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Speaker 1: The Nicki Glaser Podcast, Nikkleaser.

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Speaker 2: Here's Nikki.

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Speaker 3: Hello, welcome to the show. It's an Glazer podcast. Here.

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Speaker 3: I am in Saint Louis, Missouri. Joining me as always

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Speaker 3: is Noah in Arizona. Brian Frangie new sidekick. He's in

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Speaker 3: Los Angeles on your Marina is in New York City.

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Speaker 3: And right here in studio with me is my mother,

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Speaker 3: Julie Glazer.

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Speaker 2: Hello, God joke.

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Speaker 4: Woo.

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Speaker 3: Look at you and your little new shirt that you

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Speaker 3: got at Zama. Wait, no, wait, where did you get

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Speaker 3: that shirt?

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Speaker 2: Where did we get it? Forever twenty one?

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Speaker 4: Yeah?

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Speaker 2: Forever?

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Speaker 1: Yeah, we did some heavy shopping this these shop Forever

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Speaker 1: twenty one star and Starbucks and Starbucks.

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Speaker 2: That's all you have?

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Speaker 5: Any buyers? Re Morris, do you guys get that ever?

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Speaker 3: I'm got it forever twenty one because your pants seven

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Speaker 3: dollars for something that costs to make. I did, oh yeah,

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Speaker 3: because she was like she was, I just want to

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Speaker 3: get the hell out of there. And so as soon

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Speaker 3: as she found her shirt, I just go give it

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Speaker 3: to me. Let me just get it, because I know

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Speaker 3: if she's buying it herself, she'll kind of go, well,

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Speaker 3: do I need this, and then I maybe get this

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Speaker 3: And what does that sound?

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Speaker 2: Is someone hammering?

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Speaker 6: Do you.

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Speaker 2: Knocking? Somebody's knocking? Yeah, I think it's nice door. No,

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Speaker 2: I think the old lady moves. It's your fertility. Yeah,

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Speaker 2: something knocking.

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Speaker 3: You don't want.

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Speaker 2: A couple of weeks? I have till eleven tonight?

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Speaker 1: What had some deadline?

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Speaker 2: You do have a deadline with? Aren't you freezing him

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Speaker 2: with some No? I'm not freezing them.

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Speaker 3: No, but you were offered oh yeah, a bestie's dad

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Speaker 3: was like, yeah, I'll do it for half price. But

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Speaker 3: then I was going to do it low. And it's

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Speaker 3: not about the price. It's not I can afford it. Listen,

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Speaker 3: I spent thirteen thousand dollars on Taylor swimt tickets.

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Speaker 2: God do you care for all that?

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Speaker 3: I'm being open about it your tailing. At first, I

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Speaker 3: was like I spent a lot of money. It was like,

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Speaker 3: this is a child's tuition for half a semester or whatever.

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Speaker 3: And now I'm just saying why not full transparency? And

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Speaker 3: it sounds like a brag. Maybe it's a humble brag

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Speaker 3: hashtag Harris whittles, but is it's just it is what

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Speaker 3: it is? What it is, and you know what, people

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Speaker 3: I don't. I don't care if people know. It's not

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Speaker 3: me bragging. It's funny that I spent thirteen thousand dollars.

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Speaker 3: And if you know Taylor Swift, that's her lucky number.

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Speaker 3: So that's when I saw the price, I go, I

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Speaker 3: gotta do it.

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Speaker 2: Do it. I would have been twenty six thousand.

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Speaker 3: I would have been like, that's thirteen times too, I

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Speaker 3: gotta do it.

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Speaker 5: That's the same logic you used as Zara.

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Speaker 2: Yeah.

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Speaker 1: Absolutely, but I learned from you at Zara. You were like,

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Speaker 1: are you going to try this on? No, I'm by,

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Speaker 1: I'm getting in line.

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Speaker 3: Yeah, my mom does not try on shop in the

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Speaker 3: place anymore. You just get them and you return them later.

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Speaker 3: That is the way to do it. And listen, this

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Speaker 3: has always been the way I work. I hate dressing rooms.

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Speaker 3: They I don't know why. If I ran a retail shop,

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Speaker 3: I would have First of all, I would have a

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Speaker 3: security guard at the front door. We would have lost

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Speaker 3: prevention in place, because I know that people shop lift.

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Speaker 3: I would have Taylor McGraw working lost prevention because she

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Speaker 3: she would know who is doing it, and she would

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Speaker 3: steal the things to make up for all the things.

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Speaker 2: I'll take care of that for you.

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Speaker 3: So I would, and I would have dressing rooms that

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Speaker 3: have good lighting and skinny mirrors. Okay, there's a mirror

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Speaker 3: you can buy, and we all know that mirror. It's

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Speaker 3: the mirror that you always look at in your own apartment.

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Speaker 3: It's the skinniest mirror in your apartment that you can

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Speaker 3: put up and you look way better than you would

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Speaker 3: outside of it.

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Speaker 2: But no place to do this. I don't know a single.

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Speaker 3: Retail outfitter place that has better lighting than I will

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Speaker 3: have at home. And I don't want to cry at

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Speaker 3: the mall. I cry a lot, and I get really

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Speaker 3: emotional when I try on things that are too tight,

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Speaker 3: or my skin looks too pale, or you turn around

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Speaker 3: and you see that little side angle of your cellulate

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Speaker 3: on your thighs that you did not know it was there,

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Speaker 3: and then you then you're depressed the rest of the day.

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Speaker 3: And then you it's just you don't buy anything, so

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Speaker 3: what I do? And then you don't buy anything. I'm

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Speaker 3: not buying that, So you know what these stores do.

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Speaker 3: I think they purposely have really bad lighting in there

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Speaker 3: because it makes me go. I don't want to try

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Speaker 3: it on, and I buy a bunch of stuff and

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Speaker 3: then I forget to return it or I lapse the

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Speaker 3: thirty days.

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Speaker 6: Right.

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Speaker 1: No, I think they have just a lot of people,

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Speaker 1: fake people in line at the tryout, so you go,

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Speaker 1: I can't stand in that line. I'm just gonna have

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Speaker 1: to buy it.

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Speaker 3: No, I don't think theyrs on the line to hire

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Speaker 3: six or seven.

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Speaker 1: People, Yeah, you know, with big piles of clothes in

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Speaker 1: their hands.

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Speaker 3: Yeah, Mom's just kidding, has gotten sad.

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Speaker 2: It's getting sad. Yeah, just kidding. It's so born out.

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Speaker 3: But she Yeah, so she just goes, I'm just getting them.

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Speaker 3: And I was so proud of her, and so she

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Speaker 3: just got them. Then she tried them on at home.

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Speaker 3: They worked, We wore it. She worked to Taylor's with

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Speaker 3: that night. But we had quite an adventure. Yeah, we

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Speaker 3: went to the we were saying right by mall in Houston.

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Speaker 2: This weekend. We filmed Family Feud this this week?

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Speaker 4: Oh God, actually is that coming out? What is that

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Speaker 4: coming out?

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Speaker 2: I think on this summer too long?

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Speaker 4: I can't wait that long for that.

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Speaker 3: Actually, the summer's almost here. Get that body in shape

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Speaker 3: to watch Family Feud answer the beach.

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Speaker 4: Have you ever seen the Turkey clip from Family Feud?

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Speaker 4: That's uh. That was on British Family Feud, Like, oh

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Speaker 4: my god, it's the funniest one. It's it's it's final

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Speaker 4: family feud, uh, you know at the end, and I

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Speaker 4: don't want to ruin it for the people, but basically, no,

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Speaker 4: I can't do it. He asked all these questions like

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Speaker 4: what would you bring to a picnic? And the first

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Speaker 4: one's like, oh, turkey, that makes sense. And the second

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Speaker 4: question was like name a bird and then he's like

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Speaker 4: her and then that makes sense. And then the third

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Speaker 4: one is like, uh, what's a place you would go

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Speaker 4: for vacation? And he's like turkey, and all of his answers,

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Speaker 4: all five of his answers were.

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Speaker 2: Turkey, no way, and they actually fit.

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Speaker 4: He said, well no, and then he got zeros on

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Speaker 4: four out of five of them, and he's laughing the

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Speaker 4: whole time. He's like, I can't believe I'm gonna say

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Speaker 4: this again, but is it turkey? Watt watch it?

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Speaker 2: So it's an international show.

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Speaker 3: Well, there was another clip that I sent to my

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Speaker 3: family that was like, let's do this because it's the

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Speaker 3: Here's the thing about game shows. You can get really

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Speaker 3: competitive if there's real money on the line, Like, yeah,

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Speaker 3: take it seriously. But if you're gonna be on TV,

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Speaker 3: make it watchable, like be funny, be interesting, like especially

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Speaker 3: if it's a you know, if you're already in the weeds,

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Speaker 3: like be be funny always. I think air on the

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Speaker 3: side of being entertaining as opposed to like saying the

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Speaker 3: right thing, because also family feud. You don't fucking know

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Speaker 3: what these people are gonna say. You don't know what

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Speaker 3: this survey where this was done. Yeah, because some of

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Speaker 3: these answers, let me tell you, don't make any goddamn sense.

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Speaker 3: And so you know, let's say there's a there's a

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Speaker 3: choice between saying sex or trampoline, like as the answer,

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Speaker 3: I'm gonna say sex because they're just equally likely to

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Speaker 3: be things. And sex is gonna get a Steve Harvey

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Speaker 3: to make a funny face and to walk around the

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Speaker 3: podium and like take a lap because he can't believe

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Speaker 3: I met, Ye're going up and.

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Speaker 2: Down exactly, Wow, I know, are you there? Are you there?

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Speaker 3: So yeah, you just try to be funny and and

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Speaker 3: that's what we were. And we can't give any spoilers

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Speaker 3: in terms of gameplay. We can say that we were

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Speaker 3: on it. We played a pop star h Bbi Rexa

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Speaker 3: and her family were our opponents.

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Speaker 2: Know that it was supposed to be Gene Simmons time.

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Speaker 3: Yeah, well, my parents had the worst day of travel imaginable,

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Speaker 3: and so the whole we were supposed to film on

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Speaker 3: early Friday, it got pushed to later because I mean,

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Speaker 3: listen to this travel.

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Speaker 2: Day do you want me to take them through?

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Speaker 3: And listening to people's travel stuff is not enjoyable and

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Speaker 3: it is like the worst thing to listen to on

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Speaker 3: a podcast.

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Speaker 2: This.

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Speaker 3: I will say that in the past two years of

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Speaker 3: me traveling every weekend for work, all of these things

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Speaker 3: have not happened to me in two years. That happened

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Speaker 3: to you on one flight.

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Speaker 2: Yeah, you are lucky. It is just luck. I mean

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Speaker 2: that's what it comes down to.

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Speaker 3: And the way you guys handled it was so admirable

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Speaker 3: because you were just like, there's nothing we could do.

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Speaker 3: Because I hear Dad going in my head. I'm like,

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Speaker 3: Dad's like we should have left on Wednesday, we should

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Speaker 3: have done this.

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Speaker 2: But he didn't say any of that. It was basically

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Speaker 2: his fault because what, well, here we go.

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Speaker 3: Well, but you were going to be the bigger person here,

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Speaker 3: and well, I mean, I'll just tell you one's got

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Speaker 3: to be to blame.

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Speaker 2: This is my family. Who's to blame. No, No, Dad's fault.

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Speaker 1: Well, we could have left the next day. First of all,

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Speaker 1: started out, our flight up canceled, like at three o'clock

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Speaker 1: in the afternoon. We were supposed to be on a

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Speaker 1: flight at seven, So they canceled that flight. They scrambled

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Speaker 1: to find another flight. They said, yeah, we'll put you

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Speaker 1: on Southwest and you'll go through Austin, Texas. Okay, but

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Speaker 1: that least at six o'clock. Well, Matt and Lauren, you know,

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Speaker 1: busy kids, they're flying yeap, we can make it. So

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Speaker 1: we all get up there, get there. It's delayed, delayed, delayed,

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Speaker 1: and then it got super delayed.

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Speaker 2: We're going to have a connection.

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Speaker 1: We had to catch this connection. So that connection we

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Speaker 1: already know is not going to we're not going to

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Speaker 1: meet it. So we're going to end up staying in Austin.

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Speaker 1: And we're like, well, we could take that flight at

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Speaker 1: six am tomorrow morning morning and have a direct flight

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Speaker 1: on business class and just get there.

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Speaker 2: Yeah, why wouldn't you do that?

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Speaker 1: Your father's said, no, that's just I said, we could

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Speaker 1: get stuck, we could get Sack explains everything.

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Speaker 3: Because I could not believe that my dad wasn't bitching

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Speaker 3: so much.

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Speaker 2: But it's because it was his fault.

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Speaker 1: I didn't blame him. I just said, of course you didn't.

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Speaker 1: You gotta got it.

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Speaker 3: This is because I go, why is that being so

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Speaker 3: chill about? This is because he knows the only one

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Speaker 3: to point a finger at is himself, because the alternative

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Speaker 3: is the thing he shut down because.

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Speaker 1: We had to make Yeah, we could have made this

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Speaker 1: decision like early on and say we have the option

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Speaker 1: of going six am.

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Speaker 3: I wish she would have brought me into this because

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Speaker 3: I would have said, let's do the six am flight and.

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Speaker 2: We would have made that.

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Speaker 1: We would have made the time we would have been

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Speaker 1: so there anyway, real quickly. We ended up going to Austin,

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Speaker 1: but they couldn't land in Austin because you didn't have

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Speaker 1: enough gas.

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Speaker 3: So we had to go under thunderstorms. So they had

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Speaker 3: a circle and then they ran to the gas.

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Speaker 2: So they went to Dallas, Dallas, and we had to

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Speaker 2: go get more gas.

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Speaker 3: And it's eleven o'clock at night when they land in Dallas, okay,

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Speaker 3: So then they're in dawas are on the tarmac or

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Speaker 3: like an hour, so right, they get refueled. Then they

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Speaker 3: go to Austin and then there's no gate attendance there,

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Speaker 3: So when they're on the tarmark for two hours in Austin,

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Speaker 3: they finally get off the plane. They get to their

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Speaker 3: hotel room at three in the morning. Dad said four,

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Speaker 3: So I made it three because I know for sure.

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Speaker 3: Dad added an hour or two, So Dad said four,

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Speaker 3: so I knew it was either two or three.

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Speaker 2: So three.

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Speaker 3: Let's say you checked in your hotel. Then you had

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Speaker 3: a flight the next morning.

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Speaker 2: We had six six o'clock six thirty or something. No,

255
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Speaker 2: it was like an eight o'clock five, but you had

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Speaker 2: to wake up at six.

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Speaker 3: We had to wake up, so we had like then

258
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Speaker 3: that was delayed for two hours, and then they they

259
00:11:33,520 --> 00:11:36,760
Speaker 3: landed right when their call time was, and then the

260
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Speaker 3: traffic was so bad from lax to the studio in Glendale.

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Speaker 2: If you are.

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Speaker 3: Familiar with la it was an hour and a half

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Speaker 3: in the car, right, So they were an hour and

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Speaker 3: a half late to set with a show that had

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Speaker 3: already been pushed back.

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Speaker 2: So it was just like it was such a they

267
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Speaker 2: even moved the show. They moved the show back five.

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Speaker 3: I'm so proud of Dad for not being like we

269
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Speaker 3: should have done this, like not having that.

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Speaker 2: And now I know a lot. Yeah, I know why.

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Speaker 2: Now this is the thing. People don't change.

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Speaker 3: There's circumstances that lead people to act differently. And I'm

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Speaker 3: the same way, Like, I oh, listen to me right now.

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Speaker 3: I'm like, it's Dad's fault, like I have to someone

275
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Speaker 3: has to be to blade.

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Speaker 2: I didn't know. And guess what that flight the next day.

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Speaker 3: You should probably check the status of it because it

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Speaker 3: was probably canceled too, you know what I'm saying, Like

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Speaker 3: if you would have chosen that flight, it would have

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Speaker 3: been canceled. Like it's just this is all just rolling

281
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Speaker 3: the dice. And Dad was probably being smarter and being like,

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Speaker 3: let's get in tonight.

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Speaker 1: You know, he just wanted to get going. Yeah, we're

284
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Speaker 1: at we're going to the airport, We're ready to go.

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Speaker 4: So what is it with dads? Why are dads get

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00:12:38,640 --> 00:12:41,720
Speaker 4: so angry about directions and traveling? And my dad would

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Speaker 4: flip out about that too. Yes, it's always Dad's.

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Speaker 6: A man.

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Speaker 5: Let's call it what it is.

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Speaker 4: Well, I'm a man and I'm going a man too,

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Speaker 4: And I would be like, Dad, if not, like we've

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Speaker 4: missed an exit and like we'll just take the next

293
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Speaker 4: egg and for like the next hour. He'ds that.

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Speaker 3: Can't handle when you just miss an exit and you

295
00:13:07,120 --> 00:13:10,080
Speaker 3: just go, it's okay, it's just adding two minutes. Ways

296
00:13:10,120 --> 00:13:12,959
Speaker 3: is self correcting. It's now, it's just added three minutes

297
00:13:13,000 --> 00:13:15,240
Speaker 3: to the journey. It's okay. But it's like I could

298
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Speaker 3: have gone, Like it's like you were you just lost

299
00:13:18,640 --> 00:13:21,559
Speaker 3: seven minutes of your life whatever that little thing you

300
00:13:21,640 --> 00:13:25,760
Speaker 3: just did. We now, are you just injured yourself?

301
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Speaker 1: You're so good about being chill when it comes to

302
00:13:29,320 --> 00:13:33,200
Speaker 1: like things, you really've learned that you're really good. You go,

303
00:13:33,760 --> 00:13:36,160
Speaker 1: there's nothing we can do about it, just go with it.

304
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Speaker 3: It's like, okay, I need to tell you're really good.

305
00:13:39,880 --> 00:13:43,880
Speaker 3: Everyone's no, you really are good about Oh thanks, yeah,

306
00:13:43,920 --> 00:13:47,040
Speaker 3: I just just oh, like this is this is my

307
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Speaker 3: family's motto. Ship Oh God, like just missing out?

308
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Speaker 2: God, God damn it. Nikki, why didn't you do that?

309
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Speaker 3: You could have got da you could have like all

310
00:13:59,800 --> 00:14:03,000
Speaker 3: of the missed opportunities of like, why wouldn't you have

311
00:14:03,320 --> 00:14:06,040
Speaker 3: said that? Thing, Like there was one moment in family

312
00:14:06,040 --> 00:14:08,480
Speaker 3: feud where my mom like blanks, Like we were all

313
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Speaker 3: so scared to fuck up because we put so much pressure,

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Speaker 3: so we.

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00:14:13,320 --> 00:14:16,840
Speaker 2: Didn't have any sleep. Yeah we had, Yeah we weren't.

316
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Speaker 3: If you did have sleep, it's okay, Like it's not

317
00:14:19,640 --> 00:14:22,200
Speaker 3: like you didn't want to not know that answer. I

318
00:14:22,200 --> 00:14:25,200
Speaker 3: always say to Dad, do you think mom wants to

319
00:14:25,240 --> 00:14:27,560
Speaker 3: be in pain right now or whatever he's like complaining about,

320
00:14:27,680 --> 00:14:29,120
Speaker 3: or like, why didn't you think of that?

321
00:14:29,440 --> 00:14:30,720
Speaker 2: You just drew blank up there?

322
00:14:31,120 --> 00:14:33,400
Speaker 3: Do you think Mom went up there and chose to

323
00:14:33,520 --> 00:14:36,600
Speaker 3: draw a blank like she wanted to that's where and

324
00:14:36,640 --> 00:14:38,840
Speaker 3: this is not this is not just dad do it?

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Speaker 2: Or like we're.

326
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Speaker 4: Oh my god, we know that you were the final family.

327
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Speaker 2: I was the failure of the whole. No, you were,

328
00:14:49,720 --> 00:14:52,520
Speaker 2: Oh yeah right. Mom was the funniest there were.

329
00:14:52,600 --> 00:14:54,720
Speaker 6: Can I just say I saw she was you guys,

330
00:14:54,760 --> 00:14:58,040
Speaker 6: and you guys looked so incredible like hot, and I

331
00:14:58,120 --> 00:14:59,520
Speaker 6: know it don't matter.

332
00:14:59,440 --> 00:15:00,920
Speaker 2: By it's all dressed.

333
00:15:01,320 --> 00:15:04,360
Speaker 5: Yeah, all the style of it was so.

334
00:15:04,000 --> 00:15:08,400
Speaker 3: Sweet of her unbelievable sounds inserted.

335
00:15:08,520 --> 00:15:10,120
Speaker 2: Yeah, it was definitely.

336
00:15:10,240 --> 00:15:10,600
Speaker 1: I was.

337
00:15:12,400 --> 00:15:12,680
Speaker 2: Venmo.

338
00:15:14,000 --> 00:15:17,000
Speaker 3: Yeah, I paid a stylist to treat it because everyone

339
00:15:17,120 --> 00:15:19,360
Speaker 3: was stressing about what to wear it. I said, let's

340
00:15:19,400 --> 00:15:21,640
Speaker 3: just hire a stylist, so you all, I want this

341
00:15:21,720 --> 00:15:24,480
Speaker 3: to be easy. It was a really space or La

342
00:15:24,560 --> 00:15:27,840
Speaker 3: based Saint Louis based nog and Perry shout out.

343
00:15:27,920 --> 00:15:31,400
Speaker 1: It was really sweet. I mean, I was like, it

344
00:15:31,480 --> 00:15:32,640
Speaker 1: took so much pressure.

345
00:15:32,680 --> 00:15:34,560
Speaker 3: My sister was like, Mom's gonna try to go to

346
00:15:34,600 --> 00:15:36,880
Speaker 3: DSW tonight because these shoes are four hundred dollars that

347
00:15:36,920 --> 00:15:39,040
Speaker 3: she pulled and I can't have you buy me three hundred,

348
00:15:39,080 --> 00:15:40,960
Speaker 3: four hundred dollars shoes. And I was like, sweet, So

349
00:15:41,040 --> 00:15:45,160
Speaker 3: Mom is urgently searching online for a DSW T for

350
00:15:45,320 --> 00:15:47,320
Speaker 3: the show, and she's gonna go all drive up to

351
00:15:47,440 --> 00:15:49,520
Speaker 3: ball Wind to pick up these shoes that are not

352
00:15:49,560 --> 00:15:51,360
Speaker 3: even as good as the ones you want, Like, let

353
00:15:51,360 --> 00:15:53,360
Speaker 3: me buy you four hundred dollars shoes. I just been

354
00:15:53,400 --> 00:15:56,360
Speaker 3: thirteen thousand dollars Taylor tickets. I think I can handle this.

355
00:15:56,520 --> 00:15:58,440
Speaker 3: And she was like, I swear to God I will

356
00:15:58,480 --> 00:15:59,800
Speaker 3: wear these rest of my life. I was like, I

357
00:15:59,800 --> 00:16:02,560
Speaker 3: don't don't need that guarantee. You will be buried in them.

358
00:16:02,600 --> 00:16:04,720
Speaker 3: If it's up to me, she told me.

359
00:16:05,440 --> 00:16:08,200
Speaker 1: One second, she said she said, oh my god, the

360
00:16:08,400 --> 00:16:11,800
Speaker 1: shoes and she said they were four hundred and seven

361
00:16:11,840 --> 00:16:12,480
Speaker 1: dollars And I.

362
00:16:12,440 --> 00:16:15,280
Speaker 3: Said, oh, I didn't hear something. I just heard four. Well,

363
00:16:15,320 --> 00:16:16,920
Speaker 3: then let me talk to her.

364
00:16:17,160 --> 00:16:18,800
Speaker 2: Yeah, anyway, I said.

365
00:16:18,960 --> 00:16:21,960
Speaker 1: I said, well, I said that seems like a lot,

366
00:16:22,000 --> 00:16:25,880
Speaker 1: and she's like, no, I will wear I said, I

367
00:16:25,920 --> 00:16:29,600
Speaker 1: will wear these the rest of my life. I said, okay, Well,

368
00:16:29,640 --> 00:16:31,440
Speaker 1: then Nikki wants.

369
00:16:31,240 --> 00:16:31,840
Speaker 2: To buy them.

370
00:16:31,880 --> 00:16:34,720
Speaker 3: How many shoes, Like, how many pairs of shoes would

371
00:16:34,800 --> 00:16:37,040
Speaker 3: she buy for like a wedding at like payless or

372
00:16:37,120 --> 00:16:40,080
Speaker 3: dsw that or like eighty dollars that that's four pairs

373
00:16:40,080 --> 00:16:41,680
Speaker 3: of shoes to equal that one pair of shoes that

374
00:16:41,760 --> 00:16:44,560
Speaker 3: is so nice that will go with everything. It's worth

375
00:16:44,560 --> 00:16:49,160
Speaker 3: it to spend spend thirty thousand dollars on tailor switsickets

376
00:16:49,280 --> 00:16:57,800
Speaker 3: find out after the break. So yeah, thank you Anya

377
00:16:58,000 --> 00:17:00,239
Speaker 3: for telling us that we looked so great.

378
00:17:00,080 --> 00:17:01,560
Speaker 2: At that's so nice.

379
00:17:01,680 --> 00:17:05,320
Speaker 6: Yeah, really buld of choices too, Like Lauren's dress was

380
00:17:05,320 --> 00:17:10,160
Speaker 6: like for a collar that I don't normally yea lay Yes.

381
00:17:11,240 --> 00:17:14,720
Speaker 5: He's like all black and like foxy and dapper.

382
00:17:14,920 --> 00:17:17,560
Speaker 3: Yes. I did see my dad during the fitting change

383
00:17:17,560 --> 00:17:19,520
Speaker 3: out of like he was wearing he wears like boxer

384
00:17:19,600 --> 00:17:22,280
Speaker 3: briefs and they're like dark colored, so they're not like

385
00:17:22,320 --> 00:17:22,960
Speaker 3: I'm not seeing it.

386
00:17:23,040 --> 00:17:23,680
Speaker 2: And I've seen my dad.

387
00:17:23,720 --> 00:17:26,080
Speaker 3: My dad like wears Speedo's, like it's not and I'm

388
00:17:26,080 --> 00:17:27,760
Speaker 3: just in there talking to them, like on my phone.

389
00:17:28,560 --> 00:17:30,919
Speaker 2: Has he ever? I think he owned one.

390
00:17:30,800 --> 00:17:34,040
Speaker 5: Once once, maybe one in her mind.

391
00:17:34,760 --> 00:17:36,800
Speaker 2: Yes, he's wearing it every day.

392
00:17:36,840 --> 00:17:41,520
Speaker 3: In my head, yeah, just one time, and then it's

393
00:17:41,560 --> 00:17:46,200
Speaker 3: like always, well that's never leaving me. And so Dad's

394
00:17:46,200 --> 00:17:49,280
Speaker 3: always wearing Speedos in my head. And so then I

395
00:17:49,359 --> 00:17:51,719
Speaker 3: was in their dressing room and Dad like was changing

396
00:17:51,760 --> 00:17:53,199
Speaker 3: out of his pants, and I just looked up and

397
00:17:53,240 --> 00:17:57,439
Speaker 3: I saw my body change. I saw my aged body.

398
00:17:57,480 --> 00:17:58,800
Speaker 3: I know exactly what I'm gonna.

399
00:17:58,560 --> 00:18:01,800
Speaker 2: Look like when I'm sick body. You have your aunt.

400
00:18:02,280 --> 00:18:04,360
Speaker 3: I just got to keep my skin tight because that's

401
00:18:04,400 --> 00:18:07,920
Speaker 3: the only thing. Otherwise great physique, like things are gonna

402
00:18:07,960 --> 00:18:11,760
Speaker 3: look good. Gets wiry, like I'm looking forward to getting

403
00:18:11,760 --> 00:18:14,800
Speaker 3: this like very old thin like dad, Dad goes I

404
00:18:14,840 --> 00:18:16,840
Speaker 3: went down a pant size and he's not even trying to.

405
00:18:17,240 --> 00:18:19,640
Speaker 3: I love old people that just like lose a lot

406
00:18:19,680 --> 00:18:21,280
Speaker 3: of weight, like I just want to get real.

407
00:18:22,320 --> 00:18:24,840
Speaker 2: Spindly is like.

408
00:18:25,920 --> 00:18:28,040
Speaker 4: And I'm like, man, how did you stay so fit?

409
00:18:28,119 --> 00:18:29,679
Speaker 4: And then like all he eats all day is like

410
00:18:29,720 --> 00:18:33,400
Speaker 4: one piece of spinach and a bean and does not.

411
00:18:33,400 --> 00:18:36,240
Speaker 3: Watch his weight. No, my dad is never wants the

412
00:18:36,359 --> 00:18:41,400
Speaker 3: calories on something. My dad is not ever want exactly

413
00:18:41,840 --> 00:18:44,760
Speaker 3: the way that ben Affleck describes j Loo as like

414
00:18:44,840 --> 00:18:47,080
Speaker 3: she just eats whatever she wants. That is my dad,

415
00:18:47,560 --> 00:18:49,840
Speaker 3: and it actually is the way to live your life.

416
00:18:49,840 --> 00:18:52,320
Speaker 3: If everyone eat like Dad, like he eats when he's hungry.

417
00:18:52,359 --> 00:18:55,160
Speaker 3: He doesn't eat when he's not hungry. He doesn't emotionally eat.

418
00:18:55,320 --> 00:18:57,600
Speaker 3: He never I've never heard my dad go like I'm

419
00:18:57,680 --> 00:19:01,240
Speaker 3: so full I can't or like, oh I feel sick.

420
00:19:01,480 --> 00:19:05,439
Speaker 3: Never once Dad just just dad. Have you ever heard

421
00:19:05,520 --> 00:19:07,720
Speaker 3: him Dad say like I'm so full, I'm I gotta

422
00:19:07,800 --> 00:19:08,920
Speaker 3: undo my pants like we.

423
00:19:08,920 --> 00:19:13,120
Speaker 1: Are well, never eat every meal with him. So I've

424
00:19:13,160 --> 00:19:15,119
Speaker 1: heard it before, but not like a.

425
00:19:15,200 --> 00:19:17,800
Speaker 3: Race, never like he's get that away from me. He's

426
00:19:17,800 --> 00:19:19,080
Speaker 3: never said get it away from me.

427
00:19:19,240 --> 00:19:22,760
Speaker 1: I know exactly how much I mean it's I can

428
00:19:23,280 --> 00:19:24,600
Speaker 1: I know exactly a serve.

429
00:19:24,720 --> 00:19:25,359
Speaker 2: But he doesn't.

430
00:19:25,520 --> 00:19:28,280
Speaker 3: But he doesn't overeat, but he's not ever, He's never

431
00:19:28,400 --> 00:19:30,320
Speaker 3: stopping himself from wanting what he wants.

432
00:19:30,359 --> 00:19:31,200
Speaker 2: He's never wants.

433
00:19:31,080 --> 00:19:34,879
Speaker 3: Dieted never ever, and he always looks thin. And he

434
00:19:34,920 --> 00:19:38,159
Speaker 3: doesn't really work out that much. That's why he does. Mom,

435
00:19:38,600 --> 00:19:40,600
Speaker 3: I know what dad does to work out, and it's

436
00:19:40,640 --> 00:19:42,280
Speaker 3: like ten minutes every day.

437
00:19:42,600 --> 00:19:43,920
Speaker 2: I've seen him at the gym. I used to go

438
00:19:43,960 --> 00:19:45,200
Speaker 2: to the gym with him. He works.

439
00:19:45,440 --> 00:19:49,040
Speaker 3: He like he doesn't do any cardio. He will he

440
00:19:49,080 --> 00:19:52,000
Speaker 3: will lift weights, but that's like he doesn't overdo it.

441
00:19:52,040 --> 00:19:54,200
Speaker 3: He's not like a guy that's woking up. I started

442
00:19:54,200 --> 00:19:56,840
Speaker 3: lifting weights recently because I want to have a libido again.

443
00:19:56,880 --> 00:19:58,840
Speaker 3: And I was told that I have low tea and

444
00:19:58,880 --> 00:20:01,399
Speaker 3: you can take like testoster own supplements. But I was like,

445
00:20:01,800 --> 00:20:04,920
Speaker 3: can I eat like what foods have testosterone and.

446
00:20:04,840 --> 00:20:06,440
Speaker 2: Them They're like none, And I'm like.

447
00:20:06,440 --> 00:20:08,240
Speaker 3: Well then how am I supposed to get testos? Like

448
00:20:08,320 --> 00:20:10,080
Speaker 3: I thought it was like a vitamin, like even like

449
00:20:10,640 --> 00:20:13,080
Speaker 3: and she was like the one thing, you can lift

450
00:20:13,119 --> 00:20:15,800
Speaker 3: weights and I was like, oh, really, like there's nothing

451
00:20:15,840 --> 00:20:19,639
Speaker 3: I can take. So I've been lifting weights recently to

452
00:20:20,200 --> 00:20:22,520
Speaker 3: get my tea back up, and I gotta say it

453
00:20:23,040 --> 00:20:26,439
Speaker 3: comes back, like I feel so much more vibrant and

454
00:20:26,480 --> 00:20:30,800
Speaker 3: alive and sexual and like just a functioning you know,

455
00:20:31,640 --> 00:20:34,160
Speaker 3: human being in society. When I have a little bit

456
00:20:34,240 --> 00:20:37,399
Speaker 3: of when I'm just like pushing a little bit and

457
00:20:37,440 --> 00:20:39,800
Speaker 3: it doesn't take much. I do like a five minute

458
00:20:39,800 --> 00:20:42,880
Speaker 3: workout and it's nothing. It's just the thing I found

459
00:20:42,880 --> 00:20:45,080
Speaker 3: on Instagram of this girl being like do this for

460
00:20:45,119 --> 00:20:46,840
Speaker 3: ten times, then this, then this.

461
00:20:47,160 --> 00:20:50,199
Speaker 2: I'll share it on the story. The arm workout I do.

462
00:20:50,440 --> 00:20:51,159
Speaker 2: But that's all I do.

463
00:20:51,200 --> 00:20:53,320
Speaker 3: And then I work on a treadmill, I walk on

464
00:20:53,359 --> 00:20:56,680
Speaker 3: an incline for a half hour. But that's all you gotta.

465
00:20:57,200 --> 00:20:58,520
Speaker 3: That's all I feel like I have to do now.

466
00:20:58,560 --> 00:21:03,520
Speaker 3: But yeah, the the the idea that I was like,

467
00:21:03,720 --> 00:21:06,359
Speaker 3: you know, just nover. I don't like feeling like I

468
00:21:06,480 --> 00:21:08,800
Speaker 3: have no sex drive or no. And I don't mean

469
00:21:08,880 --> 00:21:10,760
Speaker 3: to talk about sex. That's not where we're going with.

470
00:21:10,760 --> 00:21:13,040
Speaker 4: There's a deodorant.

471
00:21:12,640 --> 00:21:14,240
Speaker 2: You I know you don't care about sex.

472
00:21:14,400 --> 00:21:16,440
Speaker 4: You can put on a deodorant that gives your tea

473
00:21:17,040 --> 00:21:19,880
Speaker 4: really yeah, yeah, there's a deodorant. But it stinks.

474
00:21:20,560 --> 00:21:23,760
Speaker 3: Oh yeah, well maybe it's like smells. What if it

475
00:21:23,840 --> 00:21:25,840
Speaker 3: smells like pheromones, like good.

476
00:21:25,800 --> 00:21:27,560
Speaker 4: That's what it smells. I don't know if I mean,

477
00:21:27,600 --> 00:21:29,760
Speaker 4: it depends on who you are If you like that smell,

478
00:21:30,040 --> 00:21:32,000
Speaker 4: it's it's the musk. You know, some people have a

479
00:21:32,080 --> 00:21:35,840
Speaker 4: stench that for some it'd be like the most attractive

480
00:21:36,000 --> 00:21:39,960
Speaker 4: smelling thing, and then for others it's a repulsive, disgusting.

481
00:21:40,000 --> 00:21:41,000
Speaker 2: It's so true.

482
00:21:41,160 --> 00:21:42,959
Speaker 3: Do you know that if on birth control, like you

483
00:21:43,000 --> 00:21:47,080
Speaker 3: can become unattracted to your man's scent because it changes everything.

484
00:21:48,200 --> 00:21:51,639
Speaker 3: If you fall in love with the guy on a

485
00:21:51,640 --> 00:21:54,680
Speaker 3: birth control and you're really attracted to this guy, if

486
00:21:54,680 --> 00:21:57,120
Speaker 3: you get off that birth control, it can change your

487
00:21:57,440 --> 00:22:01,119
Speaker 3: perception of smells and fair and it can make girls

488
00:22:01,119 --> 00:22:05,879
Speaker 3: have become disgusted with their husband's or boyfriend's sense or

489
00:22:05,960 --> 00:22:07,600
Speaker 3: vice versa. They go on a birth control and all

490
00:22:07,600 --> 00:22:10,000
Speaker 3: of a sudden, they're like, oh god, he stinks because

491
00:22:10,040 --> 00:22:13,160
Speaker 3: it changes your your hormones and your attraction.

492
00:22:13,320 --> 00:22:16,320
Speaker 4: These sacks of meat, and you could just and chemicals

493
00:22:16,440 --> 00:22:19,520
Speaker 4: and little little changes, like like little changes to your

494
00:22:19,560 --> 00:22:23,680
Speaker 4: brain could change your entire personality one the bottomy away

495
00:22:23,720 --> 00:22:27,000
Speaker 4: from being a completely different person. Our lives are a farce.

496
00:22:27,560 --> 00:22:29,680
Speaker 3: Oh you bump your head and you can all of

497
00:22:29,680 --> 00:22:31,200
Speaker 3: a sudden want to fuck children or something.

498
00:22:31,280 --> 00:22:34,480
Speaker 2: Yeah, I'm not kidding you. People, they are.

499
00:22:35,920 --> 00:22:37,720
Speaker 3: Well I'm just thinking of the worst thing. But like

500
00:22:38,320 --> 00:22:40,680
Speaker 3: I always talk about this on the podcast, pedophiles don't

501
00:22:40,720 --> 00:22:43,399
Speaker 3: want to be pedophiles. It's just an anomaly in their brain.

502
00:22:43,680 --> 00:22:45,920
Speaker 4: So maybe if a pedophile bumped his head, he won't

503
00:22:45,920 --> 00:22:46,600
Speaker 4: want to find I.

504
00:22:46,600 --> 00:22:49,560
Speaker 2: Would be yea my head against everything.

505
00:22:49,880 --> 00:22:54,720
Speaker 6: On an episode of Gilligan's Island, I think one of

506
00:22:54,760 --> 00:22:56,560
Speaker 6: them he hits his head on a coconut and then

507
00:22:56,600 --> 00:22:59,080
Speaker 6: I'm a.

508
00:22:59,000 --> 00:23:03,960
Speaker 3: Pedophile hit their heads and and had huge changes in

509
00:23:04,000 --> 00:23:05,840
Speaker 3: their personally. I mean, let's talk about like T M

510
00:23:05,880 --> 00:23:09,480
Speaker 3: I C TE, Like, these are all things that you know, Mom,

511
00:23:09,560 --> 00:23:12,200
Speaker 3: Mom has had had seven concussions that she can remember

512
00:23:12,880 --> 00:23:18,200
Speaker 3: five five so probably seven. Yeah, can you name them all?

513
00:23:18,200 --> 00:23:21,000
Speaker 3: Like the kids in your family? Jimmy, Wait, Nancy, jim

514
00:23:21,000 --> 00:23:25,359
Speaker 3: and Michael, Julie, Toma, Peggy Pup Wait, Nancy, Jimmy, Michael, Julie, Toma, Peggy, Chucky, Bobby, Sally,

515
00:23:25,359 --> 00:23:32,800
Speaker 3: Mom and Dad, Patty, Patty, Nancy, Jimmy, Michael, Julie, Toma, Peggy, Jump, Nancy, Jimmy, Michael, Jimmy, Julie, Toma, Peggy, Chucky, Sally, Patty,

516
00:23:33,040 --> 00:23:33,640
Speaker 3: Mom and Dad.

517
00:23:33,760 --> 00:23:37,360
Speaker 5: Yes, are you saying Tom or Peggy, Tom Tom.

518
00:23:37,920 --> 00:23:44,959
Speaker 4: Those were the answers for the family and Turkey.

519
00:23:45,720 --> 00:23:47,520
Speaker 2: Okay, how many what concussions, let's go through?

520
00:23:47,880 --> 00:23:52,080
Speaker 1: Oh my god, Okay, my first one was I hit

521
00:23:52,160 --> 00:23:57,159
Speaker 1: I fell off a horse with one Cindy Depew's farm.

522
00:23:57,480 --> 00:24:00,920
Speaker 1: And then my no, my first one was a tire swing.

523
00:24:01,400 --> 00:24:03,919
Speaker 1: But my brother tomar hung up and it was above

524
00:24:04,200 --> 00:24:08,280
Speaker 1: the cement driveway and he's he said, do you want

525
00:24:08,280 --> 00:24:10,120
Speaker 1: to try it first? And I said, you're darn right,

526
00:24:10,600 --> 00:24:12,680
Speaker 1: and so I fell and hit my head that time.

527
00:24:12,760 --> 00:24:14,399
Speaker 3: Can I just also say my mom was the seventh

528
00:24:14,400 --> 00:24:17,480
Speaker 3: of ten kids in a Catholic family, and her nickname

529
00:24:17,520 --> 00:24:19,960
Speaker 3: as a child was pig woman.

530
00:24:20,600 --> 00:24:27,600
Speaker 7: They were so to her, maybe that's dirty, and she

531
00:24:27,600 --> 00:24:29,720
Speaker 7: would just go make friends with old people in the

532
00:24:29,720 --> 00:24:32,320
Speaker 7: neighborhood because the kids really liked her.

533
00:24:32,760 --> 00:24:36,280
Speaker 2: I know her child, but she, yeah, she was pig woman.

534
00:24:37,040 --> 00:24:40,840
Speaker 2: She was a little wondered a little girl. I was

535
00:24:40,880 --> 00:24:43,720
Speaker 2: so sick. I was a little chunk whin did Yeah,

536
00:24:43,760 --> 00:24:44,600
Speaker 2: I was a little chunk er.

537
00:24:44,680 --> 00:24:44,720
Speaker 4: No.

538
00:24:45,800 --> 00:24:49,240
Speaker 1: My sister, two years older than me, was a waif,

539
00:24:49,840 --> 00:24:53,520
Speaker 1: and so she always was so thin and and she

540
00:24:53,560 --> 00:24:56,680
Speaker 1: would go, you know, you're fat, and I'm like, I

541
00:24:56,720 --> 00:24:59,359
Speaker 1: am net. But anyway, she was skinny, so yeah, I

542
00:24:59,520 --> 00:25:03,920
Speaker 1: was fat, baggy. Yeah, anyway, So then okay, so that's two.

543
00:25:05,280 --> 00:25:08,000
Speaker 1: And then I was riding on Jony Neil's shoulders in

544
00:25:08,040 --> 00:25:11,879
Speaker 1: the school playground on the cement and we were having

545
00:25:11,960 --> 00:25:15,159
Speaker 1: races and she tripped and I hit my head and

546
00:25:15,200 --> 00:25:20,040
Speaker 1: then that was a big woman fell off shoulders. And

547
00:25:20,119 --> 00:25:22,399
Speaker 1: then and then I was on a date once we

548
00:25:22,400 --> 00:25:25,200
Speaker 1: were riding horses through this great vines.

549
00:25:25,800 --> 00:25:33,520
Speaker 2: Were you on the Bachelor? Yeah, one with Peter Terry

550
00:25:35,280 --> 00:25:38,320
Speaker 2: or one on one the train playing when he got

551
00:25:38,320 --> 00:25:38,960
Speaker 2: to the no.

552
00:25:39,080 --> 00:25:41,920
Speaker 1: Domnonia's story was that it was out in the country

553
00:25:42,359 --> 00:25:44,359
Speaker 1: and I started dating this guy and he took he

554
00:25:44,359 --> 00:25:47,359
Speaker 1: he had a winery, his family owned a winery, and

555
00:25:47,400 --> 00:25:50,440
Speaker 1: he's like, and I wasn't horseworthy, you know.

556
00:25:51,720 --> 00:25:52,800
Speaker 2: Yeah, you felt like I don't.

557
00:25:53,400 --> 00:25:55,439
Speaker 1: I really I fell off a horse when I was

558
00:25:56,280 --> 00:25:59,480
Speaker 1: I was a big woman. So he's going up and

559
00:25:59,520 --> 00:26:02,080
Speaker 1: down these and he's galloping and I'm like, hold on,

560
00:26:02,680 --> 00:26:05,360
Speaker 1: you know, and he went to the horse, my horse

561
00:26:05,480 --> 00:26:08,200
Speaker 1: twice on a horse, So I fell off of that horse,

562
00:26:08,680 --> 00:26:10,920
Speaker 1: and I you know, so then.

563
00:26:11,080 --> 00:26:13,959
Speaker 4: I started playing.

564
00:26:14,520 --> 00:26:18,800
Speaker 1: Yeah something happened. But the funniest part of the story was,

565
00:26:19,240 --> 00:26:22,120
Speaker 1: so I'm like, he goes, it's okay, my my neighbor's

566
00:26:22,160 --> 00:26:24,800
Speaker 1: a nurse. And I'm like, okay, okay, you know, because

567
00:26:24,880 --> 00:26:28,160
Speaker 1: I was seeing stars and yeah, I'm like, and we're walking.

568
00:26:28,160 --> 00:26:30,439
Speaker 1: He goes, oh, there is my nurse neighbor and I'm like,

569
00:26:30,480 --> 00:26:35,200
Speaker 1: we're walking over and I'm like, Tom, Tom and.

570
00:26:35,160 --> 00:26:39,320
Speaker 2: It was my old boyfriend who was a nurse. I

571
00:26:39,520 --> 00:26:41,000
Speaker 2: moved out to the country.

572
00:26:41,320 --> 00:26:47,560
Speaker 3: And he tears, boyfriend is a nurse because you're gonna

573
00:26:47,800 --> 00:26:48,520
Speaker 3: I think it's a woman.

574
00:26:48,920 --> 00:26:50,600
Speaker 1: You think it's a woman. And I'm like, he's like,

575
00:26:50,640 --> 00:26:53,680
Speaker 1: my neighbor's a nurse. I'm like, oh, perfect, I said.

576
00:26:53,440 --> 00:26:55,400
Speaker 2: I'm really definitely have something going on.

577
00:26:55,440 --> 00:26:58,480
Speaker 1: And I'm looking. We're walking towards. He goes, there's my

578
00:26:58,600 --> 00:27:03,240
Speaker 1: nurse neighbor. And I'm like Tom Foley and he's like, oh,

579
00:27:03,640 --> 00:27:07,720
Speaker 1: Julie Burke what I was like, It was like, am

580
00:27:07,760 --> 00:27:11,560
Speaker 1: I dreaming this or what? Because we're in the country. Anyway,

581
00:27:11,720 --> 00:27:13,480
Speaker 1: that's in part of the story. And then one time,

582
00:27:14,119 --> 00:27:15,880
Speaker 1: here's the other, here's the other.

583
00:27:16,000 --> 00:27:17,560
Speaker 2: Last one. It's just awful.

584
00:27:18,359 --> 00:27:21,280
Speaker 1: We're playing softball with a big group with it was

585
00:27:21,359 --> 00:27:24,240
Speaker 1: with kegs and beer and stuff. Was a Sunday afternoon

586
00:27:24,600 --> 00:27:27,240
Speaker 1: and I was dating this one guy who I came

587
00:27:27,280 --> 00:27:31,080
Speaker 1: with him, and he so he his friends. It's his

588
00:27:31,080 --> 00:27:34,520
Speaker 1: friends too. So a ball, I hit the ball out

589
00:27:34,560 --> 00:27:38,440
Speaker 1: to the field that whoever catches it in the outfield.

590
00:27:38,640 --> 00:27:40,359
Speaker 2: Oh, the two people the.

591
00:27:40,240 --> 00:27:44,119
Speaker 1: Third base and second base run to catch it together

592
00:27:44,440 --> 00:27:47,439
Speaker 1: and they bang into each other but in and then

593
00:27:47,560 --> 00:27:50,800
Speaker 1: the meantime those two knock each other out. And then

594
00:27:51,400 --> 00:27:54,639
Speaker 1: whoever who was on left field picks up the ball

595
00:27:54,840 --> 00:27:56,920
Speaker 1: and throws it and hits me in the side of

596
00:27:56,960 --> 00:28:06,440
Speaker 1: the hedge, crying. I get literally knocked out, my knocked out.

597
00:28:06,600 --> 00:28:08,720
Speaker 2: I'm flat out. I'm knocked out.

598
00:28:09,119 --> 00:28:15,400
Speaker 1: So I ended up waking up with this leccher guy over.

599
00:28:15,160 --> 00:28:22,320
Speaker 2: Me, going, you need a ride? And I said what Tom.

600
00:28:23,040 --> 00:28:25,239
Speaker 1: This was a guy who I saw him looking at me,

601
00:28:25,720 --> 00:28:28,320
Speaker 1: and he was kept staring at me. Wait, he was

602
00:28:28,480 --> 00:28:31,640
Speaker 1: waiting around. We were the only two people left there.

603
00:28:32,040 --> 00:28:36,960
Speaker 1: They left you left organized your date left you because

604
00:28:37,000 --> 00:28:38,960
Speaker 1: his two best friends ran into each other and they

605
00:28:38,960 --> 00:28:40,040
Speaker 1: had to go to the hospital.

606
00:28:40,280 --> 00:28:46,320
Speaker 2: Oh and then he left como one noticed me laying

607
00:28:46,560 --> 00:28:49,080
Speaker 2: on the ground. They were all being tended to.

608
00:28:49,560 --> 00:28:52,680
Speaker 1: They had to go take Doug and somebody else to

609
00:28:52,760 --> 00:28:53,440
Speaker 1: the hospital.

610
00:28:53,600 --> 00:28:57,720
Speaker 2: Oh my god, I woke up and I'm looking around

611
00:28:58,160 --> 00:28:58,560
Speaker 2: this guy.

612
00:28:58,640 --> 00:29:02,080
Speaker 1: Later I went to his house. I said, I never

613
00:29:02,200 --> 00:29:04,080
Speaker 1: want to see you ever again.

614
00:29:04,120 --> 00:29:05,800
Speaker 3: I'm coming to see you to tell you I'd never

615
00:29:05,800 --> 00:29:10,640
Speaker 3: want to see you before you I was shot him.

616
00:29:10,760 --> 00:29:14,120
Speaker 3: I was like, you left me, goes what happened to you?

617
00:29:14,560 --> 00:29:18,280
Speaker 3: I'm like, oh, you are in such trouble. I was

618
00:29:18,320 --> 00:29:20,000
Speaker 3: afraid this guy was going to kill me.

619
00:29:20,280 --> 00:29:22,920
Speaker 2: Yeah. This guy was like a Letcher kind of guy. Yeah.

620
00:29:23,160 --> 00:29:25,960
Speaker 1: I look around, there's no one left this whole group

621
00:29:26,000 --> 00:29:26,400
Speaker 1: of people.

622
00:29:26,440 --> 00:29:28,360
Speaker 3: Thank god you weren't just hit a little bit harder,

623
00:29:28,360 --> 00:29:30,800
Speaker 3: because he probably would have, Like he loaded your body

624
00:29:30,800 --> 00:29:34,280
Speaker 3: into the car and had his way. So Jim, Yeah,

625
00:29:34,800 --> 00:29:35,480
Speaker 3: fuck Jim.

626
00:29:35,880 --> 00:29:36,200
Speaker 4: Jim.

627
00:29:36,240 --> 00:29:37,920
Speaker 2: I went over there and I said, did he try

628
00:29:37,960 --> 00:29:38,600
Speaker 2: to win you back?

629
00:29:39,120 --> 00:29:39,280
Speaker 4: Oh?

630
00:29:39,360 --> 00:29:39,719
Speaker 6: He was.

631
00:29:39,880 --> 00:29:43,560
Speaker 2: He was crying. He was like, he said, I said,

632
00:29:43,600 --> 00:29:47,000
Speaker 2: what if you left me? I was still dizzy. Yeah,

633
00:29:47,080 --> 00:29:48,719
Speaker 2: I had to drive you. We're still dizzy from the

634
00:29:48,760 --> 00:29:54,320
Speaker 2: first horse ball A fifth concussion, So those are no

635
00:29:55,240 --> 00:30:00,160
Speaker 2: fro that was five, no coming back. That guy never.

636
00:30:00,280 --> 00:30:02,400
Speaker 4: Date unconscious in a field.

637
00:30:02,800 --> 00:30:08,720
Speaker 2: Can you believe? Do you cry? Brian? So you're remor no,

638
00:30:08,880 --> 00:30:09,560
Speaker 2: it didn't work.

639
00:30:09,920 --> 00:30:12,600
Speaker 3: Oh my god. Okay, so that's insane. I'm glad I

640
00:30:12,600 --> 00:30:14,800
Speaker 3: have all those stories. Yeah, so now we know what

641
00:30:14,840 --> 00:30:16,640
Speaker 3: to tell the doctor. When you get your six'll go,

642
00:30:16,840 --> 00:30:18,320
Speaker 3: I can walk through all five.

643
00:30:18,720 --> 00:30:19,200
Speaker 4: That's probably.

644
00:30:21,440 --> 00:30:22,200
Speaker 2: Yeah, that's well.

645
00:30:22,200 --> 00:30:23,920
Speaker 3: I'm glad. I've never been around for any of them.

646
00:30:23,960 --> 00:30:26,480
Speaker 3: I would hate to see you knocked out. Can you

647
00:30:27,000 --> 00:30:27,800
Speaker 3: seen you knocked out?

648
00:30:27,880 --> 00:30:29,880
Speaker 2: I got this was knocked down.

649
00:30:30,680 --> 00:30:37,280
Speaker 3: Look, I've seen you give yourself a concussion. I've seen

650
00:30:37,320 --> 00:30:41,520
Speaker 3: you that. I will let you pass out a couple

651
00:30:41,560 --> 00:30:47,400
Speaker 3: of fields. But because you couldn't drive me home. No,

652
00:30:47,520 --> 00:30:49,360
Speaker 3: that's she's followed off the wagon and.

653
00:30:51,120 --> 00:30:53,040
Speaker 2: A horse. I thought it was a horse.

654
00:30:53,160 --> 00:30:58,720
Speaker 6: My favorite story is I wasn't horseworthy.

655
00:30:59,160 --> 00:31:01,080
Speaker 2: Thank you. It's like spun doorthy.

656
00:31:01,320 --> 00:31:02,280
Speaker 4: Yeah.

657
00:31:02,560 --> 00:31:04,560
Speaker 3: I felt that way before when I'm dating guy that

658
00:31:04,760 --> 00:31:08,880
Speaker 3: like even Chris, like his family is like very kirk. Well,

659
00:31:08,960 --> 00:31:11,400
Speaker 3: if you know Saint Louis, they're just like he went

660
00:31:11,440 --> 00:31:15,440
Speaker 3: to private school and they they they've been to country clubs,

661
00:31:15,480 --> 00:31:17,360
Speaker 3: and I've only been to country clubs. Like when like

662
00:31:17,400 --> 00:31:19,280
Speaker 3: our friends get us in for like oh there's a

663
00:31:19,320 --> 00:31:21,520
Speaker 3: brunch happening, and like we get to like go once

664
00:31:21,560 --> 00:31:23,120
Speaker 3: and we have to like go out, we have to

665
00:31:23,160 --> 00:31:25,800
Speaker 3: go to pay less to get like nice shoes for it.

666
00:31:25,920 --> 00:31:27,320
Speaker 2: I feel like that's what the country.

667
00:31:27,080 --> 00:31:31,560
Speaker 4: Clubs for your friend, getting you into the country club.

668
00:31:31,920 --> 00:31:35,040
Speaker 2: Yea, that they're letting in.

669
00:31:35,080 --> 00:31:35,840
Speaker 4: The riff raft.

670
00:31:36,200 --> 00:31:39,000
Speaker 3: Like there's a little bit of like, I don't, I

671
00:31:39,040 --> 00:31:42,840
Speaker 3: don't deserve this. I'm not good like you know, even

672
00:31:42,960 --> 00:31:45,600
Speaker 3: Lauren with those shoes like this, I don't. I don't

673
00:31:45,640 --> 00:31:47,800
Speaker 3: deserve these kind of shoes or even with you, anytime

674
00:31:47,840 --> 00:31:50,640
Speaker 3: I try to get you something super nice, I do.

675
00:31:50,760 --> 00:31:52,720
Speaker 3: I take it now, Now you take it. You took

676
00:31:52,760 --> 00:31:55,640
Speaker 3: those tickets, I'll tell you. And I told this on

677
00:31:55,640 --> 00:31:58,480
Speaker 3: the podcast. When I went over after Taylor's with broke

678
00:31:58,560 --> 00:32:00,800
Speaker 3: up with Joe, I had a de pull inside my

679
00:32:00,880 --> 00:32:03,080
Speaker 3: soul that said, you need to go see her, you

680
00:32:03,120 --> 00:32:05,160
Speaker 3: need to go be with Taylor. And so I looked

681
00:32:05,200 --> 00:32:07,200
Speaker 3: up tickets on my weekend off, which was this piece

682
00:32:07,200 --> 00:32:09,400
Speaker 3: of past weekend. I got tickets to a ticket to

683
00:32:09,440 --> 00:32:11,600
Speaker 3: the Saturday show and I go, I want to I

684
00:32:11,640 --> 00:32:13,520
Speaker 3: can't let let Little Sunday Show hang.

685
00:32:13,560 --> 00:32:14,760
Speaker 2: And I got to go to that too.

686
00:32:15,000 --> 00:32:17,400
Speaker 3: And I went over for Easter a couple of weeks ago,

687
00:32:17,480 --> 00:32:18,840
Speaker 3: and I was like, Mom, I really want to go

688
00:32:18,840 --> 00:32:21,120
Speaker 3: to the Sunday show and I just I was like,

689
00:32:21,160 --> 00:32:23,840
Speaker 3: there's but there's only I can't buy just one ticket

690
00:32:23,880 --> 00:32:26,000
Speaker 3: front row. I got to buy two. And I was like,

691
00:32:26,080 --> 00:32:28,200
Speaker 3: would you go? And you were like, yeah, i'll go,

692
00:32:28,360 --> 00:32:30,200
Speaker 3: and I go, there's this much money, and you go,

693
00:32:30,920 --> 00:32:33,840
Speaker 3: it's a lot, but I do it. And I was like,

694
00:32:33,920 --> 00:32:36,520
Speaker 3: I couldn't believe because my mom usually is like, you

695
00:32:36,800 --> 00:32:41,440
Speaker 3: are not paying No, that is disgusting.

696
00:32:41,720 --> 00:32:44,520
Speaker 1: Oh you told me a lot less. You said, well,

697
00:32:44,560 --> 00:32:47,400
Speaker 1: then see a couple of thousand, and then they're.

698
00:32:47,200 --> 00:32:49,240
Speaker 2: Fucking jacked it up. It was stabhab.

699
00:32:49,360 --> 00:32:51,560
Speaker 1: Then after you bought him, you're like, I'm not going

700
00:32:51,640 --> 00:32:53,320
Speaker 1: to tell you what these were in Laura, Lauren look

701
00:32:53,320 --> 00:32:55,520
Speaker 1: at this and I'm like how much?

702
00:32:55,600 --> 00:32:57,880
Speaker 2: How much? And you were like, well, they take two

703
00:32:57,880 --> 00:32:59,880
Speaker 2: thousand each for fees.

704
00:33:00,160 --> 00:33:02,760
Speaker 3: Yeah, I mean the the fees were six thousand dollars.

705
00:33:02,800 --> 00:33:05,920
Speaker 3: I think five or six thousand dollars for just stub hubs.

706
00:33:06,640 --> 00:33:09,480
Speaker 3: I'm not joking because the tickets themselves I think were

707
00:33:09,560 --> 00:33:12,400
Speaker 3: forty five or I think there were fifty two each,

708
00:33:12,760 --> 00:33:14,520
Speaker 3: so maybe it was like three thousand dollars in fees.

709
00:33:15,160 --> 00:33:18,320
Speaker 4: Mooly, Ticketmaster and Live Nation merge and that was a

710
00:33:18,360 --> 00:33:19,480
Speaker 4: crime against America.

711
00:33:20,120 --> 00:33:22,360
Speaker 3: I don't understand it, but I do know that I

712
00:33:22,400 --> 00:33:24,120
Speaker 3: got screwed because the first night I go, I sit

713
00:33:24,160 --> 00:33:25,719
Speaker 3: down in my seat and the guy next to me

714
00:33:25,800 --> 00:33:28,280
Speaker 3: is also alone. I go, you're alone too, and he

715
00:33:28,400 --> 00:33:30,280
Speaker 3: was like, you actually have my ticket? And I was like,

716
00:33:30,360 --> 00:33:32,360
Speaker 3: oh really, and I was like, wasting it? Do you?

717
00:33:32,880 --> 00:33:34,160
Speaker 3: I like, all of a sudden, was like, did I

718
00:33:34,160 --> 00:33:35,680
Speaker 3: actually send the wrong seat? And he's like, no, I

719
00:33:35,720 --> 00:33:37,800
Speaker 3: sold that ticket, and I'm like, you need to buy

720
00:33:37,800 --> 00:33:38,680
Speaker 3: me a fucking drink.

721
00:33:38,720 --> 00:33:40,800
Speaker 2: Then I was like that I drink, but I was.

722
00:33:40,760 --> 00:33:43,040
Speaker 3: Like, you need you owe me buy me a shirt

723
00:33:43,160 --> 00:33:45,959
Speaker 3: or something, and he goes, no, I don't know how

724
00:33:46,040 --> 00:33:48,320
Speaker 3: much you paid, but I only made a thousand off

725
00:33:48,320 --> 00:33:50,120
Speaker 3: of the ticket. I was like, well, I paid forty

726
00:33:50,120 --> 00:33:54,640
Speaker 3: five hundred for the ticket, so someone resold the ticket

727
00:33:54,680 --> 00:33:57,680
Speaker 3: they bought for you. And then the next night I'm like, man,

728
00:33:57,720 --> 00:34:00,920
Speaker 3: maybe I could resell the tickets I bought for mom

729
00:34:00,960 --> 00:34:03,640
Speaker 3: and me for for twenty thousand, like who knows, Like

730
00:34:03,680 --> 00:34:05,880
Speaker 3: I wasn't gonna make twenty off of them, but you know,

731
00:34:07,200 --> 00:34:09,000
Speaker 3: but hell no, I wouldn't have done that because I

732
00:34:09,000 --> 00:34:11,319
Speaker 3: had already bought it and I was like, we're doing it,

733
00:34:11,719 --> 00:34:14,759
Speaker 3: and we got. The first night I went was incredible.

734
00:34:15,600 --> 00:34:18,440
Speaker 3: It was I was third row and it was so

735
00:34:18,560 --> 00:34:20,560
Speaker 3: much fun and it was so much better to be

736
00:34:20,600 --> 00:34:21,120
Speaker 3: on the floor.

737
00:34:21,200 --> 00:34:22,480
Speaker 2: No offense to anyone.

738
00:34:22,200 --> 00:34:24,919
Speaker 3: Sitting up, I'm gonna sit up in the seats again

739
00:34:25,120 --> 00:34:26,520
Speaker 3: for another version of the tour.

740
00:34:26,600 --> 00:34:27,440
Speaker 2: I want to sit everywhere.

741
00:34:27,440 --> 00:34:30,040
Speaker 3: I want to be all over the theater or because

742
00:34:30,040 --> 00:34:34,120
Speaker 3: the screens are so insane and phenomenal, and all her

743
00:34:34,200 --> 00:34:37,280
Speaker 3: close ups on the screens, you don't miss anything. If anything,

744
00:34:37,280 --> 00:34:38,680
Speaker 3: you're sitting in the front room and you're looking at

745
00:34:38,719 --> 00:34:41,160
Speaker 3: the screen too, so it's like, yeah, you're not. And

746
00:34:41,200 --> 00:34:42,840
Speaker 3: she's so all over the place that even if you

747
00:34:42,880 --> 00:34:44,759
Speaker 3: are on the floor. These is to anyone who'd got

748
00:34:44,800 --> 00:34:46,440
Speaker 3: tickets and isn't on the floor, and you're.

749
00:34:46,320 --> 00:34:47,760
Speaker 2: Like, well, I'm not gonna have the experience.

750
00:34:48,480 --> 00:34:52,160
Speaker 3: You are not even close to her for for ninety

751
00:34:52,160 --> 00:34:54,839
Speaker 3: percent of the show because the stage has all these

752
00:34:54,880 --> 00:34:58,080
Speaker 3: different areas, so she's constantly moving around and all these

753
00:34:58,120 --> 00:35:00,200
Speaker 3: different parts, So she's maybe in front of you for

754
00:35:00,239 --> 00:35:02,560
Speaker 3: a couple seconds here and there when she walks by,

755
00:35:02,719 --> 00:35:04,680
Speaker 3: or she'll like sing a like maybe a.

756
00:35:04,719 --> 00:35:07,640
Speaker 2: Verse if that around where you are, and then.

757
00:35:07,560 --> 00:35:09,480
Speaker 3: You scream, and the whole time you're just getting out

758
00:35:09,480 --> 00:35:11,000
Speaker 3: your phone, so you're looking at your phone, and I'm

759
00:35:11,040 --> 00:35:12,640
Speaker 3: trying to hold the phone but also look at her

760
00:35:12,680 --> 00:35:15,759
Speaker 3: with like just clear view to like actually have it.

761
00:35:15,840 --> 00:35:19,359
Speaker 3: There's this I'm someone who obviously rolls my eyes at

762
00:35:19,400 --> 00:35:22,880
Speaker 3: anyone who's just filming the entire concert. But as someone

763
00:35:22,880 --> 00:35:26,439
Speaker 3: who's like that, I have to say, don't judge people

764
00:35:26,440 --> 00:35:28,200
Speaker 3: who do it because you don't know what it's like

765
00:35:28,520 --> 00:35:30,399
Speaker 3: to have it right in front of you, and you

766
00:35:30,440 --> 00:35:33,880
Speaker 3: want to capture it. You want to you want to

767
00:35:33,920 --> 00:35:36,080
Speaker 3: be able to watch it again and again and again.

768
00:35:36,160 --> 00:35:38,440
Speaker 3: There is some compulsion in me that I wanted to

769
00:35:38,520 --> 00:35:40,560
Speaker 3: capture a picture of it. I just wanted to save it.

770
00:35:40,560 --> 00:35:42,719
Speaker 3: It wasn't about like I can't get off my phone.

771
00:35:42,760 --> 00:35:44,759
Speaker 3: I'm such a millennial or gen z or whatever. I'm

772
00:35:44,760 --> 00:35:46,800
Speaker 3: addicted to my phone and everything has to be experienced

773
00:35:46,800 --> 00:35:48,839
Speaker 3: to the phone. It was like, you just don't want

774
00:35:48,880 --> 00:35:50,279
Speaker 3: that moment, you want to capture it.

775
00:35:50,320 --> 00:35:50,879
Speaker 2: I mean that's what.

776
00:35:51,520 --> 00:35:54,640
Speaker 4: I totally understand that and being able to rewatch it.

777
00:35:54,719 --> 00:35:57,080
Speaker 4: But like sometimes I'll go to like the Hollywood bawl

778
00:35:57,120 --> 00:35:59,720
Speaker 4: and we'll be like so far away from the stage

779
00:35:59,760 --> 00:36:02,160
Speaker 4: you can even see people's faces, and they'll be people

780
00:36:02,200 --> 00:36:03,800
Speaker 4: filming the entire show.

781
00:36:04,120 --> 00:36:05,520
Speaker 2: Fucking insane to me.

782
00:36:05,960 --> 00:36:07,960
Speaker 1: Well, you can still see it on the big screen.

783
00:36:08,160 --> 00:36:09,279
Speaker 1: So it's kind of like.

784
00:36:09,280 --> 00:36:10,640
Speaker 3: Well, if you're zooming in on the screen and you're

785
00:36:10,640 --> 00:36:12,880
Speaker 3: trying to capture like a picture and whatever, I get that.

786
00:36:12,920 --> 00:36:15,080
Speaker 3: But if you're filming, like you were filming some stuff

787
00:36:15,120 --> 00:36:17,080
Speaker 3: that was such shitty footage that I just put your

788
00:36:17,400 --> 00:36:19,920
Speaker 3: put your phone down and I go, the exposure is

789
00:36:19,960 --> 00:36:22,359
Speaker 3: too high, like you didn't know how to work your phone.

790
00:36:22,360 --> 00:36:25,000
Speaker 3: So I just put my hand down your phone. I go,

791
00:36:25,200 --> 00:36:27,920
Speaker 3: just experience it, because this is not a videos anything

792
00:36:27,960 --> 00:36:30,720
Speaker 3: filming for me. Trust me, Well, I was also filming,

793
00:36:30,719 --> 00:36:32,319
Speaker 3: so I don't know who you were filming for. So

794
00:36:32,880 --> 00:36:34,840
Speaker 3: I put my hand over hers because I go, just

795
00:36:34,880 --> 00:36:37,719
Speaker 3: experience it. Because I go, I'll send you better footage

796
00:36:37,760 --> 00:36:40,319
Speaker 3: that I find on Instagram of this song, like this

797
00:36:40,400 --> 00:36:42,280
Speaker 3: is You're not gonna this isn't good way.

798
00:36:42,160 --> 00:36:44,800
Speaker 2: I really I could care. I did get some good stuff.

799
00:36:45,000 --> 00:36:49,360
Speaker 3: So anyway, I I was definitely like struggling with finding

800
00:36:49,400 --> 00:36:51,640
Speaker 3: the right balance of just being in the moment and

801
00:36:51,719 --> 00:36:54,120
Speaker 3: just like trying to just look at her with my

802
00:36:54,200 --> 00:36:56,400
Speaker 3: own eyes and know, oh my god, there's twenty feet

803
00:36:56,440 --> 00:36:58,319
Speaker 3: from me and this person who I love so much,

804
00:36:58,320 --> 00:36:59,440
Speaker 3: and like we're breathing.

805
00:36:59,440 --> 00:37:01,120
Speaker 2: I could give her COVID right now if I wanted

806
00:37:01,160 --> 00:37:02,040
Speaker 2: to work that close.

807
00:37:02,120 --> 00:37:04,560
Speaker 3: Like this is just the closest I not the closest

808
00:37:04,560 --> 00:37:06,040
Speaker 3: I've been to her, because I've you know, hugged her

809
00:37:06,040 --> 00:37:08,279
Speaker 3: and taken a picture with her, but very close as

810
00:37:08,320 --> 00:37:09,759
Speaker 3: I've been to her since. I felt this way, and

811
00:37:09,760 --> 00:37:12,560
Speaker 3: it was just incredible, and she sounded so good. And

812
00:37:12,600 --> 00:37:16,000
Speaker 3: at the show on my show that I went to

813
00:37:16,040 --> 00:37:19,480
Speaker 3: alone on Saturday, she got injured. Oh it's this big story.

814
00:37:19,880 --> 00:37:23,120
Speaker 3: She during one of her quick changes, she is it

815
00:37:23,200 --> 00:37:26,560
Speaker 3: was between I think too. I think it was reputation

816
00:37:26,680 --> 00:37:29,920
Speaker 3: in nineteen eighty nine or something. She got a gash

817
00:37:29,960 --> 00:37:32,080
Speaker 3: on her palm she felt. She came out and told

818
00:37:32,080 --> 00:37:34,320
Speaker 3: the story of it in a caption, which was a

819
00:37:34,440 --> 00:37:36,640
Speaker 3: very revealing caption for Taylor Swift.

820
00:37:36,640 --> 00:37:38,080
Speaker 2: She's usually very cryptic.

821
00:37:37,719 --> 00:37:40,000
Speaker 3: And just as like, had a great time in Arlington

822
00:37:40,080 --> 00:37:42,880
Speaker 3: and you guys inspire me. But this was like for

823
00:37:42,920 --> 00:37:46,319
Speaker 3: those worried I fell during a quick change, I it

824
00:37:46,400 --> 00:37:49,920
Speaker 3: was my fault. Entirely and everything's fine. I'm totally okay.

825
00:37:50,000 --> 00:37:52,680
Speaker 3: And she even said like I'm okay, but she had

826
00:37:52,680 --> 00:37:54,239
Speaker 3: it all bandage up and she had a band aid

827
00:37:54,280 --> 00:37:56,480
Speaker 3: that was flapping around, and I was just like, okay.

828
00:37:56,600 --> 00:37:58,240
Speaker 2: Part of the costume I haven't seen.

829
00:37:58,080 --> 00:38:01,960
Speaker 3: Yet, huge gash, a triangle like right here out of home.

830
00:38:02,000 --> 00:38:03,800
Speaker 3: That was like that was like ow shopped out. It

831
00:38:03,840 --> 00:38:07,040
Speaker 3: looked like someone took like a cookie cutter. Yes, I

832
00:38:07,080 --> 00:38:08,439
Speaker 3: was thinking the same thing. It looked like it would

833
00:38:08,480 --> 00:38:10,640
Speaker 3: have almost gotten attendon, but I think it was more

834
00:38:10,680 --> 00:38:15,160
Speaker 3: like just the skin hopefully. Anyway, she you couldn't tell,

835
00:38:15,239 --> 00:38:16,920
Speaker 3: and she wasn't like trying to hide that hand she

836
00:38:17,000 --> 00:38:19,600
Speaker 3: was waving and she was just like her normal self.

837
00:38:19,600 --> 00:38:23,080
Speaker 3: I think her adrenaline probably kicked in. But that show

838
00:38:23,160 --> 00:38:24,759
Speaker 3: was just fucking incredible And.

839
00:38:24,800 --> 00:38:27,840
Speaker 4: Can you describe the atmosphere? And because when I was

840
00:38:27,880 --> 00:38:30,640
Speaker 4: watching the videos, I was like, this feels like a

841
00:38:30,960 --> 00:38:34,360
Speaker 4: historic event, Like what was it like in the audience,

842
00:38:34,440 --> 00:38:36,040
Speaker 4: especially when like the countdown started.

843
00:38:36,040 --> 00:38:38,880
Speaker 3: Having the countdown is the most I have to Like.

844
00:38:39,800 --> 00:38:41,719
Speaker 3: I don't know if you guys know about like dopamine

845
00:38:41,760 --> 00:38:43,960
Speaker 3: release and all the studies about it, but like when

846
00:38:44,000 --> 00:38:46,440
Speaker 3: you have a really exciting thing that's coming up, like

847
00:38:46,520 --> 00:38:49,560
Speaker 3: an orgasm, or Christmas or your birthday, or like they're

848
00:38:49,600 --> 00:38:54,840
Speaker 3: about to the winning touchdown. The your dopamine rises until

849
00:38:54,880 --> 00:38:57,759
Speaker 3: it happens, and then it starts to fall. Even while

850
00:38:57,760 --> 00:39:00,400
Speaker 3: it's happening. The thing that you're loving, your orgasm that

851
00:39:00,440 --> 00:39:03,720
Speaker 3: you're having, your dopamine starts to fall. So dopamine rises

852
00:39:03,800 --> 00:39:07,600
Speaker 3: up until it starts happening. That's the happiest you're gonna get. Scientifically,

853
00:39:07,640 --> 00:39:11,000
Speaker 3: in your brain. It's not actually the event that makes

854
00:39:11,000 --> 00:39:13,440
Speaker 3: you happy, it's the anticipation of it. So that fucking

855
00:39:13,480 --> 00:39:15,680
Speaker 3: countdown is so smart. It starts all of a sudden,

856
00:39:15,719 --> 00:39:17,399
Speaker 3: it's a minute until and it goes you.

857
00:39:17,440 --> 00:39:21,400
Speaker 2: Don't known me, yeah na dun dua dud, and that

858
00:39:21,440 --> 00:39:22,560
Speaker 2: song starts playing. It's like.

859
00:39:24,160 --> 00:39:26,440
Speaker 3: And everyone's like whoa, And then the countdown is happening,

860
00:39:26,560 --> 00:39:29,040
Speaker 3: and then it's like ted hey, and then the lights

861
00:39:29,080 --> 00:39:32,040
Speaker 3: go down and it's like probably a minute or maybe

862
00:39:32,080 --> 00:39:34,040
Speaker 3: a two minute intro of like these guys come out

863
00:39:34,040 --> 00:39:36,759
Speaker 3: with these fan type things and then they put them

864
00:39:36,760 --> 00:39:38,400
Speaker 3: over the center of the square.

865
00:39:38,480 --> 00:39:40,040
Speaker 2: Then they lift them up and she's like, it's been

866
00:39:40,080 --> 00:39:42,440
Speaker 2: a long time coming, but to you and me.

867
00:39:42,680 --> 00:39:46,400
Speaker 3: And then it's just pandemonium. I mean she's like there

868
00:39:46,600 --> 00:39:49,120
Speaker 3: and it's just yeah, it's it really is.

869
00:39:51,080 --> 00:39:57,360
Speaker 4: Reacting like the Beatles and Elvis, like Nady.

870
00:39:56,080 --> 00:39:58,920
Speaker 3: Not crying screaming like I was comparing it to maybe

871
00:39:58,960 --> 00:40:00,799
Speaker 3: like Elvis a Beadlemania, and it's not like that.

872
00:40:00,880 --> 00:40:02,000
Speaker 2: It's not people fainting.

873
00:40:02,520 --> 00:40:05,920
Speaker 3: It's I saw a couple of girls crying. I definitely

874
00:40:06,000 --> 00:40:08,840
Speaker 3: like had a couple tears fall down, not in that moment,

875
00:40:08,880 --> 00:40:10,839
Speaker 3: but like different moments during the show when she would

876
00:40:10,840 --> 00:40:14,640
Speaker 3: sing a certain song or whatever. It wasn't It wasn't Beatlemania.

877
00:40:14,800 --> 00:40:17,640
Speaker 3: It was like that's our friend that we're so proud

878
00:40:17,640 --> 00:40:17,839
Speaker 3: of us.

879
00:40:17,880 --> 00:40:21,279
Speaker 2: Oh my god, Eric love. Yes, the love. It is

880
00:40:21,360 --> 00:40:22,080
Speaker 2: like a love.

881
00:40:22,640 --> 00:40:22,879
Speaker 4: Yes.

882
00:40:23,200 --> 00:40:26,959
Speaker 2: I'm like every person in this stadium is in love,

883
00:40:27,360 --> 00:40:27,680
Speaker 2: my mom.

884
00:40:27,760 --> 00:40:29,720
Speaker 1: Because I would turn around and look at these girls

885
00:40:29,719 --> 00:40:33,520
Speaker 1: and they're like from every age. I was like, oh

886
00:40:33,560 --> 00:40:35,600
Speaker 1: my god, they're in love with her, like Nikky's in.

887
00:40:35,600 --> 00:40:38,080
Speaker 3: Love because my I go, mom, I think I could

888
00:40:38,160 --> 00:40:40,080
Speaker 3: be bisexual for Taylor Swift and she goes.

889
00:40:39,960 --> 00:40:43,960
Speaker 2: Yeah, no shit everyone and that goddamn state I am too.

890
00:40:44,080 --> 00:40:47,120
Speaker 3: She was like every woman in that stadium would be

891
00:40:47,200 --> 00:40:51,200
Speaker 3: in a relationship with Taylor Swift if a romantic relationship love.

892
00:40:51,800 --> 00:40:55,640
Speaker 3: She is so cute, she is so talented, she is

893
00:40:55,680 --> 00:40:58,880
Speaker 3: so adorable. So I've run into my friend Kim Gamble

894
00:40:59,000 --> 00:41:02,480
Speaker 3: at the at the show on Saturday when I'm there alone.

895
00:41:02,480 --> 00:41:04,000
Speaker 3: I get there a little bit early because I was

896
00:41:04,000 --> 00:41:05,680
Speaker 3: so scared about getting there on time, so I got

897
00:41:05,680 --> 00:41:07,120
Speaker 3: there too early. I didn't want to go to my seat,

898
00:41:07,160 --> 00:41:09,000
Speaker 3: so I'm just kind of like looking around. I got

899
00:41:09,040 --> 00:41:12,799
Speaker 3: recognized once on each show by fans, which was nice.

900
00:41:12,840 --> 00:41:13,560
Speaker 2: That's all I needed.

901
00:41:13,960 --> 00:41:16,719
Speaker 3: And but Kim was like Nicki and I looked over

902
00:41:16,760 --> 00:41:19,279
Speaker 3: and it was Kim Gamble who was who introduced me

903
00:41:19,320 --> 00:41:22,320
Speaker 3: to Chris Conby. She was my show runner for Nicky

904
00:41:22,320 --> 00:41:24,640
Speaker 3: and Sarah Live, my first TV show, and she was

905
00:41:24,680 --> 00:41:26,520
Speaker 3: the first person that I met Taylor Swift with her

906
00:41:26,520 --> 00:41:28,960
Speaker 3: and we went backstage when I was when she was

907
00:41:29,040 --> 00:41:30,920
Speaker 3: doing the Red Tour. So it was so funny to

908
00:41:31,000 --> 00:41:33,080
Speaker 3: run into her and her eight year old daughter, who

909
00:41:33,200 --> 00:41:35,680
Speaker 3: I you know, she was pregnant with when I went

910
00:41:35,680 --> 00:41:39,040
Speaker 3: to her wedding and and so it was like so

911
00:41:39,120 --> 00:41:41,319
Speaker 3: funny to see this little girl that's now like a

912
00:41:41,360 --> 00:41:43,480
Speaker 3: Swiftie and she's like mom we need to go to

913
00:41:43,560 --> 00:41:45,200
Speaker 3: her seats and we're trying to catch up. I'm like,

914
00:41:45,200 --> 00:41:48,160
Speaker 3: when did I become like a mom, like one of

915
00:41:48,200 --> 00:41:51,319
Speaker 3: the mom's friends that's like annoying and old, like I

916
00:41:51,480 --> 00:41:54,080
Speaker 3: made it like where the daughter's just like, oh, nice

917
00:41:54,080 --> 00:41:55,920
Speaker 3: to meet you and like kind of annoyed by me.

918
00:41:56,040 --> 00:41:57,640
Speaker 2: I was like, oh my god, I've arrived.

919
00:41:58,120 --> 00:42:00,640
Speaker 3: And so I was like, I'm such a or like

920
00:42:00,680 --> 00:42:02,480
Speaker 3: a Kate like I'm trying to think of a gear

921
00:42:02,520 --> 00:42:04,879
Speaker 3: friends and I'm just like, oh my god, I'm like Cindy,

922
00:42:05,000 --> 00:42:06,000
Speaker 3: That's who I am now.

923
00:42:06,640 --> 00:42:08,839
Speaker 2: So uh so.

924
00:42:08,880 --> 00:42:11,600
Speaker 3: But then I remember Kim texted me after the show like,

925
00:42:11,760 --> 00:42:15,000
Speaker 3: oh my god, that was insane. I mean, all my

926
00:42:15,040 --> 00:42:17,040
Speaker 3: friends that have gone to her show say it's one

927
00:42:17,080 --> 00:42:18,560
Speaker 3: of the top ten nights of their life.

928
00:42:19,040 --> 00:42:19,640
Speaker 2: I will not.

929
00:42:20,680 --> 00:42:23,920
Speaker 3: I will say that it's not because for me my

930
00:42:24,600 --> 00:42:26,520
Speaker 3: top nights of my I mean, it's a great night

931
00:42:26,600 --> 00:42:31,680
Speaker 3: of my life, but I truly have my relationship, it's

932
00:42:31,719 --> 00:42:32,279
Speaker 3: a great night.

933
00:42:32,360 --> 00:42:34,560
Speaker 2: But like going to Taylor show.

934
00:42:34,400 --> 00:42:36,520
Speaker 3: Singalongs, to those of you who can't afford tickets to

935
00:42:36,560 --> 00:42:39,200
Speaker 3: go to her show, singalongs give me just as much

936
00:42:39,320 --> 00:42:42,600
Speaker 3: joy these singalong nights. And that's no slight on Taylor.

937
00:42:43,000 --> 00:42:46,120
Speaker 3: It's just a more intimate space. It's with and when

938
00:42:46,160 --> 00:42:48,400
Speaker 3: you're doing singalongs, you're like singing to each other, and

939
00:42:48,480 --> 00:42:50,279
Speaker 3: this is more like we're all just looking at her,

940
00:42:50,360 --> 00:42:53,239
Speaker 3: and it's more interactive to me at least at the singalongs,

941
00:42:53,400 --> 00:42:55,439
Speaker 3: And not that I've had more fun at those, it's

942
00:42:55,520 --> 00:42:58,840
Speaker 3: just it is a comparative experience. So that's a heartening.

943
00:42:58,920 --> 00:43:00,560
Speaker 3: I would think if you can't get to go see

944
00:43:00,560 --> 00:43:01,240
Speaker 3: Taylor for her.

945
00:43:01,080 --> 00:43:05,240
Speaker 6: And what about what about that moment like her solo

946
00:43:05,280 --> 00:43:08,960
Speaker 6: acoustic stuff, those are the unique moments. What was a

947
00:43:09,000 --> 00:43:13,560
Speaker 6: surprise during each show? Did she surprise you with any songs?

948
00:43:14,120 --> 00:43:14,359
Speaker 2: Yeah?

949
00:43:14,400 --> 00:43:19,520
Speaker 3: Well there was the first night she plays this song Marjorie,

950
00:43:19,520 --> 00:43:22,160
Speaker 3: about her grandmother, and so she sings that song and

951
00:43:22,200 --> 00:43:26,359
Speaker 3: it's like so beautiful. It's about, oh my god, if

952
00:43:26,360 --> 00:43:28,080
Speaker 3: you are dealing with any kind of loss in your

953
00:43:28,080 --> 00:43:29,799
Speaker 3: life or you want to remember someone and like think

954
00:43:29,840 --> 00:43:31,759
Speaker 3: about them, put on the song Marjorie and it like

955
00:43:31,840 --> 00:43:33,959
Speaker 3: will let you think about the person that you miss

956
00:43:34,000 --> 00:43:35,640
Speaker 3: and like actually make you feel like they're in the

957
00:43:35,719 --> 00:43:38,160
Speaker 3: room with you. It's just this beautiful song where her

958
00:43:38,160 --> 00:43:41,200
Speaker 3: grandma was actually a singer, an opera singer, and she's

959
00:43:41,239 --> 00:43:44,000
Speaker 3: the one in the family who she was like you

960
00:43:44,040 --> 00:43:47,040
Speaker 3: ever gets told Taylor saying this, she was like, there's

961
00:43:47,040 --> 00:43:48,759
Speaker 3: always someone in your family that everyone says like you

962
00:43:48,800 --> 00:43:51,040
Speaker 3: remind them of them. She was like, that's my grandma

963
00:43:51,080 --> 00:43:53,760
Speaker 3: for me. Everyone's always saying like, that's your like grandma,

964
00:43:53,920 --> 00:43:56,080
Speaker 3: Like you look like her, you're like her. And she

965
00:43:56,160 --> 00:43:57,839
Speaker 3: lost her grandma she was thirteen. But she has a

966
00:43:57,880 --> 00:44:02,520
Speaker 3: song and the lyrics are like if I didn't know better,

967
00:44:02,680 --> 00:44:04,960
Speaker 3: I think you were talking to me now, and then

968
00:44:05,040 --> 00:44:06,919
Speaker 3: it goes on and then she's like, if I didn't

969
00:44:06,960 --> 00:44:08,959
Speaker 3: know better, I think you were listening to me now.

970
00:44:09,120 --> 00:44:12,919
Speaker 3: And then there's at the final uh chorus, it's she goes,

971
00:44:12,960 --> 00:44:15,800
Speaker 3: if I didn't know better, I think you were singing

972
00:44:15,920 --> 00:44:19,400
Speaker 3: to me now, and then they have her grandmother's vocals

973
00:44:19,400 --> 00:44:24,440
Speaker 3: that they found somehow, and it has her grandma's vocals

974
00:44:24,440 --> 00:44:26,400
Speaker 3: and the same key you know, they probably had to

975
00:44:26,480 --> 00:44:29,960
Speaker 3: auto tune it, but the same pitch as the rest

976
00:44:29,960 --> 00:44:31,800
Speaker 3: of the song in it, and it echoes through the

977
00:44:31,840 --> 00:44:34,280
Speaker 3: stadium and it's like, and you get chilled s because

978
00:44:34,440 --> 00:44:36,239
Speaker 3: I knew it was her grandma's voice, and it's just

979
00:44:36,280 --> 00:44:38,799
Speaker 3: so beautiful and it is like you could feel her

980
00:44:38,840 --> 00:44:40,600
Speaker 3: grandma in that room. You can feel the person that

981
00:44:40,640 --> 00:44:44,000
Speaker 3: you're thinking about in that room when it's it's all

982
00:44:44,000 --> 00:44:48,080
Speaker 3: about like and she's like, and I know better, but

983
00:44:48,280 --> 00:44:51,080
Speaker 3: you're not around. But it's like, if I didn't know better,

984
00:44:51,120 --> 00:44:53,560
Speaker 3: I think you were still around, but I know better,

985
00:44:53,719 --> 00:44:55,800
Speaker 3: but you're still You're all around, and it's just like

986
00:44:55,840 --> 00:44:57,080
Speaker 3: about how they like stay with us.

987
00:44:57,120 --> 00:44:57,760
Speaker 2: So it was beautiful.

988
00:44:57,840 --> 00:44:59,640
Speaker 3: So after that song, she goes to her piano and

989
00:44:59,680 --> 00:45:02,040
Speaker 3: she's it's a little interlude where she talks to the

990
00:45:02,040 --> 00:45:05,840
Speaker 3: crowd about the album ever More that we're in the

991
00:45:05,880 --> 00:45:08,200
Speaker 3: era of, and she's like, we're in Evermore era and

992
00:45:08,239 --> 00:45:10,359
Speaker 3: that song, Marjorie was really important me to just sing

993
00:45:10,400 --> 00:45:14,000
Speaker 3: because my grandmother is from Houston and my mom grew

994
00:45:14,080 --> 00:45:18,279
Speaker 3: up here. And she was like, and if I keep

995
00:45:18,320 --> 00:45:21,239
Speaker 3: talking about it, I'm gonna start crying. So okay, Chaine

996
00:45:21,239 --> 00:45:23,760
Speaker 3: of subject and then she plays the song Champagne Problems,

997
00:45:23,800 --> 00:45:25,759
Speaker 3: which she starts out and she says, this was the

998
00:45:25,800 --> 00:45:29,240
Speaker 3: song that I always wanted to play when the pandemic

999
00:45:29,280 --> 00:45:30,920
Speaker 3: was happening and I was writing this album and I

1000
00:45:30,960 --> 00:45:33,440
Speaker 3: was thinking I might never get to perform live for

1001
00:45:33,520 --> 00:45:35,839
Speaker 3: audiences ever again, like that was something that people were

1002
00:45:35,880 --> 00:45:38,320
Speaker 3: actually talking about, like we maybe have this is the

1003
00:45:38,400 --> 00:45:40,400
Speaker 3: end of live entertainment. She was like, and this was

1004
00:45:40,600 --> 00:45:42,680
Speaker 3: I didn't let myself think about that. I was writing

1005
00:45:42,719 --> 00:45:45,160
Speaker 3: without thinking because I love performing so much, and I

1006
00:45:45,200 --> 00:45:46,960
Speaker 3: was just like, there's no way that that's gonna be true,

1007
00:45:47,000 --> 00:45:48,759
Speaker 3: and I'm not even gonna think about performing live. But

1008
00:45:49,160 --> 00:45:51,160
Speaker 3: this song, I was thinking, if I never get a

1009
00:45:51,239 --> 00:45:52,920
Speaker 3: chance to sing this with a crowd and with my

1010
00:45:53,239 --> 00:45:57,640
Speaker 3: with my friends and my fans, then this is the

1011
00:45:57,680 --> 00:45:59,920
Speaker 3: secret one that I wanted. I knew that if we

1012
00:46:00,120 --> 00:46:01,480
Speaker 3: got back to it, this is what I'd want to sing.

1013
00:46:01,480 --> 00:46:04,719
Speaker 3: And she goes into Champagne problems and champagne problems. If

1014
00:46:04,719 --> 00:46:08,040
Speaker 3: you're swifty, you know that song is about getting proposed

1015
00:46:08,040 --> 00:46:10,080
Speaker 3: to by a guy who's just nice and who you

1016
00:46:10,120 --> 00:46:13,359
Speaker 3: should be with and who his family loves you, and

1017
00:46:13,440 --> 00:46:16,000
Speaker 3: you love him, but there's just something not right and

1018
00:46:16,080 --> 00:46:20,080
Speaker 3: you leave him. You leave him stranded, You drop his

1019
00:46:20,200 --> 00:46:23,480
Speaker 3: hand while dancing. His heart was glass, you dropped it.

1020
00:46:23,840 --> 00:46:26,719
Speaker 3: Champagne problems, and the family says, what a shame. She's

1021
00:46:26,800 --> 00:46:29,279
Speaker 3: fucked in her head, they said, But you'll find the

1022
00:46:29,320 --> 00:46:31,120
Speaker 3: real and you're like wishing him, like I hope you

1023
00:46:31,160 --> 00:46:34,760
Speaker 3: find something. So it's kind of the song that everyone's

1024
00:46:34,800 --> 00:46:38,000
Speaker 3: going like this if she was to feel anything about

1025
00:46:38,200 --> 00:46:40,359
Speaker 3: Joe right now or letting that go, this is where

1026
00:46:40,400 --> 00:46:42,239
Speaker 3: those emotions will come out. And she tears up during

1027
00:46:42,280 --> 00:46:44,520
Speaker 3: the song and everyone reads a lot of into it.

1028
00:46:44,560 --> 00:46:47,160
Speaker 3: So that was really fun to sing with her, especially

1029
00:46:47,200 --> 00:46:49,400
Speaker 3: when she's like, what a shame, she's fucked in the

1030
00:46:49,480 --> 00:46:51,759
Speaker 3: head and her face gets all like devilie and she's

1031
00:46:51,800 --> 00:46:55,680
Speaker 3: like fucked in that. It's really fun. But the best

1032
00:46:55,719 --> 00:46:59,080
Speaker 3: moment of the whole thing was we go to sit

1033
00:46:59,239 --> 00:47:03,080
Speaker 3: second first row, and when we get there, we're kind

1034
00:47:03,120 --> 00:47:06,320
Speaker 3: of like, this is fucked because if you've been to

1035
00:47:06,400 --> 00:47:09,720
Speaker 3: front row before, sometimes it's too close to the stage.

1036
00:47:09,800 --> 00:47:13,400
Speaker 3: The stage is like six feet tall, right, so if

1037
00:47:13,440 --> 00:47:15,280
Speaker 3: you're my mom and you're.

1038
00:47:15,880 --> 00:47:19,200
Speaker 2: Five five five five.

1039
00:47:18,640 --> 00:47:21,040
Speaker 3: You can't see over the stage. Yeah, if she's on

1040
00:47:21,080 --> 00:47:22,520
Speaker 3: the lip of the stage, you have the best seat

1041
00:47:22,560 --> 00:47:25,759
Speaker 3: in the house. But anywhere else on the stage she

1042
00:47:25,800 --> 00:47:28,000
Speaker 3: could not. My mom could not see Taylor at all

1043
00:47:28,360 --> 00:47:31,000
Speaker 3: at all. Thankfully there's screens, but my mom can't even

1044
00:47:31,040 --> 00:47:32,600
Speaker 3: see the top of the screen.

1045
00:47:32,840 --> 00:47:34,440
Speaker 2: My mom can only see half the top of the.

1046
00:47:34,440 --> 00:47:36,920
Speaker 4: Screen and these are the most expensive tickets.

1047
00:47:37,080 --> 00:47:39,640
Speaker 3: These are the most expensive tickets, and she couldn't see.

1048
00:47:39,960 --> 00:47:43,719
Speaker 3: And then what about the security guard?

1049
00:47:43,920 --> 00:47:48,280
Speaker 4: Okay, can you believe that.

1050
00:47:47,640 --> 00:47:50,359
Speaker 3: He's right in front of us and he's six feet

1051
00:47:50,360 --> 00:47:53,239
Speaker 3: tall looking at you.

1052
00:47:54,120 --> 00:47:55,480
Speaker 2: And you're in front of you.

1053
00:47:55,560 --> 00:47:58,760
Speaker 3: Imagine someone staring at you a foot in front of you,

1054
00:47:58,800 --> 00:48:01,080
Speaker 3: so in the stage is behind him. You can't even

1055
00:48:01,080 --> 00:48:05,520
Speaker 3: stay so you now he's blocking you are whatever stage.

1056
00:48:06,400 --> 00:48:10,879
Speaker 4: Trying to watch a concerts, just having someone look at

1057
00:48:10,880 --> 00:48:12,879
Speaker 4: you for two hours. I liked it.

1058
00:48:13,320 --> 00:48:16,279
Speaker 3: I like it because I realized the first night that

1059
00:48:16,400 --> 00:48:19,480
Speaker 3: I kind of when I a part of me such

1060
00:48:19,520 --> 00:48:23,120
Speaker 3: a narcissist. Probably this is what it's I'm deducing, is

1061
00:48:23,120 --> 00:48:25,600
Speaker 3: that I don't like going to concerts because I don't

1062
00:48:25,600 --> 00:48:28,440
Speaker 3: feel like I can I want to perform, and I

1063
00:48:28,440 --> 00:48:30,719
Speaker 3: feel like at sing alongs, like there's a performative part

1064
00:48:30,760 --> 00:48:33,200
Speaker 3: of it, like where like maybe someone could be watching

1065
00:48:33,239 --> 00:48:35,919
Speaker 3: me or like and when you're at a concert, no

1066
00:48:35,960 --> 00:48:38,319
Speaker 3: one's watching you, and not that I need that, Like

1067
00:48:38,400 --> 00:48:39,840
Speaker 3: I can obviously.

1068
00:48:39,360 --> 00:48:42,520
Speaker 2: Turn it over and go behind you are I don't

1069
00:48:42,560 --> 00:48:44,799
Speaker 2: think about that. I need them, I like need to know.

1070
00:48:45,000 --> 00:48:47,560
Speaker 3: But the security guards have to watch you and they

1071
00:48:47,560 --> 00:48:49,719
Speaker 3: are so I mean, there are these black guys that

1072
00:48:49,800 --> 00:48:52,000
Speaker 3: like are probably not into Taylor Swift, not big tailors,

1073
00:48:52,040 --> 00:48:54,799
Speaker 3: they're all black people that are working security at and

1074
00:48:54,840 --> 00:48:55,960
Speaker 3: it's like you can tell.

1075
00:48:55,840 --> 00:48:58,080
Speaker 2: That maybe not that she's not someone that black people are.

1076
00:48:58,800 --> 00:49:01,360
Speaker 3: True, they every single person was a black person that

1077
00:49:01,400 --> 00:49:03,960
Speaker 3: probably is not into this type of music, and it's

1078
00:49:04,000 --> 00:49:08,959
Speaker 3: probably like these dumb white bitches, Like in my mind,

1079
00:49:09,000 --> 00:49:10,359
Speaker 3: that's what I'm thinking, because we are.

1080
00:49:10,760 --> 00:49:12,840
Speaker 2: And I was like, I'm gonna give.

1081
00:49:12,719 --> 00:49:14,920
Speaker 3: Them a show to talk about later. Of like I

1082
00:49:14,960 --> 00:49:17,840
Speaker 3: saw this thirty eight year old woman crying and losing

1083
00:49:17,840 --> 00:49:20,080
Speaker 3: her mind and like performing it, so it like it.

1084
00:49:20,480 --> 00:49:24,640
Speaker 3: It gave me a purpose during the show to like entertain,

1085
00:49:24,760 --> 00:49:26,560
Speaker 3: not even into like be like I didn't want them

1086
00:49:26,560 --> 00:49:28,680
Speaker 3: to be like, wow, she's so good at the lyrics.

1087
00:49:28,880 --> 00:49:31,080
Speaker 3: I just wanted to make them laugh at like how

1088
00:49:31,239 --> 00:49:32,319
Speaker 3: enthusiastic I was.

1089
00:49:32,560 --> 00:49:35,799
Speaker 2: I'm a story, give them a story.

1090
00:49:36,120 --> 00:49:37,560
Speaker 3: So, okay, we have to go to break, but I

1091
00:49:37,560 --> 00:49:39,640
Speaker 3: want to tell you about the greatest thing that happened

1092
00:49:39,680 --> 00:49:42,759
Speaker 3: the entire show and then we'll stop talking about Taylor

1093
00:49:42,800 --> 00:49:48,600
Speaker 3: Swift talk for I promise, Okay, So I will say

1094
00:49:48,600 --> 00:49:50,760
Speaker 3: that this is a very Swifty episode and I'm sorry,

1095
00:49:50,800 --> 00:49:52,640
Speaker 3: and this won't happen for every show I go to.

1096
00:49:52,920 --> 00:49:55,319
Speaker 3: But I did post on my story a bunch of

1097
00:49:55,320 --> 00:49:57,480
Speaker 3: stuff about Taylor Swift on my Instagram story, and I

1098
00:49:57,520 --> 00:50:00,719
Speaker 3: even wrote like, I'm sorry to the for everyone who's

1099
00:50:00,760 --> 00:50:02,840
Speaker 3: not one of the fourteen Swifties who care about the stuff.

1100
00:50:02,840 --> 00:50:05,919
Speaker 3: And I got hundreds of messages that were like, I'm

1101
00:50:05,960 --> 00:50:06,920
Speaker 3: one of those fourteen.

1102
00:50:07,120 --> 00:50:10,960
Speaker 2: So it's more than you think. I'm not alienating.

1103
00:50:10,560 --> 00:50:14,200
Speaker 8: Someone who likes I'm not a Swifty yet, but I

1104
00:50:15,040 --> 00:50:19,160
Speaker 8: like knowing her stories and the stuff behind her music

1105
00:50:19,200 --> 00:50:21,120
Speaker 8: and stuff, so I like it.

1106
00:50:21,239 --> 00:50:25,160
Speaker 6: Oh thanks. She talks about it in between songs. That's

1107
00:50:25,160 --> 00:50:27,799
Speaker 6: always my favorite part of shows, and she's so good

1108
00:50:27,840 --> 00:50:32,000
Speaker 6: at it's those inter inters, stories.

1109
00:50:32,640 --> 00:50:35,000
Speaker 3: She would just go like and it's it's this running

1110
00:50:35,040 --> 00:50:38,960
Speaker 3: thing that after Champagne problems, because of the first tour

1111
00:50:39,080 --> 00:50:40,839
Speaker 3: she did, or the first couple of shows she did,

1112
00:50:41,360 --> 00:50:43,640
Speaker 3: it was so loud after that performance, she was just

1113
00:50:43,640 --> 00:50:46,120
Speaker 3: sitting there kind of looking out like, and she takes

1114
00:50:46,120 --> 00:50:48,480
Speaker 3: out her earpiece to kind of go guys, And so

1115
00:50:48,560 --> 00:50:51,600
Speaker 3: it's kind of every city tries to at that moment

1116
00:50:52,200 --> 00:50:54,560
Speaker 3: show their love the most. It's even me chills thinking

1117
00:50:54,560 --> 00:50:57,000
Speaker 3: about it. But she and I've been to three shows.

1118
00:50:57,040 --> 00:50:59,640
Speaker 3: It was only that third show where she actually took

1119
00:50:59,640 --> 00:51:03,000
Speaker 3: out her ear piece and goes, guys, this is so

1120
00:51:03,440 --> 00:51:06,440
Speaker 3: loud and it's kind of like oh my god, and

1121
00:51:06,560 --> 00:51:09,560
Speaker 3: like freaking out, and it was it was sweet because

1122
00:51:09,560 --> 00:51:12,800
Speaker 3: you could tell she like lets it in and she doesn't.

1123
00:51:13,160 --> 00:51:16,120
Speaker 3: She's she maybe plays a little faux humble, but I

1124
00:51:16,160 --> 00:51:18,759
Speaker 3: don't think it's I don't think she's playing. I think

1125
00:51:18,760 --> 00:51:21,680
Speaker 3: she really is humble and is like really guys. Like

1126
00:51:21,960 --> 00:51:24,480
Speaker 3: she even does the cute thing of like, hi, I'm Taylor,

1127
00:51:24,680 --> 00:51:26,640
Speaker 3: like and we're like, yeah, we know, you know. But

1128
00:51:26,719 --> 00:51:29,960
Speaker 3: I think she's actually still that girl that's like I.

1129
00:51:29,920 --> 00:51:33,520
Speaker 2: Don't deserve keeping it humble. I think she has she

1130
00:51:33,560 --> 00:51:34,279
Speaker 2: knows how to do that.

1131
00:51:34,400 --> 00:51:36,799
Speaker 3: She's insecure deep down and has probably has a little

1132
00:51:36,840 --> 00:51:38,799
Speaker 3: bit of low self esteem deep down, And that's what

1133
00:51:38,880 --> 00:51:41,160
Speaker 3: makes us love her is that she doesn't. She hasn't

1134
00:51:41,160 --> 00:51:44,120
Speaker 3: gotten this inflated ego. She has a ton of confidence,

1135
00:51:44,160 --> 00:51:47,000
Speaker 3: clearly because she should. She's so talented and it's earned.

1136
00:51:47,280 --> 00:51:49,400
Speaker 3: But I don't think she came out of the gate.

1137
00:51:51,280 --> 00:51:51,440
Speaker 6: Joe.

1138
00:51:53,360 --> 00:51:55,319
Speaker 3: No, she goes right into all of the man like

1139
00:51:55,320 --> 00:51:57,680
Speaker 3: she does. The song called the One she actually swapped out.

1140
00:51:57,800 --> 00:51:59,680
Speaker 3: There used to be a song Invisible String that she did,

1141
00:51:59,719 --> 00:52:01,799
Speaker 3: and she's wopped it out for the one. Invisible String

1142
00:52:01,880 --> 00:52:03,640
Speaker 3: was about you know, how they were destined to be

1143
00:52:03,680 --> 00:52:05,239
Speaker 3: together forever, and then she changed it to the one.

1144
00:52:05,239 --> 00:52:07,160
Speaker 3: I think I've talked about this before, and the one

1145
00:52:07,200 --> 00:52:10,200
Speaker 3: is about like, you know, you've moved on after a relationship,

1146
00:52:10,239 --> 00:52:12,040
Speaker 3: but you still think you see in places and you're

1147
00:52:12,120 --> 00:52:14,160
Speaker 3: kind of like imagining he's hooking up with some girl

1148
00:52:14,160 --> 00:52:16,719
Speaker 3: from the internet, and it's like, oh, she interests, Like

1149
00:52:16,800 --> 00:52:19,440
Speaker 3: it's kind of just so she's changed that song, and

1150
00:52:19,440 --> 00:52:21,720
Speaker 3: that was right before her breakup that she changed the setlist,

1151
00:52:21,760 --> 00:52:24,040
Speaker 3: so everyone's like, oh, that's why she changed it. Who

1152
00:52:24,080 --> 00:52:25,719
Speaker 3: knows it could have just been like it's more of

1153
00:52:25,760 --> 00:52:29,520
Speaker 3: a bop than the other one. So but there's and

1154
00:52:29,560 --> 00:52:31,719
Speaker 3: there's little things that she does where people are like,

1155
00:52:31,800 --> 00:52:34,200
Speaker 3: there's this one lyric and delicate where she's like, the

1156
00:52:34,280 --> 00:52:37,600
Speaker 3: girls do the girls back home touch you like I do?

1157
00:52:38,040 --> 00:52:39,799
Speaker 3: And then at one point she kind of goes she

1158
00:52:39,960 --> 00:52:42,080
Speaker 3: just like shakes her head like no, and everyone's like

1159
00:52:42,239 --> 00:52:44,640
Speaker 3: she's talking to Joe. It's like, no, she just put

1160
00:52:44,680 --> 00:52:48,439
Speaker 3: a little emphasis behind it, like stop reading every day.

1161
00:52:48,520 --> 00:52:50,839
Speaker 5: Like London Boy or whatever that song is called.

1162
00:52:52,160 --> 00:52:54,319
Speaker 2: Yeah, she would do She'll do London Boy again. She'll

1163
00:52:54,360 --> 00:52:55,520
Speaker 2: do all of it because.

1164
00:52:55,200 --> 00:52:58,920
Speaker 3: She she's she still does songs about guys that she

1165
00:52:59,040 --> 00:53:00,880
Speaker 3: used to love when she was with Joe or that

1166
00:53:00,920 --> 00:53:02,120
Speaker 3: she's still heartbroken about.

1167
00:53:02,120 --> 00:53:04,759
Speaker 2: Like she'll do Harry Styles. She still does Lover and

1168
00:53:04,800 --> 00:53:06,080
Speaker 2: Lover is all about Joe.

1169
00:53:06,200 --> 00:53:08,120
Speaker 3: I mean, she did say that these are songs that

1170
00:53:08,680 --> 00:53:11,359
Speaker 3: I wrote at one point that meant something. She said, Yeah,

1171
00:53:11,360 --> 00:53:15,440
Speaker 3: she does Harry Styles. The song Style is about him.

1172
00:53:15,600 --> 00:53:18,160
Speaker 3: But the best part of the whole thing was that

1173
00:53:19,160 --> 00:53:21,879
Speaker 3: so we're sitting in the front front seat, front row,

1174
00:53:21,920 --> 00:53:24,000
Speaker 3: and we're kind of like I'm kind of getting pissed

1175
00:53:24,000 --> 00:53:26,279
Speaker 3: because I'm like, you know what, I'm trying to be

1176
00:53:26,560 --> 00:53:28,279
Speaker 3: zen about it and like this is meant to happen.

1177
00:53:28,400 --> 00:53:30,640
Speaker 3: I won't do this again next time. I'll always get

1178
00:53:30,640 --> 00:53:34,400
Speaker 3: third row because it's just a little bit more space

1179
00:53:34,480 --> 00:53:36,640
Speaker 3: so you can have to see the stage more.

1180
00:53:38,360 --> 00:53:40,120
Speaker 2: And I learned my lesson is this, like in.

1181
00:53:40,080 --> 00:53:42,080
Speaker 4: The movie theater, you wouldn't get a front row seat

1182
00:53:42,080 --> 00:53:43,000
Speaker 4: in the movie theater.

1183
00:53:42,960 --> 00:53:46,959
Speaker 3: Exactly, Brian, That's such a great fucking point, Like why

1184
00:53:47,000 --> 00:53:48,760
Speaker 3: does every That's why I was mad afterwards.

1185
00:53:48,800 --> 00:53:50,320
Speaker 2: I'm like, why does everyone act like front row is

1186
00:53:50,360 --> 00:53:53,680
Speaker 2: the bast Oh no, if well there's a reason, well

1187
00:53:53,920 --> 00:53:54,640
Speaker 2: why well?

1188
00:53:54,680 --> 00:53:55,279
Speaker 4: Well you.

1189
00:53:58,080 --> 00:54:01,800
Speaker 3: So, so we're kind of like, not that happened. There's listen,

1190
00:54:01,840 --> 00:54:05,440
Speaker 3: there's parts before the reason happens that we are just

1191
00:54:05,719 --> 00:54:08,080
Speaker 3: we're like, okay, these seats are justified because how close

1192
00:54:08,080 --> 00:54:08,600
Speaker 3: are we to her?

1193
00:54:08,600 --> 00:54:10,520
Speaker 2: When she's walking by, she's.

1194
00:54:10,440 --> 00:54:12,759
Speaker 1: She's eight feet from us, eight feet and that is

1195
00:54:12,800 --> 00:54:16,200
Speaker 1: when we were I was really measuring it, going okay,

1196
00:54:16,239 --> 00:54:17,120
Speaker 1: that's like eight feet.

1197
00:54:17,200 --> 00:54:18,839
Speaker 2: My mom got out her ruler, I.

1198
00:54:18,800 --> 00:54:21,239
Speaker 1: Got at the tape measure and I said, tailor hold

1199
00:54:21,280 --> 00:54:25,040
Speaker 1: that yeah, shining sound effect effect?

1200
00:54:26,400 --> 00:54:30,319
Speaker 4: Yes, And so she so.

1201
00:54:30,320 --> 00:54:32,200
Speaker 3: She was so close to us, and and there were

1202
00:54:32,280 --> 00:54:35,440
Speaker 3: I mean, and when she walks around to because the stage,

1203
00:54:35,800 --> 00:54:38,399
Speaker 3: I mean, it's it's gigantic. So when she comes over

1204
00:54:38,440 --> 00:54:41,279
Speaker 3: to your area, people just start fucking losing their mind

1205
00:54:41,280 --> 00:54:43,560
Speaker 3: when we sense that she's coming over, and everyone gets

1206
00:54:43,560 --> 00:54:45,840
Speaker 3: out their phone and it's just like and I found

1207
00:54:45,880 --> 00:54:49,440
Speaker 3: myself based on the recordings I made, which I did

1208
00:54:49,520 --> 00:54:51,480
Speaker 3: not know at the time what I was saying, what

1209
00:54:51,600 --> 00:54:52,200
Speaker 3: I was doing.

1210
00:54:52,600 --> 00:54:54,160
Speaker 2: But I've watched back the footage.

1211
00:54:54,480 --> 00:54:56,719
Speaker 3: First of all, I would apologize to anyone I was

1212
00:54:56,719 --> 00:54:59,880
Speaker 3: sitting next to, especially my mom.

1213
00:54:59,360 --> 00:55:00,239
Speaker 2: With earplug in.

1214
00:55:00,320 --> 00:55:02,680
Speaker 3: I don't know how loud I'm singing because it just

1215
00:55:02,719 --> 00:55:05,440
Speaker 3: sounds muted in my head. Let me just say, everyone's

1216
00:55:05,480 --> 00:55:06,040
Speaker 3: singing as.

1217
00:55:05,960 --> 00:55:09,239
Speaker 1: Loud as everyone is saying, so it is completely exact.

1218
00:55:08,960 --> 00:55:10,320
Speaker 2: Me who does the words.

1219
00:55:10,560 --> 00:55:13,160
Speaker 3: My mom didn't know the words, but like everyone else

1220
00:55:13,200 --> 00:55:16,920
Speaker 3: is singing, I sang way too loud. I regret it.

1221
00:55:17,000 --> 00:55:19,600
Speaker 3: I'm sorry to tailor. If she heard it, it's not okay.

1222
00:55:20,719 --> 00:55:23,120
Speaker 3: It was too loud. I can hear it on the recordings,

1223
00:55:23,160 --> 00:55:27,200
Speaker 3: and I'm like, I I it really kind of a crisis.

1224
00:55:28,960 --> 00:55:32,160
Speaker 3: But I will say what I did realize I can't.

1225
00:55:32,600 --> 00:55:36,760
Speaker 3: What I did realize was I will say that my singing.

1226
00:55:36,800 --> 00:55:38,759
Speaker 3: My voice teacher would be very upset with how I

1227
00:55:38,800 --> 00:55:42,279
Speaker 3: was singing because I was not singing in my head voice.

1228
00:55:42,320 --> 00:55:45,880
Speaker 3: I was singing all throat all, just like emotional, guttural,

1229
00:55:46,040 --> 00:55:48,919
Speaker 3: like my my vocal chords are reading.

1230
00:55:48,600 --> 00:55:51,640
Speaker 2: Everyone in that place. But there's a way to sing this.

1231
00:55:51,760 --> 00:55:59,440
Speaker 4: This is like chanting almost Like yeah.

1232
00:55:55,239 --> 00:55:55,560
Speaker 5: There was.

1233
00:55:57,800 --> 00:56:01,440
Speaker 3: Some element of it when I listened back that was like, Nikki,

1234
00:56:01,480 --> 00:56:03,920
Speaker 3: do you want Taylor to hear you and to be like, wow,

1235
00:56:04,000 --> 00:56:04,760
Speaker 3: you're good.

1236
00:56:04,719 --> 00:56:06,120
Speaker 2: Come on up and sing like it's.

1237
00:56:10,719 --> 00:56:13,080
Speaker 3: I was so gross I am being This is me

1238
00:56:13,160 --> 00:56:16,719
Speaker 3: being so vulnerable right now. There was that in my

1239
00:56:16,800 --> 00:56:18,759
Speaker 3: head when I'm singing. There was no part of me

1240
00:56:18,800 --> 00:56:21,520
Speaker 3: that was like, I hope Taylor hears me upon hearing

1241
00:56:21,680 --> 00:56:24,600
Speaker 3: my own voice. I'm like, bitch, you wanted her to

1242
00:56:24,640 --> 00:56:27,439
Speaker 3: pick you out of the crowd and like find you

1243
00:56:27,960 --> 00:56:30,879
Speaker 3: and ask you to join her band and would duo

1244
00:56:31,080 --> 00:56:35,080
Speaker 3: and be like like Taylor and Teagan and Sarah like

1245
00:56:35,520 --> 00:56:36,759
Speaker 3: Nikki and Taylor.

1246
00:56:37,920 --> 00:56:49,319
Speaker 4: To listen. But I can tell you.

1247
00:56:44,239 --> 00:56:49,520
Speaker 3: You came to butcher my lyrics, so I so I

1248
00:56:49,560 --> 00:56:53,120
Speaker 3: regret that. But what I will say is that when

1249
00:56:53,160 --> 00:56:57,000
Speaker 3: she when when she would be in between songs or whatever,

1250
00:56:57,120 --> 00:57:00,640
Speaker 3: and there she would be close, what I kept saying was.

1251
00:57:01,040 --> 00:57:04,000
Speaker 2: We love you, We love you.

1252
00:57:03,239 --> 00:57:08,319
Speaker 3: You're the best, You're the best. Do you think in

1253
00:57:08,360 --> 00:57:10,239
Speaker 3: a million years, I would not think I would be

1254
00:57:10,280 --> 00:57:11,560
Speaker 3: screaming you're the best.

1255
00:57:11,680 --> 00:57:13,920
Speaker 2: Like there's so many.

1256
00:57:13,719 --> 00:57:15,279
Speaker 3: Other things I want to tell her, There's so many

1257
00:57:15,280 --> 00:57:17,560
Speaker 3: other ways to encourage her, But I'm just like you're

1258
00:57:17,720 --> 00:57:18,520
Speaker 3: the best.

1259
00:57:18,920 --> 00:57:21,800
Speaker 2: You're the best, I mean, even wrecking. I didn't even

1260
00:57:21,840 --> 00:57:25,080
Speaker 2: read there, I didn't I heard this one yelling you're

1261
00:57:25,120 --> 00:57:28,720
Speaker 2: the best. I don't think it was I swear, honestly,

1262
00:57:29,120 --> 00:57:30,280
Speaker 2: I swear to God it was me.

1263
00:57:30,400 --> 00:57:34,320
Speaker 4: But then I remember, you're the number one singer, dude.

1264
00:57:34,360 --> 00:57:36,800
Speaker 6: That's what I said to my favorite director when I

1265
00:57:36,800 --> 00:57:38,920
Speaker 6: met him. I met Noah Bomback, who I love, and

1266
00:57:39,040 --> 00:57:41,680
Speaker 6: at a restaurant and I go to him, your films

1267
00:57:41,720 --> 00:57:43,479
Speaker 6: means so much to me, and my sister were sitting

1268
00:57:43,520 --> 00:57:44,920
Speaker 6: right next to you. Were leaving now, but I just

1269
00:57:44,960 --> 00:57:46,960
Speaker 6: had to tell you you're so wonderful.

1270
00:57:47,080 --> 00:57:47,440
Speaker 2: Thank you.

1271
00:57:47,480 --> 00:57:48,960
Speaker 5: And he goes, oh, that means so much.

1272
00:57:49,000 --> 00:57:51,240
Speaker 6: And then instead of walking away like a normal person,

1273
00:57:51,600 --> 00:57:54,240
Speaker 6: I go, you're the best, and then he goes, thank you,

1274
00:57:54,280 --> 00:57:56,080
Speaker 6: and then I go number one.

1275
00:57:56,720 --> 00:57:58,400
Speaker 2: Like a foreign exchange student.

1276
00:58:02,200 --> 00:58:05,680
Speaker 5: He just walked away for hours, just kept going one.

1277
00:58:06,960 --> 00:58:11,480
Speaker 3: Oh God, mony yeah, it's it's like the moment I

1278
00:58:11,560 --> 00:58:13,560
Speaker 3: really don't remember something funky no.

1279
00:58:13,720 --> 00:58:14,480
Speaker 2: I kept saying.

1280
00:58:14,640 --> 00:58:18,720
Speaker 3: But then I realized that final thought. I realized that

1281
00:58:18,840 --> 00:58:21,160
Speaker 3: is what I would want someone to say to me.

1282
00:58:21,760 --> 00:58:28,320
Speaker 3: You're the best comedian A comedian. I just like, if

1283
00:58:28,320 --> 00:58:30,400
Speaker 3: anyone's gonna give me any message, I want it to

1284
00:58:30,400 --> 00:58:33,440
Speaker 3: be that I'm the best. Like that's a message, and

1285
00:58:33,480 --> 00:58:36,000
Speaker 3: I truly believe that about her, there's just no one better,

1286
00:58:36,360 --> 00:58:39,720
Speaker 3: and that I that I am loved, we love you,

1287
00:58:40,160 --> 00:58:43,480
Speaker 3: And so those are that's if you're boiling down how

1288
00:58:43,520 --> 00:58:45,480
Speaker 3: I feel about her. Those are the things that came

1289
00:58:45,480 --> 00:58:49,280
Speaker 3: out of my body involuntarily. So let's get to the moment.

1290
00:58:50,040 --> 00:58:52,960
Speaker 3: So during the Taylor Swift shows, there are two songs

1291
00:58:53,200 --> 00:58:56,240
Speaker 3: that she plays every single set or every single show

1292
00:58:57,080 --> 00:58:59,480
Speaker 3: out of her I think there's forty six songs total,

1293
00:58:59,600 --> 00:59:02,360
Speaker 3: and two of those songs are secret songs, is what

1294
00:59:02,400 --> 00:59:05,880
Speaker 3: the Swifties call them. That means that she plays two

1295
00:59:05,920 --> 00:59:08,160
Speaker 3: songs that we don't know what she's gonna play, and

1296
00:59:08,360 --> 00:59:10,480
Speaker 3: it's obviously a song that she isn't playing in the

1297
00:59:10,560 --> 00:59:13,440
Speaker 3: other forty five songs that she's playing or whatever forty

1298
00:59:13,440 --> 00:59:17,960
Speaker 3: four and she originally like gave these rules of like

1299
00:59:18,040 --> 00:59:19,880
Speaker 3: she's gonna play a different song for each of those

1300
00:59:19,880 --> 00:59:22,760
Speaker 3: two songs every single night of the tour. So let's

1301
00:59:22,760 --> 00:59:26,760
Speaker 3: say she's doing thirty five dates, that's seventy extra songs

1302
00:59:26,800 --> 00:59:29,520
Speaker 3: that she's gonna have to learn and not only learn

1303
00:59:29,840 --> 00:59:31,840
Speaker 3: the lyrics to and how to sing them, which is

1304
00:59:32,120 --> 00:59:33,640
Speaker 3: and you're like, well, doesn't she know how to singer

1305
00:59:33,680 --> 00:59:37,280
Speaker 3: own songs? No, she creates these new versions of these

1306
00:59:37,280 --> 00:59:39,360
Speaker 3: songs because she does it acoustics. So one she does

1307
00:59:39,400 --> 00:59:42,120
Speaker 3: on guitar completely with herself, and one she does on piano,

1308
00:59:42,360 --> 00:59:45,760
Speaker 3: and she's probably a better guitarist than she has pianist.

1309
00:59:45,840 --> 00:59:47,840
Speaker 3: But she works really hard on these songs, and she

1310
00:59:47,920 --> 00:59:51,160
Speaker 3: even says like, I've been practicing this all week long,

1311
00:59:51,480 --> 00:59:53,240
Speaker 3: so like she puts a lot of effort into the

1312
00:59:53,280 --> 00:59:56,160
Speaker 3: performance of these songs and like the arrangement and everything.

1313
00:59:56,320 --> 00:59:58,880
Speaker 3: So it's so much fucking work for her to do.

1314
00:59:59,160 --> 01:00:01,800
Speaker 3: Shout out to Taylor, thank you for doing these and

1315
01:00:02,840 --> 01:00:05,400
Speaker 3: she picks songs and so then but she's given caveats

1316
01:00:05,400 --> 01:00:06,960
Speaker 3: if she fucks something up, she gets to do it

1317
01:00:07,000 --> 01:00:09,680
Speaker 3: again at another show if she wants to. So if

1318
01:00:09,680 --> 01:00:11,840
Speaker 3: she makes a mistake, which she's only made one mistake

1319
01:00:11,880 --> 01:00:13,840
Speaker 3: once and she said she made a mistake on another one,

1320
01:00:14,080 --> 01:00:16,080
Speaker 3: but only because she said she picked the wrong key

1321
01:00:16,120 --> 01:00:18,000
Speaker 3: to sing it in, even though she did it flawlessly.

1322
01:00:18,080 --> 01:00:19,600
Speaker 3: She was like, I get to redo that one because

1323
01:00:19,600 --> 01:00:23,000
Speaker 3: it was in the wrong key and then so oh,

1324
01:00:23,040 --> 01:00:25,160
Speaker 3: and then she made another caveat that was like, I

1325
01:00:25,200 --> 01:00:28,120
Speaker 3: actually love the New Midnight's album song so much that

1326
01:00:28,120 --> 01:00:29,560
Speaker 3: I get to go do those twice if I want

1327
01:00:29,640 --> 01:00:32,200
Speaker 3: to too. She was like, this is ever a changing system,

1328
01:00:32,480 --> 01:00:35,800
Speaker 3: so let me just say the move. The shows that

1329
01:00:35,840 --> 01:00:39,280
Speaker 3: I've been to, the first two shows she did, both

1330
01:00:39,320 --> 01:00:42,560
Speaker 3: secret songs were songs I had never heard before, like not.

1331
01:00:44,120 --> 01:00:44,840
Speaker 2: Never heard before.

1332
01:00:44,880 --> 01:00:47,920
Speaker 3: I'd heard, but they just didn't like grip Me a

1333
01:00:47,960 --> 01:00:50,160
Speaker 3: Place in This World is off her first album. The

1334
01:00:50,200 --> 01:00:52,440
Speaker 3: other songs she did I forget what it was on

1335
01:00:52,480 --> 01:00:55,800
Speaker 3: the on Saturday night, but the first, the first show

1336
01:00:55,800 --> 01:00:58,360
Speaker 3: I went to, she did I Forget the first song

1337
01:00:58,440 --> 01:01:00,640
Speaker 3: she did, but then she did the Lucky One, which

1338
01:01:00,680 --> 01:01:03,240
Speaker 3: was also it was really cool because I didn't wasn't

1339
01:01:03,240 --> 01:01:06,240
Speaker 3: really familiar with that song, but then I don't know,

1340
01:01:06,240 --> 01:01:09,120
Speaker 3: there's sometimes you hear a song in concert and you're like,

1341
01:01:09,400 --> 01:01:11,360
Speaker 3: holy fuck, like you hear it for the first time,

1342
01:01:11,360 --> 01:01:14,000
Speaker 3: and it was like a moment of I get this

1343
01:01:14,120 --> 01:01:16,840
Speaker 3: song on a whole other level that the album version

1344
01:01:16,880 --> 01:01:19,120
Speaker 3: can't even hold a torch too, because she you know,

1345
01:01:19,120 --> 01:01:21,600
Speaker 3: it's an old song, but she's breathing new life into it,

1346
01:01:21,680 --> 01:01:22,439
Speaker 3: so I fell in love.

1347
01:01:22,680 --> 01:01:24,280
Speaker 2: Now. The Lucky One's one of my favorite songs.

1348
01:01:24,320 --> 01:01:25,400
Speaker 3: I heard it for the first time a couple of

1349
01:01:25,400 --> 01:01:27,920
Speaker 3: weeks ago, or really heard it for the first time. So,

1350
01:01:29,040 --> 01:01:31,560
Speaker 3: by the way, I don't know where she's going to

1351
01:01:31,640 --> 01:01:34,360
Speaker 3: do these songs. There's no she's been switching it up,

1352
01:01:34,400 --> 01:01:36,640
Speaker 3: like sometimes they'll put the microphone. They put the microphone

1353
01:01:36,920 --> 01:01:39,400
Speaker 3: just somewhere after she finishes the nineteen eighty nine tour,

1354
01:01:39,600 --> 01:01:42,280
Speaker 3: and then that's where she does She's planted doing her

1355
01:01:42,320 --> 01:01:45,040
Speaker 3: acoustic song, and then they put the piano a little

1356
01:01:45,040 --> 01:01:46,720
Speaker 3: bit on the other side of the stage wherever they

1357
01:01:46,720 --> 01:01:47,160
Speaker 3: plant it.

1358
01:01:47,320 --> 01:01:49,080
Speaker 2: I have no idea where this is gonna be.

1359
01:01:49,120 --> 01:01:50,520
Speaker 3: I mean I saw the show a couple of weeks

1360
01:01:50,520 --> 01:01:51,720
Speaker 3: ago and I go, I think it's gonna be in

1361
01:01:51,720 --> 01:01:53,960
Speaker 3: the set, like the mid stage, so I thought we're

1362
01:01:54,000 --> 01:01:55,440
Speaker 3: not going to be very close to it. I go

1363
01:01:55,480 --> 01:01:58,400
Speaker 3: on Saturday night and I'm like, oh my god, she's

1364
01:01:58,480 --> 01:02:02,960
Speaker 3: doing the acoustic song, like right, I think where Mom

1365
01:02:03,000 --> 01:02:04,800
Speaker 3: and I are gonna be sitting. That's gonna be cool,

1366
01:02:05,440 --> 01:02:09,240
Speaker 3: and not the piano one the guitar one piano front

1367
01:02:09,280 --> 01:02:12,160
Speaker 3: row for piano. There's still piano between you. Yeah, you know,

1368
01:02:12,280 --> 01:02:15,800
Speaker 3: like it's acoustic guitar. You are like fucking with it.

1369
01:02:16,200 --> 01:02:17,640
Speaker 3: So I thought we were gonna be sitting on the

1370
01:02:17,680 --> 01:02:19,840
Speaker 3: piano side of the stage. Actually we get to our

1371
01:02:19,880 --> 01:02:21,680
Speaker 3: seats and we're kind of we're on the guitar side,

1372
01:02:21,680 --> 01:02:23,600
Speaker 3: and I'm like, I think we might be in the

1373
01:02:23,600 --> 01:02:26,360
Speaker 3: best seat for the secret song guitar version of it.

1374
01:02:26,760 --> 01:02:29,120
Speaker 3: And by the way of any song you want to

1375
01:02:29,120 --> 01:02:31,919
Speaker 3: be front row four of her whole forty seven song

1376
01:02:32,040 --> 01:02:35,320
Speaker 3: forty five song set list, it's gonna be the acoustic one.

1377
01:02:35,560 --> 01:02:38,720
Speaker 3: A because it's acoustic and it's just her alone and

1378
01:02:38,760 --> 01:02:40,680
Speaker 3: you can hear it so perfectly and hear her and

1379
01:02:40,680 --> 01:02:43,520
Speaker 3: it's not muddled with by dancers or anything. But B

1380
01:02:44,200 --> 01:02:46,440
Speaker 3: she doesn't move because she has to be on this

1381
01:02:46,600 --> 01:02:49,240
Speaker 3: microphone and she's stationary. The rest of the song, she's

1382
01:02:49,320 --> 01:02:52,480
Speaker 3: running all over the place. There's not one song that

1383
01:02:52,520 --> 01:02:55,320
Speaker 3: you would want to be and we are. I'm not

1384
01:02:55,400 --> 01:02:58,520
Speaker 3: joking you. They put up the microphone and I lose

1385
01:02:58,560 --> 01:03:00,000
Speaker 3: my fucking mind because.

1386
01:02:59,720 --> 01:03:02,840
Speaker 2: It couldn't have been more in front of me. I

1387
01:03:02,880 --> 01:03:03,360
Speaker 2: mean it is.

1388
01:03:03,880 --> 01:03:05,560
Speaker 3: It is not to the side of foot, it is

1389
01:03:05,600 --> 01:03:08,000
Speaker 3: not to the left, It is right in front of

1390
01:03:08,040 --> 01:03:10,439
Speaker 3: me as close as you can be, the number one

1391
01:03:10,520 --> 01:03:13,080
Speaker 3: best seed in the house for the acoustic.

1392
01:03:12,920 --> 01:03:17,480
Speaker 4: Song and swiff you're the best.

1393
01:03:18,920 --> 01:03:22,800
Speaker 3: And I am like, oh my god, and so we we.

1394
01:03:23,160 --> 01:03:26,640
Speaker 3: She starts, she walks over to it. She is right there.

1395
01:03:26,680 --> 01:03:30,439
Speaker 3: I mean, you saw my Instagram stories. She is eight

1396
01:03:30,480 --> 01:03:33,200
Speaker 3: feet in front of me. Couldn't be closer to the.

1397
01:03:33,160 --> 01:03:35,880
Speaker 2: TV she sings. So then I realized, and that's why

1398
01:03:35,920 --> 01:03:38,080
Speaker 2: I kept saying, it's not the TV, that is her.

1399
01:03:38,320 --> 01:03:40,200
Speaker 3: And I took a selfie turn around because I go,

1400
01:03:40,320 --> 01:03:42,760
Speaker 3: that's not a screen, that's literally her. I'm in the

1401
01:03:42,800 --> 01:03:45,960
Speaker 3: same shot as her, her physical body. She's right in

1402
01:03:45,960 --> 01:03:47,960
Speaker 3: front of us. She plays a song I do know

1403
01:03:48,120 --> 01:03:51,480
Speaker 3: called begin Again that I love, and so that was

1404
01:03:51,520 --> 01:03:53,720
Speaker 3: so good because usually she plays some obscure song that

1405
01:03:53,760 --> 01:03:55,560
Speaker 3: I don't know, and this one was. It was just

1406
01:03:55,640 --> 01:03:58,560
Speaker 3: like a private concert. Couldn't have been closer. It was

1407
01:03:58,920 --> 01:04:01,280
Speaker 3: the best, it was worse. It was worth that money

1408
01:04:01,600 --> 01:04:04,720
Speaker 3: so much like it was. It gives me chills just

1409
01:04:04,760 --> 01:04:08,680
Speaker 3: thinking about now everything. Yeah, wasn't that a special moment

1410
01:04:08,840 --> 01:04:10,960
Speaker 3: when she was right there? It was and you could

1411
01:04:11,000 --> 01:04:17,360
Speaker 3: see every little good like her guitar, every pimple there

1412
01:04:17,440 --> 01:04:20,840
Speaker 3: was no poor on her face, but if on her

1413
01:04:21,920 --> 01:04:24,800
Speaker 3: but she was just stunning and just so and she

1414
01:04:24,960 --> 01:04:27,960
Speaker 3: was just like it was just like so intimate.

1415
01:04:28,080 --> 01:04:29,200
Speaker 2: She just so intimate.

1416
01:04:29,200 --> 01:04:31,200
Speaker 3: That's how it felt like. She's just the way she smiles,

1417
01:04:31,240 --> 01:04:33,720
Speaker 3: she's just like, you're right there. We did not make

1418
01:04:33,720 --> 01:04:35,960
Speaker 3: eye contact at any point. Everyone's like, I think she

1419
01:04:36,000 --> 01:04:37,880
Speaker 3: made that contact with you. She did not look at me.

1420
01:04:38,240 --> 01:04:40,080
Speaker 3: I'm happy for it. I didn't want to distract her.

1421
01:04:40,120 --> 01:04:42,040
Speaker 3: I would have been too much. It just I probably

1422
01:04:42,040 --> 01:04:43,360
Speaker 3: would have gotten the lyrics wrong and she would have

1423
01:04:43,360 --> 01:04:45,120
Speaker 3: read my mouth and like it'd gotten fucked up, Like

1424
01:04:45,320 --> 01:04:45,600
Speaker 3: it just.

1425
01:04:45,560 --> 01:04:46,280
Speaker 2: Would have been bad.

1426
01:04:46,440 --> 01:04:48,800
Speaker 3: So I'm glad she didn't look at me. But the

1427
01:04:48,880 --> 01:04:51,919
Speaker 3: other thing that happened that was wild on this thing,

1428
01:04:51,960 --> 01:04:53,880
Speaker 3: and I wanted I know that we've got a rush.

1429
01:04:53,960 --> 01:04:56,760
Speaker 3: But so my mom and I went to a cemetery

1430
01:04:56,840 --> 01:04:59,680
Speaker 3: on Saturday because my friend Harris Whittles, who I shouted

1431
01:04:59,720 --> 01:05:02,160
Speaker 3: up before or who created Humble Bragg, he died eight

1432
01:05:02,240 --> 01:05:05,440
Speaker 3: years ago and he was a comedy writer on Parks

1433
01:05:05,440 --> 01:05:07,560
Speaker 3: and rec And he was a comedian a friend of mine,

1434
01:05:07,840 --> 01:05:11,680
Speaker 3: and he died tragically from heroin. I really recommend listening

1435
01:05:11,680 --> 01:05:15,280
Speaker 3: to an episode his episode of Uh he made it

1436
01:05:15,320 --> 01:05:18,120
Speaker 3: weird with Pete Holmes his second appearance, because he talks

1437
01:05:18,120 --> 01:05:20,280
Speaker 3: about his heroin addiction and it's just it's funny, but

1438
01:05:20,320 --> 01:05:22,400
Speaker 3: it's also sad, and you know how it ends, because

1439
01:05:22,440 --> 01:05:24,880
Speaker 3: he died tragically not too long after he recorded that.

1440
01:05:25,160 --> 01:05:28,200
Speaker 3: But so I've always whenever I'm in Houston, I knew

1441
01:05:28,200 --> 01:05:30,160
Speaker 3: he's buried there, He's from there. I always wanted to

1442
01:05:30,160 --> 01:05:32,240
Speaker 3: go visit his grave, but I've every time I've gone,

1443
01:05:32,320 --> 01:05:35,160
Speaker 3: it's been flooded, or I've been in town for just

1444
01:05:35,240 --> 01:05:37,200
Speaker 3: like not enough time and it's out in the kind

1445
01:05:37,200 --> 01:05:39,360
Speaker 3: of the suburbs or in this weird area that you know,

1446
01:05:39,480 --> 01:05:41,880
Speaker 3: nothing's by. So I asked my mom, was like, Hey,

1447
01:05:41,880 --> 01:05:43,720
Speaker 3: can we go to this grave? And my mom is like,

1448
01:05:43,800 --> 01:05:48,680
Speaker 3: totally down. I love graveyards, Yeah, yeah, you're They're fun there,

1449
01:05:49,560 --> 01:05:51,960
Speaker 3: beautiful and peaceful, and there's crows.

1450
01:05:52,040 --> 01:05:53,320
Speaker 2: You love craves and.

1451
01:05:53,200 --> 01:05:59,320
Speaker 3: Pros yeah everything. I love death. And so we we

1452
01:05:59,360 --> 01:06:01,280
Speaker 3: find in. My Mom's very worried, She's like, how are

1453
01:06:01,320 --> 01:06:03,680
Speaker 3: we going to find this gravestone? I'm like, find a

1454
01:06:03,720 --> 01:06:04,560
Speaker 3: grave dot com.

1455
01:06:04,440 --> 01:06:07,320
Speaker 2: On my wayside and if it gives you the.

1456
01:06:07,240 --> 01:06:11,080
Speaker 3: Exact coordinance, the location, the section, the plot number. So

1457
01:06:11,160 --> 01:06:14,320
Speaker 3: we find it and and it's like no one else

1458
01:06:14,360 --> 01:06:17,560
Speaker 3: is in the cemetery. It's like dead quiet, and I'm like,

1459
01:06:17,600 --> 01:06:19,400
Speaker 3: I want to leave something. I forgot to bring, like

1460
01:06:19,480 --> 01:06:21,040
Speaker 3: flowers or something. So I was like, I want to

1461
01:06:21,080 --> 01:06:23,560
Speaker 3: leave something, and I'm looking through my bag and I'm

1462
01:06:23,600 --> 01:06:25,280
Speaker 3: just like, oh, he played guitar and I have a

1463
01:06:25,280 --> 01:06:27,200
Speaker 3: guitar pick. I was like, I'll leave a guitar pick

1464
01:06:27,480 --> 01:06:29,400
Speaker 3: just as something. So I put a guitar pick on

1465
01:06:29,800 --> 01:06:31,560
Speaker 3: the grave. And then we go and we walk around

1466
01:06:31,640 --> 01:06:34,080
Speaker 3: the rest of the cemetery and we're just like telling

1467
01:06:34,120 --> 01:06:36,800
Speaker 3: stories about him, and then we're talking about death. And

1468
01:06:36,840 --> 01:06:40,040
Speaker 3: then we played Marjorie. Yeah, we played the song Marjorie

1469
01:06:40,040 --> 01:06:41,800
Speaker 3: because it's about death. And then we played the song

1470
01:06:42,240 --> 01:06:44,160
Speaker 3: The Best Day, which is just about like Taylor and

1471
01:06:44,200 --> 01:06:46,919
Speaker 3: her mom, like Taylor talking about a song about her mom.

1472
01:06:47,320 --> 01:06:49,640
Speaker 3: And we just like had this like great moment of

1473
01:06:49,760 --> 01:06:52,840
Speaker 3: just like mother daughter, like just bonding time.

1474
01:06:52,880 --> 01:06:53,680
Speaker 2: It was so nice.

1475
01:06:53,680 --> 01:06:58,080
Speaker 3: And yeah, then we went home and just relaxed in

1476
01:06:58,160 --> 01:07:00,560
Speaker 3: bed and like got ready for the show. And then

1477
01:07:00,560 --> 01:07:03,640
Speaker 3: we go to the show and we're there and and

1478
01:07:03,720 --> 01:07:06,920
Speaker 3: it's you know, it's in the show just starts and

1479
01:07:06,920 --> 01:07:09,240
Speaker 3: she's like three songs into. She starts with the Lover

1480
01:07:09,320 --> 01:07:11,480
Speaker 3: album and she's like three songs in, and my mom

1481
01:07:11,520 --> 01:07:14,520
Speaker 3: and I are singing Lover, the song like Lover When

1482
01:07:14,680 --> 01:07:18,120
Speaker 3: I Go, Where You Go, And then all of a sudden,

1483
01:07:19,440 --> 01:07:21,800
Speaker 3: out of nowhere, I mean, we're front row, this guy

1484
01:07:21,960 --> 01:07:24,680
Speaker 3: comes up to where we are, taps me on the

1485
01:07:24,800 --> 01:07:28,479
Speaker 3: arm and holds out a guitar pick, this Lover guitar pick,

1486
01:07:28,520 --> 01:07:30,600
Speaker 3: and is like here and like swings it in my

1487
01:07:30,640 --> 01:07:32,280
Speaker 3: face and I'm like what, and I just take it,

1488
01:07:32,480 --> 01:07:34,480
Speaker 3: and then he got he leaves a security guard and

1489
01:07:34,520 --> 01:07:37,720
Speaker 3: I have no idea. Yeah, like he he wasn't like

1490
01:07:37,760 --> 01:07:40,040
Speaker 3: one of the ones in yellow shirts that were guarding.

1491
01:07:40,160 --> 01:07:42,840
Speaker 2: He looked like he was like maybe a manager, Yeah,

1492
01:07:42,880 --> 01:07:46,080
Speaker 2: like one of like someone backstage.

1493
01:07:46,520 --> 01:07:50,480
Speaker 3: Yeah, like probably, so I don't know what it was,

1494
01:07:50,960 --> 01:07:53,560
Speaker 3: but they get I got a Lover guitar pick, which

1495
01:07:53,560 --> 01:07:56,080
Speaker 3: is an official like it has the weight of one

1496
01:07:56,080 --> 01:07:58,560
Speaker 3: that she uses, probably Like I feel like it's a

1497
01:07:58,880 --> 01:08:02,080
Speaker 3: it's a nice guitar pick, And and everyone around me

1498
01:08:02,160 --> 01:08:02,720
Speaker 3: is looking at me.

1499
01:08:02,680 --> 01:08:05,000
Speaker 2: Like yeah, we were like what are you And I'm

1500
01:08:05,000 --> 01:08:07,720
Speaker 2: like I don't know. Like he disappeared and he goes away.

1501
01:08:07,960 --> 01:08:09,800
Speaker 3: There's no he didn't give me any for he just

1502
01:08:09,960 --> 01:08:13,440
Speaker 3: is like take this, and she's on stage. It's not

1503
01:08:13,480 --> 01:08:15,640
Speaker 3: like she she threw that out or something like she

1504
01:08:15,720 --> 01:08:17,680
Speaker 3: throws out her guitar picks after she plays, so it's

1505
01:08:17,720 --> 01:08:19,600
Speaker 3: not like one that was thrown out and then like

1506
01:08:19,680 --> 01:08:22,519
Speaker 3: he found it like it. I don't understand where it

1507
01:08:22,520 --> 01:08:25,000
Speaker 3: came from. If anyone out there can tell me what

1508
01:08:25,040 --> 01:08:27,479
Speaker 3: the fuck that was, I really want to know. But

1509
01:08:27,520 --> 01:08:31,160
Speaker 3: then I realized it's a sign. I gave a guitar

1510
01:08:31,200 --> 01:08:34,120
Speaker 3: pick to Harris's grave earlier and I got one back

1511
01:08:34,200 --> 01:08:36,120
Speaker 3: later that night. I felt like it was like, I'm

1512
01:08:36,120 --> 01:08:37,840
Speaker 3: not someone who believes.

1513
01:08:37,600 --> 01:08:41,000
Speaker 2: Oh it's some weird sign. I honestly for.

1514
01:08:40,520 --> 01:08:42,800
Speaker 3: For me to get it was like Harris being like,

1515
01:08:43,000 --> 01:08:44,400
Speaker 3: I saw you there today.

1516
01:08:45,000 --> 01:08:47,479
Speaker 2: Here's a gift. Guy got it, and here's one for

1517
01:08:47,560 --> 01:08:47,960
Speaker 2: you too.

1518
01:08:48,040 --> 01:08:49,760
Speaker 3: Like That's what it felt like to me, was like

1519
01:08:50,040 --> 01:08:52,680
Speaker 3: he was in there that night or there was some

1520
01:08:52,840 --> 01:08:56,080
Speaker 3: like there was some cosmic energy of like thanks buddy,

1521
01:08:56,320 --> 01:08:58,479
Speaker 3: thanks for your gift today, here's a gift for you,

1522
01:08:58,800 --> 01:09:01,439
Speaker 3: Like because there was no reason behind it. It wasn't

1523
01:09:01,520 --> 01:09:04,719
Speaker 3: like anyone knew Nikki Glazer was there, and she plays guitar,

1524
01:09:04,840 --> 01:09:07,400
Speaker 3: and there wasn't I wasn't singing the song more than

1525
01:09:07,439 --> 01:09:09,479
Speaker 3: other people. There wasn't like we're gonna give this to

1526
01:09:09,520 --> 01:09:12,599
Speaker 3: the most enthusiastic. There was no good The security guard

1527
01:09:12,600 --> 01:09:13,800
Speaker 3: in front of us. I had asked him to move,

1528
01:09:13,840 --> 01:09:15,400
Speaker 3: so there's no one to perform for anymore.

1529
01:09:15,600 --> 01:09:18,880
Speaker 2: They're amazed at you, if anything. They were like, what

1530
01:09:19,000 --> 01:09:19,880
Speaker 2: does she think she is?

1531
01:09:20,040 --> 01:09:22,400
Speaker 3: I literally go, we paid good money for these seats

1532
01:09:22,560 --> 01:09:23,840
Speaker 3: and you are blocking our view.

1533
01:09:23,840 --> 01:09:26,000
Speaker 2: This doesn't make sense. And I wasn't being rude about it.

1534
01:09:26,040 --> 01:09:28,080
Speaker 3: I was like, I just don't understand why you need

1535
01:09:28,120 --> 01:09:30,759
Speaker 3: to be so close to us, Like what is gonna happen?

1536
01:09:31,360 --> 01:09:33,320
Speaker 3: And they were nice though, They were like oh yeah yeah,

1537
01:09:33,320 --> 01:09:34,040
Speaker 3: and he backed off.

1538
01:09:34,280 --> 01:09:37,200
Speaker 2: Was Bob in his head? Yeah?

1539
01:09:37,240 --> 01:09:38,960
Speaker 3: Because then shake it Off came on. He couldn't help,

1540
01:09:39,280 --> 01:09:41,360
Speaker 3: but Bob belong to it. I mean you you that's

1541
01:09:41,400 --> 01:09:43,680
Speaker 3: a toe tapper. And so it is funny to see

1542
01:09:43,680 --> 01:09:45,560
Speaker 3: the security guards like being cool, and then all of

1543
01:09:45,600 --> 01:09:49,000
Speaker 3: a sudden they're like bank space, baby, and I'll write

1544
01:09:49,000 --> 01:09:52,160
Speaker 3: your name. You start to see them like ding I

1545
01:09:52,280 --> 01:09:54,400
Speaker 3: kind of bound second more than like start all moving

1546
01:09:54,479 --> 01:09:57,960
Speaker 3: and said and so it was just the best, and

1547
01:09:58,000 --> 01:10:00,000
Speaker 3: I rarely I can't wait to go again. I'm gonna

1548
01:10:00,040 --> 01:10:04,599
Speaker 3: to go in Nashville next weekend and yeah, I'm filming

1549
01:10:04,600 --> 01:10:07,640
Speaker 3: a show there on yeah or not next weekend. The

1550
01:10:07,680 --> 01:10:11,640
Speaker 3: weekend after I'm filming a show there on Thursday, and

1551
01:10:11,680 --> 01:10:13,439
Speaker 3: I'm going to see her on Sunday, so I might

1552
01:10:13,520 --> 01:10:16,519
Speaker 3: have to get tickets for Friday and Saturday.

1553
01:10:16,680 --> 01:10:18,040
Speaker 2: I don't know. I might do it again.

1554
01:10:18,439 --> 01:10:20,439
Speaker 3: And now at this point, I have the show memorized,

1555
01:10:20,479 --> 01:10:22,400
Speaker 3: so I know what each song goes into it, and

1556
01:10:22,439 --> 01:10:25,880
Speaker 3: I have all the interludes memory I know, and I

1557
01:10:25,920 --> 01:10:28,439
Speaker 3: know the dance. Yeah, I know what's third row, and

1558
01:10:28,479 --> 01:10:30,479
Speaker 3: I know like that some of the dances and it's

1559
01:10:30,520 --> 01:10:32,880
Speaker 3: like because they're not that hard, but they're like so fun.

1560
01:10:32,960 --> 01:10:34,639
Speaker 2: So I don't know. I think I might.

1561
01:10:34,880 --> 01:10:38,920
Speaker 3: I'm gonna keep going and auditioning for her, and she's

1562
01:10:39,040 --> 01:10:42,000
Speaker 3: gonna go you get on up here, you get one

1563
01:10:42,000 --> 01:10:45,160
Speaker 3: of these bicycles in every city.

1564
01:10:45,240 --> 01:10:45,760
Speaker 2: Yeah.

1565
01:10:45,920 --> 01:10:49,120
Speaker 4: So that was the guitar pick. Was it was like,

1566
01:10:49,360 --> 01:10:51,840
Speaker 4: you got like five shows under your belt, you get

1567
01:10:51,840 --> 01:10:52,360
Speaker 4: a guitar.

1568
01:10:52,160 --> 01:10:56,160
Speaker 3: P Oh, yeah, it was that's so true. Oh my god, Yeah,

1569
01:10:56,200 --> 01:10:59,240
Speaker 3: that's a that's the tiered system that they get. Next time,

1570
01:10:59,280 --> 01:11:03,360
Speaker 3: I'll get a a capo, and then I'll get a

1571
01:11:03,439 --> 01:11:08,920
Speaker 3: strap and then I get a good guitar. Yeah, oh

1572
01:11:08,960 --> 01:11:11,280
Speaker 3: my god, I can do it. It was It really

1573
01:11:11,439 --> 01:11:14,320
Speaker 3: was like it's just where I belong. It felt so right.

1574
01:11:14,400 --> 01:11:16,439
Speaker 3: It's so and everyone's dressed up.

1575
01:11:16,479 --> 01:11:19,840
Speaker 2: I mean the costumes. Have you ever seen anything like it?

1576
01:11:19,880 --> 01:11:20,040
Speaker 3: Mom?

1577
01:11:20,240 --> 01:11:23,679
Speaker 2: Nothing, No, It's like I called it, swift Cella. It's everyone.

1578
01:11:23,680 --> 01:11:28,680
Speaker 3: It's like Coachella, but it's everyone's just like girly jewels

1579
01:11:28,800 --> 01:11:34,120
Speaker 3: and just everyone's cute. I mean, it's just the involvement

1580
01:11:34,800 --> 01:11:37,599
Speaker 3: everyone the funnyest. Some people are doing really funny costumes.

1581
01:11:37,600 --> 01:11:40,960
Speaker 3: So every night she loads into the arena because she

1582
01:11:40,960 --> 01:11:43,760
Speaker 3: can't go underground. There's no underground to get in, so

1583
01:11:44,160 --> 01:11:46,920
Speaker 3: she loads in. They have a mop cart. They built

1584
01:11:46,920 --> 01:11:49,200
Speaker 3: this like cart that she hides in the side, and

1585
01:11:49,200 --> 01:11:51,880
Speaker 3: then at the top they have like fake tops of mops,

1586
01:11:51,880 --> 01:11:53,559
Speaker 3: so it looks like they're going all the way through it,

1587
01:11:53,600 --> 01:11:57,040
Speaker 3: but they're just the tops. And someone filmed her getting

1588
01:11:57,080 --> 01:11:58,679
Speaker 3: out of it, so we know she's in there.

1589
01:11:58,760 --> 01:11:59,160
Speaker 8: Oh my.

1590
01:11:59,320 --> 01:12:00,639
Speaker 2: So lately at.

1591
01:12:00,560 --> 01:12:03,480
Speaker 3: Concerts people have been dressing as the mop car.

1592
01:12:04,040 --> 01:12:06,960
Speaker 2: Any reference to her it's so funny.

1593
01:12:07,040 --> 01:12:09,960
Speaker 3: So it's it's just like, it was so fun and

1594
01:12:10,240 --> 01:12:12,519
Speaker 3: thank you for letting me talk about it the entire episode.

1595
01:12:12,520 --> 01:12:16,400
Speaker 2: You guys, we will be here tomorrow. Yeah, it was

1596
01:12:16,520 --> 01:12:21,400
Speaker 2: so fun. Last night. I was like, I was I

1597
01:12:21,439 --> 01:12:23,000
Speaker 2: missed you last night. We got back here and I

1598
01:12:23,040 --> 01:12:28,200
Speaker 2: was like, oh, I missed you too. What are we

1599
01:12:28,240 --> 01:12:31,719
Speaker 2: gonna I know, No I called you. I'm like, texted

1600
01:12:31,720 --> 01:12:33,360
Speaker 2: you come over watch the session.

1601
01:12:33,560 --> 01:12:36,560
Speaker 3: Instead, I watched the Boston Marathon bombing documentary.

1602
01:12:37,479 --> 01:12:41,639
Speaker 1: Your dad said, what is she like, I'm like, I'll

1603
01:12:41,800 --> 01:12:42,479
Speaker 1: definitely watch.

1604
01:12:42,720 --> 01:12:42,960
Speaker 2: Yeah.

1605
01:12:43,040 --> 01:12:45,680
Speaker 3: I told Anya today there weren't enough body parts. I

1606
01:12:45,680 --> 01:12:48,719
Speaker 3: didn't see enough limbs or gruesome footage. I want more,

1607
01:12:49,160 --> 01:12:50,799
Speaker 3: not that I want that to happen to anyone.

1608
01:12:50,840 --> 01:12:51,879
Speaker 2: It was horrible.

1609
01:12:52,560 --> 01:12:55,360
Speaker 3: If we're gonna go there, let's go there. Let's see

1610
01:12:55,360 --> 01:12:58,000
Speaker 3: the real I want to see what her leg looked

1611
01:12:58,000 --> 01:12:59,920
Speaker 3: like when it was all twisted off and ship like that.

1612
01:13:00,080 --> 01:13:02,160
Speaker 2: Like I but it would. I mean, it's it's a

1613
01:13:02,200 --> 01:13:05,400
Speaker 2: great documentary. You're gonna love it. Yeah, No, it's not

1614
01:13:05,439 --> 01:13:05,920
Speaker 2: that graphic.

1615
01:13:06,000 --> 01:13:08,080
Speaker 3: I mean it's like what happened is so graphic, but

1616
01:13:08,360 --> 01:13:11,040
Speaker 3: it's really well done and it's it doesn't waste your time,

1617
01:13:11,120 --> 01:13:13,200
Speaker 3: it doesn't talk to you like you're a fucking idiot.

1618
01:13:13,240 --> 01:13:13,880
Speaker 2: It's really good.

1619
01:13:14,040 --> 01:13:16,760
Speaker 3: Okay, it's not a bomb. It's a what it was,

1620
01:13:16,840 --> 01:13:19,680
Speaker 3: but the show itself not a bomb. Okay, guys, thank

1621
01:13:19,680 --> 01:13:22,280
Speaker 3: you so much for listening. We'll be here tomorrow on

1622
01:13:22,320 --> 01:13:24,960
Speaker 3: the show. Don't be cad and just forgive me for

1623
01:13:25,080 --> 01:13:26,200
Speaker 3: talking about Taylers, but the whole time.

1624
01:13:26,240 --> 01:13:26,879
Speaker 2: Thank you.