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Speaker 1: So obviously I'm in a place where I'm feeling self conscious.

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Speaker 1: I'm feeling nervous, like it's been a while. I haven't

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Speaker 1: been to a salon in a long time. It's been

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Speaker 1: COVID and I I pan it like they say, you know,

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Speaker 1: what are you looking for today? And I say, give

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Speaker 1: me the silent Bob mhm, which they which they that

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Speaker 1: are like what do you mean yeah? And I say,

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Speaker 1: I'm not going to take off my backwards hat mm hmm,

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Speaker 1: I'm leaving that on mm hmm. What I want you

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Speaker 1: to do is sort of like push and feather the

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Speaker 1: hair that's poking out from it. I want the silent Bob.

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Speaker 1: And you're mining all this well because I get shy

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Speaker 1: about my voice. I hate the sound of my own voice.

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Speaker 1: That's why I can't listen to the podcast. And people say, Sean,

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Speaker 1: you've settled these offensive things on the podcast. You've said

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Speaker 1: all this horrible stuff, and I go, I don't know,

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Speaker 1: I mean, how can I be accountable. I've never listened

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Speaker 1: to it because I'm so shy about how my voice sounds.

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Speaker 1: So I'm just kind of poking and pushing and I'm

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Speaker 1: taking their hand, I'm holding their hand really tight. They're

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Speaker 1: trying to pull it away. I'm sort of inserting it

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Speaker 1: into under the brim and I'm going like, this stays,

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Speaker 1: this moves, and that's not what I want. You know,

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Speaker 1: I don't want to have the Silent Bob. If anything,

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Speaker 1: I'd like to have the Jay.

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Speaker 2: Clerks three. Let's talk about it started shooting in July

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Speaker 2: twenty twenty one, on the fourth dil shooting.

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Speaker 1: First day of first day of filming. They broke ground

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Speaker 1: on the movie fourth of July to celebrate their independence

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Speaker 1: from the big studios.

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Speaker 2: And you know what's so amazing about that? It was

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Speaker 2: a hol day and none of them were even supposed

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Speaker 2: to be there that day.

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Speaker 1: And isn't that in the spirit of.

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Speaker 3: Legally none of the union members?

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Speaker 1: Certainly, no, no, no, they were not supposed to be a.

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Speaker 3: Non union production.

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Speaker 1: I I Ichele, I take a bow.

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Speaker 2: I said Ichle too, Sean, I said Ichle too. Before

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Speaker 2: you even came here. I wasn't here. I came after Haze.

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Speaker 2: I came straight from getting this Bob.

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Speaker 4: You guys know, I'm in Clerk's three, right, you Clerk's three?

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Speaker 1: Yeah, Baby, I guess if I thought about it for

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Speaker 1: one single fucking second. I could have put that together. Uh,

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Speaker 1: I'm not so good at math, but some things add up.

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Speaker 4: Who continuation of the Clerk's storyline?

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Speaker 3: Yeah, the views universe, Yes.

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Speaker 4: Yeah, extended uh ks c U Kevin Smith's Clerks universe.

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Speaker 4: All the characters are that.

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Speaker 3: It's called these but yes, what's it called?

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Speaker 4: What's it called? All your favorites are back? You got

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Speaker 4: you got Jay Jay's there, you got Silent Bob. You

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Speaker 4: were there.

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Speaker 3: You really were Holy Ship.

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Speaker 1: I thought you might, but I thought you might be

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Speaker 1: yanking my chain.

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Speaker 4: No more.

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Speaker 1: The more you talk about this, it's stuff that only

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Speaker 1: someone who was on set would know.

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Speaker 4: Yeah, I know Kevin Smith was there. He was he was.

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Speaker 3: He was there.

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Speaker 1: Kevin Smith is even there. Oh that gets to be

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Speaker 1: excited for the movie.

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Speaker 4: He was wearing a New York Islanders hockey jersey. He

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Speaker 4: was a sweetheart. He's a great guy. That's my Part's

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Speaker 4: a little bit under wraps. So you're gonna have to

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Speaker 4: find out the day it drops.

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Speaker 1: But I don't want to make you like break any rule. Like,

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Speaker 1: but I'm looking at you and I feel like you

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Speaker 1: might be managing a movie's don't say yes or no,

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Speaker 1: don't say yes.

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Speaker 4: I'm not saying yes or no, I'm not saying anything.

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Speaker 1: His head is not like yes, he says, he's not

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Speaker 1: saying it.

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Speaker 4: But we had a good time. We had. I was

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Speaker 4: a little bummed we shot on the holiday, but because

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Speaker 4: that's my parade day. But we had a great time.

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Speaker 4: We went out afterwards.

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Speaker 1: Well, don't just blow by that talk about your parade

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Speaker 1: day a little bit. I mean you said you wanted

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Speaker 1: to come in and kind of unload.

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Speaker 4: Well, you know, I think parades are something that guys,

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Speaker 4: we're living in a highly politicized era where some people

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Speaker 4: think it's not cool to go to a parade and

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Speaker 4: dress up and wave a flag and shake the hands

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Speaker 4: and all the police officers there some some folks in

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Speaker 4: our business think that is lame. And so what I'm

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Speaker 4: doing is I'm showing people that it's it's not lame.

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Speaker 4: It's not lame to have fun, it's not lame to

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Speaker 4: support your local parade. And so for the last few

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Speaker 4: years I've been going to you know, every Fourth of July,

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Speaker 4: me and my family, we go at about seven or

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Speaker 4: eight parades all up and down throughout California up into

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Speaker 4: from basically La to the inland impact. Wow, you just

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Speaker 4: chased chase them around. We have a little app that

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Speaker 4: we have that tells us what's what's up. And so

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Speaker 4: when when when when the folks from view of squ

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Speaker 4: reached out and told me the dates for this I

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Speaker 4: was at first I was kind of like nah, But

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Speaker 4: you know, then the more and more I thought about

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Speaker 4: it and talked to Kevin about it and parade on it.

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Speaker 4: Quite frankly, we we I said, this year, no parades.

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Speaker 4: So I did the movie, and I do I regret it.

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Speaker 3: In a way.

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Speaker 1: And I imagine you and Kevin found some common ground creatively.

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Speaker 1: You can reach so many more people with this message

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Speaker 1: of it's cool to go to a parade and shake

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Speaker 1: the police's hand and feed the police horse. And that's

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Speaker 1: actually neat and and it's like if it wasn't cool,

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Speaker 1: would Ike be doing it? And some of that, and

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Speaker 1: some of your supporters it must break their fucking brain

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Speaker 1: man to see you out doing this ship and they go, Okay, well,

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Speaker 1: how do I kind of blend this with the old

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Speaker 1: idea I had of parades are whack?

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Speaker 4: Yeah? No, My Instagram feet is just it's just picture

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Speaker 4: after picture of me feeding a police horse. Yeah. Yeah.

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Speaker 4: I make food at home and I bring it yeat

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Speaker 4: big bowl.

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Speaker 1: At tagging at Pally and you're and you're you're swirling

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Speaker 1: it on like a big sort the big fork sorry,

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Speaker 1: that's traditionally reserved for like serving salad, and you get

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Speaker 1: a big swirl on there, so it's a it's a

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Speaker 1: big twister, and you go ahead and you shove it

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Speaker 1: in the horse's mouth. And man, seeing that community and

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Speaker 1: the and the kind of feeling of family that you

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Speaker 1: have with that whole crew, and it's beautiful.

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Speaker 4: I love it. Sometimes you know that some of the

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Speaker 4: cops say, that's enough. He's gonna get sick. Get out

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Speaker 4: of here, you know.

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Speaker 1: You know, horse, the horse is sick. Yeah, the horse.

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Speaker 4: Yeah, they don't eat this stuff. They're on a special diet.

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Speaker 4: But if you go to at like Barenholts on my

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Speaker 4: instag you can see all these videos and stuff and

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Speaker 4: and there's a link where you can donate money to

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Speaker 4: me to.

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Speaker 1: Buy more, to buy more pasta. I'm in there because

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Speaker 1: you're out of pocket on this And I'm in the

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Speaker 1: comments always and I say, yummy, looks so good. I

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Speaker 1: could smell it. I could smell it from here. I

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Speaker 1: could smell it through my phone. The sauce. It's a

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Speaker 1: really spicy sauce. It's a rabbiata that you do.

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Speaker 4: I mean, always the first first coven, always the first covenants. Always,

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Speaker 4: damn man, that looks good.

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Speaker 1: Yeah, smell it from here.

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Speaker 3: Hey.

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Speaker 1: I never thought i'd be jealous of a horse, you know,

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Speaker 1: cause I don't like the animal. I'm not a I don't.

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Speaker 1: I don't. I don't like them legend status.

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Speaker 4: Oh man, Well, it's what I do. It's just a

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Speaker 4: little little little part of who I am.

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Speaker 1: People don't know. They think you're some Hollywood fucking doucheback,

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Speaker 1: like they don't know that you're out there with a

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Speaker 1: cause that you believe in. Yeah, and you're putting in

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Speaker 1: the hours.

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Speaker 4: Yeah. No, I'm not a phony. This is what I've

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Speaker 4: dedicated me and my family's life too. And and it's it.

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Speaker 4: You know. We we're proud of who we are. We

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Speaker 4: don't give a shit about the haters.

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Speaker 1: The money's nice, but it's about the platform.

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Speaker 4: It is about the platform. It is about the.

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Speaker 1: Platform, but Kevin. But Kevin's giving an opportunity to do

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Speaker 1: that on a bigger stage. I think that's really cool.

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Speaker 1: I think that's really cool.

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Speaker 4: I'm just excited for you guys to see the damn thing.

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Speaker 1: I'm imagining Randall and Dante kind of debating one of

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Speaker 1: their classic arguments. They get into over like what's the

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Speaker 1: best part of the parade, like their favorite Macy's Thanksgiving

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Speaker 1: float or some thing.

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Speaker 4: They're all back, all your favorites from the first one.

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Speaker 4: They're all back, and they're doing the exact.

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Speaker 1: Same Thing's got some theory about Snoopy, like what kind

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Speaker 1: of sex Snoopy has or something, and yeah, it's.

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Speaker 4: A little bit of that. There's a little bit of.

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Speaker 1: That stock canitles. Yeah, what what's what is woodstock packing downstairs?

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Speaker 1: And you know, Randall's Randall's weighing in as well. This

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Speaker 1: sounds a good movie, good movie.

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Speaker 2: But that's one part of you, And the other part

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Speaker 2: is promoting Chicago party. Ant you are do you're on

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Speaker 2: the circuit, your your aunt in Chicago?

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Speaker 4: We say, ant Okay. Now, I know when you hear that,

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Speaker 4: it might sound like, oh, this is a show about

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Speaker 4: an insect in Chicago.

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Speaker 1: It's an animated cartoon.

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Speaker 4: It could be anything. That's that I always I always

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Speaker 4: say about I have a little saying about animation, it's.

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Speaker 3: Only as big as your brain is, Okay.

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Speaker 4: And what that means means is if you have a

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Speaker 4: big brain that can imagine a lot of things, and

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Speaker 4: you can imagine crazy ship, then you could you could

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Speaker 4: do it in the show. The show can do as

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Speaker 4: much as But if you have a small brain and

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Speaker 4: you can only imagine a few things in the show,

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Speaker 4: is that it will be that. But it's one of

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Speaker 4: the that's what I say about it.

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Speaker 3: But you're saying it's big.

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Speaker 2: You say it's a way as big as it's it's

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Speaker 2: only as big.

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Speaker 4: Here's my quote about animation is the show is only

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Speaker 4: as big as your brain is.

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Speaker 1: Yes, like.

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Speaker 3: A little dash.

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Speaker 1: Every morning he starts the writer's room that way every.

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Speaker 4: Morning I do. I would start off the writer's room

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Speaker 4: with like an inspirational quote.

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Speaker 1: Watch the grape stop, lady, get loosen them up.

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Speaker 4: You've got to do a viral video. We have a

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Speaker 4: little routine. You come in. First thing is is everyone's

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Speaker 4: quiet as it could be anything. It could be something

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Speaker 4: a politicians said, an actor said, And then we do

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Speaker 4: about forty five minutes of viral videos.

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Speaker 3: You guys seeing this, it's Randy Rainbow.

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Speaker 4: We do a Randy Rainbow Losing Your Shit.

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Speaker 3: To Randy Rainbow. At the beginning of every.

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Speaker 4: He did a song about how he hopes Matthew McConaughey

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Speaker 4: runs for governor. And it not only it wasn't it

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Speaker 4: wasn't just hilarious. It it it was right.

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Speaker 1: Yeah, it wasn't just hilarious. It wasn't just right. It's

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Speaker 1: actually a really fucking good song.

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Speaker 4: It's a good song. So we watched some Randy Rainbow,

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Speaker 4: We watched Classics, Grape Stump, Charlie Bit My Finger. We

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Speaker 4: would watch a lot. We actually one day a gift,

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Speaker 4: my Christmas gift to the writers was I got a

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Speaker 4: cameo from Charlie from the Charlie Bit My Finger. The

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Speaker 4: little Boy. He's totally unrecognizable. He's like twenty three old.

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Speaker 1: He's old.

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Speaker 4: Yeah, and he won't say.

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Speaker 3: He won't so weird.

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Speaker 1: He won't do the line anymore.

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Speaker 4: He won't say, he won't even say refer to it.

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Speaker 4: So basically I said, he won't even.

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Speaker 2: Be like, hey, it's me charge or like it's me

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Speaker 2: Charlie's brother. I don't even know what Mike.

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Speaker 4: That's the thing. His name, his name is Noah.

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Speaker 3: Yeah.

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Speaker 4: So but all of a sudden, so I send him

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Speaker 4: this video there and it's like this guy's like, oh noah,

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Speaker 4: uh happy all the day's congratulations on finishing the first

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Speaker 4: round of scripts. Thank you. I hope you could write

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Speaker 4: how that season love Ike and Dave And everyone was like, who,

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Speaker 4: who is? What was?

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Speaker 1: Why am I watching this? Yeah?

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Speaker 4: But then when I told him who it was, They're like.

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Speaker 1: Oh yeah, They're like, oh is it?

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Speaker 3: Oh yeah, oh wow?

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Speaker 4: So anyway, yeah, do.

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Speaker 1: You And then you guys my understanding. I wasn't in

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Speaker 1: the room and that's fine. Actually I have my own

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Speaker 1: stuff going on. But but what I heard from people

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Speaker 1: I know a lot of writers, and they were saying

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Speaker 1: that you guys both watched both David After Dentist and

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Speaker 1: Adam Pally's parody of David after Dentist David after Divorce,

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Speaker 1: where he's saying the sames He's going, is this real life?

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Speaker 1: And he's in the back of the car but it's

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Speaker 1: a it's an adult.

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Speaker 4: We We had Adam Palley come in. He's a friend

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Speaker 4: from my mini Projectaye, we have n't come in performing live?

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Speaker 3: Perform live?

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Speaker 2: And did he say could do at the end of

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Speaker 2: course like that actual, like you're just watching a fun

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Speaker 2: of your die video.

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Speaker 3: I don't think it was a fund of your die video,

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Speaker 3: but imagine.

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Speaker 1: It wasn't, but it's that could have been a good one.

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Speaker 4: Yeah, we a Our goal was always to show viral

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Speaker 4: videos and then parodies of viral videos. We all remember

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Speaker 4: lazy Sunday.

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Speaker 1: Sure, that's yeah, that one's easy.

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Speaker 4: But there was a lazy Monday.

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Speaker 1: Colored mine, yeah, minus the refrain.

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Speaker 4: Yeah. Yeah, and so we watched that.

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Speaker 1: That's that's for us en joint, right, Mark, Mark Forrest,

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Speaker 1: you enjoyed be a friend? Huh yeah, he's he actually is.

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Speaker 4: I see him in the hood to be like the

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Speaker 4: sweetest man, nice wonderful man. Yeahs. The problem was this

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Speaker 4: is that after about three or four months, we realized

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Speaker 4: that we weren't starting writing the show until well after

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Speaker 4: two o'clock.

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Speaker 1: I haven't written a word.

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Speaker 4: Yeah, not written one word, not talked about a story.

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Speaker 4: We would watch a fitle video and argue about it,

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Speaker 4: getting these big, long, like really angry fights with each

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Speaker 4: other about some of them. Then we would have lunch

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Speaker 4: and uh. And so what we decided to do was

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Speaker 4: kind of pull that all back and we're like, here's

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Speaker 4: the deal hard start time at ten am. Viral videos

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Speaker 4: for two hours. We start writing.

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Speaker 1: At that is it is for two hours you while

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Speaker 1: you watch the videos.

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Speaker 2: Yeah, eat and fight, get out the video while the

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Speaker 2: videos playing, Yeah you.

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Speaker 4: Got you got your Grandville and you're like, black could

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Speaker 4: have been a star. She could have been a goddamn star.

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Speaker 4: It's that type of thing. But it doesn't matter. You

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Speaker 4: can do whatever you want. At noon, we start writing.

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Speaker 4: We start then.

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Speaker 1: No matter what, no matter what, no matter what.

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Speaker 4: Yeah, I have a saying in animation, the best stuff

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Speaker 4: comes afternoon.

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Speaker 2: Let's talk about that because please you. Of course the

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Speaker 2: show Stars Chicago Party Ant. Yes, nephew nephew Kyle Kyle's

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Speaker 2: nephew Kyle. Bill Simmons is nephew Kyle.

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Speaker 1: Is this correct star wrapping in the show Bills.

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Speaker 4: Bill Simmons is playing the nephew in our show.

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Speaker 1: Oh wow, let me back on, Yeah, yeah, yeah, please.

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Speaker 4: We cast Bill Simmons as as the nephew, Daniel, who's

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Speaker 4: just a wonderful character. Young gay, seventeen year old, eighteen year.

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Speaker 3: Old perfect inspired casting.

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Speaker 4: I'm Bill, Bill's in the neighborhood.

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Speaker 1: In the neighborhood. Yeah, I seen you at Pete's.

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Speaker 4: Saw him last night at the party, no joke. So

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Speaker 4: we were we were Bill and I went to uh

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Speaker 4: Sports Bar together and I tried to do you want

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Speaker 4: to do this voice Daniel Chicago party and he was

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Speaker 4: like yeah, yeah, yeah. So we recorded the whole season

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Speaker 4: with with Bill and then someone one of one of

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Speaker 4: our I don't know, one of our more woke writers,

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Speaker 4: let's just leave it at that, was like, hey, do

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Speaker 4: we want to have this part of you know, this

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Speaker 4: kind of eighteen year old lgbt Q young man played

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Speaker 4: by a guy from Boston who's.

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Speaker 5: Forty eight fifty and like, it'd be one thing if

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Speaker 5: he were he's like fifty one. Yeah, yeah, Like it'd

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Speaker 5: be one thing if he were just like a straight guy,

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Speaker 5: but he's so like aggressively sexual.

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Speaker 4: Yes, it was a little dripping with sexuality too much.

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Speaker 4: So I said to that writer, I said, listen, get

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Speaker 4: the fuck out of here. Go fired, your fucking fired, your.

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Speaker 1: Back your ship up.

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Speaker 4: You're on the list. You're on the list, Take your.

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Speaker 1: Computer, leave the charger chargers ours.

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Speaker 4: Yeah, you're you're out. And I'm not going to say names,

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Speaker 4: but it's babbylu Manda.

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Speaker 3: It was Bobb a Lou.

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Speaker 1: It was it was Bobby Lou.

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Speaker 6: It was Bobby, and I yelled at him. I fired

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Speaker 6: him on the spot. We've met, We've ment defenses. The

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Speaker 6: thing is he was right, he loved the Two days

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Speaker 6: later I was like.

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Speaker 1: Wait, of course, why did I fire him? This is

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Speaker 1: that past thing for this particular role.

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Speaker 4: Yeah, so inappropriate. So we hired Roy O'Malley, who's an

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Speaker 4: amazing actor from Book of Mormon and Hamilton. Have you

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Speaker 4: ever heard of him? So? Yeah, so they so that

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Speaker 4: that was funny to how that how that that was

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Speaker 4: a little bit of a snaff food but we fixed it. Wow,

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Speaker 4: I was saying an animation, there are second chances, but

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Speaker 4: no third chances. So we knew that bringing him in

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Speaker 4: you had to get it right. Yeah, you had to

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Speaker 4: get it right.

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Speaker 3: On no matter what it is going in.

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Speaker 1: So that's what you got. It sounds like Rory is

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Speaker 1: really good. You didn't give me a chance to answer

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Speaker 1: when you asked if I'd heard of him, But I

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Speaker 1: have not.

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Speaker 4: But you've heard of Hamilton. I'm assuming it's only like

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Speaker 4: the most famous musical of all time.

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Speaker 1: Yeah, no, I know, yes I do.

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Speaker 2: And how are we how are we capitalizing on that,

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Speaker 2: on that, on the success of that Hamilton, how is that?

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Speaker 2: I'm just curious, like, from a marketing perspective, are we

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Speaker 2: putting just Hamilton somewhere odd the poster?

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Speaker 1: And we probably can't. I mean, they must own their imagery,

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Speaker 1: but you could put Spamilton up there.

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Speaker 4: Well we we we we had some fun. We basically

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Speaker 4: employed the mad TV technique, which is, yes, cheated a

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Speaker 4: little bit, so it's not quite the same. You know,

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Speaker 4: when we would do a song parody, Let's say we're

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Speaker 4: doing a song parody for I don't know, Nelly's hot

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Speaker 4: in here, Okay, it would be like, the real song

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Speaker 4: is it's getting hot in here, so take off all

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Speaker 4: your clothes. We would go, it's getting hot in here,

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Speaker 4: so take off all your clothes. And you can do

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Speaker 4: the same kind of thing with the Hamilton artwork. So

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Speaker 4: instead of seeing kind of live man well, you know,

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Speaker 4: with hand finger up and that kind of iconic and

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Speaker 4: the star bridge the star stuff we had, we added

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Speaker 4: another little point to the star, so it's a you

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Speaker 4: know what, it looks like, a yellow six point star,

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Speaker 4: which is problematic in itself, but when you put a

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Speaker 4: guy in it kind of making a different hand arm

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Speaker 4: thing doing.

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Speaker 1: Like a Hans and Franzy. He's doing like a pump

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Speaker 1: you up sort of.

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Speaker 4: Yeah. And then we have another guy in front and

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Speaker 4: the other like putt, but they're on a slight angle,

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Speaker 4: so as you can imagine. You know, when I saw

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Speaker 4: the art, I initially I gasped and I said, I cannot.

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Speaker 1: Yeah, it's offensive to me, you know, I don't want

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Speaker 1: this to be it.

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Speaker 4: Man, I can't do this. And then they walked me

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Speaker 4: through why it's different.

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Speaker 1: And I said, okay, sometimes you just need him in it.

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Speaker 1: And it's so much like the Bill Simmons thing where

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Speaker 1: there you're on the rock side. You know, you were

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Speaker 1: upset that someone else was offended here you needed someone

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Speaker 1: to walk you through. You're you're being dumb about this,

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Speaker 1: like it's you.

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Speaker 4: Know, people are too dark sensitive these days, and so

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Speaker 4: when I hear someone that's the problem, you know, I'm

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Speaker 4: like what. But then I hear them out and then like, yeah.

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Speaker 1: Okay, sometimes it's right, Yeah, go ahead, we go, like

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Speaker 1: you know, it's not offensive thing. It's just like this

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Speaker 1: fifty one year old millionaire who lives up the street

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Speaker 1: for me, like maybe shouldn't be the voice of like

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Speaker 1: this team maybe struggling with the sexual identity.

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Speaker 4: Live and learn is what I said. I say, the

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Speaker 4: animation you live and you learn.

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Speaker 1: Yes, yes, I've heard that from some people in the room.

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Speaker 4: Yeah.

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Speaker 2: So there's the writing there. We talked about the some

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Speaker 2: of the promo, the key art, and let's talk about

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Speaker 2: the actual, like the craft, something that you have been

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Speaker 2: wanting to do for a long time, which is drawing.

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Speaker 2: All these guys. You drew every single one. Yes, you

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Speaker 2: drew all their different parts. Yep, all the different stuff

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00:21:57,040 --> 00:22:03,080
Speaker 2: that they did, you drew it. Take us into some

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Speaker 2: of the tools of the trade. You where do you start,

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Speaker 2: for example, when you're coming up with one of these guys,

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Speaker 2: which of their pieces are you like usually drawing for

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Speaker 2: where does the pen.

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Speaker 3: Begin its little journey?

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Speaker 1: And honestly, you know, talk to me like I'm a

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Speaker 1: two year old because the writing stuff I understand you

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Speaker 1: is during exam. I you know, I am a writer.

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Speaker 1: I didn't work on this show, but I worked on

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Speaker 1: some of my own stuff. But I but the but

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Speaker 1: the drawing, you know, I can't draw a damn thing.

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Speaker 1: And I remember even the last time you were in

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Speaker 1: the studio, you walked out and I notice you've been

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Speaker 1: kind of doodling while. Yeah, and it was like there

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Speaker 1: was this like this fucking Gonda leaf with bloodshot eyes

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Speaker 1: and a big bulge in his drawers. And I look

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Speaker 1: at that and I go, this kid's got some real

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Speaker 1: hell the visual imagination to come up with, you know,

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Speaker 1: something like that. I love that you're doing this show

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Speaker 1: and that you drew it and explained to me how

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00:23:09,440 --> 00:23:10,040
Speaker 1: that would work.

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Speaker 4: I mean, look, it's people that know me know that

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Speaker 4: this is what I've always been into. You know, when

440
00:23:20,720 --> 00:23:23,080
Speaker 4: I was growing up in Chicago, you know, it was

441
00:23:23,119 --> 00:23:26,919
Speaker 4: in the nineties and Michael Jordan was everywhere, and you know,

442
00:23:27,080 --> 00:23:30,240
Speaker 4: every every guy it was walking around dribbling a basketball

443
00:23:30,240 --> 00:23:32,200
Speaker 4: and not me. I had my sketch, my sketchbook, my

444
00:23:32,240 --> 00:23:36,879
Speaker 4: sketch pad. Yeah, I was drawn trying to dribble that.

445
00:23:36,920 --> 00:23:43,919
Speaker 1: You know, dribbling in on the page. Yeah.

446
00:23:43,960 --> 00:23:48,159
Speaker 4: And you know in high school and college, you know,

447
00:23:48,240 --> 00:23:51,800
Speaker 4: people be at parties and doing drugs, and you know,

448
00:23:51,840 --> 00:23:55,840
Speaker 4: they'd be having sex and I would be drawing memabist.

449
00:23:55,880 --> 00:23:58,199
Speaker 4: I'd be in the room watching them sex, drawing it,

450
00:23:58,359 --> 00:24:01,159
Speaker 4: you know, and I I just it's always been a

451
00:24:01,160 --> 00:24:02,840
Speaker 4: pension of mine and then I got it. I moved

452
00:24:02,840 --> 00:24:04,760
Speaker 4: to la and I and and you know, I was

453
00:24:04,840 --> 00:24:08,560
Speaker 4: kind of moved out here to be an anime, and

454
00:24:09,840 --> 00:24:13,639
Speaker 4: you know, I was very influenced by do you know,

455
00:24:13,720 --> 00:24:14,640
Speaker 4: Calvin and Hobbes.

456
00:24:15,640 --> 00:24:19,160
Speaker 1: So I'm glad you yeah, I'm glad you brought this up.

457
00:24:20,320 --> 00:24:22,520
Speaker 1: I am one of the people. I'm one of the

458
00:24:22,640 --> 00:24:25,880
Speaker 1: only people who used to read that shit.

459
00:24:27,760 --> 00:24:29,879
Speaker 2: And Sean has been telling me about this, and he'll

460
00:24:29,920 --> 00:24:33,159
Speaker 2: like send me different strips and he'll talk about how

461
00:24:33,160 --> 00:24:38,440
Speaker 2: it's actually there's like real philosophy, and it like, oh god,

462
00:24:37,640 --> 00:24:39,800
Speaker 2: really the smartnest.

463
00:24:40,160 --> 00:24:42,920
Speaker 1: Yeah, according to the book of Calvin and Hobbes, and

464
00:24:43,000 --> 00:24:47,520
Speaker 1: it's there's philosophy, there's drawings, there's comedy. And I'm one

465
00:24:47,560 --> 00:24:50,480
Speaker 1: of the only people I was actually reading this fucking thing.

466
00:24:50,760 --> 00:24:52,760
Speaker 1: There's a couple like weird things. Because I don't know

467
00:24:52,760 --> 00:24:55,040
Speaker 1: it's where I grew up or my parents. I don't

468
00:24:55,040 --> 00:24:56,840
Speaker 1: know what to credit to. But like I used to

469
00:24:56,880 --> 00:24:59,280
Speaker 1: watch the movie Back to the Future and I would

470
00:24:59,320 --> 00:25:03,000
Speaker 1: read Calvin Hobbs and this is ship nobody knew about.

471
00:25:03,400 --> 00:25:06,760
Speaker 1: And there's catching up a little bit, it's becoming something.

472
00:25:06,920 --> 00:25:10,840
Speaker 1: But for me, you know, it's it's actually become my

473
00:25:11,000 --> 00:25:12,080
Speaker 1: entire personality.

474
00:25:13,480 --> 00:25:17,480
Speaker 4: Look, I loved the comic, but then I love I

475
00:25:17,480 --> 00:25:19,280
Speaker 4: loved it for what it was. But then one day

476
00:25:19,720 --> 00:25:22,439
Speaker 4: I was driving with my dad. He was going for

477
00:25:22,480 --> 00:25:24,240
Speaker 4: a long drive and.

478
00:25:24,160 --> 00:25:26,760
Speaker 3: A guy coming to take you home to he was.

479
00:25:26,760 --> 00:25:28,880
Speaker 4: Coming up, Yeah, dropped me off. He had a great

480
00:25:28,920 --> 00:25:32,720
Speaker 4: weekend together. He was he had to go back to

481
00:25:32,800 --> 00:25:35,040
Speaker 4: South America for a little while to do some work

482
00:25:35,080 --> 00:25:38,040
Speaker 4: for the government. And but you can take this long

483
00:25:38,160 --> 00:25:41,560
Speaker 4: drive and driving this guy in this big truck fucking

484
00:25:41,640 --> 00:25:45,000
Speaker 4: cut us off and it was might honk, and my

485
00:25:45,119 --> 00:25:47,920
Speaker 4: dad like you fuck you. And I looked and he

486
00:25:48,040 --> 00:25:53,120
Speaker 4: had a decal of Calvin from the comic, but he

487
00:25:53,320 --> 00:25:58,119
Speaker 4: was pissing. He was and he had this look, like

488
00:25:58,240 --> 00:25:59,359
Speaker 4: this twisted look.

489
00:25:59,240 --> 00:26:03,240
Speaker 3: And I went follow the one, you know, the look.

490
00:26:03,480 --> 00:26:06,359
Speaker 4: And that was the light bulb moment for me in

491
00:26:06,400 --> 00:26:07,120
Speaker 4: the sense that I.

492
00:26:07,080 --> 00:26:10,880
Speaker 2: Realized, I'll also be grabbing it with both hands like.

493
00:26:10,800 --> 00:26:13,679
Speaker 4: That, like like like it's just yeah. It taught me

494
00:26:13,720 --> 00:26:16,400
Speaker 4: how to piss, because before I was I would hold

495
00:26:16,440 --> 00:26:17,200
Speaker 4: my hands again.

496
00:26:17,680 --> 00:26:20,200
Speaker 1: I tried something different every time. I was trying something

497
00:26:20,200 --> 00:26:22,439
Speaker 1: different every time, and I go, was this better than

498
00:26:22,560 --> 00:26:24,560
Speaker 1: last time? But it's a nightmare.

499
00:26:25,160 --> 00:26:29,000
Speaker 4: That was huge, But more importantly it it taught me

500
00:26:29,080 --> 00:26:31,600
Speaker 4: that you could you could do something like comics but

501
00:26:32,160 --> 00:26:35,400
Speaker 4: a frigging twisted sense of humor. And so that's when

502
00:26:35,440 --> 00:26:37,199
Speaker 4: I kind of when I moved out here, I was like,

503
00:26:37,280 --> 00:26:39,159
Speaker 4: what is going to strike first? Is it going to

504
00:26:39,200 --> 00:26:41,680
Speaker 4: be the animation, Is it going to be the modeling,

505
00:26:42,040 --> 00:26:44,840
Speaker 4: Is it going to be the stunt work? And and

506
00:26:44,880 --> 00:26:48,000
Speaker 4: then randomly comedy kind of you know, popped in there.

507
00:26:48,040 --> 00:26:51,480
Speaker 1: Half this town has a way of slapping a label

508
00:26:51,560 --> 00:26:53,000
Speaker 1: on you and saying this is what you.

509
00:26:54,080 --> 00:26:55,240
Speaker 3: This is a stunt model.

510
00:26:55,520 --> 00:26:58,600
Speaker 1: You're not an animator. You're a stunt model. And then

511
00:26:58,680 --> 00:27:01,040
Speaker 1: now you can't get taken sea seriously as an animator

512
00:27:01,080 --> 00:27:02,600
Speaker 1: until you reach a certain level.

513
00:27:02,880 --> 00:27:04,800
Speaker 4: No, I had a big stamp in my head as

514
00:27:05,000 --> 00:27:08,560
Speaker 4: is a you know, comedy guy, and so but I

515
00:27:08,680 --> 00:27:11,480
Speaker 4: was always in behind the scenes on Mad TV. We'd

516
00:27:11,480 --> 00:27:13,880
Speaker 4: be doing a sketch and I'm playing, you know, I'm

517
00:27:13,920 --> 00:27:18,960
Speaker 4: playing the guy who owns the car dealership that James

518
00:27:18,960 --> 00:27:23,080
Speaker 4: Brown won't leave and and I'm sitting there and and

519
00:27:23,200 --> 00:27:25,399
Speaker 4: you know, when the cameras, when the it's not my coverage,

520
00:27:25,440 --> 00:27:29,960
Speaker 4: I'm turning and I'm drawing these twisted, freaky, deeky, totally

521
00:27:29,960 --> 00:27:34,320
Speaker 4: inappropriate cartoons and and so I always did it, but

522
00:27:34,320 --> 00:27:38,400
Speaker 4: but I still was just labeled not an anime. And

523
00:27:39,200 --> 00:27:44,040
Speaker 4: it really wasn't until Chicago Party End that I pitched it,

524
00:27:44,119 --> 00:27:46,800
Speaker 4: you know, with these other great writers, all comedy people.

525
00:27:46,800 --> 00:27:48,639
Speaker 4: When I pitched it as a comedy guy in the

526
00:27:48,880 --> 00:27:52,680
Speaker 4: minute and Netflix said we're in, I go one one

527
00:27:52,960 --> 00:27:55,160
Speaker 4: flag on the play. We got the email and said

528
00:27:55,160 --> 00:27:57,879
Speaker 4: deal is closed. And I wrote an email that every

529
00:27:57,920 --> 00:28:01,840
Speaker 4: frigging person, all the producers, ted Serrandos, all.

530
00:28:01,640 --> 00:28:03,840
Speaker 1: Of them, I think I would see it on this.

531
00:28:03,880 --> 00:28:06,520
Speaker 4: I think you might have been And I said, flat

532
00:28:06,520 --> 00:28:10,480
Speaker 4: on the subject, flat on the plane, and I said,

533
00:28:11,880 --> 00:28:16,280
Speaker 4: I said, I said to them, here's the deal. Either

534
00:28:16,359 --> 00:28:20,840
Speaker 4: I draw it or there's no show. And so then

535
00:28:20,880 --> 00:28:22,320
Speaker 4: the show went away for about a month and a

536
00:28:22,359 --> 00:28:25,399
Speaker 4: half and and and we had to kind of negotiate

537
00:28:25,440 --> 00:28:25,960
Speaker 4: with them, and.

538
00:28:26,800 --> 00:28:30,600
Speaker 1: We ende do your drawing contract, Dad, do my drawing.

539
00:28:30,359 --> 00:28:34,240
Speaker 4: Get slowed everything down, and the other writers were maybe

540
00:28:34,280 --> 00:28:35,760
Speaker 4: a little mad, but.

541
00:28:37,080 --> 00:28:40,360
Speaker 1: You know, it was the results speak for themselves. I

542
00:28:40,360 --> 00:28:42,600
Speaker 1: mean I might have been mad. Then now they're kissing

543
00:28:42,640 --> 00:28:45,640
Speaker 1: your damn feet because I've seen some of the ship

544
00:28:45,760 --> 00:28:50,120
Speaker 1: you drew. I've seen this praying mantis with these big honkers,

545
00:28:50,720 --> 00:28:56,320
Speaker 1: you know me massive spill it out of her taktop.

546
00:28:57,920 --> 00:29:00,680
Speaker 4: I did this one. I did this one. I'm gonna

547
00:29:00,720 --> 00:29:03,920
Speaker 4: send to you guys. It is uh, it's the alien

548
00:29:04,200 --> 00:29:10,200
Speaker 4: queen from Aliens, but she got camelton. Wow, what what

549
00:29:10,280 --> 00:29:11,080
Speaker 4: on earth? Is that?

550
00:29:11,800 --> 00:29:15,680
Speaker 1: Very nasty and not even how okay?

551
00:29:15,960 --> 00:29:18,440
Speaker 4: You know? Yeah, I mean the thing is is the

552
00:29:18,120 --> 00:29:21,560
Speaker 4: not the first. When I unveiled my original artwork to

553
00:29:21,640 --> 00:29:26,720
Speaker 4: the other uh producers, I mean, their jaws hit the

554
00:29:26,800 --> 00:29:33,920
Speaker 4: floor and they were like, you went way overboard on

555
00:29:34,000 --> 00:29:38,160
Speaker 4: the sexuality of these characters, you know, I I I

556
00:29:38,360 --> 00:29:43,400
Speaker 4: had everyone had enormous breasts and penises.

557
00:29:43,800 --> 00:29:45,160
Speaker 3: Everything is dripping.

558
00:29:45,280 --> 00:29:50,760
Speaker 2: Everything I suffered the early everything has everything as like

559
00:29:50,800 --> 00:29:52,240
Speaker 2: a little drops coming out.

560
00:29:52,480 --> 00:29:57,520
Speaker 4: Yeah, everyone is just soaking and just like they all

561
00:29:57,560 --> 00:29:59,600
Speaker 4: look so friggin' horny.

562
00:30:00,000 --> 00:30:01,080
Speaker 1: It's all listening.

563
00:30:01,160 --> 00:30:06,320
Speaker 4: Yeah, it's all just moist and just ah. Everyone's nipples

564
00:30:06,320 --> 00:30:10,640
Speaker 4: were hard, and all the guys had these big friggin boners.

565
00:30:11,360 --> 00:30:13,440
Speaker 1: And I can't stress enough to it, not in an

566
00:30:13,440 --> 00:30:15,560
Speaker 1: appealing way. I just feel like people are going to

567
00:30:15,600 --> 00:30:19,040
Speaker 1: be thinking like that, You're some horn dog. It's actually discussed.

568
00:30:19,080 --> 00:30:20,880
Speaker 1: The whole point is that sex is discussing.

569
00:30:21,200 --> 00:30:23,160
Speaker 4: Yeah, that was the joke. I was like, it was

570
00:30:23,200 --> 00:30:27,400
Speaker 4: so gross. You know, they're so frigging gross. Yeah, everyone again,

571
00:30:27,480 --> 00:30:32,240
Speaker 4: you know you learn and animation the first take is

572
00:30:32,280 --> 00:30:37,120
Speaker 4: the wrong take. Yeah, they again the situation where everyone

573
00:30:37,200 --> 00:30:40,760
Speaker 4: kind of walked me through it, and Katie Rich who

574
00:30:40,840 --> 00:30:44,360
Speaker 4: was one of our producers, she took me aside and

575
00:30:44,480 --> 00:30:46,880
Speaker 4: really just for about two hours just was like, you know,

576
00:30:47,560 --> 00:30:51,320
Speaker 4: broke it down from me, how shitty that is and

577
00:30:51,360 --> 00:30:54,920
Speaker 4: how disgusting it was. So we went back and forth.

578
00:30:54,960 --> 00:30:57,360
Speaker 4: We went back and forth, and I started to realize, look,

579
00:30:57,400 --> 00:31:00,080
Speaker 4: I have to make sure that it's broad enough to

580
00:31:00,120 --> 00:31:03,120
Speaker 4: appeal to because I don't know if you have another's Netflix.

581
00:31:03,280 --> 00:31:07,240
Speaker 4: It ain't just an American baby. It's in a lot

582
00:31:07,280 --> 00:31:11,160
Speaker 4: of countries, and and you got to make sure you're

583
00:31:11,320 --> 00:31:14,320
Speaker 4: you're being big and broad for folks. And I don't

584
00:31:14,360 --> 00:31:18,400
Speaker 4: want some nice man and I don't know oman to

585
00:31:19,000 --> 00:31:20,920
Speaker 4: click on the link and all of a sudden it's

586
00:31:21,120 --> 00:31:25,800
Speaker 4: it's just like a like a big shaved beaver, right right.

587
00:31:26,040 --> 00:31:27,960
Speaker 2: I don't want they look at the metrics, like what

588
00:31:28,080 --> 00:31:29,360
Speaker 2: do they have everywhere?

589
00:31:29,960 --> 00:31:30,560
Speaker 3: Everywhere.

590
00:31:31,040 --> 00:31:35,400
Speaker 2: Yeap squid, they got that the End Games, they got

591
00:31:35,440 --> 00:31:36,360
Speaker 2: that everywhere in the world.

592
00:31:37,720 --> 00:31:38,320
Speaker 3: What do they have?

593
00:31:38,440 --> 00:31:46,440
Speaker 2: What else do they have everywhere? Chicago, big cities, cities, No, No,

594
00:31:47,120 --> 00:31:48,800
Speaker 2: it's specifically Chicago.

595
00:31:48,560 --> 00:31:51,360
Speaker 1: Some version of Chicago's version everywhere.

596
00:31:51,720 --> 00:31:51,920
Speaker 4: Yeah.

597
00:31:51,960 --> 00:31:52,320
Speaker 1: Yeah.

598
00:31:53,480 --> 00:31:58,440
Speaker 3: They have a huge party, party every day.

599
00:31:58,240 --> 00:32:01,240
Speaker 4: Party, Fiesta's to soire go.

600
00:32:05,640 --> 00:32:11,640
Speaker 7: Yeah, October Octoberfest of course, october Fest, shoctober Fest.

601
00:32:13,840 --> 00:32:23,920
Speaker 2: A october Fest. And they have of course Aunt Herself.

602
00:32:26,120 --> 00:32:29,840
Speaker 2: So that's everywhere. That's that's every country.

603
00:32:29,440 --> 00:32:33,120
Speaker 4: In the world, every single We've done the research and

604
00:32:33,240 --> 00:32:39,160
Speaker 4: every single person has an ant unless your parents didn't

605
00:32:39,160 --> 00:32:40,880
Speaker 4: have any siblings mm hmm.

606
00:32:41,040 --> 00:32:44,040
Speaker 2: Or our brother, a brother or multiple brothers.

607
00:32:44,160 --> 00:32:46,120
Speaker 3: Yeah, yeah, but they.

608
00:32:46,000 --> 00:32:47,960
Speaker 4: Have someone of their family who might serve as that.

609
00:32:48,160 --> 00:32:51,200
Speaker 3: So everyone has that ant figure.

610
00:32:52,800 --> 00:32:55,760
Speaker 4: Lives and and that was really just like we had

611
00:32:55,760 --> 00:32:57,800
Speaker 4: to kind of broaden the scope of the show, We

612
00:32:57,840 --> 00:32:59,640
Speaker 4: had to broaden the animation, and we didn't want to

613
00:32:59,600 --> 00:33:03,320
Speaker 4: alienate anyone, so we kind of pared it down a

614
00:33:03,360 --> 00:33:06,400
Speaker 4: little bit. And you know, I still like what I did,

615
00:33:06,760 --> 00:33:08,520
Speaker 4: But the ship.

616
00:33:08,440 --> 00:33:12,200
Speaker 1: You drew was awesome. But that's your producer's job as well,

617
00:33:12,440 --> 00:33:17,520
Speaker 1: isn't it to tell you Hey, I this looks fucking incredible,

618
00:33:18,680 --> 00:33:22,320
Speaker 1: but it's making me throw up. Yeah, we need to

619
00:33:22,360 --> 00:33:27,520
Speaker 1: pull back. It's everyone's uncomfortable and and really think about

620
00:33:27,760 --> 00:33:31,120
Speaker 1: would your aunt, would your Chicago party ant want to

621
00:33:31,160 --> 00:33:31,920
Speaker 1: watch this show?

622
00:33:32,840 --> 00:33:33,080
Speaker 4: Yeah?

623
00:33:33,160 --> 00:33:35,640
Speaker 1: I mean for your party? Yeah?

624
00:33:35,800 --> 00:33:42,960
Speaker 4: Yeah, mine? I think would? She is sexually charged? Okay,

625
00:33:42,960 --> 00:33:45,600
Speaker 4: So I think the thing is this is you have

626
00:33:45,720 --> 00:33:49,680
Speaker 4: to in art, don't you have to say? Doesn't the

627
00:33:49,720 --> 00:33:53,000
Speaker 4: best artists say? It's not what I think is good,

628
00:33:53,160 --> 00:33:55,960
Speaker 4: it's what I think everyone else thinks it's good.

629
00:33:57,240 --> 00:34:03,000
Speaker 1: That is that is I said that? And that is

630
00:34:03,040 --> 00:34:06,280
Speaker 1: an animation, especially, I think that's mostly an animation.

631
00:34:12,160 --> 00:34:13,440
Speaker 3: Who else is in this show?

632
00:34:13,960 --> 00:34:14,200
Speaker 4: Yeah?

633
00:34:14,239 --> 00:34:16,560
Speaker 1: What else is happening on the show? What happens on

634
00:34:16,600 --> 00:34:20,680
Speaker 1: the show? They're just like what they're like being? What

635
00:34:20,840 --> 00:34:22,959
Speaker 1: is are they being?

636
00:34:23,120 --> 00:34:23,239
Speaker 4: Like?

637
00:34:23,640 --> 00:34:26,000
Speaker 1: They're being a little weird, a.

638
00:34:25,920 --> 00:34:30,160
Speaker 4: Little random, mostly off the wall.

639
00:34:30,719 --> 00:34:32,320
Speaker 1: Is it like an old spice commercial?

640
00:34:33,800 --> 00:34:35,440
Speaker 4: Not that? Not that random?

641
00:34:35,600 --> 00:34:38,000
Speaker 1: Yeah, because those are short, you don't have to This has.

642
00:34:39,680 --> 00:34:40,279
Speaker 4: A whole half.

643
00:34:40,400 --> 00:34:42,840
Speaker 1: You couldn't do the whole with the horseman or whatever

644
00:34:42,880 --> 00:34:43,200
Speaker 1: it is.

645
00:34:43,280 --> 00:34:48,400
Speaker 4: Yeah, we wanted to assemble a cast that we thought

646
00:34:48,880 --> 00:34:54,680
Speaker 4: was like vibrant and funny. I'm a huge fan of

647
00:34:54,760 --> 00:35:00,680
Speaker 4: James Woods actor. Yes, yeah, I'm every thing he does,

648
00:35:01,880 --> 00:35:03,239
Speaker 4: so whole deal.

649
00:35:03,320 --> 00:35:05,239
Speaker 3: And he's done animation.

650
00:35:05,440 --> 00:35:09,799
Speaker 2: It's uh, the residuals from that are basically sustaining him

651
00:35:09,880 --> 00:35:10,319
Speaker 2: right now.

652
00:35:11,040 --> 00:35:17,520
Speaker 4: He was he was originally Boomhauser on King of the Hill.

653
00:35:17,560 --> 00:35:24,359
Speaker 2: Boomhauser, Yes, Boom Boomhower's unrelated friend like that.

654
00:35:26,000 --> 00:35:28,799
Speaker 4: It was crazy that they had those guys, but James

655
00:35:28,800 --> 00:35:29,440
Speaker 4: Woods killed it.

656
00:35:29,440 --> 00:35:33,040
Speaker 3: Anyways, boom Hower and this is my friend Boomhauser.

657
00:35:34,560 --> 00:35:40,320
Speaker 4: We brought him into play the principal m hm uh.

658
00:35:40,400 --> 00:35:43,399
Speaker 4: We for you know, casting the Chicago Party, and there

659
00:35:43,480 --> 00:35:47,920
Speaker 4: was a lot of talk about who this should be,

660
00:35:47,960 --> 00:35:50,880
Speaker 4: and it needed to be someone that kind of just

661
00:35:51,040 --> 00:35:54,279
Speaker 4: had that energy that everyone likes and even though they're

662
00:35:54,280 --> 00:35:56,279
Speaker 4: a little off the wall, at the end of the day,

663
00:35:56,600 --> 00:35:59,880
Speaker 4: you don't mind hanging out with them. So we castro

664
00:36:00,080 --> 00:36:01,920
Speaker 4: Zambar Wow.

665
00:36:04,360 --> 00:36:08,279
Speaker 1: The right kind of extra, right, like they need to

666
00:36:08,360 --> 00:36:11,600
Speaker 1: feel a little extra, but it's got to be in

667
00:36:11,640 --> 00:36:13,799
Speaker 1: that right way where you go like, you know, even

668
00:36:13,800 --> 00:36:15,959
Speaker 1: though you're extra, I think I might order more.

669
00:36:17,360 --> 00:36:20,600
Speaker 4: She was she's a rough one. She's a rough one.

670
00:36:20,760 --> 00:36:24,239
Speaker 1: Okay, did not work out that, No, No, it was

671
00:36:24,280 --> 00:36:24,720
Speaker 1: a problem.

672
00:36:25,200 --> 00:36:26,960
Speaker 4: No, we made it work. We made it work. We

673
00:36:26,960 --> 00:36:29,400
Speaker 4: had to do a little bit of uh studio magic,

674
00:36:29,480 --> 00:36:30,839
Speaker 4: you know. I had to jump in the booth and

675
00:36:30,880 --> 00:36:36,280
Speaker 4: do a little digital stuff in the voice, uh.

676
00:36:35,880 --> 00:36:36,920
Speaker 3: Because of the stuff she was.

677
00:36:37,000 --> 00:36:39,560
Speaker 1: We'll talk about sound mixing. I mean, we talked about animations,

678
00:36:39,560 --> 00:36:41,360
Speaker 1: We talked to you about writing. But you are something

679
00:36:41,360 --> 00:36:44,080
Speaker 1: of like a sound savant, right yeah.

680
00:36:44,160 --> 00:36:46,640
Speaker 4: Yeah, Like long before I ever picked up a sketchbook,

681
00:36:46,840 --> 00:36:51,520
Speaker 4: I was just like obsessed with noise. Yes, And as

682
00:36:51,560 --> 00:36:53,279
Speaker 4: a kid, I would just walk around. I had one

683
00:36:53,320 --> 00:36:55,719
Speaker 4: of those old tape recorders and I would just walk

684
00:36:55,800 --> 00:37:00,400
Speaker 4: around following my parents as they walked. The earliest memories

685
00:37:00,480 --> 00:37:06,640
Speaker 4: is pressing record and the sound of their feet walking

686
00:37:06,960 --> 00:37:09,040
Speaker 4: out of the room, and I just I always know

687
00:37:09,200 --> 00:37:11,479
Speaker 4: that that is so cool and and.

688
00:37:11,920 --> 00:37:13,919
Speaker 2: So they would leave when you when you did that,

689
00:37:15,920 --> 00:37:18,839
Speaker 2: so you entered. That's that's the most common.

690
00:37:18,719 --> 00:37:22,040
Speaker 1: Sound that you just got a lot a lot of

691
00:37:22,080 --> 00:37:24,960
Speaker 1: tape on them leaving when you show up.

692
00:37:26,320 --> 00:37:31,040
Speaker 4: I was the youngest person, uh to uh be a

693
00:37:31,760 --> 00:37:36,359
Speaker 4: in the folly artist skilled when I was seven. I

694
00:37:36,400 --> 00:37:38,920
Speaker 4: was that was that was my passionate life. So anyways,

695
00:37:39,320 --> 00:37:41,319
Speaker 4: long story short, that was a given that was baked

696
00:37:41,360 --> 00:37:43,719
Speaker 4: into the contract. Let me sign that I was going

697
00:37:43,760 --> 00:37:46,839
Speaker 4: to be able to do all the all all audio services.

698
00:37:47,480 --> 00:37:52,680
Speaker 4: I did the microphones, I I I was in the

699
00:37:52,719 --> 00:37:56,960
Speaker 4: studio recording it. I was chucking the Yeah. If you

700
00:37:56,960 --> 00:38:00,480
Speaker 4: guys ever heard of the mix, you were, Yeah.

701
00:38:00,400 --> 00:38:02,600
Speaker 1: The mix was on Fox. It was Caitlyn Olson.

702
00:38:03,280 --> 00:38:03,760
Speaker 3: Uh.

703
00:38:03,960 --> 00:38:08,200
Speaker 1: She was not, you know, not the most responsible parent figure,

704
00:38:08,280 --> 00:38:11,000
Speaker 1: but they made it work because the kids were spoiled too,

705
00:38:11,200 --> 00:38:13,920
Speaker 1: and it's a very wealthy relatives who had gone to

706
00:38:14,000 --> 00:38:16,560
Speaker 1: jail for some kind of scandal. She came in to

707
00:38:16,600 --> 00:38:19,640
Speaker 1: take charge and it's uh, yeah, but we remember the

708
00:38:19,680 --> 00:38:23,480
Speaker 1: mix mixed a good show. Yeah, yeah, so I always

709
00:38:23,520 --> 00:38:26,000
Speaker 1: sunny light a little bit because it was network, big network,

710
00:38:26,040 --> 00:38:26,439
Speaker 1: big fix.

711
00:38:26,520 --> 00:38:28,040
Speaker 4: Yeah, but they couldn't do some of the things. But

712
00:38:28,080 --> 00:38:29,440
Speaker 4: I do all the sound mixing for that.

713
00:38:29,520 --> 00:38:31,840
Speaker 1: So that's that's that's cool.

714
00:38:32,360 --> 00:38:34,840
Speaker 4: Yeah. So Sony was all this to say, you know,

715
00:38:34,960 --> 00:38:39,120
Speaker 4: I say, an animation, it's like a big old pot

716
00:38:39,360 --> 00:38:40,799
Speaker 4: of vegetable soup.

717
00:38:41,160 --> 00:38:44,080
Speaker 1: It's chowderste it's yes, yes, it's.

718
00:38:43,960 --> 00:38:47,600
Speaker 4: It's vegetable soup. Right you you you got you got

719
00:38:47,640 --> 00:38:51,000
Speaker 4: all these different ingredients. You got the Fox the squash

720
00:38:51,440 --> 00:38:54,799
Speaker 4: pot is Netflix. This is my the full saying is

721
00:38:54,800 --> 00:38:58,839
Speaker 4: you got the peas making an animated show a big

722
00:38:59,320 --> 00:39:02,040
Speaker 4: soup pot Netflix, the acorns.

723
00:39:02,520 --> 00:39:03,880
Speaker 1: Don't forget hit the acorns.

724
00:39:04,080 --> 00:39:06,600
Speaker 4: You start with your olive oil, which is your idea,

725
00:39:06,640 --> 00:39:07,320
Speaker 4: that's the base.

726
00:39:08,560 --> 00:39:12,960
Speaker 2: The pearl onions, the pickled pearl onions, watercress.

727
00:39:12,400 --> 00:39:14,279
Speaker 4: Whatever you want. Yeah, you put in all that ship.

728
00:39:14,600 --> 00:39:18,839
Speaker 4: But all these different ingredients are one component of the show.

729
00:39:18,920 --> 00:39:21,080
Speaker 4: And when you put them together and you cook them

730
00:39:21,120 --> 00:39:25,960
Speaker 4: and you give them a little of love, Yeah, then

731
00:39:26,080 --> 00:39:28,759
Speaker 4: what you end up with a nice big bowl of

732
00:39:28,880 --> 00:39:31,520
Speaker 4: vegetable soup. And I don't know if you guys know this,

733
00:39:31,640 --> 00:39:33,960
Speaker 4: but it's a little chili outside. We're about to be

734
00:39:34,000 --> 00:39:37,600
Speaker 4: hit soup season, so I think.

735
00:39:37,400 --> 00:39:41,200
Speaker 1: Timing couldn't be better. And Netflix is smart about that stuff. Yeah,

736
00:39:41,400 --> 00:39:44,600
Speaker 1: they know when to put it out. They show Yeah,

737
00:39:44,680 --> 00:39:48,480
Speaker 1: they know it's your soup show. It's soup show season.

738
00:39:48,360 --> 00:39:49,280
Speaker 4: It's super show season.

739
00:39:49,320 --> 00:39:59,880
Speaker 1: Everybody one of the voices and you, but you mess with,

740
00:40:00,080 --> 00:40:01,960
Speaker 1: you fucked with their voice. So it may not sound

741
00:40:02,000 --> 00:40:03,560
Speaker 1: like them, but that's who you were hanging with.

742
00:40:03,920 --> 00:40:08,560
Speaker 4: It's Roseanne James Woods roy O'Malley, brilliant actor from Hamilton

743
00:40:09,800 --> 00:40:13,120
Speaker 4: into a couple uh formerly Bill Simmons, I pop into

744
00:40:13,160 --> 00:40:16,080
Speaker 4: a couple of my impressions here and there throughout the show.

745
00:40:18,080 --> 00:40:21,480
Speaker 4: And then is there anyone else?

746
00:40:21,800 --> 00:40:24,719
Speaker 3: No, no other, No one else is on the show.

747
00:40:24,800 --> 00:40:26,120
Speaker 3: That's it, okay, No.

748
00:40:26,760 --> 00:40:28,200
Speaker 4: It's pretty well cut, it pretty tight.

749
00:40:29,520 --> 00:40:29,759
Speaker 3: Crew.

750
00:40:30,760 --> 00:40:34,399
Speaker 4: We all record, we we The one thing I insisted upon,

751
00:40:34,440 --> 00:40:40,080
Speaker 4: aside from drawing, was we have to record in the

752
00:40:40,120 --> 00:40:44,440
Speaker 4: same room. A lot of these women shows, they do it.

753
00:40:45,440 --> 00:40:48,000
Speaker 4: All the actors are all over the world.

754
00:40:47,960 --> 00:40:51,319
Speaker 1: And then lie, it's a lie. You watch it and

755
00:40:51,360 --> 00:40:53,440
Speaker 1: what they're and the story they're telling you is a

756
00:40:53,560 --> 00:40:54,440
Speaker 1: fucking lie.

757
00:40:56,280 --> 00:40:59,120
Speaker 4: Yeah. I hate phonies. I hate I hate phonies. And

758
00:40:59,200 --> 00:41:02,680
Speaker 4: so we would all go and trying to schedule this

759
00:41:02,719 --> 00:41:05,480
Speaker 4: ship during COVID was impossible.

760
00:41:05,200 --> 00:41:08,520
Speaker 2: Because none of those cast members are getting vaccinated.

761
00:41:08,560 --> 00:41:09,520
Speaker 3: I mean, no.

762
00:41:09,360 --> 00:41:13,480
Speaker 4: One is vaccinated. James Woods is on a no fly list.

763
00:41:13,680 --> 00:41:22,200
Speaker 4: Roseann's in Hawaii. It's impossible, but we we made it

764
00:41:22,239 --> 00:41:27,439
Speaker 4: Workte Rosie came out here and we all we all

765
00:41:27,440 --> 00:41:30,239
Speaker 4: pilot in a van one day and went over to

766
00:41:31,719 --> 00:41:38,600
Speaker 4: nice little studio in Silmar and gorgeous. It's beautiful. It's

767
00:41:38,920 --> 00:41:46,160
Speaker 4: I own a bunch of rental properties out Yeah, yeah,

768
00:41:46,360 --> 00:41:48,600
Speaker 4: most of my money comes from being a landlord out there.

769
00:41:49,680 --> 00:41:51,360
Speaker 4: But we anyways, we got in the studio and it

770
00:41:51,440 --> 00:41:53,680
Speaker 4: was you know, when I got there as nervous, but

771
00:41:53,719 --> 00:41:56,719
Speaker 4: then right away I felt like we were in We

772
00:41:56,800 --> 00:41:59,719
Speaker 4: are the world. You know, all these great legends together in.

773
00:41:59,680 --> 00:42:03,400
Speaker 1: One one room, and they're making you better. You're making

774
00:42:03,440 --> 00:42:06,720
Speaker 1: them better. Yeah, draw on them, You're they're they're drawing

775
00:42:06,760 --> 00:42:07,280
Speaker 1: you back.

776
00:42:07,520 --> 00:42:09,520
Speaker 4: I was like Quincy Man. I was running in the

777
00:42:09,520 --> 00:42:12,360
Speaker 4: booth and modulating and then running back in and saying

778
00:42:12,360 --> 00:42:15,360
Speaker 4: that James, I just typed these pages out reading boss,

779
00:42:15,680 --> 00:42:22,600
Speaker 4: running back in the booth overmodulating. It was. It was

780
00:42:22,640 --> 00:42:23,600
Speaker 4: a forty eight hours.

781
00:42:23,800 --> 00:42:26,400
Speaker 3: I'll never forget the entire show.

782
00:42:27,320 --> 00:42:31,120
Speaker 4: We recorded the entire season and forty no one slept

783
00:42:31,200 --> 00:42:39,040
Speaker 4: a wink wow thanks to James Woods. It was. It

784
00:42:39,200 --> 00:42:42,160
Speaker 4: was the greatest day of my life. And and I

785
00:42:42,160 --> 00:42:44,560
Speaker 4: think when you see the show, you get it and

786
00:42:44,600 --> 00:42:47,960
Speaker 4: you're like, it's like it's like listening to Exile on

787
00:42:48,120 --> 00:42:51,799
Speaker 4: Main Street, the torment those boys went through.

788
00:42:52,400 --> 00:42:55,480
Speaker 2: It's so much better than all their other albums that like,

789
00:42:55,520 --> 00:43:02,520
Speaker 2: the songs are like you like arrhythmic and like no

790
00:43:02,560 --> 00:43:05,200
Speaker 2: they have these other nice melody It's.

791
00:43:05,040 --> 00:43:08,480
Speaker 1: So funny when these total hacks actually come out with

792
00:43:08,520 --> 00:43:10,879
Speaker 1: something you can listen to where it's like they've been

793
00:43:11,560 --> 00:43:16,040
Speaker 1: they've been writing these songs, these like concise songs with

794
00:43:16,120 --> 00:43:20,120
Speaker 1: like a clear musical idea behind them. You sort of

795
00:43:20,200 --> 00:43:23,279
Speaker 1: like you understand the lyrics and it feels fun and

796
00:43:23,480 --> 00:43:26,959
Speaker 1: it sounds like other music you've heard. But then something,

797
00:43:27,200 --> 00:43:29,640
Speaker 1: something clicks right. And this could be your exile on

798
00:43:29,719 --> 00:43:32,440
Speaker 1: Main Street where it's just like some piece of magic

799
00:43:32,480 --> 00:43:35,120
Speaker 1: happens where you're in this house and you make this

800
00:43:36,239 --> 00:43:37,480
Speaker 1: fucking mess.

801
00:43:37,840 --> 00:43:42,399
Speaker 2: Yes, and also something that you created for tax purposes, yeah,

802
00:43:42,480 --> 00:43:44,719
Speaker 2: to avoid And.

803
00:43:44,640 --> 00:43:46,560
Speaker 1: I love And from what I've heard about the show,

804
00:43:46,560 --> 00:43:48,560
Speaker 1: it sounds like you keep changing your mind about what

805
00:43:48,600 --> 00:43:52,040
Speaker 1: the show is kind of mid scene, and that to

806
00:43:52,080 --> 00:43:53,440
Speaker 1: me is so powerful.

807
00:43:54,960 --> 00:43:58,800
Speaker 4: We have a saying in the in the animation bits,

808
00:44:01,360 --> 00:44:05,239
Speaker 4: go for it. Mm hmm. And and we just we

809
00:44:05,400 --> 00:44:08,759
Speaker 4: we didn't it. We didn't constrain ourselves as all I'll say,

810
00:44:08,960 --> 00:44:11,520
Speaker 4: and and and I think that led to some things

811
00:44:11,560 --> 00:44:13,800
Speaker 4: that are a little bizarre and a little a little

812
00:44:13,800 --> 00:44:16,560
Speaker 4: out there. But but when you put it, when you

813
00:44:16,600 --> 00:44:19,520
Speaker 4: put it all together, it just it just I'm telling you, guys,

814
00:44:19,520 --> 00:44:22,600
Speaker 4: it's it's there's nothing like it. It's it's it's my passion.

815
00:44:23,239 --> 00:44:28,480
Speaker 4: And I'm already starting to draw my next batch of

816
00:44:28,480 --> 00:44:30,960
Speaker 4: of drawings.

817
00:44:30,360 --> 00:44:33,360
Speaker 1: For I was about to ask, what's next, just more drawings?

818
00:44:33,600 --> 00:44:37,680
Speaker 4: Yes, well, I've started to work on a couple new ones.

819
00:44:38,040 --> 00:44:41,560
Speaker 4: Uh you know, I was working on one. It's uh

820
00:44:42,600 --> 00:44:43,920
Speaker 4: remember Predator?

821
00:44:45,280 --> 00:44:46,520
Speaker 1: Yeah, yeah, yeah, I.

822
00:44:46,520 --> 00:44:49,880
Speaker 4: Do Predator and he's got a big hard on. You know,

823
00:44:50,000 --> 00:44:52,759
Speaker 4: he's hard and he's out there. I thought that could

824
00:44:52,800 --> 00:44:53,520
Speaker 4: be kind of funny.

825
00:44:53,560 --> 00:44:55,839
Speaker 1: And then is it related because you did send me

826
00:44:56,000 --> 00:44:57,960
Speaker 1: I mean, you had sent me a just a sketch

827
00:44:58,200 --> 00:45:00,719
Speaker 1: that you ripped off. I was late. I don't know

828
00:45:00,760 --> 00:45:02,680
Speaker 1: if you remember emailing it, but it was it was

829
00:45:02,719 --> 00:45:06,479
Speaker 1: Gizmo from Gremlins with like with like come on his face.

830
00:45:12,640 --> 00:45:16,560
Speaker 2: I thought, wouldn't it be, oh, what's good OF's that's

831
00:45:16,640 --> 00:45:18,080
Speaker 2: he's that supposed to?

832
00:45:18,400 --> 00:45:20,640
Speaker 1: But I thought this had to come from somewhere, you know.

833
00:45:21,120 --> 00:45:23,680
Speaker 4: The story because the story is the story is it's like,

834
00:45:24,320 --> 00:45:27,560
Speaker 4: so what if Kevin got Gizmo and he knew not

835
00:45:27,600 --> 00:45:30,120
Speaker 4: to get him wet, right, don't pour water? But one

836
00:45:30,160 --> 00:45:33,280
Speaker 4: night Gizmo's asleep, right, so like Kevin's like, oh, nice

837
00:45:33,480 --> 00:45:36,239
Speaker 4: little little me time, and so you know, you know,

838
00:45:36,280 --> 00:45:43,000
Speaker 4: like whatever, you know, and he blasts gizmo and gizmo

839
00:45:43,080 --> 00:45:47,520
Speaker 4: all of a sudden starts shooting a little everywhere. Water.

840
00:45:47,840 --> 00:45:49,520
Speaker 4: It actually is. Water's a little bit.

841
00:45:49,840 --> 00:45:52,600
Speaker 1: The guy human bodies ninety seven percent water, an actor

842
00:45:52,600 --> 00:45:52,880
Speaker 1: told me.

843
00:45:53,280 --> 00:45:55,359
Speaker 2: And it depends on who you are whether or not

844
00:45:55,440 --> 00:46:00,000
Speaker 2: there's like water in there and not like some people

845
00:46:00,080 --> 00:46:02,040
Speaker 2: and this is a very normal thing have like basically

846
00:46:02,120 --> 00:46:03,799
Speaker 2: no water in there at all.

847
00:46:04,440 --> 00:46:05,000
Speaker 4: Yeah, in that.

848
00:46:04,920 --> 00:46:06,560
Speaker 3: Case, that would actually be a good thing, that would

849
00:46:06,600 --> 00:46:07,600
Speaker 3: be safe if it got on.

850
00:46:08,120 --> 00:46:11,200
Speaker 1: Well, it's basically like glue'd be a good thing, except

851
00:46:11,200 --> 00:46:15,120
Speaker 1: there be no story like Elmer's glue that's been sitting out.

852
00:46:15,560 --> 00:46:20,080
Speaker 4: There's still the guy the man point accident, I believe

853
00:46:20,840 --> 00:46:23,279
Speaker 4: when he said to the kid he's he didn't say

854
00:46:23,520 --> 00:46:26,320
Speaker 4: don't get water on. He said, don't get him wet.

855
00:46:26,880 --> 00:46:32,239
Speaker 4: So if you get anything, any kind of unginey thing

856
00:46:32,320 --> 00:46:36,640
Speaker 4: has water in it. So you know, and we explained

857
00:46:36,719 --> 00:46:38,560
Speaker 4: this in depth if you kind of read it, get

858
00:46:38,560 --> 00:46:39,760
Speaker 4: into the.

859
00:46:39,600 --> 00:46:40,680
Speaker 1: Most of the dialogue.

860
00:46:40,800 --> 00:46:42,080
Speaker 3: Yeah, yeah, yeah.

861
00:46:42,120 --> 00:46:44,280
Speaker 4: But anyway, so we're starting to work on that where

862
00:46:44,320 --> 00:46:48,320
Speaker 4: we're hoping. We've been emailing the folks at Netflix. Uh,

863
00:46:48,440 --> 00:46:51,680
Speaker 4: you know, got some big ideas want to talk, haven't heard.

864
00:46:52,400 --> 00:46:55,880
Speaker 1: But they're so because.

865
00:46:55,640 --> 00:46:59,560
Speaker 4: It's Super season, they're dealing with the squid game. Yeah,

866
00:46:59,760 --> 00:47:03,520
Speaker 4: but it all so so yeah, so you know, this

867
00:47:03,560 --> 00:47:08,080
Speaker 4: is this is kind of my time. Shoot, just open

868
00:47:08,160 --> 00:47:11,239
Speaker 4: up the space, get creative, get them nutty with it,

869
00:47:11,719 --> 00:47:14,120
Speaker 4: and just do what I do best, which is I.

870
00:47:14,120 --> 00:47:16,680
Speaker 1: Want to pull you back. You go out wild, you

871
00:47:16,719 --> 00:47:18,600
Speaker 1: go you know, and then you let them draw the

872
00:47:18,600 --> 00:47:21,239
Speaker 1: boundaries around it and say like, hey, you know, if

873
00:47:21,239 --> 00:47:23,840
Speaker 1: we're going to do this, maybe it should not be

874
00:47:24,040 --> 00:47:26,279
Speaker 1: necessarily on Gizmo's face, but it just gets on like

875
00:47:26,320 --> 00:47:27,520
Speaker 1: the back of the neck or something.

876
00:47:27,600 --> 00:47:30,479
Speaker 4: Yeah, maybe it gets those little tests. So yeah, yeah,

877
00:47:30,680 --> 00:47:34,000
Speaker 4: you know whatever, But like that's all, that's all small

878
00:47:34,000 --> 00:47:36,520
Speaker 4: stuff that other people can figure out. My job is

879
00:47:36,560 --> 00:47:40,240
Speaker 4: to present you with this big idea in this world

880
00:47:40,360 --> 00:47:44,880
Speaker 4: of erotic movie creatures.

881
00:47:45,680 --> 00:47:47,920
Speaker 1: I feel bad too, though, Yeah, because I interrupted you

882
00:47:47,960 --> 00:47:49,359
Speaker 1: talking about predators hard on.

883
00:47:50,400 --> 00:47:51,160
Speaker 4: No, that was it.

884
00:47:51,160 --> 00:47:57,319
Speaker 1: It was just now it's the same.

885
00:47:54,920 --> 00:47:57,440
Speaker 4: Him walking around. He's just kind of grumbling about it,

886
00:47:57,800 --> 00:48:01,719
Speaker 4: you know. You know. But but anyways, that's what we're doing,

887
00:48:01,800 --> 00:48:04,320
Speaker 4: and that's what we're going to keep on doing and

888
00:48:04,320 --> 00:48:07,439
Speaker 4: and you know, it's it's it's my it's my love.

889
00:48:08,480 --> 00:48:11,319
Speaker 1: I remember, I do, actually remember, and I have to

890
00:48:11,320 --> 00:48:13,160
Speaker 1: go in a minute, but I remember you.

891
00:48:13,440 --> 00:48:14,319
Speaker 4: I have to go too.

892
00:48:14,480 --> 00:48:17,960
Speaker 1: Yeah, I'm actually leaving first. But the you had talked

893
00:48:18,000 --> 00:48:21,560
Speaker 1: about this predator idea years ago, and he said that

894
00:48:21,560 --> 00:48:23,400
Speaker 1: he would be grumbling about his heart on and that

895
00:48:23,480 --> 00:48:25,319
Speaker 1: he would he would be kind of pointing at it

896
00:48:25,360 --> 00:48:29,600
Speaker 1: and going, you know. The doctor told me that if

897
00:48:29,960 --> 00:48:32,120
Speaker 1: this thing lasts for more than four hours, I should

898
00:48:32,160 --> 00:48:35,040
Speaker 1: call the hospital. But I gotta tell you, this thing

899
00:48:35,120 --> 00:48:41,440
Speaker 1: lasts for more than four hours, I'm calling everybody.

900
00:48:41,640 --> 00:48:42,520
Speaker 3: I remember that too.

901
00:48:43,480 --> 00:48:47,040
Speaker 4: I think it's like, I don't know. To me, it's

902
00:48:47,120 --> 00:48:52,680
Speaker 4: like to see that character who normally is indicative of

903
00:48:52,880 --> 00:48:54,560
Speaker 4: just destruction.

904
00:48:54,120 --> 00:48:59,680
Speaker 2: And death, yes, doing to be a vessel of creation, yeah,

905
00:49:00,120 --> 00:49:02,680
Speaker 2: talking about life right, yeah.

906
00:49:02,640 --> 00:49:04,920
Speaker 4: And talking about the stuff we all talk about and

907
00:49:05,000 --> 00:49:07,640
Speaker 4: doing it with a bit of a bit of a

908
00:49:07,680 --> 00:49:10,480
Speaker 4: you know, funny bend on it a little bit. I think, Yeah,

909
00:49:11,000 --> 00:49:13,520
Speaker 4: I think it's I think the ship's good. Who knows,

910
00:49:13,680 --> 00:49:16,520
Speaker 4: I'm crazy, I'm I got a twisted, crazy sense of humor,

911
00:49:16,640 --> 00:49:20,360
Speaker 4: So who the hell knows? But I just, you know,

912
00:49:20,400 --> 00:49:21,719
Speaker 4: I appreciate you guys letting me.

913
00:49:22,080 --> 00:49:25,000
Speaker 1: I look forward to more of your freaky creations in

914
00:49:25,080 --> 00:49:28,040
Speaker 1: the future. I and thanks so much for sharing this

915
00:49:28,120 --> 00:49:30,680
Speaker 1: time with us. And and I'll and I'll be watching

916
00:49:31,040 --> 00:49:34,200
Speaker 1: Chicago Party at on on on Netflix.

917
00:49:34,600 --> 00:49:38,759
Speaker 2: It's not gimme shelter, it's not jumping Jack Flash. This

918
00:49:38,880 --> 00:49:44,880
Speaker 2: is turd on the runes rocks off.

919
00:49:45,320 --> 00:49:47,120
Speaker 4: I just want to see his face. That's what I'm

920
00:49:47,120 --> 00:49:49,959
Speaker 4: giving you people. So you go launch your squid game

921
00:49:50,320 --> 00:49:52,400
Speaker 4: and it's over and you're like, oh my god, I

922
00:49:52,440 --> 00:50:00,839
Speaker 4: can't believe that happened. Holy shit. Uh Chicago Party. Thank

923
00:50:00,880 --> 00:50:04,960
Speaker 4: you guys so much for bite Holly.

924
00:50:06,080 --> 00:50:09,279
Speaker 1: This week on the Patreon, Carl and Hassan discuss apologies,

925
00:50:09,480 --> 00:50:13,880
Speaker 1: the season three finale of Hollywood Masterclass, and The Flaker

926
00:50:13,880 --> 00:50:17,839
Speaker 1: Ones are mostly talking all things basketball. Check out these

927
00:50:17,880 --> 00:50:21,840
Speaker 1: bonus podcasts and videos of the full episodes, including today's

928
00:50:21,840 --> 00:50:25,120
Speaker 1: with Ike at patreon dot com, Slash, The Flaker Ones,

929
00:50:25,960 --> 00:50:27,080
Speaker 1: Hollywood Hambog