WEBVTT - "Monogamy" w/ Rostam

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<v Speaker 1>Tour announcement starts now. Hello everyone, it is me Sam

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<v Speaker 1>and I am going on tour this summer. I'm doing

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<v Speaker 1>my hour of incredible stand up comedy and I would.

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<v Speaker 2>Love, love love to see you there.

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<v Speaker 1>So I will be in San Francisco, Portland, Seattle, Chicago, DC, Boston, Philly,

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<v Speaker 1>and maybe a couple more. But if you are in

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<v Speaker 1>any of those places, please please please get tickets. I

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<v Speaker 1>would love to see you all there. And I'm really

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<v Speaker 1>really excited because I love touring now, So see you there. Okay,

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<v Speaker 1>Andrey yet Bye.

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<v Speaker 3>Hi everyone. This is George from the Future here to

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<v Speaker 3>say that we had so much fun with our guest

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<v Speaker 3>this episode that we never actually properly introduced him in

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<v Speaker 3>the beginning. So in case, for whatever reason, you have

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<v Speaker 3>not read the title of this episode or the description,

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<v Speaker 3>I just wanted to say that our guest today is Rostam,

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<v Speaker 3>whose new album American Stories is out now, and who

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<v Speaker 3>you know from his three solo albums, for producing albums

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<v Speaker 3>for artists like him and Claro, and for being a

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<v Speaker 3>founding member of Vampire Weekend. He is one of our faves.

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<v Speaker 3>We loved talking to him, and we hope you love

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<v Speaker 3>listening to our conversation. So here is rostam.

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<v Speaker 1>Podcast starts. Now.

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<v Speaker 2>I went to a school where there's something called Red

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<v Speaker 2>versus Blue where it was like this like school wide,

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<v Speaker 2>like you gotta sign red or blue, and it was

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<v Speaker 2>like the school wide battle. Yeah, there was like Tug.

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<v Speaker 3>Of Wars sports. We had that too, Sure did you

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<v Speaker 3>have that?

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<v Speaker 1>You mean like field day? Sort of? Yeah?

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<v Speaker 3>Basically basically field day. What you just did now was

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<v Speaker 3>actually toxic without you realizing it, which is please. You know,

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<v Speaker 3>Rassam and I come from immigrant background, so we for

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<v Speaker 3>us field day is like an American tradition that we

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<v Speaker 3>uh discovered and didn't know about. And then all that

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<v Speaker 3>I don't even know what is see, but the point

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<v Speaker 3>is then you're like, so it was fueled. This is

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<v Speaker 3>like when I didn't know what lacrosse was and then

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<v Speaker 3>someone was and I was like, look at this crazy

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<v Speaker 3>pole this guy is holding. And then someone was like,

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<v Speaker 3>you need to get your story.

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<v Speaker 1>You have too many contradictions. Ross, I'm already I'm a

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<v Speaker 1>man of contradiction.

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<v Speaker 3>That's true. Actually, I've noticed this lyrically in the album.

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<v Speaker 3>It's very dialectical. It's very like, well I believe this

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<v Speaker 3>thing except for the days I don't awesible.

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<v Speaker 2>Okay, time for.

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<v Speaker 1>This was the intro we actually started because I said

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<v Speaker 1>podcast arts. Now once it's said, it can't be un said. Interesting,

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<v Speaker 1>So now the podcast has begun. But don't worry. You

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<v Speaker 1>did skip the intro, which is mostly good because all

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<v Speaker 1>was going to be was me going, so, George, how

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<v Speaker 1>does it feel to be an Ellen?

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<v Speaker 4>Yeah?

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<v Speaker 3>And then I would have said, oh, I'm staying in

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<v Speaker 3>a hotel where it was falsely advertise just having a pool,

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<v Speaker 3>but it turns out the pool is one foot long

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<v Speaker 3>and is purely decorative and it's just there for when

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<v Speaker 3>you have breakfast.

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<v Speaker 1>And then I would have said, well, it was still

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<v Speaker 1>very nice and actually remind me of Zipalite.

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<v Speaker 3>Yes, it sort of is like if you copied and

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<v Speaker 3>paste at a seaside hotel, but in literally Ti town in

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<v Speaker 3>Los Angeles.

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<v Speaker 2>Okay, so it.

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<v Speaker 3>Sort of feels like being on a movie set. So

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<v Speaker 3>you're getting the Phi Los Angeles experience.

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<v Speaker 1>Yeah, the smoking mirrors are right there.

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<v Speaker 2>First rule of Zipalites you can't talk about.

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<v Speaker 3>You should tell that to every gig guy I know,

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<v Speaker 3>because that's all they do is.

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<v Speaker 1>Talk about it. Well, never forget when the big New

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<v Speaker 1>York Times article came out that was like we found

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<v Speaker 1>it the best place on Earth, and then everyone was like,

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<v Speaker 1>this has to stop. I can't believe they did this.

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<v Speaker 1>But then I read that article and I was like,

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<v Speaker 1>oh my god, I gotta get down there.

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<v Speaker 2>So I did a trip with a handful of friends

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<v Speaker 2>December twenty nineteen. This is just before the pandemic.

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<v Speaker 3>And you brought COVID back.

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<v Speaker 2>No, we have a group chat that has survived since

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<v Speaker 2>this trip in twenty nineteen. Really, and it's interesting because, yeah,

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<v Speaker 2>there's there's like one couple that stayed together. There's one

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<v Speaker 2>couple that didn't stay together, but somehow, like the group

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<v Speaker 2>chat from Zippolite survives.

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<v Speaker 3>With the couple that didn't stay together. Both of the

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<v Speaker 3>members are on the group chat or one of the and.

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<v Speaker 1>Are active on the group chat.

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<v Speaker 2>Yes, then they they actually live together in Spain now,

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<v Speaker 2>even though they're not together anymore.

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<v Speaker 1>Oh are they lesbians?

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<v Speaker 2>They are gay men, Okay, but they have ABI, they

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<v Speaker 2>have sensibility. Yeah maybe yeah, Well, gay.

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<v Speaker 3>Men with lesbian sensibilities could save the world if given

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<v Speaker 3>the opportunity. Well, journaling sometimes that I am.

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<v Speaker 2>I have a friend who told me is she collects

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<v Speaker 2>straight men with lesbian sensibilities?

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<v Speaker 1>Really interesting?

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<v Speaker 3>Is this friend a straight woman or a lesbian?

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<v Speaker 2>No, she's definitely on the pan spectrum.

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<v Speaker 3>No, there's only two options. She's on the pan spectrum.

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<v Speaker 2>Okay, definitely on the pan spectrum. And I really think

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<v Speaker 2>she's right, Like I also know these guys, and like

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<v Speaker 2>she does find these men with a lesbian vibe. They're

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<v Speaker 2>like mellow straight guys, which exists. Yes, it's like a flavor.

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<v Speaker 2>They're actually kind of wonderful to be around.

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<v Speaker 1>Yeah, that's all I know. Like sometimes when I meet

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<v Speaker 1>like a real asshole straight guy, I'm like, now, finally

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<v Speaker 1>I know this is what I've heard of.

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<v Speaker 2>Interesting, I don't know.

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<v Speaker 1>They don't come to me.

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<v Speaker 3>No, it's very rare that I meet them, And it's

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<v Speaker 3>usually like the husbands of girl.

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<v Speaker 1>It's like.

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<v Speaker 3>You'll go to a wedding and you're like, oh, I

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<v Speaker 3>didn't know that all of you girls like go home

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<v Speaker 3>and have to deal with like the worst man I've

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<v Speaker 3>ever met, Like I should have had more empathy for

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<v Speaker 3>you all along, Like so your day to day life,

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<v Speaker 3>you like didn't know that there was another option. You

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<v Speaker 3>haven't met the lesbian straight guys.

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<v Speaker 1>Yeah, they're rare. They're rare that they are.

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<v Speaker 2>I don't know that much about Pokemon, but I feel

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<v Speaker 2>like they're the rarest spoken.

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<v Speaker 3>Okay, here's an idea for your friend who's on the

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<v Speaker 3>pan spectrum and collects lesbian straight eyes. She should, sorry,

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<v Speaker 3>but become like a madam for these lesbian straight eyes

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<v Speaker 3>and sort of like a service where.

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<v Speaker 2>They don't need to Like, they're very desirable, right for

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<v Speaker 2>the straight women they want to find a lesbian straight

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<v Speaker 2>because like that's like the dream.

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<v Speaker 3>Definitely the dream, But.

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<v Speaker 2>I don't need those lesbian stream guys. They're they're doing great.

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<v Speaker 2>They are Okay, they're desirable because you know, I could see.

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<v Speaker 3>It going either way. Some women sorry to be like this.

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<v Speaker 3>Some women say they want a lesbian straight eye and

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<v Speaker 3>then keep dating sort of horrible straight eyes. Have you

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<v Speaker 3>noticed this?

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<v Speaker 1>Have you picked up on this trend?

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<v Speaker 2>I think that it's I see that it's quite I

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<v Speaker 2>have a few female friends who are dating, and it's

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<v Speaker 2>it's hard.

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<v Speaker 3>It's the hardest thing you could possibly do, seems to

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<v Speaker 3>be a straight woman.

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<v Speaker 2>Data, yes, yeah, and it seems like when you cross

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<v Speaker 2>the forty threshold, whereas in gay world, like it's I

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<v Speaker 2>don't know, I don't feel like there's a big change.

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<v Speaker 1>Time moves a little bit different.

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<v Speaker 2>Yeah, but I think in this straight world maybe it

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<v Speaker 2>gets a lot.

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<v Speaker 3>Harder completely, to the point where I actually think there

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<v Speaker 3>should be awards, like it's so hard dating as a

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<v Speaker 3>straight woman that they should have like yearly award shows

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<v Speaker 3>for it, lists of the women that are doing it

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<v Speaker 3>the best. You know, maybe in like the pages of

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<v Speaker 3>Vulture in New York magazine or something. There should be

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<v Speaker 3>influencers that are just like, I'm a woman. That's enough

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<v Speaker 3>and I am dating.

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<v Speaker 1>I will say there's a point against the lesbian straight guy.

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<v Speaker 3>Huh.

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<v Speaker 1>It's sometimes you'll see a lesbian straight guy in a

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<v Speaker 1>straight relationship and they'll be together for so long and

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<v Speaker 1>you're like, you guys should have broken up like on

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<v Speaker 1>a hundred years ago. But because you're a lesbian straight

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<v Speaker 1>guy and you guys are essentially in like a lesbian relationship,

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<v Speaker 1>you just like put up with each other now.

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<v Speaker 2>Well but okay, but to be fair, how many gay

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<v Speaker 2>couples do we know where they're like in a relationship.

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<v Speaker 2>It's like a love It's crazy, Like it's like, wait,

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<v Speaker 2>what what are they doing? Together. Yeah, we have what

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<v Speaker 2>is their version of partnership, but.

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<v Speaker 3>Completely it is. Remember Tory Peters, have you ever read

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<v Speaker 3>the author? Tory Peters wrote de Transition Baby.

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<v Speaker 2>I haven't read that, but I'm curious.

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<v Speaker 3>It's it's very good and she's very smart. But when

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<v Speaker 3>she was on the podcast, she was saying she had

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<v Speaker 3>this theory that marriage, what was it, divorces lesbian?

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<v Speaker 1>It was like the longer, the divorces, the queerer.

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<v Speaker 3>Yes, but then she was saying, like divorces lesbian, but

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<v Speaker 3>staying together forever and hating each other is gay.

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<v Speaker 2>Guy.

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<v Speaker 3>Like because it is just like and actually this goes

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<v Speaker 3>into the monogamy, the monogamy topic, which is like, when

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<v Speaker 3>you take monogamy off the table, then you never know

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<v Speaker 3>when you're unhappy if you're in a monogamous relationship.

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<v Speaker 2>You know, I think a lot of people I don't

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<v Speaker 2>think that's true. I think I would disagree with you

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<v Speaker 2>in full force.

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<v Speaker 3>Okay, Oh wow, is the most tender, full force disagreement

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<v Speaker 3>I've ever expected.

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<v Speaker 2>Because there are some people who say that there's like

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<v Speaker 2>something called secure attachment, which it takes a couple of

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<v Speaker 2>years to achieve, and actually there's there's like monogamous couples

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<v Speaker 2>who don't have secure attachment. I think that's what we're

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<v Speaker 2>talking about, kind of without talking about it. It's like

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<v Speaker 2>this couple that they're like very loyal to each other,

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<v Speaker 2>but hate each other. They're not good at communicating, the

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<v Speaker 2>upset each other constantly. And we see it with gay

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<v Speaker 2>monogamous couples, and we see it with straight monogamous couples,

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<v Speaker 2>and then we also those couples do exist that are

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<v Speaker 2>open and they love each other, and it doesn't like

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<v Speaker 2>the open relationship is not the component. It's not like

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<v Speaker 2>the whole relationship isn't about being open, which I think

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<v Speaker 2>a lot of people, especially like straight people are there.

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<v Speaker 2>It's hard for them to conceive of a relationship that's open,

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<v Speaker 2>that is not like every flavor on your tongue at

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<v Speaker 2>every moment. It's like, oh, you get breakfast, lunch, and

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<v Speaker 2>dinner that isn't you know, I don't know where I'm

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<v Speaker 2>going quite with this.

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<v Speaker 3>I see what you're saying. Non monogamy is a huge

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<v Speaker 3>new trend they are reading about in the New York Times,

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<v Speaker 3>and it's like the decision is like do I do it?

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<v Speaker 3>Do I buy the gear to go skiing do I

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<v Speaker 3>participate in this thing? And once I participate, there's no

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<v Speaker 3>going back, And I now identify as polyamorous or something.

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<v Speaker 2>Well, and also I think as a gay person, you

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<v Speaker 2>suddenly find yourself in this position where it's almost like

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<v Speaker 2>you're asked to. You're being told that you are promoting

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<v Speaker 2>a lifestyle just because you and you don't necessarily believe

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<v Speaker 2>in Like it seems like it's a binary right, Like

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<v Speaker 2>you're either a strict monogamist or you're interested in polyamory,

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<v Speaker 2>which means that not only do you have love inside

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<v Speaker 2>your relationship, but you're interested in love outside the relationship

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<v Speaker 2>and there's nothing in between that. Like, so I I

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<v Speaker 2>sometimes ask my like straight friends when if the topic

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<v Speaker 2>comes up, like are you okay with your partner hugging

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<v Speaker 2>another person?

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<v Speaker 1>Well?

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<v Speaker 3>This is how does that go?

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<v Speaker 2>And then and then it then then I escalate like

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<v Speaker 2>are you okay with your partner kissing another person on

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<v Speaker 2>the cheek? What about the mouth?

0:11:30.600 --> 0:11:31.720
<v Speaker 1>Like you're getting hard?

0:11:31.720 --> 0:11:35.800
<v Speaker 2>While like because there I feel like it was like

0:11:35.840 --> 0:11:38.040
<v Speaker 2>Mike Pence actually who said something along the one you.

0:11:38.080 --> 0:11:40.760
<v Speaker 3>Can't be in the same candy alone with another woman.

0:11:41.160 --> 0:11:44.240
<v Speaker 2>Yes, So that's like do you believe that, Like, do

0:11:44.280 --> 0:11:47.719
<v Speaker 2>you believe that men and women shouldn't have conversations if

0:11:47.760 --> 0:11:49.119
<v Speaker 2>they're both in marriages.

0:11:49.679 --> 0:11:53.080
<v Speaker 1>Well, I do think for a men specifically, it is

0:11:53.200 --> 0:11:58.320
<v Speaker 1>confusing to be monogamous is such a choice because if

0:11:58.360 --> 0:12:00.680
<v Speaker 1>you go to a bar, there's a dark from over there,

0:12:00.760 --> 0:12:02.839
<v Speaker 1>Like you're like, there is sex happening. Like if a

0:12:02.840 --> 0:12:04.440
<v Speaker 1>straight person was there, they would be like I went

0:12:04.480 --> 0:12:06.959
<v Speaker 1>to an orgy, I'm lock me up and throw away

0:12:07.000 --> 0:12:09.120
<v Speaker 1>the key. But like a gay person, you're like, well, no,

0:12:09.160 --> 0:12:11.080
<v Speaker 1>this is like a social gathering that sex is a

0:12:11.120 --> 0:12:12.160
<v Speaker 1>part of there.

0:12:12.400 --> 0:12:14.240
<v Speaker 3>Yeah, a gay person's like this is dinner.

0:12:16.360 --> 0:12:18.120
<v Speaker 1>And so it's like you can be even but it

0:12:18.200 --> 0:12:19.959
<v Speaker 1>is like drawing the line almost.

0:12:19.679 --> 0:12:23.320
<v Speaker 2>Feels like there's a generational thing there, and there's like

0:12:23.360 --> 0:12:25.520
<v Speaker 2>a generation. There's like people who are just like maybe

0:12:25.600 --> 0:12:27.400
<v Speaker 2>just five years older. I was born in eighty three.

0:12:27.440 --> 0:12:29.760
<v Speaker 2>I don't know about what you guys were born.

0:12:29.800 --> 0:12:34.920
<v Speaker 3>Eighty nine, two thousand and five, But I think.

0:12:34.800 --> 0:12:38.720
<v Speaker 2>There is a generation. It's they're not that much older

0:12:38.720 --> 0:12:41.800
<v Speaker 2>than us. But for them, I think like monogamy is

0:12:41.880 --> 0:12:47.600
<v Speaker 2>like this it is still like a component of their

0:12:47.640 --> 0:12:50.079
<v Speaker 2>gay life. Do you think it's just like a more

0:12:50.120 --> 0:12:52.000
<v Speaker 2>normalized component of their gay life.

0:12:52.559 --> 0:12:58.040
<v Speaker 1>We need to talk about the internet. Oh okay, it's

0:12:58.080 --> 0:12:59.800
<v Speaker 1>funny that you brought this up today, because this is

0:12:59.800 --> 0:13:01.559
<v Speaker 1>something I've been wanting to talk about, which is that

0:13:01.640 --> 0:13:05.680
<v Speaker 1>the internet currently is like this is a trend of

0:13:05.840 --> 0:13:09.160
<v Speaker 1>clip that goes viral. Is someone talking about well, gay

0:13:09.200 --> 0:13:12.040
<v Speaker 1>guys are always non monogamous, Yeah, and then it's flooded

0:13:12.040 --> 0:13:16.520
<v Speaker 1>with comments from seemingly gay guys potentially bots. I don't know, but.

0:13:16.480 --> 0:13:17.720
<v Speaker 3>They're like, gay guys can be bots too.

0:13:17.880 --> 0:13:20.560
<v Speaker 1>Gay guys can be bots, but many are many Like

0:13:20.600 --> 0:13:23.600
<v Speaker 1>you're saying something else, but good, So gay guys in

0:13:23.679 --> 0:13:26.440
<v Speaker 1>theory being like yeah, right, come down to Dallas and

0:13:26.480 --> 0:13:29.680
<v Speaker 1>see non monogamy. Everyone here is closed or like oh,

0:13:29.760 --> 0:13:33.400
<v Speaker 1>these gay guys think they have to be open. That's there, brainwashed.

0:13:33.440 --> 0:13:36.719
<v Speaker 3>You can be closed. That backstraight. We asked Rostum, what

0:13:36.880 --> 0:13:39.439
<v Speaker 3>is your straight topic? And Rossam's like, what if it's monogamy?

0:13:39.480 --> 0:13:41.240
<v Speaker 3>And we were like, you can do that, but you

0:13:41.360 --> 0:13:47.800
<v Speaker 3>might walk away dead or otherwise just figured. And it's

0:13:47.880 --> 0:13:50.960
<v Speaker 3>one of those things monogamy versus non monogamy that your

0:13:51.080 --> 0:13:52.880
<v Speaker 3>views on it just have to do with your immediate

0:13:52.920 --> 0:13:56.000
<v Speaker 3>surroundings and the people you surround yourself with obviously, So

0:13:56.040 --> 0:13:59.760
<v Speaker 3>it's like imagine being someone who has never contemplated it

0:13:59.800 --> 0:14:02.319
<v Speaker 3>and life, and you're like on Instagram and you're scrolling

0:14:02.320 --> 0:14:04.600
<v Speaker 3>and then suddenly it's a clip of me. It's some

0:14:04.760 --> 0:14:07.920
<v Speaker 3>sort of like disgusting gay guy that's by coastal and

0:14:07.920 --> 0:14:09.960
<v Speaker 3>and he's talking about how like all the gay guys

0:14:09.960 --> 0:14:12.160
<v Speaker 3>he knows are nominogamous. And then you're literally like, well,

0:14:12.160 --> 0:14:15.760
<v Speaker 3>this completely tears into my entire worldview. That's not what's

0:14:15.760 --> 0:14:20.320
<v Speaker 3>happening in my immediate community of kind of quasi suburban Dallas.

0:14:20.640 --> 0:14:23.280
<v Speaker 1>Sure keeping of Dallas, because I do feel like the

0:14:23.280 --> 0:14:26.280
<v Speaker 1>comments on your clip in particular, where a lot of

0:14:26.320 --> 0:14:28.680
<v Speaker 1>like come on down south and see the larges thing.

0:14:28.720 --> 0:14:32.560
<v Speaker 3>You get it from all sides, which is there's there's

0:14:32.640 --> 0:14:35.080
<v Speaker 3>gay guys doing the whole like you give gay people

0:14:35.120 --> 0:14:38.240
<v Speaker 3>a bad name because you're like a Horrish, you know,

0:14:38.400 --> 0:14:40.520
<v Speaker 3>circuit gay and I'm just trying to live a normal

0:14:40.600 --> 0:14:43.760
<v Speaker 3>life and be accepted by the Republican Party and how

0:14:43.840 --> 0:14:46.440
<v Speaker 3>dare you give our community a bad name? There's that,

0:14:46.920 --> 0:14:50.000
<v Speaker 3>then there is and I'm not exaggerating because I didn't

0:14:50.000 --> 0:14:53.560
<v Speaker 3>think this still existed fully, people just commenting aids, aids.

0:14:53.600 --> 0:14:55.160
<v Speaker 3>That's why they get AIDS. That's why they get AIDS.

0:14:55.200 --> 0:14:58.280
<v Speaker 3>We're gonna get a's just fully, people that have never

0:14:59.160 --> 0:15:02.840
<v Speaker 3>met a gay person or just are fully like old

0:15:02.880 --> 0:15:03.960
<v Speaker 3>fashioned homophobic.

0:15:04.800 --> 0:15:05.560
<v Speaker 1>It's still out there.

0:15:05.600 --> 0:15:08.040
<v Speaker 3>It's still out there. And then wait, what else?

0:15:08.720 --> 0:15:10.120
<v Speaker 2>Well, yeah, I mean, I think a lot of people

0:15:10.160 --> 0:15:13.880
<v Speaker 2>don't understand that, like prep is effected.

0:15:15.120 --> 0:15:16.960
<v Speaker 3>But I think you're already way ahead of.

0:15:18.800 --> 0:15:21.720
<v Speaker 2>I would not understand like people who are HIV positive

0:15:21.720 --> 0:15:23.560
<v Speaker 2>who take their medicine every day.

0:15:24.400 --> 0:15:30.520
<v Speaker 3>And I'm with you, but imagine that someone saying, But

0:15:30.600 --> 0:15:31.200
<v Speaker 3>I think that the.

0:15:31.160 --> 0:15:32.880
<v Speaker 2>Point I was trying to make about the Mike Pence

0:15:32.920 --> 0:15:36.320
<v Speaker 2>stuff is like, if you don't agree with Mike Pence,

0:15:36.760 --> 0:15:40.680
<v Speaker 2>then you actually are on some part of the spectrum

0:15:40.720 --> 0:15:45.040
<v Speaker 2>of believing of non monogamy, in non mignogamy, because your

0:15:45.200 --> 0:15:49.240
<v Speaker 2>version of how men and women should interact or how

0:15:49.440 --> 0:15:53.680
<v Speaker 2>humans should interact in the real world disagrees with his

0:15:54.040 --> 0:15:59.360
<v Speaker 2>hyper extreme version of it. So like, I think I

0:15:59.360 --> 0:16:02.080
<v Speaker 2>think we got to like slowly open the door to

0:16:02.200 --> 0:16:07.960
<v Speaker 2>people seeing that their own views like are actually somewhere

0:16:08.000 --> 0:16:10.560
<v Speaker 2>on a spectrum that's maybe different than what they think.

0:16:10.720 --> 0:16:13.440
<v Speaker 3>That's a really good point. And I think asking doing

0:16:13.440 --> 0:16:15.960
<v Speaker 3>what you're saying, which is going step by step and

0:16:16.000 --> 0:16:17.680
<v Speaker 3>being like kiss on the mouth, what if it's an

0:16:17.680 --> 0:16:19.360
<v Speaker 3>accidental kiss on the mouth, What if it's a kiss

0:16:19.360 --> 0:16:23.280
<v Speaker 3>on the mouth, wild drunk? What if it's a kiss

0:16:23.280 --> 0:16:26.120
<v Speaker 3>on the mouth. As a dare like which where what

0:16:26.280 --> 0:16:29.480
<v Speaker 3>is the limit? Then you are right that it then

0:16:29.600 --> 0:16:32.280
<v Speaker 3>reframes the conversation as a spectrum rather than black and white.

0:16:32.320 --> 0:16:36.960
<v Speaker 3>I'm either step third wife or going to key parties

0:16:37.040 --> 0:16:37.880
<v Speaker 3>and getting dped.

0:16:38.480 --> 0:16:43.160
<v Speaker 2>Yes, exactly. So I also want to add to this,

0:16:43.240 --> 0:16:48.480
<v Speaker 2>like I hate the idea that that you you become

0:16:48.600 --> 0:16:54.320
<v Speaker 2>this like proponent of I don't need anyone to I

0:16:54.320 --> 0:16:57.680
<v Speaker 2>don't want I don't want people to change their their life.

0:16:58.080 --> 0:16:59.920
<v Speaker 2>I want them to live the life that they want,

0:17:00.320 --> 0:17:02.240
<v Speaker 2>but I also want them to just have perspective on

0:17:02.280 --> 0:17:04.440
<v Speaker 2>what that life is. And that's why I think that

0:17:04.520 --> 0:17:07.240
<v Speaker 2>Mike Penston I keep coming back to. But it's just like, yeah,

0:17:07.320 --> 0:17:10.879
<v Speaker 2>you're like you believe in playing twister with your straight

0:17:10.920 --> 0:17:11.919
<v Speaker 2>friends or.

0:17:12.560 --> 0:17:16.560
<v Speaker 1>All monogaos people I know are playing twister with anything.

0:17:16.560 --> 0:17:19.600
<v Speaker 1>That's like sort of in straight conservative the conservative backlash,

0:17:19.600 --> 0:17:22.200
<v Speaker 1>we're sort of in even like, what's your body count Well,

0:17:22.359 --> 0:17:25.560
<v Speaker 1>as a gay guy, that's like impossible, because like what counts.

0:17:26.320 --> 0:17:28.720
<v Speaker 3>Even frankly of the concept of losing your virginity?

0:17:28.960 --> 0:17:31.400
<v Speaker 1>Well literally, I'm like, well that's that.

0:17:31.280 --> 0:17:36.560
<v Speaker 3>Doesn't count if if you're not a conservative Christian that

0:17:36.600 --> 0:17:40.240
<v Speaker 3>believes in the virgin Mary.

0:17:39.760 --> 0:17:44.639
<v Speaker 1>Yeah, so when did you lose your virginity? So you

0:17:44.640 --> 0:17:47.480
<v Speaker 1>have a new album out called American Stories.

0:17:47.640 --> 0:17:51.440
<v Speaker 3>We are addressed like the American flag honor of that.

0:17:51.920 --> 0:17:55.040
<v Speaker 1>Yeah, would you say it's your Joe Anne?

0:17:56.880 --> 0:18:01.880
<v Speaker 2>No? Wow, No I wouldn't.

0:18:02.240 --> 0:18:06.280
<v Speaker 1>But did you contemplate a cowboy hat on the cover?

0:18:06.680 --> 0:18:08.040
<v Speaker 1>You know? Just tell me about that.

0:18:09.680 --> 0:18:11.680
<v Speaker 2>I did have There was a photo that I took

0:18:11.960 --> 0:18:14.280
<v Speaker 2>where I was playing like an acoustic guitar and it

0:18:14.359 --> 0:18:17.200
<v Speaker 2>was like kind of covering my body, but I was shirtless,

0:18:17.680 --> 0:18:21.080
<v Speaker 2>and that was that was in consideration. I did a

0:18:21.080 --> 0:18:23.520
<v Speaker 2>bunch of different photoshoots. I thought about having a photo

0:18:23.560 --> 0:18:27.240
<v Speaker 2>on the album cover, and sometimes I think maybe I'll

0:18:27.240 --> 0:18:29.679
<v Speaker 2>do like a deluxe where I do use a photo

0:18:29.920 --> 0:18:36.959
<v Speaker 2>just full frontal. But but yeah, like hmm, yeah, I

0:18:37.000 --> 0:18:40.960
<v Speaker 2>wasn't going for like necessarily, I wasn't trying to hit

0:18:41.000 --> 0:18:46.720
<v Speaker 2>it too hard in terms of like the just apropos

0:18:46.760 --> 0:18:49.399
<v Speaker 2>of us wearing red, white and blue. By accident, I

0:18:49.520 --> 0:18:51.919
<v Speaker 2>did take some photos of me in front of just

0:18:51.960 --> 0:18:54.679
<v Speaker 2>a regular red, white and blue flag and when and

0:18:54.680 --> 0:18:58.440
<v Speaker 2>they looked great. The photos were great, and I was like, wait,

0:18:59.119 --> 0:19:03.359
<v Speaker 2>there's something about this doesn't feel like me. It feels

0:19:03.400 --> 0:19:07.200
<v Speaker 2>like it feels like a costume or something like. These

0:19:07.200 --> 0:19:10.879
<v Speaker 2>colors aren't really the colors that I want to see,

0:19:11.240 --> 0:19:12.639
<v Speaker 2>And so I had to make some change.

0:19:13.080 --> 0:19:15.320
<v Speaker 1>Yeah, American imagery is tough.

0:19:15.359 --> 0:19:17.639
<v Speaker 3>That's the thing. It's you gave yourself such a huge

0:19:17.720 --> 0:19:20.359
<v Speaker 3>challenge to be Like the palette I'm working with. Is

0:19:20.400 --> 0:19:24.439
<v Speaker 3>the American flag the most referenced symbol in the history

0:19:24.440 --> 0:19:25.320
<v Speaker 3>of the country.

0:19:25.600 --> 0:19:25.800
<v Speaker 1>Yeah.

0:19:25.800 --> 0:19:28.639
<v Speaker 2>And I actually, in the lead up to announcing my

0:19:28.720 --> 0:19:32.320
<v Speaker 2>album and my album cover, I posted like just like

0:19:32.359 --> 0:19:35.280
<v Speaker 2>a collection of flags that I found on the internet,

0:19:35.960 --> 0:19:39.800
<v Speaker 2>and I realized, like, the American flag, it's this thing.

0:19:40.400 --> 0:19:42.440
<v Speaker 2>What other flag can you think of that has been

0:19:42.480 --> 0:19:47.239
<v Speaker 2>manipulated in so much and like changed and sort of

0:19:47.280 --> 0:19:50.640
<v Speaker 2>like made to represent different things.

0:19:51.400 --> 0:19:53.199
<v Speaker 3>The only one I can think of is how the

0:19:53.240 --> 0:19:57.320
<v Speaker 3>Pride flag they keep adding kinks? Would you keep adding

0:19:57.320 --> 0:20:00.919
<v Speaker 3>little circles? More about that, the new versions of the

0:20:00.920 --> 0:20:01.480
<v Speaker 3>Pride flag.

0:20:01.600 --> 0:20:02.160
<v Speaker 2>No, I haven't.

0:20:02.200 --> 0:20:03.840
<v Speaker 1>We are going to get in trouble for this as well,

0:20:03.880 --> 0:20:05.240
<v Speaker 1>but they do keep adding stuff.

0:20:05.359 --> 0:20:07.840
<v Speaker 2>Well, No, to be clear, they're getting it from all sides.

0:20:09.040 --> 0:20:12.119
<v Speaker 3>I want to make one thing perfectly clear. They added

0:20:12.119 --> 0:20:15.000
<v Speaker 3>a two lines that were meant to represent racial justice,

0:20:15.000 --> 0:20:18.160
<v Speaker 3>which I am one for. Then they added a more

0:20:18.200 --> 0:20:21.760
<v Speaker 3>explicit trans inclusivity triangle, which I'm all for, and then

0:20:22.080 --> 0:20:24.800
<v Speaker 3>the circle things started happening that I didn't know about it.

0:20:24.960 --> 0:20:28.280
<v Speaker 3>There's like little circles that represent like intersex. I believe

0:20:28.640 --> 0:20:29.440
<v Speaker 3>intersex I'm all for.

0:20:29.600 --> 0:20:30.720
<v Speaker 1>I don't think it's kinks.

0:20:30.840 --> 0:20:33.000
<v Speaker 3>It's not kings. I don't think it's okay, sorry, then

0:20:33.040 --> 0:20:36.640
<v Speaker 3>that's oh, maybe it's asexuality.

0:20:35.840 --> 0:20:41.560
<v Speaker 2>I mean, can you figure out what that means?

0:20:41.760 --> 0:20:42.720
<v Speaker 4>Is?

0:20:42.720 --> 0:20:44.119
<v Speaker 2>Is that that a?

0:20:44.680 --> 0:20:47.439
<v Speaker 1>But I will say the joke I want to have

0:20:47.520 --> 0:20:49.800
<v Speaker 1>wanted to make is that I do feel like we're

0:20:49.800 --> 0:20:51.200
<v Speaker 1>going to keep adding stuff and it's going to look

0:20:51.200 --> 0:20:52.400
<v Speaker 1>like an album.

0:20:52.040 --> 0:20:57.320
<v Speaker 3>Cover releasing a special Pride edition of your album that's

0:20:57.320 --> 0:20:58.600
<v Speaker 3>an upside down rainbow flag.

0:21:00.240 --> 0:21:05.160
<v Speaker 2>Yes, now, now would be the time the clock is

0:21:03.920 --> 0:21:09.439
<v Speaker 2>I happened and it's gonna June's gonna be.

0:21:09.440 --> 0:21:11.200
<v Speaker 1>Over, do you ever capitalize on Pride.

0:21:12.880 --> 0:21:17.399
<v Speaker 2>I haven't yet. I know you need to. I'm playing,

0:21:17.640 --> 0:21:20.240
<v Speaker 2>I'm playing actually a show in d C at the

0:21:20.280 --> 0:21:24.240
<v Speaker 2>nine thirty Club on d C Pride Saturday, June twentieth.

0:21:24.520 --> 0:21:26.440
<v Speaker 3>My god, this is your chance to connect with Mike

0:21:26.480 --> 0:21:28.359
<v Speaker 3>Pence and give him a big theory.

0:21:28.520 --> 0:21:30.320
<v Speaker 2>This is my chance to connect with my d C

0:21:30.480 --> 0:21:32.400
<v Speaker 2>gays who are probably fans of this show.

0:21:32.440 --> 0:21:36.959
<v Speaker 3>So actually, well, all all, I do not say that

0:21:36.960 --> 0:21:37.359
<v Speaker 3>to us.

0:21:38.480 --> 0:21:40.880
<v Speaker 1>Why no, we have a we have a love hate

0:21:40.880 --> 0:21:42.800
<v Speaker 1>with the d C g Well what do you think

0:21:42.840 --> 0:21:43.920
<v Speaker 1>about d C gays?

0:21:44.600 --> 0:21:46.440
<v Speaker 2>You got to understand, like I grew up in d

0:21:46.520 --> 0:21:49.120
<v Speaker 2>C from age zero to eighteen, and then I went

0:21:49.119 --> 0:21:51.200
<v Speaker 2>to college in New York and I stayed in New York.

0:21:51.320 --> 0:21:54.960
<v Speaker 2>So my experience of the d C gay world is

0:21:55.720 --> 0:21:56.240
<v Speaker 2>is weird.

0:21:56.520 --> 0:21:59.560
<v Speaker 3>You know, It's like we find it fascinating because well,

0:21:59.560 --> 0:22:02.439
<v Speaker 3>there's two things. A just the stereotype of like the

0:22:02.480 --> 0:22:06.280
<v Speaker 3>DC gate. To me, it's like skinny, skinny stretch khakis

0:22:08.000 --> 0:22:10.760
<v Speaker 3>and like dress shirt. What am I wrong? Total like hey,

0:22:10.760 --> 0:22:13.000
<v Speaker 3>guys that work in politics. And then the other element

0:22:13.000 --> 0:22:14.119
<v Speaker 3>of it.

0:22:13.640 --> 0:22:16.439
<v Speaker 2>Is, yes, you're explaining why khakis are a pant You

0:22:16.440 --> 0:22:19.480
<v Speaker 2>will never see me in Sure, I think I'm traumatized.

0:22:19.840 --> 0:22:21.639
<v Speaker 1>You'll see me in a khaki. You'll see me in

0:22:21.680 --> 0:22:22.159
<v Speaker 1>a khaki.

0:22:22.280 --> 0:22:24.680
<v Speaker 3>Wow, even when you're reclaiming Americana, you can't.

0:22:24.720 --> 0:22:24.919
<v Speaker 4>I know.

0:22:24.960 --> 0:22:25.560
<v Speaker 1>I'm so sorry.

0:22:26.359 --> 0:22:28.200
<v Speaker 2>Khakis. I don't know. It's just like a certain era

0:22:28.280 --> 0:22:30.199
<v Speaker 2>of my life. It's like a school. It literally was

0:22:30.240 --> 0:22:31.280
<v Speaker 2>a school uniforms.

0:22:31.520 --> 0:22:31.760
<v Speaker 1>Sure.

0:22:32.000 --> 0:22:34.399
<v Speaker 2>Sure, And there's so many versions of the khaki. You know,

0:22:34.480 --> 0:22:38.080
<v Speaker 2>it's like the Golden retriever where it's like, you know,

0:22:38.160 --> 0:22:42.359
<v Speaker 2>like there's really like Irish cream golden retrievers. That's like

0:22:42.720 --> 0:22:45.480
<v Speaker 2>it's like a status symbol. And similarly, I think with khakis,

0:22:45.520 --> 0:22:47.919
<v Speaker 2>like the lighter you go, it starts to become like

0:22:48.520 --> 0:22:51.399
<v Speaker 2>it represents, you know, your connection to Mike Pence.

0:22:51.480 --> 0:22:56.720
<v Speaker 1>I'm thinking next album cover, it's just a pair of khakis. Trauma.

0:22:56.880 --> 0:22:59.679
<v Speaker 3>Okay, here's a question for you. Speaking of khakis. In

0:22:59.760 --> 0:23:04.400
<v Speaker 3>your early career, A big part of the narrative around

0:23:04.800 --> 0:23:07.879
<v Speaker 3>your band was like that it was either ironically or

0:23:07.920 --> 0:23:15.560
<v Speaker 3>not ironically appropriate, reappropriating preppy aesthetics. Where do you stand

0:23:15.560 --> 0:23:16.120
<v Speaker 3>on that now?

0:23:17.000 --> 0:23:19.880
<v Speaker 2>I think that there's some things there are that will

0:23:19.920 --> 0:23:23.560
<v Speaker 2>always be cool about preppy style, and I actually think

0:23:24.240 --> 0:23:27.160
<v Speaker 2>some people say, now we're in this moment of resurgence.

0:23:27.240 --> 0:23:28.200
<v Speaker 3>Yeah, I've read.

0:23:28.080 --> 0:23:30.160
<v Speaker 1>That to it. I think in a big way. I'm

0:23:30.200 --> 0:23:32.040
<v Speaker 1>going to gay parties where people are supposed to be

0:23:32.040 --> 0:23:34.680
<v Speaker 1>wearing tank tops and everyone's and Polos myself included.

0:23:34.320 --> 0:23:37.720
<v Speaker 3>Polo's huge comeback. I'm seeing Polo's at the club.

0:23:37.960 --> 0:23:40.080
<v Speaker 1>It's Polos and Penny loafers at the club.

0:23:40.359 --> 0:23:44.080
<v Speaker 2>Interesting. Yeah, I actually went on record on another podcast,

0:23:44.119 --> 0:23:47.000
<v Speaker 2>How Long Gone, about how I just will never like loafers.

0:23:47.240 --> 0:23:50.280
<v Speaker 2>I actually did both, okay.

0:23:50.320 --> 0:23:52.080
<v Speaker 1>And I was so surprised to hear this.

0:23:53.160 --> 0:23:54.240
<v Speaker 2>I'm just not a loafers.

0:23:54.480 --> 0:23:56.080
<v Speaker 1>If you had told me you were launching a line

0:23:56.080 --> 0:23:57.240
<v Speaker 1>of loafers, I believe you.

0:23:59.359 --> 0:23:59.919
<v Speaker 3>My line of.

0:24:01.880 --> 0:24:05.119
<v Speaker 1>Almost on the line about I think you loafer presenting.

0:24:05.680 --> 0:24:08.280
<v Speaker 3>Damn, I don't actually think your lofer presenting.

0:24:08.880 --> 0:24:11.480
<v Speaker 2>I think boat shoes are a different thing, but maybe

0:24:11.520 --> 0:24:13.160
<v Speaker 2>they are adjacent to So.

0:24:13.200 --> 0:24:15.840
<v Speaker 3>This is interesting because to me, boat shoes no matter

0:24:15.880 --> 0:24:17.800
<v Speaker 3>what I do, if I wear boat shoes, it looks lame.

0:24:17.880 --> 0:24:19.800
<v Speaker 3>I can't wear them ironically.

0:24:19.359 --> 0:24:22.280
<v Speaker 2>And that's how I feel about well in general, I

0:24:22.280 --> 0:24:24.399
<v Speaker 2>don't wear any clothes ironically.

0:24:23.880 --> 0:24:26.240
<v Speaker 3>But but but not ironically, but like.

0:24:26.240 --> 0:24:27.760
<v Speaker 2>I agree with you. I don't look I just don't

0:24:27.760 --> 0:24:29.880
<v Speaker 2>look good in loafers. I think I just need more

0:24:29.880 --> 0:24:35.040
<v Speaker 2>of a heel, Like that's what I'm working with. I

0:24:35.080 --> 0:24:38.639
<v Speaker 2>need to like I feel planted in the ground.

0:24:38.680 --> 0:24:41.520
<v Speaker 1>I need to feel it's funny that there's.

0:24:42.040 --> 0:24:43.760
<v Speaker 2>Yeah that I need to feel like there's some rubber

0:24:44.480 --> 0:24:45.000
<v Speaker 2>in the ground.

0:24:45.400 --> 0:24:47.919
<v Speaker 3>This I'm seeing more and more of is larger and

0:24:48.000 --> 0:24:49.240
<v Speaker 3>larger souls?

0:24:49.720 --> 0:25:03.840
<v Speaker 2>Interesting? Should we do he for a segment? And this

0:25:03.920 --> 0:25:06.000
<v Speaker 2>is are we getting? Is this podcast going to get

0:25:06.080 --> 0:25:06.960
<v Speaker 2>edited to no?

0:25:06.960 --> 0:25:11.640
<v Speaker 1>No, no, not even a second of it. If there's

0:25:11.640 --> 0:25:13.640
<v Speaker 1>a long pause, you better believe we're keeping it in.

0:25:14.040 --> 0:25:16.199
<v Speaker 2>There's so much staff here. This is more staff than

0:25:16.240 --> 0:25:17.080
<v Speaker 2>I've ever experienced.

0:25:17.119 --> 0:25:19.959
<v Speaker 1>Please don't break the fourth wall like that with with

0:25:20.040 --> 0:25:24.280
<v Speaker 1>our with our staff. We are a humble, independent podcast

0:25:25.680 --> 0:25:27.080
<v Speaker 1>that's completely self produced.

0:25:27.520 --> 0:25:29.320
<v Speaker 3>This is squatters right, So we're not even part of

0:25:29.359 --> 0:25:32.960
<v Speaker 3>My Heart. I'm here. They don't know we have to

0:25:32.960 --> 0:25:33.400
<v Speaker 3>sleep here.

0:25:33.640 --> 0:25:36.440
<v Speaker 2>If you get here, can I learn more to this

0:25:36.440 --> 0:25:39.080
<v Speaker 2>this studio to being acquired by I Heart? Yeah, Like,

0:25:39.320 --> 0:25:40.600
<v Speaker 2>what's the origin story?

0:25:41.600 --> 0:25:44.119
<v Speaker 3>Like, give me the are you sort of implying that,

0:25:44.200 --> 0:25:46.159
<v Speaker 3>like we're not the kind of podcast that would be

0:25:46.280 --> 0:25:48.639
<v Speaker 3>did you expect more professionalism that would be in a

0:25:49.040 --> 0:25:50.640
<v Speaker 3>corporate conglomerate.

0:25:50.119 --> 0:25:54.160
<v Speaker 2>Actually saying this is the most professional podcast I've participated.

0:25:53.480 --> 0:25:55.280
<v Speaker 3>And you're yeah and that, But then the implication is

0:25:56.119 --> 0:25:57.000
<v Speaker 3>how did you get there?

0:25:57.240 --> 0:25:57.359
<v Speaker 4>No?

0:25:57.400 --> 0:25:58.600
<v Speaker 2>But like, what's the story?

0:26:00.480 --> 0:26:01.440
<v Speaker 1>It's our American story?

0:26:01.520 --> 0:26:02.760
<v Speaker 3>What's our American story?

0:26:03.720 --> 0:26:05.440
<v Speaker 2>I couldn't have said it better myself.

0:26:05.640 --> 0:26:09.040
<v Speaker 3>You know, my parents grew up middle to working class

0:26:09.040 --> 0:26:12.119
<v Speaker 3>in Greece, and they never thought that they could have

0:26:12.160 --> 0:26:14.320
<v Speaker 3>a son that is a gay podcaster. That's not something

0:26:14.320 --> 0:26:16.040
<v Speaker 3>that they even allowed themselves to d know.

0:26:16.160 --> 0:26:19.840
<v Speaker 1>I was just a boy in rural towns all across America,

0:26:20.400 --> 0:26:22.439
<v Speaker 1>you know, my parents picking up moving every two to

0:26:22.520 --> 0:26:25.280
<v Speaker 1>three years, And never in my life did I think

0:26:25.400 --> 0:26:29.240
<v Speaker 1>here I would be in Los Angeles, California, with the

0:26:29.320 --> 0:26:36.480
<v Speaker 1>lights shining bright on our unmake uped faces. How to

0:26:36.480 --> 0:26:42.520
<v Speaker 1>answer your question? Not really good? So basically I'm not

0:26:42.520 --> 0:26:43.520
<v Speaker 1>going to explain our story.

0:26:43.720 --> 0:26:45.240
<v Speaker 2>What Oh, well, you could cut it out.

0:26:45.480 --> 0:26:46.080
<v Speaker 4>Yeah?

0:26:46.280 --> 0:26:47.200
<v Speaker 3>Are you genuinely interested?

0:26:47.480 --> 0:26:47.919
<v Speaker 1>Boring? Oh?

0:26:48.000 --> 0:26:50.080
<v Speaker 3>No, we met we're stand up comedians. We met at

0:26:50.240 --> 0:26:53.240
<v Speaker 3>we met at comedy shows, and then in twenty nineteen

0:26:53.280 --> 0:26:55.080
<v Speaker 3>we were like, if we start a podcast, then we

0:26:55.119 --> 0:26:56.720
<v Speaker 3>can promote our shows and more people can come to

0:26:56.800 --> 0:26:59.400
<v Speaker 3>our shows. And then we started, then we started podcast

0:26:59.400 --> 0:27:02.800
<v Speaker 3>created an we literally have ruined our lives. And then

0:27:02.920 --> 0:27:04.879
<v Speaker 3>we started it by ourselves, who produced it by ourselves

0:27:04.920 --> 0:27:06.760
<v Speaker 3>for two years. Then we were acquired by Will Ferrell's

0:27:06.800 --> 0:27:08.840
<v Speaker 3>Big Money Players Network, which is of course the comedy

0:27:08.920 --> 0:27:09.879
<v Speaker 3>arm of iHeart Media.

0:27:10.280 --> 0:27:13.520
<v Speaker 2>Got you all right, And now we have a staff

0:27:13.520 --> 0:27:14.919
<v Speaker 2>of over thirty five people.

0:27:15.359 --> 0:27:17.679
<v Speaker 3>They are all unpaid and they do it for the

0:27:17.720 --> 0:27:20.000
<v Speaker 3>love of the game, and we tell them every they're

0:27:20.040 --> 0:27:22.080
<v Speaker 3>you know, they're unpaid contractors. Every year we say, you know,

0:27:22.119 --> 0:27:24.280
<v Speaker 3>if you just keep at it, maybe you'll be hired

0:27:24.280 --> 0:27:25.240
<v Speaker 3>full time next year.

0:27:25.560 --> 0:27:27.040
<v Speaker 1>And it's sort of our thing now where we have

0:27:27.119 --> 0:27:28.920
<v Speaker 1>people on where we're like, wow, that'd be so awesome

0:27:28.920 --> 0:27:30.239
<v Speaker 1>to have them on, and then we don't ask them

0:27:30.280 --> 0:27:31.399
<v Speaker 1>any real questions.

0:27:31.840 --> 0:27:34.400
<v Speaker 2>Well, I feel like that's this that's like twenty twenty six,

0:27:34.480 --> 0:27:36.240
<v Speaker 2>that's this house style for podcasts.

0:27:36.320 --> 0:27:40.800
<v Speaker 3>I know it's true, and I'm like, how do you

0:27:40.840 --> 0:27:42.160
<v Speaker 3>feel doing podcasts?

0:27:42.560 --> 0:27:44.120
<v Speaker 1>Are you like now we're getting too are.

0:27:44.040 --> 0:27:45.480
<v Speaker 3>You like, Jesus Christ, I have to go talk to

0:27:45.520 --> 0:27:46.879
<v Speaker 3>these like random asking what was.

0:27:46.960 --> 0:27:48.360
<v Speaker 1>When you woke up this morning? With your first.

0:27:48.400 --> 0:27:51.080
<v Speaker 2>One thing I like about How Long Gone is that

0:27:51.359 --> 0:27:54.479
<v Speaker 2>people will go on the show and if they're if

0:27:54.480 --> 0:27:57.399
<v Speaker 2>they're chill, they're just gonna let it. They'll take it

0:27:57.440 --> 0:28:01.719
<v Speaker 2>where the wind blows it. And then there are some

0:28:01.840 --> 0:28:04.520
<v Speaker 2>people that about halfway through they start to feel anxious

0:28:04.800 --> 0:28:07.040
<v Speaker 2>and you can tell you could feel it. They're like, wait,

0:28:07.119 --> 0:28:09.359
<v Speaker 2>why am I here? I need to talk about what

0:28:09.400 --> 0:28:13.080
<v Speaker 2>I'm promoting. I can't just be talking about bullshit with

0:28:13.320 --> 0:28:17.320
<v Speaker 2>Chris and Jason for however many hours, and then it

0:28:17.359 --> 0:28:21.280
<v Speaker 2>becomes this like I have to promote myself. So I

0:28:21.560 --> 0:28:24.800
<v Speaker 2>here's what I feel about podcasts. I like doing it.

0:28:24.880 --> 0:28:28.600
<v Speaker 2>I like I'm conscious of this, Like you don't. You

0:28:28.600 --> 0:28:31.479
<v Speaker 2>don't need to promote anything. Just be yourself, you know.

0:28:31.600 --> 0:28:34.359
<v Speaker 2>I think that's what people want from a podcast, and

0:28:34.400 --> 0:28:38.240
<v Speaker 2>if they like who you are, that that incentivizes them

0:28:38.360 --> 0:28:39.400
<v Speaker 2>to seek out your work.

0:28:39.760 --> 0:28:41.640
<v Speaker 1>Sure, so he's not in his joy and he's just

0:28:41.720 --> 0:28:42.440
<v Speaker 1>born this way.

0:28:43.440 --> 0:28:46.720
<v Speaker 2>You're I would I would, I would like that you

0:28:46.880 --> 0:28:49.520
<v Speaker 2>are born this way than yourself and yourself.

0:28:50.160 --> 0:28:52.920
<v Speaker 3>Oh you're saying in the matter gay strad or bio lesbian,

0:28:52.960 --> 0:28:55.360
<v Speaker 3>transgender alive, I'm you're on the right track, baby, you

0:28:55.440 --> 0:28:56.280
<v Speaker 3>were born to survive.

0:28:56.800 --> 0:29:00.960
<v Speaker 2>Literally, I think so. I I think that's what I'm saying.

0:29:00.960 --> 0:29:05.600
<v Speaker 2>I'm saying my thought on podcasts is be yourself.

0:29:05.360 --> 0:29:08.400
<v Speaker 3>Don't worry about everyone else is taken, don't worry about promo.

0:29:09.040 --> 0:29:11.040
<v Speaker 2>Yeah, Like, okay, there I've done like the kind of

0:29:11.080 --> 0:29:15.240
<v Speaker 2>like music podcast where you go in deep about the record,

0:29:15.280 --> 0:29:17.880
<v Speaker 2>and those are cool too, but we should just like

0:29:18.320 --> 0:29:20.880
<v Speaker 2>talk shit about whatever we want to talk about. Okay,

0:29:21.040 --> 0:29:22.719
<v Speaker 2>And if you guys want to talk about their record,

0:29:22.760 --> 0:29:23.960
<v Speaker 2>I'll talk about it for sure.

0:29:24.600 --> 0:29:26.840
<v Speaker 1>Okay, who's your favorite hym m?

0:29:28.240 --> 0:29:29.280
<v Speaker 2>This is a tough question.

0:29:30.400 --> 0:29:31.600
<v Speaker 3>You can take all the time you need.

0:29:32.240 --> 0:29:35.960
<v Speaker 1>We'll leave the time. We'll leave the empty space. Now, Okay,

0:29:36.040 --> 0:29:36.880
<v Speaker 1>we have We.

0:29:36.840 --> 0:29:38.840
<v Speaker 3>Talk about the hyms a lot on this podcast in

0:29:38.880 --> 0:29:40.719
<v Speaker 3>a loving way. To be clear, we're not setting you up.

0:29:41.920 --> 0:29:44.560
<v Speaker 3>We have this thing. We have this recurring game that

0:29:44.720 --> 0:29:47.640
<v Speaker 3>the listeners really love, where we it's sort of like

0:29:47.640 --> 0:29:50.000
<v Speaker 3>maryfuc Kill, but it's which hims sister is which thing,

0:29:50.120 --> 0:29:52.920
<v Speaker 3>So you'll be like, okay, father son, holy Ghost, which

0:29:52.960 --> 0:29:54.720
<v Speaker 3>one is SD, which one is Danielle, and which one

0:29:54.720 --> 0:29:55.200
<v Speaker 3>is Alana?

0:29:55.640 --> 0:29:56.080
<v Speaker 1>Wow.

0:29:56.240 --> 0:29:58.000
<v Speaker 3>And we have actually never met the hyms, even though

0:29:58.040 --> 0:29:59.960
<v Speaker 3>we've spotted. I think all three of them between the

0:30:00.040 --> 0:30:00.840
<v Speaker 3>two of us, I have.

0:30:00.840 --> 0:30:03.200
<v Speaker 1>Actually only spotted Danielle.

0:30:03.560 --> 0:30:07.400
<v Speaker 3>Danielle one of Danielle's big I'm stalking her for the well.

0:30:07.480 --> 0:30:10.840
<v Speaker 3>Danielle's job, she her primary job as a musician, secondary

0:30:10.920 --> 0:30:15.440
<v Speaker 3>job going to restaurants and being spotted. So and we

0:30:15.520 --> 0:30:17.680
<v Speaker 3>have been lucky enough to collaborate with her on that

0:30:17.760 --> 0:30:18.640
<v Speaker 3>and that we are the ones.

0:30:19.800 --> 0:30:20.400
<v Speaker 1>It takes two.

0:30:20.520 --> 0:30:26.200
<v Speaker 3>It takes two, so pretty much I think we because

0:30:26.200 --> 0:30:28.080
<v Speaker 3>you know the hymns and because you have insight that

0:30:28.120 --> 0:30:30.360
<v Speaker 3>we don't, we would be curious to get your take

0:30:30.440 --> 0:30:32.600
<v Speaker 3>on how we can be better about when we do

0:30:32.680 --> 0:30:34.560
<v Speaker 3>this game and if we are wrong about the personality.

0:30:34.640 --> 0:30:36.840
<v Speaker 3>So in our mind, what we what we think of

0:30:36.840 --> 0:30:41.640
<v Speaker 3>them as is Lana's the angeenue. You know, she's She's

0:30:41.680 --> 0:30:42.440
<v Speaker 3>a film.

0:30:42.200 --> 0:30:44.560
<v Speaker 1>Star, always getting in front of the caro camera.

0:30:44.760 --> 0:30:47.479
<v Speaker 3>Danielle is like the CEO. She has a spreadsheets, she's

0:30:47.520 --> 0:30:47.680
<v Speaker 3>on it.

0:30:47.720 --> 0:30:49.080
<v Speaker 1>She's like, you guys, we have to work.

0:30:49.280 --> 0:30:55.800
<v Speaker 3>Yeah, and then SD stand up comedian super She loves

0:30:55.880 --> 0:31:00.720
<v Speaker 3>Chris Farley. She'll like make Molly Shannon sure. She's like

0:31:00.720 --> 0:31:03.200
<v Speaker 3>walking in her room and like Burp and it's like lol,

0:31:03.280 --> 0:31:06.080
<v Speaker 3>can you believe I just did that, and people are

0:31:06.400 --> 0:31:10.240
<v Speaker 3>and people like, oh my god, this is the Elton

0:31:10.320 --> 0:31:15.880
<v Speaker 3>John Amphar Gala. So so for example, like what's a

0:31:16.040 --> 0:31:21.080
<v Speaker 3>what's I will say Danielle is the most mysterious in

0:31:21.120 --> 0:31:24.640
<v Speaker 3>a way, and I think she cultivates that, whether it's by.

0:31:26.280 --> 0:31:30.600
<v Speaker 2>Mistake or design, but like she stays kind of.

0:31:30.560 --> 0:31:33.800
<v Speaker 1>Mysterious, okay, even to you.

0:31:33.400 --> 0:31:38.080
<v Speaker 2>Even to me whoa yes, And I think that does

0:31:38.160 --> 0:31:41.400
<v Speaker 2>go that that does go along with your CEO sort

0:31:41.440 --> 0:31:45.080
<v Speaker 2>of yes persona because it's because.

0:31:44.840 --> 0:31:48.400
<v Speaker 3>She's not giving a lot of herself away. She's behind

0:31:48.480 --> 0:31:51.480
<v Speaker 3>the scenes, making sure the right levers are.

0:31:53.360 --> 0:31:56.720
<v Speaker 2>Yes. I don't want to say too much, but I

0:31:56.760 --> 0:31:59.000
<v Speaker 2>think I think she has a she has a very

0:31:59.040 --> 0:32:02.400
<v Speaker 2>strong vision. Yeah, and that and that's not necessary. If

0:32:02.440 --> 0:32:05.640
<v Speaker 2>you go to a time show, you don't necessarily get,

0:32:05.760 --> 0:32:08.560
<v Speaker 2>you know, like you're you see Alana and st who

0:32:08.560 --> 0:32:14.080
<v Speaker 2>are so talkative and bubbly and commanding the stage, and

0:32:14.080 --> 0:32:16.040
<v Speaker 2>and daniel commands the stage in a different way.

0:32:18.080 --> 0:32:20.080
<v Speaker 1>Which time would you call if you had a flat tire?

0:32:26.120 --> 0:32:33.240
<v Speaker 2>I think Alana because her boyfriend also likes cars.

0:32:31.800 --> 0:32:34.160
<v Speaker 1>Okay, interesting outsourcing.

0:32:34.480 --> 0:32:38.000
<v Speaker 3>Women can't women cars. They don't have any practical skills.

0:32:38.040 --> 0:32:44.280
<v Speaker 3>All they know about his makeup and and you know, like.

0:32:46.440 --> 0:32:49.440
<v Speaker 2>I would say, I mean, I still pick Alana because

0:32:49.640 --> 0:32:52.760
<v Speaker 2>maybe you know, Jonathan can talk her through.

0:32:52.640 --> 0:32:56.520
<v Speaker 3>The Oh my god, you're giving yourself. Here's a question,

0:32:56.640 --> 0:32:59.440
<v Speaker 3>who would you call if you're like texting back a

0:32:59.480 --> 0:33:01.800
<v Speaker 3>guy have a crush on and you need help like

0:33:01.840 --> 0:33:03.080
<v Speaker 3>crafting the text?

0:33:03.320 --> 0:33:06.120
<v Speaker 2>Well, one time I was like, actually I went through

0:33:06.200 --> 0:33:08.760
<v Speaker 2>a breakup while we were making the last record. I quit,

0:33:09.160 --> 0:33:12.040
<v Speaker 2>and something Estie said to me which stuck in my

0:33:12.120 --> 0:33:18.000
<v Speaker 2>mind was everyone is in your life for a reason

0:33:18.240 --> 0:33:18.880
<v Speaker 2>or a season.

0:33:19.600 --> 0:33:23.400
<v Speaker 1>WHOA she's doing wordplay?

0:33:24.720 --> 0:33:25.600
<v Speaker 3>Well she's a comedian.

0:33:26.520 --> 0:33:29.200
<v Speaker 2>No, Yeah, she was saying it serious seriously And actually

0:33:29.240 --> 0:33:30.640
<v Speaker 2>it was like kind of what I needed to hear

0:33:30.680 --> 0:33:31.240
<v Speaker 2>in that moment.

0:33:31.840 --> 0:33:33.360
<v Speaker 3>For a reason or a season?

0:33:33.560 --> 0:33:33.880
<v Speaker 2>Yes?

0:33:36.360 --> 0:33:37.960
<v Speaker 1>Which part resonated with you? Yeah?

0:33:38.040 --> 0:33:39.840
<v Speaker 3>Do you think that person that you had just broken

0:33:39.920 --> 0:33:42.520
<v Speaker 3>up with was in it for a reason or a

0:33:42.520 --> 0:33:44.760
<v Speaker 3>season or both? And also why can't it be both?

0:33:45.920 --> 0:33:47.280
<v Speaker 1>You know what I mean? Do you believe in the

0:33:47.280 --> 0:33:49.120
<v Speaker 1>reason or season? Binary? Yeah?

0:33:49.160 --> 0:33:54.280
<v Speaker 2>Like I like, I don't know that it's an exclusive binary.

0:33:56.360 --> 0:33:58.560
<v Speaker 3>You were hypnotized by the rhyming of it all, and

0:33:58.640 --> 0:33:59.240
<v Speaker 3>we're like.

0:33:59.200 --> 0:34:02.360
<v Speaker 1>Holy shit, Reasoner season I kind of was.

0:34:03.680 --> 0:34:08.600
<v Speaker 3>I kind of was, Okay, who would you call if

0:34:08.640 --> 0:34:12.320
<v Speaker 3>you needed help writing like the best Man speech, which.

0:34:12.280 --> 0:34:16.279
<v Speaker 2>Was three himes I actually did have. There was this

0:34:16.360 --> 0:34:19.640
<v Speaker 2>award show where I did present an award to the

0:34:19.680 --> 0:34:21.680
<v Speaker 2>Hymes and I actually had to write a speech about them.

0:34:21.800 --> 0:34:26.120
<v Speaker 3>Oh okay, chatchipt did you use quad or chatch?

0:34:26.760 --> 0:34:31.520
<v Speaker 2>No? No, But I talked about when I first met Danielle,

0:34:31.560 --> 0:34:34.399
<v Speaker 2>she was a member of Julian Casablancas, a solo band,

0:34:34.520 --> 0:34:38.280
<v Speaker 2>Julian Casablancas the listener of the Strokes.

0:34:38.360 --> 0:34:41.640
<v Speaker 3>I cannot believe you are explaining.

0:34:41.080 --> 0:34:44.360
<v Speaker 2>To me, but to the gas.

0:34:46.080 --> 0:34:48.360
<v Speaker 1>They are Indie rock ish gays.

0:34:48.960 --> 0:34:51.120
<v Speaker 2>Sure, but I'm trying to give it. I'm trying to

0:34:51.120 --> 0:34:54.919
<v Speaker 2>be inclusive here, Okay. So, so Danielle was a member

0:34:54.960 --> 0:34:57.000
<v Speaker 2>of Julian's band and she told me about there's this

0:34:57.200 --> 0:34:59.560
<v Speaker 2>era where Julian was like, I want to sign you.

0:34:59.640 --> 0:35:02.759
<v Speaker 2>I want you to be part of my project and

0:35:02.800 --> 0:35:06.080
<v Speaker 2>I want to sign you. I want to like collaborate

0:35:06.120 --> 0:35:08.000
<v Speaker 2>with you, like and definite kind of like I want

0:35:08.040 --> 0:35:11.680
<v Speaker 2>to lock it in. I believe in Danielleheim and she

0:35:11.840 --> 0:35:14.880
<v Speaker 2>had to be like hold on a second, there's this

0:35:14.920 --> 0:35:17.799
<v Speaker 2>band I have with my sisters that I want to

0:35:17.840 --> 0:35:21.520
<v Speaker 2>give that I need to give it a shot. Like,

0:35:21.600 --> 0:35:23.920
<v Speaker 2>I won't be able to sleep unless I just like

0:35:24.280 --> 0:35:28.840
<v Speaker 2>give this a shot. And I think they were playing,

0:35:28.880 --> 0:35:30.520
<v Speaker 2>like you know, they were playing at like the Silver

0:35:30.600 --> 0:35:32.799
<v Speaker 2>Lake Lounge at the time. They were like playing for

0:35:32.840 --> 0:35:35.640
<v Speaker 2>their friends. It wasn't happening yet, you know, it really

0:35:35.680 --> 0:35:38.640
<v Speaker 2>wasn't happening for them yet. And so I talked about

0:35:38.680 --> 0:35:41.360
<v Speaker 2>that in the speech, just like that. It's hard to

0:35:41.360 --> 0:35:44.440
<v Speaker 2>imagine a world where they didn't bet on themselves and

0:35:44.480 --> 0:35:48.520
<v Speaker 2>like didn't like but it was precarious for a second there.

0:35:48.520 --> 0:35:51.319
<v Speaker 2>I mean, it's interesting to think about the moments where

0:35:51.360 --> 0:35:55.200
<v Speaker 2>people have to like make a choice and sometimes you

0:35:55.239 --> 0:35:58.600
<v Speaker 2>have to choose to bet on you whoa whoa.

0:35:58.640 --> 0:36:01.880
<v Speaker 3>You're being born this way, so born this way?

0:36:02.040 --> 0:36:02.720
<v Speaker 1>That's crazy.

0:36:03.719 --> 0:36:05.000
<v Speaker 3>I think people are going to be inspired.

0:36:05.040 --> 0:36:07.600
<v Speaker 2>I think I am I am, I'm probably I'm probably

0:36:07.600 --> 0:36:10.279
<v Speaker 2>more of a born this Way than than an art pop.

0:36:12.040 --> 0:36:14.520
<v Speaker 2>There's some things I like about pop. I like that

0:36:14.600 --> 0:36:20.320
<v Speaker 2>song g u y that that's on our pop right Yeah,

0:36:19.760 --> 0:36:23.520
<v Speaker 2>yeah born this Yeah, Born this Way is pretty good.

0:36:23.560 --> 0:36:26.160
<v Speaker 2>I think yeah, Judas is underrated.

0:36:26.480 --> 0:36:30.440
<v Speaker 3>Well, Judas is in Yeah that is That.

0:36:30.440 --> 0:36:31.480
<v Speaker 2>Was like the comeback single.

0:36:31.560 --> 0:36:34.120
<v Speaker 3>Now yeah, it's my mom's favorite Lady Goat track.

0:36:34.239 --> 0:36:38.000
<v Speaker 2>Really, my I think when when Lady Gaga really hit

0:36:38.080 --> 0:36:43.400
<v Speaker 2>for me was the combo of Telephone followed by Bad Romance,

0:36:44.080 --> 0:36:45.960
<v Speaker 2>And it was both the songs and the videos where

0:36:45.960 --> 0:36:48.560
<v Speaker 2>I was like, oh, this is just like another thing.

0:36:49.880 --> 0:36:57.440
<v Speaker 3>So you're like one of the no I'm I'm. You

0:36:57.560 --> 0:37:00.200
<v Speaker 3>have this double life where you are you are like

0:37:00.239 --> 0:37:04.240
<v Speaker 3>a solo artist, singer, songwriter, you like being in front

0:37:04.239 --> 0:37:07.319
<v Speaker 3>of the camera, and then you are also like a

0:37:07.360 --> 0:37:10.359
<v Speaker 3>pop producer sort of in the vein of various other

0:37:10.480 --> 0:37:13.640
<v Speaker 3>men that I won't mention. How do you navigate those

0:37:13.719 --> 0:37:15.040
<v Speaker 3>two identities.

0:37:16.600 --> 0:37:20.920
<v Speaker 2>I think I haven't done a great job of keeping

0:37:21.040 --> 0:37:24.320
<v Speaker 2>the garden tended to in terms of my artist project, okay,

0:37:24.520 --> 0:37:27.640
<v Speaker 2>because I think I've left people hanging for so long,

0:37:27.800 --> 0:37:29.799
<v Speaker 2>Like right now, I'm in the midst of a tour

0:37:29.920 --> 0:37:33.719
<v Speaker 2>and it feels like I'm just like starting from scratch

0:37:33.840 --> 0:37:35.320
<v Speaker 2>kind of because the last time I put out a

0:37:35.400 --> 0:37:37.920
<v Speaker 2>record was five years ago. But I think I'd like

0:37:37.960 --> 0:37:43.560
<v Speaker 2>to be better at balancing the two. But the reality

0:37:43.680 --> 0:37:46.160
<v Speaker 2>is both of them give me a lot of joy

0:37:46.480 --> 0:37:50.279
<v Speaker 2>working with working as a producer across like whole albums

0:37:50.960 --> 0:37:54.520
<v Speaker 2>with other artists. It's really fun for me to do it.

0:37:54.520 --> 0:38:01.920
<v Speaker 2>It gives me something that making albums completely alone doesn't,

0:38:01.960 --> 0:38:04.800
<v Speaker 2>and vice versa. So like I just I like doing

0:38:04.840 --> 0:38:07.239
<v Speaker 2>both a lot, and I hope the rest of my

0:38:07.280 --> 0:38:10.000
<v Speaker 2>life I'll continue to do both. But I think I

0:38:10.000 --> 0:38:12.840
<v Speaker 2>could be better about keeping the artist project alive in

0:38:12.920 --> 0:38:27.080
<v Speaker 2>between albums. So that's my that's like my new goal. Okay, okay, Rostam.

0:38:27.640 --> 0:38:30.319
<v Speaker 3>We have a segment that's called Straight Shooters, and we

0:38:30.400 --> 0:38:32.960
<v Speaker 3>gauge your familiarity with In Complicity and straight culture by

0:38:32.960 --> 0:38:34.960
<v Speaker 3>asking you a series of rapid fire questions where you

0:38:35.000 --> 0:38:37.640
<v Speaker 3>have to choose this thing or this other thing. And

0:38:38.080 --> 0:38:40.000
<v Speaker 3>the one rule is you can't ask any follow up

0:38:40.040 --> 0:38:41.280
<v Speaker 3>questions about how the game works.

0:38:41.400 --> 0:38:42.800
<v Speaker 2>Did you say Incomplicity?

0:38:43.160 --> 0:38:50.480
<v Speaker 3>Is that question? Rosebud Thorn or Jason Bourne.

0:38:53.200 --> 0:38:57.520
<v Speaker 1>Rosebud Thorn wallowing in sorrow or swallowing your amorro.

0:38:58.840 --> 0:39:01.479
<v Speaker 3>Marrow sell out or getting out?

0:39:03.840 --> 0:39:09.160
<v Speaker 1>Yeah, mixed and mastard or you bitch, you bastard, you.

0:39:09.239 --> 0:39:10.080
<v Speaker 2>Bitch, you bastard.

0:39:10.880 --> 0:39:16.920
<v Speaker 3>Venus de Milo or Jesus, that's Clara, Jesus, that's Clara.

0:39:17.400 --> 0:39:19.120
<v Speaker 1>Phil Harmonic or phil Hartman.

0:39:20.800 --> 0:39:27.560
<v Speaker 2>Hartman, Gorganzola, Coca cola or areola? Is that three?

0:39:28.880 --> 0:39:30.000
<v Speaker 3>I'm going to allow that question.

0:39:30.760 --> 0:39:32.960
<v Speaker 2>Yes, it is three.

0:39:34.640 --> 0:39:38.719
<v Speaker 1>Coca cola, finding your voice or eyeing someone and saying

0:39:38.840 --> 0:39:40.240
<v Speaker 1>noise noise.

0:39:42.239 --> 0:39:43.719
<v Speaker 3>Okay, Well, first of all, I think you did an

0:39:43.760 --> 0:39:44.439
<v Speaker 3>incredible job.

0:39:44.920 --> 0:39:47.640
<v Speaker 2>Yeah, that was awesome, tried my best.

0:39:47.680 --> 0:39:49.440
<v Speaker 1>I like the part where you really touched your glasses.

0:39:49.560 --> 0:39:49.719
<v Speaker 2>Yeah.

0:39:49.800 --> 0:39:52.000
<v Speaker 3>No, you were really good at touching your glasses and

0:39:52.200 --> 0:39:55.719
<v Speaker 3>I and I also liked how when it was three

0:39:56.080 --> 0:39:59.120
<v Speaker 3>it threw you off yea because you were locked into two.

0:39:59.239 --> 0:40:01.800
<v Speaker 2>I you know, I was traumatized by this. There was

0:40:01.840 --> 0:40:04.480
<v Speaker 2>an era. I think this era has passed where my

0:40:04.680 --> 0:40:10.120
<v Speaker 2>dad instead of saying like, say cheese when he took

0:40:10.160 --> 0:40:13.799
<v Speaker 2>a photo, he would say gorgun zola in this way

0:40:13.840 --> 0:40:15.919
<v Speaker 2>that I was like, Dad, this is very not you

0:40:15.960 --> 0:40:17.200
<v Speaker 2>can you please never do this.

0:40:17.680 --> 0:40:19.920
<v Speaker 1>He he was trying on silly.

0:40:19.960 --> 0:40:23.000
<v Speaker 2>He's not normally silly, not really, it's not really his style.

0:40:23.120 --> 0:40:26.680
<v Speaker 3>That's scary. He just like thought it like it's like,

0:40:26.680 --> 0:40:27.919
<v Speaker 3>all get.

0:40:27.840 --> 0:40:31.279
<v Speaker 2>A type of cheese and it's a silly word. So

0:40:31.480 --> 0:40:33.920
<v Speaker 2>I think people were like there was like a moment

0:40:33.920 --> 0:40:36.200
<v Speaker 2>where people thought it was cool to say that to

0:40:36.239 --> 0:40:41.000
<v Speaker 2>get yes, and I thought that was very on my

0:40:41.160 --> 0:40:44.480
<v Speaker 2>dad behavior. My dad is in a trend, like he's

0:40:44.480 --> 0:40:48.640
<v Speaker 2>a he's a trend. Yes, absolutely, you're.

0:40:48.480 --> 0:40:51.360
<v Speaker 1>Like an acting professor. You're like, that's not you, that's honest.

0:40:52.160 --> 0:40:54.720
<v Speaker 2>That's how I felt about the gorgun Zola trend.

0:40:56.200 --> 0:41:01.640
<v Speaker 1>Hopefully Ross Meal shouldn't bring up the Gorgan's ultron. People

0:41:01.680 --> 0:41:03.960
<v Speaker 1>on social media have been going crazy when we mention that.

0:41:04.800 --> 0:41:07.120
<v Speaker 1>Should we get into the topic? Yeah? Now, well, first

0:41:07.120 --> 0:41:08.520
<v Speaker 1>of all, we rd our guests on a scale zero

0:41:08.520 --> 0:41:09.840
<v Speaker 1>to one thousand dos based on the Lady on a

0:41:09.880 --> 0:41:12.680
<v Speaker 1>song one thousand doves, and I do believe that that

0:41:12.840 --> 0:41:16.280
<v Speaker 1>was nine hundred and eleven doves.

0:41:16.400 --> 0:41:19.280
<v Speaker 3>Wow, nine to eleven, never forget amazing.

0:41:20.320 --> 0:41:23.080
<v Speaker 1>That's the first time we've given that score. Yeah, because

0:41:23.080 --> 0:41:24.520
<v Speaker 1>we haven't wanted to touch that number.

0:41:25.480 --> 0:41:30.719
<v Speaker 3>This is a really provocative episode. Yeah, okay, so your

0:41:30.760 --> 0:41:33.680
<v Speaker 3>topic is monogamy or well.

0:41:33.480 --> 0:41:36.759
<v Speaker 1>One, that's one top topic one which we're not doing

0:41:37.120 --> 0:41:40.000
<v Speaker 1>we already. The other topic is.

0:41:41.600 --> 0:41:44.160
<v Speaker 2>Who drives in a straight copy? Yeah?

0:41:43.400 --> 0:41:46.600
<v Speaker 1>Yeah, which was interesting because we started talking about it

0:41:46.600 --> 0:41:50.239
<v Speaker 1>before recording and I said, oh, of course, because the

0:41:50.280 --> 0:41:52.360
<v Speaker 1>man tries, and then you two both jumped down my

0:41:52.400 --> 0:41:53.680
<v Speaker 1>throat and said, not always.

0:41:53.920 --> 0:41:57.960
<v Speaker 3>Sometimes your mom driver, your dad, my dad. My dad

0:41:58.000 --> 0:41:59.560
<v Speaker 3>also drove, and my dad also drove.

0:42:01.160 --> 0:42:04.840
<v Speaker 2>Okay, but one of the straight couples that I'm closest

0:42:04.880 --> 0:42:09.680
<v Speaker 2>to the female in the relationship drive yeah, really, yes,

0:42:10.719 --> 0:42:13.719
<v Speaker 2>And there's no there's no weirdness about it.

0:42:13.840 --> 0:42:15.600
<v Speaker 3>And we already know it's not a lot on Jonathan

0:42:15.640 --> 0:42:17.520
<v Speaker 3>because he he wears the pants.

0:42:18.400 --> 0:42:20.839
<v Speaker 2>No, no, it's not a lot of Is he European?

0:42:24.200 --> 0:42:28.120
<v Speaker 2>I don't know. Half Ashkenazi, I think that is European.

0:42:28.640 --> 0:42:32.160
<v Speaker 3>Wow, half Alfskanazi is still European.

0:42:34.960 --> 0:42:38.000
<v Speaker 2>And she's half Filipina. Okay, so that's German.

0:42:38.360 --> 0:42:39.800
<v Speaker 3>Okay, so they're fully European.

0:42:42.800 --> 0:42:43.720
<v Speaker 1>Huh.

0:42:43.760 --> 0:42:46.680
<v Speaker 3>But you think it's no, I think it's so.

0:42:46.840 --> 0:42:49.320
<v Speaker 2>I just I just think that there are some couples

0:42:49.320 --> 0:42:51.359
<v Speaker 2>where that like the guy's just like, yeah, I'm not

0:42:51.520 --> 0:42:54.280
<v Speaker 2>good at driving. She's good at driving. She does the driving.

0:42:54.400 --> 0:42:56.520
<v Speaker 2>I don't like driving. It stresses me out.

0:42:56.480 --> 0:42:59.080
<v Speaker 3>In a weird way. In both options, the man comes

0:42:59.080 --> 0:43:00.959
<v Speaker 3>out on top. If if the man is the one driving,

0:43:01.000 --> 0:43:03.000
<v Speaker 3>that means he's in charge. If he's not the one driving,

0:43:03.120 --> 0:43:05.160
<v Speaker 3>it's like, Oh, he's a king and he's being driven.

0:43:05.840 --> 0:43:08.680
<v Speaker 2>Interesting, Well, I will say, like, sometimes he's driven me

0:43:08.840 --> 0:43:10.480
<v Speaker 2>and when I get in the car, he has Apple

0:43:10.520 --> 0:43:12.319
<v Speaker 2>Maps up, and I'm just like, oh, you want us

0:43:12.320 --> 0:43:12.680
<v Speaker 2>to die?

0:43:13.520 --> 0:43:15.240
<v Speaker 1>Sure? As opposed to Google Maps, Yeah.

0:43:15.080 --> 0:43:17.880
<v Speaker 2>Because Google Maps is trustworthy. Apple Maps will kill you.

0:43:18.160 --> 0:43:20.400
<v Speaker 3>Yeah, Apple Maps to have Apple Maps on. That means

0:43:20.680 --> 0:43:22.839
<v Speaker 3>normally the wife is driving and this is your first

0:43:22.920 --> 0:43:26.000
<v Speaker 3>time basically learning how to be behind the wheel, and

0:43:26.120 --> 0:43:28.880
<v Speaker 3>you just you just literally like Googled map and then

0:43:28.920 --> 0:43:30.040
<v Speaker 3>that's the first thing that came up.

0:43:31.680 --> 0:43:33.480
<v Speaker 2>I actually think that is true.

0:43:34.560 --> 0:43:36.279
<v Speaker 1>I will say it is an interesting part of being

0:43:36.280 --> 0:43:38.080
<v Speaker 1>in a gay relationship is that the gender does not

0:43:38.239 --> 0:43:39.760
<v Speaker 1>inform whether you do or don't.

0:43:39.600 --> 0:43:42.960
<v Speaker 3>Drive yes, or whether you do or don't do literally

0:43:43.000 --> 0:43:44.920
<v Speaker 3>anything else. Every single day you have to wake up

0:43:44.920 --> 0:43:47.320
<v Speaker 3>and reinvent the entire concept of being in a relationship

0:43:47.360 --> 0:43:49.880
<v Speaker 3>because you have no gender roles, no gender roles to

0:43:49.920 --> 0:43:50.319
<v Speaker 3>fall into.

0:43:50.480 --> 0:43:52.960
<v Speaker 2>But I also think my parents are an interesting example

0:43:53.040 --> 0:43:56.640
<v Speaker 2>because I feel like my parents didn't have necessarily traditional

0:43:56.680 --> 0:44:01.040
<v Speaker 2>gender roles like going on. I just feel like my

0:44:01.200 --> 0:44:06.120
<v Speaker 2>mom has like a much like stronger vision of and

0:44:06.160 --> 0:44:09.960
<v Speaker 2>it expresses herself much more bluntly than my dad in

0:44:10.040 --> 0:44:13.760
<v Speaker 2>ways that I think in some American families it's reversed.

0:44:13.760 --> 0:44:15.719
<v Speaker 3>Would you say your mom is more of a Danielle him?

0:44:17.920 --> 0:44:21.400
<v Speaker 2>No, not really, No, she's giving st booth. Oh you think, No,

0:44:22.080 --> 0:44:23.960
<v Speaker 2>I don't. I don't think my mom is like any

0:44:24.000 --> 0:44:25.960
<v Speaker 2>of the Heims. Oh, that's actually interesting.

0:44:26.120 --> 0:44:29.800
<v Speaker 1>That's weird because they contain all people. You have to

0:44:29.840 --> 0:44:30.680
<v Speaker 1>find the right combination.

0:44:30.920 --> 0:44:33.560
<v Speaker 2>Maybe now that you're actually you know, someone who's made

0:44:33.560 --> 0:44:36.080
<v Speaker 2>two albums with the Hymes, I can tell you. Maybe

0:44:36.120 --> 0:44:36.800
<v Speaker 2>that's not true.

0:44:37.160 --> 0:44:40.840
<v Speaker 3>Oh you think there's some other There could be a

0:44:40.880 --> 0:44:42.080
<v Speaker 3>fourth time sister.

0:44:42.760 --> 0:44:44.960
<v Speaker 1>Whoa whoa of the three of us, which is which.

0:44:47.320 --> 0:44:50.000
<v Speaker 3>Based on your experience of us so far, and we

0:44:50.040 --> 0:44:51.799
<v Speaker 3>have only met in person today.

0:44:51.920 --> 0:44:56.560
<v Speaker 2>You're Alana, you're sc really a clocked Okay, I'll take it.

0:44:56.800 --> 0:44:59.160
<v Speaker 3>And so you're Danielle is of course the implication of that,

0:44:59.440 --> 0:45:01.200
<v Speaker 3>which I I agree with it to be clear.

0:45:02.320 --> 0:45:05.799
<v Speaker 2>Let's leave it at that. What more? What more could

0:45:05.800 --> 0:45:06.479
<v Speaker 2>we say?

0:45:06.600 --> 0:45:07.560
<v Speaker 3>No, it's true, it's true.

0:45:07.640 --> 0:45:08.840
<v Speaker 1>No, it's much more true.

0:45:09.440 --> 0:45:11.320
<v Speaker 2>Okay, So gender roles driving?

0:45:11.560 --> 0:45:15.120
<v Speaker 1>Yeah wait, yeah, you were on your mom Oh being blunt. Oh,

0:45:15.160 --> 0:45:20.080
<v Speaker 1>but sometimes this thing happens where in a straight relationship

0:45:20.520 --> 0:45:23.600
<v Speaker 1>the woman will like pop be so comfortable popping off

0:45:23.640 --> 0:45:26.040
<v Speaker 1>crazy because they're always sort of like, well, my man's

0:45:26.040 --> 0:45:28.920
<v Speaker 1>got me, like, have you ever seen this before?

0:45:29.080 --> 0:45:32.040
<v Speaker 2>Yes, that is I think I've witnessed that a little bit.

0:45:33.120 --> 0:45:35.600
<v Speaker 1>That is always interesting to me as a driver or

0:45:36.000 --> 0:45:37.880
<v Speaker 1>just as a person. Him talking about his mom being

0:45:37.920 --> 0:45:42.480
<v Speaker 1>generally blunt direct. I do feel like that is a thing.

0:45:42.560 --> 0:45:45.320
<v Speaker 1>Sometimes the man is sort of like stoic and quiet

0:45:45.440 --> 0:45:48.520
<v Speaker 1>behind and then the wife is popping off all the time. Yeah.

0:45:48.520 --> 0:45:50.759
<v Speaker 2>I don't think that's exactly my parents either.

0:45:50.560 --> 0:45:55.000
<v Speaker 1>But just say it, your mom's popping off? What generals

0:45:55.040 --> 0:45:56.760
<v Speaker 1>when you're in a relationship do you take.

0:45:58.440 --> 0:46:02.279
<v Speaker 2>Oh, brother, I'm not I don't know. I'm not like

0:46:02.400 --> 0:46:05.160
<v Speaker 2>not super into gender as like a thing. I don't know.

0:46:05.600 --> 0:46:08.520
<v Speaker 1>I don't really household rules do you take interesting?

0:46:10.840 --> 0:46:14.440
<v Speaker 2>I do like there's like a I have an kitchen

0:46:14.480 --> 0:46:18.120
<v Speaker 2>island my house, and I really like that island to

0:46:18.200 --> 0:46:21.120
<v Speaker 2>be clean. I don't like stuff just like hanging out

0:46:21.120 --> 0:46:21.760
<v Speaker 2>on the island.

0:46:21.800 --> 0:46:23.319
<v Speaker 1>Does that mean you clean it or does that mean

0:46:23.320 --> 0:46:25.719
<v Speaker 1>you just get mad when it's dirty?

0:46:26.080 --> 0:46:28.560
<v Speaker 2>I try my best to keep it clean, and my

0:46:29.000 --> 0:46:31.000
<v Speaker 2>parents have come and stayed with me in La and

0:46:31.040 --> 0:46:33.840
<v Speaker 2>they don't really they don't like to respect the house rules.

0:46:33.840 --> 0:46:37.440
<v Speaker 2>And it's tricky. You know, It's tricky because there's not

0:46:37.480 --> 0:46:40.000
<v Speaker 2>that many people that can get away with not respecting

0:46:40.000 --> 0:46:40.680
<v Speaker 2>your house rules.

0:46:40.719 --> 0:46:41.879
<v Speaker 3>But your parents are.

0:46:42.360 --> 0:46:44.000
<v Speaker 2>They can kind of do it. And you're just like,

0:46:44.000 --> 0:46:44.879
<v Speaker 2>what do I do now?

0:46:45.040 --> 0:46:47.759
<v Speaker 3>No, they can sort of do pretty much anything, and

0:46:47.800 --> 0:46:51.239
<v Speaker 3>then what are you going to do? Yeah, come out, Well,

0:46:51.239 --> 0:46:51.840
<v Speaker 3>they're only there for.

0:46:51.880 --> 0:46:53.120
<v Speaker 2>A little bit exactly.

0:46:53.400 --> 0:46:54.480
<v Speaker 1>You just got to swallow it.

0:46:55.560 --> 0:46:59.200
<v Speaker 3>Okay. I have a question for you, which is Sam

0:46:59.280 --> 0:47:01.200
<v Speaker 3>was making this point earlier when we were talking where

0:47:01.200 --> 0:47:03.880
<v Speaker 3>he was like, we just both read the Lena Dunham

0:47:04.040 --> 0:47:06.239
<v Speaker 3>memoir and there's a lot of like three of.

0:47:06.280 --> 0:47:08.160
<v Speaker 1>Us have read it. Then there well, and for before

0:47:08.160 --> 0:47:10.160
<v Speaker 1>you even say this point, I want to say once again,

0:47:10.200 --> 0:47:13.120
<v Speaker 1>thank you Dunham. At this this summer, you can talk

0:47:13.160 --> 0:47:16.080
<v Speaker 1>to any single gay guy on Earth and and they're

0:47:16.120 --> 0:47:18.200
<v Speaker 1>like struggling. You can be like did you read Famesick?

0:47:18.480 --> 0:47:20.480
<v Speaker 1>And they're like, I loved it, And then you're in

0:47:20.760 --> 0:47:24.400
<v Speaker 1>Jamia convo. It's like genuinely like the key to summer.

0:47:24.840 --> 0:47:27.960
<v Speaker 3>Interesting do you ever meet One of the biggest throwbacks

0:47:28.040 --> 0:47:29.799
<v Speaker 3>is when you meet someone still to this day that

0:47:29.960 --> 0:47:33.160
<v Speaker 3>is like, I don't know, she's annoying and you're like, hello,

0:47:33.480 --> 0:47:38.319
<v Speaker 3>we've been through past that years ago, anyway, keep going.

0:47:38.560 --> 0:47:41.160
<v Speaker 3>But the point is she's sort of reevaluating the period

0:47:41.200 --> 0:47:42.800
<v Speaker 3>of the twenty tens when she was like at the

0:47:42.800 --> 0:47:46.640
<v Speaker 3>peak of her fame. During that period, you were also

0:47:46.760 --> 0:47:50.399
<v Speaker 3>part of a general kind of Sure, a general scene

0:47:50.480 --> 0:47:55.080
<v Speaker 3>is not the right word, but like a cultural environment that,

0:47:55.520 --> 0:47:57.960
<v Speaker 3>if you wanted to be so completely completely reductive, you

0:47:58.000 --> 0:48:01.799
<v Speaker 3>would call indie hipster m and like it sort of

0:48:01.840 --> 0:48:04.720
<v Speaker 3>defined a certain kind of subculture of the twenty tens.

0:48:04.960 --> 0:48:06.719
<v Speaker 3>Do you feel like you have enough distance from that

0:48:06.840 --> 0:48:09.319
<v Speaker 3>to be able to kind of analyze it from a

0:48:09.360 --> 0:48:11.920
<v Speaker 3>remove or is it? Did it hurt when I just

0:48:11.960 --> 0:48:15.319
<v Speaker 3>said the word hipster too? Yeah, you know what I mean.

0:48:15.600 --> 0:48:20.280
<v Speaker 2>It's hipster slur well hipster. Interestingly, some people define as

0:48:20.320 --> 0:48:28.880
<v Speaker 2>like co opting ethnic and gay trends. Sure, and for

0:48:28.960 --> 0:48:31.520
<v Speaker 2>someone who is both ethnic and gay, I feel like

0:48:33.120 --> 0:48:35.879
<v Speaker 2>you can't really, you can't really accuse me of being

0:48:35.920 --> 0:48:39.520
<v Speaker 2>a hipster. It's like it's all about like taking my

0:48:39.600 --> 0:48:44.960
<v Speaker 2>people's stuff and putting it in the mainstream. So yeah,

0:48:44.960 --> 0:48:46.960
<v Speaker 2>I guess. Yeah, I don't know how I feel about

0:48:47.000 --> 0:48:49.239
<v Speaker 2>the word hipster, but yeah, I don't feel any kind

0:48:49.239 --> 0:48:51.839
<v Speaker 2>of pains or pangs of anything. I think the thing

0:48:51.840 --> 0:48:55.480
<v Speaker 2>you're talking about is like this Brooklyn there was a

0:48:55.480 --> 0:48:57.280
<v Speaker 2>Brooklyn moment, yeah, of course.

0:48:57.520 --> 0:49:01.160
<v Speaker 1>And a dream of twenty eleven.

0:49:01.239 --> 0:49:03.920
<v Speaker 3>The dream of twenty eleven we always talk about.

0:49:04.120 --> 0:49:06.279
<v Speaker 1>I can longe Point and still be in the dream

0:49:06.320 --> 0:49:07.160
<v Speaker 1>of What is.

0:49:07.360 --> 0:49:10.799
<v Speaker 3>Our favorite video Solange at Lollapalooza.

0:49:11.000 --> 0:49:14.200
<v Speaker 1>No, No, it's on Pitchwork Fest. No, it's it's there

0:49:14.320 --> 0:49:17.440
<v Speaker 1>was like a free concert on the water sort of

0:49:18.000 --> 0:49:21.160
<v Speaker 1>in Williamsburg, like where like Smorgusburg is Yeah, like in

0:49:21.200 --> 0:49:25.319
<v Speaker 1>that like lot, and she is dancing to Grizzly Bear

0:49:26.360 --> 0:49:27.399
<v Speaker 1>and it's like such a.

0:49:27.840 --> 0:49:31.920
<v Speaker 3>And is it both songe Ambiace dancing to Grizzly Bear?

0:49:32.000 --> 0:49:35.200
<v Speaker 3>Like that dream really was something for us? Or for example,

0:49:35.440 --> 0:49:36.840
<v Speaker 3>I was living in San Francisco at the time. I

0:49:36.880 --> 0:49:41.800
<v Speaker 3>saw Charlie XX at the Chipotle Heritage Festival performing Boom

0:49:41.800 --> 0:49:43.000
<v Speaker 3>Clap Amazing.

0:49:45.360 --> 0:49:48.040
<v Speaker 1>Yeah, so basically we're sort of saying, isn't that weird?

0:49:48.160 --> 0:49:50.040
<v Speaker 2>That was the song she played for me before it

0:49:50.080 --> 0:49:53.680
<v Speaker 2>came out, And I think I was like I don't

0:49:53.680 --> 0:49:56.319
<v Speaker 2>know if I get this one. Another one was like

0:49:57.320 --> 0:50:00.800
<v Speaker 2>same Old Love, which eventually was sung by Alena Gomez.

0:50:01.440 --> 0:50:02.480
<v Speaker 3>That was a Charlie song.

0:50:02.840 --> 0:50:05.200
<v Speaker 2>Yeah yeah, I mean there's like I think they left

0:50:05.200 --> 0:50:08.600
<v Speaker 2>part of her vocal in the song. Yeah, yeah, it's

0:50:08.600 --> 0:50:09.280
<v Speaker 2>not a secret.

0:50:10.760 --> 0:50:11.799
<v Speaker 3>And did you like that one or no?

0:50:12.480 --> 0:50:14.759
<v Speaker 2>I said something like I'm so sick of the same

0:50:14.800 --> 0:50:20.200
<v Speaker 2>old chorus. Damn, I really remember that. But there's other

0:50:20.239 --> 0:50:22.360
<v Speaker 2>songs she's played me out like this is a hit. Yeah,

0:50:22.400 --> 0:50:25.239
<v Speaker 2>she played me uh rock music the night before it

0:50:25.239 --> 0:50:27.640
<v Speaker 2>came out, right, so I thought that was it.

0:50:27.719 --> 0:50:29.239
<v Speaker 3>Have you seen the cover? I mean, I'm sure you

0:50:29.280 --> 0:50:31.560
<v Speaker 3>have seen the cover of the new album. Yes, that's

0:50:31.600 --> 0:50:36.960
<v Speaker 3>fun music, fashion film which one is Danielle which.

0:50:36.360 --> 0:50:37.959
<v Speaker 2>You know what? I think it's pretty clear.

0:50:38.040 --> 0:50:40.080
<v Speaker 3>Yeah, film is Alana No.

0:50:40.200 --> 0:50:43.320
<v Speaker 1>Interesting because it's a bit on the nose.

0:50:44.320 --> 0:50:47.320
<v Speaker 2>Yeah. Yeah, I don't know how they fit into that

0:50:47.320 --> 0:50:51.360
<v Speaker 2>that that paradigm. But wait, there was another question that

0:50:51.560 --> 0:50:53.839
<v Speaker 2>was asked that I don't think I answered. Wasn't there

0:50:54.520 --> 0:50:59.279
<v Speaker 2>or should I not? Should I not? Pissed against the wind?

0:51:00.239 --> 0:51:00.719
<v Speaker 1>About? Oh?

0:51:00.800 --> 0:51:01.480
<v Speaker 2>About people and.

0:51:03.080 --> 0:51:04.000
<v Speaker 1>Today's perspective.

0:51:04.040 --> 0:51:06.799
<v Speaker 2>I was actually thinking about this last night because there's

0:51:06.840 --> 0:51:10.479
<v Speaker 2>a moment in the book that really sent shivers down

0:51:10.840 --> 0:51:15.680
<v Speaker 2>my spine, which was the moment where she and Jenny

0:51:15.800 --> 0:51:20.040
<v Speaker 2>Connor are renegotiating their contracts with HBO and the way

0:51:19.800 --> 0:51:25.000
<v Speaker 2>that it became this thing where like, oh, you're a

0:51:25.080 --> 0:51:28.080
<v Speaker 2>part of this industry, you're in business, but you're also

0:51:28.320 --> 0:51:31.600
<v Speaker 2>in business with your friends. And what's interesting, I think

0:51:31.640 --> 0:51:35.359
<v Speaker 2>for me, as someone who makes music and collaborates in

0:51:35.400 --> 0:51:39.080
<v Speaker 2>some way, shape and form on anything I do, even

0:51:39.160 --> 0:51:43.040
<v Speaker 2>my own project, it you know, there's collaboration working as

0:51:43.040 --> 0:51:47.719
<v Speaker 2>a producer for other people, it's constant collaboration, and I

0:51:47.760 --> 0:51:50.760
<v Speaker 2>don't really have like I don't really work with anyone

0:51:51.000 --> 0:51:54.279
<v Speaker 2>with whom I have a strictly professional relationship. So I'm

0:51:54.360 --> 0:51:57.680
<v Speaker 2>constantly in business with my friends. And I think what

0:51:57.840 --> 0:52:03.200
<v Speaker 2>was so scary about the way that that perspective Lena's

0:52:03.480 --> 0:52:08.200
<v Speaker 2>looking back on renegotiating the contracts was it seemed like

0:52:08.239 --> 0:52:11.560
<v Speaker 2>it was really hard for her to have like these

0:52:11.600 --> 0:52:16.080
<v Speaker 2>internal boundaries, and I think she I think that she did.

0:52:16.280 --> 0:52:18.799
<v Speaker 2>The way she recounts the story, Jenny does kind of

0:52:18.840 --> 0:52:20.920
<v Speaker 2>come off as a villain, but I don't think it's

0:52:21.000 --> 0:52:24.520
<v Speaker 2>quite as black and white in real life. Maybe I'm wrong.

0:52:25.000 --> 0:52:26.920
<v Speaker 3>No, No, I think you're right that it's not as

0:52:26.960 --> 0:52:27.880
<v Speaker 3>black and white and.

0:52:27.960 --> 0:52:30.279
<v Speaker 2>I but I also felt this thing of just like

0:52:30.360 --> 0:52:33.759
<v Speaker 2>oh and also how young she probably was. She must

0:52:33.800 --> 0:52:35.680
<v Speaker 2>have been like in her Yeah, and I was in

0:52:35.800 --> 0:52:40.959
<v Speaker 2>similar situations. Nothing nothing, There's nothing that I look back

0:52:41.000 --> 0:52:45.120
<v Speaker 2>on with like this dread or bad feelings about. But

0:52:45.200 --> 0:52:49.759
<v Speaker 2>just like, there is something scary about constantly having to

0:52:49.840 --> 0:52:54.160
<v Speaker 2>navigate being in business with your friends and where are

0:52:54.160 --> 0:52:58.080
<v Speaker 2>the lines between friendship and business? And I think like

0:52:58.239 --> 0:53:00.239
<v Speaker 2>it it is something you It's kind of like a

0:53:00.320 --> 0:53:04.160
<v Speaker 2>muscle you have to learn to, yeah, to like know

0:53:04.200 --> 0:53:07.279
<v Speaker 2>how to use that muscle and not let things.

0:53:07.320 --> 0:53:10.320
<v Speaker 3>Eat completely because it actually isn't. I think the language

0:53:10.320 --> 0:53:12.359
<v Speaker 3>of boundaries weirdly is not the.

0:53:12.360 --> 0:53:15.920
<v Speaker 2>Right metaphor for interesting, because there.

0:53:16.160 --> 0:53:19.680
<v Speaker 3>Isn't a bound I mean Sam and I are in

0:53:19.760 --> 0:53:22.840
<v Speaker 3>business together and negotiate contract. There's no way that I

0:53:22.880 --> 0:53:24.840
<v Speaker 3>can be like, well, that's my boundary and if you

0:53:25.000 --> 0:53:27.919
<v Speaker 3>cross it, then there's it's a non starter from there.

0:53:28.000 --> 0:53:32.120
<v Speaker 1>I actually think boundary culture is deeply flop era right now.

0:53:32.400 --> 0:53:35.759
<v Speaker 1>I think people misunderstand what boundaries are and just think

0:53:36.200 --> 0:53:39.760
<v Speaker 1>it's so important to be putting up boundaries, and it's like, right,

0:53:40.080 --> 0:53:43.840
<v Speaker 1>it is, but it's also a negotiation always. You can't

0:53:43.880 --> 0:53:46.120
<v Speaker 1>just put up a wall. You have to have like

0:53:46.200 --> 0:53:47.680
<v Speaker 1>a conversation no matter what.

0:53:48.000 --> 0:53:50.640
<v Speaker 2>Well, I think one thing that's important about boundaries is

0:53:50.640 --> 0:53:54.520
<v Speaker 2>like boundaries is not don't call me after eight o'clock. Yeah, right,

0:53:54.719 --> 0:53:57.239
<v Speaker 2>it's I'm not going to pick up if you call

0:53:57.320 --> 0:53:59.840
<v Speaker 2>me after eight o'clock, and then when you do, I

0:54:00.040 --> 0:54:03.760
<v Speaker 2>don't pick up. It's something that you have to actually maintain.

0:54:04.320 --> 0:54:07.160
<v Speaker 2>You have to maintain that boundary. Like I think, I

0:54:07.160 --> 0:54:10.120
<v Speaker 2>think you're right. I sem I agree with you about

0:54:10.160 --> 0:54:12.560
<v Speaker 2>boundary culture being a flop, but I think it's because

0:54:12.560 --> 0:54:14.840
<v Speaker 2>people don't really understand what boundaries are and what they're not.

0:54:15.520 --> 0:54:18.480
<v Speaker 2>And like holding what I think about is like having

0:54:18.520 --> 0:54:22.080
<v Speaker 2>like a very gentle but firm grip and being kind

0:54:22.120 --> 0:54:26.920
<v Speaker 2>of unshakable and just being like I don't agree. I

0:54:26.960 --> 0:54:29.560
<v Speaker 2>see where you're coming from, but I don't agree. Yeah,

0:54:29.600 --> 0:54:31.440
<v Speaker 2>and then and then it's like, okay, so what are

0:54:31.440 --> 0:54:34.480
<v Speaker 2>the next steps? And I think that, Yeah, just to

0:54:34.520 --> 0:54:36.239
<v Speaker 2>take it back to the Jenny and Lena thing, it's

0:54:36.280 --> 0:54:39.680
<v Speaker 2>like like they never had that, they never had the

0:54:39.719 --> 0:54:41.839
<v Speaker 2>next steps, right, It was just like they never got

0:54:41.840 --> 0:54:43.080
<v Speaker 2>to have a real conversation.

0:54:44.040 --> 0:54:48.240
<v Speaker 3>It's kind of also an unspoken power dynamic of Jenny

0:54:48.239 --> 0:54:51.560
<v Speaker 3>being the older and more experienced one, also Lena being

0:54:51.600 --> 0:54:54.000
<v Speaker 3>like the whatever, what is it the hen that lays

0:54:54.000 --> 0:54:59.320
<v Speaker 3>the golden egg? Yeah, they aren't. For example, the difference

0:54:59.320 --> 0:55:01.719
<v Speaker 3>between that and like me and Sam is that we are,

0:55:01.840 --> 0:55:06.120
<v Speaker 3>if nothing else, coming at it as complete equals, whereas

0:55:06.160 --> 0:55:08.200
<v Speaker 3>it is a different thing. One of them is the

0:55:08.239 --> 0:55:11.200
<v Speaker 3>face of the project and the one getting all the attention,

0:55:11.600 --> 0:55:13.239
<v Speaker 3>and the other one is quote unquote.

0:55:12.920 --> 0:55:14.120
<v Speaker 1>The adult in the room.

0:55:14.160 --> 0:55:19.279
<v Speaker 3>But then they also are identifying as best friends. How

0:55:19.280 --> 0:55:22.239
<v Speaker 3>would you even go about setting boundaries in that situation?

0:55:22.520 --> 0:55:25.759
<v Speaker 2>Well, I think you could. I think you could. I

0:55:25.760 --> 0:55:27.880
<v Speaker 2>think I feel like what they needed to do is

0:55:27.920 --> 0:55:31.640
<v Speaker 2>like sit like because they It's interesting because eventually they

0:55:31.680 --> 0:55:36.480
<v Speaker 2>do sit with a couple's therapist mediator type person. They

0:55:36.480 --> 0:55:40.680
<v Speaker 2>should have maybe sat with that type of person in

0:55:40.719 --> 0:55:44.440
<v Speaker 2>that moment where they were negotiating their contracts and they

0:55:44.480 --> 0:55:47.719
<v Speaker 2>should have been able to have someone that would facilitate communication.

0:55:48.680 --> 0:55:50.719
<v Speaker 2>That's what they really needed. I think they needed to

0:55:50.760 --> 0:55:52.920
<v Speaker 2>go to a couple's therapy in that moment as opposed

0:55:52.960 --> 0:55:56.440
<v Speaker 2>to like cause because maybe that's something of an inflection

0:55:56.560 --> 0:55:59.440
<v Speaker 2>point where after that, like the relationship.

0:55:59.800 --> 0:56:03.120
<v Speaker 1>The whole book, I was so hashtag team Lena. I

0:56:03.160 --> 0:56:05.400
<v Speaker 1>was on her side the whole time. And then it

0:56:05.440 --> 0:56:08.920
<v Speaker 1>gets to the part where she brings the new old

0:56:09.040 --> 0:56:12.359
<v Speaker 1>ass dog to set, and I was like, Okay, now

0:56:12.480 --> 0:56:14.960
<v Speaker 1>this part I would be pissed off.

0:56:15.640 --> 0:56:18.279
<v Speaker 3>Yeah, but that's what's so beautiful about her is that

0:56:18.320 --> 0:56:22.080
<v Speaker 3>she also sleeps with five pigs in her bed. Like

0:56:22.440 --> 0:56:24.360
<v Speaker 3>it's like, you can't have one without the other. You

0:56:24.400 --> 0:56:27.920
<v Speaker 3>actually can't have the genius for writing without her bringing

0:56:28.000 --> 0:56:30.000
<v Speaker 3>a deathly ill doc to set.

0:56:30.200 --> 0:56:33.000
<v Speaker 2>I will say something that happened to me recently, like

0:56:33.040 --> 0:56:35.360
<v Speaker 2>maybe two nights ago. I was watching the season finale

0:56:35.400 --> 0:56:39.040
<v Speaker 2>of Euphoria and I fell asleep for the last fifteen minutes.

0:56:39.640 --> 0:56:42.239
<v Speaker 2>And you know how sometimes you start waking up and

0:56:42.480 --> 0:56:45.120
<v Speaker 2>already like HBO Max is serving you the next thing,

0:56:45.160 --> 0:56:47.600
<v Speaker 2>and you're like, wait, what, Like what am I seeing?

0:56:48.160 --> 0:56:53.279
<v Speaker 2>So HBO Max decided to serve me up Girls season one,

0:56:53.320 --> 0:56:56.880
<v Speaker 2>episode one, yeah, the pilot, and I was like, oh, yeah,

0:56:56.920 --> 0:56:59.160
<v Speaker 2>like I just I just listened to the Lena's Book

0:56:59.200 --> 0:57:03.040
<v Speaker 2>on tape. I'm gonna take a watch, Like it was

0:57:03.120 --> 0:57:07.080
<v Speaker 2>interesting to me, like that episode has a lot of

0:57:07.120 --> 0:57:10.640
<v Speaker 2>kinks in it. That first episode. Yeah, it wasn't how

0:57:10.680 --> 0:57:14.879
<v Speaker 2>I remembered. I remembered it super tight, Like, yeah, there's

0:57:14.920 --> 0:57:17.880
<v Speaker 2>things that are quite awkward. There's things that they were

0:57:17.880 --> 0:57:21.200
<v Speaker 2>still like figuring out.

0:57:21.600 --> 0:57:23.680
<v Speaker 3>That's so funny because I had the opposite experience where

0:57:23.720 --> 0:57:27.919
<v Speaker 3>I remember it being so mumblecore and it's just conversations

0:57:27.960 --> 0:57:31.880
<v Speaker 3>than anything goes, and then viewing it again with the

0:57:32.040 --> 0:57:35.000
<v Speaker 3>eye of structure, I was like, whoa, it is doing

0:57:35.040 --> 0:57:39.080
<v Speaker 3>such a good job of establishing exactly what each person's

0:57:39.120 --> 0:57:42.480
<v Speaker 3>motivations are, what is standing in her way? How is

0:57:42.520 --> 0:57:44.600
<v Speaker 3>she You know where she is in the beginning versus

0:57:44.640 --> 0:57:48.080
<v Speaker 3>where she is at the end. But I don't what

0:57:48.600 --> 0:57:52.520
<v Speaker 3>you guys have different ideas, But what is your idea?

0:57:53.320 --> 0:57:54.120
<v Speaker 1>I think you're both right.

0:57:57.000 --> 0:57:59.760
<v Speaker 3>Do you revisit your work from that time?

0:58:00.760 --> 0:58:03.400
<v Speaker 2>It's funny like I was, I was on a kcr

0:58:03.520 --> 0:58:07.160
<v Speaker 2>I visited KCRW the radio station, and they were playing

0:58:07.880 --> 0:58:10.560
<v Speaker 2>like before they interviewed me. They were playing some songs

0:58:10.560 --> 0:58:12.960
<v Speaker 2>that I had produced in my career and I literally

0:58:13.040 --> 0:58:16.320
<v Speaker 2>hadn't heard them a couple of them in like decade

0:58:16.400 --> 0:58:20.240
<v Speaker 2>or two, And I was like, oh, this came out

0:58:20.280 --> 0:58:23.960
<v Speaker 2>pretty good. But there is a thing where, like when

0:58:23.960 --> 0:58:26.280
<v Speaker 2>you're finishing an album, you start to attach a lot

0:58:26.320 --> 0:58:29.360
<v Speaker 2>of stress to the completion where you're just like, I

0:58:29.400 --> 0:58:30.880
<v Speaker 2>really want to get this right, and you have to

0:58:30.920 --> 0:58:33.480
<v Speaker 2>listen to it so many times that you kind of

0:58:33.520 --> 0:58:39.120
<v Speaker 2>like you can't have any objectivity, and it's just all

0:58:39.120 --> 0:58:41.840
<v Speaker 2>the colors start to turn into gray and you're like, oh,

0:58:43.000 --> 0:58:46.360
<v Speaker 2>I don't know what that is. I don't feel necessarily

0:58:46.400 --> 0:58:48.800
<v Speaker 2>connected to that anymore. I don't know what that is.

0:58:49.360 --> 0:58:51.360
<v Speaker 2>And then you just have to wait, you know, and

0:58:51.400 --> 0:58:54.960
<v Speaker 2>it's like you kind of forget, forget what it was,

0:58:55.000 --> 0:58:56.880
<v Speaker 2>and then you hear it again you're like, oh, that's

0:58:56.960 --> 0:58:57.680
<v Speaker 2>that's pretty good.

0:58:58.080 --> 0:58:59.880
<v Speaker 3>Well the longer time. Because I had this experience, I

0:59:00.120 --> 0:59:03.200
<v Speaker 3>was I put out a comedy special, and imagine doing that,

0:59:03.280 --> 0:59:05.120
<v Speaker 3>but for jokes that are supposed to be funny, and

0:59:05.160 --> 0:59:07.080
<v Speaker 3>you have to listen to them and watch them literally

0:59:07.120 --> 0:59:09.600
<v Speaker 3>like fifty seven times, obviously they're not going to be.

0:59:09.640 --> 0:59:12.680
<v Speaker 3>It's like repeating a word and then it sounds weird

0:59:12.680 --> 0:59:14.520
<v Speaker 3>in your head because you've repeated it so many times.

0:59:14.640 --> 0:59:18.760
<v Speaker 3>But I actually think what waiting does is all your

0:59:18.800 --> 0:59:21.280
<v Speaker 3>ties to it get cut, so then you can actually

0:59:22.200 --> 0:59:25.880
<v Speaker 3>view it as an objective quasi objective viewer because you

0:59:25.880 --> 0:59:27.680
<v Speaker 3>have new context for it and you can be like, oh,

0:59:27.720 --> 0:59:28.480
<v Speaker 3>this is pretty good.

0:59:28.800 --> 0:59:38.800
<v Speaker 4>Yeah.

0:59:39.200 --> 0:59:41.920
<v Speaker 3>I was just that the riyal O Kylie reunion tour amazing,

0:59:42.520 --> 0:59:44.400
<v Speaker 3>and it made me think that all these bands from

0:59:44.400 --> 0:59:49.120
<v Speaker 3>that era are like revisiting. Well, do you have any

0:59:49.160 --> 0:59:52.640
<v Speaker 3>desire not to wait, not not, That's not where.

0:59:52.480 --> 0:59:55.520
<v Speaker 2>I'm yeah, I actually I want to. I want to

0:59:55.560 --> 0:59:57.960
<v Speaker 2>tell like a there's like a story that's related to

0:59:58.080 --> 1:00:01.560
<v Speaker 2>Girls Rileo Kylie and my career as a producer that

1:00:01.600 --> 1:00:03.360
<v Speaker 2>I wanted to tell let's hear it. But do you

1:00:03.440 --> 1:00:04.640
<v Speaker 2>want me to answer your question?

1:00:04.920 --> 1:00:08.480
<v Speaker 3>I just I think you've you're you're someone who's incredibly

1:00:08.520 --> 1:00:12.200
<v Speaker 3>prolific and is always like moving forward and doing something new.

1:00:12.360 --> 1:00:14.880
<v Speaker 3>I think you're not reheating your own nachos, to use

1:00:14.920 --> 1:00:17.920
<v Speaker 3>today's parlance. But I'm wondering if you ever have the

1:00:19.600 --> 1:00:24.439
<v Speaker 3>desire to either completely revisit old work in the sense

1:00:24.440 --> 1:00:26.800
<v Speaker 3>of for the tenth anniversary, have an album, doing like

1:00:26.840 --> 1:00:30.200
<v Speaker 3>a tour for it or something, or reinterpret it, do

1:00:30.400 --> 1:00:33.680
<v Speaker 3>like Rostam's version, do like a quasi remix album or something.

1:00:33.720 --> 1:00:35.480
<v Speaker 3>Like that or are you just not interested in the

1:00:35.520 --> 1:00:36.080
<v Speaker 3>past at all.

1:00:36.800 --> 1:00:38.920
<v Speaker 2>I don't think I don't come down hard and fast.

1:00:39.120 --> 1:00:40.560
<v Speaker 2>It's not a binary for me.

1:00:41.080 --> 1:00:44.360
<v Speaker 1>So it's not reason or season exactly.

1:00:45.560 --> 1:00:49.040
<v Speaker 3>So what is a story about James Jenny Lewis?

1:00:49.120 --> 1:00:51.840
<v Speaker 2>Jenny Lewis is somebody that I like got to know

1:00:51.960 --> 1:00:55.000
<v Speaker 2>and like, what is it? Maybe own nine to ten?

1:00:55.840 --> 1:00:58.760
<v Speaker 2>And I remember she asked me. No one had ever

1:00:58.800 --> 1:01:00.760
<v Speaker 2>asked me this before. She was like, will you come

1:01:00.880 --> 1:01:04.600
<v Speaker 2>play keyboard in a recording session for me? I really

1:01:04.600 --> 1:01:06.680
<v Speaker 2>thought about it, and I was like, I don't really

1:01:06.880 --> 1:01:11.320
<v Speaker 2>do that, Like I don't think I'm that person. And

1:01:11.360 --> 1:01:13.400
<v Speaker 2>so I was like, I don't think I'm the right

1:01:13.440 --> 1:01:15.320
<v Speaker 2>person to do that, but let me. Let me write

1:01:15.320 --> 1:01:16.920
<v Speaker 2>a piece of music and send it to you and

1:01:16.960 --> 1:01:19.480
<v Speaker 2>maybe we can turn that into a song. And so

1:01:20.440 --> 1:01:23.560
<v Speaker 2>like a year later, I did write a piece of

1:01:23.640 --> 1:01:25.520
<v Speaker 2>music with Jenny and mine. I sent it to it.

1:01:25.800 --> 1:01:29.160
<v Speaker 2>I sent it to Jenny. She came up with a

1:01:29.240 --> 1:01:32.080
<v Speaker 2>top line right away, like within a few days, and

1:01:32.120 --> 1:01:38.000
<v Speaker 2>we recorded it and it it was Isn't a closing

1:01:38.080 --> 1:01:40.640
<v Speaker 2>track of an episode of Girls Wait, which song is

1:01:40.640 --> 1:01:41.720
<v Speaker 2>called completely not Me?

1:01:43.480 --> 1:01:45.600
<v Speaker 3>And it never ended up being on a Jenny Lewis album.

1:01:45.680 --> 1:01:47.160
<v Speaker 2>It was never on an album. It was just on

1:01:47.200 --> 1:01:50.640
<v Speaker 2>the Girl's soundtrack. Whoa, So you go dig up that song.

1:01:50.720 --> 1:01:52.960
<v Speaker 2>It's it's a really good song. I love it. I'm

1:01:53.000 --> 1:01:53.520
<v Speaker 2>proud of it.

1:01:53.640 --> 1:01:57.160
<v Speaker 3>Oh, I love Jenny Lewis. That's all I'm to say

1:01:57.160 --> 1:01:57.520
<v Speaker 3>about that.

1:01:57.520 --> 1:01:58.640
<v Speaker 1>That's all I have to say about that.

1:01:59.600 --> 1:02:02.640
<v Speaker 2>Do you guys add music to pod to the podcast? Like,

1:02:02.880 --> 1:02:04.120
<v Speaker 2>could someone play?

1:02:04.240 --> 1:02:04.360
<v Speaker 1>Oh?

1:02:04.400 --> 1:02:06.080
<v Speaker 3>Yeah, we could put I think if we play, like

1:02:06.160 --> 1:02:08.200
<v Speaker 3>if we play only a small clip of.

1:02:08.160 --> 1:02:09.240
<v Speaker 2>It, that'd be nice.

1:02:09.280 --> 1:02:10.960
<v Speaker 3>Oh my god, we will do it. And now it's

1:02:10.960 --> 1:02:14.040
<v Speaker 3>gonna be on the closing credits of Straighter Labe years later.

1:02:15.200 --> 1:02:18.720
<v Speaker 2>Yeah. There is one episode of Girls that I do

1:02:18.800 --> 1:02:21.400
<v Speaker 2>think really stands the test of time, which is the

1:02:21.440 --> 1:02:22.760
<v Speaker 2>Panic in Central park Y.

1:02:22.960 --> 1:02:23.120
<v Speaker 1>Yes.

1:02:23.720 --> 1:02:26.520
<v Speaker 2>Yeah, And I just listened to Chris Abbott on Samford

1:02:26.520 --> 1:02:28.720
<v Speaker 2>Goss's podcast.

1:02:28.240 --> 1:02:30.200
<v Speaker 3>And I just saw him on stage, don't.

1:02:30.720 --> 1:02:32.040
<v Speaker 2>I went to see that recently too.

1:02:32.040 --> 1:02:33.800
<v Speaker 3>He's so good in it, so good. He's like an

1:02:33.840 --> 1:02:34.640
<v Speaker 3>incredible talent.

1:02:34.840 --> 1:02:37.480
<v Speaker 2>Incredible. But that was another thing about watching the pilot.

1:02:37.520 --> 1:02:40.800
<v Speaker 2>He's so different. Yeah, his energy is so different in

1:02:41.600 --> 1:02:42.000
<v Speaker 2>that ship.

1:02:42.120 --> 1:02:43.880
<v Speaker 3>I'm trying to think. I'm sure we know we know

1:02:43.960 --> 1:02:45.920
<v Speaker 3>some of the people that the girls characters are based on,

1:02:46.440 --> 1:02:48.320
<v Speaker 3>not to put too fine a point on it, interesting

1:02:48.320 --> 1:02:51.760
<v Speaker 3>and it is like so funny now to look back

1:02:51.800 --> 1:02:53.720
<v Speaker 3>and be like, so this is who that was.

1:02:53.880 --> 1:02:55.200
<v Speaker 1>Yeah, Hannah's sty.

1:02:59.240 --> 1:03:01.640
<v Speaker 2>Actually don't know if I might not be in that

1:03:01.760 --> 1:03:04.640
<v Speaker 2>scene camp. I didn't go to San Ans.

1:03:04.720 --> 1:03:06.400
<v Speaker 3>I didn't go to Yeah, I don't know who.

1:03:07.280 --> 1:03:07.520
<v Speaker 1>I mean.

1:03:07.600 --> 1:03:11.040
<v Speaker 3>Marnie is famously based on Audrey Gellman, who we know?

1:03:11.400 --> 1:03:11.760
<v Speaker 1>Who's that?

1:03:12.560 --> 1:03:12.880
<v Speaker 3>All right?

1:03:13.400 --> 1:03:15.880
<v Speaker 2>I don't actually know. I mean, I've heard the name, but.

1:03:16.920 --> 1:03:17.919
<v Speaker 1>I haven't even heard the name.

1:03:17.920 --> 1:03:19.640
<v Speaker 3>It's my first time hearing she's the founder of the wing.

1:03:19.640 --> 1:03:23.760
<v Speaker 1>We're going to cut this, I guess I do remember

1:03:23.800 --> 1:03:24.440
<v Speaker 1>that happening.

1:03:24.880 --> 1:03:26.960
<v Speaker 2>And then wait, we're allowed to be like, we're going

1:03:27.040 --> 1:03:31.400
<v Speaker 2>to cut this. Yeah, yeah, you guys. You guys have

1:03:31.520 --> 1:03:32.920
<v Speaker 2>stradio loud privileges.

1:03:33.440 --> 1:03:35.560
<v Speaker 1>This is one of our biggest disagreements. Is I love

1:03:35.600 --> 1:03:38.160
<v Speaker 1>to keep in the parts where we're flopping the most.

1:03:38.400 --> 1:03:40.280
<v Speaker 3>Well, I'm not flopping. I'm just talking about people.

1:03:40.280 --> 1:03:41.720
<v Speaker 2>I don't want to say anything about flopping.

1:03:41.800 --> 1:03:44.480
<v Speaker 1>Roston said you were flopping. We cut it out. We

1:03:44.480 --> 1:03:46.480
<v Speaker 1>cut it out, but he said it. He said it.

1:03:46.400 --> 1:03:48.400
<v Speaker 3>Really since we're not since all this is going to

1:03:48.440 --> 1:03:51.320
<v Speaker 3>be cut out, are there any questions you want us

1:03:51.360 --> 1:03:52.400
<v Speaker 3>to ask you that we haven't.

1:03:52.160 --> 1:03:55.240
<v Speaker 1>Asked since it's gonna get cut out? Not really?

1:03:55.320 --> 1:03:58.240
<v Speaker 2>Like I said, I don't love it when like podcast

1:03:58.400 --> 1:03:59.360
<v Speaker 2>enter promo mode.

1:04:00.080 --> 1:04:00.160
<v Speaker 1>Now.

1:04:00.280 --> 1:04:02.760
<v Speaker 3>Yeah, it's so funny because we were thinking about we

1:04:02.760 --> 1:04:05.640
<v Speaker 3>were like we respect you and were like Rossam's here

1:04:05.720 --> 1:04:09.160
<v Speaker 3>from an album, and we both did way more research

1:04:09.200 --> 1:04:11.200
<v Speaker 3>than we normally would do for an episode. I was

1:04:11.240 --> 1:04:13.160
<v Speaker 3>reading literally like a New York Mac profile of you

1:04:13.200 --> 1:04:17.000
<v Speaker 3>from twenty seventeen, Wow, where the entire it was premised

1:04:17.040 --> 1:04:19.600
<v Speaker 3>around in the beginning of the profile you're holding a

1:04:19.680 --> 1:04:22.200
<v Speaker 3>mug and by the end you're not holding it and

1:04:22.240 --> 1:04:24.959
<v Speaker 3>you were outside. And the person writing the profile, who's

1:04:24.960 --> 1:04:27.280
<v Speaker 3>actually a friend of mine, is like, where did the

1:04:27.360 --> 1:04:29.400
<v Speaker 3>mug go? But Rosstam had to run off so I

1:04:29.440 --> 1:04:30.160
<v Speaker 3>couldn't ask him.

1:04:30.160 --> 1:04:32.400
<v Speaker 1>Well, that's so interesting because even in this recording he

1:04:32.480 --> 1:04:33.080
<v Speaker 1>has a mug.

1:04:33.280 --> 1:04:35.600
<v Speaker 3>Yeah, and it's still there. So they can disappeared at

1:04:35.680 --> 1:04:36.080
<v Speaker 3>a time.

1:04:35.960 --> 1:04:38.200
<v Speaker 2>Because I know that We'll say, like definitely, there was

1:04:38.240 --> 1:04:40.720
<v Speaker 2>like a vibe around the profiles of me from twenty

1:04:40.720 --> 1:04:44.160
<v Speaker 2>seventeen where they're like he doesn't know what he's gonna do,

1:04:44.440 --> 1:04:50.520
<v Speaker 2>Like he's a journeyman. He's like lost, he just left

1:04:50.600 --> 1:04:53.280
<v Speaker 2>Vampire Weekend. Who is he? We don't he doesn't know

1:04:53.320 --> 1:04:55.040
<v Speaker 2>who he is. He doesn't know what he's going to do.

1:04:55.360 --> 1:04:57.360
<v Speaker 2>And that was like, Okay, I did it for ten years.

1:04:57.400 --> 1:04:59.400
<v Speaker 2>Now people write about me in a different.

1:04:59.240 --> 1:05:02.040
<v Speaker 3>To which, well, now it's like he's finally ready to

1:05:02.080 --> 1:05:06.000
<v Speaker 3>talk about Vampire Weekend. Which did you notice we have

1:05:06.080 --> 1:05:08.160
<v Speaker 3>not mentioned that we have not said the words Vampire

1:05:08.160 --> 1:05:09.680
<v Speaker 3>week in this entire time because we were.

1:05:09.520 --> 1:05:11.120
<v Speaker 1>Like, we were like, what if what if he gets

1:05:11.120 --> 1:05:12.000
<v Speaker 1>mad at us? No?

1:05:12.800 --> 1:05:14.840
<v Speaker 2>No, I wouldn't absolutely.

1:05:14.280 --> 1:05:16.240
<v Speaker 3>And we don't even have a reason why we think

1:05:16.240 --> 1:05:17.720
<v Speaker 3>you would get mad. We were we just don't know

1:05:18.480 --> 1:05:20.320
<v Speaker 3>our place to say the words Vampire Weekend. It's like,

1:05:20.320 --> 1:05:21.960
<v Speaker 3>if you want to bring it up, it's like if

1:05:22.080 --> 1:05:24.600
<v Speaker 3>it's like being gay and going to the family reunion

1:05:24.640 --> 1:05:26.320
<v Speaker 3>and everyone being like so.

1:05:26.400 --> 1:05:28.560
<v Speaker 1>Accepting but not enjoying New York.

1:05:28.680 --> 1:05:32.640
<v Speaker 3>Yeah, which is code for did you get fucked at

1:05:32.680 --> 1:05:33.320
<v Speaker 3>the Big Brunch?

1:05:33.960 --> 1:05:37.160
<v Speaker 2>Wow? Yeah, the Big Brunch, which also has a dark group.

1:05:37.600 --> 1:05:39.400
<v Speaker 3>Even when I was like yes, exactly when I was

1:05:39.440 --> 1:05:41.160
<v Speaker 3>trying to navigate, ask me if you would ever like

1:05:41.280 --> 1:05:43.240
<v Speaker 3>do a do a reunion tour. But I was like,

1:05:43.520 --> 1:05:44.840
<v Speaker 3>but that's not what I mean, That's not what I mean.

1:05:44.840 --> 1:05:46.320
<v Speaker 1>That's even being so weird about it.

1:05:46.360 --> 1:05:47.360
<v Speaker 3>Yeah, we've been weird about it.

1:05:47.400 --> 1:05:49.160
<v Speaker 1>Could we have asked you anything that would make you mad?

1:05:49.360 --> 1:05:51.040
<v Speaker 3>Yeah?

1:05:50.840 --> 1:05:54.440
<v Speaker 2>Mm, probably not. I feel like I'm I'm I'm in

1:05:54.480 --> 1:05:57.600
<v Speaker 2>my zen era. You are in your zen I'm unflappable.

1:05:57.840 --> 1:05:59.800
<v Speaker 3>You feel like you were ever not in your zen era?

1:06:00.240 --> 1:06:02.080
<v Speaker 1>When were you flappable? I think?

1:06:02.120 --> 1:06:05.640
<v Speaker 2>I mean I think yeah, I definitely was. Yeah, there

1:06:05.680 --> 1:06:08.040
<v Speaker 2>was thing, there's an air, there's eras in my life

1:06:08.080 --> 1:06:10.680
<v Speaker 2>where I was much less secure. I think I I

1:06:10.720 --> 1:06:13.960
<v Speaker 2>like found security in the last like ten years. Honestly,

1:06:14.200 --> 1:06:17.080
<v Speaker 2>I think like leaving Vampire Weekend was important in that

1:06:17.600 --> 1:06:21.880
<v Speaker 2>and making a choice of just like I actually like

1:06:23.000 --> 1:06:27.720
<v Speaker 2>not being connected to anything so explicitly, like it's kind

1:06:27.720 --> 1:06:29.400
<v Speaker 2>of scary for a second, but I was like, no,

1:06:29.600 --> 1:06:32.880
<v Speaker 2>this is like, this is like you know what is

1:06:32.960 --> 1:06:34.120
<v Speaker 2>right for you? You know.

1:06:35.000 --> 1:06:36.520
<v Speaker 3>I think that's maybe what I was trying to get

1:06:36.520 --> 1:06:40.320
<v Speaker 3>at with the like twenty tens. How Vampire Weekend meant

1:06:40.360 --> 1:06:43.680
<v Speaker 3>something so specific in the twenty tens. Yeah, And I

1:06:44.000 --> 1:06:47.880
<v Speaker 3>would imagine that leaving regardless of any sort of specific

1:06:48.000 --> 1:06:50.440
<v Speaker 3>or personal things with the band, it was just being

1:06:50.720 --> 1:06:54.360
<v Speaker 3>suffocated by that context. You are something that is emblematic

1:06:54.400 --> 1:06:57.160
<v Speaker 3>of that era, and now you are free to be

1:06:57.360 --> 1:06:59.080
<v Speaker 3>any other sort of thing you want to be.

1:06:59.240 --> 1:07:01.840
<v Speaker 2>Interesting. Yeah, I mean, I see where you're coming from.

1:07:01.880 --> 1:07:03.440
<v Speaker 2>I don't know if I fully resonate with it. I

1:07:03.480 --> 1:07:07.480
<v Speaker 2>also feel like for me, like one thing that I

1:07:07.560 --> 1:07:10.320
<v Speaker 2>love doing, which I didn't get to do too much

1:07:10.320 --> 1:07:11.960
<v Speaker 2>in my twenties but have done a lot of in

1:07:12.000 --> 1:07:16.400
<v Speaker 2>my thirties is working with women. And like, I like,

1:07:16.480 --> 1:07:19.080
<v Speaker 2>most of the records that I've made in the last

1:07:19.120 --> 1:07:22.560
<v Speaker 2>decade have been with women, and I love being able

1:07:22.600 --> 1:07:23.960
<v Speaker 2>to do that. And I almost felt like I was

1:07:23.960 --> 1:07:27.040
<v Speaker 2>like lying to myself or something not doing that. I mean,

1:07:27.080 --> 1:07:31.000
<v Speaker 2>I love I've always loved music made by women. I

1:07:31.040 --> 1:07:33.920
<v Speaker 2>love working with women completely. Like to go back to

1:07:33.960 --> 1:07:35.520
<v Speaker 2>my thing, like I'm not I don't know, I'm not

1:07:35.560 --> 1:07:37.160
<v Speaker 2>super into gender in that way.

1:07:37.280 --> 1:07:42.520
<v Speaker 3>Like, well, you were also being like in a weird

1:07:42.600 --> 1:07:47.720
<v Speaker 3>way erased when it was like Weekend white Band, Vampire,

1:07:47.720 --> 1:07:49.000
<v Speaker 3>Weekend White Straight.

1:07:49.200 --> 1:07:52.160
<v Speaker 2>I problematized, but also as we're being Jewish, was like

1:07:52.440 --> 1:07:56.400
<v Speaker 2>people were like exactly. It's like people would erase that too,

1:07:56.480 --> 1:08:02.400
<v Speaker 2>so like the more the complexities were, we're more like

1:08:03.240 --> 1:08:05.600
<v Speaker 2>but but we knew that, and and we kind of

1:08:05.640 --> 1:08:07.800
<v Speaker 2>like play like it. Well, we were like, yeah, let

1:08:07.800 --> 1:08:11.600
<v Speaker 2>them think what they wanted totally, and and some people

1:08:11.640 --> 1:08:14.760
<v Speaker 2>got it and some people were not able to.

1:08:15.720 --> 1:08:18.679
<v Speaker 3>I remember having arguments about this like at the time

1:08:19.400 --> 1:08:20.680
<v Speaker 3>because I was one of the people who got it.

1:08:20.720 --> 1:08:23.479
<v Speaker 1>Not to be a bit well, of course, no, I

1:08:23.640 --> 1:08:27.080
<v Speaker 1>It's it's so funny here, like what what years of

1:08:27.120 --> 1:08:30.320
<v Speaker 1>your life was like eight the first album came the

1:08:30.360 --> 1:08:31.960
<v Speaker 1>first time I waked an album came out my first

1:08:32.040 --> 1:08:32.759
<v Speaker 1>year of college.

1:08:33.200 --> 1:08:33.479
<v Speaker 2>Cool.

1:08:33.680 --> 1:08:36.240
<v Speaker 1>I was, you know, I got a leak of it,

1:08:37.080 --> 1:08:39.360
<v Speaker 1>and we were like me and my we went to UVA,

1:08:39.400 --> 1:08:40.160
<v Speaker 1>which is pretty like.

1:08:40.160 --> 1:08:43.920
<v Speaker 2>Freddy, you don't need to tell me about it of

1:08:44.000 --> 1:08:46.200
<v Speaker 2>my graduating class went to uv right.

1:08:46.080 --> 1:08:47.680
<v Speaker 1>And so it was like we were like in the

1:08:47.720 --> 1:08:51.599
<v Speaker 1>alt crowd, and so when that came out, we were like, fuck,

1:08:51.880 --> 1:08:56.400
<v Speaker 1>we're like the only people who get this, and.

1:08:56.320 --> 1:08:58.360
<v Speaker 2>Then everyone else is on the lacrosse team.

1:08:58.240 --> 1:09:02.160
<v Speaker 1>Literally, But then you know, of course hips you know

1:09:02.200 --> 1:09:05.200
<v Speaker 1>that era. Then it did just become sort of you know,

1:09:05.280 --> 1:09:07.679
<v Speaker 1>the moment they're blasting passion pit at the frat house.

1:09:07.720 --> 1:09:11.360
<v Speaker 1>I was like, my culture, Like, I was hard.

1:09:11.479 --> 1:09:13.720
<v Speaker 2>I see why you will never let go of khakis.

1:09:15.200 --> 1:09:17.080
<v Speaker 3>You know what's what I imagine is hard about.

1:09:17.520 --> 1:09:19.360
<v Speaker 2>Wait, and what was your college experience?

1:09:19.960 --> 1:09:24.360
<v Speaker 3>Well, I unfortunately the first time I saw you, guys, what.

1:09:24.400 --> 1:09:26.400
<v Speaker 2>I just meant in general and I didn't need to

1:09:26.439 --> 1:09:29.439
<v Speaker 2>keep talking about well, I want to.

1:09:29.360 --> 1:09:32.320
<v Speaker 3>Know you at Coachella in twenty fourteen, twenty either twelve

1:09:32.439 --> 1:09:34.200
<v Speaker 3>or thirteen it was Modern Vampires.

1:09:34.320 --> 1:09:38.599
<v Speaker 2>Yes, that was thirteen. Yeah, I didn't even know what

1:09:38.640 --> 1:09:41.120
<v Speaker 2>Coachella was when we hit the stage in like, I

1:09:41.160 --> 1:09:43.760
<v Speaker 2>feel like it was eight or nine. Yeah, we got

1:09:43.800 --> 1:09:45.360
<v Speaker 2>on stage at Coachella and I was like, what the

1:09:45.360 --> 1:09:47.880
<v Speaker 2>fuck is this? You know, I've never heard of this.

1:09:48.320 --> 1:09:49.760
<v Speaker 2>I can't believe.

1:09:48.880 --> 1:09:51.880
<v Speaker 3>I I can't believe I'm even going to say what

1:09:51.880 --> 1:09:55.200
<v Speaker 3>I'm about to say. But early Coachella was good. It

1:09:55.240 --> 1:09:57.519
<v Speaker 3>was like it was so I mean, I don't know

1:09:57.520 --> 1:09:58.920
<v Speaker 3>what it was like for you as an artist. I'm

1:09:58.920 --> 1:10:01.840
<v Speaker 3>sure it was such a mind fuck and there's too

1:10:01.920 --> 1:10:04.400
<v Speaker 3>much going on and it's like too many stimuli. But

1:10:04.439 --> 1:10:07.080
<v Speaker 3>as an attendee, I'm like, wait a minute, I get

1:10:07.120 --> 1:10:09.439
<v Speaker 3>to go from tent to tent and see all my

1:10:09.479 --> 1:10:12.680
<v Speaker 3>favorite musicians and pre instagram pro all that stuff. It

1:10:12.800 --> 1:10:14.400
<v Speaker 3>was just like music fans.

1:10:14.240 --> 1:10:16.720
<v Speaker 2>I think that there's always gonna be something kind of

1:10:16.760 --> 1:10:19.760
<v Speaker 2>cool about Coachella, Like no matter what, no matter who

1:10:19.840 --> 1:10:22.559
<v Speaker 2>the headliners are, no matter if you're into it or not,

1:10:22.880 --> 1:10:24.559
<v Speaker 2>there's always gonna be something kind of.

1:10:24.520 --> 1:10:25.240
<v Speaker 1>Cool about it.

1:10:25.320 --> 1:10:26.200
<v Speaker 3>I mean, let's hope.

1:10:26.200 --> 1:10:27.479
<v Speaker 1>So this is a hot take.

1:10:27.840 --> 1:10:31.320
<v Speaker 2>It's a hot take. There's some flavor from the original

1:10:31.360 --> 1:10:33.000
<v Speaker 2>early days that.

1:10:33.439 --> 1:10:35.960
<v Speaker 3>Well, yes, and I think a big part of it

1:10:36.000 --> 1:10:38.280
<v Speaker 3>is that they still get good musicians. The rest of

1:10:38.280 --> 1:10:43.280
<v Speaker 3>it can be completely all like branded ai. You know,

1:10:43.360 --> 1:10:46.120
<v Speaker 3>every tent is sponsored by a different you know bank

1:10:46.240 --> 1:10:51.000
<v Speaker 3>that only does business in Israel. But then at the

1:10:51.040 --> 1:10:53.800
<v Speaker 3>core of it, it's still gonna be good music. And

1:10:53.840 --> 1:10:54.840
<v Speaker 3>that's I think what.

1:10:55.040 --> 1:10:57.439
<v Speaker 2>I remember that year twenty thirteen, they were like, you

1:10:57.479 --> 1:11:00.240
<v Speaker 2>guys got the sunset slot and we were like, oh cool,

1:11:00.640 --> 1:11:04.120
<v Speaker 2>and you're opening up for the Rolling Stones and you're like, oh,

1:11:04.160 --> 1:11:07.920
<v Speaker 2>that's amazing. You were there, so you know that Actually

1:11:07.960 --> 1:11:10.960
<v Speaker 2>what happened. It ended up being like the Rolling Stones

1:11:10.960 --> 1:11:12.280
<v Speaker 2>had to pull out for some reason.

1:11:12.400 --> 1:11:12.559
<v Speaker 1>Right.

1:11:12.560 --> 1:11:13.880
<v Speaker 3>I was about to say, I don't remember the Rolling

1:11:13.960 --> 1:11:14.959
<v Speaker 3>the Red Hot Chili.

1:11:14.760 --> 1:11:17.600
<v Speaker 2>Peppers took their spot. And then because for some for

1:11:17.680 --> 1:11:20.960
<v Speaker 2>whatever reason, because the Red Hot Chili Peppers took the

1:11:21.040 --> 1:11:25.080
<v Speaker 2>Rolling Stone spot, one of Nick Cave's two bands, which

1:11:25.120 --> 1:11:31.120
<v Speaker 2>were both playing at Coachella, for whatever reason, took up

1:11:31.160 --> 1:11:34.240
<v Speaker 2>the space between Us and the Chili Peppers, So we

1:11:34.320 --> 1:11:36.240
<v Speaker 2>kind of went in. It was sold to us. It's

1:11:36.280 --> 1:11:38.639
<v Speaker 2>like you're opening for the Rolling Stones. And then when

1:11:38.640 --> 1:11:41.000
<v Speaker 2>all the when the Cookie crumbled, it was just like.

1:11:41.160 --> 1:11:42.280
<v Speaker 3>You have the four pm slot.

1:11:42.800 --> 1:11:45.760
<v Speaker 2>No, it was still like the sun down the sundown

1:11:45.800 --> 1:11:47.920
<v Speaker 2>at Coachella. This is like so dusty that like the

1:11:47.960 --> 1:11:49.960
<v Speaker 2>sun is that is kind of gray.

1:11:50.240 --> 1:11:50.519
<v Speaker 3>Yeah.

1:11:50.560 --> 1:11:52.440
<v Speaker 2>Sometimes, have you ever done Sasquatch?

1:11:53.360 --> 1:11:55.280
<v Speaker 3>Yes, because I saw the first time I ever saw

1:11:55.360 --> 1:11:57.680
<v Speaker 3>him was at Sasquatch and they did you know the

1:11:57.720 --> 1:11:59.439
<v Speaker 3>Gorge the Big Day.

1:11:59.520 --> 1:12:01.760
<v Speaker 2>I actually I did it as Rostam. It was one

1:12:01.760 --> 1:12:03.719
<v Speaker 2>of my best shows ever.

1:12:05.720 --> 1:12:07.840
<v Speaker 3>And that was when I fell in love with because

1:12:07.880 --> 1:12:09.719
<v Speaker 3>I it was they only had that one first album

1:12:09.880 --> 1:12:12.240
<v Speaker 3>and they basically just did that album like from beginning

1:12:12.240 --> 1:12:14.160
<v Speaker 3>to end, although they didn't do the title track, which

1:12:14.160 --> 1:12:16.240
<v Speaker 3>I thought was an insane decision. But neither here nor

1:12:16.280 --> 1:12:20.639
<v Speaker 3>There anyway you should go. How am I there?

1:12:20.960 --> 1:12:21.200
<v Speaker 4>Wow?

1:12:21.280 --> 1:12:21.800
<v Speaker 1>Shout out?

1:12:21.800 --> 1:12:23.960
<v Speaker 2>Shoot am I was? I remember hanging out with her

1:12:23.960 --> 1:12:27.200
<v Speaker 2>a little bit at Coachella that first Coachella eight I

1:12:27.280 --> 1:12:30.360
<v Speaker 2>think it was eight. Take me back.

1:12:30.960 --> 1:12:32.120
<v Speaker 1>Oh god, you know.

1:12:32.080 --> 1:12:35.200
<v Speaker 3>We're doing We're doing nostalgia for the hips.

1:12:34.840 --> 1:12:36.840
<v Speaker 1>And thank you for allowing us to do that. We

1:12:36.920 --> 1:12:39.400
<v Speaker 1>both wanted to so bad, but we were like, don't

1:12:39.439 --> 1:12:43.320
<v Speaker 1>be nostalgic, don't be nostalgic, and then we did. Anyway,

1:12:43.400 --> 1:12:46.760
<v Speaker 1>let's war our final segment. Our final segment is called

1:12:46.760 --> 1:12:49.840
<v Speaker 1>shout outs, and in the grand straight tradition of the

1:12:49.920 --> 1:12:51.720
<v Speaker 1>radio shout out, we will shout out anything that we

1:12:51.760 --> 1:12:54.760
<v Speaker 1>are enjoying. People, places, things, ideas. We make them up

1:12:54.800 --> 1:12:58.280
<v Speaker 1>on the spot and we go first, and then you

1:12:58.320 --> 1:13:00.320
<v Speaker 1>will do one. George, do you have one?

1:13:00.439 --> 1:13:02.000
<v Speaker 3>Let me think, Let me think, let me think you

1:13:02.040 --> 1:13:02.479
<v Speaker 3>have one?

1:13:03.000 --> 1:13:09.720
<v Speaker 1>Sure? What's up? Freaksluses and perverts around the globe. I

1:13:09.760 --> 1:13:11.920
<v Speaker 1>want to give a shout out to the new Kim

1:13:12.040 --> 1:13:15.599
<v Speaker 1>Petris album. Oh you know, this girl has been through

1:13:15.680 --> 1:13:18.920
<v Speaker 1>hell and back and we have been there for every

1:13:18.960 --> 1:13:22.559
<v Speaker 1>single second of it. And you know when someone has

1:13:22.600 --> 1:13:25.280
<v Speaker 1>this sort of ups and downs, you say, what the

1:13:25.320 --> 1:13:27.640
<v Speaker 1>hell's going on over there in that camp, and you

1:13:27.640 --> 1:13:29.519
<v Speaker 1>get start to get worried and you say, I'm worried

1:13:29.520 --> 1:13:32.360
<v Speaker 1>that no one's in charge over there. And then the

1:13:32.360 --> 1:13:33.720
<v Speaker 1>new album comes out and you listen to it and

1:13:33.760 --> 1:13:35.800
<v Speaker 1>you go, wait, she kind of did it. It's like

1:13:35.880 --> 1:13:39.760
<v Speaker 1>really good, it's fun, it's different, She's still herself. I'm

1:13:39.800 --> 1:13:42.759
<v Speaker 1>saying thank you. I'm saying you have your head on straight.

1:13:42.840 --> 1:13:45.720
<v Speaker 1>I'm saying I get it. You know, sometimes it just

1:13:45.760 --> 1:13:47.759
<v Speaker 1>takes a second for your head to get back on straight.

1:13:48.080 --> 1:13:50.280
<v Speaker 1>And I want to say when people are generally disrespectful

1:13:50.280 --> 1:13:54.240
<v Speaker 1>of her, they need to take a second and reflect

1:13:54.320 --> 1:13:57.000
<v Speaker 1>because she has done a lot and just because maybe

1:13:57.000 --> 1:14:01.479
<v Speaker 1>it's not in the traditional this clean album format that

1:14:01.520 --> 1:14:03.360
<v Speaker 1>they think it's not as good, but it is as

1:14:03.400 --> 1:14:07.599
<v Speaker 1>good and you need to respect her and she is Queen.

1:14:08.280 --> 1:14:11.880
<v Speaker 1>Shout out Kimpetrist xoxo Sam.

1:14:12.760 --> 1:14:14.760
<v Speaker 3>Well you guys, I want to give a shout out

1:14:14.800 --> 1:14:18.320
<v Speaker 3>to the company Alex Mill. You make the worst clothes

1:14:18.360 --> 1:14:22.120
<v Speaker 3>I've ever experienced in my life. It's actually crazy. They're

1:14:22.160 --> 1:14:24.320
<v Speaker 3>made of tissue paper. I bought this shirt a week

1:14:24.320 --> 1:14:26.840
<v Speaker 3>ago because once again I decided to give you a

1:14:26.920 --> 1:14:29.240
<v Speaker 3>chance after being betrayed by you multiple times over the

1:14:29.320 --> 1:14:31.639
<v Speaker 3>last fifteen years. But I really wanted a bright red

1:14:31.680 --> 1:14:35.000
<v Speaker 3>shirt and I bought this one. The buttons are fully

1:14:35.000 --> 1:14:38.000
<v Speaker 3>coming out. It's been a week. I keep ironing it

1:14:38.040 --> 1:14:40.160
<v Speaker 3>and then it becomes crinkly all over again. It looks

1:14:40.240 --> 1:14:43.400
<v Speaker 3>cheap as hell. And basically what I want to shout

1:14:43.439 --> 1:14:46.439
<v Speaker 3>out is like to know that your products are so bad,

1:14:46.479 --> 1:14:49.360
<v Speaker 3>but have the confidence to be like, we're basically Prada.

1:14:49.600 --> 1:14:51.760
<v Speaker 3>Just like we're going to pay off men's or influencers

1:14:51.800 --> 1:14:55.479
<v Speaker 3>to pretend our product is good. We're gonna advertise in

1:14:55.520 --> 1:14:58.519
<v Speaker 3>this kind of orally color blocked way where it makes

1:14:58.560 --> 1:15:01.000
<v Speaker 3>everything look better than it actually is. Is it really

1:15:01.080 --> 1:15:03.599
<v Speaker 3>inspires me to get out there and be mediocre but

1:15:03.720 --> 1:15:05.400
<v Speaker 3>sell myself harder than ever before.

1:15:05.920 --> 1:15:09.120
<v Speaker 1>WHOA, I gotta say the color is nice, it's bright.

1:15:10.240 --> 1:15:13.799
<v Speaker 3>At least they have that going for them.

1:15:14.320 --> 1:15:18.839
<v Speaker 2>I would like to shout out Pluribus, which I binged

1:15:19.000 --> 1:15:21.400
<v Speaker 2>really hard, and I binged it so hard that I

1:15:21.479 --> 1:15:23.880
<v Speaker 2>kind of forgot how much I liked it. And as

1:15:23.920 --> 1:15:25.880
<v Speaker 2>I was driving here, I saw a billboard for it

1:15:25.920 --> 1:15:28.120
<v Speaker 2>and I was like, oh wait, I really loved Clurbis

1:15:28.600 --> 1:15:32.559
<v Speaker 2>And interestingly, to tap back to Zippolite. I watched most

1:15:32.560 --> 1:15:34.800
<v Speaker 2>of it in a hotel room in Zippolyte.

1:15:35.000 --> 1:15:35.120
<v Speaker 1>Oh.

1:15:35.320 --> 1:15:36.839
<v Speaker 2>I was just kind of in the mood to binge

1:15:36.880 --> 1:15:39.160
<v Speaker 2>something at the end of the year, and it kind

1:15:39.160 --> 1:15:41.200
<v Speaker 2>of hit me in the perfect time and also kind

1:15:41.200 --> 1:15:43.800
<v Speaker 2>of like the perfect place because it's kind of like,

1:15:44.240 --> 1:15:46.040
<v Speaker 2>you know, like this isolated.

1:15:47.960 --> 1:15:49.720
<v Speaker 3>You know a lot of people in z police are

1:15:49.760 --> 1:15:51.840
<v Speaker 3>in the mood to binge, if you know what I mean.

1:15:53.960 --> 1:15:55.840
<v Speaker 1>Rust, I met you in z Pilita once.

1:15:56.000 --> 1:16:00.360
<v Speaker 2>Oh wow, I was I wearing clothes you had it's on?

1:16:00.800 --> 1:16:03.840
<v Speaker 1>Okay, yeah, so it was nighttime and we were at

1:16:03.880 --> 1:16:07.000
<v Speaker 1>a house. Okay, yeah, well right.

1:16:06.960 --> 1:16:07.320
<v Speaker 3>Did you.

1:16:08.800 --> 1:16:11.759
<v Speaker 2>Is that because I do? I do like not wearing clothes.

1:16:12.040 --> 1:16:13.440
<v Speaker 1>It's really yeah.

1:16:13.600 --> 1:16:16.120
<v Speaker 2>I mean I feel like I didn't like, this is

1:16:16.120 --> 1:16:17.120
<v Speaker 2>all gonna get cut anyway.

1:16:17.160 --> 1:16:19.559
<v Speaker 3>No, no, no, no, no, no, this is the trailer.

1:16:19.800 --> 1:16:20.120
<v Speaker 1>I think.

1:16:20.520 --> 1:16:23.320
<v Speaker 2>I think it was like in twenty fourteen where my

1:16:23.400 --> 1:16:27.840
<v Speaker 2>friend Sam took me to the beach in Provincetown where

1:16:27.840 --> 1:16:29.559
<v Speaker 2>you can take your clothes off if you want. There's

1:16:29.560 --> 1:16:32.800
<v Speaker 2>no pressure too, And I was just like, I was

1:16:32.800 --> 1:16:35.519
<v Speaker 2>just like, oh, I like being at the beach, and

1:16:35.680 --> 1:16:39.439
<v Speaker 2>I haven't liked being at the beach. Ever, like the beach,

1:16:39.520 --> 1:16:41.840
<v Speaker 2>what is good about the beach? But then it's when

1:16:41.880 --> 1:16:44.320
<v Speaker 2>you add like, okay, you can get naked, You're like, okay, wait,

1:16:44.479 --> 1:16:47.280
<v Speaker 2>there's things you could do at the beach, but they

1:16:47.280 --> 1:16:50.800
<v Speaker 2>are fun. And then then what what's interesting for me

1:16:50.880 --> 1:16:52.479
<v Speaker 2>is like I don't really like going to a beach

1:16:52.520 --> 1:16:55.280
<v Speaker 2>that you can't get naked at because it's like if

1:16:55.320 --> 1:16:58.200
<v Speaker 2>you if you like being naked and swimming naked, it's like,

1:16:58.280 --> 1:17:03.559
<v Speaker 2>why would you settle for like the other version of it.

1:17:04.080 --> 1:17:06.719
<v Speaker 1>No, I'm pretty much addicted to going to every single

1:17:06.840 --> 1:17:08.880
<v Speaker 1>nude swimming location in the world.

1:17:10.000 --> 1:17:12.519
<v Speaker 2>I think it's a good it's a healthy addiction, you know.

1:17:13.280 --> 1:17:15.120
<v Speaker 3>I think what it is for me is growing up

1:17:15.200 --> 1:17:17.960
<v Speaker 3>going with my family constantly that I just it's hard

1:17:17.960 --> 1:17:19.240
<v Speaker 3>for me to like then read oh, you.

1:17:19.240 --> 1:17:20.719
<v Speaker 2>Went to nude beaches with your family.

1:17:21.600 --> 1:17:24.040
<v Speaker 3>That is I did, But it is a thing that is.

1:17:23.960 --> 1:17:26.960
<v Speaker 2>Like German family, No grows like a whole thing like

1:17:27.280 --> 1:17:29.240
<v Speaker 2>free corporate culture or whatever.

1:17:29.320 --> 1:17:30.880
<v Speaker 3>I know, if anything, it was the opposite. It was

1:17:30.920 --> 1:17:33.040
<v Speaker 3>like we were in normal beaches and then occasionally you

1:17:33.040 --> 1:17:35.280
<v Speaker 3>would see some of the moms topless, and it was

1:17:35.360 --> 1:17:37.679
<v Speaker 3>very much like something other moms did that our mom

1:17:37.920 --> 1:17:40.519
<v Speaker 3>did not, And maybe I'm now realizing that is my

1:17:41.560 --> 1:17:44.599
<v Speaker 3>suspicion of nudity at beaches still to this day, is

1:17:44.640 --> 1:17:47.240
<v Speaker 3>like they were like marginalized when I was a kid.

1:17:47.720 --> 1:17:50.720
<v Speaker 2>Intus, Well, the first thing you've never gotten naked on

1:17:50.760 --> 1:17:51.120
<v Speaker 2>a beach?

1:17:51.479 --> 1:17:53.640
<v Speaker 3>I mean I have, like on Fire Island. But to

1:17:53.640 --> 1:17:55.800
<v Speaker 3>be honest, it doesn't make like it. It doesn't make

1:17:55.800 --> 1:17:57.599
<v Speaker 3>me feel more free. It makes me be like, oh

1:17:57.640 --> 1:17:59.280
<v Speaker 3>my god, my dick is out. Oh my god, oh

1:17:59.320 --> 1:17:59.599
<v Speaker 3>my god.

1:17:59.680 --> 1:18:02.400
<v Speaker 1>Well if somebody's like even if you don't you're with,

1:18:02.640 --> 1:18:04.479
<v Speaker 1>is it like more so you're self conscious with friends

1:18:04.600 --> 1:18:06.040
<v Speaker 1>or like even with strangers.

1:18:06.640 --> 1:18:08.799
<v Speaker 3>No, I don't care about strangers, but it is with friends.

1:18:08.840 --> 1:18:12.240
<v Speaker 3>I monk, I don't like being naked in front of

1:18:12.280 --> 1:18:12.719
<v Speaker 3>my friends.

1:18:13.840 --> 1:18:15.400
<v Speaker 1>Was naked in front of my friends and I was like,

1:18:15.439 --> 1:18:17.160
<v Speaker 1>this is a bit weird at first, but you also

1:18:17.160 --> 1:18:18.599
<v Speaker 1>get used to it within twenty minutes.

1:18:19.000 --> 1:18:21.000
<v Speaker 3>Yeah, I think I haven't allowed myself to get used

1:18:21.000 --> 1:18:21.240
<v Speaker 3>to it.

1:18:22.080 --> 1:18:23.599
<v Speaker 2>I mean, it's just it's like one of those things

1:18:23.600 --> 1:18:26.400
<v Speaker 2>like it's not weird if everybody's getting naked.

1:18:26.520 --> 1:18:29.320
<v Speaker 3>You're saying, of course it's weird if it was for

1:18:29.400 --> 1:18:30.880
<v Speaker 3>me interesting.

1:18:31.680 --> 1:18:34.439
<v Speaker 1>Well, Rostam, thank you so much for doing the podcast.

1:18:34.560 --> 1:18:37.639
<v Speaker 2>Was such a delan you guys for getting naked. Course,

1:18:37.720 --> 1:18:39.240
<v Speaker 2>it's only fun if everyone does.

1:18:39.680 --> 1:18:41.720
<v Speaker 1>This was the most emotionally raw episode yet.

1:18:41.840 --> 1:18:45.120
<v Speaker 3>Yeah, it was amazing. Much like Ross's album American Stories.

1:18:45.560 --> 1:18:45.760
<v Speaker 4>Now.

1:18:48.920 --> 1:18:51.000
<v Speaker 3>I saw that you're in New York. You're doing a

1:18:51.040 --> 1:18:51.519
<v Speaker 3>show in New York.

1:18:51.560 --> 1:18:52.680
<v Speaker 2>Yeah, I'm playing at Webster Hall.

1:18:53.560 --> 1:18:54.400
<v Speaker 3>I'm gonna come with.

1:18:54.479 --> 1:18:56.040
<v Speaker 2>Jayla and Henry Solomon.

1:18:56.240 --> 1:18:57.320
<v Speaker 3>I think you said Jalo first.

1:18:57.400 --> 1:19:01.960
<v Speaker 1>I know it's like cool you bok you do love

1:19:01.960 --> 1:19:04.800
<v Speaker 1>women's singers. Huh z s e l A.

1:19:05.040 --> 1:19:08.320
<v Speaker 2>She's a woman singer and she may or may not

1:19:08.360 --> 1:19:11.120
<v Speaker 2>be my pan friend who likes.

1:19:15.040 --> 1:19:19.719
<v Speaker 1>To show get into her brothel of lesbian straight guys.

1:19:20.200 --> 1:19:22.519
<v Speaker 2>Very cool guys, always, very cool guys.

1:19:22.640 --> 1:19:24.479
<v Speaker 1>Damn huge.

1:19:24.960 --> 1:19:27.560
<v Speaker 3>Okay, bye, thank you guys,