 --> 0:20:21.000
<v Speaker 7>I was depressed. She's like, what's wrong, b blah blah

0:20:21.040 --> 0:20:23.720
<v Speaker 7>blah blah. I'm like, nah, you know, you know I

0:20:23.800 --> 0:20:25.920
<v Speaker 7>can't you know, I don't have no equipment. I can't

0:20:25.960 --> 0:20:28.280
<v Speaker 7>make a good demo this and that. So she said, well,

0:20:28.320 --> 0:20:29.560
<v Speaker 7>what do you need? And I told her I need

0:20:29.640 --> 0:20:31.840
<v Speaker 7>a drum machine so I can this and that I

0:20:31.920 --> 0:20:34.399
<v Speaker 7>need to beat. Yeah, I need to be exactly. And

0:20:34.480 --> 0:20:36.520
<v Speaker 7>that was the demo. So I went out and I

0:20:36.640 --> 0:20:40.199
<v Speaker 7>did a demo. She bought me a call drum machine,

0:20:40.600 --> 0:20:43.320
<v Speaker 7>and I went to my man spin Master Fanessa's house

0:20:43.600 --> 0:20:45.920
<v Speaker 7>in his basement and we played it manually because we

0:20:45.960 --> 0:20:47.680
<v Speaker 7>didn't wait to want to wait to learn how to

0:20:47.800 --> 0:20:50.439
<v Speaker 7>program it. So we just played everything manually and did

0:20:50.480 --> 0:20:52.679
<v Speaker 7>a pause tape over dub and I made I need

0:20:52.760 --> 0:20:56.320
<v Speaker 7>a beat the demo? What yeah, yeah, I made I

0:20:56.400 --> 0:21:02.280
<v Speaker 7>need to beat the demo. But he didn't even know

0:21:02.400 --> 0:21:05.240
<v Speaker 7>a sequence it nah. Nah, I just did it by hand.

0:21:05.640 --> 0:21:07.520
<v Speaker 7>And then once I did it by hand, by feel,

0:21:07.840 --> 0:21:09.840
<v Speaker 7>then I went back and rhymed to what I did

0:21:09.960 --> 0:21:12.160
<v Speaker 7>by hand. And then I went back and my man

0:21:12.280 --> 0:21:14.320
<v Speaker 7>did some scratching on it, and I went back. I

0:21:14.440 --> 0:21:16.680
<v Speaker 7>just did it that way, you know what I'm saying.

0:21:16.800 --> 0:21:19.920
<v Speaker 7>And then I sent that in and uh, the rest

0:21:20.040 --> 0:21:23.800
<v Speaker 7>is history. So ad Rock heard it. Ad Rock heard it.

0:21:24.320 --> 0:21:27.520
<v Speaker 7>Then he took it. Obviously they had the real drum machines,

0:21:27.560 --> 0:21:29.400
<v Speaker 7>you know, that took it to another level.

0:21:29.480 --> 0:21:31.000
<v Speaker 1>Took it. Was a similar beat, but he took it

0:21:31.040 --> 0:21:33.719
<v Speaker 1>to a whole other level. Him and Rick and you know, well,

0:21:33.800 --> 0:21:37.440
<v Speaker 1>number one, do you still have those rejection letters? I

0:21:37.560 --> 0:21:39.760
<v Speaker 1>probably do in my house, in my grandmother's house somewhere.

0:21:39.800 --> 0:21:43.760
<v Speaker 7>Yes, I would say yes, yes, I would say, I

0:21:43.760 --> 0:21:45.280
<v Speaker 7>would say, yes, okay, yeah.

0:21:45.160 --> 0:21:45.560
<v Speaker 1>I got them.

0:21:45.600 --> 0:21:47.520
<v Speaker 5>What about that demo? Did that ever come out?

0:21:47.920 --> 0:21:50.080
<v Speaker 7>It's around, It's around because that's you know, it's funny.

0:21:50.160 --> 0:21:54.040
<v Speaker 7>That's where where they got dropped, like you know and

0:21:54.160 --> 0:21:54.399
<v Speaker 7>all that.

0:21:54.560 --> 0:21:56.320
<v Speaker 1>Yeah yeah, because I did all that on my demo.

0:21:57.359 --> 0:21:59.320
<v Speaker 7>Yeah yeah, yeah. So when the Beastie Boys did that,

0:21:59.400 --> 0:22:01.879
<v Speaker 7>all that those little some of those little lines they

0:22:01.920 --> 0:22:05.040
<v Speaker 7>did a lot of that was you know, based on

0:22:05.119 --> 0:22:05.480
<v Speaker 7>the demo.

0:22:05.560 --> 0:22:07.240
<v Speaker 1>You know, I'm saying, wait, while and while.

0:22:07.080 --> 0:22:11.440
<v Speaker 2>I'm remembering this, Okay, so during the Grammy fifty celebration,

0:22:13.000 --> 0:22:15.639
<v Speaker 2>I overheard this is what really made me run out

0:22:15.640 --> 0:22:17.240
<v Speaker 2>the room because I didn't want to hear the story.

0:22:18.119 --> 0:22:20.040
<v Speaker 2>Can you please tell them the story? And I'm skipping

0:22:20.040 --> 0:22:22.320
<v Speaker 2>a little bit ahead. Tell me the story of how

0:22:22.440 --> 0:22:27.040
<v Speaker 2>you named Chun King Studios. Oh so Chun King So wait,

0:22:27.240 --> 0:22:29.960
<v Speaker 2>just that alone, like heed, yeah, So.

0:22:30.600 --> 0:22:33.600
<v Speaker 7>Chun King obviously was owned by John King, right, so,

0:22:34.119 --> 0:22:36.879
<v Speaker 7>but it was in Chinatown and I can never remember

0:22:36.960 --> 0:22:38.920
<v Speaker 7>his name, and I'm like, so we just started calling

0:22:38.960 --> 0:22:41.719
<v Speaker 7>it Chun King because it's a Chinatown and we used

0:22:41.760 --> 0:22:43.680
<v Speaker 7>to get all the good Chinese food around there. We

0:22:43.760 --> 0:22:46.160
<v Speaker 7>loved it, so I started calling the Chun King studios.

0:22:46.200 --> 0:22:48.160
<v Speaker 7>I'm like, Yo, we're going to Chunk King. We're going

0:22:48.200 --> 0:22:50.440
<v Speaker 7>to Chunk King. And one thing led to another, and

0:22:50.560 --> 0:22:54.760
<v Speaker 7>John just named the studio Chunk King, and they just, yeah,

0:22:54.800 --> 0:22:58.639
<v Speaker 7>it became it became Chunk King because we just, you know,

0:22:58.680 --> 0:23:00.560
<v Speaker 7>we used to get Chinese food around there all the time.

0:23:00.600 --> 0:23:04.720
<v Speaker 1>You know, it could have been that, you know what

0:23:04.760 --> 0:23:05.080
<v Speaker 1>I'm saying.

0:23:05.119 --> 0:23:07.879
<v Speaker 2>It could have been that, like when you get a

0:23:07.960 --> 0:23:12.800
<v Speaker 2>call back from them, is this an instant Okay, let's

0:23:12.840 --> 0:23:14.600
<v Speaker 2>make it happen, or like, are you going through the

0:23:14.840 --> 0:23:16.760
<v Speaker 2>regular process of what the artist goes through.

0:23:17.400 --> 0:23:18.919
<v Speaker 7>I used to first of all, after I sent him

0:23:18.960 --> 0:23:21.000
<v Speaker 7>the demo, I would call Rick every single day for

0:23:21.119 --> 0:23:22.800
<v Speaker 7>like two weeks to ask him if he got the

0:23:22.840 --> 0:23:26.880
<v Speaker 7>demo yet, And sometimes he would answer, sometimes he wont

0:23:27.080 --> 0:23:28.679
<v Speaker 7>he wouldn't, but I'll be like, Yo, Rick, you get

0:23:28.720 --> 0:23:31.119
<v Speaker 7>the demo yet? Nope, didn't get it yet. Okay, you're Rick,

0:23:31.119 --> 0:23:32.840
<v Speaker 7>you get the demo. I used to call him every

0:23:32.960 --> 0:23:35.840
<v Speaker 7>day following up, like for like for like two weeks.

0:23:36.200 --> 0:23:39.840
<v Speaker 7>Then when when he finally called me, called my grandmother.

0:23:39.840 --> 0:23:40.440
<v Speaker 1>I came in the house.

0:23:40.480 --> 0:23:42.840
<v Speaker 7>My grandmother told me some Rick calls I'm like going crazy.

0:23:43.040 --> 0:23:44.639
<v Speaker 7>So you know, I called him from my kitchen. He

0:23:44.680 --> 0:23:47.240
<v Speaker 7>called me, yo, he said, Yo, come down. I said this,

0:23:47.440 --> 0:23:48.919
<v Speaker 7>He said, what's up? I said, Yo, what's up? Man?

0:23:49.080 --> 0:23:50.879
<v Speaker 7>He said, Yo, come down. We're gonna make it, make

0:23:50.920 --> 0:23:52.760
<v Speaker 7>a demo, make a record, blah blah blah. So I'm

0:23:52.800 --> 0:23:56.480
<v Speaker 7>going crazy. And then I went down there and I

0:23:56.560 --> 0:23:59.960
<v Speaker 7>made the first the demo. This first demo was called

0:24:00.080 --> 0:24:02.920
<v Speaker 7>catch this Break and if you're looking for Jenna and

0:24:02.960 --> 0:24:06.080
<v Speaker 7>make you ate by this record and catch this break, right,

0:24:06.400 --> 0:24:08.480
<v Speaker 7>And so I took that, We took that, and he

0:24:08.560 --> 0:24:10.800
<v Speaker 7>took that to Russell. So Russell was like, ah, it's

0:24:10.800 --> 0:24:12.560
<v Speaker 7>the same old thing. It's the same old thing. By

0:24:12.600 --> 0:24:14.639
<v Speaker 7>bye bye bye. So me and Rick went back in

0:24:14.720 --> 0:24:17.200
<v Speaker 7>the studio and that's when he revisited the demo and

0:24:17.280 --> 0:24:19.680
<v Speaker 7>we made I Need a Beat, and then we made

0:24:19.680 --> 0:24:22.879
<v Speaker 7>I Need a Beat and that song just kind of

0:24:23.560 --> 0:24:27.160
<v Speaker 7>they decided because what was happening was Deaf Jam Productions

0:24:27.280 --> 0:24:30.840
<v Speaker 7>was having problems collecting their money from Party Time street Wise,

0:24:30.880 --> 0:24:34.159
<v Speaker 7>the label that they were being distributed by, right that

0:24:35.640 --> 0:24:38.240
<v Speaker 7>I don't know, but that was what Tela Rockets Yours

0:24:38.480 --> 0:24:39.920
<v Speaker 7>was was Deaf Jam Productions.

0:24:39.920 --> 0:24:41.880
<v Speaker 1>It was on Street Time Party it was on Party

0:24:41.960 --> 0:24:44.439
<v Speaker 1>Time street Wise. That was the label, and so.

0:24:47.359 --> 0:24:50.399
<v Speaker 7>And so they were having the problems collecting the do

0:24:50.680 --> 0:24:54.920
<v Speaker 7>so they ended up making death Jam independent or turning

0:24:54.960 --> 0:24:57.200
<v Speaker 7>Death Jam into a label because it was a production company.

0:24:57.359 --> 0:25:00.159
<v Speaker 7>Then it became a record label with no distribution, and

0:25:00.240 --> 0:25:02.280
<v Speaker 7>we made our need a beat, and then we made

0:25:02.280 --> 0:25:04.480
<v Speaker 7>another song. I made my first couple of songs with

0:25:05.119 --> 0:25:08.640
<v Speaker 7>no contract, okay, because I you know, I didn't want.

0:25:08.760 --> 0:25:11.280
<v Speaker 1>Like like nothing was stopping me. Like, we'll get to that.

0:25:13.960 --> 0:25:16.240
<v Speaker 1>It's it's it's called pressing up the records and putting

0:25:16.280 --> 0:25:17.840
<v Speaker 1>them out. We did. We sold. Okay.

0:25:23.080 --> 0:25:25.200
<v Speaker 2>If I'm a budding yard artist and I want to

0:25:25.240 --> 0:25:27.800
<v Speaker 2>put out my own joint, how much is that gonna

0:25:27.840 --> 0:25:28.080
<v Speaker 2>run me?

0:25:29.440 --> 0:25:31.480
<v Speaker 1>It is damnly impossible. It was.

0:25:31.600 --> 0:25:34.560
<v Speaker 7>It was just like it was almost impossible because if

0:25:34.640 --> 0:25:36.879
<v Speaker 7>they were, there are too many other hoops to climb through.

0:25:37.040 --> 0:25:39.399
<v Speaker 7>At that time, there was no First of all, you

0:25:39.440 --> 0:25:42.359
<v Speaker 7>got to remember there was no access to information. You

0:25:42.440 --> 0:25:44.680
<v Speaker 7>don't even have the access to the information to know

0:25:45.040 --> 0:25:47.879
<v Speaker 7>how to go about figuring out how to make a record.

0:25:48.280 --> 0:25:51.280
<v Speaker 1>Like then you talk about they know or are you

0:25:51.359 --> 0:25:52.080
<v Speaker 1>there a guinea pig?

0:25:52.440 --> 0:25:55.720
<v Speaker 7>Well, they knew to a certain extent because remember Russell

0:25:55.800 --> 0:25:57.960
<v Speaker 7>had been dealing with Curtis, he managed.

0:25:58.080 --> 0:26:01.080
<v Speaker 1>He hadn't had any you know stuff, but he had

0:26:01.160 --> 0:26:02.880
<v Speaker 1>managed his groups running them.

0:26:03.119 --> 0:26:05.399
<v Speaker 7>Had I think maybe one album at that point, right,

0:26:05.680 --> 0:26:09.720
<v Speaker 7>you know, or well, yeah they have one album. They knew,

0:26:09.800 --> 0:26:11.520
<v Speaker 7>but they I was a guinea pig in the sense

0:26:11.640 --> 0:26:14.480
<v Speaker 7>of being the first artist on the label for sure,

0:26:14.680 --> 0:26:17.280
<v Speaker 7>Like they didn't never had ran a label like that before.

0:26:17.359 --> 0:26:20.160
<v Speaker 1>We didn't. You know, nobody knew what we would.

0:26:20.160 --> 0:26:23.080
<v Speaker 2>But I'm just saying in terms of like knowing that,

0:26:23.840 --> 0:26:25.560
<v Speaker 2>so there's four stores in Philly that I need to

0:26:25.600 --> 0:26:26.480
<v Speaker 2>put this in armnds.

0:26:26.520 --> 0:26:28.440
<v Speaker 1>Oh yeah, yeah, No. They did a good job with that.

0:26:28.600 --> 0:26:29.320
<v Speaker 1>We did a good job.

0:26:29.400 --> 0:26:31.440
<v Speaker 7>I mean, I need to Beat came out, and you know,

0:26:31.560 --> 0:26:33.919
<v Speaker 7>we ended up selling, you know, fifty one hundred thousand

0:26:33.960 --> 0:26:38.800
<v Speaker 7>records independently, and then we put Dangerous out and sold

0:26:38.800 --> 0:26:40.560
<v Speaker 7>a little less, but did okay.

0:26:41.040 --> 0:26:45.080
<v Speaker 1>Creatively, when when you're making these songs, do you explain

0:26:45.119 --> 0:26:47.760
<v Speaker 1>the process of how you and Rick are creating me songs?

0:26:47.800 --> 0:26:50.480
<v Speaker 1>Like is he just like making a beat and you're like,

0:26:50.760 --> 0:26:52.719
<v Speaker 1>I like that part and not that part. It's exactly

0:26:52.840 --> 0:26:55.880
<v Speaker 1>what it is. Was, you know, pretty much through all

0:26:55.960 --> 0:26:57.040
<v Speaker 1>of my music.

0:26:57.119 --> 0:26:58.840
<v Speaker 7>But with Rick, what we would do is I would

0:26:58.840 --> 0:27:01.119
<v Speaker 7>give him the basics of what I wanted to do,

0:27:01.280 --> 0:27:03.480
<v Speaker 7>like the foundation, rather of what I wanted to do.

0:27:03.520 --> 0:27:05.080
<v Speaker 7>I'd say, oh, I want to beat like this. I

0:27:05.080 --> 0:27:07.840
<v Speaker 7>would hum a beat or a mouth a beat, you know,

0:27:09.119 --> 0:27:09.639
<v Speaker 7>or something like that.

0:27:09.880 --> 0:27:12.280
<v Speaker 1>Right, he would go. He would he would take that

0:27:12.400 --> 0:27:15.119
<v Speaker 1>as the foundation. Then I would rhyme to it.

0:27:15.320 --> 0:27:16.920
<v Speaker 7>I would you know, if I had most of the

0:27:16.960 --> 0:27:19.440
<v Speaker 7>time I had rhymes already written, sometimes I would write

0:27:19.480 --> 0:27:19.680
<v Speaker 7>to it.

0:27:20.119 --> 0:27:22.280
<v Speaker 1>You know what I'm saying. I'd write to it. I

0:27:22.440 --> 0:27:22.720
<v Speaker 1>do that.

0:27:23.080 --> 0:27:25.280
<v Speaker 7>Then Rick would go in the studio by hisself and

0:27:25.400 --> 0:27:27.720
<v Speaker 7>play with a lot of different overdub ideas. He would

0:27:27.760 --> 0:27:30.879
<v Speaker 7>go in and put surprises on it. He'd find guitar bits,

0:27:31.000 --> 0:27:33.440
<v Speaker 7>you find horns. He plays stuff for me. I'd be like,

0:27:33.560 --> 0:27:35.200
<v Speaker 7>I don't know about that part. I like that part,

0:27:35.440 --> 0:27:36.760
<v Speaker 7>and he'd be like, okay, well what do you think

0:27:36.800 --> 0:27:38.440
<v Speaker 7>about this part? I say, I like that, and he

0:27:38.480 --> 0:27:40.440
<v Speaker 7>would go back. Nearly a collaboration.

0:27:40.600 --> 0:27:42.320
<v Speaker 4>It was very much If you talk about that when

0:27:42.320 --> 0:27:44.440
<v Speaker 4>you gave your speech, Yeah, when you got your I

0:27:44.480 --> 0:27:45.680
<v Speaker 4>think it was a lifetime achievement.

0:27:45.760 --> 0:27:46.080
<v Speaker 1>Award.

0:27:46.400 --> 0:27:48.240
<v Speaker 4>It was Rock and Roll Hall of Fame, right, And

0:27:48.720 --> 0:27:53.399
<v Speaker 4>you talked about like collaboration. Definitely, work with your producers, definitely, all.

0:27:53.280 --> 0:27:58.000
<v Speaker 7>Of them, always, always, because you know, we change each

0:27:58.040 --> 0:28:01.240
<v Speaker 7>other when we work together, right, So it's not just

0:28:01.359 --> 0:28:04.119
<v Speaker 7>add water, it's but I like to leave room for

0:28:04.200 --> 0:28:06.680
<v Speaker 7>the producer to do what they do, don't.

0:28:06.800 --> 0:28:09.200
<v Speaker 1>I'm not a believer in bullying producers.

0:28:09.200 --> 0:28:12.480
<v Speaker 7>A lot of people, as they get established, they put

0:28:12.560 --> 0:28:14.400
<v Speaker 7>more and more pressure on the producers, and they bully

0:28:14.480 --> 0:28:16.320
<v Speaker 7>the producers into a corner where they can't be free

0:28:16.400 --> 0:28:16.800
<v Speaker 7>to create.

0:28:16.960 --> 0:28:19.600
<v Speaker 1>And I learned early on working with Rick to just

0:28:19.680 --> 0:28:19.960
<v Speaker 1>let the.

0:28:19.960 --> 0:28:22.720
<v Speaker 7>Producer do what they do and give them opportunity and

0:28:22.800 --> 0:28:25.280
<v Speaker 7>then see what it is and then work from that space,

0:28:25.680 --> 0:28:27.240
<v Speaker 7>you know what I mean. So I always approached it

0:28:27.320 --> 0:28:30.000
<v Speaker 7>from a place of humility when it comes to creating,

0:28:30.200 --> 0:28:30.520
<v Speaker 7>all right.

0:28:30.640 --> 0:28:32.760
<v Speaker 2>So the thing that I really want to know is

0:28:33.000 --> 0:28:35.920
<v Speaker 2>and notwithstanding and I mentioned at the top that yes, okay,

0:28:36.080 --> 0:28:39.680
<v Speaker 2>so full force comes in and does something unprecedent before,

0:28:39.720 --> 0:28:42.520
<v Speaker 2>and they turn like the nine minute song, the ten

0:28:42.560 --> 0:28:49.040
<v Speaker 2>minute song into like a four minute song. So who

0:28:49.240 --> 0:28:53.600
<v Speaker 2>knew between the two of you the art of editing,

0:28:53.680 --> 0:28:57.360
<v Speaker 2>Because even on the album credits, right, it says reduced

0:28:57.400 --> 0:29:00.440
<v Speaker 2>by Rick Ruth. Yeah, so was it weird to you

0:29:00.600 --> 0:29:03.360
<v Speaker 2>writing just sixteen bars and now you got to have

0:29:03.400 --> 0:29:06.640
<v Speaker 2>a hook and another sixteen bars, because you know, before

0:29:06.720 --> 0:29:09.959
<v Speaker 2>you rappers just rap for it forever.

0:29:10.440 --> 0:29:13.240
<v Speaker 7>It wasn't weird to me because I loved Rick James,

0:29:14.120 --> 0:29:18.480
<v Speaker 7>and I loved you know, Michael Jackson and Lonald Ritchie

0:29:18.520 --> 0:29:20.640
<v Speaker 7>and the Commodorees and the OJ's, and all of them

0:29:20.720 --> 0:29:23.440
<v Speaker 7>had choruses and all of them had songs and it

0:29:23.560 --> 0:29:26.920
<v Speaker 7>was arrangements. So I was very comfortable with the idea

0:29:26.960 --> 0:29:29.560
<v Speaker 7>of making songs, you know, and I knew the difference

0:29:29.600 --> 0:29:32.280
<v Speaker 7>between you know, I knew what I was doing. I

0:29:32.400 --> 0:29:36.240
<v Speaker 7>was very conscious when I would do a song that

0:29:36.440 --> 0:29:38.000
<v Speaker 7>was a song or when I'd just be doing a

0:29:38.080 --> 0:29:40.600
<v Speaker 7>thing where I'm rhyming, and I always understood the difference,

0:29:40.800 --> 0:29:41.600
<v Speaker 7>but without.

0:29:41.360 --> 0:29:44.240
<v Speaker 1>The standard of knowing like, oh, I need a hook

0:29:44.360 --> 0:29:47.440
<v Speaker 1>so this audience gets me, or no, how do you know?

0:29:47.880 --> 0:29:51.040
<v Speaker 1>You follow the light? You follow the light. You know

0:29:51.080 --> 0:29:52.440
<v Speaker 1>what I'm saying. You just get out of the way

0:29:52.440 --> 0:29:53.200
<v Speaker 1>and follow the light.

0:29:53.720 --> 0:29:56.160
<v Speaker 7>So you know, when you're making music and when you're

0:29:56.200 --> 0:29:59.920
<v Speaker 7>creating something, you know, everything is now it's science and art, right,

0:30:00.080 --> 0:30:03.720
<v Speaker 7>it's ourn and science and his soul land science right,

0:30:03.760 --> 0:30:05.800
<v Speaker 7>and you have to remember both. And there's a time

0:30:05.880 --> 0:30:07.760
<v Speaker 7>to get out of the way. There's a time for science,

0:30:07.920 --> 0:30:09.680
<v Speaker 7>and then there's a time to just follow the light.

0:30:10.120 --> 0:30:12.600
<v Speaker 7>And so, you know, with a lot of those songs,

0:30:12.680 --> 0:30:15.200
<v Speaker 7>it just felt like that's right, that's it, you know

0:30:15.240 --> 0:30:17.600
<v Speaker 7>what I'm saying, Like you know, I mean even years later,

0:30:17.640 --> 0:30:19.760
<v Speaker 7>I mean Rick Rubin was like, you know, he was

0:30:19.800 --> 0:30:21.720
<v Speaker 7>ready to jump off a roof about I need love,

0:30:22.160 --> 0:30:24.600
<v Speaker 7>you know really, but yeah, but I but I wanted

0:30:24.640 --> 0:30:25.400
<v Speaker 7>to follow the light.

0:30:25.720 --> 0:30:27.320
<v Speaker 1>You're like, you're like that much put it out first.

0:30:27.520 --> 0:30:28.920
<v Speaker 1>He hated it. He thought it was crazy.

0:30:29.200 --> 0:30:33.320
<v Speaker 7>But well, it's a very soft record, I mean emotional,

0:30:33.600 --> 0:30:37.200
<v Speaker 7>it's vulnerable. It's like the exact opposite. It's the antithesis

0:30:37.320 --> 0:30:40.320
<v Speaker 7>of rock the bells, it's the antithesis of some of

0:30:40.400 --> 0:30:42.280
<v Speaker 7>the other songs I've had done.

0:30:42.760 --> 0:30:44.640
<v Speaker 1>So it was very different, you know.

0:30:45.400 --> 0:30:49.000
<v Speaker 7>And but my thing was range and doing different stuff

0:30:49.160 --> 0:30:51.160
<v Speaker 7>and following the light and trusting that.

0:30:51.720 --> 0:30:54.760
<v Speaker 2>But the thing was like we really weren't stopped because

0:30:54.800 --> 0:30:56.840
<v Speaker 2>you did. I can give you more and I want you,

0:30:56.960 --> 0:30:58.240
<v Speaker 2>which we're leaning towards that.

0:30:58.480 --> 0:31:00.560
<v Speaker 7>Yeah, it's the it's the execution, you know, it's not

0:31:00.760 --> 0:31:03.480
<v Speaker 7>just the idea, it's the execution. So the execution was

0:31:03.520 --> 0:31:06.400
<v Speaker 7>a lot more romantic, a lot softer, a lot more gentle.

0:31:06.680 --> 0:31:10.560
<v Speaker 7>I could give you more, you.

0:31:10.560 --> 0:31:10.959
<v Speaker 6>Know what I mean?

0:31:12.000 --> 0:31:15.040
<v Speaker 1>I want you because I want you originally was over

0:31:15.400 --> 0:31:16.600
<v Speaker 1>in between the sheets.

0:31:16.920 --> 0:31:19.200
<v Speaker 7>You were thinking of sampling back. Yeah, yeah, yeah, I

0:31:19.440 --> 0:31:19.800
<v Speaker 7>wrote that.

0:31:19.880 --> 0:31:20.840
<v Speaker 1>To in between the sheets.

0:31:21.760 --> 0:31:24.880
<v Speaker 7>Ship m okay, okay, you know, and if you listen

0:31:24.960 --> 0:31:26.560
<v Speaker 7>to it, if you put I want you vocals over

0:31:26.640 --> 0:31:29.160
<v Speaker 7>in between the sheets, would have it would have been

0:31:29.360 --> 0:31:31.840
<v Speaker 7>like it would have been crazy Jesus Christ.

0:31:31.720 --> 0:31:33.800
<v Speaker 6>Like after I did successive, I Need Love. I'm so

0:31:34.280 --> 0:31:37.040
<v Speaker 6>curious about everybody else's revelation because you already knew.

0:31:38.280 --> 0:31:40.120
<v Speaker 1>How the depth GM field when they first heard it.

0:31:41.520 --> 0:31:45.200
<v Speaker 7>Yeah, yeah, yeah, yeah, it was Yeah, it was a

0:31:45.280 --> 0:31:46.440
<v Speaker 7>great You had to sell it on.

0:31:50.400 --> 0:31:50.960
<v Speaker 6>In the room.

0:31:52.280 --> 0:31:54.800
<v Speaker 7>It just was like, you know, context is everything, right,

0:31:55.320 --> 0:31:57.960
<v Speaker 7>So it's kind of like it's like seeing a basketball

0:31:58.000 --> 0:32:00.600
<v Speaker 7>player after they've been wearing them tidy white forever and

0:32:00.640 --> 0:32:02.160
<v Speaker 7>then the basketball player walks out.

0:32:02.040 --> 0:32:05.640
<v Speaker 1>With the long shorts. It's like, yeah, what's that, you know,

0:32:05.760 --> 0:32:08.280
<v Speaker 1>So it was just like very new. It was just new.

0:32:08.440 --> 0:32:08.680
<v Speaker 7>It was.

0:32:11.120 --> 0:32:13.000
<v Speaker 1>On you know, besides Faith knew men. There was no

0:32:13.120 --> 0:32:14.840
<v Speaker 1>women in the room at that time. I don't even

0:32:14.880 --> 0:32:16.680
<v Speaker 1>know if Faith was there yet. I don't even think

0:32:16.680 --> 0:32:17.400
<v Speaker 1>Faith was there yet.

0:32:17.560 --> 0:32:20.560
<v Speaker 7>It was more like Heidi Smith secretary, you know what

0:32:20.600 --> 0:32:24.160
<v Speaker 7>I'm saying, like the receptionist. You know, they were growing,

0:32:24.240 --> 0:32:26.400
<v Speaker 7>we were still we were still very new at that point.

0:32:26.400 --> 0:32:27.960
<v Speaker 7>Because that was like I had only I was only

0:32:28.040 --> 0:32:30.640
<v Speaker 7>one album. Men and Rick and Russell were gonna going

0:32:30.680 --> 0:32:31.280
<v Speaker 7>through some things.

0:32:31.360 --> 0:32:33.760
<v Speaker 6>But but radio must have been radio then, not the song,

0:32:33.920 --> 0:32:35.520
<v Speaker 6>but actual radio that made I need.

0:32:36.040 --> 0:32:39.640
<v Speaker 1>Oh No Exploded Exploded. Exploded. Exploded was one of the

0:32:39.680 --> 0:32:42.200
<v Speaker 1>first rap songs I remember hearing on you No Exploded.

0:32:42.280 --> 0:32:44.200
<v Speaker 1>That was one of the first rap songs I played

0:32:44.240 --> 0:32:51.600
<v Speaker 1>GERI Exploded. So the way the way that records, that's hilarious.

0:32:51.680 --> 0:32:53.760
<v Speaker 2>The way that records work is that you would have

0:32:53.800 --> 0:32:56.600
<v Speaker 2>to put it out three months ahead of time.

0:32:57.200 --> 0:33:00.520
<v Speaker 1>All Right is conk created real named Brian, Yeah j

0:33:00.640 --> 0:33:01.680
<v Speaker 1>brother Philip. All Right.

0:33:01.840 --> 0:33:07.320
<v Speaker 2>So I went to school with Creator's cousin, so he

0:33:07.440 --> 0:33:12.520
<v Speaker 2>would always come in with almost damn near demo quality stuff.

0:33:13.200 --> 0:33:15.160
<v Speaker 1>I heard like you can't dance. I heard like all

0:33:15.200 --> 0:33:17.280
<v Speaker 1>this stuff on. He bringing a cassette whatever. He was

0:33:17.320 --> 0:33:20.080
<v Speaker 1>like the popular kid in school, so he had a

0:33:20.240 --> 0:33:24.280
<v Speaker 1>copy a bigger endepthor and I begged him again five

0:33:24.320 --> 0:33:26.960
<v Speaker 1>bucks to double the join for me. When I heard

0:33:27.040 --> 0:33:28.720
<v Speaker 1>I Need Love, I was like, yo, man.

0:33:32.920 --> 0:33:33.200
<v Speaker 6>Zoom.

0:33:33.960 --> 0:33:44.400
<v Speaker 1>Yeah, first verse read it was all good was number

0:33:44.440 --> 0:33:51.560
<v Speaker 1>one for like month. That's hilarious for the first two months. Boy,

0:33:52.560 --> 0:33:53.360
<v Speaker 1>I was the man.

0:33:54.520 --> 0:33:56.560
<v Speaker 4>It's just surprised to me that that record that they

0:33:56.680 --> 0:33:59.000
<v Speaker 4>didn't get it, because especially like with Russell, because what

0:33:59.080 --> 0:34:00.480
<v Speaker 4>he was doing with you know.

0:34:00.720 --> 0:34:01.560
<v Speaker 1>Well, I think ob R.

0:34:01.640 --> 0:34:03.280
<v Speaker 4>I don't know if that was around the time that

0:34:03.400 --> 0:34:05.480
<v Speaker 4>seemed to be alone in his wheelhouse of like the

0:34:05.560 --> 0:34:08.520
<v Speaker 4>kind of R and B, you know, BR the.

0:34:08.520 --> 0:34:12.040
<v Speaker 1>Original recordings, but that was magic and I got you Yeah,

0:34:12.080 --> 0:34:15.279
<v Speaker 1>yeah that was later. That was later.

0:34:15.360 --> 0:34:18.960
<v Speaker 7>That's when he got Rush associated labels and yeah, that

0:34:19.040 --> 0:34:19.319
<v Speaker 7>was later.

0:34:19.560 --> 0:34:21.799
<v Speaker 1>I thought they would have been right down his lane though. Yeah,

0:34:21.800 --> 0:34:23.480
<v Speaker 1>I mean he was, he was with it, Russell was

0:34:23.520 --> 0:34:23.719
<v Speaker 1>with it.

0:34:24.000 --> 0:34:27.000
<v Speaker 7>But you know, you know, like you'd be surprised, man,

0:34:27.120 --> 0:34:29.040
<v Speaker 7>like how many songs I have like that, Like there

0:34:29.040 --> 0:34:30.680
<v Speaker 7>are a lot of songs around the way. Girl. They

0:34:30.719 --> 0:34:33.120
<v Speaker 7>wanted to give up on wait what Yeah, because it

0:34:33.200 --> 0:34:36.160
<v Speaker 7>was slow at radios. Radio was like resisting it because

0:34:36.200 --> 0:34:38.440
<v Speaker 7>it was new doing it. They didn't want to.

0:34:38.560 --> 0:34:41.160
<v Speaker 1>They was unsure about like Brenda's got a big old

0:34:41.200 --> 0:34:43.680
<v Speaker 1>but yeah, yeah.

0:34:43.560 --> 0:34:43.960
<v Speaker 6>They like that.

0:34:44.400 --> 0:34:45.880
<v Speaker 1>Yeah they did actually.

0:34:47.040 --> 0:34:51.439
<v Speaker 2>You know, so it is crazy because like I would

0:34:51.520 --> 0:34:54.560
<v Speaker 2>think as an n R, there weren't no who I

0:34:54.680 --> 0:34:56.320
<v Speaker 2>was gonna say, were you your on n R?

0:34:56.440 --> 0:34:57.520
<v Speaker 1>Yeah, there was no an R.

0:34:57.680 --> 0:35:00.680
<v Speaker 7>You gotta remember we you know at that time, you

0:35:00.760 --> 0:35:04.080
<v Speaker 7>know in hip hop, there weren't no managers. I mean,

0:35:04.160 --> 0:35:07.400
<v Speaker 7>Russell was the only guy that was even in that space,

0:35:07.960 --> 0:35:10.440
<v Speaker 7>and that he got in that space later. So when

0:35:10.600 --> 0:35:12.719
<v Speaker 7>when I first started, there were really no managers. He

0:35:12.840 --> 0:35:15.960
<v Speaker 7>was a promoter, there were there was no an R.

0:35:16.960 --> 0:35:20.200
<v Speaker 7>There was no industry. There was no hip hop industry.

0:35:21.640 --> 0:35:23.960
<v Speaker 7>So so they you know, it's a it's a completely

0:35:24.080 --> 0:35:28.560
<v Speaker 7>different type of mindset. Nobody knows anything now. Every you know,

0:35:28.760 --> 0:35:31.480
<v Speaker 7>now it's like everybody can kind of come off like

0:35:31.560 --> 0:35:33.960
<v Speaker 7>a genius because they know, you know, they got this

0:35:34.080 --> 0:35:38.360
<v Speaker 7>Monday morning quarterbacking and everybody's Mogo and all this history.

0:35:39.160 --> 0:35:41.719
<v Speaker 1>Yeah, there was no industry, so you know, it's like

0:35:42.120 --> 0:35:44.480
<v Speaker 1>no America. You know, it's just like you know what

0:35:44.520 --> 0:35:44.759
<v Speaker 1>I mean.

0:35:44.880 --> 0:35:49.279
<v Speaker 7>It's it's like Woods, you know, it's very different like

0:35:49.719 --> 0:35:53.400
<v Speaker 7>at that point, you know, you know, now we're like infrastructure.

0:35:56.239 --> 0:35:58.640
<v Speaker 6>Was just that's not a thing. No more like your

0:35:58.680 --> 0:35:59.680
<v Speaker 6>favorite producer or.

0:36:00.200 --> 0:36:02.960
<v Speaker 7>Well he it wasn't. Yeah, yeah, no it's not. It

0:36:03.120 --> 0:36:06.759
<v Speaker 7>was you know, he wasn't even known like that, you

0:36:06.800 --> 0:36:07.319
<v Speaker 7>know what I'm saying.

0:36:07.400 --> 0:36:08.160
<v Speaker 1>So it wasn't he was.

0:36:08.360 --> 0:36:11.200
<v Speaker 2>He wasn't known. It was he had one song with

0:36:11.800 --> 0:36:19.080
<v Speaker 2>Tela Rock. This is a question I've been dying, dying

0:36:19.160 --> 0:36:23.120
<v Speaker 2>to know. Okay, so it was eighty five and Rick Rubins,

0:36:23.360 --> 0:36:27.080
<v Speaker 2>your producer. A year later, Rick Rubin's gonna helm the

0:36:27.160 --> 0:36:31.400
<v Speaker 2>Raisin Hell record. So all right, just for my satisfaction,

0:36:31.800 --> 0:36:35.160
<v Speaker 2>at any point while making the song rock the bells,

0:36:35.920 --> 0:36:39.239
<v Speaker 2>did you ever think to use Bob James's Take Me

0:36:39.280 --> 0:36:41.560
<v Speaker 2>to the Mardi Gras well the actual bells on it.

0:36:41.880 --> 0:36:44.600
<v Speaker 7>I mean, that's really I've kind of got into this

0:36:44.719 --> 0:36:47.040
<v Speaker 7>before with the story, but the reality is that was

0:36:47.120 --> 0:36:47.920
<v Speaker 7>what the song was.

0:36:48.000 --> 0:36:50.919
<v Speaker 1>Noway, no, it was take Me to the Mardi Gras.

0:36:50.960 --> 0:36:53.160
<v Speaker 7>I wrote it to that, and Rick, me and Rick

0:36:53.200 --> 0:36:55.880
<v Speaker 7>planned on doing it and then Rick did Peter Piper

0:36:57.080 --> 0:36:57.759
<v Speaker 7>and I'm like, yo.

0:36:57.680 --> 0:37:00.160
<v Speaker 1>Way, why didn't you win the tug of war Matt.

0:37:00.200 --> 0:37:04.000
<v Speaker 7>Between Peter because Run DMC had a gold album. They

0:37:04.040 --> 0:37:07.839
<v Speaker 7>were coming off of two albums. Two albums at that point, right,

0:37:08.040 --> 0:37:10.080
<v Speaker 7>like maybe yeah, it was two albums and it was

0:37:10.160 --> 0:37:12.719
<v Speaker 7>just a no no to no no. What it was

0:37:12.960 --> 0:37:15.640
<v Speaker 7>was It's like it's kind of hard to like, look,

0:37:16.560 --> 0:37:19.040
<v Speaker 7>Jay is from my neighborhood, like running them from my neighborhood.

0:37:19.200 --> 0:37:20.880
<v Speaker 1>We all know, take me to the Mardi Gras. I

0:37:20.960 --> 0:37:23.960
<v Speaker 1>can't really argue that, like they don't know what it is.

0:37:24.120 --> 0:37:26.759
<v Speaker 7>I just had plans for it, and when Rick, I guess,

0:37:26.880 --> 0:37:30.239
<v Speaker 7>you know, decided to you know, do that with them,

0:37:30.320 --> 0:37:32.239
<v Speaker 7>and one thing led to another and they ended up

0:37:32.280 --> 0:37:34.520
<v Speaker 7>with Peter Piper. But that's why I made two Rock

0:37:34.600 --> 0:37:37.320
<v Speaker 7>the Bells, because that's why I made the original and

0:37:37.440 --> 0:37:39.640
<v Speaker 7>didn't like it because it wasn't what I wanted, and

0:37:39.719 --> 0:37:42.160
<v Speaker 7>then made the second one because I was changing Almos

0:37:42.239 --> 0:37:45.319
<v Speaker 7>the B side. The original was never gonna happen because

0:37:45.320 --> 0:37:47.319
<v Speaker 7>I was gonna do it to Marti Gras. I got

0:37:47.360 --> 0:37:48.959
<v Speaker 7>it so once I didn't do it to Mardi Gras,

0:37:48.960 --> 0:37:50.719
<v Speaker 7>I went in and we had to figure out another

0:37:50.800 --> 0:37:53.520
<v Speaker 7>one I did. Originally I didn't like it, and I

0:37:53.640 --> 0:37:55.920
<v Speaker 7>was like, this ain't good enough because I wanted Marti Gras.

0:37:56.239 --> 0:37:58.759
<v Speaker 7>So then we made another song, the second one that

0:37:58.840 --> 0:37:59.719
<v Speaker 7>everybody cuts up.

0:38:00.080 --> 0:38:01.759
<v Speaker 1>How long did it take you to finally settle on

0:38:01.800 --> 0:38:03.560
<v Speaker 1>the Trouble Funk Go Go version.

0:38:03.680 --> 0:38:05.680
<v Speaker 7>It didn't take long. It kind of came together that,

0:38:05.840 --> 0:38:08.120
<v Speaker 7>you know, God had other plans. They came together, well,

0:38:08.280 --> 0:38:08.880
<v Speaker 7>they came together.

0:38:08.920 --> 0:38:12.719
<v Speaker 1>It was all good. You know what I'm saying. You

0:38:12.760 --> 0:38:15.920
<v Speaker 1>know what I'm saying. I loved Listen, I loved I

0:38:16.040 --> 0:38:17.880
<v Speaker 1>was just talking to somebody about that the other day.

0:38:17.920 --> 0:38:18.480
<v Speaker 1>I love Go Go.

0:38:19.360 --> 0:38:22.000
<v Speaker 7>Like when when Chuck Brown and the Soul searches that

0:38:22.080 --> 0:38:24.240
<v Speaker 7>I'm bad over, I was like, Yo, that was crazy.

0:38:24.320 --> 0:38:28.080
<v Speaker 7>I love EU, you know, junk Yard, you know what

0:38:28.120 --> 0:38:31.120
<v Speaker 7>I'm saying, like Chuck, all of them, Like I loved

0:38:31.160 --> 0:38:34.960
<v Speaker 7>the the Go Go scene, So that was always influencing

0:38:35.000 --> 0:38:36.440
<v Speaker 7>a lot of what we did too, you know what

0:38:36.440 --> 0:38:37.720
<v Speaker 7>I'm saying rhythmically.

0:38:37.600 --> 0:38:39.279
<v Speaker 1>So okay, you.

0:38:40.840 --> 0:38:43.759
<v Speaker 2>In all the first that I mentioned. You know, I'll

0:38:43.840 --> 0:38:48.440
<v Speaker 2>also say that what's different about your success is.

0:38:48.520 --> 0:38:49.840
<v Speaker 1>That unlike.

0:38:50.960 --> 0:38:55.080
<v Speaker 2>Other pioneers, Sam Cook, Ray Charles James Brown, who kind

0:38:55.120 --> 0:38:59.560
<v Speaker 2>of had to watch the and I'll say the alternative

0:38:59.640 --> 0:39:03.480
<v Speaker 2>versions themselves blow up. I either Elvis syndrome, where like

0:39:03.960 --> 0:39:10.759
<v Speaker 2>you really became like the first solo teen idol. I mean,

0:39:10.800 --> 0:39:13.239
<v Speaker 2>you just got to experience stuff that neither Spooning nor

0:39:13.640 --> 0:39:14.520
<v Speaker 2>Curtis blowing them.

0:39:14.480 --> 0:39:19.440
<v Speaker 1>Got so in eighty five, as this thing is clearly

0:39:19.600 --> 0:39:20.560
<v Speaker 1>going to be like.

0:39:22.120 --> 0:39:28.640
<v Speaker 2>Important, what is stardom on that level like that none

0:39:28.680 --> 0:39:30.960
<v Speaker 2>of your peers in hip hop or experience maybe an

0:39:31.000 --> 0:39:33.239
<v Speaker 2>occasional run DMC will know it.

0:39:33.560 --> 0:39:36.960
<v Speaker 1>But I think it's different when you're singular. So what

0:39:37.280 --> 0:39:37.840
<v Speaker 1>is that like?

0:39:37.920 --> 0:39:40.360
<v Speaker 2>Because I know by this point, because the thing is

0:39:40.480 --> 0:39:44.520
<v Speaker 2>like you have a cool factor, a danger you know,

0:39:44.800 --> 0:39:47.680
<v Speaker 2>I think rappers a danger of factor, a cool factor.

0:39:47.400 --> 0:39:49.960
<v Speaker 1>And all the things. Yeah, and all that stuff.

0:39:50.200 --> 0:39:55.479
<v Speaker 2>So I know that people are trying to insucubist manner

0:39:55.640 --> 0:39:58.239
<v Speaker 2>like like just pull from your energy and so hey,

0:39:58.320 --> 0:39:59.839
<v Speaker 2>come hang with us, come party with us too.

0:40:00.080 --> 0:40:02.680
<v Speaker 1>You wanted to what is it like in eighty five

0:40:03.400 --> 0:40:03.759
<v Speaker 1>doing what.

0:40:03.760 --> 0:40:06.719
<v Speaker 2>I would consider the most not the botchers, but right

0:40:07.640 --> 0:40:09.760
<v Speaker 2>that period of a lot of the botchery.

0:40:10.600 --> 0:40:13.759
<v Speaker 7>So you know, it was two things. It was like

0:40:14.080 --> 0:40:16.320
<v Speaker 7>when I'm on toring them on the road, like you know,

0:40:16.719 --> 0:40:18.640
<v Speaker 7>if I go to a sneaker stores, like crowds of

0:40:18.719 --> 0:40:22.080
<v Speaker 7>kids outside, you know what I'm saying, and you know,

0:40:22.280 --> 0:40:25.560
<v Speaker 7>banging on a limo and chasing the limo, and I doubt.

0:40:25.400 --> 0:40:27.399
<v Speaker 1>How long did it take for you to like, oh,

0:40:27.600 --> 0:40:30.920
<v Speaker 1>I can't be normal anymore? Oh no, eighty five? That

0:40:31.080 --> 0:40:33.200
<v Speaker 1>was pretty much the beginner. Yeah yeah, or.

0:40:36.080 --> 0:40:39.440
<v Speaker 7>On like no hat, no glass, It doesn't matter. They

0:40:39.520 --> 0:40:42.399
<v Speaker 7>know it's okay, yeah, okay, it was okay.

0:40:42.560 --> 0:40:42.759
<v Speaker 1>Yeah.

0:40:42.840 --> 0:40:45.719
<v Speaker 7>Yeah, So they knew, they knew, and so it was

0:40:45.800 --> 0:40:48.400
<v Speaker 7>that and then you know the other side was, you know,

0:40:48.640 --> 0:40:50.879
<v Speaker 7>just I was in Harlem a lot when I was home,

0:40:51.360 --> 0:40:54.400
<v Speaker 7>hanging out with you know, you know, all the guys

0:40:54.440 --> 0:40:59.000
<v Speaker 7>that ultimately became the Payton Full movie. So so you know,

0:40:59.480 --> 0:41:02.200
<v Speaker 7>it was like, yeah, you knew those dudes. Oh no,

0:41:02.320 --> 0:41:04.120
<v Speaker 7>that was who I hung out with every day. I

0:41:04.239 --> 0:41:06.160
<v Speaker 7>hung out with, you know, my man Chuck and Rich

0:41:06.320 --> 0:41:09.239
<v Speaker 7>and I'll poem a Z. And that was where I

0:41:09.760 --> 0:41:12.520
<v Speaker 7>kind of as a young man, those are the guys

0:41:12.560 --> 0:41:14.279
<v Speaker 7>that were around me. They kind of like took me

0:41:14.400 --> 0:41:16.040
<v Speaker 7>in and I had you know, I got rocked the

0:41:16.080 --> 0:41:18.200
<v Speaker 7>bells out and running around and Harlem with them all

0:41:18.600 --> 0:41:20.640
<v Speaker 7>the time whenever I'm home. And then I go on

0:41:20.719 --> 0:41:22.400
<v Speaker 7>the road and do my shows and stuff like that,

0:41:22.880 --> 0:41:25.040
<v Speaker 7>and that's where, you know, so I started getting the

0:41:25.480 --> 0:41:27.920
<v Speaker 7>big cool j rings and the ice and the jewelry

0:41:27.960 --> 0:41:30.279
<v Speaker 7>and the firs and that, and all the cars and

0:41:30.360 --> 0:41:32.520
<v Speaker 7>the benches and all that. I was bringing all of.

0:41:32.560 --> 0:41:35.440
<v Speaker 1>That hustler stuff to hip hop because that's who I

0:41:35.560 --> 0:41:36.200
<v Speaker 1>was hanging out with.

0:41:36.640 --> 0:41:39.879
<v Speaker 7>You were more Harlem home based than at that point. Yeah,

0:41:39.880 --> 0:41:43.800
<v Speaker 7>I'm always Queens forever. I'm an always be a Queen's

0:41:43.800 --> 0:41:46.520
<v Speaker 7>God Queen's by all means. That being said, I did

0:41:47.000 --> 0:41:48.960
<v Speaker 7>hang a lot, you know, I formulated a lot of

0:41:49.000 --> 0:41:52.080
<v Speaker 7>my you know that energy. I learned a lot in Harlem.

0:41:52.280 --> 0:41:57.040
<v Speaker 2>So when when Queens is going through their first you know,

0:41:57.200 --> 0:42:01.040
<v Speaker 2>for an outsider like me hearing the the Shan versus

0:42:01.160 --> 0:42:06.399
<v Speaker 2>BDP war thing like which, now I clearly understand what's happened,

0:42:06.440 --> 0:42:08.040
<v Speaker 2>you know, Shan's Like, I didn't say that hip hop

0:42:08.080 --> 0:42:11.160
<v Speaker 2>started in queens or whatever. But do you feel some

0:42:11.280 --> 0:42:14.400
<v Speaker 2>sort of way on the sidelines watching someone kind of

0:42:15.160 --> 0:42:19.200
<v Speaker 2>go at queens when Queens had nothing to do with

0:42:20.000 --> 0:42:21.799
<v Speaker 2>the battle or whatever, Like, did you feel at any

0:42:21.880 --> 0:42:23.279
<v Speaker 2>point like let me step in.

0:42:23.320 --> 0:42:26.520
<v Speaker 7>And no, because you know, you know, to be honest

0:42:26.560 --> 0:42:29.080
<v Speaker 7>with you, you know, especially you know the mindset I

0:42:29.200 --> 0:42:29.759
<v Speaker 7>had back then.

0:42:30.239 --> 0:42:32.400
<v Speaker 1>He was smart to put my name in it and

0:42:32.480 --> 0:42:36.960
<v Speaker 1>be complimentary on South Pronks. I totally forgot trying to

0:42:36.960 --> 0:42:37.959
<v Speaker 1>take I didn't even think.

0:42:37.880 --> 0:42:40.200
<v Speaker 7>About that, so so he you know, that was smart,

0:42:40.440 --> 0:42:43.200
<v Speaker 7>you know, especially the way I was built my mindset,

0:42:43.360 --> 0:42:44.680
<v Speaker 7>like it was best that that was.

0:42:44.680 --> 0:42:46.440
<v Speaker 1>The right approach that kept me.

0:42:46.600 --> 0:42:48.960
<v Speaker 7>So you did sort of feel like, hey, yeah, but

0:42:49.120 --> 0:42:51.320
<v Speaker 7>it was but I was I was cool because, you know,

0:42:51.400 --> 0:42:53.920
<v Speaker 7>instead of tied to take out else, I was like, okay,

0:42:55.960 --> 0:42:57.440
<v Speaker 7>now that I mentioned it, I totally forgot.

0:42:57.800 --> 0:43:01.319
<v Speaker 1>Did you pay attention at all to the Shan thing

0:43:01.400 --> 0:43:05.120
<v Speaker 1>at all? Oh? Yeah, of course, of course. Are you

0:43:05.239 --> 0:43:06.160
<v Speaker 1>ready to respond to that?

0:43:06.600 --> 0:43:10.480
<v Speaker 7>No, no, because I didn't feel I didn't feel disrespected

0:43:10.600 --> 0:43:11.400
<v Speaker 7>like you just talking.

0:43:11.520 --> 0:43:13.839
<v Speaker 2>You know the record we never Lady Beaton never played

0:43:13.880 --> 0:43:16.239
<v Speaker 2>that song in Philly, so I didn't know about oh.

0:43:16.200 --> 0:43:18.120
<v Speaker 1>You mean with Shane when he went at me right,

0:43:18.280 --> 0:43:20.879
<v Speaker 1>Oh no, I didn't care about that. Man. I thought

0:43:20.880 --> 0:43:23.640
<v Speaker 1>it was funny, really, I mean, I mean a limo,

0:43:24.120 --> 0:43:30.319
<v Speaker 1>you know, like it was hilarious, like.

0:43:32.080 --> 0:43:34.239
<v Speaker 7>I'm laughing at this ship like you know, at that time,

0:43:34.560 --> 0:43:38.120
<v Speaker 7>Come on, be like heat bite up. Okay, besides, I

0:43:38.280 --> 0:43:39.719
<v Speaker 7>like the pattern though, you know what I mean.

0:43:41.719 --> 0:43:46.640
<v Speaker 1>Besides, like you know, like the folklore of busy bee

0:43:46.680 --> 0:43:49.600
<v Speaker 1>and mod like beef really really wasn't a thing. Besides

0:43:49.640 --> 0:43:50.320
<v Speaker 1>like the rock sand.

0:43:51.080 --> 0:43:54.640
<v Speaker 2>But for you, it's like obviously there's something in you

0:43:55.080 --> 0:43:57.640
<v Speaker 2>that makes people want to like, Okay, he's at the

0:43:57.680 --> 0:43:59.160
<v Speaker 2>top of the pile, so let me try and take

0:43:59.200 --> 0:43:59.520
<v Speaker 2>him out.

0:44:00.239 --> 0:44:01.560
<v Speaker 1>Like how how did that feel?

0:44:06.120 --> 0:44:06.160
<v Speaker 3>Like?

0:44:06.280 --> 0:44:10.360
<v Speaker 1>Did you have a by that point? Did you have

0:44:10.640 --> 0:44:13.680
<v Speaker 1>a not a crew? But I just mean like your

0:44:13.800 --> 0:44:16.880
<v Speaker 1>native tongues like okay, well no, because like I told you,

0:44:16.960 --> 0:44:18.600
<v Speaker 1>I was joe It on ecstasy.

0:44:18.360 --> 0:44:20.080
<v Speaker 7>Or no, I have my dude, like I told you

0:44:20.160 --> 0:44:22.280
<v Speaker 7>who I hung out with. So that was my mindset.

0:44:22.480 --> 0:44:26.440
<v Speaker 7>So if anything, it was more like, you know, just

0:44:26.719 --> 0:44:27.640
<v Speaker 7>making sure that I'm.

0:44:27.520 --> 0:44:28.640
<v Speaker 1>Protecting my territory.

0:44:29.239 --> 0:44:31.000
<v Speaker 7>That's the way I looked at it, Like I'm just

0:44:31.120 --> 0:44:33.600
<v Speaker 7>not gonna let nobody step on my toes. You know,

0:44:33.680 --> 0:44:35.440
<v Speaker 7>it's all good, but if you say something about me,

0:44:35.520 --> 0:44:37.520
<v Speaker 7>I gotta I gotta you know, you gotta get this

0:44:37.640 --> 0:44:39.800
<v Speaker 7>cause I gotta protect my territory. That's the way I

0:44:39.880 --> 0:44:41.240
<v Speaker 7>looked at it. It's very simple.

0:44:41.680 --> 0:44:43.520
<v Speaker 1>Now I see I know the history of it, but

0:44:43.840 --> 0:44:46.400
<v Speaker 1>I never knew how the modem thing you started. Well, mo,

0:44:46.840 --> 0:44:47.400
<v Speaker 1>the more thing.

0:44:47.560 --> 0:44:49.480
<v Speaker 7>Look, first of all, I love them right, Like Silver

0:44:49.560 --> 0:44:52.040
<v Speaker 7>Fox took me down to a studio one time he

0:44:52.160 --> 0:44:54.279
<v Speaker 7>was down there. I started rhyming in the studio. He's

0:44:54.480 --> 0:44:56.719
<v Speaker 7>he was doing doing a session or something. I think

0:44:56.800 --> 0:44:59.440
<v Speaker 7>we no, actually I wasn't. I was at scratched that

0:45:00.040 --> 0:45:03.080
<v Speaker 7>went to his session and we were watching and he

0:45:03.239 --> 0:45:04.840
<v Speaker 7>kicked me in Silver Fox out the studio.

0:45:04.920 --> 0:45:07.120
<v Speaker 1>He didn't want to sit there and all that, you know,

0:45:07.880 --> 0:45:11.719
<v Speaker 1>Oh okay, so you know, but I still never said nothing,

0:45:11.800 --> 0:45:13.399
<v Speaker 1>you know what I mean. That was on him.

0:45:13.440 --> 0:45:15.359
<v Speaker 7>And then he just decided I'm bigger and better than

0:45:15.400 --> 0:45:17.279
<v Speaker 7>all this, you know, and forget about that.

0:45:17.440 --> 0:45:18.400
<v Speaker 1>Put the kno on to the.

0:45:20.120 --> 0:45:22.239
<v Speaker 7>You know. And that's when I just started doing, you know,

0:45:23.239 --> 0:45:24.359
<v Speaker 7>going back and forth with him.

0:45:24.560 --> 0:45:27.080
<v Speaker 1>But he was like in your because even then it

0:45:27.239 --> 0:45:29.160
<v Speaker 1>was in my ear. I heard like I heard your

0:45:29.200 --> 0:45:32.680
<v Speaker 1>response after the fact, like again, like who's in your head?

0:45:32.719 --> 0:45:35.040
<v Speaker 1>I didn't nobody. I didn't need nobody to tell me that.

0:45:35.239 --> 0:45:38.360
<v Speaker 7>It's it's kind of like, uh, you know, there's some

0:45:38.560 --> 0:45:41.440
<v Speaker 7>people they just built to like they'll hide in the

0:45:41.480 --> 0:45:43.359
<v Speaker 7>bushes and wait for you, and nobody got to tell

0:45:43.400 --> 0:45:47.480
<v Speaker 7>them to Some people were built like that. Everybody don't

0:45:47.520 --> 0:45:49.160
<v Speaker 7>need to be told stuff like I've never been a

0:45:49.200 --> 0:45:51.000
<v Speaker 7>guy that I don't need you to tell me, nothing

0:45:51.200 --> 0:45:53.600
<v Speaker 7>like like I'm paying attention.

0:45:53.840 --> 0:45:56.480
<v Speaker 2>So it's like, you know's you a different animal because

0:45:56.840 --> 0:45:59.560
<v Speaker 2>I'm s But then the reason why I'm asking you

0:45:59.640 --> 0:46:02.239
<v Speaker 2>this because I think it's amazing vote for starters. You

0:46:02.320 --> 0:46:04.359
<v Speaker 2>know when we talked about this briefly on the tour

0:46:05.440 --> 0:46:07.480
<v Speaker 2>that you know, because I too was wondering, well, how's

0:46:07.520 --> 0:46:11.520
<v Speaker 2>this iced teething gonna work? Like you know, but then

0:46:11.560 --> 0:46:14.719
<v Speaker 2>I realized, like, wow, that's crazy. Like LL has amicable

0:46:14.840 --> 0:46:18.080
<v Speaker 2>relationships with everyone. Clearly it was a sport.

0:46:18.200 --> 0:46:20.200
<v Speaker 1>Oh definitely, I never ever ever.

0:46:20.440 --> 0:46:23.320
<v Speaker 2>But we also come from a culture in which blood

0:46:23.360 --> 0:46:25.680
<v Speaker 2>has been easily shd without even thinking about it.

0:46:25.800 --> 0:46:27.440
<v Speaker 1>So let me let me tell you. I can explain

0:46:27.520 --> 0:46:27.759
<v Speaker 1>that to you.

0:46:27.880 --> 0:46:30.640
<v Speaker 7>So one thing I learned right and this is this

0:46:30.760 --> 0:46:33.319
<v Speaker 7>is the honest to god truth by me hanging out

0:46:33.360 --> 0:46:37.400
<v Speaker 7>with gangsters so much as a youngster, I learned that

0:46:37.719 --> 0:46:39.279
<v Speaker 7>the last thing you want to do is walk around

0:46:39.320 --> 0:46:40.000
<v Speaker 7>trying to be tough.

0:46:40.719 --> 0:46:43.320
<v Speaker 1>That's how you get yourself in trouble, trying to be

0:46:43.400 --> 0:46:45.759
<v Speaker 1>a tough guy. So what does that mean?

0:46:46.200 --> 0:46:48.279
<v Speaker 7>That means that now, mind you, if somebody tries to

0:46:48.320 --> 0:46:50.080
<v Speaker 7>do something to you, that's a different conversation. We're not

0:46:50.120 --> 0:46:52.280
<v Speaker 7>talking about that. But I'm talking about the wondering around

0:46:52.280 --> 0:46:54.400
<v Speaker 7>which your chest poked out. That's how you get yourself

0:46:54.440 --> 0:46:56.400
<v Speaker 7>in trouble. So when I see mo or when I

0:46:56.480 --> 0:46:59.880
<v Speaker 7>see it, it's not I'm not beefing, it's what it is. Okay,

0:47:00.239 --> 0:47:02.600
<v Speaker 7>you said that, that's where we're gonna leave it at,

0:47:03.600 --> 0:47:04.840
<v Speaker 7>and we're gonna leave you know what I mean, Like,

0:47:05.040 --> 0:47:07.279
<v Speaker 7>it's not I don't have to get it, doesn't have

0:47:07.400 --> 0:47:10.640
<v Speaker 7>to go further than that, because I'm confident in my

0:47:10.760 --> 0:47:15.080
<v Speaker 7>skill set on the mic to handle this. Okay, that's

0:47:15.120 --> 0:47:17.680
<v Speaker 7>how it felt, and I didn't see any reason to

0:47:17.760 --> 0:47:21.000
<v Speaker 7>try to go further than it. Plus yeah, because why

0:47:21.160 --> 0:47:22.440
<v Speaker 7>I'm not gonna test you as a man.

0:47:22.480 --> 0:47:23.200
<v Speaker 1>I don't need to do that.

0:47:23.640 --> 0:47:25.359
<v Speaker 7>I don't need to try to test ice tea as

0:47:25.400 --> 0:47:27.359
<v Speaker 7>a man, or test mode as a man, or put

0:47:27.400 --> 0:47:29.200
<v Speaker 7>them in a position where they got we gotta gotta

0:47:29.239 --> 0:47:31.440
<v Speaker 7>go further, because then that's just that's kind of what

0:47:31.640 --> 0:47:34.800
<v Speaker 7>speak to my weakness. It's more about like, Yo, this

0:47:34.920 --> 0:47:37.040
<v Speaker 7>is what you said. Okay, so we're gonna settle it

0:47:37.520 --> 0:47:39.840
<v Speaker 7>like this, that's where you want it now.

0:47:39.920 --> 0:47:42.480
<v Speaker 1>I mean, you know, man, and I wouldn't go go

0:47:42.560 --> 0:47:43.959
<v Speaker 1>for everything if everyone else has.

0:47:44.120 --> 0:47:48.000
<v Speaker 6>Followed to fast forward thirty or more years seeing him

0:47:48.080 --> 0:47:50.680
<v Speaker 6>on that four store in the form that was a

0:47:50.760 --> 0:47:53.640
<v Speaker 6>moment and also realizing that y'all have been these men

0:47:53.719 --> 0:47:56.680
<v Speaker 6>who you are today longer than anything before being famous.

0:47:56.680 --> 0:47:59.239
<v Speaker 6>So I'm so curious like in that moment, I know

0:47:59.320 --> 0:48:01.480
<v Speaker 6>y'all greeted each other the backstage and everything, but did

0:48:01.560 --> 0:48:03.359
<v Speaker 6>y'all have a moment of like damn, first of all,

0:48:03.440 --> 0:48:04.480
<v Speaker 6>hip hop built this and second of.

0:48:04.480 --> 0:48:08.200
<v Speaker 7>All, brother, yeah, I want to look. I told I said, listen, man,

0:48:08.280 --> 0:48:08.759
<v Speaker 7>do what you do?

0:48:08.960 --> 0:48:11.680
<v Speaker 1>Man. I told him, like, yo, Ice, get out there,

0:48:11.760 --> 0:48:14.000
<v Speaker 1>do what you do. Remember, I'm like, yo, do it

0:48:14.080 --> 0:48:19.759
<v Speaker 1>you want in this And Ice came to me like, yo, man,

0:48:19.880 --> 0:48:22.200
<v Speaker 1>I don't want to do that. Like you know, I'm.

0:48:23.640 --> 0:48:25.360
<v Speaker 6>So we'd watching him because he's too too olda to

0:48:25.400 --> 0:48:27.759
<v Speaker 6>most people in real life anyway, So him do those

0:48:27.800 --> 0:48:28.840
<v Speaker 6>songs is also kind of.

0:48:28.880 --> 0:48:31.480
<v Speaker 7>Like but I loved it, like my thing is like Yo,

0:48:32.080 --> 0:48:33.920
<v Speaker 7>it was like, that's why I still did I shot you.

0:48:34.040 --> 0:48:37.640
<v Speaker 7>I still said crush crumb. I love him, but that's

0:48:37.680 --> 0:48:39.520
<v Speaker 7>my man. I love Ice, I love him, but I'm

0:48:39.520 --> 0:48:42.560
<v Speaker 7>gonna still do the songs like I'm not gonna respectfully,

0:48:42.719 --> 0:48:44.799
<v Speaker 7>Like you always got to ask yourself this question.

0:48:45.320 --> 0:48:47.120
<v Speaker 1>If you did then what you're doing now, would you

0:48:47.200 --> 0:48:49.759
<v Speaker 1>be hearing now? I'm not. I'm not changing that.

0:48:50.280 --> 0:48:52.640
<v Speaker 7>I'm not gonna be editing my songs and pretending that

0:48:52.719 --> 0:48:54.640
<v Speaker 7>the song was something different because I've gone to a

0:48:54.719 --> 0:48:55.680
<v Speaker 7>different stage in life.

0:48:56.560 --> 0:48:59.480
<v Speaker 1>I'm not doing that. You know what. I'm doing the

0:48:59.600 --> 0:49:02.200
<v Speaker 1>song miss right, I'm doing the song. This is the

0:49:02.280 --> 0:49:02.719
<v Speaker 1>song now.

0:49:02.760 --> 0:49:04.480
<v Speaker 4>I was so happy to see at the show because

0:49:04.760 --> 0:49:06.200
<v Speaker 4>that first of all, that was my first time ever

0:49:06.280 --> 0:49:09.200
<v Speaker 4>seeing you live, and so I was so happy to

0:49:09.280 --> 0:49:11.160
<v Speaker 4>see you do. Jack the Ripper, I knew he was

0:49:11.160 --> 0:49:12.480
<v Speaker 4>gonna do the hits. He's like, Okay, no, we're gonna

0:49:12.520 --> 0:49:14.560
<v Speaker 4>get him bad. I know we're gonna get Mama.

0:49:14.360 --> 0:49:17.399
<v Speaker 1>Said knock you out. But bro Jack the Ripper missed

0:49:17.440 --> 0:49:23.400
<v Speaker 1>the good ball. I was like yo, I was like,

0:49:23.520 --> 0:49:27.319
<v Speaker 1>oh this here we did Candy. I was like, oh,

0:49:27.520 --> 0:49:30.800
<v Speaker 1>he that was for us that his filler is just

0:49:30.880 --> 0:49:33.400
<v Speaker 1>as important. As the Hitle. Yeah, you said it.

0:49:35.160 --> 0:49:37.799
<v Speaker 2>Also shout out to you know, the Z Trip also yeah,

0:49:37.840 --> 0:49:40.400
<v Speaker 2>but you did say it. You guys both said it's important.

0:49:40.520 --> 0:49:43.600
<v Speaker 2>It was important to do both, all right. So what

0:49:43.719 --> 0:49:46.440
<v Speaker 2>I want to know is, uh, god, we're still in

0:49:46.440 --> 0:49:47.040
<v Speaker 2>the eighty seventh.

0:49:48.160 --> 0:49:50.840
<v Speaker 1>How did you meet the l A Posse? Right? And

0:49:51.600 --> 0:49:53.960
<v Speaker 1>why didn't Rick produce the second album?

0:49:54.160 --> 0:49:54.200
<v Speaker 6>So?

0:49:54.400 --> 0:49:56.359
<v Speaker 7>Rick and Russell got into a beef over I don't

0:49:56.400 --> 0:49:59.280
<v Speaker 7>know what it was about. Whatever it was, they started

0:49:59.320 --> 0:50:03.880
<v Speaker 7>having ten in their relationship. Rick was angry and you know,

0:50:04.200 --> 0:50:08.000
<v Speaker 7>somehow they separated or and Rick didn't want to produce

0:50:08.040 --> 0:50:09.000
<v Speaker 7>it because of that reason.

0:50:09.080 --> 0:50:11.920
<v Speaker 1>So it was political. It had nothing to do with me, mind.

0:50:11.760 --> 0:50:14.920
<v Speaker 7>You we later you want to work with him, of course, absolutely.

0:50:15.000 --> 0:50:16.680
<v Speaker 7>I mean it was a comfort zone at that point,

0:50:17.360 --> 0:50:20.000
<v Speaker 7>you know. I mean we had just had this platinum album,

0:50:20.200 --> 0:50:23.560
<v Speaker 7>like it was. Everything was great, but you know, politics.

0:50:23.640 --> 0:50:26.920
<v Speaker 7>So it was time for the second album and in

0:50:27.000 --> 0:50:31.560
<v Speaker 7>the LA Posse were working on records with another artist.

0:50:31.719 --> 0:50:34.160
<v Speaker 7>In the records, was sounded like they were trying to

0:50:34.440 --> 0:50:37.960
<v Speaker 7>make ell sounding songs. It sounded like they were making

0:50:38.239 --> 0:50:41.560
<v Speaker 7>ll sounding songs to Russell. So Russell played, gave me,

0:50:42.120 --> 0:50:44.560
<v Speaker 7>told me to get with them. And so I got

0:50:44.640 --> 0:50:47.279
<v Speaker 7>with them and we started talking and vibing and you know,

0:50:47.440 --> 0:50:49.640
<v Speaker 7>we were all you know, there was just some dudes

0:50:49.640 --> 0:50:51.479
<v Speaker 7>from California, which I loved.

0:50:51.640 --> 0:50:54.920
<v Speaker 1>Yeah, Now, how strange of an adjustment was that?

0:50:55.080 --> 0:50:57.399
<v Speaker 7>It wasn't strange at all, because you know, my father

0:50:57.840 --> 0:51:00.800
<v Speaker 7>had moved out to Cali and I had when I

0:51:00.880 --> 0:51:02.839
<v Speaker 7>was fourteen, you know what I'm saying. I had been

0:51:02.880 --> 0:51:05.160
<v Speaker 7>out there already with my pops a little bit, and

0:51:05.360 --> 0:51:09.200
<v Speaker 7>so you know, getting with Bobcat and getting with Muffler

0:51:09.280 --> 0:51:11.560
<v Speaker 7>and getting with all of those guys in California, I

0:51:11.640 --> 0:51:13.200
<v Speaker 7>loved it. And they would take me down in the

0:51:13.280 --> 0:51:16.439
<v Speaker 7>hood and all that, and you know, Bob Cat would

0:51:16.440 --> 0:51:18.200
<v Speaker 7>have me down there over this set and all this.

0:51:19.320 --> 0:51:21.520
<v Speaker 1>Oh man, it was the while out. So you know,

0:51:22.000 --> 0:51:23.480
<v Speaker 1>we you know, I love Cali.

0:51:23.600 --> 0:51:27.120
<v Speaker 7>So that's why I have such great relationships and friendships

0:51:27.200 --> 0:51:29.480
<v Speaker 7>in California and so many, so much love out there.

0:51:29.520 --> 0:51:31.279
<v Speaker 7>So my second album, This is eighty seven, I made

0:51:31.320 --> 0:51:34.280
<v Speaker 7>him bad. I need love all them songs with Cali producers.

0:51:34.400 --> 0:51:40.480
<v Speaker 7>So I was already kind of with like getting outside

0:51:40.520 --> 0:51:42.360
<v Speaker 7>of the box. It didn't it was about the music

0:51:42.400 --> 0:51:44.360
<v Speaker 7>for me. It wasn't about where you're from, because I

0:51:44.400 --> 0:51:46.839
<v Speaker 7>felt like I was gonna write the songs and bring

0:51:47.239 --> 0:51:48.840
<v Speaker 7>bring to it what I needed to bring to it,

0:51:49.000 --> 0:51:51.080
<v Speaker 7>you know what I mean. So that was the vibe,

0:51:51.239 --> 0:51:53.319
<v Speaker 7>you know what I'm saying. Wow, And we ended up.

0:51:53.400 --> 0:51:55.279
<v Speaker 7>So that's when we you know, you had KD and

0:51:55.960 --> 0:51:59.520
<v Speaker 7>Greg Mack and you know, you know, world on wheels

0:51:59.680 --> 0:52:02.719
<v Speaker 7>and did you live out there? You just no, no,

0:52:02.920 --> 0:52:05.840
<v Speaker 7>Actually I brought them to Queen's and they lived across

0:52:05.880 --> 0:52:07.160
<v Speaker 7>the street from my grandmother's house.

0:52:07.239 --> 0:52:10.040
<v Speaker 1>I got them a room and then yeah, yeah, I

0:52:10.080 --> 0:52:10.719
<v Speaker 1>got them a room.

0:52:10.760 --> 0:52:13.040
<v Speaker 7>And the lady across the street from me her house

0:52:13.160 --> 0:52:15.360
<v Speaker 7>in the basement, so they was living across the street.

0:52:15.400 --> 0:52:17.360
<v Speaker 2>You got to answer this one question for me, what

0:52:17.560 --> 0:52:21.200
<v Speaker 2>is a recording budget? So Pots told me on tour

0:52:21.320 --> 0:52:27.480
<v Speaker 2>the three ft Hind Rising was made for fourteen No No,

0:52:27.600 --> 0:52:31.640
<v Speaker 2>No three Rise of May for twenty one thousand to

0:52:31.800 --> 0:52:36.080
<v Speaker 2>save money because Possa told me that a Q tip

0:52:36.200 --> 0:52:38.160
<v Speaker 2>verse got to raise from Afro Connections at a high

0:52:38.239 --> 0:52:42.439
<v Speaker 2>five because Paul was trying to save two inch tape.

0:52:43.320 --> 0:52:46.440
<v Speaker 2>So he told me dyl Sous Dead cost fourteen thousand dollars.

0:52:47.480 --> 0:52:51.920
<v Speaker 2>What is what was a budget for a record.

0:52:51.640 --> 0:52:55.000
<v Speaker 7>Back then, Well it varied, so you know, I mean

0:52:55.080 --> 0:52:58.360
<v Speaker 7>on around that second album, I don't know, maybe somewhere

0:52:58.400 --> 0:53:00.720
<v Speaker 7>between one hundred and fifty and two and fifty, okay,

0:53:00.800 --> 0:53:01.719
<v Speaker 7>somewhere around there.

0:53:02.400 --> 0:53:04.440
<v Speaker 1>It seemed like it was fairy for them. Correct. It

0:53:04.560 --> 0:53:07.160
<v Speaker 1>was crazy, I mean it was, I mean it was

0:53:08.080 --> 0:53:10.640
<v Speaker 1>I mean, you know, you get a bench for thirty

0:53:10.719 --> 0:53:12.640
<v Speaker 1>g's It was crazy.

0:53:12.760 --> 0:53:15.960
<v Speaker 7>It was you rocking like you are out of control

0:53:16.080 --> 0:53:18.799
<v Speaker 7>with that, like you sky's the limit baby, whoa, we're

0:53:18.840 --> 0:53:19.399
<v Speaker 7>in here now?

0:53:19.600 --> 0:53:22.880
<v Speaker 1>Do you still own your grandmother's house? Yeah? So what

0:53:23.120 --> 0:53:24.680
<v Speaker 1>is it about that environment?

0:53:24.680 --> 0:53:27.280
<v Speaker 2>Because I believe that you said that you always write

0:53:27.400 --> 0:53:29.520
<v Speaker 2>your best when you're in that environment, so.

0:53:29.880 --> 0:53:32.800
<v Speaker 1>So you know, you know, my my uncle told me

0:53:32.840 --> 0:53:33.759
<v Speaker 1>there was some magic there.

0:53:34.320 --> 0:53:36.680
<v Speaker 7>So you know, I just believe if you're gonna if

0:53:36.680 --> 0:53:39.560
<v Speaker 7>you're gonna write songs for people, you have to be

0:53:39.600 --> 0:53:42.440
<v Speaker 7>able to relate to the people. Even even nowadays, you know,

0:53:42.600 --> 0:53:45.080
<v Speaker 7>jumping in and out of you know, uber blacks and

0:53:45.200 --> 0:53:48.080
<v Speaker 7>town calls or being fancy, you're not connecting with the

0:53:48.160 --> 0:53:50.560
<v Speaker 7>world and the thing that you lose sight.

0:53:50.480 --> 0:53:56.319
<v Speaker 1>Of all of y'all. Literally right, he's here.

0:53:56.440 --> 0:53:58.640
<v Speaker 6>But I feel like maybe out like you.

0:53:58.640 --> 0:54:05.759
<v Speaker 7>Know what I mean, that's about you, not about you know, gid.

0:54:07.200 --> 0:54:11.239
<v Speaker 8>I so you gotta be a nice car too, by

0:54:11.280 --> 0:54:14.640
<v Speaker 8>the way, very nice, very nice. I was like, yo,

0:54:14.680 --> 0:54:16.439
<v Speaker 8>I gotta get one of them. That was very nice,

0:54:17.600 --> 0:54:20.640
<v Speaker 8>very nice. Maybe quest got a very nice Maybe that's

0:54:21.239 --> 0:54:22.200
<v Speaker 8>this is nice.

0:54:22.680 --> 0:54:29.480
<v Speaker 1>Mean, that's just mean. K let him cook, let him cook.

0:54:30.000 --> 0:54:32.920
<v Speaker 7>So I'm like, yo, so, but you know, I just

0:54:33.080 --> 0:54:34.640
<v Speaker 7>I just feel like you got to connect with the people.

0:54:34.680 --> 0:54:36.920
<v Speaker 7>And the thing you lose sight of is danger, and

0:54:37.080 --> 0:54:38.360
<v Speaker 7>danger makes you write differently.

0:54:38.800 --> 0:54:41.480
<v Speaker 2>Wait, did I hear a rumor that you once entertained

0:54:41.560 --> 0:54:46.080
<v Speaker 2>the thought of writing at Rikers or some ship like, Well, I.

0:54:46.719 --> 0:54:49.200
<v Speaker 1>Visited the jails a lot. I visited the jails a lot.

0:54:49.360 --> 0:54:51.120
<v Speaker 1>I did. I visited the jails quite.

0:54:50.920 --> 0:54:53.239
<v Speaker 7>But did I imagine that you actually said, like I

0:54:53.280 --> 0:54:54.480
<v Speaker 7>gotta know, I would.

0:54:54.320 --> 0:54:56.400
<v Speaker 1>Visit the jail and then go to the studio. I

0:54:56.480 --> 0:54:57.640
<v Speaker 1>did that during the Gold album.

0:54:57.719 --> 0:55:01.360
<v Speaker 6>Actually you visited the folks there and to somebody personally.

0:55:01.560 --> 0:55:03.480
<v Speaker 7>Both I knew guys in that I didn't know it

0:55:03.520 --> 0:55:11.040
<v Speaker 7>was in there, and just yeah, I went up norf

0:55:11.120 --> 0:55:13.200
<v Speaker 7>Right now, I probably know half to do that.

0:55:13.360 --> 0:55:16.600
<v Speaker 2>Joy Like three decades after there were three decades plus

0:55:16.680 --> 0:55:21.960
<v Speaker 2>after the fact, do you find okay? So I understand

0:55:23.040 --> 0:55:27.280
<v Speaker 2>that some might see and I'm not one of these people.

0:55:28.239 --> 0:55:30.680
<v Speaker 2>As evidence of how many songs I'm trying to throw

0:55:30.760 --> 0:55:35.400
<v Speaker 2>from from Panther in the set right, that people's relationship

0:55:35.480 --> 0:55:38.319
<v Speaker 2>with Panther is different. After the fact that it came out,

0:55:38.960 --> 0:55:42.600
<v Speaker 2>Light told me the story about your involvement with self destruction.

0:55:42.960 --> 0:55:47.160
<v Speaker 2>Oh yeah, and I didn't realize that you wrote lights

0:55:47.280 --> 0:55:50.319
<v Speaker 2>verse and he told d nice like, look not for nothing.

0:55:50.400 --> 0:55:51.920
<v Speaker 2>But when I come back, I got to come back

0:55:52.000 --> 0:55:55.040
<v Speaker 2>on something. Yeah, so you like, can you tell the

0:55:55.200 --> 0:55:56.920
<v Speaker 2>self destruction? Yeah, self destruction.

0:55:57.040 --> 0:55:59.360
<v Speaker 7>So basically, you know, they asked me to be a

0:55:59.440 --> 0:56:01.560
<v Speaker 7>part of the song, and at that time, I just

0:56:01.600 --> 0:56:02.279
<v Speaker 7>didn't want to do it.

0:56:02.719 --> 0:56:03.320
<v Speaker 1>I just didn't.

0:56:03.719 --> 0:56:06.080
<v Speaker 7>I just didn't feel like that was the right way

0:56:06.160 --> 0:56:09.279
<v Speaker 7>for me to reintroduce myself to everybody coming off of

0:56:09.400 --> 0:56:13.160
<v Speaker 7>this record that had been kind of you know, panned

0:56:13.239 --> 0:56:15.560
<v Speaker 7>and people sleeping on me and all that. But at

0:56:15.560 --> 0:56:18.480
<v Speaker 7>the same time, I wanted to make a contribution of

0:56:18.600 --> 0:56:20.480
<v Speaker 7>some sort, so I wrote mc Light's part, you know,

0:56:20.560 --> 0:56:22.280
<v Speaker 7>Scott's table to raise a blade, tape.

0:56:22.080 --> 0:56:24.759
<v Speaker 1>To your collar and all that. You know, Yeah.

0:56:24.880 --> 0:56:27.719
<v Speaker 7>Yeah, So I did that for Light and you know

0:56:27.960 --> 0:56:30.040
<v Speaker 7>I felt great. You know, people didn't know, and I

0:56:30.160 --> 0:56:31.480
<v Speaker 7>was cool with that, you know what I'm saying, Like

0:56:31.520 --> 0:56:32.480
<v Speaker 7>I've done that a lot.

0:56:32.480 --> 0:56:34.759
<v Speaker 4>You know, saying the self Destruction joint that made me

0:56:34.840 --> 0:56:39.080
<v Speaker 4>think the Heal record, the Human Education Against Lies, Why

0:56:39.160 --> 0:56:41.640
<v Speaker 4>weren't you in the video for that one of those records.

0:56:41.719 --> 0:56:45.719
<v Speaker 7>I was busy and then you know, I man, my

0:56:46.120 --> 0:56:49.880
<v Speaker 7>schedule back then, you know, was different from most rappers.

0:56:50.840 --> 0:56:51.439
<v Speaker 1>You know what I'm saying.

0:56:51.520 --> 0:56:54.239
<v Speaker 7>I was on a different level. Yeah, so I was

0:56:54.320 --> 0:56:56.719
<v Speaker 7>on a different level. So I just was busy and

0:56:56.920 --> 0:56:59.399
<v Speaker 7>I just couldn't do some things and I would say

0:56:59.440 --> 0:57:02.120
<v Speaker 7>no to other things. And you know, I'm unapologetic about it,

0:57:02.200 --> 0:57:04.359
<v Speaker 7>you know what I'm saying, Like it is what it is, bro,

0:57:04.600 --> 0:57:06.719
<v Speaker 7>Like I did it many times, you know.

0:57:07.760 --> 0:57:13.440
<v Speaker 1>Yeah, like two years ago, I just someone's like, you know,

0:57:13.520 --> 0:57:16.720
<v Speaker 1>that's not ll and no, it is, it is, that's you.

0:57:16.880 --> 0:57:18.320
<v Speaker 1>That's absolutely me in the video.

0:57:18.560 --> 0:57:22.680
<v Speaker 7>Absolutely then my listen, the real story is that you know,

0:57:22.800 --> 0:57:25.320
<v Speaker 7>at that time, I was in I think I was

0:57:25.400 --> 0:57:26.680
<v Speaker 7>in contract negotiations.

0:57:26.720 --> 0:57:27.560
<v Speaker 1>I was midway through it.

0:57:27.880 --> 0:57:29.800
<v Speaker 7>My father just who was my manager at that time,

0:57:29.960 --> 0:57:32.760
<v Speaker 7>just absolutely did not want me in that video and

0:57:32.960 --> 0:57:35.720
<v Speaker 7>just drove me absolutely bananas, and I said, well, we

0:57:35.800 --> 0:57:38.720
<v Speaker 7>got to figure something out. So, you know, I finally

0:57:38.840 --> 0:57:40.320
<v Speaker 7>just say, you know what, let's just just put a

0:57:40.360 --> 0:57:42.320
<v Speaker 7>silhouette there. I do it for a silhouette because I

0:57:42.360 --> 0:57:44.360
<v Speaker 7>can't play these guys like that, right, And so I

0:57:44.440 --> 0:57:46.600
<v Speaker 7>did it with the silhouette, you know what I'm saying.

0:57:46.640 --> 0:57:50.360
<v Speaker 7>So that was my way of doing something for Confise,

0:57:50.640 --> 0:57:51.920
<v Speaker 7>you know what I'm saying. That was my way of

0:57:51.960 --> 0:57:55.000
<v Speaker 7>doing something for them, because my pops was driving me bananas.

0:57:54.920 --> 0:57:57.280
<v Speaker 1>And yeah, what was that light having him as your manager?

0:57:57.320 --> 0:57:57.400
<v Speaker 7>Bro?

0:57:57.640 --> 0:58:01.560
<v Speaker 1>My father was. He was funny man. He was something else.

0:58:01.680 --> 0:58:03.280
<v Speaker 7>He was something else because remember he had his own

0:58:03.360 --> 0:58:07.640
<v Speaker 7>label before that, he had you know, he had a label.

0:58:07.720 --> 0:58:10.520
<v Speaker 7>He's yeah, my father, you know, had labeled Sauce of

0:58:10.560 --> 0:58:13.360
<v Speaker 7>ple Conte and records, and you know he used to

0:58:13.520 --> 0:58:15.520
<v Speaker 7>you know, work with you know, different artists like the

0:58:15.600 --> 0:58:19.640
<v Speaker 7>Coasters and different people, and he was, yeah, my father, Yeah,

0:58:19.680 --> 0:58:20.520
<v Speaker 7>my father was a singer.

0:58:20.960 --> 0:58:22.200
<v Speaker 1>He was a singer.

0:58:22.280 --> 0:58:24.560
<v Speaker 7>Yeah, he's a soul singer. And so he was you

0:58:24.600 --> 0:58:27.960
<v Speaker 7>know what I'm saying. And so, you know, but he

0:58:28.120 --> 0:58:29.919
<v Speaker 7>was funny man. You're gonna get this kid his money,

0:58:30.000 --> 0:58:31.800
<v Speaker 7>pulling out knives on the record company.

0:58:32.560 --> 0:58:38.320
<v Speaker 1>These bananas. I loved him. I loved the man. He

0:58:38.440 --> 0:58:40.920
<v Speaker 1>was something else. He was Oh he was. Oh he

0:58:41.040 --> 0:58:41.680
<v Speaker 1>was a piece of work.

0:58:41.800 --> 0:58:43.480
<v Speaker 6>Was He managed you until he couldn't anymore.

0:58:44.200 --> 0:58:47.480
<v Speaker 1>He managed me until it got over his head.

0:58:47.760 --> 0:58:51.360
<v Speaker 7>It just, honestly, it just it just to be honest

0:58:51.400 --> 0:58:53.400
<v Speaker 7>with you, to give you the real honest answer that

0:58:53.680 --> 0:58:57.200
<v Speaker 7>the the the career and the money that was the

0:58:57.280 --> 0:59:01.080
<v Speaker 7>stuff that came. It got beyond his ability to handle.

0:59:01.120 --> 0:59:03.920
<v Speaker 7>You know what I'm saying, And it's you know, I

0:59:04.000 --> 0:59:08.800
<v Speaker 7>get it. You know, I gotta pay my taxes, y'all.

0:59:08.920 --> 0:59:11.040
<v Speaker 7>My taxes gotta be paid. Like we can we can

0:59:11.120 --> 0:59:13.360
<v Speaker 7>talk about all that tough guys ship he stops and

0:59:13.440 --> 0:59:15.560
<v Speaker 7>equity are Did you pay your taxes?

0:59:16.040 --> 0:59:17.880
<v Speaker 1>Like like, let's start there, you know what I mean?

0:59:17.920 --> 0:59:20.600
<v Speaker 1>So I gotta pay Yeah, I gotta pay my taxes.

0:59:20.680 --> 0:59:23.560
<v Speaker 1>So I was like, yo, you know, I start getting

0:59:23.640 --> 0:59:26.680
<v Speaker 1>little calls like how much what I'm asking him? And

0:59:26.760 --> 0:59:27.760
<v Speaker 1>he don't worry about it.

0:59:28.000 --> 0:59:31.480
<v Speaker 7>My bad wine from trading Joe's on the corporate card.

0:59:31.480 --> 0:59:35.640
<v Speaker 7>I'm like, yo, come on, beat, it ain't that big

0:59:35.680 --> 0:59:37.080
<v Speaker 7>of a deal. But it was just like, come on,

0:59:37.840 --> 0:59:39.960
<v Speaker 7>you know, I feel I love him. Though I love him,

0:59:39.960 --> 0:59:42.520
<v Speaker 7>he was a good guy. What up?

0:59:42.560 --> 0:59:46.320
<v Speaker 6>Quls fam Okay, So I think this is the perfect

0:59:46.320 --> 0:59:49.320
<v Speaker 6>place to stop Part one. Can you believe one hour?

0:59:49.400 --> 0:59:52.200
<v Speaker 6>And we only got to nineteen ninety yep, believe it.

0:59:52.600 --> 0:59:54.320
<v Speaker 6>But we wanted to take our time with this one

0:59:54.680 --> 0:59:57.120
<v Speaker 6>cause y'all know this is years in the making. So

0:59:57.280 --> 0:59:59.880
<v Speaker 6>come back next week or check out your podcast feed.

1:00:00.440 --> 1:00:03.520
<v Speaker 6>Part two of ql Les and l L Cool check

1:00:04.360 --> 1:00:07.720
<v Speaker 6>This one was definitely worth the way. Shout out to

1:00:07.960 --> 1:00:09.720
<v Speaker 6>l L and make sure you stay tuned for his

1:00:09.920 --> 1:00:10.880
<v Speaker 6>album The Force.

1:00:13.960 --> 1:00:16.840
<v Speaker 4>Thank you for listening to quest Love Supreme. This podcast

1:00:17.000 --> 1:00:21.480
<v Speaker 4>is hosted by Amir quest Love, Thompson, Boss Man, Laia,

1:00:21.720 --> 1:00:26.840
<v Speaker 4>Saint Clair, So Black and the Black Myself, Fontigelo, Fonte Coleman, Sugar,

1:00:26.880 --> 1:00:31.560
<v Speaker 4>Steve Mandell and Unpaid Bill Sherman. The executive producers are

1:00:31.800 --> 1:00:35.360
<v Speaker 4>a Mere quest Love, Thompson, Sean g and The Unbothered

1:00:35.480 --> 1:00:40.680
<v Speaker 4>Brian Calhoun. Produced by Britney Benjamin, my Dog Cousin, Jake Payin,

1:00:40.920 --> 1:00:44.800
<v Speaker 4>My Motherfucking Man and Like It's Saint Clair my work Wife,

1:00:45.360 --> 1:00:46.960
<v Speaker 4>edited by Alex Conroy.

1:00:47.320 --> 1:00:49.960
<v Speaker 1>Produced for our Heart by Noel Brown and Mike Johns.

1:00:50.400 --> 1:00:55.680
<v Speaker 4>Audio engineering by Graham Gibson akauble g at I Heeart's

1:00:55.840 --> 1:00:56.560
<v Speaker 4>La Studio.

1:00:57.160 --> 1:00:59.680
<v Speaker 1>Thank you for tuning in. Check us out next week.

1:01:03.840 --> 1:01:09.960
<v Speaker 2>M's Love Supreme is a production of iHeartRadio. For more

1:01:10.000 --> 1:01:14.480
<v Speaker 2>podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

1:01:14.520 --> 1:01:16.120
<v Speaker 2>wherever you listen to your favorite shows.