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Speaker 1: I listened to The Black Guy Who Tips podcast because

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Speaker 1: Rodd and Karen are hot.

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Speaker 2: Hey, welcome to another episode of The Black Guy Who

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Speaker 2: Tells Podcast.

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Speaker 3: I'm your host, Rod Joiners, always.

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Speaker 2: On call host Hearing, and we are live on a Tuesday,

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Speaker 2: ready to do some podcast and finding us everywhere you

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Speaker 2: get podcasts, of course, but we're not alone. I'm sure

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Speaker 2: you see it in the show notes a ship, probably

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Speaker 2: in the titles, some clever thing we came up with later,

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Speaker 2: but it is the homie.

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Speaker 3: Y'all know him. He's the host.

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Speaker 2: Of one of the hosts of For Our Nerves podcasts.

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Speaker 2: Shout out to Castle Black for y'all that's getting y'all

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Speaker 2: Game of Thrones over there. He's the author of the

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Speaker 2: children's book The World Is Yours We had them all

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Speaker 2: when that joint drop. And he's got a brand new

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Speaker 2: graphic novel, Jimmy Hendrix Purple Haze, dropping August twenty seventh,

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Speaker 2: is available for pre order wherever you get books.

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Speaker 3: Already pre ordered. Mind, it's the homie DJ Ben, I mean.

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Speaker 4: What's going on, bro chilling? What's good man?

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Speaker 5: Thank you for that wonderful introduction, and thank you for

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Speaker 5: having me on the show.

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Speaker 3: Man, it's good to see you, bro.

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Speaker 2: Honestly, I've been watching you through the socials and listening

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Speaker 2: to the show, seeing you flourish out here.

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Speaker 6: Man.

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Speaker 2: Last time you was on, I know you was promoting

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Speaker 2: the children's book, but like, you know, not moving on up.

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Speaker 3: You know what I'm saying. I'm looking up. I'm looking

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Speaker 3: at Comic.

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Speaker 2: Con you out here on the other side of the

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Speaker 2: table sign and shit, what's it been like, Bro.

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Speaker 4: It's definitely been interesting.

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Speaker 5: That was, like, like you said, that was my first

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Speaker 5: time that I was ever on Well, not my first

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Speaker 5: time being interviewed, obviously, you know I've been on your

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Speaker 5: show and other shows before that, but that was my

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Speaker 5: first time ever being on the other side of a

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Speaker 5: press room where you just sit there all day and

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Speaker 5: different teams of journalists coming in an interview. Usually I've

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Speaker 5: been on the other side of that where I was

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Speaker 5: one of those teams of journalists begging to get an interview,

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Speaker 5: And this time I was just sitting there all day

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Speaker 5: and a bunch of people came in and interviewed me

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Speaker 5: about Purple Haze.

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Speaker 3: What what's it like being on the other side.

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Speaker 2: Is it like, do you get tired asking to answering

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Speaker 2: the same questions or because like it's new was it like, man, shit,

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Speaker 2: I could do.

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Speaker 3: This all day, like, you know, finally it's my time.

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Speaker 5: Finally it was my time. Was definitely my feeling. And

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Speaker 5: then it was like, oh, man, like you ain't even

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Speaker 5: prepare at all like that. That was my only issue,

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Speaker 5: you know when I because I know how hard I

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Speaker 5: struggle to get access for different events and different interviews

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Speaker 5: and things of that nature. So when someone comes in

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Speaker 5: there and there from a big network and they were

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Speaker 5: just wildly unprepared, it was kind of insulting, you know,

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Speaker 5: and I get the biggest comic book in the world

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Speaker 5: or any of that things in that nature. But at

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Speaker 5: the same time, it is Jimmy Hendrick, so that is

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Speaker 5: you know, and this is done with the Jimmy Hendrix

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Speaker 5: of state.

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Speaker 4: This ain't no fly by Night operation over here.

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Speaker 2: So yeah, it's interesting too because like, uh speak to

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Speaker 2: that because you you as a podcaster, an independent podcast,

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Speaker 2: I assume much like me and Karen, I know, I

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Speaker 2: do mad research before I have somebody on, don't like,

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Speaker 2: even if it's the homie, I try to like if

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Speaker 2: they doing something, I'm looking into that too, So I

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Speaker 2: can be like, Okay, so here's what you're doing so

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Speaker 2: I can ask some inforign questions. Right, So is it

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Speaker 2: doubly insulting? A's like, not just the person that's getting

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Speaker 2: interviewed and you like, damn you didn't, you didn't do nothing,

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Speaker 2: but also as a person that does interviews me and like, yo,

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Speaker 2: for real, you really didn't do nothing?

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Speaker 3: Did nothing?

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Speaker 5: Yeah, nothing to Bay, I mean not even the bare minimum.

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Speaker 5: And yeah, like you said, you answered the question. For me,

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Speaker 5: it was definitely it was doubly insulting because I too,

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Speaker 5: just like you, I take a lot of pride, I know,

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Speaker 5: because my access is so limited. I'm never gonna waste

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Speaker 5: anybody's time. I'm gonna do a lot of research. I'm

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Speaker 5: gonna attempt to that. And also because I've been in

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Speaker 5: so many press rooms where I've sat there and watched

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Speaker 5: other journalists ask the same dumb question over and over

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Speaker 5: and over again to five different as they wheel, five

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Speaker 5: different actors, and they just say the same question to each.

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Speaker 4: One of them.

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Speaker 5: So I've sat there and been like, oh, you can't

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Speaker 5: think of nothing else to ask that question with them

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Speaker 5: the first time you asked it, norom no shots.

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Speaker 4: You know, but.

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Speaker 5: From there, I you know, may I take pride in

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Speaker 5: doing interviews. You can go listen to for all nerds,

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Speaker 5: any interview we've ever done, I feel like it's top.

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Speaker 4: You know.

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Speaker 5: Most of the time people end our interview saying it's

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Speaker 5: one of the best interviews I've ever done. So you know, no, cap,

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Speaker 5: this is what it is. And I come from you know,

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Speaker 5: a long line like combat jat show, et cetera, et cetera.

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Speaker 5: I've been doing interviews with people since I was like

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Speaker 5: sixteen years old. I've been interviewing different people, so this

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Speaker 5: is a long time for me, So it ain't you know,

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Speaker 5: I don't take it lightly.

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Speaker 2: Yeah, I mean I've listened to those interviews. No, y'all

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Speaker 2: often get stuff out of people that you just don't

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Speaker 2: hear anywhere else where.

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Speaker 6: It's like, and I love interviews like that because, like

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Speaker 6: you say, as somebody who's kind of set on both

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Speaker 6: sides as a consumer and as somebody that produces things,

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Speaker 6: and as a consumer, when I'm listening to something, everything

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Speaker 6: is normally like you say, it's normally.

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Speaker 3: Here's a question, here's a question, here's a question.

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Speaker 6: We only got you for five minutes. We only got

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Speaker 6: you doing this segment. Particularly if you do anything like

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Speaker 6: radio and TV, they don't actually get asked anything outside

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Speaker 6: of the box. So when you get them in a platform,

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Speaker 6: it's not structured like that. Look like you would ask

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Speaker 6: them something outside of that to kind of get more information.

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Speaker 3: Out of them. But a lot of people that're just.

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Speaker 6: Very structured with that, and you're like, well, this is

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Speaker 6: the same thing I could have got anywhere.

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Speaker 5: Then.

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Speaker 2: I think also is content now, Like we're in the

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Speaker 2: age of content, so it's just like record this, get something.

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Speaker 3: Down, we'll edit it later. We got our five minutes.

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Speaker 2: No, we didn't ask anything, you know, and that we

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Speaker 2: didn't read anything, We didn't look at anything, you know.

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Speaker 2: It's you can always tell those interviews to me because

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Speaker 2: it's like, you know such and such radio show we

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Speaker 2: all hear with DJ Ben. I mean, hey man, what's

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Speaker 2: it like to read books and write them?

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Speaker 3: It's like, whoa, what was.

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Speaker 6: It like to be to black and know that you

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Speaker 6: are intelligent enough to put words together this in a book?

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Speaker 7: How does that make you feel? You're like, why are

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Speaker 7: you asking me so?

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Speaker 5: Well?

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Speaker 2: To me, it's just more like so you wrote a book,

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Speaker 2: right saying it's just like, damn, Like, you're not gonna introduce.

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Speaker 3: Us to it? Nothing?

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Speaker 2: Nothing, Now is what is the difference, man, between because

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Speaker 2: you wrote the children's book, you've written for TV. What's

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Speaker 2: the difference between this and writing a comic book?

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Speaker 5: Man? Each each medium is its own thing, And every

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Speaker 5: time I can say I've gone into these it's been

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Speaker 5: my first time and I've known absolutely nothing about it

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Speaker 5: other than what I just knew from inherent things like TV. Obviously,

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Speaker 5: I've been studying TV and film. I've been studying my

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Speaker 5: whole life. A lot of people don't know that, like

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Speaker 5: that was just something I've done well before DJing. I

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Speaker 5: was always a student of film and television, and I

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Speaker 5: always wanted to direct and write. That's just something I've

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Speaker 5: wanted to do since I was a very young child.

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Speaker 5: So I've always known that, But at the same time,

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Speaker 5: I hadn't professionally done it. That's a whole different ballgame,

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Speaker 5: as you know, to be in a room with people

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Speaker 5: and you know, pitch ideas, et cetera, et cetera, all

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Speaker 5: that type everything that goes along with that.

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Speaker 4: And then with my children's book, that was more.

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Speaker 5: I'd written a poem and posted it and A friend

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Speaker 5: of mine who was an artist who I've known for years,

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Speaker 5: was like, yo, you should make a children's book out

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Speaker 5: of this, and so we were like cool, and we

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Speaker 5: knew nothing about publishing anything. We raised funds on Kickstarter,

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Speaker 5: we did not ask for near enough money, and then

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Speaker 5: we asked basically for you know, how much it were

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Speaker 5: caused to produce it, you know, And then we knew

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Speaker 5: we would sell something.

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Speaker 4: We made some money, but that's not how you do it,

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Speaker 4: and we.

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Speaker 5: Learned that the hard way, and so we put it

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Speaker 5: out and you know, made some money, and you can

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Speaker 5: still get that book if you hit me up. I'm

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Speaker 5: about to re release it. We got a new printing,

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Speaker 5: so that's coming soon as well. But then with the

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Speaker 5: comic book, it was more my brother Mellow Brown hit

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Speaker 5: me up. We'd worked on American Gods together, and he

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Speaker 5: asked me that I want to pitch because he'd written

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Speaker 5: the come up Blade Runner origins and he's been writing

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Speaker 5: a bunch of Blade Runner comics in that universe. And

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Speaker 5: that's all for Titan Publishing, who owned the rights to

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Speaker 5: Jimmy Hendrix or was working with the Jimmy Hendrix State

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Speaker 5: to put together a graphic novel, and they had the

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Speaker 5: basic rough idea that they wanted it to be something

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Speaker 5: science fiction and not just a straight auto biographical, you

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Speaker 5: know story, And after that we pitched. And to answer

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Speaker 5: your question, the difference and this is not like you're

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Speaker 5: in a writer's room, you're well with me.

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Speaker 4: It was me and mellow.

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Speaker 5: So we just would sit there and get on a

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Speaker 5: zoom and talk out ideas and figure out what we

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Speaker 5: wanted to talk about. And then we would go back

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Speaker 5: to our various spaces and write our own pages and

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Speaker 5: then we come together, put it together and send it

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Speaker 5: off to Jennie for review, Jennie Hendrix, who is the

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Speaker 5: executor of the Hindreds of State.

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Speaker 4: So yeah, and.

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Speaker 2: Did y'all ever get hit back with somebody not this

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Speaker 2: or yes? Yeah, yeah, And so that's you know, because

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Speaker 2: to me, like on the outside looking in, I think

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Speaker 2: everybody wants to you know, you see creative stuff, you like,

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Speaker 2: I want to be in the creative lane.

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Speaker 3: I want to write. I wanted this well.

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Speaker 2: I think the crucialist part, the hardest part for so

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Speaker 2: many people is that no, because sometimes you write something

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Speaker 2: that that's fired to you or like it's just from

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Speaker 2: your perspective, but people have different perspectives to come in.

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Speaker 2: It's like, hey, so we're thinking about how it would

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Speaker 2: look for this or you know this, we can make

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Speaker 2: this funnier, make this more serious or whatever. So how

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Speaker 2: is it getting used to that like that? You know

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Speaker 2: that that that critical? Like no, or you can tighten

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Speaker 2: this up or make this longer shorter.

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Speaker 5: I think that's It's weird for me because I've always

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Speaker 5: done things on a public stage trying to you know,

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Speaker 5: I've been in DJ my whole life, so I've gotten

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Speaker 5: instant reaction, you know, to no. You know, that was

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Speaker 5: not a good creative choice, right, we are not feeling that.

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Speaker 3: You know, that's not working for We disapprove.

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Speaker 5: Yeah, and we're going to boo you, you know, to

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Speaker 5: your face because you made that choice and you now

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Speaker 5: have less than a minute to think of something else

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Speaker 5: and present us with another pitch. So it's like, that

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Speaker 5: was the funniest thing. I'll never forget The first day

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Speaker 5: we were in a writer's room and I said a

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Speaker 5: bunch of things, and at the end of the day,

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Speaker 5: my man Drace was like, Yo, you're so brave, you know,

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Speaker 5: and he was complimenting. Everybody was saying how brad Wolves

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Speaker 5: were and of all the junior writers, and I was

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Speaker 5: just sitting there like I'm throwing you ideas, you know,

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Speaker 5: like if you don't like an idea.

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Speaker 3: I'll tell you anhing one.

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Speaker 4: You know, it's fine.

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Speaker 5: I'll stuff that in my back pocket and I'll use

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Speaker 5: it for something else. And that was another thing American gods,

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Speaker 5: you know, and working in TV with such a test

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Speaker 5: that when we would and then like I said, it's

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Speaker 5: I've worked for horrible losses in the DJ industry. I

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Speaker 5: think the DJ industry just prepared me for a lot

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Speaker 5: of things where it's like, if you don't like an idea,

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Speaker 5: that's cool. You're probably not going to curse me out.

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Speaker 5: You're probably not going to do a lot of things

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Speaker 5: I've experienced in other industries, you know, so not going

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Speaker 5: to threaten my life, you know, things that I've had

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Speaker 5: happen in various industries I've worked in. So it wasn't

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Speaker 5: I can't say it was that much now on this project.

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Speaker 5: There were some ideas and it was there. We had

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Speaker 5: definitely a lot of not say a lot, but there

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Speaker 5: was pushback more in the beginning then towards the end

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Speaker 5: once we established a working relationship, and they realized how

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Speaker 5: much we really cared and were putting our blood, sweat

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Speaker 5: and tears into this. They were pretty much like, go

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Speaker 5: for it, okay, So.

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Speaker 4: Yes, it was.

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Speaker 3: It was some of the least I was gonna say.

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Speaker 3: A lot of it's about trust.

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Speaker 2: So like you you work together, you foster that trust

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Speaker 2: and it's easy to see where people going.

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Speaker 3: It's easy for people to take the reins off and

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Speaker 3: be like, I trust what I trust.

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Speaker 2: You got respect for this property in a way that's

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Speaker 2: going to allow you to make something good that I

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Speaker 2: don't have to like see oversee every second of I

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Speaker 2: know for game theory, that was a big thing was like,

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Speaker 2: once you've work together with people enough and they see

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Speaker 2: where you're coming from, you get that trust rapport and

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Speaker 2: the art go to another level. To me when it's like, oh,

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Speaker 2: you trust me to do what I do and I

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Speaker 2: trust you to do what you do.

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Speaker 3: I remember working on a deep dive with.

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Speaker 2: My man's Sid, and Sid is very spontaneous. He's a

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Speaker 2: stand up like he's like he's hilarious and I'm a

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Speaker 2: sit down. Put the paragraph A here, paragraph B here,

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Speaker 2: little point C to this. So like we had to

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Speaker 2: work together on something, you know, you get like a

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Speaker 2: couple of weeks to do it or whatever, and I'm like,

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Speaker 2: let me do the let me do the spawn, and

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Speaker 2: then I'm gonna come to you, and I'm gonna leave.

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Speaker 2: I'm leaving space because I know how you cook. I'm

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Speaker 2: just leaving space. Whatever you put in there, we'll make

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Speaker 2: it smooth into one collaborative piecet. And I think collaboration

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Speaker 2: is like a difficult thing, but having a good partner

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Speaker 2: and trusting each other can take it to that next level.

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Speaker 2: So is that what it was like for you and Mellow?

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Speaker 2: Like have y'all ever worked together in this fashion before?

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Speaker 2: Where it's you know, you write something, I write something,

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Speaker 2: we bounce it off each other till we find that

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Speaker 2: that that perfect synergy or is this like, was this

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Speaker 2: a new type of you know, dynamic to your relationship.

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Speaker 5: I can tell the story now because we're so far removed,

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Speaker 5: and I'm pretty sure, I mean we told in the

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Speaker 5: various forms, but I can tell the whole, you know,

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Speaker 5: real quick.

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Speaker 4: Part.

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Speaker 5: Me and Mellow once wrote a script to actually get

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Speaker 5: to start our career in Hollywood, to get on American

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Speaker 5: Gods together in three days.

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Speaker 4: Wow, I'd say like two and a half.

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Speaker 5: We you know, for me, it was coffee in marijuana,

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Speaker 5: you know, and it was just blind you know, all

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Speaker 5: night long, just typing away and it was a terrible script,

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Speaker 5: but it just allowed us to you know, get our

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Speaker 5: foot in the door and then talk all the way

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Speaker 5: into a job after that. And that that part was

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Speaker 5: just you know, that's shut our mind tricks and you know,

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Speaker 5: knowing what you're talking about. And like I say, I've

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Speaker 5: studied this game for a long time, so I knew

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Speaker 5: what I wanted to talk about and it worked out

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Speaker 5: in that situation. But in this situation, that's what thing

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Speaker 5: me and Mellow have spent. Like even before that, way

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Speaker 5: back in the day when we first met we put

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Speaker 5: together script. We just both were like, yo, I want

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Speaker 5: to get in Hollywood, and we didn't really know how,

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Speaker 5: but we were just both like, yo, we got to

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Speaker 5: figure out something that we put together, Like we had

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Speaker 5: a horror joint we did together and.

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Speaker 4: Some other stuff.

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Speaker 5: So this was I would say, like the third time

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Speaker 5: that we've sat down together and written together. But just

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Speaker 5: like every other time, Man, we'd be on zoom for

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Speaker 5: three hours and thirty forty five minutes that would be

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Speaker 5: talking about the script.

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Speaker 4: You know. The other three is.

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Speaker 5: Just us yapping away because we are just brothers like that,

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Speaker 5: and we'll just talk about you know, movies, we've seen comics,

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Speaker 5: we've been reading music, you know, what's going on.

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Speaker 4: In life, just everything. So that's how it was.

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Speaker 5: And then we would sit there and be like okay,

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Speaker 5: and then it was just this was like it was

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Speaker 5: one of like I'm really super proud of this book,

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Speaker 5: you know one. I mean, there's a lot of things

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Speaker 5: we'll talk about about it, but it's the first thing

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Speaker 5: was like we got to we had ideas that we

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Speaker 5: wanted to express, and we pretty much di to express

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Speaker 5: a lot of them in this book. So that was

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Speaker 5: something that I'm really proud of because it just it

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Speaker 5: worked out. You know, I had a lot of ideas

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Speaker 5: about music and about black music that I wanted to

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Speaker 5: talk about and the hindreds of state and everyone, and

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Speaker 5: Titan allowed us to express those ideas the way we

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Speaker 5: pretty much wanted to. I didn't have pretty much any

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Speaker 5: pushback on that type of stuff.

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Speaker 2: That's dope, man, It's dope having a party that y'all

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Speaker 2: can do that together, because you know, a lot of

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Speaker 2: times you see partnerships as people get you know, they

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Speaker 2: dissolve all the time. You look up and you're like, oh damn,

350
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Speaker 2: they don't mess with each other no more, or they

351
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Speaker 2: working on separate projects or whatever.

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Speaker 3: So it's always a.

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Speaker 2: Blessing to be able to do something with somebody that

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Speaker 2: it means something. It's more than just mercenary work, like

355
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Speaker 2: we making something together and we sharing a vision and

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Speaker 2: I'm glad.

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Speaker 3: I'm happy for that for you.

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Speaker 5: Yeah, and also because me and Mellow have gone through that.

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Speaker 5: You know, we've been through our back and forth. We

360
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Speaker 5: were you know, living together at one point, then I

361
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Speaker 5: moved back here and he was popping off in Hollywood

362
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Speaker 5: and I'm just out here DJing and doing my thing.

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Speaker 4: It's like we've been back and forth, but we were always.

364
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Speaker 5: Friends, you know first, but we would you know, have time,

365
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Speaker 5: but we spent more time apart. And then when we

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Speaker 5: came back together for this book, that was like one

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Speaker 5: of the themes of the book is somebody getting the

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Speaker 5: band back together. So it was kind of like us

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Speaker 5: getting in our band back together where we're really you know,

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Speaker 5: like creating something together. So it was a lot of

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Speaker 5: it was really fucking dope. And to have two you know,

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Speaker 5: black men doing this, I feel really proud about it.

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Speaker 2: Right, And then y'all have an artist, Tom Mandrake, Lord

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Speaker 2: of Mercy. How so what's it like working with an artist? Cause,

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Speaker 2: like I've read like the first like five to ten

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Speaker 2: pages of this like over the last couple of days

377
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Speaker 2: because I ordered it and I low keyed on you

378
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Speaker 2: on to spoil stuff.

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Speaker 3: You know, I'm kind of.

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Speaker 4: I know you are you know about that?

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Speaker 5: Man. I was assure you'd read it, Rob, But I

382
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Speaker 5: should have known Rod, I ain't gonna finish it before you.

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Speaker 3: I didn't want. Yeah, I like behind the scenes, y'all

384
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Speaker 3: don't the audience, y'all don't know this, But.

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Speaker 2: Behind the scenes, I could have been on for our

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Speaker 2: Nerves So Black this season.

387
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Speaker 4: Several times several times.

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Speaker 3: But they get to copy so early. I would have

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Speaker 3: to like.

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Speaker 4: Hold up not so early. Off.

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Speaker 5: We get that episode usually the week of sometimes Friday,

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Speaker 5: and I'll send it to you on Saturday. You can

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Speaker 5: watch a Saturday afternoon, a Sunday morning.

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Speaker 3: I got me with the family. We gotta do we

395
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Speaker 3: gotta do it live. You know what I'm saying. I

396
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Speaker 3: get it so I did.

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Speaker 2: I didn't want to spoil myself, but I did read

398
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Speaker 2: like the setup, you know what I'm saying, like, and

399
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Speaker 2: it's and it's like cosmic, like y'all really went for it.

400
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Speaker 2: It wasn't like like I was thinking almost like biopic,

401
00:17:41,480 --> 00:17:45,280
Speaker 2: you know, like okay, nah, it's all DJ been, I

402
00:17:45,400 --> 00:17:48,480
Speaker 2: mean up in their dog like it's a it's everything

403
00:17:48,520 --> 00:17:51,000
Speaker 2: that you like, it's more than you would expect. So

404
00:17:51,160 --> 00:17:53,560
Speaker 2: it was so like that that part was cool, but

405
00:17:54,080 --> 00:17:56,919
Speaker 2: the art it struck out at me like I'm like,

406
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Speaker 2: oh my god, because in my mind I'm thinking as

407
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Speaker 2: a writer, I have visions in my head or what

408
00:18:02,840 --> 00:18:06,040
Speaker 2: stuff to look like. But unlike live action even where

409
00:18:06,080 --> 00:18:08,359
Speaker 2: you like know which actor gonna do whatever, right, I

410
00:18:08,359 --> 00:18:11,840
Speaker 2: don't like, what's it like having no real idea until

411
00:18:12,000 --> 00:18:14,760
Speaker 2: like that that page come back and you like, yo,

412
00:18:14,800 --> 00:18:17,080
Speaker 2: he got it or he added something more.

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Speaker 3: You know what I'm saying, Somebody, what's that process? Like?

414
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Speaker 4: All right?

415
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Speaker 5: First of all, it's Tom and Drake who did depencils

416
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Speaker 5: and inks, and then another cat Justin Prokovich, who did

417
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Speaker 5: the colors, and so it's like this once again, this

418
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Speaker 5: is my first time I've been now comics and me

419
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Speaker 5: go back almost as long as filming. Me like, I've

420
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Speaker 5: been reading comics since I can't not remember, you know,

421
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Speaker 5: pretty much. I think it was like, I don't know,

422
00:18:41,359 --> 00:18:43,800
Speaker 5: around like seven or eight maybe you know, somewhere around it,

423
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Speaker 5: because I was playing Dungeons and Dragons first, which was

424
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Speaker 5: really early, and then I was playing reading comics like

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Speaker 5: six seven eight, probably you know, because I know D

426
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Speaker 5: and D was way too early for me. I was

427
00:18:52,720 --> 00:18:55,320
Speaker 5: playing that you're way too early, but yeah, and then

428
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Speaker 5: I was reading comics way too early and reading adult

429
00:18:57,480 --> 00:18:59,680
Speaker 5: comics way too early. But I've been reading comics forever

430
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Speaker 5: until I've seen the process, you know. I've been in

431
00:19:02,359 --> 00:19:05,280
Speaker 5: cons and seeing people's pencils in my face. I've you know,

432
00:19:05,440 --> 00:19:07,840
Speaker 5: seen how to draw comics the Marvel way where they

433
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Speaker 5: start with the sketches and then get the pencils and

434
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Speaker 5: then the inks and then the colors and then the letters.

435
00:19:13,840 --> 00:19:16,639
Speaker 5: But this is the is the silliest shit in the

436
00:19:16,680 --> 00:19:18,520
Speaker 5: world where I like to be, you know, like to

437
00:19:18,560 --> 00:19:20,560
Speaker 5: write some shit and then okay, there's the other side

438
00:19:20,560 --> 00:19:23,400
Speaker 5: of it. Tom man Drake. When we first started this project,

439
00:19:23,400 --> 00:19:25,560
Speaker 5: they already had Tom on board. He'd been on board

440
00:19:25,640 --> 00:19:28,399
Speaker 5: for a minute, and so they're like, we have Tom Mandrake,

441
00:19:28,400 --> 00:19:29,800
Speaker 5: and they sent me a picture of his you know,

442
00:19:29,800 --> 00:19:31,800
Speaker 5: a hindred sketch, and I'm like, Okay, that's really dope.

443
00:19:32,200 --> 00:19:34,359
Speaker 5: But I didn't know who the fuck Tom was, honestly,

444
00:19:34,359 --> 00:19:37,160
Speaker 5: because I grew up reading Marvel and during the years

445
00:19:37,160 --> 00:19:40,720
Speaker 5: that Tom was really like when his formative years he

446
00:19:40,800 --> 00:19:43,720
Speaker 5: was doing DC and so when I was reading Marvel,

447
00:19:43,760 --> 00:19:45,760
Speaker 5: he was doing like The Specter and Batman a bunch

448
00:19:45,760 --> 00:19:47,920
Speaker 5: of other stuff and shit I just never really seen.

449
00:19:48,359 --> 00:19:50,879
Speaker 5: So they were like Tom Manders doing the book, and

450
00:19:50,880 --> 00:19:54,080
Speaker 5: I'm like, a cool when you go around and tell people,

451
00:19:54,119 --> 00:19:55,800
Speaker 5: as I learned, like, you know, I d go and talk

452
00:19:55,840 --> 00:19:57,600
Speaker 5: to my man, Joe Willis, I'll like, yo, Joe, we

453
00:19:57,680 --> 00:20:00,960
Speaker 5: got Tom and Drake. Joe's draw drops to the floor.

454
00:20:01,080 --> 00:20:04,280
Speaker 5: You know, Like when you tell people you have Tom

455
00:20:04,400 --> 00:20:06,639
Speaker 5: Mandre doing your art, They're just like, yo, what the

456
00:20:06,840 --> 00:20:09,639
Speaker 5: I was talking to Tom King at San Diego Comic

457
00:20:09,640 --> 00:20:13,359
Speaker 5: count the other day, Tom motherfucking King, if you know,

458
00:20:13,560 --> 00:20:15,480
Speaker 5: you know, if you're a comic reader, if you know

459
00:20:15,600 --> 00:20:18,920
Speaker 5: you know, and I'm like, you know, Tom Mandre, He's like, what, yeah,

460
00:20:19,000 --> 00:20:22,119
Speaker 5: first book, you know, and like that's been my life,

461
00:20:22,160 --> 00:20:24,000
Speaker 5: you know, the camera and that's been my line even

462
00:20:24,119 --> 00:20:25,480
Speaker 5: like first comic count.

463
00:20:27,119 --> 00:20:30,840
Speaker 4: You know what I mean, like straight up like a

464
00:20:30,840 --> 00:20:33,359
Speaker 4: T shirt. Yeah, I need a T shirt.

465
00:20:33,359 --> 00:20:38,000
Speaker 5: You ain't never a lie first account, Like the dude

466
00:20:38,040 --> 00:20:41,720
Speaker 5: is a motherfucking god, and so you know, it's like

467
00:20:41,800 --> 00:20:44,680
Speaker 5: you're telling somebody who is so talented what to do.

468
00:20:44,760 --> 00:20:46,919
Speaker 5: It's like you're directing them. And that's what I learned

469
00:20:46,960 --> 00:20:49,280
Speaker 5: first especially, and I'll probably just try and work for

470
00:20:49,560 --> 00:20:53,520
Speaker 5: talented people because that's the first thing I learned. Was like,

471
00:20:53,520 --> 00:20:55,280
Speaker 5: like I had an idea for the first page that

472
00:20:55,320 --> 00:20:57,480
Speaker 5: you read. I won't tell you exactly what it was,

473
00:20:57,560 --> 00:21:01,000
Speaker 5: but the first page has a number of panels. I

474
00:21:01,000 --> 00:21:03,560
Speaker 5: can say that for a reason. And so it was

475
00:21:03,920 --> 00:21:06,000
Speaker 5: in my head it was laid out a certain way.

476
00:21:06,560 --> 00:21:08,199
Speaker 5: When he sit it back, it wasn't laid out at

477
00:21:08,240 --> 00:21:13,160
Speaker 5: all like that, and because of that, it looked completely

478
00:21:13,160 --> 00:21:13,720
Speaker 5: different than.

479
00:21:13,640 --> 00:21:14,600
Speaker 4: What was in my imagination.

480
00:21:14,720 --> 00:21:16,440
Speaker 5: But to me, it just looks better, and I didn't

481
00:21:16,480 --> 00:21:18,920
Speaker 5: give a shit because it's still you know, it's still

482
00:21:18,960 --> 00:21:21,640
Speaker 5: had the same amount of panels that I needed, and

483
00:21:21,960 --> 00:21:25,439
Speaker 5: it it spressed everything so beautifully. So after that, I

484
00:21:25,480 --> 00:21:26,879
Speaker 5: just stopped telling him shit. I was like, yo, but

485
00:21:27,000 --> 00:21:29,399
Speaker 5: I don't care what I've written in the script, like

486
00:21:29,440 --> 00:21:31,639
Speaker 5: if it says you know this medium shot da da

487
00:21:31,680 --> 00:21:35,119
Speaker 5: da da, just you figure it out, you know. And

488
00:21:35,160 --> 00:21:37,040
Speaker 5: then Tom would be like, yo, I'm really inspired by

489
00:21:37,119 --> 00:21:39,440
Speaker 5: what you and Melo al writing, which was fucking mind

490
00:21:39,440 --> 00:21:41,960
Speaker 5: blowing to me too, because he's again Tom Mandrake.

491
00:21:42,720 --> 00:21:45,680
Speaker 4: So it was the craziest stuff.

492
00:21:45,720 --> 00:21:48,480
Speaker 5: Man, these pages, like seeing them go from pencils to

493
00:21:48,600 --> 00:21:50,640
Speaker 5: inks at every stage.

494
00:21:50,680 --> 00:21:52,480
Speaker 4: He's such a developed artist.

495
00:21:52,520 --> 00:21:55,920
Speaker 5: And it's like you've seen that big double page splash

496
00:21:56,000 --> 00:21:58,040
Speaker 5: that opens it. There's like the first page and then

497
00:21:58,040 --> 00:21:59,760
Speaker 5: there's this two page splash. When I got that the

498
00:21:59,760 --> 00:22:01,879
Speaker 5: first and to this day, I've looked at it for

499
00:22:01,960 --> 00:22:05,280
Speaker 5: probably hours of my life, you know, just those two pages,

500
00:22:05,920 --> 00:22:08,160
Speaker 5: because I've just sat there and just been in awe

501
00:22:08,160 --> 00:22:10,359
Speaker 5: of what he did and I could not believe that

502
00:22:10,400 --> 00:22:13,040
Speaker 5: he transformed but was like basically like a paragraph of

503
00:22:13,080 --> 00:22:16,080
Speaker 5: words into this, to me, you know, one of the

504
00:22:16,080 --> 00:22:17,800
Speaker 5: greatest pieces of art diver seen in my life.

505
00:22:17,920 --> 00:22:22,360
Speaker 2: Like it's crazy too, because like part of this collaboration

506
00:22:22,520 --> 00:22:25,760
Speaker 2: and the reason that trust is so important is you

507
00:22:25,840 --> 00:22:29,479
Speaker 2: could write some super strict instructions like this is what

508
00:22:29,560 --> 00:22:34,040
Speaker 2: I want, but it takes away that artist's ability to

509
00:22:34,280 --> 00:22:35,479
Speaker 2: add and so.

510
00:22:35,680 --> 00:22:38,240
Speaker 3: And people do this all the time, these control freak types.

511
00:22:38,280 --> 00:22:40,520
Speaker 2: I'm not gonna take no names, but like like how

512
00:22:41,040 --> 00:22:44,800
Speaker 2: you know how like Tyler Perry doesn't hire writers. But

513
00:22:45,040 --> 00:22:47,760
Speaker 2: part of but part of what makes work great is

514
00:22:47,800 --> 00:22:50,520
Speaker 2: sometimes being able to let let it go to me.

515
00:22:50,760 --> 00:22:54,440
Speaker 2: The Star Wars universe got better when more hands touched it.

516
00:22:54,359 --> 00:22:55,199
Speaker 3: Not less.

517
00:22:55,400 --> 00:22:58,119
Speaker 2: So like sometimes you gotta let your baby go to

518
00:22:58,240 --> 00:23:00,320
Speaker 2: get that back. And then these people are been in

519
00:23:00,359 --> 00:23:05,000
Speaker 2: this field. Man Drake is sixty eight years old. Man,

520
00:23:05,320 --> 00:23:08,040
Speaker 2: the amount of stuff he's forgotten is more than you

521
00:23:08,080 --> 00:23:11,199
Speaker 2: can possibly know.

522
00:23:11,080 --> 00:23:14,720
Speaker 5: You know, work about layout, about all the things that

523
00:23:14,800 --> 00:23:17,800
Speaker 5: go into a comic. You know, Yeah, he's forgotten more

524
00:23:17,840 --> 00:23:18,800
Speaker 5: than I'll ever know.

525
00:23:19,160 --> 00:23:22,640
Speaker 2: Why would do anything, because he's gonna bring something that's

526
00:23:22,640 --> 00:23:24,840
Speaker 2: gonna raise your awareness. You're gonna look at that page

527
00:23:24,840 --> 00:23:27,439
Speaker 2: and go, oh damn, I didn't even think if you

528
00:23:27,480 --> 00:23:29,960
Speaker 2: put this panel over here and this panel up here,

529
00:23:30,119 --> 00:23:32,399
Speaker 2: it looks like complete puzzle pieces if you put them

530
00:23:32,440 --> 00:23:34,560
Speaker 2: together or something like that that you could not have

531
00:23:34,600 --> 00:23:36,800
Speaker 2: thought of because you just thinking about writing. That's your

532
00:23:36,880 --> 00:23:40,840
Speaker 2: job and so it's like, it's dope to see that

533
00:23:40,960 --> 00:23:41,560
Speaker 2: come together.

534
00:23:41,920 --> 00:23:43,080
Speaker 3: Karen, I'm sorry you're gonna say no.

535
00:23:43,800 --> 00:23:45,240
Speaker 7: And I'm asking you this.

536
00:23:45,280 --> 00:23:47,680
Speaker 6: It's kind of a technical question, but ask somebody who

537
00:23:48,240 --> 00:23:53,000
Speaker 6: I read comics, but you and Roger, I'm aware the

538
00:23:53,040 --> 00:23:55,040
Speaker 6: person that draws it and the person that.

539
00:23:55,080 --> 00:23:56,680
Speaker 3: Inks it, that're two different people.

540
00:23:57,080 --> 00:23:59,800
Speaker 6: And so does the person that you try sometimes okay,

541
00:24:00,040 --> 00:24:02,320
Speaker 6: so does the person that draw it instruct the.

542
00:24:02,280 --> 00:24:04,399
Speaker 3: People how the ink it? Or do the people you

543
00:24:04,440 --> 00:24:06,560
Speaker 3: mean color, yeah, the color? Or does the people do.

544
00:24:06,680 --> 00:24:09,400
Speaker 5: Ink it too? In it it's all three stages, yeah,

545
00:24:09,440 --> 00:24:15,560
Speaker 5: because it starts using your pencils than inks, than colors. Nah.

546
00:24:15,800 --> 00:24:18,479
Speaker 5: Like that's it's all this trusting and that's what I had,

547
00:24:18,560 --> 00:24:20,840
Speaker 5: and that's something else had to learn, especially with the colors,

548
00:24:20,880 --> 00:24:23,640
Speaker 5: because the colors I didn't know for nothing. And at

549
00:24:23,640 --> 00:24:26,159
Speaker 5: first I was like when they first sent back some pages,

550
00:24:26,200 --> 00:24:28,040
Speaker 5: when justin first sent back some pagers, I was like,

551
00:24:28,240 --> 00:24:30,639
Speaker 5: I don't know, man, Like especially one of the pages,

552
00:24:30,680 --> 00:24:32,359
Speaker 5: I was like, damn, why ain't you do it like that?

553
00:24:33,000 --> 00:24:33,199
Speaker 2: You know?

554
00:24:33,280 --> 00:24:35,160
Speaker 5: And I got the intent of what they were doing,

555
00:24:35,200 --> 00:24:39,360
Speaker 5: but I was still like, come on, man, nothing like that.

556
00:24:39,400 --> 00:24:40,359
Speaker 4: And I said that.

557
00:24:40,280 --> 00:24:41,919
Speaker 5: And they you know, they were kind of tight, and

558
00:24:42,000 --> 00:24:43,600
Speaker 5: Mellow was like, yo, don't do that, you know.

559
00:24:43,720 --> 00:24:44,960
Speaker 4: He's like, we wrote what we wrote.

560
00:24:44,960 --> 00:24:48,520
Speaker 5: Nobody told you what to say, you know, so it's

561
00:24:48,560 --> 00:24:50,560
Speaker 5: like you have to have trust in them. And man,

562
00:24:50,680 --> 00:24:53,720
Speaker 5: now I've been running around. I'm mad that Justin isn't

563
00:24:53,720 --> 00:24:56,480
Speaker 5: listed on the front cover, because that's a big problem

564
00:24:56,480 --> 00:25:00,280
Speaker 5: in comics, like colorists don't get the love that you know,

565
00:25:00,359 --> 00:25:05,280
Speaker 5: pencilers and even inkers do on our cover, you know, yeah,

566
00:25:05,440 --> 00:25:07,600
Speaker 5: on our cover it's Mellow Brown, DJ Been, I mean,

567
00:25:07,680 --> 00:25:10,639
Speaker 5: and Tom Mandrake, and I feel like Justin Prokovic should

568
00:25:10,640 --> 00:25:13,800
Speaker 5: be right there with us because Justin's colors.

569
00:25:13,960 --> 00:25:15,240
Speaker 4: Are fucking godsend.

570
00:25:15,280 --> 00:25:18,240
Speaker 5: Man, Like, it's stuff that he's doing that they're doing,

571
00:25:18,280 --> 00:25:20,679
Speaker 5: and I'm just like, yo, this is perfection. And I

572
00:25:20,800 --> 00:25:24,679
Speaker 5: wouldn't like you said, I don't know this stuff. You know,

573
00:25:24,840 --> 00:25:27,080
Speaker 5: I know it from what I think I know, but

574
00:25:27,280 --> 00:25:28,720
Speaker 5: I don't know it like they know it.

575
00:25:28,840 --> 00:25:30,800
Speaker 4: So it's better just to let them do what they do.

576
00:25:31,080 --> 00:25:35,000
Speaker 2: That's another reason that it's it's so dope to get

577
00:25:35,240 --> 00:25:39,160
Speaker 2: experienced in a field that you criticize or critique or consume,

578
00:25:39,640 --> 00:25:41,639
Speaker 2: is because because then you get to see ship like

579
00:25:41,680 --> 00:25:44,679
Speaker 2: that where it's like, wait, I can't decide to who

580
00:25:44,840 --> 00:25:48,280
Speaker 2: name going to cover someone, and something somewhere just sends

581
00:25:48,320 --> 00:25:51,239
Speaker 2: it back to me like blank. And that's something I like.

582
00:25:51,480 --> 00:25:55,000
Speaker 2: It's probably why I'm more lenient on TV and movies

583
00:25:55,040 --> 00:25:55,720
Speaker 2: and stuff than I.

584
00:25:56,000 --> 00:25:58,560
Speaker 3: Even was before, because I'm just like everybody.

585
00:25:58,520 --> 00:26:02,000
Speaker 2: Yeah, it's so much stuff you can't can where. I like,

586
00:26:02,040 --> 00:26:05,360
Speaker 2: if if everyone at home knew, like what we had

587
00:26:05,400 --> 00:26:08,000
Speaker 2: to do to get the Jake Paul interview, they would

588
00:26:08,040 --> 00:26:10,720
Speaker 2: be like, oh, yeah, there's no complaint we could possibly

589
00:26:10,720 --> 00:26:14,040
Speaker 2: say about that interview. Y'all did way too much shit.

590
00:26:14,119 --> 00:26:16,479
Speaker 2: Some shit you can't even say because of the NBA's like,

591
00:26:16,600 --> 00:26:18,800
Speaker 2: y'all did so much shit, but they.

592
00:26:18,720 --> 00:26:19,280
Speaker 3: Don't know that.

593
00:26:19,359 --> 00:26:22,040
Speaker 2: So you just be at home like why this didn't happen?

594
00:26:22,160 --> 00:26:24,800
Speaker 2: And so it's interesting to be on the other side.

595
00:26:24,840 --> 00:26:27,600
Speaker 2: It's like, damn they like this. I'm seeing it in

596
00:26:27,640 --> 00:26:29,760
Speaker 2: my face now. They it's really hard to get a

597
00:26:29,840 --> 00:26:33,160
Speaker 2: colorist the props they deserve because of just the way

598
00:26:33,200 --> 00:26:37,480
Speaker 2: the game works or whatnot, and so interesting.

599
00:26:37,119 --> 00:26:39,879
Speaker 5: Man, colorists just don't get that props like that. You know,

600
00:26:39,920 --> 00:26:42,480
Speaker 5: I know one book that I know and writer that

601
00:26:42,560 --> 00:26:45,520
Speaker 5: I highly admire is Kieran Gillen, and that's like a

602
00:26:45,520 --> 00:26:47,800
Speaker 5: friend of mine now and they've done Wicked and Divine

603
00:26:47,840 --> 00:26:50,480
Speaker 5: and stuff, and you know on their cover it's Jillen

604
00:26:50,560 --> 00:26:54,119
Speaker 5: McKelvey and Wilson because it's Matt Wilson who's the colors,

605
00:26:54,119 --> 00:26:57,440
Speaker 5: and you know they're they're just as important to everything.

606
00:26:57,520 --> 00:27:00,800
Speaker 5: And I just really have been, you know, singing Justin's

607
00:27:00,800 --> 00:27:04,280
Speaker 5: praises Justin Brokeovich. You know, it's just as important to

608
00:27:04,320 --> 00:27:07,520
Speaker 5: this as tarm Man Drake and especially in the like

609
00:27:08,160 --> 00:27:11,200
Speaker 5: that's something I've been really get until And that's why

610
00:27:11,200 --> 00:27:13,560
Speaker 5: I even say, Rod, it's okay with this because the

611
00:27:13,680 --> 00:27:18,359
Speaker 5: graphic novel itself looks so much better, any version of

612
00:27:18,400 --> 00:27:20,760
Speaker 5: it than I've ever seen. Like I've had the PDFs

613
00:27:20,760 --> 00:27:24,200
Speaker 5: for months, Yeah, and they just don't compare to the pages,

614
00:27:24,320 --> 00:27:27,560
Speaker 5: like the pages, the print job, everything is so well done.

615
00:27:28,240 --> 00:27:30,960
Speaker 5: I was stunned when I opened it every time.

616
00:27:31,640 --> 00:27:32,360
Speaker 4: Now I can tell you.

617
00:27:32,320 --> 00:27:34,239
Speaker 2: Just looking at the PDF, it's gonna be like that

618
00:27:34,280 --> 00:27:37,960
Speaker 2: when I get it in person, like it got Yeah,

619
00:27:38,080 --> 00:27:40,440
Speaker 2: it looks like I saw you signing something and stuff.

620
00:27:40,480 --> 00:27:41,720
Speaker 3: I was like, okay, yeah.

621
00:27:46,840 --> 00:27:48,840
Speaker 5: Around like props a tight end like they did not

622
00:27:48,840 --> 00:27:51,560
Speaker 5: play around, like it's nice oversize, you know, it's like

623
00:27:51,960 --> 00:27:54,840
Speaker 5: bigger than the regular com up book, but not gigantic, right,

624
00:27:55,280 --> 00:27:57,920
Speaker 5: and then like all the pages are just so well

625
00:27:57,960 --> 00:28:01,120
Speaker 5: done and so well bound everything about Man, I'm just like, oh,

626
00:28:01,280 --> 00:28:02,000
Speaker 5: this shit fire.

627
00:28:02,640 --> 00:28:04,840
Speaker 6: When did you wake up one day and be like

628
00:28:04,920 --> 00:28:07,080
Speaker 6: this is real because you know how you do things

629
00:28:07,119 --> 00:28:08,840
Speaker 6: and you don't really you're just going through the.

630
00:28:08,760 --> 00:28:11,159
Speaker 7: Process, but it being real. Don't actually sink in.

631
00:28:11,440 --> 00:28:14,400
Speaker 6: When was that moment you was like, holy shit, like

632
00:28:14,480 --> 00:28:15,919
Speaker 6: this is real.

633
00:28:17,720 --> 00:28:20,240
Speaker 4: There was a few, you know, there was a few,

634
00:28:20,760 --> 00:28:23,320
Speaker 4: and it's still moments to come. I know that, you

635
00:28:23,320 --> 00:28:23,720
Speaker 4: know what I mean.

636
00:28:23,760 --> 00:28:30,199
Speaker 5: Like the first one I think was I've pitched too

637
00:28:30,280 --> 00:28:34,240
Speaker 5: much shit, So it wasn't when we pitched. Definitely, I've

638
00:28:34,280 --> 00:28:36,880
Speaker 5: pitched too many things and wind nowhere, So it wasn't

639
00:28:36,920 --> 00:28:37,639
Speaker 5: when we pitched.

640
00:28:37,760 --> 00:28:38,080
Speaker 1: It was.

641
00:28:38,280 --> 00:28:39,880
Speaker 5: But even when we you know, when we pitched, we

642
00:28:39,880 --> 00:28:42,200
Speaker 5: were center talking to Jamie Hendrick, so that was like, wow,

643
00:28:42,280 --> 00:28:42,959
Speaker 5: this is crazy.

644
00:28:43,000 --> 00:28:45,800
Speaker 4: You know, this is interesting. You know, life is weird again.

645
00:28:46,080 --> 00:28:50,640
Speaker 5: And I would say probably the first time I saw

646
00:28:50,680 --> 00:28:53,840
Speaker 5: Tom Man Dred's pencils, okay, like that was that was

647
00:28:53,920 --> 00:28:58,560
Speaker 5: something I never experienced, like I've written stuff, I still

648
00:28:58,600 --> 00:29:00,800
Speaker 5: haven't really seen things that I've read and go to screen,

649
00:29:00,960 --> 00:29:04,840
Speaker 5: So that's another thing I've experienced like that, but I've

650
00:29:04,920 --> 00:29:08,560
Speaker 5: never experienced someone taking my words and turning them into art.

651
00:29:08,640 --> 00:29:10,720
Speaker 5: And that was like the realist ship. Have seen the

652
00:29:10,760 --> 00:29:13,640
Speaker 5: comment and then you know, as each stage came and

653
00:29:13,680 --> 00:29:16,040
Speaker 5: it got realer. But then the realist ship was to

654
00:29:16,160 --> 00:29:19,760
Speaker 5: me stills and it's on video is me opening it

655
00:29:19,800 --> 00:29:21,640
Speaker 5: up for the first time at San Diego Comic Con

656
00:29:21,720 --> 00:29:24,480
Speaker 5: with Mellow and Janey by Myselcket. That was like the

657
00:29:24,560 --> 00:29:27,640
Speaker 5: first time I'd seen this ship there in my hands.

658
00:29:27,640 --> 00:29:31,360
Speaker 5: It's a real thing. Yeah, itsists, you know, it's not

659
00:29:31,480 --> 00:29:34,280
Speaker 5: the eyes whatever number on it. Like this thing is

660
00:29:34,320 --> 00:29:36,920
Speaker 5: coming out, you know, because it's been delayed. It was

661
00:29:36,920 --> 00:29:40,080
Speaker 5: actually supposed to drop last November, so there's been a

662
00:29:40,080 --> 00:29:42,320
Speaker 5: lot of different delays. It's been well worth it though,

663
00:29:42,360 --> 00:29:44,720
Speaker 5: because it just wasn't ready last November and now it's

664
00:29:44,760 --> 00:29:47,000
Speaker 5: been like there's a huge push behind it and everything.

665
00:29:47,120 --> 00:29:50,400
Speaker 5: So but that was the realist moment. It's seeing it

666
00:29:50,400 --> 00:29:52,400
Speaker 5: in person. Every time I look at it.

667
00:29:52,480 --> 00:29:54,560
Speaker 2: I figured you would have a high bar for real too,

668
00:29:54,600 --> 00:29:58,240
Speaker 2: because after what happened with you with the with the gods.

669
00:29:58,640 --> 00:30:00,520
Speaker 3: I can feel you being like, man, I don't believe

670
00:30:00,560 --> 00:30:01,400
Speaker 3: nothing until I see it.

671
00:30:01,440 --> 00:30:04,760
Speaker 4: Bro Like like, I'm.

672
00:30:04,720 --> 00:30:07,440
Speaker 2: Very much like that too. Yeah, I'm like that to me.

673
00:30:07,480 --> 00:30:12,120
Speaker 2: Bro's it's times when we legit because I love what

674
00:30:12,240 --> 00:30:15,520
Speaker 2: I do, but I stay. I'm very unattached from my

675
00:30:15,640 --> 00:30:18,479
Speaker 2: work in that because if I if I, if I

676
00:30:18,520 --> 00:30:21,280
Speaker 2: love it too much and it gets changed or something,

677
00:30:21,200 --> 00:30:23,560
Speaker 2: then you'll go crazy and you just get It's like

678
00:30:23,600 --> 00:30:25,960
Speaker 2: I have to go into uh, like Idris Elvis said,

679
00:30:26,000 --> 00:30:28,280
Speaker 2: el Like Idris Elba said, go into the drift with

680
00:30:28,360 --> 00:30:31,680
Speaker 2: no no feelings, no emotions, no connection, no attachment.

681
00:30:32,000 --> 00:30:33,560
Speaker 3: That's how I do it when I do my work.

682
00:30:33,680 --> 00:30:37,640
Speaker 2: But once I see, like I get home and it's

683
00:30:37,640 --> 00:30:40,720
Speaker 2: on TV, I'm like, yes, I did that? Was it

684
00:30:41,000 --> 00:30:44,000
Speaker 2: when I wrote for drap Domaniacs. When I when Tuesday

685
00:30:44,000 --> 00:30:47,320
Speaker 2: will come and then the episode dropped and I listen

686
00:30:47,400 --> 00:30:49,600
Speaker 2: to it, then I will be like I did that.

687
00:30:49,720 --> 00:30:52,040
Speaker 2: Until then it was just like some work I did.

688
00:30:52,080 --> 00:30:54,520
Speaker 2: I hope everybody get to see so I know you

689
00:30:54,520 --> 00:30:56,160
Speaker 2: you know, I know that joint felt good when you

690
00:30:56,200 --> 00:30:57,320
Speaker 2: had that thing in your hands.

691
00:30:57,360 --> 00:31:00,440
Speaker 5: Man, And even more so like I said, other real

692
00:31:00,520 --> 00:31:04,400
Speaker 5: day is still August twenty seventh, because like, even though

693
00:31:04,440 --> 00:31:07,640
Speaker 5: I don't, I'm pretty sure it's coming out at this point.

694
00:31:07,720 --> 00:31:10,640
Speaker 3: Yeah, I feel you. I feel you though, but anything

695
00:31:10,680 --> 00:31:13,320
Speaker 3: can happen. Way to have it talk, Yeah, I just

696
00:31:13,440 --> 00:31:13,920
Speaker 3: never know.

697
00:31:14,840 --> 00:31:18,120
Speaker 5: And people have it, you know, and so it exists,

698
00:31:18,240 --> 00:31:20,600
Speaker 5: you know, So like that thing, no matter what, at

699
00:31:20,600 --> 00:31:23,400
Speaker 5: this point, people will read it, you know, so it's

700
00:31:23,480 --> 00:31:27,000
Speaker 5: going to get out there. So yeah, it's it's pretty

701
00:31:27,000 --> 00:31:29,720
Speaker 5: real at this point. But August twenty seventh is still

702
00:31:29,760 --> 00:31:32,600
Speaker 5: going to be like I might cry again that day,

703
00:31:32,640 --> 00:31:33,959
Speaker 5: because that's gonna be something.

704
00:31:34,480 --> 00:31:37,240
Speaker 3: Yeahely Man, who are you saw out of Comic Con?

705
00:31:37,320 --> 00:31:37,440
Speaker 2: Man?

706
00:31:37,480 --> 00:31:38,520
Speaker 3: How long was you out there?

707
00:31:39,360 --> 00:31:41,040
Speaker 5: I was out there the whole time. I've never been

708
00:31:41,080 --> 00:31:43,080
Speaker 5: to Sandy Comic Con, so I was out there from

709
00:31:43,160 --> 00:31:46,440
Speaker 5: Thursday through Sunday through Monday, even I was still in

710
00:31:46,640 --> 00:31:47,880
Speaker 5: Diego Monday.

711
00:31:49,120 --> 00:31:49,520
Speaker 4: I saw.

712
00:31:50,040 --> 00:31:51,640
Speaker 5: I didn't get to see as many people as I like,

713
00:31:51,720 --> 00:31:53,400
Speaker 5: but I definitely you know, like I said, I talked

714
00:31:53,440 --> 00:31:54,440
Speaker 5: to Tomking.

715
00:31:54,560 --> 00:31:55,800
Speaker 4: I've talked to him before.

716
00:31:55,520 --> 00:31:57,760
Speaker 5: But I gotta email him now because we want to

717
00:31:57,760 --> 00:32:00,000
Speaker 5: get him on Fall Nerds. But I had a good

718
00:32:00,160 --> 00:32:01,920
Speaker 5: talk with him and it was my first time talking

719
00:32:01,960 --> 00:32:03,960
Speaker 5: to him like as a creator, So that was interesting,

720
00:32:04,680 --> 00:32:06,520
Speaker 5: and you know, he was interested in the book. I

721
00:32:06,560 --> 00:32:10,280
Speaker 5: talked to Ron Limb, who is one of my favorite

722
00:32:10,400 --> 00:32:12,960
Speaker 5: artists of all time. Like I grew up on mister Limb,

723
00:32:13,520 --> 00:32:15,000
Speaker 5: and so that's one of my favorite things to do

724
00:32:15,040 --> 00:32:17,160
Speaker 5: with const just run up on cats who I grew

725
00:32:17,240 --> 00:32:17,520
Speaker 5: up on.

726
00:32:17,520 --> 00:32:19,760
Speaker 4: And be like, yo, you know this book, this book,

727
00:32:20,080 --> 00:32:21,160
Speaker 4: this book, this book, you.

728
00:32:21,160 --> 00:32:23,240
Speaker 5: Know, all this stuff, and like I was fucking round

729
00:32:23,320 --> 00:32:26,080
Speaker 5: up because he did this. He did He's known for

730
00:32:26,160 --> 00:32:29,920
Speaker 5: Silver Surfer, but I knew him from Side Force, from

731
00:32:30,160 --> 00:32:34,120
Speaker 5: Ex Mutants and from a few other things that he

732
00:32:34,240 --> 00:32:36,400
Speaker 5: started on and he was like what, I'm like, yeah, man,

733
00:32:36,480 --> 00:32:40,760
Speaker 5: Side Forest, like you know, and he was like, who

734
00:32:40,960 --> 00:32:41,680
Speaker 5: is this dude?

735
00:32:41,720 --> 00:32:46,640
Speaker 4: You know Sie Force bro, Like you fucked me up

736
00:32:46,680 --> 00:32:48,560
Speaker 4: when you came on the sideboards. Like that was but

737
00:32:48,640 --> 00:32:50,000
Speaker 4: you know, it was like one of the moments.

738
00:32:50,000 --> 00:32:52,880
Speaker 5: It was like when I saw lafeld on New Mutants,

739
00:32:52,920 --> 00:32:55,640
Speaker 5: you know, or I've told him at Farlane this, Like

740
00:32:56,000 --> 00:33:00,640
Speaker 5: I never fucked with Spider Man until issues ninety eight

741
00:33:00,680 --> 00:33:03,560
Speaker 5: when I saw McFarlane on Spider Man and all, what

742
00:33:03,600 --> 00:33:04,800
Speaker 5: the fuck is god?

743
00:33:04,880 --> 00:33:09,040
Speaker 2: You know, gave us vum carnage, Like, oh my god, bro.

744
00:33:09,720 --> 00:33:12,719
Speaker 5: I never forgot that moment, like just that first issue

745
00:33:12,720 --> 00:33:14,320
Speaker 5: of how he looked with the webs and shit.

746
00:33:14,400 --> 00:33:15,760
Speaker 4: I was like, oh and that was it.

747
00:33:15,800 --> 00:33:19,240
Speaker 5: I told Matfallane that I didn't like Spider Man before that, right,

748
00:33:19,320 --> 00:33:21,160
Speaker 5: So yeah, I talked to a few cats like that.

749
00:33:21,240 --> 00:33:22,800
Speaker 5: It was it was it was mad fun. But like

750
00:33:22,840 --> 00:33:25,760
Speaker 5: the illership to me was just you know, signing books.

751
00:33:25,800 --> 00:33:27,360
Speaker 5: That was so crazy, Like yeah.

752
00:33:27,160 --> 00:33:28,680
Speaker 2: That's all I was gonna say, like, what was it

753
00:33:28,760 --> 00:33:32,520
Speaker 2: like signing where people like asking you anything crazy or

754
00:33:32,600 --> 00:33:33,960
Speaker 2: they were you know, like, what was it like?

755
00:33:34,800 --> 00:33:36,480
Speaker 4: Not yet?

756
00:33:38,200 --> 00:33:42,120
Speaker 5: I did sign my boy's shirt, the Gucci he had

757
00:33:42,160 --> 00:33:43,680
Speaker 5: the Gucci man Thealorian shirts.

758
00:33:43,960 --> 00:33:46,960
Speaker 4: Oh yeah. He was a fan of the show as well.

759
00:33:47,040 --> 00:33:50,280
Speaker 5: So I signed that And it was just interesting because

760
00:33:50,280 --> 00:33:52,479
Speaker 5: there was people who were lined up waiting for it.

761
00:33:52,480 --> 00:33:55,160
Speaker 5: You know, some people who knew about Mellow, some people

762
00:33:55,240 --> 00:33:57,760
Speaker 5: knew me from the show, some people who were just

763
00:33:57,760 --> 00:34:00,360
Speaker 5: fans of Jimmy Hendrix you know, and knew about the

764
00:34:00,400 --> 00:34:06,560
Speaker 5: book coming out. So that was really cool. But and

765
00:34:06,600 --> 00:34:08,040
Speaker 5: then it was like, you know, after that wed to

766
00:34:08,080 --> 00:34:10,000
Speaker 5: be you know, hey, you want to buy this book

767
00:34:10,000 --> 00:34:12,160
Speaker 5: because people are walk buying things of that nature.

768
00:34:12,280 --> 00:34:14,320
Speaker 4: So that was really fun.

769
00:34:14,360 --> 00:34:18,880
Speaker 5: But I'm still waiting for like the one of the

770
00:34:18,920 --> 00:34:21,320
Speaker 5: best parts of that weekend for me was one of

771
00:34:21,360 --> 00:34:24,759
Speaker 5: the people who came through the media room. She had

772
00:34:24,880 --> 00:34:26,640
Speaker 5: read the book, you know what I mean, and so

773
00:34:26,680 --> 00:34:29,799
Speaker 5: she was sitting there asking questions about particular scenes in

774
00:34:29,840 --> 00:34:34,040
Speaker 5: the book, and that was mind blowing to me. That's

775
00:34:34,080 --> 00:34:37,319
Speaker 5: what I'm still I think. That's when it really like

776
00:34:37,680 --> 00:34:39,880
Speaker 5: you know, k was asking, That's when it really becomes

777
00:34:39,920 --> 00:34:42,319
Speaker 5: real to me, is when there's so much shit. I

778
00:34:42,320 --> 00:34:44,640
Speaker 5: want to talk about that in the book, but I

779
00:34:44,640 --> 00:34:47,560
Speaker 5: don't want to spoil it for people, you know, like

780
00:34:47,640 --> 00:34:50,000
Speaker 5: the themes that I was thinking about, or just like

781
00:34:50,200 --> 00:34:53,640
Speaker 5: there's so many little easter eggs and references I made

782
00:34:53,800 --> 00:34:58,320
Speaker 5: to like from hip hop to music, to movies to

783
00:34:58,560 --> 00:35:02,839
Speaker 5: TV to other cop make some referencing directly, and it's

784
00:35:02,920 --> 00:35:04,759
Speaker 5: just all this type of stuff, And there's all this

785
00:35:05,000 --> 00:35:07,400
Speaker 5: there's a lot of themes, there's a lot of characters

786
00:35:07,440 --> 00:35:10,719
Speaker 5: beyond Jimi Hendrix, there's so much. There's so much I

787
00:35:10,760 --> 00:35:13,280
Speaker 5: poured into this book, that we poured into this book.

788
00:35:13,360 --> 00:35:16,440
Speaker 5: Like Mello has this whole page that tells this story

789
00:35:16,440 --> 00:35:18,400
Speaker 5: that's front of my favorite pages in the book, and

790
00:35:18,440 --> 00:35:20,960
Speaker 5: Tom just fucking murdered it. And so it's like, I

791
00:35:21,000 --> 00:35:22,920
Speaker 5: just want to talk to people about that page, you know,

792
00:35:23,040 --> 00:35:25,960
Speaker 5: but I haven't. I can't do that yet, you know.

793
00:35:27,520 --> 00:35:29,520
Speaker 3: Yeah, that's yeah, I guarantee.

794
00:35:29,600 --> 00:35:31,520
Speaker 2: Yeah, that's gotta be a little frustrating because you do

795
00:35:31,560 --> 00:35:34,160
Speaker 2: want to do all your promotion, but yeah, yeah, I

796
00:35:34,320 --> 00:35:36,040
Speaker 2: want to spoil it because then it's like, well, I'm

797
00:35:36,040 --> 00:35:36,680
Speaker 2: gonna get the book.

798
00:35:36,680 --> 00:35:38,600
Speaker 3: He told me everything that happened already.

799
00:35:38,960 --> 00:35:42,600
Speaker 5: So I feel like, because I'm a fan of Karen,

800
00:35:42,600 --> 00:35:44,520
Speaker 5: I've been Karen Gillen. I've been trying to watch him,

801
00:35:44,520 --> 00:35:47,440
Speaker 5: like he has a new book dropping tomorrow, Power Fantasy.

802
00:35:47,520 --> 00:35:50,560
Speaker 5: I've heard it's fucking fantastic if y'all want to pick

803
00:35:50,600 --> 00:35:55,680
Speaker 5: it up, because I recommend anything he does. Yeah, man,

804
00:35:56,080 --> 00:35:59,120
Speaker 5: look like it's ten years now. I've known him because

805
00:35:59,160 --> 00:36:01,040
Speaker 5: I ten years ago I stood in line to get

806
00:36:01,040 --> 00:36:02,360
Speaker 5: Wicked and Divine signed.

807
00:36:02,400 --> 00:36:03,880
Speaker 4: It was like you have to come off fall.

808
00:36:03,840 --> 00:36:07,640
Speaker 5: Nerds, and since then, you know, that's when mckelvy was like, Yo,

809
00:36:07,800 --> 00:36:09,440
Speaker 5: your interview with him is one of the best of her.

810
00:36:09,520 --> 00:36:11,759
Speaker 5: But that's like we got to you know, we just

811
00:36:11,840 --> 00:36:14,560
Speaker 5: clicked me and that dude fun with him. He's just

812
00:36:14,800 --> 00:36:16,440
Speaker 5: he's just a great person, you know what I mean.

813
00:36:16,480 --> 00:36:18,000
Speaker 5: It's like one of those people you meet who's like

814
00:36:18,120 --> 00:36:20,440
Speaker 5: really a good person, like you're you know, I've been

815
00:36:20,480 --> 00:36:22,200
Speaker 5: a fan of his writing and they're like, oh, you're

816
00:36:22,239 --> 00:36:23,320
Speaker 5: really good.

817
00:36:23,120 --> 00:36:24,400
Speaker 4: Person in real life. That's awesome.

818
00:36:26,360 --> 00:36:27,360
Speaker 3: But it's so nice, so.

819
00:36:30,320 --> 00:36:31,000
Speaker 4: Really nice.

820
00:36:31,520 --> 00:36:33,879
Speaker 5: So yeah, Power Fantasy is out tomorrow. Let me bid

821
00:36:33,920 --> 00:36:38,160
Speaker 5: there one more. You know, he's a real good dude.

822
00:36:38,400 --> 00:36:40,839
Speaker 3: Meet Thanks for noting a piece of ship, bro.

823
00:36:41,000 --> 00:36:44,440
Speaker 2: Thanks don't have to go back on Twitter and delete

824
00:36:44,440 --> 00:36:45,560
Speaker 2: this picture later or nothing.

825
00:36:45,600 --> 00:36:48,279
Speaker 7: That's that's not They always said, don't don't ever meet

826
00:36:48,280 --> 00:36:48,720
Speaker 7: you face.

827
00:36:49,360 --> 00:36:51,759
Speaker 5: Yeah, like Tom King, that's my man, not my man

828
00:36:51,840 --> 00:36:53,080
Speaker 5: so far, you know. But he was nice to me.

829
00:36:53,200 --> 00:36:55,400
Speaker 5: But then I'm like, you're also former CIA, so I

830
00:36:55,400 --> 00:36:56,320
Speaker 5: gotta really eat.

831
00:36:58,520 --> 00:37:01,680
Speaker 4: Really, you know, like, and you being.

832
00:37:01,560 --> 00:37:04,160
Speaker 5: Former CI is to make you impossible to figure out,

833
00:37:04,239 --> 00:37:06,600
Speaker 5: so I'm not to go with it. You're nice when

834
00:37:06,600 --> 00:37:08,440
Speaker 5: I talked to you. You know, you're a very interesting

835
00:37:08,480 --> 00:37:14,439
Speaker 5: person and I love your writing. So yeah that I've

836
00:37:14,440 --> 00:37:16,359
Speaker 5: lost my train of thought about why I was talking

837
00:37:16,360 --> 00:37:17,960
Speaker 5: about hearing and everything.

838
00:37:18,200 --> 00:37:20,440
Speaker 2: Oh, I just you know, I was wondering about meeting

839
00:37:20,440 --> 00:37:24,120
Speaker 2: the people out there and stuff at SDCC and and

840
00:37:24,320 --> 00:37:26,440
Speaker 2: the people that ran into and then like how fans

841
00:37:26,440 --> 00:37:27,759
Speaker 2: were reacting and stuff like that.

842
00:37:27,840 --> 00:37:30,160
Speaker 5: But I like, yeah, that's it, that's still you know,

843
00:37:30,239 --> 00:37:31,719
Speaker 5: That's how I was talking about hearing I'm trying to

844
00:37:31,719 --> 00:37:33,719
Speaker 5: figure out how to promote this ship. But that's all

845
00:37:33,719 --> 00:37:36,560
Speaker 5: I was watching how he's been promoting Power Fantasy. But

846
00:37:36,560 --> 00:37:38,920
Speaker 5: it's certain things I can't do because of the hindreds

847
00:37:38,920 --> 00:37:40,239
Speaker 5: of state. You know, I don't know how to write

848
00:37:40,280 --> 00:37:41,960
Speaker 5: cit this and that, so I had to do anything.

849
00:37:42,040 --> 00:37:44,920
Speaker 5: But like when they dropped that trailer, I was blown away,

850
00:37:45,200 --> 00:37:47,680
Speaker 5: you know, and again I had no control over anything.

851
00:37:47,719 --> 00:37:49,359
Speaker 5: It was like washing the trailer. Here it is man,

852
00:37:49,800 --> 00:37:51,800
Speaker 5: you know, and I'm like, oh shit, this is dope,

853
00:37:51,880 --> 00:37:52,080
Speaker 5: you know.

854
00:37:52,800 --> 00:37:56,600
Speaker 4: So that like it.

855
00:37:56,640 --> 00:37:58,840
Speaker 5: Was like if you can go to my Instagram, you

856
00:37:58,840 --> 00:38:00,799
Speaker 5: can watch my reaction to it. And I swear to

857
00:38:00,880 --> 00:38:03,880
Speaker 5: all that it was. You know, I felt silly because

858
00:38:04,200 --> 00:38:06,719
Speaker 5: I read to normal trailers like that, you know, really high,

859
00:38:06,800 --> 00:38:08,480
Speaker 5: like when a New Star Wars trailer comes out, my

860
00:38:08,520 --> 00:38:11,680
Speaker 5: eyes be bugging out. And it was the same thing

861
00:38:11,680 --> 00:38:14,040
Speaker 5: because it was like I'd never seen my book Moving.

862
00:38:14,120 --> 00:38:15,960
Speaker 5: You know, I've seen these images before, but the way

863
00:38:15,960 --> 00:38:19,080
Speaker 5: they animated it from the moving stuff, it was just crazy.

864
00:38:19,120 --> 00:38:20,920
Speaker 5: And then to see my name up there with Mellow

865
00:38:21,000 --> 00:38:23,120
Speaker 5: and just like I'm like, wow, we did it, you know,

866
00:38:23,200 --> 00:38:25,720
Speaker 5: And here's a trailer August twenty seven. That was another

867
00:38:26,239 --> 00:38:27,759
Speaker 5: big moment cause then I was like, once again, I

868
00:38:27,760 --> 00:38:29,279
Speaker 5: don't feel like they can go back on this.

869
00:38:29,400 --> 00:38:33,080
Speaker 3: Now you can't. Now they're gonna have to tell some

870
00:38:33,120 --> 00:38:37,279
Speaker 3: people they got to give the money back. Yeah, it's

871
00:38:37,320 --> 00:38:38,840
Speaker 3: too round, too many deposits.

872
00:38:39,840 --> 00:38:41,680
Speaker 5: And like I said, when I'm holding it in my

873
00:38:41,880 --> 00:38:44,680
Speaker 5: hands like this, you know, and it's and like I

874
00:38:44,719 --> 00:38:46,640
Speaker 5: was talking to Joe Illiche about that. Man, He's like,

875
00:38:46,680 --> 00:38:48,719
Speaker 5: you know, this is really dope that you're kicking off

876
00:38:48,719 --> 00:38:51,920
Speaker 5: with a hardcover graphic novel like that. You know, you're

877
00:38:51,960 --> 00:38:54,239
Speaker 5: not kicking off with single issues. You know, they're cool

878
00:38:54,280 --> 00:38:56,520
Speaker 5: and all, but this is like something that goes on

879
00:38:56,520 --> 00:38:58,840
Speaker 5: somebody's bookshelf, you know, something coffee table.

880
00:38:59,600 --> 00:39:01,880
Speaker 4: So it's like that's yeah, I'm really proud of you.

881
00:39:01,920 --> 00:39:05,400
Speaker 2: Are you thinking about what's next in that area or

882
00:39:05,440 --> 00:39:07,120
Speaker 2: are you like tired.

883
00:39:06,880 --> 00:39:08,720
Speaker 3: After putting this out? You need a minute?

884
00:39:08,760 --> 00:39:11,480
Speaker 2: Like what what like what kind of things are you

885
00:39:11,480 --> 00:39:13,400
Speaker 2: thinking about next? And I'm sure this opened up your

886
00:39:13,440 --> 00:39:17,200
Speaker 2: eyes to more possibilities of stuff to do, because now

887
00:39:17,360 --> 00:39:19,640
Speaker 2: it's like now you got something under your belt, so

888
00:39:19,680 --> 00:39:21,719
Speaker 2: you can look at other projects and be like, Okay,

889
00:39:21,800 --> 00:39:24,279
Speaker 2: that's how they did that. I could do this, you know.

890
00:39:25,360 --> 00:39:27,800
Speaker 5: Yeah, it definitely gave me confidence that I was like, Okay,

891
00:39:27,800 --> 00:39:30,439
Speaker 5: I could write. You know, I knew I could write,

892
00:39:30,600 --> 00:39:33,000
Speaker 5: and I knew I could write already. I've written on

893
00:39:33,040 --> 00:39:34,799
Speaker 5: TV and stuff. I've had people tell me, you know,

894
00:39:34,880 --> 00:39:37,080
Speaker 5: you can do this, so, you know, people who I've

895
00:39:37,120 --> 00:39:40,799
Speaker 5: really admired, so this and then like reading when I've

896
00:39:40,840 --> 00:39:42,759
Speaker 5: been reading it now, i still haven't sat on the

897
00:39:42,800 --> 00:39:45,319
Speaker 5: Reddit all the way through your whole thing, but I'll

898
00:39:45,360 --> 00:39:47,080
Speaker 5: pick a you know, flip to a page. I'm like, yo,

899
00:39:47,160 --> 00:39:49,400
Speaker 5: that page really worked, you know, like it works, it

900
00:39:49,440 --> 00:39:51,439
Speaker 5: gets you to the next page, et cetera. It tells

901
00:39:51,440 --> 00:39:53,799
Speaker 5: what it needs to tell, all these different things that

902
00:39:53,840 --> 00:39:55,719
Speaker 5: a page needs to do. I'm like, wow, I can

903
00:39:55,760 --> 00:39:58,319
Speaker 5: examine this. You know, as a critic, you'll be like, nah,

904
00:39:58,320 --> 00:40:00,000
Speaker 5: that shit For the most part words and of course

905
00:40:00,000 --> 00:40:01,640
Speaker 5: there's little things where I'm like, ah, you could have

906
00:40:01,680 --> 00:40:04,719
Speaker 5: done that word or that word, you know, but that's just.

907
00:40:04,680 --> 00:40:05,200
Speaker 4: How I am.

908
00:40:05,320 --> 00:40:09,120
Speaker 5: But no, I have two main ideas that I'm working

909
00:40:09,160 --> 00:40:11,560
Speaker 5: on right now as far as like they'd be just

910
00:40:11,680 --> 00:40:14,960
Speaker 5: more creator owned projects, and I would, you know, hopefully

911
00:40:14,960 --> 00:40:18,000
Speaker 5: get them somewhere or kit start them myself.

912
00:40:18,080 --> 00:40:20,840
Speaker 4: It's something. And then.

913
00:40:22,560 --> 00:40:26,520
Speaker 5: At San Diego Comic Con, Janey was definitely mentioning.

914
00:40:26,200 --> 00:40:29,480
Speaker 4: Sequels, so everyone go out and pick this shit up.

915
00:40:29,560 --> 00:40:29,920
Speaker 4: Let's go.

916
00:40:31,080 --> 00:40:34,240
Speaker 5: We're also looking at second printings and things of that nature,

917
00:40:34,360 --> 00:40:36,920
Speaker 5: so you know, we might sell out of the first printing.

918
00:40:37,000 --> 00:40:38,880
Speaker 5: So I also say go out and get you know

919
00:40:38,920 --> 00:40:41,799
Speaker 5: yourself a copy because these are two things I've been

920
00:40:41,880 --> 00:40:43,640
Speaker 5: not know about it. I found it both out of

921
00:40:43,640 --> 00:40:47,080
Speaker 5: San Diego Comic Con, and I knew I've been promoting

922
00:40:47,080 --> 00:40:48,799
Speaker 5: it crazy, and I knew we were doing pretty well,

923
00:40:48,920 --> 00:40:51,360
Speaker 5: especially for being a hardcover graphic novel. And I know

924
00:40:51,520 --> 00:40:55,359
Speaker 5: Jimmy has his own inbuilt face fan base, and I

925
00:40:55,400 --> 00:40:57,840
Speaker 5: know Mellow, you know, through Blade Runner has sold a

926
00:40:57,840 --> 00:41:00,319
Speaker 5: bunch of Blade Runner book so he's now become pretty

927
00:41:00,320 --> 00:41:02,640
Speaker 5: popular comic book writer. So it has a lot of

928
00:41:02,640 --> 00:41:05,160
Speaker 5: things in his favorite and tom Man traits also legend,

929
00:41:05,640 --> 00:41:06,840
Speaker 5: and it's the first of its kind.

930
00:41:06,880 --> 00:41:07,680
Speaker 4: You know, Hindreds of.

931
00:41:07,680 --> 00:41:11,399
Speaker 5: State is very strict with who they allowed to do anything, right,

932
00:41:11,600 --> 00:41:15,480
Speaker 5: and so you know, this is like monumental and bigger

933
00:41:15,520 --> 00:41:17,719
Speaker 5: than I even know really because it's things that you know,

934
00:41:17,760 --> 00:41:20,680
Speaker 5: I'm not taking any consideration about where it'll go in

935
00:41:20,719 --> 00:41:24,279
Speaker 5: all those things. So yeah, they're talking about sequels, and

936
00:41:24,320 --> 00:41:29,640
Speaker 5: I we it's a it's a complete story, i'd say,

937
00:41:29,719 --> 00:41:34,399
Speaker 5: but I would say it's like, like I was thinking

938
00:41:34,400 --> 00:41:36,439
Speaker 5: about it today, I would describe it as like a Star

939
00:41:36,480 --> 00:41:39,080
Speaker 5: Wars a New Hope, you know where that's like the

940
00:41:39,280 --> 00:41:42,920
Speaker 5: fourth part of a story. But it's a complete story

941
00:41:42,960 --> 00:41:47,280
Speaker 5: in itself, right, But we're you're jumping into the middle

942
00:41:47,280 --> 00:41:49,480
Speaker 5: of the story and I know where it started before that,

943
00:41:49,560 --> 00:41:51,719
Speaker 5: and I know where it goes after this. So yeah,

944
00:41:51,719 --> 00:41:53,640
Speaker 5: I would love to write both of those, you know.

945
00:41:53,920 --> 00:41:55,040
Speaker 3: Yeah, that's yeah, that's what's up.

946
00:41:55,080 --> 00:41:57,080
Speaker 2: Man. Sometimes drop people in the middle of the story

947
00:41:57,200 --> 00:41:58,880
Speaker 2: is like the best because it makes.

948
00:41:58,760 --> 00:42:02,080
Speaker 4: It oh yeah, yeah, yeah, no, yeah.

949
00:42:02,000 --> 00:42:05,680
Speaker 7: And it's gonna be fun reading it.

950
00:42:05,760 --> 00:42:08,279
Speaker 6: And also it's one of those things as somebody who

951
00:42:09,200 --> 00:42:12,000
Speaker 6: is on the audio side, have y'all ever considered doing

952
00:42:12,040 --> 00:42:15,319
Speaker 6: like audio comics because those are very very popular, and

953
00:42:15,360 --> 00:42:19,200
Speaker 6: there are so much fun like like those are a ball.

954
00:42:20,160 --> 00:42:22,359
Speaker 5: There's so much stuff like with this that I would

955
00:42:22,360 --> 00:42:24,479
Speaker 5: love to see. Don Like they were also talking about

956
00:42:24,480 --> 00:42:27,400
Speaker 5: an animated series, you know, things of that nature would

957
00:42:27,440 --> 00:42:32,319
Speaker 5: just you know, I'd lose it, you know, like yeah, yeah,

958
00:42:32,400 --> 00:42:34,319
Speaker 5: so yeah, an audio I didn't until you said that,

959
00:42:34,400 --> 00:42:35,879
Speaker 5: I did not think of an audio comic.

960
00:42:36,040 --> 00:42:39,400
Speaker 6: Hell, use, I assume theres a lot and like the Batman,

961
00:42:39,719 --> 00:42:43,920
Speaker 6: Marvel like all that stuff, and and man, when I

962
00:42:44,000 --> 00:42:46,840
Speaker 6: tell you, because me and Rogers is actually voice acting,

963
00:42:46,880 --> 00:42:48,920
Speaker 6: so that's what made me think that you already have

964
00:42:48,960 --> 00:42:52,120
Speaker 6: your words written down, you know type of things, so

965
00:42:52,200 --> 00:42:55,200
Speaker 6: it's just like the voice acting and like the sounds

966
00:42:55,360 --> 00:42:57,080
Speaker 6: like it would actually be beautiful.

967
00:42:57,920 --> 00:43:02,480
Speaker 5: Yeah, and having the because we had the rights to

968
00:43:02,560 --> 00:43:05,279
Speaker 5: his music in the comic, so we use a lot

969
00:43:05,360 --> 00:43:08,320
Speaker 5: of his lyrics in different ways throughout the comics.

970
00:43:08,320 --> 00:43:10,280
Speaker 4: So to actually be to use those.

971
00:43:10,120 --> 00:43:12,919
Speaker 5: Songs, wow, the voice version of it would be really

972
00:43:12,920 --> 00:43:16,560
Speaker 5: dope because they're like, oh yeah, that's one thing that

973
00:43:16,600 --> 00:43:19,200
Speaker 5: me and man Drake and Melow we wially collaborated on,

974
00:43:19,280 --> 00:43:23,040
Speaker 5: like how the music looks on page because I didn't

975
00:43:23,040 --> 00:43:27,840
Speaker 5: want to do the stereotypical or cliche, little floating notes

976
00:43:27,880 --> 00:43:30,640
Speaker 5: and stuff like that. You know, I just saw comic

977
00:43:30,680 --> 00:43:32,640
Speaker 5: with that in the other day. I'm reading this tomic

978
00:43:32,719 --> 00:43:34,360
Speaker 5: right now and it's a good ass comic.

979
00:43:34,239 --> 00:43:35,960
Speaker 3: Right hey.

980
00:43:36,040 --> 00:43:38,799
Speaker 2: But that's that's that's that's the part about knowing how

981
00:43:38,840 --> 00:43:42,279
Speaker 2: the sausage is made, right, because now now you you

982
00:43:42,280 --> 00:43:45,240
Speaker 2: will never consume anything the same again, because you're gonna

983
00:43:45,320 --> 00:43:47,279
Speaker 2: forever be able to see the pinstrokes, right.

984
00:43:48,120 --> 00:43:48,920
Speaker 3: It definitely happens.

985
00:43:49,200 --> 00:43:50,839
Speaker 2: Like if I watched The Daily Show and I see

986
00:43:50,880 --> 00:43:52,839
Speaker 2: a monologue, I'll be like, nah, they could have did

987
00:43:52,880 --> 00:43:54,560
Speaker 2: this with that one, or they could.

988
00:43:54,400 --> 00:43:57,320
Speaker 3: Have you know this, they should have tagged this two times.

989
00:43:57,360 --> 00:43:59,080
Speaker 3: They tagged it three. That's too many.

990
00:43:59,120 --> 00:44:00,920
Speaker 2: You know, little stuff like that that I wouldn't have

991
00:44:00,960 --> 00:44:03,360
Speaker 2: thought about before. And I feel like with a comic,

992
00:44:04,080 --> 00:44:06,640
Speaker 2: you because you want to challenge yourself to think outside

993
00:44:06,640 --> 00:44:09,279
Speaker 2: the box, and it's like, oh no, don't go with

994
00:44:09,360 --> 00:44:12,400
Speaker 2: music notes, go with this, And then you know, you

995
00:44:12,400 --> 00:44:13,959
Speaker 2: see somebody go with music notes, you'd.

996
00:44:13,840 --> 00:44:15,440
Speaker 3: Be like, I guess they could think of it. I

997
00:44:15,440 --> 00:44:16,880
Speaker 3: guess they didn't see it like me.

998
00:44:17,840 --> 00:44:20,439
Speaker 5: Yeah, it is because that was one of the first

999
00:44:20,440 --> 00:44:23,440
Speaker 5: things I googled. Honestly, I googled, you know, like I

1000
00:44:23,560 --> 00:44:26,000
Speaker 5: read wikrom and Divine. I read certain comments that had

1001
00:44:26,080 --> 00:44:27,600
Speaker 5: music in them, but I was like, Okay, let me

1002
00:44:27,680 --> 00:44:30,280
Speaker 5: read as many comics as I can that have music

1003
00:44:30,320 --> 00:44:32,319
Speaker 5: in them, so I can see how different people approached it.

1004
00:44:32,680 --> 00:44:35,120
Speaker 5: And one I really big up is uh this gym

1005
00:44:35,160 --> 00:44:37,879
Speaker 5: in the Holograms comic from I want to say it's

1006
00:44:37,880 --> 00:44:43,640
Speaker 5: like six seven years ago now. It was incredible that yeah,

1007
00:44:43,719 --> 00:44:45,839
Speaker 5: you need to this motherfucker was so good.

1008
00:44:48,040 --> 00:44:49,759
Speaker 4: It was incredible.

1009
00:44:49,800 --> 00:44:52,279
Speaker 5: And the way they did music, like you could look

1010
00:44:52,280 --> 00:44:54,520
Speaker 5: at the page and tell what type of song it was,

1011
00:44:55,040 --> 00:44:57,759
Speaker 5: you know, it was stupid, Like I was blown away

1012
00:44:57,800 --> 00:45:01,000
Speaker 5: by that gym. And then recently there's a David's book

1013
00:45:01,040 --> 00:45:03,719
Speaker 5: to drop like last year or this year, and the

1014
00:45:03,880 --> 00:45:07,040
Speaker 5: artist wrote andrew it and he did some silly shit

1015
00:45:07,600 --> 00:45:10,520
Speaker 5: with how he's portraying miles and songs on page. So

1016
00:45:10,560 --> 00:45:13,719
Speaker 5: people are really doing really dope stuff. But then to me,

1017
00:45:13,760 --> 00:45:18,880
Speaker 5: it's also just like, you know, and I can compare

1018
00:45:18,920 --> 00:45:22,040
Speaker 5: it to rap, like you can rap technically, you know,

1019
00:45:22,200 --> 00:45:26,960
Speaker 5: with all kinds of interior references and interior rhyme schemes

1020
00:45:27,000 --> 00:45:29,399
Speaker 5: and just like that, like bid Daddy camee someone like that,

1021
00:45:29,719 --> 00:45:32,040
Speaker 5: you know, who's rhyming at the top and bottom of

1022
00:45:32,040 --> 00:45:34,880
Speaker 5: the sentence and in the middle of the sentence. Or

1023
00:45:34,920 --> 00:45:37,279
Speaker 5: you can rap like someone like too short, who ain't

1024
00:45:37,320 --> 00:45:40,160
Speaker 5: doing none of that, and you can get your point across.

1025
00:45:40,239 --> 00:45:43,680
Speaker 5: And I like a combination of those things. And especially

1026
00:45:43,680 --> 00:45:46,720
Speaker 5: in my writing and in my you know, anything I create,

1027
00:45:46,800 --> 00:45:49,399
Speaker 5: I like to make it where it's like it's both

1028
00:45:49,440 --> 00:45:51,480
Speaker 5: of those things. Like I think we did a really

1029
00:45:51,560 --> 00:45:53,719
Speaker 5: dope way of expressing music on the page. But at

1030
00:45:53,760 --> 00:45:55,319
Speaker 5: the same time, I was really just like, let me

1031
00:45:55,360 --> 00:45:57,160
Speaker 5: get this point across, you know, and let me get

1032
00:45:57,160 --> 00:45:59,960
Speaker 5: this story told and hopefully you know, hit you in

1033
00:46:00,080 --> 00:46:02,000
Speaker 5: the head with emotion and things of that nature.

1034
00:46:02,440 --> 00:46:07,560
Speaker 2: All right, Well, look, Jimmy Hendrix Purple Haze August twenty seventh.

1035
00:46:07,719 --> 00:46:09,920
Speaker 3: Pre order it everywhere you get books.

1036
00:46:10,280 --> 00:46:12,279
Speaker 2: So like I went to the site, it's a link

1037
00:46:12,360 --> 00:46:14,440
Speaker 2: to every place it was places on that I didn't know,

1038
00:46:14,840 --> 00:46:18,399
Speaker 2: soul books. That's how I dope. Order yours, make sure

1039
00:46:18,400 --> 00:46:20,279
Speaker 2: you get it. Let's sell this joint out. Let's get

1040
00:46:20,520 --> 00:46:21,560
Speaker 2: to that second printing.

1041
00:46:22,040 --> 00:46:24,320
Speaker 3: You know what I'm saying. Let's get Jimmy Hendrix Part two.

1042
00:46:24,239 --> 00:46:27,720
Speaker 2: Let's make let's make being part of the machine audio books.

1043
00:46:27,760 --> 00:46:29,520
Speaker 7: I'm in for the audio books child.

1044
00:46:29,680 --> 00:46:31,759
Speaker 3: Yes, I want to get to a point where we'd

1045
00:46:31,760 --> 00:46:33,680
Speaker 3: be like, yo, another Jimmy Hendrix book.

1046
00:46:33,800 --> 00:46:37,600
Speaker 2: Wow, being really just then yeah, he got the he

1047
00:46:37,680 --> 00:46:40,000
Speaker 2: got the Jimmy Cinematic Universe.

1048
00:46:40,080 --> 00:46:42,480
Speaker 4: Let's go Yeah.

1049
00:46:41,200 --> 00:46:44,560
Speaker 5: Yeah, I would love to see it because, like I said,

1050
00:46:44,560 --> 00:46:47,719
Speaker 5: we created a whole universe. Like when I told a

1051
00:46:47,719 --> 00:46:49,880
Speaker 5: friend of mine the whole story, you know, I just

1052
00:46:49,920 --> 00:46:51,920
Speaker 5: sat there and told them the story of what happens

1053
00:46:51,960 --> 00:46:52,840
Speaker 5: in the strapher novel.

1054
00:46:53,239 --> 00:46:55,200
Speaker 4: They're like, well, you know that ain't the end, right.

1055
00:46:55,719 --> 00:46:57,759
Speaker 5: I'm like, I know, but you know it's the end

1056
00:46:57,760 --> 00:47:01,480
Speaker 5: of this chapter right, novel, But that's obvious and at

1057
00:47:01,480 --> 00:47:03,799
Speaker 5: the end, like there's a whole you know, we put

1058
00:47:03,840 --> 00:47:06,120
Speaker 5: a lot of works in the creating a whole universe

1059
00:47:06,280 --> 00:47:09,680
Speaker 5: around Jimmy and what's happening in this universe. And like

1060
00:47:09,760 --> 00:47:13,359
Speaker 5: Rod said, you know, to people, it's hard to even

1061
00:47:13,360 --> 00:47:15,439
Speaker 5: describe to people what this is. For most people when

1062
00:47:15,440 --> 00:47:18,680
Speaker 5: they hear Jimmy Henderson like, oh, okay, so you know Jimmy,

1063
00:47:19,080 --> 00:47:21,000
Speaker 5: you know, going through his life on Earth, and it's

1064
00:47:21,000 --> 00:47:21,520
Speaker 5: none of that.

1065
00:47:23,120 --> 00:47:25,319
Speaker 2: The best word the best word I could think of

1066
00:47:25,400 --> 00:47:30,279
Speaker 2: to describe it is cosmic, And I mean, yeah, the nerdiest,

1067
00:47:30,480 --> 00:47:33,680
Speaker 2: like silver surfing ass version of cos.

1068
00:47:34,280 --> 00:47:35,080
Speaker 3: That's how I mean.

1069
00:47:35,320 --> 00:47:39,880
Speaker 2: So like, like I was immediately drawn in, Like, and

1070
00:47:39,920 --> 00:47:42,040
Speaker 2: I'm not saying this in a funny way. It reminded

1071
00:47:42,080 --> 00:47:44,279
Speaker 2: me a bit of like Rick and Morty, how like

1072
00:47:44,840 --> 00:47:47,280
Speaker 2: Rick and Morty will have a concept, but the whole

1073
00:47:47,320 --> 00:47:50,440
Speaker 2: concept is just an allegory for like a different type

1074
00:47:50,440 --> 00:47:53,280
Speaker 2: of thing. And it's like it's that it's that level

1075
00:47:53,360 --> 00:47:56,319
Speaker 2: deep to me of like, oh no, this is more

1076
00:47:56,400 --> 00:47:59,120
Speaker 2: than just like, oh, here's some songs he made, Here's

1077
00:47:59,120 --> 00:48:01,840
Speaker 2: what his life was like. Nah, this is an entire galaxy,

1078
00:48:01,840 --> 00:48:05,040
Speaker 2: a universe of imagination you're about to enter. So and

1079
00:48:05,120 --> 00:48:07,640
Speaker 2: Jimmy's just the gateway in Like this story is just

1080
00:48:08,120 --> 00:48:09,960
Speaker 2: like it's gonna make you want to know more about

1081
00:48:10,000 --> 00:48:12,319
Speaker 2: the rest of the Lord in this universe. So like

1082
00:48:12,719 --> 00:48:16,560
Speaker 2: it's such a it's such a hefty undertaking and to

1083
00:48:16,560 --> 00:48:18,759
Speaker 2: be able to like have the creative team to make

1084
00:48:18,800 --> 00:48:19,480
Speaker 2: that come to life.

1085
00:48:19,560 --> 00:48:22,560
Speaker 3: Man, I don't mean to be patronizable.

1086
00:48:22,600 --> 00:48:24,279
Speaker 2: I'm proud of you, you know what I'm saying, Because I'm like,

1087
00:48:24,719 --> 00:48:26,480
Speaker 2: I'm like, yo, I've been out here.

1088
00:48:26,360 --> 00:48:31,320
Speaker 6: Doing it, yes, And the thing is being I call myself.

1089
00:48:31,360 --> 00:48:33,880
Speaker 6: I'm always the quote unquote silent cheerleader.

1090
00:48:34,760 --> 00:48:35,480
Speaker 3: I'll watch you.

1091
00:48:36,320 --> 00:48:41,920
Speaker 6: I watch all everything y'all do, and I always cheer.

1092
00:48:42,040 --> 00:48:46,520
Speaker 6: I always cheer from afar. And so just because I

1093
00:48:46,520 --> 00:48:49,160
Speaker 6: don't always like popping your face and popping the townline,

1094
00:48:49,280 --> 00:48:53,560
Speaker 6: just just know that I am really cheering. And I

1095
00:48:53,600 --> 00:48:57,399
Speaker 6: am so proud of you. I've got my niece your

1096
00:48:57,440 --> 00:49:00,520
Speaker 6: book years ago. Do you know she just she just

1097
00:49:00,560 --> 00:49:03,759
Speaker 6: turned eighteen years old. I got this for her. She

1098
00:49:03,960 --> 00:49:07,560
Speaker 6: was a small child. Yeah, and so I think about

1099
00:49:07,560 --> 00:49:10,399
Speaker 6: that book every now, and I do. I think about

1100
00:49:10,400 --> 00:49:10,719
Speaker 6: that book.

1101
00:49:10,760 --> 00:49:12,839
Speaker 7: I was like, oh, yeah, my boy wrote this book.

1102
00:49:12,920 --> 00:49:15,279
Speaker 6: I know that my sound silly, but I really do

1103
00:49:15,440 --> 00:49:17,880
Speaker 6: think about that, and it makes me proud, you know,

1104
00:49:18,000 --> 00:49:20,640
Speaker 6: because I was like, this is something that you had

1105
00:49:20,640 --> 00:49:22,680
Speaker 6: a dream, you had a vision, and.

1106
00:49:22,560 --> 00:49:23,520
Speaker 3: You executed it.

1107
00:49:23,640 --> 00:49:25,759
Speaker 6: A lot of people have dreams of visions, they don't

1108
00:49:25,760 --> 00:49:27,319
Speaker 6: have the wather with thought to execute it.

1109
00:49:27,560 --> 00:49:29,080
Speaker 3: So just because you went.

1110
00:49:29,000 --> 00:49:31,920
Speaker 6: Through with it is an accomplishment of itself, regardless of

1111
00:49:31,960 --> 00:49:35,080
Speaker 6: anything that happens beyond this point. So I'm just very

1112
00:49:35,120 --> 00:49:37,120
Speaker 6: proud of you, sweetie, and I just wish you the

1113
00:49:37,160 --> 00:49:38,440
Speaker 6: best on this baby.

1114
00:49:39,239 --> 00:49:40,640
Speaker 4: Well, thank you so much, Chazzar.

1115
00:49:40,840 --> 00:49:42,960
Speaker 5: You know, like me and Tytown on foreign ice, we

1116
00:49:42,960 --> 00:49:45,359
Speaker 5: always talk about y'all as well. You know, we've been

1117
00:49:45,400 --> 00:49:47,200
Speaker 5: saying that y'all and y'all with some of our biggest

1118
00:49:47,200 --> 00:49:50,520
Speaker 5: supporters and not only that, just people that we really support.

1119
00:49:50,520 --> 00:49:50,680
Speaker 4: You know.

1120
00:49:50,719 --> 00:49:52,560
Speaker 5: It's like it's like with Kieren Gillen. You know, you

1121
00:49:52,560 --> 00:49:54,319
Speaker 5: meet someone you're like, oh, you're really a good dude.

1122
00:49:54,360 --> 00:49:56,799
Speaker 5: You know, it's like, you know, and it's funny, Rob.

1123
00:49:56,800 --> 00:49:58,960
Speaker 5: We still not met a person, have we, Yo?

1124
00:49:59,080 --> 00:50:07,360
Speaker 3: We haven't no whoa damn? I literally just sure have not.

1125
00:50:07,480 --> 00:50:08,919
Speaker 3: You blew my mind just now.

1126
00:50:09,560 --> 00:50:12,520
Speaker 2: I don't think in my in my head like when

1127
00:50:12,560 --> 00:50:14,040
Speaker 2: I was in New York. In my head, I met

1128
00:50:14,080 --> 00:50:18,040
Speaker 2: him in Tatiana like twelve. I think he was just

1129
00:50:18,040 --> 00:50:21,560
Speaker 2: skyping and ship or whatever, like yeah, damn, I was

1130
00:50:21,640 --> 00:50:22,240
Speaker 2: up there working.

1131
00:50:22,360 --> 00:50:27,239
Speaker 5: I'm not gonna front New York or the top of

1132
00:50:27,239 --> 00:50:29,080
Speaker 5: the city like you know, you can be in it.

1133
00:50:29,440 --> 00:50:30,440
Speaker 4: Like my man, Young.

1134
00:50:30,280 --> 00:50:32,359
Speaker 5: Giru, that's my brother. You know, he's super bitch, he's

1135
00:50:32,360 --> 00:50:34,440
Speaker 5: super busy, But that's my brother. He's been here like

1136
00:50:34,480 --> 00:50:36,600
Speaker 5: two four five years. I think now I ain't seen

1137
00:50:36,640 --> 00:50:38,600
Speaker 5: him once in New York, you know, like.

1138
00:50:38,600 --> 00:50:40,879
Speaker 2: Because you're not You're not just gonna see each other

1139
00:50:40,920 --> 00:50:44,080
Speaker 2: in the store, like you gotta like live on the

1140
00:50:44,080 --> 00:50:45,359
Speaker 2: same block for that kind of ship.

1141
00:50:45,480 --> 00:50:46,960
Speaker 3: Like I didn't. I didn't.

1142
00:50:47,200 --> 00:50:50,440
Speaker 2: I didn't randomly run into anybody I know, and when

1143
00:50:50,480 --> 00:50:52,279
Speaker 2: I was in New York, and I was in Manhattan too,

1144
00:50:52,400 --> 00:50:56,279
Speaker 2: so like that's not even really like everybody don't live

1145
00:50:56,320 --> 00:50:56,680
Speaker 2: down there.

1146
00:50:56,680 --> 00:50:59,839
Speaker 3: That's why what a rich, creative motherfucker's live.

1147
00:51:00,080 --> 00:51:00,279
Speaker 5: Shit.

1148
00:51:00,800 --> 00:51:02,960
Speaker 3: So it was just like I was just going back

1149
00:51:03,000 --> 00:51:06,040
Speaker 3: to the apartment and chilling. But man, yeah, look at York.

1150
00:51:06,080 --> 00:51:08,319
Speaker 5: The other thing, if you walk the streets long enough,

1151
00:51:08,360 --> 00:51:10,239
Speaker 5: you'll see everyone, you know.

1152
00:51:10,560 --> 00:51:12,240
Speaker 4: You know, it's.

1153
00:51:13,040 --> 00:51:15,560
Speaker 5: Yeah, it just if you walk the streets, you know

1154
00:51:15,600 --> 00:51:17,480
Speaker 5: you'll see everyone. If you've seen your house office, you'll

1155
00:51:17,480 --> 00:51:18,920
Speaker 5: see no one. But if you walk the street for

1156
00:51:19,400 --> 00:51:21,520
Speaker 5: a couple of days, you'll see everybody in their mama

1157
00:51:21,560 --> 00:51:25,000
Speaker 5: and people you had no idea, you know, this neighborhood.

1158
00:51:24,640 --> 00:51:26,520
Speaker 4: Like everybody and their mama.

1159
00:51:26,600 --> 00:51:29,239
Speaker 5: So but no, you know, like I was saying, it's

1160
00:51:29,239 --> 00:51:32,520
Speaker 5: just thank you because you know, we're big fans of

1161
00:51:32,600 --> 00:51:35,480
Speaker 5: y'alls as well, and just just love to love and.

1162
00:51:35,560 --> 00:51:38,239
Speaker 2: Respect is mutual, bro, it is baby. Now I want

1163
00:51:38,239 --> 00:51:40,400
Speaker 2: to talk to you about some nerve stuff too. Okay,

1164
00:51:40,440 --> 00:51:43,239
Speaker 2: but I'm gonna play some commercial music right now so

1165
00:51:43,320 --> 00:51:45,560
Speaker 2: that I'll know later to go in here and throw

1166
00:51:45,719 --> 00:51:48,279
Speaker 2: at in So give me about twenty five seconds. Sip

1167
00:51:48,320 --> 00:51:51,680
Speaker 2: your water, everybody, everybody.

1168
00:52:02,440 --> 00:52:04,120
Speaker 4: I gotta answer somebody's question.

1169
00:52:05,520 --> 00:52:06,040
Speaker 3: I got you.

1170
00:52:14,320 --> 00:52:18,040
Speaker 2: All right, We're back. You said you had a question,

1171
00:52:18,400 --> 00:52:19,239
Speaker 2: uh in the chat.

1172
00:52:20,320 --> 00:52:25,360
Speaker 4: Yeah, Mary asked which which song?

1173
00:52:26,000 --> 00:52:27,960
Speaker 5: Because before when I was talking about when I was DJing,

1174
00:52:27,960 --> 00:52:30,320
Speaker 5: and you know, like you made the wrong choice.

1175
00:52:30,719 --> 00:52:31,560
Speaker 4: And that's so funny.

1176
00:52:31,560 --> 00:52:34,440
Speaker 5: I always tell people, man, I've seen the biggest songs

1177
00:52:34,440 --> 00:52:37,200
Speaker 5: in the world be the wrong choice, especially when they

1178
00:52:37,280 --> 00:52:39,720
Speaker 5: first come out, especially back in the day when radio

1179
00:52:39,800 --> 00:52:43,759
Speaker 5: really determined everything. Yes, like I used to play I

1180
00:52:44,080 --> 00:52:46,399
Speaker 5: mean the one that was like that will blow people's mind.

1181
00:52:46,440 --> 00:52:48,680
Speaker 5: It was before r Kelly became strum Bad. R Kelly

1182
00:52:48,800 --> 00:52:53,040
Speaker 5: was jay z Fis the remix Oh my weekend, the

1183
00:52:53,120 --> 00:52:55,759
Speaker 5: weekend I got that final. I was playing it after

1184
00:52:55,800 --> 00:52:57,600
Speaker 5: the show. It was after I mean, I remember having

1185
00:52:57,600 --> 00:52:59,959
Speaker 5: before analyze we're in the crib losing on mind.

1186
00:53:00,080 --> 00:53:01,520
Speaker 4: You know, we get the minding. We're in the crib like,

1187
00:53:01,560 --> 00:53:04,440
Speaker 4: oh my god, Jay did it again. Nigga remixed Fiesta

1188
00:53:04,520 --> 00:53:07,600
Speaker 4: the original was already crazy. This is fucking out, you know.

1189
00:53:07,840 --> 00:53:10,480
Speaker 5: Go to the club that night, clear the damn floor,

1190
00:53:11,120 --> 00:53:15,000
Speaker 5: immediately clear to day booing me. A woman came up

1191
00:53:15,000 --> 00:53:17,799
Speaker 5: to me, what is this song you're playing? I was like,

1192
00:53:17,800 --> 00:53:19,600
Speaker 5: in two weeks, it's your favorite song. Get the hell

1193
00:53:19,640 --> 00:53:23,160
Speaker 5: out of here, right. They don't know if it's just

1194
00:53:23,160 --> 00:53:24,719
Speaker 5: how it is, you know. It's like if you don't

1195
00:53:24,760 --> 00:53:27,360
Speaker 5: know something unless you're one of those people. I remember

1196
00:53:27,360 --> 00:53:29,920
Speaker 5: when I saw the Rain Missy Elliott. I was on

1197
00:53:29,960 --> 00:53:32,600
Speaker 5: the dam floor and just DJ played it and it

1198
00:53:32,680 --> 00:53:34,319
Speaker 5: was like the sea part of around me, the way

1199
00:53:34,400 --> 00:53:36,680
Speaker 5: niggas rush the bar, you know, and I'm just standing

1200
00:53:36,719 --> 00:53:38,399
Speaker 5: in the middle of the dance floor like what the

1201
00:53:38,600 --> 00:53:42,840
Speaker 5: fuck just the crap song in my life, you know,

1202
00:53:43,040 --> 00:53:45,680
Speaker 5: And everyone was just like, what the fuck is this bullshit?

1203
00:53:45,800 --> 00:53:48,239
Speaker 5: You know, because they've never heard it before. But you know,

1204
00:53:48,239 --> 00:53:50,319
Speaker 5: I'm a DJ. When I hear new shit, I'm like, oh,

1205
00:53:51,160 --> 00:53:52,399
Speaker 5: they were just like, fuck out of here.

1206
00:53:52,640 --> 00:53:56,319
Speaker 2: Also, like it's interesting because like a good set versus

1207
00:53:56,360 --> 00:54:00,120
Speaker 2: a bad set depends on something moving factors. Yes, one

1208
00:54:00,160 --> 00:54:03,200
Speaker 2: of the best parties I ever went to was Fairvuel

1209
00:54:03,280 --> 00:54:07,600
Speaker 2: State homecoming my freshman year and uh uh DJ K

1210
00:54:07,800 --> 00:54:13,160
Speaker 2: Capri did it and it was like, yeah, he was

1211
00:54:13,200 --> 00:54:16,200
Speaker 2: in the zone like he was, he was and everything

1212
00:54:16,920 --> 00:54:18,920
Speaker 2: and stuff that I thought was like a deep cut.

1213
00:54:19,040 --> 00:54:21,359
Speaker 2: He was playing and everybody knew it, and I was like,

1214
00:54:21,640 --> 00:54:24,640
Speaker 2: maybe camp blow sparkling is not a deep cut.

1215
00:54:24,680 --> 00:54:28,040
Speaker 3: Maybe I thought I was in my room. Everyone liked it.

1216
00:54:28,160 --> 00:54:32,080
Speaker 2: And then the homie Bomardy Jones, he got a story

1217
00:54:32,080 --> 00:54:34,879
Speaker 2: about Kid Capri ruining a party where he's like, I've

1218
00:54:34,880 --> 00:54:36,960
Speaker 2: never I'll never go to another party.

1219
00:54:37,000 --> 00:54:39,719
Speaker 3: I'm like, I don't even know what like like that.

1220
00:54:40,320 --> 00:54:42,040
Speaker 3: It just be like that some days.

1221
00:54:41,800 --> 00:54:46,480
Speaker 5: I guess because Kid don't play. Like even then, it's

1222
00:54:46,520 --> 00:54:48,439
Speaker 5: not very where you can dance. So if you look

1223
00:54:48,440 --> 00:54:50,960
Speaker 5: at the dance and groove, it ain't happening because Kid

1224
00:54:51,000 --> 00:54:53,520
Speaker 5: is playing one record, yelling and streaming and then playing

1225
00:54:53,520 --> 00:54:54,200
Speaker 5: another one. Yep.

1226
00:54:54,280 --> 00:54:56,319
Speaker 4: But if you're looking to have your mind blown and

1227
00:54:56,360 --> 00:54:56,799
Speaker 4: be like I.

1228
00:54:56,719 --> 00:54:59,680
Speaker 5: Can't believe this nude played all this shit, yeah, then

1229
00:55:00,080 --> 00:55:02,480
Speaker 5: head back then with something like that was he was

1230
00:55:02,520 --> 00:55:04,600
Speaker 5: the first reason like I used to DJ and never

1231
00:55:04,640 --> 00:55:07,520
Speaker 5: say a word, never say a goddamn.

1232
00:55:07,080 --> 00:55:10,440
Speaker 4: Word, you know. And then one night I went.

1233
00:55:10,320 --> 00:55:12,200
Speaker 5: And saw kid and I was like, yo, he's great,

1234
00:55:12,520 --> 00:55:15,280
Speaker 5: but he's the only one of the big differences here

1235
00:55:15,960 --> 00:55:18,120
Speaker 5: is that I'm not talking and he is. And so

1236
00:55:18,280 --> 00:55:20,800
Speaker 5: after that I went and started talking like crazy, because

1237
00:55:21,520 --> 00:55:23,080
Speaker 5: you know, you got to be able to do it.

1238
00:55:23,080 --> 00:55:26,440
Speaker 5: It's just still you know, to have But yeah, answer

1239
00:55:26,600 --> 00:55:28,719
Speaker 5: the answer that question is I've seen many a song

1240
00:55:29,320 --> 00:55:31,120
Speaker 5: clear to damn floor and be the wrong choice.

1241
00:55:31,160 --> 00:55:32,440
Speaker 4: You know, you would think.

1242
00:55:32,280 --> 00:55:35,719
Speaker 5: It's the greatest choice in the world, and it's just like, yeah,

1243
00:55:35,719 --> 00:55:38,040
Speaker 5: it's pitching. You know, it's like, oh, well that didn't work.

1244
00:55:38,880 --> 00:55:41,359
Speaker 5: And also and me digging his prayer to play something else.

1245
00:55:41,640 --> 00:55:43,520
Speaker 6: It has to be hard for a DJ because you

1246
00:55:43,560 --> 00:55:46,439
Speaker 6: have to take a consideration age. You have to take

1247
00:55:46,440 --> 00:55:49,040
Speaker 6: a consideration, you know, you know, like like the like

1248
00:55:49,120 --> 00:55:52,279
Speaker 6: the vibe of the room, because you know, there's some

1249
00:55:52,440 --> 00:55:55,600
Speaker 6: songs that you can play for older crowd than younger people,

1250
00:55:55,719 --> 00:55:57,600
Speaker 6: like what the fuck is this? Then there's some shit

1251
00:55:57,680 --> 00:55:59,719
Speaker 6: you could play for for oh, you know.

1252
00:55:59,760 --> 00:56:00,399
Speaker 3: Vice versa.

1253
00:56:00,440 --> 00:56:03,360
Speaker 6: What they'd be like, child, They were like, if we

1254
00:56:03,400 --> 00:56:05,279
Speaker 6: ain't two stepping, I don't know, child, I can't be

1255
00:56:05,320 --> 00:56:06,799
Speaker 6: doing all that my hip hop, you know.

1256
00:56:06,880 --> 00:56:09,320
Speaker 7: So you have to be to know your guardians.

1257
00:56:10,160 --> 00:56:13,600
Speaker 5: Yeah, I did shout out to the Black Star Film

1258
00:56:13,600 --> 00:56:16,640
Speaker 5: Fest and Philly. I just did their opening party last Thursday,

1259
00:56:17,360 --> 00:56:20,600
Speaker 5: and like for two weeks ahead of time, I'm sitting there,

1260
00:56:20,800 --> 00:56:21,879
Speaker 5: I'm hitting them DJ friends.

1261
00:56:21,920 --> 00:56:23,560
Speaker 4: I'm like, Yo, all right, this is a Black Star

1262
00:56:23,680 --> 00:56:25,799
Speaker 4: you know, film fest. It to be, you know.

1263
00:56:25,840 --> 00:56:27,960
Speaker 5: I I'm have to get in my bag with some

1264
00:56:28,000 --> 00:56:30,480
Speaker 5: weird ship, you know, but it's still black, you know,

1265
00:56:30,640 --> 00:56:32,880
Speaker 5: and I want some inspirational so I need some house,

1266
00:56:33,280 --> 00:56:35,680
Speaker 5: you know. So I'm hitting my hard poor house DJ,

1267
00:56:35,840 --> 00:56:38,480
Speaker 5: you know, and hitting this chat up and getting all

1268
00:56:38,480 --> 00:56:40,400
Speaker 5: this music. And I get there, like we're in a

1269
00:56:40,440 --> 00:56:44,840
Speaker 5: big auditorium type space, you know, with a huge dance floor,

1270
00:56:45,680 --> 00:56:48,080
Speaker 5: and so I can't play none of that. I'm scared ship.

1271
00:56:48,120 --> 00:56:48,279
Speaker 5: You know.

1272
00:56:48,360 --> 00:56:51,560
Speaker 4: It's like, hit these motherfucker up ahead with the hits.

1273
00:56:51,760 --> 00:56:54,280
Speaker 5: And it was like, you know, hit him.

1274
00:56:54,120 --> 00:56:56,560
Speaker 4: With that black ass hits that you know, you know,

1275
00:56:56,760 --> 00:56:58,040
Speaker 4: And that's what I did.

1276
00:56:58,200 --> 00:57:01,640
Speaker 2: You made me think of a a couple of things,

1277
00:57:02,640 --> 00:57:07,160
Speaker 2: but the one that's the silliest is, hey man, whatever

1278
00:57:07,320 --> 00:57:09,920
Speaker 2: happened to people that sing like the lead singer and

1279
00:57:10,000 --> 00:57:11,719
Speaker 2: EU for doing the butt.

1280
00:57:11,920 --> 00:57:15,480
Speaker 3: How come nobody else ever sing like that? Nobody that

1281
00:57:15,520 --> 00:57:22,400
Speaker 3: sugar bear, Yeah it's sugar you know freak. How come

1282
00:57:22,480 --> 00:57:25,000
Speaker 3: nobody else ever sounded like that?

1283
00:57:25,000 --> 00:57:30,080
Speaker 4: That's crazy one of them voices that I don't feel

1284
00:57:30,120 --> 00:57:30,360
Speaker 4: like you.

1285
00:57:30,360 --> 00:57:33,480
Speaker 2: Gotta be able to sing to steal that. People steal everything.

1286
00:57:34,120 --> 00:57:38,320
Speaker 2: I'm shocked we have not had like someone try to resurrect.

1287
00:57:37,760 --> 00:57:40,760
Speaker 3: It or simp keep well.

1288
00:57:40,840 --> 00:57:44,440
Speaker 4: Keith just couldn't sing no you.

1289
00:57:46,440 --> 00:57:52,760
Speaker 1: You leave my keeper lone beg me begged me out

1290
00:57:53,400 --> 00:57:57,200
Speaker 1: night long, sir, my mom.

1291
00:57:57,080 --> 00:58:00,960
Speaker 4: Rest couldn't stand sweat singing ass. But let me say this.

1292
00:58:01,600 --> 00:58:04,760
Speaker 5: I once went to Buzz Nightclub in Southeast DC. People

1293
00:58:04,760 --> 00:58:06,960
Speaker 5: who know about It's a dope ass big club over

1294
00:58:07,000 --> 00:58:09,440
Speaker 5: in Southeast I was there for some shit. It was

1295
00:58:09,520 --> 00:58:11,520
Speaker 5: middle of the day and Keith had a show that night,

1296
00:58:11,800 --> 00:58:13,600
Speaker 5: and this nigga was doing his sound check and this

1297
00:58:13,680 --> 00:58:18,000
Speaker 5: nigga did it. Was like there was two ten thousand

1298
00:58:18,040 --> 00:58:20,360
Speaker 5: people in front of this nigga, Like this nigga sang

1299
00:58:20,480 --> 00:58:25,560
Speaker 5: every song perfect wow, like it was the album for

1300
00:58:25,640 --> 00:58:27,960
Speaker 5: a sound check with nobody in there. I stood there

1301
00:58:27,960 --> 00:58:29,960
Speaker 5: and watch the dopest t sweat concert I've ever seen

1302
00:58:29,960 --> 00:58:31,919
Speaker 5: in my life, like you know what, I mean, Wow,

1303
00:58:33,040 --> 00:58:34,040
Speaker 5: So what happened on there?

1304
00:58:34,080 --> 00:58:36,200
Speaker 2: Because I feel like on the radio it sounds like

1305
00:58:36,760 --> 00:58:38,600
Speaker 2: you know.

1306
00:58:38,200 --> 00:58:40,320
Speaker 4: Yeah, I mean, listen, it is it.

1307
00:58:40,400 --> 00:58:42,680
Speaker 5: I'm not saying Keith got It's like, you know, Keith

1308
00:58:42,880 --> 00:58:44,920
Speaker 5: is you know, he got his lane and he sticks

1309
00:58:44,960 --> 00:58:47,080
Speaker 5: to Yeah, you know absolutely, I'm not saying.

1310
00:58:47,200 --> 00:58:48,919
Speaker 4: I'm not saying he's belting out the dams.

1311
00:58:49,120 --> 00:58:50,320
Speaker 3: Okay, but it was good.

1312
00:58:50,520 --> 00:58:54,800
Speaker 5: It sounded just like the record. Oh okay, like the

1313
00:58:54,880 --> 00:58:58,600
Speaker 5: Keep Sweat record. It sounded just like it. I don't

1314
00:58:58,640 --> 00:58:59,880
Speaker 5: mean to be damn.

1315
00:59:01,520 --> 00:59:07,800
Speaker 4: Yes. The game, the R and.

1316
00:59:07,760 --> 00:59:10,880
Speaker 2: B game ain't been the same since uh Nigga stopped

1317
00:59:10,880 --> 00:59:15,360
Speaker 2: begging you know better when they begged, like yes, it

1318
00:59:15,560 --> 00:59:17,600
Speaker 2: was now every Now, every R and B dude we

1319
00:59:17,760 --> 00:59:20,439
Speaker 2: singing slash rapping and they talk about they gonna fuck

1320
00:59:20,520 --> 00:59:23,600
Speaker 2: your girl, and I'm like, what, That's not what we

1321
00:59:23,680 --> 00:59:26,040
Speaker 2: came here for, a bro chat. I'm not in a

1322
00:59:26,120 --> 00:59:28,919
Speaker 2: competition with you. That's not what I.

1323
00:59:28,840 --> 00:59:30,960
Speaker 3: Gave you the money to hook me up, dude, what

1324
00:59:31,000 --> 00:59:31,600
Speaker 3: you're doing.

1325
00:59:32,000 --> 00:59:35,440
Speaker 6: And not only that, I like the begging and I

1326
00:59:35,560 --> 00:59:37,600
Speaker 6: like the slow gems. I'm not even gonna lie, you know,

1327
00:59:37,960 --> 00:59:40,919
Speaker 6: I understand everybody needs to be ratchet every now and then,

1328
00:59:41,240 --> 00:59:43,720
Speaker 6: but god damn everything ain't got to be with your

1329
00:59:43,760 --> 00:59:46,600
Speaker 6: socks and ass damn face up out of goddamn time.

1330
00:59:46,600 --> 00:59:49,480
Speaker 7: Come on, can't you be like baby please beforehand?

1331
00:59:49,600 --> 00:59:51,680
Speaker 3: What play? I'm old, y'all.

1332
00:59:51,680 --> 00:59:53,720
Speaker 2: It got a little, It got a little. We lost

1333
00:59:53,760 --> 00:59:56,880
Speaker 2: some recipes. I hope we get it back. Somebody gotta

1334
00:59:56,920 --> 00:59:57,960
Speaker 2: make begging cool.

1335
00:59:57,760 --> 00:59:59,920
Speaker 7: Again, because that's the thing that they think it's not cool.

1336
01:00:00,040 --> 01:00:03,680
Speaker 2: Cause and like Drake fakes it, because Drake does that,

1337
01:00:03,800 --> 01:00:08,720
Speaker 2: like it's real passive aggressive, not begging, but right he's

1338
01:00:08,720 --> 01:00:11,280
Speaker 2: singing like he begging, but he not really, like he

1339
01:00:11,440 --> 01:00:13,800
Speaker 2: just trying to control you. Like why you gotta go

1340
01:00:13,880 --> 01:00:16,320
Speaker 2: out all the time and get dressed up nice if

1341
01:00:16,360 --> 01:00:18,840
Speaker 2: I can't go just because I'm with my other chicks.

1342
01:00:19,040 --> 01:00:21,760
Speaker 3: And I'm like, that's know how that goes? What happened

1343
01:00:21,800 --> 01:00:24,280
Speaker 3: to you? Love her? You need to not be cool,

1344
01:00:24,840 --> 01:00:25,040
Speaker 3: you know?

1345
01:00:25,120 --> 01:00:27,840
Speaker 6: And I think that's the thing when you beg like

1346
01:00:27,880 --> 01:00:31,000
Speaker 6: that and you're not cool, and b you actually walked

1347
01:00:31,000 --> 01:00:33,840
Speaker 6: that woman, which is which is now that's like uncool

1348
01:00:33,920 --> 01:00:34,960
Speaker 6: to actually desire.

1349
01:00:36,360 --> 01:00:38,440
Speaker 2: I know them dudes was lying because we know how

1350
01:00:38,480 --> 01:00:40,920
Speaker 2: they got down those RB. We know how them players

1351
01:00:40,920 --> 01:00:43,800
Speaker 2: got down off the stage. But like it used to be, Okay,

1352
01:00:43,840 --> 01:00:45,640
Speaker 2: a lot of the people in the song I Love

1353
01:00:45,680 --> 01:00:48,439
Speaker 2: You So Much lie to me. You know, even Joe

1354
01:00:48,560 --> 01:00:50,680
Speaker 2: with his dirty mac and ass had figured out, like

1355
01:00:51,240 --> 01:00:53,920
Speaker 2: I beg a woman that's already in a relationship, that's

1356
01:00:53,920 --> 01:00:56,600
Speaker 2: how that's how much begging I'm willing to do.

1357
01:00:56,800 --> 01:00:58,840
Speaker 3: So, yeah, the game has changed.

1358
01:00:59,480 --> 01:01:01,480
Speaker 5: That Joe video might have been the end of it

1359
01:01:01,560 --> 01:01:05,400
Speaker 5: all though, right after she broke up with.

1360
01:01:05,400 --> 01:01:09,600
Speaker 3: Your man, yes, but you man, Yes.

1361
01:01:09,600 --> 01:01:12,720
Speaker 5: That's one of the greatest videos of all time. Like this,

1362
01:01:12,800 --> 01:01:18,880
Speaker 5: Nigga tells his crew like, hold on, Shorty just got

1363
01:01:18,920 --> 01:01:20,880
Speaker 5: broken up in public.

1364
01:01:21,200 --> 01:01:22,680
Speaker 3: Let me slide on it.

1365
01:01:23,840 --> 01:01:26,920
Speaker 2: And we have no idea why she could be dead wrong,

1366
01:01:27,680 --> 01:01:30,440
Speaker 2: We have no idea. What haven't he just slid Up's like,

1367
01:01:30,560 --> 01:01:33,640
Speaker 2: what kind of man I will treat you like this, queen?

1368
01:01:33,800 --> 01:01:34,640
Speaker 7: What kind of man?

1369
01:01:36,680 --> 01:01:37,200
Speaker 4: Who knows?

1370
01:01:37,240 --> 01:01:37,439
Speaker 2: What?

1371
01:01:37,480 --> 01:01:39,040
Speaker 3: She said?

1372
01:01:40,480 --> 01:01:40,720
Speaker 2: Right?

1373
01:01:41,360 --> 01:01:44,120
Speaker 3: Anything? Right before Joe got that, she was like, and

1374
01:01:44,120 --> 01:01:45,720
Speaker 3: that's why your mama a bit like.

1375
01:01:45,760 --> 01:01:49,360
Speaker 7: What they could have had a restraining order on anything.

1376
01:01:49,400 --> 01:01:50,840
Speaker 7: And he's just walking over the head.

1377
01:01:50,760 --> 01:01:52,800
Speaker 3: Girl right, oh my god.

1378
01:01:52,880 --> 01:01:56,120
Speaker 2: But yeah, but we still missed that though, y'all.

1379
01:01:57,880 --> 01:01:58,680
Speaker 7: I'm hire for it.

1380
01:01:58,960 --> 01:02:01,040
Speaker 2: One man just double peered out the middle of the

1381
01:02:01,040 --> 01:02:06,040
Speaker 2: street like this, like that nigga. That nigga appeared like

1382
01:02:06,040 --> 01:02:12,479
Speaker 2: a like an argument, Jeanie. If you shake your head

1383
01:02:12,520 --> 01:02:15,800
Speaker 2: three times at your girl, poof, Joe, don't show up.

1384
01:02:15,880 --> 01:02:17,600
Speaker 3: I'm showing up. Don't.

1385
01:02:17,720 --> 01:02:19,240
Speaker 7: Don't you raise your boss too loud?

1386
01:02:19,280 --> 01:02:19,600
Speaker 4: Poof?

1387
01:02:19,960 --> 01:02:23,640
Speaker 3: What kind of man? He was lying? Like shit too? Yes,

1388
01:02:23,840 --> 01:02:26,240
Speaker 3: talking about he's gonna buy diamonds and gold. You just

1389
01:02:26,400 --> 01:02:27,720
Speaker 3: met her, right.

1390
01:02:28,480 --> 01:02:30,800
Speaker 2: You don't know nothing about her except we got in

1391
01:02:30,800 --> 01:02:33,680
Speaker 2: a fight, sir, don't bow your fisted up poof, he

1392
01:02:33,760 --> 01:02:34,400
Speaker 2: gonna uppeal.

1393
01:02:34,520 --> 01:02:38,680
Speaker 3: You'm like, come on now, oh man? So yeah man.

1394
01:02:38,720 --> 01:02:43,720
Speaker 2: Speaking of Drake though, man, is if you're losing the crowd,

1395
01:02:44,440 --> 01:02:47,240
Speaker 2: is it still enough to just play Not Like Us

1396
01:02:47,280 --> 01:02:48,720
Speaker 2: and get everybody back right now?

1397
01:02:48,800 --> 01:02:50,960
Speaker 3: Or is it getting kind of old in the tooth?

1398
01:02:53,800 --> 01:02:55,000
Speaker 7: What happened now?

1399
01:02:55,080 --> 01:02:57,680
Speaker 3: I'm just saying, because it's everywhere. I feel like if

1400
01:02:58,000 --> 01:02:58,360
Speaker 3: if you.

1401
01:02:58,480 --> 01:03:01,760
Speaker 2: Fucked up anything right now, DJ can throw that Not

1402
01:03:01,880 --> 01:03:03,360
Speaker 2: Like Us on to get ever about back.

1403
01:03:04,120 --> 01:03:06,040
Speaker 3: I'm just wondering if you could still do it or

1404
01:03:06,080 --> 01:03:07,240
Speaker 3: if it's can do it?

1405
01:03:07,360 --> 01:03:08,440
Speaker 4: Yeah, it's still do it?

1406
01:03:08,720 --> 01:03:11,040
Speaker 5: Me and a DJ friend Shout of my Boyd analyzed

1407
01:03:11,040 --> 01:03:14,240
Speaker 5: out in DC we were distressing us last night, and

1408
01:03:13,880 --> 01:03:18,560
Speaker 5: he argued that you shouldn't bring it back. But I said,

1409
01:03:18,720 --> 01:03:21,600
Speaker 5: at a at the Black Star Film Fest, I did

1410
01:03:21,640 --> 01:03:28,400
Speaker 5: the you know a minor and they were streaming they

1411
01:03:28,800 --> 01:03:31,200
Speaker 5: like us so loud that they didn't even realize I

1412
01:03:31,280 --> 01:03:32,600
Speaker 5: brought it back for a second.

1413
01:03:32,680 --> 01:03:35,520
Speaker 4: So damn. I was like, nah, I'm still working.

1414
01:03:35,600 --> 01:03:37,960
Speaker 7: B Yeah, it's not going anywhere.

1415
01:03:38,000 --> 01:03:41,760
Speaker 6: And I personally think the biggest, the biggest reason why

1416
01:03:42,000 --> 01:03:45,080
Speaker 6: after homecomings, that's when it's my doe down because too

1417
01:03:45,120 --> 01:03:47,880
Speaker 6: many negroes don't spit their whole summer practicing that go.

1418
01:03:48,040 --> 01:03:49,840
Speaker 7: God damn it. I've been out here sweating in.

1419
01:03:49,800 --> 01:03:52,920
Speaker 2: The sun, been in this baton high stepping.

1420
01:03:53,440 --> 01:03:53,680
Speaker 3: No.

1421
01:03:54,040 --> 01:03:57,439
Speaker 2: You know what though, If what's the HBCU brands break

1422
01:03:57,480 --> 01:04:00,959
Speaker 2: it out, it's just gonna get worse. It's not gonna

1423
01:04:01,000 --> 01:04:04,520
Speaker 2: get better for Drake, it's not getting I still know

1424
01:04:04,560 --> 01:04:09,160
Speaker 2: Ship from ninety six. I still I still know motherfucking

1425
01:04:09,280 --> 01:04:11,800
Speaker 2: Dudoo Brown and Motherfucker Like songs.

1426
01:04:11,800 --> 01:04:15,360
Speaker 3: That's obscure. This should have hit, Yes, a hit hit.

1427
01:04:15,640 --> 01:04:20,080
Speaker 5: Yeah. I did a wedding a few weeks ago where

1428
01:04:20,280 --> 01:04:24,160
Speaker 5: it was. They were Latin, but they were from West coast.

1429
01:04:24,520 --> 01:04:27,680
Speaker 5: And when I tell you, I played that song like,

1430
01:04:28,560 --> 01:04:29,960
Speaker 5: you know, full times that night.

1431
01:04:30,200 --> 01:04:32,840
Speaker 4: You know it was it was a moment.

1432
01:04:33,480 --> 01:04:38,040
Speaker 5: So it might die here but out and like and

1433
01:04:38,080 --> 01:04:41,080
Speaker 5: the problem is the US is more west than it

1434
01:04:41,120 --> 01:04:41,560
Speaker 5: is east.

1435
01:04:41,640 --> 01:04:41,840
Speaker 4: You know.

1436
01:04:41,880 --> 01:04:44,240
Speaker 5: That's for people failed to realize, like the South identifies

1437
01:04:44,320 --> 01:04:46,600
Speaker 5: with the West, you know, the Midwest with the West.

1438
01:04:46,800 --> 01:04:48,880
Speaker 4: It's pretty much just New York. Yeah, you know, it

1439
01:04:49,000 --> 01:04:50,160
Speaker 4: was really west and.

1440
01:04:50,360 --> 01:04:52,640
Speaker 5: I mean really east, right, So then it's like the

1441
01:04:52,680 --> 01:04:54,880
Speaker 5: rest of it is, you know, a west coast nation.

1442
01:04:55,000 --> 01:04:58,040
Speaker 5: And so this is and then Drake dropped like three

1443
01:04:58,120 --> 01:05:01,120
Speaker 5: joints today and they're cool. I can't like one of them.

1444
01:05:01,440 --> 01:05:05,600
Speaker 2: I said it was it's said he dropped one hundred gigabytes.

1445
01:05:04,960 --> 01:05:09,880
Speaker 5: Of one hundred gigabytes of videos and all kinds of stuff.

1446
01:05:09,880 --> 01:05:12,680
Speaker 3: Like Drake, see this is the problem, bron.

1447
01:05:15,520 --> 01:05:16,120
Speaker 4: A little bat.

1448
01:05:16,320 --> 01:05:21,200
Speaker 2: Yeah, no amount of gigabytes gonna beat gonna beat this

1449
01:05:21,320 --> 01:05:21,840
Speaker 2: thing down.

1450
01:05:21,920 --> 01:05:23,720
Speaker 3: Bro, you need to just dip for a little bit

1451
01:05:23,760 --> 01:05:24,920
Speaker 3: and come back when it's saved.

1452
01:05:25,000 --> 01:05:27,280
Speaker 7: I don't want no homework assignment, that's what that sounds like.

1453
01:05:27,320 --> 01:05:32,560
Speaker 2: I'm good, Yeah, I just oh man, he's really. I

1454
01:05:32,600 --> 01:05:35,560
Speaker 2: mean I was never like the biggest believer in the dude,

1455
01:05:35,560 --> 01:05:38,440
Speaker 2: but I just I never disrespected his talent. I always

1456
01:05:38,520 --> 01:05:42,160
Speaker 2: understood he was he ran things for a very long.

1457
01:05:41,960 --> 01:05:42,760
Speaker 3: Time and everything.

1458
01:05:42,840 --> 01:05:48,520
Speaker 2: But the response after after his final comeback this or whatever,

1459
01:05:48,600 --> 01:05:52,120
Speaker 2: and just how he how the pants he be he

1460
01:05:52,240 --> 01:05:54,240
Speaker 2: be taking pictures of g I'm.

1461
01:05:54,120 --> 01:05:56,040
Speaker 3: Just like, he's gonna blow away on the pain. Bro,

1462
01:05:56,120 --> 01:05:59,160
Speaker 3: what happened to you? This ship dismantled you?

1463
01:06:00,240 --> 01:06:00,800
Speaker 4: Yeah? It did.

1464
01:06:00,880 --> 01:06:03,240
Speaker 5: But the thing is like I was a big and

1465
01:06:03,360 --> 01:06:05,240
Speaker 5: still emm a big draped pan, you know.

1466
01:06:05,320 --> 01:06:06,720
Speaker 4: Like I was like, so Far Gone.

1467
01:06:06,720 --> 01:06:09,560
Speaker 5: I think it's one of the best, you know, albums, mixape,

1468
01:06:09,560 --> 01:06:10,840
Speaker 5: so whatever you want to call out there.

1469
01:06:10,840 --> 01:06:11,880
Speaker 3: Yeah yeah, that first one.

1470
01:06:11,960 --> 01:06:12,440
Speaker 4: Yeah.

1471
01:06:13,040 --> 01:06:15,640
Speaker 5: But like I said, when Kenders started exposing shit, it

1472
01:06:15,680 --> 01:06:17,400
Speaker 5: was the same shit that I said when So Far

1473
01:06:17,480 --> 01:06:19,720
Speaker 5: Gone came out. I just didn't like when So Far

1474
01:06:19,760 --> 01:06:22,160
Speaker 5: Gone came out. I thought it was innovative. And then

1475
01:06:22,200 --> 01:06:24,320
Speaker 5: he kept doing it, Like when you talk about a

1476
01:06:24,360 --> 01:06:26,240
Speaker 5: girl's name on the song, I was like, Oh, that's

1477
01:06:26,240 --> 01:06:29,360
Speaker 5: so dope. Whoever did that a rapper actually mentioned the

1478
01:06:29,400 --> 01:06:32,240
Speaker 5: girl he's talking about he loves. And then Nigga mentioned

1479
01:06:32,240 --> 01:06:34,520
Speaker 5: fifty girls on songs. I was like, this Nigga's terrible.

1480
01:06:36,360 --> 01:06:38,800
Speaker 4: I was so mad at him. After all, this nigga's

1481
01:06:38,800 --> 01:06:39,800
Speaker 4: so trifling, So.

1482
01:06:41,200 --> 01:06:43,200
Speaker 3: It was innovative when he was eighteen.

1483
01:06:43,760 --> 01:06:47,479
Speaker 2: I think the part that really hurts him is that

1484
01:06:47,480 --> 01:06:50,280
Speaker 2: that Kendrick's pointing out right, but it's the same shit.

1485
01:06:50,320 --> 01:06:53,800
Speaker 3: And you thirty five, thirty six, like you too old now,

1486
01:06:53,880 --> 01:06:54,960
Speaker 3: so what's wrong with you?

1487
01:06:55,080 --> 01:06:57,680
Speaker 2: And just yeah, I don't know that I've ever heard

1488
01:06:57,680 --> 01:07:00,720
Speaker 2: a disc that dismantled a person like that, because I

1489
01:07:00,760 --> 01:07:03,560
Speaker 2: can't not think about that ship when I hear Drake songs.

1490
01:07:03,600 --> 01:07:05,760
Speaker 2: It hurt my feelings and that and I and I've

1491
01:07:06,040 --> 01:07:10,680
Speaker 2: I've lived through every disc record, but and I mean,

1492
01:07:10,760 --> 01:07:14,439
Speaker 2: and there's been ones where I was like, uh, oh man,

1493
01:07:14,520 --> 01:07:16,760
Speaker 2: that person lost. But I've never been to the point

1494
01:07:16,760 --> 01:07:18,880
Speaker 2: where like, I can't listen to their music without thinking

1495
01:07:18,880 --> 01:07:22,240
Speaker 2: about you what said about them, because so much of

1496
01:07:22,280 --> 01:07:24,920
Speaker 2: what was said was true and it just came out

1497
01:07:24,960 --> 01:07:25,200
Speaker 2: of you.

1498
01:07:25,320 --> 01:07:26,640
Speaker 3: It's just ship.

1499
01:07:26,800 --> 01:07:29,520
Speaker 4: Man. It's like he's playing weird.

1500
01:07:29,600 --> 01:07:32,320
Speaker 5: Like today he dropped three songs and all of them

1501
01:07:33,040 --> 01:07:33,680
Speaker 5: artists on him.

1502
01:07:34,520 --> 01:07:37,280
Speaker 4: So it's like, you know, I get it. You're like,

1503
01:07:37,280 --> 01:07:38,800
Speaker 4: well that right, but.

1504
01:07:40,400 --> 01:07:43,040
Speaker 5: Like that you can't say that today, right, because it's

1505
01:07:43,080 --> 01:07:45,840
Speaker 5: like you're just admitting that you need these niggas.

1506
01:07:46,720 --> 01:07:49,280
Speaker 3: Can't you can't do nothing right.

1507
01:07:51,600 --> 01:07:54,000
Speaker 5: Only I thought he could do like either, you know,

1508
01:07:54,240 --> 01:07:56,240
Speaker 5: either just make a banger by yourself.

1509
01:07:56,280 --> 01:07:57,160
Speaker 4: But he hasn't done that.

1510
01:07:58,280 --> 01:08:03,280
Speaker 2: It's like it really right, It really make you feel

1511
01:08:03,280 --> 01:08:06,440
Speaker 2: like it's stuck. Like it's just I don't know what

1512
01:08:06,520 --> 01:08:08,760
Speaker 2: he can do at this point. It'll have to definitely

1513
01:08:08,800 --> 01:08:11,600
Speaker 2: be somebody. Is he coming, but like leaning into it.

1514
01:08:11,640 --> 01:08:13,280
Speaker 2: Like as soon as he started that one song with

1515
01:08:13,440 --> 01:08:15,640
Speaker 2: like nigga I said that, I was like, oh no,

1516
01:08:15,760 --> 01:08:18,640
Speaker 2: that's what came. You're playing chess with you, bro. He

1517
01:08:18,760 --> 01:08:21,280
Speaker 2: wants you to say that ship. And then as soon

1518
01:08:21,320 --> 01:08:25,000
Speaker 2: as he dropped that, uh hulp, me double down, still

1519
01:08:25,040 --> 01:08:25,960
Speaker 2: calling us some slaves.

1520
01:08:26,000 --> 01:08:27,720
Speaker 3: I said, God damn.

1521
01:08:29,960 --> 01:08:35,120
Speaker 5: Got when I played that at a wedding and people

1522
01:08:35,240 --> 01:08:39,200
Speaker 5: rap that whole third verse, that's what you know.

1523
01:08:39,320 --> 01:08:42,599
Speaker 4: When niggas is at a wedding, give you an education, right.

1524
01:08:42,840 --> 01:08:45,880
Speaker 2: They going through your resume and and and the thing

1525
01:08:45,960 --> 01:08:50,719
Speaker 2: about this, y'all this bop people that are non rap

1526
01:08:50,840 --> 01:08:53,720
Speaker 2: people into it because y'all have to realize years ago

1527
01:08:53,720 --> 01:08:54,719
Speaker 2: when this stuff happened.

1528
01:08:54,880 --> 01:08:55,479
Speaker 7: Most of the time.

1529
01:08:55,520 --> 01:08:57,880
Speaker 6: It was rap fans, Like a lot of the beasts

1530
01:08:57,880 --> 01:09:00,559
Speaker 6: were like you had to literally be into the gang

1531
01:09:00,680 --> 01:09:04,880
Speaker 6: rap fans. This was like, no, we're going outside of rap.

1532
01:09:05,080 --> 01:09:08,840
Speaker 6: We're having like national news people cover this story. That's

1533
01:09:08,840 --> 01:09:10,720
Speaker 6: when you was like, oh, this is up. This is

1534
01:09:10,800 --> 01:09:13,880
Speaker 6: a whole nother level of things happening here.

1535
01:09:14,200 --> 01:09:14,360
Speaker 4: Now.

1536
01:09:14,400 --> 01:09:17,720
Speaker 2: Are you getting any pushback or lack of enthusiasm for

1537
01:09:17,920 --> 01:09:19,639
Speaker 2: playing Drake music now?

1538
01:09:19,880 --> 01:09:21,200
Speaker 3: Or is everybody back to normal?

1539
01:09:22,080 --> 01:09:23,960
Speaker 5: It's it's kind of bad to normal, But I just

1540
01:09:23,960 --> 01:09:26,639
Speaker 5: don't play as much, right, you know what it really.

1541
01:09:26,560 --> 01:09:31,320
Speaker 4: Is like, I really just I still.

1542
01:09:31,600 --> 01:09:34,960
Speaker 3: I have my Drake you know, I got my box too.

1543
01:09:35,640 --> 01:09:38,799
Speaker 5: Yeah, I'm still running them joints and they're still fine, absolutely,

1544
01:09:38,840 --> 01:09:41,439
Speaker 5: but not like us comes on and it just changes

1545
01:09:41,479 --> 01:09:43,280
Speaker 5: the mood, you know, and then you don't play no Drake.

1546
01:09:43,479 --> 01:09:45,559
Speaker 3: I mean no, no, you don't. Kendrig.

1547
01:09:45,920 --> 01:09:49,400
Speaker 2: Kendrig is a magnanimous dude because he left for something

1548
01:09:49,400 --> 01:09:53,080
Speaker 2: where he said, just keep saying making me dance, waving

1549
01:09:53,120 --> 01:09:57,000
Speaker 2: my hands and won't be like and he right, he right,

1550
01:09:57,080 --> 01:10:00,200
Speaker 2: I like I like the melodies, I do like the melodies.

1551
01:09:59,840 --> 01:10:02,479
Speaker 3: I nice for what And I'm like, we can do

1552
01:10:02,560 --> 01:10:04,280
Speaker 3: that all day. That's my box all.

1553
01:10:04,560 --> 01:10:07,519
Speaker 2: So you know, thank you Kendrick for not destroying that

1554
01:10:07,640 --> 01:10:11,960
Speaker 2: part so that anytime I try to listen to him

1555
01:10:12,120 --> 01:10:15,080
Speaker 2: rap hard on anything right now, like I'll be at

1556
01:10:15,080 --> 01:10:18,439
Speaker 2: the gym and the mother fucking like you know, like, uh,

1557
01:10:19,320 --> 01:10:20,960
Speaker 2: money in the grave, come on, I'll be like.

1558
01:10:20,960 --> 01:10:23,200
Speaker 4: Skilled, No, no, I can't even imagine that.

1559
01:10:23,320 --> 01:10:25,040
Speaker 3: No, you don't live you don't live that Drake.

1560
01:10:25,880 --> 01:10:28,120
Speaker 5: I like the Drake, like the up all night Drake,

1561
01:10:28,200 --> 01:10:30,320
Speaker 5: you know, the glass Field.

1562
01:10:29,840 --> 01:10:33,200
Speaker 4: I like that. I like that ship talking, you know,

1563
01:10:33,479 --> 01:10:34,679
Speaker 4: like I'm having a good time.

1564
01:10:35,040 --> 01:10:35,400
Speaker 7: I believe.

1565
01:10:36,560 --> 01:10:42,040
Speaker 5: Yeah, I don't need headline Drake, you know, like you know,

1566
01:10:42,080 --> 01:10:44,000
Speaker 5: I need like I'm having a good time, good life

1567
01:10:44,040 --> 01:10:45,720
Speaker 5: Drake and I'm complaining about woman Drake.

1568
01:10:45,800 --> 01:10:47,400
Speaker 3: That was my I'm here for that.

1569
01:10:48,640 --> 01:10:52,280
Speaker 2: All right, Nerve stuff you at the comic con mm

1570
01:10:52,320 --> 01:10:56,880
Speaker 2: hmm the big announcement, because let's be honest, it's all

1571
01:10:56,920 --> 01:10:58,280
Speaker 2: for MC at this point.

1572
01:10:58,640 --> 01:10:59,400
Speaker 4: They the big yall.

1573
01:11:00,520 --> 01:11:02,000
Speaker 2: It was a lot of cool stuff that after I

1574
01:11:02,000 --> 01:11:04,439
Speaker 2: got announced, it was like soon as the MCU shit happened,

1575
01:11:04,439 --> 01:11:08,640
Speaker 2: it was like fuck everything that happened before this, and

1576
01:11:08,920 --> 01:11:11,400
Speaker 2: low key like it was like, fuck everything that happened

1577
01:11:11,400 --> 01:11:13,960
Speaker 2: on the announcement up to the last thing, because it

1578
01:11:14,040 --> 01:11:16,800
Speaker 2: was like, yeah, the fucking fantastic car flew through the

1579
01:11:16,800 --> 01:11:19,400
Speaker 2: goddamn crowded nobody was talking about it.

1580
01:11:19,840 --> 01:11:22,480
Speaker 4: You just forgot about that immediately immediately.

1581
01:11:22,720 --> 01:11:25,639
Speaker 3: So r DJ is doomed. Man, how are you feeling?

1582
01:11:25,760 --> 01:11:27,920
Speaker 2: I know it's like two or three years out before

1583
01:11:27,920 --> 01:11:30,920
Speaker 2: we even really get that movie, but how you feeling

1584
01:11:30,920 --> 01:11:34,120
Speaker 2: about this whole thing with doomsday and bringing down the

1585
01:11:34,200 --> 01:11:35,559
Speaker 2: Junior back and that stuff.

1586
01:11:36,400 --> 01:11:38,120
Speaker 5: Well, I definitely want to know how y'all feel. But

1587
01:11:39,200 --> 01:11:40,719
Speaker 5: I'm of two minds. It's funny.

1588
01:11:40,800 --> 01:11:42,439
Speaker 4: It's so weird how the universe works.

1589
01:11:42,479 --> 01:11:45,679
Speaker 5: Because the night before it was like the a couple

1590
01:11:45,720 --> 01:11:47,920
Speaker 5: of days before I realized how many good ass movies

1591
01:11:47,960 --> 01:11:50,320
Speaker 5: are on YouTube for free because I didn't know that,

1592
01:11:50,400 --> 01:11:52,360
Speaker 5: you know, And so I watched Boomerang. I'm out of

1593
01:11:52,400 --> 01:11:55,040
Speaker 5: San Diego, Koma Cohn of Late Nights. I watched Boomerang,

1594
01:11:55,120 --> 01:11:57,840
Speaker 5: you know, Eddie Murphy Classic, and I'm like, damn, that's fire.

1595
01:11:57,920 --> 01:11:59,880
Speaker 5: You know, I forgot how good I forgot, but it's

1596
01:11:59,880 --> 01:12:03,040
Speaker 5: like it still holds up into the classic, still great.

1597
01:12:03,600 --> 01:12:05,120
Speaker 5: And then the next night I'm like, let me watch

1598
01:12:05,120 --> 01:12:06,360
Speaker 5: trop of Thunder, you know, because I was in the

1599
01:12:06,400 --> 01:12:07,439
Speaker 5: movie comedy and.

1600
01:12:07,479 --> 01:12:09,840
Speaker 3: My personally, I watched that.

1601
01:12:09,920 --> 01:12:12,920
Speaker 2: I watched that literally around the same time that you

1602
01:12:13,040 --> 01:12:15,160
Speaker 2: saying this. I was watching it too, because it came

1603
01:12:15,160 --> 01:12:15,439
Speaker 2: on to you.

1604
01:12:15,600 --> 01:12:18,479
Speaker 5: That's crazy, Yeah, because I watched it the night before

1605
01:12:18,520 --> 01:12:22,080
Speaker 5: the announcement, and I don't think it held up as much.

1606
01:12:22,120 --> 01:12:28,040
Speaker 4: I think Aldie J carries it like, yeah, it steals

1607
01:12:28,040 --> 01:12:28,960
Speaker 4: the show reel.

1608
01:12:29,439 --> 01:12:31,559
Speaker 5: And then Tom Cruise is pretty good and that's like

1609
01:12:31,640 --> 01:12:34,519
Speaker 5: the you know, the main two great things about the movie.

1610
01:12:34,640 --> 01:12:36,760
Speaker 5: But so when they made an announcement, I was like,

1611
01:12:37,600 --> 01:12:39,240
Speaker 5: that was my first I was in this group chat

1612
01:12:39,240 --> 01:12:41,080
Speaker 5: where I was like, man, you know, that was my

1613
01:12:41,120 --> 01:12:44,439
Speaker 5: first reaction, you know. And and they were people who

1614
01:12:44,439 --> 01:12:46,800
Speaker 5: were in the hall at the time, you know, they're

1615
01:12:46,800 --> 01:12:52,759
Speaker 5: all ye, and I'm just like and now I'm still

1616
01:12:52,880 --> 01:12:56,200
Speaker 5: kind of but I have like two ways about it.

1617
01:12:56,240 --> 01:12:59,160
Speaker 5: Like one, I've called Tony Stark a monsters. You know,

1618
01:12:59,200 --> 01:13:01,720
Speaker 5: from day one, he's a war criminal. You know, he's

1619
01:13:01,800 --> 01:13:03,679
Speaker 5: one of the worst people ever and he only redeems

1620
01:13:03,720 --> 01:13:06,599
Speaker 5: himself pretty much by like right before he dies.

1621
01:13:06,800 --> 01:13:08,960
Speaker 4: Yeah, you know, it's.

1622
01:13:09,960 --> 01:13:12,799
Speaker 5: And so this whole multiverse idea where it's like people's

1623
01:13:12,880 --> 01:13:15,400
Speaker 5: choices and things of that nature, I'm really into.

1624
01:13:15,520 --> 01:13:16,679
Speaker 4: So the idea of.

1625
01:13:16,680 --> 01:13:20,479
Speaker 5: Doom just being an evil version of Tony Starr doesn't

1626
01:13:20,520 --> 01:13:23,920
Speaker 5: reappeal to me because Tony Stark is pretty evil already,

1627
01:13:24,000 --> 01:13:25,919
Speaker 5: So it's not like that's.

1628
01:13:25,680 --> 01:13:27,920
Speaker 4: Really appealing to me. What is appealing to me.

1629
01:13:28,000 --> 01:13:31,760
Speaker 5: Is if they do it where it's more it is

1630
01:13:31,920 --> 01:13:35,200
Speaker 5: a Victor von Doom, and Robert Downey Junior plays it

1631
01:13:35,240 --> 01:13:39,080
Speaker 5: straight as an Eastern European man, you know, and plays

1632
01:13:39,120 --> 01:13:42,400
Speaker 5: it as Victor von Doom, And that I think is

1633
01:13:43,120 --> 01:13:45,799
Speaker 5: I don't know if audiences will want it, if Marvel

1634
01:13:45,880 --> 01:13:47,559
Speaker 5: is willing to do that because of money, you know,

1635
01:13:47,600 --> 01:13:50,040
Speaker 5: and they just want him to be evil Tony you know,

1636
01:13:50,080 --> 01:13:50,519
Speaker 5: and make.

1637
01:13:50,439 --> 01:13:51,920
Speaker 4: Smart quips and all this shit.

1638
01:13:52,520 --> 01:13:54,880
Speaker 5: And I can't see that Doom doesn't make equips like right,

1639
01:13:55,120 --> 01:13:57,600
Speaker 5: you know, that's just not him. I've never seen a

1640
01:13:57,680 --> 01:13:59,680
Speaker 5: version of him. I've never reread that one where it's

1641
01:13:59,680 --> 01:14:04,439
Speaker 5: Tony arm right whatever. Yeah, No, So if he plays

1642
01:14:04,439 --> 01:14:06,559
Speaker 5: it like that, I could see it, and I would

1643
01:14:06,600 --> 01:14:08,320
Speaker 5: love to see it. So we'll see, Like if he

1644
01:14:08,479 --> 01:14:11,240
Speaker 5: brings that trump a thunder of you know, I'm I

1645
01:14:11,280 --> 01:14:13,920
Speaker 5: don't stop till you know I read the DVD, you.

1646
01:14:13,880 --> 01:14:16,960
Speaker 4: Know, like you.

1647
01:14:18,479 --> 01:14:22,360
Speaker 5: Know what I mean, Like that yo, that scene where

1648
01:14:22,360 --> 01:14:24,960
Speaker 5: he loses it and goes from the Black Dude to.

1649
01:14:24,920 --> 01:14:31,960
Speaker 2: Thee yes yes he like, and that was they was

1650
01:14:32,000 --> 01:14:34,840
Speaker 2: trying to get Ben Steeler's character out of his side

1651
01:14:34,880 --> 01:14:37,960
Speaker 2: cooasist and they end up pleating this his ass into Sidcoast.

1652
01:14:38,880 --> 01:14:41,080
Speaker 3: God damn. I mean I still with that movie. It

1653
01:14:41,160 --> 01:14:44,360
Speaker 3: go hard for me, bro Yeah, but I.

1654
01:14:44,360 --> 01:14:47,800
Speaker 5: Think it's Robert Downey who carries that movie like it's

1655
01:14:47,800 --> 01:14:50,600
Speaker 5: been still you know, and then the Black Dude is

1656
01:14:50,600 --> 01:14:51,400
Speaker 5: funny reaction.

1657
01:14:51,800 --> 01:14:55,360
Speaker 3: I'm not gonna lie like it so much hits for me.

1658
01:14:55,560 --> 01:14:58,360
Speaker 2: I think I also love that cast so like yes,

1659
01:14:58,720 --> 01:15:00,840
Speaker 2: because I don't think you get the comedy with that

1660
01:15:00,920 --> 01:15:01,519
Speaker 2: kind of cast.

1661
01:15:02,080 --> 01:15:07,720
Speaker 5: Maybe not everybody's in it, like an.

1662
01:15:08,560 --> 01:15:10,960
Speaker 2: Matthew when Kane is in there playing an agent, like

1663
01:15:11,000 --> 01:15:13,479
Speaker 2: it's just that's never happening again.

1664
01:15:13,840 --> 01:15:16,040
Speaker 4: But I forgot.

1665
01:15:18,240 --> 01:15:20,400
Speaker 3: Even Jack Black.

1666
01:15:22,040 --> 01:15:25,720
Speaker 4: A hard decision over that. Sh Yeah, we.

1667
01:15:25,840 --> 01:15:30,200
Speaker 3: Sucking through that team. I got that wrong, man, Nah,

1668
01:15:30,320 --> 01:15:31,719
Speaker 3: that that's my ship y'all.

1669
01:15:32,080 --> 01:15:34,880
Speaker 2: But but but but I think I take your point though,

1670
01:15:34,880 --> 01:15:40,360
Speaker 2: because I am I am intrigued, which is something I

1671
01:15:40,360 --> 01:15:42,760
Speaker 2: can't say I would have been going into Comic Con

1672
01:15:43,280 --> 01:15:47,040
Speaker 2: because they had so much stuff laid out in advance.

1673
01:15:46,680 --> 01:15:47,320
Speaker 3: For the mc U.

1674
01:15:47,439 --> 01:15:50,880
Speaker 2: Now it's starting to feel like Comic CON's a shareholders mean,

1675
01:15:51,200 --> 01:15:51,840
Speaker 2: you know what I mean?

1676
01:15:52,000 --> 01:15:53,200
Speaker 3: Like, it's just all right.

1677
01:15:53,280 --> 01:15:57,000
Speaker 2: Third quarter twenty twenty seven will be having another property drive.

1678
01:15:57,080 --> 01:15:58,760
Speaker 3: I'm like, that's not why I got into it.

1679
01:15:59,040 --> 01:16:00,920
Speaker 2: No, I got into it because I'm like, Yo, the

1680
01:16:01,000 --> 01:16:04,000
Speaker 2: Hulk is fighting throwing this next joint. That's what got

1681
01:16:04,000 --> 01:16:08,080
Speaker 2: my blood pumping period. So you're not even showing me

1682
01:16:08,120 --> 01:16:10,800
Speaker 2: a trailer. You're just gonna tell me, like, here's the

1683
01:16:10,800 --> 01:16:13,040
Speaker 2: next ley of movies. Once you get as far as

1684
01:16:13,080 --> 01:16:16,240
Speaker 2: they're getting right, right, so like bringing the Russo's back.

1685
01:16:16,560 --> 01:16:18,680
Speaker 2: You got my attention because I think they made some

1686
01:16:18,760 --> 01:16:25,120
Speaker 2: good ass movies. Civil War still goes hard. You muted,

1687
01:16:26,320 --> 01:16:30,280
Speaker 2: or your mic isn't picking up or something. Uh oh,

1688
01:16:33,040 --> 01:16:35,920
Speaker 2: you might have to refresh if if it's.

1689
01:16:36,120 --> 01:16:40,040
Speaker 3: If it's giving your hard time. Yeah yeah he was.

1690
01:16:40,640 --> 01:16:43,040
Speaker 3: He was talking though for a second. Let me make

1691
01:16:43,040 --> 01:16:44,320
Speaker 3: sure I invite him back on the screen.

1692
01:16:44,360 --> 01:16:46,280
Speaker 2: Sorry, everybody, we just want to make sure we get

1693
01:16:46,280 --> 01:16:50,240
Speaker 2: this right, because I think I have to reinvite them back.

1694
01:16:50,640 --> 01:16:51,080
Speaker 3: I think I.

1695
01:16:51,360 --> 01:16:54,760
Speaker 7: Made him at back on.

1696
01:16:55,000 --> 01:16:57,240
Speaker 2: Okay, Okay, all right, well let's give it a second.

1697
01:16:57,280 --> 01:17:01,120
Speaker 2: Hopefully you get back in. Okay, I'll see make sure I.

1698
01:17:01,160 --> 01:17:06,680
Speaker 3: Write on the main stage and make him a speaker.

1699
01:17:07,160 --> 01:17:10,799
Speaker 3: Mm hmm. Okay, so let's just give it a second.

1700
01:17:11,479 --> 01:17:16,600
Speaker 2: But but yeah, bringing the Russo's back was exciting to

1701
01:17:16,640 --> 01:17:18,479
Speaker 2: me because they made Civil War.

1702
01:17:19,080 --> 01:17:22,120
Speaker 3: I think, I think if any war and end game.

1703
01:17:22,360 --> 01:17:24,599
Speaker 2: If I'm not mistaken, I know they definitely did end

1704
01:17:24,600 --> 01:17:29,920
Speaker 2: game and they definitely did captain Civil War. So I'm

1705
01:17:29,920 --> 01:17:31,519
Speaker 2: a fan of theirs, you know, all the way going

1706
01:17:31,560 --> 01:17:34,360
Speaker 2: back to like the community days, because they also did.

1707
01:17:34,320 --> 01:17:37,880
Speaker 3: Community community, yes, I community, so.

1708
01:17:38,600 --> 01:17:43,280
Speaker 2: Like they had me excited just off of that announcement alone. Okay,

1709
01:17:43,320 --> 01:17:47,760
Speaker 2: I see you being okay to hear you were saying something.

1710
01:17:47,760 --> 01:17:52,240
Speaker 2: I'm sorry you got got muted on you. Oh wait,

1711
01:17:52,360 --> 01:17:53,400
Speaker 2: can you not hear us?

1712
01:17:53,880 --> 01:17:59,760
Speaker 3: Oh ship? Can you ben? I don't think you hear us? Okay,

1713
01:18:00,840 --> 01:18:04,120
Speaker 3: can you see me care? Yes? Okay, let me refresh.

1714
01:18:05,880 --> 01:18:14,800
Speaker 2: Oh oh my goodness, problem goodness podcast. Everything was going

1715
01:18:14,880 --> 01:18:19,120
Speaker 2: fine then it wasn't. It was its trying to join

1716
01:18:19,160 --> 01:18:22,479
Speaker 2: the stage. There you go, Okay, I'm back. Can you

1717
01:18:22,520 --> 01:18:24,240
Speaker 2: hear me, Ben, Yes, I can.

1718
01:18:24,400 --> 01:18:27,760
Speaker 3: Okay, yeah here you were saying something when I brought

1719
01:18:27,840 --> 01:18:28,880
Speaker 3: the Russo's coming back.

1720
01:18:29,640 --> 01:18:34,880
Speaker 5: Yeah, the two screen writers are also coming back. Okay, yeah,

1721
01:18:34,760 --> 01:18:37,160
Speaker 5: who did all the Captain America films and then did

1722
01:18:37,200 --> 01:18:39,280
Speaker 5: Infinity War and Game.

1723
01:18:39,520 --> 01:18:42,120
Speaker 3: So I think, you know, I think that's that's dope.

1724
01:18:42,760 --> 01:18:45,519
Speaker 2: Russo's are directed well because they do real good if

1725
01:18:45,520 --> 01:18:51,680
Speaker 2: they have the material, like it's a little harder for them.

1726
01:18:51,760 --> 01:18:52,840
Speaker 3: Yeah, I saw it.

1727
01:18:52,960 --> 01:18:56,840
Speaker 5: Yes, yeah, Tom Holland ain't never leaving Peter Parker.

1728
01:18:56,800 --> 01:19:01,320
Speaker 3: No man, nah he gotry.

1729
01:19:01,439 --> 01:19:03,800
Speaker 5: Was his attempt to get out of there and no,

1730
01:19:04,000 --> 01:19:06,200
Speaker 5: come on back, bro, put the pants back on.

1731
01:19:06,320 --> 01:19:11,000
Speaker 3: Let's do it. But yeah, so so they have been excited.

1732
01:19:10,600 --> 01:19:15,600
Speaker 4: With another sweat with like you know your lanes.

1733
01:19:16,960 --> 01:19:18,720
Speaker 3: Killing in his lane, killing.

1734
01:19:18,439 --> 01:19:19,960
Speaker 4: It, you are killing it over here.

1735
01:19:20,560 --> 01:19:23,840
Speaker 2: Don't do nothing else that lesard lessand Dyer step out

1736
01:19:23,880 --> 01:19:24,439
Speaker 2: of her lane.

1737
01:19:24,600 --> 01:19:26,040
Speaker 3: She the one she could do.

1738
01:19:26,439 --> 01:19:26,799
Speaker 4: Mellow.

1739
01:19:27,320 --> 01:19:36,559
Speaker 5: I can't say, you know, yeah, there's after it's hard.

1740
01:19:37,120 --> 01:19:40,280
Speaker 3: It's hard. It is. He did Uncharted. You know they're

1741
01:19:40,280 --> 01:19:43,880
Speaker 3: getting a sequel, you know, good luck to you and Mark.

1742
01:19:43,520 --> 01:19:45,720
Speaker 4: Is he just doing Peter Parker getting that ship.

1743
01:19:45,560 --> 01:19:50,360
Speaker 2: Kind of kind of kind of yeah, it's in his lane,

1744
01:19:52,479 --> 01:19:56,000
Speaker 2: but but yeah, So them bringing R d J out

1745
01:19:56,000 --> 01:19:58,920
Speaker 2: for me just made my mind like intrigued. I just

1746
01:19:58,960 --> 01:20:01,280
Speaker 2: want to see what they're gonna do, because I like,

1747
01:20:01,520 --> 01:20:04,840
Speaker 2: I did read the Iron Man Doctor.

1748
01:20:04,600 --> 01:20:06,320
Speaker 3: Doom crossover comic.

1749
01:20:06,479 --> 01:20:07,120
Speaker 7: It was cool.

1750
01:20:07,600 --> 01:20:09,880
Speaker 3: Maybe they do that, maybe they don't. I feel like.

1751
01:20:11,920 --> 01:20:15,280
Speaker 2: Before that, I just thought, Okay, we're going to like

1752
01:20:15,600 --> 01:20:18,679
Speaker 2: Secret Wars, y'all gonna bring the X Men in. Maybe

1753
01:20:18,720 --> 01:20:21,400
Speaker 2: y'all gon do X Men versus Avengers. So my mind

1754
01:20:21,439 --> 01:20:23,760
Speaker 2: I had already mapped out all this other stuff. They

1755
01:20:23,760 --> 01:20:26,759
Speaker 2: gave my mind to Sword where I was like, oh, okay,

1756
01:20:26,840 --> 01:20:28,439
Speaker 2: well shit, show me what y'all gonna do with that,

1757
01:20:28,520 --> 01:20:31,439
Speaker 2: cause I don't know, but if somebody can make it work,

1758
01:20:31,439 --> 01:20:33,320
Speaker 2: it's this group of people, and if it don't work,

1759
01:20:33,360 --> 01:20:34,920
Speaker 2: then it just don't work. It ain't the end of

1760
01:20:34,920 --> 01:20:37,439
Speaker 2: the world for me. It's just another movie.

1761
01:20:38,120 --> 01:20:39,360
Speaker 4: I did. Like that comic con.

1762
01:20:39,400 --> 01:20:41,800
Speaker 5: They didn't relay out too far, like they didn't say

1763
01:20:41,840 --> 01:20:43,960
Speaker 5: when the X Men or any of that stuff, or

1764
01:20:44,120 --> 01:20:46,880
Speaker 5: just like it's like the next two years, and then

1765
01:20:46,920 --> 01:20:49,520
Speaker 5: the only thing they talked about after that was you know, Avengers.

1766
01:20:49,520 --> 01:20:51,639
Speaker 4: It's right, you know that's coming in twenty seven.

1767
01:20:51,760 --> 01:20:54,599
Speaker 5: But it's really about you know, these next four films

1768
01:20:54,600 --> 01:20:56,320
Speaker 5: we got, you know, fantastic four them.

1769
01:20:57,720 --> 01:20:58,639
Speaker 4: I don't know barely.

1770
01:20:58,760 --> 01:21:02,759
Speaker 2: Yeah, yeah, Captain Man, A, Captain America, Braveney World, something

1771
01:21:02,800 --> 01:21:03,080
Speaker 2: like that.

1772
01:21:04,600 --> 01:21:08,439
Speaker 3: Good luck about to see if MACKI can help a

1773
01:21:08,520 --> 01:21:09,120
Speaker 3: film though.

1774
01:21:10,040 --> 01:21:13,000
Speaker 2: Yeah, we'll being we about seek any his own Hey,

1775
01:21:13,080 --> 01:21:16,519
Speaker 2: on the on the on the real I never thought

1776
01:21:16,560 --> 01:21:19,680
Speaker 2: we'd get here like this. I gotta say, if we

1777
01:21:19,760 --> 01:21:22,720
Speaker 2: take a take a ten thousand step foot back, everybody,

1778
01:21:22,760 --> 01:21:25,559
Speaker 2: just take a step back and just think about it

1779
01:21:25,640 --> 01:21:30,960
Speaker 2: on a macro level, not micro. Anthony Mackie Captain America movie.

1780
01:21:31,600 --> 01:21:33,400
Speaker 2: If I would have told you that, you would have said,

1781
01:21:33,400 --> 01:21:34,519
Speaker 2: you out your fucking mind.

1782
01:21:34,600 --> 01:21:34,840
Speaker 5: Rod.

1783
01:21:36,160 --> 01:21:40,679
Speaker 4: You could have told me that after Steve Yes, yes.

1784
01:21:41,760 --> 01:21:43,840
Speaker 3: Ben, when he got the TV show, I wasn't happy

1785
01:21:43,840 --> 01:21:46,120
Speaker 3: for him. I say, oh, okay, good for you, MACKI

1786
01:21:46,640 --> 01:21:48,640
Speaker 3: got you a TV show. God split it with a

1787
01:21:48,640 --> 01:21:49,080
Speaker 3: white man.

1788
01:21:49,120 --> 01:21:49,759
Speaker 7: But it's cool.

1789
01:21:50,920 --> 01:21:53,320
Speaker 2: You know you got half a TV show, Bro, I

1790
01:21:53,320 --> 01:21:55,320
Speaker 2: didn't see that coming for you.

1791
01:21:55,360 --> 01:21:57,120
Speaker 3: A movie ship.

1792
01:21:57,080 --> 01:21:59,200
Speaker 4: Man, Oh wow? I know?

1793
01:21:59,600 --> 01:22:00,000
Speaker 3: Good lie?

1794
01:22:00,120 --> 01:22:01,799
Speaker 4: Has he ever led a movie before?

1795
01:22:02,040 --> 01:22:05,880
Speaker 3: Not any that, not any that y'all think are good.

1796
01:22:06,040 --> 01:22:09,280
Speaker 2: Yeah, not one with this budget level, not that y'all

1797
01:22:09,280 --> 01:22:10,840
Speaker 2: think it's good he has.

1798
01:22:11,080 --> 01:22:13,439
Speaker 3: I watched Twisted Metal, you know what I'm saying. It

1799
01:22:13,560 --> 01:22:14,480
Speaker 3: was hilarious.

1800
01:22:15,040 --> 01:22:18,400
Speaker 5: I Hey, I'm gonna tell you right now.

1801
01:22:18,439 --> 01:22:21,320
Speaker 2: I don't know when it hits. It's maybe it's like

1802
01:22:21,640 --> 01:22:26,040
Speaker 2: that more cow bell sketch, you know. But but Ben,

1803
01:22:26,240 --> 01:22:28,759
Speaker 2: I'm gonna tell you right now, boy, probably you probably

1804
01:22:28,800 --> 01:22:30,800
Speaker 2: did the best thing cutting it off twenty minutes in,

1805
01:22:31,600 --> 01:22:33,759
Speaker 2: because I watched a whole fucking season.

1806
01:22:33,760 --> 01:22:35,760
Speaker 3: Once it got a hold of me, I couldn't let

1807
01:22:35,760 --> 01:22:35,960
Speaker 3: it go.

1808
01:22:36,080 --> 01:22:36,280
Speaker 2: Man.

1809
01:22:36,840 --> 01:22:40,559
Speaker 3: Everything this man does is hilarious, and I don't it's

1810
01:22:40,600 --> 01:22:42,719
Speaker 3: not supposed to be funny. I don't think I'm supposed

1811
01:22:42,960 --> 01:22:44,320
Speaker 3: like he's trying to be funny.

1812
01:22:44,320 --> 01:22:47,640
Speaker 2: But I'm laughing at a whole different fucking way that

1813
01:22:47,760 --> 01:22:50,639
Speaker 2: he intended for me to laugh. But it's just as good.

1814
01:22:51,680 --> 01:22:55,520
Speaker 2: I can't wait for season two. And I'm say that ironically.

1815
01:22:56,400 --> 01:22:58,760
Speaker 2: When that ship ended, I said, bring the snigger back.

1816
01:22:58,800 --> 01:23:01,160
Speaker 2: He's doing like a bad Ryan Reynolds impression.

1817
01:23:02,960 --> 01:23:04,840
Speaker 3: It's so bad good.

1818
01:23:04,760 --> 01:23:12,040
Speaker 2: Man, right, I can't believe he did this, But thank

1819
01:23:12,080 --> 01:23:13,439
Speaker 2: you for doing it, you know what I'm saying.

1820
01:23:15,240 --> 01:23:18,360
Speaker 3: The other nerd yeah, I've seen it. I've seen all

1821
01:23:18,400 --> 01:23:18,640
Speaker 3: of them.

1822
01:23:18,680 --> 01:23:22,280
Speaker 2: I've seen all we That's that's a match made in hell, right,

1823
01:23:22,360 --> 01:23:26,519
Speaker 2: because Ryan Reynolds and Deadpool, that's the same person.

1824
01:23:27,000 --> 01:23:27,360
Speaker 7: It is.

1825
01:23:27,479 --> 01:23:29,880
Speaker 2: It's the same like that is like I don't think

1826
01:23:29,920 --> 01:23:31,960
Speaker 2: nobody else could do the movies and they make a

1827
01:23:31,960 --> 01:23:34,679
Speaker 2: billion dollars and I don't think yeah, and I don't

1828
01:23:34,680 --> 01:23:37,880
Speaker 2: think he could have played any other character that would

1829
01:23:37,880 --> 01:23:39,880
Speaker 2: have he could have done and we'd be like, yeah,

1830
01:23:39,880 --> 01:23:43,519
Speaker 2: that's a billion dollar movie. It just happened to line up.

1831
01:23:43,640 --> 01:23:46,640
Speaker 2: He got the perfect type of being annoying and the

1832
01:23:46,800 --> 01:23:47,800
Speaker 2: Deadpool does too.

1833
01:23:48,120 --> 01:23:51,400
Speaker 7: The personalities match. Oh, I know what I was gonna say.

1834
01:23:51,920 --> 01:23:55,200
Speaker 6: He was talking about what I think, what we think about.

1835
01:23:56,840 --> 01:23:59,680
Speaker 3: For me, I'm not gonna lie right to talk me.

1836
01:23:59,720 --> 01:24:03,519
Speaker 6: I was like, okay, cool, and I think the way

1837
01:24:04,240 --> 01:24:06,200
Speaker 6: I consume things very differently.

1838
01:24:06,240 --> 01:24:07,479
Speaker 3: I'm like, okay, cool.

1839
01:24:08,320 --> 01:24:10,720
Speaker 6: I want to see what they're gonna do with it,

1840
01:24:10,840 --> 01:24:14,479
Speaker 6: Like like I didn't. I didn't just jump and just

1841
01:24:15,400 --> 01:24:18,519
Speaker 6: be like yay, your nay. I'm like, I'm gonna see

1842
01:24:18,520 --> 01:24:20,639
Speaker 6: what you give me and then I'm gonna make because

1843
01:24:20,640 --> 01:24:23,240
Speaker 6: it's like right saying it's so far off, so I'm

1844
01:24:23,240 --> 01:24:25,880
Speaker 6: not gonna waste my time getting pre mad three years

1845
01:24:25,880 --> 01:24:27,920
Speaker 6: in advance, like like, in my mind, that's.

1846
01:24:27,760 --> 01:24:28,320
Speaker 3: What I mean.

1847
01:24:28,720 --> 01:24:30,479
Speaker 2: That's what I mean about to starting to feel like

1848
01:24:30,479 --> 01:24:33,719
Speaker 2: a shareholder means you want me to get excited about

1849
01:24:33,760 --> 01:24:36,320
Speaker 2: something that I could be dead by then, Bro.

1850
01:24:37,200 --> 01:24:39,840
Speaker 3: I don't like. Y'all got a lot of work to

1851
01:24:39,880 --> 01:24:41,439
Speaker 3: do to make that work.

1852
01:24:42,800 --> 01:24:44,519
Speaker 4: I'm hoping to make it to August twenty seven.

1853
01:24:47,960 --> 01:24:50,000
Speaker 5: My used thing was I wanted to live to see

1854
01:24:50,000 --> 01:24:52,160
Speaker 5: the end of Lost, right, and then I wanted to

1855
01:24:52,200 --> 01:24:55,280
Speaker 5: live to see the end of Endame. And since I've

1856
01:24:55,280 --> 01:24:57,640
Speaker 5: done those things, Marvel can't hold no more.

1857
01:24:58,640 --> 01:25:01,679
Speaker 3: Yeah you'll find something money, yeah, yeah.

1858
01:25:02,120 --> 01:25:05,599
Speaker 4: Right now, right right, you have to pick.

1859
01:25:05,640 --> 01:25:08,840
Speaker 2: You gotta pick life goals now, like you out of

1860
01:25:09,400 --> 01:25:11,360
Speaker 2: out of entertainment. But but but the thing I was

1861
01:25:11,360 --> 01:25:14,720
Speaker 2: saying though, is like, oh, and the reason I'm like,

1862
01:25:14,880 --> 01:25:17,680
Speaker 2: I don't I feel neutral. I don't feel like excited

1863
01:25:17,840 --> 01:25:21,519
Speaker 2: or mad or disappointed because y'all have to do the

1864
01:25:21,560 --> 01:25:25,360
Speaker 2: work you gotta. I have to watch Captain America Brave

1865
01:25:25,439 --> 01:25:28,080
Speaker 2: New World and feel like, oh, I want to see

1866
01:25:28,120 --> 01:25:31,360
Speaker 2: the next thing y'all do. Y'all have like six seven

1867
01:25:31,400 --> 01:25:35,400
Speaker 2: movies before we get the fucking doudesday. So it's maybe

1868
01:25:35,640 --> 01:25:37,559
Speaker 2: you know what I'm saying, like maybe if it's if

1869
01:25:37,560 --> 01:25:39,479
Speaker 2: it's still lit in two years, let's go.

1870
01:25:39,640 --> 01:25:43,040
Speaker 7: It's a far off. And also I think that it's.

1871
01:25:42,840 --> 01:25:46,760
Speaker 6: Just mean because we win a few years without the

1872
01:25:46,840 --> 01:25:50,160
Speaker 6: comic cons type of thing being the go to spot

1873
01:25:50,200 --> 01:25:54,160
Speaker 6: for everybody, I think a lot more information is gonna

1874
01:25:54,160 --> 01:25:55,720
Speaker 6: be shared at the D twenty three.

1875
01:25:56,600 --> 01:25:57,240
Speaker 3: That's possible.

1876
01:25:57,479 --> 01:25:59,760
Speaker 2: Yeah, you know what, they definitely didn't talk about a

1877
01:25:59,760 --> 01:26:02,400
Speaker 2: lot shit the rest coming out, yes.

1878
01:26:02,439 --> 01:26:04,559
Speaker 6: Like like so so I think like a lot of

1879
01:26:04,600 --> 01:26:08,639
Speaker 6: the information that before they would have shared that comic Con,

1880
01:26:08,920 --> 01:26:10,519
Speaker 6: they're saving it for their own spot.

1881
01:26:10,960 --> 01:26:14,599
Speaker 7: And maybe maybe that's just me. I like everybody doing

1882
01:26:14,600 --> 01:26:15,240
Speaker 7: their own spot.

1883
01:26:15,400 --> 01:26:20,200
Speaker 6: I liked when Nintendo Xbox, you know, and the reason

1884
01:26:20,240 --> 01:26:23,000
Speaker 6: why is because I'm doing it here.

1885
01:26:23,600 --> 01:26:26,760
Speaker 3: Everybody's here wants to be here, Like you know what I'm.

1886
01:26:26,640 --> 01:26:28,880
Speaker 6: Saying, Like, like we don't have to deal with people

1887
01:26:29,080 --> 01:26:31,519
Speaker 6: folding their arms, huffing and puffing and being angry.

1888
01:26:31,560 --> 01:26:33,000
Speaker 3: It's like, well, bitch, you ain't got to be here.

1889
01:26:33,400 --> 01:26:37,479
Speaker 6: Like we're presenting this to people that actually want to consumes,

1890
01:26:38,240 --> 01:26:40,600
Speaker 6: and so guess what you guess what your press is

1891
01:26:40,640 --> 01:26:42,679
Speaker 6: gonna be positive if not trying to be funny people,

1892
01:26:42,880 --> 01:26:45,240
Speaker 6: everything's gonna be positive, Like you don't have to deal

1893
01:26:45,320 --> 01:26:47,200
Speaker 6: with all of that a lot of the negativity that

1894
01:26:47,320 --> 01:26:48,080
Speaker 6: comes along with it.

1895
01:26:48,120 --> 01:26:50,800
Speaker 2: And because that definitely was happening at Comic Con before

1896
01:26:50,840 --> 01:26:54,280
Speaker 2: the pandemic, where people started feeling like trapped in the room.

1897
01:26:54,479 --> 01:26:58,040
Speaker 2: You're like, no one wants to see this DC fucking panel,

1898
01:26:58,080 --> 01:26:59,479
Speaker 2: But where the fuck else we gonna go?

1899
01:27:01,280 --> 01:27:01,679
Speaker 3: They going?

1900
01:27:02,479 --> 01:27:05,360
Speaker 5: You know this year people, because I know people sat

1901
01:27:05,400 --> 01:27:08,000
Speaker 5: there through panels to wait for the Marvel panel and

1902
01:27:08,040 --> 01:27:10,679
Speaker 5: I didn't want to see this panel, but I had

1903
01:27:10,720 --> 01:27:11,280
Speaker 5: to wait.

1904
01:27:11,160 --> 01:27:15,080
Speaker 2: Right, So it's not fair to those panels because no

1905
01:27:15,120 --> 01:27:17,000
Speaker 2: one should sit through You're right, I do like the

1906
01:27:17,040 --> 01:27:17,599
Speaker 2: direct stuff.

1907
01:27:17,640 --> 01:27:20,760
Speaker 6: Yeah, and and and and I think another reason for

1908
01:27:20,840 --> 01:27:23,160
Speaker 6: me personally why I like the direct stuff. Maybe this

1909
01:27:23,280 --> 01:27:25,960
Speaker 6: is just me and maybe because I'm petty. I wish

1910
01:27:26,040 --> 01:27:29,000
Speaker 6: they would have had the direct stuff years ago so

1911
01:27:29,240 --> 01:27:35,240
Speaker 6: that when UH PlayStations sided to kick they kinetic thing off,

1912
01:27:35,920 --> 01:27:38,400
Speaker 6: they wouldn't have had that problem everybody with it. But

1913
01:27:38,479 --> 01:27:40,880
Speaker 6: I here's our fan, because I don't care what nobody saying.

1914
01:27:41,280 --> 01:27:44,800
Speaker 6: Bit y'all stole the future from me because Xbox was like,

1915
01:27:45,200 --> 01:27:46,479
Speaker 6: I want to do great things.

1916
01:27:46,479 --> 01:27:49,160
Speaker 3: They was like, you can share with your friends. They

1917
01:27:49,640 --> 01:27:49,920
Speaker 3: was like.

1918
01:27:49,920 --> 01:27:53,320
Speaker 6: Trying to give us the future, and and all these

1919
01:27:55,080 --> 01:27:58,360
Speaker 6: all these motherfucking nerds you get on my nerves. They

1920
01:27:58,400 --> 01:28:00,960
Speaker 6: give you the future, and you go, why we got

1921
01:28:00,960 --> 01:28:02,000
Speaker 6: to always be online?

1922
01:28:02,040 --> 01:28:03,479
Speaker 7: Bit? Everybody always online?

1923
01:28:03,479 --> 01:28:03,679
Speaker 5: Now?

1924
01:28:04,240 --> 01:28:04,439
Speaker 3: You know?

1925
01:28:04,640 --> 01:28:06,120
Speaker 7: Not telling me like like that's the shit that make

1926
01:28:06,200 --> 01:28:06,519
Speaker 7: me mad.

1927
01:28:06,600 --> 01:28:09,960
Speaker 6: It's like you're complaining about shit that don't matter. It

1928
01:28:10,040 --> 01:28:11,760
Speaker 6: was like I wanted to be able to share with

1929
01:28:11,800 --> 01:28:14,360
Speaker 6: my friends, like I remember what they promised me, and.

1930
01:28:14,360 --> 01:28:16,519
Speaker 7: We still ain't got all that shit. So I so

1931
01:28:16,640 --> 01:28:19,599
Speaker 7: I'm gonna be forever mad at them nerds.

1932
01:28:19,880 --> 01:28:24,280
Speaker 2: Been speaking of dings, Game of Thrones, House of the

1933
01:28:24,400 --> 01:28:28,679
Speaker 2: Dragon last Sunday had an ending that seeing the fall

1934
01:28:28,720 --> 01:28:34,240
Speaker 2: flat for a lot of people. Man, we gotta do

1935
01:28:34,280 --> 01:28:36,800
Speaker 2: our review tomorrow. But I'm just I said this on

1936
01:28:36,840 --> 01:28:40,600
Speaker 2: Twitter and it either needed to be. It needed to

1937
01:28:40,640 --> 01:28:44,000
Speaker 2: either end with episode seven or it needed to be

1938
01:28:44,160 --> 01:28:49,960
Speaker 2: ten episodes ending on episode eight. Was it just it

1939
01:28:50,120 --> 01:28:52,120
Speaker 2: just does not feel like an ending to me. It

1940
01:28:52,240 --> 01:28:55,320
Speaker 2: just feels like I just like, here's what.

1941
01:28:55,320 --> 01:28:55,920
Speaker 3: The story is.

1942
01:28:55,960 --> 01:28:58,360
Speaker 2: By like it's like you feel like get kicked out

1943
01:28:58,400 --> 01:29:01,000
Speaker 2: someone house early where it's like, yeah, the fight didn't

1944
01:29:01,000 --> 01:29:03,160
Speaker 2: even start, Bobe, Man, it was nice seeing you.

1945
01:29:04,080 --> 01:29:08,280
Speaker 5: Yeah, we did our review, you know, this week on Sunday,

1946
01:29:08,600 --> 01:29:10,439
Speaker 5: and so I've had a few more days to think

1947
01:29:10,439 --> 01:29:13,280
Speaker 5: about it, and I pretty much agree. And it's like

1948
01:29:13,320 --> 01:29:16,200
Speaker 5: now I've been reading like even YouTube comments on our

1949
01:29:16,280 --> 01:29:19,720
Speaker 5: review and like someone said, they came in and you

1950
01:29:19,720 --> 01:29:22,760
Speaker 5: were talking about this earlier on and it's like, it's

1951
01:29:22,840 --> 01:29:25,639
Speaker 5: harder for me these days, because I've worked in television,

1952
01:29:25,680 --> 01:29:27,799
Speaker 5: because I've written scripts, because i know how the sausage

1953
01:29:27,840 --> 01:29:31,920
Speaker 5: is made, it's harder for me to either accept things

1954
01:29:32,280 --> 01:29:36,800
Speaker 5: or and also to criticize them. Now with this, it

1955
01:29:36,960 --> 01:29:39,559
Speaker 5: was it's hard for me to accept that this felt

1956
01:29:39,600 --> 01:29:42,400
Speaker 5: like money, you know, just like halfway through.

1957
01:29:42,240 --> 01:29:45,200
Speaker 4: The season, I swear and they I feel like.

1958
01:29:45,200 --> 01:29:47,040
Speaker 5: They're never gonn admit this, and they probably leaded it,

1959
01:29:47,040 --> 01:29:49,240
Speaker 5: but I remember them saying before this show started it

1960
01:29:49,520 --> 01:29:52,800
Speaker 5: we're gonna do two seasons. It's that's it. And now

1961
01:29:52,840 --> 01:29:54,840
Speaker 5: I saw some of Today where George Martin said that

1962
01:29:54,840 --> 01:29:58,320
Speaker 5: they needed four seasons of ten episodes each to tell

1963
01:29:58,400 --> 01:30:01,679
Speaker 5: this story all the way from what people have read

1964
01:30:01,680 --> 01:30:05,400
Speaker 5: the book, tell me that's not true, you know, And

1965
01:30:05,920 --> 01:30:08,519
Speaker 5: it feels like even halfway through the season, I knew

1966
01:30:08,560 --> 01:30:13,439
Speaker 5: they were padding it out. But like my problem is

1967
01:30:13,439 --> 01:30:18,680
Speaker 5: as a writer, you introduced story arcs this season that

1968
01:30:18,800 --> 01:30:23,280
Speaker 5: you didn't resolve in any meaningful way, and that that's

1969
01:30:23,439 --> 01:30:26,599
Speaker 5: I feel like that's weird, Like that's just it's it's

1970
01:30:27,040 --> 01:30:29,439
Speaker 5: it's unconventional, I guess, is one way you could look

1971
01:30:29,479 --> 01:30:29,720
Speaker 5: at it.

1972
01:30:30,200 --> 01:30:31,760
Speaker 4: But I just feel like that's.

1973
01:30:31,560 --> 01:30:35,479
Speaker 5: Not like you're serving a halfet meal or something, because it's, yeah,

1974
01:30:35,520 --> 01:30:38,760
Speaker 5: it's just not like like the whole shorty running through

1975
01:30:38,800 --> 01:30:41,040
Speaker 5: the woods, chasing after that god damn dragon, you know,

1976
01:30:41,160 --> 01:30:44,160
Speaker 5: and then for it to end on another fliphanger when

1977
01:30:44,240 --> 01:30:47,479
Speaker 5: we've had three episodes of her just running, you know,

1978
01:30:47,640 --> 01:30:49,559
Speaker 5: Forrest jumping it through this whole season.

1979
01:30:52,880 --> 01:30:55,559
Speaker 7: Do you think that the writer strike may have impacted

1980
01:30:55,600 --> 01:30:56,160
Speaker 7: the season too?

1981
01:30:56,200 --> 01:30:58,840
Speaker 2: That's what I was gonna say, is the word was

1982
01:30:58,920 --> 01:31:01,400
Speaker 2: because over there, if you film over there, you don't

1983
01:31:01,439 --> 01:31:02,920
Speaker 2: have to worry about the actors.

1984
01:31:03,240 --> 01:31:05,400
Speaker 3: So like that's why they were able to film the season.

1985
01:31:05,760 --> 01:31:08,519
Speaker 4: But jump right back to it. I remember that you're right.

1986
01:31:08,640 --> 01:31:14,280
Speaker 2: But the writers that ship was strike, right, so you

1987
01:31:14,320 --> 01:31:18,400
Speaker 2: can only put what they've written at the time, so.

1988
01:31:18,160 --> 01:31:19,360
Speaker 3: So you're not gonna get no rewrites.

1989
01:31:19,640 --> 01:31:23,479
Speaker 2: So halfway through filming their season writing was done, meaning

1990
01:31:23,520 --> 01:31:25,800
Speaker 2: they could not go back to the well for more

1991
01:31:25,800 --> 01:31:28,200
Speaker 2: writing until after the strike. And then they and the

1992
01:31:28,280 --> 01:31:30,759
Speaker 2: word I remember it coming down, like, oh, they're still filming.

1993
01:31:30,840 --> 01:31:34,240
Speaker 2: I was like, so they're gonna slow down so y'all

1994
01:31:34,280 --> 01:31:37,400
Speaker 2: can catch up, because that, my understanding is a lot

1995
01:31:37,479 --> 01:31:39,360
Speaker 2: a lot of ship the right. And then they were like,

1996
01:31:39,439 --> 01:31:41,360
Speaker 2: and the season is only eight episodes. I was like, well,

1997
01:31:41,360 --> 01:31:44,880
Speaker 2: the first one was ten I do. That's my conspiracy.

1998
01:31:44,920 --> 01:31:47,720
Speaker 2: Care is writ and strike writer strike fucked them up.

1999
01:31:48,240 --> 01:31:51,240
Speaker 2: They had about probably half a season, stretched it to eight,

2000
01:31:52,120 --> 01:31:54,080
Speaker 2: and then it was like, don't worry. We know we're

2001
01:31:54,080 --> 01:31:58,880
Speaker 2: getting renewed. We're gave me throngs. Well, we'll we'll we'll

2002
01:31:58,920 --> 01:32:02,719
Speaker 2: start off season read basically with the finale of season four.

2003
01:32:03,240 --> 01:32:06,439
Speaker 2: But it's not gonna feel good, like as a as

2004
01:32:06,479 --> 01:32:10,599
Speaker 2: a person consuming it, y'all weld, y'all would have been better.

2005
01:32:10,439 --> 01:32:12,400
Speaker 3: Off doing seven episodes.

2006
01:32:12,560 --> 01:32:15,040
Speaker 2: Yes, And the final image in your fans head is

2007
01:32:15,040 --> 01:32:18,080
Speaker 2: by narrowing them three dragons behind it, Yes, because then

2008
01:32:18,120 --> 01:32:20,880
Speaker 2: everybody's like, even if it's kind of a you kind

2009
01:32:20,920 --> 01:32:23,759
Speaker 2: of cheated your way out. It feels like an ending

2010
01:32:24,320 --> 01:32:28,680
Speaker 2: ish at seven where it's like, yo, next season it's on,

2011
01:32:29,120 --> 01:32:31,240
Speaker 2: but then you're gonna tell a little bit more story.

2012
01:32:31,360 --> 01:32:33,680
Speaker 3: Now we're like, well, why didn't you just fucking finish it?

2013
01:32:33,720 --> 01:32:37,000
Speaker 7: And also the thing is now I have to wait

2014
01:32:37,040 --> 01:32:37,599
Speaker 7: two years.

2015
01:32:37,600 --> 01:32:38,679
Speaker 3: So a lot of people are mad.

2016
01:32:39,000 --> 01:32:41,240
Speaker 6: They was like, you ended it like a cliffhanger of

2017
01:32:41,280 --> 01:32:43,240
Speaker 6: twenty four and then you was like, you got to

2018
01:32:43,280 --> 01:32:44,719
Speaker 6: wait two years. That don't make sense.

2019
01:32:45,600 --> 01:32:46,400
Speaker 3: Yes, it's tough.

2020
01:32:46,439 --> 01:32:48,800
Speaker 5: And the other problem is like that I have was

2021
01:32:48,920 --> 01:32:51,360
Speaker 5: I said this at the end of the first season.

2022
01:32:51,439 --> 01:32:53,880
Speaker 4: I was like, I feel like the that season should.

2023
01:32:53,640 --> 01:32:57,599
Speaker 5: Start off with people streaming and dragons burning everything, right,

2024
01:32:57,920 --> 01:33:00,639
Speaker 5: and you know, right near was on at that point,

2025
01:33:00,680 --> 01:33:03,280
Speaker 5: and it's like they basically just did a season of

2026
01:33:03,320 --> 01:33:06,840
Speaker 5: them debating to get back to the same point of okay,

2027
01:33:06,840 --> 01:33:07,760
Speaker 5: we're going to war for.

2028
01:33:07,960 --> 01:33:11,360
Speaker 3: Yes, yes, there's a a uh.

2029
01:33:11,560 --> 01:33:15,040
Speaker 2: There's a poetic symmetry to the beginning and end of

2030
01:33:15,080 --> 01:33:17,759
Speaker 2: the season if you want to look at it like

2031
01:33:17,760 --> 01:33:21,200
Speaker 2: like a Shakespearean tragedy of like they did everything they

2032
01:33:21,240 --> 01:33:24,599
Speaker 2: could to avoid this fate and yet they're still gonna

2033
01:33:24,640 --> 01:33:28,200
Speaker 2: go to battle. The problem is, I think you could

2034
01:33:28,200 --> 01:33:32,599
Speaker 2: have said that with episode seven, telling us a little

2035
01:33:32,640 --> 01:33:34,760
Speaker 2: bit more, just fox it all up because now back

2036
01:33:34,800 --> 01:33:36,240
Speaker 2: to like so what's gonna happen with that?

2037
01:33:36,880 --> 01:33:41,479
Speaker 5: Uh yeah, no, I fully agree. I think it should

2038
01:33:41,479 --> 01:33:43,760
Speaker 5: have been episode seven, or it should have been ten episodes,

2039
01:33:43,800 --> 01:33:46,080
Speaker 5: because I don't feel like they're gonna get to this

2040
01:33:46,160 --> 01:33:48,840
Speaker 5: big battle in the first episode of net season. I

2041
01:33:48,920 --> 01:33:51,479
Speaker 5: used to have more people moving into place, so to

2042
01:33:51,479 --> 01:33:54,040
Speaker 5: probably be like the second or third episode of that season.

2043
01:33:54,080 --> 01:33:56,240
Speaker 2: Because they're also gonna have to remind us because it's

2044
01:33:56,240 --> 01:33:58,759
Speaker 2: gonna be two years, so they're gonna have to reset

2045
01:33:58,840 --> 01:34:01,679
Speaker 2: everything back up, like y'all remember that this person didn't

2046
01:34:01,720 --> 01:34:04,040
Speaker 2: like this person, We need to talk about it again.

2047
01:34:04,120 --> 01:34:06,760
Speaker 2: And like there was another episode this season I was

2048
01:34:06,760 --> 01:34:10,000
Speaker 2: talking about where it felt like everyone just repeated their motivations,

2049
01:34:10,040 --> 01:34:12,960
Speaker 2: like yeah, I forget it was like five it might

2050
01:34:12,960 --> 01:34:14,920
Speaker 2: have been two weeks ago or something, but it was

2051
01:34:15,000 --> 01:34:18,679
Speaker 2: like every conversation was just like a conversation they had already.

2052
01:34:18,720 --> 01:34:22,040
Speaker 2: I'm like, no, nigga, we know that you you want

2053
01:34:22,040 --> 01:34:23,160
Speaker 2: to get food to.

2054
01:34:23,160 --> 01:34:27,160
Speaker 5: The Like showing up at the castle again that felt

2055
01:34:27,240 --> 01:34:31,240
Speaker 5: so forced, like they've already had this conversation, right, and

2056
01:34:31,479 --> 01:34:34,880
Speaker 5: the first time was pretty forced to do it in

2057
01:34:35,000 --> 01:34:37,280
Speaker 5: two seasons just because you want these two actors on

2058
01:34:37,320 --> 01:34:38,080
Speaker 5: the same stage.

2059
01:34:38,120 --> 01:34:40,080
Speaker 2: Yeah, I think that's what happened. They was like, listen,

2060
01:34:40,200 --> 01:34:42,559
Speaker 2: we didn't write enough we can get. I really think

2061
01:34:42,600 --> 01:34:44,559
Speaker 2: we think we could get like an Emmy nine if

2062
01:34:44,680 --> 01:34:46,799
Speaker 2: y'all just we're gonna put y'all in for ten minutes

2063
01:34:46,840 --> 01:34:49,679
Speaker 2: and y'all just go off and then we're gonna feelm

2064
01:34:49,680 --> 01:34:51,000
Speaker 2: that and set submit that.

2065
01:34:52,280 --> 01:34:52,880
Speaker 3: They just mad.

2066
01:34:53,000 --> 01:34:55,120
Speaker 6: They just they said we got to use the words.

2067
01:34:55,120 --> 01:34:57,760
Speaker 6: They just moved the words around seventeen times, that's what

2068
01:34:57,800 --> 01:34:58,160
Speaker 6: they did.

2069
01:34:58,520 --> 01:35:01,880
Speaker 2: Yeah, that was a weird That was a weird episode.

2070
01:35:01,960 --> 01:35:07,639
Speaker 2: But you know, preview for tomorrow, guys, I'm sure we'll

2071
01:35:07,680 --> 01:35:10,040
Speaker 2: still make it funny. But you know, it's just I

2072
01:35:10,080 --> 01:35:14,240
Speaker 2: saw that. Shit was like, that's it right, you talk about.

2073
01:35:15,040 --> 01:35:17,920
Speaker 6: Yeah, because not that funny the way that it ended,

2074
01:35:18,920 --> 01:35:21,040
Speaker 6: you know. I was like, well, we got about ten

2075
01:35:21,080 --> 01:35:24,640
Speaker 6: to fifteen more minutes, right, maybe another thirty minutes. I'm like, noo,

2076
01:35:24,800 --> 01:35:25,599
Speaker 6: see you in two years.

2077
01:35:25,640 --> 01:35:25,920
Speaker 3: All right.

2078
01:35:25,960 --> 01:35:27,519
Speaker 2: Just the last thing I want to bring up, and

2079
01:35:27,520 --> 01:35:31,080
Speaker 2: it's something i've been I was thinking about yesterday. Uh,

2080
01:35:31,200 --> 01:35:37,080
Speaker 2: they announced uh more Game of Thrones spin offs coming

2081
01:35:37,080 --> 01:35:41,760
Speaker 2: to HBO. Okay, The Boys has like a prequel series

2082
01:35:41,800 --> 01:35:45,080
Speaker 2: in addition GMV, and of course they have that animated

2083
01:35:45,120 --> 01:35:49,840
Speaker 2: thing they did, and there was another one that got

2084
01:35:49,920 --> 01:35:53,040
Speaker 2: announced yesterday that was like another Oh, John Wick got

2085
01:35:53,080 --> 01:35:59,479
Speaker 2: another spin off coming. At what point did everything that

2086
01:35:59,600 --> 01:36:05,559
Speaker 2: was kindkind of satirizing this MCU and Cinematic universes become

2087
01:36:05,680 --> 01:36:09,120
Speaker 2: what they hate? Like The Boys is the peak, like

2088
01:36:09,560 --> 01:36:12,439
Speaker 2: we're fucking with y'all. Marvel is fucked up and very

2089
01:36:12,439 --> 01:36:15,439
Speaker 2: capitalistic and greedy. That's part of the messaging of the

2090
01:36:15,479 --> 01:36:19,840
Speaker 2: show is like, ha ha, these fucking w b they

2091
01:36:19,840 --> 01:36:22,200
Speaker 2: don't know what they're doing with that DCU shit. Nigga,

2092
01:36:22,280 --> 01:36:26,920
Speaker 2: y'all have three spinoffs, now, what are we doing with Yeah.

2093
01:36:27,000 --> 01:36:30,120
Speaker 5: I've always been like I've read every issue of The Boys,

2094
01:36:30,160 --> 01:36:32,840
Speaker 5: I think before Yeah, and I think you have too

2095
01:36:32,880 --> 01:36:33,280
Speaker 5: as well.

2096
01:36:33,320 --> 01:36:35,600
Speaker 4: And I was never that big on it. You know,

2097
01:36:35,640 --> 01:36:37,160
Speaker 4: I thought the show was better than the book, but

2098
01:36:37,200 --> 01:36:38,559
Speaker 4: I didn't think the book was that good.

2099
01:36:38,680 --> 01:36:41,200
Speaker 5: And I always felt like it was a very white man,

2100
01:36:41,520 --> 01:36:43,680
Speaker 5: you know, show run ran show where it was a

2101
01:36:43,720 --> 01:36:44,280
Speaker 5: white man.

2102
01:36:44,120 --> 01:36:46,760
Speaker 4: Who liked to distruss politics.

2103
01:36:46,760 --> 01:36:48,880
Speaker 5: But in the end like to both sides scenes and

2104
01:36:48,960 --> 01:36:51,040
Speaker 5: I don't fuck with that both sides and I think

2105
01:36:51,080 --> 01:36:54,040
Speaker 5: that's the biggest piece of bullshit any cracker, and I

2106
01:36:54,040 --> 01:36:56,880
Speaker 5: will say cracker in that instance will do because you

2107
01:36:56,920 --> 01:36:58,640
Speaker 5: know they can get away with it, like you know,

2108
01:36:58,680 --> 01:37:00,679
Speaker 5: when you're rich and white, you can say both sides

2109
01:37:00,680 --> 01:37:03,280
Speaker 5: are bad because it doesn't affect you. But the reality

2110
01:37:03,320 --> 01:37:05,720
Speaker 5: is democrats will never be the you know, a conservative

2111
01:37:05,880 --> 01:37:08,439
Speaker 5: is the opposite of a liberal. It's just they are,

2112
01:37:08,800 --> 01:37:11,600
Speaker 5: you know, just by definition, they are not on the

2113
01:37:11,640 --> 01:37:15,000
Speaker 5: same There's no A radical liberal is not the same

2114
01:37:15,120 --> 01:37:17,080
Speaker 5: thing as a radical conservative. One of it wants to

2115
01:37:17,080 --> 01:37:19,920
Speaker 5: have returned to an era where I was slave one once,

2116
01:37:20,120 --> 01:37:22,760
Speaker 5: freedom for all. You can't say that those are the

2117
01:37:22,760 --> 01:37:24,880
Speaker 5: same type of things, you know, And that's why it's

2118
01:37:24,920 --> 01:37:27,479
Speaker 5: just that's why I stopped working with the show. When

2119
01:37:27,479 --> 01:37:32,200
Speaker 5: they started having AOC blowing people's heads up this, I said, show, So.

2120
01:37:32,160 --> 01:37:34,160
Speaker 3: I'll tell you what I watched the last season.

2121
01:37:34,280 --> 01:37:38,160
Speaker 2: I think they heard your critiques because I don't believe it.

2122
01:37:38,640 --> 01:37:41,360
Speaker 3: Okay, finish, let me finish, let me finish. I didn't

2123
01:37:41,360 --> 01:37:41,640
Speaker 3: watch it.

2124
01:37:41,920 --> 01:37:44,600
Speaker 4: I did watch it with Storm right.

2125
01:37:44,280 --> 01:37:47,400
Speaker 3: Right, No, listen of the show.

2126
01:37:48,200 --> 01:37:51,519
Speaker 2: They definitely took into account some of the stuff you said,

2127
01:37:52,000 --> 01:37:55,120
Speaker 2: because this season, like there were moments while I was like,

2128
01:37:55,200 --> 01:37:59,360
Speaker 2: do they follow Ben, Like there's a little too on

2129
01:37:59,439 --> 01:38:03,320
Speaker 2: the nose, they mentioned that AOC exists in this universe

2130
01:38:04,360 --> 01:38:07,000
Speaker 2: and I said, hunh because I had for years I

2131
01:38:07,040 --> 01:38:10,000
Speaker 2: had heard people say that that character was the AOC

2132
01:38:10,640 --> 01:38:13,320
Speaker 2: of that universe. And they went out of their way

2133
01:38:13,360 --> 01:38:15,960
Speaker 2: to like separate and be like, no, AOC is a

2134
01:38:16,000 --> 01:38:19,160
Speaker 2: pure liberal good person and I'm not.

2135
01:38:19,400 --> 01:38:20,759
Speaker 3: And I was like hunh okay.

2136
01:38:20,960 --> 01:38:23,519
Speaker 2: And then like there was a couple other like racial

2137
01:38:23,560 --> 01:38:26,280
Speaker 2: points came up that I was like, huh, And then

2138
01:38:26,320 --> 01:38:30,200
Speaker 2: they went they like for me, I'm not so don't

2139
01:38:30,280 --> 01:38:33,160
Speaker 2: judge me everybody at home that that loves the boys,

2140
01:38:33,160 --> 01:38:35,360
Speaker 2: because I know y'all love it and I'm not trying

2141
01:38:35,360 --> 01:38:38,960
Speaker 2: to fight y'all. But for me, part of what I

2142
01:38:39,080 --> 01:38:42,160
Speaker 2: thought was good about it was that it was a

2143
01:38:42,200 --> 01:38:45,160
Speaker 2: little white, like it felt like the white sensibilities.

2144
01:38:45,200 --> 01:38:47,679
Speaker 3: I said, I know that voice.

2145
01:38:47,800 --> 01:38:50,720
Speaker 2: This year, they took all the illusion out, like the

2146
01:38:50,800 --> 01:38:53,639
Speaker 2: bad guys are just quoting Trump and Mega people now

2147
01:38:53,720 --> 01:38:57,240
Speaker 2: like it's not there's no guessing anymore of like, oh well,

2148
01:38:57,240 --> 01:39:00,439
Speaker 2: maybe you could think like they went so hard that

2149
01:39:00,560 --> 01:39:03,880
Speaker 2: it took something out of it for me. Once again, y'all,

2150
01:39:03,920 --> 01:39:05,960
Speaker 2: I understand y'all not like me. That's fine, This is

2151
01:39:06,000 --> 01:39:09,360
Speaker 2: not a debate. I'm just saying for me, I like

2152
01:39:09,439 --> 01:39:12,000
Speaker 2: my racism and shit to feel authentic when I watch it,

2153
01:39:12,040 --> 01:39:13,840
Speaker 2: so that I be like, that could happen.

2154
01:39:14,680 --> 01:39:15,640
Speaker 3: Once they started.

2155
01:39:15,400 --> 01:39:18,519
Speaker 2: Quoting Trump, I'm like, well, nigga, everyone would know they evil.

2156
01:39:18,640 --> 01:39:22,719
Speaker 2: Like it's not the same like now everybody it's apparent

2157
01:39:22,760 --> 01:39:25,640
Speaker 2: who the bad guys are. A little this felt a

2158
01:39:25,680 --> 01:39:28,960
Speaker 2: little bit like America a season ago, because people there's

2159
01:39:29,000 --> 01:39:31,679
Speaker 2: people in America that really be fighting for evil people

2160
01:39:31,680 --> 01:39:33,840
Speaker 2: and be like, no, they're good people because they be

2161
01:39:33,920 --> 01:39:36,559
Speaker 2: saying the right shit, and it's like they don't now.

2162
01:39:36,560 --> 01:39:39,200
Speaker 2: They just out there saying like the you know a

2163
01:39:39,240 --> 01:39:41,760
Speaker 2: woman can cure an abortion if you get sexual sat

2164
01:39:41,800 --> 01:39:44,120
Speaker 2: I say, nigga, I know the senator that said that.

2165
01:39:44,120 --> 01:39:46,400
Speaker 2: That's not y'all didn't even write that. Y'all just quoted that.

2166
01:39:46,520 --> 01:39:48,920
Speaker 2: So anyway, I'm sorry to bring it up. The main

2167
01:39:49,000 --> 01:39:53,040
Speaker 2: point was why the fuck is everyone doing the CEEU.

2168
01:39:54,200 --> 01:39:57,839
Speaker 2: We don't need that, man, Like it's getting crazy. Whatever's

2169
01:39:57,840 --> 01:40:01,599
Speaker 2: happened in DC now, you have a Batman with Matt Reeves.

2170
01:40:02,000 --> 01:40:04,760
Speaker 3: The Penguin is a spin off of that, yes, but

2171
01:40:04,800 --> 01:40:08,280
Speaker 3: the Batman not part of James Gunn DCU. So nope,

2172
01:40:08,439 --> 01:40:11,120
Speaker 3: this ship is not just confusing, but it's greedy. Like, bro,

2173
01:40:11,400 --> 01:40:14,160
Speaker 3: just make your movie. That was the deal, right, We

2174
01:40:14,240 --> 01:40:17,519
Speaker 3: don't need twelve properties to be confused by dog is.

2175
01:40:18,360 --> 01:40:22,479
Speaker 2: It's really ironic that the thing everyone's like because we're

2176
01:40:22,479 --> 01:40:25,120
Speaker 2: looking at MCU being like, hey, this is a behemoth.

2177
01:40:25,200 --> 01:40:27,080
Speaker 3: Bro, y'all gotta trim this shit down.

2178
01:40:27,120 --> 01:40:30,280
Speaker 2: It's getting crazy and they're taking some of it. You know,

2179
01:40:30,320 --> 01:40:34,360
Speaker 2: they're dropping movies, dropping TV series and shit. Everybody else

2180
01:40:34,439 --> 01:40:38,519
Speaker 2: adding shit they are what y'all don't. I don't need

2181
01:40:38,560 --> 01:40:41,720
Speaker 2: to know John Wick's childhood story. Man, This ship was

2182
01:40:41,720 --> 01:40:42,680
Speaker 2: dope when it was an hour and.

2183
01:40:42,680 --> 01:40:44,640
Speaker 4: A half, right man.

2184
01:40:45,439 --> 01:40:47,240
Speaker 5: You know that's like one of my biggest tweets ever

2185
01:40:47,320 --> 01:40:50,000
Speaker 5: is when I called John Wick a psychopath. Yes, he

2186
01:40:50,080 --> 01:40:52,200
Speaker 5: said that he was, you know, the villain of his

2187
01:40:52,240 --> 01:40:56,360
Speaker 5: own film, Insane and Ever. People attack to me, and

2188
01:40:56,439 --> 01:40:58,760
Speaker 5: I was just like, and a lot of people are

2189
01:40:58,800 --> 01:41:00,000
Speaker 5: respect without respect.

2190
01:41:00,000 --> 01:41:01,640
Speaker 4: People I knew doing the internet attacked me.

2191
01:41:01,880 --> 01:41:05,519
Speaker 5: But that's that's something else I've learned, especially once I

2192
01:41:05,600 --> 01:41:08,080
Speaker 5: got into the writing of shows and things of that nature.

2193
01:41:08,160 --> 01:41:12,160
Speaker 5: I really started seeing how people will be so emotionally

2194
01:41:12,200 --> 01:41:16,240
Speaker 5: attached to a property that they don't look at it logically.

2195
01:41:16,280 --> 01:41:19,639
Speaker 5: And I'm like, I don't give a fuck about john Wick.

2196
01:41:19,520 --> 01:41:19,720
Speaker 1: You know.

2197
01:41:19,880 --> 01:41:21,640
Speaker 5: So It's like to me when I first saw the

2198
01:41:21,640 --> 01:41:24,680
Speaker 5: first film, I was like, this Nigga's a psychopath, Like,

2199
01:41:25,240 --> 01:41:27,840
Speaker 5: you know, this woman gave him a dog so he

2200
01:41:27,920 --> 01:41:32,320
Speaker 5: wouldn't be a psychopath. Dog gets killed and he decides

2201
01:41:32,760 --> 01:41:37,120
Speaker 5: time to be a psychle man, you're your psycopathe you

2202
01:41:37,240 --> 01:41:39,720
Speaker 5: ignoring your dead wife's here are worse, you know. So

2203
01:41:39,840 --> 01:41:42,280
Speaker 5: I've never like lost at john Wick and somebody to

2204
01:41:42,320 --> 01:41:44,120
Speaker 5: admire or that man.

2205
01:41:45,240 --> 01:41:48,120
Speaker 3: That man backslid the hell bro hell.

2206
01:41:48,520 --> 01:41:50,840
Speaker 2: She was just like, stop killing people and be a

2207
01:41:50,880 --> 01:41:53,360
Speaker 2: normal person, to marry me, and when I die, don't like,

2208
01:41:53,560 --> 01:41:55,000
Speaker 2: don't become like a killer again.

2209
01:41:55,040 --> 01:41:56,080
Speaker 3: He was like fuck that.

2210
01:41:56,240 --> 01:41:58,479
Speaker 4: He was like only night.

2211
01:41:58,560 --> 01:41:59,559
Speaker 7: I guess this dog.

2212
01:42:01,040 --> 01:42:04,040
Speaker 5: It's it's like people's reaction to corliss On House of Dragon,

2213
01:42:04,040 --> 01:42:05,559
Speaker 5: where I saw tweets where they were like.

2214
01:42:05,680 --> 01:42:09,000
Speaker 4: Oh my god, he named a boat after her. I'm

2215
01:42:09,000 --> 01:42:12,000
Speaker 4: like this Nigga named a boat after her. Disrespectful nick

2216
01:42:12,080 --> 01:42:14,080
Speaker 4: name and I still won't do ship.

2217
01:42:16,240 --> 01:42:17,839
Speaker 3: He was a lie, right.

2218
01:42:19,400 --> 01:42:22,000
Speaker 4: Doud this ship and this nigga knows and this niggas

2219
01:42:22,000 --> 01:42:22,599
Speaker 4: wist be sweeting.

2220
01:42:22,600 --> 01:42:24,040
Speaker 5: So it's like definite, I'm talking about what I'm like.

2221
01:42:24,240 --> 01:42:26,639
Speaker 5: People don't think of this stuff lodgedly.

2222
01:42:26,680 --> 01:42:30,880
Speaker 4: You know. They like Corlis so they're like corless tagging

2223
01:42:30,920 --> 01:42:33,479
Speaker 4: it there. Yeah, you know. So because he's one of

2224
01:42:33,520 --> 01:42:35,519
Speaker 4: the tagonists, people are like and I'm just.

2225
01:42:35,439 --> 01:42:40,920
Speaker 5: Like, oh my god, you know mestructure right, because it's

2226
01:42:40,960 --> 01:42:43,400
Speaker 5: the same Like I had this argument over people with

2227
01:42:43,479 --> 01:42:45,840
Speaker 5: her narrow were people I'm like, right, there is a monster,

2228
01:42:46,040 --> 01:42:50,280
Speaker 5: you know. And I'm like, you know, way for Queenland

2229
01:42:50,280 --> 01:42:53,320
Speaker 5: likes rightful. You know, it don't matter what you know people,

2230
01:42:53,520 --> 01:42:55,639
Speaker 5: if it's serious and then this and know it didn't matter.

2231
01:42:55,760 --> 01:42:58,200
Speaker 5: Niggas don't challenge this woman for her phone no matter

2232
01:42:58,400 --> 01:43:01,879
Speaker 5: what happens. This nigga could have lived to two hundred

2233
01:43:02,360 --> 01:43:05,000
Speaker 5: every year, every year of his life was like, this

2234
01:43:05,040 --> 01:43:05,840
Speaker 5: is the new Queen.

2235
01:43:06,560 --> 01:43:12,960
Speaker 2: When that nigga died, It's interesting too because I feel

2236
01:43:13,000 --> 01:43:16,080
Speaker 2: like the writing on the show kind of like dropped

2237
01:43:16,080 --> 01:43:20,000
Speaker 2: the ball with her character because they made there, they

2238
01:43:20,000 --> 01:43:23,280
Speaker 2: made the Greens so unsympathetically evil.

2239
01:43:23,920 --> 01:43:26,960
Speaker 3: Now, like when they were fed a group.

2240
01:43:26,720 --> 01:43:30,680
Speaker 2: Of people to a fucking dragon and watch and watched

2241
01:43:31,640 --> 01:43:34,360
Speaker 2: watch them get burnt up and ate up like Scooby

2242
01:43:34,360 --> 01:43:38,439
Speaker 2: Douce snack and people ended the episode like, yeah, let's go.

2243
01:43:38,760 --> 01:43:43,719
Speaker 6: I'm like, no, she just watched like seventy five people die.

2244
01:43:43,960 --> 01:43:46,599
Speaker 3: We not supposed to feel good about this, you.

2245
01:43:46,560 --> 01:43:50,000
Speaker 4: Know what I'm saying at all? And niggas is cheering, bro,

2246
01:43:50,120 --> 01:43:50,679
Speaker 4: and that's why.

2247
01:43:51,160 --> 01:43:54,160
Speaker 5: And I get attacked every week on our you know,

2248
01:43:54,200 --> 01:43:56,479
Speaker 5: I have commentaries who are just like Ben's and this

2249
01:43:56,520 --> 01:43:58,760
Speaker 5: and that, and I'm just sitting there like sure, kid,

2250
01:43:58,800 --> 01:44:00,439
Speaker 5: but you know, one of us is rich for TV

2251
01:44:00,520 --> 01:44:02,439
Speaker 5: and one of us hasn't. And one of us can

2252
01:44:02,520 --> 01:44:04,519
Speaker 5: you know, look at the stuff and see where it's going,

2253
01:44:04,560 --> 01:44:05,519
Speaker 5: and one of us isn't.

2254
01:44:05,880 --> 01:44:09,960
Speaker 3: You know, we said they volunteered. That's hilarious, bro.

2255
01:44:10,479 --> 01:44:14,320
Speaker 2: They was trying to run out and the and they

2256
01:44:14,400 --> 01:44:16,800
Speaker 2: was getting forced out but forced to stay in by

2257
01:44:16,800 --> 01:44:18,800
Speaker 2: the guards who also got burned to death.

2258
01:44:19,920 --> 01:44:20,880
Speaker 3: Like they were.

2259
01:44:22,479 --> 01:44:27,639
Speaker 2: Hands right, right, they volunteered, Bro said, No, you sound

2260
01:44:27,720 --> 01:44:30,360
Speaker 2: like a person that Rufie's people saying that ship like

2261
01:44:30,760 --> 01:44:33,320
Speaker 2: she came back to the house. That's not the same.

2262
01:44:34,200 --> 01:44:37,000
Speaker 5: It's like they showed the Nars and everybody cheers and

2263
01:44:37,040 --> 01:44:40,200
Speaker 5: I'm like, yes, this woman cook the world.

2264
01:44:40,439 --> 01:44:45,240
Speaker 2: Listen, listen, dog I. I caught the heat for the

2265
01:44:45,320 --> 01:44:49,040
Speaker 2: Denarios ship because uh I remember people were so mad

2266
01:44:49,080 --> 01:44:50,400
Speaker 2: at the Bells episode, and.

2267
01:44:50,360 --> 01:44:52,520
Speaker 3: I said, that's what I thought she was gonna.

2268
01:44:52,240 --> 01:44:56,920
Speaker 2: Do the whole time she got the drag season one,

2269
01:44:57,000 --> 01:45:01,960
Speaker 2: it was like them Targarians is crazy and they burn everything.

2270
01:45:02,640 --> 01:45:05,280
Speaker 3: These motherfuckers watched eight season was like, no, she's a

2271
01:45:05,320 --> 01:45:06,040
Speaker 3: good person.

2272
01:45:06,439 --> 01:45:09,360
Speaker 5: No, this woman straight and said I'm not here to

2273
01:45:10,080 --> 01:45:10,799
Speaker 5: turn the wheel.

2274
01:45:10,840 --> 01:45:12,960
Speaker 4: I'm here to break it right. And it's like what

2275
01:45:13,000 --> 01:45:15,519
Speaker 4: does that mean? You know that's the people don't get,

2276
01:45:15,600 --> 01:45:17,960
Speaker 4: like what does that mean? And it's like that means

2277
01:45:18,160 --> 01:45:21,720
Speaker 4: burning ship. I've got three dragons, right, I'm going to

2278
01:45:21,760 --> 01:45:22,439
Speaker 4: do with them.

2279
01:45:22,360 --> 01:45:24,000
Speaker 3: And low key high key.

2280
01:45:25,280 --> 01:45:29,120
Speaker 2: I hated kings Landing as a location of record crew

2281
01:45:29,400 --> 01:45:33,840
Speaker 2: at everything, so like once she started burning, I was like, Yep,

2282
01:45:34,320 --> 01:45:35,160
Speaker 2: that's what y'all get.

2283
01:45:35,280 --> 01:45:38,160
Speaker 3: Living up. That's like telling me you live in Clan country.

2284
01:45:38,200 --> 01:45:39,840
Speaker 3: That's you. That's on you player.

2285
01:45:44,200 --> 01:45:44,759
Speaker 4: This season.

2286
01:45:45,040 --> 01:45:47,960
Speaker 5: During my review, Niggas told me that the dragons are

2287
01:45:48,400 --> 01:45:52,599
Speaker 5: a sign of culture, coach, I said, Nigga, these are

2288
01:45:52,760 --> 01:45:56,160
Speaker 5: three well, I mean, I don't know how many she got.

2289
01:45:56,280 --> 01:46:01,320
Speaker 5: These are nuclear weapons. These are not culture. She said

2290
01:46:01,360 --> 01:46:03,280
Speaker 5: that because I kept talking about how she sent her

2291
01:46:03,280 --> 01:46:04,880
Speaker 5: son to get eight and people are so mad at me.

2292
01:46:05,080 --> 01:46:06,960
Speaker 5: And I'm like, she sent that boy over there on

2293
01:46:07,000 --> 01:46:09,400
Speaker 5: a dragon. She didn't send him over there on a boat.

2294
01:46:09,560 --> 01:46:11,439
Speaker 5: She sent him over there on some get down or

2295
01:46:11,479 --> 01:46:14,920
Speaker 5: lay down. And Nigga with a bigger get down, lay down.

2296
01:46:15,200 --> 01:46:17,200
Speaker 4: Yeah, ship happens.

2297
01:46:17,240 --> 01:46:20,479
Speaker 3: Sarah's got, you got. He's looking like a snack that day.

2298
01:46:22,280 --> 01:46:28,000
Speaker 5: That's one of my other biggest tweets ever. I love

2299
01:46:28,920 --> 01:46:30,840
Speaker 5: my hash to and she sent that boy to get eight?

2300
01:46:31,160 --> 01:46:31,639
Speaker 4: I love.

2301
01:46:33,320 --> 01:46:34,400
Speaker 3: I love that show man.

2302
01:46:34,760 --> 01:46:36,880
Speaker 2: I love it like it's even when it's even when

2303
01:46:37,040 --> 01:46:39,280
Speaker 2: when it's whatever, it's still it's still good.

2304
01:46:40,400 --> 01:46:41,360
Speaker 4: That's the thing about Gavro.

2305
01:46:41,800 --> 01:46:44,360
Speaker 5: It's like it's just it's just the right amount of

2306
01:46:44,400 --> 01:46:48,439
Speaker 5: trifling and it's and it's like it's power level, because

2307
01:46:48,479 --> 01:46:51,000
Speaker 5: sometimes it can be power level bad terms of writing,

2308
01:46:51,240 --> 01:46:53,320
Speaker 5: but the production value is so great that right.

2309
01:46:54,760 --> 01:46:55,920
Speaker 4: Minimum I love power.

2310
01:46:56,120 --> 01:46:59,400
Speaker 3: Yeah, minimum, you're gonna talk about it and minimums.

2311
01:46:59,600 --> 01:47:02,400
Speaker 4: Every I'm so waiting for the end of power right now.

2312
01:47:03,160 --> 01:47:06,680
Speaker 3: Power that's another see you, Yeah, that's another. Yeah you

2313
01:47:06,800 --> 01:47:09,120
Speaker 3: know broke that.

2314
01:47:09,360 --> 01:47:11,760
Speaker 5: Yeah, feed feed me every single and that's that's like

2315
01:47:13,080 --> 01:47:14,960
Speaker 5: if I think, like like people don't get like when

2316
01:47:15,000 --> 01:47:17,200
Speaker 5: I talk about writing and ship it's like I'll never

2317
01:47:17,320 --> 01:47:20,479
Speaker 5: dog any writing, you know, because alrighting me is really

2318
01:47:20,479 --> 01:47:24,599
Speaker 5: difficult and stuff like power like being entertaining, right, you know,

2319
01:47:25,400 --> 01:47:28,040
Speaker 5: and it's difficult.

2320
01:47:28,080 --> 01:47:29,960
Speaker 2: A lot of bad, bad stuff out there and at

2321
01:47:30,000 --> 01:47:32,320
Speaker 2: the end of the day, man like love it or

2322
01:47:32,400 --> 01:47:35,680
Speaker 2: leave it, like it's really just entertainment all And I

2323
01:47:35,760 --> 01:47:37,920
Speaker 2: mean that. I mean that good or bad, like right

2324
01:47:38,320 --> 01:47:41,360
Speaker 2: twisted Metal to me, I can't defend as a TV show.

2325
01:47:41,400 --> 01:47:42,759
Speaker 3: I just can't on any level.

2326
01:47:43,280 --> 01:47:48,200
Speaker 2: But I laughed for ten hours straight that I will

2327
01:47:48,240 --> 01:47:48,560
Speaker 2: be that.

2328
01:47:48,800 --> 01:47:52,000
Speaker 3: I will, yeah, exact Like like if you ask me

2329
01:47:52,080 --> 01:47:53,120
Speaker 3: to critically tell.

2330
01:47:53,000 --> 01:47:55,080
Speaker 2: You why you should watch it, I can't, right, like,

2331
01:47:55,200 --> 01:47:56,600
Speaker 2: no you should, you shouldn't.

2332
01:47:56,760 --> 01:47:58,559
Speaker 3: I regret doing it, but I'm in it now.

2333
01:47:59,280 --> 01:48:02,400
Speaker 5: We here met the man has sex with a different

2334
01:48:02,439 --> 01:48:05,840
Speaker 5: woman every episode. It makes absolutely yeah, I mean.

2335
01:48:05,720 --> 01:48:09,599
Speaker 3: He met the man, right, hey, get it? It makes sense?

2336
01:48:09,960 --> 01:48:10,599
Speaker 4: It don't.

2337
01:48:12,040 --> 01:48:15,200
Speaker 2: Yes, it makes sense, it don't what it do.

2338
01:48:16,160 --> 01:48:17,320
Speaker 3: Thanks for being here, Bro.

2339
01:48:17,360 --> 01:48:18,559
Speaker 7: Thank you for kicking it with us.

2340
01:48:18,600 --> 01:48:22,880
Speaker 2: Make sure y'all get the book Jimmy Hendricks Purple Haze.

2341
01:48:23,360 --> 01:48:25,880
Speaker 2: Everywhere you get books. You know what I'm saying, Get

2342
01:48:25,880 --> 01:48:26,840
Speaker 2: that physical.

2343
01:48:26,960 --> 01:48:27,800
Speaker 4: Local comics store.

2344
01:48:27,800 --> 01:48:29,320
Speaker 3: If you can pre order it, go.

2345
01:48:29,280 --> 01:48:32,920
Speaker 2: To your local comic store. Do all that stuff. Ben,

2346
01:48:33,000 --> 01:48:33,800
Speaker 2: Thank you for being here.

2347
01:48:33,840 --> 01:48:34,040
Speaker 4: Bro.

2348
01:48:34,080 --> 01:48:36,360
Speaker 3: Tell everybody where to find you.

2349
01:48:36,360 --> 01:48:39,599
Speaker 5: You can find me on all the internets everywhere at

2350
01:48:39,760 --> 01:48:43,080
Speaker 5: DJ ben Hamen that's DJ b E n h A

2351
01:48:43,600 --> 01:48:47,800
Speaker 5: m E E N DJ ben Hamen. You can also

2352
01:48:47,880 --> 01:48:50,920
Speaker 5: go I have my website, Big dj energy dot com.

2353
01:48:50,960 --> 01:48:52,840
Speaker 5: You can go there and if you want to pre

2354
01:48:52,920 --> 01:48:55,160
Speaker 5: order Hendrixa's a link there. You can also get a

2355
01:48:55,160 --> 01:48:57,639
Speaker 5: bunch of my music I've been putting out, like house

2356
01:48:57,760 --> 01:49:00,439
Speaker 5: music and remixes and all kinds of stuff, So you

2357
01:49:00,479 --> 01:49:03,439
Speaker 5: can get that there as well. And you can just

2358
01:49:03,520 --> 01:49:05,240
Speaker 5: keep up today. You can leave your email and I'll

2359
01:49:05,240 --> 01:49:07,920
Speaker 5: be sending out emails and my new music with other updates,

2360
01:49:07,960 --> 01:49:10,840
Speaker 5: all that type of stuff. So Big DJ Energy dot com,

2361
01:49:10,960 --> 01:49:14,479
Speaker 5: djbenamean dot com if you want some merch or if

2362
01:49:14,520 --> 01:49:17,160
Speaker 5: you want to follow my podcast for all nerds dot

2363
01:49:17,200 --> 01:49:19,720
Speaker 5: com where you can't receive it, but you can get

2364
01:49:19,800 --> 01:49:26,000
Speaker 5: the There we go Magne right joint there for all nerds,

2365
01:49:26,000 --> 01:49:29,280
Speaker 5: for the suburban geek. You know, we talk about geek

2366
01:49:29,320 --> 01:49:32,639
Speaker 5: culture from the perspective of people of color, and we've

2367
01:49:32,680 --> 01:49:35,799
Speaker 5: been We just celebrated our ten year anniversary last year.

2368
01:49:35,640 --> 01:49:36,080
Speaker 4: So we've.

2369
01:49:37,600 --> 01:49:38,360
Speaker 3: We love to see it.

2370
01:49:38,360 --> 01:49:40,880
Speaker 2: Man, Make sure y'all support the homies Him and Tazi.

2371
01:49:40,920 --> 01:49:43,080
Speaker 2: They've been doing that thing forever. I hop on there

2372
01:49:43,080 --> 01:49:46,320
Speaker 2: all the time and it's always fun. It is, always

2373
01:49:46,360 --> 01:49:47,599
Speaker 2: have a good time with them.

2374
01:49:48,000 --> 01:49:48,280
Speaker 3: Uh.

2375
01:49:48,320 --> 01:49:50,960
Speaker 2: So you know, y'all, make sure y'all support and get

2376
01:49:50,960 --> 01:49:53,479
Speaker 2: the comic. I got it pre ordered, locked and loaded,

2377
01:49:53,880 --> 01:49:58,200
Speaker 2: already done, read like five ten pages. I'm telling y'all, smoker, guys,

2378
01:49:58,240 --> 01:49:59,880
Speaker 2: it's gonna it moves, you know what I mean.

2379
01:50:00,240 --> 01:50:01,920
Speaker 5: You gotta let me know when you finish your Rochester,

2380
01:50:02,280 --> 01:50:04,000
Speaker 5: I will know you're gonna wait for the real book now.

2381
01:50:04,040 --> 01:50:06,800
Speaker 3: So yeah, but I got you done, I got you there.

2382
01:50:06,880 --> 01:50:07,559
Speaker 3: I'm for real.

2383
01:50:09,320 --> 01:50:11,800
Speaker 2: Until next time. Oh yeah, Game of the House of

2384
01:50:11,840 --> 01:50:14,160
Speaker 2: the Dragon tomorrow. Y'all know the recap they will see

2385
01:50:14,200 --> 01:50:16,720
Speaker 2: all tomorrow. Until then, I love you, yah,