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Speaker 1: He is Drink Chants, motherfucking podcast man. He's a legends

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Speaker 1: every Queens rapper. He ain't sagreed as your boy in

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Speaker 1: O r E.

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Speaker 2: He's a Miami hip hop and mioneer p up as

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Speaker 2: d j e f N. Together they drink it up

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Speaker 2: with some of the biggest players, you know what I mean.

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Speaker 3: And the most professional unprofessional podcast and your number one

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Speaker 3: source for drunk.

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Speaker 1: Drink Chans mother post for every days.

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Speaker 2: Do you see that's it's time for Drink Champs. Drink up,

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Speaker 2: motherfucking mother?

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Speaker 1: Would it good? Be hoping he should be? This is

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Speaker 1: your boy in O r E.

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Speaker 4: What up?

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Speaker 2: It is dj e f N.

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Speaker 1: And this Drink Champs happy hour makes some know.

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Speaker 5: When we talk about icon of icon, when we talk

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Speaker 5: about legends of legends, this man has had at least

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Speaker 5: two three four careers careers. So many people come and

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Speaker 5: go in this rap game for you to sustain your success,

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Speaker 5: like how this man has sustained and been a g

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Speaker 5: about it the whole time.

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Speaker 1: A lot of people would.

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Speaker 5: Have lost their mind, went crazy, been rolling out here

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Speaker 5: with fifteen thousand people. He came to dinner last night

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Speaker 5: with his family Like that's gangster to me.

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Speaker 1: I mean.

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Speaker 5: Album after album, hit after hit, continuously to be relevant.

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Speaker 5: You know, some say is the father of gangst the rap,

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Speaker 5: and then to have a great career like that and

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Speaker 5: then go on to dominate movies and dominate a TV

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Speaker 5: show that TV show. But now fucking twenty five fucking years.

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Speaker 1: Motherfucker.

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Speaker 5: If you don't know what the fuck we're talking about

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Speaker 5: at this point you're talking about, motherfucker, I.

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Speaker 1: Want. I want to get straight to the speech. Straight

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Speaker 1: to the speech.

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Speaker 5: I never see a speech as I mean you, you

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Speaker 5: and Snoopers focus cold because Snoop thinks yourself right, Yes,

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Speaker 5: you think the haters.

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Speaker 1: I think the hater But did you make.

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Speaker 5: This speech up as you as you was talking or

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Speaker 5: you had this written down?

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Speaker 3: I walk I walked with that all every day. Like

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Speaker 3: haters have always been my motivation. I actually have a

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Speaker 3: clothing line called Power by Hate Wo which I've always

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Speaker 3: been able to use, you know, the energy from them

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Speaker 3: as my motivation. You know, Like all I gotta do

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Speaker 3: is going in and thatt and I find somebody talking

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Speaker 3: shit about me, then I'm go in the gym. I

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Speaker 3: get you take that energy.

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Speaker 1: This nigga fell off.

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Speaker 3: That's why I need that because praise doesn't.

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Speaker 1: Do much for me. I'm not that guy like it.

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Speaker 1: Just I got it.

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Speaker 3: So a bad show is what's gonna make me do

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Speaker 3: a good show. So so I always like use it.

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Speaker 3: So now I'm getting the start, right. You don't know

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Speaker 3: how many times I've been arrested in Hollywood. I many

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Speaker 3: times I've been faced down on them starts looking at it, Chris,

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Speaker 3: you know, getting comfort. So now I've been I've been

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Speaker 3: to Hollywood police stations so many times. So now that

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Speaker 3: what a difference to day makes. Now they honoring me,

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Speaker 3: and so I'm there. I'm in this moment right. I

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Speaker 3: got Dick Wolfs and all the mon or the people there,

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Speaker 3: Russell Simmons, ice Cube showed up, you know, all my

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Speaker 3: GE's were there, and I'm saying all the right stuff,

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Speaker 3: and then I just just hit me. Man, that shit

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Speaker 3: just came out of nowhere. I said, Man, I think

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Speaker 3: the fucking haters, Man, I got to get there. Y'all

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Speaker 3: really pushed me and motivated me to get to this point.

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Speaker 3: The fact you said I could not do it, So

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Speaker 3: I tell you that it just happened then, and I

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Speaker 3: think people dug it.

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Speaker 1: It was organic authent caught the Holy Ghost.

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Speaker 3: See what these motherfucking haters man, they got, But I

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Speaker 3: love them because I need them.

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Speaker 5: See that part envirorable. But you, but I suggest people

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Speaker 5: go watch.

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Speaker 1: The Holy Sage.

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Speaker 2: Yeah you know what I mean, motivational host because a.

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Speaker 5: Lot of people don't know you was cursing throughout the

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Speaker 5: whole mother my curse.

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Speaker 3: I use all kings English. I explained to people that

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Speaker 3: even the term cursed, like you know, if you look

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Speaker 3: up profanity and the dictionary, there's something which its blasphemous.

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Speaker 3: Blasphemy would be saying the Lord's name in vain. So

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Speaker 3: the only word that could be considered blasphemings would be

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Speaker 3: God be damned. You know when I'm not gonna do

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Speaker 3: no no eance and nothing shit here. But basically fuck, shit, bitch, ho,

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Speaker 3: dirty hole, slut dish. These are just taboo words that

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Speaker 3: bother people. So your parents would tell you if you

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Speaker 3: say them words, you're gonna go to hell. But in

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Speaker 3: that by them using those words, using that theory, saying fuck,

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Speaker 3: it's gonna send you to hell, they and themselves are

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Speaker 3: are creating something blasphemous. So if anybody's going to hell,

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Speaker 3: it's your fucking parents for lying to you all these years,

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Speaker 3: because I think profanity is just an explanation point you

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Speaker 3: put into a sentence.

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Speaker 1: You don't give.

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Speaker 3: You example, your mother says, don't take the car. Your

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Speaker 3: dad just don't touch my mother fucking car. What he

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Speaker 3: did is he took a word, brought it into the

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Speaker 3: sentence that brought your attention, because the car can't fuck

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Speaker 3: more or less fuck his bitch, you see what I'm saying.

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Speaker 3: So when we say these words, it's like they're just

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Speaker 3: explanation points so to add to the statement. But they

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Speaker 3: don't have they don't hold any marriage, They don't you know, bullshit?

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Speaker 1: What is who have really ever seen bullshit? Like? You

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Speaker 1: know what is a bull? How about dog shit?

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Speaker 3: So I just use them so you know, and if

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Speaker 3: you ask me not to, I won't. I can all

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Speaker 3: so do that right, I can behave if it bothers you,

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Speaker 3: offend you. But if I'm speaking freely, which I feel

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Speaker 3: like I'm on drink champ.

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Speaker 1: So occasionally the.

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Speaker 3: Occasionally they'll pop out, and like you early said some

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Speaker 3: about gangster rap, when I started rapping, I would curse

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Speaker 3: or use profanity. That was new, that was new people

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Speaker 3: to actually get on the record and just say talk

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Speaker 3: the way people talk.

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Speaker 1: That was new.

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Speaker 2: It's like pain on the cameras.

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Speaker 3: How old was you when I started rapping? I was

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Speaker 3: about twenty six. Wow, Okay, I didn't start early. I

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Speaker 3: actually had been in the streets, so I had some experience.

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Speaker 3: You know, my wife would listening to rappers. He's like nineteen.

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Speaker 3: I like, He's like, so, how could they have done

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Speaker 3: all that? I said, they haven't. They haven't. I twenty seven.

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Speaker 3: I've been in the military. I lived, I've been out there.

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Speaker 3: I tried my luck in the streets. So by the

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Speaker 3: time I was wrapping, my ship was loaded with information.

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Speaker 1: So, yeah, twenty seven.

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Speaker 2: What year was that?

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Speaker 1: When you don't know, I don't know. I'm older those

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Speaker 1: you know. I graduate from high school seventy six. Okay,

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Speaker 1: I was born in seventy seven, Just seventy five.

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Speaker 3: Don't make me sountu that.

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Speaker 1: Yeah.

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Speaker 5: So the last night you're hanging out, I got you

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Speaker 5: to drink a glass of champagne.

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Speaker 3: Yeah, I told you I don't drink, but I socially sip.

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Speaker 3: Socially sip socially anywhere. But when you're socially sip, is

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Speaker 3: it always champagne? I sometimes, like I'm out with my wife,

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Speaker 3: She'll drink cranberry and vodka. And you know, depending on

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Speaker 3: how you mix it can it's just you know, you

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Speaker 3: can mix it strong. Sometimes I sip kolua and milk,

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Speaker 3: which is kind of like Starbucks. Okay, yeah, yeah, you

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Speaker 3: know I've drank Jaeger mind like when people when I

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Speaker 3: tell people I don't drink, what I mean is I don't.

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Speaker 1: See a lot of shit. I don't sit at home.

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Speaker 1: I don't sit at home and drink.

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Speaker 3: You know, the homie just sitting home in it two

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Speaker 3: in afternoon with the bourbon, like looking at television and

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Speaker 3: it's on and that nigga and that's not me. And

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Speaker 3: I never really drank when I was hanging out because

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Speaker 3: I felt to compromised my position. I never thought being

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Speaker 3: drunk was attractive. But hold home home for men or

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Speaker 3: women because because yesterday you said you didn't, you didn't

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Speaker 3: never taste it.

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Speaker 5: I never tasted as so you introduced me to it.

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Speaker 5: And it's decent what I did. What I didn't realize

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Speaker 5: is you on holes. Not discrepancy, but misunderstanding about ninety

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Speaker 5: nine problems.

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Speaker 3: Well, think about the ninety let's go you want to

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Speaker 3: go into jay Z.

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Speaker 1: Yeah, he wants to get right. You know, he owes

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Speaker 1: this that vein the number love for Jigger. That's right.

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Speaker 3: I knew Jagger. I met jay Z way back in

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Speaker 3: the day. Day came brought him to my house back

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Speaker 3: when he was with Jazzo.

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Speaker 1: Wow.

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Speaker 3: Jay Z was just a kid, so he wasn't really

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Speaker 3: too much, but he was just there with Cain Kane

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Speaker 3: was the boss.

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Speaker 1: Everybody they take.

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Speaker 3: See what happens in this podcast world is they'll take

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Speaker 3: something I'm saying right now and they'll edit it with

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Speaker 3: another something from someplace else, and it'll turned into a conversation.

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Speaker 1: That not is not real.

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Speaker 3: There's no beef between me and jay Z and ninety

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Speaker 3: nine problems. But a lot of people didn't know that

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Speaker 3: that was originally my song. So when they asked me

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Speaker 3: about it, I said, that's originally my song. Then the

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Speaker 3: podcast will go see Jay stole it.

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Speaker 1: Jay did not steal it.

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Speaker 3: You just explained to something playing in it. So you

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Speaker 3: want to know the story the ninety nine problems. Since

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Speaker 3: we're gonna drink here, let's go. I was with Brother

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Speaker 3: Marquise from two Live Crew and Joe Brother Marquis was

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Speaker 3: talking about whoop there it is? Now do you know

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Speaker 3: the story behind woop there?

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Speaker 1: It is? Whoop there it is?

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Speaker 3: Is what they used to say a Magic City when

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Speaker 3: the girls would bend over and you could see they

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Speaker 3: pussy wow.

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Speaker 1: I learned what.

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Speaker 6: Right.

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Speaker 3: Tag team with the DJs and Magic City, I now

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Speaker 3: makes sense.

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Speaker 1: So when the girls but.

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Speaker 5: It is because I just want to be clear. Magic

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Speaker 5: City is a strip at yeah left, I'll tell you

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Speaker 5: my Miami.

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Speaker 2: Because he said, brother, Marquis.

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Speaker 3: Atlanta tag team where the DJ's in the club. They

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Speaker 3: were the strip club DJs, and that was what they

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Speaker 3: say when the girl a whooped there it is? So

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Speaker 3: now that became a big hit record. Marquis's at my house.

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Speaker 3: He's like nigga.

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Speaker 1: I was sitting there on them nights.

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Speaker 2: That was the phrase. It pays, you know.

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Speaker 3: And then out of nowhere, he said, man, I got

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Speaker 3: nine or nine probably, but bitch ain't won. I said,

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Speaker 3: what the fuck did you just say? He said, I

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Speaker 3: got note. I said that's a record. Mark, that's a record.

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Speaker 3: So he says, okay, fuck with it. So I write

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Speaker 3: the record. I got a hold from the east, I

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Speaker 3: got a hole from the West. I got a hold

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Speaker 3: of likes and jacket off and rub it in the chest.

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Speaker 3: I got a bitchman North, a bitchman South, A bitches

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Speaker 3: like the sucking long and hold it in the mouth.

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Speaker 1: I got a.

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Speaker 3: Bitch with air, a bitch with none, a bitch with

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Speaker 3: a knife, a bitch with a gun, a bitch with

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Speaker 3: a as big as a TV set. And it's a

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Speaker 3: bitch over there, hey, the one I'm gonna get.

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Speaker 1: But yo, what maybe not? She may not like me though,

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Speaker 1: no sweat to a vet.

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Speaker 3: A fuck a sister though word, I rocked the whole

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Speaker 3: damn herd, fuck them all and put them on the curb.

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Speaker 3: I got a bitch with a mink who rocks, a

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Speaker 3: fat gold link who likes to fuck me with an

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Speaker 3: ass upon the kitchen sink. I got a bitch with tits,

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Speaker 3: a bitch with ass, a bitch with none, But hey,

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Speaker 3: I give her a pass. And I love them all.

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Speaker 3: I love them crazily and they love me back. That's

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Speaker 3: why they stay with me. So if you're having girl

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Speaker 3: problems out for baby your son, I got ninety nine problem.

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Speaker 3: So that was that was. That was on the home invasion.

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Speaker 3: Now so it's more, you know, it goes on and on,

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Speaker 3: and Marquise says, ryme, So, so what happens the way

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Speaker 3: the story goes, Rick Rubin was producing jay Z in

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Speaker 3: the studio and Chris Rock was there. This is the

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Speaker 3: story I got Chris is an iced Tea fan because

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Speaker 3: we bonded from New jack City.

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Speaker 1: Hooky Pooky, that's my look, I saved this life. Well

248
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Speaker 1: he got killed Poogy got it later.

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Speaker 3: So he calling me. So Apparently they said Chris gave

250
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Speaker 3: Rick the idea to do nine nine proms and so

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Speaker 3: that's where they decided to do the song. The cold

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Speaker 3: thing is jay Z when he did the song, he

253
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Speaker 3: even took the hit that.

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Speaker 1: The got me.

255
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Speaker 3: I'm like, damn, he got that. But so she does

256
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Speaker 3: the record The Rector is a hit.

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Speaker 1: Now.

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Speaker 3: I had a publishing deal with Warner Brothers. When you

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Speaker 3: anybody knows what a publishing deal is. You can sell

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Speaker 3: your publishing to people for a year and and they

261
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Speaker 3: will give you the money.

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Speaker 1: I want to I don't know, Okay, okay, it was

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Speaker 1: Warner so it could have been it could have been Universe.

264
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Speaker 1: I don't know.

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Speaker 3: I had a publishing deal so for that year they

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Speaker 3: pay you at front, like say For instance, over a year,

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Speaker 3: you might make two three hundred thousand on your publishing.

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Speaker 3: With a publishing deal, you say, give me that up front,

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Speaker 3: and then after that number will split it fifty to

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Speaker 3: fifty and then at the end of the year I

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Speaker 3: get it back and I could do it. So that's

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Speaker 3: a publishing deal. During the time I did the nine

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Speaker 3: nine Problems, I was in a publishing deal, so that

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Speaker 3: money just I didn't get paid. It went off to

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Speaker 3: the deal and that's how it happened. Jay Z didn't

276
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Speaker 3: steal it. So the end of the story is it

277
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Speaker 3: hits the internet and everybody teased pistol.

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Speaker 1: I'm like, I'm not even pisted. It's tripped for somebody

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Speaker 1: to say you mad and you're not mad. I'm like,

280
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Speaker 1: I'm not mad. Why are they're making me mad? Right?

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Speaker 1: So I'm at the Grammys. So I see jay Z

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Speaker 1: right now.

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Speaker 3: Now, jay Z is another has turned into a whole

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Speaker 3: nother thing, right, you know, But I respect that. Once

285
00:14:04,600 --> 00:14:09,439
Speaker 3: he got married, he like, he's now I respect marriage. Okay, Okay,

286
00:14:09,800 --> 00:14:12,400
Speaker 3: I can't we don't, you know. So anyway, I see

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00:14:12,480 --> 00:14:14,680
Speaker 3: him and he smiles at me. He goes, is you

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Speaker 3: mad at me?

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Speaker 1: He said no. He says, you know I love you, right,

290
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Speaker 1: I said I love you. I said yeah, and he

291
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Speaker 1: said I said, jay Z, that's not by my work, right.

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Speaker 1: And so then at the end I said, but Jay.

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Speaker 3: During it, at the end of the record, you could

294
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Speaker 3: have said I.

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Speaker 1: I could have used it. I'm not a billionaire, Jay,

296
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Speaker 1: you know.

297
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Speaker 3: But no, no, all love and you know, once again,

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Speaker 3: this is what the press can do and steer shipping beef.

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Speaker 1: That's not every beef.

300
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Speaker 2: To be clear, though, did your publishing collect off of that.

301
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Speaker 1: I'm sure they did.

302
00:14:48,480 --> 00:14:51,240
Speaker 3: Oh, I'm sure they did. I'm sure they did. But no,

303
00:14:51,400 --> 00:14:53,920
Speaker 3: there was no check written. I didn't get nothing like that.

304
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Speaker 3: I mean, just recently. Ice Cube is a neat teenage

305
00:14:58,520 --> 00:15:04,080
Speaker 3: ninja mutant t N Turtles, right, and so I'm watching

306
00:15:04,120 --> 00:15:07,880
Speaker 3: TV and I hear the fucking Turtles say, uh, six

307
00:15:08,000 --> 00:15:11,160
Speaker 3: in the morning, police at my door. No way, right,

308
00:15:11,240 --> 00:15:14,880
Speaker 3: you heard it? That's your ship, right. So I got paid.

309
00:15:15,760 --> 00:15:18,200
Speaker 3: That goes to publishing and stuff like that. And I

310
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Speaker 3: got a little check because I got my publishing back.

311
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Speaker 3: Now I own my publisher. So I got a check.

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Speaker 3: I want to tell tell you, but I got paid.

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Speaker 3: I was like, okay, So yeah, it's publishing Jamie.

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Speaker 1: I know he's not drinking, but can we go over

315
00:15:30,320 --> 00:15:31,360
Speaker 1: him a glass of champagne?

316
00:15:31,440 --> 00:15:33,440
Speaker 3: Yeah, give me, give me something, give me, give me

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Speaker 3: something from the top shelf.

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Speaker 1: Yeah.

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Speaker 3: But but yeah, yeah, I don't have no beef nobody. Man,

320
00:15:44,160 --> 00:15:48,080
Speaker 3: I've made managed to navigate this, this hip hop ship

321
00:15:48,120 --> 00:15:50,920
Speaker 3: without any drama with any What leads to my next

322
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Speaker 3: question here, Well.

323
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Speaker 1: I'm a hustler.

324
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Speaker 5: I'm I'm your pusher, right that L Yeah, yeah, yeah,

325
00:16:01,800 --> 00:16:04,800
Speaker 5: you got the crackhead taking everybody else's music. But when

326
00:16:04,800 --> 00:16:07,840
Speaker 5: you over him music the cracker and said no, man.

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Speaker 1: Okay, let's go to LLL's.

328
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Speaker 2: It's called drink Champs or beat champ.

329
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Speaker 5: As a fan, I want to know how that started.

330
00:16:17,920 --> 00:16:19,800
Speaker 1: I got it, I got it, I got it.

331
00:16:20,760 --> 00:16:23,000
Speaker 3: Okay, this story has been told, but this is how

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00:16:23,000 --> 00:16:27,360
Speaker 3: it happened. L was LL was the nigga at the time.

333
00:16:27,560 --> 00:16:31,720
Speaker 3: LLLL was out, you know, insurmountable beat subject of discussion.

334
00:16:31,880 --> 00:16:35,720
Speaker 3: You're motivated by that. I need so I'm into ll Right,

335
00:16:35,760 --> 00:16:38,640
Speaker 3: But ll had came out and said I'm the greatest

336
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Speaker 3: all time.

337
00:16:39,280 --> 00:16:42,320
Speaker 1: Early in his career, he started to go thing, Okay,

338
00:16:42,680 --> 00:16:43,680
Speaker 1: I'm coming from L a.

339
00:16:45,360 --> 00:16:49,160
Speaker 3: I'm trying to be a hot rapper, so I had

340
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Speaker 3: to go at him.

341
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Speaker 1: That's just the culture. So I took off on l A.

342
00:16:53,280 --> 00:16:56,200
Speaker 3: Fuck this nigga, like that's what's happening, right, not like

343
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Speaker 3: I want to shoot him, just fuck you. You ain't

344
00:16:58,240 --> 00:17:00,240
Speaker 3: the best rapper at the time, I thought, But I

345
00:17:00,240 --> 00:17:02,000
Speaker 3: was a pretty good rapper, okay.

346
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Speaker 1: And that's what it was.

347
00:17:05,080 --> 00:17:08,440
Speaker 3: I started it pretty much.

348
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Speaker 1: That's it. I started it right.

349
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Speaker 3: So lll comes back with the break of Dawn. He

350
00:17:16,080 --> 00:17:18,800
Speaker 3: he just me call me a little rap raccoon and

351
00:17:18,840 --> 00:17:22,399
Speaker 3: some shit. Because I had the ponytail and we was

352
00:17:22,440 --> 00:17:25,680
Speaker 3: about to come back. I had another song called open Contract, right,

353
00:17:26,240 --> 00:17:29,040
Speaker 3: and at that point Lle wanted to be part of

354
00:17:29,119 --> 00:17:32,919
Speaker 3: Zulu Nation. And at that time I was higher up

355
00:17:32,920 --> 00:17:35,560
Speaker 3: in Zulu because Africa Islam. It put me in the game,

356
00:17:35,680 --> 00:17:38,960
Speaker 3: so was the president design. So they come to me

357
00:17:39,080 --> 00:17:43,520
Speaker 3: asking me, can l be in Zulu. I'm like, nah, no,

358
00:17:43,680 --> 00:17:46,040
Speaker 3: I can't so because I had a little power.

359
00:17:46,320 --> 00:17:48,479
Speaker 1: So it went back and forth and stuff.

360
00:17:48,520 --> 00:17:51,800
Speaker 3: But Bam Bob at the time just said, yo, we

361
00:17:51,880 --> 00:17:55,760
Speaker 3: need peace, peace, peace peace. So me and Elle agreed

362
00:17:55,840 --> 00:17:57,800
Speaker 3: not to talk shit about each other. We didn't do

363
00:17:57,840 --> 00:18:00,760
Speaker 3: no handshakes of hugs and kisses or make record. We

364
00:18:00,840 --> 00:18:05,080
Speaker 3: just said, you know, you squashed it. We agree not

365
00:18:05,160 --> 00:18:07,359
Speaker 3: to be at each other. So I never said anything

366
00:18:07,359 --> 00:18:10,240
Speaker 3: else negative about l He never said anything else negative

367
00:18:10,280 --> 00:18:16,320
Speaker 3: about me. Fast forward twenty years, We're in Monte Carlo

368
00:18:17,400 --> 00:18:18,840
Speaker 3: at a television convention.

369
00:18:19,080 --> 00:18:26,760
Speaker 1: Right to skip over Monte Carlo maybe the flyest spot

370
00:18:26,800 --> 00:18:27,359
Speaker 1: in the world.

371
00:18:27,880 --> 00:18:31,879
Speaker 3: French motherfucking riviera, y'achs everywhere.

372
00:18:32,040 --> 00:18:36,520
Speaker 1: And it's immediately now. We weren't on a vacation.

373
00:18:36,680 --> 00:18:39,920
Speaker 3: It was a TV convention where people from television in

374
00:18:39,960 --> 00:18:42,080
Speaker 3: the United States would go over there, and they had

375
00:18:42,160 --> 00:18:45,119
Speaker 3: like the award ceremony and all that old bullshit. So

376
00:18:45,160 --> 00:18:47,560
Speaker 3: I'm over there and I look across the thing. I

377
00:18:47,600 --> 00:18:51,240
Speaker 3: see El cool Jay something to walk over the l

378
00:18:51,359 --> 00:18:54,600
Speaker 3: up cool Jay. Right, twenty years, we have never really talked.

379
00:18:55,480 --> 00:18:57,680
Speaker 1: Have yall saw each other and not talk or never?

380
00:18:57,960 --> 00:18:58,920
Speaker 2: We never crossed paths.

381
00:18:59,040 --> 00:19:01,680
Speaker 3: Okay, continue, we never crossed paths, but it was never

382
00:19:01,720 --> 00:19:02,439
Speaker 3: no real beef.

383
00:19:03,119 --> 00:19:05,200
Speaker 1: It was just rap shit. You can't have beefing money

384
00:19:05,200 --> 00:19:05,840
Speaker 1: callo anyway.

385
00:19:06,720 --> 00:19:09,920
Speaker 2: So what if it's disrespectful squash that ship there?

386
00:19:13,440 --> 00:19:17,280
Speaker 3: I mean, it all depends on who you some ship.

387
00:19:17,160 --> 00:19:17,760
Speaker 2: Is on site.

388
00:19:18,680 --> 00:19:24,800
Speaker 3: So so so anyway, I walked over to L I said, Yo, man,

389
00:19:25,040 --> 00:19:27,440
Speaker 3: little lilong years with this, that and the third man.

390
00:19:27,480 --> 00:19:29,280
Speaker 1: You know, just want to let you know, you know,

391
00:19:29,520 --> 00:19:30,720
Speaker 1: even even.

392
00:19:30,560 --> 00:19:32,680
Speaker 3: Back then, what I you know, I just I didn't

393
00:19:32,720 --> 00:19:36,119
Speaker 3: necessarily apologize. I just clarified my position that I wasn't

394
00:19:36,160 --> 00:19:39,520
Speaker 3: mad or we wasn't tight. He said, ice, it was

395
00:19:39,560 --> 00:19:42,879
Speaker 3: the culture, man, and that's like that. And then he

396
00:19:42,920 --> 00:19:45,199
Speaker 3: turned he said, man, I need you, He says, I

397
00:19:45,200 --> 00:19:48,119
Speaker 3: got up. I'm doing this rock the Bells radio and

398
00:19:48,160 --> 00:19:49,840
Speaker 3: I need to get at you so me and you

399
00:19:49,880 --> 00:19:53,400
Speaker 3: could show our you know, this this right for the culture.

400
00:19:54,000 --> 00:19:55,879
Speaker 3: And since then, me and ll I've been on his

401
00:19:56,000 --> 00:19:58,800
Speaker 3: podcast I'm not a podcast but live stream and we

402
00:19:58,920 --> 00:20:00,760
Speaker 3: chopped it up and we would just recently at the

403
00:20:00,760 --> 00:20:01,639
Speaker 3: Grammys together.

404
00:20:02,400 --> 00:20:04,879
Speaker 1: I mean, see real beefs real beef.

405
00:20:05,080 --> 00:20:09,440
Speaker 3: Real beef never dies, real beef, real beef is murdered.

406
00:20:09,400 --> 00:20:13,080
Speaker 1: Right death, that's that never dies. I don't give a fuck.

407
00:20:13,720 --> 00:20:16,360
Speaker 3: You know, if somebody killed somebody that you love, that's

408
00:20:16,480 --> 00:20:19,359
Speaker 3: not going no much. We ain't hugging lady nigga. You

409
00:20:19,400 --> 00:20:23,520
Speaker 3: know what I'm saying. But everything else is not necessarily

410
00:20:23,600 --> 00:20:26,000
Speaker 3: real beef. Somebody ripped you off some money, this, that,

411
00:20:26,040 --> 00:20:27,560
Speaker 3: and the other. You might be able to get over that,

412
00:20:27,960 --> 00:20:31,240
Speaker 3: you know. So rap shit is not nowhere near real beef.

413
00:20:31,840 --> 00:20:34,320
Speaker 3: That's not real, you know, not in my book.

414
00:20:35,240 --> 00:20:39,600
Speaker 1: That's real ship. So again, sorry, there we go. Be

415
00:20:40,600 --> 00:20:46,440
Speaker 1: anybody else who is looking to that too?

416
00:20:46,640 --> 00:20:49,080
Speaker 2: No, No, it's just say something.

417
00:20:49,080 --> 00:20:50,840
Speaker 1: Last time year. We want to talk about that.

418
00:20:50,920 --> 00:20:54,040
Speaker 5: Last night, were out and you play. We play on

419
00:20:54,040 --> 00:20:57,680
Speaker 5: the speaker all night. They're playing the War Report. You're

420
00:20:57,680 --> 00:20:58,240
Speaker 5: playing one of.

421
00:20:58,200 --> 00:21:01,000
Speaker 2: Noggs Sanvers graduate. Hold on, let me.

422
00:21:01,000 --> 00:21:01,600
Speaker 1: Builds up to it.

423
00:21:01,840 --> 00:21:04,880
Speaker 5: So I'm sitting there and I usually be like, come on,

424
00:21:05,040 --> 00:21:06,440
Speaker 5: because I don't want to hear my own ship. That

425
00:21:06,520 --> 00:21:08,639
Speaker 5: one day right then too, it's like, you know it

426
00:21:08,720 --> 00:21:10,439
Speaker 5: was a different center, but I didn't say nothing to you,

427
00:21:10,480 --> 00:21:12,120
Speaker 5: and I just you walk.

428
00:21:12,240 --> 00:21:12,560
Speaker 1: You know what?

429
00:21:12,600 --> 00:21:16,320
Speaker 5: Today is the twenty sixth anniversary of the Ward Court.

430
00:21:16,480 --> 00:21:19,000
Speaker 1: How the fuck did I didn't even know?

431
00:21:19,880 --> 00:21:22,520
Speaker 5: I keep playing this shit all late and I'm looking

432
00:21:22,880 --> 00:21:25,240
Speaker 5: and I was just like, I usually, please, man, I

433
00:21:25,240 --> 00:21:27,119
Speaker 5: don't want to hear my own ship, but for some reason,

434
00:21:27,119 --> 00:21:29,960
Speaker 5: I was just like, I can't tell ice nothing. Sit

435
00:21:30,040 --> 00:21:31,680
Speaker 5: I wake up this morning and all I see, I

436
00:21:31,720 --> 00:21:33,879
Speaker 5: was like, I said, this motherfucker told me. It was

437
00:21:33,920 --> 00:21:35,560
Speaker 5: basically like you was telling me that last night.

438
00:21:36,040 --> 00:21:38,400
Speaker 3: Look, Norie, this is what you don't understand to me, right,

439
00:21:38,880 --> 00:21:42,520
Speaker 3: That's who you are to me, right, you know, like La,

440
00:21:42,800 --> 00:21:45,960
Speaker 3: we had our rappers, our gangster rappers, whether it was

441
00:21:46,000 --> 00:21:49,359
Speaker 3: Spice one or myself or bick a Few one, all

442
00:21:49,560 --> 00:21:52,520
Speaker 3: all all us ghetto boys. But we knew who was

443
00:21:52,560 --> 00:21:55,320
Speaker 3: doing this similar shit in west on the East coast

444
00:21:55,560 --> 00:22:00,000
Speaker 3: Queens to us was the most replicated gangster rap, the best,

445
00:22:00,080 --> 00:22:02,840
Speaker 3: whether it's mob deep with its nas. I mean, also

446
00:22:02,920 --> 00:22:05,680
Speaker 3: we gotta go with Mop, you gotta go with Kopona,

447
00:22:05,720 --> 00:22:08,879
Speaker 3: Nori Yega. We know who is doing that shit. That

448
00:22:09,000 --> 00:22:12,720
Speaker 3: a political gangster shit, gangster shit. Gangster rap is a

449
00:22:12,880 --> 00:22:16,400
Speaker 3: political It means like fuck the laws. I am the law,

450
00:22:16,640 --> 00:22:18,679
Speaker 3: and this is how I see shit. You cost me

451
00:22:18,760 --> 00:22:22,760
Speaker 3: you die. That's gangster rap, right, That's what Nori and

452
00:22:22,800 --> 00:22:25,640
Speaker 3: there was Iraq and all that bloody money like yo

453
00:22:25,720 --> 00:22:26,520
Speaker 3: were like who these.

454
00:22:26,480 --> 00:22:28,119
Speaker 2: Niggas, Who these niggas?

455
00:22:28,160 --> 00:22:30,080
Speaker 1: Oh yeah yeah yeah who yeah.

456
00:22:30,119 --> 00:22:32,639
Speaker 3: So I'm feeling that right now I see him like

457
00:22:32,720 --> 00:22:34,400
Speaker 3: now people see me as the police.

458
00:22:34,720 --> 00:22:35,119
Speaker 1: But when I.

459
00:22:37,280 --> 00:22:40,920
Speaker 3: Right right, Because if you're twenty, I've been on TV

460
00:22:41,040 --> 00:22:48,359
Speaker 3: twenty five years playing the car. So if you see

461
00:22:48,400 --> 00:22:50,720
Speaker 3: me on TV you twenty one, twenty two, you have

462
00:22:50,800 --> 00:22:53,880
Speaker 3: no reference point to me as anything other than that.

463
00:22:54,280 --> 00:22:58,440
Speaker 3: My reference point to Nori is not drink champs, but

464
00:22:58,840 --> 00:23:02,159
Speaker 3: it's the what what what like that you know, like

465
00:23:02,200 --> 00:23:03,959
Speaker 3: you get shot ship right.

466
00:23:06,119 --> 00:23:08,000
Speaker 1: And I don't even think a lot of people.

467
00:23:07,840 --> 00:23:11,639
Speaker 3: Who really set up with him on here realize how

468
00:23:11,760 --> 00:23:16,600
Speaker 3: dangerous his music was or is. They don't they they

469
00:23:16,640 --> 00:23:18,320
Speaker 3: get it even if they caught the end of it

470
00:23:18,359 --> 00:23:20,480
Speaker 3: when they you know, they like, you know a lot

471
00:23:20,520 --> 00:23:23,199
Speaker 3: of candles swim laps around, ain't you? That's not that

472
00:23:23,400 --> 00:23:25,440
Speaker 3: gangster ship that niggas was doing earlier.

473
00:23:25,840 --> 00:23:28,240
Speaker 1: The early ship was violent.

474
00:23:28,400 --> 00:23:31,879
Speaker 3: Which I like, right, So I come in bumping that

475
00:23:31,920 --> 00:23:34,040
Speaker 3: ship through my little speaker. I still listen to that,

476
00:23:34,119 --> 00:23:36,040
Speaker 3: said me right now. If you're in my car, we

477
00:23:36,119 --> 00:23:38,960
Speaker 3: listen to Mob Deep. We listening to that kind of

478
00:23:38,960 --> 00:23:41,040
Speaker 3: heavy ship. I just it puts me in a zone,

479
00:23:41,080 --> 00:23:43,720
Speaker 3: It keeps me on like this. I love it.

480
00:23:45,240 --> 00:23:49,200
Speaker 2: Look, this is my reference point.

481
00:23:50,040 --> 00:23:52,280
Speaker 1: That this is one of my favorite albums. Thank you

482
00:23:52,359 --> 00:23:53,280
Speaker 1: Original Gangster.

483
00:23:53,960 --> 00:23:59,040
Speaker 5: So I was gonna wear my rich Yard. But I said,

484
00:23:59,080 --> 00:24:01,280
Speaker 5: let me remote warrior because of the camouflage.

485
00:24:01,320 --> 00:24:03,480
Speaker 1: It's only gangs, it's only what do you have on?

486
00:24:03,560 --> 00:24:06,800
Speaker 1: It's another Richard. Why you say Richard because I'm.

487
00:24:06,680 --> 00:24:10,199
Speaker 5: Trying to sound I'm trying to sound rich That's how

488
00:24:10,240 --> 00:24:10,920
Speaker 5: they pronounced it.

489
00:24:10,880 --> 00:24:14,760
Speaker 1: Right, Richard, Richard Richard mill. I thought he was going

490
00:24:14,800 --> 00:24:16,600
Speaker 1: with the other Richard that he had on yesterday.

491
00:24:16,640 --> 00:24:18,560
Speaker 5: He just busted another one. Come on, that makes no

492
00:24:18,640 --> 00:24:25,200
Speaker 5: noise for that motherfucker. Another thing we were talking about

493
00:24:25,400 --> 00:24:26,440
Speaker 5: was don't get me robbed.

494
00:24:26,880 --> 00:24:29,040
Speaker 1: No, no, no, no, you're good. You're good.

495
00:24:29,080 --> 00:24:31,720
Speaker 3: I mean telling niggas. He's swatches. They look like swatches.

496
00:24:32,440 --> 00:24:34,120
Speaker 3: They looked like Swatch swatches, like.

497
00:24:35,640 --> 00:24:35,800
Speaker 5: You know.

498
00:24:36,119 --> 00:24:39,280
Speaker 1: But I'm like, come on, man, one time where jewelry.

499
00:24:40,240 --> 00:24:41,800
Speaker 1: One thing. One thing that was funny is.

500
00:24:43,680 --> 00:24:47,040
Speaker 5: We were talking yesterday and you said that how at

501
00:24:47,040 --> 00:24:50,480
Speaker 5: that time you was frowned upon to join a TV show,

502
00:24:50,680 --> 00:24:52,480
Speaker 5: you was looked at like a Will Smith or like

503
00:24:52,480 --> 00:24:55,919
Speaker 5: like like you know, like like he was looking like

504
00:24:55,960 --> 00:24:57,400
Speaker 5: you was selling out at that time.

505
00:24:57,480 --> 00:24:58,880
Speaker 1: Look do everything I done.

506
00:24:58,880 --> 00:25:00,960
Speaker 3: It seemed weird to nick Is in the street, like

507
00:25:01,000 --> 00:25:04,439
Speaker 3: when I start rapping niggas like you're a rapper, like

508
00:25:04,560 --> 00:25:08,720
Speaker 3: you rapping like nigga, we getting money, nigga. We were

509
00:25:08,720 --> 00:25:11,840
Speaker 3: out here doing our ship, you know, you rapping like

510
00:25:11,920 --> 00:25:16,480
Speaker 3: it was whack till they all went to prison and

511
00:25:16,560 --> 00:25:18,879
Speaker 3: came home and now they work for me, you know.

512
00:25:20,880 --> 00:25:21,080
Speaker 1: You know.

513
00:25:21,119 --> 00:25:23,160
Speaker 3: But at the time, like, nigga, you better come get

514
00:25:23,160 --> 00:25:26,879
Speaker 3: this money. Stop playing with rapt niggas like they were.

515
00:25:26,960 --> 00:25:29,960
Speaker 3: We was wat like nigga, you dance, nigga. We don't

516
00:25:30,080 --> 00:25:31,160
Speaker 3: dance nigga like.

517
00:25:31,320 --> 00:25:33,480
Speaker 2: You know you was a B boy he was out there.

518
00:25:34,280 --> 00:25:35,000
Speaker 1: But I liked it.

519
00:25:35,040 --> 00:25:37,120
Speaker 3: See I got I got hit by the hip hop

520
00:25:37,200 --> 00:25:39,560
Speaker 3: bug I wanted to be a DJ, a B boy

521
00:25:39,640 --> 00:25:42,680
Speaker 3: all that. But my street cats that was not happy

522
00:25:42,720 --> 00:25:44,600
Speaker 3: because there was no money in it. It ain't no

523
00:25:44,640 --> 00:25:47,959
Speaker 3: money in it. They like, why are you doing it?

524
00:25:48,040 --> 00:25:50,399
Speaker 3: Waste time? So I would hustle on the week and

525
00:25:50,480 --> 00:25:52,320
Speaker 3: on the weekends I would go to the club and

526
00:25:52,359 --> 00:25:56,360
Speaker 3: beat and play rapper. But as far as being an actor,

527
00:25:56,480 --> 00:26:00,400
Speaker 3: of course, when I started acting, no one had acted yet.

528
00:26:01,080 --> 00:26:05,359
Speaker 3: Nobody will Smith, nobody, nobody. I was the first rapper

529
00:26:05,640 --> 00:26:07,200
Speaker 3: to take on a dramatic role.

530
00:26:07,480 --> 00:26:10,760
Speaker 1: And what role was that? Uh? My firsd very first

531
00:26:10,840 --> 00:26:12,359
Speaker 1: role has to be New Jack City.

532
00:26:12,520 --> 00:26:15,960
Speaker 3: Wow, that was the first time because you had tougher

533
00:26:16,000 --> 00:26:18,960
Speaker 3: than leather. Correct me if I'm wrong. You had tougher

534
00:26:19,000 --> 00:26:23,240
Speaker 3: than leather. You had, you had a beach streets, you

535
00:26:23,320 --> 00:26:27,399
Speaker 3: had crush groove but nobody. But at that time, the

536
00:26:27,480 --> 00:26:31,680
Speaker 3: rappers were playing rat right right right, So I had

537
00:26:31,680 --> 00:26:34,000
Speaker 3: to play a cop and that was That was a

538
00:26:34,040 --> 00:26:35,639
Speaker 3: trip too, because that was the year I dropped the

539
00:26:35,640 --> 00:26:39,119
Speaker 3: original Gangster album. I was terrified. I thought I was

540
00:26:39,440 --> 00:26:44,680
Speaker 3: committing career suicide. Yeah, but uh, you know, I took

541
00:26:44,720 --> 00:26:47,280
Speaker 3: the chance I got. I told you that story. I

542
00:26:47,280 --> 00:26:49,400
Speaker 3: got pressed like I used to get my hair done right.

543
00:26:49,440 --> 00:26:51,720
Speaker 3: You know, remember I had the prom I was my

544
00:26:51,760 --> 00:26:56,240
Speaker 3: shit was more wavy than the ships in the Navy. Yeah,

545
00:26:56,359 --> 00:26:58,480
Speaker 3: because as a player, as a player, you have to

546
00:26:58,520 --> 00:27:01,320
Speaker 3: outmatch a bitch. You gotta you gotta look better than

547
00:27:01,320 --> 00:27:04,159
Speaker 3: a bitch. That's the came That's part of being a player.

548
00:27:04,600 --> 00:27:07,080
Speaker 3: You gotta have your nails done better, you gotta dress better,

549
00:27:07,119 --> 00:27:09,919
Speaker 3: your hair gotta grow longer. You have to outmatch them.

550
00:27:10,040 --> 00:27:12,119
Speaker 3: Like you know, you in that weave. You know that

551
00:27:12,119 --> 00:27:15,359
Speaker 3: ain't your nails. So you're gonna bow down to this company.

552
00:27:15,400 --> 00:27:19,919
Speaker 3: You understand what I'm saying. So that's where I was.

553
00:27:21,760 --> 00:27:24,680
Speaker 3: It's totally lost because they have to understand it. They

554
00:27:24,760 --> 00:27:27,960
Speaker 3: understand it. You know that that I'm flying you. Let's

555
00:27:28,000 --> 00:27:31,840
Speaker 3: get that straight off the top. So I was in

556
00:27:31,880 --> 00:27:33,679
Speaker 3: my place getting my hair done. I just get my

557
00:27:33,720 --> 00:27:37,119
Speaker 3: hair done twice a week, and I said, I got

558
00:27:37,160 --> 00:27:38,800
Speaker 3: a chance to be in a movie. And the girl

559
00:27:38,880 --> 00:27:41,160
Speaker 3: Pearl who did my hair, was like, and you ain't

560
00:27:41,200 --> 00:27:43,320
Speaker 3: gonna take it because I didn't want to.

561
00:27:43,240 --> 00:27:45,280
Speaker 1: Play the police. I was questioning.

562
00:27:45,440 --> 00:27:48,680
Speaker 3: She said, nigga, all you niggas is running around here

563
00:27:48,680 --> 00:27:52,679
Speaker 3: doing all this crime shit and you talking about no opportunities,

564
00:27:52,680 --> 00:27:55,560
Speaker 3: and this is the opportunity. If you do not take it,

565
00:27:56,000 --> 00:27:58,960
Speaker 3: you a real life sucker. And this is a woman

566
00:27:59,040 --> 00:28:02,040
Speaker 3: called me a sucker. Keep real live sucker. You you

567
00:28:02,080 --> 00:28:03,120
Speaker 3: this is your chance.

568
00:28:04,040 --> 00:28:04,440
Speaker 1: Do it.

569
00:28:04,840 --> 00:28:06,919
Speaker 3: You're gonna keep it one hundred forever because I know

570
00:28:06,960 --> 00:28:09,720
Speaker 3: how you cut. But don't let this fuck you up,

571
00:28:09,880 --> 00:28:12,880
Speaker 3: you know. But then and then then that was first one.

572
00:28:12,920 --> 00:28:15,240
Speaker 3: Then I talked to one of my real g's nelsy

573
00:28:15,359 --> 00:28:17,640
Speaker 3: rest in peace. He's like, why are you worry about

574
00:28:17,640 --> 00:28:18,120
Speaker 3: playing police?

575
00:28:18,160 --> 00:28:18,480
Speaker 2: Niggas?

576
00:28:18,520 --> 00:28:23,439
Speaker 3: Know you ain't no motherfucking police. While you worried about

577
00:28:23,480 --> 00:28:26,200
Speaker 3: that shit. Nigga, you gotta get that paper. And then

578
00:28:26,240 --> 00:28:28,000
Speaker 3: I would call my I talked to my other homies.

579
00:28:28,040 --> 00:28:29,240
Speaker 3: I say, yo, man, they want me to be in

580
00:28:29,280 --> 00:28:29,600
Speaker 3: a movie.

581
00:28:29,640 --> 00:28:30,160
Speaker 1: Play police.

582
00:28:30,160 --> 00:28:33,879
Speaker 3: They'd be like, word, should I be in a movie?

583
00:28:36,280 --> 00:28:38,480
Speaker 3: Call people in jail? Yo, they want me to. I

584
00:28:38,520 --> 00:28:39,760
Speaker 3: know you in the bowels of the devil.

585
00:28:39,840 --> 00:28:40,560
Speaker 1: I know you stuck.

586
00:28:40,600 --> 00:28:42,400
Speaker 3: You want me to. I want to pay the police.

587
00:28:43,800 --> 00:28:45,520
Speaker 3: If I was home, could I be in a movie?

588
00:28:45,600 --> 00:28:45,760
Speaker 1: You know?

589
00:28:46,160 --> 00:28:48,240
Speaker 3: So everybody said, go do it, do it, do it.

590
00:28:48,280 --> 00:28:51,240
Speaker 3: I didn't do Jack City, you know, And that was

591
00:28:51,280 --> 00:28:54,360
Speaker 3: my first movie, and then the show Benness. If the

592
00:28:54,400 --> 00:28:57,440
Speaker 3: movie you're in makes money, you'll be in another movie.

593
00:28:57,960 --> 00:28:59,280
Speaker 1: And then you did New York Undercover.

594
00:28:59,440 --> 00:29:05,640
Speaker 3: Right see New York Gonna covers another story where I

595
00:29:05,680 --> 00:29:08,040
Speaker 3: was at my house in Hollywood Hills. At this time

596
00:29:08,080 --> 00:29:10,840
Speaker 3: I was living. I was I was elevated out the hood.

597
00:29:10,840 --> 00:29:13,120
Speaker 3: I mean, I'm in the hills. You ever see MTV

598
00:29:13,240 --> 00:29:13,960
Speaker 3: cribs while.

599
00:29:14,320 --> 00:29:15,200
Speaker 1: You open this up?

600
00:29:15,280 --> 00:29:19,360
Speaker 3: Yeah, the motherfucking house with your brains blown out? Who

601
00:29:19,400 --> 00:29:23,720
Speaker 3: had a convertible house? DJ Callan ain't even still got

602
00:29:23,720 --> 00:29:24,560
Speaker 3: a convertible house.

603
00:29:24,920 --> 00:29:28,200
Speaker 1: Champagne, take us with champagne. Goddamn, they got a convertible house.

604
00:29:28,320 --> 00:29:31,880
Speaker 1: They can stop. Let's get to the convertible house.

605
00:29:33,480 --> 00:29:38,560
Speaker 3: Yeah, this is some good ship. I've tasted champagnes before.

606
00:29:38,640 --> 00:29:41,880
Speaker 3: I know dom is nice. A good champagne. When it

607
00:29:41,920 --> 00:29:45,160
Speaker 3: gets in your mouth, it evaporates, exactly if you're taking

608
00:29:45,320 --> 00:29:48,120
Speaker 3: wax champagne. When you it tastes like you're drinking seven up.

609
00:29:51,920 --> 00:29:55,800
Speaker 3: All right, anyway, convertible house. I'm at the convertible house,

610
00:29:55,840 --> 00:29:58,400
Speaker 3: fab five. Freddy's at the crib. One of my o

611
00:29:58,600 --> 00:30:01,320
Speaker 3: g shout out to Fried from Wild.

612
00:30:02,160 --> 00:30:02,880
Speaker 2: He was there.

613
00:30:03,360 --> 00:30:07,360
Speaker 3: He's a Day one hip hop. Certain people are Day one.

614
00:30:07,800 --> 00:30:10,280
Speaker 3: So he's talking to me in my house. He's telling

615
00:30:10,320 --> 00:30:12,480
Speaker 3: me we should I should turn my living room into

616
00:30:12,520 --> 00:30:17,160
Speaker 3: a planetarium like shit, and so I could have stars

617
00:30:17,240 --> 00:30:21,800
Speaker 3: up there, so we could show the hose of constellations.

618
00:30:22,320 --> 00:30:25,480
Speaker 1: I can't make this ship up. Freddie gonna laugh, so

619
00:30:26,000 --> 00:30:27,600
Speaker 1: Andre Herrel hits him up.

620
00:30:27,680 --> 00:30:30,240
Speaker 3: Rest in peace. Andre Herrel is like you at I

621
00:30:30,320 --> 00:30:33,200
Speaker 3: used to crib tell. I used to come Beyond be

622
00:30:33,320 --> 00:30:37,360
Speaker 3: on New York Undercover. So I told Andre fucked that.

623
00:30:37,600 --> 00:30:39,680
Speaker 3: I said, that's a rip off of New Jack City.

624
00:30:39,760 --> 00:30:42,920
Speaker 3: Fuck you in case you having checked, I'm doing movies

625
00:30:43,000 --> 00:30:45,480
Speaker 3: right now. Nigga, I don't do TV, so I'm on

626
00:30:45,560 --> 00:30:48,080
Speaker 3: my bullshit right because I was doing a movie. I'm

627
00:30:48,080 --> 00:30:51,360
Speaker 3: doing a movie with Keanu Reeves and Ship. I was like, nigga,

628
00:30:51,400 --> 00:30:53,680
Speaker 3: I'm in the hills. I was a little bit was

629
00:30:53,680 --> 00:30:56,640
Speaker 3: a little bit full of myself at that point, really

630
00:30:56,680 --> 00:30:59,960
Speaker 3: coming to Andre because I knew Andre from Chuckling hwe day.

631
00:31:00,800 --> 00:31:03,880
Speaker 3: Oh come on, Oh you too big now that's what

632
00:31:03,920 --> 00:31:08,000
Speaker 3: black people did. Yeah, you too big? Now, you can't

633
00:31:08,040 --> 00:31:09,880
Speaker 3: fuck with us. I said, all right, give me a

634
00:31:09,920 --> 00:31:12,200
Speaker 3: bad guy roll and I'll do it. And I did

635
00:31:12,280 --> 00:31:17,240
Speaker 3: Danny Up. Then I did one episode and Dick Wolf

636
00:31:18,920 --> 00:31:21,040
Speaker 3: basically said, I don't want to kill Ice. Will he

637
00:31:21,120 --> 00:31:22,600
Speaker 3: do two more episodes? It was a guy in the

638
00:31:22,600 --> 00:31:25,160
Speaker 3: first episode, and that's when I came back. I shot

639
00:31:25,240 --> 00:31:29,320
Speaker 3: Malik Yoba's girl cut fingers off. Then let me wile

640
00:31:29,400 --> 00:31:32,960
Speaker 3: out two episodes and that was my first working with

641
00:31:33,000 --> 00:31:36,440
Speaker 3: Dick Wolf. And after that I did Swift Justice, one

642
00:31:36,480 --> 00:31:39,560
Speaker 3: of his shows. Then I did Law and Order Exiled,

643
00:31:40,320 --> 00:31:42,960
Speaker 3: then I did I had my own show Players, which

644
00:31:43,000 --> 00:31:45,120
Speaker 3: is on for a season, and then I got called

645
00:31:45,160 --> 00:31:47,800
Speaker 3: to do SVU, which was only supposed to be a

646
00:31:47,800 --> 00:31:51,440
Speaker 3: four episode arc, and I went on there for four episodes.

647
00:31:51,480 --> 00:31:52,600
Speaker 1: I've been on there twenty.

648
00:31:52,360 --> 00:31:53,880
Speaker 2: So I started from New York Undercover.

649
00:31:54,120 --> 00:31:57,400
Speaker 1: Yeah, Dick Wolf is the producer of all those shows.

650
00:31:57,800 --> 00:31:58,520
Speaker 2: That's incredible.

651
00:31:58,560 --> 00:32:02,640
Speaker 3: Dick Wolf has nine shows in primetime right now. Nine shows.

652
00:32:02,720 --> 00:32:07,200
Speaker 3: He has Law and Order SVU, Organized Crime. He has FBI,

653
00:32:07,480 --> 00:32:12,240
Speaker 3: FBI Most Wanted, FBI International, Chicago, PD Chicago, MED Chicago.

654
00:32:12,600 --> 00:32:15,960
Speaker 3: Nine shows in primetime. Yeah, he's not to be fuckless.

655
00:32:16,320 --> 00:32:22,200
Speaker 3: And it's checks, and it's check's clear. Never never been

656
00:32:22,280 --> 00:32:24,960
Speaker 3: laid on a payment nothing. That man is the man

657
00:32:25,080 --> 00:32:25,920
Speaker 3: is the real deal.

658
00:32:26,840 --> 00:32:30,280
Speaker 5: Everybody else is in Hollywood has complaining about the strike.

659
00:32:30,800 --> 00:32:31,800
Speaker 2: How come the writers strike?

660
00:32:31,840 --> 00:32:34,040
Speaker 1: The writer strike? How come Law and Order is in

661
00:32:34,840 --> 00:32:36,960
Speaker 1: I'm complaining. I'm not. I'm not complaining about it. But

662
00:32:37,000 --> 00:32:39,760
Speaker 1: it's fucking with my paper because you're not filming as

663
00:32:39,920 --> 00:32:40,960
Speaker 1: long as the strike is happening.

664
00:32:41,000 --> 00:32:43,280
Speaker 3: That's why I'm down here. I'm on hiatus. We broke.

665
00:32:43,960 --> 00:32:46,600
Speaker 3: We broke in May. We're supposed to go back right

666
00:32:46,640 --> 00:32:52,000
Speaker 3: after July, and we probably won't, so we'll we'll actually

667
00:32:52,040 --> 00:32:56,200
Speaker 3: maybe go in say August. But with Law and Order,

668
00:32:56,320 --> 00:33:00,520
Speaker 3: we shoot, you shoot three episodes a month, so right,

669
00:33:00,880 --> 00:33:03,880
Speaker 3: it takes eight days to shoot an episode, eight days

670
00:33:04,120 --> 00:33:07,120
Speaker 3: at a weekend, ten days, so thirty days. So you're

671
00:33:07,120 --> 00:33:12,040
Speaker 3: doing three episodes a month as a series regularly.

672
00:33:12,040 --> 00:33:15,680
Speaker 5: Days you're feeling out the month days eight for each

673
00:33:15,720 --> 00:33:17,920
Speaker 5: episode each Oh my god.

674
00:33:18,000 --> 00:33:21,400
Speaker 3: But you're only in the scenes you're in. So say

675
00:33:21,440 --> 00:33:23,720
Speaker 3: out of the eight days, there's forty five scenes. I

676
00:33:23,720 --> 00:33:26,600
Speaker 3: could be in ten scenes. I could be in twenty scenes.

677
00:33:26,880 --> 00:33:28,920
Speaker 3: I could be in one scene. But you get paid

678
00:33:28,920 --> 00:33:32,160
Speaker 3: at an episodic rate. So if I say huh, I

679
00:33:32,200 --> 00:33:34,960
Speaker 3: get the same check as if I act. Though it's

680
00:33:34,960 --> 00:33:36,800
Speaker 3: like being in the NBA. If I sit on the bench,

681
00:33:36,840 --> 00:33:37,400
Speaker 3: I get paid.

682
00:33:37,960 --> 00:33:38,240
Speaker 1: Right.

683
00:33:38,320 --> 00:33:40,440
Speaker 3: So when they tell you, Nori, we want you in

684
00:33:40,520 --> 00:33:43,920
Speaker 3: for twenty two episodes, and your episodic rate is whatever,

685
00:33:44,800 --> 00:33:46,680
Speaker 3: I don't know what. If it abys one hundred thousand,

686
00:33:46,760 --> 00:33:48,760
Speaker 3: then you times that time twenty three and that's what

687
00:33:48,840 --> 00:33:51,360
Speaker 3: you make that year. If you're making five hundred thousand

688
00:33:51,400 --> 00:33:55,120
Speaker 3: an episode, you multiply it, so you know, it becomes lucrative.

689
00:33:55,640 --> 00:33:56,680
Speaker 1: It becomes lucrative.

690
00:33:57,040 --> 00:34:01,760
Speaker 3: But when they have acted strike, they start taking away episodes.

691
00:34:01,960 --> 00:34:04,720
Speaker 1: That's money, right, But I.

692
00:34:04,680 --> 00:34:08,600
Speaker 3: Gotta stand with the I stand with the writers because you.

693
00:34:08,560 --> 00:34:11,400
Speaker 1: Know what it's all about complaining about it's streaming.

694
00:34:11,480 --> 00:34:13,839
Speaker 2: Man, Yeah, in the whole AI stuff too.

695
00:34:13,840 --> 00:34:17,280
Speaker 1: The hip should be doing that. Then, well hip hop.

696
00:34:17,440 --> 00:34:21,560
Speaker 3: I don't understand hip hop's streaming. But you know right now,

697
00:34:21,600 --> 00:34:24,239
Speaker 3: like you see me on NBC, so you get residuals.

698
00:34:24,400 --> 00:34:27,279
Speaker 3: But then they got you on Peacock and they don't

699
00:34:27,280 --> 00:34:29,440
Speaker 3: really they ain't even talking about how that money is

700
00:34:29,640 --> 00:34:32,680
Speaker 3: what's happening. So the writers just like hold up everything

701
00:34:32,800 --> 00:34:34,880
Speaker 3: because they'll just keep going. They'll just keep going and

702
00:34:34,920 --> 00:34:38,240
Speaker 3: taking the money until you So they had to stop

703
00:34:38,280 --> 00:34:40,120
Speaker 3: the boat for a minute, like we need to dress

704
00:34:40,160 --> 00:34:44,440
Speaker 3: this hip hop's streaming. I don't understand it. I really

705
00:34:44,480 --> 00:34:46,840
Speaker 3: don't music. I used to sell records. You went in

706
00:34:46,880 --> 00:34:49,440
Speaker 3: the store, you bought the motherfucking record. They had a

707
00:34:49,480 --> 00:34:52,279
Speaker 3: sound scan. Now Snoop is like, now you do a

708
00:34:52,320 --> 00:34:55,360
Speaker 3: billion streams, they give you a check for forty five dollars.

709
00:34:55,120 --> 00:34:58,480
Speaker 2: Right, who came up with that?

710
00:34:58,760 --> 00:35:02,040
Speaker 3: What that math? What's the algorithm? And how do you even.

711
00:35:01,800 --> 00:35:03,440
Speaker 1: Know if it's a real algorithm?

712
00:35:03,680 --> 00:35:07,080
Speaker 3: You just trusting I don't And then you get golden

713
00:35:07,120 --> 00:35:09,120
Speaker 3: platinum records, But no one bought the records.

714
00:35:09,360 --> 00:35:10,680
Speaker 2: Yeah, you see it all the time. Why have you

715
00:35:10,719 --> 00:35:13,239
Speaker 2: never even heard of holding up they golden platinum.

716
00:35:13,480 --> 00:35:15,320
Speaker 1: I'm proud of my records. I'm proud.

717
00:35:15,360 --> 00:35:18,640
Speaker 3: I actually you know, people bought the record. You think

718
00:35:18,920 --> 00:35:21,879
Speaker 3: think of Think lord, you saw a million records. Think

719
00:35:21,880 --> 00:35:26,279
Speaker 3: of it like this, a stadium fill to the top.

720
00:35:26,320 --> 00:35:30,120
Speaker 3: It's like one hundred thousand people fill that stadium ten times.

721
00:35:30,520 --> 00:35:33,959
Speaker 3: That's how many people walk into a store and bought

722
00:35:34,000 --> 00:35:38,439
Speaker 3: your record, not push the button, walked in and purchased it.

723
00:35:38,560 --> 00:35:42,239
Speaker 3: That's big them days. Is big this push Now you

724
00:35:42,239 --> 00:35:43,720
Speaker 3: can buy one song out.

725
00:35:43,520 --> 00:35:47,080
Speaker 1: Of an album. Well, I had singles before.

726
00:35:47,440 --> 00:35:49,600
Speaker 3: Now, but I would put out singles that weren't out.

727
00:35:49,800 --> 00:35:52,200
Speaker 3: You would buy the singles. I would send them to

728
00:35:52,239 --> 00:35:55,000
Speaker 3: the DJs, and I would to make you buy the album.

729
00:35:55,880 --> 00:35:59,920
Speaker 3: The game has changed. All games have changed tremendously. That's

730
00:36:00,080 --> 00:36:02,680
Speaker 3: why I changed games m.

731
00:36:05,040 --> 00:36:05,200
Speaker 1: Now.

732
00:36:05,840 --> 00:36:08,480
Speaker 5: One thing we was talking about was a lot of

733
00:36:08,480 --> 00:36:11,560
Speaker 5: people don't realize you wasn't even in colors.

734
00:36:11,880 --> 00:36:14,120
Speaker 1: No, no, who didn't realize that.

735
00:36:15,120 --> 00:36:17,160
Speaker 5: There's a lot of people who would swear, I mean

736
00:36:18,560 --> 00:36:19,520
Speaker 5: I loved you in colors.

737
00:36:19,520 --> 00:36:20,680
Speaker 1: I'm like Nigga, I was not in.

738
00:36:23,120 --> 00:36:25,040
Speaker 2: I mean he was technically with the music, and the

739
00:36:25,120 --> 00:36:26,319
Speaker 2: song was so big.

740
00:36:26,400 --> 00:36:31,800
Speaker 3: Do you want to hear his color Story Colored Story

741
00:36:31,920 --> 00:36:34,520
Speaker 3: is like this. I was already signed to Warner Brothers.

742
00:36:34,520 --> 00:36:37,120
Speaker 3: I was early signed to Warner Brothers. It was a

743
00:36:37,160 --> 00:36:41,160
Speaker 3: Warner Brothers movie, so they wanted to use a song.

744
00:36:41,200 --> 00:36:43,520
Speaker 3: I wrote, Oh, this is dope, the Thunder. I had

745
00:36:43,520 --> 00:36:49,360
Speaker 3: the Thunder brought in for my for my enerview to

746
00:36:50,000 --> 00:36:57,360
Speaker 3: keep it gone. So oh so Warner Brothers had the movie.

747
00:36:57,400 --> 00:37:01,160
Speaker 3: So what they wanted to use Squeeze the Trigger for

748
00:37:01,239 --> 00:37:03,880
Speaker 3: the movie because it was like a hardcore record at

749
00:37:03,920 --> 00:37:06,680
Speaker 3: the time to be in the Gang bangor movie. So

750
00:37:07,320 --> 00:37:10,360
Speaker 3: I knew that if someone wants to use your record

751
00:37:10,360 --> 00:37:12,640
Speaker 3: in a movie. I told Nori this yesterday, you can

752
00:37:12,760 --> 00:37:15,200
Speaker 3: ask to see the movie. If you're an artist out

753
00:37:15,200 --> 00:37:16,720
Speaker 3: there and they say they want to put your movie

754
00:37:16,760 --> 00:37:19,920
Speaker 3: in your song in any movie, you can, as a

755
00:37:19,960 --> 00:37:22,439
Speaker 3: publisher say I need to see the movie. I don't

756
00:37:22,480 --> 00:37:25,279
Speaker 3: know if I want my record involved in this particular

757
00:37:25,320 --> 00:37:27,640
Speaker 3: movie or where they're gonna place it in the movie.

758
00:37:28,040 --> 00:37:30,000
Speaker 3: You know, they might want to place it in some bullshit.

759
00:37:30,040 --> 00:37:31,200
Speaker 3: You're like, Nah, that ain't cool.

760
00:37:31,239 --> 00:37:31,600
Speaker 1: Fuck that.

761
00:37:32,719 --> 00:37:34,879
Speaker 3: I wanted the money. I wasn't gonna turn it down,

762
00:37:34,920 --> 00:37:37,120
Speaker 3: but I played the card I need to see the movie, right,

763
00:37:37,560 --> 00:37:41,720
Speaker 3: So we went to see Colors private screening, private screening.

764
00:37:42,840 --> 00:37:46,480
Speaker 3: It was fake to me because the Mexicans don't fight

765
00:37:46,560 --> 00:37:49,279
Speaker 3: the blacks in La. If that ever happened, it would

766
00:37:49,280 --> 00:37:55,560
Speaker 3: be the apocalypse. Second thing, that that scene where they

767
00:37:55,640 --> 00:37:58,480
Speaker 3: played Colors, where the Crips and the Bloods meeting up

768
00:37:58,520 --> 00:38:02,480
Speaker 3: in the county. It can't happen. But by the time

769
00:38:02,560 --> 00:38:05,319
Speaker 3: you get to that point, you in the jumpsuits and

770
00:38:05,360 --> 00:38:08,320
Speaker 3: the Bloods and Crips never come connected because the cryps

771
00:38:08,440 --> 00:38:10,960
Speaker 3: is like in thirty eight hundred, they're different modules they

772
00:38:11,000 --> 00:38:11,440
Speaker 3: put them in.

773
00:38:11,680 --> 00:38:13,279
Speaker 1: So that was fake. You know.

774
00:38:13,280 --> 00:38:16,040
Speaker 3: They had on the Colors. They spang it under that

775
00:38:16,520 --> 00:38:18,759
Speaker 3: that was my movie shit. So I got past that.

776
00:38:18,920 --> 00:38:22,200
Speaker 3: I said, well who did this? Who did the title song?

777
00:38:23,080 --> 00:38:24,960
Speaker 3: And they say Rick James.

778
00:38:27,120 --> 00:38:28,839
Speaker 1: Because they still own the soundtrack.

779
00:38:29,080 --> 00:38:32,600
Speaker 3: Yeah, hunt down the Colors soundtrack. Go to the last

780
00:38:32,640 --> 00:38:34,839
Speaker 3: song on the B side, and it's a song by

781
00:38:34,920 --> 00:38:37,719
Speaker 3: Rick James called Everywhere I Go Colors.

782
00:38:38,080 --> 00:38:40,080
Speaker 1: Look at all these colors, you.

783
00:38:40,000 --> 00:38:44,160
Speaker 3: Know, Rick James, Come on, man, I was like, Rick James,

784
00:38:44,200 --> 00:38:47,359
Speaker 3: you the nigga, But this is not your area, so

785
00:38:47,440 --> 00:38:51,760
Speaker 3: that expertise. So now I'm riding home with Africa Islam.

786
00:38:51,800 --> 00:38:53,400
Speaker 3: We saw it and I said, man, we're gonna make

787
00:38:53,400 --> 00:38:57,360
Speaker 3: a title song. We literally went right from the screen

788
00:38:57,400 --> 00:39:00,680
Speaker 3: into the studio. Now, at the time I was listening,

789
00:39:00,880 --> 00:39:04,759
Speaker 3: I was vibing off of King's Son. King's Son has

790
00:39:04,800 --> 00:39:09,439
Speaker 3: a song called Mythological and Mythological Goal. It opens says

791
00:39:09,520 --> 00:39:12,239
Speaker 3: when I get ill, it's a reason because it's Duk

792
00:39:12,320 --> 00:39:16,319
Speaker 3: season Hunter of the Front. Here I come, I am

793
00:39:16,360 --> 00:39:22,120
Speaker 3: a nightmare walk talking. King was just again I'm rocking

794
00:39:22,320 --> 00:39:25,440
Speaker 3: that Cadence a King Son ship. And then we just

795
00:39:25,480 --> 00:39:27,560
Speaker 3: put the record together and so I turn it in

796
00:39:27,600 --> 00:39:31,680
Speaker 3: and they flipped, oh, this is incredible. It's incredible, and

797
00:39:31,840 --> 00:39:34,200
Speaker 3: uh I got an MTV Award for it.

798
00:39:34,680 --> 00:39:35,040
Speaker 1: Dotty.

799
00:39:35,640 --> 00:39:38,000
Speaker 3: That record is not on any iced tea albums and

800
00:39:38,040 --> 00:39:40,360
Speaker 3: it went platinum, triple platinum and bullshit.

801
00:39:40,640 --> 00:39:44,000
Speaker 1: But it's one of the.

802
00:39:44,560 --> 00:39:48,600
Speaker 3: Most of my big hits were soundtracks. When I did

803
00:39:48,680 --> 00:39:51,520
Speaker 3: New Jack City, Yeah, that's an incredible record. When I

804
00:39:51,560 --> 00:39:54,080
Speaker 3: did New Jack City, I wanted to do the song

805
00:39:54,120 --> 00:39:55,520
Speaker 3: for that, but I'm like, I.

806
00:39:57,600 --> 00:39:59,759
Speaker 1: Call it, So I was like.

807
00:40:00,520 --> 00:40:04,920
Speaker 3: I can't really do Scottie's song. Because he's police. So

808
00:40:04,960 --> 00:40:08,080
Speaker 3: I do Nino's sing. So George Jackson rest in Peace

809
00:40:08,200 --> 00:40:10,279
Speaker 3: was a producer. I come on, I see you know,

810
00:40:12,120 --> 00:40:13,279
Speaker 3: you know we'll get somebody out.

811
00:40:13,320 --> 00:40:15,560
Speaker 1: He wants you to r respective of the cop. He

812
00:40:15,719 --> 00:40:17,480
Speaker 1: just didn't know what I could do.

813
00:40:17,760 --> 00:40:19,920
Speaker 3: Okay, He thought he had to go out and get

814
00:40:19,960 --> 00:40:22,560
Speaker 3: somebody else to do some gags and shit like I

815
00:40:22,640 --> 00:40:25,040
Speaker 3: more Nino, And so I did put that ship in

816
00:40:25,040 --> 00:40:28,040
Speaker 3: the hustler word. I pulled the trigger along, griped my teeth,

817
00:40:28,040 --> 00:40:31,520
Speaker 3: sprayed every niggas gone, got the block soon, arm of

818
00:40:31,680 --> 00:40:34,399
Speaker 3: dope spots, last thing I sweat to sucker punk cop.

819
00:40:34,640 --> 00:40:38,279
Speaker 3: He was like, Yo, this ship is hard. So we

820
00:40:38,360 --> 00:40:41,600
Speaker 3: put the hustler bow. That was number one on that album.

821
00:40:42,160 --> 00:40:46,319
Speaker 3: That album went super platinum. So yeah, I got a

822
00:40:46,360 --> 00:40:49,479
Speaker 3: lot of I got a lot of record sales away

823
00:40:49,520 --> 00:40:50,680
Speaker 3: from my actual albums.

824
00:40:51,520 --> 00:40:51,960
Speaker 1: Sip to that.

825
00:40:52,000 --> 00:40:57,920
Speaker 5: Come on, yeah, well let's let's let's stay off through

826
00:40:57,960 --> 00:40:58,920
Speaker 5: jack City for a second.

827
00:40:59,239 --> 00:41:01,160
Speaker 1: Do you know how I think that movie was and

828
00:41:01,200 --> 00:41:02,080
Speaker 1: when you're making it?

829
00:41:02,120 --> 00:41:04,719
Speaker 5: Was making it? Did two ball question? Did you know

830
00:41:04,840 --> 00:41:06,279
Speaker 5: he was making a class now?

831
00:41:06,320 --> 00:41:09,560
Speaker 3: It was a low budget film and Mario van Peoples, right,

832
00:41:09,800 --> 00:41:14,000
Speaker 3: Mario van peoples directing it, and everybody in it was

833
00:41:14,120 --> 00:41:19,839
Speaker 3: new Jacks. Wesley had only done Major League. Wesley had

834
00:41:19,840 --> 00:41:22,400
Speaker 3: only done Major League, and I think a spike lea joint.

835
00:41:22,760 --> 00:41:25,920
Speaker 3: Chris Rock was the hottest streak comedian. I mean he

836
00:41:25,960 --> 00:41:28,160
Speaker 3: wasn't big Chris Rock. Yeah, I was time I ever

837
00:41:28,200 --> 00:41:30,520
Speaker 3: seen Chris Rock. I was just a rapper, you know,

838
00:41:31,000 --> 00:41:32,319
Speaker 3: and I believed he.

839
00:41:32,239 --> 00:41:36,759
Speaker 1: Was a crackhead. I mean I was good acting. I

840
00:41:36,760 --> 00:41:39,319
Speaker 1: didn't know. I didn't know like I thought that's what

841
00:41:39,400 --> 00:41:39,759
Speaker 1: he was.

842
00:41:39,840 --> 00:41:42,280
Speaker 3: Right, So they figured, well, I see it, so minions

843
00:41:42,320 --> 00:41:45,680
Speaker 3: of records, maybe that'll translate. Plus they wanted somebody a

844
00:41:45,719 --> 00:41:49,040
Speaker 3: little gangster and somebody a little political, right. But they

845
00:41:49,080 --> 00:41:51,680
Speaker 3: were more concerned with me being able to go undercovering

846
00:41:51,760 --> 00:41:54,440
Speaker 3: full Nino Brown than actually playing the police.

847
00:41:54,680 --> 00:41:56,279
Speaker 1: See, you could take teach.

848
00:41:56,000 --> 00:41:59,160
Speaker 3: A player how to play a square, but you can't

849
00:41:59,200 --> 00:42:02,960
Speaker 3: teach a square to play a player. They can't pull

850
00:42:03,000 --> 00:42:06,600
Speaker 3: it off. So it was more important when I got

851
00:42:06,600 --> 00:42:09,520
Speaker 3: around Nino that Nino could believe I was actually live

852
00:42:09,600 --> 00:42:11,759
Speaker 3: with him. That part where I'm in the pool, I go,

853
00:42:11,840 --> 00:42:13,759
Speaker 3: I got your back. You didin't what I'm saying. So

854
00:42:13,840 --> 00:42:19,719
Speaker 3: I was dirty like that. I got him. But everybody

855
00:42:20,000 --> 00:42:23,600
Speaker 3: during that movie, NOI we were huddling, like we were

856
00:42:23,600 --> 00:42:26,799
Speaker 3: doing the scene and everybody would huddle and like what

857
00:42:26,840 --> 00:42:29,960
Speaker 3: do you think you know? Because everything and the movie

858
00:42:30,040 --> 00:42:32,480
Speaker 3: was five million dollars at the end, they got a

859
00:42:32,520 --> 00:42:35,200
Speaker 3: completion bond for two more million. It cost seven million

860
00:42:35,239 --> 00:42:37,800
Speaker 3: dollars to make New Jack City seven million. They shoot

861
00:42:37,880 --> 00:42:41,160
Speaker 3: videos like, yeah it was Law and Order episode costs

862
00:42:41,200 --> 00:42:43,439
Speaker 3: eight million dollars, so.

863
00:42:45,239 --> 00:42:46,520
Speaker 1: Yeah, it was.

864
00:42:46,640 --> 00:42:51,120
Speaker 3: It was a It was a very uh interesting procedure.

865
00:42:51,160 --> 00:42:54,840
Speaker 3: Working with Wes. Wesley was dope. Here's a funny story.

866
00:42:54,920 --> 00:42:58,080
Speaker 3: So we go into the reading. We're going to read, right,

867
00:42:58,360 --> 00:43:01,120
Speaker 3: So me and Chris Rock are new So we walk

868
00:43:01,160 --> 00:43:03,879
Speaker 3: in and Wesley Snip's come in and the motherfucker got

869
00:43:04,160 --> 00:43:06,759
Speaker 3: a leather his his his script is in a leather

870
00:43:07,120 --> 00:43:12,319
Speaker 3: bound folder, opens it up, notes on every page. Me

871
00:43:12,360 --> 00:43:14,880
Speaker 3: and Chris Ross, Chris folded up in our back pocket.

872
00:43:17,160 --> 00:43:19,839
Speaker 3: You're like, oh shit, is a real actor, Like oh shit,

873
00:43:19,920 --> 00:43:23,279
Speaker 3: we were nervous as a motherfucker. But Wes west woods

874
00:43:23,320 --> 00:43:26,800
Speaker 3: with us, and you don't know you're making a classic

875
00:43:26,880 --> 00:43:29,440
Speaker 3: movie at the time, you know, you don't know that.

876
00:43:29,760 --> 00:43:33,960
Speaker 1: But Mario did his thing right. Could there be in

877
00:43:34,000 --> 00:43:34,839
Speaker 1: New Jack City too.

878
00:43:35,600 --> 00:43:37,680
Speaker 3: No, I don't think so, because it was an era

879
00:43:38,040 --> 00:43:42,399
Speaker 3: movie about an era. Yeah, but what have Nino? Oh no, no,

880
00:43:42,440 --> 00:43:44,440
Speaker 3: they been back then. There was supposed to be a

881
00:43:44,520 --> 00:43:45,520
Speaker 3: Nina too.

882
00:43:45,520 --> 00:43:48,120
Speaker 5: Like Nino brown Son or maybe or maybe before he

883
00:43:48,160 --> 00:43:50,640
Speaker 5: became Nino brown Some ship you should.

884
00:43:50,360 --> 00:43:52,560
Speaker 2: Have updated, Yeah, just just something.

885
00:43:52,960 --> 00:43:54,880
Speaker 3: Try to do Superfly? How are you gonna do some

886
00:43:55,040 --> 00:43:59,319
Speaker 3: fly without a nigga with a perm? You know you

887
00:43:59,360 --> 00:44:03,000
Speaker 3: can't run on Steve, you know that's it, yo, man,

888
00:44:03,040 --> 00:44:04,719
Speaker 3: I got to kill I got to get out the

889
00:44:04,760 --> 00:44:07,279
Speaker 3: game for you know, I got to ice a motherfucker

890
00:44:07,280 --> 00:44:09,319
Speaker 3: and one of these motherfuckers ice me. I live off

891
00:44:09,360 --> 00:44:14,240
Speaker 3: of that line, right, But New Jack City what we weren't.

892
00:44:14,280 --> 00:44:17,759
Speaker 3: We had the potential to do part two, But I

893
00:44:17,800 --> 00:44:20,920
Speaker 3: got in trouble with Top Killer and Wesley, and Wesley

894
00:44:21,080 --> 00:44:25,799
Speaker 3: went and did uh demolition Man and they paid him

895
00:44:25,800 --> 00:44:26,640
Speaker 3: like seven million.

896
00:44:26,680 --> 00:44:29,360
Speaker 1: That's when he got the Burger Blonde here. Yeah, but

897
00:44:29,400 --> 00:44:30,680
Speaker 1: then he got he got the bag.

898
00:44:31,200 --> 00:44:33,040
Speaker 3: So once he got the bag, he can't come back

899
00:44:33,080 --> 00:44:34,719
Speaker 3: and play with us in the street no more.

900
00:44:34,840 --> 00:44:35,040
Speaker 1: You know.

901
00:44:35,080 --> 00:44:38,560
Speaker 3: He he elevated and then I got in trouble and

902
00:44:38,640 --> 00:44:42,800
Speaker 3: uh yeah, but the New Jack City part to Wesley

903
00:44:42,800 --> 00:44:49,480
Speaker 3: wasn't supposed to die based on a lot of people.

904
00:44:50,080 --> 00:44:54,120
Speaker 3: The guy out of Frisco who had a dope or

905
00:44:54,280 --> 00:45:00,200
Speaker 3: a dope uh well internal situation. He had a building

906
00:45:00,400 --> 00:45:02,960
Speaker 3: where you would buy the drugs and do the drugs

907
00:45:03,000 --> 00:45:05,560
Speaker 3: in the same place. I wish I could remember the

908
00:45:05,600 --> 00:45:08,399
Speaker 3: guy's name, but it was famous hustling. So that's kind

909
00:45:08,400 --> 00:45:13,279
Speaker 3: of based on that. But no, no San Francisco.

910
00:45:16,040 --> 00:45:24,680
Speaker 5: Nose out of the years, no bars neither.

911
00:45:25,320 --> 00:45:29,759
Speaker 3: It's a Frisco hustler. But you know, it doesn't really matter.

912
00:45:29,760 --> 00:45:32,640
Speaker 3: It's probably I mean, I can't it probably had a

913
00:45:32,640 --> 00:45:35,799
Speaker 3: little bit of everything that they were implementing other you know,

914
00:45:36,000 --> 00:45:39,160
Speaker 3: Nino was a mixture of all drug dealers put together.

915
00:45:39,280 --> 00:45:41,520
Speaker 3: So I cannot say that, but I know that the

916
00:45:42,040 --> 00:45:46,719
Speaker 3: actual Carter was based on something that was happening up

917
00:45:46,719 --> 00:45:47,320
Speaker 3: in Frisco.

918
00:45:47,480 --> 00:45:51,320
Speaker 1: People showing from But people used.

919
00:45:51,200 --> 00:45:56,120
Speaker 2: To say, like, you're pushing this, you're pushing it.

920
00:45:56,160 --> 00:45:57,160
Speaker 1: I mean, you know the thing of this.

921
00:45:57,480 --> 00:46:00,120
Speaker 3: People have all kinds of ideas about what happened. But

922
00:46:00,640 --> 00:46:03,320
Speaker 3: being on the ground in the movie, if you probably

923
00:46:03,320 --> 00:46:06,359
Speaker 3: do research right now and find out go and check

924
00:46:06,600 --> 00:46:09,840
Speaker 3: the internet, has it all Felix Mitchell.

925
00:46:10,640 --> 00:46:15,439
Speaker 1: See just google instatly Felix Mitchell. And if you rech

926
00:46:15,560 --> 00:46:16,360
Speaker 1: if you check.

927
00:46:16,160 --> 00:46:20,279
Speaker 3: His his his hustle, you'll see he had he had

928
00:46:20,320 --> 00:46:23,279
Speaker 3: that type of thing going and they build off of that.

929
00:46:23,719 --> 00:46:25,840
Speaker 3: They build off of that, take a little drug dealership

930
00:46:25,840 --> 00:46:26,399
Speaker 3: from this guy.

931
00:46:26,680 --> 00:46:29,400
Speaker 2: From that, it's all influence. They did the same with Scarface.

932
00:46:29,440 --> 00:46:31,160
Speaker 2: There was a bunch of people that they created to

933
00:46:31,200 --> 00:46:31,840
Speaker 2: make Scarface.

934
00:46:32,120 --> 00:46:36,960
Speaker 3: Can they use it as influence? So based on them, So.

935
00:46:37,000 --> 00:46:39,960
Speaker 5: New Jack City at the time, you're against the rapper,

936
00:46:40,000 --> 00:46:40,960
Speaker 5: making against the music.

937
00:46:41,320 --> 00:46:42,600
Speaker 1: How do you study for that role?

938
00:46:42,760 --> 00:46:45,400
Speaker 5: How do you do It's because it's the exact opposite

939
00:46:45,440 --> 00:46:47,759
Speaker 5: of what you represent and who you are, So how

940
00:46:47,760 --> 00:46:48,640
Speaker 5: do you you do that?

941
00:46:50,600 --> 00:46:53,120
Speaker 3: I was scared, Norrie, I was scared. I thought, like

942
00:46:53,160 --> 00:46:55,719
Speaker 3: I said, I thought it was career suicide. But then

943
00:46:55,800 --> 00:46:59,280
Speaker 3: I got all my people saying, man, this is a chance.

944
00:46:59,600 --> 00:47:03,640
Speaker 1: Right, there's no studying. You just act. Acting is make

945
00:47:03,719 --> 00:47:05,480
Speaker 1: believe it's acts.

946
00:47:06,280 --> 00:47:08,840
Speaker 3: Anybody in here, we all have had enough experience with

947
00:47:08,880 --> 00:47:11,200
Speaker 3: the cops. You can act like a cop. When I'm

948
00:47:11,200 --> 00:47:13,160
Speaker 3: on New York, when I'm on Law and Order, right

949
00:47:13,200 --> 00:47:15,720
Speaker 3: before I do the scene, I just go asshole asshole, asshole,

950
00:47:18,000 --> 00:47:20,239
Speaker 3: and then I talk down to you. But dig this,

951
00:47:21,080 --> 00:47:24,320
Speaker 3: playing a cop and playing a gangster is the exact

952
00:47:24,480 --> 00:47:32,480
Speaker 3: same acting, exact same acting. Playing a cop and playing

953
00:47:32,480 --> 00:47:36,080
Speaker 3: a gangster is the exact same actor. We both got

954
00:47:36,080 --> 00:47:40,560
Speaker 3: a gun, we both got an attitude, we both want answers,

955
00:47:40,560 --> 00:47:44,640
Speaker 3: so there will be a consequence, and we talked to

956
00:47:44,680 --> 00:47:45,960
Speaker 3: you in that manner.

957
00:47:46,880 --> 00:47:48,520
Speaker 1: See, so the police.

958
00:47:48,120 --> 00:47:51,400
Speaker 3: Talk to you, they talk down to you like, motherfucker,

959
00:47:51,640 --> 00:47:54,799
Speaker 3: you're finna answer my motherfucking question. I am the law.

960
00:47:54,920 --> 00:47:58,760
Speaker 3: The gangsters like fuck you. But it's the same exact energy.

961
00:48:00,200 --> 00:48:00,640
Speaker 1: It's the same.

962
00:48:00,760 --> 00:48:02,239
Speaker 3: So like when you see me on Law and Order

963
00:48:02,280 --> 00:48:05,839
Speaker 3: and I'm interrogating somebody, I don't necessarily have to think

964
00:48:05,880 --> 00:48:08,040
Speaker 3: about being a cop. I'm just like this motherfucker has

965
00:48:08,080 --> 00:48:12,240
Speaker 3: an answer I need to get, and I'm leaning across.

966
00:48:11,800 --> 00:48:12,839
Speaker 1: To him, just like Ice.

967
00:48:12,920 --> 00:48:15,600
Speaker 3: She wouldn't you know, I'm this nigga was happening him

968
00:48:15,880 --> 00:48:18,440
Speaker 3: and then But now I'm even worse than a gangster

969
00:48:18,520 --> 00:48:22,000
Speaker 3: because I got the law, you know, so I could

970
00:48:22,000 --> 00:48:23,600
Speaker 3: do whatever the fuck I want to you.

971
00:48:23,920 --> 00:48:25,120
Speaker 1: So it's the same acting.

972
00:48:25,320 --> 00:48:30,760
Speaker 3: I remember when I was live, when cats, when cats

973
00:48:30,760 --> 00:48:34,120
Speaker 3: had too much ego, We knew they were the cops,

974
00:48:35,800 --> 00:48:38,160
Speaker 3: like if we was with somebody, and like Homie don't care.

975
00:48:38,320 --> 00:48:41,680
Speaker 3: He seems a little bit too much, like he ain't worried.

976
00:48:41,719 --> 00:48:44,040
Speaker 3: He's not. He got his hammer on him, He's always

977
00:48:44,320 --> 00:48:49,160
Speaker 3: talking shit. He's the police because you know, he had

978
00:48:49,160 --> 00:48:55,400
Speaker 3: no fear and they usually were. And you brought that

979
00:48:55,440 --> 00:48:58,680
Speaker 3: into the room, that it's me, you know, it's me,

980
00:48:58,960 --> 00:49:03,239
Speaker 3: it's it's I think. I think the key of the

981
00:49:03,320 --> 00:49:08,799
Speaker 3: key of acting is casting, you know, so you want

982
00:49:08,800 --> 00:49:10,880
Speaker 3: to cast a tough guy. You pretty much want to

983
00:49:10,920 --> 00:49:14,319
Speaker 3: find somebody at some point is tough and can put

984
00:49:14,360 --> 00:49:15,600
Speaker 3: that in there on that.

985
00:49:15,920 --> 00:49:16,120
Speaker 1: You know.

986
00:49:16,239 --> 00:49:19,799
Speaker 3: So I don't know what I bring to the role.

987
00:49:19,840 --> 00:49:21,880
Speaker 3: But whatever it is, people dig it, you know what

988
00:49:21,880 --> 00:49:26,000
Speaker 3: I'm saying. So I don't know, Man, I don't know

989
00:49:26,000 --> 00:49:28,120
Speaker 3: what the fuck it is. When you're acting, you're just

990
00:49:28,239 --> 00:49:30,200
Speaker 3: doing it. And see the thing of this, you can't

991
00:49:30,440 --> 00:49:33,399
Speaker 3: you can't say you're a great actor. The audience has

992
00:49:33,400 --> 00:49:37,319
Speaker 3: to say. They got to believe it. So whatever I'm

993
00:49:37,360 --> 00:49:38,280
Speaker 3: doing is working.

994
00:49:38,840 --> 00:49:46,759
Speaker 1: Let's say that. Let's say that, Let's say that you.

995
00:49:46,840 --> 00:49:50,520
Speaker 5: Got great, great actors. You got to work with Denzel Washington.

996
00:49:50,760 --> 00:49:51,759
Speaker 5: How the funck was that?

997
00:49:51,960 --> 00:49:53,120
Speaker 1: Denzel was so dope.

998
00:49:54,560 --> 00:49:56,960
Speaker 3: First thing Denzel did was he came to my trailer

999
00:49:57,680 --> 00:50:01,040
Speaker 3: and he zeroed out like he he came really cool,

1000
00:50:01,160 --> 00:50:03,839
Speaker 3: like he was talking to me as a friend and

1001
00:50:03,880 --> 00:50:08,640
Speaker 3: stuff and he's telling me stories. Because I guess later

1002
00:50:08,719 --> 00:50:11,319
Speaker 3: on I figured it out, like you can't just hit

1003
00:50:11,320 --> 00:50:14,759
Speaker 3: the stage and work with Denzel Washington if he's like this,

1004
00:50:16,200 --> 00:50:18,279
Speaker 3: If me and you got to play best friends, we

1005
00:50:18,360 --> 00:50:20,560
Speaker 3: gotta or I'm always gonna be like.

1006
00:50:20,520 --> 00:50:22,759
Speaker 1: I'm on the stage. I'm gonna acting with Denzel, you

1007
00:50:22,800 --> 00:50:23,800
Speaker 1: know you start.

1008
00:50:24,000 --> 00:50:25,920
Speaker 3: So he kind of chilled with me and talked to me,

1009
00:50:26,040 --> 00:50:28,759
Speaker 3: told me about his life to being on television, some

1010
00:50:28,800 --> 00:50:33,480
Speaker 3: personal things because I had to play his friend. And

1011
00:50:34,280 --> 00:50:36,560
Speaker 3: I never forget the first time I sat with him, Norri,

1012
00:50:36,680 --> 00:50:40,080
Speaker 3: I sat and we did a scene and he's telling

1013
00:50:40,160 --> 00:50:40,959
Speaker 3: jokes and shit.

1014
00:50:41,960 --> 00:50:42,600
Speaker 1: They said action.

1015
00:50:42,760 --> 00:50:46,560
Speaker 3: Denzel jumped in character all right and he said his

1016
00:50:46,600 --> 00:50:49,520
Speaker 3: shit and I flubbed my lines. He was like, come on, Ice, like,

1017
00:50:50,560 --> 00:50:52,680
Speaker 3: let's go. I'm like, oh, I see what you doing.

1018
00:50:52,719 --> 00:50:55,560
Speaker 3: You dribbling between your legs. You're showing me that you

1019
00:50:55,600 --> 00:50:58,959
Speaker 3: can go from this to that quick. And at that point,

1020
00:50:59,000 --> 00:51:00,279
Speaker 3: I said, I want to learn how to act.

1021
00:51:00,400 --> 00:51:00,719
Speaker 1: Like that.

1022
00:51:00,960 --> 00:51:03,839
Speaker 3: See, the thing of it is with acting anything, nobody

1023
00:51:04,160 --> 00:51:10,240
Speaker 3: is anything. You're not born anything. You become a basketball player.

1024
00:51:10,239 --> 00:51:13,000
Speaker 3: You start off as a fan. We aren't rappers. We

1025
00:51:13,120 --> 00:51:16,480
Speaker 3: taught ourselves how to rap. You're not anything, so any

1026
00:51:16,560 --> 00:51:19,480
Speaker 3: You could do anything if you're willing to take the time.

1027
00:51:19,280 --> 00:51:22,000
Speaker 1: To learn how to do it, but you gotta want

1028
00:51:22,040 --> 00:51:22,480
Speaker 1: to do it.

1029
00:51:22,640 --> 00:51:24,520
Speaker 3: If I want you to act and you never really

1030
00:51:24,520 --> 00:51:26,319
Speaker 3: wanted to act, you're not gonna get it. But if

1031
00:51:26,320 --> 00:51:28,840
Speaker 3: you wanted to and you're willing to apply yourself, you

1032
00:51:28,880 --> 00:51:32,880
Speaker 3: could do it. You know, nobody's a concert pianist. You've practiced,

1033
00:51:33,360 --> 00:51:36,960
Speaker 3: so once you get that understanding, you can pretty much

1034
00:51:37,400 --> 00:51:40,800
Speaker 3: be what you want to be because nobody is anything

1035
00:51:40,840 --> 00:51:41,320
Speaker 3: at birth.

1036
00:51:42,200 --> 00:51:44,040
Speaker 1: We all started off fans.

1037
00:51:44,080 --> 00:51:46,600
Speaker 3: I started off listening to Melly melling them, I'm like, yo,

1038
00:51:46,920 --> 00:51:48,720
Speaker 3: I do of how they rhyme those words together.

1039
00:51:48,760 --> 00:51:51,000
Speaker 1: And I try to practice. You start off you whack.

1040
00:51:52,880 --> 00:51:54,640
Speaker 2: I'm gonna start somewhere and then you get.

1041
00:51:54,520 --> 00:51:59,600
Speaker 1: Better, you get better. I want to play play you.

1042
00:51:59,600 --> 00:52:01,080
Speaker 1: You got the clip? Yeah?

1043
00:52:01,480 --> 00:52:08,759
Speaker 3: Oh ship, yeah, but you got some fat baby, mamabaut I,

1044
00:52:10,360 --> 00:52:14,840
Speaker 3: what kind of side track is play the clip?

1045
00:52:16,000 --> 00:52:16,320
Speaker 1: Clip?

1046
00:52:16,320 --> 00:52:17,760
Speaker 2: I thought we was homies.

1047
00:52:21,280 --> 00:52:28,759
Speaker 1: From what you said, squeeze, yeah respectfully. Yeah, yeah, it

1048
00:52:28,800 --> 00:52:29,400
Speaker 1: was respectively.

1049
00:52:29,440 --> 00:52:30,799
Speaker 2: It was a Halloween far true.

1050
00:52:31,120 --> 00:52:35,000
Speaker 1: It was a crazy story. I lovely walked into my god.

1051
00:52:36,200 --> 00:52:37,879
Speaker 1: I walked up to him and I said, it's like

1052
00:52:38,000 --> 00:52:40,440
Speaker 1: she had on like Kim right.

1053
00:52:41,080 --> 00:52:42,960
Speaker 6: So I walked into him. I was like, bro, all

1054
00:52:43,040 --> 00:52:48,640
Speaker 6: the expect I wanted last really long, you know what,

1055
00:52:51,880 --> 00:52:52,960
Speaker 6: call over and.

1056
00:52:53,000 --> 00:52:55,120
Speaker 1: He brushed his up in her ear and she looked

1057
00:52:55,120 --> 00:52:55,520
Speaker 1: at him.

1058
00:52:55,480 --> 00:52:57,279
Speaker 6: Smile and it looked at me his smile and turned

1059
00:52:57,320 --> 00:52:59,440
Speaker 6: around and been the thing over when I grabbed as

1060
00:52:59,480 --> 00:53:00,120
Speaker 6: much about.

1061
00:53:21,200 --> 00:53:22,920
Speaker 1: Free sure you.

1062
00:53:22,880 --> 00:53:26,520
Speaker 3: Want it went the backstory? Yeah it was Halloween. Did

1063
00:53:26,560 --> 00:53:27,120
Speaker 3: he say that?

1064
00:53:27,280 --> 00:53:29,799
Speaker 1: Yeah, he said that. I think Halloween party. Said it

1065
00:53:29,840 --> 00:53:32,320
Speaker 1: was a Halloween party. And I've been knowing Neo.

1066
00:53:32,600 --> 00:53:35,600
Speaker 3: I like Neo, you know, I've seen him when he

1067
00:53:35,640 --> 00:53:40,680
Speaker 3: first started, and I've always been a fan. And also

1068
00:53:40,840 --> 00:53:43,319
Speaker 3: I was inspired by a young kid making this move.

1069
00:53:43,400 --> 00:53:45,759
Speaker 3: So Neo me had a cool relationship. So we had

1070
00:53:45,800 --> 00:53:49,279
Speaker 3: the party and stuff, and it's uh Halloween, So all

1071
00:53:49,280 --> 00:53:49,960
Speaker 3: the girls.

1072
00:53:49,719 --> 00:53:55,320
Speaker 1: Are extra hoish, right, extra hoish.

1073
00:53:55,360 --> 00:53:58,760
Speaker 3: So Coco had on some some some like booty shorts

1074
00:53:58,800 --> 00:54:01,920
Speaker 3: with the fish thats and ship and so he's in

1075
00:54:01,960 --> 00:54:02,960
Speaker 3: the booth with us.

1076
00:54:03,120 --> 00:54:04,200
Speaker 1: He didn't just walk up.

1077
00:54:04,239 --> 00:54:07,480
Speaker 3: He was hanging and stuff and Toko and then Rihanna

1078
00:54:07,640 --> 00:54:08,160
Speaker 3: was there too.

1079
00:54:09,360 --> 00:54:10,480
Speaker 1: Coco them was dancing.

1080
00:54:14,000 --> 00:54:17,160
Speaker 3: Coco Them's dancing, and I know that Nigga was just

1081
00:54:17,239 --> 00:54:18,560
Speaker 3: like gazing like yo.

1082
00:54:20,160 --> 00:54:21,880
Speaker 1: I mean, there was a lot of ass in the air,

1083
00:54:22,040 --> 00:54:24,600
Speaker 1: like it was. It was happening.

1084
00:54:24,680 --> 00:54:25,680
Speaker 2: So then he was like.

1085
00:54:25,680 --> 00:54:26,839
Speaker 1: He did to play a ship.

1086
00:54:26,960 --> 00:54:29,520
Speaker 3: He said, ice man, I always wanted to touch Coco's

1087
00:54:30,080 --> 00:54:31,120
Speaker 3: see you change the word he said.

1088
00:54:31,160 --> 00:54:34,400
Speaker 1: He didn't say grab her ass. That's someone touched Coco's booty.

1089
00:54:34,600 --> 00:54:35,399
Speaker 1: Could I do that?

1090
00:54:35,760 --> 00:54:36,040
Speaker 2: Now?

1091
00:54:36,800 --> 00:54:38,560
Speaker 1: I was like, that was kind of.

1092
00:54:38,520 --> 00:54:40,880
Speaker 3: Player that he asked, you know, that kind of player

1093
00:54:40,920 --> 00:54:43,520
Speaker 3: that he had. He didn't ask the fingerbanger. He didn't

1094
00:54:43,560 --> 00:54:46,759
Speaker 3: have the fucker. He didn't have to sucker titty. He

1095
00:54:46,840 --> 00:54:50,520
Speaker 3: had to touch her butt, right. So I'm like, you

1096
00:54:50,560 --> 00:54:53,080
Speaker 3: know what, player, I could.

1097
00:54:52,840 --> 00:54:53,680
Speaker 2: Make that happen.

1098
00:54:55,920 --> 00:54:58,280
Speaker 3: I could make that happen. So I said, Coco, Nea

1099
00:54:58,320 --> 00:55:00,760
Speaker 3: want to touch a booty, let me touch your booty.

1100
00:55:00,840 --> 00:55:03,799
Speaker 3: She's like, okay, you know she's following instructures, you know,

1101
00:55:03,840 --> 00:55:07,440
Speaker 3: I say wow, So she bends over. Great, he touches

1102
00:55:07,480 --> 00:55:09,560
Speaker 3: the butt like that I'm like, it's like make a

1103
00:55:09,600 --> 00:55:17,439
Speaker 3: wish kid, you know now, Now, the fact the fact

1104
00:55:17,520 --> 00:55:20,239
Speaker 3: that Neo felt it was appropriate to bring this up

1105
00:55:20,280 --> 00:55:23,440
Speaker 3: in a Drink Chance interview, that was something maybe he

1106
00:55:23,440 --> 00:55:25,960
Speaker 3: should have kept to himself, you know. But I'm not

1107
00:55:26,080 --> 00:55:28,120
Speaker 3: mad at him because that means me. No, that was

1108
00:55:28,160 --> 00:55:30,399
Speaker 3: a moment in his life. You know, that was the moment,

1109
00:55:30,800 --> 00:55:33,000
Speaker 3: the moment in his life. It was a great moment,

1110
00:55:33,160 --> 00:55:35,080
Speaker 3: you know what I'm saying. Now, Then everybody watching, don't

1111
00:55:35,200 --> 00:55:39,000
Speaker 3: see me out with coke and ask for butt. Get

1112
00:55:39,040 --> 00:55:43,120
Speaker 3: to Neo's level first, you know, celebrity button.

1113
00:55:44,880 --> 00:55:46,000
Speaker 2: No, it was.

1114
00:55:46,040 --> 00:55:46,279
Speaker 1: It was.

1115
00:55:46,480 --> 00:55:48,200
Speaker 3: It was some players and we was in a player

1116
00:55:48,280 --> 00:55:49,280
Speaker 3: mold that night.

1117
00:55:49,360 --> 00:55:52,439
Speaker 1: You know, everybody. It was flying sometimes it's fly like that.

1118
00:55:52,480 --> 00:55:55,319
Speaker 1: So what did you dress up? Ass? I don't know

1119
00:55:55,360 --> 00:55:57,239
Speaker 1: what I was. I think we was on some S

1120
00:55:57,320 --> 00:55:58,279
Speaker 1: and M ship that okay.

1121
00:55:58,880 --> 00:56:01,680
Speaker 3: I had on some leather ill vests, probably a ball

1122
00:56:01,760 --> 00:56:05,120
Speaker 3: gag on some old tech it and ship.

1123
00:56:05,560 --> 00:56:06,960
Speaker 1: We love We love Halloween.

1124
00:56:07,960 --> 00:56:10,160
Speaker 3: Women love Halloween because it's a night they can be

1125
00:56:10,239 --> 00:56:13,520
Speaker 3: freely hoish, you know everything, or you want to be

1126
00:56:13,520 --> 00:56:15,600
Speaker 3: a school teacher, sexy school teacher.

1127
00:56:15,719 --> 00:56:16,480
Speaker 2: You know whatever it is.

1128
00:56:16,600 --> 00:56:20,479
Speaker 3: Doctor, Yeah, that's a chance, and nobody can say nothing

1129
00:56:20,480 --> 00:56:23,799
Speaker 3: about it. That's say night. They just get it. They

1130
00:56:23,840 --> 00:56:26,920
Speaker 3: let it out. It's okay, and players dig it. Guys

1131
00:56:26,920 --> 00:56:28,719
Speaker 3: are like, that's cool. You know, I never had a

1132
00:56:28,760 --> 00:56:31,160
Speaker 3: problem with my girl being sexy. I'm like, you don't

1133
00:56:31,239 --> 00:56:32,880
Speaker 3: drive a Ferrari with the cover on it.

1134
00:56:33,000 --> 00:56:36,160
Speaker 1: You didn't, but some people do.

1135
00:56:36,280 --> 00:56:39,640
Speaker 3: That's cool, you know what I'm saying, Hey, wrap them up,

1136
00:56:39,760 --> 00:56:40,359
Speaker 3: that's your thing.

1137
00:56:42,840 --> 00:56:47,239
Speaker 5: But but you know, like like is there does your

1138
00:56:47,280 --> 00:56:49,560
Speaker 5: wife have stalkers or has he ever had a stalker?

1139
00:56:50,040 --> 00:56:51,440
Speaker 1: Now, my daughter had a stalker?

1140
00:56:51,680 --> 00:56:52,280
Speaker 2: Your daughter?

1141
00:56:52,840 --> 00:56:55,359
Speaker 1: Yeah, my daughter, not my little daughter, my older daughter.

1142
00:56:57,280 --> 00:56:57,880
Speaker 1: How did that go?

1143
00:57:01,040 --> 00:57:02,920
Speaker 3: Well, let's go back to Coca. We had a couples

1144
00:57:03,320 --> 00:57:04,399
Speaker 3: one situation we had.

1145
00:57:04,440 --> 00:57:04,879
Speaker 1: We had a.

1146
00:57:07,000 --> 00:57:09,520
Speaker 3: We were we had an apartment and we move and so

1147
00:57:09,560 --> 00:57:13,280
Speaker 3: we go to the apartment and it's a car following us,

1148
00:57:13,719 --> 00:57:16,200
Speaker 3: and so we stop at Target and stuff. Yeah, we

1149
00:57:16,280 --> 00:57:21,040
Speaker 3: still shop at Target. We keep we at Target. T

1150
00:57:22,000 --> 00:57:25,600
Speaker 3: motherfuckers think that some point humans leave the planet, Like

1151
00:57:25,640 --> 00:57:26,000
Speaker 3: we don't.

1152
00:57:26,400 --> 00:57:28,600
Speaker 1: We don't eat a taco bell or we don't.

1153
00:57:28,680 --> 00:57:31,200
Speaker 2: Like, motherfucker, he goes to Target, Like, what your fuck?

1154
00:57:31,240 --> 00:57:36,000
Speaker 3: If you need Target ship, where do you go and

1155
00:57:36,120 --> 00:57:37,600
Speaker 3: you need Target type ship.

1156
00:57:37,720 --> 00:57:40,480
Speaker 1: They don't what time. Somebody said, Yo, you eat it, Denny's,

1157
00:57:40,520 --> 00:57:42,320
Speaker 1: you eat it. I hop them like, is there a

1158
00:57:42,320 --> 00:57:46,760
Speaker 1: Gucci egg? I said, some eggs someplace. I don't know

1159
00:57:46,800 --> 00:57:48,680
Speaker 1: what the fuck I'm going to do for breakfast.

1160
00:57:48,880 --> 00:57:50,040
Speaker 2: Egg is a fucking egg.

1161
00:57:50,360 --> 00:57:55,320
Speaker 3: So anyway, we are, we at Target and she says

1162
00:57:55,400 --> 00:57:59,040
Speaker 3: she sees the motherfuckers in the store, right, and so

1163
00:57:59,080 --> 00:58:01,800
Speaker 3: I'm like where when we come out? She says, and

1164
00:58:02,440 --> 00:58:06,440
Speaker 3: I escalade. So I'm like, all, ain't cool. So we

1165
00:58:06,800 --> 00:58:08,840
Speaker 3: go and she had to go to this nail spot, right.

1166
00:58:08,920 --> 00:58:12,800
Speaker 3: So we pull up and they pull out right. So

1167
00:58:12,880 --> 00:58:15,080
Speaker 3: I'm like, okay, we're finsa do this now. At this time,

1168
00:58:15,120 --> 00:58:18,560
Speaker 3: I'm not armed, but they don't know that, right, So

1169
00:58:18,600 --> 00:58:22,800
Speaker 3: I walk over to him. I'm like, what's happening. They're like, oh, man,

1170
00:58:22,800 --> 00:58:25,320
Speaker 3: we just pop araxis. I'm like, yeah, nigga, fall back.

1171
00:58:25,600 --> 00:58:29,160
Speaker 3: I said, stop following me, following me, man, stop playing?

1172
00:58:29,520 --> 00:58:30,240
Speaker 2: No, no, we could.

1173
00:58:30,280 --> 00:58:31,680
Speaker 1: They thought I had the hammer. I was like this,

1174
00:58:31,760 --> 00:58:32,040
Speaker 1: I didn't.

1175
00:58:32,440 --> 00:58:41,040
Speaker 2: You got you run, you know?

1176
00:58:39,840 --> 00:58:44,720
Speaker 3: So they fell back. But that was this one situation.

1177
00:58:45,400 --> 00:58:49,720
Speaker 3: My daughter, she lives in Atlanta, and uh, you know,

1178
00:58:49,840 --> 00:58:52,560
Speaker 3: my daughter's grown. So she calls me and she said, Daddy,

1179
00:58:52,600 --> 00:58:55,840
Speaker 3: this dude is following me and ship like that. So

1180
00:58:55,880 --> 00:58:57,880
Speaker 3: I said, okay, this is what you do. I know,

1181
00:58:57,960 --> 00:59:00,440
Speaker 3: you know niggas down there. Talk to some of your

1182
00:59:00,640 --> 00:59:04,600
Speaker 3: goons and tell them, say your father would like them

1183
00:59:04,640 --> 00:59:07,160
Speaker 3: to help you, right, because they all got.

1184
00:59:07,000 --> 00:59:07,600
Speaker 2: In love for me.

1185
00:59:07,880 --> 00:59:08,840
Speaker 1: They know who she is.

1186
00:59:09,160 --> 00:59:10,960
Speaker 3: So I said, get a couple of them, tell them

1187
00:59:10,960 --> 00:59:14,280
Speaker 3: to come to the house and just lay in the cut, right,

1188
00:59:14,320 --> 00:59:16,439
Speaker 3: So they want to do a favor for ic because

1189
00:59:16,480 --> 00:59:17,520
Speaker 3: that could pay back off.

1190
00:59:17,760 --> 00:59:19,960
Speaker 1: So did she get a couple of dudes.

1191
00:59:20,160 --> 00:59:22,200
Speaker 3: And sure enough, the dude pull up in the parking

1192
00:59:22,240 --> 00:59:25,120
Speaker 3: lot and she told them and they walked over to him.

1193
00:59:25,160 --> 00:59:28,200
Speaker 3: Just let him understand this is not a good career decision.

1194
00:59:30,440 --> 00:59:33,360
Speaker 3: Fall back. She got cousins, brothers and people that love

1195
00:59:33,400 --> 00:59:36,960
Speaker 3: her and we don't love you, so pull out. And

1196
00:59:37,000 --> 00:59:39,040
Speaker 3: that was the last she saw the dude. But she

1197
00:59:39,120 --> 00:59:42,880
Speaker 3: didn't really know how to activate homies. I said, activate them,

1198
00:59:42,920 --> 00:59:44,080
Speaker 3: so I told her, I said, when I go there

1199
00:59:44,080 --> 00:59:45,360
Speaker 3: atlant I want to meet those guys.

1200
00:59:46,240 --> 00:59:46,720
Speaker 1: So that's it.

1201
00:59:46,800 --> 00:59:52,880
Speaker 3: But no, no stalkers, you know, I mean, anybody could

1202
00:59:52,920 --> 00:59:54,960
Speaker 3: have a stalker, you know, we don't have any problems,

1203
00:59:55,000 --> 00:59:58,880
Speaker 3: like I get I think just knowing who I am

1204
00:59:58,920 --> 01:00:00,840
Speaker 3: and people like that, they kind of keep date this

1205
01:00:01,040 --> 01:00:02,040
Speaker 3: and and shit, she.

1206
01:00:01,960 --> 01:00:04,840
Speaker 1: Don't got only fans or nothing like that to do.

1207
01:00:05,360 --> 01:00:10,960
Speaker 3: Okay, yeah, she start only fans, but see Coco does

1208
01:00:11,000 --> 01:00:14,200
Speaker 3: Playboy level. See only fans. Hustle is DP. You could

1209
01:00:14,280 --> 01:00:17,560
Speaker 3: do anything on you. You can show your fee, you

1210
01:00:17,560 --> 01:00:20,520
Speaker 3: can cook dinner on the motherfuckers. So she had girlfriend

1211
01:00:20,520 --> 01:00:22,600
Speaker 3: that had one, So Coco's like, yo, what do you

1212
01:00:22,640 --> 01:00:23,080
Speaker 3: do on it?

1213
01:00:23,240 --> 01:00:23,520
Speaker 1: Coco?

1214
01:00:23,680 --> 01:00:27,000
Speaker 3: Coco's always done playboy level shit, swimsuit shit, that's her.

1215
01:00:27,240 --> 01:00:28,600
Speaker 3: You know, if you want to be on only fans,

1216
01:00:28,640 --> 01:00:30,840
Speaker 3: stick a refrigerator in your pussy, you could do that too.

1217
01:00:31,000 --> 01:00:33,600
Speaker 1: Jesus, you know what, you can do anything.

1218
01:00:33,840 --> 01:00:36,720
Speaker 3: But what you do, you can you put a page up,

1219
01:00:36,800 --> 01:00:38,000
Speaker 3: say this is not a poor in site.

1220
01:00:39,000 --> 01:00:39,800
Speaker 1: Blow blow.

1221
01:00:39,920 --> 01:00:42,000
Speaker 3: Yeah, And she made quite a bit of money. She

1222
01:00:42,040 --> 01:00:45,320
Speaker 3: makes quite a bit of money on that motherfucker. I

1223
01:00:45,400 --> 01:00:48,120
Speaker 3: understand why chicks don't want to work once they go on.

1224
01:00:48,880 --> 01:00:50,680
Speaker 3: They just like, why would I work when I could

1225
01:00:50,680 --> 01:00:53,960
Speaker 3: make sixty thousand whatever at least a lot.

1226
01:00:53,840 --> 01:00:55,240
Speaker 1: Because the subscriptions.

1227
01:00:55,400 --> 01:00:57,720
Speaker 3: But the thing of it is, it's like the chick

1228
01:00:57,800 --> 01:01:02,040
Speaker 3: has to set their limits. Like Zelia's on there, but

1229
01:01:02,120 --> 01:01:04,400
Speaker 3: she just just swim suit ship but she made like

1230
01:01:04,480 --> 01:01:08,560
Speaker 3: six her so you know you could be on that.

1231
01:01:08,640 --> 01:01:12,640
Speaker 3: But I mean, it's honestly, it makes more sense than Instagram.

1232
01:01:12,840 --> 01:01:16,480
Speaker 3: But you know what I'm saying, getting paid, You get paid,

1233
01:01:16,600 --> 01:01:19,120
Speaker 3: you got you have subscribers, and then you have paid

1234
01:01:19,120 --> 01:01:20,880
Speaker 3: and then you also put up stuff and you make

1235
01:01:20,920 --> 01:01:23,400
Speaker 3: them pay. But you know, it is what it is.

1236
01:01:25,560 --> 01:01:28,600
Speaker 3: Maybe this will help her get some more money. People say, well,

1237
01:01:28,640 --> 01:01:30,160
Speaker 3: you don't need the money. I say, when do will

1238
01:01:30,200 --> 01:01:35,440
Speaker 3: you not need? When do you not need the money?

1239
01:01:35,520 --> 01:01:37,840
Speaker 3: Like you know, it's it's a hustle man. Me and

1240
01:01:37,880 --> 01:01:40,840
Speaker 3: my wife are hustlers, right these flowers?

1241
01:01:40,840 --> 01:01:43,800
Speaker 5: Man, You listen to Ice our shows about giving people

1242
01:01:44,120 --> 01:01:47,560
Speaker 5: they flowers while they hear you know, so many people.

1243
01:01:47,440 --> 01:01:49,240
Speaker 1: Say that after ten years you washed up. We do

1244
01:01:49,440 --> 01:01:52,360
Speaker 1: not say that. We say that season we want to get.

1245
01:01:55,360 --> 01:02:00,720
Speaker 2: You drink alumna.

1246
01:02:00,960 --> 01:02:03,080
Speaker 3: Yeah, man, I mean, I mean, at the end of

1247
01:02:03,160 --> 01:02:06,480
Speaker 3: the day, I think one thing about Ice Tea, and

1248
01:02:06,520 --> 01:02:09,160
Speaker 3: I think what people will figure out about me is

1249
01:02:09,160 --> 01:02:10,240
Speaker 3: that Ice is gonna.

1250
01:02:10,000 --> 01:02:12,800
Speaker 1: Do what the fuck he wants to do.

1251
01:02:12,000 --> 01:02:15,120
Speaker 3: You know, And I understood me put it up here

1252
01:02:15,160 --> 01:02:16,320
Speaker 3: where they can a camera can see.

1253
01:02:16,320 --> 01:02:18,160
Speaker 1: I want the camera to see. This is a real

1254
01:02:18,240 --> 01:02:19,160
Speaker 1: player ass shit.

1255
01:02:19,400 --> 01:02:22,160
Speaker 5: Yes, Stup said it's better than the GRAMM because it

1256
01:02:22,200 --> 01:02:22,960
Speaker 5: comes for his people.

1257
01:02:23,200 --> 01:02:25,800
Speaker 1: You know what I'm saying, real talk. Goddamn it makes

1258
01:02:25,800 --> 01:02:30,240
Speaker 1: it look weed.

1259
01:02:30,320 --> 01:02:33,480
Speaker 2: This is good. But no man, you know brown weed too.

1260
01:02:33,520 --> 01:02:38,160
Speaker 2: By the way, we can't One thing we can't forget

1261
01:02:38,240 --> 01:02:41,960
Speaker 2: is that Yeat that you help pioneer the space that

1262
01:02:42,000 --> 01:02:43,160
Speaker 2: we're in now as well.

1263
01:02:43,360 --> 01:02:43,560
Speaker 1: Yeah.

1264
01:02:43,600 --> 01:02:46,480
Speaker 3: I had a podcast, my first podcast, to call the

1265
01:02:46,520 --> 01:02:51,760
Speaker 3: Final Level Podcasts, and me and Mickey did it. Yeah,

1266
01:02:51,840 --> 01:02:56,760
Speaker 3: Mickey Benzon. I did fifty five episodes. They're available on someplace,

1267
01:02:56,880 --> 01:03:01,800
Speaker 3: some platform. But it wasn't my time. I couldn't do it.

1268
01:03:02,160 --> 01:03:05,120
Speaker 3: So I started doing it at my house. Right, so

1269
01:03:05,160 --> 01:03:07,120
Speaker 3: I do one person, but then if you're at my house,

1270
01:03:07,160 --> 01:03:09,200
Speaker 3: you stay all day, so it would take off of

1271
01:03:09,280 --> 01:03:10,720
Speaker 3: the day and I would do it on Saturday. So

1272
01:03:10,800 --> 01:03:12,240
Speaker 3: that burnt me out. Then I tried to do two

1273
01:03:12,280 --> 01:03:15,720
Speaker 3: a month, same thing, bust. It came over. Ray Kwan

1274
01:03:15,880 --> 01:03:18,400
Speaker 3: came over all that. Then I was like, I can't

1275
01:03:18,400 --> 01:03:20,040
Speaker 3: do it in my house no more because it was

1276
01:03:20,120 --> 01:03:22,720
Speaker 3: just the homies come over. The crib and they just

1277
01:03:22,840 --> 01:03:26,200
Speaker 3: lounge out, they like after the podcast on TV turned

1278
01:03:26,240 --> 01:03:26,800
Speaker 3: on the game.

1279
01:03:27,040 --> 01:03:28,560
Speaker 1: I was like, yo, this is crazy.

1280
01:03:28,640 --> 01:03:31,320
Speaker 3: So then I tried to do them on Monday nights

1281
01:03:32,160 --> 01:03:35,280
Speaker 3: after Law and Order, but we were in the same

1282
01:03:35,640 --> 01:03:40,400
Speaker 3: studio tax and Taxon when it was we're up there speaker. Yeah,

1283
01:03:40,640 --> 01:03:45,440
Speaker 3: and it was cool, but I'm a no disrespect, but

1284
01:03:45,520 --> 01:03:47,600
Speaker 3: I kind of interviewed everybody I wanted to talk to.

1285
01:03:47,920 --> 01:03:50,560
Speaker 3: After about fifty people, I'm like, I really don't really

1286
01:03:50,600 --> 01:03:54,960
Speaker 3: want to talk to people now. Now they want content,

1287
01:03:55,040 --> 01:03:57,680
Speaker 3: and I'm like, well they're getting these people. I'm like,

1288
01:03:57,760 --> 01:03:59,960
Speaker 3: I'm not even interested in them, Like, I don't get

1289
01:04:00,080 --> 01:04:02,800
Speaker 3: a fuck. So I did all my homies. I didn't

1290
01:04:02,800 --> 01:04:05,120
Speaker 3: do no worry, but I did all the homies. And

1291
01:04:05,160 --> 01:04:08,720
Speaker 3: then at that time, you know, podcasts you make money

1292
01:04:09,880 --> 01:04:13,120
Speaker 3: based on how many views and you have ads.

1293
01:04:13,160 --> 01:04:16,080
Speaker 1: You know, it wasn't really lucrative enough.

1294
01:04:16,120 --> 01:04:18,440
Speaker 3: I was giving all the money to Mick and I

1295
01:04:18,520 --> 01:04:20,240
Speaker 3: just said, man, I got to pull the plug on this.

1296
01:04:20,400 --> 01:04:23,760
Speaker 3: My I can't. It wasn't it needs to be a

1297
01:04:23,760 --> 01:04:27,440
Speaker 3: full time gig. So you know, but I understand I

1298
01:04:27,480 --> 01:04:29,880
Speaker 3: know what this is. It's cool and it's fun, but

1299
01:04:29,960 --> 01:04:34,880
Speaker 3: I mean, fortunately, you guys have created a space where

1300
01:04:34,920 --> 01:04:37,840
Speaker 3: someone can come and talk comfortably and it's not with

1301
01:04:37,960 --> 01:04:38,560
Speaker 3: the bullshit.

1302
01:04:39,360 --> 01:04:44,000
Speaker 1: What made you even start a podcast? Like because you know.

1303
01:04:44,360 --> 01:04:46,280
Speaker 2: You were doing on internet you were doing on internet radio.

1304
01:04:46,320 --> 01:04:48,240
Speaker 1: First, let me just tell you how we said.

1305
01:04:48,520 --> 01:04:50,800
Speaker 5: They said we say that wan app was the first

1306
01:04:50,880 --> 01:04:54,160
Speaker 5: hip hop podcast, but I see was the first artist

1307
01:04:54,360 --> 01:04:55,280
Speaker 5: based podcast.

1308
01:04:55,760 --> 01:04:57,640
Speaker 1: So you like the cool work of this shit because

1309
01:04:57,640 --> 01:04:58,680
Speaker 1: in case you don't know, a.

1310
01:04:58,680 --> 01:05:00,360
Speaker 3: Lot of people don't know, but they say those who

1311
01:05:00,400 --> 01:05:03,080
Speaker 3: say don't knowing, those who know don't say, so I

1312
01:05:03,600 --> 01:05:07,120
Speaker 3: I I'm gonna.

1313
01:05:06,880 --> 01:05:08,280
Speaker 1: Tell you this, Noori, and this is the.

1314
01:05:09,760 --> 01:05:14,280
Speaker 3: I really didn't even like asking people questions, you get

1315
01:05:15,600 --> 01:05:17,520
Speaker 3: I found out at the end of it. I much

1316
01:05:17,560 --> 01:05:19,800
Speaker 3: preferred for you to ask me questions. Then to me,

1317
01:05:20,120 --> 01:05:23,720
Speaker 3: I just felt like I just didn't like it. After

1318
01:05:23,760 --> 01:05:26,720
Speaker 3: a while, you know, it's not my thing. You gotta

1319
01:05:26,720 --> 01:05:29,160
Speaker 3: find your thing. You gotta find your thing, and just

1320
01:05:29,200 --> 01:05:31,560
Speaker 3: prying in the motherfucker's lives was not my thing.

1321
01:05:31,680 --> 01:05:36,520
Speaker 1: I was like, man, I'm cool. Plus, you're making too

1322
01:05:36,600 --> 01:05:37,920
Speaker 1: much law and order money that was.

1323
01:05:37,880 --> 01:05:44,439
Speaker 3: Making well that that too. That That's when I'm saying

1324
01:05:44,440 --> 01:05:46,680
Speaker 3: it wasn't lucrative enough, like you're saying, I'm making a

1325
01:05:46,680 --> 01:05:48,320
Speaker 3: lot of money over the week. Then I come up

1326
01:05:48,360 --> 01:05:50,680
Speaker 3: here and I do this and it was time and

1327
01:05:50,720 --> 01:05:55,440
Speaker 3: then I have a baby daughter. This wasn't paying off.

1328
01:05:55,920 --> 01:05:58,840
Speaker 3: So I just like, now, I mean, now, if I

1329
01:05:58,880 --> 01:06:00,959
Speaker 3: was doing it, you guys are take it to another level.

1330
01:06:01,000 --> 01:06:03,240
Speaker 3: But at the time, it wasn't making that much money.

1331
01:06:03,760 --> 01:06:05,680
Speaker 2: So we thank you anyways, because you did.

1332
01:06:08,840 --> 01:06:13,120
Speaker 1: Rosenberg m Crawg so you could walk, so me and

1333
01:06:13,160 --> 01:06:17,480
Speaker 1: I Vin could fly. I was happy.

1334
01:06:17,720 --> 01:06:19,960
Speaker 3: I was happy when I when I saw you doing it,

1335
01:06:20,000 --> 01:06:23,000
Speaker 3: because I'm like, this is a good thing. Always felt

1336
01:06:23,040 --> 01:06:27,560
Speaker 3: that our culture should be reported on by our own culture.

1337
01:06:28,600 --> 01:06:32,320
Speaker 3: You know, I think one of the key parts of

1338
01:06:32,440 --> 01:06:36,560
Speaker 3: the death of hip hop was the source magazine going left.

1339
01:06:37,600 --> 01:06:39,720
Speaker 3: And you know, at one moment, all of a sudden

1340
01:06:39,760 --> 01:06:44,360
Speaker 3: public enemy wasn't hip Hey, our rest wasn't you and Benzino.

1341
01:06:44,400 --> 01:06:48,640
Speaker 5: The first time we interviewed you, you and Bizino had

1342
01:06:48,720 --> 01:06:52,360
Speaker 5: just seen each other, right, Beef TV, let me tell

1343
01:06:52,360 --> 01:06:56,200
Speaker 5: you take a yeah, tell us about that because I

1344
01:06:56,240 --> 01:06:57,840
Speaker 5: mean our fans from back.

1345
01:06:57,680 --> 01:06:59,520
Speaker 1: Then though, but he's a new fan.

1346
01:06:59,640 --> 01:07:07,400
Speaker 3: Be have beef TV. Okay, this is what happened I'll

1347
01:07:07,400 --> 01:07:12,040
Speaker 3: tell the true story. What happened was when I got

1348
01:07:12,080 --> 01:07:15,440
Speaker 3: in trouble at Warner Brothers and cop Killer hit the

1349
01:07:15,480 --> 01:07:20,919
Speaker 3: fan and they got rid of shit. Benzino Rso got

1350
01:07:20,960 --> 01:07:23,800
Speaker 3: caught in that shit. They got caught in that tail

1351
01:07:23,880 --> 01:07:30,200
Speaker 3: spin of they dropping gangster rap. Now body counts metal,

1352
01:07:31,280 --> 01:07:37,360
Speaker 3: but it also affected death Row or whatever aftermath when

1353
01:07:37,360 --> 01:07:39,120
Speaker 3: they remember they were getting ready to do a deal

1354
01:07:39,160 --> 01:07:41,919
Speaker 3: and then it fell back through because they pulled out,

1355
01:07:41,960 --> 01:07:42,840
Speaker 3: Warner pulled out.

1356
01:07:42,920 --> 01:07:45,960
Speaker 1: Something happened. Just not see the Lower's Tucker time, right, No, no, no,

1357
01:07:46,000 --> 01:07:47,440
Speaker 1: it was after see the Lord's Tucker.

1358
01:07:47,480 --> 01:07:52,440
Speaker 3: But my shit created a like a wave that fucked

1359
01:07:52,440 --> 01:07:55,800
Speaker 3: with a lot of people. So Benzino being Benzino in

1360
01:07:55,840 --> 01:07:59,080
Speaker 3: them when in some fuck ice t shit like like

1361
01:07:59,200 --> 01:08:03,840
Speaker 3: I folded it. I folded to Warner Brothers. I don't

1362
01:08:03,840 --> 01:08:06,320
Speaker 3: even really know you, Benzino, I'm not even I don't

1363
01:08:06,400 --> 01:08:08,400
Speaker 3: I have nothing to do with you. I didn't tell

1364
01:08:08,440 --> 01:08:11,800
Speaker 3: them if I get rid of them, I'm I did

1365
01:08:11,960 --> 01:08:12,360
Speaker 3: my shit.

1366
01:08:12,480 --> 01:08:15,640
Speaker 1: I'm doing my shit. He went on. One.

1367
01:08:16,000 --> 01:08:19,840
Speaker 3: Of course, everybody hears anybody you got niggas.

1368
01:08:19,560 --> 01:08:21,839
Speaker 1: Yo, When who are these niggas? They talking crazy?

1369
01:08:23,040 --> 01:08:25,360
Speaker 3: So I'm like I don't know where they're from Boston,

1370
01:08:26,520 --> 01:08:29,160
Speaker 3: so I don't know who they are. But whatever, right,

1371
01:08:29,200 --> 01:08:34,040
Speaker 3: we la right, So Benzino comes to La, So I'm

1372
01:08:34,160 --> 01:08:37,520
Speaker 3: d right, I'm at one of they situations.

1373
01:08:37,880 --> 01:08:41,360
Speaker 1: I can leave the house is a source situation you're saying, I.

1374
01:08:41,360 --> 01:08:42,000
Speaker 2: Don't know it was.

1375
01:08:44,080 --> 01:08:49,679
Speaker 3: An event, norie. I can leave the house by myself.

1376
01:08:49,760 --> 01:08:52,320
Speaker 3: By the time I get to event, it's thirty niggas.

1377
01:08:53,000 --> 01:08:54,519
Speaker 1: Yo, we would all yo, we would.

1378
01:08:56,400 --> 01:08:58,840
Speaker 3: Right, because everybody wants to not only get in the event,

1379
01:08:58,920 --> 01:09:00,600
Speaker 3: they know if they with me, they coming in. So

1380
01:09:00,680 --> 01:09:05,000
Speaker 3: we deep, Yo, that's them niggas over there. Ice who

1381
01:09:05,720 --> 01:09:11,559
Speaker 3: ben Zeno what? Go holler at him? And he I

1382
01:09:11,600 --> 01:09:13,680
Speaker 3: walked over to him and he saw them people that

1383
01:09:13,760 --> 01:09:18,559
Speaker 3: nigga was like, yo, man, man, it's my bad. And

1384
01:09:18,600 --> 01:09:20,720
Speaker 3: we shook hands and that was it. But I think,

1385
01:09:20,800 --> 01:09:21,800
Speaker 3: what did he tell you?

1386
01:09:21,840 --> 01:09:22,080
Speaker 2: Same?

1387
01:09:22,120 --> 01:09:25,320
Speaker 1: Sorry? Oh, remember y'all was together the last time we

1388
01:09:25,360 --> 01:09:26,240
Speaker 1: recalled in New York.

1389
01:09:26,360 --> 01:09:30,000
Speaker 3: Yeah, but that was that was before the situation. There's

1390
01:09:30,000 --> 01:09:32,720
Speaker 3: a there was a situation where me and Benzino I

1391
01:09:32,760 --> 01:09:35,200
Speaker 3: had I kind of yeah, he's I've heard him say

1392
01:09:35,200 --> 01:09:36,200
Speaker 3: it on in an interview.

1393
01:09:36,240 --> 01:09:38,040
Speaker 1: He said I was seeing him kind of walked up

1394
01:09:38,080 --> 01:09:38,280
Speaker 1: on me.

1395
01:09:38,439 --> 01:09:40,439
Speaker 2: I think he did say it one time on here before.

1396
01:09:40,880 --> 01:09:43,640
Speaker 3: Yeah, we would see. But it wasn't an altercation. It

1397
01:09:43,720 --> 01:09:46,280
Speaker 3: was just like I want me myself. I like to

1398
01:09:46,320 --> 01:09:49,559
Speaker 3: clarify shit. If you say something about it, I don't

1399
01:09:49,600 --> 01:09:51,720
Speaker 3: take it. I'm gonna walk up to you, f and

1400
01:09:51,800 --> 01:09:53,280
Speaker 3: well what am I hearing?

1401
01:09:53,360 --> 01:09:56,080
Speaker 1: Is this true? No? Okay?

1402
01:09:56,200 --> 01:09:58,760
Speaker 3: Cool that you know even if you said it, if

1403
01:09:58,800 --> 01:10:02,360
Speaker 3: you're not mad enough to repeat, I take that, I'll say,

1404
01:10:02,400 --> 01:10:05,160
Speaker 3: all right, cool. But if it is, let's figure it out.

1405
01:10:05,280 --> 01:10:07,559
Speaker 3: And I'm I'm always a bigger man. What did I

1406
01:10:07,560 --> 01:10:07,960
Speaker 3: do to you?

1407
01:10:08,000 --> 01:10:08,120
Speaker 4: Well?

1408
01:10:08,240 --> 01:10:09,879
Speaker 1: What's the matter? What happened?

1409
01:10:09,960 --> 01:10:14,240
Speaker 3: You know, nobody wants conflict. My name's Ice. My name's

1410
01:10:14,240 --> 01:10:14,799
Speaker 3: not bullet.

1411
01:10:15,240 --> 01:10:15,639
Speaker 1: I mean.

1412
01:10:17,560 --> 01:10:20,320
Speaker 3: My name is Ice. I'm about smoothing things out. And

1413
01:10:20,360 --> 01:10:23,000
Speaker 3: I think my whole life has always been squashing beef.

1414
01:10:23,960 --> 01:10:29,000
Speaker 3: You know that's it. Anybody can start it. You know

1415
01:10:29,280 --> 01:10:31,320
Speaker 3: you got to have certain energy to stop it.

1416
01:10:32,960 --> 01:10:34,880
Speaker 2: Let's take it back though, Yes you want to.

1417
01:10:34,960 --> 01:10:35,240
Speaker 1: I want to.

1418
01:10:35,280 --> 01:10:38,000
Speaker 2: I want to go back a little bit. Okay, Uncle

1419
01:10:38,080 --> 01:10:41,959
Speaker 2: Jam's army. Okay, talk about that is? What is that collective?

1420
01:10:43,400 --> 01:10:46,120
Speaker 2: How could I com compare it to New York.

1421
01:10:47,479 --> 01:10:50,559
Speaker 3: Uncle Jam's Army was the first promotional company in La

1422
01:10:50,680 --> 01:10:55,360
Speaker 3: that did parties for kids sixteen to twenty. So there

1423
01:10:55,400 --> 01:10:58,320
Speaker 3: was a big market of people that couldn't get into clubs,

1424
01:10:58,800 --> 01:11:02,880
Speaker 3: so they would throw events at different halls with DJs.

1425
01:11:03,680 --> 01:11:05,519
Speaker 3: They at some point were able to do the La

1426
01:11:05,640 --> 01:11:07,600
Speaker 3: Sports Arena by themselves.

1427
01:11:08,479 --> 01:11:11,120
Speaker 1: Egyptian Lover was the DJ.

1428
01:11:11,720 --> 01:11:15,160
Speaker 3: Bobcat who worked with l cool J, Battle Cat who's

1429
01:11:15,160 --> 01:11:19,639
Speaker 3: still out with Snoop. Arabian Prince was part of Egypt's crew.

1430
01:11:21,439 --> 01:11:21,679
Speaker 1: Pool.

1431
01:11:22,320 --> 01:11:28,879
Speaker 3: All them work with Uncle Jam's Army and.

1432
01:11:27,240 --> 01:11:28,479
Speaker 1: That's what they was known for.

1433
01:11:28,760 --> 01:11:31,479
Speaker 3: They were the biggest promoters and they would do the

1434
01:11:31,600 --> 01:11:35,400
Speaker 3: La Sports Arena, no ass, just music.

1435
01:11:36,720 --> 01:11:38,599
Speaker 1: First raves like black raves.

1436
01:11:38,720 --> 01:11:41,320
Speaker 3: I'll never forget one night we were there and they

1437
01:11:41,360 --> 01:11:43,400
Speaker 3: had an eight away drum machine and no one had

1438
01:11:43,439 --> 01:11:46,719
Speaker 3: ever seen a drum machine, and they put the drum

1439
01:11:46,760 --> 01:11:49,040
Speaker 3: machine on and they were like Uncle Jim's Army is

1440
01:11:49,080 --> 01:11:52,280
Speaker 3: about to go live live. And they put the beat

1441
01:11:52,360 --> 01:11:54,920
Speaker 3: on and they held the records in the air and

1442
01:11:54,960 --> 01:11:58,080
Speaker 3: the audience was like, what where's that music coming from?

1443
01:11:58,320 --> 01:12:00,400
Speaker 3: And they held the drum machine up and that eight

1444
01:12:00,439 --> 01:12:02,640
Speaker 3: to eight has a light that shoots by it the

1445
01:12:02,640 --> 01:12:06,679
Speaker 3: crowd went crazy, just screaming over a drum machine.

1446
01:12:07,080 --> 01:12:07,800
Speaker 1: It's like yo.

1447
01:12:08,160 --> 01:12:09,559
Speaker 3: And they used to let me wrap. I was the

1448
01:12:09,560 --> 01:12:12,800
Speaker 3: only person they would let rap. And you know I

1449
01:12:12,880 --> 01:12:15,000
Speaker 3: was still up and come and learning how to wrap.

1450
01:12:15,040 --> 01:12:17,360
Speaker 2: And this is early LA scene. This is what is

1451
01:12:17,400 --> 01:12:19,800
Speaker 2: a world class Wrecond crew happening around this time.

1452
01:12:20,040 --> 01:12:23,519
Speaker 3: And that's before Recond, before that Wow for a recon crew.

1453
01:12:23,760 --> 01:12:27,000
Speaker 1: Dre and Them was wrecking crew. I've seen Dre and

1454
01:12:27,040 --> 01:12:28,400
Speaker 1: them and dudos.

1455
01:12:28,479 --> 01:12:31,479
Speaker 3: See Dre and Them is from Compton, right, LA cats

1456
01:12:31,520 --> 01:12:32,400
Speaker 3: don't go to Compton.

1457
01:12:33,320 --> 01:12:33,759
Speaker 1: Compton.

1458
01:12:34,080 --> 01:12:36,679
Speaker 3: Compton would be like in New York, like it would

1459
01:12:36,720 --> 01:12:39,519
Speaker 3: be East New York. Compton is far. It's like twenty

1460
01:12:39,560 --> 01:12:43,120
Speaker 3: miles out of LA south central where we're from. So

1461
01:12:44,080 --> 01:12:46,000
Speaker 3: you know, you can own a horse in Compton, you

1462
01:12:46,000 --> 01:12:48,679
Speaker 3: can ride, you can have donkeys and pigs and shit.

1463
01:12:50,479 --> 01:12:53,360
Speaker 3: Compton is like the country. But the threat of Compton

1464
01:12:53,439 --> 01:12:55,640
Speaker 3: niggas is they come to LA and get down and

1465
01:12:55,640 --> 01:12:57,519
Speaker 3: then go back and you never see them again in

1466
01:12:57,520 --> 01:13:00,320
Speaker 3: your life. So that's Compton. People in comp and don't

1467
01:13:00,360 --> 01:13:04,880
Speaker 3: usually come past Manchester. That's a whole nother thing. And

1468
01:13:04,880 --> 01:13:07,439
Speaker 3: then when NWA came out here, like oh, you're from Compton,

1469
01:13:07,479 --> 01:13:10,240
Speaker 3: I said, I'm from South Central, south Central where the

1470
01:13:10,320 --> 01:13:14,320
Speaker 3: Riots popped up. That's where I'm from. So Dre and

1471
01:13:14,360 --> 01:13:17,920
Speaker 3: them was playing in Dudos and we went Watch is

1472
01:13:17,960 --> 01:13:23,439
Speaker 3: another area, Watches, the area that's mostly projects. So if

1473
01:13:23,479 --> 01:13:27,600
Speaker 3: you talk Watch, you talking about PJ. Watts and Peerial Courts,

1474
01:13:27,960 --> 01:13:32,160
Speaker 3: Nickoson Gardens and Grape Street, Jordan Downs, those four big

1475
01:13:32,200 --> 01:13:35,759
Speaker 3: projects over there. So that's that was the first Riot,

1476
01:13:35,800 --> 01:13:38,200
Speaker 3: the home of the Watch Riots back in the day.

1477
01:13:38,520 --> 01:13:42,120
Speaker 3: But anyway, I've seen Dre and them playing at Dudos

1478
01:13:42,160 --> 01:13:47,040
Speaker 3: and stuff back in the day, so I'm I'm always

1479
01:13:47,080 --> 01:13:49,840
Speaker 3: been cool with Dre. I've always been cube with cool

1480
01:13:49,880 --> 01:13:53,320
Speaker 3: with q nw un I. When I was out see

1481
01:13:53,400 --> 01:13:56,880
Speaker 3: I had, I had two albums out before n w

1482
01:13:57,080 --> 01:14:01,880
Speaker 3: A drop. He dropped on my third album, so we

1483
01:14:01,920 --> 01:14:03,160
Speaker 3: would go out and tour together.

1484
01:14:03,280 --> 01:14:10,920
Speaker 1: Me Easy, dc uh Wall friends, wren Wall friends. What

1485
01:14:11,000 --> 01:14:13,760
Speaker 1: type of person Easy he was, because obviously.

1486
01:14:14,680 --> 01:14:17,120
Speaker 3: Easy was crazy, but he was Easy was a cool

1487
01:14:17,200 --> 01:14:17,880
Speaker 3: ass dude.

1488
01:14:18,080 --> 01:14:21,360
Speaker 1: The trip was easy. Was he convinced people he was fifteen?

1489
01:14:24,280 --> 01:14:26,840
Speaker 3: Yeah, one of his records, he said something abouty being young,

1490
01:14:27,280 --> 01:14:29,240
Speaker 3: so people used to think he was young, but he

1491
01:14:29,320 --> 01:14:33,040
Speaker 3: wasn't young. And my favorite Easy East story was ice

1492
01:14:33,080 --> 01:14:37,120
Speaker 3: Cube would write the rhymes, write the rhymes that so

1493
01:14:37,200 --> 01:14:40,280
Speaker 3: CB was talking to mEq was like yo, I wrote that.

1494
01:14:40,640 --> 01:14:41,960
Speaker 1: I didn't think he'd say it.

1495
01:14:44,240 --> 01:14:46,519
Speaker 2: He's actually outing himself. Well he's saying it.

1496
01:14:46,520 --> 01:14:49,599
Speaker 3: But Easy didn't care because Easy wasn't really the rapper.

1497
01:14:50,200 --> 01:14:51,200
Speaker 1: He was the money behind.

1498
01:14:51,280 --> 01:14:53,840
Speaker 3: He was a genius that saw hip hop was going

1499
01:14:53,920 --> 01:14:57,400
Speaker 3: to come someplace. He had his little, you know, drug money.

1500
01:14:57,920 --> 01:15:00,759
Speaker 3: Easy wasn't moving kilos. He was just on street hustling,

1501
01:15:01,000 --> 01:15:02,599
Speaker 3: but he had enough to get him in the record

1502
01:15:02,600 --> 01:15:03,599
Speaker 3: store and he was the brains.

1503
01:15:03,880 --> 01:15:04,960
Speaker 2: He had foresight for sure.

1504
01:15:05,360 --> 01:15:07,920
Speaker 3: Yeah, me and Easy was cool. We never had shared

1505
01:15:07,960 --> 01:15:12,639
Speaker 3: an angry word. Me Dre, all of us all solid,

1506
01:15:13,000 --> 01:15:15,200
Speaker 3: ice Cube solid, you know.

1507
01:15:15,960 --> 01:15:19,479
Speaker 2: Uh and wasn't Arabian principal, so he was in Uncle

1508
01:15:19,560 --> 01:15:21,920
Speaker 2: James and then he was down with At the beginnings

1509
01:15:21,920 --> 01:15:22,800
Speaker 2: of w n.

1510
01:15:22,800 --> 01:15:27,680
Speaker 3: W A was candy Man uh Arabia. Candy Man was

1511
01:15:27,680 --> 01:15:30,200
Speaker 3: a part of man was if you look the first album,

1512
01:15:30,439 --> 01:15:32,559
Speaker 3: they all standing there, n w A and the posse

1513
01:15:32,680 --> 01:15:35,320
Speaker 3: that one. Yeah, candy Man but not part of n

1514
01:15:35,400 --> 01:15:38,040
Speaker 3: w A. And just like but it was all part

1515
01:15:38,320 --> 01:15:41,280
Speaker 3: kJ fad all that stuff, and then they just started

1516
01:15:41,280 --> 01:15:44,400
Speaker 3: to morph and morph and morph into you know, the

1517
01:15:44,439 --> 01:15:47,920
Speaker 3: world's most dangerous grew. I knew when I heard straight

1518
01:15:47,920 --> 01:15:51,400
Speaker 3: out of Compton it was a rap at that that day.

1519
01:15:51,680 --> 01:15:54,439
Speaker 5: What's the line that Ice Cube said that that you

1520
01:15:54,520 --> 01:15:55,800
Speaker 5: think made it against.

1521
01:15:55,439 --> 01:15:57,639
Speaker 1: The rap straight out of Compton?

1522
01:15:57,760 --> 01:16:01,559
Speaker 3: Crazy motherfucker named ice Cub from the gang called Niggas

1523
01:16:01,560 --> 01:16:05,439
Speaker 3: with Attitude. So up to that point, they was calling

1524
01:16:05,520 --> 01:16:08,960
Speaker 3: what I was doing reality. I'm like, it's not reality

1525
01:16:09,000 --> 01:16:10,800
Speaker 3: because it's not everybody's reality.

1526
01:16:11,280 --> 01:16:14,240
Speaker 1: It's my reality. We didn't have a name for it.

1527
01:16:14,920 --> 01:16:17,800
Speaker 3: And then when he said gangsters, the press called a

1528
01:16:17,880 --> 01:16:18,639
Speaker 3: gangster wrap.

1529
01:16:18,760 --> 01:16:20,760
Speaker 2: The press called it because we said this on here

1530
01:16:20,800 --> 01:16:23,040
Speaker 2: and people are like, no, no, the artist, another press

1531
01:16:23,080 --> 01:16:23,360
Speaker 2: did it.

1532
01:16:23,400 --> 01:16:26,280
Speaker 3: Press called it gangster rap. Cuba said from the gang

1533
01:16:26,320 --> 01:16:29,120
Speaker 3: called Niggas with attitude. They said it's gangster rap. So

1534
01:16:29,280 --> 01:16:32,439
Speaker 3: me I fell back and said, oh, okay, if this

1535
01:16:32,479 --> 01:16:35,000
Speaker 3: is gangster rap, I'm the original gangs.

1536
01:16:36,200 --> 01:16:38,639
Speaker 1: That's where OG came from. So OG didn't come from

1537
01:16:38,640 --> 01:16:39,400
Speaker 1: the hood.

1538
01:16:39,479 --> 01:16:41,960
Speaker 2: No, it did, but it just fell in place.

1539
01:16:42,240 --> 01:16:46,320
Speaker 3: OG is a term for first generation set, the first

1540
01:16:46,320 --> 01:16:48,120
Speaker 3: generation of whatever set.

1541
01:16:48,200 --> 01:16:49,240
Speaker 1: So if we drank.

1542
01:16:49,040 --> 01:16:55,679
Speaker 3: Champs wedank track. If we drink Champs crips, y'all niggas

1543
01:16:55,680 --> 01:16:58,320
Speaker 3: the Ogs you the originals of the set. The new

1544
01:16:58,400 --> 01:17:01,400
Speaker 3: kids would be the baby gangsters, but the Ogs are

1545
01:17:01,439 --> 01:17:02,719
Speaker 3: the founders of the set.

1546
01:17:03,080 --> 01:17:03,479
Speaker 1: Right.

1547
01:17:03,680 --> 01:17:08,439
Speaker 3: Also, la term og means anything original, the original five

1548
01:17:08,479 --> 01:17:12,519
Speaker 3: oh one, Levi's the original, Chuck Taylor's the original Shelter.

1549
01:17:12,840 --> 01:17:16,559
Speaker 1: That's them og. The first is og. Can you fight

1550
01:17:16,640 --> 01:17:18,160
Speaker 1: your way up to be in the OG?

1551
01:17:18,640 --> 01:17:20,960
Speaker 3: Well you be, You be an OG once you put

1552
01:17:21,000 --> 01:17:22,160
Speaker 3: in enough time.

1553
01:17:22,320 --> 01:17:23,080
Speaker 2: But now it is.

1554
01:17:23,160 --> 01:17:25,400
Speaker 1: Now it's just referred to being the old school.

1555
01:17:25,439 --> 01:17:28,360
Speaker 3: Cat has done some things like I refer to everybody

1556
01:17:28,400 --> 01:17:32,360
Speaker 3: in here as a OGY. They not new gangsters, you know.

1557
01:17:32,640 --> 01:17:36,360
Speaker 3: But the term comes from La Gangs. So I took

1558
01:17:36,400 --> 01:17:40,280
Speaker 3: it and it flipped it, you know. But then if

1559
01:17:40,280 --> 01:17:42,760
Speaker 3: you look at that album cover, I also I got

1560
01:17:42,800 --> 01:17:45,160
Speaker 3: myself in shackles. But then I got myself in a

1561
01:17:45,240 --> 01:17:51,360
Speaker 3: tuss which is saying I'm the same nigga, Like even

1562
01:17:51,400 --> 01:17:54,400
Speaker 3: if you see me, you know, suited, don't get it

1563
01:17:54,439 --> 01:17:58,760
Speaker 3: fucked up, right, So that's what it was. So that's

1564
01:17:58,760 --> 01:18:01,360
Speaker 3: where the OG album came from, and that was Vincent

1565
01:18:01,600 --> 01:18:03,280
Speaker 3: was supposed to be a double album.

1566
01:18:03,479 --> 01:18:05,200
Speaker 1: Wow, the first double album.

1567
01:18:05,560 --> 01:18:09,639
Speaker 3: Yes, but it was a double album motivated by nw

1568
01:18:09,760 --> 01:18:14,080
Speaker 3: A MM because you dig, I'm out here, I do,

1569
01:18:14,479 --> 01:18:19,360
Speaker 3: I do, Uh Ryan pays, I do power. They dropped Boom.

1570
01:18:19,720 --> 01:18:21,400
Speaker 3: I'm like, nigga, I gotta get to work.

1571
01:18:22,120 --> 01:18:23,639
Speaker 1: It dropped you after night, No.

1572
01:18:23,439 --> 01:18:26,519
Speaker 3: No, no, I do the first one, I do the

1573
01:18:26,600 --> 01:18:29,000
Speaker 3: second one, and then here comes Godzilla straight out of

1574
01:18:29,080 --> 01:18:32,280
Speaker 3: Comps and show. I'm like, yo, n w A is

1575
01:18:32,360 --> 01:18:35,840
Speaker 3: really like live Yo, nigga, we got to go in

1576
01:18:35,840 --> 01:18:38,360
Speaker 3: the studio right, the homies is really getting it in.

1577
01:18:38,640 --> 01:18:41,520
Speaker 3: So I made a double album at that point, motivated

1578
01:18:41,560 --> 01:18:44,080
Speaker 3: by the power of them. They you know, like I

1579
01:18:44,120 --> 01:18:46,160
Speaker 3: said early hate, it wasn't hate, but it was like

1580
01:18:46,880 --> 01:18:49,960
Speaker 3: somebody else is in the room. Now, nigga, you got

1581
01:18:49,960 --> 01:18:51,760
Speaker 3: to go and earn your stripes. So I had to

1582
01:18:51,840 --> 01:18:52,479
Speaker 3: drop heavy.

1583
01:18:52,800 --> 01:18:55,200
Speaker 2: You dig you were gonna say that. You remember the

1584
01:18:55,240 --> 01:18:56,719
Speaker 2: first time you heard straight outa Compson.

1585
01:18:57,360 --> 01:19:00,639
Speaker 3: Yeah, it's it felt like Godzilla was in the room.

1586
01:19:01,280 --> 01:19:04,120
Speaker 3: I was like, yo, because remember we was out on tour.

1587
01:19:04,200 --> 01:19:05,280
Speaker 1: They had dope man.

1588
01:19:05,880 --> 01:19:08,360
Speaker 2: Because Easy came out first, right.

1589
01:19:08,560 --> 01:19:11,120
Speaker 1: Yeah, but Easy didn't shake me up? Easy does it?

1590
01:19:11,320 --> 01:19:13,559
Speaker 3: I was like okay and Easy, like you know, Easy

1591
01:19:14,000 --> 01:19:14,960
Speaker 3: the way easy wrap.

1592
01:19:16,240 --> 01:19:17,960
Speaker 1: He ain't cute right right?

1593
01:19:18,160 --> 01:19:21,439
Speaker 2: And or Rent is incredible ruthless villain.

1594
01:19:21,720 --> 01:19:23,280
Speaker 1: You know. Anytime I pulling a.

1595
01:19:23,439 --> 01:19:27,040
Speaker 3: K off the sholf, you know, I was like these niggas,

1596
01:19:27,080 --> 01:19:31,040
Speaker 3: like beast, I was like, yo, they turned it up.

1597
01:19:31,240 --> 01:19:35,240
Speaker 3: They turned it up, and I had to. But then

1598
01:19:35,280 --> 01:19:39,400
Speaker 3: my thing was as iced Tea, It's like, Okay, nw

1599
01:19:39,560 --> 01:19:43,080
Speaker 3: A is taking it that way, I gotta take it

1600
01:19:43,120 --> 01:19:46,240
Speaker 3: this way, like I gotta not. I can't go out

1601
01:19:46,280 --> 01:19:48,400
Speaker 3: and bang bang with him, So I just keep it

1602
01:19:48,520 --> 01:19:48,960
Speaker 3: player and.

1603
01:19:49,000 --> 01:19:51,479
Speaker 1: Hustle as much as I could, you know.

1604
01:19:52,680 --> 01:19:54,800
Speaker 2: So that was a conscious decision you made to say,

1605
01:19:54,840 --> 01:19:57,280
Speaker 2: I'm not going to try to be in that same lane.

1606
01:19:57,600 --> 01:20:01,000
Speaker 3: I'm always trying to find my own lane. You're fool

1607
01:20:01,000 --> 01:20:03,120
Speaker 3: to go down the same lane somebody else is doing.

1608
01:20:03,160 --> 01:20:07,200
Speaker 3: You gotta find your originality, you gotta find what is?

1609
01:20:07,360 --> 01:20:11,160
Speaker 1: What are you? What you are? Right? You know? And me,

1610
01:20:12,800 --> 01:20:15,080
Speaker 1: I was a different breed. I was never in a gang.

1611
01:20:15,080 --> 01:20:18,800
Speaker 3: I'm not a gang banger, but I grew up amongst gangs.

1612
01:20:19,200 --> 01:20:24,080
Speaker 3: I'm not a I'm not a bully, but I'll defend myself.

1613
01:20:24,120 --> 01:20:28,040
Speaker 1: I'm an orphan. So you know, like I was telling.

1614
01:20:27,760 --> 01:20:30,360
Speaker 3: You, you know, we were the cats with the feeling felid

1615
01:20:30,640 --> 01:20:35,160
Speaker 3: shorts on, the socks, the sweaters, you know, tennis racket.

1616
01:20:35,160 --> 01:20:39,120
Speaker 3: But we had a UZI. You know, that's who we

1617
01:20:39,120 --> 01:20:41,400
Speaker 3: were with the pems, that's who we were, you know.

1618
01:20:41,560 --> 01:20:42,760
Speaker 2: So it was no sense.

1619
01:20:42,800 --> 01:20:45,880
Speaker 3: And you know, they pulled up on some real gang

1620
01:20:45,920 --> 01:20:46,439
Speaker 3: banger shit.

1621
01:20:46,520 --> 01:20:50,400
Speaker 1: I was like, okay, I didn't so cool, but it's

1622
01:20:50,400 --> 01:20:53,080
Speaker 1: all love. It was love. I was happy for NWA

1623
01:20:53,640 --> 01:20:54,680
Speaker 1: because I was happy to.

1624
01:20:54,680 --> 01:21:00,599
Speaker 3: Have help on the West. I by myself a long.

1625
01:21:00,400 --> 01:21:06,240
Speaker 5: Time, and at the time I remember, like, you know,

1626
01:21:06,240 --> 01:21:08,920
Speaker 5: people making fun of the s curl like that.

1627
01:21:09,040 --> 01:21:09,880
Speaker 2: But that's an S curl.

1628
01:21:09,920 --> 01:21:10,880
Speaker 1: I had a perm Don't get it.

1629
01:21:10,920 --> 01:21:16,040
Speaker 3: Fuck, that's a Jerry curl.

1630
01:21:16,200 --> 01:21:17,599
Speaker 1: That's a Jerry. That's what Cube had.

1631
01:21:17,840 --> 01:21:22,320
Speaker 3: Want to drift, Yes, fuck up myself, fuck up my ship,

1632
01:21:22,800 --> 01:21:27,720
Speaker 3: my material? Wait, Jery girl curl Erry same thing you

1633
01:21:27,800 --> 01:21:29,519
Speaker 3: call it the s curl, the little ones that.

1634
01:21:29,600 --> 01:21:31,080
Speaker 1: Of Puerto Ricans. If you poor Rican, you call it

1635
01:21:31,080 --> 01:21:33,559
Speaker 1: the a S curl? Got it all right? No, My

1636
01:21:33,600 --> 01:21:34,960
Speaker 1: ship was My ship was PERM.

1637
01:21:35,000 --> 01:21:37,640
Speaker 3: I was magnetic rollers a lot of body, you know

1638
01:21:37,680 --> 01:21:38,200
Speaker 3: what I'm saying.

1639
01:21:39,840 --> 01:21:40,320
Speaker 2: Pull it out.

1640
01:21:40,360 --> 01:21:42,960
Speaker 3: Them ships be crackling and the girl pushed the ways

1641
01:21:43,000 --> 01:21:46,320
Speaker 3: and you know that ship had to be right, you know,

1642
01:21:46,439 --> 01:21:48,320
Speaker 3: but it's this different ship.

1643
01:21:48,400 --> 01:21:49,719
Speaker 1: You know Big Worm had.

1644
01:21:49,600 --> 01:21:57,120
Speaker 3: A perm yeah, and Friday yeah yeah, but it was walled.

1645
01:21:57,840 --> 01:21:59,880
Speaker 2: No, no, yeah, it's curlers.

1646
01:21:59,560 --> 01:22:01,519
Speaker 1: Right, Okay, Yeah, I'm bucking.

1647
01:22:01,520 --> 01:22:03,920
Speaker 3: I'm bugging with the head and ned I used to

1648
01:22:03,920 --> 01:22:05,360
Speaker 3: go to I used to go to junior high, I

1649
01:22:05,400 --> 01:22:07,960
Speaker 3: mean not high school. Home room with my curl is

1650
01:22:08,000 --> 01:22:13,639
Speaker 3: still in la shit is different wearing house and then

1651
01:22:13,640 --> 01:22:20,880
Speaker 3: in nutrition. Let the girls take my curls out.

1652
01:22:20,960 --> 01:22:22,120
Speaker 1: Let's rule.

1653
01:22:22,280 --> 01:22:27,160
Speaker 2: Yeah, We're gonna give you two choices. You pick one.

1654
01:22:27,600 --> 01:22:29,479
Speaker 2: We're good. Nobody's drinking. I mean I don't know how

1655
01:22:29,600 --> 01:22:31,920
Speaker 2: if he's taking shots or not. Now I'm fucking with you.

1656
01:22:32,200 --> 01:22:35,200
Speaker 3: Good, it's nice, all right, But this is this is

1657
01:22:35,280 --> 01:22:36,360
Speaker 3: very sophisticated.

1658
01:22:37,439 --> 01:22:40,880
Speaker 2: If you say both or neither, so the politically correct.

1659
01:22:40,880 --> 01:22:42,840
Speaker 2: If you don't pick an answer, then we're drinking.

1660
01:22:44,120 --> 01:22:49,519
Speaker 1: I don't care. You want me to go first. Let's

1661
01:22:49,520 --> 01:22:50,720
Speaker 1: play the rule, Let's play the game.

1662
01:22:50,840 --> 01:22:51,320
Speaker 2: Let's go.

1663
01:22:51,840 --> 01:22:56,600
Speaker 1: I've submitted to your game. Let's go l L or

1664
01:22:56,600 --> 01:22:57,679
Speaker 1: big Dotty Kine.

1665
01:22:59,040 --> 01:23:00,000
Speaker 2: And you can say why if.

1666
01:22:59,880 --> 01:23:01,080
Speaker 1: You want to both.

1667
01:23:03,280 --> 01:23:10,040
Speaker 3: That both they both super rappers.

1668
01:23:11,280 --> 01:23:18,599
Speaker 1: Oh, this is gonna be interesting. Snoop Dogg or jay Z. Wow,

1669
01:23:19,439 --> 01:23:21,200
Speaker 1: let me get ready, They're so different.

1670
01:23:23,600 --> 01:23:27,160
Speaker 2: It's whatever criteria in your mind. If you pick, I.

1671
01:23:27,160 --> 01:23:29,960
Speaker 1: Just gotta go with Snoop Dogg. Okay, West Coast and

1672
01:23:30,000 --> 01:23:31,679
Speaker 1: you had to go down No, I'm going with Snoop.

1673
01:23:31,720 --> 01:23:35,360
Speaker 3: I think Snoop is the biggest rapper in the history

1674
01:23:35,360 --> 01:23:38,439
Speaker 3: of the world. I think that even though jay Z's

1675
01:23:38,560 --> 01:23:42,280
Speaker 3: bagged up rich. I think more people, parents, kids, will

1676
01:23:43,320 --> 01:23:44,760
Speaker 3: would recognize Snoop Dogg.

1677
01:23:46,080 --> 01:23:49,840
Speaker 1: You don't think Snoop is the most famous rapper's I think?

1678
01:23:49,880 --> 01:23:52,200
Speaker 1: I think, I think I know he said it is

1679
01:23:52,240 --> 01:23:54,240
Speaker 1: his way, no, no no in the world.

1680
01:23:54,360 --> 01:23:56,200
Speaker 2: I think he's loved the most.

1681
01:23:56,800 --> 01:24:02,800
Speaker 3: He's transcended more different elements, and everybody loves Snoop. You know,

1682
01:24:03,080 --> 01:24:06,160
Speaker 3: jay Z is is a super power, But some people

1683
01:24:06,240 --> 01:24:08,080
Speaker 3: might not know who jay Z is. If they would,

1684
01:24:08,240 --> 01:24:11,320
Speaker 3: if you know it's Snoop. Snoop is a motherfucker. We

1685
01:24:11,400 --> 01:24:11,920
Speaker 3: love Snoop.

1686
01:24:12,000 --> 01:24:16,360
Speaker 5: Can you go anywhere and people not recognize.

1687
01:24:15,680 --> 01:24:18,960
Speaker 3: I could go fameous kind of like think of it

1688
01:24:19,040 --> 01:24:21,759
Speaker 3: like being a tennis player. You could be the number

1689
01:24:21,760 --> 01:24:24,000
Speaker 3: one in the world. But if you're not in the tennis,

1690
01:24:24,600 --> 01:24:28,720
Speaker 3: just walk right by, they were saying. So television has

1691
01:24:28,760 --> 01:24:32,400
Speaker 3: made me far more visible, and Coco is another one.

1692
01:24:32,439 --> 01:24:35,160
Speaker 3: So it's like the one two punch, Like me and

1693
01:24:35,240 --> 01:24:38,320
Speaker 3: Coco have this thing called I should have known. What

1694
01:24:38,400 --> 01:24:40,920
Speaker 3: should have known is like say, if we're at an

1695
01:24:40,960 --> 01:24:44,400
Speaker 3: airport and somebody's checking out Coco, they be checking her

1696
01:24:44,400 --> 01:24:45,479
Speaker 3: out and then they'll see me.

1697
01:24:45,479 --> 01:24:46,360
Speaker 1: They should have known.

1698
01:24:50,640 --> 01:24:52,960
Speaker 3: You see a hot chick, check around here, there might

1699
01:24:53,000 --> 01:24:54,880
Speaker 3: there should be something else floating near.

1700
01:24:56,560 --> 01:24:59,080
Speaker 2: So yeah, Ice, Cuber Scarface.

1701
01:25:00,040 --> 01:25:07,720
Speaker 3: Wow, they're so similar. Both, they're both you can take both.

1702
01:25:09,880 --> 01:25:10,280
Speaker 1: The shots.

1703
01:25:12,439 --> 01:25:15,000
Speaker 3: I used to go on the road when we first

1704
01:25:15,080 --> 01:25:21,040
Speaker 3: were touring when the Dope Jam tour, Ghetto boys, would

1705
01:25:21,479 --> 01:25:24,759
Speaker 3: you know what, pay the players? They would they would

1706
01:25:24,800 --> 01:25:29,120
Speaker 3: like they would pay Jay Prince would get him on

1707
01:25:29,160 --> 01:25:31,479
Speaker 3: the front of our show, like you know, like because

1708
01:25:31,479 --> 01:25:35,679
Speaker 3: they would and they would rip ship and I remember

1709
01:25:35,800 --> 01:25:40,200
Speaker 3: uh calling mister Scarface and and and Scarface would walk

1710
01:25:40,240 --> 01:25:42,280
Speaker 3: around and like throw crack in the audience like he

1711
01:25:42,360 --> 01:25:46,920
Speaker 3: had had little package either the show. That's different them

1712
01:25:47,000 --> 01:25:50,840
Speaker 3: niggas was he had the cane. That might be wrong,

1713
01:25:50,880 --> 01:25:55,000
Speaker 3: but I remember even saw the package, so it wasn't

1714
01:25:55,040 --> 01:25:58,679
Speaker 3: real crack. But it was like he was acting like like, yeah,

1715
01:25:59,320 --> 01:25:59,800
Speaker 3: you know what.

1716
01:25:59,760 --> 01:26:02,840
Speaker 1: It was part of the show. Part of the show.

1717
01:26:03,160 --> 01:26:05,599
Speaker 3: But I was like, Yo, who are these Texas ass niggas?

1718
01:26:05,600 --> 01:26:09,879
Speaker 1: These niggas is ill? Ghetto boys was ill? What's swift?

1719
01:26:10,479 --> 01:26:11,000
Speaker 2: They was?

1720
01:26:11,960 --> 01:26:14,840
Speaker 1: They were ill? They were they were They were a.

1721
01:26:15,040 --> 01:26:20,000
Speaker 3: Solid gangster rapper, hardcore raps. Ever Willie d all of

1722
01:26:20,000 --> 01:26:22,600
Speaker 3: them when they would go come on, man, stop it

1723
01:26:23,200 --> 01:26:29,120
Speaker 3: and Scarface to me deeply rooted that album he just did.

1724
01:26:29,400 --> 01:26:31,040
Speaker 3: That made me want to make a new album, one

1725
01:26:31,040 --> 01:26:33,519
Speaker 3: of those lyrical out there. Yeah, but him and Cube

1726
01:26:33,600 --> 01:26:35,880
Speaker 3: have a similar type get down.

1727
01:26:36,040 --> 01:26:37,080
Speaker 1: Yeah, I love them both.

1728
01:26:37,400 --> 01:26:40,800
Speaker 2: Okay, so you said both, all right, Jada kiss or Nas?

1729
01:26:41,520 --> 01:26:44,160
Speaker 1: I don't like this question. You keep repeating this, Jada

1730
01:26:44,280 --> 01:26:51,840
Speaker 1: kiss or Nas both? Oh Jesus drink. Both both of

1731
01:26:51,960 --> 01:26:57,040
Speaker 1: are lyrical beasts. Uh.

1732
01:26:57,479 --> 01:27:00,280
Speaker 3: A lot of these guys, Like I look at people

1733
01:27:00,320 --> 01:27:04,640
Speaker 3: that I think can outrap me. I think everybody in

1734
01:27:04,960 --> 01:27:09,479
Speaker 3: hip hop. I look at hip hop like a basketball game.

1735
01:27:09,840 --> 01:27:12,720
Speaker 3: I know who got the jumpers, I know who got handles,

1736
01:27:13,400 --> 01:27:17,400
Speaker 3: but everybody has a place on the court, you know.

1737
01:27:17,920 --> 01:27:20,400
Speaker 3: So I might not be able to out rap noads,

1738
01:27:20,479 --> 01:27:23,280
Speaker 3: but I could say some shit fly in NOAs so

1739
01:27:22,840 --> 01:27:24,720
Speaker 3: saying so I'm gonna hit you with some fly shit

1740
01:27:24,760 --> 01:27:27,160
Speaker 3: world renowned as the king of the fly rhyme. You know,

1741
01:27:27,200 --> 01:27:31,120
Speaker 3: if I was dope, you could step on me five times.

1742
01:27:31,600 --> 01:27:40,479
Speaker 3: So those two rappers are lyrical beasts and you just

1743
01:27:40,600 --> 01:27:42,200
Speaker 3: listened to him for the punch rhymes.

1744
01:27:42,320 --> 01:27:43,120
Speaker 1: I love nads.

1745
01:27:43,160 --> 01:27:52,799
Speaker 3: I met nads with you know this humble super guys.

1746
01:27:50,600 --> 01:27:52,280
Speaker 1: Frank White or Nino Brown.

1747
01:27:53,920 --> 01:27:55,720
Speaker 3: Well, I have to go with Frank White, even though

1748
01:27:55,720 --> 01:28:00,840
Speaker 3: he turned into a snitch. But Nino was a Frank

1749
01:28:00,840 --> 01:28:04,360
Speaker 3: White was a real person. You know, Brown ain't shot

1750
01:28:04,439 --> 01:28:08,280
Speaker 3: nobody or soul, no dope. You know, Brown is based snipes.

1751
01:28:08,320 --> 01:28:11,599
Speaker 3: He's a character. So how would I pick the character

1752
01:28:11,680 --> 01:28:12,559
Speaker 3: over the real nigga?

1753
01:28:13,200 --> 01:28:17,840
Speaker 1: Frank White ain't King of New York. That's what that

1754
01:28:17,920 --> 01:28:19,599
Speaker 1: was based on a real I'm.

1755
01:28:19,479 --> 01:28:24,599
Speaker 3: Thinking of who you're thinking of American gangs today, Frank Lucas. Yeah,

1756
01:28:26,320 --> 01:28:28,920
Speaker 3: my mistake that is comparing Frank Lewis White is the

1757
01:28:29,320 --> 01:28:32,479
Speaker 3: motherfucker to Well, then of course it's neo Brown.

1758
01:28:32,520 --> 01:28:36,120
Speaker 1: Okay, Yeah, that's what Brown. I can't funk with Wesley

1759
01:28:38,040 --> 01:28:38,559
Speaker 1: never like.

1760
01:28:40,400 --> 01:28:41,320
Speaker 2: Cancel that bitch.

1761
01:28:41,360 --> 01:28:42,400
Speaker 1: I'll get another one.

1762
01:28:43,160 --> 01:28:46,840
Speaker 5: He said, I never liked that pretty motherfucking myself.

1763
01:28:47,680 --> 01:28:51,160
Speaker 3: Yeah cold, yeah, yeah, okay, cool, Okay. I was thinking

1764
01:28:51,160 --> 01:28:58,320
Speaker 3: about Frank Lucas, Okay, cares one of rock n It's

1765
01:28:58,320 --> 01:29:04,200
Speaker 3: so totally different. I picked rock Kim only because rock

1766
01:29:04,280 --> 01:29:09,000
Speaker 3: Kim really changed the way we all started rapping. Like

1767
01:29:09,160 --> 01:29:12,960
Speaker 3: I didn't understand the term flow when I heard rock

1768
01:29:13,040 --> 01:29:18,400
Speaker 3: Kim and rock Him. Chris had had criminal minded out,

1769
01:29:19,160 --> 01:29:22,920
Speaker 3: but when I was making my first album, I had

1770
01:29:22,960 --> 01:29:26,160
Speaker 3: never really witnessed a hit record outside of Run DMC.

1771
01:29:26,520 --> 01:29:30,040
Speaker 3: And I was in Harlem and every car I came

1772
01:29:30,080 --> 01:29:33,000
Speaker 3: in the door, I came in the door. I said

1773
01:29:33,040 --> 01:29:35,240
Speaker 3: it before, I never let the work. It was in

1774
01:29:35,400 --> 01:29:39,800
Speaker 3: every single car, every car, Rock Kim. And then the

1775
01:29:39,840 --> 01:29:43,599
Speaker 3: next record came out, I take seven mcs put him

1776
01:29:43,640 --> 01:29:46,760
Speaker 3: in the line. I'm like, who is this motherfucker? And

1777
01:29:46,800 --> 01:29:51,599
Speaker 3: earlier I thought his name was Eric b Right because

1778
01:29:52,479 --> 01:29:54,720
Speaker 3: he just threw what my name is, rock Kim. But

1779
01:29:55,120 --> 01:29:58,800
Speaker 3: just the whole theory of how rob rap made me

1780
01:29:58,880 --> 01:30:02,360
Speaker 3: gotta I gotta wrap better and he didn't curse. Well,

1781
01:30:02,400 --> 01:30:04,439
Speaker 3: it didn't matter. Curson didn't matter at me. It was

1782
01:30:04,479 --> 01:30:07,600
Speaker 3: the flow of his rhyme and the confidence and the

1783
01:30:07,640 --> 01:30:10,920
Speaker 3: comfortableness he set in the in the in the beat,

1784
01:30:11,600 --> 01:30:14,480
Speaker 3: because at one time everyone was yelling on records.

1785
01:30:15,360 --> 01:30:16,080
Speaker 1: It was different.

1786
01:30:16,600 --> 01:30:20,280
Speaker 3: Now, No hats off to care Rests one. No, because

1787
01:30:20,800 --> 01:30:24,040
Speaker 3: you do not want to go against car Rests live.

1788
01:30:24,640 --> 01:30:25,719
Speaker 1: Nah. He's one of the best.

1789
01:30:25,880 --> 01:30:29,720
Speaker 3: You'll get destroyed, one of the best, and then he'll

1790
01:30:29,720 --> 01:30:31,599
Speaker 3: teach you a lesson to be at the same time,

1791
01:30:31,880 --> 01:30:34,679
Speaker 3: because Chris is big, Percy's big.

1792
01:30:35,240 --> 01:30:37,400
Speaker 1: He's a big nigga, like King's son. He's a big nigga.

1793
01:30:37,600 --> 01:30:41,920
Speaker 3: You'd be like word and then then he's loud, so

1794
01:30:41,960 --> 01:30:48,640
Speaker 3: he just is every commands the stage. Tupac or d

1795
01:30:48,800 --> 01:30:54,320
Speaker 3: MX mmm West Coast gonna hate me, but I say

1796
01:30:54,400 --> 01:31:00,960
Speaker 3: d MX. I'm much more of a DMX fan. I

1797
01:31:01,000 --> 01:31:05,120
Speaker 3: love pac I was friends with pac uh. But I

1798
01:31:05,160 --> 01:31:07,840
Speaker 3: did just like the more aggressive ship. You know, when

1799
01:31:07,880 --> 01:31:10,000
Speaker 3: I heard where my dog's hat, I was like, Yo,

1800
01:31:10,080 --> 01:31:11,479
Speaker 3: who the fuck is this? I was in a club.

1801
01:31:12,439 --> 01:31:16,240
Speaker 3: I was like, Yo, the ship, you know, the rough

1802
01:31:16,320 --> 01:31:16,960
Speaker 3: rider's hands, and.

1803
01:31:19,280 --> 01:31:21,240
Speaker 1: You know, I did this more of my ship.

1804
01:31:21,680 --> 01:31:24,360
Speaker 3: You know, that's just I liked that pack is a

1805
01:31:24,479 --> 01:31:27,479
Speaker 3: human being, a man, it's something else.

1806
01:31:27,680 --> 01:31:28,200
Speaker 1: It was.

1807
01:31:28,240 --> 01:31:30,160
Speaker 3: It was magical, you know, it's like you were sitting

1808
01:31:30,200 --> 01:31:31,240
Speaker 3: with young Malcolm X.

1809
01:31:31,360 --> 01:31:36,320
Speaker 1: You know. But music wise, d m X was more

1810
01:31:36,560 --> 01:31:37,519
Speaker 1: ic ta type ship.

1811
01:31:38,200 --> 01:31:40,840
Speaker 2: Let me DJ Quick or m C eight.

1812
01:31:43,439 --> 01:31:47,400
Speaker 1: They was battling for Well, I'll go with even though

1813
01:31:47,439 --> 01:31:47,800
Speaker 1: I just.

1814
01:31:47,680 --> 01:31:50,800
Speaker 3: Got off the phone with Quick, I gotta funk with

1815
01:31:50,960 --> 01:31:54,720
Speaker 3: m C eight. Well, let's just say both. It's going

1816
01:31:54,800 --> 01:31:57,639
Speaker 3: both on that one. Let's go with both. They both

1817
01:31:57,680 --> 01:32:02,600
Speaker 3: love you both on that and we need both of

1818
01:32:02,680 --> 01:32:05,160
Speaker 3: them on drink Champs. Yeah, we need both on drink Champs.

1819
01:32:06,160 --> 01:32:10,559
Speaker 3: Uh yeah, I know you sing about you say something

1820
01:32:10,680 --> 01:32:15,080
Speaker 3: pop people want to crucify you. I just well, I'm

1821
01:32:15,080 --> 01:32:19,400
Speaker 3: here to be honest, right, Yeah, please rough Friday's anth.

1822
01:32:19,520 --> 01:32:20,599
Speaker 1: That's just stup.

1823
01:32:21,680 --> 01:32:24,720
Speaker 3: I was like I was like DMX. I performed with

1824
01:32:24,800 --> 01:32:28,160
Speaker 3: DMX so many times. It's like, yo, he was rap

1825
01:32:28,800 --> 01:32:31,320
Speaker 3: art to rap and different ship just.

1826
01:32:31,240 --> 01:32:31,639
Speaker 2: Such as.

1827
01:32:33,240 --> 01:32:35,000
Speaker 3: He was like a monster. He was like a boxer,

1828
01:32:36,920 --> 01:32:39,040
Speaker 3: like you know, he made it. I'm going to do

1829
01:32:39,080 --> 01:32:40,760
Speaker 3: the show. He's going to fight.

1830
01:32:43,560 --> 01:32:49,400
Speaker 1: I got this ice. Come on here you go? All right,

1831
01:32:49,520 --> 01:32:52,160
Speaker 1: my who's the question?

1832
01:32:52,680 --> 01:32:53,280
Speaker 2: Uh?

1833
01:32:53,479 --> 01:32:56,840
Speaker 5: Next question? You could go to the next question, B

1834
01:32:56,960 --> 01:32:59,400
Speaker 5: Street or break I skip one?

1835
01:33:00,040 --> 01:33:00,200
Speaker 2: No?

1836
01:33:00,200 --> 01:33:05,080
Speaker 3: No, no, he said both. He said he said quicker

1837
01:33:05,080 --> 01:33:08,040
Speaker 3: and m c A Yeah. M C went more on

1838
01:33:08,080 --> 01:33:11,519
Speaker 3: Tupac my m c A my favorite lyric. He said

1839
01:33:11,840 --> 01:33:15,040
Speaker 3: he told a homeboy, I'm the neighborhood rapper. He said,

1840
01:33:15,160 --> 01:33:21,960
Speaker 3: I'm the neighborhood jacker. One time, gaffle them up. C

1841
01:33:22,080 --> 01:33:30,160
Speaker 3: mwres I did, I said, Quick and mc I changed it.

1842
01:33:30,320 --> 01:33:32,920
Speaker 1: Yeah that's why Quick.

1843
01:33:32,960 --> 01:33:36,600
Speaker 3: I don't even know what they beef became about, you know,

1844
01:33:37,240 --> 01:33:40,880
Speaker 3: but yeah, interesting, but they both help and Quick is

1845
01:33:40,920 --> 01:33:42,040
Speaker 3: an incredible producer.

1846
01:33:42,120 --> 01:33:44,000
Speaker 1: What he's legendary.

1847
01:33:44,240 --> 01:33:48,639
Speaker 2: The next one too, B Street or Breaking two B Street,

1848
01:33:49,600 --> 01:33:53,679
Speaker 2: y'all pick Breaking too. Breaking.

1849
01:33:55,880 --> 01:33:58,960
Speaker 3: Breaking was really homogenized with more of a kid's movie,

1850
01:33:59,280 --> 01:34:03,080
Speaker 3: you know, Rest in Peace, Shabba do you know Boogoloo, Shrimp,

1851
01:34:03,800 --> 01:34:05,880
Speaker 3: you know, turbo Ozone, all that shit.

1852
01:34:05,960 --> 01:34:07,599
Speaker 1: It gave me a break. It was my.

1853
01:34:07,640 --> 01:34:12,120
Speaker 3: First job, really, uh but it wasn't as dope as

1854
01:34:12,160 --> 01:34:15,000
Speaker 3: Beach Street with New York City Breakers, that that scene

1855
01:34:15,000 --> 01:34:17,400
Speaker 3: where they broke in the subway and all that shit

1856
01:34:17,479 --> 01:34:18,120
Speaker 3: and Melloy melt.

1857
01:34:19,040 --> 01:34:22,880
Speaker 1: Yeah it was. It was. It was our version. See

1858
01:34:22,880 --> 01:34:25,120
Speaker 1: what happened with Breaking was we thought that was bluzz

1859
01:34:25,160 --> 01:34:25,639
Speaker 1: and crips.

1860
01:34:26,920 --> 01:34:29,320
Speaker 3: We were in a club called the Radio. That was

1861
01:34:29,360 --> 01:34:34,639
Speaker 3: a New York club in LA. Club that had rock

1862
01:34:34,680 --> 01:34:39,800
Speaker 3: Steady Crew come there, Soul, Sonic Force, Cold Crush Brothers. Yeah,

1863
01:34:40,080 --> 01:34:42,479
Speaker 3: and that's where I met Africa is crazy. So the

1864
01:34:42,520 --> 01:34:44,640
Speaker 3: producers walked in and seen the scene and said, we're

1865
01:34:44,640 --> 01:34:47,519
Speaker 3: gonna make a movie. You'll be on the stage, these

1866
01:34:47,600 --> 01:34:50,400
Speaker 3: kids will dance, and they just wrote some bullshit story,

1867
01:34:50,680 --> 01:34:54,200
Speaker 3: corny shit, and uh, you know, it was them trying

1868
01:34:54,200 --> 01:34:57,040
Speaker 3: to capitalize on a hip hop movement, but we wasn't

1869
01:34:57,200 --> 01:34:59,200
Speaker 3: enough hip hop in LA to really do it.

1870
01:35:00,000 --> 01:35:02,520
Speaker 1: New York City was official, so Wild Style.

1871
01:35:03,000 --> 01:35:05,400
Speaker 2: Because after whilst all of this while was wist, I.

1872
01:35:05,439 --> 01:35:07,240
Speaker 3: Was first, but Wild Style and B Street was way

1873
01:35:07,280 --> 01:35:09,759
Speaker 3: more official than Breaking Breaking was for kids.

1874
01:35:09,800 --> 01:35:11,839
Speaker 1: It was rainbow colors and bullshit.

1875
01:35:11,960 --> 01:35:14,280
Speaker 2: Wiston felt like a reality show, like a real like

1876
01:35:14,360 --> 01:35:17,160
Speaker 2: documentary type because I.

1877
01:35:17,120 --> 01:35:19,040
Speaker 3: Was just trying to, you know, get some paper and

1878
01:35:19,360 --> 01:35:21,240
Speaker 3: just be in the movie, you know. And I was

1879
01:35:21,240 --> 01:35:23,519
Speaker 3: trying to dress like break Back then I was dressing

1880
01:35:23,560 --> 01:35:26,439
Speaker 3: like Mellie Mail, you know, trying to be a rapper.

1881
01:35:27,560 --> 01:35:30,920
Speaker 2: Had the spikes, yeah, he had. I had all that.

1882
01:35:31,000 --> 01:35:34,280
Speaker 1: And you know who changed my image was Russell Simmons.

1883
01:35:35,320 --> 01:35:37,160
Speaker 1: What did Russell say?

1884
01:35:38,320 --> 01:35:40,240
Speaker 3: We were at a club in la and it was

1885
01:35:40,240 --> 01:35:43,920
Speaker 3: a rap show and Russell was there, and Russell and

1886
01:35:44,000 --> 01:35:46,519
Speaker 3: me was chilling and I had on like a feelss

1887
01:35:46,520 --> 01:35:49,599
Speaker 3: sweatsuits and k Swiss had a perm had a little

1888
01:35:49,640 --> 01:35:57,000
Speaker 3: cano bullshit, you know, and whoever the crap the act was.

1889
01:35:57,040 --> 01:35:58,600
Speaker 3: They called me on the stage. I used to in

1890
01:35:58,640 --> 01:36:01,439
Speaker 3: the Building's I going to State and I rap? And

1891
01:36:01,520 --> 01:36:04,600
Speaker 3: Russell's like, that's your look, fuck New York. Like you

1892
01:36:05,080 --> 01:36:06,880
Speaker 3: trying to look like New York. You gotta look like

1893
01:36:07,080 --> 01:36:10,559
Speaker 3: la Ice. That is your look. The way you look now,

1894
01:36:10,640 --> 01:36:12,760
Speaker 3: the way you dress on a regular He said, that's

1895
01:36:12,760 --> 01:36:15,840
Speaker 3: why run DMC looks like Jamster J. That's how jam

1896
01:36:15,880 --> 01:36:19,519
Speaker 3: mess J used to dress. He says, you're authentic l

1897
01:36:19,560 --> 01:36:22,760
Speaker 3: A Street Ship. That's you rock that And that was

1898
01:36:22,760 --> 01:36:25,120
Speaker 3: the end of me with the New York ship.

1899
01:36:25,800 --> 01:36:27,200
Speaker 1: Wow, that was a birth.

1900
01:36:27,240 --> 01:36:28,880
Speaker 3: And then when you see me on the Ryan Page cover,

1901
01:36:28,920 --> 01:36:31,519
Speaker 3: I had on the cagofs in the Porsche with the

1902
01:36:31,560 --> 01:36:34,960
Speaker 3: girl Darlene and my boy in the palm tree. That

1903
01:36:35,160 --> 01:36:38,919
Speaker 3: was all Russe. Russell said that you you gotta represent

1904
01:36:39,160 --> 01:36:42,320
Speaker 3: l A. I mean, you love New York, but you

1905
01:36:42,360 --> 01:36:43,160
Speaker 3: gotta hit l A.

1906
01:36:43,680 --> 01:36:44,920
Speaker 1: That's that's dope.

1907
01:36:45,040 --> 01:36:45,840
Speaker 2: We gotta make some noise.

1908
01:36:49,520 --> 01:36:51,120
Speaker 1: Russell came to my star too.

1909
01:36:51,400 --> 01:36:54,400
Speaker 3: Yeah, yeah, Russell always gave me some good game.

1910
01:36:55,760 --> 01:36:57,000
Speaker 1: You want to do the next one?

1911
01:36:57,280 --> 01:37:03,160
Speaker 5: Nipsey are easy piece of both both both both that

1912
01:37:03,600 --> 01:37:06,080
Speaker 5: both both legends.

1913
01:37:08,400 --> 01:37:11,680
Speaker 3: Nip had so much left to do. Nip was just

1914
01:37:11,680 --> 01:37:19,360
Speaker 3: getting started. But he's a good person, good soul, you know.

1915
01:37:20,320 --> 01:37:24,080
Speaker 3: It's just it just reinforces us that, you know, the

1916
01:37:24,160 --> 01:37:26,880
Speaker 3: safest place you think you are, you at the most risk.

1917
01:37:27,720 --> 01:37:31,479
Speaker 3: You know, like because that's Player always told me, you

1918
01:37:31,479 --> 01:37:35,280
Speaker 3: get hitting your strong spot. Player, the place you think

1919
01:37:35,360 --> 01:37:37,880
Speaker 3: you the most secure, that's where you're gonna hit.

1920
01:37:38,000 --> 01:37:39,639
Speaker 1: You think you're cool with the bitches, you think.

1921
01:37:39,520 --> 01:37:41,479
Speaker 3: You got that in check, That's where you're gonna get

1922
01:37:41,520 --> 01:37:44,599
Speaker 3: hit because you're not guarding that, see what I'm saying.

1923
01:37:44,960 --> 01:37:47,599
Speaker 3: So those those moments when we feel the most comfortable,

1924
01:37:47,640 --> 01:37:50,080
Speaker 3: you're in the most danger. Even though all of us

1925
01:37:50,160 --> 01:37:53,559
Speaker 3: is here having a good time. If the cats coming in,

1926
01:37:53,680 --> 01:37:55,719
Speaker 3: they they got an advantage on us because we're.

1927
01:37:55,600 --> 01:37:57,719
Speaker 1: Comfortable, you're not. One point.

1928
01:37:58,240 --> 01:38:02,080
Speaker 3: So that Nip was very comfortable in his neighborhood and

1929
01:38:04,320 --> 01:38:07,479
Speaker 3: it went wrong, and uh he d rest in peace.

1930
01:38:07,560 --> 01:38:10,680
Speaker 3: Nipsey hustle. He was just getting warmed up.

1931
01:38:12,320 --> 01:38:16,519
Speaker 1: You do the next n w A or Wu Tang

1932
01:38:17,040 --> 01:38:17,800
Speaker 1: Now you skip one.

1933
01:38:17,880 --> 01:38:20,479
Speaker 3: No, I know, but we said n w A or

1934
01:38:20,520 --> 01:38:32,720
Speaker 3: Wu Tang both okay, both similar energy. I think n

1935
01:38:32,840 --> 01:38:37,160
Speaker 3: w A is two rappers. I always was in all

1936
01:38:37,280 --> 01:38:39,040
Speaker 3: Wu Tang nine mcs.

1937
01:38:40,120 --> 01:38:40,880
Speaker 1: Fuck you do that.

1938
01:38:43,680 --> 01:38:45,559
Speaker 3: Because you just said n w A two rappers with

1939
01:38:45,760 --> 01:38:48,240
Speaker 3: two rappers. I mean Easy would rapper with him. But

1940
01:38:48,439 --> 01:38:50,040
Speaker 3: n w A is what you're saying.

1941
01:38:50,439 --> 01:38:52,240
Speaker 1: N and Q yeah, yeah, Ren and Q Yeah, they

1942
01:38:52,240 --> 01:38:53,280
Speaker 1: pretty much wrote.

1943
01:38:53,280 --> 01:38:55,919
Speaker 3: And then dre and Yellower Jane Reiler in the background,

1944
01:38:55,920 --> 01:38:58,200
Speaker 3: and Easy would jump on occasionally. But those were the

1945
01:38:58,240 --> 01:39:02,240
Speaker 3: two main rappers in n w A. Wu Tang is nine.

1946
01:39:02,960 --> 01:39:05,280
Speaker 3: You heard the story about me getting surrounded by Wu Tang.

1947
01:39:05,400 --> 01:39:08,479
Speaker 2: Yeah, tell us again us, tell us y'all heard that story.

1948
01:39:08,880 --> 01:39:09,160
Speaker 1: Please.

1949
01:39:12,600 --> 01:39:13,479
Speaker 2: I'm at an event.

1950
01:39:13,600 --> 01:39:17,040
Speaker 3: I'm at an event in New York City MC Light event, right,

1951
01:39:17,280 --> 01:39:21,559
Speaker 3: So this is before Wu Tang it came out. I

1952
01:39:21,560 --> 01:39:23,479
Speaker 3: get surrounded. I look at the nigga here. There's a

1953
01:39:23,560 --> 01:39:26,439
Speaker 3: nigga here. It's a nigga here. So I'm like, okay,

1954
01:39:26,479 --> 01:39:27,800
Speaker 3: my way out is this way. I look at a

1955
01:39:27,880 --> 01:39:28,559
Speaker 3: nigga there.

1956
01:39:30,360 --> 01:39:34,040
Speaker 1: Nigga there. I'm like, I'm surrounded, Yo, what up? I yo? Yo?

1957
01:39:34,080 --> 01:39:37,000
Speaker 3: We y'all in this Wu Tang. I think it's a gang.

1958
01:39:37,000 --> 01:39:38,439
Speaker 3: I'm la like a gang?

1959
01:39:38,520 --> 01:39:40,800
Speaker 1: Is it over? Is the moment I fear should my

1960
01:39:40,880 --> 01:39:43,360
Speaker 1: chain is crawl inside of my like, you know, like

1961
01:39:44,120 --> 01:39:47,479
Speaker 1: what the fuck? Like they be like yo yo woo woo.

1962
01:39:48,040 --> 01:39:52,599
Speaker 3: I'm like, okay, so what's up. Yeah, we from y'allin Yo.

1963
01:39:52,640 --> 01:39:55,479
Speaker 3: We fucks with you West Coast Hardcourt Ship.

1964
01:39:55,560 --> 01:39:57,360
Speaker 1: We fucked. I'm like, oh you like me.

1965
01:39:58,160 --> 01:39:58,720
Speaker 2: They're like yeah.

1966
01:39:58,760 --> 01:40:01,960
Speaker 1: I'm like, all right, what's happening. What's happened.

1967
01:40:02,040 --> 01:40:05,080
Speaker 3: But for a moment, the whole room stop right. I'm like, yo,

1968
01:40:05,280 --> 01:40:08,960
Speaker 3: they're about to what the fuck? So they told me this,

1969
01:40:09,080 --> 01:40:11,120
Speaker 3: they showed me how to do this shit. I'm like, yo,

1970
01:40:11,280 --> 01:40:15,080
Speaker 3: yo woo woo woo. Like I said, it was the

1971
01:40:15,120 --> 01:40:18,439
Speaker 3: moment I feared, I thought it was going down, and

1972
01:40:18,560 --> 01:40:21,120
Speaker 3: they went off and blah blah blah, and later on. Now,

1973
01:40:21,400 --> 01:40:24,280
Speaker 3: the thing of it is, I can't tell if any

1974
01:40:24,360 --> 01:40:27,839
Speaker 3: of the actual Wu Tang members were those guys because

1975
01:40:27,840 --> 01:40:28,280
Speaker 3: there was so.

1976
01:40:28,280 --> 01:40:29,920
Speaker 1: Many of them, and I was so scared.

1977
01:40:33,360 --> 01:40:36,160
Speaker 3: Hey, I wanted to do so I'm like this, dude,

1978
01:40:36,320 --> 01:40:41,120
Speaker 3: I'm I'm I'm six feet two twenty two guys, ten guys.

1979
01:40:42,080 --> 01:40:44,519
Speaker 3: I'm about to get stumped the fuck out. And I

1980
01:40:44,560 --> 01:40:47,680
Speaker 3: was like, Yo, this is gonna go bad. I'm by myself,

1981
01:40:48,520 --> 01:40:51,760
Speaker 3: so uh yeah, but they didn't. They was fans so

1982
01:40:52,280 --> 01:40:54,519
Speaker 3: bow and then I saw the Wu Tang clan come out.

1983
01:40:54,560 --> 01:40:56,639
Speaker 3: I was just always amazing at nine mcs. You could

1984
01:40:56,640 --> 01:40:59,120
Speaker 3: put nine mcs on the record, and then each one

1985
01:40:59,160 --> 01:41:02,080
Speaker 3: of them, it was like each one of them had

1986
01:41:02,080 --> 01:41:05,320
Speaker 3: a different skill like a kung Fu movie, you know,

1987
01:41:05,720 --> 01:41:10,960
Speaker 3: I like genius. Yeah, It's just like I'm like, yeah,

1988
01:41:11,200 --> 01:41:15,080
Speaker 3: just his rhyme and ship was always you know, super shit.

1989
01:41:15,240 --> 01:41:17,800
Speaker 1: Heem a sword sharp, you know he was. I like that.

1990
01:41:17,960 --> 01:41:21,479
Speaker 1: I love O d B. I like all. I like

1991
01:41:21,560 --> 01:41:23,360
Speaker 1: all of them. I think they all even all of

1992
01:41:23,439 --> 01:41:24,480
Speaker 1: them have superpowers.

1993
01:41:25,600 --> 01:41:27,960
Speaker 5: You know what, Before we move on, we want to

1994
01:41:28,000 --> 01:41:37,560
Speaker 5: wish everybody happy Father's Day from Drink Champs.

1995
01:41:37,560 --> 01:41:39,320
Speaker 1: Everyone is just except.

1996
01:41:39,040 --> 01:41:42,600
Speaker 5: For mister Lee you know what I called sunny d

1997
01:41:43,479 --> 01:41:47,640
Speaker 5: you know, but everybody out there, we gotta give you

1998
01:41:47,680 --> 01:41:50,360
Speaker 5: a fall day and give him you got off Drink

1999
01:41:50,439 --> 01:41:53,599
Speaker 5: Champ slippers back chap flock.

2000
01:41:54,280 --> 01:41:58,200
Speaker 1: You know what, I'm saying, not damn the first one

2001
01:41:58,240 --> 01:42:00,960
Speaker 1: that got. We don't even got to pay. We don't

2002
01:42:01,000 --> 01:42:01,720
Speaker 1: even got I.

2003
01:42:01,640 --> 01:42:09,679
Speaker 3: Call this happy motherfucker. Yeah, I mean, I mean, y'all,

2004
01:42:09,720 --> 01:42:11,240
Speaker 3: I'm hooked up. I'm gonna be able to open up

2005
01:42:11,280 --> 01:42:14,639
Speaker 3: a little store, Jake Champ's store around this bit.

2006
01:42:15,120 --> 01:42:17,720
Speaker 1: Okay, take this ship right down on Ocean Drive and

2007
01:42:18,240 --> 01:42:20,160
Speaker 1: this most wanted or above the law?

2008
01:42:22,000 --> 01:42:25,840
Speaker 3: They both both you know, uh yeah, both you got

2009
01:42:25,960 --> 01:42:29,120
Speaker 3: you got. Uh well, that's MC eight again. Yeah right,

2010
01:42:29,439 --> 01:42:36,040
Speaker 3: sip don't remember. Oh yeah, that's MC eight again. And

2011
01:42:37,360 --> 01:42:42,160
Speaker 3: by the law, that's Big Hutch cold rest in peace,

2012
01:42:42,240 --> 01:42:45,880
Speaker 3: lay law. See the cool thing about West Coast rap

2013
01:42:46,000 --> 01:42:48,639
Speaker 3: None of us ever had any beef. The only beef

2014
01:42:48,680 --> 01:42:51,280
Speaker 3: ever happened was nw A, and that was a family

2015
01:42:51,360 --> 01:42:55,519
Speaker 3: feud between them. So Cuba and A right, right, So

2016
01:42:55,640 --> 01:43:02,040
Speaker 3: I created Rhyme Syndicate, which was based on on Lucky

2017
01:43:02,120 --> 01:43:06,160
Speaker 3: Luciano and the Commission. I read all gangs and novels

2018
01:43:06,200 --> 01:43:09,240
Speaker 3: about Mayer Landski and all that ship to learn how

2019
01:43:09,240 --> 01:43:10,000
Speaker 3: to say out of jail.

2020
01:43:10,080 --> 01:43:10,840
Speaker 1: Right, So I learned.

2021
01:43:11,040 --> 01:43:14,800
Speaker 3: I read about my Lucky Louciano creating commission with the

2022
01:43:14,840 --> 01:43:18,439
Speaker 3: five families, so that they wouldn't beef befo they talk.

2023
01:43:18,479 --> 01:43:20,280
Speaker 1: We sit down, We have a sit down.

2024
01:43:20,680 --> 01:43:23,800
Speaker 3: So I said, with rhyme syndicate, all of us will

2025
01:43:24,640 --> 01:43:27,880
Speaker 3: agree to have a sit down. So you got Cypress Hill,

2026
01:43:28,320 --> 01:43:30,680
Speaker 3: you got a low profile with dub C and all them,

2027
01:43:30,720 --> 01:43:35,160
Speaker 3: all these different groups. I'm the founder, I'm not Yeah, Mugs,

2028
01:43:36,040 --> 01:43:40,679
Speaker 3: Mugs was syndicate Muggs ever everlast Mugs had a group

2029
01:43:40,720 --> 01:43:41,559
Speaker 3: called seven eight three.

2030
01:43:41,680 --> 01:43:43,200
Speaker 2: That's right, okay, so he was.

2031
01:43:43,520 --> 01:43:46,559
Speaker 3: He used to live with Alatin, So all these cats

2032
01:43:46,560 --> 01:43:49,040
Speaker 3: were together. So I just said, look, too many crips

2033
01:43:49,040 --> 01:43:51,680
Speaker 3: and bloods. We're gonna be the rhyme sindicate are So

2034
01:43:52,760 --> 01:43:57,040
Speaker 3: there is no gang banging within the syndicate and we

2035
01:43:57,160 --> 01:43:59,560
Speaker 3: managed to have peace. Every once in a while the

2036
01:43:59,560 --> 01:44:01,639
Speaker 3: would be a beef, we put the bosses in the room,

2037
01:44:01,760 --> 01:44:05,720
Speaker 3: squash it and it real quick because the boss has

2038
01:44:05,760 --> 01:44:09,400
Speaker 3: always got cool heads, like what's the problem fing oh man, no,

2039
01:44:09,600 --> 01:44:13,320
Speaker 3: my man? Okay, well apologize, nigga okay, cool cool vous.

2040
01:44:13,560 --> 01:44:16,800
Speaker 1: You know, nobody got shot bam.

2041
01:44:16,880 --> 01:44:18,800
Speaker 3: So we never had no beef on the West Coast.

2042
01:44:19,040 --> 01:44:22,840
Speaker 3: Everybody stayed friends. And when NWA went at each other

2043
01:44:22,960 --> 01:44:28,200
Speaker 3: like we politely stepped back I'm gonna get mad when

2044
01:44:28,280 --> 01:44:30,160
Speaker 3: Cuban eat their friends.

2045
01:44:30,479 --> 01:44:31,679
Speaker 1: We all hung out.

2046
01:44:31,520 --> 01:44:36,519
Speaker 3: Together, and it's about business too. Whatever it's about. Like

2047
01:44:36,600 --> 01:44:42,160
Speaker 3: I say, nobody got shot self destruction or all in

2048
01:44:42,200 --> 01:44:47,519
Speaker 3: the same game. Both definitely take a shot to that.

2049
01:44:47,760 --> 01:44:48,920
Speaker 1: Both because.

2050
01:44:52,160 --> 01:44:55,240
Speaker 3: Hip hop has the ability to change the way we

2051
01:44:55,280 --> 01:45:00,599
Speaker 3: see things. One of my favorite records is Brand Nubi

2052
01:45:00,720 --> 01:45:05,400
Speaker 3: and Slowed Down. You know hey, baby, you know you

2053
01:45:05,439 --> 01:45:09,200
Speaker 3: know shit is whack. Crack is whack, like where everybody

2054
01:45:09,360 --> 01:45:12,479
Speaker 3: when cocaine hit, we all looked at it like it

2055
01:45:12,520 --> 01:45:14,639
Speaker 3: was fly because it was a high end drug. Then

2056
01:45:14,680 --> 01:45:17,479
Speaker 3: we realized it was killing us. So rap may crack whack.

2057
01:45:18,200 --> 01:45:20,880
Speaker 3: Bay says, we have that power. They have the power

2058
01:45:20,920 --> 01:45:23,040
Speaker 3: to make syrup whack if they want to. They can

2059
01:45:23,080 --> 01:45:26,439
Speaker 3: make all this shit whack. Like wow, you still doing that, cuz,

2060
01:45:26,520 --> 01:45:31,920
Speaker 3: like what's happening? So with the violence, New York came

2061
01:45:31,960 --> 01:45:35,360
Speaker 3: out and did self destruction. Michael Conception was out there,

2062
01:45:35,360 --> 01:45:37,599
Speaker 3: he had grand jury records. He called up he said,

2063
01:45:37,600 --> 01:45:39,360
Speaker 3: I want to do something from the West Coast.

2064
01:45:39,400 --> 01:45:40,840
Speaker 1: That was Michael Conception.

2065
01:45:40,479 --> 01:45:42,800
Speaker 2: Dad and I heard Karris One recently talked about this

2066
01:45:42,800 --> 01:45:43,479
Speaker 2: story as though.

2067
01:45:43,720 --> 01:45:45,680
Speaker 1: So I get the call for Mike he says, you know,

2068
01:45:47,200 --> 01:45:49,240
Speaker 1: need to do this. Do you remember all the people

2069
01:45:49,240 --> 01:45:51,559
Speaker 1: that was in on all the same.

2070
01:45:51,400 --> 01:45:54,120
Speaker 3: Games, Lord Faness if you watch it, Lord Fanessa's with me.

2071
01:45:54,680 --> 01:45:58,320
Speaker 3: Got Deaf Jeff, but Lord Fanessa's from New York. But

2072
01:45:58,439 --> 01:46:00,479
Speaker 3: he was actually signed to me at the time, so

2073
01:46:00,520 --> 01:46:02,800
Speaker 3: he was in LA when we shot it, and he's

2074
01:46:02,840 --> 01:46:04,639
Speaker 3: there on the west side of the video.

2075
01:46:05,080 --> 01:46:08,000
Speaker 5: Okay, but you know the actual record, you remember the

2076
01:46:08,040 --> 01:46:08,680
Speaker 5: artists on them.

2077
01:46:08,760 --> 01:46:12,240
Speaker 3: Yeah, number we did our Senio, but it wasn't it

2078
01:46:12,280 --> 01:46:14,080
Speaker 3: was you know, you just go do your bar, say

2079
01:46:14,120 --> 01:46:17,800
Speaker 3: your ship and uh, don't be left out. It's one

2080
01:46:17,840 --> 01:46:19,719
Speaker 3: of those kinds of things where it was a bigger

2081
01:46:19,760 --> 01:46:22,880
Speaker 3: disc not to be on the record, right, but it was.

2082
01:46:23,000 --> 01:46:26,519
Speaker 3: It had good intentions and somebody like Mike, who definitely

2083
01:46:26,560 --> 01:46:28,720
Speaker 3: was a street nigga, to say I want to do this.

2084
01:46:29,000 --> 01:46:31,120
Speaker 3: I was like, Okay, you're doing something right, let's go.

2085
01:46:31,479 --> 01:46:33,559
Speaker 3: Let's do it, you know, because I knew Mike conception

2086
01:46:33,720 --> 01:46:37,559
Speaker 3: for years before, you know, so well he was in

2087
01:46:37,560 --> 01:46:42,760
Speaker 3: a wheelchair. Yeah, but you know it was a good

2088
01:46:42,840 --> 01:46:45,080
Speaker 3: it was it was meant to be. Those are two

2089
01:46:45,160 --> 01:46:47,200
Speaker 3: good things hip hop did. Hip hop needs to do

2090
01:46:47,240 --> 01:46:52,120
Speaker 3: another one right now. Yeah, the youngsters do. Yeah, definitely.

2091
01:46:53,160 --> 01:46:55,479
Speaker 2: That resonates the same way because that's the thing it

2092
01:46:55,600 --> 01:46:56,280
Speaker 2: worked back then.

2093
01:46:56,600 --> 01:46:58,080
Speaker 5: I'll tell you, I'll tell you who should do it.

2094
01:46:59,200 --> 01:47:05,240
Speaker 5: Where should come from the South? Yeah, because yeah, they're

2095
01:47:05,280 --> 01:47:07,880
Speaker 5: already together. If they was to do like a put

2096
01:47:07,880 --> 01:47:10,760
Speaker 5: your guns down, stop the violence type of movement, you

2097
01:47:10,800 --> 01:47:12,320
Speaker 5: know what I mean, Like I'm talking about, you know,

2098
01:47:12,360 --> 01:47:13,639
Speaker 5: the powerful people from the South.

2099
01:47:13,720 --> 01:47:16,839
Speaker 1: Like I think, I think it would make a huge impact.

2100
01:47:17,000 --> 01:47:19,400
Speaker 3: It has to be maybe maybe somebody like killing Mike.

2101
01:47:19,680 --> 01:47:21,080
Speaker 3: But the thing of it is is that you got

2102
01:47:21,080 --> 01:47:22,960
Speaker 3: to understand it has to be that certain age.

2103
01:47:23,120 --> 01:47:24,960
Speaker 5: It's got to be even it's got to go younger. Yeah,

2104
01:47:25,560 --> 01:47:28,160
Speaker 5: Like I always I was thinking like more like a future.

2105
01:47:28,680 --> 01:47:30,840
Speaker 5: Yeah yeah, yeah, Future's hot.

2106
01:47:31,120 --> 01:47:32,240
Speaker 1: I mean like it's not.

2107
01:47:32,360 --> 01:47:34,160
Speaker 5: It's not like I mean, he knows how to make

2108
01:47:34,200 --> 01:47:37,280
Speaker 5: the music that's still relevant. He knows how to how

2109
01:47:37,280 --> 01:47:39,439
Speaker 5: to orchestrate it. And I think that if if Future

2110
01:47:39,520 --> 01:47:42,040
Speaker 5: was to come out right now, what everyone put your

2111
01:47:42,040 --> 01:47:44,040
Speaker 5: guns down type of type of record, like.

2112
01:47:44,000 --> 01:47:46,120
Speaker 2: But even bringing people under him that are younger, even

2113
01:47:46,120 --> 01:47:46,760
Speaker 2: then make.

2114
01:47:46,680 --> 01:47:49,000
Speaker 3: It a club record, Like making a club record.

2115
01:47:48,840 --> 01:47:51,120
Speaker 1: That would be so fucking dope. I'm not in the

2116
01:47:51,160 --> 01:47:52,200
Speaker 1: record business no more.

2117
01:47:52,479 --> 01:47:56,320
Speaker 3: You know, but if anybody out there is listening, if

2118
01:47:56,680 --> 01:48:01,080
Speaker 3: right now, what could hit be a young public enemy

2119
01:48:02,120 --> 01:48:07,760
Speaker 3: and the young laurn Hill them too, a young Lauryn Hill,

2120
01:48:08,080 --> 01:48:11,240
Speaker 3: a singer, rapper, beautiful woman, speaking pro black, not doing

2121
01:48:11,280 --> 01:48:15,320
Speaker 3: the huci shit, just keeping it straight, solid like Lauren did.

2122
01:48:15,439 --> 01:48:19,760
Speaker 3: Well we got Rhapsody, okay, Well then she's out there. Okay,

2123
01:48:19,760 --> 01:48:21,639
Speaker 3: well then she needs to we gotta blow her up.

2124
01:48:22,040 --> 01:48:25,920
Speaker 3: But Rhapsody And then a young twenty twenty year old

2125
01:48:26,320 --> 01:48:29,160
Speaker 3: militant little niggas that ain't about no jewelry or nothing.

2126
01:48:29,439 --> 01:48:31,800
Speaker 1: Was about what's right. That's what we need.

2127
01:48:32,840 --> 01:48:38,000
Speaker 3: Contra close contrast to me. They like leaders in the

2128
01:48:38,040 --> 01:48:40,920
Speaker 3: news school though they but but I'm talking about some

2129
01:48:40,960 --> 01:48:44,519
Speaker 3: little militant niggas that will that know they knowledge. They

2130
01:48:44,560 --> 01:48:47,439
Speaker 3: got their knowledge together because remember you know Professor Griff

2131
01:48:47,520 --> 01:48:48,240
Speaker 3: was hitting the stage.

2132
01:48:48,280 --> 01:48:49,600
Speaker 1: They're like twenty.

2133
01:48:49,320 --> 01:48:53,400
Speaker 3: Five mgainn it's benefact getting late pasts. I'm like, who

2134
01:48:53,439 --> 01:48:55,880
Speaker 3: is this little nigga Like Shu I was like, Yo,

2135
01:48:56,040 --> 01:48:57,920
Speaker 3: wait a minute, I'm gonna pussy. I gotta get my

2136
01:48:57,960 --> 01:49:01,000
Speaker 3: shit together, like Yo, this is going. That's when W's

2137
01:49:01,040 --> 01:49:04,799
Speaker 3: had me like fucked up and honestly, public Enemy.

2138
01:49:05,040 --> 01:49:06,519
Speaker 1: The public Enemy made.

2139
01:49:06,560 --> 01:49:11,719
Speaker 3: Us West Coast rappers get more militant in our records,

2140
01:49:11,800 --> 01:49:15,000
Speaker 3: not just talk about bullshit and talk about issues.

2141
01:49:15,160 --> 01:49:16,680
Speaker 1: Then all of a sudden, you hear, nwa do.

2142
01:49:16,800 --> 01:49:21,080
Speaker 2: Respect, just say they made you accountable amongst.

2143
01:49:20,680 --> 01:49:24,040
Speaker 3: The shit we talk about the stream. And then I

2144
01:49:24,080 --> 01:49:26,880
Speaker 3: toured with Pe that was my number one touring partner.

2145
01:49:26,920 --> 01:49:29,240
Speaker 3: So I went around the world three times in Public Enemy,

2146
01:49:29,720 --> 01:49:32,439
Speaker 3: so I knew what they was about.

2147
01:49:32,600 --> 01:49:34,360
Speaker 1: You know, you're telling them to pimph the hole and

2148
01:49:34,400 --> 01:49:39,320
Speaker 1: they telling them, girl go home. That's what I call

2149
01:49:39,360 --> 01:49:39,839
Speaker 1: a ballance.

2150
01:49:40,080 --> 01:49:41,919
Speaker 3: Well you know what way we did it. I said,

2151
01:49:42,280 --> 01:49:46,280
Speaker 3: Chuck's politics are global. Minds are basically around the hood.

2152
01:49:47,200 --> 01:49:49,519
Speaker 3: So he'll tell you about the president. I'm telling you

2153
01:49:49,600 --> 01:49:52,400
Speaker 3: about the guy that runs your block. That's the president

2154
01:49:52,520 --> 01:49:55,559
Speaker 3: in my world. So I had the pistol and he

2155
01:49:55,600 --> 01:49:59,920
Speaker 3: had the African tendate, so he was more geopolitical world.

2156
01:50:00,240 --> 01:50:01,800
Speaker 1: I iced to gonna tell you what's going on on

2157
01:50:01,800 --> 01:50:05,599
Speaker 1: the block, point blank. So we both and.

2158
01:50:05,560 --> 01:50:07,160
Speaker 3: At the end of the day, I remember one time

2159
01:50:07,240 --> 01:50:11,120
Speaker 3: I was with we went to the Honorable Elijah Muhammad's

2160
01:50:11,160 --> 01:50:12,840
Speaker 3: house and sat with Minister fair Come.

2161
01:50:13,160 --> 01:50:16,960
Speaker 1: This is when I was in the cop Killer shit.

2162
01:50:17,439 --> 01:50:18,639
Speaker 1: It was me Q.

2163
01:50:21,120 --> 01:50:27,920
Speaker 3: Sister, Soldier Chuck, and we sat with Don Colin was

2164
01:50:27,960 --> 01:50:32,519
Speaker 3: sitting across from me, Remember Colin Holin Muhammad and I

2165
01:50:32,560 --> 01:50:36,640
Speaker 3: got really close with Mustafa the brother, the son of

2166
01:50:38,720 --> 01:50:40,800
Speaker 3: It was interesting and that was during the time I

2167
01:50:40,880 --> 01:50:43,559
Speaker 3: was going through cop Killer and Soldier was going you

2168
01:50:43,640 --> 01:50:46,040
Speaker 3: got honor. Elijah Muhammad just told me straight up, if

2169
01:50:46,040 --> 01:50:47,800
Speaker 3: you stand in the street, expect to get hit by

2170
01:50:47,800 --> 01:50:52,400
Speaker 3: a car. You basically said cop Killer, like, get ready,

2171
01:50:52,640 --> 01:50:55,320
Speaker 3: And that's when I learned that freedom of speech.

2172
01:50:55,439 --> 01:50:56,519
Speaker 1: Just watch what you say.

2173
01:50:56,920 --> 01:50:59,639
Speaker 3: You have the right to say anything, but you must

2174
01:50:59,640 --> 01:51:02,160
Speaker 3: be prepared here for the ramifications of what you say.

2175
01:51:02,800 --> 01:51:04,960
Speaker 3: You can't come out and dis gay people and don't

2176
01:51:05,200 --> 01:51:07,840
Speaker 3: get mad when they attack. You can't dis cops. You

2177
01:51:07,880 --> 01:51:10,599
Speaker 3: can't like Kanye, you can't this the Jewish. You say,

2178
01:51:11,000 --> 01:51:13,960
Speaker 3: get ready, brace for impact, because they will come back

2179
01:51:14,120 --> 01:51:16,120
Speaker 3: if you sit down. If you're Colin Kaepernick, you put

2180
01:51:16,120 --> 01:51:21,160
Speaker 3: your knee down. Get ready. Protests will come with resistance.

2181
01:51:21,280 --> 01:51:25,360
Speaker 3: That's why it's protests. Don't get mad when you get attacked.

2182
01:51:26,400 --> 01:51:28,439
Speaker 1: Brace. If you want to put your fIF.

2183
01:51:28,360 --> 01:51:30,000
Speaker 3: I'm gonna put my fist if I'm gonna say something

2184
01:51:30,080 --> 01:51:33,240
Speaker 3: right here, right now that might make me lose my job.

2185
01:51:33,280 --> 01:51:35,640
Speaker 1: Don't get mad because I lose my job. See what

2186
01:51:35,680 --> 01:51:38,759
Speaker 1: I'm saying. You have You have a freedom of speech.

2187
01:51:39,160 --> 01:51:39,680
Speaker 1: You can go home.

2188
01:51:39,680 --> 01:51:41,080
Speaker 3: You can't go home to your wife and say, baby,

2189
01:51:41,080 --> 01:51:42,040
Speaker 3: I'll as fuck your sister.

2190
01:51:42,080 --> 01:51:43,040
Speaker 1: Free speech.

2191
01:51:46,560 --> 01:51:49,720
Speaker 3: Right. You have the right to say it, but you

2192
01:51:49,840 --> 01:51:51,479
Speaker 3: gotta think what's gonna happen.

2193
01:51:52,640 --> 01:51:53,960
Speaker 1: So there it is. I learned that.

2194
01:51:54,400 --> 01:51:57,760
Speaker 3: I learned that during the cop killer thing. And uh

2195
01:51:58,479 --> 01:52:01,679
Speaker 3: now I I I intention lea. I'm not ever trying

2196
01:52:01,680 --> 01:52:02,559
Speaker 3: to start no beef.

2197
01:52:02,800 --> 01:52:03,880
Speaker 1: I don't. I don't want to.

2198
01:52:04,600 --> 01:52:06,680
Speaker 3: If I wanted, I wanted, let's put it like that,

2199
01:52:06,760 --> 01:52:09,120
Speaker 3: if I wanted, I want, I want no unintentional ship.

2200
01:52:10,120 --> 01:52:12,760
Speaker 3: You know, fux up everything like the mob. You say,

2201
01:52:12,800 --> 01:52:15,320
Speaker 3: it's fucking with the money, man, it's fucking with the money,

2202
01:52:15,479 --> 01:52:16,680
Speaker 3: Like why are you doing this?

2203
01:52:16,760 --> 01:52:19,240
Speaker 1: Dumb shit? Fucks with the bunny.

2204
01:52:19,000 --> 01:52:21,880
Speaker 3: Like my boy says, keep the cash flow of the

2205
01:52:21,880 --> 01:52:25,040
Speaker 3: maximum and the drama at a minimum.

2206
01:52:25,080 --> 01:52:31,200
Speaker 1: Okay, next one Primo or Pete Robins who both geez.

2207
01:52:32,560 --> 01:52:36,439
Speaker 3: Both I missed cel smooth yeah man, Pete rock and

2208
01:52:36,840 --> 01:52:37,280
Speaker 3: move together.

2209
01:52:37,360 --> 01:52:39,200
Speaker 2: YopE.

2210
01:52:39,240 --> 01:52:42,680
Speaker 3: See us movie used to say, ell shit, Mama's in

2211
01:52:42,720 --> 01:52:44,840
Speaker 3: the kitchen cooking fire, Like, what the fuck are you

2212
01:52:44,880 --> 01:52:51,200
Speaker 3: talking about? Like that Nigga would say some smooth ship

2213
01:52:51,640 --> 01:52:54,559
Speaker 3: you know, butter sauce on the web, like what the fuck?

2214
01:52:55,200 --> 01:52:59,120
Speaker 3: Like it was so fly. I was like, Seeo smooth.

2215
01:52:59,120 --> 01:53:01,920
Speaker 3: It's the smoothest rapper probably in the history of the world.

2216
01:53:02,000 --> 01:53:06,599
Speaker 3: But you know, fe Rox Beats is just official. Now

2217
01:53:07,840 --> 01:53:16,000
Speaker 3: when you talk about Primo gangster gangs starts slepting my house.

2218
01:53:16,320 --> 01:53:20,679
Speaker 3: Gang Guru was Yeah, he was the best man, such

2219
01:53:20,720 --> 01:53:24,000
Speaker 3: a real person and so so dope. I used to

2220
01:53:24,000 --> 01:53:27,280
Speaker 3: love to see Guru and Cool Keith hanging out together

2221
01:53:27,360 --> 01:53:30,439
Speaker 3: that ship. That must have been crazy for Guru and

2222
01:53:30,479 --> 01:53:33,679
Speaker 3: then Primo ship is just the most to me. Primo

2223
01:53:34,160 --> 01:53:37,800
Speaker 3: has the is the god of the boom back.

2224
01:53:37,960 --> 01:53:40,080
Speaker 2: Yeah, he's yeah, hands down.

2225
01:53:40,040 --> 01:53:42,559
Speaker 3: And the god of the of the of the scratch

2226
01:53:42,560 --> 01:53:46,720
Speaker 3: hook yep, Like he'll put a hook on you with

2227
01:53:46,800 --> 01:53:49,760
Speaker 3: four different rappers and it's just so dope. If you

2228
01:53:49,760 --> 01:53:51,719
Speaker 3: want to, if you want to test your rap skills,

2229
01:53:51,760 --> 01:53:54,840
Speaker 3: get a Primo beat and go in. I mean, m

2230
01:53:54,920 --> 01:53:59,559
Speaker 3: O p like Freddie Fox, who can fucking Fox? Jay

2231
01:53:59,640 --> 01:54:06,040
Speaker 3: routed damage Jesus Christ group Home gave you the damage

2232
01:54:06,080 --> 01:54:07,160
Speaker 3: to come clean.

2233
01:54:07,040 --> 01:54:08,800
Speaker 2: Roster five nine with pre.

2234
01:54:10,200 --> 01:54:13,400
Speaker 1: How does She Go? You want to find get your luck?

2235
01:54:13,479 --> 01:54:15,160
Speaker 1: If you're feeling lucky duck, then.

2236
01:54:15,240 --> 01:54:16,000
Speaker 2: Press your luck.

2237
01:54:16,200 --> 01:54:20,519
Speaker 3: My nines break, my mind's break mylignant lyrics? Who raps

2238
01:54:20,560 --> 01:54:24,200
Speaker 3: like that? Like you know, dom your remains put in

2239
01:54:24,360 --> 01:54:27,559
Speaker 3: a car trunk? You can't come to that of the

2240
01:54:28,280 --> 01:54:30,519
Speaker 3: truck and that young you want to survive it live.

2241
01:54:31,040 --> 01:54:34,600
Speaker 3: I don't gang bang a shootout bang bang. I'm alignant lyrics.

2242
01:54:34,600 --> 01:54:37,400
Speaker 3: The only dope I saying I'm a true gangster. You

2243
01:54:37,400 --> 01:54:38,320
Speaker 3: could tell that.

2244
01:54:38,360 --> 01:54:42,680
Speaker 2: Motherfucker like I was like and had the undercut.

2245
01:54:43,040 --> 01:54:44,400
Speaker 1: Yeah you know that.

2246
01:54:45,880 --> 01:54:49,400
Speaker 5: Water dripping right, Yeah, the water like I have it

2247
01:54:49,520 --> 01:54:51,680
Speaker 5: with the with the stove, with the stove.

2248
01:54:52,160 --> 01:54:54,200
Speaker 3: And the thing of it is in a rapper's career

2249
01:54:54,560 --> 01:54:59,120
Speaker 3: and a rapper's career, you might make a classic record,

2250
01:54:59,480 --> 01:55:01,800
Speaker 3: but you might make three.

2251
01:55:02,920 --> 01:55:06,800
Speaker 1: But some records it's just like come clean. It's just

2252
01:55:08,560 --> 01:55:09,600
Speaker 1: that's like special ed.

2253
01:55:10,240 --> 01:55:14,600
Speaker 3: I got to make immy idel your highest title. I'm like, yo,

2254
01:55:14,680 --> 01:55:19,120
Speaker 3: this is a classic hip hop records. So Premiere Premire's

2255
01:55:19,120 --> 01:55:20,000
Speaker 3: from Texas?

2256
01:55:21,080 --> 01:55:21,760
Speaker 1: How about that?

2257
01:55:22,440 --> 01:55:25,280
Speaker 3: How did the most New York nigga in the world Texas.

2258
01:55:25,320 --> 01:55:30,560
Speaker 3: But you know what else was? I'm talking about beats.

2259
01:55:30,600 --> 01:55:33,240
Speaker 3: You know else was one of my favorite beating nuts.

2260
01:55:33,600 --> 01:55:35,200
Speaker 1: Love beating nuts. We love to beat.

2261
01:55:35,320 --> 01:55:37,120
Speaker 2: Love of beating uts and they deserve. Part two of

2262
01:55:37,200 --> 01:55:38,520
Speaker 2: Drinking and Rain of.

2263
01:55:38,560 --> 01:55:41,640
Speaker 3: The Tech is one of the most gangster records ever written.

2264
01:55:42,000 --> 01:55:44,600
Speaker 1: John Wayne couldn't even stand the rain at the video.

2265
01:55:45,360 --> 01:55:49,240
Speaker 2: Who is these things niggas coming out of producers? Yeah, yeah, yeah,

2266
01:55:49,360 --> 01:55:53,960
Speaker 2: psycho le tongue.

2267
01:55:52,920 --> 01:55:54,000
Speaker 1: So yeah juju.

2268
01:55:54,240 --> 01:55:56,160
Speaker 3: So you know, like I'm saying, since we're doing the

2269
01:55:56,200 --> 01:55:59,840
Speaker 3: hardcore ship, we got the hardcore radar up. So when

2270
01:55:59,840 --> 01:56:02,200
Speaker 3: that came out, I'm like, oh, that was they produced

2271
01:56:02,200 --> 01:56:03,000
Speaker 3: one of my records.

2272
01:56:03,480 --> 01:56:07,040
Speaker 1: It's a hold on. Let me just on podcast or radio.

2273
01:56:08,560 --> 01:56:12,520
Speaker 3: I think podcasts because podcasts right now you're talking to

2274
01:56:12,600 --> 01:56:16,480
Speaker 3: me for hour or two, which is much more comfortable

2275
01:56:16,880 --> 01:56:19,680
Speaker 3: than radio. Radio you're always trying to promote something. I

2276
01:56:19,680 --> 01:56:25,040
Speaker 3: haven't promoted anything radio. You rappers have this switch where

2277
01:56:25,080 --> 01:56:27,560
Speaker 3: they can hit and they going to promo mode. I

2278
01:56:27,600 --> 01:56:28,480
Speaker 3: got three seconds.

2279
01:56:28,480 --> 01:56:32,560
Speaker 1: They get my new record. Man, take my shoes. I

2280
01:56:32,560 --> 01:56:33,240
Speaker 1: got my shoes.

2281
01:56:33,280 --> 01:56:35,320
Speaker 3: It's bopping off and it's a man it's on.

2282
01:56:36,040 --> 01:56:40,360
Speaker 1: Fuck y'all, this is my ass now.

2283
01:56:40,520 --> 01:56:41,600
Speaker 2: Yeah, yeah, fuck y'all.

2284
01:56:41,640 --> 01:56:43,480
Speaker 1: I love you kissed my ass bitches.

2285
01:56:43,520 --> 01:56:47,760
Speaker 3: You know that's that's rap, that's wrap motive. This is

2286
01:56:47,840 --> 01:56:50,960
Speaker 3: this is where we get to just shill all right

2287
01:56:51,040 --> 01:56:54,040
Speaker 3: like that. And also about podcasts, is you get to

2288
01:56:54,080 --> 01:56:57,840
Speaker 3: pick who you fuck with? Like if you don't like

2289
01:56:57,960 --> 01:57:01,400
Speaker 3: me and you made it to this part of the podcast,

2290
01:57:01,520 --> 01:57:02,600
Speaker 3: she's a stupid mother.

2291
01:57:05,400 --> 01:57:06,720
Speaker 1: You was a dumb motherfucker.

2292
01:57:06,720 --> 01:57:09,520
Speaker 3: You have plenty of time to turn this ship off.

2293
01:57:09,960 --> 01:57:14,800
Speaker 3: I'm not your I'm not your ship. Yeah, I love

2294
01:57:14,840 --> 01:57:21,040
Speaker 3: this question. Kill out will or America's most Wanted? Well,

2295
01:57:21,040 --> 01:57:26,000
Speaker 3: those are two ice Cube records, right, I kind of

2296
01:57:26,040 --> 01:57:26,520
Speaker 3: say both.

2297
01:57:26,560 --> 01:57:27,120
Speaker 1: I couldn't.

2298
01:57:27,080 --> 01:57:29,200
Speaker 2: It should have been the certificate of America's Most Wanted.

2299
01:57:29,280 --> 01:57:31,680
Speaker 3: I mean all ice Q's albums me rate pretty much

2300
01:57:31,680 --> 01:57:34,720
Speaker 3: the same. The only one who rates higher would be

2301
01:57:34,960 --> 01:57:37,480
Speaker 3: Straight out of Compton, which is nw A. But ice

2302
01:57:37,520 --> 01:57:41,040
Speaker 3: Q had A has a basic, solid body of work.

2303
01:57:43,680 --> 01:57:47,160
Speaker 1: Be sid yeah said, I love you know one thing

2304
01:57:47,160 --> 01:57:47,560
Speaker 1: about me.

2305
01:57:50,800 --> 01:57:55,720
Speaker 3: The rappers I like are digestible, like I love Nori

2306
01:57:55,840 --> 01:57:58,360
Speaker 3: because I understand what they're saying. I'm a mob deep fan.

2307
01:57:58,520 --> 01:58:03,000
Speaker 3: Prodigy is my favorite rapper because I understand what he's

2308
01:58:03,040 --> 01:58:06,320
Speaker 3: saying it's legible. I understand it. So that's the thing.

2309
01:58:06,440 --> 01:58:09,160
Speaker 3: Like I like rappers where I don't have to decode it.

2310
01:58:10,040 --> 01:58:13,040
Speaker 3: You know that can sit up and fit shit to me.

2311
01:58:13,080 --> 01:58:15,280
Speaker 3: And I'm like, Yo, that was dope. I got that.

2312
01:58:15,920 --> 01:58:20,600
Speaker 3: And you know ice Cube is one of those rappers.

2313
01:58:21,160 --> 01:58:23,200
Speaker 3: You know, I try to be that kind of rapper.

2314
01:58:23,240 --> 01:58:26,800
Speaker 3: I'm not, you know, I say in one of my rhymes,

2315
01:58:26,840 --> 01:58:29,600
Speaker 3: I say, I check your style. Although you rhyme quicker,

2316
01:58:30,040 --> 01:58:33,480
Speaker 3: no matter what you do, I'll always lace mind thicker, jealousy.

2317
01:58:33,520 --> 01:58:35,560
Speaker 3: You'll make a fool dot quicker than liquor watch your

2318
01:58:35,600 --> 01:58:38,560
Speaker 3: back with your nigga, because that's right, will Is stick you.

2319
01:58:39,480 --> 01:58:42,000
Speaker 3: So I said, I got to rhyme heavy. I wanted

2320
01:58:42,040 --> 01:58:45,360
Speaker 3: you listen to ice rhys wool. That was that shit,

2321
01:58:45,560 --> 01:58:49,920
Speaker 3: not even a bar, not not even wordplay game. So yeah,

2322
01:58:50,160 --> 01:58:52,120
Speaker 3: you know, I just did a cool Keith record where

2323
01:58:52,120 --> 01:58:55,680
Speaker 3: I say it's not how long you're living. I said, well, no,

2324
01:58:55,840 --> 01:58:58,200
Speaker 3: it's not how well you're living, it's how long you're

2325
01:58:58,200 --> 01:58:58,760
Speaker 3: living well.

2326
01:59:00,640 --> 01:59:04,280
Speaker 1: So let me ask you new Jack City or Ricochet

2327
01:59:04,880 --> 01:59:08,360
Speaker 1: new Jack City? New Jack City.

2328
01:59:08,520 --> 01:59:13,680
Speaker 3: I mean Ricochet was my first co starring, but New

2329
01:59:13,800 --> 01:59:17,720
Speaker 3: Jack City is my legendary flim you know, like yeah,

2330
01:59:17,920 --> 01:59:21,960
Speaker 3: still when I do my shows, I end with new Jack,

2331
01:59:22,080 --> 01:59:25,240
Speaker 3: Hustler and Colors. Those are my Those would be my

2332
01:59:25,280 --> 01:59:27,840
Speaker 3: biggest records.

2333
01:59:27,880 --> 01:59:29,560
Speaker 1: Doctor Dre or Puff, Daddy.

2334
01:59:29,720 --> 01:59:34,520
Speaker 3: Dray, Okay, Drey, no doubt. I love Puffy. Puffy to

2335
01:59:34,640 --> 01:59:38,280
Speaker 3: me is the ring master. He's the master of everything

2336
01:59:38,320 --> 01:59:41,080
Speaker 3: that moves in hip hop. He does his thing. He's

2337
01:59:41,120 --> 01:59:44,480
Speaker 3: a magnificent promoter and stuff like that. But I'm not

2338
01:59:44,720 --> 01:59:49,720
Speaker 3: really I don't know Puffy's true producing power. As far

2339
01:59:49,880 --> 01:59:52,880
Speaker 3: as what Dre does. Dre is a studio rat, stays

2340
01:59:52,920 --> 01:59:56,480
Speaker 3: in the studio. The only thing about Dre and Dre

2341
01:59:56,640 --> 02:00:01,000
Speaker 3: is one of my very fearest friends. The reason I

2342
02:00:01,040 --> 02:00:03,160
Speaker 3: never record with Dre is it it's never come out.

2343
02:00:05,040 --> 02:00:06,200
Speaker 1: They're like, it's let's work.

2344
02:00:06,080 --> 02:00:07,880
Speaker 2: And I'm like, okay, now we did it, let's put it.

2345
02:00:07,920 --> 02:00:09,360
Speaker 1: No no, no, no, no no no.

2346
02:00:09,600 --> 02:00:12,720
Speaker 3: He's very so meticulous. But see the thing of this,

2347
02:00:12,840 --> 02:00:15,680
Speaker 3: when you sell ten million records, you don't want to

2348
02:00:15,680 --> 02:00:18,520
Speaker 3: put out anything that's not going to sell ten million records.

2349
02:00:18,640 --> 02:00:21,640
Speaker 1: But he just finished the new album with Snoop. Yeah, man,

2350
02:00:21,800 --> 02:00:24,200
Speaker 1: that's the them.

2351
02:00:23,600 --> 02:00:27,640
Speaker 3: Because Snoop is Dre's first artist, Right, that's the that's

2352
02:00:27,680 --> 02:00:30,080
Speaker 3: the magic. I can't wait to hear that. I've heard

2353
02:00:30,080 --> 02:00:33,560
Speaker 3: a lot of it. But uh oh you've heard it. Yeah,

2354
02:00:33,600 --> 02:00:36,600
Speaker 3: I get, I got a whole I got. My phone

2355
02:00:36,680 --> 02:00:38,680
Speaker 3: is full of out doctor Dre records. So what do

2356
02:00:38,680 --> 02:00:40,800
Speaker 3: you think in compares to his body of work? That

2357
02:00:41,080 --> 02:00:44,920
Speaker 3: what you've heard so far, it's just magnificent. See Dre

2358
02:00:45,320 --> 02:00:49,040
Speaker 3: Dre Dre, I guess has certain people he trusts, and

2359
02:00:49,040 --> 02:00:51,040
Speaker 3: so I listened to the music and I give him

2360
02:00:51,080 --> 02:00:54,920
Speaker 3: back my on my opinion, honest feedback. Like he'll send

2361
02:00:54,920 --> 02:00:57,120
Speaker 3: me five records, I'll say this is my favorite. That's

2362
02:00:57,120 --> 02:00:58,800
Speaker 3: all you need. I like this one out of all

2363
02:00:58,880 --> 02:01:06,120
Speaker 3: of them. And stuff, But Dres special cool. Next question,

2364
02:01:06,920 --> 02:01:09,520
Speaker 3: don't think Puffy ain't special. Though Puffy invited me to

2365
02:01:09,560 --> 02:01:11,040
Speaker 3: a lot of fly ass parties, I don't want to

2366
02:01:11,240 --> 02:01:11,839
Speaker 3: my advitations.

2367
02:01:11,920 --> 02:01:12,200
Speaker 1: Fuck.

2368
02:01:12,440 --> 02:01:16,360
Speaker 3: I love love love, mister love, I love you. Don't

2369
02:01:16,360 --> 02:01:18,800
Speaker 3: get it wrong. Don't get it wrong. I fucked with Puff.

2370
02:01:19,320 --> 02:01:22,480
Speaker 3: Puff is cool with me. Let the record show.

2371
02:01:23,960 --> 02:01:25,560
Speaker 2: So would you rather be loved or fear?

2372
02:01:26,120 --> 02:01:26,360
Speaker 1: Love?

2373
02:01:27,640 --> 02:01:33,040
Speaker 3: Absolutely love fear. Fear is not is not it's the bullshit.

2374
02:01:33,720 --> 02:01:36,920
Speaker 3: Love keeps you safe. The reason nobody'll letting nothing happen

2375
02:01:36,960 --> 02:01:38,920
Speaker 3: to me in here, because you motherfuckers got love for

2376
02:01:39,040 --> 02:01:43,720
Speaker 3: me now, because nobody's scared of me. Scared man, it

2377
02:01:43,760 --> 02:01:46,720
Speaker 3: only takes six ounces of pressure from a kid torpedo.

2378
02:01:46,800 --> 02:01:48,920
Speaker 1: Send a kid at you pole, they put you down.

2379
02:01:50,520 --> 02:01:51,360
Speaker 2: Can I break this down?

2380
02:01:51,400 --> 02:01:52,160
Speaker 1: This is a good one.

2381
02:01:53,160 --> 02:01:56,080
Speaker 3: If you got love, you have a group of people

2382
02:01:56,120 --> 02:01:59,080
Speaker 3: around you that love you. That's your inner circle, right,

2383
02:01:59,560 --> 02:02:02,839
Speaker 3: you take and carry them. They talk to other people

2384
02:02:03,360 --> 02:02:06,360
Speaker 3: and they say, yo, yo, fan's my man, blah blah blah.

2385
02:02:06,440 --> 02:02:10,240
Speaker 1: That's another circle. Maybe you helping them, They helping them.

2386
02:02:10,320 --> 02:02:14,800
Speaker 3: Okay, there's another circle of people outside of them. They hear, oh,

2387
02:02:14,920 --> 02:02:17,360
Speaker 3: Fan's a good dude, that's my man. Right, So it's

2388
02:02:17,400 --> 02:02:18,320
Speaker 3: a big circle.

2389
02:02:18,920 --> 02:02:21,040
Speaker 1: That ice is a good or you're a good dude.

2390
02:02:21,120 --> 02:02:23,160
Speaker 3: You know how you're in danger is when your inner

2391
02:02:23,200 --> 02:02:26,240
Speaker 3: circle turns on you. When you're inner circle, it got

2392
02:02:26,240 --> 02:02:28,680
Speaker 3: a problem. And they the ones that can let motherfuckers in.

2393
02:02:28,880 --> 02:02:31,840
Speaker 3: But if you got that circle right before somebody over

2394
02:02:31,880 --> 02:02:34,240
Speaker 3: to the left moves on you, they're gonna run into

2395
02:02:34,240 --> 02:02:36,280
Speaker 3: one of your people. It's like, nah, that's not gonna

2396
02:02:36,320 --> 02:02:40,360
Speaker 3: happen Cuz because of love of layers of love, not fear.

2397
02:02:40,760 --> 02:02:44,400
Speaker 3: Fear is a challenge. Fear is a challenge. Oh he's

2398
02:02:44,400 --> 02:02:48,600
Speaker 3: supposed to be hard, nigga. Fuck that nigga. You know

2399
02:02:48,600 --> 02:02:53,440
Speaker 3: what I'm saying. But love will protect you to an extent,

2400
02:02:54,000 --> 02:02:56,400
Speaker 3: to an extent, because, like I told Nori last night,

2401
02:02:56,640 --> 02:03:00,560
Speaker 3: the bullet will hit you before the rep hits them.

2402
02:03:00,920 --> 02:03:04,120
Speaker 3: So I'm in I'm in South Beach cruising fly they

2403
02:03:04,160 --> 02:03:04,680
Speaker 3: move on a.

2404
02:03:04,640 --> 02:03:09,879
Speaker 1: Car blow, I got hit. That was ice. I don't know.

2405
02:03:10,160 --> 02:03:13,800
Speaker 3: So the niggas out at night doing dirt, they can

2406
02:03:13,840 --> 02:03:14,200
Speaker 3: get it.

2407
02:03:14,400 --> 02:03:14,560
Speaker 1: Now.

2408
02:03:14,600 --> 02:03:17,760
Speaker 3: Why Why do I know that element is out because

2409
02:03:17,760 --> 02:03:20,080
Speaker 3: I used to be in that element looking for fucking

2410
02:03:20,320 --> 02:03:24,160
Speaker 3: hunting niggas. So I know you're in danger out there.

2411
02:03:24,640 --> 02:03:26,280
Speaker 3: You look like a big piggy bank. You in a

2412
02:03:26,320 --> 02:03:29,920
Speaker 3: may box, you look like a big piggy bank. But

2413
02:03:30,160 --> 02:03:33,280
Speaker 3: in a real situation, the only reason that anybody in

2414
02:03:33,320 --> 02:03:35,400
Speaker 3: here would hold me down is because they got love

2415
02:03:35,480 --> 02:03:38,760
Speaker 3: for me, not because they're afraid of me. Fuck out

2416
02:03:38,760 --> 02:03:54,200
Speaker 3: of here, yo yo, or Lady of Rage, I'm not

2417
02:03:54,280 --> 02:04:02,840
Speaker 3: fucking with that one. Both we just dope. Rage has

2418
02:04:03,000 --> 02:04:07,240
Speaker 3: what we just talked about a classic record. You say

2419
02:04:07,280 --> 02:04:10,440
Speaker 3: Afro Puffs is rage I mean that ship was so

2420
02:04:10,560 --> 02:04:14,000
Speaker 3: hard and then Yo Yo is cubes girl.

2421
02:04:14,320 --> 02:04:16,120
Speaker 1: Yoyo is so dope in real life.

2422
02:04:16,160 --> 02:04:20,760
Speaker 3: She's such a real champ, a real person, a sweetheart.

2423
02:04:21,960 --> 02:04:23,920
Speaker 3: I'm the kind of person like I put the West

2424
02:04:23,960 --> 02:04:27,080
Speaker 3: Coast on my back, like all all West Coast rappers.

2425
02:04:27,480 --> 02:04:29,040
Speaker 1: We all family, you know.

2426
02:04:29,560 --> 02:04:31,840
Speaker 3: So I would never talk down on neither of them chicks,

2427
02:04:31,840 --> 02:04:33,760
Speaker 3: and both of them always treated me sweet.

2428
02:04:34,040 --> 02:04:37,440
Speaker 1: That's what's up. So Mob Deep or Mop.

2429
02:04:39,600 --> 02:04:39,960
Speaker 2: Shit?

2430
02:04:42,200 --> 02:04:44,840
Speaker 3: I say both, even though like I say, Mob Deep

2431
02:04:44,920 --> 02:04:48,080
Speaker 3: is my favorite. Yeah, yeah, gotta take a big one

2432
02:04:48,080 --> 02:04:50,920
Speaker 3: in now, that's a good one. Mob Deep and Mop.

2433
02:04:54,040 --> 02:05:03,520
Speaker 3: I did song recently with Fame and Little Fame, uh

2434
02:05:04,120 --> 02:05:11,000
Speaker 3: Havoc and ras Cans. Wow, they got a little group

2435
02:05:11,040 --> 02:05:13,640
Speaker 3: they put together. So I did a video with Depth, but.

2436
02:05:14,800 --> 02:05:18,040
Speaker 1: Little Fame, Havoc and Rass I didn't know that.

2437
02:05:18,440 --> 02:05:20,840
Speaker 3: Yeah, there's something coming, there's something coming. We shot a

2438
02:05:20,920 --> 02:05:23,880
Speaker 3: video and stuff, but I'm not I'm just in the video.

2439
02:05:24,320 --> 02:05:31,120
Speaker 3: But like I say, like to me, Mob Deep, Mob

2440
02:05:31,160 --> 02:05:33,920
Speaker 3: Deep is the calm before the storm, and Mop.

2441
02:05:33,880 --> 02:05:39,200
Speaker 1: Is a storm. Well MP came out first, but MP

2442
02:05:39,480 --> 02:05:44,640
Speaker 1: black vibes, you know, like Yo coming out some wall corner.

2443
02:05:46,160 --> 02:05:49,120
Speaker 3: I did a record billy dance and it's like, Yo,

2444
02:05:49,200 --> 02:05:50,800
Speaker 3: that's hit. The way they do it, they have a

2445
02:05:50,840 --> 02:05:53,040
Speaker 3: technique on how they do it to get that ship

2446
02:05:53,160 --> 02:05:55,160
Speaker 3: like that, the ad libs are sick.

2447
02:05:55,800 --> 02:06:01,400
Speaker 1: But then then like mob deep, it's just like it's scary. See.

2448
02:06:01,480 --> 02:06:04,680
Speaker 3: My thing with gangster rap is the music has to

2449
02:06:04,760 --> 02:06:08,600
Speaker 3: match the content. Like I've never been into like saying

2450
02:06:09,080 --> 02:06:12,000
Speaker 3: gangster shit over happy music like that didn't work for me.

2451
02:06:12,320 --> 02:06:16,800
Speaker 3: So like when I heard when you hear fall Killers

2452
02:06:16,800 --> 02:06:21,120
Speaker 3: in the hundred dollar ability, real niggas who ain't got

2453
02:06:21,280 --> 02:06:24,240
Speaker 3: no filter on before they even start rapping, you like

2454
02:06:24,320 --> 02:06:28,920
Speaker 3: niggas start stabbing niggas. You know, it just gets you

2455
02:06:28,960 --> 02:06:31,440
Speaker 3: in that zone. I got your tuck off the realness.

2456
02:06:31,440 --> 02:06:32,600
Speaker 3: We be the infamous.

2457
02:06:32,800 --> 02:06:36,320
Speaker 1: So I'm like, oh, this shit is so gangster. So

2458
02:06:36,360 --> 02:06:36,920
Speaker 1: that's my thing.

2459
02:06:37,000 --> 02:06:42,200
Speaker 3: Gangster music should always have that that sound. Now, now, Annie, y'all,

2460
02:06:43,920 --> 02:06:46,960
Speaker 3: there's two records. I stand up in the club, two

2461
02:06:47,000 --> 02:06:49,360
Speaker 3: records that I don't care what the fuck happens.

2462
02:06:49,560 --> 02:06:52,600
Speaker 1: I stand up. When jay Z says allow.

2463
02:06:52,440 --> 02:06:56,840
Speaker 3: Me to reintroduce myself, I'm like, oh, I'm like hate it.

2464
02:06:57,000 --> 02:06:59,720
Speaker 3: Oh me, I'm in the club. I'm like, oh, that's

2465
02:06:59,720 --> 02:07:02,640
Speaker 3: my sh I stand up in an yuh when Annie yup,

2466
02:07:02,840 --> 02:07:06,040
Speaker 3: I stand up. I can't help I gotta get it.

2467
02:07:06,160 --> 02:07:08,120
Speaker 3: You know my other record that makes me stand up too.

2468
02:07:09,240 --> 02:07:10,960
Speaker 3: You don't want them boys to come over and start

2469
02:07:11,040 --> 02:07:14,160
Speaker 3: asking you what you want to do, what.

2470
02:07:14,360 --> 02:07:15,120
Speaker 2: You're trying to do?

2471
02:07:16,160 --> 02:07:17,640
Speaker 1: Record, He's a good nigga.

2472
02:07:19,640 --> 02:07:21,360
Speaker 3: I love the party. I love I just love the

2473
02:07:21,400 --> 02:07:25,840
Speaker 3: word nigga. What you want to do, nigga, what you're

2474
02:07:25,920 --> 02:07:29,000
Speaker 3: trying to do? Yeah, that record gets me a turn.

2475
02:07:30,080 --> 02:07:32,920
Speaker 3: Certain records now this one is that's a good one.

2476
02:07:34,240 --> 02:07:36,440
Speaker 3: Illmatic or all os on me?

2477
02:07:36,760 --> 02:07:37,240
Speaker 1: Illmatic?

2478
02:07:38,760 --> 02:07:41,600
Speaker 3: Illmatic because like I say, I'm much more of a

2479
02:07:41,720 --> 02:07:44,440
Speaker 3: lyrical cat. And I loved Illmatic when it first came

2480
02:07:44,520 --> 02:07:47,720
Speaker 3: out and stuff like that. I love pop, but it's

2481
02:07:48,040 --> 02:07:50,600
Speaker 3: I only like certain Park records. You know what I'm saying.

2482
02:07:50,760 --> 02:07:54,360
Speaker 3: I only like certain Park records. It's my it's my taste.

2483
02:07:54,520 --> 02:07:58,000
Speaker 3: Now crucify me on the West coast. But I'm a

2484
02:07:58,160 --> 02:08:01,920
Speaker 3: much I was studying OS and I think the nods

2485
02:08:02,000 --> 02:08:03,280
Speaker 3: being what was he sixteen?

2486
02:08:04,200 --> 02:08:04,680
Speaker 1: He was young.

2487
02:08:04,880 --> 02:08:08,640
Speaker 3: That eliminates the excuse of young rappers claiming while I'm young,

2488
02:08:10,480 --> 02:08:13,600
Speaker 3: that kid was, you know, and I sat there, listened

2489
02:08:13,640 --> 02:08:18,960
Speaker 3: to that album, like, I gotta get better, right, you

2490
02:08:19,040 --> 02:08:19,600
Speaker 3: know what I'm saying.

2491
02:08:20,000 --> 02:08:20,880
Speaker 1: So that's what I like.

2492
02:08:21,120 --> 02:08:23,480
Speaker 3: You know, if you're the baddest nigg in the room,

2493
02:08:23,520 --> 02:08:25,800
Speaker 3: you're not gonna grow. You know, when I go out,

2494
02:08:25,880 --> 02:08:27,560
Speaker 3: I want to be the brokest nigg in the room.

2495
02:08:28,240 --> 02:08:30,480
Speaker 3: That's the only way I can come up, you know.

2496
02:08:30,840 --> 02:08:32,760
Speaker 3: So I like to be around So I like, I

2497
02:08:32,840 --> 02:08:35,480
Speaker 3: love being around busting rhymes and super rappers and shit

2498
02:08:35,600 --> 02:08:35,800
Speaker 3: like that.

2499
02:08:36,680 --> 02:08:39,080
Speaker 1: You think is just as good as you are better.

2500
02:08:39,280 --> 02:08:41,320
Speaker 3: When I first started rapping, I was in the studio

2501
02:08:41,400 --> 02:08:45,480
Speaker 3: with Cat, with Melly Mel and Kaz and at first,

2502
02:08:45,520 --> 02:08:46,160
Speaker 3: people I ever.

2503
02:08:46,080 --> 02:08:48,960
Speaker 1: Seen right in the studio, right, they raps in the studio.

2504
02:08:50,800 --> 02:08:52,240
Speaker 3: But they was like, yo, if you write it to

2505
02:08:52,360 --> 02:08:54,400
Speaker 3: the beat, it's gonna flow better than if you write

2506
02:08:54,440 --> 02:08:55,960
Speaker 3: it and try to push it over to beat.

2507
02:08:56,320 --> 02:08:58,560
Speaker 1: I had to learn that. Now I don't write. I

2508
02:08:58,600 --> 02:09:01,520
Speaker 1: don't write until I got the beat. I learned that.

2509
02:09:01,760 --> 02:09:06,560
Speaker 3: But Nas is a nazz, half man, half amazing. This

2510
02:09:06,680 --> 02:09:11,040
Speaker 3: nigg is something else and and like and Park was too,

2511
02:09:11,120 --> 02:09:13,120
Speaker 3: but Pock had to kind of grow. I don't know

2512
02:09:13,200 --> 02:09:15,600
Speaker 3: the thing of it is with pop. I knew punk

2513
02:09:15,680 --> 02:09:18,920
Speaker 3: when he was in Digital Underground. So it took me

2514
02:09:19,040 --> 02:09:21,680
Speaker 3: a minute to accept Park as a rapper because we're

2515
02:09:21,680 --> 02:09:23,280
Speaker 3: gonna come back to that. You know what I'm saying,

2516
02:09:23,680 --> 02:09:27,160
Speaker 3: refight to that SCHOOLI D or cool or who's you at?

2517
02:09:28,440 --> 02:09:33,120
Speaker 3: Two different type rappers? Uh, well, I can't compare them.

2518
02:09:33,440 --> 02:09:34,200
Speaker 3: I'll say both.

2519
02:09:34,640 --> 02:09:37,600
Speaker 1: Right, take a sip. Well you're all just taking a system.

2520
02:09:39,280 --> 02:09:40,400
Speaker 2: What kind of part of the game is this.

2521
02:09:40,880 --> 02:09:43,280
Speaker 1: I've been going back and forth. If school D is

2522
02:09:43,360 --> 02:09:45,640
Speaker 1: the is the inventor of gangster rap?

2523
02:09:46,480 --> 02:09:50,800
Speaker 5: Yeah, here's the in your opinion inventor, because they say

2524
02:09:50,880 --> 02:09:52,200
Speaker 5: you're the inventor against the rap.

2525
02:09:52,920 --> 02:09:58,800
Speaker 1: I'm saying I put the fentonyl hold on, hold on

2526
02:10:01,040 --> 02:10:01,760
Speaker 1: breaking news.

2527
02:10:02,840 --> 02:10:08,240
Speaker 3: Finally ever, finally, yes, do you say, who's the originated

2528
02:10:08,280 --> 02:10:10,000
Speaker 3: against school D?

2529
02:10:10,560 --> 02:10:10,720
Speaker 1: Now?

2530
02:10:10,840 --> 02:10:13,400
Speaker 3: Also, there's another group in New York called Mob Style

2531
02:10:14,320 --> 02:10:17,000
Speaker 3: Mob Style, Right, David a gangster yourself?

2532
02:10:17,040 --> 02:10:20,680
Speaker 5: I was after actually a Z from the Alphole Crew.

2533
02:10:20,800 --> 02:10:22,080
Speaker 5: He was actually in that group.

2534
02:10:22,160 --> 02:10:25,080
Speaker 1: I believe he was writing no, no, no, yes, I'm

2535
02:10:25,080 --> 02:10:27,680
Speaker 1: pretty tony ye pretty ye.

2536
02:10:28,320 --> 02:10:32,880
Speaker 3: Alright, So anyway, Mob Style and school I don't know what.

2537
02:10:33,080 --> 02:10:35,680
Speaker 3: I don't know when Mob Style came out. Okay, I

2538
02:10:35,720 --> 02:10:38,120
Speaker 3: don't I can't know so that, but I was aware

2539
02:10:38,160 --> 02:10:40,960
Speaker 3: of that group. Okay, all right, you know, if people

2540
02:10:41,040 --> 02:10:42,760
Speaker 3: trying to put you in history, you want to be

2541
02:10:42,840 --> 02:10:45,800
Speaker 3: placed correctly. I don't want to know fucking fake ship. Yes,

2542
02:10:46,360 --> 02:10:50,800
Speaker 3: So the schooly D story goes like this. I was

2543
02:10:50,960 --> 02:10:55,520
Speaker 3: already writing gangster raps, but I never put it on wax.

2544
02:10:57,280 --> 02:11:00,640
Speaker 3: I was writing rhymes for gang bangers. One here, gang

2545
02:11:00,720 --> 02:11:04,920
Speaker 3: bang around. Yeah, strolling through the city in the middle

2546
02:11:04,960 --> 02:11:06,960
Speaker 3: of the night. Niggas on my left, niggas on my

2547
02:11:07,120 --> 02:11:09,760
Speaker 3: right yelling cut cut cut rip. That'd be nigga. I'll

2548
02:11:09,760 --> 02:11:11,960
Speaker 3: see if you bad enough, come fuck with me. I

2549
02:11:12,040 --> 02:11:14,280
Speaker 3: seen another nigga. I say crip again. He sayd fuck

2550
02:11:14,320 --> 02:11:15,000
Speaker 3: a crip nigga.

2551
02:11:15,040 --> 02:11:15,520
Speaker 2: This is brim.

2552
02:11:15,880 --> 02:11:18,680
Speaker 3: So we pulled out the rosco. Roscoe said, crack. I

2553
02:11:18,720 --> 02:11:21,000
Speaker 3: look again. Nigga was shooting back, so we fell to

2554
02:11:21,080 --> 02:11:23,520
Speaker 3: the ground. Ain't for his head one more time. The

2555
02:11:23,600 --> 02:11:26,400
Speaker 3: bitch nigga was dead, walked over to him, took his gun,

2556
02:11:26,560 --> 02:11:29,120
Speaker 3: spitting his face, and began to run. So if you

2557
02:11:29,200 --> 02:11:31,640
Speaker 3: see another nigga laying dead in the street and a

2558
02:11:31,680 --> 02:11:34,240
Speaker 3: puddle of blood from his head to his feet, open time.

2559
02:11:34,320 --> 02:11:36,520
Speaker 3: All your niggas get hip. It's fuck of brim niggas,

2560
02:11:36,600 --> 02:11:39,440
Speaker 3: west side cryp. I said that on the others, on

2561
02:11:39,520 --> 02:11:41,360
Speaker 3: the other drink champs because I then I ended with

2562
02:11:41,520 --> 02:11:44,480
Speaker 3: rolling sixty crip. But that was something I would say.

2563
02:11:45,080 --> 02:11:47,840
Speaker 3: One here, one more, I got an I don't know

2564
02:11:47,920 --> 02:11:51,760
Speaker 3: how to fuck you on TV. This This was even

2565
02:11:52,040 --> 02:11:55,800
Speaker 3: This was even more fun. This one's even more fun.

2566
02:11:56,080 --> 02:11:57,520
Speaker 3: I said this and crench your eyes.

2567
02:11:58,280 --> 02:11:58,760
Speaker 2: So like this.

2568
02:11:59,360 --> 02:12:01,480
Speaker 3: Fall into a party on a Saturday night and I

2569
02:12:01,560 --> 02:12:03,360
Speaker 3: left the pad down and out for a fight. Had

2570
02:12:03,400 --> 02:12:06,400
Speaker 3: on a waistline leather Levi's cuff under the coat. I

2571
02:12:06,480 --> 02:12:08,680
Speaker 3: knew I was buffed because I was driving the iron

2572
02:12:08,760 --> 02:12:10,520
Speaker 3: getting ready for that set, and I was packing a

2573
02:12:10,600 --> 02:12:13,480
Speaker 3: punching nigga. Never forget the ring in my ear was

2574
02:12:13,560 --> 02:12:15,800
Speaker 3: hanging halfway to the floor, and I was so tight

2575
02:12:15,880 --> 02:12:18,680
Speaker 3: I walked sideways out the door. Now the hoop hee

2576
02:12:18,800 --> 02:12:21,320
Speaker 3: was lifted front side and rear, and the glass was

2577
02:12:21,360 --> 02:12:24,560
Speaker 3: all tinted. Wasn't none of it clear? It was Craiger down.

2578
02:12:24,640 --> 02:12:26,760
Speaker 3: Those are the rims. Was Craiger down with a cold

2579
02:12:26,800 --> 02:12:30,400
Speaker 3: ass pearl deepest diamond tuck in the goddamn world. I

2580
02:12:30,480 --> 02:12:33,880
Speaker 3: had quadraphonic headphones with the tone you could fix under

2581
02:12:33,960 --> 02:12:36,320
Speaker 3: the seat. I had a thirty yard six. Now on

2582
02:12:36,360 --> 02:12:38,320
Speaker 3: the way to the party, I was scraping and hopping

2583
02:12:38,360 --> 02:12:39,600
Speaker 3: because I knew by the end of the night there

2584
02:12:39,680 --> 02:12:40,680
Speaker 3: was gonna be some popping.

2585
02:12:40,960 --> 02:12:43,120
Speaker 1: When I got to the set, I let it lay.

2586
02:12:43,000 --> 02:12:43,600
Speaker 2: On the ground.

2587
02:12:43,720 --> 02:12:46,720
Speaker 3: The budas came to check it out from Chinatown. Now,

2588
02:12:46,760 --> 02:12:48,920
Speaker 3: when I fell in the party, it was niggas for days.

2589
02:12:48,960 --> 02:12:51,720
Speaker 3: I was looking crazy, some hellified ways. I just walked

2590
02:12:51,720 --> 02:12:54,120
Speaker 3: in the corner and listened as they talk. First James

2591
02:12:54,160 --> 02:12:56,440
Speaker 3: Brown record, I jumped up from crip walk. Now I

2592
02:12:56,560 --> 02:12:59,080
Speaker 3: was walking so hard. Niggas couldn't compete.

2593
02:12:59,080 --> 02:12:59,920
Speaker 1: I to turn out the.

2594
02:13:00,040 --> 02:13:03,120
Speaker 3: Party with my goddamn feet, but norridy. Then some niggas

2595
02:13:03,160 --> 02:13:05,480
Speaker 3: went and got out of line. His nose, my fists

2596
02:13:05,520 --> 02:13:08,440
Speaker 3: had no trouble to find. After driving the iron so

2597
02:13:08,640 --> 02:13:11,080
Speaker 3: hard all that day. I drove his grilling in one

2598
02:13:11,160 --> 02:13:14,120
Speaker 3: hell of a way, but his partners fell out. Sodid

2599
02:13:14,240 --> 02:13:17,120
Speaker 3: mine squabron went on for quite a long time, but

2600
02:13:17,240 --> 02:13:19,280
Speaker 3: then all of a sudden I heard some popping. I

2601
02:13:19,360 --> 02:13:21,480
Speaker 3: knew not too soon this fire would be stopping. I

2602
02:13:21,520 --> 02:13:24,280
Speaker 3: seen twenty two thirty eighths and a forty five. I

2603
02:13:24,360 --> 02:13:27,640
Speaker 3: knew not too much would be left alive. The niggas

2604
02:13:27,680 --> 02:13:30,120
Speaker 3: broke out, and a god damn raig because I didn't

2605
02:13:30,120 --> 02:13:32,800
Speaker 3: think I seen the sawed off gauge, because I was

2606
02:13:32,840 --> 02:13:33,320
Speaker 3: sent from.

2607
02:13:33,280 --> 02:13:34,000
Speaker 1: Hell not heaven.

2608
02:13:34,080 --> 02:13:36,400
Speaker 3: I broke out with the chrome played at three fifty seven,

2609
02:13:36,640 --> 02:13:38,880
Speaker 3: and the name of the game is simply survival. At

2610
02:13:38,920 --> 02:13:41,120
Speaker 3: the end of the night, ten was dead on arrival,

2611
02:13:41,400 --> 02:13:43,680
Speaker 3: and me and my partners, we was gone like the winds.

2612
02:13:44,040 --> 02:13:46,440
Speaker 3: Police blamed it on the crips of the brims, but

2613
02:13:46,640 --> 02:13:48,760
Speaker 3: some niggas knew in the corner and the dark, them

2614
02:13:48,840 --> 02:13:51,560
Speaker 3: crazy niggas reside and try and go park. They go

2615
02:13:51,720 --> 02:13:54,800
Speaker 3: by the name of Burnett, zelln Trey, and they belonged

2616
02:13:54,840 --> 02:13:57,600
Speaker 3: to the association called the EPA that was called the

2617
02:13:57,640 --> 02:13:59,320
Speaker 3: Eliminator's Pimping Association.

2618
02:13:59,480 --> 02:14:01,520
Speaker 1: That was one of my little cruise back in the deaths.

2619
02:14:03,160 --> 02:14:03,640
Speaker 2: How are you.

2620
02:14:08,040 --> 02:14:08,280
Speaker 1: There?

2621
02:14:09,080 --> 02:14:13,720
Speaker 3: For the record, this is free hip hop, damn. This

2622
02:14:13,920 --> 02:14:17,480
Speaker 3: is nineteen seventy say five.

2623
02:14:19,360 --> 02:14:20,600
Speaker 1: In high school.

2624
02:14:22,160 --> 02:14:25,800
Speaker 3: Saying these rhymes to the gang bangers to entertain them,

2625
02:14:26,880 --> 02:14:30,640
Speaker 3: so I totain them. I can insert your gang name,

2626
02:14:30,800 --> 02:14:32,760
Speaker 3: I can insert your shit into the set.

2627
02:14:33,120 --> 02:14:35,880
Speaker 1: This is how I kept them savage niggas.

2628
02:14:35,560 --> 02:14:36,240
Speaker 2: Off my pumper.

2629
02:14:37,000 --> 02:14:39,360
Speaker 1: Your nigga said, say my name, cook put my name

2630
02:14:39,400 --> 02:14:39,520
Speaker 1: in it.

2631
02:14:39,760 --> 02:14:43,360
Speaker 3: So this is it. So when hip hop came, I'm like,

2632
02:14:43,440 --> 02:14:45,720
Speaker 3: I could do that, but I just had to learn

2633
02:14:45,760 --> 02:14:48,400
Speaker 3: how to syncopate it on the be. Some people still

2634
02:14:48,440 --> 02:14:50,400
Speaker 3: don't them. I think I can syncopate it on the bee,

2635
02:14:50,560 --> 02:14:53,120
Speaker 3: but that's another story. But that was my attempt to

2636
02:14:53,280 --> 02:14:55,680
Speaker 3: learn how to do it. So that was gangster rap, right.

2637
02:14:55,960 --> 02:14:59,080
Speaker 3: That's so if you count that, then maybe I am

2638
02:14:59,160 --> 02:15:01,680
Speaker 3: the first. It wasn't recorded, so I'm in the I'm

2639
02:15:01,760 --> 02:15:04,240
Speaker 3: in the club called two one three No three.

2640
02:15:04,680 --> 02:15:05,839
Speaker 1: It was in Santa Monica.

2641
02:15:07,280 --> 02:15:07,920
Speaker 2: And I hear this.

2642
02:15:12,560 --> 02:15:16,240
Speaker 1: PSK making that green. People always say, what the hell

2643
02:15:16,280 --> 02:15:19,240
Speaker 1: does that mean? Peace for the people who can't.

2644
02:15:19,120 --> 02:15:22,240
Speaker 3: Understand, And the music sounded I don't never get high,

2645
02:15:22,320 --> 02:15:23,680
Speaker 3: but it sounded like angel dust.

2646
02:15:25,320 --> 02:15:26,760
Speaker 2: I can hear that.

2647
02:15:26,960 --> 02:15:28,960
Speaker 1: I agree with that. I can hear the PSK.

2648
02:15:29,480 --> 02:15:30,600
Speaker 2: All that reverb was like.

2649
02:15:33,040 --> 02:15:35,880
Speaker 3: And all of a sudden, it's pimp niggas BSk, you know,

2650
02:15:36,760 --> 02:15:39,040
Speaker 3: And then that then he said, I went to the DJ.

2651
02:15:39,480 --> 02:15:40,000
Speaker 1: I put my.

2652
02:15:40,080 --> 02:15:43,160
Speaker 3: Pistol up against his head, said suck ass nigga, I

2653
02:15:43,160 --> 02:15:46,800
Speaker 3: should shoot you dead, And I was like, who is this?

2654
02:15:47,600 --> 02:15:50,160
Speaker 1: So I do the research. They say it's school.

2655
02:15:50,200 --> 02:15:51,600
Speaker 2: He d we have to go to the library.

2656
02:15:51,640 --> 02:15:55,200
Speaker 1: I had Google. I had to check with my DJ

2657
02:15:56,880 --> 02:15:58,880
Speaker 1: good but that record fucked me up.

2658
02:15:58,960 --> 02:15:59,280
Speaker 3: That night.

2659
02:15:59,360 --> 02:16:01,800
Speaker 1: I was in the up chilling doing my thing, but

2660
02:16:01,960 --> 02:16:04,720
Speaker 1: that record, I was like, who is that? So we

2661
02:16:04,840 --> 02:16:05,920
Speaker 1: found out schoolly D.

2662
02:16:06,120 --> 02:16:10,440
Speaker 3: We did the research, said Philly like cool and they

2663
02:16:10,600 --> 02:16:16,440
Speaker 3: like PSK stands for park side killers. I'm like, he's

2664
02:16:16,640 --> 02:16:22,839
Speaker 3: rapping a sets ask PSK stands for park side killers,

2665
02:16:23,400 --> 02:16:28,800
Speaker 3: A gang never been done before. No hip hop was

2666
02:16:28,840 --> 02:16:30,800
Speaker 3: throw your hands in the air with peace love and

2667
02:16:31,040 --> 02:16:33,879
Speaker 3: you know this nigga's rapping about a gang.

2668
02:16:34,440 --> 02:16:38,920
Speaker 1: So I was like that was a green light, like oh,

2669
02:16:39,040 --> 02:16:40,080
Speaker 1: all these other rhymes.

2670
02:16:40,120 --> 02:16:42,600
Speaker 3: I got over here because I was like, you can't

2671
02:16:42,680 --> 02:16:46,600
Speaker 3: do it like you gotta remember hip hop was like disco.

2672
02:16:47,560 --> 02:16:51,240
Speaker 3: It was a marginalized early spikes. Yeah, it was like

2673
02:16:51,400 --> 02:16:53,960
Speaker 3: being like rock star. So I'm like, but then I

2674
02:16:54,160 --> 02:16:56,080
Speaker 3: but then I heard this and it was such a

2675
02:16:56,320 --> 02:16:58,960
Speaker 3: dope record. Then then he had smoked some killed and

2676
02:16:59,040 --> 02:17:04,320
Speaker 3: he was cursing in it, like let's go, So we

2677
02:17:04,520 --> 02:17:05,360
Speaker 3: take the eight away.

2678
02:17:05,480 --> 02:17:06,280
Speaker 1: We make the beat.

2679
02:17:06,959 --> 02:17:10,760
Speaker 3: Uh, six in the morning was made six in the morning,

2680
02:17:11,080 --> 02:17:14,280
Speaker 3: but Pepe game, Pepe game, six in the morning was

2681
02:17:14,360 --> 02:17:17,480
Speaker 3: made kind of like to resemble a Beastie Boys beat.

2682
02:17:19,520 --> 02:17:22,680
Speaker 3: BC Boys had a record came holding out hit it well,

2683
02:17:23,560 --> 02:17:26,200
Speaker 3: I chill, will well, I got then it would stop

2684
02:17:26,320 --> 02:17:30,480
Speaker 3: holding out boom, and then it would start boom. So

2685
02:17:30,720 --> 02:17:34,920
Speaker 3: six in the morning stopped and started, and then then

2686
02:17:35,360 --> 02:17:39,360
Speaker 3: and then boom boom. That was the Beastie Boys stopped.

2687
02:17:39,400 --> 02:17:43,080
Speaker 3: I wanted to make the record stop and start right

2688
02:17:43,200 --> 02:17:45,800
Speaker 3: so that I take I take that.

2689
02:17:46,879 --> 02:17:47,320
Speaker 2: You got you.

2690
02:17:47,480 --> 02:17:49,119
Speaker 1: DJ's understand what I'm saying.

2691
02:17:49,000 --> 02:17:52,840
Speaker 3: Right, because right because that was if you listen to

2692
02:17:52,879 --> 02:17:55,560
Speaker 3: holding out hit it, the record stopped holding that Wait

2693
02:17:55,560 --> 02:17:59,080
Speaker 3: a minute, right, we'll have to bo it starts again.

2694
02:17:59,440 --> 02:17:59,840
Speaker 2: The break.

2695
02:18:00,000 --> 02:18:02,840
Speaker 3: It's just separate. So do our break with dn damn damn.

2696
02:18:04,879 --> 02:18:10,320
Speaker 3: So now schooly d PSK was making that green. People

2697
02:18:10,440 --> 02:18:12,000
Speaker 3: always say, what the hell does that mean?

2698
02:18:12,600 --> 02:18:14,320
Speaker 1: Six in the morning? Police at my.

2699
02:18:14,440 --> 02:18:21,080
Speaker 3: Door, fresh shaded this squeaker. Let me take you another woeman,

2700
02:18:21,160 --> 02:18:23,680
Speaker 3: take you one more step. The boys in the hood

2701
02:18:23,720 --> 02:18:28,040
Speaker 3: are always started talking that trash same ship, all three

2702
02:18:28,600 --> 02:18:31,920
Speaker 3: the same k and same was followings. Dra will tell

2703
02:18:31,959 --> 02:18:34,200
Speaker 3: you that Boys in the Hood is six in the

2704
02:18:34,240 --> 02:18:35,000
Speaker 3: morning Part two.

2705
02:18:35,600 --> 02:18:40,560
Speaker 2: Wow, I was today years old.

2706
02:18:42,640 --> 02:18:44,240
Speaker 3: But see when I tell you when I when I

2707
02:18:44,320 --> 02:18:47,720
Speaker 3: when I say it, it makes sense, makes total sense.

2708
02:18:48,080 --> 02:18:51,960
Speaker 3: So Schooly d inspired six in the morning. But what

2709
02:18:52,120 --> 02:18:54,960
Speaker 3: I did was six in the morning. I put the

2710
02:18:55,120 --> 02:18:58,160
Speaker 3: guns and the drugs and all the other ship because

2711
02:18:59,080 --> 02:19:03,320
Speaker 3: schooly was vain right, you know. Yeah, people always say

2712
02:19:03,360 --> 02:19:06,200
Speaker 3: what peace for, the People can't understand how one by one,

2713
02:19:07,120 --> 02:19:10,160
Speaker 3: home one homeboy became a man. As for the way

2714
02:19:10,360 --> 02:19:13,480
Speaker 3: you scream and shall one by one, I'm knocking you out.

2715
02:19:13,560 --> 02:19:15,800
Speaker 3: That was basically it. I was six in the morning.

2716
02:19:15,879 --> 02:19:18,440
Speaker 3: Police at my door. You know, they found an oozy

2717
02:19:18,520 --> 02:19:21,240
Speaker 3: and a hand canade and we beat the bitch down

2718
02:19:21,320 --> 02:19:21,760
Speaker 3: at the guy.

2719
02:19:21,840 --> 02:19:24,200
Speaker 1: You know, it's like I took the fentanyl on it.

2720
02:19:24,320 --> 02:19:24,840
Speaker 1: I added it.

2721
02:19:26,040 --> 02:19:30,240
Speaker 3: I took ANDID but yeah, it was on steroids. But

2722
02:19:30,360 --> 02:19:34,920
Speaker 3: then what happened is Schoolly, here's it, and gave me

2723
02:19:35,000 --> 02:19:38,600
Speaker 3: the He's like, yo, nigga, that's once, he said. Once

2724
02:19:38,600 --> 02:19:40,920
Speaker 3: I heard the he said, that's it's hard. So me

2725
02:19:40,959 --> 02:19:43,400
Speaker 3: and school he always were friends. It never turned into nothing.

2726
02:19:43,760 --> 02:19:46,280
Speaker 3: And then when Q came out with boys in the hood.

2727
02:19:47,720 --> 02:19:50,680
Speaker 1: I got it. It was just homaged one to the next.

2728
02:19:51,360 --> 02:19:55,320
Speaker 3: School D now Schoolly D's in Philly. Schooly D started.

2729
02:19:55,600 --> 02:20:00,840
Speaker 3: He started making no, no, no, that's that steady be

2730
02:20:01,160 --> 02:20:04,119
Speaker 3: Oh my bad. I'm here to get you right, I'm

2731
02:20:05,400 --> 02:20:11,080
Speaker 3: my hip hop cars. Yeah, yeah WOOI has been doing soundtracks.

2732
02:20:11,120 --> 02:20:12,959
Speaker 3: He actually brought up King of New York. He did

2733
02:20:13,040 --> 02:20:14,440
Speaker 3: the soundtrack for King of New York.

2734
02:20:14,600 --> 02:20:14,880
Speaker 1: Wow.

2735
02:20:15,320 --> 02:20:18,040
Speaker 3: Yeah, so school he's my dude, but yeah, school he

2736
02:20:18,080 --> 02:20:20,080
Speaker 3: has old school style of rhyme and you know the

2737
02:20:20,160 --> 02:20:22,320
Speaker 3: way it is that that SCHOOLI but he was always

2738
02:20:23,000 --> 02:20:24,520
Speaker 3: dirty way.

2739
02:20:24,640 --> 02:20:27,160
Speaker 1: So did you pick school e D or Coolie Rap?

2740
02:20:27,320 --> 02:20:31,560
Speaker 3: We forgot I think I said both because come on,

2741
02:20:31,760 --> 02:20:36,320
Speaker 3: it's a demo, like, yo, what the fuck? DJ polo like,

2742
02:20:37,680 --> 02:20:41,320
Speaker 3: I think really like when we say rock, him was

2743
02:20:41,400 --> 02:20:42,360
Speaker 3: the flower, but.

2744
02:20:43,920 --> 02:20:47,800
Speaker 1: Cougie was the was. It was introduction a complex rhyme style.

2745
02:20:48,680 --> 02:20:52,160
Speaker 3: Complex Tela Rock really was to me the first introduction

2746
02:20:52,280 --> 02:20:56,000
Speaker 3: of the complex rhyme style. But then Coogie Raps sped

2747
02:20:56,040 --> 02:20:59,120
Speaker 3: it up. Yeah, he took it into the future. I

2748
02:20:59,160 --> 02:21:01,920
Speaker 3: didn't record with cool g Rap two for DJ k

2749
02:21:02,120 --> 02:21:03,440
Speaker 3: slagh rest in Peace, one of his.

2750
02:21:04,959 --> 02:21:05,879
Speaker 1: Yeah yeah.

2751
02:21:06,320 --> 02:21:08,400
Speaker 3: I mean, I've been very fortunate to meet all my

2752
02:21:08,480 --> 02:21:12,720
Speaker 3: idols and have them have a mutual respect. The first

2753
02:21:12,760 --> 02:21:14,480
Speaker 3: thing is you meet your idol and they look at you,

2754
02:21:14,520 --> 02:21:15,120
Speaker 3: they don't like you.

2755
02:21:16,560 --> 02:21:20,160
Speaker 1: You a sucker. Oh you don't like them when you

2756
02:21:20,240 --> 02:21:20,480
Speaker 1: meet it.

2757
02:21:21,320 --> 02:21:23,840
Speaker 3: I've had that happen weird ship, you know, I'm into it.

2758
02:21:24,440 --> 02:21:27,200
Speaker 3: I had somebody that I dis and I met and

2759
02:21:27,320 --> 02:21:29,000
Speaker 3: they was the nicest person in the world.

2760
02:21:29,640 --> 02:21:33,160
Speaker 1: I learned my lesson. I stopped that. You don't want

2761
02:21:33,160 --> 02:21:37,120
Speaker 1: to say that first thing. I think it was. I

2762
02:21:37,200 --> 02:21:43,160
Speaker 1: think it was mc shy d, remember Shidy, Yeah, well yo.

2763
02:21:43,160 --> 02:21:45,280
Speaker 2: Shakey Atlanta, Miami.

2764
02:21:45,320 --> 02:21:46,800
Speaker 1: I think yes.

2765
02:21:47,280 --> 02:21:49,120
Speaker 3: And I don't know why. I don't even know why.

2766
02:21:49,440 --> 02:21:51,560
Speaker 3: I wasn't a fan or what I meant. And he's like,

2767
02:21:51,600 --> 02:21:53,560
Speaker 3: your wife's see you. My idol was like, yo, I'm

2768
02:21:53,560 --> 02:21:57,000
Speaker 3: an asshole. I'm an ass out here in Miami. He was,

2769
02:21:57,080 --> 02:22:00,480
Speaker 3: I'm a fucking asshole. This is the nicest dude in

2770
02:22:00,560 --> 02:22:03,240
Speaker 3: the motherfucking world. I don't even know why. And you know,

2771
02:22:03,360 --> 02:22:06,119
Speaker 3: at that point, I like I told you last night, man.

2772
02:22:06,320 --> 02:22:09,440
Speaker 3: Music is religion is like ice cream. That's what it's

2773
02:22:09,480 --> 02:22:11,200
Speaker 3: thirty one flavors. Whatever you like.

2774
02:22:11,760 --> 02:22:14,520
Speaker 1: That's what you like. I've learned that over time it's

2775
02:22:14,600 --> 02:22:16,000
Speaker 1: not for me to pick out your.

2776
02:22:16,240 --> 02:22:19,280
Speaker 3: Preference in what you like. You like it for a

2777
02:22:19,400 --> 02:22:22,040
Speaker 3: certain reason, you know what I'm saying. Eminem to me

2778
02:22:22,160 --> 02:22:25,920
Speaker 3: is one of the most incredible rappers. Eminem right, Okay,

2779
02:22:26,160 --> 02:22:29,200
Speaker 3: Eminem says his first record he ever heard was Reckless.

2780
02:22:29,840 --> 02:22:29,960
Speaker 1: Right.

2781
02:22:30,400 --> 02:22:33,800
Speaker 3: Eminem raps at a certain frequency. If you can't dial

2782
02:22:33,840 --> 02:22:36,480
Speaker 3: into that frequency, you can't listen to Eminem forever. Because

2783
02:22:36,680 --> 02:22:40,640
Speaker 3: Eminem raps at a certain frequency, I tune into a

2784
02:22:40,760 --> 02:22:44,600
Speaker 3: lower voice. Does that mean I dislike Eminem? No, I

2785
02:22:44,720 --> 02:22:49,560
Speaker 3: cannot wrap at his level. But for me listening, I'd

2786
02:22:49,640 --> 02:22:51,400
Speaker 3: rather hear big Daddy King. You know what I'm saying.

2787
02:22:51,400 --> 02:22:54,400
Speaker 3: It's just where my energy level is as a player

2788
02:22:54,520 --> 02:22:55,960
Speaker 3: now and an older player too.

2789
02:22:56,800 --> 02:23:02,680
Speaker 1: I ride around more chill mc Wren or Spice one,

2790
02:23:05,959 --> 02:23:09,199
Speaker 1: both both because they both legends.

2791
02:23:09,680 --> 02:23:10,280
Speaker 2: Wren is.

2792
02:23:11,760 --> 02:23:12,480
Speaker 1: Oh yeah, shots.

2793
02:23:14,000 --> 02:23:21,840
Speaker 3: Ren was always to meet the more serious, believable, dangerous

2794
02:23:21,920 --> 02:23:27,240
Speaker 3: person in NWA because Ren was I remember Ren was

2795
02:23:27,440 --> 02:23:35,119
Speaker 3: Easy's boy. So Ren was really Reren's birthday was yesterday, Yeah,

2796
02:23:35,360 --> 02:23:36,800
Speaker 3: so Ren was really about it.

2797
02:23:37,440 --> 02:23:37,600
Speaker 1: You know.

2798
02:23:38,560 --> 02:23:42,920
Speaker 3: Spice One was just a fucking His style was incredible

2799
02:23:43,000 --> 02:23:45,320
Speaker 3: and you know Stipe Spice one is still a beast.

2800
02:23:48,040 --> 02:23:51,120
Speaker 3: I was once again. I love all West Coast because

2801
02:23:51,160 --> 02:23:52,320
Speaker 3: all the bay, everybody.

2802
02:23:52,440 --> 02:23:52,600
Speaker 4: Man.

2803
02:23:52,879 --> 02:23:55,600
Speaker 3: See, when I started, I couldn't come out crippled blood.

2804
02:23:55,600 --> 02:23:58,680
Speaker 3: I got to come out West Coast, you know, West Coast.

2805
02:23:58,760 --> 02:24:01,400
Speaker 3: So everybody from two short, all the people up and

2806
02:24:01,440 --> 02:24:03,560
Speaker 3: down the bay, it was all help to me.

2807
02:24:04,320 --> 02:24:04,720
Speaker 1: M hmm.

2808
02:24:05,879 --> 02:24:08,720
Speaker 2: Let me, let me added a different one, King t

2809
02:24:08,879 --> 02:24:09,920
Speaker 2: or mc Breed.

2810
02:24:11,480 --> 02:24:19,720
Speaker 1: Both both Uh ain't no ain't no future in the

2811
02:24:19,760 --> 02:24:20,600
Speaker 1: fun funding.

2812
02:24:21,760 --> 02:24:25,920
Speaker 3: I went to Flint, Michigan when Breed was alive, nicest

2813
02:24:25,959 --> 02:24:26,640
Speaker 3: guy in the world.

2814
02:24:26,840 --> 02:24:28,040
Speaker 1: Was there water good back then?

2815
02:24:28,480 --> 02:24:32,040
Speaker 3: Yep, I lost my love. I lost my leather coat.

2816
02:24:32,920 --> 02:24:35,320
Speaker 3: That's my only bad thing. You know how you do

2817
02:24:35,400 --> 02:24:37,160
Speaker 3: it a show and you throw your leather coat. Niggas

2818
02:24:37,200 --> 02:24:41,040
Speaker 3: sol the ship. I went back to the show. Where

2819
02:24:41,120 --> 02:24:42,080
Speaker 3: is it that you didn't get it?

2820
02:24:42,120 --> 02:24:43,080
Speaker 1: You didn't get it them niggas.

2821
02:24:44,760 --> 02:24:47,879
Speaker 3: But uh, if you listen to a lot of any

2822
02:24:48,360 --> 02:24:51,200
Speaker 3: Like everybody knows Breed's number one records, But if you

2823
02:24:51,280 --> 02:24:54,360
Speaker 3: listen to any of his records, he's dope. Is dope,

2824
02:24:54,760 --> 02:24:57,640
Speaker 3: Breed is dope. He up, He's wrapping his ass and

2825
02:24:57,760 --> 02:25:00,119
Speaker 3: Now King T is a whole another.

2826
02:25:01,480 --> 02:25:05,240
Speaker 1: You know. To me, King T was West Coast Biggie. Yeah.

2827
02:25:05,360 --> 02:25:09,360
Speaker 3: The King T flow is so similar to Biggie's flow.

2828
02:25:10,120 --> 02:25:12,199
Speaker 3: And I have a picture of him and Biggie together.

2829
02:25:12,720 --> 02:25:20,119
Speaker 3: Wow wow Yeah. So you know, well, it's Tila man,

2830
02:25:20,160 --> 02:25:23,000
Speaker 3: that's my guy. Man, that's my guy. King T has

2831
02:25:23,040 --> 02:25:25,640
Speaker 3: what's called the drunk technique. You gotta get King T

2832
02:25:25,840 --> 02:25:26,440
Speaker 3: on the no.

2833
02:25:26,680 --> 02:25:30,560
Speaker 2: Yeah, I mean, alcohol is if anything, So for him.

2834
02:25:30,440 --> 02:25:33,439
Speaker 3: To browse, he has to hit the right level of drunkness.

2835
02:25:34,920 --> 02:25:37,360
Speaker 3: If he gets too high, can't do it. If he

2836
02:25:37,440 --> 02:25:40,240
Speaker 3: gets not high enough to flow, don't happen when he

2837
02:25:40,320 --> 02:25:42,360
Speaker 3: hits that. The drunk technique was one.

2838
02:25:42,280 --> 02:25:43,160
Speaker 1: Of his records.

2839
02:25:43,520 --> 02:25:47,800
Speaker 3: It's yodd. I mean, so the Kong Fu technique, the

2840
02:25:47,879 --> 02:25:50,440
Speaker 3: drunken Monkey pretty much pretty much.

2841
02:25:50,720 --> 02:25:56,040
Speaker 1: But Tila is. No one raps like King T. Nobody,

2842
02:25:56,160 --> 02:25:59,880
Speaker 1: And to me, honestly, that's my thing. In hip hop.

2843
02:26:00,040 --> 02:26:05,160
Speaker 3: It's like originality is number one. But there's no component

2844
02:26:05,280 --> 02:26:07,760
Speaker 3: or jega, there's no nads, there's no so you name

2845
02:26:07,800 --> 02:26:10,480
Speaker 3: it off people that just no, they're not replicas. But

2846
02:26:11,240 --> 02:26:15,960
Speaker 3: you know, I've had people show my house fucking like

2847
02:26:17,120 --> 02:26:20,360
Speaker 3: DHL men Ryan and they sound just like DMX. I'm like,

2848
02:26:21,320 --> 02:26:24,040
Speaker 3: you sound like DMX. Like how many rappers are come

2849
02:26:24,120 --> 02:26:25,600
Speaker 3: to me with demos that sound like Park.

2850
02:26:25,680 --> 02:26:27,480
Speaker 2: I'm like, and tell you they sound like it too,

2851
02:26:27,520 --> 02:26:28,160
Speaker 2: which is even.

2852
02:26:28,320 --> 02:26:33,320
Speaker 1: Didn't count, motherfucker they say such and such. Ever last,

2853
02:26:33,480 --> 02:26:35,520
Speaker 1: when I first met him, he sounded like rock him.

2854
02:26:35,600 --> 02:26:38,680
Speaker 3: And he was really yeah, yeah he was in. He

2855
02:26:38,840 --> 02:26:40,680
Speaker 3: sounded like when long when we have the long hair?

2856
02:26:41,200 --> 02:26:43,480
Speaker 3: And I said, you dope, but you need to rap

2857
02:26:43,520 --> 02:26:46,800
Speaker 3: in your own voice. A lot of rappers don't like

2858
02:26:46,840 --> 02:26:49,720
Speaker 3: the sound of their own voice, so to emulate other

2859
02:26:50,000 --> 02:26:50,720
Speaker 3: other rappers.

2860
02:26:52,360 --> 02:26:54,360
Speaker 1: Yeah, the next.

2861
02:26:55,800 --> 02:26:59,200
Speaker 3: Drink chance is dope. Are we getting into stuff? She

2862
02:26:59,400 --> 02:27:01,920
Speaker 3: is opening, I'm opening up some good ship.

2863
02:27:04,800 --> 02:27:05,240
Speaker 1: Hip hop.

2864
02:27:05,560 --> 02:27:08,920
Speaker 2: We're going We're going to strip club Booby Trapper, Magic City.

2865
02:27:10,680 --> 02:27:13,879
Speaker 3: I've never been to the only strip club in Miami

2866
02:27:14,080 --> 02:27:15,760
Speaker 3: I think I ever been. Was Do y'all ever have

2867
02:27:15,840 --> 02:27:20,800
Speaker 3: one called Diamonds and Rolex and Rolex Rolex back with Luke.

2868
02:27:22,040 --> 02:27:25,520
Speaker 2: Yeah, I got a quick story for you. He was

2869
02:27:25,720 --> 02:27:27,920
Speaker 2: I don't know, did Luke dude? Was there a players

2870
02:27:27,959 --> 02:27:30,600
Speaker 2: ball in Miami? But he had a party so so

2871
02:27:30,879 --> 02:27:33,680
Speaker 2: so Luke's remember the club Luke's Club, Yes, I was,

2872
02:27:33,840 --> 02:27:36,600
Speaker 2: I was d Jane right, and Trick Daddy was there.

2873
02:27:37,160 --> 02:27:39,080
Speaker 2: I remember that part. But I remember you coming up

2874
02:27:39,120 --> 02:27:41,520
Speaker 2: to me. I'm DJing. I got a picture of this,

2875
02:27:41,640 --> 02:27:44,959
Speaker 2: and you said, I want a rhyme. Play Shook One's

2876
02:27:45,000 --> 02:27:48,800
Speaker 2: part two okay, And I played it and I'm deep

2877
02:27:48,920 --> 02:27:50,600
Speaker 2: and yeah, and I got the picture of it.

2878
02:27:50,760 --> 02:27:53,840
Speaker 1: Picture looks queerd, but we're.

2879
02:27:53,720 --> 02:27:55,960
Speaker 2: Gonna put the picture in the episode. But it was,

2880
02:27:56,040 --> 02:27:57,000
Speaker 2: it was, It was memorable.

2881
02:27:57,840 --> 02:28:00,400
Speaker 1: I think that was the night I first ran into Pound.

2882
02:28:01,160 --> 02:28:06,000
Speaker 2: I guarantee you it was. I never seen right, am

2883
02:28:06,000 --> 02:28:07,760
Speaker 2: I right, guarantee it was.

2884
02:28:07,920 --> 02:28:11,720
Speaker 3: I ran the Pound and I'd never seen so much jewelry.

2885
02:28:13,240 --> 02:28:15,720
Speaker 3: I was like, who the fuck you? Yoo?

2886
02:28:15,879 --> 02:28:16,160
Speaker 2: Pound?

2887
02:28:16,200 --> 02:28:18,480
Speaker 3: What we fucks with That's all I care is. The

2888
02:28:18,560 --> 02:28:20,000
Speaker 3: second word is we fuck with you?

2889
02:28:20,200 --> 02:28:24,360
Speaker 2: And I'm good and Pound some real dudes, good dudes. Yeah.

2890
02:28:24,680 --> 02:28:27,160
Speaker 3: Yeah, So I met them that night. They was They

2891
02:28:27,280 --> 02:28:29,680
Speaker 3: was like, we fuck with you. I'm like, so then

2892
02:28:29,760 --> 02:28:35,080
Speaker 3: I'm good. Good shout out to Pound, Pound.

2893
02:28:37,640 --> 02:28:41,920
Speaker 2: All right. Law and Order organized crime or law and Order.

2894
02:28:42,040 --> 02:28:44,160
Speaker 1: S v U them all s VU.

2895
02:28:49,360 --> 02:28:53,280
Speaker 3: It's a different different okay, the law and Order, the

2896
02:28:53,280 --> 02:28:55,400
Speaker 3: original law and Order. I give a little love the

2897
02:28:55,480 --> 02:28:57,520
Speaker 3: original Law and Order, because without them we would have

2898
02:28:57,600 --> 02:29:03,960
Speaker 3: never been on Lawn Order. Organized Crime is Chris Maloney's

2899
02:29:03,959 --> 02:29:04,880
Speaker 3: show spin off.

2900
02:29:05,400 --> 02:29:07,640
Speaker 1: But I got to fuck with my team. I had

2901
02:29:07,680 --> 02:29:10,520
Speaker 1: to keep my motherfucking boat floating. You feel me s

2902
02:29:10,640 --> 02:29:10,840
Speaker 1: for you.

2903
02:29:11,360 --> 02:29:14,880
Speaker 3: Mariska hargeta most incredible woman to work with. I've been

2904
02:29:15,040 --> 02:29:19,160
Speaker 3: very fortunate to have a sweet you know. Marishka was

2905
02:29:19,280 --> 02:29:24,680
Speaker 3: Jane Mansfield's daughter. She comes from you know, royalty, right,

2906
02:29:25,120 --> 02:29:27,480
Speaker 3: and I love working with her. And it's been a very,

2907
02:29:27,720 --> 02:29:29,960
Speaker 3: very fun job. People say, well, how do you do

2908
02:29:30,080 --> 02:29:33,800
Speaker 3: the job so long? Because I go to work every

2909
02:29:33,879 --> 02:29:36,960
Speaker 3: day and everybody respects everybody and we all know we

2910
02:29:37,080 --> 02:29:39,120
Speaker 3: all players on the team. So yeah, it's for you

2911
02:29:40,320 --> 02:29:43,600
Speaker 3: season twenty five till season thirty to see till I

2912
02:29:43,920 --> 02:29:46,680
Speaker 3: check out at this bitch, you.

2913
02:29:46,760 --> 02:29:46,959
Speaker 6: Just do.

2914
02:29:48,480 --> 02:29:50,879
Speaker 1: You look? End it out? Got one?

2915
02:29:51,080 --> 02:29:51,320
Speaker 2: You know what?

2916
02:29:52,000 --> 02:29:55,039
Speaker 3: Look look at Look at y'all? Why is this glass

2917
02:29:55,200 --> 02:29:57,039
Speaker 3: not going down? Because that girl right there?

2918
02:29:58,120 --> 02:30:00,120
Speaker 2: Shut out Jamie r Bartender.

2919
02:30:00,040 --> 02:30:03,959
Speaker 1: Amy keep sliding in and I'm not Jamie.

2920
02:30:04,000 --> 02:30:06,320
Speaker 3: Don't fill this up no more because I have no

2921
02:30:06,520 --> 02:30:10,560
Speaker 3: reference point to how much I'm shrinking Chee the non

2922
02:30:10,680 --> 02:30:13,480
Speaker 3: alcoholic Nigga drink Champs got.

2923
02:30:13,440 --> 02:30:18,279
Speaker 2: Me Open right OG or Home Invasion og.

2924
02:30:19,360 --> 02:30:23,440
Speaker 3: OG because OG, like I said, it was a result

2925
02:30:23,520 --> 02:30:26,160
Speaker 3: of NWA coming out and ME coming hard as I

2926
02:30:26,240 --> 02:30:28,760
Speaker 3: could at the time with the attempt to do a

2927
02:30:28,800 --> 02:30:30,960
Speaker 3: double album, but Warner Brothers didn't want to put out

2928
02:30:31,000 --> 02:30:33,200
Speaker 3: a double album because wax It went out and they

2929
02:30:33,200 --> 02:30:35,640
Speaker 3: couldn't put more than seventy something minutes on a CD.

2930
02:30:36,480 --> 02:30:40,520
Speaker 3: So that and then Home Invasion was me in turmoil.

2931
02:30:40,640 --> 02:30:44,160
Speaker 3: Home Invasion was after cop Killer. That's when I went

2932
02:30:44,200 --> 02:30:47,760
Speaker 3: over the priority and I was kind of like flustered.

2933
02:30:47,920 --> 02:30:51,800
Speaker 3: So it was an angry album. I don't like making angry.

2934
02:30:51,959 --> 02:30:54,280
Speaker 3: I don't like making impulsive music.

2935
02:30:55,280 --> 02:30:58,600
Speaker 1: I like to make reactive right. Yeah you might, but

2936
02:30:58,760 --> 02:30:59,240
Speaker 1: it was good.

2937
02:30:59,320 --> 02:31:01,760
Speaker 3: The first record on Home Invasion is the best rum

2938
02:31:01,840 --> 02:31:04,320
Speaker 3: it's on when I'm mad at the Source. Source Magazine,

2939
02:31:04,360 --> 02:31:08,279
Speaker 3: you're the first one, you know, Fuck Source Magazine.

2940
02:31:08,640 --> 02:31:11,160
Speaker 1: How do you know you pick? You picked Chuck Cuban me,

2941
02:31:11,320 --> 02:31:12,959
Speaker 1: how the fuck you pick us? Three?

2942
02:31:13,240 --> 02:31:17,600
Speaker 3: They dissed us three? Yeah, I said, you punk motherfucker

2943
02:31:17,680 --> 02:31:20,840
Speaker 3: think ship. You're just a bunch of whores making money. No,

2944
02:31:21,160 --> 02:31:24,800
Speaker 3: I said, Source, you punk motherfucker think ship, You're just

2945
02:31:24,879 --> 02:31:28,200
Speaker 3: a bunch of hoes making money off the pros, and

2946
02:31:28,280 --> 02:31:29,920
Speaker 3: when I see it'll get you in your site.

2947
02:31:30,040 --> 02:31:33,000
Speaker 1: In my sights, I'll give you ask a story to write.

2948
02:31:36,480 --> 02:31:40,879
Speaker 2: Magazine in that one. Being an actor, being a musician,

2949
02:31:42,879 --> 02:31:45,440
Speaker 2: whoever you want to take, just being an MC.

2950
02:31:48,480 --> 02:31:55,720
Speaker 1: Both both, I'll explain, okay, please.

2951
02:32:00,760 --> 02:32:05,480
Speaker 3: Being a musician is beautiful because I control everything I

2952
02:32:05,600 --> 02:32:07,360
Speaker 3: go in the studio. I get to pick the beat

2953
02:32:07,440 --> 02:32:09,959
Speaker 3: or make the beat. I write the lyrics, I create

2954
02:32:10,040 --> 02:32:14,440
Speaker 3: the entire picture. Acting you're just doing what you say.

2955
02:32:14,560 --> 02:32:17,840
Speaker 3: I have to act until you're happy. I have to

2956
02:32:17,959 --> 02:32:20,920
Speaker 3: fill your image. If you're the director effort and he's

2957
02:32:20,920 --> 02:32:23,320
Speaker 3: say no, now you are more mad than that, I

2958
02:32:23,400 --> 02:32:23,800
Speaker 3: get mad.

2959
02:32:23,879 --> 02:32:25,920
Speaker 1: You know, no, split the difference, so I'm working off

2960
02:32:25,920 --> 02:32:27,080
Speaker 1: of you. So it's different.

2961
02:32:27,480 --> 02:32:29,720
Speaker 3: The only way acting would be like music, but I

2962
02:32:29,920 --> 02:32:32,880
Speaker 3: wrote it, directed it, and produced it. But usually as

2963
02:32:32,920 --> 02:32:37,880
Speaker 3: an actor, you're falling into somebody else's vision. But that

2964
02:32:38,120 --> 02:32:42,160
Speaker 3: being said, both of them are dream jobs. Both of

2965
02:32:42,160 --> 02:32:46,720
Speaker 3: them jobs you don't ever retire from ever. I cannot.

2966
02:32:47,000 --> 02:32:49,400
Speaker 3: I can stop making records forever. If I go to

2967
02:32:49,440 --> 02:32:51,440
Speaker 3: a Norri show and he calls me up on the state,

2968
02:32:51,520 --> 02:32:54,920
Speaker 3: I got bars. And also like rock Kim said, I

2969
02:32:55,120 --> 02:32:58,320
Speaker 3: came in the door, said it before. I never let

2970
02:32:58,400 --> 02:33:01,039
Speaker 3: the mic magnetize me no more. Well, even when I'm

2971
02:33:01,040 --> 02:33:03,520
Speaker 3: at other people's show, I'm like thinking in my head

2972
02:33:03,640 --> 02:33:10,680
Speaker 3: some bars just in case I get called off because

2973
02:33:10,680 --> 02:33:13,560
Speaker 3: you're black out, You'll be on somebody. You know, fujis

2974
02:33:13,560 --> 02:33:16,440
Speaker 3: pull you up. You're like, oh shit, so you know

2975
02:33:16,640 --> 02:33:19,280
Speaker 3: you you know, sometimes even if I'm going to people's show,

2976
02:33:19,840 --> 02:33:22,040
Speaker 3: I might say I might practice some shit just on

2977
02:33:22,160 --> 02:33:23,800
Speaker 3: the way there, just because.

2978
02:33:23,600 --> 02:33:24,600
Speaker 1: I don't wrap off the head.

2979
02:33:24,600 --> 02:33:26,520
Speaker 3: I'm a writer, so I got to figure out which

2980
02:33:26,560 --> 02:33:29,360
Speaker 3: I'm gonna pull up at that moment. You know. But uh,

2981
02:33:30,600 --> 02:33:34,080
Speaker 3: and acting, who retires from acting? Those are dream jobs.

2982
02:33:35,080 --> 02:33:37,560
Speaker 3: Those are those people dream to do that ship.

2983
02:33:38,400 --> 02:33:42,240
Speaker 1: So for the rest of your life and making music

2984
02:33:42,480 --> 02:33:44,280
Speaker 1: could be bad, your needs be bad.

2985
02:33:44,560 --> 02:33:48,920
Speaker 3: In the movie, in the show, I mean, Morgan Freeman

2986
02:33:49,000 --> 02:33:49,760
Speaker 3: is still getting the bad.

2987
02:33:50,360 --> 02:33:52,200
Speaker 2: You get ahead of the bag, you know.

2988
02:33:52,360 --> 02:33:56,200
Speaker 3: So it's entertainment is something that's beautiful and if you

2989
02:33:56,440 --> 02:33:58,840
Speaker 3: are fortunate enough to be able to make a career

2990
02:33:59,040 --> 02:34:01,240
Speaker 3: doing it, first off, you're living a miracle.

2991
02:34:01,959 --> 02:34:04,000
Speaker 2: The mirror of percentages are very loaded.

2992
02:34:04,440 --> 02:34:09,480
Speaker 1: Yeah, you don't have counleises right, what like, like, hey man,

2993
02:34:09,720 --> 02:34:12,640
Speaker 1: I got fucked up hands from the jewelry stealing jewelry

2994
02:34:12,720 --> 02:34:15,960
Speaker 1: back in the day. I got ready for that. But yeah,

2995
02:34:16,440 --> 02:34:17,480
Speaker 1: but I uh.

2996
02:34:19,280 --> 02:34:21,920
Speaker 3: Yeah, they're both dream jobs. And I think as long

2997
02:34:21,959 --> 02:34:23,879
Speaker 3: as you know it and you're aware of it, you'll

2998
02:34:23,920 --> 02:34:28,200
Speaker 3: continue to be blessed. I'm very, very fucking fortunate, you know,

2999
02:34:28,320 --> 02:34:31,920
Speaker 3: to be still in the game. Like I said, when

3000
02:34:31,959 --> 02:34:33,880
Speaker 3: Law and Orders, I'm just gonna go read for all

3001
02:34:33,959 --> 02:34:38,200
Speaker 3: Samuel Jackson's part. You know, I can say motherfuckers just

3002
02:34:38,320 --> 02:34:40,720
Speaker 3: like him. You know what I'm saying. So I'll read

3003
02:34:40,800 --> 02:34:42,760
Speaker 3: for all Samuel's parts. Maybe I'll get a couple.

3004
02:34:43,480 --> 02:34:46,240
Speaker 2: And trying to get in Marshall's You've been doing crazy.

3005
02:34:46,360 --> 02:34:47,160
Speaker 2: Marshall's is good.

3006
02:34:47,879 --> 02:34:51,039
Speaker 3: I fucking uh was watching Shaq one day. Shaq said

3007
02:34:51,040 --> 02:34:52,920
Speaker 3: he never spent any money out of the NBA.

3008
02:34:53,360 --> 02:34:53,760
Speaker 6: It was like.

3009
02:34:55,280 --> 02:34:56,200
Speaker 1: And I saw that.

3010
02:34:56,600 --> 02:34:59,440
Speaker 3: I was like we So I called my manager. I said,

3011
02:34:59,440 --> 02:35:04,959
Speaker 3: I need some I need some like advertising gigs. They

3012
02:35:05,040 --> 02:35:08,760
Speaker 3: won't fuck with you, top killer, you bad this, I said,

3013
02:35:08,760 --> 02:35:13,360
Speaker 3: give me. I need to advertising agent. So we got somebody.

3014
02:35:13,640 --> 02:35:16,119
Speaker 3: The first one I got was the Lemonade read the sign,

3015
02:35:19,000 --> 02:35:21,160
Speaker 3: so I do that and they waiting on the blowback.

3016
02:35:21,240 --> 02:35:24,840
Speaker 3: They waiting on something and no one said anything, And

3017
02:35:24,920 --> 02:35:26,720
Speaker 3: next thing you know, I just start getting the fun

3018
02:35:27,959 --> 02:35:31,280
Speaker 3: I got one coming out. Of course, I got car shield.

3019
02:35:31,520 --> 02:35:34,880
Speaker 3: Car shield is a car shill is a gig. So

3020
02:35:35,000 --> 02:35:37,000
Speaker 3: what happens is you go out, you do the ship.

3021
02:35:37,480 --> 02:35:39,640
Speaker 3: They like it, and they sign you on for years.

3022
02:35:40,680 --> 02:35:44,440
Speaker 2: It's like getting the show. So you do a year deal,

3023
02:35:44,600 --> 02:35:45,080
Speaker 2: a year.

3024
02:35:45,000 --> 02:35:47,640
Speaker 3: Deal that lets you run the commercials all year. At

3025
02:35:47,640 --> 02:35:49,560
Speaker 3: the end of that year they got to read up

3026
02:35:50,600 --> 02:35:52,200
Speaker 3: and me, I just didn't want you see them what

3027
02:35:52,280 --> 02:35:55,800
Speaker 3: I did with Iverson and Rick Flair yep, yep. And

3028
02:35:55,920 --> 02:36:00,280
Speaker 3: the bag is the bag is substantial. The people that

3029
02:36:00,440 --> 02:36:01,280
Speaker 3: have that.

3030
02:36:01,680 --> 02:36:07,320
Speaker 5: Do promotion like Cheerios. Yeah, those ad agencies have they

3031
02:36:07,440 --> 02:36:08,200
Speaker 5: flush with cash.

3032
02:36:08,879 --> 02:36:11,480
Speaker 1: Cheerios Nigga, How the fuck I get on a Cheerios box?

3033
02:36:13,120 --> 02:36:15,039
Speaker 1: Just said, I don't know neither.

3034
02:36:15,160 --> 02:36:20,760
Speaker 3: I'll tell you how. I'll tell you how. Even though

3035
02:36:20,800 --> 02:36:26,640
Speaker 3: we off topic. The Guardian, the gates have changed. The

3036
02:36:27,160 --> 02:36:31,120
Speaker 3: gate the gatekeepers, yep. The people that used to be

3037
02:36:31,200 --> 02:36:32,320
Speaker 3: in charge are gone.

3038
02:36:32,440 --> 02:36:34,800
Speaker 1: They grew up. The new people that are in charge

3039
02:36:34,959 --> 02:36:35,720
Speaker 1: are are fans.

3040
02:36:35,879 --> 02:36:36,080
Speaker 2: Yep.

3041
02:36:36,959 --> 02:36:38,840
Speaker 3: How the fuck did Snoop and them get at the

3042
02:36:38,920 --> 02:36:42,200
Speaker 3: super Bowl because the person that's making the call is

3043
02:36:42,280 --> 02:36:45,040
Speaker 3: forty eight years old. They grew up with us. The

3044
02:36:45,160 --> 02:36:49,279
Speaker 3: old motherfuckers are gone. The people that I love Ice

3045
02:36:49,920 --> 02:36:53,040
Speaker 3: fuck that he put them on Cheerios boss. He's thirty

3046
02:36:53,120 --> 02:36:57,119
Speaker 3: seven years old, ceo, billionaire. So now right now, that's.

3047
02:36:57,040 --> 02:37:01,760
Speaker 1: Why Snoop is doing so. Snoop just in Taco Bell Corona.

3048
02:37:02,680 --> 02:37:08,800
Speaker 5: But the people during Corona, though, Let's just be clear,

3049
02:37:08,920 --> 02:37:11,879
Speaker 5: during Corona that made me say, look, he this Corona.

3050
02:37:12,959 --> 02:37:17,560
Speaker 1: I don't even know, but Corona, everybody was moving away.

3051
02:37:17,400 --> 02:37:17,879
Speaker 2: From that beer.

3052
02:37:18,160 --> 02:37:21,440
Speaker 1: He's like, wait a minute, it's the cat that's like.

3053
02:37:21,680 --> 02:37:30,959
Speaker 3: Fiftieth anniversary of hip hop. Hip hop has gray hair. Yes,

3054
02:37:31,080 --> 02:37:32,199
Speaker 3: I mean, I'm clearly.

3055
02:37:36,040 --> 02:37:39,800
Speaker 1: So. The people that are in charge are grown.

3056
02:37:40,879 --> 02:37:44,600
Speaker 3: So the theory that you're gonna walk into anything, I

3057
02:37:44,640 --> 02:37:47,720
Speaker 3: don't care whatever it is, and you're gonna run into

3058
02:37:47,760 --> 02:37:48,800
Speaker 3: somebody doesn't like you.

3059
02:37:48,959 --> 02:37:49,320
Speaker 1: Fuck that.

3060
02:37:49,640 --> 02:37:52,120
Speaker 3: I'm gonna walk in meet the CEO and he's gonna

3061
02:37:52,120 --> 02:37:53,920
Speaker 3: be Ice. I went to college with you, I grew

3062
02:37:54,040 --> 02:37:56,840
Speaker 3: up with you. Man, Let's get some money, you know,

3063
02:37:56,879 --> 02:37:59,200
Speaker 3: I remember I remember Ozzy Osbourne bit the head off

3064
02:37:59,240 --> 02:38:02,240
Speaker 3: the bat. Right now, we could put out a bat cereal.

3065
02:38:04,720 --> 02:38:06,160
Speaker 3: Why was he on the cover and it would self,

3066
02:38:06,720 --> 02:38:09,400
Speaker 3: parents would get it, the kids would have no idea

3067
02:38:09,560 --> 02:38:12,720
Speaker 3: and it would sell. Because the guards have changed. You

3068
02:38:12,760 --> 02:38:14,560
Speaker 3: wouldn't be on the radio if the guard I mean

3069
02:38:14,640 --> 02:38:19,760
Speaker 3: on podcast, if it wasn't the guards have changed. He's

3070
02:38:19,800 --> 02:38:23,120
Speaker 3: in our guard right, how about that?

3071
02:38:24,200 --> 02:38:27,520
Speaker 2: But what you said is important is still being in

3072
02:38:27,640 --> 02:38:30,880
Speaker 2: this space is a percentage thing. And everybody's lucky that

3073
02:38:30,959 --> 02:38:32,400
Speaker 2: can actually survive in the space.

3074
02:38:32,800 --> 02:38:35,400
Speaker 3: Yes, if you can survive in the space. But the

3075
02:38:35,879 --> 02:38:39,760
Speaker 3: new people are our people. They grew up on us.

3076
02:38:40,560 --> 02:38:43,760
Speaker 3: So the fear of ice tea is no longer there.

3077
02:38:44,440 --> 02:38:47,240
Speaker 3: The fear of cop killers. Know, I was there when

3078
02:38:47,280 --> 02:38:47,800
Speaker 3: that happened.

3079
02:38:47,800 --> 02:38:48,320
Speaker 1: We love you.

3080
02:38:48,520 --> 02:38:51,600
Speaker 3: Fuck that, you know, let's get some money. When I

3081
02:38:51,680 --> 02:38:55,000
Speaker 3: saw Snoop with Leiah Coca back in the day, I'm

3082
02:38:55,080 --> 02:38:59,440
Speaker 3: like yo. Then with Barbara Waltz, mart mother Stewart, that

3083
02:38:59,640 --> 02:39:03,080
Speaker 3: was it selling lighters like Martha Stewart should be an

3084
02:39:03,120 --> 02:39:05,359
Speaker 3: honorary honorary member of g unit.

3085
02:39:08,240 --> 02:39:10,360
Speaker 1: Because she did her time. She held her water.

3086
02:39:11,120 --> 02:39:16,200
Speaker 2: We should have she's able to drink cham. She held

3087
02:39:16,240 --> 02:39:17,480
Speaker 2: the water. She got caught.

3088
02:39:17,600 --> 02:39:21,560
Speaker 1: She said all right, He.

3089
02:39:21,600 --> 02:39:23,640
Speaker 5: Said she should be honorary member of g UNIT. I

3090
02:39:23,760 --> 02:39:31,400
Speaker 5: respect that she didn't. Yes, I mean I respect her

3091
02:39:31,520 --> 02:39:31,960
Speaker 5: gangst It.

3092
02:39:32,680 --> 02:39:33,440
Speaker 1: She did a ship.

3093
02:39:33,560 --> 02:39:35,959
Speaker 3: She's back doing her things. She fucks with Snoop. She's

3094
02:39:36,000 --> 02:39:37,119
Speaker 3: obviously a real woman.

3095
02:39:38,760 --> 02:39:39,520
Speaker 2: That's real ship.

3096
02:39:40,160 --> 02:39:41,119
Speaker 1: You wonder that we're.

3097
02:39:40,959 --> 02:39:43,880
Speaker 2: Almost done with quick times, not so quick time with slime.

3098
02:39:44,879 --> 02:39:47,640
Speaker 1: We having fun with it. We elaborate fact.

3099
02:39:47,640 --> 02:39:49,640
Speaker 3: We're gonna show you how quick time should be done.

3100
02:39:50,200 --> 02:39:54,760
Speaker 3: Just answered the mother question, elaborate.

3101
02:39:55,440 --> 02:39:58,039
Speaker 2: All right, I'm gonna make this a three way quicker.

3102
02:39:58,080 --> 02:40:00,440
Speaker 3: I would elaborate on that for us. Second, I just

3103
02:40:00,480 --> 02:40:02,200
Speaker 3: heard that pimp and you just put down. But could

3104
02:40:02,240 --> 02:40:03,120
Speaker 3: you elaborate on that?

3105
02:40:05,920 --> 02:40:08,640
Speaker 2: So there's gonna be a three way question. New York,

3106
02:40:08,760 --> 02:40:09,640
Speaker 2: Miami or l A.

3107
02:40:11,120 --> 02:40:15,480
Speaker 1: Okay, I mean all all, all of above.

3108
02:40:15,520 --> 02:40:16,480
Speaker 2: I was still drinking.

3109
02:40:17,240 --> 02:40:23,760
Speaker 1: I love I took a shot for that. I love Miami.

3110
02:40:25,040 --> 02:40:26,440
Speaker 1: I start with Miami. Okay.

3111
02:40:28,080 --> 02:40:30,039
Speaker 3: First place I became in the United States, they had

3112
02:40:30,080 --> 02:40:33,760
Speaker 3: blue water, you know New York.

3113
02:40:33,840 --> 02:40:39,040
Speaker 1: That shit's crazy. Yeah, come on, It's like, it's like,

3114
02:40:39,200 --> 02:40:42,240
Speaker 1: let's speak on this. It's like it's like seaweed and ship.

3115
02:40:42,840 --> 02:40:43,480
Speaker 2: I came down here.

3116
02:40:43,520 --> 02:40:44,600
Speaker 1: I'm like I'm in the Caribbean.

3117
02:40:44,720 --> 02:40:46,760
Speaker 3: You know. I used to live in Sonnyiles. I had

3118
02:40:46,800 --> 02:40:49,520
Speaker 3: a patent Sonny ailes and go out as beach. It's beautiful.

3119
02:40:53,000 --> 02:40:54,560
Speaker 3: Miami's going through transitions.

3120
02:40:54,600 --> 02:40:57,720
Speaker 1: You know. I've been coming out here for years, so

3121
02:40:57,760 --> 02:40:58,320
Speaker 1: it's different.

3122
02:40:58,400 --> 02:40:58,560
Speaker 3: You know.

3123
02:40:58,720 --> 02:41:01,400
Speaker 1: I came out here one time on Memorial Day.

3124
02:41:01,400 --> 02:41:04,240
Speaker 3: I never seen so many white T shirts and tims

3125
02:41:04,280 --> 02:41:06,760
Speaker 3: and my motherfucker around.

3126
02:41:06,760 --> 02:41:07,520
Speaker 2: How can I be down?

3127
02:41:07,959 --> 02:41:11,760
Speaker 1: I was like, yo, let me take my bad mass

3128
02:41:11,800 --> 02:41:14,960
Speaker 1: back up. The North plays like. I was like, it

3129
02:41:15,040 --> 02:41:18,480
Speaker 1: was yo, what nigga was yo? Yo? I'm like, okay,

3130
02:41:18,640 --> 02:41:21,000
Speaker 1: they got wilder on the times, so I was like cool.

3131
02:41:21,000 --> 02:41:24,840
Speaker 3: But I love Miami. It's beautiful, it's fun. The people

3132
02:41:24,879 --> 02:41:26,560
Speaker 3: are here. You just got to know where to hang

3133
02:41:26,640 --> 02:41:28,840
Speaker 3: and what to do. I mean, we're playing on going

3134
02:41:28,879 --> 02:41:31,760
Speaker 3: down to Miami Beach tonight. We're staying up here. We're

3135
02:41:31,760 --> 02:41:35,120
Speaker 3: going down to Miami Beach tonight with the wives, have

3136
02:41:35,240 --> 02:41:40,200
Speaker 3: some dinner, enjoy it. It's a beautiful place. New York

3137
02:41:40,320 --> 02:41:42,800
Speaker 3: I learned to love New York. I came to New York.

3138
02:41:42,879 --> 02:41:45,040
Speaker 3: I'm like, first, when I got to New York, I

3139
02:41:45,160 --> 02:41:48,039
Speaker 3: was shook because I came in the winter and everybody

3140
02:41:48,040 --> 02:41:51,360
Speaker 3: had coats niggas looked big. I thought niggas was looking

3141
02:41:51,400 --> 02:41:53,280
Speaker 3: at me. I'm like, niggas is looking at me, Like, no,

3142
02:41:53,360 --> 02:41:55,200
Speaker 3: they ain't looking at you. Niggas in New York got

3143
02:41:55,240 --> 02:41:55,680
Speaker 3: shipped to.

3144
02:41:55,800 --> 02:41:59,800
Speaker 1: Do, they got shit to do. They ain't not thinking

3145
02:41:59,840 --> 02:42:00,440
Speaker 1: of about you.

3146
02:42:01,320 --> 02:42:05,280
Speaker 3: So I like, I like, you know, New York is

3147
02:42:05,360 --> 02:42:08,320
Speaker 3: different because y'all don't really have the gang, so to speak.

3148
02:42:08,760 --> 02:42:12,440
Speaker 3: But Bronx niggas don't fuck with Brooklyn. Niggas don't fuck

3149
02:42:12,440 --> 02:42:15,240
Speaker 3: you know. It's different. But I'm from I'm in Manhattan,

3150
02:42:16,120 --> 02:42:18,039
Speaker 3: so you know. I hooked up with Smooth, a hustler

3151
02:42:18,120 --> 02:42:22,800
Speaker 3: trigger to gambler uh Brooklyn, and then of course I'm

3152
02:42:22,840 --> 02:42:24,840
Speaker 3: hooked in with the Zulu cats. I used to roll

3153
02:42:24,879 --> 02:42:28,640
Speaker 3: with Vo and all the Sugar Ray and all them

3154
02:42:28,720 --> 02:42:29,040
Speaker 3: up there.

3155
02:42:31,080 --> 02:42:33,600
Speaker 1: I love New York City. I don't think there's another

3156
02:42:33,680 --> 02:42:36,240
Speaker 1: city in the world like New York City. No, damn

3157
02:42:36,720 --> 02:42:39,400
Speaker 1: New York is. A New York is like a Rubik's cube.

3158
02:42:39,600 --> 02:42:41,640
Speaker 3: No matter how long you lived in New York, you

3159
02:42:41,720 --> 02:42:46,000
Speaker 3: can't tell a nigga what's on twenty sixth Streets. And

3160
02:42:46,080 --> 02:42:52,360
Speaker 3: if you do, and if you lived on twenty sixth Street,

3161
02:42:52,400 --> 02:42:55,320
Speaker 3: you can't tell them what's on twenty seventh And if

3162
02:42:55,360 --> 02:42:57,200
Speaker 3: you know what's on twenty seventh, you don't know what's

3163
02:42:57,240 --> 02:42:59,520
Speaker 3: on the thirty fourth floor and in the back. So

3164
02:42:59,640 --> 02:43:01,960
Speaker 3: you go the building in New York. Downstairs it's a

3165
02:43:02,040 --> 02:43:05,480
Speaker 3: regular store. Next door is somebody Sweet, next door is

3166
02:43:05,480 --> 02:43:07,119
Speaker 3: the next floor is a sweatshop.

3167
02:43:07,840 --> 02:43:11,200
Speaker 1: Next floor is some S and M shit. Next floor is.

3168
02:43:11,280 --> 02:43:16,080
Speaker 3: Somebody got this badass, you know, loft hook. Next floor

3169
02:43:16,200 --> 02:43:19,040
Speaker 3: is abandoned. It's like New York. And then then it

3170
02:43:19,120 --> 02:43:20,879
Speaker 3: does this once you think you know what, it shifts

3171
02:43:21,840 --> 02:43:26,199
Speaker 3: like that hell razor ball. New York's a deep motherfucker.

3172
02:43:26,320 --> 02:43:29,320
Speaker 3: You can never penetrate the depth of New York City,

3173
02:43:30,320 --> 02:43:35,680
Speaker 3: right And then La. I love La, but LA is

3174
02:43:35,720 --> 02:43:41,960
Speaker 3: violent and LA is a very very fucked up place

3175
02:43:43,959 --> 02:43:46,240
Speaker 3: outside of the nice areas. You know, when you go

3176
02:43:46,320 --> 02:43:48,640
Speaker 3: to Beverly Hills, a lot of people come to LA

3177
02:43:48,720 --> 02:43:50,200
Speaker 3: and they go, oh, yeah, I was in La.

3178
02:43:50,280 --> 02:43:52,560
Speaker 1: I'm like nigga, you was on Sunset.

3179
02:43:54,080 --> 02:43:57,360
Speaker 3: La is forty to fifty square miles of niggas and

3180
02:43:57,560 --> 02:44:01,480
Speaker 3: Mexicans surrounding it, and we that we have gangs, and

3181
02:44:01,800 --> 02:44:06,200
Speaker 3: the gangs are extremely dangerous and growing up there, just

3182
02:44:06,320 --> 02:44:10,560
Speaker 3: going from block to block is dangerous. I don't really

3183
02:44:10,680 --> 02:44:14,400
Speaker 3: fuck around in LA, like I survived LA, but I

3184
02:44:14,440 --> 02:44:14,840
Speaker 3: don't go.

3185
02:44:15,040 --> 02:44:17,560
Speaker 1: Back and hang out like you go back to the block.

3186
02:44:17,680 --> 02:44:21,480
Speaker 3: Now you go back to prison. You went to prison,

3187
02:44:21,560 --> 02:44:26,600
Speaker 3: you go back visit nigga yah nah Non, I don't

3188
02:44:26,640 --> 02:44:29,000
Speaker 3: because I made it. And you're safe when you got

3189
02:44:29,040 --> 02:44:31,000
Speaker 3: your boots on the ground. I don't care what neighborhood

3190
02:44:31,000 --> 02:44:33,400
Speaker 3: you're from. You're safe when you got your boots on

3191
02:44:33,480 --> 02:44:36,840
Speaker 3: the ground and you know everything that's happening, everything's moving.

3192
02:44:36,879 --> 02:44:39,040
Speaker 3: But once you leave and you come back, you're not

3193
02:44:39,200 --> 02:44:42,440
Speaker 3: tied in like that. You're not tied in like that.

3194
02:44:42,920 --> 02:44:46,720
Speaker 3: And I had a story going back to LA. I

3195
02:44:47,920 --> 02:44:50,199
Speaker 3: went to Crenshaw, but I hung in the forties before

3196
02:44:50,240 --> 02:44:53,160
Speaker 3: the forties had a gag and they want to go

3197
02:44:53,200 --> 02:44:55,480
Speaker 3: shoot an album cover of magazine cover.

3198
02:44:55,600 --> 02:44:58,080
Speaker 1: So I back to forty second. I'm there.

3199
02:44:58,120 --> 02:45:00,760
Speaker 3: I'm in the corner right by a liquor store, and

3200
02:45:00,959 --> 02:45:04,080
Speaker 3: they got the white people shooting the video and little

3201
02:45:04,200 --> 02:45:07,200
Speaker 3: niggas from the forties. Now, Crip said, it's being very

3202
02:45:07,320 --> 02:45:11,160
Speaker 3: disrespectful folk. Are these white people coming up in the hood.

3203
02:45:11,200 --> 02:45:14,720
Speaker 3: D I'm ice tea. Niggas would not back down. Man,

3204
02:45:14,840 --> 02:45:15,520
Speaker 3: fuck that ice.

3205
02:45:15,560 --> 02:45:16,320
Speaker 2: You ain't woo.

3206
02:45:16,440 --> 02:45:21,720
Speaker 3: I'm like, yeah, so I called down the street. I

3207
02:45:21,760 --> 02:45:23,800
Speaker 3: call my boy Shiny Mack who lived on the street.

3208
02:45:24,120 --> 02:45:27,320
Speaker 1: Yo, mac man. These little niggas over here is being disrespectful. Nigga.

3209
02:45:27,320 --> 02:45:31,600
Speaker 3: I'm in Colorado, nigga, my age, I'm out. So I'm like,

3210
02:45:32,720 --> 02:45:37,039
Speaker 3: call little called Big Timmy. Who's Big Timmy? Big Timmy?

3211
02:45:37,440 --> 02:45:41,640
Speaker 3: My boy Leonnon Jackson's Timmy Fly. That's Lennon Jackson's son.

3212
02:45:41,760 --> 02:45:45,240
Speaker 3: I mean I'm little, uh brother, you mean Timmy?

3213
02:45:45,240 --> 02:45:46,200
Speaker 1: I used to carry it like this.

3214
02:45:46,920 --> 02:45:49,720
Speaker 3: Oh no, that's Big Timmy. Now that's Timmy Fly. I

3215
02:45:49,840 --> 02:45:52,520
Speaker 3: call him, Yo, Timmy. I'm around the corner from your

3216
02:45:52,640 --> 02:45:53,280
Speaker 3: mother's house.

3217
02:45:54,160 --> 02:45:54,560
Speaker 1: Oh what up?

3218
02:45:54,640 --> 02:45:57,720
Speaker 3: Unto your little forty niggas be in disrespectful Hold up,

3219
02:45:57,720 --> 02:45:59,920
Speaker 3: He hits the corner, jumps out, smacking niggas.

3220
02:46:00,720 --> 02:46:03,600
Speaker 1: Nigga. That's my uncle Couz nigga trying to die. But

3221
02:46:03,720 --> 02:46:07,160
Speaker 1: I'll clears it out. We shoot. What did I learned?

3222
02:46:07,480 --> 02:46:10,160
Speaker 3: It's not my rep it's the nigga that's putting a

3223
02:46:10,200 --> 02:46:13,360
Speaker 3: foot in the ass on a daily basis that they

3224
02:46:13,520 --> 02:46:17,520
Speaker 3: scared of. They don't know the shit about me, So therefore,

3225
02:46:17,640 --> 02:46:22,520
Speaker 3: in the hood. My card is invalid to these little niggas.

3226
02:46:23,720 --> 02:46:26,760
Speaker 3: They don't give a fuck. I'm an old nigga, so

3227
02:46:26,920 --> 02:46:30,119
Speaker 3: fuck I'm like, I'm not hanging out. I can't hang

3228
02:46:30,200 --> 02:46:32,640
Speaker 3: out no more. I'm not supposed to be there. And

3229
02:46:32,800 --> 02:46:36,240
Speaker 3: always say Also, if I he gets shot or if

3230
02:46:36,280 --> 02:46:38,600
Speaker 3: I die, I supposed to die someplace I should be.

3231
02:46:39,280 --> 02:46:44,240
Speaker 3: I should slip and falling Gucci's or some shit nigga

3232
02:46:44,280 --> 02:46:46,800
Speaker 3: can't nigga was in the hood. I don't want the

3233
02:46:46,879 --> 02:46:49,280
Speaker 3: niggas to be in my funeral. Like dumb motherfucker. What

3234
02:46:49,480 --> 02:46:54,120
Speaker 3: was that nigga doing over there? Why was Nori back

3235
02:46:54,240 --> 02:46:57,640
Speaker 3: or what you know, Nori flipped the speedy boat, you know,

3236
02:46:57,840 --> 02:47:01,400
Speaker 3: like you know that's how it shit happens. I can't

3237
02:47:01,440 --> 02:47:06,320
Speaker 3: get caught, but yeah, some pimpsit, you know fly you

3238
02:47:06,400 --> 02:47:08,680
Speaker 3: know in this pop private jet trip.

3239
02:47:09,040 --> 02:47:13,080
Speaker 1: Look at not But it can't be niggas in the funeral,

3240
02:47:13,200 --> 02:47:17,400
Speaker 1: Like dumb ass. Why was nice even hanging out with

3241
02:47:17,560 --> 02:47:18,199
Speaker 1: these niggas?

3242
02:47:18,280 --> 02:47:18,440
Speaker 6: You know?

3243
02:47:18,760 --> 02:47:21,320
Speaker 3: Like so I always think about that, like I can't

3244
02:47:21,360 --> 02:47:24,120
Speaker 3: be in the caught in the wrong place. So l

3245
02:47:24,200 --> 02:47:28,760
Speaker 3: a man, my heart bleeds for La. But LA is

3246
02:47:29,560 --> 02:47:34,040
Speaker 3: is a dangerous place with whether you're from there or

3247
02:47:34,120 --> 02:47:36,080
Speaker 3: you're not. People like, oh you think you got I

3248
02:47:36,120 --> 02:47:37,960
Speaker 3: don't have no pass. I got to pass maybe in

3249
02:47:38,040 --> 02:47:41,640
Speaker 3: my little neighborhood. I go over there, I'm out of bounds.

3250
02:47:41,959 --> 02:47:47,440
Speaker 3: You know what's the kid PMB manchesting like nigga. I

3251
02:47:47,480 --> 02:47:50,600
Speaker 3: don't even go there. I'm from La them is Swan's

3252
02:47:50,640 --> 02:47:53,320
Speaker 3: over there. Every area got a gang. I don't know

3253
02:47:53,400 --> 02:47:58,240
Speaker 3: them niggas, God bless them. But man, stay in bounds.

3254
02:47:58,280 --> 02:48:01,640
Speaker 3: If you go to l A, stay above Wiltshire, go

3255
02:48:02,280 --> 02:48:05,879
Speaker 3: go into you know, West Hollywood and all the night,

3256
02:48:05,920 --> 02:48:09,200
Speaker 3: don't whow It's like, why would I come to New

3257
02:48:09,320 --> 02:48:11,520
Speaker 3: York and like take me to the grimiest area?

3258
02:48:12,440 --> 02:48:14,520
Speaker 1: Kind of sens does that make? You said you used

3259
02:48:14,520 --> 02:48:15,800
Speaker 1: to like to do that. I used to do that.

3260
02:48:16,560 --> 02:48:24,720
Speaker 5: It's crazy, you know, it's crazy. When I first got out,

3261
02:48:25,320 --> 02:48:27,280
Speaker 5: That's what I thought. Was it, like, you know, we

3262
02:48:27,320 --> 02:48:29,879
Speaker 5: will go to a certain place and we will say, Yo,

3263
02:48:31,320 --> 02:48:34,320
Speaker 5: where's the hood. So we didn't want the weed man

3264
02:48:34,400 --> 02:48:36,440
Speaker 5: to come to us like how we do now. We

3265
02:48:36,520 --> 02:48:37,680
Speaker 5: wanted to go to the weed man.

3266
02:48:37,760 --> 02:48:39,160
Speaker 1: So we would go. We would do that and we

3267
02:48:39,200 --> 02:48:39,920
Speaker 1: would enjoy it.

3268
02:48:40,360 --> 02:48:42,920
Speaker 5: And it was the matter that I'm a fucking forty

3269
02:48:42,959 --> 02:48:45,480
Speaker 5: five year old girl man with kids. I realized that

3270
02:48:45,600 --> 02:48:48,280
Speaker 5: was the dumbest shit I probably ever did. Like, like

3271
02:48:48,760 --> 02:48:50,600
Speaker 5: I was already I'm there to do a show, I'm

3272
02:48:50,600 --> 02:48:53,800
Speaker 5: there for business, and I'm requested to go to the

3273
02:48:53,920 --> 02:48:57,959
Speaker 5: worst area that's in that city to buy bud.

3274
02:48:58,200 --> 02:49:00,080
Speaker 3: I mean, you know what, that's kind of how I

3275
02:49:00,160 --> 02:49:02,320
Speaker 3: met you. So it's kind of it's kind of like

3276
02:49:02,480 --> 02:49:04,640
Speaker 3: good and bad, you know what I'm saying. Like, but

3277
02:49:05,080 --> 02:49:08,840
Speaker 3: what I'm saying is like that sound of play is crazy, now,

3278
02:49:08,959 --> 02:49:10,920
Speaker 3: you know what I mean, Like it's dangerous.

3279
02:49:11,000 --> 02:49:12,680
Speaker 1: Well, let me go to the next question before we

3280
02:49:12,720 --> 02:49:14,240
Speaker 1: go to the last, quick time, let me say something

3281
02:49:14,240 --> 02:49:15,400
Speaker 1: about that real quick.

3282
02:49:16,640 --> 02:49:19,400
Speaker 3: When we used to travel from sea from city to city,

3283
02:49:20,440 --> 02:49:22,920
Speaker 3: I was I had a mentality of taking me to

3284
02:49:23,040 --> 02:49:25,480
Speaker 3: your leader. So like when we go to a city,

3285
02:49:25,560 --> 02:49:27,360
Speaker 3: I would be like, you know, when I would meet people,

3286
02:49:27,400 --> 02:49:28,760
Speaker 3: I'm like, who the niggas around here?

3287
02:49:28,959 --> 02:49:30,800
Speaker 1: And I would bring them to my show.

3288
02:49:31,560 --> 02:49:34,760
Speaker 3: I would show them love, I'd give them passes and

3289
02:49:34,840 --> 02:49:38,439
Speaker 3: ship and that was how I would always stay secure.

3290
02:49:38,240 --> 02:49:40,119
Speaker 1: Instead of acting like we can go to the actual

3291
02:49:40,240 --> 02:49:41,960
Speaker 1: not not going in your hood. Fuck that.

3292
02:49:42,200 --> 02:49:47,080
Speaker 3: Yeah, but I'll invite them to the hotel, but get

3293
02:49:47,160 --> 02:49:49,840
Speaker 3: them some you know, laminates, things of that nature.

3294
02:49:50,160 --> 02:49:51,000
Speaker 1: And then I was good.

3295
02:49:51,040 --> 02:49:53,000
Speaker 3: I always said, you know, we're here in your town

3296
02:49:53,520 --> 02:49:55,360
Speaker 3: because all gangsters want is respect.

3297
02:49:56,120 --> 02:49:58,360
Speaker 1: That's all they want. You show them that. Hey man,

3298
02:49:58,400 --> 02:50:01,400
Speaker 1: I'm paying amens, your wife, you fucking fans. Okay, yo, we.

3299
02:50:01,480 --> 02:50:03,840
Speaker 3: Hear we in your town. Let us show us how

3300
02:50:03,879 --> 02:50:05,720
Speaker 3: you move. But like you say, I'm not going to

3301
02:50:05,800 --> 02:50:09,200
Speaker 3: the club after with you guys. That ain't gonna happen. No,

3302
02:50:09,240 --> 02:50:12,400
Speaker 3: I'm good, I'm chilling the hotel. You don't need to

3303
02:50:12,480 --> 02:50:15,000
Speaker 3: push your stripes. You don't need to push how the

3304
02:50:15,120 --> 02:50:18,800
Speaker 3: streets you are. You know, I always say, if you

3305
02:50:18,920 --> 02:50:22,160
Speaker 3: challenge your street, the streets will catch your fade. They'll

3306
02:50:22,200 --> 02:50:27,000
Speaker 3: take your fathe ice think you can't get god, somebody

3307
02:50:27,040 --> 02:50:30,280
Speaker 3: will catch that fade. So I don't want no beef.

3308
02:50:32,640 --> 02:50:33,800
Speaker 3: I don't want no beef neither.

3309
02:50:34,440 --> 02:50:36,720
Speaker 5: But on that note, hold on, I got to ask

3310
02:50:36,760 --> 02:50:38,920
Speaker 5: you this because this is on the list. This is

3311
02:50:39,040 --> 02:50:43,359
Speaker 5: my producers will make this questions iced tea soldier boy.

3312
02:50:45,840 --> 02:50:48,120
Speaker 1: Hey yo, this drinks are really starting to sink here.

3313
02:50:49,640 --> 02:50:56,840
Speaker 1: I'm not even gonna validate that. That's a joke. Question.

3314
02:51:00,120 --> 02:51:02,640
Speaker 1: Let's build on that. How did that start? What the

3315
02:51:02,680 --> 02:51:06,080
Speaker 1: hell happened? I don't get it. I was in the studio.

3316
02:51:06,920 --> 02:51:10,080
Speaker 1: I want Soldier Boy to hear this. Okay, Yes, I

3317
02:51:10,200 --> 02:51:10,520
Speaker 1: was in the.

3318
02:51:10,560 --> 02:51:16,160
Speaker 3: Studio making a mixtape for some of my homies. I'm

3319
02:51:16,240 --> 02:51:19,200
Speaker 3: in the booth. The niggas start fucking with me in

3320
02:51:19,320 --> 02:51:21,840
Speaker 3: the booth like they trying to, you know, like a fighter,

3321
02:51:21,959 --> 02:51:25,760
Speaker 3: trying to get you to spit. Niggas don't want to

3322
02:51:25,800 --> 02:51:27,840
Speaker 3: hear you, nigga. They want that Soldier Boy. They want

3323
02:51:27,879 --> 02:51:32,480
Speaker 3: some Hurricane Chris nigga. I'm like, fuck them niggas, and

3324
02:51:32,600 --> 02:51:34,640
Speaker 3: that's how it started. I just said I don't even know.

3325
02:51:34,680 --> 02:51:37,160
Speaker 3: I didn't even know who Soldier Boy was. I was like,

3326
02:51:37,280 --> 02:51:39,040
Speaker 3: fuck them niggas, and then I just went on my

3327
02:51:39,480 --> 02:51:42,600
Speaker 3: old school iced tea nigga heat and bitchy. I mean,

3328
02:51:42,680 --> 02:51:44,680
Speaker 3: you know, you put a nigga in front of me,

3329
02:51:44,800 --> 02:51:46,680
Speaker 3: I'm a devour them. I don't even know who it is,

3330
02:51:47,200 --> 02:51:50,440
Speaker 3: so I was talking my shit. I don't know who

3331
02:51:50,520 --> 02:51:53,960
Speaker 3: Soldier Boy is. I have nothing against the guy. These

3332
02:51:54,120 --> 02:51:56,840
Speaker 3: idiots took that and put it at the front of

3333
02:51:56,920 --> 02:52:00,720
Speaker 3: the mixtape. These guys aren't my friends.

3334
02:52:00,720 --> 02:52:01,160
Speaker 1: Anymore.

3335
02:52:03,720 --> 02:52:04,160
Speaker 2: You feel me?

3336
02:52:04,920 --> 02:52:07,360
Speaker 3: You feel me right now? You could we could go

3337
02:52:07,440 --> 02:52:10,039
Speaker 3: in the studio. Were chilling right now. I know I'm

3338
02:52:10,080 --> 02:52:14,039
Speaker 3: being filmed, so I'm be held accountable for every single

3339
02:52:14,160 --> 02:52:17,199
Speaker 3: word I say. But if me and you is chilling

3340
02:52:17,680 --> 02:52:20,279
Speaker 3: and I'm talking shit and I look over and Homie

3341
02:52:20,320 --> 02:52:24,160
Speaker 3: got the camera, Oh yeah, what's that old nigga's hood TV?

3342
02:52:24,959 --> 02:52:27,840
Speaker 3: Niga hood TV nigga? I might segue into a murder

3343
02:52:27,959 --> 02:52:30,280
Speaker 3: nigga like Kanti turn that shit off? Right?

3344
02:52:32,360 --> 02:52:34,840
Speaker 1: So they took something. It was.

3345
02:52:35,040 --> 02:52:41,160
Speaker 3: It was just me talking shit, right, that goes out?

3346
02:52:41,640 --> 02:52:42,800
Speaker 3: Soldier boy pops up?

3347
02:52:42,879 --> 02:52:45,360
Speaker 1: Fuck? Iiced ta old ass nigga? Is that? And the third?

3348
02:52:45,400 --> 02:52:48,160
Speaker 3: But oh la la la. I could have let that die.

3349
02:52:48,640 --> 02:52:51,280
Speaker 3: But my son, who was eighteen years old, Dad, you

3350
02:52:51,440 --> 02:52:52,920
Speaker 3: gotta replag.

3351
02:52:56,600 --> 02:52:57,240
Speaker 2: Y'all feel me?

3352
02:52:57,680 --> 02:53:01,400
Speaker 3: My son tells me I got to reply because he's on.

3353
02:53:01,480 --> 02:53:04,160
Speaker 2: The same age way. So I'm in Arizona.

3354
02:53:04,200 --> 02:53:08,560
Speaker 3: I say some dumb shit and I regret it because

3355
02:53:08,640 --> 02:53:10,600
Speaker 3: people looked at it like I just jumped out of

3356
02:53:10,680 --> 02:53:12,720
Speaker 3: my bed and went in on the kid. That's not

3357
02:53:12,840 --> 02:53:16,279
Speaker 3: how it happened. It was just and even the insults.

3358
02:53:16,360 --> 02:53:19,120
Speaker 3: I was not even aiming it at him. I didn't

3359
02:53:19,120 --> 02:53:22,520
Speaker 3: really even know. They just Hurricane Chris who is he?

3360
02:53:23,080 --> 02:53:26,040
Speaker 3: He's a rapper, right, I was talking about depth. I

3361
02:53:26,080 --> 02:53:29,720
Speaker 3: don't know them. Hurricane sold you. I'm not your enemy.

3362
02:53:29,800 --> 02:53:32,120
Speaker 3: I don't know you like I don't care like. It

3363
02:53:32,240 --> 02:53:35,520
Speaker 3: wasn't that thing, but it got bent out of shape

3364
02:53:35,600 --> 02:53:36,480
Speaker 3: and people.

3365
02:53:36,360 --> 02:53:41,520
Speaker 1: Like ICEH, well you did say some real shit. I

3366
02:53:41,640 --> 02:53:46,040
Speaker 1: regret it because that's not my character. My character ain't

3367
02:53:46,120 --> 02:53:47,480
Speaker 1: to go in on niggas like that.

3368
02:53:47,680 --> 02:53:48,879
Speaker 2: But you know, I learned.

3369
02:53:48,920 --> 02:53:51,240
Speaker 3: I learned my lesson. I ain't talking shit about no

3370
02:53:51,440 --> 02:53:56,440
Speaker 3: fucking body, then fuck that because it's counterproductive. It don't

3371
02:53:56,480 --> 02:53:59,360
Speaker 3: make you no money. You know, it don't make you

3372
02:53:59,440 --> 02:54:01,680
Speaker 3: no money, will make you bigger, They'll make you smarter.

3373
02:54:02,320 --> 02:54:05,279
Speaker 3: Dissing people if they're not your flavored.

3374
02:54:05,400 --> 02:54:07,240
Speaker 1: It's not my flavor, you know.

3375
02:54:07,400 --> 02:54:09,960
Speaker 3: But people will turn something that's not a diss into

3376
02:54:10,040 --> 02:54:12,480
Speaker 3: a disc because I say, I like DMX over P

3377
02:54:13,560 --> 02:54:14,680
Speaker 3: A dis not.

3378
02:54:14,760 --> 02:54:17,920
Speaker 1: A disk preferent.

3379
02:54:18,000 --> 02:54:20,760
Speaker 2: They create narratives to monetize.

3380
02:54:20,920 --> 02:54:22,600
Speaker 1: Now we're looking at your shirt. You got a shirt

3381
02:54:22,680 --> 02:54:25,320
Speaker 1: with every sponsor in the world. This is an F

3382
02:54:25,440 --> 02:54:25,960
Speaker 1: one shirt.

3383
02:54:28,200 --> 02:54:28,360
Speaker 6: Yeah.

3384
02:54:28,360 --> 02:54:32,720
Speaker 3: I was fortunate enough to meet Lewis Hamilton back I

3385
02:54:32,920 --> 02:54:36,800
Speaker 3: w C. Yeah, well Louis Dries from Mercedes. He used

3386
02:54:36,840 --> 02:54:37,800
Speaker 3: to drive from McLaren.

3387
02:54:38,240 --> 02:54:42,480
Speaker 1: But I'm a w C. Right, I'm a car guy.

3388
02:54:42,600 --> 02:54:43,480
Speaker 1: So you just had the.

3389
02:54:45,480 --> 02:54:48,440
Speaker 3: Formula one down here. So I'm friends and he's a

3390
02:54:48,520 --> 02:54:51,680
Speaker 3: black kid, and he's you know, world champion three times.

3391
02:54:52,320 --> 02:55:01,040
Speaker 5: So yeah, the last last one one. This is the

3392
02:55:01,160 --> 02:55:03,400
Speaker 5: last quick time of slanm question. We still got more,

3393
02:55:03,440 --> 02:55:07,600
Speaker 5: but QuickTime of slant loyalty or respect?

3394
02:55:08,280 --> 02:55:11,200
Speaker 1: Loyalty? Loyalty? Why?

3395
02:55:13,120 --> 02:55:18,080
Speaker 3: Because loyalty can save your life. Loyalty is the most

3396
02:55:18,120 --> 02:55:23,160
Speaker 3: difficult thing, you know. I say, respects about the hardest

3397
02:55:23,240 --> 02:55:25,960
Speaker 3: damn thing on the streets to earn. But respect is

3398
02:55:26,080 --> 02:55:29,960
Speaker 3: ego based. It's like, do I care if people respect

3399
02:55:30,000 --> 02:55:31,680
Speaker 3: me or this, that and the other. I don't care

3400
02:55:31,680 --> 02:55:33,480
Speaker 3: if you respect me, but if you're loyal to me,

3401
02:55:34,000 --> 02:55:35,360
Speaker 3: I much more prefer that.

3402
02:55:36,200 --> 02:55:40,680
Speaker 1: I prefer loyalty. You know, a nigga can respect you

3403
02:55:40,760 --> 02:55:43,960
Speaker 1: and still throw you in under the jail. Wow, you

3404
02:55:44,080 --> 02:55:46,640
Speaker 1: know I love you? But yeah, but a loyal motherfucker

3405
02:55:46,680 --> 02:55:48,199
Speaker 1: won't turn on you. See.

3406
02:55:50,160 --> 02:55:54,680
Speaker 3: The difference is I won't cross you, not because I'm

3407
02:55:54,680 --> 02:55:57,279
Speaker 3: gonna get caught, not because.

3408
02:55:58,600 --> 02:55:59,320
Speaker 2: I'm a rat.

3409
02:56:00,000 --> 02:56:05,200
Speaker 1: It's because I can't. That's loyalty. I just can't do it.

3410
02:56:06,320 --> 02:56:09,120
Speaker 1: It's my motherfucking man. I cannot do it.

3411
02:56:09,800 --> 02:56:12,640
Speaker 3: So that's why whenever somebody out is pocket, out of pocket,

3412
02:56:12,800 --> 02:56:17,000
Speaker 3: talking out of line, saying ship, you gotta understand it.

3413
02:56:17,120 --> 02:56:19,200
Speaker 3: That's not loyalty, because if I'm loyal to you, I

3414
02:56:19,280 --> 02:56:23,560
Speaker 3: will never utter a word out of my mouth against it.

3415
02:56:24,040 --> 02:56:30,280
Speaker 1: I can't do it. I can't. I take a shot

3416
02:56:30,320 --> 02:56:30,480
Speaker 1: to that.

3417
02:56:30,720 --> 02:56:31,200
Speaker 2: I can't.

3418
02:56:31,440 --> 02:56:34,760
Speaker 3: I mean, yeah, FN let me he helped me down.

3419
02:56:35,560 --> 02:56:37,320
Speaker 3: He helped me down. I was fucked up. I slep

3420
02:56:37,480 --> 02:56:38,000
Speaker 3: on his count.

3421
02:56:38,040 --> 02:56:40,040
Speaker 1: By the way, we're gonna correct you. His name's e F.

3422
02:56:43,120 --> 02:56:43,840
Speaker 1: That's after.

3423
02:56:46,680 --> 02:56:55,920
Speaker 2: DJ e f N about hold on, I want to

3424
02:56:56,000 --> 02:56:59,520
Speaker 2: go to the root of body count. Let go where

3425
02:56:59,560 --> 02:57:02,760
Speaker 2: does that? Where do you get that? Where did you?

3426
02:57:02,920 --> 02:57:04,000
Speaker 2: Where did that come into play?

3427
02:57:04,080 --> 02:57:04,120
Speaker 1: Like?

3428
02:57:04,240 --> 02:57:05,320
Speaker 2: What what's THEO of that?

3429
02:57:05,560 --> 02:57:11,520
Speaker 3: Real quickly, my mother died, my father died. I was

3430
02:57:11,640 --> 02:57:13,600
Speaker 3: moved to Los Angeles to live with my aunt.

3431
02:57:14,879 --> 02:57:15,560
Speaker 2: She had a son.

3432
02:57:15,720 --> 02:57:19,360
Speaker 1: Her name His name was Earl. He thought he was

3433
02:57:19,480 --> 02:57:20,200
Speaker 1: Jimmy Hendrix.

3434
02:57:21,080 --> 02:57:21,200
Speaker 6: Uh.

3435
02:57:21,440 --> 02:57:24,000
Speaker 3: He kept the radio station on the rock stations. I

3436
02:57:24,080 --> 02:57:25,920
Speaker 3: had to live in a room with him, so I

3437
02:57:26,120 --> 02:57:31,240
Speaker 3: was put into the rock world by listening to everything

3438
02:57:31,320 --> 02:57:41,520
Speaker 3: from Jef throw Tall, Black Sabbath, Shit traffic Ello, Blue

3439
02:57:41,560 --> 02:57:45,640
Speaker 3: Oyster called all the rock beds. So I understood rock.

3440
02:57:45,959 --> 02:57:49,080
Speaker 3: I also understood punk because punk came through Black Flag

3441
02:57:49,720 --> 02:57:50,520
Speaker 3: things of that nation.

3442
02:57:51,160 --> 02:57:55,320
Speaker 1: Okay, that's part one. I grew up listening to.

3443
02:57:55,400 --> 02:57:59,840
Speaker 3: Parliament Funkadelic things like that, so rock and guitars were

3444
02:57:59,840 --> 02:58:02,760
Speaker 3: all always part of my thing. I go on tour

3445
02:58:02,800 --> 02:58:05,760
Speaker 3: with Public Enemy, I go to Europe and the kids

3446
02:58:05,800 --> 02:58:10,760
Speaker 3: are moshing off of hip hop. Now, if you played

3447
02:58:10,800 --> 02:58:13,720
Speaker 3: in front of a mosh pit before mop it's wow.

3448
02:58:14,360 --> 02:58:18,400
Speaker 3: So once you see a moshpit, fuck a crowd, marsh pits,

3449
02:58:18,879 --> 02:58:22,120
Speaker 3: that's the shit. So I'm like, yo, this shit is dope, right,

3450
02:58:22,480 --> 02:58:24,800
Speaker 3: So now I want to make music for Mashpip. They

3451
02:58:24,840 --> 02:58:28,120
Speaker 3: would mash off of terrooy Dome and fast stuff. So

3452
02:58:28,240 --> 02:58:31,360
Speaker 3: now I got Ernie. C Ernie c was my childhood friend,

3453
02:58:31,400 --> 02:58:33,920
Speaker 3: went to Crenshall High School with me. He was a

3454
02:58:34,000 --> 02:58:36,600
Speaker 3: guitar virtuo. So I said, let's make a metal band.

3455
02:58:36,680 --> 02:58:40,200
Speaker 3: Let's make a rock band like O Jimmy Hendrix, but

3456
02:58:40,360 --> 02:58:45,520
Speaker 3: more like thrash, more fast, more fast. But I sing

3457
02:58:45,640 --> 02:58:49,520
Speaker 3: about the same things I sing about, and that's where

3458
02:58:49,560 --> 02:58:55,119
Speaker 3: body Count was introduced, and the first album had cop Killer, KKK, bitch,

3459
02:58:55,600 --> 02:58:58,760
Speaker 3: different things on it. It was also a chance for

3460
02:58:59,040 --> 02:59:01,960
Speaker 3: Iced Tea to pick another lane. Hip hop is now

3461
02:59:02,040 --> 02:59:04,520
Speaker 3: getting crowded, I said, so I did it on the

3462
02:59:04,600 --> 02:59:08,360
Speaker 3: original Gangster album. Body Count just recently won the Grammy

3463
02:59:08,520 --> 02:59:10,720
Speaker 3: for Best Metal Profile.

3464
02:59:10,840 --> 02:59:11,560
Speaker 2: Congratulations.

3465
02:59:16,440 --> 02:59:19,280
Speaker 1: So it's also like black people don't even know I

3466
02:59:19,360 --> 02:59:20,600
Speaker 1: got a bad black count.

3467
02:59:21,160 --> 02:59:23,760
Speaker 3: So we played for one hundred thousand people over at

3468
02:59:23,800 --> 02:59:27,560
Speaker 3: the download Fest in Europe. I just finished a new

3469
02:59:27,600 --> 02:59:31,960
Speaker 3: album which is called Merciless, and it's just a side

3470
02:59:32,040 --> 02:59:34,640
Speaker 3: gig to turn into a major gig. Now body Count

3471
02:59:34,720 --> 02:59:40,240
Speaker 3: sells more records than IC see wow, So that's BodyCount BC.

3472
02:59:41,280 --> 02:59:42,400
Speaker 1: And also body Count.

3473
02:59:43,080 --> 02:59:46,200
Speaker 3: The name body Count was how many people we got

3474
02:59:46,320 --> 02:59:48,320
Speaker 3: to show that we dope to become fans.

3475
02:59:48,560 --> 02:59:53,320
Speaker 1: And then also it's BC blood crip wow.

3476
02:59:55,240 --> 03:00:00,040
Speaker 3: Wow Yeah, so BC, BodyCount fans, respect to your A

3477
03:00:00,240 --> 03:00:01,000
Speaker 3: new albums coming.

3478
03:00:01,040 --> 03:00:04,959
Speaker 1: It's called Merciless. My first promotion on Drink Champs. That's goddamn.

3479
03:00:08,560 --> 03:00:10,320
Speaker 3: And I just showed I just showed Nori in a

3480
03:00:10,400 --> 03:00:12,920
Speaker 3: body Count video for Rain and Blood.

3481
03:00:13,120 --> 03:00:14,240
Speaker 2: I'm wearing a relaxed T.

3482
03:00:14,360 --> 03:00:16,360
Speaker 1: Shirt and a relaxed star Rock T shirt.

3483
03:00:16,840 --> 03:00:22,039
Speaker 3: Starck there you go, there you go, There she goes.

3484
03:00:22,560 --> 03:00:28,480
Speaker 3: She would lose that bullshit. The bottomless drink. It's got

3485
03:00:28,680 --> 03:00:31,760
Speaker 3: icy on drinks. Everybody out there is watching this to say,

3486
03:00:31,800 --> 03:00:33,440
Speaker 3: I see you say you don't drink, and it's that,

3487
03:00:33,480 --> 03:00:36,400
Speaker 3: and it's a that's it's the truth. I really naturally

3488
03:00:36,600 --> 03:00:38,800
Speaker 3: don't drink. But I'm not afraid of drink. I'm not

3489
03:00:38,840 --> 03:00:41,680
Speaker 3: afraid of marijuana. I've never smoked weed, but I've been

3490
03:00:41,760 --> 03:00:43,800
Speaker 3: on the levels of contact high.

3491
03:00:43,840 --> 03:00:46,000
Speaker 2: I ain't smoke either, but we're smoking right now with Nori.

3492
03:00:47,560 --> 03:00:50,240
Speaker 1: I hung around smoking right right now. I've been on

3493
03:00:50,400 --> 03:00:51,520
Speaker 1: levels of contact high.

3494
03:00:51,600 --> 03:00:54,000
Speaker 3: My son was working in a dispensary I never forget,

3495
03:00:54,360 --> 03:00:56,280
Speaker 3: and they were smoking all kinds of shit. You know

3496
03:00:56,440 --> 03:00:59,400
Speaker 3: the dispensary they got. You know, we smoking abortion, we

3497
03:00:59,480 --> 03:01:00,560
Speaker 3: smoking had body.

3498
03:01:01,360 --> 03:01:04,199
Speaker 1: You know the names like said body, this is killed

3499
03:01:04,240 --> 03:01:05,760
Speaker 1: twenty niggas try it.

3500
03:01:06,959 --> 03:01:08,080
Speaker 2: You know the names they got.

3501
03:01:08,520 --> 03:01:11,840
Speaker 3: So I'm so high, right, I'm saying, let me show you.

3502
03:01:12,240 --> 03:01:13,760
Speaker 3: So I tell the nigga like this, yo, Man, I

3503
03:01:13,800 --> 03:01:15,959
Speaker 3: got to go. Man, I'm about to get out of here. Man.

3504
03:01:16,000 --> 03:01:17,560
Speaker 1: You know what I'm saying, so, what's happening now?

3505
03:01:19,800 --> 03:01:24,520
Speaker 3: Fuck, I'm like this figga this stut up, turn around

3506
03:01:24,600 --> 03:01:27,119
Speaker 3: and sat the funk back down. So, yeah, I've been very,

3507
03:01:27,240 --> 03:01:31,160
Speaker 3: very high. Back in the day, we used to sell weed.

3508
03:01:31,440 --> 03:01:34,640
Speaker 3: Remember when we was five fingers. Anybody that, Oh you

3509
03:01:34,640 --> 03:01:36,800
Speaker 3: get a bag of weed. It was a big bag

3510
03:01:36,920 --> 03:01:41,360
Speaker 3: of stress with stems and shit in it. Yeah, right,

3511
03:01:41,680 --> 03:01:44,200
Speaker 3: early weed game, back in the day.

3512
03:01:45,280 --> 03:01:46,200
Speaker 2: You call it what you will.

3513
03:01:46,280 --> 03:01:50,680
Speaker 3: So under my staircase, under my staircase in my apartment,

3514
03:01:50,720 --> 03:01:53,720
Speaker 3: I had a little closet and we called that the

3515
03:01:53,840 --> 03:01:56,680
Speaker 3: gas chamber, and they had pillows in there. Niggas, you

3516
03:01:56,840 --> 03:01:58,640
Speaker 3: go in there and smoke weed in there and just

3517
03:01:59,640 --> 03:02:02,160
Speaker 3: just like inhale it and just be fucked up. I

3518
03:02:02,240 --> 03:02:05,720
Speaker 3: didn't do it, though, but yeah, I've been high. And

3519
03:02:05,840 --> 03:02:08,440
Speaker 3: this champagne is not not not bad at all.

3520
03:02:08,680 --> 03:02:13,039
Speaker 1: But that's the spade. And I've been thinking that Japanese

3521
03:02:13,040 --> 03:02:16,920
Speaker 1: I've been dinging that DeLeon is all deion, that's the killer.

3522
03:02:17,200 --> 03:02:19,440
Speaker 1: This is the killer? Is this black owned? Did he

3523
03:02:19,760 --> 03:02:22,039
Speaker 1: give me some of that? Stop playing? You're gonna play it.

3524
03:02:26,480 --> 03:02:27,720
Speaker 2: There, You're gonna have some mamajuana?

3525
03:02:27,800 --> 03:02:32,280
Speaker 3: Yeah, yeah, yeah, I said when I tell people I

3526
03:02:32,400 --> 03:02:37,320
Speaker 3: don't drinks. FN when I tell people I don't drink

3527
03:02:37,440 --> 03:02:40,000
Speaker 3: or I don't get high, I always never thought it

3528
03:02:40,160 --> 03:02:44,600
Speaker 3: was I never thought it was attractive being drunk in public.

3529
03:02:44,879 --> 03:02:47,520
Speaker 3: That's not being drunk, you gotta be I understand that,

3530
03:02:48,000 --> 03:02:50,359
Speaker 3: that's what we do. But being drunk as a woman.

3531
03:02:50,600 --> 03:02:53,920
Speaker 1: I was like, this is wag. This is dangerous. Guys,

3532
03:02:54,280 --> 03:02:55,400
Speaker 1: let me explain something to you. Ice.

3533
03:02:55,440 --> 03:02:59,920
Speaker 5: I'm sorry, I'm sorry, but a neighbor of minds said

3534
03:03:00,080 --> 03:03:04,280
Speaker 5: to me one day, he said, don't walk over there

3535
03:03:05,720 --> 03:03:07,760
Speaker 5: by Nori, you're gonna get high.

3536
03:03:07,840 --> 03:03:11,400
Speaker 3: To another neighbor, so another neighbors, don't walk over there,

3537
03:03:11,920 --> 03:03:14,200
Speaker 3: you're gonna get high, just might be near you by

3538
03:03:14,320 --> 03:03:18,439
Speaker 3: being nam me. I didn't like that really, okay.

3539
03:03:18,240 --> 03:03:21,080
Speaker 1: Yeah yeah, and I don't care, yeah yeah, yeah, yeah yeah.

3540
03:03:21,120 --> 03:03:23,920
Speaker 1: That's one. And I'm gonna do that. You know I'm

3541
03:03:23,920 --> 03:03:26,320
Speaker 1: gonna do Okay, right, cool?

3542
03:03:26,640 --> 03:03:30,280
Speaker 3: So if I drink anymore, I'm gonna do some breakdancing.

3543
03:03:32,600 --> 03:03:40,560
Speaker 5: Reconse tell much it's how much I didn't like when

3544
03:03:40,600 --> 03:03:42,160
Speaker 5: he said don't go over there, you'll get high.

3545
03:03:42,400 --> 03:03:43,119
Speaker 1: I went upstairs.

3546
03:03:43,200 --> 03:03:48,720
Speaker 5: I got all my papers, I got my medical marijuana license,

3547
03:03:49,000 --> 03:03:50,680
Speaker 5: and I came down and I said to the guy,

3548
03:03:50,720 --> 03:03:54,320
Speaker 5: excuse me, sir, I don't get high.

3549
03:03:54,840 --> 03:04:00,440
Speaker 1: I get medicaid. I said this doctor subscribed, right. Do

3550
03:04:00,480 --> 03:04:01,080
Speaker 1: you understand?

3551
03:04:01,320 --> 03:04:03,360
Speaker 3: Getting high is where you go see the guy on

3552
03:04:03,440 --> 03:04:07,520
Speaker 3: the corner that's doing pull upsselves your weed.

3553
03:04:08,360 --> 03:04:09,640
Speaker 1: This is I'm not. I don't get.

3554
03:04:11,720 --> 03:04:15,640
Speaker 3: Doctor told me to me a total difference. Clear, Sorry,

3555
03:04:16,560 --> 03:04:20,000
Speaker 3: I mean I'm myself my whole life. I've always been

3556
03:04:20,120 --> 03:04:20,640
Speaker 3: like a leader.

3557
03:04:21,160 --> 03:04:23,199
Speaker 1: That's so. But to say can you take a shot?

3558
03:04:24,160 --> 03:04:25,119
Speaker 2: Can't you take a shot?

3559
03:04:25,760 --> 03:04:27,000
Speaker 1: You got a shot drink?

3560
03:04:32,840 --> 03:04:34,640
Speaker 2: M hm hmmm.

3561
03:04:40,400 --> 03:04:41,640
Speaker 1: Why would the nigga do that?

3562
03:04:43,360 --> 03:04:46,240
Speaker 2: You gotta give him the mama water. Just say he did.

3563
03:04:46,520 --> 03:04:47,560
Speaker 1: Hold on, there's no.

3564
03:04:47,680 --> 03:04:49,960
Speaker 3: Reason to drink this ship other than to get high.

3565
03:04:51,480 --> 03:04:56,720
Speaker 3: It doesn't taste good this, Oh my god, I disagree.

3566
03:04:58,720 --> 03:04:59,040
Speaker 1: Why not?

3567
03:04:59,560 --> 03:05:02,160
Speaker 2: You know, the where you drink, the more, the easier

3568
03:05:02,200 --> 03:05:03,960
Speaker 2: it goes. Now, But shots are never good.

3569
03:05:04,840 --> 03:05:06,360
Speaker 3: No, shots are never good. You're supposed to have a

3570
03:05:06,440 --> 03:05:10,080
Speaker 3: chill to discuss something like, as I was saying, Nori,

3571
03:05:10,280 --> 03:05:10,880
Speaker 3: you ain't drinking.

3572
03:05:10,959 --> 03:05:16,959
Speaker 5: The military nor the military got I was army, Charlie

3573
03:05:17,000 --> 03:05:17,280
Speaker 5: was army.

3574
03:05:17,320 --> 03:05:18,640
Speaker 2: He was army too. He got kicked off the.

3575
03:05:18,680 --> 03:05:22,280
Speaker 1: Army twenty fIF D twenty fifth five d t the

3576
03:05:22,320 --> 03:05:24,600
Speaker 1: first army talk we ever had on drink camps ever.

3577
03:05:24,879 --> 03:05:27,400
Speaker 2: But now he talked about a lot of time dig this.

3578
03:05:30,320 --> 03:05:36,800
Speaker 3: I've always been a leader, I've never had security, and

3579
03:05:36,920 --> 03:05:40,680
Speaker 3: I always just felt being high compromised my situation. If

3580
03:05:40,720 --> 03:05:43,240
Speaker 3: I was your security, I couldn't get high right. But

3581
03:05:43,360 --> 03:05:45,600
Speaker 3: now I'm my security right, so I have to be

3582
03:05:45,720 --> 03:05:48,600
Speaker 3: on point now. The reason I never I never could

3583
03:05:48,680 --> 03:05:54,039
Speaker 3: afford security early in my life, and I noticed people

3584
03:05:54,120 --> 03:05:57,880
Speaker 3: that had it started to believe they needed it like

3585
03:05:58,000 --> 03:06:00,640
Speaker 3: their brains, that I can't go out without it now

3586
03:06:00,800 --> 03:06:04,520
Speaker 3: me like I say, I'm six foot. I always felt

3587
03:06:04,560 --> 03:06:07,080
Speaker 3: I missed a good fight, like I took martial arts.

3588
03:06:07,160 --> 03:06:10,120
Speaker 3: I can fight, but I gonna get to use it.

3589
03:06:12,120 --> 03:06:14,440
Speaker 3: So I always felt like I'm really waiting, like having

3590
03:06:14,440 --> 03:06:16,680
Speaker 3: a gun. You just bought a good new gun. I'm

3591
03:06:16,760 --> 03:06:19,200
Speaker 3: waiting to work this motherfucker, like I want to use

3592
03:06:19,280 --> 03:06:20,360
Speaker 3: it for myself.

3593
03:06:20,640 --> 03:06:21,360
Speaker 1: Always said like.

3594
03:06:22,920 --> 03:06:25,720
Speaker 3: I'm comfortable, I don't have beef. If you come to

3595
03:06:25,840 --> 03:06:30,200
Speaker 3: rob me, my shit's insured. I'm not afraid now I

3596
03:06:30,320 --> 03:06:32,440
Speaker 3: know I gave you that gotta relaxed T shirt. Yeah,

3597
03:06:32,440 --> 03:06:35,800
Speaker 3: I'm not afraid. Up to this point. Now I might

3598
03:06:35,879 --> 03:06:37,720
Speaker 3: say this, go out here and get laid down, but

3599
03:06:38,360 --> 03:06:43,640
Speaker 3: with that, but my point is alcohol was one of

3600
03:06:43,720 --> 03:06:46,400
Speaker 3: my ways of saying I need to be on point.

3601
03:06:46,720 --> 03:06:46,840
Speaker 1: Now.

3602
03:06:46,920 --> 03:06:50,160
Speaker 3: What happened was early in my life. My guys, I

3603
03:06:50,280 --> 03:06:55,120
Speaker 3: became the designated driver or the sober nigga and the crew,

3604
03:06:55,760 --> 03:07:00,560
Speaker 3: and they liked it. When I was young, big homies

3605
03:07:00,640 --> 03:07:02,520
Speaker 3: just like, Yo, nigga, hit the weed. I'm like, I

3606
03:07:02,959 --> 03:07:05,720
Speaker 3: want to hit the weed, you bitch. If you don't

3607
03:07:05,800 --> 03:07:07,360
Speaker 3: hit the weed, well I'm a bitch. Make me hit

3608
03:07:07,400 --> 03:07:13,160
Speaker 3: it while you tripping. Nigga while you tripping. Now, anybody

3609
03:07:13,240 --> 03:07:15,400
Speaker 3: tries to get me high, big homie like, nah, nigga,

3610
03:07:15,400 --> 03:07:15,960
Speaker 3: don't get high.

3611
03:07:15,959 --> 03:07:17,840
Speaker 1: He don't get out because he couldn't get me to

3612
03:07:17,920 --> 03:07:21,200
Speaker 1: do it. But so now I become the cat and

3613
03:07:21,280 --> 03:07:22,680
Speaker 1: the crew. Ice is good.

3614
03:07:23,400 --> 03:07:25,800
Speaker 3: So I'm the nigga like if shit, the ship pops off,

3615
03:07:25,840 --> 03:07:27,720
Speaker 3: I'm grabbing niggas like yo nigga, if.

3616
03:07:27,640 --> 03:07:29,080
Speaker 1: The police pull up, I'm talking.

3617
03:07:29,800 --> 03:07:32,520
Speaker 3: So the homies respected that it's always good to have

3618
03:07:32,600 --> 03:07:33,760
Speaker 3: a sober nigga in the click.

3619
03:07:34,040 --> 03:07:37,600
Speaker 1: But it's always good a nigga does not get hided.

3620
03:07:37,800 --> 03:07:40,080
Speaker 1: And if you're in a room if you on some

3621
03:07:40,240 --> 03:07:40,920
Speaker 1: gangster shit.

3622
03:07:41,160 --> 03:07:44,560
Speaker 3: Right, if you're in a room and it's somebody that

3623
03:07:44,720 --> 03:07:47,920
Speaker 3: don't get high, that's the most dangerous nigga in that room,

3624
03:07:48,000 --> 03:07:52,080
Speaker 3: that's right. You know, if you hire security, they can't

3625
03:07:52,120 --> 03:07:55,440
Speaker 3: get high with you. You like, nigga, want you put

3626
03:07:55,480 --> 03:07:59,200
Speaker 3: that drink down? Motherfucker watch my back. So that's why

3627
03:07:59,200 --> 03:08:02,240
Speaker 3: I don't drink. But I'm not afraid of it. I'm

3628
03:08:02,280 --> 03:08:05,600
Speaker 3: not afraid of weed. I'm not afraid of drugs. I

3629
03:08:05,680 --> 03:08:08,760
Speaker 3: am afraid of drugs now because the petamom. I'm afraid

3630
03:08:08,800 --> 03:08:09,280
Speaker 3: of that ship.

3631
03:08:09,520 --> 03:08:12,879
Speaker 1: Yeah, don't I've done that ecstasy before?

3632
03:08:16,040 --> 03:08:17,840
Speaker 2: She's coming out like that.

3633
03:08:19,600 --> 03:08:24,680
Speaker 1: What happened when you're on? Never weed? I was in Miami,

3634
03:08:25,320 --> 03:08:31,440
Speaker 1: of course, of course, never we did. A guy named

3635
03:08:31,520 --> 03:08:32,520
Speaker 1: Eddie Giggs bringing to you.

3636
03:08:32,760 --> 03:08:34,959
Speaker 2: No. Never, we.

3637
03:08:36,840 --> 03:08:40,640
Speaker 3: Never coked, been around tons of coke, never did it,

3638
03:08:40,800 --> 03:08:41,440
Speaker 3: never sniffed it.

3639
03:08:41,520 --> 03:08:47,080
Speaker 1: Never touched it, never smoked it. Uh, ecstasy, How.

3640
03:08:47,000 --> 03:08:47,520
Speaker 2: Does this happen?

3641
03:08:47,720 --> 03:08:50,800
Speaker 1: My whole thing was give me a benefit and I'll

3642
03:08:50,920 --> 03:08:53,720
Speaker 1: do it. You an equinox and somebody coming to you.

3643
03:08:53,800 --> 03:08:54,880
Speaker 2: Well, why you want it?

3644
03:08:54,920 --> 03:08:57,440
Speaker 1: Why you want it? So my wife Coco, Okay, she's

3645
03:08:57,480 --> 03:08:58,120
Speaker 1: a party girl.

3646
03:08:58,200 --> 03:09:01,320
Speaker 3: She's from Vegas. She doesn't blow Oh everything, party did

3647
03:09:01,360 --> 03:09:03,800
Speaker 3: the whole thing. Pretty girls go out on the yachts

3648
03:09:03,840 --> 03:09:06,480
Speaker 3: and the boats. They early life s they wilding. Okay,

3649
03:09:07,080 --> 03:09:09,640
Speaker 3: so she lived that life, had been there, done that

3650
03:09:09,760 --> 03:09:15,280
Speaker 3: scene at all, but she stopped. So when we would

3651
03:09:15,320 --> 03:09:17,560
Speaker 3: go out, she would drink, and she would want me

3652
03:09:17,680 --> 03:09:19,640
Speaker 3: to drink. I'm like, I ain't really trying to drink.

3653
03:09:20,440 --> 03:09:22,240
Speaker 3: I gotta watch you, you know.

3654
03:09:22,440 --> 03:09:30,720
Speaker 1: So that was one, two three. Oh yeah, if you

3655
03:09:30,840 --> 03:09:31,080
Speaker 1: out with.

3656
03:09:31,120 --> 03:09:34,959
Speaker 3: Your wife and she gets drunk, somebody gotta stay soaper, right,

3657
03:09:35,200 --> 03:09:40,160
Speaker 3: So I'm covering that, covering that. So now ecstasy, it's

3658
03:09:40,200 --> 03:09:46,360
Speaker 3: a sex drug, got my attention, sexy time. It's a

3659
03:09:46,440 --> 03:09:48,720
Speaker 3: sex drug that is not I don't need it. I

3660
03:09:48,720 --> 03:09:50,280
Speaker 3: don't have erectional issues yet.

3661
03:09:51,400 --> 03:09:52,200
Speaker 2: Where are we going with this?

3662
03:09:53,040 --> 03:09:55,000
Speaker 1: Okay, okay, okay, I'm ready.

3663
03:09:55,000 --> 03:09:55,400
Speaker 2: I'm ready.

3664
03:09:55,440 --> 03:09:59,240
Speaker 1: Now, I'm ready. Now I wasn't ready. No, I don't

3665
03:09:59,280 --> 03:09:59,800
Speaker 1: have them yet.

3666
03:10:00,160 --> 03:10:00,360
Speaker 5: Good.

3667
03:10:00,560 --> 03:10:03,720
Speaker 3: I mean, I guess I'm doing the right diet. But

3668
03:10:04,200 --> 03:10:06,200
Speaker 3: they say it's more than that. It's not like I

3669
03:10:06,320 --> 03:10:07,760
Speaker 3: needed to take Viagara.

3670
03:10:07,800 --> 03:10:08,160
Speaker 1: It's something.

3671
03:10:08,160 --> 03:10:11,960
Speaker 3: It's it's spirits, it's another thing. So now they got

3672
03:10:12,040 --> 03:10:14,360
Speaker 3: my interest. I'm like, well, this sex is the best

3673
03:10:14,360 --> 03:10:15,000
Speaker 3: ship in the world.

3674
03:10:15,160 --> 03:10:18,160
Speaker 1: Like, what the fuck? So I'm down here at in Miami.

3675
03:10:18,760 --> 03:10:21,560
Speaker 1: It is Miami and uh crow Bar?

3676
03:10:21,959 --> 03:10:25,680
Speaker 2: Yeah, of course, of course this might have been the event.

3677
03:10:27,440 --> 03:10:30,400
Speaker 3: I'm gonna validate my stories with documented ship.

3678
03:10:32,200 --> 03:10:33,320
Speaker 1: I'm not making a chef.

3679
03:10:33,800 --> 03:10:35,640
Speaker 3: My boy told me one time, he said, you never

3680
03:10:35,720 --> 03:10:37,160
Speaker 3: got to lie because people won't.

3681
03:10:37,040 --> 03:10:40,880
Speaker 1: Believe the truth. Your truth is so out fucking rageous.

3682
03:10:41,440 --> 03:10:42,040
Speaker 1: Just tell the truth.

3683
03:10:42,040 --> 03:10:44,000
Speaker 3: They're gonna they're gonna be like, you're lying. Okay, anyway,

3684
03:10:44,600 --> 03:10:47,520
Speaker 3: we going to crow Bar. Now, Crowbar is techno. Okay,

3685
03:10:48,280 --> 03:10:51,880
Speaker 3: that was the first base. Yeah, yeah, I'm in the

3686
03:10:51,920 --> 03:10:54,080
Speaker 3: story with this. You got you got, you got living

3687
03:10:54,160 --> 03:10:56,840
Speaker 3: room down here, you got Crowbar, you got this lane. Right,

3688
03:10:56,920 --> 03:10:59,280
Speaker 3: So I'm in Crowbar. What is It's like, it's in

3689
03:10:59,360 --> 03:11:00,680
Speaker 3: a place to look. It's like a theater.

3690
03:11:02,400 --> 03:11:04,160
Speaker 2: No, cameo, cameo, cameo.

3691
03:11:04,520 --> 03:11:07,920
Speaker 3: Right, that's what that's what I'm in, South Beach, South Beach. Yeah,

3692
03:11:08,280 --> 03:11:09,400
Speaker 3: that's what that's what they called it.

3693
03:11:09,920 --> 03:11:13,160
Speaker 1: I'm learning lessons. Let's go walk with me, Walk with

3694
03:11:13,280 --> 03:11:18,199
Speaker 1: me into this world of vice tea. I'm with Coco.

3695
03:11:18,560 --> 03:11:19,040
Speaker 2: Don't load.

3696
03:11:19,120 --> 03:11:22,480
Speaker 1: Now, me and my wife we go everywhere by ourselves.

3697
03:11:22,560 --> 03:11:26,400
Speaker 3: We don't go with entiurige. We go on vacations alone.

3698
03:11:26,440 --> 03:11:28,920
Speaker 3: Now we got a daughter, but we go vacate. I

3699
03:11:28,959 --> 03:11:30,680
Speaker 3: don't need to bring niggas. I used to do that

3700
03:11:30,760 --> 03:11:32,960
Speaker 3: when I didn't have a wife. Now I got a wife.

3701
03:11:33,360 --> 03:11:35,959
Speaker 3: We lead a hotel. We going to Crowbar. She got

3702
03:11:36,040 --> 03:11:38,720
Speaker 3: on the sexy ship. We hit the club. It's techno.

3703
03:11:39,440 --> 03:11:42,520
Speaker 3: For some reason, that night I said, I'm ready to roll.

3704
03:11:42,720 --> 03:11:52,800
Speaker 1: Now that's what let's roll. So she goes ready ready.

3705
03:11:53,200 --> 03:11:55,520
Speaker 3: I'm like, yeah, what do I do? So you got

3706
03:11:55,600 --> 03:11:59,320
Speaker 3: to find somebody with some E. Now I'm the dope

3707
03:11:59,360 --> 03:12:02,640
Speaker 3: fiend in the up. This might be a great story.

3708
03:12:02,720 --> 03:12:04,840
Speaker 3: This might be the greatest drink. Sam three, This is

3709
03:12:04,879 --> 03:12:10,800
Speaker 3: the greatest drink. Gips are already already. This story made

3710
03:12:10,840 --> 03:12:13,720
Speaker 3: me take that was not part of the game, and

3711
03:12:16,400 --> 03:12:18,320
Speaker 3: it's it's tickling me because I'm a member in it.

3712
03:12:19,680 --> 03:12:19,959
Speaker 1: All right.

3713
03:12:20,000 --> 03:12:22,280
Speaker 3: So we in the club, plounce Coco got a ship

3714
03:12:22,360 --> 03:12:25,560
Speaker 3: on him. I'm like that, So she goes, yo, find it.

3715
03:12:26,040 --> 03:12:28,600
Speaker 3: Now I'm walking around the club like you got E.

3716
03:12:30,959 --> 03:12:32,760
Speaker 2: The white kids were like yo, I.

3717
03:12:32,959 --> 03:12:34,160
Speaker 1: See So.

3718
03:12:37,040 --> 03:12:40,320
Speaker 3: I'm like yo, this bad life fucking So now I

3719
03:12:40,440 --> 03:12:41,800
Speaker 3: walk over and I see the dude.

3720
03:12:42,080 --> 03:12:43,320
Speaker 1: I see the dude, you.

3721
03:12:43,360 --> 03:12:46,240
Speaker 3: Know with the big pants and the big platform shoot.

3722
03:12:46,600 --> 03:12:48,720
Speaker 1: And the and all the all the lights and all

3723
03:12:48,800 --> 03:12:51,760
Speaker 1: the you know, I see, I see mister Eve.

3724
03:12:54,320 --> 03:12:55,840
Speaker 2: He's got it all, you know, the looks.

3725
03:12:56,200 --> 03:13:00,800
Speaker 1: So he's doing this ship. So I walk up to him.

3726
03:13:01,040 --> 03:13:02,600
Speaker 1: I said, yo, man, you know I'm trying to get

3727
03:13:02,600 --> 03:13:04,520
Speaker 1: to me. He looks around, he goes yo. I said,

3728
03:13:04,520 --> 03:13:08,880
Speaker 1: he's trying to get out. So I said, yo, play

3729
03:13:09,000 --> 03:13:10,680
Speaker 1: look look I heard you the man.

3730
03:13:10,840 --> 03:13:11,800
Speaker 2: I heard you the man.

3731
03:13:12,200 --> 03:13:16,400
Speaker 3: The motherfucker reached in his pocket and pulled out a

3732
03:13:16,520 --> 03:13:19,720
Speaker 3: handful of ecstasy like maybe twenty tags.

3733
03:13:20,200 --> 03:13:20,840
Speaker 1: He said, you hurt.

3734
03:13:20,920 --> 03:13:22,520
Speaker 2: I'm the man you put in my hand.

3735
03:13:22,560 --> 03:13:27,360
Speaker 1: He said, now you're the man, real talk.

3736
03:13:27,440 --> 03:13:30,200
Speaker 3: Swear to God, God bless this dude started me on

3737
03:13:30,280 --> 03:13:31,160
Speaker 3: my life of drugs.

3738
03:13:33,320 --> 03:13:35,360
Speaker 5: So I go back to Coco because you got twenty,

3739
03:13:35,440 --> 03:13:37,119
Speaker 5: you took the whole twenty, you took.

3740
03:13:37,000 --> 03:13:37,440
Speaker 2: The whole shit.

3741
03:13:37,480 --> 03:13:40,160
Speaker 3: He get me your hunt, nigga said the nigga the

3742
03:13:40,480 --> 03:13:44,080
Speaker 3: tempt shit or he was, you hurt, I'm the man now,

3743
03:13:46,040 --> 03:13:47,360
Speaker 3: so he hits me off.

3744
03:13:47,440 --> 03:13:49,640
Speaker 1: So now you my back. Just now, I look, I

3745
03:13:49,640 --> 03:13:52,760
Speaker 1: got the back. Continue do I walk over to Coco.

3746
03:13:53,160 --> 03:13:55,720
Speaker 1: I go yo, So I show her. She goes, yo,

3747
03:13:55,920 --> 03:13:57,960
Speaker 1: that's too much sweat. Are you gonna do that? I said,

3748
03:13:58,000 --> 03:14:03,360
Speaker 1: So what do I do? She said, take one? One

3749
03:14:03,680 --> 03:14:05,840
Speaker 1: hold one oh shot. She took a half.

3750
03:14:05,959 --> 03:14:08,120
Speaker 3: It was one of it was looked like it was

3751
03:14:08,200 --> 03:14:10,240
Speaker 3: one of the kind that looked like a cylinder with

3752
03:14:10,360 --> 03:14:11,360
Speaker 3: two flat tops.

3753
03:14:13,080 --> 03:14:13,680
Speaker 1: You're feeling me.

3754
03:14:15,560 --> 03:14:21,879
Speaker 2: Double stacks. Look at that look double yes. Okay, at

3755
03:14:21,959 --> 03:14:23,840
Speaker 2: some point, at some point if.

3756
03:14:23,760 --> 03:14:27,120
Speaker 3: You seems mine, at some point, if you stay on

3757
03:14:27,280 --> 03:14:29,600
Speaker 3: drink champ long enough, you'll go into the hole.

3758
03:14:30,640 --> 03:14:34,520
Speaker 2: You're going to tapping into a different level. We done

3759
03:14:34,640 --> 03:14:36,879
Speaker 2: left gang bang, We done.

3760
03:14:36,800 --> 03:14:39,400
Speaker 1: Left pimping all that pimping.

3761
03:14:39,879 --> 03:14:41,480
Speaker 2: We are in the E word.

3762
03:14:42,959 --> 03:14:45,480
Speaker 1: And we're going into the let's go and it's four

3763
03:14:45,520 --> 03:14:46,560
Speaker 1: four four right by the way.

3764
03:14:48,440 --> 03:14:51,920
Speaker 3: So she tells me to take one. I take one.

3765
03:14:52,400 --> 03:14:56,560
Speaker 3: This is the first thing that happens. I start rubbing malig.

3766
03:15:00,080 --> 03:15:03,960
Speaker 2: Then for the first time in my entire life, this

3767
03:15:04,120 --> 03:15:05,920
Speaker 2: is like an E commercial from my seed.

3768
03:15:06,959 --> 03:15:10,760
Speaker 3: Listen, it gets greater because everybody in here that's done

3769
03:15:10,840 --> 03:15:13,680
Speaker 3: E understands I'm not I'm not making this ship up.

3770
03:15:13,959 --> 03:15:16,560
Speaker 3: I cannot lie and say I did eat without these

3771
03:15:16,640 --> 03:15:20,480
Speaker 3: certain things happening. I started touching my legs. Then, for

3772
03:15:20,600 --> 03:15:30,440
Speaker 3: the first time in my life, I understood techno, like

3773
03:15:35,000 --> 03:15:37,560
Speaker 3: all that shit they used to go boom bump, bump bump,

3774
03:15:37,680 --> 03:15:39,680
Speaker 3: because I used to hang out in techno clubs when

3775
03:15:39,680 --> 03:15:46,160
Speaker 3: we traveled all over the music when e f N

3776
03:15:46,240 --> 03:15:48,879
Speaker 3: when you travel as rappers all over Europe, the only

3777
03:15:48,959 --> 03:15:51,480
Speaker 3: clubs to go to with girls are techno clubs. They

3778
03:15:51,600 --> 03:15:53,680
Speaker 3: know hip hop clubs, so we would be in them.

3779
03:15:53,720 --> 03:15:55,560
Speaker 3: But I'm just boom boom boom boom boom. I'm not

3780
03:15:55,720 --> 03:15:58,360
Speaker 3: I'm not getting it. I'm like yo, yo, this fuck

3781
03:15:58,440 --> 03:16:05,040
Speaker 3: like I'm like that. But they partying. So now tonight techno.

3782
03:16:05,360 --> 03:16:06,800
Speaker 1: The ships just opened up.

3783
03:16:08,120 --> 03:16:16,280
Speaker 3: I heard the strings nance I could see techno, and

3784
03:16:17,160 --> 03:16:23,480
Speaker 3: I said, this music you gotta be hot, you gotta

3785
03:16:23,560 --> 03:16:28,279
Speaker 3: be hot now. The next thing that happened is Coco.

3786
03:16:28,760 --> 03:16:31,199
Speaker 3: Everything around Coco went out of focus.

3787
03:16:32,480 --> 03:16:33,520
Speaker 2: She was in a glow.

3788
03:16:34,160 --> 03:16:36,879
Speaker 3: She's dancing in front of me, but I don't see anything.

3789
03:16:37,320 --> 03:16:41,400
Speaker 3: Nothing else in the motherfucking room mattered but her, and

3790
03:16:41,520 --> 03:16:43,880
Speaker 3: she's looking hotter than ever. Next thing, you know, I

3791
03:16:43,920 --> 03:16:46,360
Speaker 3: got her on a speaker. She done climbed up on

3792
03:16:46,400 --> 03:16:52,400
Speaker 3: the motherfucker's streaker. I might have been a little bit

3793
03:16:52,440 --> 03:16:55,480
Speaker 3: too cautious to do, but now get on that speaker, baby,

3794
03:16:55,879 --> 03:16:57,280
Speaker 3: I'm staying like yo.

3795
03:16:57,440 --> 03:17:01,280
Speaker 1: Like it was like godly ship and I'm like, yo.

3796
03:17:01,520 --> 03:17:07,960
Speaker 3: Now here's a trip with ecstasy. Ecstasy you roll. If

3797
03:17:08,000 --> 03:17:10,520
Speaker 3: somebody goes like this, you become high. I mean, you

3798
03:17:10,600 --> 03:17:13,280
Speaker 3: become like what's that name? If you come out of

3799
03:17:13,320 --> 03:17:15,440
Speaker 3: the high. It's not like drunk, you're always drunk.

3800
03:17:16,000 --> 03:17:19,600
Speaker 1: Ee. It's kind of like people that have never done it.

3801
03:17:19,640 --> 03:17:21,240
Speaker 3: It's kind of like if you ever listen to music

3802
03:17:21,320 --> 03:17:23,280
Speaker 3: and you got into the music and you got into

3803
03:17:23,360 --> 03:17:25,720
Speaker 3: this vibe, but then somebody came in the house, you

3804
03:17:25,800 --> 03:17:26,240
Speaker 3: come out of it.

3805
03:17:26,320 --> 03:17:27,879
Speaker 1: You could come out of it. You can go. You're

3806
03:17:27,959 --> 03:17:31,840
Speaker 1: not always high on E. You gotta let E take

3807
03:17:31,920 --> 03:17:33,000
Speaker 1: you the place?

3808
03:17:33,120 --> 03:17:33,600
Speaker 2: Am I wrong?

3809
03:17:34,959 --> 03:17:35,119
Speaker 3: Right?

3810
03:17:35,280 --> 03:17:37,400
Speaker 1: You can you roll, but then you can snap out

3811
03:17:37,440 --> 03:17:38,199
Speaker 1: of it. You're sober.

3812
03:17:38,520 --> 03:17:39,440
Speaker 2: Can you get back after?

3813
03:17:39,760 --> 03:17:39,960
Speaker 3: Yeah?

3814
03:17:40,000 --> 03:17:40,280
Speaker 1: You can.

3815
03:17:40,400 --> 03:17:43,680
Speaker 2: You just gotta let it happen. It comes in way

3816
03:17:43,720 --> 03:17:44,640
Speaker 2: a lot of experience. People.

3817
03:17:45,160 --> 03:17:46,879
Speaker 1: No, no, I want this shit to.

3818
03:17:46,879 --> 03:17:50,080
Speaker 3: Be official tissues because we over here talking about drugs.

3819
03:17:50,160 --> 03:17:50,760
Speaker 1: Motherfucker.

3820
03:17:53,200 --> 03:17:57,240
Speaker 3: So anyway, me and Coco Lee, the motherfucking roll right,

3821
03:17:57,360 --> 03:18:00,440
Speaker 3: we get back glove the club, the globe. We get

3822
03:18:00,520 --> 03:18:04,879
Speaker 3: back to the room, right. I turned into like Max hardcore.

3823
03:18:05,040 --> 03:18:07,160
Speaker 3: I turned to like the illess porn star.

3824
03:18:09,600 --> 03:18:10,800
Speaker 1: Or the history of the room.

3825
03:18:10,879 --> 03:18:19,200
Speaker 3: I'm like in my DV and ship like. So let

3826
03:18:19,280 --> 03:18:21,440
Speaker 3: me just break it down. This is this is for

3827
03:18:21,720 --> 03:18:22,680
Speaker 3: viral ship.

3828
03:18:24,560 --> 03:18:25,280
Speaker 2: You in.

3829
03:18:27,520 --> 03:18:31,080
Speaker 3: The only way I can explain it is that when

3830
03:18:31,120 --> 03:18:35,080
Speaker 3: we got ready to have sex, it was like choir

3831
03:18:35,280 --> 03:18:43,680
Speaker 3: music and angels was coming out the pussy like and

3832
03:18:43,800 --> 03:18:46,280
Speaker 3: my dick was so hard. I like shut the door

3833
03:18:46,400 --> 03:18:54,800
Speaker 3: with my dick. Yeah, yeah, you first time. So I

3834
03:18:54,879 --> 03:18:59,480
Speaker 3: went into Max Hawk, you dirty bitch ship. So I

3835
03:18:59,600 --> 03:19:03,320
Speaker 3: fucked dog ship out of her. And the reason I know,

3836
03:19:03,920 --> 03:19:07,640
Speaker 3: the reason I know I'm not just patting myself on

3837
03:19:07,760 --> 03:19:10,280
Speaker 3: the back is when it was over, she said where

3838
03:19:10,320 --> 03:19:11,440
Speaker 3: did you come from?

3839
03:19:12,720 --> 03:19:15,000
Speaker 2: Now, when your woman says that to you, you know

3840
03:19:15,120 --> 03:19:15,880
Speaker 2: you did damn it.

3841
03:19:16,000 --> 03:19:18,320
Speaker 1: She said, where did you come from?

3842
03:19:19,160 --> 03:19:21,520
Speaker 3: So that next morning I called my home boy Shiny Shine.

3843
03:19:21,560 --> 03:19:23,960
Speaker 3: I said, I found my ship. I'm the posting shower

3844
03:19:24,040 --> 03:19:24,400
Speaker 3: for acts.

3845
03:19:27,480 --> 03:19:28,520
Speaker 2: This is my drug.

3846
03:19:29,680 --> 03:19:33,600
Speaker 3: Fast forward, one more quick story. So we're in my

3847
03:19:33,879 --> 03:19:36,560
Speaker 3: We're in, and this is why I don't do it.

3848
03:19:37,640 --> 03:19:39,400
Speaker 3: So We're in Atlantic City.

3849
03:19:39,520 --> 03:19:43,160
Speaker 1: The positive. We're in Atlantic City.

3850
03:19:43,720 --> 03:19:46,680
Speaker 3: I gotta what they call it when you do you

3851
03:19:46,840 --> 03:19:49,080
Speaker 3: get a lot of gigs in one place of residence.

3852
03:19:50,840 --> 03:19:55,280
Speaker 3: I'm doing eight shows over twelve months. They're like hosting bullshit.

3853
03:19:56,200 --> 03:19:58,640
Speaker 3: Hosting is fun. Hosting is the best hustle in the world.

3854
03:19:58,879 --> 03:20:00,640
Speaker 3: You to show up at the club, up and get

3855
03:20:00,680 --> 03:20:02,560
Speaker 3: on the mic and get paid. Right, you only do

3856
03:20:02,640 --> 03:20:06,360
Speaker 3: a show. So I'm hosting in Atlantic City. So Coco

3857
03:20:06,480 --> 03:20:08,800
Speaker 3: comes up to me because she always wants to get high.

3858
03:20:08,879 --> 03:20:11,720
Speaker 3: She probably wants me to do that damn thing like that, right.

3859
03:20:12,680 --> 03:20:12,760
Speaker 2: She.

3860
03:20:14,360 --> 03:20:20,959
Speaker 1: Want to return the man take this up.

3861
03:20:23,640 --> 03:20:26,560
Speaker 3: So I'm like, I was, like she said, but this

3862
03:20:26,760 --> 03:20:36,840
Speaker 3: time she says, they got Molly. Molly comes into capsule.

3863
03:20:37,720 --> 03:20:41,800
Speaker 3: Molly is not a pill. Molly Molly is what the

3864
03:20:41,920 --> 03:20:44,760
Speaker 3: fuck they put in that capsule Moll when went bad.

3865
03:20:45,280 --> 03:20:48,920
Speaker 3: So basically she gets to Molly. We split it up.

3866
03:20:49,560 --> 03:20:51,520
Speaker 2: Bam, we take it right.

3867
03:20:51,600 --> 03:20:55,440
Speaker 3: I'm hosting. Blow It's over now, shows over. I get

3868
03:20:55,480 --> 03:20:58,119
Speaker 3: in the hotel room. I'm ready to turn into devious

3869
03:20:58,760 --> 03:21:01,519
Speaker 3: you know, tonguesen still doctor backbreaker.

3870
03:21:01,760 --> 03:21:02,600
Speaker 1: I'm ready to go in.

3871
03:21:03,000 --> 03:21:03,840
Speaker 2: I'm ready to go in.

3872
03:21:04,720 --> 03:21:04,840
Speaker 1: YO.

3873
03:21:04,959 --> 03:21:11,920
Speaker 2: That ship had me like this a VAMPI.

3874
03:21:13,360 --> 03:21:15,760
Speaker 1: I was like, Yo, what the fuck is this? Ship?

3875
03:21:16,680 --> 03:21:16,960
Speaker 2: Nigga?

3876
03:21:17,080 --> 03:21:17,720
Speaker 1: I'm lit.

3877
03:21:18,080 --> 03:21:20,760
Speaker 2: I'm like, yo, this is not X.

3878
03:21:22,680 --> 03:21:28,720
Speaker 1: So it was. It was speed a crystal oh ship dog.

3879
03:21:29,400 --> 03:21:30,080
Speaker 3: I was up.

3880
03:21:30,600 --> 03:21:32,760
Speaker 1: I was up all night.

3881
03:21:34,600 --> 03:21:35,480
Speaker 2: The next day.

3882
03:21:35,600 --> 03:21:38,600
Speaker 1: I drove back to New Jersey. I stayed up the

3883
03:21:38,760 --> 03:21:39,720
Speaker 1: next all.

3884
03:21:44,280 --> 03:21:46,920
Speaker 2: Safe to say. You did Dvius like her from tongue,

3885
03:21:47,080 --> 03:21:48,039
Speaker 2: no slanging.

3886
03:21:48,600 --> 03:21:53,560
Speaker 1: No sense. We were both like yo, like yo, ship. Yeah.

3887
03:21:53,600 --> 03:21:54,440
Speaker 2: We both talked.

3888
03:21:56,040 --> 03:21:57,920
Speaker 1: I was like yo, like what's happening?

3889
03:21:58,040 --> 03:21:58,080
Speaker 2: Like?

3890
03:21:58,240 --> 03:22:01,160
Speaker 3: Nigga was like what sun like now? I were like

3891
03:22:01,320 --> 03:22:05,480
Speaker 3: rustlers to the next day, Monday, I had to.

3892
03:22:05,520 --> 03:22:06,800
Speaker 1: Go to lawn order.

3893
03:22:07,120 --> 03:22:10,160
Speaker 4: I showed up on the set, like show him higher.

3894
03:22:13,280 --> 03:22:21,000
Speaker 4: I told everybody I'm higher from Saturday. So everybody along

3895
03:22:21,160 --> 03:22:22,400
Speaker 4: ar is like Ice is high.

3896
03:22:23,320 --> 03:22:25,800
Speaker 3: They just thought it was funny because everybody sucked around.

3897
03:22:26,680 --> 03:22:29,120
Speaker 3: I'm ready for my lines. I'm reading my lines fast, Like,

3898
03:22:29,160 --> 03:22:29,400
Speaker 3: give what.

3899
03:22:32,200 --> 03:22:32,440
Speaker 1: Show?

3900
03:22:32,800 --> 03:22:34,400
Speaker 2: It took three days.

3901
03:22:35,640 --> 03:22:36,920
Speaker 1: To some off that show.

3902
03:22:38,879 --> 03:22:40,720
Speaker 2: I have got you got Molly Walks.

3903
03:22:42,400 --> 03:22:45,640
Speaker 3: Everybody out there watching drink champs you noticed my I

3904
03:22:45,720 --> 03:22:46,240
Speaker 3: mean you might have.

3905
03:22:46,480 --> 03:22:47,240
Speaker 1: I didn't die.

3906
03:22:47,400 --> 03:22:49,640
Speaker 2: It wasn't set. It could have been.

3907
03:22:49,600 --> 03:22:51,400
Speaker 1: Fital real song.

3908
03:22:53,120 --> 03:22:53,720
Speaker 6: So I died.

3909
03:22:53,800 --> 03:22:57,400
Speaker 3: It was definitely speed, some powerful ship and I was ready.

3910
03:22:57,440 --> 03:22:59,760
Speaker 3: I was like, you know what's in those pills? That's

3911
03:22:59,800 --> 03:23:01,640
Speaker 3: the I know, like you know, macho man man he

3912
03:23:06,040 --> 03:23:12,039
Speaker 3: So since that day, I haven't touched any drug because

3913
03:23:12,200 --> 03:23:14,920
Speaker 3: now with the fenanyl and the death of all my friends,

3914
03:23:15,640 --> 03:23:17,800
Speaker 3: you don't know what is in this ship no more.

3915
03:23:18,000 --> 03:23:22,000
Speaker 3: And you know the cartel they making percosets to look

3916
03:23:22,160 --> 03:23:24,160
Speaker 3: like them, and all that ship is.

3917
03:23:24,160 --> 03:23:27,000
Speaker 2: Pumping it into the cartels and the cartels pumping I.

3918
03:23:27,080 --> 03:23:33,520
Speaker 3: Just have regular sex nowadays, you know, anymore. I have

3919
03:23:33,640 --> 03:23:36,360
Speaker 3: to figure it out, you know. But that was that

3920
03:23:36,520 --> 03:23:38,680
Speaker 3: That shit turned me into a monster. That shit is,

3921
03:23:39,000 --> 03:23:42,000
Speaker 3: you know, But no, I don't. I'm afraid. I'm nervous.

3922
03:23:42,200 --> 03:23:44,440
Speaker 3: I don't want to die like that, like I I

3923
03:23:44,600 --> 03:23:45,320
Speaker 3: can't die like that.

3924
03:23:45,680 --> 03:23:47,200
Speaker 1: I can't die like that. I just got to go

3925
03:23:47,280 --> 03:23:49,760
Speaker 1: down and like some wow shit guns smoke, wow shit.

3926
03:23:51,240 --> 03:23:58,119
Speaker 5: But I'll get to a serious note real quick. I'm

3927
03:23:58,160 --> 03:24:04,520
Speaker 5: in Vegas. Uh you in Vegas doing the Art of

3928
03:24:04,640 --> 03:24:10,119
Speaker 5: Raps talk. I had we on the on the run

3929
03:24:10,240 --> 03:24:14,360
Speaker 5: eating We're doing our full show. So I hed is like, yo,

3930
03:24:16,120 --> 03:24:19,720
Speaker 5: so yo, come to the show. Excuse me, I asked, him,

3931
03:24:19,879 --> 03:24:22,720
Speaker 5: can I do a guest appearance on the show. Honest,

3932
03:24:23,320 --> 03:24:27,280
Speaker 5: it's like performing to night, performing the night. Can't come

3933
03:24:27,320 --> 03:24:29,879
Speaker 5: out with us. I'm like, no problem, But they didn't

3934
03:24:29,920 --> 03:24:33,200
Speaker 5: tell me was right before they performing Mark Deep is

3935
03:24:33,240 --> 03:24:41,600
Speaker 5: coming out. So Prodigy was a person that I knew

3936
03:24:42,000 --> 03:24:46,560
Speaker 5: so long, and that was like the last time I

3937
03:24:46,600 --> 03:24:47,520
Speaker 5: got to see Prodigy.

3938
03:24:49,320 --> 03:24:53,199
Speaker 1: We hugged each other smack fives.

3939
03:24:54,600 --> 03:24:57,840
Speaker 3: He told me, as he told me many other times

3940
03:24:57,879 --> 03:25:00,680
Speaker 3: that I was on Tobi him said, yo, you you know,

3941
03:25:00,760 --> 03:25:02,959
Speaker 3: I'm just gonna you know, I ain't feeling good.

3942
03:25:02,959 --> 03:25:05,480
Speaker 1: I'm you know, whatever, whatever. But I've heard that so

3943
03:25:05,600 --> 03:25:06,199
Speaker 1: many times.

3944
03:25:06,680 --> 03:25:09,800
Speaker 5: And then come downstairs and got drunken with them, so

3945
03:25:11,280 --> 03:25:14,760
Speaker 5: nothing and having it was like, I'll be right here.

3946
03:25:15,360 --> 03:25:15,879
Speaker 1: So I went.

3947
03:25:15,840 --> 03:25:19,880
Speaker 5: Performed and I actually like seen Havoc. I believe I

3948
03:25:19,959 --> 03:25:23,960
Speaker 5: had a couple of drinks with him. Then they said

3949
03:25:25,320 --> 03:25:26,560
Speaker 5: party went to the hospital.

3950
03:25:27,200 --> 03:25:29,680
Speaker 1: Again. I've been on tour with Mard.

3951
03:25:29,760 --> 03:25:33,080
Speaker 5: So long and this was a regular thing, so no

3952
03:25:33,200 --> 03:25:37,600
Speaker 5: one kind of got alarmed. But then as a message

3953
03:25:37,640 --> 03:25:40,200
Speaker 5: seven o'clock in the morning, I remember I was downstairs

3954
03:25:40,240 --> 03:25:41,800
Speaker 5: smoking a cigarette.

3955
03:25:44,120 --> 03:25:44,640
Speaker 1: And that stuff.

3956
03:25:44,680 --> 03:25:49,800
Speaker 5: Smoking a cigarette, they said priories he passed. It was like, oh,

3957
03:25:50,320 --> 03:25:53,080
Speaker 5: ship because like like you ever seen I don't want

3958
03:25:53,120 --> 03:25:56,480
Speaker 5: to say like the wolf that cry, but you ever

3959
03:25:57,120 --> 03:26:00,440
Speaker 5: like going through something all the time. And they're like,

3960
03:26:00,440 --> 03:26:04,959
Speaker 5: all right, right, that's how I should have gone. That's

3961
03:26:05,000 --> 03:26:07,680
Speaker 5: how Havoc did it. That's how in my mind, you know,

3962
03:26:07,840 --> 03:26:10,920
Speaker 5: Trip did it. So everybody else with them, you know, oh,

3963
03:26:11,240 --> 03:26:13,840
Speaker 5: they're people that I know and my people that I know.

3964
03:26:14,320 --> 03:26:18,440
Speaker 5: But then that ship, it hit that moment. I know,

3965
03:26:18,520 --> 03:26:20,640
Speaker 5: I had to feel weird for you because he was

3966
03:26:20,760 --> 03:26:22,080
Speaker 5: actually out there with me.

3967
03:26:22,320 --> 03:26:23,640
Speaker 1: Yeah, with you. So how did you.

3968
03:26:26,080 --> 03:26:26,680
Speaker 2: At my event?

3969
03:26:27,080 --> 03:26:30,000
Speaker 3: Well, we did the art Wrap movie and I wasn't

3970
03:26:30,040 --> 03:26:33,440
Speaker 3: able to incorporate everybody that I wanted in the movie.

3971
03:26:33,480 --> 03:26:38,560
Speaker 3: I actually shot Noriega and Compone, but I had to

3972
03:26:38,600 --> 03:26:42,600
Speaker 3: make the movie a ninety minute edit, so they made

3973
03:26:42,600 --> 03:26:45,039
Speaker 3: it onto the extra like you get the extra CD.

3974
03:26:45,400 --> 03:26:48,640
Speaker 1: But it was still more about people I respected.

3975
03:26:49,400 --> 03:26:54,160
Speaker 3: So when it was over, Mickey Benson, my partner, I said,

3976
03:26:54,160 --> 03:26:55,800
Speaker 3: why don't you take this on the road. Let's turn

3977
03:26:55,879 --> 03:26:59,199
Speaker 3: this into a brand where we could bring out people

3978
03:26:59,280 --> 03:27:02,119
Speaker 3: that we feel will represent the art of rap.

3979
03:27:02,480 --> 03:27:03,600
Speaker 1: We're still going right now.

3980
03:27:03,640 --> 03:27:06,360
Speaker 3: We have one coming up this week, well this next

3981
03:27:06,480 --> 03:27:09,560
Speaker 3: month with Denny Siegel, Memphis Bleak and Freeway.

3982
03:27:11,400 --> 03:27:13,640
Speaker 1: Yeah, a wrap shows. It's just a brand. It's like

3983
03:27:13,720 --> 03:27:14,680
Speaker 1: Rock the Bells whatever.

3984
03:27:16,600 --> 03:27:20,840
Speaker 3: Mob Deep being one of my favorite groups, we always

3985
03:27:20,879 --> 03:27:23,160
Speaker 3: extended a leaf to them, like like, yo, we got

3986
03:27:23,240 --> 03:27:25,760
Speaker 3: shows coming up. This is what we can pay you

3987
03:27:25,920 --> 03:27:27,200
Speaker 3: if you guys want to show up.

3988
03:27:27,400 --> 03:27:29,280
Speaker 1: Love. They always did it.

3989
03:27:29,560 --> 03:27:30,840
Speaker 2: You really love Mob Deep.

3990
03:27:31,040 --> 03:27:33,959
Speaker 1: That's beautiful. Everybody got a favorite group, It's beautiful. What's

3991
03:27:33,959 --> 03:27:41,520
Speaker 1: your favorite group? Okay? I just I was.

3992
03:27:42,280 --> 03:27:45,840
Speaker 3: To me, Mob Deep was like I never heard two

3993
03:27:45,920 --> 03:27:50,280
Speaker 3: rappers rap so similar. And then I learned having taught

3994
03:27:50,400 --> 03:27:54,039
Speaker 3: Prodigy how to rap but actually wrote his wraps at

3995
03:27:54,080 --> 03:27:57,240
Speaker 3: the beginning, right. But to me, Prodigy shit was not

3996
03:27:57,600 --> 03:28:01,119
Speaker 3: just a gangster. It was more like converas sational shit.

3997
03:28:01,240 --> 03:28:04,240
Speaker 3: But it was so gangster the way he would say shit,

3998
03:28:04,720 --> 03:28:06,080
Speaker 3: you know, and I just loved it.

3999
03:28:06,560 --> 03:28:08,560
Speaker 1: I just loved it. I mean, you might listen to

4000
03:28:08,600 --> 03:28:10,160
Speaker 1: some of my shit, you'd be like that, kind of

4001
03:28:10,280 --> 03:28:12,240
Speaker 1: like pride shit. You know.

4002
03:28:12,600 --> 03:28:16,280
Speaker 3: I actually used Prodigy for one of my hooks on retaliation.

4003
03:28:16,959 --> 03:28:19,040
Speaker 3: I'm busting off to my I'm letting off to my

4004
03:28:19,200 --> 03:28:22,920
Speaker 3: arms tired, right, So anyway, I met them. Of course,

4005
03:28:23,000 --> 03:28:25,680
Speaker 3: when you like somebody you end up meeting them.

4006
03:28:27,040 --> 03:28:29,720
Speaker 1: Lovers Love. They used me on the intro one of

4007
03:28:29,800 --> 03:28:30,359
Speaker 1: their albums.

4008
03:28:31,400 --> 03:28:34,200
Speaker 3: So when I did that, so now here we are

4009
03:28:34,240 --> 03:28:37,640
Speaker 3: in Vegas, mob dedate on LA that, this, that, and so.

4010
03:28:41,280 --> 03:28:42,120
Speaker 1: I couldn't believe it.

4011
03:28:43,720 --> 03:28:47,720
Speaker 3: Because if you saw Prodigy that night, Prodigy was like

4012
03:28:47,840 --> 03:28:48,400
Speaker 3: on Swoll.

4013
03:28:48,560 --> 03:28:50,480
Speaker 1: Prodigy came out of the pen. He looked good.

4014
03:28:51,040 --> 03:28:53,000
Speaker 3: You know what I'm saying. He was standing straight up

4015
03:28:53,080 --> 03:28:59,400
Speaker 3: and down like what's happening, daddy? And we get so

4016
03:28:59,640 --> 03:29:02,480
Speaker 3: used to people dying from gunfire and this that, and third,

4017
03:29:02,520 --> 03:29:06,440
Speaker 3: I just I want to sidetrack one of my buddies,

4018
03:29:07,000 --> 03:29:08,440
Speaker 3: one of my best friend's, Big Rich.

4019
03:29:08,560 --> 03:29:11,520
Speaker 1: I get a call this morning his son just drowned. Damn.

4020
03:29:12,480 --> 03:29:16,160
Speaker 3: His son was jumped into some lake or something that

4021
03:29:16,280 --> 03:29:18,200
Speaker 3: was nearer damn, and he hasn't been found.

4022
03:29:18,280 --> 03:29:19,680
Speaker 1: I came here kind of fucked up.

4023
03:29:21,040 --> 03:29:24,600
Speaker 3: We get so used to yeah, yeah, rest in peace,

4024
03:29:24,720 --> 03:29:26,160
Speaker 3: Rest in peace, big little Rich.

4025
03:29:26,640 --> 03:29:29,600
Speaker 1: But we come we so used to violence.

4026
03:29:30,959 --> 03:29:33,920
Speaker 3: If you had have told me somebody clap Prodigy on

4027
03:29:34,000 --> 03:29:37,039
Speaker 3: the strip, I'm like, Prodgy talks a lot of shit.

4028
03:29:39,160 --> 03:29:40,720
Speaker 1: Dying. They said he choked on the egg.

4029
03:29:44,480 --> 03:29:46,960
Speaker 3: I was just fucked up like my idol, one of

4030
03:29:47,040 --> 03:29:49,720
Speaker 3: my guys, and the cold thing is probably just moved

4031
03:29:49,760 --> 03:29:51,680
Speaker 3: over by me. He must moved over in New Jersey

4032
03:29:51,720 --> 03:29:53,959
Speaker 3: where I lived. So I was looking forward to kicking

4033
03:29:54,000 --> 03:29:57,160
Speaker 3: it with him, you know, making records together. Wow, it

4034
03:29:57,320 --> 03:30:00,360
Speaker 3: fucked me up. And then the B side, that is,

4035
03:30:00,480 --> 03:30:05,039
Speaker 3: later on I ran into Havoc, and Havoc sat next

4036
03:30:05,120 --> 03:30:09,280
Speaker 3: to me and cried like ice man, you you don't

4037
03:30:09,320 --> 03:30:12,000
Speaker 3: even know, just you saying how much you love us,

4038
03:30:12,040 --> 03:30:15,360
Speaker 3: how that has helped us, you know, like if you think.

4039
03:30:15,200 --> 03:30:17,080
Speaker 1: About it, sorry, sorry to cut you off. We even

4040
03:30:17,120 --> 03:30:19,800
Speaker 1: think about it. We saw the last moments of his life.

4041
03:30:19,879 --> 03:30:23,160
Speaker 3: Yeah, and he was healthy, he was healthy, he did

4042
03:30:23,240 --> 03:30:25,160
Speaker 3: the show, he got off, he was healthy. Yeah, he

4043
03:30:25,280 --> 03:30:28,160
Speaker 3: was healthy. And then that that that quick thing, sickle cell.

4044
03:30:28,840 --> 03:30:34,600
Speaker 3: But you know, I think after COVID, all of us

4045
03:30:34,879 --> 03:30:37,040
Speaker 3: realize how fragile life is.

4046
03:30:37,800 --> 03:30:41,200
Speaker 1: That after COVID. That was after COVID. But I'm saying, no,

4047
03:30:41,320 --> 03:30:42,199
Speaker 1: that was before COVID.

4048
03:30:43,160 --> 03:30:46,120
Speaker 2: What I'm saying, But he's saying this after COVID, we

4049
03:30:46,200 --> 03:30:47,000
Speaker 2: were after COVID.

4050
03:30:47,120 --> 03:30:51,880
Speaker 3: All of us now realize how life is so precious.

4051
03:30:52,760 --> 03:30:56,200
Speaker 3: I talked to Fred, to God's son. He was in

4052
03:30:56,240 --> 03:30:58,520
Speaker 3: the hospital. I got this, I got this, I got this.

4053
03:30:58,640 --> 03:31:00,360
Speaker 3: Don't worry about me. A couple of days that he

4054
03:31:00,520 --> 03:31:05,680
Speaker 3: was gone. See what I'm saying. So one thing I say, Norie,

4055
03:31:05,760 --> 03:31:09,040
Speaker 3: is that we are all the same age. Everyone in

4056
03:31:09,120 --> 03:31:11,160
Speaker 3: this room. We're the same age. You either are alive

4057
03:31:11,760 --> 03:31:15,280
Speaker 3: or you're not. Because you might know how much money

4058
03:31:15,320 --> 03:31:17,560
Speaker 3: you got, but nobody knows how much time they got.

4059
03:31:18,680 --> 03:31:22,560
Speaker 1: So we're here. That's what we are. We're not an age.

4060
03:31:22,680 --> 03:31:23,119
Speaker 1: We're here.

4061
03:31:23,440 --> 03:31:26,080
Speaker 3: The kid that's fifteen might die before me. You see

4062
03:31:26,120 --> 03:31:30,080
Speaker 3: what I'm saying. So age really doesn't matter. It's you're

4063
03:31:30,080 --> 03:31:34,320
Speaker 3: alive or you're not. There's no age, just winning because none,

4064
03:31:34,680 --> 03:31:38,160
Speaker 3: there's no date on it. And Prodigy to go like that.

4065
03:31:39,959 --> 03:31:42,440
Speaker 3: It fucked me up because I was looking a lot

4066
03:31:42,440 --> 03:31:47,080
Speaker 3: of huh. I was looking forward to good times. I

4067
03:31:47,200 --> 03:31:50,240
Speaker 3: was looking forward to having fun and getting closer to

4068
03:31:50,360 --> 03:31:51,800
Speaker 3: him as a friend.

4069
03:31:54,879 --> 03:31:58,960
Speaker 1: It sucks, man, It's a really It hit me hard.

4070
03:32:00,320 --> 03:32:03,560
Speaker 5: Like you know, Travis Scott had performed right when he performed,

4071
03:32:03,640 --> 03:32:05,960
Speaker 5: like so many people that blamed him for over it,

4072
03:32:06,360 --> 03:32:08,760
Speaker 5: was there anybody that no, okay.

4073
03:32:09,200 --> 03:32:10,680
Speaker 1: No, we had nothing to do with it.

4074
03:32:10,800 --> 03:32:13,480
Speaker 3: I mean, if anything, we got praised for being somebody

4075
03:32:13,600 --> 03:32:15,800
Speaker 3: that was putting out, putting mob Deep on the rug.

4076
03:32:16,760 --> 03:32:17,920
Speaker 3: You know, the thing of it is is like a

4077
03:32:18,000 --> 03:32:20,160
Speaker 3: lot of these rappers right now, the art rap was

4078
03:32:20,280 --> 03:32:25,039
Speaker 3: created just for you. But a lot of rappers are

4079
03:32:25,160 --> 03:32:28,120
Speaker 3: gold and platinum sellers. But if you're waiting on Drake

4080
03:32:28,240 --> 03:32:30,200
Speaker 3: to take you on the road, you may never tour,

4081
03:32:32,240 --> 03:32:34,720
Speaker 3: you feel me. So we needed to create something for

4082
03:32:34,840 --> 03:32:38,240
Speaker 3: people that were gold and platinum that could still go gig.

4083
03:32:38,400 --> 03:32:42,080
Speaker 3: So that's what art rap is based around. People like yourself,

4084
03:32:42,280 --> 03:32:46,640
Speaker 3: Mob Deep, Boots, just groups that need to go out

4085
03:32:46,680 --> 03:32:50,240
Speaker 3: and gig and still can, right. So that's what That's

4086
03:32:50,280 --> 03:32:52,959
Speaker 3: what my my platform is from. And I've never made

4087
03:32:53,000 --> 03:32:55,840
Speaker 3: a dime off off of art of rap shows. That's

4088
03:32:55,959 --> 03:32:59,200
Speaker 3: Mickey's hustle'. That's the way I gave my man something

4089
03:32:59,240 --> 03:32:59,440
Speaker 3: to do.

4090
03:32:59,840 --> 03:33:03,840
Speaker 1: Do Mickey Benson. Yeah, damn, thanks a Noyse for that.

4091
03:33:08,000 --> 03:33:11,480
Speaker 1: I told said when we do when we do art rap,

4092
03:33:11,520 --> 03:33:12,240
Speaker 1: I'm an artist.

4093
03:33:12,520 --> 03:33:15,760
Speaker 3: You gotta negotiate meet with me for my price, and

4094
03:33:15,879 --> 03:33:17,960
Speaker 3: then you just pay me what I do and I

4095
03:33:18,080 --> 03:33:20,160
Speaker 3: do the show. I'm not gonna do none of the

4096
03:33:20,240 --> 03:33:23,480
Speaker 3: bullshit in the back, no negotiations, none of that I'm

4097
03:33:23,560 --> 03:33:24,680
Speaker 3: showing up as an artist.

4098
03:33:27,840 --> 03:33:30,200
Speaker 2: Maybe y'all know, Drink Chance wants to give flowers while

4099
03:33:30,200 --> 03:33:33,039
Speaker 2: people are here to receive them. Given flowers and celebrating

4100
03:33:33,080 --> 03:33:35,440
Speaker 2: our legends while they can still smell them. We have

4101
03:33:35,560 --> 03:33:38,240
Speaker 2: partnered with What the Flower to create this movement where

4102
03:33:38,280 --> 03:33:40,720
Speaker 2: everyone can give flowers to the legends in their lives.

4103
03:33:41,120 --> 03:33:43,440
Speaker 2: You can now order a custom flower box for the

4104
03:33:43,560 --> 03:33:47,199
Speaker 2: someone you want to show appreciation to by visiting www

4105
03:33:47,400 --> 03:33:51,200
Speaker 2: dot wt flower dot com and place your orders now.

4106
03:33:53,480 --> 03:33:55,000
Speaker 2: I love the baby racking man.

4107
03:33:55,040 --> 03:33:55,680
Speaker 1: I appreciate it.

4108
03:33:55,760 --> 03:33:57,480
Speaker 4: You know, this may more than any award that you

4109
03:33:57,560 --> 03:33:59,760
Speaker 4: can get on some real ship, because it means that

4110
03:33:59,840 --> 03:34:02,280
Speaker 4: you appreciated by your peers, You appreciated by the people

4111
03:34:02,760 --> 03:34:04,920
Speaker 4: that you do it for and not accept my flowers.

4112
03:34:12,760 --> 03:34:14,880
Speaker 1: We just took us to a serious mode. Yeah, you

4113
03:34:15,000 --> 03:34:19,440
Speaker 1: go from ecstasy. That's what drink Champ says is a

4114
03:34:19,520 --> 03:34:20,080
Speaker 1: roller coaster.

4115
03:34:20,800 --> 03:34:22,600
Speaker 3: I need some dark liquor if you want to take

4116
03:34:22,680 --> 03:34:26,920
Speaker 3: me there, I give you a Mama the dark liquor.

4117
03:34:27,080 --> 03:34:29,840
Speaker 1: You know what drink that shot a clear liquor makes

4118
03:34:29,879 --> 03:34:33,039
Speaker 1: you party? Dark liquld be like, you know, I love

4119
03:34:33,120 --> 03:34:38,560
Speaker 1: you got that's my ma. Man. You drink this, I'd

4120
03:34:38,600 --> 03:34:41,760
Speaker 1: be like noriyeh, nigga, fuck with you. I'd be the

4121
03:34:41,879 --> 03:34:48,560
Speaker 1: first to dish die nigga, this ship has you in

4122
03:34:48,640 --> 03:34:56,240
Speaker 1: your feelings. Fuck it. I don't like Alice. Ship takes

4123
03:34:56,280 --> 03:35:01,000
Speaker 1: that that right there? Didn't taste that. See see what's that?

4124
03:35:01,360 --> 03:35:13,240
Speaker 3: That's the mamajuna, that's that's that's that's decent words, It's decent.

4125
03:35:14,160 --> 03:35:18,560
Speaker 3: This is on a soul power. Okay, I like it now.

4126
03:35:19,080 --> 03:35:23,080
Speaker 3: Now I am officially on drink champions right now.

4127
03:35:23,160 --> 03:35:23,680
Speaker 2: They got.

4128
03:35:28,600 --> 03:35:32,280
Speaker 1: Break you are. I'm an old nigga. I usually have

4129
03:35:32,400 --> 03:35:33,840
Speaker 1: to piss every time I stand up.

4130
03:35:35,160 --> 03:35:36,320
Speaker 2: So if you sit down, you good.

4131
03:35:37,000 --> 03:35:38,400
Speaker 1: I don't know. I haven't had to piss.

4132
03:35:38,440 --> 03:35:38,800
Speaker 6: I don't know.

4133
03:35:40,440 --> 03:35:43,160
Speaker 1: Maybe I'm maybe you guys got me on adrenaline or

4134
03:35:43,200 --> 03:35:46,800
Speaker 1: some ship. But what you say, they're hating you, but

4135
03:35:46,920 --> 03:35:50,760
Speaker 1: you hating them back. And it reminded me of your speech.

4136
03:35:51,879 --> 03:35:56,640
Speaker 1: What's that? I don't hate nobody back. I didn't.

4137
03:35:56,680 --> 03:36:00,320
Speaker 3: I don't know why anybody would hate another mother fucker.

4138
03:36:00,400 --> 03:36:03,440
Speaker 3: You know, like a lot of times people hate you

4139
03:36:03,560 --> 03:36:06,160
Speaker 3: for ship. They heard about you. There wasn't even true.

4140
03:36:07,680 --> 03:36:10,440
Speaker 3: You know, there was this kid that this kid had

4141
03:36:10,600 --> 03:36:16,560
Speaker 3: a kid named Ice, who was connected to uh, connected

4142
03:36:16,640 --> 03:36:21,920
Speaker 3: to Joe Buden, this boy, and he made a big

4143
03:36:22,160 --> 03:36:26,400
Speaker 3: thing about why black women ain't ship and I took

4144
03:36:26,480 --> 03:36:29,160
Speaker 3: the heat for it and I never said it. So

4145
03:36:29,200 --> 03:36:33,959
Speaker 3: a lot of people, oh, because I what's his name?

4146
03:36:34,080 --> 03:36:40,720
Speaker 3: You know it's man, you know, a guy named Ice

4147
03:36:40,800 --> 03:36:45,200
Speaker 3: one of his friends. So anyway, he actually called me,

4148
03:36:45,879 --> 03:36:49,920
Speaker 3: said Ice, I said that that was not you. I said, well,

4149
03:36:49,920 --> 03:36:52,560
Speaker 3: there's no way to unring a bell like they the

4150
03:36:52,879 --> 03:36:55,119
Speaker 3: black women. Since I got a white wife, they feel

4151
03:36:55,200 --> 03:36:58,080
Speaker 3: that's me, and you know, they got pissed at me,

4152
03:36:58,120 --> 03:37:00,240
Speaker 3: and it was something I never said. So a lot

4153
03:37:00,440 --> 03:37:04,760
Speaker 3: a lot of times people dislike you for the bullshit

4154
03:37:05,600 --> 03:37:08,840
Speaker 3: like somebody said, did this, that and the third? Now

4155
03:37:08,879 --> 03:37:12,160
Speaker 3: they don't like you and it wasn't even true. You know,

4156
03:37:12,400 --> 03:37:14,960
Speaker 3: That's why good podcast is a good I mean, a

4157
03:37:15,120 --> 03:37:18,400
Speaker 3: podcast like this is a good place for you to

4158
03:37:18,480 --> 03:37:20,640
Speaker 3: really decide whether you fuck with a nigga or not.

4159
03:37:20,879 --> 03:37:23,200
Speaker 2: You know, it's long form. You get a chance to

4160
03:37:23,360 --> 03:37:24,080
Speaker 2: I always.

4161
03:37:23,840 --> 03:37:26,280
Speaker 3: Told bitches, if a motherfucker you dealing with a dude,

4162
03:37:26,360 --> 03:37:28,039
Speaker 3: you don't like me, that's a red flag.

4163
03:37:28,160 --> 03:37:28,400
Speaker 1: Bitch.

4164
03:37:30,760 --> 03:37:32,400
Speaker 3: If you're dealing with a dude and he got a

4165
03:37:32,480 --> 03:37:36,080
Speaker 3: problem with me. Watch that dude. Watch that dude. You

4166
03:37:36,160 --> 03:37:38,680
Speaker 3: didn't watch him, not me? Watch him.

4167
03:37:40,920 --> 03:37:43,800
Speaker 1: There's some reason he don't like me. There's some reason

4168
03:37:44,280 --> 03:37:44,520
Speaker 1: that he.

4169
03:37:44,560 --> 03:37:46,959
Speaker 3: Don't like me, and I might have triggered his real nerve,

4170
03:37:47,120 --> 03:37:51,680
Speaker 3: like I don't challenge his realness at some point because

4171
03:37:51,680 --> 03:37:53,240
Speaker 3: real niggas ain't afraid to say nothing.

4172
03:37:53,280 --> 03:37:56,000
Speaker 1: I'll tell you, I'm scared. I ain't afraid of realness.

4173
03:37:59,000 --> 03:38:04,760
Speaker 3: Okay, you can challenge your pimping will challenge another nigga's realness.

4174
03:38:05,320 --> 03:38:08,840
Speaker 3: So they'll watch you, and it'll offend them that you're

4175
03:38:08,879 --> 03:38:14,800
Speaker 3: so real. It'll funk with them. It'll funk with them,

4176
03:38:14,879 --> 03:38:21,800
Speaker 3: especially around the bitch. They'd be like, damn, I'm offending

4177
03:38:24,080 --> 03:38:25,320
Speaker 3: that shit got deep, right.

4178
03:38:25,280 --> 03:38:29,000
Speaker 1: But it's real, it's really. They'll offendom because it's a

4179
03:38:29,080 --> 03:38:30,720
Speaker 1: roller cos you got another shot.

4180
03:38:31,360 --> 03:38:32,280
Speaker 2: You're taking a shot. I'm good.

4181
03:38:32,320 --> 03:38:36,200
Speaker 1: I'm over here drinking this champagne. This champagne.

4182
03:38:37,280 --> 03:38:39,560
Speaker 3: You know what niggas got players do we drink champagne

4183
03:38:40,000 --> 03:38:40,760
Speaker 3: best cocaine.

4184
03:38:44,640 --> 03:38:46,640
Speaker 1: Let's talk about how how did you get into pimping?

4185
03:38:46,720 --> 03:38:47,520
Speaker 1: How did how?

4186
03:38:47,560 --> 03:38:48,560
Speaker 2: I never was a pimp?

4187
03:38:48,920 --> 03:38:52,120
Speaker 3: Okay, I never was a pimp. I hung around pimps.

4188
03:38:52,400 --> 03:38:54,080
Speaker 3: I understand the pimp pinal code.

4189
03:38:55,520 --> 03:38:58,879
Speaker 2: I had a code. I know the rules of the game.

4190
03:39:00,840 --> 03:39:01,680
Speaker 1: I had girls.

4191
03:39:02,760 --> 03:39:05,360
Speaker 3: When we was hustling and stealing, I had girls on

4192
03:39:05,480 --> 03:39:09,480
Speaker 3: my team. These girls were what they consider in the

4193
03:39:09,560 --> 03:39:14,560
Speaker 3: streets thoroughbreds. You know what a thoroughbread is. That's a

4194
03:39:14,640 --> 03:39:18,120
Speaker 3: bitch of the fuck, steal rob work class.

4195
03:39:18,120 --> 03:39:18,800
Speaker 1: See the hustle.

4196
03:39:19,280 --> 03:39:21,480
Speaker 3: But pussy is not out of the equation if that's

4197
03:39:21,560 --> 03:39:26,320
Speaker 3: what it takes to solve them right, hustle right, I

4198
03:39:26,440 --> 03:39:31,279
Speaker 3: rolled with some thoroughbred bitches. Was I sending them? Not necessarily,

4199
03:39:31,440 --> 03:39:34,040
Speaker 3: so it was part of the game, you understand me.

4200
03:39:34,480 --> 03:39:37,000
Speaker 3: So I never was no ten toes down pimp standing

4201
03:39:37,040 --> 03:39:39,480
Speaker 3: on the corner with bitches. But I fucked with players

4202
03:39:39,560 --> 03:39:41,360
Speaker 3: and pimps and stuff like that. So I was in

4203
03:39:41,480 --> 03:39:45,880
Speaker 3: the life. So you know, they respected me. I dressed

4204
03:39:45,959 --> 03:39:48,400
Speaker 3: the pimp look and all that shit. But as that

4205
03:39:48,600 --> 03:39:52,080
Speaker 3: being my occupation making money, no, it never was. No.

4206
03:39:52,720 --> 03:39:56,080
Speaker 3: But some of the girls I rolled with was getting

4207
03:39:56,160 --> 03:39:59,360
Speaker 3: money and they would handle their business.

4208
03:39:59,440 --> 03:40:03,440
Speaker 1: However the situation roused.

4209
03:40:03,480 --> 03:40:07,240
Speaker 3: You understand, I'm saying the pimp hos you send bitches,

4210
03:40:07,280 --> 03:40:08,600
Speaker 3: you send bitches, you get money.

4211
03:40:08,640 --> 03:40:11,160
Speaker 1: And all that old shit that wasn't really I say.

4212
03:40:11,240 --> 03:40:12,840
Speaker 3: I say in one of my records, I say, but

4213
03:40:13,240 --> 03:40:19,240
Speaker 3: I said, I took on the uh, I took on

4214
03:40:19,400 --> 03:40:22,280
Speaker 3: the ice tea name. But the pimp game moved too slow,

4215
03:40:22,920 --> 03:40:25,160
Speaker 3: especially for a nigga who was hooked on quick though.

4216
03:40:26,000 --> 03:40:28,880
Speaker 3: So being a robber and a hustler, that was just different.

4217
03:40:29,160 --> 03:40:31,240
Speaker 3: But I'm cool with the pimps. I hung with players.

4218
03:40:31,240 --> 03:40:33,640
Speaker 3: I grew up around players and hustlers. Some of my

4219
03:40:34,000 --> 03:40:37,200
Speaker 3: great uncles are some of the great pimps, so I

4220
03:40:37,440 --> 03:40:38,280
Speaker 3: understand the game.

4221
03:40:39,160 --> 03:40:40,160
Speaker 1: But no, I'm not a pimp.

4222
03:40:41,040 --> 03:40:45,160
Speaker 3: And I also would never never admit anything illegal on

4223
03:40:45,440 --> 03:40:54,359
Speaker 3: television smart smartest, I would never admit anything illegal.

4224
03:40:54,480 --> 03:40:55,400
Speaker 1: But no, that's no.

4225
03:40:55,680 --> 03:40:58,120
Speaker 3: It's an offensive word to a lot of women, but

4226
03:40:58,720 --> 03:41:02,560
Speaker 3: a lot of players actually the hustle with women, Like.

4227
03:41:02,600 --> 03:41:04,720
Speaker 2: The women are their partners, you're saying in the game.

4228
03:41:04,800 --> 03:41:08,280
Speaker 5: But let me ask you, Like, there's some strippers who

4229
03:41:08,560 --> 03:41:13,160
Speaker 5: made a whole life of their self or being a strippers,

4230
03:41:13,480 --> 03:41:15,680
Speaker 5: and then there's some pimps that made the whole Like

4231
03:41:15,800 --> 03:41:19,360
Speaker 5: when you I remember looking at your acceptance speech, one

4232
03:41:19,400 --> 03:41:21,200
Speaker 5: of the first peoples that I seen you shout out

4233
03:41:21,280 --> 03:41:22,440
Speaker 5: was Bishop don walt.

4234
03:41:22,320 --> 03:41:25,000
Speaker 1: A in May I love pimps. I mean, I understand

4235
03:41:25,120 --> 03:41:25,520
Speaker 1: the game.

4236
03:41:26,879 --> 03:41:32,280
Speaker 3: It's it's the underworld. It's the underworld and one of

4237
03:41:32,320 --> 03:41:39,560
Speaker 3: the oldest the FN it's the underworld guy. There's a

4238
03:41:39,640 --> 03:41:43,440
Speaker 3: car thief guy. There's an arm robber guy. There is

4239
03:41:43,480 --> 03:41:47,720
Speaker 3: a drug dealer. You a pimp, you coke dealer, all

4240
03:41:47,800 --> 03:41:51,800
Speaker 3: in the same world. Let's switch the underworld, all right,

4241
03:41:53,000 --> 03:41:55,920
Speaker 3: the Underworld the underworld can all show up at the

4242
03:41:55,959 --> 03:41:58,720
Speaker 3: Players ball because we all players. We're not we're not

4243
03:41:58,959 --> 03:42:02,600
Speaker 3: we don't buy by the law. So I lived in

4244
03:42:02,680 --> 03:42:05,080
Speaker 3: that world for a long period of time. I'm very

4245
03:42:05,160 --> 03:42:08,959
Speaker 3: comfortable in that world. Do I condone it? Hey, it's

4246
03:42:09,080 --> 03:42:12,680
Speaker 3: breaking the law. Pimping is illegal, selling drugs is illegal.

4247
03:42:13,040 --> 03:42:17,200
Speaker 3: So a lot of people say, well, Ice, a lot

4248
03:42:17,240 --> 03:42:19,000
Speaker 3: of things you did, do you regret?

4249
03:42:19,800 --> 03:42:23,720
Speaker 1: I quote Fargo. You ever see the movie Fargo? It's

4250
03:42:23,800 --> 03:42:27,160
Speaker 1: affleck right. Yeah, it seemed like the right thing to

4251
03:42:27,320 --> 03:42:30,320
Speaker 1: do at the time. That's my answer.

4252
03:42:31,400 --> 03:42:33,240
Speaker 3: At this point in my life, when I do some

4253
03:42:33,400 --> 03:42:36,560
Speaker 3: of them things, and I know, I mean I look

4254
03:42:36,600 --> 03:42:37,879
Speaker 3: at some of the shit I did, I'm.

4255
03:42:37,760 --> 03:42:38,400
Speaker 1: Like, I'm crazy.

4256
03:42:38,879 --> 03:42:41,240
Speaker 3: Have I ever told a bitch yo, go go hook?

4257
03:42:41,280 --> 03:42:44,000
Speaker 3: Up with this nigga and get this paper. Yes, was

4258
03:42:44,080 --> 03:42:46,880
Speaker 3: it my main force source of income? No, But I

4259
03:42:46,920 --> 03:42:50,160
Speaker 3: remember I had this one bra and I was trying

4260
03:42:50,200 --> 03:42:52,440
Speaker 3: to send her. I was reading this pimp shit. I

4261
03:42:52,520 --> 03:42:54,879
Speaker 3: had started dressing fly. I was trying to get her

4262
03:42:54,920 --> 03:42:56,040
Speaker 3: a hook up with these old men.

4263
03:42:57,640 --> 03:42:58,440
Speaker 2: She ran over there.

4264
03:42:58,640 --> 03:43:00,720
Speaker 3: Yeah, like these old niggas did me tricks that. They

4265
03:43:00,879 --> 03:43:06,600
Speaker 3: was like, we wanted me on bitches down here. So

4266
03:43:06,760 --> 03:43:09,080
Speaker 3: I try to send the bitch. So she runs over

4267
03:43:09,160 --> 03:43:12,240
Speaker 3: to my other dude, my boy, my buddy. I'm not

4268
03:43:12,240 --> 03:43:13,120
Speaker 3: gonna say anybody's name.

4269
03:43:13,200 --> 03:43:13,600
Speaker 2: It's funny.

4270
03:43:13,640 --> 03:43:14,960
Speaker 3: I like I used to say names, but a lot

4271
03:43:15,000 --> 03:43:17,080
Speaker 3: of these women have grown up in their church women

4272
03:43:17,200 --> 03:43:19,600
Speaker 3: now their school teachers Like, I don't say my fun

4273
03:43:20,640 --> 03:43:24,800
Speaker 3: miss Louise, I mean't have one of my buddies. Mama's

4274
03:43:24,920 --> 03:43:28,120
Speaker 3: checked me, geez, like you put me in your book Ice,

4275
03:43:28,240 --> 03:43:30,879
Speaker 3: come on. I'm like, okay, so I've learned that lesson.

4276
03:43:31,400 --> 03:43:34,560
Speaker 3: But anyway, the girls, the girl I had at the time,

4277
03:43:34,640 --> 03:43:37,320
Speaker 3: I'm trying to send her, you know, testing my pimping.

4278
03:43:38,280 --> 03:43:42,720
Speaker 3: She runs to my buddy. I just try to He's

4279
03:43:42,800 --> 03:43:46,200
Speaker 3: like telling me, oh man, she chose me. I hit

4280
03:43:46,280 --> 03:43:48,720
Speaker 3: him with the mac Nigga. You were rest taven for hoes.

4281
03:43:48,840 --> 03:43:51,760
Speaker 3: This is just trying to escape this instem like, come on, man.

4282
03:43:52,040 --> 03:43:55,560
Speaker 3: But anyway, she ran off with him. But I mean,

4283
03:43:55,640 --> 03:43:58,840
Speaker 3: I mean, I mean no, no, But I'll come from

4284
03:43:58,920 --> 03:44:02,080
Speaker 3: the life and I'm very comfortable around the players, and

4285
03:44:02,120 --> 03:44:06,720
Speaker 3: I'm accepted as a player. Okay, take it or leave it,

4286
03:44:06,840 --> 03:44:07,560
Speaker 3: that's how it is.

4287
03:44:07,680 --> 03:44:08,120
Speaker 1: You did it.

4288
03:44:08,560 --> 03:44:12,880
Speaker 3: But I understand the pimpedical. I understand pimping backwards and forward.

4289
03:44:12,959 --> 03:44:15,640
Speaker 1: I understand it. I'm named after Iceberg Slim.

4290
03:44:17,520 --> 03:44:20,959
Speaker 3: I name myself because I used to read so much

4291
03:44:21,040 --> 03:44:23,720
Speaker 3: Iceberg Slim. Of course, it wanted me to get any

4292
03:44:25,160 --> 03:44:30,080
Speaker 3: Donald Goran is another writer, but Iceberg is Jeff Beck,

4293
03:44:30,160 --> 03:44:32,680
Speaker 3: who wrote the Iceberg Slim novels. I actually have a

4294
03:44:32,760 --> 03:44:35,880
Speaker 3: documentary called Portrait of a Pim that we did I

4295
03:44:36,040 --> 03:44:40,680
Speaker 3: produce about his life. So I'm reading that shit. Of course,

4296
03:44:40,720 --> 03:44:43,400
Speaker 3: I want to try to put it down. But then

4297
03:44:43,560 --> 03:44:45,920
Speaker 3: I had an epiphany one day. I'm like, he's a writer,

4298
03:44:48,400 --> 03:44:50,000
Speaker 3: so there's going to be a lot of players, but

4299
03:44:50,080 --> 03:44:52,680
Speaker 3: the player that everyone knows, Iceberg Slim, is because he

4300
03:44:52,879 --> 03:44:55,680
Speaker 3: documented the game. So if I want to live forever

4301
03:44:55,800 --> 03:44:57,520
Speaker 3: in the game, I can't live the game. I have

4302
03:44:57,640 --> 03:45:00,560
Speaker 3: to document the game. If you listen to ice he records,

4303
03:45:00,560 --> 03:45:04,480
Speaker 3: they're not records, they're books. The lyrics that there is

4304
03:45:04,560 --> 03:45:08,000
Speaker 3: me doing Iceberg Slim over music. When you listen to

4305
03:45:08,240 --> 03:45:11,000
Speaker 3: all the records, it's like I'm spitting game. It's not

4306
03:45:11,080 --> 03:45:12,840
Speaker 3: about dancing, throw your hands in the air.

4307
03:45:12,879 --> 03:45:13,840
Speaker 1: It's is them.

4308
03:45:14,720 --> 03:45:17,680
Speaker 2: So that's what it is.

4309
03:45:18,840 --> 03:45:22,520
Speaker 1: So you know, I met Iceberg Slim before you pass.

4310
03:45:22,959 --> 03:45:23,520
Speaker 1: Get out of here.

4311
03:45:23,680 --> 03:45:26,360
Speaker 3: Yeah, fab five Freddy hooked me up with him, damn.

4312
03:45:27,280 --> 03:45:29,560
Speaker 3: And I told Iceberg Slim to his face. I said,

4313
03:45:29,600 --> 03:45:32,160
Speaker 3: you know, I named myself after you. He said, well

4314
03:45:32,200 --> 03:45:32,640
Speaker 3: who better?

4315
03:45:32,760 --> 03:45:33,080
Speaker 1: Baby?

4316
03:45:35,280 --> 03:45:38,000
Speaker 3: And I'm friends with his daughters and all that. But

4317
03:45:38,120 --> 03:45:41,880
Speaker 3: Iceberg Slim changed his life at the end. And uh,

4318
03:45:42,200 --> 03:45:44,800
Speaker 3: you know, one of my favorite Iceberg Slim quotes is,

4319
03:45:44,840 --> 03:45:48,599
Speaker 3: if you want to play this game, meaning the streets.

4320
03:45:49,360 --> 03:45:53,760
Speaker 1: It's gonna cost you something. It's gonna cost you, you.

4321
03:45:53,800 --> 03:45:57,600
Speaker 3: Know, whether it's penitentiary time, losing a close friend. But

4322
03:45:57,720 --> 03:46:00,480
Speaker 3: there's no there will be a charge. Admit and into

4323
03:46:00,560 --> 03:46:06,000
Speaker 3: this game, you know, and I change my life. I

4324
03:46:06,200 --> 03:46:10,039
Speaker 3: changed my life. See I see, Just so you niggas

4325
03:46:10,160 --> 03:46:13,520
Speaker 3: know this is what I see. Is I see as

4326
03:46:13,520 --> 03:46:16,920
Speaker 3: a hustler and a player who went down this road,

4327
03:46:17,040 --> 03:46:20,320
Speaker 3: the street road of hustling, and I run it.

4328
03:46:20,520 --> 03:46:21,320
Speaker 2: I'm gonna be the best.

4329
03:46:21,360 --> 03:46:23,240
Speaker 1: I'm gonna be the flyer. I'm gonna be that nigga.

4330
03:46:23,840 --> 03:46:25,680
Speaker 3: But I get to the end of this road and

4331
03:46:25,760 --> 03:46:29,320
Speaker 3: it's a cliff, and I see everybody going off, people

4332
03:46:29,400 --> 03:46:33,640
Speaker 3: I admire, dying, going life in prison, el wip. I

4333
03:46:33,800 --> 03:46:37,160
Speaker 3: see as me on this same road, running backwards, saying,

4334
03:46:37,240 --> 03:46:41,480
Speaker 3: don't go that way. That's my music, don't go that way,

4335
03:46:41,680 --> 03:46:45,160
Speaker 3: don't get in the gang, don't try this. That's what

4336
03:46:45,320 --> 03:46:48,560
Speaker 3: I That's what I'm doing here today. That's who I

4337
03:46:48,680 --> 03:46:50,440
Speaker 3: see is. I know there's a cliff.

4338
03:46:50,520 --> 03:46:51,400
Speaker 1: You might not see it.

4339
03:46:52,240 --> 03:46:52,920
Speaker 2: You might pass me.

4340
03:46:53,000 --> 03:46:56,440
Speaker 1: Oh you an old niggas. I'm smarter than you.

4341
03:46:57,240 --> 03:47:00,640
Speaker 3: Before we do stupid things, we all justify that stupid

4342
03:47:00,680 --> 03:47:02,280
Speaker 3: thing we're about to do. U.

4343
03:47:04,040 --> 03:47:05,520
Speaker 1: So you can take it to leave it. Like I

4344
03:47:05,600 --> 03:47:08,240
Speaker 1: tell niggas, you can listen to me or a prison guard. Nigga.

4345
03:47:08,560 --> 03:47:12,040
Speaker 1: You want to, you take your choice. But I'm here

4346
03:47:12,120 --> 03:47:13,360
Speaker 1: to tell you I tested the.

4347
03:47:13,480 --> 03:47:18,560
Speaker 3: Game, the Coke game, the Jacker rob game, all them games,

4348
03:47:18,600 --> 03:47:20,440
Speaker 3: and you're gonna end up Dad are in jail.

4349
03:47:20,480 --> 03:47:21,480
Speaker 1: There's no retirement.

4350
03:47:21,560 --> 03:47:24,640
Speaker 3: The only niggas that have retired from the game have

4351
03:47:24,840 --> 03:47:29,640
Speaker 3: got out and transition. But there's no do a died

4352
03:47:29,840 --> 03:47:34,680
Speaker 3: dead gangsters sixty years old. It's been just still gangsters.

4353
03:47:35,320 --> 03:47:40,600
Speaker 3: Fuck out of here. It doesn't work like that. Now.

4354
03:47:40,680 --> 03:47:42,760
Speaker 3: You could be fifty cent and you could be a

4355
03:47:42,840 --> 03:47:45,160
Speaker 3: real live nigga on the streets and you can get out.

4356
03:47:45,640 --> 03:47:48,240
Speaker 1: You could be a jay Z live nigga.

4357
03:47:48,680 --> 03:47:52,280
Speaker 2: Get out. But staying in it ten toes down.

4358
03:47:52,400 --> 03:47:53,039
Speaker 1: Get out of here.

4359
03:47:53,480 --> 03:47:59,680
Speaker 3: Name one, because the streets will rat you out, the

4360
03:48:00,200 --> 03:48:02,359
Speaker 3: enemies will come and get you, or the police.

4361
03:48:02,879 --> 03:48:03,040
Speaker 1: You know.

4362
03:48:03,200 --> 03:48:07,199
Speaker 3: I tell street niggas, if you popping on the street, yes,

4363
03:48:07,320 --> 03:48:09,480
Speaker 3: and if everybody in the street knows your name, so

4364
03:48:09,640 --> 03:48:16,760
Speaker 3: did the police. The only way you're gonna survive is

4365
03:48:16,800 --> 03:48:17,760
Speaker 3: become an informant.

4366
03:48:25,400 --> 03:48:26,600
Speaker 1: Holy moly, welcome only.

4367
03:48:34,040 --> 03:48:36,240
Speaker 5: Did you ever think I know this is a cliche

4368
03:48:36,360 --> 03:48:38,680
Speaker 5: type of question, but did you ever think that hip

4369
03:48:38,720 --> 03:48:39,800
Speaker 5: hop would make it this far?

4370
03:48:40,440 --> 03:48:42,680
Speaker 1: He's a perfect person for this question. I don't know.

4371
03:48:43,680 --> 03:48:47,600
Speaker 5: Because because tell us tell us describe to us in

4372
03:48:47,640 --> 03:48:51,920
Speaker 5: the beginning how hip hop was like frowned upon so

4373
03:48:52,480 --> 03:48:54,760
Speaker 5: as opposed to how hip hop has looked at now

4374
03:48:55,080 --> 03:48:55,959
Speaker 5: as a global ass.

4375
03:48:56,120 --> 03:48:58,960
Speaker 3: I was in the army. I did four years in

4376
03:48:59,040 --> 03:49:02,640
Speaker 3: the army. While I was in the army, the cats

4377
03:49:02,640 --> 03:49:05,760
Speaker 3: from New York had hip hop tapes. First generation of

4378
03:49:05,840 --> 03:49:10,520
Speaker 3: hip hop is unrecorded hip hop. It's tapes before ship.

4379
03:49:10,640 --> 03:49:12,200
Speaker 2: Of live ship, of live ship.

4380
03:49:12,280 --> 03:49:16,120
Speaker 3: That's the first generation. Treacher's three Funky four plus one

4381
03:49:16,240 --> 03:49:18,800
Speaker 3: more on them. By me being in the Army, I'm

4382
03:49:18,800 --> 03:49:22,120
Speaker 3: with New York niggas. New York Niggas is showing us off.

4383
03:49:22,360 --> 03:49:26,440
Speaker 3: They're showing off. I got tapes. I was fascinated with

4384
03:49:26,600 --> 03:49:27,000
Speaker 3: that ship.

4385
03:49:27,680 --> 03:49:30,600
Speaker 2: I was like, it's just hip this rap tapes of

4386
03:49:30,720 --> 03:49:32,840
Speaker 2: live live, park jams, live ship.

4387
03:49:33,040 --> 03:49:35,240
Speaker 1: I'm fascinating. I never heard no ship. Like facinated with

4388
03:49:35,320 --> 03:49:36,720
Speaker 1: the kids finding out about.

4389
03:49:36,480 --> 03:49:43,360
Speaker 3: Tapes, tape tape flashes on the box, I was like,

4390
03:49:43,520 --> 03:49:47,040
Speaker 3: fast hip, the beauty, the beauty of hip hop. It's

4391
03:49:47,080 --> 03:49:52,000
Speaker 3: a culture that has four entry points graffiti, breakdance, and

4392
03:49:52,120 --> 03:49:54,920
Speaker 3: DJ and MC and you can get in four ways.

4393
03:49:55,520 --> 03:49:58,200
Speaker 1: So that that really blew my mind. I was like, damn,

4394
03:49:59,240 --> 03:49:59,920
Speaker 1: shit is stoke.

4395
03:50:00,400 --> 03:50:03,000
Speaker 3: Then I saw New York City Breakers on the show

4396
03:50:03,080 --> 03:50:07,040
Speaker 3: called That's incredible, y'all anybody remember that?

4397
03:50:07,160 --> 03:50:07,560
Speaker 1: Am I too?

4398
03:50:08,640 --> 03:50:10,640
Speaker 3: It was a show because it was a show that

4399
03:50:10,760 --> 03:50:13,720
Speaker 3: had different people like that could do outrageous shit. And

4400
03:50:13,800 --> 03:50:15,640
Speaker 3: they had the New York City Breakers and I saw

4401
03:50:15,760 --> 03:50:21,160
Speaker 3: break dancing. I was like fascinated because we were popping

4402
03:50:21,240 --> 03:50:24,520
Speaker 3: in the West coast right spending on their backs and

4403
03:50:26,640 --> 03:50:28,360
Speaker 3: hip hop got me. I was like, yo, I want

4404
03:50:28,400 --> 03:50:31,560
Speaker 3: to learn how to do this. So I come out

4405
03:50:31,600 --> 03:50:34,360
Speaker 3: of an army with stereo equipment. I want to throw

4406
03:50:34,440 --> 03:50:38,000
Speaker 3: parties like Uncle Jim's army. But I practiced rapping. I

4407
03:50:38,080 --> 03:50:42,080
Speaker 3: was getting more attention rapping the theory that it was

4408
03:50:42,160 --> 03:50:44,360
Speaker 3: going to be some way you could make money. Never

4409
03:50:46,120 --> 03:50:48,200
Speaker 3: no one had ever bought a car doing it, So

4410
03:50:48,400 --> 03:50:52,320
Speaker 3: now I'm rapping. I hooked up with these guys called

4411
03:50:52,360 --> 03:50:54,840
Speaker 3: the New York City spin Masters, my boy Evile.

4412
03:50:54,640 --> 03:50:55,640
Speaker 2: And Han G.

4413
03:50:55,840 --> 03:50:56,640
Speaker 1: They were from Brooklyn.

4414
03:50:56,880 --> 03:50:59,280
Speaker 3: They knew how to scratch, so I hooked up with

4415
03:50:59,320 --> 03:51:01,640
Speaker 3: them and they were doing house parties. But at the

4416
03:51:01,720 --> 03:51:05,160
Speaker 3: parties they would have four DJs feel Me right like

4417
03:51:05,640 --> 03:51:07,680
Speaker 3: on the Loo. So I would show up with them

4418
03:51:08,440 --> 03:51:12,040
Speaker 3: and they would actually scratch breakbeats and I would rap. Wow,

4419
03:51:12,960 --> 03:51:15,880
Speaker 3: I got my name on the flyer. Eventually feel Me

4420
03:51:16,160 --> 03:51:20,200
Speaker 3: because it was their show. The theory, I'm gonna get money.

4421
03:51:20,520 --> 03:51:22,680
Speaker 3: That's like I said when I met Andre Herel and them.

4422
03:51:22,920 --> 03:51:25,280
Speaker 3: I had a Porsche, I had jewelry. I was wearing

4423
03:51:25,360 --> 03:51:27,240
Speaker 3: two pages, I had a guns.

4424
03:51:28,480 --> 03:51:30,880
Speaker 1: The niggas like, why do you want to rap? You

4425
03:51:31,040 --> 03:51:33,040
Speaker 1: got it all, you got to Porsche Turbo. Why do

4426
03:51:33,160 --> 03:51:35,920
Speaker 1: you want to rap? I'm like, well, what I'm doing

4427
03:51:35,920 --> 03:51:38,000
Speaker 1: ain't gonna last. Wow.

4428
03:51:38,520 --> 03:51:41,040
Speaker 5: Every other wrap up didn't have that at the time,

4429
03:51:41,120 --> 03:51:43,720
Speaker 5: nobody had it, hadn't bought cars yet.

4430
03:51:44,080 --> 03:51:49,600
Speaker 1: Wow. I'm talking about eighty two. Wow. I just I

4431
03:51:49,800 --> 03:51:51,520
Speaker 1: just liked it. I would go wrap it.

4432
03:51:52,120 --> 03:51:54,200
Speaker 3: I would do just shit in the day and then

4433
03:51:54,320 --> 03:51:55,880
Speaker 3: show up at a club on the weekend and be

4434
03:51:55,960 --> 03:51:56,320
Speaker 3: a star.

4435
03:51:56,960 --> 03:51:57,200
Speaker 1: Wow.

4436
03:51:57,600 --> 03:52:00,640
Speaker 3: And I like that theory of it actually be in

4437
03:52:00,720 --> 03:52:06,440
Speaker 3: my money. It never could happen, but it started to happen. Now.

4438
03:52:06,560 --> 03:52:08,400
Speaker 3: The difference is the kids would getting in for the

4439
03:52:08,520 --> 03:52:11,040
Speaker 3: money and they're like, I could put this little talent

4440
03:52:11,160 --> 03:52:14,520
Speaker 3: into it as possible, Like we did shows before we

4441
03:52:14,640 --> 03:52:18,200
Speaker 3: got record deals. They get record deals before they do shows.

4442
03:52:18,320 --> 03:52:20,920
Speaker 3: Like you were like talent leaning, you had to have

4443
03:52:21,080 --> 03:52:25,160
Speaker 3: talent and I and by working in that club, I

4444
03:52:25,320 --> 03:52:28,440
Speaker 3: was able to wrap every weekend and get better and

4445
03:52:28,560 --> 03:52:29,040
Speaker 3: get better.

4446
03:52:29,840 --> 03:52:34,400
Speaker 1: So I never thought this was gonna last. They said

4447
03:52:34,400 --> 03:52:35,080
Speaker 1: it was a fad.

4448
03:52:36,720 --> 03:52:39,040
Speaker 3: I think when the major record label started, I was

4449
03:52:39,080 --> 03:52:41,160
Speaker 3: one of the first rappers ever signed to a major.

4450
03:52:41,240 --> 03:52:45,560
Speaker 3: I got signed to Warner Brothers, Sire Madonna's label. That

4451
03:52:45,760 --> 03:52:48,360
Speaker 3: was the start, and then Sire is Madonna's label. Sire

4452
03:52:48,480 --> 03:52:52,080
Speaker 3: No Sire was a label on Warner that Madonna was

4453
03:52:52,120 --> 03:52:54,480
Speaker 3: signed to. I was signed to the same level as Madonna.

4454
03:52:54,640 --> 03:53:02,000
Speaker 3: Talking Heads Ministry Chris, basically a punk rock label by

4455
03:53:02,080 --> 03:53:02,960
Speaker 3: seymour Stein.

4456
03:53:03,480 --> 03:53:05,880
Speaker 1: It's just passed. I inducted him into the Rock and

4457
03:53:05,960 --> 03:53:06,640
Speaker 1: Roll Hall of Fame.

4458
03:53:07,520 --> 03:53:11,000
Speaker 2: But he heard it.

4459
03:53:11,240 --> 03:53:13,280
Speaker 1: He told me when he signed me. He says, have

4460
03:53:13,400 --> 03:53:15,240
Speaker 1: you ever listened to Calypso music? I'm like no.

4461
03:53:15,400 --> 03:53:17,800
Speaker 3: He said, they sing about song the problems in Trinidad, this,

4462
03:53:17,920 --> 03:53:20,400
Speaker 3: that and the other. But he talked, here's a jewel.

4463
03:53:20,560 --> 03:53:23,800
Speaker 3: Seymour Stein saw me. Just because I don't understand it

4464
03:53:23,920 --> 03:53:29,080
Speaker 3: doesn't invalidate it. This means I don't understand it what

4465
03:53:29,280 --> 03:53:33,040
Speaker 3: you're singing. I know people it resonates, just maybe not me.

4466
03:53:34,040 --> 03:53:36,480
Speaker 3: Go ahead, make your music. I believe you sound like

4467
03:53:36,880 --> 03:53:39,520
Speaker 3: to me Bob Dylan. That's the only person you can

4468
03:53:39,560 --> 03:53:44,480
Speaker 3: connect to how genius is that to be able to

4469
03:53:44,520 --> 03:53:47,320
Speaker 3: say just because I don't understand it doesn't invalidate it.

4470
03:53:47,360 --> 03:53:49,960
Speaker 1: It just means maybe I don't like, I know, I

4471
03:53:50,080 --> 03:53:53,080
Speaker 1: noticed people in this world that does relate to right, Do.

4472
03:53:53,040 --> 03:53:56,800
Speaker 3: You understand what's what's the Korean ship? The k Do

4473
03:53:56,920 --> 03:54:01,080
Speaker 3: you understand it doesn't invalidated? It's not short.

4474
03:54:01,360 --> 03:54:02,000
Speaker 2: This is my point.

4475
03:54:02,480 --> 03:54:04,240
Speaker 3: But this is being an A and R guy, being

4476
03:54:04,320 --> 03:54:08,280
Speaker 3: that smart saying I don't understand rap, but I know

4477
03:54:08,440 --> 03:54:09,520
Speaker 3: it's something.

4478
03:54:10,920 --> 03:54:16,120
Speaker 1: Dope gave me my break. Do you think.

4479
03:54:18,120 --> 03:54:20,800
Speaker 5: There was a difference from the Tupac that was on

4480
03:54:20,920 --> 03:54:24,520
Speaker 5: Digital Underground and a Tupac that was on death Rope?

4481
03:54:24,680 --> 03:54:26,840
Speaker 2: Absolutely? I mean yeah, I mean I think we can

4482
03:54:26,920 --> 03:54:28,240
Speaker 2: absolutely see.

4483
03:54:28,080 --> 03:54:30,960
Speaker 3: Pop when I'm When I first met Pocket and money

4484
03:54:31,000 --> 03:54:34,480
Speaker 3: Bee and all them, it was digital. You got Shakhi,

4485
03:54:34,880 --> 03:54:38,640
Speaker 3: who's one hundred percent different, Parliament, this, that, and the third.

4486
03:54:39,360 --> 03:54:43,080
Speaker 3: I didn't even recognize Pockets militant or nothing like that,

4487
03:54:43,360 --> 03:54:48,000
Speaker 3: just as a dancer friend cool, and when he came out,

4488
03:54:49,840 --> 03:54:52,680
Speaker 3: I was like, yo, that's the same dude, you know.

4489
03:54:53,840 --> 03:54:56,760
Speaker 3: But I couldn't disrespect him because his lyrics was deep

4490
03:54:57,800 --> 03:55:01,000
Speaker 3: and uh, I got to work on on Apocalypse now

4491
03:55:01,160 --> 03:55:05,640
Speaker 3: me and him and c on last words. So what

4492
03:55:05,960 --> 03:55:09,360
Speaker 3: people don't understand is I love Poc. I love Pac,

4493
03:55:09,560 --> 03:55:14,760
Speaker 3: but he's an artist. To me, he was just another artist.

4494
03:55:14,960 --> 03:55:17,920
Speaker 3: You know, people like Poc is a god but is

4495
03:55:17,920 --> 03:55:20,680
Speaker 3: an artist. He's like Norwy. To me, he's just an artist.

4496
03:55:21,280 --> 03:55:25,040
Speaker 3: So we were friends and people. Last time I was

4497
03:55:25,120 --> 03:55:28,200
Speaker 3: on here, I said something I said, I tried to

4498
03:55:28,280 --> 03:55:32,280
Speaker 3: talk to Poc, and people like, you can't talk to Poc.

4499
03:55:32,440 --> 03:55:36,400
Speaker 3: I'm like, POC's thirteen years younger than me, right and

4500
03:55:36,520 --> 03:55:38,800
Speaker 3: West Coast definitely has a peccan order. If you're a

4501
03:55:38,800 --> 03:55:42,760
Speaker 3: little older, motherfuckers will sit down. And uh, I had

4502
03:55:42,800 --> 03:55:46,040
Speaker 3: a story where Shaka came to my house. Told you

4503
03:55:46,120 --> 03:55:49,600
Speaker 3: that story. I lived in Hollywood Hills. A shock came

4504
03:55:49,680 --> 03:55:52,680
Speaker 3: on my door. I said, why the fuck are you

4505
03:55:52,720 --> 03:55:54,360
Speaker 3: knocking on my door? He said, I was up in

4506
03:55:54,400 --> 03:55:56,600
Speaker 3: the hills. I asked if any black people live up here?

4507
03:55:58,320 --> 03:56:00,800
Speaker 3: She said to you, they said right over there. So

4508
03:56:00,880 --> 03:56:03,480
Speaker 3: shot knocked them my door. We sat down and he

4509
03:56:03,600 --> 03:56:06,320
Speaker 3: was like, I talked to Pac man. You know, they

4510
03:56:06,400 --> 03:56:10,480
Speaker 3: feeding pop gunpowder pockets, like not listening to death Row,

4511
03:56:14,960 --> 03:56:19,280
Speaker 3: you know. And I and we had conversations. But see

4512
03:56:19,320 --> 03:56:22,200
Speaker 3: the thing of it is, it's like when you setting up,

4513
03:56:22,600 --> 03:56:24,600
Speaker 3: when you're working with a rapper, you have to get

4514
03:56:24,640 --> 03:56:28,000
Speaker 3: a rapper in the state of mind. Defrow was training

4515
03:56:28,080 --> 03:56:31,080
Speaker 3: Pack to be a killer, which you heard in the music.

4516
03:56:32,560 --> 03:56:34,560
Speaker 3: But like I did a thing for Mike Tyson, which

4517
03:56:34,640 --> 03:56:37,800
Speaker 3: is like you train a man to be a pitbull,

4518
03:56:37,880 --> 03:56:41,960
Speaker 3: then you get mad when he eats the furniture, you

4519
03:56:42,040 --> 03:56:43,280
Speaker 3: see me, So.

4520
03:56:45,120 --> 03:56:51,200
Speaker 1: That energy bled into the streets to his demise, right,

4521
03:56:52,680 --> 03:56:53,280
Speaker 1: because like.

4522
03:56:56,240 --> 03:56:58,480
Speaker 5: At the end of the day, you would never kind

4523
03:56:58,520 --> 03:57:01,920
Speaker 5: of like recommend someone to get it's a gang culture

4524
03:57:01,920 --> 03:57:04,400
Speaker 5: because gang culture, like it's like I wouldn't.

4525
03:57:04,040 --> 03:57:05,720
Speaker 1: Advise anybody getting streets.

4526
03:57:06,560 --> 03:57:11,240
Speaker 5: Like last night, last night I forgot I think his

4527
03:57:11,360 --> 03:57:14,800
Speaker 5: name is Nino Brown or his wistream was Nino Brown.

4528
03:57:14,880 --> 03:57:19,120
Speaker 5: But he said to you something like, I'm from Hoover,

4529
03:57:19,360 --> 03:57:21,600
Speaker 5: and you said, oh, I'm from such and such and

4530
03:57:21,880 --> 03:57:26,080
Speaker 5: everything that y'all spoke about. I was so lost as

4531
03:57:26,120 --> 03:57:27,880
Speaker 5: a person from New York, y'all. I was just looking

4532
03:57:27,920 --> 03:57:31,760
Speaker 5: at y'all. Andy'll said, you said over there on this ground,

4533
03:57:31,800 --> 03:57:37,360
Speaker 5: this ground just then, and I'm like, that's some complicated ship.

4534
03:57:37,760 --> 03:57:39,760
Speaker 3: So I was like, you know, what it is, Nori,

4535
03:57:40,440 --> 03:57:43,160
Speaker 3: if I told you a part of Queen's but you

4536
03:57:43,400 --> 03:57:47,280
Speaker 3: know what that block consists of. Yes, So he said

4537
03:57:47,320 --> 03:57:51,080
Speaker 3: he from ninety fourth and Hoover. I'm like, Yo, that's

4538
03:57:51,160 --> 03:57:55,280
Speaker 3: a very very hot area. But that's the Hoover criminals.

4539
03:57:55,400 --> 03:57:59,800
Speaker 3: But hot, I don't where I'm from. That's called out

4540
03:57:59,840 --> 03:58:02,200
Speaker 3: of bounds. That's not where I go. I don't know

4541
03:58:02,280 --> 03:58:05,680
Speaker 3: them people. My baby's mother, my daughter, my adult daughter,

4542
03:58:06,160 --> 03:58:09,480
Speaker 3: her mother lived on seventy fourth and Hoover, seventy third

4543
03:58:09,520 --> 03:58:12,440
Speaker 3: in Hoover, So I know all the hoovers. When Hoovers

4544
03:58:12,440 --> 03:58:14,640
Speaker 3: were crips. They used to Hoovers used to be crips.

4545
03:58:15,280 --> 03:58:18,680
Speaker 3: Now they anybody killers. They they were the age, the

4546
03:58:18,800 --> 03:58:22,000
Speaker 3: Houston hat Those are the kids that killed Pop Smoke.

4547
03:58:22,560 --> 03:58:26,760
Speaker 3: Oh God bless that's Hoover them, the Hoover criminal that. Ye,

4548
03:58:27,080 --> 03:58:31,160
Speaker 3: it's a sad. I don't know them niggas. So I

4549
03:58:31,360 --> 03:58:34,120
Speaker 3: was like, I just vowed down to his neighborhood, Like, Yo,

4550
03:58:34,200 --> 03:58:36,120
Speaker 3: I'm from the West Side. I don't know them niggas

4551
03:58:36,160 --> 03:58:41,480
Speaker 3: over there. That was it. Everybody knows the tough areas.

4552
03:58:42,200 --> 03:58:44,680
Speaker 3: Everybody knows. So when you say it if you're from there,

4553
03:58:44,760 --> 03:58:47,680
Speaker 3: you go, okay, okay, I know how you grew up.

4554
03:58:48,000 --> 03:58:50,200
Speaker 3: But he went to prison and he came back home.

4555
03:58:50,800 --> 03:58:53,480
Speaker 3: But he's younger than me. See, so he said, my

4556
03:58:53,640 --> 03:58:55,520
Speaker 3: dad might have went to school. His dad went to

4557
03:58:55,640 --> 03:58:59,960
Speaker 3: school two years before me. But he said, yo, I'm back,

4558
03:59:00,200 --> 03:59:05,160
Speaker 3: so that that resonates with us. But he's so therefore

4559
03:59:05,200 --> 03:59:07,760
Speaker 3: he's a little homie, so he gonna treat me accordingly.

4560
03:59:07,880 --> 03:59:10,000
Speaker 1: Like that's a big on me. My dad knows you,

4561
03:59:10,240 --> 03:59:14,240
Speaker 1: like like cool, Yeah, yeah, that's that's crazy.

4562
03:59:15,120 --> 03:59:17,720
Speaker 5: Like when I saw that last night, Like I saw

4563
03:59:17,800 --> 03:59:20,000
Speaker 5: two people that didn't know each other and had a

4564
03:59:20,040 --> 03:59:20,880
Speaker 5: whole conversation.

4565
03:59:22,360 --> 03:59:26,200
Speaker 1: No one else knew what y'all was talking about, and

4566
03:59:27,160 --> 03:59:30,560
Speaker 1: that shit was like like to me, like is that

4567
03:59:30,760 --> 03:59:32,400
Speaker 1: anywhere you go? Like anywhere you go?

4568
03:59:32,720 --> 03:59:34,200
Speaker 3: First thing I would too if you tell me you

4569
03:59:34,280 --> 03:59:36,520
Speaker 3: from l A. A lot of times niggas to tell me, yo,

4570
03:59:36,800 --> 03:59:39,000
Speaker 3: I'm from LA. I'm like what part and then they'll

4571
03:59:39,200 --> 03:59:43,600
Speaker 3: back down. I'm like where you're from? They be like Pomona,

4572
03:59:44,880 --> 03:59:46,680
Speaker 3: I'm like that ain't really La.

4573
03:59:49,240 --> 03:59:49,880
Speaker 2: You know what I'm saying.

4574
03:59:49,960 --> 03:59:52,080
Speaker 3: That's like, you know, I'm from a coin or some

4575
03:59:52,240 --> 03:59:54,480
Speaker 3: ship like that, Like I know where to I know

4576
03:59:54,560 --> 03:59:58,520
Speaker 3: where the trenches are, you know, So I'm like, but

4577
03:59:59,320 --> 04:00:01,520
Speaker 3: where are you from? That's the quickest thing. That's what

4578
04:00:01,640 --> 04:00:04,520
Speaker 3: part of La where you from? Oh I'm from wood Woo,

4579
04:00:04,680 --> 04:00:05,800
Speaker 3: I'm on from main Street?

4580
04:00:05,880 --> 04:00:08,560
Speaker 1: Okay, cool? I know. Then what we'll do is we'll

4581
04:00:08,720 --> 04:00:09,520
Speaker 1: name off niggas.

4582
04:00:09,600 --> 04:00:11,360
Speaker 3: I know niggas from over. I know such and such,

4583
04:00:11,440 --> 04:00:14,320
Speaker 3: such and such. They're gonna blow you from sixties. I

4584
04:00:14,400 --> 04:00:16,240
Speaker 3: know that I know such and such, such and such.

4585
04:00:16,800 --> 04:00:19,000
Speaker 3: But it's dangerous because if you like now you're in

4586
04:00:19,160 --> 04:00:25,480
Speaker 3: that world right running to another set, Yo, who you know?

4587
04:00:25,640 --> 04:00:26,520
Speaker 3: Because who you know?

4588
04:00:26,920 --> 04:00:27,040
Speaker 1: Oh?

4589
04:00:27,120 --> 04:00:28,560
Speaker 2: I know dj EFN.

4590
04:00:29,320 --> 04:00:31,960
Speaker 1: You'll fuck that niggas like you know, could be like

4591
04:00:32,200 --> 04:00:34,680
Speaker 1: that could be the wrong name, like that nigga.

4592
04:00:34,440 --> 04:00:37,080
Speaker 3: Ain't nobody because oh shit, now you've been to name

4593
04:00:37,120 --> 04:00:38,800
Speaker 3: a top tier nigga, you know.

4594
04:00:39,360 --> 04:00:43,440
Speaker 1: So it's just LA life. Like I said earlier, LA

4595
04:00:43,600 --> 04:00:44,240
Speaker 1: is dangerous.

4596
04:00:44,600 --> 04:00:48,880
Speaker 3: So I was able by knowing being a player and

4597
04:00:49,040 --> 04:00:51,720
Speaker 3: moving around the different sets and learning about the shot

4598
04:00:51,840 --> 04:00:53,880
Speaker 3: callers and befriending them.

4599
04:00:54,240 --> 04:00:59,120
Speaker 1: I knew enough people just to navigate the city. I've

4600
04:00:59,120 --> 04:01:00,680
Speaker 1: been in. I've been out of bounds. I was.

4601
04:01:00,760 --> 04:01:03,280
Speaker 3: I was messing with this girl from the bottom, which

4602
04:01:03,400 --> 04:01:07,840
Speaker 3: is no, the bottom is the bottom. The bottom is

4603
04:01:07,880 --> 04:01:11,200
Speaker 3: the east side of the forties. So that's uh, that's

4604
04:01:12,640 --> 04:01:16,600
Speaker 3: the Pueblows. Another project called the Pueblows. Niggas over there

4605
04:01:16,880 --> 04:01:19,720
Speaker 3: one here ill name they called Bloodstone Villains.

4606
04:01:20,640 --> 04:01:22,880
Speaker 1: You ever heard of a gang called the villains? Them niggas?

4607
04:01:23,440 --> 04:01:25,120
Speaker 1: That name is scary, right, So.

4608
04:01:26,920 --> 04:01:30,400
Speaker 3: So Bsv's Bloodstone Villains. So I met a girl on

4609
04:01:30,520 --> 04:01:32,680
Speaker 3: the west side, a pretty girl.

4610
04:01:33,400 --> 04:01:33,800
Speaker 1: I don't know.

4611
04:01:33,880 --> 04:01:37,160
Speaker 3: The bitch lives in the motherfucking puet blows. So she

4612
04:01:37,240 --> 04:01:38,840
Speaker 3: give me a number. I pull up over there in

4613
04:01:38,880 --> 04:01:42,080
Speaker 3: the porch with the fela whooped. He whooped, So she

4614
04:01:42,320 --> 04:01:44,600
Speaker 3: was fine. So I meet her one day. I'm gonna

4615
04:01:44,640 --> 04:01:47,240
Speaker 3: pull back up. The second time I pulled up, she goes,

4616
04:01:47,280 --> 04:01:49,200
Speaker 3: your niggas over here, said, they finna rob you.

4617
04:01:49,680 --> 04:01:54,400
Speaker 1: I said, alright, nice meeting you, bitch. I'm out. I

4618
04:01:54,520 --> 04:01:54,800
Speaker 1: got it.

4619
04:01:56,440 --> 04:01:57,800
Speaker 2: Pu see, No, I'm out.

4620
04:01:58,240 --> 04:02:00,400
Speaker 3: I'm out because if I if some happened to me

4621
04:02:00,440 --> 04:02:02,160
Speaker 3: over there, my crew ain't coming over there.

4622
04:02:02,200 --> 04:02:04,040
Speaker 1: They like, nigga, why are you way over there?

4623
04:02:04,360 --> 04:02:06,480
Speaker 3: So there was a shot call over there named Termite,

4624
04:02:07,200 --> 04:02:09,440
Speaker 3: who was the main nigga over there that was selling water.

4625
04:02:10,160 --> 04:02:14,360
Speaker 1: So water means dust PCP PCB, so yeah, it's what

4626
04:02:14,480 --> 04:02:18,000
Speaker 1: they used to make dust, so and we call it sharon.

4627
04:02:19,000 --> 04:02:22,800
Speaker 3: But anyway, just having the right connections and knowing where

4628
04:02:22,840 --> 04:02:25,080
Speaker 3: you are and this and the third. I have a

4629
04:02:25,160 --> 04:02:27,160
Speaker 3: story where I went I met this girl on the

4630
04:02:27,240 --> 04:02:29,120
Speaker 3: west side. I'm on the west side, west side.

4631
04:02:29,120 --> 04:02:30,720
Speaker 1: I finished that story. So what happened to you was

4632
04:02:30,800 --> 04:02:31,200
Speaker 1: going through?

4633
04:02:31,560 --> 04:02:38,560
Speaker 3: Anybody just never showed back up, he just left. Yeah,

4634
04:02:38,680 --> 04:02:41,080
Speaker 3: a girl, tell you yo. You know the guys over

4635
04:02:41,160 --> 04:02:42,480
Speaker 3: here are playing on robbing you.

4636
04:02:42,640 --> 04:02:43,400
Speaker 2: That's all I needed.

4637
04:02:44,680 --> 04:02:46,120
Speaker 1: I'm like, I'm gonna go.

4638
04:02:46,120 --> 04:02:47,640
Speaker 3: To the liquor store. I'm gonna get some right quick.

4639
04:02:47,920 --> 04:02:50,160
Speaker 3: You're seeing me. I'm back on the other side of town.

4640
04:02:50,440 --> 04:02:52,600
Speaker 3: So one time I met this girl on the west side.

4641
04:02:52,920 --> 04:02:56,360
Speaker 3: West side is anything you got the Harbor Freeway in

4642
04:02:56,560 --> 04:02:59,760
Speaker 3: l A. Anything on the west side of that is

4643
04:02:59,840 --> 04:03:01,680
Speaker 3: the west side. Anything on the other side of that

4644
04:03:01,840 --> 04:03:04,240
Speaker 3: is the east side. Here's the thing, ain't ship on

4645
04:03:04,400 --> 04:03:09,040
Speaker 3: the east side. Ain't no businesses, ain't no hotels, ain't

4646
04:03:09,120 --> 04:03:12,840
Speaker 3: nothing but drama on the east side. East side, niggas

4647
04:03:12,880 --> 04:03:18,160
Speaker 3: wear sweatsuits with hard shoes. You ever seen the old

4648
04:03:18,240 --> 04:03:21,000
Speaker 3: niggas that have the sweatsuit on with the party socks,

4649
04:03:21,040 --> 04:03:25,560
Speaker 3: the big socks and Stacy Adams them niggas them, Niggas.

4650
04:03:25,320 --> 04:03:26,240
Speaker 1: Is on the east side.

4651
04:03:26,760 --> 04:03:28,160
Speaker 2: West Side Niggas is players.

4652
04:03:28,200 --> 04:03:31,160
Speaker 1: We got k swists. We fly east side Niggas is

4653
04:03:31,880 --> 04:03:33,240
Speaker 1: dangerous niggas like they.

4654
04:03:36,200 --> 04:03:37,120
Speaker 2: My man's laughing.

4655
04:03:38,120 --> 04:03:41,120
Speaker 1: So yeah, east side Niggas is real hard hard.

4656
04:03:41,720 --> 04:03:46,000
Speaker 3: So I meet a girl on the west side and

4657
04:03:46,120 --> 04:03:48,720
Speaker 3: she tells me she lives on ninety ninth in Success.

4658
04:03:49,160 --> 04:03:51,880
Speaker 3: That's on the east side of will Rogers Park in Watts.

4659
04:03:52,800 --> 04:03:55,920
Speaker 3: I'm in high school. I catch the bus down Crenshaw.

4660
04:03:56,640 --> 04:03:58,920
Speaker 3: I catch the bus down Century. If you want to

4661
04:03:58,960 --> 04:04:00,280
Speaker 3: find if you want to if you want to go

4662
04:04:00,360 --> 04:04:05,760
Speaker 3: to the jungle, get off at the La X. You're

4663
04:04:05,800 --> 04:04:09,760
Speaker 3: on Century. Just take Century East. You'll ridden up in Watts.

4664
04:04:10,440 --> 04:04:12,880
Speaker 3: But you don't you go you go west. If you

4665
04:04:12,960 --> 04:04:14,880
Speaker 3: go east, you'll end up in the worst part of

4666
04:04:15,040 --> 04:04:17,520
Speaker 3: La So anyway, I catch the bus.

4667
04:04:17,960 --> 04:04:19,640
Speaker 1: The bus stops at will Rogers Park.

4668
04:04:19,680 --> 04:04:25,520
Speaker 3: I gotta walk across will Rogers Park, dangerous Nickson Gardens

4669
04:04:25,560 --> 04:04:28,120
Speaker 3: there Imperial Course. So I get to the girl's house,

4670
04:04:30,400 --> 04:04:33,280
Speaker 3: go in her house. Her mother is sitting in one

4671
04:04:33,320 --> 04:04:34,679
Speaker 3: of the big reclining.

4672
04:04:34,320 --> 04:04:38,360
Speaker 1: Chairs, Hi, baby, you want some while like she one

4673
04:04:38,400 --> 04:04:40,200
Speaker 1: of the one of them hood mama's.

4674
04:04:40,280 --> 04:04:43,320
Speaker 3: Laid back, got the feet all swollen up, like you

4675
04:04:44,080 --> 04:04:47,480
Speaker 3: brought me some some drinking a mayonnaise jar. I'm in

4676
04:04:47,520 --> 04:04:53,280
Speaker 3: the hood. While I'm sitting there, her nigga shows up.

4677
04:04:56,480 --> 04:05:00,560
Speaker 3: Now I'm in the house, I'm talking to mom. Do

4678
04:05:00,600 --> 04:05:04,200
Speaker 3: you guys Jerry krr I had a perm don't get

4679
04:05:04,240 --> 04:05:11,040
Speaker 3: into it. Yeah, I'm a kid. I'm a kid Nori seventeen.

4680
04:05:11,160 --> 04:05:12,640
Speaker 1: Okay, let's go keep it going.

4681
04:05:13,560 --> 04:05:14,160
Speaker 2: We in the hood.

4682
04:05:14,200 --> 04:05:15,240
Speaker 3: You know you in the hood, when you were in

4683
04:05:15,280 --> 04:05:17,520
Speaker 3: the house that got a car furniture in the house.

4684
04:05:18,320 --> 04:05:23,080
Speaker 3: Oh shit, send the blox the hood hood like door

4685
04:05:23,200 --> 04:05:25,400
Speaker 3: knobs was only one side you got to use like

4686
04:05:25,480 --> 04:05:31,120
Speaker 3: a key. And so the dude shows up, so she

4687
04:05:31,280 --> 04:05:33,760
Speaker 3: outside trying to talk to him. She got another nigga

4688
04:05:33,760 --> 04:05:36,840
Speaker 3: in the house. I'm sitting there with moms like, yo,

4689
04:05:37,040 --> 04:05:39,280
Speaker 3: this is going bad as a motherfucker, Like I got

4690
04:05:39,320 --> 04:05:43,560
Speaker 3: to number. There's some watch nigga outside. This is fucked up.

4691
04:05:43,880 --> 04:05:47,480
Speaker 3: I sat in that house literally about an hour waiting

4692
04:05:47,560 --> 04:05:49,800
Speaker 3: for that conversation to end. The shit and wouldn't end.

4693
04:05:50,280 --> 04:05:54,320
Speaker 3: So now I'm like, fuck it. I'm I'm bailing right,

4694
04:05:54,960 --> 04:05:57,240
Speaker 3: So I just walk out the front of the house.

4695
04:05:57,720 --> 04:06:00,800
Speaker 3: I walk out the house right, I walked right, passed them,

4696
04:06:01,360 --> 04:06:03,280
Speaker 3: I turned and I'm walking now.

4697
04:06:03,320 --> 04:06:04,080
Speaker 2: I'm walking right.

4698
04:06:04,160 --> 04:06:08,200
Speaker 3: I'm expecting to feel this like the nigga just shocking

4699
04:06:08,280 --> 04:06:10,600
Speaker 3: me from behind. But I'm walking like I ain't got

4700
04:06:10,680 --> 04:06:16,240
Speaker 3: it yet, I ain't looking back, just waiting for the book.

4701
04:06:18,320 --> 04:06:21,200
Speaker 1: And I made it. I walk off. They never say nothing.

4702
04:06:21,720 --> 04:06:22,360
Speaker 1: I'm like shit.

4703
04:06:22,440 --> 04:06:24,240
Speaker 3: And I got in the middle of will Rogers Park

4704
04:06:24,280 --> 04:06:27,000
Speaker 3: and I'm like, what in the fuck are you doing here?

4705
04:06:27,720 --> 04:06:30,600
Speaker 3: You don't not belong here. That was not your bitch.

4706
04:06:31,040 --> 04:06:33,600
Speaker 3: You could have died way over here. And I got

4707
04:06:33,680 --> 04:06:36,120
Speaker 3: my ass on the RTD and I went home and

4708
04:06:36,200 --> 04:06:40,520
Speaker 3: that was my last attempt. I love two learning lessons

4709
04:06:40,560 --> 04:06:43,320
Speaker 3: of being out of bounds fucking with bitches like like

4710
04:06:43,480 --> 04:06:45,240
Speaker 3: what this cube said, never fuck with a bitch from

4711
04:06:45,280 --> 04:06:48,680
Speaker 3: the projects. I learned my lesson and I made it

4712
04:06:48,760 --> 04:06:56,600
Speaker 3: home safe. I didn't get hit in the Earcgregors. I

4713
04:06:56,760 --> 04:07:00,080
Speaker 3: wasn't finna fight this dude over his girl, Like I

4714
04:07:00,240 --> 04:07:02,240
Speaker 3: was just like, wow, am I why am I here?

4715
04:07:02,520 --> 04:07:05,560
Speaker 3: Like so yeah, yeah, Sometimes you shouldn't travel too far

4716
04:07:05,680 --> 04:07:06,160
Speaker 3: for pussy.

4717
04:07:07,240 --> 04:07:15,280
Speaker 1: You shouldn't my secret shouldn't travel too far.

4718
04:07:15,400 --> 04:07:16,760
Speaker 2: Don't travel so far for pussy.

4719
04:07:17,160 --> 04:07:20,600
Speaker 3: Yeah, or in someone's total different territory where you don't

4720
04:07:20,640 --> 04:07:21,400
Speaker 3: know nobody.

4721
04:07:21,880 --> 04:07:26,640
Speaker 1: But fuck that. So let me ask because.

4722
04:07:29,520 --> 04:07:35,120
Speaker 5: I know, I know we touched on it earlier, but

4723
04:07:35,680 --> 04:07:41,920
Speaker 5: there was a stigma of going commercial, right, like going

4724
04:07:42,000 --> 04:07:46,320
Speaker 5: to the other side, right, And what's what's double bon

4725
04:07:46,440 --> 04:07:46,920
Speaker 5: two is.

4726
04:07:48,440 --> 04:07:50,440
Speaker 1: We we don't think you went to the other side.

4727
04:07:50,440 --> 04:07:54,480
Speaker 1: We still believe your right right to say nigga pretty much.

4728
04:07:54,640 --> 04:07:56,880
Speaker 5: We're like, yo, we see play a cop on TV,

4729
04:07:57,040 --> 04:07:59,120
Speaker 5: but we know that Nigga might still shoot you like that.

4730
04:07:59,440 --> 04:08:00,960
Speaker 1: That's real. It's acting.

4731
04:08:01,480 --> 04:08:03,640
Speaker 3: I'm as far from a cop as you possibly could

4732
04:08:03,680 --> 04:08:06,240
Speaker 3: get as acting. I can act like a cop, I

4733
04:08:06,320 --> 04:08:07,520
Speaker 3: can act like a slave owner.

4734
04:08:07,520 --> 04:08:11,960
Speaker 1: I'm acting. I learned that acting is acting. Now how

4735
04:08:12,080 --> 04:08:13,760
Speaker 1: you perceive it. I don't really give a fuck.

4736
04:08:14,720 --> 04:08:17,400
Speaker 3: If you want to make the mistake and think that

4737
04:08:18,160 --> 04:08:21,600
Speaker 3: you know that I'm not whatever, that's that's your mistake.

4738
04:08:21,760 --> 04:08:21,960
Speaker 3: You know.

4739
04:08:24,080 --> 04:08:25,280
Speaker 1: What's it? Well?

4740
04:08:25,400 --> 04:08:27,200
Speaker 3: I did. I did the record with r J Payne,

4741
04:08:27,280 --> 04:08:29,920
Speaker 3: the first first lyric because I walk around with the

4742
04:08:30,040 --> 04:08:33,040
Speaker 3: rocket in my hoodie pocket. Your biggest mistake is thinking

4743
04:08:33,120 --> 04:08:40,440
Speaker 3: I'm fake. So if that's what you choose to do,

4744
04:08:40,680 --> 04:08:47,440
Speaker 3: play yourself. No, man, but no, as far as being commercial,

4745
04:08:49,240 --> 04:08:51,840
Speaker 3: I never would do clean versions of my records. I

4746
04:08:52,000 --> 04:08:55,160
Speaker 3: was really adamant about not doing clean verse. Did you

4747
04:08:55,240 --> 04:08:56,080
Speaker 3: do clean versions?

4748
04:08:56,520 --> 04:08:57,800
Speaker 1: Yeah, I was trying to get that bread.

4749
04:08:59,160 --> 04:09:03,600
Speaker 3: I was so so so like stubborn. I thought that

4750
04:09:03,800 --> 04:09:06,280
Speaker 3: was selling out. And then n w A did it

4751
04:09:06,560 --> 04:09:09,560
Speaker 3: and they made a lot more money, but a lot

4752
04:09:09,600 --> 04:09:12,240
Speaker 3: of records. There's no clean versions of Ice Tea records.

4753
04:09:12,520 --> 04:09:16,480
Speaker 3: I still hate doing it. Even when I do body count,

4754
04:09:16,520 --> 04:09:19,040
Speaker 3: I do it all raw and then they like, can

4755
04:09:19,080 --> 04:09:22,280
Speaker 3: we clean it up? And still this seems whack to me.

4756
04:09:22,440 --> 04:09:25,840
Speaker 3: But yeah, you know you are in the business. You're

4757
04:09:25,880 --> 04:09:28,800
Speaker 3: trying to sell the records your ice.

4758
04:09:28,920 --> 04:09:29,120
Speaker 2: Man.

4759
04:09:29,320 --> 04:09:31,120
Speaker 1: I can't thank you enough.

4760
04:09:31,520 --> 04:09:36,160
Speaker 5: Man, you my brother, You've You've always been there every

4761
04:09:36,200 --> 04:09:38,880
Speaker 5: time I've called you. You was like one of the realists,

4762
04:09:39,720 --> 04:09:42,720
Speaker 5: if not the realist. And now not only that, a

4763
04:09:42,760 --> 04:09:45,600
Speaker 5: lot of people credit me in fact, Joe having the

4764
04:09:45,680 --> 04:09:48,760
Speaker 5: best stories of hip hop I learned last night.

4765
04:09:49,000 --> 04:09:54,120
Speaker 1: And we're not even in your lead, like you know

4766
04:09:54,160 --> 04:09:54,560
Speaker 1: what I'm saying.

4767
04:09:54,640 --> 04:09:58,240
Speaker 5: So you, the big homie, are not only hip hop

4768
04:09:59,240 --> 04:10:01,120
Speaker 5: like you know, of course listen to another world of

4769
04:10:01,160 --> 04:10:02,800
Speaker 5: getting money in another world.

4770
04:10:03,640 --> 04:10:08,000
Speaker 1: But definitely storytelling. It's you and Slick Rick. I love it.

4771
04:10:08,200 --> 04:10:10,120
Speaker 3: Well, look, look one more thing. Let me promote something.

4772
04:10:10,160 --> 04:10:10,840
Speaker 3: Can I promote them?

4773
04:10:11,160 --> 04:10:11,440
Speaker 1: Please?

4774
04:10:11,560 --> 04:10:11,880
Speaker 2: Please?

4775
04:10:12,440 --> 04:10:15,200
Speaker 3: I'm doing an album right now called The Legend Device

4776
04:10:15,280 --> 04:10:20,320
Speaker 3: Ta Crime Stories, and it's from my eight albums. It

4777
04:10:20,480 --> 04:10:24,440
Speaker 3: has it's a triple album. It's going to be it's

4778
04:10:24,480 --> 04:10:27,160
Speaker 3: going to be vinyl because I want to make it

4779
04:10:27,280 --> 04:10:31,800
Speaker 3: special and it's all my story raps from eight albums,

4780
04:10:31,960 --> 04:10:37,160
Speaker 3: including five unreleased songs, and reason we titled it the

4781
04:10:37,280 --> 04:10:40,000
Speaker 3: Legend Device Tea is because a lot of things people

4782
04:10:40,080 --> 04:10:41,200
Speaker 3: believe in me is legend.

4783
04:10:42,320 --> 04:10:43,080
Speaker 1: It's not true.

4784
04:10:43,960 --> 04:10:46,800
Speaker 3: Because what I write when I write music, I write faction.

4785
04:10:47,120 --> 04:10:51,760
Speaker 3: I write stories based on truth. But just there's some

4786
04:10:51,960 --> 04:10:54,520
Speaker 3: things in there, you know, So a lot of people

4787
04:10:54,640 --> 04:10:56,520
Speaker 3: believe things about me it's not true.

4788
04:10:57,600 --> 04:10:58,480
Speaker 1: So that's the legend.

4789
04:10:58,880 --> 04:11:02,080
Speaker 3: The legend ices in the club, I knocked five niggas out, Okay,

4790
04:11:02,080 --> 04:11:04,960
Speaker 3: I knock one dude out right, but the legend says

4791
04:11:05,000 --> 04:11:09,440
Speaker 3: it was five. So that's part of the stigma. Like

4792
04:11:09,520 --> 04:11:11,560
Speaker 3: you say, of who Ice Tea is a lot of

4793
04:11:11,600 --> 04:11:15,680
Speaker 3: the ship's not real. But if that's what you believe,

4794
04:11:15,720 --> 04:11:17,920
Speaker 3: what you choose to believe. I'm like, you know, let's

4795
04:11:17,960 --> 04:11:19,920
Speaker 3: have fun with it. So that's why it's called the

4796
04:11:20,000 --> 04:11:25,400
Speaker 3: Legend Device Tea Crime Stories. It's all story rds. So

4797
04:11:25,520 --> 04:11:29,280
Speaker 3: people that like that part of my ship can dig it.

4798
04:11:29,360 --> 04:11:31,360
Speaker 3: It's gonna be dope and it should come out this year.

4799
04:11:32,120 --> 04:11:33,080
Speaker 3: God damn yeah.

4800
04:11:33,520 --> 04:11:35,840
Speaker 1: And that's come back to drink chances were promoting it.

4801
04:11:36,040 --> 04:11:37,960
Speaker 1: We're doing the ether. Fuck you gotta do. It makes

4802
04:11:37,960 --> 04:11:38,320
Speaker 1: a noise.

4803
04:11:38,320 --> 04:11:47,560
Speaker 3: From what you can say, it's always a treat. Yes,

4804
04:11:47,760 --> 04:11:50,200
Speaker 3: when play is me, it's always a treat.

4805
04:11:52,480 --> 04:11:55,320
Speaker 1: Before we leave. Is there anything else you want to

4806
04:11:55,320 --> 04:11:56,360
Speaker 1: say to the fanst.

4807
04:11:57,640 --> 04:12:00,160
Speaker 3: Just everybody out there has supported me as fuck me.

4808
04:12:00,280 --> 04:12:01,840
Speaker 3: I know, in order to be an iced T fan,

4809
04:12:01,960 --> 04:12:04,520
Speaker 3: you had to fight, you had to deal with haters,

4810
04:12:04,600 --> 04:12:06,880
Speaker 3: you had to tell niggas fuck you. I like Ice

4811
04:12:07,400 --> 04:12:10,360
Speaker 3: and it's been a struggle to be part of my journey.

4812
04:12:10,520 --> 04:12:13,160
Speaker 3: But for those of you, that's just how much more

4813
04:12:13,280 --> 04:12:16,680
Speaker 3: gangster you are that you're willing to stand on who

4814
04:12:16,760 --> 04:12:20,440
Speaker 3: you fuck with. And my job has always been to

4815
04:12:20,520 --> 04:12:23,080
Speaker 3: make y'all proud. I know people out there got tax

4816
04:12:23,560 --> 04:12:26,120
Speaker 3: they got all kinds of shit. So when I fuck up,

4817
04:12:26,760 --> 04:12:29,800
Speaker 3: I know, I let y'all down. So I'm trying to

4818
04:12:29,840 --> 04:12:32,600
Speaker 3: win because I know when I win, y'all win. You know,

4819
04:12:32,800 --> 04:12:35,680
Speaker 3: y'all get to say that's my nigga. So that's why

4820
04:12:35,720 --> 04:12:37,840
Speaker 3: I always think it's bigger than me. It's I got

4821
04:12:37,920 --> 04:12:40,760
Speaker 3: people out there that really believe in me and fuck

4822
04:12:40,840 --> 04:12:43,200
Speaker 3: with me in a real way. And I've always been

4823
04:12:43,360 --> 04:12:47,080
Speaker 3: very proud that the niggas that fuck with me are

4824
04:12:47,160 --> 04:12:51,040
Speaker 3: the most real motherfuckers. The people that fuck with me.

4825
04:12:51,240 --> 04:12:54,800
Speaker 3: My boy said Ice, this pre prison rap and this

4826
04:12:55,080 --> 04:12:59,160
Speaker 3: post prison rap. Your shit is post prison rap. Motherfuckers

4827
04:12:59,240 --> 04:13:00,840
Speaker 3: that really been through some ship.

4828
04:13:01,400 --> 04:13:03,280
Speaker 1: You take a shot to that, alright, So I'm gonna

4829
04:13:03,320 --> 04:13:08,560
Speaker 1: be honest, not a shot you. You give him some

4830
04:13:08,720 --> 04:13:09,360
Speaker 1: nice ship.

4831
04:13:09,320 --> 04:13:09,960
Speaker 2: Against the more.

4832
04:13:11,480 --> 04:13:12,960
Speaker 1: I don't know, Give me one more for the road.

4833
04:13:13,040 --> 04:13:14,640
Speaker 1: Give me some of that ship right there he was.

4834
04:13:15,720 --> 04:13:17,360
Speaker 3: I guess if I drink enough of that, I'm gonna

4835
04:13:17,360 --> 04:13:19,120
Speaker 3: put these on and walk the fun out of here.

4836
04:13:19,800 --> 04:13:20,080
Speaker 1: Speaks.

4837
04:13:21,160 --> 04:13:24,280
Speaker 2: Get the man, Hold up, Hold up, I'm gonna take

4838
04:13:25,840 --> 04:13:26,280
Speaker 2: the cameras.

4839
04:13:26,320 --> 04:13:30,520
Speaker 1: Get that. Why the cameras zooming in from the front.

4840
04:13:30,560 --> 04:13:31,120
Speaker 1: You gotta see her?

4841
04:13:31,200 --> 04:13:35,120
Speaker 3: Yeah, okay, you see this. We take off the loop batons.

4842
04:13:35,200 --> 04:13:35,960
Speaker 3: It's a pimp ship.

4843
04:13:36,040 --> 04:13:36,720
Speaker 1: You don't know about.

4844
04:13:37,080 --> 04:13:39,520
Speaker 3: Niggas got this pemp ship and I'm putting on these

4845
04:13:39,600 --> 04:13:43,760
Speaker 3: player ships because they got me so comfortable right now.

4846
04:13:43,800 --> 04:13:45,040
Speaker 2: I'm so motherfuckerum.

4847
04:13:50,640 --> 04:13:52,480
Speaker 1: And this is how you ended out Ice with a shot.

4848
04:13:53,400 --> 04:13:57,080
Speaker 3: Yeah, so I look and we are they five? So look,

4849
04:13:57,400 --> 04:14:00,440
Speaker 3: come on, you know what, these niggas just so used

4850
04:14:00,440 --> 04:14:02,520
Speaker 3: to being fake. They have no reference point to real.

4851
04:14:02,600 --> 04:14:05,240
Speaker 3: We here to show them, give them a reference point, right.

4852
04:14:13,080 --> 04:14:16,920
Speaker 2: Drink Champs is a Drink Champs LLC production and association

4853
04:14:17,040 --> 04:14:21,400
Speaker 2: with Interval Presents hosts and executive producers n O r

4854
04:14:21,480 --> 04:14:26,400
Speaker 2: E and dj e FN from Interval Presents executive producers

4855
04:14:26,520 --> 04:14:30,280
Speaker 2: Alan Coy and Jake Kleinberg. Listen to Drink Champs on

4856
04:14:30,360 --> 04:14:35,480
Speaker 2: Apple Podcast, Amazon Music, Spotify, Stitcher, or wherever you get

4857
04:14:35,520 --> 04:14:39,200
Speaker 2: your podcasts. Thanks for joining us for another episode of

4858
04:14:39,280 --> 04:14:41,960
Speaker 2: Drink Champs hosted by Yours Truly, dj e f N

4859
04:14:42,240 --> 04:14:44,360
Speaker 2: and n O r E. Please make sure to follow

4860
04:14:44,440 --> 04:14:46,960
Speaker 2: us on all our socials. That's at drink Champs across

4861
04:14:47,000 --> 04:14:51,800
Speaker 2: all platforms at the Real norriagon ig at Noriega on Twitter,

4862
04:14:52,240 --> 04:14:55,600
Speaker 2: Mine is at Who's Crazy on ig at dj e

4863
04:14:55,800 --> 04:14:58,160
Speaker 2: f N on Twitter, and most importantly, stay up to

4864
04:14:58,240 --> 04:15:01,280
Speaker 2: date with the latest releases, new news and merch by

4865
04:15:01,360 --> 04:15:08,320
Speaker 2: going to drink Champs dot com. Mm hmm