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Speaker 1: Look mare, oh, I see you, my ow and look

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Speaker 1: over there is that culture Yes, goodness, wow, lost cult

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Speaker 1: ding Dong lost Culturista's calling. Now where'd you just come from?

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Speaker 2: I just came from my dressing room at S and

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Speaker 2: today was my actual last day, so I had to

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Speaker 2: sneak in there. We're about to go to Japan. Everyone

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Speaker 2: is back at work from hiatus. Everyone's going back today

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Speaker 2: for Monday pitch. But I didn't really sneak in there

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Speaker 2: before everyone came back clean, clearing out my stuff. A

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Speaker 2: lot of wonderful to Tritus. But the biggest thing for

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Speaker 2: me was this. What's this original wig mold from the

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Speaker 2: hair department and a little note from Jodimancuso, the Emmy

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Speaker 2: winning Jody Mankunzo to my bone until next.

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Speaker 1: Time, love Jony.

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Speaker 2: Oh my gosh, it's my head. When you host one day,

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Speaker 2: you have to bring this back, I guess so. But

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Speaker 2: now this is going in mind. This is yeah, this

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Speaker 2: is this has a spot you know, because I have

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Speaker 2: a little like head like a hatstand in my apartment.

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Speaker 1: Right, Yes, of course this is the new hatstand.

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Speaker 3: This is perfect for a hatstand because it's your head already.

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Speaker 3: It's apps Oh my gosh. And is this was this

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Speaker 3: word bowen? Is this where your face would go? That's

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Speaker 3: where let's see. I just want to say face and eyes.

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Speaker 3: Well I think this is more. The eyes are the

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Speaker 3: eyes of the face. I should get this tattooed on,

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Speaker 3: like right here. That would be really good. It would

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Speaker 3: be nice anyway, And then you started music career, and

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Speaker 3: then I started music career. So but this was all

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Speaker 3: beautifully coincidental, because isn't it It isn't.

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Speaker 2: Actually a lot of things about this or kis made

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Speaker 2: because I went in today was like the last day

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Speaker 2: to do it. And then our guest was coming in today,

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Speaker 2: and I was like, oh, wait a minute. And then

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Speaker 2: as I walked to this building, coming out of her

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Speaker 2: gorgeous motorcade many cars.

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Speaker 1: Many cars, Uh it was it was just one.

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Speaker 2: But coming out of her car was our guest, and

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Speaker 2: it was she was in a gorgeous.

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Speaker 3: Faux fur and foe. It felt it felt culturally vultures.

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Speaker 3: It felt so.

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Speaker 2: So perfect kismet. And then so many things about the

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Speaker 2: guests are perfect.

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Speaker 1: I recently got to have some high drinks with the guests.

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Speaker 4: You.

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Speaker 3: I would describe our sort of cavorting as Scooby Doo

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Speaker 3: ask on the new season of Palm Royal.

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Speaker 2: Oh my god, I've always wanted to do a steakout.

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Speaker 2: You got to do multiple steakouts behind a hedge in

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Speaker 2: a car.

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Speaker 1: It was wish fulfillment. You got. You were up to

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Speaker 1: high jinks and your ass was up to high cheeks. Damn,

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Speaker 1: thank you so much.

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Speaker 2: There were a lot of great Palm Riyal Season two,

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Speaker 2: episode seven. Yeah, you gotta really that this director really

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Speaker 2: loves I believe the creator of the show.

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Speaker 3: I will say it's it's Abe Sylvia who was responsible

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Speaker 3: for this. Frames the male asses in the show with

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Speaker 3: a an attention to detail that I would only describe

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Speaker 3: as gay, a heated rivalry as yes, and I would

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Speaker 3: say that there's clearly a gay guy in charge of

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Speaker 3: the show and behind the camera and writing this and

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Speaker 3: thank god. And actually I told him I was like,

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Speaker 3: from one gay guard to another, congratulations, gradually this is

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Speaker 3: a gay guys show.

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Speaker 1: And I am so like happy.

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Speaker 3: I mean, I was watching the episode and just it

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Speaker 3: has the best cast of all time.

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Speaker 1: Perfect.

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Speaker 3: By the way, you can stream all of it now

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Speaker 3: on Apple TV Plus and get. They dropped the Plus.

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Speaker 3: They dropped the plus. Oh Apple TV is there's no

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Speaker 3: plus plus anymore. That doesn't mean it's anything less. Just

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Speaker 3: because they've lost their plus doesn't mean they're not a plus. Yes,

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Speaker 3: they're just Apple TV Plus still a anyways. Anyway, being

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Speaker 3: on this, we love you, We love you a network abe,

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Speaker 3: Sylvia a great two first names name, oh per Yes,

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Speaker 3: Sylvia sneaking in there with a last name that's a

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Speaker 3: woman's last name most of the time.

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Speaker 1: Not always, I'm not always, but I.

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Speaker 3: Will say there's there's congratulations in order because we are

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Speaker 3: sitting here with an Actor Award nomination.

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Speaker 1: Newly newly renamed after award nomination, and that is a

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Speaker 1: big fucking deal.

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Speaker 3: I have to say I'm not surprised at all, because

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Speaker 3: I don't think there's a person in this biz who's

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Speaker 3: more who elicits a more emphatic, like excited, joyful response

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Speaker 3: than the even idea of our guests showing up. And

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Speaker 3: she has shown up here today, a true pal, a

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Speaker 3: true talent and more. Please do yourself us and more

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Speaker 3: a favor by clapping hands like this as in the

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Speaker 3: ways of the Seal and exalting the presence of our

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Speaker 3: one only guests.

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Speaker 1: Kristin.

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Speaker 4: Oh God, it's hard to be quiet in the beginning.

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Speaker 1: It's hard to do a great job.

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Speaker 4: All I have to turn away little side giggles.

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Speaker 1: Yeah, listen, giggle forward from now forward forward. How are

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Speaker 1: you doing? Congrats, thank you, thank you.

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Speaker 4: I'm happy to be here. And I know that feeling, yeah,

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Speaker 4: of cleaning out that room.

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Speaker 1: What was it like?

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Speaker 2: Do you remember? Is that that moment for you? And

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Speaker 2: I was gonna ask you what was your dressing room?

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Speaker 2: Which one was I.

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Speaker 4: Think it's the one Sarah is in.

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Speaker 1: Now that's a good energy in that one.

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Speaker 4: Upstairs there's the bathroom. I think it's the first thing.

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Speaker 3: Right, Yes, Oh my god, that was a little bit

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Speaker 3: of a party dressing room I find because of the

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Speaker 3: way it's.

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Speaker 4: When I was there. Well, well, I'm sure yes. And

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Speaker 4: cleaning up my office was hard, uh huh, yeah, because

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Speaker 4: you go when you don't do it when everyone's.

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Speaker 1: There, so it's haunted.

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Speaker 4: Yeah, and you're like, come in with a box, right,

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Speaker 4: fill it up, and then no one's there and it's

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Speaker 4: like goodbye building.

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Speaker 3: Well I said by to the security guards and that

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Speaker 3: was name. Yes, yes, that was very sweetbuck.

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Speaker 1: Yeah, come back. Soombo, it's all these it's all these

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Speaker 1: seven foot.

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Speaker 4: Tall guys and they've been there forever and oh, you

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Speaker 4: just feel so safe.

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Speaker 3: Protect They're incredible. Also, the one icon is Monique Exchange's

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Speaker 3: brother Sean Best unbelievable and unbelievable.

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Speaker 2: I but it also felt like so beautiful and perfect,

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Speaker 2: the perfect period on it was running into you and

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Speaker 2: I just have to say that, yeah, you were You

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Speaker 2: went with the first You were the first alum to

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Speaker 2: impart something to me, which was enjoy the job while

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Speaker 2: you can, because you'll miss it every day afterwards. And

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Speaker 2: it's the funnest job in the world. And I was like, yes,

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Speaker 2: Kristen wigg it's fun. It's fun.

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Speaker 4: Yeah, And I think it's so easy to like over

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Speaker 4: especially because of the nature of the show. It's like

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Speaker 4: you don't know what you're doing ever, and like you

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Speaker 4: could have a sketch that works address and it doesn't

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Speaker 4: work in it. There's so much like letting go. So

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Speaker 4: it's just like, oh, it's just you know, not to

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Speaker 4: say it can't be stressful at times, but it's so fun. Yeah,

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Speaker 4: So when you boil it down, you're yeah, you're just

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Speaker 4: like being dumb.

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Speaker 2: And I want to give a moment to and I

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Speaker 2: told Matt this this morning. I think we need to

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Speaker 2: dedicate some time to the great James Anderson.

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Speaker 4: I could talk about James Anderson this is.

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Speaker 2: The literal place and the great Cans of Black, like

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Speaker 2: that duo. But like individually they are perfect, but together

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Speaker 2: they were perfect.

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Speaker 1: I think they were.

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Speaker 2: You're so these two writers at us now your your

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Speaker 2: I think collaborators as well. Yeah, I got to overlap

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Speaker 2: with them. Yeah, and James, Oh.

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Speaker 1: Boy, names just name the beginning a name? Yeah? Were

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Speaker 1: you beginnings?

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Speaker 3: Chang?

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Speaker 4: That was?

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Speaker 1: That was maya beginning? Beginnings changed?

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Speaker 4: No? Wait, and what was Keenan's name in uh? And

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Speaker 4: what up with that?

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Speaker 1: Oh? No, Teres is the one who was things like

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Speaker 1: get the idea, get the idea.

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Speaker 3: But but my Tstrom Pohler's name.

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Speaker 4: Oh my god.

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Speaker 2: I was blessed with the James name once la Tony

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Speaker 2: Garage and I was a songwriter for Keenan and Scarlett

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Speaker 2: Johansson's Christmas Elves. Who's saying like Christmas pop song?

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Speaker 4: Back it up with Garage?

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Speaker 2: And then he wrote me, I think sorry to every

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Speaker 2: other writer, including myself. My favorite line I've ever said

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Speaker 2: on that show. I can say that now in posterity,

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Speaker 2: which was as the Tony Garage coming up and saying

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Speaker 2: the song was an homage to my mother, the mother

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Speaker 2: of the house, Miss Buffet Styles. It was written at

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Speaker 2: five a m. When I was skiing with Miss Connie.

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Speaker 2: See what I'm saying, the snow that goes up, thunderstand

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Speaker 2: the snorty snow I'm talking about crackrde. I have that

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Speaker 2: in my bone.

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Speaker 4: You do they done in schools audition?

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Speaker 3: You're not using that as your monologue to get into Nyuit.

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Speaker 3: You're not getting into You're not getting into yell drama school.

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Speaker 3: You don't have a future.

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Speaker 4: And even now watching you're just like, I know that

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Speaker 4: James ken Kent did that.

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Speaker 1: How do you watch right now?

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Speaker 4: I will say not as much total now with the children.

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Speaker 2: Well, yes, because there's like a contingent of a lumps toit,

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Speaker 2: like Tina and Amy seemed to watch it like every week. Yes,

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Speaker 2: and they're like, oh, that must have moved down from

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Speaker 2: air like or from dress like like they're they're they're

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Speaker 2: like talking shop.

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Speaker 4: About it, watching later, but like actual Saturday night. I

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Speaker 4: haven't done that in a in a long time.

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Speaker 3: No problem with my little children, what are you watching

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Speaker 3: with the kids. What's their favorite show?

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Speaker 1: Do they love Miss Rachel? Are they just a little

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Speaker 1: old for Miss Rachel Jabbie's Dollhouse?

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Speaker 4: Oh, Miss Rachel? Yes, yes, yes, they've seen Miss Rachel

200
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Speaker 4: Gabby's Dollhouse. They love some Paw Patrol, Yeah, they love

201
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Speaker 4: they love wild crats, Wild wild Crats. Where should I look? Well,

202
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Speaker 4: tell them, well, it's these two guys, the Crap Brothers,

203
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Speaker 4: and they talk about an animal. I I don't watch

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Speaker 4: with them, but to harm the children. It's not gonna

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Speaker 4: they take an animal, start studying the animal, and then

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Speaker 4: they turn animated and oh my god, I can't pitch

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Speaker 4: the show. And they're animated with the animated animals.

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Speaker 1: Yeah, you know what the what? What's important? Does it

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Speaker 1: makes sense to them?

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Speaker 4: Then they come out it is I turn on Wild Crat,

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Speaker 4: I make sure it's set up, and then oftentimes I

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Speaker 4: don't stay.

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Speaker 1: No, you're not say so, why would you say?

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Speaker 4: I'll come back in and be like, oh, so you

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Speaker 4: learned about lemurs.

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Speaker 2: Because they're sixteen years old? Who both of your children?

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Speaker 2: You go off and you watch something adult.

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Speaker 3: You were saying earlier, your favorite shows are NCIS, every franchise,

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Speaker 3: every single one.

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Speaker 4: I fall asleep. You just murder adult stuff adults. No,

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Speaker 4: I can't watch those shows neither.

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Speaker 3: I can't be stressed before bad unless it's women arguing

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Speaker 3: as we know.

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Speaker 1: Oh yeah in the house.

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Speaker 4: I can't do like murder. I can't do scary movies.

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Speaker 4: I can't do anything dark. It stays in my brain.

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Speaker 1: I'm just two your kindreds for sure.

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Speaker 4: I'm an HSP for sure.

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Speaker 1: I can't even do something stressful, you know what. I'm dying,

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Speaker 1: like a baking show. Do you find those to be

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Speaker 1: the stressed most programming times?

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Speaker 4: Like, oh, isn't dry or whatever?

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Speaker 1: I don't think. Do I think Vanessa hosts the baking show?

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Speaker 1: Or she did?

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Speaker 4: Yes, she did host something yes? And Casey Wilson, yes,

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Speaker 4: the celebrity that's such a yeah. Yeah, any of the

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Speaker 4: gunny competition's feel bad for the.

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Speaker 1: People getting mad.

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Speaker 3: I hosted a dog grooming competition show called dog Like Coutore.

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Speaker 3: So it's no longer on man, you may not watch it, Okay,

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Speaker 3: it was, it was, it was removed.

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Speaker 4: It's erased from the internet.

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Speaker 1: Yeah, wow, it's completely gone. It was me, Robin Feedie

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Speaker 1: and jess Rona. Zaslav said not for me. He said,

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Speaker 1: this is not good.

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Speaker 3: Wow, these dogs should look like dogs, not fashion models.

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Speaker 3: Because one dog they turned into Lady Gaga. Another dog

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Speaker 3: they turned into Kate Goslin two nine, Kate Goslin.

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Speaker 1: Yeah.

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Speaker 3: Yeah, And this was recent, This was pandemic this so

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Speaker 3: this is literally shot. It's shot in July twenty twenty.

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Speaker 3: It was the only thing shooting in Los Angeles, along

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Speaker 3: with RuPaul's Drag Race. It was Hot Dog and RuPaul's

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Speaker 3: Drag Race, and it was it was truly. I was like, wow,

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Speaker 3: we shot like two weeks straight, twelve episodes. Yeah, put

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Speaker 3: it on. It was like Chopped with dog grooming heartbreaking.

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Speaker 4: Well there's your show.

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Speaker 1: Yeah, that was the show.

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Speaker 3: It was the showing show with this dog grooming rooming.

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Speaker 3: You thought you were coming here to be challenged for

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Speaker 3: your dog crowing. But is it batch make us a

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Speaker 3: cord on blue.

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Speaker 1: While blow drying.

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Speaker 4: And making them look bad ideas?

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Speaker 2: But wait, ideas you were saying this on Amy's podcast

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Speaker 2: that like, and I relate to this hard, which is

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Speaker 2: that I'm a horrible, horrible storyteller. Like my worst nightmare

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Speaker 2: is explaining walking someone through an idea or a narrative

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Speaker 2: and having everyone listen to me while I.

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Speaker 1: Do it well.

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Speaker 4: And I'm so happy to hear this because do you

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Speaker 4: find people are like, that's not true. I don't believe

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Speaker 4: you because you can do other things.

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Speaker 1: I'm bellish.

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Speaker 4: Yeah, I'm so bad. It's my nightmare to get out

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Speaker 4: to dinner and be like, oh my god, Kristen Tell

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Speaker 4: and I'm like, because I couldn't even describe.

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Speaker 1: Wild crass.

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Speaker 4: It, I kind of described it.

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Speaker 1: I'm on guard children's show.

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Speaker 4: It's yes, animated, right, and then somehow they come back

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Speaker 4: and then they say thanks for watching.

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Speaker 1: Yeah, I can I say that.

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Speaker 3: I'm happy to know that children's programming is still like

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Speaker 3: a little wacko and surreal because I remember when we

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Speaker 3: were younger, and you would so it was like Disney Channel,

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Speaker 3: which was a little bit more straightforward. And of course

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Speaker 3: this is more like preteen program I'm talking about, but

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Speaker 3: Nickelodeon when we were kids, like young young.

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Speaker 1: It was cracked.

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Speaker 3: The things that would happen in those animated shows like

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Speaker 3: Ren and Stimpy and Rocco's Modern Life like this was

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Speaker 3: he felt adult very much show very much.

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Speaker 4: So was that on it in the morning?

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Speaker 1: I think it was on it wasn't Crutchy Network. I

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Speaker 1: think it was Nickelodeon. Was Nickelodeon.

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Speaker 4: It was in a bar, you know what I mean,

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Speaker 4: Like you'd go into a bar and just like Ren

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Speaker 4: and Stimpy would be playing.

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Speaker 1: That's a cool bar.

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Speaker 3: I remember, like Roco's Modern Life. There was a scene

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Speaker 3: one time where like Rocco got shot out of a

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Speaker 3: cannon and landed thousands of miles away and like the

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Speaker 3: way he landed was with full force into a huge

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Speaker 3: like hippopotamus's breasts, and the hippo said, how da, And

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Speaker 3: that was the humor in the program.

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Speaker 4: I don't even know what to say.

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Speaker 1: There's nothing to say.

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Speaker 3: The only thing to do is really react and take

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Speaker 3: it in and then you process at home.

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Speaker 1: Yes I can't.

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Speaker 4: I let Blue I think is really sweet and yeah,

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Speaker 4: Blue Blue I love, but I just kind of TV

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Speaker 4: is a time for for mama to rest.

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Speaker 1: Yeah, she's watching Salt Lake.

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Speaker 2: You were can you can you talk about this that

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Speaker 2: you were the most starstruck at the Culture Awards, which

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Speaker 2: you were phenomenal in by the way, I think you

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Speaker 2: for doing.

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Speaker 4: That, Thank you for having me and that was such

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Speaker 4: a fun night.

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Speaker 1: Robin the Riddler's assistant.

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Speaker 4: I didn't quite realize, like how many of them were

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Speaker 4: going to be there, you mean all.

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Speaker 3: Of them touring in Australia with Teresa.

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Speaker 4: Looking down at the seats with the name. Yeah, I

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Speaker 4: didn't get it because it's a connection I have with

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Speaker 4: these people. It's broken the barrier something I didn't want

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Speaker 4: to cross it. Yeah, you know what I mean, Like

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Speaker 4: I want to meet them, but I don't want to

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Speaker 4: meet them.

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Speaker 1: I have to be in the TV, like you say

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Speaker 1: to those people like you.

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Speaker 3: But then what I loved was we got to see

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Speaker 3: all the photos afterwards from the green room, and you

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Speaker 3: did get a picture with each and every one of them.

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Speaker 1: And which you know made their life.

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Speaker 4: Yeah, of course I didn't. Yeah, yeah, I wanted to.

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Speaker 4: I wanted to meet and greet every one of them. Yeah,

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Speaker 4: but I don't want to ask them questions. I don't

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Speaker 4: want to know about the show. I don't want to

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Speaker 4: know who knows what before the things like I I

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Speaker 4: don't care what's talked about. I don't I don't want

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Speaker 4: to know.

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Speaker 2: Yeah, no, no, no, no, because I'm the same way

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Speaker 2: like Matt will tell you that this people I'm most

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Speaker 2: stres struck are under the Housewives eighty. Briant is the

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Speaker 2: same way, and she was the same way at that night,

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Speaker 2: just like I can't believe all the Salt Lake City women.

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Speaker 3: They're just being around sort of running running. The whole

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Speaker 3: show was really And by the way, have you started Traders?

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Speaker 4: No, it's the one I haven't started, and I will.

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Speaker 4: Where should I start?

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Speaker 3: I think I'm just going to tell this to you

355
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Speaker 3: because now this is going to come out like shortly.

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Speaker 3: But the thing is, like we now have seen the

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Speaker 3: first three episodes and so everyone out there, this isn't

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Speaker 3: a spoiler.

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Speaker 1: Lisa Rinna is a trader.

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Speaker 3: Okay, they've chosen her as a trader and foric moment,

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Speaker 3: for I think anyone watching that knows exactly how well

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Speaker 3: they've done and making this decision. But to know that

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Speaker 3: she's going to be in charge of the gameplay, see, I.

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Speaker 4: Don't even really know what It's kind of like they

365
00:17:38,840 --> 00:17:43,080
Speaker 4: just tap your shoulder, right, and then you're there.

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Speaker 5: To talk about good Look at that camera, say what

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Speaker 5: you think Traders is?

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Speaker 4: No, it's everyone lives in a castle and people get

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Speaker 4: chosen to like kill people. Yes, nobody knows.

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Speaker 1: No one knows.

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00:18:00,160 --> 00:18:02,040
Speaker 4: Even if you are a killer, you pretend like you're

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Speaker 4: not a killer. Yes, that's crucial, and then you kill

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Speaker 4: them by you.

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Speaker 1: Write them a letter.

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Speaker 2: You write them so if you're if you're a trader,

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Speaker 2: you meet and what's called and this is real, that

377
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Speaker 2: you meet what's called the turret at night.

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00:18:16,560 --> 00:18:20,919
Speaker 3: Pronounced like the tant by Alan by yes, yes, Scottish

379
00:18:21,080 --> 00:18:24,520
Speaker 3: icon coming and you watch them deliberate on who to kill.

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Speaker 2: Okay, and then the next morning at breakfast everyone shows up.

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Speaker 2: And then the person who doesn't show up at breakfast

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Speaker 2: everyone's like it was it was this person.

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Speaker 3: And then there's there's also a British and Australian version

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Speaker 3: of the show. And when people don't come into breakfast

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Speaker 3: the next day and they realize who's murdered, people will

386
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Speaker 3: often say things like oh no.

387
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Speaker 2: And then then the British host is a woman named

388
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Speaker 2: Claudia Winkleman Bady Winkleman, who is a Kristen Wig character

389
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Speaker 2: that you.

390
00:18:53,720 --> 00:18:56,879
Speaker 1: Need to look up. Claudia Winkleman. You actually have to.

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Speaker 1: Oh my god, Kristen, you have to.

392
00:19:00,080 --> 00:19:02,639
Speaker 2: I will, because she walks into breakfast like this and

393
00:19:02,680 --> 00:19:06,080
Speaker 2: goes the traitors have murdered again.

394
00:19:06,600 --> 00:19:10,280
Speaker 3: This is a tragedy of Titanic proportions.

395
00:19:10,400 --> 00:19:13,840
Speaker 1: It's the traits are laughing at you. I can hear

396
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Speaker 1: them laughing.

397
00:19:15,440 --> 00:19:18,760
Speaker 3: And then Tom Daily from the UK diver got eliminated

398
00:19:19,080 --> 00:19:22,480
Speaker 3: and she she he's She comes and announces he's dead,

399
00:19:22,480 --> 00:19:27,359
Speaker 3: and she goes he won gold for this country.

400
00:19:25,960 --> 00:19:30,080
Speaker 1: That he won gold for this country.

401
00:19:30,800 --> 00:19:32,960
Speaker 4: That I need to watch.

402
00:19:32,960 --> 00:19:34,160
Speaker 1: It's Kristen.

403
00:19:34,240 --> 00:19:35,800
Speaker 3: Okay, can I ask you a question? When you went

404
00:19:35,880 --> 00:19:38,840
Speaker 3: on asked Harry Styles on the Tonight Show? Yes, you

405
00:19:38,880 --> 00:19:40,520
Speaker 3: did not know who Harry Styles was.

406
00:19:40,760 --> 00:19:42,199
Speaker 4: I knew he was.

407
00:19:42,240 --> 00:19:44,159
Speaker 1: I just did anything about you didn't know.

408
00:19:44,240 --> 00:19:47,560
Speaker 4: I knew Stay with when I did Michaeloran Calisi or

409
00:19:47,600 --> 00:19:49,399
Speaker 4: Michael Geordan, Like I know who they are, but I

410
00:19:49,440 --> 00:19:51,120
Speaker 4: don't know, Like what.

411
00:19:51,080 --> 00:19:52,960
Speaker 3: Are you coming out dressed as tonight? Are you coming

412
00:19:52,960 --> 00:19:54,479
Speaker 3: out dress as myself?

413
00:19:54,920 --> 00:19:57,520
Speaker 4: Myself? But we're just doing like a little you know,

414
00:19:57,600 --> 00:19:58,720
Speaker 4: let's make fun of Christian.

415
00:19:59,040 --> 00:20:02,560
Speaker 3: So speaking of speaking of let's make one of Christian.

416
00:20:02,560 --> 00:20:06,280
Speaker 3: If you got the After Award nomination, take people are

417
00:20:06,320 --> 00:20:08,680
Speaker 3: sore and too high, get.

418
00:20:08,520 --> 00:20:08,959
Speaker 1: It at them.

419
00:20:09,400 --> 00:20:12,280
Speaker 2: We've been dying to ask you this what because this

420
00:20:12,320 --> 00:20:14,679
Speaker 2: is a thing that we've quoted in reference for at

421
00:20:14,800 --> 00:20:19,960
Speaker 2: least I want to say, like seven years. You told

422
00:20:19,960 --> 00:20:23,040
Speaker 2: a story on The Late Show with David.

423
00:20:22,880 --> 00:20:25,240
Speaker 1: Letterman's a really important moment about one of your first

424
00:20:25,320 --> 00:20:27,359
Speaker 1: jobs in LA being at Universal Studios.

425
00:20:27,600 --> 00:20:31,439
Speaker 2: Yes, the park you started, as I can recall, you

426
00:20:31,480 --> 00:20:34,000
Speaker 2: started off at the You just called it the restaurant.

427
00:20:34,520 --> 00:20:37,440
Speaker 2: You will have to be more specific on which restaurant,

428
00:20:37,440 --> 00:20:40,560
Speaker 2: but we'll get back to that. And then you also

429
00:20:40,760 --> 00:20:47,440
Speaker 2: told the audience the world me that your other job

430
00:20:47,600 --> 00:20:48,040
Speaker 2: was that you.

431
00:20:48,000 --> 00:20:50,360
Speaker 1: Were playing a reporter, a.

432
00:20:50,359 --> 00:20:53,639
Speaker 2: Reporter on the lower level, trying to get people to

433
00:20:53,760 --> 00:20:56,439
Speaker 2: come to the Man's Spider Man.

434
00:20:56,359 --> 00:20:59,719
Speaker 4: Show, the Outdoor Show. The Outdoor like Star show, not

435
00:21:00,080 --> 00:21:01,879
Speaker 4: have seats, It just had a stage.

436
00:21:02,119 --> 00:21:02,760
Speaker 1: This is correct.

437
00:21:02,840 --> 00:21:06,080
Speaker 3: So your job was to corral Yes, and but then

438
00:21:06,240 --> 00:21:08,320
Speaker 3: you had a microphone that boomed your voice to the

439
00:21:08,600 --> 00:21:13,360
Speaker 3: entire party, and so would so you would say things

440
00:21:13,400 --> 00:21:17,560
Speaker 3: like come here, come here, or our favorite thing, the

441
00:21:17,560 --> 00:21:19,520
Speaker 3: thing that we've been quoting for the past for the

442
00:21:19,560 --> 00:21:20,960
Speaker 3: past several years is.

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00:21:22,440 --> 00:21:25,520
Speaker 1: Hey, did you hear that there are mutants on the loops? Yes?

444
00:21:26,480 --> 00:21:30,879
Speaker 1: Quote people, our favorite face is this?

445
00:21:33,640 --> 00:21:38,399
Speaker 4: Okay, So to be clear, I worked at in the restaurant,

446
00:21:38,440 --> 00:21:40,880
Speaker 4: at the executive dining room. Oh wow, so I did.

447
00:21:41,040 --> 00:21:42,520
Speaker 1: Yes, let's celebrate that.

448
00:21:44,040 --> 00:21:46,359
Speaker 4: Yeah, well they have I would take the order and

449
00:21:46,400 --> 00:21:49,280
Speaker 4: bring drinks. They had food runners, I would bring the dessert.

450
00:21:49,800 --> 00:21:55,560
Speaker 4: I had the tie the apron. That was a great job. Yes,

451
00:21:56,240 --> 00:21:58,200
Speaker 4: And then I was like I want to perform. Yeah,

452
00:21:58,359 --> 00:22:00,760
Speaker 4: I got to move into the entertainment sect. Got a

453
00:22:01,119 --> 00:22:04,399
Speaker 4: job I auditioned for. They were going to do an

454
00:22:04,440 --> 00:22:09,880
Speaker 4: improv group at Yes for the park. Yeah, oh exactly.

455
00:22:11,480 --> 00:22:14,800
Speaker 4: Was not thought out. Well, we did not have a stage.

456
00:22:15,600 --> 00:22:22,720
Speaker 4: We were walking through the park, just started doing. You

457
00:22:22,800 --> 00:22:28,760
Speaker 4: realized doing improv is being somewhere getting a suggestion. So

458
00:22:28,920 --> 00:22:32,359
Speaker 4: literally we would be walking through the park and we'd

459
00:22:32,359 --> 00:22:35,320
Speaker 4: be like, hey, can I have a location? And it

460
00:22:35,359 --> 00:22:38,320
Speaker 4: would be like Home Depot and then they would like

461
00:22:38,600 --> 00:22:41,119
Speaker 4: walk away, and then maybe we'd start to do a

462
00:22:41,160 --> 00:22:43,760
Speaker 4: scene about home Depot. But then other people would walk

463
00:22:43,840 --> 00:22:46,640
Speaker 4: up and be like, who are these people? I don't

464
00:22:46,640 --> 00:22:49,080
Speaker 4: know where that what's the game? We would stop in

465
00:22:49,119 --> 00:22:52,000
Speaker 4: the middle of it. No one's watching who was originally there.

466
00:22:53,960 --> 00:22:58,959
Speaker 4: We trained were for weeks and auditioned for this. We

467
00:22:58,960 --> 00:23:01,040
Speaker 4: were like, this is our big break. We did it

468
00:23:01,119 --> 00:23:04,959
Speaker 4: for one day.

469
00:23:06,600 --> 00:23:07,280
Speaker 1: What is this?

470
00:23:07,440 --> 00:23:11,159
Speaker 4: Because we'd be like and then you'd see part of

471
00:23:11,160 --> 00:23:15,200
Speaker 4: the people and they're like rescuing someone from my boat.

472
00:23:15,600 --> 00:23:19,600
Speaker 4: And people were just like excuse me. Walking through the scene.

473
00:23:19,720 --> 00:23:22,240
Speaker 4: There was no stage nothing.

474
00:23:22,080 --> 00:23:23,560
Speaker 1: So you do know how to tell a story?

475
00:23:23,600 --> 00:23:26,600
Speaker 4: Look at that? Okay, well that okay, well I'm crying.

476
00:23:26,680 --> 00:23:26,960
Speaker 1: Wait.

477
00:23:27,200 --> 00:23:31,240
Speaker 4: But then they said, they said to me, we are

478
00:23:31,240 --> 00:23:37,560
Speaker 4: doing this mex Men show on the lower lot. On

479
00:23:37,680 --> 00:23:41,560
Speaker 4: that there's ten escalators down. I think you're at the

480
00:23:41,600 --> 00:23:45,240
Speaker 4: bottom of universe. There's another there's another depth that's below.

481
00:23:45,800 --> 00:23:46,720
Speaker 4: It's still outdoors.

482
00:23:46,760 --> 00:23:48,919
Speaker 1: There's yet more depths. Universal Studios.

483
00:23:49,320 --> 00:23:54,280
Speaker 4: There was a stage and it was a show with

484
00:23:54,880 --> 00:23:57,000
Speaker 4: where the X Men would come out. But I my

485
00:23:57,119 --> 00:24:01,639
Speaker 4: name was like something Martine as something I did not

486
00:24:03,160 --> 00:24:06,280
Speaker 4: this was they gave me the name. I had a microphone.

487
00:24:06,600 --> 00:24:07,440
Speaker 4: It was dressed like a.

488
00:24:07,359 --> 00:24:11,040
Speaker 1: Newscaster Doris Martin like that, something like that.

489
00:24:11,080 --> 00:24:13,840
Speaker 4: And I came out and they were like, you got

490
00:24:13,960 --> 00:24:16,800
Speaker 4: to you got to bring the crowd into like the stage.

491
00:24:17,040 --> 00:24:19,720
Speaker 4: But it's just people walking around, so I would.

492
00:24:19,440 --> 00:24:22,800
Speaker 6: Have to stay it on, like, oh, excuse me, hey, hell,

493
00:24:23,119 --> 00:24:23,760
Speaker 6: my name is.

494
00:24:25,560 --> 00:24:27,480
Speaker 4: Martinez, and like, uh, did you hear there's a there's

495
00:24:27,480 --> 00:24:29,480
Speaker 4: a mutant on the loose. You guys, come on, it's

496
00:24:29,520 --> 00:24:30,760
Speaker 4: and and then I would be like point to the

497
00:24:30,800 --> 00:24:33,760
Speaker 4: stage and be like just wait right to wait right here,

498
00:24:34,600 --> 00:24:37,240
Speaker 4: and I would it was my job to get people

499
00:24:37,480 --> 00:24:42,560
Speaker 4: to come to the stage and wait and wait because

500
00:24:42,600 --> 00:24:45,520
Speaker 4: it was minutes. I had to do this for like minutes,

501
00:24:46,480 --> 00:24:56,280
Speaker 4: and then then music would start and storm and and woe.

502
00:24:56,359 --> 00:25:01,160
Speaker 1: Maybe we're just like he tends to go where the X.

503
00:25:01,080 --> 00:25:04,000
Speaker 4: Men walking through the park, not even on stage. I

504
00:25:04,160 --> 00:25:07,920
Speaker 4: just like improv and they're holding like a machine that's

505
00:25:07,920 --> 00:25:09,399
Speaker 4: like supposed to detect.

506
00:25:09,520 --> 00:25:10,720
Speaker 1: Mutant crime mutants.

507
00:25:11,080 --> 00:25:14,119
Speaker 4: Yes, yes, so then they do that. They'd find like

508
00:25:14,200 --> 00:25:16,720
Speaker 4: they'd go up to like a little kid and pretend

509
00:25:16,800 --> 00:25:21,200
Speaker 4: to do whatever, and then and then the show's over.

510
00:25:22,119 --> 00:25:23,639
Speaker 1: And then that's the show.

511
00:25:25,080 --> 00:25:29,560
Speaker 4: Okay, a mutant like try to raise this glass and

512
00:25:29,600 --> 00:25:31,320
Speaker 4: then the obviously it's not a pulley, which you.

513
00:25:31,280 --> 00:25:31,760
Speaker 1: Could say, and.

514
00:25:33,560 --> 00:25:35,080
Speaker 4: Then people would be like, oh my god, you're immune,

515
00:25:35,920 --> 00:25:37,119
Speaker 4: and then I had.

516
00:25:37,000 --> 00:25:37,800
Speaker 1: To go mutant.

517
00:25:38,320 --> 00:25:41,879
Speaker 4: Then the end of the show, I'd be like, thanks

518
00:25:41,880 --> 00:25:48,640
Speaker 4: for coming. Oh my god, it's Spider Man. And Spider

519
00:25:48,680 --> 00:25:52,240
Speaker 4: Man was standing on top of a building and you

520
00:25:52,280 --> 00:25:54,520
Speaker 4: know that song by is it Paramore?

521
00:25:54,520 --> 00:25:55,000
Speaker 1: That's like.

522
00:25:59,280 --> 00:26:06,960
Speaker 4: Yes, spider Man, spider Man, It's lay up on the

523
00:26:09,080 --> 00:26:14,480
Speaker 4: coming close and then it stops. Spider Man falls off

524
00:26:14,760 --> 00:26:20,639
Speaker 4: to the building into a puffy mattress that you can see.

525
00:26:24,800 --> 00:26:27,160
Speaker 4: So she's standing on a building like.

526
00:26:27,119 --> 00:26:35,960
Speaker 7: This and the music cuts out. The music cuts out

527
00:26:36,040 --> 00:26:37,920
Speaker 7: as he lands, and.

528
00:26:37,880 --> 00:26:45,439
Speaker 4: Then it's over, and then it's everyone walks away and

529
00:26:45,920 --> 00:26:49,080
Speaker 4: thank you for coming. I go into the guest room thing,

530
00:26:49,480 --> 00:26:50,439
Speaker 4: and then I have to come out and do it

531
00:26:50,480 --> 00:26:52,000
Speaker 4: the next hour. It was like every hour we had

532
00:26:52,000 --> 00:26:54,080
Speaker 4: to do the show, thank you for coming.

533
00:26:54,440 --> 00:26:57,919
Speaker 1: And then now did you ever find like, did you

534
00:26:57,920 --> 00:26:58,840
Speaker 1: ever feel like.

535
00:26:59,200 --> 00:27:02,879
Speaker 4: Everyone just yeah, just like walks away, no music, just

536
00:27:02,920 --> 00:27:06,199
Speaker 4: like and then everyone walks away. This is okay that

537
00:27:06,200 --> 00:27:07,199
Speaker 4: I'm saying this.

538
00:27:07,400 --> 00:27:10,439
Speaker 1: Did you ever feel like it went well? Like you

539
00:27:10,520 --> 00:27:13,840
Speaker 1: never feel like? For children got thirty people to watch.

540
00:27:13,640 --> 00:27:16,080
Speaker 4: It, because by the end of the summer, and this

541
00:27:16,200 --> 00:27:20,199
Speaker 4: was in the heat of yes, so hot, you know,

542
00:27:20,280 --> 00:27:23,000
Speaker 4: you start to get like loose with it. And the

543
00:27:23,080 --> 00:27:25,720
Speaker 4: kids who got they were like so excited. Come on,

544
00:27:25,760 --> 00:27:28,200
Speaker 4: I mute, that was fun.

545
00:27:28,320 --> 00:27:31,840
Speaker 2: How many people on average would you corral in one show?

546
00:27:34,160 --> 00:27:35,600
Speaker 4: I mean in the tens.

547
00:27:36,880 --> 00:27:38,920
Speaker 1: And the tens is good. Well, people would.

548
00:27:38,720 --> 00:27:40,919
Speaker 4: Start to come like people would because it was a

549
00:27:40,960 --> 00:27:43,840
Speaker 4: show it had lights and it had all the X

550
00:27:43,920 --> 00:27:45,639
Speaker 4: Men were up there. You know.

551
00:27:45,880 --> 00:27:48,240
Speaker 1: Oh look spider Man is title of app. Oh look,

552
00:27:48,280 --> 00:27:49,080
Speaker 1: spider Man is the title.

553
00:27:49,160 --> 00:27:50,080
Speaker 4: Oh look spider Man.

554
00:27:50,880 --> 00:27:52,600
Speaker 1: How big was the stage? Was it the size of

555
00:27:52,640 --> 00:27:53,200
Speaker 1: this rug?

556
00:27:54,119 --> 00:27:55,640
Speaker 4: No, it wasn't like two rugs.

557
00:27:55,960 --> 00:27:59,280
Speaker 1: It was like at home. It was about two rugs

558
00:27:59,480 --> 00:28:02,240
Speaker 1: two rugs to Yeah. But the thing is, I want

559
00:28:02,240 --> 00:28:02,800
Speaker 1: to say.

560
00:28:03,400 --> 00:28:06,080
Speaker 4: I loved working at Universal, though I could tell.

561
00:28:06,000 --> 00:28:07,120
Speaker 1: It sounds like it was really fun.

562
00:28:07,160 --> 00:28:09,080
Speaker 4: What kind of movie studio was so fun? I also

563
00:28:09,160 --> 00:28:11,080
Speaker 4: catered there, so I would like, you know, drive the

564
00:28:11,080 --> 00:28:13,520
Speaker 4: little golf carts around.

565
00:28:18,040 --> 00:28:20,280
Speaker 3: The first time I went on the Universal lot, it

566
00:28:20,320 --> 00:28:22,920
Speaker 3: was to audition. They were going to reboot Blind Date

567
00:28:24,080 --> 00:28:26,159
Speaker 3: and I auditioned to be the host. And it was

568
00:28:26,200 --> 00:28:29,240
Speaker 3: like this weird like they driving around on the cart,

569
00:28:29,359 --> 00:28:31,600
Speaker 3: like there is like a glamour to it. It's what

570
00:28:31,640 --> 00:28:34,640
Speaker 3: you always wish for. And I remember thinking the same

571
00:28:34,640 --> 00:28:36,520
Speaker 3: thing when we were doing Palm Royal on the Warner

572
00:28:36,520 --> 00:28:37,120
Speaker 3: Brothers lot.

573
00:28:37,800 --> 00:28:38,640
Speaker 1: I remember we were.

574
00:28:38,560 --> 00:28:41,480
Speaker 3: All in costume and then it was across the street

575
00:28:41,480 --> 00:28:45,440
Speaker 3: from Abbot Elementary and they're a great vibe. That whole

576
00:28:45,520 --> 00:28:47,880
Speaker 3: cast is like incredible. You guys are all incredible. It

577
00:28:47,920 --> 00:28:50,600
Speaker 3: felt like really really fun. And then I remember everyone's

578
00:28:50,600 --> 00:28:53,800
Speaker 3: like in costume whatever, and then the tram went by

579
00:28:54,160 --> 00:28:56,360
Speaker 3: and I was like, oh wow, Like that was really

580
00:28:56,360 --> 00:28:59,680
Speaker 3: a cool moment of being on a real lot. And

581
00:28:59,800 --> 00:29:03,280
Speaker 3: like the fact that like it's just Palm Royal is

582
00:29:03,320 --> 00:29:07,320
Speaker 3: like such a realized like the costumes are incredible, all

583
00:29:07,360 --> 00:29:11,040
Speaker 3: the departments are doing like such incredible work. Amazing, And

584
00:29:11,080 --> 00:29:13,080
Speaker 3: to be able to do that on the lot coming

585
00:29:13,120 --> 00:29:15,480
Speaker 3: from you know what you started your career doing.

586
00:29:15,880 --> 00:29:17,760
Speaker 1: That's like a really full circle. Yeah.

587
00:29:17,800 --> 00:29:21,000
Speaker 4: And and and being on a lot, like like you said,

588
00:29:21,000 --> 00:29:23,760
Speaker 4: there's so many other shows, I think the shooting there

589
00:29:23,800 --> 00:29:26,120
Speaker 4: so you see people walking around with like bandages on,

590
00:29:26,200 --> 00:29:27,080
Speaker 4: and like like, oh my.

591
00:29:27,000 --> 00:29:30,680
Speaker 1: God, the aed Elementary three different world. You can do

592
00:29:30,760 --> 00:29:31,720
Speaker 1: anything on a lot.

593
00:29:31,800 --> 00:29:37,160
Speaker 2: You really can shoot. Let's shoot in La everybody. That's beautiful.

594
00:29:37,200 --> 00:29:39,760
Speaker 2: Thank you for giving us more color and detail because

595
00:29:39,800 --> 00:29:42,760
Speaker 2: I've been thinking about that, just you saying, did you hear.

596
00:29:42,680 --> 00:29:43,600
Speaker 1: There are mutants on the list?

597
00:29:43,760 --> 00:29:45,600
Speaker 4: There's mutants on the list, But you just watch the

598
00:29:45,760 --> 00:29:46,840
Speaker 4: show to figure it out.

599
00:29:46,880 --> 00:29:48,800
Speaker 3: You got to figure out. You know, there's there's going

600
00:29:48,840 --> 00:29:50,360
Speaker 3: to be some really stress did.

601
00:29:50,320 --> 00:29:50,760
Speaker 7: You hear.

602
00:29:53,880 --> 00:29:54,240
Speaker 1: Speaking?

603
00:29:54,280 --> 00:29:56,800
Speaker 3: But speaking of your earlier life, have you heard like

604
00:29:57,000 --> 00:29:58,720
Speaker 3: one of the things I wanted to ask you about

605
00:29:58,720 --> 00:30:00,920
Speaker 3: for a very long time and I've never brought up

606
00:30:00,920 --> 00:30:02,800
Speaker 3: to you, And I don't know if you even know this,

607
00:30:02,880 --> 00:30:06,360
Speaker 3: but one of my favorite shows in the beginning, like

608
00:30:06,440 --> 00:30:07,880
Speaker 3: when I was like when I first got like a

609
00:30:07,920 --> 00:30:09,920
Speaker 3: TV in my room and could like post up and

610
00:30:09,960 --> 00:30:12,640
Speaker 3: watch the show all day was something called the Joe

611
00:30:12,640 --> 00:30:16,200
Speaker 3: Schmoe Show and it was on the Man it.

612
00:30:16,200 --> 00:30:18,720
Speaker 1: Was it was on Spike TV. Spike TV, so it

613
00:30:18,800 --> 00:30:19,760
Speaker 1: was on Spike TV.

614
00:30:19,920 --> 00:30:20,080
Speaker 4: Back.

615
00:30:20,280 --> 00:30:21,240
Speaker 1: This is the thing I remember.

616
00:30:21,280 --> 00:30:23,280
Speaker 3: I would like because I was like had a TV

617
00:30:23,320 --> 00:30:25,000
Speaker 3: in my room, I was flashing back, which in like

618
00:30:25,040 --> 00:30:27,720
Speaker 3: Spike TV and E like remember.

619
00:30:27,480 --> 00:30:29,120
Speaker 1: When Howard Stern was on E Night.

620
00:30:29,480 --> 00:30:31,640
Speaker 3: Yes, but like such like an adult in my room

621
00:30:31,680 --> 00:30:34,600
Speaker 3: with a TV. I got obsessed with the Joe Schmoe

622
00:30:34,800 --> 00:30:38,840
Speaker 3: Show and you were on the Joe schmo Show. Do

623
00:30:38,880 --> 00:30:42,040
Speaker 3: you want to describe what the Joe Schmoe Show was

624
00:30:42,240 --> 00:30:43,560
Speaker 3: and what your role on it was.

625
00:30:43,800 --> 00:30:49,880
Speaker 4: Yes, it was a reality show, but it was all improvisers,

626
00:30:51,160 --> 00:30:55,600
Speaker 4: kind of like the Jury the Jury Jury Duty. Yes, perfect, perfect,

627
00:30:57,200 --> 00:31:00,800
Speaker 4: I think I haven't seen it was one one guy

628
00:31:00,840 --> 00:31:02,240
Speaker 4: that thought it was real.

629
00:31:02,600 --> 00:31:04,480
Speaker 1: He thought he was on a show called Lap of Luxury.

630
00:31:04,960 --> 00:31:11,160
Speaker 4: Yes, and we were all improvisers and we had to Yes.

631
00:31:11,880 --> 00:31:14,400
Speaker 4: And my character, her name was a doctor, doctor Pat,

632
00:31:15,120 --> 00:31:17,040
Speaker 4: and she was a marriage counselor that was like married

633
00:31:17,080 --> 00:31:17,640
Speaker 4: like six times.

634
00:31:17,920 --> 00:31:20,200
Speaker 3: She was a marriage counselor that had been married many

635
00:31:20,280 --> 00:31:22,840
Speaker 3: many times. Yes, And I remember you were on the

636
00:31:22,840 --> 00:31:26,120
Speaker 3: show and it was like so basically their job is

637
00:31:26,160 --> 00:31:28,760
Speaker 3: to like convince this person that they're in a real

638
00:31:28,800 --> 00:31:32,440
Speaker 3: reality competition show. And he's the only one who's doing

639
00:31:32,480 --> 00:31:37,440
Speaker 3: it for real. They're playing characters and I.

640
00:31:39,240 --> 00:31:43,520
Speaker 4: I wouldn't do it again. I love everyone involved, but

641
00:31:43,680 --> 00:31:46,160
Speaker 4: I have my conscience. I felt I felt bad.

642
00:31:46,520 --> 00:31:49,960
Speaker 3: Well basically you had you felt bad. It's a version

643
00:31:50,000 --> 00:31:52,480
Speaker 3: of Traders, by the way, very much show. Yes, But

644
00:31:52,480 --> 00:31:55,920
Speaker 3: but the thing was there was a physical challenge where

645
00:31:55,920 --> 00:31:59,480
Speaker 3: they were all in sumo wrestling outfits and Kristin was

646
00:31:59,480 --> 00:32:02,520
Speaker 3: in assumer wrestling off as doctor Pat and she was

647
00:32:02,640 --> 00:32:05,080
Speaker 3: up against the guy who was you know the joke,

648
00:32:06,280 --> 00:32:08,920
Speaker 3: and during the competition he knocked the wind out of

649
00:32:08,960 --> 00:32:11,560
Speaker 3: you so hard during that.

650
00:32:11,600 --> 00:32:13,400
Speaker 1: You want to go to the hospital and leave the show.

651
00:32:13,600 --> 00:32:18,120
Speaker 3: What And I'll never forget you stayed in character while

652
00:32:18,120 --> 00:32:21,640
Speaker 3: you were knocked out, and you said over and over again, oh,

653
00:32:21,760 --> 00:32:25,800
Speaker 3: my stars, my stars, oh my stars.

654
00:32:27,400 --> 00:32:30,240
Speaker 4: I because the costume. It was one of those summer

655
00:32:30,320 --> 00:32:33,040
Speaker 4: things where there's space on the on the back. And

656
00:32:33,080 --> 00:32:38,200
Speaker 4: so I got yes and I got like fully whipped,

657
00:32:38,240 --> 00:32:40,640
Speaker 4: fully whipped, and I had to fuck.

658
00:32:40,480 --> 00:32:46,720
Speaker 5: And you stayed in character as doctor fucking you would

659
00:32:46,720 --> 00:32:49,080
Speaker 5: have been I would have been in character. Well no,

660
00:32:49,160 --> 00:32:51,840
Speaker 5: because she.

661
00:32:50,640 --> 00:32:54,720
Speaker 1: She was like very docile. Yes, I see, she was

662
00:32:54,760 --> 00:32:56,200
Speaker 1: a kay, I'm doctor pat you know what.

663
00:32:56,240 --> 00:32:59,400
Speaker 3: It was very Kristen was doing like like early Kristin,

664
00:32:59,480 --> 00:33:02,120
Speaker 3: like hello, yes, yes, please, like let me know if

665
00:33:02,120 --> 00:33:02,840
Speaker 3: you have any problems.

666
00:33:02,880 --> 00:33:04,719
Speaker 1: I've been married six times, but I have a lot

667
00:33:04,760 --> 00:33:05,280
Speaker 1: of experience.

668
00:33:05,400 --> 00:33:07,080
Speaker 4: That is so funny that you watched It was my

669
00:33:07,080 --> 00:33:11,800
Speaker 4: first thing I in fact, that was the show that

670
00:33:11,880 --> 00:33:16,000
Speaker 4: I got. Uh that That's when I left Universal. When

671
00:33:16,000 --> 00:33:17,200
Speaker 4: I was waiting tables, I was.

672
00:33:17,160 --> 00:33:20,800
Speaker 3: Like, I've made made no but those those jobs are

673
00:33:21,480 --> 00:33:22,760
Speaker 3: really fucking huge.

674
00:33:23,000 --> 00:33:24,720
Speaker 4: It was like it was a good advise it. You know,

675
00:33:24,760 --> 00:33:26,440
Speaker 4: it was like it was a paying com It was

676
00:33:26,480 --> 00:33:29,320
Speaker 4: a paying job for the first time in my life.

677
00:33:29,560 --> 00:33:32,240
Speaker 2: When did you encount the walking around doing imbrava Universals,

678
00:33:32,320 --> 00:33:33,720
Speaker 2: like the first counted.

679
00:33:34,400 --> 00:33:36,880
Speaker 4: The first time, like it was filmed, you know, like

680
00:33:37,080 --> 00:33:37,280
Speaker 4: you know.

681
00:33:37,440 --> 00:33:39,640
Speaker 1: Yes, yes this was breakthrough.

682
00:33:39,720 --> 00:33:44,480
Speaker 3: Yes that was live perform because I agree with you,

683
00:33:44,520 --> 00:33:47,120
Speaker 3: like I totally understand you not wanting to do that

684
00:33:47,160 --> 00:33:48,959
Speaker 3: today because I watched Jerry Duty and it was like

685
00:33:49,120 --> 00:33:52,240
Speaker 3: the first of all because of my stars, you staying

686
00:33:52,240 --> 00:33:52,680
Speaker 3: in character.

687
00:33:53,280 --> 00:33:56,680
Speaker 1: Just give this woman the After Award now already.

688
00:33:57,280 --> 00:33:59,000
Speaker 2: And I watched Jerry Duty and I was like, I

689
00:33:59,000 --> 00:34:01,680
Speaker 2: don't know how James Marsden, like I don't have any

690
00:34:01,760 --> 00:34:03,440
Speaker 2: of these people are like pulling this off.

691
00:34:03,480 --> 00:34:05,360
Speaker 1: They are incredible eating modica, Oh.

692
00:34:06,320 --> 00:34:10,399
Speaker 4: No judgment, Like it's just for me. I am I'm

693
00:34:10,520 --> 00:34:16,080
Speaker 4: too sensitive. I can't my nervous system, yeah can handle it.

694
00:34:16,160 --> 00:34:18,480
Speaker 3: And also a little bit like once you start. I

695
00:34:18,480 --> 00:34:20,760
Speaker 3: felt this way when I was doing the prank calls

696
00:34:20,880 --> 00:34:22,759
Speaker 3: for L magazine. I was like really nervous. I was like,

697
00:34:22,800 --> 00:34:24,000
Speaker 3: oh god, I don't want to do this. I'm a

698
00:34:24,080 --> 00:34:26,399
Speaker 3: very empathetic person. I don't want people to be stressed out.

699
00:34:27,080 --> 00:34:29,200
Speaker 3: And then like you start and you're like, oh no,

700
00:34:29,320 --> 00:34:30,200
Speaker 3: I'm too good at it.

701
00:34:31,560 --> 00:34:33,520
Speaker 1: That's the thing. You were good at it.

702
00:34:33,840 --> 00:34:35,920
Speaker 3: You were doctor pat Oh my stars oh my stars,

703
00:34:37,719 --> 00:34:40,640
Speaker 3: oh my stars, Oh my, I'll never forget.

704
00:34:41,840 --> 00:34:42,960
Speaker 1: And then you got on SNL.

705
00:34:43,239 --> 00:34:44,960
Speaker 3: What was it like a few years after that, Like,

706
00:34:45,000 --> 00:34:48,400
Speaker 3: you can't have been super long after that is years.

707
00:34:48,920 --> 00:34:49,799
Speaker 4: My time is really bad.

708
00:34:49,960 --> 00:34:51,759
Speaker 3: I may have been one of the only people that

709
00:34:51,920 --> 00:34:53,800
Speaker 3: was like, oh my god, that's doctor Pat.

710
00:34:54,400 --> 00:34:55,759
Speaker 4: You were the only person.

711
00:34:58,520 --> 00:35:01,400
Speaker 1: I think doctor Pat. It's a new star of Saturday

712
00:35:01,440 --> 00:35:03,800
Speaker 1: Night Live. Oh my stars, are my stars?

713
00:35:04,160 --> 00:35:07,360
Speaker 2: Was was you being something Martinez helping to pay for

714
00:35:07,400 --> 00:35:10,080
Speaker 2: groundling classes or was that not the store?

715
00:35:10,480 --> 00:35:12,800
Speaker 4: Yeah, that I did not have a job.

716
00:35:12,920 --> 00:35:14,080
Speaker 1: That was beautiful.

717
00:35:14,480 --> 00:35:18,080
Speaker 4: To get that job felt like I was, Yeah, it

718
00:35:18,120 --> 00:35:20,880
Speaker 4: was like a working I was making money and I

719
00:35:21,000 --> 00:35:23,360
Speaker 4: was you know, when you're starting out, it was like

720
00:35:23,360 --> 00:35:23,920
Speaker 4: a big deal.

721
00:35:24,320 --> 00:35:27,840
Speaker 3: Of course, anything any anything you can get paid doing

722
00:35:27,920 --> 00:35:30,479
Speaker 3: that is not a survival job at that point.

723
00:35:30,480 --> 00:35:32,279
Speaker 1: It feels like and I made it moment.

724
00:35:32,120 --> 00:35:35,080
Speaker 4: Yes, yeah, yeah, yeah, because I remember our first paycheck.

725
00:35:35,640 --> 00:35:38,600
Speaker 2: I mean I have like romantic thoughts of those days too,

726
00:35:38,960 --> 00:35:40,880
Speaker 2: because it's like when Matt and I got our first

727
00:35:41,239 --> 00:35:44,000
Speaker 2: paycheck from Story Pirates, were like, this is technically our

728
00:35:44,080 --> 00:35:47,239
Speaker 2: first yeah, paying like comedy and it was thirty bucks.

729
00:35:47,280 --> 00:35:48,560
Speaker 1: It was thirty thirty dollars.

730
00:35:48,960 --> 00:35:51,439
Speaker 4: Oh I did it, Yeah, yes.

731
00:35:51,400 --> 00:35:52,040
Speaker 1: Yeah I had.

732
00:35:52,080 --> 00:35:54,239
Speaker 3: I had a tour guide job in New York that

733
00:35:54,360 --> 00:35:56,440
Speaker 3: was that was like on a bus and it was

734
00:35:56,480 --> 00:36:00,239
Speaker 3: like it wasn't good money, but I felt like it

735
00:36:00,320 --> 00:36:02,239
Speaker 3: was all worth it just to even be able to

736
00:36:02,280 --> 00:36:04,560
Speaker 3: do anything in a way where they were like paying

737
00:36:04,600 --> 00:36:06,040
Speaker 3: me to do that.

738
00:36:06,760 --> 00:36:09,880
Speaker 1: While I remember missing. Let's ask Kristen the question.

739
00:36:10,040 --> 00:36:13,719
Speaker 3: It's time, Kristen Wig, what was the culture that made

740
00:36:13,760 --> 00:36:14,960
Speaker 3: you say culture was for you?

741
00:36:16,400 --> 00:36:20,680
Speaker 4: Okay? I think is it okay if I pick a movie, yes,

742
00:36:20,800 --> 00:36:25,239
Speaker 4: it's more than okay. Well I have to a combination

743
00:36:25,360 --> 00:36:29,360
Speaker 4: of Annie and Greece, because I think Annie for me

744
00:36:30,680 --> 00:36:34,160
Speaker 4: was like, oh I want to do that. Why didn't

745
00:36:34,160 --> 00:36:37,320
Speaker 4: I get to audition for this? Even though I've never.

746
00:36:37,200 --> 00:36:38,520
Speaker 1: Acted in my life?

747
00:36:38,840 --> 00:36:41,880
Speaker 4: It's too late. Adult Annie could.

748
00:36:42,520 --> 00:36:44,520
Speaker 1: Think, yes, I was just going to say.

749
00:36:45,520 --> 00:36:49,319
Speaker 4: And then Greece for me, I have I have a

750
00:36:49,440 --> 00:36:55,600
Speaker 4: love for Aliving Newton, John though neave me. There was

751
00:36:55,640 --> 00:37:01,520
Speaker 4: something about the the high school aspect of it. What

752
00:37:01,640 --> 00:37:08,000
Speaker 4: high school could be John Travolta and then her Obviously,

753
00:37:08,840 --> 00:37:13,080
Speaker 4: don't just change your identity for a man totally, that's

754
00:37:13,239 --> 00:37:17,320
Speaker 4: not really the lesson, but there was so bad about

755
00:37:17,440 --> 00:37:23,880
Speaker 4: her becoming this like sexual thing and not giving a

756
00:37:23,920 --> 00:37:27,360
Speaker 4: shit that I was like, I just love that was

757
00:37:27,440 --> 00:37:29,920
Speaker 4: the ending of that movie, if that makes sense. And

758
00:37:30,040 --> 00:37:34,520
Speaker 4: I I love musicals. I love when everyone's getting up

759
00:37:34,560 --> 00:37:37,400
Speaker 4: and singing together and dancing and it just makes me

760
00:37:37,520 --> 00:37:40,160
Speaker 4: so happy. And I imagine what it's like on the

761
00:37:40,239 --> 00:37:43,360
Speaker 4: set with everyone like rehearsing and even es and no,

762
00:37:43,440 --> 00:37:46,319
Speaker 4: when we would do like dance stuff those rehearsals, Like

763
00:37:46,560 --> 00:37:49,400
Speaker 4: that is I live for that stuff. I love that stuff.

764
00:37:50,040 --> 00:37:51,600
Speaker 4: I don't know if this is a good answer, So

765
00:37:51,760 --> 00:37:55,719
Speaker 4: I just remember that that Annie and Greece both musicals,

766
00:37:56,760 --> 00:38:01,640
Speaker 4: both stories about you know, people wanting something more and

767
00:38:01,800 --> 00:38:04,560
Speaker 4: singing about it. There's just something about that that I

768
00:38:04,640 --> 00:38:08,319
Speaker 4: was like, I don't know, I just I realized how

769
00:38:08,400 --> 00:38:12,760
Speaker 4: much entertainment could like affect me. And I think that's

770
00:38:12,920 --> 00:38:14,839
Speaker 4: that's for sure. Even though I didn't want to look

771
00:38:14,880 --> 00:38:16,920
Speaker 4: at it, that was the seed that was Planner was.

772
00:38:16,920 --> 00:38:18,799
Speaker 3: Like, I want to do this, yes, yes, yes, yes, yes,

773
00:38:18,840 --> 00:38:22,600
Speaker 3: yes yes yeah, because there's stories about these women and

774
00:38:22,680 --> 00:38:25,920
Speaker 3: girls who want to be part of something that they

775
00:38:25,920 --> 00:38:27,799
Speaker 3: didn't realize was available to them.

776
00:38:27,920 --> 00:38:29,799
Speaker 1: Yeah, and they want love and they want love.

777
00:38:29,920 --> 00:38:32,319
Speaker 4: I don't know. I just don't we all and.

778
00:38:32,239 --> 00:38:32,759
Speaker 1: Don't we all?

779
00:38:32,800 --> 00:38:34,600
Speaker 2: And it don't all I'm going to bring him into this,

780
00:38:34,680 --> 00:38:36,760
Speaker 2: isn't Lorneo kind of like a Daddy Warbucks?

781
00:38:36,960 --> 00:38:37,960
Speaker 4: One hundred percent?

782
00:38:38,400 --> 00:38:40,040
Speaker 1: Yes, and we're all little orphans?

783
00:38:40,200 --> 00:38:45,160
Speaker 4: Yes? Have you said that before?

784
00:38:45,239 --> 00:38:47,520
Speaker 3: Have you said that to him? Because I'm sure he

785
00:38:47,560 --> 00:38:50,440
Speaker 3: would really like to hear it. Lorne you're kind of

786
00:38:50,440 --> 00:38:52,000
Speaker 3: like a daddy, You're like Daddy war Back.

787
00:38:52,120 --> 00:38:53,080
Speaker 1: Well, I don't know about that.

788
00:38:53,120 --> 00:38:55,160
Speaker 4: Well, I don't know about Daddy war I mean, you

789
00:38:55,280 --> 00:38:58,280
Speaker 4: do feel like a bunch of kids that live together

790
00:38:58,320 --> 00:39:00,000
Speaker 4: when you're on that totally for sure.

791
00:39:00,560 --> 00:39:02,760
Speaker 3: And it is like a let's go to the movies,

792
00:39:03,200 --> 00:39:06,480
Speaker 3: But I show like, yeah, I just was let's go

793
00:39:06,480 --> 00:39:07,080
Speaker 3: to the movies.

794
00:39:07,239 --> 00:39:09,239
Speaker 2: Not in the stage version of Annie. That was just

795
00:39:09,320 --> 00:39:10,640
Speaker 2: in the in like the eighties.

796
00:39:10,840 --> 00:39:12,000
Speaker 1: Oh god, I don't.

797
00:39:11,800 --> 00:39:15,040
Speaker 4: Know, I think so. I know there were songs that

798
00:39:15,120 --> 00:39:16,560
Speaker 4: weren't in the original show.

799
00:39:16,600 --> 00:39:17,960
Speaker 1: It's been a long time since I've seen what was

800
00:39:17,960 --> 00:39:18,720
Speaker 1: a lot time you saw.

801
00:39:18,640 --> 00:39:23,560
Speaker 4: Any I've seen like clips of it recently a minute,

802
00:39:23,080 --> 00:39:25,800
Speaker 4: but I haven't watched it from the very very beginning.

803
00:39:26,040 --> 00:39:29,440
Speaker 1: You must truly trip being around Carol Burnett, so.

804
00:39:30,239 --> 00:39:33,400
Speaker 4: By the way her performance in that oscar Worthy now

805
00:39:33,760 --> 00:39:37,799
Speaker 4: what what she read and then what she did and

806
00:39:37,880 --> 00:39:40,799
Speaker 4: knowing her now like I I mean you got to.

807
00:39:41,360 --> 00:39:44,279
Speaker 3: I got exactly, uh probably two minutes with her and

808
00:39:44,280 --> 00:39:46,360
Speaker 3: we took a picture because I was interested as her

809
00:39:47,440 --> 00:39:50,640
Speaker 3: and Abe was like, I just Abe was like, who's

810
00:39:50,680 --> 00:39:52,319
Speaker 3: the creator of the show? Was like, she is going

811
00:39:52,360 --> 00:39:54,440
Speaker 3: to get a kick out of this, She's like and

812
00:39:54,520 --> 00:39:56,880
Speaker 3: I remember he was like, can you stay in costume

813
00:39:57,000 --> 00:39:59,040
Speaker 3: for like a couple hours while she gets here?

814
00:39:59,080 --> 00:39:59,560
Speaker 4: Oh?

815
00:39:59,600 --> 00:40:02,200
Speaker 3: And I was just like I would do anything for her.

816
00:40:02,680 --> 00:40:05,760
Speaker 3: And so it was like it was like the mustache

817
00:40:05,760 --> 00:40:07,880
Speaker 3: and all the stuff. I had, the prosthetic key stuff

818
00:40:08,320 --> 00:40:10,719
Speaker 3: underneath her whole costume. But I was like, I will

819
00:40:10,719 --> 00:40:13,279
Speaker 3: sit here for three days waiting for her to come

820
00:40:13,560 --> 00:40:15,719
Speaker 3: because she is beyond a queen.

821
00:40:16,000 --> 00:40:19,280
Speaker 4: And lovely and hold your hands.

822
00:40:19,280 --> 00:40:21,839
Speaker 3: She's just so great. And so I was thinking, like,

823
00:40:22,160 --> 00:40:25,680
Speaker 3: what you're saying is so true. She's an inventor like that.

824
00:40:25,800 --> 00:40:30,399
Speaker 3: It goes beyond contributions. It is it is why we

825
00:40:30,440 --> 00:40:34,720
Speaker 3: are able to contribute this because of you know, people

826
00:40:34,840 --> 00:40:35,120
Speaker 3: like her.

827
00:40:35,560 --> 00:40:37,800
Speaker 4: I agree, and as a woman the first show.

828
00:40:37,840 --> 00:40:40,840
Speaker 3: It's like her, it's Chaer who just say, you know what,

829
00:40:40,920 --> 00:40:44,360
Speaker 3: I like the stand and Deliver look amazing in a

830
00:40:44,400 --> 00:40:45,600
Speaker 3: fucking Bob mackiew dress.

831
00:40:49,920 --> 00:40:52,239
Speaker 1: Carol, I can't believe it, you.

832
00:40:52,200 --> 00:40:53,879
Speaker 4: Know, I just love her. I love her so much.

833
00:40:54,040 --> 00:40:57,760
Speaker 3: She's and you know, just like the whole, the whole,

834
00:40:57,960 --> 00:41:02,000
Speaker 3: like idea that you know, she's become like obviously the

835
00:41:02,040 --> 00:41:04,920
Speaker 3: antagonist of the show and get to do this hilarious.

836
00:41:04,920 --> 00:41:06,480
Speaker 4: She's like the nicest person in the world and you

837
00:41:06,600 --> 00:41:08,440
Speaker 4: play someone so awful you.

838
00:41:08,400 --> 00:41:10,000
Speaker 1: Can tell do you believe in that? Though?

839
00:41:10,040 --> 00:41:12,239
Speaker 3: It's like so I think it was Tina actually who said,

840
00:41:12,320 --> 00:41:15,080
Speaker 3: like when she was trying to cast Regina George, she

841
00:41:15,239 --> 00:41:17,239
Speaker 3: was like, we need to find the nicest person in

842
00:41:17,280 --> 00:41:19,400
Speaker 3: the world to come in and do this, because it

843
00:41:19,440 --> 00:41:22,040
Speaker 3: is truly kind people that understand and are able to

844
00:41:22,080 --> 00:41:24,280
Speaker 3: walk away from and go in and out and see

845
00:41:24,640 --> 00:41:28,879
Speaker 3: cruelty people and cruelty from different interesting dimensions because it's

846
00:41:28,920 --> 00:41:31,520
Speaker 3: not something they're embodying, it's something they're exploring.

847
00:41:32,880 --> 00:41:38,440
Speaker 1: Wise woman, Wow two wise to And then on the

848
00:41:38,440 --> 00:41:43,040
Speaker 1: grease thing, it's like, uh, Sandra d turning into Sandy

849
00:41:43,280 --> 00:41:46,560
Speaker 1: is like that is the fantasy for ever, not just

850
00:41:46,600 --> 00:41:51,040
Speaker 1: like girls, but like everybody, like especially for like gay guys.

851
00:41:51,080 --> 00:41:53,319
Speaker 2: It's like you watch Grease and like, yeah, Danny Gray,

852
00:41:53,320 --> 00:41:55,920
Speaker 2: but I'm like, it's it's Sandra and it's Zo.

853
00:41:56,120 --> 00:41:57,160
Speaker 1: But it's like it's like it's.

854
00:41:57,040 --> 00:41:58,840
Speaker 3: Just I was just gonna say, let's put some respect

855
00:41:58,840 --> 00:42:01,000
Speaker 3: on Stockard's name. We got we gotta let We'll be

856
00:42:01,040 --> 00:42:03,640
Speaker 3: love stalk every time. But just that that's such a

857
00:42:03,640 --> 00:42:07,080
Speaker 3: fucking good ensemble. And so is Annie obviously, but like

858
00:42:07,640 --> 00:42:10,120
Speaker 3: I totally get it, man, Like I'm just watching Greece

859
00:42:10,120 --> 00:42:10,759
Speaker 3: for the first time.

860
00:42:11,040 --> 00:42:12,440
Speaker 1: Yeah, I felt something.

861
00:42:12,600 --> 00:42:14,439
Speaker 3: Yeah, I think it's one of those things like when

862
00:42:14,440 --> 00:42:16,920
Speaker 3: it's on, do you find you know, every line of

863
00:42:16,960 --> 00:42:19,560
Speaker 3: dialogue it's crazy, kind of.

864
00:42:19,560 --> 00:42:24,160
Speaker 4: Like sexy sexy, you know, when Rizzo and and Kaniki

865
00:42:24,440 --> 00:42:25,080
Speaker 4: doing their things.

866
00:42:26,600 --> 00:42:30,520
Speaker 6: Yeah, nev summer Love and it's like, wait, like they're

867
00:42:30,560 --> 00:42:34,960
Speaker 6: talking about well, well, well huh, I mean Grease Lightning. Oh,

868
00:42:35,040 --> 00:42:39,160
Speaker 6: that's a whole that's a whole text. Grease Wagon, Greece,

869
00:42:39,280 --> 00:42:45,440
Speaker 6: Grease Wagon, Grease Wagon. And they're like, hey, you said Greece.

870
00:42:45,320 --> 00:42:47,320
Speaker 4: Wagon again the original version when they were gonna have

871
00:42:47,320 --> 00:42:48,200
Speaker 4: a station wagon and.

872
00:42:48,280 --> 00:42:51,360
Speaker 1: Just it's grease Wagon.

873
00:42:55,000 --> 00:42:57,840
Speaker 3: My high school wouldn't do grease because it was so

874
00:42:58,280 --> 00:42:59,880
Speaker 3: we had a conservative super and.

875
00:43:02,440 --> 00:43:06,040
Speaker 1: We had a very conservative super you know.

876
00:43:06,160 --> 00:43:08,160
Speaker 3: So what we did was we did all these like

877
00:43:08,360 --> 00:43:10,200
Speaker 3: very racially problematic shows.

878
00:43:10,400 --> 00:43:13,000
Speaker 1: We did The King and I, we did the Whiz.

879
00:43:13,600 --> 00:43:16,239
Speaker 3: Like all these things that everyone even then in like

880
00:43:16,280 --> 00:43:19,799
Speaker 3: two thousand and five, was like, hey, I don't know

881
00:43:20,040 --> 00:43:24,440
Speaker 3: if Tina, like this girl I knew, can be doing

882
00:43:24,600 --> 00:43:28,719
Speaker 3: this thing she's doing in like this part of the.

883
00:43:28,800 --> 00:43:30,359
Speaker 1: King, and I like, I just don't know.

884
00:43:30,480 --> 00:43:34,000
Speaker 3: But absolutely those were totally about war, without question.

885
00:43:34,800 --> 00:43:38,759
Speaker 1: And what we could not do was Grease Wagon now.

886
00:43:39,239 --> 00:43:42,520
Speaker 3: And you know what, I think that's that superintendent retired

887
00:43:42,560 --> 00:43:44,440
Speaker 3: and then suddenly they were doing Greece and I was like.

888
00:43:44,400 --> 00:43:47,440
Speaker 4: Well, that superintendent's doing Greece.

889
00:43:48,680 --> 00:43:53,760
Speaker 1: Whatever he is, I hope he's doing Greece. Hey, do Grease.

890
00:43:54,040 --> 00:43:57,160
Speaker 3: It's the new kick Rocks Green, hit the streets and

891
00:43:57,200 --> 00:44:10,040
Speaker 3: do Greece, fucking loser. What I've always appreciated because I

892
00:44:10,040 --> 00:44:13,560
Speaker 3: think it's awesome that you like and I can recognize

893
00:44:13,600 --> 00:44:17,160
Speaker 3: the music in you. Because what I've loved about about

894
00:44:17,200 --> 00:44:20,080
Speaker 3: you always, but especially like your tenure at Esnel is

895
00:44:20,120 --> 00:44:22,200
Speaker 3: it felt like all the female cast members at that

896
00:44:22,239 --> 00:44:26,839
Speaker 3: time were very musical, and I remember Santa's my boyfriend,

897
00:44:27,800 --> 00:44:30,480
Speaker 3: and like that was I believe you Amy and Maya.

898
00:44:30,640 --> 00:44:35,720
Speaker 3: But then you know, like Kate was musical eighties musical,

899
00:44:35,840 --> 00:44:41,759
Speaker 3: Cecily is very musical, and it's just fabby Casey, you

900
00:44:41,800 --> 00:44:43,520
Speaker 3: know what I mean, Like on and on and on

901
00:44:43,520 --> 00:44:45,879
Speaker 3: and on. But it just felt like a really good,

902
00:44:45,920 --> 00:44:48,640
Speaker 3: like musical time because it felt like it was all

903
00:44:48,719 --> 00:44:51,399
Speaker 3: of your genuine interests, like I would imagine obviously those

904
00:44:51,440 --> 00:44:53,480
Speaker 3: things don't happen, and you as well, you know what

905
00:44:53,480 --> 00:44:55,399
Speaker 3: I mean, Like you're always bringing music to the show,

906
00:44:55,480 --> 00:44:57,759
Speaker 3: like and you're so capable of doing it. But I,

907
00:44:57,800 --> 00:44:59,120
Speaker 3: as a fan of the show and a fan of

908
00:44:59,239 --> 00:45:02,360
Speaker 3: musical comedy, always so happy that people that loved music

909
00:45:02,719 --> 00:45:05,000
Speaker 3: and really wanted to perform in that way were on

910
00:45:05,120 --> 00:45:07,200
Speaker 3: the show because it gives it a whole other dimension.

911
00:45:07,239 --> 00:45:08,759
Speaker 1: I think totally. You know who.

912
00:45:09,120 --> 00:45:13,239
Speaker 2: Oftentimes like bringing those pieces together were these straight boy

913
00:45:13,360 --> 00:45:16,400
Speaker 2: kings Colin jo Justin John Maliney like they were just

914
00:45:16,480 --> 00:45:19,640
Speaker 2: like because they like musicals too, luckily, and then they

915
00:45:19,760 --> 00:45:21,480
Speaker 2: just like they like they're like okay, and you know,

916
00:45:21,680 --> 00:45:24,400
Speaker 2: Kristen can do this, and like for me, they're like

917
00:45:24,400 --> 00:45:27,200
Speaker 2: can you sing? Like suddenly Seymour and like sure, and

918
00:45:27,239 --> 00:45:29,440
Speaker 2: like it's just they just know how to like position

919
00:45:29,480 --> 00:45:30,600
Speaker 2: everybody in that way.

920
00:45:30,760 --> 00:45:32,720
Speaker 4: I agree, But I to have that in the show,

921
00:45:32,760 --> 00:45:36,160
Speaker 4: like to have that one little special thing. Even watching now,

922
00:45:36,160 --> 00:45:38,040
Speaker 4: it's like, oh, I bet they like rehearse this and

923
00:45:38,120 --> 00:45:42,400
Speaker 4: yeah they're little dancing Tarin too, Yes, and Vanessa, like

924
00:45:42,440 --> 00:45:45,600
Speaker 4: everyone was always committing to totally whatever it is they

925
00:45:45,640 --> 00:45:46,120
Speaker 4: were being.

926
00:45:46,160 --> 00:45:48,960
Speaker 3: That was just like when Seth was on, we said this,

927
00:45:49,080 --> 00:45:53,160
Speaker 3: but like that was such a peak cast. Like I

928
00:45:53,239 --> 00:45:55,319
Speaker 3: tell everyone that I believe I told you this. But

929
00:45:55,360 --> 00:45:58,000
Speaker 3: I was at the episode which was Anne Hathaway and

930
00:45:58,040 --> 00:46:00,919
Speaker 3: the Killers. This was the very first I was there

931
00:46:00,960 --> 00:46:02,879
Speaker 3: in the audience, and it was the very first time

932
00:46:02,920 --> 00:46:04,640
Speaker 3: you ever did the Lawrence Welk show. And I remember

933
00:46:04,680 --> 00:46:08,400
Speaker 3: at the end the Killers did like an encore. Oh

934
00:46:08,280 --> 00:46:10,239
Speaker 3: then Jeth said it was the only time that the

935
00:46:10,239 --> 00:46:12,759
Speaker 3: studio audience stood up and gave a standing ovation. And

936
00:46:12,800 --> 00:46:15,160
Speaker 3: I was in the audience, and I remember that felt

937
00:46:15,200 --> 00:46:18,279
Speaker 3: like such a I don't think I've ever felt the

938
00:46:18,320 --> 00:46:21,080
Speaker 3: way that I felt watching you do Lawrence Welk. Oh,

939
00:46:21,120 --> 00:46:23,320
Speaker 3: my god, no, truly. I mean I think it altered

940
00:46:23,360 --> 00:46:25,600
Speaker 3: the course of my life. And so many people watching

941
00:46:25,800 --> 00:46:28,239
Speaker 3: that didn't have to be in the room in the vicinity,

942
00:46:28,280 --> 00:46:30,840
Speaker 3: but like, that was a very special cast and that

943
00:46:30,960 --> 00:46:33,920
Speaker 3: was a very special sketch and series of sketches and

944
00:46:34,000 --> 00:46:37,080
Speaker 3: a moment in culture because it was two thousand and

945
00:46:37,120 --> 00:46:38,720
Speaker 3: eight at the time as well, like.

946
00:46:38,760 --> 00:46:40,719
Speaker 2: And O, there's other fun details that you were sitting

947
00:46:40,760 --> 00:46:42,800
Speaker 2: next to Emma Stone.

948
00:46:43,520 --> 00:46:46,319
Speaker 3: Yeah, that is crazy wild, but like what do you

949
00:46:46,360 --> 00:46:47,440
Speaker 3: remember about that time?

950
00:46:48,840 --> 00:46:55,000
Speaker 4: Honestly, like career wise, like best beers of my life

951
00:46:55,280 --> 00:46:59,960
Speaker 4: the hands down, hands down, because you know you're it's

952
00:47:00,000 --> 00:47:03,239
Speaker 4: it's like you move in with these people and then

953
00:47:03,280 --> 00:47:06,560
Speaker 4: seven years later you pack up your room and then

954
00:47:06,600 --> 00:47:09,400
Speaker 4: you have to move somewhere else, but you do feel

955
00:47:09,440 --> 00:47:14,759
Speaker 4: like you are living with them the time in between sketches,

956
00:47:14,880 --> 00:47:17,160
Speaker 4: Like there'd be a day you'd have to rehearse at

957
00:47:17,239 --> 00:47:19,360
Speaker 4: nine am and you'd look at the rundown and you

958
00:47:19,360 --> 00:47:21,640
Speaker 4: don't have to rehearse again until like four and you're

959
00:47:21,640 --> 00:47:23,479
Speaker 4: secretly like and then you look and see who else

960
00:47:23,560 --> 00:47:25,800
Speaker 4: is off and you all go hang out and you

961
00:47:25,960 --> 00:47:29,720
Speaker 4: just like, oh, it was just it was the best time,

962
00:47:29,840 --> 00:47:36,160
Speaker 4: because I think too feeling okay to fail was something

963
00:47:36,160 --> 00:47:41,600
Speaker 4: that I had to that's hard to do. I feel

964
00:47:41,600 --> 00:47:45,560
Speaker 4: that way now and in my life, to be totally honest,

965
00:47:45,719 --> 00:47:49,600
Speaker 4: but having that read through writing something and you're like this,

966
00:47:51,280 --> 00:47:53,560
Speaker 4: no one's gonna laugh at this, this is gonna be

967
00:47:54,040 --> 00:47:57,719
Speaker 4: totally silent, but it's okay because you're looking around the

968
00:47:57,760 --> 00:48:02,760
Speaker 4: room at and like all of these people and everyone's

969
00:48:02,800 --> 00:48:05,040
Speaker 4: got things at work, everyone's got things that don't and

970
00:48:05,080 --> 00:48:08,560
Speaker 4: you realize, like, oh, that's just part of like figuring

971
00:48:08,560 --> 00:48:11,960
Speaker 4: out what what will get on or what is funny.

972
00:48:12,160 --> 00:48:16,000
Speaker 4: And to be able to have a space where you

973
00:48:16,040 --> 00:48:19,680
Speaker 4: can go and not do a good job and feel

974
00:48:19,760 --> 00:48:21,680
Speaker 4: okay is so rare.

975
00:48:22,440 --> 00:48:24,200
Speaker 1: Oh my god, do you know what I mean?

976
00:48:24,360 --> 00:48:28,120
Speaker 2: Of course, yeah, And I kind of I kind of

977
00:48:28,160 --> 00:48:32,359
Speaker 2: embrace the times it's funnier to sort of it's more

978
00:48:32,400 --> 00:48:34,560
Speaker 2: of a bonding experience to fail and bomb at that

979
00:48:35,640 --> 00:48:37,399
Speaker 2: because Celeste and I will and Sudie and I will

980
00:48:37,440 --> 00:48:40,600
Speaker 2: just like laugh. Oh my god, remember that fucking sketch

981
00:48:40,600 --> 00:48:45,120
Speaker 2: and how it was silent, Like there's something, there's like

982
00:48:45,200 --> 00:48:48,120
Speaker 2: a there's like a crucible you walk through in that moment.

983
00:48:48,160 --> 00:48:51,040
Speaker 2: But like, I how often would you feel like you

984
00:48:51,120 --> 00:48:53,080
Speaker 2: were reading something before read through and like no one's

985
00:48:53,080 --> 00:48:55,279
Speaker 2: gonna laugh at this because I have time.

986
00:48:55,560 --> 00:48:58,200
Speaker 4: Really, Oh my god, I would never read something and

987
00:48:58,239 --> 00:48:59,520
Speaker 4: be like this is gonna.

988
00:48:59,280 --> 00:49:02,200
Speaker 1: Go sure, sure, because you never never know.

989
00:49:02,360 --> 00:49:04,080
Speaker 4: Because I think that's the other thing you learn. You

990
00:49:04,120 --> 00:49:06,920
Speaker 4: can write something and be like I think this has

991
00:49:06,960 --> 00:49:09,920
Speaker 4: a shot, and it's it's no. And then there's the

992
00:49:09,960 --> 00:49:12,680
Speaker 4: one where you try to pull it and they're like, sorry,

993
00:49:12,719 --> 00:49:15,560
Speaker 4: it's already in the pack and it's on the show

994
00:49:15,600 --> 00:49:17,719
Speaker 4: and it's on just the one that you're doing. You

995
00:49:17,760 --> 00:49:20,960
Speaker 4: have I have no gauge, Yes, I have no.

996
00:49:22,080 --> 00:49:22,480
Speaker 1: Yeah.

997
00:49:22,560 --> 00:49:27,440
Speaker 2: It's completely unpredictable because it can go through whatever. It

998
00:49:27,440 --> 00:49:31,640
Speaker 2: can hit any station and land and be the be

999
00:49:31,680 --> 00:49:34,839
Speaker 2: at the terminus of any path where it's like, it

1000
00:49:34,840 --> 00:49:37,080
Speaker 2: does great at read through, it does terrible at blocking,

1001
00:49:37,160 --> 00:49:40,560
Speaker 2: it does great address, it does poorly at air. All

1002
00:49:40,600 --> 00:49:45,400
Speaker 2: that it has, there's every permutation of that thing happens

1003
00:49:45,400 --> 00:49:48,440
Speaker 2: at various stages. Like my therapist and I talk about this,

1004
00:49:48,520 --> 00:49:52,560
Speaker 2: it's like you have so many occasions for like validation

1005
00:49:52,760 --> 00:49:55,759
Speaker 2: or rejection and failure, and it teaches you a lot

1006
00:49:55,800 --> 00:49:56,480
Speaker 2: about like how.

1007
00:49:56,360 --> 00:49:57,160
Speaker 1: The world works.

1008
00:49:57,200 --> 00:49:59,560
Speaker 2: I want to say, yeah, but I'm so surprised at

1009
00:49:59,600 --> 00:50:01,400
Speaker 2: this because is I feel like you and Amy were

1010
00:50:01,400 --> 00:50:03,440
Speaker 2: talking about this on her pod where it's like and

1011
00:50:03,480 --> 00:50:05,160
Speaker 2: what it is true? And I think you know this

1012
00:50:05,239 --> 00:50:07,000
Speaker 2: and I hope you own this. It's like you were

1013
00:50:07,600 --> 00:50:11,359
Speaker 2: I think you were the you were the cast member

1014
00:50:11,400 --> 00:50:13,600
Speaker 2: to come in fully formed, fully realized, with the point

1015
00:50:13,640 --> 00:50:14,240
Speaker 2: of view already.

1016
00:50:15,040 --> 00:50:17,919
Speaker 4: I mean, I don't feel that way. That's interesting only

1017
00:50:17,920 --> 00:50:21,960
Speaker 4: because I learned so much. And I remember because I

1018
00:50:22,000 --> 00:50:24,640
Speaker 4: auditioned twice. Yeah, and I remember when they had me

1019
00:50:24,719 --> 00:50:26,840
Speaker 4: come back for the second one. I was like, what

1020
00:50:26,840 --> 00:50:28,880
Speaker 4: do you mean, I like, I did everything exactly. I

1021
00:50:28,960 --> 00:50:31,400
Speaker 4: did everything. Yeah, I literally did every character that I

1022
00:50:31,440 --> 00:50:36,200
Speaker 4: have and three seasons in having a like breakdown, being

1023
00:50:36,200 --> 00:50:40,040
Speaker 4: like I've done I've done every voice, I have nothing.

1024
00:50:40,200 --> 00:50:42,279
Speaker 2: Have you talked about this the three season in thing

1025
00:50:42,440 --> 00:50:45,399
Speaker 2: like this note, did you have a breakdown? Well, I've

1026
00:50:45,440 --> 00:50:47,680
Speaker 2: certainly had that thing. I think in my second season,

1027
00:50:47,680 --> 00:50:49,120
Speaker 2: I was like, I did everything for my audition.

1028
00:50:49,360 --> 00:50:51,040
Speaker 4: Yeah, that's it. That's how you feel. And then you

1029
00:50:51,120 --> 00:50:54,560
Speaker 4: and then that's that that hump you get over with

1030
00:50:54,600 --> 00:50:57,520
Speaker 4: also the help of other people being like can you

1031
00:50:57,560 --> 00:51:01,280
Speaker 4: play blah blah blah? And you're like, well, I will see,

1032
00:51:02,080 --> 00:51:05,359
Speaker 4: and then you end up trying or doing it. It

1033
00:51:05,400 --> 00:51:08,280
Speaker 4: doesn't always work, but and then you just like find

1034
00:51:08,719 --> 00:51:12,360
Speaker 4: new things and then you find other ways to find

1035
00:51:12,440 --> 00:51:15,360
Speaker 4: characters like it. It became not just vocal, right, it

1036
00:51:15,440 --> 00:51:19,040
Speaker 4: became like physical, like I remember I think it was

1037
00:51:19,160 --> 00:51:23,880
Speaker 4: I was in Paula Pel's office or James, I can't remember,

1038
00:51:24,400 --> 00:51:26,879
Speaker 4: but the like that don't make me sing. That came

1039
00:51:26,920 --> 00:51:30,120
Speaker 4: from like just standing like let's just do something that

1040
00:51:30,160 --> 00:51:32,200
Speaker 4: someone stands like this, because I was like, I'm out

1041
00:51:32,239 --> 00:51:34,000
Speaker 4: of like I'm out.

1042
00:51:33,800 --> 00:51:37,479
Speaker 3: Of things to do or you know what I'm saying,

1043
00:51:37,520 --> 00:51:39,000
Speaker 3: But you know what blows my mind.

1044
00:51:39,120 --> 00:51:40,680
Speaker 2: And I don't think I've talked about this, and I

1045
00:51:40,680 --> 00:51:43,360
Speaker 2: don't even think I've brought this up to you. But

1046
00:51:43,520 --> 00:51:46,640
Speaker 2: I was just so curious about the Rebecca LaRue I

1047
00:51:46,719 --> 00:51:49,160
Speaker 2: was gonna say saying the Floating Expert, which was your

1048
00:51:49,239 --> 00:51:51,960
Speaker 2: last season, I think one of your last update features.

1049
00:51:52,880 --> 00:51:55,000
Speaker 1: I was like, how did this play a dress?

1050
00:51:55,680 --> 00:51:58,080
Speaker 2: And I will say I watched back because we have

1051
00:51:58,120 --> 00:52:01,960
Speaker 2: the dress footage from every single episode of SNL on.

1052
00:52:01,920 --> 00:52:03,760
Speaker 1: This database book. I will miss.

1053
00:52:03,880 --> 00:52:05,719
Speaker 2: That's the thing I will miss the most. Oh yeah,

1054
00:52:05,760 --> 00:52:09,040
Speaker 2: it's the Server because it just it's comedy history. It's

1055
00:52:09,040 --> 00:52:12,879
Speaker 2: like the scripts of like Mark cow Bell, like wow,

1056
00:52:12,960 --> 00:52:15,120
Speaker 2: Farwell writing that on his own, like you see, I'm like,

1057
00:52:15,160 --> 00:52:16,799
Speaker 2: oh my god, like you just there's just so much

1058
00:52:16,880 --> 00:52:18,840
Speaker 2: to It's like a library. It's a bell in the

1059
00:52:18,840 --> 00:52:21,600
Speaker 2: library and beating the beast. But Rebecca LaRue, I would

1060
00:52:21,640 --> 00:52:24,879
Speaker 2: say address, I was shocked and I'm just saying this,

1061
00:52:25,040 --> 00:52:28,839
Speaker 2: I don't think it really played. And then on air

1062
00:52:29,560 --> 00:52:31,319
Speaker 2: you just I don't know what you guys did.

1063
00:52:31,320 --> 00:52:33,520
Speaker 4: It didn't play, was going to.

1064
00:52:33,520 --> 00:52:36,000
Speaker 3: Go for it, but you figured it out within what

1065
00:52:36,239 --> 00:52:38,239
Speaker 3: like forty five minutes to an hour.

1066
00:52:38,680 --> 00:52:39,640
Speaker 1: That's incredible.

1067
00:52:39,760 --> 00:52:41,759
Speaker 4: Oh yeah, I don't, I don't. I don't remember that.

1068
00:52:41,840 --> 00:52:44,560
Speaker 3: Okay, it's my top three characters that you've never the

1069
00:52:44,760 --> 00:52:49,160
Speaker 3: entire show. Yeah, the flirting extra Rebecca LaRue because of

1070
00:52:49,400 --> 00:52:51,440
Speaker 3: because this is I think one of the keys to

1071
00:52:51,800 --> 00:52:54,640
Speaker 3: a great update piece for me as a viewer is

1072
00:52:54,719 --> 00:52:58,240
Speaker 3: how an element of it is, how you guys interact

1073
00:52:58,280 --> 00:53:01,759
Speaker 3: with whoever the weekend up did come is. And the

1074
00:53:01,800 --> 00:53:04,480
Speaker 3: way that Rebecca LaRue and Seth he even said this on

1075
00:53:04,880 --> 00:53:07,080
Speaker 3: his episode of our show, was like an indictment of

1076
00:53:07,080 --> 00:53:09,759
Speaker 3: the girls he was dating at the time. It was

1077
00:53:09,800 --> 00:53:11,960
Speaker 3: so funny because you could tell there was like a

1078
00:53:12,200 --> 00:53:17,040
Speaker 3: friendly like energy there that felt personal. That was weirdly

1079
00:53:17,080 --> 00:53:19,600
Speaker 3: parasocial then for us as an audience that watches you

1080
00:53:19,640 --> 00:53:22,120
Speaker 3: guys week in and week out, because you could tell

1081
00:53:22,200 --> 00:53:23,320
Speaker 3: that was a little bit true.

1082
00:53:23,440 --> 00:53:29,759
Speaker 1: Yes, in the way he was flustered, but.

1083
00:53:29,680 --> 00:53:31,120
Speaker 2: It's just I was just like noting the difference, and

1084
00:53:31,360 --> 00:53:33,840
Speaker 2: I hope you don't mind me saying like the feeling

1085
00:53:33,880 --> 00:53:36,600
Speaker 2: watching dress was like, why are they laughing about this?

1086
00:53:36,760 --> 00:53:38,600
Speaker 4: I have no I have no memory, right.

1087
00:53:38,480 --> 00:53:41,240
Speaker 2: Oh, and I also love what you tried to impart

1088
00:53:41,320 --> 00:53:43,360
Speaker 2: me and I did not take to heart, which was like,

1089
00:53:43,440 --> 00:53:46,160
Speaker 2: don't read like the reviews and the comments and the feedback,

1090
00:53:46,880 --> 00:53:49,040
Speaker 2: because that is the thing that I think like took

1091
00:53:49,080 --> 00:53:50,440
Speaker 2: me a long time to get over and was like,

1092
00:53:50,520 --> 00:53:52,400
Speaker 2: you just have to remember it as your own experience.

1093
00:53:53,440 --> 00:53:57,440
Speaker 4: And the ones that are bad go through a certain

1094
00:53:58,040 --> 00:54:03,000
Speaker 4: synaps they print out and they stay in a file

1095
00:54:03,680 --> 00:54:05,400
Speaker 4: and you can access it at any point and you

1096
00:54:05,440 --> 00:54:09,480
Speaker 4: can see every word and the good ones go away.

1097
00:54:10,600 --> 00:54:15,560
Speaker 4: And I was, I mean, I'm aging myself. Did we

1098
00:54:15,600 --> 00:54:18,320
Speaker 4: have the internet when I was but like, did we?

1099
00:54:18,320 --> 00:54:21,120
Speaker 4: We kind of did, but like there wasn't there was

1100
00:54:21,200 --> 00:54:24,839
Speaker 4: like two reviews, Yeah, but we did we?

1101
00:54:25,239 --> 00:54:25,520
Speaker 7: Yes?

1102
00:54:25,719 --> 00:54:28,160
Speaker 1: Yet definitely certainly I.

1103
00:54:28,080 --> 00:54:31,400
Speaker 4: Was on nineteen sixty four. I mean, I know we

1104
00:54:31,480 --> 00:54:34,680
Speaker 4: had the Internet, but it wasn't so much like blogging

1105
00:54:34,760 --> 00:54:37,799
Speaker 4: and social media. Say that's what I'm saying. I mean,

1106
00:54:37,840 --> 00:54:42,040
Speaker 4: of course we had the computers, but did we have

1107
00:54:42,160 --> 00:54:48,799
Speaker 4: the internet? Please? And I never watched the show when

1108
00:54:48,840 --> 00:54:53,200
Speaker 4: I was on because I didn't want to, like see

1109
00:54:53,239 --> 00:54:56,359
Speaker 4: what I looked at there. Most of the things I've

1110
00:54:56,360 --> 00:55:00,600
Speaker 4: done I've never seen really Bridesmaids. I've seen brides yeah,

1111
00:55:00,600 --> 00:55:02,360
Speaker 4: because I just mean like on SNL.

1112
00:55:02,560 --> 00:55:03,360
Speaker 1: Yeah.

1113
00:55:02,840 --> 00:55:06,399
Speaker 4: Yeah, so I couldn't watch it the next day or

1114
00:55:06,680 --> 00:55:09,920
Speaker 4: or watch it in between, for I couldn't. I couldn't

1115
00:55:09,920 --> 00:55:10,239
Speaker 4: do that.

1116
00:55:10,239 --> 00:55:13,680
Speaker 1: That's holding something very sacred in terms of like the theater.

1117
00:55:13,200 --> 00:55:16,319
Speaker 4: Theater of it. Yes, yeah, that's that's you're doing a

1118
00:55:16,320 --> 00:55:18,880
Speaker 4: live show in front of an audience. They're the ones

1119
00:55:20,040 --> 00:55:25,080
Speaker 4: you know. But then yes, millions of people are watching. Yes, yes, yes,

1120
00:55:25,200 --> 00:55:29,319
Speaker 4: the energy when you're there, when you're on stage, your

1121
00:55:29,360 --> 00:55:34,000
Speaker 4: first thought isn't this is on TV? Yeah, You're like, oh,

1122
00:55:34,040 --> 00:55:37,000
Speaker 4: I can see Jenna, I can see the crowd. I

1123
00:55:37,000 --> 00:55:39,920
Speaker 4: can see the people in their costumes waiting to come in.

1124
00:55:40,000 --> 00:55:42,480
Speaker 4: It feels very it is. It's like theater.

1125
00:55:42,920 --> 00:55:44,600
Speaker 2: It's like theater and the good thing that got me

1126
00:55:44,640 --> 00:55:47,000
Speaker 2: And I've talked about this with Matt last week and

1127
00:55:47,080 --> 00:55:49,640
Speaker 2: like my exit interview, it's like the thing that destroyed

1128
00:55:49,640 --> 00:55:52,120
Speaker 2: me was just looking out on my last sketch during

1129
00:55:52,160 --> 00:55:55,080
Speaker 2: my last catch and seeing basically the whole staff show up,

1130
00:55:55,200 --> 00:55:57,719
Speaker 2: and I was like, oh this And it had nothing

1131
00:55:57,719 --> 00:56:00,799
Speaker 2: to do with what was gonna maybe be said about

1132
00:56:00,840 --> 00:56:02,560
Speaker 2: it online or what the reviews would be. It was

1133
00:56:03,200 --> 00:56:04,879
Speaker 2: just spatially in the room.

1134
00:56:05,040 --> 00:56:09,359
Speaker 3: That's what It totally healed all of these wounds from

1135
00:56:09,360 --> 00:56:11,279
Speaker 3: the past seven years where I would like really care

1136
00:56:11,320 --> 00:56:12,279
Speaker 3: about what people thought.

1137
00:56:12,760 --> 00:56:13,600
Speaker 1: And when I realized what.

1138
00:56:14,000 --> 00:56:17,760
Speaker 2: I would tell what I would tell the new cast

1139
00:56:18,000 --> 00:56:20,360
Speaker 2: on my way out what I told them was because

1140
00:56:20,360 --> 00:56:21,640
Speaker 2: they would approach me and they were like, how do

1141
00:56:21,719 --> 00:56:24,000
Speaker 2: you like? This is really weird, Like how do you

1142
00:56:24,040 --> 00:56:28,040
Speaker 2: deal with this? And I was like, there's three audiences

1143
00:56:28,280 --> 00:56:30,319
Speaker 2: who are watching. It's the people in the room and

1144
00:56:30,400 --> 00:56:32,719
Speaker 2: kind of the people at home. It's the Internet, which

1145
00:56:32,760 --> 00:56:36,319
Speaker 2: is this like voice that just wants to it is

1146
00:56:36,360 --> 00:56:39,680
Speaker 2: incentivized to say something like that takes it down or

1147
00:56:40,440 --> 00:56:43,600
Speaker 2: devalues it. And then there's the people who make decisions,

1148
00:56:44,440 --> 00:56:46,680
Speaker 2: have the power to make decisions for you who can

1149
00:56:46,760 --> 00:56:51,480
Speaker 2: like help you materially find interesting things or whatever. And

1150
00:56:51,560 --> 00:56:54,520
Speaker 2: only two of those audiences matter, like the internet. One

1151
00:56:54,560 --> 00:56:56,120
Speaker 2: doesn't really matter, and.

1152
00:56:56,120 --> 00:57:00,399
Speaker 4: So don't look in some ways it doesn't. It just doesn't,

1153
00:57:00,560 --> 00:57:03,960
Speaker 4: right exactly? I agree, Yeah, which is yeah. I remember

1154
00:57:04,000 --> 00:57:06,760
Speaker 4: when when we were talking on set of Pam Royal,

1155
00:57:07,200 --> 00:57:09,120
Speaker 4: you were like you said to me, like I knew

1156
00:57:09,160 --> 00:57:11,279
Speaker 4: I would love Bowen because I feel like we like

1157
00:57:11,360 --> 00:57:13,560
Speaker 4: the same stuff, And.

1158
00:57:13,560 --> 00:57:16,040
Speaker 3: I what did you mean by that? And what what

1159
00:57:16,080 --> 00:57:18,080
Speaker 3: do you guys think do you have in common? Because

1160
00:57:18,120 --> 00:57:19,680
Speaker 3: I think it meant beyond comedy.

1161
00:57:19,760 --> 00:57:22,120
Speaker 4: Well it was a sense of humor for sure, but

1162
00:57:22,160 --> 00:57:28,040
Speaker 4: also just you and I interacting in between sketches. Yes,

1163
00:57:28,720 --> 00:57:32,120
Speaker 4: I feel like we didn't even have to like say

1164
00:57:32,240 --> 00:57:35,200
Speaker 4: much and we were just laughing and I just felt

1165
00:57:35,200 --> 00:57:37,560
Speaker 4: a it's kind of even hard to describe. It's like

1166
00:57:37,600 --> 00:57:39,880
Speaker 4: when you probably when you guys met, right, It's like

1167
00:57:39,960 --> 00:57:40,880
Speaker 4: you just feel like.

1168
00:57:41,560 --> 00:57:44,240
Speaker 1: Oh hey, hey, there's non verbal stuff.

1169
00:57:44,880 --> 00:57:46,600
Speaker 4: And also being on that show, you do feel like

1170
00:57:46,640 --> 00:57:50,640
Speaker 4: you're already in a little like army together, you.

1171
00:57:50,600 --> 00:57:53,160
Speaker 2: Know, So this is this is this is my thing,

1172
00:57:53,880 --> 00:57:56,280
Speaker 2: this is maybe what you meant, this is what it

1173
00:57:56,320 --> 00:57:58,520
Speaker 2: means to me, which was the first time you came back?

1174
00:57:58,840 --> 00:58:02,600
Speaker 2: Was COVID Christmas December twenty twenty. Oh god, and it was.

1175
00:58:02,640 --> 00:58:03,840
Speaker 2: And dou Aleipa was a musical.

1176
00:58:03,680 --> 00:58:06,880
Speaker 1: Yes, Marjorie, this was a classic. People. People don't talk

1177
00:58:06,920 --> 00:58:08,320
Speaker 1: about this one as much as they should. I'm not

1178
00:58:08,320 --> 00:58:09,160
Speaker 1: even talking about this sketch.

1179
00:58:09,160 --> 00:58:11,960
Speaker 2: I'm talking about yes, Kristin and I watching dou Aleipa

1180
00:58:12,000 --> 00:58:13,680
Speaker 2: sing on stage and us going, oh.

1181
00:58:13,520 --> 00:58:14,760
Speaker 1: My god, that's Dualipa.

1182
00:58:14,920 --> 00:58:17,040
Speaker 2: Yeah yeah, and we were all on and my other

1183
00:58:17,040 --> 00:58:19,840
Speaker 2: thought was like, we're like the only people in the

1184
00:58:19,880 --> 00:58:22,120
Speaker 2: world watching live music right now?

1185
00:58:22,280 --> 00:58:26,360
Speaker 1: Yeah? Yeah, that was levitating, right, that was levitating that hat.

1186
00:58:26,520 --> 00:58:30,560
Speaker 1: Don't start now. It was amazing. I loved both those performances.

1187
00:58:29,960 --> 00:58:32,400
Speaker 4: Based off watching her every time. I loved it.

1188
00:58:32,520 --> 00:58:34,959
Speaker 3: I went to go see her Radical Optimism tour and

1189
00:58:35,120 --> 00:58:36,680
Speaker 3: it was really great.

1190
00:58:36,920 --> 00:58:41,040
Speaker 1: And I watched this like long this whiptologist. I watched

1191
00:58:41,120 --> 00:58:41,400
Speaker 1: like this.

1192
00:58:41,600 --> 00:58:45,000
Speaker 3: There's this hugeber who was like, oh, like doing long

1193
00:58:45,080 --> 00:58:48,080
Speaker 3: form videos about like, you know, like pop music, and

1194
00:58:48,120 --> 00:58:50,560
Speaker 3: he was like, do a Lipa is a category five

1195
00:58:50,640 --> 00:58:54,400
Speaker 3: pop star. This means that she will things move around her,

1196
00:58:55,560 --> 00:58:58,400
Speaker 3: you know what I mean? No, No, it was very nice.

1197
00:58:58,520 --> 00:59:00,960
Speaker 3: It was basically saying like it's like the certain levels

1198
00:59:01,000 --> 00:59:04,680
Speaker 3: of artists where they don't necessarily have to worry about

1199
00:59:04,760 --> 00:59:07,440
Speaker 3: proving themselves ever. It's just like they can come and

1200
00:59:07,760 --> 00:59:11,960
Speaker 3: sort of like, you know, decide what's going to be

1201
00:59:12,120 --> 00:59:14,240
Speaker 3: the tone based on moves they make.

1202
00:59:14,400 --> 00:59:16,040
Speaker 1: And I agree.

1203
00:59:15,800 --> 00:59:18,920
Speaker 3: The argument was that she has gotten to this place

1204
00:59:18,960 --> 00:59:22,760
Speaker 3: where she's always going to be reliably dua lipa, yes,

1205
00:59:22,840 --> 00:59:25,800
Speaker 3: because she's due a lipa yeah.

1206
00:59:25,560 --> 00:59:30,320
Speaker 1: Yeah, and she's really good. Really birth birthday? What sign

1207
00:59:30,440 --> 00:59:30,960
Speaker 1: is that.

1208
00:59:31,240 --> 00:59:34,240
Speaker 4: It's a leo virgo cuss leo virgo cuss.

1209
00:59:34,360 --> 00:59:38,720
Speaker 1: Yeah, that's really really good? Is it? What is it?

1210
00:59:39,240 --> 00:59:44,080
Speaker 3: August twenty second, eight twenty two? Why do I feel

1211
00:59:44,080 --> 00:59:45,360
Speaker 3: like that's an auspicious day?

1212
00:59:45,600 --> 00:59:46,280
Speaker 1: Just feels nice?

1213
00:59:46,400 --> 00:59:48,160
Speaker 4: There's a double a double digch Oh, I don't know.

1214
00:59:48,240 --> 00:59:49,840
Speaker 1: Twenty two is my favorite number and I have it.

1215
00:59:49,960 --> 00:59:50,760
Speaker 4: It's my favorite number.

1216
00:59:51,040 --> 00:59:52,360
Speaker 1: Stop what about it?

1217
00:59:52,760 --> 00:59:56,160
Speaker 4: Well, it's my birthday. But also I see it. I

1218
00:59:56,200 --> 00:59:57,760
Speaker 4: see it when I need to see it, like, wow,

1219
00:59:57,760 --> 00:59:58,160
Speaker 4: I need.

1220
00:59:58,120 --> 01:00:01,400
Speaker 1: At right now, I need to Oh, maybe I needed

1221
01:00:01,400 --> 01:00:04,400
Speaker 1: to see it too. Yeah, I think I like the Well,

1222
01:00:04,440 --> 01:00:07,040
Speaker 1: it was my baseball jersey growing up. Oh, I didn't know.

1223
01:00:07,080 --> 01:00:09,720
Speaker 1: That Yep, this is beautiful.

1224
01:00:10,400 --> 01:00:11,560
Speaker 4: See, we're all connected.

1225
01:00:11,640 --> 01:00:13,400
Speaker 1: We're all connected, and people are like, is that a

1226
01:00:13,440 --> 01:00:15,760
Speaker 1: Taylor Swift tattoo? And I'm like, no, it's not.

1227
01:00:15,960 --> 01:00:17,840
Speaker 3: But when I went to the aerostour and she's sang

1228
01:00:17,840 --> 01:00:20,040
Speaker 3: in twenty two, I definitely went like this, You for

1229
01:00:20,120 --> 01:00:20,560
Speaker 3: sure did.

1230
01:00:22,640 --> 01:00:23,640
Speaker 1: I kind of thought.

1231
01:00:23,440 --> 01:00:25,320
Speaker 3: When you said you liked all this like cool, all

1232
01:00:25,360 --> 01:00:26,280
Speaker 3: the same stuff, I was like.

1233
01:00:26,200 --> 01:00:28,840
Speaker 1: Well, they both like cool music. I feel like you

1234
01:00:28,840 --> 01:00:31,000
Speaker 1: guys are both like cool when it comes to me

1235
01:00:31,080 --> 01:00:34,080
Speaker 1: just fallen off. I've kind of fawn off too, but

1236
01:00:34,640 --> 01:00:39,360
Speaker 1: even that is cool. You guys like like cool bands

1237
01:00:39,360 --> 01:00:39,800
Speaker 1: and stuff.

1238
01:00:40,120 --> 01:00:43,919
Speaker 2: No, I'm listening to like eighties Japanese city pop.

1239
01:00:44,000 --> 01:00:45,000
Speaker 1: That's all I listened to.

1240
01:00:45,120 --> 01:00:45,360
Speaker 3: Now.

1241
01:00:45,560 --> 01:00:49,000
Speaker 1: I'm still streaming espresso. It's okay, think about me.

1242
01:00:50,200 --> 01:00:50,880
Speaker 4: It doesn't get old.

1243
01:00:51,040 --> 01:00:54,560
Speaker 3: I feel like they famously did an espresso sketch. But

1244
01:00:54,600 --> 01:00:57,040
Speaker 3: I feel like, if Espresso is on when you're on SNL,

1245
01:00:57,160 --> 01:00:58,640
Speaker 3: you do something with espresso.

1246
01:00:59,440 --> 01:01:02,080
Speaker 1: What do you mean I don't like you?

1247
01:01:02,080 --> 01:01:05,040
Speaker 3: You do a character that's something to dances to espresso

1248
01:01:05,280 --> 01:01:05,720
Speaker 3: or whatever.

1249
01:01:06,000 --> 01:01:07,520
Speaker 4: Okay, okay talking.

1250
01:01:08,160 --> 01:01:11,520
Speaker 3: I'm inspired by you, and that's why I literally came

1251
01:01:11,600 --> 01:01:14,160
Speaker 3: up with the Robin the Riddler's Assistant thing.

1252
01:01:14,480 --> 01:01:16,600
Speaker 1: I was like, it was so fun. I am inspired,

1253
01:01:16,720 --> 01:01:17,680
Speaker 1: we are inspired by you.

1254
01:01:17,840 --> 01:01:22,080
Speaker 3: We'd like to be a writers because when we pitched

1255
01:01:22,160 --> 01:01:23,760
Speaker 3: Rob because we had to get on zoom with you

1256
01:01:23,800 --> 01:01:25,160
Speaker 3: and like, it's this idea and we.

1257
01:01:25,120 --> 01:01:27,480
Speaker 2: Were like pitching a character Kristin Wig, We're like, we're

1258
01:01:27,480 --> 01:01:30,120
Speaker 2: pitching a character to Kristin Wig and there's a chance

1259
01:01:30,160 --> 01:01:32,200
Speaker 2: she is like, what the fuck are you guys talking.

1260
01:01:32,000 --> 01:01:34,800
Speaker 1: Which would have been really hard. That would have been

1261
01:01:34,800 --> 01:01:35,480
Speaker 1: really hard.

1262
01:01:35,440 --> 01:01:38,080
Speaker 2: But you immediately like snapped in and you were like,

1263
01:01:38,200 --> 01:01:39,840
Speaker 2: oh my god, Robin, I get it.

1264
01:01:39,840 --> 01:01:43,680
Speaker 1: It's funny. I think this is what it is. Yes, okay, great, Yes.

1265
01:01:43,920 --> 01:01:46,080
Speaker 3: We were like yes, and then it was like we

1266
01:01:46,080 --> 01:01:47,680
Speaker 3: were like working on this with you, Oh my god.

1267
01:01:47,720 --> 01:01:49,760
Speaker 3: And then another thing that I will never forget is

1268
01:01:50,000 --> 01:01:53,280
Speaker 3: remember the four versions of the presenter copy we had

1269
01:01:53,320 --> 01:01:56,760
Speaker 3: for the Emmys that one year because we weren't sure

1270
01:01:56,760 --> 01:01:58,720
Speaker 3: if Ma was gonna make it because she was sick.

1271
01:01:59,040 --> 01:02:00,400
Speaker 3: Seth was maybe not gonna be able to do it

1272
01:02:00,440 --> 01:02:03,680
Speaker 3: because see, like what was flying but it was me.

1273
01:02:04,280 --> 01:02:06,080
Speaker 1: It was just me. I can't believe this.

1274
01:02:06,160 --> 01:02:10,680
Speaker 2: It was me, you, Seth and Maya presenting like walking

1275
01:02:10,800 --> 01:02:13,439
Speaker 2: up doing like a bit about Lorne Yes, I'm looking

1276
01:02:13,440 --> 01:02:17,040
Speaker 2: winning too many Emmys or something. But you and I,

1277
01:02:17,120 --> 01:02:21,000
Speaker 2: Kristin and I were in that dressing room with our pencils,

1278
01:02:21,120 --> 01:02:23,800
Speaker 2: with our pencils, while Matt Boehmer was sitting in the

1279
01:02:23,920 --> 01:02:25,520
Speaker 2: on the other corner, like wanting to say hi to us,

1280
01:02:25,520 --> 01:02:27,040
Speaker 2: and We're like, we're in the middle of something.

1281
01:02:28,960 --> 01:02:31,439
Speaker 4: Matt, just one sure we said hello.

1282
01:02:31,600 --> 01:02:34,680
Speaker 1: We said hello, weren't we weren't the nicest nicest we

1283
01:02:35,360 --> 01:02:37,360
Speaker 1: said hi. But you and I were like locked.

1284
01:02:37,360 --> 01:02:39,080
Speaker 4: We got to get it because guess what we got

1285
01:02:39,120 --> 01:02:39,640
Speaker 4: to rewrite this.

1286
01:02:39,720 --> 01:02:42,960
Speaker 2: We had to rewrite it. Not that not that we

1287
01:02:42,960 --> 01:02:44,680
Speaker 2: were given like bad copy, but the show. No, it

1288
01:02:44,720 --> 01:02:47,880
Speaker 2: was just like we there's four different versions where it

1289
01:02:47,960 --> 01:02:49,920
Speaker 2: was if if Lauren didn't win the Emmy, because it

1290
01:02:49,920 --> 01:02:50,919
Speaker 2: was on the it.

1291
01:02:50,840 --> 01:02:54,520
Speaker 4: Was after if he didn't win, if he did win Coy.

1292
01:02:55,560 --> 01:02:58,080
Speaker 2: We had four different versions of the copy ready to go,

1293
01:02:58,360 --> 01:02:59,600
Speaker 2: and you and I had to like sit there and

1294
01:02:59,640 --> 01:03:02,439
Speaker 2: like right, I was like I can't believe I'm I'm

1295
01:03:02,680 --> 01:03:05,400
Speaker 2: doing four versions of presenter copy with Kristen.

1296
01:03:06,080 --> 01:03:07,320
Speaker 1: I was like, this is surreal.

1297
01:03:07,400 --> 01:03:08,000
Speaker 4: It's so fun.

1298
01:03:08,040 --> 01:03:10,160
Speaker 1: But it was so fun You're the best. You're our hero.

1299
01:03:10,560 --> 01:03:13,080
Speaker 3: I just like, and I feel like on Palm Royal too,

1300
01:03:13,120 --> 01:03:14,760
Speaker 3: You're so like it was.

1301
01:03:14,800 --> 01:03:17,400
Speaker 4: Just bringing it back Elliot.

1302
01:03:17,600 --> 01:03:19,160
Speaker 1: We just I was just like.

1303
01:03:19,160 --> 01:03:21,320
Speaker 3: What I was like, the coolest part of it was

1304
01:03:21,400 --> 01:03:23,840
Speaker 3: just like being on set and seeing you like try

1305
01:03:23,880 --> 01:03:25,760
Speaker 3: to figure out or finesse certain things.

1306
01:03:25,800 --> 01:03:27,600
Speaker 1: It's just it's just really cool to me.

1307
01:03:27,760 --> 01:03:30,520
Speaker 4: You were incredible, and I got so many texts about

1308
01:03:31,080 --> 01:03:34,320
Speaker 4: how funny you were and great, and Abe obviously just

1309
01:03:34,680 --> 01:03:37,240
Speaker 4: loves you. Heads I love much fun working with you,

1310
01:03:37,320 --> 01:03:40,120
Speaker 4: and even in that scene with Kai in the bedroom

1311
01:03:40,160 --> 01:03:41,560
Speaker 4: and you and I just kind of like running around

1312
01:03:41,600 --> 01:03:42,360
Speaker 4: and doing your own things.

1313
01:03:42,400 --> 01:03:45,760
Speaker 3: I think that was my favorite. My favorite day was

1314
01:03:46,480 --> 01:03:50,560
Speaker 3: us behind the ledge talking and I don't know they

1315
01:03:50,560 --> 01:03:52,000
Speaker 3: were there were several.

1316
01:03:51,720 --> 01:03:53,640
Speaker 4: Favorites doing the like Calm to the Top, that was

1317
01:03:53,640 --> 01:03:56,400
Speaker 4: all that was all that he just started doing it.

1318
01:03:56,400 --> 01:03:58,720
Speaker 4: He just started going come to the top and everyone else.

1319
01:04:00,280 --> 01:04:01,400
Speaker 1: It's a great atmosphere.

1320
01:04:01,440 --> 01:04:03,520
Speaker 3: And also it's like it feels like a really fun,

1321
01:04:03,560 --> 01:04:05,840
Speaker 3: playful atmosphere where you could come up with something like

1322
01:04:05,880 --> 01:04:08,480
Speaker 3: that and it would be like entrusted as a member

1323
01:04:08,480 --> 01:04:11,320
Speaker 3: of the group to like pitch something like that. But

1324
01:04:11,360 --> 01:04:14,920
Speaker 3: it's also kind of I had never experienced that energy

1325
01:04:15,080 --> 01:04:18,240
Speaker 3: with something that had that much budget. I was like, wow,

1326
01:04:18,400 --> 01:04:20,520
Speaker 3: like this is like because we were talking earlier about

1327
01:04:20,520 --> 01:04:22,640
Speaker 3: being on set like that's a big old show, yea.

1328
01:04:22,800 --> 01:04:25,240
Speaker 3: And to still have that playful energy, I think is

1329
01:04:25,280 --> 01:04:28,240
Speaker 3: a testament to you and to aim and to all

1330
01:04:28,320 --> 01:04:32,160
Speaker 3: the cast and all the departments that provide the the

1331
01:04:32,320 --> 01:04:35,520
Speaker 3: malleability for something like that, because that wasn't that wasn't

1332
01:04:35,560 --> 01:04:37,520
Speaker 3: in the script at all. Yeah, and then it became

1333
01:04:37,560 --> 01:04:43,160
Speaker 3: the whole entry point into our meat Cute, which was blassed.

1334
01:04:43,560 --> 01:04:47,360
Speaker 2: It's a period comedy with with just a sense of

1335
01:04:48,400 --> 01:04:52,280
Speaker 2: fun and kitchiness and just it's so delicious. It's like

1336
01:04:52,480 --> 01:04:55,200
Speaker 2: we don't it's a unicorn. It's a rare thing. And

1337
01:04:55,280 --> 01:04:58,640
Speaker 2: like it's like, I'm so happy it's it exists. I

1338
01:04:58,680 --> 01:05:01,400
Speaker 2: can't believe you guys are both in it doing a

1339
01:05:01,440 --> 01:05:05,200
Speaker 2: two hand er episode all the way through, Like I'm

1340
01:05:05,240 --> 01:05:07,320
Speaker 2: telling you, I was. I was watching and I was like,

1341
01:05:07,400 --> 01:05:10,720
Speaker 2: this is heaven, Like I'm these two people that I love. Anyway,

1342
01:05:11,160 --> 01:05:13,120
Speaker 2: palm Riel, it's out, Let's move on to I don't

1343
01:05:13,160 --> 01:05:14,840
Speaker 2: think so, honey, palm.

1344
01:05:14,800 --> 01:05:15,959
Speaker 1: Riel is out is out?

1345
01:05:16,040 --> 01:05:18,480
Speaker 3: No I'm saying, pri I'm just, I'm just, I'm I'm

1346
01:05:18,480 --> 01:05:20,520
Speaker 3: sure it's being curious, it's it's by the time this

1347
01:05:20,560 --> 01:05:21,640
Speaker 3: airs the whole.

1348
01:05:22,240 --> 01:05:23,840
Speaker 1: It's officially all right.

1349
01:05:24,440 --> 01:05:26,240
Speaker 4: I don't know what day it is, it doesn't matter.

1350
01:05:27,120 --> 01:05:31,000
Speaker 1: It's out. Yes, I don't know what's going on.

1351
01:05:31,600 --> 01:05:38,560
Speaker 4: Oh my god.

1352
01:05:40,200 --> 01:05:42,040
Speaker 1: Okay, so it's I don't think so honey.

1353
01:05:42,120 --> 01:05:45,400
Speaker 3: Okay, this is a big moment because it's a moment

1354
01:05:45,480 --> 01:05:48,720
Speaker 3: where we sort of say our takes, and sometimes those

1355
01:05:48,760 --> 01:05:50,840
Speaker 3: takes include a little bit of.

1356
01:05:50,840 --> 01:05:51,560
Speaker 1: A take down.

1357
01:05:51,680 --> 01:05:54,320
Speaker 3: So this is a sixty second segment where we sort

1358
01:05:54,320 --> 01:05:56,560
Speaker 3: of pop off about something that's bothering us in culture,

1359
01:05:56,840 --> 01:06:01,320
Speaker 3: and I'm going to talk about the way I engage.

1360
01:06:01,720 --> 01:06:04,600
Speaker 2: Here we go, Oh my gosh, Yeah, this is exciting.

1361
01:06:04,640 --> 01:06:06,040
Speaker 2: This is Matt Rogers. I don't think so many as

1362
01:06:06,080 --> 01:06:06,840
Speaker 2: time starts now, I.

1363
01:06:06,840 --> 01:06:10,200
Speaker 3: Don't think, so honey my fat thumbs because I can't

1364
01:06:10,280 --> 01:06:13,440
Speaker 3: send a text without it indenting wildly. And I do

1365
01:06:13,560 --> 01:06:17,440
Speaker 3: think it's because they're fat, because I don't think, so honey,

1366
01:06:17,720 --> 01:06:21,040
Speaker 3: that it's that I have to utilize my fingers differently.

1367
01:06:21,120 --> 01:06:24,360
Speaker 3: I think they're just a little chunker. No, And I'm

1368
01:06:24,400 --> 01:06:27,240
Speaker 3: telling you like it's impossible for me on the first

1369
01:06:27,320 --> 01:06:30,120
Speaker 3: try to get a text right. Always it always looks

1370
01:06:30,160 --> 01:06:31,880
Speaker 3: like a high coup When I text am I wrong?

1371
01:06:31,960 --> 01:06:34,240
Speaker 3: Or am I wrong? It'll be on like four different

1372
01:06:34,280 --> 01:06:38,000
Speaker 3: lines wrong. So I don't think, so, honey, thirty seconds thumbs,

1373
01:06:38,160 --> 01:06:42,240
Speaker 3: because sometimes you need to use your thumbs to you know, engage,

1374
01:06:42,600 --> 01:06:46,320
Speaker 3: comment address, And I got my chunkers in the way,

1375
01:06:46,360 --> 01:06:48,840
Speaker 3: and I'm trying to get things done here, and then

1376
01:06:48,880 --> 01:06:51,240
Speaker 3: I think, you know what, maybe your thumbs are trying

1377
01:06:51,280 --> 01:06:55,360
Speaker 3: to tell you some fifteen seconds. Put the phone down. Oh,

1378
01:06:55,440 --> 01:06:58,920
Speaker 3: don't even pick up the phone. Your thumbs. It's evolution.

1379
01:06:59,640 --> 01:07:02,920
Speaker 3: It's saying you were evolving out five seconds the discourse.

1380
01:07:03,360 --> 01:07:06,320
Speaker 3: Put the phone down. My thumbs are getting bigger and bigger.

1381
01:07:06,560 --> 01:07:08,960
Speaker 3: I think all of our brains are getting smaller and smaller,

1382
01:07:09,120 --> 01:07:12,040
Speaker 3: and I think that is a correlation. I don't think,

1383
01:07:12,080 --> 01:07:14,120
Speaker 3: so honey, that we need that we ignore this. If

1384
01:07:14,160 --> 01:07:17,040
Speaker 3: your thumbs are too fat to type, maybe it's because

1385
01:07:17,080 --> 01:07:20,280
Speaker 3: your body is doing you a favor by evolving out

1386
01:07:20,480 --> 01:07:21,280
Speaker 3: of engagement.

1387
01:07:21,520 --> 01:07:22,880
Speaker 1: If you're that's one minute.

1388
01:07:22,960 --> 01:07:25,600
Speaker 3: If your if your thumbs are too fat, natural selection

1389
01:07:25,800 --> 01:07:26,600
Speaker 3: will be good to you.

1390
01:07:26,840 --> 01:07:27,439
Speaker 1: That's what you're saying.

1391
01:07:27,480 --> 01:07:30,080
Speaker 3: If you can see them from the front. Wait till

1392
01:07:30,120 --> 01:07:32,320
Speaker 3: you see them from the back. That is a That

1393
01:07:32,440 --> 01:07:35,720
Speaker 3: is a line about thumbs. I don't want you to

1394
01:07:35,720 --> 01:07:39,440
Speaker 3: talk badly about your thumbs. I think that way.

1395
01:07:39,480 --> 01:07:41,400
Speaker 4: Your thumbs are on the thinner side.

1396
01:07:41,520 --> 01:07:42,160
Speaker 1: You think so.

1397
01:07:42,400 --> 01:07:43,160
Speaker 4: But here's the thing.

1398
01:07:43,440 --> 01:07:47,400
Speaker 1: If you do exactly, I believe, make.

1399
01:07:47,360 --> 01:07:50,560
Speaker 4: Your text bigger. You know how you can make your

1400
01:07:50,560 --> 01:07:53,720
Speaker 4: text bigger. I think, doesn't the keyboard get bigger?

1401
01:07:53,800 --> 01:07:54,400
Speaker 1: No it can't.

1402
01:07:54,440 --> 01:07:58,800
Speaker 3: Possibly it's in real estate. But you it's it's it's angle.

1403
01:07:59,160 --> 01:08:01,760
Speaker 3: I'm looking at our and we have the same sized thumb.

1404
01:08:03,360 --> 01:08:05,320
Speaker 3: When I was thirteen, I thought that I was gay.

1405
01:08:05,520 --> 01:08:09,800
Speaker 1: Match up to No, you have a beautiful, beautiful thumb. No,

1406
01:08:10,200 --> 01:08:14,080
Speaker 1: we're waiting three beautiful thumbs. But do you find beautiful?

1407
01:08:14,240 --> 01:08:16,360
Speaker 1: Do you find that this is a problem you face

1408
01:08:16,439 --> 01:08:16,840
Speaker 1: as well?

1409
01:08:17,479 --> 01:08:18,400
Speaker 4: Do you want to know something?

1410
01:08:18,479 --> 01:08:18,679
Speaker 1: What?

1411
01:08:18,800 --> 01:08:20,599
Speaker 4: Sometimes I text with these fingers?

1412
01:08:20,720 --> 01:08:22,280
Speaker 1: Stop it now, that's cheek.

1413
01:08:24,000 --> 01:08:27,760
Speaker 4: I saw a woman do it, and I said I'm

1414
01:08:27,760 --> 01:08:28,360
Speaker 4: going to start.

1415
01:08:28,200 --> 01:08:30,080
Speaker 1: Doing I want to be like Mike. And that woman

1416
01:08:30,360 --> 01:08:31,599
Speaker 1: was my friend Jessica.

1417
01:08:32,080 --> 01:08:33,479
Speaker 4: She holds her phone like this and she goes like this.

1418
01:08:33,720 --> 01:08:37,200
Speaker 3: That's nice, like an instrument, she said. She said in

1419
01:08:37,240 --> 01:08:40,200
Speaker 3: an important text though she's a boss.

1420
01:08:40,360 --> 01:08:43,840
Speaker 4: Yeah, she's not using her thumbs. It's very two thousand

1421
01:08:43,520 --> 01:08:46,080
Speaker 4: and twenty.

1422
01:08:46,400 --> 01:08:51,360
Speaker 1: It's very two thousand and late. Jessica Jessica Simpson. No,

1423
01:08:52,080 --> 01:08:52,600
Speaker 1: you guys have a.

1424
01:08:52,800 --> 01:08:54,920
Speaker 4: I don't know why Jessica Simpson text.

1425
01:08:54,960 --> 01:08:58,160
Speaker 3: I bet she texts like this, Hey, Sirius, send a

1426
01:08:58,200 --> 01:09:04,720
Speaker 3: text you, Ashley Simpson, Hey, sister, was just wondering how

1427
01:09:04,720 --> 01:09:05,559
Speaker 3: you were doing today.

1428
01:09:06,320 --> 01:09:13,040
Speaker 1: Send and then Ashley says in response like this, Hey,

1429
01:09:13,080 --> 01:09:15,759
Speaker 1: fuck her a rebel. Just kidding.

1430
01:09:15,800 --> 01:09:18,040
Speaker 3: This is like more than two thousand and four personas

1431
01:09:18,240 --> 01:09:22,439
Speaker 3: that I'm I'm sure they've both grown, changed, evolved or not,

1432
01:09:22,680 --> 01:09:24,400
Speaker 3: and that will be fine because they were perfect already.

1433
01:09:24,880 --> 01:09:27,040
Speaker 1: You would have written a killer fanfic about the Simpsons.

1434
01:09:27,080 --> 01:09:29,600
Speaker 3: Who says I didn't Oh, who says I did it?

1435
01:09:29,680 --> 01:09:37,080
Speaker 3: Under a pseudonym I didn't. I have something? And I hope,

1436
01:09:37,920 --> 01:09:41,280
Speaker 3: I hope. I hope this enacts change. I don't think

1437
01:09:41,280 --> 01:09:42,280
Speaker 3: that you should judge it.

1438
01:09:42,520 --> 01:09:44,960
Speaker 4: Just just let it do what it's gonna because this

1439
01:09:45,000 --> 01:09:45,439
Speaker 4: is going.

1440
01:09:45,320 --> 01:09:47,240
Speaker 3: Out into this is going out into the wild West.

1441
01:09:47,280 --> 01:09:49,400
Speaker 3: If it's gonna enact change, that's what I'm supposed to do.

1442
01:09:49,479 --> 01:09:51,720
Speaker 3: I think it will just don't be disappointed. I think

1443
01:09:51,760 --> 01:09:54,400
Speaker 3: it should. Okay, thank you, this is Bowen Yang's. I

1444
01:09:54,400 --> 01:09:56,280
Speaker 3: don't think so, honey. His time starts now.

1445
01:09:56,479 --> 01:09:57,400
Speaker 1: I don't think so, honey.

1446
01:09:57,520 --> 01:10:02,920
Speaker 2: The word squeegeee because the thing that it is should

1447
01:10:03,000 --> 01:10:09,200
Speaker 2: not be called that. It should be called a glass scraper,

1448
01:10:09,560 --> 01:10:11,760
Speaker 2: a water shovel, a.

1449
01:10:13,240 --> 01:10:18,920
Speaker 1: Wipe, a wipe downer. Not who came up with squeegee?

1450
01:10:19,000 --> 01:10:22,320
Speaker 3: Who pointed that because a linguistic thing is the concept

1451
01:10:22,320 --> 01:10:26,320
Speaker 3: should match the name right where there's a distance thing.

1452
01:10:26,960 --> 01:10:32,439
Speaker 3: Squeegee should be a dog toy, a children's game, my name,

1453
01:10:32,640 --> 01:10:35,240
Speaker 3: dress ball, Matt's name, Yeah, a little pet name for

1454
01:10:35,320 --> 01:10:39,479
Speaker 3: something your loved one off squeegee squeegee Instead, it's the

1455
01:10:39,520 --> 01:10:42,040
Speaker 3: most uncute.

1456
01:10:41,120 --> 01:10:42,240
Speaker 1: Thing in the world.

1457
01:10:42,360 --> 01:10:48,519
Speaker 2: Is a wide rubbery thing to like wipe down your

1458
01:10:48,560 --> 01:10:49,960
Speaker 2: windshields or your showers.

1459
01:10:50,080 --> 01:10:51,559
Speaker 1: I don't understand.

1460
01:10:51,760 --> 01:10:54,559
Speaker 3: I think we really should decouple squeegee the word from

1461
01:10:54,600 --> 01:10:58,479
Speaker 3: squeegee the thing and just take a new pass at

1462
01:10:58,479 --> 01:10:59,160
Speaker 3: those names.

1463
01:10:59,320 --> 01:11:00,880
Speaker 1: That's one of many do we name everything?

1464
01:11:01,520 --> 01:11:06,519
Speaker 3: I love the word sweegee, but I do wonder if

1465
01:11:06,520 --> 01:11:08,120
Speaker 3: it should be something else, Like it feels like it

1466
01:11:08,160 --> 01:11:11,639
Speaker 3: should be what a sponge just called. Yeah, a sponge

1467
01:11:11,680 --> 01:11:15,080
Speaker 3: should be a squeegee. Yes, this is a squeegee motion.

1468
01:11:15,320 --> 01:11:17,680
Speaker 4: That's a verb, Like that's what you do to a

1469
01:11:17,800 --> 01:11:19,559
Speaker 4: sponge squeeze.

1470
01:11:22,760 --> 01:11:25,040
Speaker 1: Well, did you squeegee it out? Because it's still is

1471
01:11:25,120 --> 01:11:25,920
Speaker 1: that sponge wet?

1472
01:11:25,960 --> 01:11:28,680
Speaker 4: Give it a squeege? See, oh you want me to

1473
01:11:28,720 --> 01:11:29,040
Speaker 4: do it?

1474
01:11:29,280 --> 01:11:32,080
Speaker 1: See this is very James Anderson. Hey, could you give

1475
01:11:32,120 --> 01:11:34,839
Speaker 1: a little squeege instead of squeeze?

1476
01:11:34,880 --> 01:11:39,519
Speaker 4: My names Janelle's squeege Janelle squeege. No.

1477
01:11:39,880 --> 01:11:42,000
Speaker 3: One of his final names that never saw the light

1478
01:11:42,040 --> 01:11:50,040
Speaker 3: of day during his final season was Yolanda releasings. Yolanda releasings.

1479
01:11:51,280 --> 01:11:58,400
Speaker 3: That's like beginning, that's like mis beginnings, Chang Yolanda releasing. Yeah,

1480
01:11:58,600 --> 01:12:05,240
Speaker 3: the jarrand releasings, like.

1481
01:12:05,520 --> 01:12:10,719
Speaker 1: Releasing is a noun, Like that's so weird anyway.

1482
01:12:10,880 --> 01:12:13,519
Speaker 3: I do think also in the James Anderson canon is

1483
01:12:13,560 --> 01:12:15,000
Speaker 3: something like squeegee Saint.

1484
01:12:14,840 --> 01:12:16,519
Speaker 1: Regis see St. Regions, you know what I mean?

1485
01:12:16,680 --> 01:12:19,439
Speaker 3: Like that's like something that he would float around squeegee

1486
01:12:19,479 --> 01:12:22,080
Speaker 3: Adams what a talent with like three d's.

1487
01:12:22,240 --> 01:12:23,120
Speaker 1: Are you ready? Yes?

1488
01:12:23,360 --> 01:12:25,320
Speaker 4: Okay, So I just start by saying I don't think so, honey,

1489
01:12:25,439 --> 01:12:28,440
Speaker 4: you get to say okay, we're going to say okay.

1490
01:12:28,760 --> 01:12:30,679
Speaker 4: I don't think okay.

1491
01:12:31,000 --> 01:12:32,640
Speaker 2: This is Kristen Wiggs. I don't think so honey, and

1492
01:12:32,680 --> 01:12:33,639
Speaker 2: her time starts now.

1493
01:12:34,240 --> 01:12:40,040
Speaker 4: I don't think so honey. I need snack companies, preferably

1494
01:12:40,360 --> 01:12:47,439
Speaker 4: chips and popcorn, to stop creating flavors. I back in

1495
01:12:47,479 --> 01:12:49,720
Speaker 4: the day, you wanted to get a popcorn. You get

1496
01:12:49,720 --> 01:12:51,200
Speaker 4: a plane, you get a cheese, You go to caramel.

1497
01:12:51,320 --> 01:12:54,000
Speaker 4: Now you've got You've got the troubles, you've got the herbs.

1498
01:12:54,120 --> 01:12:57,160
Speaker 4: It's too much confusion. I get grocery store confusion. It's

1499
01:12:57,280 --> 01:13:03,360
Speaker 4: aisles and aisles. There's chips, there's there's salsa, syrup. There's

1500
01:13:03,520 --> 01:13:06,120
Speaker 4: too many. But here's what I'm saying is where are

1501
01:13:06,120 --> 01:13:08,000
Speaker 4: they going if people don't buy them, where are they going?

1502
01:13:08,120 --> 01:13:11,360
Speaker 4: Are they're going into a landfill? Oh? There's too much.

1503
01:13:11,400 --> 01:13:16,120
Speaker 4: There's too many cans, drinks, too many can drinks, too

1504
01:13:16,160 --> 01:13:21,680
Speaker 4: many sparkling things with flavors and probiotics. There's protein'll forget it.

1505
01:13:21,720 --> 01:13:25,160
Speaker 4: There's protein in your popcorn. There's there's too many flavors.

1506
01:13:25,880 --> 01:13:29,280
Speaker 4: But the don't stop me. The isles are too long.

1507
01:13:29,600 --> 01:13:30,240
Speaker 1: It's a whole.

1508
01:13:30,520 --> 01:13:32,400
Speaker 4: It's an isle on one side, an isle on the

1509
01:13:32,439 --> 01:13:36,320
Speaker 4: other with cracker flavors, chip flavors, pretzel flavors. There's too

1510
01:13:36,320 --> 01:13:40,560
Speaker 4: many flavors, sweets and salty's and savoris stop.

1511
01:13:41,600 --> 01:13:43,880
Speaker 8: Because because I don't think so many, because I don't

1512
01:13:43,880 --> 01:13:48,840
Speaker 8: think so honey, Okay, I'll tell you where they go.

1513
01:13:49,040 --> 01:13:50,439
Speaker 4: Tell me because there's two.

1514
01:13:50,880 --> 01:13:54,280
Speaker 3: I agree with you when those because you're not a

1515
01:13:54,320 --> 01:13:58,200
Speaker 3: part of the community that engages in this. And I'm

1516
01:13:58,240 --> 01:14:01,360
Speaker 3: telling you there is one. My our friend Greta hosts

1517
01:14:01,400 --> 01:14:03,840
Speaker 3: a party every year the night before Thanksgiving, which is

1518
01:14:03,880 --> 01:14:08,280
Speaker 3: called chips Giving. It is a time when new flavor.

1519
01:14:08,479 --> 01:14:14,320
Speaker 3: Everyone at the party that is invited brings like a artisonal,

1520
01:14:14,840 --> 01:14:18,160
Speaker 3: some sort of bespoke flavor of chip. And everyone comes

1521
01:14:18,160 --> 01:14:20,760
Speaker 3: and they present the chip that they brought, and they said,

1522
01:14:20,800 --> 01:14:24,120
Speaker 3: the reason I've chosen this chip is this reason. Everyone

1523
01:14:24,200 --> 01:14:27,320
Speaker 3: tries the chip. Now, there are sometimes as many as

1524
01:14:27,400 --> 01:14:31,280
Speaker 3: like thirty five people at this party, which means you're

1525
01:14:31,320 --> 01:14:33,519
Speaker 3: eating a lot of potato chips. And I have heard

1526
01:14:33,560 --> 01:14:36,719
Speaker 3: the next day the people are more hungover than after

1527
01:14:36,760 --> 01:14:39,559
Speaker 3: any New Year's Eve, after any Christmas Eve, after any

1528
01:14:39,560 --> 01:14:41,960
Speaker 3: Fourth of July because of the amount of salt oil.

1529
01:14:42,040 --> 01:14:48,120
Speaker 4: And so make that a holiday. Make the chip company wait,

1530
01:14:48,200 --> 01:14:51,599
Speaker 4: wait till Thanksgiving, wait to see our new flavors, and

1531
01:14:51,640 --> 01:14:53,680
Speaker 4: then make it like a thing a chip's giving so

1532
01:14:53,720 --> 01:14:56,120
Speaker 4: we don't have to, you know. And then you like

1533
01:14:56,120 --> 01:14:57,559
Speaker 4: a flavor and then you go to it's like, oh,

1534
01:14:57,600 --> 01:14:58,439
Speaker 4: they don't make that anymore.

1535
01:14:58,479 --> 01:15:01,320
Speaker 1: Then there's a purpose to it. It's got, it's gone.

1536
01:15:01,320 --> 01:15:06,760
Speaker 4: Because now they've introduced like hot hot hot so racha. Oh,

1537
01:15:06,800 --> 01:15:08,080
Speaker 4: it's like macaroni chip.

1538
01:15:08,240 --> 01:15:11,439
Speaker 3: It's like cookie dough, fiery hot. I'm telling you, you

1539
01:15:11,479 --> 01:15:14,680
Speaker 3: would not believe the kinds of chips. And it's like

1540
01:15:14,760 --> 01:15:16,680
Speaker 3: it gives me anxiety now to know I had not

1541
01:15:16,880 --> 01:15:18,639
Speaker 3: been to the party to stop.

1542
01:15:18,800 --> 01:15:22,439
Speaker 1: Well, you could just lean it. We'll get your advice

1543
01:15:22,479 --> 01:15:22,960
Speaker 1: to the party.

1544
01:15:23,040 --> 01:15:25,040
Speaker 4: I'm just nervous. We're snacking too much as a country.

1545
01:15:25,080 --> 01:15:27,639
Speaker 2: I'm gonna I'm gonna bring something else to the table.

1546
01:15:28,880 --> 01:15:31,719
Speaker 2: Too many beverage flavors, That's what I'm saying.

1547
01:15:31,800 --> 01:15:35,000
Speaker 4: Yeah in the can. When I was saying the can,

1548
01:15:35,360 --> 01:15:37,519
Speaker 4: can I see beverage flavors? Correct?

1549
01:15:37,560 --> 01:15:38,759
Speaker 1: What is salsae syrup?

1550
01:15:39,200 --> 01:15:39,320
Speaker 7: Oh?

1551
01:15:39,360 --> 01:15:41,599
Speaker 4: I just made that up. I know that I made

1552
01:15:41,640 --> 01:15:42,800
Speaker 4: that up as a flavor of chip.

1553
01:15:43,000 --> 01:15:48,000
Speaker 3: Yeah, maple making maple salsa hola maple.

1554
01:15:49,280 --> 01:15:53,439
Speaker 4: That's the problem in rooms like this, and make jokes

1555
01:15:53,439 --> 01:15:53,920
Speaker 4: and then they go.

1556
01:15:53,920 --> 01:15:55,600
Speaker 1: Wait, wait a minute, and.

1557
01:15:57,439 --> 01:16:00,439
Speaker 4: Still pickle chip. No you're not, You're not on the

1558
01:16:00,520 --> 01:16:01,440
Speaker 4: market tomorrow.

1559
01:16:01,560 --> 01:16:04,760
Speaker 3: Yeah, it's guaranteed, there's already every brand of chip has

1560
01:16:04,840 --> 01:16:05,760
Speaker 3: a that.

1561
01:16:07,360 --> 01:16:09,559
Speaker 1: But this this being said, what is your favorite tip?

1562
01:16:09,600 --> 01:16:09,680
Speaker 7: Like?

1563
01:16:09,800 --> 01:16:10,160
Speaker 1: Like what?

1564
01:16:11,000 --> 01:16:14,040
Speaker 4: I like a cool ranch, cool rancho.

1565
01:16:14,240 --> 01:16:18,720
Speaker 2: Sometimes they taste a bit mm hmm. What's there's no

1566
01:16:18,760 --> 01:16:19,639
Speaker 2: other way to say this.

1567
01:16:21,320 --> 01:16:21,679
Speaker 1: Coming.

1568
01:16:25,920 --> 01:16:28,599
Speaker 2: There was no other way to say it. There isn't

1569
01:16:28,600 --> 01:16:29,519
Speaker 2: another way to say it.

1570
01:16:29,840 --> 01:16:34,240
Speaker 3: Smells like fish. Camera say that doesn't come smell like fish?

1571
01:16:34,479 --> 01:16:36,880
Speaker 3: What does come home? I don't know what comes smells

1572
01:16:36,920 --> 01:16:37,599
Speaker 3: like cool ranch?

1573
01:16:40,680 --> 01:16:41,320
Speaker 4: I don't know who.

1574
01:16:42,120 --> 01:16:44,840
Speaker 1: I don't know who you're talking to. She said, who

1575
01:16:44,840 --> 01:16:45,680
Speaker 1: you're asking about? What?

1576
01:16:48,000 --> 01:16:50,280
Speaker 4: Never made that connection.

1577
01:16:54,360 --> 01:16:59,000
Speaker 3: That's why they call the syrup comes saltrup, salsae syrup.

1578
01:16:59,600 --> 01:17:02,080
Speaker 1: I just don't enjoy it anymore.

1579
01:17:02,439 --> 01:17:03,520
Speaker 4: That's fine.

1580
01:17:04,160 --> 01:17:04,920
Speaker 1: Well, now we're just.

1581
01:17:07,320 --> 01:17:11,639
Speaker 3: I like oridgies. I like a traditional ridgies. I like ruffles,

1582
01:17:11,720 --> 01:17:14,200
Speaker 3: ruffleses ridgies. You know ridgies.

1583
01:17:14,800 --> 01:17:18,839
Speaker 4: I'm not a rider, and I will aso.

1584
01:17:18,760 --> 01:17:21,080
Speaker 1: Say like I like them.

1585
01:17:21,320 --> 01:17:23,280
Speaker 3: I'll tell you What I really don't like is all

1586
01:17:23,360 --> 01:17:24,479
Speaker 3: the flavors of oreo.

1587
01:17:25,000 --> 01:17:29,360
Speaker 1: To me, I think Oreo is oreo. But even Lady Gaga.

1588
01:17:28,960 --> 01:17:31,760
Speaker 3: Even Lady She came out with the grammatical oreo, and

1589
01:17:31,800 --> 01:17:33,519
Speaker 3: I was like, I don't know, because now now I

1590
01:17:33,520 --> 01:17:36,280
Speaker 3: feel the need to support the legend, but I.

1591
01:17:36,200 --> 01:17:37,080
Speaker 1: Don't like this oreo.

1592
01:17:37,400 --> 01:17:38,799
Speaker 4: I like a mint a mentorio.

1593
01:17:38,880 --> 01:17:39,639
Speaker 1: I love a mintoria.

1594
01:17:39,840 --> 01:17:41,519
Speaker 2: We're about to go to Japan. Wait till you try

1595
01:17:41,600 --> 01:17:44,800
Speaker 2: maunch oreo. You're gonna like that sounds good.

1596
01:17:44,880 --> 01:17:45,719
Speaker 1: Have you been to Japan?

1597
01:17:46,240 --> 01:17:47,479
Speaker 4: No, But it's my dream.

1598
01:17:47,640 --> 01:17:50,880
Speaker 3: I feel that you would and me. But don't you

1599
01:17:50,960 --> 01:17:52,280
Speaker 3: think as someone who's been there, Like.

1600
01:17:52,320 --> 01:17:55,519
Speaker 1: I feel like the kids, the kids would love it.

1601
01:17:56,040 --> 01:17:58,680
Speaker 4: I would love to take them. Yeah, maybe when they're

1602
01:17:58,680 --> 01:17:59,240
Speaker 4: a little older.

1603
01:17:59,439 --> 01:18:03,519
Speaker 1: Yeah, they're already sixteen, as we said, thirty six.

1604
01:18:04,760 --> 01:18:07,920
Speaker 3: That's the proper age to take your kids.

1605
01:18:08,120 --> 01:18:10,800
Speaker 1: Really, this is a huge conversation starter that this chip's thing.

1606
01:18:11,360 --> 01:18:13,880
Speaker 3: I'm not just thank you for bringing it's just people

1607
01:18:13,920 --> 01:18:15,439
Speaker 3: are thinking it, they're not talking about.

1608
01:18:15,439 --> 01:18:17,599
Speaker 4: It overwhelms me when I go and I'm like, I

1609
01:18:17,640 --> 01:18:18,679
Speaker 4: just want to get like a chip.

1610
01:18:18,960 --> 01:18:20,280
Speaker 1: Yeah, yeah I can't.

1611
01:18:22,160 --> 01:18:25,280
Speaker 4: There's Lentil chips there's lentil chips. Are making lentil chips.

1612
01:18:25,320 --> 01:18:26,120
Speaker 4: That's chips out of.

1613
01:18:26,040 --> 01:18:29,240
Speaker 1: Beans, protein, protein, and the popcorn people are people want

1614
01:18:29,240 --> 01:18:29,920
Speaker 1: to health the option.

1615
01:18:31,240 --> 01:18:32,960
Speaker 2: And I know you're saying kind of as a joke,

1616
01:18:33,040 --> 01:18:35,760
Speaker 2: but maybe not that the aisles are too long. But

1617
01:18:36,840 --> 01:18:38,160
Speaker 2: this is this is my experience. When I go to

1618
01:18:38,200 --> 01:18:40,400
Speaker 2: the grocery store. Now, I look at the chip aisle,

1619
01:18:41,680 --> 01:18:44,080
Speaker 2: I get so overwhelmed and I don't even my ey

1620
01:18:44,120 --> 01:18:45,479
Speaker 2: do is know where to land. I just move on.

1621
01:18:45,800 --> 01:18:47,920
Speaker 2: I don't even buy a chip. And that's robbing me

1622
01:18:47,960 --> 01:18:48,400
Speaker 2: of a chip.

1623
01:18:49,120 --> 01:18:51,840
Speaker 3: It is you know what you should do in the

1624
01:18:51,920 --> 01:18:53,920
Speaker 3: names in the in the words of your character from

1625
01:18:53,920 --> 01:18:56,559
Speaker 3: Barbin Starr, you could just get one of every chip

1626
01:18:56,560 --> 01:18:58,880
Speaker 3: and make a suicide.

1627
01:19:00,920 --> 01:19:02,719
Speaker 4: When you have too many options, you buy less.

1628
01:19:02,880 --> 01:19:03,479
Speaker 1: That is true.

1629
01:19:03,640 --> 01:19:08,960
Speaker 4: I remember hearing this on some sort of NPR something. Well,

1630
01:19:08,960 --> 01:19:11,360
Speaker 4: then you know they did a study. You going to

1631
01:19:11,400 --> 01:19:13,759
Speaker 4: cut this. This is boring. It was like a farmer's

1632
01:19:13,760 --> 01:19:16,479
Speaker 4: market of like jams, and when she had three types

1633
01:19:16,520 --> 01:19:18,840
Speaker 4: of jams, like sold out. When she had like ten

1634
01:19:18,880 --> 01:19:21,120
Speaker 4: types of jams, people were like, I don't know, and

1635
01:19:21,120 --> 01:19:21,920
Speaker 4: then they walked away.

1636
01:19:22,040 --> 01:19:22,240
Speaker 1: Yeah.

1637
01:19:22,280 --> 01:19:27,000
Speaker 3: Also, because I think when there's a lot of options.

1638
01:19:27,080 --> 01:19:30,200
Speaker 3: When there's a lot of options, I do think you

1639
01:19:30,280 --> 01:19:32,599
Speaker 3: in your head question, well can these all be good?

1640
01:19:32,800 --> 01:19:36,519
Speaker 4: Right? And therefore I don't get the right one.

1641
01:19:37,120 --> 01:19:38,639
Speaker 3: It's like when you go to a restaurant and there's

1642
01:19:38,640 --> 01:19:41,200
Speaker 3: only the six entree options, You're like, well, I know

1643
01:19:41,240 --> 01:19:45,519
Speaker 3: these are all curated lovely girls. Whereas when you go

1644
01:19:45,560 --> 01:19:48,920
Speaker 3: to the cheesecake factory and there's nothing against the cheesecake factory.

1645
01:19:48,680 --> 01:19:49,599
Speaker 4: You're just a big menu.

1646
01:19:50,000 --> 01:19:51,320
Speaker 1: It takes you much.

1647
01:19:51,160 --> 01:19:54,400
Speaker 3: Well clearly not just much, much longer to decide because

1648
01:19:54,439 --> 01:19:57,920
Speaker 3: of all the options. But you're like, now, what's the

1649
01:19:57,960 --> 01:19:59,280
Speaker 3: area of expertise here?

1650
01:19:59,560 --> 01:20:00,320
Speaker 1: You know what I'm saying.

1651
01:20:00,320 --> 01:20:02,759
Speaker 4: It's like and that is overwhelming, and then you think

1652
01:20:02,960 --> 01:20:09,280
Speaker 4: I've ordered wrong, and then comes the negative self talk. Yeah,

1653
01:20:09,400 --> 01:20:10,639
Speaker 4: I can't even go out.

1654
01:20:13,200 --> 01:20:14,760
Speaker 1: That's wrong with me.

1655
01:20:15,240 --> 01:20:18,040
Speaker 4: I should have got what they had. I'm gonna go

1656
01:20:18,040 --> 01:20:18,760
Speaker 4: to the grocery store.

1657
01:20:19,000 --> 01:20:20,000
Speaker 1: I can get some chips.

1658
01:20:20,040 --> 01:20:23,120
Speaker 3: I'm going home, No, just kidding. I get to the

1659
01:20:23,120 --> 01:20:25,000
Speaker 3: grocery store, I look at the aisle.

1660
01:20:25,600 --> 01:20:29,719
Speaker 1: I'm out. I'm going home empty handed, hungry. I'm going

1661
01:20:29,720 --> 01:20:33,040
Speaker 1: to bed hungry. There was too much to eat. I'm

1662
01:20:33,080 --> 01:20:37,240
Speaker 1: going to bed hungry. Okay, this is a nightmare.

1663
01:20:37,800 --> 01:20:40,880
Speaker 3: Wait. I want to say yes, because I feel like

1664
01:20:41,040 --> 01:20:45,880
Speaker 3: we only breezingly mentioned Bridesmaids and Barbin Starr, and I

1665
01:20:45,920 --> 01:20:49,919
Speaker 3: also wanted to say you mentioned hate earlier the duet

1666
01:20:50,479 --> 01:20:54,400
Speaker 3: that is the Skeleton Twins, should not. You guys were

1667
01:20:54,479 --> 01:20:57,040
Speaker 3: fantastic in that, and I feel like it was such

1668
01:20:57,080 --> 01:21:00,439
Speaker 3: an amazing, like little hint for people that like that,

1669
01:21:00,760 --> 01:21:03,760
Speaker 3: like saw that movie and like know that movie of

1670
01:21:03,800 --> 01:21:06,000
Speaker 3: what was to come for both of you guys, which

1671
01:21:06,040 --> 01:21:11,559
Speaker 3: is you're both phenomenal actors, Like he's so brilliant, and

1672
01:21:11,640 --> 01:21:14,720
Speaker 3: I feel like you guys were obviously like MVPs at

1673
01:21:14,760 --> 01:21:16,160
Speaker 3: that show you were on it, which is saying something

1674
01:21:16,160 --> 01:21:18,799
Speaker 3: because everyone was an MVP, but you guys together amazing

1675
01:21:19,200 --> 01:21:22,320
Speaker 3: and I feel like, you know, he's obviously done what

1676
01:21:22,400 --> 01:21:25,960
Speaker 3: he's done, and you like have just continued to like

1677
01:21:26,439 --> 01:21:29,599
Speaker 3: grow and show your versatility as an actress. I will

1678
01:21:29,760 --> 01:21:33,120
Speaker 3: never stop reminding people of that last episode of the

1679
01:21:33,120 --> 01:21:35,960
Speaker 3: first season of Palm Royale, when you're on stage and

1680
01:21:36,200 --> 01:21:39,839
Speaker 3: everything's happening and you're just your instrument as an actor

1681
01:21:40,080 --> 01:21:44,360
Speaker 3: is so varied and you're in such control of it.

1682
01:21:44,439 --> 01:21:46,519
Speaker 3: And I feel like that shouldn't get lost. And I'm

1683
01:21:46,560 --> 01:21:49,800
Speaker 3: not surprised at all that every actor got a list

1684
01:21:49,840 --> 01:21:53,000
Speaker 3: of everyone that they possibly could vote for in a

1685
01:21:53,120 --> 01:21:56,120
Speaker 3: leading or supporting capacity at the Actor Awards.

1686
01:21:55,680 --> 01:21:57,400
Speaker 1: And your name came out as one of the five.

1687
01:21:57,479 --> 01:22:01,280
Speaker 1: Because you are that good. You are really really.

1688
01:22:01,560 --> 01:22:03,280
Speaker 4: That means a lot coming from you. Thank you. I

1689
01:22:03,280 --> 01:22:03,960
Speaker 4: don't know what to say.

1690
01:22:04,000 --> 01:22:05,600
Speaker 1: I believe with my full heart, and I know you

1691
01:22:05,600 --> 01:22:06,120
Speaker 1: feel the same.

1692
01:22:06,120 --> 01:22:10,719
Speaker 8: I feel like, I well, I think there's actually issues

1693
01:22:10,800 --> 01:22:16,479
Speaker 8: with your I would describe it as commy cool.

1694
01:22:18,040 --> 01:22:22,920
Speaker 1: You gather my meeting, it's it's incredible.

1695
01:22:23,000 --> 01:22:26,000
Speaker 2: No, And I will just say, like, and Melissa coming

1696
01:22:26,080 --> 01:22:30,040
Speaker 2: to the show, uh this season McCarthy, I was just like, oh, God,

1697
01:22:30,360 --> 01:22:34,240
Speaker 2: crownings people actors, actors, and let's talk about Rose Byrne Rose.

1698
01:22:34,439 --> 01:22:39,760
Speaker 3: Oh, let's let's let's let's please get some some hardware.

1699
01:22:40,000 --> 01:22:44,759
Speaker 4: Let's do that because she is such a brilliant obviously

1700
01:22:44,760 --> 01:22:47,479
Speaker 4: commitic actors, but dramatic act just act just can't do

1701
01:22:47,560 --> 01:22:50,200
Speaker 4: anything and has can do anything. I mean, Melissa to

1702
01:22:50,360 --> 01:22:54,200
Speaker 4: my god, like, oh, I'm just I'm so happy that she.

1703
01:22:54,240 --> 01:22:58,080
Speaker 1: Wants you must be you must be feeling like.

1704
01:22:58,120 --> 01:23:01,560
Speaker 4: I teared up. Man she's so she's so good and

1705
01:23:01,600 --> 01:23:05,360
Speaker 4: she's done so great stuff and she's such a good person,

1706
01:23:05,560 --> 01:23:08,800
Speaker 4: and I don't know, I'm just I root for her

1707
01:23:08,920 --> 01:23:11,880
Speaker 4: in a way because her talent, I think is.

1708
01:23:11,360 --> 01:23:15,479
Speaker 3: Is just she's exemplary of what it means to be versatile,

1709
01:23:16,040 --> 01:23:19,840
Speaker 3: hard working, like always getting better, always interesting. I remember

1710
01:23:19,840 --> 01:23:24,519
Speaker 3: heard from wicker Park, a wicker Park, the Josh Hartint

1711
01:23:24,680 --> 01:23:29,360
Speaker 3: vehicle wicker Park, And I'm just saying, she's been around

1712
01:23:29,439 --> 01:23:31,080
Speaker 3: and doing it and kicking ass.

1713
01:23:31,160 --> 01:23:32,519
Speaker 1: I'm not surprised at all.

1714
01:23:32,840 --> 01:23:35,880
Speaker 4: To see I was so so happy.

1715
01:23:36,160 --> 01:23:39,600
Speaker 3: Yeah, but also some of my biggest laughs in that

1716
01:23:39,680 --> 01:23:42,639
Speaker 3: movie are your guys passive aggression at each other, like

1717
01:23:43,000 --> 01:23:44,920
Speaker 3: the I think people change, I don't.

1718
01:23:44,800 --> 01:23:45,519
Speaker 1: Think people did.

1719
01:23:46,640 --> 01:23:49,240
Speaker 4: To act like we didn't like each other. It's really hard, I.

1720
01:23:49,280 --> 01:23:50,680
Speaker 1: Mean, but again, it's like you can.

1721
01:23:50,720 --> 01:23:53,680
Speaker 3: You did it so well because you had you had

1722
01:23:54,040 --> 01:23:56,679
Speaker 3: a lens on it, because you could probably talk about

1723
01:23:56,680 --> 01:23:59,679
Speaker 3: the ways in which you didn't like each other because

1724
01:23:59,720 --> 01:24:00,519
Speaker 3: you like each other.

1725
01:24:00,600 --> 01:24:04,519
Speaker 2: Yes, And was this cut? Was this from the trailer?

1726
01:24:04,800 --> 01:24:07,200
Speaker 2: Was it cut from the final film where the first

1727
01:24:07,200 --> 01:24:08,720
Speaker 2: time you guys meet, she goes.

1728
01:24:08,880 --> 01:24:11,160
Speaker 1: Oh, did you just come from work? Did that make

1729
01:24:11,160 --> 01:24:15,000
Speaker 1: it to the final film. I don't remember someone literally.

1730
01:24:15,000 --> 01:24:17,400
Speaker 2: Said that to me in like an earnest way, because

1731
01:24:17,400 --> 01:24:21,040
Speaker 2: we went to Sarah Sherman's special premiere and we literally

1732
01:24:21,040 --> 01:24:22,600
Speaker 2: did all I mean maybe that's why they said it,

1733
01:24:22,640 --> 01:24:24,320
Speaker 2: but we all did come from We did not look

1734
01:24:24,400 --> 01:24:25,200
Speaker 2: like clammed up.

1735
01:24:25,439 --> 01:24:28,200
Speaker 4: That is basically saying, oh do you look like shit? Yeah?

1736
01:24:28,360 --> 01:24:30,880
Speaker 2: This is She was like, she was like, she said

1737
01:24:30,920 --> 01:24:33,479
Speaker 2: to me the line from like Roseburn's line from Bride's Maids.

1738
01:24:33,479 --> 01:24:36,000
Speaker 1: I was like, oh, huh did you come from? Oh wow,

1739
01:24:36,080 --> 01:24:36,840
Speaker 1: did you come from work?

1740
01:24:36,880 --> 01:24:41,439
Speaker 3: And I was like, uh, yeah, but don't worry about she.

1741
01:24:41,479 --> 01:24:43,200
Speaker 1: Knows the owner. I know the owner.

1742
01:24:46,680 --> 01:24:50,559
Speaker 3: The the impact of that line in the theater I

1743
01:24:50,600 --> 01:24:54,840
Speaker 3: will never experience. It's on that you do like buck

1744
01:24:55,040 --> 01:24:57,639
Speaker 3: like we're going there like yeah that that that that's

1745
01:24:57,680 --> 01:24:58,839
Speaker 3: when the movie turns.

1746
01:24:58,960 --> 01:25:01,599
Speaker 1: Yes, you know and anyway, Oh my god, you guys,

1747
01:25:01,640 --> 01:25:02,800
Speaker 1: we kept you here for so long.

1748
01:25:02,840 --> 01:25:05,800
Speaker 3: We're so sorry, we love you so fun, We're very

1749
01:25:07,280 --> 01:25:08,080
Speaker 3: how long have we talked?

1750
01:25:08,439 --> 01:25:11,920
Speaker 1: Like five hour twenty? I think this is a great length.

1751
01:25:11,960 --> 01:25:16,160
Speaker 4: I think this is a great length. Take out a minute.

1752
01:25:16,800 --> 01:25:19,680
Speaker 4: I think I think the listeners want to hear everything,

1753
01:25:20,720 --> 01:25:21,280
Speaker 4: all of it.

1754
01:25:22,000 --> 01:25:24,280
Speaker 1: Thank you for wanting that. Thank you. We hope you've

1755
01:25:24,320 --> 01:25:25,960
Speaker 1: enjoyed watching, listening, and more.

1756
01:25:26,720 --> 01:25:30,320
Speaker 4: And for those of you who just watched and didn't listen.

1757
01:25:31,920 --> 01:25:57,760
Speaker 3: Yeah, we end every episode with the song Okay, if

1758
01:25:57,760 --> 01:26:01,320
Speaker 3: you can guess what that song is, you're by bye.

1759
01:26:01,320 --> 01:26:02,000
Speaker 4: I give you a hand.

1760
01:26:03,240 --> 01:26:07,920
Speaker 1: Bowen just said hey bye bye bye.

1761
01:26:13,439 --> 01:26:15,599
Speaker 2: Last Culture Racis is the production by Will Ferrell's Big

1762
01:26:15,600 --> 01:26:17,280
Speaker 2: Money Players and iHeartRadio podcasts.

1763
01:26:17,520 --> 01:26:20,880
Speaker 3: Created and hosted by Matt Rogers and Bowen Yang, executive

1764
01:26:20,880 --> 01:26:23,920
Speaker 3: produced by Anna hasby A and produced by Becker Ramos,

1765
01:26:24,040 --> 01:26:26,200
Speaker 3: Edited and mixed by Doug Baine, and our music

1766
01:26:26,320 --> 01:26:27,400
Speaker 1: Is by Henry Komirski