1 00:00:11,800 --> 00:00:16,880 Speaker 1: And this drinks motherfucking podcast. He's a legendary queen's rapper. 2 00:00:17,040 --> 00:00:19,880 Speaker 1: He's Segre's your boy in the r He's a Miami 3 00:00:19,960 --> 00:00:23,240 Speaker 1: hippop pioneer, one of his dj e f n. Together 4 00:00:23,400 --> 00:00:26,280 Speaker 1: they drink it up with some of the biggest players 5 00:00:26,280 --> 00:00:30,560 Speaker 1: in the most professional unprofessional podcast and your number one 6 00:00:30,640 --> 00:00:34,400 Speaker 1: source for drunk fact drinks. Motherfucking every is New Year's Eve. 7 00:00:34,560 --> 00:00:47,720 Speaker 1: Let's time for drink chimp, drink up mother mother killers. 8 00:00:50,600 --> 00:00:54,560 Speaker 1: Then this Yong Hey Hamas in the rear one hot one, 9 00:00:54,680 --> 00:00:57,080 Speaker 1: you don't want to feel one he got made this show. 10 00:00:57,640 --> 00:01:01,080 Speaker 1: They always signed by my presence, right, I've always being 11 00:01:01,200 --> 00:01:04,800 Speaker 1: president man game in the show. Then he showed Bendy 12 00:01:04,880 --> 00:01:09,960 Speaker 1: shows Bendy show him that he showed shot show holding 13 00:01:10,000 --> 00:01:12,440 Speaker 1: guns with guns. I used to leave back all the 14 00:01:12,560 --> 00:01:14,920 Speaker 1: way yep, but my son's make us out. This is 15 00:01:14,920 --> 00:01:18,119 Speaker 1: the second look. They're thinking Movo Lulu work. Now now 16 00:01:18,160 --> 00:01:21,479 Speaker 1: I think he king Ben huring front clap niggas. That's 17 00:01:21,520 --> 00:01:24,319 Speaker 1: the end of story. What told us soldiers hold the work? 18 00:01:24,480 --> 00:01:28,560 Speaker 1: Just another second for me. I'm street low when I'm firing. 19 00:01:29,240 --> 00:01:37,920 Speaker 1: See us hurt that day was kill us. Bendy shown 20 00:01:38,680 --> 00:01:41,560 Speaker 1: pay Homas to the rear one hot one. You don't 21 00:01:41,600 --> 00:01:44,800 Speaker 1: want to feel one? He got? He shown they always 22 00:01:44,800 --> 00:01:48,080 Speaker 1: sided by my presence At right, I've always been president 23 00:01:48,240 --> 00:01:51,800 Speaker 1: man Game in the show Ben, he showed Bendy shows 24 00:01:52,400 --> 00:01:57,440 Speaker 1: Bendy showing that he showed shot shot holding guns with guns. 25 00:01:57,480 --> 00:01:59,680 Speaker 1: I used to leave back all the way yea with 26 00:01:59,760 --> 00:02:02,400 Speaker 1: my sons, snick us out. This is specking what they're 27 00:02:02,440 --> 00:02:05,840 Speaker 1: thinking Bolulu work. Now now you think he king Ben 28 00:02:06,280 --> 00:02:09,160 Speaker 1: shining front clap niggas. That's the end of storm. What 29 00:02:09,520 --> 00:02:12,280 Speaker 1: told us soldiers hold the work? Just another second for me? 30 00:02:13,320 --> 00:02:17,440 Speaker 1: I'm street low when I'm firing cups. Heard that day 31 00:02:17,520 --> 00:02:20,440 Speaker 1: was hot and he shown, Hey, how much in the 32 00:02:20,520 --> 00:02:23,239 Speaker 1: real one? Hot one? You don't want to feel one? 33 00:02:23,360 --> 00:02:26,800 Speaker 1: He got? Many shown say you're resigned by my presence? 34 00:02:27,080 --> 00:02:31,160 Speaker 1: Act right, I've always been impressed. Game. In the show Ben, 35 00:02:31,200 --> 00:02:34,200 Speaker 1: he showed the Bendy show. Bendy showed him that he 36 00:02:34,320 --> 00:02:37,840 Speaker 1: showed he got Bendy shown. Then he showed the Bendy 37 00:02:37,960 --> 00:02:41,239 Speaker 1: shown Bendy show him that he showed he got in 38 00:02:41,320 --> 00:02:57,960 Speaker 1: the show the game they call a podcast poppy niggas 39 00:02:57,960 --> 00:03:01,280 Speaker 1: just King Coe. They're trying to cop to Dummond's in 40 00:03:01,360 --> 00:03:03,880 Speaker 1: the change for us down rints and you ain't never 41 00:03:04,040 --> 00:03:07,040 Speaker 1: sing no ship like this? What sell me something? I 42 00:03:07,240 --> 00:03:11,040 Speaker 1: don't know what? Show me something I don't know. What. 43 00:03:11,480 --> 00:03:13,840 Speaker 1: Tell me something I don't know, Like when this ship 44 00:03:13,919 --> 00:03:16,440 Speaker 1: dropped home came into Joe call me out on the 45 00:03:16,520 --> 00:03:19,080 Speaker 1: late night. I was said to play fight see flying 46 00:03:19,160 --> 00:03:23,360 Speaker 1: break night. This lie pros watch is like a breaking 47 00:03:23,440 --> 00:03:26,320 Speaker 1: late and you gonna get it right on your gray side. 48 00:03:26,680 --> 00:03:29,440 Speaker 1: Uh So tell me something I don't know. Fifty dollar 49 00:03:29,520 --> 00:03:32,440 Speaker 1: pizza when I'm eating it? So ho I heard that 50 00:03:32,480 --> 00:03:34,960 Speaker 1: you went love with the Coke Coo something your nose 51 00:03:35,040 --> 00:03:37,320 Speaker 1: hitting him on the phone. We don't hate me to 52 00:03:37,400 --> 00:03:40,440 Speaker 1: hate me? What should I do? Keep getting money? It's funny, y'all, 53 00:03:40,520 --> 00:03:43,640 Speaker 1: was just like you. Super Bowl Sunday's Dream Chat with 54 00:03:43,760 --> 00:03:47,720 Speaker 1: the Facts security guard to Kevin Hart to relax, Oh, 55 00:03:48,000 --> 00:03:51,360 Speaker 1: tell me something about done know what? Show me something? 56 00:03:51,400 --> 00:03:54,680 Speaker 1: I don't know what. Tell me something I don't know, 57 00:03:54,800 --> 00:03:57,320 Speaker 1: Like when this ship dropped home came into Joe Coom, 58 00:03:58,480 --> 00:04:02,000 Speaker 1: Tell me something about Joe know. Tell me something I 59 00:04:02,000 --> 00:04:05,600 Speaker 1: don't know. Tell me something I don't know, Like when 60 00:04:05,600 --> 00:04:10,680 Speaker 1: this ship drops home came would it could be hoping 61 00:04:10,720 --> 00:04:12,920 Speaker 1: this with the super ship Boy and o R coming 62 00:04:12,960 --> 00:04:29,360 Speaker 1: close that door, that right now we have technically one 63 00:04:29,400 --> 00:04:33,840 Speaker 1: of the hottest rappers. That's not even technically technically it 64 00:04:34,000 --> 00:04:38,000 Speaker 1: is the hottest rapper in the game. When you when 65 00:04:38,000 --> 00:04:41,279 Speaker 1: you sware with the top dog and you come out 66 00:04:41,320 --> 00:04:43,520 Speaker 1: on top and they're saying that they don't even want 67 00:04:43,560 --> 00:04:46,960 Speaker 1: to come back, you're the top dog. That's why it's harder. 68 00:04:47,000 --> 00:04:49,080 Speaker 1: Floyd made one of the fight anybody because for that night, 69 00:04:49,400 --> 00:04:51,440 Speaker 1: that same people was on that same level. But let's 70 00:04:51,480 --> 00:04:55,160 Speaker 1: let's get go over. This man has continuously stayed relevant 71 00:04:55,200 --> 00:04:59,560 Speaker 1: in this game. He has. I was discovered by one 72 00:04:59,600 --> 00:05:02,719 Speaker 1: of the the most phenomenal what I call it the 73 00:05:02,760 --> 00:05:05,640 Speaker 1: best produce of our generation. Hit. Him and his brother 74 00:05:05,680 --> 00:05:09,000 Speaker 1: had a phenomenal group. They did phenomenal things. They continue 75 00:05:09,040 --> 00:05:12,080 Speaker 1: to do it. Then he had a whole another life 76 00:05:13,000 --> 00:05:16,440 Speaker 1: where he goes to this these these these other people 77 00:05:16,520 --> 00:05:19,880 Speaker 1: and then he makes he becomes greater. And if you 78 00:05:19,920 --> 00:05:21,680 Speaker 1: don't know who are you're talking about right now, we're 79 00:05:21,680 --> 00:05:24,280 Speaker 1: gonna talking about motherfucking push your teeth makes a look, 80 00:05:28,320 --> 00:05:29,920 Speaker 1: so push your tea. I want to take it. First. 81 00:05:30,120 --> 00:05:32,560 Speaker 1: Let me give you that bottle of dog Perry Yard. 82 00:05:31,839 --> 00:05:41,560 Speaker 1: We got you know, listen, we gave nobody dog show. 83 00:05:42,600 --> 00:05:52,400 Speaker 1: Take something when when you give you you trying you 84 00:05:53,800 --> 00:06:04,760 Speaker 1: myself my money? Yeah money right now, yeah you can here, 85 00:06:04,880 --> 00:06:06,640 Speaker 1: you can take what you was totally up to you. 86 00:06:06,640 --> 00:06:07,920 Speaker 1: You know what I'm saying, Cause you do have a 87 00:06:07,960 --> 00:06:10,599 Speaker 1: bottle of your own rose too, because you deserve to 88 00:06:10,600 --> 00:06:13,200 Speaker 1: have your own bottom rose. So I mean, before we 89 00:06:13,320 --> 00:06:15,520 Speaker 1: jump into that, I want to pick up to somebody. 90 00:06:16,360 --> 00:06:17,960 Speaker 1: I want to pick up to be Dot right from 91 00:06:18,040 --> 00:06:20,440 Speaker 1: rat radar, because be out from rat Radar. He's sitting 92 00:06:20,440 --> 00:06:22,720 Speaker 1: out a tweet the other day which was shocking to me, 93 00:06:22,960 --> 00:06:24,880 Speaker 1: and he said, I wonder where to push your t 94 00:06:25,120 --> 00:06:29,120 Speaker 1: interview was sound like about push your t's album, and 95 00:06:29,160 --> 00:06:33,240 Speaker 1: that messed me up because I was like, damn, you know, 96 00:06:33,880 --> 00:06:36,520 Speaker 1: I see all these mems you know, um, And I 97 00:06:36,560 --> 00:06:39,000 Speaker 1: think that's what's being overshadow right now is the great 98 00:06:39,120 --> 00:06:42,680 Speaker 1: body at the battle about the battle. So what I 99 00:06:42,720 --> 00:06:44,680 Speaker 1: want to do is I want to break down the 100 00:06:44,680 --> 00:06:49,080 Speaker 1: whole album as album we got got some number one 101 00:06:49,080 --> 00:06:51,120 Speaker 1: one song number one. I got into my own ship 102 00:06:51,200 --> 00:06:54,839 Speaker 1: right here. But if if it's if you know, you know, 103 00:06:59,200 --> 00:07:01,000 Speaker 1: what were we doing? What that what's that playing right there? 104 00:07:01,000 --> 00:07:07,000 Speaker 1: Who's bootlegging us already right here? But cool? So if 105 00:07:07,000 --> 00:07:10,600 Speaker 1: you don't even know how did that come together? Um, 106 00:07:10,640 --> 00:07:14,840 Speaker 1: if you know, you know that was that was one 107 00:07:14,880 --> 00:07:18,360 Speaker 1: of the one of the first joints that that me 108 00:07:18,440 --> 00:07:20,320 Speaker 1: and Kanye did. I feel like it was. It was 109 00:07:20,360 --> 00:07:24,040 Speaker 1: probably that might have been found in utass somewhere. That's 110 00:07:24,040 --> 00:07:27,600 Speaker 1: why yoming is that. No, Yeah, I got two different, 111 00:07:27,840 --> 00:07:30,680 Speaker 1: two different, but didn't didn't he remix the whole album 112 00:07:30,680 --> 00:07:33,640 Speaker 1: at some point? Yes, yes, So this is the first 113 00:07:33,680 --> 00:07:35,880 Speaker 1: of the remix. Yeah, this is the first of like 114 00:07:39,160 --> 00:07:42,360 Speaker 1: I'm about to I'm about to redo this, you know. Um, 115 00:07:42,400 --> 00:07:44,960 Speaker 1: you know, people don't know that. Like the process in 116 00:07:44,960 --> 00:07:47,040 Speaker 1: which I work with him is basically, I go and 117 00:07:47,080 --> 00:07:51,800 Speaker 1: get my beats from everywhere else, do it, boom, bring 118 00:07:51,800 --> 00:07:54,680 Speaker 1: it to him. Listen, this is my album. What you think. 119 00:07:55,640 --> 00:07:57,960 Speaker 1: We vie with it for like two three days, riding 120 00:07:57,960 --> 00:08:01,080 Speaker 1: around to it. You know. Um, He's like, um, I 121 00:08:01,120 --> 00:08:03,400 Speaker 1: think it's great. Like on the third day he was like, yo, 122 00:08:04,160 --> 00:08:06,000 Speaker 1: I think I can. I think I can produce this 123 00:08:06,160 --> 00:08:09,760 Speaker 1: way better than myself. He's basically telling you we're scrapping 124 00:08:09,800 --> 00:08:11,880 Speaker 1: this whole album. So I was like like you think. 125 00:08:11,920 --> 00:08:14,000 Speaker 1: So I was like, you know, now, mind you just 126 00:08:14,000 --> 00:08:15,920 Speaker 1: think about what he's at this time, because at this 127 00:08:15,960 --> 00:08:21,560 Speaker 1: time he's like it's dramas, you know, what's the time frame? 128 00:08:21,600 --> 00:08:28,040 Speaker 1: Just so we know more or less. Man, it's Trump. 129 00:08:28,400 --> 00:08:30,840 Speaker 1: No no, no, no, no no no no, it's the it's 130 00:08:30,880 --> 00:08:35,520 Speaker 1: the shows and the rants. And when he was doing 131 00:08:35,280 --> 00:08:37,880 Speaker 1: coming off the stag. So when he was done with that, 132 00:08:38,080 --> 00:08:39,800 Speaker 1: he was like, yo, you know, I think I could 133 00:08:39,800 --> 00:08:44,680 Speaker 1: do it better myself. And I'm like all right, I'm like, 134 00:08:44,880 --> 00:08:48,760 Speaker 1: let's over. So she was like, he was like, let's 135 00:08:48,800 --> 00:08:51,920 Speaker 1: go to um, let's go to Utah. So we go 136 00:08:51,960 --> 00:08:56,880 Speaker 1: to Utah or whatever alone there no, okay, no, no, 137 00:08:57,040 --> 00:09:05,120 Speaker 1: but Kobe was over. Kobe cold may not like the 138 00:09:05,200 --> 00:09:08,640 Speaker 1: end of way with there? Just did he just did 139 00:09:08,679 --> 00:09:10,439 Speaker 1: you see how you just flow up? And I'm just 140 00:09:10,679 --> 00:09:12,640 Speaker 1: telling you, I'm telling you what do you know what 141 00:09:12,679 --> 00:09:14,920 Speaker 1: I always wondered. I always wondered if you're signed the 142 00:09:14,960 --> 00:09:17,240 Speaker 1: good music and like doesn't like a style has come 143 00:09:17,360 --> 00:09:22,640 Speaker 1: with you, like like bots out, mother, what's the guy 144 00:09:22,760 --> 00:09:25,959 Speaker 1: Jeremy Scott? Just you know what I'm saying, Like, but ahead, 145 00:09:27,160 --> 00:09:29,160 Speaker 1: it ain't you like you're not just signing you're the 146 00:09:29,240 --> 00:09:33,240 Speaker 1: president of the label. But I was signed first. I 147 00:09:33,400 --> 00:09:35,040 Speaker 1: don't know what I'm saying now at this point, this 148 00:09:35,160 --> 00:09:38,760 Speaker 1: whole process the label as well, So yeah, Utah when 149 00:09:38,800 --> 00:09:41,520 Speaker 1: you know, you know, yeah, Utah, and you know, we just, um, 150 00:09:42,280 --> 00:09:44,679 Speaker 1: we're just cooking up, man, you're just cooking up. And uh, 151 00:09:46,120 --> 00:09:48,920 Speaker 1: you know, he was finding, basically finding his sound. So 152 00:09:49,000 --> 00:09:51,199 Speaker 1: it was always just about my album and at that 153 00:09:51,360 --> 00:09:56,880 Speaker 1: time between Utah then Wyoming, but we found, you know, 154 00:09:56,960 --> 00:09:59,400 Speaker 1: a lot of my album, found some of Tianna's album. 155 00:10:00,360 --> 00:10:02,600 Speaker 1: And then this is how all the seven all these 156 00:10:02,640 --> 00:10:06,080 Speaker 1: seven track albums are forming. Because then he's like, well, damn, 157 00:10:06,080 --> 00:10:08,679 Speaker 1: I gotta make me one and then poured something. We 158 00:10:08,720 --> 00:10:10,199 Speaker 1: gotta sit there right now. I'm sorry to cut you. 159 00:10:10,280 --> 00:10:12,719 Speaker 1: We gotta salute to you making that phenomenal body of 160 00:10:12,800 --> 00:10:15,400 Speaker 1: work on standing there and fighting with a lion and 161 00:10:15,840 --> 00:10:24,880 Speaker 1: in the jungle and damn it. What's so where were 162 00:10:24,960 --> 00:10:29,439 Speaker 1: you when Big Meat from the tigers in man? You 163 00:10:29,559 --> 00:10:32,800 Speaker 1: know that that's what he said on the door, and 164 00:10:33,679 --> 00:10:38,959 Speaker 1: you know, um, I was busy getting stripes like a 165 00:10:39,040 --> 00:10:41,880 Speaker 1: tighter skin. But it was like I was basically saying 166 00:10:41,920 --> 00:10:45,880 Speaker 1: in that line, like big Meat was the motivation back then, 167 00:10:46,040 --> 00:10:49,000 Speaker 1: for like if you was if you was outside like 168 00:10:49,240 --> 00:10:52,079 Speaker 1: trying to get to it. You you're hearing about these 169 00:10:52,240 --> 00:10:57,199 Speaker 1: uh amazing parties shout out Hannah Kane and uh it 170 00:10:57,360 --> 00:10:59,880 Speaker 1: was in Atlanta at this time, you know, just about 171 00:11:00,040 --> 00:11:03,280 Speaker 1: you know, the Elephants and the tigers and the line. 172 00:11:03,320 --> 00:11:04,760 Speaker 1: I've never been in one of those parts. I heard 173 00:11:04,800 --> 00:11:11,599 Speaker 1: about it where when this was going on, I was 174 00:11:11,679 --> 00:11:13,840 Speaker 1: just saying, that was my inspiration. That was my motivation. 175 00:11:14,040 --> 00:11:16,040 Speaker 1: I don't know what everybody else was motivated by, but 176 00:11:16,720 --> 00:11:19,839 Speaker 1: that was that's what was moving me. Oh my god. Man, 177 00:11:20,480 --> 00:11:23,840 Speaker 1: So we're gonna move on to the games we play. 178 00:11:26,840 --> 00:11:30,120 Speaker 1: Speak about that, man, the games we play. Um, it 179 00:11:30,280 --> 00:11:32,960 Speaker 1: was just speaking about the competitive nature of like hustlers, 180 00:11:33,679 --> 00:11:37,559 Speaker 1: like just speaking about how the competitive energy like you 181 00:11:37,559 --> 00:11:39,160 Speaker 1: know what I'm saying, and then putting it in the 182 00:11:39,240 --> 00:11:45,280 Speaker 1: club atmosphere. You know. Um, sometimes like man, I've been 183 00:11:45,320 --> 00:11:52,480 Speaker 1: in this for sixteen years for realise and you know 184 00:11:52,679 --> 00:11:56,280 Speaker 1: some sometimes sometimes I gotta go seek out and find 185 00:11:56,360 --> 00:12:00,280 Speaker 1: that energy, you know what I'm saying. Find that, Well, 186 00:12:00,320 --> 00:12:02,800 Speaker 1: that's different. I didn't find Bale, but we can get in. 187 00:12:05,520 --> 00:12:09,920 Speaker 1: But you know, sometimes you gotta go find that energy. Um. 188 00:12:11,000 --> 00:12:14,240 Speaker 1: I've lived through different eras, you know, different eras, music 189 00:12:14,320 --> 00:12:17,480 Speaker 1: has changed, so on and so forth. But regardless to 190 00:12:17,559 --> 00:12:22,400 Speaker 1: what the street energy always to me is what runs it. Like, 191 00:12:22,520 --> 00:12:25,840 Speaker 1: it's that street energy that really sets it off. That's 192 00:12:25,880 --> 00:12:28,319 Speaker 1: where you can go in and and and and feel 193 00:12:28,400 --> 00:12:30,800 Speaker 1: what's hot. You know what I'm saying. You got to 194 00:12:30,840 --> 00:12:33,280 Speaker 1: watch Summer Jam um, or you didn't get it. I didn't. 195 00:12:33,280 --> 00:12:34,720 Speaker 1: I didn't get to see it all. I've seen pieces 196 00:12:34,760 --> 00:12:36,959 Speaker 1: of it I see, I've seen people, I've seen the 197 00:12:37,000 --> 00:12:40,760 Speaker 1: whole thing. And to allude to what you're just saying, 198 00:12:41,200 --> 00:12:44,120 Speaker 1: when meat mil came there, I felt that because that's 199 00:12:44,120 --> 00:12:47,120 Speaker 1: where I come from. Like at the end of the day, Um, 200 00:12:47,679 --> 00:12:51,360 Speaker 1: you guys dropped three albums, and I tell people, Um, 201 00:12:52,040 --> 00:12:55,800 Speaker 1: first off, what's what's the ship? Kids see goes? Sometimes? Yeah, 202 00:12:56,880 --> 00:13:02,000 Speaker 1: sometimes it's almost deaf. That's gotta be most deaf man. 203 00:13:02,040 --> 00:13:05,800 Speaker 1: You'll see y'all give this drain that's little. But anyway, 204 00:13:06,400 --> 00:13:08,439 Speaker 1: that album, since that Ship came out, I listened to 205 00:13:08,480 --> 00:13:11,240 Speaker 1: it every morning, right, So I said, these motherfucker's have 206 00:13:11,360 --> 00:13:15,640 Speaker 1: made a morning, afternoon, and nighttime album. Like that's how 207 00:13:15,720 --> 00:13:17,199 Speaker 1: I look at it. Like I listen to you in 208 00:13:17,240 --> 00:13:19,719 Speaker 1: the afternoon and then you know, I gotta go to 209 00:13:19,800 --> 00:13:23,160 Speaker 1: you at nighttime. You know what I'm saying. So okay, 210 00:13:23,320 --> 00:13:27,200 Speaker 1: um now, so let me let me get back. Let's 211 00:13:27,320 --> 00:13:28,719 Speaker 1: stay stick with the album because I don't want to 212 00:13:28,760 --> 00:13:31,360 Speaker 1: cause I got so much shit so much so the 213 00:13:31,400 --> 00:13:34,160 Speaker 1: games we play we covered that already. Now now this 214 00:13:34,280 --> 00:13:36,720 Speaker 1: is this is this? This one was kind of um 215 00:13:36,880 --> 00:13:39,520 Speaker 1: tricky for me because you kept that this is what 216 00:13:39,600 --> 00:13:42,559 Speaker 1: I was saying earlier, the meek Mill thing, like like 217 00:13:42,800 --> 00:13:45,920 Speaker 1: I identified with your album, Like I can sit there 218 00:13:46,000 --> 00:13:48,760 Speaker 1: and visualize your album. Your album is a book slash 219 00:13:48,840 --> 00:13:51,600 Speaker 1: a movie to me because I see every single thing 220 00:13:51,679 --> 00:13:53,960 Speaker 1: that you're saying. Because I got identified, I can relate 221 00:13:54,000 --> 00:13:56,160 Speaker 1: to with it in some way. It was another person 222 00:13:56,200 --> 00:13:59,960 Speaker 1: who identified relate with is Rick Ross. You guys collaborated 223 00:14:00,000 --> 00:14:02,840 Speaker 1: on it because this is this is a seven piece body. 224 00:14:03,720 --> 00:14:06,120 Speaker 1: You have to be very selective or who and why 225 00:14:06,160 --> 00:14:08,200 Speaker 1: are you're gonna pick the shore? So why was mc 226 00:14:08,280 --> 00:14:12,080 Speaker 1: ross before we get into that particular Because Rick Ross 227 00:14:12,240 --> 00:14:15,200 Speaker 1: is one of the only wrappers that I can give 228 00:14:15,240 --> 00:14:17,240 Speaker 1: a beat too. I give him my beat and I 229 00:14:17,280 --> 00:14:19,000 Speaker 1: give him my verse, and I can turn my back 230 00:14:19,080 --> 00:14:21,840 Speaker 1: on that situation. And I know he's going to deliver 231 00:14:22,480 --> 00:14:27,040 Speaker 1: period like he gonna say everything on topic on par 232 00:14:27,680 --> 00:14:30,800 Speaker 1: he gonna you know, he listen, I have been saying, 233 00:14:31,720 --> 00:14:36,480 Speaker 1: so I've been saying, um, um, your money's going every 234 00:14:36,520 --> 00:14:39,800 Speaker 1: other month, like that's what he That was a bar 235 00:14:40,000 --> 00:14:42,880 Speaker 1: in his in his verse with mine, and I'm just 236 00:14:43,000 --> 00:14:45,600 Speaker 1: thinking to myself, man, that is the illest way to 237 00:14:45,680 --> 00:14:49,600 Speaker 1: call somebody broke as a motherfucker. Your money's going every 238 00:14:49,640 --> 00:14:54,480 Speaker 1: other month like and it's simple, concise, but it gets 239 00:14:54,560 --> 00:14:58,200 Speaker 1: to the point and I'm like, man, you know, you know, 240 00:14:58,600 --> 00:15:01,560 Speaker 1: you know sometimes sometimes like you know, I'm rapping and 241 00:15:01,640 --> 00:15:04,840 Speaker 1: I'm I'm a over wrap. But then you need that 242 00:15:04,960 --> 00:15:07,840 Speaker 1: dichotomy for him to just nail ship like that, and 243 00:15:07,920 --> 00:15:10,280 Speaker 1: he kills it. Let's make some noise for dichotomy. That 244 00:15:13,520 --> 00:15:23,760 Speaker 1: was hard, you know what? That? Yeah? So all right too, 245 00:15:23,920 --> 00:15:26,400 Speaker 1: So now you guys work on this record boom. How 246 00:15:26,480 --> 00:15:29,640 Speaker 1: does this come about? Um No, Actually, he was in 247 00:15:29,800 --> 00:15:34,040 Speaker 1: he was in Africa. Ross was in Africa, and I 248 00:15:34,240 --> 00:15:37,120 Speaker 1: was um I had said everything I wanted to say 249 00:15:37,880 --> 00:15:41,080 Speaker 1: on in that verse, and I was like, damn, it 250 00:15:41,240 --> 00:15:44,240 Speaker 1: was feeling whacked to me. Writing another verse, I was like, man, 251 00:15:44,280 --> 00:15:47,160 Speaker 1: I'm just I'm just run on rapping. I was like, man, 252 00:15:47,240 --> 00:15:50,560 Speaker 1: let me reach out to the go to to Ross 253 00:15:51,000 --> 00:15:53,760 Speaker 1: and he was actually in Africa and they were just like, Yo, 254 00:15:53,880 --> 00:15:55,560 Speaker 1: send it over, we're gonna knock that shot out. And 255 00:15:55,640 --> 00:15:57,320 Speaker 1: he's I swear to God, he's sending it back in 256 00:15:57,360 --> 00:16:01,960 Speaker 1: two days in Africa. I believe he found a factory 257 00:16:02,080 --> 00:16:11,520 Speaker 1: and he had yea drink chance alum nine. So let 258 00:16:11,560 --> 00:16:13,680 Speaker 1: me let me just also say something that I appreciate 259 00:16:13,800 --> 00:16:15,800 Speaker 1: as a as a as a Latin. You know, man 260 00:16:16,240 --> 00:16:19,640 Speaker 1: like you has a lot of Latin. Then if we 261 00:16:19,680 --> 00:16:23,440 Speaker 1: got to get to that, come on you run down, 262 00:16:23,760 --> 00:16:27,240 Speaker 1: So come come back baby, right Okay, now let's get 263 00:16:27,280 --> 00:16:31,600 Speaker 1: into that. Come back baby, um, come back baby. Like 264 00:16:32,000 --> 00:16:33,520 Speaker 1: when you think about it, I hadn't put out an 265 00:16:33,520 --> 00:16:35,720 Speaker 1: album in three years. I can't wait because we're gonna 266 00:16:35,720 --> 00:16:38,280 Speaker 1: talk about that too, and and and me and Drink Champs. 267 00:16:38,320 --> 00:16:40,520 Speaker 1: As far as that, yes, yes, yes, we've been waiting 268 00:16:40,520 --> 00:16:42,800 Speaker 1: for this. You wanted a long time. Let me something 269 00:16:43,480 --> 00:16:45,320 Speaker 1: before you're far to drake you was still one of 270 00:16:45,360 --> 00:16:49,320 Speaker 1: the most requested guests from because I guess the people 271 00:16:49,480 --> 00:16:51,520 Speaker 1: you know, they want that, they want these stories for 272 00:16:51,560 --> 00:16:57,240 Speaker 1: these people that so so you know, we'll come back baby. 273 00:16:57,240 --> 00:17:01,320 Speaker 1: It was like boom yeah, appointed me president of Good 274 00:17:01,400 --> 00:17:04,000 Speaker 1: Music UM. At the same time, I was doing this 275 00:17:04,160 --> 00:17:09,200 Speaker 1: prison reform uh with Hillary. Yeah, with Hillary by the 276 00:17:09,240 --> 00:17:12,560 Speaker 1: way for helping let that trying to figure out out 277 00:17:12,720 --> 00:17:16,000 Speaker 1: as well as UM. Obama was still in office, going 278 00:17:16,040 --> 00:17:19,040 Speaker 1: to you know, the White House every so often. I 279 00:17:19,200 --> 00:17:27,280 Speaker 1: wasn't doing music period UM good Music checks. Yeah. A 280 00:17:27,320 --> 00:17:29,920 Speaker 1: lot of people can't say that you do music. And 281 00:17:30,920 --> 00:17:34,320 Speaker 1: you know, it went from you know, I put out 282 00:17:34,400 --> 00:17:37,800 Speaker 1: I put out an album executive produced by puff Um 283 00:17:38,119 --> 00:17:41,960 Speaker 1: called Darctors Before Dawn, and people were like, yo, you know, 284 00:17:42,640 --> 00:17:44,760 Speaker 1: you know, you just hear you know, with social media, 285 00:17:44,800 --> 00:17:46,640 Speaker 1: you get all the critiques. It's like, man, he's still 286 00:17:46,680 --> 00:17:51,240 Speaker 1: talking about dope whatever. I was like, okay, cool. I 287 00:17:51,280 --> 00:17:53,480 Speaker 1: didn't put out no music. I was doing these these 288 00:17:53,920 --> 00:17:59,000 Speaker 1: other separate projects, and you know, as as time went on, 289 00:17:59,520 --> 00:18:01,800 Speaker 1: it was like, damn, my damn, should could use some 290 00:18:01,960 --> 00:18:05,720 Speaker 1: coke wrap right now? And you know, and this is 291 00:18:05,800 --> 00:18:07,760 Speaker 1: what people are saying, and I'm like, damn, just look 292 00:18:08,440 --> 00:18:11,200 Speaker 1: just last year y'all were saying, you know, it was 293 00:18:11,280 --> 00:18:14,240 Speaker 1: too much of that whatever. Comeback, Maybe this to fix 294 00:18:14,320 --> 00:18:18,280 Speaker 1: you need like that that that was the whole period. Yeah, 295 00:18:18,600 --> 00:18:21,400 Speaker 1: you know, and you feel like this is your Purple Take. Yes, 296 00:18:21,640 --> 00:18:26,960 Speaker 1: I feel like I feel like this is like for 297 00:18:27,080 --> 00:18:31,000 Speaker 1: those that don't know the Purple take control a summer. 298 00:18:31,119 --> 00:18:32,600 Speaker 1: For there's a lot of people that might not know 299 00:18:32,680 --> 00:18:34,520 Speaker 1: the youngest thing. And I don't want to say control 300 00:18:34,600 --> 00:18:37,760 Speaker 1: the summer of New York City because it controlled to something. Yeah, 301 00:18:37,800 --> 00:18:39,640 Speaker 1: like wou Tape was the first group that you knew 302 00:18:39,640 --> 00:18:42,879 Speaker 1: where it was from, but they transisted, They transcended like 303 00:18:43,000 --> 00:18:45,560 Speaker 1: you know where they was and that Cope tape. So 304 00:18:45,640 --> 00:18:47,840 Speaker 1: when he said he said he said, I am your 305 00:18:47,920 --> 00:18:50,640 Speaker 1: Ray and Ghosts, this is my Purple Tape, I was like, Oh, 306 00:18:53,640 --> 00:19:01,800 Speaker 1: now is the holy Grail like of an album. To me, 307 00:19:02,040 --> 00:19:06,639 Speaker 1: It's like, did you speak the rad a Ghosts that 308 00:19:06,840 --> 00:19:10,800 Speaker 1: had that proud of you? Yeah? I think you know, 309 00:19:11,000 --> 00:19:14,879 Speaker 1: I was trying, Yeah, and just to give some insight 310 00:19:15,040 --> 00:19:18,280 Speaker 1: on the whole Purple Tape concept when we were um. 311 00:19:19,359 --> 00:19:20,880 Speaker 1: By the time, you know, like I said, this ship 312 00:19:20,960 --> 00:19:24,600 Speaker 1: was done between Utah Wyoman, more so Wyoming. By the 313 00:19:24,680 --> 00:19:27,439 Speaker 1: time I got the Wyoman, it was like, YO, make 314 00:19:27,520 --> 00:19:30,280 Speaker 1: a list of like twenty five records that you just love, 315 00:19:31,280 --> 00:19:35,840 Speaker 1: and man, I'm like Glaciers of Ice ratings. It's just 316 00:19:35,960 --> 00:19:39,640 Speaker 1: certain things, records that you love that like, yeah, yeah, 317 00:19:40,040 --> 00:19:42,640 Speaker 1: people like and so then we go through that list 318 00:19:43,920 --> 00:19:46,879 Speaker 1: and we get elements from those records. We would just 319 00:19:47,000 --> 00:19:51,200 Speaker 1: listen to that list and he'd be like, that's this 320 00:19:51,240 --> 00:19:53,879 Speaker 1: feeling we need. We need that feeling right there, Like, 321 00:19:54,000 --> 00:19:56,080 Speaker 1: if you don't hit like this, then they don't make it. 322 00:19:56,240 --> 00:19:58,760 Speaker 1: So then we take some of them off and then 323 00:19:59,080 --> 00:20:00,840 Speaker 1: you know, by the time we finished the list, let's 324 00:20:00,880 --> 00:20:03,760 Speaker 1: probably out ten out of twenty five. Now I had 325 00:20:03,800 --> 00:20:05,760 Speaker 1: my list of twenty five. He had his own list 326 00:20:05,800 --> 00:20:10,800 Speaker 1: of five. Engineer might have had a list of what 327 00:20:10,920 --> 00:20:13,119 Speaker 1: a couple of records, man, I mean I remember Devil's 328 00:20:13,160 --> 00:20:23,320 Speaker 1: Pie D'Angelo. Yeah, it was it was it was inspiring stuff, 329 00:20:24,800 --> 00:20:30,680 Speaker 1: miseducation stuff. Mine was really was heavy Rison, glaciers and 330 00:20:30,800 --> 00:20:35,200 Speaker 1: conserrated gould faces. I mean, you know, and you know 331 00:20:35,320 --> 00:20:38,840 Speaker 1: that's how we built the at least the feeling of 332 00:20:38,920 --> 00:20:41,040 Speaker 1: the album. That's what we were trying to go. That's 333 00:20:41,040 --> 00:20:43,479 Speaker 1: a dope that's a dope concept and way to put 334 00:20:43,560 --> 00:20:46,399 Speaker 1: together in album. Now, that's ill. That's um. I remember 335 00:20:46,440 --> 00:20:48,520 Speaker 1: for else he do something similar like that to me. 336 00:20:48,560 --> 00:20:50,960 Speaker 1: He used to make me listen to records like I remember, 337 00:20:51,119 --> 00:20:53,399 Speaker 1: um I said the story. I don't know if I 338 00:20:53,520 --> 00:20:56,280 Speaker 1: ever said it on the podcast, but remember Fabuleus is 339 00:20:56,520 --> 00:21:01,480 Speaker 1: hollyback Younger was actually my record and it was infinitely 340 00:21:01,600 --> 00:21:05,280 Speaker 1: was it was it was, but it was Ice Ice Baby, 341 00:21:05,359 --> 00:21:07,560 Speaker 1: that was Vanilla's ice. So he told me, you gotta 342 00:21:07,560 --> 00:21:09,159 Speaker 1: listen to the Ice Ice Baby. It was just like 343 00:21:09,240 --> 00:21:12,159 Speaker 1: your version of it. Yeah, but listen, now, listen to it. 344 00:21:12,320 --> 00:21:17,399 Speaker 1: How about absolutely listen to Ice like Ice Ice Baby, 345 00:21:18,000 --> 00:21:20,320 Speaker 1: the same thing. But I was like he was a 346 00:21:20,400 --> 00:21:22,480 Speaker 1: genius because I was like, but I just hated Ice 347 00:21:22,560 --> 00:21:26,320 Speaker 1: Ice Baby at that time so much. I was like, no, no, no, 348 00:21:26,600 --> 00:21:29,040 Speaker 1: this was like when he was becoming cool again. But 349 00:21:29,160 --> 00:21:32,560 Speaker 1: I don't think again. I think no, Ice Ice Baby, 350 00:21:32,560 --> 00:21:36,000 Speaker 1: it's cool. Man. Come on, there's someone in here who 351 00:21:36,520 --> 00:21:41,000 Speaker 1: jumps in the five point off. That's cool record and 352 00:21:41,400 --> 00:21:43,920 Speaker 1: records right now we're looking at us like, damn this 353 00:21:44,000 --> 00:21:49,000 Speaker 1: bad record. That's real. That's man, all right, So boom, 354 00:21:49,920 --> 00:21:56,200 Speaker 1: never trust a bit who finds and not camera. We 355 00:21:56,359 --> 00:21:59,639 Speaker 1: need to understand he will fuck you then turn it around. 356 00:21:59,680 --> 00:22:03,080 Speaker 1: And but what are we what are we saying? Because 357 00:22:03,080 --> 00:22:05,480 Speaker 1: the new generation you gotta explain to them. Bush, you 358 00:22:05,560 --> 00:22:08,040 Speaker 1: gotta explain to the understanding, Like you know, I feel 359 00:22:08,080 --> 00:22:11,040 Speaker 1: like the club like that they gotta lot. No, I'm 360 00:22:11,080 --> 00:22:15,719 Speaker 1: just saying that if the attention, if the attention is uh, 361 00:22:16,520 --> 00:22:20,440 Speaker 1: that that attention hungry, you can find love in that. 362 00:22:21,680 --> 00:22:23,600 Speaker 1: You know, as soon as you if they can get 363 00:22:23,640 --> 00:22:26,080 Speaker 1: that attention from anywhere, they'll they'll they'll they'll take it 364 00:22:26,240 --> 00:22:29,359 Speaker 1: from anywhere. They'll take it from anywhere. And and you 365 00:22:29,440 --> 00:22:32,840 Speaker 1: know it's not it's no uh, it's no, it's no 366 00:22:33,160 --> 00:22:35,800 Speaker 1: ranking level. Just wherever they get the attention from, that's 367 00:22:35,800 --> 00:22:38,600 Speaker 1: where they're gonna take it. So it can be you know, 368 00:22:38,880 --> 00:22:41,720 Speaker 1: you know you think that you you know, young millionaire 369 00:22:41,720 --> 00:22:44,080 Speaker 1: out here doing your thing, you know what I'm saying, 370 00:22:44,200 --> 00:22:47,760 Speaker 1: or you know, streets, you know, whatever it is, balling, whatever, 371 00:22:48,240 --> 00:22:50,840 Speaker 1: it doesn't matter. Because the other day I went to 372 00:22:50,960 --> 00:22:54,840 Speaker 1: a restaurant and I see two guys and I see 373 00:22:54,920 --> 00:22:57,520 Speaker 1: two girls. But the two girls the whole time, but 374 00:22:57,720 --> 00:23:00,720 Speaker 1: like this they were they felt like it was like 375 00:23:00,760 --> 00:23:03,760 Speaker 1: a reality show. So whoever wasn't there They were there 376 00:23:03,840 --> 00:23:06,120 Speaker 1: as well on his date with them, and I looked 377 00:23:06,119 --> 00:23:08,080 Speaker 1: and I was like, how fun could that be? Like 378 00:23:08,200 --> 00:23:10,040 Speaker 1: you're sitting there. You just meet these chicks and they 379 00:23:10,359 --> 00:23:12,840 Speaker 1: want to want to, like, you know, document everything that's 380 00:23:12,880 --> 00:23:16,480 Speaker 1: actually going down. So that's what I figured that something 381 00:23:16,520 --> 00:23:18,440 Speaker 1: like you ain't see. I'm not trying to plug this show, 382 00:23:18,520 --> 00:23:21,880 Speaker 1: but parents Hilton got to show on Vice now where 383 00:23:21,880 --> 00:23:25,240 Speaker 1: it's exposing like people trying to be popular through social media. 384 00:23:25,760 --> 00:23:28,199 Speaker 1: His parents, his parents, Hilton doing it. Wow, I think 385 00:23:28,240 --> 00:23:30,359 Speaker 1: it's Hollywood something, but it's it's kind of ill and 386 00:23:30,520 --> 00:23:34,800 Speaker 1: it caught my attention. That's okay. Now we went with 387 00:23:34,880 --> 00:23:38,000 Speaker 1: all you drink it. We're still drinking. We're still drinking. Okay, man, 388 00:23:39,000 --> 00:23:44,160 Speaker 1: goddamn Okay. Now, Now, as a Spanish person, I used 389 00:23:44,160 --> 00:23:47,680 Speaker 1: to be scared even say that. Yeah, they're serious, like 390 00:23:48,080 --> 00:23:50,480 Speaker 1: you gotta be like you gotta be like for real, 391 00:23:50,600 --> 00:23:52,239 Speaker 1: like to even sit because they say that. Even when 392 00:23:52,280 --> 00:23:55,560 Speaker 1: you say it, it invites the spirits. Na. Man, it's 393 00:23:55,600 --> 00:24:01,280 Speaker 1: not that you did a record for me and you said, 394 00:24:02,440 --> 00:24:03,920 Speaker 1: I don't know if you knew, but you said a 395 00:24:04,000 --> 00:24:05,560 Speaker 1: lyric that was somes that here. I mean, I was 396 00:24:05,600 --> 00:24:09,960 Speaker 1: trying to be hard. I told you, I told you 397 00:24:10,040 --> 00:24:13,560 Speaker 1: I froze a motherfucker. I was trying to be hard, 398 00:24:13,600 --> 00:24:17,080 Speaker 1: but I was always yea, So how how did you 399 00:24:17,200 --> 00:24:20,159 Speaker 1: come with that? Because obviously you have Spanish friends, obviously 400 00:24:20,160 --> 00:24:22,639 Speaker 1: you have Spanish influence around you, but so you had 401 00:24:22,720 --> 00:24:25,880 Speaker 1: to know, like because that's like really really, that's really 402 00:24:25,960 --> 00:24:32,320 Speaker 1: likes that's my that's my That's probably my favorite record 403 00:24:32,400 --> 00:24:36,639 Speaker 1: on the album. And uh she signed the singers Saint 404 00:24:36,680 --> 00:24:38,840 Speaker 1: signed to Good Music, right, Yes her name is Shake. 405 00:24:39,480 --> 00:24:46,720 Speaker 1: Yeah she's all over. But but that record was made 406 00:24:48,359 --> 00:24:50,960 Speaker 1: after the death of my role manager, my role manager 407 00:24:51,080 --> 00:24:55,760 Speaker 1: that killed. So, um, just to give you the backstory 408 00:24:56,040 --> 00:25:01,040 Speaker 1: of like just where my mind was at. So you know, basically, 409 00:25:01,119 --> 00:25:03,320 Speaker 1: we want the road, it's time to make the album, 410 00:25:03,400 --> 00:25:05,119 Speaker 1: so we get off the road and just show you 411 00:25:05,280 --> 00:25:07,119 Speaker 1: the type of guy he is. So he's like my 412 00:25:07,359 --> 00:25:10,040 Speaker 1: road manager to a manager. This is what he does. 413 00:25:10,160 --> 00:25:16,720 Speaker 1: His name is Day Day. Yeah for sure. And he 414 00:25:17,040 --> 00:25:22,040 Speaker 1: ended up going as a roadie for uh Nicki Minaj. 415 00:25:23,240 --> 00:25:26,960 Speaker 1: So they're on the road, you know the way I 416 00:25:27,040 --> 00:25:30,080 Speaker 1: got it. I think they were going, um, I'm just 417 00:25:30,119 --> 00:25:35,040 Speaker 1: going to get something to eat and simple, I mean, 418 00:25:35,320 --> 00:25:41,000 Speaker 1: nonsense altercation. Uh he ends up getting stabbed and ends 419 00:25:41,080 --> 00:25:48,680 Speaker 1: up dying, and yeah, like crazy and now not a 420 00:25:48,760 --> 00:25:51,920 Speaker 1: twist about it is it's like he's a church kid, 421 00:25:52,920 --> 00:25:56,119 Speaker 1: so like this is like, you know, I used to 422 00:25:56,200 --> 00:25:58,720 Speaker 1: curse him out like every day, like just you know, 423 00:25:58,880 --> 00:26:02,480 Speaker 1: just bugging. But I used to like, you know, we 424 00:26:02,600 --> 00:26:04,639 Speaker 1: had a really good relationship, and I gave him as 425 00:26:04,880 --> 00:26:08,320 Speaker 1: really his first shot at being like, you know, a 426 00:26:08,520 --> 00:26:10,879 Speaker 1: role manager, like I got him from Pharrell. He used 427 00:26:10,920 --> 00:26:12,880 Speaker 1: to work with n the r D. Rody Roddy Rody. 428 00:26:12,960 --> 00:26:14,680 Speaker 1: I was like, no, come on you you're about to 429 00:26:14,720 --> 00:26:18,600 Speaker 1: be let's let's raise it up. He was great at it. 430 00:26:19,359 --> 00:26:21,280 Speaker 1: And he used to put together my bands, and I 431 00:26:21,440 --> 00:26:22,919 Speaker 1: used to I used to be like, man, why am 432 00:26:22,960 --> 00:26:27,960 Speaker 1: I band together? His name? He was used to take, 433 00:26:28,280 --> 00:26:32,320 Speaker 1: he used to take God from the church and you know, 434 00:26:33,040 --> 00:26:35,320 Speaker 1: just you know, put my band together. So he wasn't 435 00:26:37,200 --> 00:26:39,360 Speaker 1: that what I'm trying to just give you the whole thing. 436 00:26:40,320 --> 00:26:45,600 Speaker 1: So my mind at the time was on some like okay, 437 00:26:46,840 --> 00:26:48,920 Speaker 1: the first line, now that the tears drying, the pain 438 00:26:49,000 --> 00:26:52,560 Speaker 1: takes over, let's talk this payola. You kill God's baby 439 00:26:52,600 --> 00:26:54,680 Speaker 1: And it wasn't his willing and blood spill. We can't 440 00:26:54,680 --> 00:26:58,840 Speaker 1: talk this ship over, you know. And it's like it's like, man, 441 00:26:58,880 --> 00:27:00,680 Speaker 1: you know, me being in a position I am in 442 00:27:00,720 --> 00:27:05,879 Speaker 1: a position of music, money, having things and just the 443 00:27:05,960 --> 00:27:09,600 Speaker 1: opportunity to be like I can call that shot like 444 00:27:09,760 --> 00:27:11,480 Speaker 1: you know, and it's it's that tub of war of 445 00:27:11,640 --> 00:27:14,760 Speaker 1: like damn, you know, do you really do you do this? 446 00:27:14,880 --> 00:27:18,760 Speaker 1: Do you play with this? Do you go? You can? 447 00:27:19,640 --> 00:27:23,440 Speaker 1: You want to? You know what I'm saying. And it's 448 00:27:23,520 --> 00:27:25,280 Speaker 1: like then you think about him and it's like, man, 449 00:27:27,720 --> 00:27:29,560 Speaker 1: if you want that, you know what I'm saying, And 450 00:27:29,600 --> 00:27:36,959 Speaker 1: it's like it was a whole Yeah, I didn't live 451 00:27:37,000 --> 00:27:39,640 Speaker 1: with that. Well. I still don't live with that well actually, 452 00:27:39,880 --> 00:27:43,440 Speaker 1: and that's how you came with exactly because I'm playing 453 00:27:43,520 --> 00:27:48,720 Speaker 1: the priest the whole song, I'm playing you know, war 454 00:27:48,800 --> 00:27:52,760 Speaker 1: between the religion, so it's like, you know, I'm like 455 00:27:52,920 --> 00:27:56,760 Speaker 1: calling the shots as a priest. Okay, now this this 456 00:27:56,880 --> 00:28:00,080 Speaker 1: one was the title for me was a shock with 457 00:28:00,240 --> 00:28:04,000 Speaker 1: me do right? Because I was I would I thought 458 00:28:04,040 --> 00:28:14,000 Speaker 1: it would be what would be to do from with me? 459 00:28:14,160 --> 00:28:16,600 Speaker 1: And just it threw me off for looke, what's up 460 00:28:16,640 --> 00:28:19,800 Speaker 1: your ducking down cameras over there? So this tow me 461 00:28:19,880 --> 00:28:23,840 Speaker 1: for a loop? The title? What made you pick that title? Um? 462 00:28:24,240 --> 00:28:30,720 Speaker 1: And you obviously talk about me, you know, um meek 463 00:28:30,960 --> 00:28:34,120 Speaker 1: um meet and somebody I wanted on the album. Meek 464 00:28:34,240 --> 00:28:39,760 Speaker 1: was in jail one from the record. UM. As I 465 00:28:39,840 --> 00:28:42,480 Speaker 1: got that beat, I was like, man, you know Big 466 00:28:42,520 --> 00:28:45,400 Speaker 1: Sean and Meek had a record called Burn that I 467 00:28:45,520 --> 00:28:49,720 Speaker 1: always wish that I had you come on record that 468 00:28:50,080 --> 00:28:53,479 Speaker 1: I wanted to have just myself, And I was like, damn, man, 469 00:28:53,640 --> 00:28:55,880 Speaker 1: I wish Meek was out so that I could do 470 00:28:56,040 --> 00:29:01,360 Speaker 1: this record with me. He wasn't out nothing. Um And 471 00:29:02,240 --> 00:29:04,840 Speaker 1: I like to call me, uh, what do you call them? 472 00:29:05,280 --> 00:29:09,959 Speaker 1: The spirit? The spirit animal like you know, like, uh, 473 00:29:11,280 --> 00:29:15,080 Speaker 1: Meek to me at well, I don't know how all 474 00:29:15,120 --> 00:29:18,920 Speaker 1: it is. It's what I feel like, you know, it's 475 00:29:18,960 --> 00:29:21,600 Speaker 1: what It's what I don't do at my age. But 476 00:29:21,760 --> 00:29:24,720 Speaker 1: that's what I wan. Yeah, but it's what I what 477 00:29:24,920 --> 00:29:27,800 Speaker 1: what inspires me. Like I look at me and I'm like, 478 00:29:28,200 --> 00:29:31,600 Speaker 1: you know, you all your homeboys, everybody who came in, 479 00:29:32,080 --> 00:29:34,920 Speaker 1: everybody who I came into the game with, it was 480 00:29:35,000 --> 00:29:37,760 Speaker 1: locked up since oh nine we came in O two 481 00:29:38,280 --> 00:29:42,360 Speaker 1: that I didn't I didn't get to run around, you know, 482 00:29:42,800 --> 00:29:46,120 Speaker 1: fifty deep and you know, just bring bring everybody with me, 483 00:29:46,200 --> 00:29:48,080 Speaker 1: have a blast. I mean we did for a little bit, 484 00:29:48,480 --> 00:29:50,360 Speaker 1: but you know they ended up going to jail. Boom. 485 00:29:51,040 --> 00:29:52,680 Speaker 1: I look at me and I'm like, damn, meek, I 486 00:29:52,840 --> 00:29:54,440 Speaker 1: know all the fun that you have them right now. 487 00:29:54,440 --> 00:29:56,440 Speaker 1: I love it like it's and I look at it 488 00:29:56,480 --> 00:30:00,800 Speaker 1: and inspires me. So I said, U, I wanted him 489 00:30:00,800 --> 00:30:02,520 Speaker 1: on the record. He didn't. He didn't get on the record. 490 00:30:02,560 --> 00:30:07,000 Speaker 1: Of course he was in jail. Um, And that line 491 00:30:07,440 --> 00:30:10,000 Speaker 1: came up. Angel on my shoulder, what should we do? 492 00:30:10,320 --> 00:30:13,240 Speaker 1: Devil on the other, what would meet do? Papa Willie 493 00:30:13,480 --> 00:30:16,960 Speaker 1: tell the judge middle fingers out the gold, screaming Martha, 494 00:30:19,440 --> 00:30:21,680 Speaker 1: you know like And I was just I was just 495 00:30:21,760 --> 00:30:25,200 Speaker 1: trying to embody and harness that whole energy because I 496 00:30:25,280 --> 00:30:28,680 Speaker 1: felt like it was someplace where he belonged, like I 497 00:30:29,400 --> 00:30:32,400 Speaker 1: still today believe he belonged on that. And then he 498 00:30:32,480 --> 00:30:37,120 Speaker 1: gets out of jail, and I was like, man, listen, 499 00:30:37,240 --> 00:30:39,479 Speaker 1: he gets he gets out of jail. As the project 500 00:30:39,560 --> 00:30:43,440 Speaker 1: comes out, we we dim it back and forth, like 501 00:30:44,040 --> 00:30:46,440 Speaker 1: we we have birthdays that are close. In fact, I 502 00:30:46,480 --> 00:30:55,240 Speaker 1: got a record where you and me together we have 503 00:30:55,720 --> 00:30:59,000 Speaker 1: we have we have a we have birthdays similar not 504 00:30:59,200 --> 00:31:01,560 Speaker 1: but in his son birthday, me and his son's shared 505 00:31:01,600 --> 00:31:06,880 Speaker 1: same birthday in May. Wow. And but he just got out, 506 00:31:06,960 --> 00:31:09,240 Speaker 1: and I couldn't bring myself to ask them to be 507 00:31:09,320 --> 00:31:12,480 Speaker 1: on the record because you're just like a doing it, 508 00:31:13,120 --> 00:31:16,080 Speaker 1: you know, and we didn't do it, and hopefully we 509 00:31:16,400 --> 00:31:19,080 Speaker 1: do something soon. I'm not sure we will, but that's 510 00:31:19,080 --> 00:31:21,880 Speaker 1: what it was. That's that's where the whole energy came from. 511 00:31:22,120 --> 00:31:26,280 Speaker 1: The rappers really going protect. Yeah, I believe so too. 512 00:31:27,880 --> 00:31:30,360 Speaker 1: I mean, like right now people are making you feel 513 00:31:30,400 --> 00:31:32,280 Speaker 1: like if you don't have a protect you're not even 514 00:31:32,320 --> 00:31:34,520 Speaker 1: in the game. You had to find other ways to invest, 515 00:31:36,000 --> 00:31:38,560 Speaker 1: found every way to ruin protext. I'm not gonna lie, 516 00:31:39,360 --> 00:31:41,240 Speaker 1: and a lot of these guys that got the stateless 517 00:31:41,320 --> 00:31:44,200 Speaker 1: it's cool, we don't mind, you don't mind, It's fine, 518 00:31:44,640 --> 00:31:50,320 Speaker 1: But yeah, you know, this is to protect Faith's faith 519 00:31:50,520 --> 00:31:53,080 Speaker 1: A fantasy. This is the thing to me, Like I'm 520 00:31:53,160 --> 00:31:57,360 Speaker 1: really fat fat, I don't, I don't really, I'm not 521 00:31:57,520 --> 00:32:00,720 Speaker 1: into the fad, Like I'm not really into the fat 522 00:32:00,800 --> 00:32:04,880 Speaker 1: of watches, Like I'm I'm into watches and I'm in 523 00:32:04,920 --> 00:32:07,719 Speaker 1: the rolling watches. I'm gonna be honest, I would look 524 00:32:07,800 --> 00:32:14,080 Speaker 1: at all your interview different. But I mean just because 525 00:32:14,520 --> 00:32:17,800 Speaker 1: I'm in it like that and for that particular brand, 526 00:32:17,880 --> 00:32:21,040 Speaker 1: because of just what that always meant that always meant 527 00:32:21,160 --> 00:32:24,520 Speaker 1: like a status symbol of course coming up, but it 528 00:32:24,680 --> 00:32:27,240 Speaker 1: was always once I got deeper, it was like okay, boom, 529 00:32:27,320 --> 00:32:29,000 Speaker 1: you know, you get the green car with it, like, 530 00:32:29,360 --> 00:32:34,200 Speaker 1: you know, have your name on that green car because 531 00:32:34,200 --> 00:32:39,520 Speaker 1: it'll be somebody else's name in that green car. You know, 532 00:32:39,680 --> 00:32:43,200 Speaker 1: you know, you played all that and then us know 533 00:32:43,320 --> 00:32:48,560 Speaker 1: that we're sorry, and so you know, the whole protect 534 00:32:48,640 --> 00:32:52,400 Speaker 1: line is just man, you know, rapping is about bragging. 535 00:32:52,440 --> 00:32:54,920 Speaker 1: It's about having that. You know, it's about that competitive 536 00:32:54,960 --> 00:32:57,600 Speaker 1: spirit at some point and you know you gotta one 537 00:32:57,720 --> 00:33:01,080 Speaker 1: up somebody. You know, four dot for dot o verse 538 00:33:01,160 --> 00:33:03,520 Speaker 1: for dot since but you're always pronouncing some ship that 539 00:33:03,640 --> 00:33:07,880 Speaker 1: we can't even pronounce. You always like I don't know 540 00:33:08,000 --> 00:33:15,080 Speaker 1: you always I'm rocking up listen, you know, But do 541 00:33:15,120 --> 00:33:17,920 Speaker 1: you know why that is? Because when when you know, 542 00:33:17,960 --> 00:33:20,880 Speaker 1: when I when I was you know, being a fan 543 00:33:21,000 --> 00:33:23,960 Speaker 1: of like Hole and things like that. Uh man, I 544 00:33:24,040 --> 00:33:27,520 Speaker 1: didn't know I'm I'm I'm, I'm wearing Polo snow Beach. 545 00:33:27,720 --> 00:33:29,640 Speaker 1: He's talking about you. I don't even know what this is? 546 00:33:29,880 --> 00:33:32,480 Speaker 1: Like what is this? Was? That was that rap helped 547 00:33:32,520 --> 00:33:34,840 Speaker 1: you like go to these other worlds it's not going 548 00:33:34,840 --> 00:33:37,120 Speaker 1: on your Instagram sometimes and you be pulling in like 549 00:33:37,160 --> 00:33:38,520 Speaker 1: when people I'm like, I don't know who the fun 550 00:33:38,640 --> 00:33:43,520 Speaker 1: the snicker is. You're looking at the way you describe 551 00:33:43,880 --> 00:33:47,000 Speaker 1: like like I know this guy, what I'm saying, like 552 00:33:47,960 --> 00:33:50,680 Speaker 1: like this that is that the further you go, like, 553 00:33:51,360 --> 00:33:55,880 Speaker 1: it's different tastes because like right now, um, I love Gucci, 554 00:33:56,000 --> 00:33:58,480 Speaker 1: right man, But if I go to the Gucci store, 555 00:33:58,480 --> 00:34:00,840 Speaker 1: I promise you by the time I leave this jacket 556 00:34:01,080 --> 00:34:03,120 Speaker 1: and I come out there is gonna have a picture 557 00:34:03,120 --> 00:34:05,640 Speaker 1: of the same exact jacket. I'm on fact. And then 558 00:34:05,800 --> 00:34:08,160 Speaker 1: then I go back and you know, two weeks later, 559 00:34:08,640 --> 00:34:10,919 Speaker 1: I gotta get another jacket, and Fat Joe was gonna 560 00:34:10,920 --> 00:34:13,960 Speaker 1: have the same exact jacket. But it's these different brands, 561 00:34:14,000 --> 00:34:16,200 Speaker 1: like even when Go y'all, Like when Go Y'all first 562 00:34:16,239 --> 00:34:19,279 Speaker 1: came out, I didn't identify with it, looked I thought 563 00:34:19,320 --> 00:34:21,680 Speaker 1: it was an imitation. Then I realize that they had 564 00:34:21,719 --> 00:34:25,560 Speaker 1: their own, So like, how is it to like discover 565 00:34:25,680 --> 00:34:28,719 Speaker 1: these brands that people like the Hood don't though, Man, 566 00:34:29,160 --> 00:34:32,319 Speaker 1: you know I feel like the Hood normal people don't know, well, well, 567 00:34:32,360 --> 00:34:35,160 Speaker 1: you know this this is the thing I felt like, Man, 568 00:34:35,200 --> 00:34:37,200 Speaker 1: when When I think about hip hop and I think 569 00:34:37,239 --> 00:34:39,920 Speaker 1: about Slick Rick, I feel like, man, he was like 570 00:34:40,040 --> 00:34:43,320 Speaker 1: the flyest ever to me, Like it's Gucci is this 571 00:34:43,480 --> 00:34:45,400 Speaker 1: you got the Louis Tom pouch with the gun and 572 00:34:45,480 --> 00:34:49,680 Speaker 1: it's I'm I'm fucked up. I'm like, yo, this is 573 00:34:50,040 --> 00:34:52,239 Speaker 1: But that's what I always thought hip hop was. It 574 00:34:52,360 --> 00:34:54,719 Speaker 1: was like, man, you gotta you gotta come back to 575 00:34:54,840 --> 00:34:57,320 Speaker 1: the block and be like, look, this is what I'm on. 576 00:34:57,640 --> 00:34:59,560 Speaker 1: You ain't on this, and this is somebody got one 577 00:34:59,640 --> 00:35:01,920 Speaker 1: up you in so on and so forth, and and 578 00:35:02,000 --> 00:35:03,920 Speaker 1: that's how That's how I look at wrap. That's how 579 00:35:04,000 --> 00:35:06,560 Speaker 1: what's tho stinkers you had on with Colin Kapernick. I've 580 00:35:06,560 --> 00:35:13,239 Speaker 1: been trying to figure that out there. Let's that's not 581 00:35:13,400 --> 00:35:16,720 Speaker 1: the floss Lisen, the real flosses, the real flosses, Deos 582 00:35:16,760 --> 00:35:19,239 Speaker 1: dressing all of us for my wedding. That's the real 583 00:35:19,320 --> 00:35:26,399 Speaker 1: flaw frial ship, like the over real ship. Okay, real 584 00:35:26,440 --> 00:35:30,320 Speaker 1: ship really Okay, I don't even know you didn't do 585 00:35:30,760 --> 00:35:43,360 Speaker 1: like that custom that. So you're talking to fashion, but lyrically, 586 00:35:44,000 --> 00:35:46,359 Speaker 1: who inspired you? Like going back as far as back 587 00:35:46,400 --> 00:35:51,719 Speaker 1: as you can go, Lyrically, Lyrically um you know, biggest 588 00:35:51,840 --> 00:35:56,480 Speaker 1: goat god level. It's nothing to talk about to me. 589 00:35:57,280 --> 00:36:00,879 Speaker 1: Um hold of course now is of course? I mean 590 00:36:00,960 --> 00:36:04,680 Speaker 1: you know my deep ruin my whole life, like my 591 00:36:04,880 --> 00:36:13,200 Speaker 1: whole life like ruined my whole Why step outside because 592 00:36:13,239 --> 00:36:16,359 Speaker 1: of this because they're talking like this. I didn't even 593 00:36:16,400 --> 00:36:18,680 Speaker 1: think people did shoot off the music. Yeah, I'm one 594 00:36:18,719 --> 00:36:27,640 Speaker 1: of them kids. I sunked up like yo, was anybody 595 00:36:27,719 --> 00:36:29,960 Speaker 1: locally like where you were at that inspired you too 596 00:36:30,000 --> 00:36:33,839 Speaker 1: as well? Man? You know, um what what where I'm from? 597 00:36:34,600 --> 00:36:38,000 Speaker 1: Um Man, let me tell y'all some real ship just 598 00:36:38,120 --> 00:36:40,239 Speaker 1: so you understand, like where it is that I'm from. 599 00:36:41,000 --> 00:36:44,680 Speaker 1: Like Pharrell grew up one mile away from my house, 600 00:36:44,760 --> 00:36:48,319 Speaker 1: not even a mile, right, I didn't know him. Timberland 601 00:36:48,960 --> 00:36:51,319 Speaker 1: was a mile the other way, and that was my friend. 602 00:36:51,760 --> 00:37:00,480 Speaker 1: That was my brother's friend before my older brothers their five. 603 00:37:01,760 --> 00:37:06,160 Speaker 1: Yeah I have another older girl, but you know Timberland 604 00:37:06,400 --> 00:37:09,800 Speaker 1: up the street the other way. To like for my 605 00:37:09,880 --> 00:37:11,320 Speaker 1: brother to be able to go to his house and 606 00:37:11,400 --> 00:37:14,040 Speaker 1: wrap while he DJ. My mom used to make him 607 00:37:14,080 --> 00:37:17,680 Speaker 1: take me. So I'm if we if if if they're fourteen, 608 00:37:17,719 --> 00:37:22,319 Speaker 1: I'm nine. That's the only way you could go for real? 609 00:37:22,400 --> 00:37:24,319 Speaker 1: Is this way. I don't know him. I don't even 610 00:37:24,400 --> 00:37:29,160 Speaker 1: know him at all. Timerland know each other, yes, I 611 00:37:29,280 --> 00:37:34,520 Speaker 1: believe they do. But no, by no means no, this 612 00:37:34,680 --> 00:37:36,920 Speaker 1: is high school. This is high school. No, this is 613 00:37:37,040 --> 00:37:41,439 Speaker 1: middle school. And and you know in in elementary yeah 614 00:37:41,680 --> 00:37:51,680 Speaker 1: kind of yea beach. Mr Elliot's up the street, Hugo, Yeah, 615 00:37:51,800 --> 00:37:55,200 Speaker 1: hugoes not a mile from me now. Because because of 616 00:37:55,360 --> 00:37:58,319 Speaker 1: zoning and like school zoning and ship like, they don't 617 00:37:58,360 --> 00:38:01,239 Speaker 1: want certain places to go to certain all of us 618 00:38:01,280 --> 00:38:02,800 Speaker 1: were split up. Now. I just told you all we 619 00:38:02,920 --> 00:38:04,799 Speaker 1: lived within three miles of each other, but we all 620 00:38:04,880 --> 00:38:09,440 Speaker 1: go to different schools. Boom. Right, I have a home 621 00:38:09,560 --> 00:38:13,080 Speaker 1: girl who goes to school with Chad. She lives up 622 00:38:13,120 --> 00:38:14,839 Speaker 1: the street from me. We don't go to same school together. 623 00:38:14,880 --> 00:38:16,399 Speaker 1: But because you're up the street from me, I'm gonna 624 00:38:16,400 --> 00:38:22,440 Speaker 1: see you. We're hanging out. Pharrell likes. The girl asked me, yo, 625 00:38:22,920 --> 00:38:25,400 Speaker 1: you know you see me? Yo? What's up you? You 626 00:38:25,680 --> 00:38:27,320 Speaker 1: deal with her? I'm like, no, this is like my 627 00:38:27,480 --> 00:38:31,239 Speaker 1: best friend. And he's like, you know, okay. Boom. He 628 00:38:31,480 --> 00:38:34,760 Speaker 1: finds out he was like, yo, your brother's Jeane Malice. 629 00:38:35,080 --> 00:38:38,040 Speaker 1: Your brother's Jeane. I'm like yeah, He's like, yo, man, 630 00:38:38,080 --> 00:38:39,759 Speaker 1: he's like the best rapper in the world of me. 631 00:38:40,160 --> 00:38:41,759 Speaker 1: Can we work with each other? I'm like, no, he 632 00:38:41,840 --> 00:38:43,520 Speaker 1: works with Tim. He don't want to work with you, 633 00:38:45,080 --> 00:38:50,840 Speaker 1: you know, And all of this is happening. I'm not rapping. 634 00:38:50,920 --> 00:38:53,359 Speaker 1: I don't even rap at this point in my life, 635 00:38:53,400 --> 00:38:59,800 Speaker 1: Like I'm just just here, you know. And Timberland and 636 00:39:00,080 --> 00:39:05,120 Speaker 1: is up working with Genuine and all of that. They 637 00:39:05,200 --> 00:39:08,640 Speaker 1: go to New Jersey. That opens the door for for 638 00:39:08,840 --> 00:39:12,800 Speaker 1: Rell to link with my brother. Now I'm skipping school, 639 00:39:13,120 --> 00:39:16,400 Speaker 1: not going I'm skipping school, just going to the studio 640 00:39:16,520 --> 00:39:19,759 Speaker 1: with them every day. You know. That's how that whole 641 00:39:20,760 --> 00:39:23,200 Speaker 1: thing when so when you say people like mind you 642 00:39:23,239 --> 00:39:25,919 Speaker 1: at the same time for Rell's high school his next 643 00:39:26,000 --> 00:39:33,080 Speaker 1: door to Teddy Riley's studio. He just so it's like 644 00:39:33,160 --> 00:39:39,600 Speaker 1: the first show in, you know, and then you know, 645 00:39:39,719 --> 00:39:45,319 Speaker 1: you go into like gods like mad skills, like mad skills, uh, 646 00:39:46,600 --> 00:39:49,360 Speaker 1: tripical quests at the time, and I'm like wow, like 647 00:39:49,480 --> 00:39:51,600 Speaker 1: people get to do this, Like you know, I'm looking 648 00:39:51,600 --> 00:39:56,200 Speaker 1: at him like go any nice. You know. It's um, 649 00:39:57,440 --> 00:39:59,319 Speaker 1: it was a lot, man, it was a lot going 650 00:39:59,400 --> 00:40:02,160 Speaker 1: on Virginia at that time, and you had that whole 651 00:40:02,280 --> 00:40:04,840 Speaker 1: energy going on. Then you had the whole district culture. 652 00:40:05,360 --> 00:40:07,680 Speaker 1: I feel like everybody from New York moved to Virginia 653 00:40:08,239 --> 00:40:10,520 Speaker 1: to get money. I feel like that, Like I feel 654 00:40:10,520 --> 00:40:12,680 Speaker 1: like the way the work was moving, that's just what 655 00:40:12,840 --> 00:40:15,239 Speaker 1: it was like. It was the first Virginia Beach, was 656 00:40:15,320 --> 00:40:19,720 Speaker 1: the first Atlanta, Miami whatever. You came down here first, 657 00:40:20,160 --> 00:40:24,080 Speaker 1: that first. You know, every every rap song in the 658 00:40:24,239 --> 00:40:27,760 Speaker 1: nineties had Virginia Beach references. You talk about Mace Big whatever. 659 00:40:29,360 --> 00:40:31,399 Speaker 1: That was what it was. I'm not gonna lie your girls. 660 00:40:31,480 --> 00:40:42,040 Speaker 1: Was mad easy to come on. Some respects out there, girls, 661 00:40:45,719 --> 00:40:56,480 Speaker 1: Oh my god. Even even before then, even before then, 662 00:40:56,560 --> 00:40:58,919 Speaker 1: like you think about public Enemy and you think about 663 00:40:59,000 --> 00:41:01,320 Speaker 1: can't trust it. In the videos they were shooting, it 664 00:41:01,400 --> 00:41:05,480 Speaker 1: was the water holes and the kids, and that's all Virginia. 665 00:41:06,040 --> 00:41:10,279 Speaker 1: I believe it was Alan Iverson's life that actually made 666 00:41:10,480 --> 00:41:16,960 Speaker 1: us realized, Wow, Virginia, Oh is fucking man, listen, it's 667 00:41:17,080 --> 00:41:22,520 Speaker 1: insane AI because he's from Virginia correct net correct Newport 668 00:41:22,560 --> 00:41:29,000 Speaker 1: Newport News at Hampton, I forget. But but Alan Iverson 669 00:41:29,160 --> 00:41:34,160 Speaker 1: by far is like I mean, for me personally, is 670 00:41:34,360 --> 00:41:40,640 Speaker 1: uh that's you know, that's idle hero level you know, 671 00:41:40,920 --> 00:41:44,000 Speaker 1: and people like, yo, man, not too long ago, he 672 00:41:44,200 --> 00:41:49,640 Speaker 1: gave me a jersey right and signed it, and you know, 673 00:41:49,719 --> 00:41:51,840 Speaker 1: I was crazy. They put it on internet or whatever's 674 00:41:51,880 --> 00:41:54,080 Speaker 1: on ESPN or whatever, and people was like, man, why 675 00:41:54,239 --> 00:41:58,280 Speaker 1: you made he from around away? I'm like, so, whatt 676 00:41:58,760 --> 00:42:06,080 Speaker 1: you crazy? Right? This guy's like you know, they see me, 677 00:42:06,160 --> 00:42:09,560 Speaker 1: they've see me party and don't care, like you don't. 678 00:42:09,680 --> 00:42:12,359 Speaker 1: You know, I still look at him a certain way, 679 00:42:12,440 --> 00:42:14,399 Speaker 1: like you know you look at people a certain ways, 680 00:42:14,440 --> 00:42:17,000 Speaker 1: like it just is what it is for me. And 681 00:42:17,120 --> 00:42:21,960 Speaker 1: that's up. Yeah, I relax. I gotta relax. I went 682 00:42:22,000 --> 00:42:27,000 Speaker 1: too far. I went too far. Okay, So that verse 683 00:42:27,160 --> 00:42:31,480 Speaker 1: Ya says he's a man dollar babies, billion dollar babies 684 00:42:31,520 --> 00:42:37,800 Speaker 1: and dollar by I don't know beon dollar nigga, Like listen, 685 00:42:39,400 --> 00:42:44,440 Speaker 1: I'm gonna tell you, And you know, I don't. I 686 00:42:44,480 --> 00:42:48,560 Speaker 1: don't necessarily know. M I know what he says, but 687 00:42:49,200 --> 00:42:51,799 Speaker 1: and I believe what he says. But I know how 688 00:42:51,880 --> 00:42:55,759 Speaker 1: these people line up for them shoes and everything that 689 00:42:55,840 --> 00:43:02,000 Speaker 1: they're doing. And I mean, it's it's definitely, uh this' 690 00:43:02,080 --> 00:43:09,640 Speaker 1: there like I believe it's there, like you know, it's beautiful. 691 00:43:09,680 --> 00:43:12,640 Speaker 1: Man's god, damn it beautiful. All right, So we're gonna 692 00:43:12,640 --> 00:43:15,880 Speaker 1: get into the last joint. I mean, obviously, yes, we 693 00:43:16,000 --> 00:43:18,239 Speaker 1: had to get into the talk of the town, talk 694 00:43:18,320 --> 00:43:20,000 Speaker 1: of the business. Let's talk about I'm not to speak 695 00:43:20,000 --> 00:43:23,080 Speaker 1: about this joint because I'm not gonna speak about the 696 00:43:23,160 --> 00:43:25,520 Speaker 1: actual thing that it started. This record is actually a 697 00:43:25,600 --> 00:43:29,360 Speaker 1: great record. But were you trying to um accomplished by Infrared? 698 00:43:29,640 --> 00:43:32,320 Speaker 1: Because to me, this whole record is not about what 699 00:43:32,480 --> 00:43:37,479 Speaker 1: people are making it about. It didn't seem it. Yeah, 700 00:43:38,080 --> 00:43:41,120 Speaker 1: but I mean you only slick on that it's just 701 00:43:41,280 --> 00:43:44,040 Speaker 1: about it's about To me, it's just about the reality 702 00:43:44,080 --> 00:43:49,160 Speaker 1: of hip hop. Um, because you said it was like 703 00:43:49,320 --> 00:43:53,279 Speaker 1: it was written when it came from quick and is 704 00:43:53,400 --> 00:43:56,080 Speaker 1: that what started the issue? Be for now? But we 705 00:43:56,239 --> 00:43:57,960 Speaker 1: don't have to get into that. Let's just get into 706 00:43:57,960 --> 00:44:01,399 Speaker 1: the record. So you know, you know, you know, basically, um, 707 00:44:03,120 --> 00:44:10,600 Speaker 1: basically that song Infrared was was a response to um 708 00:44:12,239 --> 00:44:17,840 Speaker 1: two Birds, One Stone and you know, and it was 709 00:44:17,880 --> 00:44:20,120 Speaker 1: a response to just in in in the most I 710 00:44:20,200 --> 00:44:26,560 Speaker 1: feel like, uh you know, uh, battle back and forth 711 00:44:26,640 --> 00:44:28,879 Speaker 1: type of way, you know, you throw your jabs out 712 00:44:28,880 --> 00:44:34,200 Speaker 1: thought mine. Um, you know, it wasn't it wasn't solely 713 00:44:34,239 --> 00:44:37,360 Speaker 1: about that. It was just about like me, my position 714 00:44:37,440 --> 00:44:43,400 Speaker 1: and wrap somebody is is challenging my credibility, street credibility, 715 00:44:43,600 --> 00:44:46,319 Speaker 1: so on and so forth. Question and that it's okay, boom, 716 00:44:46,320 --> 00:44:49,400 Speaker 1: now I got a question. Song, let's question these things together. 717 00:44:49,520 --> 00:44:52,040 Speaker 1: We can all do together. It's fine, you know, and 718 00:44:52,120 --> 00:44:56,279 Speaker 1: it's like you know, um, still I feel like it 719 00:44:56,440 --> 00:44:59,360 Speaker 1: was it was it was, It was still lyrical. It 720 00:44:59,440 --> 00:45:02,640 Speaker 1: was still but two birds in one store. I tried 721 00:45:02,719 --> 00:45:05,160 Speaker 1: to actually go and look for that, like if I 722 00:45:05,239 --> 00:45:09,360 Speaker 1: don't really see where he's going at you, Um, it 723 00:45:09,560 --> 00:45:20,560 Speaker 1: was it was about the It was about the uh 724 00:45:20,960 --> 00:45:24,400 Speaker 1: something about you know, you was watching scar Face you 725 00:45:24,440 --> 00:45:27,360 Speaker 1: weren't really doing this or I don't even remember the 726 00:45:27,400 --> 00:45:29,879 Speaker 1: bars like that, but it was something of that nature. Um, 727 00:45:30,840 --> 00:45:33,800 Speaker 1: A couple of a couple of a couple of jobs 728 00:45:33,840 --> 00:45:37,120 Speaker 1: and that, and you know, it was what it was. Okay, now, 729 00:45:37,280 --> 00:45:40,520 Speaker 1: now this is where we turn up. Now push So 730 00:45:40,719 --> 00:45:44,640 Speaker 1: since Mr Me too? Right, Okay? What what what actually 731 00:45:44,680 --> 00:45:47,239 Speaker 1: inspired Mr? Me too? Because at the end of the day, 732 00:45:47,440 --> 00:45:51,120 Speaker 1: you own what happened to that boy? Um we even 733 00:45:51,200 --> 00:45:56,880 Speaker 1: I believe even the grinding remix was me you birdman? 734 00:45:57,440 --> 00:46:00,600 Speaker 1: And was it Wayne? And I don't think Wayne was no, 735 00:46:01,160 --> 00:46:04,000 Speaker 1: it was no. He might have been on this, He 736 00:46:04,080 --> 00:46:10,000 Speaker 1: might have been on where where did this this? I know, 737 00:46:10,160 --> 00:46:14,760 Speaker 1: I know there's an interview. That's it. It's okay, I'm sorry, 738 00:46:14,880 --> 00:46:18,960 Speaker 1: ok And what did they said? They said, you're trying 739 00:46:19,000 --> 00:46:22,160 Speaker 1: to look like the clips. I guess they said something 740 00:46:22,239 --> 00:46:28,000 Speaker 1: to him in regards to that and way, and so 741 00:46:28,120 --> 00:46:33,120 Speaker 1: when they said that or whatever, um, he just answered 742 00:46:33,160 --> 00:46:39,000 Speaker 1: it in a real uh, condescending way. It was aggressive. 743 00:46:39,080 --> 00:46:42,000 Speaker 1: It was it was it was And at this time, 744 00:46:42,480 --> 00:46:46,600 Speaker 1: we're going through like the wildest of label the wilds 745 00:46:46,640 --> 00:46:50,600 Speaker 1: of like label drama, like we out heard. I heard 746 00:46:50,600 --> 00:46:53,960 Speaker 1: about this justin Timberlake situation. Whe wouldn't even work with 747 00:46:54,040 --> 00:46:57,080 Speaker 1: Justin because he was so bad about the job, right, okay, 748 00:46:57,160 --> 00:47:00,879 Speaker 1: but so um so um, and I was just damn like, man, 749 00:47:00,960 --> 00:47:02,520 Speaker 1: it was such a better way to answer that, Like 750 00:47:02,640 --> 00:47:06,000 Speaker 1: we we rappers, like, I don't gotta cut nobody if 751 00:47:06,040 --> 00:47:08,320 Speaker 1: I don't want to. I don't gotta say nothing crazy 752 00:47:09,120 --> 00:47:10,880 Speaker 1: in regards to anybody if I don't want to, I 753 00:47:11,000 --> 00:47:14,360 Speaker 1: know how to, you know, talk around things. But I 754 00:47:14,400 --> 00:47:18,000 Speaker 1: knew you was dangerous, right because it kept going on 755 00:47:18,400 --> 00:47:22,680 Speaker 1: and Wheezy kept getting hotter, and he kept getting hotter, 756 00:47:23,840 --> 00:47:26,920 Speaker 1: and most people would back down, like you were at 757 00:47:27,080 --> 00:47:30,200 Speaker 1: mix tape Wheezy, like you wouldn't have the dude that 758 00:47:30,880 --> 00:47:34,879 Speaker 1: was chopping everybody. Listeners are clear, this is going back, 759 00:47:35,120 --> 00:47:39,080 Speaker 1: this is bad, this is mix tape. When he was 760 00:47:39,320 --> 00:47:43,440 Speaker 1: on way, he was out of here. And I'm like, 761 00:47:44,400 --> 00:47:47,359 Speaker 1: I'm sitting back and I'm a rapper, you know, I'm 762 00:47:47,400 --> 00:47:50,000 Speaker 1: a rapper. Two So I'm sitting back and I'm like pushing, 763 00:47:50,040 --> 00:47:53,960 Speaker 1: not back and down. And I expected because everybody when 764 00:47:53,960 --> 00:48:00,759 Speaker 1: you go on fire, because the the common census is 765 00:48:01,080 --> 00:48:03,280 Speaker 1: when a person goes at a person, that's all fired. 766 00:48:03,480 --> 00:48:06,840 Speaker 1: You're hating. So I thought you would back down just 767 00:48:07,040 --> 00:48:11,799 Speaker 1: over that. Oh just you know, and you just did. 768 00:48:12,760 --> 00:48:16,920 Speaker 1: You know. It's um. What people need to realize as 769 00:48:17,000 --> 00:48:20,120 Speaker 1: far as I go, is I never want to make 770 00:48:20,320 --> 00:48:25,439 Speaker 1: their records like you know, if you look at my career, 771 00:48:25,520 --> 00:48:28,759 Speaker 1: I've made the same record my whole career, I've made 772 00:48:28,840 --> 00:48:32,280 Speaker 1: the same album basically my whole career. I've talked about 773 00:48:32,360 --> 00:48:38,279 Speaker 1: the same thing my whole career period. Then you're not 774 00:48:38,480 --> 00:48:41,440 Speaker 1: chasing the trend. I'm not chasing radio. I'm not chasing nothing. 775 00:48:42,440 --> 00:48:44,440 Speaker 1: So when people say that, it's sort of funny to 776 00:48:44,520 --> 00:48:47,279 Speaker 1: me because it's like, man, my record is still gonna 777 00:48:47,320 --> 00:48:51,600 Speaker 1: be about the street is still gonna be about you know, uh, 778 00:48:52,560 --> 00:48:55,400 Speaker 1: you know just how you know my perspective and my 779 00:48:55,520 --> 00:48:58,919 Speaker 1: point of view from a street perspective. Um, it's still 780 00:48:59,000 --> 00:49:02,360 Speaker 1: gonna be you know, drugs is gonna be the the 781 00:49:04,520 --> 00:49:07,920 Speaker 1: common thread, you know, and it's still gonna be lyrical. 782 00:49:08,040 --> 00:49:10,080 Speaker 1: It's still gonna be you know, You're gonna have the 783 00:49:10,120 --> 00:49:12,800 Speaker 1: metaphors and the parallels. I'm gonna still put it together. 784 00:49:13,320 --> 00:49:16,480 Speaker 1: How we how we put it together? You know. Um, 785 00:49:17,120 --> 00:49:19,480 Speaker 1: when people say that to me, it's it's crazy because 786 00:49:19,640 --> 00:49:23,399 Speaker 1: because you know, you've never heard me, You've never heard 787 00:49:23,440 --> 00:49:26,920 Speaker 1: me really try to chase a wild trend or be 788 00:49:27,120 --> 00:49:32,880 Speaker 1: part of uh, be part of the wave. You've never 789 00:49:32,960 --> 00:49:35,919 Speaker 1: tried to be part of the wave. Ever, you don't 790 00:49:35,920 --> 00:49:38,000 Speaker 1: have to. You don't have to be a part of 791 00:49:38,080 --> 00:49:46,839 Speaker 1: the wave when you provide the water. Goddamn, I don't 792 00:49:46,840 --> 00:49:53,640 Speaker 1: gotta follow a wave the water, you know what I'm saying. So, um, okay, uh, 793 00:49:55,840 --> 00:49:59,359 Speaker 1: mr me too. Happens he this this interview happens bom 794 00:50:00,520 --> 00:50:03,520 Speaker 1: things have settled down. These guys are on top. You 795 00:50:03,640 --> 00:50:09,120 Speaker 1: now transition to president of Good Music. All right, but 796 00:50:09,280 --> 00:50:11,800 Speaker 1: at this time it's kind of like a little turmoil 797 00:50:13,040 --> 00:50:16,919 Speaker 1: between the two. Right, you choose to kind of mind 798 00:50:16,960 --> 00:50:19,920 Speaker 1: your business because you know that has a relationship with 799 00:50:20,080 --> 00:50:24,640 Speaker 1: Drake and then so so let's just just skip for 800 00:50:24,960 --> 00:50:31,680 Speaker 1: a certain time. J Prince. Okay, he just says, Um 801 00:50:33,320 --> 00:50:41,960 Speaker 1: that Drake has a career ending record ending record response 802 00:50:42,280 --> 00:50:46,560 Speaker 1: response to you and to right, what do you? What 803 00:50:46,680 --> 00:50:49,759 Speaker 1: do you think of that? Um, it's the first time 804 00:50:49,800 --> 00:51:00,360 Speaker 1: you look sleepy. Then it's over because response. No, you know, 805 00:51:00,480 --> 00:51:02,160 Speaker 1: just to be honest with you, man, I feel like 806 00:51:03,920 --> 00:51:09,080 Speaker 1: there's absolutely nothing that they would do for my best interests. Nothing. 807 00:51:09,600 --> 00:51:12,040 Speaker 1: They want to look out for you for nothing, for 808 00:51:12,120 --> 00:51:14,400 Speaker 1: no reason at all. When they when they had they're 809 00:51:14,440 --> 00:51:18,279 Speaker 1: gonna pull that mother. Um. You know, whatever whatever their 810 00:51:18,360 --> 00:51:22,319 Speaker 1: decision is or decision making is, it is based off 811 00:51:22,400 --> 00:51:28,960 Speaker 1: of you know, what's best for them. Um. You know, man, 812 00:51:29,640 --> 00:51:34,239 Speaker 1: I don't know. You know, I don't know what ends 813 00:51:34,320 --> 00:51:37,440 Speaker 1: my career. But I haven't you know, I ain't never 814 00:51:37,560 --> 00:51:40,719 Speaker 1: told on nobody, you know, I'm I am who I am. 815 00:51:41,280 --> 00:51:45,120 Speaker 1: I've never done I don't even know what's career ending 816 00:51:45,200 --> 00:51:49,399 Speaker 1: these days, But whatever it is, whatever I ain't done. 817 00:51:51,000 --> 00:51:55,800 Speaker 1: So you know, um, you know, at the end of 818 00:51:55,840 --> 00:52:00,520 Speaker 1: the day, like I said, those conversations were had and 819 00:52:00,760 --> 00:52:05,160 Speaker 1: uh and then and and those conversations we had without 820 00:52:05,320 --> 00:52:14,160 Speaker 1: that sound bite let's let's let's let let's let's let 821 00:52:14,239 --> 00:52:18,000 Speaker 1: it be. But that in particularly phrase was not many 822 00:52:19,200 --> 00:52:23,759 Speaker 1: That wasn't happening the but you know, and uh, it 823 00:52:23,920 --> 00:52:26,279 Speaker 1: was it was it was to be left alone. So 824 00:52:26,400 --> 00:52:30,600 Speaker 1: you're saying it was a mutual ending of it wasn't. 825 00:52:30,680 --> 00:52:33,040 Speaker 1: It wasn't any No, I'm not I'm saying this. I'm 826 00:52:33,080 --> 00:52:37,279 Speaker 1: saying that, you know, there were things that were that 827 00:52:37,400 --> 00:52:43,360 Speaker 1: were said during during the conversation between my management and 828 00:52:43,800 --> 00:52:48,279 Speaker 1: him in particular. Yeah, okay that uh it wasn't. It 829 00:52:48,440 --> 00:52:54,920 Speaker 1: wasn't it wasn't aggressive, it wasn't anything. It was it 830 00:52:55,080 --> 00:53:00,959 Speaker 1: was all cool and like his artist, yeah, just sat. 831 00:53:01,280 --> 00:53:03,560 Speaker 1: But so so what I'm saying is the narrative about 832 00:53:03,600 --> 00:53:05,840 Speaker 1: the career ending and all of that, that's all after 833 00:53:06,239 --> 00:53:09,239 Speaker 1: and after the conversation, right, I don't know about that 834 00:53:09,440 --> 00:53:11,960 Speaker 1: during the conversation. I don't know about that. And it's 835 00:53:12,040 --> 00:53:14,320 Speaker 1: you know, it is what it is. Hey, okay, got it, 836 00:53:14,400 --> 00:53:20,319 Speaker 1: you got it. Okay, But but you dropped Infra red Yes, 837 00:53:20,880 --> 00:53:25,440 Speaker 1: Infra red drops two days later? Was it? Yeah, man, 838 00:53:26,320 --> 00:53:30,880 Speaker 1: uh what does he drop? Dope? Dopey duppy freestyle, duppy 839 00:53:30,960 --> 00:53:36,319 Speaker 1: free style, damn man, duppy free style. I'm not gonna lie. 840 00:53:36,400 --> 00:53:39,200 Speaker 1: The industry was like, oh ship they was they were 841 00:53:39,239 --> 00:53:43,800 Speaker 1: nervous to you. The immediate response that was nervous. No, 842 00:53:44,880 --> 00:53:53,480 Speaker 1: it was was heard, don't you start here? Is don't 843 00:53:53,520 --> 00:53:57,360 Speaker 1: start I just wanted you to be on pointin you 844 00:53:57,600 --> 00:54:09,880 Speaker 1: was nervous? Was fast? He came out that No, no, no, 845 00:54:10,040 --> 00:54:12,120 Speaker 1: that wasn't That was impressive. But I was like, I 846 00:54:12,200 --> 00:54:14,359 Speaker 1: feel like, hold on before we jump. I don't want 847 00:54:14,360 --> 00:54:17,600 Speaker 1: to jump that with Meek. Male messed up because Meek 848 00:54:17,640 --> 00:54:23,279 Speaker 1: didn't respond immediately and when he you know what I mean, No, 849 00:54:24,040 --> 00:54:26,560 Speaker 1: I you know, I don't. I don't believe that. I 850 00:54:26,880 --> 00:54:33,479 Speaker 1: feel like um man when it comes when it comes 851 00:54:33,520 --> 00:54:35,839 Speaker 1: to that, I just feel like and I don't even 852 00:54:35,920 --> 00:54:38,200 Speaker 1: want to say he messed up because I sort of 853 00:54:38,280 --> 00:54:44,640 Speaker 1: feel like we saw how different the game is because 854 00:54:45,320 --> 00:54:50,960 Speaker 1: when that happened, Meek never lied to none of us, 855 00:54:52,280 --> 00:54:55,279 Speaker 1: a lot of nobody And that what I'm saying is 856 00:54:55,440 --> 00:54:58,200 Speaker 1: that type of information in the in the in the 857 00:54:58,360 --> 00:55:02,720 Speaker 1: game that we play his career ending was the problem 858 00:55:02,800 --> 00:55:05,560 Speaker 1: that Meek responded on Twitter as opposed to when when 859 00:55:05,640 --> 00:55:08,279 Speaker 1: Drake just went straight to the booth, Drake kind of 860 00:55:08,320 --> 00:55:11,200 Speaker 1: went straight to the booth. So well, yeah, I'm sure, 861 00:55:11,400 --> 00:55:13,399 Speaker 1: But what I'm saying is I don't even believe it's 862 00:55:13,600 --> 00:55:18,719 Speaker 1: I believe that it was a a miscalculation of like 863 00:55:19,640 --> 00:55:25,919 Speaker 1: the importance of you know, the writing these days. That's 864 00:55:26,000 --> 00:55:28,160 Speaker 1: what I feel is is there any truth to him 865 00:55:28,280 --> 00:55:31,640 Speaker 1: having access to the record before it came out, that 866 00:55:31,800 --> 00:55:35,920 Speaker 1: that's why he rake? Oh you know, um, I mean 867 00:55:36,160 --> 00:55:38,080 Speaker 1: you know, you know, I don't know, I have I 868 00:55:38,080 --> 00:55:39,640 Speaker 1: have no clue. You know, at the end of the day, 869 00:55:40,560 --> 00:55:44,200 Speaker 1: when you when you are promoting the album, you letting 870 00:55:44,239 --> 00:55:46,680 Speaker 1: people hear it, you let you gotta let the writers 871 00:55:46,719 --> 00:55:51,600 Speaker 1: and all that. I'm pretty sure they have you know whatever. Yeah, 872 00:55:51,920 --> 00:55:55,239 Speaker 1: it could be. It could be. So now you released this, 873 00:55:55,440 --> 00:56:00,319 Speaker 1: you're hearing Drake is coming back. Drake. Actually, one thing 874 00:56:00,400 --> 00:56:03,600 Speaker 1: that I've never heard you speak about ever personally is 875 00:56:03,920 --> 00:56:09,320 Speaker 1: your relationship. Right, he brings up, where are you atting it? 876 00:56:09,400 --> 00:56:11,799 Speaker 1: Where do you feel is this all gloves off? It's 877 00:56:11,880 --> 00:56:19,200 Speaker 1: just like because because and and all of his Virginia, 878 00:56:19,239 --> 00:56:23,080 Speaker 1: Williams correct, because I'm thinking that is a place in Virginia. Like, 879 00:56:23,160 --> 00:56:25,399 Speaker 1: that's how dumb I am. I'm like, that's how much 880 00:56:25,440 --> 00:56:28,520 Speaker 1: you see, That's how much you protective of yours. That's 881 00:56:28,560 --> 00:56:30,520 Speaker 1: you know. What I mean is I'm like, where is 882 00:56:30,640 --> 00:56:33,279 Speaker 1: vis I've never know. I didn't know that, And the 883 00:56:33,360 --> 00:56:38,839 Speaker 1: people was like no, so is it? Like what are 884 00:56:38,880 --> 00:56:40,600 Speaker 1: you thinking? What are you thinking that you're thinking? Like 885 00:56:40,680 --> 00:56:44,320 Speaker 1: this guy? Man? You know, like you know it immediately 886 00:56:44,400 --> 00:56:47,280 Speaker 1: just put me because it's like, okay, boom and records 887 00:56:47,320 --> 00:56:50,000 Speaker 1: coming out. I already know responsible bang, that's what it is. 888 00:56:51,040 --> 00:56:56,760 Speaker 1: But then you gotta like what I'm listening because before 889 00:56:56,840 --> 00:56:59,239 Speaker 1: then he really kind of like he kind of was 890 00:56:59,360 --> 00:57:02,239 Speaker 1: careful with you. He kind of responded to everybody else, 891 00:57:02,640 --> 00:57:04,320 Speaker 1: but he kind of like when he when he was 892 00:57:04,560 --> 00:57:07,800 Speaker 1: talking about you, asponding with you, he was very very careful. 893 00:57:08,160 --> 00:57:10,759 Speaker 1: So I can't I can't say that I saw him 894 00:57:11,000 --> 00:57:13,400 Speaker 1: coming back this spec Oh no, no, no, no, I'm 895 00:57:13,440 --> 00:57:15,759 Speaker 1: just saying that. You know, it was it was known 896 00:57:15,840 --> 00:57:21,560 Speaker 1: that the record was coming of yours. Okay boom um. 897 00:57:22,000 --> 00:57:25,160 Speaker 1: Once that you know, once that came out, um, it 898 00:57:25,320 --> 00:57:28,200 Speaker 1: was just like okay, response mode like it's like, all right, 899 00:57:28,240 --> 00:57:32,120 Speaker 1: what you know, you're definitely I'm definitely gonna respond. And 900 00:57:32,760 --> 00:57:34,240 Speaker 1: then you just you know, you just sort of look 901 00:57:34,280 --> 00:57:35,440 Speaker 1: at it, man, and you just sort of have to 902 00:57:35,480 --> 00:57:39,280 Speaker 1: analyze the record at that point and then you just 903 00:57:39,400 --> 00:57:41,960 Speaker 1: pick it apart. And that's what I feel like I did. 904 00:57:42,000 --> 00:57:45,600 Speaker 1: I was like, okay, Boom, we're gonna like, first of all, 905 00:57:45,640 --> 00:57:47,880 Speaker 1: why would you mention her? You don't do that like that. 906 00:57:48,400 --> 00:57:52,320 Speaker 1: You know women and kids, let melm Oka and you 907 00:57:52,480 --> 00:57:58,480 Speaker 1: knew about the porn stuff. Okay, I'm sorry, I'm sorry. 908 00:57:59,040 --> 00:58:02,240 Speaker 1: Slow me that boys. So I'm just like, you know, Boom, 909 00:58:02,280 --> 00:58:04,000 Speaker 1: I'm like, okay, well, why would this happen like this? 910 00:58:05,080 --> 00:58:08,080 Speaker 1: And then um, then it just you know, and then 911 00:58:08,400 --> 00:58:11,880 Speaker 1: it was like man, it just couldn't for me. At 912 00:58:11,960 --> 00:58:14,560 Speaker 1: that point, I was like, man, this is like not 913 00:58:15,680 --> 00:58:18,360 Speaker 1: this ain't I usual put a pad back and forth, 914 00:58:18,440 --> 00:58:23,760 Speaker 1: you know, like like I was like, all right, bet so, 915 00:58:23,880 --> 00:58:25,560 Speaker 1: now you gotta sort of look at it and look 916 00:58:25,600 --> 00:58:30,280 Speaker 1: at um, start looking at who who you're dealing with 917 00:58:31,160 --> 00:58:34,360 Speaker 1: and what like. And to me, I didn't I didn't 918 00:58:34,360 --> 00:58:38,200 Speaker 1: think the line was that good, right, the Virginia line. 919 00:58:38,200 --> 00:58:39,680 Speaker 1: I didn't think it was that good. I was like, 920 00:58:40,280 --> 00:58:45,040 Speaker 1: so you reached, and I got to realize, like, why 921 00:58:45,080 --> 00:58:48,040 Speaker 1: did you think that was so important to say? Because 922 00:58:48,040 --> 00:58:50,760 Speaker 1: it wasn't that good to me and something that would 923 00:58:50,760 --> 00:58:54,960 Speaker 1: be good to me said, but kind of like sort 924 00:58:54,960 --> 00:58:56,720 Speaker 1: of reach you like whole kind of messed up. But 925 00:58:56,800 --> 00:58:58,840 Speaker 1: when he did that, like with nas no, like bringing 926 00:58:58,960 --> 00:59:01,200 Speaker 1: up like the girl, but he continued, yeah, but you know, 927 00:59:01,760 --> 00:59:03,200 Speaker 1: I just I just sort of felt like that and 928 00:59:03,240 --> 00:59:06,040 Speaker 1: then then it just it just started. It just gave 929 00:59:06,080 --> 00:59:08,760 Speaker 1: me content like okay, boom, why is this like this? 930 00:59:09,320 --> 00:59:11,000 Speaker 1: Why would you say that you knew about the poet 931 00:59:11,080 --> 00:59:15,320 Speaker 1: start prior? Yeah, so you it's your dangerous niggers. Listen, 932 00:59:15,760 --> 00:59:22,720 Speaker 1: listen yet catch your strategic just here, like it's like 933 00:59:22,880 --> 00:59:28,320 Speaker 1: backup and listen, listen, listen all right. So you, however, 934 00:59:29,400 --> 00:59:33,040 Speaker 1: knowing that there will be of a response, but you 935 00:59:33,200 --> 00:59:35,280 Speaker 1: might have held that response. You might have held the 936 00:59:35,440 --> 00:59:42,120 Speaker 1: points are for the like the third disk or the 937 00:59:42,200 --> 00:59:45,880 Speaker 1: third This ain't no I'm just saying, but you look 938 00:59:45,920 --> 00:59:50,640 Speaker 1: at the like is done, he got more, he got more, 939 00:59:51,080 --> 00:59:56,560 Speaker 1: he got three. Okay, now how does one know about this? 940 00:59:56,640 --> 01:00:01,120 Speaker 1: Adda closed line? What the fire? I'm not gonna lie, 941 01:00:02,080 --> 01:00:05,720 Speaker 1: I'm not gonna Drake goes to battle Rat battle. I've 942 01:00:05,760 --> 01:00:09,360 Speaker 1: seen Drake in battle Rat concerts, like on stage two, 943 01:00:09,720 --> 01:00:12,320 Speaker 1: so he can't really say it's anything too far. I'm 944 01:00:12,360 --> 01:00:14,000 Speaker 1: just saying, you know what I'm saying. But it is fine. 945 01:00:14,040 --> 01:00:22,840 Speaker 1: God bless him, good, God bless him. But killers ben show, 946 01:00:23,720 --> 01:00:26,600 Speaker 1: Hey Hamas in the real one, Hot one, you don't 947 01:00:26,640 --> 01:00:29,840 Speaker 1: want to feel one. He got this show. They always 948 01:00:29,840 --> 01:00:33,120 Speaker 1: signed by my presence at right, I've always being impression 949 01:00:34,240 --> 01:00:38,520 Speaker 1: show Bend he showed, Bendy Show, Bendy Show, the Bendy 950 01:00:38,640 --> 01:00:43,600 Speaker 1: shown holding guns with guns I used to leave back 951 01:00:43,800 --> 01:00:46,360 Speaker 1: on the way yea with my son's make him this 952 01:00:46,520 --> 01:00:49,640 Speaker 1: is specking what they're thinking Movo Lulu work Now now 953 01:00:49,760 --> 01:00:53,120 Speaker 1: you think he Kingpin trying front clap nigas. That's the 954 01:00:53,280 --> 01:00:55,880 Speaker 1: end of storm. What told us soldiers hold the work? 955 01:00:56,080 --> 01:00:59,919 Speaker 1: Just another second for me? I'm straight low when I'm frying. 956 01:01:00,840 --> 01:01:03,640 Speaker 1: See you ps hurt? That day was hot in this shown, 957 01:01:04,480 --> 01:01:07,320 Speaker 1: Hey Homus, in the real one, Hot one, you don't 958 01:01:07,360 --> 01:01:10,560 Speaker 1: want to feel one? He got? He shown. They always 959 01:01:10,600 --> 01:01:13,840 Speaker 1: haided by my presence. Act right, I'm always been impressed 960 01:01:14,240 --> 01:01:17,400 Speaker 1: he gave. In the show Bend, he showed them Bendy show. 961 01:01:18,200 --> 01:01:21,080 Speaker 1: Bendy showed him that he showed he got Bendy shown. 962 01:01:21,840 --> 01:01:25,080 Speaker 1: Then he showed Bendy shown. Bendy showed him that he 963 01:01:25,200 --> 01:01:41,280 Speaker 1: showed he got in his showing again. They call a 964 01:01:41,400 --> 01:01:44,440 Speaker 1: podcast poppy niggas just kin goes. I see they're trying 965 01:01:44,440 --> 01:01:47,880 Speaker 1: to drop. Here comes in the chage of town rints 966 01:01:48,280 --> 01:01:51,520 Speaker 1: and you ain't versing no ship like this. What tell 967 01:01:51,600 --> 01:01:54,760 Speaker 1: me something about Joe know what? Tell me something I 968 01:01:54,880 --> 01:01:58,160 Speaker 1: don't know. What tell me something I don't know, like 969 01:01:58,240 --> 01:02:00,680 Speaker 1: when this ship dropped home, gave me the shoe, call 970 01:02:00,800 --> 01:02:02,800 Speaker 1: me y out on the late night. I'm said to 971 01:02:02,880 --> 01:02:07,440 Speaker 1: play fight see fine break night. This line pros wat 972 01:02:07,640 --> 01:02:09,960 Speaker 1: just like a breaking late and you can get it 973 01:02:10,120 --> 01:02:12,919 Speaker 1: right or your great side. Uh So tell me something 974 01:02:13,000 --> 01:02:16,240 Speaker 1: I don't know. Fifty dollar pizza when I'm getting so hot. 975 01:02:17,000 --> 01:02:19,560 Speaker 1: I heard that you went out with the cokec something 976 01:02:19,680 --> 01:02:21,760 Speaker 1: your nose hitting him there on the phone. We don't 977 01:02:21,840 --> 01:02:24,120 Speaker 1: hate me to hate me? What should I do? Keep 978 01:02:24,200 --> 01:02:26,920 Speaker 1: getting money? It's funny. I was just like you. Super 979 01:02:26,960 --> 01:02:30,360 Speaker 1: Bowl Sunday, drink chap for the facts. Security guard to 980 01:02:30,560 --> 01:02:34,280 Speaker 1: Kevin Hard to relax. Oh, tell me something about don't 981 01:02:34,360 --> 01:02:38,480 Speaker 1: know what, tell me something. I don't know what. Tell 982 01:02:38,560 --> 01:02:41,040 Speaker 1: me something I don't know, Like when this ship drops 983 01:02:41,080 --> 01:02:44,720 Speaker 1: Home came into Joe, Come tell me something about don't 984 01:02:44,760 --> 01:02:48,919 Speaker 1: know what. Tell me something. I don't know what. Tell 985 01:02:49,000 --> 01:02:51,440 Speaker 1: me something I don't know, like when this ship drops 986 01:02:51,520 --> 01:02:55,400 Speaker 1: Home came into joke Ca. So how did you know that? Like, 987 01:02:55,880 --> 01:02:59,680 Speaker 1: so you knew that the clothes line was related to 988 01:03:00,640 --> 01:03:06,240 Speaker 1: the porn star who's related to the knock of the mean, Yeah, 989 01:03:06,880 --> 01:03:09,400 Speaker 1: we had a Dida spies because you know, no, not 990 01:03:09,520 --> 01:03:17,680 Speaker 1: at all with him. Kanye and Drakes meet and that's 991 01:03:17,720 --> 01:03:23,800 Speaker 1: the thing. It really wasn't so so listen, let just 992 01:03:23,880 --> 01:03:28,360 Speaker 1: be honest. Listen. After I heard the record, right, I 993 01:03:28,680 --> 01:03:31,800 Speaker 1: ms to lead, I said, man, you know we need 994 01:03:31,840 --> 01:03:34,040 Speaker 1: to put your on. He's like, you wants to come on, 995 01:03:34,320 --> 01:03:36,320 Speaker 1: he said, he wants to remind you a ship that 996 01:03:36,360 --> 01:03:39,400 Speaker 1: you don't even remember. I said, that's a dis record 997 01:03:41,920 --> 01:03:48,920 Speaker 1: close remember like that. He's just like going on you 998 01:03:49,040 --> 01:03:53,240 Speaker 1: that that's just some rapper ship. Like no, no, no, no, no, 999 01:03:53,320 --> 01:03:56,800 Speaker 1: no no, just just just good stories. Okay, but let's go, 1000 01:03:57,320 --> 01:04:01,600 Speaker 1: let's let's let's stick with Drake. So you know you're 1001 01:04:01,640 --> 01:04:04,680 Speaker 1: gonna spar man, you don't know he's going to bring 1002 01:04:04,760 --> 01:04:07,640 Speaker 1: in your person you think you're gonna do that? Or 1003 01:04:07,800 --> 01:04:09,760 Speaker 1: did you did you expect No, no, no, no, no, 1004 01:04:09,920 --> 01:04:12,280 Speaker 1: nothing like that. You didn't explain. So now that he 1005 01:04:12,440 --> 01:04:16,000 Speaker 1: did it, Yeah, what was your first response because you 1006 01:04:16,080 --> 01:04:19,280 Speaker 1: were calm? No, I just you know, like I said, 1007 01:04:19,320 --> 01:04:22,720 Speaker 1: I felt like I just felt like I just had 1008 01:04:22,760 --> 01:04:25,720 Speaker 1: to evaluate the situation a little differently. Like you know, 1009 01:04:26,680 --> 01:04:31,000 Speaker 1: like I said, it's been jabs, you know, tap tap everybody. 1010 01:04:31,560 --> 01:04:34,000 Speaker 1: You know, you take something, I take some more moms cool, 1011 01:04:34,960 --> 01:04:37,160 Speaker 1: but um, I just felt like it just went it 1012 01:04:37,280 --> 01:04:39,600 Speaker 1: just you know, I went across the line with that 1013 01:04:40,040 --> 01:04:43,120 Speaker 1: for real, And that's just that's really it for me. 1014 01:04:43,600 --> 01:04:47,520 Speaker 1: For you. So now you go on the studio, Yeah, 1015 01:04:49,520 --> 01:04:54,560 Speaker 1: you bring up the whole beat, which is like, which 1016 01:04:54,640 --> 01:04:56,880 Speaker 1: is like, that's like real, Like what do I want 1017 01:04:56,880 --> 01:04:59,640 Speaker 1: to call it? I can't call it afro centric for 1018 01:04:59,720 --> 01:05:06,000 Speaker 1: it's like it's like that's that revolution and it's that's 1019 01:05:06,040 --> 01:05:10,840 Speaker 1: that revolutionary music when the sauce, it's that thing what 1020 01:05:11,160 --> 01:05:15,520 Speaker 1: made you go because I had the picture Okay, so 1021 01:05:15,560 --> 01:05:20,880 Speaker 1: you have to picture priory okay, okay, prior to what, 1022 01:05:21,200 --> 01:05:25,280 Speaker 1: prior to him his response or prior just Perior. You 1023 01:05:25,360 --> 01:05:35,160 Speaker 1: just what this is because you know what it feels 1024 01:05:35,200 --> 01:05:38,960 Speaker 1: like you Drake. Drake, that's when it feels like it 1025 01:05:39,040 --> 01:05:45,160 Speaker 1: feels like you did exactly to him when he did 1026 01:05:45,320 --> 01:05:49,920 Speaker 1: the song of I mean, I'm just doesn't feel like 1027 01:05:50,000 --> 01:05:54,520 Speaker 1: that to anybody else. So so so you had to 1028 01:05:54,560 --> 01:05:58,640 Speaker 1: picture before infra Red came out. Um, yeah, I believe. 1029 01:05:58,760 --> 01:06:08,760 Speaker 1: So let me just think this is some real this 1030 01:06:08,920 --> 01:06:17,000 Speaker 1: is this is some real hip hop history. Ah ah. 1031 01:06:19,200 --> 01:06:21,520 Speaker 1: Did you think did you think you would? Um? Did 1032 01:06:21,600 --> 01:06:23,880 Speaker 1: you think you would hear Ja Prince say something like that, 1033 01:06:24,000 --> 01:06:27,160 Speaker 1: like saying that they would there there is no response. 1034 01:06:27,280 --> 01:06:32,960 Speaker 1: I would That's the last person I thought would be speaking. 1035 01:06:33,120 --> 01:06:36,320 Speaker 1: Who J Prince? Yeah, because y'all got a relationship. You've 1036 01:06:36,320 --> 01:06:40,240 Speaker 1: always been cool. Okay, no, no matter, Okay. J Prince 1037 01:06:40,320 --> 01:06:42,600 Speaker 1: is cool. He's a cooling come on, man, he's he's 1038 01:06:42,800 --> 01:06:47,160 Speaker 1: created some greatness of course, of course. And um, so 1039 01:06:47,280 --> 01:06:50,840 Speaker 1: when he said that he advised Drake not to sponse, 1040 01:06:51,320 --> 01:06:53,440 Speaker 1: it was a piece of your petty side. Just the 1041 01:06:53,480 --> 01:06:58,400 Speaker 1: petty side was like, of course, like I'm just asking, man, 1042 01:06:58,640 --> 01:07:00,240 Speaker 1: you know, we're just drinking. You know, I don't know 1043 01:07:00,400 --> 01:07:02,160 Speaker 1: for sure you don't take a shot to it more. 1044 01:07:02,400 --> 01:07:05,560 Speaker 1: I mean we got more. I get to it. But 1045 01:07:06,400 --> 01:07:13,520 Speaker 1: let me answer you. Um man, you know I just 1046 01:07:13,640 --> 01:07:16,520 Speaker 1: feel like when you when when when when you deal 1047 01:07:17,560 --> 01:07:24,400 Speaker 1: in like truth? Right, It's like like I said, I've 1048 01:07:24,400 --> 01:07:28,400 Speaker 1: said a lot. I don't got skeletons, don't got things 1049 01:07:28,440 --> 01:07:30,760 Speaker 1: that I don't got nothing I'm ashamed of in this world, 1050 01:07:32,240 --> 01:07:36,360 Speaker 1: like for real, like I ain't even doing no line 1051 01:07:36,400 --> 01:07:46,640 Speaker 1: and nobody. Come on, bro, I had to I said 1052 01:07:46,680 --> 01:07:49,120 Speaker 1: it to say, but like I don't like I don't, 1053 01:07:49,200 --> 01:07:58,320 Speaker 1: I don't know. You know it wasn't I know who 1054 01:07:58,360 --> 01:08:01,680 Speaker 1: I am, but I know it like it's nothing. And 1055 01:08:01,720 --> 01:08:06,880 Speaker 1: then it shake me about like you know, you know 1056 01:08:07,160 --> 01:08:11,280 Speaker 1: you dragged me into it. You know you know she 1057 01:08:11,440 --> 01:08:16,680 Speaker 1: built Ford tough for real? But where what's up? But 1058 01:08:17,200 --> 01:08:21,320 Speaker 1: who knows who's coming? Who knows she she going to? 1059 01:08:21,840 --> 01:08:24,880 Speaker 1: Like it's whatever man, like the poet star girl of 1060 01:08:24,960 --> 01:08:27,280 Speaker 1: a d m U or anything. No, I don't, I 1061 01:08:27,280 --> 01:08:30,720 Speaker 1: don't know. I don't, I don't no no connections or 1062 01:08:31,280 --> 01:08:32,960 Speaker 1: you don't even poke with your niggers who don't pay 1063 01:08:32,960 --> 01:08:40,800 Speaker 1: your support. I repecting expect that, I had expectact. So 1064 01:08:40,920 --> 01:08:44,320 Speaker 1: what what what? What? What does the benefit of because 1065 01:08:44,439 --> 01:08:48,400 Speaker 1: hip hop declared you the right and um, at the 1066 01:08:48,479 --> 01:08:51,800 Speaker 1: end of the day, Drake can um probably do a 1067 01:08:51,880 --> 01:08:55,240 Speaker 1: response whatever? Right now hip hop from puff Daddy to 1068 01:08:55,800 --> 01:08:58,639 Speaker 1: everybody is saying, you know, he had a certain amount 1069 01:08:58,640 --> 01:09:01,479 Speaker 1: of time you're supposed to spawns did the same thing. 1070 01:09:02,280 --> 01:09:05,280 Speaker 1: But um, I remember not spawning six months later. But 1071 01:09:05,560 --> 01:09:07,600 Speaker 1: this this is something different. This is because we're in 1072 01:09:07,600 --> 01:09:10,519 Speaker 1: a different time. So what is the benefits now? Like 1073 01:09:10,920 --> 01:09:15,519 Speaker 1: you know of of people knowing that you are baff 1074 01:09:15,560 --> 01:09:20,880 Speaker 1: of Ball the Floyd Mayweatherer of our generation. Man, you know, 1075 01:09:21,000 --> 01:09:24,280 Speaker 1: I don't know if I don't know what the real 1076 01:09:24,400 --> 01:09:28,320 Speaker 1: benefit is and I don't I mean personally on just 1077 01:09:28,439 --> 01:09:33,559 Speaker 1: some rap type time. Man, I hope I'm not getting 1078 01:09:33,640 --> 01:09:38,400 Speaker 1: it from this, Like it's like it's sort of weird, 1079 01:09:38,680 --> 01:09:40,519 Speaker 1: Like no, no, no, I'm not even saying that because 1080 01:09:41,160 --> 01:09:43,479 Speaker 1: because of the yeah, like I gotta get it. So 1081 01:09:43,760 --> 01:09:46,439 Speaker 1: what do you feel about Drake as a as an 1082 01:09:46,600 --> 01:09:51,120 Speaker 1: m C period? Like real talk? I feel he makes 1083 01:09:51,360 --> 01:09:54,519 Speaker 1: I feel that we know people say he has a ghost, right, 1084 01:09:54,560 --> 01:09:57,320 Speaker 1: but do you feel he has an MC? But then 1085 01:09:57,360 --> 01:09:59,280 Speaker 1: that we're not gonna talk him. We're just gonna talk 1086 01:09:59,280 --> 01:10:01,519 Speaker 1: about That's what that's where it. Yeah, we're just gonna 1087 01:10:01,520 --> 01:10:05,920 Speaker 1: talk records and the records are good. No baby, no 1088 01:10:06,080 --> 01:10:11,519 Speaker 1: big at all, Like that's what it is. I feel 1089 01:10:11,520 --> 01:10:22,840 Speaker 1: like you don't. I forgot the let's do it. I 1090 01:10:22,920 --> 01:10:24,559 Speaker 1: can't believe you know. Let me just tell you something 1091 01:10:24,720 --> 01:10:29,080 Speaker 1: us because the thing about it is, um, so many 1092 01:10:29,120 --> 01:10:30,960 Speaker 1: people do other things, like you got to sneak a thing, 1093 01:10:31,160 --> 01:10:33,080 Speaker 1: you got to play close things, which the other day 1094 01:10:33,080 --> 01:10:35,160 Speaker 1: I thought, my man, that's what you gotta start give 1095 01:10:35,160 --> 01:10:36,559 Speaker 1: me on my play clothes. I thought my man had 1096 01:10:36,600 --> 01:10:39,719 Speaker 1: a boot like play close. But I couldn't tell because 1097 01:10:39,720 --> 01:10:41,840 Speaker 1: because he had all it was pink play cloth. It 1098 01:10:41,920 --> 01:10:44,560 Speaker 1: was pink. I was just like you, I don't know, 1099 01:10:45,080 --> 01:10:49,160 Speaker 1: I don't know. I don't know it was you know 1100 01:10:49,200 --> 01:10:52,000 Speaker 1: what I'm saying. You guys king, you know what I'm saying. 1101 01:10:52,080 --> 01:10:54,640 Speaker 1: So I'm like, but you got these other things, but 1102 01:10:54,760 --> 01:10:58,200 Speaker 1: you wanted these guys to say so consistent through music, 1103 01:10:58,320 --> 01:11:01,960 Speaker 1: like people depend and respect on you do music. Earlier, 1104 01:11:02,080 --> 01:11:04,920 Speaker 1: you said that you took out hot hatus for three years. 1105 01:11:06,000 --> 01:11:08,920 Speaker 1: How would that feel as a person that that's your soul? 1106 01:11:09,320 --> 01:11:11,560 Speaker 1: You know, your cares is the music? How do you 1107 01:11:11,600 --> 01:11:13,200 Speaker 1: take it home? You know? You know, I don't I 1108 01:11:13,240 --> 01:11:15,479 Speaker 1: don't believe. I don't believe that what I do goes 1109 01:11:15,479 --> 01:11:19,599 Speaker 1: out of style. That's the thing, Like, I don't think 1110 01:11:19,720 --> 01:11:22,040 Speaker 1: lyric driven hip hop goes out of stop. I don't 1111 01:11:22,120 --> 01:11:26,720 Speaker 1: think that the streets go out of stop. Period. So 1112 01:11:27,200 --> 01:11:30,240 Speaker 1: do you believe it in a consistency? It's without time, 1113 01:11:30,680 --> 01:11:33,240 Speaker 1: It's just what you do. Listen. My album is called 1114 01:11:33,280 --> 01:11:38,160 Speaker 1: Daytona because you know, Rolex Daytona is my favorite watch. 1115 01:11:39,080 --> 01:11:40,960 Speaker 1: But I feel like I had the luxury of time 1116 01:11:41,120 --> 01:11:43,240 Speaker 1: to make it. That's why it is what it is. 1117 01:11:44,640 --> 01:11:46,600 Speaker 1: And I feel like, you know, that's what That's what 1118 01:11:46,800 --> 01:11:51,000 Speaker 1: me and Yates Cuba like, man, this is we got 1119 01:11:51,080 --> 01:11:53,120 Speaker 1: the time to make it, and we're gonna give you 1120 01:11:53,240 --> 01:11:57,400 Speaker 1: seven and music regardless, period and that and that's you know, 1121 01:11:57,520 --> 01:11:59,600 Speaker 1: that's that's what we sort of, uh, that's what we 1122 01:11:59,720 --> 01:12:05,519 Speaker 1: live in off of. Um what's the lead? I don't know. 1123 01:12:06,439 --> 01:12:10,200 Speaker 1: I don't know. Like I said, you know, I know 1124 01:12:10,280 --> 01:12:14,320 Speaker 1: who I'm talking to every time, every time, I know 1125 01:12:14,439 --> 01:12:16,439 Speaker 1: exactly who I'm talking to when I'm when I'm writing 1126 01:12:16,439 --> 01:12:19,240 Speaker 1: the verse, I know exactly who I want it to 1127 01:12:19,360 --> 01:12:22,080 Speaker 1: resonate with. I know exactly the club I want to 1128 01:12:22,120 --> 01:12:24,560 Speaker 1: go to. Would it change if you didn't thought like 1129 01:12:24,640 --> 01:12:27,960 Speaker 1: I'm saying, like if the music for you, if you 1130 01:12:28,000 --> 01:12:29,840 Speaker 1: didn't know who you were talking to, but it was 1131 01:12:29,920 --> 01:12:34,120 Speaker 1: what you felt, would it change if it changed that 1132 01:12:34,200 --> 01:12:36,040 Speaker 1: you knew that these people that you thought you were 1133 01:12:36,080 --> 01:12:40,360 Speaker 1: talking to change they you know, you know, I can't 1134 01:12:40,400 --> 01:12:45,320 Speaker 1: really look at it like that because the reaction from 1135 01:12:45,360 --> 01:12:48,760 Speaker 1: the streets be so loud when they hear a verse 1136 01:12:49,200 --> 01:12:51,160 Speaker 1: or when they hear an album, or when they hear 1137 01:12:51,200 --> 01:12:54,200 Speaker 1: a song. I say something, you know, I say something, 1138 01:12:54,240 --> 01:12:58,840 Speaker 1: and then you had the mike out there, Yeah, and 1139 01:12:58,920 --> 01:13:02,000 Speaker 1: the just came in. But I'm talking before you could 1140 01:13:02,040 --> 01:13:07,759 Speaker 1: even get that reaction. If you thought that that, maybe 1141 01:13:07,840 --> 01:13:10,080 Speaker 1: that wasn't there anymore now, because I don't think that 1142 01:13:10,160 --> 01:13:12,720 Speaker 1: doesn't I don't think who you are like you want 1143 01:13:12,760 --> 01:13:14,639 Speaker 1: to do what you do. Yeah, but I just don't 1144 01:13:14,680 --> 01:13:17,280 Speaker 1: think that that goes anywhere. I feel like I feel 1145 01:13:17,320 --> 01:13:21,280 Speaker 1: like my niche in wrap. I don't know if anybody 1146 01:13:21,360 --> 01:13:26,519 Speaker 1: can get articulate street Wrap anywhere else from them, then me, 1147 01:13:27,280 --> 01:13:29,120 Speaker 1: I believe that. I guess the point I'm trying to 1148 01:13:29,200 --> 01:13:31,120 Speaker 1: make for artists, I'm just trying to like, if an 1149 01:13:31,200 --> 01:13:34,560 Speaker 1: artist is listing right, yeah, you know artists tend to 1150 01:13:34,680 --> 01:13:37,320 Speaker 1: always be like what's popping, what's hot? What? What is 1151 01:13:37,320 --> 01:13:40,800 Speaker 1: the audience? And I think is gonna gonna resonate with me? 1152 01:13:41,040 --> 01:13:43,160 Speaker 1: I feel like that's wrong. That's what I'm trying to get. 1153 01:13:43,320 --> 01:13:44,800 Speaker 1: I feel like that's wrong. I mean, I feel like, 1154 01:13:45,479 --> 01:13:47,920 Speaker 1: you know, you make what you make, and then who 1155 01:13:48,160 --> 01:13:50,200 Speaker 1: who works with that is who fox with it, and 1156 01:13:50,280 --> 01:13:53,120 Speaker 1: then that's who you funk with, and then you master 1157 01:13:53,320 --> 01:13:57,880 Speaker 1: that and you grow that. I don't think that, you know, 1158 01:13:57,960 --> 01:14:05,040 Speaker 1: because that's what you going They're reaching. Come on, man, 1159 01:14:05,680 --> 01:14:08,160 Speaker 1: how do you know I want to drink this? I 1160 01:14:08,240 --> 01:14:14,320 Speaker 1: didn't even want to drink your career, Ya don't even 1161 01:14:14,439 --> 01:14:21,800 Speaker 1: drink this ship might because that's fine. I do drink 1162 01:14:22,400 --> 01:14:27,120 Speaker 1: Its cool. So that didn't hit me. That didn't hit 1163 01:14:27,160 --> 01:14:32,240 Speaker 1: me a little? Um you know man? You know do 1164 01:14:32,360 --> 01:14:38,160 Speaker 1: you think he's gonna be here this long? Man? That 1165 01:14:38,400 --> 01:14:42,800 Speaker 1: revelation hit me the other day like for real when 1166 01:14:42,800 --> 01:14:46,400 Speaker 1: I when I like and it just started hitting me recently, 1167 01:14:46,479 --> 01:14:48,719 Speaker 1: like I want to say, like from two thousand twelve, 1168 01:14:48,920 --> 01:14:53,200 Speaker 1: like the ten year anniversary of Lord Willing two sixteen, 1169 01:14:53,640 --> 01:14:57,560 Speaker 1: the ten year anniversary at Hell Have more Fury, Like 1170 01:14:58,400 --> 01:15:04,920 Speaker 1: it's like I'm like damn man, like ten joints. That's 1171 01:15:04,960 --> 01:15:07,400 Speaker 1: crazy now, and then when I really think about it's like, no, 1172 01:15:07,479 --> 01:15:11,840 Speaker 1: it's really sixteen joints. Really been his sixteen joints. Really 1173 01:15:11,960 --> 01:15:16,200 Speaker 1: like some people saying this one is my best album? 1174 01:15:16,600 --> 01:15:21,639 Speaker 1: Who know it? Mean it? You know? I never I'm sorry, 1175 01:15:22,000 --> 01:15:25,040 Speaker 1: but I've never seen the artists grow and get better 1176 01:15:25,240 --> 01:15:27,840 Speaker 1: the way you grow and get better. Pause thank you. 1177 01:15:28,120 --> 01:15:31,560 Speaker 1: And it's because it's because they think about it is 1178 01:15:31,680 --> 01:15:34,800 Speaker 1: you come from actually our error like which is an 1179 01:15:34,840 --> 01:15:38,160 Speaker 1: older ever than Kanye the area before, and you've been 1180 01:15:38,200 --> 01:15:40,880 Speaker 1: able to maintain these errors. And the thing about it, 1181 01:15:40,960 --> 01:15:43,400 Speaker 1: there's other people been able to maintain those errors, but 1182 01:15:43,479 --> 01:15:47,240 Speaker 1: they've been maybe to maintain it justin single wise, there's 1183 01:15:47,320 --> 01:15:50,120 Speaker 1: no one to be able to make maintain that crown 1184 01:15:50,200 --> 01:15:52,200 Speaker 1: and the body, the whole body of work with a 1185 01:15:52,280 --> 01:15:55,600 Speaker 1: whole new generation funk with it too. It's amazing what 1186 01:15:55,720 --> 01:15:57,120 Speaker 1: you're doing. Like you know what I'm saying that I 1187 01:15:57,320 --> 01:16:00,160 Speaker 1: have no you the value of the whole album that 1188 01:16:00,320 --> 01:16:03,760 Speaker 1: we're missing for a long time. That is beautiful, That 1189 01:16:05,280 --> 01:16:09,600 Speaker 1: is that should be that should be saluted. Um and 1190 01:16:09,880 --> 01:16:11,840 Speaker 1: and the thing about it is you, you like you 1191 01:16:11,960 --> 01:16:14,320 Speaker 1: come from the greatest producers. Like you know what I'm saying, 1192 01:16:14,360 --> 01:16:17,160 Speaker 1: you would've got a lot to do with it. I 1193 01:16:17,240 --> 01:16:19,760 Speaker 1: see a listening party, I've seen Swiss, Yeah, I've seen 1194 01:16:20,320 --> 01:16:22,320 Speaker 1: for of course you got about it. I feel like 1195 01:16:22,720 --> 01:16:25,120 Speaker 1: a lot to do with it. You become a producer 1196 01:16:25,200 --> 01:16:28,160 Speaker 1: when you when you're hanging around aducer so much. I was, 1197 01:16:29,120 --> 01:16:35,760 Speaker 1: I just don't wish. I wish in my mind, I 1198 01:16:35,840 --> 01:16:37,960 Speaker 1: just don't want to pressing. But I want to hear 1199 01:16:38,040 --> 01:16:41,360 Speaker 1: the prey a version of your help, just to see 1200 01:16:41,400 --> 01:16:44,320 Speaker 1: what differences. You know, it was fire, but but like 1201 01:16:44,520 --> 01:16:46,960 Speaker 1: like who are the producers? Like was it local producers? 1202 01:16:47,000 --> 01:16:50,800 Speaker 1: I don't know, you know, say who? Yeah? But or 1203 01:16:50,880 --> 01:16:56,760 Speaker 1: less they were they were producers who are of name. Yeah, 1204 01:16:56,960 --> 01:16:59,360 Speaker 1: definitely have name. Listen he A and R is all 1205 01:16:59,479 --> 01:17:02,320 Speaker 1: my projects xcuse that's the Yeah, he may not do 1206 01:17:02,479 --> 01:17:04,479 Speaker 1: all this. So he was he was already he was 1207 01:17:04,560 --> 01:17:07,960 Speaker 1: already like picking y'all just producing, okay, And then he 1208 01:17:08,040 --> 01:17:09,720 Speaker 1: just decided I wanted to do the whole thing. Yeah. 1209 01:17:09,760 --> 01:17:12,160 Speaker 1: Then he was just like and at that time, like 1210 01:17:12,240 --> 01:17:14,360 Speaker 1: I said, it was, it was sort of weird time 1211 01:17:15,320 --> 01:17:18,080 Speaker 1: and uh, you know, just for him, and I just 1212 01:17:18,160 --> 01:17:19,720 Speaker 1: felt like, all right, well, if you if that's what 1213 01:17:19,800 --> 01:17:22,000 Speaker 1: you want to do, then let's go. Let's go ahead, 1214 01:17:22,080 --> 01:17:25,920 Speaker 1: let's go do it. You know it minds you. It's done. 1215 01:17:27,160 --> 01:17:30,240 Speaker 1: So did you feel only kind of well you't go 1216 01:17:30,479 --> 01:17:33,479 Speaker 1: relating new vocals. Yes, yeah, But what I'm saying is 1217 01:17:33,520 --> 01:17:36,640 Speaker 1: my album was done. Did you not feel some kind 1218 01:17:36,640 --> 01:17:38,880 Speaker 1: of way at that point? I did, But I mean no, no, 1219 01:17:39,080 --> 01:17:42,720 Speaker 1: not some kind of way. It's like, uh yeah, no, no, 1220 01:17:43,320 --> 01:17:46,000 Speaker 1: Like listen, I'm straight student mode when it comes to 1221 01:17:46,080 --> 01:17:51,720 Speaker 1: p Yeah, when he comes to like like turning the 1222 01:17:51,840 --> 01:17:56,160 Speaker 1: album and taking your input, I wrapped. That's what I do. 1223 01:17:57,080 --> 01:18:00,600 Speaker 1: Like and that's all I do, period. That's what I do. 1224 01:18:01,479 --> 01:18:04,519 Speaker 1: When it comes to all of the theatrics, you gotta 1225 01:18:04,600 --> 01:18:07,559 Speaker 1: listen to, you know, you gotta listen to that. That's 1226 01:18:07,600 --> 01:18:09,439 Speaker 1: why I feel like, you know, all of this came 1227 01:18:09,479 --> 01:18:12,439 Speaker 1: out this way, it came out strong, this way. Come 1228 01:18:12,479 --> 01:18:17,080 Speaker 1: back baby, come back baby. I turned away, come back. Maybe. 1229 01:18:17,120 --> 01:18:18,600 Speaker 1: I was like, yea, I don't want this record. I 1230 01:18:18,640 --> 01:18:21,439 Speaker 1: don't like it for real, I don't like it. He 1231 01:18:21,600 --> 01:18:25,920 Speaker 1: was like, no, listen, I'm telling you you're gonna love it. Yeah, 1232 01:18:26,600 --> 01:18:29,760 Speaker 1: He's like, yo, do it now. I'm like, all right, 1233 01:18:30,520 --> 01:18:32,960 Speaker 1: last time that happened to me was niggas in Paris. 1234 01:18:34,040 --> 01:18:41,920 Speaker 1: I'm not gonna happen again. Happened. That's why I feel 1235 01:18:41,960 --> 01:18:48,479 Speaker 1: for when hollebadi up. A couple of times happen, rap times, rap, 1236 01:18:50,560 --> 01:18:56,920 Speaker 1: you know it happens. So let me pick you up 1237 01:18:56,920 --> 01:18:59,040 Speaker 1: because you only you, probably the only one of the 1238 01:18:59,160 --> 01:19:03,200 Speaker 1: other thigga is that ghost wrote for Ronald McDonald. Nigga, Yeah, 1239 01:19:03,560 --> 01:19:09,479 Speaker 1: I'm loving it. Yeah, that was your joint. Yeah, I'm 1240 01:19:09,479 --> 01:19:11,479 Speaker 1: good at my job. I don't know if y'all know bad. 1241 01:19:11,600 --> 01:19:13,000 Speaker 1: I don't know if y'all know I don't know if 1242 01:19:13,040 --> 01:19:16,840 Speaker 1: you're just realizing that now. But nigga, you wrote I'm 1243 01:19:16,920 --> 01:19:24,040 Speaker 1: loving it. Yeah, I'm loving it. Took a superl just front, 1244 01:19:25,160 --> 01:19:32,760 Speaker 1: just up front, but I half a man. But it 1245 01:19:32,840 --> 01:19:35,759 Speaker 1: still was like when you think about it would be crazy. 1246 01:19:36,720 --> 01:19:39,599 Speaker 1: But but just what you're gonna tell nobody that say, 1247 01:19:39,640 --> 01:19:42,160 Speaker 1: we're gonna say any time, no, no, no. I want 1248 01:19:42,200 --> 01:19:45,040 Speaker 1: people to know because they need to understand. Shout Steve Stout. 1249 01:19:45,080 --> 01:19:49,720 Speaker 1: He gave me. I was like, man, great, and you know, 1250 01:19:50,160 --> 01:19:52,479 Speaker 1: having hold on. So you wrote the slogan or you 1251 01:19:52,520 --> 01:19:56,240 Speaker 1: wrote the rhyme in the rhyme and they took that 1252 01:19:57,160 --> 01:20:03,680 Speaker 1: wrote that You're gonna be that's him. So in this 1253 01:20:03,800 --> 01:20:08,960 Speaker 1: wrap he's saying they took it, you know, just so 1254 01:20:09,320 --> 01:20:10,960 Speaker 1: you know, I want people to know that part. I 1255 01:20:11,040 --> 01:20:14,320 Speaker 1: want artists know that part to keep it publishing, man like, 1256 01:20:14,479 --> 01:20:17,120 Speaker 1: make sure you know that check will be nice. But 1257 01:20:17,280 --> 01:20:19,479 Speaker 1: you're like, I'm loving have been running for how long? Now? 1258 01:20:19,920 --> 01:20:23,800 Speaker 1: I did this about three or that's they slow? Who 1259 01:20:23,920 --> 01:20:26,120 Speaker 1: knows what it had been? Half a man back then 1260 01:20:26,240 --> 01:20:30,760 Speaker 1: was like, but now you think about it. But but 1261 01:20:31,000 --> 01:20:34,040 Speaker 1: but just so just so they know they get back 1262 01:20:34,200 --> 01:20:37,240 Speaker 1: is real. I also own fort of the Arby's commercial 1263 01:20:38,680 --> 01:20:41,600 Speaker 1: to be clear, the recent Arby's commercial when you hit 1264 01:20:41,640 --> 01:20:46,679 Speaker 1: that the crazy, when you hit that guitar strong boy, 1265 01:20:49,560 --> 01:20:55,120 Speaker 1: like you learn, you live, you live, and you learn 1266 01:20:55,479 --> 01:21:06,040 Speaker 1: you living arties, you learn get getting that you learn. Man, 1267 01:21:06,600 --> 01:21:09,640 Speaker 1: You've also been the only person that I've seen that 1268 01:21:09,760 --> 01:21:12,160 Speaker 1: Bobby Brown was mad at. But then when I went 1269 01:21:13,720 --> 01:21:18,000 Speaker 1: why Bobby Brown, and then I understood. But I've never 1270 01:21:18,080 --> 01:21:21,760 Speaker 1: seen Buddy Brown mad like another young black brother. But 1271 01:21:21,840 --> 01:21:24,960 Speaker 1: then again, like I said, I wouldn't sarch but that 1272 01:21:25,080 --> 01:21:30,439 Speaker 1: was yage decision. It was the actually but yeah, I 1273 01:21:30,560 --> 01:21:34,360 Speaker 1: wear what him means. Yeah, yeah, yeah, yeah, it's fine, 1274 01:21:34,560 --> 01:21:40,360 Speaker 1: but you know, um I was paid for Yeah that 1275 01:21:40,479 --> 01:21:44,400 Speaker 1: was like idea, right, yeah, we'll see what it was 1276 01:21:44,560 --> 01:21:49,040 Speaker 1: was we had a I had like what what What 1277 01:21:49,160 --> 01:21:52,200 Speaker 1: people don't know is this album was really made in 1278 01:21:52,360 --> 01:21:55,880 Speaker 1: like real time. And the crazy part about it was 1279 01:21:56,160 --> 01:21:58,920 Speaker 1: I had tweeted the day before like, listen, this just 1280 01:21:58,960 --> 01:22:01,560 Speaker 1: happened in real time, y'all. I ain't even got this. 1281 01:22:01,640 --> 01:22:04,080 Speaker 1: I ain't got that. But listen, even when I get 1282 01:22:04,120 --> 01:22:05,840 Speaker 1: my artwork, y'all gonna have it. As soon as I 1283 01:22:05,920 --> 01:22:09,920 Speaker 1: get it, I went and made I went made uh 1284 01:22:10,520 --> 01:22:13,120 Speaker 1: artwork basically a cover. It was a picture of myself 1285 01:22:14,200 --> 01:22:19,160 Speaker 1: and you know, um, like one that morning, it was like, yo, 1286 01:22:19,400 --> 01:22:22,479 Speaker 1: I don't think it's strong enough. And um, I was like, 1287 01:22:22,720 --> 01:22:24,320 Speaker 1: what you mean you don't think it's strong enough? You're like, 1288 01:22:24,640 --> 01:22:27,800 Speaker 1: I just don't. I was like, bro, you picked the photographer, 1289 01:22:28,560 --> 01:22:31,080 Speaker 1: you picked, you actually picked all of these pictures. Why 1290 01:22:31,080 --> 01:22:35,040 Speaker 1: ain't it strong? He was like, I don't feel like. 1291 01:22:35,160 --> 01:22:37,719 Speaker 1: I don't feel like it is. And I got an idea, 1292 01:22:38,880 --> 01:22:41,280 Speaker 1: and I think it just speaks to what I feel like. 1293 01:22:41,400 --> 01:22:44,120 Speaker 1: This album is on and so forth on Moon and 1294 01:22:44,200 --> 01:22:47,280 Speaker 1: I was like okay, boom and so My manager had 1295 01:22:47,320 --> 01:22:49,600 Speaker 1: called me back and was like, yo, you know he 1296 01:22:49,640 --> 01:22:51,720 Speaker 1: want to change the artwork. Ship costs a lot of 1297 01:22:51,800 --> 01:22:54,840 Speaker 1: money by why so I hit him back. I was like, listen, 1298 01:22:55,960 --> 01:22:57,400 Speaker 1: I don't want you to pay for that. I don't 1299 01:22:57,400 --> 01:22:58,519 Speaker 1: want you to do that. I don't want to pay 1300 01:22:58,560 --> 01:22:59,560 Speaker 1: for it. And I don't want you to do it 1301 01:23:00,120 --> 01:23:01,960 Speaker 1: like you don't gotta do that. We're good, Like I 1302 01:23:02,040 --> 01:23:07,640 Speaker 1: love the music, I'm happy, I'm excited. This is how 1303 01:23:07,680 --> 01:23:14,840 Speaker 1: many days before releases? This is like a day everything, right, 1304 01:23:14,920 --> 01:23:17,040 Speaker 1: So I'm talking to y'all. So what I'm saying is 1305 01:23:17,200 --> 01:23:20,800 Speaker 1: I'm texting it. I'm tweeting the day before. Say yo, 1306 01:23:21,040 --> 01:23:26,320 Speaker 1: y'all like boom. He sends it over boom, that's what 1307 01:23:26,439 --> 01:23:29,240 Speaker 1: it is, and I'm like, you you see it, you 1308 01:23:29,320 --> 01:23:31,560 Speaker 1: know what it is, So no, listen, I don't know 1309 01:23:31,640 --> 01:23:36,360 Speaker 1: what it is, but you know, as soon as it 1310 01:23:36,479 --> 01:23:42,040 Speaker 1: hits the net, you start hearing them. You start hearing it, 1311 01:23:43,120 --> 01:23:47,800 Speaker 1: and it's like yo, So then I gotta do press. 1312 01:23:47,880 --> 01:23:52,320 Speaker 1: The next day, I'm doing phoners. If my phoners is 1313 01:23:52,400 --> 01:23:57,360 Speaker 1: all yo, how could you? I? I like, it's crazy. 1314 01:23:58,280 --> 01:24:00,960 Speaker 1: Then it's TMZ. The it's my mom calling me like yo, 1315 01:24:01,840 --> 01:24:03,720 Speaker 1: I see you on what's going on with the thing? 1316 01:24:04,000 --> 01:24:08,479 Speaker 1: You know, and you still don't know you like it? 1317 01:24:10,600 --> 01:24:12,320 Speaker 1: You know, it's just weird and that's all I know. 1318 01:24:12,479 --> 01:24:20,160 Speaker 1: I'm just like, it's what it is with me. I 1319 01:24:20,240 --> 01:24:24,840 Speaker 1: was like, you think it's genius up. I mean, you 1320 01:24:24,920 --> 01:24:29,720 Speaker 1: know what. But see the way he described it to 1321 01:24:29,760 --> 01:24:31,760 Speaker 1: me was he was like, Yo, you know, I feel 1322 01:24:31,800 --> 01:24:35,559 Speaker 1: like you talk about the streets in a way that's 1323 01:24:35,600 --> 01:24:38,559 Speaker 1: like glamorous at the same time, you know, you speak 1324 01:24:38,560 --> 01:24:40,800 Speaker 1: about the pitfalls and so on and so forth. He 1325 01:24:40,920 --> 01:24:44,519 Speaker 1: was like, man to me, he was like, this album 1326 01:24:44,560 --> 01:24:48,439 Speaker 1: and his picture represents so that just that was our 1327 01:24:48,520 --> 01:24:51,000 Speaker 1: minds And it wasn't about anything being disrespectful. It wasn't 1328 01:24:51,040 --> 01:24:55,560 Speaker 1: my anything. It was just you know. But but mind you, 1329 01:24:55,680 --> 01:24:57,760 Speaker 1: I just for the listeners listening right now, when you're 1330 01:24:57,760 --> 01:25:01,120 Speaker 1: saying in real time, just to put it in perspective, 1331 01:25:01,280 --> 01:25:04,479 Speaker 1: it's just like when Kanye took the picture of it 1332 01:25:04,720 --> 01:25:07,160 Speaker 1: on his iPhone the album cover, that's what you met 1333 01:25:07,479 --> 01:25:09,960 Speaker 1: in real time. Like that's how it's happening, how fast 1334 01:25:10,040 --> 01:25:12,880 Speaker 1: it's happened. I mean, you know, just so y'all even 1335 01:25:12,960 --> 01:25:19,080 Speaker 1: understand the process of this ship, Like um, kids, he 1336 01:25:19,200 --> 01:25:23,000 Speaker 1: goes kids, He goes, I'm gonna flight. I'm gonna flight 1337 01:25:23,160 --> 01:25:28,439 Speaker 1: to Montreal. He hits me, Yo, I need a verse. 1338 01:25:29,360 --> 01:25:32,000 Speaker 1: Can you go to the studio right now? I'm like, 1339 01:25:32,560 --> 01:25:38,400 Speaker 1: I can't. This is feeling love. Yes, He's like I can. 1340 01:25:38,439 --> 01:25:40,640 Speaker 1: I'm like, hits me back, No, I need you to 1341 01:25:40,720 --> 01:25:45,519 Speaker 1: go to the studio. Let's mind you. The album is 1342 01:25:45,560 --> 01:25:52,200 Speaker 1: coming out in six seven eight hours. We're gonna keep going. 1343 01:25:54,640 --> 01:25:57,599 Speaker 1: But I'm just saying coming down, like six seven hours. 1344 01:25:59,000 --> 01:26:01,920 Speaker 1: I'm about to do a show. I'm in Montreal. I 1345 01:26:02,000 --> 01:26:06,280 Speaker 1: got a book studio, book studio. Alright, cool, hold listen 1346 01:26:06,280 --> 01:26:12,519 Speaker 1: to this niger verse. Nigas you bust down a break Nigga. 1347 01:26:13,439 --> 01:26:16,960 Speaker 1: I am not too big con bent to you rappers, Nigga. 1348 01:26:17,800 --> 01:26:20,639 Speaker 1: I am more easy you trying your best to becoming nigga. 1349 01:26:21,040 --> 01:26:23,599 Speaker 1: She liked the bottles with bubbles in it by her 1350 01:26:23,640 --> 01:26:28,519 Speaker 1: Lau and other linen when there's other women were in 1351 01:26:28,640 --> 01:26:38,040 Speaker 1: love with winning. That's the new down the details designed 1352 01:26:38,080 --> 01:26:42,639 Speaker 1: out easily. They plays alone, hoping that I play a song. 1353 01:26:43,120 --> 01:26:51,000 Speaker 1: I love the trams, don't money along. I'm not gonna lie. 1354 01:26:51,120 --> 01:26:53,200 Speaker 1: Let me tell you something. Let me tell you something. 1355 01:26:53,560 --> 01:26:56,960 Speaker 1: Kickcutty has been a genius right. In fact, he's been 1356 01:26:57,000 --> 01:26:59,600 Speaker 1: a person that you know ahead of his time that 1357 01:26:59,760 --> 01:27:04,080 Speaker 1: I love. Um. But what Kanye did for him is 1358 01:27:04,320 --> 01:27:07,600 Speaker 1: put him in the level with the whole rest of 1359 01:27:07,680 --> 01:27:11,880 Speaker 1: the world can see his genius for the first time. 1360 01:27:11,920 --> 01:27:14,400 Speaker 1: You're talking about the rollout the rollout. No no, I'm 1361 01:27:14,439 --> 01:27:18,080 Speaker 1: just saying that you can actually see kid Cutty's genius now, 1362 01:27:18,240 --> 01:27:20,599 Speaker 1: Like you know what I mean? Like this, this reminds 1363 01:27:20,600 --> 01:27:24,680 Speaker 1: me of graduation Kanye, and I am I off. What 1364 01:27:25,000 --> 01:27:29,679 Speaker 1: does remind your graduation? This the track? No, the whole album. 1365 01:27:30,880 --> 01:27:34,160 Speaker 1: Man is this calls listening? I don't know, you know, 1366 01:27:34,439 --> 01:27:37,799 Speaker 1: I feel like old Kanye. I miss the old Kanye. 1367 01:27:37,960 --> 01:27:41,439 Speaker 1: This is old Kanye. No, no, no, let me tell 1368 01:27:41,479 --> 01:27:43,640 Speaker 1: you something. Right now. He is on a he is 1369 01:27:43,680 --> 01:27:46,760 Speaker 1: on a production wave. Everybody with him. That's what I think. 1370 01:27:46,840 --> 01:27:48,720 Speaker 1: Like I think everything you guys are doing right now, 1371 01:27:50,080 --> 01:27:52,559 Speaker 1: he's going on Now's album coming out on Friday for real? 1372 01:27:59,160 --> 01:28:04,320 Speaker 1: No way? What that sound like? All right? Yes? Bro, 1373 01:28:05,000 --> 01:28:11,120 Speaker 1: just putting on your phone. We will get the pro like, like, um, 1374 01:28:11,560 --> 01:28:13,240 Speaker 1: this isn't worth tak a little shot too? I think, 1375 01:28:13,439 --> 01:28:17,320 Speaker 1: come on there, because like we are celebrating. I'm taking 1376 01:28:17,760 --> 01:28:21,400 Speaker 1: the top of the motherfucking game. I can't mean imanna 1377 01:28:21,400 --> 01:28:24,320 Speaker 1: be honest with you. Put what's up? Because you you 1378 01:28:24,560 --> 01:28:29,040 Speaker 1: alluded to it earlier. I was a little nervous when 1379 01:28:29,520 --> 01:28:32,240 Speaker 1: when when he did come back with that response, so 1380 01:28:32,439 --> 01:28:35,880 Speaker 1: fun Drake, Yeah, I gotta go back to So I 1381 01:28:36,080 --> 01:28:37,960 Speaker 1: was a little bit nervous. I'm saying, I'm your friend, 1382 01:28:38,320 --> 01:28:40,880 Speaker 1: I got, I got, you are my friend, you are 1383 01:28:41,040 --> 01:28:47,240 Speaker 1: you are a very good friend like that girl, because 1384 01:28:47,240 --> 01:28:49,920 Speaker 1: we're gonna get to that. We should get to that. 1385 01:28:50,000 --> 01:28:51,800 Speaker 1: I'm gonna take a shot. I gotta take a pepece too, 1386 01:28:52,160 --> 01:28:56,120 Speaker 1: because my vote was very tight. Let me just say something, Vault, 1387 01:28:56,520 --> 01:28:59,040 Speaker 1: thank you all for stepping it up. I ain't gonna 1388 01:28:59,040 --> 01:29:02,280 Speaker 1: allow to slide. I ain't gonna lie. I came in here, 1389 01:29:02,400 --> 01:29:04,559 Speaker 1: I said, they are showing off and push your teeth 1390 01:29:04,600 --> 01:29:10,800 Speaker 1: and I'm w it. Yeah, this is the number one 1391 01:29:10,920 --> 01:29:15,160 Speaker 1: rapper in the motherfucking universe. He took out the Unicorn 1392 01:29:16,320 --> 01:29:27,120 Speaker 1: sot yo man, that was a shot. Kill myself on that. 1393 01:29:27,920 --> 01:29:35,360 Speaker 1: So what's up being in this game? Yes? And surviving 1394 01:29:35,439 --> 01:29:39,560 Speaker 1: this long? How difficult is that because you're in different genres. 1395 01:29:39,640 --> 01:29:42,879 Speaker 1: It's like I remember your first video wasn't your first video, grinding, 1396 01:29:43,320 --> 01:29:46,479 Speaker 1: Diane Martel, No, No, that wasn't your first video, but 1397 01:29:47,200 --> 01:29:52,040 Speaker 1: the major video two thousand too. So I remember that. 1398 01:29:52,120 --> 01:29:56,040 Speaker 1: I remember me actually going to Virginia. Yeah, going to 1399 01:29:56,160 --> 01:30:00,599 Speaker 1: Virginia and me seeing yes, yes, pwee curR plan, Yes, 1400 01:30:02,000 --> 01:30:04,240 Speaker 1: it was late. I went to the projects too. I 1401 01:30:04,360 --> 01:30:07,960 Speaker 1: was like, oh, these niggers got projects, and these nigs 1402 01:30:08,000 --> 01:30:10,400 Speaker 1: they got crackheads, they got fee this is the same 1403 01:30:10,479 --> 01:30:12,960 Speaker 1: exact thing. But see, I don't think nobody down south guy, 1404 01:30:13,000 --> 01:30:14,800 Speaker 1: you know, I'm just saying I was a child back then, 1405 01:30:14,920 --> 01:30:18,400 Speaker 1: so in my opinion, New York hood. But that was 1406 01:30:18,720 --> 01:30:21,280 Speaker 1: what was happening. I thought everywhere else was kind of 1407 01:30:21,360 --> 01:30:24,080 Speaker 1: like nice and pretty, and when I went there, I 1408 01:30:24,160 --> 01:30:26,880 Speaker 1: was like, oh, ship, everyone else is actually funked up. 1409 01:30:28,600 --> 01:30:32,240 Speaker 1: It's like j Quick said, every everywhere's like like Compton. 1410 01:30:32,439 --> 01:30:35,360 Speaker 1: That's what Quick, there you go. But one of the 1411 01:30:35,840 --> 01:30:38,800 Speaker 1: aspirations was was going to the grinding video and I'm 1412 01:30:38,840 --> 01:30:43,640 Speaker 1: just seeing that you guys just out there and just 1413 01:30:43,760 --> 01:30:46,560 Speaker 1: how was that introducing Virginia the other side, because like 1414 01:30:46,680 --> 01:30:48,720 Speaker 1: you said, we had mad skills, and mad skills was 1415 01:30:48,800 --> 01:30:52,960 Speaker 1: predominantly positive. We had it was a battle rapper. I 1416 01:30:53,000 --> 01:30:55,880 Speaker 1: mean battle rapper, but still like you know, it wasn't 1417 01:30:56,240 --> 01:30:59,439 Speaker 1: positive rapper, right, but I'm saying it wasn't talking about 1418 01:30:59,520 --> 01:31:02,120 Speaker 1: like seeing and you know Hector shoot up from HEROD 1419 01:31:02,360 --> 01:31:08,479 Speaker 1: and seeing you know, you know what I mean. You know, 1420 01:31:08,800 --> 01:31:15,120 Speaker 1: um Man, Virginia at that time, Virginia at that time 1421 01:31:15,200 --> 01:31:20,200 Speaker 1: was so crazy and it was you know, it was 1422 01:31:20,439 --> 01:31:24,640 Speaker 1: it was. It was a melting pot for like I 1423 01:31:24,760 --> 01:31:27,880 Speaker 1: felt like just for everything, like I felt like, you know, 1424 01:31:28,000 --> 01:31:33,000 Speaker 1: Virginia showed me all types of music. Um the New 1425 01:31:33,120 --> 01:31:37,760 Speaker 1: York influence was so heavy in Virginia, like super heavy 1426 01:31:37,840 --> 01:31:46,560 Speaker 1: at that time. Um you know, I was personally like 1427 01:31:46,720 --> 01:31:50,120 Speaker 1: that's what supported us. Like I couldn't get on the 1428 01:31:50,200 --> 01:31:52,559 Speaker 1: mix tape. I couldn't get on a Clue tape for nothing. 1429 01:31:52,600 --> 01:31:55,240 Speaker 1: And you know I knew Clue. I knew everybody back then, 1430 01:31:55,320 --> 01:31:58,600 Speaker 1: you know, through Rob Walker, you know, for it was 1431 01:31:58,800 --> 01:32:01,320 Speaker 1: you know, he was, he was hot at that time. 1432 01:32:02,000 --> 01:32:05,599 Speaker 1: But we couldn't get on mixtapes. We couldn't get on anything. 1433 01:32:05,680 --> 01:32:11,559 Speaker 1: So really all we had was Virginia and that video 1434 01:32:11,680 --> 01:32:15,720 Speaker 1: grinding to me, sort of gave it gave Virginia a 1435 01:32:15,800 --> 01:32:20,200 Speaker 1: face and a look and a an identity that um 1436 01:32:20,560 --> 01:32:23,679 Speaker 1: that the world you know, resonated with. It's so crazy 1437 01:32:23,720 --> 01:32:26,080 Speaker 1: because it was some little girls dancing in the video 1438 01:32:26,680 --> 01:32:29,760 Speaker 1: and uh, you know, doing like a step type dance 1439 01:32:29,880 --> 01:32:34,439 Speaker 1: or whatever, and um and I see these girls, you know, 1440 01:32:34,560 --> 01:32:37,639 Speaker 1: I see these girls sixteen years later in the mall 1441 01:32:37,840 --> 01:32:41,040 Speaker 1: or something like, Hey, I was in your video. You know, 1442 01:32:41,840 --> 01:32:48,080 Speaker 1: just super excited. But um, really, you just saw the 1443 01:32:48,240 --> 01:32:53,200 Speaker 1: impact of of having a rap identity for a place, 1444 01:32:53,600 --> 01:32:56,680 Speaker 1: a place like Virginia that was like, you know, they hit, 1445 01:32:56,800 --> 01:32:58,760 Speaker 1: they hit, you know. I mean that record was a 1446 01:32:58,800 --> 01:33:04,120 Speaker 1: big record, classic record, so it was you just saw 1447 01:33:04,160 --> 01:33:07,040 Speaker 1: the impact of it and and I appreciate it to 1448 01:33:07,120 --> 01:33:09,280 Speaker 1: this day. Like I'm I'm I'm waiting to go back home. 1449 01:33:09,320 --> 01:33:11,439 Speaker 1: I want to go back home now. You said platinum 1450 01:33:11,479 --> 01:33:15,439 Speaker 1: on the block with assist hits for real? Keep talking 1451 01:33:15,520 --> 01:33:19,360 Speaker 1: this music ship. Yeah, I mean it's self explanatory to me. 1452 01:33:20,040 --> 01:33:24,080 Speaker 1: But for the people who is not sulf explanatory to you, 1453 01:33:24,280 --> 01:33:28,280 Speaker 1: describe you saying you're being on the block for rell 1454 01:33:29,720 --> 01:33:35,240 Speaker 1: Less relax, you know. Um, that's just something that was 1455 01:33:35,320 --> 01:33:40,920 Speaker 1: a conversation that just always used to be had. Um Man, 1456 01:33:41,000 --> 01:33:42,800 Speaker 1: I remember being in the studio I used to go 1457 01:33:42,840 --> 01:33:46,320 Speaker 1: to the studio with for Real every single day. Every 1458 01:33:46,439 --> 01:33:48,960 Speaker 1: day in the mix of going to the studio, I'll 1459 01:33:49,000 --> 01:33:51,960 Speaker 1: be running in and off the studio and he come 1460 01:33:52,000 --> 01:33:53,200 Speaker 1: out and be like, no, I want you to hear this, 1461 01:33:53,400 --> 01:33:55,400 Speaker 1: and I wouldn't be there then I come back, Man, 1462 01:33:55,439 --> 01:33:59,120 Speaker 1: where would you at? He's a vibe guy. He's a vibe, 1463 01:33:59,160 --> 01:34:04,120 Speaker 1: he's an energy, he's a he's a he's an interpreter. 1464 01:34:04,960 --> 01:34:08,680 Speaker 1: Mm hmm. You know, he's a ill hook writer, but 1465 01:34:08,880 --> 01:34:13,680 Speaker 1: he will interpret your life in that hook into music. Right, 1466 01:34:14,439 --> 01:34:17,960 Speaker 1: So when you're not there, when you're not there, you know, 1467 01:34:18,360 --> 01:34:22,240 Speaker 1: you know physically, and he can't feel nothing from you. 1468 01:34:23,720 --> 01:34:27,080 Speaker 1: You're sucking up the record. I'm you know, I'm running 1469 01:34:27,080 --> 01:34:29,200 Speaker 1: in and out. I'm you know, going to make a 1470 01:34:29,240 --> 01:34:35,840 Speaker 1: whip work and what I'm saying and you know that 1471 01:34:36,080 --> 01:34:38,200 Speaker 1: that was just my energy. Platinum on a block with 1472 01:34:38,320 --> 01:34:42,120 Speaker 1: consistent hits. For real, keep talking. His music ship was 1473 01:34:42,520 --> 01:34:46,320 Speaker 1: that like you didn't want you didn't believe in music? Well, 1474 01:34:46,360 --> 01:34:49,720 Speaker 1: I didn't. To be honest with you, I didn't and 1475 01:34:49,840 --> 01:34:55,639 Speaker 1: I didn't. And it's weird. Now this videos that's going 1476 01:34:55,680 --> 01:35:01,800 Speaker 1: to like that line that said it's weird it's it's 1477 01:35:01,880 --> 01:35:06,160 Speaker 1: weird because you know, my life told you my brother 1478 01:35:06,200 --> 01:35:11,080 Speaker 1: is five years older than me. When rap hit, Yes, yes, 1479 01:35:11,720 --> 01:35:14,240 Speaker 1: Malice is five years older than that's not my twin 1480 01:35:15,760 --> 01:35:19,960 Speaker 1: twin my brother, my older brother do everything you say. 1481 01:35:22,720 --> 01:35:28,240 Speaker 1: So Like I remember being young and you know, rap hit. 1482 01:35:28,320 --> 01:35:32,960 Speaker 1: My first first album utfo Rock saying sister worked in 1483 01:35:33,000 --> 01:35:37,040 Speaker 1: the record store. You know, he used to write raps. 1484 01:35:37,560 --> 01:35:39,519 Speaker 1: I didn't. I never, I didn't write raps. I was 1485 01:35:39,840 --> 01:35:42,760 Speaker 1: what's that? What are you doing? Dummy? You know need 1486 01:35:42,920 --> 01:35:44,679 Speaker 1: pay me no attention. I rip up the rap book. 1487 01:35:45,000 --> 01:35:52,439 Speaker 1: You come fight, you know, But I mean, you know, 1488 01:35:52,760 --> 01:35:56,080 Speaker 1: just awesome younger brother ship. That's just what I was into. 1489 01:35:56,240 --> 01:35:58,559 Speaker 1: That's what I did then, that's what he was into. 1490 01:36:00,280 --> 01:36:04,559 Speaker 1: By the time by the time I got into late 1491 01:36:05,040 --> 01:36:10,200 Speaker 1: middle school, junior high into high school, man, I was 1492 01:36:10,320 --> 01:36:14,599 Speaker 1: ashamed to tell people that I started rapping. That won't 1493 01:36:14,840 --> 01:36:17,200 Speaker 1: That was not the way to go. Like, you don't 1494 01:36:17,200 --> 01:36:22,240 Speaker 1: tell nobody what you mean wrapping, rapping? What you mean 1495 01:36:23,080 --> 01:36:27,679 Speaker 1: you're rapping anybody? Yeah, he get this motherfucking money period, 1496 01:36:29,200 --> 01:36:33,439 Speaker 1: Like that's the type of time they were on rap 1497 01:36:33,640 --> 01:36:36,080 Speaker 1: one wasn't really you know, and it's still it's Virginia. 1498 01:36:38,040 --> 01:36:41,960 Speaker 1: We still looked at we looked at Teddy as, yeah, 1499 01:36:42,120 --> 01:36:44,280 Speaker 1: you came from Halem. Yeah you know you came from 1500 01:36:44,280 --> 01:36:47,640 Speaker 1: the big city a Virginia board. Yeah for sure. But 1501 01:36:49,160 --> 01:36:51,639 Speaker 1: it's still like it still wasn't it wasn't our reach. 1502 01:36:52,439 --> 01:36:54,760 Speaker 1: You know what I'm saying for real is who gave me? 1503 01:36:55,880 --> 01:36:59,320 Speaker 1: No bro, like this really happens, Like how how do 1504 01:36:59,439 --> 01:37:03,519 Speaker 1: y'all link? So he said, the little a mile away? 1505 01:37:03,560 --> 01:37:09,160 Speaker 1: You know, how do ya? Um? Because we were we 1506 01:37:09,240 --> 01:37:11,200 Speaker 1: had we had we had to meet your friend. We 1507 01:37:11,280 --> 01:37:13,679 Speaker 1: had to meet your friend my my actual best friend, 1508 01:37:14,240 --> 01:37:18,080 Speaker 1: and he um, he was interested in her and I 1509 01:37:18,280 --> 01:37:21,400 Speaker 1: was interested. Yeah. And then when when he used to 1510 01:37:21,439 --> 01:37:22,840 Speaker 1: be with all the time, so he would ask me, 1511 01:37:22,920 --> 01:37:25,599 Speaker 1: he asked me like, yo, you know you're dating or whatever. 1512 01:37:25,640 --> 01:37:27,000 Speaker 1: And I was like no, I like this's my home 1513 01:37:27,040 --> 01:37:30,599 Speaker 1: girl or whatever. And then when when they clicked up whatever, 1514 01:37:30,720 --> 01:37:33,760 Speaker 1: then he found out who my brother was. At this time, 1515 01:37:33,800 --> 01:37:42,200 Speaker 1: I'm not rhyming. They would all go to him Timberland, 1516 01:37:42,600 --> 01:37:45,439 Speaker 1: for real, all of them up down the beach. Rymy. 1517 01:37:45,479 --> 01:37:47,679 Speaker 1: They would go to the ocean front and wrap every weekend. 1518 01:37:48,160 --> 01:37:52,640 Speaker 1: When he just doesn't that's already a thing local, not 1519 01:37:52,840 --> 01:37:56,479 Speaker 1: getting popping. But it's a movement, it's a thing. And 1520 01:37:56,520 --> 01:38:04,400 Speaker 1: when did you hear the room for real actually writing shaker? Um? No, 1521 01:38:04,600 --> 01:38:08,800 Speaker 1: that was I know. I'm saying it started as a rumor. 1522 01:38:08,840 --> 01:38:14,800 Speaker 1: Then people found what I mean you know, uh I 1523 01:38:14,920 --> 01:38:17,880 Speaker 1: was there for that, you know, like yeah, yeah, no, 1524 01:38:18,000 --> 01:38:21,880 Speaker 1: it was early like scooters and bites like this ain't 1525 01:38:21,880 --> 01:38:26,320 Speaker 1: even cards level. This is like it's kids ship and 1526 01:38:26,400 --> 01:38:30,160 Speaker 1: you tell Riley asked for real, I'm they're getting ran 1527 01:38:30,280 --> 01:38:33,400 Speaker 1: off of the premises of future records, like why are 1528 01:38:33,439 --> 01:38:37,479 Speaker 1: we going? Why I'll come back over here. I guess 1529 01:38:37,600 --> 01:38:40,640 Speaker 1: this is way earlier. But you knew for Rell had 1530 01:38:40,680 --> 01:38:43,479 Speaker 1: the ability to do that because Telly Rowley is like, 1531 01:38:43,880 --> 01:38:46,600 Speaker 1: tell he's a big deal at that time, he's a 1532 01:38:46,640 --> 01:38:51,560 Speaker 1: big deal now he's still thank you, thank you for 1533 01:38:51,920 --> 01:38:55,160 Speaker 1: we can't forget. But what I'm saying is, but for real, 1534 01:38:56,280 --> 01:38:59,479 Speaker 1: is he approached to do this job or no, no, no, 1535 01:38:59,600 --> 01:39:01,599 Speaker 1: they had a um they had a talent show. Okay, 1536 01:39:01,640 --> 01:39:03,840 Speaker 1: they had a talent show and Teddy seemed that seen 1537 01:39:03,960 --> 01:39:07,519 Speaker 1: the greatness in him. Oh wow. And then that's when 1538 01:39:07,560 --> 01:39:10,280 Speaker 1: we got to start walking into walking into the studio 1539 01:39:10,360 --> 01:39:13,200 Speaker 1: instead of just sitting outside and seafood running us away. 1540 01:39:13,240 --> 01:39:21,519 Speaker 1: Y'all know seafood. We don't see her, y'all see y'allod 1541 01:39:23,680 --> 01:39:29,439 Speaker 1: saying yeah, yeah, I'm sure that's right there. I'm just 1542 01:39:29,479 --> 01:39:31,800 Speaker 1: saying that the ship right there, that's not your shot. 1543 01:39:32,120 --> 01:39:35,120 Speaker 1: I'm just saying this the people I've been having to 1544 01:39:35,160 --> 01:39:38,000 Speaker 1: piece so long, but that was so much for him. 1545 01:39:39,120 --> 01:39:40,800 Speaker 1: How let me do this? Because we vote? You got up, 1546 01:39:42,920 --> 01:39:47,080 Speaker 1: shout out vote vote. They said we gotta push your teeth, 1547 01:39:47,120 --> 01:39:50,559 Speaker 1: and they were. We got eighteen cameras pus your sun right, 1548 01:39:50,600 --> 01:39:54,120 Speaker 1: we got, we got, we got good ship happening. I'm sorry, 1549 01:39:54,160 --> 01:40:05,360 Speaker 1: I'm sorry I should I got a question. Se push 1550 01:40:05,400 --> 01:40:10,040 Speaker 1: it when y'all Okay, when the clips, yes, who made 1551 01:40:10,120 --> 01:40:13,840 Speaker 1: up to the name the clips, Um, we actually were 1552 01:40:13,920 --> 01:40:20,080 Speaker 1: fully clips clips, fully clips right clus to planting them. Well, 1553 01:40:20,200 --> 01:40:23,960 Speaker 1: because plant of them had full up clips. We said 1554 01:40:24,400 --> 01:40:28,400 Speaker 1: we're gonna pass on that because yeah, they definitely reversed. 1555 01:40:29,600 --> 01:40:34,120 Speaker 1: Um definitely definitely didn't want to uh didn't want to 1556 01:40:34,160 --> 01:40:36,519 Speaker 1: step on any toes with that, and it was just 1557 01:40:36,600 --> 01:40:39,600 Speaker 1: too close. So when the grinding beat came up, I 1558 01:40:39,720 --> 01:40:41,720 Speaker 1: know you guys thought that it was a crazy ass 1559 01:40:41,760 --> 01:40:44,880 Speaker 1: peat because I'm a DJ I get to I got 1560 01:40:44,960 --> 01:40:48,920 Speaker 1: to joint. Yeah, we dj. The reason why the record 1561 01:40:48,960 --> 01:40:52,880 Speaker 1: I think went because it was so different. Yeah, but 1562 01:40:52,960 --> 01:40:54,760 Speaker 1: as a DJ, I'm gonna tell you right now, the 1563 01:40:54,840 --> 01:40:57,519 Speaker 1: way the beat came in it was always off beat. Yeah. 1564 01:40:58,120 --> 01:41:00,840 Speaker 1: So we hated it. We hated and love the record 1565 01:41:01,160 --> 01:41:06,200 Speaker 1: at the same time. Listen, you can't cook. Damn. That 1566 01:41:06,320 --> 01:41:15,720 Speaker 1: was the fastest piss ever christ that already downloaded it 1567 01:41:17,560 --> 01:41:22,200 Speaker 1: when they remember when when that record was played with 1568 01:41:22,320 --> 01:41:33,720 Speaker 1: y'all think, I'm sorry, yo, um No, you know the 1569 01:41:34,479 --> 01:41:39,880 Speaker 1: actual the actual record grinding. Um man, that record I was. 1570 01:41:40,080 --> 01:41:42,360 Speaker 1: I wasn't at the studio for l was at the 1571 01:41:42,360 --> 01:41:46,840 Speaker 1: studio alone. He called me and said, Hey, if you 1572 01:41:46,960 --> 01:41:49,320 Speaker 1: do not get here, I'm going to give this record 1573 01:41:49,360 --> 01:41:52,920 Speaker 1: to jay Z and you better be here in fifteen minutes, 1574 01:41:52,960 --> 01:41:56,320 Speaker 1: I swear to God. And that scared Yeah, because I 1575 01:41:56,360 --> 01:42:01,320 Speaker 1: don't like the thing about it is I'm very territorial. 1576 01:42:01,960 --> 01:42:05,720 Speaker 1: I hated it. Norri got nothing. I hated it like 1577 01:42:05,840 --> 01:42:14,080 Speaker 1: I'm very angry, got nothing, nothing, I don't know. Yeah, 1578 01:42:14,479 --> 01:42:17,000 Speaker 1: I love with super though, like that was Nori. I 1579 01:42:17,120 --> 01:42:19,880 Speaker 1: got that things that I couldn't think that I could do. 1580 01:42:20,640 --> 01:42:23,600 Speaker 1: I didn't want him to have to be honest with you, 1581 01:42:23,880 --> 01:42:32,120 Speaker 1: be honest. I think I had grind, so but grinding 1582 01:42:32,200 --> 01:42:33,840 Speaker 1: is such an awkward record. I just want to know. 1583 01:42:34,280 --> 01:42:36,120 Speaker 1: So he was like yo, he was like yo, get 1584 01:42:36,160 --> 01:42:37,680 Speaker 1: here now. He was like, and if you don't do it, 1585 01:42:37,720 --> 01:42:40,920 Speaker 1: I'm gonna give it the whole. And I couldn't live 1586 01:42:41,000 --> 01:42:45,960 Speaker 1: with Whove having something that, you know that I thought 1587 01:42:46,120 --> 01:42:50,519 Speaker 1: that should have been for us. Um. Needless to say, 1588 01:42:50,560 --> 01:42:53,760 Speaker 1: I got over there and I was like, oh, like, 1589 01:42:53,840 --> 01:42:56,120 Speaker 1: this is crack, and he was like, no, listen, I'm 1590 01:42:56,160 --> 01:42:59,280 Speaker 1: telling you this is special. And he knew it was special, 1591 01:42:59,640 --> 01:43:01,599 Speaker 1: but he knew what he knew it's special. If bat 1592 01:43:02,600 --> 01:43:05,439 Speaker 1: that's probably the only record that I wrote three times. 1593 01:43:06,960 --> 01:43:10,000 Speaker 1: I don't write records three times, like i'd be you know, damn, 1594 01:43:10,040 --> 01:43:14,439 Speaker 1: that's not it. Damn, that's not it. M h okay, 1595 01:43:14,760 --> 01:43:20,080 Speaker 1: that's it, you know. But but um, and then when 1596 01:43:20,160 --> 01:43:24,320 Speaker 1: we we we did it. And at this time, mind you, 1597 01:43:24,439 --> 01:43:28,040 Speaker 1: Farrell is like lit. He's lit, you know, hook wise, 1598 01:43:28,120 --> 01:43:30,439 Speaker 1: he he's singing on every hook. Okay, boom, he's not 1599 01:43:30,479 --> 01:43:36,360 Speaker 1: singing on this hook. And I'm like, I'm I'm like, 1600 01:43:36,439 --> 01:43:38,479 Speaker 1: I'm like, yo, you're not gonna like he was like, yo, 1601 01:43:38,600 --> 01:43:41,240 Speaker 1: it ain't no, it ain't that he I'm telling you 1602 01:43:41,360 --> 01:43:44,479 Speaker 1: you got the most special ship. And then like he 1603 01:43:44,600 --> 01:43:49,000 Speaker 1: just gave me his whole theory. Like man, y'all, y'all 1604 01:43:49,080 --> 01:43:52,880 Speaker 1: of my group, and you know, she hustled FaceTime and 1605 01:43:52,960 --> 01:43:56,160 Speaker 1: hold on, hold on, hold on. This is this is 1606 01:43:56,160 --> 01:44:20,120 Speaker 1: a special moment. She hustle FaceTime, dream chancell what's up? Okay, okay, 1607 01:44:22,360 --> 01:44:26,320 Speaker 1: you listen. You know I know you know, I know. Yes, sir, 1608 01:44:34,000 --> 01:44:37,760 Speaker 1: hey Man, love you, bro, Thank you appreciate that. Yes, sir, 1609 01:44:40,360 --> 01:44:48,960 Speaker 1: you appreciate that. Bro, hey Man, Hello, all love my brother, 1610 01:44:49,120 --> 01:44:54,519 Speaker 1: got your mat Sushi finished? Alright, peeks, peaks, n makes more. 1611 01:44:56,840 --> 01:44:58,599 Speaker 1: I ain't gonna last ye. I had a whole surprise. 1612 01:44:58,680 --> 01:45:00,960 Speaker 1: I had Jada kiss, I have off Daddy, and I 1613 01:45:01,080 --> 01:45:04,920 Speaker 1: totally forgot. I didn't answer none of them like I 1614 01:45:05,000 --> 01:45:06,840 Speaker 1: was supposed to, supposed to old call in. But I 1615 01:45:06,960 --> 01:45:09,680 Speaker 1: was just saying so much into this conversation. I'm just like, 1616 01:45:10,080 --> 01:45:12,840 Speaker 1: we didn't really need anything extra to to add on 1617 01:45:12,920 --> 01:45:15,920 Speaker 1: to this because because because that but that's what drink 1618 01:45:16,000 --> 01:45:18,640 Speaker 1: champions see push. I'm gonna just be honest with you. 1619 01:45:19,200 --> 01:45:21,639 Speaker 1: After people have ten years in this game, people write 1620 01:45:21,680 --> 01:45:24,479 Speaker 1: them off, and people say that they're washed up. People 1621 01:45:24,520 --> 01:45:26,640 Speaker 1: say that it's over for them, and people say that 1622 01:45:26,720 --> 01:45:29,560 Speaker 1: that they can no longer producing and do what they do. 1623 01:45:30,040 --> 01:45:31,439 Speaker 1: So that's not that's what we want to do. We 1624 01:45:31,479 --> 01:45:34,000 Speaker 1: wanted we wanted to have a platform where it's the 1625 01:45:34,040 --> 01:45:36,599 Speaker 1: exact opposite. You know what I'm saying. We're old niggas 1626 01:45:36,640 --> 01:45:39,400 Speaker 1: like me who forty years old. Put here, put that 1627 01:45:39,479 --> 01:45:45,960 Speaker 1: spray some jaffncy and in the air. Yeah, you need 1628 01:45:46,680 --> 01:45:49,120 Speaker 1: not you know I'm saying, when you can say you're listening, 1629 01:45:49,439 --> 01:45:51,479 Speaker 1: If you got ten years or more, this is when 1630 01:45:51,560 --> 01:45:54,800 Speaker 1: you come and you'll be celebrated, not when you tolerated, 1631 01:45:54,880 --> 01:45:57,800 Speaker 1: you celebrated. Where is the place that these brothers have 1632 01:45:57,920 --> 01:46:00,680 Speaker 1: ten years or more that that thelebrat of that. No, 1633 01:46:01,280 --> 01:46:03,639 Speaker 1: they put you in the washed up category. They tell 1634 01:46:03,640 --> 01:46:05,800 Speaker 1: you that it's over for you. And I wanted to. 1635 01:46:05,880 --> 01:46:08,559 Speaker 1: I wanted to break that barrier because I'm a hustler 1636 01:46:08,600 --> 01:46:12,560 Speaker 1: of all sorts. Yes, I've hustled. I've sold water to 1637 01:46:12,680 --> 01:46:15,000 Speaker 1: what else? Yes, you know what I mean, I've sold 1638 01:46:15,400 --> 01:46:24,679 Speaker 1: you know to people who sell Yeah, So I wanted 1639 01:46:24,720 --> 01:46:27,600 Speaker 1: to motherfuck make sure that we have a platform for 1640 01:46:27,680 --> 01:46:31,759 Speaker 1: people who's been here, whose season? But also understand the game, 1641 01:46:32,040 --> 01:46:34,120 Speaker 1: because here's a lot of us who have these same 1642 01:46:34,240 --> 01:46:36,719 Speaker 1: years that me and you have, but they don't understand 1643 01:46:36,760 --> 01:46:39,959 Speaker 1: the new generation. They don't want to understand the new generation. 1644 01:46:40,160 --> 01:46:41,760 Speaker 1: They don't even want to go to the clubs and 1645 01:46:41,880 --> 01:46:47,240 Speaker 1: box to it. I tell you, that's that's like I 1646 01:46:47,360 --> 01:46:50,360 Speaker 1: felt like, that's that's my calling in music right now. 1647 01:46:51,280 --> 01:46:55,120 Speaker 1: I feel like, um, you know, becoming a president of 1648 01:46:55,200 --> 01:46:57,800 Speaker 1: good music, man, you have to sort of be able 1649 01:46:57,840 --> 01:47:01,800 Speaker 1: to identify with what's going on. I was side, Um, 1650 01:47:02,760 --> 01:47:05,120 Speaker 1: when I think about everybody, when I think about everybody, 1651 01:47:05,200 --> 01:47:11,720 Speaker 1: who's first week, I'm gonna be honest, look at me. 1652 01:47:12,439 --> 01:47:16,559 Speaker 1: He did just think when when I when I when 1653 01:47:16,560 --> 01:47:18,479 Speaker 1: I think about when I think about all the greats 1654 01:47:18,560 --> 01:47:21,120 Speaker 1: and everybody that I loved the music and I loved 1655 01:47:21,160 --> 01:47:24,200 Speaker 1: and hip hop. You know I'm talking about from the 1656 01:47:24,280 --> 01:47:30,200 Speaker 1: Golden Area. I'm listening. I feel like their windows were 1657 01:47:30,280 --> 01:47:36,439 Speaker 1: so short because they didn't embrace what was next. They 1658 01:47:36,560 --> 01:47:40,000 Speaker 1: didn't do that. And and I'm talking about that mind you. 1659 01:47:40,320 --> 01:47:45,120 Speaker 1: I think that these guys are like, go god level 1660 01:47:46,200 --> 01:47:51,000 Speaker 1: m c's. But the one flaw that they had was 1661 01:47:51,160 --> 01:47:56,280 Speaker 1: they didn't say, hey, boom. They didn't identify. And I'm 1662 01:47:56,320 --> 01:47:59,160 Speaker 1: not saying that you gotta. We ain't chasing trends. I'm 1663 01:47:59,200 --> 01:48:02,680 Speaker 1: not chasing no ends. But it's sort of like with 1664 01:48:02,840 --> 01:48:05,479 Speaker 1: anything else. Man, if you get into the environment of it, 1665 01:48:05,600 --> 01:48:08,880 Speaker 1: you gotta be able to appreciate. You gotta be able 1666 01:48:08,880 --> 01:48:12,360 Speaker 1: to appreciate, like the energy that that you're feeling when 1667 01:48:12,360 --> 01:48:15,160 Speaker 1: you're in that mix. You have to like, Man, I 1668 01:48:15,280 --> 01:48:17,559 Speaker 1: just sit home in Virginia, watch your on TV raps 1669 01:48:18,040 --> 01:48:20,960 Speaker 1: or watch Rap City and be pissed or the box. 1670 01:48:21,040 --> 01:48:22,960 Speaker 1: I see you, listen, let me tell you something. I 1671 01:48:23,080 --> 01:48:25,680 Speaker 1: see you say that story, right, And I'm gonna give 1672 01:48:25,680 --> 01:48:29,000 Speaker 1: you an example. I'm an offset your example was. It 1673 01:48:29,120 --> 01:48:32,200 Speaker 1: was the same thing when I when people seeing Players Club, 1674 01:48:33,080 --> 01:48:35,800 Speaker 1: people seeing Players Club in New York at the time, 1675 01:48:36,960 --> 01:48:41,479 Speaker 1: you don't go those strip clubs, right, So so Players 1676 01:48:41,560 --> 01:48:45,560 Speaker 1: Club to people in New York made no sense. But 1677 01:48:45,840 --> 01:48:48,560 Speaker 1: for a person that went and traveled, I was like, 1678 01:48:48,680 --> 01:48:52,760 Speaker 1: Players Club is the fucking if. People in my hood 1679 01:48:52,880 --> 01:48:55,560 Speaker 1: was like, what, like, we don't we don't spend on 1680 01:48:55,640 --> 01:48:57,840 Speaker 1: money in the strip clubs. That That's how it was 1681 01:48:57,920 --> 01:48:59,280 Speaker 1: back then, you know what I mean, That's how I 1682 01:48:59,400 --> 01:49:01,160 Speaker 1: used to look it. That's how I used to look 1683 01:49:01,200 --> 01:49:04,839 Speaker 1: at the Bay for music. I used to be pissed, 1684 01:49:05,080 --> 01:49:06,960 Speaker 1: how shouldn't come on they do a whole little run. 1685 01:49:07,280 --> 01:49:08,760 Speaker 1: I'd be like, yeah, I'm not trying to see none 1686 01:49:08,760 --> 01:49:11,080 Speaker 1: of this ship until I got in the rap game, 1687 01:49:11,160 --> 01:49:15,519 Speaker 1: getting a rap game, go to the Bay, and you realize, like, 1688 01:49:15,760 --> 01:49:17,639 Speaker 1: this is a whole culture, and this is a thing, 1689 01:49:17,800 --> 01:49:21,080 Speaker 1: and and before you know what, you're making the face 1690 01:49:21,200 --> 01:49:24,080 Speaker 1: and popping your colle and you you're having the greatest 1691 01:49:24,120 --> 01:49:26,880 Speaker 1: time in your life. That's how I look at the 1692 01:49:27,000 --> 01:49:30,240 Speaker 1: rap game. You're like, man, if you can get in 1693 01:49:30,320 --> 01:49:32,160 Speaker 1: the mix of it, when you you know, if you're 1694 01:49:32,160 --> 01:49:35,080 Speaker 1: still going outside, if you're still outside and you're still 1695 01:49:35,160 --> 01:49:36,960 Speaker 1: in the mix of it, and you're in the mix 1696 01:49:37,040 --> 01:49:40,040 Speaker 1: of the energy of whatever this culture is trapped music, 1697 01:49:40,600 --> 01:49:45,120 Speaker 1: you know, Southern, whatever the case may be. It's hard 1698 01:49:45,479 --> 01:49:47,439 Speaker 1: not to like it when you can see, when you 1699 01:49:47,520 --> 01:49:50,920 Speaker 1: see how people appreciate it. It's hard. Now. I'm not 1700 01:49:51,000 --> 01:49:53,840 Speaker 1: saying it's gonna be your number one go to. You 1701 01:49:53,880 --> 01:49:55,600 Speaker 1: may look at it, you may look at it for 1702 01:49:55,720 --> 01:49:59,760 Speaker 1: something else. You know, it's fun as energy. You know, 1703 01:49:59,800 --> 01:50:02,160 Speaker 1: when I'm trying to be barred up, I'm not going 1704 01:50:02,240 --> 01:50:05,639 Speaker 1: to that. When I'm trying to have a great time parties, 1705 01:50:05,680 --> 01:50:08,240 Speaker 1: see the energy of people, I'm definitely going to that. 1706 01:50:09,320 --> 01:50:12,400 Speaker 1: You know, you just gotta be able to like differentiate. 1707 01:50:12,479 --> 01:50:16,640 Speaker 1: And I felt like all of a lot of the 1708 01:50:17,360 --> 01:50:22,439 Speaker 1: people who did not embrace that way, who were like 1709 01:50:23,160 --> 01:50:27,519 Speaker 1: supreme lyricists to me, that's why we can only talk 1710 01:50:27,640 --> 01:50:32,519 Speaker 1: about them for five four or five three to five years. 1711 01:50:33,120 --> 01:50:35,680 Speaker 1: And that's true. It's just like when I see, you know, 1712 01:50:37,200 --> 01:50:40,120 Speaker 1: when I see the females dancing get done, I said, 1713 01:50:40,120 --> 01:50:43,800 Speaker 1: this is nice. How can you know? And you know, 1714 01:50:43,840 --> 01:50:46,439 Speaker 1: I don't listen, I don't know a word, but you know, 1715 01:50:46,640 --> 01:50:51,200 Speaker 1: I'm going when like, you gotta like that, you gotta 1716 01:50:51,320 --> 01:50:55,000 Speaker 1: like that. Gota like that. I just keeping the man 1717 01:50:55,479 --> 01:50:56,840 Speaker 1: I don't have You don't have to know the words, 1718 01:50:56,880 --> 01:50:58,320 Speaker 1: and you don't have to you don't have to know nothing. 1719 01:50:58,400 --> 01:51:01,919 Speaker 1: Music is universe. That's the one thing that's totally universal 1720 01:51:01,960 --> 01:51:04,519 Speaker 1: to me, as food and music. I mean, one time 1721 01:51:04,560 --> 01:51:06,760 Speaker 1: I was stuck in Russia. I tell the story all 1722 01:51:06,800 --> 01:51:08,760 Speaker 1: the time I was stuck in Russia and the guy, 1723 01:51:08,880 --> 01:51:11,040 Speaker 1: now when I was this is another time. I remember 1724 01:51:11,160 --> 01:51:13,040 Speaker 1: that time we went in Russia. They had the actually 1725 01:51:14,120 --> 01:51:20,479 Speaker 1: in Russia. We almost died. We almost died. They said, 1726 01:51:20,560 --> 01:51:23,200 Speaker 1: Russians against racism. If you were in a place where 1727 01:51:23,200 --> 01:51:26,160 Speaker 1: they gotta say they against racism, brother, you don't really 1728 01:51:26,240 --> 01:51:29,920 Speaker 1: belong brother. So but this is another time. I'm in 1729 01:51:30,040 --> 01:51:32,640 Speaker 1: there and I'm in the first class lounge and this 1730 01:51:32,800 --> 01:51:36,200 Speaker 1: guy you could tell he's not racist. This is maybe 1731 01:51:36,240 --> 01:51:38,760 Speaker 1: it's experience after you, so you can tell those guys 1732 01:51:38,760 --> 01:51:41,759 Speaker 1: all babies before you tell those guys not racist. Because 1733 01:51:42,000 --> 01:51:44,840 Speaker 1: he's just identified me and he's looking he's like, he's 1734 01:51:44,880 --> 01:51:48,080 Speaker 1: pointing at this food, like this ship is trash. I'm 1735 01:51:48,160 --> 01:51:50,639 Speaker 1: Russian and this is trash. So I'm like, I don't 1736 01:51:50,680 --> 01:51:53,479 Speaker 1: try that, but I'm like this, but he's like, and 1737 01:51:53,520 --> 01:51:55,080 Speaker 1: I'm talking about we went through a hole like this 1738 01:51:55,160 --> 01:51:57,240 Speaker 1: is an hour and you don't know why. I m. 1739 01:51:57,280 --> 01:51:59,479 Speaker 1: I don't know who he is. And then that was 1740 01:51:59,560 --> 01:52:02,479 Speaker 1: food we bonded through. They know all they figured out. 1741 01:52:02,560 --> 01:52:05,120 Speaker 1: They said, oh ship, someone body told him. But you 1742 01:52:05,200 --> 01:52:11,559 Speaker 1: know it's just food and music, you know, a god 1743 01:52:13,360 --> 01:52:16,200 Speaker 1: breast in peace. Man. Yeah, man, that that that struck me. 1744 01:52:16,360 --> 01:52:23,160 Speaker 1: Especially the suicide thing is because um, check out your friends, man, 1745 01:52:23,560 --> 01:52:28,439 Speaker 1: yeah man, you know, um, yeah, that's kind of it's 1746 01:52:28,520 --> 01:52:31,400 Speaker 1: kind of weird when you see like I look at 1747 01:52:31,479 --> 01:52:34,959 Speaker 1: him as if almost he had everything, Yeah, everything everybody? 1748 01:52:36,479 --> 01:52:42,439 Speaker 1: So why and what did he hung himself? You know, 1749 01:52:44,200 --> 01:52:46,360 Speaker 1: it's good that you're talking about this, and I'm gonna 1750 01:52:46,360 --> 01:52:50,559 Speaker 1: go ahead and admit something now, like I'm just now 1751 01:52:51,000 --> 01:52:58,960 Speaker 1: understanding like, uh, mental health issues because of your brother. Yeah, okay, 1752 01:52:59,280 --> 01:53:02,599 Speaker 1: because you're you know, because him and any suicide things 1753 01:53:02,640 --> 01:53:05,000 Speaker 1: and things like that. But I'm just to be honest 1754 01:53:05,080 --> 01:53:09,960 Speaker 1: with you, like, uh, I didn't know that there was 1755 01:53:10,120 --> 01:53:13,680 Speaker 1: like a real thing. I didn't know. You know, I'm 1756 01:53:13,760 --> 01:53:16,519 Speaker 1: raised in a super like I'm raised in a super 1757 01:53:16,840 --> 01:53:22,800 Speaker 1: super black household, religious black religious, black religious black and 1758 01:53:23,000 --> 01:53:29,840 Speaker 1: just black Jesus everything that was black. But yo, and 1759 01:53:31,360 --> 01:53:39,360 Speaker 1: and you know, we use crazy so loosely. You know 1760 01:53:39,400 --> 01:53:42,559 Speaker 1: what I'm saying. Um, we we used when the person 1761 01:53:42,600 --> 01:53:46,360 Speaker 1: don't have nothing. So when a person accused the person 1762 01:53:46,400 --> 01:53:49,040 Speaker 1: of saying they're crazy and they have the world, yeah, 1763 01:53:49,360 --> 01:53:52,519 Speaker 1: that's like totally different. We don't even we don't even 1764 01:53:53,080 --> 01:53:59,519 Speaker 1: it didn't even resonate for they went no one, no 1765 01:53:59,680 --> 01:54:02,439 Speaker 1: one actually no one to actually believe that, to tell 1766 01:54:02,479 --> 01:54:04,720 Speaker 1: you the truth. To listen, But what I'm saying is 1767 01:54:05,880 --> 01:54:09,120 Speaker 1: you know understand that a lot of a lot of 1768 01:54:09,280 --> 01:54:12,200 Speaker 1: us are raised that way, like you know, and you 1769 01:54:12,280 --> 01:54:14,000 Speaker 1: got to think about it, like and just think about 1770 01:54:14,000 --> 01:54:17,720 Speaker 1: our generation. Like, man, you know, I really knew my 1771 01:54:17,920 --> 01:54:21,360 Speaker 1: great grandmother who was like a real slave and like 1772 01:54:21,560 --> 01:54:25,040 Speaker 1: can tell me, like you know, can tell me like wow, 1773 01:54:25,240 --> 01:54:30,120 Speaker 1: stories lived to I don't even know how old she is. 1774 01:54:31,280 --> 01:54:33,600 Speaker 1: I don't know how old she was because she was 1775 01:54:33,640 --> 01:54:36,440 Speaker 1: a hundred and six for three years in my mind, 1776 01:54:36,880 --> 01:54:39,960 Speaker 1: you know. Like, but what I'm saying is I'm saying 1777 01:54:39,960 --> 01:54:44,280 Speaker 1: that to say I was raised like that because uh, 1778 01:54:45,720 --> 01:54:48,840 Speaker 1: they went through it all, so you know, crazy mental 1779 01:54:48,880 --> 01:54:54,120 Speaker 1: health it's like they see as ever so it's like, 1780 01:54:54,560 --> 01:54:57,640 Speaker 1: you know, I wasn't really when it came to mental health. 1781 01:54:57,720 --> 01:55:01,640 Speaker 1: I was just like I don't know what that's about. 1782 01:55:01,680 --> 01:55:03,560 Speaker 1: And I definitely don't know what that's about for people 1783 01:55:03,640 --> 01:55:07,840 Speaker 1: who have, you know, wh who actually have like you know, 1784 01:55:07,920 --> 01:55:10,520 Speaker 1: what we think the things of life like money and 1785 01:55:10,680 --> 01:55:15,480 Speaker 1: things like that. Um, I'm just getting like hips to 1786 01:55:15,680 --> 01:55:22,080 Speaker 1: like things meltdown, Like what did you what did you 1787 01:55:22,160 --> 01:55:23,760 Speaker 1: feel like when you heard that? Like what do you 1788 01:55:23,840 --> 01:55:26,440 Speaker 1: mean Kanye? It was like, say Kanye had a meltdown, 1789 01:55:27,280 --> 01:55:30,720 Speaker 1: and um, you don't know him for that. You know 1790 01:55:30,920 --> 01:55:33,400 Speaker 1: him for being a genius. You know, you don't know 1791 01:55:33,520 --> 01:55:36,560 Speaker 1: him for genius is equivalent with crazy to be yeah, 1792 01:55:36,600 --> 01:55:39,000 Speaker 1: that's true, but not having it together and you hear 1793 01:55:39,120 --> 01:55:41,680 Speaker 1: that he doesn't have it together for this moment what 1794 01:55:42,400 --> 01:55:44,640 Speaker 1: you're talking about, like like tour time and all that 1795 01:55:45,200 --> 01:55:47,040 Speaker 1: when he was I mean, you know, I just um, 1796 01:55:48,240 --> 01:55:52,680 Speaker 1: I just felt like you know, still, I don't equate that. 1797 01:55:53,320 --> 01:55:57,360 Speaker 1: I wasn't equating that to something being off. I'm just saying, 1798 01:55:57,440 --> 01:56:00,640 Speaker 1: like you men, you speaking because yeah, because I don't 1799 01:56:00,680 --> 01:56:02,400 Speaker 1: you know, like I said, I don't look at things 1800 01:56:02,800 --> 01:56:05,520 Speaker 1: and I'm just now like when I tell you just 1801 01:56:05,680 --> 01:56:12,560 Speaker 1: now bro, like I'm just getting hip to the science, right, 1802 01:56:13,560 --> 01:56:16,040 Speaker 1: you know what I'm saying. And no mental instability with 1803 01:56:16,200 --> 01:56:20,160 Speaker 1: people who you know, all right, well what we think 1804 01:56:20,400 --> 01:56:24,120 Speaker 1: because people you think have it all your stability. You 1805 01:56:24,240 --> 01:56:30,480 Speaker 1: think of the guy that's on the corner, yeah you know, 1806 01:56:30,760 --> 01:56:33,600 Speaker 1: you know the person with yeah you don't think like that, 1807 01:56:34,160 --> 01:56:37,160 Speaker 1: but on the planet right right, all of that type 1808 01:56:37,160 --> 01:56:41,320 Speaker 1: of great which is which is goes back to um. 1809 01:56:42,680 --> 01:56:45,520 Speaker 1: As much as we work for money, like it's just 1810 01:56:45,800 --> 01:56:49,400 Speaker 1: there like you know, like I've had money, I lost it. 1811 01:56:49,440 --> 01:56:51,960 Speaker 1: I've had it, a loss of having lost it, and 1812 01:56:52,040 --> 01:56:55,640 Speaker 1: it really doesn't make me no never mind at this point, 1813 01:56:55,680 --> 01:56:59,320 Speaker 1: Like at this point, it's just like I'm I'm forty 1814 01:56:59,400 --> 01:57:05,400 Speaker 1: years old. I'll forty one in September six. So if 1815 01:57:05,440 --> 01:57:09,400 Speaker 1: you weigh out the options, I've kind of been more 1816 01:57:09,600 --> 01:57:15,880 Speaker 1: up this year one from on. I've been more up 1817 01:57:16,760 --> 01:57:20,560 Speaker 1: than I've been down by one year. Right, what is 1818 01:57:20,600 --> 01:57:25,440 Speaker 1: there really to complaining about? Right? But there's people who 1819 01:57:25,560 --> 01:57:30,200 Speaker 1: have it even more than me. And well, I saw 1820 01:57:30,440 --> 01:57:32,520 Speaker 1: a post of a friend of mine posted something today 1821 01:57:32,560 --> 01:57:36,360 Speaker 1: about Anthony boarding and they were talking about the chemicals 1822 01:57:36,400 --> 01:57:40,880 Speaker 1: in our brains, the serotonins, the things that make us 1823 01:57:40,920 --> 01:57:45,800 Speaker 1: feel good, which drugs. Drug addicts can understand this because 1824 01:57:46,000 --> 01:57:48,400 Speaker 1: when you pump drugs into her, he stopped doing because 1825 01:57:48,400 --> 01:57:51,200 Speaker 1: he was a coke addy. He stopped. He was heroin. 1826 01:57:52,080 --> 01:57:56,920 Speaker 1: I don't forgot about that. Yeah, Anthony in his early years, 1827 01:57:57,680 --> 01:57:59,360 Speaker 1: but he still got But if you think about it 1828 01:57:59,520 --> 01:58:02,600 Speaker 1: as an addicts, the fact that he drank continue to drink. 1829 01:58:02,600 --> 01:58:04,200 Speaker 1: But I mean whatever, that is what it is. But 1830 01:58:04,320 --> 01:58:07,560 Speaker 1: I'm just saying like he was an addict. So and 1831 01:58:07,640 --> 01:58:09,920 Speaker 1: then he the person that wrote this post that I'm 1832 01:58:09,960 --> 01:58:13,800 Speaker 1: talking about She's She was mentioning, how like people who 1833 01:58:14,040 --> 01:58:17,120 Speaker 1: have need these, you need to get these. These the 1834 01:58:17,760 --> 01:58:20,600 Speaker 1: drugs in our brain, They're real. These are the things 1835 01:58:20,640 --> 01:58:24,280 Speaker 1: that feed us. They give us the highs and the 1836 01:58:24,360 --> 01:58:26,400 Speaker 1: lowths in our minds, you know what I'm saying. So 1837 01:58:26,640 --> 01:58:28,840 Speaker 1: he was going on the road, he was going into 1838 01:58:29,160 --> 01:58:32,320 Speaker 1: different countries, going into these different places, and that was 1839 01:58:32,760 --> 01:58:36,880 Speaker 1: replacing drugs. Because that's what the reason why I bring 1840 01:58:36,960 --> 01:58:39,600 Speaker 1: that up is because that's what reminds me when I 1841 01:58:39,680 --> 01:58:42,760 Speaker 1: listened to ys album. I don't talk about his album. 1842 01:58:43,720 --> 01:58:46,680 Speaker 1: He talks about like killing people and he talks and 1843 01:58:46,760 --> 01:58:49,360 Speaker 1: I didn't. I didn't I thought as being an artistic 1844 01:58:49,520 --> 01:58:53,120 Speaker 1: until I like, I mean, I think it's still I don't. 1845 01:58:53,360 --> 01:58:55,560 Speaker 1: I didn't take it still be an artistic No, but yeah, 1846 01:58:55,800 --> 01:58:57,760 Speaker 1: I mean I don't know. I didn't take it that crazy. 1847 01:58:58,360 --> 01:59:00,640 Speaker 1: But where was you at? You getting these teams interviews? 1848 01:59:01,440 --> 01:59:03,800 Speaker 1: Oh yeah, I mean you know, I mean listen, it 1849 01:59:03,920 --> 01:59:06,960 Speaker 1: was listen. I mean, we could talk on so many 1850 01:59:07,000 --> 01:59:12,440 Speaker 1: different levels when it came to that. Just um, I mean, well, 1851 01:59:12,560 --> 01:59:14,680 Speaker 1: first of all, let's just talk about the business. Like, man, 1852 01:59:15,000 --> 01:59:18,400 Speaker 1: we got a whole we got a whole by this time, 1853 01:59:18,440 --> 01:59:21,240 Speaker 1: we've got whole five albums that we have decided that 1854 01:59:21,280 --> 01:59:24,360 Speaker 1: we're putting out, so on and so forth. This is 1855 01:59:24,360 --> 01:59:27,000 Speaker 1: what we're doing. So he's obviously very calculated. Well, very 1856 01:59:27,080 --> 01:59:34,000 Speaker 1: we're on and we lit. I'm like, okay, you know, 1857 01:59:34,280 --> 01:59:38,600 Speaker 1: my album's damn they're finished. If not finished, it's cracked. Boom. 1858 01:59:38,640 --> 01:59:43,480 Speaker 1: I'm happy everybody else Na's in the mixed boom and 1859 01:59:43,840 --> 01:59:49,520 Speaker 1: M he comes and he has a teams interview, and 1860 01:59:49,640 --> 01:59:54,560 Speaker 1: from that point on, I'm just like, this is the slavery. Yeah, 1861 01:59:54,720 --> 01:59:58,760 Speaker 1: I'm like, well, there's absolutely positively nothing else going to 1862 01:59:58,840 --> 02:00:02,920 Speaker 1: be louder than that. M And I was like then, 1863 02:00:03,000 --> 02:00:06,600 Speaker 1: I'm like, man, I'm first, there's no press that I'm 1864 02:00:06,600 --> 02:00:09,320 Speaker 1: gonna do. I'm not gonna do any press because because 1865 02:00:09,400 --> 02:00:13,280 Speaker 1: that's gonna be that's gonna be the press. Um. And 1866 02:00:13,360 --> 02:00:14,840 Speaker 1: I was just like, man, that still, it's gonna be 1867 02:00:14,840 --> 02:00:16,760 Speaker 1: the press for the remainder of it. You know. I 1868 02:00:17,080 --> 02:00:20,600 Speaker 1: just felt like it was so that bothered you though 1869 02:00:20,680 --> 02:00:24,480 Speaker 1: that that happened. Yeah, So as like business partners, I 1870 02:00:24,520 --> 02:00:30,960 Speaker 1: mean like that in business, I was my business mom 1871 02:00:31,080 --> 02:00:35,240 Speaker 1: was saying, Wow, I don't know how we're gonna move 1872 02:00:35,360 --> 02:00:38,640 Speaker 1: this like this, like, you know, because my thing is 1873 02:00:39,440 --> 02:00:41,800 Speaker 1: you know, thinks about it on the album as if 1874 02:00:41,840 --> 02:00:47,320 Speaker 1: his wife even Okay, listen, it was really a real 1875 02:00:48,560 --> 02:00:52,040 Speaker 1: it was a thing. So it's like, man, it's a 1876 02:00:52,160 --> 02:00:57,160 Speaker 1: real thing. So it's like at the same time business 1877 02:00:57,240 --> 02:01:03,360 Speaker 1: minded and thinking, it's like, man, I like like everybody, 1878 02:01:03,600 --> 02:01:06,360 Speaker 1: everybody needs to hold their own weight. It's likely boom, 1879 02:01:06,400 --> 02:01:08,760 Speaker 1: He's gonna produce it. That's cool. We get we get 1880 02:01:08,840 --> 02:01:10,920 Speaker 1: to get out here and run with the ball when 1881 02:01:10,960 --> 02:01:13,840 Speaker 1: it's our time to run with the ball. That's That's 1882 02:01:13,840 --> 02:01:17,760 Speaker 1: just how I feel like it should go. Well, he 1883 02:01:17,800 --> 02:01:20,160 Speaker 1: sort of took the ball away with that, so there's 1884 02:01:20,200 --> 02:01:26,080 Speaker 1: nowhere to run. And you know, I feel like at 1885 02:01:26,120 --> 02:01:32,040 Speaker 1: the same time when that happened, um, he took the ball, 1886 02:01:33,120 --> 02:01:36,320 Speaker 1: and then it got into like you know, it was him, 1887 02:01:36,400 --> 02:01:38,760 Speaker 1: it was him tweeting and talking, and it just got 1888 02:01:39,240 --> 02:01:42,000 Speaker 1: He became down on the Trump, right, he really became 1889 02:01:42,360 --> 02:01:46,400 Speaker 1: He really became vocal in regards. I don't want to 1890 02:01:46,440 --> 02:01:51,280 Speaker 1: say he's Trump, not in the presence of Trump, how Trump, 1891 02:01:51,520 --> 02:01:56,120 Speaker 1: how Trump does it? But you can never yourself right, right. 1892 02:01:57,960 --> 02:01:59,680 Speaker 1: You can text me, you can text me and say 1893 02:01:59,720 --> 02:02:01,360 Speaker 1: what's up, and I can text you and say what's up? 1894 02:02:01,400 --> 02:02:03,560 Speaker 1: And I could think you beefing, and you could think 1895 02:02:03,600 --> 02:02:09,560 Speaker 1: I'm saying what's up. It's like what you're saying. But 1896 02:02:09,920 --> 02:02:14,880 Speaker 1: you know, um, I just felt like, you know, he 1897 02:02:15,520 --> 02:02:19,400 Speaker 1: took the ball. He took the ball, and it was 1898 02:02:19,560 --> 02:02:21,720 Speaker 1: it was uneasy for me. It was a little bit 1899 02:02:21,760 --> 02:02:24,440 Speaker 1: uneasy for me because, like I said, I feel like, 1900 02:02:25,160 --> 02:02:27,520 Speaker 1: you know, he produced it. We run with the ball, 1901 02:02:27,640 --> 02:02:31,960 Speaker 1: We do what we're supposed to do in respective veins, 1902 02:02:32,520 --> 02:02:35,920 Speaker 1: you know, in lanes and genres or whatever. But he 1903 02:02:36,080 --> 02:02:39,560 Speaker 1: took it man, and and and it's panned out. How 1904 02:02:39,720 --> 02:02:42,080 Speaker 1: was him and Tias record? Um? And like I want 1905 02:02:42,120 --> 02:02:44,640 Speaker 1: more question and I'll let you go him in Tias 1906 02:02:44,640 --> 02:02:46,800 Speaker 1: record because that was like to me, I had a record, 1907 02:02:46,840 --> 02:02:49,200 Speaker 1: Me and component has a record called the Argument. Right, 1908 02:02:49,920 --> 02:02:52,720 Speaker 1: that's the only record that's better than that record. It's right, 1909 02:02:53,320 --> 02:02:58,320 Speaker 1: it's but but it's called but it's basically the same 1910 02:02:58,360 --> 02:03:00,760 Speaker 1: as that record. When I got to your remember I 1911 02:03:00,800 --> 02:03:10,560 Speaker 1: took you with yours that I do remember, Yo, I 1912 02:03:10,640 --> 02:03:16,440 Speaker 1: still don't drive me up. But um, what was the 1913 02:03:16,600 --> 02:03:20,040 Speaker 1: saying that was into that argument argument? So that him 1914 02:03:20,080 --> 02:03:23,200 Speaker 1: and tas record that was also done in real time Okay, 1915 02:03:23,200 --> 02:03:27,560 Speaker 1: how you said, I think that was the most brilliant record. 1916 02:03:27,680 --> 02:03:30,240 Speaker 1: I mean the people because that we're just not ready 1917 02:03:30,280 --> 02:03:33,280 Speaker 1: to Um we're still in infant stages. You can't give 1918 02:03:33,280 --> 02:03:35,760 Speaker 1: a steak right now, right So I don't think the 1919 02:03:35,800 --> 02:03:38,320 Speaker 1: people was ready for that. But I think the concept 1920 02:03:38,480 --> 02:03:42,680 Speaker 1: was brilliant. Um were you there are part of that? 1921 02:03:43,280 --> 02:03:45,440 Speaker 1: I was. But some people might feel it was set 1922 02:03:45,520 --> 02:03:48,000 Speaker 1: up also, Well, I feel like it was set up. 1923 02:03:48,080 --> 02:03:51,480 Speaker 1: I mean, like it's okay, I mean they were arguing. 1924 02:03:51,680 --> 02:03:55,040 Speaker 1: I mean it was actually a debate on record. I mean, 1925 02:03:55,160 --> 02:03:59,600 Speaker 1: I think that's a genius way to defuse something so 1926 02:03:59,760 --> 02:04:02,600 Speaker 1: some one can say, no, bro, this is a way 1927 02:04:02,680 --> 02:04:06,560 Speaker 1: out of the situation, A genius way out of it. 1928 02:04:08,200 --> 02:04:11,520 Speaker 1: You don't get it. Yeah, I liked it. I thought, 1929 02:04:11,560 --> 02:04:13,120 Speaker 1: I'm just saying if we like it or not, I'm 1930 02:04:13,120 --> 02:04:16,560 Speaker 1: just I'm I'm playing the devil's advocate to that. I 1931 02:04:16,600 --> 02:04:18,920 Speaker 1: thought it should have made that. What do you think 1932 02:04:18,960 --> 02:04:24,080 Speaker 1: you enjoyed him scrapping the whole album? And yes, he 1933 02:04:24,160 --> 02:04:27,800 Speaker 1: scratches his own albums, Yeah he did. Actually I started 1934 02:04:27,880 --> 02:04:34,360 Speaker 1: off from over from TMZ. Why because um man, that 1935 02:04:34,440 --> 02:04:38,640 Speaker 1: guy really works off feeling and you know, he really 1936 02:04:38,720 --> 02:04:40,680 Speaker 1: works off feeling and it's always about taking it to 1937 02:04:40,760 --> 02:04:44,120 Speaker 1: the next level for him. Um. At the same time, 1938 02:04:44,280 --> 02:04:47,760 Speaker 1: he also it's like, okay, boom, TMZ happened. We're not 1939 02:04:47,880 --> 02:04:52,080 Speaker 1: gonna keep living in TMZ. We're gonna go to the 1940 02:04:52,160 --> 02:04:55,240 Speaker 1: next His mind is always you know, did he regret 1941 02:04:55,280 --> 02:05:00,640 Speaker 1: the TMZ or not at all? Uh. I don't think 1942 02:05:00,720 --> 02:05:02,920 Speaker 1: he regrets it. I feel like he I feel like 1943 02:05:03,080 --> 02:05:07,040 Speaker 1: he Uh. We've had conversations about messaging and things like that, 1944 02:05:07,400 --> 02:05:10,280 Speaker 1: and and how it was message which where it could 1945 02:05:10,320 --> 02:05:12,040 Speaker 1: have been better, and so on and so forth. But 1946 02:05:12,840 --> 02:05:15,760 Speaker 1: you know, I feel like there's a bigger picture for him, 1947 02:05:16,480 --> 02:05:17,960 Speaker 1: you know what I'm saying, And I feel like a 1948 02:05:18,040 --> 02:05:22,880 Speaker 1: lot of things got lost in uh, in the in 1949 02:05:22,960 --> 02:05:25,520 Speaker 1: the keywords you know what I'm saying, versus like there 1950 02:05:25,600 --> 02:05:29,120 Speaker 1: was a messaging that obviously to me it seemed like 1951 02:05:29,320 --> 02:05:33,320 Speaker 1: he miss messaged on. I felt like he had a 1952 02:05:33,520 --> 02:05:37,080 Speaker 1: valid idea that miss message. No no, no, Like you know, 1953 02:05:37,120 --> 02:05:39,040 Speaker 1: when we speak about it, when he's like, man, you know, 1954 02:05:39,640 --> 02:05:42,080 Speaker 1: you know, it's say like, damn, pushing on, I really 1955 02:05:42,160 --> 02:05:43,960 Speaker 1: do I want to. I want to learn. I feel 1956 02:05:44,000 --> 02:05:46,640 Speaker 1: like we all should be learning. How Matt became a 1957 02:05:46,720 --> 02:05:53,920 Speaker 1: billionaire instead of learning Kiss calling that you know Jenna 1958 02:05:54,000 --> 02:05:56,760 Speaker 1: Kiss was going on. You want to drink kids, make 1959 02:05:56,840 --> 02:06:05,480 Speaker 1: some you know the time you listen, you listen, We're 1960 02:06:05,560 --> 02:06:08,280 Speaker 1: here with push your team man, Kiss what out? No 1961 02:06:08,520 --> 02:06:11,440 Speaker 1: doubt you already know what it is. My brother pushed. 1962 02:06:11,560 --> 02:06:17,120 Speaker 1: Congratulations on that, congractulations on putting the grip on the 1963 02:06:18,400 --> 02:06:23,520 Speaker 1: Thank you seriously bringing that talk back to the real 1964 02:06:23,720 --> 02:06:27,560 Speaker 1: street general. Listen, you you heard yankers get the shout 1965 02:06:27,600 --> 02:06:35,080 Speaker 1: out on my album for that was you, That was 1966 02:06:35,120 --> 02:06:38,200 Speaker 1: for you? Your style that she you know it. We 1967 02:06:38,320 --> 02:06:41,640 Speaker 1: appreciate that. Bro, You're on fire. Just keep the gas lit, 1968 02:06:41,920 --> 02:06:44,040 Speaker 1: you know what I mean. Thank you, sir to the 1969 02:06:44,120 --> 02:06:47,480 Speaker 1: whole good music and putting up great projects. Looking forward 1970 02:06:47,520 --> 02:06:51,760 Speaker 1: to that NAS album. Yes, sir, love big for the culture, 1971 02:06:51,840 --> 02:06:57,880 Speaker 1: you know what I mean? Yeah, thank you, Thank you Kiss? 1972 02:06:57,920 --> 02:07:12,080 Speaker 1: Oh what's this ship? Her? You USh us and you 1973 02:07:12,160 --> 02:07:14,440 Speaker 1: get that love Listen. I'm just I just totally forgot. 1974 02:07:14,480 --> 02:07:17,240 Speaker 1: I had hit everybody in the industry to say the 1975 02:07:17,400 --> 02:07:19,840 Speaker 1: call in and then I totally got so much into 1976 02:07:19,920 --> 02:07:22,960 Speaker 1: a conversation I answered the phone for no one. Wow. So, 1977 02:07:23,160 --> 02:07:26,280 Speaker 1: but but how do you feel about like getting that 1978 02:07:26,400 --> 02:07:28,680 Speaker 1: type of love like I could, I could hit anybody, 1979 02:07:28,800 --> 02:07:32,400 Speaker 1: and then everybody wants to call in listen, you know, 1980 02:07:32,480 --> 02:07:35,440 Speaker 1: I really appreciate it and and for real, for real, 1981 02:07:36,320 --> 02:07:39,080 Speaker 1: these are like all people I respect and Nipsey Hustle. 1982 02:07:39,120 --> 02:07:42,000 Speaker 1: This is the people who did get through Nipsey Hustle. 1983 02:07:44,200 --> 02:07:48,640 Speaker 1: Totally respect Nipsey for for sure. Jada Kiss Man, I was, 1984 02:07:48,880 --> 02:07:53,200 Speaker 1: I was riding off of State University myself, going to 1985 02:07:53,320 --> 02:07:57,200 Speaker 1: buy mixed tapes from the bootlegger. The clue is shouting 1986 02:07:57,200 --> 02:07:59,160 Speaker 1: out that he's gonna beat up when he see him. 1987 02:08:00,840 --> 02:08:05,280 Speaker 1: You know what I'm saying, like black man to hear 1988 02:08:05,320 --> 02:08:07,560 Speaker 1: the beginning of the clue tape and the end of 1989 02:08:07,600 --> 02:08:12,200 Speaker 1: the clue tape with the locks, like it's um, you 1990 02:08:12,280 --> 02:08:16,960 Speaker 1: know man, it just for real, It says a lot. 1991 02:08:17,280 --> 02:08:22,400 Speaker 1: It says a lot that I'm even um, it affects 1992 02:08:22,440 --> 02:08:24,400 Speaker 1: me a lot that I even get to kick it 1993 02:08:24,520 --> 02:08:27,080 Speaker 1: with these guys like this that I even you know, 1994 02:08:27,240 --> 02:08:29,920 Speaker 1: have the relationship and the report that I have with 1995 02:08:30,080 --> 02:08:34,720 Speaker 1: the Jada Kiss Fabulous and Noriega. But you realize your 1996 02:08:34,840 --> 02:08:39,920 Speaker 1: legend as well, yeah, for sure for sure. Like I'm like, like, man, 1997 02:08:40,080 --> 02:08:42,360 Speaker 1: this is it's crazy. This is my peer group. But 1998 02:08:42,440 --> 02:08:44,360 Speaker 1: this is my peer group before I was a peer 1999 02:08:45,160 --> 02:08:51,880 Speaker 1: you know what, I'm like that ship like and I'm 2000 02:08:51,920 --> 02:08:54,840 Speaker 1: talking about still great, all the ones, all the ones 2001 02:08:54,960 --> 02:08:57,200 Speaker 1: that were great to me then and it's still great 2002 02:08:57,240 --> 02:09:01,520 Speaker 1: to me now. Still you know, still still getting money, 2003 02:09:01,560 --> 02:09:04,720 Speaker 1: Still gotta listen to be to be motivated. You gotta 2004 02:09:04,760 --> 02:09:06,760 Speaker 1: still get money. But let me just say something, because 2005 02:09:07,080 --> 02:09:09,640 Speaker 1: if you're great, ain't still getting money nowadays? You'll be 2006 02:09:09,720 --> 02:09:15,400 Speaker 1: looking at right. No, No, You're still great, but be clear, 2007 02:09:15,760 --> 02:09:17,920 Speaker 1: you gotta still getting listen. You have to be You 2008 02:09:18,000 --> 02:09:20,400 Speaker 1: gotta still get type of away. You have to some 2009 02:09:20,520 --> 02:09:26,720 Speaker 1: type of way sells soaps listening listen. Man, that's what 2010 02:09:26,840 --> 02:09:28,640 Speaker 1: I feel like, you know, that's what the game is. 2011 02:09:28,760 --> 02:09:32,240 Speaker 1: That's what rappid is for me. It's um, it's still 2012 02:09:32,280 --> 02:09:34,680 Speaker 1: the youngest genre right what were like forty four years 2013 02:09:34,760 --> 02:09:39,480 Speaker 1: in and like like it's good for us to be 2014 02:09:39,560 --> 02:09:41,160 Speaker 1: able to sit here and be like, man, I'm at 2015 02:09:41,280 --> 02:09:44,560 Speaker 1: drink Champs, like I know, like I know, there's like 2016 02:09:44,760 --> 02:09:47,880 Speaker 1: two hundred and forty probably a month that just comes 2017 02:09:47,920 --> 02:09:52,960 Speaker 1: to this guy. What's your first sign? The designer? Oh yeah, 2018 02:09:53,560 --> 02:09:57,200 Speaker 1: so you get you get the job of good music. Yeah, 2019 02:09:57,680 --> 02:10:00,520 Speaker 1: And then they say you gotta produce? Are you just 2020 02:10:00,800 --> 02:10:03,800 Speaker 1: you just on on my space? But no, no, no, 2021 02:10:03,920 --> 02:10:07,640 Speaker 1: what happens is, um see a lot of ship has 2022 02:10:07,680 --> 02:10:12,120 Speaker 1: happened with a good involving new ship, like if we 2023 02:10:12,240 --> 02:10:14,080 Speaker 1: take it all the way back to my Name is 2024 02:10:14,160 --> 02:10:17,080 Speaker 1: my Name? Um that album came out two thousand thirteen, 2025 02:10:17,720 --> 02:10:21,320 Speaker 1: and making that album, and making that album, I came 2026 02:10:21,400 --> 02:10:24,240 Speaker 1: under a lot of fire for having a song called 2027 02:10:24,280 --> 02:10:27,200 Speaker 1: Pain with Future on it. You know, I go to 2028 02:10:27,240 --> 02:10:29,720 Speaker 1: the studio, you know, me and Yale be together for 2029 02:10:29,840 --> 02:10:32,400 Speaker 1: a while. I go, you know, we leave, I go home, 2030 02:10:32,760 --> 02:10:35,760 Speaker 1: wom come back. The first question he asked, what's hot? 2031 02:10:36,400 --> 02:10:38,040 Speaker 1: I'd be like, future is to god? What are you 2032 02:10:38,080 --> 02:10:40,720 Speaker 1: talking about? He was like, what's that? You know? You 2033 02:10:40,800 --> 02:10:43,360 Speaker 1: know what you mean? You play it? You know what 2034 02:10:43,400 --> 02:10:45,920 Speaker 1: I'm saying. He gets into it. Oh man, get him 2035 02:10:45,960 --> 02:10:49,320 Speaker 1: up here, futures get on pain. That's how it goes. 2036 02:10:50,120 --> 02:10:52,920 Speaker 1: You know, people killing me? What you mean? You rapp? 2037 02:10:53,600 --> 02:10:57,760 Speaker 1: Why you why you got? I'm like, man, this is 2038 02:10:57,800 --> 02:11:00,080 Speaker 1: what's hot? What you're talking about? This? He's crazy me. 2039 02:11:00,160 --> 02:11:01,880 Speaker 1: I think I'm using them in a in a way 2040 02:11:01,960 --> 02:11:05,200 Speaker 1: that's not compromising myself. You know, I feel like we 2041 02:11:05,320 --> 02:11:09,280 Speaker 1: were Yeah, you know and we found a way to 2042 02:11:09,320 --> 02:11:11,360 Speaker 1: make it, to make a marriage with it, paying one 2043 02:11:11,360 --> 02:11:15,680 Speaker 1: of my favorite records, you know, the same time, you know, 2044 02:11:15,760 --> 02:11:18,080 Speaker 1: he may ask me, yo, what's what's what's what's going on? 2045 02:11:18,320 --> 02:11:21,080 Speaker 1: I'm like, what you mean? What's going on? Chief Keith 2046 02:11:21,240 --> 02:11:24,360 Speaker 1: was going on? You bugging like he from Chicago? What 2047 02:11:24,480 --> 02:11:29,640 Speaker 1: you mean? Yeah? So you know, what's that? Play that boom? 2048 02:11:29,720 --> 02:11:31,600 Speaker 1: I like that kid, young child, Okay, boom, let me 2049 02:11:31,680 --> 02:11:36,240 Speaker 1: remix that. All right, we do the remix boom. You know, 2050 02:11:36,480 --> 02:11:38,840 Speaker 1: And you found Designer the same way, the same way 2051 02:11:38,960 --> 02:11:45,760 Speaker 1: Designer was on Like I was heavily into future, like 2052 02:11:46,000 --> 02:11:48,240 Speaker 1: you know, just as an artist, like man, he's dope 2053 02:11:48,280 --> 02:11:51,560 Speaker 1: with a moon. And I heard him. I heard Designer, 2054 02:11:51,760 --> 02:11:57,640 Speaker 1: I want to say, through SoundCloud maybe and and so 2055 02:11:58,760 --> 02:12:02,240 Speaker 1: my manager was all go into him, and I was like, yo, 2056 02:12:02,320 --> 02:12:04,600 Speaker 1: you heard that New Future. I was just playing who's 2057 02:12:04,640 --> 02:12:08,400 Speaker 1: your manager, Stephen Victor? So I was like, yo, um, 2058 02:12:09,680 --> 02:12:12,080 Speaker 1: Stephen Victor. He always liked his name, said he's like 2059 02:12:12,200 --> 02:12:18,320 Speaker 1: first and last. You don't so, you know, I'm like, yo, 2060 02:12:18,480 --> 02:12:22,080 Speaker 1: you know the New Future, New Future? Crazy? He like what? 2061 02:12:23,360 --> 02:12:25,280 Speaker 1: So I'm like, you know, I played it and I 2062 02:12:25,360 --> 02:12:28,000 Speaker 1: played Designer and he was like, man, this is fine. 2063 02:12:28,040 --> 02:12:31,320 Speaker 1: I was like, yes, kid, nat design, he this this 2064 02:12:31,400 --> 02:12:36,080 Speaker 1: is the next wave. Watch him talking back and forth. 2065 02:12:36,640 --> 02:12:40,360 Speaker 1: By that time, and rich A he went out. I 2066 02:12:40,440 --> 02:12:42,200 Speaker 1: think he probably went to l A played him for 2067 02:12:42,280 --> 02:12:48,880 Speaker 1: you a. Um also yeah, okay, um by this time 2068 02:12:49,120 --> 02:12:51,720 Speaker 1: it was other A and rs around playing pat He 2069 02:12:51,960 --> 02:12:55,520 Speaker 1: was around during that time as well. Yeah, and he uh, 2070 02:12:56,720 --> 02:13:00,480 Speaker 1: he's he's a good now but but he uh he 2071 02:13:00,600 --> 02:13:04,920 Speaker 1: played it as well. And yeah, he was like okay, 2072 02:13:04,960 --> 02:13:09,320 Speaker 1: go find him and went back to Brooklyn. Saw that 2073 02:13:09,440 --> 02:13:12,000 Speaker 1: he had other you know, other characters, you know, design 2074 02:13:12,040 --> 02:13:18,840 Speaker 1: and probably like eighteens time, so you know, um it's 2075 02:13:18,880 --> 02:13:21,440 Speaker 1: like eighteen and and just had you know, just had 2076 02:13:21,480 --> 02:13:24,840 Speaker 1: different different colors with him, different energy, different colors, and 2077 02:13:25,760 --> 02:13:30,000 Speaker 1: and uh ended up on apolo album from you know, 2078 02:13:30,240 --> 02:13:37,400 Speaker 1: from Panda, Yeah Panda was that pandas like fourteen sixteen 2079 02:13:37,440 --> 02:13:46,400 Speaker 1: million something like that. Timmy turn about two Yeah you 2080 02:13:46,440 --> 02:13:50,640 Speaker 1: know I'm still working. Yeah all right, so um does 2081 02:13:50,720 --> 02:13:55,440 Speaker 1: definitely come in three's Well that's what they say. I said. 2082 02:13:55,480 --> 02:13:57,400 Speaker 1: I heard you say, yeah, no, no, no, no, that's 2083 02:13:57,440 --> 02:14:00,240 Speaker 1: the same. I know it's the same. Yeah, would you 2084 02:14:00,320 --> 02:14:03,720 Speaker 1: reiterate this recently? And I'm just like I'm saying that 2085 02:14:03,720 --> 02:14:10,320 Speaker 1: because there's three people involved in the Okay, how appropriate? Yeah, okay, 2086 02:14:10,920 --> 02:14:14,360 Speaker 1: So I'm now valet. Let's in this with this. Let's 2087 02:14:14,360 --> 02:14:16,640 Speaker 1: go man, let's keep talking about Okay, alright, cool because 2088 02:14:16,680 --> 02:14:20,560 Speaker 1: you know, you know Mr Leonard, they gotta because you 2089 02:14:20,640 --> 02:14:23,800 Speaker 1: know you're gonna do burn. Mr lea hair like hair 2090 02:14:23,880 --> 02:14:26,960 Speaker 1: on his arm, just burning. Mr. He keeps asking to 2091 02:14:27,040 --> 02:14:29,680 Speaker 1: be on my losing ship. Man, I'm so tired. Let 2092 02:14:29,720 --> 02:14:39,320 Speaker 1: me just tell your something. You got one stellar. Let 2093 02:14:39,360 --> 02:14:43,280 Speaker 1: me tell you something. I'm tiring. I'm gonna tire to you. 2094 02:14:44,440 --> 02:14:47,040 Speaker 1: I'm driving around. Mr. Leave me. This is your album, 2095 02:14:47,200 --> 02:14:50,080 Speaker 1: he says. He says, no jury are But I'm the 2096 02:14:50,200 --> 02:14:53,560 Speaker 1: richest nigga in the head. You think he talks about me? 2097 02:14:53,680 --> 02:14:59,760 Speaker 1: Be I looked at M. Leon I'm saying, you gotta last. 2098 02:15:04,480 --> 02:15:06,440 Speaker 1: It's the studio whatever, it's in my mind. It just 2099 02:15:08,240 --> 02:15:12,960 Speaker 1: you know. Mr. Lee is a funny. So listen and listen. Um. 2100 02:15:13,200 --> 02:15:16,200 Speaker 1: I gonna be honest, Mr. Lee. Only your friends, your 2101 02:15:16,280 --> 02:15:24,840 Speaker 1: rapper friends are drug dealers. You got me kids, and 2102 02:15:24,920 --> 02:15:27,440 Speaker 1: I think you got Jesus Like, I'm not gonna lie. 2103 02:15:27,640 --> 02:15:41,040 Speaker 1: Defence is watching somebody's definitely why you know you know, 2104 02:15:41,160 --> 02:15:43,000 Speaker 1: but all right, let me do me just take it 2105 02:15:43,080 --> 02:15:47,240 Speaker 1: back for one second, puestion Thet'll take it back because 2106 02:15:47,440 --> 02:15:50,320 Speaker 1: you see what happened. I mean, in the public conception 2107 02:15:50,440 --> 02:15:54,360 Speaker 1: for a while, Meek was finished right in the public conception, 2108 02:15:54,680 --> 02:15:58,800 Speaker 1: not to say he was financially waht fun, but in 2109 02:15:58,840 --> 02:16:02,400 Speaker 1: the public conception for for a long time after back 2110 02:16:02,480 --> 02:16:08,040 Speaker 1: to back, right, people, boy, it was back to back 2111 02:16:09,480 --> 02:16:15,120 Speaker 1: even bad nig She got nominated for Grammy push backs, 2112 02:16:16,360 --> 02:16:19,360 Speaker 1: which means nothing to me. But go ahead, I've never 2113 02:16:19,440 --> 02:16:22,040 Speaker 1: got nominated. I've got nominated. It didn't even see me 2114 02:16:22,120 --> 02:16:31,520 Speaker 1: my passes, I said, because I'm not gonna never very ship. Nah, 2115 02:16:31,720 --> 02:16:33,720 Speaker 1: probably let part of them go by the south. But 2116 02:16:34,080 --> 02:16:40,440 Speaker 1: um so now you're back to back nominated, right this 2117 02:16:40,680 --> 02:16:47,600 Speaker 1: nigga drops doopy freestyle. You're thinking that it can this 2118 02:16:47,720 --> 02:16:51,680 Speaker 1: can be the same, or you're saying, nah, I'm gonna 2119 02:16:51,800 --> 02:16:55,440 Speaker 1: reevaluate this situation. You knew because you knew about them, 2120 02:16:55,520 --> 02:17:00,120 Speaker 1: you knew you probably investigators and ship four days? Did 2121 02:17:00,120 --> 02:17:03,600 Speaker 1: you have private kid information? We never got to that. 2122 02:17:04,760 --> 02:17:07,480 Speaker 1: How did you get that? Wow? Man? People are like, 2123 02:17:09,200 --> 02:17:10,960 Speaker 1: I don't know, I don't understand. You know, people are 2124 02:17:11,040 --> 02:17:18,480 Speaker 1: just people are what people are, disloyal, just loyal or disloyal. Disloyal, disloyal. 2125 02:17:18,720 --> 02:17:22,400 Speaker 1: I don't, I don't, you know, I don't. That's it. 2126 02:17:22,879 --> 02:17:27,320 Speaker 1: What's just saying it was information came through disloyal people. Yeah, 2127 02:17:27,840 --> 02:17:29,640 Speaker 1: and I don't mind sound man, you know, I mean 2128 02:17:29,760 --> 02:17:33,400 Speaker 1: to your benefits. So you just held it, you just 2129 02:17:33,600 --> 02:17:37,480 Speaker 1: you're just like, that's all I'm my holdest for the 2130 02:17:37,640 --> 02:17:50,880 Speaker 1: right time. That's a man, that's all mandamne. So for 2131 02:17:51,000 --> 02:17:53,720 Speaker 1: the record, it's over, though, it is over as far 2132 02:17:53,760 --> 02:17:57,200 Speaker 1: as I know, it's it's over. Prince the No, no, no, 2133 02:17:57,280 --> 02:17:59,280 Speaker 1: I haven't. But you know he, like I said, he 2134 02:17:59,400 --> 02:18:02,879 Speaker 1: talked to my management and you know everything. It was cool. 2135 02:18:02,920 --> 02:18:05,960 Speaker 1: It was done. It was cool. Now did you think 2136 02:18:06,000 --> 02:18:08,199 Speaker 1: you went too far? No? No, no, I don't believe 2137 02:18:08,240 --> 02:18:12,280 Speaker 1: in too far, okay, especially after mentioned it. Never there's 2138 02:18:12,280 --> 02:18:16,440 Speaker 1: no such thing, no such thing. So now moving forward, right, 2139 02:18:17,000 --> 02:18:20,000 Speaker 1: everybody says it's over. I got the album of the year, 2140 02:18:20,120 --> 02:18:22,880 Speaker 1: they got the album. Yeah, that's it. That's what I'm 2141 02:18:22,920 --> 02:18:29,040 Speaker 1: going Because you did you did say you saw a 2142 02:18:29,120 --> 02:18:31,960 Speaker 1: baby in the elevator and Beverly Hill, I did, man, 2143 02:18:32,160 --> 02:18:36,240 Speaker 1: you did you did see baby? And the elevator, Beverly Hills. 2144 02:18:36,720 --> 02:18:38,960 Speaker 1: It's the four Seasons. I feel like it's four seasons? 2145 02:18:39,920 --> 02:18:42,960 Speaker 1: Yeah close? Is it miss the hotel? No, you know, 2146 02:18:43,280 --> 02:18:47,400 Speaker 1: one of those types. Okay, I'm involved. Okay, So now 2147 02:18:48,320 --> 02:18:56,760 Speaker 1: what happens if you're at four seasons? Now? Wald Off? 2148 02:18:58,000 --> 02:19:01,039 Speaker 1: Very nice? What happens in there at the wall though? Yeah? 2149 02:19:01,200 --> 02:19:04,680 Speaker 1: Super nice, super nice. Goat. You don't even gotta walk in. 2150 02:19:04,800 --> 02:19:08,840 Speaker 1: You can smell it. That's money in there. But you 2151 02:19:10,000 --> 02:19:12,520 Speaker 1: remember we jogged like I was like, I said that 2152 02:19:12,760 --> 02:19:16,480 Speaker 1: the war Dolf is right there. How you know, smell 2153 02:19:16,600 --> 02:19:22,200 Speaker 1: that ship. We were a mile away. Smell man. So 2154 02:19:22,320 --> 02:19:29,640 Speaker 1: you're at the war Dolf, Drake Walters, right, you're in. Yeah, 2155 02:19:30,440 --> 02:19:34,440 Speaker 1: what happens? What do you mean what happening? I'm asking you? 2156 02:19:34,600 --> 02:19:38,280 Speaker 1: Walk in the elevator, Drake Warter? So, I mean, you know, 2157 02:19:38,400 --> 02:19:41,920 Speaker 1: I don't know. I don't know. I mean, you know, 2158 02:19:42,560 --> 02:19:45,400 Speaker 1: I'm fine, Like what is it to talk about? I mean, 2159 02:19:45,440 --> 02:19:49,400 Speaker 1: we never really had We've never had conversations. We never 2160 02:19:51,560 --> 02:19:58,040 Speaker 1: not an elevator. That's like two kids. It's anywhere, it 2161 02:19:58,160 --> 02:20:01,760 Speaker 1: doesn't matter and anywhere, you know, it's just what it is. 2162 02:20:02,040 --> 02:20:05,200 Speaker 1: Unless something happens. Something happens. It's what I'm just saying. Like, 2163 02:20:05,400 --> 02:20:10,400 Speaker 1: if he said, y'all want to high let you be immediate. Yeah, 2164 02:20:12,560 --> 02:20:15,960 Speaker 1: like you listen. You know, if he can say you 2165 02:20:16,040 --> 02:20:19,520 Speaker 1: want dollars, probably just talk right. What I'm saying is, 2166 02:20:19,680 --> 02:20:25,040 Speaker 1: let's most y'all in. Yeah, boy, bower what is it 2167 02:20:25,120 --> 02:20:32,680 Speaker 1: called bower? Steakhouse? Right boy, steakhouse? Right? Line richies right here? Yeah, 2168 02:20:32,959 --> 02:20:36,040 Speaker 1: right right there. You gotta throw line in there somehow, 2169 02:20:36,160 --> 02:20:38,040 Speaker 1: somehow you got throw line up because he's like, you know, 2170 02:20:38,120 --> 02:20:40,959 Speaker 1: he's mixed. You got thro all the minute, So line 2171 02:20:41,080 --> 02:20:46,119 Speaker 1: is in the middle to drink. Still know, I'm just saying, 2172 02:20:46,160 --> 02:20:48,440 Speaker 1: you gotta leave line with because no one wants to 2173 02:20:48,520 --> 02:21:01,280 Speaker 1: fight in from the mine. Right. Let me cool. You're 2174 02:21:01,320 --> 02:21:04,800 Speaker 1: walking on your point. You don't know your point yet. 2175 02:21:05,200 --> 02:21:09,600 Speaker 1: You walk in the restaurant, right, trait is on the 2176 02:21:09,680 --> 02:21:12,959 Speaker 1: other side. Right, you're on the other side. Right, it's 2177 02:21:13,040 --> 02:21:17,600 Speaker 1: chuck man Jo. Do y'all speak, Do y'all give them? 2178 02:21:17,840 --> 02:21:20,240 Speaker 1: You know, it's a universal thing. If you're black, when 2179 02:21:20,320 --> 02:21:27,160 Speaker 1: she's a black person, do you give the head nods? No? Head, No, 2180 02:21:27,240 --> 02:21:29,280 Speaker 1: I don't got much to talk about, man, I don't 2181 02:21:29,320 --> 02:21:31,800 Speaker 1: have nothing but a head. No it's like university like you, 2182 02:21:31,959 --> 02:21:36,600 Speaker 1: I could give a nigga scenarios. It's just black. I'm 2183 02:21:36,640 --> 02:21:41,000 Speaker 1: fine with I think it's gonna happen right now. Y'all 2184 02:21:41,040 --> 02:21:45,040 Speaker 1: got this. I don't know. You know, when you see 2185 02:21:45,040 --> 02:21:48,080 Speaker 1: another black man, do you keep him the head nod 2186 02:21:48,120 --> 02:21:51,960 Speaker 1: if you see him like this a my name? No, 2187 02:21:52,080 --> 02:21:57,320 Speaker 1: I don't know what happened. I'm cool, I'm good. I 2188 02:21:58,959 --> 02:22:03,560 Speaker 1: know a head not as a fellow black man in 2189 02:22:03,640 --> 02:22:10,160 Speaker 1: the room. You know, don't do this minimum every the 2190 02:22:10,280 --> 02:22:12,520 Speaker 1: head up, you know, especially when you're in the camp. 2191 02:22:12,640 --> 02:22:17,440 Speaker 1: You just always you see another black name like saying, 2192 02:22:17,520 --> 02:22:20,120 Speaker 1: he don't even get that. I'm cool. Like I listened, 2193 02:22:20,160 --> 02:22:32,520 Speaker 1: bro listening work. I want to thank you for coming out, 2194 02:22:32,600 --> 02:22:35,480 Speaker 1: hanging out with the drink chance being here with us. 2195 02:22:35,560 --> 02:22:37,920 Speaker 1: We've been We've been waiting for you for so long, 2196 02:22:38,240 --> 02:22:40,920 Speaker 1: and not because of this negative thing, because for the 2197 02:22:41,040 --> 02:22:44,640 Speaker 1: positive thing from the beginning, Because people want to we 2198 02:22:45,000 --> 02:22:47,119 Speaker 1: want to praise our legends. We want to praise people 2199 02:22:47,160 --> 02:22:49,200 Speaker 1: while they head. We won't give the people their flowers 2200 02:22:49,360 --> 02:22:51,560 Speaker 1: where they can smell them. They treat when they can 2201 02:22:51,760 --> 02:22:53,560 Speaker 1: hell them. They thought's where they can think them when 2202 02:22:53,560 --> 02:22:55,240 Speaker 1: they drinks, where they can drink them. You know what 2203 02:22:55,280 --> 02:22:57,520 Speaker 1: I'm saying, Because so many people want to praise the person. 2204 02:22:57,600 --> 02:22:59,640 Speaker 1: They want to say, this guy is the guy when 2205 02:22:59,680 --> 02:23:02,040 Speaker 1: he's on and this guy na, But how about the 2206 02:23:02,080 --> 02:23:04,520 Speaker 1: people when they are alive? That's what we want to do. 2207 02:23:06,000 --> 02:23:08,840 Speaker 1: And I realized there's no platform for that. I realized that, 2208 02:23:09,200 --> 02:23:10,720 Speaker 1: And this is the reason why me and my partner 2209 02:23:10,840 --> 02:23:13,000 Speaker 1: DJ from we got together and we said, we're gonna 2210 02:23:13,040 --> 02:23:15,320 Speaker 1: get people, these people that got ten years or more, 2211 02:23:15,480 --> 02:23:17,360 Speaker 1: and we're gonna sit there and we're gonna celebrate them, 2212 02:23:17,480 --> 02:23:20,480 Speaker 1: and especially people and and and most of the time 2213 02:23:20,520 --> 02:23:22,520 Speaker 1: when they got ten years and more, it's not people 2214 02:23:22,640 --> 02:23:26,200 Speaker 1: that they quote unquote say it's relevant. Right, So when 2215 02:23:26,240 --> 02:23:29,080 Speaker 1: we got people that we can praise ten years and 2216 02:23:29,160 --> 02:23:33,000 Speaker 1: more and that's relevant, it's it's a plus on a 2217 02:23:33,080 --> 02:23:38,280 Speaker 1: plus on a plus. So we won't like to coming 2218 02:23:39,280 --> 02:23:42,279 Speaker 1: because it's hard to fucking be ten years and relevant anyway. 2219 02:23:42,640 --> 02:23:44,480 Speaker 1: So God damn it, thank you for coming here. And 2220 02:23:44,520 --> 02:23:51,640 Speaker 1: hold us, let me take a picture of me, do 2221 02:23:51,760 --> 02:24:02,240 Speaker 1: it man, hold on? Quiet us? Then this show pay 2222 02:24:02,400 --> 02:24:04,920 Speaker 1: how mus in the rear? One hot one? You don't 2223 02:24:04,959 --> 02:24:08,120 Speaker 1: want to feel one? He got his show. They always 2224 02:24:08,160 --> 02:24:11,480 Speaker 1: sided by my presence, act right, I'm always being president. 2225 02:24:11,959 --> 02:24:15,160 Speaker 1: Game in the show and he showed the Bendy shows 2226 02:24:15,800 --> 02:24:19,800 Speaker 1: Bendy show him that, he showed he shot show holding 2227 02:24:19,920 --> 02:24:22,360 Speaker 1: guns with guns. I used to leave back all the 2228 02:24:22,480 --> 02:24:24,880 Speaker 1: way yep, but my son's making us out. This is 2229 02:24:24,920 --> 02:24:28,400 Speaker 1: stecking what they're thinking. Movolulu work Now now you think 2230 02:24:28,440 --> 02:24:32,160 Speaker 1: he kingpin shuring front clap niggers. That's the end of storm. 2231 02:24:32,440 --> 02:24:35,360 Speaker 1: What told the soldiers hold the work? Just another second 2232 02:24:35,440 --> 02:24:39,520 Speaker 1: for me? I'm street low when I'm firing. See you 2233 02:24:39,720 --> 02:24:43,000 Speaker 1: ps heard that day was hot and he shown pay 2234 02:24:43,120 --> 02:24:45,640 Speaker 1: how much in the real one? Hot one? You don't 2235 02:24:45,680 --> 02:24:48,879 Speaker 1: want to feel one? He got this show. They always 2236 02:24:48,920 --> 02:24:52,200 Speaker 1: hided by my presence act right, I'm always being president. 2237 02:24:52,520 --> 02:24:55,720 Speaker 1: He gave in the show and he showed him Bendy show, 2238 02:24:56,520 --> 02:24:59,400 Speaker 1: Bendy showed him. Bendy shown he got in. They shown 2239 02:25:00,160 --> 02:25:03,760 Speaker 1: Bendy showed them Baby shown, Bendy showed him, Baby showed 2240 02:25:04,120 --> 02:25:19,480 Speaker 1: he got in. He show band again again. They call 2241 02:25:19,560 --> 02:25:22,560 Speaker 1: a podcast poppy niggas just kicking goes. Don't see they're 2242 02:25:22,560 --> 02:25:26,200 Speaker 1: trying to copy comings in the change us down wrists 2243 02:25:26,600 --> 02:25:29,840 Speaker 1: and you ain't never seen ship like this? What tell 2244 02:25:29,920 --> 02:25:33,040 Speaker 1: me something. I don't know what. Tell me something. I 2245 02:25:33,200 --> 02:25:36,480 Speaker 1: don't know what. Tell me something I don't know, Like 2246 02:25:36,560 --> 02:25:39,320 Speaker 1: when this ship dropped home came into show cap ye 2247 02:25:39,320 --> 02:25:42,080 Speaker 1: out on the late night. I'm to play fight see 2248 02:25:42,200 --> 02:25:46,240 Speaker 1: five break night this live, but watch just like a 2249 02:25:46,360 --> 02:25:48,960 Speaker 1: breaking late and you canna get it right on your 2250 02:25:49,000 --> 02:25:51,840 Speaker 1: great side. Uh So tell me something I don't know. 2251 02:25:52,200 --> 02:25:55,320 Speaker 1: Fifty dollar pizza when I'm eating it? So ho I 2252 02:25:55,440 --> 02:25:57,920 Speaker 1: heard that you went love with the Coke co something 2253 02:25:57,959 --> 02:26:00,440 Speaker 1: your nose hitting him, dance on the phone, hate me 2254 02:26:00,640 --> 02:26:03,080 Speaker 1: to hate me? What should I do? Keep getting money? 2255 02:26:03,160 --> 02:26:06,080 Speaker 1: It's funny, y'all, was just like you. Super Bowl Sunday 2256 02:26:06,320 --> 02:26:09,440 Speaker 1: dream Chat put the facts security guard to Kevin Hart 2257 02:26:09,480 --> 02:26:13,440 Speaker 1: to relax. Oh, tell me something about Joe know what? 2258 02:26:14,000 --> 02:26:17,280 Speaker 1: Tell me something. I don't know what. Tell me something 2259 02:26:17,360 --> 02:26:19,800 Speaker 1: I don't know, Like when this ship drops home came 2260 02:26:19,840 --> 02:26:23,920 Speaker 1: into chow Call. Tell me something about Joe knows what? 2261 02:26:24,440 --> 02:26:27,720 Speaker 1: Tell me something I don't know what. Tell me something 2262 02:26:27,800 --> 02:26:30,240 Speaker 1: I don't know, Like when this ship drops home came 2263 02:26:30,280 --> 02:26:31,080 Speaker 1: into Joke Car