WEBVTT - Moment Live Show

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<v Speaker 1>Hello everyone, Hello, Hello, Hello, Welcome, Don's coming. There's dumb

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<v Speaker 1>Welcome to the Return to the Shadows. Live. Here we

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<v Speaker 1>are go into the Shadows live. Oh my goodness, let

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<v Speaker 1>me get my comments upblicle you lovely people. Hi my lord,

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<v Speaker 1>Hi everyone, We're getting there. Here we go now I

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<v Speaker 1>found the comments by the angel. We are here and live,

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<v Speaker 1>and there's Dan joining us the most special guests. Dam

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<v Speaker 1>how does it feel here we are? It feels good.

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<v Speaker 1>It feels good. I've gotta tell you it feels good.

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<v Speaker 1>Um yeah, I made an espresso martini for the occasion.

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<v Speaker 1>I didn't do a good job. It tastes mostly like

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<v Speaker 1>Volka and coffee, but I gave it a stab. And

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<v Speaker 1>this is where we're at. But without Magnu Spain, I

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<v Speaker 1>think all cocktails are subpar. Almost spilt it everywhere. That

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<v Speaker 1>would have been a nightmare start to all of this.

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<v Speaker 1>I agree. I agree. We need I need. I needed

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<v Speaker 1>Harry here. Also, by the way, we should start this

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<v Speaker 1>off with a massive congratulations to Harry. Oh my gosh,

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<v Speaker 1>that everything everywhere all at once? Team what an Oscar's

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<v Speaker 1>I mean that suits from the beginning of the end

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<v Speaker 1>and then seeing him on stage I cried a little.

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<v Speaker 1>It was awesome. I bawled my eyes out. It's our

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<v Speaker 1>you know, for a biscuit, it means a lot when

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<v Speaker 1>your warlock fairy godfather wins an oscar. It's a big

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<v Speaker 1>deal for the Shadow Fam. But hey, you know what

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<v Speaker 1>else is a big deal? Tell me it has been

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<v Speaker 1>a year since we started the podcast. There's like to

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<v Speaker 1>the day. No, I don't. I don't know if it's

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<v Speaker 1>to the day, I can't remember. But because when we

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<v Speaker 1>recorded versus when we're released, it's it's very near to

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<v Speaker 1>a year since we started podcast. And what a better

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<v Speaker 1>way to celebrate the anniversary than to do a live

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<v Speaker 1>show with you the Shadow Fam. No kidding. Our producers

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<v Speaker 1>came up with the idea. They suggested it to us.

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<v Speaker 1>We thought there was absolutely nothing better. We'll just start

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<v Speaker 1>with the round of appause to our producers as well. Honestly,

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<v Speaker 1>they've been the most fantastic team. They have been absolutely incredible.

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<v Speaker 1>It's been a pleasure working with you, and hopefully we

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<v Speaker 1>get a chance to work with each other again in

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<v Speaker 1>the future. But that's enough about you, because it's not

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<v Speaker 1>about you. It's about me and maybe Cat only a little.

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<v Speaker 1>I think it's about the Shadow fam personally. Well, first thing,

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<v Speaker 1>why don't you tell me Dom, what is your favorite

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<v Speaker 1>part about making this podcast? It's tricky. There's there's so

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<v Speaker 1>much that we have covered in this year. We did

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<v Speaker 1>fifty something episodes a lot, and we covered everything from

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<v Speaker 1>like how we started, how we got cast, all the

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<v Speaker 1>way through it, how it ended behind the scenes to

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<v Speaker 1>cast that we worked with, crew that we worked with,

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<v Speaker 1>the weather, the elements, Toronto, all of the different things

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<v Speaker 1>that we dealt with. I have to say, I think

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<v Speaker 1>my favorite thing has been bringing on guests and hearing

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<v Speaker 1>the different the different perspectives of how this show was

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<v Speaker 1>created and being able to sort of explain and welcome

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<v Speaker 1>people into a world of like this is how we

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<v Speaker 1>do this, Like this it's not just what you see

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<v Speaker 1>on the screen. There's a thousand people behind the scenes

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<v Speaker 1>who put this together. And being able to spences with

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<v Speaker 1>you guys listening and everyone else who is not on

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<v Speaker 1>the live um has been really special. So we really,

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<v Speaker 1>I personally have really enjoyed that and it's been my

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<v Speaker 1>favorite thing. Yeah, I was going to say the exact

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<v Speaker 1>same thing. You know, it's so nice. We get asked

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<v Speaker 1>so many questions about how the show has made and

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<v Speaker 1>how we did certain things, and there's only so much

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<v Speaker 1>of that that we can explain from our perspective, and

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<v Speaker 1>getting to bring people on like Milesdale and Glenn Warner

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<v Speaker 1>and Drew Potter and all these amazing people who were

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<v Speaker 1>there every single day in the trenches with us, or

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<v Speaker 1>even you know, Darren McGuire, who were there every single

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<v Speaker 1>day and making a show with us and are such

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<v Speaker 1>experts in their field, but also getting to hear their

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<v Speaker 1>perspective on a personal level, but also getting to hear

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<v Speaker 1>their experience. He doesn't get what he wants and now

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<v Speaker 1>he's look at this. This is going to be happening.

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<v Speaker 1>The last time that I'm going to say it out loud.

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<v Speaker 1>This is not your shoe. This is my shoe. It

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<v Speaker 1>stands shoe, It stands to your boy, you're just borrowing it.

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<v Speaker 1>But it's, you know, getting to hear the perspective of

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<v Speaker 1>these people that we've grown so close to and grown

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<v Speaker 1>to really love and respect their perspective on a personal

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<v Speaker 1>level of what it was like to be a part

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<v Speaker 1>of the show because they were so special us and

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<v Speaker 1>getting to hear you know that the experience was also

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<v Speaker 1>special for them means a lot. But speaking of special folks,

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<v Speaker 1>we have we have Our next segment is something I'm

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<v Speaker 1>so excited for. We've done the mail bag episodes, we've

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<v Speaker 1>done our Instagram lives, we've chatted with all of you

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<v Speaker 1>at conventions, but now we get to bring you into

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<v Speaker 1>the podcast. So we've our producing team have preselected a

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<v Speaker 1>few audience members to join in and chit chat for

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<v Speaker 1>a little bit and ask their questions live on the

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<v Speaker 1>show with us. Can't wait. People in the comments. But

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<v Speaker 1>before we sort of dive in, people in the comments

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<v Speaker 1>have been saying, my mike isn't loud enough. How is

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<v Speaker 1>that I've moved it a little closer to my face?

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<v Speaker 1>Is that better for everyone? In a better microphone space?

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<v Speaker 1>Let's give it like ten seconds, see if anyone says anything.

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<v Speaker 1>By the way, I think a Dan fan club is yeah,

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<v Speaker 1>the Dan love is Yeah. It's on the way, It's

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<v Speaker 1>on the way. He's been he's been teasing an Instagram

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<v Speaker 1>account for the last like three years. He's four now

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<v Speaker 1>he's four. He's four. He's four years old. A little

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<v Speaker 1>baby under your little little I know, little little tiny

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<v Speaker 1>little thing that he was. Oh, it says better Okay,

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<v Speaker 1>everything's better, and now we know that the delays about

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<v Speaker 1>thirty seconds one, so they go, yes, well, um, our

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<v Speaker 1>magical Angel team, will you bring in our first color

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<v Speaker 1>cooler number one? Roll on up. This is Caitlin from

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<v Speaker 1>Los Angeles. Hello Caitlin, welcome, Thank you. I'm so excited

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<v Speaker 1>to be here, so lovely to meet you. Guys. You

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<v Speaker 1>two you look like a saw special set up. Yeah,

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<v Speaker 1>it looked like a shadow and say you're on a

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<v Speaker 1>blue screen. It's like one set. It's crazy. I know

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<v Speaker 1>for self tapes, I use it all the time. Yep,

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<v Speaker 1>you're an actor as well. Yeah, actually that's part of

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<v Speaker 1>my question here is um. First of all, thank you.

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<v Speaker 1>This podcast has been great, both, you know, as a

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<v Speaker 1>fan of the show and of this whole universe, but

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<v Speaker 1>also as a young actor who is just getting started,

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<v Speaker 1>just getting rolling. It's been really good to hear like

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<v Speaker 1>honest stories about what the industry is like and how

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<v Speaker 1>a show like this gets made. It's been so helpful

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<v Speaker 1>for me. It's been helpful for my mom, who feels

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<v Speaker 1>significantly better about all of this having heard you talk

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<v Speaker 1>about we are still normal people, or as normal as

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<v Speaker 1>we can have had our parents on the show is

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<v Speaker 1>what we should have done. We should have had one

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<v Speaker 1>of our parents, like we should have had our moms

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<v Speaker 1>on his guests, like Dom's a dick, like we're sitting

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<v Speaker 1>in now. I think I think I think we should

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<v Speaker 1>arrange that, or at least try to for next season

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<v Speaker 1>of the podcast. If anyone would like that to happen,

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<v Speaker 1>let us know on the comments and we'll talk to

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<v Speaker 1>our producers. But Caitlin, we're taking up all of your time.

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<v Speaker 1>What is your question for us today? So my question

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<v Speaker 1>is if you could relive any one day from the

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<v Speaker 1>shadow Hunter set, which day would it be and why?

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<v Speaker 1>Oh I can tell you right now. I as sad

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<v Speaker 1>as it was, I would want to relive our very

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<v Speaker 1>last day on the set because I know we've talked

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<v Speaker 1>about the last day on set extensively on the podcast.

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<v Speaker 1>But having everyone there from cast to crew to people

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<v Speaker 1>who had worked on the show, people were still working

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<v Speaker 1>on the show and other people just came to hang

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<v Speaker 1>out and then our rat party was the best experience

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<v Speaker 1>I've ever had on any show. I just stayed and

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<v Speaker 1>really there was an odd reverence for the day because

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<v Speaker 1>we all knew that this was the last. It was

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<v Speaker 1>the end of an era as it were. You know,

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<v Speaker 1>it's the last day we were all going to ever

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<v Speaker 1>get to spend together on this project, in this space,

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<v Speaker 1>with this group of people and this story, and it

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<v Speaker 1>was such a beautiful way to celebrate it with the

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<v Speaker 1>spoiler alert Malik wedding. By the way, if anyone listening

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<v Speaker 1>or watching live hasn't seen all the way through the show,

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<v Speaker 1>we're going to fucking ruin it, like thousand percent. We're

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<v Speaker 1>going to ruin what happens in this show. There's no

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<v Speaker 1>world in which we don't really the end of it.

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<v Speaker 1>Um yeah, kaylin, I'll tell you just to not be

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<v Speaker 1>because my aunts would probably be the same, but just

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<v Speaker 1>to not be repetitive and boring. And I'm going to

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<v Speaker 1>try and do that throughout. I was I found really

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<v Speaker 1>exciting was like the warm up for like the sort

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<v Speaker 1>of the week that we had warming up towards season two,

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<v Speaker 1>and we started seeing the changes they were going to

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<v Speaker 1>make with costumes and props, and then we met the

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<v Speaker 1>Maguire brothers and we met Dean Copkov, the new stunt

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<v Speaker 1>teams and the stunt riggers for the first time, and

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<v Speaker 1>we started working on different movements and fighting styles and

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<v Speaker 1>all of a sudden we were thinking like, wow, this

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<v Speaker 1>is actually a very different version of what we're going

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<v Speaker 1>to be pushing to achieve here, and that was very exciting.

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<v Speaker 1>So I would I would really live that, just not

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<v Speaker 1>I would relive that, because that it was it was

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<v Speaker 1>almost like restarting again with with sort of the experience

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<v Speaker 1>of knowing who a lot of these people were and

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<v Speaker 1>having sort of a new fire put underneath us, which

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<v Speaker 1>was which was very cool. So that and it was,

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<v Speaker 1>you know, like rejuvenating the whole thing, So it was

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<v Speaker 1>that was pretty neat. So I would probably I would

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<v Speaker 1>go ahead and say that you know what, um, I'll

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<v Speaker 1>agree with you there. That's a really good answer. I

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<v Speaker 1>hadn't thought of that. I can't agree with me after

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<v Speaker 1>I disagreed with you. To be not repetitive. We can

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<v Speaker 1>agree with each other's opinions. Already halfway through my drink.

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<v Speaker 1>What am I going to do? Twenty minutes? Can never

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<v Speaker 1>win twenty minutes to make a cattail? Yeah, it was

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<v Speaker 1>much Thank you for joining us, Good luck with everything.

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<v Speaker 1>Wishing you all the best, especially for me, because I

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<v Speaker 1>don't think we're ever going to be in direct competition

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<v Speaker 1>for break all the legs. I'm anyway, but she's like this,

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<v Speaker 1>there's another pretty blonde chick. That's enough. Good luck with everything, Kaylin,

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<v Speaker 1>thank you so much of luck. The have fun. Bye.

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<v Speaker 1>All right, let's bring our next gut up to something

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<v Speaker 1>I don't know. Square here is like not Jaylor and

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<v Speaker 1>welcome and you're a Missouri gala see yes, yes saying

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<v Speaker 1>that's amazings off now where you're from? Cat? Yeah, yeah,

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<v Speaker 1>knew it. Well, welcome to the thank you? Oh goodness, Well,

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<v Speaker 1>my dear, how are you today? First of all, I'm great,

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<v Speaker 1>are you? I'm fantastic? And what is your question for us?

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<v Speaker 1>My question is when you first began acting, what was

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<v Speaker 1>your first experience like was it what? Did it live

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<v Speaker 1>up to your expectations and or were you surprised by anything.

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<v Speaker 1>I'm so excited to tell this story. Cat, you go first,

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<v Speaker 1>but I'm so excited. Okay, I think I know your

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<v Speaker 1>ordom and it's it's a it's a good one. So

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<v Speaker 1>I'm glad. I'm going, Oh my god, you're so right.

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<v Speaker 1>Oh my god, Okay, this I forgot about that one.

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<v Speaker 1>I was thinking about a different one. Um gosh, what

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<v Speaker 1>was my first onset experience? I think, if I'm not mistaken.

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<v Speaker 1>My first actual onset TV experience was I was living

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<v Speaker 1>in New York. A little night music had just closed

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<v Speaker 1>and I booked a two line part on Law and

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<v Speaker 1>Order SVU, as everyone who lives in New York for

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<v Speaker 1>long enough does, and I was so it was like

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<v Speaker 1>walking into Disneyland, you know that, just having these sets

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<v Speaker 1>that you've watched on TV for so many years, and

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<v Speaker 1>you're walking the first time walking into a sound stage,

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<v Speaker 1>you really are immersed into this entire world, and it's fascinating,

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<v Speaker 1>and it just a TV set ran like such a machine.

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<v Speaker 1>It wasn't anything like I expected, and it was very

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<v Speaker 1>you know, you get any dear thing, you get out

0:12:56.840 --> 0:12:58.640
<v Speaker 1>and you're done, and suddenly you're going, wait, did I

0:12:58.679 --> 0:13:00.760
<v Speaker 1>just do it? What just happened? But that was, again

0:13:00.800 --> 0:13:03.680
<v Speaker 1>a show that had been in existence for fifteen almost

0:13:03.679 --> 0:13:06.319
<v Speaker 1>twenty years at that point, so it's a It was

0:13:06.440 --> 0:13:09.400
<v Speaker 1>very different coming into Shadow Hunters, but that was that

0:13:09.480 --> 0:13:13.760
<v Speaker 1>was quite the system that I bumped into for the

0:13:13.880 --> 0:13:16.040
<v Speaker 1>for the very first time. But dumb, why don't you

0:13:16.080 --> 0:13:20.640
<v Speaker 1>tell your story? Mine was a commercial. It was a

0:13:20.920 --> 0:13:23.200
<v Speaker 1>commercial or an advert depending where you're where you're from.

0:13:23.200 --> 0:13:25.840
<v Speaker 1>In the UK we call it an advert for skincare

0:13:25.880 --> 0:13:29.440
<v Speaker 1>for a skincare company, which I think has been well

0:13:29.480 --> 0:13:31.280
<v Speaker 1>I thought had been scrubbed from the internet, but I

0:13:31.320 --> 0:13:35.880
<v Speaker 1>think since since Luke Baines publicly mentioned that this was

0:13:36.040 --> 0:13:39.360
<v Speaker 1>where I met him at the card I think we were.

0:13:41.360 --> 0:13:45.240
<v Speaker 1>We were seventeen or eighteen when that happened, so I

0:13:45.280 --> 0:13:48.120
<v Speaker 1>won't say how many years ago. That was quite a

0:13:48.120 --> 0:13:51.360
<v Speaker 1>few min years a day and we did, Yeah, we

0:13:51.400 --> 0:13:52.920
<v Speaker 1>did this commercial together and it was sort of a

0:13:52.920 --> 0:13:55.760
<v Speaker 1>fairly well oiled machine, and then also wasn't at all

0:13:55.800 --> 0:13:59.480
<v Speaker 1>or well oiled machine. I was wearing not very many

0:13:59.480 --> 0:14:02.480
<v Speaker 1>clothes at one point, very early in the morning, and

0:14:02.480 --> 0:14:05.000
<v Speaker 1>it was very cold, and I was on a trampoline,

0:14:05.000 --> 0:14:06.760
<v Speaker 1>and it was a whole it was a whole thing.

0:14:06.920 --> 0:14:10.600
<v Speaker 1>I think he was doing some equally crazy stuff and

0:14:11.040 --> 0:14:13.080
<v Speaker 1>that was my first experience. And I've been friends with

0:14:13.120 --> 0:14:14.640
<v Speaker 1>Luke ever since, which is nice. I was just talking

0:14:14.640 --> 0:14:19.320
<v Speaker 1>to Luke earlier today, so um, that's nice somethings I've

0:14:19.400 --> 0:14:23.240
<v Speaker 1>known Luke for. I honestly, I don't I don't even

0:14:23.240 --> 0:14:25.600
<v Speaker 1>know what the maths is. What's eight what's thirty three

0:14:25.640 --> 0:14:31.080
<v Speaker 1>minus eighteen? Anybody it's tough in it when it's live,

0:14:31.200 --> 0:14:33.760
<v Speaker 1>when the red dot's going and it's live, all of

0:14:33.800 --> 0:14:35.760
<v Speaker 1>that very simple maths just goes out of you ahead

0:14:35.800 --> 0:14:40.320
<v Speaker 1>fifteen years. It's fifteen years, hey, guante years. Sure, approximately,

0:14:41.720 --> 0:14:44.160
<v Speaker 1>it's not a math test. We're not doing math test today.

0:14:44.320 --> 0:14:46.040
<v Speaker 1>I'm so sorry. We're not putting it from that in

0:14:46.080 --> 0:14:52.160
<v Speaker 1>about thirty seconds comments idiots X amount of years. Um, yeah,

0:14:52.280 --> 0:14:56.960
<v Speaker 1>great question, great question, Thank you very much. I appreciate it. Stories.

0:14:57.240 --> 0:14:59.320
<v Speaker 1>It's almost like we got the script and we were prepped.

0:15:00.320 --> 0:15:03.280
<v Speaker 1>Oh my goodness, this is something else. This is something

0:15:03.320 --> 0:15:05.400
<v Speaker 1>business for tomorrow. This is another thing that we're doing

0:15:05.400 --> 0:15:08.160
<v Speaker 1>tomorrow later on uh huh shalen. Thank you so much

0:15:08.160 --> 0:15:11.440
<v Speaker 1>for joining us to us meeting you guys, you two.

0:15:13.320 --> 0:15:15.920
<v Speaker 1>We really didn't get a bit of a spectrum of

0:15:15.960 --> 0:15:20.600
<v Speaker 1>answers here, which is interesting. I got so rounding is fifteen,

0:15:20.960 --> 0:15:23.640
<v Speaker 1>so I was correct. We got a nineteen and a

0:15:23.760 --> 0:15:31.960
<v Speaker 1>twenty five. But you know, you make it good for you. Yeah,

0:15:32.080 --> 0:15:35.960
<v Speaker 1>yours our better number, so less dumb. That's not fair.

0:15:36.000 --> 0:15:37.480
<v Speaker 1>There were three of us who weren't good at maths.

0:15:37.480 --> 0:15:44.520
<v Speaker 1>Then Austin so, hey, you're from Chicago. I am suburbs.

0:15:44.920 --> 0:15:48.600
<v Speaker 1>Would you up would Chicago Pencer for me? Because I

0:15:48.600 --> 0:15:51.640
<v Speaker 1>miss it so much. I would love to thank you.

0:15:52.040 --> 0:15:56.200
<v Speaker 1>I'm gone there. Yes, I will tweet you, thank you,

0:15:56.440 --> 0:15:59.080
<v Speaker 1>thank you. I'm so down. So it is such an

0:15:59.080 --> 0:16:01.800
<v Speaker 1>honor to me. Both of you guys are both my heroes.

0:16:03.280 --> 0:16:06.400
<v Speaker 1>And my question it's a bit more of a deep

0:16:06.440 --> 0:16:10.960
<v Speaker 1>one because I started watching Shadow Hunters last year. I

0:16:11.080 --> 0:16:12.720
<v Speaker 1>was going through a really really hard time in my

0:16:12.760 --> 0:16:16.640
<v Speaker 1>life and seeing how Clary and Jason everybody else dealt

0:16:16.680 --> 0:16:19.680
<v Speaker 1>with their traumas was just the most affirming thing to

0:16:19.720 --> 0:16:22.240
<v Speaker 1>me going through mine, because I was like, I'm not alone.

0:16:22.520 --> 0:16:26.360
<v Speaker 1>I have these people who now feel like big brother

0:16:26.400 --> 0:16:29.400
<v Speaker 1>and big sister to me, and they're doing all this

0:16:29.440 --> 0:16:34.440
<v Speaker 1>supernatural stuff and Clary loses her mom and they're brothers.

0:16:34.480 --> 0:16:38.360
<v Speaker 1>They're not brothers. It's all crazy. And so you both

0:16:38.360 --> 0:16:40.640
<v Speaker 1>have helped me so much. You've been such a tremendous

0:16:40.680 --> 0:16:44.280
<v Speaker 1>part of my healing process, and Kat also watching you

0:16:44.320 --> 0:16:48.400
<v Speaker 1>on Arrow and Walker independence you deserve all the awards

0:16:48.440 --> 0:16:52.840
<v Speaker 1>for that. It's such a magical performance. And so my

0:16:52.960 --> 0:16:56.480
<v Speaker 1>question for both of you is how has your characters

0:16:56.520 --> 0:16:58.920
<v Speaker 1>helped you in the tough times and what do you

0:16:59.000 --> 0:17:03.840
<v Speaker 1>draw on to portray that emotion because whatever clearly cries,

0:17:03.920 --> 0:17:08.160
<v Speaker 1>I don't want to cry. So it's just amazing. First

0:17:08.160 --> 0:17:09.679
<v Speaker 1>of all, I'm sorry because I cry a lot in

0:17:09.680 --> 0:17:13.240
<v Speaker 1>the show. There's a lot of cras like every other

0:17:13.320 --> 0:17:15.920
<v Speaker 1>day I was crying. I think also we should say

0:17:16.440 --> 0:17:20.800
<v Speaker 1>just first off, Austin, it's a beautiful We would genuinely

0:17:20.800 --> 0:17:22.640
<v Speaker 1>really appreciate it. But what I think, and I've said

0:17:22.640 --> 0:17:24.119
<v Speaker 1>this before and people will have heard me say this,

0:17:24.160 --> 0:17:26.639
<v Speaker 1>but I'm going to reiterate it to you directly. The

0:17:27.359 --> 0:17:29.960
<v Speaker 1>tough time you're going through and the fact that you

0:17:30.000 --> 0:17:32.359
<v Speaker 1>came out the other side of that, we might have

0:17:32.400 --> 0:17:34.440
<v Speaker 1>helped who might have been in a happy little distraction,

0:17:34.440 --> 0:17:36.679
<v Speaker 1>but we're not responsible for that. You're responsible for that.

0:17:36.720 --> 0:17:39.239
<v Speaker 1>The strength from that came from you. It was inside you.

0:17:39.280 --> 0:17:41.760
<v Speaker 1>It is inside you. It's to everyone listening. That's strength

0:17:41.800 --> 0:17:44.840
<v Speaker 1>to overcome whatever the thing is, or if it's a

0:17:45.280 --> 0:17:48.639
<v Speaker 1>few different things, whatever it is, that if we were

0:17:48.680 --> 0:17:51.080
<v Speaker 1>able to maybe help you access that in some way,

0:17:51.119 --> 0:17:52.959
<v Speaker 1>then that's amazing because we're just doing our job and

0:17:53.080 --> 0:17:54.960
<v Speaker 1>that's connected with you in some way. But it is

0:17:54.960 --> 0:17:57.440
<v Speaker 1>important to note, and I always want to reiterate that

0:17:57.440 --> 0:17:59.919
<v Speaker 1>that strength did come from you. I never forget that

0:18:00.119 --> 0:18:02.680
<v Speaker 1>because you were strong enough to do that. It's true.

0:18:02.760 --> 0:18:06.080
<v Speaker 1>And we've been so lucky on this show and through

0:18:06.080 --> 0:18:09.080
<v Speaker 1>all the fandoms and conventions that we've done, to hear

0:18:09.119 --> 0:18:12.680
<v Speaker 1>so many stories like yours, of these amazing angels out

0:18:12.720 --> 0:18:15.000
<v Speaker 1>there in this fandom that have all gone through such

0:18:15.160 --> 0:18:20.760
<v Speaker 1>astronomical things, and it's it's really humbling to be a

0:18:20.880 --> 0:18:23.800
<v Speaker 1>very small part of these amazing, heroic things that all

0:18:23.840 --> 0:18:25.840
<v Speaker 1>of you have done in your lives. So thank you

0:18:25.960 --> 0:18:30.360
<v Speaker 1>for sharing that with us. But as far as goodness,

0:18:31.680 --> 0:18:34.360
<v Speaker 1>I think one thing I learned from Clary and from

0:18:34.480 --> 0:18:36.080
<v Speaker 1>from a lot of my other characters, but Clary was

0:18:36.119 --> 0:18:37.760
<v Speaker 1>the first one that sort of taught this to me

0:18:38.800 --> 0:18:43.119
<v Speaker 1>is she always she falls on her face a million times,

0:18:43.200 --> 0:18:47.159
<v Speaker 1>she makes a millions intentional and unintentional, a bunch of

0:18:47.160 --> 0:18:50.080
<v Speaker 1>things wrong. But she always picks herself back up. She

0:18:50.160 --> 0:18:54.720
<v Speaker 1>always forgives herself, forgives other able to pick herself back

0:18:54.800 --> 0:18:56.760
<v Speaker 1>up by the bootstraps and move on and learn that

0:18:56.760 --> 0:18:59.760
<v Speaker 1>it's okay that to not be perfect, and it's okay

0:18:59.840 --> 0:19:03.480
<v Speaker 1>to make mistakes as long as you have good intentions

0:19:03.520 --> 0:19:06.520
<v Speaker 1>and are doing your best with the resources and information

0:19:06.560 --> 0:19:11.240
<v Speaker 1>you have. That's that's the biggest thing I learned from Clary.

0:19:11.400 --> 0:19:13.760
<v Speaker 1>But as far as the emotional scenes and dom and

0:19:13.800 --> 0:19:17.399
<v Speaker 1>I've talked about this a lot. We different for every

0:19:17.440 --> 0:19:21.399
<v Speaker 1>person and for me personally, it's different for every scene

0:19:21.520 --> 0:19:24.600
<v Speaker 1>and every day you're on set because it's always depends

0:19:24.600 --> 0:19:27.400
<v Speaker 1>on the mental and emotional place you're coming from. So

0:19:27.440 --> 0:19:32.119
<v Speaker 1>sometimes it's a song, sometimes it's something from my Sometimes

0:19:32.440 --> 0:19:35.119
<v Speaker 1>the scene itself. You can just be so immersed in

0:19:35.160 --> 0:19:38.400
<v Speaker 1>the character relationships that you've built. It just comes from

0:19:38.440 --> 0:19:41.280
<v Speaker 1>the story that you're telling. Um. But I always find

0:19:41.320 --> 0:19:46.840
<v Speaker 1>it fascinating to hear what different people's sources of that

0:19:46.960 --> 0:19:52.040
<v Speaker 1>kind of fatain are but dumb, what about you? I

0:19:52.080 --> 0:19:58.119
<v Speaker 1>think I think I learned a lot of of ways

0:19:58.200 --> 0:20:03.080
<v Speaker 1>not to make decisions through Jason. I think um learning

0:20:03.119 --> 0:20:06.199
<v Speaker 1>that that being solo and a lot of these decision

0:20:06.240 --> 0:20:08.119
<v Speaker 1>making processes is not the way I would like to

0:20:08.119 --> 0:20:09.560
<v Speaker 1>do things. If it is the way you do it,

0:20:09.560 --> 0:20:12.040
<v Speaker 1>then great. But for me, talking things out with a

0:20:12.080 --> 0:20:15.879
<v Speaker 1>group of people and developing that and so that if anything,

0:20:15.920 --> 0:20:18.120
<v Speaker 1>reassured myself that like this is the way I would

0:20:18.160 --> 0:20:21.520
<v Speaker 1>like to I definitely learned that from him, sort of

0:20:21.600 --> 0:20:24.240
<v Speaker 1>by by watching his mistakes and being like, that's right,

0:20:24.520 --> 0:20:28.479
<v Speaker 1>this causes you pain and I don't want that. And

0:20:28.560 --> 0:20:31.120
<v Speaker 1>I think as far as the more emotional stuff goes,

0:20:31.960 --> 0:20:35.080
<v Speaker 1>it depends, like it really does depend because, as Kat said,

0:20:35.600 --> 0:20:38.120
<v Speaker 1>some days you turn up on set and they go, great,

0:20:38.119 --> 0:20:40.160
<v Speaker 1>we need a Hollywood tier, which is a tear from

0:20:40.160 --> 0:20:42.719
<v Speaker 1>one eye, normally the eye closest to camera. We need

0:20:42.760 --> 0:20:44.800
<v Speaker 1>a Hollywood tier. We need it in four seconds go

0:20:45.080 --> 0:20:49.760
<v Speaker 1>and you're like, just not, that's not It just doesn't

0:20:49.840 --> 0:20:53.600
<v Speaker 1>work that way. So sometimes you have to rely on externals,

0:20:53.800 --> 0:20:56.040
<v Speaker 1>whether it's tear stick or a song or something from

0:20:55.920 --> 0:20:58.320
<v Speaker 1>the past, whatever it is. The ideal way of doing

0:20:58.320 --> 0:21:02.320
<v Speaker 1>it is you react to whatever the material is, and

0:21:02.440 --> 0:21:04.240
<v Speaker 1>you react with the other actors with you, and that's

0:21:04.280 --> 0:21:06.199
<v Speaker 1>where this comes in. This is very important that you

0:21:06.240 --> 0:21:08.840
<v Speaker 1>trust and care and that the people around you care

0:21:08.840 --> 0:21:10.719
<v Speaker 1>about you and care about your performance, and that you

0:21:10.720 --> 0:21:13.439
<v Speaker 1>create it together as a group. And that's not just

0:21:13.480 --> 0:21:16.200
<v Speaker 1>the other actors either, that's crew giving you the space

0:21:16.240 --> 0:21:20.040
<v Speaker 1>to find that camera operators Drew and we had him

0:21:20.080 --> 0:21:25.360
<v Speaker 1>on the on the Hey Buddy on the show, very

0:21:25.359 --> 0:21:28.000
<v Speaker 1>clear at making the point of like, we will tell

0:21:28.040 --> 0:21:30.719
<v Speaker 1>you when the camera is on is doing this, So

0:21:30.800 --> 0:21:33.879
<v Speaker 1>save the tears until we're here, because this sort of

0:21:33.920 --> 0:21:37.440
<v Speaker 1>strange anthropological thing happens. You run out of tears. It's

0:21:37.440 --> 0:21:40.360
<v Speaker 1>a weird concept, but like your body will physically run

0:21:40.359 --> 0:21:42.960
<v Speaker 1>out of you almost too dehydrated, your body just won't

0:21:42.960 --> 0:21:46.240
<v Speaker 1>make them anymore. And God, almost every time it's when

0:21:46.280 --> 0:21:49.760
<v Speaker 1>it's here and you're like, I got no more. There's

0:21:49.800 --> 0:21:52.280
<v Speaker 1>no more clips, I got no more bullets in the chamber,

0:21:52.320 --> 0:21:54.520
<v Speaker 1>like there's no tears coming out. So I think the

0:21:54.600 --> 0:21:58.320
<v Speaker 1>key things are to rely on the people around you,

0:21:58.359 --> 0:22:02.200
<v Speaker 1>rely on the material, and and um, yeah, I learned that.

0:22:02.359 --> 0:22:04.720
<v Speaker 1>I've learned that. I learned that I need to rely

0:22:04.760 --> 0:22:09.160
<v Speaker 1>on the people around me in my life as well. Absolutes. Yeah,

0:22:09.240 --> 0:22:13.600
<v Speaker 1>thank you both so much for everything. Of course, Austin anytime,

0:22:13.680 --> 0:22:16.840
<v Speaker 1>Thank you so much. Take care, have a good one. Right,

0:22:19.240 --> 0:22:22.800
<v Speaker 1>this is your mind? Come here, Come here, he's are

0:22:22.840 --> 0:22:24.480
<v Speaker 1>you going to see him? Pop right here? Look at this.

0:22:25.040 --> 0:22:26.359
<v Speaker 1>Oh no, he's not done it. He's gone around the

0:22:26.359 --> 0:22:27.800
<v Speaker 1>other way. He's got my other shoe. He's got the

0:22:27.800 --> 0:22:32.200
<v Speaker 1>other shoe. Come here. I love good boy, Dan, good boy.

0:22:32.440 --> 0:22:38.160
<v Speaker 1>So Next, we have Anna from the Ukraine. Hey, I'm

0:22:38.200 --> 0:22:44.560
<v Speaker 1>so excited. In Neura's more excited. Hello are you. Oh,

0:22:44.640 --> 0:22:48.560
<v Speaker 1>I'm fine, as you may know in our situation, but

0:22:48.640 --> 0:22:52.320
<v Speaker 1>I'm fine. I'm great. And also I wanted to say

0:22:52.359 --> 0:22:54.800
<v Speaker 1>thank you so much for everything you're doing for a

0:22:54.920 --> 0:22:58.440
<v Speaker 1>CHAF fan, because, as you may know, in our situation

0:22:58.520 --> 0:23:01.000
<v Speaker 1>in Ukraine, a lot of people can be home, but

0:23:01.400 --> 0:23:06.199
<v Speaker 1>includingly but funny, it reverses a show and when I

0:23:06.320 --> 0:23:08.920
<v Speaker 1>listen to podcast, I just feel like I'm at home

0:23:08.960 --> 0:23:13.480
<v Speaker 1>at least a little a little. Oh that's good. That's

0:23:13.560 --> 0:23:17.359
<v Speaker 1>so very glad to hear that, and we can and

0:23:17.440 --> 0:23:20.560
<v Speaker 1>the rest of our team wishing love and happiness and

0:23:20.600 --> 0:23:24.560
<v Speaker 1>safety to everyone in your situation. You know, I think

0:23:24.600 --> 0:23:27.440
<v Speaker 1>everyone wants this to be over as quickly as possible,

0:23:27.560 --> 0:23:29.959
<v Speaker 1>and a peaceful resolution to be found as quickly as possible,

0:23:30.000 --> 0:23:32.080
<v Speaker 1>and for everyone to be you know, back in their

0:23:32.119 --> 0:23:35.000
<v Speaker 1>own bedroom, being able to listen to this under their sheet,

0:23:35.040 --> 0:23:37.320
<v Speaker 1>under their own sheets, you know, doing things. We're wishing

0:23:37.320 --> 0:23:40.040
<v Speaker 1>that for you from the bottom of our hearts. But

0:23:40.080 --> 0:23:43.639
<v Speaker 1>I will say that's that's such a wonderful sentiment, and

0:23:43.680 --> 0:23:47.800
<v Speaker 1>that's something that I love about the Shadow family feel

0:23:47.840 --> 0:23:50.440
<v Speaker 1>like a home, and the community has become a safe

0:23:50.440 --> 0:23:52.440
<v Speaker 1>place and a home for so many people all over

0:23:52.480 --> 0:23:57.280
<v Speaker 1>the world. And I'm constantly in our and fascinated and

0:23:57.400 --> 0:23:59.840
<v Speaker 1>humbled by every single one of you that makes this

0:24:00.040 --> 0:24:03.440
<v Speaker 1>community is so beautiful. So that is a perfect way

0:24:03.520 --> 0:24:07.080
<v Speaker 1>to put it into perspective, my dear. That's your question

0:24:07.119 --> 0:24:10.520
<v Speaker 1>for us today, and my aggression is if you could

0:24:10.720 --> 0:24:15.679
<v Speaker 1>from once in one detail from your character's character's life,

0:24:16.080 --> 0:24:21.160
<v Speaker 1>what would be and what consequences it would cost? Hmm,

0:24:22.600 --> 0:24:24.920
<v Speaker 1>if I could take You're asking if I could take

0:24:24.960 --> 0:24:27.240
<v Speaker 1>something from Jase's life and bring it into my life

0:24:27.760 --> 0:24:30.960
<v Speaker 1>the ruins of thousand So if you could change one detail,

0:24:31.119 --> 0:24:34.720
<v Speaker 1>if you could change one detail of Jason's life, Yeah, oh,

0:24:34.760 --> 0:24:40.760
<v Speaker 1>I see what consequences would have I mean, poor Jason,

0:24:41.200 --> 0:24:43.800
<v Speaker 1>so many, so many of the details in Jase's life

0:24:43.840 --> 0:24:46.040
<v Speaker 1>I would change, Like, it's almost unfair to just pick

0:24:46.080 --> 0:24:50.760
<v Speaker 1>the one. I think. Well, here's the thing. I think,

0:24:51.400 --> 0:24:59.480
<v Speaker 1>if Jason's father was a more empathetic, genuine well, if

0:24:59.560 --> 0:25:01.960
<v Speaker 1>Jase's if who we thought Jase's father was at the

0:25:02.040 --> 0:25:06.760
<v Speaker 1>beginning was a more empathetic and caring and loving man,

0:25:07.840 --> 0:25:11.200
<v Speaker 1>I guess the person who raised Jase. See, I still

0:25:11.240 --> 0:25:14.760
<v Speaker 1>get confused with who who Jase's and where he came from.

0:25:14.800 --> 0:25:17.120
<v Speaker 1>There are so many different storylines that happened I think

0:25:17.119 --> 0:25:21.800
<v Speaker 1>we're talking about. I'm trying to I would like Valentine

0:25:21.800 --> 0:25:24.160
<v Speaker 1>to have been a nicer guy in general. I think

0:25:24.160 --> 0:25:25.639
<v Speaker 1>he could have been nicer to Jason, could have been

0:25:25.680 --> 0:25:27.400
<v Speaker 1>nice to Clare, he could have been nicer to Jonathan.

0:25:27.720 --> 0:25:30.159
<v Speaker 1>And in reality, what that would have changed is we

0:25:30.240 --> 0:25:34.280
<v Speaker 1>probably didn't really have a show because so much of

0:25:34.320 --> 0:25:37.399
<v Speaker 1>it was based on Valentine being the bad guy. So

0:25:37.440 --> 0:25:39.280
<v Speaker 1>I think we probably didn't have a TV show, so

0:25:39.359 --> 0:25:42.480
<v Speaker 1>this wouldn't have happened. So I guess Jase's pain and

0:25:42.560 --> 0:25:44.680
<v Speaker 1>a lot of other people's pain kind of caused this

0:25:44.800 --> 0:25:49.680
<v Speaker 1>to be a thing. So that's good, you know, silver lining. Yeah,

0:25:50.440 --> 0:25:55.760
<v Speaker 1>so I guess that's where we're at. That's my answer. Well,

0:25:55.800 --> 0:26:04.760
<v Speaker 1>that's you know, your Jason's sacrifice is everyone else's enjoyment? Yeah, yeah,

0:26:04.800 --> 0:26:06.840
<v Speaker 1>I don't. I don't want to. I don't want to

0:26:06.840 --> 0:26:11.760
<v Speaker 1>put it that way really, but um hmm. I think

0:26:11.760 --> 0:26:14.240
<v Speaker 1>if I could change wen detail about Clarie's life, I

0:26:14.280 --> 0:26:18.520
<v Speaker 1>would just I would want her to listen a little

0:26:18.520 --> 0:26:21.480
<v Speaker 1>bit more to the people around her to know just

0:26:21.520 --> 0:26:23.600
<v Speaker 1>a little bit more than she does about things, and

0:26:23.640 --> 0:26:29.560
<v Speaker 1>maybe maybe for her not to go against the grains

0:26:29.600 --> 0:26:32.919
<v Speaker 1>so much. But alternatively, it makes me wonder because so

0:26:32.960 --> 0:26:37.240
<v Speaker 1>many things that happened happened because of accidents that she

0:26:37.320 --> 0:26:40.560
<v Speaker 1>had or things that she did that maybe weren't what

0:26:40.600 --> 0:26:42.240
<v Speaker 1>she was told to do, and some of those were

0:26:42.280 --> 0:26:49.480
<v Speaker 1>good things. So you know, I'm not sure that. Yeah,

0:26:49.520 --> 0:26:54.760
<v Speaker 1>I totally agree with your Sometimes changes it's not good, agreed.

0:26:54.880 --> 0:26:59.800
<v Speaker 1>Sometimes yeah, sometimes change is negative. Absolutely, Yeah, thank you

0:27:00.080 --> 0:27:02.320
<v Speaker 1>so much, and it was such a pleasure to media.

0:27:03.119 --> 0:27:07.320
<v Speaker 1>Thank you, Thank you so much, sending love all the best.

0:27:09.960 --> 0:27:18.480
<v Speaker 1>All right, Next we have Anya from Germany. Hi there, amazing, Anya, Hi, Hi, Hi,

0:27:18.800 --> 0:27:21.520
<v Speaker 1>how are you. I'm good? Thank you for having me

0:27:22.359 --> 0:27:27.520
<v Speaker 1>of course, our pleasure amazing. So, uh, what's your question

0:27:27.560 --> 0:27:30.439
<v Speaker 1>for us today, my dear? Well, why is not like

0:27:31.040 --> 0:27:35.200
<v Speaker 1>really a question, It's more a little mini brand I had, um,

0:27:35.400 --> 0:27:40.640
<v Speaker 1>which was, how come every other shadow hunter that we

0:27:40.720 --> 0:27:44.760
<v Speaker 1>have besides our, one of which has been a shadow

0:27:44.840 --> 0:27:49.600
<v Speaker 1>hunter for maybe a minute, is basically useless at their job?

0:27:50.880 --> 0:27:58.320
<v Speaker 1>I'm thinking, Umah, Jonathan going down into like the kind

0:27:58.359 --> 0:28:00.480
<v Speaker 1>of dungeon thing and stealing the more to Rril and

0:28:00.600 --> 0:28:04.960
<v Speaker 1>the Elite carriage just going down like immediately, I was like, oh, yeah,

0:28:05.040 --> 0:28:09.640
<v Speaker 1>I know, you know, point off the show, but really elite. Yeah,

0:28:09.800 --> 0:28:11.640
<v Speaker 1>we talk about this a yeah. Let me tell you,

0:28:11.800 --> 0:28:14.760
<v Speaker 1>we talk about this all the time, all the time.

0:28:15.480 --> 0:28:20.200
<v Speaker 1>Useless shadow Hunters as a breed are useless, completely useless.

0:28:21.359 --> 0:28:24.639
<v Speaker 1>Let's do like seventeen backflips and throw like a weapon

0:28:24.720 --> 0:28:26.920
<v Speaker 1>that is super useful throughout the rest of the story,

0:28:26.960 --> 0:28:28.800
<v Speaker 1>but we use it one time, or like a ruin

0:28:28.840 --> 0:28:30.840
<v Speaker 1>that got designed and we're like, y, yeah, let's do that. Well,

0:28:30.880 --> 0:28:33.480
<v Speaker 1>let's pour to into Iddriss. Using this ruin that that

0:28:33.720 --> 0:28:36.000
<v Speaker 1>Cats used one time, Claris used one time. Where does

0:28:36.000 --> 0:28:38.200
<v Speaker 1>it get us underwater? Doesn't make any sense. We have

0:28:38.280 --> 0:28:40.480
<v Speaker 1>warlocks everywhere that we're friends with who know how to

0:28:40.480 --> 0:28:42.160
<v Speaker 1>get us to address doesn't make any sense. It's the

0:28:42.200 --> 0:28:46.240
<v Speaker 1>stupidest thing. We make terrible choices all the time, all

0:28:46.280 --> 0:28:48.520
<v Speaker 1>the time. But it made for an interesting show. So

0:28:48.680 --> 0:28:53.120
<v Speaker 1>there's the real balance. Yeah, useless, completely useless. I agree,

0:28:53.160 --> 0:28:55.760
<v Speaker 1>we really did it, really did. I will say the

0:28:56.360 --> 0:28:59.680
<v Speaker 1>senior talking about I think the idea was that it's

0:28:59.680 --> 0:29:03.880
<v Speaker 1>about Jonathan is so powerful that even the elite guards

0:29:03.920 --> 0:29:06.400
<v Speaker 1>just go down Love writing center. But then how can

0:29:06.440 --> 0:29:08.959
<v Speaker 1>we fight him? And it takes a minute. I don't know.

0:29:09.200 --> 0:29:12.120
<v Speaker 1>I don't know. But he was supposed to be so good.

0:29:12.160 --> 0:29:13.800
<v Speaker 1>Do you remember who doubled him? Do you remember who

0:29:13.840 --> 0:29:16.640
<v Speaker 1>doubled him for that? Right? Do little Little Little Love?

0:29:16.720 --> 0:29:21.160
<v Speaker 1>That's our stunt Cornet or Darren maguire. Yea doubled will

0:29:21.200 --> 0:29:23.680
<v Speaker 1>Tutor for that scene. He doubled will Tutor for that

0:29:23.720 --> 0:29:28.640
<v Speaker 1>fight scene. Yeah, because they needed such a such an

0:29:28.640 --> 0:29:32.920
<v Speaker 1>elite kicker that only Darren could do it. Is that

0:29:33.160 --> 0:29:37.360
<v Speaker 1>sun going to say it? I don't know, skilled masterful,

0:29:37.720 --> 0:29:40.200
<v Speaker 1>You wouldn't see it. You probably wouldn't notice because he's

0:29:40.320 --> 0:29:48.640
<v Speaker 1>they edited, edited, edited, edited it, edited it, say edited it?

0:29:49.600 --> 0:29:52.640
<v Speaker 1>Edited it? Yeah, say it, but say it normally. Don't

0:29:52.680 --> 0:29:54.160
<v Speaker 1>say it with you with your teeth. Just try and

0:29:54.200 --> 0:30:01.560
<v Speaker 1>say it like in turn a phrase. Edited it. Oh yeah, okay, okay,

0:30:01.640 --> 0:30:08.800
<v Speaker 1>I can see Wow. Um they did it together very well.

0:30:08.840 --> 0:30:10.840
<v Speaker 1>So is it? You probably won't be able to notice.

0:30:10.880 --> 0:30:12.640
<v Speaker 1>Hopefully you won't be able to notice. But go back

0:30:12.680 --> 0:30:14.480
<v Speaker 1>and then and then tweet Kat if you noticed. I

0:30:14.520 --> 0:30:16.960
<v Speaker 1>don't have Twitter anymore for this exact reason. So people

0:30:17.000 --> 0:30:18.560
<v Speaker 1>can't be like, though, does it look like him anymore?

0:30:18.560 --> 0:30:21.880
<v Speaker 1>And I'm like, I don't care. I will say Darren

0:30:21.920 --> 0:30:24.360
<v Speaker 1>looks great as a blonde. I'm just gonna say it.

0:30:24.360 --> 0:30:26.160
<v Speaker 1>It's gonna put it out there, Darren looks great as

0:30:26.160 --> 0:30:28.360
<v Speaker 1>a blonde. Thank you to the person in the chat

0:30:28.400 --> 0:30:32.080
<v Speaker 1>who said I'm an elite kicker. I appreciate that. How

0:30:32.080 --> 0:30:33.880
<v Speaker 1>are you keeping up with the chat? It's there's so

0:30:34.000 --> 0:30:37.760
<v Speaker 1>much of it, it's so quick. Someone said poor rage,

0:30:37.760 --> 0:30:39.800
<v Speaker 1>and I agree with you, page. I really want a

0:30:39.840 --> 0:30:42.920
<v Speaker 1>T shirt that says poor rage, but out of context,

0:30:42.960 --> 0:30:46.920
<v Speaker 1>it probably is not a good idea. On ya, this

0:30:46.960 --> 0:30:48.360
<v Speaker 1>is what it's like being in our life. How does

0:30:48.400 --> 0:30:51.760
<v Speaker 1>it feel welcome? You ask a normal question and we

0:30:51.800 --> 0:30:54.400
<v Speaker 1>answer that sort of somewhat, and then we just transition

0:30:54.480 --> 0:30:58.000
<v Speaker 1>into useless nonsense tangents. Yeah, this is what our producers

0:30:58.000 --> 0:31:01.000
<v Speaker 1>have to put up with, and so you do. Okay,

0:31:01.000 --> 0:31:02.920
<v Speaker 1>Well that's good. That's good to hear. I'm glad that

0:31:03.000 --> 0:31:06.600
<v Speaker 1>this is somewhat the norm for you. Yeah, I mean,

0:31:06.600 --> 0:31:08.360
<v Speaker 1>this is what our producers have to put up with

0:31:08.440 --> 0:31:11.240
<v Speaker 1>and edit. A'mia, thank you so much for being on

0:31:11.240 --> 0:31:13.560
<v Speaker 1>the show today. We really appreciate you joining us and

0:31:13.680 --> 0:31:17.080
<v Speaker 1>for such a wonderful conversation topic. I like your plans.

0:31:17.840 --> 0:31:24.800
<v Speaker 1>Bye hy bye bye, Natalie. Welcome, Oh movies, you can't

0:31:24.840 --> 0:31:30.760
<v Speaker 1>here's it? Hey, welcome. Hi, how are you guys? Fantastic?

0:31:31.320 --> 0:31:34.960
<v Speaker 1>Thank you, I'm good, thank you. And I'm in very

0:31:35.080 --> 0:31:41.760
<v Speaker 1>wet and cold Scotland. So oh no, I'm very similar

0:31:41.800 --> 0:31:44.360
<v Speaker 1>to oh sorry, what are you guys? No, I was

0:31:44.400 --> 0:31:47.240
<v Speaker 1>just gonna ask what your question was for today, and

0:31:47.640 --> 0:31:51.800
<v Speaker 1>so very similar to Austin and your Your guys show

0:31:51.920 --> 0:31:55.520
<v Speaker 1>is like my my comfort show. Um, so I tend

0:31:55.560 --> 0:31:58.360
<v Speaker 1>to get maybe two episodes in the series two and

0:31:58.400 --> 0:32:03.680
<v Speaker 1>I go, I'm depressed. That's what it. So I very

0:32:03.760 --> 0:32:06.080
<v Speaker 1>much find it's a really really comfort and lovely show.

0:32:06.280 --> 0:32:09.920
<v Speaker 1>But what I wanted to ask was everyone tends to

0:32:10.000 --> 0:32:15.440
<v Speaker 1>have a dark or off pieced storyline and if there

0:32:15.560 --> 0:32:18.719
<v Speaker 1>was one that you guys could take from another character

0:32:18.840 --> 0:32:21.280
<v Speaker 1>storyline that you wish it been yours, what would it

0:32:21.280 --> 0:32:26.720
<v Speaker 1>have been? Oh? Wow, it's an interesting one, a storyline

0:32:26.760 --> 0:32:31.440
<v Speaker 1>that I wish I could have had. I mean we

0:32:31.560 --> 0:32:35.200
<v Speaker 1>sort of had this from time to time in little

0:32:35.240 --> 0:32:37.120
<v Speaker 1>moments like Dommy and I did this and he did

0:32:37.160 --> 0:32:42.680
<v Speaker 1>it with Alberto Once. I loved the episode where Magnus

0:32:42.760 --> 0:32:46.680
<v Speaker 1>and Valentine switched, just getting to watch Alan and Harry

0:32:47.360 --> 0:32:50.840
<v Speaker 1>do that and really commit and just get they both

0:32:50.880 --> 0:32:53.280
<v Speaker 1>committed so much and got so much of each other's

0:32:53.400 --> 0:32:58.560
<v Speaker 1>nuances and voice, speech pattern, posture walk. It blew my mind.

0:32:58.640 --> 0:33:02.040
<v Speaker 1>I mean, they're both so uber talented, but I'm not

0:33:02.120 --> 0:33:06.640
<v Speaker 1>surprised it was such a high level of work. But

0:33:07.320 --> 0:33:09.240
<v Speaker 1>that would have been so fun to have been paired

0:33:09.240 --> 0:33:11.480
<v Speaker 1>with someone and had to kind of do that for

0:33:11.520 --> 0:33:17.320
<v Speaker 1>a full episode instead of just in bits and bobs. Yeah. Yeah,

0:33:17.360 --> 0:33:20.160
<v Speaker 1>I think we also sort of toyed with it for

0:33:20.200 --> 0:33:23.360
<v Speaker 1>a second right towards we got given each other's powers

0:33:24.360 --> 0:33:26.200
<v Speaker 1>from different elements of that, and I think, I don't

0:33:26.200 --> 0:33:28.280
<v Speaker 1>know if there's another storyline I would have liked Jase

0:33:28.360 --> 0:33:31.520
<v Speaker 1>to go through necessarily, But I think it's always an

0:33:31.520 --> 0:33:35.000
<v Speaker 1>interesting concept to think, how would this person deal with

0:33:35.040 --> 0:33:37.640
<v Speaker 1>the world if your background was entirely different, if you

0:33:37.680 --> 0:33:39.600
<v Speaker 1>were treated differently because of who you were or what

0:33:39.680 --> 0:33:41.840
<v Speaker 1>you were, who would that develop you into as a

0:33:42.000 --> 0:33:44.520
<v Speaker 1>as a character, as a person, as you know, a being.

0:33:44.960 --> 0:33:48.680
<v Speaker 1>Would Jay still be sort of the same, fairly obnoxious,

0:33:48.760 --> 0:33:53.920
<v Speaker 1>you know, broken psychlonic character. Would he be that same

0:33:53.920 --> 0:33:55.880
<v Speaker 1>guy if he was raised as a warlock, if he

0:33:55.920 --> 0:33:58.320
<v Speaker 1>was raised exactly the same same people in his life,

0:33:58.440 --> 0:34:00.720
<v Speaker 1>same treatment, the whole way through, but he was a warlock,

0:34:00.800 --> 0:34:04.240
<v Speaker 1>so his external factors maybe changed. And that's that's always

0:34:04.240 --> 0:34:07.480
<v Speaker 1>sort of an interesting conversation to develop within dialogue is

0:34:08.120 --> 0:34:10.719
<v Speaker 1>U and an interesting sort of anthropological look at these

0:34:10.760 --> 0:34:12.560
<v Speaker 1>characters and who they are and how they develop. Is

0:34:12.880 --> 0:34:15.360
<v Speaker 1>we are products of our environment. Everyone is, everything is

0:34:15.360 --> 0:34:17.680
<v Speaker 1>a product of his environment. We adapt and move and

0:34:17.719 --> 0:34:20.560
<v Speaker 1>grow with our environment. So it would be interesting to

0:34:20.600 --> 0:34:24.680
<v Speaker 1>think within that where these characters could and should and

0:34:26.320 --> 0:34:31.480
<v Speaker 1>maybe would go. Were their situations different. I suppose I

0:34:31.520 --> 0:34:33.759
<v Speaker 1>think we answered your question with a question, and I'm

0:34:33.800 --> 0:34:39.960
<v Speaker 1>sorry about that. Yeah, but that's what happens. That's fain.

0:34:40.040 --> 0:34:42.880
<v Speaker 1>Thank you very much, podcast, Thank you so much, thank you,

0:34:42.960 --> 0:34:53.359
<v Speaker 1>great question. Thank you Natalie. Hello, just firing them. Yes,

0:34:53.560 --> 0:34:57.440
<v Speaker 1>welcome to the show. Hi, Jess. If I'm going to

0:34:57.480 --> 0:35:00.279
<v Speaker 1>be honest, I'm actually terrified because I don't normally do Yeah,

0:35:01.320 --> 0:35:05.359
<v Speaker 1>So I'm like really, okay, Okay, I get it, don't

0:35:05.360 --> 0:35:07.560
<v Speaker 1>worry about it. Kat told me right before that she

0:35:07.719 --> 0:35:11.680
<v Speaker 1>was super nervous about my accent because obviously I'm from

0:35:12.200 --> 0:35:14.080
<v Speaker 1>like Kat, you're like, I think you're American. If you do,

0:35:14.280 --> 0:35:16.640
<v Speaker 1>you're English. But I'm terrified because I stutter a lot

0:35:17.080 --> 0:35:20.120
<v Speaker 1>and because of my accent, I'm growing bright pint. I

0:35:20.320 --> 0:35:22.440
<v Speaker 1>tend to go over my words and it's really am

0:35:23.200 --> 0:35:26.799
<v Speaker 1>Thats fine. I promise you don't worry about it. And yeah,

0:35:26.960 --> 0:35:30.799
<v Speaker 1>really don't worry about it. You sound flawless, You sound perfect, Jesse. Yeah,

0:35:30.840 --> 0:35:33.520
<v Speaker 1>So my question was to you guys, if you could

0:35:33.520 --> 0:35:35.919
<v Speaker 1>have one more episode where you both had complete, great

0:35:36.000 --> 0:35:38.080
<v Speaker 1>freedom over it, what would you like to see happen

0:35:38.160 --> 0:35:42.120
<v Speaker 1>in that episode? Oh? I always I thought about this

0:35:42.239 --> 0:35:45.640
<v Speaker 1>to the entire pandemic. I would have loved to see

0:35:45.840 --> 0:35:49.560
<v Speaker 1>shadow Hunters in lockdown, just in lockdown at the institute,

0:35:49.719 --> 0:35:55.839
<v Speaker 1>going well, what how do we? What do we? Ah uh,

0:35:56.280 --> 0:35:59.719
<v Speaker 1>and just so having to do such mundane things, or

0:36:00.080 --> 0:36:01.560
<v Speaker 1>you know, having to try and do any of the

0:36:01.560 --> 0:36:04.520
<v Speaker 1>crazy things that any of us did to stay entertained

0:36:04.600 --> 0:36:07.359
<v Speaker 1>during the pandemic, or even you know, watching them try

0:36:07.400 --> 0:36:11.560
<v Speaker 1>and develop a run an anti you know, COVID run

0:36:11.719 --> 0:36:15.960
<v Speaker 1>or something, because I'm sure they would be experimenting. But yeah,

0:36:16.040 --> 0:36:19.600
<v Speaker 1>after after like the first month, because I think it

0:36:19.640 --> 0:36:22.000
<v Speaker 1>would be the same as same as like human beings,

0:36:22.000 --> 0:36:23.799
<v Speaker 1>like this is gonna blow over. This is fine, it's

0:36:23.840 --> 0:36:25.440
<v Speaker 1>going to blow over. Not a good deal. The month

0:36:25.480 --> 0:36:28.040
<v Speaker 1>two rolls around and you're like a ship. This might

0:36:28.040 --> 0:36:29.759
<v Speaker 1>be about for a while, like this is Then you're

0:36:29.800 --> 0:36:32.359
<v Speaker 1>calling like R and D shadow Hunters R and D, like, hey, guys,

0:36:32.360 --> 0:36:34.520
<v Speaker 1>we're gonna need you to get on on top of this,

0:36:34.680 --> 0:36:37.160
<v Speaker 1>like the shadow Hunters version of Fiser. We're gonna be like, guys,

0:36:37.160 --> 0:36:39.480
<v Speaker 1>I'm gonna need you to pump out a vaccine for

0:36:39.480 --> 0:36:42.800
<v Speaker 1>this asa because we're we're like, there are two hundred

0:36:42.800 --> 0:36:45.400
<v Speaker 1>shadow Hunters on the best of days, we don't know

0:36:45.440 --> 0:36:47.560
<v Speaker 1>what we're doing, and we're now all crammed in the

0:36:47.600 --> 0:36:50.720
<v Speaker 1>same place like I he's made herself the chef. That's

0:36:50.840 --> 0:36:54.239
<v Speaker 1>not good. That's bad. Let us out, let us out

0:36:54.280 --> 0:36:58.040
<v Speaker 1>right now. That's and then you have you know, like show, Yeah,

0:36:58.200 --> 0:37:00.799
<v Speaker 1>you have Simon and Magnus who are quarantined in there

0:37:00.840 --> 0:37:03.839
<v Speaker 1>with us, and you know, having to navigate that political atmosphere,

0:37:04.320 --> 0:37:08.760
<v Speaker 1>and I don't know that would be fun. We always

0:37:08.760 --> 0:37:10.960
<v Speaker 1>thought it would be fun. Matt and Alberto and I

0:37:10.960 --> 0:37:12.480
<v Speaker 1>thought it would be fun to have an episode that

0:37:12.600 --> 0:37:14.440
<v Speaker 1>wasn't about us at all. It was just about the

0:37:14.920 --> 0:37:18.440
<v Speaker 1>supporting actors that we had come in the background shadow

0:37:18.520 --> 0:37:23.680
<v Speaker 1>hunters or like or like um, the people like walking

0:37:23.719 --> 0:37:26.240
<v Speaker 1>down the street and you follow like this one guy's

0:37:26.239 --> 0:37:30.000
<v Speaker 1>story who bumped into nobody like shoulder checked nobody and

0:37:30.080 --> 0:37:31.880
<v Speaker 1>spend the rest of his life being like, but I

0:37:32.040 --> 0:37:34.440
<v Speaker 1>know I did, like I felt someone, and it's some

0:37:34.560 --> 0:37:37.000
<v Speaker 1>shadow hunter who fucked up and like walked into someone

0:37:37.320 --> 0:37:39.879
<v Speaker 1>and that like that's his little sub story. Like he's

0:37:39.880 --> 0:37:42.920
<v Speaker 1>in therapy, like, no, I definitely bumped into someone. And

0:37:42.920 --> 0:37:44.719
<v Speaker 1>they're like, you can't have done that. How does this

0:37:44.760 --> 0:37:47.600
<v Speaker 1>relate to your past? And he's like, no, I definitely did.

0:37:47.000 --> 0:37:49.480
<v Speaker 1>I bumped into someone and I felt it and we've

0:37:49.520 --> 0:37:52.600
<v Speaker 1>just ruined that person's life. Yeah. See, it's always be

0:37:52.680 --> 0:37:57.160
<v Speaker 1>interesting like side story. See then I can imagine like

0:37:57.440 --> 0:37:59.759
<v Speaker 1>obviously if they look around check then the shadow hunt

0:37:59.800 --> 0:38:01.400
<v Speaker 1>for a thinking, oh my god, you can see me

0:38:01.560 --> 0:38:04.239
<v Speaker 1>just like obviously Clarie's first one of her first lines,

0:38:04.280 --> 0:38:08.439
<v Speaker 1>and I would be absolutely hysterical. Yeah, I know there's

0:38:08.440 --> 0:38:12.160
<v Speaker 1>another one, a rogue shadow hunter out there that doesn't

0:38:12.160 --> 0:38:14.520
<v Speaker 1>know they're a shadow hunter. Oh boy, Alec just goes

0:38:14.640 --> 0:38:18.000
<v Speaker 1>no no. I think at that point as well, I

0:38:18.000 --> 0:38:22.759
<v Speaker 1>think Jays would bump into another yea no nopep me like, yes,

0:38:22.800 --> 0:38:24.399
<v Speaker 1>I'm so sorry I did Sorry, I have a nice

0:38:24.440 --> 0:38:28.440
<v Speaker 1>eving and then just me it was a pleasure to

0:38:28.480 --> 0:38:32.719
<v Speaker 1>meet you both. Yes, thank you so much, thank you, Hi,

0:38:33.160 --> 0:38:39.760
<v Speaker 1>thank you take talking to us. Hello, Hi, um so

0:38:40.080 --> 0:38:43.960
<v Speaker 1>um hellove to me, Arena. Lovely to meet you as well.

0:38:44.360 --> 0:38:48.000
<v Speaker 1>And um, I've also wanted to say I didn't even

0:38:48.040 --> 0:38:49.960
<v Speaker 1>know any of you existed up till about a year

0:38:49.960 --> 0:38:52.440
<v Speaker 1>and a half ago, and I saw a shadow of

0:38:52.480 --> 0:38:55.960
<v Speaker 1>Hunters and I picked up quite a few good actors

0:38:56.000 --> 0:38:58.960
<v Speaker 1>to watch what they're gonna do. Oh that's very sweet.

0:38:59.480 --> 0:39:03.640
<v Speaker 1>Thank you. But I even liked your podcast more. It's

0:39:03.960 --> 0:39:09.680
<v Speaker 1>really wow. I really enjoy your guys, and I was

0:39:09.719 --> 0:39:12.440
<v Speaker 1>really impressed what a good host you are, and you

0:39:12.520 --> 0:39:15.759
<v Speaker 1>always when you have guests, you always uh and during

0:39:15.760 --> 0:39:19.600
<v Speaker 1>the show you always pointed out, um, good scenes your

0:39:19.960 --> 0:39:24.120
<v Speaker 1>castmates made, and um you always keep saying like, oh

0:39:24.239 --> 0:39:28.920
<v Speaker 1>they should include that in a there um promo reel. Yeah. So,

0:39:29.320 --> 0:39:32.160
<v Speaker 1>but you never talk about yourself, and I think you're

0:39:32.239 --> 0:39:35.600
<v Speaker 1>very good actors, so I know it's hard to just

0:39:35.840 --> 0:39:38.920
<v Speaker 1>yourself in your own work. But now that you did

0:39:39.080 --> 0:39:41.680
<v Speaker 1>rewatch and had a little bit time distance from when

0:39:41.719 --> 0:39:46.080
<v Speaker 1>you did the thing, what are the scenes not necessarily

0:39:46.080 --> 0:39:48.239
<v Speaker 1>the scenes that were best for you to make, but

0:39:48.360 --> 0:39:50.719
<v Speaker 1>like the scenes that you look there. Oh that's a

0:39:50.760 --> 0:39:53.200
<v Speaker 1>good acting I'm gonna put this in my resume or

0:39:53.200 --> 0:39:57.600
<v Speaker 1>whatever you do as actors. Yeah. Um, good question, really

0:39:57.600 --> 0:40:01.880
<v Speaker 1>good question, because I think, um, you're right. Normally, the

0:40:01.960 --> 0:40:05.040
<v Speaker 1>question we get asked and the question we answered probably

0:40:05.080 --> 0:40:07.360
<v Speaker 1>the most often is what was your favorite to what

0:40:07.560 --> 0:40:10.040
<v Speaker 1>was the hardest film, to the hardest scene to film, whatever,

0:40:10.080 --> 0:40:12.479
<v Speaker 1>so on and so forth. Which one do I think

0:40:12.640 --> 0:40:14.880
<v Speaker 1>would be in my real I know one that's in

0:40:14.920 --> 0:40:18.319
<v Speaker 1>my reel because I've I've obviously seen my real. Um

0:40:18.760 --> 0:40:21.160
<v Speaker 1>my agents put it together. Kat, I'm sure you will

0:40:21.280 --> 0:40:24.759
<v Speaker 1>do the same. But what's in it? The scene from

0:40:24.760 --> 0:40:30.200
<v Speaker 1>the end of episode three in season two, Um, Parabatti

0:40:30.320 --> 0:40:35.719
<v Speaker 1>lost alec Is dying and I do the Parabati oath

0:40:35.840 --> 0:40:38.279
<v Speaker 1>to him bringing back that scene is in my reel.

0:40:38.680 --> 0:40:41.560
<v Speaker 1>I know that scenes in my real Um So I

0:40:41.880 --> 0:40:43.920
<v Speaker 1>sort of I cheaped out on the answer there a

0:40:43.920 --> 0:40:45.839
<v Speaker 1>little because I didn't really answer it. I was like

0:40:45.920 --> 0:40:47.840
<v Speaker 1>my team thought that was good, and They've put it

0:40:47.880 --> 0:40:50.600
<v Speaker 1>in my reel, so I'm sort of washing my hands

0:40:50.600 --> 0:40:53.120
<v Speaker 1>and I'm fantastic at that scene and I made sure

0:40:53.120 --> 0:40:55.600
<v Speaker 1>it was real. No, I'm not doing that, um no,

0:40:55.800 --> 0:40:57.319
<v Speaker 1>but I know that that scene is in my real

0:40:57.440 --> 0:41:01.040
<v Speaker 1>And I will say, as far as performing, you do

0:41:01.120 --> 0:41:03.960
<v Speaker 1>have days where you go home and go that felt good,

0:41:04.160 --> 0:41:06.120
<v Speaker 1>that felt really good, and I did I think it

0:41:06.120 --> 0:41:07.759
<v Speaker 1>was one hundred percent that I think it couldn't be

0:41:07.800 --> 0:41:11.360
<v Speaker 1>any better. Absolutely not. But was it up there, you know,

0:41:11.640 --> 0:41:15.160
<v Speaker 1>towards where I want it to be. Yeah. Absolutely. And

0:41:15.200 --> 0:41:17.840
<v Speaker 1>I think part of being a performer or an artist

0:41:17.880 --> 0:41:21.800
<v Speaker 1>really in any form, there's a version of perfections living

0:41:21.880 --> 0:41:23.719
<v Speaker 1>you all times, so you're always sort of striving to

0:41:23.719 --> 0:41:26.480
<v Speaker 1>be a little better and onto the next thing. I

0:41:26.480 --> 0:41:28.520
<v Speaker 1>don't know any artists that would be happy to sort

0:41:28.560 --> 0:41:31.520
<v Speaker 1>of sidestep job to job and placate themselves within their

0:41:31.560 --> 0:41:34.440
<v Speaker 1>own sort of thing. There's always an element of sort

0:41:34.480 --> 0:41:38.640
<v Speaker 1>of challenging nature within that. So I will say I

0:41:38.680 --> 0:41:41.839
<v Speaker 1>was very happy with that. Absolutely, that's that was such

0:41:41.880 --> 0:41:46.880
<v Speaker 1>a beautiful scene. I think I have to I have to.

0:41:47.200 --> 0:41:49.400
<v Speaker 1>I two come to mind, and one is you know

0:41:49.480 --> 0:41:51.160
<v Speaker 1>one that dam and I talked about all the time

0:41:51.600 --> 0:41:54.239
<v Speaker 1>the end of season two when we did the whole

0:41:54.239 --> 0:41:57.440
<v Speaker 1>bit at Lake Lynn with Angel coming in Valentine the

0:41:57.480 --> 0:41:59.600
<v Speaker 1>model of instruments. I just know that again, that was

0:41:59.600 --> 0:42:01.600
<v Speaker 1>one of those days that don talks about that we

0:42:02.160 --> 0:42:06.800
<v Speaker 1>left set completely exhausted, but knowing that we'd given every

0:42:06.840 --> 0:42:09.759
<v Speaker 1>piece of ourselves to it. But the other scene I

0:42:09.760 --> 0:42:13.320
<v Speaker 1>would I would maybe bring up for me and simply

0:42:13.360 --> 0:42:17.479
<v Speaker 1>because I I know, I've I've was really feeling those

0:42:17.520 --> 0:42:20.239
<v Speaker 1>same emotions in that moment, and I don't think you

0:42:20.239 --> 0:42:25.400
<v Speaker 1>can get much more reality captured on camera than This

0:42:26.080 --> 0:42:29.480
<v Speaker 1>was the last scene I did with Luke when he

0:42:29.560 --> 0:42:33.560
<v Speaker 1>was playing Jonathan on the Street of well, the Street

0:42:33.560 --> 0:42:36.239
<v Speaker 1>of Toronto that we actually played for Toronto, where he's

0:42:36.320 --> 0:42:38.440
<v Speaker 1>you know, killing all of the people and then Clary

0:42:38.680 --> 0:42:41.320
<v Speaker 1>kills him at the end of it. That was Luke's

0:42:41.400 --> 0:42:44.200
<v Speaker 1>last scene on the show. And I actually didn't realize

0:42:44.200 --> 0:42:46.759
<v Speaker 1>it until that day in that moment that this was

0:42:47.080 --> 0:42:50.080
<v Speaker 1>his final scene and his final day, because our serious

0:42:50.080 --> 0:42:54.680
<v Speaker 1>finale was so you know, astronomically all over the place,

0:42:54.719 --> 0:42:57.640
<v Speaker 1>and we were dealing with a lot at the time.

0:42:57.760 --> 0:43:01.000
<v Speaker 1>But that scene was so beautiful written and it was

0:43:01.040 --> 0:43:04.920
<v Speaker 1>such a wonderful moment to celebrate, you know, everything that

0:43:04.920 --> 0:43:07.480
<v Speaker 1>we'd built in that character relationship and everything that we'd

0:43:07.480 --> 0:43:11.680
<v Speaker 1>gone through together and making the show. And I will

0:43:11.719 --> 0:43:14.280
<v Speaker 1>never forget because our crew again gave us the space

0:43:14.320 --> 0:43:16.799
<v Speaker 1>and the time to do it in a way that

0:43:17.000 --> 0:43:20.200
<v Speaker 1>was conducive to the emotional state that we were in,

0:43:20.480 --> 0:43:23.080
<v Speaker 1>so that that would be the other one for me,

0:43:24.280 --> 0:43:26.759
<v Speaker 1>and I agree with Kata, that's that's the one. I

0:43:26.800 --> 0:43:30.000
<v Speaker 1>was thinking, like, it's so good because there was like

0:43:30.120 --> 0:43:32.120
<v Speaker 1>you had to do something hard, but there was so

0:43:32.239 --> 0:43:34.239
<v Speaker 1>much compassion in it. I just love how you did

0:43:34.280 --> 0:43:37.359
<v Speaker 1>it there. And it's like I also liked I love

0:43:37.400 --> 0:43:41.879
<v Speaker 1>that scene, but I also write your our presentation yea,

0:43:42.239 --> 0:43:45.319
<v Speaker 1>every time you like totally different person, you can see

0:43:45.400 --> 0:43:49.640
<v Speaker 1>like a devil or like demon in your eyes. Thanks, yeah,

0:43:50.360 --> 0:43:53.160
<v Speaker 1>let him out, Thank you, Arena appreciate it. Thank you

0:43:53.239 --> 0:43:57.359
<v Speaker 1>so much. It's so lovely. What a great question. All right,

0:43:57.880 --> 0:44:00.960
<v Speaker 1>and this sorry for everyone asking a thirty second delay,

0:44:01.120 --> 0:44:04.200
<v Speaker 1>but I something went wrong. I touched something on my

0:44:04.200 --> 0:44:06.279
<v Speaker 1>computer that I shouldn't have touched. It stopped recording. I

0:44:06.320 --> 0:44:08.200
<v Speaker 1>had to log off and log back on. If that

0:44:08.280 --> 0:44:10.920
<v Speaker 1>happens again for either of us or any of us.

0:44:11.239 --> 0:44:14.480
<v Speaker 1>That's why that's my run over. Sarah. Okay, Sarah, Sarah,

0:44:14.480 --> 0:44:18.920
<v Speaker 1>how do I say? Name both the works? Welcome to

0:44:18.960 --> 0:44:24.600
<v Speaker 1>the show. Hi, so nice to meet you both. So

0:44:24.680 --> 0:44:28.160
<v Speaker 1>I'm actually just about to finish up and graduate with

0:44:28.200 --> 0:44:33.480
<v Speaker 1>my bachelor's degree in a few weeks. Um, congratulations, congratulations.

0:44:34.160 --> 0:44:37.520
<v Speaker 1>My question actually is for your or in your careers,

0:44:38.080 --> 0:44:40.560
<v Speaker 1>was there ever a moment or a few moments where

0:44:40.560 --> 0:44:45.959
<v Speaker 1>you had some hesitations, some doubts where you're questioning, like,

0:44:46.320 --> 0:44:49.000
<v Speaker 1>is this really what I want to do? Maybe maybe

0:44:49.120 --> 0:44:51.440
<v Speaker 1>the amount of work that you're putting in isn't like

0:44:51.520 --> 0:44:53.719
<v Speaker 1>it's not acquainting to you the results that you want to.

0:44:55.480 --> 0:44:59.080
<v Speaker 1>Let me tell you it, Sarah. I have a good

0:44:59.120 --> 0:45:00.760
<v Speaker 1>example of this right now. So we're on my computer.

0:45:00.800 --> 0:45:03.040
<v Speaker 1>I'm going to try and not accidentally close anything. I'm

0:45:03.080 --> 0:45:05.600
<v Speaker 1>in my So all of the auditions that I've done

0:45:05.719 --> 0:45:09.080
<v Speaker 1>over the last this is probably only six months because

0:45:09.080 --> 0:45:10.360
<v Speaker 1>I have to kind of get rid of them, but

0:45:10.360 --> 0:45:14.080
<v Speaker 1>the last six months I keep them all. Um, okay,

0:45:14.120 --> 0:45:18.920
<v Speaker 1>all right, so here's a good answer, right, this is

0:45:19.160 --> 0:45:21.160
<v Speaker 1>just the auditions that I've done over the last six months.

0:45:21.160 --> 0:45:24.719
<v Speaker 1>So on an audition, everyone sort of knows knows. This

0:45:24.800 --> 0:45:27.080
<v Speaker 1>about what we do is similar to a job interview.

0:45:27.680 --> 0:45:30.040
<v Speaker 1>I've done one hundred and thirty five auditions in the

0:45:30.120 --> 0:45:35.040
<v Speaker 1>last six months. Jobs wise, there is stuff going on

0:45:35.080 --> 0:45:37.240
<v Speaker 1>which is great and very exciting, and I'm very lucky.

0:45:37.280 --> 0:45:39.720
<v Speaker 1>But that's the ratio, like one hundred and thirty five,

0:45:40.239 --> 0:45:42.719
<v Speaker 1>or like about one hundred to one, maybe fifty to

0:45:42.800 --> 0:45:45.440
<v Speaker 1>one if you have a really good year. That's kind

0:45:45.440 --> 0:45:48.480
<v Speaker 1>of the ratio. And the first time that happens when

0:45:48.520 --> 0:45:50.840
<v Speaker 1>you first get into this industry and you get fifty

0:45:50.960 --> 0:45:53.080
<v Speaker 1>nos in a row and they don't tell you why.

0:45:53.320 --> 0:45:55.320
<v Speaker 1>They don't tell you that you weren't good enough for

0:45:55.440 --> 0:45:58.360
<v Speaker 1>you were too tall or too small, or you stuttered

0:45:58.400 --> 0:46:00.719
<v Speaker 1>on this word or your accent, and quite right, they

0:46:00.760 --> 0:46:02.880
<v Speaker 1>give you nothing, They tell you nothing. They just say no.

0:46:03.000 --> 0:46:05.680
<v Speaker 1>The answers no, we're going a different way. When you

0:46:05.880 --> 0:46:10.240
<v Speaker 1>hit around that first fifty, your body, your brain tells

0:46:10.280 --> 0:46:13.840
<v Speaker 1>you this might not be right, This might not be

0:46:13.840 --> 0:46:17.080
<v Speaker 1>the right job for me. There's like making and what

0:46:17.120 --> 0:46:19.120
<v Speaker 1>you need is good people around you. You need a

0:46:19.120 --> 0:46:22.120
<v Speaker 1>good bad support family and friends obviously, but a good

0:46:22.160 --> 0:46:24.080
<v Speaker 1>team as well. You need a good team. So my

0:46:24.719 --> 0:46:27.080
<v Speaker 1>agents and my manager my agents here in the UK

0:46:27.800 --> 0:46:30.320
<v Speaker 1>and my manager I've been with for ten fifteen years,

0:46:30.800 --> 0:46:33.279
<v Speaker 1>and they are very honest with me. And if i'd

0:46:33.280 --> 0:46:35.719
<v Speaker 1>send them an audition that shit, they'll tell me it's shit,

0:46:35.800 --> 0:46:37.319
<v Speaker 1>and I'll go back and I'll redo it and I'll

0:46:37.480 --> 0:46:40.839
<v Speaker 1>work on it. So much of what this job is

0:46:41.160 --> 0:46:44.120
<v Speaker 1>doesn't come down to us. It comes down to, like,

0:46:44.640 --> 0:46:48.720
<v Speaker 1>we wanted someone who lives six foot because we hired

0:46:49.080 --> 0:46:51.960
<v Speaker 1>the girl opposite to be five foot ten, So if

0:46:52.000 --> 0:46:54.759
<v Speaker 1>we hired someone who was five ten, they wouldn't look

0:46:54.880 --> 0:46:57.000
<v Speaker 1>right next to each other on camera. But that's after

0:46:57.040 --> 0:46:59.399
<v Speaker 1>your audition has already happened. So that's such a it's

0:46:59.640 --> 0:47:01.759
<v Speaker 1>not a no, it's not a you weren't good enough

0:47:01.800 --> 0:47:04.480
<v Speaker 1>to get this job. It's a technical thing that happened

0:47:04.560 --> 0:47:06.480
<v Speaker 1>later on, you know what I mean. Or like they

0:47:06.560 --> 0:47:10.719
<v Speaker 1>hire someone to play like an example from the show,

0:47:10.800 --> 0:47:13.719
<v Speaker 1>you know, they hire someone to play Alec, they hire Matt.

0:47:13.840 --> 0:47:19.760
<v Speaker 1>They have to cast someone with skin to play Izzy

0:47:19.920 --> 0:47:22.400
<v Speaker 1>because their biological brother and sisters. They have to do that,

0:47:22.480 --> 0:47:24.480
<v Speaker 1>like they have to look like brother and sister on screen.

0:47:24.800 --> 0:47:27.640
<v Speaker 1>So if they'd hired either Emerald or Matt first, whoever

0:47:27.680 --> 0:47:30.400
<v Speaker 1>it was, they have to match those two people together.

0:47:30.440 --> 0:47:32.319
<v Speaker 1>So whoever was in the audition, then they can start

0:47:32.360 --> 0:47:34.560
<v Speaker 1>whittling down and going, Okay, here are the ones. But

0:47:34.600 --> 0:47:38.359
<v Speaker 1>there's definitely times during that where you go, yep, this

0:47:38.440 --> 0:47:40.920
<v Speaker 1>is this is hard. It's hard to be told no

0:47:41.160 --> 0:47:43.760
<v Speaker 1>over and over and over and over and over again. Definitely,

0:47:46.000 --> 0:47:47.800
<v Speaker 1>And you know, it's one of those moments where I

0:47:48.040 --> 0:47:50.759
<v Speaker 1>don't know that I've ever questioned whether or not I

0:47:50.800 --> 0:47:53.239
<v Speaker 1>want to do this job and whether or not you know,

0:47:53.280 --> 0:47:56.160
<v Speaker 1>I knew from the moment I stepped on stage the

0:47:56.200 --> 0:47:58.080
<v Speaker 1>first theater show I ever did that I want to

0:47:58.080 --> 0:48:00.680
<v Speaker 1>tell stories for the rest of my life. But there

0:48:00.680 --> 0:48:03.680
<v Speaker 1>are moments where you are in this industry and and

0:48:03.800 --> 0:48:06.359
<v Speaker 1>you sort of go, am I ever going to get

0:48:06.360 --> 0:48:09.160
<v Speaker 1>another job? Am I? Is anyone ever going to see

0:48:09.200 --> 0:48:13.440
<v Speaker 1>that I can do this job again? And that happens

0:48:13.880 --> 0:48:17.359
<v Speaker 1>for most actors that I talked to, including myself. After

0:48:17.480 --> 0:48:20.040
<v Speaker 1>just about every job that you do, you sort of

0:48:20.080 --> 0:48:22.239
<v Speaker 1>just wonder. As every job's coming to a close, you're like,

0:48:22.920 --> 0:48:24.680
<v Speaker 1>all right, well, I hope I work again. If not,

0:48:24.760 --> 0:48:27.120
<v Speaker 1>this has been a really nice time and a great career,

0:48:27.160 --> 0:48:29.839
<v Speaker 1>and thank you all for your time. But that's that's

0:48:29.880 --> 0:48:31.719
<v Speaker 1>just part of it. And Tom's very right. You have

0:48:31.760 --> 0:48:33.920
<v Speaker 1>to surround yourself with good people, and you have to

0:48:33.920 --> 0:48:37.560
<v Speaker 1>remind yourself why you started, you know, and why you

0:48:37.800 --> 0:48:39.960
<v Speaker 1>got into this in the first place, and why what

0:48:40.239 --> 0:48:44.239
<v Speaker 1>sparked that passion initially for doing this job. And for

0:48:44.320 --> 0:48:46.879
<v Speaker 1>me it happened at one point I was I'd been

0:48:46.920 --> 0:48:50.520
<v Speaker 1>doing television just kind of it was the same thing

0:48:50.520 --> 0:48:53.520
<v Speaker 1>over and again. And I read Sidney Lamet's book called

0:48:53.560 --> 0:48:56.600
<v Speaker 1>Making Movies. Sydney that was an incredible director from from

0:48:56.640 --> 0:48:59.000
<v Speaker 1>the earlier days of Hollywood, and just the way that

0:48:59.000 --> 0:49:01.279
<v Speaker 1>he spoke about tell stories and the way that he

0:49:01.400 --> 0:49:05.800
<v Speaker 1>spoke about bringing these things to life and all ways

0:49:05.840 --> 0:49:08.279
<v Speaker 1>that he painted a story. It reminded me why I

0:49:08.360 --> 0:49:10.480
<v Speaker 1>love what I do, and it's it's nice to be

0:49:10.520 --> 0:49:14.880
<v Speaker 1>reminded of those things from time to time. Wow, that

0:49:14.960 --> 0:49:17.799
<v Speaker 1>sounds great. Um, I feel like because I'm graduating, it's

0:49:17.880 --> 0:49:20.520
<v Speaker 1>kind of like the end of something beginning of something else.

0:49:21.040 --> 0:49:24.040
<v Speaker 1>So no, it's really great to hear your guys's opinions.

0:49:24.160 --> 0:49:26.319
<v Speaker 1>Thank you so much, and those are always the most

0:49:26.320 --> 0:49:29.040
<v Speaker 1>exciting times. So wishing you all the best, and I

0:49:29.080 --> 0:49:32.680
<v Speaker 1>can't wait to see what you do thank you, bye,

0:49:32.719 --> 0:49:39.160
<v Speaker 1>my dear. I have a great evening. And also, um,

0:49:40.120 --> 0:49:43.920
<v Speaker 1>you have one more guest. I don't want to just

0:49:44.000 --> 0:49:48.080
<v Speaker 1>before Hi, Vivian, how are welcome? Before before this, h

0:49:48.560 --> 0:49:51.200
<v Speaker 1>before we start diving into this, I'm looking at the

0:49:51.280 --> 0:49:54.000
<v Speaker 1>moment thing Kat, what is the what is the money

0:49:54.000 --> 0:49:57.440
<v Speaker 1>at the top? What is this? I don't know above

0:49:57.440 --> 0:49:59.279
<v Speaker 1>the chat. Yeah, I've seen it, but I don't know

0:49:59.320 --> 0:50:02.040
<v Speaker 1>what the thing this is. And it's like donations or

0:50:02.120 --> 0:50:05.719
<v Speaker 1>tips or whatever. Don't stop doing that. Start you can

0:50:05.760 --> 0:50:08.040
<v Speaker 1>watch this. You know you've got your tickets already. This

0:50:08.120 --> 0:50:10.160
<v Speaker 1>is this is You don't need to pay any more

0:50:10.160 --> 0:50:12.879
<v Speaker 1>money to do this. You're all part of the same crowd.

0:50:13.000 --> 0:50:19.040
<v Speaker 1>Stop stop donating money into this. I don't know, but

0:50:19.080 --> 0:50:22.680
<v Speaker 1>like if it's if it's like tips, you don't need

0:50:22.719 --> 0:50:24.680
<v Speaker 1>to do that. This is. This is free. We want

0:50:24.680 --> 0:50:26.440
<v Speaker 1>everyone to enjoy it. Like, you don't need to be

0:50:26.480 --> 0:50:29.200
<v Speaker 1>adding more money to this. It's very very sweet of you, guys,

0:50:29.280 --> 0:50:32.839
<v Speaker 1>and we'll make sure it goes to someone who needs

0:50:32.880 --> 0:50:35.399
<v Speaker 1>it and deserves it. In this case, it will help

0:50:35.400 --> 0:50:37.680
<v Speaker 1>will work with moments make sure. But you guys don't

0:50:37.680 --> 0:50:40.919
<v Speaker 1>need to be donating anything to us all to the show.

0:50:41.719 --> 0:50:44.720
<v Speaker 1>We're good. This is for you, This is for free. Okay, sorry, Vivian,

0:50:44.760 --> 0:50:49.080
<v Speaker 1>go ahead, don't worry. Hi guys, Um, thank you for

0:50:49.120 --> 0:50:53.759
<v Speaker 1>having me. It's exciting as I actually grew up with

0:50:53.800 --> 0:50:57.479
<v Speaker 1>the books already, so I'm Dum's age right now, and

0:50:57.520 --> 0:51:00.960
<v Speaker 1>I started, I think early twenties around with the books

0:51:01.080 --> 0:51:03.560
<v Speaker 1>and I was so sad that the film didn't have

0:51:03.680 --> 0:51:06.560
<v Speaker 1>a second chance thought of, but I have to admit

0:51:06.640 --> 0:51:09.560
<v Speaker 1>the series was just so lovely. You've done such a

0:51:09.600 --> 0:51:14.600
<v Speaker 1>great job. It's been really incredible. Thank you. Yeah, you're well. Yeah.

0:51:14.719 --> 0:51:18.360
<v Speaker 1>So my question for you would be if Shadow Hunters

0:51:18.360 --> 0:51:24.040
<v Speaker 1>still does affect your daily life in ways of funny memories,

0:51:24.200 --> 0:51:29.120
<v Speaker 1>emotional memories, funny sayings, maybe lessons learned, and if so,

0:51:29.840 --> 0:51:35.080
<v Speaker 1>in which exact way and how often? Absolutely, I will

0:51:35.120 --> 0:51:38.520
<v Speaker 1>say that, you know, this series and this story, this

0:51:38.640 --> 0:51:43.520
<v Speaker 1>group of people completely changed my life and still continues

0:51:43.560 --> 0:51:45.520
<v Speaker 1>to be a huge part of it every single day,

0:51:45.560 --> 0:51:49.600
<v Speaker 1>you know it. For me, the biggest reason for that

0:51:49.680 --> 0:51:52.200
<v Speaker 1>are the people, whether it's the people that we worked

0:51:52.200 --> 0:51:54.719
<v Speaker 1>with every day, the friendships we made on set with

0:51:54.719 --> 0:51:58.120
<v Speaker 1>our colleagues and our coworkers, and then with the fandom.

0:51:58.160 --> 0:52:00.160
<v Speaker 1>You know it, was such a huge part of our

0:52:00.200 --> 0:52:02.000
<v Speaker 1>lives still to this day. It's why we're doing this

0:52:02.040 --> 0:52:04.880
<v Speaker 1>podcast is because of all of you angels that have

0:52:05.000 --> 0:52:08.600
<v Speaker 1>created this beautiful community and continue not only to support

0:52:08.680 --> 0:52:11.719
<v Speaker 1>us and the story, but to support each other. And

0:52:11.760 --> 0:52:14.719
<v Speaker 1>that's you know, that's why I will always do anything

0:52:14.760 --> 0:52:17.960
<v Speaker 1>for the Shadow fam because you have been so wonderful

0:52:18.000 --> 0:52:21.680
<v Speaker 1>and so beautiful and so loving to each other. And

0:52:21.719 --> 0:52:25.000
<v Speaker 1>there's so few places, especially on the Internet, that that

0:52:25.160 --> 0:52:29.480
<v Speaker 1>sort of community exists anymore. And I think, you know,

0:52:29.520 --> 0:52:31.920
<v Speaker 1>the fact that that we can keep giving life to

0:52:31.960 --> 0:52:36.280
<v Speaker 1>this is a very beautiful thing. Yeah, it's lovely, agree,

0:52:36.400 --> 0:52:41.200
<v Speaker 1>And it's lovely to be a part of it as well. Absolutely, Yeah, No,

0:52:41.239 --> 0:52:44.279
<v Speaker 1>I agree, And I will say for my part, the

0:52:44.320 --> 0:52:48.840
<v Speaker 1>people that I'm there obviously can't I do this. And

0:52:49.600 --> 0:52:52.880
<v Speaker 1>Matt and Alberto especially are a huge part of my

0:52:52.920 --> 0:52:57.280
<v Speaker 1>life and will be forever. I hope we'll be for

0:52:57.280 --> 0:53:01.040
<v Speaker 1>forever and ever and ever. And we shared special occasions

0:53:01.040 --> 0:53:04.719
<v Speaker 1>with each other. We I ask Matt and Alberto for advice,

0:53:05.280 --> 0:53:07.680
<v Speaker 1>very different types of advice from each of them, but

0:53:07.840 --> 0:53:11.400
<v Speaker 1>advice and those people are still a huge part of

0:53:11.400 --> 0:53:14.080
<v Speaker 1>my life. I'm seeing Darren next summer or this summer,

0:53:14.120 --> 0:53:19.280
<v Speaker 1>I guess now to do some crazy like Woodland Audio

0:53:19.360 --> 0:53:20.680
<v Speaker 1>and live in the woods for a week, which I

0:53:20.719 --> 0:53:23.759
<v Speaker 1>can't wait. You know, these people, these people a part

0:53:23.800 --> 0:53:25.040
<v Speaker 1>of you and a part of your life, and I

0:53:25.080 --> 0:53:30.000
<v Speaker 1>can't Yeah, I couldn't live without them, for sure, Lovely, lovely,

0:53:30.200 --> 0:53:33.080
<v Speaker 1>But do you also maybe have some funny sayings you

0:53:33.239 --> 0:53:36.200
<v Speaker 1>use in your daily life which come from set maybe

0:53:36.800 --> 0:53:40.000
<v Speaker 1>or something like that, something that you know. Alberto and

0:53:40.040 --> 0:53:43.719
<v Speaker 1>I still do the high five with these Yeah, the

0:53:44.400 --> 0:53:46.480
<v Speaker 1>high five we used to do that was probably super

0:53:46.480 --> 0:53:49.840
<v Speaker 1>loud in the microphone and apologize the high five that

0:53:49.880 --> 0:53:52.359
<v Speaker 1>we did on the show we developed we started doing.

0:53:52.360 --> 0:53:54.239
<v Speaker 1>I commem why why we started doing it, but we

0:53:54.239 --> 0:53:56.880
<v Speaker 1>were doing it in our personal lives between us before

0:53:56.920 --> 0:53:58.560
<v Speaker 1>it ended up in the show, and then it ended

0:53:58.640 --> 0:54:02.040
<v Speaker 1>up in the show somehow. Yeah, and we still do

0:54:02.120 --> 0:54:04.839
<v Speaker 1>that to this day. So there are definitely little sort

0:54:04.840 --> 0:54:06.880
<v Speaker 1>of elements that we had in the show that are

0:54:06.880 --> 0:54:12.320
<v Speaker 1>still in this show for sure. That's great, lovely, absolutely well,

0:54:12.320 --> 0:54:14.759
<v Speaker 1>thank you so much for joining us today, Vivian, It's

0:54:14.840 --> 0:54:18.040
<v Speaker 1>been so lovely to chat with you. Yeah to you too,

0:54:18.239 --> 0:54:22.440
<v Speaker 1>thank you, thank you, and hey, folks who are watching.

0:54:22.960 --> 0:54:25.760
<v Speaker 1>If anyone has questions that you want us to answer,

0:54:25.920 --> 0:54:29.200
<v Speaker 1>just put them in the chat and we will answer

0:54:29.239 --> 0:54:31.319
<v Speaker 1>a few of those as and we can write. As

0:54:31.320 --> 0:54:35.839
<v Speaker 1>we're wrapping up here. We had so much planned and

0:54:35.880 --> 0:54:39.759
<v Speaker 1>I don't know how we have done of it. This

0:54:39.880 --> 0:54:41.839
<v Speaker 1>is good though we did the this like, we spent

0:54:41.920 --> 0:54:43.160
<v Speaker 1>a lot of time on the bit that we wanted

0:54:43.200 --> 0:54:46.040
<v Speaker 1>to spend time on, which is great, and I think too,

0:54:46.200 --> 0:54:48.040
<v Speaker 1>we can take some of these other bits and put

0:54:48.080 --> 0:54:53.480
<v Speaker 1>them when we can do them. With some of these

0:54:53.520 --> 0:54:55.399
<v Speaker 1>we had some games planned for those of you who

0:54:55.400 --> 0:54:57.200
<v Speaker 1>are watching, and we definitely want to get to some

0:54:57.239 --> 0:55:02.160
<v Speaker 1>of those games, but we cannot. Oh, pocket cookies, how

0:55:02.160 --> 0:55:04.880
<v Speaker 1>can we put a pocket cookies? Oh? Shoot, that's right,

0:55:04.960 --> 0:55:07.680
<v Speaker 1>pocket cookies? I know Alberto stilled as pocket like right

0:55:07.719 --> 0:55:10.359
<v Speaker 1>now it's not cookies. But I will show you right

0:55:10.360 --> 0:55:12.360
<v Speaker 1>now in my pocket I have I have Dand do

0:55:12.360 --> 0:55:19.279
<v Speaker 1>you want to treat pocket dan cookies? There's little what's

0:55:19.280 --> 0:55:23.760
<v Speaker 1>this here? He comes there? You go come and get it.

0:55:23.800 --> 0:55:28.320
<v Speaker 1>Sniff sniff, stif stiff. Oh my goodness, good boy, good boy?

0:55:30.680 --> 0:55:33.799
<v Speaker 1>What okay? Hold on? If you go to any other

0:55:33.840 --> 0:55:36.000
<v Speaker 1>institute in the world, which one would you go to?

0:55:36.160 --> 0:55:43.120
<v Speaker 1>Don interesting. That's sort of yeah, fair enough, But I

0:55:43.120 --> 0:55:45.560
<v Speaker 1>have started something now that's sort of assuming that there

0:55:45.560 --> 0:55:55.640
<v Speaker 1>are like in the world what we're saying. Yeah, um,

0:55:55.680 --> 0:56:00.800
<v Speaker 1>you know, Mmmm No, I don't know. Maybe um, maybe

0:56:00.840 --> 0:56:04.239
<v Speaker 1>like Australia, like Sydney, like the Sydney Institute. I bet

0:56:04.280 --> 0:56:08.279
<v Speaker 1>that'd be late. I bet they'd be like so chilled. Yeah,

0:56:08.320 --> 0:56:12.440
<v Speaker 1>I think I think Sydney might be the way to go, honestly, Wallace,

0:56:14.160 --> 0:56:18.759
<v Speaker 1>Yeah we met. Oh no, you were at the commit

0:56:18.920 --> 0:56:20.880
<v Speaker 1>I met one of the next time. I did a

0:56:20.920 --> 0:56:23.800
<v Speaker 1>different one, like a year before or after you guys,

0:56:23.800 --> 0:56:26.800
<v Speaker 1>And I also met a cool they're very very slim,

0:56:27.400 --> 0:56:31.480
<v Speaker 1>fun little animals. Um um oh. Someone someone asked, uh,

0:56:31.640 --> 0:56:38.120
<v Speaker 1>books were reading currently? Um? I'm reading a Fitzgerald book

0:56:38.360 --> 0:56:41.280
<v Speaker 1>called Flappers and Philosophers of a lot of his short stories,

0:56:41.360 --> 0:56:44.279
<v Speaker 1>and it's brilliant because they're nice to read on set

0:56:44.320 --> 0:56:45.600
<v Speaker 1>because he can kind of get in and out of

0:56:45.600 --> 0:56:48.319
<v Speaker 1>it pretty quickly. What about you, dum, what are you reading?

0:56:49.320 --> 0:56:51.920
<v Speaker 1>I'm not reading anything I should. Is anyone any recommendations

0:56:51.960 --> 0:56:56.239
<v Speaker 1>I should? I should dive into a book for sure. Um, yeah,

0:56:56.280 --> 0:56:59.399
<v Speaker 1>I'm really not. I've had a beautiful book recently that

0:56:59.480 --> 0:57:04.000
<v Speaker 1>you might love. Um, it's called the Buried Giant. It's

0:57:04.040 --> 0:57:08.120
<v Speaker 1>by issue ro Okay, it's really it's it's sort of

0:57:08.160 --> 0:57:10.319
<v Speaker 1>half in the same way that The Alchemist is kind

0:57:10.360 --> 0:57:14.560
<v Speaker 1>of half fantasy half human truth. It's it's sort of

0:57:14.560 --> 0:57:17.400
<v Speaker 1>a similar tone, and it's really it's really well written,

0:57:18.520 --> 0:57:21.880
<v Speaker 1>quite like it. Okay, I'll look into that. Let's see.

0:57:22.080 --> 0:57:28.120
<v Speaker 1>Any what emoji do you use the most dumb I

0:57:28.120 --> 0:57:30.880
<v Speaker 1>don't know. Let's see. I think I only really send

0:57:31.080 --> 0:57:34.920
<v Speaker 1>emojis to my girlfriend, and it's like the heart one

0:57:35.040 --> 0:57:40.080
<v Speaker 1>or the heart eyes one. Yeah, that's pretty much it. Um.

0:57:40.280 --> 0:57:41.640
<v Speaker 1>We used to have a thing my girlfriend and I

0:57:41.760 --> 0:57:43.479
<v Speaker 1>used to have a thing when I first started sending

0:57:43.520 --> 0:57:47.480
<v Speaker 1>emojis to her, or sort of when we first send

0:57:47.560 --> 0:57:50.560
<v Speaker 1>my heart emoji and I got it wrong and I

0:57:50.600 --> 0:57:54.000
<v Speaker 1>sent the finger emoji, but then didn't. I didn't I

0:57:54.000 --> 0:57:55.680
<v Speaker 1>hadn't noticed that I'd hit the wrong thing and just

0:57:55.720 --> 0:57:57.960
<v Speaker 1>sent it and then didn't think anything of it. And

0:57:58.000 --> 0:58:00.000
<v Speaker 1>then I think she was sort of a bit propled.

0:58:00.040 --> 0:58:01.720
<v Speaker 1>It's like, it's really rude. Why would you send that

0:58:01.760 --> 0:58:04.760
<v Speaker 1>to me? It doesn't really make sense within the pattern

0:58:04.760 --> 0:58:08.360
<v Speaker 1>of what you've been saying. Um. And then for a while,

0:58:08.520 --> 0:58:10.520
<v Speaker 1>instead of sending the heart, we would just send each

0:58:10.560 --> 0:58:13.080
<v Speaker 1>other the finger instead of like just so we would

0:58:13.120 --> 0:58:15.160
<v Speaker 1>never say it would just be this. So if anyone

0:58:15.160 --> 0:58:18.320
<v Speaker 1>ever overlooks and saw our conversations, like these people really

0:58:18.320 --> 0:58:21.160
<v Speaker 1>don't like each other, but it was quite the opposite. Goodness,

0:58:21.160 --> 0:58:22.919
<v Speaker 1>it turns out we really like each other. He's being

0:58:23.000 --> 0:58:30.680
<v Speaker 1>so good my microphone. Oh good boy, Dan, good boy.

0:58:31.160 --> 0:58:39.200
<v Speaker 1>Oh high stand the cutest nugget leave it. Oh he's

0:58:39.200 --> 0:58:45.240
<v Speaker 1>so cross good boy. Yeah, good boy. He's a sweet dude. Um.

0:58:45.280 --> 0:58:48.680
<v Speaker 1>I think the of the emojis that I use the

0:58:48.800 --> 0:58:51.000
<v Speaker 1>two that I use the most, or like the you know,

0:58:51.040 --> 0:58:55.120
<v Speaker 1>the red heart or the face palm emoji, because there's

0:58:55.360 --> 0:59:00.880
<v Speaker 1>so many times. Yeah, right, hearts and face palms. That

0:59:01.000 --> 0:59:06.160
<v Speaker 1>makes sense. Well, Tom, without further ado, shall we yes?

0:59:07.320 --> 0:59:12.480
<v Speaker 1>Shall we move on? Let's to the after party. Let's

0:59:13.280 --> 0:59:17.800
<v Speaker 1>Is that what correct thing for us to be doing? Producers? Producer, Yeah, producers,

0:59:17.800 --> 0:59:20.640
<v Speaker 1>somebody give us, give us a high sign. Is this

0:59:20.680 --> 0:59:22.280
<v Speaker 1>what we're meant to be doing? Because I think I

0:59:22.480 --> 0:59:25.000
<v Speaker 1>did I or did I not see something from our

0:59:25.040 --> 0:59:27.560
<v Speaker 1>team that said we might oh we can go till

0:59:28.440 --> 0:59:32.760
<v Speaker 1>I'm so sorry great, I just saw that texts of

0:59:32.880 --> 0:59:35.720
<v Speaker 1>a lot of devices going on. Panic Dan, the panic.

0:59:36.520 --> 0:59:38.600
<v Speaker 1>You are such a good boy. Where's your sister? What's

0:59:38.640 --> 0:59:44.400
<v Speaker 1>she doing? They're causing some chaos. Oh, okay, how old

0:59:44.480 --> 0:59:49.120
<v Speaker 1>is Rajah? So? Dan is four? Just just just just

0:59:49.200 --> 0:59:56.400
<v Speaker 1>turned for So Rajah is seven? Rights? Almost? Yeah, Raja's seven,

0:59:57.400 --> 1:00:00.720
<v Speaker 1>I think right at the beginning of season to right

1:00:00.880 --> 1:00:04.120
<v Speaker 1>right right at the beginning of season two. U. So, yeah,

1:00:04.240 --> 1:00:08.439
<v Speaker 1>Rajah will be seven. Wow, sweet girl, it's still going strong. Gone.

1:00:08.440 --> 1:00:11.320
<v Speaker 1>What was your question? Well, the question that I have

1:00:11.520 --> 1:00:14.400
<v Speaker 1>next here is have you listened to the soundtrack and

1:00:14.440 --> 1:00:18.880
<v Speaker 1>do you have two favorite songs from it? The soundtrack

1:00:18.920 --> 1:00:24.520
<v Speaker 1>from Charons? Yeah, that makes sense based on the topic

1:00:24.560 --> 1:00:27.280
<v Speaker 1>of this podcast. That makes sense. Yeah, that's what the

1:00:27.360 --> 1:00:30.960
<v Speaker 1>question was. Yeah. Mostly, I don't think I have listened

1:00:31.000 --> 1:00:33.840
<v Speaker 1>to the soundtrack, you know, I think I Yeah, No,

1:00:33.880 --> 1:00:37.200
<v Speaker 1>I don't think I ever have. It's possible that I've

1:00:37.240 --> 1:00:39.040
<v Speaker 1>heard a song come up and been like, oh that's cool.

1:00:39.080 --> 1:00:42.280
<v Speaker 1>I like this song and haven't really thought where it was,

1:00:42.760 --> 1:00:46.400
<v Speaker 1>like where it's come from. But um, yeah, I don't think.

1:00:46.440 --> 1:00:48.880
<v Speaker 1>I don't think I have. I don't think I've already

1:00:48.880 --> 1:00:52.920
<v Speaker 1>sat down and listen to it to the soundtrack. I

1:00:53.000 --> 1:00:55.360
<v Speaker 1>do have to two songs from the soundtrack that I

1:00:55.880 --> 1:01:01.000
<v Speaker 1>quite love. Um one is fire Me's Fate by Ruel

1:01:01.560 --> 1:01:03.840
<v Speaker 1>because Ruel did a lot of the songs for the

1:01:03.920 --> 1:01:07.200
<v Speaker 1>show and she's fantastic. But Fireman's Fate is probably one

1:01:07.240 --> 1:01:08.920
<v Speaker 1>of my favorites because it's got that real kind of

1:01:08.920 --> 1:01:12.240
<v Speaker 1>epic like wolf that comes in and it's you know,

1:01:12.360 --> 1:01:14.560
<v Speaker 1>I think someone in the thing just said, Ember, that's

1:01:14.640 --> 1:01:16.520
<v Speaker 1>your song, and it oh yeah, that's my song. That's

1:01:16.560 --> 1:01:18.880
<v Speaker 1>my song that was on the sun. And I was

1:01:18.920 --> 1:01:23.040
<v Speaker 1>going to say, being good with current events and like

1:01:23.200 --> 1:01:28.000
<v Speaker 1>social popularity stuff, Jesus, Like, my favorite grouping of songs

1:01:28.160 --> 1:01:32.040
<v Speaker 1>is from like the Rolling Stones Beatles era from the

1:01:32.080 --> 1:01:35.160
<v Speaker 1>last five years. It's super impressive for me. What was

1:01:35.200 --> 1:01:36.640
<v Speaker 1>your saying? But the other one, the other one that

1:01:36.680 --> 1:01:40.560
<v Speaker 1>I was going to say, was Nightshade, which is Alberto's

1:01:40.640 --> 1:01:45.600
<v Speaker 1>songs on the Oh yeah, Alberto's songs. I really love

1:01:45.640 --> 1:01:49.360
<v Speaker 1>that one. It's very good. It's been on several playlists

1:01:49.360 --> 1:01:52.320
<v Speaker 1>of mine. Very good. What else we got questions wise,

1:01:52.440 --> 1:01:54.920
<v Speaker 1>let's see here, what's time do we have? We got

1:01:54.920 --> 1:01:56.720
<v Speaker 1>like another five minute? We also play a game if

1:01:56.760 --> 1:01:59.760
<v Speaker 1>you want to pay the game. The game. I wonder

1:01:59.800 --> 1:02:02.680
<v Speaker 1>if there's a game that we could play, do we

1:02:02.720 --> 1:02:05.040
<v Speaker 1>do it? Would you rather? Because that's quick and simple? Okay, still,

1:02:05.120 --> 1:02:06.760
<v Speaker 1>would you rather? Let's do it quick and you all

1:02:06.760 --> 1:02:09.400
<v Speaker 1>can answer in the chat as well, because that's you know,

1:02:09.680 --> 1:02:13.680
<v Speaker 1>we want to include you all, right, don would you

1:02:13.760 --> 1:02:21.840
<v Speaker 1>rather be a steely or a vampire? Thousand really never eat,

1:02:21.920 --> 1:02:24.120
<v Speaker 1>flood or drink anything else for the rest of your

1:02:24.120 --> 1:02:27.840
<v Speaker 1>life for the rest of time because no, no no, because

1:02:28.000 --> 1:02:31.240
<v Speaker 1>the rest of time. But that's also not true technically.

1:02:31.800 --> 1:02:35.560
<v Speaker 1>First of all, all of these things are avoidable. Like

1:02:35.600 --> 1:02:38.160
<v Speaker 1>if you if you if death were if you were

1:02:38.200 --> 1:02:41.800
<v Speaker 1>to live your eighty years and decide this is the

1:02:42.040 --> 1:02:44.520
<v Speaker 1>end of whatever, and you just wanted to watch the

1:02:44.520 --> 1:02:47.800
<v Speaker 1>sunrise and that would be the end for you. I

1:02:47.800 --> 1:02:50.800
<v Speaker 1>don't know, would get into sort of problematic talk about

1:02:50.800 --> 1:02:53.080
<v Speaker 1>what that is. But I also think, like you were

1:02:53.200 --> 1:02:55.640
<v Speaker 1>want human, you've become a vampire, and if you wanted

1:02:55.720 --> 1:02:58.680
<v Speaker 1>this is this to be, you know, the the span

1:02:58.760 --> 1:03:01.520
<v Speaker 1>of your life instead of seeing the people you love,

1:03:01.600 --> 1:03:04.920
<v Speaker 1>dyeing whatever, then that choice is sort of their for you. However,

1:03:07.320 --> 1:03:09.640
<v Speaker 1>I think I would also by the way, I will

1:03:09.680 --> 1:03:13.680
<v Speaker 1>say that we've showed Alberto eating food. We showed Alberto

1:03:13.720 --> 1:03:15.520
<v Speaker 1>eating tacos and he just had to put a little

1:03:15.520 --> 1:03:18.480
<v Speaker 1>bit of blood on them. He could get them down.

1:03:18.480 --> 1:03:19.919
<v Speaker 1>You can stand them, so you can still eat food.

1:03:19.960 --> 1:03:21.280
<v Speaker 1>It just has to be with blood, which is kind

1:03:21.280 --> 1:03:26.959
<v Speaker 1>of gross, But I digress. I think Sealy's first of all,

1:03:27.520 --> 1:03:31.000
<v Speaker 1>like I have hay fever, I have seasonal allergies, so

1:03:31.040 --> 1:03:34.320
<v Speaker 1>I think like flowers and my clothes and like always

1:03:34.360 --> 1:03:36.920
<v Speaker 1>being out in the woods would just drive me fucking mental,

1:03:37.080 --> 1:03:39.960
<v Speaker 1>Like my eyes and beg everywhere I go. That honestly

1:03:40.000 --> 1:03:42.320
<v Speaker 1>would drive me. Like sometimes being in the sea Lee Glade,

1:03:42.400 --> 1:03:45.800
<v Speaker 1>the sets would drive me nuts. Imagine the pussy willows everywhere,

1:03:45.920 --> 1:03:48.560
<v Speaker 1>everywhere you will the pussy willows. Yeah, which, if you

1:03:48.600 --> 1:03:53.200
<v Speaker 1>haven't ever go back to the podcast episode whatever, whatever

1:03:53.240 --> 1:03:58.400
<v Speaker 1>season two episode might be, Season two episode eleven, all right,

1:03:59.000 --> 1:04:04.040
<v Speaker 1>seen two episode one, yes, eleven, one of them, whichever

1:04:04.080 --> 1:04:06.080
<v Speaker 1>one it is, go back and find us talking about

1:04:06.080 --> 1:04:09.600
<v Speaker 1>pussy willows, because it's just an absolute nightmare. Vampire you

1:04:09.600 --> 1:04:12.720
<v Speaker 1>get Vampi speed. You get to dress cool, although arguably

1:04:12.720 --> 1:04:14.560
<v Speaker 1>you can dress call a zecilia as well, but like

1:04:14.600 --> 1:04:18.320
<v Speaker 1>they have cool dress sense for sort for sure. You

1:04:18.400 --> 1:04:21.320
<v Speaker 1>just have the sacrifice of being a sun which that

1:04:21.320 --> 1:04:24.560
<v Speaker 1>would kind of suck. I don't know. I'm my gut

1:04:24.600 --> 1:04:28.160
<v Speaker 1>is telling me vampire, so I'm staying with vampire. All right. Well,

1:04:28.200 --> 1:04:31.320
<v Speaker 1>you know you have been a vampire before experience in

1:04:31.360 --> 1:04:34.520
<v Speaker 1>the cent, so you know, so comfort zone for you.

1:04:34.560 --> 1:04:40.320
<v Speaker 1>I guess what about you? I really would say, seriously, Yeah,

1:04:40.360 --> 1:04:42.560
<v Speaker 1>I think there's something really interesting and we didn't really

1:04:42.560 --> 1:04:46.360
<v Speaker 1>find out a ton about this in the series. We've

1:04:46.560 --> 1:04:48.760
<v Speaker 1>learned a little bits, but we didn't really get you

1:04:48.800 --> 1:04:57.520
<v Speaker 1>know much, you know, um also political atmosphere constantly. Yeah.

1:04:57.600 --> 1:05:01.000
<v Speaker 1>I think I think very mysterious beautiful about them, and

1:05:01.000 --> 1:05:03.360
<v Speaker 1>I'd love to and the fact that they moved through

1:05:04.200 --> 1:05:10.440
<v Speaker 1>space so easily and so much would be very interesting. Yeah.

1:05:10.560 --> 1:05:12.720
<v Speaker 1>I agree. Oh that's a really good point that they

1:05:12.720 --> 1:05:15.080
<v Speaker 1>all just said. If I bait a shadow hunter a

1:05:15.120 --> 1:05:19.720
<v Speaker 1>shadow hunter, yeah, a very specific type of shadow hunter,

1:05:19.720 --> 1:05:21.320
<v Speaker 1>I will become a daylighter. Will I have to do?

1:05:21.320 --> 1:05:24.680
<v Speaker 1>It's fine? One of Simon? Did it could be yea too.

1:05:24.720 --> 1:05:27.400
<v Speaker 1>Would it exist in the entire universe though it won't

1:05:27.440 --> 1:05:30.919
<v Speaker 1>be too hard to find? Yeah? Yeah, who's the other one?

1:05:31.960 --> 1:05:35.840
<v Speaker 1>Clarie and Jays Clary has it as well, yeah, it's

1:05:35.840 --> 1:05:41.040
<v Speaker 1>the angelic blood. I don't know that, yep. I mean

1:05:41.560 --> 1:05:44.400
<v Speaker 1>shot sunlight out of my hand and make portals. Yeah,

1:05:44.520 --> 1:05:46.760
<v Speaker 1>and you have the Golden eyes and stuff. It just

1:05:46.800 --> 1:05:51.919
<v Speaker 1>manifests itself differently. People, no kidding. This is a good one. Okay,

1:05:51.920 --> 1:05:54.240
<v Speaker 1>I got a good one. You're ready be friends with

1:05:54.280 --> 1:06:04.160
<v Speaker 1>Clarie or be friends with Jayce? Both? Can't say both.

1:06:04.880 --> 1:06:07.200
<v Speaker 1>I think it's a safer I think okay, I think

1:06:07.200 --> 1:06:09.400
<v Speaker 1>it would be more fun to be friends with Clary,

1:06:09.600 --> 1:06:12.440
<v Speaker 1>But I think it would be safer for your life

1:06:12.480 --> 1:06:16.400
<v Speaker 1>to be friends with Jase. Probably your mental health as well. Yeah,

1:06:16.440 --> 1:06:18.520
<v Speaker 1>because because Clary, I feel like, ends up a lot

1:06:18.520 --> 1:06:20.320
<v Speaker 1>of our friends that up, you know, getting killed or

1:06:20.360 --> 1:06:24.840
<v Speaker 1>turned various creatures. Um, but jas is kind of grumpy

1:06:24.960 --> 1:06:29.880
<v Speaker 1>a lot. Jason's grumpy a lot. Yeah. Wow. It started

1:06:30.000 --> 1:06:32.480
<v Speaker 1>very jay strong in the comments, and now it's gotten

1:06:32.560 --> 1:06:35.440
<v Speaker 1>very mixed. It's gotten very who people who keep writing

1:06:35.480 --> 1:06:38.880
<v Speaker 1>both don't understand how the game works. The game is

1:06:39.080 --> 1:06:43.040
<v Speaker 1>would you rather? You can't say? I can't say both both.

1:06:44.840 --> 1:06:47.240
<v Speaker 1>The answer, by the way, is obviously Jase. Like if

1:06:47.280 --> 1:06:51.320
<v Speaker 1>it we're talking about with a world the story of

1:06:51.400 --> 1:06:56.040
<v Speaker 1>shadow Hunts, these threats exist. Jase is the best soldier

1:06:56.040 --> 1:06:59.400
<v Speaker 1>that has existed. Clary comes in and goes, yeah, I

1:06:59.400 --> 1:07:02.000
<v Speaker 1>can take this on. I'll take this on on my own. Yeah, no,

1:07:02.120 --> 1:07:04.720
<v Speaker 1>no big deal and just gets people murdered all the time.

1:07:05.160 --> 1:07:09.600
<v Speaker 1>Obviously is the right answer? Who said Alex? That's somebody

1:07:09.600 --> 1:07:12.440
<v Speaker 1>in the check So you know what, the real right

1:07:12.480 --> 1:07:19.760
<v Speaker 1>answer to this quickness is Simon, because Simon is to

1:07:19.920 --> 1:07:23.000
<v Speaker 1>anyone ever in the entire city, Simon is a good friend. Yeah,

1:07:23.080 --> 1:07:26.160
<v Speaker 1>and maybe Alberto honestly, but that's not how the game works.

1:07:26.200 --> 1:07:28.800
<v Speaker 1>I don't understand. I don't understand how it could be clear.

1:07:28.840 --> 1:07:30.760
<v Speaker 1>The title of the game is would you rather? And

1:07:30.800 --> 1:07:32.440
<v Speaker 1>then you get given two answers. You have to pick

1:07:32.480 --> 1:07:34.920
<v Speaker 1>one of those two. It's not who would you be

1:07:34.960 --> 1:07:37.640
<v Speaker 1>friends with in the Shadow Hunters, it's not who would

1:07:37.640 --> 1:07:39.600
<v Speaker 1>you be friends within the world. It's would you rather

1:07:39.640 --> 1:07:41.920
<v Speaker 1>one or two? It's very simple. I don't understand. We

1:07:41.920 --> 1:07:46.480
<v Speaker 1>should move on. What's the next one? Oh, let's do one,

1:07:46.960 --> 1:07:52.520
<v Speaker 1>and then I do put things up and give Alex's turn.

1:07:53.320 --> 1:07:59.840
<v Speaker 1>How about this, h would you rather tell a new

1:08:00.120 --> 1:08:03.840
<v Speaker 1>porter about the shadow World or Triumphant? That's what I

1:08:03.920 --> 1:08:05.960
<v Speaker 1>was just thinking. That's the one I just read and

1:08:06.000 --> 1:08:07.480
<v Speaker 1>I was like, Wow, I really don't know how to

1:08:07.520 --> 1:08:13.320
<v Speaker 1>answer this. I feel like my instinct is telling me

1:08:13.720 --> 1:08:17.680
<v Speaker 1>one way, but I feel like that's problematic in a

1:08:17.680 --> 1:08:21.000
<v Speaker 1>lot of ways, encouraging people to do something they shouldn't do,

1:08:24.040 --> 1:08:26.400
<v Speaker 1>and the other one sort of destroys the lives of

1:08:26.840 --> 1:08:33.000
<v Speaker 1>hundreds and hundreds of people. So I think, I think,

1:08:33.280 --> 1:08:34.760
<v Speaker 1>if I think for me, it would have to be

1:08:34.920 --> 1:08:37.920
<v Speaker 1>in fam like, you'd have to do that to protect

1:08:37.960 --> 1:08:41.960
<v Speaker 1>the people around you. Yeah, try it once, you know,

1:08:42.680 --> 1:08:45.160
<v Speaker 1>do it with the supervision of people around you, and

1:08:45.200 --> 1:08:49.120
<v Speaker 1>then lock yourself away and get yourself like off this train,

1:08:49.520 --> 1:08:52.640
<v Speaker 1>and then know that you've kept the shadow world safe.

1:08:53.880 --> 1:08:57.400
<v Speaker 1>I think that would be that would be the way. Well,

1:08:57.479 --> 1:09:02.000
<v Speaker 1>it's it's gone very fifty fifty again become the comments

1:09:02.080 --> 1:09:05.760
<v Speaker 1>that's wild. Now. I would I would actually tell a

1:09:05.840 --> 1:09:09.400
<v Speaker 1>news reporter about the shadow World, because really, out of

1:09:09.479 --> 1:09:12.200
<v Speaker 1>ten they won't believe you, and they'll just go, okay,

1:09:12.240 --> 1:09:15.559
<v Speaker 1>crazy lady, have a nice day, you know, because that's

1:09:15.560 --> 1:09:19.840
<v Speaker 1>again not really the game. It doesn't say, it doesn't

1:09:19.840 --> 1:09:23.360
<v Speaker 1>seem tell a news reporter with evidence. It doesn't specify

1:09:23.400 --> 1:09:27.639
<v Speaker 1>you're correct, it doesn't specify, But I think in the

1:09:27.680 --> 1:09:31.479
<v Speaker 1>realm of this game, we're saying, the likelihood is that

1:09:31.520 --> 1:09:34.759
<v Speaker 1>the news reporter is then going to tell the world. Okay, fine,

1:09:34.880 --> 1:09:38.360
<v Speaker 1>then then the answer is then tell the world about

1:09:38.360 --> 1:09:41.719
<v Speaker 1>the shadow world or try again. Then that's okay. Well,

1:09:41.760 --> 1:09:44.000
<v Speaker 1>that's that's not that's not what's written on the paper,

1:09:44.080 --> 1:09:47.680
<v Speaker 1>darm that's nothing. Rather, no, it's not. So that's one

1:09:47.840 --> 1:09:51.360
<v Speaker 1>rules the game, according to your rules. The game rules. Fine,

1:09:51.439 --> 1:09:57.599
<v Speaker 1>you're right, you're right, I'll take heed fair enough. Oh

1:09:57.640 --> 1:10:02.200
<v Speaker 1>my goodness, Well, folks, this has been so amazing, and

1:10:02.280 --> 1:10:04.640
<v Speaker 1>thank you so much for all of your questions, to

1:10:04.680 --> 1:10:08.080
<v Speaker 1>our guests who came in such a wonderful new life

1:10:08.080 --> 1:10:11.320
<v Speaker 1>to the show, and to all of you and our

1:10:11.360 --> 1:10:15.479
<v Speaker 1>producers for setting this up and helping us to make

1:10:15.520 --> 1:10:19.640
<v Speaker 1>all of us possible as well, supporting us through this

1:10:19.680 --> 1:10:23.080
<v Speaker 1>and being fantastic. Um you're the best, and he'd thank

1:10:23.080 --> 1:10:27.200
<v Speaker 1>you to our producers a propagate, to our radios on

1:10:27.240 --> 1:10:29.840
<v Speaker 1>the air, and to each and every one of you

1:10:30.040 --> 1:10:33.280
<v Speaker 1>for listening and tuning in and continuing this journey with us,

1:10:34.120 --> 1:10:36.880
<v Speaker 1>and hopefully a lot of you are joining us as

1:10:36.920 --> 1:10:41.000
<v Speaker 1>well for the after party. For the after party hosted

1:10:41.000 --> 1:10:43.920
<v Speaker 1>by the one and only or or performed by not

1:10:44.040 --> 1:10:50.000
<v Speaker 1>we're also hosting, but during it's it's all about Alex Kinsey.

1:10:50.080 --> 1:10:52.000
<v Speaker 1>Let's just put it that way. It was our brilliant

1:10:52.040 --> 1:10:58.000
<v Speaker 1>and tellented friend and the yeah, the I forget to

1:10:59.240 --> 1:11:03.080
<v Speaker 1>completely always supposed to do. So let's go to you've

1:11:03.080 --> 1:11:06.160
<v Speaker 1>got the papers in front, hold on, say it on

1:11:06.160 --> 1:11:11.960
<v Speaker 1>the most Oh no, oh no, we're supposed to hide

1:11:11.960 --> 1:11:16.479
<v Speaker 1>our cameras and mute. Yeah, and then and then there's

1:11:16.479 --> 1:11:21.320
<v Speaker 1>a mic check and then yeah, now I'm with you.

1:11:21.560 --> 1:11:23.800
<v Speaker 1>Now I'm with you. Thank good. This is what it's

1:11:23.840 --> 1:11:26.760
<v Speaker 1>really like recording the podcast. It's just most of Dom

1:11:26.840 --> 1:11:32.479
<v Speaker 1>and I are just figuring out technically this is a nightmare.

1:11:32.520 --> 1:11:38.000
<v Speaker 1>Like our producers are saints. They're absolute, like popping bottles

1:11:38.040 --> 1:11:40.760
<v Speaker 1>of champagne that this is the last episode for a while,

1:11:40.800 --> 1:11:43.000
<v Speaker 1>so they don't have to be No, I'm kidding. It's

1:11:43.000 --> 1:11:44.639
<v Speaker 1>been a pleasure. Okay. Now we are going to say

1:11:44.640 --> 1:11:46.080
<v Speaker 1>goodbye and then I'm going to do the things that

1:11:46.120 --> 1:11:49.439
<v Speaker 1>I was told to do and then we'll see party.

1:11:50.320 --> 1:12:33.000
<v Speaker 1>Why Yeah, Alex, that's what it is. Welcome back everyone too.

1:12:34.280 --> 1:12:38.400
<v Speaker 1>I was live. We have a new person. Look at

1:12:39.040 --> 1:12:44.120
<v Speaker 1>you pour and I know, but it doesn't have you're

1:12:44.160 --> 1:12:47.920
<v Speaker 1>supposed to be doing in the can it has the

1:12:47.960 --> 1:12:52.200
<v Speaker 1>little canister in the bottles. It doesn't has something called

1:12:52.200 --> 1:12:54.760
<v Speaker 1>widget and it means you don't have to pour it

1:12:54.840 --> 1:12:58.920
<v Speaker 1>like that. No, but this doesn't do the thing. No,

1:12:59.520 --> 1:13:01.960
<v Speaker 1>the widge it stops you from so you don't need to.

1:13:02.040 --> 1:13:04.400
<v Speaker 1>But whenever you're pouring a point, you pour it that,

1:13:04.560 --> 1:13:07.000
<v Speaker 1>you tilt the glass and you pour it down the

1:13:06.680 --> 1:13:10.080
<v Speaker 1>side of the No, the whole way through. I'm sorry, folks,

1:13:10.120 --> 1:13:13.760
<v Speaker 1>this is no longer the Shadows. This is obviously. Tom

1:13:13.800 --> 1:13:16.640
<v Speaker 1>explains how wrong you have a fifty fifty mix of

1:13:16.680 --> 1:13:19.280
<v Speaker 1>a Guinness there, which is wrong, which is maybe that's

1:13:19.280 --> 1:13:22.080
<v Speaker 1>what he likes. Maybe that's what was my second one.

1:13:22.280 --> 1:13:28.680
<v Speaker 1>So yeah, yeah, maybe that helps performance. Hi, everybody, welcome party,

1:13:29.000 --> 1:13:33.960
<v Speaker 1>big round of applause to Kinsey, who, now some of

1:13:34.000 --> 1:13:37.160
<v Speaker 1>you may know, the brilliant and wonderfully talented else Kinsey

1:13:37.720 --> 1:13:41.160
<v Speaker 1>compose our theme tune for Return to the Shadows, So

1:13:41.240 --> 1:13:47.720
<v Speaker 1>thank you. Before I know, it just has a has

1:13:46.360 --> 1:13:51.720
<v Speaker 1>a British that is from a TV show that we

1:13:51.800 --> 1:13:53.720
<v Speaker 1>used to have here, which but let's you guys know what,

1:13:53.840 --> 1:13:55.240
<v Speaker 1>it doesn't matter. I don't know why I brought it up.

1:13:55.240 --> 1:13:58.600
<v Speaker 1>Why what shows it from? It's called Little Britain. It

1:13:58.720 --> 1:14:01.519
<v Speaker 1>was a very popular show. Well yeah, years and years

1:14:01.520 --> 1:14:04.160
<v Speaker 1>and years ago, and then it is now being seen

1:14:04.200 --> 1:14:07.400
<v Speaker 1>as very problematic, which sort of get um to be honest,

1:14:07.439 --> 1:14:09.240
<v Speaker 1>and it kind of makes sense. So there you go,

1:14:10.120 --> 1:14:11.880
<v Speaker 1>by the way. In case anyone is curious why I

1:14:11.920 --> 1:14:14.040
<v Speaker 1>keep looking over here, it's because that's where the chat is.

1:14:14.160 --> 1:14:15.840
<v Speaker 1>I don't want you to think that I'm just fully

1:14:15.880 --> 1:14:23.840
<v Speaker 1>ignoring one very specific spot of something. Stuff slightly to

1:14:23.880 --> 1:14:27.520
<v Speaker 1>the right, beautiful. It's like it might be the parakeets.

1:14:28.800 --> 1:14:31.680
<v Speaker 1>It could be or it could be parakeets. Yeah, you

1:14:31.680 --> 1:14:34.479
<v Speaker 1>don't know about the earl A parakeets. Oh the La parakeets.

1:14:34.479 --> 1:14:36.960
<v Speaker 1>I thought you specifically had pet parakeets. And I was

1:14:36.960 --> 1:14:39.160
<v Speaker 1>about to get very excited. I don't have pets. That

1:14:39.200 --> 1:14:42.840
<v Speaker 1>means that I would have to have responsibilities. Oh I see.

1:14:45.200 --> 1:14:51.040
<v Speaker 1>Oh my goodness, how that guinness taste mostly foam for me? Yeah,

1:14:51.920 --> 1:14:54.679
<v Speaker 1>but no fomo, get out there and teach you. No fomo,

1:14:54.760 --> 1:14:57.720
<v Speaker 1>that's true. No fomo, that's positive, right, little foamy, But

1:14:57.800 --> 1:15:00.400
<v Speaker 1>no fomo, that's I think that's You're going to be

1:15:00.520 --> 1:15:05.280
<v Speaker 1>my next album name. I think actually what was what

1:15:05.360 --> 1:15:07.240
<v Speaker 1>was the one that I loved that I thought was hysterical?

1:15:07.280 --> 1:15:11.519
<v Speaker 1>Slightly better than silence? Yep, that was the thing my

1:15:11.680 --> 1:15:15.479
<v Speaker 1>entire life. Thanks you could listen to silence, this is

1:15:15.600 --> 1:15:18.240
<v Speaker 1>slightly better. I would have learned to say that your

1:15:18.360 --> 1:15:21.720
<v Speaker 1>music is more than slightly better than silence. That's just

1:15:21.760 --> 1:15:24.639
<v Speaker 1>my personality. Kind of you. That is so kind. Thank you.

1:15:26.200 --> 1:15:29.639
<v Speaker 1>So you know right, very hard. You you do very well.

1:15:29.920 --> 1:15:31.920
<v Speaker 1>I mean this was sort of a no brainer for

1:15:32.000 --> 1:15:34.320
<v Speaker 1>us when we were making this podcast and trying to

1:15:34.320 --> 1:15:35.880
<v Speaker 1>figure out what the theme tune was going to be

1:15:36.160 --> 1:15:37.720
<v Speaker 1>that we were going to, you know, come to you

1:15:37.800 --> 1:15:41.920
<v Speaker 1>and ask ask for your help. Thank you appreciate that. Guys,

1:15:42.120 --> 1:15:46.360
<v Speaker 1>you are I like theme tune, and I really appreciate this.

1:15:46.640 --> 1:15:49.160
<v Speaker 1>It's very cool. I've seen I was watching you guys

1:15:49.200 --> 1:15:52.760
<v Speaker 1>on the pre after party, which I guess is just

1:15:52.840 --> 1:15:58.800
<v Speaker 1>the party, just the party. Yeah, yeah, yeah, And I

1:15:58.840 --> 1:16:01.679
<v Speaker 1>realized how I mean, I've always known that the show

1:16:01.880 --> 1:16:04.120
<v Speaker 1>that Shadow Hunters has had a huge effect on tons

1:16:04.120 --> 1:16:06.840
<v Speaker 1>and tons and tons of people, to the point where

1:16:06.920 --> 1:16:11.880
<v Speaker 1>it's affected me as your friend, just because I'm your friend,

1:16:11.960 --> 1:16:13.360
<v Speaker 1>you know, and I love that. It's so cool. I

1:16:13.360 --> 1:16:15.040
<v Speaker 1>get to be a part of such a cool community

1:16:15.120 --> 1:16:18.200
<v Speaker 1>because I just like you guys. But then hearing y'all

1:16:18.240 --> 1:16:20.040
<v Speaker 1>talk about this and reading the chat and seeing how

1:16:20.120 --> 1:16:22.599
<v Speaker 1>much the like just talking about the show and getting

1:16:22.640 --> 1:16:24.360
<v Speaker 1>people back involved in I don't know, it's really cool

1:16:24.360 --> 1:16:27.000
<v Speaker 1>that you guys were able to connect with a brand

1:16:27.040 --> 1:16:29.479
<v Speaker 1>new group of people and the old group of people

1:16:29.520 --> 1:16:31.439
<v Speaker 1>that you've had around for all this time. I don't know,

1:16:31.439 --> 1:16:33.519
<v Speaker 1>you guys have done a really great job. Congratulations on

1:16:33.520 --> 1:16:37.240
<v Speaker 1>the success and also being two beautiful, beautiful people. Oh

1:16:37.360 --> 1:16:40.920
<v Speaker 1>thank you. We just get on microphones and just talk

1:16:40.960 --> 1:16:46.439
<v Speaker 1>at each other. It's definitely nice for radio. Yeah, it

1:16:46.479 --> 1:16:51.120
<v Speaker 1>was a very podcasting look to him, usting face. In fact,

1:16:51.160 --> 1:16:53.479
<v Speaker 1>I was terrified when they said we're going to start

1:16:53.520 --> 1:16:56.320
<v Speaker 1>using the cameras, and I was like, oh, usual, yeah,

1:16:57.400 --> 1:17:01.360
<v Speaker 1>because that's definitely running for you ever right we wow,

1:17:01.600 --> 1:17:06.599
<v Speaker 1>Well we love seen you running all unacceptable guys. All right,

1:17:06.680 --> 1:17:09.680
<v Speaker 1>let's stick to the script, shall we. Fuckers What it

1:17:09.720 --> 1:17:12.040
<v Speaker 1>says in the script that I got to see earlier

1:17:12.040 --> 1:17:14.799
<v Speaker 1>and I got to vitos some stuff. Yeah, good good lord,

1:17:15.400 --> 1:17:17.920
<v Speaker 1>I earlier too, and I got to re un vetos

1:17:17.960 --> 1:17:29.840
<v Speaker 1>some stuff similar to the pre after party. Uh huh yeah, yeah,

1:17:29.880 --> 1:17:32.559
<v Speaker 1>I like preafter part. Stop vamping you to stop. Now,

1:17:32.600 --> 1:17:34.479
<v Speaker 1>this is just my job, This is my job. I

1:17:34.560 --> 1:17:37.599
<v Speaker 1>just I just I'm slowly back to what we're supposed

1:17:37.600 --> 1:17:42.639
<v Speaker 1>to be talking about that. Oh I know, Oh, I know,

1:17:43.760 --> 1:17:45.960
<v Speaker 1>just slowly just wheeling him in a little by little

1:17:46.000 --> 1:17:48.479
<v Speaker 1>pre Yeah, you will say it like it's a negative thing.

1:17:48.520 --> 1:17:53.200
<v Speaker 1>I'm boring, would your lives? Yeah, that is true, That

1:17:53.360 --> 1:17:58.280
<v Speaker 1>is very true. I always say this about shadow Hunters.

1:17:58.360 --> 1:18:00.559
<v Speaker 1>I'm so glad I had all of view. And this

1:18:00.600 --> 1:18:03.320
<v Speaker 1>includes you too, Kinsey, during that time in my life

1:18:03.320 --> 1:18:06.120
<v Speaker 1>because I really needed someone in my life to push

1:18:06.160 --> 1:18:08.360
<v Speaker 1>me a little bit, to try things new and step

1:18:08.400 --> 1:18:10.760
<v Speaker 1>out of my comfort zone and you know, take some

1:18:10.880 --> 1:18:13.320
<v Speaker 1>risks in life. And that was all of you, guys,

1:18:13.360 --> 1:18:16.000
<v Speaker 1>because you created a safe space to take risks and

1:18:16.160 --> 1:18:19.240
<v Speaker 1>have fun and live a little We make cat drink

1:18:19.320 --> 1:18:22.720
<v Speaker 1>to say, did make cat drink drunk? Chas? Look at

1:18:22.720 --> 1:18:28.840
<v Speaker 1>her now? Who knows? Now she well, Um, let's get

1:18:28.880 --> 1:18:35.360
<v Speaker 1>back that we were talking about. Um before anyone says

1:18:35.360 --> 1:18:38.680
<v Speaker 1>anything terrible, why don't you tell us what it was

1:18:38.720 --> 1:18:42.280
<v Speaker 1>like writing the theme tune. I remember, I remember calling you.

1:18:42.320 --> 1:18:44.639
<v Speaker 1>I was in Santa Barbara when I called you yeah

1:18:44.840 --> 1:18:47.479
<v Speaker 1>and said, we've had this idea, Um, would you be

1:18:47.520 --> 1:18:51.640
<v Speaker 1>willing to sit down and maybe write something? You know,

1:18:51.960 --> 1:18:54.160
<v Speaker 1>my friends, of the people that I know who I

1:18:54.160 --> 1:18:57.120
<v Speaker 1>could ask to do this, and arguably arguably of the

1:18:57.120 --> 1:18:59.519
<v Speaker 1>people that I would ask in the world if I

1:18:59.600 --> 1:19:01.479
<v Speaker 1>knew any body, you were on the top of that

1:19:01.520 --> 1:19:03.519
<v Speaker 1>list too, because I've seen what you can do and

1:19:03.520 --> 1:19:09.200
<v Speaker 1>how you can compose, compose and create very good computer

1:19:09.400 --> 1:19:12.160
<v Speaker 1>develop things that are very thematic to what you know

1:19:12.479 --> 1:19:15.599
<v Speaker 1>the sources. So um to me that you were the choice,

1:19:15.640 --> 1:19:17.800
<v Speaker 1>you were graciously accepted, and then tell us what the

1:19:17.800 --> 1:19:20.519
<v Speaker 1>process was after that. Thanks, man, that's really kind. It's

1:19:20.520 --> 1:19:23.400
<v Speaker 1>funny that you say composer because a lot of people have, um,

1:19:23.960 --> 1:19:25.200
<v Speaker 1>not a lot of people, but a lot of people

1:19:25.240 --> 1:19:27.080
<v Speaker 1>that I've worked with have sort of asked, you know,

1:19:27.120 --> 1:19:30.080
<v Speaker 1>are you artist? Are you writer? Are you producer? And

1:19:30.120 --> 1:19:32.240
<v Speaker 1>I don't. I mean, I'm definitely all of those things

1:19:32.280 --> 1:19:35.120
<v Speaker 1>to some degree. But then I realized, I guess I'm

1:19:35.160 --> 1:19:37.439
<v Speaker 1>more of a composer than anything, because like that creation

1:19:37.640 --> 1:19:40.200
<v Speaker 1>of a sound and figuring out what needs to happen

1:19:40.439 --> 1:19:44.120
<v Speaker 1>sonically and to emote, like to get you to emote

1:19:44.160 --> 1:19:47.640
<v Speaker 1>the right feelings and to sort of connect in the

1:19:47.720 --> 1:19:49.240
<v Speaker 1>right way. That's always been the thing that made me

1:19:49.240 --> 1:19:52.920
<v Speaker 1>feel really good, was that part of music making. So

1:19:52.960 --> 1:19:54.320
<v Speaker 1>when you guys asked me to do this, it was

1:19:54.360 --> 1:19:58.799
<v Speaker 1>really Honestly, I've never done anything with such little lyrics,

1:19:59.320 --> 1:20:01.759
<v Speaker 1>and also I never done anything that was like, hey,

1:20:02.080 --> 1:20:04.040
<v Speaker 1>you know, it's very this is a very thematic show.

1:20:04.120 --> 1:20:08.080
<v Speaker 1>It's very very specifically this so if you could kind

1:20:08.080 --> 1:20:09.880
<v Speaker 1>of follow that theme, I don't know that it was

1:20:09.960 --> 1:20:12.920
<v Speaker 1>an interesting ask, but I was really excited to get

1:20:12.960 --> 1:20:15.600
<v Speaker 1>into it, and I don't know, I listened to a

1:20:15.640 --> 1:20:18.960
<v Speaker 1>lot of what was played on the show. I listened

1:20:19.000 --> 1:20:22.520
<v Speaker 1>to a lot of honestly, just the type of instruments

1:20:22.640 --> 1:20:24.400
<v Speaker 1>was that. That was a big part of it, is

1:20:24.439 --> 1:20:27.400
<v Speaker 1>finding the right synth sounds and the right bass sounds

1:20:27.400 --> 1:20:29.400
<v Speaker 1>and getting the guitar to sound right because it's a

1:20:29.479 --> 1:20:32.640
<v Speaker 1>very ethereal type vibe, you know. So yeah, I don't know,

1:20:32.640 --> 1:20:34.479
<v Speaker 1>it was it was fun to find that and tweak

1:20:34.520 --> 1:20:37.280
<v Speaker 1>it and get the right sounds. And then, honestly, I

1:20:37.320 --> 1:20:39.960
<v Speaker 1>listened to a bunch of podcast themes songs as well

1:20:40.200 --> 1:20:42.400
<v Speaker 1>prior to doing that, and I was like, why do

1:20:42.479 --> 1:20:46.479
<v Speaker 1>we say anything other than return to the shadows? Right?

1:20:46.479 --> 1:20:49.040
<v Speaker 1>And then Kat, you came over, and I mean, honestly,

1:20:49.040 --> 1:20:51.519
<v Speaker 1>what we do three takes of return? But yeah, we

1:20:51.560 --> 1:20:53.800
<v Speaker 1>spent a total of thirteen minutes recording it. That's what

1:20:53.840 --> 1:20:55.160
<v Speaker 1>I was gonna say. I don't even think we've spent

1:20:55.160 --> 1:20:57.559
<v Speaker 1>thirteen minutes recording it. I think you spent thirteen minutes

1:20:57.600 --> 1:20:59.439
<v Speaker 1>from getting out of your car to getting back into

1:20:59.479 --> 1:21:05.280
<v Speaker 1>your car. That's true, in your house so quick, which

1:21:05.360 --> 1:21:07.400
<v Speaker 1>was great. Honestly. It made it so easy because then

1:21:07.400 --> 1:21:09.280
<v Speaker 1>we had like a bunch of things to choose from.

1:21:09.320 --> 1:21:10.840
<v Speaker 1>I didn't have to go and tune and edit. No,

1:21:11.000 --> 1:21:12.800
<v Speaker 1>it was great. It was right there. I got to

1:21:12.840 --> 1:21:15.560
<v Speaker 1>pull from it, and you nailed it first try. And

1:21:16.200 --> 1:21:18.720
<v Speaker 1>you did nothing. You just sat back and you came

1:21:18.800 --> 1:21:23.320
<v Speaker 1>up with the idea of having me. You actually you're

1:21:23.360 --> 1:21:27.920
<v Speaker 1>in the cho have known each other without me. You

1:21:27.920 --> 1:21:30.720
<v Speaker 1>wouldn't have a show without me. You're my friend. This

1:21:30.760 --> 1:21:34.040
<v Speaker 1>is how we connected you it. Yeah, and and now

1:21:34.080 --> 1:21:36.759
<v Speaker 1>I'm so knowledgeable, dude, I know everything about the show.

1:21:36.960 --> 1:21:39.960
<v Speaker 1>It's true. Everything you read all the books, right, and

1:21:40.640 --> 1:21:47.240
<v Speaker 1>just such a I've wanted the last scene of every

1:21:47.240 --> 1:21:54.160
<v Speaker 1>episode like four times. The very last scene, you guys

1:21:54.320 --> 1:21:58.000
<v Speaker 1>are all together for one final moment, and then it

1:21:58.000 --> 1:22:01.680
<v Speaker 1>cuts to black. No, no, wrong, Well, well if he

1:22:01.760 --> 1:22:06.040
<v Speaker 1>means all actually Kinsey, by all, you mean all here,

1:22:06.160 --> 1:22:08.920
<v Speaker 1>like the two of us, right, all I only know here,

1:22:08.960 --> 1:22:12.840
<v Speaker 1>guys say, oh, I don't think of Alberto and what

1:22:13.040 --> 1:22:16.120
<v Speaker 1>I don't even know their other names? Honest, Alberto, the one,

1:22:16.200 --> 1:22:22.760
<v Speaker 1>the other one your friends with Matt. I think involved

1:22:23.920 --> 1:22:30.120
<v Speaker 1>set lots of mats. Yeah, at once was in it.

1:22:30.439 --> 1:22:33.679
<v Speaker 1>Yeah that again, we did it very d We should

1:22:33.680 --> 1:22:39.360
<v Speaker 1>have put that again. Wonderful, wonder very well done. Um.

1:22:39.520 --> 1:22:41.640
<v Speaker 1>But actually so since we're on the theme and on

1:22:41.680 --> 1:22:44.120
<v Speaker 1>all of that, if you guys want, I can show

1:22:44.160 --> 1:22:49.559
<v Speaker 1>you just a quick breakdown of like stuff. Yes, please, yeah, everything.

1:22:49.680 --> 1:22:53.080
<v Speaker 1>He just Alex Kinsey Master's class. This is what we want?

1:22:53.520 --> 1:22:57.559
<v Speaker 1>Is it? Hold on one second while I get it working.

1:22:58.960 --> 1:23:01.040
<v Speaker 1>I took a stab with the tech. We took a

1:23:01.160 --> 1:23:02.920
<v Speaker 1>We took a real stab that the tech was going

1:23:03.000 --> 1:23:06.360
<v Speaker 1>to be on our side. We really really did. Okay,

1:23:06.680 --> 1:23:09.439
<v Speaker 1>hold on, We're gonna try this and you might get

1:23:09.439 --> 1:23:11.400
<v Speaker 1>a little look behind the curtain, but we're gonna try

1:23:11.400 --> 1:23:13.240
<v Speaker 1>to not let you have a look behind the curtain.

1:23:15.120 --> 1:23:19.280
<v Speaker 1>All right, let's see. Are you guys seeing the screen? Nope, no,

1:23:20.680 --> 1:23:25.160
<v Speaker 1>anyone is anyone on the stream seeing the screen? What

1:23:25.160 --> 1:23:29.360
<v Speaker 1>about the yeah? Hey, well it's hey, look at that.

1:23:29.360 --> 1:23:31.719
<v Speaker 1>It was a quick scroll too far. We're gonna scroll

1:23:31.760 --> 1:23:36.679
<v Speaker 1>back now we're good, so good, I'll I'll just show

1:23:36.680 --> 1:23:38.160
<v Speaker 1>you guys a quick So this is this is what

1:23:38.200 --> 1:23:41.720
<v Speaker 1>a basic production thing looks like, if you guys are

1:23:41.760 --> 1:23:44.519
<v Speaker 1>ever getting into it. I don't know what you're seeing. Cat,

1:23:44.520 --> 1:23:47.919
<v Speaker 1>what are you seeing right now? I'm seeing your screen?

1:23:48.760 --> 1:23:52.439
<v Speaker 1>That is a riverside? Oh you are okay, that's not

1:23:52.479 --> 1:23:54.240
<v Speaker 1>what I clicked. Oh well, that is not at all

1:23:54.280 --> 1:24:00.640
<v Speaker 1>what I clicked. Let's stop that. Yeah, that was a

1:24:00.640 --> 1:24:05.120
<v Speaker 1>lot of seventeen screens within screens with us. It's we're

1:24:05.160 --> 1:24:07.680
<v Speaker 1>trying something new. Why we decided to do this on

1:24:07.800 --> 1:24:09.920
<v Speaker 1>live not a single person. We all knew this was

1:24:09.960 --> 1:24:12.120
<v Speaker 1>going to happen, Not a single person. When there's much

1:24:12.520 --> 1:24:15.080
<v Speaker 1>more time. Now what now, what are you seeing? It's

1:24:15.120 --> 1:24:20.200
<v Speaker 1>loading loading? Yeah, that's the one, great, great, great great great. Okay,

1:24:20.280 --> 1:24:23.479
<v Speaker 1>So now this is what it's supposed to look like.

1:24:23.560 --> 1:24:26.120
<v Speaker 1>This is a basic sort of logic. This is like

1:24:26.160 --> 1:24:29.000
<v Speaker 1>all the sounds, everything that you're seeing here. All these guys,

1:24:29.080 --> 1:24:31.920
<v Speaker 1>these are all sounds, and uh, I have everything muted

1:24:31.960 --> 1:24:33.400
<v Speaker 1>because I wanted to kind of break it down a

1:24:33.400 --> 1:24:36.360
<v Speaker 1>little bit quickly. I'm going to turn the mic over

1:24:36.600 --> 1:24:39.800
<v Speaker 1>over toward the speaker so you can hear it better.

1:24:39.880 --> 1:24:42.920
<v Speaker 1>But right, I think that I'm pretty sure. I started

1:24:42.920 --> 1:24:45.040
<v Speaker 1>with this sounds, so this is a synth sound. And

1:24:45.120 --> 1:24:54.000
<v Speaker 1>we did like so like when we were talking about

1:24:54.000 --> 1:24:57.559
<v Speaker 1>ethereal and kind of spooky, that's you know, yeah, that's

1:24:57.560 --> 1:25:00.200
<v Speaker 1>about as ethereal and spooky as we can get. And

1:25:00.240 --> 1:25:02.559
<v Speaker 1>then we went with a little bit yeah, right, you

1:25:02.600 --> 1:25:04.320
<v Speaker 1>know what I'm saying, and then with a little bass.

1:25:05.560 --> 1:25:15.320
<v Speaker 1>I don't know what that was. I really did build

1:25:15.320 --> 1:25:17.680
<v Speaker 1>the track sort of from start to finish. So we

1:25:17.760 --> 1:25:20.040
<v Speaker 1>started with less and then as we went we got

1:25:20.080 --> 1:25:21.760
<v Speaker 1>a little bit more. So all fast forward a little

1:25:21.800 --> 1:25:24.479
<v Speaker 1>bit here and you can see that, like, you know,

1:25:24.640 --> 1:25:26.599
<v Speaker 1>now we've got a few more colors happening, a few

1:25:26.600 --> 1:25:30.240
<v Speaker 1>more sounds happening, and this was sort of the next progression,

1:25:30.280 --> 1:25:32.720
<v Speaker 1>the next normal progression for what should happen. So there's

1:25:32.720 --> 1:25:34.920
<v Speaker 1>a little bit of a build and the music, you know,

1:25:34.960 --> 1:25:38.120
<v Speaker 1>because there has to be something that builds and starts

1:25:38.160 --> 1:25:43.400
<v Speaker 1>small gets bigger. So the storytelling right, like storytelling exactly,

1:25:43.600 --> 1:25:45.800
<v Speaker 1>it's not even a version of storytelling. It is storytelling

1:25:45.800 --> 1:26:03.800
<v Speaker 1>on um. So here we go. So here's just some

1:26:03.920 --> 1:26:09.040
<v Speaker 1>like percussion that's in the background, and then it starts

1:26:09.040 --> 1:26:11.080
<v Speaker 1>getting bigger and bigger. So then we're going to fast

1:26:11.080 --> 1:26:12.960
<v Speaker 1>forward a little bit too, like when it all kind

1:26:13.000 --> 1:26:17.080
<v Speaker 1>of picks up here and uh now this is like,

1:26:17.160 --> 1:26:19.280
<v Speaker 1>this is all of it together. This is basically the

1:26:19.439 --> 1:26:23.320
<v Speaker 1>entire track without Cat's vocals, all put into one thing.

1:26:23.439 --> 1:26:27.920
<v Speaker 1>So here's kind of the build up and essentially the apex,

1:26:28.000 --> 1:26:40.120
<v Speaker 1>the crescendo. You might say, that's sort of lean melody

1:26:40.320 --> 1:26:44.200
<v Speaker 1>with these sounds. That's guitar and just like messed up

1:26:44.240 --> 1:26:48.880
<v Speaker 1>and tweaked. And then it gets even bigger here with

1:26:48.920 --> 1:26:51.280
<v Speaker 1>some more drums. Let's see, I think these are some

1:26:51.360 --> 1:26:56.639
<v Speaker 1>drums down here. So we've got all that going. It's

1:26:56.680 --> 1:27:06.040
<v Speaker 1>at it all in. Then let's do let's do the

1:27:06.600 --> 1:27:10.280
<v Speaker 1>best part of it all. Here's what we can do

1:27:10.280 --> 1:27:12.200
<v Speaker 1>is you guys just want to hear Cat first before

1:27:12.320 --> 1:27:25.439
<v Speaker 1>all the sound it sounds. Let's do it. Yeah, oh yeah,

1:27:25.439 --> 1:27:27.840
<v Speaker 1>we did harmonies. I forgot some harmonies I threw a

1:27:27.880 --> 1:27:29.360
<v Speaker 1>low one in there just so we had a nice

1:27:29.439 --> 1:27:33.000
<v Speaker 1>full sound, but then with everything so that you guys

1:27:33.000 --> 1:27:35.600
<v Speaker 1>can kind of hear how it goes. Here's how it

1:27:35.680 --> 1:27:50.880
<v Speaker 1>all sounds together. Not that you haven't already heard that,

1:27:50.960 --> 1:27:53.280
<v Speaker 1>I know, but it is nice to kind of see

1:27:53.280 --> 1:27:56.120
<v Speaker 1>it all come together like that, right, But honestly, yeah,

1:27:56.920 --> 1:27:59.840
<v Speaker 1>brilliant minding to see. Yeah, no kidding, Like, there's so

1:28:00.040 --> 1:28:04.040
<v Speaker 1>many elements of that that I without you picking them out.

1:28:04.080 --> 1:28:06.160
<v Speaker 1>I think I'm sure the song is would sort of

1:28:06.160 --> 1:28:08.519
<v Speaker 1>sound empty without like the bassline in it, But until

1:28:08.520 --> 1:28:10.120
<v Speaker 1>you picked it out, I didn't know that was in there.

1:28:10.400 --> 1:28:12.880
<v Speaker 1>And it's fun, dude, as a musician, That's honestly like

1:28:12.920 --> 1:28:14.920
<v Speaker 1>what I do most of the time when I'm listening

1:28:14.960 --> 1:28:17.400
<v Speaker 1>to music, which it kind of makes music tough to

1:28:17.439 --> 1:28:21.080
<v Speaker 1>listen to sometimes because I'm consummate. I'm sure sure you

1:28:21.120 --> 1:28:24.920
<v Speaker 1>guys are watching it's a fucking nightmare watching TV with me,

1:28:25.160 --> 1:28:26.720
<v Speaker 1>like that was a green screen. You're like, how do

1:28:26.760 --> 1:28:28.280
<v Speaker 1>you know when? Why did you just ruin that for me?

1:28:28.439 --> 1:28:30.920
<v Speaker 1>Like point right? Need to know that? Come on, well,

1:28:30.920 --> 1:28:33.160
<v Speaker 1>because you pick out so many elements when you've been

1:28:33.200 --> 1:28:36.040
<v Speaker 1>behind McCurtain, you know how it works. You know how

1:28:36.040 --> 1:28:38.639
<v Speaker 1>the sausage is made, and it's I always know when

1:28:38.640 --> 1:28:43.120
<v Speaker 1>i'm watching a good film because I forget. I didn't

1:28:43.160 --> 1:28:45.599
<v Speaker 1>love that idiom that I didn't like the sausage. How

1:28:45.600 --> 1:28:50.479
<v Speaker 1>the sausage is made like that. Okay, I'm sorry, but

1:28:50.479 --> 1:28:53.360
<v Speaker 1>I offended. It just weirded me out. How the vegan

1:28:53.479 --> 1:28:58.559
<v Speaker 1>sausage is made. Um, You're welcome, but I've got an issue.

1:28:58.640 --> 1:29:01.000
<v Speaker 1>I don't know how that's made. Isn't it an issue

1:29:01.000 --> 1:29:03.519
<v Speaker 1>though that you say that that I mean that that's

1:29:03.560 --> 1:29:06.439
<v Speaker 1>like a phrase how the sausage is made to say, like, oh,

1:29:06.520 --> 1:29:11.519
<v Speaker 1>you don't want to know about things That sausage gross? Exactly,

1:29:11.520 --> 1:29:13.200
<v Speaker 1>I don't because I don't know how it was made.

1:29:13.800 --> 1:29:15.360
<v Speaker 1>Way to go. I'm very proud. I know how it

1:29:15.360 --> 1:29:17.600
<v Speaker 1>was made, and I generally don't eat it. Um No,

1:29:17.720 --> 1:29:19.439
<v Speaker 1>But I always know when I'm watching a good film

1:29:19.520 --> 1:29:22.720
<v Speaker 1>or good TV show because I forget and I don't analyze,

1:29:22.720 --> 1:29:24.160
<v Speaker 1>Oh what kind of shot was that? I wonder what

1:29:24.240 --> 1:29:26.800
<v Speaker 1>lens that was, or oh this person clearly did this,

1:29:26.920 --> 1:29:29.960
<v Speaker 1>or that wardrobe's interesting, or yeah, you know whatever it

1:29:30.040 --> 1:29:33.920
<v Speaker 1>is exactly, and I think that and it probably happens

1:29:33.920 --> 1:29:36.720
<v Speaker 1>with you guys in acting too, because you guys will

1:29:36.760 --> 1:29:39.559
<v Speaker 1>act in a very specific genre, if not for your

1:29:39.560 --> 1:29:41.479
<v Speaker 1>whole career, at least for a small portion of it

1:29:41.520 --> 1:29:43.559
<v Speaker 1>here and there, and you'll do like roles that seem

1:29:43.640 --> 1:29:45.519
<v Speaker 1>to kind of I don't know you guys specifically, but

1:29:45.600 --> 1:29:49.200
<v Speaker 1>you guys as actors seem to take roles that you know,

1:29:49.280 --> 1:29:53.960
<v Speaker 1>complement each other. Yeah in some cases, and yeah, not

1:29:54.000 --> 1:29:56.120
<v Speaker 1>always of course, but in some but and then in music,

1:29:56.240 --> 1:29:58.080
<v Speaker 1>and it's getting less and less this way, but we're

1:29:58.080 --> 1:30:01.679
<v Speaker 1>all very genre based, and then listening to something outside

1:30:01.680 --> 1:30:05.160
<v Speaker 1>of our genre sometimes makes is like the best way

1:30:05.439 --> 1:30:08.120
<v Speaker 1>to not analyze it. And I'm curious like you guys,

1:30:08.640 --> 1:30:12.679
<v Speaker 1>you know, like watching comedic movies, because the few things

1:30:12.680 --> 1:30:14.600
<v Speaker 1>that I do know about Shadow Hunters, I know that

1:30:14.640 --> 1:30:18.120
<v Speaker 1>it was not like hilarious all the time, No, no,

1:30:18.400 --> 1:30:23.639
<v Speaker 1>very few elements. So did mostly cry. Yeah, I did

1:30:23.680 --> 1:30:25.920
<v Speaker 1>notice a lot of crying and like a lot of

1:30:25.960 --> 1:30:30.240
<v Speaker 1>like very serious whisper talking. It's like, oh yeah, yeah,

1:30:30.880 --> 1:30:32.519
<v Speaker 1>shadow on the voice close to the mic, and you

1:30:32.520 --> 1:30:34.000
<v Speaker 1>gotta talk like this if we're gonna talk like a

1:30:34.000 --> 1:30:36.720
<v Speaker 1>shadow Hunter, damn it, this kind of shu. Yeah, it's

1:30:36.720 --> 1:30:39.040
<v Speaker 1>pretty close. Yeah, you go really seriously and you just

1:30:39.080 --> 1:30:41.400
<v Speaker 1>like squint and you just you need like a little

1:30:41.400 --> 1:30:43.479
<v Speaker 1>more intensity, like you've been yelling for a lot of

1:30:43.479 --> 1:30:46.040
<v Speaker 1>your life, you know what I mean. Sure, Like that's

1:30:46.040 --> 1:30:47.880
<v Speaker 1>where a lot of Jas's came from. It came from

1:30:47.920 --> 1:30:49.640
<v Speaker 1>like a guttural like it was the sound in the

1:30:49.640 --> 1:30:52.320
<v Speaker 1>back of his throat. It was like a dangerous like

1:30:52.360 --> 1:30:55.120
<v Speaker 1>he was the front lines for most of his life yelling.

1:30:55.200 --> 1:30:57.280
<v Speaker 1>He was telling people where to be, and that's where

1:30:57.320 --> 1:31:02.439
<v Speaker 1>that came. Oh my gosh, wow, that's why it's switch. Sorry. Sorry, yeah,

1:31:02.560 --> 1:31:07.559
<v Speaker 1>good apologies. Yeah, but I'm here. The first time. The

1:31:07.600 --> 1:31:09.639
<v Speaker 1>first time I heard that voice was in my screen

1:31:09.720 --> 1:31:12.639
<v Speaker 1>test and I'd never heard Dom do an American accent

1:31:12.680 --> 1:31:14.759
<v Speaker 1>before and he flipped into that and I was like, whoa,

1:31:15.120 --> 1:31:20.880
<v Speaker 1>whoa You had known him as the British darm Yeah, yeah,

1:31:22.920 --> 1:31:29.479
<v Speaker 1>I am curious though. I am curious, though, are you Guys?

1:31:29.520 --> 1:31:34.679
<v Speaker 1>Like when you watch a Seth Rogan movie, and it's

1:31:34.720 --> 1:31:37.920
<v Speaker 1>easier than to a movie, like especially a comedy. I

1:31:37.960 --> 1:31:41.160
<v Speaker 1>think it's easier to escape because you're like a lot

1:31:41.200 --> 1:31:45.960
<v Speaker 1>of these comedies are based on what these characters do.

1:31:46.080 --> 1:31:48.880
<v Speaker 1>Like if you're watching a Kevin Hart movie. You know,

1:31:49.080 --> 1:31:53.120
<v Speaker 1>certain yut this like he's going to hit certain points.

1:31:53.840 --> 1:31:56.559
<v Speaker 1>So that's quite interesting to watch because you're like, I'm

1:31:56.600 --> 1:32:00.519
<v Speaker 1>not necessarily expectant of anything, so I can just sort

1:32:00.560 --> 1:32:02.120
<v Speaker 1>of sit back and relax and know that I'm on

1:32:02.200 --> 1:32:04.360
<v Speaker 1>like a Will Ferrell ride or a Seth rogen right

1:32:04.520 --> 1:32:07.000
<v Speaker 1>or Keevin heart right or whatever. But then, interestingly, when

1:32:07.040 --> 1:32:09.000
<v Speaker 1>one of those people switches it and subverts it and

1:32:09.040 --> 1:32:11.960
<v Speaker 1>does something quite dramatic. I just watched I can't remember

1:32:12.000 --> 1:32:14.599
<v Speaker 1>what it was cool, but Kevin Hart plays a single

1:32:14.680 --> 1:32:17.800
<v Speaker 1>father in it. I god, what was the name of

1:32:17.800 --> 1:32:21.600
<v Speaker 1>that movie? I can't remember, but and it's on the

1:32:21.640 --> 1:32:23.400
<v Speaker 1>way through. But then he has these moments where like

1:32:23.720 --> 1:32:25.400
<v Speaker 1>and I was like bawling my eyes out, and it

1:32:25.439 --> 1:32:28.240
<v Speaker 1>completely took me away from that and I wasn't analyzing

1:32:28.240 --> 1:32:29.840
<v Speaker 1>it at all. It was actually like a shock to

1:32:29.880 --> 1:32:32.479
<v Speaker 1>my system, which was quite I think it's the same

1:32:32.520 --> 1:32:35.840
<v Speaker 1>as you're saying when you're switching genres and then they

1:32:35.880 --> 1:32:39.240
<v Speaker 1>throw something in there that they know is within their realm,

1:32:39.600 --> 1:32:42.880
<v Speaker 1>but you didn't know that sure, like, oh wow, this

1:32:42.960 --> 1:32:46.320
<v Speaker 1>is an interesting thing. Like I'm seeing shades of red

1:32:46.520 --> 1:32:48.120
<v Speaker 1>in a painting that I thought was going to be

1:32:48.240 --> 1:32:53.559
<v Speaker 1>predominantly blue, and it's it's entrancing. That's cool. That's a

1:32:53.600 --> 1:32:56.800
<v Speaker 1>really cool thought that it's someone maybe that isn't doing

1:32:56.840 --> 1:33:00.400
<v Speaker 1>a different genre, but you're just expecting you're not expect, right,

1:33:00.560 --> 1:33:03.640
<v Speaker 1>that's a cool thought. Yeah, it's like when does a

1:33:03.720 --> 1:33:05.160
<v Speaker 1>rap and you're like, oh, that was actually kind of

1:33:05.200 --> 1:33:09.040
<v Speaker 1>sick totally Yeah, similar sort of thing. Anyway, what have

1:33:09.080 --> 1:33:11.880
<v Speaker 1>we got on next? I think we should unless this

1:33:11.960 --> 1:33:15.120
<v Speaker 1>is something that's supposed to happen later on. No, do

1:33:15.160 --> 1:33:16.320
<v Speaker 1>you want to do you want to sing a song

1:33:16.360 --> 1:33:20.760
<v Speaker 1>for us? Dude? Yeah? We would love for you. Yeah. Performance,

1:33:22.320 --> 1:33:26.880
<v Speaker 1>This is why I'm here. That's why we stick around,

1:33:27.200 --> 1:33:28.880
<v Speaker 1>all right, So why we came to the after party,

1:33:28.880 --> 1:33:34.080
<v Speaker 1>that's for sure why I'm here. That's right. Can you

1:33:34.120 --> 1:33:40.080
<v Speaker 1>guys hear this? Yeah? Cool? So I don't know, do

1:33:40.080 --> 1:33:42.040
<v Speaker 1>you guys wanna dom? I know that hot Mess is

1:33:42.040 --> 1:33:44.120
<v Speaker 1>like one of your favorites, but I love that song.

1:33:45.040 --> 1:33:46.640
<v Speaker 1>Should I do hot Mess? But there is also a

1:33:46.640 --> 1:33:50.439
<v Speaker 1>new one that you did mention. It's your call, so

1:33:50.680 --> 1:33:52.600
<v Speaker 1>but you know what, it's up to you. What what

1:33:52.640 --> 1:33:54.360
<v Speaker 1>do you want people to hear? Hot Mess? People have

1:33:54.439 --> 1:33:57.360
<v Speaker 1>heard and people have requested hot mess in the chat.

1:33:57.680 --> 1:34:00.120
<v Speaker 1>But the new one if we want to hear, like,

1:34:00.240 --> 1:34:04.240
<v Speaker 1>is it out yet? The new one is? It's a

1:34:04.320 --> 1:34:09.880
<v Speaker 1>world premiere performance, world premiere, a world premiere public. All right, well,

1:34:09.880 --> 1:34:11.920
<v Speaker 1>why don't we will vamp for a couple of seconds.

1:34:12.439 --> 1:34:15.400
<v Speaker 1>Guys listening? We have two choices. We have hot mess

1:34:15.680 --> 1:34:17.720
<v Speaker 1>and then we have a song called straight No? Is

1:34:17.720 --> 1:34:20.240
<v Speaker 1>it called straight No? It's called the Death of Me,

1:34:20.400 --> 1:34:22.400
<v Speaker 1>which is the most We have a song called the

1:34:22.439 --> 1:34:24.880
<v Speaker 1>Death of Me which has never been heard before. It

1:34:24.960 --> 1:34:27.040
<v Speaker 1>is very intense, but it's a very it's actually a

1:34:27.120 --> 1:34:32.320
<v Speaker 1>very lovely song. Most people are just saying both yea. Again,

1:34:32.560 --> 1:34:35.200
<v Speaker 1>that's not what we were. That's not how the game works.

1:34:35.400 --> 1:34:41.360
<v Speaker 1>This was a would you rather guys? This? He was

1:34:42.320 --> 1:34:44.880
<v Speaker 1>I don't know what what you guys were talking about? Yeah,

1:34:45.880 --> 1:34:51.600
<v Speaker 1>what's the first s? What's the sely like that? XI? No?

1:34:52.680 --> 1:34:56.280
<v Speaker 1>I don't know, but that sounds kind of nice. Yeah,

1:34:56.520 --> 1:34:59.439
<v Speaker 1>the new song is one for sure? You are you

1:34:59.479 --> 1:35:02.600
<v Speaker 1>happy to play the new song? Mmm? I would love to.

1:35:02.760 --> 1:35:05.800
<v Speaker 1>There are some interesting iterations. People type really quickly in

1:35:05.880 --> 1:35:07.960
<v Speaker 1>comments because they want to get what they're saying across

1:35:08.000 --> 1:35:10.800
<v Speaker 1>really quickly, So there's some interesting iterations. Of like there

1:35:10.800 --> 1:35:13.519
<v Speaker 1>were a couple that were just death. I'm assuming that

1:35:13.600 --> 1:35:18.120
<v Speaker 1>meant death of me. We're going to take something drasticum.

1:35:18.560 --> 1:35:21.520
<v Speaker 1>They're like, Alex, get off the stream. We hate you

1:35:21.560 --> 1:35:25.400
<v Speaker 1>no more likely to one of us. They've overheard us

1:35:25.479 --> 1:35:28.639
<v Speaker 1>now and they're done. Yeah, no, okay, Well then okay,

1:35:28.680 --> 1:35:30.599
<v Speaker 1>I'll do that. I'll do death of me. And this

1:35:30.680 --> 1:35:32.919
<v Speaker 1>is not This isn't a sad song. This is honestly,

1:35:33.439 --> 1:35:36.080
<v Speaker 1>I genuinely think that this is my favorite song I've

1:35:36.080 --> 1:35:39.680
<v Speaker 1>ever written, only second to Parakeets, which just recently came

1:35:39.680 --> 1:35:42.800
<v Speaker 1>out last year. Definitely go and check out Parakeets, by

1:35:42.800 --> 1:35:45.360
<v Speaker 1>the way, it's beautiful. Thanks buddy. Yeah, I really love

1:35:45.400 --> 1:35:46.880
<v Speaker 1>that song, But this is kind of I don't know.

1:35:47.000 --> 1:35:49.200
<v Speaker 1>This song is very special to me. It means a lot,

1:35:49.240 --> 1:36:07.519
<v Speaker 1>and I hope that you guys like it. You commit

1:36:07.640 --> 1:36:12.600
<v Speaker 1>deep with your eyes when we speak about nothing in particular.

1:36:12.880 --> 1:36:17.760
<v Speaker 1>It's amazing, killing me quick with a look that you give.

1:36:18.240 --> 1:36:22.519
<v Speaker 1>I'm calling it quits at the end the party. You

1:36:22.880 --> 1:36:26.960
<v Speaker 1>who got me on my knees. I don't believe in

1:36:27.040 --> 1:36:29.920
<v Speaker 1>any God, but I can keep you in my prayers tonight.

1:36:30.400 --> 1:36:35.400
<v Speaker 1>You who everything I need, who needs help when I

1:36:35.439 --> 1:36:39.160
<v Speaker 1>got it every time I got your hand in mind. God,

1:36:39.200 --> 1:36:43.639
<v Speaker 1>this feeling about you, who they being without you would

1:36:43.640 --> 1:36:48.280
<v Speaker 1>be the death of me. God, this feeling about you,

1:36:48.439 --> 1:36:52.360
<v Speaker 1>who they being without you would be the death of me?

1:36:53.000 --> 1:37:03.800
<v Speaker 1>And I over my got this feeling about you, the

1:37:04.040 --> 1:37:09.320
<v Speaker 1>being without you be the death of me. You give

1:37:09.439 --> 1:37:14.000
<v Speaker 1>me high on your analysts supply of the Subchius got

1:37:14.080 --> 1:37:19.240
<v Speaker 1>touched my skin, and I'm you who got me on

1:37:19.360 --> 1:37:22.240
<v Speaker 1>my knees. I don't believe in any God, but I

1:37:22.280 --> 1:37:26.960
<v Speaker 1>can keep you in my prayst tonight. You boooo everything

1:37:27.040 --> 1:37:30.360
<v Speaker 1>I need? Who needs heaving? When I got it every

1:37:30.400 --> 1:37:33.719
<v Speaker 1>time I got your hand in mind, got this feeling

1:37:33.880 --> 1:37:38.600
<v Speaker 1>about you, they being without you be the death of me.

1:37:40.400 --> 1:37:45.000
<v Speaker 1>Got this feeling about you, the being without you will

1:37:45.080 --> 1:37:51.840
<v Speaker 1>be the death for me, and I over my head,

1:37:53.400 --> 1:37:59.160
<v Speaker 1>my head, got this feeling about you, that being methought

1:37:59.320 --> 1:38:06.759
<v Speaker 1>you would be the death of me. Something along those lines. WHOA,

1:38:08.560 --> 1:38:15.160
<v Speaker 1>oh my gosh, Alex, that was beautiful, unbelievable. I'm glad

1:38:15.160 --> 1:38:18.960
<v Speaker 1>we went with me too. I really like that song.

1:38:19.200 --> 1:38:22.840
<v Speaker 1>It's yeah, that's a really beautiful song. It's so beautiful.

1:38:22.960 --> 1:38:26.560
<v Speaker 1>I just I just think you're great, and I don't know.

1:38:26.640 --> 1:38:29.960
<v Speaker 1>It's great. There's there's something amazing about seeing your friend

1:38:29.960 --> 1:38:33.040
<v Speaker 1>and somebody really care about doing something amazing and doing

1:38:33.080 --> 1:38:35.960
<v Speaker 1>what they love, and it's it's just well, that's how

1:38:36.000 --> 1:38:38.000
<v Speaker 1>I feel about you guys. Honestly. I get to watch

1:38:38.040 --> 1:38:40.320
<v Speaker 1>you guys do what you love anytime I want on

1:38:40.360 --> 1:38:44.920
<v Speaker 1>Netflix currently, So yeah, yeah, yeah, Kat, You're also on

1:38:46.120 --> 1:38:52.280
<v Speaker 1>CW right, yes, yea yeah, Walker Independence. We just finished

1:38:52.320 --> 1:38:59.200
<v Speaker 1>our first season, just finished airing, soiting, exciting. It's by

1:38:59.240 --> 1:39:01.080
<v Speaker 1>the way, no idea. We can talk about this later

1:39:01.200 --> 1:39:04.759
<v Speaker 1>before it's just about to give away so much industry

1:39:04.760 --> 1:39:06.160
<v Speaker 1>ship and I'm like, wait, no, no, no no, no, no

1:39:06.160 --> 1:39:08.280
<v Speaker 1>no no no no no no no no, we should

1:39:08.280 --> 1:39:14.479
<v Speaker 1>do we can't cut things out. Is I don't know

1:39:14.600 --> 1:39:17.439
<v Speaker 1>any information. I don't know anything new, genuinely, it sounds

1:39:17.479 --> 1:39:20.599
<v Speaker 1>like I'm backtracking now, which I am a little but

1:39:21.240 --> 1:39:24.720
<v Speaker 1>an information. It's more just like we know how the

1:39:24.720 --> 1:39:28.280
<v Speaker 1>industry has worked this year, and we have sort of assumptions.

1:39:28.320 --> 1:39:31.160
<v Speaker 1>We have assumptions based on how the industry has been

1:39:31.320 --> 1:39:37.599
<v Speaker 1>flowing this year. Predictions are assumptions, predictions, fictions, predictions and assumptions. Indeed,

1:39:37.760 --> 1:39:43.400
<v Speaker 1>now I have a question for you because we get Tom,

1:39:43.439 --> 1:39:47.120
<v Speaker 1>I've asked so enough questions tonight, I'm gonna do you

1:39:47.160 --> 1:39:49.439
<v Speaker 1>really bother that she was asking you one more question?

1:39:50.439 --> 1:39:53.160
<v Speaker 1>My god, Oh dam I have like twenty thousand more

1:39:53.280 --> 1:39:55.840
<v Speaker 1>questions for you. So just you, just you and my

1:39:55.920 --> 1:39:59.800
<v Speaker 1>mom and Decay can get together and try and figure

1:39:59.800 --> 1:40:01.960
<v Speaker 1>me out out. I would love to get together with

1:40:02.000 --> 1:40:04.519
<v Speaker 1>your mom anytime. I think she's brilliant. I love getting

1:40:04.520 --> 1:40:07.439
<v Speaker 1>together with your mom. I'm gonna punch you in your mouth.

1:40:09.200 --> 1:40:11.120
<v Speaker 1>She said a nice thing, and you made it such

1:40:11.120 --> 1:40:19.280
<v Speaker 1>a horrible brotherly thing to say. Anyway, Kinsey, do you

1:40:19.360 --> 1:40:21.519
<v Speaker 1>have any advice because Tom and I get asked all

1:40:21.560 --> 1:40:24.559
<v Speaker 1>the time for advice for people coming into the industry,

1:40:24.560 --> 1:40:27.120
<v Speaker 1>and but from your perspective, do you have any advice

1:40:27.479 --> 1:40:29.640
<v Speaker 1>for anyone listening who wants to pursue music as a

1:40:29.680 --> 1:40:34.120
<v Speaker 1>career or songwriting or composing or anything of the like. Yeah,

1:40:34.200 --> 1:40:37.360
<v Speaker 1>I do. I think that this is going to probably

1:40:37.360 --> 1:40:40.680
<v Speaker 1>be not the most uplifting thing that you've heard initially,

1:40:40.880 --> 1:40:45.680
<v Speaker 1>but be prepared to, like not always be stoked. And

1:40:45.720 --> 1:40:48.080
<v Speaker 1>then every once in a while you get something incredible

1:40:48.080 --> 1:40:50.080
<v Speaker 1>that happens and it makes up for all that, and

1:40:50.120 --> 1:40:52.800
<v Speaker 1>that's really what you live for. But like people I

1:40:52.840 --> 1:40:55.479
<v Speaker 1>think moved to LA and get into acting and getting

1:40:55.520 --> 1:40:58.200
<v Speaker 1>to singing and songwriting and all that stuff, expecting it

1:40:58.240 --> 1:41:01.040
<v Speaker 1>to just be like the most fun thing all the time.

1:41:01.360 --> 1:41:03.040
<v Speaker 1>And let me be the first person to tell you

1:41:03.360 --> 1:41:05.760
<v Speaker 1>that it can be. It can be the most fun

1:41:05.840 --> 1:41:08.439
<v Speaker 1>thing all of the time. But sometimes it just isn't.

1:41:08.760 --> 1:41:11.519
<v Speaker 1>Sometimes it is a job. Sometimes it's something that like hurts,

1:41:11.560 --> 1:41:16.160
<v Speaker 1>and sometimes it's something that is incredibly elating, and it's

1:41:16.200 --> 1:41:19.719
<v Speaker 1>just like this insane, beautiful moment, and sometimes it's this awful,

1:41:19.800 --> 1:41:21.599
<v Speaker 1>terrible moment, and you just have to be okay with

1:41:21.640 --> 1:41:25.920
<v Speaker 1>those without going like I think I'm done, you know,

1:41:26.280 --> 1:41:29.920
<v Speaker 1>like that's that's my most that's my actual, like real life.

1:41:29.960 --> 1:41:32.320
<v Speaker 1>If I meet you on the street and I'm not

1:41:32.360 --> 1:41:37.320
<v Speaker 1>on camera, advice this next bit, I'm not laughing you, sorry.

1:41:37.360 --> 1:41:39.719
<v Speaker 1>I just read one of the comments then it made

1:41:39.720 --> 1:41:43.440
<v Speaker 1>mean chuckle. It says it says Alex is funnier than Dominum.

1:41:43.640 --> 1:41:51.960
<v Speaker 1>Doesn't like it. Kelly Kaylin kaylin ka kay I think Kaylyn,

1:41:52.120 --> 1:41:56.360
<v Speaker 1>I got through twenty buckets after this. Don't you worry yet?

1:41:56.640 --> 1:41:59.280
<v Speaker 1>That actually is my mom. That's actually my mom who

1:41:59.320 --> 1:42:03.599
<v Speaker 1>posted that she was watching saying a thing. But yeah,

1:42:04.080 --> 1:42:08.840
<v Speaker 1>that's that's I'm she knows what's but so then my

1:42:08.920 --> 1:42:11.160
<v Speaker 1>other good advice. I think that this is like happy advice,

1:42:11.160 --> 1:42:12.479
<v Speaker 1>because I don't want to let end it on a

1:42:12.520 --> 1:42:14.800
<v Speaker 1>sad note after a song called Death of Me. I

1:42:14.840 --> 1:42:17.599
<v Speaker 1>want to also say that as long as you do

1:42:18.040 --> 1:42:21.920
<v Speaker 1>the thing in your craft that makes you the happiest,

1:42:21.960 --> 1:42:24.760
<v Speaker 1>as long as you're constantly creating because you have to,

1:42:24.920 --> 1:42:27.479
<v Speaker 1>because you love it, because there's no other option for you,

1:42:27.520 --> 1:42:30.479
<v Speaker 1>because the only way to express the things that are

1:42:30.760 --> 1:42:33.320
<v Speaker 1>destroying your insides is to get them out of you,

1:42:33.920 --> 1:42:37.000
<v Speaker 1>then you're on the right path. Do that every time always.

1:42:38.000 --> 1:42:40.559
<v Speaker 1>That's my happy advice is stick to your gut, stick

1:42:40.560 --> 1:42:42.840
<v Speaker 1>with your heart, and make whatever it is that you

1:42:42.960 --> 1:42:48.080
<v Speaker 1>need to create to get it out. Yeah. That's agree

1:42:48.439 --> 1:42:53.839
<v Speaker 1>very much, say absolutely. I second that wholeheartedly. Yeah, well, gentlemen,

1:42:53.880 --> 1:42:56.400
<v Speaker 1>should we play one more game before we go? Yeah?

1:42:56.960 --> 1:43:00.000
<v Speaker 1>I haven't gotten to play anything play a game with us,

1:43:00.200 --> 1:43:03.920
<v Speaker 1>So I I love this game and I thought this

1:43:03.960 --> 1:43:05.479
<v Speaker 1>was a great idea. We sort of have died this

1:43:05.520 --> 1:43:07.479
<v Speaker 1>on the show one day, and I think it would

1:43:07.479 --> 1:43:11.599
<v Speaker 1>be fun to continue. So you're familiar with the concept

1:43:11.600 --> 1:43:14.160
<v Speaker 1>of parabetide. There are two brothers in arms who are

1:43:14.200 --> 1:43:18.160
<v Speaker 1>bonded together on a on an emotional, physical, metaphysical level,

1:43:18.640 --> 1:43:22.000
<v Speaker 1>who go forth and kind of amplify each other's powers. Um,

1:43:22.040 --> 1:43:24.280
<v Speaker 1>you've got a couple of examples immediately after. By the way,

1:43:24.280 --> 1:43:27.040
<v Speaker 1>I really am very appreciative. You didn't get an opportunity

1:43:27.080 --> 1:43:30.559
<v Speaker 1>to go right. She knew, she goes. You are familiar

1:43:30.600 --> 1:43:34.879
<v Speaker 1>with parabetites obviously this Yeah, yes, of course. So Batman

1:43:34.920 --> 1:43:37.479
<v Speaker 1>and Robin is an example. Or you know betaf Like

1:43:37.640 --> 1:43:40.400
<v Speaker 1>and Matt Damon would be another example. Or you know

1:43:40.439 --> 1:43:43.320
<v Speaker 1>two people at Mario and Luigi, Shrek and Donkey. All

1:43:43.360 --> 1:43:47.320
<v Speaker 1>these examples of folks that work really well. That's so unfair.

1:43:47.680 --> 1:43:53.960
<v Speaker 1>This is a cheat sheet capes on the chee. I

1:43:53.960 --> 1:43:57.519
<v Speaker 1>didn't I have it too. Sorry I didn't list all

1:43:57.560 --> 1:44:02.040
<v Speaker 1>of them. I left a coup there's two more is

1:44:02.080 --> 1:44:06.040
<v Speaker 1>one I don't agree with. Okay, but you're smart enough

1:44:06.160 --> 1:44:08.960
<v Speaker 1>you can come up with your own I believe in you.

1:44:09.520 --> 1:44:13.000
<v Speaker 1>I'm trying. I'm doing the best. Someone said dom and Alberto,

1:44:13.080 --> 1:44:17.080
<v Speaker 1>and that's really cute. There you go. See. I would

1:44:17.080 --> 1:44:19.800
<v Speaker 1>say I would say I should read the books. I

1:44:19.840 --> 1:44:22.280
<v Speaker 1>should read you know Gus, Gus and Jacques, the two

1:44:22.280 --> 1:44:25.439
<v Speaker 1>little mice from Cinderella the animated movie. They get along

1:44:25.479 --> 1:44:28.120
<v Speaker 1>and they work well together and amplified and empowers world.

1:44:28.479 --> 1:44:32.360
<v Speaker 1>In no world would I have picked that. So they

1:44:32.400 --> 1:44:35.519
<v Speaker 1>have to amplify each other. I like about you. You

1:44:35.520 --> 1:44:38.559
<v Speaker 1>have to make each other better. You have to explore

1:44:38.600 --> 1:44:41.559
<v Speaker 1>and like, yeah, wait, what's the game? I'm thinking about things.

1:44:41.600 --> 1:44:43.240
<v Speaker 1>I don't even know what the rules are yet, ye,

1:44:44.000 --> 1:44:47.719
<v Speaker 1>any things in the real world, or like two fancasty characters,

1:44:47.840 --> 1:44:52.720
<v Speaker 1>or like peanut butter banana, perfect example, peanut butter and

1:44:52.800 --> 1:44:54.479
<v Speaker 1>jelly is a good one. Peanut butter and banana. I

1:44:54.520 --> 1:44:57.200
<v Speaker 1>don't know if I agree. Well, then I think that

1:44:57.240 --> 1:45:00.360
<v Speaker 1>I'm going to go. Now, Abby and Katie has come

1:45:00.439 --> 1:45:06.120
<v Speaker 1>up a lot, and what does that mean? No, this

1:45:06.160 --> 1:45:10.000
<v Speaker 1>is this is Walker independence so my character, and there's

1:45:10.040 --> 1:45:13.599
<v Speaker 1>a there's a woman on the show who's Kate, and

1:45:14.280 --> 1:45:18.479
<v Speaker 1>their their partners in crime, and you know it. Yeah, Laura,

1:45:18.600 --> 1:45:21.280
<v Speaker 1>thank you very much for putting Abby Walker and Kate

1:45:21.960 --> 1:45:24.519
<v Speaker 1>just after I said that, too fucking late, already made

1:45:24.560 --> 1:45:27.439
<v Speaker 1>a fool of myself. It's too late, already happened. It

1:45:27.560 --> 1:45:29.640
<v Speaker 1>was also I appreciate Dom and Dan has come up

1:45:29.680 --> 1:45:34.840
<v Speaker 1>a lot which is very sweet. Yeah, that's Simon. Pumba

1:45:34.880 --> 1:45:39.040
<v Speaker 1>is a great one. Such a good one, Simon and

1:45:39.120 --> 1:45:43.679
<v Speaker 1>Raphael pretty good. Yeah, put nutella and banana. Oh my god,

1:45:43.680 --> 1:45:46.400
<v Speaker 1>did you stella? Did you see me say new teller?

1:45:46.479 --> 1:45:48.640
<v Speaker 1>Have you? And I had this teller? Like an American?

1:45:48.880 --> 1:45:54.679
<v Speaker 1>Did you say? Yeah? I said nutella? Yeah, like an American?

1:45:54.760 --> 1:46:00.280
<v Speaker 1>They say metella? Who tell everyone else Americans say tella?

1:46:00.640 --> 1:46:05.000
<v Speaker 1>I say ntella? Never? Never, one time in my entire

1:46:05.040 --> 1:46:07.519
<v Speaker 1>life have I made a U and O this is

1:46:07.560 --> 1:46:10.599
<v Speaker 1>why we never I've never done that that. It doesn't

1:46:10.640 --> 1:46:12.759
<v Speaker 1>make any sense. And I'll tell you for why. Because

1:46:12.800 --> 1:46:18.800
<v Speaker 1>it's a nut based spread. Ah, that makes a good explanation.

1:46:19.880 --> 1:46:24.880
<v Speaker 1>It's not a new face bread photo. And Sam Stephen

1:46:25.000 --> 1:46:28.679
<v Speaker 1>Lucky is a great one. Stephen Bucky is a good one.

1:46:28.880 --> 1:46:34.360
<v Speaker 1>That one actually, Oh, Steve Rogers and Bucky Yeah, what

1:46:34.439 --> 1:46:36.960
<v Speaker 1>was that one? Did you get? Ben? And Ella? I

1:46:37.000 --> 1:46:42.280
<v Speaker 1>liked and Ella like? Nutella's pretty good? And and Deck

1:46:42.360 --> 1:46:44.360
<v Speaker 1>we've got some British guys in here, and and Deck

1:46:44.880 --> 1:46:48.080
<v Speaker 1>appreciate you guys. Yeah, you guys won't know what that is.

1:46:48.120 --> 1:46:49.840
<v Speaker 1>But their talk show hosts over here that have been

1:46:49.840 --> 1:46:53.439
<v Speaker 1>doing it since. I was like, they be like the

1:46:53.560 --> 1:46:57.200
<v Speaker 1>two Han and Chewy sort of, Han and Cheese is

1:46:57.200 --> 1:47:00.720
<v Speaker 1>the game one that's from the chat. That's not me

1:47:01.080 --> 1:47:07.120
<v Speaker 1>pretty much. Notice Sonia and Harriet, thanks for saying that.

1:47:07.120 --> 1:47:09.720
<v Speaker 1>That's a Maze Runner thing. That's me and Um. I

1:47:09.760 --> 1:47:12.200
<v Speaker 1>don't know if you know, Natalie Emmanuel. Our characters were

1:47:12.200 --> 1:47:14.920
<v Speaker 1>like together in the maze and we were the only survivors.

1:47:14.920 --> 1:47:20.200
<v Speaker 1>And it's a that's yes. I like Kermit and Fozzy.

1:47:20.280 --> 1:47:23.560
<v Speaker 1>That one makes me feel. I like people get and

1:47:23.600 --> 1:47:29.160
<v Speaker 1>they write the first one and then and and then nothing. Listen,

1:47:29.520 --> 1:47:35.160
<v Speaker 1>shit fuck Um. I like Ben and Jerry, by the way,

1:47:35.240 --> 1:47:38.880
<v Speaker 1>that's I second Ben and Jerry. Tom and Jerry's pretty

1:47:38.920 --> 1:47:41.759
<v Speaker 1>good as well, tom Ry. What about Judy and Bird

1:47:42.200 --> 1:47:46.639
<v Speaker 1>Cat and puns Judy and Bird You guys don't watch

1:47:46.680 --> 1:47:54.920
<v Speaker 1>Judge Judy. Oh no, Merlin and Arthur. That's a good one. Wood, Buzz,

1:47:55.360 --> 1:48:01.040
<v Speaker 1>Wood and Buzz. They are Dan and Raja. Okay, I

1:48:01.120 --> 1:48:03.400
<v Speaker 1>have to call it quits on Dan and Raja. They

1:48:03.400 --> 1:48:06.519
<v Speaker 1>are not parabatized. I've just learned what a parabatize and

1:48:06.600 --> 1:48:12.600
<v Speaker 1>Dan and Raja are not that this puzz Oh my gosh,

1:48:12.000 --> 1:48:14.560
<v Speaker 1>I'm sure they move. I'm so sure they move. I

1:48:14.600 --> 1:48:16.200
<v Speaker 1>don't know if anyone can hear me because the microphones

1:48:16.200 --> 1:48:22.240
<v Speaker 1>too far away. But I'm so sure they move. I

1:48:22.320 --> 1:48:25.479
<v Speaker 1>knew that at least Pinky and Brain. Romeo and Juliet.

1:48:25.600 --> 1:48:27.679
<v Speaker 1>Someone just put Romeo and Juliet. Now we're just listing

1:48:27.720 --> 1:48:29.759
<v Speaker 1>pairs of people. Let me tell you about a question.

1:48:29.840 --> 1:48:33.080
<v Speaker 1>But see, they can't they catch romantically? Yes, I have

1:48:33.439 --> 1:48:41.160
<v Speaker 1>Can it be three people? No? Yeah, I don't think yes.

1:48:41.760 --> 1:48:45.800
<v Speaker 1>Why I don't think it's just the rules. Well, because

1:48:45.800 --> 1:48:49.280
<v Speaker 1>he's making the rules the clave, and they're very just

1:48:49.280 --> 1:48:52.120
<v Speaker 1>said Mason Pollard, which is my character in a race.

1:48:52.360 --> 1:48:59.240
<v Speaker 1>But then with no one man just and Scooby such

1:48:59.280 --> 1:49:02.880
<v Speaker 1>a good one. Um. Yeah, and they also can't be

1:49:03.000 --> 1:49:06.439
<v Speaker 1>romantically involved, because that's good. Well. But also, if we

1:49:06.439 --> 1:49:08.280
<v Speaker 1>want to talk about people who make each other stronger,

1:49:08.400 --> 1:49:10.320
<v Speaker 1>Romeo and Juliet, let's talk about Romeo and Juliet for

1:49:10.360 --> 1:49:13.599
<v Speaker 1>a second. Romeo and Juliet was Jeff Murphy in itself.

1:49:13.640 --> 1:49:17.040
<v Speaker 1>That's pretty funny. Um. Romeo and Juliet is heralded as

1:49:17.080 --> 1:49:18.960
<v Speaker 1>maybe one of the greatest love stories of all time.

1:49:19.240 --> 1:49:22.480
<v Speaker 1>The truth is Romeo and Juliet is about two underage

1:49:22.520 --> 1:49:28.160
<v Speaker 1>people three days and caused the death of six people. Yeah,

1:49:28.200 --> 1:49:30.479
<v Speaker 1>that's Romeo and ju Yeah they did emply to the powers.

1:49:30.760 --> 1:49:35.600
<v Speaker 1>I like C three PO and R time anyone. I

1:49:36.240 --> 1:49:40.880
<v Speaker 1>can't pay attention. It's so crazy one I just my

1:49:40.920 --> 1:49:44.280
<v Speaker 1>brain goes, I'm gonna buy you. I'm gonna buy you

1:49:44.640 --> 1:49:51.360
<v Speaker 1>the four works, the complete works. Fine, the folio that

1:49:51.720 --> 1:49:54.040
<v Speaker 1>I'm going to read it to you with a Floridian

1:49:54.080 --> 1:49:57.519
<v Speaker 1>translation as well. Oh okay, now we're talking. And then

1:49:57.520 --> 1:50:00.599
<v Speaker 1>the gator came on out of the swamp and stared

1:50:00.680 --> 1:50:02.240
<v Speaker 1>himself in the heart right at the very even So

1:50:02.320 --> 1:50:04.960
<v Speaker 1>did you know this is interesting? You know? So there

1:50:05.000 --> 1:50:09.240
<v Speaker 1>would be no then this happened. Then whatever Shakespeare won't

1:50:09.439 --> 1:50:20.240
<v Speaker 1>won't Shakespeare? Shakespeare wo Shakespeare every time Shakespeare. Shakespeare wrote

1:50:21.840 --> 1:50:25.040
<v Speaker 1>direction in all of his place ever one stage direction.

1:50:25.120 --> 1:50:29.080
<v Speaker 1>Everything else is dialogue. And what was it? Do you

1:50:29.120 --> 1:50:31.280
<v Speaker 1>want to know? It's mental? Do you want to know? Yeah,

1:50:31.880 --> 1:50:35.680
<v Speaker 1>I know what it is, and it is mentally. Go on,

1:50:36.760 --> 1:50:39.519
<v Speaker 1>I'll be very impressed if you get it. Isn't it

1:50:39.560 --> 1:50:43.559
<v Speaker 1>excits pursued by bear. It's excellent pursued by bear. But

1:50:43.680 --> 1:50:47.040
<v Speaker 1>so close? Yes, correct, it's excellent. You could have given

1:50:47.040 --> 1:50:53.120
<v Speaker 1>her that. No, like like you could have given her that. No,

1:50:53.360 --> 1:50:57.679
<v Speaker 1>dam doesn't give me anything that's true, anything for any

1:50:57.680 --> 1:51:02.080
<v Speaker 1>of us. Do you just call me John's been ten years,

1:51:02.080 --> 1:51:05.439
<v Speaker 1>we've been friends, John. I said it like I said, John,

1:51:06.280 --> 1:51:13.400
<v Speaker 1>like tube that John letters, that's so fast. Just wrong,

1:51:13.479 --> 1:51:17.200
<v Speaker 1>that's just fully wrong. We got on this show for

1:51:17.280 --> 1:51:24.519
<v Speaker 1>Alex and Alana. That's all. That's very sweet together. Christian

1:51:24.640 --> 1:51:28.479
<v Speaker 1>and Rose from Vampire Academy. I don't know what movie

1:51:28.520 --> 1:51:34.080
<v Speaker 1>you watched. I don't think so. I disagree fervently. Christian

1:51:34.320 --> 1:51:37.960
<v Speaker 1>and Lissa. I get that. Christian and Rose probably not

1:51:38.000 --> 1:51:41.080
<v Speaker 1>so much. Somebody said Christian and Fire, which I thought

1:51:41.240 --> 1:51:44.800
<v Speaker 1>was My fashion has been to quote Hamlet, Act three,

1:51:44.920 --> 1:51:49.840
<v Speaker 1>scene three, line eighty seven. No, I'm gonna start texting people.

1:51:50.680 --> 1:51:55.439
<v Speaker 1>That's pretty that's really fun. It's pretty good. Yeah, oh yeah,

1:51:55.439 --> 1:52:01.840
<v Speaker 1>oh man, for sure. Well, folks, this has been so fun.

1:52:02.360 --> 1:52:06.080
<v Speaker 1>Is there anything else we want to do? This this

1:52:06.120 --> 1:52:10.120
<v Speaker 1>has been Is there anything else we'd like to do

1:52:10.520 --> 1:52:13.479
<v Speaker 1>or discuss, or talk about or say before we wrap

1:52:13.560 --> 1:52:15.800
<v Speaker 1>up the seve I think we should say thank you.

1:52:16.439 --> 1:52:18.240
<v Speaker 1>I think you're right. I think collectively we should say

1:52:18.280 --> 1:52:21.080
<v Speaker 1>thank you to each other. We've been on this journey together.

1:52:21.880 --> 1:52:25.479
<v Speaker 1>Thank you Kinsey a love Cap, my co host, my

1:52:25.560 --> 1:52:28.800
<v Speaker 1>co producer, to our fellow producers, thank you for being

1:52:28.800 --> 1:52:30.760
<v Speaker 1>with us on this. Like we said, we've been doing

1:52:30.760 --> 1:52:34.679
<v Speaker 1>this for almost, if not just over a year. Yeah,

1:52:34.920 --> 1:52:36.880
<v Speaker 1>and it's been a real pleasure. It's been a real

1:52:36.920 --> 1:52:40.280
<v Speaker 1>pleasure to revisit something that was such a defining moment

1:52:40.280 --> 1:52:42.559
<v Speaker 1>in my life, and it has been a real pleasure

1:52:42.600 --> 1:52:44.479
<v Speaker 1>to share that with so many people who care about

1:52:44.479 --> 1:52:47.160
<v Speaker 1>it as well. So thank you to all of you,

1:52:47.880 --> 1:52:50.320
<v Speaker 1>and thank you to a moment. Thank you too, my

1:52:50.520 --> 1:52:53.920
<v Speaker 1>heart to Propagate, to everyone who made this possible, and

1:52:54.040 --> 1:52:56.400
<v Speaker 1>all of you for joining us. It's it's been such

1:52:56.400 --> 1:53:01.400
<v Speaker 1>a lovely journey and we so appreciate love and the questions,

1:53:01.560 --> 1:53:04.160
<v Speaker 1>and uh, we're gonna keep doing it if you'll have us.

1:53:05.240 --> 1:53:11.839
<v Speaker 1>I'm just happy to be here. Okay, Can I propose

1:53:11.960 --> 1:53:16.160
<v Speaker 1>something I would love to do? You can't propose. You

1:53:16.160 --> 1:53:19.759
<v Speaker 1>can't propose over zoom. No, you can't propose over zoom.

1:53:19.800 --> 1:53:24.040
<v Speaker 1>I tried it with Nell. It's not how it happens.

1:53:24.200 --> 1:53:29.439
<v Speaker 1>I keep posting. Yeah, it's like I'm on like time twelve. Yeah,

1:53:30.280 --> 1:53:32.960
<v Speaker 1>I like texted. She was like, nah, I texted I

1:53:33.040 --> 1:53:35.840
<v Speaker 1>wanted to just the ring emoji and a question marks.

1:53:37.800 --> 1:53:40.320
<v Speaker 1>She's like, no, no, but I would I would like

1:53:40.360 --> 1:53:43.600
<v Speaker 1>to suggest. Yeah, I'd like to suggest something. If you

1:53:43.640 --> 1:53:45.880
<v Speaker 1>two are open to it, please, I think it would

1:53:45.880 --> 1:53:47.960
<v Speaker 1>be fun one of these days for us to pick

1:53:48.000 --> 1:53:52.040
<v Speaker 1>an episode or a compilation of best up clips of

1:53:52.080 --> 1:53:55.639
<v Speaker 1>a few episodes and bring you kinsey on to watch

1:53:55.680 --> 1:53:59.080
<v Speaker 1>it and do a someone who's not involved and hasn't

1:53:59.120 --> 1:54:02.360
<v Speaker 1>seen every episode doesn't one hundred percent of the world commentary,

1:54:04.560 --> 1:54:10.160
<v Speaker 1>Oh shit, I have a secondary proposal, not proposal, because

1:54:10.160 --> 1:54:12.920
<v Speaker 1>weren't allowed to do that's a secondary suggestion. Why don't

1:54:12.920 --> 1:54:17.040
<v Speaker 1>we also do the bloopers? Yes, that's how you get

1:54:17.040 --> 1:54:20.040
<v Speaker 1>to figure out like real like in my opinion, that's

1:54:20.040 --> 1:54:24.000
<v Speaker 1>always how you figure out like that person, like that

1:54:24.040 --> 1:54:25.920
<v Speaker 1>person's good fun or like oh that person had a

1:54:25.960 --> 1:54:27.680
<v Speaker 1>real tough day, or what you can really see, like

1:54:27.920 --> 1:54:29.599
<v Speaker 1>you know, like you want it seem like you want

1:54:29.600 --> 1:54:34.240
<v Speaker 1>to expose somebody, like like I'm in them so much

1:54:34.320 --> 1:54:37.280
<v Speaker 1>from being like anymore who you don't like and it's me,

1:54:37.520 --> 1:54:40.800
<v Speaker 1>like I'm always the one who's like breaking. Are there

1:54:40.840 --> 1:54:45.160
<v Speaker 1>any sprinting? No? They cut all of those out. They

1:54:45.160 --> 1:54:47.800
<v Speaker 1>actually took the reels and burnt them because of you.

1:54:48.000 --> 1:54:52.040
<v Speaker 1>Thank God. Yeah, thank greates come out at some point,

1:54:52.160 --> 1:54:55.360
<v Speaker 1>but not today. We've got nothing to leave. Something out

1:54:55.400 --> 1:55:03.440
<v Speaker 1>there that's something to the imagination that said deathbed confession

1:55:03.680 --> 1:55:05.960
<v Speaker 1>is like I have an SD card. It's buried six

1:55:06.000 --> 1:55:10.000
<v Speaker 1>feet in the yard behind stepping stone number four. It's

1:55:10.960 --> 1:55:16.200
<v Speaker 1>dom running. It's just slow mos of zoomed in Donmouth, Wally.

1:55:16.320 --> 1:55:20.920
<v Speaker 1>That is the death of you right there. It's titled

1:55:20.920 --> 1:55:26.680
<v Speaker 1>the Death of don Yeah. Oh man, gentlemen, this has

1:55:26.720 --> 1:55:29.120
<v Speaker 1>been so wonderful. Thank you so much for making my

1:55:29.200 --> 1:55:33.200
<v Speaker 1>evening just light up. Thank you guys. And it's only

1:55:33.240 --> 1:55:37.280
<v Speaker 1>like three o'clock. This is great. We will reconvene fairly soon.

1:55:37.320 --> 1:55:38.680
<v Speaker 1>I have to make a phone call after this and

1:55:38.680 --> 1:55:42.680
<v Speaker 1>then we should. You know what I'm saying. I do,

1:55:43.040 --> 1:55:47.000
<v Speaker 1>but I don't know that anyone else does. Dames. Video games.

1:55:47.040 --> 1:55:49.640
<v Speaker 1>I'm hoping everyone got it was either video games or

1:55:49.720 --> 1:55:58.760
<v Speaker 1>going We're gonna go milk our cows wrong, just incorrectly.

1:56:00.040 --> 1:56:04.920
<v Speaker 1>We just got to guess all of the new it's

1:56:04.960 --> 1:56:13.280
<v Speaker 1>we're new to new to moving to move as you

1:56:13.440 --> 1:56:24.760
<v Speaker 1>milked so funny I'm into it now. I'm not going

1:56:24.800 --> 1:56:28.440
<v Speaker 1>to play a cow. No. Well, if they were speaking English,

1:56:28.440 --> 1:56:32.280
<v Speaker 1>you'd probably be a little more inclined, wouldn't you maybe,

1:56:32.320 --> 1:56:33.800
<v Speaker 1>But I don't know. If I can be then it's

1:56:33.920 --> 1:56:38.280
<v Speaker 1>very true. Greg, can you milk? He's like, yeah, cats

1:56:38.640 --> 1:56:46.880
<v Speaker 1>of the things that have milked me. Yeah. Yeah. All right,

1:56:49.240 --> 1:56:55.720
<v Speaker 1>it's enough. We're gonna go the podcast. I love you guys,

1:56:55.720 --> 1:56:58.920
<v Speaker 1>Thank you so much for everything. Have a good evening.

1:57:05.680 --> 1:57:08.360
<v Speaker 1>Return to the Shadows is hosted and an executive produced

1:57:08.360 --> 1:57:12.040
<v Speaker 1>by Me, Katherine McNamara, and Dominic Sherwood. Our executive producer

1:57:12.160 --> 1:57:15.560
<v Speaker 1>is Lingley. Our senior producers are Liz Hayes and Diego Tapia.

1:57:15.880 --> 1:57:18.680
<v Speaker 1>Our producers are Hannah Harris and Kristin Vermillia, and our

1:57:18.720 --> 1:57:22.160
<v Speaker 1>intern is Sam Katz. Original music by Alex Kinsey and

1:57:22.240 --> 1:57:39.040
<v Speaker 1>performed by Alex Kinsey and Katherine McNamara.