WEBVTT - Embarrassing Revelations ("Guilty Pleasures" S4 EP 17)

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<v Speaker 1>And That's what you Really Missed with Jenna.

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<v Speaker 2>And Kevin an iHeartRadio.

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<v Speaker 1>Podcast Welcome to and That's what You Really Missed podcast

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<v Speaker 1>Guilty Pleasures Guilty Pleasures.

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<v Speaker 2>This originally aired on March twenty first, twenty thirteen. This

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<v Speaker 2>is episode seventeen of season four.

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<v Speaker 1>We are.

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<v Speaker 2>Deep like in the home stretch here of season four, right.

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<v Speaker 1>I cannot believe it.

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<v Speaker 2>Very strange and when we were going into this season,

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<v Speaker 2>we were a little concerned about if it was good

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<v Speaker 2>or not, and people were saying it wasn't great. How

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<v Speaker 2>do you feel thus far?

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<v Speaker 1>I feel great, aside from like a few episodes, Feud

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<v Speaker 1>being one of them, Like no, and Feud wasn't even that.

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<v Speaker 1>They're just they're more filler. There's stuff that happens, of course,

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<v Speaker 1>but they're more filler transitions. I feel really solid about

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<v Speaker 1>this season. It's not it's definitely not season three, but

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<v Speaker 1>it is solid in my opinion. Really good music, great memories,

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<v Speaker 1>fun storylines. New York is like popping off. I'm just

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<v Speaker 1>here for it, I really am it.

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<v Speaker 2>Does do you feel it does feel like a bit

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<v Speaker 2>of a different show, Like it feels a little different, Yes,

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<v Speaker 2>but I like what it is yeah, I'm not. I'm not.

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<v Speaker 2>I don't mind some of the more filler episodes, Like

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<v Speaker 2>I'm just sort of enjoying the absurd teen show of

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<v Speaker 2>it all agreed, like, it's very consistent. It doesn't feel

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<v Speaker 2>like it doesn't feel like we're completely off base. It

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<v Speaker 2>doesn't feel like it completely lost the plot, you know,

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<v Speaker 2>I mean, hasn't jumped a shark. It does feel different,

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<v Speaker 2>but you know, it's season four of a show, so

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<v Speaker 2>I think that happens. I feel like the growing pains

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<v Speaker 2>or whatever you want to call it feels very consistent

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<v Speaker 2>with what happens on other shows. I think in my head,

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<v Speaker 2>I remember it being a lot different, and I'm just

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<v Speaker 2>I'm enjoying it again.

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<v Speaker 1>Saying yeah. I also, I feel like we got a

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<v Speaker 1>lot of like it because they graduated and everybody's off

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<v Speaker 1>to different places and the band isn't all together like

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<v Speaker 1>it used to be. I do feel like we get

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<v Speaker 1>really good nuggets of everybody being together still too.

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<v Speaker 2>Yeah, I mean I do. I do miss everyone. Yeah,

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<v Speaker 2>I definitely want some more Mercedes and Mike and just

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<v Speaker 2>everybody back. But the new kids I'm loving. And I

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<v Speaker 2>obviously we're biased. I can't tell I cannot separate from

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<v Speaker 2>how I feel about them personally, So there's no way

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<v Speaker 2>for me to objectively tell you how I feel. But

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<v Speaker 2>how it feels watching is that I'm fully in. But

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<v Speaker 2>I do think we talked about earlier in the season

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<v Speaker 2>they were trying to you know, we could feel them

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<v Speaker 2>trying to get the new kids to stick.

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<v Speaker 1>Yes, definitely.

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<v Speaker 2>I just think everyone's so good. I think like Becca

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<v Speaker 2>and Melissa and Alex and Blake and Jacob and everyone's

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<v Speaker 2>just been the.

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<v Speaker 1>More opportunity to give them, the more they shine. That's

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<v Speaker 1>a thing like getting those episodes where it's just McKinley

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<v Speaker 1>based really helps said that, you know, set the tone

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<v Speaker 1>for the rest of the season. Absolutely, So this is

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<v Speaker 1>structured by our dear friend Eric Stolts wonderful.

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<v Speaker 2>Which makes sense because like last episode, there are also

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<v Speaker 2>some editing choices and this episode and the musical numbers

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<v Speaker 2>specifically where we said Baker could get away with it

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<v Speaker 2>because he was like the head of editing. Stilts is

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<v Speaker 2>also probably the person outside of Ryan or Brad who's

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<v Speaker 2>directed the most yes and has that relationship and had

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<v Speaker 2>some really cool editing choices and the musical numbers in

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<v Speaker 2>this episode.

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<v Speaker 1>I think totally he was. This was a good one

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<v Speaker 1>for him. I think this episode. This was written by

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<v Speaker 1>Russell Friend and Garrett Learner, and there's an array of songs.

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<v Speaker 2>So much music. It feels like there's so much music,

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<v Speaker 2>so many songs. This episode also felt really long, very long.

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<v Speaker 2>I feel like in these this episode, in the two prior,

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<v Speaker 2>there's so much music. There's not a lot of story,

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<v Speaker 2>but like a lot of great performances. Yes, and we're

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<v Speaker 2>just the music is driving here, Yes, exactly. The music

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<v Speaker 2>is definitely driving. Wake Me Up Before you Go Go

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<v Speaker 2>performed by New Directions, Goba Cabana performed by Sam.

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<v Speaker 1>Against All Odds, Take a Look at Me Now performed by.

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<v Speaker 2>Blaine, Want to Be by the New directions, Girls So.

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<v Speaker 1>Good, My Prerogative perform by Jake.

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<v Speaker 2>Creep performed by Rachel and Brody.

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<v Speaker 1>And Mama Mia by Abba performed by Kurt Rachel Santana.

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<v Speaker 2>In the New Directions About your Favorite, I Have Stuff

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<v Speaker 2>to Say So, Sam was originally going to sing I

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<v Speaker 2>Knew You Were Trouble, but the song later changed at

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<v Speaker 2>Copacabana because in the promo for the episode, Sam told

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<v Speaker 2>Blaine that he loves Taylor Swift.

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<v Speaker 1>Yeah, we were supposed to do Taylor and for some

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<v Speaker 1>reason that didn't work out.

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<v Speaker 2>There must have been some clearance issue at the time.

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<v Speaker 1>Yes, this is the second episode in a row where

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<v Speaker 1>Blaine has had a part in setting the weekly assignment.

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<v Speaker 2>And Blaine is really all over the place, like he

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<v Speaker 2>is singing more than everybody. He is stepping up. They're

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<v Speaker 2>really leaning on Darren here.

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<v Speaker 1>This yes, these few episodes.

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<v Speaker 2>Against all odds, is the second song that Darren sing

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<v Speaker 2>live on set. You'll remember Teenage Dream and the breakup

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<v Speaker 2>So good.

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<v Speaker 1>This is the first episode to not feature any of

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<v Speaker 1>the major adult cast, so noel Ma, Sue be Spikings,

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<v Speaker 1>Carolyn Burt.

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<v Speaker 2>The kids. It's Kid's House, Kids Kiss. This episode marks

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<v Speaker 2>the last appearance of Brody in the series.

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<v Speaker 1>Wow, that was fast.

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<v Speaker 2>He's been in a lot.

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<v Speaker 1>Yeah, no, he has to do it wild though just

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<v Speaker 1>one season. The handwriting of guilty pleasures on the whiteboard

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<v Speaker 1>in the choir room changes multiple times.

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<v Speaker 2>Don't get Cord to do it right. Back in the

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<v Speaker 2>substitute Will tells Holly that she will be the substitute

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<v Speaker 2>teacher if he is sick. He was out sick, but

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<v Speaker 2>the glee club was canceled for the week. She was

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<v Speaker 2>probably filming Iron Man yeah or Avengers movie.

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<v Speaker 1>No. Seriously, Jake states that they do Rihanna songs all

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<v Speaker 1>the time in class. However, the last Rihanna song was

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<v Speaker 1>We Found Love in Yes or No, from the previous

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<v Speaker 1>season when Jake was not a member of the club.

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<v Speaker 2>Yeah. Do you really think they're like passing around? Here

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<v Speaker 2>are songs we've done as a New Clean Club member.

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<v Speaker 2>You should know our entire history. No, definitely not, absolutely not.

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<v Speaker 2>So the members of New Directions perform songs that they're

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<v Speaker 2>ordinarily too embarrassed to admit they love. That's the episode kids.

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<v Speaker 2>Oh wow, that's it. That's it.

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<v Speaker 1>Okay, Yeah, that was shocking. Okay, Yeah, well they didn't

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<v Speaker 1>even find it.

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<v Speaker 2>I mean there's there's two things happening. There's really I mean,

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<v Speaker 2>there's mister she was outsick, so Sama Kid's house. Yeah,

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<v Speaker 2>I decide to give us assignment, and we all do

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<v Speaker 2>our guilty pleasures. That's basically it. And through that we

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<v Speaker 2>also have some guilty admissions and personal lives. And then

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<v Speaker 2>you have the New York of it all, where the

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<v Speaker 2>thing going on is Santana's trying not to tell Rachel

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<v Speaker 2>the real reason why Brody mysteriously broke up with her,

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<v Speaker 2>and Kurt is in on it and he's trying to

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<v Speaker 2>keep Santana from doing it. Let's start there, because this

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<v Speaker 2>bathroom scene is so satisfying to me, where Rachel's in

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<v Speaker 2>the shower, Kurt is getting ready in the mirror, and

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<v Speaker 2>Santana is like, I need more room in here, and

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<v Speaker 2>then is blackmailing Kurt be like, I will tell Rachel

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<v Speaker 2>what really happened if you don't clear out some room

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<v Speaker 2>for me for these products continuing. Three of them are

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<v Speaker 2>so good.

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<v Speaker 1>She is paying to stay there now. She does deserve

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<v Speaker 1>some space.

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<v Speaker 2>She got a job, she got a Chung coyote ugly.

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<v Speaker 2>Oh my god, I cannot with that. The quote about

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<v Speaker 2>I hope my career is better than the girls that

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<v Speaker 2>are in that movie.

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<v Speaker 1>Brutal, brutal, love that movie though.

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<v Speaker 2>Yeah.

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<v Speaker 1>So Kurt is in class at YadA and the teacher's

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<v Speaker 1>assignment is similar to the glee clubs somehow magically in

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<v Speaker 1>kind of revealing your most vulnerable childhood memories or things.

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<v Speaker 1>And so the one is the girl before him is

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<v Speaker 1>going is doing potty training, right. But Kurt, then we

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<v Speaker 1>find is sleeping with his boyfriend pillow, which like, at

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<v Speaker 1>the time, this was a real thing. Oh yeah, Like

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<v Speaker 1>the boyfriend pillow was coming up in the world. A

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<v Speaker 1>lot of people have them, like infomercial Central. Yes, it

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<v Speaker 1>is kind of funny, but.

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<v Speaker 2>I loved it. It felt like a very friend's storyline.

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<v Speaker 2>This whole boyfriend pillow thing.

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<v Speaker 1>Totally the boyfriend arm pillow thing. Also Bruce is Carl

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<v Speaker 1>Kurt named it or whatever, Bruce or whoever gave him

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<v Speaker 1>the name. He also said that he Ambien purchased this online,

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<v Speaker 1>And I feel like that was real to Chris because

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<v Speaker 1>there was a lot of people on our set who

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<v Speaker 1>were ambient users that would have like crazy in nighttime

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<v Speaker 1>ambient stories, So I feel like that was also pulled

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<v Speaker 1>from life.

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<v Speaker 2>I mean, Chris was infamous for his ambient purchases, the

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<v Speaker 2>amount of things that would show up at his house

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<v Speaker 2>and he had no recollection ordering. Oh yeah, so good, wild,

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<v Speaker 2>so good.

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<v Speaker 1>And Rachel.

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<v Speaker 2>Is not totally convinced that she's not going to get

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<v Speaker 2>back together with Brody, right, and Santana finally has had

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<v Speaker 2>it and it's like, no, listen, it actually is over

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<v Speaker 2>and here's why. And Rachel looks like Kurt and she's like,

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<v Speaker 2>did you know too? And yes, he knew, and so

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<v Speaker 2>she promptly goes to Niada handsome some money and I

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<v Speaker 2>like to have dinner with you? Is is how much it costs? Great? Yeah,

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<v Speaker 2>she finds out the whole thing that Finn showed up

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<v Speaker 2>and they have this honest heart to heart about like

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<v Speaker 2>you're not over Finn, Like there's this whole other thing

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<v Speaker 2>that you weren't telling me about. She's there, Yeah, an

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<v Speaker 2>adult conversation And what was surprise to me? Through all this?

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<v Speaker 2>I just kept feeling like, I feel like the normal

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<v Speaker 2>drama TV show thing to do would have Rachel be

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<v Speaker 2>mad at Santana for having gone behind her back, having

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<v Speaker 2>involved Finn, you know, like actually being pissed, like you

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<v Speaker 2>messed in my business? Right, what are you doing? And

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<v Speaker 2>she doesn't do that. She defied my expectations. The writers did,

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<v Speaker 2>being like, I really appreciate you doing that, and I

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<v Speaker 2>loved to see it to be honest.

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<v Speaker 1>Yeah, no, no, I agree with you. I think it

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<v Speaker 1>could have gone that way because when Finn came out

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<v Speaker 1>of the bathroom in the last episode, I was like, Oh,

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<v Speaker 1>how does Rachel want to feel about this? I want

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<v Speaker 1>her to feel like, oh my night in shining armor

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<v Speaker 1>came to rescue me. But it's not always how it

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<v Speaker 1>goes on our show. So you're right. It surprised me

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<v Speaker 1>as well. And I like that they're getting along. They

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<v Speaker 1>can't always be fighting these guys in that house.

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<v Speaker 2>And she ended up being right.

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<v Speaker 1>Yeah, exactly, she was right. So Rachel is not stirring

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<v Speaker 1>the pod any anymore. So, And we've said it once,

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<v Speaker 1>I'll say it again. Naya usually was always right. Was

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<v Speaker 1>she the most.

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<v Speaker 2>Tactful, No about the ways in which she would bring

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<v Speaker 2>these things up. No, but she usually was right and

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<v Speaker 2>could like just sniff it out. It was wild.

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<v Speaker 1>It's pretty crazy.

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<v Speaker 2>Yeah, she could really do it on all levels, personally, professionally,

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<v Speaker 2>like she should just turn off that witchiness. Yeah, she

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<v Speaker 2>knew the little boyfriend pillow thing at the end too.

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<v Speaker 1>And Kurt. That's funny though, when Kurt gets.

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<v Speaker 2>Gets Santana a girl a girl boyfriend pillow with.

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<v Speaker 1>The hand, it's so funny, it's so good. Oh but okay,

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<v Speaker 1>So Rachel goes and gives money to Brody and they

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<v Speaker 1>have this very dull conversation but then they break up

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<v Speaker 1>and the like scene ever and they break into creep. Yeah,

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<v Speaker 1>I love creep. I love this song. You do, I

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<v Speaker 1>do do not like this song.

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<v Speaker 2>I have mixed feelings about this song. I love Radiohead.

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<v Speaker 2>This is probably my least favorite Radiohead single. Like, there's

0:14:36.280 --> 0:14:40.800
<v Speaker 2>something about when people sing this song, like I think too.

0:14:41.880 --> 0:14:45.280
<v Speaker 2>I think it's a hard song to cover because of

0:14:45.320 --> 0:14:50.080
<v Speaker 2>what it's talking about. I feel like I started to

0:14:50.120 --> 0:14:53.440
<v Speaker 2>laugh a little bit, like they're singing creep and like

0:14:54.160 --> 0:14:58.360
<v Speaker 2>they're trying to make Brody seem creepy or something. It

0:14:58.440 --> 0:15:02.320
<v Speaker 2>felt like an odd choice, interesting, and I liked it.

0:15:02.440 --> 0:15:04.720
<v Speaker 2>I felt like it was a little too pretty.

0:15:05.560 --> 0:15:07.560
<v Speaker 1>Oh I don't think. I mean it was pretty, but

0:15:07.680 --> 0:15:08.120
<v Speaker 1>I mean.

0:15:08.360 --> 0:15:11.040
<v Speaker 2>They both sounded amazing, that's the thing. Like, I'm conflicted.

0:15:11.520 --> 0:15:14.840
<v Speaker 1>I liked the montage of them running past each other

0:15:15.520 --> 0:15:20.000
<v Speaker 1>and the whole, like the split montage like, but when

0:15:20.040 --> 0:15:22.880
<v Speaker 1>they came together, just staying on the stage and black,

0:15:22.960 --> 0:15:26.320
<v Speaker 1>it felt a little too new directions to me again,

0:15:26.360 --> 0:15:27.800
<v Speaker 1>like we were going backwards in time.

0:15:28.040 --> 0:15:31.440
<v Speaker 2>Yes, well, it looked like they used the auditorium stage

0:15:31.440 --> 0:15:32.800
<v Speaker 2>and just put different fronts on it.

0:15:32.920 --> 0:15:38.640
<v Speaker 1>Yeah, it was a little too obvious. Yeah, yeah, I did.

0:15:38.720 --> 0:15:42.440
<v Speaker 2>I did like moment. I like elements of the actual performance. Yeah,

0:15:42.680 --> 0:15:45.200
<v Speaker 2>like the cover and I liked the song. I liked

0:15:45.200 --> 0:15:45.600
<v Speaker 2>the cover.

0:15:45.880 --> 0:15:47.960
<v Speaker 1>I liked it. I can't believe this is Brody's last

0:15:48.000 --> 0:15:51.680
<v Speaker 1>song already, this is his goodbye song. You better go

0:15:51.720 --> 0:15:56.400
<v Speaker 1>out like that. Yeah, you know, from them, he's really been,

0:15:57.320 --> 0:15:59.360
<v Speaker 1>you know, stepping it up. They've given him a lot

0:15:59.400 --> 0:16:02.160
<v Speaker 1>of stuff to do and it's been great. Yeah, no,

0:16:02.280 --> 0:16:05.360
<v Speaker 1>for sure, but it feels like it's time. It's time.

0:16:06.760 --> 0:16:07.480
<v Speaker 1>It's time.

0:16:09.640 --> 0:16:11.920
<v Speaker 2>We almos got a full season.

0:16:12.360 --> 0:16:15.120
<v Speaker 1>He did, and Finn's come to the rescue. He's calling

0:16:15.200 --> 0:16:17.200
<v Speaker 1>him a future wife, like we're gonna need fit and

0:16:17.280 --> 0:16:19.680
<v Speaker 1>something in Rachel. It just feels like everyone's going to

0:16:19.720 --> 0:16:23.160
<v Speaker 1>get back together with their people, right, Yes, totally totally.

0:16:23.240 --> 0:16:26.000
<v Speaker 2>Kurt sort of dismissed Adam. Where's Adam?

0:16:26.760 --> 0:16:29.800
<v Speaker 1>Setna and Brittany though I'm not sure, Like, yes, we

0:16:30.320 --> 0:16:33.600
<v Speaker 1>know what's happening, but like right now, it doesn't feel

0:16:33.600 --> 0:16:35.680
<v Speaker 1>like that. It feels like they're both on their own paths.

0:16:36.240 --> 0:16:41.000
<v Speaker 2>Yeah, which I appreciate. Yeah, same, Yeah, it feels like

0:16:41.040 --> 0:16:43.400
<v Speaker 2>they're doing like more of their journey.

0:16:44.040 --> 0:16:47.560
<v Speaker 1>Yeah, but Kurt and Blaine are sure.

0:16:47.440 --> 0:16:50.240
<v Speaker 2>Very connected, and Rachel and Finn are like.

0:16:50.440 --> 0:16:55.040
<v Speaker 1>Oh yeah, always we need that, we need that. Yeah.

0:16:55.640 --> 0:17:00.160
<v Speaker 1>And so we're in We're in McKinley and mister was

0:17:00.200 --> 0:17:05.560
<v Speaker 1>out sick, so there's no Holly Holiday, and Sam and

0:17:05.600 --> 0:17:11.040
<v Speaker 1>Blaine decide more blam, they're gonna do the Glee Club.

0:17:11.080 --> 0:17:14.880
<v Speaker 1>They're gonna hold Glee Club, even though Tina says it's

0:17:14.880 --> 0:17:22.720
<v Speaker 1>canceled with guilty pleasures for the week. Tina coming into

0:17:22.760 --> 0:17:26.920
<v Speaker 1>that scene and Sam making fun of her and her

0:17:27.000 --> 0:17:31.159
<v Speaker 1>saying that was a phase was actually it made me laugh.

0:17:33.040 --> 0:17:33.560
<v Speaker 2>I do not.

0:17:37.160 --> 0:17:39.680
<v Speaker 1>And she's just getting more annoyed and more annoyed, which

0:17:39.720 --> 0:17:42.320
<v Speaker 1>is funny to me, Like she's so annoyed at this point.

0:17:43.960 --> 0:17:49.919
<v Speaker 1>But this I liked playing a lot. This part of

0:17:49.960 --> 0:17:53.880
<v Speaker 1>Tina was like really fun for me. So we find

0:17:53.880 --> 0:17:57.119
<v Speaker 1>out that Sam has a guilty pleasure that he's going

0:17:57.200 --> 0:18:01.320
<v Speaker 1>to tell Blaine about. And which is the macaroni art.

0:18:01.960 --> 0:18:04.880
<v Speaker 1>Oh well, the first one is macaroni ar. Oh my god,

0:18:05.800 --> 0:18:09.040
<v Speaker 1>I love this. I love this, I love this. I

0:18:09.080 --> 0:18:11.879
<v Speaker 1>think it's so funny. I remember when they shot this

0:18:12.000 --> 0:18:14.879
<v Speaker 1>and being so amazed at the macaroni.

0:18:14.400 --> 0:18:17.120
<v Speaker 2>Art, and the macaroni art was like hanging around set

0:18:17.240 --> 0:18:19.639
<v Speaker 2>afterwards and before and we'd see it and it was

0:18:19.760 --> 0:18:25.280
<v Speaker 2>so weird but brilliant, so funny. And my favorite thing

0:18:25.600 --> 0:18:30.960
<v Speaker 2>is like when Darren sees or Blaine sees Kurt, like

0:18:31.240 --> 0:18:36.439
<v Speaker 2>the macar really captures they're so good together.

0:18:37.080 --> 0:18:39.199
<v Speaker 1>They are, and it's just ridiculous. I feel like that

0:18:39.280 --> 0:18:43.240
<v Speaker 1>storyline came from like Ian Brennan seeing Macaroni art somewhere

0:18:43.240 --> 0:18:44.520
<v Speaker 1>being like, we have to put this in.

0:18:44.680 --> 0:18:48.800
<v Speaker 2>Yes, I'm so absurd that I really did together. It

0:18:48.840 --> 0:18:51.400
<v Speaker 2>seems really sweet too, because it gives them money. Like, look,

0:18:51.440 --> 0:18:54.560
<v Speaker 2>I saw you stealing the pasta. I know your dad's

0:18:54.600 --> 0:18:56.920
<v Speaker 2>going through a rough time. And he's like, no, dog,

0:18:56.960 --> 0:18:58.000
<v Speaker 2>I'm just a salant.

0:19:01.080 --> 0:19:03.800
<v Speaker 1>Sam. This is the line he says to Tina. Hey,

0:19:04.280 --> 0:19:06.399
<v Speaker 1>just curious. You can go to hers, go over to

0:19:06.440 --> 0:19:08.240
<v Speaker 1>his house and straddle and while he's passed out and

0:19:08.280 --> 0:19:10.120
<v Speaker 1>rubs some ointment on his chest.

0:19:11.119 --> 0:19:14.240
<v Speaker 2>And the enjoyment on his face as he was saying

0:19:14.280 --> 0:19:20.320
<v Speaker 2>that was so good. I'm glad they're addressing it too.

0:19:20.960 --> 0:19:24.080
<v Speaker 1>Yes, absolutely, and in a joking manner, because we have to.

0:19:24.320 --> 0:19:29.320
<v Speaker 1>We have to. And so Blaine. Sam's asking Blaine to

0:19:29.440 --> 0:19:33.560
<v Speaker 1>reveal his guilty pleasure, he avoids it because his guilty

0:19:33.600 --> 0:19:39.760
<v Speaker 1>pleasure is him yeah, and so he he dodges the

0:19:39.840 --> 0:19:45.360
<v Speaker 1>question for now, Well for now. Yeah, the Coba Kabana

0:19:46.520 --> 0:19:47.120
<v Speaker 1>is crazy.

0:19:47.960 --> 0:19:52.920
<v Speaker 2>I love it so much. Eric was the perfect director

0:19:54.000 --> 0:19:56.440
<v Speaker 2>for this because he captured there's all these little things

0:19:56.440 --> 0:20:01.040
<v Speaker 2>that happened with everybody, and it's I just enjoyed it

0:20:01.080 --> 0:20:04.320
<v Speaker 2>so much because it felt so real in terms of

0:20:04.320 --> 0:20:07.040
<v Speaker 2>like Kid's House, we're doing what we want. We choreograph

0:20:07.119 --> 0:20:13.400
<v Speaker 2>this ourselves against Yes, definitely, and Chord Chord doing.

0:20:15.520 --> 0:20:24.000
<v Speaker 1>This number is something else, sensational writing truly, truly, he's

0:20:24.040 --> 0:20:32.040
<v Speaker 1>a fanelo and then everybody admits, I don't Berry, it's

0:20:32.200 --> 0:20:36.760
<v Speaker 1>so silly, it's so dumb. It is, it's really dumb,

0:20:37.040 --> 0:20:39.639
<v Speaker 1>but it's so cute. Nobody can pull that off like

0:20:39.720 --> 0:20:42.040
<v Speaker 1>Cord No, do you know what I mean?

0:20:43.920 --> 0:20:47.000
<v Speaker 2>And I know Taylor Swipt would have been incredible, oh yeah,

0:20:47.359 --> 0:20:51.960
<v Speaker 2>but but this it just works. This is comedy gold.

0:20:52.240 --> 0:20:53.000
<v Speaker 1>It just works.

0:20:54.080 --> 0:20:56.439
<v Speaker 2>And I love how when he like comes out to

0:20:56.520 --> 0:20:59.479
<v Speaker 2>Blaine as a Barry Manilow fan, Blaine's like, you have

0:20:59.560 --> 0:21:04.000
<v Speaker 2>to share this with everyone, and it's also like set

0:21:04.080 --> 0:21:08.399
<v Speaker 2>up that it's like he's coming out as gay. Yes,

0:21:08.400 --> 0:21:11.720
<v Speaker 2>it feels like that, and Blaine's getting excited that it's like,

0:21:12.080 --> 0:21:14.320
<v Speaker 2>what's going to happen? And it's happening in the boys

0:21:14.320 --> 0:21:16.080
<v Speaker 2>locker room and he's like, I have something to tell you.

0:21:16.600 --> 0:21:18.119
<v Speaker 2>I thought that was very funny.

0:21:18.880 --> 0:21:25.840
<v Speaker 1>So Blaine does this number, this insane live performance. Of course,

0:21:26.640 --> 0:21:31.240
<v Speaker 1>he's amazing. He does this. And I listened to this

0:21:31.320 --> 0:21:33.360
<v Speaker 1>the other day. Actually, I was listening to Season four

0:21:33.480 --> 0:21:36.879
<v Speaker 1>music and I kind of skipped ahead. I cheated. I forgot.

0:21:36.920 --> 0:21:38.800
<v Speaker 1>He sings this, and he sounds so good on it.

0:21:39.680 --> 0:21:41.840
<v Speaker 1>I don't know if he what.

0:21:42.359 --> 0:21:46.880
<v Speaker 2>I love how sort of like when he's sang live

0:21:47.000 --> 0:21:50.440
<v Speaker 2>last time. By the end of the song, it makes

0:21:50.480 --> 0:21:56.840
<v Speaker 2>everyone so uncomfortable, Yes, because it gets so oddly intense, Yes,

0:21:57.200 --> 0:22:01.439
<v Speaker 2>which is the desired effect. And it's works and it's

0:22:01.480 --> 0:22:06.560
<v Speaker 2>really funny. And then everybody knows what's going on and

0:22:06.600 --> 0:22:12.239
<v Speaker 2>he totally lies about who that song was about, and

0:22:12.320 --> 0:22:15.120
<v Speaker 2>like all the kids would look at each other like, wow,

0:22:16.119 --> 0:22:20.480
<v Speaker 2>well you see what's happening here. I think we shot

0:22:20.560 --> 0:22:25.040
<v Speaker 2>that really late at night. I everyone looks very tired,

0:22:26.040 --> 0:22:29.760
<v Speaker 2>everyone napping. I thought I had the exact same feeling

0:22:29.760 --> 0:22:34.400
<v Speaker 2>watching this, like everyone looks a little sleepy, a little sleepy.

0:22:35.160 --> 0:22:38.280
<v Speaker 2>And this is when we were downing red bulls.

0:22:38.280 --> 0:22:43.960
<v Speaker 1>Red bulls this night, this night, so Baca, Jacob, Kevin

0:22:44.000 --> 0:22:47.879
<v Speaker 1>and I were downing red bulls and I like, I

0:22:47.920 --> 0:22:50.080
<v Speaker 1>think we each had three or four by the end

0:22:50.160 --> 0:22:50.479
<v Speaker 1>of the night.

0:22:50.520 --> 0:22:51.399
<v Speaker 2>Oh lost my mind.

0:22:51.560 --> 0:22:53.800
<v Speaker 1>Not okay, it's not okay when a cat.

0:22:53.640 --> 0:22:55.639
<v Speaker 2>Gets the zoomies. We weren't even.

0:22:55.600 --> 0:22:58.160
<v Speaker 1>A sip anymore. It's so bad. But we were losing

0:22:58.200 --> 0:22:59.639
<v Speaker 1>our minds. And this is why I think I have

0:22:59.840 --> 0:23:03.400
<v Speaker 1>very little memory of like the actual performance versus us

0:23:03.440 --> 0:23:08.040
<v Speaker 1>acting crazy on the other side of the campus. Absolutely,

0:23:08.320 --> 0:23:10.760
<v Speaker 1>but Blaine and Sam of this really nice ste at

0:23:10.760 --> 0:23:13.240
<v Speaker 1>the end where SAMs like, you do you want to

0:23:13.240 --> 0:23:17.359
<v Speaker 1>tell me? Because I know it's me, which is really sweet.

0:23:17.480 --> 0:23:22.280
<v Speaker 2>I have to say, yes, you know. We talked about

0:23:22.320 --> 0:23:25.000
<v Speaker 2>the show being like a bridge show, where you know

0:23:25.880 --> 0:23:29.120
<v Speaker 2>it is the last time things were addressed in certain ways,

0:23:29.160 --> 0:23:31.119
<v Speaker 2>it's the first time things were addressed in certain ways.

0:23:31.840 --> 0:23:39.480
<v Speaker 2>And having this really charming jock straight character talked to

0:23:39.560 --> 0:23:42.920
<v Speaker 2>his gay male best friend like this, which I'm mature,

0:23:43.720 --> 0:23:46.280
<v Speaker 2>was really profound in a number of ways, and I

0:23:46.320 --> 0:23:50.399
<v Speaker 2>think Chord did a wonderful job with this, and also

0:23:51.160 --> 0:23:56.919
<v Speaker 2>is how Cord is in real life and straightforward and

0:23:57.040 --> 0:24:02.000
<v Speaker 2>loves everybody and yeah, like, let's just appreciate it. That

0:24:02.040 --> 0:24:06.960
<v Speaker 2>scene me too, and it just gets it out of

0:24:07.000 --> 0:24:11.320
<v Speaker 2>the way, right, It's like, let's let's address the elephant

0:24:11.359 --> 0:24:11.800
<v Speaker 2>in the room.

0:24:12.240 --> 0:24:15.480
<v Speaker 1>Let's just do it. I really appreciated that.

0:24:15.800 --> 0:24:21.000
<v Speaker 2>Yeah. The other thing happening is Bondu for two, where

0:24:23.480 --> 0:24:27.200
<v Speaker 2>Pretty is like, you're a bitch, nobody likes you. I'm

0:24:27.200 --> 0:24:29.679
<v Speaker 2>gonna make fun of your face real quick. I'm on

0:24:29.720 --> 0:24:33.160
<v Speaker 2>Fondu for too, and set the record straight. Their chemistry

0:24:33.160 --> 0:24:36.680
<v Speaker 2>and Fondu for two. This is maybe my favorite Fondu

0:24:36.760 --> 0:24:40.639
<v Speaker 2>for two yet because they're both sort of awful to

0:24:40.720 --> 0:24:45.560
<v Speaker 2>each other, but it works in this really endearing, charming way. Again,

0:24:47.920 --> 0:24:52.480
<v Speaker 2>they're telling truths but neither of them are sensitive and

0:24:52.520 --> 0:24:54.880
<v Speaker 2>they're like, well, yeah, you're right, I am about right,

0:24:55.200 --> 0:24:59.320
<v Speaker 2>so okay, what of it? And then I love that

0:24:59.359 --> 0:25:03.840
<v Speaker 2>Tina's w on YouTube live streaming Vondue for two and

0:25:03.880 --> 0:25:07.560
<v Speaker 2>then as furious when Kitty does not admit what her

0:25:07.960 --> 0:25:11.600
<v Speaker 2>guilty pleasure is and I don't think this is controversial,

0:25:12.000 --> 0:25:16.879
<v Speaker 2>Spice girls. Who would judge you for listening to Spice Girls?

0:25:17.320 --> 0:25:20.800
<v Speaker 1>My reaction was, that's not so bad. Why was she

0:25:20.920 --> 0:25:21.600
<v Speaker 1>so scared.

0:25:21.960 --> 0:25:26.160
<v Speaker 2>I thought she was lying. When when Britney says it's

0:25:26.160 --> 0:25:29.640
<v Speaker 2>Spice Girls, when she's confronted by everybody, I thought Brittany

0:25:29.720 --> 0:25:31.320
<v Speaker 2>was like covering for her for a second.

0:25:31.560 --> 0:25:34.280
<v Speaker 1>Was Spice Girls going through like a hated moment at

0:25:34.280 --> 0:25:36.480
<v Speaker 1>that point, though, Like, I don't.

0:25:36.320 --> 0:25:38.639
<v Speaker 2>Know what I think. In the nineties it was like

0:25:38.960 --> 0:25:41.560
<v Speaker 2>the boy bands were guilty pleasures, Britney Spears' guils with pleasure.

0:25:41.600 --> 0:25:44.399
<v Speaker 2>I think all the time they all were guilty pleasure.

0:25:44.920 --> 0:25:49.480
<v Speaker 2>But by twenty thirteen people just accepted that they were

0:25:49.840 --> 0:25:54.080
<v Speaker 2>icons and we all loved Spice Girls. But I also think,

0:25:54.119 --> 0:25:57.280
<v Speaker 2>you know, Baby Spices on the set a couple weeks earlier.

0:25:57.400 --> 0:25:59.640
<v Speaker 2>It was a way to get the Spice Girls onto

0:25:59.680 --> 0:26:00.800
<v Speaker 2>the show. So like, whatever it.

0:26:00.760 --> 0:26:03.119
<v Speaker 1>Takes, I mean, we were thrilled. We've been asking for

0:26:03.160 --> 0:26:03.960
<v Speaker 1>this for a long time.

0:26:04.119 --> 0:26:05.600
<v Speaker 2>I mean, two weeks in a row we got boy

0:26:05.640 --> 0:26:09.440
<v Speaker 2>bands and now we have the Spice Girls, So whatever.

0:26:09.640 --> 0:26:12.879
<v Speaker 1>I mean do it. Also the fact that Brittany said

0:26:15.880 --> 0:26:18.680
<v Speaker 1>her guilty pleasure. When I look at a white dogger cut,

0:26:18.720 --> 0:26:23.359
<v Speaker 1>I assume they're racist. And Lord Tubington's guilty pleasure is

0:26:23.440 --> 0:26:28.480
<v Speaker 1>scientology and he's sitting there with a book of scientology open.

0:26:29.119 --> 0:26:29.480
<v Speaker 1>It was.

0:26:31.119 --> 0:26:33.640
<v Speaker 2>One of my favorite scenes, and it tends to be

0:26:34.280 --> 0:26:37.480
<v Speaker 2>like when all you girls get together, but all the

0:26:37.520 --> 0:26:40.440
<v Speaker 2>girls together deciding who's going to be Witch Spice girl,

0:26:40.640 --> 0:26:47.600
<v Speaker 2>and especially you and Alex together, so good your chemistry,

0:26:47.680 --> 0:26:51.680
<v Speaker 2>everybody's timing, the way it's edited. It was good right, perfectly,

0:26:51.760 --> 0:26:56.160
<v Speaker 2>it's so good. Well, here's a fun fact. So initially

0:26:56.320 --> 0:26:59.199
<v Speaker 2>I was so thrilled I was going to be Jenner Spice.

0:26:59.720 --> 0:27:04.000
<v Speaker 2>Oh and then I got pages pink pages, which when

0:27:04.040 --> 0:27:06.960
<v Speaker 2>you get a script and things change, there's different an

0:27:07.080 --> 0:27:09.840
<v Speaker 2>order of color. So I think pink is the first

0:27:09.920 --> 0:27:13.080
<v Speaker 2>and that's a revision page. And we got pink pages,

0:27:13.280 --> 0:27:17.400
<v Speaker 2>and Kitty got reassigned to Ginger Spice. I think because

0:27:17.440 --> 0:27:21.520
<v Speaker 2>of the writing in that scene particularly and like Tina

0:27:21.720 --> 0:27:23.760
<v Speaker 2>dressing that unique was not going to be the.

0:27:25.520 --> 0:27:30.560
<v Speaker 1>Scary Spice. And I was devastated because Tina was dressed

0:27:30.600 --> 0:27:32.920
<v Speaker 1>that's like crazy, So I felt like, oh, she gets

0:27:32.960 --> 0:27:39.840
<v Speaker 1>to be like in that awesome British flag, yeah union dress, yes,

0:27:40.280 --> 0:27:44.159
<v Speaker 1>like so cool. Ginger was my favorite. I mean she

0:27:44.240 --> 0:27:46.520
<v Speaker 1>was a lot of people see it, but like I

0:27:46.680 --> 0:27:51.080
<v Speaker 1>was stoked, and then of course I'm scary spize, which

0:27:51.160 --> 0:27:53.480
<v Speaker 1>ended up working out because I loved it was perfect,

0:27:54.000 --> 0:27:57.879
<v Speaker 1>but that was initially not the plan.

0:27:58.320 --> 0:28:00.840
<v Speaker 2>I loved how it was shot. Everybody sort of did

0:28:00.840 --> 0:28:04.280
<v Speaker 2>their Spice girl look at the camera, and then he

0:28:04.320 --> 0:28:06.159
<v Speaker 2>has had their own entrance. I love also at the

0:28:06.200 --> 0:28:09.600
<v Speaker 2>beginning of the scene you see Brittany hiding behind the

0:28:09.760 --> 0:28:15.840
<v Speaker 2>seconds you just straight up to see her hiding, which

0:28:15.840 --> 0:28:17.320
<v Speaker 2>is great. And I also feel like that was a

0:28:17.400 --> 0:28:19.840
<v Speaker 2>very Eric Stultz thing where I feel like anybody else

0:28:19.880 --> 0:28:22.879
<v Speaker 2>would have had her out of the shot initially.

0:28:22.600 --> 0:28:25.600
<v Speaker 1>Right right, but we have Eric's like okay, fine.

0:28:25.840 --> 0:28:30.159
<v Speaker 2>Get it, yeah, yeah, oh god love it. You guys like,

0:28:30.240 --> 0:28:32.560
<v Speaker 2>how was rehearsing for this? How was recording this? What

0:28:32.640 --> 0:28:33.040
<v Speaker 2>was this like?

0:28:34.040 --> 0:28:39.920
<v Speaker 1>So the rehearsal for this was actually very last minute.

0:28:40.280 --> 0:28:44.840
<v Speaker 1>So I remember rehearsing for this like on the day.

0:28:45.200 --> 0:28:47.040
<v Speaker 2>Well, you're all professionals, and also there's a lot of

0:28:47.040 --> 0:28:50.360
<v Speaker 2>footage to watch the Spice girls, so I imagine you can.

0:28:50.480 --> 0:28:54.080
<v Speaker 1>True true, but it was very last minute. It was

0:28:54.120 --> 0:29:01.240
<v Speaker 1>really fun though. I remember shooting this. It was ridiculous.

0:29:01.600 --> 0:29:05.120
<v Speaker 1>Everybody looked insane, everybody was in character. We had such

0:29:05.120 --> 0:29:08.280
<v Speaker 1>a fun time. It was like freeform rockout ish though,

0:29:08.320 --> 0:29:12.160
<v Speaker 1>even though there was like choreography, I think we shot

0:29:12.200 --> 0:29:17.600
<v Speaker 1>this in zero time. It was so fast. I remember

0:29:17.680 --> 0:29:23.920
<v Speaker 1>shooting this so fast. But like even the cameras of

0:29:23.960 --> 0:29:26.920
<v Speaker 1>our entrances and our like little poses and things were

0:29:26.960 --> 0:29:30.640
<v Speaker 1>like off the cuff, get it and go. That's why

0:29:30.680 --> 0:29:31.920
<v Speaker 1>I remember about it. That's one.

0:29:32.320 --> 0:29:37.040
<v Speaker 2>You were all so in it. Like Heather sporty spice

0:29:37.040 --> 0:29:42.720
<v Speaker 2>impression was phenomenal. You was scary phenomenal. I like the

0:29:42.760 --> 0:29:47.120
<v Speaker 2>way Becca came into that room as gender Spice and

0:29:47.240 --> 0:29:50.800
<v Speaker 2>Melissa too, are you kidding? Melissa's posh was crazy.

0:29:50.560 --> 0:29:51.800
<v Speaker 1>Your favorite ye act.

0:29:51.840 --> 0:29:54.520
<v Speaker 2>None of you broke, none of you broke Alex with

0:29:54.680 --> 0:29:59.000
<v Speaker 2>the lollipop the entire time, and like these insane ad libs.

0:30:01.000 --> 0:30:05.960
<v Speaker 2>I it's sort of you know, we love the girl.

0:30:06.280 --> 0:30:09.400
<v Speaker 1>Stream here, but yeah, yeah, yeah, what a dream. In fact,

0:30:09.440 --> 0:30:10.280
<v Speaker 1>it was a dream to do.

0:30:10.240 --> 0:30:12.240
<v Speaker 2>That also talented. I loved watching it.

0:30:13.160 --> 0:30:15.760
<v Speaker 1>Thanks, that was really fun. So the other thing that's

0:30:15.800 --> 0:30:21.600
<v Speaker 1>happening is that Jake wants to do a Chris Brown song.

0:30:21.840 --> 0:30:25.320
<v Speaker 1>I couldn't believe we did this. It's it's shocking that

0:30:25.360 --> 0:30:28.400
<v Speaker 1>we did this. It's really surprising that we did this.

0:30:29.480 --> 0:30:32.239
<v Speaker 1>It's interesting that they had Jake really wanting to do

0:30:32.280 --> 0:30:34.600
<v Speaker 1>this but like not really, I don't know.

0:30:34.800 --> 0:30:39.720
<v Speaker 2>It was it was shocking, what an interesting conversation to have,

0:30:40.080 --> 0:30:45.280
<v Speaker 2>and I also felt like both sides right tad mature

0:30:46.000 --> 0:30:49.440
<v Speaker 2>reasoning for their positions, Like this doesn't necessarily feel like

0:30:49.440 --> 0:30:51.600
<v Speaker 2>a high school conversation, but it feels like the conversation

0:30:51.680 --> 0:30:55.600
<v Speaker 2>that I want to hear people have yes about. And

0:30:56.960 --> 0:31:00.800
<v Speaker 2>it was Yeah, it was complicated that the girls were

0:31:00.800 --> 0:31:03.600
<v Speaker 2>all together, like united this whole episode. We had to

0:31:03.600 --> 0:31:06.240
<v Speaker 2>be yeah, yeah, and they like stood in a line

0:31:06.320 --> 0:31:08.960
<v Speaker 2>and fired off. I love how it was blocked him

0:31:09.000 --> 0:31:12.040
<v Speaker 2>sitting and had one one at a time going off

0:31:12.040 --> 0:31:16.600
<v Speaker 2>on him, and he gave his reasoning like not good enough, right,

0:31:16.880 --> 0:31:22.000
<v Speaker 2>and so he switched his position. But it was I

0:31:22.080 --> 0:31:25.440
<v Speaker 2>just can't believe like we dealt with that like something

0:31:25.520 --> 0:31:27.840
<v Speaker 2>as current that way.

0:31:28.520 --> 0:31:32.400
<v Speaker 1>It was very current. It was very fresh. Two fair

0:31:32.480 --> 0:31:35.720
<v Speaker 1>We do like Shooting Star next episode, so.

0:31:35.800 --> 0:31:39.479
<v Speaker 2>Right, but the same though as me because it's felt

0:31:39.880 --> 0:31:42.600
<v Speaker 2>really of all the crazy shit we do. It felt

0:31:43.080 --> 0:31:46.640
<v Speaker 2>really surprising and then it also felt crazy. Jacob is

0:31:46.680 --> 0:31:49.360
<v Speaker 2>his incredible performance of Bobby Brown. He switches the Brown

0:31:50.000 --> 0:31:53.720
<v Speaker 2>unbelievable and does like he's just a phenomenal dancer. He's

0:31:53.920 --> 0:31:58.040
<v Speaker 2>it's a great performance, Like more Jacob all the time.

0:32:00.360 --> 0:32:07.560
<v Speaker 2>But then it cuts to Artie saying like, allegedly Bobby

0:32:07.640 --> 0:32:09.440
<v Speaker 2>got me hooked on crack.

0:32:09.880 --> 0:32:12.080
<v Speaker 1>And I was like, what is happening.

0:32:12.920 --> 0:32:16.320
<v Speaker 2>I couldn't believe, Like it really felt like Kid's House,

0:32:19.000 --> 0:32:20.960
<v Speaker 2>but it's not true.

0:32:21.200 --> 0:32:25.960
<v Speaker 1>Like the point was he was doing it to correct

0:32:26.000 --> 0:32:28.720
<v Speaker 1>himself from Chris, and yet he still kind of made

0:32:28.720 --> 0:32:33.920
<v Speaker 1>a mistake. It's funny, you know, You're like, but I

0:32:34.160 --> 0:32:37.680
<v Speaker 1>see what you did there. But yeah, I just didn't

0:32:37.680 --> 0:32:38.320
<v Speaker 1>know how to take it.

0:32:38.360 --> 0:32:39.960
<v Speaker 2>I was like, can I laugh at these things? Like,

0:32:40.040 --> 0:32:43.560
<v Speaker 2>I don't know, I know totally. They were pretty funny. Though.

0:32:44.720 --> 0:32:48.800
<v Speaker 1>I'm glad we did it. I'm glad there was talk

0:32:48.920 --> 0:32:52.440
<v Speaker 1>of it. It just it's very Ryan. It's very nip

0:32:52.480 --> 0:32:55.320
<v Speaker 1>tuck ish, like where everything in pop culture pops up

0:32:55.320 --> 0:32:58.360
<v Speaker 1>in the show. For us, it's usually the music, but like,

0:32:58.600 --> 0:33:01.840
<v Speaker 1>we're kind of these are our people, and so I

0:33:01.880 --> 0:33:03.680
<v Speaker 1>think it's like you have to talk and we kind

0:33:03.680 --> 0:33:08.320
<v Speaker 1>of These kids are up on their social media and

0:33:07.960 --> 0:33:09.280
<v Speaker 1>they know what's up.

0:33:09.320 --> 0:33:11.080
<v Speaker 2>And they also do it. That happened in the same

0:33:11.200 --> 0:33:13.400
<v Speaker 2>way in Feuds, where they talked about the Elton and

0:33:13.440 --> 0:33:17.200
<v Speaker 2>Madonna feud, and they prefaced it with they resolved it.

0:33:17.440 --> 0:33:20.840
<v Speaker 2>Here's what it was about, where they give you sort

0:33:20.840 --> 0:33:27.600
<v Speaker 2>of a well balanced, contextual conversation about it, where they

0:33:27.880 --> 0:33:31.560
<v Speaker 2>very much felt like that It wasn't necessarily anybody taking

0:33:31.640 --> 0:33:37.080
<v Speaker 2>one side, right, but it was about, well, here's why

0:33:37.120 --> 0:33:39.239
<v Speaker 2>we feel like this, and here's why you feel like this.

0:33:40.440 --> 0:33:42.160
<v Speaker 2>So it's a little bit down the middle of.

0:33:42.120 --> 0:33:42.840
<v Speaker 1>It for sure.

0:33:51.480 --> 0:33:56.120
<v Speaker 2>And then we get to Jenna's favorite band of all time, Abbo.

0:33:57.640 --> 0:34:02.280
<v Speaker 1>I was grimacing doing this number because I do I

0:34:02.320 --> 0:34:08.560
<v Speaker 1>do not like Abba. I did not like Abba. There's

0:34:08.600 --> 0:34:12.200
<v Speaker 1>something that happened about six months to a year ago

0:34:13.640 --> 0:34:18.680
<v Speaker 1>where I an Abba song would come on somewhere and

0:34:18.719 --> 0:34:25.120
<v Speaker 1>I'd be like, well, that's actually pretty good. Why is

0:34:25.200 --> 0:34:25.880
<v Speaker 1>that good?

0:34:26.120 --> 0:34:26.319
<v Speaker 2>Yeah?

0:34:26.360 --> 0:34:28.200
<v Speaker 1>And I feel like you have artists like that that

0:34:28.239 --> 0:34:31.120
<v Speaker 1>have hit you like that too, and in ways Abba

0:34:31.160 --> 0:34:34.520
<v Speaker 1>has hit me like that. And I hated it. I

0:34:34.640 --> 0:34:38.080
<v Speaker 1>really hated it. I kind of loved to hate it,

0:34:38.200 --> 0:34:41.120
<v Speaker 1>you know. Doing this number was we made so much

0:34:41.120 --> 0:34:43.799
<v Speaker 1>fun of like the whole thing, like we were just

0:34:43.880 --> 0:34:47.120
<v Speaker 1>having fun with it. I did my like Vegas shogar arms.

0:34:47.160 --> 0:34:48.920
<v Speaker 1>This number was ridiculous.

0:34:48.440 --> 0:34:50.240
<v Speaker 2>And I remember, do you remember us watching the video

0:34:50.360 --> 0:34:52.600
<v Speaker 2>like we were trying to sort of imitate the real

0:34:52.680 --> 0:34:53.239
<v Speaker 2>video of this.

0:34:53.800 --> 0:35:00.319
<v Speaker 1>Yes, I mean we looked it, but but I don't

0:35:00.360 --> 0:35:05.560
<v Speaker 1>hate it, and I kind of like it, and I'm

0:35:05.640 --> 0:35:06.239
<v Speaker 1>kind of a fan.

0:35:07.239 --> 0:35:11.640
<v Speaker 2>I loved how so the two numbers on stage we

0:35:11.760 --> 0:35:13.520
<v Speaker 2>sort of glossed over waiting it before you go go,

0:35:14.000 --> 0:35:17.279
<v Speaker 2>But to bring these two numbers together that happened on

0:35:17.400 --> 0:35:19.399
<v Speaker 2>the stage, and we're the big performances and like wake

0:35:19.440 --> 0:35:22.000
<v Speaker 2>me up before you go go switched into the full

0:35:22.080 --> 0:35:28.239
<v Speaker 2>eighties music video editing squares and the close ups of

0:35:28.360 --> 0:35:30.759
<v Speaker 2>like John on the drums, and you had us in

0:35:30.800 --> 0:35:34.600
<v Speaker 2>these crazy costumes and then for Abba having it paired

0:35:34.640 --> 0:35:36.759
<v Speaker 2>with you know, the three of them in New York

0:35:36.840 --> 0:35:40.080
<v Speaker 2>doing it with their boyfriend and girlfriend pillows. So then

0:35:40.600 --> 0:35:43.800
<v Speaker 2>you had all of us being insane and Eric allowing

0:35:43.840 --> 0:35:47.560
<v Speaker 2>all of us to do the most insane options. Because

0:35:47.560 --> 0:35:52.200
<v Speaker 2>there's always like as an actor, you have like how

0:35:52.239 --> 0:35:54.120
<v Speaker 2>big do you want me to go? How insane do

0:35:54.160 --> 0:35:55.840
<v Speaker 2>you want me to go? And for this number, it

0:35:55.920 --> 0:35:59.440
<v Speaker 2>was pick the craziest choice go. I mean you had

0:35:59.440 --> 0:36:02.600
<v Speaker 2>a bell, I had a bell, I stuck my face

0:36:02.640 --> 0:36:04.239
<v Speaker 2>into Becca's boobs.

0:36:04.880 --> 0:36:06.000
<v Speaker 1>It was ridiculous.

0:36:06.800 --> 0:36:10.040
<v Speaker 2>I forgot to mention that during Spice Girls, Artie's fascination

0:36:10.120 --> 0:36:17.640
<v Speaker 2>and obsession with Kitty is also happening. Weird scene where

0:36:18.440 --> 0:36:21.240
<v Speaker 2>he doesn't know what to say. I thought was was, really,

0:36:21.320 --> 0:36:25.160
<v Speaker 2>it's funny, it's so awkward. Everyone was very fun episodes.

0:36:25.400 --> 0:36:28.520
<v Speaker 2>So it starts, Yes, it's it is very funny. Didn't

0:36:28.520 --> 0:36:30.960
<v Speaker 2>it feel like the past couple episodes everyone has hit

0:36:31.000 --> 0:36:33.520
<v Speaker 2>their stride in a way. Yes, I like the writing

0:36:33.640 --> 0:36:36.480
<v Speaker 2>has all the new kids have and the old kids have,

0:36:37.120 --> 0:36:39.120
<v Speaker 2>where everyone has settled and feels comfortable.

0:36:39.719 --> 0:36:42.799
<v Speaker 1>Kids has hit his stride. Yes, it feels really good.

0:36:43.160 --> 0:36:45.239
<v Speaker 2>And Mom and me have felt like a really good

0:36:45.680 --> 0:36:48.719
<v Speaker 2>like summation and culmination of all of that. And I

0:36:50.120 --> 0:36:53.080
<v Speaker 2>went from being just like you where I hated filming

0:36:53.080 --> 0:36:56.200
<v Speaker 2>this number. I liked being insane. And I remember my

0:36:56.280 --> 0:36:59.000
<v Speaker 2>mom watched this with me and she's like I was there.

0:36:59.000 --> 0:37:00.520
<v Speaker 2>I was like, yeah, I remember we had people in

0:37:00.520 --> 0:37:04.000
<v Speaker 2>the audience watching, oh funny, and it felt insane, and

0:37:04.000 --> 0:37:06.440
<v Speaker 2>I remember us being extra insane performing for people in

0:37:06.440 --> 0:37:06.960
<v Speaker 2>the audience.

0:37:07.440 --> 0:37:10.239
<v Speaker 1>We looked insane. The costumes were crazy. It was shot

0:37:10.400 --> 0:37:12.560
<v Speaker 1>very similar to the video Araba.

0:37:12.880 --> 0:37:15.120
<v Speaker 2>It took a summer in Europe hearing Abba out and

0:37:15.160 --> 0:37:17.880
<v Speaker 2>I'm fully reformed it.

0:37:17.960 --> 0:37:21.480
<v Speaker 1>Yes, I've seen I've found the light. I've seen the light.

0:37:21.520 --> 0:37:22.280
<v Speaker 1>I've come around.

0:37:22.400 --> 0:37:24.040
<v Speaker 2>We were both late to the party, but it's better

0:37:24.080 --> 0:37:27.160
<v Speaker 2>late than ever. I get it and I love this number.

0:37:27.200 --> 0:37:30.719
<v Speaker 2>I wish it was twice as long. I agree, I

0:37:31.120 --> 0:37:33.759
<v Speaker 2>loved I loved watching this. I might watch it again

0:37:33.800 --> 0:37:36.520
<v Speaker 2>after we after we get off a few well to us,

0:37:37.960 --> 0:37:42.000
<v Speaker 2>cudis to Eric, Yeah, no, I'm kidding, it's not. It

0:37:42.040 --> 0:37:45.000
<v Speaker 2>was nothing to do with us, but it was a

0:37:45.040 --> 0:37:48.520
<v Speaker 2>really fun number. Also, we forgot to talk about Tina's

0:37:48.560 --> 0:37:54.040
<v Speaker 2>Guilty Pleasure Vicky the Roebuck girl. Okay, who didn't know

0:37:54.080 --> 0:37:56.080
<v Speaker 2>what that was? I didn't think you did, but you

0:37:56.120 --> 0:37:59.960
<v Speaker 2>committed and I loved it. And I also loved Kitty

0:38:00.200 --> 0:38:04.880
<v Speaker 2>being like, I can't you hit my limit? Yeah? Like

0:38:05.000 --> 0:38:08.640
<v Speaker 2>you don't know the Bobby Brown stuff, but you know

0:38:09.120 --> 0:38:09.920
<v Speaker 2>this reference?

0:38:10.560 --> 0:38:18.640
<v Speaker 1>Yeah yeah. Jake's like, hey, Vicky, Yeah, so that is

0:38:18.760 --> 0:38:23.279
<v Speaker 1>the Guilty Pleasure episode. Again, it's very one off, it's

0:38:23.480 --> 0:38:31.600
<v Speaker 1>very in slur we it's it's funny, it had its moments.

0:38:31.680 --> 0:38:35.360
<v Speaker 2>And Guilty Pleasure. What song would be your guilty pleasure

0:38:37.560 --> 0:38:39.520
<v Speaker 2>or movie like you.

0:38:39.520 --> 0:38:41.040
<v Speaker 1>I don't know, I really, I don't actually have to

0:38:41.040 --> 0:38:43.880
<v Speaker 1>think about it. Titanic, I don't know if that's a

0:38:43.920 --> 0:38:46.919
<v Speaker 1>guilty pleasure or not at this point. But a walk

0:38:46.960 --> 0:38:51.800
<v Speaker 1>to Remember, Oh yeah, Adam Shankman, Yeah, those are the

0:38:51.880 --> 0:38:54.479
<v Speaker 1>kind of movies like bring it On, like these cult

0:38:54.520 --> 0:38:56.320
<v Speaker 1>classics from like the nineties.

0:38:56.800 --> 0:38:59.919
<v Speaker 2>What a good part of Fondou for two. Speaking of which,

0:39:00.120 --> 0:39:02.959
<v Speaker 2>the battling over the bringing sequels.

0:39:03.760 --> 0:39:05.880
<v Speaker 1>That was Heather that came out of that character to

0:39:05.960 --> 0:39:08.000
<v Speaker 1>that that in that scene that.

0:39:08.040 --> 0:39:15.160
<v Speaker 2>Also felt like very jess Meyer battling over the.

0:39:14.920 --> 0:39:16.920
<v Speaker 1>Yeah, totally. She's like, no, you can't even like you

0:39:16.920 --> 0:39:17.600
<v Speaker 1>can't like that one.

0:39:18.239 --> 0:39:22.600
<v Speaker 2>Oh god, really funny writing this episode.

0:39:22.880 --> 0:39:30.080
<v Speaker 1>Yes, clever, let's create some performances, okay, waiting meet before

0:39:30.080 --> 0:39:35.080
<v Speaker 1>you go go. Honestly, the performance that was edited, I

0:39:35.120 --> 0:39:37.200
<v Speaker 1>thought it was great. I think it was like an

0:39:37.200 --> 0:39:47.640
<v Speaker 1>A copa comana A A against all odds, B plus

0:39:47.800 --> 0:39:51.719
<v Speaker 1>B plus I want to be A plus A plus

0:39:51.760 --> 0:39:58.240
<v Speaker 1>my prerogative A A creep here Oh wow, okay, great.

0:39:58.080 --> 0:40:00.839
<v Speaker 2>Sold you sold me? Just they don't like the song.

0:40:00.920 --> 0:40:04.200
<v Speaker 2>I think the performance of it was really great. Okay, Mom,

0:40:04.200 --> 0:40:12.839
<v Speaker 2>and miya, it's my guilty pleasure now honestly, I know, Yes,

0:40:13.320 --> 0:40:15.759
<v Speaker 2>it has become like you can nerd out about it.

0:40:15.960 --> 0:40:19.600
<v Speaker 2>The albums were mixed, so they basically invented modern pop music.

0:40:20.320 --> 0:40:24.360
<v Speaker 2>They did, and it's it's a outstanding but we wouldn't

0:40:24.400 --> 0:40:27.200
<v Speaker 2>have Max Martin. And without Max Martin, we have nothing.

0:40:28.719 --> 0:40:31.440
<v Speaker 1>I mean, you have no idea. You have an idea,

0:40:31.480 --> 0:40:35.040
<v Speaker 1>but you have no idea, you know. Okay, Chartie takes

0:40:35.239 --> 0:40:41.640
<v Speaker 1>cringe moments. There's a few cringe moments. Yeah, the Chris

0:40:41.680 --> 0:40:45.880
<v Speaker 1>Brown was like half cringe e And I'm yet still

0:40:45.920 --> 0:40:48.600
<v Speaker 1>surprised by it. I think is the word that I use.

0:40:48.960 --> 0:40:56.560
<v Speaker 2>Yes, Brittany calling unique Mercedes. I'm conflicted because it is funny,

0:40:56.560 --> 0:40:59.440
<v Speaker 2>funny but also feels.

0:41:00.000 --> 0:41:02.640
<v Speaker 1>It's a little racist, Yeah for sure.

0:41:02.680 --> 0:41:05.200
<v Speaker 2>And like also referring to the Black one about the

0:41:05.200 --> 0:41:06.239
<v Speaker 2>Spice Girls.

0:41:06.040 --> 0:41:09.200
<v Speaker 1>Yeah, there's a few jokes in here, maybe a few

0:41:09.239 --> 0:41:10.840
<v Speaker 1>too many.

0:41:11.680 --> 0:41:15.160
<v Speaker 2>Dance move I mean, oh god, actually this is hard.

0:41:15.840 --> 0:41:20.400
<v Speaker 2>My prerogative is definitely up there, like real dance movie, yes, yeah,

0:41:20.840 --> 0:41:26.000
<v Speaker 2>but like spicel Mia, Spice Girls is they're all really good? Yeah,

0:41:26.000 --> 0:41:27.280
<v Speaker 2>have some really good things.

0:41:27.719 --> 0:41:28.319
<v Speaker 1>Yeah, you're right.

0:41:28.600 --> 0:41:34.560
<v Speaker 2>Best song wanna be for me?

0:41:35.400 --> 0:41:42.160
<v Speaker 1>Sure, Mamma Mia for me. The best performance by a prop,

0:41:42.560 --> 0:41:44.319
<v Speaker 1>I mean the macaroni.

0:41:44.440 --> 0:41:45.680
<v Speaker 2>The macaroni.

0:41:47.080 --> 0:41:54.759
<v Speaker 1>Like the Ama Stone. It's really something. It just tickles me.

0:41:55.040 --> 0:42:03.319
<v Speaker 1>It really really just gets me. The Tubbington's Scientology book

0:42:03.360 --> 0:42:04.040
<v Speaker 1>as well gets me.

0:42:04.160 --> 0:42:04.640
<v Speaker 2>Yeah.

0:42:05.000 --> 0:42:11.800
<v Speaker 1>Best line. Sam Money makes a joke to Tina about

0:42:11.880 --> 0:42:14.000
<v Speaker 1>rubbing Wintman on the chest and Tina saying that was

0:42:14.000 --> 0:42:15.239
<v Speaker 1>a phase is a funny one.

0:42:16.239 --> 0:42:19.560
<v Speaker 2>I think that that might be it. But there's some

0:42:20.160 --> 0:42:24.680
<v Speaker 2>there's so many great moments in this episode. Santana says,

0:42:24.719 --> 0:42:26.479
<v Speaker 2>I don't think you need all these beauty products, Rachel,

0:42:26.480 --> 0:42:29.319
<v Speaker 2>because they're not having the desired effect, and this your

0:42:29.360 --> 0:42:31.800
<v Speaker 2>goal is to look like a reject from the Shaws

0:42:31.840 --> 0:42:32.520
<v Speaker 2>of sense.

0:42:35.239 --> 0:42:37.839
<v Speaker 1>They also make a duck dinisty a joke in this one,

0:42:37.880 --> 0:42:41.560
<v Speaker 1>which definitely ages us, But I, yeah, I thought that

0:42:41.640 --> 0:42:42.839
<v Speaker 1>was funny because we love Dug.

0:42:42.960 --> 0:42:46.440
<v Speaker 2>I loved Dug Dynasty when it was on. That's like

0:42:46.520 --> 0:42:48.600
<v Speaker 2>Sam being like, you get your guilty pleasure is me.

0:42:49.640 --> 0:42:51.920
<v Speaker 2>I mean, I've known all year and you know, frankly,

0:42:51.960 --> 0:42:53.960
<v Speaker 2>I'm an attractive guy and you're into dudes. And if

0:42:54.000 --> 0:42:58.840
<v Speaker 2>you weren't into me, I'd probably be pretty offended. Oh actually,

0:42:58.960 --> 0:43:03.160
<v Speaker 2>right after that, he says they're hugging, and it's this

0:43:03.320 --> 0:43:06.880
<v Speaker 2>beautiful moment where Sam gets this look on his face

0:43:06.920 --> 0:43:09.320
<v Speaker 2>and goes, dude, please tell me that is only a

0:43:09.360 --> 0:43:12.680
<v Speaker 2>pack of life Savers in your podcast, and he's like, oh,

0:43:14.480 --> 0:43:20.719
<v Speaker 2>so good comedy. I love stupid comedy performance.

0:43:20.840 --> 0:43:21.120
<v Speaker 1>M VP.

0:43:22.800 --> 0:43:24.480
<v Speaker 2>Oh man, it's hard.

0:43:25.280 --> 0:43:28.480
<v Speaker 1>This is a hard one. This is hard because it

0:43:28.560 --> 0:43:31.160
<v Speaker 1>was a very much on our McKinley end. It was

0:43:31.320 --> 0:43:34.280
<v Speaker 1>very much a group effort, it really was. I think

0:43:35.120 --> 0:43:42.960
<v Speaker 1>I think Cord had some breakout moments. Yes, I think

0:43:43.080 --> 0:43:47.120
<v Speaker 1>Leah Yes was very good in New York, as was

0:43:48.200 --> 0:43:49.759
<v Speaker 1>all of them in New York were great. Yeah, all

0:43:49.760 --> 0:43:50.799
<v Speaker 1>of them in New York were great.

0:43:51.120 --> 0:43:52.560
<v Speaker 2>I don't know, man, I.

0:43:52.480 --> 0:43:55.600
<v Speaker 1>Know you've honorable mentioned to Cord and Leah. Okay, we'll

0:43:55.640 --> 0:43:59.799
<v Speaker 1>just split it between them, Okay, fair enough. Jennifer shuit

0:43:59.800 --> 0:44:01.600
<v Speaker 1>we on a TikTok. Jess wells.

0:44:03.239 --> 0:44:06.760
<v Speaker 2>Sitting at a bar and says, drastically changing the vibe

0:44:06.760 --> 0:44:09.440
<v Speaker 2>of any bar I enter by immediately queuing up Glee

0:44:09.800 --> 0:44:14.399
<v Speaker 2>on the Touch Tunes Amber's version of Buster Windows, and

0:44:14.440 --> 0:44:17.719
<v Speaker 2>she's looking guilty but also very satisfied and I love that.

0:44:18.960 --> 0:44:22.000
<v Speaker 2>That's a real one, right there, a real fan. I

0:44:22.080 --> 0:44:23.839
<v Speaker 2>appreciate it. We appreciate it.

0:44:24.040 --> 0:44:26.319
<v Speaker 1>We appreciate that. Thank you very much.

0:44:27.680 --> 0:44:32.120
<v Speaker 2>I love that so much. Responsibility. There's one of those

0:44:32.160 --> 0:44:35.120
<v Speaker 2>at a bar. I have one of flaming saddles in

0:44:35.120 --> 0:44:37.120
<v Speaker 2>New York and it's a great time.

0:44:38.760 --> 0:44:50.000
<v Speaker 1>Well, that is Guilty Pleasures, and next episode is that episode.

0:44:50.960 --> 0:44:52.000
<v Speaker 2>I'm a little.

0:44:52.440 --> 0:44:59.239
<v Speaker 1>Scared you should be. Well, hopefully you'll join us for

0:44:59.320 --> 0:45:03.520
<v Speaker 1>a very yeah, tough conversation. But thanks for joining us

0:45:03.560 --> 0:45:06.440
<v Speaker 1>for Guilty Pleasures. Write in tell us what your guilty

0:45:06.440 --> 0:45:10.600
<v Speaker 1>pleasure is if it has done anything to do with Clee.

0:45:12.320 --> 0:45:15.160
<v Speaker 2>It feels like we've had too much fun and now

0:45:15.239 --> 0:45:18.080
<v Speaker 2>it's going to get really serious. Yeah you know so

0:45:19.080 --> 0:45:22.640
<v Speaker 2>up okay, buckle up, here we go. Thanks for joining us,

0:45:22.880 --> 0:45:26.160
<v Speaker 2>and that's what you really missed. Hey, thanks for listening

0:45:26.440 --> 0:45:28.960
<v Speaker 2>and follow us on Instagram at and that's what you

0:45:29.080 --> 0:45:31.280
<v Speaker 2>really miss pod. Make sure to write us a review

0:45:31.360 --> 0:45:33.480
<v Speaker 2>and leave us five stars. See you next time.