WEBVTT - Susan Orlean: The Library Book

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<v Speaker 1>This story contains adult content and language. Listener discretion is advised.

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<v Speaker 2>Anyone and everyone is welcome to the library. That's part

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<v Speaker 2>of their glory. That's part of why they are such

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<v Speaker 2>special institutions. That means that you can have people with

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<v Speaker 2>ill intent coming into a library.

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<v Speaker 3>I'm Kate Winkler Dawson, a nonfiction author and journalism professor

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<v Speaker 3>in Austin, Texas. I'm also the co host of the

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<v Speaker 3>podcast Buried Bones on Exactly Right, and throughout my career,

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<v Speaker 3>research for my many audio and book projects has taken

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<v Speaker 3>me around the world. On Wicked Words, I sit down

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<v Speaker 3>with the people I've met along the way, amazing writers, journalists, filmmakers,

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<v Speaker 3>and podcasters who have investigated and reported on notorious true

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<v Speaker 3>crime cases. This is about the choices writers make, both

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<v Speaker 3>good and bad, and it's a deep dive into the

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<v Speaker 3>unpublished details behind their stories. Author Susan or Lean wrote

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<v Speaker 3>a best selling book years ago that you've probably heard of,

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<v Speaker 3>The Orchid Thief. It was made into a movie called Adaptation.

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<v Speaker 3>Susan has now written another book, this one about an

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<v Speaker 3>unexpected crime that might not have been a crime at all.

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<v Speaker 3>A fire in the La Public Library destroyed more than

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<v Speaker 3>four hundred thousand books in nineteen eighty six. Did they

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<v Speaker 3>find out what caused it or who? Susan tells me

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<v Speaker 3>the story at the center of her book, The Library Book.

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<v Speaker 3>So I think we should talk about the book that

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<v Speaker 3>you had that was just an incredible success, Not that

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<v Speaker 3>this one hasn't been.

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<v Speaker 1>But what book would people most know you for.

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<v Speaker 2>Probably The Orchid Thief, I'm guessing, even though that came

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<v Speaker 2>out twenty five years ago, but it's had a very

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<v Speaker 2>long after life in the best sense that people continue

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<v Speaker 2>reading it. But also because it was made into a movie,

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<v Speaker 2>was made into the film adaptation, which is a somewhat

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<v Speaker 2>iconic film of its moment, and I think a lot

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<v Speaker 2>of people.

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<v Speaker 4>Learned about the book because of the movie.

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<v Speaker 1>Were you a screenwriter on that movie? I can't remember.

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<v Speaker 2>No, No, I was not. I take no credit for it.

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<v Speaker 2>I wish I could, but I didn't write on it,

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<v Speaker 2>and I'm merely the happy recipient of brilliant screenwriting.

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<v Speaker 3>Now this book that we're getting ready to talk about

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<v Speaker 3>that was optioned, right, is it being turned into a

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<v Speaker 3>movie or a TV series?

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<v Speaker 2>A TV series, yeah.

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<v Speaker 1>And are you participating in that?

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<v Speaker 2>I am for the first time I decided that I

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<v Speaker 2>wanted to have a hand in the process. So I'm

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<v Speaker 2>working on developing that for television.

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<v Speaker 3>Boy, what a different muscle you have to flex for that,

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<v Speaker 3>isn't it? Or do you feel like it's sort of

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<v Speaker 3>the same process.

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<v Speaker 4>It's very different.

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<v Speaker 2>I mean, part of it is obviously rooted in the

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<v Speaker 2>same skill set.

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<v Speaker 4>You know, it's about.

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<v Speaker 2>Creating characters, it's about conveying emotion storytelling, and that is consistent.

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<v Speaker 4>But television, film, you.

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<v Speaker 2>Know, all of those media are all about visual storytelling,

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<v Speaker 2>and everything has to be conveyed with a visual component.

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<v Speaker 2>So that's entirely different from writing for the page, where

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<v Speaker 2>there is no visual component and all of the description,

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<v Speaker 2>all of the sort of interior conversation, is all on

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<v Speaker 2>the page.

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<v Speaker 4>So it's very very different.

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<v Speaker 3>Now, I've had a couple of my books optioned, and

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<v Speaker 3>you know, we got to the development stage and I

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<v Speaker 3>remember having a discussion with the producer about the main

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<v Speaker 3>character in the way that he was going to look,

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<v Speaker 3>and we had different opinions on that. And so at

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<v Speaker 3>what point do you have to let go of those

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<v Speaker 3>sorts of things and just say.

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<v Speaker 1>I need to stay in my own lane. And you know,

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<v Speaker 1>once you.

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<v Speaker 3>Once you sign that paper, they can do and you know,

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<v Speaker 3>a lot of cases what they want to do with it,

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<v Speaker 3>what they think is best.

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<v Speaker 2>Well, I think the healthiest attitude is to let go

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<v Speaker 2>right away option your work to people who you respect,

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<v Speaker 2>and then step aside. I mean, if your ultimate goal

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<v Speaker 2>is to maintain total control, you should probably not option

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<v Speaker 2>your material to begin with. If what you want is

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<v Speaker 2>to see the project develop, and you sign on with

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<v Speaker 2>someone who you respect and who you think is smart,

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<v Speaker 2>you have to go with the assumption that they're making

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<v Speaker 2>decisions in the best interest of getting the project to

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<v Speaker 2>move forward. And I've found that surprisingly easy. I feel like, look,

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<v Speaker 2>I've written my work. I'm in a sense, I'm done. Yeah,

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<v Speaker 2>you want to borrow my work and do something with it.

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<v Speaker 4>I don't need to control that. That's your project.

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<v Speaker 2>It's like loaning someone a piece of clothing and they

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<v Speaker 2>wear it differently than you would wear it. Yeah, but

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<v Speaker 2>you don't want to be in their room going no, no,

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<v Speaker 2>you have to wear it with black tights and blue shoes.

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<v Speaker 2>And if that's what you want, you shouldn't loan it.

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<v Speaker 4>In the first place.

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<v Speaker 1>Yeah.

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<v Speaker 3>Absolutely, Well, let's start talking about your book, which I

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<v Speaker 3>know was published about what eight years ago, seven and

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<v Speaker 3>a half years ago, but continues to have an afterlife,

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<v Speaker 3>which we all hope for as authors.

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<v Speaker 1>So that's good news for you.

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<v Speaker 3>Let's start with the way that you think it makes

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<v Speaker 3>sense to tell this story. Is it to sort of

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<v Speaker 3>dig into the mystery of it and what happens, you know,

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<v Speaker 3>from the very beginning, or is it to talk about

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<v Speaker 3>you and libraries a little bit?

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<v Speaker 1>What do you want to start?

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<v Speaker 2>I guess it really is a bit of a hydra

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<v Speaker 2>with many heads. The book began with my curiosity.

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<v Speaker 4>About the day to day.

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<v Speaker 2>Life of a big city library. It just struck me

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<v Speaker 2>as an interesting story to tell that, to my knowledge,

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<v Speaker 2>had never been told, which is like, what is it

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<v Speaker 2>like day.

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<v Speaker 4>To day in a library?

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<v Speaker 2>And that was a very documentary sort of curiosity.

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<v Speaker 4>I want to sort of.

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<v Speaker 2>See the unfolding of life in a library and tell

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<v Speaker 2>all of those little stories that weave in and out.

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<v Speaker 2>Then I found out about this catastrophic fire that had

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<v Speaker 2>occurred at the LA Library, which was the library I

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<v Speaker 2>was going to write about, and it was the largest

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<v Speaker 2>library fire in American history.

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<v Speaker 4>It had occurred in nineteen eighty six.

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<v Speaker 2>It destroyed four hundred thousand books and damaged seven hundred

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<v Speaker 2>thousand more. The library was closed for seven years after

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<v Speaker 2>the fire, I mean the destruction and the extremely complicated

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<v Speaker 2>process of rebuilding the collection of the library took a

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<v Speaker 2>very long time. And the question, of course was who

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<v Speaker 2>would set a library on fire? What would motivate you?

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<v Speaker 2>You know, arson, Arson is a really interesting strange crime.

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<v Speaker 2>It's usually done for money, or it's done by someone

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<v Speaker 2>who has a pathological kind of fascination with fire, or

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<v Speaker 2>it's done for revenge. Those are the three categories. There

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<v Speaker 2>is no money to be gotten from burning a library.

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<v Speaker 4>You know, those fires.

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<v Speaker 2>Tend to be business owners who set their own business

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<v Speaker 2>on fire to get insurance money, or you know, some

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<v Speaker 2>version of that, and so's it's a particularly kind of

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<v Speaker 2>funky crime because it's really trying to leverage their insurance

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<v Speaker 2>money out of a business. Revenge you can understand, you know,

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<v Speaker 2>somebody gets insulted by someone who owns a restaurant or

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<v Speaker 2>a bar, and for revenge they set it on fire.

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<v Speaker 2>That's also a sort of understandable kind of category. There

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<v Speaker 2>are people who have the psychological fascination with fire, pyromaniacs

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<v Speaker 2>who really are responsible for a lot of fires, frequently

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<v Speaker 2>not in a place like the library, but you know,

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<v Speaker 2>a lot of fires set in woods, fires set in

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<v Speaker 2>smaller locations. And then of course it can escalate, and

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<v Speaker 2>there have been many instances of people with psychological problems

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<v Speaker 2>who have set a building on fire and people have

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<v Speaker 2>been killed. It was a really interesting instance here in

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<v Speaker 2>La where I live, of a whole rash of fires

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<v Speaker 2>that were cropping up in the Glendale area.

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<v Speaker 4>Nobody could figure it out.

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<v Speaker 2>Finally, one of these fires was lit in a sort

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<v Speaker 2>of home depot kind of store. The roof collapsed, two

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<v Speaker 2>firefighters were killed, and the fire department, you know, were

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<v Speaker 2>really activated to figure out.

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<v Speaker 4>What is going on, We're having all of these arson fires. Well,

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<v Speaker 4>who was it?

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<v Speaker 2>It was a member of the fire department, in fact,

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<v Speaker 2>a chief in the fire department, who was a firebug

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<v Speaker 2>and who was setting all of these fires. He had

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<v Speaker 2>written a novel about a fire captain who was a pyromaniac,

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<v Speaker 2>and he was trying to sell it to get option

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<v Speaker 2>to make a movie.

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<v Speaker 4>I mean, this guy was hiding in plain sight.

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<v Speaker 2>Yeah, and I'm not going to say that firefighters are pyramaniacs,

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<v Speaker 2>but it's not the only time in the history of

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<v Speaker 2>the world that a person a firefighter turned out to

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<v Speaker 2>be someone who also had this pathological fascination with fire

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<v Speaker 2>and to the degree that they were starting them. So

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<v Speaker 2>circling back here, the question was, right, there's no insurance

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<v Speaker 2>money to be gotten by burning.

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<v Speaker 4>Down a library. Could it be revenge?

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<v Speaker 2>I'm sure somebody was in the library and a librarian

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<v Speaker 2>spoke harshly to him, and he set the library and fire.

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<v Speaker 2>No one could remember an instance of having an interaction

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<v Speaker 2>was someone that where they felt like this person was

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<v Speaker 2>angry and going to create a problem. So you've got

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<v Speaker 2>the issue of all right, it's somebody with the psychological problem.

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<v Speaker 2>How do you solve that kind of crime. The entire

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<v Speaker 2>city was invested in figuring this out. People took the

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<v Speaker 2>burning of the library very personally. Yeah, I think it

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<v Speaker 2>really stirred in people this sense that the library belonged

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<v Speaker 2>to all of us and that someone damaging it was

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<v Speaker 2>really damaging a communal property that people really cared about.

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<v Speaker 3>Take me back to that day in nineteen eighty six

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<v Speaker 3>in La How did this unfold that actual day? You

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<v Speaker 3>know where there are sprinkler systems, When did did people

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<v Speaker 3>smell the fire? And how many people you know tell

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<v Speaker 3>me that whole detail.

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<v Speaker 2>This day in April nineteen eighty six, it was a beautiful,

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<v Speaker 2>clear day. The library at that point was not in

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<v Speaker 2>good repair.

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<v Speaker 4>They had a lot of fire code violations, mostly sort

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<v Speaker 4>of insignificant things that were technical violations.

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<v Speaker 2>They had a book cart sort of in the way

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<v Speaker 2>of a fire exit and so forth. But also the

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<v Speaker 2>wiring in the building was very old. The building was

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<v Speaker 2>built in the nineteen twenties and it had been neglected.

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<v Speaker 2>It was really overdue for a serious renovation, and a

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<v Speaker 2>lot of the systems did not work well. For instance,

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<v Speaker 2>if you plugged in a coffee maker, the lights would

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<v Speaker 2>go out or you know it clearly, the wiring was

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<v Speaker 2>faulty and way overloaded a building built in the twenties.

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<v Speaker 2>There was no air conditioning because they didn't have enough

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<v Speaker 2>power coming into the building. Also the structure of the building,

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<v Speaker 2>and this is no longer the way libraries are built.

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<v Speaker 2>But you know, tons of books in a library are

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<v Speaker 2>in sort of deep storage. They're not all on the shelves,

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<v Speaker 2>They're in what is known as the stacks.

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<v Speaker 4>Back in the old days, the stacks were built like

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<v Speaker 4>small rectangular.

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<v Speaker 2>Rooms within the library, and they would go the entire

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<v Speaker 2>height of the library, resembling a chimney, no ventilation. And

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<v Speaker 2>in the case of the La Library, and this was

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<v Speaker 2>typical at the time, there were not floors between the levels.

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<v Speaker 2>Now a floor or ceiling. In the case of a fire,

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<v Speaker 2>the fire starts on the first floor and is going

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<v Speaker 2>upward and hits a ceiling, it's not going to continue upward.

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<v Speaker 2>In the case of of the stacks in the library,

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<v Speaker 2>it was seven stories and they were divided by wire grates,

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<v Speaker 2>not solid floors, so it truly resembled a seven story chimney.

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<v Speaker 4>So the morning unfolded just as any ordinary morning.

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<v Speaker 2>It was about ten or eleven AM, and a fire

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<v Speaker 2>alarm went off at that point in time. Because of

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<v Speaker 2>all of these wiring problems, fire alarms went off all

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<v Speaker 2>the time, and even though people.

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<v Speaker 4>Had to evacuate, they did it very.

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<v Speaker 2>Grudgingly because most of the time it was just some little,

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<v Speaker 2>you know, coffeemaker threw as fuse and that was all

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<v Speaker 2>it was. And you still had to evacuate the hundreds

0:15:52.560 --> 0:15:56.360
<v Speaker 2>of employees, the hundreds of patrons, So everybody was a

0:15:56.360 --> 0:15:59.880
<v Speaker 2>little slow to get out of the building. Everyone assumed

0:16:00.240 --> 0:16:05.920
<v Speaker 2>entirely that this was another false alarm. The library was

0:16:06.040 --> 0:16:08.880
<v Speaker 2>working on the adding a wing at the time, and

0:16:08.920 --> 0:16:13.080
<v Speaker 2>the architect of the new wing was in the building

0:16:13.240 --> 0:16:18.160
<v Speaker 2>having a meeting, and they all took this fire alarm

0:16:18.480 --> 0:16:24.080
<v Speaker 2>so unseeriously that he left all the plans in the building,

0:16:24.120 --> 0:16:27.640
<v Speaker 2>He left his hotel key, a lot of the librarians

0:16:27.720 --> 0:16:29.080
<v Speaker 2>left their purses. You know.

0:16:29.160 --> 0:16:31.560
<v Speaker 4>People were just like, oh god, this is such a headache.

0:16:31.600 --> 0:16:33.560
<v Speaker 2>We have to go out, and we'll left to stand

0:16:33.560 --> 0:16:37.200
<v Speaker 2>there for ten minutes. Fire department will come, they'll reset

0:16:37.240 --> 0:16:37.680
<v Speaker 2>the alarm.

0:16:37.720 --> 0:16:38.280
<v Speaker 4>That'll be it.

0:16:38.640 --> 0:16:42.640
<v Speaker 2>So everyone finally leaves the building. The fire department shows up.

0:16:43.120 --> 0:16:46.040
<v Speaker 2>You know there they've been at the library a million times,

0:16:46.160 --> 0:16:50.840
<v Speaker 2>so there again is like trudging through the building, check around.

0:16:50.920 --> 0:16:54.880
<v Speaker 2>There's no sign of anything amiss. They go to reset

0:16:55.080 --> 0:16:59.120
<v Speaker 2>the fire alarm and it wouldn't reset. And they try

0:16:59.200 --> 0:17:03.640
<v Speaker 2>again and again it wouldn't reset, which any of us

0:17:03.720 --> 0:17:08.040
<v Speaker 2>who have ever reset the breaker in our house knows

0:17:08.200 --> 0:17:10.600
<v Speaker 2>that if it's no big deal, all you do is

0:17:10.600 --> 0:17:11.439
<v Speaker 2>flip the switch.

0:17:12.600 --> 0:17:15.320
<v Speaker 4>So this would not reset.

0:17:15.520 --> 0:17:18.160
<v Speaker 2>They thought, all right, well, we'll do another walk around

0:17:18.400 --> 0:17:24.639
<v Speaker 2>because obviously there's something is wrong, which they assumed was

0:17:25.359 --> 0:17:31.119
<v Speaker 2>a failure of the fire alarm system. They walk through

0:17:31.160 --> 0:17:37.399
<v Speaker 2>the library again and finally notice a little thin thread

0:17:37.480 --> 0:17:42.600
<v Speaker 2>of smoke in the fiction department, and they come around

0:17:42.640 --> 0:17:47.760
<v Speaker 2>the corner and they see a fire that has begun.

0:17:48.359 --> 0:17:54.480
<v Speaker 2>They were absolutely astonished. What's more, when you think about

0:17:55.080 --> 0:18:01.080
<v Speaker 2>where a fire would have fuel, a library is maybe

0:18:01.840 --> 0:18:08.800
<v Speaker 2>the most delicious place for a fire to begin. What's more,

0:18:09.240 --> 0:18:15.719
<v Speaker 2>this fire had begun in the stacks, this tube that

0:18:16.600 --> 0:18:23.280
<v Speaker 2>I was describing that instantly the fire shot up through

0:18:23.440 --> 0:18:30.080
<v Speaker 2>the stacks, unstopped by floors because there were no floors,

0:18:30.200 --> 0:18:34.639
<v Speaker 2>there were just those wire grates, and it climbed the

0:18:34.680 --> 0:18:41.119
<v Speaker 2>seven stories of the stacks almost immediately. Because this was

0:18:41.200 --> 0:18:47.040
<v Speaker 2>an old building, nobody had the drawings of the interior

0:18:48.000 --> 0:18:51.639
<v Speaker 2>at the ready so that they could say, whoa, you know,

0:18:51.920 --> 0:18:56.000
<v Speaker 2>this is a seventh story chimney. We've really got to

0:18:56.040 --> 0:18:59.720
<v Speaker 2>get in there and get it stopped immediately or it's

0:18:59.760 --> 0:19:05.000
<v Speaker 2>going to really blow up. So while they're trying to

0:19:05.200 --> 0:19:09.679
<v Speaker 2>find the drawings for the building, which are hidden somewhere

0:19:09.960 --> 0:19:14.320
<v Speaker 2>in the archives from nineteen twenty six, the fire is raging.

0:19:15.400 --> 0:19:18.960
<v Speaker 2>It took off really quickly. You know, this is the

0:19:19.040 --> 0:19:23.919
<v Speaker 2>perfect environment for a fire. Not only the stacks, but

0:19:24.160 --> 0:19:27.400
<v Speaker 2>that is what fueled the fire and.

0:19:27.720 --> 0:19:30.480
<v Speaker 4>Built it the intensity that it reached.

0:19:30.560 --> 0:19:34.000
<v Speaker 2>At one point it was estimated to have reached twenty

0:19:34.040 --> 0:19:39.719
<v Speaker 2>five hundred degrees. There is a quality when a fire

0:19:40.880 --> 0:19:46.959
<v Speaker 2>is so hot that the air itself is on fire,

0:19:48.280 --> 0:19:49.800
<v Speaker 2>and you know.

0:19:49.840 --> 0:19:54.240
<v Speaker 4>That requires a fire having an enormous.

0:19:53.800 --> 0:19:59.320
<v Speaker 2>Amount of fuel, having essentially the perfect condition for fire,

0:20:00.280 --> 0:20:04.720
<v Speaker 2>and it found it in the library, book after book,

0:20:05.560 --> 0:20:12.520
<v Speaker 2>just being devoured, nothing really to stop it. The fire

0:20:13.040 --> 0:20:18.320
<v Speaker 2>doors that are now very typical in every building. They

0:20:18.359 --> 0:20:22.400
<v Speaker 2>had not installed fire doors. You know, this was an

0:20:22.440 --> 0:20:27.400
<v Speaker 2>old building and it was not up to the code

0:20:27.440 --> 0:20:32.360
<v Speaker 2>that we would now expect a building to be. And

0:20:32.560 --> 0:20:35.760
<v Speaker 2>because it was a municipal building and nobody was spending

0:20:35.800 --> 0:20:39.840
<v Speaker 2>the money and nobody was really spending the time thinking

0:20:39.880 --> 0:20:43.960
<v Speaker 2>about it, and you know, the city there were many

0:20:44.040 --> 0:20:47.639
<v Speaker 2>discussions going on about maybe the building should get torn down.

0:20:48.359 --> 0:20:51.320
<v Speaker 2>So there was a reluctance to invest in the building

0:20:51.760 --> 0:20:56.520
<v Speaker 2>because there was a movement afoot to tear it down

0:20:56.840 --> 0:21:01.359
<v Speaker 2>and replace it, sell the land, build up a library elsewhere.

0:21:01.880 --> 0:21:08.680
<v Speaker 2>So you had essentially the perfect scenario for a fire.

0:21:09.640 --> 0:21:13.119
<v Speaker 2>It burned for seven and a half hours, which is

0:21:14.040 --> 0:21:19.280
<v Speaker 2>as anyone can imagine an enormous amount of time for

0:21:19.400 --> 0:21:23.440
<v Speaker 2>a fire to be burning, but every time they would

0:21:23.640 --> 0:21:27.199
<v Speaker 2>dampen it down in one part of the library, it

0:21:27.200 --> 0:21:32.520
<v Speaker 2>would simply shoot through the building to another area and

0:21:32.640 --> 0:21:38.760
<v Speaker 2>start burning. Fire's a really interesting element. Fire has a

0:21:38.840 --> 0:21:47.400
<v Speaker 2>will to live that we normally associate with animate beings, plants, humans, animals.

0:21:47.440 --> 0:21:50.160
<v Speaker 2>You know, this sort of I want to live kind

0:21:50.200 --> 0:21:55.000
<v Speaker 2>of impulse. Fire has it too. Fire wants to keep burning,

0:21:55.680 --> 0:21:59.720
<v Speaker 2>so if it's thwarted at one point, it will turn

0:22:00.640 --> 0:22:03.000
<v Speaker 2>and look for other places to burn.

0:22:03.840 --> 0:22:04.080
<v Speaker 4>You know.

0:22:04.200 --> 0:22:07.679
<v Speaker 2>Writing about this fire was really kind of spooky. It

0:22:07.840 --> 0:22:11.679
<v Speaker 2>was as if it was this wicked creature, kind of

0:22:11.800 --> 0:22:18.520
<v Speaker 2>racing through this building, evading the firefighters and finding hidden

0:22:18.680 --> 0:22:20.040
<v Speaker 2>passages in.

0:22:19.880 --> 0:22:23.480
<v Speaker 4>The building that they didn't even know existed.

0:22:23.200 --> 0:22:26.760
<v Speaker 2>Because nobody had current plans for the building.

0:22:27.359 --> 0:22:30.120
<v Speaker 4>I mean, in the animals of fire history.

0:22:29.880 --> 0:22:33.359
<v Speaker 2>It would go down as one of the more perfect

0:22:33.400 --> 0:22:39.200
<v Speaker 2>fires from the point of view of destructiveness of an

0:22:39.320 --> 0:22:42.800
<v Speaker 2>environment that was so conducive to fire.

0:22:43.440 --> 0:22:46.679
<v Speaker 3>I remember seeing what I think continues to be one

0:22:46.680 --> 0:22:48.840
<v Speaker 3>of the most interesting movies to me, which was a

0:22:48.920 --> 0:22:52.040
<v Speaker 3>huge commercial movie Backdraft, right, and it was the first

0:22:52.040 --> 0:22:54.840
<v Speaker 3>time I had really seen it as sort of this

0:22:55.160 --> 0:22:59.520
<v Speaker 3>rolling animal almost coming through. You know, I've written about smog,

0:23:00.080 --> 0:23:02.040
<v Speaker 3>and you know, see it as that's sort of like

0:23:02.080 --> 0:23:05.800
<v Speaker 3>an entity also. So let me ask you some basic questions.

0:23:05.880 --> 0:23:09.240
<v Speaker 3>No sprinklers at all, I have to assume in the building.

0:23:09.119 --> 0:23:13.880
<v Speaker 2>No sprinklers. You know, sprinklers at that time, in nineteen

0:23:13.920 --> 0:23:19.040
<v Speaker 2>eighty six were a pretty blunt instrument. If any little

0:23:19.080 --> 0:23:23.440
<v Speaker 2>bit of smoke was detected, they would be set off,

0:23:23.840 --> 0:23:26.679
<v Speaker 2>you know, and here you are in a library with

0:23:27.040 --> 0:23:29.040
<v Speaker 2>water raining down on books.

0:23:29.240 --> 0:23:35.680
<v Speaker 4>Essentially you're ruining the books. So in fact, in the.

0:23:35.160 --> 0:23:38.879
<v Speaker 2>Tally of the books that were ruined, met all of

0:23:38.960 --> 0:23:42.200
<v Speaker 2>the books that were damaged, or the majority of the

0:23:42.240 --> 0:23:45.439
<v Speaker 2>books that were damaged were damaged by the water, not

0:23:45.800 --> 0:23:47.840
<v Speaker 2>by I mean a lot of them were damaged also

0:23:47.920 --> 0:23:50.720
<v Speaker 2>by smoke. And you know, and the four hundred thousand

0:23:50.800 --> 0:23:53.880
<v Speaker 2>that were destroyed were largely the ones that were burned,

0:23:54.520 --> 0:23:57.800
<v Speaker 2>but the water used to put out the fire. At

0:23:57.800 --> 0:24:00.840
<v Speaker 2>some point they just thought, either we're going to save

0:24:00.960 --> 0:24:05.480
<v Speaker 2>the building, or you know, that's our goal is to.

0:24:05.400 --> 0:24:06.280
<v Speaker 4>Save the building.

0:24:06.480 --> 0:24:10.200
<v Speaker 2>We cannot expect to save the books.

0:24:10.600 --> 0:24:13.880
<v Speaker 4>So libraries were very loath.

0:24:13.840 --> 0:24:19.359
<v Speaker 2>To have sprinkler systems, because just imagine someone lights a

0:24:19.400 --> 0:24:26.560
<v Speaker 2>cigarette like absent mindedly and sets off this catastrophic you know,

0:24:27.160 --> 0:24:31.400
<v Speaker 2>rain of fire. Sprinkler systems have gotten much better there

0:24:31.480 --> 0:24:34.159
<v Speaker 2>might you know a lot of them use foam and

0:24:34.240 --> 0:24:38.000
<v Speaker 2>not water. I mean, they've evolved. But remember that was

0:24:38.040 --> 0:24:41.960
<v Speaker 2>a long time ago, nineteen eighty six. Yeah, sprinkler systems

0:24:41.960 --> 0:24:46.119
<v Speaker 2>were probably new to the world at that point. I

0:24:46.119 --> 0:24:49.440
<v Speaker 2>mean I don't remember when they were developed. But they

0:24:49.480 --> 0:24:55.000
<v Speaker 2>did one thing, which was they basically triggered these sprinklers literally.

0:24:55.560 --> 0:24:59.560
<v Speaker 2>But no, the library didn't have any, nor did they

0:24:59.600 --> 0:25:02.680
<v Speaker 2>have any you know, they probably had fire hydrants around.

0:25:03.160 --> 0:25:06.280
<v Speaker 2>I mean that was the extent of it, but that

0:25:06.440 --> 0:25:10.800
<v Speaker 2>would have worked on a little tiny you know, somebody

0:25:10.880 --> 0:25:15.480
<v Speaker 2>dropped a match and they're squirting fire hydrant foam on it.

0:25:15.480 --> 0:25:19.640
<v Speaker 2>It was absolutely powerless. I mean, by the time they

0:25:19.680 --> 0:25:25.760
<v Speaker 2>discovered this fire, it was way beyond that minor control.

0:25:25.960 --> 0:25:29.879
<v Speaker 2>I mean, it not only required the fire department, but

0:25:30.000 --> 0:25:33.480
<v Speaker 2>it nearly outmatched the fire department.

0:25:34.040 --> 0:25:36.480
<v Speaker 3>So when they first discovered the fire, you said in

0:25:36.520 --> 0:25:40.919
<v Speaker 3>the fiction section, was it clear what the origin was

0:25:41.119 --> 0:25:43.320
<v Speaker 3>of the fire? I mean, did they look at this

0:25:43.400 --> 0:25:45.399
<v Speaker 3>and say this does not look electrical. It looks like

0:25:45.440 --> 0:25:48.080
<v Speaker 3>this was intentional based on where it started.

0:25:48.720 --> 0:25:54.720
<v Speaker 2>Yes and no, yes they believe that. I mean the

0:25:55.359 --> 0:25:58.480
<v Speaker 2>science of arson. And let me go on my little

0:25:58.600 --> 0:26:05.520
<v Speaker 2>rant here about arsen Most of the learning about arson

0:26:06.720 --> 0:26:12.719
<v Speaker 2>had been mainly sort of folk knowledge that was passed

0:26:12.720 --> 0:26:18.359
<v Speaker 2>down from firefighter to firefighter, not based on science, not

0:26:18.560 --> 0:26:24.320
<v Speaker 2>based on actual clinical studies. The area that's most burned

0:26:25.640 --> 0:26:29.040
<v Speaker 2>is where the fire started. That was the thought.

0:26:30.080 --> 0:26:34.080
<v Speaker 4>Well, we have learned in more.

0:26:34.000 --> 0:26:38.080
<v Speaker 2>Recent time, with actual studies of fire, that that is

0:26:38.160 --> 0:26:42.399
<v Speaker 2>not true. It may be where the fire started, but

0:26:42.480 --> 0:26:46.280
<v Speaker 2>it is not necessarily where the fire started. So this

0:26:46.480 --> 0:26:52.440
<v Speaker 2>is like the foundational belief of arson investigators, and that

0:26:52.600 --> 0:26:55.320
<v Speaker 2>is wherever it's burned the most, that's where it started.

0:26:56.000 --> 0:27:03.600
<v Speaker 2>There was a very famous case in Texas of a

0:27:03.640 --> 0:27:08.159
<v Speaker 2>guy who was accused of setting his house on fire

0:27:08.960 --> 0:27:13.760
<v Speaker 2>by lighting a fire under his children's beds, and the

0:27:13.880 --> 0:27:18.120
<v Speaker 2>children died. He was sent to death row and he was.

0:27:18.080 --> 0:27:20.119
<v Speaker 1>Executed Todd Willingham.

0:27:20.320 --> 0:27:26.439
<v Speaker 2>Yeah, and then some years later, through the advocacy of

0:27:26.560 --> 0:27:30.760
<v Speaker 2>people who truly believed he was innocent, they were able

0:27:30.840 --> 0:27:35.560
<v Speaker 2>to prove pretty much without a doubt that the fire

0:27:35.640 --> 0:27:41.200
<v Speaker 2>had started in a habachi on their front porch, and

0:27:41.400 --> 0:27:44.440
<v Speaker 2>of course it was too late. They had already executed him.

0:27:45.200 --> 0:27:51.520
<v Speaker 2>And it was the first really dramatic exposure of there's

0:27:51.560 --> 0:27:55.000
<v Speaker 2>nothing malicious in this misperception.

0:27:55.359 --> 0:27:59.560
<v Speaker 1>It was believe you don't know what you don't know, right, And.

0:27:59.440 --> 0:28:00.720
<v Speaker 4>There's just logic.

0:28:00.800 --> 0:28:03.320
<v Speaker 2>Where it got burned the most is where it burned

0:28:03.960 --> 0:28:06.800
<v Speaker 2>the longest, which means that's where it started.

0:28:07.880 --> 0:28:09.119
<v Speaker 4>It's just not true.

0:28:09.720 --> 0:28:13.840
<v Speaker 2>And you know, in the Library book, I talked to

0:28:14.920 --> 0:28:19.119
<v Speaker 2>the guy who runs what is called the Arson Innocence Project,

0:28:20.240 --> 0:28:23.560
<v Speaker 2>which is similar to the Innocence Project that looks at

0:28:23.600 --> 0:28:28.080
<v Speaker 2>people on death Row and re examines their case. And

0:28:28.119 --> 0:28:33.560
<v Speaker 2>in this case, you know, given that Arson increasingly has

0:28:33.640 --> 0:28:39.920
<v Speaker 2>been reconsidered, the science behind it the way to prove cause,

0:28:40.360 --> 0:28:43.360
<v Speaker 2>and it's very important to prove where it started.

0:28:44.040 --> 0:28:46.080
<v Speaker 4>That is kind of essential.

0:28:47.040 --> 0:28:49.480
<v Speaker 2>You know, if a fire started under a kid's bed

0:28:49.520 --> 0:28:55.640
<v Speaker 2>where there's no electrical or no other cause, you can say, well, obviously,

0:28:56.760 --> 0:29:00.480
<v Speaker 2>the only other person in the house must have lit

0:29:00.640 --> 0:29:03.840
<v Speaker 2>a match under his kid's bed. But if you can

0:29:03.920 --> 0:29:08.080
<v Speaker 2>say there was a hibachi that had live coals in

0:29:08.120 --> 0:29:14.640
<v Speaker 2>the front porch, suddenly you have an absolutely obvious potential cause.

0:29:15.320 --> 0:29:16.960
<v Speaker 4>So this isn't just.

0:29:17.000 --> 0:29:23.080
<v Speaker 2>A matter of curiosity. It's actually extremely important to solving

0:29:23.920 --> 0:29:27.800
<v Speaker 2>whether something is an arson at all or you know

0:29:28.360 --> 0:29:31.680
<v Speaker 2>who did it and why, and you know what the

0:29:32.520 --> 0:29:37.240
<v Speaker 2>whole story of the arsen is. In the case of

0:29:37.280 --> 0:29:42.120
<v Speaker 2>the library, the area that was burned the most was

0:29:42.240 --> 0:29:47.000
<v Speaker 2>this area in the fiction department. There were no wires,

0:29:47.120 --> 0:29:50.640
<v Speaker 2>there were no there was no evident cause.

0:29:51.520 --> 0:29:53.560
<v Speaker 4>So you have to say that it had.

0:29:53.360 --> 0:29:57.800
<v Speaker 2>To be human, a human hand, which is the language

0:29:57.840 --> 0:30:02.520
<v Speaker 2>that they use. It was a human hand because there

0:30:02.520 --> 0:30:05.719
<v Speaker 2>were no wires, there were no fuses, there was you know,

0:30:05.800 --> 0:30:10.120
<v Speaker 2>there was nothing where you could say, here's the potential cause,

0:30:10.920 --> 0:30:15.240
<v Speaker 2>and that shows that it could have been truly an

0:30:15.280 --> 0:30:21.400
<v Speaker 2>accident that nobody made happen. In this case, they said,

0:30:21.400 --> 0:30:26.200
<v Speaker 2>the fire started here in the fiction section, and there

0:30:26.240 --> 0:30:31.400
<v Speaker 2>was nothing near enough that could have triggered a fire.

0:30:31.960 --> 0:30:33.400
<v Speaker 4>Therefore it was arson.

0:30:34.000 --> 0:30:39.000
<v Speaker 2>Therefore we must look for the person who started it. Now,

0:30:39.080 --> 0:30:44.040
<v Speaker 2>I will just sidetrack here to say that when I

0:30:44.080 --> 0:30:48.760
<v Speaker 2>went to the Arson Innocence Project, I gave them all

0:30:48.880 --> 0:30:51.520
<v Speaker 2>the material that I was able to gather from the

0:30:51.520 --> 0:30:56.480
<v Speaker 2>fire department, the investigation, and while they didn't do a

0:30:56.560 --> 0:31:02.920
<v Speaker 2>formal review, His take on it was I don't really

0:31:02.960 --> 0:31:04.160
<v Speaker 2>see how this is arson.

0:31:05.240 --> 0:31:09.400
<v Speaker 4>You have dozens of I don't want to say the

0:31:09.440 --> 0:31:12.760
<v Speaker 4>library it was a fire trap, but it kind of was.

0:31:13.520 --> 0:31:19.959
<v Speaker 2>It had known problems with wiring, which is very often

0:31:20.080 --> 0:31:25.280
<v Speaker 2>the cause of an unexplained fire. You have tons of fuel.

0:31:25.800 --> 0:31:27.760
<v Speaker 2>I mean, if the fire starts in the middle of

0:31:27.800 --> 0:31:32.360
<v Speaker 2>a refrigerator, you know, you or some environment where there's

0:31:32.400 --> 0:31:35.840
<v Speaker 2>nothing to burn, right, then you think, all right, that's crazy.

0:31:36.000 --> 0:31:39.640
<v Speaker 2>How could the fire have started here? This wasn't a library.

0:31:39.840 --> 0:31:45.880
<v Speaker 2>It's filled with paper. I mean the fire load, which

0:31:45.960 --> 0:31:51.640
<v Speaker 2>is the terminology for sort of burnable material in a

0:31:51.720 --> 0:31:55.720
<v Speaker 2>library is higher than literally anywhere except maybe a sawmill.

0:31:56.080 --> 0:32:03.640
<v Speaker 2>You know, it's just absolutely stacked with burnable material that's

0:32:03.800 --> 0:32:09.400
<v Speaker 2>very reachable by fire. But the fire investigators, and again

0:32:09.640 --> 0:32:13.640
<v Speaker 2>I'm not trying to say that they were malicious or

0:32:14.600 --> 0:32:20.440
<v Speaker 2>dumb or you know, they were going by the accepted

0:32:21.080 --> 0:32:25.880
<v Speaker 2>standard of fire investigation, which said, look where it's burned

0:32:25.880 --> 0:32:29.280
<v Speaker 2>the most, burn the most in the fiction sex nothing

0:32:29.360 --> 0:32:32.720
<v Speaker 2>around that could have triggered it must have been arson. Now, look,

0:32:32.760 --> 0:32:37.080
<v Speaker 2>a library is an open door. Anyone and everyone is

0:32:37.160 --> 0:32:39.840
<v Speaker 2>welcome to the library. That's part of their glory. That's

0:32:39.960 --> 0:32:46.400
<v Speaker 2>part of why they are such special institutions. Anyone can

0:32:46.440 --> 0:32:47.560
<v Speaker 2>come into a library.

0:32:48.080 --> 0:32:49.960
<v Speaker 4>That means that you.

0:32:50.200 --> 0:32:56.520
<v Speaker 2>Can have people with ill intent coming into a library,

0:32:56.960 --> 0:33:01.040
<v Speaker 2>and it's very different from a private home a private

0:33:01.120 --> 0:33:04.120
<v Speaker 2>business where there's a lot of control.

0:33:03.720 --> 0:33:05.160
<v Speaker 4>Over who comes in and out.

0:33:06.160 --> 0:33:12.120
<v Speaker 2>Libraries by definition, are the ultimate democratic institution in our cities.

0:33:12.600 --> 0:33:17.960
<v Speaker 2>Anyone can come in. A person who is a pyromaniac

0:33:18.240 --> 0:33:22.800
<v Speaker 2>can come in. The scenario that developed was very logical,

0:33:23.040 --> 0:33:28.160
<v Speaker 2>which is someone with a mental problem or who was

0:33:28.280 --> 0:33:30.440
<v Speaker 2>just going to get a thrill out of seeing this

0:33:30.640 --> 0:33:32.640
<v Speaker 2>big dramatic fire.

0:33:32.880 --> 0:33:35.120
<v Speaker 4>Came in there, and maybe they.

0:33:35.040 --> 0:33:38.080
<v Speaker 2>Even had a grudge against someone at the library, we

0:33:38.160 --> 0:33:42.440
<v Speaker 2>don't know and dropped a match. I mean, look, it'd

0:33:42.520 --> 0:33:44.840
<v Speaker 2>be pretty easy to start a fire in a library.

0:33:45.440 --> 0:33:52.920
<v Speaker 2>So all of the focus turned immediately to who started

0:33:52.960 --> 0:33:58.160
<v Speaker 2>the fire. There was very little investigation into can we

0:33:58.320 --> 0:34:04.760
<v Speaker 2>find a car because that explains the fire where it

0:34:04.920 --> 0:34:09.719
<v Speaker 2>wasn't an arson. There really was very little investigation, or

0:34:10.000 --> 0:34:15.799
<v Speaker 2>I would venture to say no investigation into whether there

0:34:15.880 --> 0:34:18.720
<v Speaker 2>was some other probable cause.

0:34:19.360 --> 0:34:20.239
<v Speaker 4>Because once they.

0:34:20.200 --> 0:34:23.040
<v Speaker 2>Decided the fire had started there in the fiction Stax,

0:34:23.160 --> 0:34:26.000
<v Speaker 2>that was it. They were off to the races it

0:34:26.040 --> 0:34:30.560
<v Speaker 2>was someone lighting a fire. They never found a match,

0:34:30.680 --> 0:34:36.880
<v Speaker 2>they never found accelerant, they never found material evidence beyond

0:34:37.040 --> 0:34:40.239
<v Speaker 2>saying the fire started here, and there's no other explanation

0:34:41.200 --> 0:34:43.719
<v Speaker 2>than the fact that a person started it.

0:34:47.000 --> 0:34:49.879
<v Speaker 3>You know, I remember interviewing David Grant about that piece

0:34:49.920 --> 0:34:52.640
<v Speaker 3>that he wrote about Todd Willingham, and you know, I

0:34:52.640 --> 0:34:54.439
<v Speaker 3>had read about it for a long time. My dad,

0:34:54.440 --> 0:34:56.319
<v Speaker 3>who was a law professor in the head of the

0:34:56.360 --> 0:35:00.160
<v Speaker 3>Innocence Project that UT, talked about that case. And what

0:35:00.239 --> 0:35:03.920
<v Speaker 3>I remember David Grant talking about is the reason that

0:35:04.280 --> 0:35:06.200
<v Speaker 3>they were proving that this was arson and that must

0:35:06.200 --> 0:35:09.319
<v Speaker 3>have been Willingham was the pattern, like the spider like

0:35:09.400 --> 0:35:13.000
<v Speaker 3>pattern that was on the glass. And to the you know,

0:35:13.040 --> 0:35:16.080
<v Speaker 3>so called expert, this meant you only see that with

0:35:16.160 --> 0:35:18.760
<v Speaker 3>an arson. And then you have an expert come along

0:35:18.920 --> 0:35:22.360
<v Speaker 3>after Willingham's been executed, or actually I think it was

0:35:22.440 --> 0:35:24.760
<v Speaker 3>right before he was executed, because this was an appeal

0:35:25.320 --> 0:35:29.359
<v Speaker 3>and say this happens with home fires that are just accidental. Look,

0:35:29.400 --> 0:35:31.759
<v Speaker 3>this is the pattern, and he can recreate it. And

0:35:31.800 --> 0:35:35.080
<v Speaker 3>so learning about you know, what arson and what fires

0:35:35.120 --> 0:35:38.279
<v Speaker 3>are capable of is so important because I would hate

0:35:38.280 --> 0:35:40.160
<v Speaker 3>for it to be thought of as like a junk science.

0:35:40.280 --> 0:35:42.319
<v Speaker 3>It shouldn't be thought of a junk science. But with

0:35:42.440 --> 0:35:45.920
<v Speaker 3>that case with Willingham, it was alarming after that because

0:35:45.960 --> 0:35:48.080
<v Speaker 3>then you know who are you supposed to trust. So

0:35:48.600 --> 0:35:51.360
<v Speaker 3>they are on a mission. It sounds like to find

0:35:51.600 --> 0:35:55.600
<v Speaker 3>an arsonist who maybe didn't exist, But do they have

0:35:55.640 --> 0:35:57.440
<v Speaker 3>any kind of suspects or how do how do we

0:35:57.480 --> 0:35:59.719
<v Speaker 3>even move forward when this is open to thousands and

0:35:59.800 --> 0:36:01.080
<v Speaker 3>year thousands of people.

0:36:01.360 --> 0:36:04.879
<v Speaker 2>And also I would like to point out, even though

0:36:04.880 --> 0:36:09.840
<v Speaker 2>it's shocking to even imagine, there are no cameras filming

0:36:09.920 --> 0:36:13.960
<v Speaker 2>people in nineteen eighty six. Now I don't know whether

0:36:14.120 --> 0:36:19.040
<v Speaker 2>today there are security cameras. My guesses there are just

0:36:19.520 --> 0:36:23.080
<v Speaker 2>not so much to film who is coming into the library,

0:36:23.400 --> 0:36:27.719
<v Speaker 2>but for security purposes on the perimeter of the library.

0:36:28.400 --> 0:36:30.480
<v Speaker 2>You do not log.

0:36:30.239 --> 0:36:32.960
<v Speaker 4>In when you come into a library. You walk in.

0:36:33.840 --> 0:36:39.120
<v Speaker 2>And that's part of the freedom that we all expect,

0:36:39.160 --> 0:36:41.239
<v Speaker 2>which is you want to be able to go into

0:36:41.320 --> 0:36:45.240
<v Speaker 2>a library and not be monitored and not have someone

0:36:45.440 --> 0:36:48.279
<v Speaker 2>tracking what book you take out. I mean, that's very

0:36:48.320 --> 0:36:52.760
<v Speaker 2>important to the principle of libraries, which is it's open

0:36:52.800 --> 0:36:56.680
<v Speaker 2>to anyone and your privacy is protected. And this is

0:36:57.000 --> 0:37:01.280
<v Speaker 2>a very important issue when you think about it. If

0:37:01.560 --> 0:37:05.920
<v Speaker 2>the record of the books you checked out were open

0:37:06.160 --> 0:37:11.320
<v Speaker 2>to public scrutiny, you lose a huge amount of privacy

0:37:11.600 --> 0:37:14.160
<v Speaker 2>in a very real way. And a lot of people

0:37:14.200 --> 0:37:17.200
<v Speaker 2>come to the library to take books out about something

0:37:17.239 --> 0:37:21.640
<v Speaker 2>that they are sensitive about, and they fully expect that

0:37:21.840 --> 0:37:25.319
<v Speaker 2>they're except for the librarian who checks the book out,

0:37:25.760 --> 0:37:29.239
<v Speaker 2>it's a private matter. So I know it's hard for

0:37:29.440 --> 0:37:33.680
<v Speaker 2>us in this day and age of endless security cameras

0:37:33.719 --> 0:37:38.160
<v Speaker 2>and everything is filmed and you don't enter a building

0:37:38.320 --> 0:37:39.960
<v Speaker 2>without checking in at.

0:37:39.800 --> 0:37:40.319
<v Speaker 4>The front door.

0:37:40.840 --> 0:37:43.880
<v Speaker 2>None of that is true in libraries now, but in

0:37:43.960 --> 0:37:49.560
<v Speaker 2>nineteen eighty six even less so there is no record

0:37:50.160 --> 0:37:53.960
<v Speaker 2>of who was in the library that day. Now, you

0:37:53.960 --> 0:37:56.239
<v Speaker 2>could say, well, that's too bad, because they could have

0:37:56.320 --> 0:38:00.239
<v Speaker 2>narrowed it down. Yeah, but we're talking about it very

0:38:00.280 --> 0:38:05.640
<v Speaker 2>important principle of privacy that I think is Luckily we're

0:38:05.640 --> 0:38:10.440
<v Speaker 2>not talking about endless crime in libraries where we need monitoring.

0:38:11.000 --> 0:38:13.719
<v Speaker 2>But this is a long way of saying that there

0:38:13.800 --> 0:38:16.359
<v Speaker 2>was no record of who was in the library that day.

0:38:17.040 --> 0:38:20.279
<v Speaker 2>I mean, all the librarians were interviewed, no one had

0:38:20.400 --> 0:38:26.399
<v Speaker 2>seen anything. None of the librarians had smelled fire. They

0:38:26.480 --> 0:38:30.160
<v Speaker 2>left the building because the fire alarm went off, and

0:38:30.960 --> 0:38:35.800
<v Speaker 2>so there was no eyewitness. A few of them said, well,

0:38:35.880 --> 0:38:39.719
<v Speaker 2>there was a guy, kind of an odd guy, and

0:38:39.760 --> 0:38:41.840
<v Speaker 2>this guy is a kind of an odd guy, but

0:38:42.400 --> 0:38:48.040
<v Speaker 2>you know nothing beyond he's our regular patron and he's.

0:38:47.600 --> 0:38:48.759
<v Speaker 4>A bit of an odd guy.

0:38:49.600 --> 0:38:57.200
<v Speaker 2>So the investigation would have been extremely unproductive but for

0:38:57.320 --> 0:39:02.760
<v Speaker 2>the fact that a young man named Harry Peek, who

0:39:03.000 --> 0:39:08.840
<v Speaker 2>was a want to be actor, a boastful kind of

0:39:08.920 --> 0:39:14.160
<v Speaker 2>performative guy, began saying to people, did you see that

0:39:14.200 --> 0:39:15.400
<v Speaker 2>big library fire?

0:39:15.800 --> 0:39:16.839
<v Speaker 4>I started it?

0:39:17.600 --> 0:39:21.480
<v Speaker 2>And you know, he was telling friends, he was bragging,

0:39:22.120 --> 0:39:27.080
<v Speaker 2>and eventually one of his friends, because there was a reward,

0:39:27.719 --> 0:39:32.240
<v Speaker 2>told the police. My friend Harry Peek says he started

0:39:32.280 --> 0:39:36.960
<v Speaker 2>the fire. So Harry, you know, you could say, we

0:39:37.040 --> 0:39:39.400
<v Speaker 2>know for a fact that Harry was guilty of the

0:39:39.440 --> 0:39:44.279
<v Speaker 2>crime of being an idiot. I would say, if he

0:39:44.600 --> 0:39:48.799
<v Speaker 2>started the fire, maybe not such a good idea to

0:39:49.000 --> 0:39:51.279
<v Speaker 2>go around saying your friends, hey, guess.

0:39:51.000 --> 0:39:52.480
<v Speaker 4>What, I started the fire.

0:39:53.239 --> 0:39:56.760
<v Speaker 2>But lucky for us, a lot of criminals are really

0:39:56.800 --> 0:40:00.640
<v Speaker 2>not very bright and tend to brag about their crime.

0:40:01.080 --> 0:40:04.359
<v Speaker 2>But the problem is with someone who is a notorious

0:40:04.520 --> 0:40:08.960
<v Speaker 2>fabulous Did he really start the fire or is it

0:40:09.080 --> 0:40:11.960
<v Speaker 2>that it was the big event of the day and

0:40:12.040 --> 0:40:15.040
<v Speaker 2>he'd liked placing himself at the center of it.

0:40:15.440 --> 0:40:18.480
<v Speaker 4>There was no murder, right, There were no injuries.

0:40:18.880 --> 0:40:22.680
<v Speaker 2>I mean a few of the firefighters were hospitalized in

0:40:23.440 --> 0:40:25.400
<v Speaker 2>you know, the course of putting out the fire, the

0:40:25.800 --> 0:40:31.160
<v Speaker 2>heat exhaustion, the typical issues that arise in terms of

0:40:32.080 --> 0:40:36.719
<v Speaker 2>you know, their exposure to smoke, their heat exhaustion. But

0:40:36.920 --> 0:40:40.440
<v Speaker 2>no one, I mean luckily, because the fire alarm went off.

0:40:41.200 --> 0:40:45.400
<v Speaker 2>Everyone was well out of the building for probably forty

0:40:45.440 --> 0:40:47.760
<v Speaker 2>five minutes before they found the fire.

0:40:48.200 --> 0:40:50.480
<v Speaker 3>Well, these days, I would say, I don't know what

0:40:50.520 --> 0:40:52.040
<v Speaker 3>they would have done in eighty six.

0:40:52.160 --> 0:40:53.839
<v Speaker 1>But you would have to think the same thing.

0:40:53.920 --> 0:40:57.160
<v Speaker 3>If you're convinced as an investigator that you've got someone

0:40:57.560 --> 0:41:00.520
<v Speaker 3>you know who started a fire, and then you have

0:41:00.600 --> 0:41:02.799
<v Speaker 3>somebody ragging about it, you bring that person in and

0:41:02.840 --> 0:41:06.480
<v Speaker 3>you have them somehow confirm evidence right that you have

0:41:06.600 --> 0:41:09.920
<v Speaker 3>not released. You know, So okay, you say you started

0:41:09.920 --> 0:41:11.839
<v Speaker 3>the fire, how exactly did you do it?

0:41:12.040 --> 0:41:13.520
<v Speaker 1>And I wonder how much.

0:41:13.920 --> 0:41:17.920
<v Speaker 3>The arson investigators released to the LA Times or you

0:41:17.960 --> 0:41:21.600
<v Speaker 3>know whoever. So that there was no holdback at all.

0:41:21.680 --> 0:41:26.960
<v Speaker 2>Right, Well, in Harry's case, I mean one of his problems,

0:41:27.360 --> 0:41:31.040
<v Speaker 2>and you know, I wish, as a crime consultant, I

0:41:31.080 --> 0:41:33.879
<v Speaker 2>could have said to him, bad move to say you

0:41:33.920 --> 0:41:38.719
<v Speaker 2>did it, even a worse move to have multiple alibis,

0:41:39.320 --> 0:41:44.000
<v Speaker 2>which is how this unfolded. First he said that he

0:41:44.040 --> 0:41:47.000
<v Speaker 2>was at his parents' house. Then he said he was

0:41:47.040 --> 0:41:49.600
<v Speaker 2>in the library, but he didn't do it. Then he

0:41:49.719 --> 0:41:54.440
<v Speaker 2>said he was actually having lunch with two friends, you know,

0:41:54.560 --> 0:41:59.480
<v Speaker 2>across town, and you know, it's never a good look to.

0:41:59.480 --> 0:42:01.160
<v Speaker 4>Have multiple excuses.

0:42:01.640 --> 0:42:07.520
<v Speaker 2>Ultimately, these two friends did vouch for him having lunch

0:42:07.600 --> 0:42:13.239
<v Speaker 2>with them, but both of these friends were very questionable.

0:42:13.840 --> 0:42:19.240
<v Speaker 2>I would say that their vouching for him was about

0:42:19.360 --> 0:42:24.360
<v Speaker 2>as slender a kind of alibi as he could possibly

0:42:24.440 --> 0:42:28.640
<v Speaker 2>have had. Also, you think, if you really would with

0:42:28.680 --> 0:42:32.000
<v Speaker 2>your friends, why would you have first said you were

0:42:32.040 --> 0:42:34.640
<v Speaker 2>at your parents. And there was no record of him

0:42:34.680 --> 0:42:37.840
<v Speaker 2>being at his parents for sure, because he claimed to

0:42:37.840 --> 0:42:40.200
<v Speaker 2>have made phone calls while he was at his parents

0:42:40.719 --> 0:42:43.799
<v Speaker 2>back in the day they were all landlines, it was

0:42:43.920 --> 0:42:47.120
<v Speaker 2>very easy to see that there were no phone calls

0:42:47.160 --> 0:42:50.080
<v Speaker 2>made from his parents house during that time. So boom,

0:42:50.239 --> 0:42:53.560
<v Speaker 2>that alibi went out the door. He said he was

0:42:53.600 --> 0:42:56.480
<v Speaker 2>in the library, but he didn't do it. That's not

0:42:56.800 --> 0:42:59.840
<v Speaker 2>exactly an albi. That's like, yeah, I was there, but

0:43:00.480 --> 0:43:03.280
<v Speaker 2>I didn't do it, even though I said I did.

0:43:03.120 --> 0:43:05.840
<v Speaker 3>It, yeah, and no one could I d him. I

0:43:05.880 --> 0:43:08.000
<v Speaker 3>have to assume nobody would I d him there. No

0:43:08.040 --> 0:43:09.439
<v Speaker 3>one said oh yeah, I remember that guy.

0:43:09.600 --> 0:43:10.040
<v Speaker 4>Oh right.

0:43:10.200 --> 0:43:15.359
<v Speaker 2>Well, there was one woman who you know, everybody was

0:43:16.000 --> 0:43:19.880
<v Speaker 2>leaving the library during the fire alarm, and so people

0:43:19.880 --> 0:43:25.000
<v Speaker 2>were sort of hurrying out, and Harry said that he

0:43:25.400 --> 0:43:31.520
<v Speaker 2>had been rushing and had elbowed a woman, an older lady,

0:43:31.880 --> 0:43:34.960
<v Speaker 2>and then apologized to her on his way out.

0:43:35.880 --> 0:43:37.279
<v Speaker 4>There was a woman.

0:43:37.560 --> 0:43:42.760
<v Speaker 2>When she was interviewed who said, yes, somebody had pushed

0:43:42.920 --> 0:43:46.600
<v Speaker 2>in front of her in the line going out. She

0:43:46.680 --> 0:43:49.520
<v Speaker 2>didn't remember what he looked like, but she remembered someone

0:43:49.680 --> 0:43:54.040
<v Speaker 2>had sort of pushed. Yes, that has like a little

0:43:54.560 --> 0:43:59.600
<v Speaker 2>kind of tang of truth, but she couldn't identify him.

0:44:00.239 --> 0:44:01.799
<v Speaker 1>There's a lot of people leaving too.

0:44:01.920 --> 0:44:03.759
<v Speaker 3>I mean, everybody's trying to get they're all pissed off,

0:44:03.760 --> 0:44:06.200
<v Speaker 3>they're walking out the door. I mean, everybody's probably gonna

0:44:06.200 --> 0:44:07.440
<v Speaker 3>get knocked in a little bit.

0:44:07.600 --> 0:44:10.759
<v Speaker 2>Right exactly, So just saying Oh, yes, somebody kind of

0:44:10.800 --> 0:44:14.719
<v Speaker 2>pushed ahead of me. If you've ever been evacuated from

0:44:14.760 --> 0:44:18.080
<v Speaker 2>a building, I assure you there's a lot of pushing.

0:44:18.800 --> 0:44:19.000
<v Speaker 2>You know.

0:44:19.080 --> 0:44:19.839
<v Speaker 4>Harry was a.

0:44:19.920 --> 0:44:24.200
<v Speaker 2>Pretty noticeable guy. He was good looking, tall, blonde, you know,

0:44:25.400 --> 0:44:29.440
<v Speaker 2>unlike a number of other good looking, young blonde guys

0:44:29.920 --> 0:44:36.000
<v Speaker 2>in LA But he was somewhat distinctive. But nobody could

0:44:36.200 --> 0:44:40.040
<v Speaker 2>absolutely say he was there. Now, the real question is

0:44:40.840 --> 0:44:43.680
<v Speaker 2>did he do it? And if he did it.

0:44:44.360 --> 0:44:45.880
<v Speaker 4>Why now.

0:44:46.520 --> 0:44:55.320
<v Speaker 2>Most pyromaniacs begin demonstrating their pathology young.

0:44:55.880 --> 0:44:58.480
<v Speaker 4>I mean, it's a real pathology.

0:44:58.000 --> 0:45:01.840
<v Speaker 2>And these are the kids that, when they're nine and

0:45:01.960 --> 0:45:07.200
<v Speaker 2>ten years old are starting fires. It's very, very unusual

0:45:08.280 --> 0:45:13.960
<v Speaker 2>for an adult who has never demonstrated pyromania to suddenly

0:45:14.640 --> 0:45:20.840
<v Speaker 2>have a you know, florid evolution of it at age

0:45:21.160 --> 0:45:24.560
<v Speaker 2>twenty eight or what. I can't remember Harry's exact age,

0:45:24.560 --> 0:45:28.919
<v Speaker 2>but he was in his twenties. It's just it's very rare.

0:45:29.400 --> 0:45:33.720
<v Speaker 2>It's almost always something that kids begin demonstrating when they're kids.

0:45:34.640 --> 0:45:36.840
<v Speaker 4>So that didn't.

0:45:36.400 --> 0:45:40.680
<v Speaker 2>Hold with the usual understanding of pyromania.

0:45:41.400 --> 0:45:43.799
<v Speaker 4>So let's say he's not a pyromaniac. He was just

0:45:43.880 --> 0:45:44.800
<v Speaker 4>goofing around.

0:45:45.480 --> 0:45:46.840
<v Speaker 2>That's a pretty big goof.

0:45:47.040 --> 0:45:48.200
<v Speaker 4>Like Harry was.

0:45:48.200 --> 0:45:53.080
<v Speaker 2>A fibber and a liar and a boaster. To me,

0:45:53.600 --> 0:45:57.600
<v Speaker 2>starting a fire in a library is a different species

0:45:57.760 --> 0:46:02.359
<v Speaker 2>of behavior than say, people, I'm up for a role

0:46:02.680 --> 0:46:06.759
<v Speaker 2>in uh Hawaii five Ohm. Hm, you know that's a

0:46:06.800 --> 0:46:10.600
<v Speaker 2>fib No one is harmed by it. He was not

0:46:11.360 --> 0:46:15.719
<v Speaker 2>a destructive person, a person who had ever done it.

0:46:15.800 --> 0:46:18.799
<v Speaker 2>He was a fuck up. Yeah, you know, he was

0:46:19.560 --> 0:46:23.680
<v Speaker 2>a guy who boasted about his career in Hollywood. He

0:46:23.840 --> 0:46:27.239
<v Speaker 2>was you know, he was one of those guys who's

0:46:27.280 --> 0:46:29.719
<v Speaker 2>always got a story, he's always about to get a

0:46:29.760 --> 0:46:34.080
<v Speaker 2>big role in a show. But he had never done

0:46:34.080 --> 0:46:40.120
<v Speaker 2>anything that seemed like a prelude to such a truly

0:46:40.200 --> 0:46:41.600
<v Speaker 2>anti social act.

0:46:42.320 --> 0:46:45.040
<v Speaker 3>That would be an odd statement, I mean specifically at

0:46:45.680 --> 0:46:48.560
<v Speaker 3>a library, which I mean maybe he was a smart guy,

0:46:48.600 --> 0:46:51.640
<v Speaker 3>but it didn't seem maybe that unlike you. Maybe there's

0:46:51.640 --> 0:46:54.279
<v Speaker 3>no personal I can't imagine there's a personal connection between

0:46:54.320 --> 0:46:58.000
<v Speaker 3>Harry and libraries where you might make a statement about

0:46:58.239 --> 0:47:01.360
<v Speaker 3>freedom of speech or or what you know, your ability

0:47:01.800 --> 0:47:04.200
<v Speaker 3>to read whatever you want and privacy and all of that.

0:47:04.480 --> 0:47:07.319
<v Speaker 3>So yeah, that is that does not really fit in

0:47:08.320 --> 0:47:11.799
<v Speaker 3>with what you're thinking would be something Harry would do,

0:47:11.840 --> 0:47:13.359
<v Speaker 3>which would be bragging that.

0:47:13.280 --> 0:47:15.640
<v Speaker 1>He was in a film with Marlon Brando when he really.

0:47:15.440 --> 0:47:21.000
<v Speaker 2>Wasn't right exactly. I mean the kinds of psychopathy that

0:47:21.160 --> 0:47:29.719
<v Speaker 2>he that you expect from him was these boastful, ragged docio.

0:47:30.480 --> 0:47:33.600
<v Speaker 2>You know, I'm really good friends now with Clint Eastwood.

0:47:33.760 --> 0:47:35.960
<v Speaker 2>I'm going to be in a new movie with so

0:47:36.000 --> 0:47:39.879
<v Speaker 2>and so, and again, I think it's important to say

0:47:39.960 --> 0:47:44.399
<v Speaker 2>that no one was ever harmed by his FIBs. They

0:47:44.440 --> 0:47:51.560
<v Speaker 2>were sort of silly, braggy kinds of statements. He was

0:47:51.680 --> 0:47:56.359
<v Speaker 2>not a malicious person, a harmful person. Everyone I interviewed

0:47:57.040 --> 0:48:00.680
<v Speaker 2>who knew him said, you know, he was like big kid.

0:48:00.920 --> 0:48:05.919
<v Speaker 2>He was, you know, a Peter Pan, a guy who

0:48:06.239 --> 0:48:10.359
<v Speaker 2>really pictured himself making it in Hollywood. Yeah, even though

0:48:10.400 --> 0:48:13.600
<v Speaker 2>he had terrible stage fright, I mean there were there

0:48:13.680 --> 0:48:16.320
<v Speaker 2>was something about him that seemed actually innocent.

0:48:17.000 --> 0:48:19.400
<v Speaker 4>Starting a fire is such a leap.

0:48:19.800 --> 0:48:25.080
<v Speaker 2>It's it's a pretty aggressive, pretty scary thing to do.

0:48:25.560 --> 0:48:28.120
<v Speaker 3>And it's risky too, because you know what I've learned

0:48:28.760 --> 0:48:31.640
<v Speaker 3>when I've been writing about ar since to cover up murders,

0:48:31.760 --> 0:48:34.120
<v Speaker 3>I interviewed a forensic chemist and she said, people don't

0:48:34.200 --> 0:48:38.160
<v Speaker 3>understand you're not lighting gasoline, you're lighting the fumes.

0:48:38.239 --> 0:48:41.440
<v Speaker 1>That's what happens. It's the fumes that catch fire and

0:48:41.480 --> 0:48:42.320
<v Speaker 1>spread everything.

0:48:42.719 --> 0:48:44.919
<v Speaker 3>And so she said, people are so dumb when they're

0:48:44.920 --> 0:48:47.600
<v Speaker 3>trying to cover up murders because they don't understand how

0:48:47.600 --> 0:48:49.360
<v Speaker 3>to do it. A lot of the times the body

0:48:49.440 --> 0:48:52.279
<v Speaker 3>is still there, it doesn't destroy everything. But like you said,

0:48:52.280 --> 0:48:55.240
<v Speaker 3>it's the water firefighters, you know, coming in and putting

0:48:55.239 --> 0:48:56.720
<v Speaker 3>out the fire that destroys evidence.

0:48:56.960 --> 0:48:58.560
<v Speaker 1>But she said, it's not that easy.

0:48:59.040 --> 0:49:01.040
<v Speaker 3>It's not You have to kind of know what you're

0:49:01.080 --> 0:49:05.440
<v Speaker 3>doing in certain circumstances. Right to me, Harry seems like

0:49:05.480 --> 0:49:07.799
<v Speaker 3>the kind of guy who, if he is going to

0:49:07.960 --> 0:49:10.000
<v Speaker 3>go down the road of being a criminal, it would

0:49:10.040 --> 0:49:13.440
<v Speaker 3>be more like grifter, you know, using his charm to

0:49:13.560 --> 0:49:16.640
<v Speaker 3>fund his next film. Right, tell me where we land

0:49:16.680 --> 0:49:19.280
<v Speaker 3>with all of this. Do you think so Harry is

0:49:19.480 --> 0:49:21.960
<v Speaker 3>petrified at this point? I would hope that that he's

0:49:21.960 --> 0:49:24.080
<v Speaker 3>going to go down for something that he just stupidly

0:49:24.239 --> 0:49:25.880
<v Speaker 3>admitted to when he didn't do it.

0:49:26.120 --> 0:49:30.400
<v Speaker 2>Right and the police did arrest him. The problem is

0:49:31.160 --> 0:49:38.160
<v Speaker 2>they had no concrete evidence besides his boasting about it.

0:49:38.239 --> 0:49:41.120
<v Speaker 4>And we all know that that's a pretty.

0:49:40.800 --> 0:49:45.840
<v Speaker 2>Common phenomenon of people claiming to have done crimes, including

0:49:45.880 --> 0:49:50.600
<v Speaker 2>really horrible crimes. Yeah, for reasons that have to do

0:49:50.640 --> 0:49:55.080
<v Speaker 2>with their own desire for attention and so forth. And

0:49:55.360 --> 0:49:58.960
<v Speaker 2>you know, the minute he got arrested, suddenly he was like,

0:50:00.120 --> 0:50:00.879
<v Speaker 2>I didn't do it.

0:50:01.000 --> 0:50:05.439
<v Speaker 4>I don't know why I said I did. He never

0:50:05.560 --> 0:50:09.040
<v Speaker 4>quite explained why he said he did. But I think

0:50:09.080 --> 0:50:09.560
<v Speaker 4>we can.

0:50:09.520 --> 0:50:12.920
<v Speaker 2>Just assume that Harry liked to see himself at the

0:50:13.000 --> 0:50:18.000
<v Speaker 2>center of every big event. The problem was the police

0:50:18.080 --> 0:50:24.120
<v Speaker 2>truly had nothing to connect him, absolutely nothing. They had

0:50:24.640 --> 0:50:29.719
<v Speaker 2>no eye witness sighting, no no fingerprint, nothing at all.

0:50:30.440 --> 0:50:33.640
<v Speaker 2>I'm surprised that they were able to even arrest him

0:50:33.880 --> 0:50:38.440
<v Speaker 2>given that they didn't have anything. They held him in

0:50:38.560 --> 0:50:45.279
<v Speaker 2>jail until they couldn't and he was released because the

0:50:45.440 --> 0:50:49.160
<v Speaker 2>fact is they didn't have anything on him. He then

0:50:49.400 --> 0:50:54.600
<v Speaker 2>sued the city for defamation and ended up settling for

0:50:54.680 --> 0:50:57.880
<v Speaker 2>a very small amount of money. I think the city

0:50:59.000 --> 0:51:02.880
<v Speaker 2>was pursuing the case and was going to defend itself

0:51:03.239 --> 0:51:08.040
<v Speaker 2>against his claim of false arrest and so forth. When

0:51:08.520 --> 0:51:13.120
<v Speaker 2>it came to be known that he was dying of AIDS,

0:51:14.000 --> 0:51:19.840
<v Speaker 2>the city decided, look, let's just settle this is not

0:51:20.440 --> 0:51:24.120
<v Speaker 2>going to be good for the look for the city

0:51:24.400 --> 0:51:27.560
<v Speaker 2>to be, you know, wrangling in court with this guy

0:51:27.600 --> 0:51:30.560
<v Speaker 2>who's dying. And the amount of money they settled for,

0:51:30.719 --> 0:51:32.960
<v Speaker 2>and I'm sorry I don't remember the exact amount, but

0:51:32.960 --> 0:51:36.440
<v Speaker 2>it was a trifling you know, knowing the city sometimes

0:51:36.440 --> 0:51:38.120
<v Speaker 2>settles for literally.

0:51:37.760 --> 0:51:41.200
<v Speaker 4>Millions of dollars. It was under one hundred thousand.

0:51:41.400 --> 0:51:45.640
<v Speaker 2>I think it was like thirty thousand dollars, which would

0:51:45.680 --> 0:51:48.400
<v Speaker 2>be way less than it would have cost the city

0:51:48.880 --> 0:51:53.959
<v Speaker 2>to continue fighting. And they really had lost their appetite

0:51:54.080 --> 0:51:58.200
<v Speaker 2>for fighting, and Harry was happy to settle for this

0:51:58.600 --> 0:52:05.040
<v Speaker 2>rather trifling amount. They never pursued another explanation for the arson,

0:52:05.239 --> 0:52:09.960
<v Speaker 2>which I mean, look, they never pursued who killed Nicole

0:52:10.000 --> 0:52:13.720
<v Speaker 2>Brown Simpson either. You know, when you have a case

0:52:13.840 --> 0:52:18.120
<v Speaker 2>that supposedly you got wrong, often there's no follow up.

0:52:18.480 --> 0:52:22.600
<v Speaker 2>And in this case, you know, they never had another suspect,

0:52:22.880 --> 0:52:26.720
<v Speaker 2>and they never they never investigated whether they could find

0:52:27.520 --> 0:52:31.840
<v Speaker 2>a physical explanation for the fire. And at that point

0:52:31.880 --> 0:52:35.879
<v Speaker 2>the building was torn apart and being repaired, and there

0:52:36.200 --> 0:52:42.240
<v Speaker 2>would have been no way to kind of trace another cause,

0:52:42.520 --> 0:52:46.680
<v Speaker 2>to find an electric wire that had sparked, you know,

0:52:47.239 --> 0:52:51.960
<v Speaker 2>so it was too late and at that point, you know,

0:52:52.000 --> 0:52:56.279
<v Speaker 2>people were really focused on raising money to reopen the library,

0:52:57.000 --> 0:53:02.520
<v Speaker 2>and I think the desire for accountability had kind of passed.

0:53:02.600 --> 0:53:09.720
<v Speaker 2>That this episode was so dissatisfying to everybody, the prosecutors,

0:53:09.920 --> 0:53:15.040
<v Speaker 2>the arsenal investigators, you know, nobody, nobody felt that they

0:53:15.320 --> 0:53:19.400
<v Speaker 2>got an answer. And to this day I have to say,

0:53:19.960 --> 0:53:23.080
<v Speaker 2>we really do have to live with this question, which

0:53:23.239 --> 0:53:27.080
<v Speaker 2>was we really don't know. I think a very strong

0:53:27.160 --> 0:53:31.960
<v Speaker 2>case could be made that it was not caused by

0:53:32.520 --> 0:53:37.040
<v Speaker 2>an arsenist, or that it was caused by an arsenist,

0:53:37.200 --> 0:53:42.000
<v Speaker 2>but we got the wrong guy. I've gotten a couple

0:53:42.000 --> 0:53:45.839
<v Speaker 2>of letters from someone who claims that he knows who

0:53:46.040 --> 0:53:48.120
<v Speaker 2>did it, that it's somebody who had a real beef

0:53:48.200 --> 0:53:51.640
<v Speaker 2>with the library. And you know, I don't know how

0:53:51.719 --> 0:53:55.160
<v Speaker 2>much credence to give this letter. It could be someone

0:53:55.280 --> 0:53:58.560
<v Speaker 2>who's just mad at their brother in law or their

0:53:58.600 --> 0:54:01.960
<v Speaker 2>poker partner, and yeah, he's saying, you know, he's but

0:54:02.400 --> 0:54:05.759
<v Speaker 2>this was a guy who spoke angrily about the library.

0:54:06.520 --> 0:54:12.760
<v Speaker 2>It will remain a municipal cold case. It's way past

0:54:13.320 --> 0:54:15.640
<v Speaker 2>being possible to investigate it.

0:54:16.000 --> 0:54:17.560
<v Speaker 3>I want to make sure we don't skip over this.

0:54:17.600 --> 0:54:20.439
<v Speaker 3>Although I mean it's certainly worth reading. You know your

0:54:20.600 --> 0:54:23.440
<v Speaker 3>aspect of this. This was an important story for you

0:54:23.920 --> 0:54:26.400
<v Speaker 3>that I think you felt for personal reasons, right.

0:54:26.680 --> 0:54:28.040
<v Speaker 4>It was very personal.

0:54:28.400 --> 0:54:32.200
<v Speaker 2>I was raised going to the library all the time

0:54:32.280 --> 0:54:38.640
<v Speaker 2>with my mom. I had really strong connections to those

0:54:38.800 --> 0:54:41.960
<v Speaker 2>memories of going to the library with my mother in

0:54:42.000 --> 0:54:46.400
<v Speaker 2>a way that would surprised me. It was so intense hmm.

0:54:47.120 --> 0:54:50.000
<v Speaker 2>As I began the book, my mom was in the

0:54:50.120 --> 0:54:56.719
<v Speaker 2>very early stages of Alzheimer's, and it progressed almost in

0:54:56.840 --> 0:55:01.560
<v Speaker 2>tandem with my progress on the book. There's an expression

0:55:01.680 --> 0:55:05.480
<v Speaker 2>in Senegal that when a person dies, you say their

0:55:05.560 --> 0:55:08.960
<v Speaker 2>library has burned, and it was an expression that I

0:55:09.120 --> 0:55:13.880
<v Speaker 2>found rather puzzling initially, so I thought, I don't see

0:55:13.920 --> 0:55:18.440
<v Speaker 2>the parallel between a person dying in a library burning.

0:55:19.560 --> 0:55:24.680
<v Speaker 2>Watching my mom loose her memory, though, made very plain

0:55:24.840 --> 0:55:33.480
<v Speaker 2>to me the uncanny parallel between the human brain the

0:55:33.520 --> 0:55:37.120
<v Speaker 2>sort of repository of our thoughts and memories and.

0:55:37.480 --> 0:55:40.440
<v Speaker 1>What you can share with other people you know too.

0:55:40.719 --> 0:55:46.320
<v Speaker 2>Exactly, and that in a sense it's organized very much

0:55:46.480 --> 0:55:49.840
<v Speaker 2>like a library, or maybe the way to say it

0:55:49.880 --> 0:55:54.759
<v Speaker 2>is that libraries are organized very much in a way

0:55:54.800 --> 0:56:00.160
<v Speaker 2>that is brain like, where these connections. You know, we

0:56:00.800 --> 0:56:06.080
<v Speaker 2>put books together by their connection to each other, and

0:56:06.160 --> 0:56:06.799
<v Speaker 2>that when a.

0:56:06.760 --> 0:56:11.840
<v Speaker 4>Person dies, the entire content of.

0:56:11.760 --> 0:56:15.200
<v Speaker 2>Who they are and what they know and as you say,

0:56:15.280 --> 0:56:19.880
<v Speaker 2>what they can share is gone. And when a library burns,

0:56:20.480 --> 0:56:28.920
<v Speaker 2>a community experiences that same deficit, that this collected, shareable

0:56:29.080 --> 0:56:35.360
<v Speaker 2>knowledge is gone, and all the stories that we have

0:56:35.560 --> 0:56:37.320
<v Speaker 2>in common are gone.

0:56:37.800 --> 0:56:39.759
<v Speaker 4>That became the.

0:56:39.760 --> 0:56:43.919
<v Speaker 2>Sort of emotional centerpiece to me, and as a writer

0:56:44.040 --> 0:56:48.560
<v Speaker 2>of books, I felt, you know, particularly connected to this,

0:56:48.719 --> 0:56:54.600
<v Speaker 2>that books are the one durable evidence of what goes

0:56:54.640 --> 0:56:55.640
<v Speaker 2>on in our heads.

0:56:56.680 --> 0:57:00.920
<v Speaker 4>That we can point to a book and.

0:57:01.000 --> 0:57:04.360
<v Speaker 2>There it is, and it's I just finished reading a

0:57:04.400 --> 0:57:07.879
<v Speaker 2>memoir yesterday of someone who passed away a few years ago,

0:57:08.800 --> 0:57:11.120
<v Speaker 2>and it was as if she were speaking to me

0:57:11.239 --> 0:57:15.479
<v Speaker 2>and telling me her life story. And that endures. When

0:57:16.120 --> 0:57:19.200
<v Speaker 2>she's gone, I'll never have a chance to talk to her,

0:57:19.880 --> 0:57:24.240
<v Speaker 2>and yet she lives on. And in that sense, books

0:57:24.480 --> 0:57:32.120
<v Speaker 2>have an immortality that is maybe unique in the human experience.

0:57:33.040 --> 0:57:35.280
<v Speaker 2>And now, of course we have other media. We have

0:57:35.760 --> 0:57:38.919
<v Speaker 2>people can film themselves telling their life stories. But it's

0:57:39.000 --> 0:57:43.600
<v Speaker 2>essentially the same idea that we can create a record

0:57:44.080 --> 0:57:49.120
<v Speaker 2>that outlives us, and in this case it even mostly

0:57:49.360 --> 0:57:53.240
<v Speaker 2>outlived the destruction of an Arson. Not all the books

0:57:53.320 --> 0:57:57.200
<v Speaker 2>were replaced. There were lots and lots of books that

0:57:57.280 --> 0:57:58.480
<v Speaker 2>couldn't be replaced.

0:57:59.200 --> 0:58:03.360
<v Speaker 4>But I Ray survived, and you know.

0:58:03.920 --> 0:58:11.160
<v Speaker 2>Most of the contents were replaced or new contents were

0:58:11.160 --> 0:58:16.800
<v Speaker 2>brought in, and we have that lives on long past

0:58:17.200 --> 0:58:19.560
<v Speaker 2>this incident that destroyed it.

0:58:31.120 --> 0:58:34.040
<v Speaker 3>If you love historical true crime stories, check out the

0:58:34.080 --> 0:58:37.120
<v Speaker 3>audio versions of my books The Sinners, All About the

0:58:37.160 --> 0:58:40.320
<v Speaker 3>Ghost Club, All that is Wicked, and American Sherlock, and

0:58:40.400 --> 0:58:43.640
<v Speaker 3>don't forget There are twelve seasons of my historical true

0:58:43.680 --> 0:58:48.200
<v Speaker 3>crime podcast, tenfold More Wicked right here in this podcast feed,

0:58:48.440 --> 0:58:51.160
<v Speaker 3>scroll back and give them a listen if you haven't already.

0:58:51.600 --> 0:58:55.080
<v Speaker 3>This has been an exactly right production. Our senior producer

0:58:55.200 --> 0:58:59.560
<v Speaker 3>is Alexis m Rosi. Our associate producer is Christina Chamberlain.

0:59:00.000 --> 0:59:03.560
<v Speaker 3>This episode was mixed by John Bradley. Curtis Heath is

0:59:03.560 --> 0:59:08.560
<v Speaker 3>our composer. Artwork by Nick Toga. Executive produced by Georgia Hardstark,

0:59:08.720 --> 0:59:12.760
<v Speaker 3>Karen Kilgarriff and Danielle Kramer. Follow Wicked Words on Instagram

0:59:12.800 --> 0:59:16.360
<v Speaker 3>and Facebook at tenfold more Wicked and on Twitter at

0:59:16.440 --> 0:59:19.040
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0:59:19.080 --> 0:59:21.680
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0:59:21.680 --> 0:59:26.320
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0:59:26.400 --> 0:59:29.440
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<v Speaker 3>Wicked Words