WEBVTT - Yeah, Tyra's a Villain | BONUS Pt. 2

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<v Speaker 1>Hi, Curse Up listeners, I know you miss me on

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<v Speaker 1>your feed. Don't worry. We're working on an all new

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<v Speaker 1>season of Curse Of coming out later this year. In

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<v Speaker 1>the meantime, if you can't stop thinking about the shocking

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<v Speaker 1>stories you heard about America's Next Top Model, you'll definitely

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<v Speaker 1>want to check out our new docuseries from E Dirty

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<v Speaker 1>Rotten Scandals. In the series, you'll hear from the America's

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<v Speaker 1>Next Top Model participants you heard from on Curse Of,

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<v Speaker 1>and a few you didn't like former A and TM

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<v Speaker 1>judge Janis Dickinson. Dirty Rotten Scandals unveils the dark underbelly

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<v Speaker 1>of the long running TV series through the untold stories

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<v Speaker 1>of former contestants, and shows what happens when a golden

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<v Speaker 1>opportunity for aspiring models unravels into a harrowing saga of exploitation,

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<v Speaker 1>shattered dreams, and resilience. You can find the two part

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<v Speaker 1>docuseries Dirty Rotten Scandals America's Next Top Model on E Network.

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<v Speaker 1>Check your local TV provider schedule. Want to be on

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<v Speaker 1>some you want to be on the show. Welcome to

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<v Speaker 1>the Curse of America's Next Top Model. I'm Richard Armstrong. Hey, y'all,

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<v Speaker 1>we're back with part two of this bonus episode. I'm

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<v Speaker 1>with my editor Monik la Board and we're doing a

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<v Speaker 1>deep dive on the new ANTM Netflix Dock. We left

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<v Speaker 1>off talking about one of the most disturbing revelations in

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<v Speaker 1>the docu series, What Happened to Shandy Sullivan on A

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<v Speaker 1>and TM Cycle two. In the documentary, Shandy describes an

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<v Speaker 1>incident on set where producers invited over some guys to

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<v Speaker 1>the model house. They were drinking and Shandy was really

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<v Speaker 1>drunk and she and one of the guys ended up

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<v Speaker 1>having a sexual encounter, but Shandy was too drunk to consent,

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<v Speaker 1>and without consent, that is sexual assault. A and TM

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<v Speaker 1>filmed the whole thing, including the assault, and aired it

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<v Speaker 1>and all of these years later, when Tyra and Kinmock

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<v Speaker 1>were asked about what happened to Shandy on the docuseries,

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<v Speaker 1>they refuse to take accountability. In fact, kin Mock justified it, well,

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<v Speaker 1>what about when Kinmock said they kept filming because it

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<v Speaker 1>was a documentary.

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<v Speaker 2>Oh my god, bull shit, Like it is not a documentary.

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<v Speaker 2>Even documentaries are produced, they know what they're gonna get

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<v Speaker 2>and they edit it to look a certain way like

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<v Speaker 2>it is okay, we know that it is not a documentary.

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<v Speaker 2>People were typecast, people were told who to be, and

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<v Speaker 2>the scenes that we saw, the reactions that we saw

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<v Speaker 2>at that was all set up and planned. Like calling

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<v Speaker 2>in a documentary. That really rubbed me the wrong way. Yeah,

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<v Speaker 2>what do you think?

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<v Speaker 1>Oh my god. I was like, we literally know, like

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<v Speaker 1>we know that this thing. If your idea of a

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<v Speaker 1>documentary is we show up and document whatever's happen, right, I'm.

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<v Speaker 2>Like, no, we know for sure.

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<v Speaker 1>We had producers on record saying to us, yeah, we

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<v Speaker 1>stirred the pot. Yeah, we created drama. Yeah, we did

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<v Speaker 1>all these things and stuff for him to sort of

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<v Speaker 1>be like they intervened. I mean they intervened when the

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<v Speaker 1>person that they didn't think that the person who won

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<v Speaker 1>All Stars, Angelie was suitable to be on the show,

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<v Speaker 1>they intervened and kicked her off the show in a retap.

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<v Speaker 1>But you know what I mean, they intervened. They intervened

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<v Speaker 1>a lot, Like they intervened a lot to cause certain

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<v Speaker 1>situations that would play great for the camera. They intervened

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<v Speaker 1>a lot. And so for you to take this road

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<v Speaker 1>of like oh everybody knew when they came on the

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<v Speaker 1>show that we're just going to film what happens when

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<v Speaker 1>we're talking about a girl getting literally assaulted, yep, when

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<v Speaker 1>you are literally filming a blackout, drunk woman being sexually assaulted,

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<v Speaker 1>Like this is what we're talking about. What you didn't

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<v Speaker 1>want to intervene, not like a squabble between two contestants,

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<v Speaker 1>you know. And that for me, again, that's the sort

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<v Speaker 1>of thing that you say we were wrong, Like that's

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<v Speaker 1>all this I don't want to hear about, Like, oh,

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<v Speaker 1>it's a documentary and that's just something you say, you

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<v Speaker 1>know what, we were wrong and we should have handled

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<v Speaker 1>that differently, and you know. But I don't know why

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<v Speaker 1>I get shot every time I hear lack of accountability

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<v Speaker 1>from Kim Mock and Tyre, I think that's just they

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<v Speaker 1>don't feel bad. That's what we're supposed to take away

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<v Speaker 1>from this. They don't feel that bad about this. Mm hmm.

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<v Speaker 2>Yeah, it's interesting. The only time we saw Kim Mock

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<v Speaker 2>take accountability was on the Dead Body shoot, which was

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<v Speaker 2>disturbing to see, but yeah, he gave a pretty good

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<v Speaker 2>example of accountability. He was like, that was wrong. That

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<v Speaker 2>was my call and that was the wrong call. And

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<v Speaker 2>we should not have done that period and that it's like,

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<v Speaker 2>why is that so hard to say? Can we say

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<v Speaker 2>that more for some of this other stuff that happened.

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<v Speaker 2>Maybe it's that that isn't legally implicating it all. It's

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<v Speaker 2>just unsavory and that's why he was able to say

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<v Speaker 2>it and take accountability for that one. But I would

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<v Speaker 2>have liked to see a lot more of that from

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<v Speaker 2>ken Bock and Tyra.

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<v Speaker 1>Absolutely, And there was a lot of stuff that the

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<v Speaker 1>doc didn't get into that we talked about, right, So

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<v Speaker 1>watching the Psachi series we had all this context. One

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<v Speaker 1>of those things for me, and it's what we're talking

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<v Speaker 1>about now, was the amount of manipulation that happened behind

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<v Speaker 1>the scenes, whether that was manipulating scenes, creating drama, manipulating

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<v Speaker 1>who actually won, setting up challenges so certain people did

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<v Speaker 1>really well and others didn't. That for me was something

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<v Speaker 1>they didn't get into as much that we certainly talked about.

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<v Speaker 1>Another thing that was big for us we did two

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<v Speaker 1>whole episodes the Psyche Vowels didn't really talk about the

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<v Speaker 1>Psyche valves, which you know, this was a part of

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<v Speaker 1>the process where everybody went through. You were told it

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<v Speaker 1>was for your own safety, but actually they were using

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<v Speaker 1>it also to produce the show. One thing for me

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<v Speaker 1>that Kimmock said, though, I was like, wait, that's it,

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<v Speaker 1>You're admitting the thing. He said that a lot of

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<v Speaker 1>the young women who came on the show had troubled

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<v Speaker 1>backgrounds or didn't have a great family life, and they

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<v Speaker 1>didn't get validation at home, and so they came to

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<v Speaker 1>A and TM seeking that validation. And the troubled childhood

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<v Speaker 1>or difficult upbringing pattern is something we also uncovered when

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<v Speaker 1>recording for the podcast.

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<v Speaker 2>I was surprised that they didn't get into that at all,

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<v Speaker 2>but it wasn't an accident that this show knew about

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<v Speaker 2>all of these women's deep traumas and then brought them

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<v Speaker 2>back up at really strikingly convenient times. So, like, it

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<v Speaker 2>was really strange to see Ken Mock acknowledge that some

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<v Speaker 2>of these girls had come on the show from difficult

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<v Speaker 2>backgrounds having issues at home, because we had talked about like,

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<v Speaker 2>what is the pattern there? Why are we seeing this

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<v Speaker 2>pattern where so many of these women have a really

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<v Speaker 2>traumatic background, And the pattern is that they were all

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<v Speaker 2>selected to be on the show, Like those were the contestants,

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<v Speaker 2>you picked it wasn't an accident that they all had

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<v Speaker 2>traumatic backgrounds and that was used against them to break

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<v Speaker 2>them down while the cameras were on. So it felt

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<v Speaker 2>really tone deaf that he said that, not acknowledging how

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<v Speaker 2>that information got translated to the producers and the fact

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<v Speaker 2>that those particular women were chosen for the show. And

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<v Speaker 2>then I just think I've really enjoyed our episodes about

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<v Speaker 2>psyche vwels. That was really illuminating for me about how

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<v Speaker 2>reality TV shows work period, but especially how psyche vwls

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<v Speaker 2>can be misused and abused on shows like this. So

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<v Speaker 2>I think they were missing that for sure. Another thing

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<v Speaker 2>that we brought up on our show that they didn't

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<v Speaker 2>get into in the Netflix dock was the contracts that

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<v Speaker 2>these I mean a lot of times girls were signing,

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<v Speaker 2>these teenagers were signing and being told to sign in

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<v Speaker 2>the moment in the room and not getting the chance

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<v Speaker 2>to look it over, also not really understanding what they

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<v Speaker 2>were signing. And we got a copy of the contract

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<v Speaker 2>went through it, talked about it on an episode of

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<v Speaker 2>the podcast, but that was that was completely missing from

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<v Speaker 2>the Netflix stock.

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<v Speaker 1>Yeah, I was actually surprised by that because it's one

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<v Speaker 1>of the things that I think you hear the models

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<v Speaker 1>criticize the show for the most was just how exploited

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<v Speaker 1>of their contracts were and how they got nothing out

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<v Speaker 1>of being on the show. You know, we heard from

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<v Speaker 1>models who told us that like they couldn't even they

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<v Speaker 1>couldn't make any money from it. So like they couldn't

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<v Speaker 1>even start a YouTube channel, you know, a paid channel

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<v Speaker 1>that where they're talking about their experience on ATM. They

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<v Speaker 1>couldn't write a book, they couldn't do anything, and this

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<v Speaker 1>is all in the contract. Meanwhile, Tyra was getting really rich.

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<v Speaker 1>And I think that that I actually think that that

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<v Speaker 1>is one of the biggest missing perspectives on this doc.

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<v Speaker 1>That it wasn't just like, oh, you were on the

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<v Speaker 1>show and you were humiliated a bit, right, Like, I

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<v Speaker 1>don't even know if people fully understand they didn't get

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<v Speaker 1>compensated at all, Like they had to buy their own food.

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<v Speaker 1>That actually shocked to be when we found it. When

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<v Speaker 1>we first started working on this, I'd heard some other

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<v Speaker 1>models say they had a per dim a day, right,

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<v Speaker 1>but I still didn't. It didn't connect to me that

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<v Speaker 1>they had to actually you set per dim to feed themselves,

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<v Speaker 1>because I'm just thinking, like if you're on a show,

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<v Speaker 1>they feed you, right, like, at the very least you're

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<v Speaker 1>gonna get three meals a day, because like, wouldn't they

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<v Speaker 1>want you to like eat, But like we come to

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<v Speaker 1>find out, know they want you starving and mad. That's

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<v Speaker 1>something that like the Netflix stock doesn't get into. And

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<v Speaker 1>I think that really just further drives home the exploitation

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<v Speaker 1>they experienced because knowing even in the short term, your

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<v Speaker 1>basic needs were not even met on this show. Meanwhile,

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<v Speaker 1>you're humiliating yourself so tire can make millions.

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<v Speaker 2>Yeah, and there's that like agreement that we now kind

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<v Speaker 2>of audiences now understand with people who go on reality

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<v Speaker 2>TV shows that like, yeah, you're gonna be humiliated, probably

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<v Speaker 2>by the production team, regardless of what show it is,

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<v Speaker 2>but you will get if you want it, a lot

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<v Speaker 2>of Instagram followers depending on how you do on the

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<v Speaker 2>show and how you market yourself, like you can become

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<v Speaker 2>an Internet celebrity afterwards. But this is a time when

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<v Speaker 2>that was not an option. So not only were they

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<v Speaker 2>paid like pennies to appear basically on the show, they

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<v Speaker 2>didn't get to build that brand afterwards at all. So

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<v Speaker 2>it's just like such an interesting moment in time they

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<v Speaker 2>were left out to dry. They did have a scene

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<v Speaker 2>with Danny Evans talking about launching her modeling career afterwards

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<v Speaker 2>and being explicitly told you're not getting gigs because you

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<v Speaker 2>were on A ANDTM and people don't want to work

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<v Speaker 2>with you because of that. It looks bad. Basically, what

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<v Speaker 2>did you think about what she said on the doc?

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<v Speaker 2>That was new information that Tyra had approached her years

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<v Speaker 2>later and told her that she was aware of that stigma.

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<v Speaker 1>And then she didn't do anything for her.

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<v Speaker 2>I didn't know that.

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<v Speaker 1>I didn't know that either. Well, one thing, I think

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<v Speaker 1>it's interesting about the relationship between Tyra and Danny Evans.

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<v Speaker 1>We're talking about how Tyra rarely apologizes to anybody, Like

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<v Speaker 1>she'll apologize for like to the audience, but not to

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<v Speaker 1>a person. It was like a half assed apology. It

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<v Speaker 1>was like, oh, I shouldn't have done that. But Danny

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<v Speaker 1>Evans's the gap, telling Danny Evans to get her gap

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<v Speaker 1>closed and ultimately closing it a bit. That's one of

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<v Speaker 1>the things that Tyra has addressed in the past, and

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<v Speaker 1>so to hear Danny say that, like, yeah, Tyra admitted

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<v Speaker 1>to just sort of leaving me out to Dry. I

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<v Speaker 1>think it sort of made me wonder if Tyra like

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<v Speaker 1>really resented Danny for some reason because she turned her

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<v Speaker 1>down on getting the Gap club because she didn't take

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<v Speaker 1>her advice explicitly. Did she just sort of hang her

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<v Speaker 1>out to dry? If that's just what Tyra did with

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<v Speaker 1>all the girls and Danny just so happened to like

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<v Speaker 1>run into her and she was feeling truthful that day.

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<v Speaker 1>I don't know, but yeah, it did make me think about,

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<v Speaker 1>like there's something there's a dynamic happening between Tyron and

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<v Speaker 1>Danny where Tyre did feel the need to address what

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<v Speaker 1>she did to her, but also didn't feel the need

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<v Speaker 1>to help her, which is interesting.

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<v Speaker 2>Yeah, that was a big point that we made in

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<v Speaker 2>the podcast, which is that.

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<v Speaker 1>A lot of these.

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<v Speaker 2>Women after coming on the show weren't actually welcomed into

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<v Speaker 2>the fashion industry. It wasn't actually a credential that they

0:12:21.679 --> 0:12:24.440
<v Speaker 2>had won antm. It was the opposite. It was like

0:12:24.480 --> 0:12:27.679
<v Speaker 2>a stain because it was seen as like taki to have,

0:12:27.840 --> 0:12:30.560
<v Speaker 2>you know, gone on a reality TV show and with

0:12:30.679 --> 0:12:35.320
<v Speaker 2>someone like Danny, I mean seeing that she had got

0:12:35.360 --> 0:12:38.280
<v Speaker 2>herself after the show into an agency where she was

0:12:39.000 --> 0:12:42.160
<v Speaker 2>trying auditioning and then just looking at some of her

0:12:42.160 --> 0:12:46.160
<v Speaker 2>photos after the show from her career, even looking at

0:12:46.160 --> 0:12:50.040
<v Speaker 2>her now, you're like, oh, you actually could have made it.

0:12:50.360 --> 0:12:54.400
<v Speaker 2>You really have the genetics, you had the face, you

0:12:54.480 --> 0:12:57.760
<v Speaker 2>are a supermodel, and this show hurt you more than

0:12:57.760 --> 0:13:00.839
<v Speaker 2>it helped you. That I think we see a copy

0:13:00.840 --> 0:13:03.720
<v Speaker 2>and pasted onto a lot of women, but just Stanny

0:13:03.880 --> 0:13:06.640
<v Speaker 2>was the most obvious example in the Netflix doc, and

0:13:06.679 --> 0:13:09.080
<v Speaker 2>I would have liked to see more stories like hers

0:13:09.120 --> 0:13:12.120
<v Speaker 2>of trying to make it afterwards, like we heard with Yanna.

0:13:12.200 --> 0:13:13.359
<v Speaker 2>I think Eanna similarly.

0:13:13.640 --> 0:13:16.440
<v Speaker 1>Yeah. I mean it also made me think of someone

0:13:16.480 --> 0:13:19.320
<v Speaker 1>who wasn't on the Netflix doc. She was in our pod.

0:13:19.559 --> 0:13:23.200
<v Speaker 1>She's also going to be on the e Dirty Broden's

0:13:23.240 --> 0:13:28.200
<v Speaker 1>Gambles series Angelie. Yes, because I thought about the things

0:13:28.240 --> 0:13:32.520
<v Speaker 1>that these women had to go do to like make

0:13:32.640 --> 0:13:36.839
<v Speaker 1>ends meet right, Like Angelie told probably one of the

0:13:36.920 --> 0:13:40.280
<v Speaker 1>most moving and disturbing and memorable stories I think on

0:13:40.800 --> 0:13:44.920
<v Speaker 1>our podcast YEP. On Angelie's original season, she did pretty well.

0:13:45.679 --> 0:13:47.719
<v Speaker 1>She got off the show, couldn't find work, could not

0:13:47.800 --> 0:13:50.679
<v Speaker 1>find work at all. No one took her seriously. Angelie

0:13:50.679 --> 0:13:54.560
<v Speaker 1>got like the angry black girl, ghetto girl, edit on

0:13:54.640 --> 0:13:57.640
<v Speaker 1>her season she could not get work. Angelie ends up

0:13:57.640 --> 0:14:03.640
<v Speaker 1>being trafficked like sex traffic, and she ends up getting

0:14:03.640 --> 0:14:05.920
<v Speaker 1>out of it. Not long after, she goes back on

0:14:05.960 --> 0:14:09.440
<v Speaker 1>A ANDTM All Stars. She wins the whole thing and

0:14:09.760 --> 0:14:13.240
<v Speaker 1>they take away her win because the contract allowed her to,

0:14:13.840 --> 0:14:17.120
<v Speaker 1>and Angelie after that still never got that modeling opportunity.

0:14:17.160 --> 0:14:18.920
<v Speaker 1>It's like she did the things she was supposed to do,

0:14:19.160 --> 0:14:23.120
<v Speaker 1>she won the show, and that still didn't help her

0:14:23.240 --> 0:14:26.280
<v Speaker 1>at all. So that for me, it was really interesting

0:14:26.320 --> 0:14:29.880
<v Speaker 1>that Netflix didn't talk about that. Of course, we decided

0:14:29.920 --> 0:14:31.960
<v Speaker 1>to tie it to the contracts because that's how they

0:14:32.000 --> 0:14:34.280
<v Speaker 1>were able to strip her win, but just that, in

0:14:34.320 --> 0:14:37.440
<v Speaker 1>and of itself, that story to show that like this

0:14:37.560 --> 0:14:40.400
<v Speaker 1>show did not help women, and even when they were

0:14:40.400 --> 0:14:43.200
<v Speaker 1>in a position to help the women who really needed help,

0:14:43.480 --> 0:14:46.120
<v Speaker 1>they went out of their way to not help them

0:14:46.200 --> 0:14:49.920
<v Speaker 1>if they didn't represent whatever standard bullshit standard they'd come

0:14:50.000 --> 0:14:50.280
<v Speaker 1>up with.

0:14:50.320 --> 0:15:07.480
<v Speaker 2>You know, seeing Tyra in this dock and how bad

0:15:07.600 --> 0:15:11.920
<v Speaker 2>she comes off, it does make me wonder she didn't

0:15:11.960 --> 0:15:16.360
<v Speaker 2>want someone to actually be the next supermodel like Queen,

0:15:16.560 --> 0:15:18.080
<v Speaker 2>you know what I mean, Like she might have not

0:15:18.120 --> 0:15:22.200
<v Speaker 2>actually wanted to share that spotlight that title that could

0:15:22.200 --> 0:15:24.520
<v Speaker 2>be a part of this as well that I didn't

0:15:24.560 --> 0:15:28.920
<v Speaker 2>let myself think about during the podcast production because it

0:15:28.960 --> 0:15:33.800
<v Speaker 2>felt like it wasn't substantiated fully. But seeing her in

0:15:33.920 --> 0:15:38.960
<v Speaker 2>this Netflix dock consistently deflecting and then knowing how much

0:15:40.000 --> 0:15:44.040
<v Speaker 2>these women wanted and could have made it in the industry,

0:15:44.880 --> 0:15:46.400
<v Speaker 2>but she didn't go to bat for them at all,

0:15:46.520 --> 0:15:48.640
<v Speaker 2>it makes me wonder what her motivations were there.

0:15:49.000 --> 0:15:51.160
<v Speaker 1>Absolutely, I mean that is true because I feel like

0:15:51.280 --> 0:15:52.920
<v Speaker 1>Tyra came up in an era where there could only

0:15:52.920 --> 0:15:56.080
<v Speaker 1>be one There could only be one black supermodel, right,

0:15:56.120 --> 0:15:58.520
<v Speaker 1>and so she was pitted against Naomi Campbell, And while

0:15:58.600 --> 0:16:03.520
<v Speaker 1>Tira presented herself was like girl power, I love all women.

0:16:03.600 --> 0:16:06.000
<v Speaker 1>We know like based on the show that like, she

0:16:06.160 --> 0:16:08.400
<v Speaker 1>certainly didn't, and so I could That's such a good point, MO,

0:16:08.640 --> 0:16:11.320
<v Speaker 1>Like she maybe did not want to create her rival.

0:16:11.640 --> 0:16:13.560
<v Speaker 1>She didn't want to take the create the person who

0:16:13.600 --> 0:16:15.880
<v Speaker 1>would now be known as the other black supermodel. It's

0:16:15.880 --> 0:16:18.720
<v Speaker 1>like it comes from this like mindset of scarcity, and

0:16:18.760 --> 0:16:20.400
<v Speaker 1>it isn't it's not always your fault that you have

0:16:20.480 --> 0:16:22.520
<v Speaker 1>that mindset of scarcity, but I guess it's just in

0:16:22.680 --> 0:16:26.760
<v Speaker 1>huge contrast with how Tyra actually presented herself. But yeah,

0:16:26.760 --> 0:16:28.520
<v Speaker 1>that's the point. I didn't think about a lot either,

0:16:28.600 --> 0:16:31.840
<v Speaker 1>like did Tyra even want any of these girls to

0:16:31.880 --> 0:16:33.800
<v Speaker 1>be top models? Because then who was Tyra?

0:16:35.200 --> 0:16:37.840
<v Speaker 2>And with Angelie the documentary, not getting into Angelie was

0:16:37.880 --> 0:16:40.000
<v Speaker 2>a real missed opportunity in the Netflix talk I mean,

0:16:40.000 --> 0:16:41.920
<v Speaker 2>even though they didn't have her interview, they still could

0:16:41.960 --> 0:16:44.760
<v Speaker 2>have talked about that, talked about it, and they didn't.

0:16:45.360 --> 0:16:48.520
<v Speaker 1>It's one of the biggest scandals that ever happened on ANTM.

0:16:48.560 --> 0:16:50.680
<v Speaker 1>I'm like, talk about it, mentioning it, I guess. I mean,

0:16:50.760 --> 0:16:52.680
<v Speaker 1>this is the problem. We also ran into right and

0:16:52.720 --> 0:16:55.560
<v Speaker 1>we had ten eleven episodes if you count the bonus.

0:16:55.960 --> 0:16:58.600
<v Speaker 1>There's just so much crazy shit that went down on

0:16:58.640 --> 0:17:01.720
<v Speaker 1>that show. You really do have to pick what you're

0:17:01.760 --> 0:17:03.760
<v Speaker 1>going to talk about and what you're going to say

0:17:03.760 --> 0:17:07.520
<v Speaker 1>about it, and so, you know, hated for him. Netflix

0:17:07.560 --> 0:17:10.640
<v Speaker 1>only had three episodes, so there's a lot of stuff

0:17:10.920 --> 0:17:13.399
<v Speaker 1>that they skipped over that I was like a little

0:17:13.440 --> 0:17:19.200
<v Speaker 1>surprised by. And I think Angelee's story is certainly one

0:17:19.200 --> 0:17:21.960
<v Speaker 1>of them, because when have you ever heard of like

0:17:22.000 --> 0:17:24.520
<v Speaker 1>somebody winning the whole thing and then having this huge

0:17:24.520 --> 0:17:27.119
<v Speaker 1>scandal where their win is taken away. And it's interesting

0:17:27.119 --> 0:17:30.040
<v Speaker 1>because they never did another All Stars after that either, right.

0:17:30.119 --> 0:17:33.640
<v Speaker 2>Right, Yeah. And the other thing we didn't see from

0:17:33.640 --> 0:17:37.159
<v Speaker 2>the Netflix stock that they could have gone into but

0:17:37.200 --> 0:17:40.520
<v Speaker 2>they didn't, which we talked about in our last episode

0:17:40.520 --> 0:17:44.480
<v Speaker 2>of the podcast, is what these contestants, what these former

0:17:44.520 --> 0:17:49.359
<v Speaker 2>contestants actually want from Tyra. And it differs, you know,

0:17:49.400 --> 0:17:52.879
<v Speaker 2>we heard different takes on what they want, but a

0:17:52.880 --> 0:17:54.920
<v Speaker 2>lot of them just want accountability. Some of them just

0:17:54.960 --> 0:17:58.159
<v Speaker 2>want a phone call where Tyra says, hey, I know

0:17:58.240 --> 0:18:01.040
<v Speaker 2>that what happened on that show was not okay, and

0:18:01.480 --> 0:18:05.080
<v Speaker 2>I'm sorry, and that was my call and I wish

0:18:05.119 --> 0:18:07.640
<v Speaker 2>it had gone down differently, and I respect you and

0:18:07.720 --> 0:18:09.480
<v Speaker 2>I wish that it hadn't happened. You know, like a

0:18:09.520 --> 0:18:11.719
<v Speaker 2>lot of them just wanted that, But some of them

0:18:11.760 --> 0:18:14.360
<v Speaker 2>want money. You know, they're like, my image is still

0:18:14.400 --> 0:18:16.399
<v Speaker 2>being replayed over and over again and I'm making no

0:18:16.480 --> 0:18:19.000
<v Speaker 2>money on this. But we didn't hear any of those

0:18:19.359 --> 0:18:23.280
<v Speaker 2>perspectives on what they want from Tira. Yeah.

0:18:23.359 --> 0:18:25.639
<v Speaker 1>I think that's really missing too, because I think it

0:18:25.800 --> 0:18:30.000
<v Speaker 1>changes the conversation from we were victims, we had this

0:18:30.080 --> 0:18:33.080
<v Speaker 1>thing happened to us, We just need to talk about it,

0:18:33.280 --> 0:18:35.600
<v Speaker 1>and it makes it seem like there's no way to

0:18:35.640 --> 0:18:38.760
<v Speaker 1>be actually accountable. And then it's Answerry, you know what

0:18:38.800 --> 0:18:40.840
<v Speaker 1>I mean, Like there are tangible things that can be

0:18:41.560 --> 0:18:43.200
<v Speaker 1>and a lot of these models know that and they're

0:18:43.200 --> 0:18:43.600
<v Speaker 1>saying that.

0:18:44.080 --> 0:18:50.000
<v Speaker 2>I completely agree. Yeah, all right, so let's really go

0:18:50.040 --> 0:18:52.720
<v Speaker 2>deep on Tyra because we both have been talking about

0:18:52.760 --> 0:18:55.359
<v Speaker 2>Tyra for a year and what does she know, what

0:18:55.400 --> 0:18:58.399
<v Speaker 2>does she not know? What does she oh? These women,

0:18:58.440 --> 0:19:01.520
<v Speaker 2>these contestants from the show, what does she represent? What

0:19:01.560 --> 0:19:04.600
<v Speaker 2>did she do? What did she not do? And why

0:19:05.240 --> 0:19:07.320
<v Speaker 2>is she the person that we put all of this

0:19:07.400 --> 0:19:09.679
<v Speaker 2>all and is that there? You know, these are questions

0:19:09.680 --> 0:19:12.560
<v Speaker 2>we grappled with, especially you. I mean when we were

0:19:12.640 --> 0:19:14.679
<v Speaker 2>first working on this series, it was hard for you

0:19:15.320 --> 0:19:17.680
<v Speaker 2>to cop down too hard on Tyra. At the beginning,

0:19:17.720 --> 0:19:19.720
<v Speaker 2>you were like, I don't know if she's the villain,

0:19:20.520 --> 0:19:22.720
<v Speaker 2>So yeah, let's talk about that now.

0:19:23.040 --> 0:19:25.879
<v Speaker 1>It is something I grapple with a lot. And in

0:19:25.960 --> 0:19:28.720
<v Speaker 1>the beginning I was like, I don't think she's a villain.

0:19:29.520 --> 0:19:31.919
<v Speaker 1>Then I was like, I think she's an evil genius.

0:19:32.680 --> 0:19:37.360
<v Speaker 1>Then like even on the last episode, like when we

0:19:37.359 --> 0:19:40.560
<v Speaker 1>were still weighing this question, out like we had. We

0:19:40.600 --> 0:19:43.280
<v Speaker 1>had a whole segment, a whole section where we were

0:19:43.320 --> 0:19:46.320
<v Speaker 1>talking about all the things Tara did do right, right,

0:19:46.720 --> 0:19:49.439
<v Speaker 1>and all the criticism that Tyra's gotten that isn't the

0:19:49.480 --> 0:19:52.479
<v Speaker 1>same as like white men in her same position, similarly

0:19:52.560 --> 0:19:55.560
<v Speaker 1>positioned white men, they don't get the same sort of criticism.

0:19:55.600 --> 0:19:58.320
<v Speaker 1>Like we even went there with it, and I did

0:19:58.440 --> 0:20:01.119
<v Speaker 1>leave feeling like we've been really fair to Tyra while

0:20:01.320 --> 0:20:04.680
<v Speaker 1>like holding her to account. But after watching the Netflix

0:20:04.760 --> 0:20:07.720
<v Speaker 1>doc and watching how she feels about it now, I

0:20:07.760 --> 0:20:11.000
<v Speaker 1>almost feel like we could have went harder. We didn't

0:20:11.040 --> 0:20:15.240
<v Speaker 1>go far enough, Like I am now convinced she is

0:20:16.119 --> 0:20:19.439
<v Speaker 1>a villain. Like if there were any questions in my

0:20:19.560 --> 0:20:25.720
<v Speaker 1>mind before seeing her still sort of dodge accountability, underlined

0:20:26.200 --> 0:20:29.720
<v Speaker 1>the fact that she does not give a fuck, And

0:20:29.880 --> 0:20:32.520
<v Speaker 1>how could you watch this thing and know what happened

0:20:32.520 --> 0:20:35.720
<v Speaker 1>to these girls and hear them say like, huh, you know,

0:20:36.040 --> 0:20:38.800
<v Speaker 1>like this kind of ruined my life and your answer

0:20:38.880 --> 0:20:41.520
<v Speaker 1>is still but this is what the people wanted, even

0:20:41.600 --> 0:20:43.359
<v Speaker 1>her thing, but this was like the scariest thing. I'm like,

0:20:43.440 --> 0:20:46.600
<v Speaker 1>is this a threat Tarra? The thing she said about

0:20:46.680 --> 0:20:49.320
<v Speaker 1>like are you gonna be prepared when people come for

0:20:49.440 --> 0:20:52.000
<v Speaker 1>you talking to the audience, like this audience said, likely,

0:20:52.240 --> 0:20:54.960
<v Speaker 1>we don't have a multimillion dollar TV show. Are you

0:20:55.000 --> 0:20:56.560
<v Speaker 1>going to be prepared when they come for you? Because

0:20:56.600 --> 0:20:58.960
<v Speaker 1>they are coming, or they will come for you. That

0:20:59.080 --> 0:21:03.440
<v Speaker 1>statement was so defensive, and it was trying to deflect

0:21:03.760 --> 0:21:07.359
<v Speaker 1>again the blame that she holds in this, and it

0:21:07.480 --> 0:21:10.600
<v Speaker 1>just was so like it was almost the sort of

0:21:10.640 --> 0:21:13.000
<v Speaker 1>thing that a villain in a movie would say when

0:21:13.000 --> 0:21:15.239
<v Speaker 1>they're caught, they're coming for you next. And I'm just

0:21:15.240 --> 0:21:18.879
<v Speaker 1>like Tyra girl like down sing. Like you said, you

0:21:18.880 --> 0:21:21.639
<v Speaker 1>pointed out one of her her fashion choice, even so

0:21:21.840 --> 0:21:23.240
<v Speaker 1>it made her look like a villain.

0:21:23.640 --> 0:21:26.680
<v Speaker 2>Yeah, the trench coat, right, like that was a wild

0:21:26.760 --> 0:21:29.879
<v Speaker 2>stylistic choice. I don't know if she made that choice

0:21:30.000 --> 0:21:32.320
<v Speaker 2>or style has made that choice, but that was the

0:21:32.320 --> 0:21:34.959
<v Speaker 2>wrong choice. Like, the trench coat is so representative of

0:21:35.640 --> 0:21:39.560
<v Speaker 2>I have something to hide, So that just visually was

0:21:39.960 --> 0:21:44.399
<v Speaker 2>a mistake. But then man, she was hollow. She was

0:21:44.440 --> 0:21:48.280
<v Speaker 2>so hollow in her answers. She came off as really insincere.

0:21:48.840 --> 0:21:53.399
<v Speaker 2>And she's had you made the point earlier. You know,

0:21:53.760 --> 0:21:57.239
<v Speaker 2>she's had five years since twenty twenty to come up

0:21:57.280 --> 0:22:00.920
<v Speaker 2>with a better answer than it was a different time

0:22:01.080 --> 0:22:04.600
<v Speaker 2>and everyone's getting canceled these days, and she kind of

0:22:04.640 --> 0:22:07.080
<v Speaker 2>made it seem in this dock even still, Like it's

0:22:07.119 --> 0:22:10.320
<v Speaker 2>a few internet trolls as opposed to a pattern of

0:22:10.320 --> 0:22:13.520
<v Speaker 2>her behavior over a twenty year period of time that

0:22:14.040 --> 0:22:17.360
<v Speaker 2>the broader culture is reckoning with and calling out as

0:22:17.960 --> 0:22:20.920
<v Speaker 2>not acceptable. Why would she show up to this interview

0:22:20.960 --> 0:22:23.119
<v Speaker 2>and not have better answers? I don't get it.

0:22:23.280 --> 0:22:28.359
<v Speaker 1>Yeah, I think that Tira either really doesn't understand that

0:22:28.440 --> 0:22:31.280
<v Speaker 1>she did something wrong, right, like she really believes her bullshit,

0:22:32.119 --> 0:22:37.200
<v Speaker 1>or she knows exactly what she's doing. She knows that

0:22:37.320 --> 0:22:41.119
<v Speaker 1>like these answers that lack accountability are gonna get people

0:22:41.160 --> 0:22:44.240
<v Speaker 1>mad and get people talking, and she's continuing to give

0:22:44.320 --> 0:22:47.520
<v Speaker 1>these answers because it sparks conversation. I mean, we're talking

0:22:47.600 --> 0:22:50.919
<v Speaker 1>about it now. There are three there's two documentaries in

0:22:50.960 --> 0:22:54.159
<v Speaker 1>a podcast all about A and M. Tyra Banks, a

0:22:54.200 --> 0:22:56.840
<v Speaker 1>show that went off years ago and premiered twenty years ago.

0:22:57.400 --> 0:23:00.439
<v Speaker 1>And so I think part of that could be she

0:23:00.760 --> 0:23:03.760
<v Speaker 1>knows that that, like, on the way hand, likes you know,

0:23:03.760 --> 0:23:05.960
<v Speaker 1>I said I thought Tyra was maybe an evil genius, right.

0:23:06.280 --> 0:23:10.520
<v Speaker 1>I certainly think Tyron knows what catches people's attention, and

0:23:10.560 --> 0:23:11.800
<v Speaker 1>she knows how to hold their attention.

0:23:12.160 --> 0:23:14.720
<v Speaker 2>Oh yeah, And she says that she's like I can

0:23:14.760 --> 0:23:17.399
<v Speaker 2>sense what people want, I can taste it, you know,

0:23:18.240 --> 0:23:19.000
<v Speaker 2>And she's right.

0:23:19.200 --> 0:23:21.199
<v Speaker 1>She is right, And I wonder if Tyra knows that

0:23:21.240 --> 0:23:23.639
<v Speaker 1>people want a villain. People want a villain, and they

0:23:23.640 --> 0:23:26.159
<v Speaker 1>want her to be the villain. And it continued. It

0:23:26.240 --> 0:23:29.240
<v Speaker 1>is something that continues to drive conversation around her and

0:23:29.280 --> 0:23:31.600
<v Speaker 1>her show. And she's the person who hasn't been on

0:23:31.680 --> 0:23:35.040
<v Speaker 1>televisioning year, she hasn't been a professional modeling years, but

0:23:35.040 --> 0:23:38.640
<v Speaker 1>we're still talking about her so much. And so yeah.

0:23:38.640 --> 0:23:40.920
<v Speaker 1>The other option is Tarah knows exactly what she's doing,

0:23:41.160 --> 0:23:44.160
<v Speaker 1>and she knows by giving these sort of vague, hollow answers,

0:23:44.400 --> 0:23:47.080
<v Speaker 1>it'll get people talking, it'll get people to pay attention.

0:23:47.520 --> 0:23:50.840
<v Speaker 1>I mean, she has incentive to. I guess because of

0:23:50.880 --> 0:23:52.680
<v Speaker 1>some of the news that they revealed. We're going to

0:23:52.720 --> 0:23:56.320
<v Speaker 1>talk a little bit about the season twenty five hint

0:23:56.400 --> 0:23:59.159
<v Speaker 1>that terrifying. I was like Tea's and twenty girl know

0:24:00.119 --> 0:24:02.960
<v Speaker 1>about that a little bit more. But like maybe that's

0:24:03.000 --> 0:24:05.720
<v Speaker 1>the reason she's doing the interview in the first place.

0:24:05.800 --> 0:24:07.960
<v Speaker 1>Maybe that's why she's trying to get this conversation started,

0:24:07.960 --> 0:24:11.040
<v Speaker 1>because now we're all gonna tune in and see has

0:24:11.119 --> 0:24:13.840
<v Speaker 1>Tyra changed. It's a different time now, is it going

0:24:13.880 --> 0:24:16.240
<v Speaker 1>to be different? That could be what Tyra was, or

0:24:16.280 --> 0:24:21.680
<v Speaker 1>it's the opposite. Tyra really doesn't understand how callous she seems,

0:24:22.040 --> 0:24:23.920
<v Speaker 1>which is possibly scarier.

0:24:24.480 --> 0:24:28.760
<v Speaker 2>I'm really torn about those two and they're both bad options,

0:24:28.800 --> 0:24:31.119
<v Speaker 2>Like neither of them is better than the other. But

0:24:31.200 --> 0:24:33.600
<v Speaker 2>to your the thing you brought up about her saying, oh,

0:24:33.760 --> 0:24:35.520
<v Speaker 2>I hope you're prepared for when they come for you

0:24:35.760 --> 0:24:38.240
<v Speaker 2>to I guess the producer asking her a question about

0:24:38.320 --> 0:24:41.080
<v Speaker 2>the show that she made for twenty years. It really

0:24:41.440 --> 0:24:45.680
<v Speaker 2>that to me, like portrayed a deeper sort of psychology

0:24:45.800 --> 0:24:49.200
<v Speaker 2>and a deeper problem that reminded me of the mom

0:24:49.480 --> 0:24:52.840
<v Speaker 2>in Unknown Number, the Netflix stock the mom Kendra Lacari

0:24:53.040 --> 0:24:57.760
<v Speaker 2>when she sits down for her sort of confrontation interview

0:24:58.040 --> 0:25:00.520
<v Speaker 2>and she says, oh, well, who hasn't made a mistake,

0:25:00.520 --> 0:25:03.240
<v Speaker 2>who hasn't had wont too many drinks but decided to

0:25:03.320 --> 0:25:07.199
<v Speaker 2>drive home anyway? And it's like, well, that's not what

0:25:07.280 --> 0:25:10.080
<v Speaker 2>we're talking about here. We're actually asking you about some

0:25:10.200 --> 0:25:12.600
<v Speaker 2>very specific things that you did. So to deflect that

0:25:13.560 --> 0:25:16.679
<v Speaker 2>and to really think you're making a smart point in

0:25:16.760 --> 0:25:22.200
<v Speaker 2>that deflection almost like betray as a deeper psychological lack

0:25:22.240 --> 0:25:24.680
<v Speaker 2>of connecting the dots that make me think that maybe

0:25:25.160 --> 0:25:27.800
<v Speaker 2>maybe it's the former. Maybe she genuinely does not believe

0:25:27.840 --> 0:25:28.400
<v Speaker 2>she did wrong.

0:25:28.760 --> 0:25:31.280
<v Speaker 1>We talked about this on our season. She likes to

0:25:31.280 --> 0:25:33.280
<v Speaker 1>say a lot of times that people didn't know better

0:25:33.320 --> 0:25:35.639
<v Speaker 1>back then, or all of a sudden in twenty twenty.

0:25:35.640 --> 0:25:37.679
<v Speaker 1>I think she says, it's in the dog verbati. I'm like,

0:25:38.280 --> 0:25:41.440
<v Speaker 1>and then all of a sudden, twenty twenty, everybody's looking

0:25:41.480 --> 0:25:43.679
<v Speaker 1>back at like this was really wrong or something like that.

0:25:43.720 --> 0:25:46.800
<v Speaker 1>She said, I'm like, well, before it'senty twenty, the models

0:25:46.880 --> 0:25:50.080
<v Speaker 1>knew it was wrong because they say so, and hm.

0:25:50.359 --> 0:25:52.800
<v Speaker 1>The fact that she still doesn't address that and we're

0:25:52.840 --> 0:25:55.280
<v Speaker 1>all pretending, I mean, this is extreme. I'm going to

0:25:55.359 --> 0:25:58.159
<v Speaker 1>give an extreme example, right. But it's like those people

0:25:58.200 --> 0:26:02.280
<v Speaker 1>who try to justify racism because it was a different time,

0:26:02.680 --> 0:26:04.600
<v Speaker 1>and they'll say, oh, you're back in the forties and

0:26:04.600 --> 0:26:07.040
<v Speaker 1>the fifties. It was just different, and it pretends as

0:26:07.040 --> 0:26:09.399
<v Speaker 1>though there were no black people who were saying like this,

0:26:09.520 --> 0:26:12.440
<v Speaker 1>was wrong. Tyra likes to put it in this thing

0:26:12.480 --> 0:26:15.560
<v Speaker 1>that like nobody knew, well the very least the people

0:26:15.560 --> 0:26:18.480
<v Speaker 1>you were doing this too, knew it was wrong and

0:26:18.520 --> 0:26:19.840
<v Speaker 1>they said it, So why don't they count?

0:26:20.600 --> 0:26:20.919
<v Speaker 2>Yeah.

0:26:20.960 --> 0:26:23.320
<v Speaker 1>I came into the podcast wanting her not to be

0:26:23.359 --> 0:26:25.800
<v Speaker 1>the sole villain or wanting it to be something else,

0:26:26.480 --> 0:26:30.119
<v Speaker 1>But seeing her on this docuseries, I don't know if

0:26:30.119 --> 0:26:32.000
<v Speaker 1>she listened to Curse of I like to think she did,

0:26:32.240 --> 0:26:35.360
<v Speaker 1>But seeing her on this docuseries and knowing that she's

0:26:35.400 --> 0:26:40.280
<v Speaker 1>heard these criticisms and this still being her response is

0:26:40.520 --> 0:26:44.800
<v Speaker 1>just at a certain point, fan or no fan, antim

0:26:44.960 --> 0:26:47.240
<v Speaker 1>lover or no antim lover at a certain point, you can't.

0:26:47.280 --> 0:26:49.679
<v Speaker 1>I can't make excuses. It's just it is what it is,

0:26:49.720 --> 0:27:06.520
<v Speaker 1>you know. All Right, We're back for the final part

0:27:06.560 --> 0:27:10.119
<v Speaker 1>of this conversation about the Netflix stock. Tiper had a

0:27:10.359 --> 0:27:13.600
<v Speaker 1>huge platform with this docuseries, and I'm not going to

0:27:13.640 --> 0:27:17.600
<v Speaker 1>say I'm surprised, but I am disappointed that she didn't

0:27:17.680 --> 0:27:21.119
<v Speaker 1>really take accountability in this docuseries for what went wrong

0:27:21.200 --> 0:27:21.919
<v Speaker 1>on ANTM.

0:27:23.000 --> 0:27:26.919
<v Speaker 2>Yeah, and the biggest example of the fact that she

0:27:27.119 --> 0:27:31.600
<v Speaker 2>is not taking accountability for what she what went wrong

0:27:31.840 --> 0:27:35.520
<v Speaker 2>on ANTM is that this doc came out at the

0:27:35.520 --> 0:27:39.959
<v Speaker 2>same time as the reboot was announced for cycle twenty

0:27:40.000 --> 0:27:41.240
<v Speaker 2>five of ANTM.

0:27:41.440 --> 0:27:44.960
<v Speaker 1>Have we not gone through enough? Like so, when I

0:27:45.000 --> 0:27:46.880
<v Speaker 1>was watching the doc and knowing that we reached out

0:27:46.920 --> 0:27:49.800
<v Speaker 1>to her, didn't get didn't response, I didn't want to

0:27:49.800 --> 0:27:52.040
<v Speaker 1>do the show. And you know, it was announced that

0:27:52.040 --> 0:27:53.480
<v Speaker 1>she was going to do the Netflix stock and I

0:27:53.480 --> 0:27:56.400
<v Speaker 1>thought like, oh, maybe because Netflix is this huge platform.

0:27:56.400 --> 0:27:58.199
<v Speaker 1>But she's she's going to do the biggest platform. If

0:27:58.200 --> 0:28:00.439
<v Speaker 1>she's going to address all these things, she's gonna dress

0:28:00.440 --> 0:28:02.520
<v Speaker 1>for once and for all on Netflix. Right, That's what

0:28:02.560 --> 0:28:04.359
<v Speaker 1>I thought was her motivation for doing this in the

0:28:04.359 --> 0:28:06.320
<v Speaker 1>first place. But by the time we got to the

0:28:06.400 --> 0:28:08.560
<v Speaker 1>end of this dock where she's like, I'm not finished yet,

0:28:09.119 --> 0:28:11.760
<v Speaker 1>truly terrifying words. Right by the time we get to

0:28:11.800 --> 0:28:16.520
<v Speaker 1>that and she says season twenty five, I'm like, oh, Okay,

0:28:17.040 --> 0:28:19.359
<v Speaker 1>this is the reason why she this is why. Yep,

0:28:19.440 --> 0:28:23.040
<v Speaker 1>this was her justification because I don't think Tyr's going

0:28:23.080 --> 0:28:24.560
<v Speaker 1>to do anything that's not going to benefit her.

0:28:27.280 --> 0:28:28.120
<v Speaker 2>Yeah, I think you're right.

0:28:28.200 --> 0:28:31.000
<v Speaker 1>Yeah, being on this docu series was just a soft

0:28:31.040 --> 0:28:34.480
<v Speaker 1>launch for the next season, something we certainly don't need

0:28:34.960 --> 0:28:38.000
<v Speaker 1>for me. If there is going to be another season,

0:28:38.040 --> 0:28:40.360
<v Speaker 1>I actually think Tyra should be pretty far away from it.

0:28:40.720 --> 0:28:44.840
<v Speaker 1>I have a small criticism about Netflix reality shows. They're

0:28:44.840 --> 0:28:47.320
<v Speaker 1>a little too earnest for me, right, Like Love is

0:28:47.360 --> 0:28:49.880
<v Speaker 1>Blind is a ridiculous idea, and we're all like the

0:28:49.880 --> 0:28:52.720
<v Speaker 1>way the show is shot, it's like this could actually work,

0:28:52.760 --> 0:28:54.560
<v Speaker 1>and these people are for real, and this isn't the

0:28:54.600 --> 0:28:57.360
<v Speaker 1>silliest thing you've ever seen, you know. I mean, even

0:28:57.800 --> 0:29:02.520
<v Speaker 1>take a show like Cora, very earnest, very like sweet

0:29:03.440 --> 0:29:06.240
<v Speaker 1>wholesome moments. Yeah, I think that's going to be kind

0:29:06.240 --> 0:29:09.600
<v Speaker 1>of the tone of the season twenty five, a TM reboot.

0:29:09.800 --> 0:29:11.520
<v Speaker 1>I think that is going to be Tyra trying to

0:29:11.560 --> 0:29:16.440
<v Speaker 1>show her accountability. But the problem. One problem, we're still

0:29:16.480 --> 0:29:18.080
<v Speaker 1>not going to know what's happening behind the scenes and

0:29:18.120 --> 0:29:22.040
<v Speaker 1>if these contestants are being treated fairly right. Two, Tyro's

0:29:22.040 --> 0:29:25.520
<v Speaker 1>sigma is already you come into it with that stigma.

0:29:26.280 --> 0:29:28.160
<v Speaker 1>And then three, I think that's something you brought up

0:29:28.160 --> 0:29:31.120
<v Speaker 1>when we were talking. It has a structural issue, like

0:29:31.840 --> 0:29:34.240
<v Speaker 1>the show itself has a structural issues, So I'm wondering

0:29:34.760 --> 0:29:38.800
<v Speaker 1>how you think they might approach that in a reboot.

0:29:39.880 --> 0:29:41.640
<v Speaker 2>Yeah, I mean the structural issue that we talked about

0:29:41.640 --> 0:29:43.480
<v Speaker 2>in the podcast, which is that the industry does not

0:29:43.560 --> 0:29:48.280
<v Speaker 2>welcome reality TV stars. The real high fashion industry, like

0:29:48.280 --> 0:29:49.960
<v Speaker 2>if these girls want to be on the cover of

0:29:50.000 --> 0:29:55.840
<v Speaker 2>the industry does not welcome people from reality TV. But

0:29:56.480 --> 0:29:58.560
<v Speaker 2>it's also true that the world is really different right now,

0:29:58.640 --> 0:30:02.840
<v Speaker 2>Like we have Instagram models, we have different opportunities than

0:30:02.880 --> 0:30:06.160
<v Speaker 2>we had twenty years ago when this show was first popular.

0:30:06.440 --> 0:30:09.400
<v Speaker 2>So I think there are ways that the show can

0:30:09.440 --> 0:30:12.640
<v Speaker 2>try to place them better in their careers and establish

0:30:12.720 --> 0:30:15.520
<v Speaker 2>them better in their careers. That's the biggest thing that Well,

0:30:15.880 --> 0:30:17.239
<v Speaker 2>there's a lot of big things they need to do.

0:30:17.720 --> 0:30:19.640
<v Speaker 2>I completely agree with you that, like the best thing

0:30:19.680 --> 0:30:22.240
<v Speaker 2>Tyer could do would be to put someone else in

0:30:22.240 --> 0:30:24.560
<v Speaker 2>that hosting role, like put Winnie Harlowe in that hosting

0:30:24.640 --> 0:30:28.000
<v Speaker 2>role and step away from the show. That would be

0:30:28.000 --> 0:30:29.520
<v Speaker 2>the best thing she could do. I don't think she's

0:30:29.600 --> 0:30:31.680
<v Speaker 2>going to do that because I think she wants to

0:30:31.720 --> 0:30:34.600
<v Speaker 2>be in the spotlight. There's all kinds of things that

0:30:34.800 --> 0:30:37.600
<v Speaker 2>I hope that they are doing better in this reboot.

0:30:38.480 --> 0:30:42.280
<v Speaker 2>But the biggest thing in terms of like what was

0:30:42.320 --> 0:30:46.720
<v Speaker 2>so sad in producing the podcast was hearing so many

0:30:46.760 --> 0:30:49.239
<v Speaker 2>of these women who making it as a model, as

0:30:49.240 --> 0:30:53.000
<v Speaker 2>a supermodel was their dream. So I do hope that

0:30:53.080 --> 0:30:56.240
<v Speaker 2>the show structurally does more to place them in a

0:30:56.280 --> 0:30:59.640
<v Speaker 2>successful career, in successful career opportunities after you know whoever

0:30:59.680 --> 0:31:03.960
<v Speaker 2>wins Cycle twenty five. But it's a bad idea, just

0:31:04.320 --> 0:31:08.280
<v Speaker 2>it's if we don't want it. I don't think I don't.

0:31:08.080 --> 0:31:10.960
<v Speaker 1>Want it either. Okay, there's a few ways that I

0:31:11.000 --> 0:31:15.880
<v Speaker 1>could maybe like it. Maybe one. I agree with everything

0:31:15.880 --> 0:31:18.160
<v Speaker 1>you said, Tyrann needs to be fall fall fall away

0:31:18.160 --> 0:31:21.200
<v Speaker 1>from this thing. But I think if they involved some

0:31:21.240 --> 0:31:23.520
<v Speaker 1>of the models, like if they brought them back on

0:31:24.000 --> 0:31:27.320
<v Speaker 1>to be mentors or to in some capacity, right, Like

0:31:27.360 --> 0:31:30.800
<v Speaker 1>we know Kenya, who we spoke to, has like I think,

0:31:30.960 --> 0:31:33.680
<v Speaker 1>a consulting agency where she works with like aspiring models.

0:31:33.680 --> 0:31:36.120
<v Speaker 1>It'd be great to see her come on. Sea Harttorn

0:31:36.280 --> 0:31:38.600
<v Speaker 1>said that she worked as a model for years. He's

0:31:38.640 --> 0:31:41.120
<v Speaker 1>not working as a model anymore. But if they would

0:31:41.160 --> 0:31:43.080
<v Speaker 1>be up for it, I would love to see them

0:31:43.160 --> 0:31:47.640
<v Speaker 1>be involved in some way, whether it's judges or mentors

0:31:47.760 --> 0:31:50.320
<v Speaker 1>or something like that. And obviously would love for them

0:31:50.360 --> 0:31:54.480
<v Speaker 1>to be actually compensated this time. That could be interesting.

0:31:55.640 --> 0:31:58.360
<v Speaker 1>One other thing though, and I completely agree with you

0:31:58.400 --> 0:32:00.520
<v Speaker 1>that I don't think that Tyro's gonna stay out of

0:32:00.520 --> 0:32:03.880
<v Speaker 1>the spotlight on this one. It's because it strikes me

0:32:03.960 --> 0:32:09.000
<v Speaker 1>as this is Tyra's payback, right. So Tyra said on

0:32:09.040 --> 0:32:13.440
<v Speaker 1>this documentary that when she originally did antm SO back

0:32:13.480 --> 0:32:17.680
<v Speaker 1>in two thousand and two, this was like her payback

0:32:18.120 --> 0:32:23.560
<v Speaker 1>to all of the agencies or fashion industry gatekeepers who

0:32:23.720 --> 0:32:26.719
<v Speaker 1>body shamed her, who closed doors in her face, who

0:32:26.760 --> 0:32:29.840
<v Speaker 1>didn't pay her as much, who basically she felt marginalized.

0:32:29.840 --> 0:32:31.960
<v Speaker 1>Story right, this was her payback by having a show.

0:32:32.040 --> 0:32:34.520
<v Speaker 1>They have a magazine, but she has an entire TV

0:32:34.640 --> 0:32:38.840
<v Speaker 1>show like everybody seeing her. And so I thought about

0:32:38.840 --> 0:32:43.320
<v Speaker 1>that in the sense of like, yes, your goal, right

0:32:43.840 --> 0:32:47.640
<v Speaker 1>is to elevate people in modeling who otherwise wouldn't get

0:32:47.640 --> 0:32:50.920
<v Speaker 1>an opportunity, right, or to show diverse beauty. That might

0:32:50.960 --> 0:32:53.360
<v Speaker 1>have been a goal. But if your number one goal

0:32:53.440 --> 0:32:56.560
<v Speaker 1>is payback, all you need to be is successful. You

0:32:56.600 --> 0:32:59.120
<v Speaker 1>need to continue to be successful because the payback is

0:32:59.120 --> 0:33:02.960
<v Speaker 1>your success, and you'll go through You'll take great measures

0:33:03.000 --> 0:33:04.920
<v Speaker 1>to do that. And we've seen like the exploiting of

0:33:04.960 --> 0:33:08.080
<v Speaker 1>a woman, the manipulation all of this stuff to continue

0:33:08.160 --> 0:33:10.360
<v Speaker 1>to be successful and be on top, because that's your

0:33:10.360 --> 0:33:14.000
<v Speaker 1>payback to me. Season twenty five is almost the payback

0:33:14.040 --> 0:33:16.280
<v Speaker 1>to like all the people who've been calling her out.

0:33:16.360 --> 0:33:17.840
<v Speaker 1>We know she's not account you know, she doesn't really

0:33:17.840 --> 0:33:20.160
<v Speaker 1>actually feel accountable, at least that's not how she presents herself,

0:33:20.200 --> 0:33:23.880
<v Speaker 1>so she's not like deeply sincerely sorry, right, So to me,

0:33:23.920 --> 0:33:26.480
<v Speaker 1>season twenty five is almost like a payback to show

0:33:26.520 --> 0:33:29.200
<v Speaker 1>y'all that like, see, I can do this, like I

0:33:29.200 --> 0:33:31.960
<v Speaker 1>can I can be a good mentor I can do

0:33:32.000 --> 0:33:34.200
<v Speaker 1>the actual thing I set out to do, as opposed

0:33:34.200 --> 0:33:36.440
<v Speaker 1>to like, oh, I'm coming back because I still see

0:33:37.120 --> 0:33:39.080
<v Speaker 1>a purpose for me in this, or I still want

0:33:39.120 --> 0:33:40.920
<v Speaker 1>to help young women. I think you just want to

0:33:40.920 --> 0:33:42.800
<v Speaker 1>come back to prop a point, just like creating A

0:33:42.880 --> 0:33:44.480
<v Speaker 1>and TM with the proper point.

0:33:44.760 --> 0:33:47.640
<v Speaker 2>Who Yeah, I think that's a really smart take, And

0:33:48.480 --> 0:33:50.680
<v Speaker 2>I hope that that's not what it looks like. I

0:33:50.680 --> 0:33:54.080
<v Speaker 2>hope that they reckon with the first version of A

0:33:54.240 --> 0:33:57.040
<v Speaker 2>and TM at the beginning of the reboot. In some way,

0:33:57.600 --> 0:33:59.600
<v Speaker 2>I feel like they have to, so I'm curious to

0:33:59.640 --> 0:34:00.520
<v Speaker 2>stay with that looks like.

0:34:01.000 --> 0:34:04.240
<v Speaker 1>But I don't know if it's going to work. This time, right,

0:34:04.320 --> 0:34:08.680
<v Speaker 1>because not only do we have our podcast and this

0:34:08.800 --> 0:34:11.920
<v Speaker 1>Netflix docuy series which is not that kind to Tyra,

0:34:12.800 --> 0:34:15.319
<v Speaker 1>there's the E docu series from Blast and I Sentiment

0:34:15.360 --> 0:34:19.160
<v Speaker 1>from our production company that's coming out in March that

0:34:20.480 --> 0:34:24.040
<v Speaker 1>really does not do Tyra any favors that one. I

0:34:24.040 --> 0:34:26.799
<v Speaker 1>think for people who or even the models themselves who

0:34:26.800 --> 0:34:30.239
<v Speaker 1>feel like the Netflix doc didn't really focus enough on

0:34:30.280 --> 0:34:33.200
<v Speaker 1>the models where they are what happened to them, this

0:34:33.440 --> 0:34:36.440
<v Speaker 1>doc really does it, and it really sort of like

0:34:36.560 --> 0:34:39.560
<v Speaker 1>brings up all of these things that you can directly

0:34:39.600 --> 0:34:41.040
<v Speaker 1>tie back to Tyra, right.

0:34:41.080 --> 0:34:43.279
<v Speaker 2>Uh huh. We got an early screener of the E

0:34:43.480 --> 0:34:47.200
<v Speaker 2>doc that's airing in a few weeks, and you hear

0:34:48.000 --> 0:34:51.279
<v Speaker 2>more from the models, and it I think brings up

0:34:51.280 --> 0:34:53.719
<v Speaker 2>different points about Tyra and her involvement in the show

0:34:53.719 --> 0:34:56.440
<v Speaker 2>that we didn't hear in this dock. It brings up,

0:34:56.480 --> 0:34:59.680
<v Speaker 2>i think, harder points about the psyche bells, the contracts,

0:35:00.280 --> 0:35:04.360
<v Speaker 2>lack of payments, the manipulation. I think it really features

0:35:04.480 --> 0:35:07.600
<v Speaker 2>that side of this even more than the Netflix doc did.

0:35:07.719 --> 0:35:11.319
<v Speaker 2>So I'm looking forward to seeing what people think of

0:35:11.360 --> 0:35:14.960
<v Speaker 2>that and if that changes the way this reboot is

0:35:14.960 --> 0:35:16.080
<v Speaker 2>going to go And if.

0:35:15.960 --> 0:35:19.080
<v Speaker 1>You think about it, it's just been a constant reckoning

0:35:19.520 --> 0:35:22.759
<v Speaker 1>for A and TM since our show premiere in September,

0:35:22.840 --> 0:35:27.480
<v Speaker 1>right then the Netflix doc drops in February, and now

0:35:27.520 --> 0:35:30.640
<v Speaker 1>this E doc on March eleven is dropping. So it's

0:35:30.719 --> 0:35:33.359
<v Speaker 1>just like Tyra can't escape it. Like at every point

0:35:33.360 --> 0:35:36.200
<v Speaker 1>where she's like whoo okay, the talk has died down,

0:35:36.480 --> 0:35:39.120
<v Speaker 1>it's like another thing comes out that's like, ah, tying

0:35:39.280 --> 0:35:41.080
<v Speaker 1>not so fast. So I just don't know if this

0:35:41.360 --> 0:35:44.200
<v Speaker 1>like season twenty five reboot is gonna do what she

0:35:44.280 --> 0:35:46.680
<v Speaker 1>thinks it's about to do, because people have been primed

0:35:47.080 --> 0:35:50.920
<v Speaker 1>to like criticize anything Tyr's about to do, because like

0:35:51.080 --> 0:35:54.520
<v Speaker 1>you've literally probably just listened to like twenty four hours

0:35:54.840 --> 0:35:58.520
<v Speaker 1>of Tyra criticism. But yeah, I'm interested to see what

0:35:58.560 --> 0:36:01.680
<v Speaker 1>people's reaction is to this E doc because I think

0:36:01.760 --> 0:36:03.880
<v Speaker 1>there are some things that I mean, it's literally called

0:36:03.960 --> 0:36:08.080
<v Speaker 1>dirty rotten scandals, Like, there are some things in that

0:36:08.080 --> 0:36:12.640
<v Speaker 1>that are truly shocking, truly disturbing that happened on the

0:36:12.640 --> 0:36:14.600
<v Speaker 1>A and TM set, that happened to these young women.

0:36:15.080 --> 0:36:17.000
<v Speaker 1>And one of the things I'm not gonna spoil it.

0:36:17.360 --> 0:36:19.919
<v Speaker 1>One of the things I like about the e doc

0:36:20.560 --> 0:36:22.759
<v Speaker 1>is that you know, we had at the end of

0:36:22.760 --> 0:36:26.759
<v Speaker 1>the Netflix documentary just sort of like a where are

0:36:26.800 --> 0:36:28.680
<v Speaker 1>they now? Just sort of quick where are they now?

0:36:28.840 --> 0:36:31.680
<v Speaker 2>It felt flat to me, like it felt tacked on

0:36:31.719 --> 0:36:34.400
<v Speaker 2>at the end. It felt like an abrupt ending with

0:36:34.560 --> 0:36:37.160
<v Speaker 2>the actual what we're really talking about here, which is

0:36:37.320 --> 0:36:40.960
<v Speaker 2>the contestants and how the show negatively impacted their lives.

0:36:41.280 --> 0:36:45.240
<v Speaker 1>Absolutely, I mean the e doc the one coming out

0:36:45.239 --> 0:36:48.560
<v Speaker 1>March eleven, that one does a really good job of

0:36:48.600 --> 0:36:51.520
<v Speaker 1>sort of showing us the contestants' lives now. I think

0:36:51.520 --> 0:36:55.120
<v Speaker 1>that's actually one of my favorite parts, because yeah, the

0:36:55.160 --> 0:36:57.919
<v Speaker 1>Netflix socket sort of felt flat even I think if

0:36:57.960 --> 0:37:00.600
<v Speaker 1>we had to taken that approach, sort of hearing that

0:37:00.760 --> 0:37:02.600
<v Speaker 1>like yeah, I'm a mom, I'm a you know, yeah

0:37:02.600 --> 0:37:04.759
<v Speaker 1>I have this business and whatever, it doesn't hit the

0:37:04.800 --> 0:37:07.879
<v Speaker 1>same as like seeing the model with like our their

0:37:07.920 --> 0:37:09.600
<v Speaker 1>teenage son, where you're like, oh my gosh, how do

0:37:09.640 --> 0:37:12.279
<v Speaker 1>you have a teenager? Or seeing them work with young

0:37:12.280 --> 0:37:15.359
<v Speaker 1>aspiring models, like seeing them in their element. Because I

0:37:15.360 --> 0:37:18.400
<v Speaker 1>think ultimately we can't lose sight of the fact that

0:37:18.400 --> 0:37:20.880
<v Speaker 1>in this story these models were affected in negative ways.

0:37:21.440 --> 0:37:24.200
<v Speaker 1>But I think it's good to know that, like they

0:37:24.320 --> 0:37:27.200
<v Speaker 1>still made a life for themselves and they still found

0:37:27.200 --> 0:37:29.600
<v Speaker 1>a path. It may not have been modeling, but they

0:37:29.640 --> 0:37:32.319
<v Speaker 1>found paths to do things that are fulfilling. And I

0:37:32.360 --> 0:37:35.759
<v Speaker 1>think that the E. Dokey series just really does a

0:37:35.760 --> 0:37:37.279
<v Speaker 1>great job of like driving that home.

0:37:37.800 --> 0:37:41.680
<v Speaker 2>Yeah, I'm excited for people to see it. We've also

0:37:41.719 --> 0:37:43.799
<v Speaker 2>gotten a lot of questions, which is, are you doing

0:37:43.800 --> 0:37:47.760
<v Speaker 2>another season of curself? Are you going to do another

0:37:48.440 --> 0:37:52.000
<v Speaker 2>podcast series like A and TM? And the truth is,

0:37:52.040 --> 0:37:54.879
<v Speaker 2>bridget you and I are scheming on something right now.

0:37:55.480 --> 0:37:59.520
<v Speaker 1>Scheme, scheme, plot plot. We are working on a season

0:37:59.520 --> 0:38:03.120
<v Speaker 1>two of course, I'm very excited about it. We can't

0:38:03.280 --> 0:38:06.759
<v Speaker 1>quite tell you what it is, but just know there

0:38:06.800 --> 0:38:11.120
<v Speaker 1>are some similar themes, yeah, and some new themes that

0:38:11.120 --> 0:38:13.799
<v Speaker 1>we're going to explore with this particular thing we're taken on.

0:38:13.920 --> 0:38:15.360
<v Speaker 1>So like, yeah, super excited.

0:38:15.640 --> 0:38:19.439
<v Speaker 2>Yeah, So stay tuned, stay subscribed to Curse Off, and

0:38:19.960 --> 0:38:23.080
<v Speaker 2>later this year in the summer, we show up season two.

0:38:23.680 --> 0:38:26.440
<v Speaker 1>Well, thank you for talking this out with me. Like,

0:38:26.800 --> 0:38:30.840
<v Speaker 1>I've been talking to people about this doc and you know,

0:38:30.880 --> 0:38:32.920
<v Speaker 1>it's been really cool because I'm like, yes, no, everybody

0:38:33.080 --> 0:38:35.319
<v Speaker 1>is look sess like me. But like there's so many

0:38:35.320 --> 0:38:37.399
<v Speaker 1>things that people just found out with the doc, right,

0:38:37.480 --> 0:38:41.080
<v Speaker 1>so like I'm like, yeah, yes, yeah, yes, Sarah did that. Yeah, yeah, yeah,

0:38:41.080 --> 0:38:42.879
<v Speaker 1>I remember that. Yeah, I know she said that because

0:38:42.880 --> 0:38:44.640
<v Speaker 1>I'm like been thinking about it for the whole past year.

0:38:44.840 --> 0:38:47.160
<v Speaker 1>So it's great to talk to you who've also been

0:38:47.160 --> 0:38:49.600
<v Speaker 1>thinking about these things, so we could just like get

0:38:49.640 --> 0:38:52.080
<v Speaker 1>it on the nitty gritty of like did you see

0:38:52.120 --> 0:38:56.600
<v Speaker 1>how Tyra held her eyebrow up when ex well I'll

0:38:56.640 --> 0:38:59.480
<v Speaker 1>season twenty four, Yeah like that. So yeah, this has

0:38:59.520 --> 0:39:01.160
<v Speaker 1>been great. Thank you so much for joining me.

0:39:01.560 --> 0:39:04.560
<v Speaker 2>Yeah, absolutely, thanks Bridget.

0:39:05.560 --> 0:39:09.560
<v Speaker 1>And that's all for this very special bonus episode. Thanks

0:39:09.560 --> 0:39:12.000
<v Speaker 1>for listening to the Curse of America's Next Top Model.

0:39:15.080 --> 0:39:17.640
<v Speaker 1>The Curse of America's Next Top Model is a production

0:39:17.719 --> 0:39:21.160
<v Speaker 1>of Glass Podcast, a division of Glass Entertainment Group, in

0:39:21.200 --> 0:39:25.239
<v Speaker 1>partnership with iHeart Podcast. The show is executive produced by

0:39:25.320 --> 0:39:29.000
<v Speaker 1>Nancy Glass, hosted and senior produced by me Bridget Armstrong.

0:39:29.719 --> 0:39:33.040
<v Speaker 1>Our story editor is Monique le Board, also produced by

0:39:33.080 --> 0:39:37.120
<v Speaker 1>Ben Fetterman and Andrea Gunning. Associate producers are Kristin mel

0:39:37.200 --> 0:39:40.880
<v Speaker 1>Carey and Curry Richmond. Our iHeart team is Ali Perry

0:39:40.920 --> 0:39:44.799
<v Speaker 1>and Jessica Crincheck. Audio editing and mixing on this episode

0:39:44.880 --> 0:39:47.920
<v Speaker 1>by Matt del Vecchio. The Curse of America's Next Top

0:39:47.960 --> 0:39:51.880
<v Speaker 1>Model theme was composed by Oliver Bains. Music library provided

0:39:51.880 --> 0:39:55.560
<v Speaker 1>by my Music and For more podcasts from iHeart, visit

0:39:55.600 --> 0:39:59.480
<v Speaker 1>the iHeartRadio app, Apple podcast, or wherever you get your podcast.

0:40:00.080 --> 0:40:02.919
<v Speaker 1>Also check out the et Glass podcast Instagram for Curse

0:40:02.960 --> 0:40:05.480
<v Speaker 1>of America's Next Top Models behind the scenes content