WEBVTT - I Hope So - PART 2 (S5 E1 "Say Goodbye to Daisy Miller")

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<v Speaker 1>I am all in. Oh, I am all in with

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<v Speaker 1>Scott Patterson an I Heeart radio podcast. All right, hey, everybody,

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<v Speaker 1>he's Scott Patterson animal in podcast part two of Say

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<v Speaker 1>Goodbye to Daisy Miller. We are we are running running

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<v Speaker 1>hot in the mouth, as they say, as we haven't

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<v Speaker 1>gotten very part in the episode, but we have a

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<v Speaker 1>lot to say about it, a lot better language. Dean's

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<v Speaker 1>a butt log in this next scene. He's a real

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<v Speaker 1>poople head stop it. Can I say he's a man

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<v Speaker 1>and he's confused? No, he was, He is not a man.

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<v Speaker 1>He is a little boy himself. Later, but he was mean.

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<v Speaker 1>He was so mean to Lindsay. He cut them out

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<v Speaker 1>with a smile. You answered my phone. He's so mad.

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<v Speaker 1>I wrote jerk, jerk, and he's like, you don't get it,

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<v Speaker 1>do you? You have no respect? And it's like, Dean,

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<v Speaker 1>you literally just slept with someone. He's projecting how she

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<v Speaker 1>should feel about him, you know what I mean, Like

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<v Speaker 1>what I wrote, he feels terrible, he feels like he

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<v Speaker 1>wants to get out of that relationship. He feels guilty

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<v Speaker 1>as hell, and he should. He feels awful. He's you know,

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<v Speaker 1>and that's a little bit of hayten On Lindsay, because

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<v Speaker 1>he's in this situation. He's angry at himself for being

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<v Speaker 1>in this situation. He's in a marriage he doesn't want

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<v Speaker 1>to be in and he just did something he shouldn't

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<v Speaker 1>have done. I have a question for you that. So

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<v Speaker 1>he's angry at himself and he's angry at her, and

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<v Speaker 1>he's angry at the world, and that's how it comes out,

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<v Speaker 1>you know. You know, in the last episode, we discuss

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<v Speaker 1>how that opening scene was from Dean's perspective, and we

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<v Speaker 1>saw at the end of that opening scene that Dean

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<v Speaker 1>is outside the door and Lorala goes like he's married,

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<v Speaker 1>and he gets upset and he you know, runs back home.

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<v Speaker 1>How do you think him coming back home would have been?

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<v Speaker 1>Like if Loralai said said something like I'm happy for

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<v Speaker 1>you that it was Dean, Like, how do you think

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<v Speaker 1>that would have changed? Because I do feel when Lorelai

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<v Speaker 1>said that, like, but he's married, because that's when he

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<v Speaker 1>decided to storm off. Is really what ticked him off.

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<v Speaker 1>I didn't think about that until you just said it.

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<v Speaker 1>But part of me is like, I think he's mad

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<v Speaker 1>that he went he got married, Like I think he's mad.

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<v Speaker 1>I think so too. Yeah, and let's not forget how

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<v Speaker 1>much he loved Rory when they were first dating. And yes, man,

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<v Speaker 1>he built her a car. He Rory has always been

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<v Speaker 1>his all and everything, always always, and his heart got shattered.

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<v Speaker 1>He was devastated when she dumped him, and we all

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<v Speaker 1>knew this was a bad idea getting married. We all

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<v Speaker 1>knew it. And now he's got her back. And listen,

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<v Speaker 1>I'm not advocating for adultery. It's awful, it's terrible, it's painful,

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<v Speaker 1>but let's not forget story wise how I mean, he's

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<v Speaker 1>never fallen out of love with her, and he's that's true,

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<v Speaker 1>to get past it. And he met somebody else and

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<v Speaker 1>he attempted to do this and start a new life

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<v Speaker 1>because he accepted it. But now you know, it got reignited.

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<v Speaker 1>Let's not let's not cream this guy, you know, for

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<v Speaker 1>being a human being. You know, he's he got he

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<v Speaker 1>got weak, he did a dumb thing, a hurtful thing. Um,

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<v Speaker 1>and there's always redemption, right, I mean, we can't judge

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<v Speaker 1>this guy. I agree, he can totally be redeemed. But

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<v Speaker 1>let's see how what he does next, right, because right now,

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<v Speaker 1>throughout this episode, I'm more pissed because look, we're gonna

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<v Speaker 1>break it down. But first I get the scene of

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<v Speaker 1>Dean being a total ass, right, and he's just awful

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<v Speaker 1>to Lindsay. Then I get the scene where Rory needs

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<v Speaker 1>to talk to him, and there they are at Miss

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<v Speaker 1>Patties and they're trying to have a conversation with suddenly

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<v Speaker 1>they're doing it again. Then I get the scene of

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<v Speaker 1>now she's made him the pot roast or whatever it is,

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<v Speaker 1>and it's the it's the Warden June Cleaver over there,

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<v Speaker 1>just all happy and in love, and I'm just like, yeah,

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<v Speaker 1>what is going on? Dean is a mess. He's in

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<v Speaker 1>a bad spot. He got himself in a bad Spotty

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<v Speaker 1>got he got. He fell in love with Rory Gilmore,

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<v Speaker 1>fell hard, never fell out of love, accepted defeat, he

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<v Speaker 1>put his best foot forward. He's a sensitive, sweet, considerate,

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<v Speaker 1>caring guy. I mean, what an example of a great boyfriend.

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<v Speaker 1>And then they sort of downgraded, Oh, he's a great

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<v Speaker 1>first boyfriend. He's not for you, he's not going to Yale,

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<v Speaker 1>he's not Ivy League, he's not this you know. Yeah,

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<v Speaker 1>And it's like, you know what, maybe that's exactly what

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<v Speaker 1>she needed because they she loves him and they have

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<v Speaker 1>a real chemistry and they I mean they it's like

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<v Speaker 1>they should be together, if that's how they feel they

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<v Speaker 1>should be together. Sure, he was a great boyfriend to Rory.

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<v Speaker 1>He's an atrocious husband. Atrocious Okay. So so you think

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<v Speaker 1>present behavior dictates a future behavior you think he's gonna

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<v Speaker 1>think if you think if he was with Rory and

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<v Speaker 1>they got married and everything was well, he's a great question.

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<v Speaker 1>That's a really good question. I don't I think he'd

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<v Speaker 1>be upset he if he if he managed to marry her,

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<v Speaker 1>to be worthy enough of a Gilmore to marry I

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<v Speaker 1>mean without a degree from the Ivy League and acceptable

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<v Speaker 1>to Richard and Emily in their DNA. You know, if

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<v Speaker 1>he if he managed to crawl out of his slime

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<v Speaker 1>and be accepted, you know, by the Guildmars, you know,

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<v Speaker 1>he would have stayed true to her his whole life.

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<v Speaker 1>That I think You're right. Marriages it was they are

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<v Speaker 1>so good together and he is so But you know

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<v Speaker 1>what's funny, I think Rory would find herself in dean situation. Yeah, yeah, Danielle, correct,

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<v Speaker 1>say again, say again, sorry. I think Rory would find

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<v Speaker 1>herself in Dean situation where she's an atrocious wife to

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<v Speaker 1>him because he doesn't fill her cut. Let's not forget

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<v Speaker 1>why they broke up, you know. I mean, I think

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<v Speaker 1>she likes the idea of him. I don't think she's

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<v Speaker 1>still in love with him, you guys, she said it herself.

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<v Speaker 1>She feels safe around him, and that's what she needs

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<v Speaker 1>right now, like she needs safety. So she's strong, very

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<v Speaker 1>solved to a life. I think. So. I don't think

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<v Speaker 1>we're a few short episodes away from meeting Okay, okay, listen,

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<v Speaker 1>listen how many times I have to remove my camp Yeah,

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<v Speaker 1>I don't. Y'all make really good points in that. I

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<v Speaker 1>think you're both right. I think you're right, Scott that

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<v Speaker 1>he would have been an amazing husband to Rory, even

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<v Speaker 1>even as young, even if they got married young. And

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<v Speaker 1>I think Danielle's right that Rory wouldn't she would have

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<v Speaker 1>stuck it out. She wouldn't have stuck it out with

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<v Speaker 1>she she she didn't with Jess, meaning she didn't stick

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<v Speaker 1>it out with Dean. When Jess rolled in. Now, she

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<v Speaker 1>wasn't exactly as doing what Dean's doing, but like no,

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<v Speaker 1>she fell for Jess. It was still pretty bad. I mean,

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<v Speaker 1>like for for high school terms. You know, like they're

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<v Speaker 1>a little bit older, so it's the stakes are higher.

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<v Speaker 1>But you know, like she was, she was still like

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<v Speaker 1>sneaking around with Jess. Yeah, you're right, yeah, yeah, and

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<v Speaker 1>I it's just hard for me to suddenly, now that

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<v Speaker 1>we get to see Lindsay in a better light, you know,

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<v Speaker 1>now have all the sympathy for It's just like it

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<v Speaker 1>just feels too contrived for me. It's like set her

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<v Speaker 1>up better for me, makes the conflict, make make it

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<v Speaker 1>harder for those two to get together and allow me

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<v Speaker 1>to feel you know this, this this trepidation and this

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<v Speaker 1>anxiety that that Rory and Dean are getting together. It's

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<v Speaker 1>like I've been feeling this before they hooked up, like

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<v Speaker 1>I have been feeling somebody for for Lindsay for the

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<v Speaker 1>last at least four episodes, all right, she wasn't developed,

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<v Speaker 1>there was much of her, and when she didn't see her,

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<v Speaker 1>she was being kind of antagonistic and impatient. She was

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<v Speaker 1>she was antagonistic Scotts, right, But then even when she

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<v Speaker 1>was trying, she was like just trying so hard to

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<v Speaker 1>make the perfect tune of sandwich instead of really like

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<v Speaker 1>develop the relationship and like her mom was way too

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<v Speaker 1>involved there, and I feel like Dean didn't help Dean

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<v Speaker 1>didn't help her. He's like, oh, like Lindsay wants me

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<v Speaker 1>to work so she can get Like he didn't paint

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<v Speaker 1>her in the best light either. Yeah, I don't know.

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<v Speaker 1>I sniffed through Dean's comments like that means there's something

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<v Speaker 1>deeper going on behind the scenes at the Lindsay Dean

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<v Speaker 1>house that ain't so great. No, that's that's how I

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<v Speaker 1>read it. I said, this, this marriage is terrible. All

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<v Speaker 1>they do was fight totally what I got out of it.

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<v Speaker 1>And that's the information I got at the very land scene.

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<v Speaker 1>Let's not fight. All we do was fight, you know, yeah,

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<v Speaker 1>because yeah, you're right, you know it's but that's because

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<v Speaker 1>Dean's a grumpasaurus around her, Like all he does is

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<v Speaker 1>grumpy and is like I'm working when he's banging another chick. Okay,

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<v Speaker 1>So so there's here's here's the question. This Gilmore Girls debuts,

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<v Speaker 1>you know, four years ago, and this is season five

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<v Speaker 1>and this day and age with cancel culture, do you

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<v Speaker 1>think this show gets a different reaction than it got

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<v Speaker 1>back then. Do you think that this stuff is even

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<v Speaker 1>written into the script. Do you think that the fan

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<v Speaker 1>base reacts in the same way. How do you think

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<v Speaker 1>they react? I think it'd be written the same way. Yeah,

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<v Speaker 1>how do you think it'd be received? Though? That's a question.

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<v Speaker 1>Maybe I'm processing. It's a really good it's a really

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<v Speaker 1>good question. When did when did we become as a

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<v Speaker 1>society so judgmental of everybody else's actions. I don't think

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<v Speaker 1>we've been doing that. It's a tale as old as time.

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<v Speaker 1>Wasn't everybody all judge on Elizabeth Taylor back in the

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<v Speaker 1>day when she when her guy was married to Debbie Reynolds.

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<v Speaker 1>To me, it's all the same. Yeah, everybody's been always

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<v Speaker 1>like this, and everybody loves to just have social media. Now,

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<v Speaker 1>that's what I'm gonna say. It's like you can go

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<v Speaker 1>on Twitter and tweet like, you know, last week's episode

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<v Speaker 1>of Gilmore Girls, this happened. I didn't like it. And

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<v Speaker 1>it's like, I think the broader que right, you're exactly so,

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<v Speaker 1>I think the broader Questions has social media enough that

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<v Speaker 1>we're going a little off the right rank. But what

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<v Speaker 1>kind of an effect does social media have on the

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<v Speaker 1>artistic choices of writers and studios and networks About the

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<v Speaker 1>content they put in their shows. Let me throw that

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<v Speaker 1>thing to you, just like this. In nineteen ninety three,

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<v Speaker 1>people were up in arms over Kelly Dylan Brenda on

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<v Speaker 1>nine two one zero, losing their minds. I'm team Kelly,

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<v Speaker 1>I'm team Brenda. I mean it was venomous hate. So

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<v Speaker 1>to me, people just love watching shows and sort of

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<v Speaker 1>having their input about these characters. So I would say

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<v Speaker 1>if it was today, I think I would feel the

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<v Speaker 1>same way because I look, I like Rory and Dean together.

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<v Speaker 1>I'm not even mad they're kind of doing it at

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<v Speaker 1>Miss Patti's although it's not great. I think my feelings

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<v Speaker 1>today would be exactly how they were twenty years ago.

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<v Speaker 1>I don't know. I think it's more of a in

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<v Speaker 1>today's society. It's more of a conversation because of social media,

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<v Speaker 1>Like you can have that back and forth with people,

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<v Speaker 1>when back then you'd call your friend and be like,

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<v Speaker 1>oh my god, you watched last night's episode. You have

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<v Speaker 1>the conversation. Hang up doesn't come yet? Yeah yeah, yeah, yeah,

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<v Speaker 1>yeah yeah. I know. That's the one thing is the

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<v Speaker 1>conversations live on forever. Now you can always go back

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<v Speaker 1>and revisit it. There's always people chiming in. Yeah, a

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<v Speaker 1>month later, you know, well, Jean Jean's character who got

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<v Speaker 1>you know, I wouldn't say left at the altar, but almost.

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<v Speaker 1>I mean he was ready to trying to lock her

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<v Speaker 1>down for life. That was his girl, he wanted to

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<v Speaker 1>have babies with her, and that he wasn't looking anybody else.

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<v Speaker 1>And uh, you know, so if you will indulge me

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<v Speaker 1>to an abrupt conversation, change going back to Luke and

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<v Speaker 1>let's go back to Kirk's rear end. Yeah, speak, I

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<v Speaker 1>so where do you all stand? And I actually I

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<v Speaker 1>love that Suky did go to Lorelai and tell her

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<v Speaker 1>that she knew. I don't think she could have held

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<v Speaker 1>that in and I don't even think that would have

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<v Speaker 1>been the right thing to do. I love that she says,

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<v Speaker 1>you're not going to die alone. I love that whole

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<v Speaker 1>scene too. I think your right, Scott, that Melissa was

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<v Speaker 1>such an important glue in this episode. I love that

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<v Speaker 1>she thought they had sex on the table is what

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<v Speaker 1>Luke couldn't do. Yeah, I would have gone to my

0:13:50.760 --> 0:13:52.400
<v Speaker 1>best friend too, So I feel like it was it

0:13:52.480 --> 0:13:57.160
<v Speaker 1>just made sense. Yeah, I agree, and it also okay,

0:13:57.200 --> 0:13:59.160
<v Speaker 1>so then we're going to have another parallel speaking of

0:13:59.160 --> 0:14:02.200
<v Speaker 1>best friends, which will we get too. I am irritated.

0:14:02.400 --> 0:14:04.240
<v Speaker 1>I will say the only thing irritating me in this

0:14:04.280 --> 0:14:08.880
<v Speaker 1>episode is really Rory doubling tripling down, being so kind

0:14:08.880 --> 0:14:11.960
<v Speaker 1>of mad at Laurel over what Rory did. It's like,

0:14:12.920 --> 0:14:15.160
<v Speaker 1>can they not make up? Lorelie is trying so hard,

0:14:15.240 --> 0:14:17.839
<v Speaker 1>let's talk about it, or it's just you you you know,

0:14:18.080 --> 0:14:20.960
<v Speaker 1>and it's just like that part. I'm a little Yeah,

0:14:21.120 --> 0:14:24.080
<v Speaker 1>she's being a little a little braddy. I do remember

0:14:24.160 --> 0:14:26.640
<v Speaker 1>being that age, and like, I mean, I understand like

0:14:26.720 --> 0:14:29.200
<v Speaker 1>Lorelye and Rory are best friends, but like I remember

0:14:29.200 --> 0:14:30.880
<v Speaker 1>being that age being like I don't want to talk

0:14:30.880 --> 0:14:34.840
<v Speaker 1>to your mom about this, like please leave me alone. Also,

0:14:34.960 --> 0:14:37.600
<v Speaker 1>she it's fair for you, but it seems un Rory

0:14:37.640 --> 0:14:41.240
<v Speaker 1>and Laurel. Yeah, I think it's also like it's her.

0:14:41.280 --> 0:14:43.360
<v Speaker 1>She just finished her freshman year of college. She was

0:14:43.400 --> 0:14:45.800
<v Speaker 1>living on her own. Now she's back, and maybe she

0:14:45.840 --> 0:14:48.600
<v Speaker 1>has this like different perspective of like I'm an adult

0:14:48.640 --> 0:14:51.080
<v Speaker 1>and I can make my own decisions, but Laura la

0:14:51.160 --> 0:14:56.080
<v Speaker 1>still try to like mother her in a sense. Yeah,

0:14:56.120 --> 0:14:58.520
<v Speaker 1>all right, well we'll keep it that but Scott, let's

0:14:58.560 --> 0:15:01.800
<v Speaker 1>talk about the scene with you on the phone at

0:15:01.840 --> 0:15:04.080
<v Speaker 1>the diner, and you go back into your stock room

0:15:04.480 --> 0:15:08.280
<v Speaker 1>and Lorela hides in the closet with the dog, and

0:15:08.440 --> 0:15:11.680
<v Speaker 1>you have that conversation that's sort of starting to go

0:15:11.760 --> 0:15:16.360
<v Speaker 1>in a weird direction. And then well, I think Laurel says,

0:15:16.440 --> 0:15:19.760
<v Speaker 1>we kissed. This is one of favorite scene. It was

0:15:19.800 --> 0:15:24.680
<v Speaker 1>a great kiss. You concur like we It took us

0:15:24.680 --> 0:15:27.280
<v Speaker 1>a second with the get moving in the but we

0:15:27.480 --> 0:15:32.680
<v Speaker 1>got there and we have this amazing conversation and she

0:15:32.720 --> 0:15:36.080
<v Speaker 1>doesn't want to forget it. What's what's your question? Just

0:15:36.120 --> 0:15:43.760
<v Speaker 1>what did you think of that scene? Um? Cute? You

0:15:43.800 --> 0:15:47.320
<v Speaker 1>know the culmination of dreams, right, it's it's Luke's car

0:15:48.760 --> 0:15:53.160
<v Speaker 1>times ten times ten. Oh, I mean it was Luke

0:15:53.240 --> 0:15:57.760
<v Speaker 1>in that scene. I mean seeing Laurela opened to it

0:15:57.840 --> 0:16:02.040
<v Speaker 1>and vulnerable in that way towards Lucas. You know, that's

0:16:02.880 --> 0:16:06.200
<v Speaker 1>four years of coming or eight years a coming. It

0:16:06.320 --> 0:16:08.360
<v Speaker 1>might be hard for you to see it because you

0:16:08.400 --> 0:16:13.280
<v Speaker 1>are Luke. But I think, as like a fan, this

0:16:13.320 --> 0:16:16.960
<v Speaker 1>is where I'm just like Lucas the guy, Like, yeah,

0:16:17.000 --> 0:16:22.120
<v Speaker 1>because he's so cute, he's so charming, but he's such

0:16:22.160 --> 0:16:27.000
<v Speaker 1>a good guy. Yeah. I'm probably the least qualified person

0:16:27.040 --> 0:16:29.920
<v Speaker 1>on the planet to opine on this. It's like because

0:16:30.280 --> 0:16:33.240
<v Speaker 1>this is where but I didn't watch it as a

0:16:33.280 --> 0:16:35.920
<v Speaker 1>fan over the last twenty three years and store up

0:16:35.960 --> 0:16:39.880
<v Speaker 1>all these feelings and towards it or because of it.

0:16:40.760 --> 0:16:44.680
<v Speaker 1>I'm myself from this. Ask good other fans, I mean,

0:16:44.720 --> 0:16:46.680
<v Speaker 1>fans can chime in and tell me if they relate.

0:16:46.920 --> 0:16:50.040
<v Speaker 1>But I think because I'm very close in age to Loreli, right, Like,

0:16:50.080 --> 0:16:54.080
<v Speaker 1>I'm just a bit younger, so I really related, going

0:16:54.200 --> 0:16:58.240
<v Speaker 1>like I want a looke? Where's my looke? Like? And

0:16:58.920 --> 0:17:02.760
<v Speaker 1>he really is guy. Yeah. And I loved in this

0:17:02.800 --> 0:17:06.720
<v Speaker 1>scene that they were both so busy right, like, lord,

0:17:06.760 --> 0:17:10.000
<v Speaker 1>I was busy with Taylor's shoe getting chewed up by

0:17:10.000 --> 0:17:13.960
<v Speaker 1>this dog. Luke is dealing with the craziness of the diner,

0:17:14.240 --> 0:17:16.639
<v Speaker 1>and they both like hide in the little closet and

0:17:16.680 --> 0:17:20.159
<v Speaker 1>are like giddy, like I don't know how to explain it,

0:17:20.200 --> 0:17:25.080
<v Speaker 1>but that's like a high school scene, you know, And

0:17:25.119 --> 0:17:28.080
<v Speaker 1>then they set up a date for tonight, Like what

0:17:28.119 --> 0:17:35.119
<v Speaker 1>about tonight? I was just like Luke boss reminds me

0:17:35.119 --> 0:17:38.320
<v Speaker 1>of those like when I was I don't know, first dating,

0:17:38.680 --> 0:17:41.520
<v Speaker 1>thirteen fourteen, whatever, you have a crush on a girl,

0:17:42.160 --> 0:17:45.000
<v Speaker 1>and the big deal was like calling the girl, yeah

0:17:45.160 --> 0:17:49.560
<v Speaker 1>right hoping, don't answer right hoping, And you know we

0:17:49.680 --> 0:17:52.879
<v Speaker 1>got those rotary phones, so you're dialing the number and

0:17:52.920 --> 0:17:55.280
<v Speaker 1>it's ringing, and you talked to her, and yeah, that's

0:17:55.359 --> 0:17:58.280
<v Speaker 1>kind of what it felt like. I just think one

0:17:58.320 --> 0:17:59.720
<v Speaker 1>of my things about Luke and I Love is like,

0:18:00.040 --> 0:18:05.399
<v Speaker 1>Luke is not pulling some dumb guy crap. He calls

0:18:05.400 --> 0:18:09.359
<v Speaker 1>her right away. He's like tonight, Like even when he

0:18:09.480 --> 0:18:11.359
<v Speaker 1>walked her home and they have that sort of romantic

0:18:11.400 --> 0:18:13.280
<v Speaker 1>magic pull moment, he's like, let's go to the movies.

0:18:13.520 --> 0:18:17.000
<v Speaker 1>He's not playing games right now, but he's not. He's

0:18:17.040 --> 0:18:20.480
<v Speaker 1>being pushy without being pushy. He's moving, he's moving the

0:18:20.480 --> 0:18:24.080
<v Speaker 1>ball forward without being obnoxious about it exactly. He's he's

0:18:24.160 --> 0:18:28.680
<v Speaker 1>like not being how some guys are. Oh, I better

0:18:28.720 --> 0:18:31.080
<v Speaker 1>wait three days to call her shop. A lot of

0:18:31.160 --> 0:18:33.760
<v Speaker 1>men really need that book. If the Going Girls like

0:18:33.880 --> 0:18:36.440
<v Speaker 1>creators are really smart, they would have published that book.

0:18:37.080 --> 0:18:43.760
<v Speaker 1>You know, that's really smart. Like the next time they

0:18:43.800 --> 0:18:46.680
<v Speaker 1>do something on the lot, it's like exclusive of the book.

0:18:46.680 --> 0:18:49.840
<v Speaker 1>But they wouldn't want have done that. Then my character

0:18:49.880 --> 0:18:51.679
<v Speaker 1>would have been ramped up to her to pay me more.

0:18:51.720 --> 0:18:55.040
<v Speaker 1>Than and okay, we're talking about We're talking about Luke

0:18:55.080 --> 0:18:56.760
<v Speaker 1>and Lorel, even though we're going out of order a

0:18:56.760 --> 0:19:00.639
<v Speaker 1>little bit, but it makes sense. Again, Luke does the

0:19:00.760 --> 0:19:03.639
<v Speaker 1>right He's always getting it right because even though he

0:19:03.680 --> 0:19:06.439
<v Speaker 1>gets called out of town because Liz is hurt and

0:19:06.440 --> 0:19:07.880
<v Speaker 1>she got he's got to go take care of Liz

0:19:07.920 --> 0:19:11.080
<v Speaker 1>and TJ. Not only does he call her five times

0:19:11.119 --> 0:19:14.040
<v Speaker 1>and leave all the messages because he's such a good dude,

0:19:14.280 --> 0:19:19.320
<v Speaker 1>he got a cell phone. A cell phone because he's

0:19:19.359 --> 0:19:21.760
<v Speaker 1>now in a relationship where somebody needs to be able

0:19:21.840 --> 0:19:25.760
<v Speaker 1>to reach him. Well, he's he's joined the modern world

0:19:26.600 --> 0:19:35.359
<v Speaker 1>where he's he wants to communicate, he wants to communicate. Yes, yes, yes, yes,

0:19:35.720 --> 0:19:42.159
<v Speaker 1>And I really Luke is a real likable dude and

0:19:42.600 --> 0:19:45.000
<v Speaker 1>he always has been, but now he's just full a

0:19:45.200 --> 0:19:47.600
<v Speaker 1>game where you're just like this guy. That's why you

0:19:47.680 --> 0:19:52.520
<v Speaker 1>make greatest kisses of all time on television. It's not

0:19:52.600 --> 0:19:56.480
<v Speaker 1>just the kiss. Yeah, I thought I was going No,

0:19:56.520 --> 0:20:02.760
<v Speaker 1>that's not who the characters were up to the kiss,

0:20:02.800 --> 0:20:05.560
<v Speaker 1>and then after the kiss, because it wouldn't be a

0:20:05.600 --> 0:20:08.040
<v Speaker 1>great kiss if he suddenly dumped her the next day.

0:20:08.440 --> 0:20:12.320
<v Speaker 1>So I have two questions why does Rory use the payphone?

0:20:12.359 --> 0:20:15.360
<v Speaker 1>Oh my god, thank you so much for bringing that up,

0:20:15.560 --> 0:20:17.840
<v Speaker 1>because I literally thought for five seconds she was going

0:20:17.920 --> 0:20:20.080
<v Speaker 1>to call Jess and because that's what she uses to

0:20:20.119 --> 0:20:23.400
<v Speaker 1>call Jess. Yeah, but then I thought about it. She

0:20:23.440 --> 0:20:26.960
<v Speaker 1>didn't want Lindsay to call back because Lindsay's answering his phone.

0:20:27.000 --> 0:20:29.640
<v Speaker 1>She didn't want him to call back, and I talked too.

0:20:29.880 --> 0:20:31.840
<v Speaker 1>It's like she doesn't. I mean, I don't remember if

0:20:31.840 --> 0:20:34.120
<v Speaker 1>there was caller I d back then, but there must

0:20:34.119 --> 0:20:36.639
<v Speaker 1>have been from the cell phone. They're probably from the

0:20:36.720 --> 0:20:40.480
<v Speaker 1>cell phone to cell phone. Yeah, so that was interesting.

0:20:40.760 --> 0:20:43.480
<v Speaker 1>And did you all notice that Dean is fully wearing

0:20:43.600 --> 0:20:55.600
<v Speaker 1>his ring, his wedding ring, addies Yes, yep, yep, so bad.

0:20:56.000 --> 0:21:01.679
<v Speaker 1>It's bad. Then we go to the scene that I

0:21:01.760 --> 0:21:06.840
<v Speaker 1>quite like with Lane, where I thought the Lane Rory

0:21:07.119 --> 0:21:11.040
<v Speaker 1>sort of conversation was exactly how two best friends at

0:21:11.080 --> 0:21:14.840
<v Speaker 1>that age would talk. Lane's a great friend. She's really

0:21:14.880 --> 0:21:20.479
<v Speaker 1>not coming with judgment. She's coming with like understanding and

0:21:20.560 --> 0:21:24.040
<v Speaker 1>wanting to have that conversation and how was it? And

0:21:24.359 --> 0:21:27.120
<v Speaker 1>you know, Rory says he's married, and she says, I know,

0:21:27.280 --> 0:21:32.200
<v Speaker 1>you know, she's very empathetic sympathetic all the things. She

0:21:32.320 --> 0:21:34.639
<v Speaker 1>was like excited with her, but then also was like

0:21:34.680 --> 0:21:37.119
<v Speaker 1>I need to rationalize this a bit, and like you know,

0:21:37.720 --> 0:21:41.040
<v Speaker 1>and I love how she had the band practice on hold,

0:21:41.560 --> 0:21:44.680
<v Speaker 1>like this is a nine one one best friend emergency

0:21:45.400 --> 0:21:48.200
<v Speaker 1>and they start playing and she gets mad. They really

0:21:49.160 --> 0:21:53.359
<v Speaker 1>that seemed again, very like how two best friends are. Yeah,

0:21:55.040 --> 0:21:56.959
<v Speaker 1>got news for you. That's how you get kicked out

0:21:57.000 --> 0:22:02.240
<v Speaker 1>of a band right there. You start pulling that BIS

0:22:03.200 --> 0:22:06.160
<v Speaker 1>and it's like you're gone. They'll replace you. They were

0:22:06.240 --> 0:22:08.600
<v Speaker 1>irritated by it. Well they should be. I mean, that's

0:22:08.640 --> 0:22:12.360
<v Speaker 1>band practice time. That's sacred man. And Lane doesn't want

0:22:12.359 --> 0:22:16.199
<v Speaker 1>her to talk to Loralai, but it's not an option.

0:22:16.680 --> 0:22:18.760
<v Speaker 1>All I have to say is where the heck is

0:22:18.800 --> 0:22:23.720
<v Speaker 1>missus Kim, because they needed some laughs at that point. Yeah.

0:22:23.760 --> 0:22:27.000
<v Speaker 1>Well we go from that back to the end where

0:22:27.000 --> 0:22:29.359
<v Speaker 1>Emily just showed up for lunch, which actually I did

0:22:30.359 --> 0:22:34.240
<v Speaker 1>at I did too, because the whole you left. Well,

0:22:34.480 --> 0:22:37.960
<v Speaker 1>so I was hoping for a less than frightened reaction

0:22:39.400 --> 0:22:41.760
<v Speaker 1>because I knew that was coming, and I was praying like,

0:22:41.880 --> 0:22:44.880
<v Speaker 1>don't do that, Please don't do that. Just look at her,

0:22:45.280 --> 0:22:49.359
<v Speaker 1>it'll be please don't and then when it came, it

0:22:49.480 --> 0:22:52.359
<v Speaker 1>came bigger than I dreaded. I mean, it was just

0:22:52.520 --> 0:22:55.920
<v Speaker 1>a fair criticism. It was it was like you saw

0:22:55.920 --> 0:22:59.040
<v Speaker 1>her there, I just just look, just look at her,

0:22:59.080 --> 0:23:05.520
<v Speaker 1>and that's enough. That's enough. So then we get we

0:23:05.600 --> 0:23:07.640
<v Speaker 1>sort of get to that outdoor lunch, which I thought

0:23:07.720 --> 0:23:10.920
<v Speaker 1>was beautiful, like I would love to have a nice

0:23:11.080 --> 0:23:15.080
<v Speaker 1>chicken salad sandwich there. But and she says the obvious, like,

0:23:15.080 --> 0:23:18.440
<v Speaker 1>oh thanks, captain, obvious that you're separated. And then what

0:23:18.520 --> 0:23:21.240
<v Speaker 1>did you think about Lorelie sort of setting up Rory

0:23:21.359 --> 0:23:24.240
<v Speaker 1>on the going on the Europe trip? Well, I mean,

0:23:24.280 --> 0:23:26.800
<v Speaker 1>I think, on its face, it's a very good idea.

0:23:27.200 --> 0:23:31.040
<v Speaker 1>I mean, minus the Dean stuff that wasn't even going on,

0:23:31.080 --> 0:23:33.880
<v Speaker 1>it would have still been a great idea. And even

0:23:33.920 --> 0:23:36.399
<v Speaker 1>if she was with you know, let's say she was

0:23:36.440 --> 0:23:38.240
<v Speaker 1>with a guy and they were having a great summer.

0:23:38.840 --> 0:23:41.199
<v Speaker 1>Still a great idea to grow to grandma, to go

0:23:41.280 --> 0:23:45.600
<v Speaker 1>to Europe. I mean, what what memories for a lifetime. Yeah, yeah,

0:23:45.640 --> 0:23:48.840
<v Speaker 1>I mean yeah, it's funny because I actually did go

0:23:48.880 --> 0:23:51.480
<v Speaker 1>to Europe with my grandma after my freshman year of college.

0:23:51.560 --> 0:23:53.600
<v Speaker 1>Me just me and my grandma, who went to Ireland

0:23:53.640 --> 0:23:56.520
<v Speaker 1>and England, and so I was thinking. I was like,

0:23:57.119 --> 0:23:59.040
<v Speaker 1>she's an adult now she can go without her mom

0:23:59.080 --> 0:24:02.959
<v Speaker 1>and like still her grandma, you know. So I for me,

0:24:03.119 --> 0:24:05.600
<v Speaker 1>I didn't think too much of it because I had

0:24:05.600 --> 0:24:10.520
<v Speaker 1>that experience. Um. But knowing Laurelie, she always wants to

0:24:10.520 --> 0:24:14.520
<v Speaker 1>do everything with Rory, so I think it was hard

0:24:14.520 --> 0:24:16.320
<v Speaker 1>for her to like give her that push, even though

0:24:16.320 --> 0:24:20.359
<v Speaker 1>she knows she has to just for Rory to be independent, like,

0:24:20.400 --> 0:24:22.280
<v Speaker 1>if you want to go, you can go. Yeah. I

0:24:22.280 --> 0:24:24.360
<v Speaker 1>think I think Laurel I's trying to do the right thing,

0:24:25.520 --> 0:24:29.119
<v Speaker 1>you know, by her own life, and maybe she feels

0:24:29.119 --> 0:24:31.560
<v Speaker 1>she needs a little distance and her daughter needs to

0:24:31.560 --> 0:24:33.520
<v Speaker 1>spread her wings, and this is just part of it.

0:24:33.520 --> 0:24:36.440
<v Speaker 1>It's difficult for her because she's such a she's still

0:24:36.480 --> 0:24:39.119
<v Speaker 1>a helicopter mom and the Rory's been out of the

0:24:39.200 --> 0:24:47.920
<v Speaker 1>house for you know, a year. Am I interpreting this correctly?

0:24:47.920 --> 0:24:49.560
<v Speaker 1>That there was a phone call that we are to

0:24:49.600 --> 0:24:52.720
<v Speaker 1>assume is Dean calling Rory's cell phone? And she denies, yeah,

0:24:53.280 --> 0:24:57.000
<v Speaker 1>well sure, yeah, yeah, we don't know who it is.

0:24:57.680 --> 0:25:03.040
<v Speaker 1>I do as I agree. She saw Lindsay. So she

0:25:03.160 --> 0:25:07.159
<v Speaker 1>saw Lindsay in the store telling them how important this

0:25:07.240 --> 0:25:09.600
<v Speaker 1>dinner is that she's making. And I think that also

0:25:09.720 --> 0:25:13.159
<v Speaker 1>hit home for Rory, going this guy's not he's not

0:25:13.280 --> 0:25:16.600
<v Speaker 1>leaving her yet or or ever for as far as

0:25:16.680 --> 0:25:24.120
<v Speaker 1>Rory knows, like he's married. Yeah right, paper he is,

0:25:24.560 --> 0:25:26.560
<v Speaker 1>you know, not in it's hard, no, but not in

0:25:26.600 --> 0:25:31.240
<v Speaker 1>its hard at the store preparing for this very important dinner.

0:25:31.880 --> 0:25:33.680
<v Speaker 1>So what do you think, Scott about the fact that

0:25:33.800 --> 0:25:37.240
<v Speaker 1>Lindsay obviously worked all day on that dinner, that Dean's

0:25:37.280 --> 0:25:41.440
<v Speaker 1>there and eats it and he it's delicious, and she's

0:25:41.480 --> 0:25:44.919
<v Speaker 1>so happy and he's smiling and happy and kind of her.

0:25:45.720 --> 0:25:49.040
<v Speaker 1>What do you think about Dean in that maybe maybe

0:25:49.160 --> 0:25:51.800
<v Speaker 1>Rory is somebody to be avoided because she seems to

0:25:52.040 --> 0:25:56.240
<v Speaker 1>like take over boy's brains and just scrambles their brains

0:25:56.240 --> 0:25:58.960
<v Speaker 1>and controls them and destroys their lives. I mean, look

0:25:58.960 --> 0:26:02.000
<v Speaker 1>at poor Dean, look at Jess. I mean, look, it's

0:26:02.040 --> 0:26:08.720
<v Speaker 1>just and everybody's a mess that comes into contact. I mean,

0:26:08.760 --> 0:26:15.800
<v Speaker 1>you know, like like fatally wrong, I mean total what's

0:26:15.840 --> 0:26:20.040
<v Speaker 1>the virtue with being involved with the Rory Gilmore? What

0:26:20.240 --> 0:26:23.280
<v Speaker 1>is the virtue there? Really? I mean, what are these

0:26:23.320 --> 0:26:29.680
<v Speaker 1>guys getting out of this? She's non committals, she's condescending,

0:26:29.880 --> 0:26:34.320
<v Speaker 1>she's very sweet in the process of doing it. I

0:26:34.359 --> 0:26:37.760
<v Speaker 1>just think she's very confused and she just, you know,

0:26:38.480 --> 0:26:45.800
<v Speaker 1>she's maybe I don't know. Is she emotionally unprepared to

0:26:45.840 --> 0:26:48.000
<v Speaker 1>deal with any of this stuff for us? Are we

0:26:48.119 --> 0:26:50.480
<v Speaker 1>just expecting too much too soon for somebody at that age.

0:26:50.600 --> 0:26:53.520
<v Speaker 1>Here's my question for the three of you. Who is

0:26:54.119 --> 0:26:58.960
<v Speaker 1>more wrong now? Not not last night when it but

0:26:59.160 --> 0:27:02.760
<v Speaker 1>now we're a couple days later, maybe one, maybe two?

0:27:03.840 --> 0:27:07.720
<v Speaker 1>Is Rory wrong? Is Dean wrong? No? I think Dean

0:27:07.840 --> 0:27:10.600
<v Speaker 1>is always going to be way more wrong. Yeah, I

0:27:10.640 --> 0:27:13.680
<v Speaker 1>do agree. I do think. I do think Rory had

0:27:13.720 --> 0:27:17.720
<v Speaker 1>a fault in last night. But it also was very

0:27:17.800 --> 0:27:21.160
<v Speaker 1>bad that she then did it again after thinking about it,

0:27:21.600 --> 0:27:26.160
<v Speaker 1>so like the double repeat was not good. Um, but yeah, Dean,

0:27:26.560 --> 0:27:29.960
<v Speaker 1>Dean is the one that's falling on the sword. Also,

0:27:30.040 --> 0:27:33.560
<v Speaker 1>I was thinking, remember when they fell asleep and miss

0:27:33.600 --> 0:27:40.560
<v Speaker 1>Patty is like a play it's a place for them. Yeah, yeah, yeah,

0:27:40.960 --> 0:27:47.480
<v Speaker 1>A'm shocked no one saw them. Next question, whose got

0:27:47.520 --> 0:27:53.240
<v Speaker 1>the guts to dial this phone number? Oh? What Luke's number?

0:27:53.760 --> 0:28:00.119
<v Speaker 1>I'll call it, yeah and ask for Luke. Yeah. The

0:28:00.160 --> 0:28:02.399
<v Speaker 1>fact that it wasn't a five five five. I was like,

0:28:02.440 --> 0:28:04.919
<v Speaker 1>oh my god, oh daniel speaker, But what do I

0:28:05.040 --> 0:28:09.320
<v Speaker 1>say when I answer? It is Luke? Okay, say it's Laurel.

0:28:10.960 --> 0:28:15.879
<v Speaker 1>To be quiet. I'm nervous. I'm not gonna crank calling.

0:28:15.920 --> 0:28:24.359
<v Speaker 1>And I just please thank your message for see if

0:28:24.359 --> 0:28:28.520
<v Speaker 1>he calls us back, just says say Danielle. Say it's

0:28:28.840 --> 0:28:40.560
<v Speaker 1>we're calling Danielle. Somebody with guts. Call again. You don't

0:28:40.560 --> 0:28:43.200
<v Speaker 1>call again. I'm gonna call and say, hey, Luke, this

0:28:43.280 --> 0:28:46.840
<v Speaker 1>is Luke. What are you doing with my number? Okay,

0:28:46.840 --> 0:28:49.040
<v Speaker 1>I'm gonna try calling again. But you know what's crazy

0:28:49.640 --> 0:28:53.840
<v Speaker 1>is it's a number from Connecticut. Like it's actually that

0:28:53.840 --> 0:28:56.120
<v Speaker 1>would make sense. It's the same yeah, but like they

0:28:56.160 --> 0:28:59.600
<v Speaker 1>actually did. There's no way she could have just put

0:28:59.600 --> 0:29:02.000
<v Speaker 1>Amy meaning Amy Sherman Palladino could have just put a

0:29:02.080 --> 0:29:05.200
<v Speaker 1>number like that. I'm surprised the voicemail didn't say hey,

0:29:05.200 --> 0:29:08.000
<v Speaker 1>it's Luke, that they just got the number. Oh my god,

0:29:08.000 --> 0:29:09.960
<v Speaker 1>I'm sweating. I don't know why this. It makes me

0:29:10.080 --> 0:29:14.800
<v Speaker 1>so diarrheal, like I'm so nervous. I don't know. I've

0:29:14.840 --> 0:29:20.200
<v Speaker 1>never made crank calls. When I did, I did im

0:29:20.200 --> 0:29:29.120
<v Speaker 1>out is your refrigerator running? Hi? My name is Danielle.

0:29:29.160 --> 0:29:32.720
<v Speaker 1>I work with iHeartRadio. I'm calling on behalf of the

0:29:32.800 --> 0:29:36.440
<v Speaker 1>I Am All In podcast. Um it's a Goma girls podcast.

0:29:36.560 --> 0:29:39.760
<v Speaker 1>And I'm sure you get this like a million times,

0:29:39.800 --> 0:29:43.640
<v Speaker 1>but um, this number was displayed in one of the episodes,

0:29:43.760 --> 0:29:46.080
<v Speaker 1>and I was just curious if you get called all

0:29:46.080 --> 0:29:50.560
<v Speaker 1>the time and have people asking if Luke is there? Um,

0:29:50.600 --> 0:29:52.400
<v Speaker 1>so yeah, if you don't mind giving me a callback,

0:29:52.440 --> 0:29:55.840
<v Speaker 1>I would love to discuss. Thank you, Danielle, you did

0:29:55.920 --> 0:30:10.000
<v Speaker 1>good jobs. You sounded she's sweating. God, that's funny. That

0:30:10.120 --> 0:30:14.560
<v Speaker 1>was really good. District Attorney for the state of Connecticut.

0:30:15.280 --> 0:30:17.640
<v Speaker 1>We'll think about it, like we just started watching this

0:30:17.840 --> 0:30:20.600
<v Speaker 1>what we watched this episode? And how many podcast listeners

0:30:20.600 --> 0:30:25.120
<v Speaker 1>do we have? Everyone's now watching this episode. There has

0:30:25.160 --> 0:30:26.560
<v Speaker 1>to be other people who have thought the same thing

0:30:26.560 --> 0:30:33.360
<v Speaker 1>and possibly even tried. We have hundreds of thousands of people. Yeah.

0:30:33.560 --> 0:30:36.320
<v Speaker 1>The other thing that was weird. It was weird to

0:30:36.360 --> 0:30:39.840
<v Speaker 1>see someone holding a phone while driving. I was like,

0:30:40.160 --> 0:30:45.200
<v Speaker 1>that's illegal. Yeah, this kind of guy. Lucas Man, I'm

0:30:45.200 --> 0:30:50.600
<v Speaker 1>not for love, but I love the last line. Hell

0:30:50.640 --> 0:30:57.520
<v Speaker 1>of a test run second go round about the inn right. Oh,

0:30:57.760 --> 0:31:06.440
<v Speaker 1>so good? So good? It's so good? Um, I mean question,

0:31:06.960 --> 0:31:10.600
<v Speaker 1>can I I need to ask a question here? How

0:31:10.640 --> 0:31:17.000
<v Speaker 1>did Kirk sustain his buttocks injury? And what was specifically

0:31:17.040 --> 0:31:29.760
<v Speaker 1>the injury? Rose Bush got the thorns pickles? No, she said,

0:31:30.000 --> 0:31:33.160
<v Speaker 1>I think I meant to say rose prickles. Oh that

0:31:33.280 --> 0:31:39.720
<v Speaker 1>sounds about right? Is that those are called thorns? Right? Right? Right?

0:31:40.560 --> 0:31:42.840
<v Speaker 1>I do have one scene I do want to bring up,

0:31:42.960 --> 0:31:47.400
<v Speaker 1>just an honorable background actor mentioned because it was just

0:31:47.600 --> 0:31:51.680
<v Speaker 1>it literally made me ll Ivery want like five times. Um.

0:31:51.880 --> 0:31:53.800
<v Speaker 1>I just told Jackie to pull it up, and I'm

0:31:53.840 --> 0:31:56.160
<v Speaker 1>not sure if she's if she can find that scene

0:31:56.200 --> 0:31:58.920
<v Speaker 1>that quick enough? Was it? My favorite line, call me

0:31:58.960 --> 0:32:04.560
<v Speaker 1>Belinda because my litt sealed. We have to talk about

0:32:04.560 --> 0:32:08.480
<v Speaker 1>that in pop culture. So good. My favorite line was

0:32:08.560 --> 0:32:11.640
<v Speaker 1>you've turned us into the scandal of the neighborhood from Emily.

0:32:14.800 --> 0:32:16.920
<v Speaker 1>Mine was the one I said earlier with Richard and

0:32:16.960 --> 0:32:24.680
<v Speaker 1>Emily's banter. Ye is it just a whole episode? Was it?

0:32:26.040 --> 0:32:32.920
<v Speaker 1>Everybody rate the episode? Oh? Gosh, yeah, go ahead, Tara,

0:32:33.160 --> 0:32:35.280
<v Speaker 1>I have to pick. I know I'm more concerned what

0:32:35.400 --> 0:32:39.200
<v Speaker 1>item I'm I'm giving? All right? What's yeah? Yeah, the

0:32:39.280 --> 0:32:42.440
<v Speaker 1>measuring six. My favorite part start nine point eight five

0:32:42.640 --> 0:32:52.560
<v Speaker 1>Lindsay's brownies. Oh, it's an almost perfect episode for me.

0:32:54.320 --> 0:32:56.760
<v Speaker 1>Oh sorry, I got a jumped ahead. Sorry, Targo. I'll

0:32:56.800 --> 0:33:05.280
<v Speaker 1>go with nine point five Emily's skirts. Funny, funny ten

0:33:06.000 --> 0:33:14.320
<v Speaker 1>latigra polos. You know you know, if you know you know? Um, oh,

0:33:14.360 --> 0:33:18.800
<v Speaker 1>you're giving it a ten. Eh. I'm gonna go with

0:33:19.000 --> 0:33:25.920
<v Speaker 1>a nine niner point fiver. Um. I agree with Danielle nine.

0:33:25.960 --> 0:33:32.720
<v Speaker 1>I'm gonna deduct point fiver for the demolition on the

0:33:33.440 --> 0:33:40.680
<v Speaker 1>Gilmore House. Um, the to get the Richard and Emily house. Um,

0:33:40.680 --> 0:33:51.000
<v Speaker 1>and I'm gonna give it nine point fiver. Uh. Luke's pullovers. Okay,

0:33:51.600 --> 0:33:58.640
<v Speaker 1>brown sweaters. I like it. Jackie. Do you have the scene?

0:34:00.080 --> 0:34:10.520
<v Speaker 1>M Oh, look at the maid. She gives the biggest

0:34:10.560 --> 0:34:15.480
<v Speaker 1>eye roll of the century. Oh, you can't really tell

0:34:15.560 --> 0:34:18.839
<v Speaker 1>on that, but that's a great shot. This is such

0:34:18.880 --> 0:34:22.640
<v Speaker 1>a Yeah, that's such a great shot. Richard stepping in

0:34:22.680 --> 0:34:26.640
<v Speaker 1>the door closing. That is that's from the golden age

0:34:26.680 --> 0:34:29.880
<v Speaker 1>of filmmaking. That shot when it's not like pixelated. She

0:34:30.040 --> 0:34:32.800
<v Speaker 1>literally does a whole upwards eye roll and I was

0:34:32.840 --> 0:34:36.319
<v Speaker 1>just like, oh my god, I love her all right,

0:34:36.400 --> 0:34:42.000
<v Speaker 1>that's gonna wrap up Part two. Um and listen, gang,

0:34:43.160 --> 0:34:45.560
<v Speaker 1>I'm gonna be at just letting you know. I'm gonna

0:34:45.560 --> 0:34:48.640
<v Speaker 1>be at the Louisville Comic Con or Louisville Pop Con.

0:34:50.040 --> 0:34:56.399
<v Speaker 1>I think it's June sixteen through eighteen, Louisville, Kentucky, and

0:34:56.440 --> 0:34:58.920
<v Speaker 1>I hope to see everybody there. I'm excited. I've never

0:34:58.960 --> 0:35:02.279
<v Speaker 1>been to Louisville. I hear it's a fantastic place and

0:35:02.320 --> 0:35:05.279
<v Speaker 1>I can't wait to example some of its cuisine. I

0:35:05.360 --> 0:35:10.319
<v Speaker 1>was gonna say, what are they known for post con? Uh,

0:35:10.719 --> 0:35:20.280
<v Speaker 1>well we'll find out. But anyway, thanks for downloaded. Thank you, Amy,

0:35:20.400 --> 0:35:25.840
<v Speaker 1>Danielle Tara Um all the best best fans on the planet.

0:35:27.320 --> 0:35:31.560
<v Speaker 1>I just remember I am all In. See you next time.

0:35:31.600 --> 0:36:04.080
<v Speaker 1>Stay safe, hey, everybody, and don't forget follow us on

0:36:04.120 --> 0:36:08.560
<v Speaker 1>Instagram at I Am all In podcast and email us

0:36:08.560 --> 0:36:13.439
<v Speaker 1>at Gilmore at iHeartRadio dot com. Oh you Gilmore fans.

0:36:13.440 --> 0:36:15.160
<v Speaker 1>If you're looking for the best cup of coffee in

0:36:15.160 --> 0:36:18.600
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