WEBVTT - Episode 130 w/ Pusha-T

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<v Speaker 1>And this drinks motherfucking podcast. He's a legendary queen's rapper.

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<v Speaker 1>He's Segre's your boy in the r He's a Miami

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<v Speaker 1>hippop pioneer, one of his dj e f n. Together

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<v Speaker 1>they drink it up with some of the biggest players

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<v Speaker 1>in the most professional unprofessional podcast and your number one

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<v Speaker 1>source for drunk fact drinks. Motherfucking every is New Year's Eve.

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<v Speaker 1>Let's time for drink chimp, drink up mother mother killers.

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<v Speaker 1>Then this Yong Hey Hamas in the rear one hot one,

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<v Speaker 1>you don't want to feel one he got made this show.

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<v Speaker 1>They always signed by my presence, right, I've always being

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<v Speaker 1>president man game in the show. Then he showed Bendy

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<v Speaker 1>shows Bendy show him that he showed shot show holding

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<v Speaker 1>guns with guns. I used to leave back all the

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<v Speaker 1>way yep, but my son's make us out. This is

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<v Speaker 1>the second look. They're thinking Movo Lulu work. Now now

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<v Speaker 1>I think he king Ben huring front clap niggas. That's

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<v Speaker 1>the end of story. What told us soldiers hold the work?

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<v Speaker 1>Just another second for me. I'm street low when I'm firing.

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<v Speaker 1>See us hurt that day was kill us. Bendy shown

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<v Speaker 1>pay Homas to the rear one hot one. You don't

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<v Speaker 1>want to feel one? He got? He shown they always

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<v Speaker 1>sided by my presence At right, I've always been president

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<v Speaker 1>man Game in the show Ben, he showed Bendy shows

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<v Speaker 1>Bendy showing that he showed shot shot holding guns with guns.

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<v Speaker 1>I used to leave back all the way yea with

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<v Speaker 1>my sons, snick us out. This is specking what they're

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<v Speaker 1>thinking Bolulu work. Now now you think he king Ben

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<v Speaker 1>shining front clap niggas. That's the end of storm. What

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<v Speaker 1>told us soldiers hold the work? Just another second for me?

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<v Speaker 1>I'm street low when I'm firing cups. Heard that day

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<v Speaker 1>was hot and he shown, Hey, how much in the

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<v Speaker 1>real one? Hot one? You don't want to feel one?

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<v Speaker 1>He got? Many shown say you're resigned by my presence?

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<v Speaker 1>Act right, I've always been impressed. Game. In the show Ben,

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<v Speaker 1>he showed the Bendy show. Bendy showed him that he

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<v Speaker 1>showed he got Bendy shown. Then he showed the Bendy

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<v Speaker 1>shown Bendy show him that he showed he got in

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<v Speaker 1>the show the game they call a podcast poppy niggas

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<v Speaker 1>just King Coe. They're trying to cop to Dummond's in

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<v Speaker 1>the change for us down rints and you ain't never

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<v Speaker 1>sing no ship like this? What sell me something? I

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<v Speaker 1>don't know what? Show me something I don't know. What.

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<v Speaker 1>Tell me something I don't know, Like when this ship

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<v Speaker 1>dropped home came into Joe call me out on the

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<v Speaker 1>late night. I was said to play fight see flying

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<v Speaker 1>break night. This lie pros watch is like a breaking

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<v Speaker 1>late and you gonna get it right on your gray side.

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<v Speaker 1>Uh So tell me something I don't know. Fifty dollar

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<v Speaker 1>pizza when I'm eating it? So ho I heard that

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<v Speaker 1>you went love with the Coke Coo something your nose

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<v Speaker 1>hitting him on the phone. We don't hate me to

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<v Speaker 1>hate me? What should I do? Keep getting money? It's funny, y'all,

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<v Speaker 1>was just like you. Super Bowl Sunday's Dream Chat with

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<v Speaker 1>the Facts security guard to Kevin Hart to relax, Oh,

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<v Speaker 1>tell me something about done know what? Show me something?

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<v Speaker 1>I don't know what. Tell me something I don't know,

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<v Speaker 1>Like when this ship dropped home came into Joe Coom,

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<v Speaker 1>Tell me something about Joe know. Tell me something I

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<v Speaker 1>don't know. Tell me something I don't know, Like when

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<v Speaker 1>this ship drops home came would it could be hoping

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<v Speaker 1>this with the super ship Boy and o R coming

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<v Speaker 1>close that door, that right now we have technically one

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<v Speaker 1>of the hottest rappers. That's not even technically technically it

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<v Speaker 1>is the hottest rapper in the game. When you when

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<v Speaker 1>you sware with the top dog and you come out

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<v Speaker 1>on top and they're saying that they don't even want

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<v Speaker 1>to come back, you're the top dog. That's why it's harder.

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<v Speaker 1>Floyd made one of the fight anybody because for that night,

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<v Speaker 1>that same people was on that same level. But let's

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<v Speaker 1>let's get go over. This man has continuously stayed relevant

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<v Speaker 1>in this game. He has. I was discovered by one

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<v Speaker 1>of the the most phenomenal what I call it the

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<v Speaker 1>best produce of our generation. Hit. Him and his brother

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<v Speaker 1>had a phenomenal group. They did phenomenal things. They continue

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<v Speaker 1>to do it. Then he had a whole another life

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<v Speaker 1>where he goes to this these these these other people

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<v Speaker 1>and then he makes he becomes greater. And if you

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<v Speaker 1>don't know who are you're talking about right now, we're

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<v Speaker 1>gonna talking about motherfucking push your teeth makes a look,

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<v Speaker 1>so push your tea. I want to take it. First.

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<v Speaker 1>Let me give you that bottle of dog Perry Yard.

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<v Speaker 1>We got you know, listen, we gave nobody dog show.

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<v Speaker 1>Take something when when you give you you trying you

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<v Speaker 1>myself my money? Yeah money right now, yeah you can here,

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<v Speaker 1>you can take what you was totally up to you.

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<v Speaker 1>You know what I'm saying, Cause you do have a

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<v Speaker 1>bottle of your own rose too, because you deserve to

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<v Speaker 1>have your own bottom rose. So I mean, before we

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<v Speaker 1>jump into that, I want to pick up to somebody.

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<v Speaker 1>I want to pick up to be Dot right from

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<v Speaker 1>rat radar, because be out from rat Radar. He's sitting

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<v Speaker 1>out a tweet the other day which was shocking to me,

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<v Speaker 1>and he said, I wonder where to push your t

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<v Speaker 1>interview was sound like about push your t's album, and

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<v Speaker 1>that messed me up because I was like, damn, you know,

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<v Speaker 1>I see all these mems you know, um, And I

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<v Speaker 1>think that's what's being overshadow right now is the great

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<v Speaker 1>body at the battle about the battle. So what I

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<v Speaker 1>want to do is I want to break down the

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<v Speaker 1>whole album as album we got got some number one

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<v Speaker 1>one song number one. I got into my own ship

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<v Speaker 1>right here. But if if it's if you know, you know,

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<v Speaker 1>what were we doing? What that what's that playing right there?

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<v Speaker 1>Who's bootlegging us already right here? But cool? So if

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<v Speaker 1>you don't even know how did that come together? Um,

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<v Speaker 1>if you know, you know that was that was one

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<v Speaker 1>of the one of the first joints that that me

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<v Speaker 1>and Kanye did. I feel like it was. It was

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<v Speaker 1>probably that might have been found in utass somewhere. That's

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<v Speaker 1>why yoming is that. No, Yeah, I got two different,

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<v Speaker 1>two different, but didn't didn't he remix the whole album

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<v Speaker 1>at some point? Yes, yes, So this is the first

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<v Speaker 1>of the remix. Yeah, this is the first of like

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<v Speaker 1>I'm about to I'm about to redo this, you know. Um,

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<v Speaker 1>you know, people don't know that. Like the process in

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<v Speaker 1>which I work with him is basically, I go and

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<v Speaker 1>get my beats from everywhere else, do it, boom, bring

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<v Speaker 1>it to him. Listen, this is my album. What you think.

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<v Speaker 1>We vie with it for like two three days, riding

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<v Speaker 1>around to it. You know. Um, He's like, um, I

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<v Speaker 1>think it's great. Like on the third day he was like, yo,

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<v Speaker 1>I think I can. I think I can produce this

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<v Speaker 1>way better than myself. He's basically telling you we're scrapping

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<v Speaker 1>this whole album. So I was like like you think.

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<v Speaker 1>So I was like, you know, now, mind you just

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<v Speaker 1>think about what he's at this time, because at this

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<v Speaker 1>time he's like it's dramas, you know, what's the time frame?

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<v Speaker 1>Just so we know more or less. Man, it's Trump.

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<v Speaker 1>No no, no, no, no no no no, it's the it's

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<v Speaker 1>the shows and the rants. And when he was doing

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<v Speaker 1>coming off the stag. So when he was done with that,

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<v Speaker 1>he was like, yo, you know, I think I could

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<v Speaker 1>do it better myself. And I'm like all right, I'm like,

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<v Speaker 1>let's over. So she was like, he was like, let's

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<v Speaker 1>go to um, let's go to Utah. So we go

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<v Speaker 1>to Utah or whatever alone there no, okay, no, no,

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<v Speaker 1>but Kobe was over. Kobe cold may not like the

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<v Speaker 1>end of way with there? Just did he just did

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<v Speaker 1>you see how you just flow up? And I'm just

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<v Speaker 1>telling you, I'm telling you what do you know what

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<v Speaker 1>I always wondered. I always wondered if you're signed the

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<v Speaker 1>good music and like doesn't like a style has come

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<v Speaker 1>with you, like like bots out, mother, what's the guy

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<v Speaker 1>Jeremy Scott? Just you know what I'm saying, Like, but ahead,

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<v Speaker 1>it ain't you like you're not just signing you're the

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<v Speaker 1>president of the label. But I was signed first. I

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<v Speaker 1>don't know what I'm saying now at this point, this

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<v Speaker 1>whole process the label as well, So yeah, Utah when

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<v Speaker 1>you know, you know, yeah, Utah, and you know, we just, um,

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<v Speaker 1>we're just cooking up, man, you're just cooking up. And uh,

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<v Speaker 1>you know, he was finding, basically finding his sound. So

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<v Speaker 1>it was always just about my album and at that

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<v Speaker 1>time between Utah then Wyoming, but we found, you know,

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<v Speaker 1>a lot of my album, found some of Tianna's album.

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<v Speaker 1>And then this is how all the seven all these

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<v Speaker 1>seven track albums are forming. Because then he's like, well, damn,

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<v Speaker 1>I gotta make me one and then poured something. We

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<v Speaker 1>gotta sit there right now. I'm sorry to cut you.

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<v Speaker 1>We gotta salute to you making that phenomenal body of

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<v Speaker 1>work on standing there and fighting with a lion and

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<v Speaker 1>in the jungle and damn it. What's so where were

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<v Speaker 1>you when Big Meat from the tigers in man? You

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<v Speaker 1>know that that's what he said on the door, and

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<v Speaker 1>you know, um, I was busy getting stripes like a

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<v Speaker 1>tighter skin. But it was like I was basically saying

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<v Speaker 1>in that line, like big Meat was the motivation back then,

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<v Speaker 1>for like if you was if you was outside like

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<v Speaker 1>trying to get to it. You you're hearing about these

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<v Speaker 1>uh amazing parties shout out Hannah Kane and uh it

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<v Speaker 1>was in Atlanta at this time, you know, just about

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<v Speaker 1>you know, the Elephants and the tigers and the line.

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<v Speaker 1>I've never been in one of those parts. I heard

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<v Speaker 1>about it where when this was going on, I was

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<v Speaker 1>just saying, that was my inspiration. That was my motivation.

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<v Speaker 1>I don't know what everybody else was motivated by, but

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<v Speaker 1>that was that's what was moving me. Oh my god. Man,

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<v Speaker 1>So we're gonna move on to the games we play.

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<v Speaker 1>Speak about that, man, the games we play. Um, it

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<v Speaker 1>was just speaking about the competitive nature of like hustlers,

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<v Speaker 1>like just speaking about how the competitive energy like you

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<v Speaker 1>know what I'm saying, and then putting it in the

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<v Speaker 1>club atmosphere. You know. Um, sometimes like man, I've been

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<v Speaker 1>in this for sixteen years for realise and you know

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<v Speaker 1>some sometimes sometimes I gotta go seek out and find

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<v Speaker 1>that energy, you know what I'm saying. Find that, Well,

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<v Speaker 1>that's different. I didn't find Bale, but we can get in.

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<v Speaker 1>But you know, sometimes you gotta go find that energy. Um.

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<v Speaker 1>I've lived through different eras, you know, different eras, music

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<v Speaker 1>has changed, so on and so forth. But regardless to

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<v Speaker 1>what the street energy always to me is what runs it. Like,

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<v Speaker 1>it's that street energy that really sets it off. That's

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<v Speaker 1>where you can go in and and and and feel

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<v Speaker 1>what's hot. You know what I'm saying. You got to

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<v Speaker 1>watch Summer Jam um, or you didn't get it. I didn't.

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<v Speaker 1>I didn't get to see it all. I've seen pieces

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<v Speaker 1>of it I see, I've seen people, I've seen the

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<v Speaker 1>whole thing. And to allude to what you're just saying,

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<v Speaker 1>when meat mil came there, I felt that because that's

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<v Speaker 1>where I come from. Like at the end of the day, Um,

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<v Speaker 1>you guys dropped three albums, and I tell people, Um,

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<v Speaker 1>first off, what's what's the ship? Kids see goes? Sometimes? Yeah,

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<v Speaker 1>sometimes it's almost deaf. That's gotta be most deaf man.

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<v Speaker 1>You'll see y'all give this drain that's little. But anyway,

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<v Speaker 1>that album, since that Ship came out, I listened to

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<v Speaker 1>it every morning, right, So I said, these motherfucker's have

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<v Speaker 1>made a morning, afternoon, and nighttime album. Like that's how

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<v Speaker 1>I look at it. Like I listen to you in

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<v Speaker 1>the afternoon and then you know, I gotta go to

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<v Speaker 1>you at nighttime. You know what I'm saying. So okay,

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<v Speaker 1>um now, so let me let me get back. Let's

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<v Speaker 1>stay stick with the album because I don't want to

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<v Speaker 1>cause I got so much shit so much so the

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<v Speaker 1>games we play we covered that already. Now now this

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<v Speaker 1>is this is this? This one was kind of um

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<v Speaker 1>tricky for me because you kept that this is what

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<v Speaker 1>I was saying earlier, the meek Mill thing, like like

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<v Speaker 1>I identified with your album, Like I can sit there

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<v Speaker 1>and visualize your album. Your album is a book slash

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<v Speaker 1>a movie to me because I see every single thing

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<v Speaker 1>that you're saying. Because I got identified, I can relate

0:13:54.000 --> 0:13:56.160
<v Speaker 1>to with it in some way. It was another person

0:13:56.200 --> 0:13:59.960
<v Speaker 1>who identified relate with is Rick Ross. You guys collaborated

0:14:00.000 --> 0:14:02.840
<v Speaker 1>on it because this is this is a seven piece body.

0:14:03.720 --> 0:14:06.120
<v Speaker 1>You have to be very selective or who and why

0:14:06.160 --> 0:14:08.200
<v Speaker 1>are you're gonna pick the shore? So why was mc

0:14:08.280 --> 0:14:12.080
<v Speaker 1>ross before we get into that particular Because Rick Ross

0:14:12.240 --> 0:14:15.200
<v Speaker 1>is one of the only wrappers that I can give

0:14:15.240 --> 0:14:17.240
<v Speaker 1>a beat too. I give him my beat and I

0:14:17.280 --> 0:14:19.000
<v Speaker 1>give him my verse, and I can turn my back

0:14:19.080 --> 0:14:21.840
<v Speaker 1>on that situation. And I know he's going to deliver

0:14:22.480 --> 0:14:27.040
<v Speaker 1>period like he gonna say everything on topic on par

0:14:27.680 --> 0:14:30.800
<v Speaker 1>he gonna you know, he listen, I have been saying,

0:14:31.720 --> 0:14:36.480
<v Speaker 1>so I've been saying, um, um, your money's going every

0:14:36.520 --> 0:14:39.800
<v Speaker 1>other month, like that's what he That was a bar

0:14:40.000 --> 0:14:42.880
<v Speaker 1>in his in his verse with mine, and I'm just

0:14:43.000 --> 0:14:45.600
<v Speaker 1>thinking to myself, man, that is the illest way to

0:14:45.680 --> 0:14:49.600
<v Speaker 1>call somebody broke as a motherfucker. Your money's going every

0:14:49.640 --> 0:14:54.480
<v Speaker 1>other month like and it's simple, concise, but it gets

0:14:54.560 --> 0:14:58.200
<v Speaker 1>to the point and I'm like, man, you know, you know,

0:14:58.600 --> 0:15:01.560
<v Speaker 1>you know sometimes sometimes like you know, I'm rapping and

0:15:01.640 --> 0:15:04.840
<v Speaker 1>I'm I'm a over wrap. But then you need that

0:15:04.960 --> 0:15:07.840
<v Speaker 1>dichotomy for him to just nail ship like that, and

0:15:07.920 --> 0:15:10.280
<v Speaker 1>he kills it. Let's make some noise for dichotomy. That

0:15:13.520 --> 0:15:23.760
<v Speaker 1>was hard, you know what? That? Yeah? So all right too,

0:15:23.920 --> 0:15:26.400
<v Speaker 1>So now you guys work on this record boom. How

0:15:26.480 --> 0:15:29.640
<v Speaker 1>does this come about? Um No, Actually, he was in

0:15:29.800 --> 0:15:34.040
<v Speaker 1>he was in Africa. Ross was in Africa, and I

0:15:34.240 --> 0:15:37.120
<v Speaker 1>was um I had said everything I wanted to say

0:15:37.880 --> 0:15:41.080
<v Speaker 1>on in that verse, and I was like, damn, it

0:15:41.240 --> 0:15:44.240
<v Speaker 1>was feeling whacked to me. Writing another verse, I was like, man,

0:15:44.280 --> 0:15:47.160
<v Speaker 1>I'm just I'm just run on rapping. I was like, man,

0:15:47.240 --> 0:15:50.560
<v Speaker 1>let me reach out to the go to to Ross

0:15:51.000 --> 0:15:53.760
<v Speaker 1>and he was actually in Africa and they were just like, Yo,

0:15:53.880 --> 0:15:55.560
<v Speaker 1>send it over, we're gonna knock that shot out. And

0:15:55.640 --> 0:15:57.320
<v Speaker 1>he's I swear to God, he's sending it back in

0:15:57.360 --> 0:16:01.960
<v Speaker 1>two days in Africa. I believe he found a factory

0:16:02.080 --> 0:16:11.520
<v Speaker 1>and he had yea drink chance alum nine. So let

0:16:11.560 --> 0:16:13.680
<v Speaker 1>me let me just also say something that I appreciate

0:16:13.800 --> 0:16:15.800
<v Speaker 1>as a as a as a Latin. You know, man

0:16:16.240 --> 0:16:19.640
<v Speaker 1>like you has a lot of Latin. Then if we

0:16:19.680 --> 0:16:23.440
<v Speaker 1>got to get to that, come on you run down,

0:16:23.760 --> 0:16:27.240
<v Speaker 1>So come come back baby, right Okay, now let's get

0:16:27.280 --> 0:16:31.600
<v Speaker 1>into that. Come back baby, um, come back baby. Like

0:16:32.000 --> 0:16:33.520
<v Speaker 1>when you think about it, I hadn't put out an

0:16:33.520 --> 0:16:35.720
<v Speaker 1>album in three years. I can't wait because we're gonna

0:16:35.720 --> 0:16:38.280
<v Speaker 1>talk about that too, and and and me and Drink Champs.

0:16:38.320 --> 0:16:40.520
<v Speaker 1>As far as that, yes, yes, yes, we've been waiting

0:16:40.520 --> 0:16:42.800
<v Speaker 1>for this. You wanted a long time. Let me something

0:16:43.480 --> 0:16:45.320
<v Speaker 1>before you're far to drake you was still one of

0:16:45.360 --> 0:16:49.320
<v Speaker 1>the most requested guests from because I guess the people

0:16:49.480 --> 0:16:51.520
<v Speaker 1>you know, they want that, they want these stories for

0:16:51.560 --> 0:16:57.240
<v Speaker 1>these people that so so you know, we'll come back baby.

0:16:57.240 --> 0:17:01.320
<v Speaker 1>It was like boom yeah, appointed me president of Good

0:17:01.400 --> 0:17:04.000
<v Speaker 1>Music UM. At the same time, I was doing this

0:17:04.160 --> 0:17:09.200
<v Speaker 1>prison reform uh with Hillary. Yeah, with Hillary by the

0:17:09.240 --> 0:17:12.560
<v Speaker 1>way for helping let that trying to figure out out

0:17:12.720 --> 0:17:16.000
<v Speaker 1>as well as UM. Obama was still in office, going

0:17:16.040 --> 0:17:19.040
<v Speaker 1>to you know, the White House every so often. I

0:17:19.200 --> 0:17:27.280
<v Speaker 1>wasn't doing music period UM good Music checks. Yeah. A

0:17:27.320 --> 0:17:29.920
<v Speaker 1>lot of people can't say that you do music. And

0:17:30.920 --> 0:17:34.320
<v Speaker 1>you know, it went from you know, I put out

0:17:34.400 --> 0:17:37.800
<v Speaker 1>I put out an album executive produced by puff Um

0:17:38.119 --> 0:17:41.960
<v Speaker 1>called Darctors Before Dawn, and people were like, yo, you know,

0:17:42.640 --> 0:17:44.760
<v Speaker 1>you know, you just hear you know, with social media,

0:17:44.800 --> 0:17:46.640
<v Speaker 1>you get all the critiques. It's like, man, he's still

0:17:46.680 --> 0:17:51.240
<v Speaker 1>talking about dope whatever. I was like, okay, cool. I

0:17:51.280 --> 0:17:53.480
<v Speaker 1>didn't put out no music. I was doing these these

0:17:53.920 --> 0:17:59.000
<v Speaker 1>other separate projects, and you know, as as time went on,

0:17:59.520 --> 0:18:01.800
<v Speaker 1>it was like, damn, my damn, should could use some

0:18:01.960 --> 0:18:05.720
<v Speaker 1>coke wrap right now? And you know, and this is

0:18:05.800 --> 0:18:07.760
<v Speaker 1>what people are saying, and I'm like, damn, just look

0:18:08.440 --> 0:18:11.200
<v Speaker 1>just last year y'all were saying, you know, it was

0:18:11.280 --> 0:18:14.240
<v Speaker 1>too much of that whatever. Comeback, Maybe this to fix

0:18:14.320 --> 0:18:18.280
<v Speaker 1>you need like that that that was the whole period. Yeah,

0:18:18.600 --> 0:18:21.400
<v Speaker 1>you know, and you feel like this is your Purple Take. Yes,

0:18:21.640 --> 0:18:26.960
<v Speaker 1>I feel like I feel like this is like for

0:18:27.080 --> 0:18:31.000
<v Speaker 1>those that don't know the Purple take control a summer.

0:18:31.119 --> 0:18:32.600
<v Speaker 1>For there's a lot of people that might not know

0:18:32.680 --> 0:18:34.520
<v Speaker 1>the youngest thing. And I don't want to say control

0:18:34.600 --> 0:18:37.760
<v Speaker 1>the summer of New York City because it controlled to something. Yeah,

0:18:37.800 --> 0:18:39.640
<v Speaker 1>like wou Tape was the first group that you knew

0:18:39.640 --> 0:18:42.879
<v Speaker 1>where it was from, but they transisted, They transcended like

0:18:43.000 --> 0:18:45.560
<v Speaker 1>you know where they was and that Cope tape. So

0:18:45.640 --> 0:18:47.840
<v Speaker 1>when he said he said he said, I am your

0:18:47.920 --> 0:18:50.640
<v Speaker 1>Ray and Ghosts, this is my Purple Tape, I was like, Oh,

0:18:53.640 --> 0:19:01.800
<v Speaker 1>now is the holy Grail like of an album. To me,

0:19:02.040 --> 0:19:06.639
<v Speaker 1>It's like, did you speak the rad a Ghosts that

0:19:06.840 --> 0:19:10.800
<v Speaker 1>had that proud of you? Yeah? I think you know,

0:19:11.000 --> 0:19:14.879
<v Speaker 1>I was trying, Yeah, and just to give some insight

0:19:15.040 --> 0:19:18.280
<v Speaker 1>on the whole Purple Tape concept when we were um.

0:19:19.359 --> 0:19:20.880
<v Speaker 1>By the time, you know, like I said, this ship

0:19:20.960 --> 0:19:24.600
<v Speaker 1>was done between Utah Wyoman, more so Wyoming. By the

0:19:24.680 --> 0:19:27.439
<v Speaker 1>time I got the Wyoman, it was like, YO, make

0:19:27.520 --> 0:19:30.280
<v Speaker 1>a list of like twenty five records that you just love,

0:19:31.280 --> 0:19:35.840
<v Speaker 1>and man, I'm like Glaciers of Ice ratings. It's just

0:19:35.960 --> 0:19:39.640
<v Speaker 1>certain things, records that you love that like, yeah, yeah,

0:19:40.040 --> 0:19:42.640
<v Speaker 1>people like and so then we go through that list

0:19:43.920 --> 0:19:46.879
<v Speaker 1>and we get elements from those records. We would just

0:19:47.000 --> 0:19:51.200
<v Speaker 1>listen to that list and he'd be like, that's this

0:19:51.240 --> 0:19:53.879
<v Speaker 1>feeling we need. We need that feeling right there, Like,

0:19:54.000 --> 0:19:56.080
<v Speaker 1>if you don't hit like this, then they don't make it.

0:19:56.240 --> 0:19:58.760
<v Speaker 1>So then we take some of them off and then

0:19:59.080 --> 0:20:00.840
<v Speaker 1>you know, by the time we finished the list, let's

0:20:00.880 --> 0:20:03.760
<v Speaker 1>probably out ten out of twenty five. Now I had

0:20:03.800 --> 0:20:05.760
<v Speaker 1>my list of twenty five. He had his own list

0:20:05.800 --> 0:20:10.800
<v Speaker 1>of five. Engineer might have had a list of what

0:20:10.920 --> 0:20:13.119
<v Speaker 1>a couple of records, man, I mean I remember Devil's

0:20:13.160 --> 0:20:23.320
<v Speaker 1>Pie D'Angelo. Yeah, it was it was it was inspiring stuff,

0:20:24.800 --> 0:20:30.680
<v Speaker 1>miseducation stuff. Mine was really was heavy Rison, glaciers and

0:20:30.800 --> 0:20:35.200
<v Speaker 1>conserrated gould faces. I mean, you know, and you know

0:20:35.320 --> 0:20:38.840
<v Speaker 1>that's how we built the at least the feeling of

0:20:38.920 --> 0:20:41.040
<v Speaker 1>the album. That's what we were trying to go. That's

0:20:41.040 --> 0:20:43.479
<v Speaker 1>a dope that's a dope concept and way to put

0:20:43.560 --> 0:20:46.399
<v Speaker 1>together in album. Now, that's ill. That's um. I remember

0:20:46.440 --> 0:20:48.520
<v Speaker 1>for else he do something similar like that to me.

0:20:48.560 --> 0:20:50.960
<v Speaker 1>He used to make me listen to records like I remember,

0:20:51.119 --> 0:20:53.399
<v Speaker 1>um I said the story. I don't know if I

0:20:53.520 --> 0:20:56.280
<v Speaker 1>ever said it on the podcast, but remember Fabuleus is

0:20:56.520 --> 0:21:01.480
<v Speaker 1>hollyback Younger was actually my record and it was infinitely

0:21:01.600 --> 0:21:05.280
<v Speaker 1>was it was it was, but it was Ice Ice Baby,

0:21:05.359 --> 0:21:07.560
<v Speaker 1>that was Vanilla's ice. So he told me, you gotta

0:21:07.560 --> 0:21:09.159
<v Speaker 1>listen to the Ice Ice Baby. It was just like

0:21:09.240 --> 0:21:12.159
<v Speaker 1>your version of it. Yeah, but listen, now, listen to it.

0:21:12.320 --> 0:21:17.399
<v Speaker 1>How about absolutely listen to Ice like Ice Ice Baby,

0:21:18.000 --> 0:21:20.320
<v Speaker 1>the same thing. But I was like he was a

0:21:20.400 --> 0:21:22.480
<v Speaker 1>genius because I was like, but I just hated Ice

0:21:22.560 --> 0:21:26.320
<v Speaker 1>Ice Baby at that time so much. I was like, no, no, no,

0:21:26.600 --> 0:21:29.040
<v Speaker 1>this was like when he was becoming cool again. But

0:21:29.160 --> 0:21:32.560
<v Speaker 1>I don't think again. I think no, Ice Ice Baby,

0:21:32.560 --> 0:21:36.000
<v Speaker 1>it's cool. Man. Come on, there's someone in here who

0:21:36.520 --> 0:21:41.000
<v Speaker 1>jumps in the five point off. That's cool record and

0:21:41.400 --> 0:21:43.920
<v Speaker 1>records right now we're looking at us like, damn this

0:21:44.000 --> 0:21:49.000
<v Speaker 1>bad record. That's real. That's man, all right, So boom,

0:21:49.920 --> 0:21:56.200
<v Speaker 1>never trust a bit who finds and not camera. We

0:21:56.359 --> 0:21:59.639
<v Speaker 1>need to understand he will fuck you then turn it around.

0:21:59.680 --> 0:22:03.080
<v Speaker 1>And but what are we what are we saying? Because

0:22:03.080 --> 0:22:05.480
<v Speaker 1>the new generation you gotta explain to them. Bush, you

0:22:05.560 --> 0:22:08.040
<v Speaker 1>gotta explain to the understanding, Like you know, I feel

0:22:08.080 --> 0:22:11.040
<v Speaker 1>like the club like that they gotta lot. No, I'm

0:22:11.080 --> 0:22:15.719
<v Speaker 1>just saying that if the attention, if the attention is uh,

0:22:16.520 --> 0:22:20.440
<v Speaker 1>that that attention hungry, you can find love in that.

0:22:21.680 --> 0:22:23.600
<v Speaker 1>You know, as soon as you if they can get

0:22:23.640 --> 0:22:26.080
<v Speaker 1>that attention from anywhere, they'll they'll they'll they'll take it

0:22:26.240 --> 0:22:29.359
<v Speaker 1>from anywhere. They'll take it from anywhere. And and you

0:22:29.440 --> 0:22:32.840
<v Speaker 1>know it's not it's no uh, it's no, it's no

0:22:33.160 --> 0:22:35.800
<v Speaker 1>ranking level. Just wherever they get the attention from, that's

0:22:35.800 --> 0:22:38.600
<v Speaker 1>where they're gonna take it. So it can be you know,

0:22:38.880 --> 0:22:41.720
<v Speaker 1>you know you think that you you know, young millionaire

0:22:41.720 --> 0:22:44.080
<v Speaker 1>out here doing your thing, you know what I'm saying,

0:22:44.200 --> 0:22:47.760
<v Speaker 1>or you know, streets, you know, whatever it is, balling, whatever,

0:22:48.240 --> 0:22:50.840
<v Speaker 1>it doesn't matter. Because the other day I went to

0:22:50.960 --> 0:22:54.840
<v Speaker 1>a restaurant and I see two guys and I see

0:22:54.920 --> 0:22:57.520
<v Speaker 1>two girls. But the two girls the whole time, but

0:22:57.720 --> 0:23:00.720
<v Speaker 1>like this they were they felt like it was like

0:23:00.760 --> 0:23:03.760
<v Speaker 1>a reality show. So whoever wasn't there They were there

0:23:03.840 --> 0:23:06.120
<v Speaker 1>as well on his date with them, and I looked

0:23:06.119 --> 0:23:08.080
<v Speaker 1>and I was like, how fun could that be? Like

0:23:08.200 --> 0:23:10.040
<v Speaker 1>you're sitting there. You just meet these chicks and they

0:23:10.359 --> 0:23:12.840
<v Speaker 1>want to want to, like, you know, document everything that's

0:23:12.880 --> 0:23:16.480
<v Speaker 1>actually going down. So that's what I figured that something

0:23:16.520 --> 0:23:18.440
<v Speaker 1>like you ain't see. I'm not trying to plug this show,

0:23:18.520 --> 0:23:21.880
<v Speaker 1>but parents Hilton got to show on Vice now where

0:23:21.880 --> 0:23:25.240
<v Speaker 1>it's exposing like people trying to be popular through social media.

0:23:25.760 --> 0:23:28.199
<v Speaker 1>His parents, his parents, Hilton doing it. Wow, I think

0:23:28.240 --> 0:23:30.359
<v Speaker 1>it's Hollywood something, but it's it's kind of ill and

0:23:30.520 --> 0:23:34.800
<v Speaker 1>it caught my attention. That's okay. Now we went with

0:23:34.880 --> 0:23:38.000
<v Speaker 1>all you drink it. We're still drinking. We're still drinking. Okay, man,

0:23:39.000 --> 0:23:44.160
<v Speaker 1>goddamn Okay. Now, Now, as a Spanish person, I used

0:23:44.160 --> 0:23:47.680
<v Speaker 1>to be scared even say that. Yeah, they're serious, like

0:23:48.080 --> 0:23:50.480
<v Speaker 1>you gotta be like you gotta be like for real,

0:23:50.600 --> 0:23:52.239
<v Speaker 1>like to even sit because they say that. Even when

0:23:52.280 --> 0:23:55.560
<v Speaker 1>you say it, it invites the spirits. Na. Man, it's

0:23:55.600 --> 0:24:01.280
<v Speaker 1>not that you did a record for me and you said,

0:24:02.440 --> 0:24:03.920
<v Speaker 1>I don't know if you knew, but you said a

0:24:04.000 --> 0:24:05.560
<v Speaker 1>lyric that was somes that here. I mean, I was

0:24:05.600 --> 0:24:09.960
<v Speaker 1>trying to be hard. I told you, I told you

0:24:10.040 --> 0:24:13.560
<v Speaker 1>I froze a motherfucker. I was trying to be hard,

0:24:13.600 --> 0:24:17.080
<v Speaker 1>but I was always yea, So how how did you

0:24:17.200 --> 0:24:20.159
<v Speaker 1>come with that? Because obviously you have Spanish friends, obviously

0:24:20.160 --> 0:24:22.639
<v Speaker 1>you have Spanish influence around you, but so you had

0:24:22.720 --> 0:24:25.880
<v Speaker 1>to know, like because that's like really really, that's really

0:24:25.960 --> 0:24:32.320
<v Speaker 1>likes that's my that's my That's probably my favorite record

0:24:32.400 --> 0:24:36.639
<v Speaker 1>on the album. And uh she signed the singers Saint

0:24:36.680 --> 0:24:38.840
<v Speaker 1>signed to Good Music, right, Yes her name is Shake.

0:24:39.480 --> 0:24:46.720
<v Speaker 1>Yeah she's all over. But but that record was made

0:24:48.359 --> 0:24:50.960
<v Speaker 1>after the death of my role manager, my role manager

0:24:51.080 --> 0:24:55.760
<v Speaker 1>that killed. So, um, just to give you the backstory

0:24:56.040 --> 0:25:01.040
<v Speaker 1>of like just where my mind was at. So you know, basically,

0:25:01.119 --> 0:25:03.320
<v Speaker 1>we want the road, it's time to make the album,

0:25:03.400 --> 0:25:05.119
<v Speaker 1>so we get off the road and just show you

0:25:05.280 --> 0:25:07.119
<v Speaker 1>the type of guy he is. So he's like my

0:25:07.359 --> 0:25:10.040
<v Speaker 1>road manager to a manager. This is what he does.

0:25:10.160 --> 0:25:16.720
<v Speaker 1>His name is Day Day. Yeah for sure. And he

0:25:17.040 --> 0:25:22.040
<v Speaker 1>ended up going as a roadie for uh Nicki Minaj.

0:25:23.240 --> 0:25:26.960
<v Speaker 1>So they're on the road, you know the way I

0:25:27.040 --> 0:25:30.080
<v Speaker 1>got it. I think they were going, um, I'm just

0:25:30.119 --> 0:25:35.040
<v Speaker 1>going to get something to eat and simple, I mean,

0:25:35.320 --> 0:25:41.000
<v Speaker 1>nonsense altercation. Uh he ends up getting stabbed and ends

0:25:41.080 --> 0:25:48.680
<v Speaker 1>up dying, and yeah, like crazy and now not a

0:25:48.760 --> 0:25:51.920
<v Speaker 1>twist about it is it's like he's a church kid,

0:25:52.920 --> 0:25:56.119
<v Speaker 1>so like this is like, you know, I used to

0:25:56.200 --> 0:25:58.720
<v Speaker 1>curse him out like every day, like just you know,

0:25:58.880 --> 0:26:02.480
<v Speaker 1>just bugging. But I used to like, you know, we

0:26:02.600 --> 0:26:04.639
<v Speaker 1>had a really good relationship, and I gave him as

0:26:04.880 --> 0:26:08.320
<v Speaker 1>really his first shot at being like, you know, a

0:26:08.520 --> 0:26:10.879
<v Speaker 1>role manager, like I got him from Pharrell. He used

0:26:10.920 --> 0:26:12.880
<v Speaker 1>to work with n the r D. Rody Roddy Rody.

0:26:12.960 --> 0:26:14.680
<v Speaker 1>I was like, no, come on you you're about to

0:26:14.720 --> 0:26:18.600
<v Speaker 1>be let's let's raise it up. He was great at it.

0:26:19.359 --> 0:26:21.280
<v Speaker 1>And he used to put together my bands, and I

0:26:21.440 --> 0:26:22.919
<v Speaker 1>used to I used to be like, man, why am

0:26:22.960 --> 0:26:27.960
<v Speaker 1>I band together? His name? He was used to take,

0:26:28.280 --> 0:26:32.320
<v Speaker 1>he used to take God from the church and you know,

0:26:33.040 --> 0:26:35.320
<v Speaker 1>just you know, put my band together. So he wasn't

0:26:37.200 --> 0:26:39.360
<v Speaker 1>that what I'm trying to just give you the whole thing.

0:26:40.320 --> 0:26:45.600
<v Speaker 1>So my mind at the time was on some like okay,

0:26:46.840 --> 0:26:48.920
<v Speaker 1>the first line, now that the tears drying, the pain

0:26:49.000 --> 0:26:52.560
<v Speaker 1>takes over, let's talk this payola. You kill God's baby

0:26:52.600 --> 0:26:54.680
<v Speaker 1>And it wasn't his willing and blood spill. We can't

0:26:54.680 --> 0:26:58.840
<v Speaker 1>talk this ship over, you know. And it's like it's like, man,

0:26:58.880 --> 0:27:00.680
<v Speaker 1>you know, me being in a position I am in

0:27:00.720 --> 0:27:05.879
<v Speaker 1>a position of music, money, having things and just the

0:27:05.960 --> 0:27:09.600
<v Speaker 1>opportunity to be like I can call that shot like

0:27:09.760 --> 0:27:11.480
<v Speaker 1>you know, and it's it's that tub of war of

0:27:11.640 --> 0:27:14.760
<v Speaker 1>like damn, you know, do you really do you do this?

0:27:14.880 --> 0:27:18.760
<v Speaker 1>Do you play with this? Do you go? You can?

0:27:19.640 --> 0:27:23.440
<v Speaker 1>You want to? You know what I'm saying. And it's

0:27:23.520 --> 0:27:25.280
<v Speaker 1>like then you think about him and it's like, man,

0:27:27.720 --> 0:27:29.560
<v Speaker 1>if you want that, you know what I'm saying, And

0:27:29.600 --> 0:27:36.959
<v Speaker 1>it's like it was a whole Yeah, I didn't live

0:27:37.000 --> 0:27:39.640
<v Speaker 1>with that. Well. I still don't live with that well actually,

0:27:39.880 --> 0:27:43.440
<v Speaker 1>and that's how you came with exactly because I'm playing

0:27:43.520 --> 0:27:48.720
<v Speaker 1>the priest the whole song, I'm playing you know, war

0:27:48.800 --> 0:27:52.760
<v Speaker 1>between the religion, so it's like, you know, I'm like

0:27:52.920 --> 0:27:56.760
<v Speaker 1>calling the shots as a priest. Okay, now this this

0:27:56.880 --> 0:28:00.080
<v Speaker 1>one was the title for me was a shock with

0:28:00.240 --> 0:28:04.000
<v Speaker 1>me do right? Because I was I would I thought

0:28:04.040 --> 0:28:14.000
<v Speaker 1>it would be what would be to do from with me?

0:28:14.160 --> 0:28:16.600
<v Speaker 1>And just it threw me off for looke, what's up

0:28:16.640 --> 0:28:19.800
<v Speaker 1>your ducking down cameras over there? So this tow me

0:28:19.880 --> 0:28:23.840
<v Speaker 1>for a loop? The title? What made you pick that title? Um?

0:28:24.240 --> 0:28:30.720
<v Speaker 1>And you obviously talk about me, you know, um meek

0:28:30.960 --> 0:28:34.120
<v Speaker 1>um meet and somebody I wanted on the album. Meek

0:28:34.240 --> 0:28:39.760
<v Speaker 1>was in jail one from the record. UM. As I

0:28:39.840 --> 0:28:42.480
<v Speaker 1>got that beat, I was like, man, you know Big

0:28:42.520 --> 0:28:45.400
<v Speaker 1>Sean and Meek had a record called Burn that I

0:28:45.520 --> 0:28:49.720
<v Speaker 1>always wish that I had you come on record that

0:28:50.080 --> 0:28:53.479
<v Speaker 1>I wanted to have just myself, And I was like, damn, man,

0:28:53.640 --> 0:28:55.880
<v Speaker 1>I wish Meek was out so that I could do

0:28:56.040 --> 0:29:01.360
<v Speaker 1>this record with me. He wasn't out nothing. Um And

0:29:02.240 --> 0:29:04.840
<v Speaker 1>I like to call me, uh, what do you call them?

0:29:05.280 --> 0:29:09.959
<v Speaker 1>The spirit? The spirit animal like you know, like, uh,

0:29:11.280 --> 0:29:15.080
<v Speaker 1>Meek to me at well, I don't know how all

0:29:15.120 --> 0:29:18.920
<v Speaker 1>it is. It's what I feel like, you know, it's

0:29:18.960 --> 0:29:21.600
<v Speaker 1>what It's what I don't do at my age. But

0:29:21.760 --> 0:29:24.720
<v Speaker 1>that's what I wan. Yeah, but it's what I what

0:29:24.920 --> 0:29:27.800
<v Speaker 1>what inspires me. Like I look at me and I'm like,

0:29:28.200 --> 0:29:31.600
<v Speaker 1>you know, you all your homeboys, everybody who came in,

0:29:32.080 --> 0:29:34.920
<v Speaker 1>everybody who I came into the game with, it was

0:29:35.000 --> 0:29:37.760
<v Speaker 1>locked up since oh nine we came in O two

0:29:38.280 --> 0:29:42.360
<v Speaker 1>that I didn't I didn't get to run around, you know,

0:29:42.800 --> 0:29:46.120
<v Speaker 1>fifty deep and you know, just bring bring everybody with me,

0:29:46.200 --> 0:29:48.080
<v Speaker 1>have a blast. I mean we did for a little bit,

0:29:48.480 --> 0:29:50.360
<v Speaker 1>but you know they ended up going to jail. Boom.

0:29:51.040 --> 0:29:52.680
<v Speaker 1>I look at me and I'm like, damn, meek, I

0:29:52.840 --> 0:29:54.440
<v Speaker 1>know all the fun that you have them right now.

0:29:54.440 --> 0:29:56.440
<v Speaker 1>I love it like it's and I look at it

0:29:56.480 --> 0:30:00.800
<v Speaker 1>and inspires me. So I said, U, I wanted him

0:30:00.800 --> 0:30:02.520
<v Speaker 1>on the record. He didn't. He didn't get on the record.

0:30:02.560 --> 0:30:07.000
<v Speaker 1>Of course he was in jail. Um, And that line

0:30:07.440 --> 0:30:10.000
<v Speaker 1>came up. Angel on my shoulder, what should we do?

0:30:10.320 --> 0:30:13.240
<v Speaker 1>Devil on the other, what would meet do? Papa Willie

0:30:13.480 --> 0:30:16.960
<v Speaker 1>tell the judge middle fingers out the gold, screaming Martha,

0:30:19.440 --> 0:30:21.680
<v Speaker 1>you know like And I was just I was just

0:30:21.760 --> 0:30:25.200
<v Speaker 1>trying to embody and harness that whole energy because I

0:30:25.280 --> 0:30:28.680
<v Speaker 1>felt like it was someplace where he belonged, like I

0:30:29.400 --> 0:30:32.400
<v Speaker 1>still today believe he belonged on that. And then he

0:30:32.480 --> 0:30:37.120
<v Speaker 1>gets out of jail, and I was like, man, listen,

0:30:37.240 --> 0:30:39.479
<v Speaker 1>he gets he gets out of jail. As the project

0:30:39.560 --> 0:30:43.440
<v Speaker 1>comes out, we we dim it back and forth, like

0:30:44.040 --> 0:30:46.440
<v Speaker 1>we we have birthdays that are close. In fact, I

0:30:46.480 --> 0:30:55.240
<v Speaker 1>got a record where you and me together we have

0:30:55.720 --> 0:30:59.000
<v Speaker 1>we have we have a we have birthdays similar not

0:30:59.200 --> 0:31:01.560
<v Speaker 1>but in his son birthday, me and his son's shared

0:31:01.600 --> 0:31:06.880
<v Speaker 1>same birthday in May. Wow. And but he just got out,

0:31:06.960 --> 0:31:09.240
<v Speaker 1>and I couldn't bring myself to ask them to be

0:31:09.320 --> 0:31:12.480
<v Speaker 1>on the record because you're just like a doing it,

0:31:13.120 --> 0:31:16.080
<v Speaker 1>you know, and we didn't do it, and hopefully we

0:31:16.400 --> 0:31:19.080
<v Speaker 1>do something soon. I'm not sure we will, but that's

0:31:19.080 --> 0:31:21.880
<v Speaker 1>what it was. That's that's where the whole energy came from.

0:31:22.120 --> 0:31:26.280
<v Speaker 1>The rappers really going protect. Yeah, I believe so too.

0:31:27.880 --> 0:31:30.360
<v Speaker 1>I mean, like right now people are making you feel

0:31:30.400 --> 0:31:32.280
<v Speaker 1>like if you don't have a protect you're not even

0:31:32.320 --> 0:31:34.520
<v Speaker 1>in the game. You had to find other ways to invest,

0:31:36.000 --> 0:31:38.560
<v Speaker 1>found every way to ruin protext. I'm not gonna lie,

0:31:39.360 --> 0:31:41.240
<v Speaker 1>and a lot of these guys that got the stateless

0:31:41.320 --> 0:31:44.200
<v Speaker 1>it's cool, we don't mind, you don't mind, It's fine,

0:31:44.640 --> 0:31:50.320
<v Speaker 1>But yeah, you know, this is to protect Faith's faith

0:31:50.520 --> 0:31:53.080
<v Speaker 1>A fantasy. This is the thing to me, Like I'm

0:31:53.160 --> 0:31:57.360
<v Speaker 1>really fat fat, I don't, I don't really, I'm not

0:31:57.520 --> 0:32:00.720
<v Speaker 1>into the fad, Like I'm not really into the fat

0:32:00.800 --> 0:32:04.880
<v Speaker 1>of watches, Like I'm I'm into watches and I'm in

0:32:04.920 --> 0:32:07.719
<v Speaker 1>the rolling watches. I'm gonna be honest, I would look

0:32:07.800 --> 0:32:14.080
<v Speaker 1>at all your interview different. But I mean just because

0:32:14.520 --> 0:32:17.800
<v Speaker 1>I'm in it like that and for that particular brand,

0:32:17.880 --> 0:32:21.040
<v Speaker 1>because of just what that always meant that always meant

0:32:21.160 --> 0:32:24.520
<v Speaker 1>like a status symbol of course coming up, but it

0:32:24.680 --> 0:32:27.240
<v Speaker 1>was always once I got deeper, it was like okay, boom,

0:32:27.320 --> 0:32:29.000
<v Speaker 1>you know, you get the green car with it, like,

0:32:29.360 --> 0:32:34.200
<v Speaker 1>you know, have your name on that green car because

0:32:34.200 --> 0:32:39.520
<v Speaker 1>it'll be somebody else's name in that green car. You know,

0:32:39.680 --> 0:32:43.200
<v Speaker 1>you know, you played all that and then us know

0:32:43.320 --> 0:32:48.560
<v Speaker 1>that we're sorry, and so you know, the whole protect

0:32:48.640 --> 0:32:52.400
<v Speaker 1>line is just man, you know, rapping is about bragging.

0:32:52.440 --> 0:32:54.920
<v Speaker 1>It's about having that. You know, it's about that competitive

0:32:54.960 --> 0:32:57.600
<v Speaker 1>spirit at some point and you know you gotta one

0:32:57.720 --> 0:33:01.080
<v Speaker 1>up somebody. You know, four dot for dot o verse

0:33:01.160 --> 0:33:03.520
<v Speaker 1>for dot since but you're always pronouncing some ship that

0:33:03.640 --> 0:33:07.880
<v Speaker 1>we can't even pronounce. You always like I don't know

0:33:08.000 --> 0:33:15.080
<v Speaker 1>you always I'm rocking up listen, you know, But do

0:33:15.120 --> 0:33:17.920
<v Speaker 1>you know why that is? Because when when you know,

0:33:17.960 --> 0:33:20.880
<v Speaker 1>when I when I was you know, being a fan

0:33:21.000 --> 0:33:23.960
<v Speaker 1>of like Hole and things like that. Uh man, I

0:33:24.040 --> 0:33:27.520
<v Speaker 1>didn't know I'm I'm I'm, I'm wearing Polo snow Beach.

0:33:27.720 --> 0:33:29.640
<v Speaker 1>He's talking about you. I don't even know what this is?

0:33:29.880 --> 0:33:32.480
<v Speaker 1>Like what is this? Was? That was that rap helped

0:33:32.520 --> 0:33:34.840
<v Speaker 1>you like go to these other worlds it's not going

0:33:34.840 --> 0:33:37.120
<v Speaker 1>on your Instagram sometimes and you be pulling in like

0:33:37.160 --> 0:33:38.520
<v Speaker 1>when people I'm like, I don't know who the fun

0:33:38.640 --> 0:33:43.520
<v Speaker 1>the snicker is. You're looking at the way you describe

0:33:43.880 --> 0:33:47.000
<v Speaker 1>like like I know this guy, what I'm saying, like

0:33:47.960 --> 0:33:50.680
<v Speaker 1>like this that is that the further you go, like,

0:33:51.360 --> 0:33:55.880
<v Speaker 1>it's different tastes because like right now, um, I love Gucci,

0:33:56.000 --> 0:33:58.480
<v Speaker 1>right man, But if I go to the Gucci store,

0:33:58.480 --> 0:34:00.840
<v Speaker 1>I promise you by the time I leave this jacket

0:34:01.080 --> 0:34:03.120
<v Speaker 1>and I come out there is gonna have a picture

0:34:03.120 --> 0:34:05.640
<v Speaker 1>of the same exact jacket. I'm on fact. And then

0:34:05.800 --> 0:34:08.160
<v Speaker 1>then I go back and you know, two weeks later,

0:34:08.640 --> 0:34:10.919
<v Speaker 1>I gotta get another jacket, and Fat Joe was gonna

0:34:10.920 --> 0:34:13.960
<v Speaker 1>have the same exact jacket. But it's these different brands,

0:34:14.000 --> 0:34:16.200
<v Speaker 1>like even when Go y'all, Like when Go Y'all first

0:34:16.239 --> 0:34:19.279
<v Speaker 1>came out, I didn't identify with it, looked I thought

0:34:19.320 --> 0:34:21.680
<v Speaker 1>it was an imitation. Then I realize that they had

0:34:21.719 --> 0:34:25.560
<v Speaker 1>their own, So like, how is it to like discover

0:34:25.680 --> 0:34:28.719
<v Speaker 1>these brands that people like the Hood don't though, Man,

0:34:29.160 --> 0:34:32.319
<v Speaker 1>you know I feel like the Hood normal people don't know, well, well,

0:34:32.360 --> 0:34:35.160
<v Speaker 1>you know this this is the thing I felt like, Man,

0:34:35.200 --> 0:34:37.200
<v Speaker 1>when When I think about hip hop and I think

0:34:37.239 --> 0:34:39.920
<v Speaker 1>about Slick Rick, I feel like, man, he was like

0:34:40.040 --> 0:34:43.320
<v Speaker 1>the flyest ever to me, Like it's Gucci is this

0:34:43.480 --> 0:34:45.400
<v Speaker 1>you got the Louis Tom pouch with the gun and

0:34:45.480 --> 0:34:49.680
<v Speaker 1>it's I'm I'm fucked up. I'm like, yo, this is

0:34:50.040 --> 0:34:52.239
<v Speaker 1>But that's what I always thought hip hop was. It

0:34:52.360 --> 0:34:54.719
<v Speaker 1>was like, man, you gotta you gotta come back to

0:34:54.840 --> 0:34:57.320
<v Speaker 1>the block and be like, look, this is what I'm on.

0:34:57.640 --> 0:34:59.560
<v Speaker 1>You ain't on this, and this is somebody got one

0:34:59.640 --> 0:35:01.920
<v Speaker 1>up you in so on and so forth, and and

0:35:02.000 --> 0:35:03.920
<v Speaker 1>that's how That's how I look at wrap. That's how

0:35:04.000 --> 0:35:06.560
<v Speaker 1>what's tho stinkers you had on with Colin Kapernick. I've

0:35:06.560 --> 0:35:13.239
<v Speaker 1>been trying to figure that out there. Let's that's not

0:35:13.400 --> 0:35:16.720
<v Speaker 1>the floss Lisen, the real flosses, the real flosses, Deos

0:35:16.760 --> 0:35:19.239
<v Speaker 1>dressing all of us for my wedding. That's the real

0:35:19.320 --> 0:35:26.399
<v Speaker 1>flaw frial ship, like the over real ship. Okay, real

0:35:26.440 --> 0:35:30.320
<v Speaker 1>ship really Okay, I don't even know you didn't do

0:35:30.760 --> 0:35:43.360
<v Speaker 1>like that custom that. So you're talking to fashion, but lyrically,

0:35:44.000 --> 0:35:46.359
<v Speaker 1>who inspired you? Like going back as far as back

0:35:46.400 --> 0:35:51.719
<v Speaker 1>as you can go, Lyrically, Lyrically um you know, biggest

0:35:51.840 --> 0:35:56.480
<v Speaker 1>goat god level. It's nothing to talk about to me.

0:35:57.280 --> 0:36:00.879
<v Speaker 1>Um hold of course now is of course? I mean

0:36:00.960 --> 0:36:04.680
<v Speaker 1>you know my deep ruin my whole life, like my

0:36:04.880 --> 0:36:13.200
<v Speaker 1>whole life like ruined my whole Why step outside because

0:36:13.239 --> 0:36:16.359
<v Speaker 1>of this because they're talking like this. I didn't even

0:36:16.400 --> 0:36:18.680
<v Speaker 1>think people did shoot off the music. Yeah, I'm one

0:36:18.719 --> 0:36:27.640
<v Speaker 1>of them kids. I sunked up like yo, was anybody

0:36:27.719 --> 0:36:29.960
<v Speaker 1>locally like where you were at that inspired you too

0:36:30.000 --> 0:36:33.839
<v Speaker 1>as well? Man? You know, um what what where I'm from?

0:36:34.600 --> 0:36:38.000
<v Speaker 1>Um Man, let me tell y'all some real ship just

0:36:38.120 --> 0:36:40.239
<v Speaker 1>so you understand, like where it is that I'm from.

0:36:41.000 --> 0:36:44.680
<v Speaker 1>Like Pharrell grew up one mile away from my house,

0:36:44.760 --> 0:36:48.319
<v Speaker 1>not even a mile, right, I didn't know him. Timberland

0:36:48.960 --> 0:36:51.319
<v Speaker 1>was a mile the other way, and that was my friend.

0:36:51.760 --> 0:37:00.480
<v Speaker 1>That was my brother's friend before my older brothers their five.

0:37:01.760 --> 0:37:06.160
<v Speaker 1>Yeah I have another older girl, but you know Timberland

0:37:06.400 --> 0:37:09.800
<v Speaker 1>up the street the other way. To like for my

0:37:09.880 --> 0:37:11.320
<v Speaker 1>brother to be able to go to his house and

0:37:11.400 --> 0:37:14.040
<v Speaker 1>wrap while he DJ. My mom used to make him

0:37:14.080 --> 0:37:17.680
<v Speaker 1>take me. So I'm if we if if if they're fourteen,

0:37:17.719 --> 0:37:22.319
<v Speaker 1>I'm nine. That's the only way you could go for real?

0:37:22.400 --> 0:37:24.319
<v Speaker 1>Is this way. I don't know him. I don't even

0:37:24.400 --> 0:37:29.160
<v Speaker 1>know him at all. Timerland know each other, yes, I

0:37:29.280 --> 0:37:34.520
<v Speaker 1>believe they do. But no, by no means no, this

0:37:34.680 --> 0:37:36.920
<v Speaker 1>is high school. This is high school. No, this is

0:37:37.040 --> 0:37:41.439
<v Speaker 1>middle school. And and you know in in elementary yeah

0:37:41.680 --> 0:37:51.680
<v Speaker 1>kind of yea beach. Mr Elliot's up the street, Hugo, Yeah,

0:37:51.800 --> 0:37:55.200
<v Speaker 1>hugoes not a mile from me now. Because because of

0:37:55.360 --> 0:37:58.319
<v Speaker 1>zoning and like school zoning and ship like, they don't

0:37:58.360 --> 0:38:01.239
<v Speaker 1>want certain places to go to certain all of us

0:38:01.280 --> 0:38:02.800
<v Speaker 1>were split up. Now. I just told you all we

0:38:02.920 --> 0:38:04.799
<v Speaker 1>lived within three miles of each other, but we all

0:38:04.880 --> 0:38:09.440
<v Speaker 1>go to different schools. Boom. Right, I have a home

0:38:09.560 --> 0:38:13.080
<v Speaker 1>girl who goes to school with Chad. She lives up

0:38:13.120 --> 0:38:14.839
<v Speaker 1>the street from me. We don't go to same school together.

0:38:14.880 --> 0:38:16.399
<v Speaker 1>But because you're up the street from me, I'm gonna

0:38:16.400 --> 0:38:22.440
<v Speaker 1>see you. We're hanging out. Pharrell likes. The girl asked me, yo,

0:38:22.920 --> 0:38:25.400
<v Speaker 1>you know you see me? Yo? What's up you? You

0:38:25.680 --> 0:38:27.320
<v Speaker 1>deal with her? I'm like, no, this is like my

0:38:27.480 --> 0:38:31.239
<v Speaker 1>best friend. And he's like, you know, okay. Boom. He

0:38:31.480 --> 0:38:34.760
<v Speaker 1>finds out he was like, yo, your brother's Jeane Malice.

0:38:35.080 --> 0:38:38.040
<v Speaker 1>Your brother's Jeane. I'm like yeah, He's like, yo, man,

0:38:38.080 --> 0:38:39.759
<v Speaker 1>he's like the best rapper in the world of me.

0:38:40.160 --> 0:38:41.759
<v Speaker 1>Can we work with each other? I'm like, no, he

0:38:41.840 --> 0:38:43.520
<v Speaker 1>works with Tim. He don't want to work with you,

0:38:45.080 --> 0:38:50.840
<v Speaker 1>you know, And all of this is happening. I'm not rapping.

0:38:50.920 --> 0:38:53.359
<v Speaker 1>I don't even rap at this point in my life,

0:38:53.400 --> 0:38:59.800
<v Speaker 1>Like I'm just just here, you know. And Timberland and

0:39:00.080 --> 0:39:05.120
<v Speaker 1>is up working with Genuine and all of that. They

0:39:05.200 --> 0:39:08.640
<v Speaker 1>go to New Jersey. That opens the door for for

0:39:08.840 --> 0:39:12.800
<v Speaker 1>Rell to link with my brother. Now I'm skipping school,

0:39:13.120 --> 0:39:16.400
<v Speaker 1>not going I'm skipping school, just going to the studio

0:39:16.520 --> 0:39:19.759
<v Speaker 1>with them every day. You know. That's how that whole

0:39:20.760 --> 0:39:23.200
<v Speaker 1>thing when so when you say people like mind you

0:39:23.239 --> 0:39:25.919
<v Speaker 1>at the same time for Rell's high school his next

0:39:26.000 --> 0:39:33.080
<v Speaker 1>door to Teddy Riley's studio. He just so it's like

0:39:33.160 --> 0:39:39.600
<v Speaker 1>the first show in, you know, and then you know,

0:39:39.719 --> 0:39:45.319
<v Speaker 1>you go into like gods like mad skills, like mad skills, uh,

0:39:46.600 --> 0:39:49.360
<v Speaker 1>tripical quests at the time, and I'm like wow, like

0:39:49.480 --> 0:39:51.600
<v Speaker 1>people get to do this, Like you know, I'm looking

0:39:51.600 --> 0:39:56.200
<v Speaker 1>at him like go any nice. You know. It's um,

0:39:57.440 --> 0:39:59.319
<v Speaker 1>it was a lot, man, it was a lot going

0:39:59.400 --> 0:40:02.160
<v Speaker 1>on Virginia at that time, and you had that whole

0:40:02.280 --> 0:40:04.840
<v Speaker 1>energy going on. Then you had the whole district culture.

0:40:05.360 --> 0:40:07.680
<v Speaker 1>I feel like everybody from New York moved to Virginia

0:40:08.239 --> 0:40:10.520
<v Speaker 1>to get money. I feel like that, Like I feel

0:40:10.520 --> 0:40:12.680
<v Speaker 1>like the way the work was moving, that's just what

0:40:12.840 --> 0:40:15.239
<v Speaker 1>it was like. It was the first Virginia Beach, was

0:40:15.320 --> 0:40:19.720
<v Speaker 1>the first Atlanta, Miami whatever. You came down here first,

0:40:20.160 --> 0:40:24.080
<v Speaker 1>that first. You know, every every rap song in the

0:40:24.239 --> 0:40:27.760
<v Speaker 1>nineties had Virginia Beach references. You talk about Mace Big whatever.

0:40:29.360 --> 0:40:31.399
<v Speaker 1>That was what it was. I'm not gonna lie your girls.

0:40:31.480 --> 0:40:42.040
<v Speaker 1>Was mad easy to come on. Some respects out there, girls,

0:40:45.719 --> 0:40:56.480
<v Speaker 1>Oh my god. Even even before then, even before then,

0:40:56.560 --> 0:40:58.919
<v Speaker 1>like you think about public Enemy and you think about

0:40:59.000 --> 0:41:01.320
<v Speaker 1>can't trust it. In the videos they were shooting, it

0:41:01.400 --> 0:41:05.480
<v Speaker 1>was the water holes and the kids, and that's all Virginia.

0:41:06.040 --> 0:41:10.279
<v Speaker 1>I believe it was Alan Iverson's life that actually made

0:41:10.480 --> 0:41:16.960
<v Speaker 1>us realized, Wow, Virginia, Oh is fucking man, listen, it's

0:41:17.080 --> 0:41:22.520
<v Speaker 1>insane AI because he's from Virginia correct net correct Newport

0:41:22.560 --> 0:41:29.000
<v Speaker 1>Newport News at Hampton, I forget. But but Alan Iverson

0:41:29.160 --> 0:41:34.160
<v Speaker 1>by far is like I mean, for me personally, is

0:41:34.360 --> 0:41:40.640
<v Speaker 1>uh that's you know, that's idle hero level you know,

0:41:40.920 --> 0:41:44.000
<v Speaker 1>and people like, yo, man, not too long ago, he

0:41:44.200 --> 0:41:49.640
<v Speaker 1>gave me a jersey right and signed it, and you know,

0:41:49.719 --> 0:41:51.840
<v Speaker 1>I was crazy. They put it on internet or whatever's

0:41:51.880 --> 0:41:54.080
<v Speaker 1>on ESPN or whatever, and people was like, man, why

0:41:54.239 --> 0:41:58.280
<v Speaker 1>you made he from around away? I'm like, so, whatt

0:41:58.760 --> 0:42:06.080
<v Speaker 1>you crazy? Right? This guy's like you know, they see me,

0:42:06.160 --> 0:42:09.560
<v Speaker 1>they've see me party and don't care, like you don't.

0:42:09.680 --> 0:42:12.359
<v Speaker 1>You know, I still look at him a certain way,

0:42:12.440 --> 0:42:14.399
<v Speaker 1>like you know you look at people a certain ways,

0:42:14.440 --> 0:42:17.000
<v Speaker 1>like it just is what it is for me. And

0:42:17.120 --> 0:42:21.960
<v Speaker 1>that's up. Yeah, I relax. I gotta relax. I went

0:42:22.000 --> 0:42:27.000
<v Speaker 1>too far. I went too far. Okay, So that verse

0:42:27.160 --> 0:42:31.480
<v Speaker 1>Ya says he's a man dollar babies, billion dollar babies

0:42:31.520 --> 0:42:37.800
<v Speaker 1>and dollar by I don't know beon dollar nigga, Like listen,

0:42:39.400 --> 0:42:44.440
<v Speaker 1>I'm gonna tell you, And you know, I don't. I

0:42:44.480 --> 0:42:48.560
<v Speaker 1>don't necessarily know. M I know what he says, but

0:42:49.200 --> 0:42:51.799
<v Speaker 1>and I believe what he says. But I know how

0:42:51.880 --> 0:42:55.759
<v Speaker 1>these people line up for them shoes and everything that

0:42:55.840 --> 0:43:02.000
<v Speaker 1>they're doing. And I mean, it's it's definitely, uh this'

0:43:02.080 --> 0:43:09.640
<v Speaker 1>there like I believe it's there, like you know, it's beautiful.

0:43:09.680 --> 0:43:12.640
<v Speaker 1>Man's god, damn it beautiful. All right, So we're gonna

0:43:12.640 --> 0:43:15.880
<v Speaker 1>get into the last joint. I mean, obviously, yes, we

0:43:16.000 --> 0:43:18.239
<v Speaker 1>had to get into the talk of the town, talk

0:43:18.320 --> 0:43:20.000
<v Speaker 1>of the business. Let's talk about I'm not to speak

0:43:20.000 --> 0:43:23.080
<v Speaker 1>about this joint because I'm not gonna speak about the

0:43:23.160 --> 0:43:25.520
<v Speaker 1>actual thing that it started. This record is actually a

0:43:25.600 --> 0:43:29.360
<v Speaker 1>great record. But were you trying to um accomplished by Infrared?

0:43:29.640 --> 0:43:32.320
<v Speaker 1>Because to me, this whole record is not about what

0:43:32.480 --> 0:43:37.479
<v Speaker 1>people are making it about. It didn't seem it. Yeah,

0:43:38.080 --> 0:43:41.120
<v Speaker 1>but I mean you only slick on that it's just

0:43:41.280 --> 0:43:44.040
<v Speaker 1>about it's about To me, it's just about the reality

0:43:44.080 --> 0:43:49.160
<v Speaker 1>of hip hop. Um, because you said it was like

0:43:49.320 --> 0:43:53.279
<v Speaker 1>it was written when it came from quick and is

0:43:53.400 --> 0:43:56.080
<v Speaker 1>that what started the issue? Be for now? But we

0:43:56.239 --> 0:43:57.960
<v Speaker 1>don't have to get into that. Let's just get into

0:43:57.960 --> 0:44:01.399
<v Speaker 1>the record. So you know, you know, you know, basically, um,

0:44:03.120 --> 0:44:10.600
<v Speaker 1>basically that song Infrared was was a response to um

0:44:12.239 --> 0:44:17.840
<v Speaker 1>two Birds, One Stone and you know, and it was

0:44:17.880 --> 0:44:20.120
<v Speaker 1>a response to just in in in the most I

0:44:20.200 --> 0:44:26.560
<v Speaker 1>feel like, uh you know, uh, battle back and forth

0:44:26.640 --> 0:44:28.879
<v Speaker 1>type of way, you know, you throw your jabs out

0:44:28.880 --> 0:44:34.200
<v Speaker 1>thought mine. Um, you know, it wasn't it wasn't solely

0:44:34.239 --> 0:44:37.360
<v Speaker 1>about that. It was just about like me, my position

0:44:37.440 --> 0:44:43.400
<v Speaker 1>and wrap somebody is is challenging my credibility, street credibility,

0:44:43.600 --> 0:44:46.319
<v Speaker 1>so on and so forth. Question and that it's okay, boom,

0:44:46.320 --> 0:44:49.400
<v Speaker 1>now I got a question. Song, let's question these things together.

0:44:49.520 --> 0:44:52.040
<v Speaker 1>We can all do together. It's fine, you know, and

0:44:52.120 --> 0:44:56.279
<v Speaker 1>it's like you know, um, still I feel like it

0:44:56.440 --> 0:44:59.360
<v Speaker 1>was it was it was, It was still lyrical. It

0:44:59.440 --> 0:45:02.640
<v Speaker 1>was still but two birds in one store. I tried

0:45:02.719 --> 0:45:05.160
<v Speaker 1>to actually go and look for that, like if I

0:45:05.239 --> 0:45:09.360
<v Speaker 1>don't really see where he's going at you, Um, it

0:45:09.560 --> 0:45:20.560
<v Speaker 1>was it was about the It was about the uh

0:45:20.960 --> 0:45:24.400
<v Speaker 1>something about you know, you was watching scar Face you

0:45:24.440 --> 0:45:27.360
<v Speaker 1>weren't really doing this or I don't even remember the

0:45:27.400 --> 0:45:29.879
<v Speaker 1>bars like that, but it was something of that nature. Um,

0:45:30.840 --> 0:45:33.800
<v Speaker 1>A couple of a couple of a couple of jobs

0:45:33.840 --> 0:45:37.120
<v Speaker 1>and that, and you know, it was what it was. Okay, now,

0:45:37.280 --> 0:45:40.520
<v Speaker 1>now this is where we turn up. Now push So

0:45:40.719 --> 0:45:44.640
<v Speaker 1>since Mr Me too? Right, Okay? What what what actually

0:45:44.680 --> 0:45:47.239
<v Speaker 1>inspired Mr? Me too? Because at the end of the day,

0:45:47.440 --> 0:45:51.120
<v Speaker 1>you own what happened to that boy? Um we even

0:45:51.200 --> 0:45:56.880
<v Speaker 1>I believe even the grinding remix was me you birdman?

0:45:57.440 --> 0:46:00.600
<v Speaker 1>And was it Wayne? And I don't think Wayne was no,

0:46:01.160 --> 0:46:04.000
<v Speaker 1>it was no. He might have been on this, He

0:46:04.080 --> 0:46:10.000
<v Speaker 1>might have been on where where did this this? I know,

0:46:10.160 --> 0:46:14.760
<v Speaker 1>I know there's an interview. That's it. It's okay, I'm sorry,

0:46:14.880 --> 0:46:18.960
<v Speaker 1>ok And what did they said? They said, you're trying

0:46:19.000 --> 0:46:22.160
<v Speaker 1>to look like the clips. I guess they said something

0:46:22.239 --> 0:46:28.000
<v Speaker 1>to him in regards to that and way, and so

0:46:28.120 --> 0:46:33.120
<v Speaker 1>when they said that or whatever, um, he just answered

0:46:33.160 --> 0:46:39.000
<v Speaker 1>it in a real uh, condescending way. It was aggressive.

0:46:39.080 --> 0:46:42.000
<v Speaker 1>It was it was it was And at this time,

0:46:42.480 --> 0:46:46.600
<v Speaker 1>we're going through like the wildest of label the wilds

0:46:46.640 --> 0:46:50.600
<v Speaker 1>of like label drama, like we out heard. I heard

0:46:50.600 --> 0:46:53.960
<v Speaker 1>about this justin Timberlake situation. Whe wouldn't even work with

0:46:54.040 --> 0:46:57.080
<v Speaker 1>Justin because he was so bad about the job, right, okay,

0:46:57.160 --> 0:47:00.879
<v Speaker 1>but so um so um, and I was just damn like, man,

0:47:00.960 --> 0:47:02.520
<v Speaker 1>it was such a better way to answer that, Like

0:47:02.640 --> 0:47:06.000
<v Speaker 1>we we rappers, like, I don't gotta cut nobody if

0:47:06.040 --> 0:47:08.320
<v Speaker 1>I don't want to. I don't gotta say nothing crazy

0:47:09.120 --> 0:47:10.880
<v Speaker 1>in regards to anybody if I don't want to, I

0:47:11.000 --> 0:47:14.360
<v Speaker 1>know how to, you know, talk around things. But I

0:47:14.400 --> 0:47:18.000
<v Speaker 1>knew you was dangerous, right because it kept going on

0:47:18.400 --> 0:47:22.680
<v Speaker 1>and Wheezy kept getting hotter, and he kept getting hotter,

0:47:23.840 --> 0:47:26.920
<v Speaker 1>and most people would back down, like you were at

0:47:27.080 --> 0:47:30.200
<v Speaker 1>mix tape Wheezy, like you wouldn't have the dude that

0:47:30.880 --> 0:47:34.879
<v Speaker 1>was chopping everybody. Listeners are clear, this is going back,

0:47:35.120 --> 0:47:39.080
<v Speaker 1>this is bad, this is mix tape. When he was

0:47:39.320 --> 0:47:43.440
<v Speaker 1>on way, he was out of here. And I'm like,

0:47:44.400 --> 0:47:47.359
<v Speaker 1>I'm sitting back and I'm a rapper, you know, I'm

0:47:47.400 --> 0:47:50.000
<v Speaker 1>a rapper. Two So I'm sitting back and I'm like pushing,

0:47:50.040 --> 0:47:53.960
<v Speaker 1>not back and down. And I expected because everybody when

0:47:53.960 --> 0:48:00.759
<v Speaker 1>you go on fire, because the the common census is

0:48:01.080 --> 0:48:03.280
<v Speaker 1>when a person goes at a person, that's all fired.

0:48:03.480 --> 0:48:06.840
<v Speaker 1>You're hating. So I thought you would back down just

0:48:07.040 --> 0:48:11.799
<v Speaker 1>over that. Oh just you know, and you just did.

0:48:12.760 --> 0:48:16.920
<v Speaker 1>You know. It's um. What people need to realize as

0:48:17.000 --> 0:48:20.120
<v Speaker 1>far as I go, is I never want to make

0:48:20.320 --> 0:48:25.439
<v Speaker 1>their records like you know, if you look at my career,

0:48:25.520 --> 0:48:28.759
<v Speaker 1>I've made the same record my whole career, I've made

0:48:28.840 --> 0:48:32.280
<v Speaker 1>the same album basically my whole career. I've talked about

0:48:32.360 --> 0:48:38.279
<v Speaker 1>the same thing my whole career period. Then you're not

0:48:38.480 --> 0:48:41.440
<v Speaker 1>chasing the trend. I'm not chasing radio. I'm not chasing nothing.

0:48:42.440 --> 0:48:44.440
<v Speaker 1>So when people say that, it's sort of funny to

0:48:44.520 --> 0:48:47.279
<v Speaker 1>me because it's like, man, my record is still gonna

0:48:47.320 --> 0:48:51.600
<v Speaker 1>be about the street is still gonna be about you know, uh,

0:48:52.560 --> 0:48:55.400
<v Speaker 1>you know just how you know my perspective and my

0:48:55.520 --> 0:48:58.919
<v Speaker 1>point of view from a street perspective. Um, it's still

0:48:59.000 --> 0:49:02.360
<v Speaker 1>gonna be you know, drugs is gonna be the the

0:49:04.520 --> 0:49:07.920
<v Speaker 1>common thread, you know, and it's still gonna be lyrical.

0:49:08.040 --> 0:49:10.080
<v Speaker 1>It's still gonna be you know, You're gonna have the

0:49:10.120 --> 0:49:12.800
<v Speaker 1>metaphors and the parallels. I'm gonna still put it together.

0:49:13.320 --> 0:49:16.480
<v Speaker 1>How we how we put it together? You know. Um,

0:49:17.120 --> 0:49:19.480
<v Speaker 1>when people say that to me, it's it's crazy because

0:49:19.640 --> 0:49:23.399
<v Speaker 1>because you know, you've never heard me, You've never heard

0:49:23.440 --> 0:49:26.920
<v Speaker 1>me really try to chase a wild trend or be

0:49:27.120 --> 0:49:32.880
<v Speaker 1>part of uh, be part of the wave. You've never

0:49:32.960 --> 0:49:35.919
<v Speaker 1>tried to be part of the wave. Ever, you don't

0:49:35.920 --> 0:49:38.000
<v Speaker 1>have to. You don't have to be a part of

0:49:38.080 --> 0:49:46.839
<v Speaker 1>the wave when you provide the water. Goddamn, I don't

0:49:46.840 --> 0:49:53.640
<v Speaker 1>gotta follow a wave the water, you know what I'm saying. So, um, okay, uh,

0:49:55.840 --> 0:49:59.359
<v Speaker 1>mr me too. Happens he this this interview happens bom

0:50:00.520 --> 0:50:03.520
<v Speaker 1>things have settled down. These guys are on top. You

0:50:03.640 --> 0:50:09.120
<v Speaker 1>now transition to president of Good Music. All right, but

0:50:09.280 --> 0:50:11.800
<v Speaker 1>at this time it's kind of like a little turmoil

0:50:13.040 --> 0:50:16.919
<v Speaker 1>between the two. Right, you choose to kind of mind

0:50:16.960 --> 0:50:19.920
<v Speaker 1>your business because you know that has a relationship with

0:50:20.080 --> 0:50:24.640
<v Speaker 1>Drake and then so so let's just just skip for

0:50:24.960 --> 0:50:31.680
<v Speaker 1>a certain time. J Prince. Okay, he just says, Um

0:50:33.320 --> 0:50:41.960
<v Speaker 1>that Drake has a career ending record ending record response

0:50:42.280 --> 0:50:46.560
<v Speaker 1>response to you and to right, what do you? What

0:50:46.680 --> 0:50:49.759
<v Speaker 1>do you think of that? Um, it's the first time

0:50:49.800 --> 0:51:00.360
<v Speaker 1>you look sleepy. Then it's over because response. No, you know,

0:51:00.480 --> 0:51:02.160
<v Speaker 1>just to be honest with you, man, I feel like

0:51:03.920 --> 0:51:09.080
<v Speaker 1>there's absolutely nothing that they would do for my best interests. Nothing.

0:51:09.600 --> 0:51:12.040
<v Speaker 1>They want to look out for you for nothing, for

0:51:12.120 --> 0:51:14.400
<v Speaker 1>no reason at all. When they when they had they're

0:51:14.440 --> 0:51:18.279
<v Speaker 1>gonna pull that mother. Um. You know, whatever whatever their

0:51:18.360 --> 0:51:22.319
<v Speaker 1>decision is or decision making is, it is based off

0:51:22.400 --> 0:51:28.960
<v Speaker 1>of you know, what's best for them. Um. You know, man,

0:51:29.640 --> 0:51:34.239
<v Speaker 1>I don't know. You know, I don't know what ends

0:51:34.320 --> 0:51:37.440
<v Speaker 1>my career. But I haven't you know, I ain't never

0:51:37.560 --> 0:51:40.719
<v Speaker 1>told on nobody, you know, I'm I am who I am.

0:51:41.280 --> 0:51:45.120
<v Speaker 1>I've never done I don't even know what's career ending

0:51:45.200 --> 0:51:49.399
<v Speaker 1>these days, But whatever it is, whatever I ain't done.

0:51:51.000 --> 0:51:55.800
<v Speaker 1>So you know, um, you know, at the end of

0:51:55.840 --> 0:52:00.520
<v Speaker 1>the day, like I said, those conversations were had and

0:52:00.760 --> 0:52:05.160
<v Speaker 1>uh and then and and those conversations we had without

0:52:05.320 --> 0:52:14.160
<v Speaker 1>that sound bite let's let's let's let let's let's let

0:52:14.239 --> 0:52:18.000
<v Speaker 1>it be. But that in particularly phrase was not many

0:52:19.200 --> 0:52:23.759
<v Speaker 1>That wasn't happening the but you know, and uh, it

0:52:23.920 --> 0:52:26.279
<v Speaker 1>was it was it was to be left alone. So

0:52:26.400 --> 0:52:30.600
<v Speaker 1>you're saying it was a mutual ending of it wasn't.

0:52:30.680 --> 0:52:33.040
<v Speaker 1>It wasn't any No, I'm not I'm saying this. I'm

0:52:33.080 --> 0:52:37.279
<v Speaker 1>saying that, you know, there were things that were that

0:52:37.400 --> 0:52:43.360
<v Speaker 1>were said during during the conversation between my management and

0:52:43.800 --> 0:52:48.279
<v Speaker 1>him in particular. Yeah, okay that uh it wasn't. It

0:52:48.440 --> 0:52:54.920
<v Speaker 1>wasn't it wasn't aggressive, it wasn't anything. It was it

0:52:55.080 --> 0:53:00.959
<v Speaker 1>was all cool and like his artist, yeah, just sat.

0:53:01.280 --> 0:53:03.560
<v Speaker 1>But so so what I'm saying is the narrative about

0:53:03.600 --> 0:53:05.840
<v Speaker 1>the career ending and all of that, that's all after

0:53:06.239 --> 0:53:09.239
<v Speaker 1>and after the conversation, right, I don't know about that

0:53:09.440 --> 0:53:11.960
<v Speaker 1>during the conversation. I don't know about that. And it's

0:53:12.040 --> 0:53:14.320
<v Speaker 1>you know, it is what it is. Hey, okay, got it,

0:53:14.400 --> 0:53:20.319
<v Speaker 1>you got it. Okay, But but you dropped Infra red Yes,

0:53:20.880 --> 0:53:25.440
<v Speaker 1>Infra red drops two days later? Was it? Yeah, man,

0:53:26.320 --> 0:53:30.880
<v Speaker 1>uh what does he drop? Dope? Dopey duppy freestyle, duppy

0:53:30.960 --> 0:53:36.319
<v Speaker 1>free style, damn man, duppy free style. I'm not gonna lie.

0:53:36.400 --> 0:53:39.200
<v Speaker 1>The industry was like, oh ship they was they were

0:53:39.239 --> 0:53:43.800
<v Speaker 1>nervous to you. The immediate response that was nervous. No,

0:53:44.880 --> 0:53:53.480
<v Speaker 1>it was was heard, don't you start here? Is don't

0:53:53.520 --> 0:53:57.360
<v Speaker 1>start I just wanted you to be on pointin you

0:53:57.600 --> 0:54:09.880
<v Speaker 1>was nervous? Was fast? He came out that No, no, no,

0:54:10.040 --> 0:54:12.120
<v Speaker 1>that wasn't That was impressive. But I was like, I

0:54:12.200 --> 0:54:14.359
<v Speaker 1>feel like, hold on before we jump. I don't want

0:54:14.360 --> 0:54:17.600
<v Speaker 1>to jump that with Meek. Male messed up because Meek

0:54:17.640 --> 0:54:23.279
<v Speaker 1>didn't respond immediately and when he you know what I mean, No,

0:54:24.040 --> 0:54:26.560
<v Speaker 1>I you know, I don't. I don't believe that. I

0:54:26.880 --> 0:54:33.479
<v Speaker 1>feel like um man when it comes when it comes

0:54:33.520 --> 0:54:35.839
<v Speaker 1>to that, I just feel like and I don't even

0:54:35.920 --> 0:54:38.200
<v Speaker 1>want to say he messed up because I sort of

0:54:38.280 --> 0:54:44.640
<v Speaker 1>feel like we saw how different the game is because

0:54:45.320 --> 0:54:50.960
<v Speaker 1>when that happened, Meek never lied to none of us,

0:54:52.280 --> 0:54:55.279
<v Speaker 1>a lot of nobody And that what I'm saying is

0:54:55.440 --> 0:54:58.200
<v Speaker 1>that type of information in the in the in the

0:54:58.360 --> 0:55:02.720
<v Speaker 1>game that we play his career ending was the problem

0:55:02.800 --> 0:55:05.560
<v Speaker 1>that Meek responded on Twitter as opposed to when when

0:55:05.640 --> 0:55:08.279
<v Speaker 1>Drake just went straight to the booth, Drake kind of

0:55:08.320 --> 0:55:11.200
<v Speaker 1>went straight to the booth. So well, yeah, I'm sure,

0:55:11.400 --> 0:55:13.399
<v Speaker 1>But what I'm saying is I don't even believe it's

0:55:13.600 --> 0:55:18.719
<v Speaker 1>I believe that it was a a miscalculation of like

0:55:19.640 --> 0:55:25.919
<v Speaker 1>the importance of you know, the writing these days. That's

0:55:26.000 --> 0:55:28.160
<v Speaker 1>what I feel is is there any truth to him

0:55:28.280 --> 0:55:31.640
<v Speaker 1>having access to the record before it came out, that

0:55:31.800 --> 0:55:35.920
<v Speaker 1>that's why he rake? Oh you know, um, I mean

0:55:36.160 --> 0:55:38.080
<v Speaker 1>you know, you know, I don't know, I have I

0:55:38.080 --> 0:55:39.640
<v Speaker 1>have no clue. You know, at the end of the day,

0:55:40.560 --> 0:55:44.200
<v Speaker 1>when you when you are promoting the album, you letting

0:55:44.239 --> 0:55:46.680
<v Speaker 1>people hear it, you let you gotta let the writers

0:55:46.719 --> 0:55:51.600
<v Speaker 1>and all that. I'm pretty sure they have you know whatever. Yeah,

0:55:51.920 --> 0:55:55.239
<v Speaker 1>it could be. It could be. So now you released this,

0:55:55.440 --> 0:56:00.319
<v Speaker 1>you're hearing Drake is coming back. Drake. Actually, one thing

0:56:00.400 --> 0:56:03.600
<v Speaker 1>that I've never heard you speak about ever personally is

0:56:03.920 --> 0:56:09.320
<v Speaker 1>your relationship. Right, he brings up, where are you atting it?

0:56:09.400 --> 0:56:11.799
<v Speaker 1>Where do you feel is this all gloves off? It's

0:56:11.880 --> 0:56:19.200
<v Speaker 1>just like because because and and all of his Virginia,

0:56:19.239 --> 0:56:23.080
<v Speaker 1>Williams correct, because I'm thinking that is a place in Virginia. Like,

0:56:23.160 --> 0:56:25.399
<v Speaker 1>that's how dumb I am. I'm like, that's how much

0:56:25.440 --> 0:56:28.520
<v Speaker 1>you see, That's how much you protective of yours. That's

0:56:28.560 --> 0:56:30.520
<v Speaker 1>you know. What I mean is I'm like, where is

0:56:30.640 --> 0:56:33.279
<v Speaker 1>vis I've never know. I didn't know that, And the

0:56:33.360 --> 0:56:38.839
<v Speaker 1>people was like no, so is it? Like what are

0:56:38.880 --> 0:56:40.600
<v Speaker 1>you thinking? What are you thinking that you're thinking? Like

0:56:40.680 --> 0:56:44.320
<v Speaker 1>this guy? Man? You know, like you know it immediately

0:56:44.400 --> 0:56:47.280
<v Speaker 1>just put me because it's like, okay, boom and records

0:56:47.320 --> 0:56:50.000
<v Speaker 1>coming out. I already know responsible bang, that's what it is.

0:56:51.040 --> 0:56:56.760
<v Speaker 1>But then you gotta like what I'm listening because before

0:56:56.840 --> 0:56:59.239
<v Speaker 1>then he really kind of like he kind of was

0:56:59.360 --> 0:57:02.239
<v Speaker 1>careful with you. He kind of responded to everybody else,

0:57:02.640 --> 0:57:04.320
<v Speaker 1>but he kind of like when he when he was

0:57:04.560 --> 0:57:07.800
<v Speaker 1>talking about you, asponding with you, he was very very careful.

0:57:08.160 --> 0:57:10.759
<v Speaker 1>So I can't I can't say that I saw him

0:57:11.000 --> 0:57:13.400
<v Speaker 1>coming back this spec Oh no, no, no, no, I'm

0:57:13.440 --> 0:57:15.759
<v Speaker 1>just saying that. You know, it was it was known

0:57:15.840 --> 0:57:21.560
<v Speaker 1>that the record was coming of yours. Okay boom um.

0:57:22.000 --> 0:57:25.160
<v Speaker 1>Once that you know, once that came out, um, it

0:57:25.320 --> 0:57:28.200
<v Speaker 1>was just like okay, response mode like it's like, all right,

0:57:28.240 --> 0:57:32.120
<v Speaker 1>what you know, you're definitely I'm definitely gonna respond. And

0:57:32.760 --> 0:57:34.240
<v Speaker 1>then you just you know, you just sort of look

0:57:34.280 --> 0:57:35.440
<v Speaker 1>at it, man, and you just sort of have to

0:57:35.480 --> 0:57:39.280
<v Speaker 1>analyze the record at that point and then you just

0:57:39.400 --> 0:57:41.960
<v Speaker 1>pick it apart. And that's what I feel like I did.

0:57:42.000 --> 0:57:45.600
<v Speaker 1>I was like, okay, Boom, we're gonna like, first of all,

0:57:45.640 --> 0:57:47.880
<v Speaker 1>why would you mention her? You don't do that like that.

0:57:48.400 --> 0:57:52.320
<v Speaker 1>You know women and kids, let melm Oka and you

0:57:52.480 --> 0:57:58.480
<v Speaker 1>knew about the porn stuff. Okay, I'm sorry, I'm sorry.

0:57:59.040 --> 0:58:02.240
<v Speaker 1>Slow me that boys. So I'm just like, you know, Boom,

0:58:02.280 --> 0:58:04.000
<v Speaker 1>I'm like, okay, well, why would this happen like this?

0:58:05.080 --> 0:58:08.080
<v Speaker 1>And then um, then it just you know, and then

0:58:08.400 --> 0:58:11.880
<v Speaker 1>it was like man, it just couldn't for me. At

0:58:11.960 --> 0:58:14.560
<v Speaker 1>that point, I was like, man, this is like not

0:58:15.680 --> 0:58:18.360
<v Speaker 1>this ain't I usual put a pad back and forth,

0:58:18.440 --> 0:58:23.760
<v Speaker 1>you know, like like I was like, all right, bet so,

0:58:23.880 --> 0:58:25.560
<v Speaker 1>now you gotta sort of look at it and look

0:58:25.600 --> 0:58:30.280
<v Speaker 1>at um, start looking at who who you're dealing with

0:58:31.160 --> 0:58:34.360
<v Speaker 1>and what like. And to me, I didn't I didn't

0:58:34.360 --> 0:58:38.200
<v Speaker 1>think the line was that good, right, the Virginia line.

0:58:38.200 --> 0:58:39.680
<v Speaker 1>I didn't think it was that good. I was like,

0:58:40.280 --> 0:58:45.040
<v Speaker 1>so you reached, and I got to realize, like, why

0:58:45.080 --> 0:58:48.040
<v Speaker 1>did you think that was so important to say? Because

0:58:48.040 --> 0:58:50.760
<v Speaker 1>it wasn't that good to me and something that would

0:58:50.760 --> 0:58:54.960
<v Speaker 1>be good to me said, but kind of like sort

0:58:54.960 --> 0:58:56.720
<v Speaker 1>of reach you like whole kind of messed up. But

0:58:56.800 --> 0:58:58.840
<v Speaker 1>when he did that, like with nas no, like bringing

0:58:58.960 --> 0:59:01.200
<v Speaker 1>up like the girl, but he continued, yeah, but you know,

0:59:01.760 --> 0:59:03.200
<v Speaker 1>I just I just sort of felt like that and

0:59:03.240 --> 0:59:06.040
<v Speaker 1>then then it just it just started. It just gave

0:59:06.080 --> 0:59:08.760
<v Speaker 1>me content like okay, boom, why is this like this?

0:59:09.320 --> 0:59:11.000
<v Speaker 1>Why would you say that you knew about the poet

0:59:11.080 --> 0:59:15.320
<v Speaker 1>start prior? Yeah, so you it's your dangerous niggers. Listen,

0:59:15.760 --> 0:59:22.720
<v Speaker 1>listen yet catch your strategic just here, like it's like

0:59:22.880 --> 0:59:28.320
<v Speaker 1>backup and listen, listen, listen all right. So you, however,

0:59:29.400 --> 0:59:33.040
<v Speaker 1>knowing that there will be of a response, but you

0:59:33.200 --> 0:59:35.280
<v Speaker 1>might have held that response. You might have held the

0:59:35.440 --> 0:59:42.120
<v Speaker 1>points are for the like the third disk or the

0:59:42.200 --> 0:59:45.880
<v Speaker 1>third This ain't no I'm just saying, but you look

0:59:45.920 --> 0:59:50.640
<v Speaker 1>at the like is done, he got more, he got more,

0:59:51.080 --> 0:59:56.560
<v Speaker 1>he got three. Okay, now how does one know about this?

0:59:56.640 --> 1:00:01.120
<v Speaker 1>Adda closed line? What the fire? I'm not gonna lie,

1:00:02.080 --> 1:00:05.720
<v Speaker 1>I'm not gonna Drake goes to battle Rat battle. I've

1:00:05.760 --> 1:00:09.360
<v Speaker 1>seen Drake in battle Rat concerts, like on stage two,

1:00:09.720 --> 1:00:12.320
<v Speaker 1>so he can't really say it's anything too far. I'm

1:00:12.360 --> 1:00:14.000
<v Speaker 1>just saying, you know what I'm saying. But it is fine.

1:00:14.040 --> 1:00:22.840
<v Speaker 1>God bless him, good, God bless him. But killers ben show,

1:00:23.720 --> 1:00:26.600
<v Speaker 1>Hey Hamas in the real one, Hot one, you don't

1:00:26.640 --> 1:00:29.840
<v Speaker 1>want to feel one. He got this show. They always

1:00:29.840 --> 1:00:33.120
<v Speaker 1>signed by my presence at right, I've always being impression

1:00:34.240 --> 1:00:38.520
<v Speaker 1>show Bend he showed, Bendy Show, Bendy Show, the Bendy

1:00:38.640 --> 1:00:43.600
<v Speaker 1>shown holding guns with guns I used to leave back

1:00:43.800 --> 1:00:46.360
<v Speaker 1>on the way yea with my son's make him this

1:00:46.520 --> 1:00:49.640
<v Speaker 1>is specking what they're thinking Movo Lulu work Now now

1:00:49.760 --> 1:00:53.120
<v Speaker 1>you think he Kingpin trying front clap nigas. That's the

1:00:53.280 --> 1:00:55.880
<v Speaker 1>end of storm. What told us soldiers hold the work?

1:00:56.080 --> 1:00:59.919
<v Speaker 1>Just another second for me? I'm straight low when I'm frying.

1:01:00.840 --> 1:01:03.640
<v Speaker 1>See you ps hurt? That day was hot in this shown,

1:01:04.480 --> 1:01:07.320
<v Speaker 1>Hey Homus, in the real one, Hot one, you don't

1:01:07.360 --> 1:01:10.560
<v Speaker 1>want to feel one? He got? He shown. They always

1:01:10.600 --> 1:01:13.840
<v Speaker 1>haided by my presence. Act right, I'm always been impressed

1:01:14.240 --> 1:01:17.400
<v Speaker 1>he gave. In the show Bend, he showed them Bendy show.

1:01:18.200 --> 1:01:21.080
<v Speaker 1>Bendy showed him that he showed he got Bendy shown.

1:01:21.840 --> 1:01:25.080
<v Speaker 1>Then he showed Bendy shown. Bendy showed him that he

1:01:25.200 --> 1:01:41.280
<v Speaker 1>showed he got in his showing again. They call a

1:01:41.400 --> 1:01:44.440
<v Speaker 1>podcast poppy niggas just kin goes. I see they're trying

1:01:44.440 --> 1:01:47.880
<v Speaker 1>to drop. Here comes in the chage of town rints

1:01:48.280 --> 1:01:51.520
<v Speaker 1>and you ain't versing no ship like this. What tell

1:01:51.600 --> 1:01:54.760
<v Speaker 1>me something about Joe know what? Tell me something I

1:01:54.880 --> 1:01:58.160
<v Speaker 1>don't know. What tell me something I don't know, like

1:01:58.240 --> 1:02:00.680
<v Speaker 1>when this ship dropped home, gave me the shoe, call

1:02:00.800 --> 1:02:02.800
<v Speaker 1>me y out on the late night. I'm said to

1:02:02.880 --> 1:02:07.440
<v Speaker 1>play fight see fine break night. This line pros wat

1:02:07.640 --> 1:02:09.960
<v Speaker 1>just like a breaking late and you can get it

1:02:10.120 --> 1:02:12.919
<v Speaker 1>right or your great side. Uh So tell me something

1:02:13.000 --> 1:02:16.240
<v Speaker 1>I don't know. Fifty dollar pizza when I'm getting so hot.

1:02:17.000 --> 1:02:19.560
<v Speaker 1>I heard that you went out with the cokec something

1:02:19.680 --> 1:02:21.760
<v Speaker 1>your nose hitting him there on the phone. We don't

1:02:21.840 --> 1:02:24.120
<v Speaker 1>hate me to hate me? What should I do? Keep

1:02:24.200 --> 1:02:26.920
<v Speaker 1>getting money? It's funny. I was just like you. Super

1:02:26.960 --> 1:02:30.360
<v Speaker 1>Bowl Sunday, drink chap for the facts. Security guard to

1:02:30.560 --> 1:02:34.280
<v Speaker 1>Kevin Hard to relax. Oh, tell me something about don't

1:02:34.360 --> 1:02:38.480
<v Speaker 1>know what, tell me something. I don't know what. Tell

1:02:38.560 --> 1:02:41.040
<v Speaker 1>me something I don't know, Like when this ship drops

1:02:41.080 --> 1:02:44.720
<v Speaker 1>Home came into Joe, Come tell me something about don't

1:02:44.760 --> 1:02:48.919
<v Speaker 1>know what. Tell me something. I don't know what. Tell

1:02:49.000 --> 1:02:51.440
<v Speaker 1>me something I don't know, like when this ship drops

1:02:51.520 --> 1:02:55.400
<v Speaker 1>Home came into joke Ca. So how did you know that? Like,

1:02:55.880 --> 1:02:59.680
<v Speaker 1>so you knew that the clothes line was related to

1:03:00.640 --> 1:03:06.240
<v Speaker 1>the porn star who's related to the knock of the mean, Yeah,

1:03:06.880 --> 1:03:09.400
<v Speaker 1>we had a Dida spies because you know, no, not

1:03:09.520 --> 1:03:17.680
<v Speaker 1>at all with him. Kanye and Drakes meet and that's

1:03:17.720 --> 1:03:23.800
<v Speaker 1>the thing. It really wasn't so so listen, let just

1:03:23.880 --> 1:03:28.360
<v Speaker 1>be honest. Listen. After I heard the record, right, I

1:03:28.680 --> 1:03:31.800
<v Speaker 1>ms to lead, I said, man, you know we need

1:03:31.840 --> 1:03:34.040
<v Speaker 1>to put your on. He's like, you wants to come on,

1:03:34.320 --> 1:03:36.320
<v Speaker 1>he said, he wants to remind you a ship that

1:03:36.360 --> 1:03:39.400
<v Speaker 1>you don't even remember. I said, that's a dis record

1:03:41.920 --> 1:03:48.920
<v Speaker 1>close remember like that. He's just like going on you

1:03:49.040 --> 1:03:53.240
<v Speaker 1>that that's just some rapper ship. Like no, no, no, no, no,

1:03:53.320 --> 1:03:56.800
<v Speaker 1>no no, just just just good stories. Okay, but let's go,

1:03:57.320 --> 1:04:01.600
<v Speaker 1>let's let's let's stick with Drake. So you know you're

1:04:01.640 --> 1:04:04.680
<v Speaker 1>gonna spar man, you don't know he's going to bring

1:04:04.760 --> 1:04:07.640
<v Speaker 1>in your person you think you're gonna do that? Or

1:04:07.800 --> 1:04:09.760
<v Speaker 1>did you did you expect No, no, no, no, no,

1:04:09.920 --> 1:04:12.280
<v Speaker 1>nothing like that. You didn't explain. So now that he

1:04:12.440 --> 1:04:16.000
<v Speaker 1>did it, Yeah, what was your first response because you

1:04:16.080 --> 1:04:19.280
<v Speaker 1>were calm? No, I just you know, like I said,

1:04:19.320 --> 1:04:22.720
<v Speaker 1>I felt like I just felt like I just had

1:04:22.760 --> 1:04:25.720
<v Speaker 1>to evaluate the situation a little differently. Like you know,

1:04:26.680 --> 1:04:31.000
<v Speaker 1>like I said, it's been jabs, you know, tap tap everybody.

1:04:31.560 --> 1:04:34.000
<v Speaker 1>You know, you take something, I take some more moms cool,

1:04:34.960 --> 1:04:37.160
<v Speaker 1>but um, I just felt like it just went it

1:04:37.280 --> 1:04:39.600
<v Speaker 1>just you know, I went across the line with that

1:04:40.040 --> 1:04:43.120
<v Speaker 1>for real, And that's just that's really it for me.

1:04:43.600 --> 1:04:47.520
<v Speaker 1>For you. So now you go on the studio, Yeah,

1:04:49.520 --> 1:04:54.560
<v Speaker 1>you bring up the whole beat, which is like, which

1:04:54.640 --> 1:04:56.880
<v Speaker 1>is like, that's like real, Like what do I want

1:04:56.880 --> 1:04:59.640
<v Speaker 1>to call it? I can't call it afro centric for

1:04:59.720 --> 1:05:06.000
<v Speaker 1>it's like it's like that's that revolution and it's that's

1:05:06.040 --> 1:05:10.840
<v Speaker 1>that revolutionary music when the sauce, it's that thing what

1:05:11.160 --> 1:05:15.520
<v Speaker 1>made you go because I had the picture Okay, so

1:05:15.560 --> 1:05:20.880
<v Speaker 1>you have to picture priory okay, okay, prior to what,

1:05:21.200 --> 1:05:25.280
<v Speaker 1>prior to him his response or prior just Perior. You

1:05:25.360 --> 1:05:35.160
<v Speaker 1>just what this is because you know what it feels

1:05:35.200 --> 1:05:38.960
<v Speaker 1>like you Drake. Drake, that's when it feels like it

1:05:39.040 --> 1:05:45.160
<v Speaker 1>feels like you did exactly to him when he did

1:05:45.320 --> 1:05:49.920
<v Speaker 1>the song of I mean, I'm just doesn't feel like

1:05:50.000 --> 1:05:54.520
<v Speaker 1>that to anybody else. So so so you had to

1:05:54.560 --> 1:05:58.640
<v Speaker 1>picture before infra Red came out. Um, yeah, I believe.

1:05:58.760 --> 1:06:08.760
<v Speaker 1>So let me just think this is some real this

1:06:08.920 --> 1:06:17.000
<v Speaker 1>is this is some real hip hop history. Ah ah.

1:06:19.200 --> 1:06:21.520
<v Speaker 1>Did you think did you think you would? Um? Did

1:06:21.600 --> 1:06:23.880
<v Speaker 1>you think you would hear Ja Prince say something like that,

1:06:24.000 --> 1:06:27.160
<v Speaker 1>like saying that they would there there is no response.

1:06:27.280 --> 1:06:32.960
<v Speaker 1>I would That's the last person I thought would be speaking.

1:06:33.120 --> 1:06:36.320
<v Speaker 1>Who J Prince? Yeah, because y'all got a relationship. You've

1:06:36.320 --> 1:06:40.240
<v Speaker 1>always been cool. Okay, no, no matter, Okay. J Prince

1:06:40.320 --> 1:06:42.600
<v Speaker 1>is cool. He's a cooling come on, man, he's he's

1:06:42.800 --> 1:06:47.160
<v Speaker 1>created some greatness of course, of course. And um, so

1:06:47.280 --> 1:06:50.840
<v Speaker 1>when he said that he advised Drake not to sponse,

1:06:51.320 --> 1:06:53.440
<v Speaker 1>it was a piece of your petty side. Just the

1:06:53.480 --> 1:06:58.400
<v Speaker 1>petty side was like, of course, like I'm just asking, man,

1:06:58.640 --> 1:07:00.240
<v Speaker 1>you know, we're just drinking. You know, I don't know

1:07:00.400 --> 1:07:02.160
<v Speaker 1>for sure you don't take a shot to it more.

1:07:02.400 --> 1:07:05.560
<v Speaker 1>I mean we got more. I get to it. But

1:07:06.400 --> 1:07:13.520
<v Speaker 1>let me answer you. Um man, you know I just

1:07:13.640 --> 1:07:16.520
<v Speaker 1>feel like when you when when when when you deal

1:07:17.560 --> 1:07:24.400
<v Speaker 1>in like truth? Right, It's like like I said, I've

1:07:24.400 --> 1:07:28.400
<v Speaker 1>said a lot. I don't got skeletons, don't got things

1:07:28.440 --> 1:07:30.760
<v Speaker 1>that I don't got nothing I'm ashamed of in this world,

1:07:32.240 --> 1:07:36.360
<v Speaker 1>like for real, like I ain't even doing no line

1:07:36.400 --> 1:07:46.640
<v Speaker 1>and nobody. Come on, bro, I had to I said

1:07:46.680 --> 1:07:49.120
<v Speaker 1>it to say, but like I don't like I don't,

1:07:49.200 --> 1:07:58.320
<v Speaker 1>I don't know. You know it wasn't I know who

1:07:58.360 --> 1:08:01.680
<v Speaker 1>I am, but I know it like it's nothing. And

1:08:01.720 --> 1:08:06.880
<v Speaker 1>then it shake me about like you know, you know

1:08:07.160 --> 1:08:11.280
<v Speaker 1>you dragged me into it. You know you know she

1:08:11.440 --> 1:08:16.680
<v Speaker 1>built Ford tough for real? But where what's up? But

1:08:17.200 --> 1:08:21.320
<v Speaker 1>who knows who's coming? Who knows she she going to?

1:08:21.840 --> 1:08:24.880
<v Speaker 1>Like it's whatever man, like the poet star girl of

1:08:24.960 --> 1:08:27.280
<v Speaker 1>a d m U or anything. No, I don't, I

1:08:27.280 --> 1:08:30.720
<v Speaker 1>don't know. I don't, I don't no no connections or

1:08:31.280 --> 1:08:32.960
<v Speaker 1>you don't even poke with your niggers who don't pay

1:08:32.960 --> 1:08:40.800
<v Speaker 1>your support. I repecting expect that, I had expectact. So

1:08:40.920 --> 1:08:44.320
<v Speaker 1>what what what? What? What does the benefit of because

1:08:44.439 --> 1:08:48.400
<v Speaker 1>hip hop declared you the right and um, at the

1:08:48.479 --> 1:08:51.800
<v Speaker 1>end of the day, Drake can um probably do a

1:08:51.880 --> 1:08:55.240
<v Speaker 1>response whatever? Right now hip hop from puff Daddy to

1:08:55.800 --> 1:08:58.639
<v Speaker 1>everybody is saying, you know, he had a certain amount

1:08:58.640 --> 1:09:01.479
<v Speaker 1>of time you're supposed to spawns did the same thing.

1:09:02.280 --> 1:09:05.280
<v Speaker 1>But um, I remember not spawning six months later. But

1:09:05.560 --> 1:09:07.600
<v Speaker 1>this this is something different. This is because we're in

1:09:07.600 --> 1:09:10.519
<v Speaker 1>a different time. So what is the benefits now? Like

1:09:10.920 --> 1:09:15.519
<v Speaker 1>you know of of people knowing that you are baff

1:09:15.560 --> 1:09:20.880
<v Speaker 1>of Ball the Floyd Mayweatherer of our generation. Man, you know,

1:09:21.000 --> 1:09:24.280
<v Speaker 1>I don't know if I don't know what the real

1:09:24.400 --> 1:09:28.320
<v Speaker 1>benefit is and I don't I mean personally on just

1:09:28.439 --> 1:09:33.559
<v Speaker 1>some rap type time. Man, I hope I'm not getting

1:09:33.640 --> 1:09:38.400
<v Speaker 1>it from this, Like it's like it's sort of weird,

1:09:38.680 --> 1:09:40.519
<v Speaker 1>Like no, no, no, I'm not even saying that because

1:09:41.160 --> 1:09:43.479
<v Speaker 1>because of the yeah, like I gotta get it. So

1:09:43.760 --> 1:09:46.439
<v Speaker 1>what do you feel about Drake as a as an

1:09:46.600 --> 1:09:51.120
<v Speaker 1>m C period? Like real talk? I feel he makes

1:09:51.360 --> 1:09:54.519
<v Speaker 1>I feel that we know people say he has a ghost, right,

1:09:54.560 --> 1:09:57.320
<v Speaker 1>but do you feel he has an MC? But then

1:09:57.360 --> 1:09:59.280
<v Speaker 1>that we're not gonna talk him. We're just gonna talk

1:09:59.280 --> 1:10:01.519
<v Speaker 1>about That's what that's where it. Yeah, we're just gonna

1:10:01.520 --> 1:10:05.920
<v Speaker 1>talk records and the records are good. No baby, no

1:10:06.080 --> 1:10:11.519
<v Speaker 1>big at all, Like that's what it is. I feel

1:10:11.520 --> 1:10:22.840
<v Speaker 1>like you don't. I forgot the let's do it. I

1:10:22.920 --> 1:10:24.559
<v Speaker 1>can't believe you know. Let me just tell you something

1:10:24.720 --> 1:10:29.080
<v Speaker 1>us because the thing about it is, um, so many

1:10:29.120 --> 1:10:30.960
<v Speaker 1>people do other things, like you got to sneak a thing,

1:10:31.160 --> 1:10:33.080
<v Speaker 1>you got to play close things, which the other day

1:10:33.080 --> 1:10:35.160
<v Speaker 1>I thought, my man, that's what you gotta start give

1:10:35.160 --> 1:10:36.559
<v Speaker 1>me on my play clothes. I thought my man had

1:10:36.600 --> 1:10:39.719
<v Speaker 1>a boot like play close. But I couldn't tell because

1:10:39.720 --> 1:10:41.840
<v Speaker 1>because he had all it was pink play cloth. It

1:10:41.920 --> 1:10:44.560
<v Speaker 1>was pink. I was just like you, I don't know,

1:10:45.080 --> 1:10:49.160
<v Speaker 1>I don't know. I don't know it was you know

1:10:49.200 --> 1:10:52.000
<v Speaker 1>what I'm saying. You guys king, you know what I'm saying.

1:10:52.080 --> 1:10:54.640
<v Speaker 1>So I'm like, but you got these other things, but

1:10:54.760 --> 1:10:58.200
<v Speaker 1>you wanted these guys to say so consistent through music,

1:10:58.320 --> 1:11:01.960
<v Speaker 1>like people depend and respect on you do music. Earlier,

1:11:02.080 --> 1:11:04.920
<v Speaker 1>you said that you took out hot hatus for three years.

1:11:06.000 --> 1:11:08.920
<v Speaker 1>How would that feel as a person that that's your soul?

1:11:09.320 --> 1:11:11.560
<v Speaker 1>You know, your cares is the music? How do you

1:11:11.600 --> 1:11:13.200
<v Speaker 1>take it home? You know? You know, I don't I

1:11:13.240 --> 1:11:15.479
<v Speaker 1>don't believe. I don't believe that what I do goes

1:11:15.479 --> 1:11:19.599
<v Speaker 1>out of style. That's the thing, Like, I don't think

1:11:19.720 --> 1:11:22.040
<v Speaker 1>lyric driven hip hop goes out of stop. I don't

1:11:22.120 --> 1:11:26.720
<v Speaker 1>think that the streets go out of stop. Period. So

1:11:27.200 --> 1:11:30.240
<v Speaker 1>do you believe it in a consistency? It's without time,

1:11:30.680 --> 1:11:33.240
<v Speaker 1>It's just what you do. Listen. My album is called

1:11:33.280 --> 1:11:38.160
<v Speaker 1>Daytona because you know, Rolex Daytona is my favorite watch.

1:11:39.080 --> 1:11:40.960
<v Speaker 1>But I feel like I had the luxury of time

1:11:41.120 --> 1:11:43.240
<v Speaker 1>to make it. That's why it is what it is.

1:11:44.640 --> 1:11:46.600
<v Speaker 1>And I feel like, you know, that's what That's what

1:11:46.800 --> 1:11:51.000
<v Speaker 1>me and Yates Cuba like, man, this is we got

1:11:51.080 --> 1:11:53.120
<v Speaker 1>the time to make it, and we're gonna give you

1:11:53.240 --> 1:11:57.400
<v Speaker 1>seven and music regardless, period and that and that's you know,

1:11:57.520 --> 1:11:59.600
<v Speaker 1>that's that's what we sort of, uh, that's what we

1:11:59.720 --> 1:12:05.519
<v Speaker 1>live in off of. Um what's the lead? I don't know.

1:12:06.439 --> 1:12:10.200
<v Speaker 1>I don't know. Like I said, you know, I know

1:12:10.280 --> 1:12:14.320
<v Speaker 1>who I'm talking to every time, every time, I know

1:12:14.439 --> 1:12:16.439
<v Speaker 1>exactly who I'm talking to when I'm when I'm writing

1:12:16.439 --> 1:12:19.240
<v Speaker 1>the verse, I know exactly who I want it to

1:12:19.360 --> 1:12:22.080
<v Speaker 1>resonate with. I know exactly the club I want to

1:12:22.120 --> 1:12:24.560
<v Speaker 1>go to. Would it change if you didn't thought like

1:12:24.640 --> 1:12:27.960
<v Speaker 1>I'm saying, like if the music for you, if you

1:12:28.000 --> 1:12:29.840
<v Speaker 1>didn't know who you were talking to, but it was

1:12:29.920 --> 1:12:34.120
<v Speaker 1>what you felt, would it change if it changed that

1:12:34.200 --> 1:12:36.040
<v Speaker 1>you knew that these people that you thought you were

1:12:36.080 --> 1:12:40.360
<v Speaker 1>talking to change they you know, you know, I can't

1:12:40.400 --> 1:12:45.320
<v Speaker 1>really look at it like that because the reaction from

1:12:45.360 --> 1:12:48.760
<v Speaker 1>the streets be so loud when they hear a verse

1:12:49.200 --> 1:12:51.160
<v Speaker 1>or when they hear an album, or when they hear

1:12:51.200 --> 1:12:54.200
<v Speaker 1>a song. I say something, you know, I say something,

1:12:54.240 --> 1:12:58.840
<v Speaker 1>and then you had the mike out there, Yeah, and

1:12:58.920 --> 1:13:02.000
<v Speaker 1>the just came in. But I'm talking before you could

1:13:02.040 --> 1:13:07.759
<v Speaker 1>even get that reaction. If you thought that that, maybe

1:13:07.840 --> 1:13:10.080
<v Speaker 1>that wasn't there anymore now, because I don't think that

1:13:10.160 --> 1:13:12.720
<v Speaker 1>doesn't I don't think who you are like you want

1:13:12.760 --> 1:13:14.639
<v Speaker 1>to do what you do. Yeah, but I just don't

1:13:14.680 --> 1:13:17.280
<v Speaker 1>think that that goes anywhere. I feel like I feel

1:13:17.320 --> 1:13:21.280
<v Speaker 1>like my niche in wrap. I don't know if anybody

1:13:21.360 --> 1:13:26.519
<v Speaker 1>can get articulate street Wrap anywhere else from them, then me,

1:13:27.280 --> 1:13:29.120
<v Speaker 1>I believe that. I guess the point I'm trying to

1:13:29.200 --> 1:13:31.120
<v Speaker 1>make for artists, I'm just trying to like, if an

1:13:31.200 --> 1:13:34.560
<v Speaker 1>artist is listing right, yeah, you know artists tend to

1:13:34.680 --> 1:13:37.320
<v Speaker 1>always be like what's popping, what's hot? What? What is

1:13:37.320 --> 1:13:40.800
<v Speaker 1>the audience? And I think is gonna gonna resonate with me?

1:13:41.040 --> 1:13:43.160
<v Speaker 1>I feel like that's wrong. That's what I'm trying to get.

1:13:43.320 --> 1:13:44.800
<v Speaker 1>I feel like that's wrong. I mean, I feel like,

1:13:45.479 --> 1:13:47.920
<v Speaker 1>you know, you make what you make, and then who

1:13:48.160 --> 1:13:50.200
<v Speaker 1>who works with that is who fox with it, and

1:13:50.280 --> 1:13:53.120
<v Speaker 1>then that's who you funk with, and then you master

1:13:53.320 --> 1:13:57.880
<v Speaker 1>that and you grow that. I don't think that, you know,

1:13:57.960 --> 1:14:05.040
<v Speaker 1>because that's what you going They're reaching. Come on, man,

1:14:05.680 --> 1:14:08.160
<v Speaker 1>how do you know I want to drink this? I

1:14:08.240 --> 1:14:14.320
<v Speaker 1>didn't even want to drink your career, Ya don't even

1:14:14.439 --> 1:14:21.800
<v Speaker 1>drink this ship might because that's fine. I do drink

1:14:22.400 --> 1:14:27.120
<v Speaker 1>Its cool. So that didn't hit me. That didn't hit

1:14:27.160 --> 1:14:32.240
<v Speaker 1>me a little? Um you know man? You know do

1:14:32.360 --> 1:14:38.160
<v Speaker 1>you think he's gonna be here this long? Man? That

1:14:38.400 --> 1:14:42.800
<v Speaker 1>revelation hit me the other day like for real when

1:14:42.800 --> 1:14:46.400
<v Speaker 1>I when I like and it just started hitting me recently,

1:14:46.479 --> 1:14:48.719
<v Speaker 1>like I want to say, like from two thousand twelve,

1:14:48.920 --> 1:14:53.200
<v Speaker 1>like the ten year anniversary of Lord Willing two sixteen,

1:14:53.640 --> 1:14:57.560
<v Speaker 1>the ten year anniversary at Hell Have more Fury, Like

1:14:58.400 --> 1:15:04.920
<v Speaker 1>it's like I'm like damn man, like ten joints. That's

1:15:04.960 --> 1:15:07.400
<v Speaker 1>crazy now, and then when I really think about it's like, no,

1:15:07.479 --> 1:15:11.840
<v Speaker 1>it's really sixteen joints. Really been his sixteen joints. Really

1:15:11.960 --> 1:15:16.200
<v Speaker 1>like some people saying this one is my best album?

1:15:16.600 --> 1:15:21.639
<v Speaker 1>Who know it? Mean it? You know? I never I'm sorry,

1:15:22.000 --> 1:15:25.040
<v Speaker 1>but I've never seen the artists grow and get better

1:15:25.240 --> 1:15:27.840
<v Speaker 1>the way you grow and get better. Pause thank you.

1:15:28.120 --> 1:15:31.560
<v Speaker 1>And it's because it's because they think about it is

1:15:31.680 --> 1:15:34.800
<v Speaker 1>you come from actually our error like which is an

1:15:34.840 --> 1:15:38.160
<v Speaker 1>older ever than Kanye the area before, and you've been

1:15:38.200 --> 1:15:40.880
<v Speaker 1>able to maintain these errors. And the thing about it,

1:15:40.960 --> 1:15:43.400
<v Speaker 1>there's other people been able to maintain those errors, but

1:15:43.479 --> 1:15:47.240
<v Speaker 1>they've been maybe to maintain it justin single wise, there's

1:15:47.320 --> 1:15:50.120
<v Speaker 1>no one to be able to make maintain that crown

1:15:50.200 --> 1:15:52.200
<v Speaker 1>and the body, the whole body of work with a

1:15:52.280 --> 1:15:55.600
<v Speaker 1>whole new generation funk with it too. It's amazing what

1:15:55.720 --> 1:15:57.120
<v Speaker 1>you're doing. Like you know what I'm saying that I

1:15:57.320 --> 1:16:00.160
<v Speaker 1>have no you the value of the whole album that

1:16:00.320 --> 1:16:03.760
<v Speaker 1>we're missing for a long time. That is beautiful, That

1:16:05.280 --> 1:16:09.600
<v Speaker 1>is that should be that should be saluted. Um and

1:16:09.880 --> 1:16:11.840
<v Speaker 1>and the thing about it is you, you like you

1:16:11.960 --> 1:16:14.320
<v Speaker 1>come from the greatest producers. Like you know what I'm saying,

1:16:14.360 --> 1:16:17.160
<v Speaker 1>you would've got a lot to do with it. I

1:16:17.240 --> 1:16:19.760
<v Speaker 1>see a listening party, I've seen Swiss, Yeah, I've seen

1:16:20.320 --> 1:16:22.320
<v Speaker 1>for of course you got about it. I feel like

1:16:22.720 --> 1:16:25.120
<v Speaker 1>a lot to do with it. You become a producer

1:16:25.200 --> 1:16:28.160
<v Speaker 1>when you when you're hanging around aducer so much. I was,

1:16:29.120 --> 1:16:35.760
<v Speaker 1>I just don't wish. I wish in my mind, I

1:16:35.840 --> 1:16:37.960
<v Speaker 1>just don't want to pressing. But I want to hear

1:16:38.040 --> 1:16:41.360
<v Speaker 1>the prey a version of your help, just to see

1:16:41.400 --> 1:16:44.320
<v Speaker 1>what differences. You know, it was fire, but but like

1:16:44.520 --> 1:16:46.960
<v Speaker 1>like who are the producers? Like was it local producers?

1:16:47.000 --> 1:16:50.800
<v Speaker 1>I don't know, you know, say who? Yeah? But or

1:16:50.880 --> 1:16:56.760
<v Speaker 1>less they were they were producers who are of name. Yeah,

1:16:56.960 --> 1:16:59.360
<v Speaker 1>definitely have name. Listen he A and R is all

1:16:59.479 --> 1:17:02.320
<v Speaker 1>my projects xcuse that's the Yeah, he may not do

1:17:02.479 --> 1:17:04.479
<v Speaker 1>all this. So he was he was already he was

1:17:04.560 --> 1:17:07.960
<v Speaker 1>already like picking y'all just producing, okay, And then he

1:17:08.040 --> 1:17:09.720
<v Speaker 1>just decided I wanted to do the whole thing. Yeah.

1:17:09.760 --> 1:17:12.160
<v Speaker 1>Then he was just like and at that time, like

1:17:12.240 --> 1:17:14.360
<v Speaker 1>I said, it was, it was sort of weird time

1:17:15.320 --> 1:17:18.080
<v Speaker 1>and uh, you know, just for him, and I just

1:17:18.160 --> 1:17:19.720
<v Speaker 1>felt like, all right, well, if you if that's what

1:17:19.800 --> 1:17:22.000
<v Speaker 1>you want to do, then let's go. Let's go ahead,

1:17:22.080 --> 1:17:25.920
<v Speaker 1>let's go do it. You know it minds you. It's done.

1:17:27.160 --> 1:17:30.240
<v Speaker 1>So did you feel only kind of well you't go

1:17:30.479 --> 1:17:33.479
<v Speaker 1>relating new vocals. Yes, yeah, But what I'm saying is

1:17:33.520 --> 1:17:36.640
<v Speaker 1>my album was done. Did you not feel some kind

1:17:36.640 --> 1:17:38.880
<v Speaker 1>of way at that point? I did, But I mean no, no,

1:17:39.080 --> 1:17:42.720
<v Speaker 1>not some kind of way. It's like, uh yeah, no, no,

1:17:43.320 --> 1:17:46.000
<v Speaker 1>Like listen, I'm straight student mode when it comes to

1:17:46.080 --> 1:17:51.720
<v Speaker 1>p Yeah, when he comes to like like turning the

1:17:51.840 --> 1:17:56.160
<v Speaker 1>album and taking your input, I wrapped. That's what I do.

1:17:57.080 --> 1:18:00.600
<v Speaker 1>Like and that's all I do, period. That's what I do.

1:18:01.479 --> 1:18:04.519
<v Speaker 1>When it comes to all of the theatrics, you gotta

1:18:04.600 --> 1:18:07.559
<v Speaker 1>listen to, you know, you gotta listen to that. That's

1:18:07.600 --> 1:18:09.439
<v Speaker 1>why I feel like, you know, all of this came

1:18:09.479 --> 1:18:12.439
<v Speaker 1>out this way, it came out strong, this way. Come

1:18:12.479 --> 1:18:17.080
<v Speaker 1>back baby, come back baby. I turned away, come back. Maybe.

1:18:17.120 --> 1:18:18.600
<v Speaker 1>I was like, yea, I don't want this record. I

1:18:18.640 --> 1:18:21.439
<v Speaker 1>don't like it for real, I don't like it. He

1:18:21.600 --> 1:18:25.920
<v Speaker 1>was like, no, listen, I'm telling you you're gonna love it. Yeah,

1:18:26.600 --> 1:18:29.760
<v Speaker 1>He's like, yo, do it now. I'm like, all right,

1:18:30.520 --> 1:18:32.960
<v Speaker 1>last time that happened to me was niggas in Paris.

1:18:34.040 --> 1:18:41.920
<v Speaker 1>I'm not gonna happen again. Happened. That's why I feel

1:18:41.960 --> 1:18:48.479
<v Speaker 1>for when hollebadi up. A couple of times happen, rap times, rap,

1:18:50.560 --> 1:18:56.920
<v Speaker 1>you know it happens. So let me pick you up

1:18:56.920 --> 1:18:59.040
<v Speaker 1>because you only you, probably the only one of the

1:18:59.160 --> 1:19:03.200
<v Speaker 1>other thigga is that ghost wrote for Ronald McDonald. Nigga, Yeah,

1:19:03.560 --> 1:19:09.479
<v Speaker 1>I'm loving it. Yeah, that was your joint. Yeah, I'm

1:19:09.479 --> 1:19:11.479
<v Speaker 1>good at my job. I don't know if y'all know bad.

1:19:11.600 --> 1:19:13.000
<v Speaker 1>I don't know if y'all know I don't know if

1:19:13.040 --> 1:19:16.840
<v Speaker 1>you're just realizing that now. But nigga, you wrote I'm

1:19:16.920 --> 1:19:24.040
<v Speaker 1>loving it. Yeah, I'm loving it. Took a superl just front,

1:19:25.160 --> 1:19:32.760
<v Speaker 1>just up front, but I half a man. But it

1:19:32.840 --> 1:19:35.759
<v Speaker 1>still was like when you think about it would be crazy.

1:19:36.720 --> 1:19:39.599
<v Speaker 1>But but just what you're gonna tell nobody that say,

1:19:39.640 --> 1:19:42.160
<v Speaker 1>we're gonna say any time, no, no, no. I want

1:19:42.200 --> 1:19:45.040
<v Speaker 1>people to know because they need to understand. Shout Steve Stout.

1:19:45.080 --> 1:19:49.720
<v Speaker 1>He gave me. I was like, man, great, and you know,

1:19:50.160 --> 1:19:52.479
<v Speaker 1>having hold on. So you wrote the slogan or you

1:19:52.520 --> 1:19:56.240
<v Speaker 1>wrote the rhyme in the rhyme and they took that

1:19:57.160 --> 1:20:03.680
<v Speaker 1>wrote that You're gonna be that's him. So in this

1:20:03.800 --> 1:20:08.960
<v Speaker 1>wrap he's saying they took it, you know, just so

1:20:09.320 --> 1:20:10.960
<v Speaker 1>you know, I want people to know that part. I

1:20:11.040 --> 1:20:14.320
<v Speaker 1>want artists know that part to keep it publishing, man like,

1:20:14.479 --> 1:20:17.120
<v Speaker 1>make sure you know that check will be nice. But

1:20:17.280 --> 1:20:19.479
<v Speaker 1>you're like, I'm loving have been running for how long? Now?

1:20:19.920 --> 1:20:23.800
<v Speaker 1>I did this about three or that's they slow? Who

1:20:23.920 --> 1:20:26.120
<v Speaker 1>knows what it had been? Half a man back then

1:20:26.240 --> 1:20:30.760
<v Speaker 1>was like, but now you think about it. But but

1:20:31.000 --> 1:20:34.040
<v Speaker 1>but just so just so they know they get back

1:20:34.200 --> 1:20:37.240
<v Speaker 1>is real. I also own fort of the Arby's commercial

1:20:38.680 --> 1:20:41.600
<v Speaker 1>to be clear, the recent Arby's commercial when you hit

1:20:41.640 --> 1:20:46.679
<v Speaker 1>that the crazy, when you hit that guitar strong boy,

1:20:49.560 --> 1:20:55.120
<v Speaker 1>like you learn, you live, you live, and you learn

1:20:55.479 --> 1:21:06.040
<v Speaker 1>you living arties, you learn get getting that you learn. Man,

1:21:06.600 --> 1:21:09.640
<v Speaker 1>You've also been the only person that I've seen that

1:21:09.760 --> 1:21:12.160
<v Speaker 1>Bobby Brown was mad at. But then when I went

1:21:13.720 --> 1:21:18.000
<v Speaker 1>why Bobby Brown, and then I understood. But I've never

1:21:18.080 --> 1:21:21.760
<v Speaker 1>seen Buddy Brown mad like another young black brother. But

1:21:21.840 --> 1:21:24.960
<v Speaker 1>then again, like I said, I wouldn't sarch but that

1:21:25.080 --> 1:21:30.439
<v Speaker 1>was yage decision. It was the actually but yeah, I

1:21:30.560 --> 1:21:34.360
<v Speaker 1>wear what him means. Yeah, yeah, yeah, yeah, it's fine,

1:21:34.560 --> 1:21:40.360
<v Speaker 1>but you know, um I was paid for Yeah that

1:21:40.479 --> 1:21:44.400
<v Speaker 1>was like idea, right, yeah, we'll see what it was

1:21:44.560 --> 1:21:49.040
<v Speaker 1>was we had a I had like what what What

1:21:49.160 --> 1:21:52.200
<v Speaker 1>people don't know is this album was really made in

1:21:52.360 --> 1:21:55.880
<v Speaker 1>like real time. And the crazy part about it was

1:21:56.160 --> 1:21:58.920
<v Speaker 1>I had tweeted the day before like, listen, this just

1:21:58.960 --> 1:22:01.560
<v Speaker 1>happened in real time, y'all. I ain't even got this.

1:22:01.640 --> 1:22:04.080
<v Speaker 1>I ain't got that. But listen, even when I get

1:22:04.120 --> 1:22:05.840
<v Speaker 1>my artwork, y'all gonna have it. As soon as I

1:22:05.920 --> 1:22:09.920
<v Speaker 1>get it, I went and made I went made uh

1:22:10.520 --> 1:22:13.120
<v Speaker 1>artwork basically a cover. It was a picture of myself

1:22:14.200 --> 1:22:19.160
<v Speaker 1>and you know, um, like one that morning, it was like, yo,

1:22:19.400 --> 1:22:22.479
<v Speaker 1>I don't think it's strong enough. And um, I was like,

1:22:22.720 --> 1:22:24.320
<v Speaker 1>what you mean you don't think it's strong enough? You're like,

1:22:24.640 --> 1:22:27.800
<v Speaker 1>I just don't. I was like, bro, you picked the photographer,

1:22:28.560 --> 1:22:31.080
<v Speaker 1>you picked, you actually picked all of these pictures. Why

1:22:31.080 --> 1:22:35.040
<v Speaker 1>ain't it strong? He was like, I don't feel like.

1:22:35.160 --> 1:22:37.719
<v Speaker 1>I don't feel like it is. And I got an idea,

1:22:38.880 --> 1:22:41.280
<v Speaker 1>and I think it just speaks to what I feel like.

1:22:41.400 --> 1:22:44.120
<v Speaker 1>This album is on and so forth on Moon and

1:22:44.200 --> 1:22:47.280
<v Speaker 1>I was like okay, boom and so My manager had

1:22:47.320 --> 1:22:49.600
<v Speaker 1>called me back and was like, yo, you know he

1:22:49.640 --> 1:22:51.720
<v Speaker 1>want to change the artwork. Ship costs a lot of

1:22:51.800 --> 1:22:54.840
<v Speaker 1>money by why so I hit him back. I was like, listen,

1:22:55.960 --> 1:22:57.400
<v Speaker 1>I don't want you to pay for that. I don't

1:22:57.400 --> 1:22:58.519
<v Speaker 1>want you to do that. I don't want to pay

1:22:58.560 --> 1:22:59.560
<v Speaker 1>for it. And I don't want you to do it

1:23:00.120 --> 1:23:01.960
<v Speaker 1>like you don't gotta do that. We're good, Like I

1:23:02.040 --> 1:23:07.640
<v Speaker 1>love the music, I'm happy, I'm excited. This is how

1:23:07.680 --> 1:23:14.840
<v Speaker 1>many days before releases? This is like a day everything, right,

1:23:14.920 --> 1:23:17.040
<v Speaker 1>So I'm talking to y'all. So what I'm saying is

1:23:17.200 --> 1:23:20.800
<v Speaker 1>I'm texting it. I'm tweeting the day before. Say yo,

1:23:21.040 --> 1:23:26.320
<v Speaker 1>y'all like boom. He sends it over boom, that's what

1:23:26.439 --> 1:23:29.240
<v Speaker 1>it is, and I'm like, you you see it, you

1:23:29.320 --> 1:23:31.560
<v Speaker 1>know what it is, So no, listen, I don't know

1:23:31.640 --> 1:23:36.360
<v Speaker 1>what it is, but you know, as soon as it

1:23:36.479 --> 1:23:42.040
<v Speaker 1>hits the net, you start hearing them. You start hearing it,

1:23:43.120 --> 1:23:47.800
<v Speaker 1>and it's like yo, So then I gotta do press.

1:23:47.880 --> 1:23:52.320
<v Speaker 1>The next day, I'm doing phoners. If my phoners is

1:23:52.400 --> 1:23:57.360
<v Speaker 1>all yo, how could you? I? I like, it's crazy.

1:23:58.280 --> 1:24:00.960
<v Speaker 1>Then it's TMZ. The it's my mom calling me like yo,

1:24:01.840 --> 1:24:03.720
<v Speaker 1>I see you on what's going on with the thing?

1:24:04.000 --> 1:24:08.479
<v Speaker 1>You know, and you still don't know you like it?

1:24:10.600 --> 1:24:12.320
<v Speaker 1>You know, it's just weird and that's all I know.

1:24:12.479 --> 1:24:20.160
<v Speaker 1>I'm just like, it's what it is with me. I

1:24:20.240 --> 1:24:24.840
<v Speaker 1>was like, you think it's genius up. I mean, you

1:24:24.920 --> 1:24:29.720
<v Speaker 1>know what. But see the way he described it to

1:24:29.760 --> 1:24:31.760
<v Speaker 1>me was he was like, Yo, you know, I feel

1:24:31.800 --> 1:24:35.559
<v Speaker 1>like you talk about the streets in a way that's

1:24:35.600 --> 1:24:38.559
<v Speaker 1>like glamorous at the same time, you know, you speak

1:24:38.560 --> 1:24:40.800
<v Speaker 1>about the pitfalls and so on and so forth. He

1:24:40.920 --> 1:24:44.519
<v Speaker 1>was like, man to me, he was like, this album

1:24:44.560 --> 1:24:48.439
<v Speaker 1>and his picture represents so that just that was our

1:24:48.520 --> 1:24:51.000
<v Speaker 1>minds And it wasn't about anything being disrespectful. It wasn't

1:24:51.040 --> 1:24:55.560
<v Speaker 1>my anything. It was just you know. But but mind you,

1:24:55.680 --> 1:24:57.760
<v Speaker 1>I just for the listeners listening right now, when you're

1:24:57.760 --> 1:25:01.120
<v Speaker 1>saying in real time, just to put it in perspective,

1:25:01.280 --> 1:25:04.479
<v Speaker 1>it's just like when Kanye took the picture of it

1:25:04.720 --> 1:25:07.160
<v Speaker 1>on his iPhone the album cover, that's what you met

1:25:07.479 --> 1:25:09.960
<v Speaker 1>in real time. Like that's how it's happening, how fast

1:25:10.040 --> 1:25:12.880
<v Speaker 1>it's happened. I mean, you know, just so y'all even

1:25:12.960 --> 1:25:19.080
<v Speaker 1>understand the process of this ship, Like um, kids, he

1:25:19.200 --> 1:25:23.000
<v Speaker 1>goes kids, He goes, I'm gonna flight. I'm gonna flight

1:25:23.160 --> 1:25:28.439
<v Speaker 1>to Montreal. He hits me, Yo, I need a verse.

1:25:29.360 --> 1:25:32.000
<v Speaker 1>Can you go to the studio right now? I'm like,

1:25:32.560 --> 1:25:38.400
<v Speaker 1>I can't. This is feeling love. Yes, He's like I can.

1:25:38.439 --> 1:25:40.640
<v Speaker 1>I'm like, hits me back, No, I need you to

1:25:40.720 --> 1:25:45.519
<v Speaker 1>go to the studio. Let's mind you. The album is

1:25:45.560 --> 1:25:52.200
<v Speaker 1>coming out in six seven eight hours. We're gonna keep going.

1:25:54.640 --> 1:25:57.599
<v Speaker 1>But I'm just saying coming down, like six seven hours.

1:25:59.000 --> 1:26:01.920
<v Speaker 1>I'm about to do a show. I'm in Montreal. I

1:26:02.000 --> 1:26:06.280
<v Speaker 1>got a book studio, book studio. Alright, cool, hold listen

1:26:06.280 --> 1:26:12.519
<v Speaker 1>to this niger verse. Nigas you bust down a break Nigga.

1:26:13.439 --> 1:26:16.960
<v Speaker 1>I am not too big con bent to you rappers, Nigga.

1:26:17.800 --> 1:26:20.639
<v Speaker 1>I am more easy you trying your best to becoming nigga.

1:26:21.040 --> 1:26:23.599
<v Speaker 1>She liked the bottles with bubbles in it by her

1:26:23.640 --> 1:26:28.519
<v Speaker 1>Lau and other linen when there's other women were in

1:26:28.640 --> 1:26:38.040
<v Speaker 1>love with winning. That's the new down the details designed

1:26:38.080 --> 1:26:42.639
<v Speaker 1>out easily. They plays alone, hoping that I play a song.

1:26:43.120 --> 1:26:51.000
<v Speaker 1>I love the trams, don't money along. I'm not gonna lie.

1:26:51.120 --> 1:26:53.200
<v Speaker 1>Let me tell you something. Let me tell you something.

1:26:53.560 --> 1:26:56.960
<v Speaker 1>Kickcutty has been a genius right. In fact, he's been

1:26:57.000 --> 1:26:59.600
<v Speaker 1>a person that you know ahead of his time that

1:26:59.760 --> 1:27:04.080
<v Speaker 1>I love. Um. But what Kanye did for him is

1:27:04.320 --> 1:27:07.600
<v Speaker 1>put him in the level with the whole rest of

1:27:07.680 --> 1:27:11.880
<v Speaker 1>the world can see his genius for the first time.

1:27:11.920 --> 1:27:14.400
<v Speaker 1>You're talking about the rollout the rollout. No no, I'm

1:27:14.439 --> 1:27:18.080
<v Speaker 1>just saying that you can actually see kid Cutty's genius now,

1:27:18.240 --> 1:27:20.599
<v Speaker 1>Like you know what I mean? Like this, this reminds

1:27:20.600 --> 1:27:24.680
<v Speaker 1>me of graduation Kanye, and I am I off. What

1:27:25.000 --> 1:27:29.679
<v Speaker 1>does remind your graduation? This the track? No, the whole album.

1:27:30.880 --> 1:27:34.160
<v Speaker 1>Man is this calls listening? I don't know, you know,

1:27:34.439 --> 1:27:37.799
<v Speaker 1>I feel like old Kanye. I miss the old Kanye.

1:27:37.960 --> 1:27:41.439
<v Speaker 1>This is old Kanye. No, no, no, let me tell

1:27:41.479 --> 1:27:43.640
<v Speaker 1>you something. Right now. He is on a he is

1:27:43.680 --> 1:27:46.760
<v Speaker 1>on a production wave. Everybody with him. That's what I think.

1:27:46.840 --> 1:27:48.720
<v Speaker 1>Like I think everything you guys are doing right now,

1:27:50.080 --> 1:27:52.559
<v Speaker 1>he's going on Now's album coming out on Friday for real?

1:27:59.160 --> 1:28:04.320
<v Speaker 1>No way? What that sound like? All right? Yes? Bro,

1:28:05.000 --> 1:28:11.120
<v Speaker 1>just putting on your phone. We will get the pro like, like, um,

1:28:11.560 --> 1:28:13.240
<v Speaker 1>this isn't worth tak a little shot too? I think,

1:28:13.439 --> 1:28:17.320
<v Speaker 1>come on there, because like we are celebrating. I'm taking

1:28:17.760 --> 1:28:21.400
<v Speaker 1>the top of the motherfucking game. I can't mean imanna

1:28:21.400 --> 1:28:24.320
<v Speaker 1>be honest with you. Put what's up? Because you you

1:28:24.560 --> 1:28:29.040
<v Speaker 1>alluded to it earlier. I was a little nervous when

1:28:29.520 --> 1:28:32.240
<v Speaker 1>when when he did come back with that response, so

1:28:32.439 --> 1:28:35.880
<v Speaker 1>fun Drake, Yeah, I gotta go back to So I

1:28:36.080 --> 1:28:37.960
<v Speaker 1>was a little bit nervous. I'm saying, I'm your friend,

1:28:38.320 --> 1:28:40.880
<v Speaker 1>I got, I got, you are my friend, you are

1:28:41.040 --> 1:28:47.240
<v Speaker 1>you are a very good friend like that girl, because

1:28:47.240 --> 1:28:49.920
<v Speaker 1>we're gonna get to that. We should get to that.

1:28:50.000 --> 1:28:51.800
<v Speaker 1>I'm gonna take a shot. I gotta take a pepece too,

1:28:52.160 --> 1:28:56.120
<v Speaker 1>because my vote was very tight. Let me just say something, Vault,

1:28:56.520 --> 1:28:59.040
<v Speaker 1>thank you all for stepping it up. I ain't gonna

1:28:59.040 --> 1:29:02.280
<v Speaker 1>allow to slide. I ain't gonna lie. I came in here,

1:29:02.400 --> 1:29:04.559
<v Speaker 1>I said, they are showing off and push your teeth

1:29:04.600 --> 1:29:10.800
<v Speaker 1>and I'm w it. Yeah, this is the number one

1:29:10.920 --> 1:29:15.160
<v Speaker 1>rapper in the motherfucking universe. He took out the Unicorn

1:29:16.320 --> 1:29:27.120
<v Speaker 1>sot yo man, that was a shot. Kill myself on that.

1:29:27.920 --> 1:29:35.360
<v Speaker 1>So what's up being in this game? Yes? And surviving

1:29:35.439 --> 1:29:39.560
<v Speaker 1>this long? How difficult is that because you're in different genres.

1:29:39.640 --> 1:29:42.879
<v Speaker 1>It's like I remember your first video wasn't your first video, grinding,

1:29:43.320 --> 1:29:46.479
<v Speaker 1>Diane Martel, No, No, that wasn't your first video, but

1:29:47.200 --> 1:29:52.040
<v Speaker 1>the major video two thousand too. So I remember that.

1:29:52.120 --> 1:29:56.040
<v Speaker 1>I remember me actually going to Virginia. Yeah, going to

1:29:56.160 --> 1:30:00.599
<v Speaker 1>Virginia and me seeing yes, yes, pwee curR plan, Yes,

1:30:02.000 --> 1:30:04.240
<v Speaker 1>it was late. I went to the projects too. I

1:30:04.360 --> 1:30:07.960
<v Speaker 1>was like, oh, these niggers got projects, and these nigs

1:30:08.000 --> 1:30:10.400
<v Speaker 1>they got crackheads, they got fee this is the same

1:30:10.479 --> 1:30:12.960
<v Speaker 1>exact thing. But see, I don't think nobody down south guy,

1:30:13.000 --> 1:30:14.800
<v Speaker 1>you know, I'm just saying I was a child back then,

1:30:14.920 --> 1:30:18.400
<v Speaker 1>so in my opinion, New York hood. But that was

1:30:18.720 --> 1:30:21.280
<v Speaker 1>what was happening. I thought everywhere else was kind of

1:30:21.360 --> 1:30:24.080
<v Speaker 1>like nice and pretty, and when I went there, I

1:30:24.160 --> 1:30:26.880
<v Speaker 1>was like, oh, ship, everyone else is actually funked up.

1:30:28.600 --> 1:30:32.240
<v Speaker 1>It's like j Quick said, every everywhere's like like Compton.

1:30:32.439 --> 1:30:35.360
<v Speaker 1>That's what Quick, there you go. But one of the

1:30:35.840 --> 1:30:38.800
<v Speaker 1>aspirations was was going to the grinding video and I'm

1:30:38.840 --> 1:30:43.640
<v Speaker 1>just seeing that you guys just out there and just

1:30:43.760 --> 1:30:46.560
<v Speaker 1>how was that introducing Virginia the other side, because like

1:30:46.680 --> 1:30:48.720
<v Speaker 1>you said, we had mad skills, and mad skills was

1:30:48.800 --> 1:30:52.960
<v Speaker 1>predominantly positive. We had it was a battle rapper. I

1:30:53.000 --> 1:30:55.880
<v Speaker 1>mean battle rapper, but still like you know, it wasn't

1:30:56.240 --> 1:30:59.439
<v Speaker 1>positive rapper, right, but I'm saying it wasn't talking about

1:30:59.520 --> 1:31:02.120
<v Speaker 1>like seeing and you know Hector shoot up from HEROD

1:31:02.360 --> 1:31:08.479
<v Speaker 1>and seeing you know, you know what I mean. You know,

1:31:08.800 --> 1:31:15.120
<v Speaker 1>um Man, Virginia at that time, Virginia at that time

1:31:15.200 --> 1:31:20.200
<v Speaker 1>was so crazy and it was you know, it was

1:31:20.439 --> 1:31:24.640
<v Speaker 1>it was. It was a melting pot for like I

1:31:24.760 --> 1:31:27.880
<v Speaker 1>felt like just for everything, like I felt like, you know,

1:31:28.000 --> 1:31:33.000
<v Speaker 1>Virginia showed me all types of music. Um the New

1:31:33.120 --> 1:31:37.760
<v Speaker 1>York influence was so heavy in Virginia, like super heavy

1:31:37.840 --> 1:31:46.560
<v Speaker 1>at that time. Um you know, I was personally like

1:31:46.720 --> 1:31:50.120
<v Speaker 1>that's what supported us. Like I couldn't get on the

1:31:50.200 --> 1:31:52.559
<v Speaker 1>mix tape. I couldn't get on a Clue tape for nothing.

1:31:52.600 --> 1:31:55.240
<v Speaker 1>And you know I knew Clue. I knew everybody back then,

1:31:55.320 --> 1:31:58.600
<v Speaker 1>you know, through Rob Walker, you know, for it was

1:31:58.800 --> 1:32:01.320
<v Speaker 1>you know, he was, he was hot at that time.

1:32:02.000 --> 1:32:05.599
<v Speaker 1>But we couldn't get on mixtapes. We couldn't get on anything.

1:32:05.680 --> 1:32:11.559
<v Speaker 1>So really all we had was Virginia and that video

1:32:11.680 --> 1:32:15.720
<v Speaker 1>grinding to me, sort of gave it gave Virginia a

1:32:15.800 --> 1:32:20.200
<v Speaker 1>face and a look and a an identity that um

1:32:20.560 --> 1:32:23.679
<v Speaker 1>that the world you know, resonated with. It's so crazy

1:32:23.720 --> 1:32:26.080
<v Speaker 1>because it was some little girls dancing in the video

1:32:26.680 --> 1:32:29.760
<v Speaker 1>and uh, you know, doing like a step type dance

1:32:29.880 --> 1:32:34.439
<v Speaker 1>or whatever, and um and I see these girls, you know,

1:32:34.560 --> 1:32:37.639
<v Speaker 1>I see these girls sixteen years later in the mall

1:32:37.840 --> 1:32:41.040
<v Speaker 1>or something like, Hey, I was in your video. You know,

1:32:41.840 --> 1:32:48.080
<v Speaker 1>just super excited. But um, really, you just saw the

1:32:48.240 --> 1:32:53.200
<v Speaker 1>impact of of having a rap identity for a place,

1:32:53.600 --> 1:32:56.680
<v Speaker 1>a place like Virginia that was like, you know, they hit,

1:32:56.800 --> 1:32:58.760
<v Speaker 1>they hit, you know. I mean that record was a

1:32:58.800 --> 1:33:04.120
<v Speaker 1>big record, classic record, so it was you just saw

1:33:04.160 --> 1:33:07.040
<v Speaker 1>the impact of it and and I appreciate it to

1:33:07.120 --> 1:33:09.280
<v Speaker 1>this day. Like I'm I'm I'm waiting to go back home.

1:33:09.320 --> 1:33:11.439
<v Speaker 1>I want to go back home now. You said platinum

1:33:11.479 --> 1:33:15.439
<v Speaker 1>on the block with assist hits for real? Keep talking

1:33:15.520 --> 1:33:19.360
<v Speaker 1>this music ship. Yeah, I mean it's self explanatory to me.

1:33:20.040 --> 1:33:24.080
<v Speaker 1>But for the people who is not sulf explanatory to you,

1:33:24.280 --> 1:33:28.280
<v Speaker 1>describe you saying you're being on the block for rell

1:33:29.720 --> 1:33:35.240
<v Speaker 1>Less relax, you know. Um, that's just something that was

1:33:35.320 --> 1:33:40.920
<v Speaker 1>a conversation that just always used to be had. Um Man,

1:33:41.000 --> 1:33:42.800
<v Speaker 1>I remember being in the studio I used to go

1:33:42.840 --> 1:33:46.320
<v Speaker 1>to the studio with for Real every single day. Every

1:33:46.439 --> 1:33:48.960
<v Speaker 1>day in the mix of going to the studio, I'll

1:33:49.000 --> 1:33:51.960
<v Speaker 1>be running in and off the studio and he come

1:33:52.000 --> 1:33:53.200
<v Speaker 1>out and be like, no, I want you to hear this,

1:33:53.400 --> 1:33:55.400
<v Speaker 1>and I wouldn't be there then I come back, Man,

1:33:55.439 --> 1:33:59.120
<v Speaker 1>where would you at? He's a vibe guy. He's a vibe,

1:33:59.160 --> 1:34:04.120
<v Speaker 1>he's an energy, he's a he's a he's an interpreter.

1:34:04.960 --> 1:34:08.680
<v Speaker 1>Mm hmm. You know, he's a ill hook writer, but

1:34:08.880 --> 1:34:13.680
<v Speaker 1>he will interpret your life in that hook into music. Right,

1:34:14.439 --> 1:34:17.960
<v Speaker 1>So when you're not there, when you're not there, you know,

1:34:18.360 --> 1:34:22.240
<v Speaker 1>you know physically, and he can't feel nothing from you.

1:34:23.720 --> 1:34:27.080
<v Speaker 1>You're sucking up the record. I'm you know, I'm running

1:34:27.080 --> 1:34:29.200
<v Speaker 1>in and out. I'm you know, going to make a

1:34:29.240 --> 1:34:35.840
<v Speaker 1>whip work and what I'm saying and you know that

1:34:36.080 --> 1:34:38.200
<v Speaker 1>that was just my energy. Platinum on a block with

1:34:38.320 --> 1:34:42.120
<v Speaker 1>consistent hits. For real, keep talking. His music ship was

1:34:42.520 --> 1:34:46.320
<v Speaker 1>that like you didn't want you didn't believe in music? Well,

1:34:46.360 --> 1:34:49.720
<v Speaker 1>I didn't. To be honest with you, I didn't and

1:34:49.840 --> 1:34:55.639
<v Speaker 1>I didn't. And it's weird. Now this videos that's going

1:34:55.680 --> 1:35:01.800
<v Speaker 1>to like that line that said it's weird it's it's

1:35:01.880 --> 1:35:06.160
<v Speaker 1>weird because you know, my life told you my brother

1:35:06.200 --> 1:35:11.080
<v Speaker 1>is five years older than me. When rap hit, Yes, yes,

1:35:11.720 --> 1:35:14.240
<v Speaker 1>Malice is five years older than that's not my twin

1:35:15.760 --> 1:35:19.960
<v Speaker 1>twin my brother, my older brother do everything you say.

1:35:22.720 --> 1:35:28.240
<v Speaker 1>So Like I remember being young and you know, rap hit.

1:35:28.320 --> 1:35:32.960
<v Speaker 1>My first first album utfo Rock saying sister worked in

1:35:33.000 --> 1:35:37.040
<v Speaker 1>the record store. You know, he used to write raps.

1:35:37.560 --> 1:35:39.519
<v Speaker 1>I didn't. I never, I didn't write raps. I was

1:35:39.840 --> 1:35:42.760
<v Speaker 1>what's that? What are you doing? Dummy? You know need

1:35:42.920 --> 1:35:44.679
<v Speaker 1>pay me no attention. I rip up the rap book.

1:35:45.000 --> 1:35:52.439
<v Speaker 1>You come fight, you know, But I mean, you know,

1:35:52.760 --> 1:35:56.080
<v Speaker 1>just awesome younger brother ship. That's just what I was into.

1:35:56.240 --> 1:35:58.559
<v Speaker 1>That's what I did then, that's what he was into.

1:36:00.280 --> 1:36:04.559
<v Speaker 1>By the time by the time I got into late

1:36:05.040 --> 1:36:10.200
<v Speaker 1>middle school, junior high into high school, man, I was

1:36:10.320 --> 1:36:14.599
<v Speaker 1>ashamed to tell people that I started rapping. That won't

1:36:14.840 --> 1:36:17.200
<v Speaker 1>That was not the way to go. Like, you don't

1:36:17.200 --> 1:36:22.240
<v Speaker 1>tell nobody what you mean wrapping, rapping? What you mean

1:36:23.080 --> 1:36:27.679
<v Speaker 1>you're rapping anybody? Yeah, he get this motherfucking money period,

1:36:29.200 --> 1:36:33.439
<v Speaker 1>Like that's the type of time they were on rap

1:36:33.640 --> 1:36:36.080
<v Speaker 1>one wasn't really you know, and it's still it's Virginia.

1:36:38.040 --> 1:36:41.960
<v Speaker 1>We still looked at we looked at Teddy as, yeah,

1:36:42.120 --> 1:36:44.280
<v Speaker 1>you came from Halem. Yeah you know you came from

1:36:44.280 --> 1:36:47.640
<v Speaker 1>the big city a Virginia board. Yeah for sure. But

1:36:49.160 --> 1:36:51.639
<v Speaker 1>it's still like it still wasn't it wasn't our reach.

1:36:52.439 --> 1:36:54.760
<v Speaker 1>You know what I'm saying for real is who gave me?

1:36:55.880 --> 1:36:59.320
<v Speaker 1>No bro, like this really happens, Like how how do

1:36:59.439 --> 1:37:03.519
<v Speaker 1>y'all link? So he said, the little a mile away?

1:37:03.560 --> 1:37:09.160
<v Speaker 1>You know, how do ya? Um? Because we were we

1:37:09.240 --> 1:37:11.200
<v Speaker 1>had we had we had to meet your friend. We

1:37:11.280 --> 1:37:13.679
<v Speaker 1>had to meet your friend my my actual best friend,

1:37:14.240 --> 1:37:18.080
<v Speaker 1>and he um, he was interested in her and I

1:37:18.280 --> 1:37:21.400
<v Speaker 1>was interested. Yeah. And then when when he used to

1:37:21.439 --> 1:37:22.840
<v Speaker 1>be with all the time, so he would ask me,

1:37:22.920 --> 1:37:25.599
<v Speaker 1>he asked me like, yo, you know you're dating or whatever.

1:37:25.640 --> 1:37:27.000
<v Speaker 1>And I was like no, I like this's my home

1:37:27.040 --> 1:37:30.599
<v Speaker 1>girl or whatever. And then when when they clicked up whatever,

1:37:30.720 --> 1:37:33.760
<v Speaker 1>then he found out who my brother was. At this time,

1:37:33.800 --> 1:37:42.200
<v Speaker 1>I'm not rhyming. They would all go to him Timberland,

1:37:42.600 --> 1:37:45.439
<v Speaker 1>for real, all of them up down the beach. Rymy.

1:37:45.479 --> 1:37:47.679
<v Speaker 1>They would go to the ocean front and wrap every weekend.

1:37:48.160 --> 1:37:52.640
<v Speaker 1>When he just doesn't that's already a thing local, not

1:37:52.840 --> 1:37:56.479
<v Speaker 1>getting popping. But it's a movement, it's a thing. And

1:37:56.520 --> 1:38:04.400
<v Speaker 1>when did you hear the room for real actually writing shaker? Um? No,

1:38:04.600 --> 1:38:08.800
<v Speaker 1>that was I know. I'm saying it started as a rumor.

1:38:08.840 --> 1:38:14.800
<v Speaker 1>Then people found what I mean you know, uh I

1:38:14.920 --> 1:38:17.880
<v Speaker 1>was there for that, you know, like yeah, yeah, no,

1:38:18.000 --> 1:38:21.880
<v Speaker 1>it was early like scooters and bites like this ain't

1:38:21.880 --> 1:38:26.320
<v Speaker 1>even cards level. This is like it's kids ship and

1:38:26.400 --> 1:38:30.160
<v Speaker 1>you tell Riley asked for real, I'm they're getting ran

1:38:30.280 --> 1:38:33.400
<v Speaker 1>off of the premises of future records, like why are

1:38:33.439 --> 1:38:37.479
<v Speaker 1>we going? Why I'll come back over here. I guess

1:38:37.600 --> 1:38:40.640
<v Speaker 1>this is way earlier. But you knew for Rell had

1:38:40.680 --> 1:38:43.479
<v Speaker 1>the ability to do that because Telly Rowley is like,

1:38:43.880 --> 1:38:46.600
<v Speaker 1>tell he's a big deal at that time, he's a

1:38:46.640 --> 1:38:51.560
<v Speaker 1>big deal now he's still thank you, thank you for

1:38:51.920 --> 1:38:55.160
<v Speaker 1>we can't forget. But what I'm saying is, but for real,

1:38:56.280 --> 1:38:59.479
<v Speaker 1>is he approached to do this job or no, no, no,

1:38:59.600 --> 1:39:01.599
<v Speaker 1>they had a um they had a talent show. Okay,

1:39:01.640 --> 1:39:03.840
<v Speaker 1>they had a talent show and Teddy seemed that seen

1:39:03.960 --> 1:39:07.519
<v Speaker 1>the greatness in him. Oh wow. And then that's when

1:39:07.560 --> 1:39:10.280
<v Speaker 1>we got to start walking into walking into the studio

1:39:10.360 --> 1:39:13.200
<v Speaker 1>instead of just sitting outside and seafood running us away.

1:39:13.240 --> 1:39:21.519
<v Speaker 1>Y'all know seafood. We don't see her, y'all see y'allod

1:39:23.680 --> 1:39:29.439
<v Speaker 1>saying yeah, yeah, I'm sure that's right there. I'm just

1:39:29.479 --> 1:39:31.800
<v Speaker 1>saying that the ship right there, that's not your shot.

1:39:32.120 --> 1:39:35.120
<v Speaker 1>I'm just saying this the people I've been having to

1:39:35.160 --> 1:39:38.000
<v Speaker 1>piece so long, but that was so much for him.

1:39:39.120 --> 1:39:40.800
<v Speaker 1>How let me do this? Because we vote? You got up,

1:39:42.920 --> 1:39:47.080
<v Speaker 1>shout out vote vote. They said we gotta push your teeth,

1:39:47.120 --> 1:39:50.559
<v Speaker 1>and they were. We got eighteen cameras pus your sun right,

1:39:50.600 --> 1:39:54.120
<v Speaker 1>we got, we got, we got good ship happening. I'm sorry,

1:39:54.160 --> 1:40:05.360
<v Speaker 1>I'm sorry I should I got a question. Se push

1:40:05.400 --> 1:40:10.040
<v Speaker 1>it when y'all Okay, when the clips, yes, who made

1:40:10.120 --> 1:40:13.840
<v Speaker 1>up to the name the clips, Um, we actually were

1:40:13.920 --> 1:40:20.080
<v Speaker 1>fully clips clips, fully clips right clus to planting them. Well,

1:40:20.200 --> 1:40:23.960
<v Speaker 1>because plant of them had full up clips. We said

1:40:24.400 --> 1:40:28.400
<v Speaker 1>we're gonna pass on that because yeah, they definitely reversed.

1:40:29.600 --> 1:40:34.120
<v Speaker 1>Um definitely definitely didn't want to uh didn't want to

1:40:34.160 --> 1:40:36.519
<v Speaker 1>step on any toes with that, and it was just

1:40:36.600 --> 1:40:39.600
<v Speaker 1>too close. So when the grinding beat came up, I

1:40:39.720 --> 1:40:41.720
<v Speaker 1>know you guys thought that it was a crazy ass

1:40:41.760 --> 1:40:44.880
<v Speaker 1>peat because I'm a DJ I get to I got

1:40:44.960 --> 1:40:48.920
<v Speaker 1>to joint. Yeah, we dj. The reason why the record

1:40:48.960 --> 1:40:52.880
<v Speaker 1>I think went because it was so different. Yeah, but

1:40:52.960 --> 1:40:54.760
<v Speaker 1>as a DJ, I'm gonna tell you right now, the

1:40:54.840 --> 1:40:57.519
<v Speaker 1>way the beat came in it was always off beat. Yeah.

1:40:58.120 --> 1:41:00.840
<v Speaker 1>So we hated it. We hated and love the record

1:41:01.160 --> 1:41:06.200
<v Speaker 1>at the same time. Listen, you can't cook. Damn. That

1:41:06.320 --> 1:41:15.720
<v Speaker 1>was the fastest piss ever christ that already downloaded it

1:41:17.560 --> 1:41:22.200
<v Speaker 1>when they remember when when that record was played with

1:41:22.320 --> 1:41:33.720
<v Speaker 1>y'all think, I'm sorry, yo, um No, you know the

1:41:34.479 --> 1:41:39.880
<v Speaker 1>actual the actual record grinding. Um man, that record I was.

1:41:40.080 --> 1:41:42.360
<v Speaker 1>I wasn't at the studio for l was at the

1:41:42.360 --> 1:41:46.840
<v Speaker 1>studio alone. He called me and said, Hey, if you

1:41:46.960 --> 1:41:49.320
<v Speaker 1>do not get here, I'm going to give this record

1:41:49.360 --> 1:41:52.920
<v Speaker 1>to jay Z and you better be here in fifteen minutes,

1:41:52.960 --> 1:41:56.320
<v Speaker 1>I swear to God. And that scared Yeah, because I

1:41:56.360 --> 1:42:01.320
<v Speaker 1>don't like the thing about it is I'm very territorial.

1:42:01.960 --> 1:42:05.720
<v Speaker 1>I hated it. Norri got nothing. I hated it like

1:42:05.840 --> 1:42:14.080
<v Speaker 1>I'm very angry, got nothing, nothing, I don't know. Yeah,

1:42:14.479 --> 1:42:17.000
<v Speaker 1>I love with super though, like that was Nori. I

1:42:17.120 --> 1:42:19.880
<v Speaker 1>got that things that I couldn't think that I could do.

1:42:20.640 --> 1:42:23.600
<v Speaker 1>I didn't want him to have to be honest with you,

1:42:23.880 --> 1:42:32.120
<v Speaker 1>be honest. I think I had grind, so but grinding

1:42:32.200 --> 1:42:33.840
<v Speaker 1>is such an awkward record. I just want to know.

1:42:34.280 --> 1:42:36.120
<v Speaker 1>So he was like yo, he was like yo, get

1:42:36.160 --> 1:42:37.680
<v Speaker 1>here now. He was like, and if you don't do it,

1:42:37.720 --> 1:42:40.920
<v Speaker 1>I'm gonna give it the whole. And I couldn't live

1:42:41.000 --> 1:42:45.960
<v Speaker 1>with Whove having something that, you know that I thought

1:42:46.120 --> 1:42:50.519
<v Speaker 1>that should have been for us. Um. Needless to say,

1:42:50.560 --> 1:42:53.760
<v Speaker 1>I got over there and I was like, oh, like,

1:42:53.840 --> 1:42:56.120
<v Speaker 1>this is crack, and he was like, no, listen, I'm

1:42:56.160 --> 1:42:59.280
<v Speaker 1>telling you this is special. And he knew it was special,

1:42:59.640 --> 1:43:01.599
<v Speaker 1>but he knew what he knew it's special. If bat

1:43:02.600 --> 1:43:05.439
<v Speaker 1>that's probably the only record that I wrote three times.

1:43:06.960 --> 1:43:10.000
<v Speaker 1>I don't write records three times, like i'd be you know, damn,

1:43:10.040 --> 1:43:14.439
<v Speaker 1>that's not it. Damn, that's not it. M h okay,

1:43:14.760 --> 1:43:20.080
<v Speaker 1>that's it, you know. But but um, and then when

1:43:20.160 --> 1:43:24.320
<v Speaker 1>we we we did it. And at this time, mind you,

1:43:24.439 --> 1:43:28.040
<v Speaker 1>Farrell is like lit. He's lit, you know, hook wise,

1:43:28.120 --> 1:43:30.439
<v Speaker 1>he he's singing on every hook. Okay, boom, he's not

1:43:30.479 --> 1:43:36.360
<v Speaker 1>singing on this hook. And I'm like, I'm I'm like,

1:43:36.439 --> 1:43:38.479
<v Speaker 1>I'm like, yo, you're not gonna like he was like, yo,

1:43:38.600 --> 1:43:41.240
<v Speaker 1>it ain't no, it ain't that he I'm telling you

1:43:41.360 --> 1:43:44.479
<v Speaker 1>you got the most special ship. And then like he

1:43:44.600 --> 1:43:49.000
<v Speaker 1>just gave me his whole theory. Like man, y'all, y'all

1:43:49.080 --> 1:43:52.880
<v Speaker 1>of my group, and you know, she hustled FaceTime and

1:43:52.960 --> 1:43:56.160
<v Speaker 1>hold on, hold on, hold on. This is this is

1:43:56.160 --> 1:44:20.120
<v Speaker 1>a special moment. She hustle FaceTime, dream chancell what's up? Okay, okay,

1:44:22.360 --> 1:44:26.320
<v Speaker 1>you listen. You know I know you know, I know. Yes, sir,

1:44:34.000 --> 1:44:37.760
<v Speaker 1>hey Man, love you, bro, Thank you appreciate that. Yes, sir,

1:44:40.360 --> 1:44:48.960
<v Speaker 1>you appreciate that. Bro, hey Man, Hello, all love my brother,

1:44:49.120 --> 1:44:54.519
<v Speaker 1>got your mat Sushi finished? Alright, peeks, peaks, n makes more.

1:44:56.840 --> 1:44:58.599
<v Speaker 1>I ain't gonna last ye. I had a whole surprise.

1:44:58.680 --> 1:45:00.960
<v Speaker 1>I had Jada kiss, I have off Daddy, and I

1:45:01.080 --> 1:45:04.920
<v Speaker 1>totally forgot. I didn't answer none of them like I

1:45:05.000 --> 1:45:06.840
<v Speaker 1>was supposed to, supposed to old call in. But I

1:45:06.960 --> 1:45:09.680
<v Speaker 1>was just saying so much into this conversation. I'm just like,

1:45:10.080 --> 1:45:12.840
<v Speaker 1>we didn't really need anything extra to to add on

1:45:12.920 --> 1:45:15.920
<v Speaker 1>to this because because because that but that's what drink

1:45:16.000 --> 1:45:18.640
<v Speaker 1>champions see push. I'm gonna just be honest with you.

1:45:19.200 --> 1:45:21.639
<v Speaker 1>After people have ten years in this game, people write

1:45:21.680 --> 1:45:24.479
<v Speaker 1>them off, and people say that they're washed up. People

1:45:24.520 --> 1:45:26.640
<v Speaker 1>say that it's over for them, and people say that

1:45:26.720 --> 1:45:29.560
<v Speaker 1>that they can no longer producing and do what they do.

1:45:30.040 --> 1:45:31.439
<v Speaker 1>So that's not that's what we want to do. We

1:45:31.479 --> 1:45:34.000
<v Speaker 1>wanted we wanted to have a platform where it's the

1:45:34.040 --> 1:45:36.599
<v Speaker 1>exact opposite. You know what I'm saying. We're old niggas

1:45:36.640 --> 1:45:39.400
<v Speaker 1>like me who forty years old. Put here, put that

1:45:39.479 --> 1:45:45.960
<v Speaker 1>spray some jaffncy and in the air. Yeah, you need

1:45:46.680 --> 1:45:49.120
<v Speaker 1>not you know I'm saying, when you can say you're listening,

1:45:49.439 --> 1:45:51.479
<v Speaker 1>If you got ten years or more, this is when

1:45:51.560 --> 1:45:54.800
<v Speaker 1>you come and you'll be celebrated, not when you tolerated,

1:45:54.880 --> 1:45:57.800
<v Speaker 1>you celebrated. Where is the place that these brothers have

1:45:57.920 --> 1:46:00.680
<v Speaker 1>ten years or more that that thelebrat of that. No,

1:46:01.280 --> 1:46:03.639
<v Speaker 1>they put you in the washed up category. They tell

1:46:03.640 --> 1:46:05.800
<v Speaker 1>you that it's over for you. And I wanted to.

1:46:05.880 --> 1:46:08.559
<v Speaker 1>I wanted to break that barrier because I'm a hustler

1:46:08.600 --> 1:46:12.560
<v Speaker 1>of all sorts. Yes, I've hustled. I've sold water to

1:46:12.680 --> 1:46:15.000
<v Speaker 1>what else? Yes, you know what I mean, I've sold

1:46:15.400 --> 1:46:24.679
<v Speaker 1>you know to people who sell Yeah, So I wanted

1:46:24.720 --> 1:46:27.600
<v Speaker 1>to motherfuck make sure that we have a platform for

1:46:27.680 --> 1:46:31.759
<v Speaker 1>people who's been here, whose season? But also understand the game,

1:46:32.040 --> 1:46:34.120
<v Speaker 1>because here's a lot of us who have these same

1:46:34.240 --> 1:46:36.719
<v Speaker 1>years that me and you have, but they don't understand

1:46:36.760 --> 1:46:39.959
<v Speaker 1>the new generation. They don't want to understand the new generation.

1:46:40.160 --> 1:46:41.760
<v Speaker 1>They don't even want to go to the clubs and

1:46:41.880 --> 1:46:47.240
<v Speaker 1>box to it. I tell you, that's that's like I

1:46:47.360 --> 1:46:50.360
<v Speaker 1>felt like, that's that's my calling in music right now.

1:46:51.280 --> 1:46:55.120
<v Speaker 1>I feel like, um, you know, becoming a president of

1:46:55.200 --> 1:46:57.800
<v Speaker 1>good music, man, you have to sort of be able

1:46:57.840 --> 1:47:01.800
<v Speaker 1>to identify with what's going on. I was side, Um,

1:47:02.760 --> 1:47:05.120
<v Speaker 1>when I think about everybody, when I think about everybody,

1:47:05.200 --> 1:47:11.720
<v Speaker 1>who's first week, I'm gonna be honest, look at me.

1:47:12.439 --> 1:47:16.559
<v Speaker 1>He did just think when when I when I when

1:47:16.560 --> 1:47:18.479
<v Speaker 1>I think about when I think about all the greats

1:47:18.560 --> 1:47:21.120
<v Speaker 1>and everybody that I loved the music and I loved

1:47:21.160 --> 1:47:24.200
<v Speaker 1>and hip hop. You know I'm talking about from the

1:47:24.280 --> 1:47:30.200
<v Speaker 1>Golden Area. I'm listening. I feel like their windows were

1:47:30.280 --> 1:47:36.439
<v Speaker 1>so short because they didn't embrace what was next. They

1:47:36.560 --> 1:47:40.000
<v Speaker 1>didn't do that. And and I'm talking about that mind you.

1:47:40.320 --> 1:47:45.120
<v Speaker 1>I think that these guys are like, go god level

1:47:46.200 --> 1:47:51.000
<v Speaker 1>m c's. But the one flaw that they had was

1:47:51.160 --> 1:47:56.280
<v Speaker 1>they didn't say, hey, boom. They didn't identify. And I'm

1:47:56.320 --> 1:47:59.160
<v Speaker 1>not saying that you gotta. We ain't chasing trends. I'm

1:47:59.200 --> 1:48:02.680
<v Speaker 1>not chasing no ends. But it's sort of like with

1:48:02.840 --> 1:48:05.479
<v Speaker 1>anything else. Man, if you get into the environment of it,

1:48:05.600 --> 1:48:08.880
<v Speaker 1>you gotta be able to appreciate. You gotta be able

1:48:08.880 --> 1:48:12.360
<v Speaker 1>to appreciate, like the energy that that you're feeling when

1:48:12.360 --> 1:48:15.160
<v Speaker 1>you're in that mix. You have to like, Man, I

1:48:15.280 --> 1:48:17.559
<v Speaker 1>just sit home in Virginia, watch your on TV raps

1:48:18.040 --> 1:48:20.960
<v Speaker 1>or watch Rap City and be pissed or the box.

1:48:21.040 --> 1:48:22.960
<v Speaker 1>I see you, listen, let me tell you something. I

1:48:23.080 --> 1:48:25.680
<v Speaker 1>see you say that story, right, And I'm gonna give

1:48:25.680 --> 1:48:29.000
<v Speaker 1>you an example. I'm an offset your example was. It

1:48:29.120 --> 1:48:32.200
<v Speaker 1>was the same thing when I when people seeing Players Club,

1:48:33.080 --> 1:48:35.800
<v Speaker 1>people seeing Players Club in New York at the time,

1:48:36.960 --> 1:48:41.479
<v Speaker 1>you don't go those strip clubs, right, So so Players

1:48:41.560 --> 1:48:45.560
<v Speaker 1>Club to people in New York made no sense. But

1:48:45.840 --> 1:48:48.560
<v Speaker 1>for a person that went and traveled, I was like,

1:48:48.680 --> 1:48:52.760
<v Speaker 1>Players Club is the fucking if. People in my hood

1:48:52.880 --> 1:48:55.560
<v Speaker 1>was like, what, like, we don't we don't spend on

1:48:55.640 --> 1:48:57.840
<v Speaker 1>money in the strip clubs. That That's how it was

1:48:57.920 --> 1:48:59.280
<v Speaker 1>back then, you know what I mean, That's how I

1:48:59.400 --> 1:49:01.160
<v Speaker 1>used to look it. That's how I used to look

1:49:01.200 --> 1:49:04.839
<v Speaker 1>at the Bay for music. I used to be pissed,

1:49:05.080 --> 1:49:06.960
<v Speaker 1>how shouldn't come on they do a whole little run.

1:49:07.280 --> 1:49:08.760
<v Speaker 1>I'd be like, yeah, I'm not trying to see none

1:49:08.760 --> 1:49:11.080
<v Speaker 1>of this ship until I got in the rap game,

1:49:11.160 --> 1:49:15.519
<v Speaker 1>getting a rap game, go to the Bay, and you realize, like,

1:49:15.760 --> 1:49:17.639
<v Speaker 1>this is a whole culture, and this is a thing,

1:49:17.800 --> 1:49:21.080
<v Speaker 1>and and before you know what, you're making the face

1:49:21.200 --> 1:49:24.080
<v Speaker 1>and popping your colle and you you're having the greatest

1:49:24.120 --> 1:49:26.880
<v Speaker 1>time in your life. That's how I look at the

1:49:27.000 --> 1:49:30.240
<v Speaker 1>rap game. You're like, man, if you can get in

1:49:30.320 --> 1:49:32.160
<v Speaker 1>the mix of it, when you you know, if you're

1:49:32.160 --> 1:49:35.080
<v Speaker 1>still going outside, if you're still outside and you're still

1:49:35.160 --> 1:49:36.960
<v Speaker 1>in the mix of it, and you're in the mix

1:49:37.040 --> 1:49:40.040
<v Speaker 1>of the energy of whatever this culture is trapped music,

1:49:40.600 --> 1:49:45.120
<v Speaker 1>you know, Southern, whatever the case may be. It's hard

1:49:45.479 --> 1:49:47.439
<v Speaker 1>not to like it when you can see, when you

1:49:47.520 --> 1:49:50.920
<v Speaker 1>see how people appreciate it. It's hard. Now. I'm not

1:49:51.000 --> 1:49:53.840
<v Speaker 1>saying it's gonna be your number one go to. You

1:49:53.880 --> 1:49:55.600
<v Speaker 1>may look at it, you may look at it for

1:49:55.720 --> 1:49:59.760
<v Speaker 1>something else. You know, it's fun as energy. You know,

1:49:59.800 --> 1:50:02.160
<v Speaker 1>when I'm trying to be barred up, I'm not going

1:50:02.240 --> 1:50:05.639
<v Speaker 1>to that. When I'm trying to have a great time parties,

1:50:05.680 --> 1:50:08.240
<v Speaker 1>see the energy of people, I'm definitely going to that.

1:50:09.320 --> 1:50:12.400
<v Speaker 1>You know, you just gotta be able to like differentiate.

1:50:12.479 --> 1:50:16.640
<v Speaker 1>And I felt like all of a lot of the

1:50:17.360 --> 1:50:22.439
<v Speaker 1>people who did not embrace that way, who were like

1:50:23.160 --> 1:50:27.519
<v Speaker 1>supreme lyricists to me, that's why we can only talk

1:50:27.640 --> 1:50:32.519
<v Speaker 1>about them for five four or five three to five years.

1:50:33.120 --> 1:50:35.680
<v Speaker 1>And that's true. It's just like when I see, you know,

1:50:37.200 --> 1:50:40.120
<v Speaker 1>when I see the females dancing get done, I said,

1:50:40.120 --> 1:50:43.800
<v Speaker 1>this is nice. How can you know? And you know,

1:50:43.840 --> 1:50:46.439
<v Speaker 1>I don't listen, I don't know a word, but you know,

1:50:46.640 --> 1:50:51.200
<v Speaker 1>I'm going when like, you gotta like that, you gotta

1:50:51.320 --> 1:50:55.000
<v Speaker 1>like that. Gota like that. I just keeping the man

1:50:55.479 --> 1:50:56.840
<v Speaker 1>I don't have You don't have to know the words,

1:50:56.880 --> 1:50:58.320
<v Speaker 1>and you don't have to you don't have to know nothing.

1:50:58.400 --> 1:51:01.919
<v Speaker 1>Music is universe. That's the one thing that's totally universal

1:51:01.960 --> 1:51:04.519
<v Speaker 1>to me, as food and music. I mean, one time

1:51:04.560 --> 1:51:06.760
<v Speaker 1>I was stuck in Russia. I tell the story all

1:51:06.800 --> 1:51:08.760
<v Speaker 1>the time I was stuck in Russia and the guy,

1:51:08.880 --> 1:51:11.040
<v Speaker 1>now when I was this is another time. I remember

1:51:11.160 --> 1:51:13.040
<v Speaker 1>that time we went in Russia. They had the actually

1:51:14.120 --> 1:51:20.479
<v Speaker 1>in Russia. We almost died. We almost died. They said,

1:51:20.560 --> 1:51:23.200
<v Speaker 1>Russians against racism. If you were in a place where

1:51:23.200 --> 1:51:26.160
<v Speaker 1>they gotta say they against racism, brother, you don't really

1:51:26.240 --> 1:51:29.920
<v Speaker 1>belong brother. So but this is another time. I'm in

1:51:30.040 --> 1:51:32.640
<v Speaker 1>there and I'm in the first class lounge and this

1:51:32.800 --> 1:51:36.200
<v Speaker 1>guy you could tell he's not racist. This is maybe

1:51:36.240 --> 1:51:38.760
<v Speaker 1>it's experience after you, so you can tell those guys

1:51:38.760 --> 1:51:41.759
<v Speaker 1>all babies before you tell those guys not racist. Because

1:51:42.000 --> 1:51:44.840
<v Speaker 1>he's just identified me and he's looking he's like, he's

1:51:44.880 --> 1:51:48.080
<v Speaker 1>pointing at this food, like this ship is trash. I'm

1:51:48.160 --> 1:51:50.639
<v Speaker 1>Russian and this is trash. So I'm like, I don't

1:51:50.680 --> 1:51:53.479
<v Speaker 1>try that, but I'm like this, but he's like, and

1:51:53.520 --> 1:51:55.080
<v Speaker 1>I'm talking about we went through a hole like this

1:51:55.160 --> 1:51:57.240
<v Speaker 1>is an hour and you don't know why. I m.

1:51:57.280 --> 1:51:59.479
<v Speaker 1>I don't know who he is. And then that was

1:51:59.560 --> 1:52:02.479
<v Speaker 1>food we bonded through. They know all they figured out.

1:52:02.560 --> 1:52:05.120
<v Speaker 1>They said, oh ship, someone body told him. But you

1:52:05.200 --> 1:52:11.559
<v Speaker 1>know it's just food and music, you know, a god

1:52:13.360 --> 1:52:16.200
<v Speaker 1>breast in peace. Man. Yeah, man, that that that struck me.

1:52:16.360 --> 1:52:23.160
<v Speaker 1>Especially the suicide thing is because um, check out your friends, man,

1:52:23.560 --> 1:52:28.439
<v Speaker 1>yeah man, you know, um, yeah, that's kind of it's

1:52:28.520 --> 1:52:31.400
<v Speaker 1>kind of weird when you see like I look at

1:52:31.479 --> 1:52:34.959
<v Speaker 1>him as if almost he had everything, Yeah, everything everybody?

1:52:36.479 --> 1:52:42.439
<v Speaker 1>So why and what did he hung himself? You know,

1:52:44.200 --> 1:52:46.360
<v Speaker 1>it's good that you're talking about this, and I'm gonna

1:52:46.360 --> 1:52:50.559
<v Speaker 1>go ahead and admit something now, like I'm just now

1:52:51.000 --> 1:52:58.960
<v Speaker 1>understanding like, uh, mental health issues because of your brother. Yeah, okay,

1:52:59.280 --> 1:53:02.599
<v Speaker 1>because you're you know, because him and any suicide things

1:53:02.640 --> 1:53:05.000
<v Speaker 1>and things like that. But I'm just to be honest

1:53:05.080 --> 1:53:09.960
<v Speaker 1>with you, like, uh, I didn't know that there was

1:53:10.120 --> 1:53:13.680
<v Speaker 1>like a real thing. I didn't know. You know, I'm

1:53:13.760 --> 1:53:16.519
<v Speaker 1>raised in a super like I'm raised in a super

1:53:16.840 --> 1:53:22.800
<v Speaker 1>super black household, religious black religious, black religious black and

1:53:23.000 --> 1:53:29.840
<v Speaker 1>just black Jesus everything that was black. But yo, and

1:53:31.360 --> 1:53:39.360
<v Speaker 1>and you know, we use crazy so loosely. You know

1:53:39.400 --> 1:53:42.559
<v Speaker 1>what I'm saying. Um, we we used when the person

1:53:42.600 --> 1:53:46.360
<v Speaker 1>don't have nothing. So when a person accused the person

1:53:46.400 --> 1:53:49.040
<v Speaker 1>of saying they're crazy and they have the world, yeah,

1:53:49.360 --> 1:53:52.519
<v Speaker 1>that's like totally different. We don't even we don't even

1:53:53.080 --> 1:53:59.519
<v Speaker 1>it didn't even resonate for they went no one, no

1:53:59.680 --> 1:54:02.439
<v Speaker 1>one actually no one to actually believe that, to tell

1:54:02.479 --> 1:54:04.720
<v Speaker 1>you the truth. To listen, But what I'm saying is

1:54:05.880 --> 1:54:09.120
<v Speaker 1>you know understand that a lot of a lot of

1:54:09.280 --> 1:54:12.200
<v Speaker 1>us are raised that way, like you know, and you

1:54:12.280 --> 1:54:14.000
<v Speaker 1>got to think about it, like and just think about

1:54:14.000 --> 1:54:17.720
<v Speaker 1>our generation. Like, man, you know, I really knew my

1:54:17.920 --> 1:54:21.360
<v Speaker 1>great grandmother who was like a real slave and like

1:54:21.560 --> 1:54:25.040
<v Speaker 1>can tell me, like you know, can tell me like wow,

1:54:25.240 --> 1:54:30.120
<v Speaker 1>stories lived to I don't even know how old she is.

1:54:31.280 --> 1:54:33.600
<v Speaker 1>I don't know how old she was because she was

1:54:33.640 --> 1:54:36.440
<v Speaker 1>a hundred and six for three years in my mind,

1:54:36.880 --> 1:54:39.960
<v Speaker 1>you know. Like, but what I'm saying is I'm saying

1:54:39.960 --> 1:54:44.280
<v Speaker 1>that to say I was raised like that because uh,

1:54:45.720 --> 1:54:48.840
<v Speaker 1>they went through it all, so you know, crazy mental

1:54:48.880 --> 1:54:54.120
<v Speaker 1>health it's like they see as ever so it's like,

1:54:54.560 --> 1:54:57.640
<v Speaker 1>you know, I wasn't really when it came to mental health.

1:54:57.720 --> 1:55:01.640
<v Speaker 1>I was just like I don't know what that's about.

1:55:01.680 --> 1:55:03.560
<v Speaker 1>And I definitely don't know what that's about for people

1:55:03.640 --> 1:55:07.840
<v Speaker 1>who have, you know, wh who actually have like you know,

1:55:07.920 --> 1:55:10.520
<v Speaker 1>what we think the things of life like money and

1:55:10.680 --> 1:55:15.480
<v Speaker 1>things like that. Um, I'm just getting like hips to

1:55:15.680 --> 1:55:22.080
<v Speaker 1>like things meltdown, Like what did you what did you

1:55:22.160 --> 1:55:23.760
<v Speaker 1>feel like when you heard that? Like what do you

1:55:23.840 --> 1:55:26.440
<v Speaker 1>mean Kanye? It was like, say Kanye had a meltdown,

1:55:27.280 --> 1:55:30.720
<v Speaker 1>and um, you don't know him for that. You know

1:55:30.920 --> 1:55:33.400
<v Speaker 1>him for being a genius. You know, you don't know

1:55:33.520 --> 1:55:36.560
<v Speaker 1>him for genius is equivalent with crazy to be yeah,

1:55:36.600 --> 1:55:39.000
<v Speaker 1>that's true, but not having it together and you hear

1:55:39.120 --> 1:55:41.680
<v Speaker 1>that he doesn't have it together for this moment what

1:55:42.400 --> 1:55:44.640
<v Speaker 1>you're talking about, like like tour time and all that

1:55:45.200 --> 1:55:47.040
<v Speaker 1>when he was I mean, you know, I just um,

1:55:48.240 --> 1:55:52.680
<v Speaker 1>I just felt like you know, still, I don't equate that.

1:55:53.320 --> 1:55:57.360
<v Speaker 1>I wasn't equating that to something being off. I'm just saying,

1:55:57.440 --> 1:56:00.640
<v Speaker 1>like you men, you speaking because yeah, because I don't

1:56:00.680 --> 1:56:02.400
<v Speaker 1>you know, like I said, I don't look at things

1:56:02.800 --> 1:56:05.520
<v Speaker 1>and I'm just now like when I tell you just

1:56:05.680 --> 1:56:12.560
<v Speaker 1>now bro, like I'm just getting hip to the science, right,

1:56:13.560 --> 1:56:16.040
<v Speaker 1>you know what I'm saying. And no mental instability with

1:56:16.200 --> 1:56:20.160
<v Speaker 1>people who you know, all right, well what we think

1:56:20.400 --> 1:56:24.120
<v Speaker 1>because people you think have it all your stability. You

1:56:24.240 --> 1:56:30.480
<v Speaker 1>think of the guy that's on the corner, yeah you know,

1:56:30.760 --> 1:56:33.600
<v Speaker 1>you know the person with yeah you don't think like that,

1:56:34.160 --> 1:56:37.160
<v Speaker 1>but on the planet right right, all of that type

1:56:37.160 --> 1:56:41.320
<v Speaker 1>of great which is which is goes back to um.

1:56:42.680 --> 1:56:45.520
<v Speaker 1>As much as we work for money, like it's just

1:56:45.800 --> 1:56:49.400
<v Speaker 1>there like you know, like I've had money, I lost it.

1:56:49.440 --> 1:56:51.960
<v Speaker 1>I've had it, a loss of having lost it, and

1:56:52.040 --> 1:56:55.640
<v Speaker 1>it really doesn't make me no never mind at this point,

1:56:55.680 --> 1:56:59.320
<v Speaker 1>Like at this point, it's just like I'm I'm forty

1:56:59.400 --> 1:57:05.400
<v Speaker 1>years old. I'll forty one in September six. So if

1:57:05.440 --> 1:57:09.400
<v Speaker 1>you weigh out the options, I've kind of been more

1:57:09.600 --> 1:57:15.880
<v Speaker 1>up this year one from on. I've been more up

1:57:16.760 --> 1:57:20.560
<v Speaker 1>than I've been down by one year. Right, what is

1:57:20.600 --> 1:57:25.440
<v Speaker 1>there really to complaining about? Right? But there's people who

1:57:25.560 --> 1:57:30.200
<v Speaker 1>have it even more than me. And well, I saw

1:57:30.440 --> 1:57:32.520
<v Speaker 1>a post of a friend of mine posted something today

1:57:32.560 --> 1:57:36.360
<v Speaker 1>about Anthony boarding and they were talking about the chemicals

1:57:36.400 --> 1:57:40.880
<v Speaker 1>in our brains, the serotonins, the things that make us

1:57:40.920 --> 1:57:45.800
<v Speaker 1>feel good, which drugs. Drug addicts can understand this because

1:57:46.000 --> 1:57:48.400
<v Speaker 1>when you pump drugs into her, he stopped doing because

1:57:48.400 --> 1:57:51.200
<v Speaker 1>he was a coke addy. He stopped. He was heroin.

1:57:52.080 --> 1:57:56.920
<v Speaker 1>I don't forgot about that. Yeah, Anthony in his early years,

1:57:57.680 --> 1:57:59.360
<v Speaker 1>but he still got But if you think about it

1:57:59.520 --> 1:58:02.600
<v Speaker 1>as an addicts, the fact that he drank continue to drink.

1:58:02.600 --> 1:58:04.200
<v Speaker 1>But I mean whatever, that is what it is. But

1:58:04.320 --> 1:58:07.560
<v Speaker 1>I'm just saying like he was an addict. So and

1:58:07.640 --> 1:58:09.920
<v Speaker 1>then he the person that wrote this post that I'm

1:58:09.960 --> 1:58:13.800
<v Speaker 1>talking about She's She was mentioning, how like people who

1:58:14.040 --> 1:58:17.120
<v Speaker 1>have need these, you need to get these. These the

1:58:17.760 --> 1:58:20.600
<v Speaker 1>drugs in our brain, They're real. These are the things

1:58:20.640 --> 1:58:24.280
<v Speaker 1>that feed us. They give us the highs and the

1:58:24.360 --> 1:58:26.400
<v Speaker 1>lowths in our minds, you know what I'm saying. So

1:58:26.640 --> 1:58:28.840
<v Speaker 1>he was going on the road, he was going into

1:58:29.160 --> 1:58:32.320
<v Speaker 1>different countries, going into these different places, and that was

1:58:32.760 --> 1:58:36.880
<v Speaker 1>replacing drugs. Because that's what the reason why I bring

1:58:36.960 --> 1:58:39.600
<v Speaker 1>that up is because that's what reminds me when I

1:58:39.680 --> 1:58:42.760
<v Speaker 1>listened to ys album. I don't talk about his album.

1:58:43.720 --> 1:58:46.680
<v Speaker 1>He talks about like killing people and he talks and

1:58:46.760 --> 1:58:49.360
<v Speaker 1>I didn't. I didn't I thought as being an artistic

1:58:49.520 --> 1:58:53.120
<v Speaker 1>until I like, I mean, I think it's still I don't.

1:58:53.360 --> 1:58:55.560
<v Speaker 1>I didn't take it still be an artistic No, but yeah,

1:58:55.800 --> 1:58:57.760
<v Speaker 1>I mean I don't know. I didn't take it that crazy.

1:58:58.360 --> 1:59:00.640
<v Speaker 1>But where was you at? You getting these teams interviews?

1:59:01.440 --> 1:59:03.800
<v Speaker 1>Oh yeah, I mean you know, I mean listen, it

1:59:03.920 --> 1:59:06.960
<v Speaker 1>was listen. I mean, we could talk on so many

1:59:07.000 --> 1:59:12.440
<v Speaker 1>different levels when it came to that. Just um, I mean, well,

1:59:12.560 --> 1:59:14.680
<v Speaker 1>first of all, let's just talk about the business. Like, man,

1:59:15.000 --> 1:59:18.400
<v Speaker 1>we got a whole we got a whole by this time,

1:59:18.440 --> 1:59:21.240
<v Speaker 1>we've got whole five albums that we have decided that

1:59:21.280 --> 1:59:24.360
<v Speaker 1>we're putting out, so on and so forth. This is

1:59:24.360 --> 1:59:27.000
<v Speaker 1>what we're doing. So he's obviously very calculated. Well, very

1:59:27.080 --> 1:59:34.000
<v Speaker 1>we're on and we lit. I'm like, okay, you know,

1:59:34.280 --> 1:59:38.600
<v Speaker 1>my album's damn they're finished. If not finished, it's cracked. Boom.

1:59:38.640 --> 1:59:43.480
<v Speaker 1>I'm happy everybody else Na's in the mixed boom and

1:59:43.840 --> 1:59:49.520
<v Speaker 1>M he comes and he has a teams interview, and

1:59:49.640 --> 1:59:54.560
<v Speaker 1>from that point on, I'm just like, this is the slavery. Yeah,

1:59:54.720 --> 1:59:58.760
<v Speaker 1>I'm like, well, there's absolutely positively nothing else going to

1:59:58.840 --> 2:00:02.920
<v Speaker 1>be louder than that. M And I was like then,

2:00:03.000 --> 2:00:06.600
<v Speaker 1>I'm like, man, I'm first, there's no press that I'm

2:00:06.600 --> 2:00:09.320
<v Speaker 1>gonna do. I'm not gonna do any press because because

2:00:09.400 --> 2:00:13.280
<v Speaker 1>that's gonna be that's gonna be the press. Um. And

2:00:13.360 --> 2:00:14.840
<v Speaker 1>I was just like, man, that still, it's gonna be

2:00:14.840 --> 2:00:16.760
<v Speaker 1>the press for the remainder of it. You know. I

2:00:17.080 --> 2:00:20.600
<v Speaker 1>just felt like it was so that bothered you though

2:00:20.680 --> 2:00:24.480
<v Speaker 1>that that happened. Yeah, So as like business partners, I

2:00:24.520 --> 2:00:30.960
<v Speaker 1>mean like that in business, I was my business mom

2:00:31.080 --> 2:00:35.240
<v Speaker 1>was saying, Wow, I don't know how we're gonna move

2:00:35.360 --> 2:00:38.640
<v Speaker 1>this like this, like, you know, because my thing is

2:00:39.440 --> 2:00:41.800
<v Speaker 1>you know, thinks about it on the album as if

2:00:41.840 --> 2:00:47.320
<v Speaker 1>his wife even Okay, listen, it was really a real

2:00:48.560 --> 2:00:52.040
<v Speaker 1>it was a thing. So it's like, man, it's a

2:00:52.160 --> 2:00:57.160
<v Speaker 1>real thing. So it's like at the same time business

2:00:57.240 --> 2:01:03.360
<v Speaker 1>minded and thinking, it's like, man, I like like everybody,

2:01:03.600 --> 2:01:06.360
<v Speaker 1>everybody needs to hold their own weight. It's likely boom,

2:01:06.400 --> 2:01:08.760
<v Speaker 1>He's gonna produce it. That's cool. We get we get

2:01:08.840 --> 2:01:10.920
<v Speaker 1>to get out here and run with the ball when

2:01:10.960 --> 2:01:13.840
<v Speaker 1>it's our time to run with the ball. That's That's

2:01:13.840 --> 2:01:17.760
<v Speaker 1>just how I feel like it should go. Well, he

2:01:17.800 --> 2:01:20.160
<v Speaker 1>sort of took the ball away with that, so there's

2:01:20.200 --> 2:01:26.080
<v Speaker 1>nowhere to run. And you know, I feel like at

2:01:26.120 --> 2:01:32.040
<v Speaker 1>the same time when that happened, um, he took the ball,

2:01:33.120 --> 2:01:36.320
<v Speaker 1>and then it got into like you know, it was him,

2:01:36.400 --> 2:01:38.760
<v Speaker 1>it was him tweeting and talking, and it just got

2:01:39.240 --> 2:01:42.000
<v Speaker 1>He became down on the Trump, right, he really became

2:01:42.360 --> 2:01:46.400
<v Speaker 1>He really became vocal in regards. I don't want to

2:01:46.440 --> 2:01:51.280
<v Speaker 1>say he's Trump, not in the presence of Trump, how Trump,

2:01:51.520 --> 2:01:56.120
<v Speaker 1>how Trump does it? But you can never yourself right, right.

2:01:57.960 --> 2:01:59.680
<v Speaker 1>You can text me, you can text me and say

2:01:59.720 --> 2:02:01.360
<v Speaker 1>what's up, and I can text you and say what's up?

2:02:01.400 --> 2:02:03.560
<v Speaker 1>And I could think you beefing, and you could think

2:02:03.600 --> 2:02:09.560
<v Speaker 1>I'm saying what's up. It's like what you're saying. But

2:02:09.920 --> 2:02:14.880
<v Speaker 1>you know, um, I just felt like, you know, he

2:02:15.520 --> 2:02:19.400
<v Speaker 1>took the ball. He took the ball, and it was

2:02:19.560 --> 2:02:21.720
<v Speaker 1>it was uneasy for me. It was a little bit

2:02:21.760 --> 2:02:24.440
<v Speaker 1>uneasy for me because, like I said, I feel like,

2:02:25.160 --> 2:02:27.520
<v Speaker 1>you know, he produced it. We run with the ball,

2:02:27.640 --> 2:02:31.960
<v Speaker 1>We do what we're supposed to do in respective veins,

2:02:32.520 --> 2:02:35.920
<v Speaker 1>you know, in lanes and genres or whatever. But he

2:02:36.080 --> 2:02:39.560
<v Speaker 1>took it man, and and and it's panned out. How

2:02:39.720 --> 2:02:42.080
<v Speaker 1>was him and Tias record? Um? And like I want

2:02:42.120 --> 2:02:44.640
<v Speaker 1>more question and I'll let you go him in Tias

2:02:44.640 --> 2:02:46.800
<v Speaker 1>record because that was like to me, I had a record,

2:02:46.840 --> 2:02:49.200
<v Speaker 1>Me and component has a record called the Argument. Right,

2:02:49.920 --> 2:02:52.720
<v Speaker 1>that's the only record that's better than that record. It's right,

2:02:53.320 --> 2:02:58.320
<v Speaker 1>it's but but it's called but it's basically the same

2:02:58.360 --> 2:03:00.760
<v Speaker 1>as that record. When I got to your remember I

2:03:00.800 --> 2:03:10.560
<v Speaker 1>took you with yours that I do remember, Yo, I

2:03:10.640 --> 2:03:16.440
<v Speaker 1>still don't drive me up. But um, what was the

2:03:16.600 --> 2:03:20.040
<v Speaker 1>saying that was into that argument argument? So that him

2:03:20.080 --> 2:03:23.200
<v Speaker 1>and tas record that was also done in real time Okay,

2:03:23.200 --> 2:03:27.560
<v Speaker 1>how you said, I think that was the most brilliant record.

2:03:27.680 --> 2:03:30.240
<v Speaker 1>I mean the people because that we're just not ready

2:03:30.280 --> 2:03:33.280
<v Speaker 1>to Um we're still in infant stages. You can't give

2:03:33.280 --> 2:03:35.760
<v Speaker 1>a steak right now, right So I don't think the

2:03:35.800 --> 2:03:38.320
<v Speaker 1>people was ready for that. But I think the concept

2:03:38.480 --> 2:03:42.680
<v Speaker 1>was brilliant. Um were you there are part of that?

2:03:43.280 --> 2:03:45.440
<v Speaker 1>I was. But some people might feel it was set

2:03:45.520 --> 2:03:48.000
<v Speaker 1>up also, Well, I feel like it was set up.

2:03:48.080 --> 2:03:51.480
<v Speaker 1>I mean, like it's okay, I mean they were arguing.

2:03:51.680 --> 2:03:55.040
<v Speaker 1>I mean it was actually a debate on record. I mean,

2:03:55.160 --> 2:03:59.600
<v Speaker 1>I think that's a genius way to defuse something so

2:03:59.760 --> 2:04:02.600
<v Speaker 1>some one can say, no, bro, this is a way

2:04:02.680 --> 2:04:06.560
<v Speaker 1>out of the situation, A genius way out of it.

2:04:08.200 --> 2:04:11.520
<v Speaker 1>You don't get it. Yeah, I liked it. I thought,

2:04:11.560 --> 2:04:13.120
<v Speaker 1>I'm just saying if we like it or not, I'm

2:04:13.120 --> 2:04:16.560
<v Speaker 1>just I'm I'm playing the devil's advocate to that. I

2:04:16.600 --> 2:04:18.920
<v Speaker 1>thought it should have made that. What do you think

2:04:18.960 --> 2:04:24.080
<v Speaker 1>you enjoyed him scrapping the whole album? And yes, he

2:04:24.160 --> 2:04:27.800
<v Speaker 1>scratches his own albums, Yeah he did. Actually I started

2:04:27.880 --> 2:04:34.360
<v Speaker 1>off from over from TMZ. Why because um man, that

2:04:34.440 --> 2:04:38.640
<v Speaker 1>guy really works off feeling and you know, he really

2:04:38.720 --> 2:04:40.680
<v Speaker 1>works off feeling and it's always about taking it to

2:04:40.760 --> 2:04:44.120
<v Speaker 1>the next level for him. Um. At the same time,

2:04:44.280 --> 2:04:47.760
<v Speaker 1>he also it's like, okay, boom, TMZ happened. We're not

2:04:47.880 --> 2:04:52.080
<v Speaker 1>gonna keep living in TMZ. We're gonna go to the

2:04:52.160 --> 2:04:55.240
<v Speaker 1>next His mind is always you know, did he regret

2:04:55.280 --> 2:05:00.640
<v Speaker 1>the TMZ or not at all? Uh. I don't think

2:05:00.720 --> 2:05:02.920
<v Speaker 1>he regrets it. I feel like he I feel like

2:05:03.080 --> 2:05:07.040
<v Speaker 1>he Uh. We've had conversations about messaging and things like that,

2:05:07.400 --> 2:05:10.280
<v Speaker 1>and and how it was message which where it could

2:05:10.320 --> 2:05:12.040
<v Speaker 1>have been better, and so on and so forth. But

2:05:12.840 --> 2:05:15.760
<v Speaker 1>you know, I feel like there's a bigger picture for him,

2:05:16.480 --> 2:05:17.960
<v Speaker 1>you know what I'm saying, And I feel like a

2:05:18.040 --> 2:05:22.880
<v Speaker 1>lot of things got lost in uh, in the in

2:05:22.960 --> 2:05:25.520
<v Speaker 1>the keywords you know what I'm saying, versus like there

2:05:25.600 --> 2:05:29.120
<v Speaker 1>was a messaging that obviously to me it seemed like

2:05:29.320 --> 2:05:33.320
<v Speaker 1>he miss messaged on. I felt like he had a

2:05:33.520 --> 2:05:37.080
<v Speaker 1>valid idea that miss message. No no, no, Like you know,

2:05:37.120 --> 2:05:39.040
<v Speaker 1>when we speak about it, when he's like, man, you know,

2:05:39.640 --> 2:05:42.080
<v Speaker 1>you know, it's say like, damn, pushing on, I really

2:05:42.160 --> 2:05:43.960
<v Speaker 1>do I want to. I want to learn. I feel

2:05:44.000 --> 2:05:46.640
<v Speaker 1>like we all should be learning. How Matt became a

2:05:46.720 --> 2:05:53.920
<v Speaker 1>billionaire instead of learning Kiss calling that you know Jenna

2:05:54.000 --> 2:05:56.760
<v Speaker 1>Kiss was going on. You want to drink kids, make

2:05:56.840 --> 2:06:05.480
<v Speaker 1>some you know the time you listen, you listen, We're

2:06:05.560 --> 2:06:08.280
<v Speaker 1>here with push your team man, Kiss what out? No

2:06:08.520 --> 2:06:11.440
<v Speaker 1>doubt you already know what it is. My brother pushed.

2:06:11.560 --> 2:06:17.120
<v Speaker 1>Congratulations on that, congractulations on putting the grip on the

2:06:18.400 --> 2:06:23.520
<v Speaker 1>Thank you seriously bringing that talk back to the real

2:06:23.720 --> 2:06:27.560
<v Speaker 1>street general. Listen, you you heard yankers get the shout

2:06:27.600 --> 2:06:35.080
<v Speaker 1>out on my album for that was you, That was

2:06:35.120 --> 2:06:38.200
<v Speaker 1>for you? Your style that she you know it. We

2:06:38.320 --> 2:06:41.640
<v Speaker 1>appreciate that. Bro, You're on fire. Just keep the gas lit,

2:06:41.920 --> 2:06:44.040
<v Speaker 1>you know what I mean. Thank you, sir to the

2:06:44.120 --> 2:06:47.480
<v Speaker 1>whole good music and putting up great projects. Looking forward

2:06:47.520 --> 2:06:51.760
<v Speaker 1>to that NAS album. Yes, sir, love big for the culture,

2:06:51.840 --> 2:06:57.880
<v Speaker 1>you know what I mean? Yeah, thank you, Thank you Kiss?

2:06:57.920 --> 2:07:12.080
<v Speaker 1>Oh what's this ship? Her? You USh us and you

2:07:12.160 --> 2:07:14.440
<v Speaker 1>get that love Listen. I'm just I just totally forgot.

2:07:14.480 --> 2:07:17.240
<v Speaker 1>I had hit everybody in the industry to say the

2:07:17.400 --> 2:07:19.840
<v Speaker 1>call in and then I totally got so much into

2:07:19.920 --> 2:07:22.960
<v Speaker 1>a conversation I answered the phone for no one. Wow. So,

2:07:23.160 --> 2:07:26.280
<v Speaker 1>but but how do you feel about like getting that

2:07:26.400 --> 2:07:28.680
<v Speaker 1>type of love like I could, I could hit anybody,

2:07:28.800 --> 2:07:32.400
<v Speaker 1>and then everybody wants to call in listen, you know,

2:07:32.480 --> 2:07:35.440
<v Speaker 1>I really appreciate it and and for real, for real,

2:07:36.320 --> 2:07:39.080
<v Speaker 1>these are like all people I respect and Nipsey Hustle.

2:07:39.120 --> 2:07:42.000
<v Speaker 1>This is the people who did get through Nipsey Hustle.

2:07:44.200 --> 2:07:48.640
<v Speaker 1>Totally respect Nipsey for for sure. Jada Kiss Man, I was,

2:07:48.880 --> 2:07:53.200
<v Speaker 1>I was riding off of State University myself, going to

2:07:53.320 --> 2:07:57.200
<v Speaker 1>buy mixed tapes from the bootlegger. The clue is shouting

2:07:57.200 --> 2:07:59.160
<v Speaker 1>out that he's gonna beat up when he see him.

2:08:00.840 --> 2:08:05.280
<v Speaker 1>You know what I'm saying, like black man to hear

2:08:05.320 --> 2:08:07.560
<v Speaker 1>the beginning of the clue tape and the end of

2:08:07.600 --> 2:08:12.200
<v Speaker 1>the clue tape with the locks, like it's um, you

2:08:12.280 --> 2:08:16.960
<v Speaker 1>know man, it just for real, It says a lot.

2:08:17.280 --> 2:08:22.400
<v Speaker 1>It says a lot that I'm even um, it affects

2:08:22.440 --> 2:08:24.400
<v Speaker 1>me a lot that I even get to kick it

2:08:24.520 --> 2:08:27.080
<v Speaker 1>with these guys like this that I even you know,

2:08:27.240 --> 2:08:29.920
<v Speaker 1>have the relationship and the report that I have with

2:08:30.080 --> 2:08:34.720
<v Speaker 1>the Jada Kiss Fabulous and Noriega. But you realize your

2:08:34.840 --> 2:08:39.920
<v Speaker 1>legend as well, yeah, for sure for sure. Like I'm like, like, man,

2:08:40.080 --> 2:08:42.360
<v Speaker 1>this is it's crazy. This is my peer group. But

2:08:42.440 --> 2:08:44.360
<v Speaker 1>this is my peer group before I was a peer

2:08:45.160 --> 2:08:51.880
<v Speaker 1>you know what, I'm like that ship like and I'm

2:08:51.920 --> 2:08:54.840
<v Speaker 1>talking about still great, all the ones, all the ones

2:08:54.960 --> 2:08:57.200
<v Speaker 1>that were great to me then and it's still great

2:08:57.240 --> 2:09:01.520
<v Speaker 1>to me now. Still you know, still still getting money,

2:09:01.560 --> 2:09:04.720
<v Speaker 1>Still gotta listen to be to be motivated. You gotta

2:09:04.760 --> 2:09:06.760
<v Speaker 1>still get money. But let me just say something, because

2:09:07.080 --> 2:09:09.640
<v Speaker 1>if you're great, ain't still getting money nowadays? You'll be

2:09:09.720 --> 2:09:15.400
<v Speaker 1>looking at right. No, No, You're still great, but be clear,

2:09:15.760 --> 2:09:17.920
<v Speaker 1>you gotta still getting listen. You have to be You

2:09:18.000 --> 2:09:20.400
<v Speaker 1>gotta still get type of away. You have to some

2:09:20.520 --> 2:09:26.720
<v Speaker 1>type of way sells soaps listening listen. Man, that's what

2:09:26.840 --> 2:09:28.640
<v Speaker 1>I feel like, you know, that's what the game is.

2:09:28.760 --> 2:09:32.240
<v Speaker 1>That's what rappid is for me. It's um, it's still

2:09:32.280 --> 2:09:34.680
<v Speaker 1>the youngest genre right what were like forty four years

2:09:34.760 --> 2:09:39.480
<v Speaker 1>in and like like it's good for us to be

2:09:39.560 --> 2:09:41.160
<v Speaker 1>able to sit here and be like, man, I'm at

2:09:41.280 --> 2:09:44.560
<v Speaker 1>drink Champs, like I know, like I know, there's like

2:09:44.760 --> 2:09:47.880
<v Speaker 1>two hundred and forty probably a month that just comes

2:09:47.920 --> 2:09:52.960
<v Speaker 1>to this guy. What's your first sign? The designer? Oh yeah,

2:09:53.560 --> 2:09:57.200
<v Speaker 1>so you get you get the job of good music. Yeah,

2:09:57.680 --> 2:10:00.520
<v Speaker 1>And then they say you gotta produce? Are you just

2:10:00.800 --> 2:10:03.800
<v Speaker 1>you just on on my space? But no, no, no,

2:10:03.920 --> 2:10:07.640
<v Speaker 1>what happens is, um see a lot of ship has

2:10:07.680 --> 2:10:12.120
<v Speaker 1>happened with a good involving new ship, like if we

2:10:12.240 --> 2:10:14.080
<v Speaker 1>take it all the way back to my Name is

2:10:14.160 --> 2:10:17.080
<v Speaker 1>my Name? Um that album came out two thousand thirteen,

2:10:17.720 --> 2:10:21.320
<v Speaker 1>and making that album, and making that album, I came

2:10:21.400 --> 2:10:24.240
<v Speaker 1>under a lot of fire for having a song called

2:10:24.280 --> 2:10:27.200
<v Speaker 1>Pain with Future on it. You know, I go to

2:10:27.240 --> 2:10:29.720
<v Speaker 1>the studio, you know, me and Yale be together for

2:10:29.840 --> 2:10:32.400
<v Speaker 1>a while. I go, you know, we leave, I go home,

2:10:32.760 --> 2:10:35.760
<v Speaker 1>wom come back. The first question he asked, what's hot?

2:10:36.400 --> 2:10:38.040
<v Speaker 1>I'd be like, future is to god? What are you

2:10:38.080 --> 2:10:40.720
<v Speaker 1>talking about? He was like, what's that? You know? You

2:10:40.800 --> 2:10:43.360
<v Speaker 1>know what you mean? You play it? You know what

2:10:43.400 --> 2:10:45.920
<v Speaker 1>I'm saying. He gets into it. Oh man, get him

2:10:45.960 --> 2:10:49.320
<v Speaker 1>up here, futures get on pain. That's how it goes.

2:10:50.120 --> 2:10:52.920
<v Speaker 1>You know, people killing me? What you mean? You rapp?

2:10:53.600 --> 2:10:57.760
<v Speaker 1>Why you why you got? I'm like, man, this is

2:10:57.800 --> 2:11:00.080
<v Speaker 1>what's hot? What you're talking about? This? He's crazy me.

2:11:00.160 --> 2:11:01.880
<v Speaker 1>I think I'm using them in a in a way

2:11:01.960 --> 2:11:05.200
<v Speaker 1>that's not compromising myself. You know, I feel like we

2:11:05.320 --> 2:11:09.280
<v Speaker 1>were Yeah, you know and we found a way to

2:11:09.320 --> 2:11:11.360
<v Speaker 1>make it, to make a marriage with it, paying one

2:11:11.360 --> 2:11:15.680
<v Speaker 1>of my favorite records, you know, the same time, you know,

2:11:15.760 --> 2:11:18.080
<v Speaker 1>he may ask me, yo, what's what's what's what's going on?

2:11:18.320 --> 2:11:21.080
<v Speaker 1>I'm like, what you mean? What's going on? Chief Keith

2:11:21.240 --> 2:11:24.360
<v Speaker 1>was going on? You bugging like he from Chicago? What

2:11:24.480 --> 2:11:29.640
<v Speaker 1>you mean? Yeah? So you know, what's that? Play that boom?

2:11:29.720 --> 2:11:31.600
<v Speaker 1>I like that kid, young child, Okay, boom, let me

2:11:31.680 --> 2:11:36.240
<v Speaker 1>remix that. All right, we do the remix boom. You know,

2:11:36.480 --> 2:11:38.840
<v Speaker 1>And you found Designer the same way, the same way

2:11:38.960 --> 2:11:45.760
<v Speaker 1>Designer was on Like I was heavily into future, like

2:11:46.000 --> 2:11:48.240
<v Speaker 1>you know, just as an artist, like man, he's dope

2:11:48.280 --> 2:11:51.560
<v Speaker 1>with a moon. And I heard him. I heard Designer,

2:11:51.760 --> 2:11:57.640
<v Speaker 1>I want to say, through SoundCloud maybe and and so

2:11:58.760 --> 2:12:02.240
<v Speaker 1>my manager was all go into him, and I was like, yo,

2:12:02.320 --> 2:12:04.600
<v Speaker 1>you heard that New Future. I was just playing who's

2:12:04.640 --> 2:12:08.400
<v Speaker 1>your manager, Stephen Victor? So I was like, yo, um,

2:12:09.680 --> 2:12:12.080
<v Speaker 1>Stephen Victor. He always liked his name, said he's like

2:12:12.200 --> 2:12:18.320
<v Speaker 1>first and last. You don't so, you know, I'm like, yo,

2:12:18.480 --> 2:12:22.080
<v Speaker 1>you know the New Future, New Future? Crazy? He like what?

2:12:23.360 --> 2:12:25.280
<v Speaker 1>So I'm like, you know, I played it and I

2:12:25.360 --> 2:12:28.000
<v Speaker 1>played Designer and he was like, man, this is fine.

2:12:28.040 --> 2:12:31.320
<v Speaker 1>I was like, yes, kid, nat design, he this this

2:12:31.400 --> 2:12:36.080
<v Speaker 1>is the next wave. Watch him talking back and forth.

2:12:36.640 --> 2:12:40.360
<v Speaker 1>By that time, and rich A he went out. I

2:12:40.440 --> 2:12:42.200
<v Speaker 1>think he probably went to l A played him for

2:12:42.280 --> 2:12:48.880
<v Speaker 1>you a. Um also yeah, okay, um by this time

2:12:49.120 --> 2:12:51.720
<v Speaker 1>it was other A and rs around playing pat He

2:12:51.960 --> 2:12:55.520
<v Speaker 1>was around during that time as well. Yeah, and he uh,

2:12:56.720 --> 2:13:00.480
<v Speaker 1>he's he's a good now but but he uh he

2:13:00.600 --> 2:13:04.920
<v Speaker 1>played it as well. And yeah, he was like okay,

2:13:04.960 --> 2:13:09.320
<v Speaker 1>go find him and went back to Brooklyn. Saw that

2:13:09.440 --> 2:13:12.000
<v Speaker 1>he had other you know, other characters, you know, design

2:13:12.040 --> 2:13:18.840
<v Speaker 1>and probably like eighteens time, so you know, um it's

2:13:18.880 --> 2:13:21.440
<v Speaker 1>like eighteen and and just had you know, just had

2:13:21.480 --> 2:13:24.840
<v Speaker 1>different different colors with him, different energy, different colors, and

2:13:25.760 --> 2:13:30.000
<v Speaker 1>and uh ended up on apolo album from you know,

2:13:30.240 --> 2:13:37.400
<v Speaker 1>from Panda, Yeah Panda was that pandas like fourteen sixteen

2:13:37.440 --> 2:13:46.400
<v Speaker 1>million something like that. Timmy turn about two Yeah you

2:13:46.440 --> 2:13:50.640
<v Speaker 1>know I'm still working. Yeah all right, so um does

2:13:50.720 --> 2:13:55.440
<v Speaker 1>definitely come in three's Well that's what they say. I said.

2:13:55.480 --> 2:13:57.400
<v Speaker 1>I heard you say, yeah, no, no, no, no, that's

2:13:57.440 --> 2:14:00.240
<v Speaker 1>the same. I know it's the same. Yeah, would you

2:14:00.320 --> 2:14:03.720
<v Speaker 1>reiterate this recently? And I'm just like I'm saying that

2:14:03.720 --> 2:14:10.320
<v Speaker 1>because there's three people involved in the Okay, how appropriate? Yeah, okay,

2:14:10.920 --> 2:14:14.360
<v Speaker 1>So I'm now valet. Let's in this with this. Let's

2:14:14.360 --> 2:14:16.640
<v Speaker 1>go man, let's keep talking about Okay, alright, cool because

2:14:16.680 --> 2:14:20.560
<v Speaker 1>you know, you know Mr Leonard, they gotta because you

2:14:20.640 --> 2:14:23.800
<v Speaker 1>know you're gonna do burn. Mr lea hair like hair

2:14:23.880 --> 2:14:26.960
<v Speaker 1>on his arm, just burning. Mr. He keeps asking to

2:14:27.040 --> 2:14:29.680
<v Speaker 1>be on my losing ship. Man, I'm so tired. Let

2:14:29.720 --> 2:14:39.320
<v Speaker 1>me just tell your something. You got one stellar. Let

2:14:39.360 --> 2:14:43.280
<v Speaker 1>me tell you something. I'm tiring. I'm gonna tire to you.

2:14:44.440 --> 2:14:47.040
<v Speaker 1>I'm driving around. Mr. Leave me. This is your album,

2:14:47.200 --> 2:14:50.080
<v Speaker 1>he says. He says, no jury are But I'm the

2:14:50.200 --> 2:14:53.560
<v Speaker 1>richest nigga in the head. You think he talks about me?

2:14:53.680 --> 2:14:59.760
<v Speaker 1>Be I looked at M. Leon I'm saying, you gotta last.

2:15:04.480 --> 2:15:06.440
<v Speaker 1>It's the studio whatever, it's in my mind. It just

2:15:08.240 --> 2:15:12.960
<v Speaker 1>you know. Mr. Lee is a funny. So listen and listen. Um.

2:15:13.200 --> 2:15:16.200
<v Speaker 1>I gonna be honest, Mr. Lee. Only your friends, your

2:15:16.280 --> 2:15:24.840
<v Speaker 1>rapper friends are drug dealers. You got me kids, and

2:15:24.920 --> 2:15:27.440
<v Speaker 1>I think you got Jesus Like, I'm not gonna lie.

2:15:27.640 --> 2:15:41.040
<v Speaker 1>Defence is watching somebody's definitely why you know you know,

2:15:41.160 --> 2:15:43.000
<v Speaker 1>but all right, let me do me just take it

2:15:43.080 --> 2:15:47.240
<v Speaker 1>back for one second, puestion Thet'll take it back because

2:15:47.440 --> 2:15:50.320
<v Speaker 1>you see what happened. I mean, in the public conception

2:15:50.440 --> 2:15:54.360
<v Speaker 1>for a while, Meek was finished right in the public conception,

2:15:54.680 --> 2:15:58.800
<v Speaker 1>not to say he was financially waht fun, but in

2:15:58.840 --> 2:16:02.400
<v Speaker 1>the public conception for for a long time after back

2:16:02.480 --> 2:16:08.040
<v Speaker 1>to back, right, people, boy, it was back to back

2:16:09.480 --> 2:16:15.120
<v Speaker 1>even bad nig She got nominated for Grammy push backs,

2:16:16.360 --> 2:16:19.360
<v Speaker 1>which means nothing to me. But go ahead, I've never

2:16:19.440 --> 2:16:22.040
<v Speaker 1>got nominated. I've got nominated. It didn't even see me

2:16:22.120 --> 2:16:31.520
<v Speaker 1>my passes, I said, because I'm not gonna never very ship. Nah,

2:16:31.720 --> 2:16:33.720
<v Speaker 1>probably let part of them go by the south. But

2:16:34.080 --> 2:16:40.440
<v Speaker 1>um so now you're back to back nominated, right this

2:16:40.680 --> 2:16:47.600
<v Speaker 1>nigga drops doopy freestyle. You're thinking that it can this

2:16:47.720 --> 2:16:51.680
<v Speaker 1>can be the same, or you're saying, nah, I'm gonna

2:16:51.800 --> 2:16:55.440
<v Speaker 1>reevaluate this situation. You knew because you knew about them,

2:16:55.520 --> 2:17:00.120
<v Speaker 1>you knew you probably investigators and ship four days? Did

2:17:00.120 --> 2:17:03.600
<v Speaker 1>you have private kid information? We never got to that.

2:17:04.760 --> 2:17:07.480
<v Speaker 1>How did you get that? Wow? Man? People are like,

2:17:09.200 --> 2:17:10.960
<v Speaker 1>I don't know, I don't understand. You know, people are

2:17:11.040 --> 2:17:18.480
<v Speaker 1>just people are what people are, disloyal, just loyal or disloyal. Disloyal, disloyal.

2:17:18.720 --> 2:17:22.400
<v Speaker 1>I don't, I don't, you know, I don't. That's it.

2:17:22.879 --> 2:17:27.320
<v Speaker 1>What's just saying it was information came through disloyal people. Yeah,

2:17:27.840 --> 2:17:29.640
<v Speaker 1>and I don't mind sound man, you know, I mean

2:17:29.760 --> 2:17:33.400
<v Speaker 1>to your benefits. So you just held it, you just

2:17:33.600 --> 2:17:37.480
<v Speaker 1>you're just like, that's all I'm my holdest for the

2:17:37.640 --> 2:17:50.880
<v Speaker 1>right time. That's a man, that's all mandamne. So for

2:17:51.000 --> 2:17:53.720
<v Speaker 1>the record, it's over, though, it is over as far

2:17:53.760 --> 2:17:57.200
<v Speaker 1>as I know, it's it's over. Prince the No, no, no,

2:17:57.280 --> 2:17:59.280
<v Speaker 1>I haven't. But you know he, like I said, he

2:17:59.400 --> 2:18:02.879
<v Speaker 1>talked to my management and you know everything. It was cool.

2:18:02.920 --> 2:18:05.960
<v Speaker 1>It was done. It was cool. Now did you think

2:18:06.000 --> 2:18:08.199
<v Speaker 1>you went too far? No? No, no, I don't believe

2:18:08.240 --> 2:18:12.280
<v Speaker 1>in too far, okay, especially after mentioned it. Never there's

2:18:12.280 --> 2:18:16.440
<v Speaker 1>no such thing, no such thing. So now moving forward, right,

2:18:17.000 --> 2:18:20.000
<v Speaker 1>everybody says it's over. I got the album of the year,

2:18:20.120 --> 2:18:22.880
<v Speaker 1>they got the album. Yeah, that's it. That's what I'm

2:18:22.920 --> 2:18:29.040
<v Speaker 1>going Because you did you did say you saw a

2:18:29.120 --> 2:18:31.960
<v Speaker 1>baby in the elevator and Beverly Hill, I did, man,

2:18:32.160 --> 2:18:36.240
<v Speaker 1>you did you did see baby? And the elevator, Beverly Hills.

2:18:36.720 --> 2:18:38.960
<v Speaker 1>It's the four Seasons. I feel like it's four seasons?

2:18:39.920 --> 2:18:42.960
<v Speaker 1>Yeah close? Is it miss the hotel? No, you know,

2:18:43.280 --> 2:18:47.400
<v Speaker 1>one of those types. Okay, I'm involved. Okay, So now

2:18:48.320 --> 2:18:56.760
<v Speaker 1>what happens if you're at four seasons? Now? Wald Off?

2:18:58.000 --> 2:19:01.039
<v Speaker 1>Very nice? What happens in there at the wall though? Yeah?

2:19:01.200 --> 2:19:04.680
<v Speaker 1>Super nice, super nice. Goat. You don't even gotta walk in.

2:19:04.800 --> 2:19:08.840
<v Speaker 1>You can smell it. That's money in there. But you

2:19:10.000 --> 2:19:12.520
<v Speaker 1>remember we jogged like I was like, I said that

2:19:12.760 --> 2:19:16.480
<v Speaker 1>the war Dolf is right there. How you know, smell

2:19:16.600 --> 2:19:22.200
<v Speaker 1>that ship. We were a mile away. Smell man. So

2:19:22.320 --> 2:19:29.640
<v Speaker 1>you're at the war Dolf, Drake Walters, right, you're in. Yeah,

2:19:30.440 --> 2:19:34.440
<v Speaker 1>what happens? What do you mean what happening? I'm asking you?

2:19:34.600 --> 2:19:38.280
<v Speaker 1>Walk in the elevator, Drake Warter? So, I mean, you know,

2:19:38.400 --> 2:19:41.920
<v Speaker 1>I don't know. I don't know. I mean, you know,

2:19:42.560 --> 2:19:45.400
<v Speaker 1>I'm fine, Like what is it to talk about? I mean,

2:19:45.440 --> 2:19:49.400
<v Speaker 1>we never really had We've never had conversations. We never

2:19:51.560 --> 2:19:58.040
<v Speaker 1>not an elevator. That's like two kids. It's anywhere, it

2:19:58.160 --> 2:20:01.760
<v Speaker 1>doesn't matter and anywhere, you know, it's just what it is.

2:20:02.040 --> 2:20:05.200
<v Speaker 1>Unless something happens. Something happens. It's what I'm just saying. Like,

2:20:05.400 --> 2:20:10.400
<v Speaker 1>if he said, y'all want to high let you be immediate. Yeah,

2:20:12.560 --> 2:20:15.960
<v Speaker 1>like you listen. You know, if he can say you

2:20:16.040 --> 2:20:19.520
<v Speaker 1>want dollars, probably just talk right. What I'm saying is,

2:20:19.680 --> 2:20:25.040
<v Speaker 1>let's most y'all in. Yeah, boy, bower what is it

2:20:25.120 --> 2:20:32.680
<v Speaker 1>called bower? Steakhouse? Right boy, steakhouse? Right? Line richies right here? Yeah,

2:20:32.959 --> 2:20:36.040
<v Speaker 1>right right there. You gotta throw line in there somehow,

2:20:36.160 --> 2:20:38.040
<v Speaker 1>somehow you got throw line up because he's like, you know,

2:20:38.120 --> 2:20:40.959
<v Speaker 1>he's mixed. You got thro all the minute, So line

2:20:41.080 --> 2:20:46.119
<v Speaker 1>is in the middle to drink. Still know, I'm just saying,

2:20:46.160 --> 2:20:48.440
<v Speaker 1>you gotta leave line with because no one wants to

2:20:48.520 --> 2:21:01.280
<v Speaker 1>fight in from the mine. Right. Let me cool. You're

2:21:01.320 --> 2:21:04.800
<v Speaker 1>walking on your point. You don't know your point yet.

2:21:05.200 --> 2:21:09.600
<v Speaker 1>You walk in the restaurant, right, trait is on the

2:21:09.680 --> 2:21:12.959
<v Speaker 1>other side. Right, you're on the other side. Right, it's

2:21:13.040 --> 2:21:17.600
<v Speaker 1>chuck man Jo. Do y'all speak, Do y'all give them?

2:21:17.840 --> 2:21:20.240
<v Speaker 1>You know, it's a universal thing. If you're black, when

2:21:20.320 --> 2:21:27.160
<v Speaker 1>she's a black person, do you give the head nods? No? Head, No,

2:21:27.240 --> 2:21:29.280
<v Speaker 1>I don't got much to talk about, man, I don't

2:21:29.320 --> 2:21:31.800
<v Speaker 1>have nothing but a head. No it's like university like you,

2:21:31.959 --> 2:21:36.600
<v Speaker 1>I could give a nigga scenarios. It's just black. I'm

2:21:36.640 --> 2:21:41.000
<v Speaker 1>fine with I think it's gonna happen right now. Y'all

2:21:41.040 --> 2:21:45.040
<v Speaker 1>got this. I don't know. You know, when you see

2:21:45.040 --> 2:21:48.080
<v Speaker 1>another black man, do you keep him the head nod

2:21:48.120 --> 2:21:51.960
<v Speaker 1>if you see him like this a my name? No,

2:21:52.080 --> 2:21:57.320
<v Speaker 1>I don't know what happened. I'm cool, I'm good. I

2:21:58.959 --> 2:22:03.560
<v Speaker 1>know a head not as a fellow black man in

2:22:03.640 --> 2:22:10.160
<v Speaker 1>the room. You know, don't do this minimum every the

2:22:10.280 --> 2:22:12.520
<v Speaker 1>head up, you know, especially when you're in the camp.

2:22:12.640 --> 2:22:17.440
<v Speaker 1>You just always you see another black name like saying,

2:22:17.520 --> 2:22:20.120
<v Speaker 1>he don't even get that. I'm cool. Like I listened,

2:22:20.160 --> 2:22:32.520
<v Speaker 1>bro listening work. I want to thank you for coming out,

2:22:32.600 --> 2:22:35.480
<v Speaker 1>hanging out with the drink chance being here with us.

2:22:35.560 --> 2:22:37.920
<v Speaker 1>We've been We've been waiting for you for so long,

2:22:38.240 --> 2:22:40.920
<v Speaker 1>and not because of this negative thing, because for the

2:22:41.040 --> 2:22:44.640
<v Speaker 1>positive thing from the beginning, Because people want to we

2:22:45.000 --> 2:22:47.119
<v Speaker 1>want to praise our legends. We want to praise people

2:22:47.160 --> 2:22:49.200
<v Speaker 1>while they head. We won't give the people their flowers

2:22:49.360 --> 2:22:51.560
<v Speaker 1>where they can smell them. They treat when they can

2:22:51.760 --> 2:22:53.560
<v Speaker 1>hell them. They thought's where they can think them when

2:22:53.560 --> 2:22:55.240
<v Speaker 1>they drinks, where they can drink them. You know what

2:22:55.280 --> 2:22:57.520
<v Speaker 1>I'm saying, Because so many people want to praise the person.

2:22:57.600 --> 2:22:59.640
<v Speaker 1>They want to say, this guy is the guy when

2:22:59.680 --> 2:23:02.040
<v Speaker 1>he's on and this guy na, But how about the

2:23:02.080 --> 2:23:04.520
<v Speaker 1>people when they are alive? That's what we want to do.

2:23:06.000 --> 2:23:08.840
<v Speaker 1>And I realized there's no platform for that. I realized that,

2:23:09.200 --> 2:23:10.720
<v Speaker 1>And this is the reason why me and my partner

2:23:10.840 --> 2:23:13.000
<v Speaker 1>DJ from we got together and we said, we're gonna

2:23:13.040 --> 2:23:15.320
<v Speaker 1>get people, these people that got ten years or more,

2:23:15.480 --> 2:23:17.360
<v Speaker 1>and we're gonna sit there and we're gonna celebrate them,

2:23:17.480 --> 2:23:20.480
<v Speaker 1>and especially people and and and most of the time

2:23:20.520 --> 2:23:22.520
<v Speaker 1>when they got ten years and more, it's not people

2:23:22.640 --> 2:23:26.200
<v Speaker 1>that they quote unquote say it's relevant. Right, So when

2:23:26.240 --> 2:23:29.080
<v Speaker 1>we got people that we can praise ten years and

2:23:29.160 --> 2:23:33.000
<v Speaker 1>more and that's relevant, it's it's a plus on a

2:23:33.080 --> 2:23:38.280
<v Speaker 1>plus on a plus. So we won't like to coming

2:23:39.280 --> 2:23:42.279
<v Speaker 1>because it's hard to fucking be ten years and relevant anyway.

2:23:42.640 --> 2:23:44.480
<v Speaker 1>So God damn it, thank you for coming here. And

2:23:44.520 --> 2:23:51.640
<v Speaker 1>hold us, let me take a picture of me, do

2:23:51.760 --> 2:24:02.240
<v Speaker 1>it man, hold on? Quiet us? Then this show pay

2:24:02.400 --> 2:24:04.920
<v Speaker 1>how mus in the rear? One hot one? You don't

2:24:04.959 --> 2:24:08.120
<v Speaker 1>want to feel one? He got his show. They always

2:24:08.160 --> 2:24:11.480
<v Speaker 1>sided by my presence, act right, I'm always being president.

2:24:11.959 --> 2:24:15.160
<v Speaker 1>Game in the show and he showed the Bendy shows

2:24:15.800 --> 2:24:19.800
<v Speaker 1>Bendy show him that, he showed he shot show holding

2:24:19.920 --> 2:24:22.360
<v Speaker 1>guns with guns. I used to leave back all the

2:24:22.480 --> 2:24:24.880
<v Speaker 1>way yep, but my son's making us out. This is

2:24:24.920 --> 2:24:28.400
<v Speaker 1>stecking what they're thinking. Movolulu work Now now you think

2:24:28.440 --> 2:24:32.160
<v Speaker 1>he kingpin shuring front clap niggers. That's the end of storm.

2:24:32.440 --> 2:24:35.360
<v Speaker 1>What told the soldiers hold the work? Just another second

2:24:35.440 --> 2:24:39.520
<v Speaker 1>for me? I'm street low when I'm firing. See you

2:24:39.720 --> 2:24:43.000
<v Speaker 1>ps heard that day was hot and he shown pay

2:24:43.120 --> 2:24:45.640
<v Speaker 1>how much in the real one? Hot one? You don't

2:24:45.680 --> 2:24:48.879
<v Speaker 1>want to feel one? He got this show. They always

2:24:48.920 --> 2:24:52.200
<v Speaker 1>hided by my presence act right, I'm always being president.

2:24:52.520 --> 2:24:55.720
<v Speaker 1>He gave in the show and he showed him Bendy show,

2:24:56.520 --> 2:24:59.400
<v Speaker 1>Bendy showed him. Bendy shown he got in. They shown

2:25:00.160 --> 2:25:03.760
<v Speaker 1>Bendy showed them Baby shown, Bendy showed him, Baby showed

2:25:04.120 --> 2:25:19.480
<v Speaker 1>he got in. He show band again again. They call

2:25:19.560 --> 2:25:22.560
<v Speaker 1>a podcast poppy niggas just kicking goes. Don't see they're

2:25:22.560 --> 2:25:26.200
<v Speaker 1>trying to copy comings in the change us down wrists

2:25:26.600 --> 2:25:29.840
<v Speaker 1>and you ain't never seen ship like this? What tell

2:25:29.920 --> 2:25:33.040
<v Speaker 1>me something. I don't know what. Tell me something. I

2:25:33.200 --> 2:25:36.480
<v Speaker 1>don't know what. Tell me something I don't know, Like

2:25:36.560 --> 2:25:39.320
<v Speaker 1>when this ship dropped home came into show cap ye

2:25:39.320 --> 2:25:42.080
<v Speaker 1>out on the late night. I'm to play fight see

2:25:42.200 --> 2:25:46.240
<v Speaker 1>five break night this live, but watch just like a

2:25:46.360 --> 2:25:48.960
<v Speaker 1>breaking late and you canna get it right on your

2:25:49.000 --> 2:25:51.840
<v Speaker 1>great side. Uh So tell me something I don't know.

2:25:52.200 --> 2:25:55.320
<v Speaker 1>Fifty dollar pizza when I'm eating it? So ho I

2:25:55.440 --> 2:25:57.920
<v Speaker 1>heard that you went love with the Coke co something

2:25:57.959 --> 2:26:00.440
<v Speaker 1>your nose hitting him, dance on the phone, hate me

2:26:00.640 --> 2:26:03.080
<v Speaker 1>to hate me? What should I do? Keep getting money?

2:26:03.160 --> 2:26:06.080
<v Speaker 1>It's funny, y'all, was just like you. Super Bowl Sunday

2:26:06.320 --> 2:26:09.440
<v Speaker 1>dream Chat put the facts security guard to Kevin Hart

2:26:09.480 --> 2:26:13.440
<v Speaker 1>to relax. Oh, tell me something about Joe know what?

2:26:14.000 --> 2:26:17.280
<v Speaker 1>Tell me something. I don't know what. Tell me something

2:26:17.360 --> 2:26:19.800
<v Speaker 1>I don't know, Like when this ship drops home came

2:26:19.840 --> 2:26:23.920
<v Speaker 1>into chow Call. Tell me something about Joe knows what?

2:26:24.440 --> 2:26:27.720
<v Speaker 1>Tell me something I don't know what. Tell me something

2:26:27.800 --> 2:26:30.240
<v Speaker 1>I don't know, Like when this ship drops home came

2:26:30.280 --> 2:26:31.080
<v Speaker 1>into Joke Car