WEBVTT - Natasha Lyonne Lightning Round

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<v Speaker 1>Hey, everybody, it's Bruce.

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<v Speaker 2>Thanks for pulling up a share for another bonus episode

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<v Speaker 2>of Table for two. Recently, I had an amazing lunch

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<v Speaker 2>with the absolutely hilarious Natasha Leone. I'm so excited to

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<v Speaker 2>share the full episode with you, but this week we're

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<v Speaker 2>giving you a taste with one of the most honest

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<v Speaker 2>lightning rounds I've ever done. We'll be back soon with

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<v Speaker 2>the season finale with Natasha Leone, but for now, I

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<v Speaker 2>hope you enjoy this fun little bonus.

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<v Speaker 3>Let's do it a favorite time. I would say between

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<v Speaker 3>three and four a m.

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<v Speaker 4>When the phone stops and you know, I man like

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<v Speaker 4>there's nothing left and you can finally, you know, listen

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<v Speaker 4>to Fun of Physics, said, you know audiobook and piece

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<v Speaker 4>okay while playing Fall of the Puzzles of the New

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<v Speaker 4>York Times.

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<v Speaker 3>Yes, yeah, I co wrote with.

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<v Speaker 5>Wow.

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<v Speaker 4>Yeah.

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<v Speaker 1>Uh are you a coffee or tea coffee?

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<v Speaker 3>I think I don't actually know what teas? Oh here's

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<v Speaker 3>what an Armald Palmer I?

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<v Speaker 4>Uh coffee? I'm yes, I'm definitely a coffee all the way.

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<v Speaker 4>Uh coffee like a splash of cream.

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<v Speaker 1>I'm like, why best advice giving?

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<v Speaker 3>What is there something like.

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<v Speaker 4>You have to like have the talent to back up

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<v Speaker 4>the talent, which is like you know, you have to

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<v Speaker 4>like be able to take care of the goods, you

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<v Speaker 4>know that kind of keep it going.

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<v Speaker 3>You know, I'm a bit like, you know, they really

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<v Speaker 3>have a history of this talent.

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<v Speaker 4>I understand how they do it that they burn you

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<v Speaker 4>out because it's just like sullenly.

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<v Speaker 3>They're just like you got mortgages and scripts to read

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<v Speaker 3>and write, Like you know, you're.

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<v Speaker 4>Like, what, like why don't got to put my hands

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<v Speaker 4>on my hip or something and put it on Instagram?

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<v Speaker 4>Like excuse me, I'm for forty five year old adults,

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<v Speaker 4>Like there's no need for me to do this. I

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<v Speaker 4>didn't like, oh, into like I'm gonna be a filmmaker

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<v Speaker 4>to become an Instagram So I think it's like so

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<v Speaker 4>I sort of figure out how to you know, really

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<v Speaker 4>it's a struggle, Like it's a real struggle, the struggles

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<v Speaker 4>real favorite cocksholl Yeah, yeah, after you most want to

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<v Speaker 4>work with that you have. Oh I'm so scited that

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<v Speaker 4>I haven't, Like I wish I got any pull. If

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<v Speaker 4>Shaysey's doing a picture, you know, and it's got Pashy

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<v Speaker 4>and I tell and the neuro around. I'm just like,

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<v Speaker 4>how did I fucking miss all that? I don't know,

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<v Speaker 4>but it will break my heart to not be a morning.

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<v Speaker 1>Before you know, first kiss? How old are you?

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<v Speaker 4>I can't remember, like twelve, but I think it was

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<v Speaker 4>on screen in Dennis the Menace with Walti mount Alijon

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<v Speaker 4>plower Wright because Lloyd and I played Dennis.

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<v Speaker 3>The MENACE's babysitter. So I was like a gumchuo in

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<v Speaker 3>twelve year old you.

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<v Speaker 4>Know my hair, and that's such a crush on him,

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<v Speaker 4>Devin or Tray and season one of Rush into All

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<v Speaker 4>and it came out because I was like, where's demon?

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<v Speaker 4>Like he was like and he was the guy from

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<v Speaker 4>the Big Brother from Home Alone, the Redhead. Yeah, And

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<v Speaker 4>I was like, oh my god, I is he the

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<v Speaker 4>coolest guy ever?

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<v Speaker 3>And I was so scared.

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<v Speaker 1>What do you notice first then a man and or

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<v Speaker 1>a woman?

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<v Speaker 4>I think it's really like an energetic thing of either

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<v Speaker 4>like us, we're just both like like you know, I

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<v Speaker 4>could like see in your eyes I got a mischief

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<v Speaker 4>and I'm just like I'm in wherever we're going. I

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<v Speaker 4>don't tell me any more details. Let's just go like that,

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<v Speaker 4>like there's kind of gotta be that sort of like sparky.

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<v Speaker 3>Yeah, if it's gonna be something that it's like, oh,

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<v Speaker 3>I'm so.

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<v Speaker 4>Sorry, I'm not your own on sponsor, Like I just

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<v Speaker 4>I can't, like I I wish I was. I empathetically

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<v Speaker 4>am I'm listening processing, but it's such a deep level,

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<v Speaker 4>right And I'm like, I'm much better to walk and

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<v Speaker 4>talk like you and me, like walking like clip speed,

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<v Speaker 4>like seventy first to fucking to be home, fucking you know,

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<v Speaker 4>East Village, just like all the way down popping and

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<v Speaker 4>weave in between taxis Like I don't want to, you know,

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<v Speaker 4>real New York walking, and like.

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<v Speaker 3>That's when I get my real like most hardcore talking.

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<v Speaker 4>Nothing nothing not with this, Like I don't really understand icontact,

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<v Speaker 4>like I do understand it here, but like there's something

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<v Speaker 4>about like taking in the city and sort of speaking

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<v Speaker 4>out this way.

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<v Speaker 6>Yeah, I would love that, Like and to me, it's

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<v Speaker 6>always like navigating like different streets.

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<v Speaker 3>And different things.

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<v Speaker 7>Yeah. Like I thought dentist appointments on the Upper East

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<v Speaker 7>Side was so great during COVID because then you know,

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<v Speaker 7>I put on my sneakers, I put on headphones, and

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<v Speaker 7>I was like I was like a kid with a

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<v Speaker 7>walkman in the city.

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<v Speaker 3>Again, I hadn't have that experience so long.

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<v Speaker 4>I'm just like, you're just fucking like charging, you know,

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<v Speaker 4>You're like fu, I fa schworts.

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<v Speaker 8>Boom this way, like you know, and I was in

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<v Speaker 8>you're there and you're like wow, what right?

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<v Speaker 7>You know?

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<v Speaker 8>Off it might actually be no sense of humor because

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<v Speaker 8>I get so confused, like what the rules are of

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<v Speaker 8>proper etiquette, because I just assume that part of it

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<v Speaker 8>is that we're just playing fun.

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<v Speaker 3>With words, you know what I mean, the biggest.

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<v Speaker 4>Dick you know what I mean, like like a nice

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<v Speaker 4>fucking you know what I mean, like nice bag break.

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<v Speaker 3>It's like, oh, that's not I wake somebody up or I.

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<v Speaker 4>Guess you know.

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<v Speaker 6>And this is a question that Emil has that the

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<v Speaker 6>women in his life have asked, what where do you

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<v Speaker 6>get your hair doneeous today?

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<v Speaker 4>I mean, this is really this is my I don't

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<v Speaker 4>know if you've noticed, but I've been like full pajamas

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<v Speaker 4>and a classic I mean, I mean, it really is.

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<v Speaker 4>And again, I just want to say thank you to

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<v Speaker 4>everybody who gave me all of these free items.

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<v Speaker 3>No thanks to Kate's.

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<v Speaker 9>Thanks to the rings I stole from poker Face or

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<v Speaker 9>bought it a rip store in the desert. Thanks Tololeen

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<v Speaker 9>for these pants, some thrift store for this shirt. Something

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<v Speaker 9>I stole from set some uh.

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<v Speaker 3>By the way, I never wear ugs.

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<v Speaker 4>I only wore them from set because I was like, well,

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<v Speaker 4>I'm doing a pajama thing.

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<v Speaker 9>I think it's safe.

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<v Speaker 3>This Gucci bag not mine, free merch from the studio. Yeah,

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<v Speaker 3>you know, it is interesting. I did buy these in

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<v Speaker 3>Murray Hill. I did. I follow murry Hill, Yes, on

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<v Speaker 3>the way to that little you know museum there, the

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<v Speaker 3>Limebrary one.

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<v Speaker 4>Yeah, yeah, yeah, yeah, the one thing you have on Yeah,

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<v Speaker 4>this is my grandmother's.

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<v Speaker 3>This, this is my godmother Ruth's, and this is my grandmother's.

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<v Speaker 4>Yeah. So I just like sort of you know what

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<v Speaker 4>I mean, you never know, I could know, but the

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<v Speaker 4>way I just could talk to this interview, I mean,

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<v Speaker 4>I don't know if it's the cogs are gonna get

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<v Speaker 4>me a say, old man. I mean, but there's a

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<v Speaker 4>bunch of a bunch of marks in my bag, and

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<v Speaker 4>I'm not good, you know. Gene Hackmans fucking ghosts like anybody.

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<v Speaker 3>Just to reiterate, I love Geena.

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<v Speaker 4>Henri I I love Pulvation, you know.

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<v Speaker 3>But I don't love Sam, you know.

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<v Speaker 4>And I don't think Trump's a pretty good comedian, and

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<v Speaker 4>I just wish he wasn't playing fucking You're gonna learn about.

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<v Speaker 1>Me on our hang out play in New York.

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<v Speaker 8>That's what we're gonna do.

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<v Speaker 1>Yes, thank you for pulling up a chair.

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<v Speaker 5>I love our lunches and never forget the romance of

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<v Speaker 5>a meal. If you enjoy the show, please tell a

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<v Speaker 5>friend and rate and review us on Apple Podcasts. Table

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<v Speaker 5>for two with Bruce Bosi is produced by iHeartRadio seven

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<v Speaker 5>three seven Park and Airmail. Our executive producers are Bruce

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<v Speaker 5>Bosi and Nathan King. Our supervising producer is Dylan Fagan.

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<v Speaker 5>Our editors are Vincent to Johnny and Cas B.

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<v Speaker 1>Bias.

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<v Speaker 2>Table for two is researched and written by Jack Sullivan.

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<v Speaker 2>Our sound engineers are Meil B. Klein, Jess Krainich, and

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<v Speaker 2>Jesse Funk. Our music supervisor is Randall Poster. Our talent

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<v Speaker 2>booking is done by Jane Sarkin. Table for two Social

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<v Speaker 2>media manager is Gracie Wiener. Special thanks to Amy Sugarman,

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<v Speaker 2>Uni Scherer, Kevin Yuvane, Bobby Bauer, Alison Kanter Graber. For

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<v Speaker 2>more podcasts from iHeartRadio, visit the iHeartRadio app, Apple podcast,

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<v Speaker 2>or wherever you listen to your favorite shows.