WEBVTT - Episode 370 w/ Ice-T

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<v Speaker 1>He is Drink Chants, motherfucking podcast man. He's a legends

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<v Speaker 1>every Queens rapper. He ain't sagreed as your boy in

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<v Speaker 1>O r E.

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<v Speaker 2>He's a Miami hip hop and mioneer p up as

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<v Speaker 2>d j e f N. Together they drink it up

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<v Speaker 2>with some of the biggest players, you know what I mean.

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<v Speaker 3>And the most professional unprofessional podcast and your number one

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<v Speaker 3>source for drunk.

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<v Speaker 1>Drink Chans mother post for every days.

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<v Speaker 2>Do you see that's it's time for Drink Champs. Drink up,

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<v Speaker 2>motherfucking mother?

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<v Speaker 1>Would it good? Be hoping he should be? This is

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<v Speaker 1>your boy in O r E.

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<v Speaker 4>What up?

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<v Speaker 2>It is dj e f N.

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<v Speaker 1>And this Drink Champs happy hour makes some know.

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<v Speaker 5>When we talk about icon of icon, when we talk

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<v Speaker 5>about legends of legends, this man has had at least

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<v Speaker 5>two three four careers careers. So many people come and

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<v Speaker 5>go in this rap game for you to sustain your success,

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<v Speaker 5>like how this man has sustained and been a g

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<v Speaker 5>about it the whole time.

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<v Speaker 1>A lot of people would.

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<v Speaker 5>Have lost their mind, went crazy, been rolling out here

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<v Speaker 5>with fifteen thousand people. He came to dinner last night

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<v Speaker 5>with his family Like that's gangster to me.

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<v Speaker 1>I mean.

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<v Speaker 5>Album after album, hit after hit, continuously to be relevant.

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<v Speaker 5>You know, some say is the father of gangst the rap,

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<v Speaker 5>and then to have a great career like that and

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<v Speaker 5>then go on to dominate movies and dominate a TV

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<v Speaker 5>show that TV show. But now fucking twenty five fucking years.

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<v Speaker 1>Motherfucker.

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<v Speaker 5>If you don't know what the fuck we're talking about

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<v Speaker 5>at this point you're talking about, motherfucker, I.

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<v Speaker 1>Want. I want to get straight to the speech. Straight

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<v Speaker 1>to the speech.

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<v Speaker 5>I never see a speech as I mean you, you

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<v Speaker 5>and Snoopers focus cold because Snoop thinks yourself right, Yes,

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<v Speaker 5>you think the haters.

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<v Speaker 1>I think the hater But did you make.

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<v Speaker 5>This speech up as you as you was talking or

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<v Speaker 5>you had this written down?

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<v Speaker 3>I walk I walked with that all every day. Like

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<v Speaker 3>haters have always been my motivation. I actually have a

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<v Speaker 3>clothing line called Power by Hate Wo which I've always

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<v Speaker 3>been able to use, you know, the energy from them

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<v Speaker 3>as my motivation. You know, Like all I gotta do

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<v Speaker 3>is going in and thatt and I find somebody talking

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<v Speaker 3>shit about me, then I'm go in the gym. I

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<v Speaker 3>get you take that energy.

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<v Speaker 1>This nigga fell off.

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<v Speaker 3>That's why I need that because praise doesn't.

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<v Speaker 1>Do much for me. I'm not that guy like it.

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<v Speaker 1>Just I got it.

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<v Speaker 3>So a bad show is what's gonna make me do

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<v Speaker 3>a good show. So so I always like use it.

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<v Speaker 3>So now I'm getting the start, right. You don't know

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<v Speaker 3>how many times I've been arrested in Hollywood. I many

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<v Speaker 3>times I've been faced down on them starts looking at it, Chris,

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<v Speaker 3>you know, getting comfort. So now I've been I've been

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<v Speaker 3>to Hollywood police stations so many times. So now that

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<v Speaker 3>what a difference to day makes. Now they honoring me,

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<v Speaker 3>and so I'm there. I'm in this moment right. I

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<v Speaker 3>got Dick Wolfs and all the mon or the people there,

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<v Speaker 3>Russell Simmons, ice Cube showed up, you know, all my

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<v Speaker 3>GE's were there, and I'm saying all the right stuff,

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<v Speaker 3>and then I just just hit me. Man, that shit

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<v Speaker 3>just came out of nowhere. I said, Man, I think

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<v Speaker 3>the fucking haters, Man, I got to get there. Y'all

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<v Speaker 3>really pushed me and motivated me to get to this point.

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<v Speaker 3>The fact you said I could not do it, So

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<v Speaker 3>I tell you that it just happened then, and I

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<v Speaker 3>think people dug it.

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<v Speaker 1>It was organic authent caught the Holy Ghost.

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<v Speaker 3>See what these motherfucking haters man, they got, But I

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<v Speaker 3>love them because I need them.

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<v Speaker 5>See that part envirorable. But you, but I suggest people

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<v Speaker 5>go watch.

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<v Speaker 1>The Holy Sage.

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<v Speaker 2>Yeah you know what I mean, motivational host because a.

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<v Speaker 5>Lot of people don't know you was cursing throughout the

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<v Speaker 5>whole mother my curse.

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<v Speaker 3>I use all kings English. I explained to people that

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<v Speaker 3>even the term cursed, like you know, if you look

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<v Speaker 3>up profanity and the dictionary, there's something which its blasphemous.

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<v Speaker 3>Blasphemy would be saying the Lord's name in vain. So

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<v Speaker 3>the only word that could be considered blasphemings would be

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<v Speaker 3>God be damned. You know when I'm not gonna do

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<v Speaker 3>no no eance and nothing shit here. But basically fuck, shit, bitch, ho,

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<v Speaker 3>dirty hole, slut dish. These are just taboo words that

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<v Speaker 3>bother people. So your parents would tell you if you

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<v Speaker 3>say them words, you're gonna go to hell. But in

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<v Speaker 3>that by them using those words, using that theory, saying fuck,

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<v Speaker 3>it's gonna send you to hell, they and themselves are

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<v Speaker 3>are creating something blasphemous. So if anybody's going to hell,

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<v Speaker 3>it's your fucking parents for lying to you all these years,

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<v Speaker 3>because I think profanity is just an explanation point you

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<v Speaker 3>put into a sentence.

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<v Speaker 1>You don't give.

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<v Speaker 3>You example, your mother says, don't take the car. Your

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<v Speaker 3>dad just don't touch my mother fucking car. What he

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<v Speaker 3>did is he took a word, brought it into the

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<v Speaker 3>sentence that brought your attention, because the car can't fuck

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<v Speaker 3>more or less fuck his bitch, you see what I'm saying.

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<v Speaker 3>So when we say these words, it's like they're just

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<v Speaker 3>explanation points so to add to the statement. But they

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<v Speaker 3>don't have they don't hold any marriage, They don't you know, bullshit?

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<v Speaker 1>What is who have really ever seen bullshit? Like? You

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<v Speaker 1>know what is a bull? How about dog shit?

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<v Speaker 3>So I just use them so you know, and if

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<v Speaker 3>you ask me not to, I won't. I can all

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<v Speaker 3>so do that right, I can behave if it bothers you,

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<v Speaker 3>offend you. But if I'm speaking freely, which I feel

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<v Speaker 3>like I'm on drink champ.

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<v Speaker 1>So occasionally the.

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<v Speaker 3>Occasionally they'll pop out, and like you early said some

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<v Speaker 3>about gangster rap, when I started rapping, I would curse

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<v Speaker 3>or use profanity. That was new, that was new people

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<v Speaker 3>to actually get on the record and just say talk

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<v Speaker 3>the way people talk.

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<v Speaker 1>That was new.

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<v Speaker 2>It's like pain on the cameras.

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<v Speaker 3>How old was you when I started rapping? I was

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<v Speaker 3>about twenty six. Wow, Okay, I didn't start early. I

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<v Speaker 3>actually had been in the streets, so I had some experience.

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<v Speaker 3>You know, my wife would listening to rappers. He's like nineteen.

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<v Speaker 3>I like, He's like, so, how could they have done

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<v Speaker 3>all that? I said, they haven't. They haven't. I twenty seven.

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<v Speaker 3>I've been in the military. I lived, I've been out there.

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<v Speaker 3>I tried my luck in the streets. So by the

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<v Speaker 3>time I was wrapping, my ship was loaded with information.

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<v Speaker 1>So, yeah, twenty seven.

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<v Speaker 2>What year was that?

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<v Speaker 1>When you don't know, I don't know. I'm older those

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<v Speaker 1>you know. I graduate from high school seventy six. Okay,

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<v Speaker 1>I was born in seventy seven, Just seventy five.

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<v Speaker 3>Don't make me sountu that.

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<v Speaker 1>Yeah.

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<v Speaker 5>So the last night you're hanging out, I got you

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<v Speaker 5>to drink a glass of champagne.

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<v Speaker 3>Yeah, I told you I don't drink, but I socially sip.

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<v Speaker 3>Socially sip socially anywhere. But when you're socially sip, is

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<v Speaker 3>it always champagne? I sometimes, like I'm out with my wife,

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<v Speaker 3>She'll drink cranberry and vodka. And you know, depending on

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<v Speaker 3>how you mix it can it's just you know, you

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<v Speaker 3>can mix it strong. Sometimes I sip kolua and milk,

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<v Speaker 3>which is kind of like Starbucks. Okay, yeah, yeah, you

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<v Speaker 3>know I've drank Jaeger mind like when people when I

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<v Speaker 3>tell people I don't drink, what I mean is I don't.

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<v Speaker 1>See a lot of shit. I don't sit at home.

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<v Speaker 1>I don't sit at home and drink.

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<v Speaker 3>You know, the homie just sitting home in it two

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<v Speaker 3>in afternoon with the bourbon, like looking at television and

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<v Speaker 3>it's on and that nigga and that's not me. And

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<v Speaker 3>I never really drank when I was hanging out because

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<v Speaker 3>I felt to compromised my position. I never thought being

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<v Speaker 3>drunk was attractive. But hold home home for men or

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<v Speaker 3>women because because yesterday you said you didn't, you didn't

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<v Speaker 3>never taste it.

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<v Speaker 5>I never tasted as so you introduced me to it.

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<v Speaker 5>And it's decent what I did. What I didn't realize

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<v Speaker 5>is you on holes. Not discrepancy, but misunderstanding about ninety

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<v Speaker 5>nine problems.

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<v Speaker 3>Well, think about the ninety let's go you want to

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<v Speaker 3>go into jay Z.

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<v Speaker 1>Yeah, he wants to get right. You know, he owes

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<v Speaker 1>this that vein the number love for Jigger. That's right.

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<v Speaker 3>I knew Jagger. I met jay Z way back in

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<v Speaker 3>the day. Day came brought him to my house back

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<v Speaker 3>when he was with Jazzo.

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<v Speaker 1>Wow.

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<v Speaker 3>Jay Z was just a kid, so he wasn't really

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<v Speaker 3>too much, but he was just there with Cain Kane

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<v Speaker 3>was the boss.

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<v Speaker 1>Everybody they take.

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<v Speaker 3>See what happens in this podcast world is they'll take

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<v Speaker 3>something I'm saying right now and they'll edit it with

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<v Speaker 3>another something from someplace else, and it'll turned into a conversation.

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<v Speaker 1>That not is not real.

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<v Speaker 3>There's no beef between me and jay Z and ninety

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<v Speaker 3>nine problems. But a lot of people didn't know that

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<v Speaker 3>that was originally my song. So when they asked me

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<v Speaker 3>about it, I said, that's originally my song. Then the

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<v Speaker 3>podcast will go see Jay stole it.

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<v Speaker 1>Jay did not steal it.

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<v Speaker 3>You just explained to something playing in it. So you

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<v Speaker 3>want to know the story the ninety nine problems. Since

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<v Speaker 3>we're gonna drink here, let's go. I was with Brother

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<v Speaker 3>Marquise from two Live Crew and Joe Brother Marquis was

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<v Speaker 3>talking about whoop there it is? Now do you know

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<v Speaker 3>the story behind woop there?

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<v Speaker 1>It is? Whoop there it is?

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<v Speaker 3>Is what they used to say a Magic City when

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<v Speaker 3>the girls would bend over and you could see they

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<v Speaker 3>pussy wow.

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<v Speaker 1>I learned what.

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<v Speaker 6>Right.

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<v Speaker 3>Tag team with the DJs and Magic City, I now

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<v Speaker 3>makes sense.

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<v Speaker 1>So when the girls but.

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<v Speaker 5>It is because I just want to be clear. Magic

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<v Speaker 5>City is a strip at yeah left, I'll tell you

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<v Speaker 5>my Miami.

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<v Speaker 2>Because he said, brother, Marquis.

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<v Speaker 3>Atlanta tag team where the DJ's in the club. They

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<v Speaker 3>were the strip club DJs, and that was what they

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<v Speaker 3>say when the girl a whooped there it is? So

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<v Speaker 3>now that became a big hit record. Marquis's at my house.

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<v Speaker 3>He's like nigga.

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<v Speaker 1>I was sitting there on them nights.

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<v Speaker 2>That was the phrase. It pays, you know.

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<v Speaker 3>And then out of nowhere, he said, man, I got

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<v Speaker 3>nine or nine probably, but bitch ain't won. I said,

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<v Speaker 3>what the fuck did you just say? He said, I

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<v Speaker 3>got note. I said that's a record. Mark, that's a record.

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<v Speaker 3>So he says, okay, fuck with it. So I write

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<v Speaker 3>the record. I got a hold from the east, I

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<v Speaker 3>got a hole from the West. I got a hold

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<v Speaker 3>of likes and jacket off and rub it in the chest.

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<v Speaker 3>I got a bitchman North, a bitchman South, A bitches

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<v Speaker 3>like the sucking long and hold it in the mouth.

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<v Speaker 1>I got a.

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<v Speaker 3>Bitch with air, a bitch with none, a bitch with

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<v Speaker 3>a knife, a bitch with a gun, a bitch with

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<v Speaker 3>a as big as a TV set. And it's a

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<v Speaker 3>bitch over there, hey, the one I'm gonna get.

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<v Speaker 1>But yo, what maybe not? She may not like me though,

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<v Speaker 1>no sweat to a vet.

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<v Speaker 3>A fuck a sister though word, I rocked the whole

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<v Speaker 3>damn herd, fuck them all and put them on the curb.

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<v Speaker 3>I got a bitch with a mink who rocks, a

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<v Speaker 3>fat gold link who likes to fuck me with an

0:11:24.720 --> 0:11:27.600
<v Speaker 3>ass upon the kitchen sink. I got a bitch with tits,

0:11:27.760 --> 0:11:30.319
<v Speaker 3>a bitch with ass, a bitch with none, But hey,

0:11:30.360 --> 0:11:32.200
<v Speaker 3>I give her a pass. And I love them all.

0:11:32.400 --> 0:11:34.920
<v Speaker 3>I love them crazily and they love me back. That's

0:11:34.920 --> 0:11:37.120
<v Speaker 3>why they stay with me. So if you're having girl

0:11:37.160 --> 0:11:40.120
<v Speaker 3>problems out for baby your son, I got ninety nine problem.

0:11:45.520 --> 0:11:49.120
<v Speaker 3>So that was that was. That was on the home invasion.

0:11:49.120 --> 0:11:51.719
<v Speaker 3>Now so it's more, you know, it goes on and on,

0:11:51.760 --> 0:11:56.319
<v Speaker 3>and Marquise says, ryme, So, so what happens the way

0:11:56.320 --> 0:12:00.480
<v Speaker 3>the story goes, Rick Rubin was producing jay Z in

0:12:00.520 --> 0:12:03.480
<v Speaker 3>the studio and Chris Rock was there. This is the

0:12:03.520 --> 0:12:06.400
<v Speaker 3>story I got Chris is an iced Tea fan because

0:12:06.440 --> 0:12:08.400
<v Speaker 3>we bonded from New jack City.

0:12:08.880 --> 0:12:12.320
<v Speaker 1>Hooky Pooky, that's my look, I saved this life. Well

0:12:12.520 --> 0:12:14.520
<v Speaker 1>he got killed Poogy got it later.

0:12:20.400 --> 0:12:31.600
<v Speaker 3>So he calling me. So Apparently they said Chris gave

0:12:31.920 --> 0:12:34.840
<v Speaker 3>Rick the idea to do nine nine proms and so

0:12:34.920 --> 0:12:38.000
<v Speaker 3>that's where they decided to do the song. The cold

0:12:38.080 --> 0:12:39.719
<v Speaker 3>thing is jay Z when he did the song, he

0:12:39.720 --> 0:12:41.600
<v Speaker 3>even took the hit that.

0:12:41.679 --> 0:12:42.440
<v Speaker 1>The got me.

0:12:42.520 --> 0:12:44.480
<v Speaker 3>I'm like, damn, he got that. But so she does

0:12:44.520 --> 0:12:45.600
<v Speaker 3>the record The Rector is a hit.

0:12:45.960 --> 0:12:46.200
<v Speaker 1>Now.

0:12:47.240 --> 0:12:49.720
<v Speaker 3>I had a publishing deal with Warner Brothers. When you

0:12:49.920 --> 0:12:52.920
<v Speaker 3>anybody knows what a publishing deal is. You can sell

0:12:52.960 --> 0:12:56.440
<v Speaker 3>your publishing to people for a year and and they

0:12:56.440 --> 0:12:57.440
<v Speaker 3>will give you the money.

0:12:57.200 --> 0:13:00.760
<v Speaker 1>I want to I don't know, Okay, okay, it was

0:13:00.840 --> 0:13:04.240
<v Speaker 1>Warner so it could have been it could have been Universe.

0:13:04.320 --> 0:13:04.760
<v Speaker 1>I don't know.

0:13:04.960 --> 0:13:09.200
<v Speaker 3>I had a publishing deal so for that year they

0:13:09.240 --> 0:13:11.680
<v Speaker 3>pay you at front, like say For instance, over a year,

0:13:11.720 --> 0:13:15.160
<v Speaker 3>you might make two three hundred thousand on your publishing.

0:13:15.720 --> 0:13:18.760
<v Speaker 3>With a publishing deal, you say, give me that up front,

0:13:19.280 --> 0:13:22.240
<v Speaker 3>and then after that number will split it fifty to

0:13:22.240 --> 0:13:23.800
<v Speaker 3>fifty and then at the end of the year I

0:13:23.840 --> 0:13:25.360
<v Speaker 3>get it back and I could do it. So that's

0:13:25.360 --> 0:13:28.800
<v Speaker 3>a publishing deal. During the time I did the nine

0:13:28.920 --> 0:13:31.400
<v Speaker 3>nine Problems, I was in a publishing deal, so that

0:13:31.440 --> 0:13:35.480
<v Speaker 3>money just I didn't get paid. It went off to

0:13:35.520 --> 0:13:39.760
<v Speaker 3>the deal and that's how it happened. Jay Z didn't

0:13:39.800 --> 0:13:44.640
<v Speaker 3>steal it. So the end of the story is it

0:13:44.720 --> 0:13:47.520
<v Speaker 3>hits the internet and everybody teased pistol.

0:13:47.920 --> 0:13:49.959
<v Speaker 1>I'm like, I'm not even pisted. It's tripped for somebody

0:13:49.960 --> 0:13:51.520
<v Speaker 1>to say you mad and you're not mad. I'm like,

0:13:51.559 --> 0:13:53.480
<v Speaker 1>I'm not mad. Why are they're making me mad? Right?

0:13:53.840 --> 0:13:58.480
<v Speaker 1>So I'm at the Grammys. So I see jay Z

0:13:58.679 --> 0:13:59.079
<v Speaker 1>right now.

0:13:59.120 --> 0:14:01.679
<v Speaker 3>Now, jay Z is another has turned into a whole

0:14:01.760 --> 0:14:04.559
<v Speaker 3>nother thing, right, you know, But I respect that. Once

0:14:04.600 --> 0:14:09.439
<v Speaker 3>he got married, he like, he's now I respect marriage. Okay, Okay,

0:14:09.800 --> 0:14:12.400
<v Speaker 3>I can't we don't, you know. So anyway, I see

0:14:12.480 --> 0:14:14.680
<v Speaker 3>him and he smiles at me. He goes, is you

0:14:14.800 --> 0:14:15.360
<v Speaker 3>mad at me?

0:14:15.800 --> 0:14:18.079
<v Speaker 1>He said no. He says, you know I love you, right,

0:14:18.160 --> 0:14:20.040
<v Speaker 1>I said I love you. I said yeah, and he

0:14:20.080 --> 0:14:24.240
<v Speaker 1>said I said, jay Z, that's not by my work, right.

0:14:24.280 --> 0:14:26.440
<v Speaker 1>And so then at the end I said, but Jay.

0:14:26.680 --> 0:14:28.160
<v Speaker 3>During it, at the end of the record, you could

0:14:28.200 --> 0:14:35.240
<v Speaker 3>have said I.

0:14:33.960 --> 0:14:36.040
<v Speaker 1>I could have used it. I'm not a billionaire, Jay,

0:14:36.080 --> 0:14:36.280
<v Speaker 1>you know.

0:14:36.840 --> 0:14:40.920
<v Speaker 3>But no, no, all love and you know, once again,

0:14:41.000 --> 0:14:43.840
<v Speaker 3>this is what the press can do and steer shipping beef.

0:14:43.960 --> 0:14:44.960
<v Speaker 1>That's not every beef.

0:14:45.160 --> 0:14:47.240
<v Speaker 2>To be clear, though, did your publishing collect off of that.

0:14:47.400 --> 0:14:48.120
<v Speaker 1>I'm sure they did.

0:14:48.480 --> 0:14:51.240
<v Speaker 3>Oh, I'm sure they did. I'm sure they did. But no,

0:14:51.400 --> 0:14:53.920
<v Speaker 3>there was no check written. I didn't get nothing like that.

0:14:54.360 --> 0:14:58.440
<v Speaker 3>I mean, just recently. Ice Cube is a neat teenage

0:14:58.520 --> 0:15:04.080
<v Speaker 3>ninja mutant t N Turtles, right, and so I'm watching

0:15:04.120 --> 0:15:07.880
<v Speaker 3>TV and I hear the fucking Turtles say, uh, six

0:15:08.000 --> 0:15:11.160
<v Speaker 3>in the morning, police at my door. No way, right,

0:15:11.240 --> 0:15:14.880
<v Speaker 3>you heard it? That's your ship, right. So I got paid.

0:15:15.760 --> 0:15:18.200
<v Speaker 3>That goes to publishing and stuff like that. And I

0:15:18.240 --> 0:15:20.280
<v Speaker 3>got a little check because I got my publishing back.

0:15:20.320 --> 0:15:22.440
<v Speaker 3>Now I own my publisher. So I got a check.

0:15:22.720 --> 0:15:24.560
<v Speaker 3>I want to tell tell you, but I got paid.

0:15:25.040 --> 0:15:28.840
<v Speaker 3>I was like, okay, So yeah, it's publishing Jamie.

0:15:28.880 --> 0:15:30.240
<v Speaker 1>I know he's not drinking, but can we go over

0:15:30.320 --> 0:15:31.360
<v Speaker 1>him a glass of champagne?

0:15:31.440 --> 0:15:33.440
<v Speaker 3>Yeah, give me, give me something, give me, give me

0:15:33.480 --> 0:15:35.680
<v Speaker 3>something from the top shelf.

0:15:40.640 --> 0:15:41.080
<v Speaker 1>Yeah.

0:15:41.200 --> 0:15:44.080
<v Speaker 3>But but yeah, yeah, I don't have no beef nobody. Man,

0:15:44.160 --> 0:15:48.080
<v Speaker 3>I've made managed to navigate this, this hip hop ship

0:15:48.120 --> 0:15:50.920
<v Speaker 3>without any drama with any What leads to my next

0:15:51.000 --> 0:15:59.200
<v Speaker 3>question here, Well.

0:15:55.440 --> 0:15:56.200
<v Speaker 1>I'm a hustler.

0:15:57.200 --> 0:16:01.760
<v Speaker 5>I'm I'm your pusher, right that L Yeah, yeah, yeah,

0:16:01.800 --> 0:16:04.800
<v Speaker 5>you got the crackhead taking everybody else's music. But when

0:16:04.800 --> 0:16:07.840
<v Speaker 5>you over him music the cracker and said no, man.

0:16:07.880 --> 0:16:09.760
<v Speaker 1>Okay, let's go to LLL's.

0:16:09.800 --> 0:16:12.120
<v Speaker 2>It's called drink Champs or beat champ.

0:16:15.280 --> 0:16:17.840
<v Speaker 5>As a fan, I want to know how that started.

0:16:17.920 --> 0:16:19.800
<v Speaker 1>I got it, I got it, I got it.

0:16:20.760 --> 0:16:23.000
<v Speaker 3>Okay, this story has been told, but this is how

0:16:23.000 --> 0:16:27.360
<v Speaker 3>it happened. L was LL was the nigga at the time.

0:16:27.560 --> 0:16:31.720
<v Speaker 3>LLLL was out, you know, insurmountable beat subject of discussion.

0:16:31.880 --> 0:16:35.720
<v Speaker 3>You're motivated by that. I need so I'm into ll Right,

0:16:35.760 --> 0:16:38.640
<v Speaker 3>But ll had came out and said I'm the greatest

0:16:38.680 --> 0:16:39.160
<v Speaker 3>all time.

0:16:39.280 --> 0:16:42.320
<v Speaker 1>Early in his career, he started to go thing, Okay,

0:16:42.680 --> 0:16:43.680
<v Speaker 1>I'm coming from L a.

0:16:45.360 --> 0:16:49.160
<v Speaker 3>I'm trying to be a hot rapper, so I had

0:16:49.200 --> 0:16:50.200
<v Speaker 3>to go at him.

0:16:50.600 --> 0:16:53.200
<v Speaker 1>That's just the culture. So I took off on l A.

0:16:53.280 --> 0:16:56.200
<v Speaker 3>Fuck this nigga, like that's what's happening, right, not like

0:16:56.240 --> 0:16:58.200
<v Speaker 3>I want to shoot him, just fuck you. You ain't

0:16:58.240 --> 0:17:00.240
<v Speaker 3>the best rapper at the time, I thought, But I

0:17:00.240 --> 0:17:02.000
<v Speaker 3>was a pretty good rapper, okay.

0:17:02.440 --> 0:17:03.400
<v Speaker 1>And that's what it was.

0:17:05.080 --> 0:17:08.440
<v Speaker 3>I started it pretty much.

0:17:08.560 --> 0:17:11.880
<v Speaker 1>That's it. I started it right.

0:17:11.960 --> 0:17:15.960
<v Speaker 3>So lll comes back with the break of Dawn. He

0:17:16.080 --> 0:17:18.800
<v Speaker 3>he just me call me a little rap raccoon and

0:17:18.840 --> 0:17:22.399
<v Speaker 3>some shit. Because I had the ponytail and we was

0:17:22.440 --> 0:17:25.680
<v Speaker 3>about to come back. I had another song called open Contract, right,

0:17:26.240 --> 0:17:29.040
<v Speaker 3>and at that point Lle wanted to be part of

0:17:29.119 --> 0:17:32.919
<v Speaker 3>Zulu Nation. And at that time I was higher up

0:17:32.920 --> 0:17:35.560
<v Speaker 3>in Zulu because Africa Islam. It put me in the game,

0:17:35.680 --> 0:17:38.960
<v Speaker 3>so was the president design. So they come to me

0:17:39.080 --> 0:17:43.520
<v Speaker 3>asking me, can l be in Zulu. I'm like, nah, no,

0:17:43.680 --> 0:17:46.040
<v Speaker 3>I can't so because I had a little power.

0:17:46.320 --> 0:17:48.479
<v Speaker 1>So it went back and forth and stuff.

0:17:48.520 --> 0:17:51.800
<v Speaker 3>But Bam Bob at the time just said, yo, we

0:17:51.880 --> 0:17:55.760
<v Speaker 3>need peace, peace, peace peace. So me and Elle agreed

0:17:55.840 --> 0:17:57.800
<v Speaker 3>not to talk shit about each other. We didn't do

0:17:57.840 --> 0:18:00.760
<v Speaker 3>no handshakes of hugs and kisses or make record. We

0:18:00.840 --> 0:18:05.080
<v Speaker 3>just said, you know, you squashed it. We agree not

0:18:05.160 --> 0:18:07.359
<v Speaker 3>to be at each other. So I never said anything

0:18:07.359 --> 0:18:10.240
<v Speaker 3>else negative about l He never said anything else negative

0:18:10.280 --> 0:18:16.320
<v Speaker 3>about me. Fast forward twenty years, We're in Monte Carlo

0:18:17.400 --> 0:18:18.840
<v Speaker 3>at a television convention.

0:18:19.080 --> 0:18:26.760
<v Speaker 1>Right to skip over Monte Carlo maybe the flyest spot

0:18:26.800 --> 0:18:27.359
<v Speaker 1>in the world.

0:18:27.880 --> 0:18:31.879
<v Speaker 3>French motherfucking riviera, y'achs everywhere.

0:18:32.040 --> 0:18:36.520
<v Speaker 1>And it's immediately now. We weren't on a vacation.

0:18:36.680 --> 0:18:39.920
<v Speaker 3>It was a TV convention where people from television in

0:18:39.960 --> 0:18:42.080
<v Speaker 3>the United States would go over there, and they had

0:18:42.160 --> 0:18:45.119
<v Speaker 3>like the award ceremony and all that old bullshit. So

0:18:45.160 --> 0:18:47.560
<v Speaker 3>I'm over there and I look across the thing. I

0:18:47.600 --> 0:18:51.240
<v Speaker 3>see El cool Jay something to walk over the l

0:18:51.359 --> 0:18:54.600
<v Speaker 3>up cool Jay. Right, twenty years, we have never really talked.

0:18:55.480 --> 0:18:57.680
<v Speaker 1>Have yall saw each other and not talk or never?

0:18:57.960 --> 0:18:58.920
<v Speaker 2>We never crossed paths.

0:18:59.040 --> 0:19:01.680
<v Speaker 3>Okay, continue, we never crossed paths, but it was never

0:19:01.720 --> 0:19:02.439
<v Speaker 3>no real beef.

0:19:03.119 --> 0:19:05.200
<v Speaker 1>It was just rap shit. You can't have beefing money

0:19:05.200 --> 0:19:05.840
<v Speaker 1>callo anyway.

0:19:06.720 --> 0:19:09.920
<v Speaker 2>So what if it's disrespectful squash that ship there?

0:19:13.440 --> 0:19:17.280
<v Speaker 3>I mean, it all depends on who you some ship.

0:19:17.160 --> 0:19:17.760
<v Speaker 2>Is on site.

0:19:18.680 --> 0:19:24.800
<v Speaker 3>So so so anyway, I walked over to L I said, Yo, man,

0:19:25.040 --> 0:19:27.440
<v Speaker 3>little lilong years with this, that and the third man.

0:19:27.480 --> 0:19:29.280
<v Speaker 1>You know, just want to let you know, you know,

0:19:29.520 --> 0:19:30.720
<v Speaker 1>even even.

0:19:30.560 --> 0:19:32.680
<v Speaker 3>Back then, what I you know, I just I didn't

0:19:32.720 --> 0:19:36.119
<v Speaker 3>necessarily apologize. I just clarified my position that I wasn't

0:19:36.160 --> 0:19:39.520
<v Speaker 3>mad or we wasn't tight. He said, ice, it was

0:19:39.560 --> 0:19:42.879
<v Speaker 3>the culture, man, and that's like that. And then he

0:19:42.920 --> 0:19:45.199
<v Speaker 3>turned he said, man, I need you, He says, I

0:19:45.200 --> 0:19:48.119
<v Speaker 3>got up. I'm doing this rock the Bells radio and

0:19:48.160 --> 0:19:49.840
<v Speaker 3>I need to get at you so me and you

0:19:49.880 --> 0:19:53.400
<v Speaker 3>could show our you know, this this right for the culture.

0:19:54.000 --> 0:19:55.879
<v Speaker 3>And since then, me and ll I've been on his

0:19:56.000 --> 0:19:58.800
<v Speaker 3>podcast I'm not a podcast but live stream and we

0:19:58.920 --> 0:20:00.760
<v Speaker 3>chopped it up and we would just recently at the

0:20:00.760 --> 0:20:01.639
<v Speaker 3>Grammys together.

0:20:02.400 --> 0:20:04.879
<v Speaker 1>I mean, see real beefs real beef.

0:20:05.080 --> 0:20:09.440
<v Speaker 3>Real beef never dies, real beef, real beef is murdered.

0:20:09.400 --> 0:20:13.080
<v Speaker 1>Right death, that's that never dies. I don't give a fuck.

0:20:13.720 --> 0:20:16.360
<v Speaker 3>You know, if somebody killed somebody that you love, that's

0:20:16.480 --> 0:20:19.359
<v Speaker 3>not going no much. We ain't hugging lady nigga. You

0:20:19.400 --> 0:20:23.520
<v Speaker 3>know what I'm saying. But everything else is not necessarily

0:20:23.600 --> 0:20:26.000
<v Speaker 3>real beef. Somebody ripped you off some money, this, that,

0:20:26.040 --> 0:20:27.560
<v Speaker 3>and the other. You might be able to get over that,

0:20:27.960 --> 0:20:31.240
<v Speaker 3>you know. So rap shit is not nowhere near real beef.

0:20:31.840 --> 0:20:34.320
<v Speaker 3>That's not real, you know, not in my book.

0:20:35.240 --> 0:20:39.600
<v Speaker 1>That's real ship. So again, sorry, there we go. Be

0:20:40.600 --> 0:20:46.440
<v Speaker 1>anybody else who is looking to that too?

0:20:46.640 --> 0:20:49.080
<v Speaker 2>No, No, it's just say something.

0:20:49.080 --> 0:20:50.840
<v Speaker 1>Last time year. We want to talk about that.

0:20:50.920 --> 0:20:54.040
<v Speaker 5>Last night, were out and you play. We play on

0:20:54.040 --> 0:20:57.680
<v Speaker 5>the speaker all night. They're playing the War Report. You're

0:20:57.680 --> 0:20:58.240
<v Speaker 5>playing one of.

0:20:58.200 --> 0:21:01.000
<v Speaker 2>Noggs Sanvers graduate. Hold on, let me.

0:21:01.000 --> 0:21:01.600
<v Speaker 1>Builds up to it.

0:21:01.840 --> 0:21:04.880
<v Speaker 5>So I'm sitting there and I usually be like, come on,

0:21:05.040 --> 0:21:06.440
<v Speaker 5>because I don't want to hear my own ship. That

0:21:06.520 --> 0:21:08.639
<v Speaker 5>one day right then too, it's like, you know it

0:21:08.720 --> 0:21:10.439
<v Speaker 5>was a different center, but I didn't say nothing to you,

0:21:10.480 --> 0:21:12.120
<v Speaker 5>and I just you walk.

0:21:12.240 --> 0:21:12.560
<v Speaker 1>You know what?

0:21:12.600 --> 0:21:16.320
<v Speaker 5>Today is the twenty sixth anniversary of the Ward Court.

0:21:16.480 --> 0:21:19.000
<v Speaker 1>How the fuck did I didn't even know?

0:21:19.880 --> 0:21:22.520
<v Speaker 5>I keep playing this shit all late and I'm looking

0:21:22.880 --> 0:21:25.240
<v Speaker 5>and I was just like, I usually, please, man, I

0:21:25.240 --> 0:21:27.119
<v Speaker 5>don't want to hear my own ship, but for some reason,

0:21:27.119 --> 0:21:29.960
<v Speaker 5>I was just like, I can't tell ice nothing. Sit

0:21:30.040 --> 0:21:31.680
<v Speaker 5>I wake up this morning and all I see, I

0:21:31.720 --> 0:21:33.879
<v Speaker 5>was like, I said, this motherfucker told me. It was

0:21:33.920 --> 0:21:35.560
<v Speaker 5>basically like you was telling me that last night.

0:21:36.040 --> 0:21:38.400
<v Speaker 3>Look, Norie, this is what you don't understand to me, right,

0:21:38.880 --> 0:21:42.520
<v Speaker 3>That's who you are to me, right, you know, like La,

0:21:42.800 --> 0:21:45.960
<v Speaker 3>we had our rappers, our gangster rappers, whether it was

0:21:46.000 --> 0:21:49.359
<v Speaker 3>Spice one or myself or bick a Few one, all

0:21:49.560 --> 0:21:52.520
<v Speaker 3>all all us ghetto boys. But we knew who was

0:21:52.560 --> 0:21:55.320
<v Speaker 3>doing this similar shit in west on the East coast

0:21:55.560 --> 0:22:00.000
<v Speaker 3>Queens to us was the most replicated gangster rap, the best,

0:22:00.080 --> 0:22:02.840
<v Speaker 3>whether it's mob deep with its nas. I mean, also

0:22:02.920 --> 0:22:05.680
<v Speaker 3>we gotta go with Mop, you gotta go with Kopona,

0:22:05.720 --> 0:22:08.879
<v Speaker 3>Nori Yega. We know who is doing that shit. That

0:22:09.000 --> 0:22:12.720
<v Speaker 3>a political gangster shit, gangster shit. Gangster rap is a

0:22:12.880 --> 0:22:16.400
<v Speaker 3>political It means like fuck the laws. I am the law,

0:22:16.640 --> 0:22:18.679
<v Speaker 3>and this is how I see shit. You cost me

0:22:18.760 --> 0:22:22.760
<v Speaker 3>you die. That's gangster rap, right, That's what Nori and

0:22:22.800 --> 0:22:25.640
<v Speaker 3>there was Iraq and all that bloody money like yo

0:22:25.720 --> 0:22:26.520
<v Speaker 3>were like who these.

0:22:26.480 --> 0:22:28.119
<v Speaker 2>Niggas, Who these niggas?

0:22:28.160 --> 0:22:30.080
<v Speaker 1>Oh yeah yeah yeah who yeah.

0:22:30.119 --> 0:22:32.639
<v Speaker 3>So I'm feeling that right now I see him like

0:22:32.720 --> 0:22:34.400
<v Speaker 3>now people see me as the police.

0:22:34.720 --> 0:22:35.119
<v Speaker 1>But when I.

0:22:37.280 --> 0:22:40.920
<v Speaker 3>Right right, Because if you're twenty, I've been on TV

0:22:41.040 --> 0:22:48.359
<v Speaker 3>twenty five years playing the car. So if you see

0:22:48.400 --> 0:22:50.720
<v Speaker 3>me on TV you twenty one, twenty two, you have

0:22:50.800 --> 0:22:53.880
<v Speaker 3>no reference point to me as anything other than that.

0:22:54.280 --> 0:22:58.440
<v Speaker 3>My reference point to Nori is not drink champs, but

0:22:58.840 --> 0:23:02.159
<v Speaker 3>it's the what what what like that you know, like

0:23:02.200 --> 0:23:03.959
<v Speaker 3>you get shot ship right.

0:23:06.119 --> 0:23:08.000
<v Speaker 1>And I don't even think a lot of people.

0:23:07.840 --> 0:23:11.639
<v Speaker 3>Who really set up with him on here realize how

0:23:11.760 --> 0:23:16.600
<v Speaker 3>dangerous his music was or is. They don't they they

0:23:16.640 --> 0:23:18.320
<v Speaker 3>get it even if they caught the end of it

0:23:18.359 --> 0:23:20.480
<v Speaker 3>when they you know, they like, you know a lot

0:23:20.520 --> 0:23:23.199
<v Speaker 3>of candles swim laps around, ain't you? That's not that

0:23:23.400 --> 0:23:25.440
<v Speaker 3>gangster ship that niggas was doing earlier.

0:23:25.840 --> 0:23:28.240
<v Speaker 1>The early ship was violent.

0:23:28.400 --> 0:23:31.879
<v Speaker 3>Which I like, right, So I come in bumping that

0:23:31.920 --> 0:23:34.040
<v Speaker 3>ship through my little speaker. I still listen to that,

0:23:34.119 --> 0:23:36.040
<v Speaker 3>said me right now. If you're in my car, we

0:23:36.119 --> 0:23:38.960
<v Speaker 3>listen to Mob Deep. We listening to that kind of

0:23:38.960 --> 0:23:41.040
<v Speaker 3>heavy ship. I just it puts me in a zone,

0:23:41.080 --> 0:23:43.720
<v Speaker 3>It keeps me on like this. I love it.

0:23:45.240 --> 0:23:49.200
<v Speaker 2>Look, this is my reference point.

0:23:50.040 --> 0:23:52.280
<v Speaker 1>That this is one of my favorite albums. Thank you

0:23:52.359 --> 0:23:53.280
<v Speaker 1>Original Gangster.

0:23:53.960 --> 0:23:59.040
<v Speaker 5>So I was gonna wear my rich Yard. But I said,

0:23:59.080 --> 0:24:01.280
<v Speaker 5>let me remote warrior because of the camouflage.

0:24:01.320 --> 0:24:03.480
<v Speaker 1>It's only gangs, it's only what do you have on?

0:24:03.560 --> 0:24:06.800
<v Speaker 1>It's another Richard. Why you say Richard because I'm.

0:24:06.680 --> 0:24:10.199
<v Speaker 5>Trying to sound I'm trying to sound rich That's how

0:24:10.240 --> 0:24:10.920
<v Speaker 5>they pronounced it.

0:24:10.880 --> 0:24:14.760
<v Speaker 1>Right, Richard, Richard Richard mill. I thought he was going

0:24:14.800 --> 0:24:16.600
<v Speaker 1>with the other Richard that he had on yesterday.

0:24:16.640 --> 0:24:18.560
<v Speaker 5>He just busted another one. Come on, that makes no

0:24:18.640 --> 0:24:25.200
<v Speaker 5>noise for that motherfucker. Another thing we were talking about

0:24:25.400 --> 0:24:26.440
<v Speaker 5>was don't get me robbed.

0:24:26.880 --> 0:24:29.040
<v Speaker 1>No, no, no, no, you're good. You're good.

0:24:29.080 --> 0:24:31.720
<v Speaker 3>I mean telling niggas. He's swatches. They look like swatches.

0:24:32.440 --> 0:24:34.120
<v Speaker 3>They looked like Swatch swatches, like.

0:24:35.640 --> 0:24:35.800
<v Speaker 5>You know.

0:24:36.119 --> 0:24:39.280
<v Speaker 1>But I'm like, come on, man, one time where jewelry.

0:24:40.240 --> 0:24:41.800
<v Speaker 1>One thing. One thing that was funny is.

0:24:43.680 --> 0:24:47.040
<v Speaker 5>We were talking yesterday and you said that how at

0:24:47.040 --> 0:24:50.480
<v Speaker 5>that time you was frowned upon to join a TV show,

0:24:50.680 --> 0:24:52.480
<v Speaker 5>you was looked at like a Will Smith or like

0:24:52.480 --> 0:24:55.919
<v Speaker 5>like like you know, like like he was looking like

0:24:55.960 --> 0:24:57.400
<v Speaker 5>you was selling out at that time.

0:24:57.480 --> 0:24:58.880
<v Speaker 1>Look do everything I done.

0:24:58.880 --> 0:25:00.960
<v Speaker 3>It seemed weird to nick Is in the street, like

0:25:01.000 --> 0:25:04.439
<v Speaker 3>when I start rapping niggas like you're a rapper, like

0:25:04.560 --> 0:25:08.720
<v Speaker 3>you rapping like nigga, we getting money, nigga. We were

0:25:08.720 --> 0:25:11.840
<v Speaker 3>out here doing our ship, you know, you rapping like

0:25:11.920 --> 0:25:16.480
<v Speaker 3>it was whack till they all went to prison and

0:25:16.560 --> 0:25:18.879
<v Speaker 3>came home and now they work for me, you know.

0:25:20.880 --> 0:25:21.080
<v Speaker 1>You know.

0:25:21.119 --> 0:25:23.160
<v Speaker 3>But at the time, like, nigga, you better come get

0:25:23.160 --> 0:25:26.879
<v Speaker 3>this money. Stop playing with rapt niggas like they were.

0:25:26.960 --> 0:25:29.960
<v Speaker 3>We was wat like nigga, you dance, nigga. We don't

0:25:30.080 --> 0:25:31.160
<v Speaker 3>dance nigga like.

0:25:31.320 --> 0:25:33.480
<v Speaker 2>You know you was a B boy he was out there.

0:25:34.280 --> 0:25:35.000
<v Speaker 1>But I liked it.

0:25:35.040 --> 0:25:37.120
<v Speaker 3>See I got I got hit by the hip hop

0:25:37.200 --> 0:25:39.560
<v Speaker 3>bug I wanted to be a DJ, a B boy

0:25:39.640 --> 0:25:42.680
<v Speaker 3>all that. But my street cats that was not happy

0:25:42.720 --> 0:25:44.600
<v Speaker 3>because there was no money in it. It ain't no

0:25:44.640 --> 0:25:47.959
<v Speaker 3>money in it. They like, why are you doing it?

0:25:48.040 --> 0:25:50.399
<v Speaker 3>Waste time? So I would hustle on the week and

0:25:50.480 --> 0:25:52.320
<v Speaker 3>on the weekends I would go to the club and

0:25:52.359 --> 0:25:56.360
<v Speaker 3>beat and play rapper. But as far as being an actor,

0:25:56.480 --> 0:26:00.400
<v Speaker 3>of course, when I started acting, no one had acted yet.

0:26:01.080 --> 0:26:05.359
<v Speaker 3>Nobody will Smith, nobody, nobody. I was the first rapper

0:26:05.640 --> 0:26:07.200
<v Speaker 3>to take on a dramatic role.

0:26:07.480 --> 0:26:10.760
<v Speaker 1>And what role was that? Uh? My firsd very first

0:26:10.840 --> 0:26:12.359
<v Speaker 1>role has to be New Jack City.

0:26:12.520 --> 0:26:15.960
<v Speaker 3>Wow, that was the first time because you had tougher

0:26:16.000 --> 0:26:18.960
<v Speaker 3>than leather. Correct me if I'm wrong. You had tougher

0:26:19.000 --> 0:26:23.240
<v Speaker 3>than leather. You had, you had a beach streets, you

0:26:23.320 --> 0:26:27.399
<v Speaker 3>had crush groove but nobody. But at that time, the

0:26:27.480 --> 0:26:31.680
<v Speaker 3>rappers were playing rat right right right, So I had

0:26:31.680 --> 0:26:34.000
<v Speaker 3>to play a cop and that was That was a

0:26:34.040 --> 0:26:35.639
<v Speaker 3>trip too, because that was the year I dropped the

0:26:35.640 --> 0:26:39.119
<v Speaker 3>original Gangster album. I was terrified. I thought I was

0:26:39.440 --> 0:26:44.680
<v Speaker 3>committing career suicide. Yeah, but uh, you know, I took

0:26:44.720 --> 0:26:47.280
<v Speaker 3>the chance I got. I told you that story. I

0:26:47.280 --> 0:26:49.400
<v Speaker 3>got pressed like I used to get my hair done right.

0:26:49.440 --> 0:26:51.720
<v Speaker 3>You know, remember I had the prom I was my

0:26:51.760 --> 0:26:56.240
<v Speaker 3>shit was more wavy than the ships in the Navy. Yeah,

0:26:56.359 --> 0:26:58.480
<v Speaker 3>because as a player, as a player, you have to

0:26:58.520 --> 0:27:01.320
<v Speaker 3>outmatch a bitch. You gotta you gotta look better than

0:27:01.320 --> 0:27:04.159
<v Speaker 3>a bitch. That's the came That's part of being a player.

0:27:04.600 --> 0:27:07.080
<v Speaker 3>You gotta have your nails done better, you gotta dress better,

0:27:07.119 --> 0:27:09.919
<v Speaker 3>your hair gotta grow longer. You have to outmatch them.

0:27:10.040 --> 0:27:12.119
<v Speaker 3>Like you know, you in that weave. You know that

0:27:12.119 --> 0:27:15.359
<v Speaker 3>ain't your nails. So you're gonna bow down to this company.

0:27:15.400 --> 0:27:19.919
<v Speaker 3>You understand what I'm saying. So that's where I was.

0:27:21.760 --> 0:27:24.680
<v Speaker 3>It's totally lost because they have to understand it. They

0:27:24.760 --> 0:27:27.960
<v Speaker 3>understand it. You know that that I'm flying you. Let's

0:27:28.000 --> 0:27:31.840
<v Speaker 3>get that straight off the top. So I was in

0:27:31.880 --> 0:27:33.679
<v Speaker 3>my place getting my hair done. I just get my

0:27:33.720 --> 0:27:37.119
<v Speaker 3>hair done twice a week, and I said, I got

0:27:37.160 --> 0:27:38.800
<v Speaker 3>a chance to be in a movie. And the girl

0:27:38.880 --> 0:27:41.160
<v Speaker 3>Pearl who did my hair, was like, and you ain't

0:27:41.200 --> 0:27:43.320
<v Speaker 3>gonna take it because I didn't want to.

0:27:43.240 --> 0:27:45.280
<v Speaker 1>Play the police. I was questioning.

0:27:45.440 --> 0:27:48.680
<v Speaker 3>She said, nigga, all you niggas is running around here

0:27:48.680 --> 0:27:52.679
<v Speaker 3>doing all this crime shit and you talking about no opportunities,

0:27:52.680 --> 0:27:55.560
<v Speaker 3>and this is the opportunity. If you do not take it,

0:27:56.000 --> 0:27:58.960
<v Speaker 3>you a real life sucker. And this is a woman

0:27:59.040 --> 0:28:02.040
<v Speaker 3>called me a sucker. Keep real live sucker. You you

0:28:02.080 --> 0:28:03.120
<v Speaker 3>this is your chance.

0:28:04.040 --> 0:28:04.440
<v Speaker 1>Do it.

0:28:04.840 --> 0:28:06.919
<v Speaker 3>You're gonna keep it one hundred forever because I know

0:28:06.960 --> 0:28:09.720
<v Speaker 3>how you cut. But don't let this fuck you up,

0:28:09.880 --> 0:28:12.880
<v Speaker 3>you know. But then and then then that was first one.

0:28:12.920 --> 0:28:15.240
<v Speaker 3>Then I talked to one of my real g's nelsy

0:28:15.359 --> 0:28:17.640
<v Speaker 3>rest in peace. He's like, why are you worry about

0:28:17.640 --> 0:28:18.120
<v Speaker 3>playing police?

0:28:18.160 --> 0:28:18.480
<v Speaker 2>Niggas?

0:28:18.520 --> 0:28:23.439
<v Speaker 3>Know you ain't no motherfucking police. While you worried about

0:28:23.480 --> 0:28:26.200
<v Speaker 3>that shit. Nigga, you gotta get that paper. And then

0:28:26.240 --> 0:28:28.000
<v Speaker 3>I would call my I talked to my other homies.

0:28:28.040 --> 0:28:29.240
<v Speaker 3>I say, yo, man, they want me to be in

0:28:29.280 --> 0:28:29.600
<v Speaker 3>a movie.

0:28:29.640 --> 0:28:30.160
<v Speaker 1>Play police.

0:28:30.160 --> 0:28:33.879
<v Speaker 3>They'd be like, word, should I be in a movie?

0:28:36.280 --> 0:28:38.480
<v Speaker 3>Call people in jail? Yo, they want me to. I

0:28:38.520 --> 0:28:39.760
<v Speaker 3>know you in the bowels of the devil.

0:28:39.840 --> 0:28:40.560
<v Speaker 1>I know you stuck.

0:28:40.600 --> 0:28:42.400
<v Speaker 3>You want me to. I want to pay the police.

0:28:43.800 --> 0:28:45.520
<v Speaker 3>If I was home, could I be in a movie?

0:28:45.600 --> 0:28:45.760
<v Speaker 1>You know?

0:28:46.160 --> 0:28:48.240
<v Speaker 3>So everybody said, go do it, do it, do it.

0:28:48.280 --> 0:28:51.240
<v Speaker 3>I didn't do Jack City, you know, And that was

0:28:51.280 --> 0:28:54.360
<v Speaker 3>my first movie, and then the show Benness. If the

0:28:54.400 --> 0:28:57.440
<v Speaker 3>movie you're in makes money, you'll be in another movie.

0:28:57.960 --> 0:28:59.280
<v Speaker 1>And then you did New York Undercover.

0:28:59.440 --> 0:29:05.640
<v Speaker 3>Right see New York Gonna covers another story where I

0:29:05.680 --> 0:29:08.040
<v Speaker 3>was at my house in Hollywood Hills. At this time

0:29:08.080 --> 0:29:10.840
<v Speaker 3>I was living. I was I was elevated out the hood.

0:29:10.840 --> 0:29:13.120
<v Speaker 3>I mean, I'm in the hills. You ever see MTV

0:29:13.240 --> 0:29:13.960
<v Speaker 3>cribs while.

0:29:14.320 --> 0:29:15.200
<v Speaker 1>You open this up?

0:29:15.280 --> 0:29:19.360
<v Speaker 3>Yeah, the motherfucking house with your brains blown out? Who

0:29:19.400 --> 0:29:23.720
<v Speaker 3>had a convertible house? DJ Callan ain't even still got

0:29:23.720 --> 0:29:24.560
<v Speaker 3>a convertible house.

0:29:24.920 --> 0:29:28.200
<v Speaker 1>Champagne, take us with champagne. Goddamn, they got a convertible house.

0:29:28.320 --> 0:29:31.880
<v Speaker 1>They can stop. Let's get to the convertible house.

0:29:33.480 --> 0:29:38.560
<v Speaker 3>Yeah, this is some good ship. I've tasted champagnes before.

0:29:38.640 --> 0:29:41.880
<v Speaker 3>I know dom is nice. A good champagne. When it

0:29:41.920 --> 0:29:45.160
<v Speaker 3>gets in your mouth, it evaporates, exactly if you're taking

0:29:45.320 --> 0:29:48.120
<v Speaker 3>wax champagne. When you it tastes like you're drinking seven up.

0:29:51.920 --> 0:29:55.800
<v Speaker 3>All right, anyway, convertible house. I'm at the convertible house,

0:29:55.840 --> 0:29:58.400
<v Speaker 3>fab five. Freddy's at the crib. One of my o

0:29:58.600 --> 0:30:01.320
<v Speaker 3>g shout out to Fried from Wild.

0:30:02.160 --> 0:30:02.880
<v Speaker 2>He was there.

0:30:03.360 --> 0:30:07.360
<v Speaker 3>He's a Day one hip hop. Certain people are Day one.

0:30:07.800 --> 0:30:10.280
<v Speaker 3>So he's talking to me in my house. He's telling

0:30:10.320 --> 0:30:12.480
<v Speaker 3>me we should I should turn my living room into

0:30:12.520 --> 0:30:17.160
<v Speaker 3>a planetarium like shit, and so I could have stars

0:30:17.240 --> 0:30:21.800
<v Speaker 3>up there, so we could show the hose of constellations.

0:30:22.320 --> 0:30:25.480
<v Speaker 1>I can't make this ship up. Freddie gonna laugh, so

0:30:26.000 --> 0:30:27.600
<v Speaker 1>Andre Herrel hits him up.

0:30:27.680 --> 0:30:30.240
<v Speaker 3>Rest in peace. Andre Herrel is like you at I

0:30:30.320 --> 0:30:33.200
<v Speaker 3>used to crib tell. I used to come Beyond be

0:30:33.320 --> 0:30:37.360
<v Speaker 3>on New York Undercover. So I told Andre fucked that.

0:30:37.600 --> 0:30:39.680
<v Speaker 3>I said, that's a rip off of New Jack City.

0:30:39.760 --> 0:30:42.920
<v Speaker 3>Fuck you in case you having checked, I'm doing movies

0:30:43.000 --> 0:30:45.480
<v Speaker 3>right now. Nigga, I don't do TV, so I'm on

0:30:45.560 --> 0:30:48.080
<v Speaker 3>my bullshit right because I was doing a movie. I'm

0:30:48.080 --> 0:30:51.360
<v Speaker 3>doing a movie with Keanu Reeves and Ship. I was like, nigga,

0:30:51.400 --> 0:30:53.680
<v Speaker 3>I'm in the hills. I was a little bit was

0:30:53.680 --> 0:30:56.640
<v Speaker 3>a little bit full of myself at that point, really

0:30:56.680 --> 0:30:59.960
<v Speaker 3>coming to Andre because I knew Andre from Chuckling hwe day.

0:31:00.800 --> 0:31:03.880
<v Speaker 3>Oh come on, Oh you too big now that's what

0:31:03.920 --> 0:31:08.000
<v Speaker 3>black people did. Yeah, you too big? Now, you can't

0:31:08.040 --> 0:31:09.880
<v Speaker 3>fuck with us. I said, all right, give me a

0:31:09.920 --> 0:31:12.200
<v Speaker 3>bad guy roll and I'll do it. And I did

0:31:12.280 --> 0:31:17.240
<v Speaker 3>Danny Up. Then I did one episode and Dick Wolf

0:31:18.920 --> 0:31:21.040
<v Speaker 3>basically said, I don't want to kill Ice. Will he

0:31:21.120 --> 0:31:22.600
<v Speaker 3>do two more episodes? It was a guy in the

0:31:22.600 --> 0:31:25.160
<v Speaker 3>first episode, and that's when I came back. I shot

0:31:25.240 --> 0:31:29.320
<v Speaker 3>Malik Yoba's girl cut fingers off. Then let me wile

0:31:29.400 --> 0:31:32.960
<v Speaker 3>out two episodes and that was my first working with

0:31:33.000 --> 0:31:36.440
<v Speaker 3>Dick Wolf. And after that I did Swift Justice, one

0:31:36.480 --> 0:31:39.560
<v Speaker 3>of his shows. Then I did Law and Order Exiled,

0:31:40.320 --> 0:31:42.960
<v Speaker 3>then I did I had my own show Players, which

0:31:43.000 --> 0:31:45.120
<v Speaker 3>is on for a season, and then I got called

0:31:45.160 --> 0:31:47.800
<v Speaker 3>to do SVU, which was only supposed to be a

0:31:47.800 --> 0:31:51.440
<v Speaker 3>four episode arc, and I went on there for four episodes.

0:31:51.480 --> 0:31:52.600
<v Speaker 1>I've been on there twenty.

0:31:52.360 --> 0:31:53.880
<v Speaker 2>So I started from New York Undercover.

0:31:54.120 --> 0:31:57.400
<v Speaker 1>Yeah, Dick Wolf is the producer of all those shows.

0:31:57.800 --> 0:31:58.520
<v Speaker 2>That's incredible.

0:31:58.560 --> 0:32:02.640
<v Speaker 3>Dick Wolf has nine shows in primetime right now. Nine shows.

0:32:02.720 --> 0:32:07.200
<v Speaker 3>He has Law and Order SVU, Organized Crime. He has FBI,

0:32:07.480 --> 0:32:12.240
<v Speaker 3>FBI Most Wanted, FBI International, Chicago, PD Chicago, MED Chicago.

0:32:12.600 --> 0:32:15.960
<v Speaker 3>Nine shows in primetime. Yeah, he's not to be fuckless.

0:32:16.320 --> 0:32:22.200
<v Speaker 3>And it's checks, and it's check's clear. Never never been

0:32:22.280 --> 0:32:24.960
<v Speaker 3>laid on a payment nothing. That man is the man

0:32:25.080 --> 0:32:25.920
<v Speaker 3>is the real deal.

0:32:26.840 --> 0:32:30.280
<v Speaker 5>Everybody else is in Hollywood has complaining about the strike.

0:32:30.800 --> 0:32:31.800
<v Speaker 2>How come the writers strike?

0:32:31.840 --> 0:32:34.040
<v Speaker 1>The writer strike? How come Law and Order is in

0:32:34.840 --> 0:32:36.960
<v Speaker 1>I'm complaining. I'm not. I'm not complaining about it. But

0:32:37.000 --> 0:32:39.760
<v Speaker 1>it's fucking with my paper because you're not filming as

0:32:39.920 --> 0:32:40.960
<v Speaker 1>long as the strike is happening.

0:32:41.000 --> 0:32:43.280
<v Speaker 3>That's why I'm down here. I'm on hiatus. We broke.

0:32:43.960 --> 0:32:46.600
<v Speaker 3>We broke in May. We're supposed to go back right

0:32:46.640 --> 0:32:52.000
<v Speaker 3>after July, and we probably won't, so we'll we'll actually

0:32:52.040 --> 0:32:56.200
<v Speaker 3>maybe go in say August. But with Law and Order,

0:32:56.320 --> 0:33:00.520
<v Speaker 3>we shoot, you shoot three episodes a month, so right,

0:33:00.880 --> 0:33:03.880
<v Speaker 3>it takes eight days to shoot an episode, eight days

0:33:04.120 --> 0:33:07.120
<v Speaker 3>at a weekend, ten days, so thirty days. So you're

0:33:07.120 --> 0:33:12.040
<v Speaker 3>doing three episodes a month as a series regularly.

0:33:12.040 --> 0:33:15.680
<v Speaker 5>Days you're feeling out the month days eight for each

0:33:15.720 --> 0:33:17.920
<v Speaker 5>episode each Oh my god.

0:33:18.000 --> 0:33:21.400
<v Speaker 3>But you're only in the scenes you're in. So say

0:33:21.440 --> 0:33:23.720
<v Speaker 3>out of the eight days, there's forty five scenes. I

0:33:23.720 --> 0:33:26.600
<v Speaker 3>could be in ten scenes. I could be in twenty scenes.

0:33:26.880 --> 0:33:28.920
<v Speaker 3>I could be in one scene. But you get paid

0:33:28.920 --> 0:33:32.160
<v Speaker 3>at an episodic rate. So if I say huh, I

0:33:32.200 --> 0:33:34.960
<v Speaker 3>get the same check as if I act. Though it's

0:33:34.960 --> 0:33:36.800
<v Speaker 3>like being in the NBA. If I sit on the bench,

0:33:36.840 --> 0:33:37.400
<v Speaker 3>I get paid.

0:33:37.960 --> 0:33:38.240
<v Speaker 1>Right.

0:33:38.320 --> 0:33:40.440
<v Speaker 3>So when they tell you, Nori, we want you in

0:33:40.520 --> 0:33:43.920
<v Speaker 3>for twenty two episodes, and your episodic rate is whatever,

0:33:44.800 --> 0:33:46.680
<v Speaker 3>I don't know what. If it abys one hundred thousand,

0:33:46.760 --> 0:33:48.760
<v Speaker 3>then you times that time twenty three and that's what

0:33:48.840 --> 0:33:51.360
<v Speaker 3>you make that year. If you're making five hundred thousand

0:33:51.400 --> 0:33:55.120
<v Speaker 3>an episode, you multiply it, so you know, it becomes lucrative.

0:33:55.640 --> 0:33:56.680
<v Speaker 1>It becomes lucrative.

0:33:57.040 --> 0:34:01.760
<v Speaker 3>But when they have acted strike, they start taking away episodes.

0:34:01.960 --> 0:34:04.720
<v Speaker 1>That's money, right, But I.

0:34:04.680 --> 0:34:08.600
<v Speaker 3>Gotta stand with the I stand with the writers because you.

0:34:08.560 --> 0:34:11.400
<v Speaker 1>Know what it's all about complaining about it's streaming.

0:34:11.480 --> 0:34:13.839
<v Speaker 2>Man, Yeah, in the whole AI stuff too.

0:34:13.840 --> 0:34:17.280
<v Speaker 1>The hip should be doing that. Then, well hip hop.

0:34:17.440 --> 0:34:21.560
<v Speaker 3>I don't understand hip hop's streaming. But you know right now,

0:34:21.600 --> 0:34:24.239
<v Speaker 3>like you see me on NBC, so you get residuals.

0:34:24.400 --> 0:34:27.279
<v Speaker 3>But then they got you on Peacock and they don't

0:34:27.280 --> 0:34:29.440
<v Speaker 3>really they ain't even talking about how that money is

0:34:29.640 --> 0:34:32.680
<v Speaker 3>what's happening. So the writers just like hold up everything

0:34:32.800 --> 0:34:34.880
<v Speaker 3>because they'll just keep going. They'll just keep going and

0:34:34.920 --> 0:34:38.240
<v Speaker 3>taking the money until you So they had to stop

0:34:38.280 --> 0:34:40.120
<v Speaker 3>the boat for a minute, like we need to dress

0:34:40.160 --> 0:34:44.440
<v Speaker 3>this hip hop's streaming. I don't understand it. I really

0:34:44.480 --> 0:34:46.840
<v Speaker 3>don't music. I used to sell records. You went in

0:34:46.880 --> 0:34:49.440
<v Speaker 3>the store, you bought the motherfucking record. They had a

0:34:49.480 --> 0:34:52.279
<v Speaker 3>sound scan. Now Snoop is like, now you do a

0:34:52.320 --> 0:34:55.360
<v Speaker 3>billion streams, they give you a check for forty five dollars.

0:34:55.120 --> 0:34:58.480
<v Speaker 2>Right, who came up with that?

0:34:58.760 --> 0:35:02.040
<v Speaker 3>What that math? What's the algorithm? And how do you even.

0:35:01.800 --> 0:35:03.440
<v Speaker 1>Know if it's a real algorithm?

0:35:03.680 --> 0:35:07.080
<v Speaker 3>You just trusting I don't And then you get golden

0:35:07.120 --> 0:35:09.120
<v Speaker 3>platinum records, But no one bought the records.

0:35:09.360 --> 0:35:10.680
<v Speaker 2>Yeah, you see it all the time. Why have you

0:35:10.719 --> 0:35:13.239
<v Speaker 2>never even heard of holding up they golden platinum.

0:35:13.480 --> 0:35:15.320
<v Speaker 1>I'm proud of my records. I'm proud.

0:35:15.360 --> 0:35:18.640
<v Speaker 3>I actually you know, people bought the record. You think

0:35:18.920 --> 0:35:21.879
<v Speaker 3>think of Think lord, you saw a million records. Think

0:35:21.880 --> 0:35:26.279
<v Speaker 3>of it like this, a stadium fill to the top.

0:35:26.320 --> 0:35:30.120
<v Speaker 3>It's like one hundred thousand people fill that stadium ten times.

0:35:30.520 --> 0:35:33.959
<v Speaker 3>That's how many people walk into a store and bought

0:35:34.000 --> 0:35:38.439
<v Speaker 3>your record, not push the button, walked in and purchased it.

0:35:38.560 --> 0:35:42.239
<v Speaker 3>That's big them days. Is big this push Now you

0:35:42.239 --> 0:35:43.720
<v Speaker 3>can buy one song out.

0:35:43.520 --> 0:35:47.080
<v Speaker 1>Of an album. Well, I had singles before.

0:35:47.440 --> 0:35:49.600
<v Speaker 3>Now, but I would put out singles that weren't out.

0:35:49.800 --> 0:35:52.200
<v Speaker 3>You would buy the singles. I would send them to

0:35:52.239 --> 0:35:55.000
<v Speaker 3>the DJs, and I would to make you buy the album.

0:35:55.880 --> 0:35:59.920
<v Speaker 3>The game has changed. All games have changed tremendously. That's

0:36:00.080 --> 0:36:02.680
<v Speaker 3>why I changed games m.

0:36:05.040 --> 0:36:05.200
<v Speaker 1>Now.

0:36:05.840 --> 0:36:08.480
<v Speaker 5>One thing we was talking about was a lot of

0:36:08.480 --> 0:36:11.560
<v Speaker 5>people don't realize you wasn't even in colors.

0:36:11.880 --> 0:36:14.120
<v Speaker 1>No, no, who didn't realize that.

0:36:15.120 --> 0:36:17.160
<v Speaker 5>There's a lot of people who would swear, I mean

0:36:18.560 --> 0:36:19.520
<v Speaker 5>I loved you in colors.

0:36:19.520 --> 0:36:20.680
<v Speaker 1>I'm like Nigga, I was not in.

0:36:23.120 --> 0:36:25.040
<v Speaker 2>I mean he was technically with the music, and the

0:36:25.120 --> 0:36:26.319
<v Speaker 2>song was so big.

0:36:26.400 --> 0:36:31.800
<v Speaker 3>Do you want to hear his color Story Colored Story

0:36:31.920 --> 0:36:34.520
<v Speaker 3>is like this. I was already signed to Warner Brothers.

0:36:34.520 --> 0:36:37.120
<v Speaker 3>I was early signed to Warner Brothers. It was a

0:36:37.160 --> 0:36:41.160
<v Speaker 3>Warner Brothers movie, so they wanted to use a song.

0:36:41.200 --> 0:36:43.520
<v Speaker 3>I wrote, Oh, this is dope, the Thunder. I had

0:36:43.520 --> 0:36:49.360
<v Speaker 3>the Thunder brought in for my for my enerview to

0:36:50.000 --> 0:36:57.360
<v Speaker 3>keep it gone. So oh so Warner Brothers had the movie.

0:36:57.400 --> 0:37:01.160
<v Speaker 3>So what they wanted to use Squeeze the Trigger for

0:37:01.239 --> 0:37:03.880
<v Speaker 3>the movie because it was like a hardcore record at

0:37:03.920 --> 0:37:06.680
<v Speaker 3>the time to be in the Gang bangor movie. So

0:37:07.320 --> 0:37:10.360
<v Speaker 3>I knew that if someone wants to use your record

0:37:10.360 --> 0:37:12.640
<v Speaker 3>in a movie. I told Nori this yesterday, you can

0:37:12.760 --> 0:37:15.200
<v Speaker 3>ask to see the movie. If you're an artist out

0:37:15.200 --> 0:37:16.720
<v Speaker 3>there and they say they want to put your movie

0:37:16.760 --> 0:37:19.920
<v Speaker 3>in your song in any movie, you can, as a

0:37:19.960 --> 0:37:22.439
<v Speaker 3>publisher say I need to see the movie. I don't

0:37:22.480 --> 0:37:25.279
<v Speaker 3>know if I want my record involved in this particular

0:37:25.320 --> 0:37:27.640
<v Speaker 3>movie or where they're gonna place it in the movie.

0:37:28.040 --> 0:37:30.000
<v Speaker 3>You know, they might want to place it in some bullshit.

0:37:30.040 --> 0:37:31.200
<v Speaker 3>You're like, Nah, that ain't cool.

0:37:31.239 --> 0:37:31.600
<v Speaker 1>Fuck that.

0:37:32.719 --> 0:37:34.879
<v Speaker 3>I wanted the money. I wasn't gonna turn it down,

0:37:34.920 --> 0:37:37.120
<v Speaker 3>but I played the card I need to see the movie, right,

0:37:37.560 --> 0:37:41.720
<v Speaker 3>So we went to see Colors private screening, private screening.

0:37:42.840 --> 0:37:46.480
<v Speaker 3>It was fake to me because the Mexicans don't fight

0:37:46.560 --> 0:37:49.279
<v Speaker 3>the blacks in La. If that ever happened, it would

0:37:49.280 --> 0:37:55.560
<v Speaker 3>be the apocalypse. Second thing, that that scene where they

0:37:55.640 --> 0:37:58.480
<v Speaker 3>played Colors, where the Crips and the Bloods meeting up

0:37:58.520 --> 0:38:02.480
<v Speaker 3>in the county. It can't happen. But by the time

0:38:02.560 --> 0:38:05.319
<v Speaker 3>you get to that point, you in the jumpsuits and

0:38:05.360 --> 0:38:08.320
<v Speaker 3>the Bloods and Crips never come connected because the cryps

0:38:08.440 --> 0:38:10.960
<v Speaker 3>is like in thirty eight hundred, they're different modules they

0:38:11.000 --> 0:38:11.440
<v Speaker 3>put them in.

0:38:11.680 --> 0:38:13.279
<v Speaker 1>So that was fake. You know.

0:38:13.280 --> 0:38:16.040
<v Speaker 3>They had on the Colors. They spang it under that

0:38:16.520 --> 0:38:18.759
<v Speaker 3>that was my movie shit. So I got past that.

0:38:18.920 --> 0:38:22.200
<v Speaker 3>I said, well who did this? Who did the title song?

0:38:23.080 --> 0:38:24.960
<v Speaker 3>And they say Rick James.

0:38:27.120 --> 0:38:28.839
<v Speaker 1>Because they still own the soundtrack.

0:38:29.080 --> 0:38:32.600
<v Speaker 3>Yeah, hunt down the Colors soundtrack. Go to the last

0:38:32.640 --> 0:38:34.839
<v Speaker 3>song on the B side, and it's a song by

0:38:34.920 --> 0:38:37.719
<v Speaker 3>Rick James called Everywhere I Go Colors.

0:38:38.080 --> 0:38:40.080
<v Speaker 1>Look at all these colors, you.

0:38:40.000 --> 0:38:44.160
<v Speaker 3>Know, Rick James, Come on, man, I was like, Rick James,

0:38:44.200 --> 0:38:47.359
<v Speaker 3>you the nigga, But this is not your area, so

0:38:47.440 --> 0:38:51.760
<v Speaker 3>that expertise. So now I'm riding home with Africa Islam.

0:38:51.800 --> 0:38:53.400
<v Speaker 3>We saw it and I said, man, we're gonna make

0:38:53.400 --> 0:38:57.360
<v Speaker 3>a title song. We literally went right from the screen

0:38:57.400 --> 0:39:00.680
<v Speaker 3>into the studio. Now, at the time I was listening,

0:39:00.880 --> 0:39:04.759
<v Speaker 3>I was vibing off of King's Son. King's Son has

0:39:04.800 --> 0:39:09.439
<v Speaker 3>a song called Mythological and Mythological Goal. It opens says

0:39:09.520 --> 0:39:12.239
<v Speaker 3>when I get ill, it's a reason because it's Duk

0:39:12.320 --> 0:39:16.319
<v Speaker 3>season Hunter of the Front. Here I come, I am

0:39:16.360 --> 0:39:22.120
<v Speaker 3>a nightmare walk talking. King was just again I'm rocking

0:39:22.320 --> 0:39:25.440
<v Speaker 3>that Cadence a King Son ship. And then we just

0:39:25.480 --> 0:39:27.560
<v Speaker 3>put the record together and so I turn it in

0:39:27.600 --> 0:39:31.680
<v Speaker 3>and they flipped, oh, this is incredible. It's incredible, and

0:39:31.840 --> 0:39:34.200
<v Speaker 3>uh I got an MTV Award for it.

0:39:34.680 --> 0:39:35.040
<v Speaker 1>Dotty.

0:39:35.640 --> 0:39:38.000
<v Speaker 3>That record is not on any iced tea albums and

0:39:38.040 --> 0:39:40.360
<v Speaker 3>it went platinum, triple platinum and bullshit.

0:39:40.640 --> 0:39:44.000
<v Speaker 1>But it's one of the.

0:39:44.560 --> 0:39:48.600
<v Speaker 3>Most of my big hits were soundtracks. When I did

0:39:48.680 --> 0:39:51.520
<v Speaker 3>New Jack City, Yeah, that's an incredible record. When I

0:39:51.560 --> 0:39:54.080
<v Speaker 3>did New Jack City, I wanted to do the song

0:39:54.120 --> 0:39:55.520
<v Speaker 3>for that, but I'm like, I.

0:39:57.600 --> 0:39:59.759
<v Speaker 1>Call it, So I was like.

0:40:00.520 --> 0:40:04.920
<v Speaker 3>I can't really do Scottie's song. Because he's police. So

0:40:04.960 --> 0:40:08.080
<v Speaker 3>I do Nino's sing. So George Jackson rest in Peace

0:40:08.200 --> 0:40:10.279
<v Speaker 3>was a producer. I come on, I see you know,

0:40:12.120 --> 0:40:13.279
<v Speaker 3>you know we'll get somebody out.

0:40:13.320 --> 0:40:15.560
<v Speaker 1>He wants you to r respective of the cop. He

0:40:15.719 --> 0:40:17.480
<v Speaker 1>just didn't know what I could do.

0:40:17.760 --> 0:40:19.920
<v Speaker 3>Okay, He thought he had to go out and get

0:40:19.960 --> 0:40:22.560
<v Speaker 3>somebody else to do some gags and shit like I

0:40:22.640 --> 0:40:25.040
<v Speaker 3>more Nino, And so I did put that ship in

0:40:25.040 --> 0:40:28.040
<v Speaker 3>the hustler word. I pulled the trigger along, griped my teeth,

0:40:28.040 --> 0:40:31.520
<v Speaker 3>sprayed every niggas gone, got the block soon, arm of

0:40:31.680 --> 0:40:34.399
<v Speaker 3>dope spots, last thing I sweat to sucker punk cop.

0:40:34.640 --> 0:40:38.279
<v Speaker 3>He was like, Yo, this ship is hard. So we

0:40:38.360 --> 0:40:41.600
<v Speaker 3>put the hustler bow. That was number one on that album.

0:40:42.160 --> 0:40:46.319
<v Speaker 3>That album went super platinum. So yeah, I got a

0:40:46.360 --> 0:40:49.479
<v Speaker 3>lot of I got a lot of record sales away

0:40:49.520 --> 0:40:50.680
<v Speaker 3>from my actual albums.

0:40:51.520 --> 0:40:51.960
<v Speaker 1>Sip to that.

0:40:52.000 --> 0:40:57.920
<v Speaker 5>Come on, yeah, well let's let's let's stay off through

0:40:57.960 --> 0:40:58.920
<v Speaker 5>jack City for a second.

0:40:59.239 --> 0:41:01.160
<v Speaker 1>Do you know how I think that movie was and

0:41:01.200 --> 0:41:02.080
<v Speaker 1>when you're making it?

0:41:02.120 --> 0:41:04.719
<v Speaker 5>Was making it? Did two ball question? Did you know

0:41:04.840 --> 0:41:06.279
<v Speaker 5>he was making a class now?

0:41:06.320 --> 0:41:09.560
<v Speaker 3>It was a low budget film and Mario van Peoples, right,

0:41:09.800 --> 0:41:14.000
<v Speaker 3>Mario van peoples directing it, and everybody in it was

0:41:14.120 --> 0:41:19.839
<v Speaker 3>new Jacks. Wesley had only done Major League. Wesley had

0:41:19.840 --> 0:41:22.400
<v Speaker 3>only done Major League, and I think a spike lea joint.

0:41:22.760 --> 0:41:25.920
<v Speaker 3>Chris Rock was the hottest streak comedian. I mean he

0:41:25.960 --> 0:41:28.160
<v Speaker 3>wasn't big Chris Rock. Yeah, I was time I ever

0:41:28.200 --> 0:41:30.520
<v Speaker 3>seen Chris Rock. I was just a rapper, you know,

0:41:31.000 --> 0:41:32.319
<v Speaker 3>and I believed he.

0:41:32.239 --> 0:41:36.759
<v Speaker 1>Was a crackhead. I mean I was good acting. I

0:41:36.760 --> 0:41:39.319
<v Speaker 1>didn't know. I didn't know like I thought that's what

0:41:39.400 --> 0:41:39.759
<v Speaker 1>he was.

0:41:39.840 --> 0:41:42.280
<v Speaker 3>Right, So they figured, well, I see it, so minions

0:41:42.320 --> 0:41:45.680
<v Speaker 3>of records, maybe that'll translate. Plus they wanted somebody a

0:41:45.719 --> 0:41:49.040
<v Speaker 3>little gangster and somebody a little political, right. But they

0:41:49.080 --> 0:41:51.680
<v Speaker 3>were more concerned with me being able to go undercovering

0:41:51.760 --> 0:41:54.440
<v Speaker 3>full Nino Brown than actually playing the police.

0:41:54.680 --> 0:41:56.279
<v Speaker 1>See, you could take teach.

0:41:56.000 --> 0:41:59.160
<v Speaker 3>A player how to play a square, but you can't

0:41:59.200 --> 0:42:02.960
<v Speaker 3>teach a square to play a player. They can't pull

0:42:03.000 --> 0:42:06.600
<v Speaker 3>it off. So it was more important when I got

0:42:06.600 --> 0:42:09.520
<v Speaker 3>around Nino that Nino could believe I was actually live

0:42:09.600 --> 0:42:11.759
<v Speaker 3>with him. That part where I'm in the pool, I go,

0:42:11.840 --> 0:42:13.759
<v Speaker 3>I got your back. You didin't what I'm saying. So

0:42:13.840 --> 0:42:19.719
<v Speaker 3>I was dirty like that. I got him. But everybody

0:42:20.000 --> 0:42:23.600
<v Speaker 3>during that movie, NOI we were huddling, like we were

0:42:23.600 --> 0:42:26.799
<v Speaker 3>doing the scene and everybody would huddle and like what

0:42:26.840 --> 0:42:29.960
<v Speaker 3>do you think you know? Because everything and the movie

0:42:30.040 --> 0:42:32.480
<v Speaker 3>was five million dollars at the end, they got a

0:42:32.520 --> 0:42:35.200
<v Speaker 3>completion bond for two more million. It cost seven million

0:42:35.239 --> 0:42:37.800
<v Speaker 3>dollars to make New Jack City seven million. They shoot

0:42:37.880 --> 0:42:41.160
<v Speaker 3>videos like, yeah it was Law and Order episode costs

0:42:41.200 --> 0:42:43.439
<v Speaker 3>eight million dollars, so.

0:42:45.239 --> 0:42:46.520
<v Speaker 1>Yeah, it was.

0:42:46.640 --> 0:42:51.120
<v Speaker 3>It was a It was a very uh interesting procedure.

0:42:51.160 --> 0:42:54.840
<v Speaker 3>Working with Wes. Wesley was dope. Here's a funny story.

0:42:54.920 --> 0:42:58.080
<v Speaker 3>So we go into the reading. We're going to read, right,

0:42:58.360 --> 0:43:01.120
<v Speaker 3>So me and Chris Rock are new So we walk

0:43:01.160 --> 0:43:03.879
<v Speaker 3>in and Wesley Snip's come in and the motherfucker got

0:43:04.160 --> 0:43:06.759
<v Speaker 3>a leather his his his script is in a leather

0:43:07.120 --> 0:43:12.319
<v Speaker 3>bound folder, opens it up, notes on every page. Me

0:43:12.360 --> 0:43:14.880
<v Speaker 3>and Chris Ross, Chris folded up in our back pocket.

0:43:17.160 --> 0:43:19.839
<v Speaker 3>You're like, oh shit, is a real actor, Like oh shit,

0:43:19.920 --> 0:43:23.279
<v Speaker 3>we were nervous as a motherfucker. But Wes west woods

0:43:23.320 --> 0:43:26.800
<v Speaker 3>with us, and you don't know you're making a classic

0:43:26.880 --> 0:43:29.440
<v Speaker 3>movie at the time, you know, you don't know that.

0:43:29.760 --> 0:43:33.960
<v Speaker 1>But Mario did his thing right. Could there be in

0:43:34.000 --> 0:43:34.839
<v Speaker 1>New Jack City too.

0:43:35.600 --> 0:43:37.680
<v Speaker 3>No, I don't think so, because it was an era

0:43:38.040 --> 0:43:42.399
<v Speaker 3>movie about an era. Yeah, but what have Nino? Oh no, no,

0:43:42.440 --> 0:43:44.440
<v Speaker 3>they been back then. There was supposed to be a

0:43:44.520 --> 0:43:45.520
<v Speaker 3>Nina too.

0:43:45.520 --> 0:43:48.120
<v Speaker 5>Like Nino brown Son or maybe or maybe before he

0:43:48.160 --> 0:43:50.640
<v Speaker 5>became Nino brown Some ship you should.

0:43:50.360 --> 0:43:52.560
<v Speaker 2>Have updated, Yeah, just just something.

0:43:52.960 --> 0:43:54.880
<v Speaker 3>Try to do Superfly? How are you gonna do some

0:43:55.040 --> 0:43:59.319
<v Speaker 3>fly without a nigga with a perm? You know you

0:43:59.360 --> 0:44:03.000
<v Speaker 3>can't run on Steve, you know that's it, yo, man,

0:44:03.040 --> 0:44:04.719
<v Speaker 3>I got to kill I got to get out the

0:44:04.760 --> 0:44:07.279
<v Speaker 3>game for you know, I got to ice a motherfucker

0:44:07.280 --> 0:44:09.319
<v Speaker 3>and one of these motherfuckers ice me. I live off

0:44:09.360 --> 0:44:14.240
<v Speaker 3>of that line, right, But New Jack City what we weren't.

0:44:14.280 --> 0:44:17.759
<v Speaker 3>We had the potential to do part two, But I

0:44:17.800 --> 0:44:20.920
<v Speaker 3>got in trouble with Top Killer and Wesley, and Wesley

0:44:21.080 --> 0:44:25.799
<v Speaker 3>went and did uh demolition Man and they paid him

0:44:25.800 --> 0:44:26.640
<v Speaker 3>like seven million.

0:44:26.680 --> 0:44:29.360
<v Speaker 1>That's when he got the Burger Blonde here. Yeah, but

0:44:29.400 --> 0:44:30.680
<v Speaker 1>then he got he got the bag.

0:44:31.200 --> 0:44:33.040
<v Speaker 3>So once he got the bag, he can't come back

0:44:33.080 --> 0:44:34.719
<v Speaker 3>and play with us in the street no more.

0:44:34.840 --> 0:44:35.040
<v Speaker 1>You know.

0:44:35.080 --> 0:44:38.560
<v Speaker 3>He he elevated and then I got in trouble and

0:44:38.640 --> 0:44:42.800
<v Speaker 3>uh yeah, but the New Jack City part to Wesley

0:44:42.800 --> 0:44:49.480
<v Speaker 3>wasn't supposed to die based on a lot of people.

0:44:50.080 --> 0:44:54.120
<v Speaker 3>The guy out of Frisco who had a dope or

0:44:54.280 --> 0:45:00.200
<v Speaker 3>a dope uh well internal situation. He had a building

0:45:00.400 --> 0:45:02.960
<v Speaker 3>where you would buy the drugs and do the drugs

0:45:03.000 --> 0:45:05.560
<v Speaker 3>in the same place. I wish I could remember the

0:45:05.600 --> 0:45:08.399
<v Speaker 3>guy's name, but it was famous hustling. So that's kind

0:45:08.400 --> 0:45:13.279
<v Speaker 3>of based on that. But no, no San Francisco.

0:45:16.040 --> 0:45:24.680
<v Speaker 5>Nose out of the years, no bars neither.

0:45:25.320 --> 0:45:29.759
<v Speaker 3>It's a Frisco hustler. But you know, it doesn't really matter.

0:45:29.760 --> 0:45:32.640
<v Speaker 3>It's probably I mean, I can't it probably had a

0:45:32.640 --> 0:45:35.799
<v Speaker 3>little bit of everything that they were implementing other you know,

0:45:36.000 --> 0:45:39.160
<v Speaker 3>Nino was a mixture of all drug dealers put together.

0:45:39.280 --> 0:45:41.520
<v Speaker 3>So I cannot say that, but I know that the

0:45:42.040 --> 0:45:46.719
<v Speaker 3>actual Carter was based on something that was happening up

0:45:46.719 --> 0:45:47.320
<v Speaker 3>in Frisco.

0:45:47.480 --> 0:45:51.320
<v Speaker 1>People showing from But people used.

0:45:51.200 --> 0:45:56.120
<v Speaker 2>To say, like, you're pushing this, you're pushing it.

0:45:56.160 --> 0:45:57.160
<v Speaker 1>I mean, you know the thing of this.

0:45:57.480 --> 0:46:00.120
<v Speaker 3>People have all kinds of ideas about what happened. But

0:46:00.640 --> 0:46:03.320
<v Speaker 3>being on the ground in the movie, if you probably

0:46:03.320 --> 0:46:06.359
<v Speaker 3>do research right now and find out go and check

0:46:06.600 --> 0:46:09.840
<v Speaker 3>the internet, has it all Felix Mitchell.

0:46:10.640 --> 0:46:15.439
<v Speaker 1>See just google instatly Felix Mitchell. And if you rech

0:46:15.560 --> 0:46:16.360
<v Speaker 1>if you check.

0:46:16.160 --> 0:46:20.279
<v Speaker 3>His his his hustle, you'll see he had he had

0:46:20.320 --> 0:46:23.279
<v Speaker 3>that type of thing going and they build off of that.

0:46:23.719 --> 0:46:25.840
<v Speaker 3>They build off of that, take a little drug dealership

0:46:25.840 --> 0:46:26.399
<v Speaker 3>from this guy.

0:46:26.680 --> 0:46:29.400
<v Speaker 2>From that, it's all influence. They did the same with Scarface.

0:46:29.440 --> 0:46:31.160
<v Speaker 2>There was a bunch of people that they created to

0:46:31.200 --> 0:46:31.840
<v Speaker 2>make Scarface.

0:46:32.120 --> 0:46:36.960
<v Speaker 3>Can they use it as influence? So based on them, So.

0:46:37.000 --> 0:46:39.960
<v Speaker 5>New Jack City at the time, you're against the rapper,

0:46:40.000 --> 0:46:40.960
<v Speaker 5>making against the music.

0:46:41.320 --> 0:46:42.600
<v Speaker 1>How do you study for that role?

0:46:42.760 --> 0:46:45.400
<v Speaker 5>How do you do It's because it's the exact opposite

0:46:45.440 --> 0:46:47.759
<v Speaker 5>of what you represent and who you are, So how

0:46:47.760 --> 0:46:48.640
<v Speaker 5>do you you do that?

0:46:50.600 --> 0:46:53.120
<v Speaker 3>I was scared, Norrie, I was scared. I thought, like

0:46:53.160 --> 0:46:55.719
<v Speaker 3>I said, I thought it was career suicide. But then

0:46:55.800 --> 0:46:59.280
<v Speaker 3>I got all my people saying, man, this is a chance.

0:46:59.600 --> 0:47:03.640
<v Speaker 1>Right, there's no studying. You just act. Acting is make

0:47:03.719 --> 0:47:05.480
<v Speaker 1>believe it's acts.

0:47:06.280 --> 0:47:08.840
<v Speaker 3>Anybody in here, we all have had enough experience with

0:47:08.880 --> 0:47:11.200
<v Speaker 3>the cops. You can act like a cop. When I'm

0:47:11.200 --> 0:47:13.160
<v Speaker 3>on New York, when I'm on Law and Order, right

0:47:13.200 --> 0:47:15.720
<v Speaker 3>before I do the scene, I just go asshole asshole, asshole,

0:47:18.000 --> 0:47:20.239
<v Speaker 3>and then I talk down to you. But dig this,

0:47:21.080 --> 0:47:24.320
<v Speaker 3>playing a cop and playing a gangster is the exact

0:47:24.480 --> 0:47:32.480
<v Speaker 3>same acting, exact same acting. Playing a cop and playing

0:47:32.480 --> 0:47:36.080
<v Speaker 3>a gangster is the exact same actor. We both got

0:47:36.080 --> 0:47:40.560
<v Speaker 3>a gun, we both got an attitude, we both want answers,

0:47:40.560 --> 0:47:44.640
<v Speaker 3>so there will be a consequence, and we talked to

0:47:44.680 --> 0:47:45.960
<v Speaker 3>you in that manner.

0:47:46.880 --> 0:47:48.520
<v Speaker 1>See, so the police.

0:47:48.120 --> 0:47:51.400
<v Speaker 3>Talk to you, they talk down to you like, motherfucker,

0:47:51.640 --> 0:47:54.799
<v Speaker 3>you're finna answer my motherfucking question. I am the law.

0:47:54.920 --> 0:47:58.760
<v Speaker 3>The gangsters like fuck you. But it's the same exact energy.

0:48:00.200 --> 0:48:00.640
<v Speaker 1>It's the same.

0:48:00.760 --> 0:48:02.239
<v Speaker 3>So like when you see me on Law and Order

0:48:02.280 --> 0:48:05.839
<v Speaker 3>and I'm interrogating somebody, I don't necessarily have to think

0:48:05.880 --> 0:48:08.040
<v Speaker 3>about being a cop. I'm just like this motherfucker has

0:48:08.080 --> 0:48:12.240
<v Speaker 3>an answer I need to get, and I'm leaning across.

0:48:11.800 --> 0:48:12.839
<v Speaker 1>To him, just like Ice.

0:48:12.920 --> 0:48:15.600
<v Speaker 3>She wouldn't you know, I'm this nigga was happening him

0:48:15.880 --> 0:48:18.440
<v Speaker 3>and then But now I'm even worse than a gangster

0:48:18.520 --> 0:48:22.000
<v Speaker 3>because I got the law, you know, so I could

0:48:22.000 --> 0:48:23.600
<v Speaker 3>do whatever the fuck I want to you.

0:48:23.920 --> 0:48:25.120
<v Speaker 1>So it's the same acting.

0:48:25.320 --> 0:48:30.760
<v Speaker 3>I remember when I was live, when cats, when cats

0:48:30.760 --> 0:48:34.120
<v Speaker 3>had too much ego, We knew they were the cops,

0:48:35.800 --> 0:48:38.160
<v Speaker 3>like if we was with somebody, and like Homie don't care.

0:48:38.320 --> 0:48:41.680
<v Speaker 3>He seems a little bit too much, like he ain't worried.

0:48:41.719 --> 0:48:44.040
<v Speaker 3>He's not. He got his hammer on him, He's always

0:48:44.320 --> 0:48:49.160
<v Speaker 3>talking shit. He's the police because you know, he had

0:48:49.160 --> 0:48:55.400
<v Speaker 3>no fear and they usually were. And you brought that

0:48:55.440 --> 0:48:58.680
<v Speaker 3>into the room, that it's me, you know, it's me,

0:48:58.960 --> 0:49:03.239
<v Speaker 3>it's it's I think. I think the key of the

0:49:03.320 --> 0:49:08.799
<v Speaker 3>key of acting is casting, you know, so you want

0:49:08.800 --> 0:49:10.880
<v Speaker 3>to cast a tough guy. You pretty much want to

0:49:10.920 --> 0:49:14.319
<v Speaker 3>find somebody at some point is tough and can put

0:49:14.360 --> 0:49:15.600
<v Speaker 3>that in there on that.

0:49:15.920 --> 0:49:16.120
<v Speaker 1>You know.

0:49:16.239 --> 0:49:19.799
<v Speaker 3>So I don't know what I bring to the role.

0:49:19.840 --> 0:49:21.880
<v Speaker 3>But whatever it is, people dig it, you know what

0:49:21.880 --> 0:49:26.000
<v Speaker 3>I'm saying. So I don't know, Man, I don't know

0:49:26.000 --> 0:49:28.120
<v Speaker 3>what the fuck it is. When you're acting, you're just

0:49:28.239 --> 0:49:30.200
<v Speaker 3>doing it. And see the thing of this, you can't

0:49:30.440 --> 0:49:33.399
<v Speaker 3>you can't say you're a great actor. The audience has

0:49:33.400 --> 0:49:37.319
<v Speaker 3>to say. They got to believe it. So whatever I'm

0:49:37.360 --> 0:49:38.280
<v Speaker 3>doing is working.

0:49:38.840 --> 0:49:46.759
<v Speaker 1>Let's say that. Let's say that, Let's say that you.

0:49:46.840 --> 0:49:50.520
<v Speaker 5>Got great, great actors. You got to work with Denzel Washington.

0:49:50.760 --> 0:49:51.759
<v Speaker 5>How the funck was that?

0:49:51.960 --> 0:49:53.120
<v Speaker 1>Denzel was so dope.

0:49:54.560 --> 0:49:56.960
<v Speaker 3>First thing Denzel did was he came to my trailer

0:49:57.680 --> 0:50:01.040
<v Speaker 3>and he zeroed out like he he came really cool,

0:50:01.160 --> 0:50:03.839
<v Speaker 3>like he was talking to me as a friend and

0:50:03.880 --> 0:50:08.640
<v Speaker 3>stuff and he's telling me stories. Because I guess later

0:50:08.719 --> 0:50:11.319
<v Speaker 3>on I figured it out, like you can't just hit

0:50:11.320 --> 0:50:14.759
<v Speaker 3>the stage and work with Denzel Washington if he's like this,

0:50:16.200 --> 0:50:18.279
<v Speaker 3>If me and you got to play best friends, we

0:50:18.360 --> 0:50:20.560
<v Speaker 3>gotta or I'm always gonna be like.

0:50:20.520 --> 0:50:22.759
<v Speaker 1>I'm on the stage. I'm gonna acting with Denzel, you

0:50:22.800 --> 0:50:23.800
<v Speaker 1>know you start.

0:50:24.000 --> 0:50:25.920
<v Speaker 3>So he kind of chilled with me and talked to me,

0:50:26.040 --> 0:50:28.759
<v Speaker 3>told me about his life to being on television, some

0:50:28.800 --> 0:50:33.480
<v Speaker 3>personal things because I had to play his friend. And

0:50:34.280 --> 0:50:36.560
<v Speaker 3>I never forget the first time I sat with him, Norri,

0:50:36.680 --> 0:50:40.080
<v Speaker 3>I sat and we did a scene and he's telling

0:50:40.160 --> 0:50:40.959
<v Speaker 3>jokes and shit.

0:50:41.960 --> 0:50:42.600
<v Speaker 1>They said action.

0:50:42.760 --> 0:50:46.560
<v Speaker 3>Denzel jumped in character all right and he said his

0:50:46.600 --> 0:50:49.520
<v Speaker 3>shit and I flubbed my lines. He was like, come on, Ice, like,

0:50:50.560 --> 0:50:52.680
<v Speaker 3>let's go. I'm like, oh, I see what you doing.

0:50:52.719 --> 0:50:55.560
<v Speaker 3>You dribbling between your legs. You're showing me that you

0:50:55.600 --> 0:50:58.959
<v Speaker 3>can go from this to that quick. And at that point,

0:50:59.000 --> 0:51:00.279
<v Speaker 3>I said, I want to learn how to act.

0:51:00.400 --> 0:51:00.719
<v Speaker 1>Like that.

0:51:00.960 --> 0:51:03.839
<v Speaker 3>See, the thing of it is with acting anything, nobody

0:51:04.160 --> 0:51:10.240
<v Speaker 3>is anything. You're not born anything. You become a basketball player.

0:51:10.239 --> 0:51:13.000
<v Speaker 3>You start off as a fan. We aren't rappers. We

0:51:13.120 --> 0:51:16.480
<v Speaker 3>taught ourselves how to rap. You're not anything, so any

0:51:16.560 --> 0:51:19.480
<v Speaker 3>You could do anything if you're willing to take the time.

0:51:19.280 --> 0:51:22.000
<v Speaker 1>To learn how to do it, but you gotta want

0:51:22.040 --> 0:51:22.480
<v Speaker 1>to do it.

0:51:22.640 --> 0:51:24.520
<v Speaker 3>If I want you to act and you never really

0:51:24.520 --> 0:51:26.319
<v Speaker 3>wanted to act, you're not gonna get it. But if

0:51:26.320 --> 0:51:28.840
<v Speaker 3>you wanted to and you're willing to apply yourself, you

0:51:28.880 --> 0:51:32.880
<v Speaker 3>could do it. You know, nobody's a concert pianist. You've practiced,

0:51:33.360 --> 0:51:36.960
<v Speaker 3>so once you get that understanding, you can pretty much

0:51:37.400 --> 0:51:40.800
<v Speaker 3>be what you want to be because nobody is anything

0:51:40.840 --> 0:51:41.320
<v Speaker 3>at birth.

0:51:42.200 --> 0:51:44.040
<v Speaker 1>We all started off fans.

0:51:44.080 --> 0:51:46.600
<v Speaker 3>I started off listening to Melly melling them, I'm like, yo,

0:51:46.920 --> 0:51:48.720
<v Speaker 3>I do of how they rhyme those words together.

0:51:48.760 --> 0:51:51.000
<v Speaker 1>And I try to practice. You start off you whack.

0:51:52.880 --> 0:51:54.640
<v Speaker 2>I'm gonna start somewhere and then you get.

0:51:54.520 --> 0:51:59.600
<v Speaker 1>Better, you get better. I want to play play you.

0:51:59.600 --> 0:52:01.080
<v Speaker 1>You got the clip? Yeah?

0:52:01.480 --> 0:52:08.759
<v Speaker 3>Oh ship, yeah, but you got some fat baby, mamabaut I,

0:52:10.360 --> 0:52:14.840
<v Speaker 3>what kind of side track is play the clip?

0:52:16.000 --> 0:52:16.320
<v Speaker 1>Clip?

0:52:16.320 --> 0:52:17.760
<v Speaker 2>I thought we was homies.

0:52:21.280 --> 0:52:28.759
<v Speaker 1>From what you said, squeeze, yeah respectfully. Yeah, yeah, it

0:52:28.800 --> 0:52:29.400
<v Speaker 1>was respectively.

0:52:29.440 --> 0:52:30.799
<v Speaker 2>It was a Halloween far true.

0:52:31.120 --> 0:52:35.000
<v Speaker 1>It was a crazy story. I lovely walked into my god.

0:52:36.200 --> 0:52:37.879
<v Speaker 1>I walked up to him and I said, it's like

0:52:38.000 --> 0:52:40.440
<v Speaker 1>she had on like Kim right.

0:52:41.080 --> 0:52:42.960
<v Speaker 6>So I walked into him. I was like, bro, all

0:52:43.040 --> 0:52:48.640
<v Speaker 6>the expect I wanted last really long, you know what,

0:52:51.880 --> 0:52:52.960
<v Speaker 6>call over and.

0:52:53.000 --> 0:52:55.120
<v Speaker 1>He brushed his up in her ear and she looked

0:52:55.120 --> 0:52:55.520
<v Speaker 1>at him.

0:52:55.480 --> 0:52:57.279
<v Speaker 6>Smile and it looked at me his smile and turned

0:52:57.320 --> 0:52:59.440
<v Speaker 6>around and been the thing over when I grabbed as

0:52:59.480 --> 0:53:00.120
<v Speaker 6>much about.

0:53:21.200 --> 0:53:22.920
<v Speaker 1>Free sure you.

0:53:22.880 --> 0:53:26.520
<v Speaker 3>Want it went the backstory? Yeah it was Halloween. Did

0:53:26.560 --> 0:53:27.120
<v Speaker 3>he say that?

0:53:27.280 --> 0:53:29.799
<v Speaker 1>Yeah, he said that. I think Halloween party. Said it

0:53:29.840 --> 0:53:32.320
<v Speaker 1>was a Halloween party. And I've been knowing Neo.

0:53:32.600 --> 0:53:35.600
<v Speaker 3>I like Neo, you know, I've seen him when he

0:53:35.640 --> 0:53:40.680
<v Speaker 3>first started, and I've always been a fan. And also

0:53:40.840 --> 0:53:43.319
<v Speaker 3>I was inspired by a young kid making this move.

0:53:43.400 --> 0:53:45.759
<v Speaker 3>So Neo me had a cool relationship. So we had

0:53:45.800 --> 0:53:49.279
<v Speaker 3>the party and stuff, and it's uh Halloween, So all

0:53:49.280 --> 0:53:49.960
<v Speaker 3>the girls.

0:53:49.719 --> 0:53:55.320
<v Speaker 1>Are extra hoish, right, extra hoish.

0:53:55.360 --> 0:53:58.760
<v Speaker 3>So Coco had on some some some like booty shorts

0:53:58.800 --> 0:54:01.920
<v Speaker 3>with the fish thats and ship and so he's in

0:54:01.960 --> 0:54:02.960
<v Speaker 3>the booth with us.

0:54:03.120 --> 0:54:04.200
<v Speaker 1>He didn't just walk up.

0:54:04.239 --> 0:54:07.480
<v Speaker 3>He was hanging and stuff and Toko and then Rihanna

0:54:07.640 --> 0:54:08.160
<v Speaker 3>was there too.

0:54:09.360 --> 0:54:10.480
<v Speaker 1>Coco them was dancing.

0:54:14.000 --> 0:54:17.160
<v Speaker 3>Coco Them's dancing, and I know that Nigga was just

0:54:17.239 --> 0:54:18.560
<v Speaker 3>like gazing like yo.

0:54:20.160 --> 0:54:21.880
<v Speaker 1>I mean, there was a lot of ass in the air,

0:54:22.040 --> 0:54:24.600
<v Speaker 1>like it was. It was happening.

0:54:24.680 --> 0:54:25.680
<v Speaker 2>So then he was like.

0:54:25.680 --> 0:54:26.839
<v Speaker 1>He did to play a ship.

0:54:26.960 --> 0:54:29.520
<v Speaker 3>He said, ice man, I always wanted to touch Coco's

0:54:30.080 --> 0:54:31.120
<v Speaker 3>see you change the word he said.

0:54:31.160 --> 0:54:34.400
<v Speaker 1>He didn't say grab her ass. That's someone touched Coco's booty.

0:54:34.600 --> 0:54:35.399
<v Speaker 1>Could I do that?

0:54:35.760 --> 0:54:36.040
<v Speaker 2>Now?

0:54:36.800 --> 0:54:38.560
<v Speaker 1>I was like, that was kind of.

0:54:38.520 --> 0:54:40.880
<v Speaker 3>Player that he asked, you know, that kind of player

0:54:40.920 --> 0:54:43.520
<v Speaker 3>that he had. He didn't ask the fingerbanger. He didn't

0:54:43.560 --> 0:54:46.759
<v Speaker 3>have the fucker. He didn't have to sucker titty. He

0:54:46.840 --> 0:54:50.520
<v Speaker 3>had to touch her butt, right. So I'm like, you

0:54:50.560 --> 0:54:53.080
<v Speaker 3>know what, player, I could.

0:54:52.840 --> 0:54:53.680
<v Speaker 2>Make that happen.

0:54:55.920 --> 0:54:58.280
<v Speaker 3>I could make that happen. So I said, Coco, Nea

0:54:58.320 --> 0:55:00.760
<v Speaker 3>want to touch a booty, let me touch your booty.

0:55:00.840 --> 0:55:03.799
<v Speaker 3>She's like, okay, you know she's following instructures, you know,

0:55:03.840 --> 0:55:07.440
<v Speaker 3>I say wow, So she bends over. Great, he touches

0:55:07.480 --> 0:55:09.560
<v Speaker 3>the butt like that I'm like, it's like make a

0:55:09.600 --> 0:55:17.439
<v Speaker 3>wish kid, you know now, Now, the fact the fact

0:55:17.520 --> 0:55:20.239
<v Speaker 3>that Neo felt it was appropriate to bring this up

0:55:20.280 --> 0:55:23.440
<v Speaker 3>in a Drink Chance interview, that was something maybe he

0:55:23.440 --> 0:55:25.960
<v Speaker 3>should have kept to himself, you know. But I'm not

0:55:26.080 --> 0:55:28.120
<v Speaker 3>mad at him because that means me. No, that was

0:55:28.160 --> 0:55:30.399
<v Speaker 3>a moment in his life. You know, that was the moment,

0:55:30.800 --> 0:55:33.000
<v Speaker 3>the moment in his life. It was a great moment,

0:55:33.160 --> 0:55:35.080
<v Speaker 3>you know what I'm saying. Now, Then everybody watching, don't

0:55:35.200 --> 0:55:39.000
<v Speaker 3>see me out with coke and ask for butt. Get

0:55:39.040 --> 0:55:43.120
<v Speaker 3>to Neo's level first, you know, celebrity button.

0:55:44.880 --> 0:55:46.000
<v Speaker 2>No, it was.

0:55:46.040 --> 0:55:46.279
<v Speaker 1>It was.

0:55:46.480 --> 0:55:48.200
<v Speaker 3>It was some players and we was in a player

0:55:48.280 --> 0:55:49.280
<v Speaker 3>mold that night.

0:55:49.360 --> 0:55:52.439
<v Speaker 1>You know, everybody. It was flying sometimes it's fly like that.

0:55:52.480 --> 0:55:55.319
<v Speaker 1>So what did you dress up? Ass? I don't know

0:55:55.360 --> 0:55:57.239
<v Speaker 1>what I was. I think we was on some S

0:55:57.320 --> 0:55:58.279
<v Speaker 1>and M ship that okay.

0:55:58.880 --> 0:56:01.680
<v Speaker 3>I had on some leather ill vests, probably a ball

0:56:01.760 --> 0:56:05.120
<v Speaker 3>gag on some old tech it and ship.

0:56:05.560 --> 0:56:06.960
<v Speaker 1>We love We love Halloween.

0:56:07.960 --> 0:56:10.160
<v Speaker 3>Women love Halloween because it's a night they can be

0:56:10.239 --> 0:56:13.520
<v Speaker 3>freely hoish, you know everything, or you want to be

0:56:13.520 --> 0:56:15.600
<v Speaker 3>a school teacher, sexy school teacher.

0:56:15.719 --> 0:56:16.480
<v Speaker 2>You know whatever it is.

0:56:16.600 --> 0:56:20.479
<v Speaker 3>Doctor, Yeah, that's a chance, and nobody can say nothing

0:56:20.480 --> 0:56:23.799
<v Speaker 3>about it. That's say night. They just get it. They

0:56:23.840 --> 0:56:26.920
<v Speaker 3>let it out. It's okay, and players dig it. Guys

0:56:26.920 --> 0:56:28.719
<v Speaker 3>are like, that's cool. You know, I never had a

0:56:28.760 --> 0:56:31.160
<v Speaker 3>problem with my girl being sexy. I'm like, you don't

0:56:31.239 --> 0:56:32.880
<v Speaker 3>drive a Ferrari with the cover on it.

0:56:33.000 --> 0:56:36.160
<v Speaker 1>You didn't, but some people do.

0:56:36.280 --> 0:56:39.640
<v Speaker 3>That's cool, you know what I'm saying, Hey, wrap them up,

0:56:39.760 --> 0:56:40.359
<v Speaker 3>that's your thing.

0:56:42.840 --> 0:56:47.239
<v Speaker 5>But but you know, like like is there does your

0:56:47.280 --> 0:56:49.560
<v Speaker 5>wife have stalkers or has he ever had a stalker?

0:56:50.040 --> 0:56:51.440
<v Speaker 1>Now, my daughter had a stalker?

0:56:51.680 --> 0:56:52.280
<v Speaker 2>Your daughter?

0:56:52.840 --> 0:56:55.359
<v Speaker 1>Yeah, my daughter, not my little daughter, my older daughter.

0:56:57.280 --> 0:56:57.880
<v Speaker 1>How did that go?

0:57:01.040 --> 0:57:02.920
<v Speaker 3>Well, let's go back to Coca. We had a couples

0:57:03.320 --> 0:57:04.399
<v Speaker 3>one situation we had.

0:57:04.440 --> 0:57:04.879
<v Speaker 1>We had a.

0:57:07.000 --> 0:57:09.520
<v Speaker 3>We were we had an apartment and we move and so

0:57:09.560 --> 0:57:13.280
<v Speaker 3>we go to the apartment and it's a car following us,

0:57:13.719 --> 0:57:16.200
<v Speaker 3>and so we stop at Target and stuff. Yeah, we

0:57:16.280 --> 0:57:21.040
<v Speaker 3>still shop at Target. We keep we at Target. T

0:57:22.000 --> 0:57:25.600
<v Speaker 3>motherfuckers think that some point humans leave the planet, Like

0:57:25.640 --> 0:57:26.000
<v Speaker 3>we don't.

0:57:26.400 --> 0:57:28.600
<v Speaker 1>We don't eat a taco bell or we don't.

0:57:28.680 --> 0:57:31.200
<v Speaker 2>Like, motherfucker, he goes to Target, Like, what your fuck?

0:57:31.240 --> 0:57:36.000
<v Speaker 3>If you need Target ship, where do you go and

0:57:36.120 --> 0:57:37.600
<v Speaker 3>you need Target type ship.

0:57:37.720 --> 0:57:40.480
<v Speaker 1>They don't what time. Somebody said, Yo, you eat it, Denny's,

0:57:40.520 --> 0:57:42.320
<v Speaker 1>you eat it. I hop them like, is there a

0:57:42.320 --> 0:57:46.760
<v Speaker 1>Gucci egg? I said, some eggs someplace. I don't know

0:57:46.800 --> 0:57:48.680
<v Speaker 1>what the fuck I'm going to do for breakfast.

0:57:48.880 --> 0:57:50.040
<v Speaker 2>Egg is a fucking egg.

0:57:50.360 --> 0:57:55.320
<v Speaker 3>So anyway, we are, we at Target and she says

0:57:55.400 --> 0:57:59.040
<v Speaker 3>she sees the motherfuckers in the store, right, and so

0:57:59.080 --> 0:58:01.800
<v Speaker 3>I'm like where when we come out? She says, and

0:58:02.440 --> 0:58:06.440
<v Speaker 3>I escalade. So I'm like, all, ain't cool. So we

0:58:06.800 --> 0:58:08.840
<v Speaker 3>go and she had to go to this nail spot, right.

0:58:08.920 --> 0:58:12.800
<v Speaker 3>So we pull up and they pull out right. So

0:58:12.880 --> 0:58:15.080
<v Speaker 3>I'm like, okay, we're finsa do this now. At this time,

0:58:15.120 --> 0:58:18.560
<v Speaker 3>I'm not armed, but they don't know that, right, So

0:58:18.600 --> 0:58:22.800
<v Speaker 3>I walk over to him. I'm like, what's happening. They're like, oh, man,

0:58:22.800 --> 0:58:25.320
<v Speaker 3>we just pop araxis. I'm like, yeah, nigga, fall back.

0:58:25.600 --> 0:58:29.160
<v Speaker 3>I said, stop following me, following me, man, stop playing?

0:58:29.520 --> 0:58:30.240
<v Speaker 2>No, no, we could.

0:58:30.280 --> 0:58:31.680
<v Speaker 1>They thought I had the hammer. I was like this,

0:58:31.760 --> 0:58:32.040
<v Speaker 1>I didn't.

0:58:32.440 --> 0:58:41.040
<v Speaker 2>You got you run, you know?

0:58:39.840 --> 0:58:44.720
<v Speaker 3>So they fell back. But that was this one situation.

0:58:45.400 --> 0:58:49.720
<v Speaker 3>My daughter, she lives in Atlanta, and uh, you know,

0:58:49.840 --> 0:58:52.560
<v Speaker 3>my daughter's grown. So she calls me and she said, Daddy,

0:58:52.600 --> 0:58:55.840
<v Speaker 3>this dude is following me and ship like that. So

0:58:55.880 --> 0:58:57.880
<v Speaker 3>I said, okay, this is what you do. I know,

0:58:57.960 --> 0:59:00.440
<v Speaker 3>you know niggas down there. Talk to some of your

0:59:00.640 --> 0:59:04.600
<v Speaker 3>goons and tell them, say your father would like them

0:59:04.640 --> 0:59:07.160
<v Speaker 3>to help you, right, because they all got.

0:59:07.000 --> 0:59:07.600
<v Speaker 2>In love for me.

0:59:07.880 --> 0:59:08.840
<v Speaker 1>They know who she is.

0:59:09.160 --> 0:59:10.960
<v Speaker 3>So I said, get a couple of them, tell them

0:59:10.960 --> 0:59:14.280
<v Speaker 3>to come to the house and just lay in the cut, right,

0:59:14.320 --> 0:59:16.439
<v Speaker 3>So they want to do a favor for ic because

0:59:16.480 --> 0:59:17.520
<v Speaker 3>that could pay back off.

0:59:17.760 --> 0:59:19.960
<v Speaker 1>So did she get a couple of dudes.

0:59:20.160 --> 0:59:22.200
<v Speaker 3>And sure enough, the dude pull up in the parking

0:59:22.240 --> 0:59:25.120
<v Speaker 3>lot and she told them and they walked over to him.

0:59:25.160 --> 0:59:28.200
<v Speaker 3>Just let him understand this is not a good career decision.

0:59:30.440 --> 0:59:33.360
<v Speaker 3>Fall back. She got cousins, brothers and people that love

0:59:33.400 --> 0:59:36.960
<v Speaker 3>her and we don't love you, so pull out. And

0:59:37.000 --> 0:59:39.040
<v Speaker 3>that was the last she saw the dude. But she

0:59:39.120 --> 0:59:42.880
<v Speaker 3>didn't really know how to activate homies. I said, activate them,

0:59:42.920 --> 0:59:44.080
<v Speaker 3>so I told her, I said, when I go there

0:59:44.080 --> 0:59:45.360
<v Speaker 3>atlant I want to meet those guys.

0:59:46.240 --> 0:59:46.720
<v Speaker 1>So that's it.

0:59:46.800 --> 0:59:52.880
<v Speaker 3>But no, no stalkers, you know, I mean, anybody could

0:59:52.920 --> 0:59:54.960
<v Speaker 3>have a stalker, you know, we don't have any problems,

0:59:55.000 --> 0:59:58.880
<v Speaker 3>like I get I think just knowing who I am

0:59:58.920 --> 1:00:00.840
<v Speaker 3>and people like that, they kind of keep date this

1:00:01.040 --> 1:00:02.040
<v Speaker 3>and and shit, she.

1:00:01.960 --> 1:00:04.840
<v Speaker 1>Don't got only fans or nothing like that to do.

1:00:05.360 --> 1:00:10.960
<v Speaker 3>Okay, yeah, she start only fans, but see Coco does

1:00:11.000 --> 1:00:14.200
<v Speaker 3>Playboy level. See only fans. Hustle is DP. You could

1:00:14.280 --> 1:00:17.560
<v Speaker 3>do anything on you. You can show your fee, you

1:00:17.560 --> 1:00:20.520
<v Speaker 3>can cook dinner on the motherfuckers. So she had girlfriend

1:00:20.520 --> 1:00:22.600
<v Speaker 3>that had one, So Coco's like, yo, what do you

1:00:22.640 --> 1:00:23.080
<v Speaker 3>do on it?

1:00:23.240 --> 1:00:23.520
<v Speaker 1>Coco?

1:00:23.680 --> 1:00:27.000
<v Speaker 3>Coco's always done playboy level shit, swimsuit shit, that's her.

1:00:27.240 --> 1:00:28.600
<v Speaker 3>You know, if you want to be on only fans,

1:00:28.640 --> 1:00:30.840
<v Speaker 3>stick a refrigerator in your pussy, you could do that too.

1:00:31.000 --> 1:00:33.600
<v Speaker 1>Jesus, you know what, you can do anything.

1:00:33.840 --> 1:00:36.720
<v Speaker 3>But what you do, you can you put a page up,

1:00:36.800 --> 1:00:38.000
<v Speaker 3>say this is not a poor in site.

1:00:39.000 --> 1:00:39.800
<v Speaker 1>Blow blow.

1:00:39.920 --> 1:00:42.000
<v Speaker 3>Yeah, And she made quite a bit of money. She

1:00:42.040 --> 1:00:45.320
<v Speaker 3>makes quite a bit of money on that motherfucker. I

1:00:45.400 --> 1:00:48.120
<v Speaker 3>understand why chicks don't want to work once they go on.

1:00:48.880 --> 1:00:50.680
<v Speaker 3>They just like, why would I work when I could

1:00:50.680 --> 1:00:53.960
<v Speaker 3>make sixty thousand whatever at least a lot.

1:00:53.840 --> 1:00:55.240
<v Speaker 1>Because the subscriptions.

1:00:55.400 --> 1:00:57.720
<v Speaker 3>But the thing of it is, it's like the chick

1:00:57.800 --> 1:01:02.040
<v Speaker 3>has to set their limits. Like Zelia's on there, but

1:01:02.120 --> 1:01:04.400
<v Speaker 3>she just just swim suit ship but she made like

1:01:04.480 --> 1:01:08.560
<v Speaker 3>six her so you know you could be on that.

1:01:08.640 --> 1:01:12.640
<v Speaker 3>But I mean, it's honestly, it makes more sense than Instagram.

1:01:12.840 --> 1:01:16.480
<v Speaker 3>But you know what I'm saying, getting paid, You get paid,

1:01:16.600 --> 1:01:19.120
<v Speaker 3>you got you have subscribers, and then you have paid

1:01:19.120 --> 1:01:20.880
<v Speaker 3>and then you also put up stuff and you make

1:01:20.920 --> 1:01:23.400
<v Speaker 3>them pay. But you know, it is what it is.

1:01:25.560 --> 1:01:28.600
<v Speaker 3>Maybe this will help her get some more money. People say, well,

1:01:28.640 --> 1:01:30.160
<v Speaker 3>you don't need the money. I say, when do will

1:01:30.200 --> 1:01:35.440
<v Speaker 3>you not need? When do you not need the money?

1:01:35.520 --> 1:01:37.840
<v Speaker 3>Like you know, it's it's a hustle man. Me and

1:01:37.880 --> 1:01:40.840
<v Speaker 3>my wife are hustlers, right these flowers?

1:01:40.840 --> 1:01:43.800
<v Speaker 5>Man, You listen to Ice our shows about giving people

1:01:44.120 --> 1:01:47.560
<v Speaker 5>they flowers while they hear you know, so many people.

1:01:47.440 --> 1:01:49.240
<v Speaker 1>Say that after ten years you washed up. We do

1:01:49.440 --> 1:01:52.360
<v Speaker 1>not say that. We say that season we want to get.

1:01:55.360 --> 1:02:00.720
<v Speaker 2>You drink alumna.

1:02:00.960 --> 1:02:03.080
<v Speaker 3>Yeah, man, I mean, I mean, at the end of

1:02:03.160 --> 1:02:06.480
<v Speaker 3>the day, I think one thing about Ice Tea, and

1:02:06.520 --> 1:02:09.160
<v Speaker 3>I think what people will figure out about me is

1:02:09.160 --> 1:02:10.240
<v Speaker 3>that Ice is gonna.

1:02:10.000 --> 1:02:12.800
<v Speaker 1>Do what the fuck he wants to do.

1:02:12.000 --> 1:02:15.120
<v Speaker 3>You know, And I understood me put it up here

1:02:15.160 --> 1:02:16.320
<v Speaker 3>where they can a camera can see.

1:02:16.320 --> 1:02:18.160
<v Speaker 1>I want the camera to see. This is a real

1:02:18.240 --> 1:02:19.160
<v Speaker 1>player ass shit.

1:02:19.400 --> 1:02:22.160
<v Speaker 5>Yes, Stup said it's better than the GRAMM because it

1:02:22.200 --> 1:02:22.960
<v Speaker 5>comes for his people.

1:02:23.200 --> 1:02:25.800
<v Speaker 1>You know what I'm saying, real talk. Goddamn it makes

1:02:25.800 --> 1:02:30.240
<v Speaker 1>it look weed.

1:02:30.320 --> 1:02:33.480
<v Speaker 2>This is good. But no man, you know brown weed too.

1:02:33.520 --> 1:02:38.160
<v Speaker 2>By the way, we can't One thing we can't forget

1:02:38.240 --> 1:02:41.960
<v Speaker 2>is that Yeat that you help pioneer the space that

1:02:42.000 --> 1:02:43.160
<v Speaker 2>we're in now as well.

1:02:43.360 --> 1:02:43.560
<v Speaker 1>Yeah.

1:02:43.600 --> 1:02:46.480
<v Speaker 3>I had a podcast, my first podcast, to call the

1:02:46.520 --> 1:02:51.760
<v Speaker 3>Final Level Podcasts, and me and Mickey did it. Yeah,

1:02:51.840 --> 1:02:56.760
<v Speaker 3>Mickey Benzon. I did fifty five episodes. They're available on someplace,

1:02:56.880 --> 1:03:01.800
<v Speaker 3>some platform. But it wasn't my time. I couldn't do it.

1:03:02.160 --> 1:03:05.120
<v Speaker 3>So I started doing it at my house. Right, so

1:03:05.160 --> 1:03:07.120
<v Speaker 3>I do one person, but then if you're at my house,

1:03:07.160 --> 1:03:09.200
<v Speaker 3>you stay all day, so it would take off of

1:03:09.280 --> 1:03:10.720
<v Speaker 3>the day and I would do it on Saturday. So

1:03:10.800 --> 1:03:12.240
<v Speaker 3>that burnt me out. Then I tried to do two

1:03:12.280 --> 1:03:15.720
<v Speaker 3>a month, same thing, bust. It came over. Ray Kwan

1:03:15.880 --> 1:03:18.400
<v Speaker 3>came over all that. Then I was like, I can't

1:03:18.400 --> 1:03:20.040
<v Speaker 3>do it in my house no more because it was

1:03:20.120 --> 1:03:22.720
<v Speaker 3>just the homies come over. The crib and they just

1:03:22.840 --> 1:03:26.200
<v Speaker 3>lounge out, they like after the podcast on TV turned

1:03:26.240 --> 1:03:26.800
<v Speaker 3>on the game.

1:03:27.040 --> 1:03:28.560
<v Speaker 1>I was like, yo, this is crazy.

1:03:28.640 --> 1:03:31.320
<v Speaker 3>So then I tried to do them on Monday nights

1:03:32.160 --> 1:03:35.280
<v Speaker 3>after Law and Order, but we were in the same

1:03:35.640 --> 1:03:40.400
<v Speaker 3>studio tax and Taxon when it was we're up there speaker. Yeah,

1:03:40.640 --> 1:03:45.440
<v Speaker 3>and it was cool, but I'm a no disrespect, but

1:03:45.520 --> 1:03:47.600
<v Speaker 3>I kind of interviewed everybody I wanted to talk to.

1:03:47.920 --> 1:03:50.560
<v Speaker 3>After about fifty people, I'm like, I really don't really

1:03:50.600 --> 1:03:54.960
<v Speaker 3>want to talk to people now. Now they want content,

1:03:55.040 --> 1:03:57.680
<v Speaker 3>and I'm like, well they're getting these people. I'm like,

1:03:57.760 --> 1:03:59.960
<v Speaker 3>I'm not even interested in them, Like, I don't get

1:04:00.080 --> 1:04:02.800
<v Speaker 3>a fuck. So I did all my homies. I didn't

1:04:02.800 --> 1:04:05.120
<v Speaker 3>do no worry, but I did all the homies. And

1:04:05.160 --> 1:04:08.720
<v Speaker 3>then at that time, you know, podcasts you make money

1:04:09.880 --> 1:04:13.120
<v Speaker 3>based on how many views and you have ads.

1:04:13.160 --> 1:04:16.080
<v Speaker 1>You know, it wasn't really lucrative enough.

1:04:16.120 --> 1:04:18.440
<v Speaker 3>I was giving all the money to Mick and I

1:04:18.520 --> 1:04:20.240
<v Speaker 3>just said, man, I got to pull the plug on this.

1:04:20.400 --> 1:04:23.760
<v Speaker 3>My I can't. It wasn't it needs to be a

1:04:23.760 --> 1:04:27.440
<v Speaker 3>full time gig. So you know, but I understand I

1:04:27.480 --> 1:04:29.880
<v Speaker 3>know what this is. It's cool and it's fun, but

1:04:29.960 --> 1:04:34.880
<v Speaker 3>I mean, fortunately, you guys have created a space where

1:04:34.920 --> 1:04:37.840
<v Speaker 3>someone can come and talk comfortably and it's not with

1:04:37.960 --> 1:04:38.560
<v Speaker 3>the bullshit.

1:04:39.360 --> 1:04:44.000
<v Speaker 1>What made you even start a podcast? Like because you know.

1:04:44.360 --> 1:04:46.280
<v Speaker 2>You were doing on internet you were doing on internet radio.

1:04:46.320 --> 1:04:48.240
<v Speaker 1>First, let me just tell you how we said.

1:04:48.520 --> 1:04:50.800
<v Speaker 5>They said we say that wan app was the first

1:04:50.880 --> 1:04:54.160
<v Speaker 5>hip hop podcast, but I see was the first artist

1:04:54.360 --> 1:04:55.280
<v Speaker 5>based podcast.

1:04:55.760 --> 1:04:57.640
<v Speaker 1>So you like the cool work of this shit because

1:04:57.640 --> 1:04:58.680
<v Speaker 1>in case you don't know, a.

1:04:58.680 --> 1:05:00.360
<v Speaker 3>Lot of people don't know, but they say those who

1:05:00.400 --> 1:05:03.080
<v Speaker 3>say don't knowing, those who know don't say, so I

1:05:03.600 --> 1:05:07.120
<v Speaker 3>I I'm gonna.

1:05:06.880 --> 1:05:08.280
<v Speaker 1>Tell you this, Noori, and this is the.

1:05:09.760 --> 1:05:14.280
<v Speaker 3>I really didn't even like asking people questions, you get

1:05:15.600 --> 1:05:17.520
<v Speaker 3>I found out at the end of it. I much

1:05:17.560 --> 1:05:19.800
<v Speaker 3>preferred for you to ask me questions. Then to me,

1:05:20.120 --> 1:05:23.720
<v Speaker 3>I just felt like I just didn't like it. After

1:05:23.760 --> 1:05:26.720
<v Speaker 3>a while, you know, it's not my thing. You gotta

1:05:26.720 --> 1:05:29.160
<v Speaker 3>find your thing. You gotta find your thing, and just

1:05:29.200 --> 1:05:31.560
<v Speaker 3>prying in the motherfucker's lives was not my thing.

1:05:31.680 --> 1:05:36.520
<v Speaker 1>I was like, man, I'm cool. Plus, you're making too

1:05:36.600 --> 1:05:37.920
<v Speaker 1>much law and order money that was.

1:05:37.880 --> 1:05:44.439
<v Speaker 3>Making well that that too. That That's when I'm saying

1:05:44.440 --> 1:05:46.680
<v Speaker 3>it wasn't lucrative enough, like you're saying, I'm making a

1:05:46.680 --> 1:05:48.320
<v Speaker 3>lot of money over the week. Then I come up

1:05:48.360 --> 1:05:50.680
<v Speaker 3>here and I do this and it was time and

1:05:50.720 --> 1:05:55.440
<v Speaker 3>then I have a baby daughter. This wasn't paying off.

1:05:55.920 --> 1:05:58.840
<v Speaker 3>So I just like, now, I mean, now, if I

1:05:58.880 --> 1:06:00.959
<v Speaker 3>was doing it, you guys are take it to another level.

1:06:01.000 --> 1:06:03.240
<v Speaker 3>But at the time, it wasn't making that much money.

1:06:03.760 --> 1:06:05.680
<v Speaker 2>So we thank you anyways, because you did.

1:06:08.840 --> 1:06:13.120
<v Speaker 1>Rosenberg m Crawg so you could walk, so me and

1:06:13.160 --> 1:06:17.480
<v Speaker 1>I Vin could fly. I was happy.

1:06:17.720 --> 1:06:19.960
<v Speaker 3>I was happy when I when I saw you doing it,

1:06:20.000 --> 1:06:23.000
<v Speaker 3>because I'm like, this is a good thing. Always felt

1:06:23.040 --> 1:06:27.560
<v Speaker 3>that our culture should be reported on by our own culture.

1:06:28.600 --> 1:06:32.320
<v Speaker 3>You know, I think one of the key parts of

1:06:32.440 --> 1:06:36.560
<v Speaker 3>the death of hip hop was the source magazine going left.

1:06:37.600 --> 1:06:39.720
<v Speaker 3>And you know, at one moment, all of a sudden

1:06:39.760 --> 1:06:44.360
<v Speaker 3>public enemy wasn't hip Hey, our rest wasn't you and Benzino.

1:06:44.400 --> 1:06:48.640
<v Speaker 5>The first time we interviewed you, you and Bizino had

1:06:48.720 --> 1:06:52.360
<v Speaker 5>just seen each other, right, Beef TV, let me tell

1:06:52.360 --> 1:06:56.200
<v Speaker 5>you take a yeah, tell us about that because I

1:06:56.240 --> 1:06:57.840
<v Speaker 5>mean our fans from back.

1:06:57.680 --> 1:06:59.520
<v Speaker 1>Then though, but he's a new fan.

1:06:59.640 --> 1:07:07.400
<v Speaker 3>Be have beef TV. Okay, this is what happened I'll

1:07:07.400 --> 1:07:12.040
<v Speaker 3>tell the true story. What happened was when I got

1:07:12.080 --> 1:07:15.440
<v Speaker 3>in trouble at Warner Brothers and cop Killer hit the

1:07:15.480 --> 1:07:20.919
<v Speaker 3>fan and they got rid of shit. Benzino Rso got

1:07:20.960 --> 1:07:23.800
<v Speaker 3>caught in that shit. They got caught in that tail

1:07:23.880 --> 1:07:30.200
<v Speaker 3>spin of they dropping gangster rap. Now body counts metal,

1:07:31.280 --> 1:07:37.360
<v Speaker 3>but it also affected death Row or whatever aftermath when

1:07:37.360 --> 1:07:39.120
<v Speaker 3>they remember they were getting ready to do a deal

1:07:39.160 --> 1:07:41.919
<v Speaker 3>and then it fell back through because they pulled out,

1:07:41.960 --> 1:07:42.840
<v Speaker 3>Warner pulled out.

1:07:42.920 --> 1:07:45.960
<v Speaker 1>Something happened. Just not see the Lower's Tucker time, right, No, no, no,

1:07:46.000 --> 1:07:47.440
<v Speaker 1>it was after see the Lord's Tucker.

1:07:47.480 --> 1:07:52.440
<v Speaker 3>But my shit created a like a wave that fucked

1:07:52.440 --> 1:07:55.800
<v Speaker 3>with a lot of people. So Benzino being Benzino in

1:07:55.840 --> 1:07:59.080
<v Speaker 3>them when in some fuck ice t shit like like

1:07:59.200 --> 1:08:03.840
<v Speaker 3>I folded it. I folded to Warner Brothers. I don't

1:08:03.840 --> 1:08:06.320
<v Speaker 3>even really know you, Benzino, I'm not even I don't

1:08:06.400 --> 1:08:08.400
<v Speaker 3>I have nothing to do with you. I didn't tell

1:08:08.440 --> 1:08:11.800
<v Speaker 3>them if I get rid of them, I'm I did

1:08:11.960 --> 1:08:12.360
<v Speaker 3>my shit.

1:08:12.480 --> 1:08:15.640
<v Speaker 1>I'm doing my shit. He went on. One.

1:08:16.000 --> 1:08:19.840
<v Speaker 3>Of course, everybody hears anybody you got niggas.

1:08:19.560 --> 1:08:21.839
<v Speaker 1>Yo, When who are these niggas? They talking crazy?

1:08:23.040 --> 1:08:25.360
<v Speaker 3>So I'm like I don't know where they're from Boston,

1:08:26.520 --> 1:08:29.160
<v Speaker 3>so I don't know who they are. But whatever, right,

1:08:29.200 --> 1:08:34.040
<v Speaker 3>we la right, So Benzino comes to La, So I'm

1:08:34.160 --> 1:08:37.520
<v Speaker 3>d right, I'm at one of they situations.

1:08:37.880 --> 1:08:41.360
<v Speaker 1>I can leave the house is a source situation you're saying, I.

1:08:41.360 --> 1:08:42.000
<v Speaker 2>Don't know it was.

1:08:44.080 --> 1:08:49.679
<v Speaker 3>An event, norie. I can leave the house by myself.

1:08:49.760 --> 1:08:52.320
<v Speaker 3>By the time I get to event, it's thirty niggas.

1:08:53.000 --> 1:08:54.519
<v Speaker 1>Yo, we would all yo, we would.

1:08:56.400 --> 1:08:58.840
<v Speaker 3>Right, because everybody wants to not only get in the event,

1:08:58.920 --> 1:09:00.600
<v Speaker 3>they know if they with me, they coming in. So

1:09:00.680 --> 1:09:05.000
<v Speaker 3>we deep, Yo, that's them niggas over there. Ice who

1:09:05.720 --> 1:09:11.559
<v Speaker 3>ben Zeno what? Go holler at him? And he I

1:09:11.600 --> 1:09:13.680
<v Speaker 3>walked over to him and he saw them people that

1:09:13.760 --> 1:09:18.559
<v Speaker 3>nigga was like, yo, man, man, it's my bad. And

1:09:18.600 --> 1:09:20.720
<v Speaker 3>we shook hands and that was it. But I think,

1:09:20.800 --> 1:09:21.800
<v Speaker 3>what did he tell you?

1:09:21.840 --> 1:09:22.080
<v Speaker 2>Same?

1:09:22.120 --> 1:09:25.320
<v Speaker 1>Sorry? Oh, remember y'all was together the last time we

1:09:25.360 --> 1:09:26.240
<v Speaker 1>recalled in New York.

1:09:26.360 --> 1:09:30.000
<v Speaker 3>Yeah, but that was that was before the situation. There's

1:09:30.000 --> 1:09:32.720
<v Speaker 3>a there was a situation where me and Benzino I

1:09:32.760 --> 1:09:35.200
<v Speaker 3>had I kind of yeah, he's I've heard him say

1:09:35.200 --> 1:09:36.200
<v Speaker 3>it on in an interview.

1:09:36.240 --> 1:09:38.040
<v Speaker 1>He said I was seeing him kind of walked up

1:09:38.080 --> 1:09:38.280
<v Speaker 1>on me.

1:09:38.439 --> 1:09:40.439
<v Speaker 2>I think he did say it one time on here before.

1:09:40.880 --> 1:09:43.640
<v Speaker 3>Yeah, we would see. But it wasn't an altercation. It

1:09:43.720 --> 1:09:46.280
<v Speaker 3>was just like I want me myself. I like to

1:09:46.320 --> 1:09:49.559
<v Speaker 3>clarify shit. If you say something about it, I don't

1:09:49.600 --> 1:09:51.720
<v Speaker 3>take it. I'm gonna walk up to you, f and

1:09:51.800 --> 1:09:53.280
<v Speaker 3>well what am I hearing?

1:09:53.360 --> 1:09:56.080
<v Speaker 1>Is this true? No? Okay?

1:09:56.200 --> 1:09:58.760
<v Speaker 3>Cool that you know even if you said it, if

1:09:58.800 --> 1:10:02.360
<v Speaker 3>you're not mad enough to repeat, I take that, I'll say,

1:10:02.400 --> 1:10:05.160
<v Speaker 3>all right, cool. But if it is, let's figure it out.

1:10:05.280 --> 1:10:07.559
<v Speaker 3>And I'm I'm always a bigger man. What did I

1:10:07.560 --> 1:10:07.960
<v Speaker 3>do to you?

1:10:08.000 --> 1:10:08.120
<v Speaker 4>Well?

1:10:08.240 --> 1:10:09.879
<v Speaker 1>What's the matter? What happened?

1:10:09.960 --> 1:10:14.240
<v Speaker 3>You know, nobody wants conflict. My name's Ice. My name's

1:10:14.240 --> 1:10:14.799
<v Speaker 3>not bullet.

1:10:15.240 --> 1:10:15.639
<v Speaker 1>I mean.

1:10:17.560 --> 1:10:20.320
<v Speaker 3>My name is Ice. I'm about smoothing things out. And

1:10:20.360 --> 1:10:23.000
<v Speaker 3>I think my whole life has always been squashing beef.

1:10:23.960 --> 1:10:29.000
<v Speaker 3>You know that's it. Anybody can start it. You know

1:10:29.280 --> 1:10:31.320
<v Speaker 3>you got to have certain energy to stop it.

1:10:32.960 --> 1:10:34.880
<v Speaker 2>Let's take it back though, Yes you want to.

1:10:34.960 --> 1:10:35.240
<v Speaker 1>I want to.

1:10:35.280 --> 1:10:38.000
<v Speaker 2>I want to go back a little bit. Okay, Uncle

1:10:38.080 --> 1:10:41.959
<v Speaker 2>Jam's army. Okay, talk about that is? What is that collective?

1:10:43.400 --> 1:10:46.120
<v Speaker 2>How could I com compare it to New York.

1:10:47.479 --> 1:10:50.559
<v Speaker 3>Uncle Jam's Army was the first promotional company in La

1:10:50.680 --> 1:10:55.360
<v Speaker 3>that did parties for kids sixteen to twenty. So there

1:10:55.400 --> 1:10:58.320
<v Speaker 3>was a big market of people that couldn't get into clubs,

1:10:58.800 --> 1:11:02.880
<v Speaker 3>so they would throw events at different halls with DJs.

1:11:03.680 --> 1:11:05.519
<v Speaker 3>They at some point were able to do the La

1:11:05.640 --> 1:11:07.600
<v Speaker 3>Sports Arena by themselves.

1:11:08.479 --> 1:11:11.120
<v Speaker 1>Egyptian Lover was the DJ.

1:11:11.720 --> 1:11:15.160
<v Speaker 3>Bobcat who worked with l cool J, Battle Cat who's

1:11:15.160 --> 1:11:19.639
<v Speaker 3>still out with Snoop. Arabian Prince was part of Egypt's crew.

1:11:21.439 --> 1:11:21.679
<v Speaker 1>Pool.

1:11:22.320 --> 1:11:28.879
<v Speaker 3>All them work with Uncle Jam's Army and.

1:11:27.240 --> 1:11:28.479
<v Speaker 1>That's what they was known for.

1:11:28.760 --> 1:11:31.479
<v Speaker 3>They were the biggest promoters and they would do the

1:11:31.600 --> 1:11:35.400
<v Speaker 3>La Sports Arena, no ass, just music.

1:11:36.720 --> 1:11:38.599
<v Speaker 1>First raves like black raves.

1:11:38.720 --> 1:11:41.320
<v Speaker 3>I'll never forget one night we were there and they

1:11:41.360 --> 1:11:43.400
<v Speaker 3>had an eight away drum machine and no one had

1:11:43.439 --> 1:11:46.719
<v Speaker 3>ever seen a drum machine, and they put the drum

1:11:46.760 --> 1:11:49.040
<v Speaker 3>machine on and they were like Uncle Jim's Army is

1:11:49.080 --> 1:11:52.280
<v Speaker 3>about to go live live. And they put the beat

1:11:52.360 --> 1:11:54.920
<v Speaker 3>on and they held the records in the air and

1:11:54.960 --> 1:11:58.080
<v Speaker 3>the audience was like, what where's that music coming from?

1:11:58.320 --> 1:12:00.400
<v Speaker 3>And they held the drum machine up and that eight

1:12:00.439 --> 1:12:02.640
<v Speaker 3>to eight has a light that shoots by it the

1:12:02.640 --> 1:12:06.679
<v Speaker 3>crowd went crazy, just screaming over a drum machine.

1:12:07.080 --> 1:12:07.800
<v Speaker 1>It's like yo.

1:12:08.160 --> 1:12:09.559
<v Speaker 3>And they used to let me wrap. I was the

1:12:09.560 --> 1:12:12.800
<v Speaker 3>only person they would let rap. And you know I

1:12:12.880 --> 1:12:15.000
<v Speaker 3>was still up and come and learning how to wrap.

1:12:15.040 --> 1:12:17.360
<v Speaker 2>And this is early LA scene. This is what is

1:12:17.400 --> 1:12:19.800
<v Speaker 2>a world class Wrecond crew happening around this time.

1:12:20.040 --> 1:12:23.519
<v Speaker 3>And that's before Recond, before that Wow for a recon crew.

1:12:23.760 --> 1:12:27.000
<v Speaker 1>Dre and Them was wrecking crew. I've seen Dre and

1:12:27.040 --> 1:12:28.400
<v Speaker 1>them and dudos.

1:12:28.479 --> 1:12:31.479
<v Speaker 3>See Dre and Them is from Compton, right, LA cats

1:12:31.520 --> 1:12:32.400
<v Speaker 3>don't go to Compton.

1:12:33.320 --> 1:12:33.759
<v Speaker 1>Compton.

1:12:34.080 --> 1:12:36.679
<v Speaker 3>Compton would be like in New York, like it would

1:12:36.720 --> 1:12:39.519
<v Speaker 3>be East New York. Compton is far. It's like twenty

1:12:39.560 --> 1:12:43.120
<v Speaker 3>miles out of LA south central where we're from. So

1:12:44.080 --> 1:12:46.000
<v Speaker 3>you know, you can own a horse in Compton, you

1:12:46.000 --> 1:12:48.679
<v Speaker 3>can ride, you can have donkeys and pigs and shit.

1:12:50.479 --> 1:12:53.360
<v Speaker 3>Compton is like the country. But the threat of Compton

1:12:53.439 --> 1:12:55.640
<v Speaker 3>niggas is they come to LA and get down and

1:12:55.640 --> 1:12:57.519
<v Speaker 3>then go back and you never see them again in

1:12:57.520 --> 1:13:00.320
<v Speaker 3>your life. So that's Compton. People in comp and don't

1:13:00.360 --> 1:13:04.880
<v Speaker 3>usually come past Manchester. That's a whole nother thing. And

1:13:04.880 --> 1:13:07.439
<v Speaker 3>then when NWA came out here, like oh, you're from Compton,

1:13:07.479 --> 1:13:10.240
<v Speaker 3>I said, I'm from South Central, south Central where the

1:13:10.320 --> 1:13:14.320
<v Speaker 3>Riots popped up. That's where I'm from. So Dre and

1:13:14.360 --> 1:13:17.920
<v Speaker 3>them was playing in Dudos and we went Watch is

1:13:17.960 --> 1:13:23.439
<v Speaker 3>another area, Watches, the area that's mostly projects. So if

1:13:23.479 --> 1:13:27.600
<v Speaker 3>you talk Watch, you talking about PJ. Watts and Peerial Courts,

1:13:27.960 --> 1:13:32.160
<v Speaker 3>Nickoson Gardens and Grape Street, Jordan Downs, those four big

1:13:32.200 --> 1:13:35.759
<v Speaker 3>projects over there. So that's that was the first Riot,

1:13:35.800 --> 1:13:38.200
<v Speaker 3>the home of the Watch Riots back in the day.

1:13:38.520 --> 1:13:42.120
<v Speaker 3>But anyway, I've seen Dre and them playing at Dudos

1:13:42.160 --> 1:13:47.040
<v Speaker 3>and stuff back in the day, so I'm I'm always

1:13:47.080 --> 1:13:49.840
<v Speaker 3>been cool with Dre. I've always been cube with cool

1:13:49.880 --> 1:13:53.320
<v Speaker 3>with q nw un I. When I was out see

1:13:53.400 --> 1:13:56.880
<v Speaker 3>I had, I had two albums out before n w

1:13:57.080 --> 1:14:01.880
<v Speaker 3>A drop. He dropped on my third album, so we

1:14:01.920 --> 1:14:03.160
<v Speaker 3>would go out and tour together.

1:14:03.280 --> 1:14:10.920
<v Speaker 1>Me Easy, dc uh Wall friends, wren Wall friends. What

1:14:11.000 --> 1:14:13.760
<v Speaker 1>type of person Easy he was, because obviously.

1:14:14.680 --> 1:14:17.120
<v Speaker 3>Easy was crazy, but he was Easy was a cool

1:14:17.200 --> 1:14:17.880
<v Speaker 3>ass dude.

1:14:18.080 --> 1:14:21.360
<v Speaker 1>The trip was easy. Was he convinced people he was fifteen?

1:14:24.280 --> 1:14:26.840
<v Speaker 3>Yeah, one of his records, he said something abouty being young,

1:14:27.280 --> 1:14:29.240
<v Speaker 3>so people used to think he was young, but he

1:14:29.320 --> 1:14:33.040
<v Speaker 3>wasn't young. And my favorite Easy East story was ice

1:14:33.080 --> 1:14:37.120
<v Speaker 3>Cube would write the rhymes, write the rhymes that so

1:14:37.200 --> 1:14:40.280
<v Speaker 3>CB was talking to mEq was like yo, I wrote that.

1:14:40.640 --> 1:14:41.960
<v Speaker 1>I didn't think he'd say it.

1:14:44.240 --> 1:14:46.519
<v Speaker 2>He's actually outing himself. Well he's saying it.

1:14:46.520 --> 1:14:49.599
<v Speaker 3>But Easy didn't care because Easy wasn't really the rapper.

1:14:50.200 --> 1:14:51.200
<v Speaker 1>He was the money behind.

1:14:51.280 --> 1:14:53.840
<v Speaker 3>He was a genius that saw hip hop was going

1:14:53.920 --> 1:14:57.400
<v Speaker 3>to come someplace. He had his little, you know, drug money.

1:14:57.920 --> 1:15:00.759
<v Speaker 3>Easy wasn't moving kilos. He was just on street hustling,

1:15:01.000 --> 1:15:02.599
<v Speaker 3>but he had enough to get him in the record

1:15:02.600 --> 1:15:03.599
<v Speaker 3>store and he was the brains.

1:15:03.880 --> 1:15:04.960
<v Speaker 2>He had foresight for sure.

1:15:05.360 --> 1:15:07.920
<v Speaker 3>Yeah, me and Easy was cool. We never had shared

1:15:07.960 --> 1:15:12.639
<v Speaker 3>an angry word. Me Dre, all of us all solid,

1:15:13.000 --> 1:15:15.200
<v Speaker 3>ice Cube solid, you know.

1:15:15.960 --> 1:15:19.479
<v Speaker 2>Uh and wasn't Arabian principal, so he was in Uncle

1:15:19.560 --> 1:15:21.920
<v Speaker 2>James and then he was down with At the beginnings

1:15:21.920 --> 1:15:22.800
<v Speaker 2>of w n.

1:15:22.800 --> 1:15:27.680
<v Speaker 3>W A was candy Man uh Arabia. Candy Man was

1:15:27.680 --> 1:15:30.200
<v Speaker 3>a part of man was if you look the first album,

1:15:30.439 --> 1:15:32.559
<v Speaker 3>they all standing there, n w A and the posse

1:15:32.680 --> 1:15:35.320
<v Speaker 3>that one. Yeah, candy Man but not part of n

1:15:35.400 --> 1:15:38.040
<v Speaker 3>w A. And just like but it was all part

1:15:38.320 --> 1:15:41.280
<v Speaker 3>kJ fad all that stuff, and then they just started

1:15:41.280 --> 1:15:44.400
<v Speaker 3>to morph and morph and morph into you know, the

1:15:44.439 --> 1:15:47.920
<v Speaker 3>world's most dangerous grew. I knew when I heard straight

1:15:47.920 --> 1:15:51.400
<v Speaker 3>out of Compton it was a rap at that that day.

1:15:51.680 --> 1:15:54.439
<v Speaker 5>What's the line that Ice Cube said that that you

1:15:54.520 --> 1:15:55.800
<v Speaker 5>think made it against.

1:15:55.439 --> 1:15:57.639
<v Speaker 1>The rap straight out of Compton?

1:15:57.760 --> 1:16:01.559
<v Speaker 3>Crazy motherfucker named ice Cub from the gang called Niggas

1:16:01.560 --> 1:16:05.439
<v Speaker 3>with Attitude. So up to that point, they was calling

1:16:05.520 --> 1:16:08.960
<v Speaker 3>what I was doing reality. I'm like, it's not reality

1:16:09.000 --> 1:16:10.800
<v Speaker 3>because it's not everybody's reality.

1:16:11.280 --> 1:16:14.240
<v Speaker 1>It's my reality. We didn't have a name for it.

1:16:14.920 --> 1:16:17.800
<v Speaker 3>And then when he said gangsters, the press called a

1:16:17.880 --> 1:16:18.639
<v Speaker 3>gangster wrap.

1:16:18.760 --> 1:16:20.760
<v Speaker 2>The press called it because we said this on here

1:16:20.800 --> 1:16:23.040
<v Speaker 2>and people are like, no, no, the artist, another press

1:16:23.080 --> 1:16:23.360
<v Speaker 2>did it.

1:16:23.400 --> 1:16:26.280
<v Speaker 3>Press called it gangster rap. Cuba said from the gang

1:16:26.320 --> 1:16:29.120
<v Speaker 3>called Niggas with attitude. They said it's gangster rap. So

1:16:29.280 --> 1:16:32.439
<v Speaker 3>me I fell back and said, oh, okay, if this

1:16:32.479 --> 1:16:35.000
<v Speaker 3>is gangster rap, I'm the original gangs.

1:16:36.200 --> 1:16:38.639
<v Speaker 1>That's where OG came from. So OG didn't come from

1:16:38.640 --> 1:16:39.400
<v Speaker 1>the hood.

1:16:39.479 --> 1:16:41.960
<v Speaker 2>No, it did, but it just fell in place.

1:16:42.240 --> 1:16:46.320
<v Speaker 3>OG is a term for first generation set, the first

1:16:46.320 --> 1:16:48.120
<v Speaker 3>generation of whatever set.

1:16:48.200 --> 1:16:49.240
<v Speaker 1>So if we drank.

1:16:49.040 --> 1:16:55.679
<v Speaker 3>Champs wedank track. If we drink Champs crips, y'all niggas

1:16:55.680 --> 1:16:58.320
<v Speaker 3>the Ogs you the originals of the set. The new

1:16:58.400 --> 1:17:01.400
<v Speaker 3>kids would be the baby gangsters, but the Ogs are

1:17:01.439 --> 1:17:02.719
<v Speaker 3>the founders of the set.

1:17:03.080 --> 1:17:03.479
<v Speaker 1>Right.

1:17:03.680 --> 1:17:08.439
<v Speaker 3>Also, la term og means anything original, the original five

1:17:08.479 --> 1:17:12.519
<v Speaker 3>oh one, Levi's the original, Chuck Taylor's the original Shelter.

1:17:12.840 --> 1:17:16.559
<v Speaker 1>That's them og. The first is og. Can you fight

1:17:16.640 --> 1:17:18.160
<v Speaker 1>your way up to be in the OG?

1:17:18.640 --> 1:17:20.960
<v Speaker 3>Well you be, You be an OG once you put

1:17:21.000 --> 1:17:22.160
<v Speaker 3>in enough time.

1:17:22.320 --> 1:17:23.080
<v Speaker 2>But now it is.

1:17:23.160 --> 1:17:25.400
<v Speaker 1>Now it's just referred to being the old school.

1:17:25.439 --> 1:17:28.360
<v Speaker 3>Cat has done some things like I refer to everybody

1:17:28.400 --> 1:17:32.360
<v Speaker 3>in here as a OGY. They not new gangsters, you know.

1:17:32.640 --> 1:17:36.360
<v Speaker 3>But the term comes from La Gangs. So I took

1:17:36.400 --> 1:17:40.280
<v Speaker 3>it and it flipped it, you know. But then if

1:17:40.280 --> 1:17:42.760
<v Speaker 3>you look at that album cover, I also I got

1:17:42.800 --> 1:17:45.160
<v Speaker 3>myself in shackles. But then I got myself in a

1:17:45.240 --> 1:17:51.360
<v Speaker 3>tuss which is saying I'm the same nigga, Like even

1:17:51.400 --> 1:17:54.400
<v Speaker 3>if you see me, you know, suited, don't get it

1:17:54.439 --> 1:17:58.760
<v Speaker 3>fucked up, right, So that's what it was. So that's

1:17:58.760 --> 1:18:01.360
<v Speaker 3>where the OG album came from, and that was Vincent

1:18:01.600 --> 1:18:03.280
<v Speaker 3>was supposed to be a double album.

1:18:03.479 --> 1:18:05.200
<v Speaker 1>Wow, the first double album.

1:18:05.560 --> 1:18:09.639
<v Speaker 3>Yes, but it was a double album motivated by nw

1:18:09.760 --> 1:18:14.080
<v Speaker 3>A MM because you dig, I'm out here, I do,

1:18:14.479 --> 1:18:19.360
<v Speaker 3>I do, Uh Ryan pays, I do power. They dropped Boom.

1:18:19.720 --> 1:18:21.400
<v Speaker 3>I'm like, nigga, I gotta get to work.

1:18:22.120 --> 1:18:23.639
<v Speaker 1>It dropped you after night, No.

1:18:23.439 --> 1:18:26.519
<v Speaker 3>No, no, I do the first one, I do the

1:18:26.600 --> 1:18:29.000
<v Speaker 3>second one, and then here comes Godzilla straight out of

1:18:29.080 --> 1:18:32.280
<v Speaker 3>Comps and show. I'm like, yo, n w A is

1:18:32.360 --> 1:18:35.840
<v Speaker 3>really like live Yo, nigga, we got to go in

1:18:35.840 --> 1:18:38.360
<v Speaker 3>the studio right, the homies is really getting it in.

1:18:38.640 --> 1:18:41.520
<v Speaker 3>So I made a double album at that point, motivated

1:18:41.560 --> 1:18:44.080
<v Speaker 3>by the power of them. They you know, like I

1:18:44.120 --> 1:18:46.160
<v Speaker 3>said early hate, it wasn't hate, but it was like

1:18:46.880 --> 1:18:49.960
<v Speaker 3>somebody else is in the room. Now, nigga, you got

1:18:49.960 --> 1:18:51.760
<v Speaker 3>to go and earn your stripes. So I had to

1:18:51.840 --> 1:18:52.479
<v Speaker 3>drop heavy.

1:18:52.800 --> 1:18:55.200
<v Speaker 2>You dig you were gonna say that. You remember the

1:18:55.240 --> 1:18:56.719
<v Speaker 2>first time you heard straight outa Compson.

1:18:57.360 --> 1:19:00.639
<v Speaker 3>Yeah, it's it felt like Godzilla was in the room.

1:19:01.280 --> 1:19:04.120
<v Speaker 3>I was like, yo, because remember we was out on tour.

1:19:04.200 --> 1:19:05.280
<v Speaker 1>They had dope man.

1:19:05.880 --> 1:19:08.360
<v Speaker 2>Because Easy came out first, right.

1:19:08.560 --> 1:19:11.120
<v Speaker 1>Yeah, but Easy didn't shake me up? Easy does it?

1:19:11.320 --> 1:19:13.559
<v Speaker 3>I was like okay and Easy, like you know, Easy

1:19:14.000 --> 1:19:14.960
<v Speaker 3>the way easy wrap.

1:19:16.240 --> 1:19:17.960
<v Speaker 1>He ain't cute right right?

1:19:18.160 --> 1:19:21.439
<v Speaker 2>And or Rent is incredible ruthless villain.

1:19:21.720 --> 1:19:23.280
<v Speaker 1>You know. Anytime I pulling a.

1:19:23.439 --> 1:19:27.040
<v Speaker 3>K off the sholf, you know, I was like these niggas,

1:19:27.080 --> 1:19:31.040
<v Speaker 3>like beast, I was like, yo, they turned it up.

1:19:31.240 --> 1:19:35.240
<v Speaker 3>They turned it up, and I had to. But then

1:19:35.280 --> 1:19:39.400
<v Speaker 3>my thing was as iced Tea, It's like, Okay, nw

1:19:39.560 --> 1:19:43.080
<v Speaker 3>A is taking it that way, I gotta take it

1:19:43.120 --> 1:19:46.240
<v Speaker 3>this way, like I gotta not. I can't go out

1:19:46.280 --> 1:19:48.400
<v Speaker 3>and bang bang with him, So I just keep it

1:19:48.520 --> 1:19:48.960
<v Speaker 3>player and.

1:19:49.000 --> 1:19:51.479
<v Speaker 1>Hustle as much as I could, you know.

1:19:52.680 --> 1:19:54.800
<v Speaker 2>So that was a conscious decision you made to say,

1:19:54.840 --> 1:19:57.280
<v Speaker 2>I'm not going to try to be in that same lane.

1:19:57.600 --> 1:20:01.000
<v Speaker 3>I'm always trying to find my own lane. You're fool

1:20:01.000 --> 1:20:03.120
<v Speaker 3>to go down the same lane somebody else is doing.

1:20:03.160 --> 1:20:07.200
<v Speaker 3>You gotta find your originality, you gotta find what is?

1:20:07.360 --> 1:20:11.160
<v Speaker 1>What are you? What you are? Right? You know? And me,

1:20:12.800 --> 1:20:15.080
<v Speaker 1>I was a different breed. I was never in a gang.

1:20:15.080 --> 1:20:18.800
<v Speaker 3>I'm not a gang banger, but I grew up amongst gangs.

1:20:19.200 --> 1:20:24.080
<v Speaker 3>I'm not a I'm not a bully, but I'll defend myself.

1:20:24.120 --> 1:20:28.040
<v Speaker 1>I'm an orphan. So you know, like I was telling.

1:20:27.760 --> 1:20:30.360
<v Speaker 3>You, you know, we were the cats with the feeling felid

1:20:30.640 --> 1:20:35.160
<v Speaker 3>shorts on, the socks, the sweaters, you know, tennis racket.

1:20:35.160 --> 1:20:39.120
<v Speaker 3>But we had a UZI. You know, that's who we

1:20:39.120 --> 1:20:41.400
<v Speaker 3>were with the pems, that's who we were, you know.

1:20:41.560 --> 1:20:42.760
<v Speaker 2>So it was no sense.

1:20:42.800 --> 1:20:45.880
<v Speaker 3>And you know, they pulled up on some real gang

1:20:45.920 --> 1:20:46.439
<v Speaker 3>banger shit.

1:20:46.520 --> 1:20:50.400
<v Speaker 1>I was like, okay, I didn't so cool, but it's

1:20:50.400 --> 1:20:53.080
<v Speaker 1>all love. It was love. I was happy for NWA

1:20:53.640 --> 1:20:54.680
<v Speaker 1>because I was happy to.

1:20:54.680 --> 1:21:00.599
<v Speaker 3>Have help on the West. I by myself a long.

1:21:00.400 --> 1:21:06.240
<v Speaker 5>Time, and at the time I remember, like, you know,

1:21:06.240 --> 1:21:08.920
<v Speaker 5>people making fun of the s curl like that.

1:21:09.040 --> 1:21:09.880
<v Speaker 2>But that's an S curl.

1:21:09.920 --> 1:21:10.880
<v Speaker 1>I had a perm Don't get it.

1:21:10.920 --> 1:21:16.040
<v Speaker 3>Fuck, that's a Jerry curl.

1:21:16.200 --> 1:21:17.599
<v Speaker 1>That's a Jerry. That's what Cube had.

1:21:17.840 --> 1:21:22.320
<v Speaker 3>Want to drift, Yes, fuck up myself, fuck up my ship,

1:21:22.800 --> 1:21:27.720
<v Speaker 3>my material? Wait, Jery girl curl Erry same thing you

1:21:27.800 --> 1:21:29.519
<v Speaker 3>call it the s curl, the little ones that.

1:21:29.600 --> 1:21:31.080
<v Speaker 1>Of Puerto Ricans. If you poor Rican, you call it

1:21:31.080 --> 1:21:33.559
<v Speaker 1>the a S curl? Got it all right? No, My

1:21:33.600 --> 1:21:34.960
<v Speaker 1>ship was My ship was PERM.

1:21:35.000 --> 1:21:37.640
<v Speaker 3>I was magnetic rollers a lot of body, you know

1:21:37.680 --> 1:21:38.200
<v Speaker 3>what I'm saying.

1:21:39.840 --> 1:21:40.320
<v Speaker 2>Pull it out.

1:21:40.360 --> 1:21:42.960
<v Speaker 3>Them ships be crackling and the girl pushed the ways

1:21:43.000 --> 1:21:46.320
<v Speaker 3>and you know that ship had to be right, you know,

1:21:46.439 --> 1:21:48.320
<v Speaker 3>but it's this different ship.

1:21:48.400 --> 1:21:49.719
<v Speaker 1>You know Big Worm had.

1:21:49.600 --> 1:21:57.120
<v Speaker 3>A perm yeah, and Friday yeah yeah, but it was walled.

1:21:57.840 --> 1:21:59.880
<v Speaker 2>No, no, yeah, it's curlers.

1:21:59.560 --> 1:22:01.519
<v Speaker 1>Right, Okay, Yeah, I'm bucking.

1:22:01.520 --> 1:22:03.920
<v Speaker 3>I'm bugging with the head and ned I used to

1:22:03.920 --> 1:22:05.360
<v Speaker 3>go to I used to go to junior high, I

1:22:05.400 --> 1:22:07.960
<v Speaker 3>mean not high school. Home room with my curl is

1:22:08.000 --> 1:22:13.639
<v Speaker 3>still in la shit is different wearing house and then

1:22:13.640 --> 1:22:20.880
<v Speaker 3>in nutrition. Let the girls take my curls out.

1:22:20.960 --> 1:22:22.120
<v Speaker 1>Let's rule.

1:22:22.280 --> 1:22:27.160
<v Speaker 2>Yeah, We're gonna give you two choices. You pick one.

1:22:27.600 --> 1:22:29.479
<v Speaker 2>We're good. Nobody's drinking. I mean I don't know how

1:22:29.600 --> 1:22:31.920
<v Speaker 2>if he's taking shots or not. Now I'm fucking with you.

1:22:32.200 --> 1:22:35.200
<v Speaker 3>Good, it's nice, all right, But this is this is

1:22:35.280 --> 1:22:36.360
<v Speaker 3>very sophisticated.

1:22:37.439 --> 1:22:40.880
<v Speaker 2>If you say both or neither, so the politically correct.

1:22:40.880 --> 1:22:42.840
<v Speaker 2>If you don't pick an answer, then we're drinking.

1:22:44.120 --> 1:22:49.519
<v Speaker 1>I don't care. You want me to go first. Let's

1:22:49.520 --> 1:22:50.720
<v Speaker 1>play the rule, Let's play the game.

1:22:50.840 --> 1:22:51.320
<v Speaker 2>Let's go.

1:22:51.840 --> 1:22:56.600
<v Speaker 1>I've submitted to your game. Let's go l L or

1:22:56.600 --> 1:22:57.679
<v Speaker 1>big Dotty Kine.

1:22:59.040 --> 1:23:00.000
<v Speaker 2>And you can say why if.

1:22:59.880 --> 1:23:01.080
<v Speaker 1>You want to both.

1:23:03.280 --> 1:23:10.040
<v Speaker 3>That both they both super rappers.

1:23:11.280 --> 1:23:18.599
<v Speaker 1>Oh, this is gonna be interesting. Snoop Dogg or jay Z. Wow,

1:23:19.439 --> 1:23:21.200
<v Speaker 1>let me get ready, They're so different.

1:23:23.600 --> 1:23:27.160
<v Speaker 2>It's whatever criteria in your mind. If you pick, I.

1:23:27.160 --> 1:23:29.960
<v Speaker 1>Just gotta go with Snoop Dogg. Okay, West Coast and

1:23:30.000 --> 1:23:31.679
<v Speaker 1>you had to go down No, I'm going with Snoop.

1:23:31.720 --> 1:23:35.360
<v Speaker 3>I think Snoop is the biggest rapper in the history

1:23:35.360 --> 1:23:38.439
<v Speaker 3>of the world. I think that even though jay Z's

1:23:38.560 --> 1:23:42.280
<v Speaker 3>bagged up rich. I think more people, parents, kids, will

1:23:43.320 --> 1:23:44.760
<v Speaker 3>would recognize Snoop Dogg.

1:23:46.080 --> 1:23:49.840
<v Speaker 1>You don't think Snoop is the most famous rapper's I think?

1:23:49.880 --> 1:23:52.200
<v Speaker 1>I think, I think I know he said it is

1:23:52.240 --> 1:23:54.240
<v Speaker 1>his way, no, no no in the world.

1:23:54.360 --> 1:23:56.200
<v Speaker 2>I think he's loved the most.

1:23:56.800 --> 1:24:02.800
<v Speaker 3>He's transcended more different elements, and everybody loves Snoop. You know,

1:24:03.080 --> 1:24:06.160
<v Speaker 3>jay Z is is a super power, But some people

1:24:06.240 --> 1:24:08.080
<v Speaker 3>might not know who jay Z is. If they would,

1:24:08.240 --> 1:24:11.320
<v Speaker 3>if you know it's Snoop. Snoop is a motherfucker. We

1:24:11.400 --> 1:24:11.920
<v Speaker 3>love Snoop.

1:24:12.000 --> 1:24:16.360
<v Speaker 5>Can you go anywhere and people not recognize.

1:24:15.680 --> 1:24:18.960
<v Speaker 3>I could go fameous kind of like think of it

1:24:19.040 --> 1:24:21.759
<v Speaker 3>like being a tennis player. You could be the number

1:24:21.760 --> 1:24:24.000
<v Speaker 3>one in the world. But if you're not in the tennis,

1:24:24.600 --> 1:24:28.720
<v Speaker 3>just walk right by, they were saying. So television has

1:24:28.760 --> 1:24:32.400
<v Speaker 3>made me far more visible, and Coco is another one.

1:24:32.439 --> 1:24:35.160
<v Speaker 3>So it's like the one two punch, Like me and

1:24:35.240 --> 1:24:38.320
<v Speaker 3>Coco have this thing called I should have known. What

1:24:38.400 --> 1:24:40.920
<v Speaker 3>should have known is like say, if we're at an

1:24:40.960 --> 1:24:44.400
<v Speaker 3>airport and somebody's checking out Coco, they be checking her

1:24:44.400 --> 1:24:45.479
<v Speaker 3>out and then they'll see me.

1:24:45.479 --> 1:24:46.360
<v Speaker 1>They should have known.

1:24:50.640 --> 1:24:52.960
<v Speaker 3>You see a hot chick, check around here, there might

1:24:53.000 --> 1:24:54.880
<v Speaker 3>there should be something else floating near.

1:24:56.560 --> 1:24:59.080
<v Speaker 2>So yeah, Ice, Cuber Scarface.

1:25:00.040 --> 1:25:07.720
<v Speaker 3>Wow, they're so similar. Both, they're both you can take both.

1:25:09.880 --> 1:25:10.280
<v Speaker 1>The shots.

1:25:12.439 --> 1:25:15.000
<v Speaker 3>I used to go on the road when we first

1:25:15.080 --> 1:25:21.040
<v Speaker 3>were touring when the Dope Jam tour, Ghetto boys, would

1:25:21.479 --> 1:25:24.759
<v Speaker 3>you know what, pay the players? They would they would

1:25:24.800 --> 1:25:29.120
<v Speaker 3>like they would pay Jay Prince would get him on

1:25:29.160 --> 1:25:31.479
<v Speaker 3>the front of our show, like you know, like because

1:25:31.479 --> 1:25:35.679
<v Speaker 3>they would and they would rip ship and I remember

1:25:35.800 --> 1:25:40.200
<v Speaker 3>uh calling mister Scarface and and and Scarface would walk

1:25:40.240 --> 1:25:42.280
<v Speaker 3>around and like throw crack in the audience like he

1:25:42.360 --> 1:25:46.920
<v Speaker 3>had had little package either the show. That's different them

1:25:47.000 --> 1:25:50.840
<v Speaker 3>niggas was he had the cane. That might be wrong,

1:25:50.880 --> 1:25:55.000
<v Speaker 3>but I remember even saw the package, so it wasn't

1:25:55.040 --> 1:25:58.679
<v Speaker 3>real crack. But it was like he was acting like like, yeah,

1:25:59.320 --> 1:25:59.800
<v Speaker 3>you know what.

1:25:59.760 --> 1:26:02.840
<v Speaker 1>It was part of the show. Part of the show.

1:26:03.160 --> 1:26:05.599
<v Speaker 3>But I was like, Yo, who are these Texas ass niggas?

1:26:05.600 --> 1:26:09.879
<v Speaker 1>These niggas is ill? Ghetto boys was ill? What's swift?

1:26:10.479 --> 1:26:11.000
<v Speaker 2>They was?

1:26:11.960 --> 1:26:14.840
<v Speaker 1>They were ill? They were they were They were a.

1:26:15.040 --> 1:26:20.000
<v Speaker 3>Solid gangster rapper, hardcore raps. Ever Willie d all of

1:26:20.000 --> 1:26:22.600
<v Speaker 3>them when they would go come on, man, stop it

1:26:23.200 --> 1:26:29.120
<v Speaker 3>and Scarface to me deeply rooted that album he just did.

1:26:29.400 --> 1:26:31.040
<v Speaker 3>That made me want to make a new album, one

1:26:31.040 --> 1:26:33.519
<v Speaker 3>of those lyrical out there. Yeah, but him and Cube

1:26:33.600 --> 1:26:35.880
<v Speaker 3>have a similar type get down.

1:26:36.040 --> 1:26:37.080
<v Speaker 1>Yeah, I love them both.

1:26:37.400 --> 1:26:40.800
<v Speaker 2>Okay, so you said both, all right, Jada kiss or Nas?

1:26:41.520 --> 1:26:44.160
<v Speaker 1>I don't like this question. You keep repeating this, Jada

1:26:44.280 --> 1:26:51.840
<v Speaker 1>kiss or Nas both? Oh Jesus drink. Both both of

1:26:51.960 --> 1:26:57.040
<v Speaker 1>are lyrical beasts. Uh.

1:26:57.479 --> 1:27:00.280
<v Speaker 3>A lot of these guys, Like I look at people

1:27:00.320 --> 1:27:04.640
<v Speaker 3>that I think can outrap me. I think everybody in

1:27:04.960 --> 1:27:09.479
<v Speaker 3>hip hop. I look at hip hop like a basketball game.

1:27:09.840 --> 1:27:12.720
<v Speaker 3>I know who got the jumpers, I know who got handles,

1:27:13.400 --> 1:27:17.400
<v Speaker 3>but everybody has a place on the court, you know.

1:27:17.920 --> 1:27:20.400
<v Speaker 3>So I might not be able to out rap noads,

1:27:20.479 --> 1:27:23.280
<v Speaker 3>but I could say some shit fly in NOAs so

1:27:22.840 --> 1:27:24.720
<v Speaker 3>saying so I'm gonna hit you with some fly shit

1:27:24.760 --> 1:27:27.160
<v Speaker 3>world renowned as the king of the fly rhyme. You know,

1:27:27.200 --> 1:27:31.120
<v Speaker 3>if I was dope, you could step on me five times.

1:27:31.600 --> 1:27:40.479
<v Speaker 3>So those two rappers are lyrical beasts and you just

1:27:40.600 --> 1:27:42.200
<v Speaker 3>listened to him for the punch rhymes.

1:27:42.320 --> 1:27:43.120
<v Speaker 1>I love nads.

1:27:43.160 --> 1:27:52.799
<v Speaker 3>I met nads with you know this humble super guys.

1:27:50.600 --> 1:27:52.280
<v Speaker 1>Frank White or Nino Brown.

1:27:53.920 --> 1:27:55.720
<v Speaker 3>Well, I have to go with Frank White, even though

1:27:55.720 --> 1:28:00.840
<v Speaker 3>he turned into a snitch. But Nino was a Frank

1:28:00.840 --> 1:28:04.360
<v Speaker 3>White was a real person. You know, Brown ain't shot

1:28:04.439 --> 1:28:08.280
<v Speaker 3>nobody or soul, no dope. You know, Brown is based snipes.

1:28:08.320 --> 1:28:11.599
<v Speaker 3>He's a character. So how would I pick the character

1:28:11.680 --> 1:28:12.559
<v Speaker 3>over the real nigga?

1:28:13.200 --> 1:28:17.840
<v Speaker 1>Frank White ain't King of New York. That's what that

1:28:17.920 --> 1:28:19.599
<v Speaker 1>was based on a real I'm.

1:28:19.479 --> 1:28:24.599
<v Speaker 3>Thinking of who you're thinking of American gangs today, Frank Lucas. Yeah,

1:28:26.320 --> 1:28:28.920
<v Speaker 3>my mistake that is comparing Frank Lewis White is the

1:28:29.320 --> 1:28:32.479
<v Speaker 3>motherfucker to Well, then of course it's neo Brown.

1:28:32.520 --> 1:28:36.120
<v Speaker 1>Okay, Yeah, that's what Brown. I can't funk with Wesley

1:28:38.040 --> 1:28:38.559
<v Speaker 1>never like.

1:28:40.400 --> 1:28:41.320
<v Speaker 2>Cancel that bitch.

1:28:41.360 --> 1:28:42.400
<v Speaker 1>I'll get another one.

1:28:43.160 --> 1:28:46.840
<v Speaker 5>He said, I never liked that pretty motherfucking myself.

1:28:47.680 --> 1:28:51.160
<v Speaker 3>Yeah cold, yeah, yeah, okay, cool, Okay. I was thinking

1:28:51.160 --> 1:28:58.320
<v Speaker 3>about Frank Lucas, Okay, cares one of rock n It's

1:28:58.320 --> 1:29:04.200
<v Speaker 3>so totally different. I picked rock Kim only because rock

1:29:04.280 --> 1:29:09.000
<v Speaker 3>Kim really changed the way we all started rapping. Like

1:29:09.160 --> 1:29:12.960
<v Speaker 3>I didn't understand the term flow when I heard rock

1:29:13.040 --> 1:29:18.400
<v Speaker 3>Kim and rock Him. Chris had had criminal minded out,

1:29:19.160 --> 1:29:22.920
<v Speaker 3>but when I was making my first album, I had

1:29:22.960 --> 1:29:26.160
<v Speaker 3>never really witnessed a hit record outside of Run DMC.

1:29:26.520 --> 1:29:30.040
<v Speaker 3>And I was in Harlem and every car I came

1:29:30.080 --> 1:29:33.000
<v Speaker 3>in the door, I came in the door. I said

1:29:33.040 --> 1:29:35.240
<v Speaker 3>it before, I never let the work. It was in

1:29:35.400 --> 1:29:39.800
<v Speaker 3>every single car, every car, Rock Kim. And then the

1:29:39.840 --> 1:29:43.599
<v Speaker 3>next record came out, I take seven mcs put him

1:29:43.640 --> 1:29:46.760
<v Speaker 3>in the line. I'm like, who is this motherfucker? And

1:29:46.800 --> 1:29:51.599
<v Speaker 3>earlier I thought his name was Eric b Right because

1:29:52.479 --> 1:29:54.720
<v Speaker 3>he just threw what my name is, rock Kim. But

1:29:55.120 --> 1:29:58.800
<v Speaker 3>just the whole theory of how rob rap made me

1:29:58.880 --> 1:30:02.360
<v Speaker 3>gotta I gotta wrap better and he didn't curse. Well,

1:30:02.400 --> 1:30:04.439
<v Speaker 3>it didn't matter. Curson didn't matter at me. It was

1:30:04.479 --> 1:30:07.600
<v Speaker 3>the flow of his rhyme and the confidence and the

1:30:07.640 --> 1:30:10.920
<v Speaker 3>comfortableness he set in the in the in the beat,

1:30:11.600 --> 1:30:14.480
<v Speaker 3>because at one time everyone was yelling on records.

1:30:15.360 --> 1:30:16.080
<v Speaker 1>It was different.

1:30:16.600 --> 1:30:20.280
<v Speaker 3>Now, No hats off to care Rests one. No, because

1:30:20.800 --> 1:30:24.040
<v Speaker 3>you do not want to go against car Rests live.

1:30:24.640 --> 1:30:25.719
<v Speaker 1>Nah. He's one of the best.

1:30:25.880 --> 1:30:29.720
<v Speaker 3>You'll get destroyed, one of the best, and then he'll

1:30:29.720 --> 1:30:31.599
<v Speaker 3>teach you a lesson to be at the same time,

1:30:31.880 --> 1:30:34.679
<v Speaker 3>because Chris is big, Percy's big.

1:30:35.240 --> 1:30:37.400
<v Speaker 1>He's a big nigga, like King's son. He's a big nigga.

1:30:37.600 --> 1:30:41.920
<v Speaker 3>You'd be like word and then then he's loud, so

1:30:41.960 --> 1:30:48.640
<v Speaker 3>he just is every commands the stage. Tupac or d

1:30:48.800 --> 1:30:54.320
<v Speaker 3>MX mmm West Coast gonna hate me, but I say

1:30:54.400 --> 1:31:00.960
<v Speaker 3>d MX. I'm much more of a DMX fan. I

1:31:01.000 --> 1:31:05.120
<v Speaker 3>love pac I was friends with pac uh. But I

1:31:05.160 --> 1:31:07.840
<v Speaker 3>did just like the more aggressive ship. You know, when

1:31:07.880 --> 1:31:10.000
<v Speaker 3>I heard where my dog's hat, I was like, Yo,

1:31:10.080 --> 1:31:11.479
<v Speaker 3>who the fuck is this? I was in a club.

1:31:12.439 --> 1:31:16.240
<v Speaker 3>I was like, Yo, the ship, you know, the rough

1:31:16.320 --> 1:31:16.960
<v Speaker 3>rider's hands, and.

1:31:19.280 --> 1:31:21.240
<v Speaker 1>You know, I did this more of my ship.

1:31:21.680 --> 1:31:24.360
<v Speaker 3>You know, that's just I liked that pack is a

1:31:24.479 --> 1:31:27.479
<v Speaker 3>human being, a man, it's something else.

1:31:27.680 --> 1:31:28.200
<v Speaker 1>It was.

1:31:28.240 --> 1:31:30.160
<v Speaker 3>It was magical, you know, it's like you were sitting

1:31:30.200 --> 1:31:31.240
<v Speaker 3>with young Malcolm X.

1:31:31.360 --> 1:31:36.320
<v Speaker 1>You know. But music wise, d m X was more

1:31:36.560 --> 1:31:37.519
<v Speaker 1>ic ta type ship.

1:31:38.200 --> 1:31:40.840
<v Speaker 2>Let me DJ Quick or m C eight.

1:31:43.439 --> 1:31:47.400
<v Speaker 1>They was battling for Well, I'll go with even though

1:31:47.439 --> 1:31:47.800
<v Speaker 1>I just.

1:31:47.680 --> 1:31:50.800
<v Speaker 3>Got off the phone with Quick, I gotta funk with

1:31:50.960 --> 1:31:54.720
<v Speaker 3>m C eight. Well, let's just say both. It's going

1:31:54.800 --> 1:31:57.639
<v Speaker 3>both on that one. Let's go with both. They both

1:31:57.680 --> 1:32:02.600
<v Speaker 3>love you both on that and we need both of

1:32:02.680 --> 1:32:05.160
<v Speaker 3>them on drink Champs. Yeah, we need both on drink Champs.

1:32:06.160 --> 1:32:10.559
<v Speaker 3>Uh yeah, I know you sing about you say something

1:32:10.680 --> 1:32:15.080
<v Speaker 3>pop people want to crucify you. I just well, I'm

1:32:15.080 --> 1:32:19.400
<v Speaker 3>here to be honest, right, Yeah, please rough Friday's anth.

1:32:19.520 --> 1:32:20.599
<v Speaker 1>That's just stup.

1:32:21.680 --> 1:32:24.720
<v Speaker 3>I was like I was like DMX. I performed with

1:32:24.800 --> 1:32:28.160
<v Speaker 3>DMX so many times. It's like, yo, he was rap

1:32:28.800 --> 1:32:31.320
<v Speaker 3>art to rap and different ship just.

1:32:31.240 --> 1:32:31.639
<v Speaker 2>Such as.

1:32:33.240 --> 1:32:35.000
<v Speaker 3>He was like a monster. He was like a boxer,

1:32:36.920 --> 1:32:39.040
<v Speaker 3>like you know, he made it. I'm going to do

1:32:39.080 --> 1:32:40.760
<v Speaker 3>the show. He's going to fight.

1:32:43.560 --> 1:32:49.400
<v Speaker 1>I got this ice. Come on here you go? All right,

1:32:49.520 --> 1:32:52.160
<v Speaker 1>my who's the question?

1:32:52.680 --> 1:32:53.280
<v Speaker 2>Uh?

1:32:53.479 --> 1:32:56.840
<v Speaker 5>Next question? You could go to the next question, B

1:32:56.960 --> 1:32:59.400
<v Speaker 5>Street or break I skip one?

1:33:00.040 --> 1:33:00.200
<v Speaker 2>No?

1:33:00.200 --> 1:33:05.080
<v Speaker 3>No, no, he said both. He said he said quicker

1:33:05.080 --> 1:33:08.040
<v Speaker 3>and m c A Yeah. M C went more on

1:33:08.080 --> 1:33:11.519
<v Speaker 3>Tupac my m c A my favorite lyric. He said

1:33:11.840 --> 1:33:15.040
<v Speaker 3>he told a homeboy, I'm the neighborhood rapper. He said,

1:33:15.160 --> 1:33:21.960
<v Speaker 3>I'm the neighborhood jacker. One time, gaffle them up. C

1:33:22.080 --> 1:33:30.160
<v Speaker 3>mwres I did, I said, Quick and mc I changed it.

1:33:30.320 --> 1:33:32.920
<v Speaker 1>Yeah that's why Quick.

1:33:32.960 --> 1:33:36.600
<v Speaker 3>I don't even know what they beef became about, you know,

1:33:37.240 --> 1:33:40.880
<v Speaker 3>but yeah, interesting, but they both help and Quick is

1:33:40.920 --> 1:33:42.040
<v Speaker 3>an incredible producer.

1:33:42.120 --> 1:33:44.000
<v Speaker 1>What he's legendary.

1:33:44.240 --> 1:33:48.639
<v Speaker 2>The next one too, B Street or Breaking two B Street,

1:33:49.600 --> 1:33:53.679
<v Speaker 2>y'all pick Breaking too. Breaking.

1:33:55.880 --> 1:33:58.960
<v Speaker 3>Breaking was really homogenized with more of a kid's movie,

1:33:59.280 --> 1:34:03.080
<v Speaker 3>you know, Rest in Peace, Shabba do you know Boogoloo, Shrimp,

1:34:03.800 --> 1:34:05.880
<v Speaker 3>you know, turbo Ozone, all that shit.

1:34:05.960 --> 1:34:07.599
<v Speaker 1>It gave me a break. It was my.

1:34:07.640 --> 1:34:12.120
<v Speaker 3>First job, really, uh but it wasn't as dope as

1:34:12.160 --> 1:34:15.000
<v Speaker 3>Beach Street with New York City Breakers, that that scene

1:34:15.000 --> 1:34:17.400
<v Speaker 3>where they broke in the subway and all that shit

1:34:17.479 --> 1:34:18.120
<v Speaker 3>and Melloy melt.

1:34:19.040 --> 1:34:22.880
<v Speaker 1>Yeah it was. It was. It was our version. See

1:34:22.880 --> 1:34:25.120
<v Speaker 1>what happened with Breaking was we thought that was bluzz

1:34:25.160 --> 1:34:25.639
<v Speaker 1>and crips.

1:34:26.920 --> 1:34:29.320
<v Speaker 3>We were in a club called the Radio. That was

1:34:29.360 --> 1:34:34.639
<v Speaker 3>a New York club in LA. Club that had rock

1:34:34.680 --> 1:34:39.800
<v Speaker 3>Steady Crew come there, Soul, Sonic Force, Cold Crush Brothers. Yeah,

1:34:40.080 --> 1:34:42.479
<v Speaker 3>and that's where I met Africa is crazy. So the

1:34:42.520 --> 1:34:44.640
<v Speaker 3>producers walked in and seen the scene and said, we're

1:34:44.640 --> 1:34:47.519
<v Speaker 3>gonna make a movie. You'll be on the stage, these

1:34:47.600 --> 1:34:50.400
<v Speaker 3>kids will dance, and they just wrote some bullshit story,

1:34:50.680 --> 1:34:54.200
<v Speaker 3>corny shit, and uh, you know, it was them trying

1:34:54.200 --> 1:34:57.040
<v Speaker 3>to capitalize on a hip hop movement, but we wasn't

1:34:57.200 --> 1:34:59.200
<v Speaker 3>enough hip hop in LA to really do it.

1:35:00.000 --> 1:35:02.520
<v Speaker 1>New York City was official, so Wild Style.

1:35:03.000 --> 1:35:05.400
<v Speaker 2>Because after whilst all of this while was wist, I.

1:35:05.439 --> 1:35:07.240
<v Speaker 3>Was first, but Wild Style and B Street was way

1:35:07.280 --> 1:35:09.759
<v Speaker 3>more official than Breaking Breaking was for kids.

1:35:09.800 --> 1:35:11.839
<v Speaker 1>It was rainbow colors and bullshit.

1:35:11.960 --> 1:35:14.280
<v Speaker 2>Wiston felt like a reality show, like a real like

1:35:14.360 --> 1:35:17.160
<v Speaker 2>documentary type because I.

1:35:17.120 --> 1:35:19.040
<v Speaker 3>Was just trying to, you know, get some paper and

1:35:19.360 --> 1:35:21.240
<v Speaker 3>just be in the movie, you know. And I was

1:35:21.240 --> 1:35:23.519
<v Speaker 3>trying to dress like break Back then I was dressing

1:35:23.560 --> 1:35:26.439
<v Speaker 3>like Mellie Mail, you know, trying to be a rapper.

1:35:27.560 --> 1:35:30.920
<v Speaker 2>Had the spikes, yeah, he had. I had all that.

1:35:31.000 --> 1:35:34.280
<v Speaker 1>And you know who changed my image was Russell Simmons.

1:35:35.320 --> 1:35:37.160
<v Speaker 1>What did Russell say?

1:35:38.320 --> 1:35:40.240
<v Speaker 3>We were at a club in la and it was

1:35:40.240 --> 1:35:43.920
<v Speaker 3>a rap show and Russell was there, and Russell and

1:35:44.000 --> 1:35:46.519
<v Speaker 3>me was chilling and I had on like a feelss

1:35:46.520 --> 1:35:49.599
<v Speaker 3>sweatsuits and k Swiss had a perm had a little

1:35:49.640 --> 1:35:57.000
<v Speaker 3>cano bullshit, you know, and whoever the crap the act was.

1:35:57.040 --> 1:35:58.600
<v Speaker 3>They called me on the stage. I used to in

1:35:58.640 --> 1:36:01.439
<v Speaker 3>the Building's I going to State and I rap? And

1:36:01.520 --> 1:36:04.600
<v Speaker 3>Russell's like, that's your look, fuck New York. Like you

1:36:05.080 --> 1:36:06.880
<v Speaker 3>trying to look like New York. You gotta look like

1:36:07.080 --> 1:36:10.559
<v Speaker 3>la Ice. That is your look. The way you look now,

1:36:10.640 --> 1:36:12.760
<v Speaker 3>the way you dress on a regular He said, that's

1:36:12.760 --> 1:36:15.840
<v Speaker 3>why run DMC looks like Jamster J. That's how jam

1:36:15.880 --> 1:36:19.519
<v Speaker 3>mess J used to dress. He says, you're authentic l

1:36:19.560 --> 1:36:22.760
<v Speaker 3>A Street Ship. That's you rock that And that was

1:36:22.760 --> 1:36:25.120
<v Speaker 3>the end of me with the New York ship.

1:36:25.800 --> 1:36:27.200
<v Speaker 1>Wow, that was a birth.

1:36:27.240 --> 1:36:28.880
<v Speaker 3>And then when you see me on the Ryan Page cover,

1:36:28.920 --> 1:36:31.519
<v Speaker 3>I had on the cagofs in the Porsche with the

1:36:31.560 --> 1:36:34.960
<v Speaker 3>girl Darlene and my boy in the palm tree. That

1:36:35.160 --> 1:36:38.919
<v Speaker 3>was all Russe. Russell said that you you gotta represent

1:36:39.160 --> 1:36:42.320
<v Speaker 3>l A. I mean, you love New York, but you

1:36:42.360 --> 1:36:43.160
<v Speaker 3>gotta hit l A.

1:36:43.680 --> 1:36:44.920
<v Speaker 1>That's that's dope.

1:36:45.040 --> 1:36:45.840
<v Speaker 2>We gotta make some noise.

1:36:49.520 --> 1:36:51.120
<v Speaker 1>Russell came to my star too.

1:36:51.400 --> 1:36:54.400
<v Speaker 3>Yeah, yeah, Russell always gave me some good game.

1:36:55.760 --> 1:36:57.000
<v Speaker 1>You want to do the next one?

1:36:57.280 --> 1:37:03.160
<v Speaker 5>Nipsey are easy piece of both both both both that

1:37:03.600 --> 1:37:06.080
<v Speaker 5>both both legends.

1:37:08.400 --> 1:37:11.680
<v Speaker 3>Nip had so much left to do. Nip was just

1:37:11.680 --> 1:37:19.360
<v Speaker 3>getting started. But he's a good person, good soul, you know.

1:37:20.320 --> 1:37:24.080
<v Speaker 3>It's just it just reinforces us that, you know, the

1:37:24.160 --> 1:37:26.880
<v Speaker 3>safest place you think you are, you at the most risk.

1:37:27.720 --> 1:37:31.479
<v Speaker 3>You know, like because that's Player always told me, you

1:37:31.479 --> 1:37:35.280
<v Speaker 3>get hitting your strong spot. Player, the place you think

1:37:35.360 --> 1:37:37.880
<v Speaker 3>you the most secure, that's where you're gonna hit.

1:37:38.000 --> 1:37:39.639
<v Speaker 1>You think you're cool with the bitches, you think.

1:37:39.520 --> 1:37:41.479
<v Speaker 3>You got that in check, That's where you're gonna get

1:37:41.520 --> 1:37:44.599
<v Speaker 3>hit because you're not guarding that, see what I'm saying.

1:37:44.960 --> 1:37:47.599
<v Speaker 3>So those those moments when we feel the most comfortable,

1:37:47.640 --> 1:37:50.080
<v Speaker 3>you're in the most danger. Even though all of us

1:37:50.160 --> 1:37:53.559
<v Speaker 3>is here having a good time. If the cats coming in,

1:37:53.680 --> 1:37:55.719
<v Speaker 3>they they got an advantage on us because we're.

1:37:55.600 --> 1:37:57.719
<v Speaker 1>Comfortable, you're not. One point.

1:37:58.240 --> 1:38:02.080
<v Speaker 3>So that Nip was very comfortable in his neighborhood and

1:38:04.320 --> 1:38:07.479
<v Speaker 3>it went wrong, and uh he d rest in peace.

1:38:07.560 --> 1:38:10.680
<v Speaker 3>Nipsey hustle. He was just getting warmed up.

1:38:12.320 --> 1:38:16.519
<v Speaker 1>You do the next n w A or Wu Tang

1:38:17.040 --> 1:38:17.800
<v Speaker 1>Now you skip one.

1:38:17.880 --> 1:38:20.479
<v Speaker 3>No, I know, but we said n w A or

1:38:20.520 --> 1:38:32.720
<v Speaker 3>Wu Tang both okay, both similar energy. I think n

1:38:32.840 --> 1:38:37.160
<v Speaker 3>w A is two rappers. I always was in all

1:38:37.280 --> 1:38:39.040
<v Speaker 3>Wu Tang nine mcs.

1:38:40.120 --> 1:38:40.880
<v Speaker 1>Fuck you do that.

1:38:43.680 --> 1:38:45.559
<v Speaker 3>Because you just said n w A two rappers with

1:38:45.760 --> 1:38:48.240
<v Speaker 3>two rappers. I mean Easy would rapper with him. But

1:38:48.439 --> 1:38:50.040
<v Speaker 3>n w A is what you're saying.

1:38:50.439 --> 1:38:52.240
<v Speaker 1>N and Q yeah, yeah, Ren and Q Yeah, they

1:38:52.240 --> 1:38:53.280
<v Speaker 1>pretty much wrote.

1:38:53.280 --> 1:38:55.919
<v Speaker 3>And then dre and Yellower Jane Reiler in the background,

1:38:55.920 --> 1:38:58.200
<v Speaker 3>and Easy would jump on occasionally. But those were the

1:38:58.240 --> 1:39:02.240
<v Speaker 3>two main rappers in n w A. Wu Tang is nine.

1:39:02.960 --> 1:39:05.280
<v Speaker 3>You heard the story about me getting surrounded by Wu Tang.

1:39:05.400 --> 1:39:08.479
<v Speaker 2>Yeah, tell us again us, tell us y'all heard that story.

1:39:08.880 --> 1:39:09.160
<v Speaker 1>Please.

1:39:12.600 --> 1:39:13.479
<v Speaker 2>I'm at an event.

1:39:13.600 --> 1:39:17.040
<v Speaker 3>I'm at an event in New York City MC Light event, right,

1:39:17.280 --> 1:39:21.559
<v Speaker 3>So this is before Wu Tang it came out. I

1:39:21.560 --> 1:39:23.479
<v Speaker 3>get surrounded. I look at the nigga here. There's a

1:39:23.560 --> 1:39:26.439
<v Speaker 3>nigga here. It's a nigga here. So I'm like, okay,

1:39:26.479 --> 1:39:27.800
<v Speaker 3>my way out is this way. I look at a

1:39:27.880 --> 1:39:28.559
<v Speaker 3>nigga there.

1:39:30.360 --> 1:39:34.040
<v Speaker 1>Nigga there. I'm like, I'm surrounded, Yo, what up? I yo? Yo?

1:39:34.080 --> 1:39:37.000
<v Speaker 3>We y'all in this Wu Tang. I think it's a gang.

1:39:37.000 --> 1:39:38.439
<v Speaker 3>I'm la like a gang?

1:39:38.520 --> 1:39:40.800
<v Speaker 1>Is it over? Is the moment I fear should my

1:39:40.880 --> 1:39:43.360
<v Speaker 1>chain is crawl inside of my like, you know, like

1:39:44.120 --> 1:39:47.479
<v Speaker 1>what the fuck? Like they be like yo yo woo woo.

1:39:48.040 --> 1:39:52.599
<v Speaker 3>I'm like, okay, so what's up. Yeah, we from y'allin Yo.

1:39:52.640 --> 1:39:55.479
<v Speaker 3>We fucks with you West Coast Hardcourt Ship.

1:39:55.560 --> 1:39:57.360
<v Speaker 1>We fucked. I'm like, oh you like me.

1:39:58.160 --> 1:39:58.720
<v Speaker 2>They're like yeah.

1:39:58.760 --> 1:40:01.960
<v Speaker 1>I'm like, all right, what's happening. What's happened.

1:40:02.040 --> 1:40:05.080
<v Speaker 3>But for a moment, the whole room stop right. I'm like, yo,

1:40:05.280 --> 1:40:08.960
<v Speaker 3>they're about to what the fuck? So they told me this,

1:40:09.080 --> 1:40:11.120
<v Speaker 3>they showed me how to do this shit. I'm like, yo,

1:40:11.280 --> 1:40:15.080
<v Speaker 3>yo woo woo woo. Like I said, it was the

1:40:15.120 --> 1:40:18.439
<v Speaker 3>moment I feared, I thought it was going down, and

1:40:18.560 --> 1:40:21.120
<v Speaker 3>they went off and blah blah blah, and later on. Now,

1:40:21.400 --> 1:40:24.280
<v Speaker 3>the thing of it is, I can't tell if any

1:40:24.360 --> 1:40:27.839
<v Speaker 3>of the actual Wu Tang members were those guys because

1:40:27.840 --> 1:40:28.280
<v Speaker 3>there was so.

1:40:28.280 --> 1:40:29.920
<v Speaker 1>Many of them, and I was so scared.

1:40:33.360 --> 1:40:36.160
<v Speaker 3>Hey, I wanted to do so I'm like this, dude,

1:40:36.320 --> 1:40:41.120
<v Speaker 3>I'm I'm I'm six feet two twenty two guys, ten guys.

1:40:42.080 --> 1:40:44.519
<v Speaker 3>I'm about to get stumped the fuck out. And I

1:40:44.560 --> 1:40:47.680
<v Speaker 3>was like, Yo, this is gonna go bad. I'm by myself,

1:40:48.520 --> 1:40:51.760
<v Speaker 3>so uh yeah, but they didn't. They was fans so

1:40:52.280 --> 1:40:54.519
<v Speaker 3>bow and then I saw the Wu Tang clan come out.

1:40:54.560 --> 1:40:56.639
<v Speaker 3>I was just always amazing at nine mcs. You could

1:40:56.640 --> 1:40:59.120
<v Speaker 3>put nine mcs on the record, and then each one

1:40:59.160 --> 1:41:02.080
<v Speaker 3>of them, it was like each one of them had

1:41:02.080 --> 1:41:05.320
<v Speaker 3>a different skill like a kung Fu movie, you know,

1:41:05.720 --> 1:41:10.960
<v Speaker 3>I like genius. Yeah, It's just like I'm like, yeah,

1:41:11.200 --> 1:41:15.080
<v Speaker 3>just his rhyme and ship was always you know, super shit.

1:41:15.240 --> 1:41:17.800
<v Speaker 1>Heem a sword sharp, you know he was. I like that.

1:41:17.960 --> 1:41:21.479
<v Speaker 1>I love O d B. I like all. I like

1:41:21.560 --> 1:41:23.360
<v Speaker 1>all of them. I think they all even all of

1:41:23.439 --> 1:41:24.480
<v Speaker 1>them have superpowers.

1:41:25.600 --> 1:41:27.960
<v Speaker 5>You know what, Before we move on, we want to

1:41:28.000 --> 1:41:37.560
<v Speaker 5>wish everybody happy Father's Day from Drink Champs.

1:41:37.560 --> 1:41:39.320
<v Speaker 1>Everyone is just except.

1:41:39.040 --> 1:41:42.600
<v Speaker 5>For mister Lee you know what I called sunny d

1:41:43.479 --> 1:41:47.640
<v Speaker 5>you know, but everybody out there, we gotta give you

1:41:47.680 --> 1:41:50.360
<v Speaker 5>a fall day and give him you got off Drink

1:41:50.439 --> 1:41:53.599
<v Speaker 5>Champ slippers back chap flock.

1:41:54.280 --> 1:41:58.200
<v Speaker 1>You know what, I'm saying, not damn the first one

1:41:58.240 --> 1:42:00.960
<v Speaker 1>that got. We don't even got to pay. We don't

1:42:01.000 --> 1:42:01.720
<v Speaker 1>even got I.

1:42:01.640 --> 1:42:09.679
<v Speaker 3>Call this happy motherfucker. Yeah, I mean, I mean, y'all,

1:42:09.720 --> 1:42:11.240
<v Speaker 3>I'm hooked up. I'm gonna be able to open up

1:42:11.280 --> 1:42:14.639
<v Speaker 3>a little store, Jake Champ's store around this bit.

1:42:15.120 --> 1:42:17.720
<v Speaker 1>Okay, take this ship right down on Ocean Drive and

1:42:18.240 --> 1:42:20.160
<v Speaker 1>this most wanted or above the law?

1:42:22.000 --> 1:42:25.840
<v Speaker 3>They both both you know, uh yeah, both you got

1:42:25.960 --> 1:42:29.120
<v Speaker 3>you got. Uh well, that's MC eight again. Yeah right,

1:42:29.439 --> 1:42:36.040
<v Speaker 3>sip don't remember. Oh yeah, that's MC eight again. And

1:42:37.360 --> 1:42:42.160
<v Speaker 3>by the law, that's Big Hutch cold rest in peace,

1:42:42.240 --> 1:42:45.880
<v Speaker 3>lay law. See the cool thing about West Coast rap

1:42:46.000 --> 1:42:48.639
<v Speaker 3>None of us ever had any beef. The only beef

1:42:48.680 --> 1:42:51.280
<v Speaker 3>ever happened was nw A, and that was a family

1:42:51.360 --> 1:42:55.519
<v Speaker 3>feud between them. So Cuba and A right, right, So

1:42:55.640 --> 1:43:02.040
<v Speaker 3>I created Rhyme Syndicate, which was based on on Lucky

1:43:02.120 --> 1:43:06.160
<v Speaker 3>Luciano and the Commission. I read all gangs and novels

1:43:06.200 --> 1:43:09.240
<v Speaker 3>about Mayer Landski and all that ship to learn how

1:43:09.240 --> 1:43:10.000
<v Speaker 3>to say out of jail.

1:43:10.080 --> 1:43:10.840
<v Speaker 1>Right, So I learned.

1:43:11.040 --> 1:43:14.800
<v Speaker 3>I read about my Lucky Louciano creating commission with the

1:43:14.840 --> 1:43:18.439
<v Speaker 3>five families, so that they wouldn't beef befo they talk.

1:43:18.479 --> 1:43:20.280
<v Speaker 1>We sit down, We have a sit down.

1:43:20.680 --> 1:43:23.800
<v Speaker 3>So I said, with rhyme syndicate, all of us will

1:43:24.640 --> 1:43:27.880
<v Speaker 3>agree to have a sit down. So you got Cypress Hill,

1:43:28.320 --> 1:43:30.680
<v Speaker 3>you got a low profile with dub C and all them,

1:43:30.720 --> 1:43:35.160
<v Speaker 3>all these different groups. I'm the founder, I'm not Yeah, Mugs,

1:43:36.040 --> 1:43:40.679
<v Speaker 3>Mugs was syndicate Muggs ever everlast Mugs had a group

1:43:40.720 --> 1:43:41.559
<v Speaker 3>called seven eight three.

1:43:41.680 --> 1:43:43.200
<v Speaker 2>That's right, okay, so he was.

1:43:43.520 --> 1:43:46.559
<v Speaker 3>He used to live with Alatin, So all these cats

1:43:46.560 --> 1:43:49.040
<v Speaker 3>were together. So I just said, look, too many crips

1:43:49.040 --> 1:43:51.680
<v Speaker 3>and bloods. We're gonna be the rhyme sindicate are So

1:43:52.760 --> 1:43:57.040
<v Speaker 3>there is no gang banging within the syndicate and we

1:43:57.160 --> 1:43:59.560
<v Speaker 3>managed to have peace. Every once in a while the

1:43:59.560 --> 1:44:01.639
<v Speaker 3>would be a beef, we put the bosses in the room,

1:44:01.760 --> 1:44:05.720
<v Speaker 3>squash it and it real quick because the boss has

1:44:05.760 --> 1:44:09.400
<v Speaker 3>always got cool heads, like what's the problem fing oh man, no,

1:44:09.600 --> 1:44:13.320
<v Speaker 3>my man? Okay, well apologize, nigga okay, cool cool vous.

1:44:13.560 --> 1:44:16.800
<v Speaker 1>You know, nobody got shot bam.

1:44:16.880 --> 1:44:18.800
<v Speaker 3>So we never had no beef on the West Coast.

1:44:19.040 --> 1:44:22.840
<v Speaker 3>Everybody stayed friends. And when NWA went at each other

1:44:22.960 --> 1:44:28.200
<v Speaker 3>like we politely stepped back I'm gonna get mad when

1:44:28.280 --> 1:44:30.160
<v Speaker 3>Cuban eat their friends.

1:44:30.479 --> 1:44:31.679
<v Speaker 1>We all hung out.

1:44:31.520 --> 1:44:36.519
<v Speaker 3>Together, and it's about business too. Whatever it's about. Like

1:44:36.600 --> 1:44:42.160
<v Speaker 3>I say, nobody got shot self destruction or all in

1:44:42.200 --> 1:44:47.519
<v Speaker 3>the same game. Both definitely take a shot to that.

1:44:47.760 --> 1:44:48.920
<v Speaker 1>Both because.

1:44:52.160 --> 1:44:55.240
<v Speaker 3>Hip hop has the ability to change the way we

1:44:55.280 --> 1:45:00.599
<v Speaker 3>see things. One of my favorite records is Brand Nubi

1:45:00.720 --> 1:45:05.400
<v Speaker 3>and Slowed Down. You know hey, baby, you know you

1:45:05.439 --> 1:45:09.200
<v Speaker 3>know shit is whack. Crack is whack, like where everybody

1:45:09.360 --> 1:45:12.479
<v Speaker 3>when cocaine hit, we all looked at it like it

1:45:12.520 --> 1:45:14.639
<v Speaker 3>was fly because it was a high end drug. Then

1:45:14.680 --> 1:45:17.479
<v Speaker 3>we realized it was killing us. So rap may crack whack.

1:45:18.200 --> 1:45:20.880
<v Speaker 3>Bay says, we have that power. They have the power

1:45:20.920 --> 1:45:23.040
<v Speaker 3>to make syrup whack if they want to. They can

1:45:23.080 --> 1:45:26.439
<v Speaker 3>make all this shit whack. Like wow, you still doing that, cuz,

1:45:26.520 --> 1:45:31.920
<v Speaker 3>like what's happening? So with the violence, New York came

1:45:31.960 --> 1:45:35.360
<v Speaker 3>out and did self destruction. Michael Conception was out there,

1:45:35.360 --> 1:45:37.599
<v Speaker 3>he had grand jury records. He called up he said,

1:45:37.600 --> 1:45:39.360
<v Speaker 3>I want to do something from the West Coast.

1:45:39.400 --> 1:45:40.840
<v Speaker 1>That was Michael Conception.

1:45:40.479 --> 1:45:42.800
<v Speaker 2>Dad and I heard Karris One recently talked about this

1:45:42.800 --> 1:45:43.479
<v Speaker 2>story as though.

1:45:43.720 --> 1:45:45.680
<v Speaker 1>So I get the call for Mike he says, you know,

1:45:47.200 --> 1:45:49.240
<v Speaker 1>need to do this. Do you remember all the people

1:45:49.240 --> 1:45:51.559
<v Speaker 1>that was in on all the same.

1:45:51.400 --> 1:45:54.120
<v Speaker 3>Games, Lord Faness if you watch it, Lord Fanessa's with me.

1:45:54.680 --> 1:45:58.320
<v Speaker 3>Got Deaf Jeff, but Lord Fanessa's from New York. But

1:45:58.439 --> 1:46:00.479
<v Speaker 3>he was actually signed to me at the time, so

1:46:00.520 --> 1:46:02.800
<v Speaker 3>he was in LA when we shot it, and he's

1:46:02.840 --> 1:46:04.639
<v Speaker 3>there on the west side of the video.

1:46:05.080 --> 1:46:08.000
<v Speaker 5>Okay, but you know the actual record, you remember the

1:46:08.040 --> 1:46:08.680
<v Speaker 5>artists on them.

1:46:08.760 --> 1:46:12.240
<v Speaker 3>Yeah, number we did our Senio, but it wasn't it

1:46:12.280 --> 1:46:14.080
<v Speaker 3>was you know, you just go do your bar, say

1:46:14.120 --> 1:46:17.800
<v Speaker 3>your ship and uh, don't be left out. It's one

1:46:17.840 --> 1:46:19.719
<v Speaker 3>of those kinds of things where it was a bigger

1:46:19.760 --> 1:46:22.880
<v Speaker 3>disc not to be on the record, right, but it was.

1:46:23.000 --> 1:46:26.519
<v Speaker 3>It had good intentions and somebody like Mike, who definitely

1:46:26.560 --> 1:46:28.720
<v Speaker 3>was a street nigga, to say I want to do this.

1:46:29.000 --> 1:46:31.120
<v Speaker 3>I was like, Okay, you're doing something right, let's go.

1:46:31.479 --> 1:46:33.559
<v Speaker 3>Let's do it, you know, because I knew Mike conception

1:46:33.720 --> 1:46:37.559
<v Speaker 3>for years before, you know, so well he was in

1:46:37.560 --> 1:46:42.760
<v Speaker 3>a wheelchair. Yeah, but you know it was a good

1:46:42.840 --> 1:46:45.080
<v Speaker 3>it was it was meant to be. Those are two

1:46:45.160 --> 1:46:47.200
<v Speaker 3>good things hip hop did. Hip hop needs to do

1:46:47.240 --> 1:46:52.120
<v Speaker 3>another one right now. Yeah, the youngsters do. Yeah, definitely.

1:46:53.160 --> 1:46:55.479
<v Speaker 2>That resonates the same way because that's the thing it

1:46:55.600 --> 1:46:56.280
<v Speaker 2>worked back then.

1:46:56.600 --> 1:46:58.080
<v Speaker 5>I'll tell you, I'll tell you who should do it.

1:46:59.200 --> 1:47:05.240
<v Speaker 5>Where should come from the South? Yeah, because yeah, they're

1:47:05.280 --> 1:47:07.880
<v Speaker 5>already together. If they was to do like a put

1:47:07.880 --> 1:47:10.760
<v Speaker 5>your guns down, stop the violence type of movement, you

1:47:10.800 --> 1:47:12.320
<v Speaker 5>know what I mean, Like I'm talking about, you know,

1:47:12.360 --> 1:47:13.639
<v Speaker 5>the powerful people from the South.

1:47:13.720 --> 1:47:16.839
<v Speaker 1>Like I think, I think it would make a huge impact.

1:47:17.000 --> 1:47:19.400
<v Speaker 3>It has to be maybe maybe somebody like killing Mike.

1:47:19.680 --> 1:47:21.080
<v Speaker 3>But the thing of it is is that you got

1:47:21.080 --> 1:47:22.960
<v Speaker 3>to understand it has to be that certain age.

1:47:23.120 --> 1:47:24.960
<v Speaker 5>It's got to be even it's got to go younger. Yeah,

1:47:25.560 --> 1:47:28.160
<v Speaker 5>Like I always I was thinking like more like a future.

1:47:28.680 --> 1:47:30.840
<v Speaker 5>Yeah yeah, yeah, Future's hot.

1:47:31.120 --> 1:47:32.240
<v Speaker 1>I mean like it's not.

1:47:32.360 --> 1:47:34.160
<v Speaker 5>It's not like I mean, he knows how to make

1:47:34.200 --> 1:47:37.280
<v Speaker 5>the music that's still relevant. He knows how to how

1:47:37.280 --> 1:47:39.439
<v Speaker 5>to orchestrate it. And I think that if if Future

1:47:39.520 --> 1:47:42.040
<v Speaker 5>was to come out right now, what everyone put your

1:47:42.040 --> 1:47:44.040
<v Speaker 5>guns down type of type of record, like.

1:47:44.000 --> 1:47:46.120
<v Speaker 2>But even bringing people under him that are younger, even

1:47:46.120 --> 1:47:46.760
<v Speaker 2>then make.

1:47:46.680 --> 1:47:49.000
<v Speaker 3>It a club record, Like making a club record.

1:47:48.840 --> 1:47:51.120
<v Speaker 1>That would be so fucking dope. I'm not in the

1:47:51.160 --> 1:47:52.200
<v Speaker 1>record business no more.

1:47:52.479 --> 1:47:56.320
<v Speaker 3>You know, but if anybody out there is listening, if

1:47:56.680 --> 1:48:01.080
<v Speaker 3>right now, what could hit be a young public enemy

1:48:02.120 --> 1:48:07.760
<v Speaker 3>and the young laurn Hill them too, a young Lauryn Hill,

1:48:08.080 --> 1:48:11.240
<v Speaker 3>a singer, rapper, beautiful woman, speaking pro black, not doing

1:48:11.280 --> 1:48:15.320
<v Speaker 3>the huci shit, just keeping it straight, solid like Lauren did.

1:48:15.439 --> 1:48:19.760
<v Speaker 3>Well we got Rhapsody, okay, Well then she's out there. Okay,

1:48:19.760 --> 1:48:21.639
<v Speaker 3>well then she needs to we gotta blow her up.

1:48:22.040 --> 1:48:25.920
<v Speaker 3>But Rhapsody And then a young twenty twenty year old

1:48:26.320 --> 1:48:29.160
<v Speaker 3>militant little niggas that ain't about no jewelry or nothing.

1:48:29.439 --> 1:48:31.800
<v Speaker 1>Was about what's right. That's what we need.

1:48:32.840 --> 1:48:38.000
<v Speaker 3>Contra close contrast to me. They like leaders in the

1:48:38.040 --> 1:48:40.920
<v Speaker 3>news school though they but but I'm talking about some

1:48:40.960 --> 1:48:44.519
<v Speaker 3>little militant niggas that will that know they knowledge. They

1:48:44.560 --> 1:48:47.439
<v Speaker 3>got their knowledge together because remember you know Professor Griff

1:48:47.520 --> 1:48:48.240
<v Speaker 3>was hitting the stage.

1:48:48.280 --> 1:48:49.600
<v Speaker 1>They're like twenty.

1:48:49.320 --> 1:48:53.400
<v Speaker 3>Five mgainn it's benefact getting late pasts. I'm like, who

1:48:53.439 --> 1:48:55.880
<v Speaker 3>is this little nigga Like Shu I was like, Yo,

1:48:56.040 --> 1:48:57.920
<v Speaker 3>wait a minute, I'm gonna pussy. I gotta get my

1:48:57.960 --> 1:49:01.000
<v Speaker 3>shit together, like Yo, this is going. That's when W's

1:49:01.040 --> 1:49:04.799
<v Speaker 3>had me like fucked up and honestly, public Enemy.

1:49:05.040 --> 1:49:06.519
<v Speaker 1>The public Enemy made.

1:49:06.560 --> 1:49:11.719
<v Speaker 3>Us West Coast rappers get more militant in our records,

1:49:11.800 --> 1:49:15.000
<v Speaker 3>not just talk about bullshit and talk about issues.

1:49:15.160 --> 1:49:16.680
<v Speaker 1>Then all of a sudden, you hear, nwa do.

1:49:16.800 --> 1:49:21.080
<v Speaker 2>Respect, just say they made you accountable amongst.

1:49:20.680 --> 1:49:24.040
<v Speaker 3>The shit we talk about the stream. And then I

1:49:24.080 --> 1:49:26.880
<v Speaker 3>toured with Pe that was my number one touring partner.

1:49:26.920 --> 1:49:29.240
<v Speaker 3>So I went around the world three times in Public Enemy,

1:49:29.720 --> 1:49:32.439
<v Speaker 3>so I knew what they was about.

1:49:32.600 --> 1:49:34.360
<v Speaker 1>You know, you're telling them to pimph the hole and

1:49:34.400 --> 1:49:39.320
<v Speaker 1>they telling them, girl go home. That's what I call

1:49:39.360 --> 1:49:39.839
<v Speaker 1>a ballance.

1:49:40.080 --> 1:49:41.919
<v Speaker 3>Well you know what way we did it. I said,

1:49:42.280 --> 1:49:46.280
<v Speaker 3>Chuck's politics are global. Minds are basically around the hood.

1:49:47.200 --> 1:49:49.519
<v Speaker 3>So he'll tell you about the president. I'm telling you

1:49:49.600 --> 1:49:52.400
<v Speaker 3>about the guy that runs your block. That's the president

1:49:52.520 --> 1:49:55.559
<v Speaker 3>in my world. So I had the pistol and he

1:49:55.600 --> 1:49:59.920
<v Speaker 3>had the African tendate, so he was more geopolitical world.

1:50:00.240 --> 1:50:01.800
<v Speaker 1>I iced to gonna tell you what's going on on

1:50:01.800 --> 1:50:05.599
<v Speaker 1>the block, point blank. So we both and.

1:50:05.560 --> 1:50:07.160
<v Speaker 3>At the end of the day, I remember one time

1:50:07.240 --> 1:50:11.120
<v Speaker 3>I was with we went to the Honorable Elijah Muhammad's

1:50:11.160 --> 1:50:12.840
<v Speaker 3>house and sat with Minister fair Come.

1:50:13.160 --> 1:50:16.960
<v Speaker 1>This is when I was in the cop Killer shit.

1:50:17.439 --> 1:50:18.639
<v Speaker 1>It was me Q.

1:50:21.120 --> 1:50:27.920
<v Speaker 3>Sister, Soldier Chuck, and we sat with Don Colin was

1:50:27.960 --> 1:50:32.519
<v Speaker 3>sitting across from me, Remember Colin Holin Muhammad and I

1:50:32.560 --> 1:50:36.640
<v Speaker 3>got really close with Mustafa the brother, the son of

1:50:38.720 --> 1:50:40.800
<v Speaker 3>It was interesting and that was during the time I

1:50:40.880 --> 1:50:43.559
<v Speaker 3>was going through cop Killer and Soldier was going you

1:50:43.640 --> 1:50:46.040
<v Speaker 3>got honor. Elijah Muhammad just told me straight up, if

1:50:46.040 --> 1:50:47.800
<v Speaker 3>you stand in the street, expect to get hit by

1:50:47.800 --> 1:50:52.400
<v Speaker 3>a car. You basically said cop Killer, like, get ready,

1:50:52.640 --> 1:50:55.320
<v Speaker 3>And that's when I learned that freedom of speech.

1:50:55.439 --> 1:50:56.519
<v Speaker 1>Just watch what you say.

1:50:56.920 --> 1:50:59.639
<v Speaker 3>You have the right to say anything, but you must

1:50:59.640 --> 1:51:02.160
<v Speaker 3>be prepared here for the ramifications of what you say.

1:51:02.800 --> 1:51:04.960
<v Speaker 3>You can't come out and dis gay people and don't

1:51:05.200 --> 1:51:07.840
<v Speaker 3>get mad when they attack. You can't dis cops. You

1:51:07.880 --> 1:51:10.599
<v Speaker 3>can't like Kanye, you can't this the Jewish. You say,

1:51:11.000 --> 1:51:13.960
<v Speaker 3>get ready, brace for impact, because they will come back

1:51:14.120 --> 1:51:16.120
<v Speaker 3>if you sit down. If you're Colin Kaepernick, you put

1:51:16.120 --> 1:51:21.160
<v Speaker 3>your knee down. Get ready. Protests will come with resistance.

1:51:21.280 --> 1:51:25.360
<v Speaker 3>That's why it's protests. Don't get mad when you get attacked.

1:51:26.400 --> 1:51:28.439
<v Speaker 1>Brace. If you want to put your fIF.

1:51:28.360 --> 1:51:30.000
<v Speaker 3>I'm gonna put my fist if I'm gonna say something

1:51:30.080 --> 1:51:33.240
<v Speaker 3>right here, right now that might make me lose my job.

1:51:33.280 --> 1:51:35.640
<v Speaker 1>Don't get mad because I lose my job. See what

1:51:35.680 --> 1:51:38.759
<v Speaker 1>I'm saying. You have You have a freedom of speech.

1:51:39.160 --> 1:51:39.680
<v Speaker 1>You can go home.

1:51:39.680 --> 1:51:41.080
<v Speaker 3>You can't go home to your wife and say, baby,

1:51:41.080 --> 1:51:42.040
<v Speaker 3>I'll as fuck your sister.

1:51:42.080 --> 1:51:43.040
<v Speaker 1>Free speech.

1:51:46.560 --> 1:51:49.720
<v Speaker 3>Right. You have the right to say it, but you

1:51:49.840 --> 1:51:51.479
<v Speaker 3>gotta think what's gonna happen.

1:51:52.640 --> 1:51:53.960
<v Speaker 1>So there it is. I learned that.

1:51:54.400 --> 1:51:57.760
<v Speaker 3>I learned that during the cop killer thing. And uh

1:51:58.479 --> 1:52:01.679
<v Speaker 3>now I I I intention lea. I'm not ever trying

1:52:01.680 --> 1:52:02.559
<v Speaker 3>to start no beef.

1:52:02.800 --> 1:52:03.880
<v Speaker 1>I don't. I don't want to.

1:52:04.600 --> 1:52:06.680
<v Speaker 3>If I wanted, I wanted, let's put it like that,

1:52:06.760 --> 1:52:09.120
<v Speaker 3>if I wanted, I want, I want no unintentional ship.

1:52:10.120 --> 1:52:12.760
<v Speaker 3>You know, fux up everything like the mob. You say,

1:52:12.800 --> 1:52:15.320
<v Speaker 3>it's fucking with the money, man, it's fucking with the money,

1:52:15.479 --> 1:52:16.680
<v Speaker 3>Like why are you doing this?

1:52:16.760 --> 1:52:19.240
<v Speaker 1>Dumb shit? Fucks with the bunny.

1:52:19.000 --> 1:52:21.880
<v Speaker 3>Like my boy says, keep the cash flow of the

1:52:21.880 --> 1:52:25.040
<v Speaker 3>maximum and the drama at a minimum.

1:52:25.080 --> 1:52:31.200
<v Speaker 1>Okay, next one Primo or Pete Robins who both geez.

1:52:32.560 --> 1:52:36.439
<v Speaker 3>Both I missed cel smooth yeah man, Pete rock and

1:52:36.840 --> 1:52:37.280
<v Speaker 3>move together.

1:52:37.360 --> 1:52:39.200
<v Speaker 2>YopE.

1:52:39.240 --> 1:52:42.680
<v Speaker 3>See us movie used to say, ell shit, Mama's in

1:52:42.720 --> 1:52:44.840
<v Speaker 3>the kitchen cooking fire, Like, what the fuck are you

1:52:44.880 --> 1:52:51.200
<v Speaker 3>talking about? Like that Nigga would say some smooth ship

1:52:51.640 --> 1:52:54.559
<v Speaker 3>you know, butter sauce on the web, like what the fuck?

1:52:55.200 --> 1:52:59.120
<v Speaker 3>Like it was so fly. I was like, Seeo smooth.

1:52:59.120 --> 1:53:01.920
<v Speaker 3>It's the smoothest rapper probably in the history of the world.

1:53:02.000 --> 1:53:06.599
<v Speaker 3>But you know, fe Rox Beats is just official. Now

1:53:07.840 --> 1:53:16.000
<v Speaker 3>when you talk about Primo gangster gangs starts slepting my house.

1:53:16.320 --> 1:53:20.679
<v Speaker 3>Gang Guru was Yeah, he was the best man, such

1:53:20.720 --> 1:53:24.000
<v Speaker 3>a real person and so so dope. I used to

1:53:24.000 --> 1:53:27.280
<v Speaker 3>love to see Guru and Cool Keith hanging out together

1:53:27.360 --> 1:53:30.439
<v Speaker 3>that ship. That must have been crazy for Guru and

1:53:30.479 --> 1:53:33.679
<v Speaker 3>then Primo ship is just the most to me. Primo

1:53:34.160 --> 1:53:37.800
<v Speaker 3>has the is the god of the boom back.

1:53:37.960 --> 1:53:40.080
<v Speaker 2>Yeah, he's yeah, hands down.

1:53:40.040 --> 1:53:42.559
<v Speaker 3>And the god of the of the of the scratch

1:53:42.560 --> 1:53:46.720
<v Speaker 3>hook yep, Like he'll put a hook on you with

1:53:46.800 --> 1:53:49.760
<v Speaker 3>four different rappers and it's just so dope. If you

1:53:49.760 --> 1:53:51.719
<v Speaker 3>want to, if you want to test your rap skills,

1:53:51.760 --> 1:53:54.840
<v Speaker 3>get a Primo beat and go in. I mean, m

1:53:54.920 --> 1:53:59.559
<v Speaker 3>O p like Freddie Fox, who can fucking Fox? Jay

1:53:59.640 --> 1:54:06.040
<v Speaker 3>routed damage Jesus Christ group Home gave you the damage

1:54:06.080 --> 1:54:07.160
<v Speaker 3>to come clean.

1:54:07.040 --> 1:54:08.800
<v Speaker 2>Roster five nine with pre.

1:54:10.200 --> 1:54:13.400
<v Speaker 1>How does She Go? You want to find get your luck?

1:54:13.479 --> 1:54:15.160
<v Speaker 1>If you're feeling lucky duck, then.

1:54:15.240 --> 1:54:16.000
<v Speaker 2>Press your luck.

1:54:16.200 --> 1:54:20.519
<v Speaker 3>My nines break, my mind's break mylignant lyrics? Who raps

1:54:20.560 --> 1:54:24.200
<v Speaker 3>like that? Like you know, dom your remains put in

1:54:24.360 --> 1:54:27.559
<v Speaker 3>a car trunk? You can't come to that of the

1:54:28.280 --> 1:54:30.519
<v Speaker 3>truck and that young you want to survive it live.

1:54:31.040 --> 1:54:34.600
<v Speaker 3>I don't gang bang a shootout bang bang. I'm alignant lyrics.

1:54:34.600 --> 1:54:37.400
<v Speaker 3>The only dope I saying I'm a true gangster. You

1:54:37.400 --> 1:54:38.320
<v Speaker 3>could tell that.

1:54:38.360 --> 1:54:42.680
<v Speaker 2>Motherfucker like I was like and had the undercut.

1:54:43.040 --> 1:54:44.400
<v Speaker 1>Yeah you know that.

1:54:45.880 --> 1:54:49.400
<v Speaker 5>Water dripping right, Yeah, the water like I have it

1:54:49.520 --> 1:54:51.680
<v Speaker 5>with the with the stove, with the stove.

1:54:52.160 --> 1:54:54.200
<v Speaker 3>And the thing of it is in a rapper's career

1:54:54.560 --> 1:54:59.120
<v Speaker 3>and a rapper's career, you might make a classic record,

1:54:59.480 --> 1:55:01.800
<v Speaker 3>but you might make three.

1:55:02.920 --> 1:55:06.800
<v Speaker 1>But some records it's just like come clean. It's just

1:55:08.560 --> 1:55:09.600
<v Speaker 1>that's like special ed.

1:55:10.240 --> 1:55:14.600
<v Speaker 3>I got to make immy idel your highest title. I'm like, yo,

1:55:14.680 --> 1:55:19.120
<v Speaker 3>this is a classic hip hop records. So Premiere Premire's

1:55:19.120 --> 1:55:20.000
<v Speaker 3>from Texas?

1:55:21.080 --> 1:55:21.760
<v Speaker 1>How about that?

1:55:22.440 --> 1:55:25.280
<v Speaker 3>How did the most New York nigga in the world Texas.

1:55:25.320 --> 1:55:30.560
<v Speaker 3>But you know what else was? I'm talking about beats.

1:55:30.600 --> 1:55:33.240
<v Speaker 3>You know else was one of my favorite beating nuts.

1:55:33.600 --> 1:55:35.200
<v Speaker 1>Love beating nuts. We love to beat.

1:55:35.320 --> 1:55:37.120
<v Speaker 2>Love of beating uts and they deserve. Part two of

1:55:37.200 --> 1:55:38.520
<v Speaker 2>Drinking and Rain of.

1:55:38.560 --> 1:55:41.640
<v Speaker 3>The Tech is one of the most gangster records ever written.

1:55:42.000 --> 1:55:44.600
<v Speaker 1>John Wayne couldn't even stand the rain at the video.

1:55:45.360 --> 1:55:49.240
<v Speaker 2>Who is these things niggas coming out of producers? Yeah, yeah, yeah,

1:55:49.360 --> 1:55:53.960
<v Speaker 2>psycho le tongue.

1:55:52.920 --> 1:55:54.000
<v Speaker 1>So yeah juju.

1:55:54.240 --> 1:55:56.160
<v Speaker 3>So you know, like I'm saying, since we're doing the

1:55:56.200 --> 1:55:59.840
<v Speaker 3>hardcore ship, we got the hardcore radar up. So when

1:55:59.840 --> 1:56:02.200
<v Speaker 3>that came out, I'm like, oh, that was they produced

1:56:02.200 --> 1:56:03.000
<v Speaker 3>one of my records.

1:56:03.480 --> 1:56:07.040
<v Speaker 1>It's a hold on. Let me just on podcast or radio.

1:56:08.560 --> 1:56:12.520
<v Speaker 3>I think podcasts because podcasts right now you're talking to

1:56:12.600 --> 1:56:16.480
<v Speaker 3>me for hour or two, which is much more comfortable

1:56:16.880 --> 1:56:19.680
<v Speaker 3>than radio. Radio you're always trying to promote something. I

1:56:19.680 --> 1:56:25.040
<v Speaker 3>haven't promoted anything radio. You rappers have this switch where

1:56:25.080 --> 1:56:27.560
<v Speaker 3>they can hit and they going to promo mode. I

1:56:27.600 --> 1:56:28.480
<v Speaker 3>got three seconds.

1:56:28.480 --> 1:56:32.560
<v Speaker 1>They get my new record. Man, take my shoes. I

1:56:32.560 --> 1:56:33.240
<v Speaker 1>got my shoes.

1:56:33.280 --> 1:56:35.320
<v Speaker 3>It's bopping off and it's a man it's on.

1:56:36.040 --> 1:56:40.360
<v Speaker 1>Fuck y'all, this is my ass now.

1:56:40.520 --> 1:56:41.600
<v Speaker 2>Yeah, yeah, fuck y'all.

1:56:41.640 --> 1:56:43.480
<v Speaker 1>I love you kissed my ass bitches.

1:56:43.520 --> 1:56:47.760
<v Speaker 3>You know that's that's rap, that's wrap motive. This is

1:56:47.840 --> 1:56:50.960
<v Speaker 3>this is where we get to just shill all right

1:56:51.040 --> 1:56:54.040
<v Speaker 3>like that. And also about podcasts, is you get to

1:56:54.080 --> 1:56:57.840
<v Speaker 3>pick who you fuck with? Like if you don't like

1:56:57.960 --> 1:57:01.400
<v Speaker 3>me and you made it to this part of the podcast,

1:57:01.520 --> 1:57:02.600
<v Speaker 3>she's a stupid mother.

1:57:05.400 --> 1:57:06.720
<v Speaker 1>You was a dumb motherfucker.

1:57:06.720 --> 1:57:09.520
<v Speaker 3>You have plenty of time to turn this ship off.

1:57:09.960 --> 1:57:14.800
<v Speaker 3>I'm not your I'm not your ship. Yeah, I love

1:57:14.840 --> 1:57:21.040
<v Speaker 3>this question. Kill out will or America's most Wanted? Well,

1:57:21.040 --> 1:57:26.000
<v Speaker 3>those are two ice Cube records, right, I kind of

1:57:26.040 --> 1:57:26.520
<v Speaker 3>say both.

1:57:26.560 --> 1:57:27.120
<v Speaker 1>I couldn't.

1:57:27.080 --> 1:57:29.200
<v Speaker 2>It should have been the certificate of America's Most Wanted.

1:57:29.280 --> 1:57:31.680
<v Speaker 3>I mean all ice Q's albums me rate pretty much

1:57:31.680 --> 1:57:34.720
<v Speaker 3>the same. The only one who rates higher would be

1:57:34.960 --> 1:57:37.480
<v Speaker 3>Straight out of Compton, which is nw A. But ice

1:57:37.520 --> 1:57:41.040
<v Speaker 3>Q had A has a basic, solid body of work.

1:57:43.680 --> 1:57:47.160
<v Speaker 1>Be sid yeah said, I love you know one thing

1:57:47.160 --> 1:57:47.560
<v Speaker 1>about me.

1:57:50.800 --> 1:57:55.720
<v Speaker 3>The rappers I like are digestible, like I love Nori

1:57:55.840 --> 1:57:58.360
<v Speaker 3>because I understand what they're saying. I'm a mob deep fan.

1:57:58.520 --> 1:58:03.000
<v Speaker 3>Prodigy is my favorite rapper because I understand what he's

1:58:03.040 --> 1:58:06.320
<v Speaker 3>saying it's legible. I understand it. So that's the thing.

1:58:06.440 --> 1:58:09.160
<v Speaker 3>Like I like rappers where I don't have to decode it.

1:58:10.040 --> 1:58:13.040
<v Speaker 3>You know that can sit up and fit shit to me.

1:58:13.080 --> 1:58:15.280
<v Speaker 3>And I'm like, Yo, that was dope. I got that.

1:58:15.920 --> 1:58:20.600
<v Speaker 3>And you know ice Cube is one of those rappers.

1:58:21.160 --> 1:58:23.200
<v Speaker 3>You know, I try to be that kind of rapper.

1:58:23.240 --> 1:58:26.800
<v Speaker 3>I'm not, you know, I say in one of my rhymes,

1:58:26.840 --> 1:58:29.600
<v Speaker 3>I say, I check your style. Although you rhyme quicker,

1:58:30.040 --> 1:58:33.480
<v Speaker 3>no matter what you do, I'll always lace mind thicker, jealousy.

1:58:33.520 --> 1:58:35.560
<v Speaker 3>You'll make a fool dot quicker than liquor watch your

1:58:35.600 --> 1:58:38.560
<v Speaker 3>back with your nigga, because that's right, will Is stick you.

1:58:39.480 --> 1:58:42.000
<v Speaker 3>So I said, I got to rhyme heavy. I wanted

1:58:42.040 --> 1:58:45.360
<v Speaker 3>you listen to ice rhys wool. That was that shit,

1:58:45.560 --> 1:58:49.920
<v Speaker 3>not even a bar, not not even wordplay game. So yeah,

1:58:50.160 --> 1:58:52.120
<v Speaker 3>you know, I just did a cool Keith record where

1:58:52.120 --> 1:58:55.680
<v Speaker 3>I say it's not how long you're living. I said, well, no,

1:58:55.840 --> 1:58:58.200
<v Speaker 3>it's not how well you're living, it's how long you're

1:58:58.200 --> 1:58:58.760
<v Speaker 3>living well.

1:59:00.640 --> 1:59:04.280
<v Speaker 1>So let me ask you new Jack City or Ricochet

1:59:04.880 --> 1:59:08.360
<v Speaker 1>new Jack City? New Jack City.

1:59:08.520 --> 1:59:13.680
<v Speaker 3>I mean Ricochet was my first co starring, but New

1:59:13.800 --> 1:59:17.720
<v Speaker 3>Jack City is my legendary flim you know, like yeah,

1:59:17.920 --> 1:59:21.960
<v Speaker 3>still when I do my shows, I end with new Jack,

1:59:22.080 --> 1:59:25.240
<v Speaker 3>Hustler and Colors. Those are my Those would be my

1:59:25.280 --> 1:59:27.840
<v Speaker 3>biggest records.

1:59:27.880 --> 1:59:29.560
<v Speaker 1>Doctor Dre or Puff, Daddy.

1:59:29.720 --> 1:59:34.520
<v Speaker 3>Dray, Okay, Drey, no doubt. I love Puffy. Puffy to

1:59:34.640 --> 1:59:38.280
<v Speaker 3>me is the ring master. He's the master of everything

1:59:38.320 --> 1:59:41.080
<v Speaker 3>that moves in hip hop. He does his thing. He's

1:59:41.120 --> 1:59:44.480
<v Speaker 3>a magnificent promoter and stuff like that. But I'm not

1:59:44.720 --> 1:59:49.720
<v Speaker 3>really I don't know Puffy's true producing power. As far

1:59:49.880 --> 1:59:52.880
<v Speaker 3>as what Dre does. Dre is a studio rat, stays

1:59:52.920 --> 1:59:56.480
<v Speaker 3>in the studio. The only thing about Dre and Dre

1:59:56.640 --> 2:00:01.000
<v Speaker 3>is one of my very fearest friends. The reason I

2:00:01.040 --> 2:00:03.160
<v Speaker 3>never record with Dre is it it's never come out.

2:00:05.040 --> 2:00:06.200
<v Speaker 1>They're like, it's let's work.

2:00:06.080 --> 2:00:07.880
<v Speaker 2>And I'm like, okay, now we did it, let's put it.

2:00:07.920 --> 2:00:09.360
<v Speaker 1>No no, no, no, no no no.

2:00:09.600 --> 2:00:12.720
<v Speaker 3>He's very so meticulous. But see the thing of this,

2:00:12.840 --> 2:00:15.680
<v Speaker 3>when you sell ten million records, you don't want to

2:00:15.680 --> 2:00:18.520
<v Speaker 3>put out anything that's not going to sell ten million records.

2:00:18.640 --> 2:00:21.640
<v Speaker 1>But he just finished the new album with Snoop. Yeah, man,

2:00:21.800 --> 2:00:24.200
<v Speaker 1>that's the them.

2:00:23.600 --> 2:00:27.640
<v Speaker 3>Because Snoop is Dre's first artist, Right, that's the that's

2:00:27.680 --> 2:00:30.080
<v Speaker 3>the magic. I can't wait to hear that. I've heard

2:00:30.080 --> 2:00:33.560
<v Speaker 3>a lot of it. But uh oh you've heard it. Yeah,

2:00:33.600 --> 2:00:36.600
<v Speaker 3>I get, I got a whole I got. My phone

2:00:36.680 --> 2:00:38.680
<v Speaker 3>is full of out doctor Dre records. So what do

2:00:38.680 --> 2:00:40.800
<v Speaker 3>you think in compares to his body of work? That

2:00:41.080 --> 2:00:44.920
<v Speaker 3>what you've heard so far, it's just magnificent. See Dre

2:00:45.320 --> 2:00:49.040
<v Speaker 3>Dre Dre, I guess has certain people he trusts, and

2:00:49.040 --> 2:00:51.040
<v Speaker 3>so I listened to the music and I give him

2:00:51.080 --> 2:00:54.920
<v Speaker 3>back my on my opinion, honest feedback. Like he'll send

2:00:54.920 --> 2:00:57.120
<v Speaker 3>me five records, I'll say this is my favorite. That's

2:00:57.120 --> 2:00:58.800
<v Speaker 3>all you need. I like this one out of all

2:00:58.880 --> 2:01:06.120
<v Speaker 3>of them. And stuff, But Dres special cool. Next question,

2:01:06.920 --> 2:01:09.520
<v Speaker 3>don't think Puffy ain't special. Though Puffy invited me to

2:01:09.560 --> 2:01:11.040
<v Speaker 3>a lot of fly ass parties, I don't want to

2:01:11.240 --> 2:01:11.839
<v Speaker 3>my advitations.

2:01:11.920 --> 2:01:12.200
<v Speaker 1>Fuck.

2:01:12.440 --> 2:01:16.360
<v Speaker 3>I love love love, mister love, I love you. Don't

2:01:16.360 --> 2:01:18.800
<v Speaker 3>get it wrong. Don't get it wrong. I fucked with Puff.

2:01:19.320 --> 2:01:22.480
<v Speaker 3>Puff is cool with me. Let the record show.

2:01:23.960 --> 2:01:25.560
<v Speaker 2>So would you rather be loved or fear?

2:01:26.120 --> 2:01:26.360
<v Speaker 1>Love?

2:01:27.640 --> 2:01:33.040
<v Speaker 3>Absolutely love fear. Fear is not is not it's the bullshit.

2:01:33.720 --> 2:01:36.920
<v Speaker 3>Love keeps you safe. The reason nobody'll letting nothing happen

2:01:36.960 --> 2:01:38.920
<v Speaker 3>to me in here, because you motherfuckers got love for

2:01:39.040 --> 2:01:43.720
<v Speaker 3>me now, because nobody's scared of me. Scared man, it

2:01:43.760 --> 2:01:46.720
<v Speaker 3>only takes six ounces of pressure from a kid torpedo.

2:01:46.800 --> 2:01:48.920
<v Speaker 1>Send a kid at you pole, they put you down.

2:01:50.520 --> 2:01:51.360
<v Speaker 2>Can I break this down?

2:01:51.400 --> 2:01:52.160
<v Speaker 1>This is a good one.

2:01:53.160 --> 2:01:56.080
<v Speaker 3>If you got love, you have a group of people

2:01:56.120 --> 2:01:59.080
<v Speaker 3>around you that love you. That's your inner circle, right,

2:01:59.560 --> 2:02:02.839
<v Speaker 3>you take and carry them. They talk to other people

2:02:03.360 --> 2:02:06.360
<v Speaker 3>and they say, yo, yo, fan's my man, blah blah blah.

2:02:06.440 --> 2:02:10.240
<v Speaker 1>That's another circle. Maybe you helping them, They helping them.

2:02:10.320 --> 2:02:14.800
<v Speaker 3>Okay, there's another circle of people outside of them. They hear, oh,

2:02:14.920 --> 2:02:17.360
<v Speaker 3>Fan's a good dude, that's my man. Right, So it's

2:02:17.400 --> 2:02:18.320
<v Speaker 3>a big circle.

2:02:18.920 --> 2:02:21.040
<v Speaker 1>That ice is a good or you're a good dude.

2:02:21.120 --> 2:02:23.160
<v Speaker 3>You know how you're in danger is when your inner

2:02:23.200 --> 2:02:26.240
<v Speaker 3>circle turns on you. When you're inner circle, it got

2:02:26.240 --> 2:02:28.680
<v Speaker 3>a problem. And they the ones that can let motherfuckers in.

2:02:28.880 --> 2:02:31.840
<v Speaker 3>But if you got that circle right before somebody over

2:02:31.880 --> 2:02:34.240
<v Speaker 3>to the left moves on you, they're gonna run into

2:02:34.240 --> 2:02:36.280
<v Speaker 3>one of your people. It's like, nah, that's not gonna

2:02:36.320 --> 2:02:40.360
<v Speaker 3>happen Cuz because of love of layers of love, not fear.

2:02:40.760 --> 2:02:44.400
<v Speaker 3>Fear is a challenge. Fear is a challenge. Oh he's

2:02:44.400 --> 2:02:48.600
<v Speaker 3>supposed to be hard, nigga. Fuck that nigga. You know

2:02:48.600 --> 2:02:53.440
<v Speaker 3>what I'm saying. But love will protect you to an extent,

2:02:54.000 --> 2:02:56.400
<v Speaker 3>to an extent, because, like I told Nori last night,

2:02:56.640 --> 2:03:00.560
<v Speaker 3>the bullet will hit you before the rep hits them.

2:03:00.920 --> 2:03:04.120
<v Speaker 3>So I'm in I'm in South Beach cruising fly they

2:03:04.160 --> 2:03:04.680
<v Speaker 3>move on a.

2:03:04.640 --> 2:03:09.879
<v Speaker 1>Car blow, I got hit. That was ice. I don't know.

2:03:10.160 --> 2:03:13.800
<v Speaker 3>So the niggas out at night doing dirt, they can

2:03:13.840 --> 2:03:14.200
<v Speaker 3>get it.

2:03:14.400 --> 2:03:14.560
<v Speaker 1>Now.

2:03:14.600 --> 2:03:17.760
<v Speaker 3>Why Why do I know that element is out because

2:03:17.760 --> 2:03:20.080
<v Speaker 3>I used to be in that element looking for fucking

2:03:20.320 --> 2:03:24.160
<v Speaker 3>hunting niggas. So I know you're in danger out there.

2:03:24.640 --> 2:03:26.280
<v Speaker 3>You look like a big piggy bank. You in a

2:03:26.320 --> 2:03:29.920
<v Speaker 3>may box, you look like a big piggy bank. But

2:03:30.160 --> 2:03:33.280
<v Speaker 3>in a real situation, the only reason that anybody in

2:03:33.320 --> 2:03:35.400
<v Speaker 3>here would hold me down is because they got love

2:03:35.480 --> 2:03:38.760
<v Speaker 3>for me, not because they're afraid of me. Fuck out

2:03:38.760 --> 2:03:54.200
<v Speaker 3>of here, yo yo, or Lady of Rage, I'm not

2:03:54.280 --> 2:04:02.840
<v Speaker 3>fucking with that one. Both we just dope. Rage has

2:04:03.000 --> 2:04:07.240
<v Speaker 3>what we just talked about a classic record. You say

2:04:07.280 --> 2:04:10.440
<v Speaker 3>Afro Puffs is rage I mean that ship was so

2:04:10.560 --> 2:04:14.000
<v Speaker 3>hard and then Yo Yo is cubes girl.

2:04:14.320 --> 2:04:16.120
<v Speaker 1>Yoyo is so dope in real life.

2:04:16.160 --> 2:04:20.760
<v Speaker 3>She's such a real champ, a real person, a sweetheart.

2:04:21.960 --> 2:04:23.920
<v Speaker 3>I'm the kind of person like I put the West

2:04:23.960 --> 2:04:27.080
<v Speaker 3>Coast on my back, like all all West Coast rappers.

2:04:27.480 --> 2:04:29.040
<v Speaker 1>We all family, you know.

2:04:29.560 --> 2:04:31.840
<v Speaker 3>So I would never talk down on neither of them chicks,

2:04:31.840 --> 2:04:33.760
<v Speaker 3>and both of them always treated me sweet.

2:04:34.040 --> 2:04:37.440
<v Speaker 1>That's what's up. So Mob Deep or Mop.

2:04:39.600 --> 2:04:39.960
<v Speaker 2>Shit?

2:04:42.200 --> 2:04:44.840
<v Speaker 3>I say both, even though like I say, Mob Deep

2:04:44.920 --> 2:04:48.080
<v Speaker 3>is my favorite. Yeah, yeah, gotta take a big one

2:04:48.080 --> 2:04:50.920
<v Speaker 3>in now, that's a good one. Mob Deep and Mop.

2:04:54.040 --> 2:05:03.520
<v Speaker 3>I did song recently with Fame and Little Fame, uh

2:05:04.120 --> 2:05:11.000
<v Speaker 3>Havoc and ras Cans. Wow, they got a little group

2:05:11.040 --> 2:05:13.640
<v Speaker 3>they put together. So I did a video with Depth, but.

2:05:14.800 --> 2:05:18.040
<v Speaker 1>Little Fame, Havoc and Rass I didn't know that.

2:05:18.440 --> 2:05:20.840
<v Speaker 3>Yeah, there's something coming, there's something coming. We shot a

2:05:20.920 --> 2:05:23.880
<v Speaker 3>video and stuff, but I'm not I'm just in the video.

2:05:24.320 --> 2:05:31.120
<v Speaker 3>But like I say, like to me, Mob Deep, Mob

2:05:31.160 --> 2:05:33.920
<v Speaker 3>Deep is the calm before the storm, and Mop.

2:05:33.880 --> 2:05:39.200
<v Speaker 1>Is a storm. Well MP came out first, but MP

2:05:39.480 --> 2:05:44.640
<v Speaker 1>black vibes, you know, like Yo coming out some wall corner.

2:05:46.160 --> 2:05:49.120
<v Speaker 3>I did a record billy dance and it's like, Yo,

2:05:49.200 --> 2:05:50.800
<v Speaker 3>that's hit. The way they do it, they have a

2:05:50.840 --> 2:05:53.040
<v Speaker 3>technique on how they do it to get that ship

2:05:53.160 --> 2:05:55.160
<v Speaker 3>like that, the ad libs are sick.

2:05:55.800 --> 2:06:01.400
<v Speaker 1>But then then like mob deep, it's just like it's scary. See.

2:06:01.480 --> 2:06:04.680
<v Speaker 3>My thing with gangster rap is the music has to

2:06:04.760 --> 2:06:08.600
<v Speaker 3>match the content. Like I've never been into like saying

2:06:09.080 --> 2:06:12.000
<v Speaker 3>gangster shit over happy music like that didn't work for me.

2:06:12.320 --> 2:06:16.800
<v Speaker 3>So like when I heard when you hear fall Killers

2:06:16.800 --> 2:06:21.120
<v Speaker 3>in the hundred dollar ability, real niggas who ain't got

2:06:21.280 --> 2:06:24.240
<v Speaker 3>no filter on before they even start rapping, you like

2:06:24.320 --> 2:06:28.920
<v Speaker 3>niggas start stabbing niggas. You know, it just gets you

2:06:28.960 --> 2:06:31.440
<v Speaker 3>in that zone. I got your tuck off the realness.

2:06:31.440 --> 2:06:32.600
<v Speaker 3>We be the infamous.

2:06:32.800 --> 2:06:36.320
<v Speaker 1>So I'm like, oh, this shit is so gangster. So

2:06:36.360 --> 2:06:36.920
<v Speaker 1>that's my thing.

2:06:37.000 --> 2:06:42.200
<v Speaker 3>Gangster music should always have that that sound. Now, now, Annie, y'all,

2:06:43.920 --> 2:06:46.960
<v Speaker 3>there's two records. I stand up in the club, two

2:06:47.000 --> 2:06:49.360
<v Speaker 3>records that I don't care what the fuck happens.

2:06:49.560 --> 2:06:52.600
<v Speaker 1>I stand up. When jay Z says allow.

2:06:52.440 --> 2:06:56.840
<v Speaker 3>Me to reintroduce myself, I'm like, oh, I'm like hate it.

2:06:57.000 --> 2:06:59.720
<v Speaker 3>Oh me, I'm in the club. I'm like, oh, that's

2:06:59.720 --> 2:07:02.640
<v Speaker 3>my sh I stand up in an yuh when Annie yup,

2:07:02.840 --> 2:07:06.040
<v Speaker 3>I stand up. I can't help I gotta get it.

2:07:06.160 --> 2:07:08.120
<v Speaker 3>You know my other record that makes me stand up too.

2:07:09.240 --> 2:07:10.960
<v Speaker 3>You don't want them boys to come over and start

2:07:11.040 --> 2:07:14.160
<v Speaker 3>asking you what you want to do, what.

2:07:14.360 --> 2:07:15.120
<v Speaker 2>You're trying to do?

2:07:16.160 --> 2:07:17.640
<v Speaker 1>Record, He's a good nigga.

2:07:19.640 --> 2:07:21.360
<v Speaker 3>I love the party. I love I just love the

2:07:21.400 --> 2:07:25.840
<v Speaker 3>word nigga. What you want to do, nigga, what you're

2:07:25.920 --> 2:07:29.000
<v Speaker 3>trying to do? Yeah, that record gets me a turn.

2:07:30.080 --> 2:07:32.920
<v Speaker 3>Certain records now this one is that's a good one.

2:07:34.240 --> 2:07:36.440
<v Speaker 3>Illmatic or all os on me?

2:07:36.760 --> 2:07:37.240
<v Speaker 1>Illmatic?

2:07:38.760 --> 2:07:41.600
<v Speaker 3>Illmatic because like I say, I'm much more of a

2:07:41.720 --> 2:07:44.440
<v Speaker 3>lyrical cat. And I loved Illmatic when it first came

2:07:44.520 --> 2:07:47.720
<v Speaker 3>out and stuff like that. I love pop, but it's

2:07:48.040 --> 2:07:50.600
<v Speaker 3>I only like certain Park records. You know what I'm saying.

2:07:50.760 --> 2:07:54.360
<v Speaker 3>I only like certain Park records. It's my it's my taste.

2:07:54.520 --> 2:07:58.000
<v Speaker 3>Now crucify me on the West coast. But I'm a

2:07:58.160 --> 2:08:01.920
<v Speaker 3>much I was studying OS and I think the nods

2:08:02.000 --> 2:08:03.280
<v Speaker 3>being what was he sixteen?

2:08:04.200 --> 2:08:04.680
<v Speaker 1>He was young.

2:08:04.880 --> 2:08:08.640
<v Speaker 3>That eliminates the excuse of young rappers claiming while I'm young,

2:08:10.480 --> 2:08:13.600
<v Speaker 3>that kid was, you know, and I sat there, listened

2:08:13.640 --> 2:08:18.960
<v Speaker 3>to that album, like, I gotta get better, right, you

2:08:19.040 --> 2:08:19.600
<v Speaker 3>know what I'm saying.

2:08:20.000 --> 2:08:20.880
<v Speaker 1>So that's what I like.

2:08:21.120 --> 2:08:23.480
<v Speaker 3>You know, if you're the baddest nigg in the room,

2:08:23.520 --> 2:08:25.800
<v Speaker 3>you're not gonna grow. You know, when I go out,

2:08:25.880 --> 2:08:27.560
<v Speaker 3>I want to be the brokest nigg in the room.

2:08:28.240 --> 2:08:30.480
<v Speaker 3>That's the only way I can come up, you know.

2:08:30.840 --> 2:08:32.760
<v Speaker 3>So I like to be around So I like, I

2:08:32.840 --> 2:08:35.480
<v Speaker 3>love being around busting rhymes and super rappers and shit

2:08:35.600 --> 2:08:35.800
<v Speaker 3>like that.

2:08:36.680 --> 2:08:39.080
<v Speaker 1>You think is just as good as you are better.

2:08:39.280 --> 2:08:41.320
<v Speaker 3>When I first started rapping, I was in the studio

2:08:41.400 --> 2:08:45.480
<v Speaker 3>with Cat, with Melly Mel and Kaz and at first,

2:08:45.520 --> 2:08:46.160
<v Speaker 3>people I ever.

2:08:46.080 --> 2:08:48.960
<v Speaker 1>Seen right in the studio, right, they raps in the studio.

2:08:50.800 --> 2:08:52.240
<v Speaker 3>But they was like, yo, if you write it to

2:08:52.360 --> 2:08:54.400
<v Speaker 3>the beat, it's gonna flow better than if you write

2:08:54.440 --> 2:08:55.960
<v Speaker 3>it and try to push it over to beat.

2:08:56.320 --> 2:08:58.560
<v Speaker 1>I had to learn that. Now I don't write. I

2:08:58.600 --> 2:09:01.520
<v Speaker 1>don't write until I got the beat. I learned that.

2:09:01.760 --> 2:09:06.560
<v Speaker 3>But Nas is a nazz, half man, half amazing. This

2:09:06.680 --> 2:09:11.040
<v Speaker 3>nigg is something else and and like and Park was too,

2:09:11.120 --> 2:09:13.120
<v Speaker 3>but Pock had to kind of grow. I don't know

2:09:13.200 --> 2:09:15.600
<v Speaker 3>the thing of it is with pop. I knew punk

2:09:15.680 --> 2:09:18.920
<v Speaker 3>when he was in Digital Underground. So it took me

2:09:19.040 --> 2:09:21.680
<v Speaker 3>a minute to accept Park as a rapper because we're

2:09:21.680 --> 2:09:23.280
<v Speaker 3>gonna come back to that. You know what I'm saying,

2:09:23.680 --> 2:09:27.160
<v Speaker 3>refight to that SCHOOLI D or cool or who's you at?

2:09:28.440 --> 2:09:33.120
<v Speaker 3>Two different type rappers? Uh, well, I can't compare them.

2:09:33.440 --> 2:09:34.200
<v Speaker 3>I'll say both.

2:09:34.640 --> 2:09:37.600
<v Speaker 1>Right, take a sip. Well you're all just taking a system.

2:09:39.280 --> 2:09:40.400
<v Speaker 2>What kind of part of the game is this.

2:09:40.880 --> 2:09:43.280
<v Speaker 1>I've been going back and forth. If school D is

2:09:43.360 --> 2:09:45.640
<v Speaker 1>the is the inventor of gangster rap?

2:09:46.480 --> 2:09:50.800
<v Speaker 5>Yeah, here's the in your opinion inventor, because they say

2:09:50.880 --> 2:09:52.200
<v Speaker 5>you're the inventor against the rap.

2:09:52.920 --> 2:09:58.800
<v Speaker 1>I'm saying I put the fentonyl hold on, hold on

2:10:01.040 --> 2:10:01.760
<v Speaker 1>breaking news.

2:10:02.840 --> 2:10:08.240
<v Speaker 3>Finally ever, finally, yes, do you say, who's the originated

2:10:08.280 --> 2:10:10.000
<v Speaker 3>against school D?

2:10:10.560 --> 2:10:10.720
<v Speaker 1>Now?

2:10:10.840 --> 2:10:13.400
<v Speaker 3>Also, there's another group in New York called Mob Style

2:10:14.320 --> 2:10:17.000
<v Speaker 3>Mob Style, Right, David a gangster yourself?

2:10:17.040 --> 2:10:20.680
<v Speaker 5>I was after actually a Z from the Alphole Crew.

2:10:20.800 --> 2:10:22.080
<v Speaker 5>He was actually in that group.

2:10:22.160 --> 2:10:25.080
<v Speaker 1>I believe he was writing no, no, no, yes, I'm

2:10:25.080 --> 2:10:27.680
<v Speaker 1>pretty tony ye pretty ye.

2:10:28.320 --> 2:10:32.880
<v Speaker 3>Alright, So anyway, Mob Style and school I don't know what.

2:10:33.080 --> 2:10:35.680
<v Speaker 3>I don't know when Mob Style came out. Okay, I

2:10:35.720 --> 2:10:38.120
<v Speaker 3>don't I can't know so that, but I was aware

2:10:38.160 --> 2:10:40.960
<v Speaker 3>of that group. Okay, all right, you know, if people

2:10:41.040 --> 2:10:42.760
<v Speaker 3>trying to put you in history, you want to be

2:10:42.840 --> 2:10:45.800
<v Speaker 3>placed correctly. I don't want to know fucking fake ship. Yes,

2:10:46.360 --> 2:10:50.800
<v Speaker 3>So the schooly D story goes like this. I was

2:10:50.960 --> 2:10:55.520
<v Speaker 3>already writing gangster raps, but I never put it on wax.

2:10:57.280 --> 2:11:00.640
<v Speaker 3>I was writing rhymes for gang bangers. One here, gang

2:11:00.720 --> 2:11:04.920
<v Speaker 3>bang around. Yeah, strolling through the city in the middle

2:11:04.960 --> 2:11:06.960
<v Speaker 3>of the night. Niggas on my left, niggas on my

2:11:07.120 --> 2:11:09.760
<v Speaker 3>right yelling cut cut cut rip. That'd be nigga. I'll

2:11:09.760 --> 2:11:11.960
<v Speaker 3>see if you bad enough, come fuck with me. I

2:11:12.040 --> 2:11:14.280
<v Speaker 3>seen another nigga. I say crip again. He sayd fuck

2:11:14.320 --> 2:11:15.000
<v Speaker 3>a crip nigga.

2:11:15.040 --> 2:11:15.520
<v Speaker 2>This is brim.

2:11:15.880 --> 2:11:18.680
<v Speaker 3>So we pulled out the rosco. Roscoe said, crack. I

2:11:18.720 --> 2:11:21.000
<v Speaker 3>look again. Nigga was shooting back, so we fell to

2:11:21.080 --> 2:11:23.520
<v Speaker 3>the ground. Ain't for his head one more time. The

2:11:23.600 --> 2:11:26.400
<v Speaker 3>bitch nigga was dead, walked over to him, took his gun,

2:11:26.560 --> 2:11:29.120
<v Speaker 3>spitting his face, and began to run. So if you

2:11:29.200 --> 2:11:31.640
<v Speaker 3>see another nigga laying dead in the street and a

2:11:31.680 --> 2:11:34.240
<v Speaker 3>puddle of blood from his head to his feet, open time.

2:11:34.320 --> 2:11:36.520
<v Speaker 3>All your niggas get hip. It's fuck of brim niggas,

2:11:36.600 --> 2:11:39.440
<v Speaker 3>west side cryp. I said that on the others, on

2:11:39.520 --> 2:11:41.360
<v Speaker 3>the other drink champs because I then I ended with

2:11:41.520 --> 2:11:44.480
<v Speaker 3>rolling sixty crip. But that was something I would say.

2:11:45.080 --> 2:11:47.840
<v Speaker 3>One here, one more, I got an I don't know

2:11:47.920 --> 2:11:51.760
<v Speaker 3>how to fuck you on TV. This This was even

2:11:52.040 --> 2:11:55.800
<v Speaker 3>This was even more fun. This one's even more fun.

2:11:56.080 --> 2:11:57.520
<v Speaker 3>I said this and crench your eyes.

2:11:58.280 --> 2:11:58.760
<v Speaker 2>So like this.

2:11:59.360 --> 2:12:01.480
<v Speaker 3>Fall into a party on a Saturday night and I

2:12:01.560 --> 2:12:03.360
<v Speaker 3>left the pad down and out for a fight. Had

2:12:03.400 --> 2:12:06.400
<v Speaker 3>on a waistline leather Levi's cuff under the coat. I

2:12:06.480 --> 2:12:08.680
<v Speaker 3>knew I was buffed because I was driving the iron

2:12:08.760 --> 2:12:10.520
<v Speaker 3>getting ready for that set, and I was packing a

2:12:10.600 --> 2:12:13.480
<v Speaker 3>punching nigga. Never forget the ring in my ear was

2:12:13.560 --> 2:12:15.800
<v Speaker 3>hanging halfway to the floor, and I was so tight

2:12:15.880 --> 2:12:18.680
<v Speaker 3>I walked sideways out the door. Now the hoop hee

2:12:18.800 --> 2:12:21.320
<v Speaker 3>was lifted front side and rear, and the glass was

2:12:21.360 --> 2:12:24.560
<v Speaker 3>all tinted. Wasn't none of it clear? It was Craiger down.

2:12:24.640 --> 2:12:26.760
<v Speaker 3>Those are the rims. Was Craiger down with a cold

2:12:26.800 --> 2:12:30.400
<v Speaker 3>ass pearl deepest diamond tuck in the goddamn world. I

2:12:30.480 --> 2:12:33.880
<v Speaker 3>had quadraphonic headphones with the tone you could fix under

2:12:33.960 --> 2:12:36.320
<v Speaker 3>the seat. I had a thirty yard six. Now on

2:12:36.360 --> 2:12:38.320
<v Speaker 3>the way to the party, I was scraping and hopping

2:12:38.360 --> 2:12:39.600
<v Speaker 3>because I knew by the end of the night there

2:12:39.680 --> 2:12:40.680
<v Speaker 3>was gonna be some popping.

2:12:40.960 --> 2:12:43.120
<v Speaker 1>When I got to the set, I let it lay.

2:12:43.000 --> 2:12:43.600
<v Speaker 2>On the ground.

2:12:43.720 --> 2:12:46.720
<v Speaker 3>The budas came to check it out from Chinatown. Now,

2:12:46.760 --> 2:12:48.920
<v Speaker 3>when I fell in the party, it was niggas for days.

2:12:48.960 --> 2:12:51.720
<v Speaker 3>I was looking crazy, some hellified ways. I just walked

2:12:51.720 --> 2:12:54.120
<v Speaker 3>in the corner and listened as they talk. First James

2:12:54.160 --> 2:12:56.440
<v Speaker 3>Brown record, I jumped up from crip walk. Now I

2:12:56.560 --> 2:12:59.080
<v Speaker 3>was walking so hard. Niggas couldn't compete.

2:12:59.080 --> 2:12:59.920
<v Speaker 1>I to turn out the.

2:13:00.040 --> 2:13:03.120
<v Speaker 3>Party with my goddamn feet, but norridy. Then some niggas

2:13:03.160 --> 2:13:05.480
<v Speaker 3>went and got out of line. His nose, my fists

2:13:05.520 --> 2:13:08.440
<v Speaker 3>had no trouble to find. After driving the iron so

2:13:08.640 --> 2:13:11.080
<v Speaker 3>hard all that day. I drove his grilling in one

2:13:11.160 --> 2:13:14.120
<v Speaker 3>hell of a way, but his partners fell out. Sodid

2:13:14.240 --> 2:13:17.120
<v Speaker 3>mine squabron went on for quite a long time, but

2:13:17.240 --> 2:13:19.280
<v Speaker 3>then all of a sudden I heard some popping. I

2:13:19.360 --> 2:13:21.480
<v Speaker 3>knew not too soon this fire would be stopping. I

2:13:21.520 --> 2:13:24.280
<v Speaker 3>seen twenty two thirty eighths and a forty five. I

2:13:24.360 --> 2:13:27.640
<v Speaker 3>knew not too much would be left alive. The niggas

2:13:27.680 --> 2:13:30.120
<v Speaker 3>broke out, and a god damn raig because I didn't

2:13:30.120 --> 2:13:32.800
<v Speaker 3>think I seen the sawed off gauge, because I was

2:13:32.840 --> 2:13:33.320
<v Speaker 3>sent from.

2:13:33.280 --> 2:13:34.000
<v Speaker 1>Hell not heaven.

2:13:34.080 --> 2:13:36.400
<v Speaker 3>I broke out with the chrome played at three fifty seven,

2:13:36.640 --> 2:13:38.880
<v Speaker 3>and the name of the game is simply survival. At

2:13:38.920 --> 2:13:41.120
<v Speaker 3>the end of the night, ten was dead on arrival,

2:13:41.400 --> 2:13:43.680
<v Speaker 3>and me and my partners, we was gone like the winds.

2:13:44.040 --> 2:13:46.440
<v Speaker 3>Police blamed it on the crips of the brims, but

2:13:46.640 --> 2:13:48.760
<v Speaker 3>some niggas knew in the corner and the dark, them

2:13:48.840 --> 2:13:51.560
<v Speaker 3>crazy niggas reside and try and go park. They go

2:13:51.720 --> 2:13:54.800
<v Speaker 3>by the name of Burnett, zelln Trey, and they belonged

2:13:54.840 --> 2:13:57.600
<v Speaker 3>to the association called the EPA that was called the

2:13:57.640 --> 2:13:59.320
<v Speaker 3>Eliminator's Pimping Association.

2:13:59.480 --> 2:14:01.520
<v Speaker 1>That was one of my little cruise back in the deaths.

2:14:03.160 --> 2:14:03.640
<v Speaker 2>How are you.

2:14:08.040 --> 2:14:08.280
<v Speaker 1>There?

2:14:09.080 --> 2:14:13.720
<v Speaker 3>For the record, this is free hip hop, damn. This

2:14:13.920 --> 2:14:17.480
<v Speaker 3>is nineteen seventy say five.

2:14:19.360 --> 2:14:20.600
<v Speaker 1>In high school.

2:14:22.160 --> 2:14:25.800
<v Speaker 3>Saying these rhymes to the gang bangers to entertain them,

2:14:26.880 --> 2:14:30.640
<v Speaker 3>so I totain them. I can insert your gang name,

2:14:30.800 --> 2:14:32.760
<v Speaker 3>I can insert your shit into the set.

2:14:33.120 --> 2:14:35.880
<v Speaker 1>This is how I kept them savage niggas.

2:14:35.560 --> 2:14:36.240
<v Speaker 2>Off my pumper.

2:14:37.000 --> 2:14:39.360
<v Speaker 1>Your nigga said, say my name, cook put my name

2:14:39.400 --> 2:14:39.520
<v Speaker 1>in it.

2:14:39.760 --> 2:14:43.360
<v Speaker 3>So this is it. So when hip hop came, I'm like,

2:14:43.440 --> 2:14:45.720
<v Speaker 3>I could do that, but I just had to learn

2:14:45.760 --> 2:14:48.400
<v Speaker 3>how to syncopate it on the be. Some people still

2:14:48.440 --> 2:14:50.400
<v Speaker 3>don't them. I think I can syncopate it on the bee,

2:14:50.560 --> 2:14:53.120
<v Speaker 3>but that's another story. But that was my attempt to

2:14:53.280 --> 2:14:55.680
<v Speaker 3>learn how to do it. So that was gangster rap, right.

2:14:55.960 --> 2:14:59.080
<v Speaker 3>That's so if you count that, then maybe I am

2:14:59.160 --> 2:15:01.680
<v Speaker 3>the first. It wasn't recorded, so I'm in the I'm

2:15:01.760 --> 2:15:04.240
<v Speaker 3>in the club called two one three No three.

2:15:04.680 --> 2:15:05.839
<v Speaker 1>It was in Santa Monica.

2:15:07.280 --> 2:15:07.920
<v Speaker 2>And I hear this.

2:15:12.560 --> 2:15:16.240
<v Speaker 1>PSK making that green. People always say, what the hell

2:15:16.280 --> 2:15:19.240
<v Speaker 1>does that mean? Peace for the people who can't.

2:15:19.120 --> 2:15:22.240
<v Speaker 3>Understand, And the music sounded I don't never get high,

2:15:22.320 --> 2:15:23.680
<v Speaker 3>but it sounded like angel dust.

2:15:25.320 --> 2:15:26.760
<v Speaker 2>I can hear that.

2:15:26.960 --> 2:15:28.960
<v Speaker 1>I agree with that. I can hear the PSK.

2:15:29.480 --> 2:15:30.600
<v Speaker 2>All that reverb was like.

2:15:33.040 --> 2:15:35.880
<v Speaker 3>And all of a sudden, it's pimp niggas BSk, you know,

2:15:36.760 --> 2:15:39.040
<v Speaker 3>And then that then he said, I went to the DJ.

2:15:39.480 --> 2:15:40.000
<v Speaker 1>I put my.

2:15:40.080 --> 2:15:43.160
<v Speaker 3>Pistol up against his head, said suck ass nigga, I

2:15:43.160 --> 2:15:46.800
<v Speaker 3>should shoot you dead, And I was like, who is this?

2:15:47.600 --> 2:15:50.160
<v Speaker 1>So I do the research. They say it's school.

2:15:50.200 --> 2:15:51.600
<v Speaker 2>He d we have to go to the library.

2:15:51.640 --> 2:15:55.200
<v Speaker 1>I had Google. I had to check with my DJ

2:15:56.880 --> 2:15:58.880
<v Speaker 1>good but that record fucked me up.

2:15:58.960 --> 2:15:59.280
<v Speaker 3>That night.

2:15:59.360 --> 2:16:01.800
<v Speaker 1>I was in the up chilling doing my thing, but

2:16:01.960 --> 2:16:04.720
<v Speaker 1>that record, I was like, who is that? So we

2:16:04.840 --> 2:16:05.920
<v Speaker 1>found out schoolly D.

2:16:06.120 --> 2:16:10.440
<v Speaker 3>We did the research, said Philly like cool and they

2:16:10.600 --> 2:16:16.440
<v Speaker 3>like PSK stands for park side killers. I'm like, he's

2:16:16.640 --> 2:16:22.839
<v Speaker 3>rapping a sets ask PSK stands for park side killers,

2:16:23.400 --> 2:16:28.800
<v Speaker 3>A gang never been done before. No hip hop was

2:16:28.840 --> 2:16:30.800
<v Speaker 3>throw your hands in the air with peace love and

2:16:31.040 --> 2:16:33.879
<v Speaker 3>you know this nigga's rapping about a gang.

2:16:34.440 --> 2:16:38.920
<v Speaker 1>So I was like that was a green light, like oh,

2:16:39.040 --> 2:16:40.080
<v Speaker 1>all these other rhymes.

2:16:40.120 --> 2:16:42.600
<v Speaker 3>I got over here because I was like, you can't

2:16:42.680 --> 2:16:46.600
<v Speaker 3>do it like you gotta remember hip hop was like disco.

2:16:47.560 --> 2:16:51.240
<v Speaker 3>It was a marginalized early spikes. Yeah, it was like

2:16:51.400 --> 2:16:53.960
<v Speaker 3>being like rock star. So I'm like, but then I

2:16:54.160 --> 2:16:56.080
<v Speaker 3>but then I heard this and it was such a

2:16:56.320 --> 2:16:58.960
<v Speaker 3>dope record. Then then he had smoked some killed and

2:16:59.040 --> 2:17:04.320
<v Speaker 3>he was cursing in it, like let's go, So we

2:17:04.520 --> 2:17:05.360
<v Speaker 3>take the eight away.

2:17:05.480 --> 2:17:06.280
<v Speaker 1>We make the beat.

2:17:06.959 --> 2:17:10.760
<v Speaker 3>Uh, six in the morning was made six in the morning,

2:17:11.080 --> 2:17:14.280
<v Speaker 3>but Pepe game, Pepe game, six in the morning was

2:17:14.360 --> 2:17:17.480
<v Speaker 3>made kind of like to resemble a Beastie Boys beat.

2:17:19.520 --> 2:17:22.680
<v Speaker 3>BC Boys had a record came holding out hit it well,

2:17:23.560 --> 2:17:26.200
<v Speaker 3>I chill, will well, I got then it would stop

2:17:26.320 --> 2:17:30.480
<v Speaker 3>holding out boom, and then it would start boom. So

2:17:30.720 --> 2:17:34.920
<v Speaker 3>six in the morning stopped and started, and then then

2:17:35.360 --> 2:17:39.360
<v Speaker 3>and then boom boom. That was the Beastie Boys stopped.

2:17:39.400 --> 2:17:43.080
<v Speaker 3>I wanted to make the record stop and start right

2:17:43.200 --> 2:17:45.800
<v Speaker 3>so that I take I take that.

2:17:46.879 --> 2:17:47.320
<v Speaker 2>You got you.

2:17:47.480 --> 2:17:49.119
<v Speaker 1>DJ's understand what I'm saying.

2:17:49.000 --> 2:17:52.840
<v Speaker 3>Right, because right because that was if you listen to

2:17:52.879 --> 2:17:55.560
<v Speaker 3>holding out hit it, the record stopped holding that Wait

2:17:55.560 --> 2:17:59.080
<v Speaker 3>a minute, right, we'll have to bo it starts again.

2:17:59.440 --> 2:17:59.840
<v Speaker 2>The break.

2:18:00.000 --> 2:18:02.840
<v Speaker 3>It's just separate. So do our break with dn damn damn.

2:18:04.879 --> 2:18:10.320
<v Speaker 3>So now schooly d PSK was making that green. People

2:18:10.440 --> 2:18:12.000
<v Speaker 3>always say, what the hell does that mean?

2:18:12.600 --> 2:18:14.320
<v Speaker 1>Six in the morning? Police at my.

2:18:14.440 --> 2:18:21.080
<v Speaker 3>Door, fresh shaded this squeaker. Let me take you another woeman,

2:18:21.160 --> 2:18:23.680
<v Speaker 3>take you one more step. The boys in the hood

2:18:23.720 --> 2:18:28.040
<v Speaker 3>are always started talking that trash same ship, all three

2:18:28.600 --> 2:18:31.920
<v Speaker 3>the same k and same was followings. Dra will tell

2:18:31.959 --> 2:18:34.200
<v Speaker 3>you that Boys in the Hood is six in the

2:18:34.240 --> 2:18:35.000
<v Speaker 3>morning Part two.

2:18:35.600 --> 2:18:40.560
<v Speaker 2>Wow, I was today years old.

2:18:42.640 --> 2:18:44.240
<v Speaker 3>But see when I tell you when I when I

2:18:44.320 --> 2:18:47.720
<v Speaker 3>when I say it, it makes sense, makes total sense.

2:18:48.080 --> 2:18:51.960
<v Speaker 3>So Schooly d inspired six in the morning. But what

2:18:52.120 --> 2:18:54.960
<v Speaker 3>I did was six in the morning. I put the

2:18:55.120 --> 2:18:58.160
<v Speaker 3>guns and the drugs and all the other ship because

2:18:59.080 --> 2:19:03.320
<v Speaker 3>schooly was vain right, you know. Yeah, people always say

2:19:03.360 --> 2:19:06.200
<v Speaker 3>what peace for, the People can't understand how one by one,

2:19:07.120 --> 2:19:10.160
<v Speaker 3>home one homeboy became a man. As for the way

2:19:10.360 --> 2:19:13.480
<v Speaker 3>you scream and shall one by one, I'm knocking you out.

2:19:13.560 --> 2:19:15.800
<v Speaker 3>That was basically it. I was six in the morning.

2:19:15.879 --> 2:19:18.440
<v Speaker 3>Police at my door. You know, they found an oozy

2:19:18.520 --> 2:19:21.240
<v Speaker 3>and a hand canade and we beat the bitch down

2:19:21.320 --> 2:19:21.760
<v Speaker 3>at the guy.

2:19:21.840 --> 2:19:24.200
<v Speaker 1>You know, it's like I took the fentanyl on it.

2:19:24.320 --> 2:19:24.840
<v Speaker 1>I added it.

2:19:26.040 --> 2:19:30.240
<v Speaker 3>I took ANDID but yeah, it was on steroids. But

2:19:30.360 --> 2:19:34.920
<v Speaker 3>then what happened is Schoolly, here's it, and gave me

2:19:35.000 --> 2:19:38.600
<v Speaker 3>the He's like, yo, nigga, that's once, he said. Once

2:19:38.600 --> 2:19:40.920
<v Speaker 3>I heard the he said, that's it's hard. So me

2:19:40.959 --> 2:19:43.400
<v Speaker 3>and school he always were friends. It never turned into nothing.

2:19:43.760 --> 2:19:46.280
<v Speaker 3>And then when Q came out with boys in the hood.

2:19:47.720 --> 2:19:50.680
<v Speaker 1>I got it. It was just homaged one to the next.

2:19:51.360 --> 2:19:55.320
<v Speaker 3>School D now Schoolly D's in Philly. Schooly D started.

2:19:55.600 --> 2:20:00.840
<v Speaker 3>He started making no, no, no, that's that steady be

2:20:01.160 --> 2:20:04.119
<v Speaker 3>Oh my bad. I'm here to get you right, I'm

2:20:05.400 --> 2:20:11.080
<v Speaker 3>my hip hop cars. Yeah, yeah WOOI has been doing soundtracks.

2:20:11.120 --> 2:20:12.959
<v Speaker 3>He actually brought up King of New York. He did

2:20:13.040 --> 2:20:14.440
<v Speaker 3>the soundtrack for King of New York.

2:20:14.600 --> 2:20:14.880
<v Speaker 1>Wow.

2:20:15.320 --> 2:20:18.040
<v Speaker 3>Yeah, so school he's my dude, but yeah, school he

2:20:18.080 --> 2:20:20.080
<v Speaker 3>has old school style of rhyme and you know the

2:20:20.160 --> 2:20:22.320
<v Speaker 3>way it is that that SCHOOLI but he was always

2:20:23.000 --> 2:20:24.520
<v Speaker 3>dirty way.

2:20:24.640 --> 2:20:27.160
<v Speaker 1>So did you pick school e D or Coolie Rap?

2:20:27.320 --> 2:20:31.560
<v Speaker 3>We forgot I think I said both because come on,

2:20:31.760 --> 2:20:36.320
<v Speaker 3>it's a demo, like, yo, what the fuck? DJ polo like,

2:20:37.680 --> 2:20:41.320
<v Speaker 3>I think really like when we say rock, him was

2:20:41.400 --> 2:20:42.360
<v Speaker 3>the flower, but.

2:20:43.920 --> 2:20:47.800
<v Speaker 1>Cougie was the was. It was introduction a complex rhyme style.

2:20:48.680 --> 2:20:52.160
<v Speaker 3>Complex Tela Rock really was to me the first introduction

2:20:52.280 --> 2:20:56.000
<v Speaker 3>of the complex rhyme style. But then Coogie Raps sped

2:20:56.040 --> 2:20:59.120
<v Speaker 3>it up. Yeah, he took it into the future. I

2:20:59.160 --> 2:21:01.920
<v Speaker 3>didn't record with cool g Rap two for DJ k

2:21:02.120 --> 2:21:03.440
<v Speaker 3>slagh rest in Peace, one of his.

2:21:04.959 --> 2:21:05.879
<v Speaker 1>Yeah yeah.

2:21:06.320 --> 2:21:08.400
<v Speaker 3>I mean, I've been very fortunate to meet all my

2:21:08.480 --> 2:21:12.720
<v Speaker 3>idols and have them have a mutual respect. The first

2:21:12.760 --> 2:21:14.480
<v Speaker 3>thing is you meet your idol and they look at you,

2:21:14.520 --> 2:21:15.120
<v Speaker 3>they don't like you.

2:21:16.560 --> 2:21:20.160
<v Speaker 1>You a sucker. Oh you don't like them when you

2:21:20.240 --> 2:21:20.480
<v Speaker 1>meet it.

2:21:21.320 --> 2:21:23.840
<v Speaker 3>I've had that happen weird ship, you know, I'm into it.

2:21:24.440 --> 2:21:27.200
<v Speaker 3>I had somebody that I dis and I met and

2:21:27.320 --> 2:21:29.000
<v Speaker 3>they was the nicest person in the world.

2:21:29.640 --> 2:21:33.160
<v Speaker 1>I learned my lesson. I stopped that. You don't want

2:21:33.160 --> 2:21:37.120
<v Speaker 1>to say that first thing. I think it was. I

2:21:37.200 --> 2:21:43.160
<v Speaker 1>think it was mc shy d, remember Shidy, Yeah, well yo.

2:21:43.160 --> 2:21:45.280
<v Speaker 2>Shakey Atlanta, Miami.

2:21:45.320 --> 2:21:46.800
<v Speaker 1>I think yes.

2:21:47.280 --> 2:21:49.120
<v Speaker 3>And I don't know why. I don't even know why.

2:21:49.440 --> 2:21:51.560
<v Speaker 3>I wasn't a fan or what I meant. And he's like,

2:21:51.600 --> 2:21:53.560
<v Speaker 3>your wife's see you. My idol was like, yo, I'm

2:21:53.560 --> 2:21:57.000
<v Speaker 3>an asshole. I'm an ass out here in Miami. He was,

2:21:57.080 --> 2:22:00.480
<v Speaker 3>I'm a fucking asshole. This is the nicest dude in

2:22:00.560 --> 2:22:03.240
<v Speaker 3>the motherfucking world. I don't even know why. And you know,

2:22:03.360 --> 2:22:06.119
<v Speaker 3>at that point, I like I told you last night, man.

2:22:06.320 --> 2:22:09.440
<v Speaker 3>Music is religion is like ice cream. That's what it's

2:22:09.480 --> 2:22:11.200
<v Speaker 3>thirty one flavors. Whatever you like.

2:22:11.760 --> 2:22:14.520
<v Speaker 1>That's what you like. I've learned that over time it's

2:22:14.600 --> 2:22:16.000
<v Speaker 1>not for me to pick out your.

2:22:16.240 --> 2:22:19.280
<v Speaker 3>Preference in what you like. You like it for a

2:22:19.400 --> 2:22:22.040
<v Speaker 3>certain reason, you know what I'm saying. Eminem to me

2:22:22.160 --> 2:22:25.920
<v Speaker 3>is one of the most incredible rappers. Eminem right, Okay,

2:22:26.160 --> 2:22:29.200
<v Speaker 3>Eminem says his first record he ever heard was Reckless.

2:22:29.840 --> 2:22:29.960
<v Speaker 1>Right.

2:22:30.400 --> 2:22:33.800
<v Speaker 3>Eminem raps at a certain frequency. If you can't dial

2:22:33.840 --> 2:22:36.480
<v Speaker 3>into that frequency, you can't listen to Eminem forever. Because

2:22:36.680 --> 2:22:40.640
<v Speaker 3>Eminem raps at a certain frequency, I tune into a

2:22:40.760 --> 2:22:44.600
<v Speaker 3>lower voice. Does that mean I dislike Eminem? No, I

2:22:44.720 --> 2:22:49.560
<v Speaker 3>cannot wrap at his level. But for me listening, I'd

2:22:49.640 --> 2:22:51.400
<v Speaker 3>rather hear big Daddy King. You know what I'm saying.

2:22:51.400 --> 2:22:54.400
<v Speaker 3>It's just where my energy level is as a player

2:22:54.520 --> 2:22:55.960
<v Speaker 3>now and an older player too.

2:22:56.800 --> 2:23:02.680
<v Speaker 1>I ride around more chill mc Wren or Spice one,

2:23:05.959 --> 2:23:09.199
<v Speaker 1>both both because they both legends.

2:23:09.680 --> 2:23:10.280
<v Speaker 2>Wren is.

2:23:11.760 --> 2:23:12.480
<v Speaker 1>Oh yeah, shots.

2:23:14.000 --> 2:23:21.840
<v Speaker 3>Ren was always to meet the more serious, believable, dangerous

2:23:21.920 --> 2:23:27.240
<v Speaker 3>person in NWA because Ren was I remember Ren was

2:23:27.440 --> 2:23:35.119
<v Speaker 3>Easy's boy. So Ren was really Reren's birthday was yesterday, Yeah,

2:23:35.360 --> 2:23:36.800
<v Speaker 3>so Ren was really about it.

2:23:37.440 --> 2:23:37.600
<v Speaker 1>You know.

2:23:38.560 --> 2:23:42.920
<v Speaker 3>Spice One was just a fucking His style was incredible

2:23:43.000 --> 2:23:45.320
<v Speaker 3>and you know Stipe Spice one is still a beast.

2:23:48.040 --> 2:23:51.120
<v Speaker 3>I was once again. I love all West Coast because

2:23:51.160 --> 2:23:52.320
<v Speaker 3>all the bay, everybody.

2:23:52.440 --> 2:23:52.600
<v Speaker 4>Man.

2:23:52.879 --> 2:23:55.600
<v Speaker 3>See, when I started, I couldn't come out crippled blood.

2:23:55.600 --> 2:23:58.680
<v Speaker 3>I got to come out West Coast, you know, West Coast.

2:23:58.760 --> 2:24:01.400
<v Speaker 3>So everybody from two short, all the people up and

2:24:01.440 --> 2:24:03.560
<v Speaker 3>down the bay, it was all help to me.

2:24:04.320 --> 2:24:04.720
<v Speaker 1>M hmm.

2:24:05.879 --> 2:24:08.720
<v Speaker 2>Let me, let me added a different one, King t

2:24:08.879 --> 2:24:09.920
<v Speaker 2>or mc Breed.

2:24:11.480 --> 2:24:19.720
<v Speaker 1>Both both Uh ain't no ain't no future in the

2:24:19.760 --> 2:24:20.600
<v Speaker 1>fun funding.

2:24:21.760 --> 2:24:25.920
<v Speaker 3>I went to Flint, Michigan when Breed was alive, nicest

2:24:25.959 --> 2:24:26.640
<v Speaker 3>guy in the world.

2:24:26.840 --> 2:24:28.040
<v Speaker 1>Was there water good back then?

2:24:28.480 --> 2:24:32.040
<v Speaker 3>Yep, I lost my love. I lost my leather coat.

2:24:32.920 --> 2:24:35.320
<v Speaker 3>That's my only bad thing. You know how you do

2:24:35.400 --> 2:24:37.160
<v Speaker 3>it a show and you throw your leather coat. Niggas

2:24:37.200 --> 2:24:41.040
<v Speaker 3>sol the ship. I went back to the show. Where

2:24:41.120 --> 2:24:42.080
<v Speaker 3>is it that you didn't get it?

2:24:42.120 --> 2:24:43.080
<v Speaker 1>You didn't get it them niggas.

2:24:44.760 --> 2:24:47.879
<v Speaker 3>But uh, if you listen to a lot of any

2:24:48.360 --> 2:24:51.200
<v Speaker 3>Like everybody knows Breed's number one records, But if you

2:24:51.280 --> 2:24:54.360
<v Speaker 3>listen to any of his records, he's dope. Is dope,

2:24:54.760 --> 2:24:57.640
<v Speaker 3>Breed is dope. He up, He's wrapping his ass and

2:24:57.760 --> 2:25:00.119
<v Speaker 3>Now King T is a whole another.

2:25:01.480 --> 2:25:05.240
<v Speaker 1>You know. To me, King T was West Coast Biggie. Yeah.

2:25:05.360 --> 2:25:09.360
<v Speaker 3>The King T flow is so similar to Biggie's flow.

2:25:10.120 --> 2:25:12.199
<v Speaker 3>And I have a picture of him and Biggie together.

2:25:12.720 --> 2:25:20.119
<v Speaker 3>Wow wow Yeah. So you know, well, it's Tila man,

2:25:20.160 --> 2:25:23.000
<v Speaker 3>that's my guy. Man, that's my guy. King T has

2:25:23.040 --> 2:25:25.640
<v Speaker 3>what's called the drunk technique. You gotta get King T

2:25:25.840 --> 2:25:26.440
<v Speaker 3>on the no.

2:25:26.680 --> 2:25:30.560
<v Speaker 2>Yeah, I mean, alcohol is if anything, So for him.

2:25:30.440 --> 2:25:33.439
<v Speaker 3>To browse, he has to hit the right level of drunkness.

2:25:34.920 --> 2:25:37.360
<v Speaker 3>If he gets too high, can't do it. If he

2:25:37.440 --> 2:25:40.240
<v Speaker 3>gets not high enough to flow, don't happen when he

2:25:40.320 --> 2:25:42.360
<v Speaker 3>hits that. The drunk technique was one.

2:25:42.280 --> 2:25:43.160
<v Speaker 1>Of his records.

2:25:43.520 --> 2:25:47.800
<v Speaker 3>It's yodd. I mean, so the Kong Fu technique, the

2:25:47.879 --> 2:25:50.440
<v Speaker 3>drunken Monkey pretty much pretty much.

2:25:50.720 --> 2:25:56.040
<v Speaker 1>But Tila is. No one raps like King T. Nobody,

2:25:56.160 --> 2:25:59.880
<v Speaker 1>And to me, honestly, that's my thing. In hip hop.

2:26:00.040 --> 2:26:05.160
<v Speaker 3>It's like originality is number one. But there's no component

2:26:05.280 --> 2:26:07.760
<v Speaker 3>or jega, there's no nads, there's no so you name

2:26:07.800 --> 2:26:10.480
<v Speaker 3>it off people that just no, they're not replicas. But

2:26:11.240 --> 2:26:15.960
<v Speaker 3>you know, I've had people show my house fucking like

2:26:17.120 --> 2:26:20.360
<v Speaker 3>DHL men Ryan and they sound just like DMX. I'm like,

2:26:21.320 --> 2:26:24.040
<v Speaker 3>you sound like DMX. Like how many rappers are come

2:26:24.120 --> 2:26:25.600
<v Speaker 3>to me with demos that sound like Park.

2:26:25.680 --> 2:26:27.480
<v Speaker 2>I'm like, and tell you they sound like it too,

2:26:27.520 --> 2:26:28.160
<v Speaker 2>which is even.

2:26:28.320 --> 2:26:33.320
<v Speaker 1>Didn't count, motherfucker they say such and such. Ever last,

2:26:33.480 --> 2:26:35.520
<v Speaker 1>when I first met him, he sounded like rock him.

2:26:35.600 --> 2:26:38.680
<v Speaker 3>And he was really yeah, yeah he was in. He

2:26:38.840 --> 2:26:40.680
<v Speaker 3>sounded like when long when we have the long hair?

2:26:41.200 --> 2:26:43.480
<v Speaker 3>And I said, you dope, but you need to rap

2:26:43.520 --> 2:26:46.800
<v Speaker 3>in your own voice. A lot of rappers don't like

2:26:46.840 --> 2:26:49.720
<v Speaker 3>the sound of their own voice, so to emulate other

2:26:50.000 --> 2:26:50.720
<v Speaker 3>other rappers.

2:26:52.360 --> 2:26:54.360
<v Speaker 1>Yeah, the next.

2:26:55.800 --> 2:26:59.200
<v Speaker 3>Drink chance is dope. Are we getting into stuff? She

2:26:59.400 --> 2:27:01.920
<v Speaker 3>is opening, I'm opening up some good ship.

2:27:04.800 --> 2:27:05.240
<v Speaker 1>Hip hop.

2:27:05.560 --> 2:27:08.920
<v Speaker 2>We're going We're going to strip club Booby Trapper, Magic City.

2:27:10.680 --> 2:27:13.879
<v Speaker 3>I've never been to the only strip club in Miami

2:27:14.080 --> 2:27:15.760
<v Speaker 3>I think I ever been. Was Do y'all ever have

2:27:15.840 --> 2:27:20.800
<v Speaker 3>one called Diamonds and Rolex and Rolex Rolex back with Luke.

2:27:22.040 --> 2:27:25.520
<v Speaker 2>Yeah, I got a quick story for you. He was

2:27:25.720 --> 2:27:27.920
<v Speaker 2>I don't know, did Luke dude? Was there a players

2:27:27.959 --> 2:27:30.600
<v Speaker 2>ball in Miami? But he had a party so so

2:27:30.879 --> 2:27:33.680
<v Speaker 2>so Luke's remember the club Luke's Club, Yes, I was,

2:27:33.840 --> 2:27:36.600
<v Speaker 2>I was d Jane right, and Trick Daddy was there.

2:27:37.160 --> 2:27:39.080
<v Speaker 2>I remember that part. But I remember you coming up

2:27:39.120 --> 2:27:41.520
<v Speaker 2>to me. I'm DJing. I got a picture of this,

2:27:41.640 --> 2:27:44.959
<v Speaker 2>and you said, I want a rhyme. Play Shook One's

2:27:45.000 --> 2:27:48.800
<v Speaker 2>part two okay, And I played it and I'm deep

2:27:48.920 --> 2:27:50.600
<v Speaker 2>and yeah, and I got the picture of it.

2:27:50.760 --> 2:27:53.840
<v Speaker 1>Picture looks queerd, but we're.

2:27:53.720 --> 2:27:55.960
<v Speaker 2>Gonna put the picture in the episode. But it was,

2:27:56.040 --> 2:27:57.000
<v Speaker 2>it was, It was memorable.

2:27:57.840 --> 2:28:00.400
<v Speaker 1>I think that was the night I first ran into Pound.

2:28:01.160 --> 2:28:06.000
<v Speaker 2>I guarantee you it was. I never seen right, am

2:28:06.000 --> 2:28:07.760
<v Speaker 2>I right, guarantee it was.

2:28:07.920 --> 2:28:11.720
<v Speaker 3>I ran the Pound and I'd never seen so much jewelry.

2:28:13.240 --> 2:28:15.720
<v Speaker 3>I was like, who the fuck you? Yoo?

2:28:15.879 --> 2:28:16.160
<v Speaker 2>Pound?

2:28:16.200 --> 2:28:18.480
<v Speaker 3>What we fucks with That's all I care is. The

2:28:18.560 --> 2:28:20.000
<v Speaker 3>second word is we fuck with you?

2:28:20.200 --> 2:28:24.360
<v Speaker 2>And I'm good and Pound some real dudes, good dudes. Yeah.

2:28:24.680 --> 2:28:27.160
<v Speaker 3>Yeah, So I met them that night. They was They

2:28:27.280 --> 2:28:29.680
<v Speaker 3>was like, we fuck with you. I'm like, so then

2:28:29.760 --> 2:28:35.080
<v Speaker 3>I'm good. Good shout out to Pound, Pound.

2:28:37.640 --> 2:28:41.920
<v Speaker 2>All right. Law and Order organized crime or law and Order.

2:28:42.040 --> 2:28:44.160
<v Speaker 1>S v U them all s VU.

2:28:49.360 --> 2:28:53.280
<v Speaker 3>It's a different different okay, the law and Order, the

2:28:53.280 --> 2:28:55.400
<v Speaker 3>original law and Order. I give a little love the

2:28:55.480 --> 2:28:57.520
<v Speaker 3>original Law and Order, because without them we would have

2:28:57.600 --> 2:29:03.960
<v Speaker 3>never been on Lawn Order. Organized Crime is Chris Maloney's

2:29:03.959 --> 2:29:04.880
<v Speaker 3>show spin off.

2:29:05.400 --> 2:29:07.640
<v Speaker 1>But I got to fuck with my team. I had

2:29:07.680 --> 2:29:10.520
<v Speaker 1>to keep my motherfucking boat floating. You feel me s

2:29:10.640 --> 2:29:10.840
<v Speaker 1>for you.

2:29:11.360 --> 2:29:14.880
<v Speaker 3>Mariska hargeta most incredible woman to work with. I've been

2:29:15.040 --> 2:29:19.160
<v Speaker 3>very fortunate to have a sweet you know. Marishka was

2:29:19.280 --> 2:29:24.680
<v Speaker 3>Jane Mansfield's daughter. She comes from you know, royalty, right,

2:29:25.120 --> 2:29:27.480
<v Speaker 3>and I love working with her. And it's been a very,

2:29:27.720 --> 2:29:29.960
<v Speaker 3>very fun job. People say, well, how do you do

2:29:30.080 --> 2:29:33.800
<v Speaker 3>the job so long? Because I go to work every

2:29:33.879 --> 2:29:36.960
<v Speaker 3>day and everybody respects everybody and we all know we

2:29:37.080 --> 2:29:39.120
<v Speaker 3>all players on the team. So yeah, it's for you

2:29:40.320 --> 2:29:43.600
<v Speaker 3>season twenty five till season thirty to see till I

2:29:43.920 --> 2:29:46.680
<v Speaker 3>check out at this bitch, you.

2:29:46.760 --> 2:29:46.959
<v Speaker 6>Just do.

2:29:48.480 --> 2:29:50.879
<v Speaker 1>You look? End it out? Got one?

2:29:51.080 --> 2:29:51.320
<v Speaker 2>You know what?

2:29:52.000 --> 2:29:55.039
<v Speaker 3>Look look at Look at y'all? Why is this glass

2:29:55.200 --> 2:29:57.039
<v Speaker 3>not going down? Because that girl right there?

2:29:58.120 --> 2:30:00.120
<v Speaker 2>Shut out Jamie r Bartender.

2:30:00.040 --> 2:30:03.959
<v Speaker 1>Amy keep sliding in and I'm not Jamie.

2:30:04.000 --> 2:30:06.320
<v Speaker 3>Don't fill this up no more because I have no

2:30:06.520 --> 2:30:10.560
<v Speaker 3>reference point to how much I'm shrinking Chee the non

2:30:10.680 --> 2:30:13.480
<v Speaker 3>alcoholic Nigga drink Champs got.

2:30:13.440 --> 2:30:18.279
<v Speaker 2>Me Open right OG or Home Invasion og.

2:30:19.360 --> 2:30:23.440
<v Speaker 3>OG because OG, like I said, it was a result

2:30:23.520 --> 2:30:26.160
<v Speaker 3>of NWA coming out and ME coming hard as I

2:30:26.240 --> 2:30:28.760
<v Speaker 3>could at the time with the attempt to do a

2:30:28.800 --> 2:30:30.960
<v Speaker 3>double album, but Warner Brothers didn't want to put out

2:30:31.000 --> 2:30:33.200
<v Speaker 3>a double album because wax It went out and they

2:30:33.200 --> 2:30:35.640
<v Speaker 3>couldn't put more than seventy something minutes on a CD.

2:30:36.480 --> 2:30:40.520
<v Speaker 3>So that and then Home Invasion was me in turmoil.

2:30:40.640 --> 2:30:44.160
<v Speaker 3>Home Invasion was after cop Killer. That's when I went

2:30:44.200 --> 2:30:47.760
<v Speaker 3>over the priority and I was kind of like flustered.

2:30:47.920 --> 2:30:51.800
<v Speaker 3>So it was an angry album. I don't like making angry.

2:30:51.959 --> 2:30:54.280
<v Speaker 3>I don't like making impulsive music.

2:30:55.280 --> 2:30:58.600
<v Speaker 1>I like to make reactive right. Yeah you might, but

2:30:58.760 --> 2:30:59.240
<v Speaker 1>it was good.

2:30:59.320 --> 2:31:01.760
<v Speaker 3>The first record on Home Invasion is the best rum

2:31:01.840 --> 2:31:04.320
<v Speaker 3>it's on when I'm mad at the Source. Source Magazine,

2:31:04.360 --> 2:31:08.279
<v Speaker 3>you're the first one, you know, Fuck Source Magazine.

2:31:08.640 --> 2:31:11.160
<v Speaker 1>How do you know you pick? You picked Chuck Cuban me,

2:31:11.320 --> 2:31:12.959
<v Speaker 1>how the fuck you pick us? Three?

2:31:13.240 --> 2:31:17.600
<v Speaker 3>They dissed us three? Yeah, I said, you punk motherfucker

2:31:17.680 --> 2:31:20.840
<v Speaker 3>think ship. You're just a bunch of whores making money. No,

2:31:21.160 --> 2:31:24.800
<v Speaker 3>I said, Source, you punk motherfucker think ship, You're just

2:31:24.879 --> 2:31:28.200
<v Speaker 3>a bunch of hoes making money off the pros, and

2:31:28.280 --> 2:31:29.920
<v Speaker 3>when I see it'll get you in your site.

2:31:30.040 --> 2:31:33.000
<v Speaker 1>In my sights, I'll give you ask a story to write.

2:31:36.480 --> 2:31:40.879
<v Speaker 2>Magazine in that one. Being an actor, being a musician,

2:31:42.879 --> 2:31:45.440
<v Speaker 2>whoever you want to take, just being an MC.

2:31:48.480 --> 2:31:55.720
<v Speaker 1>Both both, I'll explain, okay, please.

2:32:00.760 --> 2:32:05.480
<v Speaker 3>Being a musician is beautiful because I control everything I

2:32:05.600 --> 2:32:07.360
<v Speaker 3>go in the studio. I get to pick the beat

2:32:07.440 --> 2:32:09.959
<v Speaker 3>or make the beat. I write the lyrics, I create

2:32:10.040 --> 2:32:14.440
<v Speaker 3>the entire picture. Acting you're just doing what you say.

2:32:14.560 --> 2:32:17.840
<v Speaker 3>I have to act until you're happy. I have to

2:32:17.959 --> 2:32:20.920
<v Speaker 3>fill your image. If you're the director effort and he's

2:32:20.920 --> 2:32:23.320
<v Speaker 3>say no, now you are more mad than that, I

2:32:23.400 --> 2:32:23.800
<v Speaker 3>get mad.

2:32:23.879 --> 2:32:25.920
<v Speaker 1>You know, no, split the difference, so I'm working off

2:32:25.920 --> 2:32:27.080
<v Speaker 1>of you. So it's different.

2:32:27.480 --> 2:32:29.720
<v Speaker 3>The only way acting would be like music, but I

2:32:29.920 --> 2:32:32.880
<v Speaker 3>wrote it, directed it, and produced it. But usually as

2:32:32.920 --> 2:32:37.880
<v Speaker 3>an actor, you're falling into somebody else's vision. But that

2:32:38.120 --> 2:32:42.160
<v Speaker 3>being said, both of them are dream jobs. Both of

2:32:42.160 --> 2:32:46.720
<v Speaker 3>them jobs you don't ever retire from ever. I cannot.

2:32:47.000 --> 2:32:49.400
<v Speaker 3>I can stop making records forever. If I go to

2:32:49.440 --> 2:32:51.440
<v Speaker 3>a Norri show and he calls me up on the state,

2:32:51.520 --> 2:32:54.920
<v Speaker 3>I got bars. And also like rock Kim said, I

2:32:55.120 --> 2:32:58.320
<v Speaker 3>came in the door, said it before. I never let

2:32:58.400 --> 2:33:01.039
<v Speaker 3>the mic magnetize me no more. Well, even when I'm

2:33:01.040 --> 2:33:03.520
<v Speaker 3>at other people's show, I'm like thinking in my head

2:33:03.640 --> 2:33:10.680
<v Speaker 3>some bars just in case I get called off because

2:33:10.680 --> 2:33:13.560
<v Speaker 3>you're black out, You'll be on somebody. You know, fujis

2:33:13.560 --> 2:33:16.440
<v Speaker 3>pull you up. You're like, oh shit, so you know

2:33:16.640 --> 2:33:19.280
<v Speaker 3>you you know, sometimes even if I'm going to people's show,

2:33:19.840 --> 2:33:22.040
<v Speaker 3>I might say I might practice some shit just on

2:33:22.160 --> 2:33:23.800
<v Speaker 3>the way there, just because.

2:33:23.600 --> 2:33:24.600
<v Speaker 1>I don't wrap off the head.

2:33:24.600 --> 2:33:26.520
<v Speaker 3>I'm a writer, so I got to figure out which

2:33:26.560 --> 2:33:29.360
<v Speaker 3>I'm gonna pull up at that moment. You know. But uh,

2:33:30.600 --> 2:33:34.080
<v Speaker 3>and acting, who retires from acting? Those are dream jobs.

2:33:35.080 --> 2:33:37.560
<v Speaker 3>Those are those people dream to do that ship.

2:33:38.400 --> 2:33:42.240
<v Speaker 1>So for the rest of your life and making music

2:33:42.480 --> 2:33:44.280
<v Speaker 1>could be bad, your needs be bad.

2:33:44.560 --> 2:33:48.920
<v Speaker 3>In the movie, in the show, I mean, Morgan Freeman

2:33:49.000 --> 2:33:49.760
<v Speaker 3>is still getting the bad.

2:33:50.360 --> 2:33:52.200
<v Speaker 2>You get ahead of the bag, you know.

2:33:52.360 --> 2:33:56.200
<v Speaker 3>So it's entertainment is something that's beautiful and if you

2:33:56.440 --> 2:33:58.840
<v Speaker 3>are fortunate enough to be able to make a career

2:33:59.040 --> 2:34:01.240
<v Speaker 3>doing it, first off, you're living a miracle.

2:34:01.959 --> 2:34:04.000
<v Speaker 2>The mirror of percentages are very loaded.

2:34:04.440 --> 2:34:09.480
<v Speaker 1>Yeah, you don't have counleises right, what like, like, hey man,

2:34:09.720 --> 2:34:12.640
<v Speaker 1>I got fucked up hands from the jewelry stealing jewelry

2:34:12.720 --> 2:34:15.960
<v Speaker 1>back in the day. I got ready for that. But yeah,

2:34:16.440 --> 2:34:17.480
<v Speaker 1>but I uh.

2:34:19.280 --> 2:34:21.920
<v Speaker 3>Yeah, they're both dream jobs. And I think as long

2:34:21.959 --> 2:34:23.879
<v Speaker 3>as you know it and you're aware of it, you'll

2:34:23.920 --> 2:34:28.200
<v Speaker 3>continue to be blessed. I'm very, very fucking fortunate, you know,

2:34:28.320 --> 2:34:31.920
<v Speaker 3>to be still in the game. Like I said, when

2:34:31.959 --> 2:34:33.880
<v Speaker 3>Law and Orders, I'm just gonna go read for all

2:34:33.959 --> 2:34:38.200
<v Speaker 3>Samuel Jackson's part. You know, I can say motherfuckers just

2:34:38.320 --> 2:34:40.720
<v Speaker 3>like him. You know what I'm saying. So I'll read

2:34:40.800 --> 2:34:42.760
<v Speaker 3>for all Samuel's parts. Maybe I'll get a couple.

2:34:43.480 --> 2:34:46.240
<v Speaker 2>And trying to get in Marshall's You've been doing crazy.

2:34:46.360 --> 2:34:47.160
<v Speaker 2>Marshall's is good.

2:34:47.879 --> 2:34:51.039
<v Speaker 3>I fucking uh was watching Shaq one day. Shaq said

2:34:51.040 --> 2:34:52.920
<v Speaker 3>he never spent any money out of the NBA.

2:34:53.360 --> 2:34:53.760
<v Speaker 6>It was like.

2:34:55.280 --> 2:34:56.200
<v Speaker 1>And I saw that.

2:34:56.600 --> 2:34:59.440
<v Speaker 3>I was like we So I called my manager. I said,

2:34:59.440 --> 2:35:04.959
<v Speaker 3>I need some I need some like advertising gigs. They

2:35:05.040 --> 2:35:08.760
<v Speaker 3>won't fuck with you, top killer, you bad this, I said,

2:35:08.760 --> 2:35:13.360
<v Speaker 3>give me. I need to advertising agent. So we got somebody.

2:35:13.640 --> 2:35:16.119
<v Speaker 3>The first one I got was the Lemonade read the sign,

2:35:19.000 --> 2:35:21.160
<v Speaker 3>so I do that and they waiting on the blowback.

2:35:21.240 --> 2:35:24.840
<v Speaker 3>They waiting on something and no one said anything, And

2:35:24.920 --> 2:35:26.720
<v Speaker 3>next thing you know, I just start getting the fun

2:35:27.959 --> 2:35:31.280
<v Speaker 3>I got one coming out. Of course, I got car shield.

2:35:31.520 --> 2:35:34.880
<v Speaker 3>Car shield is a car shill is a gig. So

2:35:35.000 --> 2:35:37.000
<v Speaker 3>what happens is you go out, you do the ship.

2:35:37.480 --> 2:35:39.640
<v Speaker 3>They like it, and they sign you on for years.

2:35:40.680 --> 2:35:44.440
<v Speaker 2>It's like getting the show. So you do a year deal,

2:35:44.600 --> 2:35:45.080
<v Speaker 2>a year.

2:35:45.000 --> 2:35:47.640
<v Speaker 3>Deal that lets you run the commercials all year. At

2:35:47.640 --> 2:35:49.560
<v Speaker 3>the end of that year they got to read up

2:35:50.600 --> 2:35:52.200
<v Speaker 3>and me, I just didn't want you see them what

2:35:52.280 --> 2:35:55.800
<v Speaker 3>I did with Iverson and Rick Flair yep, yep. And

2:35:55.920 --> 2:36:00.280
<v Speaker 3>the bag is the bag is substantial. The people that

2:36:00.440 --> 2:36:01.280
<v Speaker 3>have that.

2:36:01.680 --> 2:36:07.320
<v Speaker 5>Do promotion like Cheerios. Yeah, those ad agencies have they

2:36:07.440 --> 2:36:08.200
<v Speaker 5>flush with cash.

2:36:08.879 --> 2:36:11.480
<v Speaker 1>Cheerios Nigga, How the fuck I get on a Cheerios box?

2:36:13.120 --> 2:36:15.039
<v Speaker 1>Just said, I don't know neither.

2:36:15.160 --> 2:36:20.760
<v Speaker 3>I'll tell you how. I'll tell you how. Even though

2:36:20.800 --> 2:36:26.640
<v Speaker 3>we off topic. The Guardian, the gates have changed. The

2:36:27.160 --> 2:36:31.120
<v Speaker 3>gate the gatekeepers, yep. The people that used to be

2:36:31.200 --> 2:36:32.320
<v Speaker 3>in charge are gone.

2:36:32.440 --> 2:36:34.800
<v Speaker 1>They grew up. The new people that are in charge

2:36:34.959 --> 2:36:35.720
<v Speaker 1>are are fans.

2:36:35.879 --> 2:36:36.080
<v Speaker 2>Yep.

2:36:36.959 --> 2:36:38.840
<v Speaker 3>How the fuck did Snoop and them get at the

2:36:38.920 --> 2:36:42.200
<v Speaker 3>super Bowl because the person that's making the call is

2:36:42.280 --> 2:36:45.040
<v Speaker 3>forty eight years old. They grew up with us. The

2:36:45.160 --> 2:36:49.279
<v Speaker 3>old motherfuckers are gone. The people that I love Ice

2:36:49.920 --> 2:36:53.040
<v Speaker 3>fuck that he put them on Cheerios boss. He's thirty

2:36:53.120 --> 2:36:57.119
<v Speaker 3>seven years old, ceo, billionaire. So now right now, that's.

2:36:57.040 --> 2:37:01.760
<v Speaker 1>Why Snoop is doing so. Snoop just in Taco Bell Corona.

2:37:02.680 --> 2:37:08.800
<v Speaker 5>But the people during Corona, though, Let's just be clear,

2:37:08.920 --> 2:37:11.879
<v Speaker 5>during Corona that made me say, look, he this Corona.

2:37:12.959 --> 2:37:17.560
<v Speaker 1>I don't even know, but Corona, everybody was moving away.

2:37:17.400 --> 2:37:17.879
<v Speaker 2>From that beer.

2:37:18.160 --> 2:37:21.440
<v Speaker 1>He's like, wait a minute, it's the cat that's like.

2:37:21.680 --> 2:37:30.959
<v Speaker 3>Fiftieth anniversary of hip hop. Hip hop has gray hair. Yes,

2:37:31.080 --> 2:37:32.199
<v Speaker 3>I mean, I'm clearly.

2:37:36.040 --> 2:37:39.800
<v Speaker 1>So. The people that are in charge are grown.

2:37:40.879 --> 2:37:44.600
<v Speaker 3>So the theory that you're gonna walk into anything, I

2:37:44.640 --> 2:37:47.720
<v Speaker 3>don't care whatever it is, and you're gonna run into

2:37:47.760 --> 2:37:48.800
<v Speaker 3>somebody doesn't like you.

2:37:48.959 --> 2:37:49.320
<v Speaker 1>Fuck that.

2:37:49.640 --> 2:37:52.120
<v Speaker 3>I'm gonna walk in meet the CEO and he's gonna

2:37:52.120 --> 2:37:53.920
<v Speaker 3>be Ice. I went to college with you, I grew

2:37:54.040 --> 2:37:56.840
<v Speaker 3>up with you. Man, Let's get some money, you know,

2:37:56.879 --> 2:37:59.200
<v Speaker 3>I remember I remember Ozzy Osbourne bit the head off

2:37:59.240 --> 2:38:02.240
<v Speaker 3>the bat. Right now, we could put out a bat cereal.

2:38:04.720 --> 2:38:06.160
<v Speaker 3>Why was he on the cover and it would self,

2:38:06.720 --> 2:38:09.400
<v Speaker 3>parents would get it, the kids would have no idea

2:38:09.560 --> 2:38:12.720
<v Speaker 3>and it would sell. Because the guards have changed. You

2:38:12.760 --> 2:38:14.560
<v Speaker 3>wouldn't be on the radio if the guard I mean

2:38:14.640 --> 2:38:19.760
<v Speaker 3>on podcast, if it wasn't the guards have changed. He's

2:38:19.800 --> 2:38:23.120
<v Speaker 3>in our guard right, how about that?

2:38:24.200 --> 2:38:27.520
<v Speaker 2>But what you said is important is still being in

2:38:27.640 --> 2:38:30.880
<v Speaker 2>this space is a percentage thing. And everybody's lucky that

2:38:30.959 --> 2:38:32.400
<v Speaker 2>can actually survive in the space.

2:38:32.800 --> 2:38:35.400
<v Speaker 3>Yes, if you can survive in the space. But the

2:38:35.879 --> 2:38:39.760
<v Speaker 3>new people are our people. They grew up on us.

2:38:40.560 --> 2:38:43.760
<v Speaker 3>So the fear of ice tea is no longer there.

2:38:44.440 --> 2:38:47.240
<v Speaker 3>The fear of cop killers. Know, I was there when

2:38:47.280 --> 2:38:47.800
<v Speaker 3>that happened.

2:38:47.800 --> 2:38:48.320
<v Speaker 1>We love you.

2:38:48.520 --> 2:38:51.600
<v Speaker 3>Fuck that, you know, let's get some money. When I

2:38:51.680 --> 2:38:55.000
<v Speaker 3>saw Snoop with Leiah Coca back in the day, I'm

2:38:55.080 --> 2:38:59.440
<v Speaker 3>like yo. Then with Barbara Waltz, mart mother Stewart, that

2:38:59.640 --> 2:39:03.080
<v Speaker 3>was it selling lighters like Martha Stewart should be an

2:39:03.120 --> 2:39:05.359
<v Speaker 3>honorary honorary member of g unit.

2:39:08.240 --> 2:39:10.360
<v Speaker 1>Because she did her time. She held her water.

2:39:11.120 --> 2:39:16.200
<v Speaker 2>We should have she's able to drink cham. She held

2:39:16.240 --> 2:39:17.480
<v Speaker 2>the water. She got caught.

2:39:17.600 --> 2:39:21.560
<v Speaker 1>She said all right, He.

2:39:21.600 --> 2:39:23.640
<v Speaker 5>Said she should be honorary member of g UNIT. I

2:39:23.760 --> 2:39:31.400
<v Speaker 5>respect that she didn't. Yes, I mean I respect her

2:39:31.520 --> 2:39:31.960
<v Speaker 5>gangst It.

2:39:32.680 --> 2:39:33.440
<v Speaker 1>She did a ship.

2:39:33.560 --> 2:39:35.959
<v Speaker 3>She's back doing her things. She fucks with Snoop. She's

2:39:36.000 --> 2:39:37.119
<v Speaker 3>obviously a real woman.

2:39:38.760 --> 2:39:39.520
<v Speaker 2>That's real ship.

2:39:40.160 --> 2:39:41.119
<v Speaker 1>You wonder that we're.

2:39:40.959 --> 2:39:43.880
<v Speaker 2>Almost done with quick times, not so quick time with slime.

2:39:44.879 --> 2:39:47.640
<v Speaker 1>We having fun with it. We elaborate fact.

2:39:47.640 --> 2:39:49.640
<v Speaker 3>We're gonna show you how quick time should be done.

2:39:50.200 --> 2:39:54.760
<v Speaker 3>Just answered the mother question, elaborate.

2:39:55.440 --> 2:39:58.039
<v Speaker 2>All right, I'm gonna make this a three way quicker.

2:39:58.080 --> 2:40:00.440
<v Speaker 3>I would elaborate on that for us. Second, I just

2:40:00.480 --> 2:40:02.200
<v Speaker 3>heard that pimp and you just put down. But could

2:40:02.240 --> 2:40:03.120
<v Speaker 3>you elaborate on that?

2:40:05.920 --> 2:40:08.640
<v Speaker 2>So there's gonna be a three way question. New York,

2:40:08.760 --> 2:40:09.640
<v Speaker 2>Miami or l A.

2:40:11.120 --> 2:40:15.480
<v Speaker 1>Okay, I mean all all, all of above.

2:40:15.520 --> 2:40:16.480
<v Speaker 2>I was still drinking.

2:40:17.240 --> 2:40:23.760
<v Speaker 1>I love I took a shot for that. I love Miami.

2:40:25.040 --> 2:40:26.440
<v Speaker 1>I start with Miami. Okay.

2:40:28.080 --> 2:40:30.039
<v Speaker 3>First place I became in the United States, they had

2:40:30.080 --> 2:40:33.760
<v Speaker 3>blue water, you know New York.

2:40:33.840 --> 2:40:39.040
<v Speaker 1>That shit's crazy. Yeah, come on, It's like, it's like,

2:40:39.200 --> 2:40:42.240
<v Speaker 1>let's speak on this. It's like it's like seaweed and ship.

2:40:42.840 --> 2:40:43.480
<v Speaker 2>I came down here.

2:40:43.520 --> 2:40:44.600
<v Speaker 1>I'm like I'm in the Caribbean.

2:40:44.720 --> 2:40:46.760
<v Speaker 3>You know. I used to live in Sonnyiles. I had

2:40:46.800 --> 2:40:49.520
<v Speaker 3>a patent Sonny ailes and go out as beach. It's beautiful.

2:40:53.000 --> 2:40:54.560
<v Speaker 3>Miami's going through transitions.

2:40:54.600 --> 2:40:57.720
<v Speaker 1>You know. I've been coming out here for years, so

2:40:57.760 --> 2:40:58.320
<v Speaker 1>it's different.

2:40:58.400 --> 2:40:58.560
<v Speaker 3>You know.

2:40:58.720 --> 2:41:01.400
<v Speaker 1>I came out here one time on Memorial Day.

2:41:01.400 --> 2:41:04.240
<v Speaker 3>I never seen so many white T shirts and tims

2:41:04.280 --> 2:41:06.760
<v Speaker 3>and my motherfucker around.

2:41:06.760 --> 2:41:07.520
<v Speaker 2>How can I be down?

2:41:07.959 --> 2:41:11.760
<v Speaker 1>I was like, yo, let me take my bad mass

2:41:11.800 --> 2:41:14.960
<v Speaker 1>back up. The North plays like. I was like, it

2:41:15.040 --> 2:41:18.480
<v Speaker 1>was yo, what nigga was yo? Yo? I'm like, okay,

2:41:18.640 --> 2:41:21.000
<v Speaker 1>they got wilder on the times, so I was like cool.

2:41:21.000 --> 2:41:24.840
<v Speaker 3>But I love Miami. It's beautiful, it's fun. The people

2:41:24.879 --> 2:41:26.560
<v Speaker 3>are here. You just got to know where to hang

2:41:26.640 --> 2:41:28.840
<v Speaker 3>and what to do. I mean, we're playing on going

2:41:28.879 --> 2:41:31.760
<v Speaker 3>down to Miami Beach tonight. We're staying up here. We're

2:41:31.760 --> 2:41:35.120
<v Speaker 3>going down to Miami Beach tonight with the wives, have

2:41:35.240 --> 2:41:40.200
<v Speaker 3>some dinner, enjoy it. It's a beautiful place. New York

2:41:40.320 --> 2:41:42.800
<v Speaker 3>I learned to love New York. I came to New York.

2:41:42.879 --> 2:41:45.040
<v Speaker 3>I'm like, first, when I got to New York, I

2:41:45.160 --> 2:41:48.039
<v Speaker 3>was shook because I came in the winter and everybody

2:41:48.040 --> 2:41:51.360
<v Speaker 3>had coats niggas looked big. I thought niggas was looking

2:41:51.400 --> 2:41:53.280
<v Speaker 3>at me. I'm like, niggas is looking at me, Like, no,

2:41:53.360 --> 2:41:55.200
<v Speaker 3>they ain't looking at you. Niggas in New York got

2:41:55.240 --> 2:41:55.680
<v Speaker 3>shipped to.

2:41:55.800 --> 2:41:59.800
<v Speaker 1>Do, they got shit to do. They ain't not thinking

2:41:59.840 --> 2:42:00.440
<v Speaker 1>of about you.

2:42:01.320 --> 2:42:05.280
<v Speaker 3>So I like, I like, you know, New York is

2:42:05.360 --> 2:42:08.320
<v Speaker 3>different because y'all don't really have the gang, so to speak.

2:42:08.760 --> 2:42:12.440
<v Speaker 3>But Bronx niggas don't fuck with Brooklyn. Niggas don't fuck

2:42:12.440 --> 2:42:15.240
<v Speaker 3>you know. It's different. But I'm from I'm in Manhattan,

2:42:16.120 --> 2:42:18.039
<v Speaker 3>so you know. I hooked up with Smooth, a hustler

2:42:18.120 --> 2:42:22.800
<v Speaker 3>trigger to gambler uh Brooklyn, and then of course I'm

2:42:22.840 --> 2:42:24.840
<v Speaker 3>hooked in with the Zulu cats. I used to roll

2:42:24.879 --> 2:42:28.640
<v Speaker 3>with Vo and all the Sugar Ray and all them

2:42:28.720 --> 2:42:29.040
<v Speaker 3>up there.

2:42:31.080 --> 2:42:33.600
<v Speaker 1>I love New York City. I don't think there's another

2:42:33.680 --> 2:42:36.240
<v Speaker 1>city in the world like New York City. No, damn

2:42:36.720 --> 2:42:39.400
<v Speaker 1>New York is. A New York is like a Rubik's cube.

2:42:39.600 --> 2:42:41.640
<v Speaker 3>No matter how long you lived in New York, you

2:42:41.720 --> 2:42:46.000
<v Speaker 3>can't tell a nigga what's on twenty sixth Streets. And

2:42:46.080 --> 2:42:52.360
<v Speaker 3>if you do, and if you lived on twenty sixth Street,

2:42:52.400 --> 2:42:55.320
<v Speaker 3>you can't tell them what's on twenty seventh And if

2:42:55.360 --> 2:42:57.200
<v Speaker 3>you know what's on twenty seventh, you don't know what's

2:42:57.240 --> 2:42:59.520
<v Speaker 3>on the thirty fourth floor and in the back. So

2:42:59.640 --> 2:43:01.960
<v Speaker 3>you go the building in New York. Downstairs it's a

2:43:02.040 --> 2:43:05.480
<v Speaker 3>regular store. Next door is somebody Sweet, next door is

2:43:05.480 --> 2:43:07.119
<v Speaker 3>the next floor is a sweatshop.

2:43:07.840 --> 2:43:11.200
<v Speaker 1>Next floor is some S and M shit. Next floor is.

2:43:11.280 --> 2:43:16.080
<v Speaker 3>Somebody got this badass, you know, loft hook. Next floor

2:43:16.200 --> 2:43:19.040
<v Speaker 3>is abandoned. It's like New York. And then then it

2:43:19.120 --> 2:43:20.879
<v Speaker 3>does this once you think you know what, it shifts

2:43:21.840 --> 2:43:26.199
<v Speaker 3>like that hell razor ball. New York's a deep motherfucker.

2:43:26.320 --> 2:43:29.320
<v Speaker 3>You can never penetrate the depth of New York City,

2:43:30.320 --> 2:43:35.680
<v Speaker 3>right And then La. I love La, but LA is

2:43:35.720 --> 2:43:41.960
<v Speaker 3>violent and LA is a very very fucked up place

2:43:43.959 --> 2:43:46.240
<v Speaker 3>outside of the nice areas. You know, when you go

2:43:46.320 --> 2:43:48.640
<v Speaker 3>to Beverly Hills, a lot of people come to LA

2:43:48.720 --> 2:43:50.200
<v Speaker 3>and they go, oh, yeah, I was in La.

2:43:50.280 --> 2:43:52.560
<v Speaker 1>I'm like nigga, you was on Sunset.

2:43:54.080 --> 2:43:57.360
<v Speaker 3>La is forty to fifty square miles of niggas and

2:43:57.560 --> 2:44:01.480
<v Speaker 3>Mexicans surrounding it, and we that we have gangs, and

2:44:01.800 --> 2:44:06.200
<v Speaker 3>the gangs are extremely dangerous and growing up there, just

2:44:06.320 --> 2:44:10.560
<v Speaker 3>going from block to block is dangerous. I don't really

2:44:10.680 --> 2:44:14.400
<v Speaker 3>fuck around in LA, like I survived LA, but I

2:44:14.440 --> 2:44:14.840
<v Speaker 3>don't go.

2:44:15.040 --> 2:44:17.560
<v Speaker 1>Back and hang out like you go back to the block.

2:44:17.680 --> 2:44:21.480
<v Speaker 3>Now you go back to prison. You went to prison,

2:44:21.560 --> 2:44:26.600
<v Speaker 3>you go back visit nigga yah nah Non, I don't

2:44:26.640 --> 2:44:29.000
<v Speaker 3>because I made it. And you're safe when you got

2:44:29.040 --> 2:44:31.000
<v Speaker 3>your boots on the ground. I don't care what neighborhood

2:44:31.000 --> 2:44:33.400
<v Speaker 3>you're from. You're safe when you got your boots on

2:44:33.480 --> 2:44:36.840
<v Speaker 3>the ground and you know everything that's happening, everything's moving.

2:44:36.879 --> 2:44:39.040
<v Speaker 3>But once you leave and you come back, you're not

2:44:39.200 --> 2:44:42.440
<v Speaker 3>tied in like that. You're not tied in like that.

2:44:42.920 --> 2:44:46.720
<v Speaker 3>And I had a story going back to LA. I

2:44:47.920 --> 2:44:50.199
<v Speaker 3>went to Crenshaw, but I hung in the forties before

2:44:50.240 --> 2:44:53.160
<v Speaker 3>the forties had a gag and they want to go

2:44:53.200 --> 2:44:55.480
<v Speaker 3>shoot an album cover of magazine cover.

2:44:55.600 --> 2:44:58.080
<v Speaker 1>So I back to forty second. I'm there.

2:44:58.120 --> 2:45:00.760
<v Speaker 3>I'm in the corner right by a liquor store, and

2:45:00.959 --> 2:45:04.080
<v Speaker 3>they got the white people shooting the video and little

2:45:04.200 --> 2:45:07.200
<v Speaker 3>niggas from the forties. Now, Crip said, it's being very

2:45:07.320 --> 2:45:11.160
<v Speaker 3>disrespectful folk. Are these white people coming up in the hood.

2:45:11.200 --> 2:45:14.720
<v Speaker 3>D I'm ice tea. Niggas would not back down. Man,

2:45:14.840 --> 2:45:15.520
<v Speaker 3>fuck that ice.

2:45:15.560 --> 2:45:16.320
<v Speaker 2>You ain't woo.

2:45:16.440 --> 2:45:21.720
<v Speaker 3>I'm like, yeah, so I called down the street. I

2:45:21.760 --> 2:45:23.800
<v Speaker 3>call my boy Shiny Mack who lived on the street.

2:45:24.120 --> 2:45:27.320
<v Speaker 1>Yo, mac man. These little niggas over here is being disrespectful. Nigga.

2:45:27.320 --> 2:45:31.600
<v Speaker 3>I'm in Colorado, nigga, my age, I'm out. So I'm like,

2:45:32.720 --> 2:45:37.039
<v Speaker 3>call little called Big Timmy. Who's Big Timmy? Big Timmy?

2:45:37.440 --> 2:45:41.640
<v Speaker 3>My boy Leonnon Jackson's Timmy Fly. That's Lennon Jackson's son.

2:45:41.760 --> 2:45:45.240
<v Speaker 3>I mean I'm little, uh brother, you mean Timmy?

2:45:45.240 --> 2:45:46.200
<v Speaker 1>I used to carry it like this.

2:45:46.920 --> 2:45:49.720
<v Speaker 3>Oh no, that's Big Timmy. Now that's Timmy Fly. I

2:45:49.840 --> 2:45:52.520
<v Speaker 3>call him, Yo, Timmy. I'm around the corner from your

2:45:52.640 --> 2:45:53.280
<v Speaker 3>mother's house.

2:45:54.160 --> 2:45:54.560
<v Speaker 1>Oh what up?

2:45:54.640 --> 2:45:57.720
<v Speaker 3>Unto your little forty niggas be in disrespectful Hold up,

2:45:57.720 --> 2:45:59.920
<v Speaker 3>He hits the corner, jumps out, smacking niggas.

2:46:00.720 --> 2:46:03.600
<v Speaker 1>Nigga. That's my uncle Couz nigga trying to die. But

2:46:03.720 --> 2:46:07.160
<v Speaker 1>I'll clears it out. We shoot. What did I learned?

2:46:07.480 --> 2:46:10.160
<v Speaker 3>It's not my rep it's the nigga that's putting a

2:46:10.200 --> 2:46:13.360
<v Speaker 3>foot in the ass on a daily basis that they

2:46:13.520 --> 2:46:17.520
<v Speaker 3>scared of. They don't know the shit about me, So therefore,

2:46:17.640 --> 2:46:22.520
<v Speaker 3>in the hood. My card is invalid to these little niggas.

2:46:23.720 --> 2:46:26.760
<v Speaker 3>They don't give a fuck. I'm an old nigga, so

2:46:26.920 --> 2:46:30.119
<v Speaker 3>fuck I'm like, I'm not hanging out. I can't hang

2:46:30.200 --> 2:46:32.640
<v Speaker 3>out no more. I'm not supposed to be there. And

2:46:32.800 --> 2:46:36.240
<v Speaker 3>always say Also, if I he gets shot or if

2:46:36.280 --> 2:46:38.600
<v Speaker 3>I die, I supposed to die someplace I should be.

2:46:39.280 --> 2:46:44.240
<v Speaker 3>I should slip and falling Gucci's or some shit nigga

2:46:44.280 --> 2:46:46.800
<v Speaker 3>can't nigga was in the hood. I don't want the

2:46:46.879 --> 2:46:49.280
<v Speaker 3>niggas to be in my funeral. Like dumb motherfucker. What

2:46:49.480 --> 2:46:54.120
<v Speaker 3>was that nigga doing over there? Why was Nori back

2:46:54.240 --> 2:46:57.640
<v Speaker 3>or what you know, Nori flipped the speedy boat, you know,

2:46:57.840 --> 2:47:01.400
<v Speaker 3>like you know that's how it shit happens. I can't

2:47:01.440 --> 2:47:06.320
<v Speaker 3>get caught, but yeah, some pimpsit, you know fly you

2:47:06.400 --> 2:47:08.680
<v Speaker 3>know in this pop private jet trip.

2:47:09.040 --> 2:47:13.080
<v Speaker 1>Look at not But it can't be niggas in the funeral,

2:47:13.200 --> 2:47:17.400
<v Speaker 1>Like dumb ass. Why was nice even hanging out with

2:47:17.560 --> 2:47:18.199
<v Speaker 1>these niggas?

2:47:18.280 --> 2:47:18.440
<v Speaker 6>You know?

2:47:18.760 --> 2:47:21.320
<v Speaker 3>Like so I always think about that, like I can't

2:47:21.360 --> 2:47:24.120
<v Speaker 3>be in the caught in the wrong place. So l

2:47:24.200 --> 2:47:28.760
<v Speaker 3>a man, my heart bleeds for La. But LA is

2:47:29.560 --> 2:47:34.040
<v Speaker 3>is a dangerous place with whether you're from there or

2:47:34.120 --> 2:47:36.080
<v Speaker 3>you're not. People like, oh you think you got I

2:47:36.120 --> 2:47:37.960
<v Speaker 3>don't have no pass. I got to pass maybe in

2:47:38.040 --> 2:47:41.640
<v Speaker 3>my little neighborhood. I go over there, I'm out of bounds.

2:47:41.959 --> 2:47:47.440
<v Speaker 3>You know what's the kid PMB manchesting like nigga. I

2:47:47.480 --> 2:47:50.600
<v Speaker 3>don't even go there. I'm from La them is Swan's

2:47:50.640 --> 2:47:53.320
<v Speaker 3>over there. Every area got a gang. I don't know

2:47:53.400 --> 2:47:58.240
<v Speaker 3>them niggas, God bless them. But man, stay in bounds.

2:47:58.280 --> 2:48:01.640
<v Speaker 3>If you go to l A, stay above Wiltshire, go

2:48:02.280 --> 2:48:05.879
<v Speaker 3>go into you know, West Hollywood and all the night,

2:48:05.920 --> 2:48:09.200
<v Speaker 3>don't whow It's like, why would I come to New

2:48:09.320 --> 2:48:11.520
<v Speaker 3>York and like take me to the grimiest area?

2:48:12.440 --> 2:48:14.520
<v Speaker 1>Kind of sens does that make? You said you used

2:48:14.520 --> 2:48:15.800
<v Speaker 1>to like to do that. I used to do that.

2:48:16.560 --> 2:48:24.720
<v Speaker 5>It's crazy, you know, it's crazy. When I first got out,

2:48:25.320 --> 2:48:27.280
<v Speaker 5>That's what I thought. Was it, like, you know, we

2:48:27.320 --> 2:48:29.879
<v Speaker 5>will go to a certain place and we will say, Yo,

2:48:31.320 --> 2:48:34.320
<v Speaker 5>where's the hood. So we didn't want the weed man

2:48:34.400 --> 2:48:36.440
<v Speaker 5>to come to us like how we do now. We

2:48:36.520 --> 2:48:37.680
<v Speaker 5>wanted to go to the weed man.

2:48:37.760 --> 2:48:39.160
<v Speaker 1>So we would go. We would do that and we

2:48:39.200 --> 2:48:39.920
<v Speaker 1>would enjoy it.

2:48:40.360 --> 2:48:42.920
<v Speaker 5>And it was the matter that I'm a fucking forty

2:48:42.959 --> 2:48:45.480
<v Speaker 5>five year old girl man with kids. I realized that

2:48:45.600 --> 2:48:48.280
<v Speaker 5>was the dumbest shit I probably ever did. Like, like

2:48:48.760 --> 2:48:50.600
<v Speaker 5>I was already I'm there to do a show, I'm

2:48:50.600 --> 2:48:53.800
<v Speaker 5>there for business, and I'm requested to go to the

2:48:53.920 --> 2:48:57.959
<v Speaker 5>worst area that's in that city to buy bud.

2:48:58.200 --> 2:49:00.080
<v Speaker 3>I mean, you know what, that's kind of how I

2:49:00.160 --> 2:49:02.320
<v Speaker 3>met you. So it's kind of it's kind of like

2:49:02.480 --> 2:49:04.640
<v Speaker 3>good and bad, you know what I'm saying. Like, but

2:49:05.080 --> 2:49:08.840
<v Speaker 3>what I'm saying is like that sound of play is crazy, now,

2:49:08.959 --> 2:49:10.920
<v Speaker 3>you know what I mean, Like it's dangerous.

2:49:11.000 --> 2:49:12.680
<v Speaker 1>Well, let me go to the next question before we

2:49:12.720 --> 2:49:14.240
<v Speaker 1>go to the last, quick time, let me say something

2:49:14.240 --> 2:49:15.400
<v Speaker 1>about that real quick.

2:49:16.640 --> 2:49:19.400
<v Speaker 3>When we used to travel from sea from city to city,

2:49:20.440 --> 2:49:22.920
<v Speaker 3>I was I had a mentality of taking me to

2:49:23.040 --> 2:49:25.480
<v Speaker 3>your leader. So like when we go to a city,

2:49:25.560 --> 2:49:27.360
<v Speaker 3>I would be like, you know, when I would meet people,

2:49:27.400 --> 2:49:28.760
<v Speaker 3>I'm like, who the niggas around here?

2:49:28.959 --> 2:49:30.800
<v Speaker 1>And I would bring them to my show.

2:49:31.560 --> 2:49:34.760
<v Speaker 3>I would show them love, I'd give them passes and

2:49:34.840 --> 2:49:38.439
<v Speaker 3>ship and that was how I would always stay secure.

2:49:38.240 --> 2:49:40.119
<v Speaker 1>Instead of acting like we can go to the actual

2:49:40.240 --> 2:49:41.960
<v Speaker 1>not not going in your hood. Fuck that.

2:49:42.200 --> 2:49:47.080
<v Speaker 3>Yeah, but I'll invite them to the hotel, but get

2:49:47.160 --> 2:49:49.840
<v Speaker 3>them some you know, laminates, things of that nature.

2:49:50.160 --> 2:49:51.000
<v Speaker 1>And then I was good.

2:49:51.040 --> 2:49:53.000
<v Speaker 3>I always said, you know, we're here in your town

2:49:53.520 --> 2:49:55.360
<v Speaker 3>because all gangsters want is respect.

2:49:56.120 --> 2:49:58.360
<v Speaker 1>That's all they want. You show them that. Hey man,

2:49:58.400 --> 2:50:01.400
<v Speaker 1>I'm paying amens, your wife, you fucking fans. Okay, yo, we.

2:50:01.480 --> 2:50:03.840
<v Speaker 3>Hear we in your town. Let us show us how

2:50:03.879 --> 2:50:05.720
<v Speaker 3>you move. But like you say, I'm not going to

2:50:05.800 --> 2:50:09.200
<v Speaker 3>the club after with you guys. That ain't gonna happen. No,

2:50:09.240 --> 2:50:12.400
<v Speaker 3>I'm good, I'm chilling the hotel. You don't need to

2:50:12.480 --> 2:50:15.000
<v Speaker 3>push your stripes. You don't need to push how the

2:50:15.120 --> 2:50:18.800
<v Speaker 3>streets you are. You know, I always say, if you

2:50:18.920 --> 2:50:22.160
<v Speaker 3>challenge your street, the streets will catch your fade. They'll

2:50:22.200 --> 2:50:27.000
<v Speaker 3>take your fathe ice think you can't get god, somebody

2:50:27.040 --> 2:50:30.280
<v Speaker 3>will catch that fade. So I don't want no beef.

2:50:32.640 --> 2:50:33.800
<v Speaker 3>I don't want no beef neither.

2:50:34.440 --> 2:50:36.720
<v Speaker 5>But on that note, hold on, I got to ask

2:50:36.760 --> 2:50:38.920
<v Speaker 5>you this because this is on the list. This is

2:50:39.040 --> 2:50:43.359
<v Speaker 5>my producers will make this questions iced tea soldier boy.

2:50:45.840 --> 2:50:48.120
<v Speaker 1>Hey yo, this drinks are really starting to sink here.

2:50:49.640 --> 2:50:56.840
<v Speaker 1>I'm not even gonna validate that. That's a joke. Question.

2:51:00.120 --> 2:51:02.640
<v Speaker 1>Let's build on that. How did that start? What the

2:51:02.680 --> 2:51:06.080
<v Speaker 1>hell happened? I don't get it. I was in the studio.

2:51:06.920 --> 2:51:10.080
<v Speaker 1>I want Soldier Boy to hear this. Okay, Yes, I

2:51:10.200 --> 2:51:10.520
<v Speaker 1>was in the.

2:51:10.560 --> 2:51:16.160
<v Speaker 3>Studio making a mixtape for some of my homies. I'm

2:51:16.240 --> 2:51:19.200
<v Speaker 3>in the booth. The niggas start fucking with me in

2:51:19.320 --> 2:51:21.840
<v Speaker 3>the booth like they trying to, you know, like a fighter,

2:51:21.959 --> 2:51:25.760
<v Speaker 3>trying to get you to spit. Niggas don't want to

2:51:25.800 --> 2:51:27.840
<v Speaker 3>hear you, nigga. They want that Soldier Boy. They want

2:51:27.879 --> 2:51:32.480
<v Speaker 3>some Hurricane Chris nigga. I'm like, fuck them niggas, and

2:51:32.600 --> 2:51:34.640
<v Speaker 3>that's how it started. I just said I don't even know.

2:51:34.680 --> 2:51:37.160
<v Speaker 3>I didn't even know who Soldier Boy was. I was like,

2:51:37.280 --> 2:51:39.040
<v Speaker 3>fuck them niggas, and then I just went on my

2:51:39.480 --> 2:51:42.600
<v Speaker 3>old school iced tea nigga heat and bitchy. I mean,

2:51:42.680 --> 2:51:44.680
<v Speaker 3>you know, you put a nigga in front of me,

2:51:44.800 --> 2:51:46.680
<v Speaker 3>I'm a devour them. I don't even know who it is,

2:51:47.200 --> 2:51:50.440
<v Speaker 3>so I was talking my shit. I don't know who

2:51:50.520 --> 2:51:53.960
<v Speaker 3>Soldier Boy is. I have nothing against the guy. These

2:51:54.120 --> 2:51:56.840
<v Speaker 3>idiots took that and put it at the front of

2:51:56.920 --> 2:52:00.720
<v Speaker 3>the mixtape. These guys aren't my friends.

2:52:00.720 --> 2:52:01.160
<v Speaker 1>Anymore.

2:52:03.720 --> 2:52:04.160
<v Speaker 2>You feel me?

2:52:04.920 --> 2:52:07.360
<v Speaker 3>You feel me right now? You could we could go

2:52:07.440 --> 2:52:10.039
<v Speaker 3>in the studio. Were chilling right now. I know I'm

2:52:10.080 --> 2:52:14.039
<v Speaker 3>being filmed, so I'm be held accountable for every single

2:52:14.160 --> 2:52:17.199
<v Speaker 3>word I say. But if me and you is chilling

2:52:17.680 --> 2:52:20.279
<v Speaker 3>and I'm talking shit and I look over and Homie

2:52:20.320 --> 2:52:24.160
<v Speaker 3>got the camera, Oh yeah, what's that old nigga's hood TV?

2:52:24.959 --> 2:52:27.840
<v Speaker 3>Niga hood TV nigga? I might segue into a murder

2:52:27.959 --> 2:52:30.280
<v Speaker 3>nigga like Kanti turn that shit off? Right?

2:52:32.360 --> 2:52:34.840
<v Speaker 1>So they took something. It was.

2:52:35.040 --> 2:52:41.160
<v Speaker 3>It was just me talking shit, right, that goes out?

2:52:41.640 --> 2:52:42.800
<v Speaker 3>Soldier boy pops up?

2:52:42.879 --> 2:52:45.360
<v Speaker 1>Fuck? Iiced ta old ass nigga? Is that? And the third?

2:52:45.400 --> 2:52:48.160
<v Speaker 3>But oh la la la. I could have let that die.

2:52:48.640 --> 2:52:51.280
<v Speaker 3>But my son, who was eighteen years old, Dad, you

2:52:51.440 --> 2:52:52.920
<v Speaker 3>gotta replag.

2:52:56.600 --> 2:52:57.240
<v Speaker 2>Y'all feel me?

2:52:57.680 --> 2:53:01.400
<v Speaker 3>My son tells me I got to reply because he's on.

2:53:01.480 --> 2:53:04.160
<v Speaker 2>The same age way. So I'm in Arizona.

2:53:04.200 --> 2:53:08.560
<v Speaker 3>I say some dumb shit and I regret it because

2:53:08.640 --> 2:53:10.600
<v Speaker 3>people looked at it like I just jumped out of

2:53:10.680 --> 2:53:12.720
<v Speaker 3>my bed and went in on the kid. That's not

2:53:12.840 --> 2:53:16.279
<v Speaker 3>how it happened. It was just and even the insults.

2:53:16.360 --> 2:53:19.120
<v Speaker 3>I was not even aiming it at him. I didn't

2:53:19.120 --> 2:53:22.520
<v Speaker 3>really even know. They just Hurricane Chris who is he?

2:53:23.080 --> 2:53:26.040
<v Speaker 3>He's a rapper, right, I was talking about depth. I

2:53:26.080 --> 2:53:29.720
<v Speaker 3>don't know them. Hurricane sold you. I'm not your enemy.

2:53:29.800 --> 2:53:32.120
<v Speaker 3>I don't know you like I don't care like. It

2:53:32.240 --> 2:53:35.520
<v Speaker 3>wasn't that thing, but it got bent out of shape

2:53:35.600 --> 2:53:36.480
<v Speaker 3>and people.

2:53:36.360 --> 2:53:41.520
<v Speaker 1>Like ICEH, well you did say some real shit. I

2:53:41.640 --> 2:53:46.040
<v Speaker 1>regret it because that's not my character. My character ain't

2:53:46.120 --> 2:53:47.480
<v Speaker 1>to go in on niggas like that.

2:53:47.680 --> 2:53:48.879
<v Speaker 2>But you know, I learned.

2:53:48.920 --> 2:53:51.240
<v Speaker 3>I learned my lesson. I ain't talking shit about no

2:53:51.440 --> 2:53:56.440
<v Speaker 3>fucking body, then fuck that because it's counterproductive. It don't

2:53:56.480 --> 2:53:59.360
<v Speaker 3>make you no money. You know, it don't make you

2:53:59.440 --> 2:54:01.680
<v Speaker 3>no money, will make you bigger, They'll make you smarter.

2:54:02.320 --> 2:54:05.279
<v Speaker 3>Dissing people if they're not your flavored.

2:54:05.400 --> 2:54:07.240
<v Speaker 1>It's not my flavor, you know.

2:54:07.400 --> 2:54:09.960
<v Speaker 3>But people will turn something that's not a diss into

2:54:10.040 --> 2:54:12.480
<v Speaker 3>a disc because I say, I like DMX over P

2:54:13.560 --> 2:54:14.680
<v Speaker 3>A dis not.

2:54:14.760 --> 2:54:17.920
<v Speaker 1>A disk preferent.

2:54:18.000 --> 2:54:20.760
<v Speaker 2>They create narratives to monetize.

2:54:20.920 --> 2:54:22.600
<v Speaker 1>Now we're looking at your shirt. You got a shirt

2:54:22.680 --> 2:54:25.320
<v Speaker 1>with every sponsor in the world. This is an F

2:54:25.440 --> 2:54:25.960
<v Speaker 1>one shirt.

2:54:28.200 --> 2:54:28.360
<v Speaker 6>Yeah.

2:54:28.360 --> 2:54:32.720
<v Speaker 3>I was fortunate enough to meet Lewis Hamilton back I

2:54:32.920 --> 2:54:36.800
<v Speaker 3>w C. Yeah, well Louis Dries from Mercedes. He used

2:54:36.840 --> 2:54:37.800
<v Speaker 3>to drive from McLaren.

2:54:38.240 --> 2:54:42.480
<v Speaker 1>But I'm a w C. Right, I'm a car guy.

2:54:42.600 --> 2:54:43.480
<v Speaker 1>So you just had the.

2:54:45.480 --> 2:54:48.440
<v Speaker 3>Formula one down here. So I'm friends and he's a

2:54:48.520 --> 2:54:51.680
<v Speaker 3>black kid, and he's you know, world champion three times.

2:54:52.320 --> 2:55:01.040
<v Speaker 5>So yeah, the last last one one. This is the

2:55:01.160 --> 2:55:03.400
<v Speaker 5>last quick time of slanm question. We still got more,

2:55:03.440 --> 2:55:07.600
<v Speaker 5>but QuickTime of slant loyalty or respect?

2:55:08.280 --> 2:55:11.200
<v Speaker 1>Loyalty? Loyalty? Why?

2:55:13.120 --> 2:55:18.080
<v Speaker 3>Because loyalty can save your life. Loyalty is the most

2:55:18.120 --> 2:55:23.160
<v Speaker 3>difficult thing, you know. I say, respects about the hardest

2:55:23.240 --> 2:55:25.960
<v Speaker 3>damn thing on the streets to earn. But respect is

2:55:26.080 --> 2:55:29.960
<v Speaker 3>ego based. It's like, do I care if people respect

2:55:30.000 --> 2:55:31.680
<v Speaker 3>me or this, that and the other. I don't care

2:55:31.680 --> 2:55:33.480
<v Speaker 3>if you respect me, but if you're loyal to me,

2:55:34.000 --> 2:55:35.360
<v Speaker 3>I much more prefer that.

2:55:36.200 --> 2:55:40.680
<v Speaker 1>I prefer loyalty. You know, a nigga can respect you

2:55:40.760 --> 2:55:43.960
<v Speaker 1>and still throw you in under the jail. Wow, you

2:55:44.080 --> 2:55:46.640
<v Speaker 1>know I love you? But yeah, but a loyal motherfucker

2:55:46.680 --> 2:55:48.199
<v Speaker 1>won't turn on you. See.

2:55:50.160 --> 2:55:54.680
<v Speaker 3>The difference is I won't cross you, not because I'm

2:55:54.680 --> 2:55:57.279
<v Speaker 3>gonna get caught, not because.

2:55:58.600 --> 2:55:59.320
<v Speaker 2>I'm a rat.

2:56:00.000 --> 2:56:05.200
<v Speaker 1>It's because I can't. That's loyalty. I just can't do it.

2:56:06.320 --> 2:56:09.120
<v Speaker 1>It's my motherfucking man. I cannot do it.

2:56:09.800 --> 2:56:12.640
<v Speaker 3>So that's why whenever somebody out is pocket, out of pocket,

2:56:12.800 --> 2:56:17.000
<v Speaker 3>talking out of line, saying ship, you gotta understand it.

2:56:17.120 --> 2:56:19.200
<v Speaker 3>That's not loyalty, because if I'm loyal to you, I

2:56:19.280 --> 2:56:23.560
<v Speaker 3>will never utter a word out of my mouth against it.

2:56:24.040 --> 2:56:30.280
<v Speaker 1>I can't do it. I can't. I take a shot

2:56:30.320 --> 2:56:30.480
<v Speaker 1>to that.

2:56:30.720 --> 2:56:31.200
<v Speaker 2>I can't.

2:56:31.440 --> 2:56:34.760
<v Speaker 3>I mean, yeah, FN let me he helped me down.

2:56:35.560 --> 2:56:37.320
<v Speaker 3>He helped me down. I was fucked up. I slep

2:56:37.480 --> 2:56:38.000
<v Speaker 3>on his count.

2:56:38.040 --> 2:56:40.040
<v Speaker 1>By the way, we're gonna correct you. His name's e F.

2:56:43.120 --> 2:56:43.840
<v Speaker 1>That's after.

2:56:46.680 --> 2:56:55.920
<v Speaker 2>DJ e f N about hold on, I want to

2:56:56.000 --> 2:56:59.520
<v Speaker 2>go to the root of body count. Let go where

2:56:59.560 --> 2:57:02.760
<v Speaker 2>does that? Where do you get that? Where did you?

2:57:02.920 --> 2:57:04.000
<v Speaker 2>Where did that come into play?

2:57:04.080 --> 2:57:04.120
<v Speaker 1>Like?

2:57:04.240 --> 2:57:05.320
<v Speaker 2>What what's THEO of that?

2:57:05.560 --> 2:57:11.520
<v Speaker 3>Real quickly, my mother died, my father died. I was

2:57:11.640 --> 2:57:13.600
<v Speaker 3>moved to Los Angeles to live with my aunt.

2:57:14.879 --> 2:57:15.560
<v Speaker 2>She had a son.

2:57:15.720 --> 2:57:19.360
<v Speaker 1>Her name His name was Earl. He thought he was

2:57:19.480 --> 2:57:20.200
<v Speaker 1>Jimmy Hendrix.

2:57:21.080 --> 2:57:21.200
<v Speaker 6>Uh.

2:57:21.440 --> 2:57:24.000
<v Speaker 3>He kept the radio station on the rock stations. I

2:57:24.080 --> 2:57:25.920
<v Speaker 3>had to live in a room with him, so I

2:57:26.120 --> 2:57:31.240
<v Speaker 3>was put into the rock world by listening to everything

2:57:31.320 --> 2:57:41.520
<v Speaker 3>from Jef throw Tall, Black Sabbath, Shit traffic Ello, Blue

2:57:41.560 --> 2:57:45.640
<v Speaker 3>Oyster called all the rock beds. So I understood rock.

2:57:45.959 --> 2:57:49.080
<v Speaker 3>I also understood punk because punk came through Black Flag

2:57:49.720 --> 2:57:50.520
<v Speaker 3>things of that nation.

2:57:51.160 --> 2:57:55.320
<v Speaker 1>Okay, that's part one. I grew up listening to.

2:57:55.400 --> 2:57:59.840
<v Speaker 3>Parliament Funkadelic things like that, so rock and guitars were

2:57:59.840 --> 2:58:02.760
<v Speaker 3>all always part of my thing. I go on tour

2:58:02.800 --> 2:58:05.760
<v Speaker 3>with Public Enemy, I go to Europe and the kids

2:58:05.800 --> 2:58:10.760
<v Speaker 3>are moshing off of hip hop. Now, if you played

2:58:10.800 --> 2:58:13.720
<v Speaker 3>in front of a mosh pit before mop it's wow.

2:58:14.360 --> 2:58:18.400
<v Speaker 3>So once you see a moshpit, fuck a crowd, marsh pits,

2:58:18.879 --> 2:58:22.120
<v Speaker 3>that's the shit. So I'm like, yo, this shit is dope, right,

2:58:22.480 --> 2:58:24.800
<v Speaker 3>So now I want to make music for Mashpip. They

2:58:24.840 --> 2:58:28.120
<v Speaker 3>would mash off of terrooy Dome and fast stuff. So

2:58:28.240 --> 2:58:31.360
<v Speaker 3>now I got Ernie. C Ernie c was my childhood friend,

2:58:31.400 --> 2:58:33.920
<v Speaker 3>went to Crenshall High School with me. He was a

2:58:34.000 --> 2:58:36.600
<v Speaker 3>guitar virtuo. So I said, let's make a metal band.

2:58:36.680 --> 2:58:40.200
<v Speaker 3>Let's make a rock band like O Jimmy Hendrix, but

2:58:40.360 --> 2:58:45.520
<v Speaker 3>more like thrash, more fast, more fast. But I sing

2:58:45.640 --> 2:58:49.520
<v Speaker 3>about the same things I sing about, and that's where

2:58:49.560 --> 2:58:55.119
<v Speaker 3>body Count was introduced, and the first album had cop Killer, KKK, bitch,

2:58:55.600 --> 2:58:58.760
<v Speaker 3>different things on it. It was also a chance for

2:58:59.040 --> 2:59:01.960
<v Speaker 3>Iced Tea to pick another lane. Hip hop is now

2:59:02.040 --> 2:59:04.520
<v Speaker 3>getting crowded, I said, so I did it on the

2:59:04.600 --> 2:59:08.360
<v Speaker 3>original Gangster album. Body Count just recently won the Grammy

2:59:08.520 --> 2:59:10.720
<v Speaker 3>for Best Metal Profile.

2:59:10.840 --> 2:59:11.560
<v Speaker 2>Congratulations.

2:59:16.440 --> 2:59:19.280
<v Speaker 1>So it's also like black people don't even know I

2:59:19.360 --> 2:59:20.600
<v Speaker 1>got a bad black count.

2:59:21.160 --> 2:59:23.760
<v Speaker 3>So we played for one hundred thousand people over at

2:59:23.800 --> 2:59:27.560
<v Speaker 3>the download Fest in Europe. I just finished a new

2:59:27.600 --> 2:59:31.960
<v Speaker 3>album which is called Merciless, and it's just a side

2:59:32.040 --> 2:59:34.640
<v Speaker 3>gig to turn into a major gig. Now body Count

2:59:34.720 --> 2:59:40.240
<v Speaker 3>sells more records than IC see wow, So that's BodyCount BC.

2:59:41.280 --> 2:59:42.400
<v Speaker 1>And also body Count.

2:59:43.080 --> 2:59:46.200
<v Speaker 3>The name body Count was how many people we got

2:59:46.320 --> 2:59:48.320
<v Speaker 3>to show that we dope to become fans.

2:59:48.560 --> 2:59:53.320
<v Speaker 1>And then also it's BC blood crip wow.

2:59:55.240 --> 3:00:00.040
<v Speaker 3>Wow Yeah, so BC, BodyCount fans, respect to your A

3:00:00.240 --> 3:00:01.000
<v Speaker 3>new albums coming.

3:00:01.040 --> 3:00:04.959
<v Speaker 1>It's called Merciless. My first promotion on Drink Champs. That's goddamn.

3:00:08.560 --> 3:00:10.320
<v Speaker 3>And I just showed I just showed Nori in a

3:00:10.400 --> 3:00:12.920
<v Speaker 3>body Count video for Rain and Blood.

3:00:13.120 --> 3:00:14.240
<v Speaker 2>I'm wearing a relaxed T.

3:00:14.360 --> 3:00:16.360
<v Speaker 1>Shirt and a relaxed star Rock T shirt.

3:00:16.840 --> 3:00:22.039
<v Speaker 3>Starck there you go, there you go, There she goes.

3:00:22.560 --> 3:00:28.480
<v Speaker 3>She would lose that bullshit. The bottomless drink. It's got

3:00:28.680 --> 3:00:31.760
<v Speaker 3>icy on drinks. Everybody out there is watching this to say,

3:00:31.800 --> 3:00:33.440
<v Speaker 3>I see you say you don't drink, and it's that,

3:00:33.480 --> 3:00:36.400
<v Speaker 3>and it's a that's it's the truth. I really naturally

3:00:36.600 --> 3:00:38.800
<v Speaker 3>don't drink. But I'm not afraid of drink. I'm not

3:00:38.840 --> 3:00:41.680
<v Speaker 3>afraid of marijuana. I've never smoked weed, but I've been

3:00:41.760 --> 3:00:43.800
<v Speaker 3>on the levels of contact high.

3:00:43.840 --> 3:00:46.000
<v Speaker 2>I ain't smoke either, but we're smoking right now with Nori.

3:00:47.560 --> 3:00:50.240
<v Speaker 1>I hung around smoking right right now. I've been on

3:00:50.400 --> 3:00:51.520
<v Speaker 1>levels of contact high.

3:00:51.600 --> 3:00:54.000
<v Speaker 3>My son was working in a dispensary I never forget,

3:00:54.360 --> 3:00:56.280
<v Speaker 3>and they were smoking all kinds of shit. You know

3:00:56.440 --> 3:00:59.400
<v Speaker 3>the dispensary they got. You know, we smoking abortion, we

3:00:59.480 --> 3:01:00.560
<v Speaker 3>smoking had body.

3:01:01.360 --> 3:01:04.199
<v Speaker 1>You know the names like said body, this is killed

3:01:04.240 --> 3:01:05.760
<v Speaker 1>twenty niggas try it.

3:01:06.959 --> 3:01:08.080
<v Speaker 2>You know the names they got.

3:01:08.520 --> 3:01:11.840
<v Speaker 3>So I'm so high, right, I'm saying, let me show you.

3:01:12.240 --> 3:01:13.760
<v Speaker 3>So I tell the nigga like this, yo, Man, I

3:01:13.800 --> 3:01:15.959
<v Speaker 3>got to go. Man, I'm about to get out of here. Man.

3:01:16.000 --> 3:01:17.560
<v Speaker 1>You know what I'm saying, so, what's happening now?

3:01:19.800 --> 3:01:24.520
<v Speaker 3>Fuck, I'm like this figga this stut up, turn around

3:01:24.600 --> 3:01:27.119
<v Speaker 3>and sat the funk back down. So, yeah, I've been very,

3:01:27.240 --> 3:01:31.160
<v Speaker 3>very high. Back in the day, we used to sell weed.

3:01:31.440 --> 3:01:34.640
<v Speaker 3>Remember when we was five fingers. Anybody that, Oh you

3:01:34.640 --> 3:01:36.800
<v Speaker 3>get a bag of weed. It was a big bag

3:01:36.920 --> 3:01:41.360
<v Speaker 3>of stress with stems and shit in it. Yeah, right,

3:01:41.680 --> 3:01:44.200
<v Speaker 3>early weed game, back in the day.

3:01:45.280 --> 3:01:46.200
<v Speaker 2>You call it what you will.

3:01:46.280 --> 3:01:50.680
<v Speaker 3>So under my staircase, under my staircase in my apartment,

3:01:50.720 --> 3:01:53.720
<v Speaker 3>I had a little closet and we called that the

3:01:53.840 --> 3:01:56.680
<v Speaker 3>gas chamber, and they had pillows in there. Niggas, you

3:01:56.840 --> 3:01:58.640
<v Speaker 3>go in there and smoke weed in there and just

3:01:59.640 --> 3:02:02.160
<v Speaker 3>just like inhale it and just be fucked up. I

3:02:02.240 --> 3:02:05.720
<v Speaker 3>didn't do it, though, but yeah, I've been high. And

3:02:05.840 --> 3:02:08.440
<v Speaker 3>this champagne is not not not bad at all.

3:02:08.680 --> 3:02:13.039
<v Speaker 1>But that's the spade. And I've been thinking that Japanese

3:02:13.040 --> 3:02:16.920
<v Speaker 1>I've been dinging that DeLeon is all deion, that's the killer.

3:02:17.200 --> 3:02:19.440
<v Speaker 1>This is the killer? Is this black owned? Did he

3:02:19.760 --> 3:02:22.039
<v Speaker 1>give me some of that? Stop playing? You're gonna play it.

3:02:26.480 --> 3:02:27.720
<v Speaker 2>There, You're gonna have some mamajuana?

3:02:27.800 --> 3:02:32.280
<v Speaker 3>Yeah, yeah, yeah, I said when I tell people I

3:02:32.400 --> 3:02:37.320
<v Speaker 3>don't drinks. FN when I tell people I don't drink

3:02:37.440 --> 3:02:40.000
<v Speaker 3>or I don't get high, I always never thought it

3:02:40.160 --> 3:02:44.600
<v Speaker 3>was I never thought it was attractive being drunk in public.

3:02:44.879 --> 3:02:47.520
<v Speaker 3>That's not being drunk, you gotta be I understand that,

3:02:48.000 --> 3:02:50.359
<v Speaker 3>that's what we do. But being drunk as a woman.

3:02:50.600 --> 3:02:53.920
<v Speaker 1>I was like, this is wag. This is dangerous. Guys,

3:02:54.280 --> 3:02:55.400
<v Speaker 1>let me explain something to you. Ice.

3:02:55.440 --> 3:02:59.920
<v Speaker 5>I'm sorry, I'm sorry, but a neighbor of minds said

3:03:00.080 --> 3:03:04.280
<v Speaker 5>to me one day, he said, don't walk over there

3:03:05.720 --> 3:03:07.760
<v Speaker 5>by Nori, you're gonna get high.

3:03:07.840 --> 3:03:11.400
<v Speaker 3>To another neighbor, so another neighbors, don't walk over there,

3:03:11.920 --> 3:03:14.200
<v Speaker 3>you're gonna get high, just might be near you by

3:03:14.320 --> 3:03:18.439
<v Speaker 3>being nam me. I didn't like that really, okay.

3:03:18.240 --> 3:03:21.080
<v Speaker 1>Yeah yeah, and I don't care, yeah yeah, yeah, yeah yeah.

3:03:21.120 --> 3:03:23.920
<v Speaker 1>That's one. And I'm gonna do that. You know I'm

3:03:23.920 --> 3:03:26.320
<v Speaker 1>gonna do Okay, right, cool?

3:03:26.640 --> 3:03:30.280
<v Speaker 3>So if I drink anymore, I'm gonna do some breakdancing.

3:03:32.600 --> 3:03:40.560
<v Speaker 5>Reconse tell much it's how much I didn't like when

3:03:40.600 --> 3:03:42.160
<v Speaker 5>he said don't go over there, you'll get high.

3:03:42.400 --> 3:03:43.119
<v Speaker 1>I went upstairs.

3:03:43.200 --> 3:03:48.720
<v Speaker 5>I got all my papers, I got my medical marijuana license,

3:03:49.000 --> 3:03:50.680
<v Speaker 5>and I came down and I said to the guy,

3:03:50.720 --> 3:03:54.320
<v Speaker 5>excuse me, sir, I don't get high.

3:03:54.840 --> 3:04:00.440
<v Speaker 1>I get medicaid. I said this doctor subscribed, right. Do

3:04:00.480 --> 3:04:01.080
<v Speaker 1>you understand?

3:04:01.320 --> 3:04:03.360
<v Speaker 3>Getting high is where you go see the guy on

3:04:03.440 --> 3:04:07.520
<v Speaker 3>the corner that's doing pull upsselves your weed.

3:04:08.360 --> 3:04:09.640
<v Speaker 1>This is I'm not. I don't get.

3:04:11.720 --> 3:04:15.640
<v Speaker 3>Doctor told me to me a total difference. Clear, Sorry,

3:04:16.560 --> 3:04:20.000
<v Speaker 3>I mean I'm myself my whole life. I've always been

3:04:20.120 --> 3:04:20.640
<v Speaker 3>like a leader.

3:04:21.160 --> 3:04:23.199
<v Speaker 1>That's so. But to say can you take a shot?

3:04:24.160 --> 3:04:25.119
<v Speaker 2>Can't you take a shot?

3:04:25.760 --> 3:04:27.000
<v Speaker 1>You got a shot drink?

3:04:32.840 --> 3:04:34.640
<v Speaker 2>M hm hmmm.

3:04:40.400 --> 3:04:41.640
<v Speaker 1>Why would the nigga do that?

3:04:43.360 --> 3:04:46.240
<v Speaker 2>You gotta give him the mama water. Just say he did.

3:04:46.520 --> 3:04:47.560
<v Speaker 1>Hold on, there's no.

3:04:47.680 --> 3:04:49.960
<v Speaker 3>Reason to drink this ship other than to get high.

3:04:51.480 --> 3:04:56.720
<v Speaker 3>It doesn't taste good this, Oh my god, I disagree.

3:04:58.720 --> 3:04:59.040
<v Speaker 1>Why not?

3:04:59.560 --> 3:05:02.160
<v Speaker 2>You know, the where you drink, the more, the easier

3:05:02.200 --> 3:05:03.960
<v Speaker 2>it goes. Now, But shots are never good.

3:05:04.840 --> 3:05:06.360
<v Speaker 3>No, shots are never good. You're supposed to have a

3:05:06.440 --> 3:05:10.080
<v Speaker 3>chill to discuss something like, as I was saying, Nori,

3:05:10.280 --> 3:05:10.880
<v Speaker 3>you ain't drinking.

3:05:10.959 --> 3:05:16.959
<v Speaker 5>The military nor the military got I was army, Charlie

3:05:17.000 --> 3:05:17.280
<v Speaker 5>was army.

3:05:17.320 --> 3:05:18.640
<v Speaker 2>He was army too. He got kicked off the.

3:05:18.680 --> 3:05:22.280
<v Speaker 1>Army twenty fIF D twenty fifth five d t the

3:05:22.320 --> 3:05:24.600
<v Speaker 1>first army talk we ever had on drink camps ever.

3:05:24.879 --> 3:05:27.400
<v Speaker 2>But now he talked about a lot of time dig this.

3:05:30.320 --> 3:05:36.800
<v Speaker 3>I've always been a leader, I've never had security, and

3:05:36.920 --> 3:05:40.680
<v Speaker 3>I always just felt being high compromised my situation. If

3:05:40.720 --> 3:05:43.240
<v Speaker 3>I was your security, I couldn't get high right. But

3:05:43.360 --> 3:05:45.600
<v Speaker 3>now I'm my security right, so I have to be

3:05:45.720 --> 3:05:48.600
<v Speaker 3>on point now. The reason I never I never could

3:05:48.680 --> 3:05:54.039
<v Speaker 3>afford security early in my life, and I noticed people

3:05:54.120 --> 3:05:57.880
<v Speaker 3>that had it started to believe they needed it like

3:05:58.000 --> 3:06:00.640
<v Speaker 3>their brains, that I can't go out without it now

3:06:00.800 --> 3:06:04.520
<v Speaker 3>me like I say, I'm six foot. I always felt

3:06:04.560 --> 3:06:07.080
<v Speaker 3>I missed a good fight, like I took martial arts.

3:06:07.160 --> 3:06:10.120
<v Speaker 3>I can fight, but I gonna get to use it.

3:06:12.120 --> 3:06:14.440
<v Speaker 3>So I always felt like I'm really waiting, like having

3:06:14.440 --> 3:06:16.680
<v Speaker 3>a gun. You just bought a good new gun. I'm

3:06:16.760 --> 3:06:19.200
<v Speaker 3>waiting to work this motherfucker, like I want to use

3:06:19.280 --> 3:06:20.360
<v Speaker 3>it for myself.

3:06:20.640 --> 3:06:21.360
<v Speaker 1>Always said like.

3:06:22.920 --> 3:06:25.720
<v Speaker 3>I'm comfortable, I don't have beef. If you come to

3:06:25.840 --> 3:06:30.200
<v Speaker 3>rob me, my shit's insured. I'm not afraid now I

3:06:30.320 --> 3:06:32.440
<v Speaker 3>know I gave you that gotta relaxed T shirt. Yeah,

3:06:32.440 --> 3:06:35.800
<v Speaker 3>I'm not afraid. Up to this point. Now I might

3:06:35.879 --> 3:06:37.720
<v Speaker 3>say this, go out here and get laid down, but

3:06:38.360 --> 3:06:43.640
<v Speaker 3>with that, but my point is alcohol was one of

3:06:43.720 --> 3:06:46.400
<v Speaker 3>my ways of saying I need to be on point.

3:06:46.720 --> 3:06:46.840
<v Speaker 1>Now.

3:06:46.920 --> 3:06:50.160
<v Speaker 3>What happened was early in my life. My guys, I

3:06:50.280 --> 3:06:55.120
<v Speaker 3>became the designated driver or the sober nigga and the crew,

3:06:55.760 --> 3:07:00.560
<v Speaker 3>and they liked it. When I was young, big homies

3:07:00.640 --> 3:07:02.520
<v Speaker 3>just like, Yo, nigga, hit the weed. I'm like, I

3:07:02.959 --> 3:07:05.720
<v Speaker 3>want to hit the weed, you bitch. If you don't

3:07:05.800 --> 3:07:07.360
<v Speaker 3>hit the weed, well I'm a bitch. Make me hit

3:07:07.400 --> 3:07:13.160
<v Speaker 3>it while you tripping. Nigga while you tripping. Now, anybody

3:07:13.240 --> 3:07:15.400
<v Speaker 3>tries to get me high, big homie like, nah, nigga,

3:07:15.400 --> 3:07:15.960
<v Speaker 3>don't get high.

3:07:15.959 --> 3:07:17.840
<v Speaker 1>He don't get out because he couldn't get me to

3:07:17.920 --> 3:07:21.200
<v Speaker 1>do it. But so now I become the cat and

3:07:21.280 --> 3:07:22.680
<v Speaker 1>the crew. Ice is good.

3:07:23.400 --> 3:07:25.800
<v Speaker 3>So I'm the nigga like if shit, the ship pops off,

3:07:25.840 --> 3:07:27.720
<v Speaker 3>I'm grabbing niggas like yo nigga, if.

3:07:27.640 --> 3:07:29.080
<v Speaker 1>The police pull up, I'm talking.

3:07:29.800 --> 3:07:32.520
<v Speaker 3>So the homies respected that it's always good to have

3:07:32.600 --> 3:07:33.760
<v Speaker 3>a sober nigga in the click.

3:07:34.040 --> 3:07:37.600
<v Speaker 1>But it's always good a nigga does not get hided.

3:07:37.800 --> 3:07:40.080
<v Speaker 1>And if you're in a room if you on some

3:07:40.240 --> 3:07:40.920
<v Speaker 1>gangster shit.

3:07:41.160 --> 3:07:44.560
<v Speaker 3>Right, if you're in a room and it's somebody that

3:07:44.720 --> 3:07:47.920
<v Speaker 3>don't get high, that's the most dangerous nigga in that room,

3:07:48.000 --> 3:07:52.080
<v Speaker 3>that's right. You know, if you hire security, they can't

3:07:52.120 --> 3:07:55.440
<v Speaker 3>get high with you. You like, nigga, want you put

3:07:55.480 --> 3:07:59.200
<v Speaker 3>that drink down? Motherfucker watch my back. So that's why

3:07:59.200 --> 3:08:02.240
<v Speaker 3>I don't drink. But I'm not afraid of it. I'm

3:08:02.280 --> 3:08:05.600
<v Speaker 3>not afraid of weed. I'm not afraid of drugs. I

3:08:05.680 --> 3:08:08.760
<v Speaker 3>am afraid of drugs now because the petamom. I'm afraid

3:08:08.800 --> 3:08:09.280
<v Speaker 3>of that ship.

3:08:09.520 --> 3:08:12.879
<v Speaker 1>Yeah, don't I've done that ecstasy before?

3:08:16.040 --> 3:08:17.840
<v Speaker 2>She's coming out like that.

3:08:19.600 --> 3:08:24.680
<v Speaker 1>What happened when you're on? Never weed? I was in Miami,

3:08:25.320 --> 3:08:31.440
<v Speaker 1>of course, of course, never we did. A guy named

3:08:31.520 --> 3:08:32.520
<v Speaker 1>Eddie Giggs bringing to you.

3:08:32.760 --> 3:08:34.959
<v Speaker 2>No. Never, we.

3:08:36.840 --> 3:08:40.640
<v Speaker 3>Never coked, been around tons of coke, never did it,

3:08:40.800 --> 3:08:41.440
<v Speaker 3>never sniffed it.

3:08:41.520 --> 3:08:47.080
<v Speaker 1>Never touched it, never smoked it. Uh, ecstasy, How.

3:08:47.000 --> 3:08:47.520
<v Speaker 2>Does this happen?

3:08:47.720 --> 3:08:50.800
<v Speaker 1>My whole thing was give me a benefit and I'll

3:08:50.920 --> 3:08:53.720
<v Speaker 1>do it. You an equinox and somebody coming to you.

3:08:53.800 --> 3:08:54.880
<v Speaker 2>Well, why you want it?

3:08:54.920 --> 3:08:57.440
<v Speaker 1>Why you want it? So my wife Coco, Okay, she's

3:08:57.480 --> 3:08:58.120
<v Speaker 1>a party girl.

3:08:58.200 --> 3:09:01.320
<v Speaker 3>She's from Vegas. She doesn't blow Oh everything, party did

3:09:01.360 --> 3:09:03.800
<v Speaker 3>the whole thing. Pretty girls go out on the yachts

3:09:03.840 --> 3:09:06.480
<v Speaker 3>and the boats. They early life s they wilding. Okay,

3:09:07.080 --> 3:09:09.640
<v Speaker 3>so she lived that life, had been there, done that

3:09:09.760 --> 3:09:15.280
<v Speaker 3>scene at all, but she stopped. So when we would

3:09:15.320 --> 3:09:17.560
<v Speaker 3>go out, she would drink, and she would want me

3:09:17.680 --> 3:09:19.640
<v Speaker 3>to drink. I'm like, I ain't really trying to drink.

3:09:20.440 --> 3:09:22.240
<v Speaker 3>I gotta watch you, you know.

3:09:22.440 --> 3:09:30.720
<v Speaker 1>So that was one, two three. Oh yeah, if you

3:09:30.840 --> 3:09:31.080
<v Speaker 1>out with.

3:09:31.120 --> 3:09:34.959
<v Speaker 3>Your wife and she gets drunk, somebody gotta stay soaper, right,

3:09:35.200 --> 3:09:40.160
<v Speaker 3>So I'm covering that, covering that. So now ecstasy, it's

3:09:40.200 --> 3:09:46.360
<v Speaker 3>a sex drug, got my attention, sexy time. It's a

3:09:46.440 --> 3:09:48.720
<v Speaker 3>sex drug that is not I don't need it. I

3:09:48.720 --> 3:09:50.280
<v Speaker 3>don't have erectional issues yet.

3:09:51.400 --> 3:09:52.200
<v Speaker 2>Where are we going with this?

3:09:53.040 --> 3:09:55.000
<v Speaker 1>Okay, okay, okay, I'm ready.

3:09:55.000 --> 3:09:55.400
<v Speaker 2>I'm ready.

3:09:55.440 --> 3:09:59.240
<v Speaker 1>Now, I'm ready. Now I wasn't ready. No, I don't

3:09:59.280 --> 3:09:59.800
<v Speaker 1>have them yet.

3:10:00.160 --> 3:10:00.360
<v Speaker 5>Good.

3:10:00.560 --> 3:10:03.720
<v Speaker 3>I mean, I guess I'm doing the right diet. But

3:10:04.200 --> 3:10:06.200
<v Speaker 3>they say it's more than that. It's not like I

3:10:06.320 --> 3:10:07.760
<v Speaker 3>needed to take Viagara.

3:10:07.800 --> 3:10:08.160
<v Speaker 1>It's something.

3:10:08.160 --> 3:10:11.960
<v Speaker 3>It's it's spirits, it's another thing. So now they got

3:10:12.040 --> 3:10:14.360
<v Speaker 3>my interest. I'm like, well, this sex is the best

3:10:14.360 --> 3:10:15.000
<v Speaker 3>ship in the world.

3:10:15.160 --> 3:10:18.160
<v Speaker 1>Like, what the fuck? So I'm down here at in Miami.

3:10:18.760 --> 3:10:21.560
<v Speaker 1>It is Miami and uh crow Bar?

3:10:21.959 --> 3:10:25.680
<v Speaker 2>Yeah, of course, of course this might have been the event.

3:10:27.440 --> 3:10:30.400
<v Speaker 3>I'm gonna validate my stories with documented ship.

3:10:32.200 --> 3:10:33.320
<v Speaker 1>I'm not making a chef.

3:10:33.800 --> 3:10:35.640
<v Speaker 3>My boy told me one time, he said, you never

3:10:35.720 --> 3:10:37.160
<v Speaker 3>got to lie because people won't.

3:10:37.040 --> 3:10:40.880
<v Speaker 1>Believe the truth. Your truth is so out fucking rageous.

3:10:41.440 --> 3:10:42.040
<v Speaker 1>Just tell the truth.

3:10:42.040 --> 3:10:44.000
<v Speaker 3>They're gonna they're gonna be like, you're lying. Okay, anyway,

3:10:44.600 --> 3:10:47.520
<v Speaker 3>we going to crow Bar. Now, Crowbar is techno. Okay,

3:10:48.280 --> 3:10:51.880
<v Speaker 3>that was the first base. Yeah, yeah, I'm in the

3:10:51.920 --> 3:10:54.080
<v Speaker 3>story with this. You got you got, you got living

3:10:54.160 --> 3:10:56.840
<v Speaker 3>room down here, you got Crowbar, you got this lane. Right,

3:10:56.920 --> 3:10:59.280
<v Speaker 3>So I'm in Crowbar. What is It's like, it's in

3:10:59.360 --> 3:11:00.680
<v Speaker 3>a place to look. It's like a theater.

3:11:02.400 --> 3:11:04.160
<v Speaker 2>No, cameo, cameo, cameo.

3:11:04.520 --> 3:11:07.920
<v Speaker 3>Right, that's what that's what I'm in, South Beach, South Beach. Yeah,

3:11:08.280 --> 3:11:09.400
<v Speaker 3>that's what that's what they called it.

3:11:09.920 --> 3:11:13.160
<v Speaker 1>I'm learning lessons. Let's go walk with me, Walk with

3:11:13.280 --> 3:11:18.199
<v Speaker 1>me into this world of vice tea. I'm with Coco.

3:11:18.560 --> 3:11:19.040
<v Speaker 2>Don't load.

3:11:19.120 --> 3:11:22.480
<v Speaker 1>Now, me and my wife we go everywhere by ourselves.

3:11:22.560 --> 3:11:26.400
<v Speaker 3>We don't go with entiurige. We go on vacations alone.

3:11:26.440 --> 3:11:28.920
<v Speaker 3>Now we got a daughter, but we go vacate. I

3:11:28.959 --> 3:11:30.680
<v Speaker 3>don't need to bring niggas. I used to do that

3:11:30.760 --> 3:11:32.960
<v Speaker 3>when I didn't have a wife. Now I got a wife.

3:11:33.360 --> 3:11:35.959
<v Speaker 3>We lead a hotel. We going to Crowbar. She got

3:11:36.040 --> 3:11:38.720
<v Speaker 3>on the sexy ship. We hit the club. It's techno.

3:11:39.440 --> 3:11:42.520
<v Speaker 3>For some reason, that night I said, I'm ready to roll.

3:11:42.720 --> 3:11:52.800
<v Speaker 1>Now that's what let's roll. So she goes ready ready.

3:11:53.200 --> 3:11:55.520
<v Speaker 3>I'm like, yeah, what do I do? So you got

3:11:55.600 --> 3:11:59.320
<v Speaker 3>to find somebody with some E. Now I'm the dope

3:11:59.360 --> 3:12:02.640
<v Speaker 3>fiend in the up. This might be a great story.

3:12:02.720 --> 3:12:04.840
<v Speaker 3>This might be the greatest drink. Sam three, This is

3:12:04.879 --> 3:12:10.800
<v Speaker 3>the greatest drink. Gips are already already. This story made

3:12:10.840 --> 3:12:13.720
<v Speaker 3>me take that was not part of the game, and

3:12:16.400 --> 3:12:18.320
<v Speaker 3>it's it's tickling me because I'm a member in it.

3:12:19.680 --> 3:12:19.959
<v Speaker 1>All right.

3:12:20.000 --> 3:12:22.280
<v Speaker 3>So we in the club, plounce Coco got a ship

3:12:22.360 --> 3:12:25.560
<v Speaker 3>on him. I'm like that, So she goes, yo, find it.

3:12:26.040 --> 3:12:28.600
<v Speaker 3>Now I'm walking around the club like you got E.

3:12:30.959 --> 3:12:32.760
<v Speaker 2>The white kids were like yo, I.

3:12:32.959 --> 3:12:34.160
<v Speaker 1>See So.

3:12:37.040 --> 3:12:40.320
<v Speaker 3>I'm like yo, this bad life fucking So now I

3:12:40.440 --> 3:12:41.800
<v Speaker 3>walk over and I see the dude.

3:12:42.080 --> 3:12:43.320
<v Speaker 1>I see the dude, you.

3:12:43.360 --> 3:12:46.240
<v Speaker 3>Know with the big pants and the big platform shoot.

3:12:46.600 --> 3:12:48.720
<v Speaker 1>And the and all the all the lights and all

3:12:48.800 --> 3:12:51.760
<v Speaker 1>the you know, I see, I see mister Eve.

3:12:54.320 --> 3:12:55.840
<v Speaker 2>He's got it all, you know, the looks.

3:12:56.200 --> 3:13:00.800
<v Speaker 1>So he's doing this ship. So I walk up to him.

3:13:01.040 --> 3:13:02.600
<v Speaker 1>I said, yo, man, you know I'm trying to get

3:13:02.600 --> 3:13:04.520
<v Speaker 1>to me. He looks around, he goes yo. I said,

3:13:04.520 --> 3:13:08.880
<v Speaker 1>he's trying to get out. So I said, yo, play

3:13:09.000 --> 3:13:10.680
<v Speaker 1>look look I heard you the man.

3:13:10.840 --> 3:13:11.800
<v Speaker 2>I heard you the man.

3:13:12.200 --> 3:13:16.400
<v Speaker 3>The motherfucker reached in his pocket and pulled out a

3:13:16.520 --> 3:13:19.720
<v Speaker 3>handful of ecstasy like maybe twenty tags.

3:13:20.200 --> 3:13:20.840
<v Speaker 1>He said, you hurt.

3:13:20.920 --> 3:13:22.520
<v Speaker 2>I'm the man you put in my hand.

3:13:22.560 --> 3:13:27.360
<v Speaker 1>He said, now you're the man, real talk.

3:13:27.440 --> 3:13:30.200
<v Speaker 3>Swear to God, God bless this dude started me on

3:13:30.280 --> 3:13:31.160
<v Speaker 3>my life of drugs.

3:13:33.320 --> 3:13:35.360
<v Speaker 5>So I go back to Coco because you got twenty,

3:13:35.440 --> 3:13:37.119
<v Speaker 5>you took the whole twenty, you took.

3:13:37.000 --> 3:13:37.440
<v Speaker 2>The whole shit.

3:13:37.480 --> 3:13:40.160
<v Speaker 3>He get me your hunt, nigga said the nigga the

3:13:40.480 --> 3:13:44.080
<v Speaker 3>tempt shit or he was, you hurt, I'm the man now,

3:13:46.040 --> 3:13:47.360
<v Speaker 3>so he hits me off.

3:13:47.440 --> 3:13:49.640
<v Speaker 1>So now you my back. Just now, I look, I

3:13:49.640 --> 3:13:52.760
<v Speaker 1>got the back. Continue do I walk over to Coco.

3:13:53.160 --> 3:13:55.720
<v Speaker 1>I go yo, So I show her. She goes, yo,

3:13:55.920 --> 3:13:57.960
<v Speaker 1>that's too much sweat. Are you gonna do that? I said,

3:13:58.000 --> 3:14:03.360
<v Speaker 1>So what do I do? She said, take one? One

3:14:03.680 --> 3:14:05.840
<v Speaker 1>hold one oh shot. She took a half.

3:14:05.959 --> 3:14:08.120
<v Speaker 3>It was one of it was looked like it was

3:14:08.200 --> 3:14:10.240
<v Speaker 3>one of the kind that looked like a cylinder with

3:14:10.360 --> 3:14:11.360
<v Speaker 3>two flat tops.

3:14:13.080 --> 3:14:13.680
<v Speaker 1>You're feeling me.

3:14:15.560 --> 3:14:21.879
<v Speaker 2>Double stacks. Look at that look double yes. Okay, at

3:14:21.959 --> 3:14:23.840
<v Speaker 2>some point, at some point if.

3:14:23.760 --> 3:14:27.120
<v Speaker 3>You seems mine, at some point, if you stay on

3:14:27.280 --> 3:14:29.600
<v Speaker 3>drink champ long enough, you'll go into the hole.

3:14:30.640 --> 3:14:34.520
<v Speaker 2>You're going to tapping into a different level. We done

3:14:34.640 --> 3:14:36.879
<v Speaker 2>left gang bang, We done.

3:14:36.800 --> 3:14:39.400
<v Speaker 1>Left pimping all that pimping.

3:14:39.879 --> 3:14:41.480
<v Speaker 2>We are in the E word.

3:14:42.959 --> 3:14:45.480
<v Speaker 1>And we're going into the let's go and it's four

3:14:45.520 --> 3:14:46.560
<v Speaker 1>four four right by the way.

3:14:48.440 --> 3:14:51.920
<v Speaker 3>So she tells me to take one. I take one.

3:14:52.400 --> 3:14:56.560
<v Speaker 3>This is the first thing that happens. I start rubbing malig.

3:15:00.080 --> 3:15:03.960
<v Speaker 2>Then for the first time in my entire life, this

3:15:04.120 --> 3:15:05.920
<v Speaker 2>is like an E commercial from my seed.

3:15:06.959 --> 3:15:10.760
<v Speaker 3>Listen, it gets greater because everybody in here that's done

3:15:10.840 --> 3:15:13.680
<v Speaker 3>E understands I'm not I'm not making this ship up.

3:15:13.959 --> 3:15:16.560
<v Speaker 3>I cannot lie and say I did eat without these

3:15:16.640 --> 3:15:20.480
<v Speaker 3>certain things happening. I started touching my legs. Then, for

3:15:20.600 --> 3:15:30.440
<v Speaker 3>the first time in my life, I understood techno, like

3:15:35.000 --> 3:15:37.560
<v Speaker 3>all that shit they used to go boom bump, bump bump,

3:15:37.680 --> 3:15:39.680
<v Speaker 3>because I used to hang out in techno clubs when

3:15:39.680 --> 3:15:46.160
<v Speaker 3>we traveled all over the music when e f N

3:15:46.240 --> 3:15:48.879
<v Speaker 3>when you travel as rappers all over Europe, the only

3:15:48.959 --> 3:15:51.480
<v Speaker 3>clubs to go to with girls are techno clubs. They

3:15:51.600 --> 3:15:53.680
<v Speaker 3>know hip hop clubs, so we would be in them.

3:15:53.720 --> 3:15:55.560
<v Speaker 3>But I'm just boom boom boom boom boom. I'm not

3:15:55.720 --> 3:15:58.360
<v Speaker 3>I'm not getting it. I'm like yo, yo, this fuck

3:15:58.440 --> 3:16:05.040
<v Speaker 3>like I'm like that. But they partying. So now tonight techno.

3:16:05.360 --> 3:16:06.800
<v Speaker 1>The ships just opened up.

3:16:08.120 --> 3:16:16.280
<v Speaker 3>I heard the strings nance I could see techno, and

3:16:17.160 --> 3:16:23.480
<v Speaker 3>I said, this music you gotta be hot, you gotta

3:16:23.560 --> 3:16:28.279
<v Speaker 3>be hot now. The next thing that happened is Coco.

3:16:28.760 --> 3:16:31.199
<v Speaker 3>Everything around Coco went out of focus.

3:16:32.480 --> 3:16:33.520
<v Speaker 2>She was in a glow.

3:16:34.160 --> 3:16:36.879
<v Speaker 3>She's dancing in front of me, but I don't see anything.

3:16:37.320 --> 3:16:41.400
<v Speaker 3>Nothing else in the motherfucking room mattered but her, and

3:16:41.520 --> 3:16:43.880
<v Speaker 3>she's looking hotter than ever. Next thing, you know, I

3:16:43.920 --> 3:16:46.360
<v Speaker 3>got her on a speaker. She done climbed up on

3:16:46.400 --> 3:16:52.400
<v Speaker 3>the motherfucker's streaker. I might have been a little bit

3:16:52.440 --> 3:16:55.480
<v Speaker 3>too cautious to do, but now get on that speaker, baby,

3:16:55.879 --> 3:16:57.280
<v Speaker 3>I'm staying like yo.

3:16:57.440 --> 3:17:01.280
<v Speaker 1>Like it was like godly ship and I'm like, yo.

3:17:01.520 --> 3:17:07.960
<v Speaker 3>Now here's a trip with ecstasy. Ecstasy you roll. If

3:17:08.000 --> 3:17:10.520
<v Speaker 3>somebody goes like this, you become high. I mean, you

3:17:10.600 --> 3:17:13.280
<v Speaker 3>become like what's that name? If you come out of

3:17:13.320 --> 3:17:15.440
<v Speaker 3>the high. It's not like drunk, you're always drunk.

3:17:16.000 --> 3:17:19.600
<v Speaker 1>Ee. It's kind of like people that have never done it.

3:17:19.640 --> 3:17:21.240
<v Speaker 3>It's kind of like if you ever listen to music

3:17:21.320 --> 3:17:23.280
<v Speaker 3>and you got into the music and you got into

3:17:23.360 --> 3:17:25.720
<v Speaker 3>this vibe, but then somebody came in the house, you

3:17:25.800 --> 3:17:26.240
<v Speaker 3>come out of it.

3:17:26.320 --> 3:17:27.879
<v Speaker 1>You could come out of it. You can go. You're

3:17:27.959 --> 3:17:31.840
<v Speaker 1>not always high on E. You gotta let E take

3:17:31.920 --> 3:17:33.000
<v Speaker 1>you the place?

3:17:33.120 --> 3:17:33.600
<v Speaker 2>Am I wrong?

3:17:34.959 --> 3:17:35.119
<v Speaker 3>Right?

3:17:35.280 --> 3:17:37.400
<v Speaker 1>You can you roll, but then you can snap out

3:17:37.440 --> 3:17:38.199
<v Speaker 1>of it. You're sober.

3:17:38.520 --> 3:17:39.440
<v Speaker 2>Can you get back after?

3:17:39.760 --> 3:17:39.960
<v Speaker 3>Yeah?

3:17:40.000 --> 3:17:40.280
<v Speaker 1>You can.

3:17:40.400 --> 3:17:43.680
<v Speaker 2>You just gotta let it happen. It comes in way

3:17:43.720 --> 3:17:44.640
<v Speaker 2>a lot of experience. People.

3:17:45.160 --> 3:17:46.879
<v Speaker 1>No, no, I want this shit to.

3:17:46.879 --> 3:17:50.080
<v Speaker 3>Be official tissues because we over here talking about drugs.

3:17:50.160 --> 3:17:50.760
<v Speaker 1>Motherfucker.

3:17:53.200 --> 3:17:57.240
<v Speaker 3>So anyway, me and Coco Lee, the motherfucking roll right,

3:17:57.360 --> 3:18:00.440
<v Speaker 3>we get back glove the club, the globe. We get

3:18:00.520 --> 3:18:04.879
<v Speaker 3>back to the room, right. I turned into like Max hardcore.

3:18:05.040 --> 3:18:07.160
<v Speaker 3>I turned to like the illess porn star.

3:18:09.600 --> 3:18:10.800
<v Speaker 1>Or the history of the room.

3:18:10.879 --> 3:18:19.200
<v Speaker 3>I'm like in my DV and ship like. So let

3:18:19.280 --> 3:18:21.440
<v Speaker 3>me just break it down. This is this is for

3:18:21.720 --> 3:18:22.680
<v Speaker 3>viral ship.

3:18:24.560 --> 3:18:25.280
<v Speaker 2>You in.

3:18:27.520 --> 3:18:31.080
<v Speaker 3>The only way I can explain it is that when

3:18:31.120 --> 3:18:35.080
<v Speaker 3>we got ready to have sex, it was like choir

3:18:35.280 --> 3:18:43.680
<v Speaker 3>music and angels was coming out the pussy like and

3:18:43.800 --> 3:18:46.280
<v Speaker 3>my dick was so hard. I like shut the door

3:18:46.400 --> 3:18:54.800
<v Speaker 3>with my dick. Yeah, yeah, you first time. So I

3:18:54.879 --> 3:18:59.480
<v Speaker 3>went into Max Hawk, you dirty bitch ship. So I

3:18:59.600 --> 3:19:03.320
<v Speaker 3>fucked dog ship out of her. And the reason I know,

3:19:03.920 --> 3:19:07.640
<v Speaker 3>the reason I know I'm not just patting myself on

3:19:07.760 --> 3:19:10.280
<v Speaker 3>the back is when it was over, she said where

3:19:10.320 --> 3:19:11.440
<v Speaker 3>did you come from?

3:19:12.720 --> 3:19:15.000
<v Speaker 2>Now, when your woman says that to you, you know

3:19:15.120 --> 3:19:15.880
<v Speaker 2>you did damn it.

3:19:16.000 --> 3:19:18.320
<v Speaker 1>She said, where did you come from?

3:19:19.160 --> 3:19:21.520
<v Speaker 3>So that next morning I called my home boy Shiny Shine.

3:19:21.560 --> 3:19:23.960
<v Speaker 3>I said, I found my ship. I'm the posting shower

3:19:24.040 --> 3:19:24.400
<v Speaker 3>for acts.

3:19:27.480 --> 3:19:28.520
<v Speaker 2>This is my drug.

3:19:29.680 --> 3:19:33.600
<v Speaker 3>Fast forward, one more quick story. So we're in my

3:19:33.879 --> 3:19:36.560
<v Speaker 3>We're in, and this is why I don't do it.

3:19:37.640 --> 3:19:39.400
<v Speaker 3>So We're in Atlantic City.

3:19:39.520 --> 3:19:43.160
<v Speaker 1>The positive. We're in Atlantic City.

3:19:43.720 --> 3:19:46.680
<v Speaker 3>I gotta what they call it when you do you

3:19:46.840 --> 3:19:49.080
<v Speaker 3>get a lot of gigs in one place of residence.

3:19:50.840 --> 3:19:55.280
<v Speaker 3>I'm doing eight shows over twelve months. They're like hosting bullshit.

3:19:56.200 --> 3:19:58.640
<v Speaker 3>Hosting is fun. Hosting is the best hustle in the world.

3:19:58.879 --> 3:20:00.640
<v Speaker 3>You to show up at the club, up and get

3:20:00.680 --> 3:20:02.560
<v Speaker 3>on the mic and get paid. Right, you only do

3:20:02.640 --> 3:20:06.360
<v Speaker 3>a show. So I'm hosting in Atlantic City. So Coco

3:20:06.480 --> 3:20:08.800
<v Speaker 3>comes up to me because she always wants to get high.

3:20:08.879 --> 3:20:11.720
<v Speaker 3>She probably wants me to do that damn thing like that, right.

3:20:12.680 --> 3:20:12.760
<v Speaker 2>She.

3:20:14.360 --> 3:20:20.959
<v Speaker 1>Want to return the man take this up.

3:20:23.640 --> 3:20:26.560
<v Speaker 3>So I'm like, I was, like she said, but this

3:20:26.760 --> 3:20:36.840
<v Speaker 3>time she says, they got Molly. Molly comes into capsule.

3:20:37.720 --> 3:20:41.800
<v Speaker 3>Molly is not a pill. Molly Molly is what the

3:20:41.920 --> 3:20:44.760
<v Speaker 3>fuck they put in that capsule Moll when went bad.

3:20:45.280 --> 3:20:48.920
<v Speaker 3>So basically she gets to Molly. We split it up.

3:20:49.560 --> 3:20:51.520
<v Speaker 2>Bam, we take it right.

3:20:51.600 --> 3:20:55.440
<v Speaker 3>I'm hosting. Blow It's over now, shows over. I get

3:20:55.480 --> 3:20:58.119
<v Speaker 3>in the hotel room. I'm ready to turn into devious

3:20:58.760 --> 3:21:01.519
<v Speaker 3>you know, tonguesen still doctor backbreaker.

3:21:01.760 --> 3:21:02.600
<v Speaker 1>I'm ready to go in.

3:21:03.000 --> 3:21:03.840
<v Speaker 2>I'm ready to go in.

3:21:04.720 --> 3:21:04.840
<v Speaker 1>YO.

3:21:04.959 --> 3:21:11.920
<v Speaker 2>That ship had me like this a VAMPI.

3:21:13.360 --> 3:21:15.760
<v Speaker 1>I was like, Yo, what the fuck is this? Ship?

3:21:16.680 --> 3:21:16.960
<v Speaker 2>Nigga?

3:21:17.080 --> 3:21:17.720
<v Speaker 1>I'm lit.

3:21:18.080 --> 3:21:20.760
<v Speaker 2>I'm like, yo, this is not X.

3:21:22.680 --> 3:21:28.720
<v Speaker 1>So it was. It was speed a crystal oh ship dog.

3:21:29.400 --> 3:21:30.080
<v Speaker 3>I was up.

3:21:30.600 --> 3:21:32.760
<v Speaker 1>I was up all night.

3:21:34.600 --> 3:21:35.480
<v Speaker 2>The next day.

3:21:35.600 --> 3:21:38.600
<v Speaker 1>I drove back to New Jersey. I stayed up the

3:21:38.760 --> 3:21:39.720
<v Speaker 1>next all.

3:21:44.280 --> 3:21:46.920
<v Speaker 2>Safe to say. You did Dvius like her from tongue,

3:21:47.080 --> 3:21:48.039
<v Speaker 2>no slanging.

3:21:48.600 --> 3:21:53.560
<v Speaker 1>No sense. We were both like yo, like yo, ship. Yeah.

3:21:53.600 --> 3:21:54.440
<v Speaker 2>We both talked.

3:21:56.040 --> 3:21:57.920
<v Speaker 1>I was like yo, like what's happening?

3:21:58.040 --> 3:21:58.080
<v Speaker 2>Like?

3:21:58.240 --> 3:22:01.160
<v Speaker 3>Nigga was like what sun like now? I were like

3:22:01.320 --> 3:22:05.480
<v Speaker 3>rustlers to the next day, Monday, I had to.

3:22:05.520 --> 3:22:06.800
<v Speaker 1>Go to lawn order.

3:22:07.120 --> 3:22:10.160
<v Speaker 4>I showed up on the set, like show him higher.

3:22:13.280 --> 3:22:21.000
<v Speaker 4>I told everybody I'm higher from Saturday. So everybody along

3:22:21.160 --> 3:22:22.400
<v Speaker 4>ar is like Ice is high.

3:22:23.320 --> 3:22:25.800
<v Speaker 3>They just thought it was funny because everybody sucked around.

3:22:26.680 --> 3:22:29.120
<v Speaker 3>I'm ready for my lines. I'm reading my lines fast, Like,

3:22:29.160 --> 3:22:29.400
<v Speaker 3>give what.

3:22:32.200 --> 3:22:32.440
<v Speaker 1>Show?

3:22:32.800 --> 3:22:34.400
<v Speaker 2>It took three days.

3:22:35.640 --> 3:22:36.920
<v Speaker 1>To some off that show.

3:22:38.879 --> 3:22:40.720
<v Speaker 2>I have got you got Molly Walks.

3:22:42.400 --> 3:22:45.640
<v Speaker 3>Everybody out there watching drink champs you noticed my I

3:22:45.720 --> 3:22:46.240
<v Speaker 3>mean you might have.

3:22:46.480 --> 3:22:47.240
<v Speaker 1>I didn't die.

3:22:47.400 --> 3:22:49.640
<v Speaker 2>It wasn't set. It could have been.

3:22:49.600 --> 3:22:51.400
<v Speaker 1>Fital real song.

3:22:53.120 --> 3:22:53.720
<v Speaker 6>So I died.

3:22:53.800 --> 3:22:57.400
<v Speaker 3>It was definitely speed, some powerful ship and I was ready.

3:22:57.440 --> 3:22:59.760
<v Speaker 3>I was like, you know what's in those pills? That's

3:22:59.800 --> 3:23:01.640
<v Speaker 3>the I know, like you know, macho man man he

3:23:06.040 --> 3:23:12.039
<v Speaker 3>So since that day, I haven't touched any drug because

3:23:12.200 --> 3:23:14.920
<v Speaker 3>now with the fenanyl and the death of all my friends,

3:23:15.640 --> 3:23:17.800
<v Speaker 3>you don't know what is in this ship no more.

3:23:18.000 --> 3:23:22.000
<v Speaker 3>And you know the cartel they making percosets to look

3:23:22.160 --> 3:23:24.160
<v Speaker 3>like them, and all that ship is.

3:23:24.160 --> 3:23:27.000
<v Speaker 2>Pumping it into the cartels and the cartels pumping I.

3:23:27.080 --> 3:23:33.520
<v Speaker 3>Just have regular sex nowadays, you know, anymore. I have

3:23:33.640 --> 3:23:36.360
<v Speaker 3>to figure it out, you know. But that was that

3:23:36.520 --> 3:23:38.680
<v Speaker 3>That shit turned me into a monster. That shit is,

3:23:39.000 --> 3:23:42.000
<v Speaker 3>you know, But no, I don't. I'm afraid. I'm nervous.

3:23:42.200 --> 3:23:44.440
<v Speaker 3>I don't want to die like that, like I I

3:23:44.600 --> 3:23:45.320
<v Speaker 3>can't die like that.

3:23:45.680 --> 3:23:47.200
<v Speaker 1>I can't die like that. I just got to go

3:23:47.280 --> 3:23:49.760
<v Speaker 1>down and like some wow shit guns smoke, wow shit.

3:23:51.240 --> 3:23:58.119
<v Speaker 5>But I'll get to a serious note real quick. I'm

3:23:58.160 --> 3:24:04.520
<v Speaker 5>in Vegas. Uh you in Vegas doing the Art of

3:24:04.640 --> 3:24:10.119
<v Speaker 5>Raps talk. I had we on the on the run

3:24:10.240 --> 3:24:14.360
<v Speaker 5>eating We're doing our full show. So I hed is like, yo,

3:24:16.120 --> 3:24:19.720
<v Speaker 5>so yo, come to the show. Excuse me, I asked, him,

3:24:19.879 --> 3:24:22.720
<v Speaker 5>can I do a guest appearance on the show. Honest,

3:24:23.320 --> 3:24:27.280
<v Speaker 5>it's like performing to night, performing the night. Can't come

3:24:27.320 --> 3:24:29.879
<v Speaker 5>out with us. I'm like, no problem, But they didn't

3:24:29.920 --> 3:24:33.200
<v Speaker 5>tell me was right before they performing Mark Deep is

3:24:33.240 --> 3:24:41.600
<v Speaker 5>coming out. So Prodigy was a person that I knew

3:24:42.000 --> 3:24:46.560
<v Speaker 5>so long, and that was like the last time I

3:24:46.600 --> 3:24:47.520
<v Speaker 5>got to see Prodigy.

3:24:49.320 --> 3:24:53.199
<v Speaker 1>We hugged each other smack fives.

3:24:54.600 --> 3:24:57.840
<v Speaker 3>He told me, as he told me many other times

3:24:57.879 --> 3:25:00.680
<v Speaker 3>that I was on Tobi him said, yo, you you know,

3:25:00.760 --> 3:25:02.959
<v Speaker 3>I'm just gonna you know, I ain't feeling good.

3:25:02.959 --> 3:25:05.480
<v Speaker 1>I'm you know, whatever, whatever. But I've heard that so

3:25:05.600 --> 3:25:06.199
<v Speaker 1>many times.

3:25:06.680 --> 3:25:09.800
<v Speaker 5>And then come downstairs and got drunken with them, so

3:25:11.280 --> 3:25:14.760
<v Speaker 5>nothing and having it was like, I'll be right here.

3:25:15.360 --> 3:25:15.879
<v Speaker 1>So I went.

3:25:15.840 --> 3:25:19.880
<v Speaker 5>Performed and I actually like seen Havoc. I believe I

3:25:19.959 --> 3:25:23.960
<v Speaker 5>had a couple of drinks with him. Then they said

3:25:25.320 --> 3:25:26.560
<v Speaker 5>party went to the hospital.

3:25:27.200 --> 3:25:29.680
<v Speaker 1>Again. I've been on tour with Mard.

3:25:29.760 --> 3:25:33.080
<v Speaker 5>So long and this was a regular thing, so no

3:25:33.200 --> 3:25:37.600
<v Speaker 5>one kind of got alarmed. But then as a message

3:25:37.640 --> 3:25:40.200
<v Speaker 5>seven o'clock in the morning, I remember I was downstairs

3:25:40.240 --> 3:25:41.800
<v Speaker 5>smoking a cigarette.

3:25:44.120 --> 3:25:44.640
<v Speaker 1>And that stuff.

3:25:44.680 --> 3:25:49.800
<v Speaker 5>Smoking a cigarette, they said priories he passed. It was like, oh,

3:25:50.320 --> 3:25:53.080
<v Speaker 5>ship because like like you ever seen I don't want

3:25:53.120 --> 3:25:56.480
<v Speaker 5>to say like the wolf that cry, but you ever

3:25:57.120 --> 3:26:00.440
<v Speaker 5>like going through something all the time. And they're like,

3:26:00.440 --> 3:26:04.959
<v Speaker 5>all right, right, that's how I should have gone. That's

3:26:05.000 --> 3:26:07.680
<v Speaker 5>how Havoc did it. That's how in my mind, you know,

3:26:07.840 --> 3:26:10.920
<v Speaker 5>Trip did it. So everybody else with them, you know, oh,

3:26:11.240 --> 3:26:13.840
<v Speaker 5>they're people that I know and my people that I know.

3:26:14.320 --> 3:26:18.440
<v Speaker 5>But then that ship, it hit that moment. I know,

3:26:18.520 --> 3:26:20.640
<v Speaker 5>I had to feel weird for you because he was

3:26:20.760 --> 3:26:22.080
<v Speaker 5>actually out there with me.

3:26:22.320 --> 3:26:23.640
<v Speaker 1>Yeah, with you. So how did you.

3:26:26.080 --> 3:26:26.680
<v Speaker 2>At my event?

3:26:27.080 --> 3:26:30.000
<v Speaker 3>Well, we did the art Wrap movie and I wasn't

3:26:30.040 --> 3:26:33.440
<v Speaker 3>able to incorporate everybody that I wanted in the movie.

3:26:33.480 --> 3:26:38.560
<v Speaker 3>I actually shot Noriega and Compone, but I had to

3:26:38.600 --> 3:26:42.600
<v Speaker 3>make the movie a ninety minute edit, so they made

3:26:42.600 --> 3:26:45.039
<v Speaker 3>it onto the extra like you get the extra CD.

3:26:45.400 --> 3:26:48.640
<v Speaker 1>But it was still more about people I respected.

3:26:49.400 --> 3:26:54.160
<v Speaker 3>So when it was over, Mickey Benson, my partner, I said,

3:26:54.160 --> 3:26:55.800
<v Speaker 3>why don't you take this on the road. Let's turn

3:26:55.879 --> 3:26:59.199
<v Speaker 3>this into a brand where we could bring out people

3:26:59.280 --> 3:27:02.119
<v Speaker 3>that we feel will represent the art of rap.

3:27:02.480 --> 3:27:03.600
<v Speaker 1>We're still going right now.

3:27:03.640 --> 3:27:06.360
<v Speaker 3>We have one coming up this week, well this next

3:27:06.480 --> 3:27:09.560
<v Speaker 3>month with Denny Siegel, Memphis Bleak and Freeway.

3:27:11.400 --> 3:27:13.640
<v Speaker 1>Yeah, a wrap shows. It's just a brand. It's like

3:27:13.720 --> 3:27:14.680
<v Speaker 1>Rock the Bells whatever.

3:27:16.600 --> 3:27:20.840
<v Speaker 3>Mob Deep being one of my favorite groups, we always

3:27:20.879 --> 3:27:23.160
<v Speaker 3>extended a leaf to them, like like, yo, we got

3:27:23.240 --> 3:27:25.760
<v Speaker 3>shows coming up. This is what we can pay you

3:27:25.920 --> 3:27:27.200
<v Speaker 3>if you guys want to show up.

3:27:27.400 --> 3:27:29.280
<v Speaker 1>Love. They always did it.

3:27:29.560 --> 3:27:30.840
<v Speaker 2>You really love Mob Deep.

3:27:31.040 --> 3:27:33.959
<v Speaker 1>That's beautiful. Everybody got a favorite group, It's beautiful. What's

3:27:33.959 --> 3:27:41.520
<v Speaker 1>your favorite group? Okay? I just I was.

3:27:42.280 --> 3:27:45.840
<v Speaker 3>To me, Mob Deep was like I never heard two

3:27:45.920 --> 3:27:50.280
<v Speaker 3>rappers rap so similar. And then I learned having taught

3:27:50.400 --> 3:27:54.039
<v Speaker 3>Prodigy how to rap but actually wrote his wraps at

3:27:54.080 --> 3:27:57.240
<v Speaker 3>the beginning, right. But to me, Prodigy shit was not

3:27:57.600 --> 3:28:01.119
<v Speaker 3>just a gangster. It was more like converas sational shit.

3:28:01.240 --> 3:28:04.240
<v Speaker 3>But it was so gangster the way he would say shit,

3:28:04.720 --> 3:28:06.080
<v Speaker 3>you know, and I just loved it.

3:28:06.560 --> 3:28:08.560
<v Speaker 1>I just loved it. I mean, you might listen to

3:28:08.600 --> 3:28:10.160
<v Speaker 1>some of my shit, you'd be like that, kind of

3:28:10.280 --> 3:28:12.240
<v Speaker 1>like pride shit. You know.

3:28:12.600 --> 3:28:16.280
<v Speaker 3>I actually used Prodigy for one of my hooks on retaliation.

3:28:16.959 --> 3:28:19.040
<v Speaker 3>I'm busting off to my I'm letting off to my

3:28:19.200 --> 3:28:22.920
<v Speaker 3>arms tired, right, So anyway, I met them. Of course,

3:28:23.000 --> 3:28:25.680
<v Speaker 3>when you like somebody you end up meeting them.

3:28:27.040 --> 3:28:29.720
<v Speaker 1>Lovers Love. They used me on the intro one of

3:28:29.800 --> 3:28:30.359
<v Speaker 1>their albums.

3:28:31.400 --> 3:28:34.200
<v Speaker 3>So when I did that, so now here we are

3:28:34.240 --> 3:28:37.640
<v Speaker 3>in Vegas, mob dedate on LA that, this, that, and so.

3:28:41.280 --> 3:28:42.120
<v Speaker 1>I couldn't believe it.

3:28:43.720 --> 3:28:47.720
<v Speaker 3>Because if you saw Prodigy that night, Prodigy was like

3:28:47.840 --> 3:28:48.400
<v Speaker 3>on Swoll.

3:28:48.560 --> 3:28:50.480
<v Speaker 1>Prodigy came out of the pen. He looked good.

3:28:51.040 --> 3:28:53.000
<v Speaker 3>You know what I'm saying. He was standing straight up

3:28:53.080 --> 3:28:59.400
<v Speaker 3>and down like what's happening, daddy? And we get so

3:28:59.640 --> 3:29:02.480
<v Speaker 3>used to people dying from gunfire and this that, and third,

3:29:02.520 --> 3:29:06.440
<v Speaker 3>I just I want to sidetrack one of my buddies,

3:29:07.000 --> 3:29:08.440
<v Speaker 3>one of my best friend's, Big Rich.

3:29:08.560 --> 3:29:11.520
<v Speaker 1>I get a call this morning his son just drowned. Damn.

3:29:12.480 --> 3:29:16.160
<v Speaker 3>His son was jumped into some lake or something that

3:29:16.280 --> 3:29:18.200
<v Speaker 3>was nearer damn, and he hasn't been found.

3:29:18.280 --> 3:29:19.680
<v Speaker 1>I came here kind of fucked up.

3:29:21.040 --> 3:29:24.600
<v Speaker 3>We get so used to yeah, yeah, rest in peace,

3:29:24.720 --> 3:29:26.160
<v Speaker 3>Rest in peace, big little Rich.

3:29:26.640 --> 3:29:29.600
<v Speaker 1>But we come we so used to violence.

3:29:30.959 --> 3:29:33.920
<v Speaker 3>If you had have told me somebody clap Prodigy on

3:29:34.000 --> 3:29:37.039
<v Speaker 3>the strip, I'm like, Prodgy talks a lot of shit.

3:29:39.160 --> 3:29:40.720
<v Speaker 1>Dying. They said he choked on the egg.

3:29:44.480 --> 3:29:46.960
<v Speaker 3>I was just fucked up like my idol, one of

3:29:47.040 --> 3:29:49.720
<v Speaker 3>my guys, and the cold thing is probably just moved

3:29:49.760 --> 3:29:51.680
<v Speaker 3>over by me. He must moved over in New Jersey

3:29:51.720 --> 3:29:53.959
<v Speaker 3>where I lived. So I was looking forward to kicking

3:29:54.000 --> 3:29:57.160
<v Speaker 3>it with him, you know, making records together. Wow, it

3:29:57.320 --> 3:30:00.360
<v Speaker 3>fucked me up. And then the B side, that is,

3:30:00.480 --> 3:30:05.039
<v Speaker 3>later on I ran into Havoc, and Havoc sat next

3:30:05.120 --> 3:30:09.280
<v Speaker 3>to me and cried like ice man, you you don't

3:30:09.320 --> 3:30:12.000
<v Speaker 3>even know, just you saying how much you love us,

3:30:12.040 --> 3:30:15.360
<v Speaker 3>how that has helped us, you know, like if you think.

3:30:15.200 --> 3:30:17.080
<v Speaker 1>About it, sorry, sorry to cut you off. We even

3:30:17.120 --> 3:30:19.800
<v Speaker 1>think about it. We saw the last moments of his life.

3:30:19.879 --> 3:30:23.160
<v Speaker 3>Yeah, and he was healthy, he was healthy, he did

3:30:23.240 --> 3:30:25.160
<v Speaker 3>the show, he got off, he was healthy. Yeah, he

3:30:25.280 --> 3:30:28.160
<v Speaker 3>was healthy. And then that that that quick thing, sickle cell.

3:30:28.840 --> 3:30:34.600
<v Speaker 3>But you know, I think after COVID, all of us

3:30:34.879 --> 3:30:37.040
<v Speaker 3>realize how fragile life is.

3:30:37.800 --> 3:30:41.200
<v Speaker 1>That after COVID. That was after COVID. But I'm saying, no,

3:30:41.320 --> 3:30:42.199
<v Speaker 1>that was before COVID.

3:30:43.160 --> 3:30:46.120
<v Speaker 2>What I'm saying, But he's saying this after COVID, we

3:30:46.200 --> 3:30:47.000
<v Speaker 2>were after COVID.

3:30:47.120 --> 3:30:51.880
<v Speaker 3>All of us now realize how life is so precious.

3:30:52.760 --> 3:30:56.200
<v Speaker 3>I talked to Fred, to God's son. He was in

3:30:56.240 --> 3:30:58.520
<v Speaker 3>the hospital. I got this, I got this, I got this.

3:30:58.640 --> 3:31:00.360
<v Speaker 3>Don't worry about me. A couple of days that he

3:31:00.520 --> 3:31:05.680
<v Speaker 3>was gone. See what I'm saying. So one thing I say, Norie,

3:31:05.760 --> 3:31:09.040
<v Speaker 3>is that we are all the same age. Everyone in

3:31:09.120 --> 3:31:11.160
<v Speaker 3>this room. We're the same age. You either are alive

3:31:11.760 --> 3:31:15.280
<v Speaker 3>or you're not. Because you might know how much money

3:31:15.320 --> 3:31:17.560
<v Speaker 3>you got, but nobody knows how much time they got.

3:31:18.680 --> 3:31:22.560
<v Speaker 1>So we're here. That's what we are. We're not an age.

3:31:22.680 --> 3:31:23.119
<v Speaker 1>We're here.

3:31:23.440 --> 3:31:26.080
<v Speaker 3>The kid that's fifteen might die before me. You see

3:31:26.120 --> 3:31:30.080
<v Speaker 3>what I'm saying. So age really doesn't matter. It's you're

3:31:30.080 --> 3:31:34.320
<v Speaker 3>alive or you're not. There's no age, just winning because none,

3:31:34.680 --> 3:31:38.160
<v Speaker 3>there's no date on it. And Prodigy to go like that.

3:31:39.959 --> 3:31:42.440
<v Speaker 3>It fucked me up because I was looking a lot

3:31:42.440 --> 3:31:47.080
<v Speaker 3>of huh. I was looking forward to good times. I

3:31:47.200 --> 3:31:50.240
<v Speaker 3>was looking forward to having fun and getting closer to

3:31:50.360 --> 3:31:51.800
<v Speaker 3>him as a friend.

3:31:54.879 --> 3:31:58.960
<v Speaker 1>It sucks, man, It's a really It hit me hard.

3:32:00.320 --> 3:32:03.560
<v Speaker 5>Like you know, Travis Scott had performed right when he performed,

3:32:03.640 --> 3:32:05.960
<v Speaker 5>like so many people that blamed him for over it,

3:32:06.360 --> 3:32:08.760
<v Speaker 5>was there anybody that no, okay.

3:32:09.200 --> 3:32:10.680
<v Speaker 1>No, we had nothing to do with it.

3:32:10.800 --> 3:32:13.480
<v Speaker 3>I mean, if anything, we got praised for being somebody

3:32:13.600 --> 3:32:15.800
<v Speaker 3>that was putting out, putting mob Deep on the rug.

3:32:16.760 --> 3:32:17.920
<v Speaker 3>You know, the thing of it is is like a

3:32:18.000 --> 3:32:20.160
<v Speaker 3>lot of these rappers right now, the art rap was

3:32:20.280 --> 3:32:25.039
<v Speaker 3>created just for you. But a lot of rappers are

3:32:25.160 --> 3:32:28.120
<v Speaker 3>gold and platinum sellers. But if you're waiting on Drake

3:32:28.240 --> 3:32:30.200
<v Speaker 3>to take you on the road, you may never tour,

3:32:32.240 --> 3:32:34.720
<v Speaker 3>you feel me. So we needed to create something for

3:32:34.840 --> 3:32:38.240
<v Speaker 3>people that were gold and platinum that could still go gig.

3:32:38.400 --> 3:32:42.080
<v Speaker 3>So that's what art rap is based around. People like yourself,

3:32:42.280 --> 3:32:46.640
<v Speaker 3>Mob Deep, Boots, just groups that need to go out

3:32:46.680 --> 3:32:50.240
<v Speaker 3>and gig and still can, right. So that's what That's

3:32:50.280 --> 3:32:52.959
<v Speaker 3>what my my platform is from. And I've never made

3:32:53.000 --> 3:32:55.840
<v Speaker 3>a dime off off of art of rap shows. That's

3:32:55.959 --> 3:32:59.200
<v Speaker 3>Mickey's hustle'. That's the way I gave my man something

3:32:59.240 --> 3:32:59.440
<v Speaker 3>to do.

3:32:59.840 --> 3:33:03.840
<v Speaker 1>Do Mickey Benson. Yeah, damn, thanks a Noyse for that.

3:33:08.000 --> 3:33:11.480
<v Speaker 1>I told said when we do when we do art rap,

3:33:11.520 --> 3:33:12.240
<v Speaker 1>I'm an artist.

3:33:12.520 --> 3:33:15.760
<v Speaker 3>You gotta negotiate meet with me for my price, and

3:33:15.879 --> 3:33:17.960
<v Speaker 3>then you just pay me what I do and I

3:33:18.080 --> 3:33:20.160
<v Speaker 3>do the show. I'm not gonna do none of the

3:33:20.240 --> 3:33:23.480
<v Speaker 3>bullshit in the back, no negotiations, none of that I'm

3:33:23.560 --> 3:33:24.680
<v Speaker 3>showing up as an artist.

3:33:27.840 --> 3:33:30.200
<v Speaker 2>Maybe y'all know, Drink Chance wants to give flowers while

3:33:30.200 --> 3:33:33.039
<v Speaker 2>people are here to receive them. Given flowers and celebrating

3:33:33.080 --> 3:33:35.440
<v Speaker 2>our legends while they can still smell them. We have

3:33:35.560 --> 3:33:38.240
<v Speaker 2>partnered with What the Flower to create this movement where

3:33:38.280 --> 3:33:40.720
<v Speaker 2>everyone can give flowers to the legends in their lives.

3:33:41.120 --> 3:33:43.440
<v Speaker 2>You can now order a custom flower box for the

3:33:43.560 --> 3:33:47.199
<v Speaker 2>someone you want to show appreciation to by visiting www

3:33:47.400 --> 3:33:51.200
<v Speaker 2>dot wt flower dot com and place your orders now.

3:33:53.480 --> 3:33:55.000
<v Speaker 2>I love the baby racking man.

3:33:55.040 --> 3:33:55.680
<v Speaker 1>I appreciate it.

3:33:55.760 --> 3:33:57.480
<v Speaker 4>You know, this may more than any award that you

3:33:57.560 --> 3:33:59.760
<v Speaker 4>can get on some real ship, because it means that

3:33:59.840 --> 3:34:02.280
<v Speaker 4>you appreciated by your peers, You appreciated by the people

3:34:02.760 --> 3:34:04.920
<v Speaker 4>that you do it for and not accept my flowers.

3:34:12.760 --> 3:34:14.880
<v Speaker 1>We just took us to a serious mode. Yeah, you

3:34:15.000 --> 3:34:19.440
<v Speaker 1>go from ecstasy. That's what drink Champ says is a

3:34:19.520 --> 3:34:20.080
<v Speaker 1>roller coaster.

3:34:20.800 --> 3:34:22.600
<v Speaker 3>I need some dark liquor if you want to take

3:34:22.680 --> 3:34:26.920
<v Speaker 3>me there, I give you a Mama the dark liquor.

3:34:27.080 --> 3:34:29.840
<v Speaker 1>You know what drink that shot a clear liquor makes

3:34:29.879 --> 3:34:33.039
<v Speaker 1>you party? Dark liquld be like, you know, I love

3:34:33.120 --> 3:34:38.560
<v Speaker 1>you got that's my ma. Man. You drink this, I'd

3:34:38.600 --> 3:34:41.760
<v Speaker 1>be like noriyeh, nigga, fuck with you. I'd be the

3:34:41.879 --> 3:34:48.560
<v Speaker 1>first to dish die nigga, this ship has you in

3:34:48.640 --> 3:34:56.240
<v Speaker 1>your feelings. Fuck it. I don't like Alice. Ship takes

3:34:56.280 --> 3:35:01.000
<v Speaker 1>that that right there? Didn't taste that. See see what's that?

3:35:01.360 --> 3:35:13.240
<v Speaker 3>That's the mamajuna, that's that's that's that's decent words, It's decent.

3:35:14.160 --> 3:35:18.560
<v Speaker 3>This is on a soul power. Okay, I like it now.

3:35:19.080 --> 3:35:23.080
<v Speaker 3>Now I am officially on drink champions right now.

3:35:23.160 --> 3:35:23.680
<v Speaker 2>They got.

3:35:28.600 --> 3:35:32.280
<v Speaker 1>Break you are. I'm an old nigga. I usually have

3:35:32.400 --> 3:35:33.840
<v Speaker 1>to piss every time I stand up.

3:35:35.160 --> 3:35:36.320
<v Speaker 2>So if you sit down, you good.

3:35:37.000 --> 3:35:38.400
<v Speaker 1>I don't know. I haven't had to piss.

3:35:38.440 --> 3:35:38.800
<v Speaker 6>I don't know.

3:35:40.440 --> 3:35:43.160
<v Speaker 1>Maybe I'm maybe you guys got me on adrenaline or

3:35:43.200 --> 3:35:46.800
<v Speaker 1>some ship. But what you say, they're hating you, but

3:35:46.920 --> 3:35:50.760
<v Speaker 1>you hating them back. And it reminded me of your speech.

3:35:51.879 --> 3:35:56.640
<v Speaker 1>What's that? I don't hate nobody back. I didn't.

3:35:56.680 --> 3:36:00.320
<v Speaker 3>I don't know why anybody would hate another mother fucker.

3:36:00.400 --> 3:36:03.440
<v Speaker 3>You know, like a lot of times people hate you

3:36:03.560 --> 3:36:06.160
<v Speaker 3>for ship. They heard about you. There wasn't even true.

3:36:07.680 --> 3:36:10.440
<v Speaker 3>You know, there was this kid that this kid had

3:36:10.600 --> 3:36:16.560
<v Speaker 3>a kid named Ice, who was connected to uh, connected

3:36:16.640 --> 3:36:21.920
<v Speaker 3>to Joe Buden, this boy, and he made a big

3:36:22.160 --> 3:36:26.400
<v Speaker 3>thing about why black women ain't ship and I took

3:36:26.480 --> 3:36:29.160
<v Speaker 3>the heat for it and I never said it. So

3:36:29.200 --> 3:36:33.959
<v Speaker 3>a lot of people, oh, because I what's his name?

3:36:34.080 --> 3:36:40.720
<v Speaker 3>You know it's man, you know, a guy named Ice

3:36:40.800 --> 3:36:45.200
<v Speaker 3>one of his friends. So anyway, he actually called me,

3:36:45.879 --> 3:36:49.920
<v Speaker 3>said Ice, I said that that was not you. I said, well,

3:36:49.920 --> 3:36:52.560
<v Speaker 3>there's no way to unring a bell like they the

3:36:52.879 --> 3:36:55.119
<v Speaker 3>black women. Since I got a white wife, they feel

3:36:55.200 --> 3:36:58.080
<v Speaker 3>that's me, and you know, they got pissed at me,

3:36:58.120 --> 3:37:00.240
<v Speaker 3>and it was something I never said. So a lot

3:37:00.440 --> 3:37:04.760
<v Speaker 3>a lot of times people dislike you for the bullshit

3:37:05.600 --> 3:37:08.840
<v Speaker 3>like somebody said, did this, that and the third? Now

3:37:08.879 --> 3:37:12.160
<v Speaker 3>they don't like you and it wasn't even true. You know,

3:37:12.400 --> 3:37:14.960
<v Speaker 3>That's why good podcast is a good I mean, a

3:37:15.120 --> 3:37:18.400
<v Speaker 3>podcast like this is a good place for you to

3:37:18.480 --> 3:37:20.640
<v Speaker 3>really decide whether you fuck with a nigga or not.

3:37:20.879 --> 3:37:23.200
<v Speaker 2>You know, it's long form. You get a chance to

3:37:23.360 --> 3:37:24.080
<v Speaker 2>I always.

3:37:23.840 --> 3:37:26.280
<v Speaker 3>Told bitches, if a motherfucker you dealing with a dude,

3:37:26.360 --> 3:37:28.039
<v Speaker 3>you don't like me, that's a red flag.

3:37:28.160 --> 3:37:28.400
<v Speaker 1>Bitch.

3:37:30.760 --> 3:37:32.400
<v Speaker 3>If you're dealing with a dude and he got a

3:37:32.480 --> 3:37:36.080
<v Speaker 3>problem with me. Watch that dude. Watch that dude. You

3:37:36.160 --> 3:37:38.680
<v Speaker 3>didn't watch him, not me? Watch him.

3:37:40.920 --> 3:37:43.800
<v Speaker 1>There's some reason he don't like me. There's some reason

3:37:44.280 --> 3:37:44.520
<v Speaker 1>that he.

3:37:44.560 --> 3:37:46.959
<v Speaker 3>Don't like me, and I might have triggered his real nerve,

3:37:47.120 --> 3:37:51.680
<v Speaker 3>like I don't challenge his realness at some point because

3:37:51.680 --> 3:37:53.240
<v Speaker 3>real niggas ain't afraid to say nothing.

3:37:53.280 --> 3:37:56.000
<v Speaker 1>I'll tell you, I'm scared. I ain't afraid of realness.

3:37:59.000 --> 3:38:04.760
<v Speaker 3>Okay, you can challenge your pimping will challenge another nigga's realness.

3:38:05.320 --> 3:38:08.840
<v Speaker 3>So they'll watch you, and it'll offend them that you're

3:38:08.879 --> 3:38:14.800
<v Speaker 3>so real. It'll funk with them. It'll funk with them,

3:38:14.879 --> 3:38:21.800
<v Speaker 3>especially around the bitch. They'd be like, damn, I'm offending

3:38:24.080 --> 3:38:25.320
<v Speaker 3>that shit got deep, right.

3:38:25.280 --> 3:38:29.000
<v Speaker 1>But it's real, it's really. They'll offendom because it's a

3:38:29.080 --> 3:38:30.720
<v Speaker 1>roller cos you got another shot.

3:38:31.360 --> 3:38:32.280
<v Speaker 2>You're taking a shot. I'm good.

3:38:32.320 --> 3:38:36.200
<v Speaker 1>I'm over here drinking this champagne. This champagne.

3:38:37.280 --> 3:38:39.560
<v Speaker 3>You know what niggas got players do we drink champagne

3:38:40.000 --> 3:38:40.760
<v Speaker 3>best cocaine.

3:38:44.640 --> 3:38:46.640
<v Speaker 1>Let's talk about how how did you get into pimping?

3:38:46.720 --> 3:38:47.520
<v Speaker 1>How did how?

3:38:47.560 --> 3:38:48.560
<v Speaker 2>I never was a pimp?

3:38:48.920 --> 3:38:52.120
<v Speaker 3>Okay, I never was a pimp. I hung around pimps.

3:38:52.400 --> 3:38:54.080
<v Speaker 3>I understand the pimp pinal code.

3:38:55.520 --> 3:38:58.879
<v Speaker 2>I had a code. I know the rules of the game.

3:39:00.840 --> 3:39:01.680
<v Speaker 1>I had girls.

3:39:02.760 --> 3:39:05.360
<v Speaker 3>When we was hustling and stealing, I had girls on

3:39:05.480 --> 3:39:09.480
<v Speaker 3>my team. These girls were what they consider in the

3:39:09.560 --> 3:39:14.560
<v Speaker 3>streets thoroughbreds. You know what a thoroughbread is. That's a

3:39:14.640 --> 3:39:18.120
<v Speaker 3>bitch of the fuck, steal rob work class.

3:39:18.120 --> 3:39:18.800
<v Speaker 1>See the hustle.

3:39:19.280 --> 3:39:21.480
<v Speaker 3>But pussy is not out of the equation if that's

3:39:21.560 --> 3:39:26.320
<v Speaker 3>what it takes to solve them right, hustle right, I

3:39:26.440 --> 3:39:31.279
<v Speaker 3>rolled with some thoroughbred bitches. Was I sending them? Not necessarily,

3:39:31.440 --> 3:39:34.040
<v Speaker 3>so it was part of the game, you understand me.

3:39:34.480 --> 3:39:37.000
<v Speaker 3>So I never was no ten toes down pimp standing

3:39:37.040 --> 3:39:39.480
<v Speaker 3>on the corner with bitches. But I fucked with players

3:39:39.560 --> 3:39:41.360
<v Speaker 3>and pimps and stuff like that. So I was in

3:39:41.480 --> 3:39:45.880
<v Speaker 3>the life. So you know, they respected me. I dressed

3:39:45.959 --> 3:39:48.400
<v Speaker 3>the pimp look and all that shit. But as that

3:39:48.600 --> 3:39:52.080
<v Speaker 3>being my occupation making money, no, it never was. No.

3:39:52.720 --> 3:39:56.080
<v Speaker 3>But some of the girls I rolled with was getting

3:39:56.160 --> 3:39:59.360
<v Speaker 3>money and they would handle their business.

3:39:59.440 --> 3:40:03.440
<v Speaker 1>However the situation roused.

3:40:03.480 --> 3:40:07.240
<v Speaker 3>You understand, I'm saying the pimp hos you send bitches,

3:40:07.280 --> 3:40:08.600
<v Speaker 3>you send bitches, you get money.

3:40:08.640 --> 3:40:11.160
<v Speaker 1>And all that old shit that wasn't really I say.

3:40:11.240 --> 3:40:12.840
<v Speaker 3>I say in one of my records, I say, but

3:40:13.240 --> 3:40:19.240
<v Speaker 3>I said, I took on the uh, I took on

3:40:19.400 --> 3:40:22.280
<v Speaker 3>the ice tea name. But the pimp game moved too slow,

3:40:22.920 --> 3:40:25.160
<v Speaker 3>especially for a nigga who was hooked on quick though.

3:40:26.000 --> 3:40:28.880
<v Speaker 3>So being a robber and a hustler, that was just different.

3:40:29.160 --> 3:40:31.240
<v Speaker 3>But I'm cool with the pimps. I hung with players.

3:40:31.240 --> 3:40:33.640
<v Speaker 3>I grew up around players and hustlers. Some of my

3:40:34.000 --> 3:40:37.200
<v Speaker 3>great uncles are some of the great pimps, so I

3:40:37.440 --> 3:40:38.280
<v Speaker 3>understand the game.

3:40:39.160 --> 3:40:40.160
<v Speaker 1>But no, I'm not a pimp.

3:40:41.040 --> 3:40:45.160
<v Speaker 3>And I also would never never admit anything illegal on

3:40:45.440 --> 3:40:54.359
<v Speaker 3>television smart smartest, I would never admit anything illegal.

3:40:54.480 --> 3:40:55.400
<v Speaker 1>But no, that's no.

3:40:55.680 --> 3:40:58.120
<v Speaker 3>It's an offensive word to a lot of women, but

3:40:58.720 --> 3:41:02.560
<v Speaker 3>a lot of players actually the hustle with women, Like.

3:41:02.600 --> 3:41:04.720
<v Speaker 2>The women are their partners, you're saying in the game.

3:41:04.800 --> 3:41:08.280
<v Speaker 5>But let me ask you, Like, there's some strippers who

3:41:08.560 --> 3:41:13.160
<v Speaker 5>made a whole life of their self or being a strippers,

3:41:13.480 --> 3:41:15.680
<v Speaker 5>and then there's some pimps that made the whole Like

3:41:15.800 --> 3:41:19.360
<v Speaker 5>when you I remember looking at your acceptance speech, one

3:41:19.400 --> 3:41:21.200
<v Speaker 5>of the first peoples that I seen you shout out

3:41:21.280 --> 3:41:22.440
<v Speaker 5>was Bishop don walt.

3:41:22.320 --> 3:41:25.000
<v Speaker 1>A in May I love pimps. I mean, I understand

3:41:25.120 --> 3:41:25.520
<v Speaker 1>the game.

3:41:26.879 --> 3:41:32.280
<v Speaker 3>It's it's the underworld. It's the underworld and one of

3:41:32.320 --> 3:41:39.560
<v Speaker 3>the oldest the FN it's the underworld guy. There's a

3:41:39.640 --> 3:41:43.440
<v Speaker 3>car thief guy. There's an arm robber guy. There is

3:41:43.480 --> 3:41:47.720
<v Speaker 3>a drug dealer. You a pimp, you coke dealer, all

3:41:47.800 --> 3:41:51.800
<v Speaker 3>in the same world. Let's switch the underworld, all right,

3:41:53.000 --> 3:41:55.920
<v Speaker 3>the Underworld the underworld can all show up at the

3:41:55.959 --> 3:41:58.720
<v Speaker 3>Players ball because we all players. We're not we're not

3:41:58.959 --> 3:42:02.600
<v Speaker 3>we don't buy by the law. So I lived in

3:42:02.680 --> 3:42:05.080
<v Speaker 3>that world for a long period of time. I'm very

3:42:05.160 --> 3:42:08.959
<v Speaker 3>comfortable in that world. Do I condone it? Hey, it's

3:42:09.080 --> 3:42:12.680
<v Speaker 3>breaking the law. Pimping is illegal, selling drugs is illegal.

3:42:13.040 --> 3:42:17.200
<v Speaker 3>So a lot of people say, well, Ice, a lot

3:42:17.240 --> 3:42:19.000
<v Speaker 3>of things you did, do you regret?

3:42:19.800 --> 3:42:23.720
<v Speaker 1>I quote Fargo. You ever see the movie Fargo? It's

3:42:23.800 --> 3:42:27.160
<v Speaker 1>affleck right. Yeah, it seemed like the right thing to

3:42:27.320 --> 3:42:30.320
<v Speaker 1>do at the time. That's my answer.

3:42:31.400 --> 3:42:33.240
<v Speaker 3>At this point in my life, when I do some

3:42:33.400 --> 3:42:36.560
<v Speaker 3>of them things, and I know, I mean I look

3:42:36.600 --> 3:42:37.879
<v Speaker 3>at some of the shit I did, I'm.

3:42:37.760 --> 3:42:38.400
<v Speaker 1>Like, I'm crazy.

3:42:38.879 --> 3:42:41.240
<v Speaker 3>Have I ever told a bitch yo, go go hook?

3:42:41.280 --> 3:42:44.000
<v Speaker 3>Up with this nigga and get this paper. Yes, was

3:42:44.080 --> 3:42:46.880
<v Speaker 3>it my main force source of income? No, But I

3:42:46.920 --> 3:42:50.160
<v Speaker 3>remember I had this one bra and I was trying

3:42:50.200 --> 3:42:52.440
<v Speaker 3>to send her. I was reading this pimp shit. I

3:42:52.520 --> 3:42:54.879
<v Speaker 3>had started dressing fly. I was trying to get her

3:42:54.920 --> 3:42:56.040
<v Speaker 3>a hook up with these old men.

3:42:57.640 --> 3:42:58.440
<v Speaker 2>She ran over there.

3:42:58.640 --> 3:43:00.720
<v Speaker 3>Yeah, like these old niggas did me tricks that. They

3:43:00.879 --> 3:43:06.600
<v Speaker 3>was like, we wanted me on bitches down here. So

3:43:06.760 --> 3:43:09.080
<v Speaker 3>I try to send the bitch. So she runs over

3:43:09.160 --> 3:43:12.240
<v Speaker 3>to my other dude, my boy, my buddy. I'm not

3:43:12.240 --> 3:43:13.120
<v Speaker 3>gonna say anybody's name.

3:43:13.200 --> 3:43:13.600
<v Speaker 2>It's funny.

3:43:13.640 --> 3:43:14.960
<v Speaker 3>I like I used to say names, but a lot

3:43:15.000 --> 3:43:17.080
<v Speaker 3>of these women have grown up in their church women

3:43:17.200 --> 3:43:19.600
<v Speaker 3>now their school teachers Like, I don't say my fun

3:43:20.640 --> 3:43:24.800
<v Speaker 3>miss Louise, I mean't have one of my buddies. Mama's

3:43:24.920 --> 3:43:28.120
<v Speaker 3>checked me, geez, like you put me in your book Ice,

3:43:28.240 --> 3:43:30.879
<v Speaker 3>come on. I'm like, okay, so I've learned that lesson.

3:43:31.400 --> 3:43:34.560
<v Speaker 3>But anyway, the girls, the girl I had at the time,

3:43:34.640 --> 3:43:37.320
<v Speaker 3>I'm trying to send her, you know, testing my pimping.

3:43:38.280 --> 3:43:42.720
<v Speaker 3>She runs to my buddy. I just try to He's

3:43:42.800 --> 3:43:46.200
<v Speaker 3>like telling me, oh man, she chose me. I hit

3:43:46.280 --> 3:43:48.720
<v Speaker 3>him with the mac Nigga. You were rest taven for hoes.

3:43:48.840 --> 3:43:51.760
<v Speaker 3>This is just trying to escape this instem like, come on, man.

3:43:52.040 --> 3:43:55.560
<v Speaker 3>But anyway, she ran off with him. But I mean,

3:43:55.640 --> 3:43:58.840
<v Speaker 3>I mean, I mean no, no, But I'll come from

3:43:58.920 --> 3:44:02.080
<v Speaker 3>the life and I'm very comfortable around the players, and

3:44:02.120 --> 3:44:06.720
<v Speaker 3>I'm accepted as a player. Okay, take it or leave it,

3:44:06.840 --> 3:44:07.560
<v Speaker 3>that's how it is.

3:44:07.680 --> 3:44:08.120
<v Speaker 1>You did it.

3:44:08.560 --> 3:44:12.880
<v Speaker 3>But I understand the pimpedical. I understand pimping backwards and forward.

3:44:12.959 --> 3:44:15.640
<v Speaker 1>I understand it. I'm named after Iceberg Slim.

3:44:17.520 --> 3:44:20.959
<v Speaker 3>I name myself because I used to read so much

3:44:21.040 --> 3:44:23.720
<v Speaker 3>Iceberg Slim. Of course, it wanted me to get any

3:44:25.160 --> 3:44:30.080
<v Speaker 3>Donald Goran is another writer, but Iceberg is Jeff Beck,

3:44:30.160 --> 3:44:32.680
<v Speaker 3>who wrote the Iceberg Slim novels. I actually have a

3:44:32.760 --> 3:44:35.880
<v Speaker 3>documentary called Portrait of a Pim that we did I

3:44:36.040 --> 3:44:40.680
<v Speaker 3>produce about his life. So I'm reading that shit. Of course,

3:44:40.720 --> 3:44:43.400
<v Speaker 3>I want to try to put it down. But then

3:44:43.560 --> 3:44:45.920
<v Speaker 3>I had an epiphany one day. I'm like, he's a writer,

3:44:48.400 --> 3:44:50.000
<v Speaker 3>so there's going to be a lot of players, but

3:44:50.080 --> 3:44:52.680
<v Speaker 3>the player that everyone knows, Iceberg Slim, is because he

3:44:52.879 --> 3:44:55.680
<v Speaker 3>documented the game. So if I want to live forever

3:44:55.800 --> 3:44:57.520
<v Speaker 3>in the game, I can't live the game. I have

3:44:57.640 --> 3:45:00.560
<v Speaker 3>to document the game. If you listen to ice he records,

3:45:00.560 --> 3:45:04.480
<v Speaker 3>they're not records, they're books. The lyrics that there is

3:45:04.560 --> 3:45:08.000
<v Speaker 3>me doing Iceberg Slim over music. When you listen to

3:45:08.240 --> 3:45:11.000
<v Speaker 3>all the records, it's like I'm spitting game. It's not

3:45:11.080 --> 3:45:12.840
<v Speaker 3>about dancing, throw your hands in the air.

3:45:12.879 --> 3:45:13.840
<v Speaker 1>It's is them.

3:45:14.720 --> 3:45:17.680
<v Speaker 2>So that's what it is.

3:45:18.840 --> 3:45:22.520
<v Speaker 1>So you know, I met Iceberg Slim before you pass.

3:45:22.959 --> 3:45:23.520
<v Speaker 1>Get out of here.

3:45:23.680 --> 3:45:26.360
<v Speaker 3>Yeah, fab five Freddy hooked me up with him, damn.

3:45:27.280 --> 3:45:29.560
<v Speaker 3>And I told Iceberg Slim to his face. I said,

3:45:29.600 --> 3:45:32.160
<v Speaker 3>you know, I named myself after you. He said, well

3:45:32.200 --> 3:45:32.640
<v Speaker 3>who better?

3:45:32.760 --> 3:45:33.080
<v Speaker 1>Baby?

3:45:35.280 --> 3:45:38.000
<v Speaker 3>And I'm friends with his daughters and all that. But

3:45:38.120 --> 3:45:41.880
<v Speaker 3>Iceberg Slim changed his life at the end. And uh,

3:45:42.200 --> 3:45:44.800
<v Speaker 3>you know, one of my favorite Iceberg Slim quotes is,

3:45:44.840 --> 3:45:48.599
<v Speaker 3>if you want to play this game, meaning the streets.

3:45:49.360 --> 3:45:53.760
<v Speaker 1>It's gonna cost you something. It's gonna cost you, you.

3:45:53.800 --> 3:45:57.600
<v Speaker 3>Know, whether it's penitentiary time, losing a close friend. But

3:45:57.720 --> 3:46:00.480
<v Speaker 3>there's no there will be a charge. Admit and into

3:46:00.560 --> 3:46:06.000
<v Speaker 3>this game, you know, and I change my life. I

3:46:06.200 --> 3:46:10.039
<v Speaker 3>changed my life. See I see, Just so you niggas

3:46:10.160 --> 3:46:13.520
<v Speaker 3>know this is what I see. Is I see as

3:46:13.520 --> 3:46:16.920
<v Speaker 3>a hustler and a player who went down this road,

3:46:17.040 --> 3:46:20.320
<v Speaker 3>the street road of hustling, and I run it.

3:46:20.520 --> 3:46:21.320
<v Speaker 2>I'm gonna be the best.

3:46:21.360 --> 3:46:23.240
<v Speaker 1>I'm gonna be the flyer. I'm gonna be that nigga.

3:46:23.840 --> 3:46:25.680
<v Speaker 3>But I get to the end of this road and

3:46:25.760 --> 3:46:29.320
<v Speaker 3>it's a cliff, and I see everybody going off, people

3:46:29.400 --> 3:46:33.640
<v Speaker 3>I admire, dying, going life in prison, el wip. I

3:46:33.800 --> 3:46:37.160
<v Speaker 3>see as me on this same road, running backwards, saying,

3:46:37.240 --> 3:46:41.480
<v Speaker 3>don't go that way. That's my music, don't go that way,

3:46:41.680 --> 3:46:45.160
<v Speaker 3>don't get in the gang, don't try this. That's what

3:46:45.320 --> 3:46:48.560
<v Speaker 3>I That's what I'm doing here today. That's who I

3:46:48.680 --> 3:46:50.440
<v Speaker 3>see is. I know there's a cliff.

3:46:50.520 --> 3:46:51.400
<v Speaker 1>You might not see it.

3:46:52.240 --> 3:46:52.920
<v Speaker 2>You might pass me.

3:46:53.000 --> 3:46:56.440
<v Speaker 1>Oh you an old niggas. I'm smarter than you.

3:46:57.240 --> 3:47:00.640
<v Speaker 3>Before we do stupid things, we all justify that stupid

3:47:00.680 --> 3:47:02.280
<v Speaker 3>thing we're about to do. U.

3:47:04.040 --> 3:47:05.520
<v Speaker 1>So you can take it to leave it. Like I

3:47:05.600 --> 3:47:08.240
<v Speaker 1>tell niggas, you can listen to me or a prison guard. Nigga.

3:47:08.560 --> 3:47:12.040
<v Speaker 1>You want to, you take your choice. But I'm here

3:47:12.120 --> 3:47:13.360
<v Speaker 1>to tell you I tested the.

3:47:13.480 --> 3:47:18.560
<v Speaker 3>Game, the Coke game, the Jacker rob game, all them games,

3:47:18.600 --> 3:47:20.440
<v Speaker 3>and you're gonna end up Dad are in jail.

3:47:20.480 --> 3:47:21.480
<v Speaker 1>There's no retirement.

3:47:21.560 --> 3:47:24.640
<v Speaker 3>The only niggas that have retired from the game have

3:47:24.840 --> 3:47:29.640
<v Speaker 3>got out and transition. But there's no do a died

3:47:29.840 --> 3:47:34.680
<v Speaker 3>dead gangsters sixty years old. It's been just still gangsters.

3:47:35.320 --> 3:47:40.600
<v Speaker 3>Fuck out of here. It doesn't work like that. Now.

3:47:40.680 --> 3:47:42.760
<v Speaker 3>You could be fifty cent and you could be a

3:47:42.840 --> 3:47:45.160
<v Speaker 3>real live nigga on the streets and you can get out.

3:47:45.640 --> 3:47:48.240
<v Speaker 1>You could be a jay Z live nigga.

3:47:48.680 --> 3:47:52.280
<v Speaker 2>Get out. But staying in it ten toes down.

3:47:52.400 --> 3:47:53.039
<v Speaker 1>Get out of here.

3:47:53.480 --> 3:47:59.680
<v Speaker 3>Name one, because the streets will rat you out, the

3:48:00.200 --> 3:48:02.359
<v Speaker 3>enemies will come and get you, or the police.

3:48:02.879 --> 3:48:03.040
<v Speaker 1>You know.

3:48:03.200 --> 3:48:07.199
<v Speaker 3>I tell street niggas, if you popping on the street, yes,

3:48:07.320 --> 3:48:09.480
<v Speaker 3>and if everybody in the street knows your name, so

3:48:09.640 --> 3:48:16.760
<v Speaker 3>did the police. The only way you're gonna survive is

3:48:16.800 --> 3:48:17.760
<v Speaker 3>become an informant.

3:48:25.400 --> 3:48:26.600
<v Speaker 1>Holy moly, welcome only.

3:48:34.040 --> 3:48:36.240
<v Speaker 5>Did you ever think I know this is a cliche

3:48:36.360 --> 3:48:38.680
<v Speaker 5>type of question, but did you ever think that hip

3:48:38.720 --> 3:48:39.800
<v Speaker 5>hop would make it this far?

3:48:40.440 --> 3:48:42.680
<v Speaker 1>He's a perfect person for this question. I don't know.

3:48:43.680 --> 3:48:47.600
<v Speaker 5>Because because tell us tell us describe to us in

3:48:47.640 --> 3:48:51.920
<v Speaker 5>the beginning how hip hop was like frowned upon so

3:48:52.480 --> 3:48:54.760
<v Speaker 5>as opposed to how hip hop has looked at now

3:48:55.080 --> 3:48:55.959
<v Speaker 5>as a global ass.

3:48:56.120 --> 3:48:58.960
<v Speaker 3>I was in the army. I did four years in

3:48:59.040 --> 3:49:02.640
<v Speaker 3>the army. While I was in the army, the cats

3:49:02.640 --> 3:49:05.760
<v Speaker 3>from New York had hip hop tapes. First generation of

3:49:05.840 --> 3:49:10.520
<v Speaker 3>hip hop is unrecorded hip hop. It's tapes before ship.

3:49:10.640 --> 3:49:12.200
<v Speaker 2>Of live ship, of live ship.

3:49:12.280 --> 3:49:16.120
<v Speaker 3>That's the first generation. Treacher's three Funky four plus one

3:49:16.240 --> 3:49:18.800
<v Speaker 3>more on them. By me being in the Army, I'm

3:49:18.800 --> 3:49:22.120
<v Speaker 3>with New York niggas. New York Niggas is showing us off.

3:49:22.360 --> 3:49:26.440
<v Speaker 3>They're showing off. I got tapes. I was fascinated with

3:49:26.600 --> 3:49:27.000
<v Speaker 3>that ship.

3:49:27.680 --> 3:49:30.600
<v Speaker 2>I was like, it's just hip this rap tapes of

3:49:30.720 --> 3:49:32.840
<v Speaker 2>live live, park jams, live ship.

3:49:33.040 --> 3:49:35.240
<v Speaker 1>I'm fascinating. I never heard no ship. Like facinated with

3:49:35.320 --> 3:49:36.720
<v Speaker 1>the kids finding out about.

3:49:36.480 --> 3:49:43.360
<v Speaker 3>Tapes, tape tape flashes on the box, I was like,

3:49:43.520 --> 3:49:47.040
<v Speaker 3>fast hip, the beauty, the beauty of hip hop. It's

3:49:47.080 --> 3:49:52.000
<v Speaker 3>a culture that has four entry points graffiti, breakdance, and

3:49:52.120 --> 3:49:54.920
<v Speaker 3>DJ and MC and you can get in four ways.

3:49:55.520 --> 3:49:58.200
<v Speaker 1>So that that really blew my mind. I was like, damn,

3:49:59.240 --> 3:49:59.920
<v Speaker 1>shit is stoke.

3:50:00.400 --> 3:50:03.000
<v Speaker 3>Then I saw New York City Breakers on the show

3:50:03.080 --> 3:50:07.040
<v Speaker 3>called That's incredible, y'all anybody remember that?

3:50:07.160 --> 3:50:07.560
<v Speaker 1>Am I too?

3:50:08.640 --> 3:50:10.640
<v Speaker 3>It was a show because it was a show that

3:50:10.760 --> 3:50:13.720
<v Speaker 3>had different people like that could do outrageous shit. And

3:50:13.800 --> 3:50:15.640
<v Speaker 3>they had the New York City Breakers and I saw

3:50:15.760 --> 3:50:21.160
<v Speaker 3>break dancing. I was like fascinated because we were popping

3:50:21.240 --> 3:50:24.520
<v Speaker 3>in the West coast right spending on their backs and

3:50:26.640 --> 3:50:28.360
<v Speaker 3>hip hop got me. I was like, yo, I want

3:50:28.400 --> 3:50:31.560
<v Speaker 3>to learn how to do this. So I come out

3:50:31.600 --> 3:50:34.360
<v Speaker 3>of an army with stereo equipment. I want to throw

3:50:34.440 --> 3:50:38.000
<v Speaker 3>parties like Uncle Jim's army. But I practiced rapping. I

3:50:38.080 --> 3:50:42.080
<v Speaker 3>was getting more attention rapping the theory that it was

3:50:42.160 --> 3:50:44.360
<v Speaker 3>going to be some way you could make money. Never

3:50:46.120 --> 3:50:48.200
<v Speaker 3>no one had ever bought a car doing it, So

3:50:48.400 --> 3:50:52.320
<v Speaker 3>now I'm rapping. I hooked up with these guys called

3:50:52.360 --> 3:50:54.840
<v Speaker 3>the New York City spin Masters, my boy Evile.

3:50:54.640 --> 3:50:55.640
<v Speaker 2>And Han G.

3:50:55.840 --> 3:50:56.640
<v Speaker 1>They were from Brooklyn.

3:50:56.880 --> 3:50:59.280
<v Speaker 3>They knew how to scratch, so I hooked up with

3:50:59.320 --> 3:51:01.640
<v Speaker 3>them and they were doing house parties. But at the

3:51:01.720 --> 3:51:05.160
<v Speaker 3>parties they would have four DJs feel Me right like

3:51:05.640 --> 3:51:07.680
<v Speaker 3>on the Loo. So I would show up with them

3:51:08.440 --> 3:51:12.040
<v Speaker 3>and they would actually scratch breakbeats and I would rap. Wow,

3:51:12.960 --> 3:51:15.880
<v Speaker 3>I got my name on the flyer. Eventually feel Me

3:51:16.160 --> 3:51:20.200
<v Speaker 3>because it was their show. The theory, I'm gonna get money.

3:51:20.520 --> 3:51:22.680
<v Speaker 3>That's like I said when I met Andre Herel and them.

3:51:22.920 --> 3:51:25.280
<v Speaker 3>I had a Porsche, I had jewelry. I was wearing

3:51:25.360 --> 3:51:27.240
<v Speaker 3>two pages, I had a guns.

3:51:28.480 --> 3:51:30.880
<v Speaker 1>The niggas like, why do you want to rap? You

3:51:31.040 --> 3:51:33.040
<v Speaker 1>got it all, you got to Porsche Turbo. Why do

3:51:33.160 --> 3:51:35.920
<v Speaker 1>you want to rap? I'm like, well, what I'm doing

3:51:35.920 --> 3:51:38.000
<v Speaker 1>ain't gonna last. Wow.

3:51:38.520 --> 3:51:41.040
<v Speaker 5>Every other wrap up didn't have that at the time,

3:51:41.120 --> 3:51:43.720
<v Speaker 5>nobody had it, hadn't bought cars yet.

3:51:44.080 --> 3:51:49.600
<v Speaker 1>Wow. I'm talking about eighty two. Wow. I just I

3:51:49.800 --> 3:51:51.520
<v Speaker 1>just liked it. I would go wrap it.

3:51:52.120 --> 3:51:54.200
<v Speaker 3>I would do just shit in the day and then

3:51:54.320 --> 3:51:55.880
<v Speaker 3>show up at a club on the weekend and be

3:51:55.960 --> 3:51:56.320
<v Speaker 3>a star.

3:51:56.960 --> 3:51:57.200
<v Speaker 1>Wow.

3:51:57.600 --> 3:52:00.640
<v Speaker 3>And I like that theory of it actually be in

3:52:00.720 --> 3:52:06.440
<v Speaker 3>my money. It never could happen, but it started to happen. Now.

3:52:06.560 --> 3:52:08.400
<v Speaker 3>The difference is the kids would getting in for the

3:52:08.520 --> 3:52:11.040
<v Speaker 3>money and they're like, I could put this little talent

3:52:11.160 --> 3:52:14.520
<v Speaker 3>into it as possible, Like we did shows before we

3:52:14.640 --> 3:52:18.200
<v Speaker 3>got record deals. They get record deals before they do shows.

3:52:18.320 --> 3:52:20.920
<v Speaker 3>Like you were like talent leaning, you had to have

3:52:21.080 --> 3:52:25.160
<v Speaker 3>talent and I and by working in that club, I

3:52:25.320 --> 3:52:28.440
<v Speaker 3>was able to wrap every weekend and get better and

3:52:28.560 --> 3:52:29.040
<v Speaker 3>get better.

3:52:29.840 --> 3:52:34.400
<v Speaker 1>So I never thought this was gonna last. They said

3:52:34.400 --> 3:52:35.080
<v Speaker 1>it was a fad.

3:52:36.720 --> 3:52:39.040
<v Speaker 3>I think when the major record label started, I was

3:52:39.080 --> 3:52:41.160
<v Speaker 3>one of the first rappers ever signed to a major.

3:52:41.240 --> 3:52:45.560
<v Speaker 3>I got signed to Warner Brothers, Sire Madonna's label. That

3:52:45.760 --> 3:52:48.360
<v Speaker 3>was the start, and then Sire is Madonna's label. Sire

3:52:48.480 --> 3:52:52.080
<v Speaker 3>No Sire was a label on Warner that Madonna was

3:52:52.120 --> 3:52:54.480
<v Speaker 3>signed to. I was signed to the same level as Madonna.

3:52:54.640 --> 3:53:02.000
<v Speaker 3>Talking Heads Ministry Chris, basically a punk rock label by

3:53:02.080 --> 3:53:02.960
<v Speaker 3>seymour Stein.

3:53:03.480 --> 3:53:05.880
<v Speaker 1>It's just passed. I inducted him into the Rock and

3:53:05.960 --> 3:53:06.640
<v Speaker 1>Roll Hall of Fame.

3:53:07.520 --> 3:53:11.000
<v Speaker 2>But he heard it.

3:53:11.240 --> 3:53:13.280
<v Speaker 1>He told me when he signed me. He says, have

3:53:13.400 --> 3:53:15.240
<v Speaker 1>you ever listened to Calypso music? I'm like no.

3:53:15.400 --> 3:53:17.800
<v Speaker 3>He said, they sing about song the problems in Trinidad, this,

3:53:17.920 --> 3:53:20.400
<v Speaker 3>that and the other. But he talked, here's a jewel.

3:53:20.560 --> 3:53:23.800
<v Speaker 3>Seymour Stein saw me. Just because I don't understand it

3:53:23.920 --> 3:53:29.080
<v Speaker 3>doesn't invalidate it. This means I don't understand it what

3:53:29.280 --> 3:53:33.040
<v Speaker 3>you're singing. I know people it resonates, just maybe not me.

3:53:34.040 --> 3:53:36.480
<v Speaker 3>Go ahead, make your music. I believe you sound like

3:53:36.880 --> 3:53:39.520
<v Speaker 3>to me Bob Dylan. That's the only person you can

3:53:39.560 --> 3:53:44.480
<v Speaker 3>connect to how genius is that to be able to

3:53:44.520 --> 3:53:47.320
<v Speaker 3>say just because I don't understand it doesn't invalidate it.

3:53:47.360 --> 3:53:49.960
<v Speaker 1>It just means maybe I don't like, I know, I

3:53:50.080 --> 3:53:53.080
<v Speaker 1>noticed people in this world that does relate to right, Do.

3:53:53.040 --> 3:53:56.800
<v Speaker 3>You understand what's what's the Korean ship? The k Do

3:53:56.920 --> 3:54:01.080
<v Speaker 3>you understand it doesn't invalidated? It's not short.

3:54:01.360 --> 3:54:02.000
<v Speaker 2>This is my point.

3:54:02.480 --> 3:54:04.240
<v Speaker 3>But this is being an A and R guy, being

3:54:04.320 --> 3:54:08.280
<v Speaker 3>that smart saying I don't understand rap, but I know

3:54:08.440 --> 3:54:09.520
<v Speaker 3>it's something.

3:54:10.920 --> 3:54:16.120
<v Speaker 1>Dope gave me my break. Do you think.

3:54:18.120 --> 3:54:20.800
<v Speaker 5>There was a difference from the Tupac that was on

3:54:20.920 --> 3:54:24.520
<v Speaker 5>Digital Underground and a Tupac that was on death Rope?

3:54:24.680 --> 3:54:26.840
<v Speaker 2>Absolutely? I mean yeah, I mean I think we can

3:54:26.920 --> 3:54:28.240
<v Speaker 2>absolutely see.

3:54:28.080 --> 3:54:30.960
<v Speaker 3>Pop when I'm When I first met Pocket and money

3:54:31.000 --> 3:54:34.480
<v Speaker 3>Bee and all them, it was digital. You got Shakhi,

3:54:34.880 --> 3:54:38.640
<v Speaker 3>who's one hundred percent different, Parliament, this, that, and the third.

3:54:39.360 --> 3:54:43.080
<v Speaker 3>I didn't even recognize Pockets militant or nothing like that,

3:54:43.360 --> 3:54:48.000
<v Speaker 3>just as a dancer friend cool, and when he came out,

3:54:49.840 --> 3:54:52.680
<v Speaker 3>I was like, yo, that's the same dude, you know.

3:54:53.840 --> 3:54:56.760
<v Speaker 3>But I couldn't disrespect him because his lyrics was deep

3:54:57.800 --> 3:55:01.000
<v Speaker 3>and uh, I got to work on on Apocalypse now

3:55:01.160 --> 3:55:05.640
<v Speaker 3>me and him and c on last words. So what

3:55:05.960 --> 3:55:09.360
<v Speaker 3>people don't understand is I love Poc. I love Pac,

3:55:09.560 --> 3:55:14.760
<v Speaker 3>but he's an artist. To me, he was just another artist.

3:55:14.960 --> 3:55:17.920
<v Speaker 3>You know, people like Poc is a god but is

3:55:17.920 --> 3:55:20.680
<v Speaker 3>an artist. He's like Norwy. To me, he's just an artist.

3:55:21.280 --> 3:55:25.040
<v Speaker 3>So we were friends and people. Last time I was

3:55:25.120 --> 3:55:28.200
<v Speaker 3>on here, I said something I said, I tried to

3:55:28.280 --> 3:55:32.280
<v Speaker 3>talk to Poc, and people like, you can't talk to Poc.

3:55:32.440 --> 3:55:36.400
<v Speaker 3>I'm like, POC's thirteen years younger than me, right and

3:55:36.520 --> 3:55:38.800
<v Speaker 3>West Coast definitely has a peccan order. If you're a

3:55:38.800 --> 3:55:42.760
<v Speaker 3>little older, motherfuckers will sit down. And uh, I had

3:55:42.800 --> 3:55:46.040
<v Speaker 3>a story where Shaka came to my house. Told you

3:55:46.120 --> 3:55:49.600
<v Speaker 3>that story. I lived in Hollywood Hills. A shock came

3:55:49.680 --> 3:55:52.680
<v Speaker 3>on my door. I said, why the fuck are you

3:55:52.720 --> 3:55:54.360
<v Speaker 3>knocking on my door? He said, I was up in

3:55:54.400 --> 3:55:56.600
<v Speaker 3>the hills. I asked if any black people live up here?

3:55:58.320 --> 3:56:00.800
<v Speaker 3>She said to you, they said right over there. So

3:56:00.880 --> 3:56:03.480
<v Speaker 3>shot knocked them my door. We sat down and he

3:56:03.600 --> 3:56:06.320
<v Speaker 3>was like, I talked to Pac man. You know, they

3:56:06.400 --> 3:56:10.480
<v Speaker 3>feeding pop gunpowder pockets, like not listening to death Row,

3:56:14.960 --> 3:56:19.280
<v Speaker 3>you know. And I and we had conversations. But see

3:56:19.320 --> 3:56:22.200
<v Speaker 3>the thing of it is, it's like when you setting up,

3:56:22.600 --> 3:56:24.600
<v Speaker 3>when you're working with a rapper, you have to get

3:56:24.640 --> 3:56:28.000
<v Speaker 3>a rapper in the state of mind. Defrow was training

3:56:28.080 --> 3:56:31.080
<v Speaker 3>Pack to be a killer, which you heard in the music.

3:56:32.560 --> 3:56:34.560
<v Speaker 3>But like I did a thing for Mike Tyson, which

3:56:34.640 --> 3:56:37.800
<v Speaker 3>is like you train a man to be a pitbull,

3:56:37.880 --> 3:56:41.960
<v Speaker 3>then you get mad when he eats the furniture, you

3:56:42.040 --> 3:56:43.280
<v Speaker 3>see me, So.

3:56:45.120 --> 3:56:51.200
<v Speaker 1>That energy bled into the streets to his demise, right,

3:56:52.680 --> 3:56:53.280
<v Speaker 1>because like.

3:56:56.240 --> 3:56:58.480
<v Speaker 5>At the end of the day, you would never kind

3:56:58.520 --> 3:57:01.920
<v Speaker 5>of like recommend someone to get it's a gang culture

3:57:01.920 --> 3:57:04.400
<v Speaker 5>because gang culture, like it's like I wouldn't.

3:57:04.040 --> 3:57:05.720
<v Speaker 1>Advise anybody getting streets.

3:57:06.560 --> 3:57:11.240
<v Speaker 5>Like last night, last night I forgot I think his

3:57:11.360 --> 3:57:14.800
<v Speaker 5>name is Nino Brown or his wistream was Nino Brown.

3:57:14.880 --> 3:57:19.120
<v Speaker 5>But he said to you something like, I'm from Hoover,

3:57:19.360 --> 3:57:21.600
<v Speaker 5>and you said, oh, I'm from such and such and

3:57:21.880 --> 3:57:26.080
<v Speaker 5>everything that y'all spoke about. I was so lost as

3:57:26.120 --> 3:57:27.880
<v Speaker 5>a person from New York, y'all. I was just looking

3:57:27.920 --> 3:57:31.760
<v Speaker 5>at y'all. Andy'll said, you said over there on this ground,

3:57:31.800 --> 3:57:37.360
<v Speaker 5>this ground just then, and I'm like, that's some complicated ship.

3:57:37.760 --> 3:57:39.760
<v Speaker 3>So I was like, you know, what it is, Nori,

3:57:40.440 --> 3:57:43.160
<v Speaker 3>if I told you a part of Queen's but you

3:57:43.400 --> 3:57:47.280
<v Speaker 3>know what that block consists of. Yes, So he said

3:57:47.320 --> 3:57:51.080
<v Speaker 3>he from ninety fourth and Hoover. I'm like, Yo, that's

3:57:51.160 --> 3:57:55.280
<v Speaker 3>a very very hot area. But that's the Hoover criminals.

3:57:55.400 --> 3:57:59.800
<v Speaker 3>But hot, I don't where I'm from. That's called out

3:57:59.840 --> 3:58:02.200
<v Speaker 3>of bounds. That's not where I go. I don't know

3:58:02.280 --> 3:58:05.680
<v Speaker 3>them people. My baby's mother, my daughter, my adult daughter,

3:58:06.160 --> 3:58:09.480
<v Speaker 3>her mother lived on seventy fourth and Hoover, seventy third

3:58:09.520 --> 3:58:12.440
<v Speaker 3>in Hoover, So I know all the hoovers. When Hoovers

3:58:12.440 --> 3:58:14.640
<v Speaker 3>were crips. They used to Hoovers used to be crips.

3:58:15.280 --> 3:58:18.680
<v Speaker 3>Now they anybody killers. They they were the age, the

3:58:18.800 --> 3:58:22.000
<v Speaker 3>Houston hat Those are the kids that killed Pop Smoke.

3:58:22.560 --> 3:58:26.760
<v Speaker 3>Oh God bless that's Hoover them, the Hoover criminal that. Ye,

3:58:27.080 --> 3:58:31.160
<v Speaker 3>it's a sad. I don't know them niggas. So I

3:58:31.360 --> 3:58:34.120
<v Speaker 3>was like, I just vowed down to his neighborhood, Like, Yo,

3:58:34.200 --> 3:58:36.120
<v Speaker 3>I'm from the West Side. I don't know them niggas

3:58:36.160 --> 3:58:41.480
<v Speaker 3>over there. That was it. Everybody knows the tough areas.

3:58:42.200 --> 3:58:44.680
<v Speaker 3>Everybody knows. So when you say it if you're from there,

3:58:44.760 --> 3:58:47.680
<v Speaker 3>you go, okay, okay, I know how you grew up.

3:58:48.000 --> 3:58:50.200
<v Speaker 3>But he went to prison and he came back home.

3:58:50.800 --> 3:58:53.480
<v Speaker 3>But he's younger than me. See, so he said, my

3:58:53.640 --> 3:58:55.520
<v Speaker 3>dad might have went to school. His dad went to

3:58:55.640 --> 3:58:59.960
<v Speaker 3>school two years before me. But he said, yo, I'm back,

3:59:00.200 --> 3:59:05.160
<v Speaker 3>so that that resonates with us. But he's so therefore

3:59:05.200 --> 3:59:07.760
<v Speaker 3>he's a little homie, so he gonna treat me accordingly.

3:59:07.880 --> 3:59:10.000
<v Speaker 1>Like that's a big on me. My dad knows you,

3:59:10.240 --> 3:59:14.240
<v Speaker 1>like like cool, Yeah, yeah, that's that's crazy.

3:59:15.120 --> 3:59:17.720
<v Speaker 5>Like when I saw that last night, Like I saw

3:59:17.800 --> 3:59:20.000
<v Speaker 5>two people that didn't know each other and had a

3:59:20.040 --> 3:59:20.880
<v Speaker 5>whole conversation.

3:59:22.360 --> 3:59:26.200
<v Speaker 1>No one else knew what y'all was talking about, and

3:59:27.160 --> 3:59:30.560
<v Speaker 1>that shit was like like to me, like is that

3:59:30.760 --> 3:59:32.400
<v Speaker 1>anywhere you go? Like anywhere you go?

3:59:32.720 --> 3:59:34.200
<v Speaker 3>First thing I would too if you tell me you

3:59:34.280 --> 3:59:36.520
<v Speaker 3>from l A. A lot of times niggas to tell me, yo,

3:59:36.800 --> 3:59:39.000
<v Speaker 3>I'm from LA. I'm like what part and then they'll

3:59:39.200 --> 3:59:43.600
<v Speaker 3>back down. I'm like where you're from? They be like Pomona,

3:59:44.880 --> 3:59:46.680
<v Speaker 3>I'm like that ain't really La.

3:59:49.240 --> 3:59:49.880
<v Speaker 2>You know what I'm saying.

3:59:49.960 --> 3:59:52.080
<v Speaker 3>That's like, you know, I'm from a coin or some

3:59:52.240 --> 3:59:54.480
<v Speaker 3>ship like that, Like I know where to I know

3:59:54.560 --> 3:59:58.520
<v Speaker 3>where the trenches are, you know, So I'm like, but

3:59:59.320 --> 4:00:01.520
<v Speaker 3>where are you from? That's the quickest thing. That's what

4:00:01.640 --> 4:00:04.520
<v Speaker 3>part of La where you from? Oh I'm from wood Woo,

4:00:04.680 --> 4:00:05.800
<v Speaker 3>I'm on from main Street?

4:00:05.880 --> 4:00:08.560
<v Speaker 1>Okay, cool? I know. Then what we'll do is we'll

4:00:08.720 --> 4:00:09.520
<v Speaker 1>name off niggas.

4:00:09.600 --> 4:00:11.360
<v Speaker 3>I know niggas from over. I know such and such,

4:00:11.440 --> 4:00:14.320
<v Speaker 3>such and such. They're gonna blow you from sixties. I

4:00:14.400 --> 4:00:16.240
<v Speaker 3>know that I know such and such, such and such.

4:00:16.800 --> 4:00:19.000
<v Speaker 3>But it's dangerous because if you like now you're in

4:00:19.160 --> 4:00:25.480
<v Speaker 3>that world right running to another set, Yo, who you know?

4:00:25.640 --> 4:00:26.520
<v Speaker 3>Because who you know?

4:00:26.920 --> 4:00:27.040
<v Speaker 1>Oh?

4:00:27.120 --> 4:00:28.560
<v Speaker 2>I know dj EFN.

4:00:29.320 --> 4:00:31.960
<v Speaker 1>You'll fuck that niggas like you know, could be like

4:00:32.200 --> 4:00:34.680
<v Speaker 1>that could be the wrong name, like that nigga.

4:00:34.440 --> 4:00:37.080
<v Speaker 3>Ain't nobody because oh shit, now you've been to name

4:00:37.120 --> 4:00:38.800
<v Speaker 3>a top tier nigga, you know.

4:00:39.360 --> 4:00:43.440
<v Speaker 1>So it's just LA life. Like I said earlier, LA

4:00:43.600 --> 4:00:44.240
<v Speaker 1>is dangerous.

4:00:44.600 --> 4:00:48.880
<v Speaker 3>So I was able by knowing being a player and

4:00:49.040 --> 4:00:51.720
<v Speaker 3>moving around the different sets and learning about the shot

4:00:51.840 --> 4:00:53.880
<v Speaker 3>callers and befriending them.

4:00:54.240 --> 4:00:59.120
<v Speaker 1>I knew enough people just to navigate the city. I've

4:00:59.120 --> 4:01:00.680
<v Speaker 1>been in. I've been out of bounds. I was.

4:01:00.760 --> 4:01:03.280
<v Speaker 3>I was messing with this girl from the bottom, which

4:01:03.400 --> 4:01:07.840
<v Speaker 3>is no, the bottom is the bottom. The bottom is

4:01:07.880 --> 4:01:11.200
<v Speaker 3>the east side of the forties. So that's uh, that's

4:01:12.640 --> 4:01:16.600
<v Speaker 3>the Pueblows. Another project called the Pueblows. Niggas over there

4:01:16.880 --> 4:01:19.720
<v Speaker 3>one here ill name they called Bloodstone Villains.

4:01:20.640 --> 4:01:22.880
<v Speaker 1>You ever heard of a gang called the villains? Them niggas?

4:01:23.440 --> 4:01:25.120
<v Speaker 1>That name is scary, right, So.

4:01:26.920 --> 4:01:30.400
<v Speaker 3>So Bsv's Bloodstone Villains. So I met a girl on

4:01:30.520 --> 4:01:32.680
<v Speaker 3>the west side, a pretty girl.

4:01:33.400 --> 4:01:33.800
<v Speaker 1>I don't know.

4:01:33.880 --> 4:01:37.160
<v Speaker 3>The bitch lives in the motherfucking puet blows. So she

4:01:37.240 --> 4:01:38.840
<v Speaker 3>give me a number. I pull up over there in

4:01:38.880 --> 4:01:42.080
<v Speaker 3>the porch with the fela whooped. He whooped, So she

4:01:42.320 --> 4:01:44.600
<v Speaker 3>was fine. So I meet her one day. I'm gonna

4:01:44.640 --> 4:01:47.240
<v Speaker 3>pull back up. The second time I pulled up, she goes,

4:01:47.280 --> 4:01:49.200
<v Speaker 3>your niggas over here, said, they finna rob you.

4:01:49.680 --> 4:01:54.400
<v Speaker 1>I said, alright, nice meeting you, bitch. I'm out. I

4:01:54.520 --> 4:01:54.800
<v Speaker 1>got it.

4:01:56.440 --> 4:01:57.800
<v Speaker 2>Pu see, No, I'm out.

4:01:58.240 --> 4:02:00.400
<v Speaker 3>I'm out because if I if some happened to me

4:02:00.440 --> 4:02:02.160
<v Speaker 3>over there, my crew ain't coming over there.

4:02:02.200 --> 4:02:04.040
<v Speaker 1>They like, nigga, why are you way over there?

4:02:04.360 --> 4:02:06.480
<v Speaker 3>So there was a shot call over there named Termite,

4:02:07.200 --> 4:02:09.440
<v Speaker 3>who was the main nigga over there that was selling water.

4:02:10.160 --> 4:02:14.360
<v Speaker 1>So water means dust PCP PCB, so yeah, it's what

4:02:14.480 --> 4:02:18.000
<v Speaker 1>they used to make dust, so and we call it sharon.

4:02:19.000 --> 4:02:22.800
<v Speaker 3>But anyway, just having the right connections and knowing where

4:02:22.840 --> 4:02:25.080
<v Speaker 3>you are and this and the third. I have a

4:02:25.160 --> 4:02:27.160
<v Speaker 3>story where I went I met this girl on the

4:02:27.240 --> 4:02:29.120
<v Speaker 3>west side. I'm on the west side, west side.

4:02:29.120 --> 4:02:30.720
<v Speaker 1>I finished that story. So what happened to you was

4:02:30.800 --> 4:02:31.200
<v Speaker 1>going through?

4:02:31.560 --> 4:02:38.560
<v Speaker 3>Anybody just never showed back up, he just left. Yeah,

4:02:38.680 --> 4:02:41.080
<v Speaker 3>a girl, tell you yo. You know the guys over

4:02:41.160 --> 4:02:42.480
<v Speaker 3>here are playing on robbing you.

4:02:42.640 --> 4:02:43.400
<v Speaker 2>That's all I needed.

4:02:44.680 --> 4:02:46.120
<v Speaker 1>I'm like, I'm gonna go.

4:02:46.120 --> 4:02:47.640
<v Speaker 3>To the liquor store. I'm gonna get some right quick.

4:02:47.920 --> 4:02:50.160
<v Speaker 3>You're seeing me. I'm back on the other side of town.

4:02:50.440 --> 4:02:52.600
<v Speaker 3>So one time I met this girl on the west side.

4:02:52.920 --> 4:02:56.360
<v Speaker 3>West side is anything you got the Harbor Freeway in

4:02:56.560 --> 4:02:59.760
<v Speaker 3>l A. Anything on the west side of that is

4:02:59.840 --> 4:03:01.680
<v Speaker 3>the west side. Anything on the other side of that

4:03:01.840 --> 4:03:04.240
<v Speaker 3>is the east side. Here's the thing, ain't ship on

4:03:04.400 --> 4:03:09.040
<v Speaker 3>the east side. Ain't no businesses, ain't no hotels, ain't

4:03:09.120 --> 4:03:12.840
<v Speaker 3>nothing but drama on the east side. East side, niggas

4:03:12.880 --> 4:03:18.160
<v Speaker 3>wear sweatsuits with hard shoes. You ever seen the old

4:03:18.240 --> 4:03:21.000
<v Speaker 3>niggas that have the sweatsuit on with the party socks,

4:03:21.040 --> 4:03:25.560
<v Speaker 3>the big socks and Stacy Adams them niggas them, Niggas.

4:03:25.320 --> 4:03:26.240
<v Speaker 1>Is on the east side.

4:03:26.760 --> 4:03:28.160
<v Speaker 2>West Side Niggas is players.

4:03:28.200 --> 4:03:31.160
<v Speaker 1>We got k swists. We fly east side Niggas is

4:03:31.880 --> 4:03:33.240
<v Speaker 1>dangerous niggas like they.

4:03:36.200 --> 4:03:37.120
<v Speaker 2>My man's laughing.

4:03:38.120 --> 4:03:41.120
<v Speaker 1>So yeah, east side Niggas is real hard hard.

4:03:41.720 --> 4:03:46.000
<v Speaker 3>So I meet a girl on the west side and

4:03:46.120 --> 4:03:48.720
<v Speaker 3>she tells me she lives on ninety ninth in Success.

4:03:49.160 --> 4:03:51.880
<v Speaker 3>That's on the east side of will Rogers Park in Watts.

4:03:52.800 --> 4:03:55.920
<v Speaker 3>I'm in high school. I catch the bus down Crenshaw.

4:03:56.640 --> 4:03:58.920
<v Speaker 3>I catch the bus down Century. If you want to

4:03:58.960 --> 4:04:00.280
<v Speaker 3>find if you want to if you want to go

4:04:00.360 --> 4:04:05.760
<v Speaker 3>to the jungle, get off at the La X. You're

4:04:05.800 --> 4:04:09.760
<v Speaker 3>on Century. Just take Century East. You'll ridden up in Watts.

4:04:10.440 --> 4:04:12.880
<v Speaker 3>But you don't you go you go west. If you

4:04:12.960 --> 4:04:14.880
<v Speaker 3>go east, you'll end up in the worst part of

4:04:15.040 --> 4:04:17.520
<v Speaker 3>La So anyway, I catch the bus.

4:04:17.960 --> 4:04:19.640
<v Speaker 1>The bus stops at will Rogers Park.

4:04:19.680 --> 4:04:25.520
<v Speaker 3>I gotta walk across will Rogers Park, dangerous Nickson Gardens

4:04:25.560 --> 4:04:28.120
<v Speaker 3>there Imperial Course. So I get to the girl's house,

4:04:30.400 --> 4:04:33.280
<v Speaker 3>go in her house. Her mother is sitting in one

4:04:33.320 --> 4:04:34.679
<v Speaker 3>of the big reclining.

4:04:34.320 --> 4:04:38.360
<v Speaker 1>Chairs, Hi, baby, you want some while like she one

4:04:38.400 --> 4:04:40.200
<v Speaker 1>of the one of them hood mama's.

4:04:40.280 --> 4:04:43.320
<v Speaker 3>Laid back, got the feet all swollen up, like you

4:04:44.080 --> 4:04:47.480
<v Speaker 3>brought me some some drinking a mayonnaise jar. I'm in

4:04:47.520 --> 4:04:53.280
<v Speaker 3>the hood. While I'm sitting there, her nigga shows up.

4:04:56.480 --> 4:05:00.560
<v Speaker 3>Now I'm in the house, I'm talking to mom. Do

4:05:00.600 --> 4:05:04.200
<v Speaker 3>you guys Jerry krr I had a perm don't get

4:05:04.240 --> 4:05:11.040
<v Speaker 3>into it. Yeah, I'm a kid. I'm a kid Nori seventeen.

4:05:11.160 --> 4:05:12.640
<v Speaker 1>Okay, let's go keep it going.

4:05:13.560 --> 4:05:14.160
<v Speaker 2>We in the hood.

4:05:14.200 --> 4:05:15.240
<v Speaker 3>You know you in the hood, when you were in

4:05:15.280 --> 4:05:17.520
<v Speaker 3>the house that got a car furniture in the house.

4:05:18.320 --> 4:05:23.080
<v Speaker 3>Oh shit, send the blox the hood hood like door

4:05:23.200 --> 4:05:25.400
<v Speaker 3>knobs was only one side you got to use like

4:05:25.480 --> 4:05:31.120
<v Speaker 3>a key. And so the dude shows up, so she

4:05:31.280 --> 4:05:33.760
<v Speaker 3>outside trying to talk to him. She got another nigga

4:05:33.760 --> 4:05:36.840
<v Speaker 3>in the house. I'm sitting there with moms like, yo,

4:05:37.040 --> 4:05:39.280
<v Speaker 3>this is going bad as a motherfucker, Like I got

4:05:39.320 --> 4:05:43.560
<v Speaker 3>to number. There's some watch nigga outside. This is fucked up.

4:05:43.880 --> 4:05:47.480
<v Speaker 3>I sat in that house literally about an hour waiting

4:05:47.560 --> 4:05:49.800
<v Speaker 3>for that conversation to end. The shit and wouldn't end.

4:05:50.280 --> 4:05:54.320
<v Speaker 3>So now I'm like, fuck it. I'm I'm bailing right,

4:05:54.960 --> 4:05:57.240
<v Speaker 3>So I just walk out the front of the house.

4:05:57.720 --> 4:06:00.800
<v Speaker 3>I walk out the house right, I walked right, passed them,

4:06:01.360 --> 4:06:03.280
<v Speaker 3>I turned and I'm walking now.

4:06:03.320 --> 4:06:04.080
<v Speaker 2>I'm walking right.

4:06:04.160 --> 4:06:08.200
<v Speaker 3>I'm expecting to feel this like the nigga just shocking

4:06:08.280 --> 4:06:10.600
<v Speaker 3>me from behind. But I'm walking like I ain't got

4:06:10.680 --> 4:06:16.240
<v Speaker 3>it yet, I ain't looking back, just waiting for the book.

4:06:18.320 --> 4:06:21.200
<v Speaker 1>And I made it. I walk off. They never say nothing.

4:06:21.720 --> 4:06:22.360
<v Speaker 1>I'm like shit.

4:06:22.440 --> 4:06:24.240
<v Speaker 3>And I got in the middle of will Rogers Park

4:06:24.280 --> 4:06:27.000
<v Speaker 3>and I'm like, what in the fuck are you doing here?

4:06:27.720 --> 4:06:30.600
<v Speaker 3>You don't not belong here. That was not your bitch.

4:06:31.040 --> 4:06:33.600
<v Speaker 3>You could have died way over here. And I got

4:06:33.680 --> 4:06:36.120
<v Speaker 3>my ass on the RTD and I went home and

4:06:36.200 --> 4:06:40.520
<v Speaker 3>that was my last attempt. I love two learning lessons

4:06:40.560 --> 4:06:43.320
<v Speaker 3>of being out of bounds fucking with bitches like like

4:06:43.480 --> 4:06:45.240
<v Speaker 3>what this cube said, never fuck with a bitch from

4:06:45.280 --> 4:06:48.680
<v Speaker 3>the projects. I learned my lesson and I made it

4:06:48.760 --> 4:06:56.600
<v Speaker 3>home safe. I didn't get hit in the Earcgregors. I

4:06:56.760 --> 4:07:00.080
<v Speaker 3>wasn't finna fight this dude over his girl, Like I

4:07:00.240 --> 4:07:02.240
<v Speaker 3>was just like, wow, am I why am I here?

4:07:02.520 --> 4:07:05.560
<v Speaker 3>Like so yeah, yeah, Sometimes you shouldn't travel too far

4:07:05.680 --> 4:07:06.160
<v Speaker 3>for pussy.

4:07:07.240 --> 4:07:15.280
<v Speaker 1>You shouldn't my secret shouldn't travel too far.

4:07:15.400 --> 4:07:16.760
<v Speaker 2>Don't travel so far for pussy.

4:07:17.160 --> 4:07:20.600
<v Speaker 3>Yeah, or in someone's total different territory where you don't

4:07:20.640 --> 4:07:21.400
<v Speaker 3>know nobody.

4:07:21.880 --> 4:07:26.640
<v Speaker 1>But fuck that. So let me ask because.

4:07:29.520 --> 4:07:35.120
<v Speaker 5>I know, I know we touched on it earlier, but

4:07:35.680 --> 4:07:41.920
<v Speaker 5>there was a stigma of going commercial, right, like going

4:07:42.000 --> 4:07:46.320
<v Speaker 5>to the other side, right, And what's what's double bon

4:07:46.440 --> 4:07:46.920
<v Speaker 5>two is.

4:07:48.440 --> 4:07:50.440
<v Speaker 1>We we don't think you went to the other side.

4:07:50.440 --> 4:07:54.480
<v Speaker 1>We still believe your right right to say nigga pretty much.

4:07:54.640 --> 4:07:56.880
<v Speaker 5>We're like, yo, we see play a cop on TV,

4:07:57.040 --> 4:07:59.120
<v Speaker 5>but we know that Nigga might still shoot you like that.

4:07:59.440 --> 4:08:00.960
<v Speaker 1>That's real. It's acting.

4:08:01.480 --> 4:08:03.640
<v Speaker 3>I'm as far from a cop as you possibly could

4:08:03.680 --> 4:08:06.240
<v Speaker 3>get as acting. I can act like a cop, I

4:08:06.320 --> 4:08:07.520
<v Speaker 3>can act like a slave owner.

4:08:07.520 --> 4:08:11.960
<v Speaker 1>I'm acting. I learned that acting is acting. Now how

4:08:12.080 --> 4:08:13.760
<v Speaker 1>you perceive it. I don't really give a fuck.

4:08:14.720 --> 4:08:17.400
<v Speaker 3>If you want to make the mistake and think that

4:08:18.160 --> 4:08:21.600
<v Speaker 3>you know that I'm not whatever, that's that's your mistake.

4:08:21.760 --> 4:08:21.960
<v Speaker 3>You know.

4:08:24.080 --> 4:08:25.280
<v Speaker 1>What's it? Well?

4:08:25.400 --> 4:08:27.200
<v Speaker 3>I did. I did the record with r J Payne,

4:08:27.280 --> 4:08:29.920
<v Speaker 3>the first first lyric because I walk around with the

4:08:30.040 --> 4:08:33.040
<v Speaker 3>rocket in my hoodie pocket. Your biggest mistake is thinking

4:08:33.120 --> 4:08:40.440
<v Speaker 3>I'm fake. So if that's what you choose to do,

4:08:40.680 --> 4:08:47.440
<v Speaker 3>play yourself. No, man, but no, as far as being commercial,

4:08:49.240 --> 4:08:51.840
<v Speaker 3>I never would do clean versions of my records. I

4:08:52.000 --> 4:08:55.160
<v Speaker 3>was really adamant about not doing clean verse. Did you

4:08:55.240 --> 4:08:56.080
<v Speaker 3>do clean versions?

4:08:56.520 --> 4:08:57.800
<v Speaker 1>Yeah, I was trying to get that bread.

4:08:59.160 --> 4:09:03.600
<v Speaker 3>I was so so so like stubborn. I thought that

4:09:03.800 --> 4:09:06.280
<v Speaker 3>was selling out. And then n w A did it

4:09:06.560 --> 4:09:09.560
<v Speaker 3>and they made a lot more money, but a lot

4:09:09.600 --> 4:09:12.240
<v Speaker 3>of records. There's no clean versions of Ice Tea records.

4:09:12.520 --> 4:09:16.480
<v Speaker 3>I still hate doing it. Even when I do body count,

4:09:16.520 --> 4:09:19.040
<v Speaker 3>I do it all raw and then they like, can

4:09:19.080 --> 4:09:22.280
<v Speaker 3>we clean it up? And still this seems whack to me.

4:09:22.440 --> 4:09:25.840
<v Speaker 3>But yeah, you know you are in the business. You're

4:09:25.880 --> 4:09:28.800
<v Speaker 3>trying to sell the records your ice.

4:09:28.920 --> 4:09:29.120
<v Speaker 2>Man.

4:09:29.320 --> 4:09:31.120
<v Speaker 1>I can't thank you enough.

4:09:31.520 --> 4:09:36.160
<v Speaker 5>Man, you my brother, You've You've always been there every

4:09:36.200 --> 4:09:38.880
<v Speaker 5>time I've called you. You was like one of the realists,

4:09:39.720 --> 4:09:42.720
<v Speaker 5>if not the realist. And now not only that, a

4:09:42.760 --> 4:09:45.600
<v Speaker 5>lot of people credit me in fact, Joe having the

4:09:45.680 --> 4:09:48.760
<v Speaker 5>best stories of hip hop I learned last night.

4:09:49.000 --> 4:09:54.120
<v Speaker 1>And we're not even in your lead, like you know

4:09:54.160 --> 4:09:54.560
<v Speaker 1>what I'm saying.

4:09:54.640 --> 4:09:58.240
<v Speaker 5>So you, the big homie, are not only hip hop

4:09:59.240 --> 4:10:01.120
<v Speaker 5>like you know, of course listen to another world of

4:10:01.160 --> 4:10:02.800
<v Speaker 5>getting money in another world.

4:10:03.640 --> 4:10:08.000
<v Speaker 1>But definitely storytelling. It's you and Slick Rick. I love it.

4:10:08.200 --> 4:10:10.120
<v Speaker 3>Well, look, look one more thing. Let me promote something.

4:10:10.160 --> 4:10:10.840
<v Speaker 3>Can I promote them?

4:10:11.160 --> 4:10:11.440
<v Speaker 1>Please?

4:10:11.560 --> 4:10:11.880
<v Speaker 2>Please?

4:10:12.440 --> 4:10:15.200
<v Speaker 3>I'm doing an album right now called The Legend Device

4:10:15.280 --> 4:10:20.320
<v Speaker 3>Ta Crime Stories, and it's from my eight albums. It

4:10:20.480 --> 4:10:24.440
<v Speaker 3>has it's a triple album. It's going to be it's

4:10:24.480 --> 4:10:27.160
<v Speaker 3>going to be vinyl because I want to make it

4:10:27.280 --> 4:10:31.800
<v Speaker 3>special and it's all my story raps from eight albums,

4:10:31.960 --> 4:10:37.160
<v Speaker 3>including five unreleased songs, and reason we titled it the

4:10:37.280 --> 4:10:40.000
<v Speaker 3>Legend Device Tea is because a lot of things people

4:10:40.080 --> 4:10:41.200
<v Speaker 3>believe in me is legend.

4:10:42.320 --> 4:10:43.080
<v Speaker 1>It's not true.

4:10:43.960 --> 4:10:46.800
<v Speaker 3>Because what I write when I write music, I write faction.

4:10:47.120 --> 4:10:51.760
<v Speaker 3>I write stories based on truth. But just there's some

4:10:51.960 --> 4:10:54.520
<v Speaker 3>things in there, you know, So a lot of people

4:10:54.640 --> 4:10:56.520
<v Speaker 3>believe things about me it's not true.

4:10:57.600 --> 4:10:58.480
<v Speaker 1>So that's the legend.

4:10:58.880 --> 4:11:02.080
<v Speaker 3>The legend ices in the club, I knocked five niggas out, Okay,

4:11:02.080 --> 4:11:04.960
<v Speaker 3>I knock one dude out right, but the legend says

4:11:05.000 --> 4:11:09.440
<v Speaker 3>it was five. So that's part of the stigma. Like

4:11:09.520 --> 4:11:11.560
<v Speaker 3>you say, of who Ice Tea is a lot of

4:11:11.600 --> 4:11:15.680
<v Speaker 3>the ship's not real. But if that's what you believe,

4:11:15.720 --> 4:11:17.920
<v Speaker 3>what you choose to believe. I'm like, you know, let's

4:11:17.960 --> 4:11:19.920
<v Speaker 3>have fun with it. So that's why it's called the

4:11:20.000 --> 4:11:25.400
<v Speaker 3>Legend Device Tea Crime Stories. It's all story rds. So

4:11:25.520 --> 4:11:29.280
<v Speaker 3>people that like that part of my ship can dig it.

4:11:29.360 --> 4:11:31.360
<v Speaker 3>It's gonna be dope and it should come out this year.

4:11:32.120 --> 4:11:33.080
<v Speaker 3>God damn yeah.

4:11:33.520 --> 4:11:35.840
<v Speaker 1>And that's come back to drink chances were promoting it.

4:11:36.040 --> 4:11:37.960
<v Speaker 1>We're doing the ether. Fuck you gotta do. It makes

4:11:37.960 --> 4:11:38.320
<v Speaker 1>a noise.

4:11:38.320 --> 4:11:47.560
<v Speaker 3>From what you can say, it's always a treat. Yes,

4:11:47.760 --> 4:11:50.200
<v Speaker 3>when play is me, it's always a treat.

4:11:52.480 --> 4:11:55.320
<v Speaker 1>Before we leave. Is there anything else you want to

4:11:55.320 --> 4:11:56.360
<v Speaker 1>say to the fanst.

4:11:57.640 --> 4:12:00.160
<v Speaker 3>Just everybody out there has supported me as fuck me.

4:12:00.280 --> 4:12:01.840
<v Speaker 3>I know, in order to be an iced T fan,

4:12:01.960 --> 4:12:04.520
<v Speaker 3>you had to fight, you had to deal with haters,

4:12:04.600 --> 4:12:06.880
<v Speaker 3>you had to tell niggas fuck you. I like Ice

4:12:07.400 --> 4:12:10.360
<v Speaker 3>and it's been a struggle to be part of my journey.

4:12:10.520 --> 4:12:13.160
<v Speaker 3>But for those of you, that's just how much more

4:12:13.280 --> 4:12:16.680
<v Speaker 3>gangster you are that you're willing to stand on who

4:12:16.760 --> 4:12:20.440
<v Speaker 3>you fuck with. And my job has always been to

4:12:20.520 --> 4:12:23.080
<v Speaker 3>make y'all proud. I know people out there got tax

4:12:23.560 --> 4:12:26.120
<v Speaker 3>they got all kinds of shit. So when I fuck up,

4:12:26.760 --> 4:12:29.800
<v Speaker 3>I know, I let y'all down. So I'm trying to

4:12:29.840 --> 4:12:32.600
<v Speaker 3>win because I know when I win, y'all win. You know,

4:12:32.800 --> 4:12:35.680
<v Speaker 3>y'all get to say that's my nigga. So that's why

4:12:35.720 --> 4:12:37.840
<v Speaker 3>I always think it's bigger than me. It's I got

4:12:37.920 --> 4:12:40.760
<v Speaker 3>people out there that really believe in me and fuck

4:12:40.840 --> 4:12:43.200
<v Speaker 3>with me in a real way. And I've always been

4:12:43.360 --> 4:12:47.080
<v Speaker 3>very proud that the niggas that fuck with me are

4:12:47.160 --> 4:12:51.040
<v Speaker 3>the most real motherfuckers. The people that fuck with me.

4:12:51.240 --> 4:12:54.800
<v Speaker 3>My boy said Ice, this pre prison rap and this

4:12:55.080 --> 4:12:59.160
<v Speaker 3>post prison rap. Your shit is post prison rap. Motherfuckers

4:12:59.240 --> 4:13:00.840
<v Speaker 3>that really been through some ship.

4:13:01.400 --> 4:13:03.280
<v Speaker 1>You take a shot to that, alright, So I'm gonna

4:13:03.320 --> 4:13:08.560
<v Speaker 1>be honest, not a shot you. You give him some

4:13:08.720 --> 4:13:09.360
<v Speaker 1>nice ship.

4:13:09.320 --> 4:13:09.960
<v Speaker 2>Against the more.

4:13:11.480 --> 4:13:12.960
<v Speaker 1>I don't know, Give me one more for the road.

4:13:13.040 --> 4:13:14.640
<v Speaker 1>Give me some of that ship right there he was.

4:13:15.720 --> 4:13:17.360
<v Speaker 3>I guess if I drink enough of that, I'm gonna

4:13:17.360 --> 4:13:19.120
<v Speaker 3>put these on and walk the fun out of here.

4:13:19.800 --> 4:13:20.080
<v Speaker 1>Speaks.

4:13:21.160 --> 4:13:24.280
<v Speaker 2>Get the man, Hold up, Hold up, I'm gonna take

4:13:25.840 --> 4:13:26.280
<v Speaker 2>the cameras.

4:13:26.320 --> 4:13:30.520
<v Speaker 1>Get that. Why the cameras zooming in from the front.

4:13:30.560 --> 4:13:31.120
<v Speaker 1>You gotta see her?

4:13:31.200 --> 4:13:35.120
<v Speaker 3>Yeah, okay, you see this. We take off the loop batons.

4:13:35.200 --> 4:13:35.960
<v Speaker 3>It's a pimp ship.

4:13:36.040 --> 4:13:36.720
<v Speaker 1>You don't know about.

4:13:37.080 --> 4:13:39.520
<v Speaker 3>Niggas got this pemp ship and I'm putting on these

4:13:39.600 --> 4:13:43.760
<v Speaker 3>player ships because they got me so comfortable right now.

4:13:43.800 --> 4:13:45.040
<v Speaker 2>I'm so motherfuckerum.

4:13:50.640 --> 4:13:52.480
<v Speaker 1>And this is how you ended out Ice with a shot.

4:13:53.400 --> 4:13:57.080
<v Speaker 3>Yeah, so I look and we are they five? So look,

4:13:57.400 --> 4:14:00.440
<v Speaker 3>come on, you know what, these niggas just so used

4:14:00.440 --> 4:14:02.520
<v Speaker 3>to being fake. They have no reference point to real.

4:14:02.600 --> 4:14:05.240
<v Speaker 3>We here to show them, give them a reference point, right.

4:14:13.080 --> 4:14:16.920
<v Speaker 2>Drink Champs is a Drink Champs LLC production and association

4:14:17.040 --> 4:14:21.400
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4:14:21.480 --> 4:14:26.400
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4:14:26.520 --> 4:14:30.280
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4:14:30.360 --> 4:14:35.480
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4:14:35.520 --> 4:14:39.200
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4:14:39.280 --> 4:14:41.960
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4:14:42.240 --> 4:14:44.360
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4:14:47.000 --> 4:14:51.800
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4:14:55.800 --> 4:14:58.160
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4:14:58.240 --> 4:15:01.280
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4:15:01.360 --> 4:15:08.320
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