WEBVTT - Danielle with…Louis van Amstel

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<v Speaker 1>Welcome back.

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<v Speaker 2>It's me Danielle Fischel, TV director, podcaster, mother of two,

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<v Speaker 2>and colloquially known as Tapega from the nineties family sitcom

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<v Speaker 2>Boy Meets World, but to almost seven million viewers and

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<v Speaker 2>counting every week. I am a competitor on season thirty

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<v Speaker 2>four of Dancing with the Stars, paired with my professional

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<v Speaker 2>pal Pasha Pashkov, And in addition to my transformation from

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<v Speaker 2>no prior dance experience to ballroom vet, I have been

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<v Speaker 2>recording this year podcast, keeping tabs on every single moment

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<v Speaker 2>along the way, hoping that the details of my journey

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<v Speaker 2>might make your Dancing with the Stars fandom even more enjoyable. Plus,

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<v Speaker 2>I have been joined by pro's former contestant and my

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<v Speaker 2>beloved competition in hopes that these interviews could double as

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<v Speaker 2>insider information to push me over the proverbial hump and

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<v Speaker 2>into the winner's circle, holding the mirror ball trophy well

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<v Speaker 2>above my head in the name of every listener. And

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<v Speaker 2>today I am joined by a man who was there

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<v Speaker 2>when it all started, a national champion gold medalist who

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<v Speaker 2>joined the show in season one and went on to

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<v Speaker 2>compete with a total of eleven partners, including Kelly Osborne

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<v Speaker 2>in season nine, where they made it to the finals

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<v Speaker 2>and placed third. He's been seen in the ballroom this season,

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<v Speaker 2>taking in the festivities, and I, for one felt just

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<v Speaker 2>a little more nervous knowing he was in attendance. And

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<v Speaker 2>with the twentieth birthday of the show just around the corner,

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<v Speaker 2>it would be impossible to imagine its early days without

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<v Speaker 2>my guest. And now I'm honored to say it. It's

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<v Speaker 2>Danielle with Louis van Amstell.

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<v Speaker 3>Hi, Danielle, Hi, how are you there? You are? Yes?

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<v Speaker 1>How are you.

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<v Speaker 3>Nice to meet you? I didn't meet you. I saw Pasha, yes,

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<v Speaker 3>and two weeks ago.

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<v Speaker 1>Yeah, so I know I saw that you were there.

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<v Speaker 2>But after the fact, I think we may have passed

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<v Speaker 2>each other very quickly in the breezeway when I was

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<v Speaker 2>either on my way to warm up or getting one

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<v Speaker 2>of those many last minute hair and makeup touch ups.

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<v Speaker 3>You get yes, and I know how important that is.

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<v Speaker 3>So I do this and I do not. Yeah, I

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<v Speaker 3>don't want to disturb anyone, whether it's my partner on

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<v Speaker 3>the show. It's that that me time, you know, when

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<v Speaker 3>you have to get ready and get into game game mode, game.

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<v Speaker 2>Base exactly game face mode, and there's not much time

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<v Speaker 2>and it all depends on where you fall in the

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<v Speaker 2>show and how you know.

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<v Speaker 1>Are you last, are you first?

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<v Speaker 2>Are you right in the middle. It's it's a it's

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<v Speaker 2>a lot. And I wanted to talk with you because

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<v Speaker 2>you bring such a unique POV considering you were there

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<v Speaker 2>from season one. When do you remember getting the pitch

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<v Speaker 2>for Dancing with the Stars and did it sound in

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<v Speaker 2>saying to you what was your first thought when you

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<v Speaker 2>heard about it.

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<v Speaker 3>It's interesting you asked me this question because even though

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<v Speaker 3>it's twenty years ago, it feels like yesterday and I

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<v Speaker 3>remember every single detail. So Dance with the Stars is

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<v Speaker 3>based on Strictly Come Dancing, which is Dance with the

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<v Speaker 3>Stars version in England, and when they successfully brought it

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<v Speaker 3>back on TV, I guess the producers asked the British professionals,

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<v Speaker 3>who do you know in the United States. Well, I'm

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<v Speaker 3>from Amsterdam, I'm from Holland my partner was British Julie Fryer.

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<v Speaker 3>So we were actually on the original Come Dancing when

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<v Speaker 3>it was counties against each other and then England against Europe.

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<v Speaker 3>So we danced on the original version before it quit

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<v Speaker 3>in the late nineties anyway. So then one of the

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<v Speaker 3>producers called me while I was teaching in New York

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<v Speaker 3>City and if I was interested in being part of

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<v Speaker 3>the show that ABC was willing to test out of

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<v Speaker 3>a show about bareroom dancing. They weren't sure, and I

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<v Speaker 3>didn't think twice. Growing up in theater, I was already

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<v Speaker 3>retired from competing, and I just had done my Broadway

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<v Speaker 3>show in two thousand and two at City Center. So

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<v Speaker 3>when they said do you want to be part of it? Yes,

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<v Speaker 3>I want to, I didn't have to think twice. No, Wow,

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<v Speaker 3>I did not question it. I did. I also thought

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<v Speaker 3>it was the golden opportunity for ballroom dancing UH to

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<v Speaker 3>be put in the limelight, and that it was interesting

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<v Speaker 3>because then of course they asked me who do you know. Well,

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<v Speaker 3>I was coaching Alec Mazo and edits Lavinska at the time,

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<v Speaker 3>so of course I asked them. And then after they

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<v Speaker 3>hired Alec Mazo, a Ukrainian edit, tes Lawns Cut Polish,

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<v Speaker 3>myself Dutch, Sharlot to Jurgensen Danish, and then John Roberts American.

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<v Speaker 3>So then they called me back, Joe Sunkert, do you

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<v Speaker 3>we won an all American, I get it immigrants. So

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<v Speaker 3>I was teaching at the famous Center Stage in orem

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<v Speaker 3>Utah where all the Utah dances are from. Yeah, and

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<v Speaker 3>he was asking me. I picked up the phone while

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<v Speaker 3>I was teaching, and Ashley del Grosso, who was the

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<v Speaker 3>final lady joining season one, she was in the other room.

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<v Speaker 3>So I said, Joe, hold on. So I walked to

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<v Speaker 3>the room. I said, here, pick up the phone and

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<v Speaker 3>make sure you say yes wow. And so that's how

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<v Speaker 3>that happened. Yeah, just put my phone in Ashley's hands

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<v Speaker 3>and she talked to Joe and she did audition and

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<v Speaker 3>she made it on the show.

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<v Speaker 2>So you're basically responsible for the entire pro cast of

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<v Speaker 2>season one.

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<v Speaker 3>Well, I wouldn't say the entire cast. It was more

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<v Speaker 3>you know John Roberts, who I did work with as

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<v Speaker 3>a coach. He was approached, I guess through another producer

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<v Speaker 3>and Charlotte Jurgenson, who I competed with in Europe at

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<v Speaker 3>World Championships. So it was fun for all of us

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<v Speaker 3>to be in a different medium because competition scene or

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<v Speaker 3>theater is still different than live TV. But we loved it. Yeah,

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<v Speaker 3>and then I got Julian Hoff and Derek Houff on

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<v Speaker 3>the show and a few more. But for me, you know,

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<v Speaker 3>I'm the old one of the bunch. I coached most

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<v Speaker 3>of them that are now on. So for me, it's

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<v Speaker 3>about getting the best dancers that are appropriate for the show.

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<v Speaker 3>So if you look at Jenna Johnson, you look at Lindsay, Arnold, Winsey,

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<v Speaker 3>Whitney Carson, these are all cross Ray dancers Ezra cross

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<v Speaker 3>Train Brandon and I know them since they were That

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<v Speaker 3>makes me really old them all since they were eight,

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<v Speaker 3>nine and ten years old because I was teaching them

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<v Speaker 3>at center Stage. It's just wonderful to see they never

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<v Speaker 3>decided to go into the ballroom Ballroom World Championships, but

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<v Speaker 3>instead they have an amazing career on TV.

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<v Speaker 1>So yeah, I ain't mad about it exactly.

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<v Speaker 2>I mean, it's really smart and it was forward thinking

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<v Speaker 2>of you as someone who had competed in Blackpool, had

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<v Speaker 2>three Latin Dance Champion gold medals and a US National

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<v Speaker 2>Championship with a partner that you knew I sure have. Well,

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<v Speaker 2>you knew they that it was a chance to celebrate

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<v Speaker 2>ballroom dancing instead of having fear that it was going

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<v Speaker 2>to be something that made a mockery of it. Is

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<v Speaker 2>that how they presented it to you or did you

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<v Speaker 2>just know that this was going to be a shining

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<v Speaker 2>opportunity for ballroom dance?

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<v Speaker 3>In my heart, I knew that this was going to

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<v Speaker 3>be a success because of having done a Broadway show

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<v Speaker 3>of my own in two thousand and two when we

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<v Speaker 3>had no TV, no ballroom dancing in the limelight, and

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<v Speaker 3>I knew because of the enthusiasm from that audience that

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<v Speaker 3>the public will like this. And so many people, not

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<v Speaker 3>just in the eighteen thirty eight, eighteen to thirty nine,

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<v Speaker 3>but also the older generation. How many of them did

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<v Speaker 3>ballroom dancing when they grew up, the katillion, all that,

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<v Speaker 3>and that's what Danced with the Stars represents twenty years in.

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<v Speaker 3>It still represents that romance, the sassiness, and you know

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<v Speaker 3>a little bit more nodding.

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<v Speaker 1>You know, a little bit of drama, a little.

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<v Speaker 3>Bit of everything. Yes, yeah, so I think it's I

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<v Speaker 3>never questioned it. And also when they asked me do

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<v Speaker 3>you know more dancers? I was right away thinking these

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<v Speaker 3>have to be the right dancers, not the best dancers. Now,

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<v Speaker 3>now having said that, when you take a Valsh Mukofsky,

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<v Speaker 3>who I coached as well, he could have easily been

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<v Speaker 3>world champion. He was world champion in junior. He could

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<v Speaker 3>have taken every single title titled. Derek Huff could be

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<v Speaker 3>world champion. He was youth champion. I was actually there

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<v Speaker 3>when he became world champion in youth. These dancers are

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<v Speaker 3>not only the right dancers for the show, they're also

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<v Speaker 3>the best dancers. I mean, they're so well trained, and

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<v Speaker 3>I'm proud to say that I was part of that

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<v Speaker 3>before Dance with the Stars as their coach.

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<v Speaker 1>Yes.

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<v Speaker 2>Do you remember a specific moment, maybe it was even

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<v Speaker 2>during season one where you felt like, whoa, this is working.

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<v Speaker 2>It's all it's gonna go. This show is going to

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<v Speaker 2>be a massive success, the show itself.

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<v Speaker 3>Yes, I was so happy to hear that. Everyone was

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<v Speaker 3>so nervous that first one. Danielle, you guys are nervous

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<v Speaker 3>coming down those stairs.

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<v Speaker 1>Yeah.

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<v Speaker 3>But season one, week one, everyone ABC, the show run

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<v Speaker 3>at Conrad Green, Dina. Everyone was so nervous because this

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<v Speaker 3>is the first time. And then we had thirteen point

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<v Speaker 3>five million viewers and they couldn't be happier. And that

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<v Speaker 3>was the summer show. So I knew then it's a hit. However,

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<v Speaker 3>I've never won this show, but I think I deserve

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<v Speaker 3>a trophy because stress the ctter and I were the

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<v Speaker 3>first ever eliminated couple in season one. Don't you think

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<v Speaker 3>that deserves something?

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<v Speaker 2>You know what I do? I think what's the opposite

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<v Speaker 2>of a mirror ball?

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<v Speaker 3>The well turn it outside of second? It's yeah. I

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<v Speaker 3>learned a lot that first season. Oh my gosh. I

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<v Speaker 3>learned a lot because I came in and not to

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<v Speaker 3>brag or anything, but just to give you and your

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<v Speaker 3>viewers perspective. I came in from coaching, coaching people like

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<v Speaker 3>Jenna Johnson, Welshikovsky, Max Murkowsky, and then I went in

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<v Speaker 3>with that coaching attitude in dense with the stars, Oh

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<v Speaker 3>my gosh, I looked like and I mean, I'm not

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<v Speaker 3>going to say the capital A because we strect yes.

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<v Speaker 3>And then on top I had long hair in a ponytail,

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<v Speaker 3>I have these cheek pumps. It looks oh my gosh,

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<v Speaker 3>I look so dang arrogant. And then in the package, yeah,

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<v Speaker 3>I'm a three time world champion, and oh my gosh.

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<v Speaker 3>It was a very humbling experience, and season two was

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<v Speaker 3>amazing because of the learning lessons from season one.

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<v Speaker 2>I see, do you was that attitude that you had

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<v Speaker 2>in season one? Was that something that is that what

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<v Speaker 2>you were like as a coach generally or was it

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<v Speaker 2>something put on for the TV show?

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<v Speaker 3>Well that's that's a two first. So the first portion

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<v Speaker 3>is that for me, if you tell me you want

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<v Speaker 3>to be a champion, national or world champion, then I'm

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<v Speaker 3>going to treat you as such, not in being nasty,

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<v Speaker 3>but okay, here are the goals, and I'm going to

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<v Speaker 3>hold you accountable. But that's with the stars. I mean you, guys,

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<v Speaker 3>I mean I respect you so much. You put yourself

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<v Speaker 3>out there. You're a working actress, you can control your work,

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<v Speaker 3>and here you are putting yourself on the chopping block potentially,

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<v Speaker 3>and so I respect every and all celebrity for doing that.

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<v Speaker 3>But for me as a coach, I realized, wait a minute,

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<v Speaker 3>Wait a minute, wait a minute, this is not your

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<v Speaker 3>bread and butter, and this is your hobby. Now in

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<v Speaker 3>a way, it is your bread and butter because you

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<v Speaker 3>put yourself out there as a celebrity. And but I

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<v Speaker 3>was never I don't think I'm arrogant. It's just I

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<v Speaker 3>hold you accountable. But then the way the questions are asked,

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<v Speaker 3>you know, when you have your Thursday interviews. You have

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<v Speaker 3>to be mindful on how you say it because everything

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<v Speaker 3>can and will be used against you. And that's not

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<v Speaker 3>on the producers. That's on us to be mindful on

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<v Speaker 3>you know, what you say in terms of in terms

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<v Speaker 3>of the bad Boys status. I think they tried, and

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<v Speaker 3>then you know, Max came on board in season three,

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<v Speaker 3>and I guess he took the role. But I don't

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<v Speaker 3>want to play a role. I've always said I'm a

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<v Speaker 3>chameleon as a coach, as a teacher, as a dancer,

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<v Speaker 3>Expect the unexpected. I've said it in so many interviews

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<v Speaker 3>because I, for example, if you and I were parted,

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<v Speaker 3>I don't know you, so maybe I have one approach. Well,

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<v Speaker 3>then that approach doesn't work, Okay, a different approach. Maybe

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<v Speaker 3>you're a visual learner, audio learner. Maybe you're just slow

0:13:39.800 --> 0:13:42.679
<v Speaker 3>in picking up, so the first three days take it

0:13:42.679 --> 0:13:45.120
<v Speaker 3>a easier and then when I see you pick it up, boom.

0:13:45.160 --> 0:13:48.240
<v Speaker 3>Then we're going to spend the hours on really diving deep.

0:13:48.520 --> 0:13:50.760
<v Speaker 3>And others say, let me give me, give me everything

0:13:50.800 --> 0:13:53.559
<v Speaker 3>on that first day and then slow down towards the

0:13:53.679 --> 0:13:58.320
<v Speaker 3>end of the week. So they tried, and I think

0:13:58.360 --> 0:14:00.680
<v Speaker 3>that's part of the reason I'm being really for that

0:14:00.800 --> 0:14:03.600
<v Speaker 3>off not being in all seasons, because that was never

0:14:03.679 --> 0:14:07.120
<v Speaker 3>my choice, not to be real, I just don't like

0:14:07.200 --> 0:14:09.800
<v Speaker 3>being put in a box. I don't like labels. So

0:14:10.880 --> 0:14:13.360
<v Speaker 3>I also don't want to be called the gay dancer

0:14:13.600 --> 0:14:16.680
<v Speaker 3>or the I am me. There's so many more sides

0:14:16.720 --> 0:14:24.160
<v Speaker 3>to me, and so yeah, I you expect the unexpected.

0:14:24.240 --> 0:14:27.280
<v Speaker 3>That's really my coaching philosophy because I don't know who

0:14:27.320 --> 0:14:29.360
<v Speaker 3>I am partnered with totally.

0:14:29.520 --> 0:14:30.200
<v Speaker 1>It's funny.

0:14:30.040 --> 0:14:33.160
<v Speaker 2>We interviewed Max as well, and Max said something similar

0:14:33.240 --> 0:14:35.360
<v Speaker 2>about coming onto the show, and he said, you know,

0:14:35.400 --> 0:14:39.200
<v Speaker 2>when I joined the show, I was told your goal

0:14:39.440 --> 0:14:43.600
<v Speaker 2>was to get this celebrity to be a trained dancer,

0:14:43.920 --> 0:14:46.120
<v Speaker 2>and he said, and so I came in very much

0:14:46.160 --> 0:14:49.320
<v Speaker 2>with like, if you want to be a star dancer,

0:14:49.800 --> 0:14:51.840
<v Speaker 2>you're going to have to do all of these things.

0:14:51.840 --> 0:14:54.160
<v Speaker 2>And he said, and then of course, over time you realize,

0:14:54.200 --> 0:14:58.120
<v Speaker 2>like these celebrities, it's impossible for them to become in

0:14:58.800 --> 0:15:01.960
<v Speaker 2>ten weeks eleven weeks. You can't possibly learn all the

0:15:01.960 --> 0:15:03.880
<v Speaker 2>things you need to learn. And he said, you know,

0:15:03.960 --> 0:15:07.560
<v Speaker 2>so I realized that maybe my approach wasn't working and

0:15:07.600 --> 0:15:09.520
<v Speaker 2>that that really wasn't the hook of the show. So

0:15:09.520 --> 0:15:11.880
<v Speaker 2>it's interesting to hear you say something similar that, Like,

0:15:12.440 --> 0:15:14.360
<v Speaker 2>you know, they told me I was taking a celebrity

0:15:14.360 --> 0:15:16.080
<v Speaker 2>and wanted to make them a national champion.

0:15:16.440 --> 0:15:19.280
<v Speaker 1>Well, of course I have to hold you accountable to that.

0:15:20.160 --> 0:15:24.320
<v Speaker 3>Yeah, And of course, again it depends on the celebrity.

0:15:24.400 --> 0:15:26.480
<v Speaker 3>I can give you two examples. In season nine, I

0:15:26.520 --> 0:15:30.000
<v Speaker 3>had Kelly Osborne. Yeah, no dance experience. There was a

0:15:30.040 --> 0:15:33.440
<v Speaker 3>lot of baggage, emotional baggage that we had to go through.

0:15:33.840 --> 0:15:39.320
<v Speaker 3>So that was one step at a time, very slow going,

0:15:39.600 --> 0:15:43.160
<v Speaker 3>and she made the final. So it doesn't mean you

0:15:43.200 --> 0:15:45.520
<v Speaker 3>can't make the final when you're a non dancer, but

0:15:45.560 --> 0:15:48.120
<v Speaker 3>you have to approach it differently from a dancer. And

0:15:48.200 --> 0:15:51.280
<v Speaker 3>when we lose our patients, you can hold all the

0:15:51.320 --> 0:15:55.080
<v Speaker 3>pros accountable because that's on us because a good coach

0:15:55.240 --> 0:15:58.080
<v Speaker 3>never loses their cool. You can be frustrated, but you

0:15:58.120 --> 0:16:00.520
<v Speaker 3>cannot lose your patients. It's not well, you're not getting it.

0:16:00.560 --> 0:16:03.800
<v Speaker 3>You're not getting it. Well, that means us as pros,

0:16:04.080 --> 0:16:07.840
<v Speaker 3>we have to dig deeper, change our strategy until you

0:16:07.960 --> 0:16:10.960
<v Speaker 3>get that hook where your celebrity really feels oh, I'm growing.

0:16:11.400 --> 0:16:14.360
<v Speaker 3>And then in the All Star season I had Sabrina Brian,

0:16:14.880 --> 0:16:18.720
<v Speaker 3>I had that season the best dancer of the season,

0:16:19.160 --> 0:16:23.600
<v Speaker 3>but hip hop trained cheerleading, everything is slice and dice,

0:16:23.680 --> 0:16:26.880
<v Speaker 3>bam boom, and I love Sabrina, so it was my

0:16:27.000 --> 0:16:30.080
<v Speaker 3>goal in that one. I put on my coach's head

0:16:30.480 --> 0:16:34.720
<v Speaker 3>and I said, and this was also discussed with Sabrina, look,

0:16:35.520 --> 0:16:38.240
<v Speaker 3>you are the best dancers that can backfire. It did

0:16:38.280 --> 0:16:43.000
<v Speaker 3>in season six with marks Week six, three tenths voted off,

0:16:43.640 --> 0:16:46.040
<v Speaker 3>and she was willing to go do the work, but

0:16:46.120 --> 0:16:48.640
<v Speaker 3>I made her go for that lowering and the heat

0:16:48.680 --> 0:16:50.880
<v Speaker 3>leads and the posture up and the chest up and

0:16:51.440 --> 0:16:53.280
<v Speaker 3>you know all about it now.

0:16:53.440 --> 0:16:53.920
<v Speaker 1>I do.

0:16:54.200 --> 0:16:57.880
<v Speaker 2>I do, And I never expected to love it nearly

0:16:57.920 --> 0:17:02.160
<v Speaker 2>as much as I do. I just it's shocking to me. Well,

0:17:02.200 --> 0:17:04.240
<v Speaker 2>thank you, I do. I just love it so much.

0:17:04.680 --> 0:17:06.639
<v Speaker 2>And you, as a quok well hearing what you have

0:17:06.720 --> 0:17:09.199
<v Speaker 2>to say about what it means to be a good coach.

0:17:09.600 --> 0:17:12.720
<v Speaker 2>All I can picture in my head is my dear Pasha,

0:17:12.880 --> 0:17:19.000
<v Speaker 2>who is every single day consistent. There's never a day

0:17:19.040 --> 0:17:21.320
<v Speaker 2>where I have to wonder what kind of a mood

0:17:21.400 --> 0:17:24.560
<v Speaker 2>he's going to be in, or adjust what how I'm

0:17:24.640 --> 0:17:27.640
<v Speaker 2>feeling or doing based on something that's going on with him.

0:17:27.840 --> 0:17:33.600
<v Speaker 2>He is a total professional. He is always committed, he's

0:17:33.680 --> 0:17:37.959
<v Speaker 2>always prepared, he's always ready to work. He doesn't He

0:17:37.960 --> 0:17:41.399
<v Speaker 2>gives me space to have my feelings about something, but

0:17:41.480 --> 0:17:44.240
<v Speaker 2>he's never He's very quick to just sit there and

0:17:44.320 --> 0:17:47.440
<v Speaker 2>let me have the experience and then go, Okay, it's

0:17:47.480 --> 0:17:50.200
<v Speaker 2>time to get back on now. He's the most patient

0:17:50.560 --> 0:17:53.480
<v Speaker 2>human being. I mean, maybe I've ever met in my

0:17:53.640 --> 0:17:57.400
<v Speaker 2>entire life. I can't imagine having been partnered with anybody else.

0:17:57.520 --> 0:17:59.920
<v Speaker 2>So I really feel like I lucked out the season.

0:18:01.040 --> 0:18:05.640
<v Speaker 3>You Hit the Jackpot. Now, as I mentioned earlier, I

0:18:05.680 --> 0:18:10.320
<v Speaker 3>know every single pro dancer on the show, probably eighty percent.

0:18:10.440 --> 0:18:13.240
<v Speaker 3>I was the coach growing up, so I have to

0:18:13.320 --> 0:18:19.760
<v Speaker 3>preface that I like most and love a few. I mean,

0:18:20.160 --> 0:18:23.280
<v Speaker 3>like there's no tomorrow. I never actually worked with Pasha

0:18:23.920 --> 0:18:28.760
<v Speaker 3>or Danielle, but I've seen him grow up. And they

0:18:28.960 --> 0:18:33.639
<v Speaker 3>are not just Pasha but also Danielle, the most grounded couple.

0:18:33.880 --> 0:18:36.080
<v Speaker 3>And they've been on the show now for many seasons

0:18:36.359 --> 0:18:39.960
<v Speaker 3>and it hasn't changed them as humans. But also where

0:18:40.000 --> 0:18:44.320
<v Speaker 3>You hit the Jackpot, Pasha is had to always get

0:18:44.320 --> 0:18:49.600
<v Speaker 3>it from hard work, and Danielle that is such a

0:18:49.840 --> 0:18:54.600
<v Speaker 3>natural gifted, naturally gifted beast, I mean, and everyone can

0:18:54.640 --> 0:19:00.560
<v Speaker 3>see it. And he just worked, worked, worked, And also

0:19:01.119 --> 0:19:05.399
<v Speaker 3>they did ten dance, so they're especially Pasha. He's equal

0:19:05.400 --> 0:19:08.640
<v Speaker 3>in the standard ballroom dances as he's in the Latin dances.

0:19:08.840 --> 0:19:11.640
<v Speaker 3>And on top, he taught a lot of proem which

0:19:11.720 --> 0:19:14.119
<v Speaker 3>is an amateur dancing with the pro such as Pasha,

0:19:14.240 --> 0:19:17.040
<v Speaker 3>they compete. He has a lot of teaching experience too,

0:19:17.520 --> 0:19:20.520
<v Speaker 3>So you hit the jackpot on the kindness as a human,

0:19:20.960 --> 0:19:24.200
<v Speaker 3>but also has a lot of different ways on how

0:19:24.200 --> 0:19:28.360
<v Speaker 3>he can approach that. He is successful with you and

0:19:28.880 --> 0:19:32.480
<v Speaker 3>I just for me, kindness is number one. If you're

0:19:32.480 --> 0:19:36.040
<v Speaker 3>a kind human being and you are grounded, then you

0:19:36.080 --> 0:19:39.119
<v Speaker 3>have my respect. And if you are on top a

0:19:39.119 --> 0:19:43.200
<v Speaker 3>great dancer and teacher, then you've made it. And these

0:19:43.200 --> 0:19:44.520
<v Speaker 3>two are wonderful.

0:19:44.560 --> 0:19:59.959
<v Speaker 1>People couldn't agree with you more. I know.

0:20:00.040 --> 0:20:02.960
<v Speaker 2>Oh, you have been watching this season both on TV

0:20:03.080 --> 0:20:04.880
<v Speaker 2>and you've been in the ballroom, and there has been

0:20:04.920 --> 0:20:07.320
<v Speaker 2>a lot of talked about that this season is a

0:20:07.480 --> 0:20:11.800
<v Speaker 2>stacked cast. It's become a large part of the discourse

0:20:12.000 --> 0:20:16.919
<v Speaker 2>on surrounding the show. Considering you were there for its genesis,

0:20:16.960 --> 0:20:19.439
<v Speaker 2>what are your thoughts on the conceit of dancing with

0:20:19.480 --> 0:20:23.080
<v Speaker 2>the stars and celebrities who have prior dance experience.

0:20:25.119 --> 0:20:30.000
<v Speaker 3>Well, especially in the early years, I was really frustrated

0:20:30.680 --> 0:20:36.240
<v Speaker 3>when half the cast had dance experience and we are

0:20:36.280 --> 0:20:40.040
<v Speaker 3>the ones, as the pros, that have the non dancers.

0:20:40.520 --> 0:20:44.000
<v Speaker 3>But then I grew to like it more because for me,

0:20:44.960 --> 0:20:49.959
<v Speaker 3>if you have a non dancer, that means that celebrity

0:20:50.040 --> 0:20:53.520
<v Speaker 3>represents the majority of the viewers watching. Yeah, and they

0:20:53.640 --> 0:20:58.560
<v Speaker 3>live vicariously through that celebrity. And that's why people like

0:20:58.600 --> 0:21:04.320
<v Speaker 3>a Kelly Osborn, Bobby Bones and directed this season, they

0:21:04.359 --> 0:21:09.119
<v Speaker 3>make it far because they just move slightly. But also

0:21:09.800 --> 0:21:14.119
<v Speaker 3>we had conversations. I've had conversations with Dina Katz, executive

0:21:14.119 --> 0:21:17.320
<v Speaker 3>director and casting director, like, hey, why can we not

0:21:17.359 --> 0:21:22.560
<v Speaker 3>do a season with all non dancers? Well, what would

0:21:22.600 --> 0:21:26.480
<v Speaker 3>the show look like visually? And there you got me

0:21:26.680 --> 0:21:30.560
<v Speaker 3>as a producer myself, I had to yeah, thank you

0:21:30.600 --> 0:21:33.280
<v Speaker 3>for explaining. And it wasn't really like why are you

0:21:33.440 --> 0:21:36.480
<v Speaker 3>doing this to me? No, it was more sincerely wanting

0:21:36.520 --> 0:21:38.679
<v Speaker 3>to know why why did they do that? And I

0:21:38.720 --> 0:21:44.000
<v Speaker 3>get it. And also again Andy Rictor, and there were

0:21:44.520 --> 0:21:47.040
<v Speaker 3>quite a few dancers, if not every single one that

0:21:47.160 --> 0:21:51.000
<v Speaker 3>have gone home already are better dances than Andy, And

0:21:51.160 --> 0:21:54.040
<v Speaker 3>somehow the people at home keep voting him, and even

0:21:54.080 --> 0:21:57.080
<v Speaker 3>the judges give him low scores. So it's not that

0:21:57.119 --> 0:22:02.880
<v Speaker 3>the judges are helping him either. It's really it's really

0:22:02.920 --> 0:22:05.199
<v Speaker 3>the people at home they're voting. And then there's the

0:22:05.280 --> 0:22:09.040
<v Speaker 3>other question that comes from here, Well, we shouldn't have

0:22:09.119 --> 0:22:11.600
<v Speaker 3>the people at home voting because look, otherwise, hey and

0:22:11.640 --> 0:22:13.480
<v Speaker 3>you would have been mong gone home. Yeah, but then

0:22:13.480 --> 0:22:15.959
<v Speaker 3>we wouldn't have a show on TV. Yeah, it's all

0:22:16.000 --> 0:22:19.640
<v Speaker 3>about ratings and voting, and you just you are in

0:22:19.680 --> 0:22:23.960
<v Speaker 3>the season that really has come back so strong, over

0:22:24.040 --> 0:22:28.520
<v Speaker 3>fifty five million votes, yeah, number one showing it on TV.

0:22:29.160 --> 0:22:33.000
<v Speaker 3>I mean, so I hope that the viewers understand that

0:22:33.160 --> 0:22:37.520
<v Speaker 3>it's hard to just have non dancers celebrities or do

0:22:37.640 --> 0:22:41.119
<v Speaker 3>a season with all dancing celebrities. Would it be fun

0:22:41.200 --> 0:22:45.640
<v Speaker 3>if Jennifer Gray would come back, Nicole Scherzinger, Bindy Irwin,

0:22:46.720 --> 0:22:49.600
<v Speaker 3>maybe get Paul Abdul. Wouldn't that be a fun season?

0:22:49.880 --> 0:22:51.800
<v Speaker 3>But they won't do it. I don't think they will

0:22:51.880 --> 0:22:55.160
<v Speaker 3>do it. But anyway, there's a fantastic season, and it's

0:22:55.200 --> 0:22:57.760
<v Speaker 3>the diversity that makes it special.

0:22:58.000 --> 0:23:03.000
<v Speaker 2>Right, That's exactly what it is, the dichotomy of watching

0:23:03.040 --> 0:23:08.520
<v Speaker 2>Andy Richter versus watching Whitney Levitt and being impressed with both,

0:23:08.680 --> 0:23:12.840
<v Speaker 2>you know, for different reasons. Like with it's nice in

0:23:12.880 --> 0:23:15.760
<v Speaker 2>one night to be able to run the full gamut

0:23:16.320 --> 0:23:18.000
<v Speaker 2>and just to vote on what it is that makes

0:23:18.040 --> 0:23:20.080
<v Speaker 2>you happy. I thought it was really smart when Andy

0:23:20.160 --> 0:23:23.520
<v Speaker 2>said that a producer told him that they ask you

0:23:23.560 --> 0:23:27.000
<v Speaker 2>to vote for your favorite dance, not the best dance.

0:23:27.520 --> 0:23:31.560
<v Speaker 2>And so you know, that is the joy of America.

0:23:31.600 --> 0:23:34.480
<v Speaker 2>Having a vote is who do you want to see

0:23:34.520 --> 0:23:36.520
<v Speaker 2>more from? It doesn't have to be the best, It

0:23:36.640 --> 0:23:39.600
<v Speaker 2>just means who do you want to see again? And

0:23:40.040 --> 0:23:41.520
<v Speaker 2>that's where they have a lot of power.

0:23:42.720 --> 0:23:44.800
<v Speaker 3>Two things on that one I really want to share

0:23:45.240 --> 0:23:48.560
<v Speaker 3>so on so you think you can dance? Season one

0:23:49.320 --> 0:23:52.800
<v Speaker 3>one Fox, that was to find the best dancer, and

0:23:52.840 --> 0:23:56.240
<v Speaker 3>that was the MC was constantly the best dancer. They

0:23:56.359 --> 0:23:59.960
<v Speaker 3>changed it in season two, We're looking for your faith

0:24:00.160 --> 0:24:04.720
<v Speaker 3>a dancer, same thing because they realized, oh, the judges

0:24:04.880 --> 0:24:08.200
<v Speaker 3>choose one to be the best, but then the audience

0:24:08.280 --> 0:24:11.919
<v Speaker 3>chooses another because it's their favorite and not the best dancer.

0:24:12.440 --> 0:24:18.439
<v Speaker 3>And it's and also, to quote a famous hockey coach,

0:24:19.200 --> 0:24:22.080
<v Speaker 3>and he said, I am not looking for the best players.

0:24:22.760 --> 0:24:25.840
<v Speaker 3>I'm looking for the right players. And to me, that

0:24:25.960 --> 0:24:28.520
<v Speaker 3>is kind of similar. We're not looking for the best

0:24:28.600 --> 0:24:31.159
<v Speaker 3>dancer to win the show. We're looking for the favorite,

0:24:31.280 --> 0:24:35.400
<v Speaker 3>and hopefully the best dancer is also the favorite.

0:24:36.640 --> 0:24:40.480
<v Speaker 1>You know, wow, yep, but well you know there.

0:24:40.520 --> 0:24:41.000
<v Speaker 3>It is.

0:24:42.720 --> 0:24:45.720
<v Speaker 2>As looking back on your time on the show, if

0:24:45.720 --> 0:24:49.719
<v Speaker 2>you had to select one of your famous partners to

0:24:49.840 --> 0:24:52.760
<v Speaker 2>say this is the one you'd make a highlight reel of,

0:24:53.600 --> 0:24:56.920
<v Speaker 2>regardless of where you placed, who would you say is

0:24:56.960 --> 0:24:59.160
<v Speaker 2>your highlight reel partner?

0:25:00.880 --> 0:25:05.359
<v Speaker 3>Easy? Kelly Osborne season nine really underdog. She was the

0:25:05.400 --> 0:25:09.200
<v Speaker 3>sea best kit. She was the one that I think,

0:25:10.480 --> 0:25:12.560
<v Speaker 3>just on paper, she was going to be the first

0:25:12.560 --> 0:25:18.040
<v Speaker 3>one going home. Yeah, and what I find and I'm

0:25:18.480 --> 0:25:22.320
<v Speaker 3>not I always get emotional when I talk about Kelly

0:25:22.680 --> 0:25:25.160
<v Speaker 3>because it was even though it was two thousand and nine,

0:25:26.359 --> 0:25:29.919
<v Speaker 3>that journey has not only affected her or maybe changed

0:25:29.920 --> 0:25:35.879
<v Speaker 3>her life, it has changed mind. I started building my confidence.

0:25:36.240 --> 0:25:38.119
<v Speaker 3>I know I'm a good teacher. I know I'm a

0:25:38.160 --> 0:25:40.479
<v Speaker 3>good coach. I mean, heck, I coached many of the

0:25:40.480 --> 0:25:46.200
<v Speaker 3>ones on the show. But it's it's that's the world

0:25:46.240 --> 0:25:50.320
<v Speaker 3>I'm in this is TV to affect and help someone

0:25:50.359 --> 0:25:54.240
<v Speaker 3>in front of millions and then for her to really

0:25:54.320 --> 0:25:57.320
<v Speaker 3>listen to what you have to say. And we also

0:25:57.400 --> 0:26:00.240
<v Speaker 3>had arguments. There were I mean, she danced in a

0:26:00.280 --> 0:26:04.399
<v Speaker 3>broken toe, her dog died during the show, and I

0:26:04.440 --> 0:26:06.159
<v Speaker 3>mean there were so many things that we had to

0:26:06.200 --> 0:26:09.440
<v Speaker 3>deal with. And then to be in the final because

0:26:09.480 --> 0:26:12.960
<v Speaker 3>of the audience, not because of the judges. The judges

0:26:13.000 --> 0:26:17.760
<v Speaker 3>score were always kind of lower and lower, and to

0:26:17.880 --> 0:26:22.359
<v Speaker 3>see her blossom and even now looking at her, even

0:26:22.400 --> 0:26:25.920
<v Speaker 3>after the show, there were ups and downs with her,

0:26:26.200 --> 0:26:28.959
<v Speaker 3>even in the press you could read it. But in

0:26:29.000 --> 0:26:31.800
<v Speaker 3>the long run, it's how she dealt with it and

0:26:31.800 --> 0:26:34.600
<v Speaker 3>how she's dealing with it. And now she's engaged, she

0:26:34.680 --> 0:26:38.080
<v Speaker 3>has a baby of her own which is growing up.

0:26:38.320 --> 0:26:43.280
<v Speaker 3>I mean quickly that that will be probably the most

0:26:43.560 --> 0:26:48.800
<v Speaker 3>trends formative partnership I think has ever been on the show.

0:26:49.359 --> 0:26:52.439
<v Speaker 3>And I am proud to have been her partner. And

0:26:52.520 --> 0:26:58.159
<v Speaker 3>that almost didn't happen because I believe, and if you

0:26:58.200 --> 0:27:02.720
<v Speaker 3>have Mark after me, I think originally Kelly was partnered

0:27:02.720 --> 0:27:08.960
<v Speaker 3>with Mark ballas with Mikey, and I believe not that

0:27:09.080 --> 0:27:12.760
<v Speaker 3>she said, look, I'm engaged to another guy. She's not

0:27:12.840 --> 0:27:17.080
<v Speaker 3>engaged with the same guy. Now, yeah, she wants someone gay,

0:27:17.520 --> 0:27:23.320
<v Speaker 3>she wants safety, that there would be no kind of well,

0:27:23.359 --> 0:27:26.679
<v Speaker 3>I don't know. I think maybe if you're married and

0:27:26.720 --> 0:27:30.679
<v Speaker 3>you're doing the show, would you maybe you know, feel

0:27:30.680 --> 0:27:33.440
<v Speaker 3>the same way that you kind of want to either

0:27:33.520 --> 0:27:37.240
<v Speaker 3>be safe or be with another married pro that's on

0:27:37.359 --> 0:27:41.040
<v Speaker 3>the show. You know it's but anyway, so it almost

0:27:41.080 --> 0:27:44.919
<v Speaker 3>didn't happen, and it did happen, and yeah, that was

0:27:44.960 --> 0:27:46.320
<v Speaker 3>the most memorable I believe.

0:27:46.880 --> 0:27:48.240
<v Speaker 1>For me, I love that.

0:27:48.440 --> 0:27:50.320
<v Speaker 2>I love that even just to see you get emotional

0:27:50.400 --> 0:27:54.320
<v Speaker 2>talking about it, because I I feel as though the

0:27:54.400 --> 0:28:00.080
<v Speaker 2>show has been completely transformative for me as well, and

0:28:00.119 --> 0:28:03.240
<v Speaker 2>so has Pasha and Daniella in my life. So i'm

0:28:03.680 --> 0:28:07.280
<v Speaker 2>i'm it's it's always nice when I see that those

0:28:07.280 --> 0:28:10.560
<v Speaker 2>feelings are very real and you're still close and it's

0:28:10.600 --> 0:28:12.800
<v Speaker 2>not just something that's only going to last for the

0:28:13.000 --> 0:28:15.199
<v Speaker 2>you know, eleven weeks the show goes on, that it

0:28:15.280 --> 0:28:18.480
<v Speaker 2>really does actually change your life in the way it

0:28:18.560 --> 0:28:21.080
<v Speaker 2>feel like it feels as of right now like it has.

0:28:21.960 --> 0:28:22.879
<v Speaker 1>So thank you for sharing that.

0:28:23.200 --> 0:28:28.960
<v Speaker 3>It's it's it's wonderful And for the viewers, how many

0:28:29.040 --> 0:28:32.200
<v Speaker 3>of you as celebrities say this has changed my life,

0:28:32.400 --> 0:28:34.680
<v Speaker 3>and then a lot of people probably roll their eyes. Yeah,

0:28:34.720 --> 0:28:37.640
<v Speaker 3>of course you're saying that. No, it's true. It has

0:28:37.720 --> 0:28:41.200
<v Speaker 3>also changed our lives as prod answers, the opportunities we've gotten.

0:28:41.680 --> 0:28:47.520
<v Speaker 3>And besides maybe two celebrities of my eleven I am

0:28:47.560 --> 0:28:52.720
<v Speaker 3>still in contact with and I'm still friends with, It's

0:28:54.040 --> 0:28:55.880
<v Speaker 3>not a lot because I don't live in La, so

0:28:55.920 --> 0:28:58.080
<v Speaker 3>it's it's a little different. But when I'm in La

0:28:58.480 --> 0:29:01.680
<v Speaker 3>for still, op Pressley and I will always dinner. Lisa

0:29:01.680 --> 0:29:05.160
<v Speaker 3>and I Rena we talked back and forth and or

0:29:05.200 --> 0:29:08.760
<v Speaker 3>we like each other's posts, and also you might become

0:29:08.800 --> 0:29:11.040
<v Speaker 3>friends with other pro dancers that are not for sure

0:29:11.440 --> 0:29:16.880
<v Speaker 3>or other celebrities on our side. It's it's really wonderful

0:29:17.480 --> 0:29:20.600
<v Speaker 3>what this show has done, had what it can mean

0:29:20.840 --> 0:29:21.800
<v Speaker 3>to people watching.

0:29:22.800 --> 0:29:23.320
<v Speaker 1>I love it.

0:29:23.840 --> 0:29:26.200
<v Speaker 2>You had a lot of close calls, although you've never

0:29:26.240 --> 0:29:28.720
<v Speaker 2>won a Mirror Ball like my partner Pasha.

0:29:28.840 --> 0:29:29.120
<v Speaker 1>Lisa.

0:29:29.160 --> 0:29:32.400
<v Speaker 2>Renna came in third, Monique Coleman and fourth, Nissi Nash

0:29:32.440 --> 0:29:33.120
<v Speaker 2>in fifth.

0:29:34.120 --> 0:29:35.160
<v Speaker 1>Was there anyone in.

0:29:35.120 --> 0:29:38.080
<v Speaker 2>Particular that you were partnered with other than Kelly who,

0:29:38.120 --> 0:29:39.640
<v Speaker 2>of course you made it to the final with But

0:29:40.040 --> 0:29:43.920
<v Speaker 2>was there another partner that you thought I can I'm

0:29:43.920 --> 0:29:45.560
<v Speaker 2>gonna win with this one.

0:29:46.080 --> 0:29:51.800
<v Speaker 3>All Star season, Yeah, Sam Bryan. I also wanted for

0:29:51.880 --> 0:29:58.720
<v Speaker 3>her to break the week six Furst elimination from season.

0:29:59.360 --> 0:30:03.280
<v Speaker 3>I think it was with Mark, and then ironically we

0:30:03.440 --> 0:30:05.120
<v Speaker 3>got eliminated week six.

0:30:05.640 --> 0:30:06.160
<v Speaker 1>I know.

0:30:06.600 --> 0:30:10.959
<v Speaker 3>And this is a message especially for your fans and

0:30:11.080 --> 0:30:16.600
<v Speaker 3>whoever's favorite is still in vote, vote vote, because in

0:30:16.640 --> 0:30:23.520
<v Speaker 3>week five we had three tents with our Cinderella Disney

0:30:23.600 --> 0:30:28.160
<v Speaker 3>Night walls. Then week six we had three tents with

0:30:28.320 --> 0:30:31.640
<v Speaker 3>our rumba and we had I believe three tents with

0:30:31.720 --> 0:30:37.360
<v Speaker 3>our group dance. So we went out on with sixty

0:30:37.360 --> 0:30:43.040
<v Speaker 3>out of sixty. And people think you're safe when you

0:30:43.080 --> 0:30:47.360
<v Speaker 3>get tens, you're safe. You are not safe. You're not safe.

0:30:48.040 --> 0:30:51.040
<v Speaker 3>And I hate to say that because I really I

0:30:51.040 --> 0:30:54.360
<v Speaker 3>mean Andy, it just looks such like such a nice guy.

0:30:55.040 --> 0:30:58.320
<v Speaker 3>But say you get high scores and people think, oh,

0:30:58.400 --> 0:31:00.920
<v Speaker 3>you you're safe because you get these high scores. No,

0:31:01.400 --> 0:31:06.280
<v Speaker 3>because a person like Andy gets so many votes that

0:31:06.480 --> 0:31:11.000
<v Speaker 3>even a lower scores can mean you're going home. So

0:31:11.480 --> 0:31:14.040
<v Speaker 3>make sure you vote, ladies and gentlemen, vote, vote, vote.

0:31:14.280 --> 0:31:16.960
<v Speaker 2>I know that is I interviewed Sabrina at the very

0:31:17.000 --> 0:31:19.840
<v Speaker 2>start of this podcast, and I asked her that question.

0:31:19.960 --> 0:31:22.000
<v Speaker 2>I was just straight up, I said, do you think

0:31:22.040 --> 0:31:24.920
<v Speaker 2>the reason you went home is because people saw those

0:31:25.000 --> 0:31:27.640
<v Speaker 2>high scores and just assumed that you were safe. Because

0:31:27.720 --> 0:31:31.360
<v Speaker 2>it's it's really the only explanation is that people go, oh,

0:31:31.400 --> 0:31:33.480
<v Speaker 2>I don't need to worry about her, but these other

0:31:33.560 --> 0:31:36.120
<v Speaker 2>people with lower scores, I need to boost them up

0:31:36.520 --> 0:31:39.040
<v Speaker 2>and then low and behold you don't get any votes.

0:31:40.480 --> 0:31:44.200
<v Speaker 3>No, no, it's it's true. It's really people need to vote,

0:31:44.440 --> 0:31:47.320
<v Speaker 3>and I think the message is clear and people are voting.

0:31:47.360 --> 0:31:50.280
<v Speaker 3>I mean, fifty five million votes, it's.

0:31:50.080 --> 0:31:51.160
<v Speaker 1>A lot of votes.

0:31:52.400 --> 0:31:55.760
<v Speaker 2>Yes, looking back on all your seasons, do you have

0:31:55.840 --> 0:32:02.520
<v Speaker 2>any idea thoughts on specific strategy to win, whether it's

0:32:02.800 --> 0:32:07.200
<v Speaker 2>how you arrange when you do which dance or song choices.

0:32:07.280 --> 0:32:10.120
<v Speaker 2>What are some of the strategies to winning as you

0:32:10.160 --> 0:32:11.160
<v Speaker 2>see it now?

0:32:12.000 --> 0:32:16.080
<v Speaker 3>All of the above I was missed a strategy. And

0:32:16.320 --> 0:32:18.959
<v Speaker 3>also when you have a non dancing celebrity, you have

0:32:19.080 --> 0:32:25.000
<v Speaker 3>to be very strategic in every decision but one. And

0:32:25.080 --> 0:32:30.640
<v Speaker 3>this is where being a veteran in this business helps.

0:32:31.480 --> 0:32:36.000
<v Speaker 3>For example, music, so many younger pros and maybe now

0:32:36.000 --> 0:32:41.040
<v Speaker 3>they've learned a lesson, they would find music maybe a

0:32:41.080 --> 0:32:46.200
<v Speaker 3>week two weeks before the show, and then if the

0:32:46.360 --> 0:32:49.040
<v Speaker 3>song that they really want is already chosen, but someone else,

0:32:49.080 --> 0:32:52.280
<v Speaker 3>I'm sorry, so and so already chosen. So I would

0:32:52.320 --> 0:32:55.760
<v Speaker 3>have one hundred and fifty songs on a list divided

0:32:55.800 --> 0:33:00.760
<v Speaker 3>by dances discussed with my celebrity first day. Now what

0:33:00.800 --> 0:33:03.080
<v Speaker 3>they're doing is you are now getting a package to

0:33:03.160 --> 0:33:05.480
<v Speaker 3>fill out. So now the show doesn't But in the

0:33:05.520 --> 0:33:09.080
<v Speaker 3>early years it was on us, and so I would

0:33:09.160 --> 0:33:12.760
<v Speaker 3>make sure that yeah, no, already already asked for it. Oh,

0:33:12.880 --> 0:33:16.160
<v Speaker 3>already asked for it. Oh. And of course then when

0:33:16.200 --> 0:33:19.240
<v Speaker 3>I'm eliminated, they would have a lot of songs for

0:33:19.360 --> 0:33:21.880
<v Speaker 3>others to use, but I didn't at first it would

0:33:21.920 --> 0:33:25.040
<v Speaker 3>frustrate me. But at least with the strategy of music,

0:33:25.840 --> 0:33:28.960
<v Speaker 3>we mostly had the songs we wanted because I put

0:33:28.960 --> 0:33:31.640
<v Speaker 3>in the effort. So that's that's one thing. And when

0:33:31.640 --> 0:33:34.960
<v Speaker 3>it comes to the dances in close hold, like quick

0:33:34.960 --> 0:33:39.600
<v Speaker 3>step in tango, the rules are being bent very much

0:33:39.680 --> 0:33:43.680
<v Speaker 3>by the younger pros, and the judges don't always call

0:33:43.720 --> 0:33:45.479
<v Speaker 3>it out, which to mean they need to be how

0:33:45.560 --> 0:33:48.840
<v Speaker 3>the accountable. You're allowed ten seconds in open hold in

0:33:48.880 --> 0:33:52.000
<v Speaker 3>the beginning and at the end with tangoing quick steps.

0:33:52.040 --> 0:33:54.640
<v Speaker 3>So I want these dances out of the way as

0:33:54.760 --> 0:33:57.720
<v Speaker 3>early as possible. Get it out of the way. So

0:33:58.240 --> 0:34:00.760
<v Speaker 3>later in the season, you want to the dances where

0:34:00.760 --> 0:34:02.520
<v Speaker 3>you can lift. You want to have the dances that

0:34:02.560 --> 0:34:05.840
<v Speaker 3>are more exuberant, like the or the give the higher

0:34:05.960 --> 0:34:12.160
<v Speaker 3>energy or the heartfelt dances. But also depends on who.

0:34:12.239 --> 0:34:16.279
<v Speaker 3>How is my celebrity perceived. If she is perceived as

0:34:16.360 --> 0:34:20.080
<v Speaker 3>more hardcore, then I need to work on the softer side.

0:34:20.520 --> 0:34:23.200
<v Speaker 3>So I want to have those dances later in the season.

0:34:23.760 --> 0:34:26.640
<v Speaker 3>So I was glad with Kelly. I kept Rumba for

0:34:26.920 --> 0:34:31.680
<v Speaker 3>as late as possible and then really show the heartfelt side,

0:34:31.680 --> 0:34:35.879
<v Speaker 3>the heart strings, play on the heart strings. So I mean,

0:34:35.920 --> 0:34:38.920
<v Speaker 3>I could. There are so many more strategies, but the

0:34:39.080 --> 0:34:42.439
<v Speaker 3>dances get us boring dances that you have to stay

0:34:42.520 --> 0:34:44.160
<v Speaker 3>close holds out of the way.

0:34:44.800 --> 0:34:46.960
<v Speaker 1>Really smart, really super smart?

0:34:47.360 --> 0:34:50.080
<v Speaker 3>Well you know, I think.

0:34:50.120 --> 0:34:55.879
<v Speaker 2>So are you looking forward to the twentieth anniversary show?

0:34:55.920 --> 0:34:57.240
<v Speaker 1>Will you be in the audience again?

0:34:58.200 --> 0:35:01.080
<v Speaker 3>Oh? I will be in the audience. I cannot wait.

0:35:02.000 --> 0:35:06.920
<v Speaker 3>It's you know, I've done eleventh season out of thirty

0:35:06.960 --> 0:35:10.600
<v Speaker 3>four and I think of one of the pros that

0:35:10.719 --> 0:35:14.960
<v Speaker 3>have come back over time and coming back again. I

0:35:15.000 --> 0:35:17.120
<v Speaker 3>did three years ago I was back on the show,

0:35:17.560 --> 0:35:22.320
<v Speaker 3>So I've kind of been part of every single change

0:35:22.560 --> 0:35:26.480
<v Speaker 3>or with a new or a different showrunner, or they

0:35:26.520 --> 0:35:29.319
<v Speaker 3>went into a different direction and then it came back.

0:35:29.360 --> 0:35:33.200
<v Speaker 3>So I've been part of that show with the whole

0:35:33.280 --> 0:35:36.640
<v Speaker 3>rollercoaster of all thirty four seasons, and it's so wonderful

0:35:36.719 --> 0:35:39.680
<v Speaker 3>to see after twenty years, thirty four seasons, the show

0:35:39.719 --> 0:35:45.200
<v Speaker 3>is back number one, the most votes ever and so Danielle,

0:35:45.280 --> 0:35:49.560
<v Speaker 3>I thank you and your fellow celebrities for bringing it

0:35:49.640 --> 0:35:51.920
<v Speaker 3>back to where it is right now, because it's ultimately

0:35:53.239 --> 0:35:55.960
<v Speaker 3>the celebrities that are on the show that are bringing

0:35:56.000 --> 0:36:00.000
<v Speaker 3>back the viewers time and time again. So thank you.

0:36:00.560 --> 0:36:06.440
<v Speaker 3>It's it's exciting because you've made it so far. You

0:36:06.560 --> 0:36:12.440
<v Speaker 3>have nothing to lose, so you can take the nerves

0:36:13.160 --> 0:36:17.240
<v Speaker 3>and give up, or you take the nurse the nerves

0:36:17.560 --> 0:36:23.600
<v Speaker 3>and switch on, use the adrenaline and say, people at

0:36:23.719 --> 0:36:30.239
<v Speaker 3>home watch this, and it's you have nothing to lose

0:36:30.280 --> 0:36:33.160
<v Speaker 3>every time you make it past week five. In my opinion,

0:36:34.520 --> 0:36:36.400
<v Speaker 3>as a person that does not have a lot of

0:36:36.480 --> 0:36:41.040
<v Speaker 3>dance experience, but a lot of acting experience. You've done

0:36:41.040 --> 0:36:44.080
<v Speaker 3>your job, you're going for honors. Now you're going through cumblaude.

0:36:44.520 --> 0:36:48.160
<v Speaker 3>So whatever they throw at you, enjoy it and see

0:36:48.239 --> 0:36:50.719
<v Speaker 3>it as they come on. Bring it on, bring it on.

0:36:51.480 --> 0:36:52.880
<v Speaker 1>I really love that advice.

0:36:53.040 --> 0:36:56.279
<v Speaker 2>I have been I'm just going to full transparency. I've

0:36:56.320 --> 0:36:59.440
<v Speaker 2>really been struggling this week. We had our we have

0:36:59.440 --> 0:37:02.880
<v Speaker 2>our team down. I'm a team captain and the team

0:37:02.960 --> 0:37:07.319
<v Speaker 2>dance is amazing. I picked, if I have to, if

0:37:07.360 --> 0:37:10.360
<v Speaker 2>I do say so myself, I picked an all star

0:37:10.480 --> 0:37:14.759
<v Speaker 2>team and it didn't come randomly. I had a full

0:37:14.840 --> 0:37:18.480
<v Speaker 2>strategy going into it, and my strategy paid off and

0:37:18.520 --> 0:37:23.279
<v Speaker 2>I was thrilled with my choices. But my choices were

0:37:23.320 --> 0:37:27.000
<v Speaker 2>such that I am by far the weakest at least

0:37:27.200 --> 0:37:31.680
<v Speaker 2>female link on the team, which is never fun to

0:37:31.719 --> 0:37:35.080
<v Speaker 2>feel like, Okay, everybody's picking this up so fast, and

0:37:35.160 --> 0:37:36.719
<v Speaker 2>I really need this to slow down.

0:37:38.280 --> 0:37:41.719
<v Speaker 3>Yeah, you've got to let it go because you're You're

0:37:41.800 --> 0:37:45.640
<v Speaker 3>not the weakest link. You are the person that came

0:37:45.719 --> 0:37:49.200
<v Speaker 3>in with the least amount of dance experience, so the

0:37:49.320 --> 0:37:55.040
<v Speaker 3>pressure is on them, not you. Okay, everyone knows you

0:37:55.160 --> 0:37:59.359
<v Speaker 3>have grown from week one to now leaps and bounds.

0:37:59.840 --> 0:38:03.359
<v Speaker 3>You have the likability factor and you have no problem

0:38:03.360 --> 0:38:08.040
<v Speaker 3>with the character of the dance. Focus regardless of who

0:38:08.120 --> 0:38:10.959
<v Speaker 3>is in your team. What can you control. The only

0:38:11.000 --> 0:38:15.000
<v Speaker 3>thing you can control is your movements, the involvement in

0:38:15.040 --> 0:38:19.120
<v Speaker 3>the movement, listening to the music and do your part.

0:38:19.280 --> 0:38:22.000
<v Speaker 3>That's what you can control. You can control Oh, how

0:38:22.040 --> 0:38:25.560
<v Speaker 3>the judges look at you, or what the comments they're making. Oh,

0:38:25.920 --> 0:38:30.200
<v Speaker 3>oh gosh, you it's we can go psycho when you

0:38:30.520 --> 0:38:34.480
<v Speaker 3>listen to everything and everyone reads social media, or even

0:38:34.920 --> 0:38:38.440
<v Speaker 3>the looks of the other dances in your team, horse

0:38:38.480 --> 0:38:41.880
<v Speaker 3>caps on. Focus on you and Pasha and your work.

0:38:41.920 --> 0:38:42.759
<v Speaker 3>That's all you can do.

0:38:44.160 --> 0:38:44.520
<v Speaker 1>Thank you.

0:38:57.680 --> 0:39:00.440
<v Speaker 2>I would like to ask you have you have you

0:39:00.520 --> 0:39:03.319
<v Speaker 2>seen all of my dances? And if so, even if

0:39:03.360 --> 0:39:06.520
<v Speaker 2>you haven't, what if you could give me one piece

0:39:06.560 --> 0:39:09.880
<v Speaker 2>of advice moving forward? What would you say to me

0:39:10.440 --> 0:39:12.440
<v Speaker 2>and how I can improve and how I can do

0:39:12.520 --> 0:39:15.120
<v Speaker 2>better next week and for as long as I'm able

0:39:15.120 --> 0:39:15.919
<v Speaker 2>to remain on the show.

0:39:17.320 --> 0:39:20.480
<v Speaker 3>So I have seen them all, okay, And I was

0:39:20.520 --> 0:39:22.800
<v Speaker 3>wondering if you were going to ask me this question,

0:39:23.600 --> 0:39:27.839
<v Speaker 3>And like I said, I kind of already fed into

0:39:27.840 --> 0:39:30.760
<v Speaker 3>it a little bit earlier. You have the likability factor.

0:39:30.840 --> 0:39:33.000
<v Speaker 3>You could clearly tell you an actress, so you can

0:39:33.480 --> 0:39:39.160
<v Speaker 3>like a chameleon, you step into these different dances. If I,

0:39:39.239 --> 0:39:43.560
<v Speaker 3>like I said, you're you've come so far already. It's

0:39:43.640 --> 0:39:47.919
<v Speaker 3>like an onion that you peel off every single week

0:39:47.960 --> 0:39:51.040
<v Speaker 3>and you show a little bit more of yourself. I

0:39:51.239 --> 0:39:57.840
<v Speaker 3>would say, rip off all the layers that are left.

0:39:58.719 --> 0:40:01.080
<v Speaker 3>It's like when you have your hair ted Lewis, take

0:40:01.120 --> 0:40:06.200
<v Speaker 3>off your throw that lose and right. It's the emotional self,

0:40:06.280 --> 0:40:10.839
<v Speaker 3>your personal emotional self. I feel hell is held back. Yeah,

0:40:10.920 --> 0:40:13.799
<v Speaker 3>because you're a kind person. You're a person and we

0:40:13.840 --> 0:40:16.480
<v Speaker 3>haven't met, but it resonates. You can tell through the

0:40:16.520 --> 0:40:20.480
<v Speaker 3>screen you're a kind person the relationship you have with

0:40:20.480 --> 0:40:26.839
<v Speaker 3>with Pasha. But I would say, f kind, go for it.

0:40:27.400 --> 0:40:30.640
<v Speaker 3>And if you question if you could make the final

0:40:30.760 --> 0:40:33.680
<v Speaker 3>or not, or you could win the show, everyone that's

0:40:33.680 --> 0:40:37.840
<v Speaker 3>still in can win. So you focus on the work.

0:40:37.920 --> 0:40:41.560
<v Speaker 3>You focus on what dance do you have this week? Person,

0:40:41.719 --> 0:40:50.600
<v Speaker 3>temporary contemporary, take off all these layers and go raw, raw, raw,

0:40:50.640 --> 0:40:54.239
<v Speaker 3>don't go in well maybe people won't like this or

0:40:54.480 --> 0:40:57.520
<v Speaker 3>oh well maybe this might screw up. Or that lift

0:40:57.560 --> 0:41:02.600
<v Speaker 3>that's coming, Oh my gosh, that lift, yeah, commit, commit,

0:41:03.080 --> 0:41:06.440
<v Speaker 3>commit to the work, okay, and if there's any doubts,

0:41:07.239 --> 0:41:09.720
<v Speaker 3>talk about it with Pasha. Whatever doubt there is, talk,

0:41:10.160 --> 0:41:14.320
<v Speaker 3>But for me, you you've earned the spot and you can.

0:41:14.600 --> 0:41:17.640
<v Speaker 3>You deserve to be in that finalist as much as

0:41:17.719 --> 0:41:21.239
<v Speaker 3>every other one, because you came with much less dance

0:41:21.280 --> 0:41:22.320
<v Speaker 3>experience maybe.

0:41:22.120 --> 0:41:26.120
<v Speaker 1>Zero, yeah zero, I think I danced at my wedding last.

0:41:27.920 --> 0:41:31.040
<v Speaker 3>There you go, so remind yourself of that. You have

0:41:31.120 --> 0:41:33.640
<v Speaker 3>to tell yourself too, look at what I've done in

0:41:33.680 --> 0:41:34.399
<v Speaker 3>eight weeks time.

0:41:35.080 --> 0:41:36.160
<v Speaker 1>Yeah, thank you.

0:41:37.160 --> 0:41:40.920
<v Speaker 3>Well, the others have had dance training four years and

0:41:41.000 --> 0:41:44.640
<v Speaker 3>you can tell, you can tell, and and you know. Therefore,

0:41:45.640 --> 0:41:48.480
<v Speaker 3>take out all the stops and commit, commit, commit.

0:41:49.680 --> 0:41:52.759
<v Speaker 2>I appreciate your advice more than you know. It's been.

0:41:52.960 --> 0:41:55.040
<v Speaker 2>It's been my work for this week. It's been exactly

0:41:55.080 --> 0:41:57.040
<v Speaker 2>what Pasha has been saying to me too. So the

0:41:57.040 --> 0:41:59.800
<v Speaker 2>fact that I have two of you who I consider

0:41:59.840 --> 0:42:04.000
<v Speaker 2>to be absolute legends and the world does as well,

0:42:04.560 --> 0:42:07.200
<v Speaker 2>I know that you are right, and so I will

0:42:07.200 --> 0:42:10.040
<v Speaker 2>be thinking of you today in my rehearsal. I'm going

0:42:10.080 --> 0:42:13.359
<v Speaker 2>to try and peel back all those layers of the

0:42:13.360 --> 0:42:16.319
<v Speaker 2>onion and be my emotional raw self. I do have

0:42:16.640 --> 0:42:19.320
<v Speaker 2>a perfect song for it, a perfect story we're telling

0:42:19.360 --> 0:42:21.440
<v Speaker 2>through it, So this is the week to do it.

0:42:21.480 --> 0:42:23.200
<v Speaker 2>If I'm ever going to do it, this is.

0:42:23.200 --> 0:42:25.600
<v Speaker 3>The week may ask what is the song in the story?

0:42:26.200 --> 0:42:29.719
<v Speaker 2>We are doing dream On by Aerosmith because it's Rock

0:42:29.760 --> 0:42:32.560
<v Speaker 2>and Roll Hall of Fame Week and dream On is

0:42:32.600 --> 0:42:34.399
<v Speaker 2>one of my all time favorite songs. It's also one

0:42:34.400 --> 0:42:38.759
<v Speaker 2>of Pasha's all time favorite songs. And the story that

0:42:38.800 --> 0:42:41.440
<v Speaker 2>I'm talking about, which is ultimately why I think this

0:42:41.480 --> 0:42:46.920
<v Speaker 2>week has been difficult for me, is we are telling

0:42:46.960 --> 0:42:50.200
<v Speaker 2>the story about how difficult it can be to be

0:42:50.600 --> 0:42:56.120
<v Speaker 2>a woman in society, where we are somehow always too

0:42:56.200 --> 0:42:59.880
<v Speaker 2>much and also never enough, no matter what choice you may,

0:43:00.080 --> 0:43:03.120
<v Speaker 2>whether it's working outside the home or working inside the home,

0:43:03.440 --> 0:43:05.600
<v Speaker 2>if you choose to work outside, you're selfish and your

0:43:05.680 --> 0:43:07.600
<v Speaker 2>children need you and where's their mother? And if you

0:43:07.640 --> 0:43:09.719
<v Speaker 2>work inside the home, then you are boring and you

0:43:09.719 --> 0:43:12.280
<v Speaker 2>don't have interests. And if you get botox and fillers,

0:43:12.280 --> 0:43:14.760
<v Speaker 2>then you're not aging gracefully. And if you age gracefully,

0:43:14.760 --> 0:43:19.080
<v Speaker 2>then you look old and ugly. And if you are

0:43:19.120 --> 0:43:21.120
<v Speaker 2>too thin, you're told to eat a burger, and if

0:43:21.120 --> 0:43:23.000
<v Speaker 2>you gain weight, you're told to get off the couch,

0:43:23.160 --> 0:43:25.840
<v Speaker 2>and there's just really it feels like there's no winning.

0:43:26.040 --> 0:43:28.640
<v Speaker 2>And having been in the public eye and on TV

0:43:28.800 --> 0:43:31.480
<v Speaker 2>since I was ten years old, I have been, you know,

0:43:31.840 --> 0:43:34.759
<v Speaker 2>under a microscope, and my choices have been scrutinized, and

0:43:34.800 --> 0:43:39.640
<v Speaker 2>I've made terrible mistakes, and you know, there's a lot,

0:43:39.960 --> 0:43:42.520
<v Speaker 2>there's a lot there. And the story is kind of

0:43:42.560 --> 0:43:47.240
<v Speaker 2>about how you can quiet the outside noise and dream

0:43:47.280 --> 0:43:50.560
<v Speaker 2>your own dreams and live life to the fullest, use

0:43:50.560 --> 0:43:54.359
<v Speaker 2>that negativity maybe to rise above, because you never know

0:43:54.520 --> 0:43:56.680
<v Speaker 2>when you're going to dance your last dance or have

0:43:56.760 --> 0:43:57.439
<v Speaker 2>your last day.

0:43:57.760 --> 0:43:58.800
<v Speaker 1>And so that's the story.

0:43:58.880 --> 0:44:01.720
<v Speaker 2>And it has been a difficult week for me because

0:44:01.760 --> 0:44:05.239
<v Speaker 2>I have been really resistant to the dance I've been

0:44:05.280 --> 0:44:07.160
<v Speaker 2>and have been blaming it on things like I'm not

0:44:07.239 --> 0:44:09.880
<v Speaker 2>good at it, or I don't like this move, or

0:44:10.160 --> 0:44:13.279
<v Speaker 2>like I've just been really resistant. And then it hit

0:44:13.320 --> 0:44:16.600
<v Speaker 2>me yesterday after having a really bad rehearsal, and of

0:44:16.600 --> 0:44:18.200
<v Speaker 2>course it's no fault of Pasha's.

0:44:18.200 --> 0:44:20.640
<v Speaker 1>Pasha is the same he is every day. I was

0:44:20.719 --> 0:44:22.680
<v Speaker 1>just in a really down.

0:44:22.440 --> 0:44:25.120
<v Speaker 2>Place and it just hit me last night that like,

0:44:26.360 --> 0:44:30.880
<v Speaker 2>I'm resistant to it because it's it's triggering so many

0:44:30.920 --> 0:44:34.680
<v Speaker 2>things in me. It's triggering a lot of negative self talk,

0:44:34.800 --> 0:44:38.120
<v Speaker 2>it's triggering disordered eating. It's like triggering all of these

0:44:38.160 --> 0:44:42.960
<v Speaker 2>things that are so personal, and instead of me leaning

0:44:43.040 --> 0:44:46.640
<v Speaker 2>into it and embracing that in the dance, it's making

0:44:46.680 --> 0:44:50.320
<v Speaker 2>me not want to do it. So it's been a

0:44:50.400 --> 0:44:52.640
<v Speaker 2>rough week, but I think like the fact that I

0:44:52.680 --> 0:44:56.319
<v Speaker 2>realized it made me wake up today and think one

0:44:56.760 --> 0:44:58.560
<v Speaker 2>so happy to be talking to you and for you

0:44:58.600 --> 0:45:01.000
<v Speaker 2>to have given me the advice you gave, because it

0:45:01.040 --> 0:45:05.719
<v Speaker 2>really lands and resonates. And also just you know, it's

0:45:05.840 --> 0:45:09.680
<v Speaker 2>very clear that this is striking an emotional chord for

0:45:09.800 --> 0:45:13.479
<v Speaker 2>me and there's a reason for that, and this dance

0:45:13.560 --> 0:45:15.080
<v Speaker 2>is actually special and means something.

0:45:15.320 --> 0:45:21.279
<v Speaker 3>So thank you for sharing, Danielle, And this is a beautiful,

0:45:22.600 --> 0:45:28.279
<v Speaker 3>heartfelt moment for you and just having this conversation. This

0:45:28.440 --> 0:45:32.600
<v Speaker 3>is why I loved or loved doing Dancing with the Stars.

0:45:32.920 --> 0:45:36.479
<v Speaker 3>This is where friendships are born in these moments. And

0:45:38.840 --> 0:45:41.279
<v Speaker 3>you have been on TV since the age of ten.

0:45:42.360 --> 0:45:47.960
<v Speaker 3>You have kids, right, so your mom, your a wife

0:45:48.640 --> 0:45:52.920
<v Speaker 3>who can say in there whatever age you are, yeah,

0:45:53.160 --> 0:45:58.759
<v Speaker 3>have your success and so let these triggers be the

0:45:58.840 --> 0:46:01.880
<v Speaker 3>reasons why you are peel that onion and in a

0:46:01.960 --> 0:46:08.279
<v Speaker 3>metaphorical way, on Monday, jump off that cliff, Yeah, and

0:46:08.400 --> 0:46:13.399
<v Speaker 3>fly sore, live it take And when I said take

0:46:13.440 --> 0:46:15.360
<v Speaker 3>the health, throw it now, when you said.

0:46:15.160 --> 0:46:17.200
<v Speaker 1>You have that song, yeah exactly.

0:46:17.280 --> 0:46:21.560
<v Speaker 3>There are moments where you just I mean dream on

0:46:22.320 --> 0:46:25.359
<v Speaker 3>dream and you have dreamed, but you also have made

0:46:25.400 --> 0:46:29.759
<v Speaker 3>a reality. So it's kind of nostalgic that all these

0:46:29.760 --> 0:46:33.000
<v Speaker 3>triggers from the past. Yeah, Tuesday is going to be

0:46:33.120 --> 0:46:37.120
<v Speaker 3>your your biggest therapy session exactly.

0:46:37.280 --> 0:46:38.520
<v Speaker 1>That is what it's like.

0:46:38.760 --> 0:46:44.080
<v Speaker 3>You for you, and the world happens to have a seat, yeah,

0:46:44.120 --> 0:46:48.640
<v Speaker 3>to watch you experience that. And this is to me

0:46:48.760 --> 0:46:51.480
<v Speaker 3>why Dance It with the Stars is still on the

0:46:51.560 --> 0:46:56.160
<v Speaker 3>air after twenty years because of your frankness, uronness of

0:46:56.239 --> 0:46:58.640
<v Speaker 3>just sharing this for I don't know how many people

0:47:00.760 --> 0:47:04.480
<v Speaker 3>click in, but it's millions. Yeah, and you have no

0:47:04.680 --> 0:47:10.719
<v Speaker 3>problem showing you the raw, Danielle. So on Tuesday, you

0:47:10.840 --> 0:47:11.480
<v Speaker 3>know what to do.

0:47:11.920 --> 0:47:16.600
<v Speaker 2>Yes, thank you, thank you, I am This conversation has

0:47:16.640 --> 0:47:19.880
<v Speaker 2>meant so much to me and you are just a

0:47:19.920 --> 0:47:22.800
<v Speaker 2>true legend, and I thank you so much for spending

0:47:22.800 --> 0:47:25.960
<v Speaker 2>your time. I can't wait to see you next week.

0:47:26.840 --> 0:47:30.360
<v Speaker 2>And I'm gonna I'm gonna take your advice on Tuesday,

0:47:30.400 --> 0:47:32.759
<v Speaker 2>and I will truly, I'll be thinking of you on

0:47:32.800 --> 0:47:35.480
<v Speaker 2>Tuesday when when it goes the way I hope it goes,

0:47:35.880 --> 0:47:39.440
<v Speaker 2>I will have in the back of my mind, thank you, Louis.

0:47:39.760 --> 0:47:44.080
<v Speaker 3>And you have each other, you have Pasha, but ultimately

0:47:44.120 --> 0:47:49.399
<v Speaker 3>trust you. Yeah, and you You're gonna do fantastic raw.

0:47:49.600 --> 0:47:52.239
<v Speaker 3>The raw Danielle is coming out on Tuesday. Thank you

0:47:52.280 --> 0:47:56.239
<v Speaker 3>for having me. I really enjoy doing this and you've

0:47:56.280 --> 0:47:59.160
<v Speaker 3>done amazing this season. And I can wait to watch

0:47:59.160 --> 0:47:59.799
<v Speaker 3>Tuesday night.

0:48:00.239 --> 0:48:02.960
<v Speaker 2>Yes, and we have to make a point to actually

0:48:03.000 --> 0:48:03.959
<v Speaker 2>meet next week.

0:48:04.080 --> 0:48:04.520
<v Speaker 1>I need to.

0:48:04.600 --> 0:48:05.319
<v Speaker 3>I will not.

0:48:05.680 --> 0:48:07.840
<v Speaker 2>I will not rest until I have been able to

0:48:07.840 --> 0:48:08.479
<v Speaker 2>give you a hug.

0:48:09.560 --> 0:48:14.640
<v Speaker 3>I promise I will come find you. Okay, Thanks, Thank you, Danielle,

0:48:14.640 --> 0:48:16.200
<v Speaker 3>and then joy rehearsal later.

0:48:16.560 --> 0:48:17.960
<v Speaker 1>Thank you. I will Bye.

0:48:20.160 --> 0:48:23.600
<v Speaker 2>Danielle with the Stars Produced and hosted by Danielle Fischl.

0:48:23.760 --> 0:48:27.000
<v Speaker 2>Executive producers Jensen Karp and Amy Sugarman. Executive in charge

0:48:27.040 --> 0:48:31.239
<v Speaker 2>of production, Danielle Romo, producer, editor and engineer Tara Sudbosch.

0:48:31.480 --> 0:48:34.560
<v Speaker 2>Theme song by Justin Siegel. Follow us on Instagram at

0:48:34.640 --> 0:48:37.480
<v Speaker 2>Danielle with Stars and vote for me