1 00:00:00,320 --> 00:00:04,280 Speaker 1: Big Bang and DJ Scream bring you Big Facts hot 2 00:00:04,280 --> 00:00:07,440 Speaker 1: this podcast in the streets. Visit the new website today 3 00:00:07,720 --> 00:00:11,319 Speaker 1: www dot Big Facts pod dot com live for first 4 00:00:11,320 --> 00:00:13,640 Speaker 1: class sounds. Is the voice of DJ Screen. Time for 5 00:00:13,680 --> 00:00:16,400 Speaker 1: another episode of Big Facts. We are here. This is 6 00:00:16,520 --> 00:00:19,280 Speaker 1: episode fifty. We made it. Let's give it for ourselves 7 00:00:19,320 --> 00:00:21,960 Speaker 1: for making it. The episode fifty. Big Banks in here, 8 00:00:22,640 --> 00:00:25,799 Speaker 1: Jade is in here, and we decided to bring a 9 00:00:25,840 --> 00:00:28,760 Speaker 1: family member for episode fifty just to have a good conversation. 10 00:00:28,840 --> 00:00:31,200 Speaker 1: Mike Will made it is up here. What's up, Mike Will? 11 00:00:31,400 --> 00:00:34,200 Speaker 1: It's good man? What was good? Main scream? Ja Bank? 12 00:00:34,960 --> 00:00:37,600 Speaker 1: Do you know every days? Amazing? How you been talked 13 00:00:37,640 --> 00:00:39,279 Speaker 1: to us? Man? What what? What? What? Mike Will got? 14 00:00:39,320 --> 00:00:42,120 Speaker 1: You always got something, You always plot something, You always 15 00:00:42,159 --> 00:00:44,440 Speaker 1: got something going on. So before we don't don't be selfish, 16 00:00:44,479 --> 00:00:46,199 Speaker 1: don't just get to the music you're about to put out. 17 00:00:46,240 --> 00:00:48,720 Speaker 1: Just tell us in general, what's going on with Mike Will? 18 00:00:48,760 --> 00:00:51,839 Speaker 1: What you've been over really man, just to summon all up? 19 00:00:52,000 --> 00:00:56,240 Speaker 1: Just would I would say, Man, just just maturing, bro growing, 20 00:00:56,440 --> 00:00:58,360 Speaker 1: you know what I'm saying, Like for real, I didn't 21 00:00:58,360 --> 00:01:01,040 Speaker 1: turn thirty one this year. What I'm saying and like 22 00:01:01,440 --> 00:01:03,400 Speaker 1: I mean, I spent a lot of years just like 23 00:01:03,480 --> 00:01:06,679 Speaker 1: that young kid on the scene, just crying hard, like 24 00:01:06,720 --> 00:01:08,280 Speaker 1: trying to figure it out. And it's like, you know 25 00:01:08,319 --> 00:01:11,600 Speaker 1: what I'm saying, Like I feel like over these years, 26 00:01:11,640 --> 00:01:14,399 Speaker 1: like moving around doing all the music and doing all 27 00:01:14,520 --> 00:01:18,240 Speaker 1: kind of different things and mixing and mingling with different people, 28 00:01:18,319 --> 00:01:19,680 Speaker 1: like I learned a lot of ship, you know what 29 00:01:19,680 --> 00:01:23,640 Speaker 1: I'm saying. So it's like it's really just that's that's 30 00:01:23,640 --> 00:01:25,720 Speaker 1: how I can sum it up. It's really like maturing, bro, 31 00:01:25,880 --> 00:01:28,559 Speaker 1: you feel me. I lost my drives like two years ago. 32 00:01:29,400 --> 00:01:31,399 Speaker 1: It was like nine years worth of work. We were 33 00:01:31,480 --> 00:01:34,640 Speaker 1: just talking about that, like, um, some producers like when 34 00:01:34,840 --> 00:01:38,000 Speaker 1: they when they lose their hard drives, they're going to depression. 35 00:01:38,040 --> 00:01:40,640 Speaker 1: It's overlay. I wanted the depression for sure, you know 36 00:01:40,680 --> 00:01:42,560 Speaker 1: what I'm saying to me A minute to get back. 37 00:01:42,560 --> 00:01:44,320 Speaker 1: I talked to my bank every day, you know what 38 00:01:44,360 --> 00:01:46,440 Speaker 1: I'm saying. He's like, manun that ship, but you gotta 39 00:01:46,480 --> 00:01:49,240 Speaker 1: run it back up. But it's like, bro, I hear you, 40 00:01:49,440 --> 00:01:53,000 Speaker 1: But like, damn, I just lost like nine years. Yeah, 41 00:01:53,000 --> 00:01:55,080 Speaker 1: I just And it wasn't just the driver, it was 42 00:01:55,120 --> 00:01:56,920 Speaker 1: a drive and the backup, you know, what I'm saying, 43 00:01:56,960 --> 00:01:59,240 Speaker 1: And like the folks have stole this ship. They weren't 44 00:01:59,240 --> 00:02:03,000 Speaker 1: even going for the drive even died. They got stolen. Yeah, 45 00:02:03,040 --> 00:02:05,640 Speaker 1: they got stolen, you know what I'm saying. Like, but 46 00:02:05,920 --> 00:02:08,320 Speaker 1: my engineer had him, but you know what I'm saying, 47 00:02:08,320 --> 00:02:10,079 Speaker 1: he had a laptop with him. There was in the 48 00:02:10,120 --> 00:02:13,120 Speaker 1: hand that court, so god damn, the laptop was on 49 00:02:13,120 --> 00:02:15,280 Speaker 1: the seat. So the folks was really breaking in and 50 00:02:15,360 --> 00:02:18,000 Speaker 1: get the laptop and then the drives and the backup 51 00:02:18,080 --> 00:02:21,560 Speaker 1: was in the same spot. Man, No, no, no no, he 52 00:02:21,600 --> 00:02:24,120 Speaker 1: had it. Had it had um moved him to a 53 00:02:24,120 --> 00:02:28,760 Speaker 1: different position. I just you know what I'm saying. Now, 54 00:02:33,280 --> 00:02:35,400 Speaker 1: traditionally you know what I'm saying. But now now we 55 00:02:35,520 --> 00:02:37,640 Speaker 1: just work with each other, like he makes his records, 56 00:02:37,680 --> 00:02:39,399 Speaker 1: because that's still my brother, you know what I'm saying. 57 00:02:39,440 --> 00:02:41,400 Speaker 1: But I couldn't hold him. I couldn't put him in 58 00:02:41,400 --> 00:02:44,200 Speaker 1: that responsible situation right there, you know what I'm saying, 59 00:02:44,200 --> 00:02:46,040 Speaker 1: Because it was just like I just couldn't do it. 60 00:02:46,080 --> 00:02:48,119 Speaker 1: Like we we ain't had the same chemistry no more. 61 00:02:48,200 --> 00:02:50,120 Speaker 1: Like you know what I'm saying, going to the studio, 62 00:02:51,240 --> 00:02:53,040 Speaker 1: you know what I'm saying. They just wanted the same chemistry. 63 00:02:53,040 --> 00:02:55,880 Speaker 1: So it's like his best is like, man, okay, boom, 64 00:02:55,960 --> 00:02:58,120 Speaker 1: you better as a mixed engineer, you know what I'm saying, 65 00:02:58,320 --> 00:03:01,280 Speaker 1: And like boom, But yeah, that right there, that happening 66 00:03:01,360 --> 00:03:04,840 Speaker 1: like two thousand eighteen, like right around like when I 67 00:03:04,880 --> 00:03:07,119 Speaker 1: was finishing up the creed All and ship and then 68 00:03:07,200 --> 00:03:10,360 Speaker 1: um and then you know, but it really opened my 69 00:03:10,400 --> 00:03:13,000 Speaker 1: eyes and made me start buying real estate, start buying 70 00:03:13,040 --> 00:03:14,680 Speaker 1: build and start you know what I'm saying, putting down 71 00:03:14,720 --> 00:03:17,520 Speaker 1: on different property and start opening my eyes like brod, 72 00:03:17,800 --> 00:03:19,880 Speaker 1: I can't put all my eggs and this and this 73 00:03:20,120 --> 00:03:22,000 Speaker 1: music basket, like you know what I'm saying, I can't 74 00:03:22,040 --> 00:03:24,359 Speaker 1: do that ship because I didn't put so many I 75 00:03:24,639 --> 00:03:27,160 Speaker 1: used to be that guy in the studio seventeen hours straight. 76 00:03:27,880 --> 00:03:29,440 Speaker 1: So I was like, man, I didn't I didn't did 77 00:03:29,520 --> 00:03:32,120 Speaker 1: that so many nights. And then it's like man, boom, 78 00:03:32,200 --> 00:03:34,520 Speaker 1: Like some of the kids is playing with my drives 79 00:03:34,560 --> 00:03:36,400 Speaker 1: like legos right now, you know what I'm saying, Like, 80 00:03:37,000 --> 00:03:39,360 Speaker 1: and it ain't no getting back. It ain't no bouncing 81 00:03:39,400 --> 00:03:41,480 Speaker 1: back from that ship. Like you can scream, Holly, you 82 00:03:41,480 --> 00:03:43,640 Speaker 1: can kick the wall, you can got damn whatever the 83 00:03:43,680 --> 00:03:45,520 Speaker 1: funk you want to do, but you ain't gonna get 84 00:03:45,520 --> 00:03:47,480 Speaker 1: the motherfucker's back. All you can do is run up 85 00:03:47,480 --> 00:03:49,720 Speaker 1: a new drive. You know what I'm saying. I'm just 86 00:03:50,040 --> 00:03:52,560 Speaker 1: really really the way I think about it too, My 87 00:03:52,840 --> 00:03:55,800 Speaker 1: man and doctor Dre. He doctor Dre and he lost 88 00:03:55,800 --> 00:03:57,840 Speaker 1: his drives. You know what I'm saying. I mean, we're 89 00:03:57,880 --> 00:04:00,440 Speaker 1: not his drive, but he lost his catalog. I'm saying 90 00:04:00,440 --> 00:04:02,760 Speaker 1: to three times and paperwork. You know what I'm saying. 91 00:04:02,800 --> 00:04:05,520 Speaker 1: So I ain't never losing my catalog and paperwork, you 92 00:04:05,560 --> 00:04:07,680 Speaker 1: know what I'm saying. So if I lost my catalog, 93 00:04:07,800 --> 00:04:10,160 Speaker 1: like this is just like man, okay, boom shape back. 94 00:04:10,440 --> 00:04:11,960 Speaker 1: You know what I'm saying, Come with some new sounds. 95 00:04:12,040 --> 00:04:14,360 Speaker 1: You feel me. I feel like, if you're a hit maker, 96 00:04:14,360 --> 00:04:16,720 Speaker 1: you're gonna make more hits. That's just what it is. 97 00:04:16,760 --> 00:04:18,960 Speaker 1: Like if you if the people were like this one 98 00:04:19,000 --> 00:04:21,240 Speaker 1: thing happened with this one thing, I'm like, then you 99 00:04:21,279 --> 00:04:27,120 Speaker 1: don't make his nigger. You just still like it'sating, No, no, no, 100 00:04:27,240 --> 00:04:29,520 Speaker 1: I don't trust me. I get it. It's like, think 101 00:04:29,560 --> 00:04:32,159 Speaker 1: about it, if your house burned down and you lose everything, 102 00:04:32,520 --> 00:04:34,400 Speaker 1: But are you the type of nigga that's just gonna 103 00:04:34,440 --> 00:04:36,279 Speaker 1: be depressed about that ship your whole life, or you 104 00:04:36,320 --> 00:04:38,520 Speaker 1: type like I'm gonna get another house, bigger and better 105 00:04:38,600 --> 00:04:42,480 Speaker 1: with everything back in big. Yeah, it took some time 106 00:04:42,520 --> 00:04:44,760 Speaker 1: to get to that point, but I got to that point, 107 00:04:44,760 --> 00:04:46,600 Speaker 1: you know what I'm saying, And I had to start realizing, 108 00:04:46,680 --> 00:04:48,840 Speaker 1: like like how you said, Man, if you're a hitmaker, 109 00:04:48,880 --> 00:04:50,560 Speaker 1: that's what you do. I almost look at it like 110 00:04:50,560 --> 00:04:53,240 Speaker 1: playing NBA two K. Now, it's like this is what 111 00:04:53,320 --> 00:04:55,320 Speaker 1: I do. I play two K. I gamble on it. 112 00:04:55,520 --> 00:04:57,360 Speaker 1: I bet money. You know what I'm saying. I might lose, 113 00:04:57,400 --> 00:04:59,160 Speaker 1: I might win. You know what I'm saying. That's how 114 00:04:59,160 --> 00:05:01,520 Speaker 1: I'm making music is. It's like I'm good at making beach. 115 00:05:01,560 --> 00:05:03,400 Speaker 1: You know what I'm saying, put my bed on it. 116 00:05:03,680 --> 00:05:05,159 Speaker 1: You know what saying. I might invest in it. We 117 00:05:05,240 --> 00:05:06,839 Speaker 1: might win, we might look you know what I'm saying. 118 00:05:07,120 --> 00:05:09,840 Speaker 1: So it's like most definitely like I feel what you're saying, 119 00:05:09,880 --> 00:05:11,719 Speaker 1: Like if you're hit making us what you do. That's 120 00:05:11,720 --> 00:05:13,920 Speaker 1: why I had that got down, shake that ship off. 121 00:05:13,960 --> 00:05:16,280 Speaker 1: But it's like the way I work. The way I 122 00:05:16,400 --> 00:05:18,560 Speaker 1: work is so weird because it's like I might pull 123 00:05:18,600 --> 00:05:21,520 Speaker 1: a verse from goddamn two years ago and put it 124 00:05:21,560 --> 00:05:23,680 Speaker 1: with this new ship that I'm working on right now, 125 00:05:23,760 --> 00:05:26,080 Speaker 1: and it might just be a banker so to me, 126 00:05:26,480 --> 00:05:27,880 Speaker 1: you know what I'm saying, I got hit, Like I 127 00:05:28,200 --> 00:05:30,600 Speaker 1: got hit. I'm like, damn, I lost all my tools. 128 00:05:30,839 --> 00:05:32,800 Speaker 1: That's how we'll keep shit in the marketplace. That's how 129 00:05:32,839 --> 00:05:34,920 Speaker 1: we keeps it on the radio. That's how how we 130 00:05:35,080 --> 00:05:38,440 Speaker 1: keeps it on on projects. But it's like, it's cool, phone, 131 00:05:38,520 --> 00:05:41,000 Speaker 1: sit back, focus on your producers now, you know what 132 00:05:41,000 --> 00:05:43,640 Speaker 1: I'm saying. Make sure your producers are getting placements. Make 133 00:05:43,640 --> 00:05:45,560 Speaker 1: sure they're in the ruins with these artists. Now. You 134 00:05:45,600 --> 00:05:47,240 Speaker 1: know I'm saying, you can work like that until you 135 00:05:47,279 --> 00:05:49,279 Speaker 1: got them. Get all the way back and mold and 136 00:05:49,360 --> 00:05:50,840 Speaker 1: start back having phone with this ship. You know what 137 00:05:50,839 --> 00:05:52,600 Speaker 1: I'm saying. Now I'm back having phone with this ship. 138 00:05:53,000 --> 00:05:58,080 Speaker 1: What I'm saying, Uh, well, ear drummers. You know what 139 00:05:58,080 --> 00:06:01,200 Speaker 1: I'm saying. I got a production team called ear Drummers. 140 00:06:01,240 --> 00:06:05,719 Speaker 1: You know what I'm saying. The African hard homie, uh Africa, 141 00:06:06,080 --> 00:06:09,280 Speaker 1: I think so? Yeah, he definitely African. We talked last year. 142 00:06:09,279 --> 00:06:13,120 Speaker 1: He had a bunch of hits. He's my thirty African 143 00:06:15,839 --> 00:06:19,760 Speaker 1: thirty from the Islands Island, Okay, but but now no, no, yeah, 144 00:06:19,800 --> 00:06:22,760 Speaker 1: thirty on fire. You know what I'm saying. What about 145 00:06:23,080 --> 00:06:27,680 Speaker 1: A plus A plus thirty p nasty Mars j Bo. 146 00:06:27,960 --> 00:06:30,159 Speaker 1: You know what I'm saying, Like everybody on the squad 147 00:06:30,240 --> 00:06:33,600 Speaker 1: killing it. It's like Dirty Rock he didn't want multiple Grammas. 148 00:06:33,680 --> 00:06:35,880 Speaker 1: Now you know what I'm saying, it's been nominated for Grammars, 149 00:06:36,080 --> 00:06:38,960 Speaker 1: want multiple Grammars. And then he a multi platinum producer. 150 00:06:39,000 --> 00:06:41,960 Speaker 1: You know what I'm saying, Like a plus multi platinum producer, 151 00:06:42,279 --> 00:06:44,080 Speaker 1: won the g One a couple of Grammar has been 152 00:06:44,080 --> 00:06:47,039 Speaker 1: nominated for a couple more p nasty multi platinum pop 153 00:06:47,080 --> 00:06:50,080 Speaker 1: producer like he liked, He like if Dr Luke has 154 00:06:50,160 --> 00:06:51,720 Speaker 1: sold to his beach, you know what I'm saying, Like 155 00:06:52,080 --> 00:06:53,760 Speaker 1: Ill is pop producer, you know what I'm saying. And 156 00:06:53,800 --> 00:06:57,440 Speaker 1: then by Mars Serati multi platinum producer. So it's like 157 00:06:57,680 --> 00:06:59,760 Speaker 1: the team has goddamn doing their thing. But when I 158 00:07:00,040 --> 00:07:02,720 Speaker 1: hell back and started being more like you know what 159 00:07:02,720 --> 00:07:04,640 Speaker 1: I'm saying, like Bank like to call me like Bill 160 00:07:04,680 --> 00:07:06,480 Speaker 1: Bell and check, you know what I'm saying, started like 161 00:07:06,760 --> 00:07:09,080 Speaker 1: Jack calling plays Like when I went in the studio 162 00:07:09,120 --> 00:07:11,040 Speaker 1: with Roddy Rich for the first time, I knew my 163 00:07:11,080 --> 00:07:13,400 Speaker 1: headspace one there you feel me. But I told Roddy 164 00:07:13,480 --> 00:07:15,440 Speaker 1: Rich like, may hey, you should lock it on my 165 00:07:15,520 --> 00:07:17,760 Speaker 1: ya nigga thirty, he gonna deliver, you know what I'm saying. 166 00:07:18,120 --> 00:07:19,920 Speaker 1: And then I'm like, he's gonna get you the hit 167 00:07:19,960 --> 00:07:21,840 Speaker 1: that you're looking for, Like he like, you know what 168 00:07:21,840 --> 00:07:23,240 Speaker 1: I'm saying, Like, how are you looking for? Like that, 169 00:07:23,320 --> 00:07:25,320 Speaker 1: Mike will hit like he on that here, on that 170 00:07:25,400 --> 00:07:28,040 Speaker 1: type of time, any studio he come, come go in too. 171 00:07:28,360 --> 00:07:30,000 Speaker 1: He's gonna hit the target, you know what I'm saying. Next, 172 00:07:30,320 --> 00:07:33,120 Speaker 1: like that's necessary in the industry because a lot of 173 00:07:33,240 --> 00:07:36,320 Speaker 1: niggas don't pass the ball like that exactly. And and 174 00:07:36,320 --> 00:07:38,320 Speaker 1: and they ended up making the box you know what 175 00:07:38,320 --> 00:07:40,320 Speaker 1: I'm saying, just from that l right there they made 176 00:07:40,680 --> 00:07:42,600 Speaker 1: when I lined the session up Keith for hitting me. 177 00:07:42,760 --> 00:07:44,400 Speaker 1: You're one, thirty, gonna be in l A. You're thirty, 178 00:07:44,480 --> 00:07:46,200 Speaker 1: gonna be in l A next week. Thirty go to 179 00:07:46,320 --> 00:07:48,360 Speaker 1: l A next week. Yo, They're gonna be at this 180 00:07:48,440 --> 00:07:51,280 Speaker 1: studio team Boom. They end up linking up Boom, the 181 00:07:51,280 --> 00:07:53,720 Speaker 1: box happens. You feel me? That Shu got number one 182 00:07:53,720 --> 00:07:56,080 Speaker 1: for level week. You know what I'm saying, it's just 183 00:07:56,160 --> 00:07:58,720 Speaker 1: like at the end of the day and n just chill. 184 00:07:58,920 --> 00:08:01,680 Speaker 1: You know what I'm saying, Like you ain't. Like that's 185 00:08:01,720 --> 00:08:04,360 Speaker 1: what I had to realize. It's like man like Plus, 186 00:08:04,680 --> 00:08:06,880 Speaker 1: I put them with my boy money making Matt, money 187 00:08:06,880 --> 00:08:09,600 Speaker 1: making Matt working over the dream Ville. Plus end up 188 00:08:09,600 --> 00:08:11,600 Speaker 1: doing the first two songs on the dream Ville album. 189 00:08:11,800 --> 00:08:13,640 Speaker 1: One of those songs get nominated for a Grammar you 190 00:08:13,640 --> 00:08:16,000 Speaker 1: know what I'm saying, produced by Plus. So it's all 191 00:08:16,040 --> 00:08:19,080 Speaker 1: about spreading and spreading the spreading all that out through 192 00:08:19,120 --> 00:08:20,960 Speaker 1: your team and you know what I'm saying, just empowering 193 00:08:21,000 --> 00:08:24,040 Speaker 1: your team and building everybody up. You feel me, And 194 00:08:24,080 --> 00:08:26,400 Speaker 1: that's you know what I'm saying, Like I've always been 195 00:08:26,440 --> 00:08:29,120 Speaker 1: on that, but like I really more focused on like 196 00:08:29,520 --> 00:08:31,880 Speaker 1: step back on the mike will branding, Like you know 197 00:08:31,880 --> 00:08:33,480 Speaker 1: what I'm saying, Like I don't even have to be 198 00:08:33,520 --> 00:08:35,840 Speaker 1: in the rooms like these guys and already learned over 199 00:08:35,880 --> 00:08:38,199 Speaker 1: these years they know how to deliver. Now I'm trying 200 00:08:38,240 --> 00:08:40,439 Speaker 1: to show like the whole team know how to deliver. 201 00:08:40,520 --> 00:08:42,800 Speaker 1: You know what I'm saying, Like, all right, you got 202 00:08:42,800 --> 00:08:46,080 Speaker 1: a new Bangers shooting up the charts with Niki and 203 00:08:47,160 --> 00:08:51,040 Speaker 1: Forever Bro to us like that ship that speed about? 204 00:08:53,280 --> 00:08:56,680 Speaker 1: Man's crazy because man, me and why be did that's 205 00:08:56,720 --> 00:08:59,680 Speaker 1: all the same night we did Seeming like It? And 206 00:08:59,679 --> 00:09:05,719 Speaker 1: he put it some But yeah, we did that song 207 00:09:05,800 --> 00:09:07,800 Speaker 1: the same night we did seem Like It and I 208 00:09:07,840 --> 00:09:10,360 Speaker 1: had pulled up on y B. This was our first 209 00:09:10,360 --> 00:09:11,920 Speaker 1: time working, Like you know what I'm saying. We had 210 00:09:12,000 --> 00:09:14,800 Speaker 1: running into each other a couple of times, exchange numbers 211 00:09:14,840 --> 00:09:16,440 Speaker 1: a couple of times, but like, this was our first 212 00:09:16,480 --> 00:09:18,640 Speaker 1: time working. There was a couple of years ago really 213 00:09:19,040 --> 00:09:21,880 Speaker 1: and um, and then we did. I'm like, man, what 214 00:09:22,000 --> 00:09:23,440 Speaker 1: kind of what kind of buy are you looking for? 215 00:09:23,520 --> 00:09:25,600 Speaker 1: He's like, I want some dark ship? So boom, we 216 00:09:25,640 --> 00:09:27,400 Speaker 1: did seem like it off the rim. I'm all right, 217 00:09:27,480 --> 00:09:30,960 Speaker 1: bet so God damn. He told me to pull up 218 00:09:30,960 --> 00:09:33,640 Speaker 1: the next beat, and I pull up that speed about 219 00:09:34,160 --> 00:09:36,640 Speaker 1: and then I'm like, height, brol, look now to beat different. 220 00:09:36,720 --> 00:09:38,520 Speaker 1: You know what I'm saying. But I need you to 221 00:09:38,559 --> 00:09:39,839 Speaker 1: try this. You know what I'm saying. It ain't no 222 00:09:39,960 --> 00:09:41,920 Speaker 1: dark ship, but like I feel like it could be 223 00:09:41,960 --> 00:09:44,600 Speaker 1: a banger. So he listening to the beat and he's like, 224 00:09:44,760 --> 00:09:47,080 Speaker 1: now I don't make music like this. I'm right now, 225 00:09:47,160 --> 00:09:49,640 Speaker 1: Look bro, I came in here. I delivered what you 226 00:09:49,720 --> 00:09:52,200 Speaker 1: just said. You wanted something dark, We did seeming like it. 227 00:09:52,440 --> 00:09:54,280 Speaker 1: I don't want to keep doing the same song over 228 00:09:54,320 --> 00:09:56,400 Speaker 1: and over and over, Like, man, let's just try this 229 00:09:56,440 --> 00:09:58,480 Speaker 1: out right quick. You know what I'm saying, Like, funt 230 00:09:58,520 --> 00:09:59,960 Speaker 1: with me. You know what I'm saying, fault with me. 231 00:10:00,000 --> 00:10:01,880 Speaker 1: I'm gonna fun with you. We could just keep going 232 00:10:01,920 --> 00:10:04,800 Speaker 1: back and forth here like ship I. I I bet I tried. 233 00:10:05,120 --> 00:10:07,000 Speaker 1: He was like, when everybody got laid the room, you 234 00:10:07,040 --> 00:10:10,800 Speaker 1: know what I'm saying. I went outside, roll the backwood, 235 00:10:11,000 --> 00:10:14,240 Speaker 1: smoked that ship. Man called me come back in the room. 236 00:10:14,679 --> 00:10:16,560 Speaker 1: Come back in the room. He got the whole song done. 237 00:10:16,679 --> 00:10:19,360 Speaker 1: I'm like, what the funk? This ship is a smash? 238 00:10:19,400 --> 00:10:21,559 Speaker 1: You like, I don't like that ship. I was like, bro, 239 00:10:21,600 --> 00:10:23,679 Speaker 1: this ship is a smash. Bro. He was like, well 240 00:10:23,720 --> 00:10:26,320 Speaker 1: you can having for y'all. I'm like, ship back, you 241 00:10:26,320 --> 00:10:27,400 Speaker 1: know what I'm saying. He was like, let me get 242 00:10:27,400 --> 00:10:29,400 Speaker 1: seeming like it from my rom. I'm like ship back. 243 00:10:29,720 --> 00:10:32,000 Speaker 1: And that's just how it went, and then browing it up. 244 00:10:32,280 --> 00:10:34,240 Speaker 1: He was working on the project. He went to jail, 245 00:10:34,880 --> 00:10:37,320 Speaker 1: and then he came home. When he came home, we're 246 00:10:37,360 --> 00:10:39,199 Speaker 1: gonna do what that speed about. We're gonna shoot the 247 00:10:39,280 --> 00:10:41,320 Speaker 1: video and Ship I was gonna go to Texas, We're 248 00:10:41,320 --> 00:10:43,679 Speaker 1: gonna shoot the video. And he ended up putting out 249 00:10:43,679 --> 00:10:47,120 Speaker 1: that project seeming like it was on that project and 250 00:10:47,160 --> 00:10:49,800 Speaker 1: then boom, he had got off. He had got off 251 00:10:49,800 --> 00:10:52,040 Speaker 1: of like house arrest, and then he started moving around. 252 00:10:52,080 --> 00:10:54,800 Speaker 1: Then it's like schedules conflicting. Then we you know I'm saying, 253 00:10:54,880 --> 00:10:56,720 Speaker 1: running into each other in l A. Then we had 254 00:10:56,760 --> 00:10:59,640 Speaker 1: a video shoot set up and then like some someone 255 00:11:00,120 --> 00:11:02,320 Speaker 1: with you know what I'm saying with that video, and 256 00:11:02,360 --> 00:11:03,880 Speaker 1: then all of a sudden, he was just like, yo, bro, 257 00:11:03,920 --> 00:11:06,440 Speaker 1: we should put Nikki on that song. I'm like forever, 258 00:11:06,720 --> 00:11:09,040 Speaker 1: I'm alright, bet you know what I'm saying. Reached out 259 00:11:09,080 --> 00:11:11,400 Speaker 1: to Nikki. Nikki, I got the song about use from 260 00:11:11,400 --> 00:11:14,120 Speaker 1: my album Feature on y B you know Sam, She 261 00:11:14,120 --> 00:11:16,040 Speaker 1: would like send it, send it to her. She sent 262 00:11:16,120 --> 00:11:17,880 Speaker 1: our verse back in like twelve hours. You know what 263 00:11:17,880 --> 00:11:21,000 Speaker 1: I'm saying, I'm like, damn, and she snapped went crazy. 264 00:11:21,040 --> 00:11:23,920 Speaker 1: I'm like, alright, bet So I had this other concept 265 00:11:23,960 --> 00:11:25,920 Speaker 1: of this video that I was working on, and that 266 00:11:26,000 --> 00:11:28,120 Speaker 1: ship was that Ship was like damn, They're done. But 267 00:11:28,120 --> 00:11:30,160 Speaker 1: then Nikki was like, now we got to do like 268 00:11:30,240 --> 00:11:32,400 Speaker 1: an ill video. We gotta do like a like a 269 00:11:32,440 --> 00:11:34,760 Speaker 1: big video. And then at this time my free agent, 270 00:11:35,040 --> 00:11:36,600 Speaker 1: I was just gonna put my own money up and 271 00:11:36,600 --> 00:11:38,120 Speaker 1: just send it up the charts, you know what I'm saying. 272 00:11:38,160 --> 00:11:40,600 Speaker 1: But me and Craig Common we're doing like a lot 273 00:11:40,600 --> 00:11:44,200 Speaker 1: of talking about other other projects at Atlantic and you 274 00:11:44,200 --> 00:11:46,600 Speaker 1: know what I'm saying, doing other singles with other artists 275 00:11:46,600 --> 00:11:50,080 Speaker 1: at Atlantic or whatnot. And Craig was like, yo, yo, 276 00:11:50,640 --> 00:11:52,600 Speaker 1: like you have an album that you're working on or 277 00:11:52,600 --> 00:11:54,600 Speaker 1: something like who I was like, yeah, you know what 278 00:11:54,640 --> 00:11:57,400 Speaker 1: sound working on the album? I got um the single 279 00:11:57,440 --> 00:11:59,720 Speaker 1: featuring Young Boy and Nicki mcnash. He was like, let 280 00:11:59,720 --> 00:12:01,280 Speaker 1: me hear. Then he heard it, he was like, bro, 281 00:12:01,360 --> 00:12:03,600 Speaker 1: this song is a smash. Bro, I want to make 282 00:12:03,600 --> 00:12:05,760 Speaker 1: sure I'll help you, Like I see what you're trying 283 00:12:05,800 --> 00:12:07,760 Speaker 1: to do with your album. I see I see you 284 00:12:07,760 --> 00:12:09,120 Speaker 1: trying to build. I see what you're trying to do 285 00:12:09,120 --> 00:12:11,360 Speaker 1: with this Mike, we made a brand everything. I want 286 00:12:11,360 --> 00:12:12,760 Speaker 1: to help you build that brand. I want to help 287 00:12:12,800 --> 00:12:14,719 Speaker 1: you out damn push your song, like for real, like 288 00:12:14,800 --> 00:12:17,040 Speaker 1: how do how do we put out your album? And 289 00:12:17,040 --> 00:12:19,240 Speaker 1: then I was like all right, ship. So you know 290 00:12:19,400 --> 00:12:21,920 Speaker 1: I ended up doing the album deal with Atlantic, you 291 00:12:21,960 --> 00:12:24,560 Speaker 1: know what I'm saying, and then Bone it's the first 292 00:12:24,600 --> 00:12:27,360 Speaker 1: thing off to off the album, the album called Michael. 293 00:12:27,520 --> 00:12:30,760 Speaker 1: What I'm saying, you know, the first step out this ship? 294 00:12:30,880 --> 00:12:34,079 Speaker 1: You feel me it ship definitely the ship definitely doing good. 295 00:12:34,080 --> 00:12:36,680 Speaker 1: It's getting a great response, like it ain't you know what, 296 00:12:36,760 --> 00:12:38,520 Speaker 1: it ain't really no gimmicks over here, you know what 297 00:12:38,520 --> 00:12:40,720 Speaker 1: I'm saying, Like like me and Bank, I always talking 298 00:12:40,720 --> 00:12:43,360 Speaker 1: about like the difference between like gifted and gimmicks. You 299 00:12:43,360 --> 00:12:45,599 Speaker 1: know what I'm saying, like hype and heat. You know 300 00:12:45,640 --> 00:12:47,400 Speaker 1: what I'm saying, Like it ain't no gimmicks over here. 301 00:12:47,440 --> 00:12:50,120 Speaker 1: So I knew I wasn't gonna premiere number one Hot 302 00:12:50,160 --> 00:12:52,400 Speaker 1: one hunting. You know what I'm saying, because I didn't 303 00:12:52,400 --> 00:12:54,360 Speaker 1: do no gimmick ship. You know what I'm saying to 304 00:12:54,440 --> 00:12:56,280 Speaker 1: get all the attention to you know what I'm saying. 305 00:12:56,320 --> 00:12:59,280 Speaker 1: But I'm always look at it for like like long 306 00:12:59,400 --> 00:13:01,120 Speaker 1: haul ship, Like you know what I'm saying, Like it 307 00:13:01,240 --> 00:13:03,520 Speaker 1: might not do this in the first week, it might 308 00:13:03,520 --> 00:13:04,959 Speaker 1: not do this in the first week, but at the 309 00:13:05,000 --> 00:13:09,199 Speaker 1: same time, if if like yeah, yeah, if it's a banger, 310 00:13:09,240 --> 00:13:11,680 Speaker 1: It's gonna got down, keep getting big. It's a solid project. 311 00:13:11,840 --> 00:13:14,600 Speaker 1: There's a banging as song as it got down, Solida 312 00:13:14,880 --> 00:13:17,360 Speaker 1: video and folks working with it, so I know it's 313 00:13:17,360 --> 00:13:19,480 Speaker 1: gonna got down girl, as high as it needs to go. 314 00:13:20,000 --> 00:13:24,200 Speaker 1: What's the most complicated part about producer artist relationships? Because 315 00:13:24,240 --> 00:13:26,640 Speaker 1: sometimes like it could be somebody you're super tight with 316 00:13:26,840 --> 00:13:28,360 Speaker 1: and then the fans, you know, they'll come out like 317 00:13:28,400 --> 00:13:30,520 Speaker 1: you might not be on you might not do a 318 00:13:30,559 --> 00:13:33,240 Speaker 1: beat for this person album or this person album or 319 00:13:33,240 --> 00:13:35,200 Speaker 1: some shing like that. But you know, y'all are good. 320 00:13:35,240 --> 00:13:37,080 Speaker 1: But I guess explained to the people because you know 321 00:13:37,120 --> 00:13:40,040 Speaker 1: that people automatically assume like, oh, well they ain't doing 322 00:13:40,120 --> 00:13:41,960 Speaker 1: music together. You ain't know that album. They must not 323 00:13:42,000 --> 00:13:43,640 Speaker 1: be working with each other, or they must not be 324 00:13:43,760 --> 00:13:46,200 Speaker 1: this or that. So what's the most complicated part about 325 00:13:46,520 --> 00:13:50,319 Speaker 1: producer artists relationships? And just getting ship done, getting the 326 00:13:50,400 --> 00:13:52,600 Speaker 1: music done and get it out. I feel like I 327 00:13:52,600 --> 00:13:56,040 Speaker 1: feel like the most difficult part of just this whole ship. 328 00:13:56,320 --> 00:13:59,600 Speaker 1: You know what I'm saying, Producer artist relationship, artists, DJ 329 00:13:59,720 --> 00:14:03,360 Speaker 1: relation and shippers, and it's just understanding timing. Bro. You 330 00:14:03,400 --> 00:14:06,280 Speaker 1: know what I'm saying, like everybody got to understand, like 331 00:14:06,280 --> 00:14:08,559 Speaker 1: like just because you feel like it's time, it might 332 00:14:08,600 --> 00:14:11,480 Speaker 1: not be time. Like I know, like if you ever 333 00:14:11,720 --> 00:14:13,400 Speaker 1: like when you were DJ and in the club, you 334 00:14:13,440 --> 00:14:15,000 Speaker 1: know what I'm saying, the nigger got damn pull up 335 00:14:15,040 --> 00:14:17,240 Speaker 1: on you, Like, hey, bro, they play my song. Man, 336 00:14:17,520 --> 00:14:19,560 Speaker 1: it's got them one forty five in the morning, you 337 00:14:19,640 --> 00:14:21,320 Speaker 1: know what I'm saying. And it's like, bro, it ain't 338 00:14:21,360 --> 00:14:22,920 Speaker 1: your time right now, but you can give me the song. 339 00:14:23,040 --> 00:14:24,520 Speaker 1: Send it to me. I listen to it in the morning, 340 00:14:24,560 --> 00:14:25,840 Speaker 1: and then next time you put up on me. If 341 00:14:25,840 --> 00:14:27,760 Speaker 1: it's a ship, I'm gonna play it. But the nigga 342 00:14:27,800 --> 00:14:30,680 Speaker 1: gets so mad and be like, man, man funk that bro, 343 00:14:30,800 --> 00:14:32,960 Speaker 1: Like you know what I'm saying. All my home wasn't here, bro, 344 00:14:33,120 --> 00:14:35,280 Speaker 1: Like everybody bumping my ship. Bro, Like you know what 345 00:14:35,280 --> 00:14:38,440 Speaker 1: I'm saying, to play my ship bank then you become 346 00:14:42,040 --> 00:14:43,760 Speaker 1: you didn't do what they wanted you to do when 347 00:14:43,760 --> 00:14:46,320 Speaker 1: they wanted you to do exactly. So I feel like 348 00:14:46,360 --> 00:14:49,920 Speaker 1: it's it's timing and it's and it's respecting each other's mind, 349 00:14:50,080 --> 00:14:52,000 Speaker 1: you know what I'm saying. Like like if you're working 350 00:14:52,000 --> 00:14:54,400 Speaker 1: with if a producer working with the artists and they 351 00:14:54,480 --> 00:14:58,360 Speaker 1: respect the producer's mind. But don't they expect Don't they 352 00:14:58,400 --> 00:15:01,120 Speaker 1: expect to. I'm just trying to break it down for 353 00:15:01,120 --> 00:15:03,640 Speaker 1: people because they'd be on the internet. Don't they expect 354 00:15:03,760 --> 00:15:07,440 Speaker 1: YouTube always um be making the beat or have a 355 00:15:07,480 --> 00:15:09,760 Speaker 1: beat on a race drummer the album or a future 356 00:15:09,800 --> 00:15:12,560 Speaker 1: album or two change album. They expect that Sometimes it 357 00:15:12,600 --> 00:15:15,080 Speaker 1: doesn't happen. That don't mean that there's nothing negative going on. 358 00:15:15,080 --> 00:15:17,280 Speaker 1: It just means, like you say, the time, it might 359 00:15:17,280 --> 00:15:19,160 Speaker 1: not have been there, or maybe the record just didn't 360 00:15:19,160 --> 00:15:23,160 Speaker 1: fit that project exactly timer you know what I'm saying 361 00:15:23,560 --> 00:15:25,920 Speaker 1: that That's one thing I had to learn because I 362 00:15:26,240 --> 00:15:28,360 Speaker 1: came in the game. I was just so eager to God, damn, 363 00:15:28,440 --> 00:15:31,200 Speaker 1: get on, get a placement, get a you know, get 364 00:15:31,200 --> 00:15:33,120 Speaker 1: a song on the radio, or you know what I'm saying, 365 00:15:33,200 --> 00:15:34,880 Speaker 1: or anything like that. And I was trying to build 366 00:15:35,320 --> 00:15:37,880 Speaker 1: might well made the ear drummer brand that I might 367 00:15:37,880 --> 00:15:41,400 Speaker 1: have came across a little aggressive, you know what I'm saying, Like, 368 00:15:40,800 --> 00:15:43,520 Speaker 1: because we was definitely gonna talk about that next. I 369 00:15:43,560 --> 00:15:46,960 Speaker 1: was gonna say, like, Mike, Mike, Well, I have several 370 00:15:47,640 --> 00:15:50,320 Speaker 1: you you hold the record along with Gucci for most 371 00:15:50,560 --> 00:15:53,120 Speaker 1: eight am nine am phone calls when you was on 372 00:15:53,160 --> 00:15:55,440 Speaker 1: your grind and would hit me like yeah, I might 373 00:15:55,520 --> 00:15:57,600 Speaker 1: just hit me to up. He sent it up up. 374 00:15:57,640 --> 00:15:59,720 Speaker 1: You're like you were aggressive, but you know where you 375 00:15:59,760 --> 00:16:01,920 Speaker 1: want to go. Wa. Never take it as no, like 376 00:16:02,520 --> 00:16:04,640 Speaker 1: negative ship because it's like this neigt gonna go where 377 00:16:04,640 --> 00:16:06,760 Speaker 1: he want to go when he said he gonna sit 378 00:16:06,840 --> 00:16:09,160 Speaker 1: in and he's gonna work with Dr Dre all that 379 00:16:09,240 --> 00:16:11,280 Speaker 1: ship that he used to say that some people might 380 00:16:11,280 --> 00:16:14,680 Speaker 1: have thought this is crazy, but you visioned it. Can't 381 00:16:14,680 --> 00:16:17,320 Speaker 1: nobody vision your vision for you. You already seen it, 382 00:16:17,360 --> 00:16:20,240 Speaker 1: like this is what I'm going. My whole thing is 383 00:16:20,320 --> 00:16:23,480 Speaker 1: like like I don't I don't really understand the word 384 00:16:23,560 --> 00:16:26,320 Speaker 1: no when you already seen somebody done, like you know 385 00:16:26,360 --> 00:16:29,280 Speaker 1: what I'm saying. When you are already seen like like 386 00:16:30,080 --> 00:16:32,200 Speaker 1: Doctor Dre do what he did or like Puff do 387 00:16:32,280 --> 00:16:33,760 Speaker 1: what he did, and you were a student of the 388 00:16:33,800 --> 00:16:36,160 Speaker 1: game and you've seen these folks do what they did 389 00:16:36,240 --> 00:16:38,680 Speaker 1: and how they did it. It's like and then you're 390 00:16:38,680 --> 00:16:40,680 Speaker 1: trying to take the same approach, like you're trying to 391 00:16:40,720 --> 00:16:42,480 Speaker 1: got them go to the artists and be like yeah, 392 00:16:42,440 --> 00:16:44,760 Speaker 1: I'm I'm I'm I'm I'm gonna sitting in with this 393 00:16:44,880 --> 00:16:47,000 Speaker 1: artist and I'm gonna be like Dr Dre was what 394 00:16:47,080 --> 00:16:49,560 Speaker 1: goddamn snoop? You know what I'm saying, making this guy, 395 00:16:49,840 --> 00:16:51,520 Speaker 1: you know what I'm saying, perfect this line. We're gonna 396 00:16:51,560 --> 00:16:53,520 Speaker 1: come with the most solid song. You know what I'm saying. 397 00:16:53,520 --> 00:16:56,400 Speaker 1: Because I don't like, like, man, no hot pockets ship 398 00:16:56,440 --> 00:16:58,040 Speaker 1: going on over here. I don't like hot pockets. You 399 00:16:58,040 --> 00:16:59,680 Speaker 1: know what I'm saying. I want to I mean like 400 00:16:59,680 --> 00:17:02,440 Speaker 1: like how pockets, you know, like hot pockets, the little 401 00:17:02,480 --> 00:17:04,800 Speaker 1: the little hot pockets that you put in the microwave 402 00:17:04,960 --> 00:17:07,159 Speaker 1: one minute, got down if you just chew it up. 403 00:17:07,520 --> 00:17:09,560 Speaker 1: You know what I'm saying, Eat that ship be full, 404 00:17:09,640 --> 00:17:12,000 Speaker 1: forgot them thirty minutes an hour. And you know what 405 00:17:12,000 --> 00:17:14,159 Speaker 1: I'm saying, be hungry all over again. Like I'm trying to. 406 00:17:14,240 --> 00:17:17,080 Speaker 1: I'm trying to deliver a full course meal. You know 407 00:17:17,119 --> 00:17:19,440 Speaker 1: what I'm saying, like like a goddamn You know what 408 00:17:19,480 --> 00:17:22,160 Speaker 1: I'm saying. Your your cards, you know what I'm saying. 409 00:17:22,160 --> 00:17:25,320 Speaker 1: Your vegetables, you know what I'm saying. Your your protein. 410 00:17:25,400 --> 00:17:26,680 Speaker 1: You know what I'm saying. I'm trying to I'm trying 411 00:17:26,720 --> 00:17:29,439 Speaker 1: to put all that in your system where it's like damn, 412 00:17:29,600 --> 00:17:31,600 Speaker 1: like you know what I'm saying, Like there's some real ship, 413 00:17:31,760 --> 00:17:33,479 Speaker 1: like you know what I'm saying, like and and that 414 00:17:33,600 --> 00:17:35,800 Speaker 1: kind of ship right there. They don't take one minute 415 00:17:35,800 --> 00:17:37,200 Speaker 1: to make you know what I'm saying. It might take 416 00:17:37,240 --> 00:17:39,280 Speaker 1: thirty minutes to make It might take an hour to MAKEE. 417 00:17:39,480 --> 00:17:41,800 Speaker 1: So going back to music, it might take a year 418 00:17:41,840 --> 00:17:43,960 Speaker 1: to make this. It might take you know what I'm saying, 419 00:17:44,000 --> 00:17:45,560 Speaker 1: two years to make this, you know what I'm saying, 420 00:17:45,600 --> 00:17:48,080 Speaker 1: Like it might take all these different mixes, you know 421 00:17:48,119 --> 00:17:50,679 Speaker 1: what I'm saying. So for certain artists might might not 422 00:17:50,760 --> 00:17:54,240 Speaker 1: even sonically even here, Like they might not even sonically 423 00:17:54,240 --> 00:17:56,320 Speaker 1: even get it, you know what I'm saying, Like they 424 00:17:56,400 --> 00:17:59,000 Speaker 1: just wanted to man the song done, song done, brother, 425 00:17:59,119 --> 00:18:00,720 Speaker 1: put it out. Bro. You over thinking this ship, Bro, 426 00:18:00,840 --> 00:18:03,720 Speaker 1: Let's just go. And it's like I feel you know 427 00:18:03,760 --> 00:18:06,000 Speaker 1: what I'm saying, I'm ready to go too, but it 428 00:18:06,000 --> 00:18:08,280 Speaker 1: ain't ready yet. I know it ain't ready, ye, because 429 00:18:08,280 --> 00:18:10,800 Speaker 1: I'm gonna how that feeling inside my inside my gut 430 00:18:10,800 --> 00:18:12,800 Speaker 1: that I can't even explain to nobody, you know what 431 00:18:12,840 --> 00:18:14,720 Speaker 1: I'm saying, I can't explain it to nobody. But I'm 432 00:18:14,720 --> 00:18:16,200 Speaker 1: gonna know you know what I'm saying, like, Okay, this 433 00:18:16,280 --> 00:18:18,679 Speaker 1: ship ready, Okay, we might have to adjust this up 434 00:18:19,000 --> 00:18:22,239 Speaker 1: one bpm, up two bpms or slow this down if 435 00:18:22,280 --> 00:18:24,280 Speaker 1: it's if we're going for a certain feeling, we might 436 00:18:24,280 --> 00:18:26,480 Speaker 1: have to slow this down too bpms. You know what 437 00:18:26,520 --> 00:18:28,560 Speaker 1: I'm saying, Like, and you know what I'm saying certain 438 00:18:28,600 --> 00:18:30,680 Speaker 1: things like that. If you you start breaking that down 439 00:18:30,720 --> 00:18:32,960 Speaker 1: to certain people that don't even know what bpm means, 440 00:18:33,160 --> 00:18:35,640 Speaker 1: then it's like, man, funk that ship. Bro, Like you're 441 00:18:35,640 --> 00:18:37,359 Speaker 1: trying to man You're trying to be on some Hollywood 442 00:18:37,400 --> 00:18:40,280 Speaker 1: ship and it's like, bro, you what you say? What 443 00:18:40,320 --> 00:18:42,080 Speaker 1: you're saying the situation is to cut you up with 444 00:18:42,320 --> 00:18:45,080 Speaker 1: what you're saying. The situations where it's young niggas that 445 00:18:45,520 --> 00:18:49,080 Speaker 1: literally make some music, put that ship on SoundCloud and 446 00:18:49,080 --> 00:18:52,280 Speaker 1: then go. They don't mix it down like we've seen 447 00:18:52,359 --> 00:18:54,560 Speaker 1: some huge records, like I mean, what are you say 448 00:18:54,560 --> 00:18:56,760 Speaker 1: in that space? Because some young niggas, what are you? 449 00:18:57,000 --> 00:18:58,600 Speaker 1: They just like they don't think, they don't know how 450 00:18:58,600 --> 00:19:00,199 Speaker 1: to think about it. They don't know bp and they 451 00:19:00,200 --> 00:19:03,840 Speaker 1: don't know't them. It's it's an art to ignorance too. 452 00:19:04,280 --> 00:19:07,080 Speaker 1: You know what I'm saying, there's a yeah, there's a 453 00:19:07,840 --> 00:19:10,520 Speaker 1: there's an art to ignorance. I learned that. I did 454 00:19:10,560 --> 00:19:12,240 Speaker 1: that already. You know what I'm saying. Like I did that. 455 00:19:12,480 --> 00:19:14,320 Speaker 1: I've been doing that. Come on screen, like I've been 456 00:19:14,359 --> 00:19:17,080 Speaker 1: doing that. I've been sending you songs just two thousand six, 457 00:19:17,119 --> 00:19:19,560 Speaker 1: two thousand seven from Gucci, Like, but we're just knocking 458 00:19:19,560 --> 00:19:21,840 Speaker 1: them ships out and going. I'm trying to challenge myself. 459 00:19:22,080 --> 00:19:24,480 Speaker 1: I'm trying to build myself. I want when people here 460 00:19:24,800 --> 00:19:27,280 Speaker 1: Mike Will Made It or Air Drummers, they know it's 461 00:19:27,320 --> 00:19:29,560 Speaker 1: gonna be a banker, it's gonna be hard, it's gonna 462 00:19:29,560 --> 00:19:31,160 Speaker 1: be a hit, it's gonna be solid, it's gonna sound 463 00:19:31,240 --> 00:19:33,119 Speaker 1: like something. You're like when we hear Dr Dreke, we 464 00:19:33,280 --> 00:19:36,040 Speaker 1: expect something. When we're here for real, we expect something 465 00:19:36,080 --> 00:19:38,920 Speaker 1: like when we're here like Kanye West, we expect something. 466 00:19:38,920 --> 00:19:41,280 Speaker 1: You know what I'm saying. Like, So if if I'm 467 00:19:41,280 --> 00:19:44,040 Speaker 1: steadily trying to goddamn go take it that far and 468 00:19:44,080 --> 00:19:46,200 Speaker 1: trying to show my other young niggers and my other 469 00:19:46,240 --> 00:19:48,199 Speaker 1: peers how far we can take it, and you know 470 00:19:48,200 --> 00:19:49,680 Speaker 1: what I'm saying, I know I'm one of the leaders 471 00:19:49,720 --> 00:19:51,920 Speaker 1: of that ship. I can't be I can't be playing 472 00:19:51,920 --> 00:19:53,479 Speaker 1: around doing the same ship I was doing in two 473 00:19:53,520 --> 00:19:56,040 Speaker 1: thousand six, two thousand seven. You know what I'm saying, Like, 474 00:19:56,200 --> 00:19:58,880 Speaker 1: but I ain't knocking nobody who got damn knocking song 475 00:19:58,920 --> 00:20:00,840 Speaker 1: got put on side cloud? Go up? You know what 476 00:20:00,880 --> 00:20:04,160 Speaker 1: I'm saying. Hey, I'm sometimes like when there's certain new artists, 477 00:20:04,200 --> 00:20:06,199 Speaker 1: I might be late on the train. I might be 478 00:20:06,280 --> 00:20:08,119 Speaker 1: late on the train just because I might not have 479 00:20:08,200 --> 00:20:10,480 Speaker 1: followed him on SoundCloud. I might not have been that 480 00:20:10,560 --> 00:20:13,080 Speaker 1: first two hundreds follower, you know what I'm saying. On 481 00:20:13,119 --> 00:20:16,280 Speaker 1: SoundCloud and saw that first, second or third single that 482 00:20:16,359 --> 00:20:18,159 Speaker 1: he put out, You feel me like I might have 483 00:20:18,240 --> 00:20:20,639 Speaker 1: caught on to him once that song already popped off 484 00:20:20,680 --> 00:20:23,040 Speaker 1: of SoundCloud and it started and it came across my 485 00:20:23,160 --> 00:20:25,600 Speaker 1: radar in the club, or somebody playing it around me 486 00:20:25,720 --> 00:20:28,280 Speaker 1: or something like that. You feel me. So sometimes you 487 00:20:28,320 --> 00:20:29,439 Speaker 1: know what I'm saying, You might show it to the 488 00:20:29,440 --> 00:20:32,280 Speaker 1: party late. But it's like, like I feel like there's 489 00:20:32,320 --> 00:20:34,479 Speaker 1: nothing wrong with that. There's nothing wrong with that. It's 490 00:20:34,480 --> 00:20:36,240 Speaker 1: an art to ignorance, but like it's an art to 491 00:20:36,359 --> 00:20:39,920 Speaker 1: like that distortion. Like I know, like, man, a lot 492 00:20:39,920 --> 00:20:41,760 Speaker 1: of my old Gucci beats, like if you, if you, 493 00:20:41,920 --> 00:20:44,360 Speaker 1: if you listen close, like it'll sound like it's air 494 00:20:44,440 --> 00:20:45,880 Speaker 1: on my beats. You know what I'm saying. The only 495 00:20:45,880 --> 00:20:47,720 Speaker 1: reason it was sounding like that is because all my 496 00:20:47,720 --> 00:20:50,000 Speaker 1: ship was plugged up around all my ship was plugged 497 00:20:50,040 --> 00:20:51,960 Speaker 1: up into a multi track recorder, and I didn't know 498 00:20:52,000 --> 00:20:54,200 Speaker 1: how to plug my ship up. I just had this audio, Okay, 499 00:20:54,200 --> 00:20:56,440 Speaker 1: we're going here, this audio, okay, we're going there, and 500 00:20:56,560 --> 00:20:58,720 Speaker 1: I and I was recording it through this. I was 501 00:20:58,840 --> 00:21:02,240 Speaker 1: recording it through a certain guitar distortion. And I didn't 502 00:21:02,240 --> 00:21:04,920 Speaker 1: even really understood still what that meant right there, because 503 00:21:04,920 --> 00:21:07,560 Speaker 1: I talked myself how to count bars all that different 504 00:21:07,600 --> 00:21:10,160 Speaker 1: kind of ship. So with me, it's all about like 505 00:21:10,440 --> 00:21:12,800 Speaker 1: the next steps, you know what I'm saying, Like like 506 00:21:13,160 --> 00:21:15,440 Speaker 1: I don't want to God damn, certain songs. I wanted 507 00:21:15,480 --> 00:21:17,520 Speaker 1: to sound dirty like that. I wanted to sound like 508 00:21:17,800 --> 00:21:20,080 Speaker 1: I want my ether way to sound distorted, but I 509 00:21:20,119 --> 00:21:22,160 Speaker 1: wanted to sound distorted in a certain kind of way. 510 00:21:22,200 --> 00:21:24,240 Speaker 1: I don't wanted to sound distorted like I don't know 511 00:21:24,280 --> 00:21:26,639 Speaker 1: how to control distortion, you know what I'm saying, Like, 512 00:21:26,680 --> 00:21:30,360 Speaker 1: I don't know if this is making any sense, especially 513 00:21:30,359 --> 00:21:34,880 Speaker 1: producers out there, because because because it's like it's like 514 00:21:35,040 --> 00:21:36,600 Speaker 1: this is why, this is why I started to realize 515 00:21:36,640 --> 00:21:38,600 Speaker 1: when I was doing a lot of rap beats right 516 00:21:39,080 --> 00:21:41,920 Speaker 1: and and and like the game was like rap, d 517 00:21:42,160 --> 00:21:44,359 Speaker 1: M and d UM at the time was popped and 518 00:21:44,359 --> 00:21:46,359 Speaker 1: it was like rock and roll, and it was like 519 00:21:46,680 --> 00:21:49,919 Speaker 1: I started studying like different draws, and like, damn, what 520 00:21:49,960 --> 00:21:53,520 Speaker 1: do they like about different draws? I started realizing, like, Okay, 521 00:21:53,520 --> 00:21:56,920 Speaker 1: in rock and roll, they respect distortion like they respect 522 00:21:57,000 --> 00:22:00,400 Speaker 1: like distortion and darkness. So if I'm gonna do a beat, 523 00:22:00,480 --> 00:22:02,080 Speaker 1: you know what I'm saying, this ship from like itching 524 00:22:02,320 --> 00:22:04,880 Speaker 1: ship is distorted as fun, you know what I'm saying. 525 00:22:04,920 --> 00:22:07,320 Speaker 1: But certain people that might not even listen to rap, 526 00:22:07,640 --> 00:22:09,160 Speaker 1: you know what I'm saying, they might hear that shouldn't 527 00:22:09,160 --> 00:22:12,919 Speaker 1: be like that. But yeah, yeah that ship is a a badass, 528 00:22:13,240 --> 00:22:15,000 Speaker 1: you know what I'm saying. Like you know what I'm saying, 529 00:22:15,040 --> 00:22:17,560 Speaker 1: like on some ship like that, because it's like they're like, damn, 530 00:22:17,600 --> 00:22:20,320 Speaker 1: how did he get to like get that ship to 531 00:22:20,359 --> 00:22:23,080 Speaker 1: distort like that? You know what I'm saying. It sounds 532 00:22:23,080 --> 00:22:25,359 Speaker 1: so wrong, but it's it's so right, Like you know 533 00:22:25,359 --> 00:22:27,720 Speaker 1: what I'm saying, like and and the and the itching 534 00:22:27,800 --> 00:22:30,080 Speaker 1: version I'm talking about is where it's saying like World World, 535 00:22:30,119 --> 00:22:32,040 Speaker 1: World premiere. You know what I'm saying. That's the one 536 00:22:32,080 --> 00:22:34,359 Speaker 1: that we just dropped online from my mixtape. You know 537 00:22:34,400 --> 00:22:36,640 Speaker 1: what I'm saying, And just drop my bad mother Bad 538 00:22:36,680 --> 00:22:39,520 Speaker 1: and just drop that ship online and fucking um and 539 00:22:39,520 --> 00:22:41,399 Speaker 1: that ship had just went up, you know what I'm saying. 540 00:22:41,720 --> 00:22:43,320 Speaker 1: And like and you know what I'm saying. Next thing, 541 00:22:43,359 --> 00:22:45,440 Speaker 1: you know, like certain people, you know what I'm saying, 542 00:22:45,480 --> 00:22:48,719 Speaker 1: like that respect other kinds of musics, Like yo, bro, 543 00:22:48,800 --> 00:22:50,359 Speaker 1: I like this, So I like that, you know what 544 00:22:50,359 --> 00:22:53,879 Speaker 1: I'm saying. So it's it's just like sonically understanding, you 545 00:22:53,880 --> 00:22:56,560 Speaker 1: know what I'm saying, music and understanding like different frequencies 546 00:22:56,560 --> 00:22:58,760 Speaker 1: and vibrations, and you know what I'm saying. Just my 547 00:22:58,840 --> 00:23:01,240 Speaker 1: whole thing is just like earn that pot and then 548 00:23:01,280 --> 00:23:02,920 Speaker 1: and then pushing it to the limit. You know what 549 00:23:02,920 --> 00:23:05,040 Speaker 1: I'm saying. Like when I'm producing, that's what I'm thinking about. 550 00:23:05,040 --> 00:23:07,520 Speaker 1: Whether it's a project or song or whatever, I'm trying 551 00:23:07,560 --> 00:23:09,320 Speaker 1: to push it to the limit, try to get the 552 00:23:09,359 --> 00:23:11,560 Speaker 1: best out of this artist. And then I'm trying to 553 00:23:11,600 --> 00:23:13,280 Speaker 1: just stir up a pot. I'm trying to got THEMN 554 00:23:13,440 --> 00:23:15,960 Speaker 1: bring this kind of vibe, bring this kind of vibrating, 555 00:23:16,000 --> 00:23:17,720 Speaker 1: that kind of vibe. Like that's why we started putting 556 00:23:17,720 --> 00:23:19,560 Speaker 1: the filters on our beats because it was like that 557 00:23:19,640 --> 00:23:21,520 Speaker 1: was already popping in the eating world. You know what 558 00:23:21,560 --> 00:23:24,240 Speaker 1: I'm saying, the filters and ship, but they didn't have 559 00:23:24,280 --> 00:23:26,960 Speaker 1: the filters with the with the destory A to weights though, 560 00:23:27,080 --> 00:23:28,679 Speaker 1: you know what I'm saying. And then it was like, 561 00:23:28,720 --> 00:23:31,159 Speaker 1: you know what I'm saying, like that's like like playing Jane, 562 00:23:31,200 --> 00:23:32,680 Speaker 1: you know what I'm saying for Gucci, Like you know 563 00:23:32,720 --> 00:23:35,560 Speaker 1: what I'm saying, Like like really with that songs, like 564 00:23:35,560 --> 00:23:38,639 Speaker 1: Gucci didn't really understand that beat at first. People like 565 00:23:38,640 --> 00:23:41,480 Speaker 1: brother beat just like it just keep going like this, bro, 566 00:23:41,680 --> 00:23:43,280 Speaker 1: you know what I'm saying, Just go onto the filter 567 00:23:43,359 --> 00:23:45,760 Speaker 1: and to come back. But you're going like I'm like, Google, 568 00:23:46,040 --> 00:23:48,600 Speaker 1: you just gotta get on that motherfucking just you know, 569 00:23:49,440 --> 00:23:53,200 Speaker 1: and you gotta just use that flow, you know what 570 00:23:53,240 --> 00:23:56,199 Speaker 1: I'm saying. And I feel like that's another part of 571 00:23:56,880 --> 00:24:00,359 Speaker 1: the full course meal. You being able to pull people 572 00:24:00,400 --> 00:24:04,320 Speaker 1: outside of their box and like making them see and 573 00:24:04,440 --> 00:24:08,080 Speaker 1: understand a different way and also becoming comfortable with that 574 00:24:08,119 --> 00:24:11,720 Speaker 1: different way so that they can go to another level 575 00:24:11,800 --> 00:24:14,080 Speaker 1: or go to like another side that they wouldn't be 576 00:24:14,160 --> 00:24:17,359 Speaker 1: used to. That is going to help them expand. What 577 00:24:17,359 --> 00:24:20,879 Speaker 1: I'm saying, like, yeah, like it's my pet peeve when 578 00:24:21,040 --> 00:24:24,280 Speaker 1: when the artists tell me like like, hey, bro, this 579 00:24:24,320 --> 00:24:26,800 Speaker 1: ain't the type of music I do. I ain't come 580 00:24:26,880 --> 00:24:28,600 Speaker 1: here for that. You know what I'm saying. I ain't 581 00:24:28,600 --> 00:24:30,800 Speaker 1: come here to do the same type of song that 582 00:24:30,840 --> 00:24:32,680 Speaker 1: you do. You know what I'm saying. Or you know 583 00:24:32,720 --> 00:24:35,040 Speaker 1: what I'm saying, Like I came here for us to 584 00:24:35,080 --> 00:24:37,240 Speaker 1: collab and do something new. You know what I'm saying 585 00:24:37,240 --> 00:24:39,159 Speaker 1: that if you don't feel if you just don't like this, 586 00:24:39,280 --> 00:24:41,879 Speaker 1: I'm not gonna force you to like this and let 587 00:24:42,040 --> 00:24:44,240 Speaker 1: but if I'm sure about this beat, like I'm like, 588 00:24:44,320 --> 00:24:47,200 Speaker 1: I know it, Like yeah, I'm gonna I'm gonna keep 589 00:24:47,200 --> 00:24:48,959 Speaker 1: pushing it. I'm gonna fall back when I when you're 590 00:24:48,960 --> 00:24:50,880 Speaker 1: saying to fall back, but I'm gonna keep like ain't 591 00:24:50,880 --> 00:24:52,560 Speaker 1: the way around it, you know what I'm saying. With Future, 592 00:24:52,760 --> 00:24:54,919 Speaker 1: it was like Future to not like that beat, you 593 00:24:54,920 --> 00:24:57,720 Speaker 1: know what I'm saying. At first, he didn't understand it. 594 00:24:57,960 --> 00:24:59,720 Speaker 1: But I'm like, bro, if you're do a melodic song 595 00:24:59,840 --> 00:25:01,800 Speaker 1: or here, it's out of here. You know what I'm saying. 596 00:25:02,080 --> 00:25:04,800 Speaker 1: And Bro was like man, he was like, he was like, man, Bro, 597 00:25:04,840 --> 00:25:07,040 Speaker 1: you ain't got no more beats. I'm like, Bro, I'm 598 00:25:07,040 --> 00:25:08,680 Speaker 1: telling you, Bro, this is the one. Bro Like you 599 00:25:08,680 --> 00:25:10,560 Speaker 1: know what I'm saying, This the one one, and then 600 00:25:10,600 --> 00:25:13,119 Speaker 1: he'll pull out some more beats, working them. You know 601 00:25:13,119 --> 00:25:15,280 Speaker 1: what I'm saying. This ship went on for like five 602 00:25:15,400 --> 00:25:17,480 Speaker 1: six days, maybe ten days, you know what I'm saying. 603 00:25:17,480 --> 00:25:19,919 Speaker 1: Like one night he was doing Tony Montana. I'm like, Bro, 604 00:25:20,000 --> 00:25:22,640 Speaker 1: he and the vibe, you know what I'm saying. After 605 00:25:22,680 --> 00:25:25,199 Speaker 1: he finished Tony Montanna to me him at the studio, 606 00:25:25,240 --> 00:25:27,200 Speaker 1: You're like, Bro, you gotta beat. I'm likedy, but I 607 00:25:27,240 --> 00:25:31,440 Speaker 1: got that same beat. Bro. Tell me. You know what 608 00:25:31,480 --> 00:25:33,639 Speaker 1: I'm saying. Me and you were here, Bro, if you 609 00:25:33,680 --> 00:25:35,960 Speaker 1: do it, if you do along on this ship, bro, 610 00:25:36,280 --> 00:25:38,840 Speaker 1: ship out of here. Bro, You're like, bro, play the beat. Bro. 611 00:25:39,040 --> 00:25:41,240 Speaker 1: You know what I'm saying. I play no way around it. 612 00:25:41,320 --> 00:25:45,000 Speaker 1: He's like, he's like, I'm turning the microne going to booth, 613 00:25:45,200 --> 00:25:47,800 Speaker 1: lay down the hook. I'm like at first, I'm like, man, 614 00:25:47,840 --> 00:25:49,560 Speaker 1: he just trying to knock because I'm hearing him through 615 00:25:49,560 --> 00:25:51,719 Speaker 1: the booth and he's just saying, a bitch gonna be 616 00:25:51,760 --> 00:25:54,960 Speaker 1: a bitch, gonna be a hole killer. But I don't 617 00:25:55,000 --> 00:25:56,560 Speaker 1: hear how I signed him with the beats, I'm like, 618 00:25:56,880 --> 00:25:58,520 Speaker 1: he's just trying to knock something out. So I quit 619 00:25:58,560 --> 00:26:00,399 Speaker 1: pulling up this beat, you know what I'm saying. But 620 00:26:00,480 --> 00:26:02,560 Speaker 1: then when the engineer played when he came out the 621 00:26:02,560 --> 00:26:04,800 Speaker 1: booth and the engineer played it back, bro I remember 622 00:26:04,800 --> 00:26:06,160 Speaker 1: the ship like he was just said. I was sitting 623 00:26:06,160 --> 00:26:07,920 Speaker 1: on the couch and Brian had just walked in, and 624 00:26:08,000 --> 00:26:09,959 Speaker 1: I'm just hearing, like, you know, that ship come on 625 00:26:10,080 --> 00:26:12,320 Speaker 1: so epic, you know what I'm saying. And then Brod 626 00:26:12,440 --> 00:26:14,920 Speaker 1: just walking the room. And then then ship just dropped 627 00:26:15,400 --> 00:26:17,560 Speaker 1: a bitch gonna be a big I knew right there. 628 00:26:17,600 --> 00:26:19,479 Speaker 1: I got goose bumps. I'm like, brother, ship out of here. 629 00:26:19,480 --> 00:26:21,960 Speaker 1: Bro Ship. He was like, bro, you just man, he 630 00:26:22,080 --> 00:26:24,000 Speaker 1: just gonna say that ship bro you and this beat, 631 00:26:24,040 --> 00:26:25,960 Speaker 1: but like you just go. I'm like, I'm telling you 632 00:26:26,000 --> 00:26:27,760 Speaker 1: this ship out of here. He didn't even have no versus, 633 00:26:27,880 --> 00:26:29,680 Speaker 1: you know what I'm saying. Spence came to the studio. 634 00:26:29,960 --> 00:26:31,960 Speaker 1: Spence was like, brother Ship out of here. You know 635 00:26:32,000 --> 00:26:34,200 Speaker 1: what I'm saying. The Future I laid down the first verse. 636 00:26:34,560 --> 00:26:36,320 Speaker 1: I came to the studio and Future was like the 637 00:26:36,400 --> 00:26:39,280 Speaker 1: Future was like, man, Yo, Spence said that song out 638 00:26:39,280 --> 00:26:41,399 Speaker 1: of here, brother at that one, and I'm like, Man, 639 00:26:41,440 --> 00:26:43,520 Speaker 1: I'm telling you, brother ship out of here. He was like, man, 640 00:26:43,760 --> 00:26:46,399 Speaker 1: all right. He still didn't finish it, and he was 641 00:26:46,520 --> 00:26:48,760 Speaker 1: he was working on a true story. And then fact 642 00:26:48,760 --> 00:26:50,560 Speaker 1: Matt was in there. In Fact Matt, they would ever 643 00:26:50,560 --> 00:26:53,000 Speaker 1: look for one more song. Fact Matt was like, Bro, 644 00:26:53,800 --> 00:26:56,040 Speaker 1: I like, this ain't the way around it. And then Browne, 645 00:26:56,080 --> 00:26:58,560 Speaker 1: that's my future. When it did the second verse boone, 646 00:26:58,560 --> 00:27:00,680 Speaker 1: they used on a true story and then the ship 647 00:27:00,960 --> 00:27:03,720 Speaker 1: came out and Future had to show like I don't 648 00:27:03,720 --> 00:27:06,200 Speaker 1: know if it's like making It was somewhere in Georgia, 649 00:27:06,280 --> 00:27:08,920 Speaker 1: like you know what I'm saying, outside of Atlanta, and 650 00:27:08,920 --> 00:27:11,840 Speaker 1: and like everybody knew the words, and then Esco got 651 00:27:11,880 --> 00:27:14,600 Speaker 1: them one acapella and they knew the words to it. 652 00:27:14,680 --> 00:27:17,199 Speaker 1: To the hook Anniverse. The man called me on the 653 00:27:17,200 --> 00:27:20,200 Speaker 1: way back home. He said, bro, Bro, we finally got 654 00:27:20,200 --> 00:27:23,280 Speaker 1: our first hit. Bro. We caught one for man I 655 00:27:23,320 --> 00:27:26,760 Speaker 1: just performed. But he folks seen this ship acapella. I'm like, Bro, 656 00:27:26,840 --> 00:27:28,720 Speaker 1: they were just playing on the radio cash you know, 657 00:27:29,240 --> 00:27:32,560 Speaker 1: and and a little bankhead man. He was just playing 658 00:27:32,640 --> 00:27:35,000 Speaker 1: on the radio. Got them for thirty minutes. Bro, you 659 00:27:35,000 --> 00:27:36,400 Speaker 1: know what I'm saying. He was like, Bro, I think 660 00:27:36,440 --> 00:27:38,480 Speaker 1: we got one. I'm like, no, it's the one. Bro. 661 00:27:38,600 --> 00:27:41,040 Speaker 1: You know what I'm saying. And it's like if I 662 00:27:41,080 --> 00:27:43,320 Speaker 1: would have just if you know, I'm saying, some some 663 00:27:43,359 --> 00:27:46,879 Speaker 1: producers and some some producers just pull up on fan time. 664 00:27:47,320 --> 00:27:48,639 Speaker 1: You know what I'm saying. They might just pull up 665 00:27:48,640 --> 00:27:50,400 Speaker 1: on the artist and just be a fan of this artist. 666 00:27:50,400 --> 00:27:52,760 Speaker 1: And it's just like he said, you know what I'm saying. 667 00:27:53,240 --> 00:27:55,960 Speaker 1: You know what I'm saying, Like you know what I'm saying, 668 00:27:56,000 --> 00:27:58,520 Speaker 1: Like he he don't like this beat, or you know 669 00:27:58,560 --> 00:27:59,960 Speaker 1: what I'm saying, I can't play it no more like 670 00:28:00,600 --> 00:28:03,720 Speaker 1: I can't say nothing back to him, you know what 671 00:28:03,720 --> 00:28:05,480 Speaker 1: I'm saying. Or just let the artists straight up be 672 00:28:05,560 --> 00:28:12,800 Speaker 1: like man ship music. Yeah, I'm not. I'm not. I'm 673 00:28:12,800 --> 00:28:15,400 Speaker 1: not forcingate. I'm not forcunate, but you know what I'm saying. 674 00:28:15,440 --> 00:28:18,600 Speaker 1: Sometimes like vision is to be able to see the unseen, 675 00:28:18,800 --> 00:28:20,520 Speaker 1: you know what I'm saying. So it's like if you 676 00:28:20,600 --> 00:28:23,400 Speaker 1: if you can't, if you can't see this, I can't 677 00:28:23,400 --> 00:28:25,119 Speaker 1: expect you to see it unless we have some kind 678 00:28:25,119 --> 00:28:26,840 Speaker 1: of proof of concept. And I know you don't want 679 00:28:26,840 --> 00:28:29,359 Speaker 1: no writer, you know what I'm saying, So like I 680 00:28:29,359 --> 00:28:32,000 Speaker 1: know you don't want to writer, so maybe you ain't. 681 00:28:32,160 --> 00:28:34,240 Speaker 1: You can't hear this beat right now, So I'm gonna 682 00:28:34,240 --> 00:28:35,840 Speaker 1: go to this next beat. I see what, Bob, you know, 683 00:28:35,840 --> 00:28:37,399 Speaker 1: I'm gonna go to this next people gonna do this 684 00:28:38,360 --> 00:28:43,040 Speaker 1: like like okay boom, like like prime example, um, prime example, 685 00:28:43,240 --> 00:28:46,720 Speaker 1: like um um, how Free Bricks got started? You know 686 00:28:46,720 --> 00:28:48,840 Speaker 1: what I'm saying. When we did Nasty Me and you 687 00:28:48,920 --> 00:28:50,960 Speaker 1: were doing men men go to in the studio all 688 00:28:51,040 --> 00:28:54,320 Speaker 1: day boom, I had already got him on this one beat, 689 00:28:54,400 --> 00:28:57,760 Speaker 1: you know what I'm saying. And and I'm playing the 690 00:28:57,800 --> 00:29:00,600 Speaker 1: beat and I'm like, man, he get on it, and 691 00:29:00,640 --> 00:29:02,440 Speaker 1: I tell him to stop, like you know what I'm saying, 692 00:29:02,480 --> 00:29:04,040 Speaker 1: Like he in the booth. I'm like, yo, gooch, I 693 00:29:04,040 --> 00:29:06,120 Speaker 1: already see what vibe you on. I got another beat 694 00:29:06,120 --> 00:29:07,840 Speaker 1: for you. You You know what I'm saying. I'm I'm like 695 00:29:07,920 --> 00:29:09,920 Speaker 1: that that that right there ain't it for that beat, 696 00:29:09,960 --> 00:29:11,640 Speaker 1: you know what I'm saying. And I got down playing 697 00:29:11,640 --> 00:29:14,120 Speaker 1: another beat. But me and Gooch's rock like that. So 698 00:29:14,280 --> 00:29:16,920 Speaker 1: if I tell him that he he not no artists, 699 00:29:16,920 --> 00:29:18,480 Speaker 1: that's gonna be tripping like that. He's gonna be like, 700 00:29:18,800 --> 00:29:20,400 Speaker 1: all right, bro, pull up the next one there. You 701 00:29:20,440 --> 00:29:21,680 Speaker 1: know what I'm saying, I pull up the next one 702 00:29:21,720 --> 00:29:23,720 Speaker 1: that he just eat it because I see where he at. 703 00:29:23,840 --> 00:29:25,640 Speaker 1: You know what I'm saying. Me and him just we 704 00:29:25,640 --> 00:29:27,040 Speaker 1: we we we were just a lot, you know what 705 00:29:27,040 --> 00:29:29,240 Speaker 1: I'm saying. We just always just been locked in like that. 706 00:29:29,280 --> 00:29:31,200 Speaker 1: You know what I'm saying. So it's like man boom 707 00:29:31,600 --> 00:29:34,720 Speaker 1: with with how Free Bricks started. It was me and him. 708 00:29:34,760 --> 00:29:36,760 Speaker 1: One day my phone was hooked up to the OX 709 00:29:36,880 --> 00:29:38,840 Speaker 1: and then um my phone was hooked up to the 710 00:29:38,880 --> 00:29:41,200 Speaker 1: OX and then my phone started ringing and my rain 711 00:29:41,240 --> 00:29:43,720 Speaker 1: tone was ain't the way around it. So he was like, man, Bro, 712 00:29:43,840 --> 00:29:45,600 Speaker 1: you don't never give me no ship like that. Bro. 713 00:29:45,880 --> 00:29:48,160 Speaker 1: You know what I'm saying. I'm like, Bro, I said, 714 00:29:48,200 --> 00:29:50,000 Speaker 1: look at that beat from the other day. You know 715 00:29:50,000 --> 00:29:52,040 Speaker 1: what I'm saying, that you were rapping. I told you 716 00:29:52,040 --> 00:29:54,120 Speaker 1: to stop get on that beat and just put all 717 00:29:54,160 --> 00:29:55,880 Speaker 1: the tune on your voice. Bro, You're gonna have your 718 00:29:55,920 --> 00:29:57,800 Speaker 1: own vibe. You know what I'm saying. And he was like, 719 00:29:57,840 --> 00:30:00,360 Speaker 1: he was like, man, I pull it up. They don't 720 00:30:00,360 --> 00:30:01,920 Speaker 1: even I don't even remember the beat. Pull it up. 721 00:30:02,120 --> 00:30:04,480 Speaker 1: I pulled it up. Boom. We're going back and forth, 722 00:30:04,640 --> 00:30:06,520 Speaker 1: we come up with a hook. He's going to booth. 723 00:30:06,640 --> 00:30:08,560 Speaker 1: You know what I'm saying. He'd do nasty and then 724 00:30:08,560 --> 00:30:10,640 Speaker 1: he like, bro, man, this should have hit. Bro, I'm 725 00:30:10,640 --> 00:30:12,600 Speaker 1: gonna put the Wayne on this ship. I'm gonna put 726 00:30:12,640 --> 00:30:14,400 Speaker 1: the Wayne on this ship. I'm like, nah, Bro, you 727 00:30:14,400 --> 00:30:16,440 Speaker 1: gotta put a future on this ship. You're like future 728 00:30:16,440 --> 00:30:18,200 Speaker 1: of a little Wayne. You're like, Bro, you're talking about 729 00:30:18,200 --> 00:30:20,239 Speaker 1: you talking my rock up by the future. I'm like, 730 00:30:20,280 --> 00:30:22,520 Speaker 1: hell yeah, but you gotta put a future on that ship, bro, 731 00:30:22,640 --> 00:30:25,120 Speaker 1: you know what I'm saying. And he like, call future. Bro, 732 00:30:25,440 --> 00:30:27,280 Speaker 1: you're talking like that, Mike. I know that's your boy, 733 00:30:27,320 --> 00:30:30,600 Speaker 1: but god damn future over a little Wayne. I'm like, yes, Bro, 734 00:30:30,720 --> 00:30:32,080 Speaker 1: you know what I'm saying. Hes gonna be the new wave. 735 00:30:32,360 --> 00:30:34,160 Speaker 1: And he just like you, Bro, he gonna eat this 736 00:30:34,200 --> 00:30:36,080 Speaker 1: ship quick. You know what I'm saying. He like he 737 00:30:36,200 --> 00:30:39,280 Speaker 1: like man, He's like man ship, all right, call him 738 00:30:39,560 --> 00:30:42,800 Speaker 1: call Future. Bro Man Goutier did it hard as song. Bro, 739 00:30:42,840 --> 00:30:45,160 Speaker 1: you she got down, Man, you need to funk with it, 740 00:30:45,200 --> 00:30:48,160 Speaker 1: he said, pull up the Morrow if you say bad boom, 741 00:30:48,480 --> 00:30:50,440 Speaker 1: Future put up. The next day we did lost it. 742 00:30:50,800 --> 00:30:53,400 Speaker 1: We did got damn, we did lost it. We did 743 00:30:53,520 --> 00:30:56,560 Speaker 1: Nasty and then Future and then Good told me, like, Bro, 744 00:30:56,680 --> 00:30:58,800 Speaker 1: your by Future hard, But I see what you're talking about, 745 00:30:58,800 --> 00:31:02,040 Speaker 1: Like he's hard, saying, like, man, what's up to tape? 746 00:31:02,560 --> 00:31:04,240 Speaker 1: You're like, Man, we need to do a tape ainting. 747 00:31:04,480 --> 00:31:07,000 Speaker 1: I'm like, hey, yeah, Boom, he's that called Future. Tell 748 00:31:07,040 --> 00:31:09,520 Speaker 1: me let's do it tape called Future, right bro Boom, 749 00:31:09,560 --> 00:31:12,000 Speaker 1: Good said, Man, let's do it tape Boom. You know 750 00:31:12,000 --> 00:31:14,080 Speaker 1: what I'm saying. We started working on that ship become 751 00:31:14,160 --> 00:31:15,960 Speaker 1: free bricks, you feel me? So I was like, it 752 00:31:16,080 --> 00:31:18,760 Speaker 1: might not be the timing right then, I ain't gonna 753 00:31:18,760 --> 00:31:20,840 Speaker 1: force an artist on it. But you know what I'm saying, 754 00:31:20,880 --> 00:31:23,840 Speaker 1: I might see it already, Like you know I'm saying 755 00:31:23,840 --> 00:31:25,719 Speaker 1: I might just see it. Bro. I knew first day 756 00:31:25,760 --> 00:31:27,640 Speaker 1: out the fans when I made that for a gut, 757 00:31:27,720 --> 00:31:29,719 Speaker 1: y'all knew that was I knew that was first day 758 00:31:29,760 --> 00:31:31,600 Speaker 1: out the fans. You know what I'm saying. I'm trying 759 00:31:31,640 --> 00:31:34,000 Speaker 1: to explain him the beat over car links. You know 760 00:31:34,000 --> 00:31:35,720 Speaker 1: what I'm saying to me. Him already talking over car 761 00:31:35,840 --> 00:31:38,080 Speaker 1: links every day, So it's like, you know what I'm saying, 762 00:31:38,080 --> 00:31:40,960 Speaker 1: we're talking heat Like man, y'all need a beat, like 763 00:31:41,040 --> 00:31:42,960 Speaker 1: I need to be coming out sounding like this. You 764 00:31:42,960 --> 00:31:44,640 Speaker 1: know what I'm saying. I'm like, Yo, I got this beat. 765 00:31:44,680 --> 00:31:46,680 Speaker 1: It's gonna be simple, you know what I'm saying. But 766 00:31:46,720 --> 00:31:49,240 Speaker 1: it's gonna sound like, well, you just walked into the club. 767 00:31:49,480 --> 00:31:50,680 Speaker 1: You know what I'm saying. I'm just thinking about you 768 00:31:50,760 --> 00:31:52,400 Speaker 1: walking out of that gate, my nigga. You know what 769 00:31:52,400 --> 00:31:54,200 Speaker 1: I'm saying. It's gonna be like you're walking in the club. 770 00:31:54,280 --> 00:31:55,400 Speaker 1: You know what I'm saying. When you hear this ship. 771 00:31:55,640 --> 00:31:57,360 Speaker 1: You know what I'm saying. Boom he called me when 772 00:31:57,400 --> 00:31:59,520 Speaker 1: he got out. Well some of them beats, bro the 773 00:31:59,640 --> 00:32:01,720 Speaker 1: pull up to the house in like two hours. I 774 00:32:01,840 --> 00:32:03,760 Speaker 1: bet Boom, send them to the beach, put up to 775 00:32:03,760 --> 00:32:05,400 Speaker 1: the house. He already got first day out the fairs, 776 00:32:05,480 --> 00:32:07,880 Speaker 1: laid down. You know what I'm saying. I'm my brother's 777 00:32:07,920 --> 00:32:10,000 Speaker 1: it right here. I said, Man, give me the files, 778 00:32:10,240 --> 00:32:11,960 Speaker 1: give me the fines, I go to the studio. I 779 00:32:12,080 --> 00:32:15,440 Speaker 1: put the dark part at the beginning because in my mind, 780 00:32:15,480 --> 00:32:18,360 Speaker 1: I was thinking about, like, you know, you know what 781 00:32:18,400 --> 00:32:20,120 Speaker 1: I'm saying, if you if you locked up in the junk, 782 00:32:20,200 --> 00:32:22,240 Speaker 1: you know what I'm saying, You like that dark part 783 00:32:22,280 --> 00:32:24,840 Speaker 1: at the beginning of the song, Like that's what I'm 784 00:32:24,840 --> 00:32:27,120 Speaker 1: thinking about, Like, man, you're walking through this motherfucker's like 785 00:32:27,480 --> 00:32:29,160 Speaker 1: it's it's just dirty, you know what I'm saying. You're 786 00:32:29,160 --> 00:32:31,040 Speaker 1: in the joint, and then as soon as you open 787 00:32:31,080 --> 00:32:33,920 Speaker 1: that door and you out, it's like boo boo boo 788 00:32:33,920 --> 00:32:35,959 Speaker 1: boo boo boo. Like you know what I'm saying, It's 789 00:32:36,000 --> 00:32:38,120 Speaker 1: just like it's just like a cloth. It's like it's daylight. 790 00:32:38,120 --> 00:32:40,760 Speaker 1: It's like, you know what I'm saying. That's how I'm thinking. 791 00:32:40,920 --> 00:32:42,640 Speaker 1: Like when when I when I thought about First Day 792 00:32:42,680 --> 00:32:45,240 Speaker 1: Out the fairst and it was like to be we 793 00:32:45,240 --> 00:32:47,160 Speaker 1: was already talking about the First Day Out the Fair song, 794 00:32:47,320 --> 00:32:49,880 Speaker 1: and like that was a vision for that was a 795 00:32:49,960 --> 00:32:51,920 Speaker 1: vision for that song, Like you know what I'm saying, Like, 796 00:32:52,440 --> 00:32:55,040 Speaker 1: and you know, if if me and Google then had 797 00:32:55,080 --> 00:32:57,280 Speaker 1: that that trust for each other, you know what I'm saying, 798 00:32:57,320 --> 00:32:59,680 Speaker 1: working wise, and he might not. He might have heard 799 00:32:59,680 --> 00:33:01,920 Speaker 1: that be be like, Bro, sh it ain't it? Bro? 800 00:33:02,120 --> 00:33:03,760 Speaker 1: You know what I'm saying. But he you know what 801 00:33:03,760 --> 00:33:06,160 Speaker 1: I'm saying, Like he know, like we didn't already been 802 00:33:06,200 --> 00:33:07,800 Speaker 1: through them times where it's like, bro, you know, sign 803 00:33:07,920 --> 00:33:09,360 Speaker 1: right on this beat right here, get on this one, 804 00:33:09,840 --> 00:33:12,000 Speaker 1: or man, get on this one and put this person 805 00:33:12,040 --> 00:33:14,720 Speaker 1: on there, or either he'd be in the booth and 806 00:33:14,720 --> 00:33:16,720 Speaker 1: then he might have been wrapping something in the control 807 00:33:16,800 --> 00:33:18,760 Speaker 1: room that was so hard and then go on the 808 00:33:18,760 --> 00:33:21,720 Speaker 1: booth and say something totally different that's hard. But I'll 809 00:33:21,760 --> 00:33:23,120 Speaker 1: go in the booth and be like man used that 810 00:33:23,120 --> 00:33:25,560 Speaker 1: as the second verse, and then hey, bro, you remember 811 00:33:25,560 --> 00:33:28,160 Speaker 1: what you're son in the control room? Hey put that 812 00:33:28,200 --> 00:33:30,520 Speaker 1: back at the first verse. So we just say when 813 00:33:30,560 --> 00:33:32,160 Speaker 1: need to be feeling like man and he like we 814 00:33:32,240 --> 00:33:35,320 Speaker 1: all did too difficult. Man, he only got them being 815 00:33:35,320 --> 00:33:37,360 Speaker 1: the booth and he want to got them telling how 816 00:33:37,400 --> 00:33:40,080 Speaker 1: to rep Yeah, like what would not tell him? Tell 817 00:33:40,120 --> 00:33:48,480 Speaker 1: him about the ride here and ship? Nah, you're talking 818 00:33:48,480 --> 00:33:51,560 Speaker 1: about that, but what's the college? Like I feel if 819 00:33:51,560 --> 00:33:55,720 Speaker 1: they say if they if they say, like you know 820 00:33:55,720 --> 00:34:00,360 Speaker 1: what I'm say, if they if they said they say 821 00:34:00,440 --> 00:34:03,680 Speaker 1: goddamn by the ning, it might were difficult, you know 822 00:34:03,680 --> 00:34:05,840 Speaker 1: what I'm saying. But it's like, like I said, but 823 00:34:06,120 --> 00:34:07,880 Speaker 1: vision is to be able to see that. I'm saying, Bro, 824 00:34:08,400 --> 00:34:10,640 Speaker 1: you're not getting the You're just not getting the vision. 825 00:34:10,800 --> 00:34:13,000 Speaker 1: I'm not trying to be difficult at all, but but 826 00:34:13,120 --> 00:34:16,200 Speaker 1: I am trying to goddamn deliver the best record, and 827 00:34:16,239 --> 00:34:19,359 Speaker 1: the best of them were difficult. Dr Dre was quote 828 00:34:19,440 --> 00:34:21,200 Speaker 1: unquote difficult. If you look at them. You know, I'm 829 00:34:21,239 --> 00:34:23,040 Speaker 1: saying a lot of people, a lot of these artists 830 00:34:23,040 --> 00:34:25,319 Speaker 1: that they might be like yo, they need a Dr 831 00:34:25,400 --> 00:34:27,480 Speaker 1: Dre like you might have like a certain respect, Like 832 00:34:27,480 --> 00:34:29,760 Speaker 1: if Dr Dre Colin right now. You know what I'm saying, 833 00:34:29,880 --> 00:34:31,640 Speaker 1: and then they come to the studio. You know what 834 00:34:31,640 --> 00:34:33,799 Speaker 1: I'm saying. If Dr Dre tell them to retake some 835 00:34:33,840 --> 00:34:36,640 Speaker 1: ship a hundred times, you know what I'm saying. I 836 00:34:36,680 --> 00:34:38,640 Speaker 1: know they're gonna do it just for the experience. You 837 00:34:38,640 --> 00:34:40,640 Speaker 1: know what I'm saying. If you're not having that same 838 00:34:40,680 --> 00:34:42,959 Speaker 1: experience with me, it's not time for us to work. 839 00:34:43,320 --> 00:34:44,640 Speaker 1: You know what I'm saying. That's how I feel. You 840 00:34:44,680 --> 00:34:46,560 Speaker 1: know what I'm saying, because I'm you know what I'm saying, 841 00:34:46,719 --> 00:34:49,040 Speaker 1: I feel like I'm trying to be well. I am 842 00:34:49,080 --> 00:34:51,160 Speaker 1: a producer that's cut from that same cloth. You know 843 00:34:51,160 --> 00:34:53,239 Speaker 1: what I'm saying. I am a producer that's cut from 844 00:34:53,239 --> 00:34:55,560 Speaker 1: that same cloth. So when I'm in the studio, like 845 00:34:55,600 --> 00:34:57,319 Speaker 1: I'm trying to I'm trying to perfect some ships. So 846 00:34:57,320 --> 00:34:59,279 Speaker 1: I'm not trying to be difficult. I'm just trying to 847 00:34:59,560 --> 00:35:01,839 Speaker 1: push you to the limit. I'm trying to make sure 848 00:35:01,840 --> 00:35:04,120 Speaker 1: I'm pushed to the limit. And goddamn, Like, that's how 849 00:35:04,160 --> 00:35:06,640 Speaker 1: Men and Kendrick were able to do DNA because the 850 00:35:06,719 --> 00:35:08,200 Speaker 1: we're the same you know what, I'm same type of 851 00:35:08,480 --> 00:35:10,319 Speaker 1: type of person that's trying to push each other to 852 00:35:10,360 --> 00:35:12,160 Speaker 1: the limit. You know what I'm saying, Like and like, 853 00:35:12,239 --> 00:35:15,560 Speaker 1: that's why any any classes I got with anybody from 854 00:35:15,760 --> 00:35:18,759 Speaker 1: the Future to Thug to Goddamn Gucci to Kendrick to 855 00:35:18,960 --> 00:35:21,480 Speaker 1: Beyonce to you know what I'm saying, Moley Sorrus, we 856 00:35:21,600 --> 00:35:23,960 Speaker 1: pushed each other to the limit. You know what I'm saying. 857 00:35:24,320 --> 00:35:27,640 Speaker 1: We push each other to the limit production wise, and 858 00:35:27,640 --> 00:35:29,640 Speaker 1: and and and vocal wise. You know what I'm saying, 859 00:35:29,800 --> 00:35:32,440 Speaker 1: no matter how difficult that is. And a lot of times, 860 00:35:32,480 --> 00:35:34,719 Speaker 1: like I said, a lot of people show up on 861 00:35:34,840 --> 00:35:36,719 Speaker 1: fan time, you know I'm saying a lot of people 862 00:35:36,719 --> 00:35:38,520 Speaker 1: show up like I'm in the room with Gouch, you 863 00:35:38,560 --> 00:35:40,040 Speaker 1: know what I'm saying, Like I'm in the room with Gouch, 864 00:35:40,080 --> 00:35:41,960 Speaker 1: Like I'm I'm in the room with Pluto, like you 865 00:35:42,000 --> 00:35:43,920 Speaker 1: know what I'm saying, Like he got on my song 866 00:35:44,239 --> 00:35:45,400 Speaker 1: or he got on my beach, like you know what 867 00:35:45,400 --> 00:35:47,480 Speaker 1: I'm saying, Like they pull up on that kind of time, 868 00:35:47,560 --> 00:35:52,839 Speaker 1: so I feel like that's not producing. And but even 869 00:35:52,960 --> 00:35:55,120 Speaker 1: but even artists might pull up like that, and it 870 00:35:55,200 --> 00:35:57,200 Speaker 1: might just be so easy to work with this artist 871 00:35:57,520 --> 00:36:00,640 Speaker 1: or easy to work with this producer just because pulling 872 00:36:00,719 --> 00:36:03,560 Speaker 1: up and you know what I'm saying. And sometimes artists 873 00:36:03,600 --> 00:36:06,680 Speaker 1: might not want to hear you talk about like you 874 00:36:06,680 --> 00:36:09,200 Speaker 1: should you could change your flow, you know what I'm saying, 875 00:36:09,320 --> 00:36:11,520 Speaker 1: Or but you could, you could really go hard on 876 00:36:11,520 --> 00:36:14,080 Speaker 1: that first first like bro, this is the one. You 877 00:36:14,120 --> 00:36:15,640 Speaker 1: know what I'm saying. They might not want to hear 878 00:36:15,640 --> 00:36:17,480 Speaker 1: that right now because they ain't the whole another vibe. 879 00:36:18,000 --> 00:36:20,160 Speaker 1: They ain't a whole another vibe after last song they 880 00:36:20,160 --> 00:36:21,759 Speaker 1: did or the next song they're about to do, you 881 00:36:21,800 --> 00:36:23,640 Speaker 1: know what I'm saying. And they might do song right here, 882 00:36:23,640 --> 00:36:25,359 Speaker 1: they might be sleeping on you know what I'm saying. 883 00:36:25,480 --> 00:36:29,719 Speaker 1: So basically you're saying, as a producer, it's important that 884 00:36:29,800 --> 00:36:32,640 Speaker 1: you're able to read your artists that you're working with 885 00:36:32,719 --> 00:36:35,600 Speaker 1: at a time so that you can tell like what 886 00:36:35,719 --> 00:36:38,279 Speaker 1: type of time they're on, so that you don't you 887 00:36:38,280 --> 00:36:40,799 Speaker 1: gotta do all that. Like as a producer, it's your 888 00:36:40,880 --> 00:36:43,839 Speaker 1: job to to put together this three minute song three 889 00:36:43,880 --> 00:36:46,000 Speaker 1: minute thirty seconds. So on two minute thirty seconds song, 890 00:36:46,600 --> 00:36:48,920 Speaker 1: you it's your job to put together this song and 891 00:36:49,040 --> 00:36:52,719 Speaker 1: keep the listeners here for the whole duration of that song. 892 00:36:53,120 --> 00:36:55,560 Speaker 1: Make sure every second counts on that motherfucker. Know what 893 00:36:55,560 --> 00:36:57,719 Speaker 1: I'm saying. That's your job, you know what I'm saying, 894 00:36:57,719 --> 00:36:59,720 Speaker 1: Because when when they get to one minute and thirty 895 00:36:59,719 --> 00:37:02,520 Speaker 1: five seconds and that's just are getting bored. Guess what 896 00:37:02,600 --> 00:37:05,400 Speaker 1: the listener gonna do? Skip that motherfucker. They're not getting 897 00:37:05,440 --> 00:37:07,400 Speaker 1: to two minutes, you know what I'm saying, because they're like, 898 00:37:07,840 --> 00:37:09,800 Speaker 1: all right, bro, enough of that ship, you know what 899 00:37:09,840 --> 00:37:12,520 Speaker 1: I'm saying. But it's like, man, if it's goddamn like, 900 00:37:13,040 --> 00:37:15,560 Speaker 1: you know, I don't know how long DNA is. You 901 00:37:15,600 --> 00:37:17,120 Speaker 1: know what I'm saying. I don't know. I don't know 902 00:37:17,160 --> 00:37:18,919 Speaker 1: how long it is, but it's like when you listen 903 00:37:18,960 --> 00:37:21,520 Speaker 1: to it's like it was a moment. It was like 904 00:37:21,680 --> 00:37:23,759 Speaker 1: it was an experience, you know what I'm saying. It's 905 00:37:23,760 --> 00:37:25,680 Speaker 1: like you're on a roller coaster on that motherfucker, Like 906 00:37:26,040 --> 00:37:27,319 Speaker 1: you know what I'm saying, Like me and jay Z 907 00:37:27,440 --> 00:37:31,240 Speaker 1: made the hardest song under one minute in music history, 908 00:37:31,440 --> 00:37:32,960 Speaker 1: you know what I'm saying. You can't find a song 909 00:37:33,239 --> 00:37:36,759 Speaker 1: harder under one minute then Beach is Better, Me, jay 910 00:37:36,840 --> 00:37:38,880 Speaker 1: Z and my boy Mars who made a banger, you 911 00:37:38,960 --> 00:37:41,000 Speaker 1: know what I'm saying. And it's under one minute, but 912 00:37:41,040 --> 00:37:43,640 Speaker 1: it's not one song in music history that's harder than 913 00:37:43,680 --> 00:37:46,520 Speaker 1: Beach is Better. You know what I'm saying, under a minute? 914 00:37:46,520 --> 00:37:49,239 Speaker 1: You feel me? So it's like but we kept the 915 00:37:49,280 --> 00:37:52,080 Speaker 1: listeners there, like but we want more, you know what 916 00:37:52,120 --> 00:37:54,520 Speaker 1: I'm saying. Like Move that dope was like long at 917 00:37:54,520 --> 00:37:56,560 Speaker 1: Hell's like four minutes and something, but it was like 918 00:37:57,080 --> 00:38:00,120 Speaker 1: you keep the listeners here the whole way. It's just like, 919 00:38:00,160 --> 00:38:02,239 Speaker 1: I don't I don't know how long Moved that Doubt was. 920 00:38:02,440 --> 00:38:04,600 Speaker 1: And I get that from like growing up listening to 921 00:38:04,680 --> 00:38:07,600 Speaker 1: like Earth on on the Fire, like different rock bands, 922 00:38:07,640 --> 00:38:09,480 Speaker 1: and you know what I'm saying, Like they have ten 923 00:38:09,520 --> 00:38:11,920 Speaker 1: minute songs, they got twelve minute songs. You know what 924 00:38:11,920 --> 00:38:14,760 Speaker 1: I'm saying. So it's like, man, shoot, the motherfucker should 925 00:38:14,760 --> 00:38:16,920 Speaker 1: want to hear your ship over and over like if 926 00:38:16,920 --> 00:38:19,760 Speaker 1: it if it's a short song, it's it's cool that's 927 00:38:19,760 --> 00:38:21,960 Speaker 1: a short song, because they're gonna put on repeat. They 928 00:38:22,000 --> 00:38:23,880 Speaker 1: want to hear this over and over. It's like, damn, 929 00:38:23,920 --> 00:38:26,160 Speaker 1: I love this ship, but you feel me? So I 930 00:38:26,200 --> 00:38:28,839 Speaker 1: feel like a solid producer. That's your that's your job, 931 00:38:28,920 --> 00:38:31,239 Speaker 1: you know what I'm saying. And whether that means like 932 00:38:31,280 --> 00:38:33,040 Speaker 1: get this guy to play the keys, or get this 933 00:38:33,080 --> 00:38:35,200 Speaker 1: guy to make the beat, or make this beat with 934 00:38:35,239 --> 00:38:37,959 Speaker 1: this person, or get this person to write on this song. 935 00:38:38,080 --> 00:38:40,080 Speaker 1: And you know what I'm saying, get this feature and 936 00:38:40,120 --> 00:38:42,600 Speaker 1: bring this artists with that artist and knowing that this 937 00:38:42,680 --> 00:38:45,120 Speaker 1: artist should get on this and instead of that, or 938 00:38:45,480 --> 00:38:47,759 Speaker 1: or knowing that or we should take this sound out 939 00:38:48,040 --> 00:38:50,600 Speaker 1: or we should put another sound in, or you know 940 00:38:50,600 --> 00:38:52,160 Speaker 1: what I'm saying. It needs to get mixed a little 941 00:38:52,160 --> 00:38:54,720 Speaker 1: bit more in these reverb right here, the high hats 942 00:38:54,760 --> 00:38:56,399 Speaker 1: need to be paying a little bit to the left. 943 00:38:56,560 --> 00:38:57,799 Speaker 1: You know what I'm saying, like we need to bring 944 00:38:57,800 --> 00:39:00,279 Speaker 1: the vocals up one dB or two d b. We 945 00:39:00,320 --> 00:39:02,279 Speaker 1: need to god damn speed the track up. You know 946 00:39:02,320 --> 00:39:05,279 Speaker 1: what I'm saying, one one bpm, two bpms Like you 947 00:39:05,280 --> 00:39:07,360 Speaker 1: know what I'm saying, whatever the whatever it is, we 948 00:39:07,400 --> 00:39:09,279 Speaker 1: need to add another eight o way on top of that. 949 00:39:09,600 --> 00:39:10,640 Speaker 1: Or you know what I'm saying, this is eight the 950 00:39:10,640 --> 00:39:12,319 Speaker 1: way they ain't hitting right, Like we need to make 951 00:39:12,360 --> 00:39:14,319 Speaker 1: it a little bit longer, or the kick is not 952 00:39:15,080 --> 00:39:17,600 Speaker 1: or you got to kick stereo. So you know I'm 953 00:39:17,600 --> 00:39:19,160 Speaker 1: saying that ain't the way. They're sitting too much on 954 00:39:19,200 --> 00:39:20,560 Speaker 1: top of the kick. You need to have to kick 955 00:39:20,680 --> 00:39:22,799 Speaker 1: kicking through you know what I'm saying, Like, whatever it is, bro, 956 00:39:23,080 --> 00:39:25,080 Speaker 1: you got to know how to hit that. What's your 957 00:39:25,120 --> 00:39:27,360 Speaker 1: what you think is your biggest banger or the record 958 00:39:27,360 --> 00:39:29,160 Speaker 1: it's most special to you. I know that's tough because 959 00:39:29,200 --> 00:39:31,200 Speaker 1: you've got a lot of records and you're probably gonna 960 00:39:31,680 --> 00:39:34,400 Speaker 1: give somewhat of a political answer, But what's that record? 961 00:39:34,560 --> 00:39:36,120 Speaker 1: I'm gonna ask you. I'm gonna ask you two ways. 962 00:39:36,640 --> 00:39:38,799 Speaker 1: What's the record this near and dear to your heart? 963 00:39:39,040 --> 00:39:42,520 Speaker 1: And what's the record that changed your life? Uh? Nears 964 00:39:42,600 --> 00:39:47,839 Speaker 1: and DearS to my heart, damn scream shoose women. That's 965 00:39:47,880 --> 00:39:50,160 Speaker 1: like saying, like, what's the best thanks for giving me 966 00:39:50,239 --> 00:39:55,440 Speaker 1: or you ever had? You don't generally be the same 967 00:39:55,480 --> 00:40:00,319 Speaker 1: though you get the same venue every year, the saying 968 00:40:00,320 --> 00:40:03,680 Speaker 1: which one your favorite kids? Okay, let's again, what's the 969 00:40:03,719 --> 00:40:08,120 Speaker 1: one that changed your life the most? The most? They 970 00:40:08,280 --> 00:40:10,640 Speaker 1: all did, but I feel you the first one that 971 00:40:10,719 --> 00:40:16,040 Speaker 1: changed your life the first six but but but all right, 972 00:40:16,120 --> 00:40:19,040 Speaker 1: the first the first one that sucked my head up. 973 00:40:19,080 --> 00:40:22,080 Speaker 1: Though when I sit back and look at it, like 974 00:40:22,080 --> 00:40:24,080 Speaker 1: like when I look back, when I look back at 975 00:40:24,080 --> 00:40:26,840 Speaker 1: it and I'm not in real time, it's like it 976 00:40:26,960 --> 00:40:29,319 Speaker 1: got to be Black Beatles because it was like that 977 00:40:29,400 --> 00:40:31,719 Speaker 1: was my first number one. I won hunted. You know 978 00:40:31,719 --> 00:40:33,520 Speaker 1: what I'm saying. I didn't work with Beyonce already, I 979 00:40:33,560 --> 00:40:36,319 Speaker 1: didn't work Miley already at this point, I didn't work 980 00:40:36,360 --> 00:40:39,319 Speaker 1: with Rihanna all the way already at this point, jay 981 00:40:39,400 --> 00:40:41,600 Speaker 1: Z already at this point, And you know what I'm saying. 982 00:40:41,640 --> 00:40:44,279 Speaker 1: And I get my first number one with these young 983 00:40:44,360 --> 00:40:47,800 Speaker 1: kids from Tupelo, Mississippi, who I gave their first shot 984 00:40:47,840 --> 00:40:52,000 Speaker 1: to featuring the dude gave me my first shot. You 985 00:40:52,080 --> 00:40:54,080 Speaker 1: know what I'm saying. So it was like, wasn't his 986 00:40:54,080 --> 00:40:56,759 Speaker 1: first number that's his first number one, that's the first 987 00:40:56,840 --> 00:40:59,480 Speaker 1: number one. So we get we all get our first 988 00:41:00,040 --> 00:41:02,239 Speaker 1: and then and then when you and then when you 989 00:41:02,280 --> 00:41:06,239 Speaker 1: think about it, it's like, man Shrump, first interview on 990 00:41:06,320 --> 00:41:08,440 Speaker 1: DJ dropping against your girl ready on Hot one or 991 00:41:08,480 --> 00:41:11,080 Speaker 1: seven nine, the first interview go to your comment from jail. 992 00:41:11,719 --> 00:41:13,799 Speaker 1: You know what I'm saying. Said every who He said 993 00:41:13,800 --> 00:41:18,000 Speaker 1: you just had on the radio. I said, I said, brother, Nigga, Man, 994 00:41:18,000 --> 00:41:20,279 Speaker 1: we're gonna they group called Ray Shriman. You know I'm 995 00:41:20,280 --> 00:41:22,600 Speaker 1: saying that from Twopolo Misssip. He said, Bro, give him 996 00:41:22,600 --> 00:41:25,680 Speaker 1: one of my verses. Bro. He was like, man, they 997 00:41:25,680 --> 00:41:27,520 Speaker 1: put the put put one of my verses on y'all 998 00:41:27,560 --> 00:41:30,759 Speaker 1: mixtape because we're gonna drop a mixtape. He was like, man, 999 00:41:30,760 --> 00:41:33,399 Speaker 1: put one of my verses on your mixtape. I'm like, hey, 1000 00:41:33,440 --> 00:41:35,759 Speaker 1: han goog, Bro, we gotta wait till you get home. Bro. 1001 00:41:35,920 --> 00:41:37,200 Speaker 1: You know what I'm saying. He was like, a Bro, 1002 00:41:37,239 --> 00:41:39,320 Speaker 1: you're gonna put me on the mixtape. I'm like, Brod's 1003 00:41:39,360 --> 00:41:41,400 Speaker 1: just gonna make it seem like I'll put you on 1004 00:41:41,440 --> 00:41:43,399 Speaker 1: the mixtape. You know what I'm saying like i'd rather 1005 00:41:43,480 --> 00:41:44,920 Speaker 1: seem like you know what I'm saying, Like we did 1006 00:41:44,920 --> 00:41:46,799 Speaker 1: a banger together. Bro, I'm telling he's gonna be right 1007 00:41:46,800 --> 00:41:48,120 Speaker 1: on time when you come home. Bro, you know I 1008 00:41:48,120 --> 00:41:50,239 Speaker 1: ain't going nowhere. I'm right here, you know what I'm saying. 1009 00:41:50,480 --> 00:41:52,880 Speaker 1: So he's like, man ship back boom. This is the 1010 00:41:52,920 --> 00:41:55,320 Speaker 1: first song we do. We waited them years. You know 1011 00:41:55,320 --> 00:41:58,040 Speaker 1: what I'm saying, Google, get out of jail. The first 1012 00:41:58,120 --> 00:41:59,680 Speaker 1: week he get out of jail, he did. The verse 1013 00:41:59,760 --> 00:42:02,239 Speaker 1: of that song is Shrimp first number one, My first 1014 00:42:02,280 --> 00:42:04,360 Speaker 1: one one hit first someone, you know what I'm saying. 1015 00:42:04,360 --> 00:42:07,840 Speaker 1: And it's like I gave shrim the first shot. Google 1016 00:42:07,880 --> 00:42:09,840 Speaker 1: gave me my first shot, you know what I'm saying. 1017 00:42:09,880 --> 00:42:12,840 Speaker 1: And it was just like the one they're the ones 1018 00:42:12,920 --> 00:42:15,120 Speaker 1: line up. I'll be watching the ones lined up. You 1019 00:42:15,160 --> 00:42:16,640 Speaker 1: know what I'm saying. I don't know what that means, 1020 00:42:16,680 --> 00:42:18,640 Speaker 1: but when the ones be lining up, it's just like 1021 00:42:19,400 --> 00:42:21,960 Speaker 1: like it's special. It's like the angels talking to you. 1022 00:42:22,000 --> 00:42:24,799 Speaker 1: So that's like the first song that really like you know, 1023 00:42:25,239 --> 00:42:27,319 Speaker 1: like funk my head up, like when I look at 1024 00:42:27,320 --> 00:42:29,759 Speaker 1: it like that. But then another one is like me 1025 00:42:29,800 --> 00:42:31,560 Speaker 1: and Kendrick you know what I'm saying, Like when we 1026 00:42:31,600 --> 00:42:35,120 Speaker 1: didn't humble, like it was like, man, me and Kendrick 1027 00:42:35,200 --> 00:42:37,960 Speaker 1: already have been rocking for like nine years, you know 1028 00:42:37,960 --> 00:42:40,200 Speaker 1: what I'm saying. That's why I'm saying, Like the timing, 1029 00:42:40,320 --> 00:42:41,719 Speaker 1: you know what I'm saying, Like people didn't even know 1030 00:42:41,719 --> 00:42:43,839 Speaker 1: that me and Kindred were cool all the way back 1031 00:42:44,160 --> 00:42:46,239 Speaker 1: since like two thousand and eleven, two thousand teen. You 1032 00:42:46,239 --> 00:42:48,080 Speaker 1: know what I'm saying. Me and Schoolboard Q had linked 1033 00:42:48,080 --> 00:42:50,200 Speaker 1: first and then he had linked me, and do you 1034 00:42:50,239 --> 00:42:52,440 Speaker 1: know what I'm saying. So every time they would come 1035 00:42:52,480 --> 00:42:54,640 Speaker 1: to Atlanta, they would just be like, hey man, Mike, 1036 00:42:54,680 --> 00:42:56,279 Speaker 1: we'll pull up. You know what I'm saying. So I'll 1037 00:42:56,280 --> 00:42:58,960 Speaker 1: pull up on them. Anytime I'm in l A Boom 1038 00:42:59,080 --> 00:43:01,000 Speaker 1: They're telling me to pull up on him. Boom, I'll 1039 00:43:01,000 --> 00:43:03,600 Speaker 1: pull up on him. I hit their phone, they pull 1040 00:43:03,680 --> 00:43:05,160 Speaker 1: up on me whatever. You know what I'm saying. So 1041 00:43:05,440 --> 00:43:08,239 Speaker 1: it's like, Man Boom were like we we just wrought 1042 00:43:08,320 --> 00:43:10,000 Speaker 1: with each other like family. You know what I'm saying. 1043 00:43:10,280 --> 00:43:12,000 Speaker 1: Good kid Man said he come out. I'm not on 1044 00:43:12,040 --> 00:43:14,160 Speaker 1: the album. I don't get mad at Kin trip, but 1045 00:43:14,200 --> 00:43:15,799 Speaker 1: I know I gave him over a thousand beats for 1046 00:43:15,840 --> 00:43:17,400 Speaker 1: the album, you know what I'm saying. But when I 1047 00:43:17,400 --> 00:43:19,000 Speaker 1: heard the album, I'm like, oh, I see why we're 1048 00:43:19,000 --> 00:43:21,560 Speaker 1: not on there, and none of those beats matches album. 1049 00:43:21,800 --> 00:43:23,399 Speaker 1: You know what I'm saying. I got a thousand beats 1050 00:43:23,400 --> 00:43:25,319 Speaker 1: for to Pimper Butterfly, you know what I'm saying. But 1051 00:43:25,320 --> 00:43:27,239 Speaker 1: when I heard the album, like, okay, I said, while 1052 00:43:27,280 --> 00:43:30,200 Speaker 1: we're not on there, boom when he shot it, Damn, 1053 00:43:30,320 --> 00:43:32,000 Speaker 1: he said, y'all about to shot my next album. I 1054 00:43:32,040 --> 00:43:33,880 Speaker 1: want to start with you. You know what I'm saying. 1055 00:43:33,920 --> 00:43:35,520 Speaker 1: I'm a I bet he put up to the house 1056 00:43:35,600 --> 00:43:38,200 Speaker 1: nine in the morning, boom, and we're just listening to 1057 00:43:38,239 --> 00:43:40,279 Speaker 1: the beach for hours. You know what I'm saying. All 1058 00:43:40,320 --> 00:43:43,160 Speaker 1: types of beat beats is undone beats from Little Beat. 1059 00:43:43,560 --> 00:43:45,680 Speaker 1: One of my homeboys made a beat machine. He brought 1060 00:43:45,680 --> 00:43:48,400 Speaker 1: it over there like and I'm just fucking with it, 1061 00:43:48,600 --> 00:43:51,160 Speaker 1: Like dot wanted to hear everything, you know what I'm saying. 1062 00:43:51,440 --> 00:43:53,920 Speaker 1: So I got him, I loaded him up, and then 1063 00:43:53,920 --> 00:43:56,400 Speaker 1: he went in one week and he did DNA, he 1064 00:43:56,440 --> 00:43:58,959 Speaker 1: did Humble, he did XXX. You know what I'm saying, 1065 00:43:59,239 --> 00:44:01,560 Speaker 1: All them ships one week and then it was like 1066 00:44:02,040 --> 00:44:04,160 Speaker 1: and it was like, damn, like that ship crazy and 1067 00:44:04,200 --> 00:44:07,560 Speaker 1: it's like Humble I had originally made because I knew 1068 00:44:07,600 --> 00:44:09,360 Speaker 1: Gucci was coming home the next day. So I'm like, 1069 00:44:09,480 --> 00:44:11,680 Speaker 1: if he don't like first day out the fest, I 1070 00:44:11,680 --> 00:44:13,680 Speaker 1: wanted to give him my urgent drinks. So I'm like, man, ship, 1071 00:44:13,719 --> 00:44:15,400 Speaker 1: if he don't like first day out the first, I'm 1072 00:44:15,400 --> 00:44:18,040 Speaker 1: gonna work around. Give him. God Damn, I'm gonna I'm 1073 00:44:18,040 --> 00:44:20,400 Speaker 1: gonna work around give him. Goddamn this humble joint, you 1074 00:44:20,400 --> 00:44:22,040 Speaker 1: know what I'm saying. I had made that beating like 1075 00:44:22,080 --> 00:44:23,840 Speaker 1: ten minutes, but I just knew it was like an 1076 00:44:23,920 --> 00:44:25,960 Speaker 1: urgent joint. I just know it was like this. So 1077 00:44:26,040 --> 00:44:27,759 Speaker 1: I was like, man, all right, cool, you know what 1078 00:44:27,760 --> 00:44:30,000 Speaker 1: I'm saying. I pull up on Gooch. He already did 1079 00:44:30,040 --> 00:44:31,840 Speaker 1: first day out the first I tried playing Humble. He 1080 00:44:31,920 --> 00:44:34,080 Speaker 1: was like, man, that's a club banger. Brother. I ain't 1081 00:44:34,200 --> 00:44:35,719 Speaker 1: you know what? I need some doc shop. I needed 1082 00:44:35,800 --> 00:44:37,560 Speaker 1: some hard ship. I'm just trying to wrap bro. I 1083 00:44:37,600 --> 00:44:39,759 Speaker 1: need some hard ship. I bet you know what I'm saying. 1084 00:44:39,760 --> 00:44:42,880 Speaker 1: So that beat also reminded me on something like West Coast, 1085 00:44:43,000 --> 00:44:46,120 Speaker 1: like easy type ship, so I sent it the dot, like, Bro, 1086 00:44:46,160 --> 00:44:47,920 Speaker 1: what you think about this and then you know what 1087 00:44:47,920 --> 00:44:50,160 Speaker 1: I'm saying. That's when Dot had got the Humble beat, 1088 00:44:50,160 --> 00:44:53,960 Speaker 1: but he had knocked out that beat. DNA says all 1089 00:44:53,960 --> 00:44:55,759 Speaker 1: in one week, you know what I'm saying. And then 1090 00:44:55,920 --> 00:44:59,680 Speaker 1: Dot was always saying, like Humble their Matches album. We 1091 00:44:59,680 --> 00:45:01,560 Speaker 1: was a are excited about DNA that was gonna be 1092 00:45:01,560 --> 00:45:03,480 Speaker 1: the single. You know what I'm saying. We're we're excited 1093 00:45:03,480 --> 00:45:06,280 Speaker 1: about that. But he always said Humbled the Matches album, 1094 00:45:06,320 --> 00:45:08,160 Speaker 1: and he was gonna give me Humble for ransom too, 1095 00:45:08,520 --> 00:45:10,520 Speaker 1: And I was like, I'm telling you, I think you 1096 00:45:10,520 --> 00:45:12,279 Speaker 1: know what I'm saying, you should use Humble. And then 1097 00:45:12,360 --> 00:45:14,680 Speaker 1: Top Dog her Humble and was like no, no, no, 1098 00:45:14,719 --> 00:45:17,000 Speaker 1: we can't get this one. The wright bro like like, bro, 1099 00:45:17,080 --> 00:45:18,680 Speaker 1: this's gotta be a single, you know what I'm saying. 1100 00:45:19,040 --> 00:45:22,319 Speaker 1: So Boom Dot ended up hit me back and was like, Bro, 1101 00:45:22,440 --> 00:45:24,960 Speaker 1: which one you think hard, the DNA or Humble. I'm like, bro, 1102 00:45:25,000 --> 00:45:27,240 Speaker 1: there are two different joints, like Humbles like a single. 1103 00:45:27,520 --> 00:45:30,040 Speaker 1: DNA is like, Yo, what the funk just happened? You 1104 00:45:30,040 --> 00:45:32,319 Speaker 1: know what I'm saying. So he's like, man, no, That's 1105 00:45:32,320 --> 00:45:34,880 Speaker 1: what I'm getting. He was like, we're trying to put 1106 00:45:34,880 --> 00:45:37,359 Speaker 1: out first, if you were to call it, and then 1107 00:45:37,440 --> 00:45:40,480 Speaker 1: I'm like, man Ship. It depends on when the album dropped, 1108 00:45:40,600 --> 00:45:43,400 Speaker 1: Like if the album gonna drop the next day, drop DNA. 1109 00:45:43,600 --> 00:45:45,719 Speaker 1: You know what I'm saying. If I'm gonna drop in 1110 00:45:45,760 --> 00:45:48,200 Speaker 1: a couple of weeks, try humble, because you know what 1111 00:45:48,200 --> 00:45:54,480 Speaker 1: I'm saying. That became the anther for the NBA and everything. Man, Man, 1112 00:45:54,520 --> 00:45:56,400 Speaker 1: we want to part surprise after that drink, you know 1113 00:45:56,440 --> 00:45:58,200 Speaker 1: what I'm saying. We want to parts of award off 1114 00:45:58,200 --> 00:45:59,800 Speaker 1: of that drint. We want to grab me off of 1115 00:45:59,840 --> 00:46:02,200 Speaker 1: that right. And it's crazy because you know what I'm saying. 1116 00:46:02,239 --> 00:46:04,320 Speaker 1: The song was nominated for a Grammy everything. You know 1117 00:46:04,320 --> 00:46:06,760 Speaker 1: what I'm saying. We were going up against desper Cito, 1118 00:46:06,880 --> 00:46:08,600 Speaker 1: all kind of all kind of different songs, you know 1119 00:46:08,600 --> 00:46:11,520 Speaker 1: what I'm saying. So next thing, you know, I'm talking 1120 00:46:11,560 --> 00:46:14,600 Speaker 1: to Bank Bank like, bro, you're gonna win that Grammar. 1121 00:46:15,320 --> 00:46:18,320 Speaker 1: I'm like, man Ship. Even if I don't win the Grammar, 1122 00:46:18,320 --> 00:46:20,279 Speaker 1: I feel like I did. Bro Nick is nominated for 1123 00:46:20,320 --> 00:46:23,640 Speaker 1: a Grammar, this song going crazy, like and everybody telling 1124 00:46:23,680 --> 00:46:25,879 Speaker 1: me like, bro, you'all gonna win, you know what I'm saying. 1125 00:46:25,880 --> 00:46:28,239 Speaker 1: But I'm just thinking like how the Grammars work. It 1126 00:46:28,239 --> 00:46:30,719 Speaker 1: would be them songs that you think gonna win that 1127 00:46:30,840 --> 00:46:34,080 Speaker 1: don't win, you know what I'm saying. So it's like yeah, 1128 00:46:34,120 --> 00:46:36,680 Speaker 1: So it's like, Man, at that point, it's like like 1129 00:46:37,640 --> 00:46:40,440 Speaker 1: I'm I'm I'm content with myself because we had already 1130 00:46:40,480 --> 00:46:43,360 Speaker 1: lost with Formation. I thought Formation should have won, you 1131 00:46:43,360 --> 00:46:45,359 Speaker 1: know what I'm saying. I just knew that was gonna win, 1132 00:46:45,640 --> 00:46:47,880 Speaker 1: but that one didn't win. So when we lost with that, 1133 00:46:48,320 --> 00:46:52,279 Speaker 1: I was already like comfortable, Yeah, comfortable enough for myself. Word. 1134 00:46:52,239 --> 00:46:54,360 Speaker 1: It's like, man, hey, bro, this ship nominated ship. I 1135 00:46:54,400 --> 00:46:56,439 Speaker 1: feel good one of these. But you're gonna win one day, 1136 00:46:56,560 --> 00:46:58,680 Speaker 1: you know what I'm saying. But we might we might 1137 00:46:58,719 --> 00:47:01,400 Speaker 1: lose against this desper cito some bank. Like hell, now, bro, 1138 00:47:01,440 --> 00:47:03,120 Speaker 1: you're gonna win the Grammar, but at least one of 1139 00:47:03,120 --> 00:47:05,399 Speaker 1: the motherfuckers. You're gonna bring one of the motherfuckers back home. 1140 00:47:05,480 --> 00:47:07,680 Speaker 1: I remember I was in New York. I'm like, man, 1141 00:47:08,320 --> 00:47:10,000 Speaker 1: all right, Ship, Man, I like, I like the way 1142 00:47:10,040 --> 00:47:12,120 Speaker 1: you're talking, bro. You know what I'm saying. Bro, I 1143 00:47:12,160 --> 00:47:14,120 Speaker 1: was on my phone in the car on the way 1144 00:47:14,160 --> 00:47:17,480 Speaker 1: to the Grammars Boom and I'm recording myself and I'm like, 1145 00:47:18,040 --> 00:47:23,000 Speaker 1: I'm like, hey, man, look man, Humble nominated for a Grammar. 1146 00:47:23,040 --> 00:47:24,399 Speaker 1: You know what I'm saying, Like, even if we don't 1147 00:47:24,400 --> 00:47:27,040 Speaker 1: win this motherfucker, like I feel like we still want 1148 00:47:27,080 --> 00:47:29,440 Speaker 1: out of that. And then my manager was like, whoa wait, wait, 1149 00:47:29,719 --> 00:47:32,359 Speaker 1: I just got the email congratulations, like well on your 1150 00:47:32,400 --> 00:47:34,520 Speaker 1: first wing, you know what I'm saying. And that's when 1151 00:47:34,520 --> 00:47:36,960 Speaker 1: I find out Humble one of Grammar. And then I 1152 00:47:37,040 --> 00:47:40,160 Speaker 1: called Bank. I'm like, nigga, how the hell they tell 1153 00:47:40,200 --> 00:47:43,359 Speaker 1: you before for that award? You know that award? They 1154 00:47:43,360 --> 00:47:45,960 Speaker 1: tell you only certain awards they hold off, you know 1155 00:47:45,960 --> 00:47:48,520 Speaker 1: what I'm saying, Like they hold off, but like certain 1156 00:47:48,520 --> 00:47:50,440 Speaker 1: awards that they can let you know before. You know 1157 00:47:50,440 --> 00:47:52,920 Speaker 1: what I'm saying, but like right before, like when you're 1158 00:47:52,920 --> 00:47:55,919 Speaker 1: pulling up to that ship. But it's like, um, yeah, 1159 00:47:56,040 --> 00:47:57,359 Speaker 1: you know what I'm saying. So I was like, man, 1160 00:47:57,400 --> 00:47:59,279 Speaker 1: that ship was just crazy. I called Bank, like how 1161 00:47:59,280 --> 00:48:01,400 Speaker 1: the fuck you call all that? Bro? Like how the 1162 00:48:01,400 --> 00:48:03,200 Speaker 1: fund you know that ship? And he was like, man, 1163 00:48:03,239 --> 00:48:05,560 Speaker 1: they got told you. You know what I'm saying. That 1164 00:48:05,640 --> 00:48:07,400 Speaker 1: was that was that was the first That was the 1165 00:48:07,480 --> 00:48:09,920 Speaker 1: first Grammy. So that right there goes back to what 1166 00:48:09,960 --> 00:48:12,120 Speaker 1: you were saying earlier as far as like you're rocking 1167 00:48:12,160 --> 00:48:14,600 Speaker 1: with a person behind the scenes and people be like, damn, 1168 00:48:14,640 --> 00:48:16,400 Speaker 1: why this person if they funk with you, why you 1169 00:48:16,440 --> 00:48:18,120 Speaker 1: ain't on the album? And I'm saying, you just gotta 1170 00:48:18,120 --> 00:48:20,560 Speaker 1: stay down with the ship into that ship work out. 1171 00:48:20,800 --> 00:48:22,880 Speaker 1: You know what I'm saying. This, This is my final 1172 00:48:22,880 --> 00:48:26,920 Speaker 1: The biggest question bad keep it real? How many wraps? 1173 00:48:27,920 --> 00:48:30,160 Speaker 1: Not seriously, like do you wrap? Do you be rapping? 1174 00:48:30,200 --> 00:48:36,319 Speaker 1: Sometimes you get hard, so you ain't never putting hard? 1175 00:48:37,239 --> 00:48:39,160 Speaker 1: Was hard when I was young. You ain't never put 1176 00:48:39,160 --> 00:48:41,600 Speaker 1: out no rapping. I ain't never heard no well like rapping. Though, 1177 00:48:41,640 --> 00:48:44,120 Speaker 1: I ain't gonna lie like you're at a bait. No, 1178 00:48:44,560 --> 00:48:48,560 Speaker 1: he heard a voice note, but but what's it called up? 1179 00:48:48,560 --> 00:48:52,279 Speaker 1: I ain't gonna lie, bro like I get on smoke 1180 00:48:52,320 --> 00:48:54,479 Speaker 1: cushot pop beings with Gucci. You know what I'm saying. 1181 00:48:54,640 --> 00:48:56,880 Speaker 1: I was a young nigger. I was a young nigger 1182 00:48:56,960 --> 00:48:58,400 Speaker 1: and I was in the studio and I played to 1183 00:48:58,440 --> 00:49:00,560 Speaker 1: be for Gucci, and I just went up like, bro, 1184 00:49:00,600 --> 00:49:03,080 Speaker 1: I got a verse hard to you know what I'm saying. 1185 00:49:03,400 --> 00:49:05,759 Speaker 1: And he was like, ship, get on that motherfucker. They 1186 00:49:05,800 --> 00:49:10,840 Speaker 1: got shot like you to get on that ship, so 1187 00:49:11,280 --> 00:49:13,480 Speaker 1: just making you just make these songs for yourself, Like no, 1188 00:49:13,680 --> 00:49:16,480 Speaker 1: you know what it was like I'm saying now, oh 1189 00:49:16,560 --> 00:49:18,520 Speaker 1: like no, I don't even I don't even well, I 1190 00:49:18,600 --> 00:49:20,279 Speaker 1: need to go in there, going in there, But I 1191 00:49:20,320 --> 00:49:22,839 Speaker 1: don't never lay nothing down. I ain't never. I ain't 1192 00:49:22,840 --> 00:49:27,240 Speaker 1: been in the boostince I was like like seventeen eighteens. 1193 00:49:27,239 --> 00:49:28,759 Speaker 1: You know what I'm saying. But the reason why I 1194 00:49:28,800 --> 00:49:30,799 Speaker 1: had to stopped rapping right then I had to make 1195 00:49:30,840 --> 00:49:32,759 Speaker 1: my decision when Goop said, man, get on in there. 1196 00:49:32,840 --> 00:49:34,640 Speaker 1: You know what I'm saying. The reason why I had 1197 00:49:34,680 --> 00:49:37,879 Speaker 1: to stop, like make my decision right then because it's like, man, 1198 00:49:37,920 --> 00:49:39,960 Speaker 1: all right, bro, what you want to do? Because you 1199 00:49:40,000 --> 00:49:42,080 Speaker 1: need to master something, you know what I'm saying, Like 1200 00:49:42,600 --> 00:49:44,880 Speaker 1: like if you're trying to be that producer, I'm coming here, 1201 00:49:44,960 --> 00:49:47,759 Speaker 1: got down, coming here, trying to rap and then got there, 1202 00:49:48,000 --> 00:49:49,879 Speaker 1: get your beats out, Like, man, what you want to do? 1203 00:49:50,040 --> 00:49:53,960 Speaker 1: You know what I'm sayings and do the music exactly 1204 00:49:54,080 --> 00:49:55,160 Speaker 1: what you want to do? You want to be the 1205 00:49:55,160 --> 00:49:57,560 Speaker 1: biggest gangster or the biggest rapper, you know what I'm saying. 1206 00:49:58,640 --> 00:50:01,279 Speaker 1: Do you ever feel like you want that? Like for 1207 00:50:01,320 --> 00:50:04,880 Speaker 1: real timber the moment like Mike will hit man, you're 1208 00:50:05,000 --> 00:50:07,400 Speaker 1: rapping and you did your own beat. Like, do you 1209 00:50:07,440 --> 00:50:10,160 Speaker 1: ever I'm not saying that, I'm just saying that, do 1210 00:50:10,200 --> 00:50:11,960 Speaker 1: you ever think about that? Do you ever vision that? 1211 00:50:12,480 --> 00:50:14,600 Speaker 1: I did? Vision it at one point? You know what 1212 00:50:14,600 --> 00:50:17,800 Speaker 1: I'm saying. And I haven't had that urge. You know 1213 00:50:17,840 --> 00:50:19,959 Speaker 1: what I'm saying, I haven't had that urge to really 1214 00:50:20,000 --> 00:50:21,879 Speaker 1: like to do it. But the reason why I had 1215 00:50:22,280 --> 00:50:24,480 Speaker 1: stopped rapping because I was like, man, I want to 1216 00:50:24,520 --> 00:50:26,840 Speaker 1: talk about like like I wanted to tell the truth, 1217 00:50:27,120 --> 00:50:28,560 Speaker 1: and I knew what I was rapping about. One of 1218 00:50:28,560 --> 00:50:31,000 Speaker 1: the truth I was talking about, like money, cars. I 1219 00:50:31,080 --> 00:50:33,640 Speaker 1: was seeing it for myself. I already knew. I was like, man, 1220 00:50:33,719 --> 00:50:35,360 Speaker 1: one day, IM gonna have a bad one dam to 1221 00:50:35,360 --> 00:50:36,960 Speaker 1: be able to get whatever whip I want. You know 1222 00:50:36,960 --> 00:50:39,000 Speaker 1: what I'm saying. I like pretty girls and you know 1223 00:50:39,000 --> 00:50:41,600 Speaker 1: what I'm saying, And god damn, I'm gonna goddamn always 1224 00:50:41,600 --> 00:50:44,200 Speaker 1: be fresh and I'm gonna always rock this, this, that that. 1225 00:50:44,440 --> 00:50:45,960 Speaker 1: But you know what I'm saying, I'm gonna just be clean. 1226 00:50:46,080 --> 00:50:47,759 Speaker 1: You know I'm saying, even if it ain't the most 1227 00:50:47,880 --> 00:50:50,560 Speaker 1: designer ship, I'm gonna just be a clean gass player, 1228 00:50:50,600 --> 00:50:52,400 Speaker 1: you know what I'm saying. So back then, when I 1229 00:50:52,400 --> 00:50:55,280 Speaker 1: was rapping that ship, I'll say certain ship from the soul, 1230 00:50:55,600 --> 00:50:57,320 Speaker 1: but it but it was like They're like, man, I 1231 00:50:57,320 --> 00:50:59,520 Speaker 1: ain't really got no money like that, and I ain't 1232 00:50:59,520 --> 00:51:03,600 Speaker 1: really got this ship like that. That's why for everybody though. Yeah, 1233 00:51:03,800 --> 00:51:07,279 Speaker 1: but I couldn't be speaking that roly into existance. They 1234 00:51:07,280 --> 00:51:09,120 Speaker 1: don't have it yet. Man. I had to do that 1235 00:51:09,160 --> 00:51:11,480 Speaker 1: behind the scenes. I couldn't jump out there like that 1236 00:51:11,640 --> 00:51:14,160 Speaker 1: to be rocking the Nigger ship. And just you know, 1237 00:51:14,200 --> 00:51:16,040 Speaker 1: I'm saying confident, like you know what I'm saying, Like 1238 00:51:16,160 --> 00:51:18,160 Speaker 1: I couln't. I couldn't do it. I couldn't do it, 1239 00:51:18,200 --> 00:51:19,840 Speaker 1: you know what I'm saying. So I just had the 1240 00:51:19,920 --> 00:51:23,360 Speaker 1: goddamn stop and just really start producing, like I know 1241 00:51:23,400 --> 00:51:25,200 Speaker 1: what this ship happsed to sound like. Bro, you know 1242 00:51:25,239 --> 00:51:26,719 Speaker 1: what I'm saying. Like you know I'm saying, I know 1243 00:51:26,760 --> 00:51:28,359 Speaker 1: what this ship was to sound like. I'm I'm gonna 1244 00:51:28,400 --> 00:51:31,120 Speaker 1: fucking music like nerd and I used to keep them 1245 00:51:31,120 --> 00:51:35,120 Speaker 1: off fucking walk man earphones on goddamn every album I'm 1246 00:51:35,160 --> 00:51:37,840 Speaker 1: buying that ship. I'm I'm in tune with like you 1247 00:51:37,840 --> 00:51:39,520 Speaker 1: know what I'm saying, how this ship proposed to sound? Bro. 1248 00:51:39,640 --> 00:51:41,759 Speaker 1: So it's like I'm I'm gonna far back and I'm 1249 00:51:41,760 --> 00:51:44,440 Speaker 1: gonna got down first mate beats. Then I'm gonna start 1250 00:51:44,480 --> 00:51:46,920 Speaker 1: producing the I'm gonna start producing hits. I'm gonna start 1251 00:51:46,960 --> 00:51:49,480 Speaker 1: executive producing albums, and you know what, I'm gonna take 1252 00:51:49,480 --> 00:51:52,760 Speaker 1: this producing ship all the way there. Gucci didn't already 1253 00:51:53,160 --> 00:51:56,080 Speaker 1: like also, like around the time we're doing Trap back, 1254 00:51:56,080 --> 00:51:58,439 Speaker 1: Guci had a long time with me, Like, Bro, Bro, 1255 00:51:58,800 --> 00:52:02,120 Speaker 1: Like what the fund you round? Nigga? Like, Man, Nigga, 1256 00:52:02,120 --> 00:52:04,239 Speaker 1: you don't think you're holding the frail, Bro, you don't 1257 00:52:04,239 --> 00:52:06,440 Speaker 1: think you're holding Doctor Drake. Bro, Like you don't think 1258 00:52:06,440 --> 00:52:09,080 Speaker 1: you're holding timber Man. Come on, Bro, Like, man, you 1259 00:52:09,120 --> 00:52:10,880 Speaker 1: post have been going up? Bro, Like what the are 1260 00:52:10,880 --> 00:52:13,280 Speaker 1: you doing? Bro? Is it? Because it is it? Because baby, 1261 00:52:13,440 --> 00:52:16,520 Speaker 1: do you think you would enjoy performance? No? Right, that's 1262 00:52:16,520 --> 00:52:17,960 Speaker 1: what I feel like. I feel like it ain't that 1263 00:52:18,080 --> 00:52:19,759 Speaker 1: I feel like your heart wouldn't be with the rest 1264 00:52:19,760 --> 00:52:21,239 Speaker 1: of the ship that come with it. But it's so 1265 00:52:21,400 --> 00:52:23,960 Speaker 1: it's so weird though, because it's like I did a 1266 00:52:24,239 --> 00:52:26,600 Speaker 1: I did like some DJ sets in front of Big crowds, 1267 00:52:26,840 --> 00:52:29,160 Speaker 1: and it's like I thought about it, like, bro, you're 1268 00:52:29,200 --> 00:52:31,440 Speaker 1: damn they're performing broping. You know what I'm saying. You 1269 00:52:31,440 --> 00:52:34,360 Speaker 1: know what I'm saying, Like, yeah, you're repping his other 1270 00:52:34,440 --> 00:52:36,839 Speaker 1: nig ship. But I don't want to be obligated to like, Okay, 1271 00:52:36,880 --> 00:52:38,520 Speaker 1: I have to go on the tour. I've never been 1272 00:52:38,960 --> 00:52:41,600 Speaker 1: on a whole tour, even when I went on Toward 1273 00:52:41,600 --> 00:52:44,760 Speaker 1: the Future to a restrim tour, it's like man, weekend 1274 00:52:45,120 --> 00:52:47,640 Speaker 1: a week you know what I'm saying. And that's it. Yeah, 1275 00:52:47,680 --> 00:52:50,200 Speaker 1: I cannot got things going the whole tour. I can't. 1276 00:52:50,400 --> 00:52:52,759 Speaker 1: I can't do all them interviews and then like you 1277 00:52:52,800 --> 00:52:54,439 Speaker 1: know what I'm saying, Like I was never really doing 1278 00:52:54,440 --> 00:52:56,640 Speaker 1: this ship for the fame, bro, Like I was doing 1279 00:52:56,640 --> 00:52:58,440 Speaker 1: it for the impact and for the money, you know 1280 00:52:58,440 --> 00:53:01,320 Speaker 1: what I'm saying. Like it was like more like I 1281 00:53:01,800 --> 00:53:04,120 Speaker 1: wanted to have big songs that had big impact. It's 1282 00:53:04,160 --> 00:53:06,560 Speaker 1: kind of like what it is nowadays, Like people know 1283 00:53:06,680 --> 00:53:08,920 Speaker 1: Mike Well have made it, they know the music, they 1284 00:53:08,920 --> 00:53:12,160 Speaker 1: know the production. It was a big impact, but some 1285 00:53:12,200 --> 00:53:13,800 Speaker 1: people might not know what I look like, you know 1286 00:53:13,800 --> 00:53:15,359 Speaker 1: what I'm saying. I could walk over here, I can 1287 00:53:15,400 --> 00:53:16,680 Speaker 1: go over there. You know what I'm saying. They might 1288 00:53:16,719 --> 00:53:18,000 Speaker 1: not know what I look like, they might not know 1289 00:53:18,000 --> 00:53:19,920 Speaker 1: who I am. I wan't doing it for the fun. 1290 00:53:20,000 --> 00:53:22,280 Speaker 1: I wannt doing it for the attention for a motherucker 1291 00:53:22,320 --> 00:53:24,400 Speaker 1: to just be like you know what I'm saying. Like, 1292 00:53:24,440 --> 00:53:26,359 Speaker 1: but if a person gets excited and they know who 1293 00:53:26,360 --> 00:53:28,440 Speaker 1: I am, and they and they do, you'll let me 1294 00:53:28,480 --> 00:53:29,920 Speaker 1: get an autogram, let me take a picture. You know 1295 00:53:29,960 --> 00:53:31,920 Speaker 1: what I'm saying. I showed love. It's all good, but 1296 00:53:32,040 --> 00:53:33,879 Speaker 1: I want't doing it for that. Some people just doing 1297 00:53:33,880 --> 00:53:35,760 Speaker 1: it just straight for the attention, you know what I'm saying. 1298 00:53:35,960 --> 00:53:38,560 Speaker 1: And I and then I also you know what I'm saying. 1299 00:53:39,280 --> 00:53:41,440 Speaker 1: We we didn't have everything like I was trying to 1300 00:53:41,480 --> 00:53:43,319 Speaker 1: come up. I told my mom like ship man, I'm 1301 00:53:43,320 --> 00:53:46,720 Speaker 1: gonna change. I'm changing everything up, like I'm changing everything 1302 00:53:46,800 --> 00:53:48,680 Speaker 1: up for us boom. You know what I'm saying. So 1303 00:53:48,800 --> 00:53:51,200 Speaker 1: I was doing it for the money too, But I 1304 00:53:51,320 --> 00:53:54,960 Speaker 1: wasn't only money hungry or money driven like the first 1305 00:53:55,719 --> 00:53:58,080 Speaker 1: like all the way up to until like two thousand 1306 00:53:58,040 --> 00:54:00,799 Speaker 1: and eleven, I won't getting paid for no beats like 1307 00:54:00,840 --> 00:54:02,440 Speaker 1: all that mixtape should I was doing. I want to 1308 00:54:02,440 --> 00:54:04,520 Speaker 1: getting paid for no beats, so I want I want 1309 00:54:04,560 --> 00:54:06,640 Speaker 1: never that producer either that was like, oh, I ain't 1310 00:54:06,640 --> 00:54:08,960 Speaker 1: getting paid, I ain't pulling up. No, I'm pulling up. 1311 00:54:09,560 --> 00:54:11,880 Speaker 1: You know what I'm saying. I'm pulling up on everybody session. 1312 00:54:11,920 --> 00:54:15,040 Speaker 1: Every studio in Atlanta was working on my beat at 1313 00:54:15,080 --> 00:54:16,719 Speaker 1: one point. You know I'm saying, I'll pull up the 1314 00:54:16,719 --> 00:54:19,759 Speaker 1: hot beats. A room be room, see room working on 1315 00:54:19,840 --> 00:54:21,920 Speaker 1: my beat, pull up the patchwork. You know what I'm saying. 1316 00:54:21,920 --> 00:54:23,520 Speaker 1: A room b room working on my beat. Go to 1317 00:54:23,600 --> 00:54:26,080 Speaker 1: eleven Street, the a room b room working on my beat. 1318 00:54:26,160 --> 00:54:29,160 Speaker 1: Put up on two chains on God damn, um on 1319 00:54:29,160 --> 00:54:31,960 Speaker 1: on that boom. He working on my beat. And then 1320 00:54:32,000 --> 00:54:33,960 Speaker 1: if if it's some cats that I might have met 1321 00:54:34,000 --> 00:54:35,480 Speaker 1: in the street, or you know what I'm saying, I 1322 00:54:35,560 --> 00:54:37,480 Speaker 1: might have met at the clubs or whatever I put 1323 00:54:37,520 --> 00:54:39,680 Speaker 1: up at their track spot whatever. You know what I'm saying, 1324 00:54:39,719 --> 00:54:42,319 Speaker 1: play them some beats, Give them some beats. Everybody working 1325 00:54:42,320 --> 00:54:44,640 Speaker 1: on my beats. I'm doing this ship that got down 1326 00:54:44,680 --> 00:54:47,520 Speaker 1: eleven am, twelve pm. All the way they got down 1327 00:54:47,840 --> 00:54:49,560 Speaker 1: four or five in the morning, that I'm going all 1328 00:54:49,560 --> 00:54:51,120 Speaker 1: the way back the car. I'm gonna wake up the 1329 00:54:51,120 --> 00:54:53,960 Speaker 1: next day, do the same ship until I got them. 1330 00:54:54,000 --> 00:54:56,120 Speaker 1: We've been cut THEMN. You know what I'm saying, until 1331 00:54:56,160 --> 00:54:57,759 Speaker 1: we got a real wave. You know what I'm saying, 1332 00:54:57,800 --> 00:54:59,760 Speaker 1: until we're making a real impact. You know what I'm saying. 1333 00:55:00,200 --> 00:55:04,200 Speaker 1: Like and and certain people would will get it confused, 1334 00:55:04,200 --> 00:55:05,960 Speaker 1: were like, man, this nigger got there and to be 1335 00:55:06,520 --> 00:55:08,520 Speaker 1: blowing me up. This nigga to be tripping knock. But 1336 00:55:08,600 --> 00:55:11,080 Speaker 1: I'm just trying to get that. I see you working. 1337 00:55:11,200 --> 00:55:13,279 Speaker 1: I just saw you in the club. I saw you 1338 00:55:13,320 --> 00:55:15,640 Speaker 1: got down perform. I got your number. I got your 1339 00:55:15,719 --> 00:55:17,760 Speaker 1: number for this. I didn't get your number that goddamn 1340 00:55:17,840 --> 00:55:19,560 Speaker 1: just say I got your number. I got your number 1341 00:55:19,560 --> 00:55:21,080 Speaker 1: so I can got them pull up on you and 1342 00:55:21,120 --> 00:55:22,520 Speaker 1: we can make a banker right quick. You know what 1343 00:55:22,560 --> 00:55:30,200 Speaker 1: I'm saying up so like so like whenever I used 1344 00:55:30,200 --> 00:55:32,759 Speaker 1: to be calling the nigga bank his as had my 1345 00:55:32,880 --> 00:55:37,400 Speaker 1: favorite song that stopped playing. Man Man, he was around 1346 00:55:38,920 --> 00:55:42,360 Speaker 1: the episode. I bet you ain't got fitty songs. I 1347 00:55:42,360 --> 00:55:45,279 Speaker 1: got playlist. I ain't got no figure of playlist. It 1348 00:55:45,320 --> 00:55:50,960 Speaker 1: ain't fit. I'm gonna find he man, man man, my 1349 00:55:51,000 --> 00:55:53,000 Speaker 1: boys riding around, we were riding around to that guy 1350 00:55:53,080 --> 00:55:55,080 Speaker 1: down stopped playing. You know what I'm saying, like, like 1351 00:55:55,120 --> 00:56:00,200 Speaker 1: a motherfucker, and I'm calling this man, like what you 1352 00:56:00,239 --> 00:56:01,960 Speaker 1: got damn going? What you got going on? Are you 1353 00:56:02,040 --> 00:56:04,359 Speaker 1: in the studio? You know what I'm saying. I'm gonna 1354 00:56:04,400 --> 00:56:05,640 Speaker 1: let you know what I get in the studio, or 1355 00:56:05,840 --> 00:56:08,120 Speaker 1: I'm just gonna keep you in the voicemail. You're like, Man, 1356 00:56:08,120 --> 00:56:13,200 Speaker 1: a fucking man. You know what I'm saying, O Trumple 1357 00:56:13,280 --> 00:56:14,640 Speaker 1: just came over the hell trouble. Let you know what 1358 00:56:14,680 --> 00:56:16,800 Speaker 1: I'm saying. I'm gonna funk with the duct take niggers 1359 00:56:16,880 --> 00:56:18,920 Speaker 1: because they're moving out here. Bro. You know what I'm saying. 1360 00:56:19,000 --> 00:56:22,200 Speaker 1: Like everybody know that. You know what I'm saying. They're moving. 1361 00:56:22,239 --> 00:56:24,399 Speaker 1: So it's like it's like, man boom, I'm calling all 1362 00:56:24,400 --> 00:56:26,920 Speaker 1: of them. I'm calling got them, my boy Elorado, I'm 1363 00:56:26,920 --> 00:56:29,960 Speaker 1: calling oj the Juice Man, I'm calling got them, Gucci, 1364 00:56:30,160 --> 00:56:35,160 Speaker 1: I'm calling to Chains, I'm calling you know what I'm saying, everybody, 1365 00:56:35,400 --> 00:56:38,080 Speaker 1: bank roll my boy Jack. You know what I'm saying, 1366 00:56:39,920 --> 00:56:43,000 Speaker 1: got damn You know what I'm saying. Everybody from the city, bro, 1367 00:56:43,200 --> 00:56:46,120 Speaker 1: Like everybody, Bro, you know what I'm saying. Until we 1368 00:56:46,200 --> 00:56:48,600 Speaker 1: got damn make a banger, man, people were just talking 1369 00:56:48,600 --> 00:56:51,440 Speaker 1: about that ship man walking home Pee two man ter 1370 00:56:53,920 --> 00:56:57,120 Speaker 1: so look so like whenever I talk about you to anybody, 1371 00:56:57,280 --> 00:57:03,960 Speaker 1: I always call you the musical Maven of Marietta like 1372 00:57:04,120 --> 00:57:06,560 Speaker 1: in real life because you like, it's just like you're 1373 00:57:06,600 --> 00:57:09,680 Speaker 1: just so incredible and you do so much. But another 1374 00:57:09,800 --> 00:57:11,640 Speaker 1: thing that I think a lot of people might not 1375 00:57:11,680 --> 00:57:13,960 Speaker 1: know about that I want you to expand on is 1376 00:57:14,400 --> 00:57:17,920 Speaker 1: the Free Wishes Foundation making wishes matter. I'm sorry, not 1377 00:57:17,960 --> 00:57:20,640 Speaker 1: pree wishes apologize. No, No No, that's all good. And it's 1378 00:57:20,680 --> 00:57:23,680 Speaker 1: like you do you do a lot like and you 1379 00:57:23,760 --> 00:57:26,360 Speaker 1: don't I know, you're not a credit person, so you 1380 00:57:26,360 --> 00:57:28,920 Speaker 1: don't really talk about it. But it's like you do 1381 00:57:29,000 --> 00:57:31,440 Speaker 1: a lot for a lot of people, from like kids 1382 00:57:31,560 --> 00:57:35,600 Speaker 1: to the old people to like all this kind of money, 1383 00:57:35,640 --> 00:57:40,880 Speaker 1: you know, that's all this ship, that's what that's that's 1384 00:57:40,880 --> 00:57:43,040 Speaker 1: all this ship about what kind of money ahead? I 1385 00:57:43,080 --> 00:57:45,360 Speaker 1: ain't gonna lie. That's that's the thing that you always 1386 00:57:45,480 --> 00:57:47,800 Speaker 1: keep as a mystery, you know what I'm saying. Because 1387 00:57:47,800 --> 00:57:51,440 Speaker 1: a person always gonna underestimate you or overestimate you. Somebody's 1388 00:57:51,440 --> 00:57:58,320 Speaker 1: gonna be like man bron But it's like she said, 1389 00:57:58,320 --> 00:58:02,760 Speaker 1: I got nothing fine me one time I'm wearing that. 1390 00:58:03,520 --> 00:58:06,240 Speaker 1: But but was like, I looked like it's like man. 1391 00:58:06,680 --> 00:58:08,600 Speaker 1: Like a person. I always a person could look at 1392 00:58:08,640 --> 00:58:11,200 Speaker 1: and be like man, Yo, he'd be with jay Z 1393 00:58:11,280 --> 00:58:14,080 Speaker 1: and Beyonce, but that man gotta be in or a 1394 00:58:14,120 --> 00:58:16,640 Speaker 1: person could be like man. Y'all then put up in 1395 00:58:16,640 --> 00:58:18,600 Speaker 1: a white tea and some flipflopers on. Bro, he didn't 1396 00:58:18,640 --> 00:58:20,080 Speaker 1: have only got that this isn't that. But I know 1397 00:58:20,120 --> 00:58:22,080 Speaker 1: I'm getting my money in that niggy out the streets. 1398 00:58:22,560 --> 00:58:24,800 Speaker 1: You know what I'm saying. Both of them lying, yeah, 1399 00:58:25,280 --> 00:58:27,640 Speaker 1: you know what I'm saying. Both online. You know what 1400 00:58:27,640 --> 00:58:29,800 Speaker 1: I'm saying. So like at the end of the day, 1401 00:58:30,120 --> 00:58:31,800 Speaker 1: you know what I'm saying, Like that's the thing you 1402 00:58:31,880 --> 00:58:34,160 Speaker 1: always leaving that mystery? Bro. You know what I'm saying, 1403 00:58:34,240 --> 00:58:37,000 Speaker 1: far how much money? But I ain't saying how much 1404 00:58:37,000 --> 00:58:40,320 Speaker 1: I said with cand of okay, okay, you know it's 1405 00:58:40,320 --> 00:58:42,960 Speaker 1: a different kind of do the funk I want to do. 1406 00:58:43,560 --> 00:58:45,600 Speaker 1: I want to just go buy me. I feel like 1407 00:58:45,600 --> 00:58:49,520 Speaker 1: I'm a grown man. I'm saying. I feel like I'm 1408 00:58:49,520 --> 00:58:53,200 Speaker 1: a grown man. Bro. You know what I'm saying. I 1409 00:58:53,240 --> 00:58:55,240 Speaker 1: just feel like I'm a grown man. Like like could 1410 00:58:55,240 --> 00:58:56,880 Speaker 1: they say man do what they want. Boys do what 1411 00:58:56,920 --> 00:58:58,680 Speaker 1: they can, you know what I'm saying, Like, I just 1412 00:58:58,680 --> 00:59:03,960 Speaker 1: feel like I'm a grown man. Hello, Okay, but I 1413 00:59:04,000 --> 00:59:07,200 Speaker 1: feel like with the making wishes matter though, like making 1414 00:59:07,240 --> 00:59:11,800 Speaker 1: wishes matter, I never You're right, j I never. I 1415 00:59:11,920 --> 00:59:14,720 Speaker 1: never did anything for like credit, you know what I'm saying. 1416 00:59:14,720 --> 00:59:17,000 Speaker 1: Like me and my pops always get into it about 1417 00:59:17,080 --> 00:59:19,040 Speaker 1: this every year, you know what I'm saying. I remember 1418 00:59:19,040 --> 00:59:23,080 Speaker 1: one year we were we were at at Grady and 1419 00:59:23,640 --> 00:59:25,760 Speaker 1: you were helping me paint the ship with the kids. 1420 00:59:26,200 --> 00:59:28,440 Speaker 1: And then a couple of days later we were at 1421 00:59:28,440 --> 00:59:31,640 Speaker 1: the old Well the nursing home, like feeding the nurses, 1422 00:59:33,000 --> 00:59:37,120 Speaker 1: sharioke with the older people, and they like and even 1423 00:59:37,120 --> 00:59:40,160 Speaker 1: if they didn't have a full scope or understanding of 1424 00:59:40,200 --> 00:59:44,280 Speaker 1: who you were, they like who totally were in love 1425 00:59:44,320 --> 00:59:47,200 Speaker 1: with you because you took the time with them, like 1426 00:59:47,320 --> 00:59:51,800 Speaker 1: they were like each one of those older people were important. Yeah, 1427 00:59:51,840 --> 00:59:53,320 Speaker 1: Like that was like each one of them was your 1428 00:59:53,360 --> 00:59:56,040 Speaker 1: grandma or like your grandpa, like your untie or some ship. 1429 00:59:56,160 --> 00:59:59,200 Speaker 1: And and that ship was like man, that ship, I 1430 00:59:59,240 --> 01:00:01,200 Speaker 1: can't like know how you get the feeling when you 1431 01:00:01,200 --> 01:00:03,440 Speaker 1: hear some ship, like you can't explain it, like to 1432 01:00:03,560 --> 01:00:06,600 Speaker 1: see that like with all that you have going on 1433 01:00:06,680 --> 01:00:09,480 Speaker 1: and like with all that you we're doing, and you 1434 01:00:09,480 --> 01:00:10,800 Speaker 1: know what I'm saying, all that kind of ship for 1435 01:00:10,840 --> 01:00:13,000 Speaker 1: you to do that and take that kind of time 1436 01:00:13,040 --> 01:00:17,000 Speaker 1: and make these people feel important for a day like 1437 01:00:17,400 --> 01:00:20,760 Speaker 1: that ship was like really almost brought it negative tears 1438 01:00:20,800 --> 01:00:24,640 Speaker 1: like whatever. Like that was like also real ship, I 1439 01:00:24,640 --> 01:00:26,960 Speaker 1: don't I don't do anything unless I'm passionate about it, 1440 01:00:27,000 --> 01:00:28,720 Speaker 1: you know what I'm saying, Like I don't really you 1441 01:00:28,720 --> 01:00:30,520 Speaker 1: know what I'm saying. And it's like because I know 1442 01:00:30,520 --> 01:00:31,960 Speaker 1: I'm gonna give my whole heart to it, you know, 1443 01:00:32,080 --> 01:00:35,280 Speaker 1: saying That's why I'd be a letdown sometimes. But with artists, 1444 01:00:35,320 --> 01:00:36,720 Speaker 1: you know what I'm saying, when you when you put 1445 01:00:36,760 --> 01:00:39,240 Speaker 1: your whole heart into something and then be like the 1446 01:00:39,320 --> 01:00:41,760 Speaker 1: energy is not matching, it's like he's being difficult or 1447 01:00:41,800 --> 01:00:43,600 Speaker 1: he's you know what I'm saying, Like it's like damn 1448 01:00:43,640 --> 01:00:45,160 Speaker 1: bro all I'm trying to do. It's God that make 1449 01:00:45,240 --> 01:00:48,080 Speaker 1: us the best joint. But like with making wisious matter, 1450 01:00:48,160 --> 01:00:50,240 Speaker 1: I came up with this thing like like a couple 1451 01:00:50,280 --> 01:00:52,760 Speaker 1: of years ago, like three years ago, like called wish Week, 1452 01:00:53,120 --> 01:00:54,920 Speaker 1: and that's what Jay is talking about you know what 1453 01:00:54,960 --> 01:00:58,000 Speaker 1: I'm saying, And it's like UM, and it's like and 1454 01:00:58,360 --> 01:01:01,160 Speaker 1: basically we just pull up on on different kind of 1455 01:01:01,200 --> 01:01:03,440 Speaker 1: groups of people. Like we we go over here to 1456 01:01:03,880 --> 01:01:07,080 Speaker 1: like this um this UM shelter, you know what I'm saying, 1457 01:01:07,080 --> 01:01:08,520 Speaker 1: and it's like all the kids and that we just 1458 01:01:08,600 --> 01:01:10,400 Speaker 1: bring all the kids toys, you know what I'm saying. 1459 01:01:10,400 --> 01:01:13,400 Speaker 1: Then we rented out and Dready's and like I runt 1460 01:01:13,400 --> 01:01:15,040 Speaker 1: it out and Dready for like two three years in 1461 01:01:15,040 --> 01:01:17,240 Speaker 1: a row. And it's like I paid for all the games. 1462 01:01:17,240 --> 01:01:19,680 Speaker 1: So all the kids running around that motherfucker just playing 1463 01:01:19,720 --> 01:01:22,000 Speaker 1: the games, riding and gold card for free. And then 1464 01:01:22,000 --> 01:01:24,160 Speaker 1: they got Santa Claus in the big room and then 1465 01:01:24,200 --> 01:01:27,120 Speaker 1: the whole room is filled with toys. So you know 1466 01:01:27,120 --> 01:01:29,200 Speaker 1: what I'm saying. Anybody who like you know what I'm saying, 1467 01:01:29,200 --> 01:01:31,480 Speaker 1: didn't have toys for their kids and call you know 1468 01:01:31,480 --> 01:01:34,000 Speaker 1: what I'm saying, they're coming there again, too many toys 1469 01:01:34,000 --> 01:01:36,640 Speaker 1: for their kids, their nephews, the you know what I'm saying, 1470 01:01:36,680 --> 01:01:40,640 Speaker 1: their cousins, everybody leaving to UM. We went to Cleveland 1471 01:01:40,720 --> 01:01:42,440 Speaker 1: with kids and going up and we went to the 1472 01:01:42,480 --> 01:01:45,200 Speaker 1: hamp with Rio and we gave out. We had a 1473 01:01:45,200 --> 01:01:47,680 Speaker 1: whole bunch of the ships. Funny, we had a whole 1474 01:01:47,680 --> 01:01:51,320 Speaker 1: bunch of like swimming pools left over, so we were 1475 01:01:51,360 --> 01:01:53,680 Speaker 1: giving out like the swim pulls and ship even though 1476 01:01:53,680 --> 01:01:57,200 Speaker 1: it's December. So kid and Gunning and everybody came up 1477 01:01:57,240 --> 01:01:59,720 Speaker 1: with this idea that we were gonna kick it to 1478 01:01:59,760 --> 01:02:04,520 Speaker 1: the kid is like these were hot tubs. Then we 1479 01:02:04,560 --> 01:02:07,120 Speaker 1: came out the swimbles and a little kids, but they 1480 01:02:07,160 --> 01:02:09,600 Speaker 1: were thinking in their mind that they were getting hot tubs. 1481 01:02:09,600 --> 01:02:16,320 Speaker 1: So they were going on and we got hot tubs us. 1482 01:02:16,480 --> 01:02:18,920 Speaker 1: That was like two years ago. Like we had like 1483 01:02:18,960 --> 01:02:22,400 Speaker 1: a um, we had like a truck full of goddamn toys. 1484 01:02:22,480 --> 01:02:24,400 Speaker 1: Like you know what I'm saying, because it's crazy, like 1485 01:02:24,400 --> 01:02:26,800 Speaker 1: like you know something mess with my man Steve burn me, 1486 01:02:26,880 --> 01:02:29,280 Speaker 1: Like you know what I'm saying, and like he he 1487 01:02:29,440 --> 01:02:31,440 Speaker 1: like over like a lot of toys and stuff like 1488 01:02:31,640 --> 01:02:33,400 Speaker 1: in the world, you know what I'm saying. So like 1489 01:02:33,480 --> 01:02:36,240 Speaker 1: we always team up and make things happen. Man salute 1490 01:02:36,280 --> 01:02:39,000 Speaker 1: to him. And like we had like a whole truck 1491 01:02:39,040 --> 01:02:42,560 Speaker 1: of toys and so Gunna heard we had a whole 1492 01:02:42,600 --> 01:02:44,520 Speaker 1: bunch of toys left over for which week. What I'm 1493 01:02:44,520 --> 01:02:46,480 Speaker 1: saying so it was like Gunna was supposed to be 1494 01:02:46,480 --> 01:02:48,240 Speaker 1: doing something on the south side of the walmart. So 1495 01:02:48,280 --> 01:02:49,960 Speaker 1: I was like, bro, I'm pull up on you and 1496 01:02:50,240 --> 01:02:52,280 Speaker 1: with you know what I'm saying, So put up on him. 1497 01:02:52,520 --> 01:02:55,760 Speaker 1: When we had the whole truck and then um, next thing, 1498 01:02:55,800 --> 01:02:58,080 Speaker 1: you know, like man, I'm talking about the whole net, 1499 01:02:58,120 --> 01:02:59,560 Speaker 1: got them lined up, you know what I'm saying. We 1500 01:02:59,640 --> 01:03:02,200 Speaker 1: just passing out toys. And then we tended up with 1501 01:03:02,200 --> 01:03:04,960 Speaker 1: my brother trying and like he's teamed up with all 1502 01:03:05,000 --> 01:03:07,400 Speaker 1: the all the farmers in Georgia, you know what I'm saying. 1503 01:03:07,400 --> 01:03:10,080 Speaker 1: So we had like fresh produce out there, you know 1504 01:03:10,080 --> 01:03:11,800 Speaker 1: what I'm saying, Like everything out there, and we're just 1505 01:03:12,040 --> 01:03:13,720 Speaker 1: handing out that because you know, you never know who 1506 01:03:13,800 --> 01:03:16,080 Speaker 1: needs help. We're like some people need help with toys, 1507 01:03:16,080 --> 01:03:17,480 Speaker 1: and then some people need help with like you know 1508 01:03:17,520 --> 01:03:19,439 Speaker 1: what having that Christmas dinner, you know what I'm saying. 1509 01:03:19,440 --> 01:03:21,480 Speaker 1: So it's like we're trying to make sure everybody have 1510 01:03:21,640 --> 01:03:25,360 Speaker 1: like a fire at Christmas dinner and having toys and everything, 1511 01:03:25,480 --> 01:03:27,720 Speaker 1: you know I'm saying. So boom. We started out on 1512 01:03:27,760 --> 01:03:29,920 Speaker 1: the net, then we went to Cleveland put up on 1513 01:03:30,000 --> 01:03:32,400 Speaker 1: Key Boom. It was a whole line right there. You 1514 01:03:32,400 --> 01:03:38,800 Speaker 1: know what I'm saying, Uh what the ya? Kmark? Yeah, 1515 01:03:38,840 --> 01:03:40,800 Speaker 1: you know I'm saying. Kmark used to be right there. Boom. 1516 01:03:41,080 --> 01:03:45,360 Speaker 1: Then we left there and we went to the shout 1517 01:03:45,400 --> 01:03:47,040 Speaker 1: out the rio, you know what I'm saying. We went 1518 01:03:47,080 --> 01:03:49,640 Speaker 1: to the hamp We put them to the apartments. Everybody 1519 01:03:49,640 --> 01:03:51,760 Speaker 1: lined up. Boom. We're passing out the toys. But my 1520 01:03:51,920 --> 01:03:54,880 Speaker 1: Pops is telling me like, Yo, why the hell aren't 1521 01:03:54,920 --> 01:03:56,960 Speaker 1: you putting this on on on the news? Like why 1522 01:03:56,960 --> 01:04:00,400 Speaker 1: aren't you putting this out? I'm like, yo, shout out 1523 01:04:00,400 --> 01:04:04,800 Speaker 1: of a little pops man. But he'd be right. I 1524 01:04:04,840 --> 01:04:06,919 Speaker 1: know he'd be right. I'll be hearing them, but it'd 1525 01:04:06,920 --> 01:04:10,560 Speaker 1: be like, man, my heart is just like, man, I 1526 01:04:10,600 --> 01:04:12,640 Speaker 1: ain't really I want doing this to put it on 1527 01:04:12,680 --> 01:04:14,560 Speaker 1: the news, Like I'm really just doing it just to 1528 01:04:14,800 --> 01:04:16,400 Speaker 1: know what I'm saying. Touch the city right quick, you 1529 01:04:16,400 --> 01:04:18,880 Speaker 1: know what I'm saying. But if like the news. I 1530 01:04:18,920 --> 01:04:20,680 Speaker 1: was just thinking, like, man, once we put this out, 1531 01:04:20,720 --> 01:04:22,360 Speaker 1: the news gonna put it on, like you know what 1532 01:04:22,400 --> 01:04:24,760 Speaker 1: I'm saying. He's like, no, No, like the news. They 1533 01:04:24,760 --> 01:04:26,600 Speaker 1: were trying to get an interview with you when you 1534 01:04:26,680 --> 01:04:28,840 Speaker 1: when you pulled up over here, but you put up 1535 01:04:29,280 --> 01:04:32,240 Speaker 1: like right after they left and then who wo And 1536 01:04:32,240 --> 01:04:33,560 Speaker 1: then you know what I'm saying, He's like, man, you're 1537 01:04:33,560 --> 01:04:37,200 Speaker 1: pulling up to all these different neighborhoods, like Cloud Changing one. Yeah, 1538 01:04:37,480 --> 01:04:39,080 Speaker 1: you know what I'm saying, Like something the camera crew 1539 01:04:39,120 --> 01:04:45,880 Speaker 1: with you passing that ship. No publicity motivating other people 1540 01:04:45,880 --> 01:04:48,640 Speaker 1: to do this ship is good if it is publicized 1541 01:04:48,640 --> 01:04:50,960 Speaker 1: and it might make some other names. They should be 1542 01:04:51,000 --> 01:04:54,560 Speaker 1: doing this, you know, but and showing people like, Okay, 1543 01:04:54,600 --> 01:04:57,680 Speaker 1: he's not just this producer that's associated with this song. 1544 01:04:57,960 --> 01:04:59,800 Speaker 1: You know what I'm saying, He's actually a person's out 1545 01:04:59,800 --> 01:05:04,640 Speaker 1: here from Atlanta. Actually a person. Yeah, and that's all 1546 01:05:04,680 --> 01:05:07,000 Speaker 1: my Pops was saying, Like people know who the people 1547 01:05:07,040 --> 01:05:11,720 Speaker 1: who you did for. They know that. But but but 1548 01:05:11,800 --> 01:05:13,960 Speaker 1: at the same time, that's real. But then at the 1549 01:05:13,960 --> 01:05:15,560 Speaker 1: same time, I go back to what Jay saying, like 1550 01:05:15,560 --> 01:05:17,400 Speaker 1: a lot of these people don't even know who I was. 1551 01:05:17,760 --> 01:05:20,840 Speaker 1: They're just like this, y'all, nigga put it together. Okay, 1552 01:05:21,000 --> 01:05:22,360 Speaker 1: you know what I'm saying. He and they just knew, 1553 01:05:22,520 --> 01:05:25,800 Speaker 1: like this is the person that cared and gave a 1554 01:05:25,840 --> 01:05:29,040 Speaker 1: funk about us, and that is trying to make us 1555 01:05:29,560 --> 01:05:32,360 Speaker 1: forget about all our troubles for a day exactly. You know. 1556 01:05:32,480 --> 01:05:35,280 Speaker 1: So I put up on a lady at all um 1557 01:05:35,320 --> 01:05:39,080 Speaker 1: like like at a like at a motel, at random motel. 1558 01:05:39,160 --> 01:05:41,440 Speaker 1: Like you know what I'm saying, boom dropped off. You 1559 01:05:41,440 --> 01:05:43,439 Speaker 1: know what I'm saying, some dinner and all that, you know, saying, 1560 01:05:43,440 --> 01:05:45,440 Speaker 1: her and their kids were in this motel. They couldn't 1561 01:05:45,440 --> 01:05:47,400 Speaker 1: even believe I pulled up over there. You know I'm saying, 1562 01:05:47,440 --> 01:05:49,800 Speaker 1: I pulled up over there. But it was like, you know, 1563 01:05:49,840 --> 01:05:52,440 Speaker 1: I'm saying what pops are saying. Like certain people might 1564 01:05:52,480 --> 01:05:54,840 Speaker 1: be like, oh yeah, Mike Willdom in Hollywood, man, you know, 1565 01:05:54,920 --> 01:05:56,160 Speaker 1: he's just being l a you know what I'm saying, 1566 01:05:56,160 --> 01:05:57,560 Speaker 1: He's just being the Hills. You know what I'm saying. 1567 01:05:57,560 --> 01:05:59,360 Speaker 1: He don't even got them being in Atlanta, no more, 1568 01:05:59,480 --> 01:06:01,240 Speaker 1: like he don't even be around you know what I'm saying. 1569 01:06:01,280 --> 01:06:03,160 Speaker 1: And then you got you know what I'm saying, certain 1570 01:06:03,160 --> 01:06:04,880 Speaker 1: people that are like, no, no, bro pulled out to 1571 01:06:04,920 --> 01:06:06,480 Speaker 1: the hemp and he got them on one over here. 1572 01:06:06,800 --> 01:06:08,360 Speaker 1: They might know about it, you know what I'm saying, 1573 01:06:08,680 --> 01:06:11,280 Speaker 1: just by just by being tapped in. But then if 1574 01:06:11,280 --> 01:06:13,479 Speaker 1: it was on the news that everybody in the city 1575 01:06:13,480 --> 01:06:15,600 Speaker 1: would know at least like, no, bro, don't be on 1576 01:06:15,640 --> 01:06:20,120 Speaker 1: the Hollywood ship like I want. I don't know what 1577 01:06:20,200 --> 01:06:23,520 Speaker 1: that is. You know, I got, I got, I got 1578 01:06:23,600 --> 01:06:28,200 Speaker 1: my I'm like you got. I feel like to me, 1579 01:06:28,320 --> 01:06:32,560 Speaker 1: Hollywood ships like people like not being able to think 1580 01:06:32,600 --> 01:06:34,760 Speaker 1: past a certain level, you know what I'm saying. So 1581 01:06:35,040 --> 01:06:37,040 Speaker 1: certain people that say, like, man, you're on some guys 1582 01:06:37,040 --> 01:06:39,920 Speaker 1: down Hollywood ship, like they might not ever been to Hollywood, 1583 01:06:39,960 --> 01:06:42,800 Speaker 1: so Hollywood, Hollywood is the biggest thing in their minds. 1584 01:06:42,800 --> 01:06:44,520 Speaker 1: So it's like, man, you want some out of here ship, 1585 01:06:44,600 --> 01:06:46,600 Speaker 1: like you just on some thank you, You're just too 1586 01:06:46,640 --> 01:06:48,120 Speaker 1: good for you know what I'm saying. But if you 1587 01:06:48,160 --> 01:06:50,440 Speaker 1: really go to Hollywood as dirty as fun, you know 1588 01:06:50,440 --> 01:06:53,120 Speaker 1: what I'm saying, Like it's really nasty as fun. I'm 1589 01:06:53,160 --> 01:06:55,200 Speaker 1: never on the Hollywood ship. If anything, I'm on some 1590 01:06:55,240 --> 01:06:57,520 Speaker 1: Beverly Hill ship. You know what I'm saying, Like Beverly Hills, 1591 01:06:57,520 --> 01:07:00,320 Speaker 1: Well you know what I'm saying. And but but still 1592 01:07:00,520 --> 01:07:02,720 Speaker 1: still yeah, even when I'm on That's why I said 1593 01:07:02,720 --> 01:07:05,560 Speaker 1: Beverly Hills will because it's like I'm still I'm still 1594 01:07:05,600 --> 01:07:08,400 Speaker 1: the same Atlanta nigga. I'm just in Beverly Hills on 1595 01:07:08,560 --> 01:07:10,720 Speaker 1: some nice clean ship. But I feel like that's how 1596 01:07:10,720 --> 01:07:13,040 Speaker 1: you posted. Goddamn, that's where you posted. Take it, you 1597 01:07:13,080 --> 01:07:15,080 Speaker 1: know what I'm saying. But like you know what I'm saying, 1598 01:07:15,080 --> 01:07:20,200 Speaker 1: I feel like Hollywood ship maybe maybe some hater ship, 1599 01:07:21,080 --> 01:07:23,560 Speaker 1: but maybe there's some genius behind it. I always like 1600 01:07:23,600 --> 01:07:27,040 Speaker 1: to see both corns. Maybe it's because because people in 1601 01:07:27,120 --> 01:07:30,040 Speaker 1: Hollywood have lost their mind. To a lot of people 1602 01:07:30,040 --> 01:07:32,480 Speaker 1: in Hollywood who have lost their mind. So nigga might 1603 01:07:32,520 --> 01:07:34,600 Speaker 1: just be like, Bro, you you want some Hollywood you 1604 01:07:34,840 --> 01:07:37,360 Speaker 1: lost your mind, but you're like one of them Jay's. 1605 01:07:37,400 --> 01:07:38,640 Speaker 1: You know what I'm saying, I want them. I think 1606 01:07:38,680 --> 01:07:41,880 Speaker 1: you want some Hollywood ship is a nigga phrase. SI 1607 01:07:48,440 --> 01:07:51,960 Speaker 1: let's say you got a Potner right Hollywood. But I'm 1608 01:07:52,000 --> 01:07:56,240 Speaker 1: just saying that that partner might they might play that 1609 01:07:56,720 --> 01:08:01,440 Speaker 1: Potner record on the radio one time. It's not a rotation, 1610 01:08:01,480 --> 01:08:04,880 Speaker 1: it's not it's one time. Then they lose they fucking 1611 01:08:04,880 --> 01:08:07,760 Speaker 1: mind start acting crazy with everybody around them. That's the 1612 01:08:07,800 --> 01:08:10,640 Speaker 1: other side of the Hollywood ship is like, damn, you 1613 01:08:10,680 --> 01:08:13,920 Speaker 1: can't even you can't even accept your blessings without getting 1614 01:08:13,920 --> 01:08:19,640 Speaker 1: crazy with everything. That's the other side to me. Hollywood 1615 01:08:19,640 --> 01:08:24,000 Speaker 1: ship is when a nigga like forgets where he where 1616 01:08:24,040 --> 01:08:31,280 Speaker 1: he's come from. And that's that's what they call it. 1617 01:08:31,800 --> 01:08:33,479 Speaker 1: That's what I'm saying. They go together. They's to say, 1618 01:08:33,520 --> 01:08:35,320 Speaker 1: you want the Hollywood she because you know, you know 1619 01:08:35,439 --> 01:08:39,800 Speaker 1: you're trying to get in shape, Hollywood. You need to 1620 01:08:39,840 --> 01:08:42,160 Speaker 1: say the Hollywood she because you I don't go to 1621 01:08:42,240 --> 01:08:47,400 Speaker 1: certain clubs no more right, Holly's Hollywood, right, yeah, because 1622 01:08:47,400 --> 01:08:51,000 Speaker 1: I don't want to do a club. They got a gun. 1623 01:08:51,040 --> 01:08:55,120 Speaker 1: But the whole ship or part of the Hollywood ship not. 1624 01:08:55,240 --> 01:08:57,920 Speaker 1: What I'm saying is you can't they just be Some 1625 01:08:57,960 --> 01:09:00,880 Speaker 1: people be using that phrase out of contact. Yeah, what 1626 01:09:01,120 --> 01:09:03,200 Speaker 1: what is it? We need to we need to get 1627 01:09:03,280 --> 01:09:07,679 Speaker 1: them because it's like it comes from two different places. 1628 01:09:07,960 --> 01:09:11,400 Speaker 1: Like the real definition. I feel like I feel like 1629 01:09:11,439 --> 01:09:13,760 Speaker 1: the definition should be what you just said, when you 1630 01:09:13,800 --> 01:09:16,639 Speaker 1: go there, when you go and you start losing yourself 1631 01:09:16,800 --> 01:09:18,559 Speaker 1: because people a lot of people go to l A 1632 01:09:18,880 --> 01:09:20,880 Speaker 1: and look what they call it, La La la. A 1633 01:09:20,920 --> 01:09:22,600 Speaker 1: lot of people go to l A or you know 1634 01:09:22,640 --> 01:09:24,599 Speaker 1: what I'm saying, go out of town and just lose 1635 01:09:24,640 --> 01:09:26,920 Speaker 1: their mind, forget where they came from and got damn 1636 01:09:27,000 --> 01:09:28,439 Speaker 1: you know what I'm saying, so it still had to 1637 01:09:28,520 --> 01:09:30,719 Speaker 1: end up right back there exactly. You know what I'm saying. 1638 01:09:30,720 --> 01:09:33,000 Speaker 1: So I can accept up being on some Hollywood ship 1639 01:09:33,040 --> 01:09:35,040 Speaker 1: if it's like bro you don't lost, don't be bad. 1640 01:09:35,040 --> 01:09:38,400 Speaker 1: If they is trying to better himself, like if you 1641 01:09:38,439 --> 01:09:40,200 Speaker 1: don't want to eat right, if you want to do right, 1642 01:09:40,240 --> 01:09:42,120 Speaker 1: if you want to be in better and you get 1643 01:09:42,160 --> 01:09:46,439 Speaker 1: your tee feet allyd man, whatever you get your guy 1644 01:09:46,560 --> 01:09:49,720 Speaker 1: damn whatever. Man, you know what I'm talking about. I 1645 01:09:49,720 --> 01:09:52,840 Speaker 1: don't know about that point you but then you might 1646 01:09:52,920 --> 01:09:54,840 Speaker 1: have but I'm telling you to get deep, because then 1647 01:09:54,880 --> 01:09:58,840 Speaker 1: you might have a nigger to get a chain right 1648 01:09:59,200 --> 01:10:06,280 Speaker 1: and aking eat aking. He's cute man like that. That 1649 01:10:06,400 --> 01:10:10,240 Speaker 1: ain't the same things. We don't say the other words. 1650 01:10:10,240 --> 01:10:13,320 Speaker 1: Some fugets, but who don't want to be bosh, I 1651 01:10:13,400 --> 01:10:18,280 Speaker 1: don't want to be I'm going to get more money better. 1652 01:10:19,040 --> 01:10:25,639 Speaker 1: I guess you don't want to be. I feel like, um, 1653 01:10:26,560 --> 01:10:28,160 Speaker 1: I feel I feel like I feel like it's the 1654 01:10:28,240 --> 01:10:32,600 Speaker 1: act of being boo but being broke, So I'm not 1655 01:10:32,720 --> 01:10:35,360 Speaker 1: really there but the facade and then broke. That's what 1656 01:10:35,360 --> 01:10:42,720 Speaker 1: I'm kind of. Tapper adopted dollar Broke Broke as a mentality. 1657 01:10:43,320 --> 01:10:44,720 Speaker 1: You know what I'm saying. So it's like if you 1658 01:10:44,760 --> 01:10:46,800 Speaker 1: got a broke mentality, but you got that acting like 1659 01:10:46,840 --> 01:10:51,080 Speaker 1: you're better than everybody. You know what I'm saying. I'm 1660 01:10:51,120 --> 01:10:58,360 Speaker 1: trying to make something up. What do you Okay, let's 1661 01:10:58,439 --> 01:11:01,000 Speaker 1: let do you use the word no? I don't either 1662 01:11:01,240 --> 01:11:04,840 Speaker 1: to be honest, I might say wrap nigga niggah or 1663 01:11:04,840 --> 01:11:07,920 Speaker 1: something like that. I don't really know West Hollywood ship 1664 01:11:07,920 --> 01:11:11,320 Speaker 1: though Hollywood, I feel like if you're trying to better yourself, 1665 01:11:11,320 --> 01:11:13,400 Speaker 1: that's called a girlfriend. Some people ain't ready for girls. 1666 01:11:13,720 --> 01:11:20,040 Speaker 1: I know what is hood? I know that got No, 1667 01:11:20,160 --> 01:11:25,080 Speaker 1: I'm just talking basically of a nigga. Just start acting different, 1668 01:11:25,200 --> 01:11:29,439 Speaker 1: that's what Hollywood is different, but there's not really but 1669 01:11:29,520 --> 01:11:32,479 Speaker 1: he's not giving. He's not giving you the same. But 1670 01:11:32,520 --> 01:11:35,080 Speaker 1: you're trying to act. You try to active. Yeah, you 1671 01:11:35,120 --> 01:11:38,480 Speaker 1: know the Hollywood. Yeah, that's it, like you acting. Hollywood 1672 01:11:38,520 --> 01:11:41,120 Speaker 1: is what the actors that that's that's that's so you're acting. 1673 01:11:41,479 --> 01:11:44,720 Speaker 1: That's okay, you get what I'm saying. That's it. Like 1674 01:11:45,439 --> 01:11:50,559 Speaker 1: that at even the same saying that you lost your 1675 01:11:50,600 --> 01:11:54,559 Speaker 1: back day acting brand new, it's basically the same ship. 1676 01:11:54,560 --> 01:11:56,720 Speaker 1: They just say back in the day he acting brand new? 1677 01:11:56,720 --> 01:11:59,240 Speaker 1: Are they acting brand new? You know what I'm saying, 1678 01:11:59,400 --> 01:12:01,360 Speaker 1: brand like? It's the modern day way of saying that 1679 01:12:01,400 --> 01:12:04,080 Speaker 1: ship is like Hollywood. You know what I'm saying. You 1680 01:12:04,160 --> 01:12:06,600 Speaker 1: ask me, but get what a nigga be on. So 1681 01:12:06,760 --> 01:12:11,080 Speaker 1: Hollywood ships up, I'd be on Hollywood day will be 1682 01:12:11,120 --> 01:12:15,479 Speaker 1: to let go. I'm not going fair. It's not for me. 1683 01:12:16,560 --> 01:12:19,800 Speaker 1: Like if that's Hollywood and the Hollywood, I don't eat that. 1684 01:12:19,960 --> 01:12:21,880 Speaker 1: I eat the sell. What's the name of the telling 1685 01:12:22,280 --> 01:12:25,559 Speaker 1: that Beverly Hill Bank right there? Okay, I take that 1686 01:12:26,080 --> 01:12:34,439 Speaker 1: starts bank whole different Instagram Hollywood. Beverly Hill Bank gonna 1687 01:12:34,439 --> 01:12:38,200 Speaker 1: come out when that Beverly Hills Well on Beverly Hills 1688 01:12:38,200 --> 01:12:41,880 Speaker 1: on it s coming out? Yeah, the album coming out 1689 01:12:42,320 --> 01:12:44,880 Speaker 1: after Michael. You know what I'm saying. Beverly Hills Well 1690 01:12:46,400 --> 01:12:50,560 Speaker 1: every year. Now that's hard. Yeah, I Bely Hills that 1691 01:12:50,640 --> 01:12:54,160 Speaker 1: ship nicest hill over there too. Yeah. The streets clean, 1692 01:12:55,479 --> 01:12:59,160 Speaker 1: the streets clean over there in Beverly Hills, Hollywood. That ship, 1693 01:12:59,280 --> 01:13:04,080 Speaker 1: thank saying, Ain'tywood. And I feel like man at the 1694 01:13:04,120 --> 01:13:06,120 Speaker 1: same time, like man when people always be like man, 1695 01:13:06,160 --> 01:13:08,240 Speaker 1: I want to put you in the category for growth Man, 1696 01:13:08,280 --> 01:13:11,040 Speaker 1: don't let that. Don't let that make you feel like 1697 01:13:11,360 --> 01:13:13,400 Speaker 1: out of I never let that make me feel I 1698 01:13:13,400 --> 01:13:15,280 Speaker 1: can't tell nobody else would to do, but I never 1699 01:13:15,360 --> 01:13:17,800 Speaker 1: let that make me feel out of pocket around for 1700 01:13:17,840 --> 01:13:19,320 Speaker 1: what I'm doing. You know what I'm saying, You gotta 1701 01:13:19,320 --> 01:13:22,439 Speaker 1: be comfortable as a man with within yourself if you're 1702 01:13:22,439 --> 01:13:25,120 Speaker 1: trying to do something better funk with this person called it. 1703 01:13:25,240 --> 01:13:27,040 Speaker 1: He just ain't trying to grow. You know what I'm saying. 1704 01:13:27,080 --> 01:13:29,200 Speaker 1: Some people ain't trying to grow. You know what I'm saying. 1705 01:13:29,240 --> 01:13:31,640 Speaker 1: You can't make that person grow. But if you can 1706 01:13:31,720 --> 01:13:33,519 Speaker 1: see the light and you're trying to grow, man, grow 1707 01:13:33,520 --> 01:13:35,439 Speaker 1: as far as you can grow. You know what I'm saying, 1708 01:13:35,520 --> 01:13:38,280 Speaker 1: Ain't no tree, Ain't no tree around. This motherfucker was like, man, 1709 01:13:38,280 --> 01:13:40,479 Speaker 1: ship we can got down going hunting feet and just 1710 01:13:40,520 --> 01:13:42,960 Speaker 1: stop because another tree got down was white. You know 1711 01:13:43,000 --> 01:13:44,800 Speaker 1: what I'm saying, Like, man, them trees go as far 1712 01:13:44,840 --> 01:13:46,559 Speaker 1: as they can go. Man, you know what I'm saying. 1713 01:13:46,600 --> 01:13:48,759 Speaker 1: You can't get caught up in that all that bullshit 1714 01:13:48,880 --> 01:13:50,800 Speaker 1: on whatever label that the motherfucker put on you, just 1715 01:13:50,840 --> 01:13:52,640 Speaker 1: because whatever you're doing. You know what I'm saying that 1716 01:13:52,680 --> 01:13:54,760 Speaker 1: motherfucker's a hater, you know what I'm saying. And they're 1717 01:13:54,760 --> 01:13:57,160 Speaker 1: trying to keep you in the box. They're trying to 1718 01:13:57,200 --> 01:13:58,680 Speaker 1: keep you and you know I'm something they're trying to 1719 01:13:58,760 --> 01:14:01,760 Speaker 1: keep you boxed, staying. I can't let that happen from me. 1720 01:14:03,040 --> 01:14:06,960 Speaker 1: So another question that UM was sent to me by 1721 01:14:07,160 --> 01:14:11,120 Speaker 1: several of our followers is they want to know, like, 1722 01:14:11,160 --> 01:14:13,200 Speaker 1: would you being a producer and with you spending like 1723 01:14:13,240 --> 01:14:15,519 Speaker 1: all of your time in the studio all that kind 1724 01:14:15,520 --> 01:14:20,280 Speaker 1: of stuff whatever whatever, UM, like, how do you have 1725 01:14:20,400 --> 01:14:24,800 Speaker 1: time for romance? She she said, all that ship to 1726 01:14:24,800 --> 01:14:32,040 Speaker 1: ask Mike will who you fucking I got? I got 1727 01:14:32,080 --> 01:14:34,280 Speaker 1: my girl, you know what I'm saying. And men my girl. 1728 01:14:34,560 --> 01:14:37,280 Speaker 1: You know what I'm saying. She she's been teaching me 1729 01:14:37,320 --> 01:14:39,320 Speaker 1: better with romance because I didn't really have time for 1730 01:14:39,400 --> 01:14:41,400 Speaker 1: romance because I was just so focused on my career 1731 01:14:41,720 --> 01:14:45,880 Speaker 1: and sometimes like Mike still, yeah, I might still, I 1732 01:14:45,960 --> 01:14:47,880 Speaker 1: might still be you know what I'm saying, focus on 1733 01:14:47,920 --> 01:14:50,639 Speaker 1: my career and you know what I'm saying. And then 1734 01:14:50,680 --> 01:14:53,120 Speaker 1: she she showed me like, man, yo, let's go to 1735 01:14:53,160 --> 01:14:57,720 Speaker 1: Napper Valley. You know what I'm saying, Yes, you know 1736 01:14:57,720 --> 01:15:00,920 Speaker 1: what I'm saying like, let's let's go on. It's like 1737 01:15:00,920 --> 01:15:03,040 Speaker 1: like let's like, you know what I'm saying, like, let's 1738 01:15:03,040 --> 01:15:04,920 Speaker 1: do this, Like you know what I'm saying, So she'll 1739 01:15:04,960 --> 01:15:07,040 Speaker 1: take a nigga out of the box and make me 1740 01:15:07,080 --> 01:15:09,080 Speaker 1: think about you know what I'm saying, things that I 1741 01:15:09,160 --> 01:15:11,160 Speaker 1: might not have been thinking about. And now I romance 1742 01:15:11,240 --> 01:15:14,559 Speaker 1: like that. And then she also does music and we're 1743 01:15:14,600 --> 01:15:17,040 Speaker 1: about to present her to the world real soon. She 1744 01:15:17,200 --> 01:15:19,240 Speaker 1: hardest fun you know what I'm saying. She does Latin 1745 01:15:19,320 --> 01:15:23,200 Speaker 1: music and and yeah, you know what I'm saying, like 1746 01:15:23,240 --> 01:15:25,320 Speaker 1: and and that's another way we romance. You know what 1747 01:15:25,360 --> 01:15:27,640 Speaker 1: I'm saying, Like, that's my dog right there. You know 1748 01:15:27,640 --> 01:15:30,800 Speaker 1: what I'm saying right up? That was up that that's hard. 1749 01:15:31,479 --> 01:15:33,960 Speaker 1: Salute to Mike will Man, Proud of all your success. 1750 01:15:34,040 --> 01:15:37,479 Speaker 1: Keep going and appreciate that ship man. Oh yeah, the 1751 01:15:37,479 --> 01:15:43,400 Speaker 1: difference between the producing and no, all right, this ship 1752 01:15:43,680 --> 01:15:46,720 Speaker 1: big on some real ship with Mariah Carey man, Like 1753 01:15:46,840 --> 01:15:49,280 Speaker 1: it's just really what it boiled down to, is we 1754 01:15:49,439 --> 01:15:51,400 Speaker 1: both aries. You know what I'm saying, That's it, you 1755 01:15:51,400 --> 01:15:53,360 Speaker 1: know what I'm saying, Like I'm a true areas man, 1756 01:15:54,560 --> 01:15:56,240 Speaker 1: true areas you know what I'm saying, like, so y'all 1757 01:15:56,280 --> 01:15:58,439 Speaker 1: were supposed to do some music. It didn't never we 1758 01:15:58,600 --> 01:16:00,160 Speaker 1: we got a song. We got a song. It was 1759 01:16:00,160 --> 01:16:02,280 Speaker 1: a banger. You know what I'm saying. It's called Faded. 1760 01:16:02,320 --> 01:16:05,599 Speaker 1: You know what I'm saying. Yeah, it's called she saying 1761 01:16:05,640 --> 01:16:08,439 Speaker 1: my tag and everything's a little Maria, but Memora were 1762 01:16:08,479 --> 01:16:12,000 Speaker 1: still that's my dog and everything. But our our our process, 1763 01:16:12,000 --> 01:16:13,519 Speaker 1: you know what I'm saying. When we when we when 1764 01:16:13,520 --> 01:16:16,080 Speaker 1: we had did Faded or whatnot, it was it was 1765 01:16:16,120 --> 01:16:18,519 Speaker 1: crazy because I was so excited to work with Mariah Carey. 1766 01:16:18,520 --> 01:16:20,080 Speaker 1: You know what I'm saying, Like ben't listened to her 1767 01:16:20,160 --> 01:16:23,000 Speaker 1: music the whole way growing up, everything like that. But 1768 01:16:23,240 --> 01:16:25,679 Speaker 1: at the same time, I am high um about my sound, 1769 01:16:25,800 --> 01:16:27,720 Speaker 1: you know what I'm saying, and like about the ear 1770 01:16:27,760 --> 01:16:30,200 Speaker 1: drummer sound, and I gotta protect this at all costs. 1771 01:16:30,240 --> 01:16:33,360 Speaker 1: Like my boy Mars he had them drums banging on 1772 01:16:33,400 --> 01:16:35,519 Speaker 1: that beat. So I was like, I gotta make sure 1773 01:16:35,880 --> 01:16:38,360 Speaker 1: like this, we push this to the limit, you know 1774 01:16:38,360 --> 01:16:40,719 Speaker 1: what I'm saying, Like it ain't coming back no lower 1775 01:16:40,720 --> 01:16:43,360 Speaker 1: than how the two tracks sounded so boom when we 1776 01:16:43,400 --> 01:16:45,920 Speaker 1: do the song. At this time, I didn't really know 1777 01:16:46,080 --> 01:16:48,960 Speaker 1: too much of like too much about me. She knew 1778 01:16:49,000 --> 01:16:50,960 Speaker 1: like certain songs that were out, but you know what 1779 01:16:50,960 --> 01:16:53,200 Speaker 1: I'm saying, It was just like she had a process. 1780 01:16:53,240 --> 01:16:55,080 Speaker 1: You know what I'm saying. I have been working she 1781 01:16:55,080 --> 01:16:56,840 Speaker 1: she had a process that's been going on for like 1782 01:16:57,080 --> 01:16:59,320 Speaker 1: over twenty some years, you know what I'm saying. And 1783 01:16:59,360 --> 01:17:04,240 Speaker 1: then like like her process and then like my production 1784 01:17:05,120 --> 01:17:07,080 Speaker 1: was so new. You know what I'm saying. It's just 1785 01:17:07,160 --> 01:17:10,120 Speaker 1: like okay, boom, we do a song. She wants her 1786 01:17:10,200 --> 01:17:12,720 Speaker 1: engineer to make the song. I'm like, yo, okay, can 1787 01:17:12,760 --> 01:17:15,200 Speaker 1: your engineer make the vocals and then just let us 1788 01:17:15,240 --> 01:17:17,680 Speaker 1: mix the beat and then we bring it together like that. 1789 01:17:17,720 --> 01:17:20,280 Speaker 1: You know, I'm just trying to compromise because you know, 1790 01:17:20,680 --> 01:17:23,160 Speaker 1: like I didn't show my engineer certain tricks and we 1791 01:17:23,280 --> 01:17:25,840 Speaker 1: locked in a certain kind of way. That this is 1792 01:17:26,920 --> 01:17:28,880 Speaker 1: basically you know what I'm saying, And and you know 1793 01:17:28,920 --> 01:17:30,760 Speaker 1: what I'm saying, but you no, I'm just trying to 1794 01:17:30,800 --> 01:17:34,000 Speaker 1: break it down. I'm just know I ain't wi gonna 1795 01:17:34,000 --> 01:17:35,680 Speaker 1: I'm trying to break it down because if I if I, 1796 01:17:35,680 --> 01:17:37,360 Speaker 1: if I come across like that, they're gonna say, I'm 1797 01:17:37,360 --> 01:17:41,360 Speaker 1: want some Hollywood ship. They're gonna say all that. I'm 1798 01:17:41,400 --> 01:17:43,519 Speaker 1: telling you what happened. I'm saying, but I but I 1799 01:17:43,600 --> 01:17:46,000 Speaker 1: but I, but I ain't even just say, like, yo, man, 1800 01:17:46,040 --> 01:17:48,479 Speaker 1: she wanted somebody makes my beat when nobody MIxS my beat. 1801 01:17:48,520 --> 01:17:50,160 Speaker 1: And that's just what I'm letting you know what happened. 1802 01:17:50,160 --> 01:17:55,679 Speaker 1: I'm putting you down where everything happened. What happened. Yeah, 1803 01:17:55,760 --> 01:17:57,280 Speaker 1: so so you know what I'm saying. At the end 1804 01:17:57,280 --> 01:18:00,439 Speaker 1: of the day, boom, we we we end doing you 1805 01:18:00,439 --> 01:18:01,960 Speaker 1: know what saying? We end up doing the song. I 1806 01:18:02,000 --> 01:18:03,600 Speaker 1: want somebody else to mix my beat. I did the 1807 01:18:03,640 --> 01:18:05,960 Speaker 1: same thing with Beaches Better. I held all the way 1808 01:18:05,960 --> 01:18:07,519 Speaker 1: out to the end, you know what I'm saying. Then 1809 01:18:08,360 --> 01:18:11,120 Speaker 1: jay Z ended up letting me and my guy Jason 1810 01:18:11,200 --> 01:18:13,800 Speaker 1: mixed the track and then they put it with and 1811 01:18:13,880 --> 01:18:16,479 Speaker 1: jay Z like somebody mixing his vocals. We put it together. 1812 01:18:16,880 --> 01:18:19,040 Speaker 1: Next thing, you know, they had my guy Jason mixed 1813 01:18:19,080 --> 01:18:21,000 Speaker 1: three more songs on the album. You know what I'm saying. 1814 01:18:21,240 --> 01:18:23,040 Speaker 1: Jason was and Jason was a real one. He came 1815 01:18:23,080 --> 01:18:25,160 Speaker 1: to me and was like, Yo, Mike man, ho say 1816 01:18:25,200 --> 01:18:27,040 Speaker 1: you want me to mix three more songs on the album? 1817 01:18:27,040 --> 01:18:29,519 Speaker 1: Break anything? I could do it. I'm like, hey, no, bro, 1818 01:18:30,120 --> 01:18:32,080 Speaker 1: you know what I'm saying. You can't do that ship, Bro, Like, 1819 01:18:32,600 --> 01:18:34,840 Speaker 1: you can't do that ship bro, because at the end 1820 01:18:34,880 --> 01:18:36,160 Speaker 1: of the day, they didn't want us to do it 1821 01:18:36,200 --> 01:18:38,120 Speaker 1: in the first place. I fought for you, so now 1822 01:18:38,160 --> 01:18:41,360 Speaker 1: you ain't gonna do it. He was like, damn, all right, 1823 01:18:41,560 --> 01:18:43,479 Speaker 1: all right, bro, you know what I'm saying. And he 1824 01:18:43,560 --> 01:18:45,479 Speaker 1: was like, man, he was talking to a manager, like, man, 1825 01:18:45,840 --> 01:18:47,200 Speaker 1: Mike car just said I couldn't do it. I'm just 1826 01:18:47,200 --> 01:18:49,280 Speaker 1: trying to see what kind of response I'm gonna get, 1827 01:18:49,479 --> 01:18:51,240 Speaker 1: you know what I'm saying. He wrote with me, I'm like, 1828 01:18:51,840 --> 01:18:56,439 Speaker 1: you know, you gotta mix them, jay Z, but you 1829 01:18:56,479 --> 01:18:59,479 Speaker 1: gotta go and get them three threefold placements on everybody 1830 01:18:59,520 --> 01:19:01,519 Speaker 1: shout out to my boy Jason Joshua. But you know 1831 01:19:01,520 --> 01:19:03,280 Speaker 1: what I'm saying, Like, that's what pushing it to the 1832 01:19:03,320 --> 01:19:06,120 Speaker 1: limit gets. But with Mariah Carry, you know what I'm saying, 1833 01:19:06,160 --> 01:19:09,320 Speaker 1: it was like she had an engineer that usually mixes 1834 01:19:09,360 --> 01:19:11,720 Speaker 1: all herself. So Boom were in the We're in the 1835 01:19:11,800 --> 01:19:14,479 Speaker 1: studio and she played her album and then Jeez was 1836 01:19:14,520 --> 01:19:16,920 Speaker 1: at was at the studio and everything like that, and 1837 01:19:16,960 --> 01:19:18,960 Speaker 1: then she had told Jeez to have a talk with me, 1838 01:19:19,000 --> 01:19:21,639 Speaker 1: and then my boy Young was like, bro, go ahead, 1839 01:19:21,640 --> 01:19:23,000 Speaker 1: and you know I'm saying, get him the fire to 1840 01:19:23,080 --> 01:19:24,720 Speaker 1: let them go aheadnock the record out right, you know 1841 01:19:24,760 --> 01:19:26,720 Speaker 1: this ride carey, bro, Like you know what I'm saying. 1842 01:19:26,720 --> 01:19:28,400 Speaker 1: You don't even want to make it a difficult thing, 1843 01:19:28,479 --> 01:19:30,559 Speaker 1: but like you know what I'm saying, Like I've seen 1844 01:19:30,600 --> 01:19:32,320 Speaker 1: your whole come up. But like you know what I'm saying, boom, 1845 01:19:32,560 --> 01:19:36,000 Speaker 1: Just I'm like, gee, I can't you know what I'm saying, 1846 01:19:36,240 --> 01:19:39,440 Speaker 1: Like I can't bro. I literally let this be documented. 1847 01:19:39,479 --> 01:19:42,120 Speaker 1: Mike will bucked m a ride carry I love it. No, 1848 01:19:42,280 --> 01:19:45,360 Speaker 1: It's just like it's just like I just couldn't bro 1849 01:19:45,560 --> 01:19:48,680 Speaker 1: because it's like if you had made up, you have 1850 01:19:48,800 --> 01:19:50,720 Speaker 1: made up at that point, you have made up in 1851 01:19:50,760 --> 01:19:53,400 Speaker 1: your mind and your heart that if I'm standing on this, 1852 01:19:53,520 --> 01:19:55,360 Speaker 1: if it don't come out and the record don't happen, 1853 01:19:55,400 --> 01:19:57,720 Speaker 1: I'm at peace. I'm cool with that, you know I'm 1854 01:19:57,760 --> 01:19:59,479 Speaker 1: saying because I had told me he liked that same 1855 01:19:59,560 --> 01:20:02,760 Speaker 1: beat I'm saying, but it's like Mamori already had a 1856 01:20:02,800 --> 01:20:04,559 Speaker 1: song to it. So it's like I sent Dr mor 1857 01:20:04,680 --> 01:20:06,760 Speaker 1: Beach what I'm saying. So I was like man that 1858 01:20:06,880 --> 01:20:08,160 Speaker 1: at the end of the day, it was like, Man, 1859 01:20:08,200 --> 01:20:10,240 Speaker 1: I'm not trying to be difficult. I'm not. You can 1860 01:20:10,280 --> 01:20:13,840 Speaker 1: have your your vocals are beautiful. I want whoever mixes 1861 01:20:13,880 --> 01:20:16,719 Speaker 1: your vocals on all these songs to mix these vocals, 1862 01:20:16,800 --> 01:20:18,800 Speaker 1: whoever been doing this for the last twenty years, do that. 1863 01:20:19,080 --> 01:20:21,360 Speaker 1: But my guy, you know what I'm saying, it's gonna 1864 01:20:21,400 --> 01:20:23,840 Speaker 1: push the needle on this production side, and sonically, we're 1865 01:20:23,840 --> 01:20:25,880 Speaker 1: gonna just funk it up, you know what I'm saying. 1866 01:20:25,960 --> 01:20:29,160 Speaker 1: And so they couldn't grasp that concept. And then later 1867 01:20:29,200 --> 01:20:31,439 Speaker 1: on they ended up flying my out in New York, 1868 01:20:31,479 --> 01:20:33,080 Speaker 1: you know what I'm saying. And then I'm up there 1869 01:20:33,080 --> 01:20:35,559 Speaker 1: in New York and then we're all up there working 1870 01:20:35,920 --> 01:20:39,120 Speaker 1: and um, and then it was like it was like 1871 01:20:39,240 --> 01:20:41,680 Speaker 1: I had like a certain kick that was missing on 1872 01:20:41,720 --> 01:20:43,439 Speaker 1: the one. You know what I'm saying, It's just missing 1873 01:20:43,439 --> 01:20:46,800 Speaker 1: on the one. Mariety didn't like that because she was saying, like, Yo, 1874 01:20:46,920 --> 01:20:49,080 Speaker 1: we don't usually do our ballots like that, you know 1875 01:20:49,080 --> 01:20:50,840 Speaker 1: what I'm saying. Like I've been having the same fan base. 1876 01:20:50,880 --> 01:20:53,800 Speaker 1: I don't want to throw the mouth and I'm just like, yo, man, 1877 01:20:53,840 --> 01:20:55,720 Speaker 1: I respect your fan base, but I just want to 1878 01:20:55,720 --> 01:20:57,920 Speaker 1: do something new with you know what I'm saying, like 1879 01:20:57,920 --> 01:20:59,680 Speaker 1: like can we just try something new? Like this is 1880 01:20:59,720 --> 01:21:02,479 Speaker 1: just knew all this is just new ship. Like I'm 1881 01:21:02,520 --> 01:21:04,240 Speaker 1: just trying to protect the air drummer sound and make 1882 01:21:04,240 --> 01:21:06,639 Speaker 1: sure like this is a mighty wood air drum production 1883 01:21:06,760 --> 01:21:10,200 Speaker 1: right now this process. Was she like offended or was 1884 01:21:10,280 --> 01:21:12,840 Speaker 1: she receiving? I mean, what was the energy? Look? It 1885 01:21:12,920 --> 01:21:15,040 Speaker 1: was just like she saw her way and I saw 1886 01:21:15,200 --> 01:21:17,200 Speaker 1: my way and it just won't even you know what 1887 01:21:17,240 --> 01:21:21,920 Speaker 1: I'm saying. You know she was it was, but but 1888 01:21:22,400 --> 01:21:26,280 Speaker 1: it was no, no because because no, because if I'd 1889 01:21:26,320 --> 01:21:28,040 Speaker 1: be lying, if I'm like, man, she was bucking like 1890 01:21:28,080 --> 01:21:30,640 Speaker 1: she was mad, because if we want we want to 1891 01:21:30,720 --> 01:21:33,000 Speaker 1: round that bitch arguing in the studio, it was just 1892 01:21:33,680 --> 01:21:38,080 Speaker 1: Mike and my dad and Rotting and Jerkins and now 1893 01:21:38,120 --> 01:21:42,080 Speaker 1: I don't type. Man, he look, she she's looking at 1894 01:21:42,120 --> 01:21:45,280 Speaker 1: she's looking at it like she's looking at it like Mike, 1895 01:21:45,360 --> 01:21:49,519 Speaker 1: you know what I'm saying, just starts saying, like trying 1896 01:21:49,560 --> 01:21:52,519 Speaker 1: to look at you. He look, she's looking at her. 1897 01:21:52,520 --> 01:21:55,439 Speaker 1: She looking at a light. Yo, Mike boom, Hey, this 1898 01:21:55,520 --> 01:21:58,160 Speaker 1: is my sound right here. I got j D right here. 1899 01:21:58,479 --> 01:22:01,160 Speaker 1: You know what I'm saying, j D. Tell him, j D. 1900 01:22:02,000 --> 01:22:05,000 Speaker 1: Please tell me. Bro. You're from Atlanta. Bro, you've seen 1901 01:22:05,040 --> 01:22:08,040 Speaker 1: my whole come up. You know what I'm saying. We're 1902 01:22:08,040 --> 01:22:13,479 Speaker 1: both producers. I'm going through for you. You know, look 1903 01:22:13,600 --> 01:22:16,840 Speaker 1: at he's looking at us both like he like he 1904 01:22:16,920 --> 01:22:19,920 Speaker 1: played the neutral like, man, I don't. I don't, man, Mike, 1905 01:22:20,000 --> 01:22:22,240 Speaker 1: she got her process, you know what I'm saying. But Maria, 1906 01:22:22,479 --> 01:22:24,800 Speaker 1: like Mike does, have like his own sound like to 1907 01:22:25,040 --> 01:22:26,960 Speaker 1: like man, y'all. Just you know what I'm saying. We 1908 01:22:27,040 --> 01:22:28,840 Speaker 1: just gotta find a way that you know what I'm saying. 1909 01:22:29,000 --> 01:22:31,240 Speaker 1: He didn't want to get either way. But me and her, 1910 01:22:31,320 --> 01:22:33,760 Speaker 1: I'm not about to be aggressive with no female. You 1911 01:22:33,760 --> 01:22:35,160 Speaker 1: know what I'm saying. I'm not about to be arguing 1912 01:22:35,160 --> 01:22:37,360 Speaker 1: with nor female. And you know what I'm saying. She's 1913 01:22:37,360 --> 01:22:39,080 Speaker 1: a woman like she's a you know what I'm saying, 1914 01:22:39,080 --> 01:22:41,719 Speaker 1: She's a she's a real you know what I'm saying, 1915 01:22:42,400 --> 01:22:44,920 Speaker 1: she's a diva. You know what saying. She all that respectfully, 1916 01:22:44,920 --> 01:22:46,479 Speaker 1: you know what I'm saying. So it's like at the 1917 01:22:46,560 --> 01:22:49,000 Speaker 1: end of the day, it's like I'm not doing that. 1918 01:22:49,080 --> 01:22:50,960 Speaker 1: So we want to walk. That's why if I'm saying 1919 01:22:50,960 --> 01:22:53,799 Speaker 1: here saying like yo, I was bucking and she was bucking. 1920 01:22:54,439 --> 01:22:56,320 Speaker 1: I'd be lying if I if I would say like 1921 01:22:56,400 --> 01:22:58,080 Speaker 1: the energy was like that, you know what I'm saying, 1922 01:22:58,280 --> 01:23:00,320 Speaker 1: that what Bank was talking about, you know what, and 1923 01:23:00,640 --> 01:23:02,760 Speaker 1: like like well Bank was talking about they want no 1924 01:23:02,800 --> 01:23:04,760 Speaker 1: bucking or no you know what I'm saying, arguing or 1925 01:23:04,800 --> 01:23:07,920 Speaker 1: not going on. It was just like boom. It was 1926 01:23:07,960 --> 01:23:11,120 Speaker 1: like a certain part where you know they were adding 1927 01:23:11,240 --> 01:23:14,040 Speaker 1: certain production, adding more production onto the track. You know 1928 01:23:14,080 --> 01:23:16,400 Speaker 1: what I'm saying. It was Jimmy Jammy, Terry Lewis, And 1929 01:23:16,439 --> 01:23:18,479 Speaker 1: it's like you all want to be in that room, 1930 01:23:18,840 --> 01:23:20,240 Speaker 1: like you know what I'm saying, This is fucking Jimmy, 1931 01:23:20,280 --> 01:23:22,640 Speaker 1: jamm Terry Lewis. And every time I see you know 1932 01:23:22,640 --> 01:23:25,400 Speaker 1: what I'm saying, Jimmy jam like like he's showing me love, 1933 01:23:25,560 --> 01:23:27,120 Speaker 1: Like you know what I'm saying, he embraced me. So 1934 01:23:27,160 --> 01:23:29,719 Speaker 1: it's like, man, even if I don't even press nothing 1935 01:23:29,720 --> 01:23:31,479 Speaker 1: in there and do nothing, I just want to be 1936 01:23:31,520 --> 01:23:33,320 Speaker 1: in the room and you know what I'm saying, experience 1937 01:23:33,400 --> 01:23:36,559 Speaker 1: this ship like or just hear what they're doing or yeah, 1938 01:23:36,760 --> 01:23:39,240 Speaker 1: yeah it's my ship. And it's like and It's like, 1939 01:23:39,400 --> 01:23:42,320 Speaker 1: even if it's like an interlude or you know, I'm saying, 1940 01:23:42,360 --> 01:23:45,800 Speaker 1: whatever it is, respectfully, I'll respect your vision. I'm not 1941 01:23:45,800 --> 01:23:47,720 Speaker 1: trying to knock your vision or anything because it's your 1942 01:23:47,760 --> 01:23:50,320 Speaker 1: album too, you know what I'm saying, it's my productions, 1943 01:23:50,360 --> 01:23:52,680 Speaker 1: your album. But it's like, man, let me be a 1944 01:23:52,720 --> 01:23:54,640 Speaker 1: part of the whole process if you want me to 1945 01:23:54,680 --> 01:23:56,880 Speaker 1: produce this track, because you know what I'm saying, Like, 1946 01:23:56,960 --> 01:23:59,599 Speaker 1: I want to be able to proudly put that if 1947 01:23:59,720 --> 01:24:01,479 Speaker 1: I'm a had that Mike, we made a tag up 1948 01:24:01,520 --> 01:24:04,920 Speaker 1: there and really be proudly and passionate about blowing up 1949 01:24:05,000 --> 01:24:08,800 Speaker 1: DJ Scream, blowing up the whole radios and everybody being like, hey, man, 1950 01:24:08,880 --> 01:24:10,720 Speaker 1: I got this R and B hit with Mariah. You 1951 01:24:10,720 --> 01:24:12,880 Speaker 1: know what I'm saying. So it's like, you know what 1952 01:24:12,880 --> 01:24:16,000 Speaker 1: I'm saying. She she she was looking at her like, Yo, Mike, 1953 01:24:16,320 --> 01:24:18,759 Speaker 1: that's you know what I'm saying. That's Jimmy Jim Terry Lewis, 1954 01:24:18,840 --> 01:24:21,160 Speaker 1: Like you know what I'm saying, Like, man, look this 1955 01:24:21,200 --> 01:24:23,599 Speaker 1: is this is I'm introducing you right now to Ronnie Jerkins. 1956 01:24:23,640 --> 01:24:24,680 Speaker 1: Like you know what I'm saying. He didn't did this 1957 01:24:24,760 --> 01:24:26,479 Speaker 1: many you know what I'm saying songs and this and that, 1958 01:24:26,760 --> 01:24:28,920 Speaker 1: and then got damn like, man, you know what I'm saying, 1959 01:24:28,960 --> 01:24:30,800 Speaker 1: Like you can't be in the city over them because 1960 01:24:31,000 --> 01:24:33,720 Speaker 1: that's Jimmy jim Terry Lewis, And I'm just like, so 1961 01:24:33,800 --> 01:24:35,920 Speaker 1: I'm blown by the whole process. Now it's like, man, 1962 01:24:35,960 --> 01:24:38,200 Speaker 1: I can't really use my engineer, you know what I'm saying. 1963 01:24:38,240 --> 01:24:41,200 Speaker 1: I can't really got name like mixing me go like 1964 01:24:41,200 --> 01:24:42,920 Speaker 1: like it's like I'm the little boy in the room 1965 01:24:43,000 --> 01:24:44,519 Speaker 1: or some ship, you know what I'm saying, Like I'm 1966 01:24:44,560 --> 01:24:46,640 Speaker 1: being restricted. So it's like at that point, it's like, 1967 01:24:47,280 --> 01:24:50,200 Speaker 1: you know, like I was kind of blown off the process. 1968 01:24:50,560 --> 01:24:52,880 Speaker 1: And then I was a little bit younger, so you 1969 01:24:52,920 --> 01:24:54,479 Speaker 1: know what I'm saying, I had a little bit less patient, 1970 01:24:54,560 --> 01:24:55,800 Speaker 1: you know what I'm saying. And then it was like 1971 01:24:55,840 --> 01:24:58,720 Speaker 1: the last straw was like when um, when I was 1972 01:24:58,760 --> 01:25:02,360 Speaker 1: just like like they had looped the beat for her 1973 01:25:02,400 --> 01:25:05,400 Speaker 1: to write to know what I'm saying, and they were 1974 01:25:05,439 --> 01:25:07,360 Speaker 1: so used to hearing that version that they thought like 1975 01:25:07,439 --> 01:25:09,120 Speaker 1: that's how the beat went. But as soon as I 1976 01:25:09,160 --> 01:25:11,559 Speaker 1: heard the version, I'm like, yo, the beat got loop. 1977 01:25:12,280 --> 01:25:13,800 Speaker 1: And then they're like what you mean? And I was 1978 01:25:13,840 --> 01:25:16,280 Speaker 1: like like the second verses the first verse. And then 1979 01:25:16,320 --> 01:25:21,880 Speaker 1: they're like, um, like no, like like it's the same, 1980 01:25:22,000 --> 01:25:23,320 Speaker 1: you know what I'm saying. I'm like no, but like 1981 01:25:23,360 --> 01:25:25,240 Speaker 1: I'm sure, like the beat is loop, you know what 1982 01:25:25,240 --> 01:25:27,639 Speaker 1: I'm saying. They're like, maybe you're used to a different version. 1983 01:25:28,000 --> 01:25:31,040 Speaker 1: I'm like, yeah, you know what, Yeah, the only version 1984 01:25:31,080 --> 01:25:32,720 Speaker 1: I gave, y'all. It's only one version, you know what 1985 01:25:32,720 --> 01:25:35,040 Speaker 1: I'm saying, Like the version I gave y'all, y'all look 1986 01:25:35,120 --> 01:25:37,600 Speaker 1: the beat. I'm like, I ain't got a problem, but 1987 01:25:37,680 --> 01:25:39,920 Speaker 1: I'm just trying to like see where we're at, because 1988 01:25:40,120 --> 01:25:42,040 Speaker 1: like we had some strings going in there. Maybe we 1989 01:25:42,080 --> 01:25:44,000 Speaker 1: can do the same thing that y'all like in the 1990 01:25:44,040 --> 01:25:46,120 Speaker 1: first version. We can just put the like I don't 1991 01:25:46,120 --> 01:25:47,519 Speaker 1: you know what I'm saying, Like maybe we can make 1992 01:25:47,560 --> 01:25:50,920 Speaker 1: this ship work. Yeah, you know what I'm saying. We're 1993 01:25:50,920 --> 01:25:54,640 Speaker 1: trying to like fix it together. And then like it 1994 01:25:54,800 --> 01:25:57,320 Speaker 1: was like when you have certain people that's been working 1995 01:25:57,320 --> 01:25:59,799 Speaker 1: for you for so long, like they started getting involved 1996 01:25:59,800 --> 01:26:02,120 Speaker 1: and I only agree with you, so they get involved 1997 01:26:02,120 --> 01:26:05,240 Speaker 1: and they're like, yo, she said like she said, like 1998 01:26:06,120 --> 01:26:07,680 Speaker 1: she didn't do it, Like you know what I'm saying, like, 1999 01:26:07,720 --> 01:26:15,360 Speaker 1: why do you keep going? Yeah? And folks said, got that. Yeah, 2000 01:26:15,720 --> 01:26:17,920 Speaker 1: you know what I'm saying. And I'm looking at this 2001 01:26:18,000 --> 01:26:20,840 Speaker 1: lady does hair. I'm looking at her like, damn, lady, 2002 01:26:20,920 --> 01:26:23,600 Speaker 1: like don't you do hair? Like I'm talking, you know 2003 01:26:23,640 --> 01:26:25,320 Speaker 1: what I'm saying, Like I'm talking about this beat that 2004 01:26:25,400 --> 01:26:27,240 Speaker 1: I that I brought up here. You know what I'm saying. 2005 01:26:27,680 --> 01:26:29,439 Speaker 1: And then you know what I'm saying. And then the 2006 01:26:29,520 --> 01:26:31,200 Speaker 1: next thing, you know, it's like boom. You know what 2007 01:26:31,200 --> 01:26:33,639 Speaker 1: I'm saying. The engineer was like, yo, man, I'm telling 2008 01:26:33,680 --> 01:26:36,439 Speaker 1: you this is not a different beat. But he didn't 2009 01:26:36,479 --> 01:26:38,080 Speaker 1: have a session in front of him. I'm like, he's 2010 01:26:38,120 --> 01:26:40,000 Speaker 1: that the session right there? And he was like, no, 2011 01:26:40,160 --> 01:26:42,160 Speaker 1: this is a bounce. I'm like, all right, well where's 2012 01:26:42,160 --> 01:26:45,640 Speaker 1: the session? He was like it's upstairs. I'm I'm I'm like, well, bro, 2013 01:26:45,760 --> 01:26:48,000 Speaker 1: you can pull up the session. You know, I'm trying 2014 01:26:48,000 --> 01:26:49,880 Speaker 1: to be patient as possible, like you can pull up 2015 01:26:49,920 --> 01:26:53,559 Speaker 1: the session. And then he's like, man, yo, all right, 2016 01:26:53,600 --> 01:26:55,479 Speaker 1: damn you know what I'm saying, Like I'm just go 2017 01:26:55,600 --> 01:26:58,280 Speaker 1: get it. What I'm saying boom. He walked out of there. 2018 01:26:58,280 --> 01:27:01,040 Speaker 1: He mad. So at this point, I'm saying Maria like, man, 2019 01:27:01,080 --> 01:27:03,839 Speaker 1: look Mike, that's been my engineer for over twenty some years. 2020 01:27:03,840 --> 01:27:07,880 Speaker 1: Like I'm like, Maria, I understand this. I respect like 2021 01:27:07,920 --> 01:27:11,160 Speaker 1: I respect y'alls. Y'alls you know I'm really talk like 2022 01:27:11,280 --> 01:27:16,400 Speaker 1: I understand this. I got damn may. I respect everything 2023 01:27:16,400 --> 01:27:19,400 Speaker 1: that's going on in here. I respect every engineer, I 2024 01:27:19,479 --> 01:27:21,840 Speaker 1: respect you, I respect everything that's going to respect all 2025 01:27:21,880 --> 01:27:24,400 Speaker 1: these producers in here. I respect all that ship. You 2026 01:27:24,400 --> 01:27:27,360 Speaker 1: know what I'm saying. But I'm dead serious about this production. 2027 01:27:27,439 --> 01:27:29,400 Speaker 1: Like just this song that we're doing, this is our 2028 01:27:29,439 --> 01:27:31,240 Speaker 1: first time I'm ever working with each other, you know 2029 01:27:31,280 --> 01:27:33,720 Speaker 1: what I'm saying. So I don't want that one song 2030 01:27:33,800 --> 01:27:36,360 Speaker 1: that might Will and Mariah did to be whacked out 2031 01:27:36,360 --> 01:27:38,479 Speaker 1: of all your whole catalog. You know what I'm saying, 2032 01:27:38,840 --> 01:27:41,240 Speaker 1: and and not be my fault. And I'm not said 2033 01:27:41,320 --> 01:27:43,320 Speaker 1: something in this situation. You know what I'm saying, be 2034 01:27:43,320 --> 01:27:45,640 Speaker 1: cause at that point, I'm not gonna be respected like 2035 01:27:45,680 --> 01:27:48,960 Speaker 1: these guys that that you know what I'm saying, Like Jimmy, Jim, Terry, 2036 01:27:49,040 --> 01:27:52,120 Speaker 1: you know what I'm saying, Terry Lewis, Uh, Rodney Jenkins, 2037 01:27:52,240 --> 01:27:54,800 Speaker 1: like all these guys in here that have so much 2038 01:27:54,840 --> 01:27:57,080 Speaker 1: respect right now, I'm not I'm never gonna be respected 2039 01:27:57,120 --> 01:27:59,120 Speaker 1: like that if I just let this slide, you know 2040 01:27:59,160 --> 01:28:01,679 Speaker 1: what I'm saying. So boom. The engineer end up coming 2041 01:28:01,720 --> 01:28:03,880 Speaker 1: back in the room and was like, and you know 2042 01:28:03,920 --> 01:28:06,559 Speaker 1: what we did. We did switched the beat. You remember 2043 01:28:06,600 --> 01:28:08,880 Speaker 1: when when you were right into it, Maria, we had 2044 01:28:08,920 --> 01:28:11,120 Speaker 1: looked it over. I'm like, that's all I was trying 2045 01:28:11,160 --> 01:28:13,479 Speaker 1: to say. Bro, That's all I was trying to say. 2046 01:28:13,479 --> 01:28:16,280 Speaker 1: But I'm not trying to be difficult and nothing, man like, 2047 01:28:16,320 --> 01:28:18,000 Speaker 1: you know what I'm saying. And then at that point 2048 01:28:18,040 --> 01:28:19,880 Speaker 1: it was just like the VID was just kind of 2049 01:28:19,920 --> 01:28:21,720 Speaker 1: you know what I'm saying, Like my bob was. I 2050 01:28:21,760 --> 01:28:23,439 Speaker 1: was just draining at that point. I just had ended 2051 01:28:23,520 --> 01:28:25,760 Speaker 1: up sliding. Like whatever ended up happening with the song 2052 01:28:26,040 --> 01:28:27,920 Speaker 1: happened with the song. You know what I'm saying. We 2053 01:28:28,000 --> 01:28:29,880 Speaker 1: got the beat right, I got my mixed engineer in 2054 01:28:29,920 --> 01:28:32,400 Speaker 1: New York. I know he's gonna mix the beat right. Boom, 2055 01:28:32,439 --> 01:28:34,519 Speaker 1: you know what I'm saying. And boom, you know I'm saying. 2056 01:28:34,520 --> 01:28:36,800 Speaker 1: We finished the song. The song ended up coming out dope, 2057 01:28:37,000 --> 01:28:39,000 Speaker 1: and now me and Maria could laugh about this ship 2058 01:28:39,040 --> 01:28:40,479 Speaker 1: like you know, what I'm saying, I ran in. The 2059 01:28:40,520 --> 01:28:42,320 Speaker 1: reason why I bank know all of this too, I 2060 01:28:42,320 --> 01:28:45,000 Speaker 1: don't be out here. I don't be out here like 2061 01:28:45,080 --> 01:28:47,880 Speaker 1: just telling studio stories. But the reason why he knows 2062 01:28:47,920 --> 01:28:50,400 Speaker 1: about this is because we ran into Maria at Boston 2063 01:28:50,439 --> 01:28:52,439 Speaker 1: Nova in l A. And God damn, you know what 2064 01:28:52,439 --> 01:28:54,360 Speaker 1: I'm saying. Maria, I was like, man, yo, Mike will 2065 01:28:54,439 --> 01:28:56,519 Speaker 1: is a true areas and she kind of she kind 2066 01:28:56,520 --> 01:28:58,800 Speaker 1: of touched on the situation and we took a picture 2067 01:28:58,840 --> 01:29:00,920 Speaker 1: with everything like that. Then we in the car, it 2068 01:29:00,960 --> 01:29:02,800 Speaker 1: was like, man, what she was talking about? Broo and 2069 01:29:02,840 --> 01:29:05,120 Speaker 1: I had broke broke the situation down to her, you 2070 01:29:05,120 --> 01:29:07,760 Speaker 1: know what I'm saying. But but um, yeah, man, I 2071 01:29:07,840 --> 01:29:10,960 Speaker 1: was I was an experienced man Like I can't say 2072 01:29:11,360 --> 01:29:14,160 Speaker 1: I bought them and I can't say she did back. 2073 01:29:14,240 --> 01:29:16,040 Speaker 1: You know what I'm saying on some Aria ship, you 2074 01:29:16,120 --> 01:29:18,000 Speaker 1: know what I'm saying. But it wasn't no, you know 2075 01:29:18,000 --> 01:29:20,920 Speaker 1: what I'm saying, aggressive ship. What I'm saying, it was, Yeah, 2076 01:29:20,960 --> 01:29:23,280 Speaker 1: that's just like she probably got a lot more respectful, 2077 01:29:23,320 --> 01:29:26,240 Speaker 1: you know. For like musically, if if it goes down again, 2078 01:29:26,280 --> 01:29:28,400 Speaker 1: it's gonna have to went for it. And it came 2079 01:29:28,439 --> 01:29:30,760 Speaker 1: out you know what I'm saying that she would have 2080 01:29:30,760 --> 01:29:32,640 Speaker 1: been like I can't work with him no more. You 2081 01:29:32,640 --> 01:29:34,360 Speaker 1: know what I'm saying. Then I would have been that 2082 01:29:34,439 --> 01:29:36,320 Speaker 1: little boy in the room. You know what I'm saying 2083 01:29:36,320 --> 01:29:38,200 Speaker 1: that she was trying to escort through there because she 2084 01:29:38,320 --> 01:29:40,800 Speaker 1: was you know I'm saying, no, genuinely, she was trying 2085 01:29:40,800 --> 01:29:43,439 Speaker 1: to escort me through there and introduced me to like 2086 01:29:43,560 --> 01:29:46,280 Speaker 1: Jim Jim terror Lewis like introduced me like as if 2087 01:29:46,360 --> 01:29:48,920 Speaker 1: like you know what I'm saying, like like and and 2088 01:29:50,080 --> 01:29:53,439 Speaker 1: but yeah, and I'm I'm appreciative of that. But it 2089 01:29:53,479 --> 01:29:56,120 Speaker 1: was like I was almost like restricted, and I'm like, no, man, 2090 01:29:56,200 --> 01:29:58,599 Speaker 1: like I'm I'm I know I'm younger than all these guys, 2091 01:29:58,640 --> 01:30:00,599 Speaker 1: but I'm coming here to like do what they're doing. 2092 01:30:01,200 --> 01:30:03,400 Speaker 1: But I want my joint to be God damn, you 2093 01:30:03,439 --> 01:30:05,400 Speaker 1: know what. I want to be heavily involved in this ship. 2094 01:30:05,800 --> 01:30:07,400 Speaker 1: So then this ship is all the way right. You know. 2095 01:30:07,400 --> 01:30:09,160 Speaker 1: It's because it's a certain sound that we're trying to 2096 01:30:09,200 --> 01:30:11,559 Speaker 1: come with right now. And and I don't I didn't 2097 01:30:11,560 --> 01:30:17,840 Speaker 1: promise to my brothers um Mars p Nasty plus j Bow. 2098 01:30:17,880 --> 01:30:20,120 Speaker 1: You know I'm saying any track that they worked on 2099 01:30:20,600 --> 01:30:22,599 Speaker 1: or I worked on anything with the air drum sign 2100 01:30:22,640 --> 01:30:24,200 Speaker 1: if I have anything to do with it, if I'm 2101 01:30:24,200 --> 01:30:26,479 Speaker 1: producing the record, Man, I'm pushing this ship to the 2102 01:30:26,479 --> 01:30:28,240 Speaker 1: limit and we're gonna have a hit. I'm pushing this 2103 01:30:28,240 --> 01:30:30,120 Speaker 1: ship till we have a hit. I'm not gonna let 2104 01:30:30,120 --> 01:30:32,720 Speaker 1: no mediocre ship, no whack ship, get on that ship. 2105 01:30:32,760 --> 01:30:34,240 Speaker 1: You know what I'm saying. Because I know how hard 2106 01:30:34,320 --> 01:30:36,120 Speaker 1: they work on the beats. I know how hard I 2107 01:30:36,200 --> 01:30:38,080 Speaker 1: work on the beach, and we can't even sleep if 2108 01:30:38,080 --> 01:30:39,800 Speaker 1: the ship ain't right, you know what I'm saying. And 2109 01:30:39,840 --> 01:30:42,640 Speaker 1: another thing on air drummers, like like it was a 2110 01:30:42,640 --> 01:30:45,200 Speaker 1: time like like two thousands. You know I'm saying, like 2111 01:30:45,240 --> 01:30:47,719 Speaker 1: two thousand and twelve, we had three songs on the charts. 2112 01:30:47,720 --> 01:30:50,240 Speaker 1: You know what I'm saying. We had no live bandsmaker 2113 01:30:50,360 --> 01:30:52,439 Speaker 1: dance and turned on the lights. You know what I'm saying. 2114 01:30:52,720 --> 01:30:54,680 Speaker 1: At this time, I ain't have no deal, but I 2115 01:30:54,720 --> 01:30:57,920 Speaker 1: had Hello songs on mixtapes, Like I had Hello songs 2116 01:30:57,920 --> 01:30:59,880 Speaker 1: on mixed tapes, but I had three songs on the charts. 2117 01:31:00,479 --> 01:31:03,720 Speaker 1: Every company was calling, like trying to sign me to 2118 01:31:04,160 --> 01:31:06,679 Speaker 1: a publishing deal. You know what I'm saying, Like every company. 2119 01:31:06,720 --> 01:31:09,200 Speaker 1: My mom was laid off. I had like fitted dollars 2120 01:31:09,200 --> 01:31:11,479 Speaker 1: to my name, hunted dollars to my name, something like that. 2121 01:31:11,640 --> 01:31:14,040 Speaker 1: You know what I'm saying, Probably five hunted dollars like whatever, 2122 01:31:14,080 --> 01:31:16,759 Speaker 1: I whatever. I didn't just made off the last person 2123 01:31:16,800 --> 01:31:18,400 Speaker 1: who just bought a beat in the street, you know 2124 01:31:18,439 --> 01:31:20,800 Speaker 1: what I'm saying. Like, but I I ain't made no 2125 01:31:20,960 --> 01:31:23,880 Speaker 1: money off for like the music industry or anything like that, 2126 01:31:23,880 --> 01:31:25,519 Speaker 1: because it was a different time and it's not like 2127 01:31:25,560 --> 01:31:27,160 Speaker 1: how it is today, you know what I'm saying. Like 2128 01:31:27,200 --> 01:31:29,880 Speaker 1: back then you had to really grind and get some paper, 2129 01:31:29,920 --> 01:31:31,880 Speaker 1: like you know what I'm saying. So it's like at 2130 01:31:31,880 --> 01:31:34,200 Speaker 1: the end of the day, boom, I I ain't made 2131 01:31:34,240 --> 01:31:36,320 Speaker 1: no money off the ship. But my boy Pete, my 2132 01:31:36,360 --> 01:31:38,559 Speaker 1: boy Mars, my boy A plus my boy j Bo. 2133 01:31:38,800 --> 01:31:41,400 Speaker 1: They signed me for free and they believed in the 2134 01:31:41,479 --> 01:31:43,759 Speaker 1: vision with ear drummers, like you know what I'm saying. 2135 01:31:43,840 --> 01:31:46,760 Speaker 1: And at this time, like all the young producers, we 2136 01:31:46,840 --> 01:31:48,880 Speaker 1: all looking at ourselves like we're the next Doctor Dre 2137 01:31:49,000 --> 01:31:50,880 Speaker 1: or were the next this, or were the next that, 2138 01:31:51,240 --> 01:31:52,439 Speaker 1: you know what I'm saying, So we kind of in 2139 01:31:52,520 --> 01:31:55,080 Speaker 1: like a like a competition. Damn there it's like a race. 2140 01:31:55,160 --> 01:31:57,200 Speaker 1: Like everybody want to say like I did the beat 2141 01:31:57,200 --> 01:31:59,479 Speaker 1: by myself or or I did you know what I'm saying, 2142 01:31:59,600 --> 01:32:02,559 Speaker 1: and like I was able to got domn come with 2143 01:32:02,600 --> 01:32:04,720 Speaker 1: a team where it's like, yo, bro, we can have 2144 01:32:04,760 --> 01:32:07,280 Speaker 1: an air production crew like Dr Dre or like how 2145 01:32:07,320 --> 01:32:09,559 Speaker 1: P did they had an air production crew or how 2146 01:32:09,680 --> 01:32:11,080 Speaker 1: like you know what I'm saying, Like Little John got 2147 01:32:11,120 --> 01:32:13,439 Speaker 1: the air production crew, like shot the Red Like you 2148 01:32:13,439 --> 01:32:16,320 Speaker 1: know what I'm saying, Like, Bro, what are y'all goals? Well, 2149 01:32:16,360 --> 01:32:18,800 Speaker 1: these are my goals. We write them all down. You 2150 01:32:18,840 --> 01:32:21,120 Speaker 1: know what I'm saying. Man, We we got down. We're 2151 01:32:21,160 --> 01:32:24,080 Speaker 1: making beach together, we're praying together, were eating together, we're 2152 01:32:24,080 --> 01:32:26,360 Speaker 1: going out together. We're doing everything together. You know what 2153 01:32:26,360 --> 01:32:29,360 Speaker 1: I'm saying. And until we check off these goals, you 2154 01:32:29,400 --> 01:32:31,840 Speaker 1: know what I'm saying. So at this time where I 2155 01:32:31,880 --> 01:32:34,519 Speaker 1: had three times three songs on the charts and they're here, 2156 01:32:34,680 --> 01:32:37,040 Speaker 1: Mike well made at the beginning, I'm not forgetting those 2157 01:32:37,080 --> 01:32:39,200 Speaker 1: guys who helped me put this together, you know what 2158 01:32:39,240 --> 01:32:41,840 Speaker 1: I'm saying. And I didn't go Hollywood. You know what 2159 01:32:41,880 --> 01:32:44,120 Speaker 1: I'm saying. I ain't go Hollywood, Like I stayed down 2160 01:32:44,200 --> 01:32:47,479 Speaker 1: like all these companies calling, man, we got this much 2161 01:32:47,520 --> 01:32:49,519 Speaker 1: money for you, We got that much money for you. 2162 01:32:49,520 --> 01:32:51,360 Speaker 1: You know what I'm saying. People hearing about this ship, 2163 01:32:51,400 --> 01:32:53,680 Speaker 1: they're like, Bro, your mom laid on. Bro, you fucked up. Bro. 2164 01:32:53,800 --> 01:32:55,720 Speaker 1: Like man, you're still rinding around and that beat that 2165 01:32:55,960 --> 01:32:58,720 Speaker 1: beat up car. Bro. Like man, you got three songs. Bro, 2166 01:32:58,800 --> 01:33:01,960 Speaker 1: you take that bad brother. The folk stop calling like Bro. 2167 01:33:02,040 --> 01:33:04,479 Speaker 1: I'm going to school at this time at Georgia State. 2168 01:33:04,520 --> 01:33:06,760 Speaker 1: You know what I'm saying. I'm learning introduction to the 2169 01:33:06,840 --> 01:33:09,280 Speaker 1: music business. You know what I'm saying. So I'm knowing 2170 01:33:09,360 --> 01:33:11,960 Speaker 1: like it ain't no way that bad and just disappear 2171 01:33:11,960 --> 01:33:14,000 Speaker 1: and vanished. It's gonna be there. You know what I'm saying. 2172 01:33:14,000 --> 01:33:16,679 Speaker 1: I'm gonna just keep working, head down, just keep working. 2173 01:33:16,720 --> 01:33:19,280 Speaker 1: I wanted to know nobody managed me. I ain't have 2174 01:33:19,360 --> 01:33:22,160 Speaker 1: no manager, you know what I'm saying. I'm just because 2175 01:33:22,200 --> 01:33:24,200 Speaker 1: I didn't want to be on the nigger armpit, you 2176 01:33:24,240 --> 01:33:26,080 Speaker 1: know what I'm saying, Like I ain't want to be 2177 01:33:26,160 --> 01:33:28,600 Speaker 1: Like I was already in the room back, I was 2178 01:33:28,640 --> 01:33:32,640 Speaker 1: seeing you, I was seeing you at the club. Hello. Hello. 2179 01:33:33,280 --> 01:33:37,439 Speaker 1: You know what I'm saying, Like my little dick, just 2180 01:33:39,720 --> 01:33:43,400 Speaker 1: like at that right, there's like you know what I'm saying, 2181 01:33:43,439 --> 01:33:45,519 Speaker 1: like I ain't need to do that because you know 2182 01:33:45,560 --> 01:33:47,759 Speaker 1: what I'm saying, these niggas who are doing these niggas 2183 01:33:47,760 --> 01:33:49,920 Speaker 1: who who were going to be doing that, But y'all 2184 01:33:49,920 --> 01:33:52,840 Speaker 1: ain't in the rooms that I'm in. I'm in the rooms, bro, 2185 01:33:53,200 --> 01:33:55,639 Speaker 1: Like I'm in the rooms. I'm in every studio, I'm 2186 01:33:55,640 --> 01:33:57,639 Speaker 1: at every club. I mean, I'm in the young clubs, 2187 01:33:57,640 --> 01:33:59,559 Speaker 1: I'm in the strict clubs. I'm in the rooms for real. 2188 01:33:59,760 --> 01:34:02,120 Speaker 1: It's like, you can't be I can't be your little 2189 01:34:02,160 --> 01:34:04,600 Speaker 1: nigga who just did this. You know I'm saying, I 2190 01:34:04,600 --> 01:34:07,160 Speaker 1: can't do that, say that y'all re able to industry 2191 01:34:07,240 --> 01:34:10,320 Speaker 1: niggas like the first industry niggas like the first what 2192 01:34:10,360 --> 01:34:13,120 Speaker 1: you mean look like even like the st just a 2193 01:34:13,240 --> 01:34:17,040 Speaker 1: nigga industry nigga like here industry you'll get say, they 2194 01:34:17,120 --> 01:34:19,240 Speaker 1: just look and fit the part of it. Yeah, it 2195 01:34:19,560 --> 01:34:21,680 Speaker 1: always got got a way to hip you to do this, 2196 01:34:23,360 --> 01:34:26,639 Speaker 1: you gotta answer for everything. They always got a connection 2197 01:34:26,680 --> 01:34:28,559 Speaker 1: to this label. But don't work at that label. And 2198 01:34:29,000 --> 01:34:31,800 Speaker 1: you know I'm saying working a move like that that 2199 01:34:31,800 --> 01:34:35,200 Speaker 1: that now I'm saying, like back when when nigga everybody 2200 01:34:35,479 --> 01:34:38,840 Speaker 1: the original, Yeah, he might he might. He might see 2201 01:34:38,920 --> 01:34:41,160 Speaker 1: him on a picture with God, l A read or something. 2202 01:34:41,640 --> 01:34:44,600 Speaker 1: He might know l A. You know he he industrygga 2203 01:34:44,640 --> 01:34:47,960 Speaker 1: like niggas might not have no pool. But she, like 2204 01:34:48,280 --> 01:34:50,519 Speaker 1: your niggas, might not understand that to the day because 2205 01:34:50,960 --> 01:34:52,960 Speaker 1: like if a nigger workers moved good enough today, he 2206 01:34:53,000 --> 01:34:54,639 Speaker 1: can bring you a banke wrong, you know what I'm saying. 2207 01:34:54,880 --> 01:34:57,479 Speaker 1: Back then, it was hard to get that bank, what 2208 01:34:57,520 --> 01:35:00,080 Speaker 1: I'm saying, So like certain niggas would just be in 2209 01:35:00,240 --> 01:35:01,920 Speaker 1: this role all the way to the tea, you know 2210 01:35:01,920 --> 01:35:03,960 Speaker 1: what I'm saying, and then waiting for somebody to catch 2211 01:35:03,960 --> 01:35:06,080 Speaker 1: a bus and then got them putting nigga up on 2212 01:35:06,080 --> 01:35:08,000 Speaker 1: the their arm pit right quick, and then you know 2213 01:35:08,040 --> 01:35:10,320 Speaker 1: what I'm saying, that that's gonna make them that industry 2214 01:35:10,400 --> 01:35:12,160 Speaker 1: nigger that we respect, you know what I'm saying. So 2215 01:35:12,400 --> 01:35:13,880 Speaker 1: at the end of the day, I wan't going for that, 2216 01:35:13,960 --> 01:35:16,200 Speaker 1: you know what I'm saying, And I was representing my team. 2217 01:35:16,200 --> 01:35:19,519 Speaker 1: I wasn't gonna let nobody come in and be like, hey, yo, Mike, 2218 01:35:19,560 --> 01:35:21,120 Speaker 1: will you have to go ahead and sign this them 2219 01:35:21,160 --> 01:35:23,639 Speaker 1: and the niggas man man don't. Don't worry about them niggas. 2220 01:35:23,640 --> 01:35:25,479 Speaker 1: I don't. I ain't need no I ain't need no 2221 01:35:25,560 --> 01:35:28,120 Speaker 1: influence from nobody. All I needed was somebody to help 2222 01:35:28,200 --> 01:35:30,080 Speaker 1: me come and put my business in order. You know 2223 01:35:30,080 --> 01:35:33,240 Speaker 1: what I'm saying. That's all I needed, and and and 2224 01:35:33,240 --> 01:35:35,720 Speaker 1: and I was going to school for introduction to the 2225 01:35:35,800 --> 01:35:38,200 Speaker 1: music business, so I already knew. You know what I'm 2226 01:35:38,240 --> 01:35:40,120 Speaker 1: saying that the three types of pub deals. I knew 2227 01:35:40,120 --> 01:35:42,040 Speaker 1: the co pub, I knew the full pub, I knew 2228 01:35:42,240 --> 01:35:45,040 Speaker 1: the ad man. And then I knew about joint ventures. 2229 01:35:45,040 --> 01:35:47,000 Speaker 1: You know what I'm saying. I have a production company, 2230 01:35:47,040 --> 01:35:48,719 Speaker 1: so I need a joint venture. You know what I'm saying. 2231 01:35:48,760 --> 01:35:51,040 Speaker 1: These guys have signed me for free, so I need 2232 01:35:51,040 --> 01:35:53,080 Speaker 1: a joint venture that I can be able to cut 2233 01:35:53,080 --> 01:35:56,080 Speaker 1: a check for. You know what I'm saying, like, yeah, 2234 01:35:56,080 --> 01:35:57,800 Speaker 1: oh my gosh. You know what I'm saying, Because if 2235 01:35:57,880 --> 01:35:59,960 Speaker 1: y'all give me this amount of money that y'all talk, 2236 01:36:00,040 --> 01:36:01,639 Speaker 1: come on, I'm about to bust this ship off five 2237 01:36:01,640 --> 01:36:03,840 Speaker 1: ways and we're gonna be broke tomorrow because we never 2238 01:36:03,880 --> 01:36:06,240 Speaker 1: had no money. So we're gonna straight through this. You 2239 01:36:06,280 --> 01:36:08,000 Speaker 1: know what I'm saying. I'm trying to get some ship 2240 01:36:08,000 --> 01:36:09,759 Speaker 1: where everybody can go out there and get their owners. 2241 01:36:10,200 --> 01:36:13,679 Speaker 1: Their own are bad and goddamn, get everything everybody straight 2242 01:36:13,760 --> 01:36:15,840 Speaker 1: mentally and we can just go. I'm telling you we're 2243 01:36:15,840 --> 01:36:17,639 Speaker 1: gonna attack the charges. We're gonna take over the game. 2244 01:36:18,200 --> 01:36:22,280 Speaker 1: And companies were looking at it like a right, it 2245 01:36:22,320 --> 01:36:24,639 Speaker 1: sounds good, you know what I'm saying. Such and such 2246 01:36:24,720 --> 01:36:26,400 Speaker 1: just said that, man, we this much in the hole. 2247 01:36:26,760 --> 01:36:28,960 Speaker 1: We're not doing that. We don't do drunk pictures no more. 2248 01:36:28,960 --> 01:36:30,880 Speaker 1: We want to sign you. You're the guy that's hot. 2249 01:36:31,479 --> 01:36:35,960 Speaker 1: I'm like, nah, I'm good. Top top person at this 2250 01:36:35,960 --> 01:36:38,680 Speaker 1: this company, top person of that company, top person of 2251 01:36:38,800 --> 01:36:42,400 Speaker 1: that company. It's like, no, I'm good. These is all facts. 2252 01:36:42,439 --> 01:36:44,400 Speaker 1: You know what I'm saying. I used to even be nervous, 2253 01:36:44,640 --> 01:36:46,040 Speaker 1: you know what I'm saying, because I got damn. I 2254 01:36:46,280 --> 01:36:47,840 Speaker 1: used to wear I used to wear the black shades. 2255 01:36:48,080 --> 01:36:49,799 Speaker 1: I used to be nervous. I used to be nervous 2256 01:36:49,800 --> 01:36:51,719 Speaker 1: in the meetings, you know what I'm saying. But poker 2257 01:36:51,760 --> 01:36:54,280 Speaker 1: face though, because my pops raised me like that, like 2258 01:36:54,520 --> 01:36:56,320 Speaker 1: but be ready to walk, you know what I'm saying. 2259 01:36:56,680 --> 01:36:59,559 Speaker 1: So I got down, Hey, I can't do it, and 2260 01:36:59,600 --> 01:37:01,360 Speaker 1: I ken't, And I kept doing that ship for like 2261 01:37:01,840 --> 01:37:04,680 Speaker 1: six months to a whole year, kept holding out. I 2262 01:37:04,800 --> 01:37:07,599 Speaker 1: was fucked up. I met my boy DJ. That's Jimmy 2263 01:37:07,600 --> 01:37:10,400 Speaker 1: Alvine nephew Ethiopia. You know what I'm saying. She had 2264 01:37:10,560 --> 01:37:12,840 Speaker 1: she had linked us, she had linked us up, and 2265 01:37:13,320 --> 01:37:15,559 Speaker 1: Ethiopia was just telling of them like, man, y'all make 2266 01:37:15,600 --> 01:37:18,000 Speaker 1: this kid, Mike Will like he got an idea, he 2267 01:37:18,000 --> 01:37:20,280 Speaker 1: got a vision, he got something. He just ain't got 2268 01:37:20,360 --> 01:37:23,160 Speaker 1: no management. But he got songs on the charts and everything. 2269 01:37:23,520 --> 01:37:25,680 Speaker 1: And DJ like hold on, so you you mean to 2270 01:37:25,760 --> 01:37:29,080 Speaker 1: tell me this kid who it's from Atlanta? You know 2271 01:37:29,120 --> 01:37:32,320 Speaker 1: what I'm saying, got all got these songs on the charts, 2272 01:37:32,680 --> 01:37:35,679 Speaker 1: ain't got no management. Like that's bullshit, Like I gotta 2273 01:37:35,720 --> 01:37:37,559 Speaker 1: fly down here and see it. Like he's he's got 2274 01:37:37,560 --> 01:37:39,200 Speaker 1: to be signed to one of these guys. You know 2275 01:37:39,200 --> 01:37:43,080 Speaker 1: what I'm saying. Like DJ from he from New York. 2276 01:37:43,200 --> 01:37:45,360 Speaker 1: But but at this time he was living in at 2277 01:37:45,840 --> 01:37:48,160 Speaker 1: l A. You know what I'm saying. So it's Jimmy 2278 01:37:48,160 --> 01:37:51,200 Speaker 1: Irvine nephew. So he just fly in. So my boy, 2279 01:37:51,240 --> 01:37:55,080 Speaker 1: chubby Baby had already been telling me about DJ prior 2280 01:37:55,120 --> 01:37:59,360 Speaker 1: to meeting him. Because Chubby Baby, Paulo and DJ built 2281 01:37:59,400 --> 01:38:02,160 Speaker 1: like a whole Ain't like DJ was a very instrumental 2282 01:38:02,200 --> 01:38:04,920 Speaker 1: part of Paolo the Don's career and chump Baby will 2283 01:38:04,920 --> 01:38:06,920 Speaker 1: be working with Polo to dine, and they built like 2284 01:38:06,920 --> 01:38:09,080 Speaker 1: the whole thing. So he had already been telling me 2285 01:38:09,120 --> 01:38:11,760 Speaker 1: about you know what I'm saying about DJ. So when 2286 01:38:11,800 --> 01:38:13,599 Speaker 1: I meet with DJ, I'm like, hey, look, bro, I'm 2287 01:38:13,600 --> 01:38:15,760 Speaker 1: not looking for no management or anything like that. I 2288 01:38:15,800 --> 01:38:17,960 Speaker 1: appreciate you for coming down here meeting with me and ship. 2289 01:38:18,160 --> 01:38:20,200 Speaker 1: You know what I'm saying. All I'm looking for is 2290 01:38:20,880 --> 01:38:22,560 Speaker 1: is somebody to help me get this in order. I 2291 01:38:22,600 --> 01:38:24,680 Speaker 1: need a joint venture with this company. I need you. 2292 01:38:24,720 --> 01:38:27,559 Speaker 1: God damn whoa I need that? I need who I'm 2293 01:38:27,560 --> 01:38:29,200 Speaker 1: telling what I need? I said, now, if you can 2294 01:38:29,200 --> 01:38:32,000 Speaker 1: get that done, then we'll talk about you being my manager. 2295 01:38:32,040 --> 01:38:34,040 Speaker 1: You know what I'm saying. But other than that, Like, 2296 01:38:34,120 --> 01:38:35,600 Speaker 1: that's what I'm looking for right now. You know what 2297 01:38:35,600 --> 01:38:38,040 Speaker 1: I'm saying. Boom. He was like, oh yeah, I can 2298 01:38:38,080 --> 01:38:40,280 Speaker 1: get that done. So I'm alright, cool, we don't see 2299 01:38:40,320 --> 01:38:43,599 Speaker 1: what I'm saying, Boom. Next thing, you know, different different 2300 01:38:43,600 --> 01:38:46,040 Speaker 1: companies is calling Boom my boy, Big John. He telled 2301 01:38:46,040 --> 01:38:49,200 Speaker 1: me like he about to leave em I at the time, 2302 01:38:49,280 --> 01:38:51,280 Speaker 1: He's like, yeah, I'm about to leave em my. Just 2303 01:38:51,439 --> 01:38:53,000 Speaker 1: keep holding out. How you holding up? You know what 2304 01:38:53,000 --> 01:38:55,200 Speaker 1: I'm saying. When I make my next move, I'm gonna 2305 01:38:55,200 --> 01:38:57,240 Speaker 1: do it with you. You know what I'm saying. So Boom, 2306 01:38:57,400 --> 01:39:00,200 Speaker 1: I'm telling DJ everything that's needed. You know what I'm saying, 2307 01:39:00,000 --> 01:39:03,360 Speaker 1: and so boom DJ put it together. Now the conversation 2308 01:39:03,400 --> 01:39:05,960 Speaker 1: start changing with these companies, but they still on some 2309 01:39:06,560 --> 01:39:08,760 Speaker 1: We're not doing a joint venture. Man, we can do 2310 01:39:08,760 --> 01:39:10,960 Speaker 1: it like we can do it differently. We can do 2311 01:39:10,960 --> 01:39:14,160 Speaker 1: it like this. No bro, no, no, no, no, it's 2312 01:39:14,160 --> 01:39:16,320 Speaker 1: gonna be like this, you know what I'm saying. And 2313 01:39:16,320 --> 01:39:19,519 Speaker 1: then next thing, you know, Pete John made this move. 2314 01:39:20,000 --> 01:39:23,080 Speaker 1: He did his venture with jay Z Boom come sit 2315 01:39:23,160 --> 01:39:25,000 Speaker 1: down with me, and I was like, man, let's do it. 2316 01:39:25,240 --> 01:39:26,920 Speaker 1: You know what I'm saying. Are you wanna do a 2317 01:39:27,000 --> 01:39:29,519 Speaker 1: venture or you want to sign your guys? Okay, whatever 2318 01:39:29,520 --> 01:39:32,200 Speaker 1: you wanna do, let's do it. And then did it. 2319 01:39:32,280 --> 01:39:34,439 Speaker 1: Did everything I held out for, you know what I'm saying, 2320 01:39:34,520 --> 01:39:37,000 Speaker 1: and God damn Boom. We were straight and then we 2321 01:39:37,080 --> 01:39:38,920 Speaker 1: held up to our end of the bargain. We took 2322 01:39:38,920 --> 01:39:40,760 Speaker 1: over the trucks and took over the game. You know 2323 01:39:40,760 --> 01:39:43,920 Speaker 1: what I'm saying. And Nigga stayed down. That's that's the 2324 01:39:43,960 --> 01:39:46,479 Speaker 1: definition of not being on the Hollywood ship. So like 2325 01:39:46,800 --> 01:39:49,720 Speaker 1: when when when you stay down like that, I don't 2326 01:39:49,720 --> 01:39:51,800 Speaker 1: gonna be having to worry about like Nigga's being like, 2327 01:39:51,840 --> 01:39:53,840 Speaker 1: oh man, Mike, well you know he'd be Hollywood that 2328 01:39:53,840 --> 01:39:55,760 Speaker 1: that just because of who I worked with. You a hater, 2329 01:39:56,400 --> 01:39:58,360 Speaker 1: you know what I'm saying. Just because you see me 2330 01:39:58,400 --> 01:39:59,840 Speaker 1: work with this person, and see me in the room 2331 01:39:59,840 --> 01:40:01,840 Speaker 1: with this person. You might have seen me talking to Oprah, 2332 01:40:01,840 --> 01:40:03,479 Speaker 1: you might see me around Jim. May not mean or 2333 01:40:03,560 --> 01:40:05,920 Speaker 1: you think I'm you think I'm a fun nigger. Jay 2334 01:40:06,000 --> 01:40:07,920 Speaker 1: just told you I'm God damn pulling up to you 2335 01:40:07,960 --> 01:40:10,800 Speaker 1: know what I'm saying, the projects on all folks everywhere 2336 01:40:11,000 --> 01:40:13,559 Speaker 1: and passionately fucking with these people. I'm a real person, 2337 01:40:13,880 --> 01:40:15,880 Speaker 1: you know what I'm saying. And this is just I'm 2338 01:40:15,920 --> 01:40:18,160 Speaker 1: just passionate. You know I'm saying. This is just from 2339 01:40:18,240 --> 01:40:19,920 Speaker 1: you know what I'm saying, just just from my heart, 2340 01:40:20,000 --> 01:40:22,400 Speaker 1: you know what I'm saying, Like because man, at the 2341 01:40:22,520 --> 01:40:23,960 Speaker 1: end of the day, you know I'm saying, this ship 2342 01:40:24,080 --> 01:40:25,559 Speaker 1: is so bigger than the human. That's why I don't 2343 01:40:25,600 --> 01:40:27,439 Speaker 1: even That's why I don't even get caught up in 2344 01:40:27,439 --> 01:40:29,840 Speaker 1: what a human because you could even say about a nigga. 2345 01:40:29,840 --> 01:40:31,800 Speaker 1: You know, I'm saying, like, whatever adjectives or whatever you 2346 01:40:31,800 --> 01:40:34,240 Speaker 1: can put on the nigger, cool, believe that, but believe 2347 01:40:34,280 --> 01:40:36,360 Speaker 1: it over there, God down, you know what I'm saying, 2348 01:40:36,720 --> 01:40:38,920 Speaker 1: keep a distance from you know what I'm saying, word 2349 01:40:39,040 --> 01:40:40,679 Speaker 1: and that I feel like if it's more of that, 2350 01:40:40,800 --> 01:40:42,719 Speaker 1: you know what I'm saying, to be more more uprising. 2351 01:40:42,760 --> 01:40:44,719 Speaker 1: And then when you move, when you move a person 2352 01:40:44,760 --> 01:40:46,519 Speaker 1: to the side like that, y'all a link back up 2353 01:40:46,520 --> 01:40:48,840 Speaker 1: when it's time, you know what I'm saying, like and 2354 01:40:48,840 --> 01:40:52,120 Speaker 1: then yeah, and then that person might understand you a 2355 01:40:52,160 --> 01:40:55,160 Speaker 1: little bit more because what vision is to be able 2356 01:40:55,200 --> 01:40:57,040 Speaker 1: to see the unseen. They weren't able to see what 2357 01:40:57,080 --> 01:40:59,120 Speaker 1: you were seeing at the time. So when you got down, 2358 01:41:00,040 --> 01:41:02,320 Speaker 1: make a proof of concept, when you got THEMN, make 2359 01:41:02,360 --> 01:41:04,720 Speaker 1: a make it a real thing, like when you make 2360 01:41:04,720 --> 01:41:06,519 Speaker 1: it tangible, when you make it like a real life 2361 01:41:06,560 --> 01:41:09,479 Speaker 1: thing that they can respect. Then at that point, you 2362 01:41:09,520 --> 01:41:11,040 Speaker 1: know what I'm saying, that they're gonna see your vision. 2363 01:41:11,080 --> 01:41:13,160 Speaker 1: Now it's like now they know where they can add 2364 01:41:13,200 --> 01:41:15,360 Speaker 1: to your vision or where you can add to their vision. 2365 01:41:15,520 --> 01:41:17,600 Speaker 1: And then now y'all have a real conversation and do 2366 01:41:17,680 --> 01:41:20,439 Speaker 1: some real ship. And it ain't about oh this nigga difficult, 2367 01:41:20,720 --> 01:41:23,360 Speaker 1: Oh this nigger Hollywood, or oh anything like that. You 2368 01:41:23,439 --> 01:41:25,320 Speaker 1: can't take nothing from a person that's trying to grow. 2369 01:41:26,080 --> 01:41:27,880 Speaker 1: Might not even be a hater. They might just be 2370 01:41:28,320 --> 01:41:32,120 Speaker 1: misunderstanding your vision from their particular point of view. Exactly. 2371 01:41:32,400 --> 01:41:34,280 Speaker 1: That's it, you know what I'm saying. And I ain't 2372 01:41:34,280 --> 01:41:36,760 Speaker 1: gonna lie. A lot of the ship that was able 2373 01:41:36,800 --> 01:41:38,559 Speaker 1: to get me through a lot of this ship was 2374 01:41:38,640 --> 01:41:40,360 Speaker 1: like you know what I'm saying. I read books, man, 2375 01:41:40,400 --> 01:41:42,640 Speaker 1: what I don't read books listen to audio books in 2376 01:41:42,640 --> 01:41:43,880 Speaker 1: the car, you know what I'm saying. Because I'm in 2377 01:41:43,920 --> 01:41:46,160 Speaker 1: the studio listen to music all day, so all their 2378 01:41:46,240 --> 01:41:49,040 Speaker 1: books in the car, I'm listening to four agreements. I'm 2379 01:41:49,080 --> 01:41:51,080 Speaker 1: listening to the subtle are they're not giving the funk. 2380 01:41:51,280 --> 01:41:54,200 Speaker 1: I'm listening to God Damn. You know what I'm saying, Uh, 2381 01:41:54,320 --> 01:41:57,080 Speaker 1: the unteller soul. Like I'm just listening to different books, 2382 01:41:57,120 --> 01:41:59,040 Speaker 1: you know what I'm saying. Then I'm then it's like 2383 01:41:59,720 --> 01:42:02,320 Speaker 1: something you might have an argument with a person about 2384 01:42:02,840 --> 01:42:05,200 Speaker 1: branding and both of y'all don't even know what the 2385 01:42:05,200 --> 01:42:09,000 Speaker 1: funk y'are talking about. Y'all, just y'all just know ideally 2386 01:42:09,000 --> 01:42:11,800 Speaker 1: in your head what Brandon means to you. And now 2387 01:42:11,880 --> 01:42:14,080 Speaker 1: y'all arguing about this and y'all ain't even talk about 2388 01:42:14,080 --> 01:42:16,679 Speaker 1: no facts. But it's like, go read a Brandon book, 2389 01:42:17,040 --> 01:42:19,040 Speaker 1: you know what I'm saying. Go read the marketing book. 2390 01:42:19,240 --> 01:42:20,720 Speaker 1: You know what I'm saying, to understand what it is 2391 01:42:20,760 --> 01:42:22,960 Speaker 1: that we're doing, so that we can be able to 2392 01:42:22,960 --> 01:42:24,920 Speaker 1: talk the same language, and they'll be it will be 2393 01:42:25,000 --> 01:42:28,400 Speaker 1: less arguments and they'll be less this nigga, Now you're 2394 01:42:28,400 --> 01:42:31,479 Speaker 1: just reading off my energy off based off of what 2395 01:42:31,560 --> 01:42:33,479 Speaker 1: your energy is though, you know what I'm saying, Like 2396 01:42:34,120 --> 01:42:36,400 Speaker 1: you you're mad about something, so now you're thinking that 2397 01:42:36,439 --> 01:42:39,200 Speaker 1: I'm on some bullshit. Bro. I'm coming in here trying 2398 01:42:39,240 --> 01:42:41,040 Speaker 1: to make the best song with you. Bro. You know 2399 01:42:41,080 --> 01:42:43,120 Speaker 1: what I'm saying. That's it, you know what I'm saying. 2400 01:42:43,160 --> 01:42:45,840 Speaker 1: So at the end of the day, Boom Producers, if 2401 01:42:45,880 --> 01:42:48,080 Speaker 1: you got that running too, that man, stay away from 2402 01:42:48,080 --> 01:42:50,800 Speaker 1: the energy. Got damn lock in with lock in with 2403 01:42:50,840 --> 01:42:54,000 Speaker 1: the artists that funk with you. You know what I'm saying, Like, 2404 01:42:54,040 --> 01:42:56,400 Speaker 1: lock in with the artists that like really funk with 2405 01:42:56,400 --> 01:42:59,160 Speaker 1: you to understand your vision and you're gonna create something special. 2406 01:42:59,160 --> 01:43:01,200 Speaker 1: You know what I'm saying. Like it happens every time. 2407 01:43:01,240 --> 01:43:04,080 Speaker 1: It never fails. You know what I'm saying. It goes 2408 01:43:04,120 --> 01:43:06,519 Speaker 1: all the way back to Quincy Jon and Michael Jackson, 2409 01:43:06,960 --> 01:43:09,880 Speaker 1: all the way to you know what I'm saying, like today, 2410 01:43:10,080 --> 01:43:11,639 Speaker 1: Like you know what I'm saying, White with Ray Shimmer 2411 01:43:11,760 --> 01:43:14,680 Speaker 1: or Mike well sway Lee likes. It always happens, you 2412 01:43:14,680 --> 01:43:16,519 Speaker 1: know what I'm saying. So it's like just you know 2413 01:43:16,520 --> 01:43:18,360 Speaker 1: what I'm saying, just stay on, Just stay on that 2414 01:43:18,479 --> 01:43:21,360 Speaker 1: like for real, and and me, I'm open with working 2415 01:43:21,360 --> 01:43:24,120 Speaker 1: with anybody. I ain't. I ain't got nothing against nobody 2416 01:43:24,160 --> 01:43:26,519 Speaker 1: I'm working. I'm open to working with anybody. I'm trying 2417 01:43:26,520 --> 01:43:28,640 Speaker 1: to make a l as song. I'm not chasing no 2418 01:43:28,800 --> 01:43:31,519 Speaker 1: money or nothing. I just got passionate with making music, 2419 01:43:31,560 --> 01:43:33,200 Speaker 1: you know what I'm saying, Just like everybody else, So 2420 01:43:33,240 --> 01:43:35,400 Speaker 1: I can never get caught up in none of that ship. 2421 01:43:35,479 --> 01:43:38,519 Speaker 1: I don't choose no size on nothing about nothing, you 2422 01:43:38,520 --> 01:43:40,200 Speaker 1: know I'm saying, I got my own side. I'm on 2423 01:43:40,240 --> 01:43:42,720 Speaker 1: my side. You know what I'm saying. Niggas ain't even 2424 01:43:42,720 --> 01:43:45,320 Speaker 1: from card County, So you know what I'm saying. Like 2425 01:43:45,400 --> 01:43:46,920 Speaker 1: so at the end of the day, you know what 2426 01:43:46,920 --> 01:43:49,880 Speaker 1: I'm saying, Like I'm already from a whole another side 2427 01:43:49,880 --> 01:43:51,799 Speaker 1: of town. You know what I'm saying. I'm not choosing 2428 01:43:51,800 --> 01:43:54,120 Speaker 1: those side and nothing. You know what I'm saying, Like 2429 01:43:54,160 --> 01:43:56,240 Speaker 1: the personal problems that I have to go through in 2430 01:43:56,280 --> 01:43:58,320 Speaker 1: my neighborhood. You know what I'm saying. It's just like 2431 01:43:58,640 --> 01:44:00,680 Speaker 1: y'all don't even know about that that you don't even 2432 01:44:00,720 --> 01:44:02,519 Speaker 1: get to the city and that ship gets you know 2433 01:44:02,560 --> 01:44:04,679 Speaker 1: what I'm saying, That it easily because it's like it's 2434 01:44:04,680 --> 01:44:06,479 Speaker 1: so much love and respect from where I come from, 2435 01:44:06,720 --> 01:44:08,200 Speaker 1: you know what I'm saying. So it's like, at the 2436 01:44:08,280 --> 01:44:10,280 Speaker 1: end of the day, I can't choose no size and nothing. 2437 01:44:10,360 --> 01:44:12,639 Speaker 1: I'm just trying to make the best song with whatever 2438 01:44:12,760 --> 01:44:14,479 Speaker 1: artists is trying to go in and make the best 2439 01:44:14,479 --> 01:44:17,519 Speaker 1: song too, or whatever artist is out here that I respect, 2440 01:44:17,520 --> 01:44:19,400 Speaker 1: that's coming from the soul. I like artists that's coming 2441 01:44:19,439 --> 01:44:22,479 Speaker 1: from the soul, like real talk, like that's the artist 2442 01:44:22,560 --> 01:44:25,439 Speaker 1: I respect like you know what I'm saying. Big shots 2443 01:44:25,439 --> 01:44:29,439 Speaker 1: out to Mike Well for blessing this on big two 2444 01:44:29,520 --> 01:44:31,000 Speaker 1: artists I want to work with that I haven't work 2445 01:44:31,040 --> 01:44:33,960 Speaker 1: with yet. Man a Deal and Little Baby. Man. You know, 2446 01:44:34,160 --> 01:44:36,000 Speaker 1: it ain't got to be the same song, you know 2447 01:44:36,000 --> 01:44:38,040 Speaker 1: what I'm saying, It ain't gotta be the same song. 2448 01:44:38,160 --> 01:44:39,960 Speaker 1: Just I just like how they come from the soul, 2449 01:44:40,160 --> 01:44:41,800 Speaker 1: you know what I'm saying. And I want to work 2450 01:44:41,800 --> 01:44:43,840 Speaker 1: with any other artists that come from the soul that 2451 01:44:43,880 --> 01:44:45,559 Speaker 1: I ain't work with. You know what I'm saying, Like, 2452 01:44:45,720 --> 01:44:48,200 Speaker 1: that's that's what I respect. You feel me like. But 2453 01:44:48,320 --> 01:44:50,559 Speaker 1: I'm just letting you know the spectrum. We could do 2454 01:44:50,840 --> 01:44:53,080 Speaker 1: a banker with a deal coming from and soul coming 2455 01:44:53,120 --> 01:44:54,439 Speaker 1: from the soul. We could do a banker with a 2456 01:44:54,439 --> 01:44:58,559 Speaker 1: little baby or that underground cat that ain't never been discovered. 2457 01:44:58,560 --> 01:45:00,719 Speaker 1: That's just trying to make that banger shout. I'm ready 2458 01:45:00,720 --> 01:45:02,800 Speaker 1: for you too. You know what I'm saying. Shut up 2459 01:45:02,840 --> 01:45:05,360 Speaker 1: your drummers, We're ready for you too. We're delivering, you 2460 01:45:05,360 --> 01:45:08,160 Speaker 1: know what I'm saying. We're back on that hard drives, 2461 01:45:08,160 --> 01:45:09,960 Speaker 1: back filled up. You know what I'm saying. We're gonna 2462 01:45:09,960 --> 01:45:13,120 Speaker 1: back them up right up, big shouts out to Mike, 2463 01:45:13,120 --> 01:45:17,080 Speaker 1: Well you know what it is, Big Facts salute the truth, 2464 01:45:17,400 --> 01:45:20,519 Speaker 1: the whole truth, and nothing but the truth. The big 2465 01:45:20,560 --> 01:45:24,160 Speaker 1: Man and DJ Screen bring you big fat hey man 2466 01:45:24,280 --> 01:45:29,800 Speaker 1: sideway up that merch. Yes, yeah, that's right. Www Dot 2467 01:45:30,040 --> 01:45:32,760 Speaker 1: Big facts pot dot com. What the real one one 2468 01:45:32,840 --> 01:45:34,559 Speaker 1: time y'all come get y'all some of this merch mat 2469 01:45:34,840 --> 01:45:38,400 Speaker 1: facts pot dot com. Get that merch right now, shot 2470 01:45:38,439 --> 01:45:40,640 Speaker 1: with us side away up. Make fact merch going down 2471 01:45:40,960 --> 01:45:45,000 Speaker 1: the new website today www Dot Big facts pot dot com. 2472 01:45:45,240 --> 01:45:45,519 Speaker 1: Visit