WEBVTT - UnDACAmented

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<v Speaker 1>Carlos Agilad always loved movies. Growing up in Mexico City,

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<v Speaker 1>Carlos and his family didn't have much in terms of

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<v Speaker 1>material wealth, but he, his mom, and his brother had

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<v Speaker 1>a ritual of going to the theater every Wednesday when

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<v Speaker 1>the tickets were discounted, and they would venture into distant

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<v Speaker 1>Hollywood lands. His family couldn't afford expensive vacations. Watching films

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<v Speaker 1>together was the closest thing Carlos had and he cherished it.

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<v Speaker 1>His mom was one of eight siblings, and although she

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<v Speaker 1>never finished school, she always had a curious and hungry

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<v Speaker 1>mind for knowledge. She read everything she could get her

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<v Speaker 1>hands on. She loved to learn and especially enjoyed watching films.

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<v Speaker 1>She carried on that tradition with her two children. Hollywood

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<v Speaker 1>became Carlos's escape. When he got good grades, he would

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<v Speaker 1>get rewarded by going to the theaters. At an early age,

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<v Speaker 1>Carlos knew he wanted to do something in the film

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<v Speaker 1>industry one day. He hoped he would be a filmmaker.

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<v Speaker 1>When he was a teenager, his family couldn't afford to

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<v Speaker 1>send him to high school, so he went to live

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<v Speaker 1>with an aunt in the US. Those Hollywood dreams were

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<v Speaker 1>put on ice because now Carlos was undocumented, and it

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<v Speaker 1>terrified him. By twenty twelve, he was about to finish

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<v Speaker 1>community college and felt stuck at a fast food job.

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<v Speaker 1>A career in film seemed unattainable, but a part of

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<v Speaker 1>him still kept that desire alive. He remembered his mother's

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<v Speaker 1>words of encouragement. She told him no dream was impossible. Then,

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<v Speaker 1>right when he needed it, DOCCA was announced.

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<v Speaker 2>I'm Patti Rodriguez and I'm Marik Glindo.

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<v Speaker 1>This is Out of the Shadows, a podcast about America's

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<v Speaker 1>tangled history of immigration. Last season, we tackled Ronald Reagan's

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<v Speaker 1>nineteen eighty six Amnesty Act. This season, we're tracing the

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<v Speaker 1>origins of DACA, or Deferred Action for Childhood Arrivals, a

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<v Speaker 1>contentious executive order to protect undocumented young people from being.

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<v Speaker 2>Deported issued by former President Barack Obama in twenty twelve.

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<v Speaker 2>DACA was meant to be a temporary stop gap on

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<v Speaker 2>a broken immigration system. It was like putting a bucket

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<v Speaker 2>under a leaky roof, But with multiple Supreme Court challenges

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<v Speaker 2>and looming presidential elections, the roof feels like may collapse

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<v Speaker 2>at any moment. Impacting the US economy and American culture

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<v Speaker 2>as we know it. Meanwhile, the future of millions of

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<v Speaker 2>lives hangs in the balance.

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<v Speaker 1>Welcome to out of the shadows Dreamers.

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<v Speaker 2>With the quick stroke of a pen, President Barack Obama

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<v Speaker 2>created DACA, but the application process wasn't easy and it

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<v Speaker 2>didn't include everyone. That created a lot of issues for

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<v Speaker 2>the Dreamers, like what happened to families who had members

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<v Speaker 2>that met the criteria but others who didn't and were

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<v Speaker 2>some of the Dreamers parents targeted by ICE for their activism.

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<v Speaker 2>In August twenty twelve, only about sixty one percent of

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<v Speaker 2>people who were eligible for DACA applied. The government approved

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<v Speaker 2>over ninety eight percent of processed applications. California had the

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<v Speaker 2>highest number of applicants, followed by Texas, Illinois, New York,

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<v Speaker 2>and Florida. These five states accounted for half of the

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<v Speaker 2>DACA applications. The majority of the applicants were brought here

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<v Speaker 2>by their parents from Mexico, El Salvador, Watemala, and Anddurras.

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<v Speaker 2>There were a good number of Asian and Caribbean applicants too.

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<v Speaker 2>That's the sixty one percent who applied, but that leaves

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<v Speaker 2>thirty nine percent of Dreamers who were eligible but didn't

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<v Speaker 2>sign up. One reason that thirty nine percent might have

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<v Speaker 2>been hesitant to apply the idea of having to be

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<v Speaker 2>a perfect citizen. Part of the application process required you

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<v Speaker 2>to submit everything on your record, even a traffic stop.

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<v Speaker 2>Here's Maria Inosa, host of Latino USA.

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<v Speaker 3>I mean, you have to be a perfect person, are

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<v Speaker 3>you kidding me? Adolescence again, You're an adolescent brain until

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<v Speaker 3>you're twenty six, twenty seven. We make mistakes. That's what

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<v Speaker 3>adolescence is known for. So having to be the perfect

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<v Speaker 3>person it was going to divide our communities because the

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<v Speaker 3>bigger issue is that they see all of us as

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<v Speaker 3>a threat instead of what we are, which is, you know,

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<v Speaker 3>bringing the best to this country. But the narrative is

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<v Speaker 3>that we are a threat. I mean, it was heartbreaking.

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<v Speaker 3>I understood Los babas, you know, imam us that were like, yes,

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<v Speaker 3>you know, make this happen for my kid, that's what

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<v Speaker 3>it's all about. At least make it happen for my kid.

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<v Speaker 3>I get that. But those kids, all they do is

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<v Speaker 3>worry about their parents. We haven't really dug deep into

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<v Speaker 3>the psychological impact of families that have been divided because

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<v Speaker 3>of immigration.

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<v Speaker 1>Another challenge that came up for those eligible for DHAKA

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<v Speaker 1>was money. Let's say you met every single criteria on

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<v Speaker 1>the list, every applicant still had to pay a five

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<v Speaker 1>hundred dollars fee to apply.

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<v Speaker 4>The other thing I should mention is the fee itself

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<v Speaker 4>was important because it was high enough that people didn't

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<v Speaker 4>have the money.

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<v Speaker 1>That's UCLA professor of law, Hiroshima Tamura.

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<v Speaker 4>And so that was a problem. People wanted to apply

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<v Speaker 4>to get the work permit, but they hadn't been able

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<v Speaker 4>to work, so they didn't have the money to apply

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<v Speaker 4>to get the work permit.

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<v Speaker 1>Organizer Eric Werta was one of those people caught in

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<v Speaker 1>that catch twenty two.

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<v Speaker 5>So many people struggled to come up with the payment,

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<v Speaker 5>the initial payment for the application to get it, and

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<v Speaker 5>to keep paying it every two years, because I mean,

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<v Speaker 5>shit is hard. Even though sometimes you have a work permit,

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<v Speaker 5>work isn't there. Maybe you're going to school, you're balancing life.

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<v Speaker 5>So many things happen in our lifetimes between those two

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<v Speaker 5>years that a couple of people lost their permits. So

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<v Speaker 5>you always saw you know, like go fundmes and fundraisers

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<v Speaker 5>and pakisas and stuff like that going around to support

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<v Speaker 5>people I myself have benefited from down as supporters and

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<v Speaker 5>folks in solidarity who are like, you know, hey, Eric,

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<v Speaker 5>like I saw your doca's coming up.

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<v Speaker 6>I got you.

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<v Speaker 5>Like, here's a check, five hundred bucks. Don't even trip

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<v Speaker 5>about it, dude, Like I know what you've done, I

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<v Speaker 5>know how much of a struggle it is, Like I

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<v Speaker 5>got you. And even this last application that I filled out,

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<v Speaker 5>I was actually able to get a legal aid clinic

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<v Speaker 5>to not only support me and renewing the application with

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<v Speaker 5>the support of a lawyer, but they also covered the

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<v Speaker 5>bill for the application too, So it's like five hundred

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<v Speaker 5>dollars it didn't have to come out of my pocket.

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<v Speaker 1>More tomorrows. Is a good amount of applicants raised money

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<v Speaker 1>through legal clinics or religious, civic, immigrant, and educational groups

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<v Speaker 1>that helped young folks apply for DACA.

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<v Speaker 4>The DOCTA process is intended to be pretty straightforward, but

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<v Speaker 4>of course that's not always true. There were clinics from

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<v Speaker 4>the very beginning to help people apply. You know, I

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<v Speaker 4>worked a few of these clinics, and some of the

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<v Speaker 4>forums are mysterious and you won't sure what the process was.

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<v Speaker 4>And I think that it really helped them to have excluding.

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<v Speaker 2>Once we got DAKA, there was a sigh of relief.

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<v Speaker 2>A work permit meant he could finally make some money.

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<v Speaker 5>There was a genuine sense of like, I'm done with this,

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<v Speaker 5>Like I'm done struggling, I'm done working all these under

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<v Speaker 5>the table jobs, Like I don't want to do that anymore.

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<v Speaker 5>Like my parents brought here here to do better than

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<v Speaker 5>they could and to prosper and getting this work permit

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<v Speaker 5>was going to be, you know, a stepping stone to

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<v Speaker 5>be able to accomplish that. So for me, it was like, okay,

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<v Speaker 5>let's go like that. Everyone wants to find me. I'm

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<v Speaker 5>already telling them where I am, like on Sports Square,

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<v Speaker 5>checking in like an idiot everywhere I go. So now's

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<v Speaker 5>just make it officially, give me my papers so I

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<v Speaker 5>can get a job and get paid.

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<v Speaker 2>Either along with the work permit, you could apply for

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<v Speaker 2>a Social Security card and a driver's license that opened

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<v Speaker 2>up doors for pursuing higher education. The recipients could also

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<v Speaker 2>open up bank accounts and travel.

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<v Speaker 7>I'm trying to remember the exact day.

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<v Speaker 6>I remember the envelope.

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<v Speaker 1>That'sid Aie Munos, a DOCA applicant. She's talking about the

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<v Speaker 1>day she got the envelope with her permit.

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<v Speaker 7>Every time after that, every time I came in, I

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<v Speaker 7>would be like in tiers every time, I'm God, there's

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<v Speaker 7>that Manila envelope. It's like a little heavier envelope and

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<v Speaker 7>you can feel the the work permit inside. And so

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<v Speaker 7>it was a very emotional moment, of course, just to

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<v Speaker 7>know that this this piece of paper really will change

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<v Speaker 7>your life.

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<v Speaker 1>For activists Erica and Diola, getting DOCA was a big

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<v Speaker 1>level up moment for her entire family.

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<v Speaker 8>I would say just more generally, you know, I think

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<v Speaker 8>a lot of our families as immigrants, we were very

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<v Speaker 8>close and we depend on each other, right because either

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<v Speaker 8>because of our culture, because we're forced to, and you know,

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<v Speaker 8>as people.

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<v Speaker 6>Who come here as families.

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<v Speaker 8>And I was able to help my family a lot,

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<v Speaker 8>as someone who already had a Social Security number, who

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<v Speaker 8>was able to work, you know.

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<v Speaker 6>Things like being able to get my mama house with

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<v Speaker 6>a loan. Uh now she has.

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<v Speaker 8>She's been living there for seven years. And it was

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<v Speaker 8>just an amazing feeling because we had been moving so.

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<v Speaker 6>Much, you know, since we came here.

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<v Speaker 8>It was like one apartment to the other getting kicked

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<v Speaker 8>out of one place because we didn't have enough money to.

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<v Speaker 6>Pay or whatever the case might be.

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<v Speaker 8>To finally being able to get alone in a mortgage,

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<v Speaker 8>you know, to give my mom, which she deserves someone

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<v Speaker 8>who works so hard.

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<v Speaker 6>For us, you know.

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<v Speaker 8>Also just just having that ability to you know, travel

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<v Speaker 8>outside the US. I was able to have more opportunities

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<v Speaker 8>with my work, and so, you know, I can't go on.

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<v Speaker 6>I mean, I know, oh, there's there's there's.

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<v Speaker 8>So much more that that we need for the undocumented

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<v Speaker 8>community in general.

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<v Speaker 6>But I would say that there was a lot, a

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<v Speaker 6>lot that was done that.

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<v Speaker 8>Has helped not just individuals who have DAKA, but their families.

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<v Speaker 6>I can assure you that it has helped.

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<v Speaker 1>But the fighting never stopped. She kept fighting for people

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<v Speaker 1>like her, serving as a Press Secretary of Latino Outreach

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<v Speaker 1>for the Bernie Sanders campaign, and even working on Capitol

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<v Speaker 1>Hill for members of Congress.

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<v Speaker 8>One of the wake up calls for me, or a

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<v Speaker 8>reminder that we weren't done, was literally the same day

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<v Speaker 8>that I got the job in Congress. I came back

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<v Speaker 8>from my interview and you know, talking to my former

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<v Speaker 8>boss and telling me that I got the job.

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<v Speaker 6>I came back to the House and that same night.

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<v Speaker 8>We get a knock on the door and I took

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<v Speaker 8>my mom and my brother. It's still unclear whether it

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<v Speaker 8>was any type of retaliation or if it was something

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<v Speaker 8>that happened because of other reasons.

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<v Speaker 6>Because you know, they were.

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<v Speaker 8>Departing a lot of people at that time under President Obama,

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<v Speaker 8>so she might have been one of those folks who

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<v Speaker 8>was targeted.

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<v Speaker 1>Was she targeted or was this just another random deportation

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<v Speaker 1>by the Obama administration. Ultimately it didn't really matter. Erica

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<v Speaker 1>knew she had to fight to save her mom. More

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<v Speaker 1>on that after the break Erica and your LA's mom,

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<v Speaker 1>Lupita recalls the night immigration knocked on her door. It's

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<v Speaker 1>a moment in her life she will never forget.

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<v Speaker 6>And aner Milresa Yo policy.

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<v Speaker 1>It was a night in January of twenty thirteen. Erica

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<v Speaker 1>was home and answered the door. Everything happened so fast.

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<v Speaker 1>Before Lupita knew it, her and her son were being

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<v Speaker 1>taken away. Erica had learned a lot from fighting for

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<v Speaker 1>her own status, so when her mom got arrested and

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<v Speaker 1>was on the verge of being deported, she knew exactly

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<v Speaker 1>lead what to do.

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<v Speaker 8>I was able to use the skills and the knowledge

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<v Speaker 8>that I acquired through stopping deportations of dreamers. To stop

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<v Speaker 8>my mom's deportation, I mean I did, like, I literally

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<v Speaker 8>went into sort of auto pilot.

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<v Speaker 6>From like case after case that I had been working

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<v Speaker 6>on with.

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<v Speaker 8>Youth to create a whole campaign in less than twenty

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<v Speaker 8>four hours to stop my mom's reportation. And they raided

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<v Speaker 8>my house like at nine maybe like nine pm.

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<v Speaker 6>By the next day, like around nine am.

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<v Speaker 8>Because of all that work, they turned the bus around

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<v Speaker 8>that were already reaching the border with my mom on board,

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<v Speaker 8>and because of the pressure, somebody called the bus driver.

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<v Speaker 6>I mean she recalls this because she was in there.

0:14:53.720 --> 0:14:56.280
<v Speaker 8>He answered the phone and as someone as hung up,

0:14:56.320 --> 0:14:58.880
<v Speaker 8>he turned the bus around and they dropped her off

0:14:58.960 --> 0:15:03.600
<v Speaker 8>at a detention center. They returned her to Phoenix that

0:15:03.720 --> 0:15:05.400
<v Speaker 8>same day.

0:15:06.240 --> 0:15:10.520
<v Speaker 1>It's been over ten years, but Lupita still gets emotional

0:15:10.560 --> 0:15:14.320
<v Speaker 1>when she recalls the moment they told her Erica had

0:15:14.400 --> 0:15:18.440
<v Speaker 1>moved heaven and Earth to keep her from being deported.

0:15:28.720 --> 0:15:29.560
<v Speaker 8>Is that movie in The.

0:15:49.480 --> 0:15:54.000
<v Speaker 1>Fight just never stops.

0:15:56.320 --> 0:16:00.800
<v Speaker 2>But Daca did offer some relief for film stand Carlos Aguila.

0:16:01.000 --> 0:16:03.600
<v Speaker 2>From the start of the show, Doca came right when

0:16:03.600 --> 0:16:04.200
<v Speaker 2>he needed it.

0:16:04.880 --> 0:16:08.560
<v Speaker 9>After I got doc at the work permit and whatnot,

0:16:08.960 --> 0:16:11.800
<v Speaker 9>I was able to quit my job at the fast

0:16:11.800 --> 0:16:13.560
<v Speaker 9>food place. I think I stayed there for a couple

0:16:13.600 --> 0:16:16.720
<v Speaker 9>more months, but I was able to get a film

0:16:16.760 --> 0:16:19.480
<v Speaker 9>related internship because now I had the work permit and

0:16:19.520 --> 0:16:22.480
<v Speaker 9>I could apply for that and it paid. And so

0:16:23.040 --> 0:16:25.880
<v Speaker 9>once that happened, I decided to quit that job and

0:16:26.080 --> 0:16:29.480
<v Speaker 9>finally sort of like start trying to transition into something

0:16:29.520 --> 0:16:31.520
<v Speaker 9>that I was interested in, you know, which is writing

0:16:31.560 --> 0:16:35.280
<v Speaker 9>about movies or being involved in the film world. And

0:16:35.360 --> 0:16:39.920
<v Speaker 9>so that was the most immediate clear thing that I

0:16:39.960 --> 0:16:45.160
<v Speaker 9>could now the possibilities of having a job that I

0:16:45.320 --> 0:16:47.880
<v Speaker 9>enjoy more that aligned more with what I wanted to

0:16:47.920 --> 0:16:48.640
<v Speaker 9>do with my life.

0:16:49.840 --> 0:16:52.600
<v Speaker 2>There were simple things that DOCA granted, like being able

0:16:52.640 --> 0:16:56.520
<v Speaker 2>to go out without carrying a passport. Carlos just wanted

0:16:56.560 --> 0:16:57.520
<v Speaker 2>to hit the club.

0:16:58.880 --> 0:17:02.120
<v Speaker 9>For example, having a California ID, you know, which is

0:17:02.640 --> 0:17:04.560
<v Speaker 9>is something that people don't think about, but like when

0:17:04.600 --> 0:17:07.600
<v Speaker 9>you're on documented and you know, when I was younger,

0:17:07.600 --> 0:17:09.359
<v Speaker 9>in my twenties, I wanted to go club and I

0:17:09.359 --> 0:17:10.720
<v Speaker 9>wanted to go to a bar, and I had to

0:17:10.800 --> 0:17:14.760
<v Speaker 9>carry around my Mexican passport or Matricola CONSULARI. You know,

0:17:14.960 --> 0:17:16.800
<v Speaker 9>some places didn't accept it, so then you had to

0:17:16.800 --> 0:17:19.040
<v Speaker 9>get a passport. And like, especially when I started going

0:17:19.080 --> 0:17:22.000
<v Speaker 9>to college and met you know, white Americans or who

0:17:22.040 --> 0:17:25.480
<v Speaker 9>were you know, just we just didn't understand the experience

0:17:25.960 --> 0:17:30.240
<v Speaker 9>and the shame and the sort of like hesitancy that

0:17:30.280 --> 0:17:33.160
<v Speaker 9>I felt pulling up a Mexican passport to get into

0:17:33.160 --> 0:17:35.080
<v Speaker 9>a club, to go to a bar, to get a drink,

0:17:35.480 --> 0:17:37.760
<v Speaker 9>you know, having to have been able to get a

0:17:37.800 --> 0:17:40.280
<v Speaker 9>California idea, and like just showing the idea, not having

0:17:40.320 --> 0:17:43.520
<v Speaker 9>to explain or justifying my existence was something so simple

0:17:43.560 --> 0:17:45.800
<v Speaker 9>that I think I didn't really realize until I was

0:17:45.840 --> 0:17:46.520
<v Speaker 9>able to do it.

0:17:46.600 --> 0:17:52.159
<v Speaker 2>You know, even though he was still struggling financially, with

0:17:52.200 --> 0:17:55.119
<v Speaker 2>an ID and a work permit, Carlos felt like he

0:17:55.119 --> 0:17:57.679
<v Speaker 2>could pursue a career he was passionate about.

0:17:58.160 --> 0:18:00.680
<v Speaker 9>I always, you know, kept on watching movies, and eventually

0:18:00.760 --> 0:18:03.000
<v Speaker 9>I started, while I was still working at the fast

0:18:03.040 --> 0:18:06.360
<v Speaker 9>food place. I started like a blog to write reviews

0:18:06.359 --> 0:18:08.360
<v Speaker 9>of movies, just the movies that I will go watch

0:18:08.400 --> 0:18:10.399
<v Speaker 9>at the movie theater by myself. And it was mostly

0:18:10.800 --> 0:18:12.560
<v Speaker 9>for myself, like, you know, like I don't think no

0:18:12.600 --> 0:18:14.240
<v Speaker 9>one ever read them worth it was like a block

0:18:14.280 --> 0:18:17.760
<v Speaker 9>sput blog, and I started writing little reviews there and

0:18:18.720 --> 0:18:21.800
<v Speaker 9>to sort of like, you know, keep my mind invested

0:18:21.840 --> 0:18:24.879
<v Speaker 9>in movies, not knowing if I could ever, you know,

0:18:25.720 --> 0:18:29.520
<v Speaker 9>actually do anything related to the film industry. Because again,

0:18:29.560 --> 0:18:32.240
<v Speaker 9>you know, going from a fast food place in Huntington

0:18:32.320 --> 0:18:34.359
<v Speaker 9>Park to think that you're going to be able to

0:18:34.440 --> 0:18:37.159
<v Speaker 9>work in film, that the world just feels so you

0:18:37.200 --> 0:18:42.480
<v Speaker 9>know far apart in you know, kind of impossible to breach.

0:18:43.880 --> 0:18:46.800
<v Speaker 2>On a fast food job salary. He couldn't afford the

0:18:46.880 --> 0:18:51.200
<v Speaker 2>ridiculously expensive film school tuition, but as newly obtained work

0:18:51.240 --> 0:18:54.560
<v Speaker 2>permit meant he could apply for a film internship.

0:18:55.520 --> 0:18:57.439
<v Speaker 9>And so when I was able to get an internship

0:18:57.600 --> 0:19:01.680
<v Speaker 9>at the Sundon's Institute, once I got DAKA, that's sort

0:19:01.720 --> 0:19:06.040
<v Speaker 9>of like, you know, really open the door for me

0:19:06.080 --> 0:19:09.760
<v Speaker 9>to think that, you know, maybe I won't do film production,

0:19:09.920 --> 0:19:12.320
<v Speaker 9>but you know, if I enjoy writing about movies, and

0:19:12.359 --> 0:19:17.000
<v Speaker 9>it seems like there could be something here. But but honestly,

0:19:17.040 --> 0:19:19.720
<v Speaker 9>I never really thought that it would be like a career.

0:19:19.800 --> 0:19:22.520
<v Speaker 9>Like I didn't know how do you make money as

0:19:22.520 --> 0:19:25.119
<v Speaker 9>a film critic, Like I just had no connections, and

0:19:25.200 --> 0:19:28.840
<v Speaker 9>no experience or no one that I knew even you know,

0:19:29.000 --> 0:19:31.720
<v Speaker 9>had any sort of like yeah close connections to that world.

0:19:31.800 --> 0:19:33.680
<v Speaker 9>And so the fact that they took a chance and

0:19:33.960 --> 0:19:36.479
<v Speaker 9>someone like me has always meant a lot, you know,

0:19:36.560 --> 0:19:40.560
<v Speaker 9>the fact that they saw something beyond you know, beyond

0:19:40.560 --> 0:19:42.960
<v Speaker 9>the academics. You know that they gave me that internship

0:19:43.000 --> 0:19:45.760
<v Speaker 9>and allow me to sort of start, you know, building

0:19:45.760 --> 0:19:47.760
<v Speaker 9>connections and meeting people in that world.

0:19:49.800 --> 0:19:52.960
<v Speaker 2>Today, Carlos is one of the leading film critics whose

0:19:53.000 --> 0:19:56.560
<v Speaker 2>work has been published by huge publications like The La Times,

0:19:56.800 --> 0:20:01.600
<v Speaker 2>New York Times, and Indie Wire's I Mean Proof. Like

0:20:01.760 --> 0:20:07.400
<v Speaker 2>his mom said, no dream is impossible. Stay with us,

0:20:07.680 --> 0:20:33.040
<v Speaker 2>Warren Carlos after the break. Even after fighting for DACA

0:20:33.760 --> 0:20:37.560
<v Speaker 2>and going through all the hoops of the DACA application process,

0:20:38.520 --> 0:20:42.840
<v Speaker 2>dreamers still have to work twice as hard. Here's Carlos

0:20:42.880 --> 0:20:43.760
<v Speaker 2>Aguilar again.

0:20:45.080 --> 0:20:47.600
<v Speaker 9>So sometimes when I feel down or where I feel like,

0:20:47.760 --> 0:20:49.879
<v Speaker 9>you know, that I don't deserve whatever is happening, I

0:20:50.040 --> 0:20:51.640
<v Speaker 9>try to take a look back and be like, Wow,

0:20:51.680 --> 0:20:54.280
<v Speaker 9>you know, you've you've gotten to do all these things,

0:20:54.280 --> 0:20:57.480
<v Speaker 9>if you've achieved all these things that you know, ten

0:20:57.560 --> 0:21:00.399
<v Speaker 9>years ago when I was flipping burgers. I could have

0:21:00.480 --> 0:21:03.159
<v Speaker 9>never even dreamed of the beautiful moments that feel, you know,

0:21:03.280 --> 0:21:04.360
<v Speaker 9>kind of impossible.

0:21:05.560 --> 0:21:09.800
<v Speaker 2>Thanks to DACA, Carlos's work exists to amplify Latino voices

0:21:10.040 --> 0:21:12.520
<v Speaker 2>in big publications.

0:21:12.880 --> 0:21:16.760
<v Speaker 9>When I'm able to, you know, profile or write about

0:21:16.840 --> 0:21:22.200
<v Speaker 9>someone who's Mexican or Latino or who is someone that

0:21:22.240 --> 0:21:25.119
<v Speaker 9>maybe if I hadn't pitched the idea, wouldn't be getting

0:21:25.160 --> 0:21:27.320
<v Speaker 9>the coverage, those kind of things, when I'm able to

0:21:27.359 --> 0:21:30.919
<v Speaker 9>sort of like, you know, convince an editor about the

0:21:30.960 --> 0:21:33.280
<v Speaker 9>importance of why should we be writing about this person

0:21:33.320 --> 0:21:35.280
<v Speaker 9>instead of like make it happen, I think those are

0:21:35.800 --> 0:21:37.919
<v Speaker 9>some of the most the best moments for me.

0:21:39.240 --> 0:21:42.359
<v Speaker 2>But Carlos never forgets how he got here and where

0:21:42.480 --> 0:21:43.240
<v Speaker 2>he started.

0:21:44.160 --> 0:21:48.560
<v Speaker 9>I started, you know, watching international movies on like bootleg DVDs,

0:21:48.640 --> 0:21:50.879
<v Speaker 9>you know, and you know that you buy for a

0:21:50.880 --> 0:21:53.280
<v Speaker 9>few pestls in Mexico and so like that that was

0:21:53.359 --> 0:21:56.359
<v Speaker 9>my you know, it wasn't the video story. It was

0:21:56.400 --> 0:21:58.560
<v Speaker 9>really like that the Yankees, you know, going to the Yankees.

0:21:58.600 --> 0:22:00.720
<v Speaker 9>I'm buying the bootleg movies and watching them at home,

0:22:00.800 --> 0:22:02.560
<v Speaker 9>and that's how I started watching other movies, which I

0:22:02.560 --> 0:22:04.800
<v Speaker 9>think is very funny now that I've I've got into

0:22:04.880 --> 0:22:07.919
<v Speaker 9>interview a lot of directors that I've admired and like

0:22:07.960 --> 0:22:11.680
<v Speaker 9>whose work I first discovered on like Bootleg Coppies in Mexico.

0:22:12.840 --> 0:22:15.080
<v Speaker 2>Although we had to put in the work and is

0:22:15.160 --> 0:22:21.000
<v Speaker 2>still constantly fighting battles in a notoriously murky industry, Daca

0:22:21.200 --> 0:22:22.560
<v Speaker 2>made his path tangible.

0:22:23.800 --> 0:22:25.720
<v Speaker 9>At first. I wanted to make films, you know, I

0:22:25.720 --> 0:22:27.399
<v Speaker 9>wanted to be a film director, or I wanted to

0:22:27.440 --> 0:22:31.520
<v Speaker 9>work in animation, but again, you know, not not knowing

0:22:31.840 --> 0:22:34.520
<v Speaker 9>what that would mean over how those things even work.

0:22:35.480 --> 0:22:38.200
<v Speaker 2>Although Carlos had a lot of questions about how his

0:22:38.280 --> 0:22:41.800
<v Speaker 2>career in Hollywood would all work out, his mother, who

0:22:41.880 --> 0:22:45.160
<v Speaker 2>passed on her love of movies to him all those

0:22:45.240 --> 0:22:49.080
<v Speaker 2>years ago, never had a doubt.

0:22:49.600 --> 0:22:52.280
<v Speaker 9>I think the best thing that my mom did for

0:22:52.400 --> 0:22:57.320
<v Speaker 9>me was that she never said no in the sense

0:22:57.359 --> 0:23:00.439
<v Speaker 9>that even you know, as a kid grow up in

0:23:00.480 --> 0:23:03.960
<v Speaker 9>Mexico City, we were very poor, and you know, it

0:23:02.960 --> 0:23:06.040
<v Speaker 9>was kind of ridiculous to even things that I could

0:23:06.119 --> 0:23:09.080
<v Speaker 9>work in the film industry. She never said, oh no, no, no,

0:23:09.200 --> 0:23:11.840
<v Speaker 9>you can't do it. She never said you know, that's impossible.

0:23:13.320 --> 0:23:15.480
<v Speaker 9>She just said, you know, we'll see you know, or

0:23:15.720 --> 0:23:17.919
<v Speaker 9>you still said, you know, we'll find a way. And

0:23:18.000 --> 0:23:20.119
<v Speaker 9>so I feel like I think that the greatest gift

0:23:20.160 --> 0:23:23.800
<v Speaker 9>that she ever gave me was to allow me to dream,

0:23:23.840 --> 0:23:27.000
<v Speaker 9>even if those dreams felt ridiculous and impossible.

0:23:31.640 --> 0:23:36.879
<v Speaker 2>It's incredible. Carlos started as a kid watching bootlegs with

0:23:36.960 --> 0:23:40.720
<v Speaker 2>his mom and brother in Mexico City. Now he writes

0:23:40.720 --> 0:23:45.680
<v Speaker 2>about films professionally, all because of Dacca and a simple

0:23:46.080 --> 0:23:47.360
<v Speaker 2>piece of paper.

0:23:52.640 --> 0:23:55.040
<v Speaker 1>Though we've heard from some of the folks whose lives

0:23:55.119 --> 0:24:00.399
<v Speaker 1>changed with DACA, many people didn't qualify. Here's Araka and

0:24:00.480 --> 0:24:03.879
<v Speaker 1>Diola again recalling the day Doca was announced.

0:24:06.000 --> 0:24:08.120
<v Speaker 8>And at the same time, it was better sweet because

0:24:09.080 --> 0:24:11.960
<v Speaker 8>I also found out that sorry, I also found out

0:24:11.960 --> 0:24:15.000
<v Speaker 8>that day that my sister wasn't wasn't going to qualify

0:24:16.000 --> 0:24:20.280
<v Speaker 8>by one year, and I called my family. I was really, really,

0:24:20.320 --> 0:24:22.919
<v Speaker 8>really happy. And when I got asked that question of

0:24:23.600 --> 0:24:26.399
<v Speaker 8>you know, of course my little brother would qualified.

0:24:26.600 --> 0:24:30.200
<v Speaker 6>Then when I got asked the question and my sister

0:24:30.359 --> 0:24:33.439
<v Speaker 6>wasn't qualified, we had to tell her that she was.

0:24:35.200 --> 0:24:38.840
<v Speaker 8>She was one year over the automn So, you know,

0:24:39.119 --> 0:24:42.600
<v Speaker 8>just give me a reminder that it wasn't wasn't over we.

0:24:42.640 --> 0:24:43.600
<v Speaker 6>Had a lot more to do.

0:24:45.920 --> 0:24:49.240
<v Speaker 1>One of Carlos's friends also didn't qualify for different action.

0:24:50.960 --> 0:24:54.119
<v Speaker 9>One of my one of my closest, dearest friends in life,

0:24:54.440 --> 0:24:58.040
<v Speaker 9>who I met at Cruenschat High when I had just

0:24:58.080 --> 0:25:02.000
<v Speaker 9>come she's also on locker meant that she didn't qualify

0:25:02.359 --> 0:25:05.520
<v Speaker 9>for DACCA because she was one year older than me,

0:25:05.600 --> 0:25:08.440
<v Speaker 9>and so she had missed the deadline. And so we've

0:25:08.480 --> 0:25:10.879
<v Speaker 9>remained friends for like now twenty years or so. When

0:25:12.520 --> 0:25:15.400
<v Speaker 9>the negative was sort of like realizing so directly that

0:25:15.440 --> 0:25:19.360
<v Speaker 9>someone that you know was essentially in the same situation

0:25:19.640 --> 0:25:22.520
<v Speaker 9>as me, just was one year older didn't qualify it,

0:25:22.560 --> 0:25:25.320
<v Speaker 9>and sort of like seeing the trajectory of her life

0:25:25.440 --> 0:25:27.520
<v Speaker 9>that was so different than mine because she didn't have

0:25:27.600 --> 0:25:28.320
<v Speaker 9>a work permit.

0:25:31.000 --> 0:25:35.119
<v Speaker 1>There were a lot of people left out. Again, DOCA

0:25:35.320 --> 0:25:39.080
<v Speaker 1>wasn't is just a stop gap measure. But just because

0:25:39.119 --> 0:25:42.680
<v Speaker 1>the Obama administration had to first some actions, it didn't

0:25:42.680 --> 0:25:47.000
<v Speaker 1>stop the Dreamers from continuing to fight. And in twenty thirteen,

0:25:47.480 --> 0:25:50.840
<v Speaker 1>less than a year after DOCCA began, a much bigger

0:25:50.880 --> 0:25:51.800
<v Speaker 1>fight was brewing.

0:25:53.240 --> 0:25:56.600
<v Speaker 10>Our goal was in power, educate, escalate. Our focus was

0:25:57.119 --> 0:26:00.800
<v Speaker 10>undocumented folks, those directly affected by the issue. The goal

0:26:01.040 --> 0:26:04.600
<v Speaker 10>was all these like anti immigrant laws and legislations that

0:26:04.640 --> 0:26:09.199
<v Speaker 10>were passing. If those members in the state houses or

0:26:09.240 --> 0:26:12.639
<v Speaker 10>wherever actually had a population of a documented folks that

0:26:12.680 --> 0:26:15.080
<v Speaker 10>were not afraid of them, that would confront them, that

0:26:15.160 --> 0:26:18.480
<v Speaker 10>would be in their office, this type of legislation would

0:26:18.520 --> 0:26:19.640
<v Speaker 10>not exist.

0:26:20.040 --> 0:26:32.480
<v Speaker 1>That's next time on Out of the Shadows. Out of

0:26:32.520 --> 0:26:36.040
<v Speaker 1>the Shadows Dreamers is a Seen Medo production in partnership

0:26:36.080 --> 0:26:41.560
<v Speaker 1>with Iheartsmichael Dura podcast Network. It's created, hosted, and executive

0:26:41.600 --> 0:26:45.360
<v Speaker 1>produced by me, Patti Rodriguez and Eric Galindo. This show

0:26:45.440 --> 0:26:49.280
<v Speaker 1>was written by Sisa Hernandez an executive produced by Jaselle Bansis.

0:26:49.560 --> 0:26:53.840
<v Speaker 1>Our supervising producer is Arlene Santana. It's produced and edited

0:26:53.840 --> 0:26:57.840
<v Speaker 1>by Brianna Flores. Our associate producer is Claudia Marti Gorena

0:26:58.480 --> 0:27:03.280
<v Speaker 1>down Design, mixed and mastering by Jessica Cranechitch and a

0:27:03.359 --> 0:27:06.879
<v Speaker 1>special thanks to all our Dreamers. Remember to subscribe to

0:27:06.920 --> 0:27:10.680
<v Speaker 1>the podcast and share it For more Michael Duda podcast

0:27:11.160 --> 0:27:14.600
<v Speaker 1>listen to the iHeartRadio app, Apple Podcasts, or wherever you

0:27:14.680 --> 0:27:15.919
<v Speaker 1>listen to your favorite shows.