1 00:00:01,120 --> 00:00:08,080 Speaker 1: Real people, real celebrity real joined the Breakfast Morning. Everybody 2 00:00:08,160 --> 00:00:11,040 Speaker 1: is DJ Envy, Angela Yee, Charlomgne the God. We are 3 00:00:11,080 --> 00:00:13,520 Speaker 1: the Breakfast Club special guests in the building. The smarting 4 00:00:13,920 --> 00:00:15,920 Speaker 1: goes by the name of Future. What's good with you? 5 00:00:16,079 --> 00:00:18,080 Speaker 1: What's up? So we just crashed this one off the list. 6 00:00:18,120 --> 00:00:19,280 Speaker 1: This is one of the He was on the list 7 00:00:19,280 --> 00:00:21,040 Speaker 1: of people they said would never come up here. No, 8 00:00:21,800 --> 00:00:25,880 Speaker 1: they definitely said that I'm here now, welcome to the 9 00:00:25,880 --> 00:00:27,880 Speaker 1: show where you avoiding us. So it wasn't just not 10 00:00:27,960 --> 00:00:31,000 Speaker 1: the right time avoiding and I wasn't avoiding. It wasn't 11 00:00:31,000 --> 00:00:33,800 Speaker 1: the right time. I guess we thought it was because 12 00:00:33,840 --> 00:00:36,440 Speaker 1: of introduction to Sharlom. They did an MTV one time. 13 00:00:36,880 --> 00:00:40,159 Speaker 1: What remember when you did this show hip hop pov Man, 14 00:00:40,200 --> 00:00:45,040 Speaker 1: I'm still here. Your words didn't matter then I said, 15 00:00:45,080 --> 00:00:47,160 Speaker 1: I said, I said, he makes hot songs, but he's 16 00:00:47,200 --> 00:00:49,480 Speaker 1: not a great lyricist. And your DJ was like, boy, 17 00:00:49,600 --> 00:00:53,360 Speaker 1: Charlo Man, you're crazy boy. But now's a good time 18 00:00:53,360 --> 00:00:55,120 Speaker 1: to come, because it's a good time to be like, well, 19 00:00:55,440 --> 00:00:57,760 Speaker 1: now look at me. No, I was looking at me then, 20 00:00:58,400 --> 00:01:00,000 Speaker 1: Ain't that was it? I ain't like his music, I said, 21 00:01:00,000 --> 00:01:02,480 Speaker 1: do you make our jong whatever you said, you know 22 00:01:02,520 --> 00:01:04,840 Speaker 1: what I mean? I love. Do you feel like in 23 00:01:04,880 --> 00:01:06,640 Speaker 1: the beginning though you did have a lot of doubters 24 00:01:06,640 --> 00:01:10,120 Speaker 1: that you've proved wrong. Of course, everybody always gonna doubt you, 25 00:01:11,280 --> 00:01:13,480 Speaker 1: but you have to overcome every like it's gonna be hate, 26 00:01:13,520 --> 00:01:14,720 Speaker 1: it's gonna be you know what I mean, you got 27 00:01:15,080 --> 00:01:17,440 Speaker 1: you gotta get over that from the beginning. You can't 28 00:01:17,480 --> 00:01:19,600 Speaker 1: let that determine your future. And you ground it for 29 00:01:19,600 --> 00:01:21,959 Speaker 1: a long time. Yeah, for a long time, Dungeon family. 30 00:01:22,440 --> 00:01:25,520 Speaker 1: How long were you grinding before you actually the masters 31 00:01:25,560 --> 00:01:27,959 Speaker 1: heard you, because it was it was seven to eight years? Yeah, 32 00:01:27,959 --> 00:01:30,360 Speaker 1: about seven eight years. Damn? Reco love is what your 33 00:01:30,440 --> 00:01:41,560 Speaker 1: uncle or your cousin reco Way Rico? Wait, that's my cousin, 34 00:01:41,640 --> 00:01:45,240 Speaker 1: that's my cousin. Are you still signing the rocos Man Rocker? 35 00:01:45,360 --> 00:01:48,560 Speaker 1: Do have a deal with every Okay? Now, that's interesting 36 00:01:48,560 --> 00:01:49,880 Speaker 1: because you came up in that camp and you know 37 00:01:49,920 --> 00:01:51,400 Speaker 1: a lot of the music that day was putting out 38 00:01:51,400 --> 00:01:53,920 Speaker 1: with Goody Mob and our cast was socially conscious. Was 39 00:01:53,960 --> 00:01:57,360 Speaker 1: you were you ever in that lane? Um? Nah, I 40 00:01:57,400 --> 00:01:59,480 Speaker 1: don't feel like I was over in that lane. I 41 00:01:59,520 --> 00:02:03,280 Speaker 1: never wanted to be in the lane of outcasting goody Mark, 42 00:02:03,880 --> 00:02:07,080 Speaker 1: But most definitely I respect what they do and I've 43 00:02:07,160 --> 00:02:10,400 Speaker 1: learned a lot from them. Absolutely. Now, at what point 44 00:02:10,440 --> 00:02:12,480 Speaker 1: did you did God tell you he was blessing all 45 00:02:12,520 --> 00:02:18,240 Speaker 1: the trap? Man? Like? When did you? H? Man? It 46 00:02:18,320 --> 00:02:20,080 Speaker 1: was just me being creative and just trying to find 47 00:02:20,120 --> 00:02:22,000 Speaker 1: another way to reach the people. You know what I'm saying, 48 00:02:22,000 --> 00:02:25,400 Speaker 1: by giving them something inspirational to look up to. So 49 00:02:25,440 --> 00:02:27,680 Speaker 1: it just me like, God blessing the trap. You've been 50 00:02:27,720 --> 00:02:30,000 Speaker 1: at the radio station, this is your trap. I feel 51 00:02:30,040 --> 00:02:31,799 Speaker 1: like people are always when we when we're back in 52 00:02:31,840 --> 00:02:34,280 Speaker 1: the day, you say trapped, You trapped in the situation. 53 00:02:34,600 --> 00:02:36,400 Speaker 1: You know what I'm saying. So I'm just adding light 54 00:02:36,440 --> 00:02:38,640 Speaker 1: and making the word bigger than what it is. And 55 00:02:38,720 --> 00:02:40,720 Speaker 1: so it's just like, if you trapped in a situation, 56 00:02:40,840 --> 00:02:42,320 Speaker 1: God gonna bless you to get out of it. I'm 57 00:02:42,360 --> 00:02:44,040 Speaker 1: glad to hear that because I'll be tweeting out God 58 00:02:44,080 --> 00:02:46,639 Speaker 1: blessing all the radio because right, I don't feel like 59 00:02:46,639 --> 00:02:48,519 Speaker 1: I'm in the trap, but I understand what you're saying. Yeah, 60 00:02:48,560 --> 00:02:50,720 Speaker 1: and now I can tweet trap. I'm feeling like I'm front. 61 00:02:52,040 --> 00:02:53,680 Speaker 1: There was a period of time that you had moved 62 00:02:53,680 --> 00:02:56,720 Speaker 1: to lay Did you feel like you had to move 63 00:02:56,720 --> 00:02:59,000 Speaker 1: back to Atlanta because you were getting away from the 64 00:02:59,040 --> 00:03:03,440 Speaker 1: roots of what it is that you doing or Nah, 65 00:03:03,480 --> 00:03:06,320 Speaker 1: I feel like, uh man, I'm just missing family. And 66 00:03:06,400 --> 00:03:08,120 Speaker 1: you know what I mean. Like once you once you 67 00:03:09,200 --> 00:03:12,760 Speaker 1: do a few things and you're not comfortable with it, 68 00:03:12,880 --> 00:03:14,480 Speaker 1: you just have to go back to what you're comfortable 69 00:03:14,520 --> 00:03:17,160 Speaker 1: with doing. And it comes to me being at home, 70 00:03:17,240 --> 00:03:20,680 Speaker 1: being around my my grandparents and being around my kids, 71 00:03:21,000 --> 00:03:24,720 Speaker 1: majority of my kids in Atlanta and my family and 72 00:03:24,800 --> 00:03:27,720 Speaker 1: my brothers, my nieces, my nephews. They look up to me, 73 00:03:28,040 --> 00:03:29,919 Speaker 1: and it's hard when I'm all the LA. I'm spending 74 00:03:29,960 --> 00:03:31,920 Speaker 1: majority of my time in LA. So I had to 75 00:03:31,960 --> 00:03:35,040 Speaker 1: just come back to Atlanta when your music come out. 76 00:03:35,040 --> 00:03:39,880 Speaker 1: I mean, you got so many clubs. Yeah, it's clubs. 77 00:03:39,880 --> 00:03:42,600 Speaker 1: There's so many clubs. It's it's different vibes in Atlanta. 78 00:03:42,840 --> 00:03:44,640 Speaker 1: You know what I'm saying. LA Nothing wrong with LA. 79 00:03:44,680 --> 00:03:46,240 Speaker 1: It's a pieceful vibe. When you go out there, I 80 00:03:46,240 --> 00:03:47,800 Speaker 1: feel like you can get a lot of business done. 81 00:03:48,160 --> 00:03:50,040 Speaker 1: Now that was I used to talk to DJs in Atlanta. 82 00:03:50,080 --> 00:03:52,040 Speaker 1: This one, like the Me Goals and Young Doug were 83 00:03:52,080 --> 00:03:54,360 Speaker 1: like popping popping. I was like, what happened in the future, 84 00:03:54,400 --> 00:03:57,000 Speaker 1: and it was like future in Hollywood. He said that 85 00:03:57,160 --> 00:04:09,520 Speaker 1: what DJ said that from No Atlanta, but he didn't 86 00:04:09,560 --> 00:04:11,040 Speaker 1: mean it in a bad way. He was just like, 87 00:04:11,080 --> 00:04:13,600 Speaker 1: you moved out to LA you haven't been around in 88 00:04:13,600 --> 00:04:16,359 Speaker 1: a while. I wonder what he'd think now. They're probably 89 00:04:16,400 --> 00:04:19,760 Speaker 1: playing your hunt exactly like man. People are gonna always 90 00:04:19,800 --> 00:04:22,159 Speaker 1: they don't see where you're going. When you hit it today, 91 00:04:22,200 --> 00:04:24,200 Speaker 1: they're gonna tell you, hey, you're doing this, you're doing this, 92 00:04:24,279 --> 00:04:26,360 Speaker 1: but they don't see what I'm gonna be at next year. 93 00:04:26,480 --> 00:04:28,400 Speaker 1: It's impossible. I know what I'm doing, I know the 94 00:04:28,400 --> 00:04:31,039 Speaker 1: work I'm putting in. Did you did you purposely choose 95 00:04:31,040 --> 00:04:33,000 Speaker 1: not to do no features on none of the mixtapes 96 00:04:33,080 --> 00:04:37,279 Speaker 1: fifty six Nights? Yeah? Because I had so many features 97 00:04:37,320 --> 00:04:39,840 Speaker 1: on honest, and I dealt with so much with having features, 98 00:04:39,839 --> 00:04:41,360 Speaker 1: and you got to deal with so many egos and 99 00:04:41,480 --> 00:04:44,520 Speaker 1: lawyers and such and such managers you deal with like 100 00:04:44,600 --> 00:04:46,719 Speaker 1: ten other people. When you deal with artists and you 101 00:04:46,760 --> 00:04:49,479 Speaker 1: have five artists, you're dealing with fifty different people and 102 00:04:49,600 --> 00:04:52,080 Speaker 1: fifty different egos, and just be so much. I didn't 103 00:04:52,080 --> 00:04:54,000 Speaker 1: want to go through that again, just wanted to be 104 00:04:54,040 --> 00:04:56,320 Speaker 1: all about me. What made what made you come back 105 00:04:56,360 --> 00:04:58,640 Speaker 1: so hard with the music? Was it the response to Pluto, 106 00:04:58,920 --> 00:05:00,400 Speaker 1: Because I mean, as a guy that's been listening to 107 00:05:00,440 --> 00:05:02,279 Speaker 1: your mixtapure to get it, I was disappointed and Pluto 108 00:05:02,440 --> 00:05:05,280 Speaker 1: I loved. I deserve it. I told them yesterday on Pluto. 109 00:05:06,080 --> 00:05:08,360 Speaker 1: I wasn't disappointed with Pluto, but I knew I could 110 00:05:08,360 --> 00:05:09,719 Speaker 1: have did it a different way. It sound like the 111 00:05:09,760 --> 00:05:11,640 Speaker 1: label made you do that album, Like like I want 112 00:05:11,640 --> 00:05:14,120 Speaker 1: to say that, yeah, like it wasn't even the label, 113 00:05:14,240 --> 00:05:16,120 Speaker 1: because I feel like at the end of the day, 114 00:05:16,200 --> 00:05:18,440 Speaker 1: like right now, I'm not I'm not taking no advice. 115 00:05:18,760 --> 00:05:21,160 Speaker 1: I did take advice before, you know what I'm saying. 116 00:05:21,200 --> 00:05:24,880 Speaker 1: So turn On the Lights. It could have waited it. 117 00:05:25,000 --> 00:05:26,720 Speaker 1: Turn On the Lights was a big record. It was 118 00:05:26,839 --> 00:05:28,800 Speaker 1: number one record. Never End was good for me. But 119 00:05:28,839 --> 00:05:30,520 Speaker 1: I feel like I could have waited to the next 120 00:05:30,560 --> 00:05:33,800 Speaker 1: album after that and introduced them to Turn On Lights 121 00:05:33,800 --> 00:05:35,880 Speaker 1: another because they was gonna be hits anyway. Whenever they 122 00:05:35,880 --> 00:05:38,679 Speaker 1: came out right same damn time was already on the radio, 123 00:05:38,839 --> 00:05:41,520 Speaker 1: Magic was going top ten, Tournament Town them was on 124 00:05:41,520 --> 00:05:44,000 Speaker 1: the radio. Just had came off, you know, what I'm saying, 125 00:05:44,000 --> 00:05:46,839 Speaker 1: Like I had been put out the mixtapes, so going 126 00:05:46,839 --> 00:05:50,160 Speaker 1: into Pluto instead of having a parachute or a song 127 00:05:50,240 --> 00:05:52,320 Speaker 1: like that, Hey post have been with another street record, 128 00:05:52,640 --> 00:05:54,120 Speaker 1: you know what I'm saying. So a lot of records 129 00:05:54,120 --> 00:05:56,440 Speaker 1: that was commercial that I'm trying to chase that lane. 130 00:05:56,800 --> 00:05:59,320 Speaker 1: It just I was doing it taking advice, thinking this 131 00:05:59,480 --> 00:06:00,800 Speaker 1: the way I need to get it, This is way 132 00:06:00,839 --> 00:06:03,279 Speaker 1: I need to do to have success, when you probably 133 00:06:03,279 --> 00:06:04,960 Speaker 1: just want to do it your own way so you'll 134 00:06:05,000 --> 00:06:06,760 Speaker 1: be more comfortable. You're gonna wake up and feel good 135 00:06:06,800 --> 00:06:08,120 Speaker 1: about it at the end of the day that you 136 00:06:08,160 --> 00:06:10,560 Speaker 1: made all the right decisions to a market that it 137 00:06:10,680 --> 00:06:13,360 Speaker 1: might not have known. But I had to come back. 138 00:06:13,360 --> 00:06:17,040 Speaker 1: I feel like a new artist right now. Yeah man, Yeah, 139 00:06:17,080 --> 00:06:19,240 Speaker 1: everything that I went through, it prepared me for what 140 00:06:19,320 --> 00:06:21,279 Speaker 1: I'm going through now. But I had to take a 141 00:06:21,320 --> 00:06:23,200 Speaker 1: step back, Like I had to go back to mixtapes. 142 00:06:23,440 --> 00:06:25,720 Speaker 1: After you drop album, you're planning on never dropping the 143 00:06:25,839 --> 00:06:28,360 Speaker 1: mixtape again, supposed to keep going, you know what I'm saying. 144 00:06:28,360 --> 00:06:29,840 Speaker 1: But I had to come back. Drop the months to 145 00:06:29,920 --> 00:06:31,960 Speaker 1: be smoke. If it's just six nights and now I'm 146 00:06:32,040 --> 00:06:34,560 Speaker 1: back on my back on track we're dropping Dirty Spright too. 147 00:06:34,839 --> 00:06:37,200 Speaker 1: Now it's a mixtables, it's an album. It's an album. Confused, 148 00:06:37,440 --> 00:06:39,200 Speaker 1: did it start off as a mixtable us? Now? I 149 00:06:39,279 --> 00:06:41,359 Speaker 1: never started off a mixtape. I wanted people to feel 150 00:06:41,360 --> 00:06:44,080 Speaker 1: like it was a mixtape. So Jake is the only 151 00:06:44,080 --> 00:06:46,480 Speaker 1: feature you have on this mixtape. But there are other 152 00:06:46,480 --> 00:06:48,920 Speaker 1: people who you considered but they didn't make the cut 153 00:06:49,040 --> 00:06:51,600 Speaker 1: or you consciously said and Jake, that's my brother. I'm 154 00:06:51,640 --> 00:06:54,440 Speaker 1: putting only Drake on here. I wasn't planning on having 155 00:06:54,440 --> 00:06:56,080 Speaker 1: any features. He called a day I was about to 156 00:06:56,080 --> 00:06:57,520 Speaker 1: turn an album, and I was like, I gotta turn 157 00:06:57,560 --> 00:07:00,240 Speaker 1: an album. And in in the morning like, man, Dirtish Right 158 00:07:00,279 --> 00:07:03,120 Speaker 1: too as legend. I love dirtist Right, the first Dirtist Right. 159 00:07:03,520 --> 00:07:05,280 Speaker 1: I want to be a part of this. I was like, man, 160 00:07:05,360 --> 00:07:07,880 Speaker 1: Dope do the first tonight. I'm gonna send the song over. 161 00:07:07,920 --> 00:07:10,640 Speaker 1: He was like, man, done. Any's part of that Sprite 162 00:07:10,680 --> 00:07:13,000 Speaker 1: campaign too? It makes sense. Did you was there a 163 00:07:13,000 --> 00:07:17,520 Speaker 1: problem with using the name sprite or uh for us, 164 00:07:17,520 --> 00:07:19,120 Speaker 1: the name Sprite we just put d S two so 165 00:07:19,160 --> 00:07:22,320 Speaker 1: it's not gonna say Sprite. Find out what was Actually 166 00:07:24,800 --> 00:07:27,239 Speaker 1: we had a conversation with them. Actually if my manager. 167 00:07:27,440 --> 00:07:29,400 Speaker 1: He had a conversation with them about it. They was 168 00:07:29,440 --> 00:07:31,600 Speaker 1: cool with it, but they were just like, man, we 169 00:07:31,640 --> 00:07:34,720 Speaker 1: can't promote dirty. You should tell him don't not get 170 00:07:34,760 --> 00:07:38,480 Speaker 1: till you try to prod and cod We got to 171 00:07:38,480 --> 00:07:40,480 Speaker 1: find out way, but I do. I got my drink 172 00:07:40,520 --> 00:07:43,480 Speaker 1: deal coming on the way, So okay, I don't do 173 00:07:43,480 --> 00:07:46,480 Speaker 1: this spinoff. What's the drink gonna be a sod the part? Yeah, 174 00:07:46,480 --> 00:07:50,280 Speaker 1: it's gonna be like an energy drink. It's it's gonna 175 00:07:50,360 --> 00:07:53,120 Speaker 1: keep you energy. Now, how did you and drinke resolve 176 00:07:53,160 --> 00:07:55,160 Speaker 1: your issues because you made the cop Well, they said 177 00:07:55,200 --> 00:07:56,960 Speaker 1: the comes with taking another context. Yeah, yeah, it was 178 00:07:57,040 --> 00:07:59,840 Speaker 1: still board about drink drinks. Music doesn't make people feel 179 00:07:59,840 --> 00:08:01,960 Speaker 1: this and where yours? Does I say make hits? I 180 00:08:01,960 --> 00:08:04,600 Speaker 1: didn't say that his music didn't make he would feel 181 00:08:04,640 --> 00:08:07,840 Speaker 1: the same way. Um, they didn't make my music make 182 00:08:07,880 --> 00:08:10,480 Speaker 1: people feel But at the same time, man, we resolved 183 00:08:10,520 --> 00:08:13,360 Speaker 1: the issue. We waved past that. They're back on the 184 00:08:13,440 --> 00:08:15,240 Speaker 1: road with each other now. Yeah, back on the road, 185 00:08:15,320 --> 00:08:19,120 Speaker 1: back doing music, shooting videos over your face on the way. 186 00:08:19,200 --> 00:08:21,400 Speaker 1: So it shouldn't it be that kind of friendly competition 187 00:08:21,480 --> 00:08:23,040 Speaker 1: or like, shouldn't you feel like, yeah, I make better 188 00:08:23,120 --> 00:08:24,400 Speaker 1: music than you, and he should feel like you make 189 00:08:24,440 --> 00:08:26,000 Speaker 1: better than you. It should be that kind of competition, 190 00:08:26,000 --> 00:08:27,320 Speaker 1: all right. At the end of the day, man, I 191 00:08:27,360 --> 00:08:30,480 Speaker 1: feel like what you talk when with me and him 192 00:08:30,480 --> 00:08:33,040 Speaker 1: sit down and have a conversation about that's the only 193 00:08:33,080 --> 00:08:36,319 Speaker 1: thing that world should already. I always worry about you 194 00:08:36,320 --> 00:08:38,079 Speaker 1: know what I'm saying. When you try to get in 195 00:08:38,160 --> 00:08:40,200 Speaker 1: these interviews and you speak on a person that can't 196 00:08:40,240 --> 00:08:42,160 Speaker 1: speak back for theirselves while you write that, then the 197 00:08:42,280 --> 00:08:44,160 Speaker 1: non't need to talk about it. True. Do you feel 198 00:08:44,200 --> 00:08:46,240 Speaker 1: like a lot of artists took your sound? Because I'm 199 00:08:46,280 --> 00:08:49,120 Speaker 1: hearing a future a lot of future issue sounds, and 200 00:08:49,160 --> 00:08:51,240 Speaker 1: I don't think they took my sound like they didn't 201 00:08:51,240 --> 00:08:54,839 Speaker 1: take it. I probably inspired I was in I was 202 00:08:54,960 --> 00:09:03,679 Speaker 1: an inspiration, That's definitely. That wasn't talking. But I always 203 00:09:03,679 --> 00:09:08,240 Speaker 1: say I feel like future. Yeah, I probably inspired him. 204 00:09:08,080 --> 00:09:10,920 Speaker 1: I'm not for sure. I never talked to fit day 205 00:09:10,920 --> 00:09:13,199 Speaker 1: in my life or your dread Your dread real, right, 206 00:09:13,400 --> 00:09:20,880 Speaker 1: my dreds I want? Yeah, my dreads are real. My dreads. 207 00:09:22,840 --> 00:09:24,920 Speaker 1: I wasn't making you open open up now. As far 208 00:09:24,960 --> 00:09:26,760 Speaker 1: as interviews and stuff, at at one point you couldn't 209 00:09:26,760 --> 00:09:29,600 Speaker 1: find a future interviews. Man, I never wanted to do interviews. 210 00:09:29,640 --> 00:09:31,480 Speaker 1: Even doing this interview. I was like, Man, I'm doing 211 00:09:31,520 --> 00:09:33,840 Speaker 1: only the breakfast Club and I'm doing one more interview, 212 00:09:33,880 --> 00:09:35,920 Speaker 1: so whatever y'all want to do. It was like, man, 213 00:09:36,000 --> 00:09:37,679 Speaker 1: let's do breakfast Club. I'm like, I'm with it, but 214 00:09:37,720 --> 00:09:40,240 Speaker 1: I'm not doing a bunch of interviews. And every interview 215 00:09:40,280 --> 00:09:42,600 Speaker 1: I walk in and ask me the same questions. I'm 216 00:09:42,640 --> 00:09:45,480 Speaker 1: not doing that. As like, I've been doing these mixtapes 217 00:09:45,679 --> 00:09:49,560 Speaker 1: without doing any interviews, and I'm doing great. Don't you 218 00:09:49,559 --> 00:09:52,199 Speaker 1: feel like a lot of times a lot in the interviews, right? 219 00:09:52,240 --> 00:09:54,280 Speaker 1: You did? Like a long interview with Humpington Post Live. 220 00:09:54,720 --> 00:09:56,839 Speaker 1: It was like forty minute song. I watched the whole thing, 221 00:09:56,880 --> 00:09:59,880 Speaker 1: but all the headlines are like youture talks about Sierra 222 00:10:00,400 --> 00:10:02,920 Speaker 1: and why they broke up and how they prayed after sex, 223 00:10:03,520 --> 00:10:05,720 Speaker 1: and it's like that's the headline, But what about everything 224 00:10:05,760 --> 00:10:07,920 Speaker 1: else that's about exactly life? Man. That's why I don't 225 00:10:07,920 --> 00:10:09,680 Speaker 1: even be wanting to talk about it, because why y'all 226 00:10:09,720 --> 00:10:11,520 Speaker 1: even bring it up? Fun y'all knew these people are 227 00:10:11,520 --> 00:10:14,120 Speaker 1: gonna say this, right, I mean, you already anticipate that. 228 00:10:14,320 --> 00:10:16,320 Speaker 1: I anticipated it, but I just wanted to speak on 229 00:10:16,360 --> 00:10:18,120 Speaker 1: my side. It was my side of the story. Now 230 00:10:18,160 --> 00:10:20,800 Speaker 1: I'm over it after I speake spoke my side because 231 00:10:20,800 --> 00:10:22,440 Speaker 1: she wasn't telling the side. It was just like she 232 00:10:22,520 --> 00:10:24,880 Speaker 1: was just letting it go along whatever the people thought 233 00:10:24,880 --> 00:10:27,240 Speaker 1: about me. She wasn't saying, hey, don't say that about him. 234 00:10:29,559 --> 00:10:32,199 Speaker 1: You know when people have when people they have, they 235 00:10:32,320 --> 00:10:36,160 Speaker 1: come together and as a couple. When you when you separate, 236 00:10:36,440 --> 00:10:40,640 Speaker 1: y'all put out like a statement saying like let us 237 00:10:40,679 --> 00:10:44,560 Speaker 1: live our respectable lives, like don't leave us alone. We 238 00:10:44,720 --> 00:10:47,080 Speaker 1: went out separate ways because of issues that we had 239 00:10:47,200 --> 00:10:51,360 Speaker 1: and we want everybody to keep our privacy. Yeah, like 240 00:10:51,840 --> 00:10:54,320 Speaker 1: she just went along with the cheating rooms and never 241 00:10:54,320 --> 00:10:57,560 Speaker 1: say anything like issue a statement saying leave our personal 242 00:10:57,600 --> 00:11:00,280 Speaker 1: life alone and I wouldn't have to say anything about it. Well, 243 00:11:00,320 --> 00:11:01,920 Speaker 1: I feel like a statement you wished out him. I 244 00:11:01,920 --> 00:11:04,600 Speaker 1: could be wrong. The song throw Away, the second half 245 00:11:04,600 --> 00:11:07,520 Speaker 1: of that song was that record about Sierra when you 246 00:11:08,240 --> 00:11:10,120 Speaker 1: know it wasn't it was about any girl to feel 247 00:11:10,200 --> 00:11:14,120 Speaker 1: like that's what it's all about. If it's about just 248 00:11:14,160 --> 00:11:15,760 Speaker 1: get it over with, because that's what it's like. If 249 00:11:15,760 --> 00:11:19,240 Speaker 1: it's about anything, I'm not gonna worried about Now Charlemagne 250 00:11:19,280 --> 00:11:22,800 Speaker 1: has a theory about Sierra well the future. Actually, you 251 00:11:22,800 --> 00:11:24,360 Speaker 1: tweeted out a couple of weeks ago you said you 252 00:11:24,360 --> 00:11:27,400 Speaker 1: got that curse up off you and now you're back 253 00:11:27,440 --> 00:11:30,760 Speaker 1: like you never left. So I feel like Sierra maybe 254 00:11:30,760 --> 00:11:33,880 Speaker 1: curse because you look at what happened with Amar Star 255 00:11:34,000 --> 00:11:36,880 Speaker 1: de Maya by Wow fifty Music even fell off a lot. 256 00:11:36,920 --> 00:11:43,880 Speaker 1: I'm back. I guess you gotta have a baby, not 257 00:11:44,000 --> 00:11:48,520 Speaker 1: the curse. But I'm bad. I ain't thinking about her, man, 258 00:11:49,440 --> 00:11:51,480 Speaker 1: I swear it. Man, I'm not thinking about her. Man. 259 00:11:51,520 --> 00:11:54,040 Speaker 1: I want her to be totally happy. Like you gotta 260 00:11:54,120 --> 00:11:56,560 Speaker 1: understand you want a person to be happy. You're like 261 00:11:56,600 --> 00:11:58,520 Speaker 1: you have an ex girlfriend that you had, but you're 262 00:11:58,520 --> 00:12:00,200 Speaker 1: gonna have to be happy. You're gonna still be better 263 00:12:00,240 --> 00:12:02,959 Speaker 1: because she moved on. I'm not better. He would think 264 00:12:02,960 --> 00:12:05,880 Speaker 1: I'm better because she moved on. I'm good. I'm taking 265 00:12:05,920 --> 00:12:09,079 Speaker 1: care of me. I don't need him. She needed him. Yeah. Now, now, 266 00:12:09,160 --> 00:12:11,160 Speaker 1: it was it true when you did you put a 267 00:12:11,280 --> 00:12:17,560 Speaker 1: gun emojis with a football emojis? Man, I didn't. I 268 00:12:17,600 --> 00:12:19,560 Speaker 1: didn't do that, but they thought I did it. I 269 00:12:19,559 --> 00:12:24,120 Speaker 1: wouldn't do something like that, but if you see another 270 00:12:24,160 --> 00:12:26,000 Speaker 1: man pushing your baby cats, it might make you feel 271 00:12:25,960 --> 00:12:28,960 Speaker 1: a way, a little bit fe It'll make you feel away. 272 00:12:28,960 --> 00:12:30,319 Speaker 1: But they wouldn't go to the point one for and 273 00:12:30,400 --> 00:12:33,400 Speaker 1: put some emojis on a Facebook It was a fake 274 00:12:33,480 --> 00:12:35,800 Speaker 1: Facebook page. They put it on me that she even 275 00:12:35,840 --> 00:12:38,160 Speaker 1: thought it was real. She got lawyers started calling about 276 00:12:38,200 --> 00:12:42,280 Speaker 1: that man everything. It got serious. You know what I'm 277 00:12:42,280 --> 00:12:44,720 Speaker 1: saying for something that I wouldn't even do, Like, so, 278 00:12:44,920 --> 00:12:46,840 Speaker 1: of course I wouldn't want somebody to push my son, 279 00:12:47,240 --> 00:12:49,600 Speaker 1: Like that's the number one rule. Like, I agree. If 280 00:12:49,640 --> 00:12:52,360 Speaker 1: I was a kid and my MoMA a dude pushing me, 281 00:12:52,400 --> 00:12:54,679 Speaker 1: I would have jumped out of the stroller slot out 282 00:12:54,679 --> 00:12:57,000 Speaker 1: of I agree. I felt you never do that in 283 00:12:57,040 --> 00:13:00,040 Speaker 1: our community. You don't even bring a man around. I 284 00:13:00,040 --> 00:13:02,120 Speaker 1: ain't your son, for you don't even know this dude. 285 00:13:02,720 --> 00:13:04,720 Speaker 1: A few months and you're bringing around your kid. Who 286 00:13:04,760 --> 00:13:07,640 Speaker 1: does that? Nobody does that as a man. He shouldn't 287 00:13:07,640 --> 00:13:09,360 Speaker 1: do that. He should be like, nah, I'm doing that. 288 00:13:09,400 --> 00:13:11,320 Speaker 1: But you know he probably didn't know that. She set 289 00:13:11,360 --> 00:13:13,920 Speaker 1: him up. He got nanny's, you got assistance around you. 290 00:13:13,960 --> 00:13:16,400 Speaker 1: Anybody could have pushed the stroller, you letting them people 291 00:13:16,440 --> 00:13:18,960 Speaker 1: catch that because you know what it is. But at 292 00:13:18,960 --> 00:13:21,480 Speaker 1: the end of the day, I'm not for the publicity stunts. 293 00:13:22,000 --> 00:13:24,840 Speaker 1: Leave my son out of all the publicity stunts. Just 294 00:13:24,920 --> 00:13:27,480 Speaker 1: leave him out of your relationship because we don't need 295 00:13:28,000 --> 00:13:30,240 Speaker 1: your relationship for anything. I can take care of him 296 00:13:30,240 --> 00:13:33,480 Speaker 1: on my own without any help. I don't need no 297 00:13:33,559 --> 00:13:35,160 Speaker 1: help taking care of my son. Is that one of 298 00:13:35,200 --> 00:13:36,839 Speaker 1: the reasons the relationship didn't work because of all the 299 00:13:36,880 --> 00:13:39,559 Speaker 1: paper Rozzi. I wouldn't say the popa rights. It is 300 00:13:39,559 --> 00:13:41,360 Speaker 1: just I do it. I do my thing a different 301 00:13:41,440 --> 00:13:43,600 Speaker 1: kind of way. You move like a drug dealer. Future 302 00:13:44,400 --> 00:13:53,959 Speaker 1: people still, oh man, that's a money now It's okay man, Yeah, 303 00:13:54,040 --> 00:13:55,920 Speaker 1: but man, you gotta stick to your loose man. What 304 00:13:56,040 --> 00:13:57,960 Speaker 1: you know? This is what I know. I know the streets. 305 00:13:57,960 --> 00:14:01,239 Speaker 1: I don't know about the paper rose out of Zetoven, 306 00:14:01,360 --> 00:14:03,839 Speaker 1: Metro Booming, eight Away, Mafia, Mike Will made it. Who 307 00:14:03,840 --> 00:14:06,880 Speaker 1: you think brings out the best in future? Um the 308 00:14:06,960 --> 00:14:11,600 Speaker 1: best man. That's hard because at times Mike Well, Mike 309 00:14:11,640 --> 00:14:15,480 Speaker 1: Will made him would die for you, man, Absolutely, he 310 00:14:15,559 --> 00:14:20,480 Speaker 1: talks about you like that's my brother. Yea forever forever man, 311 00:14:20,560 --> 00:14:23,760 Speaker 1: Mike Well, we got history. We communicate on a dirty Sprite. 312 00:14:23,760 --> 00:14:26,360 Speaker 1: He not on the album, but we have something playing. 313 00:14:26,400 --> 00:14:28,360 Speaker 1: You know what I'm saying, Man, Mike, we're great friends, 314 00:14:28,440 --> 00:14:30,880 Speaker 1: and so him bringing something out of me at times 315 00:14:30,920 --> 00:14:33,440 Speaker 1: it is a great a great saying that. It's not 316 00:14:33,520 --> 00:14:36,680 Speaker 1: bad to say. But Metro he do inspire me. And 317 00:14:36,840 --> 00:14:40,160 Speaker 1: Ate Away Mafia they inspire me. Also. Now, now what 318 00:14:40,240 --> 00:14:41,520 Speaker 1: Mike does he get? I mean, I'm sure he don't 319 00:14:41,560 --> 00:14:43,760 Speaker 1: get up set because that's your man. But out of loyalty, 320 00:14:43,760 --> 00:14:45,360 Speaker 1: do you feel like I gotta have him on just 321 00:14:45,560 --> 00:14:47,480 Speaker 1: even if I just gotta have him on the record. 322 00:14:47,840 --> 00:14:50,760 Speaker 1: Now he understood, He understood. I told him, Man, we 323 00:14:51,080 --> 00:14:54,640 Speaker 1: built something great. We gotta uh, we gotta continue to 324 00:14:54,640 --> 00:14:56,360 Speaker 1: build on that. He got Ray Shreman, he got his 325 00:14:56,400 --> 00:14:58,240 Speaker 1: own record label. Now, when we started, he didn't have 326 00:14:58,280 --> 00:15:00,240 Speaker 1: a record label. It was just me and him coming 327 00:15:00,240 --> 00:15:02,080 Speaker 1: to my sessions. He probably give a beat to Meat 328 00:15:02,520 --> 00:15:04,440 Speaker 1: or Gucci, and that's the only people he probably was 329 00:15:04,480 --> 00:15:06,960 Speaker 1: working with at that time when I first was coming up. 330 00:15:07,000 --> 00:15:09,360 Speaker 1: Then he started spreading Now you go to Mildest sires A. 331 00:15:09,480 --> 00:15:12,800 Speaker 1: Zack produced my album, Beasza produced my album. So we're 332 00:15:12,840 --> 00:15:16,680 Speaker 1: good in business, we're good. Our friendship is great. The 333 00:15:16,760 --> 00:15:18,440 Speaker 1: way he didn't fit the sound of this album, or 334 00:15:19,120 --> 00:15:22,600 Speaker 1: I just wanted to go another diuration and like he's 335 00:15:22,640 --> 00:15:25,240 Speaker 1: not super busy too. I'm sure he's super super busy. 336 00:15:25,280 --> 00:15:26,720 Speaker 1: It's like we can't get in the studio for a 337 00:15:26,760 --> 00:15:29,520 Speaker 1: week straight because you have obligations that the he have 338 00:15:29,920 --> 00:15:32,440 Speaker 1: to attend. Now, how much do album sales matter to you? 339 00:15:32,480 --> 00:15:35,680 Speaker 1: Like you said before, your mixtapes do incredible? Singles do incredible? 340 00:15:35,960 --> 00:15:37,560 Speaker 1: Doesn't matter to you? Are you like, well, I need 341 00:15:37,600 --> 00:15:40,280 Speaker 1: to sell this amount to feel like you know, I've 342 00:15:40,800 --> 00:15:43,640 Speaker 1: this is successful, or I need to redegotiate my deal 343 00:15:43,680 --> 00:15:47,000 Speaker 1: to feel successful. You renegotiate your deal and get more money. 344 00:15:47,000 --> 00:15:49,000 Speaker 1: That's when you're successful. Well, I have to do it 345 00:15:49,040 --> 00:15:50,960 Speaker 1: this time around. It But isn't it hard to renegotiate 346 00:15:50,960 --> 00:15:52,560 Speaker 1: your deal with these labels because they don't really got 347 00:15:52,600 --> 00:15:54,440 Speaker 1: to gauge on what's going on in the street, you 348 00:15:54,480 --> 00:15:56,800 Speaker 1: know what I'm saying, Like, like, but I'm a writer, 349 00:15:56,840 --> 00:15:58,800 Speaker 1: so I pretty much set the trend. You know what 350 00:15:58,840 --> 00:16:00,520 Speaker 1: I'm saying. If I'm not writing for my stuff, I'm 351 00:16:00,520 --> 00:16:03,200 Speaker 1: writing for another artist and so they know that, you 352 00:16:03,200 --> 00:16:04,680 Speaker 1: know what I mean. They're like, man, he can write 353 00:16:04,680 --> 00:16:06,800 Speaker 1: a hit I can make a hit for me and 354 00:16:07,280 --> 00:16:10,240 Speaker 1: for others or for that that reason alone, You're gonna 355 00:16:10,280 --> 00:16:12,640 Speaker 1: be around for a long time. What was the conversation 356 00:16:12,680 --> 00:16:14,400 Speaker 1: like with you and with you and hold we saw 357 00:16:14,480 --> 00:16:16,640 Speaker 1: the picture of you and Jay. Now I wouldn't talk. 358 00:16:16,800 --> 00:16:18,400 Speaker 1: I was at this crib. I was actually working with 359 00:16:18,520 --> 00:16:21,760 Speaker 1: b and he was there. Oh yeah, So it wasn't 360 00:16:21,760 --> 00:16:24,520 Speaker 1: a conversation with Jay met him out a dope conversation. 361 00:16:24,560 --> 00:16:26,320 Speaker 1: We had actually sat down. He was like, man, I 362 00:16:26,360 --> 00:16:28,800 Speaker 1: love what you're doing. Keep doing what you're doing. Man, 363 00:16:28,920 --> 00:16:31,440 Speaker 1: Jay is a great dude. I always wanted to know 364 00:16:31,480 --> 00:16:34,200 Speaker 1: what um now. He said, you're working with be you 365 00:16:34,200 --> 00:16:36,440 Speaker 1: got a new album coming out. I don't know if 366 00:16:36,440 --> 00:16:38,360 Speaker 1: she had a new album coming out, but as an artist, 367 00:16:38,360 --> 00:16:41,120 Speaker 1: I know you want to just continue to being creative 368 00:16:41,120 --> 00:16:43,280 Speaker 1: and make songs and make music. I was gonna ask that, like, 369 00:16:43,280 --> 00:16:45,080 Speaker 1: how do you decide where songs go? Like you you 370 00:16:45,080 --> 00:16:47,960 Speaker 1: wrote Body Party and Sierra Kip did that song and 371 00:16:47,960 --> 00:16:50,160 Speaker 1: it was a big record. How do you decide where 372 00:16:50,240 --> 00:16:52,080 Speaker 1: song goals? Like you could have gave Body Party to 373 00:16:52,120 --> 00:16:54,400 Speaker 1: Beyonce at that time, at the time when I was like, man, 374 00:16:54,400 --> 00:16:56,640 Speaker 1: this is what she needs. She need by the party. 375 00:16:56,720 --> 00:16:58,880 Speaker 1: She need that. I promise she needs that ride it 376 00:16:58,960 --> 00:17:01,600 Speaker 1: she need that ridet. I meant she to jump her 377 00:17:01,640 --> 00:17:03,960 Speaker 1: album off. She had dropped four singles and all the 378 00:17:04,000 --> 00:17:06,800 Speaker 1: singles just wasn't doing anything. Then I came in and 379 00:17:06,840 --> 00:17:08,600 Speaker 1: I was like, hey, Mike, Will was like, I got 380 00:17:08,640 --> 00:17:10,959 Speaker 1: this body part of the beat. He was like, I 381 00:17:11,000 --> 00:17:12,480 Speaker 1: have a beat. Then when I heard the beat, he 382 00:17:12,560 --> 00:17:15,199 Speaker 1: was like, man, I think Sierra need is beat. Like 383 00:17:15,359 --> 00:17:17,040 Speaker 1: I'm working with her today. Then we did the beat. 384 00:17:17,080 --> 00:17:20,679 Speaker 1: That was the first song we ever did. What um now, 385 00:17:20,680 --> 00:17:25,879 Speaker 1: I ain't charging for that? You wish you had charged now? 386 00:17:25,960 --> 00:17:27,879 Speaker 1: It was a great it was It was great for 387 00:17:27,920 --> 00:17:29,359 Speaker 1: the both of us. Man, I feel like it was 388 00:17:29,400 --> 00:17:30,920 Speaker 1: a great thing for the both of us. What happened 389 00:17:30,920 --> 00:17:32,919 Speaker 1: after that because we never heard any more music like 390 00:17:32,960 --> 00:17:36,560 Speaker 1: that after that different direction, She went a different direction. 391 00:17:36,760 --> 00:17:41,240 Speaker 1: I saw you. I think it was no it was Wilson, Yeah, yeah, 392 00:17:41,600 --> 00:17:43,400 Speaker 1: And you said she wanted to go chase the popline. 393 00:17:43,920 --> 00:17:45,639 Speaker 1: She just felt like she wanted to take her album 394 00:17:45,680 --> 00:17:48,600 Speaker 1: in another direction. How do you feel about dating celebrities now? 395 00:17:48,680 --> 00:17:50,080 Speaker 1: Is it something that you're like, I don't want to 396 00:17:50,119 --> 00:17:52,080 Speaker 1: do that again and getting mixed up with that they 397 00:17:52,080 --> 00:17:54,840 Speaker 1: have to accept me just how I am and I 398 00:17:54,880 --> 00:17:56,880 Speaker 1: try to change. Did you try to did she try 399 00:17:56,880 --> 00:17:59,120 Speaker 1: to change you? Did you try to change? I tried 400 00:17:59,160 --> 00:18:03,720 Speaker 1: to change, which with the fashion shows and Paris not 401 00:18:03,800 --> 00:18:06,200 Speaker 1: front row at the parish, I was like, I did that. 402 00:18:06,680 --> 00:18:09,960 Speaker 1: That was just a song. That's another story. But at 403 00:18:09,960 --> 00:18:12,480 Speaker 1: the same time, I feel like I just wanted to 404 00:18:12,480 --> 00:18:14,440 Speaker 1: be better. I wanted to feel like I was doing 405 00:18:14,520 --> 00:18:16,160 Speaker 1: something for a better cause. You know what I'm saying, 406 00:18:16,160 --> 00:18:18,440 Speaker 1: You get in a relationship, and then she had a superstar, 407 00:18:18,520 --> 00:18:20,840 Speaker 1: so certain things going to reflect back on her. If 408 00:18:20,880 --> 00:18:23,119 Speaker 1: I'm smoking weed on my Instagram and she like, man, 409 00:18:23,160 --> 00:18:25,480 Speaker 1: why are you smoking weed? Because it might it reflected 410 00:18:25,520 --> 00:18:30,840 Speaker 1: on me and your music. Yes, she heard my music. 411 00:18:30,920 --> 00:18:32,760 Speaker 1: That's what I'm saying, Like, you gotta listen to the 412 00:18:32,880 --> 00:18:35,280 Speaker 1: music and understand me and be like, I love you 413 00:18:35,320 --> 00:18:38,400 Speaker 1: how you are now with that situation, like okay, she said, 414 00:18:38,400 --> 00:18:40,199 Speaker 1: you want to go chase the problem. But as her 415 00:18:40,280 --> 00:18:41,919 Speaker 1: man at the time, it's like, no, you need to 416 00:18:41,960 --> 00:18:45,280 Speaker 1: listen to me and not a peer. But as your man, 417 00:18:45,560 --> 00:18:49,080 Speaker 1: I said it. I said that as your man, people 418 00:18:49,119 --> 00:18:51,600 Speaker 1: don't compromise. I don't know when you in a relationship 419 00:18:51,640 --> 00:18:54,200 Speaker 1: I thought it was about compromising, but it was a situation. 420 00:18:54,280 --> 00:18:56,040 Speaker 1: She had her own way of thinking, so I was 421 00:18:56,080 --> 00:18:59,159 Speaker 1: like cool. She sent a subtweet to you too, She 422 00:18:59,200 --> 00:19:01,800 Speaker 1: called you this honest an ignorant. I wasn't there. I 423 00:19:01,800 --> 00:19:03,639 Speaker 1: don't know what I was just honest about. But at 424 00:19:03,680 --> 00:19:06,120 Speaker 1: the end of the day, man, we're good. Man, I'm 425 00:19:06,160 --> 00:19:09,000 Speaker 1: worrying about this. D is two. Here we go here 426 00:19:09,200 --> 00:19:12,199 Speaker 1: dirtish right too. I don't have fans talking about Man, 427 00:19:12,280 --> 00:19:14,520 Speaker 1: he trying to do this for nothing, this reason or 428 00:19:14,560 --> 00:19:19,040 Speaker 1: what I'm not doing that? Now? Have you ever had sisters? No? 429 00:19:19,160 --> 00:19:21,640 Speaker 1: I mean I had sex with sisters at the same time, 430 00:19:22,160 --> 00:19:27,119 Speaker 1: and whose sisters real life sisters, no real sisters at 431 00:19:27,119 --> 00:19:32,480 Speaker 1: the same time. It might happen one day. It hadn't 432 00:19:32,520 --> 00:19:35,600 Speaker 1: happened yet. Have you had a sister and the sister 433 00:19:35,720 --> 00:19:38,960 Speaker 1: y'all have out and had sex with two sisters before? Oh, 434 00:19:38,960 --> 00:19:40,439 Speaker 1: but not at the same time, but one not at 435 00:19:40,480 --> 00:19:43,199 Speaker 1: the same time, one at different times? Did they know 436 00:19:43,240 --> 00:19:47,800 Speaker 1: about it? It was a moment's not Grammy. We had 437 00:19:47,800 --> 00:19:53,159 Speaker 1: a moment. Wow, moment was Grammy. You talk about the 438 00:19:53,200 --> 00:19:55,800 Speaker 1: distribution and then you said drugs. You know what happened 439 00:19:55,840 --> 00:19:59,280 Speaker 1: to not getting high off your own supply. Uh, I 440 00:19:59,400 --> 00:20:11,679 Speaker 1: never served day. I never saw it. Now, Ogi, how 441 00:20:11,720 --> 00:20:15,120 Speaker 1: you pronounce the name Mago? Messed up? I really don't 442 00:20:15,160 --> 00:20:17,800 Speaker 1: have another name, Mago okay Ogi maygo. He asked the 443 00:20:17,840 --> 00:20:19,320 Speaker 1: words for you and your music. You know what I'm saying. 444 00:20:19,359 --> 00:20:21,600 Speaker 1: He said, you encourage people to use drugs. But then 445 00:20:21,600 --> 00:20:23,960 Speaker 1: he said he spoke to you and y'all good. But 446 00:20:24,000 --> 00:20:26,240 Speaker 1: then another interview with you was like, Noah, you're gonna 447 00:20:26,240 --> 00:20:29,200 Speaker 1: have to see me. That was yeah, that was before 448 00:20:29,240 --> 00:20:31,840 Speaker 1: they yeah, yeah, we're good. We're good. Now, man, we're good. 449 00:20:32,640 --> 00:20:35,560 Speaker 1: What was that conversation like? Now, we talked about it. 450 00:20:35,560 --> 00:20:37,520 Speaker 1: I told him, man, we're not gonna even say anything 451 00:20:37,600 --> 00:20:39,399 Speaker 1: else about this situation. You know what I mean. It 452 00:20:39,480 --> 00:20:41,680 Speaker 1: is true that sometimes people do interviews and one person 453 00:20:41,720 --> 00:20:43,800 Speaker 1: says something another person and all it takes us for 454 00:20:43,880 --> 00:20:46,000 Speaker 1: y'all to talk to each other. And you guys can 455 00:20:46,160 --> 00:20:47,840 Speaker 1: resolve that right there. But that's all it takes for 456 00:20:47,920 --> 00:20:50,119 Speaker 1: me from the beginning. You just called me, call my phone. 457 00:20:50,160 --> 00:20:51,760 Speaker 1: You got a problem with me or anything you want 458 00:20:51,760 --> 00:20:54,000 Speaker 1: to say about me, call me, talk to me about it, 459 00:20:54,000 --> 00:20:57,280 Speaker 1: and I'm good. You feel the competition like I remember 460 00:20:57,280 --> 00:20:59,120 Speaker 1: seeing you performing it the first time I ever seen 461 00:20:59,160 --> 00:21:01,159 Speaker 1: you performer. I was in it, Lanna, Yeah, and it 462 00:21:01,320 --> 00:21:04,040 Speaker 1: was I think it was a Birthday Bass concert and 463 00:21:04,359 --> 00:21:06,080 Speaker 1: you went on kind of earlier in the night, and 464 00:21:06,119 --> 00:21:07,720 Speaker 1: a lot of people felt like, oh, you know, Future 465 00:21:07,760 --> 00:21:10,280 Speaker 1: should have went on later, and a lot of people 466 00:21:10,320 --> 00:21:12,640 Speaker 1: went crazy for Future. Do you feel like a lot 467 00:21:12,680 --> 00:21:14,800 Speaker 1: of Atlanta artists have an issue with you or I 468 00:21:14,840 --> 00:21:18,760 Speaker 1: feel super competitive with Future in particular. I'm not sure 469 00:21:18,800 --> 00:21:20,840 Speaker 1: about that. Man. I got a lot of love for Atlanta. 470 00:21:20,880 --> 00:21:23,360 Speaker 1: Like when I go around Atlanta, I'm running by myself. 471 00:21:23,400 --> 00:21:27,440 Speaker 1: The streets loved me, the people love me, the fans 472 00:21:27,440 --> 00:21:30,440 Speaker 1: love me, the artists love me. You know what I'm saying. 473 00:21:30,440 --> 00:21:32,680 Speaker 1: When that situation, they probably thought I was a little 474 00:21:32,840 --> 00:21:35,199 Speaker 1: premature for the States, said that I was asking for 475 00:21:35,720 --> 00:21:39,639 Speaker 1: or the fans that I deserved. The radio station didn't know. 476 00:21:39,720 --> 00:21:41,760 Speaker 1: But the next year I end up closing out the 477 00:21:42,920 --> 00:21:45,680 Speaker 1: Birthday of Bass, and the last year end up doing 478 00:21:45,680 --> 00:21:47,879 Speaker 1: it again. So it was just a little early at 479 00:21:47,880 --> 00:21:51,280 Speaker 1: that time. Just keep working. You gotta keep working. You 480 00:21:51,320 --> 00:21:53,280 Speaker 1: can't let give up. At what point did you know 481 00:21:53,359 --> 00:21:55,760 Speaker 1: this your wave getting crazy? Because it's like the biggest 482 00:21:55,800 --> 00:21:57,560 Speaker 1: your buzzets. But ever since you dropped Monster, it's like 483 00:21:57,560 --> 00:21:59,600 Speaker 1: the biggest your one. Girls started putting out three second 484 00:21:59,640 --> 00:22:04,040 Speaker 1: clips me on all alert and stuff like that. I 485 00:22:04,880 --> 00:22:06,520 Speaker 1: didn't know I was that hot. Girls want to put 486 00:22:06,520 --> 00:22:10,719 Speaker 1: pictures of me. And that's been you know, because everybody, 487 00:22:10,960 --> 00:22:13,000 Speaker 1: that's when you understand, like I need to fall back, 488 00:22:13,320 --> 00:22:16,240 Speaker 1: you need to be careful. But it is true because 489 00:22:16,240 --> 00:22:18,639 Speaker 1: people do focus a lot on your situation, like you 490 00:22:18,680 --> 00:22:21,760 Speaker 1: know you have four children's matter four kids and adopt 491 00:22:21,800 --> 00:22:24,360 Speaker 1: the signe so five ye here in this interview right now, 492 00:22:24,440 --> 00:22:27,520 Speaker 1: like you got five kids, but you have four women 493 00:22:27,520 --> 00:22:30,639 Speaker 1: that you have to deal with. And it seems that 494 00:22:30,720 --> 00:22:35,600 Speaker 1: it was not because you have things. He makes about 495 00:22:35,600 --> 00:22:38,399 Speaker 1: seving five a show. That's why I don't say that 496 00:22:38,400 --> 00:22:43,760 Speaker 1: you trying to get more money. I don't, but it 497 00:22:43,800 --> 00:22:54,119 Speaker 1: seems like I ain't. It's all anything nothing not free mixtapes. 498 00:22:55,240 --> 00:22:59,920 Speaker 1: Gave free mixtapes they didn't have I gave free download. 499 00:23:01,320 --> 00:23:03,359 Speaker 1: But now I take care of all of them good. 500 00:23:03,400 --> 00:23:05,000 Speaker 1: You know what I'm saying. Do you feel like you 501 00:23:05,000 --> 00:23:07,560 Speaker 1: would want to be with one of them permanently? Like 502 00:23:07,600 --> 00:23:09,400 Speaker 1: I always see you go back to they always show 503 00:23:09,440 --> 00:23:12,560 Speaker 1: you and I think I'm around my kids, but it 504 00:23:12,600 --> 00:23:14,119 Speaker 1: doesn't do you ever feel like you want to be 505 00:23:14,240 --> 00:23:17,639 Speaker 1: with one of them, like settle down monogamous relationship. We 506 00:23:17,640 --> 00:23:20,520 Speaker 1: already have a child together, man, I'm already with him. 507 00:23:22,160 --> 00:23:25,720 Speaker 1: That means always, yeah, we got kids together. All his 508 00:23:25,880 --> 00:23:27,840 Speaker 1: gonna be a brand. So how do you feel about them? 509 00:23:27,920 --> 00:23:30,159 Speaker 1: Like dating other guys? And are they not supposed to 510 00:23:30,160 --> 00:23:31,800 Speaker 1: do that? All right? Yeah, they can date other guys. 511 00:23:32,200 --> 00:23:33,639 Speaker 1: But if I pay for the house and pay for 512 00:23:33,680 --> 00:23:35,800 Speaker 1: your car, you can't date the dude and have him 513 00:23:35,840 --> 00:23:38,000 Speaker 1: living in my house. Right, this is my house. If 514 00:23:38,000 --> 00:23:39,400 Speaker 1: he date you that much, he love you that much, 515 00:23:39,400 --> 00:23:41,359 Speaker 1: tell them about your house and he told you go 516 00:23:42,080 --> 00:23:45,399 Speaker 1: get it, tell him to buy you a house. I'm happy. 517 00:23:45,640 --> 00:23:48,320 Speaker 1: I don't have to pay to be his. That's what 518 00:23:48,359 --> 00:23:50,560 Speaker 1: it's about, man, It's about moving on being happy. If 519 00:23:50,600 --> 00:23:53,000 Speaker 1: you can't make somebody happy, you shouldn't be mad if 520 00:23:53,000 --> 00:23:55,159 Speaker 1: they're happy with someone else. Right, I didn't know you 521 00:23:55,240 --> 00:23:57,960 Speaker 1: was all from Haitian. Sian. You didn't know that I 522 00:23:58,240 --> 00:24:02,399 Speaker 1: show you know Haitian. No, oh, everyone in the world 523 00:24:02,560 --> 00:24:05,119 Speaker 1: you know, because everyone in the world think I'm Haitian 524 00:24:05,200 --> 00:24:10,480 Speaker 1: because when I hang around I hang around a bunch 525 00:24:10,520 --> 00:24:13,080 Speaker 1: of Haitians. Yeah, I see what you slow bucks. I 526 00:24:13,160 --> 00:24:17,800 Speaker 1: hang around shooters whenever. Guys who works here is always 527 00:24:17,840 --> 00:24:20,040 Speaker 1: like you know, even before slow, even before slow I 528 00:24:20,080 --> 00:24:22,439 Speaker 1: know slow here Haitian or even before slow. That's how 529 00:24:22,480 --> 00:24:24,440 Speaker 1: I met him. Conn you Haitian. I'm like, man, I 530 00:24:24,520 --> 00:24:26,720 Speaker 1: just be hanging around Haitians all the time and people 531 00:24:26,760 --> 00:24:29,000 Speaker 1: start thinking I was Haitian. Wow, now you was talking 532 00:24:29,000 --> 00:24:31,600 Speaker 1: about your your big moms. A lot of UH sites 533 00:24:31,640 --> 00:24:33,600 Speaker 1: that were run by girls would give you flag. They'd 534 00:24:33,640 --> 00:24:35,760 Speaker 1: be like, ce Sierra, what you think was gonna happen 535 00:24:35,760 --> 00:24:38,720 Speaker 1: to you? He got four kids already, did that bother? 536 00:24:38,800 --> 00:24:44,080 Speaker 1: You ain't like? No girls. Girls are still gonna mess 537 00:24:44,119 --> 00:24:48,760 Speaker 1: with you anyway, dose superstars, regular girls, they still gonna 538 00:24:48,800 --> 00:24:51,360 Speaker 1: mess with me. But because that don't determine how they 539 00:24:51,400 --> 00:24:53,800 Speaker 1: how they feel about feel about me, because if you 540 00:24:53,880 --> 00:24:56,080 Speaker 1: know me, then you know what they're talking about. It's 541 00:24:56,119 --> 00:24:58,920 Speaker 1: not true. After that clip of you appaired, does that 542 00:24:59,000 --> 00:25:00,480 Speaker 1: mean if I was a dead be dad, you thought 543 00:25:00,520 --> 00:25:02,120 Speaker 1: she would have had a baby about me, had three 544 00:25:02,200 --> 00:25:04,720 Speaker 1: kids before, and she actually got to meet the mothers 545 00:25:04,760 --> 00:25:09,200 Speaker 1: and meet the mothers, take my kids. She had my kids, 546 00:25:09,200 --> 00:25:11,240 Speaker 1: She keep the kids like, so if she keeping my 547 00:25:11,320 --> 00:25:13,160 Speaker 1: kids and I had my kids, but you think she'll 548 00:25:13,200 --> 00:25:14,840 Speaker 1: have a baby body me if I was dead, be dad. 549 00:25:15,240 --> 00:25:16,600 Speaker 1: Maybe she ain't had no choice. You might have just 550 00:25:16,640 --> 00:25:23,639 Speaker 1: took that condom off. You ain't taking the condom off 551 00:25:23,640 --> 00:25:28,639 Speaker 1: of trying to get somebody to print that just very 552 00:25:28,680 --> 00:25:33,920 Speaker 1: baby day of getting fifteen brand a month sixteen nothing 553 00:25:34,440 --> 00:25:36,400 Speaker 1: you know, set up for a human being to come 554 00:25:36,440 --> 00:25:38,399 Speaker 1: out in this world. And it was a set up. 555 00:25:38,520 --> 00:25:41,320 Speaker 1: And girls trapping us all the time many time to 556 00:25:41,320 --> 00:25:43,680 Speaker 1: get a little get back, a little Sellebury baby day. 557 00:25:43,720 --> 00:25:46,439 Speaker 1: I'll be like gold Bro, do your thing. How do 558 00:25:46,440 --> 00:25:48,040 Speaker 1: you move differently now? Now you said, you know, you 559 00:25:48,040 --> 00:25:50,119 Speaker 1: see that your celebrity women are putting up these clips 560 00:25:50,160 --> 00:25:52,000 Speaker 1: of you, these three second clips. What are you going 561 00:25:52,040 --> 00:25:53,680 Speaker 1: to do differently now? So you don't have to deal 562 00:25:53,720 --> 00:25:56,480 Speaker 1: with that, man, I just moved different Man, I don't 563 00:25:56,480 --> 00:25:58,280 Speaker 1: even have to do that. I just do certain stuff 564 00:25:58,320 --> 00:26:00,760 Speaker 1: because at the time and the homing for me, man, 565 00:26:00,800 --> 00:26:02,400 Speaker 1: I really don't even have to be a part of that. 566 00:26:02,600 --> 00:26:04,880 Speaker 1: Did you having fun? You're living and living life caught 567 00:26:04,960 --> 00:26:07,040 Speaker 1: up in a moment. Sometimes it can be good and 568 00:26:07,080 --> 00:26:08,879 Speaker 1: sometimes it can be bad. I feel like it was 569 00:26:08,880 --> 00:26:11,560 Speaker 1: a good thing at the time. Now the dirty sprite? 570 00:26:11,560 --> 00:26:13,840 Speaker 1: Does that make you nervous at all? The drink? And 571 00:26:13,840 --> 00:26:16,000 Speaker 1: the reason I say that is it allegedly that's what 572 00:26:16,119 --> 00:26:18,399 Speaker 1: had Rick Ross having seges, That's what had Little Wayne 573 00:26:18,440 --> 00:26:23,080 Speaker 1: having season just saying people have died drinking. It had 574 00:26:23,160 --> 00:26:25,560 Speaker 1: me nervous at times because people talk about it so much. 575 00:26:25,960 --> 00:26:27,840 Speaker 1: They wouldn't talk about it so much, and then soon 576 00:26:27,880 --> 00:26:30,159 Speaker 1: something happened like we told him. That's the only thing 577 00:26:30,160 --> 00:26:31,560 Speaker 1: I don't want people to be like I told you 578 00:26:31,600 --> 00:26:33,520 Speaker 1: so you should have stopped. So that's the only thing 579 00:26:33,520 --> 00:26:36,600 Speaker 1: to have me nervous. Besides that, it's good drink to me. 580 00:26:36,680 --> 00:26:38,800 Speaker 1: How many? How much drugs do you actually consume on 581 00:26:38,800 --> 00:26:43,200 Speaker 1: a regular base? Too much? I need to stop now, sons, 582 00:26:43,240 --> 00:26:47,760 Speaker 1: I'm listening. I'm about to stop. You skinny, And sometimes 583 00:26:47,760 --> 00:26:49,280 Speaker 1: that makes people gain a lot of way. That slows 584 00:26:49,320 --> 00:26:54,320 Speaker 1: down your metabolism and all of that metabolism. I've been 585 00:26:54,359 --> 00:26:59,480 Speaker 1: skinning constipated, constipated, Nah, you've been showing any one time 586 00:26:59,480 --> 00:27:01,120 Speaker 1: and you was back. You did do a song called 587 00:27:07,040 --> 00:27:13,200 Speaker 1: ask you I ask questions. It's good though, it's good. 588 00:27:13,320 --> 00:27:15,000 Speaker 1: Ask me about did this song called contempated I mean 589 00:27:15,000 --> 00:27:16,800 Speaker 1: it's not good. I'm not contempting. I did this song 590 00:27:16,800 --> 00:27:21,200 Speaker 1: called now what's the status of ape? Speaking of Epe? 591 00:27:21,400 --> 00:27:25,560 Speaker 1: We just man working, working, There's no status. Do you do? 592 00:27:25,640 --> 00:27:27,359 Speaker 1: You have a favorite mixtape out of the out of 593 00:27:27,359 --> 00:27:30,040 Speaker 1: the out of the three Monsta, because Monsta jumped everything. 594 00:27:30,560 --> 00:27:33,560 Speaker 1: It jumped everything everybody like I like fifty six Nights too, 595 00:27:33,560 --> 00:27:36,479 Speaker 1: but I like Monsters hard hard. Mansta was like me, 596 00:27:36,600 --> 00:27:39,800 Speaker 1: just saying, man, I'm being relentless. And what artists you 597 00:27:39,840 --> 00:27:41,720 Speaker 1: listen to now? Meek Mills said, you're the only artist 598 00:27:41,760 --> 00:27:43,240 Speaker 1: that he can really listen to now because you get 599 00:27:43,240 --> 00:27:45,720 Speaker 1: a maenergetic. Is the only artists that you listen to? 600 00:27:46,080 --> 00:27:48,760 Speaker 1: The only artists and not I don't have the only 601 00:27:48,880 --> 00:27:50,520 Speaker 1: artists that I listened to, but I do listen to 602 00:27:50,560 --> 00:27:53,200 Speaker 1: meet and I haven't brought any other album besides this album. 603 00:27:53,600 --> 00:27:55,720 Speaker 1: Meek got a lot of respect for you, man, I 604 00:27:55,760 --> 00:27:57,520 Speaker 1: got a lot of respect for me. He does. The 605 00:27:57,640 --> 00:28:00,000 Speaker 1: feeling is mutual with me and him. We one thousand, 606 00:28:00,000 --> 00:28:02,160 Speaker 1: and it's rare you get an artist in the game. 607 00:28:02,760 --> 00:28:05,320 Speaker 1: They come through for you like you come through for them. 608 00:28:05,440 --> 00:28:07,640 Speaker 1: He don't charge me, I don't charge him. You can't 609 00:28:07,760 --> 00:28:09,440 Speaker 1: charge me for something, then when it's time for you 610 00:28:09,480 --> 00:28:11,000 Speaker 1: to do something, you charge me. But me and meet 611 00:28:11,040 --> 00:28:15,160 Speaker 1: we don't even have that discussion like for us lawyers, 612 00:28:15,200 --> 00:28:18,000 Speaker 1: it and managers. We talk about it and get it 613 00:28:18,000 --> 00:28:20,120 Speaker 1: done on our own time. I mean, that's interesting because 614 00:28:20,119 --> 00:28:23,280 Speaker 1: you come from that Dungeon family where outcasts got booed 615 00:28:23,280 --> 00:28:24,959 Speaker 1: when they would come to the East Coast. Right now 616 00:28:24,960 --> 00:28:26,800 Speaker 1: you're getting embraced by the Ease Coast artist eat Coast 617 00:28:26,840 --> 00:28:29,959 Speaker 1: artists and Yo, you influenced me. It feels great. It 618 00:28:29,960 --> 00:28:32,520 Speaker 1: feels great for DS too. How many songs did you 619 00:28:32,560 --> 00:28:34,679 Speaker 1: do before you shoot Chilse? How many would make the album? 620 00:28:35,359 --> 00:28:37,440 Speaker 1: I never stopped recording even when I turned the album 621 00:28:37,480 --> 00:28:39,600 Speaker 1: and I recorded that same day, so I never stopped 622 00:28:39,640 --> 00:28:42,080 Speaker 1: recording something, always recording songs. Are you gonna do any 623 00:28:42,120 --> 00:28:45,000 Speaker 1: more mixtapes? Or you feel like just albums? Now? Hey, 624 00:28:45,680 --> 00:28:48,960 Speaker 1: I've been recording every single day nothing, So I want 625 00:28:49,000 --> 00:28:51,400 Speaker 1: to drop another album this year. My plans is to 626 00:28:51,480 --> 00:28:53,760 Speaker 1: drop another album. Did you feel like you had to 627 00:28:53,760 --> 00:28:57,280 Speaker 1: redeem yourself after the Honest album? Yep? Just what was 628 00:28:57,440 --> 00:28:59,440 Speaker 1: because he wasn't getting a reception you wanted it? Or yeah, 629 00:28:59,440 --> 00:29:01,520 Speaker 1: I won't get reception when I wanted. I feel like 630 00:29:01,560 --> 00:29:03,840 Speaker 1: I wasn't as unnest that I should should have been 631 00:29:03,960 --> 00:29:08,320 Speaker 1: on the album. Are you sure you got industried out 632 00:29:08,320 --> 00:29:10,720 Speaker 1: a little bit because you got with the celebrity girl 633 00:29:10,800 --> 00:29:14,640 Speaker 1: you moved to LA just a little maybe calls you 634 00:29:14,640 --> 00:29:16,600 Speaker 1: to not make the music, you know, because you gotta 635 00:29:16,680 --> 00:29:18,920 Speaker 1: think me moving to LA, that's my first time going 636 00:29:19,240 --> 00:29:22,320 Speaker 1: even with the industry, being in a public relationship or 637 00:29:22,360 --> 00:29:24,320 Speaker 1: something in the industry is my first time, So you 638 00:29:24,360 --> 00:29:26,440 Speaker 1: have a first time experience. It was a learning experience 639 00:29:26,480 --> 00:29:28,120 Speaker 1: for me. Now you know what to do and what 640 00:29:28,240 --> 00:29:30,360 Speaker 1: not to do. You think it was a distraction for 641 00:29:30,400 --> 00:29:32,040 Speaker 1: you from work because I remember, yeah, it was a 642 00:29:32,080 --> 00:29:34,120 Speaker 1: distraction because all they want to hear about your relationship. 643 00:29:34,120 --> 00:29:35,800 Speaker 1: I don't even want to think about your music no more. 644 00:29:35,880 --> 00:29:38,320 Speaker 1: Your relationship is bigger than your music. I feel like 645 00:29:39,040 --> 00:29:42,880 Speaker 1: my relationship was bigger than me, and now I'm bigger 646 00:29:42,880 --> 00:29:45,200 Speaker 1: than anything. It's not even a bottle relationship. It's about 647 00:29:45,640 --> 00:29:48,280 Speaker 1: Monster Beast Mother for the Six Nights and dirtish Prite 648 00:29:48,360 --> 00:29:50,720 Speaker 1: is not even a boutt relationship. And it's funny because 649 00:29:50,720 --> 00:29:52,240 Speaker 1: they start feeding in this stuff because you know, you see, 650 00:29:52,280 --> 00:29:53,840 Speaker 1: if you if you know you in a relationship. You're like, 651 00:29:54,160 --> 00:29:57,480 Speaker 1: damn thaw, it must be about Yeah. Throwaway wasn't about her. 652 00:29:57,880 --> 00:30:01,240 Speaker 1: It's about any girl if it's a throwaway. A lot 653 00:30:01,280 --> 00:30:04,480 Speaker 1: of these singles, is it difficult because I never expect 654 00:30:04,520 --> 00:30:06,360 Speaker 1: the Trap to be a single. I never picked the 655 00:30:06,360 --> 00:30:08,360 Speaker 1: singles no more, like I just dropped the whole mixtape. 656 00:30:08,360 --> 00:30:09,560 Speaker 1: That's why I did with Dirty Spry. I was like, 657 00:30:09,600 --> 00:30:12,040 Speaker 1: I put the whole entire album out, no single, and 658 00:30:12,120 --> 00:30:14,800 Speaker 1: let the fans pick the same people just gravitate towards Yeah, 659 00:30:14,800 --> 00:30:16,760 Speaker 1: they're gonna pick the single, y'all gonna the DJ is 660 00:30:16,800 --> 00:30:18,600 Speaker 1: gonna pick the single. When y'all listen to the album, y'all, 661 00:30:18,640 --> 00:30:20,040 Speaker 1: I'm like, man, this is the one I love. I'm 662 00:30:20,080 --> 00:30:22,160 Speaker 1: like played out one. It was interesting when you said 663 00:30:22,200 --> 00:30:24,240 Speaker 1: y'all prayed after sex, Like, what do you pray about after? 664 00:30:24,400 --> 00:30:26,000 Speaker 1: I thought you were joking. I got no guys that 665 00:30:26,040 --> 00:30:27,959 Speaker 1: pray before They getting like, please don't let me get 666 00:30:28,000 --> 00:30:29,880 Speaker 1: gone now. Man, I don't even want to speak on 667 00:30:29,960 --> 00:30:32,080 Speaker 1: her no more. Man's not hurt, but just in general, 668 00:30:32,080 --> 00:30:35,400 Speaker 1: and when you pray after I'm not gonna lie. I 669 00:30:35,400 --> 00:30:37,400 Speaker 1: thought you were just being funny and making a joke 670 00:30:37,480 --> 00:30:39,920 Speaker 1: that you prayed after sex, Like, just not gonna even 671 00:30:39,920 --> 00:30:41,880 Speaker 1: speak on the man. I'm not gonna make no jokes. Man, 672 00:30:41,920 --> 00:30:44,520 Speaker 1: I'm answer the question. How did you answer? Hey? Ask me? 673 00:30:44,600 --> 00:30:46,560 Speaker 1: I'm just answering the question. But at the end of 674 00:30:46,600 --> 00:30:48,720 Speaker 1: the day, man, we moved past it. It's cool. What 675 00:30:48,840 --> 00:30:50,200 Speaker 1: do you what do you feel like you're at in 676 00:30:50,240 --> 00:30:52,000 Speaker 1: the game now? When I saw then interview with Elliott, 677 00:30:52,040 --> 00:30:54,200 Speaker 1: you feel like you said, I'm not where I want 678 00:30:54,200 --> 00:30:55,719 Speaker 1: to be. Where do you feel you're at right now? 679 00:30:55,760 --> 00:30:57,520 Speaker 1: I feel like I'm in a great place. I'm hitting 680 00:30:57,520 --> 00:30:59,959 Speaker 1: in the right direction. I got a lot of support 681 00:31:00,160 --> 00:31:03,760 Speaker 1: from a lot of fans. The industry been support me, 682 00:31:04,520 --> 00:31:05,920 Speaker 1: and that's why I want to be at You know 683 00:31:05,920 --> 00:31:07,800 Speaker 1: what I'm saying. That's enough to keep continue to going. 684 00:31:08,400 --> 00:31:11,320 Speaker 1: It's hard to get hot again, exactly. It's why you 685 00:31:11,360 --> 00:31:14,520 Speaker 1: gotta stay hot and never stop. If you stop, if 686 00:31:14,520 --> 00:31:16,880 Speaker 1: you make a move and take two months off there 687 00:31:16,960 --> 00:31:18,880 Speaker 1: another artist might come in and then two months when 688 00:31:18,880 --> 00:31:21,840 Speaker 1: you're taking vacations, like I started going on vacations and 689 00:31:22,600 --> 00:31:24,440 Speaker 1: going out to eat. I never went out to eat 690 00:31:24,680 --> 00:31:27,200 Speaker 1: until I was in the relationship. I never went on 691 00:31:27,200 --> 00:31:31,240 Speaker 1: a vacation and from Atlanta. I go to the studio 692 00:31:31,440 --> 00:31:33,800 Speaker 1: every single day, never go out to eat. I had 693 00:31:33,880 --> 00:31:36,400 Speaker 1: Christmas at the studio, you had Thanksgiving at the studio. 694 00:31:36,560 --> 00:31:39,200 Speaker 1: Everything had to happen at the studio when I first started, 695 00:31:39,240 --> 00:31:41,160 Speaker 1: and then I got a relationship. We're going down the 696 00:31:41,240 --> 00:31:44,120 Speaker 1: dates since I never went on the date when your 697 00:31:44,160 --> 00:31:46,120 Speaker 1: flat baby mamas, what happened with them? You didn't never 698 00:31:46,160 --> 00:31:48,440 Speaker 1: take them on. I was young when I when I 699 00:31:48,480 --> 00:31:49,920 Speaker 1: was with them, I was young, like I was in 700 00:31:50,000 --> 00:31:51,880 Speaker 1: high school when I had my first child. So that 701 00:31:51,960 --> 00:31:53,840 Speaker 1: was my first son by the time I but by 702 00:31:53,840 --> 00:31:56,240 Speaker 1: the time I um got success in the industry, he 703 00:31:56,280 --> 00:31:58,920 Speaker 1: was already nine ten going on ten years old. You 704 00:31:58,960 --> 00:32:00,960 Speaker 1: know what I'm saying. Then the other baby moment, we 705 00:32:01,000 --> 00:32:03,840 Speaker 1: already went through everything together. We don't probably went on 706 00:32:03,880 --> 00:32:06,000 Speaker 1: movie dates a long time ago, like before I even 707 00:32:06,000 --> 00:32:08,880 Speaker 1: had any success. But I'm saying, while I was having success, 708 00:32:08,920 --> 00:32:12,760 Speaker 1: I wasn't with her my uh my, my my daughter mom. 709 00:32:12,760 --> 00:32:15,520 Speaker 1: While I had success, I'd been like, you ain't never 710 00:32:15,560 --> 00:32:18,240 Speaker 1: take me nowhere? Now you out at restaurants? No, No, 711 00:32:18,320 --> 00:32:20,320 Speaker 1: I take him on dates. Now, when did you first 712 00:32:20,360 --> 00:32:22,840 Speaker 1: start recording? Like, what's the when when did you first record? 713 00:32:22,920 --> 00:32:27,040 Speaker 1: Ever I recorded probably when I was about thirteen at 714 00:32:28,160 --> 00:32:30,720 Speaker 1: I didn't require recorded, uh with my homies. It was 715 00:32:30,720 --> 00:32:33,400 Speaker 1: some older, older cats from my neighborhood took me to 716 00:32:33,400 --> 00:32:36,320 Speaker 1: the studio one time I recorded. Did the recal anybody 717 00:32:36,360 --> 00:32:38,960 Speaker 1: know that? Yo? This this guy can go. My uncle 718 00:32:39,080 --> 00:32:42,080 Speaker 1: he had passed away. Then I end up. Rico came 719 00:32:42,120 --> 00:32:44,920 Speaker 1: to the funeral. Then my granddad was like, man, he'd 720 00:32:44,920 --> 00:32:47,440 Speaker 1: been in the streets doing all this stuff, but you 721 00:32:47,440 --> 00:32:49,640 Speaker 1: need to take him over your house. Rico was like, man' 722 00:32:49,640 --> 00:32:51,320 Speaker 1: gonna take you over my house. I was like seventeen 723 00:32:51,360 --> 00:32:53,800 Speaker 1: going on eighteen at the time. He took me over 724 00:32:53,840 --> 00:32:55,720 Speaker 1: them took me over his house. I did like one 725 00:32:55,840 --> 00:32:57,920 Speaker 1: verse on the song. I wasn't comfortable because he had 726 00:32:57,960 --> 00:33:01,400 Speaker 1: already had success. It's supers over here. I'm not comfortable 727 00:33:01,440 --> 00:33:02,680 Speaker 1: over here. They're looking at me like, oh you just 728 00:33:02,720 --> 00:33:05,280 Speaker 1: a little cousin coming around saying you the cousin Like man. 729 00:33:05,280 --> 00:33:07,160 Speaker 1: I went back to the neighborhood, stayed over there for 730 00:33:07,200 --> 00:33:09,920 Speaker 1: like four months, and then my other uncle passed away, 731 00:33:09,920 --> 00:33:11,240 Speaker 1: and then Rico came back. It was like, man, that 732 00:33:11,320 --> 00:33:13,640 Speaker 1: song you did, I've been planning for people. They love it. 733 00:33:13,920 --> 00:33:15,600 Speaker 1: I thought in my mind. This time, I was like, 734 00:33:15,680 --> 00:33:17,320 Speaker 1: I go for his house. I'm never going back to 735 00:33:17,320 --> 00:33:19,440 Speaker 1: the neighborhood. So I went over his house and I 736 00:33:19,480 --> 00:33:21,040 Speaker 1: never went back for like a whole year. I just 737 00:33:21,080 --> 00:33:23,480 Speaker 1: stayed at this house. What's your name? Future? Yet now 738 00:33:23,520 --> 00:33:28,240 Speaker 1: it was meet me, meet me at Ohea called you 739 00:33:28,240 --> 00:33:31,280 Speaker 1: meet head. What Yeah, that's I'm from the hood. My 740 00:33:31,320 --> 00:33:33,680 Speaker 1: granddadd gave me that name when I was born, and 741 00:33:33,720 --> 00:33:35,800 Speaker 1: then they gave you the name future. Yea. They gave 742 00:33:35,800 --> 00:33:38,400 Speaker 1: me the name future. Why because I was the youngest 743 00:33:38,400 --> 00:33:39,800 Speaker 1: at the dungeon. They was like, man, you the future. 744 00:33:39,800 --> 00:33:42,080 Speaker 1: You the future. At the time, it didn't stick to me, 745 00:33:42,440 --> 00:33:45,920 Speaker 1: but that um, over time, I loved the name. I'd 746 00:33:45,920 --> 00:33:48,400 Speaker 1: you end up getting with a rocker out of that situation, 747 00:33:49,080 --> 00:33:53,120 Speaker 1: uh man being in the streets man Rocko connected. See 748 00:33:53,120 --> 00:33:55,479 Speaker 1: he even talked like a drug dealer. Quick short answers. 749 00:33:55,840 --> 00:34:02,160 Speaker 1: You know, incriminate myself, right, I appreciate you. Join us 750 00:34:02,280 --> 00:34:05,400 Speaker 1: albums and stores right now, dirty spite too, that's right. 751 00:34:05,480 --> 00:34:07,560 Speaker 1: Make sure you go get it. And it's the breakfast club. 752 00:34:07,640 --> 00:34:08,080 Speaker 1: Is Future