WEBVTT - A Song Is Born

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<v Speaker 1>As a dad, actor, producer for an activist, my schedule

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<v Speaker 1>fills up fast and as we all know, a life

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<v Speaker 1>can be unpredictable. That's why good help is always welcome.

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<v Speaker 1>Hey everyone, it's warmer vol drama. When it comes to insurance,

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<v Speaker 1>a punto state Farm, punto kom Like a good neighbor,

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<v Speaker 1>Stay Farm is there. Life is all about balance, taking

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<v Speaker 1>time to enjoy the good things while taking care of

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<v Speaker 1>business as well. What Up It's Dramas from the Michael

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<v Speaker 1>Tura podcast network here to tell you that yes, you

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<v Speaker 1>can crush that workout at the gym and enjoy a

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<v Speaker 1>celebrates a balanced lifestyle that includes both fitness and fun.

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<v Speaker 1>Is living your best? Life is only worth it if

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<v Speaker 1>you enjoy it. Make a little Ultra enjoy responsibly oh La,

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<v Speaker 1>it's Rosa in Sanchez from the He Said Ajo podcast,

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<v Speaker 1>And just like Hound, I'm here to speak the truth.

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<v Speaker 1>Like the one that electric cars take a long time

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<v Speaker 1>to charge is Nuez Verdad and the all electric hande

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<v Speaker 1>ten to eighty percent in as little as eighteen minutes.

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<v Speaker 1>When it comes to the bunking myths, hand is thinking

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<v Speaker 1>of every mile. Haund It's your journey. Proud partner of

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<v Speaker 1>Michael Tura podcast Network. After finally choosing the producer for

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<v Speaker 1>my new single, I gave Monica the night off. Wisdom

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<v Speaker 1>had already left to do a gig in Chicago. He

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<v Speaker 1>had committed to do it before any of this happened.

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<v Speaker 1>So I was by myself and allowing all that happened

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<v Speaker 1>to sink in while also celebrating. I went shopping on

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<v Speaker 1>Fifth Avenue, the most expensive avenue in all of Manhattan.

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<v Speaker 1>Bought myself a pair of Christian Lubutan shoes, didn't even

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<v Speaker 1>look at the price a first, and then I got

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<v Speaker 1>myself not one, but two cupcakes, also a first. The

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<v Speaker 1>next morning, Sean asked me to meet him at a

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<v Speaker 1>TikTok house in Long Island. Good thing Monica was with

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<v Speaker 1>me because she knew what a TikTok house was. I didn't.

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<v Speaker 1>The minute I walked in, I felt out of place,

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<v Speaker 1>like I wasn't one of the cool kids. So what

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<v Speaker 1>do you think? But it's not what I expected. But

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<v Speaker 1>then again, I don't know what the hell I expected.

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<v Speaker 1>They all live here. Yeah, I looked at the house.

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<v Speaker 1>It has recording booths, edit bays, and even green screens.

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<v Speaker 1>If you're a TikTok celeb and your livelihood depends on

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<v Speaker 1>getting millions of clicks each day, this place is fantastic.

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<v Speaker 1>Bonica's excitement got me excited. All these crazy kids were

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<v Speaker 1>following their dreams by being themselves, and I was about

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<v Speaker 1>to do the same. Oh, they're Sean over there. I

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<v Speaker 1>think he's signaling us to come over. Monica and I

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<v Speaker 1>walked over to Sean, passing several TikTok stars along the way,

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<v Speaker 1>recording various videos, including a pair of kids singing their

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<v Speaker 1>rendition to new Strings, which made me chuckle. When the

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<v Speaker 1>body touched and you feel a rush, No it's not

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<v Speaker 1>enough or at this kind of love? Keeping no strinks, Yes,

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<v Speaker 1>it's now drinks. It was perfect we had, Patty. Thanks

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<v Speaker 1>for meeting me here, Hi, Sean. Yeah, nice to see

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<v Speaker 1>you again. And you could just call me at Anita

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<v Speaker 1>ad Alita. It is so. You have your studio in

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<v Speaker 1>here behind the virtual alien zoom. We just got an

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<v Speaker 1>oculus and the animals are let want to see that's okay?

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<v Speaker 1>Thanks anyway, and you live here, I do. I'm working

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<v Speaker 1>with so many tech talkers in this house that you know.

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<v Speaker 1>It just it makes it so much easier, right, you

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<v Speaker 1>know my studios down that hall. Make yourself at home. Please,

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<v Speaker 1>I'll go get us some more cool next. I was

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<v Speaker 1>so out of my element, but I reminded myself that

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<v Speaker 1>this is what a transition feels like. This would be

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<v Speaker 1>my first time working on a song without my mother around,

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<v Speaker 1>and that fell strange. But then it occurred to me

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<v Speaker 1>that my mother was working with someone else for the

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<v Speaker 1>first time too, and I wondered how that was going. Natalia,

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<v Speaker 1>I'm so excited for you to meet your new publicist.

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<v Speaker 1>I have worked with Jorge for over a decade, and

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<v Speaker 1>I can assure you there is no one better to

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<v Speaker 1>help a young artist like yourself. Navigator Spotlight, Miss Bass

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<v Speaker 1>told me you came all the way from La just

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<v Speaker 1>for this meeting. Of course, it's important to meet a

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<v Speaker 1>new client in person, and we have offices here in Apasso.

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<v Speaker 1>We wrap quite a few artists across the border. I

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<v Speaker 1>was happy to come. I've never had a publicist. Do

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<v Speaker 1>you really think I need one right now? Oh? I

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<v Speaker 1>mean I think it could help. My whole team is

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<v Speaker 1>very excited to work with you. So, Natalia, let me explain.

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<v Speaker 1>Jorge has his own PR firm which you will be

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<v Speaker 1>signed to, but he and his team will work closely

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<v Speaker 1>with IAG to make sure that everyone is on the

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<v Speaker 1>same page. Okay, good. So one of the first things

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<v Speaker 1>we need to do is transfer your social media accounts

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<v Speaker 1>to his firm. Wait wait, wait, what do you mean, Well,

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<v Speaker 1>we take over your accounts and start building your brand right.

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<v Speaker 1>They'll post behind the scenes footage from the studio sessions,

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<v Speaker 1>clips of your first music video, photos, things like that.

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<v Speaker 1>I was planning to do all that, and you don't

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<v Speaker 1>have to worry about any of that anymore. We'll take

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<v Speaker 1>care of it. We'll also ask other i EG artists

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<v Speaker 1>to follow you and repost. Use that your followers go

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<v Speaker 1>from the hundreds to the thousands to the millions. We

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<v Speaker 1>think you have the potential to surpass all Spanish thing

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<v Speaker 1>artists out there. Wow, you have a whole plan already.

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<v Speaker 1>That's our job, miss boss. I don't want to do

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<v Speaker 1>that yet. Oh, don't be nervous. Artists do this all

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<v Speaker 1>the time. I don't want to be like other artists,

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<v Speaker 1>of course, not pro grason. Jorge and his team are

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<v Speaker 1>experts in this. They'll know how to present you at

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<v Speaker 1>your absolute best. But what if I'm having a bad

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<v Speaker 1>day or I screw up like I did with that

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<v Speaker 1>video the other day. Oh honey, that's why you want

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<v Speaker 1>us to control all of that? No, I mean I

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<v Speaker 1>want my followers to know that side of me too.

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<v Speaker 1>Why Why Because it's real? Jo Okay, sweetheart, I hear you,

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<v Speaker 1>and we can make sure that we have a balance

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<v Speaker 1>and what we post. But trust me and that bit

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<v Speaker 1>of bad price you've got because the video is nothing

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<v Speaker 1>compared to what could happen. There will come a time

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<v Speaker 1>when the haters will take out their claws and judge

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<v Speaker 1>you for every little thing you do say, where, eat, sing,

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<v Speaker 1>and post online. We are talking next level mean girl stuff.

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<v Speaker 1>Thank of it. This way. We're here to protect you, sweetheart,

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<v Speaker 1>when things get out of control, and believe me, they will.

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<v Speaker 1>Now here's the good news. You can still sit up

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<v Speaker 1>private accounts for close friends and family, but when it

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<v Speaker 1>comes to your public persona, you really need to let

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<v Speaker 1>us handle that. This is still my decision though, right yes,

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<v Speaker 1>but Natalia, you simply won't have time to manage any

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<v Speaker 1>of that with your schedule. You're working on your first

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<v Speaker 1>album while still finishing high school. For goodness, say what

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<v Speaker 1>did Adelita do. There was no social media when she

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<v Speaker 1>got started. Thank god. It is a whole new world now,

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<v Speaker 1>but even back then we handled all of that. Alita's prince,

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<v Speaker 1>and I want you to do that for me too,

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<v Speaker 1>just not my social media. But don't worry. I promise

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<v Speaker 1>not to upset the press again. Oh and speaking of school,

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<v Speaker 1>I gotta finish my homework. Ferrodrico comes back. It was

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<v Speaker 1>nice to meet you. I guess we're done. Nice fitting

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<v Speaker 1>you too, sweetheart, Carmen, this is not advised. She is

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<v Speaker 1>an eighteen year old girl who thinks she's an adult

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<v Speaker 1>but hasn't no idea what's about to happen to her life.

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<v Speaker 1>I'll call Marcos and let him handle it. It'll have

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<v Speaker 1>more weight coming from the head of the la. Okay, yes,

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<v Speaker 1>that's a good idea. Oh, by the way, how is Adelina, Well,

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<v Speaker 1>we just haven't been able to get hold of her

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<v Speaker 1>since the Grammys. She's in New York meeting with new

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<v Speaker 1>producers and trust me, you're not the only one who

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<v Speaker 1>can get a hold of her. Well, I'm just wondering

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<v Speaker 1>if we'll still be working with her or not that

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<v Speaker 1>she's going mainstream. That's a good question. I'll talk to

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<v Speaker 1>her when she's back and let you know. Hi and

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<v Speaker 1>woman drama. As a dad, actor, producer, and activist, my

0:09:33.880 --> 0:09:36.680
<v Speaker 1>schedule fills up fast and as we all know, life

0:09:36.679 --> 0:09:39.800
<v Speaker 1>can be unpredictable. That's why good help is always welcome

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<v Speaker 1>by when your friend offers you those important words of advice,

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<v Speaker 1>or when your mom makes your favorite food just because

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<v Speaker 1>it's hold an act of kindness and support. That's why

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<v Speaker 1>stay Farm is their twenty four seven with great support

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<v Speaker 1>when you need it. Their agents get to know you

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<v Speaker 1>and your insurance needs. Stay Farm is also a big

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<v Speaker 1>supporter of the Michael Tuda podcast network by helping showcase

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<v Speaker 1>our Latino creators and storytellers come on when Vesinos. Stay

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<v Speaker 1>farmsta in a Punto state Farm Punto com listen to

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<v Speaker 1>new episodes of your favorite Michael Tura shows. Wherever you

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<v Speaker 1>listen to your podcasts, you've heard the phrase well behaved

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<v Speaker 1>women rarely make history, especially in the sports world. Michaelo

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<v Speaker 1>Ultra and Michael Tura are proud to spotlight female athletes

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<v Speaker 1>who have had to face obstacles in this male dominated

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<v Speaker 1>industry with an inspiring story about a strong woman making

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<v Speaker 1>history her way. Did you know Alexa Grosso has made

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<v Speaker 1>history as the first Latina UFC Women's flyweight champion. I

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<v Speaker 1>think that's so incredible Imo, to see a Latina get

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<v Speaker 1>this amazing recognition, especially in a male dominated sport. As

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<v Speaker 1>someone who also works in a male dominated industry, I

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<v Speaker 1>know how hard it can be to break through, and

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<v Speaker 1>I'm so proud to see a fellow Latina get her flowers.

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<v Speaker 1>This isn't just a win for Alexa. This is a

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<v Speaker 1>win for all of us and for women everywhere. So

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<v Speaker 1>here's a toast to the fierce women doing what they love,

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<v Speaker 1>becoming living legends in the sports world in the process,

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<v Speaker 1>and making her story. Because it's only worth it if

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<v Speaker 1>you enjoy it. Mike alob Ultra, please enjoy responsibly swimming

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<v Speaker 1>after eating gives cramps. Reading with the dim light will

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<v Speaker 1>hurt your sight. Coffee stunts your growth. Guanta bueno, no macjuentos.

0:11:31.200 --> 0:11:33.920
<v Speaker 1>What about electric cars hurt any? Old tales that they

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<v Speaker 1>lack performance, take too long to charge, don't have a

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<v Speaker 1>six are at the top of the list. But it's

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<v Speaker 1>not just them saying it. The twenty twenty two World

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<v Speaker 1>Car of the Year and the twenty twenty three World

0:11:59.559 --> 0:12:02.160
<v Speaker 1>Car of the Your Awards see it. So don't believe

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<v Speaker 1>the old tales, because when it comes to the bunky myths,

0:12:05.160 --> 0:12:11.600
<v Speaker 1>Honda is thinking of every mile it's your journey. While

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<v Speaker 1>my mother dealt with Natalia's unwillingness to play ball, I

0:12:15.640 --> 0:12:17.920
<v Speaker 1>was already dealing with a producer who didn't share the

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<v Speaker 1>same vision I had for my next single. I still

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<v Speaker 1>think a collaboration with another artist as the way to go.

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<v Speaker 1>I hear you It's definitely the safe route, but I

0:12:30.600 --> 0:12:33.120
<v Speaker 1>want this next single to represent who I want to

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<v Speaker 1>be as a solo artist. I know, I get it.

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<v Speaker 1>I hear you, Adelita, I love you really, But so

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<v Speaker 1>far the kind of songs you're suggesting, they feel too small, Okay,

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<v Speaker 1>and I definitely wouldn't recommend you do a ballot. Okay,

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<v Speaker 1>not a ballot either, got it. I just don't want

0:12:51.880 --> 0:12:53.640
<v Speaker 1>us to lose sight of what I really want to

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<v Speaker 1>do with this crossover, which is to make Mexican music contemporary,

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<v Speaker 1>like what Carlos Biebez did with Colombian music and Rosalia

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<v Speaker 1>with Flamenco. Right, yeah, no, yeah, yeah, definitely yeah, Sean,

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<v Speaker 1>There's so much incredible music in Latin America, but the

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<v Speaker 1>world only seems to know salsa and reggaeton, and neither

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<v Speaker 1>of those comes from Mexico. Okay, but reggaetone sells all

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<v Speaker 1>over the world. I'm not not sure you out this, Carlos, Dude,

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<v Speaker 1>I'm not sure if he does. I mean, if you

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<v Speaker 1>love Rosalia, you know for a fact that she collaborates

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<v Speaker 1>with other artists all the time. Listen, if you're gonna

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<v Speaker 1>work with me, you better find out who Carlos bives

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<v Speaker 1>is by our next meeting. Okay, okay, Yes, the man

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<v Speaker 1>sold more albums in Colombia than the Beatles, and yes

0:13:43.160 --> 0:13:49.080
<v Speaker 1>Rosalia does collaborations. But Mala Minte, her first big single

0:13:49.400 --> 0:13:52.640
<v Speaker 1>was her and her alone. The world knew exactly what

0:13:52.760 --> 0:13:54.920
<v Speaker 1>kind of artist she was going to be before she

0:13:55.040 --> 0:13:58.400
<v Speaker 1>worked with anyone else, Adelita, I'll go back and do

0:13:58.559 --> 0:14:02.200
<v Speaker 1>my homework, I promise you I will. Okay, I'll add

0:14:02.200 --> 0:14:04.280
<v Speaker 1>this Carlos guy right to my Spotify playlist as soon

0:14:04.280 --> 0:14:07.920
<v Speaker 1>as I get back. But let's just try some different

0:14:07.960 --> 0:14:10.880
<v Speaker 1>things for now. What do you say. Sure, that's what

0:14:10.960 --> 0:14:13.160
<v Speaker 1>I love to hear. Great, all right, let's put you

0:14:13.160 --> 0:14:21.520
<v Speaker 1>in booth. I want to check your levels. I can

0:14:21.560 --> 0:14:24.120
<v Speaker 1>do some scales. No, no, no, that that's okay, that's

0:14:24.120 --> 0:14:26.000
<v Speaker 1>not going to be necessary. Let me hear something you've

0:14:26.000 --> 0:14:27.720
<v Speaker 1>been working on, so I can just get a sense

0:14:27.760 --> 0:14:29.080
<v Speaker 1>of where your head is at. Just a couple of

0:14:29.120 --> 0:14:34.200
<v Speaker 1>lines of verse. Part of the course. Well, I was

0:14:34.320 --> 0:14:39.040
<v Speaker 1>working on a ballad, you and you and ballads, Adelidea.

0:14:39.160 --> 0:14:41.760
<v Speaker 1>You aren't gonna make it easier, ye yep, all right, uh,

0:14:42.160 --> 0:14:43.680
<v Speaker 1>let me hear it. Maybe we can use some of

0:14:43.680 --> 0:14:48.880
<v Speaker 1>the lyrics on a more upbeat song. Okay, I won't

0:14:49.160 --> 0:15:06.800
<v Speaker 1>ask you to stay any more, I feel you say. Okay,

0:15:07.480 --> 0:15:10.600
<v Speaker 1>so this is not just a ballot. This is a

0:15:10.640 --> 0:15:18.560
<v Speaker 1>heartbreak song. All right. Let me hear the chorus. But

0:15:18.960 --> 0:15:30.480
<v Speaker 1>nothing's gonna make it right again, and nothing's gonna keep us.

0:15:30.680 --> 0:15:43.280
<v Speaker 1>I'm race So this time I'm settings free. This time

0:15:43.360 --> 0:15:54.080
<v Speaker 1>I'm not longer. Okay. So I see where you're going

0:15:54.120 --> 0:15:56.760
<v Speaker 1>with it, and I don't want to take it apart

0:15:56.800 --> 0:16:00.080
<v Speaker 1>because it'll just mess up what you've done. Well, So

0:16:00.160 --> 0:16:03.240
<v Speaker 1>let's save it. Okay, let's store it away in final cabinet.

0:16:03.240 --> 0:16:08.280
<v Speaker 1>It could definitely be a single, just not your next single. Okay. Look,

0:16:08.640 --> 0:16:12.760
<v Speaker 1>if you stop pushing the collaboration idea, I'll try any

0:16:12.800 --> 0:16:16.960
<v Speaker 1>other suggestions you have. Cool, thank you, all right, See

0:16:16.960 --> 0:16:19.080
<v Speaker 1>how that was. I think we both want the same

0:16:19.120 --> 0:16:21.760
<v Speaker 1>thing here at a little we're both speaking the same language, right.

0:16:22.040 --> 0:16:25.360
<v Speaker 1>All I'm saying is that you've got to start thinking globally,

0:16:25.480 --> 0:16:27.720
<v Speaker 1>especially after no strings. That that's how you blew up,

0:16:27.760 --> 0:16:29.920
<v Speaker 1>that was what made you. So that's the kind of

0:16:29.960 --> 0:16:33.120
<v Speaker 1>song this new audience is going to be expecting. All right,

0:16:33.160 --> 0:16:35.120
<v Speaker 1>but I hear you, so let me pull some stuff

0:16:35.160 --> 0:16:36.560
<v Speaker 1>and see what might work with the sound that you

0:16:36.600 --> 0:16:39.600
<v Speaker 1>want to create. Great, all right, great, great, great? So

0:16:39.640 --> 0:16:41.200
<v Speaker 1>why don't you go grab some lunch and we can

0:16:41.200 --> 0:16:43.040
<v Speaker 1>meet back here in a half an hour, or I

0:16:43.080 --> 0:16:46.040
<v Speaker 1>can have something deliverable. No, that's okay, Okay, a walk,

0:16:46.080 --> 0:16:48.880
<v Speaker 1>We'll do me some good monica. So one might be

0:16:48.880 --> 0:16:50.800
<v Speaker 1>doing a cooking video in the kitchen. The TikTok cooks

0:16:50.840 --> 0:16:54.680
<v Speaker 1>and pastry chefs are always looking for tastings. Okay, go

0:16:54.760 --> 0:17:17.200
<v Speaker 1>be a taster. Oh, I will turkey You ready to order?

0:17:19.760 --> 0:17:23.080
<v Speaker 1>I can't decide, then move so other people get ordered.

0:17:23.400 --> 0:17:27.040
<v Speaker 1>Hey you yeah that single? Are you lo lo lader?

0:17:27.200 --> 0:17:32.280
<v Speaker 1>Something us? Do you like the handle music? Nah? I

0:17:32.600 --> 0:17:35.200
<v Speaker 1>saw you on TV last night. You sang with wisdom,

0:17:35.400 --> 0:17:39.280
<v Speaker 1>but you pretty good? Thanks? Hey, sandwich on the house

0:17:39.840 --> 0:17:42.400
<v Speaker 1>if you can pick one, already, make me your favorite,

0:17:42.680 --> 0:17:56.080
<v Speaker 1>no streets. Hey, I'll wait outside. As I waited for

0:17:56.119 --> 0:17:59.080
<v Speaker 1>my sandwich outside the Delhi, I hope to God that

0:17:59.160 --> 0:18:01.879
<v Speaker 1>I hadn't made a huge mistake by picking Sean as

0:18:01.920 --> 0:18:05.679
<v Speaker 1>my producer. So far we seem to disagree more than agree,

0:18:06.440 --> 0:18:10.199
<v Speaker 1>and that concerned me. Hopefully the half hour by himself

0:18:10.240 --> 0:18:14.000
<v Speaker 1>would inspire him and he would present to me something

0:18:14.160 --> 0:18:19.879
<v Speaker 1>that I was willing to move forward with. Hey, Lolita,

0:18:20.280 --> 0:18:27.240
<v Speaker 1>your sound which is ready? Ah the Lita Adelita, see Allolita,

0:18:27.280 --> 0:18:44.000
<v Speaker 1>Adelita whatever. If you're enjoying Adelita Changing the Key, please subscribe,

0:18:44.280 --> 0:18:48.359
<v Speaker 1>rate and review our show wherever you're listening Adelita Changing

0:18:48.400 --> 0:18:51.439
<v Speaker 1>the Key. It's a production of Sonoro in partnership with

0:18:51.520 --> 0:18:55.320
<v Speaker 1>Our Hearts Michael Tura Network. Created and written by Li

0:18:55.480 --> 0:18:59.879
<v Speaker 1>Chia Villos. Produced by Luca Guardo, Castillo, Geinsacha it Is

0:19:00.160 --> 0:19:05.399
<v Speaker 1>and Bettina Lopez Mendoza. Directed by Javier Perrazza. Developed by

0:19:05.480 --> 0:19:10.840
<v Speaker 1>Jasmine Romeo, Bettina Lopez and Christian Hatar. Executive produced by

0:19:10.840 --> 0:19:14.760
<v Speaker 1>Gisel Benzes and Conald Byrne for iHeart and Camilla Victoriano

0:19:14.840 --> 0:19:19.480
<v Speaker 1>and Josia Weinstein for Sonoro. Executive produced by Dayangerero and

0:19:19.640 --> 0:19:24.160
<v Speaker 1>Li Jiavilobos. This episode written by Barrett Helms with help

0:19:24.240 --> 0:19:29.680
<v Speaker 1>from Daniela Sarkis, Bettina Lopez, Rodrigo Bravo, Moniza Hinrich, Barriana

0:19:29.760 --> 0:19:36.480
<v Speaker 1>Martinez Gomez and Edgarristeva. Performances in this episode by Diangerero, Destinieque,

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<v Speaker 1>Garrett Gaievo, an artist Ellie Hernandez and Jordan Wall as

0:19:52.200 --> 0:19:55.359
<v Speaker 1>a dad actor producer for an activist. My schedule feels

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<v Speaker 1>up fast and as we all know, life can be unpredictable.

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<v Speaker 1>That's why good help is always welcome. Hey everyone, it's

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