WEBVTT - Bonus: In Conversation with Jennifer Senior

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<v Speaker 1>Family Secrets is a production of I Heart Radio. I'm

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<v Speaker 1>Danny Shapiro and this is a special bonus episode of

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<v Speaker 1>Family Secrets. The secrets that are kept from us, the

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<v Speaker 1>secrets we keep from others, and the secrets we keep

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<v Speaker 1>from ourselves. My guest today is the journalist Jennifer sr,

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<v Speaker 1>who joins me in conversation to discuss her extraordinarily moving

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<v Speaker 1>cover story in this month's Atlantic. Jen's story is about

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<v Speaker 1>a family, the macle Veins, who lost their son Bobby,

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<v Speaker 1>in the attacks of nine eleven, which, unbelievably enough, happened

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<v Speaker 1>twenty years ago. You had a personal connection to the

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<v Speaker 1>macle Veins, Yes, although the funny thing is, how well

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<v Speaker 1>do you know these kinds of people? Really? I will

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<v Speaker 1>describe you to you how I knew them, and you'll

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<v Speaker 1>see they didn't etch themselves particularly deeply into my brain

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<v Speaker 1>until after they had lost Bobby, which is a sad

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<v Speaker 1>thing to say. They were the parents of my brother's roommate,

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<v Speaker 1>both in college and in young adulthood. My brother moved

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<v Speaker 1>into Princeton, you know, it's freshman year. He throws his

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<v Speaker 1>stuff on a bunk bed, and the kid on the

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<v Speaker 1>other bunk bed was Bobby McIlvaine. And so when did

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<v Speaker 1>I see cocle Van's I saw them if we were

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<v Speaker 1>at the end of the year picking up my brother

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<v Speaker 1>or graduation, or then when the two of them were

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<v Speaker 1>living in New York. I would see them if I

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<v Speaker 1>just happened to run into them because they were in

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<v Speaker 1>town and I was picking something up, and my brother says,

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<v Speaker 1>you know, it wasn't a lot. I really didn't get

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<v Speaker 1>to know them until after Bobby died. Um. And my

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<v Speaker 1>impression of them is just that they were saintly warm

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<v Speaker 1>people who had devoted their lives to doing good in

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<v Speaker 1>the world. They were both teachers. They one taught, you know,

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<v Speaker 1>kids who were troubled teens who were in an adolescent

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<v Speaker 1>psych ward at a local hospital. Another taught reading in

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<v Speaker 1>a trailer in a parking lot of a Catholic school.

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<v Speaker 1>They were lovely people. Oh and and his brother was

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<v Speaker 1>this this cheerful, sweet kid you know, who was younger

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<v Speaker 1>and kind of goofy and uh and not nearly the

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<v Speaker 1>go getter that his older brother was, but very funny.

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<v Speaker 1>And Bobby made a much bigger and more singular impression

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<v Speaker 1>upon you. It seems during the time that you knew him.

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<v Speaker 1>Oh God, yeah, Bobby like a one off. He was

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<v Speaker 1>like a human being that never went into full production.

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<v Speaker 1>You know what I mean? It was he was an

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<v Speaker 1>exceptional kid. Nobody in his family expected him to go

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<v Speaker 1>to an Ivy League school, working class, um, you know,

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<v Speaker 1>Irish Catholic family. Uh, without any kind of expectation that

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<v Speaker 1>he would go off and conquer the Ivy League. And

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<v Speaker 1>he just came out freakishly smart even as this young kid.

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<v Speaker 1>And uh when I met him, he was always just

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<v Speaker 1>filled those ideas, very lively conversation, very precocious um charisma

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<v Speaker 1>personified I think intimidating to some people who knew him

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<v Speaker 1>until they got to know him to realize that inside

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<v Speaker 1>he was just a warm piece of peach pie. Um.

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<v Speaker 1>He just was dazzling and was as if he had

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<v Speaker 1>been sort of flung into the world from a sling shot,

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<v Speaker 1>you know what I mean. He just had lots of

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<v Speaker 1>purpose um and had that air about him that any

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<v Speaker 1>self invented person does. They're just kind of unstoppable. There's

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<v Speaker 1>a moment in your piece for you describe he was

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<v Speaker 1>also athletic, and there's this moment where you describe a

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<v Speaker 1>teenage Bobby matt Vane throwing an immaculate pass uh as

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<v Speaker 1>a basketball player that sets up an immaculate shot that

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<v Speaker 1>flies right over the teenage head of Kobe Bryant. I mean,

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<v Speaker 1>I mean it just sounds like on every level, this

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<v Speaker 1>kid was as you describe, but just a one off,

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<v Speaker 1>completely extraordinary. He was a miracle, yeah. I mean, and

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<v Speaker 1>Kobe Bryant. That's the other thing, right, there's something almost

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<v Speaker 1>Zelig like or Forrest Gumpian about Bobby's trajectory. Right. They

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<v Speaker 1>wound up playing each other in high school and they

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<v Speaker 1>were the two best kids on their team, and Bobby

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<v Speaker 1>got sixteen points off of Kobe and his teammates. I mean,

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<v Speaker 1>that's extraordinary. That became the stuff of legend in the

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<v Speaker 1>mclavaine family as Kobe Bryant became Kobe Bryant. Um. Then

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<v Speaker 1>Bobby goes up to and get the hand pick to

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<v Speaker 1>take a class with Tony Morrison. And when when Bobby dies,

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<v Speaker 1>Tony Morrison sends his family not one but two condolence

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<v Speaker 1>notes saying, what is star Bobby was? And he just

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<v Speaker 1>kept intersecting with exceptional people, you know, that's the kind

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<v Speaker 1>of guy he was so on on nine eleven. At first,

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<v Speaker 1>when the planes hit the towers, there wasn't a sense

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<v Speaker 1>in the family or among Bobby's friends that that Bobby

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<v Speaker 1>was in the towers right there. It was just um,

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<v Speaker 1>this horrific thing that was unfolding. But there was no

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<v Speaker 1>reason to He didn't work there, he didn't live right there.

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<v Speaker 1>There was no reason to think that he would have

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<v Speaker 1>been there. He worked nearer there, he was adjacent, right

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<v Speaker 1>But but and here's what's interesting. His mother had a

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<v Speaker 1>full on premonition, a real deep, visceral sense that something

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<v Speaker 1>wasn't matter. It was more than just a chirp in

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<v Speaker 1>her stomach. She really thought something was wrong. But his

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<v Speaker 1>father treated it like a news event. His brother had

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<v Speaker 1>just been in the city that Thursday and appear with him,

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<v Speaker 1>and he worked in Maryland. He had just moved there

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<v Speaker 1>to corporate communications in Maryland. It just so happened he

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<v Speaker 1>had to attend a conference that day, and you do

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<v Speaker 1>make things crazier. The theory about Bobby is that he

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<v Speaker 1>had to go to a restaurant that to windows in

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<v Speaker 1>the world that morning for a conference, but that he

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<v Speaker 1>had probably left before the planes hit, because they found

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<v Speaker 1>his body on the periphery of the site, and that

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<v Speaker 1>no one who was in windows on the world was found, right,

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<v Speaker 1>I mean, everybody was incinerated if they were up there.

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<v Speaker 1>So I want to quote something from from your Peace,

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<v Speaker 1>because really, so much of your piece is about the

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<v Speaker 1>shape or shapelessness or trajectory of grief and trauma, and

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<v Speaker 1>you right early on, the mckail vans spoke to a

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<v Speaker 1>therapist who warned them that each member of their family

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<v Speaker 1>would grieve differently. Imagine you're all at the top of

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<v Speaker 1>a mountain, she told them, But you all have broken bones,

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<v Speaker 1>so you can't help each other. You have to find

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<v Speaker 1>your own way down. It was a helpful metaphor, one

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<v Speaker 1>that may have saved the mcilvaine's marriage. But when I

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<v Speaker 1>mentioned it to Roxanne Cohen Silver, a psychology professor you see, Irvine,

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<v Speaker 1>who spent a lifetime studying the effect of sudden traumatic loss,

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<v Speaker 1>she immediately spotted a problem with it that suggests that

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<v Speaker 1>everyone will make it down. She told me, some people

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<v Speaker 1>never get down the mountain at all. This is one

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<v Speaker 1>of the many things you learn about mourning when examining

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<v Speaker 1>it at close range. It's idiosyncratic. Anarchic polychrome A lot

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<v Speaker 1>of the series you read about grief are great, beautiful

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<v Speaker 1>even they have a way of eracing individual experiences. Every

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<v Speaker 1>morner has a different story to tell. So what I'm

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<v Speaker 1>wondering is if you can tell us now the different

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<v Speaker 1>stories that Bobby's parents, in particular, went through in the

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<v Speaker 1>wake the long week of Bobby's death. Both Bob Sor

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<v Speaker 1>and Helen. Yes, Um, they are so different that they

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<v Speaker 1>almost look like photo negatives of one another. It really

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<v Speaker 1>struck me, Um, and particularly Bob Sor his story. Helen's

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<v Speaker 1>was more recognizable to me. It isn't how I think

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<v Speaker 1>I would have grieved, but it is a story that

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<v Speaker 1>I could have sort of seen and predicted. Which is

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<v Speaker 1>or not knowing her. So, Helen, this is how she

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<v Speaker 1>chose to grieve. She chose to starve her grief. She

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<v Speaker 1>didn't want people to pity her. She didn't want to

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<v Speaker 1>manage people's awkwardness. She didn't want to manage their discomfort

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<v Speaker 1>or listen to them babbling their condolences, and she didn't

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<v Speaker 1>want to feel terrible all the time when people accidentally

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<v Speaker 1>said the wrong thing to her. She went to a

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<v Speaker 1>different grocery store for fifteen years in order to not

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<v Speaker 1>run into people she knew, so that no one could

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<v Speaker 1>sit there and just start incoherently trying to console her

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<v Speaker 1>or muttering to preprint to you know, like pointing and gossiping.

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<v Speaker 1>She didn't want any of it. She would deflect, she

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<v Speaker 1>would joke. It was her way of coping with it,

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<v Speaker 1>and realized about ten years in that it wasn't serving

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<v Speaker 1>her very well to keep stoppering up all of her grief.

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<v Speaker 1>She realized at some point that it was making her angry,

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<v Speaker 1>that it was making her more of a gossip, that

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<v Speaker 1>she was on a shorter fuse, But she thought, no,

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<v Speaker 1>it is additionally compounded by the fact that I am

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<v Speaker 1>not allowing myself to grieve, to fully inhabit this grief.

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<v Speaker 1>The only act herself to do it was with this

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<v Speaker 1>group of local women, all lost children, with whom she

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<v Speaker 1>could speak in shorthand they all knew what it was.

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<v Speaker 1>They weren't going to single her ab for special pity.

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<v Speaker 1>She could say anything she wanted to them and it

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<v Speaker 1>was all okay, But they understood if she said, I

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<v Speaker 1>was just with a friend of mine who went on

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<v Speaker 1>and on and on about their child, and I just

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<v Speaker 1>couldn't stand listening to them talk about their child. I

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<v Speaker 1>am so jealous that she has this problem. I can't

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<v Speaker 1>listen to people talk about their child. They all got it,

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<v Speaker 1>It all made sense, but it was very hard for her.

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<v Speaker 1>She didn't want to be a victim. She didn't want

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<v Speaker 1>to be short, she didn't want to be short tempered,

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<v Speaker 1>you know, or hurt. All these things. She had like

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<v Speaker 1>a strong super ego kind of watching her own reactions.

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<v Speaker 1>That was helen. She gave the impression of having quote

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<v Speaker 1>unquote healed because she wasn't talking about it and she

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<v Speaker 1>was you know, moving on with her life. And so

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<v Speaker 1>it was this impossible conundrum totally one of her own making, right,

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<v Speaker 1>exactly right, she needed to do that in order to

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<v Speaker 1>get through the day. That was in some ways her

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<v Speaker 1>version of grieving was not grieving or not externally showing it.

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<v Speaker 1>And yet exactly something some part of her was permanently

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<v Speaker 1>you know, there was a scar tissue on top of

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<v Speaker 1>a whole bunch of stuff that had not stitched up.

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<v Speaker 1>There was something painfully paradoxical about this situation, right that

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<v Speaker 1>she was like all stitched up, but just a watery

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<v Speaker 1>mass inside. And so that was really hard. That was

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<v Speaker 1>really really hard for her um and she just woke

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<v Speaker 1>up one morning and decided she had to do something

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<v Speaker 1>about it, which makes her very unusual. I mean, to

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<v Speaker 1>make an executive decision one day that you were simply

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<v Speaker 1>going to be another person is extraordinary. And she actually

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<v Speaker 1>did that. She actually woke up one morning and did

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<v Speaker 1>that to be she decided she wanted to be somebody else,

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<v Speaker 1>She needed to be someone else, and so she was

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<v Speaker 1>going to be that person. And what was that someone else?

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<v Speaker 1>Someone who engaged more with her grief and who let

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<v Speaker 1>go of all of the anger that was just accumulating

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<v Speaker 1>in there. She really felt on some level like she

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<v Speaker 1>was marinating in a brain of her own resentment and

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<v Speaker 1>her own fury and her own hurt, and she hadn't

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<v Speaker 1>let it out, you know, and it was just curdling

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<v Speaker 1>her and curdling her insights. What you just described is

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<v Speaker 1>a version of a secret. It's you know, it's it's

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<v Speaker 1>this kind of almost one of the most toxic versions

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<v Speaker 1>because it's that bottling up, you know, the idea of

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<v Speaker 1>I can make this go away if I just try

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<v Speaker 1>hard enough, totally. And here's what's amazing, her suffering with

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<v Speaker 1>the secret and her son died and what must have

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<v Speaker 1>been the most public active mass murder in recent memory, right.

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<v Speaker 1>I mean, she was denying herself her own suffering. She

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<v Speaker 1>was keeping it almost from herself, and it's so poignant

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<v Speaker 1>and it can be so corrosive to our souls, you know,

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<v Speaker 1>it can just rip us up, and I think it

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<v Speaker 1>did her. And then meanwhile, her husband, Bobby's father, Bob Senior,

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<v Speaker 1>was having, as you say, a completely almost polar opposite

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<v Speaker 1>kind of way way of responding. Yes, Bob was the

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<v Speaker 1>polar opposite. Everything that was light colored on Helen's print

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<v Speaker 1>was dark color down hairs and everything that was dark

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<v Speaker 1>color and her print was light on his. I mean

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<v Speaker 1>that you just couldn't imagine two different ways of going

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<v Speaker 1>about grieving for Bob's Senior. It's not just that he

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<v Speaker 1>actively every day chooses to inhabit his grief and that

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<v Speaker 1>he cries every day, that his grief just lives very

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<v Speaker 1>close to the surface. You just touch him, if you,

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<v Speaker 1>a whole vat of grief kind of spills out. It's

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<v Speaker 1>not just that, it's that for him, every day is

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<v Speaker 1>kind of September twelve. It's like he wakes up and

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<v Speaker 1>he's as raw as he was almost the day he

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<v Speaker 1>discovered it. And to me, this was just an amazing

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<v Speaker 1>revelation because there are all these kind of cultural wide

0:14:04.520 --> 0:14:07.320
<v Speaker 1>imperatives that I think we have that, oh, you've got

0:14:07.320 --> 0:14:09.400
<v Speaker 1>to move on, You've got to move past your grief

0:14:09.480 --> 0:14:13.720
<v Speaker 1>or through your grief, or around your grief or something. Right. No,

0:14:14.600 --> 0:14:18.240
<v Speaker 1>not him. He had no interest. He wanted to live

0:14:18.280 --> 0:14:22.600
<v Speaker 1>in his grief. It seems like his form of grief

0:14:22.880 --> 0:14:30.720
<v Speaker 1>was about engaging with the details, real or imagined. Around

0:14:31.720 --> 0:14:34.520
<v Speaker 1>nine eleven and around Bobby's death was a way of

0:14:34.600 --> 0:14:41.600
<v Speaker 1>keeping Bobby alive exactly. I mean, he treated Bobby's death

0:14:41.760 --> 0:14:45.440
<v Speaker 1>as if it were an unsolved murder. He became over

0:14:45.520 --> 0:14:51.760
<v Speaker 1>time gradually very very interested in, um, all of the

0:14:52.400 --> 0:14:54.560
<v Speaker 1>I'm going to call them conspiracy theories. He never would

0:14:54.560 --> 0:14:57.440
<v Speaker 1>he calls this nine eleven truth to me, the air

0:14:57.480 --> 0:15:01.600
<v Speaker 1>conspiracy theories, that the government was behind this, that um,

0:15:02.000 --> 0:15:05.560
<v Speaker 1>this was an orchestrated hit. You know that the World

0:15:05.600 --> 0:15:09.440
<v Speaker 1>Trade Center was embroidered with explosives. And he became very

0:15:09.480 --> 0:15:13.120
<v Speaker 1>interested in in in sorry, explosive laid by the American

0:15:13.160 --> 0:15:17.120
<v Speaker 1>government and it was, you know, a controlled debt nation.

0:15:18.080 --> 0:15:22.080
<v Speaker 1>He had a theory for why they actually um destroyed it.

0:15:22.160 --> 0:15:24.720
<v Speaker 1>That's quite arcane. What got in his mind turning, though,

0:15:25.280 --> 0:15:28.840
<v Speaker 1>was that it was based on looking at the medical

0:15:28.880 --> 0:15:34.040
<v Speaker 1>examiners report of his son's death. You know, I think

0:15:34.080 --> 0:15:38.800
<v Speaker 1>what he initially was doing was simply worrying about um.

0:15:38.840 --> 0:15:41.480
<v Speaker 1>It was a very paternal instinct. He was haunted by

0:15:41.480 --> 0:15:44.480
<v Speaker 1>the idea that Bobby might have suffered right before he died,

0:15:44.880 --> 0:15:47.200
<v Speaker 1>that he might have expexiated, that he might have been up,

0:15:47.440 --> 0:15:49.840
<v Speaker 1>that he might have jumped right, that he didn't know

0:15:49.880 --> 0:15:53.840
<v Speaker 1>how he died. Um. And in getting medical examiner's report,

0:15:54.360 --> 0:15:57.760
<v Speaker 1>he saw how he died. I mean, he was decapitated,

0:15:57.920 --> 0:16:00.520
<v Speaker 1>and which to me suggested a giant piece of to breathe,

0:16:01.080 --> 0:16:03.440
<v Speaker 1>you know, came boring out of the sky, and then

0:16:03.520 --> 0:16:07.240
<v Speaker 1>he didn't know what hit him. But for whatever set

0:16:07.280 --> 0:16:11.240
<v Speaker 1>of reasons, Bob Sor decided that because most of Bobby's

0:16:11.360 --> 0:16:14.920
<v Speaker 1>injuries were on his front, not on his back, he

0:16:14.960 --> 0:16:16.960
<v Speaker 1>had he couldn't have been running away from the building,

0:16:17.160 --> 0:16:19.520
<v Speaker 1>he had to have been inside it, and that this

0:16:19.640 --> 0:16:22.480
<v Speaker 1>had to have been an inside job. So he started

0:16:22.720 --> 0:16:25.080
<v Speaker 1>doing a lot of reading. He started reading history. He

0:16:25.120 --> 0:16:26.960
<v Speaker 1>started doing all these things and came up with a

0:16:27.040 --> 0:16:30.160
<v Speaker 1>very laboratory for why the government might might have wanted

0:16:30.200 --> 0:16:35.200
<v Speaker 1>to destroy the World Trade Center. And you know, Bobby's

0:16:35.400 --> 0:16:38.840
<v Speaker 1>brother Jeff thinks that by saying, oh, this is merely

0:16:38.840 --> 0:16:42.000
<v Speaker 1>how he grieves, he thinks it's kind of trivializing his

0:16:42.080 --> 0:16:46.840
<v Speaker 1>efforts and that maybe so the Although what I think

0:16:46.920 --> 0:16:49.600
<v Speaker 1>is interesting is that Bob Senior said to me, in

0:16:49.720 --> 0:16:53.360
<v Speaker 1>doing this every day, he is definitely keeping his Bobby close,

0:16:53.920 --> 0:16:57.480
<v Speaker 1>that this is how he spends time in Bobby's company.

0:16:57.560 --> 0:17:00.120
<v Speaker 1>So I might be giving short trip to the theory

0:17:00.120 --> 0:17:01.800
<v Speaker 1>is because I don't believe in the theories. I think

0:17:01.800 --> 0:17:05.399
<v Speaker 1>the theories are wrong headed. But he does not deny

0:17:05.520 --> 0:17:07.880
<v Speaker 1>that like they serve. It serves a purpose for him.

0:17:07.920 --> 0:17:10.480
<v Speaker 1>And in doing all this research, he gets to stay

0:17:10.480 --> 0:17:12.600
<v Speaker 1>close to Bobby. He gets to do this and it's

0:17:12.640 --> 0:17:15.159
<v Speaker 1>a way to keep parenting. And it we kind of

0:17:15.160 --> 0:17:17.840
<v Speaker 1>forget Bobby was so young. He was so young, he

0:17:17.920 --> 0:17:20.600
<v Speaker 1>was only twenty six. He was still probably in some

0:17:20.640 --> 0:17:24.320
<v Speaker 1>way as a little boy to Bob, and he probably

0:17:24.359 --> 0:17:27.320
<v Speaker 1>wanted to actively parent him. You know. Still in some

0:17:27.359 --> 0:17:31.640
<v Speaker 1>ways this is him being a father. We'll be right back.

0:17:39.600 --> 0:17:45.480
<v Speaker 1>So Bobby kept he was a prolific journal keeper. He

0:17:45.600 --> 0:17:53.359
<v Speaker 1>left behind volumes and volumes of journals and thinking about

0:17:53.359 --> 0:17:56.640
<v Speaker 1>what it is to continue to parent, or to keep

0:17:56.680 --> 0:18:00.320
<v Speaker 1>someone alive, or to keep a relationship along Eve in

0:18:00.400 --> 0:18:05.160
<v Speaker 1>some way. You know, the journals become very very important

0:18:05.160 --> 0:18:09.840
<v Speaker 1>in this story. Helen and Bob, you know, have all

0:18:09.880 --> 0:18:14.560
<v Speaker 1>the journals. Um. There is a young woman named Jen

0:18:15.560 --> 0:18:21.400
<v Speaker 1>who is Bobby's girlfriend and is about to become Bobby's fiance.

0:18:21.880 --> 0:18:26.639
<v Speaker 1>He has a ring and he has asked her father

0:18:27.240 --> 0:18:31.560
<v Speaker 1>for her hand in marriage, and he um is about

0:18:31.600 --> 0:18:37.879
<v Speaker 1>to propose to her, and of course that never happens.

0:18:38.040 --> 0:18:43.600
<v Speaker 1>So Jen is his girlfriend and she doesn't have any

0:18:44.000 --> 0:18:48.680
<v Speaker 1>legal right to any of his possessions or belongings. And

0:18:49.480 --> 0:18:53.160
<v Speaker 1>Jen asks if she can have the last journal that

0:18:53.240 --> 0:18:58.400
<v Speaker 1>Bobby had been writing in, and Bob sr. Just hands

0:18:58.440 --> 0:19:02.040
<v Speaker 1>it to her without a thought, like, of course, here

0:19:02.040 --> 0:19:07.600
<v Speaker 1>here's a piece of Bobby. So that's a perfect summary. Um,

0:19:07.600 --> 0:19:12.160
<v Speaker 1>Bob Senior handed into her without giving it a second thought.

0:19:12.640 --> 0:19:16.480
<v Speaker 1>Because there they were cleaning out Bobby's bedroom, there was

0:19:16.520 --> 0:19:19.840
<v Speaker 1>his last remaining journal open on his desk, and Jen

0:19:20.000 --> 0:19:23.399
<v Speaker 1>started reading it and noticed that she was on practically

0:19:23.400 --> 0:19:26.960
<v Speaker 1>every page, so it would be perfectly natural for her

0:19:27.000 --> 0:19:30.919
<v Speaker 1>to want to have that right, and he was distributing

0:19:30.960 --> 0:19:33.280
<v Speaker 1>those journals anyway to everybody who was in the room.

0:19:33.320 --> 0:19:35.800
<v Speaker 1>It was my brother, it was two other friends. I

0:19:35.800 --> 0:19:39.760
<v Speaker 1>think we're there um And he was saying, you might

0:19:39.800 --> 0:19:43.040
<v Speaker 1>want to look at these in order to write your eulogies,

0:19:43.080 --> 0:19:45.280
<v Speaker 1>because me and my wife I am not being any

0:19:45.320 --> 0:19:48.720
<v Speaker 1>shape to write them. And Helen was not even in

0:19:48.760 --> 0:19:51.680
<v Speaker 1>any shape to go and clean out that bedroom. She

0:19:51.840 --> 0:19:55.359
<v Speaker 1>was elsewhere. And if she had been in that bedroom,

0:19:55.480 --> 0:19:58.720
<v Speaker 1>she might have stopped her husband from giving away that

0:19:58.760 --> 0:20:03.600
<v Speaker 1>final journal was it was hugely important to her that

0:20:03.720 --> 0:20:09.720
<v Speaker 1>she had every molecule of everything her son had ever had.

0:20:10.320 --> 0:20:12.720
<v Speaker 1>All the objects of the dead, a lot of them

0:20:12.720 --> 0:20:16.399
<v Speaker 1>can just assume almost kind of talismanic property, like they

0:20:16.520 --> 0:20:19.920
<v Speaker 1>just their proxies for the person you love. And what's

0:20:19.960 --> 0:20:23.200
<v Speaker 1>so interesting about a diary is that it's not even

0:20:23.200 --> 0:20:27.119
<v Speaker 1>the same as like a T shirt or a recovered photograph.

0:20:27.280 --> 0:20:30.320
<v Speaker 1>It's this unusual thing where you get to almost hear

0:20:30.359 --> 0:20:33.640
<v Speaker 1>that person's voice again and to spend time in their company.

0:20:34.200 --> 0:20:36.440
<v Speaker 1>It's not a conversation or that it's not two ways,

0:20:36.560 --> 0:20:42.560
<v Speaker 1>but you are hearing from them. And she was so

0:20:42.720 --> 0:20:46.000
<v Speaker 1>devastated when she found out that her husband had given

0:20:46.000 --> 0:20:48.840
<v Speaker 1>away this final journal, because here was this chance to

0:20:48.880 --> 0:20:52.399
<v Speaker 1>hear her son's voice one last time, and she was

0:20:52.440 --> 0:20:56.040
<v Speaker 1>being robbed at that opportunity. Particularly, I mean he was

0:20:56.160 --> 0:20:59.400
<v Speaker 1>at that moment. She had like all of his kind

0:20:59.400 --> 0:21:02.760
<v Speaker 1>of child journals when he was a kid, but he

0:21:02.880 --> 0:21:05.680
<v Speaker 1>wasn't a fully formed adult. It wasn't like a chance

0:21:05.680 --> 0:21:09.200
<v Speaker 1>to experience him and a grown human, you know. And

0:21:09.960 --> 0:21:12.639
<v Speaker 1>here was this most recent thing, and she she just

0:21:12.920 --> 0:21:17.120
<v Speaker 1>she didn't have it suddenly, right, So she asks Jen

0:21:18.280 --> 0:21:22.040
<v Speaker 1>if Jen will part with it? Correct, She asked Jen

0:21:22.200 --> 0:21:24.640
<v Speaker 1>for it. She said, I would really like to see

0:21:25.000 --> 0:21:27.600
<v Speaker 1>parts of it. I understand it's about you, but and

0:21:27.760 --> 0:21:31.520
<v Speaker 1>Jen kind of demurred. She hemmed an odd, and she

0:21:31.600 --> 0:21:34.560
<v Speaker 1>took the diary home with her. She went off to Michigan,

0:21:34.600 --> 0:21:37.240
<v Speaker 1>where she was from, and took some time by herself,

0:21:37.320 --> 0:21:39.440
<v Speaker 1>and then she came back and lived with the mcle

0:21:39.560 --> 0:21:43.320
<v Speaker 1>vans for about two months because she just couldn't stand

0:21:43.400 --> 0:21:46.840
<v Speaker 1>being in her apartment by herself. So there were many

0:21:46.920 --> 0:21:50.919
<v Speaker 1>opportunities for Helen to say, you know, I'd really like

0:21:51.040 --> 0:21:53.920
<v Speaker 1>to see that diary, which was no longer there, right,

0:21:53.920 --> 0:21:56.760
<v Speaker 1>It was in Jen's apartment, she had taken it and

0:21:56.800 --> 0:21:59.720
<v Speaker 1>then got off to Michigan, so the diary is not there.

0:22:00.000 --> 0:22:04.240
<v Speaker 1>Helen looking at this future almost daughter in law who

0:22:04.280 --> 0:22:06.960
<v Speaker 1>she doesn't know very well. She hadn't spent much time

0:22:07.000 --> 0:22:11.120
<v Speaker 1>in her company and asking for it and not getting

0:22:11.320 --> 0:22:14.479
<v Speaker 1>the response she wants, and by the end she was begging.

0:22:14.800 --> 0:22:19.080
<v Speaker 1>She was simply saying, look, if Bobby is describing a tree,

0:22:19.720 --> 0:22:21.880
<v Speaker 1>can you just give me the words, Just tell me

0:22:22.400 --> 0:22:25.440
<v Speaker 1>what he says about the tree. I just want the words,

0:22:25.480 --> 0:22:29.320
<v Speaker 1>just the words. And then still I never did it,

0:22:30.600 --> 0:22:36.440
<v Speaker 1>and her stay there ended in terrible tension, and with

0:22:36.600 --> 0:22:40.080
<v Speaker 1>Jen slamming the door behind her, bursting into tears and

0:22:40.119 --> 0:22:43.520
<v Speaker 1>getting in her car and driving off. And you never

0:22:43.520 --> 0:22:48.520
<v Speaker 1>saw the Macaile names again. And when I saw Helen before,

0:22:48.640 --> 0:22:51.520
<v Speaker 1>you know, to do this story Jen, she couldn't come

0:22:51.560 --> 0:22:54.600
<v Speaker 1>up with Jenn's last name. She kept saying, it's something short,

0:22:54.880 --> 0:22:58.680
<v Speaker 1>it's like Jen Cove. And I said it was Jennifer

0:22:58.720 --> 0:23:02.600
<v Speaker 1>Cobb and she said that's right, cop C O B B.

0:23:02.960 --> 0:23:08.800
<v Speaker 1>And I said she really had forgotten. She had buried

0:23:08.840 --> 0:23:11.800
<v Speaker 1>her to which she buried her son. She had just forgotten.

0:23:13.000 --> 0:23:19.000
<v Speaker 1>It always really amazes me and humbles me. To think

0:23:19.040 --> 0:23:24.640
<v Speaker 1>about what the ways in which our memories, especially our

0:23:24.680 --> 0:23:31.200
<v Speaker 1>memories under the pressure of intense emotion UM just either

0:23:32.080 --> 0:23:36.520
<v Speaker 1>end up with these huge lakunai, you know, just these gaps,

0:23:36.680 --> 0:23:39.400
<v Speaker 1>or tell their own stories just you know that are

0:23:39.440 --> 0:23:43.000
<v Speaker 1>just different stories. And you know, one of the things

0:23:43.000 --> 0:23:46.119
<v Speaker 1>that you're that you're describing now makes me think of

0:23:47.320 --> 0:23:51.040
<v Speaker 1>a moment in your piece where where you you describe

0:23:51.640 --> 0:23:55.560
<v Speaker 1>the yearning and searching stage of grief, right, and and

0:23:55.640 --> 0:24:00.959
<v Speaker 1>so at this point Helen and Jen too are in

0:24:01.040 --> 0:24:04.199
<v Speaker 1>this yearning and searching stage, and the journal has become

0:24:04.560 --> 0:24:09.080
<v Speaker 1>this kind of emblematic of that more than anything else.

0:24:09.800 --> 0:24:12.000
<v Speaker 1>It's a way to resurrect the dead, even though you

0:24:12.040 --> 0:24:15.119
<v Speaker 1>know that they can't be resurrected, right. That's when you

0:24:15.160 --> 0:24:18.800
<v Speaker 1>are just desperately searching for them though you know rationally

0:24:19.119 --> 0:24:23.480
<v Speaker 1>they're never coming back. So it's a widow crying out

0:24:23.480 --> 0:24:26.000
<v Speaker 1>to her husband as she's doing the dishes. They're talking

0:24:26.040 --> 0:24:28.800
<v Speaker 1>to him. You know, it's you can take many many forms.

0:24:29.320 --> 0:24:31.920
<v Speaker 1>It was first described by a pair of British second

0:24:32.160 --> 0:24:36.040
<v Speaker 1>psychiatrists UM. One of them was John Bulby, who did

0:24:36.200 --> 0:24:39.280
<v Speaker 1>um attachment theory. But yeah, I mean, but the real

0:24:39.840 --> 0:24:42.040
<v Speaker 1>kind of author of that is a guy named Colin

0:24:42.119 --> 0:24:44.720
<v Speaker 1>Murray Parks And yeah, it's perfect. And I think that

0:24:45.040 --> 0:24:49.960
<v Speaker 1>Helen was stuck on that diary for like ten years.

0:24:50.040 --> 0:24:56.360
<v Speaker 1>She was yearning and searching, and she really really, um

0:24:56.560 --> 0:24:59.359
<v Speaker 1>got served bogged down in it. She took it to

0:24:59.400 --> 0:25:02.360
<v Speaker 1>the members of her that group that I was describing

0:25:02.359 --> 0:25:04.800
<v Speaker 1>of women who had all lost kids. She would talk

0:25:04.840 --> 0:25:08.159
<v Speaker 1>about it with them and they would joke about breaking

0:25:08.160 --> 0:25:11.639
<v Speaker 1>into Jennifer's house and liberating the diary, you know, so

0:25:11.720 --> 0:25:15.240
<v Speaker 1>that you could have it, stealing it. Um. She was

0:25:15.359 --> 0:25:17.680
<v Speaker 1>really angry at her husband for a very long time.

0:25:17.760 --> 0:25:20.920
<v Speaker 1>She would needle him about it, you know, for years,

0:25:20.960 --> 0:25:24.600
<v Speaker 1>this one on. She couldn't get past it. There was

0:25:24.640 --> 0:25:29.560
<v Speaker 1>one phrase that Helen became very focused on. She wasn't

0:25:29.600 --> 0:25:33.000
<v Speaker 1>sure where she had read it or heard it, um,

0:25:33.080 --> 0:25:36.800
<v Speaker 1>but the phrase was Bobby's, she was certain, and it

0:25:36.920 --> 0:25:41.840
<v Speaker 1>was life loves on and she was very focused on that.

0:25:42.000 --> 0:25:46.720
<v Speaker 1>And that became a kind of motto or or a

0:25:46.800 --> 0:25:51.480
<v Speaker 1>way of thinking for the family that Bobby had said that,

0:25:51.520 --> 0:25:54.560
<v Speaker 1>and that that's what they needed to do exactly. It

0:25:54.560 --> 0:25:57.200
<v Speaker 1>became like some kind of organizing motto for their grief.

0:25:57.440 --> 0:26:01.600
<v Speaker 1>And to your point, about how humbling and mind blowing

0:26:01.640 --> 0:26:05.720
<v Speaker 1>it is that our memories can desert us. She has

0:26:05.800 --> 0:26:09.840
<v Speaker 1>that motto of life loves non engraved in a bracelet right,

0:26:09.920 --> 0:26:11.960
<v Speaker 1>that she wears every day. A friend gave it, gave

0:26:12.000 --> 0:26:14.919
<v Speaker 1>it to her. Her friends also took on that motto.

0:26:15.040 --> 0:26:16.919
<v Speaker 1>They have it like sort of stamped at the bottom

0:26:16.960 --> 0:26:22.240
<v Speaker 1>of their emails. His and Bob Senior has its tattooed

0:26:22.280 --> 0:26:24.680
<v Speaker 1>on his arm, right. I mean, so this is on

0:26:24.760 --> 0:26:28.320
<v Speaker 1>his skin. So you would think, if you are going

0:26:28.400 --> 0:26:30.760
<v Speaker 1>to live by that phrase that your son has written,

0:26:31.400 --> 0:26:33.879
<v Speaker 1>you would like know where it came from, where there

0:26:34.160 --> 0:26:38.720
<v Speaker 1>was some idea. And yet she hands me all these

0:26:38.760 --> 0:26:42.160
<v Speaker 1>diaries and tells me, okay, well, I know it's in here,

0:26:42.160 --> 0:26:44.919
<v Speaker 1>And she thinks that she knows where it is, and

0:26:44.960 --> 0:26:47.480
<v Speaker 1>she goes looking for it. She sure she knows where

0:26:47.480 --> 0:26:50.560
<v Speaker 1>it comes from, which is that when like a family

0:26:50.560 --> 0:26:53.720
<v Speaker 1>friend died, he wrote it then, but it turned out

0:26:53.720 --> 0:26:55.600
<v Speaker 1>out to be there. So I went on this mad

0:26:55.680 --> 0:27:01.639
<v Speaker 1>aunt to find this phrase. And you know how I

0:27:01.680 --> 0:27:03.760
<v Speaker 1>found it. I'm not sure I want to give it away,

0:27:04.320 --> 0:27:07.199
<v Speaker 1>but it was this extraordinarily I mean, it was this

0:27:07.359 --> 0:27:12.200
<v Speaker 1>insane kind of uh F loosing adventure that I went

0:27:12.240 --> 0:27:16.040
<v Speaker 1>on to find this thing, and it turns out. I mean,

0:27:16.080 --> 0:27:18.679
<v Speaker 1>if you want to talk about secrets you keep from yourself,

0:27:18.720 --> 0:27:21.119
<v Speaker 1>she knew, everyone in the family knew. They had just

0:27:21.240 --> 0:27:24.639
<v Speaker 1>all forgotten where it came from. They had just forgotten.

0:27:25.160 --> 0:27:27.640
<v Speaker 1>And it is amazing what we can. As you said,

0:27:27.680 --> 0:27:31.440
<v Speaker 1>the lakna and our memories are just extraordinary. I mean

0:27:31.440 --> 0:27:33.920
<v Speaker 1>they are. They are the size of an ocean sometimes

0:27:33.960 --> 0:27:37.320
<v Speaker 1>and you can't believe it. It should be solid land,

0:27:37.920 --> 0:27:41.320
<v Speaker 1>you know. I mean the things that we know to

0:27:41.400 --> 0:27:46.520
<v Speaker 1>be certain, sometimes they're just made of water. We'll be

0:27:46.560 --> 0:27:56.320
<v Speaker 1>back in a moment with more family secrets. I want

0:27:56.320 --> 0:27:59.600
<v Speaker 1>to quote one other little passage from from Your Peace,

0:28:00.119 --> 0:28:04.760
<v Speaker 1>which is memories of traumatic experiences are a curious thing.

0:28:05.359 --> 0:28:08.480
<v Speaker 1>Some are vivid, some are pale. Pretty much all of

0:28:08.520 --> 0:28:11.600
<v Speaker 1>them have been amended in some way great or small.

0:28:12.240 --> 0:28:14.439
<v Speaker 1>There seems to be no rhyme or reason to our

0:28:14.560 --> 0:28:19.280
<v Speaker 1>curated reels. We remember the trivial and forget the exceptional.

0:28:19.880 --> 0:28:24.800
<v Speaker 1>Our minds truly have minds of their own. So I

0:28:25.040 --> 0:28:28.320
<v Speaker 1>don't think it would be giving anything away, and everyone

0:28:28.359 --> 0:28:31.720
<v Speaker 1>should just simply read your beautiful piece. But to say

0:28:31.760 --> 0:28:36.800
<v Speaker 1>that down the road once this phrase and its origin

0:28:37.000 --> 0:28:42.520
<v Speaker 1>has been tracked down, you know, like the Holy Grail. Um.

0:28:42.600 --> 0:28:45.239
<v Speaker 1>You send it to your editor at the Atlantic, like

0:28:45.520 --> 0:28:49.480
<v Speaker 1>a screen, a screenshot of where it was, and he

0:28:50.480 --> 0:28:53.560
<v Speaker 1>sends you a note that says and and Bobby has

0:28:53.600 --> 0:29:00.240
<v Speaker 1>like very dense, sort of indecipherable, you know, difficult to

0:29:00.360 --> 0:29:05.440
<v Speaker 1>make out handwriting. And your editor writes to you and says,

0:29:06.360 --> 0:29:12.120
<v Speaker 1>isn't it life lives on, not life love? So exactly

0:29:12.480 --> 0:29:16.200
<v Speaker 1>yes he did, and my heart sank and I mean,

0:29:17.560 --> 0:29:20.400
<v Speaker 1>I I can't tell you. I mean I was on

0:29:20.400 --> 0:29:24.520
<v Speaker 1>an amtrack and I almost started to scream. I did

0:29:24.560 --> 0:29:28.160
<v Speaker 1>not know what to do, because then you're faced with

0:29:28.200 --> 0:29:31.000
<v Speaker 1>a real journalistic conundrum, which is do you tell a

0:29:31.040 --> 0:29:33.520
<v Speaker 1>family that's been living by this modo for twenty years?

0:29:34.240 --> 0:29:36.720
<v Speaker 1>You know, it's almost there's a word for this um

0:29:36.720 --> 0:29:40.040
<v Speaker 1>when when it's an oral misapprehension, when you hear something incorrectly,

0:29:40.360 --> 0:29:43.720
<v Speaker 1>it's called a Manda green And you know, like the

0:29:43.840 --> 0:29:46.440
<v Speaker 1>Jimi Hendricks excuse me while I kissed the sky and

0:29:46.520 --> 0:29:49.880
<v Speaker 1>everybody thinks it's excuse me while I kiss this guy?

0:29:50.520 --> 0:29:52.480
<v Speaker 1>You know, so it's like the equivalent of that, but

0:29:52.600 --> 0:29:55.480
<v Speaker 1>in print, where you're looking at the wrong like it

0:29:55.600 --> 0:29:59.640
<v Speaker 1>was just it was misinterpreted, it was misrad it didn't

0:29:59.720 --> 0:30:03.880
<v Speaker 1>mat are. In the end, it didn't matter. Bobby's journals

0:30:03.920 --> 0:30:07.760
<v Speaker 1>are filled with wisdom, all kinds of unexpected wisdom. The

0:30:07.920 --> 0:30:13.000
<v Speaker 1>funny and amazing and weird thing is that although Helen

0:30:13.320 --> 0:30:19.120
<v Speaker 1>and Bob had lots of Bobby's journals for a while, um,

0:30:19.160 --> 0:30:21.360
<v Speaker 1>they didn't read them very much. And there's lots of

0:30:21.400 --> 0:30:25.440
<v Speaker 1>great things in there. When I finally glimpsed that diary,

0:30:25.560 --> 0:30:28.480
<v Speaker 1>I'm happy to say that there was plenty in there

0:30:28.760 --> 0:30:31.400
<v Speaker 1>to look at that I thought was really much more

0:30:31.440 --> 0:30:35.640
<v Speaker 1>beautiful and much more resonant um then Life lives On.

0:30:35.920 --> 0:30:39.000
<v Speaker 1>Life loves On. You know, it's a little bit hallmarky.

0:30:39.240 --> 0:30:42.160
<v Speaker 1>Life loves On. It's slightly more profound because it suggests

0:30:42.200 --> 0:30:44.800
<v Speaker 1>we have some kind of drive to love in our

0:30:44.840 --> 0:30:47.360
<v Speaker 1>hearts no matter what. And I kind of liked it.

0:30:47.400 --> 0:30:50.600
<v Speaker 1>But Life Lives On is kind of disappointing. It didn't matter.

0:30:51.040 --> 0:30:53.720
<v Speaker 1>There's there's plenty that Bob observed and said in his

0:30:53.800 --> 0:30:57.080
<v Speaker 1>life that's much more interesting. But in the funny, I

0:30:57.080 --> 0:30:59.680
<v Speaker 1>mean that, like this is this is how our memories

0:30:59.680 --> 0:31:02.280
<v Speaker 1>get me. They get made falsely, or they don't matter

0:31:02.920 --> 0:31:05.800
<v Speaker 1>you know, we choose to live, but they become that

0:31:05.880 --> 0:31:09.440
<v Speaker 1>person's words. You know, we are constantly inventing and reinventing

0:31:09.440 --> 0:31:11.680
<v Speaker 1>the dead. At this point, Bobby may as well have

0:31:11.720 --> 0:31:13.920
<v Speaker 1>said it, and it's something he could have said. And

0:31:13.960 --> 0:31:16.440
<v Speaker 1>I think that that's even more interesting in a funny way,

0:31:16.520 --> 0:31:19.520
<v Speaker 1>is that we're all perfectly happy to assign him those

0:31:19.560 --> 0:31:22.240
<v Speaker 1>words because they seem so Bobby. He was just this

0:31:22.320 --> 0:31:25.920
<v Speaker 1>little Yoda boy, you know, so like why not sure?

0:31:26.240 --> 0:31:31.160
<v Speaker 1>It seemed Bobby like l his loves whatever, so true

0:31:31.360 --> 0:31:35.240
<v Speaker 1>that in the end it doesn't really matter. I mean

0:31:35.400 --> 0:31:39.920
<v Speaker 1>the way that Helen got, you know, fixated on the

0:31:40.040 --> 0:31:44.320
<v Speaker 1>journal for all those years, you the journalists got fixated

0:31:44.320 --> 0:31:48.719
<v Speaker 1>on the phrase right and find and finding it um.

0:31:48.760 --> 0:31:53.280
<v Speaker 1>And in the end, it doesn't really matter where the

0:31:53.320 --> 0:31:56.200
<v Speaker 1>phrase came from or even exactly what the phrase was

0:31:57.040 --> 0:32:01.560
<v Speaker 1>in the profound emotional scheme of the story. When you

0:32:01.600 --> 0:32:06.680
<v Speaker 1>do travel to Washington, d C. And And you you

0:32:06.760 --> 0:32:13.760
<v Speaker 1>meet Jen, Bobby's girlfriend, Um, she is prepared to and

0:32:13.840 --> 0:32:18.280
<v Speaker 1>has you know, wanted to for years, have Helen be

0:32:18.320 --> 0:32:21.640
<v Speaker 1>able to read the journal? Um. She gives you the

0:32:21.720 --> 0:32:24.800
<v Speaker 1>journal and says, at some point, I'd love to have

0:32:24.880 --> 0:32:27.920
<v Speaker 1>this back. But you know here, I mean, one of

0:32:27.960 --> 0:32:34.840
<v Speaker 1>the most moving parts of your piece are Helen's epiphany

0:32:34.960 --> 0:32:41.040
<v Speaker 1>when she reads Bobby's final journal that Bobby was a

0:32:41.080 --> 0:32:45.400
<v Speaker 1>young man, he wasn't a boy anymore, and that she

0:32:46.880 --> 0:32:51.120
<v Speaker 1>his mother, wasn't at the center of his life, that

0:32:51.520 --> 0:32:54.480
<v Speaker 1>Jen was at the center of his life, which is

0:32:54.520 --> 0:32:59.360
<v Speaker 1>why Jen had so desperately wanted to hold on to

0:33:00.280 --> 0:33:04.800
<v Speaker 1>that that piece of him, the painful secret that was

0:33:04.800 --> 0:33:08.840
<v Speaker 1>sort of in this journal. I mean, well, you know,

0:33:09.200 --> 0:33:12.480
<v Speaker 1>in some ways, Helen just wanted it because she wanted

0:33:12.480 --> 0:33:15.440
<v Speaker 1>everything that was Bobby's. She just wanted to reconstruct him.

0:33:15.480 --> 0:33:17.800
<v Speaker 1>It was just some metaphorical way of making him a

0:33:17.800 --> 0:33:20.640
<v Speaker 1>whole if she couldn't have him. But in some ways

0:33:20.640 --> 0:33:24.080
<v Speaker 1>it was also just glimpsing who he was at that

0:33:24.120 --> 0:33:26.160
<v Speaker 1>moment in time, being able to spend time in his

0:33:26.200 --> 0:33:30.000
<v Speaker 1>company again, and yes, wanting to see you know, she

0:33:30.200 --> 0:33:32.800
<v Speaker 1>was all over his previous journals. His family was all

0:33:32.840 --> 0:33:36.440
<v Speaker 1>over his previous journals. He spoke glowingly about his family

0:33:36.480 --> 0:33:38.560
<v Speaker 1>and those journals he was still a young boy, and

0:33:38.760 --> 0:33:43.080
<v Speaker 1>unlike most adolescent kids, he wasn't ripping up his family.

0:33:43.640 --> 0:33:45.840
<v Speaker 1>He was talking about how great that he were he

0:33:45.960 --> 0:33:49.400
<v Speaker 1>was very close to them, so I think her fantasy

0:33:49.400 --> 0:33:51.520
<v Speaker 1>in some way was that there would just be more

0:33:52.880 --> 0:33:56.000
<v Speaker 1>about the nuclear family. But it was a relief. I

0:33:56.000 --> 0:34:00.200
<v Speaker 1>think in some ways it is to discover, oh, he

0:34:00.360 --> 0:34:03.480
<v Speaker 1>was his own man. I was you know, I wasn't

0:34:03.480 --> 0:34:06.040
<v Speaker 1>a part of his life anymore. And there are things

0:34:06.040 --> 0:34:08.319
<v Speaker 1>in that journal that are so mind blowing that like

0:34:09.520 --> 0:34:13.120
<v Speaker 1>shed whole windows into like I mean, there are goose

0:34:13.160 --> 0:34:14.920
<v Speaker 1>pimpling things. But I mean I think that that was

0:34:14.960 --> 0:34:18.480
<v Speaker 1>like a big takeaway for her. In some ways, it

0:34:18.560 --> 0:34:22.759
<v Speaker 1>was to sort of see, oh, my boys all grown up,

0:34:23.440 --> 0:34:28.279
<v Speaker 1>he's all grown up. That this wasn't about me. I

0:34:28.280 --> 0:34:30.640
<v Speaker 1>mean the things that it was about We're extraordinary. That

0:34:30.640 --> 0:34:33.000
<v Speaker 1>the journal was about We're extraordinary, you know. And the

0:34:33.040 --> 0:34:35.600
<v Speaker 1>words in that journal were extraordinary. I mean I get

0:34:36.200 --> 0:34:38.360
<v Speaker 1>I get chills just thinking about them. What is so

0:34:38.440 --> 0:34:40.840
<v Speaker 1>amazing is that there was this thing that was looming

0:34:40.880 --> 0:34:44.560
<v Speaker 1>for twenty years that she was sure contained. It did

0:34:44.640 --> 0:34:47.680
<v Speaker 1>not contain it never does, It did not have inside

0:34:47.680 --> 0:34:50.759
<v Speaker 1>it what she thought it did, And the reasons Jen

0:34:50.960 --> 0:34:53.839
<v Speaker 1>kept it weren't the reasons she thought she did. You know,

0:34:54.040 --> 0:34:56.640
<v Speaker 1>all the motives we assigned to other people are never

0:34:56.719 --> 0:35:00.640
<v Speaker 1>the stories we tell ourselves are so often stories that

0:35:00.680 --> 0:35:03.439
<v Speaker 1>are true, you know, how we know what we think

0:35:03.480 --> 0:35:05.759
<v Speaker 1>we know did not end up being the right thing.

0:35:06.360 --> 0:35:09.239
<v Speaker 1>I mean, you know, having the wrong tattoo, having the

0:35:09.280 --> 0:35:13.719
<v Speaker 1>wrong story, and in some ways a metaphor for everything.

0:35:14.200 --> 0:35:18.600
<v Speaker 1>You know. It also strikes me that in the end,

0:35:19.480 --> 0:35:24.480
<v Speaker 1>in being able to see that final journal, she actually

0:35:24.920 --> 0:35:29.120
<v Speaker 1>had a moment that she would have had had Bobby lived,

0:35:29.880 --> 0:35:33.920
<v Speaker 1>which was the realization, oh, my boy is a young

0:35:33.960 --> 0:35:38.520
<v Speaker 1>man and I am not, you know, the sun at

0:35:38.520 --> 0:35:43.239
<v Speaker 1>the center of his universe, I am, and and and

0:35:43.239 --> 0:35:47.640
<v Speaker 1>that she she actually ended up developmentally getting to have that,

0:35:47.760 --> 0:35:53.479
<v Speaker 1>even though way later and in a completely heartbreaking way. Yeah,

0:35:53.480 --> 0:35:56.040
<v Speaker 1>that's a beautiful way of putting it. I mean, I

0:35:56.080 --> 0:36:00.799
<v Speaker 1>think that again, because he was so young, so much

0:36:00.840 --> 0:36:03.840
<v Speaker 1>of his life was still locked away in his mother's

0:36:03.880 --> 0:36:07.680
<v Speaker 1>heart as like her little boy, you know, and why

0:36:07.800 --> 0:36:10.280
<v Speaker 1>why wouldn't he be sort of enshrined in that way

0:36:10.360 --> 0:36:14.439
<v Speaker 1>and her heart in her memory? But you are dead,

0:36:14.520 --> 0:36:17.759
<v Speaker 1>and had she got to go to a wedding and

0:36:17.880 --> 0:36:22.279
<v Speaker 1>see him pledge his love to to Jen, had she

0:36:22.400 --> 0:36:25.959
<v Speaker 1>had a tiny grand baby, you know, from Bobby anything,

0:36:26.239 --> 0:36:29.440
<v Speaker 1>seen them by a house, seen them even move in together.

0:36:29.880 --> 0:36:32.200
<v Speaker 1>He was still living with my brother, you know. I

0:36:32.239 --> 0:36:35.560
<v Speaker 1>mean he still seemed like a kid. He still seemed

0:36:35.560 --> 0:36:38.719
<v Speaker 1>like a kid. So as you say, yes, I think

0:36:38.719 --> 0:36:42.839
<v Speaker 1>that it did allow her maybe to right go one

0:36:42.920 --> 0:36:46.319
<v Speaker 1>beat further down the road and see him as a

0:36:46.360 --> 0:36:49.399
<v Speaker 1>fully realized adult. I mean she knew it anyway, but

0:36:49.520 --> 0:36:51.680
<v Speaker 1>I think that this was living in his head, in

0:36:51.760 --> 0:36:54.839
<v Speaker 1>his mature head, as a person whose thoughts were now

0:36:54.960 --> 0:37:00.520
<v Speaker 1>utterly consumed by someone else. I will never ever encourage

0:37:00.520 --> 0:37:04.960
<v Speaker 1>anyone to get on with their lives, even gently. Um.

0:37:05.040 --> 0:37:07.279
<v Speaker 1>I think it's a kind of tyranny. I think some

0:37:07.360 --> 0:37:10.000
<v Speaker 1>people never get beyond their grief, and that's the choice

0:37:10.040 --> 0:37:13.640
<v Speaker 1>they make, and they or don't make their chiefs. Their

0:37:13.640 --> 0:37:17.319
<v Speaker 1>griefs just holds them and not the other way. They

0:37:17.400 --> 0:37:20.640
<v Speaker 1>can't hold it. And that's one thing I learned from

0:37:20.680 --> 0:37:23.240
<v Speaker 1>being around Bob SR. It's not for me to judge

0:37:23.719 --> 0:37:25.520
<v Speaker 1>if it gets in the way of your family's life.

0:37:25.600 --> 0:37:27.120
<v Speaker 1>It's something that you have to deal with, and it's

0:37:27.160 --> 0:37:29.120
<v Speaker 1>something you have to contend with within the marriage. All

0:37:29.120 --> 0:37:31.960
<v Speaker 1>those things. But I think the biggest thing is like

0:37:32.000 --> 0:37:34.640
<v Speaker 1>the epistemological thing that we have been discussing, which is like,

0:37:34.920 --> 0:37:39.759
<v Speaker 1>how do you know what you know? I mean, no

0:37:39.840 --> 0:37:43.000
<v Speaker 1>one had the same I mean, let me just put

0:37:43.040 --> 0:37:46.600
<v Speaker 1>this out there. Helen thought that Jen had lived with

0:37:46.680 --> 0:37:51.600
<v Speaker 1>the family for one week after Bobby died. Jeff, Bobby's

0:37:51.640 --> 0:37:54.640
<v Speaker 1>younger brother, who was living with his parents at the time,

0:37:55.280 --> 0:37:57.600
<v Speaker 1>I thought the Jen lived with them for six months.

0:37:59.320 --> 0:38:03.280
<v Speaker 1>Jen thought it was for two months. Okay. They thought

0:38:04.120 --> 0:38:07.760
<v Speaker 1>they were sure they knew where Life Loved On came from,

0:38:07.760 --> 0:38:09.840
<v Speaker 1>and they were wrong. They had no idea where it

0:38:09.880 --> 0:38:12.680
<v Speaker 1>came from. Jen was sure when she was living with

0:38:12.680 --> 0:38:18.359
<v Speaker 1>the mackail Vane's that she slept in Bobby's brother's room,

0:38:18.520 --> 0:38:22.040
<v Speaker 1>and that Jeff very bravely slept in his brother's bed,

0:38:22.320 --> 0:38:27.200
<v Speaker 1>his dead brother's bed, whereas Jeff was absolutely certain that

0:38:27.320 --> 0:38:33.080
<v Speaker 1>Jen very bravely slept in her dead fiance's bed. I mean,

0:38:33.160 --> 0:38:40.440
<v Speaker 1>in me think I can never sit anywhere and argue

0:38:40.480 --> 0:38:44.520
<v Speaker 1>with any kind of force about any memory that I have,

0:38:44.880 --> 0:38:47.040
<v Speaker 1>about anything that I think I know and be dead

0:38:47.040 --> 0:38:49.960
<v Speaker 1>certain anymore. And that doesn't mean that truth doesn't exist,

0:38:50.080 --> 0:38:52.520
<v Speaker 1>that there are isn't such a thing as like real

0:38:52.560 --> 0:38:55.640
<v Speaker 1>objective truth. I think that there is, But I mean,

0:38:55.719 --> 0:38:57.680
<v Speaker 1>I I just think in terms of the fallibility of

0:38:57.719 --> 0:39:01.799
<v Speaker 1>our own memories. I think that are our emotions so

0:39:02.120 --> 0:39:08.080
<v Speaker 1>shape them, misshaped them, reshape them, crittify them, discolor them,

0:39:08.280 --> 0:39:11.000
<v Speaker 1>do all sorts of things, you know. I mean the

0:39:11.000 --> 0:39:13.040
<v Speaker 1>image that I have have is of a snow globe

0:39:13.160 --> 0:39:16.520
<v Speaker 1>getting all shaken up. That if you had reported this

0:39:16.600 --> 0:39:19.759
<v Speaker 1>story four years ago, or if you had reported it

0:39:19.840 --> 0:39:23.719
<v Speaker 1>four years from now, those memories among all of the

0:39:23.760 --> 0:39:26.759
<v Speaker 1>macall vean's might be completely different than the ones that

0:39:26.840 --> 0:39:33.240
<v Speaker 1>they had during that sliver of time. Oh for sure.

0:39:34.000 --> 0:39:36.359
<v Speaker 1>I had memories of the macall van's telling me things

0:39:36.360 --> 0:39:38.759
<v Speaker 1>about their grief at years three and four, because I

0:39:38.760 --> 0:39:40.720
<v Speaker 1>would see them. They would come to inventit my parents,

0:39:41.440 --> 0:39:43.319
<v Speaker 1>you know. I would see them when I was visiting

0:39:43.400 --> 0:39:48.880
<v Speaker 1>my mom in Florida. They they would um, you know,

0:39:48.920 --> 0:39:52.479
<v Speaker 1>sort of describe things, and I would raise them during

0:39:52.480 --> 0:39:54.640
<v Speaker 1>the interview and they wouldn't remember having said them to me,

0:39:55.200 --> 0:39:57.799
<v Speaker 1>you know. I mean, I had very different memories of

0:39:57.840 --> 0:40:02.520
<v Speaker 1>what they told me about their grieving. And here's something, Okay,

0:40:02.520 --> 0:40:06.480
<v Speaker 1>here's something. This is I think the craziest thing. After

0:40:06.600 --> 0:40:10.359
<v Speaker 1>the piece came out, I had dinner with Jeff and Jen,

0:40:10.480 --> 0:40:13.200
<v Speaker 1>who hadn't seen each other, in twenty years and Jeff

0:40:13.239 --> 0:40:15.080
<v Speaker 1>said to me, you know, I really love the piece.

0:40:16.000 --> 0:40:18.399
<v Speaker 1>But I'll tell you something. I both did and did

0:40:18.440 --> 0:40:23.239
<v Speaker 1>not recognize my dad. Everything that he said to you,

0:40:23.239 --> 0:40:27.640
<v Speaker 1>you captured accurately and exactly. And it's one facet of

0:40:27.680 --> 0:40:31.000
<v Speaker 1>my father, but it's not the only facet of my father.

0:40:31.120 --> 0:40:35.080
<v Speaker 1>I know a very different man. I know a different guy.

0:40:35.200 --> 0:40:38.040
<v Speaker 1>And when my wife read that story, she wasn't sure

0:40:38.080 --> 0:40:41.040
<v Speaker 1>she recognized the man you described either. It's just one

0:40:41.080 --> 0:40:43.680
<v Speaker 1>side of himself that he was interested in showing you.

0:40:44.719 --> 0:40:46.920
<v Speaker 1>And I'm sitting there thinking, well, I'm a journalist. I

0:40:46.920 --> 0:40:50.080
<v Speaker 1>thought I captured him much better, you know, a much

0:40:50.120 --> 0:40:53.120
<v Speaker 1>fuller kind of complex. I thought I didn't. I didn't

0:40:53.160 --> 0:40:55.200
<v Speaker 1>think he was like mono dimensional at all. I thought

0:40:55.200 --> 0:40:58.000
<v Speaker 1>that I had really captured something about his essence. But

0:40:58.040 --> 0:41:00.600
<v Speaker 1>they were telling me that I missed something, which means

0:41:00.640 --> 0:41:04.840
<v Speaker 1>that I had the wrong tattoo. I mean, what do

0:41:04.880 --> 0:41:08.360
<v Speaker 1>you do with that? How do we know? What? We know?

0:41:09.200 --> 0:41:12.480
<v Speaker 1>All the selves, all of the selves within us, and

0:41:12.600 --> 0:41:15.879
<v Speaker 1>all the stories right, all the stories we tell? How

0:41:15.920 --> 0:41:20.239
<v Speaker 1>reliable are our stories and our memories? How well you know?

0:41:20.320 --> 0:41:22.759
<v Speaker 1>How reliable was the thing that I wrote you? Know.

0:41:22.960 --> 0:41:26.360
<v Speaker 1>I thought it was pretty darn reliable and it was,

0:41:27.040 --> 0:41:54.480
<v Speaker 1>you know, and it wasn't. For more podcasts for my

0:41:54.520 --> 0:41:57.560
<v Speaker 1>heart Radio, visit the I heart Radio app, Apple podcast,

0:41:57.680 --> 0:41:59.680
<v Speaker 1>or wherever you listen to your favorite shows,