WEBVTT - Introducing Marketplace: Hanif Abdurraqib on what it means to “make it”

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<v Speaker 1>Hey, Sacred Scandal listeners. This is Jasmine Romero, host of

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<v Speaker 1>season three, and I'm here to tell you about another

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<v Speaker 1>show that I think you might like. When I'm not

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<v Speaker 1>investigating stories about the salvador In Civil war and the

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<v Speaker 1>murders of priests, I am an editor and one of

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<v Speaker 1>the shows that I work with is called This Is Uncomfortable.

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<v Speaker 1>It's a podcast from Marketplace about life and how money

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<v Speaker 1>messes with it. And each week, our host, Riva Grace

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<v Speaker 1>digs into stories about the unanticipated ways that money shapes

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<v Speaker 1>our choices, our relationships, and even our identities. In this episode,

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<v Speaker 1>which is one of my favorites, she's joined by writer

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<v Speaker 1>Hanif Abdura Kiev, who talks about the moral judgments that

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<v Speaker 1>we're quick to make about people's financial circumstances and his

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<v Speaker 1>notions behind success and legacy and what it means to

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<v Speaker 1>be a good person versus a bad person in a

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<v Speaker 1>deeply unequal world. If you enjoy this episode, you should

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<v Speaker 1>definitely check the podcast out. You can find more episodes

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<v Speaker 1>of This Is Uncomfortable wherever you listen to podcasts. Without

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<v Speaker 1>further ado, Here's Rema and This is Uncomfortable.

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<v Speaker 2>You know there is a real difference between being broke

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<v Speaker 2>and being poor. For me to say I'm broke me

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<v Speaker 2>you know, I had a couple bad days of dinner.

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<v Speaker 2>I don't really got it right now, but I'm working

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<v Speaker 2>on Saturday, and I'm certainly going to make something, you know,

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<v Speaker 2>and to be poor for me when I was like

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<v Speaker 2>unhoused and it was like I genuinely do not know.

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<v Speaker 2>I can maybe get a little bit of a meal today,

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<v Speaker 2>but I don't know if I can get one tomorrow.

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<v Speaker 2>That is a prolonged experience, you know what I mean.

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<v Speaker 3>That's writer Hanif abdra Keep. Around the time he was

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<v Speaker 3>twenty three, he lost his job and got evicted from

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<v Speaker 3>his apartment in Columbus, Ohio. He didn't have anywhere to go,

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<v Speaker 3>so he had to get creative.

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<v Speaker 2>When I was evicted, I had enough money to get

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<v Speaker 2>a storage unit for like three months, and I didn't

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<v Speaker 2>have much, you know, it was only what I could carry, really,

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<v Speaker 2>you know. So I took like a nightstand and I

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<v Speaker 2>dragged a mattress over and a lamp and a box

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<v Speaker 2>of clothes, and that was what I had. That was

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<v Speaker 2>all I had. And of course you're not supposed to

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<v Speaker 2>sleep in the storage unit's I think it's illegal, or

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<v Speaker 2>it's illegal in the sense that it puts the storage

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<v Speaker 2>facility in a position of liability. Is yeah, which is understandable,

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<v Speaker 2>you know what I mean. So I would have to

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<v Speaker 2>wait until they closed, and then I'd have to kind

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<v Speaker 2>of sneak into my unit and I would sleep there.

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<v Speaker 3>Well, I'm curious at that time, did the people in

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<v Speaker 3>your life know or did you keep it a secret?

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<v Speaker 2>I kept it largely a secret. It was easy to

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<v Speaker 2>keep secret, you know, in part because my storage unit

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<v Speaker 2>was right by my old apartment, and so I could

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<v Speaker 2>just still have people drop me off at my apartment

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<v Speaker 2>or whatever, and then I would just walk over.

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<v Speaker 3>Wow, when they were like driving away, you would just wait.

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<v Speaker 2>Yeah, no one really knew. And I still had a

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<v Speaker 2>gym membership and so I could shower every now and

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<v Speaker 2>and you know, it made my life a lot more challenging,

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<v Speaker 2>but it was there. I could hide it. There is

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<v Speaker 2>ways I could hide it and maneuver it. And I

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<v Speaker 2>think when people talk about eviction, what doesn't often get

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<v Speaker 2>talked about is how much it takes to rebuild a

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<v Speaker 2>life after eviction. It takes a lot to rebuild a life.

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<v Speaker 2>It takes a lot to say. I had many things

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<v Speaker 2>and now I have nothing, and I have to find

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<v Speaker 2>a way to crawl back towards having things again. That

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<v Speaker 2>part is hard. That part is a real challenge.

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<v Speaker 3>Welcome to this is uncomfortable. I'm Ri Mares. On today's show,

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<v Speaker 3>a wide ranging conversation with Hannef Updoor Keep. Hanef is

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<v Speaker 3>an award winning poet and author, probably from Columbus, Ohio.

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<v Speaker 3>He's written six books, several of them best sellers, including

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<v Speaker 3>his latest book, There's Always This Year. In twenty twenty one,

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<v Speaker 3>he was named a MacArthur Fellow, which is often called

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<v Speaker 3>the Genius Award. I've spent the last few months reading

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<v Speaker 3>Hanif's work, and so much of it has resonated with me,

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<v Speaker 3>like I found myself underlining nearly every page. He writes

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<v Speaker 3>about things like basketball, music, pop culture, but whatever the topic,

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<v Speaker 3>you'll usually find themes around grief, beauty and love, and

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<v Speaker 3>everything is filtered through the lens of his personal life

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<v Speaker 3>and community. On this week's episode, the first of our

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<v Speaker 3>tenth season, I sit down with Hanef to learn more

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<v Speaker 3>about his life. We chat about the moral judgments were

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<v Speaker 3>quick to make about people's financial circumstances, his philosophies around giving,

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<v Speaker 3>and we both get personal about our relationship with home

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<v Speaker 3>and what it means to invest in it. I took

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<v Speaker 3>a lot away from our conversation, and I hope you

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<v Speaker 3>all do too. So can you tell me about what

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<v Speaker 3>else was going on in your life around the time

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<v Speaker 3>that you got evicted.

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<v Speaker 2>Yes, So I spent a lot of my early twenties

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<v Speaker 2>and I would say mid twenties in and out of

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<v Speaker 2>Franklin County corrections. I was, you know, in legal trouble

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<v Speaker 2>a lot, usually for theft and things associated with theft.

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<v Speaker 2>And you know, that was challenging for me because a

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<v Speaker 2>lot of it was just due to needing resources and

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<v Speaker 2>needing money, and so my twenties were an infinity loop

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<v Speaker 2>of this kind of struggle. You know. My earliest issues

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<v Speaker 2>stemmed from like stealing things from the house, you know,

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<v Speaker 2>and so there was a way where I kind of

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<v Speaker 2>put myself in a position where my family there was

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<v Speaker 2>like excommunication, but it was for their own protection. You know.

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<v Speaker 2>It's kind of like, we just can't have you around it.

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<v Speaker 2>This is how you're going to behaving, you know, which,

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<v Speaker 2>of course now makes all the sense in the world

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<v Speaker 2>to me. But remember being young, even though I knew

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<v Speaker 2>that my behavior was that my behavior was, you know,

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<v Speaker 2>causing this, And remember being young and feeling like deeply wronged.

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<v Speaker 3>You know, yeah, of course, yeah.

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<v Speaker 2>You know, which is ridiculous in hindsight, but you know that's.

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<v Speaker 3>That's well at the time, what was the story you

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<v Speaker 3>told yourself about why you were stealing from your family

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<v Speaker 3>or wherever else?

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<v Speaker 2>I remember just needing and wanting more things in order

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<v Speaker 2>to feel to kind of keep up with my friends,

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<v Speaker 2>you know, because once I got outside of the realm

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<v Speaker 2>of my neighborhood once, you know, once I was eighteen nineteen,

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<v Speaker 2>these kind of things, and I was outside of the

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<v Speaker 2>realm of the people I grew up around. I was

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<v Speaker 2>spending time with a different class of people who had

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<v Speaker 2>different access to different things, and I didn't want to

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<v Speaker 2>feel left out. You know. All these things feel foolish

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<v Speaker 2>now as a forty year old, sure, but as a

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<v Speaker 2>nineteen year old one, and like feeling like you're on

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<v Speaker 2>the outside of something and wanting to find the quickest

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<v Speaker 2>possible way to get on the inside of something that's

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<v Speaker 2>real that you know, in knowing that I couldn't ask

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<v Speaker 2>my father buy me like a three hundred dollars coat

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<v Speaker 2>or whatever, you know, And so that.

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<v Speaker 3>Was you would spend the money on sometimes or on

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<v Speaker 3>like things materialistic stuff.

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<v Speaker 2>Oh it always materialistic. Say it's not like I was saving,

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<v Speaker 2>you know. It was always like materialistic things and just

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<v Speaker 2>wanting to keep up with with the people around me,

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<v Speaker 2>because honestly, I think I felt left out a lot,

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<v Speaker 2>and that accelerated in my twenties when I came up

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<v Speaker 2>on the punk scene and a lot of my friends.

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<v Speaker 2>You know, I lost a lot of friends in my

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<v Speaker 2>early twenties, and you know a lot of them passed away,

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<v Speaker 2>and I felt left out and I just wanted to

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<v Speaker 2>kind of embed myself in a world where I mattered

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<v Speaker 2>to some degree. And I think the mistake that I

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<v Speaker 2>fell into was thinking that or you know, mistake, but

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<v Speaker 2>also there was a reality to it, thinking that access

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<v Speaker 2>to materials was the only way that I could embed

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<v Speaker 2>myself in a place in a world that mattered. Yeah.

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<v Speaker 3>Yeah, did it actually lead to any fulfillment? Liked it?

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<v Speaker 1>Not?

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<v Speaker 2>Really?

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<v Speaker 3>You feel the need that you were craving, Yeah, I.

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<v Speaker 2>Think in the immediate short But it also led to

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<v Speaker 2>friendships that were not sustainable. So I still talk to

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<v Speaker 2>those friends now, you know, because when friendships, I think

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<v Speaker 2>are governed by material access, that's just not sustainable. There's

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<v Speaker 2>no emotional connection or attachment. There's no growth or understanding

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<v Speaker 2>around who people are. There's growth and understanding around what

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<v Speaker 2>you have and what you don't have, and so when

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<v Speaker 2>you begin to not have that, you're kind of not

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<v Speaker 2>in that orbit anymore. And so yeah, you know, it's

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<v Speaker 2>it's it's interesting. It's just a flaw of childhood or

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<v Speaker 2>youthful thinking. You know, I was, I was My approach

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<v Speaker 2>was pretty immature at the time, and I think that's

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<v Speaker 2>you know, that's just that's where my head was at.

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<v Speaker 3>Yeah, I mean I relate to that. I feel like

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<v Speaker 3>I did stupid stuff in my early twenties too, And

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<v Speaker 3>it's your it's like all in pursuit of just getting

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<v Speaker 3>what you want without thinking of the consequences or the

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<v Speaker 3>potential fallout. You're just trying to get that immediate gratification.

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<v Speaker 2>Yeah.

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<v Speaker 3>Yeah, when did the shift away from that start happening

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<v Speaker 3>for you? And how did it happen?

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<v Speaker 2>You know, what happens is that you know you're just

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<v Speaker 2>you're not like a better person, You're just a more

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<v Speaker 2>for me at least you know. I think so much

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<v Speaker 2>of the stuff around this book are people reading it

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<v Speaker 2>and thinking you were bad and now you're good or whatever,

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<v Speaker 2>But that's not actually how it works. You become more resourced,

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<v Speaker 2>and it puts me in this position where I do

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<v Speaker 2>have to operate against this notion of a bad kid

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<v Speaker 2>made good kind of story that I think people so

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<v Speaker 2>easily and eagerly want to attach to my life because one,

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<v Speaker 2>that binary fails everyone. But two, I don't know that

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<v Speaker 2>I was bad then. I don't know that I'm good now.

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<v Speaker 2>I think that I have more access to things now.

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<v Speaker 2>I have more access to resources of all across the

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<v Speaker 2>entire spectrums now, and that access allows me to live

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<v Speaker 2>a life that is different than the life I lived

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<v Speaker 2>when I did not have that access. And if I

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<v Speaker 2>did not have that access right now, I don't know

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<v Speaker 2>what you know. I don't know what ends I would

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<v Speaker 2>go to to acquire that access. Here's the very last

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<v Speaker 2>time I was ever arrested. I was arrested for stealing

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<v Speaker 2>deodorant a toothpaste out of a Kroger. Right now, I

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<v Speaker 2>was arrested for stealing Yoda and toothpaste out of a Kroger.

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<v Speaker 2>Because I had a job interview the next day, and

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<v Speaker 2>I didn't have the things I needed to take care

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<v Speaker 2>of myself to you know, and now, that arrest for

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<v Speaker 2>most people would be nothing, but because I had an

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<v Speaker 2>extensive record at that point, it became a thing, right.

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<v Speaker 2>And what I'm saying is that was a theft in

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<v Speaker 2>the pursuit of acquiring necessities that might lead to a

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<v Speaker 2>drastic changing of my life. There is no telling if

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<v Speaker 2>I were unhoused today and I had a potentially life

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<v Speaker 2>changing job interview tomorrow and I didn't have access to

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<v Speaker 2>the things I needed to show up to the interview

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<v Speaker 2>as my best self in terms of presentation, I very

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<v Speaker 2>well may go into a store and attempt to walk

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<v Speaker 2>out with those things again today. So and I don't

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<v Speaker 2>think that makes me a bad person or a good person.

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<v Speaker 2>I think it makes me a person who is invested

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<v Speaker 2>in the best possible survival for myself. And I'm grateful

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<v Speaker 2>to be significantly more resourced now than I was.

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<v Speaker 3>So when did you start to feel more resourced? Like,

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<v Speaker 3>was there a point that you reached where it felt

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<v Speaker 3>like a shift for you? Like I never imagined I

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<v Speaker 3>would make X amount and now I do. And I

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<v Speaker 3>can breathe a little bit easier.

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<v Speaker 2>There was never an amount, I think, But I remember

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<v Speaker 2>signing my first book deal with Random House, and I

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<v Speaker 2>don't I just want I don't even remember what it

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<v Speaker 2>was for, like money wise, but I remember thinking, gosh,

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<v Speaker 2>this is like a different experience, you know, to get

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<v Speaker 2>this much money at once, you know. And it wasn't huge.

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<v Speaker 2>It wasn't like certainly not a million dollar type thing,

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<v Speaker 2>you know, it wasn't anything like that, but I remember

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<v Speaker 2>it was you know, I see it was like two

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<v Speaker 2>hundred thousand or something like that. But I remember I

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<v Speaker 2>signed it and I got fifty thousand. I was signing,

0:12:23.559 --> 0:12:25.839
<v Speaker 2>and I remember thinking, oh wow, this is like all

0:12:25.880 --> 0:12:28.719
<v Speaker 2>in my bank account once. Yeah, you know, like that's

0:12:28.720 --> 0:12:30.320
<v Speaker 2>a lot of money at once in a bank account.

0:12:30.600 --> 0:12:31.880
<v Speaker 2>And of course, you know, for me, I was like,

0:12:31.920 --> 0:12:34.160
<v Speaker 2>all right, well, taxes and you know whatnot whatnot. But

0:12:34.200 --> 0:12:35.719
<v Speaker 2>it was still even with that, it was like, this

0:12:35.880 --> 0:12:37.680
<v Speaker 2>is still a lot of money in my bank acount once.

0:12:39.800 --> 0:12:42.720
<v Speaker 2>And so yeah. But I mean, you know, throughout my career,

0:12:42.800 --> 0:12:48.440
<v Speaker 2>I've won things and that, you know. I remember I

0:12:48.440 --> 0:12:50.440
<v Speaker 2>won the US Artist Grant, which was the first thing

0:12:50.440 --> 0:12:52.880
<v Speaker 2>I won that had a substantial financial gain, which is

0:12:52.920 --> 0:12:55.160
<v Speaker 2>also fifty thousand dollars. And that was another thing where

0:12:55.160 --> 0:12:56.240
<v Speaker 2>I was like, well, this is a lot of money

0:12:56.320 --> 0:12:59.760
<v Speaker 2>I kount once and and with that fifty thousand dollars,

0:12:59.800 --> 0:13:01.560
<v Speaker 2>I gave it all away.

0:13:01.440 --> 0:13:05.360
<v Speaker 3>Except for like five wait, tell me about that. Why

0:13:05.360 --> 0:13:06.360
<v Speaker 3>do you make that decision?

0:13:07.360 --> 0:13:10.440
<v Speaker 2>The USA Artist grant, it's like funded by certain orgs

0:13:10.480 --> 0:13:13.640
<v Speaker 2>in some ways. And so my my grant was funded

0:13:13.640 --> 0:13:17.720
<v Speaker 2>by a Muslim organization and a local mashiait in Ohio

0:13:17.760 --> 0:13:20.400
<v Speaker 2>that I knew, and it spent time in its floor

0:13:20.559 --> 0:13:25.360
<v Speaker 2>had collapsed, and I you know, I'm not very religious

0:13:25.679 --> 0:13:28.280
<v Speaker 2>to be you know, I'm Muslim by I guess identify

0:13:28.280 --> 0:13:31.240
<v Speaker 2>as Muslim, but I don't practice in any substantial way.

0:13:32.600 --> 0:13:35.200
<v Speaker 3>But we have a similar relationship. I also grow up Muslim.

0:13:35.880 --> 0:13:38.920
<v Speaker 2>Yeah you know, I like do Ramadan, I do I

0:13:39.040 --> 0:13:42.400
<v Speaker 2>fast and all that was yeah, but it was like,

0:13:42.880 --> 0:13:45.199
<v Speaker 2>you know, it felt important to me at the time

0:13:46.160 --> 0:13:47.680
<v Speaker 2>to be like, you know, this money came from a

0:13:47.720 --> 0:13:53.200
<v Speaker 2>Muslim organization, I would like to just relocate it and

0:13:53.800 --> 0:13:56.559
<v Speaker 2>get this community's floor taken care of so that people

0:13:56.559 --> 0:13:58.000
<v Speaker 2>can come and pray in here. Like I'm not going

0:13:58.040 --> 0:13:59.760
<v Speaker 2>to go and pray in there probably often at all,

0:14:00.120 --> 0:14:03.320
<v Speaker 2>but like people should. And so I redistributed that money

0:14:03.360 --> 0:14:08.160
<v Speaker 2>I kept like five thousand, Wow, And then I did similar,

0:14:08.280 --> 0:14:09.040
<v Speaker 2>you know, I got.

0:14:09.679 --> 0:14:13.800
<v Speaker 3>Wait, that's pretty remarkable, though, to get that lump sum

0:14:13.840 --> 0:14:16.640
<v Speaker 3>of money and then decide to give most of it away.

0:14:17.720 --> 0:14:19.600
<v Speaker 3>Was there like a trade off that you were making,

0:14:19.680 --> 0:14:22.400
<v Speaker 3>Like if you didn't donate that money, how else would

0:14:22.400 --> 0:14:22.920
<v Speaker 3>you have spent it?

0:14:22.960 --> 0:14:25.480
<v Speaker 2>Do you think I didn't have anything in mind at

0:14:25.480 --> 0:14:26.960
<v Speaker 2>the time, you know? And that was the thing where

0:14:27.000 --> 0:14:30.160
<v Speaker 2>it was like so much of my decision making around

0:14:30.440 --> 0:14:36.360
<v Speaker 2>how I redistribute money and why and to whom and

0:14:36.400 --> 0:14:39.200
<v Speaker 2>all this stuff is just really on some baseline stuff

0:14:39.200 --> 0:14:42.120
<v Speaker 2>where it's like what would I be doing with this

0:14:42.160 --> 0:14:45.160
<v Speaker 2>otherwise when I got The second big thing I got

0:14:45.200 --> 0:14:48.480
<v Speaker 2>was the Landin Foundation fellowship, which I don't remember. I

0:14:48.480 --> 0:14:50.840
<v Speaker 2>think that was one hundred and twenty five thousand, and

0:14:51.040 --> 0:14:52.760
<v Speaker 2>I kind of I kept more of that, but I

0:14:52.760 --> 0:14:54.720
<v Speaker 2>broke up a lot of that and like redistributed it

0:14:55.320 --> 0:14:58.760
<v Speaker 2>large chunks of it to local Columbus organizations that I

0:14:58.800 --> 0:15:01.760
<v Speaker 2>believed in. Be QUICK was one of them, Black Queer

0:15:01.760 --> 0:15:06.479
<v Speaker 2>Intersectional Collective, these organizations that are doing on the groundwork

0:15:06.720 --> 0:15:09.440
<v Speaker 2>that are uplifting people at the margins. To me, that

0:15:09.560 --> 0:15:13.480
<v Speaker 2>is more important than like, you know, I don't really

0:15:13.560 --> 0:15:15.080
<v Speaker 2>need another pair of sneakers, you know what I mean?

0:15:15.120 --> 0:15:17.640
<v Speaker 2>Like at this point, I have more more sneakers, and

0:15:17.640 --> 0:15:19.280
<v Speaker 2>then you know, like I have a literal sneaker room

0:15:19.280 --> 0:15:21.880
<v Speaker 2>in my house. So there's things where it's like I

0:15:22.400 --> 0:15:25.560
<v Speaker 2>have a yeah, And I've found out very early on that,

0:15:27.760 --> 0:15:29.680
<v Speaker 2>especially coming out of a situation where I was on house,

0:15:29.880 --> 0:15:32.840
<v Speaker 2>I just I don't really need a lot. The amount

0:15:32.880 --> 0:15:37.920
<v Speaker 2>that I actually require to survive, even to survive well financially,

0:15:38.720 --> 0:15:44.040
<v Speaker 2>still leaves me with a lot of I towards thinking

0:15:44.040 --> 0:15:46.640
<v Speaker 2>about what my community needs and how I can make

0:15:46.680 --> 0:15:50.440
<v Speaker 2>a more equitable community that I feel proud to love

0:15:50.480 --> 0:15:53.680
<v Speaker 2>and live in, and that everyone has at least the

0:15:53.720 --> 0:15:56.560
<v Speaker 2>opportunity to attempt to feel proud to love and live in.

0:15:59.040 --> 0:16:02.560
<v Speaker 3>I think your philosophy is very common, but I think

0:16:02.640 --> 0:16:05.600
<v Speaker 3>for someone to actually act on it is a different thing.

0:16:06.840 --> 0:16:09.360
<v Speaker 3>Because I understand that you have all of your needs fulfilled,

0:16:09.400 --> 0:16:11.720
<v Speaker 3>but there are plenty of people out there who'd use

0:16:11.720 --> 0:16:15.520
<v Speaker 3>that disposable income to travel to Bali or Japan or whever,

0:16:15.760 --> 0:16:19.040
<v Speaker 3>or you know, buy a second home and just build well,

0:16:19.440 --> 0:16:22.080
<v Speaker 3>but that doesn't seem that doesn't drive you.

0:16:22.640 --> 0:16:24.280
<v Speaker 2>I'd be at the house. I like being at the house.

0:16:24.480 --> 0:16:28.000
<v Speaker 2>I can't. You know. I travel, and I travel substantially

0:16:28.040 --> 0:16:30.440
<v Speaker 2>for work and so and I try to make the

0:16:30.440 --> 0:16:32.760
<v Speaker 2>most of my time when I'm on the road, you know,

0:16:32.800 --> 0:16:34.840
<v Speaker 2>and I don't. I don't have a desire for I

0:16:34.920 --> 0:16:38.160
<v Speaker 2>absolutely do not want to be responsible for a second

0:16:38.160 --> 0:16:39.880
<v Speaker 2>home or a second you know what I mean, Like

0:16:40.720 --> 0:16:44.160
<v Speaker 2>my my single home causes me. And you know, I

0:16:44.160 --> 0:16:47.200
<v Speaker 2>have I live in like a very I live in

0:16:47.240 --> 0:16:49.600
<v Speaker 2>like one of the last historically black neighborhoods in the city,

0:16:49.840 --> 0:16:52.720
<v Speaker 2>and so the houses are just old, they're just ancient. Yeah,

0:16:52.800 --> 0:16:55.160
<v Speaker 2>and I adore my house, but it's like, you know,

0:16:55.240 --> 0:16:55.880
<v Speaker 2>it's a house.

0:16:56.160 --> 0:16:57.000
<v Speaker 3>It's a lot of work.

0:16:57.120 --> 0:16:58.640
<v Speaker 2>Yeah, like nineteen oh two, you know.

0:16:58.760 --> 0:17:00.800
<v Speaker 3>So it's like, yeah, I know, I live in a

0:17:00.840 --> 0:17:03.160
<v Speaker 3>house that's old. It's too much work.

0:17:03.440 --> 0:17:05.840
<v Speaker 2>It's too so much work. So like whenever people are like,

0:17:06.000 --> 0:17:07.560
<v Speaker 2>you should get like a second home, and like.

0:17:07.560 --> 0:17:10.000
<v Speaker 3>Do y'all understand how about retirement?

0:17:11.160 --> 0:17:13.040
<v Speaker 2>Yeah, I mean, I you know, I save for retirement.

0:17:13.080 --> 0:17:19.600
<v Speaker 2>I actually recently started saving for retirement after my first MacArthur.

0:17:19.160 --> 0:17:24.760
<v Speaker 3>Year a chunk of money, right that a war where yeah.

0:17:24.640 --> 0:17:26.600
<v Speaker 2>It's and it's like gradual, you get it like through

0:17:26.640 --> 0:17:30.520
<v Speaker 2>five years. But I went to like a financial it's ah, gosh,

0:17:30.520 --> 0:17:32.320
<v Speaker 2>I don't know what the total is, but I know

0:17:32.400 --> 0:17:37.720
<v Speaker 2>that four times a year I get thirty two thousand,

0:17:37.960 --> 0:17:42.480
<v Speaker 2>five hundred dollars. Wow, So for five years. So whatever

0:17:42.480 --> 0:17:44.000
<v Speaker 2>the math on that is, I think it's like.

0:17:44.040 --> 0:17:45.080
<v Speaker 3>Okay, a lot of money.

0:17:45.040 --> 0:17:49.360
<v Speaker 2>Yeah, But I you know, I started saving for retirement,

0:17:49.400 --> 0:17:52.080
<v Speaker 2>and I don't know anything about the investment space, and

0:17:52.119 --> 0:17:54.160
<v Speaker 2>so much of what I hear and understand about investments

0:17:54.160 --> 0:17:58.040
<v Speaker 2>feels like a little gross to me, and so like

0:17:58.080 --> 0:18:00.240
<v Speaker 2>all I really need is retirement, and you know, I

0:18:00.280 --> 0:18:02.400
<v Speaker 2>still save. It's not like I don't want to paint

0:18:02.440 --> 0:18:04.679
<v Speaker 2>it as though I don't spend money for pleasure. Like

0:18:04.760 --> 0:18:07.919
<v Speaker 2>literally people have to understand like I literally own like

0:18:08.000 --> 0:18:09.720
<v Speaker 2>three hundred pairs of sneakers and so you know what

0:18:09.760 --> 0:18:12.520
<v Speaker 2>I mean. Like, but for me it feels important too

0:18:12.560 --> 0:18:15.800
<v Speaker 2>instead of saying like when can I take my next

0:18:15.840 --> 0:18:20.520
<v Speaker 2>vacation or can I invest in crypto or whatever? But

0:18:20.600 --> 0:18:23.879
<v Speaker 2>it's like what are the immediate needs of my community?

0:18:24.000 --> 0:18:26.240
<v Speaker 2>And it's not even entirely selfless, if I can be

0:18:26.280 --> 0:18:28.520
<v Speaker 2>real because I love Columbus and I want to be

0:18:28.560 --> 0:18:31.480
<v Speaker 2>in Columbus for my whole life, right, and so if

0:18:31.520 --> 0:18:35.199
<v Speaker 2>this community is equitable, and if the people who are

0:18:35.200 --> 0:18:37.560
<v Speaker 2>at the margins of this community that I love have

0:18:37.680 --> 0:18:40.320
<v Speaker 2>opportunities to make art and live a little bit more

0:18:40.400 --> 0:18:43.760
<v Speaker 2>free than they are right now and have the ability

0:18:43.800 --> 0:18:46.000
<v Speaker 2>to care for themselves, that makes it a more livable

0:18:46.000 --> 0:18:47.879
<v Speaker 2>city for me too, you know what I mean, Like,

0:18:47.920 --> 0:18:50.200
<v Speaker 2>if I wanted to look at this in a completely

0:18:50.720 --> 0:18:55.280
<v Speaker 2>selfish way, that makes it a more exciting, more thrilling,

0:18:55.359 --> 0:18:58.000
<v Speaker 2>more livable city for me, and a city that also

0:18:58.080 --> 0:19:02.440
<v Speaker 2>inspires me to create more fully. And so in a way, now,

0:19:02.480 --> 0:19:04.280
<v Speaker 2>granted I'm not looking at it like this fully, but

0:19:04.320 --> 0:19:06.679
<v Speaker 2>in a way, I'm just investing in the future of

0:19:06.720 --> 0:19:08.119
<v Speaker 2>a place that I want to be in for a

0:19:08.160 --> 0:19:11.800
<v Speaker 2>long time. I'm just doing it differently than say, the

0:19:11.840 --> 0:19:14.199
<v Speaker 2>powers that be might because the powers that be are like,

0:19:14.560 --> 0:19:18.080
<v Speaker 2>let's build high rise condos that no one can afford. Yeah, yeah,

0:19:18.119 --> 0:19:20.399
<v Speaker 2>And that to me is you know, I have to

0:19:20.440 --> 0:19:22.879
<v Speaker 2>operate against that. If I have the means to operate against.

0:19:22.640 --> 0:19:25.919
<v Speaker 3>That, I see, Well, yeah, that's a big theme in

0:19:25.960 --> 0:19:29.600
<v Speaker 3>your writing and your reflections, just your investment in your hometown.

0:19:29.720 --> 0:19:34.399
<v Speaker 3>And I'm curious to hear you talk a little bit

0:19:34.400 --> 0:19:38.280
<v Speaker 3>more about your decision to stay in Columbus and how

0:19:38.320 --> 0:19:41.879
<v Speaker 3>it connects to how you define success and what it

0:19:41.920 --> 0:19:44.560
<v Speaker 3>means to quote unquote make it. You write in your

0:19:44.560 --> 0:19:50.200
<v Speaker 3>book that oftentimes people equate leaving a hometown leaving where

0:19:50.240 --> 0:19:54.239
<v Speaker 3>you're from as as making it, and you're trying to

0:19:55.200 --> 0:19:56.520
<v Speaker 3>challenge that notion, right.

0:19:57.400 --> 0:20:00.440
<v Speaker 2>Yeah, I suppose. So. You know, it's funny thesision of

0:20:00.520 --> 0:20:03.760
<v Speaker 2>stay in Columbus is really not spectacular. You know, when

0:20:04.160 --> 0:20:07.520
<v Speaker 2>my marriage ended in twenty sixteen, I could have lived anywhere,

0:20:08.280 --> 0:20:10.359
<v Speaker 2>but I just wanted to come home. I wanted to

0:20:10.400 --> 0:20:13.760
<v Speaker 2>be in the confines and comforts of this place where

0:20:13.800 --> 0:20:18.640
<v Speaker 2>I was. And it's disorienting to go through that magnitude

0:20:18.760 --> 0:20:22.320
<v Speaker 2>of a heartbreak at that velocity in that volume, and

0:20:22.800 --> 0:20:24.640
<v Speaker 2>to come home is a way for me, at least

0:20:24.680 --> 0:20:28.760
<v Speaker 2>to return to myself. And so coming back to Columbus

0:20:28.840 --> 0:20:30.600
<v Speaker 2>is the only thing that made sense, and staying here

0:20:30.640 --> 0:20:35.320
<v Speaker 2>has been the only thing that makes sense. And you know,

0:20:35.400 --> 0:20:37.760
<v Speaker 2>buying my house where I bought my house was very intentional.

0:20:37.840 --> 0:20:40.520
<v Speaker 2>I wanted to live in this neighborhood where black artists

0:20:40.560 --> 0:20:43.159
<v Speaker 2>had created art for a great many years before I

0:20:43.200 --> 0:20:46.639
<v Speaker 2>was even born. You know, the neighborhood I live in

0:20:46.640 --> 0:20:50.479
<v Speaker 2>has a legacy attached to it and a lineage attached

0:20:50.480 --> 0:20:54.280
<v Speaker 2>to it. And so all of these were really distinct

0:20:54.320 --> 0:20:57.080
<v Speaker 2>decisions that I made to build a life that the

0:20:57.160 --> 0:20:58.959
<v Speaker 2>kind of life that I thought I could live in

0:20:59.000 --> 0:21:01.080
<v Speaker 2>for a long time. And to me, that felt like

0:21:01.160 --> 0:21:03.160
<v Speaker 2>making it. To have the ability to do that, Yeah,

0:21:03.640 --> 0:21:05.720
<v Speaker 2>it felt like making it, and to have the ability

0:21:05.720 --> 0:21:10.199
<v Speaker 2>to be settled and comfortable while saying I think I

0:21:10.200 --> 0:21:12.840
<v Speaker 2>am making the right decision here for these specific reasons,

0:21:12.840 --> 0:21:15.520
<v Speaker 2>that felt to me like a form of making it.

0:21:16.560 --> 0:21:19.480
<v Speaker 3>Yeah, I appreciate that reflection. I think. For a long time,

0:21:19.600 --> 0:21:23.439
<v Speaker 3>especially in my twenties, the story I fed myself was

0:21:23.520 --> 0:21:28.360
<v Speaker 3>that staying in your hometown will dim you, like your

0:21:28.359 --> 0:21:30.800
<v Speaker 3>home is this vortex that'll sap you of your ambition

0:21:30.960 --> 0:21:34.040
<v Speaker 3>or of any prospect of successful life, whatever that means.

0:21:34.320 --> 0:21:36.760
<v Speaker 3>And I remember feeling that very distinctly in my early twenties.

0:21:36.800 --> 0:21:38.640
<v Speaker 3>I lived in DC in New York for a bit,

0:21:38.720 --> 0:21:41.440
<v Speaker 3>and then afterwards the only job I could find was

0:21:41.480 --> 0:21:44.879
<v Speaker 3>in my home state in North Carolina, and I just

0:21:44.880 --> 0:21:48.880
<v Speaker 3>remember rolling my suitcase into my childhood bedroom, just sobbing,

0:21:49.040 --> 0:21:52.800
<v Speaker 3>feeling like I'd reverted. And it took me a while

0:21:52.920 --> 0:21:55.639
<v Speaker 3>before I started to reframe it, like, no, this is

0:21:55.640 --> 0:21:58.399
<v Speaker 3>an opportunity for me, I mean, not to the degree

0:21:58.440 --> 0:22:00.879
<v Speaker 3>that you are, but to invest in my community and

0:22:00.920 --> 0:22:03.800
<v Speaker 3>my family, to develop a stronger relationship with my little brother,

0:22:05.040 --> 0:22:08.160
<v Speaker 3>And it really did cultivate I think, a deeper love

0:22:08.440 --> 0:22:13.000
<v Speaker 3>and curiosity for a place that informs so much of

0:22:13.000 --> 0:22:13.919
<v Speaker 3>who I am today.

0:22:14.960 --> 0:22:19.160
<v Speaker 2>Yeah, I think, like listen, to have a good relationship

0:22:19.160 --> 0:22:23.600
<v Speaker 2>with your hometown is not promised at all, and it

0:22:23.680 --> 0:22:25.440
<v Speaker 2>feels like a privilege to me that I love where

0:22:25.480 --> 0:22:29.440
<v Speaker 2>I'm from and even when I'm enraged by it, as

0:22:29.480 --> 0:22:32.120
<v Speaker 2>I am often, but I think that rage is propelled

0:22:32.119 --> 0:22:36.399
<v Speaker 2>by a kind of affection. And I would like everyone

0:22:36.440 --> 0:22:38.159
<v Speaker 2>to have an opportunity to love this place as I

0:22:38.200 --> 0:22:41.359
<v Speaker 2>love it, even if they end up not loving it

0:22:41.400 --> 0:22:42.560
<v Speaker 2>as I do, I would love them to have the

0:22:42.600 --> 0:22:43.359
<v Speaker 2>opportunity to.

0:22:51.560 --> 0:22:54.720
<v Speaker 3>After the break, Haneph and I talk about community, Gaza

0:22:55.320 --> 0:23:29.160
<v Speaker 3>and Greek. Hanif up de Riki will tell you that

0:23:29.240 --> 0:23:31.640
<v Speaker 3>he never intended to become a writer. He came into

0:23:31.720 --> 0:23:33.920
<v Speaker 3>it in his early twenties. During that tough period in

0:23:33.960 --> 0:23:36.760
<v Speaker 3>his life. He started out journaling and then found his

0:23:36.760 --> 0:23:39.600
<v Speaker 3>way to poetry open mics, then landed a writing gig

0:23:39.640 --> 0:23:43.040
<v Speaker 3>for MTV News. He published his first book in twenty sixteen,

0:23:43.359 --> 0:23:47.240
<v Speaker 3>thinking it would be a one off, but five more followed. Today,

0:23:47.280 --> 0:23:49.920
<v Speaker 3>if you walk around his hometown of Columbus, Ohio, you'll

0:23:49.920 --> 0:23:53.240
<v Speaker 3>find Hanif's face on a huge mural downtown. One writer

0:23:53.359 --> 0:23:56.720
<v Speaker 3>even described him as the mister Rogers of Columbus. The

0:23:56.760 --> 0:23:59.000
<v Speaker 3>city shows up a lot in Hanif's work. It's a

0:23:59.040 --> 0:24:01.600
<v Speaker 3>place with the history of racial inequality and also a

0:24:01.680 --> 0:24:04.760
<v Speaker 3>rich legacy of black art. I asked Tony what it

0:24:04.800 --> 0:24:05.840
<v Speaker 3>was like growing up there.

0:24:06.560 --> 0:24:08.840
<v Speaker 2>I grew up on the east side of Columbus, which

0:24:09.119 --> 0:24:12.320
<v Speaker 2>was very much on the other side of the tracks

0:24:12.359 --> 0:24:16.800
<v Speaker 2>from a wealthy and affluent suburb, and that self imposed

0:24:16.800 --> 0:24:20.760
<v Speaker 2>border made it as though there was a city within

0:24:20.760 --> 0:24:23.359
<v Speaker 2>a city. It was a city that, you know, a

0:24:23.440 --> 0:24:26.000
<v Speaker 2>corner of the city that was often neglected by those

0:24:26.160 --> 0:24:31.160
<v Speaker 2>on the outside of it. But it was I think

0:24:31.160 --> 0:24:33.320
<v Speaker 2>what people don't tend to understand is what then happens

0:24:33.960 --> 0:24:37.400
<v Speaker 2>in that kind of container of neglect. If you will,

0:24:37.920 --> 0:24:41.120
<v Speaker 2>is that the people who remain deeply care for each other.

0:24:41.840 --> 0:24:44.000
<v Speaker 2>And that is you know, the earliest way that I

0:24:44.080 --> 0:24:46.840
<v Speaker 2>understood community was through that neighborhood.

0:24:47.080 --> 0:24:50.240
<v Speaker 3>Yeah, well, especially a place that I think you write

0:24:50.240 --> 0:24:54.120
<v Speaker 3>in your book how politicians in the past have characterized

0:24:54.160 --> 0:24:57.240
<v Speaker 3>the East Side of Columbus where you grew up, as

0:24:57.480 --> 0:25:01.199
<v Speaker 3>a war zone. Yes, talk about why it was important

0:25:01.200 --> 0:25:03.240
<v Speaker 3>for you to write about that and the impact like

0:25:03.280 --> 0:25:05.359
<v Speaker 3>those kinds of statements can have on a community.

0:25:06.960 --> 0:25:09.919
<v Speaker 2>Well, yeah, because when you name the conditions of war,

0:25:10.000 --> 0:25:11.679
<v Speaker 2>you can define where it happens. And then when you

0:25:11.680 --> 0:25:14.720
<v Speaker 2>define where it happens, you are also defining the kind

0:25:14.720 --> 0:25:17.080
<v Speaker 2>of people who are living among it as you at

0:25:17.160 --> 0:25:21.440
<v Speaker 2>least see it. And what is actually happening is you are,

0:25:21.560 --> 0:25:23.560
<v Speaker 2>in the eyes of the people who do not live there,

0:25:23.680 --> 0:25:27.040
<v Speaker 2>are diminishing a place, the actual value of a place,

0:25:27.080 --> 0:25:29.880
<v Speaker 2>not necessarily material value, but shore material value as well,

0:25:30.080 --> 0:25:33.320
<v Speaker 2>because what you're doing is setting a path for gentrification. Yep,

0:25:33.680 --> 0:25:38.679
<v Speaker 2>you're saying this place is not worthwhile and wouldn't it

0:25:38.720 --> 0:25:41.000
<v Speaker 2>be better if we just made some changes to it?

0:25:42.080 --> 0:25:45.920
<v Speaker 2>And what's also happening is you are diminishing the lived

0:25:45.960 --> 0:25:48.239
<v Speaker 2>reality of the people who live in that place, in

0:25:48.320 --> 0:25:50.680
<v Speaker 2>love in that place. When I was growing up, that

0:25:50.800 --> 0:25:53.560
<v Speaker 2>my neighborhood did not seem uniquely violent to me because

0:25:53.560 --> 0:25:56.479
<v Speaker 2>we took care of each other. But through one way,

0:25:56.520 --> 0:25:57.800
<v Speaker 2>we took care of each other. So we just kept

0:25:57.800 --> 0:26:01.600
<v Speaker 2>the police out, you know, And that operates as a

0:26:01.640 --> 0:26:03.960
<v Speaker 2>threat to the state. That operates as a threat, and

0:26:04.000 --> 0:26:07.040
<v Speaker 2>so then the place becomes a war zone because the

0:26:07.080 --> 0:26:10.679
<v Speaker 2>police cannot govern it. It's also a failure of imagination

0:26:11.119 --> 0:26:13.520
<v Speaker 2>because you don't imagine that the people are governing themselves,

0:26:13.680 --> 0:26:16.040
<v Speaker 2>because you don't imagine that there is an elder on

0:26:16.040 --> 0:26:19.399
<v Speaker 2>a porch somewhere governing the children running through the street,

0:26:19.840 --> 0:26:23.800
<v Speaker 2>and there's an elder two blocks down who's teaching a

0:26:23.880 --> 0:26:26.359
<v Speaker 2>lesson on a porch to some kids who have lost

0:26:26.400 --> 0:26:28.800
<v Speaker 2>their way a bit. That is a type of governance,

0:26:29.160 --> 0:26:31.720
<v Speaker 2>and it is a governance that is rooted in actual care.

0:26:32.440 --> 0:26:36.399
<v Speaker 2>And to extract that from a place where there is

0:26:36.600 --> 0:26:40.240
<v Speaker 2>deep affection and deep care and deep thoughtfulness and say,

0:26:40.600 --> 0:26:43.600
<v Speaker 2>since the state cannot enter here, it is too dangerous,

0:26:43.600 --> 0:26:45.880
<v Speaker 2>and this is where war happens, and this place has

0:26:45.920 --> 0:26:48.920
<v Speaker 2>to be demolished and rebuilt in a different image that

0:26:49.119 --> 0:26:53.840
<v Speaker 2>is treasonous to the realities of affection that really undergird

0:26:55.440 --> 0:26:58.280
<v Speaker 2>people living in communities that are insular and that are

0:26:58.320 --> 0:27:00.359
<v Speaker 2>often neglected until they can be up rooted.

0:27:01.960 --> 0:27:04.040
<v Speaker 3>You know, hearing you talk about this, it's hard for

0:27:04.080 --> 0:27:08.120
<v Speaker 3>me to not hear that and think about Gazam. Yeah,

0:27:08.400 --> 0:27:10.760
<v Speaker 3>and you know, I've shared this with our listeners. I'm

0:27:10.760 --> 0:27:16.000
<v Speaker 3>Palestinian American. My parents grew up in Gaza and immigrant

0:27:16.040 --> 0:27:17.600
<v Speaker 3>to the States when I was born, but most of

0:27:17.640 --> 0:27:22.920
<v Speaker 3>our relatives are still there. And yeah, hearing your reflections,

0:27:22.960 --> 0:27:25.960
<v Speaker 3>it's hard. It's you know, I'm making these connections of

0:27:26.560 --> 0:27:29.879
<v Speaker 3>how I think those in power were quick to cast

0:27:29.920 --> 0:27:33.720
<v Speaker 3>the place as evil or as dangerous, a place devoid

0:27:33.760 --> 0:27:38.240
<v Speaker 3>of any nuanced or texture. And I think to your point,

0:27:38.280 --> 0:27:42.359
<v Speaker 3>when you attach such uncompromising labels to a place, then

0:27:43.200 --> 0:27:44.639
<v Speaker 3>you know, it's like what you said, that becomes how

0:27:44.640 --> 0:27:48.560
<v Speaker 3>you describe the people as well. It justifies violence, and

0:27:48.640 --> 0:27:53.800
<v Speaker 3>those I think who survive become the exception. And it's

0:27:53.840 --> 0:28:00.159
<v Speaker 3>really just on a personal level, like maddening upsetting as

0:28:00.160 --> 0:28:02.879
<v Speaker 3>someone who spent time in Gaza, someone who with people

0:28:02.920 --> 0:28:05.119
<v Speaker 3>I love in Gaza, for it to be perceived in

0:28:06.160 --> 0:28:08.320
<v Speaker 3>such a crude light, you know, we don't hear about

0:28:08.920 --> 0:28:12.840
<v Speaker 3>the joy, about the communion, about their unbelievable generosity, or

0:28:13.000 --> 0:28:17.160
<v Speaker 3>the beauty of their neighborhoods before they collapsed into rubble. Yeah,

0:28:17.200 --> 0:28:19.680
<v Speaker 3>and I just really appreciate, Yeah, I appreciate all of

0:28:19.680 --> 0:28:21.680
<v Speaker 3>your reflections around this, because I feel like a theme

0:28:21.680 --> 0:28:24.919
<v Speaker 3>of your writing has been finding and naming the beauty

0:28:24.960 --> 0:28:28.040
<v Speaker 3>in places like Gaza or Columbus.

0:28:28.760 --> 0:28:30.600
<v Speaker 2>You know, well, one, thank you for sharing that, and

0:28:30.600 --> 0:28:34.879
<v Speaker 2>I'm sorry to hear about your family. And I thanks.

0:28:35.400 --> 0:28:39.600
<v Speaker 2>When I was getting put on to to just the

0:28:39.640 --> 0:28:45.040
<v Speaker 2>Paliestandian resistance movement and life in Palestine and Gaza specifically,

0:28:45.080 --> 0:28:47.160
<v Speaker 2>I got the book A Homey of Mine, and this

0:28:47.320 --> 0:28:49.520
<v Speaker 2>was years and years ago, passed me the book Enemy

0:28:49.600 --> 0:28:51.719
<v Speaker 2>of the Sun, which is I don't know, the other

0:28:51.720 --> 0:28:54.080
<v Speaker 2>book of Palestinian resistance poetry, and I remember loving that

0:28:54.120 --> 0:28:59.400
<v Speaker 2>book because it reframed for me. Yes, it is certainly

0:28:59.400 --> 0:29:01.640
<v Speaker 2>a book of Razil's poetry, for sure, but a lot

0:29:01.680 --> 0:29:05.360
<v Speaker 2>of those poems are also just like look at my

0:29:05.400 --> 0:29:08.360
<v Speaker 2>beautiful neighborhood, Like I will walk you to the edge

0:29:08.400 --> 0:29:13.360
<v Speaker 2>of what my neighborhood looked like once, or how beautiful

0:29:13.400 --> 0:29:15.640
<v Speaker 2>that I get to wake up and make a meal

0:29:15.720 --> 0:29:18.320
<v Speaker 2>with someone I love. It's this kind of very interiority

0:29:18.320 --> 0:29:21.240
<v Speaker 2>of a life, right, this interior life that says things

0:29:21.280 --> 0:29:23.400
<v Speaker 2>were not always as you imagine them, or things are

0:29:23.400 --> 0:29:27.440
<v Speaker 2>not always as you witness them, and therefore we are

0:29:27.560 --> 0:29:31.480
<v Speaker 2>full people. I think one of the many things that's

0:29:31.480 --> 0:29:34.480
<v Speaker 2>devastated me in the past several months is a decimation

0:29:34.600 --> 0:29:37.840
<v Speaker 2>of land that people have cared for, because when you

0:29:37.920 --> 0:29:40.440
<v Speaker 2>love a place, you care for it.

0:29:41.960 --> 0:29:44.040
<v Speaker 3>Something that your work has made me think more deeply

0:29:44.080 --> 0:29:47.280
<v Speaker 3>about is just how these places can live within us,

0:29:47.400 --> 0:29:51.480
<v Speaker 3>even as the scenery or the architecture changes, you know,

0:29:52.040 --> 0:29:55.520
<v Speaker 3>the case of Gaza, despite how many homes and hospitals

0:29:55.560 --> 0:30:00.840
<v Speaker 3>and schools and places of worship have been demolished. I've

0:30:00.840 --> 0:30:05.160
<v Speaker 3>been thinking about how you can't destroy a person's connection

0:30:05.280 --> 0:30:07.920
<v Speaker 3>to a place. And I think I saw you wrote

0:30:07.920 --> 0:30:10.080
<v Speaker 3>somewhere that a place where is the legacy of what

0:30:10.200 --> 0:30:12.960
<v Speaker 3>happened there? Yes, that the people who live there where

0:30:12.960 --> 0:30:18.120
<v Speaker 3>that legacy. And I thought that was really beautiful, that

0:30:18.640 --> 0:30:23.480
<v Speaker 3>the architecture of a place are the people. And I've

0:30:23.480 --> 0:30:26.720
<v Speaker 3>been holding on to that idea. I find it very comforting.

0:30:28.000 --> 0:30:30.719
<v Speaker 2>Yeah, I think people survive even when they don't survive,

0:30:30.840 --> 0:30:32.760
<v Speaker 2>you know, like there are ways that people survive in

0:30:32.760 --> 0:30:35.640
<v Speaker 2>a place even when they have been built on top

0:30:35.680 --> 0:30:39.040
<v Speaker 2>of or erased or I think people survive even when

0:30:39.040 --> 0:30:41.920
<v Speaker 2>they don't survive. And I think it is on the

0:30:42.000 --> 0:30:46.080
<v Speaker 2>living in some ways to make sure that people survive

0:30:46.080 --> 0:30:49.400
<v Speaker 2>even when they don't. Yes, in Gaza, but also every

0:30:49.560 --> 0:30:52.479
<v Speaker 2>you know, everywhere that Yeah, I think I think about this.

0:30:52.520 --> 0:30:54.080
<v Speaker 2>I mean the very much, And of course I'm not

0:30:54.400 --> 0:30:58.719
<v Speaker 2>comparing gentrification to any but I'm saying like, there are

0:30:58.720 --> 0:31:01.880
<v Speaker 2>ways that I feel respond in my writing to keep

0:31:01.920 --> 0:31:04.600
<v Speaker 2>alive the people who either have who have died, or

0:31:04.640 --> 0:31:08.520
<v Speaker 2>who have been pushed even further to margins that they

0:31:08.600 --> 0:31:10.920
<v Speaker 2>cannot you know what I mean, that are to the

0:31:10.920 --> 0:31:13.440
<v Speaker 2>point where they've been almost erased. And so, yeah, people

0:31:13.480 --> 0:31:15.560
<v Speaker 2>have to survive even when they don't physically survive in

0:31:15.600 --> 0:31:16.000
<v Speaker 2>a place.

0:31:16.760 --> 0:31:33.160
<v Speaker 3>Yeah, this is a bit of a pivot, but somewhat

0:31:33.200 --> 0:31:36.760
<v Speaker 3>connected to what we're talking about. You write a lot

0:31:36.800 --> 0:31:40.479
<v Speaker 3>about the passage of time and our mortality, which are

0:31:40.560 --> 0:31:45.240
<v Speaker 3>things that have especially been on my mind lately, and

0:31:45.800 --> 0:31:49.760
<v Speaker 3>I'm curious how reflecting so deeply, you know, the fact

0:31:49.760 --> 0:31:52.840
<v Speaker 3>that you reflect so deeply on how our time on

0:31:52.880 --> 0:31:56.760
<v Speaker 3>this earth is limited. How that impacts your approach to

0:31:56.800 --> 0:31:57.560
<v Speaker 3>your work.

0:32:00.040 --> 0:32:02.320
<v Speaker 2>Well, it does imbue it with a real urgency. I

0:32:02.360 --> 0:32:07.840
<v Speaker 2>think I love the writer Greg Tate, who I missed dearly.

0:32:08.440 --> 0:32:10.560
<v Speaker 2>He wrote everything like it was his last thing, every review,

0:32:10.680 --> 0:32:14.240
<v Speaker 2>every email, every you know, there was this real understanding

0:32:14.280 --> 0:32:16.720
<v Speaker 2>of whether or not you like it. You are operating

0:32:16.720 --> 0:32:19.440
<v Speaker 2>in a lineage, and so that means that you, as

0:32:19.600 --> 0:32:24.200
<v Speaker 2>a culture worker, artist, writer, whatever, have a responsibility to

0:32:24.240 --> 0:32:27.760
<v Speaker 2>someone beyond yourself, and you have a responsibility that will

0:32:27.800 --> 0:32:31.800
<v Speaker 2>trail behind you ideally when you're gone. And to me,

0:32:32.000 --> 0:32:34.960
<v Speaker 2>that is a great task to live up to. And

0:32:35.040 --> 0:32:36.720
<v Speaker 2>I could not live up to that task if I

0:32:36.760 --> 0:32:40.480
<v Speaker 2>were frivolous or flippant about the passage of time. Instead,

0:32:41.320 --> 0:32:45.160
<v Speaker 2>I have to tell myself that, you know, any day

0:32:45.200 --> 0:32:47.160
<v Speaker 2>could be the last day. Which doesn't mean that I'm

0:32:47.560 --> 0:32:49.840
<v Speaker 2>moping around thinking about death all the time, but it

0:32:49.880 --> 0:32:54.080
<v Speaker 2>does mean that I have a real interest in living

0:32:54.120 --> 0:32:57.120
<v Speaker 2>a life that will allow me to go to the

0:32:57.160 --> 0:33:00.560
<v Speaker 2>grave satisfied knowing that if I step back and look

0:33:00.600 --> 0:33:03.080
<v Speaker 2>at the full body of work of my life, not

0:33:03.160 --> 0:33:08.240
<v Speaker 2>just my artistic work, my actual living. If I have

0:33:08.440 --> 0:33:12.160
<v Speaker 2>risen to the occasion where I loved people the best

0:33:12.280 --> 0:33:14.880
<v Speaker 2>I could, to the best of my ability more often

0:33:14.920 --> 0:33:18.240
<v Speaker 2>than that. Yeah, that is a level of satisfaction I

0:33:18.240 --> 0:33:19.760
<v Speaker 2>can be I can be cool with.

0:33:21.600 --> 0:33:24.440
<v Speaker 3>Yeah. I think it's something that's been on my mind,

0:33:24.640 --> 0:33:28.640
<v Speaker 3>you know, Uh, just experiencing so much grief this last year.

0:33:30.520 --> 0:33:32.920
<v Speaker 3>I think it has shifted a lot within me. And

0:33:32.960 --> 0:33:35.480
<v Speaker 3>I think, you know, anytime you lose people you love,

0:33:36.600 --> 0:33:39.080
<v Speaker 3>it has the potential to shift your perspective on what matters.

0:33:39.120 --> 0:33:42.720
<v Speaker 3>I mean, it's cliche, but it's true. You know, I

0:33:42.800 --> 0:33:46.960
<v Speaker 3>personally just don't feel as hungry as I did before

0:33:47.080 --> 0:33:50.480
<v Speaker 3>to achieve the more conventional markers of success, Like it

0:33:50.920 --> 0:33:55.200
<v Speaker 3>feels more important to me that I'm driven by internal motivators,

0:33:55.280 --> 0:33:57.160
<v Speaker 3>that I act in a way that are inmcordant with

0:33:57.200 --> 0:34:02.720
<v Speaker 3>my values. I read somewhere that you have an ambivalent

0:34:02.800 --> 0:34:06.239
<v Speaker 3>relationship with success. What do you mean by that?

0:34:07.280 --> 0:34:08.560
<v Speaker 2>I mean, I just don't think about it a lot.

0:34:08.600 --> 0:34:10.439
<v Speaker 2>I can't control how well my books do. I can't

0:34:10.440 --> 0:34:13.880
<v Speaker 2>control what jobs come up for me or what jobs

0:34:13.880 --> 0:34:16.320
<v Speaker 2>don't come up for me. I can't control any awards,

0:34:16.760 --> 0:34:18.719
<v Speaker 2>and to get caught up in that would be I

0:34:18.760 --> 0:34:23.239
<v Speaker 2>think somewhat treasonous to my ability to write freely, to

0:34:23.280 --> 0:34:26.800
<v Speaker 2>think freely, to really take risks, to take actual risks

0:34:26.800 --> 0:34:29.120
<v Speaker 2>in my work. You know, I think if I think

0:34:29.160 --> 0:34:31.480
<v Speaker 2>too heavily about success and I become beholden to these

0:34:31.520 --> 0:34:35.480
<v Speaker 2>ideas of success, that I think would diminish my ability

0:34:35.520 --> 0:34:39.439
<v Speaker 2>to connect with people. And so much of my work

0:34:39.520 --> 0:34:42.680
<v Speaker 2>is I think, driven towards connecting with people.

0:34:43.719 --> 0:34:50.359
<v Speaker 3>Yeah, that's what's important to you. Absolutely, this has been

0:34:50.440 --> 0:34:52.719
<v Speaker 3>a great conversation. I really appreciate you going to so

0:34:52.719 --> 0:34:53.440
<v Speaker 3>many different.

0:34:53.160 --> 0:34:56.280
<v Speaker 2>Places with me, for sure. Thanks for the time.

0:35:09.760 --> 0:35:12.720
<v Speaker 3>That was Poet and writer Hanifep Dora, Kiev. You should

0:35:12.760 --> 0:35:15.640
<v Speaker 3>check out his latest book, it's called There's Always This Year.

0:35:22.880 --> 0:35:24.800
<v Speaker 3>All Right. That is all for our show this week.

0:35:24.840 --> 0:35:26.920
<v Speaker 3>If you have any thoughts about this episode or just

0:35:26.920 --> 0:35:28.720
<v Speaker 3>want to shoot us a note, you can always email

0:35:28.800 --> 0:35:31.799
<v Speaker 3>me and the team at Uncomfortable at marketplace dot org.

0:35:32.239 --> 0:35:34.719
<v Speaker 3>We love hearing from you all. Also, don't forget to

0:35:34.760 --> 0:35:37.160
<v Speaker 3>sign up for our weekly newsletter if you haven't already.

0:35:37.320 --> 0:35:40.120
<v Speaker 3>There's always great recommendations in there for things to listen

0:35:40.120 --> 0:35:43.000
<v Speaker 3>to or cook or watch. And this week I'm writing

0:35:43.000 --> 0:35:45.440
<v Speaker 3>about what we have in store this season, so be

0:35:45.520 --> 0:35:47.800
<v Speaker 3>sure to check that out. And we have a special

0:35:47.840 --> 0:35:50.719
<v Speaker 3>Defend your Splurge from Haniff on how he budgets a

0:35:50.760 --> 0:35:53.520
<v Speaker 3>nice treat for himself every month. You can sign up

0:35:53.560 --> 0:35:59.319
<v Speaker 3>for the newsletter at marketplace dot org slash Comfort. This

0:35:59.400 --> 0:36:02.480
<v Speaker 3>episode was lead produced by Zoe Sunders and hosted by

0:36:02.520 --> 0:36:05.960
<v Speaker 3>me Rie Machres. We wrote the script together. The episode

0:36:06.000 --> 0:36:09.520
<v Speaker 3>got additional support from producer Alice Wilder. Zoe Sanders is

0:36:09.560 --> 0:36:13.480
<v Speaker 3>our senior producer. Our editor is Jasmine Romero. Sound design

0:36:13.480 --> 0:36:17.160
<v Speaker 3>and audio engineering by Drew Jostad. Bridget Badner is marketplaces

0:36:17.239 --> 0:36:20.880
<v Speaker 3>Director of Podcasts. Caitlin esh is our supervising senior producer.

0:36:21.280 --> 0:36:24.920
<v Speaker 3>Francesca Levy is the executive director of Digital. Neil Scarborough

0:36:25.000 --> 0:36:28.239
<v Speaker 3>is Vice president and general manager of Marketplace. And our

0:36:28.280 --> 0:36:32.359
<v Speaker 3>theme music is by Wonder Lady. All right, we'll catch

0:36:32.400 --> 0:36:33.160
<v Speaker 3>y'all next week.

0:36:41.840 --> 0:36:43.480
<v Speaker 2>Yo, I'd be at the house. I like being at

0:36:43.480 --> 0:36:46.120
<v Speaker 2>the house. I can't you know, You're like nope.