1 00:00:01,760 --> 00:00:04,439 Speaker 1: And That's what you Really Missed with Jenna. 2 00:00:04,480 --> 00:00:07,280 Speaker 2: And Kevin an iHeartRadio. 3 00:00:06,600 --> 00:00:11,920 Speaker 1: Podcast Welcome to and That's what You Really Missed podcast 4 00:00:13,200 --> 00:00:18,080 Speaker 1: Guilty Pleasures Guilty Pleasures. 5 00:00:19,000 --> 00:00:22,400 Speaker 2: This originally aired on March twenty first, twenty thirteen. This 6 00:00:22,440 --> 00:00:25,840 Speaker 2: is episode seventeen of season four. 7 00:00:26,640 --> 00:00:27,120 Speaker 1: We are. 8 00:00:28,600 --> 00:00:31,960 Speaker 2: Deep like in the home stretch here of season four, right. 9 00:00:32,000 --> 00:00:34,159 Speaker 1: I cannot believe it. 10 00:00:34,400 --> 00:00:38,479 Speaker 2: Very strange and when we were going into this season, 11 00:00:38,640 --> 00:00:42,080 Speaker 2: we were a little concerned about if it was good 12 00:00:42,200 --> 00:00:46,400 Speaker 2: or not, and people were saying it wasn't great. How 13 00:00:46,400 --> 00:00:47,360 Speaker 2: do you feel thus far? 14 00:00:49,600 --> 00:00:55,120 Speaker 1: I feel great, aside from like a few episodes, Feud 15 00:00:55,160 --> 00:01:00,160 Speaker 1: being one of them, Like no, and Feud wasn't even that. 16 00:01:00,360 --> 00:01:04,600 Speaker 1: They're just they're more filler. There's stuff that happens, of course, 17 00:01:04,640 --> 00:01:10,679 Speaker 1: but they're more filler transitions. I feel really solid about 18 00:01:10,680 --> 00:01:14,480 Speaker 1: this season. It's not it's definitely not season three, but 19 00:01:14,640 --> 00:01:21,600 Speaker 1: it is solid in my opinion. Really good music, great memories, 20 00:01:23,360 --> 00:01:28,280 Speaker 1: fun storylines. New York is like popping off. I'm just 21 00:01:28,400 --> 00:01:31,240 Speaker 1: here for it, I really am it. 22 00:01:31,280 --> 00:01:33,000 Speaker 2: Does do you feel it does feel like a bit 23 00:01:33,040 --> 00:01:37,360 Speaker 2: of a different show, Like it feels a little different, Yes, 24 00:01:38,240 --> 00:01:41,800 Speaker 2: but I like what it is yeah, I'm not. I'm not. 25 00:01:42,000 --> 00:01:45,480 Speaker 2: I don't mind some of the more filler episodes, Like 26 00:01:45,560 --> 00:01:49,640 Speaker 2: I'm just sort of enjoying the absurd teen show of 27 00:01:49,680 --> 00:01:53,480 Speaker 2: it all agreed, like, it's very consistent. It doesn't feel 28 00:01:53,480 --> 00:01:57,560 Speaker 2: like it doesn't feel like we're completely off base. It 29 00:01:57,560 --> 00:01:59,960 Speaker 2: doesn't feel like it completely lost the plot, you know, 30 00:02:00,040 --> 00:02:02,800 Speaker 2: I mean, hasn't jumped a shark. It does feel different, 31 00:02:02,800 --> 00:02:04,440 Speaker 2: but you know, it's season four of a show, so 32 00:02:05,040 --> 00:02:08,360 Speaker 2: I think that happens. I feel like the growing pains 33 00:02:08,440 --> 00:02:11,639 Speaker 2: or whatever you want to call it feels very consistent 34 00:02:11,680 --> 00:02:13,760 Speaker 2: with what happens on other shows. I think in my head, 35 00:02:13,840 --> 00:02:18,040 Speaker 2: I remember it being a lot different, and I'm just 36 00:02:18,120 --> 00:02:19,440 Speaker 2: I'm enjoying it again. 37 00:02:19,360 --> 00:02:26,000 Speaker 1: Saying yeah. I also, I feel like we got a 38 00:02:26,040 --> 00:02:29,560 Speaker 1: lot of like it because they graduated and everybody's off 39 00:02:29,560 --> 00:02:34,560 Speaker 1: to different places and the band isn't all together like 40 00:02:34,600 --> 00:02:36,880 Speaker 1: it used to be. I do feel like we get 41 00:02:37,080 --> 00:02:40,320 Speaker 1: really good nuggets of everybody being together still too. 42 00:02:40,960 --> 00:02:47,080 Speaker 2: Yeah, I mean I do. I do miss everyone. Yeah, 43 00:02:47,840 --> 00:02:52,640 Speaker 2: I definitely want some more Mercedes and Mike and just 44 00:02:53,000 --> 00:02:58,160 Speaker 2: everybody back. But the new kids I'm loving. And I 45 00:02:58,240 --> 00:03:01,280 Speaker 2: obviously we're biased. I can't tell I cannot separate from 46 00:03:01,320 --> 00:03:04,600 Speaker 2: how I feel about them personally, So there's no way 47 00:03:04,600 --> 00:03:11,120 Speaker 2: for me to objectively tell you how I feel. But 48 00:03:12,160 --> 00:03:14,720 Speaker 2: how it feels watching is that I'm fully in. But 49 00:03:14,760 --> 00:03:16,680 Speaker 2: I do think we talked about earlier in the season 50 00:03:17,320 --> 00:03:20,200 Speaker 2: they were trying to you know, we could feel them 51 00:03:20,240 --> 00:03:21,880 Speaker 2: trying to get the new kids to stick. 52 00:03:22,720 --> 00:03:23,600 Speaker 1: Yes, definitely. 53 00:03:23,919 --> 00:03:26,840 Speaker 2: I just think everyone's so good. I think like Becca 54 00:03:26,919 --> 00:03:31,440 Speaker 2: and Melissa and Alex and Blake and Jacob and everyone's 55 00:03:31,480 --> 00:03:32,720 Speaker 2: just been the. 56 00:03:32,680 --> 00:03:35,720 Speaker 1: More opportunity to give them, the more they shine. That's 57 00:03:35,760 --> 00:03:40,320 Speaker 1: a thing like getting those episodes where it's just McKinley 58 00:03:40,360 --> 00:03:44,800 Speaker 1: based really helps said that, you know, set the tone 59 00:03:44,840 --> 00:03:47,960 Speaker 1: for the rest of the season. Absolutely, So this is 60 00:03:48,000 --> 00:03:54,080 Speaker 1: structured by our dear friend Eric Stolts wonderful. 61 00:03:55,160 --> 00:03:58,520 Speaker 2: Which makes sense because like last episode, there are also 62 00:03:58,600 --> 00:04:02,000 Speaker 2: some editing choices and this episode and the musical numbers 63 00:04:02,040 --> 00:04:05,760 Speaker 2: specifically where we said Baker could get away with it 64 00:04:06,840 --> 00:04:09,800 Speaker 2: because he was like the head of editing. Stilts is 65 00:04:09,840 --> 00:04:12,480 Speaker 2: also probably the person outside of Ryan or Brad who's 66 00:04:12,480 --> 00:04:16,720 Speaker 2: directed the most yes and has that relationship and had 67 00:04:16,720 --> 00:04:20,159 Speaker 2: some really cool editing choices and the musical numbers in 68 00:04:20,160 --> 00:04:20,679 Speaker 2: this episode. 69 00:04:20,720 --> 00:04:24,320 Speaker 1: I think totally he was. This was a good one 70 00:04:24,320 --> 00:04:28,800 Speaker 1: for him. I think this episode. This was written by 71 00:04:28,880 --> 00:04:39,360 Speaker 1: Russell Friend and Garrett Learner, and there's an array of songs. 72 00:04:39,080 --> 00:04:42,840 Speaker 2: So much music. It feels like there's so much music, 73 00:04:43,880 --> 00:04:47,960 Speaker 2: so many songs. This episode also felt really long, very long. 74 00:04:48,080 --> 00:04:50,920 Speaker 2: I feel like in these this episode, in the two prior, 75 00:04:50,960 --> 00:04:53,240 Speaker 2: there's so much music. There's not a lot of story, 76 00:04:53,720 --> 00:04:56,680 Speaker 2: but like a lot of great performances. Yes, and we're 77 00:04:56,720 --> 00:04:59,960 Speaker 2: just the music is driving here, Yes, exactly. The music 78 00:05:00,080 --> 00:05:04,320 Speaker 2: is definitely driving. Wake Me Up Before you Go Go 79 00:05:04,440 --> 00:05:09,520 Speaker 2: performed by New Directions, Goba Cabana performed by Sam. 80 00:05:09,320 --> 00:05:13,159 Speaker 1: Against All Odds, Take a Look at Me Now performed by. 81 00:05:13,000 --> 00:05:18,520 Speaker 2: Blaine, Want to Be by the New directions, Girls So. 82 00:05:18,560 --> 00:05:21,560 Speaker 1: Good, My Prerogative perform by Jake. 83 00:05:22,080 --> 00:05:24,600 Speaker 2: Creep performed by Rachel and Brody. 84 00:05:25,600 --> 00:05:30,800 Speaker 1: And Mama Mia by Abba performed by Kurt Rachel Santana. 85 00:05:30,839 --> 00:05:33,760 Speaker 2: In the New Directions About your Favorite, I Have Stuff 86 00:05:33,800 --> 00:05:38,359 Speaker 2: to Say So, Sam was originally going to sing I 87 00:05:38,440 --> 00:05:41,240 Speaker 2: Knew You Were Trouble, but the song later changed at 88 00:05:41,279 --> 00:05:44,400 Speaker 2: Copacabana because in the promo for the episode, Sam told 89 00:05:44,400 --> 00:05:46,159 Speaker 2: Blaine that he loves Taylor Swift. 90 00:05:46,320 --> 00:05:47,960 Speaker 1: Yeah, we were supposed to do Taylor and for some 91 00:05:48,000 --> 00:05:48,960 Speaker 1: reason that didn't work out. 92 00:05:49,160 --> 00:05:51,680 Speaker 2: There must have been some clearance issue at the time. 93 00:05:52,160 --> 00:05:55,160 Speaker 1: Yes, this is the second episode in a row where 94 00:05:55,200 --> 00:05:59,840 Speaker 1: Blaine has had a part in setting the weekly assignment. 95 00:06:00,040 --> 00:06:03,880 Speaker 2: And Blaine is really all over the place, like he 96 00:06:04,279 --> 00:06:07,920 Speaker 2: is singing more than everybody. He is stepping up. They're 97 00:06:07,920 --> 00:06:09,280 Speaker 2: really leaning on Darren here. 98 00:06:09,520 --> 00:06:12,440 Speaker 1: This yes, these few episodes. 99 00:06:13,040 --> 00:06:16,440 Speaker 2: Against all odds, is the second song that Darren sing 100 00:06:16,600 --> 00:06:20,039 Speaker 2: live on set. You'll remember Teenage Dream and the breakup 101 00:06:21,160 --> 00:06:21,679 Speaker 2: So good. 102 00:06:22,440 --> 00:06:24,080 Speaker 1: This is the first episode to not feature any of 103 00:06:24,120 --> 00:06:28,560 Speaker 1: the major adult cast, so noel Ma, Sue be Spikings, 104 00:06:28,640 --> 00:06:29,600 Speaker 1: Carolyn Burt. 105 00:06:30,000 --> 00:06:34,640 Speaker 2: The kids. It's Kid's House, Kids Kiss. This episode marks 106 00:06:34,720 --> 00:06:38,159 Speaker 2: the last appearance of Brody in the series. 107 00:06:38,360 --> 00:06:40,080 Speaker 1: Wow, that was fast. 108 00:06:40,720 --> 00:06:42,000 Speaker 2: He's been in a lot. 109 00:06:42,680 --> 00:06:45,240 Speaker 1: Yeah, no, he has to do it wild though just 110 00:06:45,279 --> 00:06:48,720 Speaker 1: one season. The handwriting of guilty pleasures on the whiteboard 111 00:06:48,720 --> 00:06:50,840 Speaker 1: in the choir room changes multiple times. 112 00:06:52,160 --> 00:06:56,039 Speaker 2: Don't get Cord to do it right. Back in the 113 00:06:56,080 --> 00:06:58,960 Speaker 2: substitute Will tells Holly that she will be the substitute 114 00:06:59,000 --> 00:07:01,400 Speaker 2: teacher if he is sick. He was out sick, but 115 00:07:01,520 --> 00:07:04,680 Speaker 2: the glee club was canceled for the week. She was 116 00:07:04,720 --> 00:07:08,880 Speaker 2: probably filming Iron Man yeah or Avengers movie. 117 00:07:08,960 --> 00:07:12,680 Speaker 1: No. Seriously, Jake states that they do Rihanna songs all 118 00:07:12,680 --> 00:07:15,640 Speaker 1: the time in class. However, the last Rihanna song was 119 00:07:15,720 --> 00:07:19,280 Speaker 1: We Found Love in Yes or No, from the previous 120 00:07:19,320 --> 00:07:21,880 Speaker 1: season when Jake was not a member of the club. 121 00:07:22,560 --> 00:07:25,200 Speaker 2: Yeah. Do you really think they're like passing around? Here 122 00:07:25,240 --> 00:07:27,800 Speaker 2: are songs we've done as a New Clean Club member. 123 00:07:27,840 --> 00:07:32,280 Speaker 2: You should know our entire history. No, definitely not, absolutely not. 124 00:07:33,080 --> 00:07:36,080 Speaker 2: So the members of New Directions perform songs that they're 125 00:07:36,200 --> 00:07:39,760 Speaker 2: ordinarily too embarrassed to admit they love. That's the episode kids. 126 00:07:40,600 --> 00:07:42,640 Speaker 2: Oh wow, that's it. That's it. 127 00:07:44,440 --> 00:07:48,280 Speaker 1: Okay, Yeah, that was shocking. Okay, Yeah, well they didn't 128 00:07:48,280 --> 00:07:48,920 Speaker 1: even find it. 129 00:07:49,320 --> 00:07:53,760 Speaker 2: I mean there's there's two things happening. There's really I mean, 130 00:07:53,880 --> 00:07:57,800 Speaker 2: there's mister she was outsick, so Sama Kid's house. Yeah, 131 00:07:57,800 --> 00:08:01,160 Speaker 2: I decide to give us assignment, and we all do 132 00:08:02,520 --> 00:08:07,200 Speaker 2: our guilty pleasures. That's basically it. And through that we 133 00:08:07,280 --> 00:08:13,040 Speaker 2: also have some guilty admissions and personal lives. And then 134 00:08:13,560 --> 00:08:18,480 Speaker 2: you have the New York of it all, where the 135 00:08:18,560 --> 00:08:22,680 Speaker 2: thing going on is Santana's trying not to tell Rachel 136 00:08:22,920 --> 00:08:26,720 Speaker 2: the real reason why Brody mysteriously broke up with her, 137 00:08:26,840 --> 00:08:30,520 Speaker 2: and Kurt is in on it and he's trying to 138 00:08:31,120 --> 00:08:34,319 Speaker 2: keep Santana from doing it. Let's start there, because this 139 00:08:34,559 --> 00:08:39,080 Speaker 2: bathroom scene is so satisfying to me, where Rachel's in 140 00:08:39,080 --> 00:08:43,360 Speaker 2: the shower, Kurt is getting ready in the mirror, and 141 00:08:43,400 --> 00:08:45,960 Speaker 2: Santana is like, I need more room in here, and 142 00:08:45,960 --> 00:08:49,640 Speaker 2: then is blackmailing Kurt be like, I will tell Rachel 143 00:08:49,679 --> 00:08:52,400 Speaker 2: what really happened if you don't clear out some room 144 00:08:52,440 --> 00:08:57,080 Speaker 2: for me for these products continuing. Three of them are 145 00:08:57,080 --> 00:08:57,880 Speaker 2: so good. 146 00:08:59,200 --> 00:09:03,760 Speaker 1: She is paying to stay there now. She does deserve 147 00:09:03,840 --> 00:09:04,439 Speaker 1: some space. 148 00:09:04,600 --> 00:09:08,439 Speaker 2: She got a job, she got a Chung coyote ugly. 149 00:09:08,520 --> 00:09:11,439 Speaker 2: Oh my god, I cannot with that. The quote about 150 00:09:11,520 --> 00:09:13,319 Speaker 2: I hope my career is better than the girls that 151 00:09:13,360 --> 00:09:15,280 Speaker 2: are in that movie. 152 00:09:17,000 --> 00:09:18,880 Speaker 1: Brutal, brutal, love that movie though. 153 00:09:19,840 --> 00:09:29,000 Speaker 2: Yeah. 154 00:09:29,679 --> 00:09:34,840 Speaker 1: So Kurt is in class at YadA and the teacher's 155 00:09:35,200 --> 00:09:42,240 Speaker 1: assignment is similar to the glee clubs somehow magically in 156 00:09:43,000 --> 00:09:48,640 Speaker 1: kind of revealing your most vulnerable childhood memories or things. 157 00:09:49,200 --> 00:09:51,480 Speaker 1: And so the one is the girl before him is 158 00:09:51,520 --> 00:10:00,880 Speaker 1: going is doing potty training, right. But Kurt, then we 159 00:10:01,080 --> 00:10:05,880 Speaker 1: find is sleeping with his boyfriend pillow, which like, at 160 00:10:05,920 --> 00:10:09,880 Speaker 1: the time, this was a real thing. Oh yeah, Like 161 00:10:09,960 --> 00:10:13,600 Speaker 1: the boyfriend pillow was coming up in the world. A 162 00:10:13,600 --> 00:10:17,840 Speaker 1: lot of people have them, like infomercial Central. Yes, it 163 00:10:17,960 --> 00:10:19,199 Speaker 1: is kind of funny, but. 164 00:10:20,640 --> 00:10:23,319 Speaker 2: I loved it. It felt like a very friend's storyline. 165 00:10:23,480 --> 00:10:25,400 Speaker 2: This whole boyfriend pillow thing. 166 00:10:25,559 --> 00:10:29,679 Speaker 1: Totally the boyfriend arm pillow thing. Also Bruce is Carl 167 00:10:29,920 --> 00:10:34,000 Speaker 1: Kurt named it or whatever, Bruce or whoever gave him 168 00:10:34,040 --> 00:10:39,480 Speaker 1: the name. He also said that he Ambien purchased this online, 169 00:10:39,960 --> 00:10:42,280 Speaker 1: And I feel like that was real to Chris because 170 00:10:42,360 --> 00:10:43,920 Speaker 1: there was a lot of people on our set who 171 00:10:43,920 --> 00:10:48,959 Speaker 1: were ambient users that would have like crazy in nighttime 172 00:10:49,000 --> 00:10:52,520 Speaker 1: ambient stories, So I feel like that was also pulled 173 00:10:52,559 --> 00:10:53,040 Speaker 1: from life. 174 00:10:53,080 --> 00:10:56,560 Speaker 2: I mean, Chris was infamous for his ambient purchases, the 175 00:10:56,600 --> 00:10:58,560 Speaker 2: amount of things that would show up at his house 176 00:10:59,080 --> 00:11:04,480 Speaker 2: and he had no recollection ordering. Oh yeah, so good, wild, 177 00:11:04,840 --> 00:11:05,360 Speaker 2: so good. 178 00:11:05,840 --> 00:11:07,640 Speaker 1: And Rachel. 179 00:11:08,880 --> 00:11:13,000 Speaker 2: Is not totally convinced that she's not going to get 180 00:11:13,040 --> 00:11:19,560 Speaker 2: back together with Brody, right, and Santana finally has had 181 00:11:19,600 --> 00:11:22,839 Speaker 2: it and it's like, no, listen, it actually is over 182 00:11:23,440 --> 00:11:27,320 Speaker 2: and here's why. And Rachel looks like Kurt and she's like, 183 00:11:27,360 --> 00:11:31,440 Speaker 2: did you know too? And yes, he knew, and so 184 00:11:31,520 --> 00:11:36,959 Speaker 2: she promptly goes to Niada handsome some money and I 185 00:11:37,080 --> 00:11:41,960 Speaker 2: like to have dinner with you? Is is how much it costs? Great? Yeah, 186 00:11:42,000 --> 00:11:44,640 Speaker 2: she finds out the whole thing that Finn showed up 187 00:11:45,360 --> 00:11:48,200 Speaker 2: and they have this honest heart to heart about like 188 00:11:48,920 --> 00:11:52,800 Speaker 2: you're not over Finn, Like there's this whole other thing 189 00:11:52,880 --> 00:11:57,600 Speaker 2: that you weren't telling me about. She's there, Yeah, an 190 00:11:57,640 --> 00:12:01,079 Speaker 2: adult conversation And what was surprise to me? Through all this? 191 00:12:01,240 --> 00:12:05,280 Speaker 2: I just kept feeling like, I feel like the normal 192 00:12:06,000 --> 00:12:10,440 Speaker 2: drama TV show thing to do would have Rachel be 193 00:12:10,559 --> 00:12:14,439 Speaker 2: mad at Santana for having gone behind her back, having 194 00:12:14,480 --> 00:12:18,400 Speaker 2: involved Finn, you know, like actually being pissed, like you 195 00:12:18,520 --> 00:12:23,200 Speaker 2: messed in my business? Right, what are you doing? And 196 00:12:23,240 --> 00:12:26,920 Speaker 2: she doesn't do that. She defied my expectations. The writers did, 197 00:12:27,080 --> 00:12:33,040 Speaker 2: being like, I really appreciate you doing that, and I 198 00:12:33,160 --> 00:12:34,760 Speaker 2: loved to see it to be honest. 199 00:12:34,800 --> 00:12:36,480 Speaker 1: Yeah, no, no, I agree with you. I think it 200 00:12:36,520 --> 00:12:38,360 Speaker 1: could have gone that way because when Finn came out 201 00:12:38,360 --> 00:12:41,599 Speaker 1: of the bathroom in the last episode, I was like, Oh, 202 00:12:41,640 --> 00:12:43,680 Speaker 1: how does Rachel want to feel about this? I want 203 00:12:43,720 --> 00:12:45,960 Speaker 1: her to feel like, oh my night in shining armor 204 00:12:46,040 --> 00:12:48,720 Speaker 1: came to rescue me. But it's not always how it 205 00:12:48,760 --> 00:12:52,120 Speaker 1: goes on our show. So you're right. It surprised me 206 00:12:52,240 --> 00:12:57,439 Speaker 1: as well. And I like that they're getting along. They 207 00:12:57,480 --> 00:13:00,680 Speaker 1: can't always be fighting these guys in that house. 208 00:13:00,760 --> 00:13:01,880 Speaker 2: And she ended up being right. 209 00:13:02,160 --> 00:13:06,680 Speaker 1: Yeah, exactly, she was right. So Rachel is not stirring 210 00:13:06,679 --> 00:13:09,760 Speaker 1: the pod any anymore. So, And we've said it once, 211 00:13:10,480 --> 00:13:17,880 Speaker 1: I'll say it again. Naya usually was always right. Was 212 00:13:17,920 --> 00:13:18,760 Speaker 1: she the most. 213 00:13:18,480 --> 00:13:22,360 Speaker 2: Tactful, No about the ways in which she would bring 214 00:13:22,400 --> 00:13:27,840 Speaker 2: these things up. No, but she usually was right and 215 00:13:28,920 --> 00:13:33,120 Speaker 2: could like just sniff it out. It was wild. 216 00:13:33,880 --> 00:13:34,760 Speaker 1: It's pretty crazy. 217 00:13:35,000 --> 00:13:39,920 Speaker 2: Yeah, she could really do it on all levels, personally, professionally, 218 00:13:40,360 --> 00:13:44,280 Speaker 2: like she should just turn off that witchiness. Yeah, she 219 00:13:44,400 --> 00:13:46,800 Speaker 2: knew the little boyfriend pillow thing at the end too. 220 00:13:47,000 --> 00:13:50,720 Speaker 1: And Kurt. That's funny though, when Kurt gets. 221 00:13:52,120 --> 00:13:58,320 Speaker 2: Gets Santana a girl a girl boyfriend pillow with. 222 00:13:58,400 --> 00:14:02,680 Speaker 1: The hand, it's so funny, it's so good. Oh but okay, 223 00:14:02,720 --> 00:14:05,319 Speaker 1: So Rachel goes and gives money to Brody and they 224 00:14:05,360 --> 00:14:07,720 Speaker 1: have this very dull conversation but then they break up 225 00:14:07,800 --> 00:14:14,520 Speaker 1: and the like scene ever and they break into creep. Yeah, 226 00:14:14,800 --> 00:14:18,840 Speaker 1: I love creep. I love this song. You do, I 227 00:14:18,880 --> 00:14:20,920 Speaker 1: do do not like this song. 228 00:14:24,080 --> 00:14:27,160 Speaker 2: I have mixed feelings about this song. I love Radiohead. 229 00:14:27,240 --> 00:14:36,280 Speaker 2: This is probably my least favorite Radiohead single. Like, there's 230 00:14:36,280 --> 00:14:40,800 Speaker 2: something about when people sing this song, like I think too. 231 00:14:41,880 --> 00:14:45,280 Speaker 2: I think it's a hard song to cover because of 232 00:14:45,320 --> 00:14:50,080 Speaker 2: what it's talking about. I feel like I started to 233 00:14:50,120 --> 00:14:53,440 Speaker 2: laugh a little bit, like they're singing creep and like 234 00:14:54,160 --> 00:14:58,360 Speaker 2: they're trying to make Brody seem creepy or something. It 235 00:14:58,440 --> 00:15:02,320 Speaker 2: felt like an odd choice, interesting, and I liked it. 236 00:15:02,440 --> 00:15:04,720 Speaker 2: I felt like it was a little too pretty. 237 00:15:05,560 --> 00:15:07,560 Speaker 1: Oh I don't think. I mean it was pretty, but 238 00:15:07,680 --> 00:15:08,120 Speaker 1: I mean. 239 00:15:08,360 --> 00:15:11,040 Speaker 2: They both sounded amazing, that's the thing. Like, I'm conflicted. 240 00:15:11,520 --> 00:15:14,840 Speaker 1: I liked the montage of them running past each other 241 00:15:15,520 --> 00:15:20,000 Speaker 1: and the whole, like the split montage like, but when 242 00:15:20,040 --> 00:15:22,880 Speaker 1: they came together, just staying on the stage and black, 243 00:15:22,960 --> 00:15:26,320 Speaker 1: it felt a little too new directions to me again, 244 00:15:26,360 --> 00:15:27,800 Speaker 1: like we were going backwards in time. 245 00:15:28,040 --> 00:15:31,440 Speaker 2: Yes, well, it looked like they used the auditorium stage 246 00:15:31,440 --> 00:15:32,800 Speaker 2: and just put different fronts on it. 247 00:15:32,920 --> 00:15:38,640 Speaker 1: Yeah, it was a little too obvious. Yeah, yeah, I did. 248 00:15:38,720 --> 00:15:42,440 Speaker 2: I did like moment. I like elements of the actual performance. Yeah, 249 00:15:42,680 --> 00:15:45,200 Speaker 2: like the cover and I liked the song. I liked 250 00:15:45,200 --> 00:15:45,600 Speaker 2: the cover. 251 00:15:45,880 --> 00:15:47,960 Speaker 1: I liked it. I can't believe this is Brody's last 252 00:15:48,000 --> 00:15:51,680 Speaker 1: song already, this is his goodbye song. You better go 253 00:15:51,720 --> 00:15:56,400 Speaker 1: out like that. Yeah, you know, from them, he's really been, 254 00:15:57,320 --> 00:15:59,360 Speaker 1: you know, stepping it up. They've given him a lot 255 00:15:59,400 --> 00:16:02,160 Speaker 1: of stuff to do and it's been great. Yeah, no, 256 00:16:02,280 --> 00:16:05,360 Speaker 1: for sure, but it feels like it's time. It's time. 257 00:16:06,760 --> 00:16:07,480 Speaker 1: It's time. 258 00:16:09,640 --> 00:16:11,920 Speaker 2: We almos got a full season. 259 00:16:12,360 --> 00:16:15,120 Speaker 1: He did, and Finn's come to the rescue. He's calling 260 00:16:15,200 --> 00:16:17,200 Speaker 1: him a future wife, like we're gonna need fit and 261 00:16:17,280 --> 00:16:19,680 Speaker 1: something in Rachel. It just feels like everyone's going to 262 00:16:19,720 --> 00:16:23,160 Speaker 1: get back together with their people, right, Yes, totally totally. 263 00:16:23,240 --> 00:16:26,000 Speaker 2: Kurt sort of dismissed Adam. Where's Adam? 264 00:16:26,760 --> 00:16:29,800 Speaker 1: Setna and Brittany though I'm not sure, Like, yes, we 265 00:16:30,320 --> 00:16:33,600 Speaker 1: know what's happening, but like right now, it doesn't feel 266 00:16:33,600 --> 00:16:35,680 Speaker 1: like that. It feels like they're both on their own paths. 267 00:16:36,240 --> 00:16:41,000 Speaker 2: Yeah, which I appreciate. Yeah, same, Yeah, it feels like 268 00:16:41,040 --> 00:16:43,400 Speaker 2: they're doing like more of their journey. 269 00:16:44,040 --> 00:16:47,560 Speaker 1: Yeah, but Kurt and Blaine are sure. 270 00:16:47,440 --> 00:16:50,240 Speaker 2: Very connected, and Rachel and Finn are like. 271 00:16:50,440 --> 00:16:55,040 Speaker 1: Oh yeah, always we need that, we need that. Yeah. 272 00:16:55,640 --> 00:17:00,160 Speaker 1: And so we're in We're in McKinley and mister was 273 00:17:00,200 --> 00:17:05,560 Speaker 1: out sick, so there's no Holly Holiday, and Sam and 274 00:17:05,600 --> 00:17:11,040 Speaker 1: Blaine decide more blam, they're gonna do the Glee Club. 275 00:17:11,080 --> 00:17:14,880 Speaker 1: They're gonna hold Glee Club, even though Tina says it's 276 00:17:14,880 --> 00:17:22,720 Speaker 1: canceled with guilty pleasures for the week. Tina coming into 277 00:17:22,760 --> 00:17:26,920 Speaker 1: that scene and Sam making fun of her and her 278 00:17:27,000 --> 00:17:31,159 Speaker 1: saying that was a phase was actually it made me laugh. 279 00:17:33,040 --> 00:17:33,560 Speaker 2: I do not. 280 00:17:37,160 --> 00:17:39,680 Speaker 1: And she's just getting more annoyed and more annoyed, which 281 00:17:39,720 --> 00:17:42,320 Speaker 1: is funny to me, Like she's so annoyed at this point. 282 00:17:43,960 --> 00:17:49,919 Speaker 1: But this I liked playing a lot. This part of 283 00:17:49,960 --> 00:17:53,880 Speaker 1: Tina was like really fun for me. So we find 284 00:17:53,880 --> 00:17:57,119 Speaker 1: out that Sam has a guilty pleasure that he's going 285 00:17:57,200 --> 00:18:01,320 Speaker 1: to tell Blaine about. And which is the macaroni art. 286 00:18:01,960 --> 00:18:04,880 Speaker 1: Oh well, the first one is macaroni ar. Oh my god, 287 00:18:05,800 --> 00:18:09,040 Speaker 1: I love this. I love this, I love this. I 288 00:18:09,080 --> 00:18:11,879 Speaker 1: think it's so funny. I remember when they shot this 289 00:18:12,000 --> 00:18:14,879 Speaker 1: and being so amazed at the macaroni. 290 00:18:14,400 --> 00:18:17,120 Speaker 2: Art, and the macaroni art was like hanging around set 291 00:18:17,240 --> 00:18:19,639 Speaker 2: afterwards and before and we'd see it and it was 292 00:18:19,760 --> 00:18:25,280 Speaker 2: so weird but brilliant, so funny. And my favorite thing 293 00:18:25,600 --> 00:18:30,960 Speaker 2: is like when Darren sees or Blaine sees Kurt, like 294 00:18:31,240 --> 00:18:36,439 Speaker 2: the macar really captures they're so good together. 295 00:18:37,080 --> 00:18:39,199 Speaker 1: They are, and it's just ridiculous. I feel like that 296 00:18:39,280 --> 00:18:43,240 Speaker 1: storyline came from like Ian Brennan seeing Macaroni art somewhere 297 00:18:43,240 --> 00:18:44,520 Speaker 1: being like, we have to put this in. 298 00:18:44,680 --> 00:18:48,800 Speaker 2: Yes, I'm so absurd that I really did together. It 299 00:18:48,840 --> 00:18:51,400 Speaker 2: seems really sweet too, because it gives them money. Like, look, 300 00:18:51,440 --> 00:18:54,560 Speaker 2: I saw you stealing the pasta. I know your dad's 301 00:18:54,600 --> 00:18:56,920 Speaker 2: going through a rough time. And he's like, no, dog, 302 00:18:56,960 --> 00:18:58,000 Speaker 2: I'm just a salant. 303 00:19:01,080 --> 00:19:03,800 Speaker 1: Sam. This is the line he says to Tina. Hey, 304 00:19:04,280 --> 00:19:06,399 Speaker 1: just curious. You can go to hers, go over to 305 00:19:06,440 --> 00:19:08,240 Speaker 1: his house and straddle and while he's passed out and 306 00:19:08,280 --> 00:19:10,120 Speaker 1: rubs some ointment on his chest. 307 00:19:11,119 --> 00:19:14,240 Speaker 2: And the enjoyment on his face as he was saying 308 00:19:14,280 --> 00:19:20,320 Speaker 2: that was so good. I'm glad they're addressing it too. 309 00:19:20,960 --> 00:19:24,080 Speaker 1: Yes, absolutely, and in a joking manner, because we have to. 310 00:19:24,320 --> 00:19:29,320 Speaker 1: We have to. And so Blaine. Sam's asking Blaine to 311 00:19:29,440 --> 00:19:33,560 Speaker 1: reveal his guilty pleasure, he avoids it because his guilty 312 00:19:33,600 --> 00:19:39,760 Speaker 1: pleasure is him yeah, and so he he dodges the 313 00:19:39,840 --> 00:19:45,360 Speaker 1: question for now, Well for now. Yeah, the Coba Kabana 314 00:19:46,520 --> 00:19:47,120 Speaker 1: is crazy. 315 00:19:47,960 --> 00:19:52,920 Speaker 2: I love it so much. Eric was the perfect director 316 00:19:54,000 --> 00:19:56,440 Speaker 2: for this because he captured there's all these little things 317 00:19:56,440 --> 00:20:01,040 Speaker 2: that happened with everybody, and it's I just enjoyed it 318 00:20:01,080 --> 00:20:04,320 Speaker 2: so much because it felt so real in terms of 319 00:20:04,320 --> 00:20:07,040 Speaker 2: like Kid's House, we're doing what we want. We choreograph 320 00:20:07,119 --> 00:20:13,400 Speaker 2: this ourselves against Yes, definitely, and Chord Chord doing. 321 00:20:15,520 --> 00:20:24,000 Speaker 1: This number is something else, sensational writing truly, truly, he's 322 00:20:24,040 --> 00:20:32,040 Speaker 1: a fanelo and then everybody admits, I don't Berry, it's 323 00:20:32,200 --> 00:20:36,760 Speaker 1: so silly, it's so dumb. It is, it's really dumb, 324 00:20:37,040 --> 00:20:39,639 Speaker 1: but it's so cute. Nobody can pull that off like 325 00:20:39,720 --> 00:20:42,040 Speaker 1: Cord No, do you know what I mean? 326 00:20:43,920 --> 00:20:47,000 Speaker 2: And I know Taylor Swipt would have been incredible, oh yeah, 327 00:20:47,359 --> 00:20:51,960 Speaker 2: but but this it just works. This is comedy gold. 328 00:20:52,240 --> 00:20:53,000 Speaker 1: It just works. 329 00:20:54,080 --> 00:20:56,439 Speaker 2: And I love how when he like comes out to 330 00:20:56,520 --> 00:20:59,479 Speaker 2: Blaine as a Barry Manilow fan, Blaine's like, you have 331 00:20:59,560 --> 00:21:04,000 Speaker 2: to share this with everyone, and it's also like set 332 00:21:04,080 --> 00:21:08,399 Speaker 2: up that it's like he's coming out as gay. Yes, 333 00:21:08,400 --> 00:21:11,720 Speaker 2: it feels like that, and Blaine's getting excited that it's like, 334 00:21:12,080 --> 00:21:14,320 Speaker 2: what's going to happen? And it's happening in the boys 335 00:21:14,320 --> 00:21:16,080 Speaker 2: locker room and he's like, I have something to tell you. 336 00:21:16,600 --> 00:21:18,119 Speaker 2: I thought that was very funny. 337 00:21:18,880 --> 00:21:25,840 Speaker 1: So Blaine does this number, this insane live performance. Of course, 338 00:21:26,640 --> 00:21:31,240 Speaker 1: he's amazing. He does this. And I listened to this 339 00:21:31,320 --> 00:21:33,360 Speaker 1: the other day. Actually, I was listening to Season four 340 00:21:33,480 --> 00:21:36,879 Speaker 1: music and I kind of skipped ahead. I cheated. I forgot. 341 00:21:36,920 --> 00:21:38,800 Speaker 1: He sings this, and he sounds so good on it. 342 00:21:39,680 --> 00:21:41,840 Speaker 1: I don't know if he what. 343 00:21:42,359 --> 00:21:46,880 Speaker 2: I love how sort of like when he's sang live 344 00:21:47,000 --> 00:21:50,440 Speaker 2: last time. By the end of the song, it makes 345 00:21:50,480 --> 00:21:56,840 Speaker 2: everyone so uncomfortable, Yes, because it gets so oddly intense, Yes, 346 00:21:57,200 --> 00:22:01,439 Speaker 2: which is the desired effect. And it's works and it's 347 00:22:01,480 --> 00:22:06,560 Speaker 2: really funny. And then everybody knows what's going on and 348 00:22:06,600 --> 00:22:12,239 Speaker 2: he totally lies about who that song was about, and 349 00:22:12,320 --> 00:22:15,120 Speaker 2: like all the kids would look at each other like, wow, 350 00:22:16,119 --> 00:22:20,480 Speaker 2: well you see what's happening here. I think we shot 351 00:22:20,560 --> 00:22:25,040 Speaker 2: that really late at night. I everyone looks very tired, 352 00:22:26,040 --> 00:22:29,760 Speaker 2: everyone napping. I thought I had the exact same feeling 353 00:22:29,760 --> 00:22:34,400 Speaker 2: watching this, like everyone looks a little sleepy, a little sleepy. 354 00:22:35,160 --> 00:22:38,280 Speaker 2: And this is when we were downing red bulls. 355 00:22:38,280 --> 00:22:43,960 Speaker 1: Red bulls this night, this night, so Baca, Jacob, Kevin 356 00:22:44,000 --> 00:22:47,879 Speaker 1: and I were downing red bulls and I like, I 357 00:22:47,920 --> 00:22:50,080 Speaker 1: think we each had three or four by the end 358 00:22:50,160 --> 00:22:50,479 Speaker 1: of the night. 359 00:22:50,520 --> 00:22:51,399 Speaker 2: Oh lost my mind. 360 00:22:51,560 --> 00:22:53,800 Speaker 1: Not okay, it's not okay when a cat. 361 00:22:53,640 --> 00:22:55,639 Speaker 2: Gets the zoomies. We weren't even. 362 00:22:55,600 --> 00:22:58,160 Speaker 1: A sip anymore. It's so bad. But we were losing 363 00:22:58,200 --> 00:22:59,639 Speaker 1: our minds. And this is why I think I have 364 00:22:59,840 --> 00:23:03,400 Speaker 1: very little memory of like the actual performance versus us 365 00:23:03,440 --> 00:23:08,040 Speaker 1: acting crazy on the other side of the campus. Absolutely, 366 00:23:08,320 --> 00:23:10,760 Speaker 1: but Blaine and Sam of this really nice ste at 367 00:23:10,760 --> 00:23:13,240 Speaker 1: the end where SAMs like, you do you want to 368 00:23:13,240 --> 00:23:17,359 Speaker 1: tell me? Because I know it's me, which is really sweet. 369 00:23:17,480 --> 00:23:22,280 Speaker 2: I have to say, yes, you know. We talked about 370 00:23:22,320 --> 00:23:25,000 Speaker 2: the show being like a bridge show, where you know 371 00:23:25,880 --> 00:23:29,120 Speaker 2: it is the last time things were addressed in certain ways, 372 00:23:29,160 --> 00:23:31,119 Speaker 2: it's the first time things were addressed in certain ways. 373 00:23:31,840 --> 00:23:39,480 Speaker 2: And having this really charming jock straight character talked to 374 00:23:39,560 --> 00:23:42,920 Speaker 2: his gay male best friend like this, which I'm mature, 375 00:23:43,720 --> 00:23:46,280 Speaker 2: was really profound in a number of ways, and I 376 00:23:46,320 --> 00:23:50,399 Speaker 2: think Chord did a wonderful job with this, and also 377 00:23:51,160 --> 00:23:56,919 Speaker 2: is how Cord is in real life and straightforward and 378 00:23:57,040 --> 00:24:02,000 Speaker 2: loves everybody and yeah, like, let's just appreciate it. That 379 00:24:02,040 --> 00:24:06,960 Speaker 2: scene me too, and it just gets it out of 380 00:24:07,000 --> 00:24:11,320 Speaker 2: the way, right, It's like, let's let's address the elephant 381 00:24:11,359 --> 00:24:11,800 Speaker 2: in the room. 382 00:24:12,240 --> 00:24:15,480 Speaker 1: Let's just do it. I really appreciated that. 383 00:24:15,800 --> 00:24:21,000 Speaker 2: Yeah. The other thing happening is Bondu for two, where 384 00:24:23,480 --> 00:24:27,200 Speaker 2: Pretty is like, you're a bitch, nobody likes you. I'm 385 00:24:27,200 --> 00:24:29,679 Speaker 2: gonna make fun of your face real quick. I'm on 386 00:24:29,720 --> 00:24:33,160 Speaker 2: Fondu for too, and set the record straight. Their chemistry 387 00:24:33,160 --> 00:24:36,680 Speaker 2: and Fondu for two. This is maybe my favorite Fondu 388 00:24:36,760 --> 00:24:40,639 Speaker 2: for two yet because they're both sort of awful to 389 00:24:40,720 --> 00:24:45,560 Speaker 2: each other, but it works in this really endearing, charming way. Again, 390 00:24:47,920 --> 00:24:52,480 Speaker 2: they're telling truths but neither of them are sensitive and 391 00:24:52,520 --> 00:24:54,880 Speaker 2: they're like, well, yeah, you're right, I am about right, 392 00:24:55,200 --> 00:24:59,320 Speaker 2: so okay, what of it? And then I love that 393 00:24:59,359 --> 00:25:03,840 Speaker 2: Tina's w on YouTube live streaming Vondue for two and 394 00:25:03,880 --> 00:25:07,560 Speaker 2: then as furious when Kitty does not admit what her 395 00:25:07,960 --> 00:25:11,600 Speaker 2: guilty pleasure is and I don't think this is controversial, 396 00:25:12,000 --> 00:25:16,879 Speaker 2: Spice girls. Who would judge you for listening to Spice Girls? 397 00:25:17,320 --> 00:25:20,800 Speaker 1: My reaction was, that's not so bad. Why was she 398 00:25:20,920 --> 00:25:21,600 Speaker 1: so scared. 399 00:25:21,960 --> 00:25:26,160 Speaker 2: I thought she was lying. When when Britney says it's 400 00:25:26,160 --> 00:25:29,640 Speaker 2: Spice Girls, when she's confronted by everybody, I thought Brittany 401 00:25:29,720 --> 00:25:31,320 Speaker 2: was like covering for her for a second. 402 00:25:31,560 --> 00:25:34,280 Speaker 1: Was Spice Girls going through like a hated moment at 403 00:25:34,280 --> 00:25:36,480 Speaker 1: that point, though, Like, I don't. 404 00:25:36,320 --> 00:25:38,639 Speaker 2: Know what I think. In the nineties it was like 405 00:25:38,960 --> 00:25:41,560 Speaker 2: the boy bands were guilty pleasures, Britney Spears' guils with pleasure. 406 00:25:41,600 --> 00:25:44,399 Speaker 2: I think all the time they all were guilty pleasure. 407 00:25:44,920 --> 00:25:49,480 Speaker 2: But by twenty thirteen people just accepted that they were 408 00:25:49,840 --> 00:25:54,080 Speaker 2: icons and we all loved Spice Girls. But I also think, 409 00:25:54,119 --> 00:25:57,280 Speaker 2: you know, Baby Spices on the set a couple weeks earlier. 410 00:25:57,400 --> 00:25:59,640 Speaker 2: It was a way to get the Spice Girls onto 411 00:25:59,680 --> 00:26:00,800 Speaker 2: the show. So like, whatever it. 412 00:26:00,760 --> 00:26:03,119 Speaker 1: Takes, I mean, we were thrilled. We've been asking for 413 00:26:03,160 --> 00:26:03,960 Speaker 1: this for a long time. 414 00:26:04,119 --> 00:26:05,600 Speaker 2: I mean, two weeks in a row we got boy 415 00:26:05,640 --> 00:26:09,440 Speaker 2: bands and now we have the Spice Girls, So whatever. 416 00:26:09,640 --> 00:26:12,879 Speaker 1: I mean do it. Also the fact that Brittany said 417 00:26:15,880 --> 00:26:18,680 Speaker 1: her guilty pleasure. When I look at a white dogger cut, 418 00:26:18,720 --> 00:26:23,359 Speaker 1: I assume they're racist. And Lord Tubington's guilty pleasure is 419 00:26:23,440 --> 00:26:28,480 Speaker 1: scientology and he's sitting there with a book of scientology open. 420 00:26:29,119 --> 00:26:29,480 Speaker 1: It was. 421 00:26:31,119 --> 00:26:33,640 Speaker 2: One of my favorite scenes, and it tends to be 422 00:26:34,280 --> 00:26:37,480 Speaker 2: like when all you girls get together, but all the 423 00:26:37,520 --> 00:26:40,440 Speaker 2: girls together deciding who's going to be Witch Spice girl, 424 00:26:40,640 --> 00:26:47,600 Speaker 2: and especially you and Alex together, so good your chemistry, 425 00:26:47,680 --> 00:26:51,680 Speaker 2: everybody's timing, the way it's edited. It was good right, perfectly, 426 00:26:51,760 --> 00:26:56,160 Speaker 2: it's so good. Well, here's a fun fact. So initially 427 00:26:56,320 --> 00:26:59,199 Speaker 2: I was so thrilled I was going to be Jenner Spice. 428 00:26:59,720 --> 00:27:04,000 Speaker 2: Oh and then I got pages pink pages, which when 429 00:27:04,040 --> 00:27:06,960 Speaker 2: you get a script and things change, there's different an 430 00:27:07,080 --> 00:27:09,840 Speaker 2: order of color. So I think pink is the first 431 00:27:09,920 --> 00:27:13,080 Speaker 2: and that's a revision page. And we got pink pages, 432 00:27:13,280 --> 00:27:17,400 Speaker 2: and Kitty got reassigned to Ginger Spice. I think because 433 00:27:17,440 --> 00:27:21,520 Speaker 2: of the writing in that scene particularly and like Tina 434 00:27:21,720 --> 00:27:23,760 Speaker 2: dressing that unique was not going to be the. 435 00:27:25,520 --> 00:27:30,560 Speaker 1: Scary Spice. And I was devastated because Tina was dressed 436 00:27:30,600 --> 00:27:32,920 Speaker 1: that's like crazy, So I felt like, oh, she gets 437 00:27:32,960 --> 00:27:39,840 Speaker 1: to be like in that awesome British flag, yeah union dress, yes, 438 00:27:40,280 --> 00:27:44,159 Speaker 1: like so cool. Ginger was my favorite. I mean she 439 00:27:44,240 --> 00:27:46,520 Speaker 1: was a lot of people see it, but like I 440 00:27:46,680 --> 00:27:51,080 Speaker 1: was stoked, and then of course I'm scary spize, which 441 00:27:51,160 --> 00:27:53,480 Speaker 1: ended up working out because I loved it was perfect, 442 00:27:54,000 --> 00:27:57,879 Speaker 1: but that was initially not the plan. 443 00:27:58,320 --> 00:28:00,840 Speaker 2: I loved how it was shot. Everybody sort of did 444 00:28:00,840 --> 00:28:04,280 Speaker 2: their Spice girl look at the camera, and then he 445 00:28:04,320 --> 00:28:06,159 Speaker 2: has had their own entrance. I love also at the 446 00:28:06,200 --> 00:28:09,600 Speaker 2: beginning of the scene you see Brittany hiding behind the 447 00:28:09,760 --> 00:28:15,840 Speaker 2: seconds you just straight up to see her hiding, which 448 00:28:15,840 --> 00:28:17,320 Speaker 2: is great. And I also feel like that was a 449 00:28:17,400 --> 00:28:19,840 Speaker 2: very Eric Stultz thing where I feel like anybody else 450 00:28:19,880 --> 00:28:22,879 Speaker 2: would have had her out of the shot initially. 451 00:28:22,600 --> 00:28:25,600 Speaker 1: Right right, but we have Eric's like okay, fine. 452 00:28:25,840 --> 00:28:30,159 Speaker 2: Get it, yeah, yeah, oh god love it. You guys like, 453 00:28:30,240 --> 00:28:32,560 Speaker 2: how was rehearsing for this? How was recording this? What 454 00:28:32,640 --> 00:28:33,040 Speaker 2: was this like? 455 00:28:34,040 --> 00:28:39,920 Speaker 1: So the rehearsal for this was actually very last minute. 456 00:28:40,280 --> 00:28:44,840 Speaker 1: So I remember rehearsing for this like on the day. 457 00:28:45,200 --> 00:28:47,040 Speaker 2: Well, you're all professionals, and also there's a lot of 458 00:28:47,040 --> 00:28:50,360 Speaker 2: footage to watch the Spice girls, so I imagine you can. 459 00:28:50,480 --> 00:28:54,080 Speaker 1: True true, but it was very last minute. It was 460 00:28:54,120 --> 00:29:01,240 Speaker 1: really fun though. I remember shooting this. It was ridiculous. 461 00:29:01,600 --> 00:29:05,120 Speaker 1: Everybody looked insane, everybody was in character. We had such 462 00:29:05,120 --> 00:29:08,280 Speaker 1: a fun time. It was like freeform rockout ish though, 463 00:29:08,320 --> 00:29:12,160 Speaker 1: even though there was like choreography, I think we shot 464 00:29:12,200 --> 00:29:17,600 Speaker 1: this in zero time. It was so fast. I remember 465 00:29:17,680 --> 00:29:23,920 Speaker 1: shooting this so fast. But like even the cameras of 466 00:29:23,960 --> 00:29:26,920 Speaker 1: our entrances and our like little poses and things were 467 00:29:26,960 --> 00:29:30,640 Speaker 1: like off the cuff, get it and go. That's why 468 00:29:30,680 --> 00:29:31,920 Speaker 1: I remember about it. That's one. 469 00:29:32,320 --> 00:29:37,040 Speaker 2: You were all so in it. Like Heather sporty spice 470 00:29:37,040 --> 00:29:42,720 Speaker 2: impression was phenomenal. You was scary phenomenal. I like the 471 00:29:42,760 --> 00:29:47,120 Speaker 2: way Becca came into that room as gender Spice and 472 00:29:47,240 --> 00:29:50,800 Speaker 2: Melissa too, are you kidding? Melissa's posh was crazy. 473 00:29:50,560 --> 00:29:51,800 Speaker 1: Your favorite ye act. 474 00:29:51,840 --> 00:29:54,520 Speaker 2: None of you broke, none of you broke Alex with 475 00:29:54,680 --> 00:29:59,000 Speaker 2: the lollipop the entire time, and like these insane ad libs. 476 00:30:01,000 --> 00:30:05,960 Speaker 2: I it's sort of you know, we love the girl. 477 00:30:06,280 --> 00:30:09,400 Speaker 1: Stream here, but yeah, yeah, yeah, what a dream. In fact, 478 00:30:09,440 --> 00:30:10,280 Speaker 1: it was a dream to do. 479 00:30:10,240 --> 00:30:12,240 Speaker 2: That also talented. I loved watching it. 480 00:30:13,160 --> 00:30:15,760 Speaker 1: Thanks, that was really fun. So the other thing that's 481 00:30:15,800 --> 00:30:21,600 Speaker 1: happening is that Jake wants to do a Chris Brown song. 482 00:30:21,840 --> 00:30:25,320 Speaker 1: I couldn't believe we did this. It's it's shocking that 483 00:30:25,360 --> 00:30:28,400 Speaker 1: we did this. It's really surprising that we did this. 484 00:30:29,480 --> 00:30:32,239 Speaker 1: It's interesting that they had Jake really wanting to do 485 00:30:32,280 --> 00:30:34,600 Speaker 1: this but like not really, I don't know. 486 00:30:34,800 --> 00:30:39,720 Speaker 2: It was it was shocking, what an interesting conversation to have, 487 00:30:40,080 --> 00:30:45,280 Speaker 2: and I also felt like both sides right tad mature 488 00:30:46,000 --> 00:30:49,440 Speaker 2: reasoning for their positions, Like this doesn't necessarily feel like 489 00:30:49,440 --> 00:30:51,600 Speaker 2: a high school conversation, but it feels like the conversation 490 00:30:51,680 --> 00:30:55,600 Speaker 2: that I want to hear people have yes about. And 491 00:30:56,960 --> 00:31:00,800 Speaker 2: it was Yeah, it was complicated that the girls were 492 00:31:00,800 --> 00:31:03,600 Speaker 2: all together, like united this whole episode. We had to 493 00:31:03,600 --> 00:31:06,240 Speaker 2: be yeah, yeah, and they like stood in a line 494 00:31:06,320 --> 00:31:08,960 Speaker 2: and fired off. I love how it was blocked him 495 00:31:09,000 --> 00:31:12,040 Speaker 2: sitting and had one one at a time going off 496 00:31:12,040 --> 00:31:16,600 Speaker 2: on him, and he gave his reasoning like not good enough, right, 497 00:31:16,880 --> 00:31:22,000 Speaker 2: and so he switched his position. But it was I 498 00:31:22,080 --> 00:31:25,440 Speaker 2: just can't believe like we dealt with that like something 499 00:31:25,520 --> 00:31:27,840 Speaker 2: as current that way. 500 00:31:28,520 --> 00:31:32,400 Speaker 1: It was very current. It was very fresh. Two fair 501 00:31:32,480 --> 00:31:35,720 Speaker 1: We do like Shooting Star next episode, so. 502 00:31:35,800 --> 00:31:39,479 Speaker 2: Right, but the same though as me because it's felt 503 00:31:39,880 --> 00:31:42,600 Speaker 2: really of all the crazy shit we do. It felt 504 00:31:43,080 --> 00:31:46,640 Speaker 2: really surprising and then it also felt crazy. Jacob is 505 00:31:46,680 --> 00:31:49,360 Speaker 2: his incredible performance of Bobby Brown. He switches the Brown 506 00:31:50,000 --> 00:31:53,720 Speaker 2: unbelievable and does like he's just a phenomenal dancer. He's 507 00:31:53,920 --> 00:31:58,040 Speaker 2: it's a great performance, Like more Jacob all the time. 508 00:32:00,360 --> 00:32:07,560 Speaker 2: But then it cuts to Artie saying like, allegedly Bobby 509 00:32:07,640 --> 00:32:09,440 Speaker 2: got me hooked on crack. 510 00:32:09,880 --> 00:32:12,080 Speaker 1: And I was like, what is happening. 511 00:32:12,920 --> 00:32:16,320 Speaker 2: I couldn't believe, Like it really felt like Kid's House, 512 00:32:19,000 --> 00:32:20,960 Speaker 2: but it's not true. 513 00:32:21,200 --> 00:32:25,960 Speaker 1: Like the point was he was doing it to correct 514 00:32:26,000 --> 00:32:28,720 Speaker 1: himself from Chris, and yet he still kind of made 515 00:32:28,720 --> 00:32:33,920 Speaker 1: a mistake. It's funny, you know, You're like, but I 516 00:32:34,160 --> 00:32:37,680 Speaker 1: see what you did there. But yeah, I just didn't 517 00:32:37,680 --> 00:32:38,320 Speaker 1: know how to take it. 518 00:32:38,360 --> 00:32:39,960 Speaker 2: I was like, can I laugh at these things? Like, 519 00:32:40,040 --> 00:32:43,560 Speaker 2: I don't know, I know totally. They were pretty funny. Though. 520 00:32:44,720 --> 00:32:48,800 Speaker 1: I'm glad we did it. I'm glad there was talk 521 00:32:48,920 --> 00:32:52,440 Speaker 1: of it. It just it's very Ryan. It's very nip 522 00:32:52,480 --> 00:32:55,320 Speaker 1: tuck ish, like where everything in pop culture pops up 523 00:32:55,320 --> 00:32:58,360 Speaker 1: in the show. For us, it's usually the music, but like, 524 00:32:58,600 --> 00:33:01,840 Speaker 1: we're kind of these are our people, and so I 525 00:33:01,880 --> 00:33:03,680 Speaker 1: think it's like you have to talk and we kind 526 00:33:03,680 --> 00:33:08,320 Speaker 1: of These kids are up on their social media and 527 00:33:07,960 --> 00:33:09,280 Speaker 1: they know what's up. 528 00:33:09,320 --> 00:33:11,080 Speaker 2: And they also do it. That happened in the same 529 00:33:11,200 --> 00:33:13,400 Speaker 2: way in Feuds, where they talked about the Elton and 530 00:33:13,440 --> 00:33:17,200 Speaker 2: Madonna feud, and they prefaced it with they resolved it. 531 00:33:17,440 --> 00:33:20,840 Speaker 2: Here's what it was about, where they give you sort 532 00:33:20,840 --> 00:33:27,600 Speaker 2: of a well balanced, contextual conversation about it, where they 533 00:33:27,880 --> 00:33:31,560 Speaker 2: very much felt like that It wasn't necessarily anybody taking 534 00:33:31,640 --> 00:33:37,080 Speaker 2: one side, right, but it was about, well, here's why 535 00:33:37,120 --> 00:33:39,239 Speaker 2: we feel like this, and here's why you feel like this. 536 00:33:40,440 --> 00:33:42,160 Speaker 2: So it's a little bit down the middle of. 537 00:33:42,120 --> 00:33:42,840 Speaker 1: It for sure. 538 00:33:51,480 --> 00:33:56,120 Speaker 2: And then we get to Jenna's favorite band of all time, Abbo. 539 00:33:57,640 --> 00:34:02,280 Speaker 1: I was grimacing doing this number because I do I 540 00:34:02,320 --> 00:34:08,560 Speaker 1: do not like Abba. I did not like Abba. There's 541 00:34:08,600 --> 00:34:12,200 Speaker 1: something that happened about six months to a year ago 542 00:34:13,640 --> 00:34:18,680 Speaker 1: where I an Abba song would come on somewhere and 543 00:34:18,719 --> 00:34:25,120 Speaker 1: I'd be like, well, that's actually pretty good. Why is 544 00:34:25,200 --> 00:34:25,880 Speaker 1: that good? 545 00:34:26,120 --> 00:34:26,319 Speaker 2: Yeah? 546 00:34:26,360 --> 00:34:28,200 Speaker 1: And I feel like you have artists like that that 547 00:34:28,239 --> 00:34:31,120 Speaker 1: have hit you like that too, and in ways Abba 548 00:34:31,160 --> 00:34:34,520 Speaker 1: has hit me like that. And I hated it. I 549 00:34:34,640 --> 00:34:38,080 Speaker 1: really hated it. I kind of loved to hate it, 550 00:34:38,200 --> 00:34:41,120 Speaker 1: you know. Doing this number was we made so much 551 00:34:41,120 --> 00:34:43,799 Speaker 1: fun of like the whole thing, like we were just 552 00:34:43,880 --> 00:34:47,120 Speaker 1: having fun with it. I did my like Vegas shogar arms. 553 00:34:47,160 --> 00:34:48,920 Speaker 1: This number was ridiculous. 554 00:34:48,440 --> 00:34:50,240 Speaker 2: And I remember, do you remember us watching the video 555 00:34:50,360 --> 00:34:52,600 Speaker 2: like we were trying to sort of imitate the real 556 00:34:52,680 --> 00:34:53,239 Speaker 2: video of this. 557 00:34:53,800 --> 00:35:00,319 Speaker 1: Yes, I mean we looked it, but but I don't 558 00:35:00,360 --> 00:35:05,560 Speaker 1: hate it, and I kind of like it, and I'm 559 00:35:05,640 --> 00:35:06,239 Speaker 1: kind of a fan. 560 00:35:07,239 --> 00:35:11,640 Speaker 2: I loved how so the two numbers on stage we 561 00:35:11,760 --> 00:35:13,520 Speaker 2: sort of glossed over waiting it before you go go, 562 00:35:14,000 --> 00:35:17,279 Speaker 2: But to bring these two numbers together that happened on 563 00:35:17,400 --> 00:35:19,399 Speaker 2: the stage, and we're the big performances and like wake 564 00:35:19,440 --> 00:35:22,000 Speaker 2: me up before you go go switched into the full 565 00:35:22,080 --> 00:35:28,239 Speaker 2: eighties music video editing squares and the close ups of 566 00:35:28,360 --> 00:35:30,759 Speaker 2: like John on the drums, and you had us in 567 00:35:30,800 --> 00:35:34,600 Speaker 2: these crazy costumes and then for Abba having it paired 568 00:35:34,640 --> 00:35:36,759 Speaker 2: with you know, the three of them in New York 569 00:35:36,840 --> 00:35:40,080 Speaker 2: doing it with their boyfriend and girlfriend pillows. So then 570 00:35:40,600 --> 00:35:43,800 Speaker 2: you had all of us being insane and Eric allowing 571 00:35:43,840 --> 00:35:47,560 Speaker 2: all of us to do the most insane options. Because 572 00:35:47,560 --> 00:35:52,200 Speaker 2: there's always like as an actor, you have like how 573 00:35:52,239 --> 00:35:54,120 Speaker 2: big do you want me to go? How insane do 574 00:35:54,160 --> 00:35:55,840 Speaker 2: you want me to go? And for this number, it 575 00:35:55,920 --> 00:35:59,440 Speaker 2: was pick the craziest choice go. I mean you had 576 00:35:59,440 --> 00:36:02,600 Speaker 2: a bell, I had a bell, I stuck my face 577 00:36:02,640 --> 00:36:04,239 Speaker 2: into Becca's boobs. 578 00:36:04,880 --> 00:36:06,000 Speaker 1: It was ridiculous. 579 00:36:06,800 --> 00:36:10,040 Speaker 2: I forgot to mention that during Spice Girls, Artie's fascination 580 00:36:10,120 --> 00:36:17,640 Speaker 2: and obsession with Kitty is also happening. Weird scene where 581 00:36:18,440 --> 00:36:21,240 Speaker 2: he doesn't know what to say. I thought was was, really, 582 00:36:21,320 --> 00:36:25,160 Speaker 2: it's funny, it's so awkward. Everyone was very fun episodes. 583 00:36:25,400 --> 00:36:28,520 Speaker 2: So it starts, Yes, it's it is very funny. Didn't 584 00:36:28,520 --> 00:36:30,960 Speaker 2: it feel like the past couple episodes everyone has hit 585 00:36:31,000 --> 00:36:33,520 Speaker 2: their stride in a way. Yes, I like the writing 586 00:36:33,640 --> 00:36:36,480 Speaker 2: has all the new kids have and the old kids have, 587 00:36:37,120 --> 00:36:39,120 Speaker 2: where everyone has settled and feels comfortable. 588 00:36:39,719 --> 00:36:42,799 Speaker 1: Kids has hit his stride. Yes, it feels really good. 589 00:36:43,160 --> 00:36:45,239 Speaker 2: And Mom and me have felt like a really good 590 00:36:45,680 --> 00:36:48,719 Speaker 2: like summation and culmination of all of that. And I 591 00:36:50,120 --> 00:36:53,080 Speaker 2: went from being just like you where I hated filming 592 00:36:53,080 --> 00:36:56,200 Speaker 2: this number. I liked being insane. And I remember my 593 00:36:56,280 --> 00:36:59,000 Speaker 2: mom watched this with me and she's like I was there. 594 00:36:59,000 --> 00:37:00,520 Speaker 2: I was like, yeah, I remember we had people in 595 00:37:00,520 --> 00:37:04,000 Speaker 2: the audience watching, oh funny, and it felt insane, and 596 00:37:04,000 --> 00:37:06,440 Speaker 2: I remember us being extra insane performing for people in 597 00:37:06,440 --> 00:37:06,960 Speaker 2: the audience. 598 00:37:07,440 --> 00:37:10,239 Speaker 1: We looked insane. The costumes were crazy. It was shot 599 00:37:10,400 --> 00:37:12,560 Speaker 1: very similar to the video Araba. 600 00:37:12,880 --> 00:37:15,120 Speaker 2: It took a summer in Europe hearing Abba out and 601 00:37:15,160 --> 00:37:17,880 Speaker 2: I'm fully reformed it. 602 00:37:17,960 --> 00:37:21,480 Speaker 1: Yes, I've seen I've found the light. I've seen the light. 603 00:37:21,520 --> 00:37:22,280 Speaker 1: I've come around. 604 00:37:22,400 --> 00:37:24,040 Speaker 2: We were both late to the party, but it's better 605 00:37:24,080 --> 00:37:27,160 Speaker 2: late than ever. I get it and I love this number. 606 00:37:27,200 --> 00:37:30,719 Speaker 2: I wish it was twice as long. I agree, I 607 00:37:31,120 --> 00:37:33,759 Speaker 2: loved I loved watching this. I might watch it again 608 00:37:33,800 --> 00:37:36,520 Speaker 2: after we after we get off a few well to us, 609 00:37:37,960 --> 00:37:42,000 Speaker 2: cudis to Eric, Yeah, no, I'm kidding, it's not. It 610 00:37:42,040 --> 00:37:45,000 Speaker 2: was nothing to do with us, but it was a 611 00:37:45,040 --> 00:37:48,520 Speaker 2: really fun number. Also, we forgot to talk about Tina's 612 00:37:48,560 --> 00:37:54,040 Speaker 2: Guilty Pleasure Vicky the Roebuck girl. Okay, who didn't know 613 00:37:54,080 --> 00:37:56,080 Speaker 2: what that was? I didn't think you did, but you 614 00:37:56,120 --> 00:37:59,960 Speaker 2: committed and I loved it. And I also loved Kitty 615 00:38:00,200 --> 00:38:04,880 Speaker 2: being like, I can't you hit my limit? Yeah? Like 616 00:38:05,000 --> 00:38:08,640 Speaker 2: you don't know the Bobby Brown stuff, but you know 617 00:38:09,120 --> 00:38:09,920 Speaker 2: this reference? 618 00:38:10,560 --> 00:38:18,640 Speaker 1: Yeah yeah. Jake's like, hey, Vicky, Yeah, so that is 619 00:38:18,760 --> 00:38:23,279 Speaker 1: the Guilty Pleasure episode. Again, it's very one off, it's 620 00:38:23,480 --> 00:38:31,600 Speaker 1: very in slur we it's it's funny, it had its moments. 621 00:38:31,680 --> 00:38:35,360 Speaker 2: And Guilty Pleasure. What song would be your guilty pleasure 622 00:38:37,560 --> 00:38:39,520 Speaker 2: or movie like you. 623 00:38:39,520 --> 00:38:41,040 Speaker 1: I don't know, I really, I don't actually have to 624 00:38:41,040 --> 00:38:43,880 Speaker 1: think about it. Titanic, I don't know if that's a 625 00:38:43,920 --> 00:38:46,919 Speaker 1: guilty pleasure or not at this point. But a walk 626 00:38:46,960 --> 00:38:51,800 Speaker 1: to Remember, Oh yeah, Adam Shankman, Yeah, those are the 627 00:38:51,880 --> 00:38:54,479 Speaker 1: kind of movies like bring it On, like these cult 628 00:38:54,520 --> 00:38:56,320 Speaker 1: classics from like the nineties. 629 00:38:56,800 --> 00:38:59,919 Speaker 2: What a good part of Fondou for two. Speaking of which, 630 00:39:00,120 --> 00:39:02,959 Speaker 2: the battling over the bringing sequels. 631 00:39:03,760 --> 00:39:05,880 Speaker 1: That was Heather that came out of that character to 632 00:39:05,960 --> 00:39:08,000 Speaker 1: that that in that scene that. 633 00:39:08,040 --> 00:39:15,160 Speaker 2: Also felt like very jess Meyer battling over the. 634 00:39:14,920 --> 00:39:16,920 Speaker 1: Yeah, totally. She's like, no, you can't even like you 635 00:39:16,920 --> 00:39:17,600 Speaker 1: can't like that one. 636 00:39:18,239 --> 00:39:22,600 Speaker 2: Oh god, really funny writing this episode. 637 00:39:22,880 --> 00:39:30,080 Speaker 1: Yes, clever, let's create some performances, okay, waiting meet before 638 00:39:30,080 --> 00:39:35,080 Speaker 1: you go go. Honestly, the performance that was edited, I 639 00:39:35,120 --> 00:39:37,200 Speaker 1: thought it was great. I think it was like an 640 00:39:37,200 --> 00:39:47,640 Speaker 1: A copa comana A A against all odds, B plus 641 00:39:47,800 --> 00:39:51,719 Speaker 1: B plus I want to be A plus A plus 642 00:39:51,760 --> 00:39:58,240 Speaker 1: my prerogative A A creep here Oh wow, okay, great. 643 00:39:58,080 --> 00:40:00,839 Speaker 2: Sold you sold me? Just they don't like the song. 644 00:40:00,920 --> 00:40:04,200 Speaker 2: I think the performance of it was really great. Okay, Mom, 645 00:40:04,200 --> 00:40:12,839 Speaker 2: and miya, it's my guilty pleasure now honestly, I know, Yes, 646 00:40:13,320 --> 00:40:15,759 Speaker 2: it has become like you can nerd out about it. 647 00:40:15,960 --> 00:40:19,600 Speaker 2: The albums were mixed, so they basically invented modern pop music. 648 00:40:20,320 --> 00:40:24,360 Speaker 2: They did, and it's it's a outstanding but we wouldn't 649 00:40:24,400 --> 00:40:27,200 Speaker 2: have Max Martin. And without Max Martin, we have nothing. 650 00:40:28,719 --> 00:40:31,440 Speaker 1: I mean, you have no idea. You have an idea, 651 00:40:31,480 --> 00:40:35,040 Speaker 1: but you have no idea, you know. Okay, Chartie takes 652 00:40:35,239 --> 00:40:41,640 Speaker 1: cringe moments. There's a few cringe moments. Yeah, the Chris 653 00:40:41,680 --> 00:40:45,880 Speaker 1: Brown was like half cringe e And I'm yet still 654 00:40:45,920 --> 00:40:48,600 Speaker 1: surprised by it. I think is the word that I use. 655 00:40:48,960 --> 00:40:56,560 Speaker 2: Yes, Brittany calling unique Mercedes. I'm conflicted because it is funny, 656 00:40:56,560 --> 00:40:59,440 Speaker 2: funny but also feels. 657 00:41:00,000 --> 00:41:02,640 Speaker 1: It's a little racist, Yeah for sure. 658 00:41:02,680 --> 00:41:05,200 Speaker 2: And like also referring to the Black one about the 659 00:41:05,200 --> 00:41:06,239 Speaker 2: Spice Girls. 660 00:41:06,040 --> 00:41:09,200 Speaker 1: Yeah, there's a few jokes in here, maybe a few 661 00:41:09,239 --> 00:41:10,840 Speaker 1: too many. 662 00:41:11,680 --> 00:41:15,160 Speaker 2: Dance move I mean, oh god, actually this is hard. 663 00:41:15,840 --> 00:41:20,400 Speaker 2: My prerogative is definitely up there, like real dance movie, yes, yeah, 664 00:41:20,840 --> 00:41:26,000 Speaker 2: but like spicel Mia, Spice Girls is they're all really good? Yeah, 665 00:41:26,000 --> 00:41:27,280 Speaker 2: have some really good things. 666 00:41:27,719 --> 00:41:28,319 Speaker 1: Yeah, you're right. 667 00:41:28,600 --> 00:41:34,560 Speaker 2: Best song wanna be for me? 668 00:41:35,400 --> 00:41:42,160 Speaker 1: Sure, Mamma Mia for me. The best performance by a prop, 669 00:41:42,560 --> 00:41:44,319 Speaker 1: I mean the macaroni. 670 00:41:44,440 --> 00:41:45,680 Speaker 2: The macaroni. 671 00:41:47,080 --> 00:41:54,759 Speaker 1: Like the Ama Stone. It's really something. It just tickles me. 672 00:41:55,040 --> 00:42:03,319 Speaker 1: It really really just gets me. The Tubbington's Scientology book 673 00:42:03,360 --> 00:42:04,040 Speaker 1: as well gets me. 674 00:42:04,160 --> 00:42:04,640 Speaker 2: Yeah. 675 00:42:05,000 --> 00:42:11,800 Speaker 1: Best line. Sam Money makes a joke to Tina about 676 00:42:11,880 --> 00:42:14,000 Speaker 1: rubbing Wintman on the chest and Tina saying that was 677 00:42:14,000 --> 00:42:15,239 Speaker 1: a phase is a funny one. 678 00:42:16,239 --> 00:42:19,560 Speaker 2: I think that that might be it. But there's some 679 00:42:20,160 --> 00:42:24,680 Speaker 2: there's so many great moments in this episode. Santana says, 680 00:42:24,719 --> 00:42:26,479 Speaker 2: I don't think you need all these beauty products, Rachel, 681 00:42:26,480 --> 00:42:29,319 Speaker 2: because they're not having the desired effect, and this your 682 00:42:29,360 --> 00:42:31,800 Speaker 2: goal is to look like a reject from the Shaws 683 00:42:31,840 --> 00:42:32,520 Speaker 2: of sense. 684 00:42:35,239 --> 00:42:37,839 Speaker 1: They also make a duck dinisty a joke in this one, 685 00:42:37,880 --> 00:42:41,560 Speaker 1: which definitely ages us, But I, yeah, I thought that 686 00:42:41,640 --> 00:42:42,839 Speaker 1: was funny because we love Dug. 687 00:42:42,960 --> 00:42:46,440 Speaker 2: I loved Dug Dynasty when it was on. That's like 688 00:42:46,520 --> 00:42:48,600 Speaker 2: Sam being like, you get your guilty pleasure is me. 689 00:42:49,640 --> 00:42:51,920 Speaker 2: I mean, I've known all year and you know, frankly, 690 00:42:51,960 --> 00:42:53,960 Speaker 2: I'm an attractive guy and you're into dudes. And if 691 00:42:54,000 --> 00:42:58,840 Speaker 2: you weren't into me, I'd probably be pretty offended. Oh actually, 692 00:42:58,960 --> 00:43:03,160 Speaker 2: right after that, he says they're hugging, and it's this 693 00:43:03,320 --> 00:43:06,880 Speaker 2: beautiful moment where Sam gets this look on his face 694 00:43:06,920 --> 00:43:09,320 Speaker 2: and goes, dude, please tell me that is only a 695 00:43:09,360 --> 00:43:12,680 Speaker 2: pack of life Savers in your podcast, and he's like, oh, 696 00:43:14,480 --> 00:43:20,719 Speaker 2: so good comedy. I love stupid comedy performance. 697 00:43:20,840 --> 00:43:21,120 Speaker 1: M VP. 698 00:43:22,800 --> 00:43:24,480 Speaker 2: Oh man, it's hard. 699 00:43:25,280 --> 00:43:28,480 Speaker 1: This is a hard one. This is hard because it 700 00:43:28,560 --> 00:43:31,160 Speaker 1: was a very much on our McKinley end. It was 701 00:43:31,320 --> 00:43:34,280 Speaker 1: very much a group effort, it really was. I think 702 00:43:35,120 --> 00:43:42,960 Speaker 1: I think Cord had some breakout moments. Yes, I think 703 00:43:43,080 --> 00:43:47,120 Speaker 1: Leah Yes was very good in New York, as was 704 00:43:48,200 --> 00:43:49,759 Speaker 1: all of them in New York were great. Yeah, all 705 00:43:49,760 --> 00:43:50,799 Speaker 1: of them in New York were great. 706 00:43:51,120 --> 00:43:52,560 Speaker 2: I don't know, man, I. 707 00:43:52,480 --> 00:43:55,600 Speaker 1: Know you've honorable mentioned to Cord and Leah. Okay, we'll 708 00:43:55,640 --> 00:43:59,799 Speaker 1: just split it between them, Okay, fair enough. Jennifer shuit 709 00:43:59,800 --> 00:44:01,600 Speaker 1: we on a TikTok. Jess wells. 710 00:44:03,239 --> 00:44:06,760 Speaker 2: Sitting at a bar and says, drastically changing the vibe 711 00:44:06,760 --> 00:44:09,440 Speaker 2: of any bar I enter by immediately queuing up Glee 712 00:44:09,800 --> 00:44:14,399 Speaker 2: on the Touch Tunes Amber's version of Buster Windows, and 713 00:44:14,440 --> 00:44:17,719 Speaker 2: she's looking guilty but also very satisfied and I love that. 714 00:44:18,960 --> 00:44:22,000 Speaker 2: That's a real one, right there, a real fan. I 715 00:44:22,080 --> 00:44:23,839 Speaker 2: appreciate it. We appreciate it. 716 00:44:24,040 --> 00:44:26,319 Speaker 1: We appreciate that. Thank you very much. 717 00:44:27,680 --> 00:44:32,120 Speaker 2: I love that so much. Responsibility. There's one of those 718 00:44:32,160 --> 00:44:35,120 Speaker 2: at a bar. I have one of flaming saddles in 719 00:44:35,120 --> 00:44:37,120 Speaker 2: New York and it's a great time. 720 00:44:38,760 --> 00:44:50,000 Speaker 1: Well, that is Guilty Pleasures, and next episode is that episode. 721 00:44:50,960 --> 00:44:52,000 Speaker 2: I'm a little. 722 00:44:52,440 --> 00:44:59,239 Speaker 1: Scared you should be. Well, hopefully you'll join us for 723 00:44:59,320 --> 00:45:03,520 Speaker 1: a very yeah, tough conversation. But thanks for joining us 724 00:45:03,560 --> 00:45:06,440 Speaker 1: for Guilty Pleasures. Write in tell us what your guilty 725 00:45:06,440 --> 00:45:10,600 Speaker 1: pleasure is if it has done anything to do with Clee. 726 00:45:12,320 --> 00:45:15,160 Speaker 2: It feels like we've had too much fun and now 727 00:45:15,239 --> 00:45:18,080 Speaker 2: it's going to get really serious. Yeah you know so 728 00:45:19,080 --> 00:45:22,640 Speaker 2: up okay, buckle up, here we go. Thanks for joining us, 729 00:45:22,880 --> 00:45:26,160 Speaker 2: and that's what you really missed. Hey, thanks for listening 730 00:45:26,440 --> 00:45:28,960 Speaker 2: and follow us on Instagram at and that's what you 731 00:45:29,080 --> 00:45:31,280 Speaker 2: really miss pod. Make sure to write us a review 732 00:45:31,360 --> 00:45:33,480 Speaker 2: and leave us five stars. See you next time.