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Speaker 1: Are you leave in I you wanna way back home?

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Speaker 1: Either way, we want to be there. Doesn't matter how

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Speaker 1: much baggage you claim and give us time and a

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Speaker 1: terminol and gay a.

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Speaker 2: We want to send you off in style. We wanna

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Speaker 2: welcome you back home.

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Speaker 1: Tell us all about it.

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Speaker 2: We scared her? Was it fine? Malborn?

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Speaker 3: Do you need to ride?

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Speaker 2: Do you need to ride?

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Speaker 3: Do you need to ride?

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Speaker 2: Do you need to ride? Do you need to ride?

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Speaker 2: Do your need you ride.

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Speaker 3: With Karen and Chris? Welcome to Do you need a ride?

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Speaker 3: This is Chris Fairbanks.

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Speaker 2: And this is Karen Kilgith.

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Speaker 3: Oh. I like what you did there.

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Speaker 2: That's my in studio serious man voice.

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Speaker 3: It's I'm looking at your face. We're looking at each

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Speaker 3: other's faces.

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Speaker 2: True, true, it's.

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Speaker 3: Been And when's the last time we did this?

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Speaker 2: Oh yeah, you're right.

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Speaker 3: Yeah.

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Speaker 2: Years?

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Speaker 3: I mean I thought were years. You start. You got

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Speaker 3: emotional there, Okay, that.

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Speaker 2: Is that is kind of emotional.

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Speaker 3: I used to think my family cried a lot, but

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Speaker 3: we were all just like the clumps. We're just burping.

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Speaker 2: No, it's I was thinking about that when we made

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Speaker 2: this plan, where it was like, oh yeah, face to

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Speaker 2: face conversation is very different than driving around and doing

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Speaker 2: our normal kind of add whatever we see, we talk

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Speaker 2: about cars.

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Speaker 3: Yeah, I wonder if we're going to be I can

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Speaker 3: already tell we're grounded, our thoughts are going to be finished. Yeah,

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Speaker 3: I'm looking at your body language, which helps me know

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Speaker 3: when to finish a sentence.

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Speaker 2: It's hard to get those cues when you're looking out

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Speaker 2: and scanning for danger in the car. Right.

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Speaker 3: I'm a little worried that because a lot of times

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Speaker 3: the announcing of danger really bails us out from some

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Speaker 3: snooze festival spirals or.

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Speaker 2: Just like blah blab. I mean, like, what are you

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Speaker 2: even talking about.

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Speaker 3: I'm going to be honest with you audience, if I

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Speaker 3: can call you that. A lot of times there's not

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Speaker 3: even anything happening. We just say someone's cutting us off.

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Speaker 2: Yeah, yeah, that's our out edit point.

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Speaker 3: If you want to peak. But I've never felt.

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Speaker 2: So safe as you do right now.

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Speaker 3: And that's not a slide against your driving. It's just

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Speaker 3: driving in general. You know, we all think about and

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Speaker 3: terraces and all these things, but driving, we all casually

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Speaker 3: just get into these boxes and go hundreds of miles

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Speaker 3: an hour. We never think about it. And you and

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Speaker 3: I bring strangers with us, nothing's ever gonna happen. I'm

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Speaker 3: someone that I feel like if you talk about these things,

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Speaker 3: you're taking them out of the universe.

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Speaker 2: That's right.

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Speaker 3: Negative people think you're putting them in the universe.

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Speaker 2: Yeah. Is the glass half full of bad ideas or

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Speaker 2: half empty from bad ideas?

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Speaker 3: Well, I'm gonna need to see the glass.

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Speaker 2: Yes, and the picture that's pouring into it.

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Speaker 3: All I'm saying is I believe in your driving. Thank you,

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Speaker 3: But we can't control the danger out there.

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Speaker 2: Ever.

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Speaker 3: We're currently in a safe, air tight, humidified room.

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Speaker 2: Yeah, with some lovely curtains and just a general velvet vibe.

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Speaker 3: Yeah, it's nice. And no giant black truck with two

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Speaker 3: tires in the back or four total.

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Speaker 2: Can I just tell you it's going to be her

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Speaker 2: into us. A car speaking of passed me on the

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Speaker 2: left the other day where there was no lane for

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Speaker 2: him to pass me in because I was in the

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Speaker 2: far left lane. He was in the left turn lane,

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Speaker 2: and when we both got the green to go, he

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Speaker 2: gunned it and gassed it and then basically played chicken

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Speaker 2: with the people across from him and then cut in

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Speaker 2: to cut me off. So he could basically for the

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Speaker 2: convenience of not turning left right there right and doing

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Speaker 2: it like a block later, which I watched him do.

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Speaker 2: He almost killed it like three different people.

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Speaker 3: Yeah, there's a lot of people that think that space

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Speaker 3: between those yellow lines is one long turn lane. Yeah,

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Speaker 3: and it isn't until you're at the intersection. I've seen

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Speaker 3: many accidents in that. Everyone just needs to go to

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Speaker 3: driver's at again.

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Speaker 2: Yeah, and I think everyone, I just think it's hard

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Speaker 2: right now. I think everyone's a little ratcheted up. I've

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Speaker 2: had like the bad feeling of myself stomach for a

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Speaker 2: couple of days where you're just kind of like everybody

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Speaker 2: needs a break from just the constant drip of reality.

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Speaker 3: Yeah, but have you felt slightly hopeful in the last

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Speaker 3: thirty six hours.

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Speaker 2: Oh my god, it's made a huge, incredible difference. I'm

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Speaker 2: so hopeful and so kind of watching young people join

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Speaker 2: it and do something with it. Understanding like this is

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Speaker 2: a moment where you take political power and use it

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Speaker 2: as opposed to I'm not getting my pick or I

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Speaker 2: am getting my pick. It's like it's not that simple anymore,

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Speaker 2: or it is overly simple. It's just like, yeah, I'm

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Speaker 2: it's thrilling.

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Speaker 3: I didn't know. I was scared it first, and then

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Speaker 3: immediately within thirty six out we're of course talking about

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Speaker 3: Kamala Harris, and a lot of people say kamala Harris,

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Speaker 3: and hopefully no one's saying kamala because that's my neighbor

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Speaker 3: who used to drink a lot of vodka and orange uses.

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Speaker 2: It's kamala, And I look, yes, is that the first one?

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Speaker 3: I said?

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Speaker 2: I don't know, you just said a couple different ones.

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Speaker 3: I'm just adding umlots and little accents here and there

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Speaker 3: because that's what the public does. I know exactly that

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Speaker 3: it's kamala ua kamala, but a lot of people say kamala.

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Speaker 3: I'm even on the news.

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Speaker 2: No, no, I know it's very common.

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Speaker 3: Yeah. Yeah, so that when I say it incorrectly, I'm simple.

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Speaker 3: I'm just talking about those people. You know, I never

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Speaker 3: miss speak.

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Speaker 2: You're kind of mimicking those people like their fools.

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Speaker 3: Yeah, exactly. Yeah, and it's really tongue in cheek. But

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Speaker 3: within thirty six hours to raise one hundred thousand.

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Speaker 2: Dollars, one million dollars, one hundred million, actually million dollars.

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Speaker 3: Yeah, one hundred thousand is nothing that sneeze at though,

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Speaker 3: so I thought i'd start there.

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Speaker 2: It'd be great to get one hundred thousand dollars just randomly.

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Speaker 3: Well, it is great, it's not exciting. Wait, it's one

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Speaker 3: hundred million. That's why I did that. See that's again

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Speaker 3: a lot of people think it was one hundred thousand.

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Speaker 3: I'm here to remind you it was one hundred million,

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Speaker 3: and sixty two percent of those people have never donated

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Speaker 3: on record, according to Ruders, Am I saying that right? Routers?

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Speaker 2: You know, I always read it, and I think it's

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Speaker 2: like in my mind, I read it like Reuters, like

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Speaker 2: I mispronounced it in my mind as I read it.

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Speaker 3: Yeah, it's hard not to. You know. The other day,

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Speaker 3: by the way, I saw a lot of modern art

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Speaker 3: at the broad Oh yeah, that's how it's spelled b

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Speaker 3: r Oad.

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Speaker 2: But it's broad. Yeah, come on, that's just a personal

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Speaker 2: preference thing. Then you know what I mean. Then you

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Speaker 2: have to get the word out yourself. If you're going

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Speaker 2: to spell it the way we all say that word,

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Speaker 2: but you're going to pronounce it the way your family

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Speaker 2: has just chosen to pronounce it.

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Speaker 3: I just wonder if more people would be there appreciating

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Speaker 3: the pop art and and the Warhols. If it was

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Speaker 3: br Od theod way, it sounds bread. Let's go to

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Speaker 3: the bread. Anyway. I'm very excited and I almost I

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Speaker 3: think I always thought it was strange over the last

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Speaker 3: several years, we don't see much of Kamala Harris, and.

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Speaker 2: Now Kamala Kamala and.

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Speaker 3: It's Kamala is I'm never going to do it wrong

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Speaker 3: again again. There's people on the new professional broadcast journalists.

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Speaker 2: That let's focus on their mistakes.

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Speaker 3: And the way they're seeping into my brain clearly, yes, truly, Yeah,

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Speaker 3: I said it perfectly yesterday and the day before, and

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Speaker 3: now that it's in the news, all these highlights of

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Speaker 3: uh are being such a badass, and I've gotten very

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Speaker 3: excited and I feel hopeful.

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Speaker 2: Is my thing same. It's very exciting, and it also

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Speaker 2: feels like it's a plan that makes a ton of sense.

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Speaker 2: And the idea that it was a little bit of

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Speaker 2: a reveal that it was they were playing cards. They

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Speaker 2: did it on purpose when they announced it is very strategic.

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Speaker 2: How they did it, all that they let all the

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Speaker 2: doubt kind of seep in, they let I mean, it's masterful.

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Speaker 2: I think it's like, so that part of it is

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Speaker 2: so exciting, where just she's the story.

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Speaker 3: Now, so almost on a conspiracy level, You think this

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Speaker 3: was all planned?

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Speaker 2: Yes, yeah, I mean all positive way, in a positive way,

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Speaker 2: and like all planned is like who knows? Was it

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Speaker 2: a plan to have him do that debate and then

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Speaker 2: actually like not, you know, not do well. I doubt

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Speaker 2: it because I think that would be a hard thing

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Speaker 2: for a lifelong politician to be like, oh, I couldn't

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Speaker 2: do that. Like, but then what they were gonna do

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Speaker 2: after that? I think it's really hard for most people

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Speaker 2: to like take corrective action decisively. And it feels to

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Speaker 2: me like they got all got together and were like, Okay,

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Speaker 2: what are we going to do now? And then it's like,

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Speaker 2: because we have to do something, and we have to

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Speaker 2: do something good, we have to do it in a

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Speaker 2: way that doesn't create more goddamn division in this country.

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Speaker 3: Yeah, and it was kind of an unprecedented I don't

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Speaker 3: think there's been maybe one other Lyndon Johnson I think

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Speaker 3: is who they said was the only president that didn't

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Speaker 3: try for a second term.

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Speaker 2: I loved Lyndon Johnson. He's just so chill.

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Speaker 3: Tell me about the man, I've seem to have forgotten.

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Speaker 3: I know it is headshot looks like because it was

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Speaker 3: on the wall at school.

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Speaker 2: That's what I was going to start with. Slickback here yea.

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Speaker 2: Because other than that, I think I know that he

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Speaker 2: picked up his basset hounds by the ears, which I

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Speaker 2: didn't like.

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Speaker 3: No, was that some Maybe he's just got bad training tips.

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Speaker 2: Or it's like something of like those are my hunting

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Speaker 2: dogs and they like things this way or that I

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Speaker 2: who knows, I truly know nothing about the man.

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Speaker 3: Yeah, I buy the ears and let them dangle. Yeah,

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Speaker 3: I think that's why I didn't get a second term.

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Speaker 3: That's horrifying.

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Speaker 2: I think that picture went out in Life magazine and

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Speaker 2: that was it.

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Speaker 3: Well, if there was photo montage of how many times

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Speaker 3: I've taken of dog's thin, cold ear and pressed it

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Speaker 3: between my lips, people would think I was AWAREO.

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Speaker 2: But that's why you can't ever run.

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Speaker 3: I don't bite. I press. My teeth are under my

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Speaker 3: lips tight like a anti wrinkle face that you make,

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Speaker 3: and I bite. It's a dick of cats. I'll do

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Speaker 3: it with cats too.

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Speaker 2: I actually do that with blossoms Ear's lot because her

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Speaker 2: ears are very soft, and she hasn't shown me that

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Speaker 2: she particularly loves it. I love it.

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Speaker 3: Yeah, I think it makes them uncomfortable because your face

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Speaker 3: is there. But I don't think any pain has happened anything.

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Speaker 3: It's like pinching someone's weness.

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Speaker 2: Is there no pain in that?

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Speaker 3: I don't think so. The weeness? Have you the skin

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Speaker 3: on your elbow? Cris, you can.

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Speaker 2: Bite your tricky words?

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Speaker 3: It's the weeness.

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Speaker 2: I thought you meant penis.

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Speaker 3: I have a lot of kids would think that too,

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Speaker 3: but I'm very childlike. Yeah, it the weeness is that

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Speaker 3: flappy elbow skin. You can bite into it and until

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Speaker 3: it bleeds. Yeah, and I've done that, of course, not

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Speaker 3: with myself. We all know that it's impossible. Or maybe

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Speaker 3: it's putting your elbow in your ear.

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Speaker 2: What other words do you know that sound like other

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Speaker 2: anatomical words. There's the one that you always say for

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Speaker 2: your fingers, uh, philangy flanges seems like it might be

238
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Speaker 2: dirty and isn't right?

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Speaker 3: And I really overused the word flanges in my early

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Speaker 3: comedy of Just and Less Mindless riffing.

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Speaker 2: And did you do that because you read that in

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Speaker 2: a medical textbook somewhere and you were like I want

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Speaker 2: to share this information.

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Speaker 3: I think my early stand up was sweaty. I had

245
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Speaker 3: no memory after my first several sets, and it wasn't

246
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Speaker 3: just the drinking. I would just talk about things, yeah,

247
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Speaker 3: and got rewarded for it. But then I quickly realized

248
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Speaker 3: I needed to start writing things down because people would

249
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Speaker 3: always say, oh, you have the speaking cadence of Bob

250
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Speaker 3: Newhart who just passed. And so I've been rewatching his

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Speaker 3: stand up, very scripted, one sided conversations. If you guys

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Speaker 3: haven't ever, because I knew him from that sitcom where

253
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Speaker 3: he owns an inn in Vermont Larry Darryl, Darryl and Darryl,

254
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Speaker 3: and that was kind of a boring show. It had

255
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Speaker 3: its moment.

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Speaker 2: It was very CBS in the eighties. Yeah, swetters, Yeah,

257
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Speaker 2: kind of like a nice hard joke after three minutes.

258
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Speaker 3: Yes, every three minutes, there's a there's a laugh on

259
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Speaker 3: that banister, there's a kitchen, there's the main lobby, and

260
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Speaker 3: very sad string music at the beginning. It's something akin

261
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Speaker 3: to the mash theme, so you really know you're in

262
00:13:43,679 --> 00:13:48,959
Speaker 3: for a night with older folks. They and but then

263
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Speaker 3: to watch his stand up and and how perfectly timed

264
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Speaker 3: one sided conversations where everything he said you then would

265
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Speaker 3: have to assume what was on the other end of

266
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Speaker 3: this phone call. Entire albums of one sided two person conversations. Yeah,

267
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Speaker 3: if that makes sense. Yeah, that's who thought to do that.

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Speaker 2: Yeah, that was act guys.

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Speaker 3: It's the best.

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Speaker 2: There's also just if anybody is looking into Bob Newhart material,

271
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Speaker 2: just to get the sense of this comic genius. He

272
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Speaker 2: also had a TV show called The Bob Newhart Show

273
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Speaker 2: in the seventies that was like what nineteen seventy five,

274
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Speaker 2: nineteen seventy four, I think, And it was like Minnesota

275
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Speaker 2: in the seventies, and he was a psychiatrist, and so

276
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Speaker 2: it was him and Marshall Wallace I believe, who later

277
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Speaker 2: would play the voice of Missus Kraboppol on The Simpsons,

278
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Speaker 2: and she was the receptionist. And then it was all

279
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Speaker 2: of his different patients that would come in, like they

280
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Speaker 2: provided the B plot or the C plot of like

281
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Speaker 2: always that funny guy that has a lot of anxiety

282
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Speaker 2: or whatever. Yeah, and then he had this amazing apartment

283
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Speaker 2: with his wife, who was Suzanne Puschett.

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Speaker 1: That actors with the kind of scratchy voices Bob like, yeah, it.

285
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Speaker 2: Was the best show. It was super real, really funny

286
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Speaker 2: that I think that one holds up.

287
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Speaker 3: I got to revisit it. I always assumed that he

288
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Speaker 3: retired from whatever job and that sitcom and then bought

289
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Speaker 3: in in Vermont.

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Speaker 4: Yeah, but did they suggest it was the same guy

291
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Speaker 4: they basically in the last episode spoiler alert if you

292
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Speaker 4: want to go watch New Heart, the series where they're

293
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Speaker 4: in an inn, then don't listen to this end part

294
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Speaker 4: that I'm about to tell you.

295
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Speaker 2: God, but what they did, and it was really epic

296
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Speaker 2: at the time, back in the monoculture when literally we

297
00:15:33,920 --> 00:15:38,640
Speaker 2: all watched the same show together. Was on the last

298
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Speaker 2: episode of the most recent show, New Heart, where his

299
00:15:43,440 --> 00:15:46,120
Speaker 2: wife was played by I can't remember somebody else, a

300
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Speaker 2: blonde lady. Yeah, we all know what's the last episode

301
00:15:48,840 --> 00:15:50,960
Speaker 2: as we're watching it, So the whole thing happens and

302
00:15:51,000 --> 00:15:54,120
Speaker 2: it's like whatever, goodbye. I don't know what the actual

303
00:15:54,120 --> 00:15:56,840
Speaker 2: plot was. But then the very last thing is he

304
00:15:56,960 --> 00:16:00,640
Speaker 2: wakes up in bed and then Susan push that turns

305
00:16:00,640 --> 00:16:02,640
Speaker 2: over and goes bomb go back to sat and the

306
00:16:02,760 --> 00:16:03,840
Speaker 2: whole thing was a dream.

307
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Speaker 3: I forgot that that was the end. I remember that

308
00:16:06,520 --> 00:16:09,520
Speaker 3: being an epic ending, and I knew what they were

309
00:16:09,560 --> 00:16:12,720
Speaker 3: referring to, but I'd never seen the because every episode

310
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Speaker 3: of The Psychiatrist one was about whoever he was, who

311
00:16:17,480 --> 00:16:18,120
Speaker 3: was seeing him.

312
00:16:18,480 --> 00:16:20,840
Speaker 2: Uh No, it was almost like he's six.

313
00:16:20,600 --> 00:16:22,800
Speaker 3: Feet under when it opens with a death, and then

314
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Speaker 3: it's about that.

315
00:16:24,840 --> 00:16:27,160
Speaker 2: There was much more about like him and his wife

316
00:16:27,240 --> 00:16:29,200
Speaker 2: doing stuff at home and they didn't have kids, which

317
00:16:29,280 --> 00:16:31,400
Speaker 2: was very like advanced for the time.

318
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Speaker 3: They slept in the same bed.

319
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Speaker 2: Same bed on TV. They really could cool high.

320
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Speaker 3: Rise show them the end of during the credits having sex.

321
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Speaker 3: I always thought that I was really pushed Chris cutting

322
00:16:43,000 --> 00:16:51,040
Speaker 3: Edge thinking, I know, I'm thinking of early stag films

323
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Speaker 3: that I found in an attic.

324
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Speaker 2: I told you not to touch your linus.

325
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Speaker 3: This whole time, I've been pretending I didn't spill quite

326
00:16:58,760 --> 00:17:02,000
Speaker 3: a large amount of coke on my crouch. Thank you.

327
00:17:02,680 --> 00:17:04,960
Speaker 2: There's like a lap has a cult.

328
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Speaker 3: She handed me a Klean egg. Oh, anyway, I felt

329
00:17:13,520 --> 00:17:15,800
Speaker 3: I feel good the last few days.

330
00:17:16,119 --> 00:17:18,840
Speaker 2: Great. Yeah, there's a lot to feel good about. Yeah,

331
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Speaker 2: there's just kind of like there's any kind of plan.

332
00:17:22,200 --> 00:17:24,359
Speaker 2: It's almost like the idea that they did this reveal

333
00:17:24,600 --> 00:17:27,520
Speaker 2: makes me go oh oh, there's all kinds of plans.

334
00:17:27,600 --> 00:17:31,000
Speaker 2: Yeah and there. They didn't do them earlier because they

335
00:17:31,040 --> 00:17:33,400
Speaker 2: have to wait until we get closed to November.

336
00:17:33,560 --> 00:17:37,959
Speaker 3: Yeah, and she's going to be speaking with hope and

337
00:17:38,119 --> 00:17:40,439
Speaker 3: positivity and people are going to snap out of it.

338
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Speaker 2: I think, yeah, yeah, I think so it's going to

339
00:17:43,560 --> 00:17:43,880
Speaker 2: be great.

340
00:17:44,280 --> 00:17:48,280
Speaker 3: So that's our hopeful. If you came to hear hope,

341
00:17:48,640 --> 00:17:51,880
Speaker 3: you're going to get it in the ear right out

342
00:17:51,920 --> 00:17:54,720
Speaker 3: of our mouths oh oh, we almost got cut off

343
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Speaker 3: by another car. I know. I tend to do that.

344
00:18:03,119 --> 00:18:05,760
Speaker 2: It was just acting. I was making a joke about

345
00:18:05,760 --> 00:18:06,200
Speaker 2: your acting.

346
00:18:06,359 --> 00:18:10,320
Speaker 3: Oh right, right, yeah. I went to a drive in

347
00:18:10,480 --> 00:18:13,359
Speaker 3: movie theater with my family. My nieces and sister and

348
00:18:13,400 --> 00:18:15,119
Speaker 3: brother in law came to visit and we all went

349
00:18:15,200 --> 00:18:17,120
Speaker 3: to see Twisters at drive in.

350
00:18:17,359 --> 00:18:20,240
Speaker 2: Nice movie theater, the one down in like Torrance.

351
00:18:20,600 --> 00:18:24,639
Speaker 3: It was in Paramount, a town i've never heard of,

352
00:18:24,720 --> 00:18:27,600
Speaker 3: no relation to the studio or camera manufacturer.

353
00:18:27,880 --> 00:18:31,080
Speaker 2: It's like south of the City of Industry.

354
00:18:31,440 --> 00:18:34,360
Speaker 3: It is near the city of City of Industry.

355
00:18:34,520 --> 00:18:36,520
Speaker 2: I've been of Commerce.

356
00:18:37,000 --> 00:18:39,120
Speaker 3: It was City of Commerce.

357
00:18:38,920 --> 00:18:44,240
Speaker 2: City of that. We're sang that yeah, okay, yeah, that's what.

358
00:18:44,160 --> 00:18:47,040
Speaker 3: I say in the song. Yes, in the.

359
00:18:47,040 --> 00:18:50,560
Speaker 2: Song oh but you all sang city of Commerce, I.

360
00:18:50,520 --> 00:18:52,760
Speaker 3: Do know the city of Compton in the song.

361
00:18:52,960 --> 00:18:56,320
Speaker 2: I thought when you said we all sang that that

362
00:18:56,440 --> 00:19:00,199
Speaker 2: and I think Annalise agrees with me. We thought you

363
00:19:00,280 --> 00:19:04,040
Speaker 2: meant we all sang that like that was the song.

364
00:19:04,000 --> 00:19:05,440
Speaker 3: Oh yeah, no you.

365
00:19:05,440 --> 00:19:08,719
Speaker 2: Met the family, Yeah past the sign and sang as

366
00:19:08,760 --> 00:19:09,199
Speaker 2: a family.

367
00:19:09,440 --> 00:19:12,399
Speaker 3: I grew up listening to n WA and Easy So

368
00:19:12,560 --> 00:19:16,720
Speaker 3: Easy does it okay the name of his album Get

369
00:19:16,760 --> 00:19:21,600
Speaker 3: Out of My But it was very fun. But one

370
00:19:21,640 --> 00:19:24,280
Speaker 3: thing I forgot, and technology hasn't caught up to it.

371
00:19:24,680 --> 00:19:28,399
Speaker 3: You do have to periodically start your car otherwise the

372
00:19:28,400 --> 00:19:31,920
Speaker 3: battery will get drained by running the radio. Yeah, it's

373
00:19:31,960 --> 00:19:34,679
Speaker 3: still because they just have you tune into a radio station.

374
00:19:35,600 --> 00:19:38,679
Speaker 3: And several people were starting their cars up and of

375
00:19:38,680 --> 00:19:43,040
Speaker 3: course had their headlights on. It was disruptive, but a

376
00:19:43,080 --> 00:19:46,880
Speaker 3: lot of cars couldn't start, and that's something people don't remember.

377
00:19:47,320 --> 00:19:50,639
Speaker 2: Yeah, it's we're not ready for driving movie theaters because

378
00:19:50,720 --> 00:19:53,000
Speaker 2: it's out of our wheelhouse of knowledge.

379
00:19:53,040 --> 00:19:57,639
Speaker 3: The feverishly was searching for a radio on my phone

380
00:19:57,720 --> 00:20:00,280
Speaker 3: to listen on my phone, we ended up listening to

381
00:20:00,320 --> 00:20:03,520
Speaker 3: the neighbors. There's people that go there. It's a whole scene. Yeah.

382
00:20:03,560 --> 00:20:05,919
Speaker 3: And they had speakers and they had tents. It was

383
00:20:05,960 --> 00:20:08,879
Speaker 3: like tailgate party time. Yeah, and it was so fun

384
00:20:09,280 --> 00:20:12,480
Speaker 3: and I think that won that location, which I don't

385
00:20:12,480 --> 00:20:15,280
Speaker 3: know if it closed and reopened, but it's famous, like

386
00:20:15,400 --> 00:20:20,040
Speaker 3: the let's go down to the lobby, yes song, and

387
00:20:20,920 --> 00:20:24,080
Speaker 3: I think it's been in movies like Diner and things

388
00:20:24,119 --> 00:20:24,440
Speaker 3: like that.

389
00:20:24,520 --> 00:20:25,200
Speaker 2: It was in Greece.

390
00:20:25,560 --> 00:20:27,439
Speaker 3: It was in Greece. That's the one in Greece.

391
00:20:27,640 --> 00:20:29,800
Speaker 2: It's the one where, yeah, they're all at the drive

392
00:20:29,840 --> 00:20:32,160
Speaker 2: ins and I mean they're watching a movie, but then

393
00:20:32,240 --> 00:20:36,160
Speaker 2: that plays in the background while I believe while she's singing.

394
00:20:37,520 --> 00:20:39,640
Speaker 2: Is it hopelessly devoted to you that she sings when

395
00:20:39,640 --> 00:20:41,360
Speaker 2: she's swinging on the swings or is at him?

396
00:20:41,440 --> 00:20:43,720
Speaker 3: Oh? I wish I had known that, my sister, But

397
00:20:44,440 --> 00:20:48,040
Speaker 3: then the songs would have ensued. My sister was saying

398
00:20:48,040 --> 00:20:51,320
Speaker 3: the songs, So how do you do not? I can't not.

399
00:20:51,480 --> 00:20:54,520
Speaker 3: I would have joined her duet style. Yeah, some of

400
00:20:54,520 --> 00:20:56,960
Speaker 3: the lyrics are a little risk. Gue I do leave

401
00:20:57,000 --> 00:20:58,800
Speaker 3: out some of these sexual innuendo.

402
00:20:59,040 --> 00:20:59,280
Speaker 2: Good.

403
00:20:59,520 --> 00:21:02,199
Speaker 3: Yeah, thought they could get away with some stuff.

404
00:21:02,240 --> 00:21:03,440
Speaker 2: But now are you thinking of grease?

405
00:21:03,480 --> 00:21:07,760
Speaker 3: Too electric boogloo. No, I'm thinking of the original Grease.

406
00:21:08,880 --> 00:21:10,959
Speaker 3: It's a great movie if you haven't seen. It's the

407
00:21:11,000 --> 00:21:16,840
Speaker 3: only musical that I just can watch. And I'm admitting that.

408
00:21:19,320 --> 00:21:20,320
Speaker 3: And Cats, of course.

409
00:21:21,600 --> 00:21:26,160
Speaker 2: What about Team America World Police.

410
00:21:25,040 --> 00:21:27,480
Speaker 3: It's been a while, it's been a while. That seems

411
00:21:27,520 --> 00:21:28,440
Speaker 3: more like a parody.

412
00:21:29,000 --> 00:21:31,560
Speaker 2: Yeah, but it does have good songs.

413
00:21:31,280 --> 00:21:34,679
Speaker 3: It does, and everything I knew about Hamilton, I was like,

414
00:21:34,720 --> 00:21:37,000
Speaker 3: I'm not gonna like that. Guess who liked it? Within

415
00:21:37,080 --> 00:21:40,520
Speaker 3: five minutes. You me, the person who's talking about the

416
00:21:40,560 --> 00:21:41,199
Speaker 3: thing they like.

417
00:21:42,359 --> 00:21:44,840
Speaker 2: It was easy to guess because you were the one talking.

418
00:21:45,040 --> 00:21:46,680
Speaker 3: Yeah, Yeah, I loved it.

419
00:21:46,960 --> 00:21:50,080
Speaker 2: I went and saw Hamilton, and when the part happened

420
00:21:50,200 --> 00:21:54,360
Speaker 2: where the lyrics of the song are immigrants, we get

421
00:21:54,359 --> 00:21:57,960
Speaker 2: the job done, and the entire audience yelled we get

422
00:21:58,000 --> 00:22:00,880
Speaker 2: the job done along with the guy, I started crying

423
00:22:00,920 --> 00:22:01,919
Speaker 2: and I couldn't stop crying.

424
00:22:02,119 --> 00:22:02,439
Speaker 3: Yeah.

425
00:22:02,520 --> 00:22:04,560
Speaker 2: I was just like, Yeah, what are we fucking doing?

426
00:22:04,720 --> 00:22:07,800
Speaker 2: Why are we pretending immigrants are what we should be

427
00:22:07,880 --> 00:22:11,800
Speaker 2: battling at the borders. When they built this fucking country,

428
00:22:12,280 --> 00:22:16,720
Speaker 2: they are still maintaining order in this country. Like by that,

429
00:22:16,840 --> 00:22:20,040
Speaker 2: I mean working in the restaurants as my old friend

430
00:22:20,119 --> 00:22:22,960
Speaker 2: Danny Sebias used to say, every restaurant in la is

431
00:22:22,960 --> 00:22:24,000
Speaker 2: a Mexican restaurant.

432
00:22:24,119 --> 00:22:24,639
Speaker 3: Yeah.

433
00:22:24,680 --> 00:22:27,640
Speaker 2: Like this idea that we need to get rid of

434
00:22:27,720 --> 00:22:29,800
Speaker 2: people who are trying to come here is psychotic.

435
00:22:30,000 --> 00:22:34,479
Speaker 3: Yeah, everyone needs to watch a documentary yeah about it

436
00:22:35,000 --> 00:22:37,360
Speaker 3: and then realize because people just don't know, I think,

437
00:22:37,440 --> 00:22:40,280
Speaker 3: or they're pretending they don't know. But a lot of

438
00:22:40,320 --> 00:22:44,199
Speaker 3: people that think that way aren't in cities. They're in

439
00:22:44,200 --> 00:22:49,200
Speaker 3: these tiny towns wherever the diner still is their grandma.

440
00:22:49,960 --> 00:22:52,320
Speaker 2: I mean sometimes and then sometimes you grow up in

441
00:22:52,359 --> 00:22:54,919
Speaker 2: those cities and you're the you and your family, or

442
00:22:55,640 --> 00:22:57,800
Speaker 2: you have a little pot of people that are the

443
00:22:58,400 --> 00:23:03,640
Speaker 2: you're staying blue amid a red surrounding. You know, it's

444
00:23:03,640 --> 00:23:09,320
Speaker 2: not always the location. But it's interesting because more on

445
00:23:09,600 --> 00:23:14,080
Speaker 2: Kamala Harris, they're saying that the percentages that they're seeing

446
00:23:14,320 --> 00:23:18,399
Speaker 2: are reflecting all of the people. There are Republicans showing up,

447
00:23:18,520 --> 00:23:22,840
Speaker 2: especially women that are like, yeah, this is what I want.

448
00:23:23,000 --> 00:23:27,280
Speaker 2: It's no longer about I'm in this party or that party,

449
00:23:27,359 --> 00:23:29,560
Speaker 2: I'm standing on this side or that side. It's like,

450
00:23:29,640 --> 00:23:32,200
Speaker 2: oh no, no, no, we're not going to not have

451
00:23:33,240 --> 00:23:35,959
Speaker 2: medical rights. The way men do. That just isn't going

452
00:23:36,040 --> 00:23:37,560
Speaker 2: to be something we're going to allow.

453
00:23:37,800 --> 00:23:40,639
Speaker 3: Yeah. I like to think about all the all the

454
00:23:40,680 --> 00:23:44,280
Speaker 3: women that are just letting their husbands think, oh yeah, no,

455
00:23:44,320 --> 00:23:46,200
Speaker 3: I'll vote for them again, and then they go off

456
00:23:46,200 --> 00:23:48,679
Speaker 3: and vote yes. Yeah. It's I love that.

457
00:23:48,920 --> 00:23:52,560
Speaker 2: Some trickeries, yeah, or some blatant like I'm done with this,

458
00:23:53,040 --> 00:23:53,560
Speaker 2: I'm done with it.

459
00:23:53,640 --> 00:23:58,280
Speaker 3: I hope there's a bunch of divorces because of it. Yeah. Yeah,

460
00:23:58,520 --> 00:24:02,080
Speaker 3: Now try and live your life, you know what I mean?

461
00:24:02,600 --> 00:24:04,080
Speaker 2: Yeah, if you were.

462
00:24:04,800 --> 00:24:06,640
Speaker 3: I had a great day the other day where everything

463
00:24:06,680 --> 00:24:07,320
Speaker 3: went my way.

464
00:24:07,800 --> 00:24:08,399
Speaker 2: Yeah.

465
00:24:08,440 --> 00:24:11,639
Speaker 3: I skateboarded well, I golfed well. Then I had two shows.

466
00:24:11,720 --> 00:24:14,679
Speaker 3: It was a full day and everything went well. And

467
00:24:14,720 --> 00:24:17,920
Speaker 3: then I thought, Okay, how do I make every day

468
00:24:18,040 --> 00:24:21,879
Speaker 3: like this day? But that would it'd be like a

469
00:24:21,920 --> 00:24:26,600
Speaker 3: groundhog day situation and it would be less special every day.

470
00:24:26,800 --> 00:24:28,720
Speaker 3: But do you have a day that you would live over,

471
00:24:29,119 --> 00:24:31,679
Speaker 3: like a day that you is in your memory. I

472
00:24:31,720 --> 00:24:33,440
Speaker 3: was thinking about that on the way over here.

473
00:24:34,080 --> 00:24:37,240
Speaker 2: That was your best day, the best day ever?

474
00:24:38,560 --> 00:24:40,640
Speaker 3: Because the last one I had I was like twenty one.

475
00:24:40,720 --> 00:24:41,919
Speaker 3: So they stick out to me.

476
00:24:42,080 --> 00:24:46,159
Speaker 2: They really well, and especially like kind of a series

477
00:24:46,200 --> 00:24:49,080
Speaker 2: of winning, like you just won all day long. Yeah,

478
00:24:49,080 --> 00:24:52,520
Speaker 2: and that's left well, yeah, that's the and the last victory.

479
00:24:52,760 --> 00:24:55,399
Speaker 2: Yeah is that you slept well. I mean that's great,

480
00:24:55,600 --> 00:24:59,199
Speaker 2: and yeah, it doesn't just buy its own nature. It

481
00:24:59,240 --> 00:25:03,240
Speaker 2: doesn't happen, and it's not even something to aim for

482
00:25:04,160 --> 00:25:06,320
Speaker 2: because then you're just going to always be disappointed.

483
00:25:06,520 --> 00:25:09,360
Speaker 3: Yeah, but I just got to wait and be surprised

484
00:25:09,359 --> 00:25:09,800
Speaker 3: by them.

485
00:25:10,280 --> 00:25:12,120
Speaker 2: I feel like I had a lot of those days

486
00:25:12,480 --> 00:25:16,880
Speaker 2: when I was like younger than twelve, like things were

487
00:25:16,960 --> 00:25:19,359
Speaker 2: just like that was fun. Cool, Now I get to

488
00:25:19,359 --> 00:25:21,920
Speaker 2: do this, I get a sandwich, Like everything had that

489
00:25:22,119 --> 00:25:24,840
Speaker 2: vibe to it. Yeah, and then like junior high, it

490
00:25:24,880 --> 00:25:28,560
Speaker 2: was all everything turned yeah, and then it was there

491
00:25:28,560 --> 00:25:29,639
Speaker 2: were few and far between.

492
00:25:30,320 --> 00:25:32,920
Speaker 3: I just did think I remembered every day back then

493
00:25:33,080 --> 00:25:37,280
Speaker 3: because I was experiencing seasons, and then every day here

494
00:25:37,359 --> 00:25:39,359
Speaker 3: is seventy five, and so I thought it's flown by

495
00:25:39,400 --> 00:25:41,560
Speaker 3: the last twenty years because of that. But I think

496
00:25:41,880 --> 00:25:45,960
Speaker 3: just in general, when you're young, you remember all the things.

497
00:25:46,040 --> 00:25:49,199
Speaker 2: Yeah, you have been on the planet less time, so

498
00:25:49,320 --> 00:25:52,919
Speaker 2: it's all shock. Every experience is new and shocking or

499
00:25:53,000 --> 00:25:54,560
Speaker 2: new and like what is going on?

500
00:25:54,840 --> 00:25:57,280
Speaker 3: Yeah, No, nothing makes an impact. That's why I was

501
00:25:57,280 --> 00:25:58,640
Speaker 3: glad to have that day the other day.

502
00:25:58,720 --> 00:25:59,359
Speaker 2: Yeah, that's great.

503
00:25:59,359 --> 00:26:01,959
Speaker 3: I felt like it again, what a fresh new day

504
00:26:01,960 --> 00:26:03,120
Speaker 3: of human experiences.

505
00:26:03,400 --> 00:26:05,440
Speaker 2: I have to say I had a lot of those days.

506
00:26:05,480 --> 00:26:07,280
Speaker 2: This is going to sound super weird, but I had

507
00:26:07,320 --> 00:26:09,760
Speaker 2: a lot of days that felt like that in COVID,

508
00:26:10,320 --> 00:26:13,399
Speaker 2: because I know COVID was so scary and weird and

509
00:26:13,520 --> 00:26:16,200
Speaker 2: unprecedented that I was like, I guess I could snap

510
00:26:16,240 --> 00:26:18,280
Speaker 2: at any time. I guess I could lose it or

511
00:26:18,400 --> 00:26:20,720
Speaker 2: like whatever. So then I would just kind of go

512
00:26:20,800 --> 00:26:23,080
Speaker 2: through the day and like eat what I wanted and

513
00:26:23,119 --> 00:26:26,040
Speaker 2: watch whatever I wanted on TV, and go swimming and

514
00:26:26,440 --> 00:26:28,280
Speaker 2: do a bunch of shit where I was just like, well,

515
00:26:28,440 --> 00:26:31,639
Speaker 2: if this is this, then I've got then I'm the

516
00:26:31,680 --> 00:26:35,240
Speaker 2: luckiest person in the world. And so I guess that

517
00:26:35,400 --> 00:26:37,240
Speaker 2: was like I was just trying to do it that way,

518
00:26:37,720 --> 00:26:39,679
Speaker 2: almost like not in a fake way, but like in

519
00:26:39,720 --> 00:26:43,600
Speaker 2: a what really matters because everything got so dire and

520
00:26:43,640 --> 00:26:45,879
Speaker 2: it's like I have a roof over my head, I

521
00:26:46,040 --> 00:26:48,920
Speaker 2: get to get in water and move around without having

522
00:26:48,960 --> 00:26:52,160
Speaker 2: to leave. That to me the luckiest thing in the world.

523
00:26:52,720 --> 00:26:54,800
Speaker 3: And I thought I would be bummed out. That was

524
00:26:54,800 --> 00:26:56,920
Speaker 3: my I'm like, uh oh, what if I go into

525
00:26:56,920 --> 00:27:00,159
Speaker 3: this weird depression? And then I felt guilty because I

526
00:27:00,200 --> 00:27:04,480
Speaker 3: was like, uh oh, I'm totally thriving emotionally. I knew

527
00:27:04,640 --> 00:27:06,879
Speaker 3: bad things were happening, but I was like, oh, I

528
00:27:07,000 --> 00:27:08,920
Speaker 3: enjoy my own company. That's a surprise.

529
00:27:09,160 --> 00:27:11,600
Speaker 2: Yeah right, that was a real discovery.

530
00:27:11,640 --> 00:27:13,800
Speaker 3: Good, And I'm trying to carry it over and not

531
00:27:13,840 --> 00:27:14,560
Speaker 3: forget that.

532
00:27:15,160 --> 00:27:17,760
Speaker 2: It's important to know it, but it's good to not

533
00:27:18,000 --> 00:27:20,240
Speaker 2: test it all the time the way we were forced

534
00:27:20,240 --> 00:27:21,080
Speaker 2: to test it all the time.

535
00:27:21,160 --> 00:27:23,720
Speaker 3: Yeah, in the moment while it was happening, I kept

536
00:27:23,760 --> 00:27:25,720
Speaker 3: telling people I was having a great time, and then

537
00:27:26,000 --> 00:27:29,000
Speaker 3: I realized they probably had just lost a loved one

538
00:27:29,080 --> 00:27:31,440
Speaker 3: or something. So I had to keep it to myself. Yeah,

539
00:27:31,440 --> 00:27:34,320
Speaker 3: my secret little happiness. But enough time has passed that

540
00:27:34,400 --> 00:27:36,320
Speaker 3: I could start bragging about it. Well.

541
00:27:36,359 --> 00:27:38,920
Speaker 2: And also when it's a secret happiness, isn't it even

542
00:27:38,960 --> 00:27:41,080
Speaker 2: more fun because then you're just kind of like, well,

543
00:27:41,119 --> 00:27:43,520
Speaker 2: I guess this is just then I just have to

544
00:27:43,600 --> 00:27:47,520
Speaker 2: keep this to myself. Yeah, that's fun too. I don't know.

545
00:27:47,600 --> 00:27:49,320
Speaker 2: I wish I could remember a day where it was

546
00:27:49,400 --> 00:27:51,399
Speaker 2: like I mean, there was a day when I was

547
00:27:51,440 --> 00:27:53,920
Speaker 2: like five and I went to the four each Halloween

548
00:27:53,960 --> 00:27:58,320
Speaker 2: party and there's a big jar of candy. And I

549
00:27:58,480 --> 00:28:01,280
Speaker 2: was definitely the youngest person at this party. It was

550
00:28:01,320 --> 00:28:04,200
Speaker 2: all my cousins and stuff. I walked up to the

551
00:28:04,560 --> 00:28:06,920
Speaker 2: table where you guessed how many pieces of candy were

552
00:28:06,920 --> 00:28:08,680
Speaker 2: in the big jar and then you could win the

553
00:28:08,760 --> 00:28:11,560
Speaker 2: jar of candy. Yeah and so, and I was just

554
00:28:11,600 --> 00:28:14,040
Speaker 2: like a little mouse. And I walked up and I go.

555
00:28:14,280 --> 00:28:15,680
Speaker 2: She goes, do you want to get how many pieces

556
00:28:15,720 --> 00:28:17,680
Speaker 2: of candy are in this jar? And I go fifty

557
00:28:17,840 --> 00:28:20,080
Speaker 2: and she goes five hundred okay, and then I won.

558
00:28:20,760 --> 00:28:23,840
Speaker 2: Oh wow, so she they basically rigged it for me.

559
00:28:23,960 --> 00:28:25,879
Speaker 2: But I didn't get that because I was only five,

560
00:28:25,960 --> 00:28:29,640
Speaker 2: And like that alone was the greatest day because I

561
00:28:29,680 --> 00:28:32,560
Speaker 2: walked out of there with like truly a jar of

562
00:28:32,640 --> 00:28:34,520
Speaker 2: candy that was half my body size.

563
00:28:34,560 --> 00:28:35,800
Speaker 3: Wow, you won.

564
00:28:36,160 --> 00:28:36,680
Speaker 2: I did win.

565
00:28:36,920 --> 00:28:38,000
Speaker 3: I don't think I've ever won.

566
00:28:38,800 --> 00:28:41,680
Speaker 2: But I didn't technically win. Yeah, it was not like

567
00:28:41,720 --> 00:28:44,040
Speaker 2: I assessed that thing and I'm like, well, if they're

568
00:28:44,280 --> 00:28:46,959
Speaker 2: if there are fifty on one level anything like that.

569
00:28:47,200 --> 00:28:49,520
Speaker 2: I was like I didn't even know what numbers meant.

570
00:28:49,640 --> 00:28:51,800
Speaker 3: Yeah. I always thought I could rain man it and

571
00:28:51,840 --> 00:28:54,120
Speaker 3: look at a section of it and multiply it by

572
00:28:54,120 --> 00:28:56,200
Speaker 3: the girth of the jar. And then I realized I

573
00:28:56,240 --> 00:28:59,120
Speaker 3: didn't know any of that math, but I you just

574
00:28:59,160 --> 00:29:02,840
Speaker 3: simply left out zero. So I appreciate that you had

575
00:29:02,840 --> 00:29:05,520
Speaker 3: my back when I said one hundred thousand and I'm

576
00:29:05,760 --> 00:29:09,320
Speaker 3: a hundred million, but that was three zeros.

577
00:29:09,480 --> 00:29:11,520
Speaker 2: The point is, please stop doing that voice.

578
00:29:11,680 --> 00:29:14,560
Speaker 3: It's terrible. It's I don't think I think it's like

579
00:29:14,640 --> 00:29:17,200
Speaker 3: a bubble in my throat. It's certainly not an affect

580
00:29:17,280 --> 00:29:17,960
Speaker 3: that I'm trying.

581
00:29:18,320 --> 00:29:19,920
Speaker 2: It sounds exactly like it aspen.

582
00:29:19,800 --> 00:29:23,000
Speaker 3: Like Madonna after being in in England for a few weeks.

583
00:29:23,440 --> 00:29:27,120
Speaker 2: You know, and she's like, we better get in the lift. Yeah,

584
00:29:27,240 --> 00:29:30,040
Speaker 2: down and load up the boot. You know that Madonna

585
00:29:30,080 --> 00:29:34,440
Speaker 2: monologue and on it she's so famous for talking about

586
00:29:34,440 --> 00:29:34,920
Speaker 2: the lories.

587
00:29:35,920 --> 00:29:37,840
Speaker 3: The Madonna monologues were such a.

588
00:29:37,720 --> 00:29:40,520
Speaker 2: Popular show, oh the nineties.

589
00:29:46,120 --> 00:29:48,800
Speaker 3: I think people are mean to Madonna, and I I

590
00:29:49,000 --> 00:29:49,360
Speaker 3: like her.

591
00:29:49,760 --> 00:29:52,920
Speaker 2: I was mean to Madonna once on the Internet, just

592
00:29:53,000 --> 00:29:56,160
Speaker 2: purely on the in those days of toxic Twitter posting,

593
00:29:56,320 --> 00:30:01,600
Speaker 2: because she performed at one of the Award Show and

594
00:30:01,640 --> 00:30:04,640
Speaker 2: she just didn't wasn't dancing the way she used to dance,

595
00:30:04,840 --> 00:30:07,120
Speaker 2: and so I made a joke of like Madonna is

596
00:30:07,160 --> 00:30:11,080
Speaker 2: the new representative of Boniva, and I got piled on.

597
00:30:11,880 --> 00:30:14,680
Speaker 2: They came for me hard on Twitter, where it was.

598
00:30:14,720 --> 00:30:16,800
Speaker 1: Like fuck you bitch, and I was like, yeah, whoops,

599
00:30:16,800 --> 00:30:19,160
Speaker 1: you're right where it's like you're right, Like I was

600
00:30:19,200 --> 00:30:21,240
Speaker 1: just trying to put up a joke, get a little

601
00:30:21,320 --> 00:30:23,760
Speaker 1: be a comedian, get a little clout, yeah, you know,

602
00:30:24,080 --> 00:30:25,400
Speaker 1: on her on her dime.

603
00:30:25,720 --> 00:30:28,800
Speaker 2: But actually I liked Madonna first. I was twelve years

604
00:30:28,800 --> 00:30:31,160
Speaker 2: old when Fucking Lucky Star came out. It was a

605
00:30:31,200 --> 00:30:31,880
Speaker 2: life changer.

606
00:30:32,120 --> 00:30:35,040
Speaker 3: And this is gonna sound like it was for masturbatory reasons,

607
00:30:35,040 --> 00:30:37,920
Speaker 3: but my friend Andy loved Madonna so much that he

608
00:30:37,960 --> 00:30:42,360
Speaker 3: had a closet, a walk in closet, and it was

609
00:30:42,520 --> 00:30:47,160
Speaker 3: wallpapered with Madonna pictures. Now walk into his closet.

610
00:30:47,200 --> 00:30:49,920
Speaker 2: Sorry, he told you that was not for masturbatory reasons.

611
00:30:50,040 --> 00:30:51,960
Speaker 3: No, he. I don't think he would have been that

612
00:30:52,080 --> 00:30:54,480
Speaker 3: open about showing it off. If he was like, hey,

613
00:30:54,560 --> 00:30:57,680
Speaker 3: check this out, guess what I do in here? That

614
00:30:57,800 --> 00:31:01,320
Speaker 3: was the last thing on his mind. Think that a

615
00:31:01,320 --> 00:31:05,240
Speaker 3: lot of kids in my neighborhood didn't discover what was

616
00:31:05,280 --> 00:31:07,320
Speaker 3: going on in their pants till our twenties.

617
00:31:07,920 --> 00:31:08,560
Speaker 2: That's a lot.

618
00:31:08,960 --> 00:31:11,920
Speaker 3: I really do, I really do. It was something about

619
00:31:12,040 --> 00:31:13,880
Speaker 3: there was a lot to do outside. We had a

620
00:31:13,880 --> 00:31:17,800
Speaker 3: lot of distractions. We were riding bikes. We didn't maybe

621
00:31:17,800 --> 00:31:19,840
Speaker 3: it was now I'm.

622
00:31:20,360 --> 00:31:22,680
Speaker 2: Maybe it's just private, and you guys didn't discuss it.

623
00:31:23,000 --> 00:31:26,840
Speaker 3: Right, But if I had, like the Spiegel catalog that

624
00:31:26,920 --> 00:31:29,479
Speaker 3: I had in my closet, when he came over, I'm like, hey,

625
00:31:29,600 --> 00:31:31,840
Speaker 3: check this out. This is something I like. That was

626
00:31:31,880 --> 00:31:35,840
Speaker 3: a secret, so everyone kept those things a secret, So.

627
00:31:35,800 --> 00:31:37,920
Speaker 2: He would have just kept those closet doors closed.

628
00:31:38,040 --> 00:31:41,760
Speaker 3: Yeah, we're off, you know, in the woods somewhere buried, right.

629
00:31:41,960 --> 00:31:45,560
Speaker 3: He showed it to us. He really liked Madonna.

630
00:31:45,800 --> 00:31:49,960
Speaker 2: You were sexually attracted to camel colored Kashmir. Is that

631
00:31:50,000 --> 00:31:51,720
Speaker 2: what you're telling me about the Spiegel catalog?

632
00:31:52,840 --> 00:31:57,360
Speaker 3: There is it If you don't remember this Spiegel catalog,

633
00:31:57,560 --> 00:32:00,920
Speaker 3: A lot of it was far from real. And then

634
00:32:01,000 --> 00:32:03,960
Speaker 3: halfway through the catalog you had to flip it over

635
00:32:05,400 --> 00:32:10,480
Speaker 3: it so it was upside down. Yeah, and then the underpants, underpants,

636
00:32:10,640 --> 00:32:15,920
Speaker 3: garments and anglas, oh, were the in the upside down part.

637
00:32:16,080 --> 00:32:18,680
Speaker 3: They thought a child didn't know how to rotate something.

638
00:32:18,720 --> 00:32:23,000
Speaker 3: One and that was safe enough. And it was not

639
00:32:23,120 --> 00:32:26,360
Speaker 3: in my closet. It was in the living room closet

640
00:32:28,160 --> 00:32:31,120
Speaker 3: like there was a I know that sounds strange. There

641
00:32:31,160 --> 00:32:32,920
Speaker 3: was a hallway. It was a small house. There was

642
00:32:32,960 --> 00:32:35,600
Speaker 3: closets everywhere. But I would middle of the day be

643
00:32:35,640 --> 00:32:37,480
Speaker 3: in there and my mom had open it up and

644
00:32:37,520 --> 00:32:40,719
Speaker 3: I'm just looking at it. She's like, should I have

645
00:32:40,800 --> 00:32:43,040
Speaker 3: some sort of birds and bees? Talk with him? Because

646
00:32:43,080 --> 00:32:45,120
Speaker 3: I just thought it was okay to look. I'm just

647
00:32:45,200 --> 00:32:50,440
Speaker 3: looking at these these boobs. Is that okay? I didn't know.

648
00:32:50,640 --> 00:32:51,600
Speaker 3: It wasn't shameful.

649
00:32:51,600 --> 00:32:52,800
Speaker 2: And how old were you?

650
00:32:52,920 --> 00:32:53,160
Speaker 1: Oh?

651
00:32:53,280 --> 00:32:53,760
Speaker 3: Very young?

652
00:32:54,160 --> 00:32:59,640
Speaker 2: Yeah, twelve, little kid eleven? Uh. But back to Andy's Madonna.

653
00:33:00,800 --> 00:33:03,320
Speaker 2: It was a shrine and it was essentially just all

654
00:33:03,360 --> 00:33:06,080
Speaker 2: those famous pictures. I mean she was everywhere.

655
00:33:06,280 --> 00:33:09,680
Speaker 3: Even when you moved his clothes, the wall was covered.

656
00:33:09,880 --> 00:33:14,240
Speaker 3: It was an entire room. I'm just now remembering how

657
00:33:14,680 --> 00:33:20,680
Speaker 3: meticulously he cut out and made wallpaper yectually it looked

658
00:33:20,720 --> 00:33:23,760
Speaker 3: like I'm realizing now I'm describing something from a serial

659
00:33:23,840 --> 00:33:27,360
Speaker 3: killer movie. Yeah he was, but he thought it was funny, Like,

660
00:33:27,440 --> 00:33:30,720
Speaker 3: what have I had a Madonna obsession in my closet.

661
00:33:30,800 --> 00:33:33,560
Speaker 3: I'm going to do it? Why do some of the wall?

662
00:33:33,680 --> 00:33:35,400
Speaker 3: I got to do all the wall. Yeah, and I

663
00:33:35,400 --> 00:33:39,160
Speaker 3: don't know how long he spent, how many libraries were missing?

664
00:33:40,000 --> 00:33:41,200
Speaker 2: Do you still talk to this person?

665
00:33:41,360 --> 00:33:42,840
Speaker 3: Yes, he's one of my best pals.

666
00:33:42,880 --> 00:33:46,240
Speaker 2: If you wouldn't mind, Colleena, just circle back. Well, it

667
00:33:46,240 --> 00:33:48,080
Speaker 2: does have to be you know, that's we don't want

668
00:33:48,080 --> 00:33:49,920
Speaker 2: to put him in the hot seat. If you could

669
00:33:49,920 --> 00:33:52,240
Speaker 2: just get some details from him, you know, here's how

670
00:33:52,280 --> 00:33:57,000
Speaker 2: I remember it. Could you tell me what your motivations were, right, Yeah,

671
00:33:57,160 --> 00:33:57,920
Speaker 2: I'd be interested.

672
00:33:58,120 --> 00:34:01,479
Speaker 3: Yeah, I think I think it is time for us

673
00:34:01,520 --> 00:34:04,200
Speaker 3: to confront our childhood friends about what they had on

674
00:34:04,240 --> 00:34:08,040
Speaker 3: the wall. And you can start with my Kathy Ireland

675
00:34:08,400 --> 00:34:11,920
Speaker 3: sitting near a Ferrari poster. What was I thinking?

676
00:34:12,560 --> 00:34:15,120
Speaker 2: Well that you were just thinking what you're being told

677
00:34:15,200 --> 00:34:15,520
Speaker 2: to think.

678
00:34:15,719 --> 00:34:18,040
Speaker 3: Yeah, I didn't even notice it. I just like, this

679
00:34:18,120 --> 00:34:19,560
Speaker 3: is what boys are supposed to like.

680
00:34:19,840 --> 00:34:24,080
Speaker 2: But really, you know, I was you were more into

681
00:34:24,320 --> 00:34:28,279
Speaker 2: the Speakhel catalog. Yeah, a nice gift, a box that's

682
00:34:28,320 --> 00:34:30,759
Speaker 2: shaped like a pair with a lock on it.

683
00:34:31,280 --> 00:34:33,200
Speaker 3: I don't remember the hard goods.

684
00:34:35,120 --> 00:34:37,760
Speaker 2: Ironic, Yeah it is iron.

685
00:34:39,440 --> 00:34:42,800
Speaker 3: Yeah, I forgot that they even had furniture and stuff.

686
00:34:43,440 --> 00:34:47,480
Speaker 3: But those were the days, such a simple time. Now

687
00:34:47,640 --> 00:34:50,239
Speaker 3: children have a computer in their pants and they can

688
00:34:50,280 --> 00:34:51,959
Speaker 3: watch whatever they want.

689
00:34:52,320 --> 00:34:52,880
Speaker 2: Horrifying.

690
00:34:53,040 --> 00:34:54,000
Speaker 3: Isn't that horrifying?

691
00:34:54,160 --> 00:34:56,480
Speaker 2: I don't know if it's ideal.

692
00:34:56,400 --> 00:34:59,839
Speaker 3: That's for sure. Yes, I'm not someone that says thing

693
00:35:00,400 --> 00:35:02,400
Speaker 3: used to be better. I don't think that is the

694
00:35:02,440 --> 00:35:07,000
Speaker 3: case in a lot of ways. The innocence though, because

695
00:35:07,160 --> 00:35:10,040
Speaker 3: we didn't have access to all those things, and I

696
00:35:10,200 --> 00:35:12,919
Speaker 3: sat around and drew pictures if I wanted to think

697
00:35:13,000 --> 00:35:17,239
Speaker 3: up something, Yeah, because the VCR for it to work,

698
00:35:17,280 --> 00:35:20,200
Speaker 3: we had just stuff of packing peanut in it. Like,

699
00:35:20,440 --> 00:35:23,680
Speaker 3: there was so many things that didn't bring me entertainment

700
00:35:23,719 --> 00:35:26,560
Speaker 3: that I had to create it. I wonder if kids

701
00:35:26,680 --> 00:35:31,320
Speaker 3: these days even have invisible imaginary friends anymore.

702
00:35:31,320 --> 00:35:34,880
Speaker 2: I'd be interesting to know. But I bet I wonder,

703
00:35:35,840 --> 00:35:39,160
Speaker 2: like you're saying, the screens have replaced that imagination piece.

704
00:35:39,480 --> 00:35:40,640
Speaker 3: I think so, I.

705
00:35:40,560 --> 00:35:43,360
Speaker 2: Don't know, because I think I think like Sesame Street

706
00:35:43,600 --> 00:35:46,440
Speaker 2: and those kinds of the children's programming are trying to

707
00:35:46,440 --> 00:35:49,520
Speaker 2: fight the good fight in that way of at least

708
00:35:49,640 --> 00:35:52,080
Speaker 2: using that screen time to be like your imagination.

709
00:35:52,600 --> 00:35:56,160
Speaker 3: Yeah, you know what, I'm wrong, because little kids now

710
00:35:56,239 --> 00:35:57,480
Speaker 3: are super good.

711
00:35:57,239 --> 00:35:59,799
Speaker 2: At acting and they're super good at life, and they

712
00:35:59,840 --> 00:36:01,200
Speaker 2: were DJs and stuff.

713
00:36:01,280 --> 00:36:02,880
Speaker 3: Yeah, they're good at everything.

714
00:36:02,920 --> 00:36:04,080
Speaker 2: They really get out of the way.

715
00:36:04,120 --> 00:36:07,720
Speaker 3: Old people. Just me talking right now? A child should

716
00:36:07,800 --> 00:36:12,520
Speaker 3: replace me? Am, I actually think, what's this eighteen and

717
00:36:12,719 --> 00:36:15,400
Speaker 3: up voting thing? Children? What have children voted?

718
00:36:15,880 --> 00:36:16,719
Speaker 2: What a really?

719
00:36:16,800 --> 00:36:17,640
Speaker 3: What a relief?

720
00:36:17,920 --> 00:36:21,240
Speaker 2: A child takeover of this country would be fucking amazing.

721
00:36:22,040 --> 00:36:25,400
Speaker 3: Yeah, there's that Lord of the Rings thing. They're sure

722
00:36:25,520 --> 00:36:28,279
Speaker 3: a couple of them might kill each other because they

723
00:36:28,360 --> 00:36:31,120
Speaker 3: don't develop, you know, certain things.

724
00:36:31,160 --> 00:36:32,120
Speaker 2: But the children.

725
00:36:32,400 --> 00:36:34,560
Speaker 3: Yeah, isn't that what Lord of the Rings is about?

726
00:36:34,800 --> 00:36:37,799
Speaker 3: If you let the kids team up?

727
00:36:38,400 --> 00:36:41,680
Speaker 2: Do you mean the hobbits? They're just nerves?

728
00:36:42,040 --> 00:36:44,759
Speaker 3: Am I confusing Lord of the Rings with Lord of

729
00:36:44,760 --> 00:36:45,280
Speaker 3: the Flies?

730
00:36:45,600 --> 00:36:46,959
Speaker 2: Yes you are? Oh wow?

731
00:36:47,080 --> 00:36:48,600
Speaker 3: Did I say Lord of the Rings?

732
00:36:48,719 --> 00:36:49,319
Speaker 2: Yes you did.

733
00:36:49,560 --> 00:36:53,480
Speaker 3: Have I been this whole recording having a stroke A

734
00:36:53,520 --> 00:36:59,840
Speaker 3: little bit explains the voice thing. Oh yeah, excuse me,

735
00:36:59,880 --> 00:37:05,839
Speaker 3: I just swallowed a mattress spring. Even things like that,

736
00:37:06,560 --> 00:37:09,560
Speaker 3: Half the listeners will be like mattresses used to have springs.

737
00:37:09,840 --> 00:37:12,919
Speaker 3: How old? A lot of people when I meet them

738
00:37:13,040 --> 00:37:15,759
Speaker 3: at after comedy shows, they are shocked to find them

739
00:37:15,760 --> 00:37:16,920
Speaker 3: not seventy.

740
00:37:17,120 --> 00:37:18,440
Speaker 2: Because of the way you talk.

741
00:37:18,360 --> 00:37:20,759
Speaker 3: Because of my voice and the things I say. I

742
00:37:20,800 --> 00:37:24,160
Speaker 3: guess I always thought I was young and cool.

743
00:37:24,640 --> 00:37:27,120
Speaker 2: I mean, that's why you skateboard, is because you're trying

744
00:37:27,120 --> 00:37:29,680
Speaker 2: to get that kind of brand out there.

745
00:37:29,680 --> 00:37:32,120
Speaker 3: F I know, I'm trying to skate the grandpa out

746
00:37:32,160 --> 00:37:32,360
Speaker 3: of me.

747
00:37:32,600 --> 00:37:35,040
Speaker 2: Yeah, but he's here to stay.

748
00:37:35,480 --> 00:37:39,799
Speaker 3: Oh oh, there's more shout of stains on my trousers.

749
00:37:39,920 --> 00:37:42,560
Speaker 2: Crimpa polease don't okay, we could put that in a glass,

750
00:37:42,719 --> 00:37:43,200
Speaker 2: all right.

751
00:37:43,480 --> 00:37:46,840
Speaker 3: Oh you know how I enjoy the slight taste of

752
00:37:46,880 --> 00:37:51,240
Speaker 3: aluminum with all my beverages. It's how we won the war.

753
00:37:52,120 --> 00:37:54,759
Speaker 2: It is weird to not be driving and be having

754
00:37:54,760 --> 00:37:55,400
Speaker 2: this conversation.

755
00:37:55,560 --> 00:37:56,399
Speaker 3: Getting used to it.

756
00:37:56,560 --> 00:37:59,319
Speaker 2: Well, we just don't talk about anything. It makes me

757
00:37:59,360 --> 00:38:02,200
Speaker 2: feel like we should be pulling, like newspaper headlines out

758
00:38:02,200 --> 00:38:03,240
Speaker 2: of a hat or something.

759
00:38:03,560 --> 00:38:07,680
Speaker 3: I was nervous and so I did write down some topics.

760
00:38:08,680 --> 00:38:10,799
Speaker 2: Give them to me. Do you have them on a

761
00:38:10,800 --> 00:38:12,799
Speaker 2: piece of paper? Give them to me.

762
00:38:12,960 --> 00:38:14,399
Speaker 3: They aren't in front of me. I don't know where

763
00:38:14,440 --> 00:38:14,960
Speaker 3: I put them.

764
00:38:15,080 --> 00:38:17,400
Speaker 2: You know that old thing of like exchange set lists.

765
00:38:17,960 --> 00:38:21,680
Speaker 3: It's the funnest theme to a comedy show ever. When

766
00:38:21,719 --> 00:38:26,080
Speaker 3: you are allowed to do in honor of a friend

767
00:38:26,320 --> 00:38:28,960
Speaker 3: where you have seen them so much like the Austin

768
00:38:29,080 --> 00:38:32,040
Speaker 3: scene when I was younger, which I've been thinking about

769
00:38:32,080 --> 00:38:36,040
Speaker 3: because I just opened for this comic Casey Rocket, last

770
00:38:36,120 --> 00:38:38,480
Speaker 3: night and the night before at the Improv, and he's

771
00:38:38,480 --> 00:38:40,840
Speaker 3: from Austin. He's the young new he's part of that

772
00:38:40,920 --> 00:38:44,239
Speaker 3: new scene there, and I've just been thinking about the

773
00:38:44,280 --> 00:38:47,680
Speaker 3: early days and how there was just like forty comics

774
00:38:47,800 --> 00:38:51,480
Speaker 3: in Austin. Yeah, and so I had everyone's jokes memorized,

775
00:38:51,600 --> 00:38:54,719
Speaker 3: and there was constantly shows where we would dress up

776
00:38:54,760 --> 00:38:59,040
Speaker 3: like each other and cause play as other comics. And

777
00:38:59,080 --> 00:39:04,319
Speaker 3: it was never mean spirited really, but it was the

778
00:39:04,360 --> 00:39:06,800
Speaker 3: funnest thing to do. I've done it a few times

779
00:39:06,840 --> 00:39:10,400
Speaker 3: in Los Angeles where you try and remember as many jokes,

780
00:39:10,520 --> 00:39:14,080
Speaker 3: but I wasn't watching the same handful of comics every

781
00:39:14,120 --> 00:39:18,320
Speaker 3: twice a week as I was there, right, everyone's jokes memorized.

782
00:39:18,560 --> 00:39:19,600
Speaker 3: I still do, I.

783
00:39:19,560 --> 00:39:23,480
Speaker 2: Think because just like you were saying earlier, when you're

784
00:39:23,520 --> 00:39:26,839
Speaker 2: little and time seems to pass slower or whatever, when

785
00:39:26,880 --> 00:39:29,160
Speaker 2: you first start comedy, you have wanted to do it

786
00:39:29,239 --> 00:39:31,960
Speaker 2: for so long and it's finally happening. For me, it

787
00:39:32,080 --> 00:39:35,440
Speaker 2: was like peak experiences where it just be like I

788
00:39:35,480 --> 00:39:37,279
Speaker 2: would be there and I would be like, I have

789
00:39:37,360 --> 00:39:41,759
Speaker 2: to go up in four? What am I following? What's

790
00:39:41,880 --> 00:39:44,120
Speaker 2: this like? And it would just be like, how are

791
00:39:44,160 --> 00:39:46,640
Speaker 2: they doing it? How am I not doing it? Like

792
00:39:46,800 --> 00:39:48,920
Speaker 2: I want to do as well as they're going to do,

793
00:39:49,680 --> 00:39:52,560
Speaker 2: you know, watching Blanka Bach hosted so many of those

794
00:39:52,600 --> 00:39:54,280
Speaker 2: shows that I used to do with the San Francisco

795
00:39:54,320 --> 00:39:56,759
Speaker 2: improv where like watching Blaine do it where I'm like,

796
00:39:57,120 --> 00:39:59,600
Speaker 2: don't watch it. You can't do it his way. You

797
00:39:59,640 --> 00:40:00,560
Speaker 2: have to do it your way.

798
00:40:00,600 --> 00:40:03,319
Speaker 1: But it's like you have to absorb that because you

799
00:40:03,400 --> 00:40:04,399
Speaker 1: need to know how to do it.

800
00:40:04,480 --> 00:40:06,440
Speaker 3: Yeah, there was an improv in San Francisco.

801
00:40:06,640 --> 00:40:11,040
Speaker 2: Yeah, rightly right downtown Mason and Geary Mason and I

802
00:40:11,120 --> 00:40:13,800
Speaker 2: know that streets. Yeah yeah, And it was cool because

803
00:40:13,840 --> 00:40:16,279
Speaker 2: the box office was on the sidewalk, but then you

804
00:40:16,600 --> 00:40:19,480
Speaker 2: it was a staircase down. Oh wow, and you were

805
00:40:19,480 --> 00:40:20,000
Speaker 2: in the basement.

806
00:40:20,520 --> 00:40:21,120
Speaker 3: That's cool.

807
00:40:21,280 --> 00:40:22,839
Speaker 2: Yeah, yeah, I used to win.

808
00:40:22,960 --> 00:40:26,040
Speaker 3: I moved to Austin Howard Kramer and Chip Pope where

809
00:40:26,080 --> 00:40:28,240
Speaker 3: the guys that went to LA and they were riding

810
00:40:28,280 --> 00:40:31,279
Speaker 3: on shows and everyone talked about them. I just moved

811
00:40:31,280 --> 00:40:33,399
Speaker 3: there after they had left. So when they came back,

812
00:40:34,080 --> 00:40:36,680
Speaker 3: I would watch them with that kind of excitement, like

813
00:40:36,920 --> 00:40:40,000
Speaker 3: just trying to soak it in. Yeah, and I Kramer

814
00:40:40,040 --> 00:40:43,120
Speaker 3: would be weirded out by how many of his jokes

815
00:40:43,239 --> 00:40:44,880
Speaker 3: back then that I have memorized.

816
00:40:45,160 --> 00:40:47,600
Speaker 2: He doesn't like a lot of things.

817
00:40:47,960 --> 00:40:51,600
Speaker 3: He would be weirded out. Yeah, I would not do

818
00:40:51,719 --> 00:40:53,400
Speaker 3: them in front of him. He'd be like, oh, you

819
00:40:53,560 --> 00:40:56,400
Speaker 3: left out a lot of stuff you did like a

820
00:40:56,480 --> 00:40:59,880
Speaker 3: bestardized version. It didn't even make sense. But I know,

821
00:41:00,480 --> 00:41:03,760
Speaker 3: I know what he used to say very much.

822
00:41:03,880 --> 00:41:05,520
Speaker 2: But wait, how did he find out that you knew

823
00:41:05,520 --> 00:41:06,960
Speaker 2: all his jokes? So you just told him?

824
00:41:07,600 --> 00:41:09,080
Speaker 3: No, I don't think he does know.

825
00:41:10,040 --> 00:41:11,160
Speaker 2: He's finding out right now.

826
00:41:11,360 --> 00:41:13,120
Speaker 3: There are times where I'm like, do you ever do

827
00:41:13,200 --> 00:41:16,440
Speaker 3: this joke? And he has like hardly any memory of it,

828
00:41:16,719 --> 00:41:18,560
Speaker 3: and I'll reside it and he's.

829
00:41:18,360 --> 00:41:20,799
Speaker 2: Like, oh yeah, yeah, yeah.

830
00:41:20,920 --> 00:41:23,879
Speaker 3: He used to do country songs, his early rapping, all

831
00:41:23,880 --> 00:41:24,440
Speaker 3: that stuff.

832
00:41:24,520 --> 00:41:24,759
Speaker 2: Yeah.

833
00:41:24,760 --> 00:41:27,000
Speaker 3: And I so honored that he had me be his

834
00:41:27,000 --> 00:41:29,760
Speaker 3: backup dancer, so much so that one time I broke

835
00:41:29,920 --> 00:41:33,560
Speaker 3: my arm dancing for him, and I didn't say anything

836
00:41:33,600 --> 00:41:36,000
Speaker 3: because I didn't it was so much pain. It hurt

837
00:41:36,040 --> 00:41:38,600
Speaker 3: for months, and I didn't think I'm like, if it

838
00:41:38,640 --> 00:41:40,200
Speaker 3: was broken, my arm would be croaking.

839
00:41:40,760 --> 00:41:43,160
Speaker 2: It was like a.

840
00:41:42,280 --> 00:41:46,400
Speaker 3: Green stick for hairline fracture. Oh and I didn't tell

841
00:41:46,440 --> 00:41:49,040
Speaker 3: him til years later. Remember when I did the diving

842
00:41:49,080 --> 00:41:52,600
Speaker 3: worm off that stool, I broke my arm because I

843
00:41:52,640 --> 00:41:55,520
Speaker 3: didn't I did the diving worm. It used to be

844
00:41:55,600 --> 00:41:58,520
Speaker 3: my comedic move. If I couldn't even think of a joke,

845
00:41:58,560 --> 00:42:01,160
Speaker 3: I'd start break dancing. It's just so funny because now

846
00:42:01,160 --> 00:42:04,640
Speaker 3: I just stand horrified by the mic stand. I don't

847
00:42:04,719 --> 00:42:05,320
Speaker 3: use the stage.

848
00:42:05,440 --> 00:42:07,320
Speaker 2: Let's go back to those old options.

849
00:42:07,400 --> 00:42:11,480
Speaker 3: I gotta work the space. But I did the worm

850
00:42:11,560 --> 00:42:14,759
Speaker 3: and my legs hit a wall. Ooh and so it

851
00:42:14,840 --> 00:42:17,520
Speaker 3: kind of stopped my momentum and it hurt my arm. Yeah,

852
00:42:17,560 --> 00:42:23,000
Speaker 3: and at my sister's wedding reception, I did the same thing,

853
00:42:23,080 --> 00:42:25,640
Speaker 3: but instead of a wall, I kicked my grandpa in

854
00:42:25,760 --> 00:42:31,840
Speaker 3: the chest doing the diving worm. He already we already

855
00:42:31,880 --> 00:42:36,160
Speaker 3: worked close. Oh no, but I do remember. That's one

856
00:42:36,160 --> 00:42:39,960
Speaker 3: of my last memories in the room with my living grandpa,

857
00:42:40,680 --> 00:42:42,080
Speaker 3: that I kicked him in the chest.

858
00:42:42,320 --> 00:42:45,359
Speaker 2: Hey, if you can't handle the break circle, then back

859
00:42:45,400 --> 00:42:45,960
Speaker 2: the fuck up.

860
00:42:46,160 --> 00:42:49,120
Speaker 3: Yeah, why are you doing top rock like you're gonna

861
00:42:49,160 --> 00:42:50,720
Speaker 3: dive in and windmill.

862
00:42:50,480 --> 00:42:51,440
Speaker 2: Back it up, Grandpa.

863
00:42:51,560 --> 00:42:55,440
Speaker 3: Yeah, where's your moves? You're just doing the robot if

864
00:42:55,480 --> 00:42:56,400
Speaker 3: you can call it that.

865
00:42:56,719 --> 00:42:59,360
Speaker 2: He was just doing that arms crossover dance over and over.

866
00:43:00,719 --> 00:43:04,960
Speaker 3: The judgment sway, he really didn't take off in the streets.

867
00:43:05,520 --> 00:43:08,120
Speaker 3: Oh that's funny. I forgot I kicked kicked girl right

868
00:43:08,160 --> 00:43:08,800
Speaker 3: in the chest.

869
00:43:09,320 --> 00:43:11,440
Speaker 2: So Howard is just learning right now that you had

870
00:43:11,440 --> 00:43:14,399
Speaker 2: his entire act memorize than that you used to act

871
00:43:14,440 --> 00:43:16,359
Speaker 2: it out in your basement dressed up as him.

872
00:43:16,600 --> 00:43:18,600
Speaker 3: Oh well, I mean.

873
00:43:18,560 --> 00:43:20,799
Speaker 2: And then he also is learning now or he learned

874
00:43:20,840 --> 00:43:21,880
Speaker 2: then that you broke your arm.

875
00:43:22,000 --> 00:43:25,560
Speaker 3: Think of this Madonna closet and replace all the pictures

876
00:43:25,560 --> 00:43:30,160
Speaker 3: with Howard Kramer. That's basically. He has no idea that

877
00:43:30,239 --> 00:43:32,000
Speaker 3: I was emulating him.

878
00:43:32,280 --> 00:43:35,080
Speaker 2: And he comes over one time and you forget and

879
00:43:35,160 --> 00:43:36,800
Speaker 2: you just go out for a second.

880
00:43:37,160 --> 00:43:40,000
Speaker 3: That's the thing. There was no effort put into it

881
00:43:40,080 --> 00:43:44,080
Speaker 3: at all. I just realized today that I still know

882
00:43:44,320 --> 00:43:47,759
Speaker 3: so many of his jokes, Matt Bearden's jokes, all these

883
00:43:47,800 --> 00:43:50,400
Speaker 3: comics I started with. I know so many of their jokes,

884
00:43:50,440 --> 00:43:53,600
Speaker 3: and it's so fun. I would love to do a

885
00:43:53,640 --> 00:43:57,480
Speaker 3: show like that today, except I don't know that I

886
00:43:57,520 --> 00:43:59,760
Speaker 3: know enough other comics material.

887
00:43:59,840 --> 00:44:01,839
Speaker 2: Right, Oh did you do a switcher room?

888
00:44:02,280 --> 00:44:04,400
Speaker 3: They did one time at meltdown, where you would watch

889
00:44:04,440 --> 00:44:07,600
Speaker 3: someone's act and they would watch yours, and then they

890
00:44:07,640 --> 00:44:10,239
Speaker 3: tried to remember as much as possible. Guy brandam and

891
00:44:10,280 --> 00:44:12,879
Speaker 3: I had did it. That's so funny and it was fun,

892
00:44:12,920 --> 00:44:16,000
Speaker 3: but it was stressful and I had fun. It was fun,

893
00:44:16,040 --> 00:44:18,200
Speaker 3: but it wasn't the same thing. It was like an

894
00:44:18,239 --> 00:44:21,560
Speaker 3: interpretation because they had just seen it wouldn't have been

895
00:44:21,640 --> 00:44:24,840
Speaker 3: exciting at all to verbatim repeat their jokes. Yes, but

896
00:44:24,960 --> 00:44:28,399
Speaker 3: it was fun to like manipulate and change the joke

897
00:44:29,400 --> 00:44:32,759
Speaker 3: or in my case, guy just reprimanded all my premises.

898
00:44:33,120 --> 00:44:35,040
Speaker 2: But that's okay, as he did your act.

899
00:44:35,560 --> 00:44:38,360
Speaker 3: Yeah, yeah, here's the flaws in this. I'm like, you

900
00:44:38,440 --> 00:44:42,560
Speaker 3: do make valid points, but my feelings are bigger. And

901
00:44:42,640 --> 00:44:44,920
Speaker 3: who knows. Maybe I did the same, Maybe I did

902
00:44:44,920 --> 00:44:45,279
Speaker 3: this same.

903
00:44:45,440 --> 00:44:48,360
Speaker 2: Maybe did you go before him or after him?

904
00:44:48,520 --> 00:44:49,400
Speaker 3: I do not recall.

905
00:44:49,960 --> 00:44:51,840
Speaker 2: Yeah, I think that was this sounds like vengeance to

906
00:44:51,880 --> 00:44:53,000
Speaker 2: me what he was doing.

907
00:44:53,440 --> 00:44:53,800
Speaker 3: Maybe.

908
00:44:54,040 --> 00:44:56,640
Speaker 2: Yeah, you're right, you had fun. You thought it was

909
00:44:56,719 --> 00:44:59,880
Speaker 2: light and arian breezy. He didn't agree, and he's like, oh,

910
00:45:00,000 --> 00:45:01,399
Speaker 2: Oh you want to go there, Let's do this.

911
00:45:01,440 --> 00:45:03,280
Speaker 3: Thing that I got big laughs.

912
00:45:03,560 --> 00:45:08,359
Speaker 2: Well, yeah, we never do. No. When our fellow comedians kill,

913
00:45:08,520 --> 00:45:09,719
Speaker 2: it's always an insult to.

914
00:45:09,800 --> 00:45:12,280
Speaker 3: Us, right, you're right, we take it personally.

915
00:45:12,400 --> 00:45:14,880
Speaker 2: Yeah, well, it just means you're a last man. So

916
00:45:15,040 --> 00:45:17,120
Speaker 2: either you get up there and beat them or you

917
00:45:17,239 --> 00:45:18,200
Speaker 2: Why don't you just quit?

918
00:45:18,400 --> 00:45:22,000
Speaker 3: I hope you're listening, audience. We'd never It's because we're

919
00:45:22,040 --> 00:45:24,520
Speaker 3: in a traditional setting right now, and I am getting

920
00:45:24,600 --> 00:45:28,600
Speaker 3: used to it. But when have I called the people

921
00:45:28,680 --> 00:45:29,759
Speaker 3: listening audience?

922
00:45:30,360 --> 00:45:34,640
Speaker 2: I know you're turning into this deep voiced weirdo that

923
00:45:34,800 --> 00:45:35,359
Speaker 2: I don't know.

924
00:45:35,920 --> 00:45:38,200
Speaker 3: Right, it's pretty great because you're not used to looking

925
00:45:38,239 --> 00:45:38,800
Speaker 3: up my face.

926
00:45:38,960 --> 00:45:39,239
Speaker 2: I know.

927
00:45:39,600 --> 00:45:43,160
Speaker 3: I've just become the guy with suspenders whose name I can't.

928
00:45:42,920 --> 00:45:49,200
Speaker 4: Remember, King, Johnny apple Seed something, King, Alan King, Kong.

929
00:45:49,840 --> 00:45:53,800
Speaker 3: He was friends with Sharon Stone, Larry King, Werry King,

930
00:45:54,320 --> 00:46:00,600
Speaker 3: thank you another person friends. He was friends with Sharon's Stone.

931
00:46:00,680 --> 00:46:02,720
Speaker 2: That's how I got it.

932
00:46:02,960 --> 00:46:05,400
Speaker 3: You knew that though friendship.

933
00:46:05,480 --> 00:46:07,759
Speaker 2: I was back on the suspenders Ellen and.

934
00:46:07,840 --> 00:46:10,760
Speaker 3: W Bush at a baseball game. They were hanging out.

935
00:46:11,400 --> 00:46:15,240
Speaker 2: Really, Yeah, we've lost Larry King, right he passed.

936
00:46:15,640 --> 00:46:19,920
Speaker 3: Yeah, we can find him. He's in a graveyard. No

937
00:46:20,000 --> 00:46:23,160
Speaker 3: one wrote down the address. That's right after a few

938
00:46:23,239 --> 00:46:23,799
Speaker 3: years past.

939
00:46:23,960 --> 00:46:26,239
Speaker 2: I'm like, light of your death, Larry would want it.

940
00:46:27,080 --> 00:46:27,960
Speaker 2: That's what he was like.

941
00:46:28,000 --> 00:46:30,680
Speaker 3: If he is right now here, right now here, I

942
00:46:30,840 --> 00:46:32,880
Speaker 3: grab his suspenders and snap him back.

943
00:46:32,800 --> 00:46:35,719
Speaker 2: Snap the hell off of them. Sorry. Also, he would

944
00:46:35,800 --> 00:46:38,400
Speaker 2: just be like. It would be like, Larry, are you offended?

945
00:46:38,440 --> 00:46:40,319
Speaker 2: Do you want us to get these guys to pull

946
00:46:40,360 --> 00:46:43,399
Speaker 2: that off their podcast? You'd be like, nah, I don't care.

947
00:46:43,719 --> 00:46:47,279
Speaker 1: Yeah, caller Philadelphia, you're on the air.

948
00:46:47,600 --> 00:46:49,560
Speaker 3: What if he had an open casket and you went

949
00:46:49,640 --> 00:46:51,919
Speaker 3: up to Larry King to pay your respects and that's

950
00:46:51,920 --> 00:46:53,839
Speaker 3: when you snapped his suspenders.

951
00:46:53,840 --> 00:46:57,160
Speaker 2: You would get your ass hauled out of that.

952
00:46:57,640 --> 00:47:04,440
Speaker 3: Yeah. He's always surrounded by huge Yeah. I don't mean

953
00:47:04,480 --> 00:47:06,560
Speaker 3: to speak ill of the man. He just never spoke

954
00:47:06,600 --> 00:47:06,799
Speaker 3: to me.

955
00:47:06,960 --> 00:47:08,800
Speaker 2: But I thought, Larry King.

956
00:47:09,040 --> 00:47:11,160
Speaker 3: Yeah, it just wasn't my guy.

957
00:47:11,760 --> 00:47:12,560
Speaker 2: Oh oh he didn't.

958
00:47:12,680 --> 00:47:14,360
Speaker 3: You know, I got my guys.

959
00:47:14,600 --> 00:47:17,680
Speaker 2: I thought you you do. He's not in your Costco

960
00:47:17,800 --> 00:47:20,560
Speaker 2: Morning posse. But I thought you meant like he didn't

961
00:47:20,600 --> 00:47:22,440
Speaker 2: speak to you because you worked together and he was

962
00:47:22,520 --> 00:47:24,920
Speaker 2: rude as opposed to he wasn't your taste.

963
00:47:25,239 --> 00:47:27,520
Speaker 3: Yeah, I didn't think I would ever have access to

964
00:47:27,600 --> 00:47:31,600
Speaker 3: him until you know, Henry Phillips was on his like

965
00:47:31,840 --> 00:47:35,280
Speaker 3: radio studio like whatever iteration.

966
00:47:34,920 --> 00:47:36,880
Speaker 2: Of his show he had later and that that's amazing.

967
00:47:37,000 --> 00:47:39,080
Speaker 3: Yeah, and it was. It's fun to watch.

968
00:47:39,040 --> 00:47:41,319
Speaker 2: And sorry it was video. It was like a TV show.

969
00:47:41,400 --> 00:47:45,120
Speaker 3: Yeah, yeah, that's cool tubable and Henry's great on it.

970
00:47:45,239 --> 00:47:45,799
Speaker 1: I bet he is.

971
00:47:45,920 --> 00:47:48,440
Speaker 2: Yeah, Henry should be famous.

972
00:47:48,840 --> 00:47:51,960
Speaker 3: Sure, may you know what, maybe he didn't want to be.

973
00:47:53,080 --> 00:47:56,480
Speaker 2: I mean, I love he really had the option though, Yeah,

974
00:47:56,680 --> 00:47:57,320
Speaker 2: I think.

975
00:47:57,280 --> 00:47:59,880
Speaker 3: He might still he could absolutely still Yeah.

976
00:47:59,760 --> 00:48:02,360
Speaker 2: Yeah, his you and your goddamn coffee or whatever, that

977
00:48:02,480 --> 00:48:04,480
Speaker 2: fucking coffee. You and your fucking coffee is one of

978
00:48:04,480 --> 00:48:08,040
Speaker 2: the funniest things because I absolutely am that person that

979
00:48:08,200 --> 00:48:10,880
Speaker 2: is too much a big cup of too much coffee,

980
00:48:11,360 --> 00:48:13,960
Speaker 2: like sloshing around everywhere. Yeah, so funny.

981
00:48:14,160 --> 00:48:17,960
Speaker 3: And I brought a giant coffee last time I voted.

982
00:48:18,000 --> 00:48:20,640
Speaker 3: One of those episodes is him pouring into the voting

983
00:48:20,719 --> 00:48:23,520
Speaker 3: machine and fucking up the election. Yeah, you have to

984
00:48:23,560 --> 00:48:24,719
Speaker 3: watch these videos.

985
00:48:25,080 --> 00:48:28,520
Speaker 2: Audience, audience, audience, we're speaking with you.

986
00:48:28,719 --> 00:48:31,680
Speaker 3: And it's I related to it so much, just even

987
00:48:31,719 --> 00:48:34,920
Speaker 3: on the level every time my mom drove me to

988
00:48:34,960 --> 00:48:36,799
Speaker 3: school when I was a kid, she would hand me

989
00:48:36,840 --> 00:48:40,560
Speaker 3: a traditional mug of hot coffee filled to the brim.

990
00:48:41,160 --> 00:48:44,680
Speaker 3: Because they didn't make car mugs back then. We looked

991
00:48:44,680 --> 00:48:48,720
Speaker 3: at catalogs for booners and my moms had ceramic mugs

992
00:48:49,000 --> 00:48:52,799
Speaker 3: with no lids and it's spilled all over me. I

993
00:48:52,800 --> 00:48:55,480
Speaker 3: had so many coffee burns always we had.

994
00:48:55,600 --> 00:48:58,520
Speaker 2: You know, it's fascinating. And this was like one of

995
00:48:58,560 --> 00:49:00,880
Speaker 2: those childhood things where because because I was new to

996
00:49:00,920 --> 00:49:03,239
Speaker 2: the world, it's fast. It was like the coolest thing

997
00:49:03,239 --> 00:49:05,919
Speaker 2: of all time. And Benedetti was the woman who drove

998
00:49:05,960 --> 00:49:09,680
Speaker 2: our carpool in the morning. Was the Benedetti's were the

999
00:49:09,680 --> 00:49:12,200
Speaker 2: family we drove carpool with. I like that name Benedetti,

1000
00:49:12,320 --> 00:49:15,479
Speaker 2: isn't it great? Benedetti They run the Clover Store Netta

1001
00:49:15,560 --> 00:49:18,040
Speaker 2: Creamery in Petaluma, which is now like you get that

1002
00:49:18,120 --> 00:49:21,920
Speaker 2: milk at Whole Foods. Oh okay, wow, I know it's cool.

1003
00:49:22,040 --> 00:49:25,440
Speaker 2: So they're rich now, I think so, but no GMOs,

1004
00:49:25,520 --> 00:49:28,280
Speaker 2: Like they're one of the original organic, like our cows

1005
00:49:28,320 --> 00:49:30,319
Speaker 2: literally are going to stand out in this field and

1006
00:49:30,360 --> 00:49:33,000
Speaker 2: you'll get their milk and their chill type of milk.

1007
00:49:33,239 --> 00:49:37,160
Speaker 2: And I think that's why it was like incredibly high quality.

1008
00:49:37,960 --> 00:49:39,680
Speaker 2: And then they're just like, oh, then that means Whole

1009
00:49:39,719 --> 00:49:41,840
Speaker 2: Foods wants it and all the other places.

1010
00:49:41,960 --> 00:49:44,800
Speaker 3: You know, hear a lot of dairy success stories anymore.

1011
00:49:44,920 --> 00:49:46,759
Speaker 2: Oh I got one for you, and it's pedalum all

1012
00:49:46,800 --> 00:49:47,400
Speaker 2: the way. Baby.

1013
00:49:49,080 --> 00:49:52,719
Speaker 3: There was Dale's Dairy in my town, and I was

1014
00:49:52,840 --> 00:49:55,400
Speaker 3: very sad one day when they didn't have the dairy anymore.

1015
00:49:55,440 --> 00:49:58,520
Speaker 3: They had to buy a video store, right when renting

1016
00:49:58,640 --> 00:50:01,880
Speaker 3: videos wasn't popular anymore. Oh no, And I went in there.

1017
00:50:01,920 --> 00:50:04,840
Speaker 3: I'm like, how do I know you guys, And they're like, well,

1018
00:50:04,840 --> 00:50:07,440
Speaker 3: we used to have Dale's Dairy, and I'm like, oh,

1019
00:50:07,480 --> 00:50:09,879
Speaker 3: I went on so many field trips there and got

1020
00:50:09,880 --> 00:50:12,880
Speaker 3: to milk cows and ye work, the work, the utters

1021
00:50:13,239 --> 00:50:15,000
Speaker 3: and right.

1022
00:50:14,840 --> 00:50:17,839
Speaker 2: In a row, two gross things in a row. That's

1023
00:50:18,000 --> 00:50:18,560
Speaker 2: really good.

1024
00:50:20,080 --> 00:50:22,200
Speaker 3: You wouldn't have even noticed if you weren't looking at

1025
00:50:22,239 --> 00:50:26,000
Speaker 3: my face. And they were really bummed out, and I'm like,

1026
00:50:26,040 --> 00:50:29,480
Speaker 3: oh man, I'm sorry, I'm sorry that you lost your dairy.

1027
00:50:29,920 --> 00:50:32,080
Speaker 3: And they would deliver the milk to your doorstep like

1028
00:50:32,120 --> 00:50:36,280
Speaker 3: a milkman. I am old, Yes, I had a milkman.

1029
00:50:36,560 --> 00:50:40,200
Speaker 2: But my story was Anne Benedetti always had a full

1030
00:50:40,280 --> 00:50:42,399
Speaker 2: cup of coffee in the morning when she would drive,

1031
00:50:42,480 --> 00:50:45,280
Speaker 2: so she steered with one hand and held her coffee

1032
00:50:45,280 --> 00:50:48,160
Speaker 2: in the other and never spilled and it was never

1033
00:50:48,200 --> 00:50:50,200
Speaker 2: an issue. And I used to watch it. I was

1034
00:50:50,239 --> 00:50:55,080
Speaker 2: like hypnotized by it because her handling literally like nine

1035
00:50:55,200 --> 00:50:58,279
Speaker 2: kids in their station wagon kkar because it was the

1036
00:50:58,280 --> 00:51:03,960
Speaker 2: early days, just really slick handling, that coffee and that steering.

1037
00:51:04,080 --> 00:51:06,160
Speaker 2: I was just always every morning impressed.

1038
00:51:06,480 --> 00:51:08,880
Speaker 3: That's why the that's why the Feds use that car.

1039
00:51:09,520 --> 00:51:14,920
Speaker 3: That's right, Yeah, yeah, your tall hot cuppa steak out coffee.

1040
00:51:15,280 --> 00:51:16,319
Speaker 3: Was it a Renault?

1041
00:51:16,600 --> 00:51:18,880
Speaker 2: I think it's a Chrysler CA car or a Dodge

1042
00:51:18,960 --> 00:51:23,040
Speaker 2: Oh yeah it Chrysler. Yeah, taus.

1043
00:51:23,080 --> 00:51:26,319
Speaker 3: Now there's an American car that has exactly what you've

1044
00:51:26,320 --> 00:51:28,640
Speaker 3: been looking for. I'm reading another ad here what you've

1045
00:51:28,640 --> 00:51:33,520
Speaker 3: been looking for. I still have. It's still is that something?

1046
00:51:33,560 --> 00:51:36,040
Speaker 3: That's something I'll do at the new studio if there's

1047
00:51:36,040 --> 00:51:39,800
Speaker 3: a green screen. I've been wanting to In that video

1048
00:51:40,080 --> 00:51:43,040
Speaker 3: as they sing the Taurus song and it shows different

1049
00:51:43,080 --> 00:51:48,200
Speaker 3: types of warm blooded Americans turning the camera and smiling. Yeah,

1050
00:51:49,080 --> 00:51:52,960
Speaker 3: I want to be all those people, construction workers, a

1051
00:51:53,080 --> 00:51:56,759
Speaker 3: copper arresting someone, the guy being arrested. I want to

1052
00:51:56,800 --> 00:51:59,719
Speaker 3: be all those people looking to camera edited in to

1053
00:51:59,840 --> 00:52:00,960
Speaker 3: the old commercial?

1054
00:52:01,239 --> 00:52:02,040
Speaker 2: Can I make a picture?

1055
00:52:02,080 --> 00:52:03,120
Speaker 3: Early fans would love it?

1056
00:52:03,200 --> 00:52:05,719
Speaker 2: Yes, what if you're standing in a closet lined with

1057
00:52:05,800 --> 00:52:08,680
Speaker 2: pictures of Madonna and you turn around, that's one of

1058
00:52:08,719 --> 00:52:12,000
Speaker 2: the people your friend Andy, just get.

1059
00:52:11,800 --> 00:52:14,520
Speaker 3: That would be It would just be for people to

1060
00:52:14,600 --> 00:52:16,840
Speaker 3: do that, right, you would appreciate it.

1061
00:52:16,840 --> 00:52:19,480
Speaker 2: It's called an easter egg. Get with it. It's called

1062
00:52:19,480 --> 00:52:21,960
Speaker 2: an easter egg here in twenty twenty four. And what

1063
00:52:21,960 --> 00:52:23,960
Speaker 2: it's going to do is going to create some sort

1064
00:52:24,000 --> 00:52:26,759
Speaker 2: of an online buzz. Wait, who's this person that's not

1065
00:52:26,800 --> 00:52:29,319
Speaker 2: from the commercial? Why is he in a closet of

1066
00:52:29,360 --> 00:52:33,279
Speaker 2: Madonna pictures? Where does that closet lead? Et cetera? Right?

1067
00:52:33,560 --> 00:52:36,640
Speaker 2: And then there's then there becomes like a Reddit conversation

1068
00:52:37,239 --> 00:52:39,800
Speaker 2: about what's that one shot that's really weird?

1069
00:52:40,280 --> 00:52:40,520
Speaker 1: Right?

1070
00:52:40,560 --> 00:52:43,520
Speaker 2: And then get you get the online buzz going that way.

1071
00:52:43,680 --> 00:52:47,320
Speaker 3: You're right, Yeah, you're right. It needs an obscury easter.

1072
00:52:47,160 --> 00:52:51,320
Speaker 2: Egg kind of an that's unnerving and like, wait a second,

1073
00:52:51,400 --> 00:52:54,640
Speaker 2: how is that guy let into this commercial? That's fun?

1074
00:52:54,920 --> 00:52:58,360
Speaker 3: Did we talk about how? Because it was something he

1075
00:52:58,440 --> 00:53:01,279
Speaker 3: brought up a lot Conan and still is Ford Taurus

1076
00:53:01,320 --> 00:53:04,040
Speaker 3: from that era. It was like a green Tourist that

1077
00:53:04,080 --> 00:53:06,400
Speaker 3: he had in college. He still had it throughout the

1078
00:53:06,560 --> 00:53:09,480
Speaker 3: entire time he had that talk show. And I wanted

1079
00:53:09,520 --> 00:53:13,320
Speaker 3: to sing the tourist song and have the car parked

1080
00:53:13,360 --> 00:53:16,799
Speaker 3: in the studio in lieu of doing stand up, and

1081
00:53:16,840 --> 00:53:19,480
Speaker 3: now that I'm saying it out loud, of course they

1082
00:53:19,560 --> 00:53:23,040
Speaker 3: said no to that. I thought it'd be a good

1083
00:53:23,080 --> 00:53:25,200
Speaker 3: follow up after doing stand up. I'm like, I don't

1084
00:53:25,200 --> 00:53:27,680
Speaker 3: want to stand up. I want to sing this Ford

1085
00:53:27,719 --> 00:53:31,640
Speaker 3: Taurist song with your as a homage to your car

1086
00:53:31,680 --> 00:53:34,440
Speaker 3: with it parked. And he I don't know if it

1087
00:53:34,560 --> 00:53:37,040
Speaker 3: even got to anyone except JP.

1088
00:53:37,480 --> 00:53:39,120
Speaker 2: I think that died at JP's desk.

1089
00:53:39,800 --> 00:53:43,280
Speaker 3: So yeah, that's that's too bad that that never happened.

1090
00:53:44,120 --> 00:53:46,840
Speaker 2: Well, some say surprise, Some say that.

1091
00:53:46,880 --> 00:53:49,319
Speaker 3: I really could have nailed it.

1092
00:53:49,600 --> 00:53:50,840
Speaker 2: I believe that for sure.

1093
00:53:50,960 --> 00:53:53,480
Speaker 3: But yes, that's more something for a celebrity to do.

1094
00:53:53,600 --> 00:53:56,880
Speaker 2: I realized or like the concept. It's like, if you

1095
00:53:56,880 --> 00:53:59,440
Speaker 2: could figure out a way to get way more people

1096
00:53:59,480 --> 00:54:02,200
Speaker 2: to understand and that this is a commercial for car

1097
00:54:02,280 --> 00:54:06,080
Speaker 2: from nineteen eighty six or whatever. So that they understood

1098
00:54:06,120 --> 00:54:06,799
Speaker 2: the context.

1099
00:54:07,320 --> 00:54:09,960
Speaker 3: Yeah, I think I was pitching it. You're finally selling

1100
00:54:10,000 --> 00:54:12,640
Speaker 3: this car you've had forever. I would like to do

1101
00:54:12,760 --> 00:54:15,320
Speaker 3: the theme song based on the nineteen.

1102
00:54:15,000 --> 00:54:17,520
Speaker 2: Ninety one jingle Is it ninety one.

1103
00:54:17,520 --> 00:54:19,560
Speaker 3: To sell your Ford Taurus.

1104
00:54:19,680 --> 00:54:22,560
Speaker 2: I here's how I would have pitched it. Okay, you

1105
00:54:22,600 --> 00:54:25,239
Speaker 2: bought this car, you were a big fan. Is this

1106
00:54:25,320 --> 00:54:28,680
Speaker 2: the reason? Roll the commercial? Now the whole audience has

1107
00:54:28,719 --> 00:54:31,280
Speaker 2: seen that commercial. We cut it down to forty five seconds,

1108
00:54:31,280 --> 00:54:32,600
Speaker 2: so it's not some big long thing.

1109
00:54:32,840 --> 00:54:33,080
Speaker 3: Right.

1110
00:54:33,440 --> 00:54:37,719
Speaker 2: Then you do your regular whatever set panel. I don't

1111
00:54:37,719 --> 00:54:41,000
Speaker 2: know what you're doing. Yeah, when it's over, say it's

1112
00:54:41,040 --> 00:54:44,560
Speaker 2: just almost like off the top of your head, thanks

1113
00:54:44,560 --> 00:54:47,720
Speaker 2: so much for being here. And then you just lean back,

1114
00:54:47,880 --> 00:54:50,800
Speaker 2: point at him and say, now there's an American car.

1115
00:54:51,120 --> 00:54:52,440
Speaker 3: You just perfected it.

1116
00:54:52,719 --> 00:54:53,080
Speaker 2: Thank you.

1117
00:54:53,719 --> 00:54:56,840
Speaker 3: That's why you've worked for so long in that industry.

1118
00:54:57,280 --> 00:54:58,960
Speaker 2: I think a lot of times the idea doesn't have

1119
00:54:59,000 --> 00:55:00,920
Speaker 2: to be good. If I just say, like, this is

1120
00:55:01,000 --> 00:55:03,440
Speaker 2: what you're doing, then you get that feeling of like that.

1121
00:55:05,040 --> 00:55:07,040
Speaker 3: And I don't want to fail and disappoint you.

1122
00:55:07,600 --> 00:55:08,759
Speaker 2: Well, you're going too.

1123
00:55:09,719 --> 00:55:12,680
Speaker 3: Yes, I can't believe I thought I could just do it.

1124
00:55:13,360 --> 00:55:14,440
Speaker 3: And out unprovoked.

1125
00:55:14,480 --> 00:55:18,319
Speaker 2: The people have to know. The average person has to

1126
00:55:18,360 --> 00:55:22,120
Speaker 2: know what you're talking about. That's the key to comedy.

1127
00:55:22,280 --> 00:55:25,480
Speaker 3: I all this time I've been doing stand up, and

1128
00:55:25,520 --> 00:55:28,960
Speaker 3: I didn't know what the key was until today.

1129
00:55:29,000 --> 00:55:32,640
Speaker 2: Today. I should have told you long ago. I'm so sorry.

1130
00:55:33,360 --> 00:55:37,840
Speaker 2: That's why I'm such an incredibly successful standard to tours

1131
00:55:38,640 --> 00:55:41,160
Speaker 2: and travels, all at clubs and time is all over

1132
00:55:41,160 --> 00:55:41,600
Speaker 2: this country.

1133
00:55:41,640 --> 00:55:44,399
Speaker 3: I don't want to exhaust myself by saying I think

1134
00:55:44,440 --> 00:55:46,239
Speaker 3: you should do it again, but I.

1135
00:55:46,200 --> 00:55:48,680
Speaker 2: Will again, I know, and I'm sorry because I feel

1136
00:55:48,719 --> 00:55:52,319
Speaker 2: like I invite that conversation to have people. It's almost like,

1137
00:55:52,400 --> 00:55:54,560
Speaker 2: I mean, many compliment me and then I just never

1138
00:55:54,640 --> 00:55:57,960
Speaker 2: do it. But it's like I just am tired all

1139
00:55:58,000 --> 00:55:58,480
Speaker 2: the time.

1140
00:55:58,600 --> 00:56:00,600
Speaker 3: You know, I get it, you're busy.

1141
00:56:00,680 --> 00:56:04,080
Speaker 2: Yeah, and also Tommy starting comedy back up again. I

1142
00:56:04,120 --> 00:56:05,840
Speaker 2: think I've said this a thousand times, but it's like

1143
00:56:06,719 --> 00:56:09,279
Speaker 2: it truly feels like having to jump twenty feet in

1144
00:56:09,320 --> 00:56:12,040
Speaker 2: the air. It's just like, oh, I'm so out of practice.

1145
00:56:12,040 --> 00:56:14,440
Speaker 3: Well, I haven't been advertising it, but I've been taking

1146
00:56:14,480 --> 00:56:18,399
Speaker 3: pretty long break from it periodic, like I'll go up occasionally,

1147
00:56:18,520 --> 00:56:20,279
Speaker 3: but not the three or four times a week I

1148
00:56:20,400 --> 00:56:22,600
Speaker 3: usually do it, and last night it was so much

1149
00:56:22,640 --> 00:56:23,440
Speaker 3: fun that I'm.

1150
00:56:23,280 --> 00:56:24,920
Speaker 2: Like, Okay, where did you do it at?

1151
00:56:25,200 --> 00:56:26,719
Speaker 3: At the improv just on a.

1152
00:56:26,640 --> 00:56:29,200
Speaker 2: Good night, two sets at the Impress.

1153
00:56:29,040 --> 00:56:34,799
Speaker 3: For this casey rocket kid that got famous online, and

1154
00:56:35,000 --> 00:56:37,920
Speaker 3: you're doing it again. I'm just having some bubbles.

1155
00:56:38,120 --> 00:56:38,920
Speaker 2: Okay, it's not.

1156
00:56:38,880 --> 00:56:39,720
Speaker 3: A character flaw.

1157
00:56:40,400 --> 00:56:41,880
Speaker 2: Well, I disagree.

1158
00:56:41,400 --> 00:56:45,799
Speaker 3: That that was I said that weird. I went down

1159
00:56:45,840 --> 00:56:50,520
Speaker 3: a real Kamala wormhole with that. I know I was

1160
00:56:50,680 --> 00:56:53,840
Speaker 3: the example of me saying it wrong again. I like,

1161
00:56:54,040 --> 00:56:58,280
Speaker 3: I've liked to have something compared to the perfect version.

1162
00:56:58,440 --> 00:56:58,799
Speaker 2: Got it?

1163
00:56:59,360 --> 00:57:01,760
Speaker 3: My neighbor can't still.

1164
00:57:02,000 --> 00:57:04,239
Speaker 2: That's her name, Kamala.

1165
00:57:04,320 --> 00:57:09,239
Speaker 3: My neighbor was named Kamla, spelled the same. No, So

1166
00:57:09,360 --> 00:57:10,719
Speaker 3: that's the origin of me.

1167
00:57:11,000 --> 00:57:13,839
Speaker 2: Are you being serious? Yes, you had a neighbor, a

1168
00:57:13,880 --> 00:57:15,520
Speaker 2: neighbor named Kamala across the.

1169
00:57:15,480 --> 00:57:18,160
Speaker 3: Street, neighbor Kamla. And she would come over to visit

1170
00:57:18,200 --> 00:57:20,760
Speaker 3: my mom and she'd be drinking and I could hear

1171
00:57:20,880 --> 00:57:24,080
Speaker 3: the ice cubes in her Hell yeah, in her vodka

1172
00:57:24,120 --> 00:57:28,080
Speaker 3: orange juice. Is that something that's a screwdriver? A screwdriver?

1173
00:57:28,160 --> 00:57:32,160
Speaker 3: She'd have a screwdriver in her hand every day. Oh

1174
00:57:32,360 --> 00:57:37,240
Speaker 3: you betcha long and misty, Yeah, and slim, long, misty

1175
00:57:37,240 --> 00:57:41,800
Speaker 3: and slim. She would come over and I thought she

1176
00:57:41,960 --> 00:57:46,600
Speaker 3: was a pure delight. Yeah. She was my mom's other friends.

1177
00:57:47,440 --> 00:57:50,200
Speaker 2: They were rock they were Elizabeth Warren.

1178
00:57:50,440 --> 00:57:54,640
Speaker 3: They were a little strange and uh, but Kamala would

1179
00:57:54,680 --> 00:57:59,200
Speaker 3: come over and like flirt with the husband openly, and

1180
00:57:59,440 --> 00:58:02,400
Speaker 3: but she was She'd like look at me and wink like,

1181
00:58:02,480 --> 00:58:04,320
Speaker 3: this is all a joke, and I knew. And I

1182
00:58:04,400 --> 00:58:06,200
Speaker 3: was a little kid that's like, oh, I have this

1183
00:58:06,280 --> 00:58:08,800
Speaker 3: inside joke with this adult, and the adults she was

1184
00:58:08,880 --> 00:58:11,440
Speaker 3: joking with didn't know what was happening. Yeah, she was

1185
00:58:11,480 --> 00:58:16,200
Speaker 3: an early comedic influence. Kambla. But that's what's in my head.

1186
00:58:16,280 --> 00:58:17,760
Speaker 3: That's why I keep messing up the name.

1187
00:58:18,200 --> 00:58:22,720
Speaker 2: That's such a crazy coincidence. Yeah, that's that's insane.

1188
00:58:22,440 --> 00:58:26,520
Speaker 3: Spelled the same. She was a nurse. I always thought

1189
00:58:26,560 --> 00:58:28,480
Speaker 3: it was strange she was a nurse that smoked and

1190
00:58:28,600 --> 00:58:29,160
Speaker 3: drink a lot.

1191
00:58:29,360 --> 00:58:31,840
Speaker 2: Wow, that's because nurses see some shit.

1192
00:58:32,120 --> 00:58:34,720
Speaker 3: Yeah, they don't have to take their work home with them.

1193
00:58:35,200 --> 00:58:37,240
Speaker 2: They do have to deal with doctors though all the time.

1194
00:58:37,360 --> 00:58:39,240
Speaker 3: Right, that's going to make you want to hit a pack.

1195
00:58:39,600 --> 00:58:42,400
Speaker 2: Did you ever watch Nurse Jackie the Like, didn't it?

1196
00:58:44,400 --> 00:58:48,760
Speaker 3: But I I've seen clips of it lately, and I

1197
00:58:48,840 --> 00:58:50,120
Speaker 3: feel like I should have watched it.

1198
00:58:50,200 --> 00:58:52,040
Speaker 2: You should. It's really incredible.

1199
00:58:52,240 --> 00:58:54,240
Speaker 3: I didn't even know it was a comedy. I don't

1200
00:58:54,280 --> 00:58:56,320
Speaker 3: know why I think it was, because it's like, I

1201
00:58:56,320 --> 00:58:59,720
Speaker 3: haven't even watched the Sopranos. How can I watch the

1202
00:58:59,760 --> 00:59:00,880
Speaker 3: other vehicle with.

1203
00:59:02,680 --> 00:59:08,640
Speaker 2: Name wine? Please? His neck just stretched ord me so long? Yeah,

1204
00:59:08,880 --> 00:59:09,760
Speaker 2: eaty Falcon.

1205
00:59:09,680 --> 00:59:13,280
Speaker 3: EATI Falco. God, that's a cool name. Sounds like a

1206
00:59:13,280 --> 00:59:14,000
Speaker 3: weather person.

1207
00:59:14,280 --> 00:59:16,400
Speaker 2: I think you and I have to make a promise

1208
00:59:16,440 --> 00:59:19,200
Speaker 2: to each other that we're not going to ingest like

1209
00:59:20,040 --> 00:59:23,960
Speaker 2: milk products or carbonated products. I've been burping this whole.

1210
00:59:23,760 --> 00:59:25,840
Speaker 3: Episode, I know, and I do a version where I

1211
00:59:25,960 --> 00:59:28,520
Speaker 3: just light it affect my speech. You do a thing

1212
00:59:29,120 --> 00:59:32,320
Speaker 3: that I take a page from Jessica Simpson's singing, where

1213
00:59:32,360 --> 00:59:34,959
Speaker 3: you back up, you back from the mic to burp

1214
00:59:35,240 --> 00:59:37,880
Speaker 3: like she used to do. She'd get vibrato by going

1215
00:59:37,960 --> 00:59:41,160
Speaker 3: like that, Yeah, you just got.

1216
00:59:43,080 --> 00:59:46,360
Speaker 2: That's because George and I do it so much that

1217
00:59:46,440 --> 00:59:48,720
Speaker 2: it is like a weird practice that I didn't realize,

1218
00:59:48,760 --> 00:59:51,160
Speaker 2: but I could. I could do something about it. And

1219
00:59:51,200 --> 00:59:52,080
Speaker 2: I'm choosing not to.

1220
00:59:52,320 --> 00:59:55,720
Speaker 3: This is just foreign to me. You're always on the cans,

1221
00:59:55,760 --> 00:59:57,160
Speaker 3: in the in the stew well.

1222
00:59:57,600 --> 00:59:59,600
Speaker 2: I think we've been doing it for like a month.

1223
00:59:59,680 --> 01:00:02,000
Speaker 2: I think we've done it. It just started for us.

1224
01:00:02,680 --> 01:00:06,160
Speaker 3: But you've never done my favorite murder in a car.

1225
01:00:07,160 --> 01:00:09,400
Speaker 3: You're always looking at each other's faces.

1226
01:00:09,600 --> 01:00:12,080
Speaker 2: Yes, we've been forced to stare right down the barrel.

1227
01:00:12,120 --> 01:00:14,920
Speaker 3: Is podcast different that you're looking at my face all

1228
01:00:14,960 --> 01:00:15,640
Speaker 3: of a sudden for the.

1229
01:00:15,640 --> 01:00:18,720
Speaker 2: First time, Yes, yeah it is.

1230
01:00:19,000 --> 01:00:20,040
Speaker 3: But it's been fun.

1231
01:00:20,560 --> 01:00:21,880
Speaker 2: I'm fine with it.

1232
01:00:21,920 --> 01:00:23,680
Speaker 3: Seems like we're making more of a connection.

1233
01:00:24,280 --> 01:00:24,640
Speaker 2: It does.

1234
01:00:25,040 --> 01:00:29,160
Speaker 4: Yeah, okay, great, Yeah, I can't believe you disagree.

1235
01:00:29,480 --> 01:00:36,200
Speaker 2: No, I agree entirely. Here's my thing. We'll tell your voice.

1236
01:00:37,000 --> 01:00:40,000
Speaker 2: Here's my thing. Is I feel like what I'm used

1237
01:00:40,040 --> 01:00:43,040
Speaker 2: to doing and the like doing it in the car,

1238
01:00:43,160 --> 01:00:48,240
Speaker 2: and the way the flow of car conversation is entirely

1239
01:00:48,360 --> 01:00:50,840
Speaker 2: fucking different. Even though I know we've said this already, Yes, yes,

1240
01:00:50,920 --> 01:00:54,240
Speaker 2: it's distractingly different to me. So I feel a little

1241
01:00:54,240 --> 01:00:56,360
Speaker 2: bit panicked. I'm like, what am I going to say?

1242
01:00:56,520 --> 01:01:00,040
Speaker 2: And then it's like it doesn't matter, We're going to

1243
01:01:00,040 --> 01:01:00,600
Speaker 2: get it done.

1244
01:01:00,840 --> 01:01:03,360
Speaker 3: Yeah. I was nervous, And then I'm like, why this

1245
01:01:03,680 --> 01:01:04,600
Speaker 3: is so much safer?

1246
01:01:05,440 --> 01:01:05,720
Speaker 2: Right?

1247
01:01:05,960 --> 01:01:06,280
Speaker 3: Yeah.

1248
01:01:06,360 --> 01:01:08,080
Speaker 2: Also, it's like so cozy in here.

1249
01:01:08,280 --> 01:01:09,040
Speaker 3: It's nice.

1250
01:01:09,240 --> 01:01:10,040
Speaker 2: I really like it.

1251
01:01:10,720 --> 01:01:12,920
Speaker 3: You guys. I know it's hot where you are right now,

1252
01:01:13,520 --> 01:01:16,360
Speaker 3: but it might be hotter here. I don't know. I

1253
01:01:16,360 --> 01:01:18,240
Speaker 3: can't speak for where you are because you're all these

1254
01:01:18,240 --> 01:01:19,600
Speaker 3: different people in different cities.

1255
01:01:19,680 --> 01:01:22,800
Speaker 2: Yes, you're not a monolith. You're having all different experiences.

1256
01:01:23,560 --> 01:01:27,080
Speaker 3: Oh, I went to you know, the beach from two

1257
01:01:27,080 --> 01:01:28,800
Speaker 3: thousand and one A Space Odyssey.

1258
01:01:29,720 --> 01:01:31,840
Speaker 2: I've seen that movie, but I can't the beach.

1259
01:01:32,120 --> 01:01:34,720
Speaker 3: You can just go to the beach. It's Point Doom.

1260
01:01:35,120 --> 01:01:36,240
Speaker 2: Oh where they shot at?

1261
01:01:36,360 --> 01:01:36,680
Speaker 3: Yeah?

1262
01:01:36,720 --> 01:01:37,959
Speaker 2: What happened at the beach?

1263
01:01:39,240 --> 01:01:41,320
Speaker 3: My sister like, this is from two thousand and one

1264
01:01:41,360 --> 01:01:42,200
Speaker 3: A Space Odyssey?

1265
01:01:42,520 --> 01:01:44,080
Speaker 2: Was it when he was in that bed.

1266
01:01:43,920 --> 01:01:47,480
Speaker 3: And there's the monolith and all the primates are freaking

1267
01:01:47,480 --> 01:01:48,320
Speaker 3: out and hitting it?

1268
01:01:48,840 --> 01:01:51,320
Speaker 2: Oh that they shot that at the beach? Yeah, Oh,

1269
01:01:51,360 --> 01:01:54,680
Speaker 2: I thought that was I assumed it was somewhere inland,

1270
01:01:54,880 --> 01:01:57,320
Speaker 2: like I know, Death Valley type of place.

1271
01:01:57,440 --> 01:02:00,160
Speaker 3: No, it's amazing all these movies. If you want, that's

1272
01:02:00,160 --> 01:02:01,840
Speaker 3: an old movie, you're going to find out half the

1273
01:02:01,880 --> 01:02:03,600
Speaker 3: things are around the corner from your house.

1274
01:02:03,720 --> 01:02:04,680
Speaker 2: Yeah, that's true.

1275
01:02:04,840 --> 01:02:06,120
Speaker 3: Yeah, yeah, it's amazing.

1276
01:02:06,200 --> 01:02:08,840
Speaker 2: It's fun to experience, it's fun to learn.

1277
01:02:09,160 --> 01:02:11,200
Speaker 3: It is fun to learn. Like, I didn't know how

1278
01:02:11,240 --> 01:02:14,560
Speaker 3: much I like Richard Simmons until he passed, and now

1279
01:02:14,600 --> 01:02:17,600
Speaker 3: I'm watching all this Richard. He was a damned delight

1280
01:02:17,800 --> 01:02:19,560
Speaker 3: and I'm sorry I didn't praise him more.

1281
01:02:20,080 --> 01:02:24,040
Speaker 2: I know he's funny, he was hilarious. He was hilarious,

1282
01:02:24,040 --> 01:02:27,440
Speaker 2: and he was the idea that he started just discovered him.

1283
01:02:27,840 --> 01:02:31,080
Speaker 3: No, I'm not kidding. I just wasn't paying attention to

1284
01:02:31,160 --> 01:02:32,320
Speaker 3: Richard's sides, like you.

1285
01:02:32,240 --> 01:02:34,960
Speaker 2: Were too young when he actually because he truly made

1286
01:02:35,120 --> 01:02:37,200
Speaker 2: his debut when I was like ten years old, watching

1287
01:02:37,240 --> 01:02:39,640
Speaker 2: TV all the time. Yeah, and he was on everything,

1288
01:02:40,280 --> 01:02:43,080
Speaker 2: but he really was trying to help people lose weight,

1289
01:02:43,560 --> 01:02:46,960
Speaker 2: like like the Deal, Emial cards and all. He had

1290
01:02:47,000 --> 01:02:49,640
Speaker 2: all these programs and it's like let's all stick together

1291
01:02:49,680 --> 01:02:52,520
Speaker 2: and we can do it. And it was so positive

1292
01:02:52,760 --> 01:02:56,160
Speaker 2: and which of course nothing was ever like that of

1293
01:02:56,240 --> 01:02:58,320
Speaker 2: like you can do it and we love you kind

1294
01:02:58,320 --> 01:02:58,560
Speaker 2: of thing.

1295
01:02:58,640 --> 01:03:02,520
Speaker 3: Yeah, i'd seen him, of course, is performative Richard Simmons.

1296
01:03:02,920 --> 01:03:05,360
Speaker 3: I've been watching videos of him, like in a line

1297
01:03:05,400 --> 01:03:07,880
Speaker 3: outside of a thing that they just shot and him

1298
01:03:07,920 --> 01:03:11,520
Speaker 3: talking to people and connecting on a human level. I'm like, oh,

1299
01:03:11,560 --> 01:03:13,800
Speaker 3: this is like the sweetest person ever.

1300
01:03:14,200 --> 01:03:16,720
Speaker 2: I just told this story on my favorite murder. But

1301
01:03:16,840 --> 01:03:19,240
Speaker 2: I can tell it again and then we can cut

1302
01:03:19,240 --> 01:03:20,080
Speaker 2: it out if you want to.

1303
01:03:20,320 --> 01:03:24,040
Speaker 3: No, I'd like to leave it in crossovers. What everyone wants.

1304
01:03:24,240 --> 01:03:27,520
Speaker 1: Well, that's really true, but let's see how.

1305
01:03:27,600 --> 01:03:30,840
Speaker 2: Let's hear the story first. But he was on the

1306
01:03:30,880 --> 01:03:34,200
Speaker 2: talk show that I used to work on, and backstage

1307
01:03:34,600 --> 01:03:37,360
Speaker 2: and he had already gone on I think, no, he

1308
01:03:37,480 --> 01:03:40,640
Speaker 2: was shooting something for the actual show. We hadn't started yet,

1309
01:03:40,760 --> 01:03:42,800
Speaker 2: and I was running around doing the things I had

1310
01:03:42,800 --> 01:03:46,919
Speaker 2: to do. And most of the time you never saw

1311
01:03:47,000 --> 01:03:49,280
Speaker 2: the celebrities until they were being walked to stage, and

1312
01:03:49,320 --> 01:03:51,280
Speaker 2: you didn't interact with them because you're just trying to

1313
01:03:51,360 --> 01:03:54,280
Speaker 2: leave people alone. And so that was kind of the approach.

1314
01:03:54,680 --> 01:03:57,800
Speaker 2: And so I'm walking down the hall this way. But

1315
01:03:57,840 --> 01:04:00,280
Speaker 2: of course I've been watching Richard Simmons my whole life.

1316
01:04:00,520 --> 01:04:03,560
Speaker 2: He comes around the corner and this is you know,

1317
01:04:04,400 --> 01:04:10,320
Speaker 2: usually sixteen hour days, constant stress, constant public failure, constant.

1318
01:04:10,440 --> 01:04:12,880
Speaker 2: I asked you to do this thing, and then because

1319
01:04:12,920 --> 01:04:15,160
Speaker 2: you did it, it fucked up this thing. Yeah, that's

1320
01:04:15,160 --> 01:04:17,280
Speaker 2: back on me. Now I have to go tell so

1321
01:04:17,360 --> 01:04:21,320
Speaker 2: and so like just constant high stress whatever. Yeah, a

1322
01:04:21,320 --> 01:04:24,440
Speaker 2: lot of em and m's a lot of bootcut jeans,

1323
01:04:24,640 --> 01:04:27,360
Speaker 2: a lot of big sweaters covering up the stress weight,

1324
01:04:27,680 --> 01:04:31,400
Speaker 2: et cetera. Yeah, he comes around the corner and the

1325
01:04:31,480 --> 01:04:33,880
Speaker 2: second he lays eyes on me, he goes up on

1326
01:04:33,920 --> 01:04:36,120
Speaker 2: his tiptoes, puts his hands over his mouth and goes

1327
01:04:36,880 --> 01:04:40,880
Speaker 2: it's snow white. And I was like, literally did the

1328
01:04:41,040 --> 01:04:43,600
Speaker 2: I look over my shoulders, like, what the fuck is happening?

1329
01:04:43,880 --> 01:04:46,840
Speaker 2: And he it was for me, Oh yeah, and he

1330
01:04:46,960 --> 01:04:49,440
Speaker 2: like he kind of came at me and like did

1331
01:04:49,440 --> 01:04:51,880
Speaker 2: this little thing. But then he like his producer came

1332
01:04:51,880 --> 01:04:53,600
Speaker 2: around and was like, we have to walk this way.

1333
01:04:53,840 --> 01:04:55,840
Speaker 3: But it was we don't have time for you to

1334
01:04:55,920 --> 01:04:57,320
Speaker 3: connect with every single with.

1335
01:04:57,280 --> 01:04:59,680
Speaker 2: Every single person. But the idea that it was that

1336
01:04:59,800 --> 01:05:02,160
Speaker 2: kind of kind of like the sweetest It was a

1337
01:05:02,200 --> 01:05:06,600
Speaker 2: passing compliment from Richard Simmons right in the sweetest, cutest

1338
01:05:06,640 --> 01:05:08,520
Speaker 2: way where I was just like, oh my god, that's

1339
01:05:08,560 --> 01:05:10,240
Speaker 2: going to float me for four months.

1340
01:05:10,320 --> 01:05:12,560
Speaker 3: Yeah. That was the other thing. I realized, what you know,

1341
01:05:12,640 --> 01:05:16,040
Speaker 3: when anyone passes, people have to post the picture their

1342
01:05:16,200 --> 01:05:19,360
Speaker 3: connection with him in some way. But everyone's picture it's

1343
01:05:19,440 --> 01:05:25,240
Speaker 3: him doing like touching their face, touching their chest, intertwining

1344
01:05:25,320 --> 01:05:28,520
Speaker 3: with them in some way for a photo. And I

1345
01:05:28,560 --> 01:05:31,160
Speaker 3: always thought, wow, if someone asked for a photo with him,

1346
01:05:31,200 --> 01:05:33,960
Speaker 3: he'll really give it one hundred percent. No, he was

1347
01:05:34,560 --> 01:05:37,560
Speaker 3: instigating it. He was going up and saying, let's take

1348
01:05:37,600 --> 01:05:42,360
Speaker 3: a photo. Yes, and probably had a compliment not snow white,

1349
01:05:42,400 --> 01:05:43,520
Speaker 3: that was yours.

1350
01:05:43,320 --> 01:05:46,720
Speaker 2: That was mine, purely. He never he called everybody snow white.

1351
01:05:46,800 --> 01:05:49,200
Speaker 3: No, but you know, way it was the fact that

1352
01:05:49,280 --> 01:05:51,360
Speaker 3: you wore that baby blue dress that day.

1353
01:05:51,800 --> 01:05:54,280
Speaker 2: I always had a bird on my finger. Yeah. He

1354
01:05:54,400 --> 01:05:58,360
Speaker 2: used to do aerobics classes in Central I believe it

1355
01:05:58,400 --> 01:06:02,800
Speaker 2: was Century City where you could go in and watch

1356
01:06:02,880 --> 01:06:05,680
Speaker 2: him leading the class in like the late seventies, early eighties.

1357
01:06:05,960 --> 01:06:08,680
Speaker 2: I believe there was like you know, he was the

1358
01:06:08,720 --> 01:06:12,160
Speaker 2: one there in the studio like teaching the aerobics classes.

1359
01:06:12,600 --> 01:06:15,600
Speaker 3: Wow. Yeah, after already being famous.

1360
01:06:16,000 --> 01:06:18,880
Speaker 2: I mean I think it added to how famous he got,

1361
01:06:19,040 --> 01:06:21,919
Speaker 2: Like it was his true beginning was like actually being

1362
01:06:21,920 --> 01:06:25,520
Speaker 2: the guy in the studio that made eighty people come

1363
01:06:25,560 --> 01:06:28,120
Speaker 2: to one aerobics class because it was like so everyone

1364
01:06:28,200 --> 01:06:30,400
Speaker 2: loved it. So much and felt so good. And I

1365
01:06:30,480 --> 01:06:33,000
Speaker 2: think I could be wrong, but I'm almost positive he

1366
01:06:33,080 --> 01:06:37,320
Speaker 2: had a restaurant called Rouffage that was like a slid restaurant.

1367
01:06:37,640 --> 01:06:38,760
Speaker 3: That's so funny.

1368
01:06:38,840 --> 01:06:40,560
Speaker 2: At least you mind looking that up, because I think

1369
01:06:40,600 --> 01:06:42,880
Speaker 2: there's a hilarious picture of him standing on a table

1370
01:06:42,880 --> 01:06:45,440
Speaker 2: in the middle of Roffage. If I might have the

1371
01:06:45,560 --> 01:06:48,400
Speaker 2: name of it wrong, but it's something hilarious like that,

1372
01:06:50,040 --> 01:06:52,400
Speaker 2: because I used to have that picture on my desktop

1373
01:06:52,560 --> 01:06:54,880
Speaker 2: with him because he's like da da but it's like

1374
01:06:55,440 --> 01:06:58,960
Speaker 2: a lovely white tablecloth dining room type of place.

1375
01:06:59,040 --> 01:07:02,400
Speaker 3: Wow, it's so weird that I wait, I don't think

1376
01:07:02,400 --> 01:07:05,600
Speaker 3: it's bad because it's honoring their memory. But I was

1377
01:07:05,680 --> 01:07:09,040
Speaker 3: not a fan until after death with him, and also

1378
01:07:09,880 --> 01:07:15,320
Speaker 3: Anthony Jordaane ordained, I didn't know much. I'm like, it

1379
01:07:15,400 --> 01:07:18,120
Speaker 3: seems like he'd be grumpy or something, and then when

1380
01:07:18,200 --> 01:07:22,120
Speaker 3: he died I got so into everything. Yeah, he ever did,

1381
01:07:22,320 --> 01:07:23,959
Speaker 3: and I'm like, oh, I'm such a fan.

1382
01:07:24,360 --> 01:07:26,560
Speaker 2: The TV's not on so I couldn't throw up the picture,

1383
01:07:26,600 --> 01:07:28,200
Speaker 2: but I just texted you, Karen, if you want it.

1384
01:07:28,360 --> 01:07:32,240
Speaker 3: Oh, that's so funny. So yeah that I'm extending it

1385
01:07:32,280 --> 01:07:35,720
Speaker 3: because I want everyone to discover for the first time

1386
01:07:36,480 --> 01:07:38,880
Speaker 3: Bob Newhart's audio stand up.

1387
01:07:39,520 --> 01:07:41,800
Speaker 2: You've got quite a recommendations list going around.

1388
01:07:41,920 --> 01:07:44,560
Speaker 3: Yeah, people that are gone.

1389
01:07:44,760 --> 01:07:49,240
Speaker 2: I know. Well that's the thing though. There it is.

1390
01:07:51,720 --> 01:07:55,640
Speaker 2: It was called rouffage. I look at this shit. It's

1391
01:07:56,640 --> 01:07:58,640
Speaker 2: I hope we can clear this picture to show people

1392
01:07:58,680 --> 01:08:01,880
Speaker 2: because it truly is of Oh shit, its four hundred

1393
01:08:01,880 --> 01:08:05,120
Speaker 2: and ninety nine. We're not clearing that. I'm not paying

1394
01:08:05,160 --> 01:08:05,360
Speaker 2: for that.

1395
01:08:05,560 --> 01:08:08,080
Speaker 3: Oh just for take a little screenshot.

1396
01:08:08,360 --> 01:08:11,120
Speaker 2: Oh wow, look at the sign in the background.

1397
01:08:11,280 --> 01:08:12,840
Speaker 3: That's the fanciest place ever.

1398
01:08:13,000 --> 01:08:16,800
Speaker 2: And he's in a black leotard on the thing being like,

1399
01:08:16,920 --> 01:08:20,040
Speaker 2: come on everybody, and it was probably it's so does

1400
01:08:20,040 --> 01:08:20,639
Speaker 2: it say the year?

1401
01:08:20,680 --> 01:08:24,880
Speaker 3: I bet it was last table Richard Simmons is barefoot, yeah,

1402
01:08:24,920 --> 01:08:30,320
Speaker 3: and dance and one woman's actually eating and it is

1403
01:08:30,439 --> 01:08:33,639
Speaker 3: salads and his feet he is like a guy, get

1404
01:08:33,720 --> 01:08:35,920
Speaker 3: used to my feet next to your plate. I think

1405
01:08:36,040 --> 01:08:38,800
Speaker 3: now they're posing. That's such they must be shot.

1406
01:08:39,040 --> 01:08:41,439
Speaker 2: And also the idea that you would name your kind

1407
01:08:41,439 --> 01:08:44,800
Speaker 2: of like salad spot rouffage is the funniest thing of

1408
01:08:44,840 --> 01:08:48,880
Speaker 2: all time. That is really brilliant. Also that font, I

1409
01:08:48,960 --> 01:08:49,679
Speaker 2: want that font.

1410
01:08:50,240 --> 01:08:52,679
Speaker 3: It is the funniest name for a restaurant because when

1411
01:08:52,680 --> 01:08:56,240
Speaker 3: you anyone has ever said roughage, it's in a very

1412
01:08:57,200 --> 01:09:02,400
Speaker 3: regular meadow musol type medical way. Yeah yeah, And to

1413
01:09:02,479 --> 01:09:06,840
Speaker 3: call it that, it's like maybe everyone's like, oh, like

1414
01:09:07,240 --> 01:09:09,760
Speaker 3: the thing you eat, so when you're in the bathroom,

1415
01:09:09,920 --> 01:09:10,200
Speaker 3: you know.

1416
01:09:10,960 --> 01:09:12,000
Speaker 2: Yeah, why not?

1417
01:09:12,240 --> 01:09:14,520
Speaker 3: Why not? That sounds delicious?

1418
01:09:16,520 --> 01:09:19,360
Speaker 2: It's called having vision, you know. It's like he had

1419
01:09:19,800 --> 01:09:23,759
Speaker 2: he was funny and knew his brand from nineteen seventy

1420
01:09:23,840 --> 01:09:26,760
Speaker 2: nine on. He was he was doing it. And also

1421
01:09:26,800 --> 01:09:29,240
Speaker 2: I just feel like those those kind of people that

1422
01:09:29,320 --> 01:09:31,280
Speaker 2: like then it makes me think of the Arrested Development

1423
01:09:31,640 --> 01:09:34,640
Speaker 2: episode he's in where he's doing the Cornballer commercial with

1424
01:09:34,800 --> 01:09:39,280
Speaker 2: George Seniors and he's like supposed to be the assistant

1425
01:09:39,280 --> 01:09:43,240
Speaker 2: in the Cornballer like infomercial and he's just playing along

1426
01:09:43,280 --> 01:09:45,800
Speaker 2: and there they start screaming and fighting or whatever. But

1427
01:09:45,840 --> 01:09:49,040
Speaker 2: it's like he got himself. He knew what he seemed

1428
01:09:49,160 --> 01:09:50,679
Speaker 2: like and he knew what to play.

1429
01:09:50,960 --> 01:09:51,280
Speaker 3: Yeah.

1430
01:09:51,320 --> 01:09:53,920
Speaker 2: But then he also he's like, fine, I'll play that.

1431
01:09:54,280 --> 01:09:57,000
Speaker 2: I just need to get this message out, yeah, which

1432
01:09:57,040 --> 01:09:59,320
Speaker 2: is like love yourself and we can do it, which

1433
01:09:59,360 --> 01:09:59,960
Speaker 2: is beautiful.

1434
01:10:01,000 --> 01:10:02,280
Speaker 3: This was a good episode.

1435
01:10:02,520 --> 01:10:03,439
Speaker 2: Was this was solid.

1436
01:10:03,640 --> 01:10:06,840
Speaker 3: Yeah, it's uh. You've been listening to one of our

1437
01:10:06,880 --> 01:10:10,160
Speaker 3: first full eye contact the whole time episodes.

1438
01:10:10,400 --> 01:10:14,679
Speaker 2: Yeah, unbroken. I have tears streaming down my face because

1439
01:10:14,760 --> 01:10:15,960
Speaker 2: my eyes are so dry.

1440
01:10:16,120 --> 01:10:17,800
Speaker 3: We've both been crying this whole time.

1441
01:10:18,240 --> 01:10:20,280
Speaker 2: You know what'd be amazing is that, right now, if

1442
01:10:20,320 --> 01:10:25,439
Speaker 2: that security guard drove through this room. Our the security

1443
01:10:25,680 --> 01:10:29,559
Speaker 2: guard we've spotted on two separate on two separate episodes, Well.

1444
01:10:29,600 --> 01:10:32,280
Speaker 3: That security guard, that guy. Yeah, I was still in

1445
01:10:32,320 --> 01:10:33,559
Speaker 3: the area.

1446
01:10:33,720 --> 01:10:36,120
Speaker 2: Hey man, oh, I can't.

1447
01:10:35,920 --> 01:10:40,840
Speaker 3: Believe we were questioning his intentions, but really we were

1448
01:10:40,880 --> 01:10:41,599
Speaker 3: stalking him.

1449
01:10:41,960 --> 01:10:42,800
Speaker 2: Yeah.

1450
01:10:42,840 --> 01:10:45,240
Speaker 3: He had to be like that was the same person

1451
01:10:45,320 --> 01:10:46,120
Speaker 3: from yesterday.

1452
01:10:46,200 --> 01:10:48,040
Speaker 2: I would love that or he could. He was like,

1453
01:10:48,120 --> 01:10:48,680
Speaker 2: they're on to me.

1454
01:10:49,160 --> 01:10:53,439
Speaker 3: Yeah, I think we're probably waiting. Yeah yeah, maybe come on,

1455
01:10:53,560 --> 01:10:55,519
Speaker 3: he took a two week course. Why were you parked

1456
01:10:55,520 --> 01:10:56,280
Speaker 3: across the street.

1457
01:10:56,800 --> 01:10:59,559
Speaker 2: I just like, if you're parked here and you see

1458
01:10:59,640 --> 01:11:02,080
Speaker 2: children playing over here, move it along.

1459
01:11:01,920 --> 01:11:04,599
Speaker 3: Yeah, because get home. Save it for the Spiegel catalog,

1460
01:11:05,640 --> 01:11:06,439
Speaker 3: Young horn dog?

1461
01:11:07,240 --> 01:11:07,559
Speaker 2: No?

1462
01:11:08,280 --> 01:11:13,680
Speaker 3: What oh the calian now a kids section you've been

1463
01:11:13,800 --> 01:11:15,639
Speaker 3: listening to Do you need a ride?

1464
01:11:16,000 --> 01:11:18,120
Speaker 2: D y n e are?

1465
01:11:25,479 --> 01:11:27,519
Speaker 3: This has been an exactly right.

1466
01:11:27,479 --> 01:11:32,280
Speaker 2: Production produced by Analise Nelson, mixed by Edson Choi. Our

1467
01:11:32,320 --> 01:11:34,000
Speaker 2: talent booker is Patrick Coottner.

1468
01:11:34,280 --> 01:11:36,280
Speaker 3: Theme song by Karen Kilgarrett.

1469
01:11:36,640 --> 01:11:40,200
Speaker 2: Artwork by Chris Fairbanks. Follow the show on Instagram, Twitter,

1470
01:11:40,240 --> 01:11:44,600
Speaker 2: and Facebook at dinar podcast That's d y n ar Podcast.

1471
01:11:45,040 --> 01:11:48,600
Speaker 3: For more information, go to exactly rightmedia dot com.

1472
01:11:48,640 --> 01:11:50,879
Speaker 2: Thank you, Oh, You're welcome.