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Speaker 1: No woyan.

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Speaker 2: Now, so how was your date with Adam?

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Speaker 1: We're gonna get to it, wait to get to it.

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Speaker 1: And I told my mom I was going to tell

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Speaker 1: the truth.

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Speaker 2: Oh you hit it, You hit it.

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Speaker 3: If you hit it, you got the tea, you got

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Speaker 3: the Earl Gray, they got the Earl Gray on you.

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Speaker 2: Are we recording? I hope we are Earl Gray on you?

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Speaker 2: Mm hmm. That's that's how you want to speak about

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Speaker 2: my lovely mother. No, I'm just saying, what's the you know,

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Speaker 2: how was it?

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Speaker 1: There was lots of process. There's lots of process. As

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Speaker 1: as I'm getting older, my mother and I are getting closer.

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Speaker 1: We've always been really close, but closer on an adult level,

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Speaker 1: much more than a mother son level. So I see

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Speaker 1: a lot of things that I never saw that she

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Speaker 1: hid from me. And we've been a concert together. But

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Speaker 1: you know, I went to like the Mariah Carey Heartbreaker

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Speaker 1: tour with her.

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Speaker 2: Yeah that safe.

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Speaker 1: Ye, I've went to like safe concerts. I have not

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Speaker 1: gone to a concert where the theme of the concert

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Speaker 1: is for the lead singer to take his shirt off

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Speaker 1: and that's what everyone anticipates throughout the show.

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Speaker 2: Wasn't aware of.

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Speaker 1: That and I don't like how Adam Levine is almost

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Speaker 1: fifty and looks that good. It's incredible, So I guess

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Speaker 1: we can just start at the beginning.

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Speaker 2: Yeah, let's do it.

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Speaker 1: My mom got what you would call, I think like

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Speaker 1: a caraffe of some sorts of chardonnay. I've never seen

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Speaker 1: you could literally buy a bottle of wine in plastic

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Speaker 1: that they pour into to go to your seat so

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Speaker 1: you don't have to get back up. I think by

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Speaker 1: song too, it was three quarters of the way done,

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Speaker 1: so I'm getting a lot of woos and a lot

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Speaker 1: of hands up. Yeah, I'm like, my mom doesn't even

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Speaker 1: know this song.

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Speaker 2: She started to wave by itself.

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Speaker 1: Yeah, Adam Levine could have got on that mic and

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Speaker 1: said I regret to inform everyone there's been a school shooting,

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Speaker 1: and my mom would have.

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Speaker 2: Been like whoo.

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Speaker 1: He said anything, and my mom was wooing it up.

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Speaker 3: Yeah, Adam, Adam, Adam makes the women happy. He definitely

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Speaker 3: makes the women happy. He's you know, he's one of

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Speaker 3: those guys that the women, you know, love to go

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Speaker 3: out and see and and living and living color.

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Speaker 1: But I just I was taking aback that my mother

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Speaker 1: fell for where my lady's at line so easily, like

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Speaker 1: with no hesitation, right here, yes, and we were right there,

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Speaker 1: we were like row five. He could hear her say, Yo,

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Speaker 1: the ladies are here.

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Speaker 2: Yeah.

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Speaker 1: I just some things you just think in your head

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Speaker 1: of your mother, Like my mom would never just cave

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Speaker 1: to where my lady's at. She would need a little

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Speaker 1: bit more than that, like where are my ladies that

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Speaker 1: have been successful for this, Like just something to add

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Speaker 1: to it, not just you know, are you in the building,

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Speaker 1: Like I don't think Adam thought, all right, it's just

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Speaker 1: dudes that showed up today. She felt right for it,

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Speaker 1: right for it. And then at one point when he

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Speaker 1: took his shirt off, she stared directly in my face

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Speaker 1: and I have the video which I will lock away forever,

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Speaker 1: looked at me directly in the eyes and said, he

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Speaker 1: took his shirt off. He was like, I could see

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Speaker 1: that one. I see that he took his shirt off.

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Speaker 1: We're close enough to see his nipples.

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Speaker 2: Yeah.

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Speaker 1: But she had a really good time. Her friend had

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Speaker 1: a really good time. That was so she had a

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Speaker 1: good time. That's that's shit, amazing time. I was so

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Speaker 1: happy to see her happy. She she loved that.

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Speaker 2: Shit.

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Speaker 1: It's nice with some of the benefits and the friends

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Speaker 1: that you meet along this industry, you can do cool

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Speaker 1: things for your parents. Like typically I'm used to being

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Speaker 1: able to get shorty fucking little baby tickets. It's nice

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Speaker 1: that I could get my mom some tickets to a

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Speaker 1: band that she likes, and we could go together and

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Speaker 1: she could bring her friend and we could sit really

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Speaker 1: close and get the whole little waitress treatment at the show.

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Speaker 2: Like it was great.

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Speaker 1: So thank you PJ Morton, you made my mother's life.

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Speaker 1: Shout out to PJ Man. She really really good guy. Yeah,

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Speaker 1: I mean I've really I was talking to PJ before.

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Speaker 1: I was like, damn, I assume with the COVID shit,

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Speaker 1: you know, we probably can't go save it up and everything,

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Speaker 1: and he's like, yeah, we're literally trapped in our hotel rooms.

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Speaker 2: They won't let us leave.

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Speaker 1: And then as the night progressed, I was like, probably

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Speaker 1: a good idea, No, no, great idea. I'm actually really

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Speaker 1: you know, shut out that we couldn't go backstage and

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Speaker 1: my mother keep everything copa steatic because I feel like

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Speaker 1: Adam probably doesn't put his shirt back on you when

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Speaker 1: he's backstage.

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Speaker 2: No, if you don't work out and leave your shirt

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Speaker 2: on after you take it off, and.

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Speaker 1: It was it was like a perfect end of summer

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Speaker 1: night where he was like listening just enough for my

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Speaker 1: mother to go crazy.

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Speaker 2: Neither here nor there.

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Speaker 3: So he had a great night with Adam and Room

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Speaker 3: five and in PJ Morton and Mom. I thought about you.

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Speaker 3: I was like, I wanted to wait until I got

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Speaker 3: the reaction live. I didn't want to ask you about it.

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Speaker 3: I didn't want to text you.

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Speaker 1: Stayed till Sunday in Philly. How was it hopped over

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Speaker 1: to Maid in America in the rain?

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Speaker 2: Mind you.

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Speaker 1: I didn't pack to go to a festival, but I

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Speaker 1: only had like nice clothes, but I.

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Speaker 2: Went to lock up your good new balances.

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Speaker 1: No, I went to I went to Made in America

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Speaker 1: in the rain in doors.

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Speaker 2: Oh my god, listen.

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Speaker 1: I didn't leave the fucking tent because it was raining.

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Speaker 1: So they stayed completely fine. But I did feel like

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Speaker 1: I was. I got there and was like, aren't you

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Speaker 1: pass forcing things?

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Speaker 2: Yeah?

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Speaker 1: Yeah, Like I even grabbed a drink, like maybe this

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Speaker 1: will loosen me up and I'll start to enjoy. I

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Speaker 1: really saw my what you could have been on ninety

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Speaker 1: five right now.

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Speaker 3: Trust me, I've had plenty of nights like that where

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Speaker 3: I'm like, I forced it.

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Speaker 2: Never again, Yeah, never again.

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Speaker 1: But may it was cool. Just the rain kind of

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Speaker 1: fucked it up. Towards the end of the night. It

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Speaker 1: stopped and it was cool. But it was nice to

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Speaker 1: run into some people and seeing all the Griselda guys

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Speaker 1: was nice.

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Speaker 2: Nice to see them all together. Their their performance was great. Yeah,

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Speaker 2: it was. It was cool.

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Speaker 3: I saw some Adoja cat set. I said, if there,

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Speaker 3: he's going crazy right now. I was side stage my

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Speaker 3: brother he was going crazy. I was on the side

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Speaker 3: of the stage.

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Speaker 2: Yeah.

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Speaker 3: Yeah, she looked good. She looked good, she sounded good.

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Speaker 3: The crowds you enjoyed. But yeah, I know I wasn't

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Speaker 3: going I got invited to come down there, but I

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Speaker 3: was like, nah, I'm cool. The weather was kind of trash.

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Speaker 2: Yeah it was. It was.

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Speaker 1: It just wasn't a good between COVID kind of running

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Speaker 1: rampant again and the safety rules that it required for

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Speaker 1: Made America, which did make me feel good because they

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Speaker 1: they definitely like you had to go through apps and

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Speaker 1: put your fucking tests and vaccine cards and it was

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Speaker 1: tough to get in, So that made me feel better.

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Speaker 1: But between that, the rain just people weren't really into

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Speaker 1: it that same way, and it was not Made America's fault.

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Speaker 2: It was just a weird energy at that time. That's why.

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Speaker 3: That's what it is about festivals. If the weather is

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Speaker 3: not up to par and you know it's it's hit

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Speaker 3: or miss, you know, that's the That's the great thing

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Speaker 3: is if it's great weather, great time.

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Speaker 1: Yeah, but ship, Let's get to the nitty gritty man.

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Speaker 2: Let's get to it.

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Speaker 4: Man.

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Speaker 2: When we got again.

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Speaker 1: Recaps are cool, weekends are great.

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Speaker 2: What we got? How you feeling.

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Speaker 3: I've been reading some things online, been seeing some reactions

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Speaker 3: to music and okay, you know albums.

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Speaker 1: What type of reactions we'll start there. What type of

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Speaker 1: reactions did you see off off the rip.

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Speaker 3: I'm gonna be honest, man, I'm seeing more people say

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Speaker 3: that they're kind of disappointed with the Drake album than

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Speaker 3: I thought I would.

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Speaker 2: And that's surprising to me. Why well, because well, let

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Speaker 2: me say this.

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Speaker 3: I think that people anticipated a different sounding album. I

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Speaker 3: think people took Certified Love a Boy and anticipated a

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Speaker 3: very R and B heavy album from Drake, and I

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Speaker 3: think that was one of the things that people were

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Speaker 3: kind of thrown off by.

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Speaker 2: They thought that this was.

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Speaker 3: Gonna be a very R and B heavy album, heavy sound,

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Speaker 3: and it wasn't. And I don't know why, because Drake

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Speaker 3: already addressed that he would never do like an R

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Speaker 3: and B album. He addressed that years ago. He said

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Speaker 3: he would never do that. I don't know why fans

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Speaker 3: are anticipating that, but that was one of.

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Speaker 2: The general kind of.

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Speaker 1: Says something because it's such a weird title that you

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Speaker 1: would think that, all right, I'm gonna call it something

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Speaker 1: obscure because the music.

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Speaker 2: Is so different and great.

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Speaker 1: Like not to say Drake hasn't had good album titles,

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Speaker 1: but like none of them have been like, oh my god,

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Speaker 1: what is that about?

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Speaker 2: Right? Like thank me Later?

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Speaker 1: I wasn't like, holy shit, yeah, let me thank you.

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Speaker 1: What it's about, what it's about to happen, let me

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Speaker 1: go thank him? Yeah, even views from the sixth I

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Speaker 1: was like, all right, he's about to give us probably

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Speaker 1: a pretty heavy Toronto sounding album.

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Speaker 2: If you're reading this, it's too late.

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Speaker 1: By the time we got it. It was the surprise joint,

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Speaker 1: So the title made sense. It wasn't an anticipation of

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Speaker 1: what it was. When I heard Certified lover Boy four

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Speaker 1: fucking years ago or whenever he announced it. I was like,

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Speaker 1: all right, if he had if he is gonna call

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Speaker 1: it this, this is about to be some shit. He

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Speaker 1: knows that he's sitting on something that's kind of crazy,

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Speaker 1: you're gonna call it certified lover boy because he either

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Speaker 1: he's really gonna get clown, which I know Drake doesn't

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Speaker 1: give a fuck about, but he's gonna get clown for

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Speaker 1: that title. So he knows he has some music that's

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Speaker 1: gonna shut everyone the fuck up. It's one of those

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Speaker 1: fucking reverse all right, clown me go ahead, You're gonna

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Speaker 1: love everything on here. So yeah, maybe everyone did into

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Speaker 1: this title too much, but they should have the biggest

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Speaker 1: artist in the world and call some shit certified lover boy.

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Speaker 3: Well yeah, but again, and you can't take that title

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Speaker 3: and just assume that this is gonna be an R.

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Speaker 2: And B album.

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Speaker 3: I didn't say that. I just think you're I think

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Speaker 3: that's what most people. Yeah, I think that's what most

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Speaker 3: people did. They took this title and they kind of

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Speaker 3: ran with it another way. So when they didn't get

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Speaker 3: what they thought they were going to get, expectations weren't met.

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Speaker 2: So some people feel disappointed.

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Speaker 3: But yeah, I was really surprised to see that, because, uh,

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Speaker 3: I feel the opposite. I feel like this album was

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Speaker 3: really good. I feel like, minus maybe two or three tracks, uh,

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Speaker 3: I like it. I like it a lot, And it's

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Speaker 3: hard for me. It's hard for me not to like

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Speaker 3: a Drake album just because I think that Drake makes

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Speaker 3: the type of music that I think I can. You

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Speaker 3: can really play anywhere. You can play in the house,

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Speaker 3: you can play in the car, you know what I mean.

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Speaker 3: You can listen to you know, on a flight, you could,

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Speaker 3: you know. So it's hard for me not to like

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Speaker 3: the album because a lot of his records have so

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Speaker 3: much replay value. But minus two or three tracks on

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Speaker 3: this album, I'm i'm I'm I'm liking it.

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Speaker 1: Everything he said about Drake is what makes him a lesson,

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Speaker 1: and I agree and listen, listen to Drake in any

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Speaker 1: setting by yourself, with women, family, parties, crib wherever.

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Speaker 2: He's great at that.

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Speaker 1: He's probably the best artist at that period in music.

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Speaker 1: That does not make me like this album though, because

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Speaker 1: the caliber in which he did it on this album

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Speaker 1: does not meet his standard. I'm only here to compare

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Speaker 1: Drake to Drake and nobody else and Drake is in

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Speaker 1: another stratosphere, so I can only do that with him.

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Speaker 1: To the caliber of the music Drake makes, this was

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Speaker 1: subpar to me, sub par to Drake. Now, if anyone

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Speaker 1: else put out this album, it would be great, because

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Speaker 1: Drake makes good music. It's never gonna sit there and

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Speaker 1: go that is fucking the wackest thing I've ever heard

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Speaker 1: in my life. Please don't ever play that again. He

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Speaker 1: has a familiar voice. He's been around for a decade.

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Speaker 1: We love his voice. When shit comes on, it sounds good.

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Speaker 1: I was talking with a friend of mine. I was

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Speaker 1: halfway through the album. I didn't listen to it the

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Speaker 1: night it came out. I waited, and she texted me

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Speaker 1: and said, this is a parody album. I said, what

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Speaker 1: are you talking about? She said, this feels like a

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Speaker 1: parody album to me, and I was like, all right,

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Speaker 1: that's weird. And I kept that in my mind as

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Speaker 1: I listened to the rest of it. And I listened

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Speaker 1: to it the second time m h. And then I

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Speaker 1: text her back and said, I completely agree with you,

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Speaker 1: especially when looking in that lens in the back of

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Speaker 1: your head. This feels like a Drake parody album. I

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Speaker 1: know that sounds weird because Drake made it. It feels

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Speaker 1: like he was trying to recreate other great Drake songs

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Speaker 1: that have already happened, and they missed the mark from

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Speaker 1: the great ones that already existed. It felt like someone

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Speaker 1: else was trying to make a Drake album. And I

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Speaker 1: know that may not make sense to some people, but

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Speaker 1: I have said that. I've had this conversation with a

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Speaker 1: few people and they're like, Yo, you don't need to

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Speaker 1: explain it. I know exactly what you're talking about. It

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Speaker 1: felt like someone was making a Drake album and they

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Speaker 1: weren't Drake. Because Drake has set the bar so high.

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Speaker 1: That's why I'm comparing it to him in this in

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Speaker 1: this sense, because he just I could almost go through

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Speaker 1: the whole track list and come to a great song

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Speaker 1: that already existed that it sounded like he was trying

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Speaker 1: to recreate. So to me, it felt like, I don't

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Speaker 1: want to use lazy because that's unfair, very unfair, but

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Speaker 1: it just it felt like it almost felt like a

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Speaker 1: Tory Lanez album, Like when Tory tries to do Drake

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Speaker 1: all the time. It felt like Tory picked Drake beats

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Speaker 1: and tried to rap and sing like Drake what he

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Speaker 1: always used to do. And again when Toy did it

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Speaker 1: it wasn't bad, and then Drake doing it here it's

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Speaker 1: not bad at all. But I can only compare him

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Speaker 1: to him in that sense. It missed the mark of

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Speaker 1: all the greatness that he did. And I'm one of

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Speaker 1: those people that, YO, don't go you know the whole

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Speaker 1: line if you want my old albums by them type shit.

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Speaker 1: But in this sense, yeah, because you're trying to recreate

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Speaker 1: the shit you already did so well.

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Speaker 3: So you're saying that you don't feel like he raised

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Speaker 3: the bar with this album at all.

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Speaker 1: I don't think he raised the bar in his catalog

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Speaker 1: at all. Okay, is it great music?

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Speaker 2: Yeah? Am I gonna listen to this again? Of course?

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Speaker 1: Am I gonna play this around other people? Of fucking Christ.

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Speaker 3: You're just saying you're ready, You're you're ready for Drake

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Speaker 3: to push push the bar higher on hisself, which is.

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Speaker 1: Yes, but all right, look at it the other side

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Speaker 1: of the coin too, Drake doesn't need to. I feel

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Speaker 1: like everything Drake has been talking about the past few

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Speaker 1: years has kind of been a numbers game number one

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Speaker 1: and everything you can't fuck with me, your chicks listen

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Speaker 1: to my music.

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Speaker 2: There's literally no one on earth that can do it.

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Speaker 5: M H.

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Speaker 1: So yeah, if don't fix something that's not broken, But

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Speaker 1: in music, you should try to push some shit forward,

320
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Speaker 1: especially if you're one of the great period this. This

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Speaker 1: to me is like I could see them in the

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Speaker 1: studio going, all right, we loved Lord knows, let's try

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Speaker 1: to give them you only live twice and try to

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Speaker 1: recreate it do. I love that record, of course, it's

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Speaker 1: one of my favorite on there, But a lot of

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Speaker 1: this shit just feels like they were trying to reac

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Speaker 1: create the past. And on top of that, you're a

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00:14:03,600 --> 00:14:08,040
Speaker 1: little older, right, some of that shit's probably not going

329
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Speaker 1: to hit the same because I don't know if you're

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Speaker 1: living it the same way you were before. Drake is

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Speaker 1: thirty four. What we say he was thirty four, Drake

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Speaker 1: is thirty four years old. But I think Drake is

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Speaker 1: an older thirty four year old because he has lived

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Speaker 1: a lot of life. Yeah, he's lived an shit, a

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Speaker 1: ton of life. This the fucking twenty one year old

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Speaker 1: Drake could have wrote this shit. I'm not asking him

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Speaker 1: to give me a mature fucking album. I'm not at

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Speaker 1: all like, I'm not saying, yo, come on, give me

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Speaker 1: your four to forty four. I don't want that from him.

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Speaker 1: It's not what I'm asking. But when I know the

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00:14:38,800 --> 00:14:41,520
Speaker 1: twenty two year old, twenty one year old could have

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Speaker 1: wrote a lot of this outside of being number one

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Speaker 1: in the entire world, Yeah, I think it's a step back.

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Speaker 1: I don't think it's a step forward in your career.

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Speaker 2: So for you, it's the content, it's.

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Speaker 1: The contents, it's the production. To forty, to me, is

347
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Speaker 1: probably in the top three or four or best vocal

348
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Speaker 1: sample pickers in hip hop ever.

349
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Speaker 2: To me my.

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Speaker 1: Personal taste, I feel like forty was bored on this album,

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Speaker 1: and I love the vocals.

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Speaker 2: It's forty.

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Speaker 1: So the beats are gonna sound incredible, the mixes are

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00:15:13,480 --> 00:15:15,720
Speaker 1: gonna sound incredible, the beat changes are going to sound incredible.

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Speaker 3: But is forty bored? It's more the same. Okay, So

356
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Speaker 3: you said that you just were expecting a better sound

357
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Speaker 3: as far as production, the better sound as far as content.

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Speaker 3: You don't feel like Drake taught you anything that he

359
00:15:36,240 --> 00:15:38,040
Speaker 3: hasn't here or told you anything that he hasn't Aready

360
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Speaker 3: told you before?

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Speaker 1: Drake is one of the best reflectors if you will

362
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Speaker 1: on in rap to me, Ever, as far as how

363
00:15:45,640 --> 00:15:49,880
Speaker 1: can how he can articulate real rap records of reflecting

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Speaker 1: on things that have happened throughout his life, throughout the

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Speaker 1: past year, current shit, and do it in such a

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Speaker 1: clear way, Drake is the best at that. What I

367
00:16:00,440 --> 00:16:07,080
Speaker 1: didn't learn anything from this album Besides he still hates Kanye. Okay,

368
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Speaker 1: even the records I run to because I like the

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Speaker 1: deeper if you will type of Drake records. I like

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Speaker 1: the rap in I'm not gonna say just the time

371
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Speaker 1: records because He's Do Not Disturb is not a time

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Speaker 1: record either, But those type of records is my favorite.

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Speaker 1: Shit on these of course they're great, but they haven't

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Speaker 1: really evolved, right. I'm never gonna I'm never gonna tell well,

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Speaker 1: yes I will, because I'm a fan of music, and unfortunately,

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Speaker 1: art is to be dissected and it's to be critiqued.

377
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Speaker 1: It just is what it is. I'm not here to

378
00:16:38,400 --> 00:16:41,120
Speaker 1: be mean or disrespectful anything like that. I'm just here

379
00:16:41,120 --> 00:16:43,360
Speaker 1: to critique it as a fan. In my opinion, shouldn't

380
00:16:43,400 --> 00:16:48,840
Speaker 1: fucking matter because plenty of people like the shit. I

381
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Speaker 1: would have loved to hear what the past two or

382
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Speaker 1: three years have been with your child outside of I

383
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Speaker 1: think it's great that you and your girl are the

384
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Speaker 1: great co parents. Think that's amazing that line, and damn,

385
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Speaker 1: I really wasn't expecting to have a child.

386
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Speaker 2: I need a little bit more than that.

387
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Speaker 1: In the evolution of Drake, I've heard you talk about

388
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Speaker 1: hoes forever. You're the best at talking about hoes. I've

389
00:17:12,640 --> 00:17:15,640
Speaker 1: related to every whole line you've ever said. I've wanted

390
00:17:15,640 --> 00:17:17,840
Speaker 1: to put it up as my caption, but I have

391
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Speaker 1: too much fucking pride to do so. I've almost texted it,

392
00:17:22,240 --> 00:17:25,280
Speaker 1: texted chicks your lyrics, but out of pride, I didn't

393
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Speaker 1: I relate to you on the on the whole talk,

394
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Speaker 1: even the relationship talk, the mother father talk. I've loved

395
00:17:31,840 --> 00:17:34,680
Speaker 1: that he does talking about your parents better than anybody

396
00:17:34,720 --> 00:17:37,080
Speaker 1: to like. I love that about Drake.

397
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Speaker 2: I just haven't.

398
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Speaker 1: I didn't get it at all on this album, and

399
00:17:41,920 --> 00:17:44,960
Speaker 1: we watched so many things happen besides Kanye fucking West

400
00:17:45,240 --> 00:17:48,480
Speaker 1: happened to him, and I just don't think I've learned

401
00:17:48,520 --> 00:17:49,040
Speaker 1: anything here.

402
00:17:49,880 --> 00:17:51,040
Speaker 2: And that's a big thing for me.

403
00:17:51,320 --> 00:17:54,960
Speaker 1: With artists asked, and again, I'm not trying to sound

404
00:17:54,960 --> 00:17:56,880
Speaker 1: like I know what the fuck it takes to create

405
00:17:56,960 --> 00:17:59,800
Speaker 1: music like that. But artists, of course, as you would

406
00:17:59,800 --> 00:18:05,080
Speaker 1: have advice, everyone advice, right. Usually, my biggest critique to

407
00:18:05,119 --> 00:18:07,359
Speaker 1: people when they send me an album is I didn't

408
00:18:07,400 --> 00:18:09,639
Speaker 1: learn anything about you. I don't know anything about you

409
00:18:09,680 --> 00:18:12,480
Speaker 1: on this. I can't really connect to you on certain

410
00:18:12,560 --> 00:18:14,320
Speaker 1: things because you didn't really tell me about yourself.

411
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Speaker 2: But but why do you want? Why do you see?

412
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Speaker 3: And that's that's that's where I think I'm different at

413
00:18:18,560 --> 00:18:22,000
Speaker 3: because I really don't like and listening to albums a lot.

414
00:18:22,119 --> 00:18:25,080
Speaker 2: I really don't care if I learned about the artists.

415
00:18:24,800 --> 00:18:28,439
Speaker 3: Or if the artist tells me like deep intricate stories

416
00:18:28,440 --> 00:18:31,919
Speaker 3: about themselves, like I'm just here for like good music,

417
00:18:32,160 --> 00:18:33,360
Speaker 3: you know what I'm saying, Like I don't. I don't

418
00:18:33,359 --> 00:18:34,880
Speaker 3: dissecting to the point where I'm like, oh, he didn't

419
00:18:34,880 --> 00:18:36,879
Speaker 3: tell me like what his life has been like and

420
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Speaker 3: what is you know, what's been going on? Like that's

421
00:18:39,680 --> 00:18:41,200
Speaker 3: cool on certain tracks, you know, if you want to

422
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Speaker 3: give us a glimpse of that, But to me, it's

423
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Speaker 3: just entertainment, Like I don't really I don't really expect that. Now,

424
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Speaker 3: if the artist wants to give me that okay, cool,

425
00:18:48,240 --> 00:18:49,760
Speaker 3: But if they don't give me that, that doesn't mean

426
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Speaker 3: that the album isn't good to me.

427
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Speaker 1: So I agree with you. With a lot of artists,

428
00:18:53,440 --> 00:18:57,720
Speaker 1: Drake is not one of them. Drake is a very

429
00:18:57,920 --> 00:19:00,960
Speaker 1: personal artist. We know everything about him because he's told us.

430
00:19:01,200 --> 00:19:04,919
Speaker 1: That's why people connected to Drake so much, because for

431
00:19:05,040 --> 00:19:08,600
Speaker 1: so much of his career he's been that regular kind

432
00:19:08,600 --> 00:19:11,320
Speaker 1: of relatable guy. Like if he talked about a lot

433
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Speaker 1: of regular shit, like not everyone as a street dude,

434
00:19:14,760 --> 00:19:16,879
Speaker 1: so there was a lot of shit that he was

435
00:19:16,920 --> 00:19:18,800
Speaker 1: talking about. I was like, damn, all right, Yeah, I've

436
00:19:18,800 --> 00:19:20,760
Speaker 1: been through that type of relationship. I've fucked through that

437
00:19:20,760 --> 00:19:22,359
Speaker 1: type of chick. I have that type of relationship with

438
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Speaker 1: my father. I have that type relationship with my mother.

439
00:19:24,240 --> 00:19:26,960
Speaker 1: Oh I understand that that that struggle of that type

440
00:19:27,000 --> 00:19:28,840
Speaker 1: of come up. That's really why I think a lot

441
00:19:28,840 --> 00:19:31,040
Speaker 1: of people related to Drake because he was so vulnerable

442
00:19:31,359 --> 00:19:34,280
Speaker 1: and said a bunch of shit that we relate to.

443
00:19:34,680 --> 00:19:37,200
Speaker 1: We connected to him in that capacity he even did.

444
00:19:37,400 --> 00:19:40,360
Speaker 1: Him and Kanye are actually probably the two best artists

445
00:19:40,400 --> 00:19:45,080
Speaker 1: that can do introspective shit on Party records. Drake will

446
00:19:45,119 --> 00:19:48,479
Speaker 1: give you introspective Bars on a party record. Yeah, so

447
00:19:48,760 --> 00:19:50,560
Speaker 1: I agree with you. Yeah, I don't need to know

448
00:19:50,600 --> 00:19:53,280
Speaker 1: everything about every artist. You don't need to give me

449
00:19:53,320 --> 00:19:57,560
Speaker 1: that deep dive shit when Drake, Yeah, you respect him

450
00:19:57,600 --> 00:20:00,880
Speaker 1: as as a big Drake fan. I need that type

451
00:20:00,880 --> 00:20:02,920
Speaker 1: of shit from you all the time, and he did

452
00:20:02,960 --> 00:20:06,160
Speaker 1: give some. I just think so much has happened, and

453
00:20:06,440 --> 00:20:08,200
Speaker 1: you know what, maybe he's not ready to talk about

454
00:20:08,240 --> 00:20:10,040
Speaker 1: the kid thing. Maybe he's not ready to really talk

455
00:20:10,040 --> 00:20:11,959
Speaker 1: about certain things that happen in his life, and that,

456
00:20:12,040 --> 00:20:14,840
Speaker 1: of course is his, you know, his choice. And who

457
00:20:14,920 --> 00:20:17,160
Speaker 1: am I to ever force someone to tell me about

458
00:20:17,200 --> 00:20:19,560
Speaker 1: their entire life. I've just seen him do it his

459
00:20:19,600 --> 00:20:23,199
Speaker 1: whole career. So it's interesting now that we get to

460
00:20:23,240 --> 00:20:27,080
Speaker 1: this point of your decade in or more and you

461
00:20:27,480 --> 00:20:30,639
Speaker 1: chose to stop doing it. Usually artists get older and

462
00:20:30,920 --> 00:20:33,199
Speaker 1: give us more of it, not less of it, not

463
00:20:33,760 --> 00:20:38,359
Speaker 1: more of like kid talk that's on here. It's I mean,

464
00:20:38,680 --> 00:20:39,840
Speaker 1: it's a lot of hosha.

465
00:20:39,920 --> 00:20:40,760
Speaker 2: And granted we all.

466
00:20:41,359 --> 00:20:43,320
Speaker 1: Thirty four years old, it doesn't mean you can't get

467
00:20:43,400 --> 00:20:44,760
Speaker 1: into it with the hoes. And I always want to

468
00:20:44,800 --> 00:20:48,240
Speaker 1: hear Drake talk about that type of stuff. Just balance

469
00:20:48,280 --> 00:20:49,240
Speaker 1: it out a little bit more for me.

470
00:20:49,240 --> 00:20:51,000
Speaker 3: Okay, and I get it. So let's let's run through it.

471
00:20:51,080 --> 00:20:52,600
Speaker 3: Let's run through the album real quick, let's run through

472
00:20:52,600 --> 00:20:52,960
Speaker 3: the tracks.

473
00:20:54,280 --> 00:20:56,760
Speaker 2: He now we do well. We all have crowned Drake

474
00:20:57,400 --> 00:20:59,359
Speaker 2: probably the king of intros at this point.

475
00:20:59,720 --> 00:21:02,720
Speaker 3: He's definitely up there, right, So how do we feel

476
00:21:02,760 --> 00:21:04,080
Speaker 3: about Champagne Poetry?

477
00:21:05,040 --> 00:21:05,560
Speaker 2: I like it.

478
00:21:05,800 --> 00:21:10,680
Speaker 1: I liked how forty did that vocal sample? I did

479
00:21:10,800 --> 00:21:13,280
Speaker 1: enjoy the intro. I don't know if it's set the

480
00:21:13,320 --> 00:21:15,960
Speaker 1: tone where I was like, oh fuck, what is about

481
00:21:16,000 --> 00:21:17,879
Speaker 1: to come? But I really enjoyed it. It's probably the

482
00:21:17,880 --> 00:21:19,240
Speaker 1: one I go back to the most.

483
00:21:20,840 --> 00:21:21,360
Speaker 2: I like it.

484
00:21:22,280 --> 00:21:25,240
Speaker 3: I think he had some interesting bars on there. I

485
00:21:25,320 --> 00:21:28,000
Speaker 3: like I love the uh the track, I love the beat,

486
00:21:29,560 --> 00:21:30,560
Speaker 3: So for me, that was a win.

487
00:21:31,200 --> 00:21:37,919
Speaker 1: Pobby's Home, what a fucking waste of an amazing beat.

488
00:21:38,520 --> 00:21:39,879
Speaker 1: It's great for the first listen.

489
00:21:40,119 --> 00:21:43,879
Speaker 2: Yeah, what's in your cup? Let me? I ask? Is

490
00:21:43,920 --> 00:21:47,720
Speaker 2: that water? Never mind? Then? Can we be honest about

491
00:21:47,760 --> 00:21:48,439
Speaker 2: albums anymore?

492
00:21:48,480 --> 00:21:48,600
Speaker 5: No?

493
00:21:48,480 --> 00:21:50,119
Speaker 2: No, absolutely, I just wanted to. I just want to.

494
00:21:50,160 --> 00:21:51,680
Speaker 2: I'm just trying to gauge my boy and see where

495
00:21:51,680 --> 00:21:52,280
Speaker 2: you at. That's all.

496
00:21:52,320 --> 00:21:54,240
Speaker 1: And people think Drake and I have some type. We

497
00:21:54,320 --> 00:21:56,960
Speaker 1: don't know every time we see each other. It's fine,

498
00:21:57,040 --> 00:21:59,280
Speaker 1: it's love, it's and everything. Absolutely, and he knows that

499
00:21:59,320 --> 00:22:01,399
Speaker 1: I'm just sitting here critiquing an album because I'm a

500
00:22:01,480 --> 00:22:04,879
Speaker 1: huge fan, shitting on him. He is a legend, He

501
00:22:05,000 --> 00:22:07,159
Speaker 1: is a goat. I agree with him in that Kanye

502
00:22:07,240 --> 00:22:10,919
Speaker 1: line of you slid down to number three? Oh, I

503
00:22:10,920 --> 00:22:14,119
Speaker 1: mean yeah, let's I agree with mis do get to that.

504
00:22:14,119 --> 00:22:15,480
Speaker 1: We're gonna get to We're gonna get to all of

505
00:22:15,520 --> 00:22:17,560
Speaker 1: that in a minute. But let's let's let's go. And

506
00:22:17,600 --> 00:22:19,640
Speaker 1: I'm saying, well he said it in recent times. Yes,

507
00:22:19,720 --> 00:22:21,520
Speaker 1: it looked like Kanye was quiet for a while.

508
00:22:21,560 --> 00:22:25,320
Speaker 2: No, no, let's not even let's not get there. Yeah.

509
00:22:26,640 --> 00:22:30,440
Speaker 1: I thought it was funny. I thought it was cool.

510
00:22:31,760 --> 00:22:34,280
Speaker 1: I just don't know the replay val. I don't know

511
00:22:34,240 --> 00:22:38,960
Speaker 1: the replay value of harmonizing Daddy's home that I would

512
00:22:39,000 --> 00:22:41,639
Speaker 1: just go back to. And he was right in it,

513
00:22:41,760 --> 00:22:43,080
Speaker 1: he these are his.

514
00:22:43,040 --> 00:22:44,560
Speaker 2: Kids, talk your ship on it.

515
00:22:44,680 --> 00:22:47,199
Speaker 1: Yeah, but that beat, I feel like Drake could have

516
00:22:47,359 --> 00:22:51,240
Speaker 1: spased on that beat is fucking insane. So to just

517
00:22:51,320 --> 00:22:54,600
Speaker 1: have you kind of get your joke off on that

518
00:22:54,640 --> 00:22:58,159
Speaker 1: one I didn't like. I don't hate the content. I

519
00:22:58,200 --> 00:23:00,399
Speaker 1: hate it on that beat, okay, got you like just

520
00:23:00,520 --> 00:23:03,560
Speaker 1: Daddy's Home, like I can't be in my card. Like

521
00:23:05,600 --> 00:23:06,840
Speaker 1: it was cool to first listen.

522
00:23:06,920 --> 00:23:07,359
Speaker 2: I laughed.

523
00:23:07,359 --> 00:23:09,639
Speaker 1: I was like, oh, he's right. Then he got Nikki.

524
00:23:09,680 --> 00:23:13,480
Speaker 1: I was like, oh, this is fucking amazing. But and

525
00:23:13,560 --> 00:23:15,399
Speaker 1: that was great. He got Nikki because NICKI needed to

526
00:23:15,440 --> 00:23:17,280
Speaker 1: say that. I'm gonna go get y'all mom. I mean

527
00:23:18,040 --> 00:23:19,679
Speaker 1: Nicky as your mom. I've been trying to say that.

528
00:23:19,680 --> 00:23:23,800
Speaker 1: And they call me a bar but whatever, Like, no,

529
00:23:23,920 --> 00:23:25,400
Speaker 1: I'm a boy, don't call me one. I know I'm

530
00:23:25,440 --> 00:23:27,960
Speaker 1: a bar, Like just like I know I'm a black man,

531
00:23:27,960 --> 00:23:29,320
Speaker 1: but don't call me a black man. I know him

532
00:23:29,320 --> 00:23:32,280
Speaker 1: black man. Uh, Poppy's Home for me was I liked it.

533
00:23:32,280 --> 00:23:37,639
Speaker 1: I thought it was a good record. I just like

534
00:23:37,640 --> 00:23:42,240
Speaker 1: to hear good raps, good lyrics, good beats. That's it simple.

535
00:23:42,680 --> 00:23:44,360
Speaker 3: As long as you wrapping, you're getting your shit off,

536
00:23:44,600 --> 00:23:50,639
Speaker 3: you're saying some slick shit your flow. Cadence, did you

537
00:23:50,680 --> 00:23:54,439
Speaker 3: sing along to Daddy's Home? No, I can't sing that. Okay,

538
00:23:54,600 --> 00:23:57,639
Speaker 3: you would never hear me saying Daddy's Home. Yeah no, no,

539
00:23:57,480 --> 00:23:59,760
Speaker 3: you would never hear me saying that. But but to me,

540
00:23:59,800 --> 00:24:02,359
Speaker 3: it was good song. Ignore that, right, I wouldn't skip it, Like,

541
00:24:02,359 --> 00:24:03,879
Speaker 3: if it comes on, I'm not skipping that. I'm not

542
00:24:03,880 --> 00:24:05,119
Speaker 3: skipping that track if it comes on.

543
00:24:05,600 --> 00:24:07,440
Speaker 2: Who produced that? Did Forty do that one?

544
00:24:09,760 --> 00:24:12,000
Speaker 1: Because to me, that's that sounds like if Forty's not

545
00:24:12,040 --> 00:24:14,639
Speaker 1: bored on that one? That beat was so good, I

546
00:24:14,720 --> 00:24:18,440
Speaker 1: just didn't need talk to his kids on or talk

547
00:24:18,480 --> 00:24:21,040
Speaker 1: to your kids. But just don't get don't use that stuff.

548
00:24:21,080 --> 00:24:21,960
Speaker 1: You don't like Daddy's Home.

549
00:24:22,000 --> 00:24:23,560
Speaker 2: I get No, I get it. I get what you said.

550
00:24:23,680 --> 00:24:27,360
Speaker 4: Yomi super Mario, Jerrell Young and Mark Burno.

551
00:24:27,680 --> 00:24:30,320
Speaker 3: Well, y'all smoked that beat that be That's what I'm saying.

552
00:24:30,680 --> 00:24:32,400
Speaker 3: The raps was good, the beat was good.

553
00:24:32,640 --> 00:24:33,879
Speaker 1: It's Drake the raps are gonna be.

554
00:24:34,000 --> 00:24:36,159
Speaker 3: Yeah. So that's what I'm saying. It's it's hard for

555
00:24:36,200 --> 00:24:38,840
Speaker 3: me not to like like I don't. I don't look

556
00:24:38,840 --> 00:24:42,200
Speaker 3: at none of these artists for like super deep, introspective

557
00:24:42,200 --> 00:24:43,800
Speaker 3: ship from their lives, lives like that.

558
00:24:43,800 --> 00:24:45,200
Speaker 1: Wait, I didn't say he needed you know, I'm not

559
00:24:45,200 --> 00:24:46,720
Speaker 1: saying I'm not. I'm not saying you say that. I'm

560
00:24:46,680 --> 00:24:47,840
Speaker 1: actually didn't want him to on that right.

561
00:24:47,840 --> 00:24:48,600
Speaker 2: No, I'm not saying you said that.

562
00:24:48,640 --> 00:24:50,280
Speaker 3: I'm saying in general, I don't really like to me,

563
00:24:50,320 --> 00:24:52,760
Speaker 3: this is all entertainment, Like, I don't really you know

564
00:24:52,800 --> 00:24:54,240
Speaker 3: what I mean. I'm not looking for much other than

565
00:24:54,359 --> 00:24:57,119
Speaker 3: yo rap, good, give me some flows, give me a

566
00:24:57,119 --> 00:25:00,960
Speaker 3: good beat, talk some slick shit, you know, say some

567
00:25:01,000 --> 00:25:04,360
Speaker 3: witty shit in your bars, and just me. I'm satisfied

568
00:25:04,400 --> 00:25:07,560
Speaker 3: after that. I don't really need much after that. Girls

569
00:25:07,600 --> 00:25:09,120
Speaker 3: want girls. And this is when we was talking about.

570
00:25:09,119 --> 00:25:11,359
Speaker 3: When we walked in today, you were saying that you

571
00:25:11,400 --> 00:25:15,560
Speaker 3: didn't particularly care for this no track, that this would

572
00:25:15,560 --> 00:25:16,480
Speaker 3: have been a great leak.

573
00:25:18,040 --> 00:25:21,000
Speaker 2: Okay, this is cool as a leak to me, a

574
00:25:21,080 --> 00:25:23,840
Speaker 2: leak that doesn't make it on the album. Yes, okay, I.

575
00:25:23,760 --> 00:25:27,600
Speaker 1: Think, all right, maybe I need to hear it in

576
00:25:27,640 --> 00:25:30,760
Speaker 1: the setting where girls are liking girls, and I could, like,

577
00:25:31,160 --> 00:25:32,000
Speaker 1: you know, really fuck with.

578
00:25:31,960 --> 00:25:32,320
Speaker 2: It that way.

579
00:25:32,520 --> 00:25:34,320
Speaker 1: Listen, listen, and Drake does it a lot with me

580
00:25:34,400 --> 00:25:37,040
Speaker 1: where I would dislike a song when I first heard

581
00:25:37,040 --> 00:25:38,520
Speaker 1: on the album, and I'll hear it in a setting

582
00:25:38,600 --> 00:25:40,080
Speaker 1: four months later, I'm like, all.

583
00:25:39,840 --> 00:25:40,920
Speaker 2: Right, I get it. I think this is gonna be

584
00:25:40,960 --> 00:25:41,679
Speaker 2: one of those ones for you.

585
00:25:42,960 --> 00:25:48,000
Speaker 1: I just initially after that, again, it felt like it

586
00:25:48,040 --> 00:25:49,960
Speaker 1: felt like an incomplete song. That's why I said, I

587
00:25:50,000 --> 00:25:51,720
Speaker 1: like it as a leak, like I like the hook

588
00:25:51,800 --> 00:25:53,680
Speaker 1: is cool. Girls like girls on from like cool. People

589
00:25:53,720 --> 00:25:55,600
Speaker 1: can sing that in the club, they can sing it anywhere.

590
00:25:56,600 --> 00:25:59,240
Speaker 1: He was just taking Paul. It felt like an incomplete record,

591
00:26:00,080 --> 00:26:03,080
Speaker 1: just sent to baby a little baby, and.

592
00:26:02,480 --> 00:26:05,240
Speaker 2: Then was like, well fuck it, this is done. Okay.

593
00:26:06,119 --> 00:26:06,720
Speaker 2: I liked it.

594
00:26:07,760 --> 00:26:10,120
Speaker 3: Do you feel like you're a lesbian? No, I don't

595
00:26:10,119 --> 00:26:11,919
Speaker 3: feel like I'm a lesbian, but I like the record.

596
00:26:12,040 --> 00:26:13,320
Speaker 3: Well you sing I like lesbians?

597
00:26:13,320 --> 00:26:15,480
Speaker 1: Well you say when this comes on, when you sing

598
00:26:15,520 --> 00:26:17,840
Speaker 1: along to the you're a lesbian part, or you just

599
00:26:18,040 --> 00:26:20,320
Speaker 1: get quiet like the way I word.

600
00:26:20,400 --> 00:26:22,080
Speaker 3: No, you gotta know what the lesbian part. That's when

601
00:26:22,119 --> 00:26:23,520
Speaker 3: you take a sip. But whatever, you got your head

602
00:26:23,520 --> 00:26:25,040
Speaker 3: when that that part come on, you take a sip

603
00:26:25,080 --> 00:26:27,880
Speaker 3: real quick. Oh that's then you get back into your ship.

604
00:26:28,160 --> 00:26:28,720
Speaker 3: Just so funny.

605
00:26:28,720 --> 00:26:30,920
Speaker 1: Said people wonder why I get so drunk when we're out.

606
00:26:30,920 --> 00:26:34,080
Speaker 1: It's because when I listen to the music that's on,

607
00:26:34,480 --> 00:26:35,480
Speaker 1: I want to wrap along to it.

608
00:26:35,520 --> 00:26:36,440
Speaker 2: But there's so many n words.

609
00:26:37,160 --> 00:26:38,679
Speaker 3: You got to you gotta sip. Yeah, see, you know

610
00:26:38,720 --> 00:26:40,800
Speaker 3: how to do exactly. So when certain bars come on, that.

611
00:26:40,880 --> 00:26:43,840
Speaker 3: You know, you can't say you just sip real get.

612
00:26:43,760 --> 00:26:48,359
Speaker 2: One of these. I mean once you do this, Yeah,

613
00:26:48,400 --> 00:26:49,359
Speaker 2: like you're good after that.

614
00:26:50,440 --> 00:26:53,280
Speaker 1: Well great for a LGBTQ song.

615
00:26:54,280 --> 00:26:56,440
Speaker 3: Yeah, I hope they have a video for this because

616
00:26:56,480 --> 00:26:58,119
Speaker 3: it's gonna be a really really this can be a

617
00:26:58,119 --> 00:26:59,800
Speaker 3: really great video. That's to go on porn Hub though,

618
00:27:00,160 --> 00:27:01,679
Speaker 3: Get that on Viva. Yeah, no, give me like a

619
00:27:01,720 --> 00:27:04,240
Speaker 3: real video for that. Shout out to Sukiana. Is that

620
00:27:04,280 --> 00:27:07,320
Speaker 3: her name, Sukiana? Suki Hannah?

621
00:27:07,359 --> 00:27:09,120
Speaker 2: Is that her name? I don't Suki Hannah.

622
00:27:09,119 --> 00:27:11,600
Speaker 3: I want to say her name right, because she's restoring

623
00:27:11,600 --> 00:27:13,199
Speaker 3: the films with that video. What is the name of

624
00:27:13,200 --> 00:27:19,080
Speaker 3: that video? She's restoring the feeling pussy everywhere. That's that

625
00:27:19,080 --> 00:27:23,000
Speaker 3: way we Suki Hanna. I want to say that I

626
00:27:23,080 --> 00:27:26,320
Speaker 3: love you for that video. You're restoring the feelings, restoring.

627
00:27:25,880 --> 00:27:27,600
Speaker 2: The vibes that gave me.

628
00:27:27,760 --> 00:27:31,359
Speaker 3: That that's tip drill times one hundred. So I shout

629
00:27:31,359 --> 00:27:32,520
Speaker 3: out to you because I like what you did with

630
00:27:32,520 --> 00:27:32,920
Speaker 3: that video.

631
00:27:32,920 --> 00:27:33,640
Speaker 2: That was really dope.

632
00:27:34,080 --> 00:27:36,960
Speaker 1: Since I'm gonna sound like I hate her with everything today,

633
00:27:36,960 --> 00:27:38,560
Speaker 1: it was great, but it wasn't very much pussy.

634
00:27:39,600 --> 00:27:43,320
Speaker 3: Well yeah you got it, Yeah, you got it. I

635
00:27:43,320 --> 00:27:45,080
Speaker 3: saw a lot of titties and ass. I mean, I mean,

636
00:27:45,080 --> 00:27:48,360
Speaker 3: I'm pretty sure she has the other version she covered here. Yeah,

637
00:27:48,560 --> 00:27:49,920
Speaker 3: I mean, but if I'm pretty sure, if you go

638
00:27:49,960 --> 00:27:54,120
Speaker 3: on like spank bang or something like that. Yeah, I

639
00:27:54,720 --> 00:27:56,879
Speaker 3: credited version up there, but shout out to Sukiana. That

640
00:27:56,920 --> 00:28:01,560
Speaker 3: was really dope in the Bible. Next record, uh in

641
00:28:01,600 --> 00:28:05,040
Speaker 3: the Bible. Damn, I can't hear it.

642
00:28:05,080 --> 00:28:06,800
Speaker 5: I gotta because it was forgettable.

643
00:28:07,240 --> 00:28:09,720
Speaker 3: No, no, no, it's just that I'm terrible with song titles,

644
00:28:09,720 --> 00:28:10,760
Speaker 3: but I know the song when I hear it.

645
00:28:10,880 --> 00:28:12,240
Speaker 2: Drake's verse was good.

646
00:28:12,320 --> 00:28:14,119
Speaker 1: Didn't mind it again, more of the same as far

647
00:28:14,160 --> 00:28:17,560
Speaker 1: as production goes. Dirk super unnecessary on it. Cut Dirk's

648
00:28:17,640 --> 00:28:18,000
Speaker 1: verse off.

649
00:28:18,080 --> 00:28:20,159
Speaker 2: Oh this is the one with Dirk shouted out his girls.

650
00:28:20,080 --> 00:28:22,320
Speaker 1: Which is amazing. Yes, that's fire. I love that Dirk

651
00:28:22,320 --> 00:28:23,400
Speaker 1: did that.

652
00:28:23,400 --> 00:28:23,920
Speaker 2: That's goals.

653
00:28:23,920 --> 00:28:29,679
Speaker 1: Whoever the fuck y'all say. But don't waste givey on.

654
00:28:30,520 --> 00:28:32,920
Speaker 2: He wasted to give you on to you on this one. Okay.

655
00:28:32,920 --> 00:28:36,080
Speaker 1: I loved Giveon's verse. It was too short. That should

656
00:28:36,080 --> 00:28:39,400
Speaker 1: have been Drake featuring giveon. If we're gonna go this

657
00:28:39,520 --> 00:28:41,440
Speaker 1: route on in the Bible. Because Drake was talking that.

658
00:28:41,360 --> 00:28:43,360
Speaker 2: Shit on his verse. I fucked with his verse.

659
00:28:44,280 --> 00:28:48,960
Speaker 1: You gotta let Giveon go crazy for like a thirty two,

660
00:28:49,440 --> 00:28:51,680
Speaker 1: don't put two features on this, make this the drake

661
00:28:51,760 --> 00:28:52,680
Speaker 1: and give me on record.

662
00:28:53,720 --> 00:28:56,200
Speaker 3: I do remember, I don't like Dirk like left he

663
00:28:56,240 --> 00:28:58,360
Speaker 3: had like I think, two more bars. He just left

664
00:28:58,360 --> 00:28:59,720
Speaker 3: at the end of his verse where he could have

665
00:29:00,240 --> 00:29:01,880
Speaker 3: got off and it was kind of like just like

666
00:29:02,040 --> 00:29:03,840
Speaker 3: a lot of things felt incomplete on this out.

667
00:29:03,920 --> 00:29:04,600
Speaker 2: Yeah I didn't. I didn't.

668
00:29:04,600 --> 00:29:06,120
Speaker 3: I didn't understand. I felt like Dirk could have got

669
00:29:06,120 --> 00:29:07,920
Speaker 3: his ship off for two more two or four more

670
00:29:07,960 --> 00:29:09,000
Speaker 3: balls on that actually, But.

671
00:29:10,680 --> 00:29:11,280
Speaker 2: Yeah, I'm cool.

672
00:29:11,320 --> 00:29:13,440
Speaker 3: I mean, it's not one of the standouts to me,

673
00:29:13,520 --> 00:29:15,480
Speaker 3: but I'm not you know, I'm not mad at it.

674
00:29:15,680 --> 00:29:17,200
Speaker 3: I don't know if I played as much as I

675
00:29:17,240 --> 00:29:19,479
Speaker 3: would play girls want Girls.

676
00:29:19,760 --> 00:29:21,320
Speaker 1: I just feel like you got to surround a song

677
00:29:21,360 --> 00:29:24,040
Speaker 1: around givey On, not just plug and play, Like let

678
00:29:24,040 --> 00:29:27,000
Speaker 1: me just put give On on this third verse, like

679
00:29:27,040 --> 00:29:29,600
Speaker 1: all right, I got this, let's pack this one up

680
00:29:29,640 --> 00:29:32,080
Speaker 1: with the popular features or let's try to put Dirk

681
00:29:32,120 --> 00:29:34,840
Speaker 1: on something different, which I I'm cool with, but just

682
00:29:35,280 --> 00:29:36,920
Speaker 1: not with a give on record. I needed just the

683
00:29:37,000 --> 00:29:39,040
Speaker 1: Drake and give on. I know they did the freestyle joint,

684
00:29:39,080 --> 00:29:41,520
Speaker 1: but yeah, the R and B side of them too.

685
00:29:42,280 --> 00:29:44,080
Speaker 2: I got a cook for a minute. I wish it

686
00:29:44,120 --> 00:29:49,280
Speaker 2: was just a hook. It's like Chicago freestyle. Okay, yeah, okay,

687
00:29:49,360 --> 00:29:53,760
Speaker 2: all right, what about love all? Okay?

688
00:29:55,760 --> 00:29:58,080
Speaker 1: I like this record a lot. When it leaked about

689
00:29:58,200 --> 00:30:00,760
Speaker 1: a year I did, I'll play this record a lot.

690
00:30:00,880 --> 00:30:02,640
Speaker 1: This was one of my favorites out of the leak.

691
00:30:04,280 --> 00:30:08,560
Speaker 1: I commend Drake. I would have never thought Hove should

692
00:30:08,560 --> 00:30:11,880
Speaker 1: go on this and good call.

693
00:30:12,560 --> 00:30:14,640
Speaker 2: Great call, great call. I didn't. I didn't.

694
00:30:15,920 --> 00:30:17,600
Speaker 3: I didn't expect to hit a song on the album actually,

695
00:30:17,640 --> 00:30:19,440
Speaker 3: because it had leaked so long ago. I thought he

696
00:30:19,480 --> 00:30:22,720
Speaker 3: was scrappy. But I loved this record, and like you said, adding.

697
00:30:22,560 --> 00:30:25,400
Speaker 1: J to it was like, oh shit, okay, because I

698
00:30:26,000 --> 00:30:28,200
Speaker 1: went like, did I go straight to the J one?

699
00:30:28,280 --> 00:30:29,720
Speaker 1: I think I did go straight to the J one?

700
00:30:31,960 --> 00:30:33,600
Speaker 1: And when it started to play, I was like, wait,

701
00:30:33,720 --> 00:30:37,080
Speaker 1: he put Hove on this, and I was skeptical, but

702
00:30:37,600 --> 00:30:39,240
Speaker 1: it really worked out, and I think Hope smoked it.

703
00:30:40,600 --> 00:30:44,160
Speaker 1: I won't ask the questions because I know you're that's

704
00:30:44,200 --> 00:30:48,080
Speaker 1: that's family ship. But he was talking to Dame.

705
00:30:48,960 --> 00:30:52,240
Speaker 3: No, he wasn't you think Dave tried to kill j

706
00:30:53,720 --> 00:30:54,160
Speaker 3: I don't.

707
00:30:54,680 --> 00:30:58,440
Speaker 2: Well, there were some bars in there. No, not the

708
00:30:58,440 --> 00:30:58,960
Speaker 2: whole versus.

709
00:30:59,040 --> 00:31:01,120
Speaker 3: Okay, yeah, no, maybe maybe, But I think that was

710
00:31:01,240 --> 00:31:03,840
Speaker 3: Jay just getting in his autistic bag and just painting

711
00:31:03,840 --> 00:31:08,320
Speaker 3: a picture of you know you still you're still cool

712
00:31:08,320 --> 00:31:09,040
Speaker 3: with dudes that.

713
00:31:09,040 --> 00:31:10,320
Speaker 2: You know I don't funk with.

714
00:31:10,440 --> 00:31:13,160
Speaker 3: And this is why why you think we not were

715
00:31:13,200 --> 00:31:15,320
Speaker 3: not friends, because you cool with dudes that I don't

716
00:31:15,320 --> 00:31:15,800
Speaker 3: funk with.

717
00:31:16,240 --> 00:31:19,200
Speaker 1: And sometimes y'all did everything literal. Yeah, No, I don't

718
00:31:19,200 --> 00:31:21,680
Speaker 1: think Jay was I don't think anybody's trying to kill

719
00:31:22,040 --> 00:31:24,040
Speaker 1: people were still chilling with him. People can try to

720
00:31:24,120 --> 00:31:28,080
Speaker 1: kill you in other ways. Absolutely, but great, great, Yeah,

721
00:31:28,080 --> 00:31:32,360
Speaker 1: I love the love the record. That's more so the

722
00:31:32,360 --> 00:31:35,040
Speaker 1: whole I would have liked on on the Donda thing

723
00:31:35,720 --> 00:31:38,280
Speaker 1: that didn't feel rushed, felt like he was really cared

724
00:31:38,280 --> 00:31:39,040
Speaker 1: about what he was saying.

725
00:31:39,120 --> 00:31:39,520
Speaker 2: Mm hmm.

726
00:31:40,760 --> 00:31:43,719
Speaker 1: And I know that one stung to Yah. Yeah, damn,

727
00:31:44,720 --> 00:31:46,760
Speaker 1: he gave me, gave gave my rival the better.

728
00:31:46,800 --> 00:31:48,760
Speaker 3: But I mean, I mean, I mean, in all finis,

729
00:31:48,800 --> 00:31:51,840
Speaker 3: Jay probably had more time, that's true, but with this,

730
00:31:51,960 --> 00:31:54,800
Speaker 3: with this record, but he they rushed it for the

731
00:31:54,840 --> 00:31:55,479
Speaker 3: first listening.

732
00:31:55,600 --> 00:31:58,680
Speaker 1: Jake Jake could have had three or four weeks for

733
00:31:58,720 --> 00:32:00,760
Speaker 1: the final Donna one that cool, give it. That could

734
00:32:00,760 --> 00:32:03,600
Speaker 1: have been the snippet, right, But I don't know neither

735
00:32:03,600 --> 00:32:05,640
Speaker 1: here nor there. I do love that record. That record

736
00:32:05,720 --> 00:32:07,200
Speaker 1: is really good. It was one of my favorites from

737
00:32:07,200 --> 00:32:07,560
Speaker 1: the league.

738
00:32:07,680 --> 00:32:13,600
Speaker 2: Okay, fair trade, Travis Scott.

739
00:32:12,440 --> 00:32:14,760
Speaker 1: No, no, it's it's cool. It's cool Drake record.

740
00:32:14,840 --> 00:32:16,120
Speaker 2: No, I'm just asking. I don't know.

741
00:32:16,360 --> 00:32:17,840
Speaker 3: We haven't spoke about this, so this is all real

742
00:32:17,880 --> 00:32:19,160
Speaker 3: time for me, Like I don't I haven't asked you

743
00:32:19,240 --> 00:32:22,120
Speaker 3: anything about the album.

744
00:32:22,280 --> 00:32:25,000
Speaker 1: It's cool Again, it would have been a cool leak

745
00:32:25,080 --> 00:32:30,080
Speaker 1: to me. It's all right from Drake from Drake standards

746
00:32:30,120 --> 00:32:32,520
Speaker 1: and Travis Scott standards and Drake and Travis Scott together

747
00:32:32,560 --> 00:32:35,600
Speaker 1: standards and again, I want to make sure people I'm

748
00:32:35,600 --> 00:32:38,440
Speaker 1: not holding every artist that they have to go to

749
00:32:38,480 --> 00:32:43,000
Speaker 1: their best material. I'm not holding Nas to Illmatic, not

750
00:32:43,080 --> 00:32:44,920
Speaker 1: olden Ja the reason, no Doubt'm not olding Drake to

751
00:32:44,960 --> 00:32:46,160
Speaker 1: take care nothing to say whatever one.

752
00:32:46,080 --> 00:32:47,760
Speaker 2: You think is the best.

753
00:32:47,960 --> 00:32:52,880
Speaker 1: It's just kind of like, I cool whatever that one.

754
00:32:52,960 --> 00:32:54,920
Speaker 1: If you just let the album play and we're at

755
00:32:54,920 --> 00:32:56,560
Speaker 1: a kickback, I probably like it.

756
00:32:56,800 --> 00:32:58,680
Speaker 3: I'm mad at it coming on. Yeah, but it's just

757
00:32:58,800 --> 00:33:00,320
Speaker 3: I feel the same way. I'm not mad at that whatever.

758
00:33:01,080 --> 00:33:02,840
Speaker 3: I'm not mad at it. I wouldn't. I don't think

759
00:33:02,840 --> 00:33:04,240
Speaker 3: I would rush to play it, but I'm not mad

760
00:33:04,240 --> 00:33:04,560
Speaker 3: at it.

761
00:33:05,320 --> 00:33:09,400
Speaker 1: Way too sexy, I'll be honest with you. On my

762
00:33:09,400 --> 00:33:10,840
Speaker 1: way down at Philly is when I when I gave

763
00:33:10,880 --> 00:33:14,160
Speaker 1: this a first full listen on Friday morning, whenever the

764
00:33:14,160 --> 00:33:18,920
Speaker 1: fuck it was, I was one of the carpool lane

765
00:33:18,920 --> 00:33:20,640
Speaker 1: and flipped my Mazda over on purpose.

766
00:33:21,400 --> 00:33:23,800
Speaker 3: Now you can't. You can't flip the Masi man. Don't

767
00:33:23,800 --> 00:33:27,920
Speaker 3: flip the Masi. You need the Masi man, Don't flip

768
00:33:27,920 --> 00:33:28,560
Speaker 3: the Mazi man.

769
00:33:28,680 --> 00:33:32,280
Speaker 1: I was almost six to my stomach when that sample

770
00:33:32,320 --> 00:33:34,760
Speaker 1: came on, and then when the song came on, I

771
00:33:34,800 --> 00:33:38,640
Speaker 1: was like, it was the first time I've ever said,

772
00:33:38,800 --> 00:33:40,880
Speaker 1: all right, this is a garbage song by Drake.

773
00:33:42,520 --> 00:33:44,880
Speaker 2: But I was out in Philly all weekend.

774
00:33:45,240 --> 00:33:48,040
Speaker 1: You did not stop fucking playing it, So I don't

775
00:33:48,120 --> 00:33:50,320
Speaker 1: know if I've been brainwashed. No, no, no, I just

776
00:33:50,360 --> 00:33:52,560
Speaker 1: hated the sample when I first heard No, No Clear.

777
00:33:52,640 --> 00:33:54,400
Speaker 1: Then I started kind of shaking my hips a little.

778
00:33:54,440 --> 00:33:57,600
Speaker 3: No, No, be clear, They're gonna make you like this record.

779
00:33:57,640 --> 00:33:58,680
Speaker 2: Oh no, they've already maybe like it.

780
00:33:58,680 --> 00:34:00,720
Speaker 3: They're gonna make you. I don't like it, but I

781
00:34:00,760 --> 00:34:02,160
Speaker 3: know they're gonna make me like it. I kind of

782
00:34:02,200 --> 00:34:04,280
Speaker 3: wish like I'm never gonna say I'm way too sexy,

783
00:34:04,320 --> 00:34:07,800
Speaker 3: like that's just I would never say that. No, I

784
00:34:07,800 --> 00:34:08,919
Speaker 3: do not think I'm a bad bitch.

785
00:34:08,920 --> 00:34:13,120
Speaker 1: It's the first, it's the first men Feeling our Self record.

786
00:34:13,360 --> 00:34:16,600
Speaker 2: This is the this is the male version of OP. Wow,

787
00:34:18,840 --> 00:34:21,160
Speaker 2: this is this is this is it was? You know

788
00:34:21,160 --> 00:34:23,959
Speaker 2: what I mean? This is the male version of OP. Yeah.

789
00:34:24,040 --> 00:34:25,839
Speaker 2: And I get it. Like I've seen the video. They're

790
00:34:25,840 --> 00:34:26,319
Speaker 2: having fun.

791
00:34:26,400 --> 00:34:29,719
Speaker 3: It's like you said, a parody, like they're not They're not,

792
00:34:29,960 --> 00:34:32,600
Speaker 3: you know, too cool to make jokes and laugh at themselves.

793
00:34:32,840 --> 00:34:33,799
Speaker 2: I get that whole part.

794
00:34:33,840 --> 00:34:34,000
Speaker 5: You know.

795
00:34:34,040 --> 00:34:36,000
Speaker 2: That's that that to me, I'm not I'm not mad

796
00:34:36,040 --> 00:34:37,320
Speaker 2: at that. I think that was great.

797
00:34:37,560 --> 00:34:40,279
Speaker 3: But if you ask me when I play this in

798
00:34:40,320 --> 00:34:42,520
Speaker 3: the car and the crib, and no, I wouldn't.

799
00:34:42,640 --> 00:34:45,440
Speaker 1: It's and ironically, this was the only song I heard

800
00:34:45,480 --> 00:34:47,359
Speaker 1: from the album outside so far, and I heard it

801
00:34:47,440 --> 00:34:49,680
Speaker 1: ten thousand fucking times in feeling. Oh No, They're gonna

802
00:34:49,680 --> 00:34:53,160
Speaker 1: make me like it and it works. No, they're gonna

803
00:34:53,239 --> 00:34:56,920
Speaker 1: really listen. The girls love this record. No, the fellas

804
00:34:56,960 --> 00:34:57,760
Speaker 1: was going crazy.

805
00:34:57,840 --> 00:34:59,960
Speaker 2: Really this record. I went to a club and feeling

806
00:35:00,040 --> 00:35:03,120
Speaker 2: on DJ, you have you spun this at your set?

807
00:35:03,160 --> 00:35:05,880
Speaker 4: On your every single hour someone asked me for this

808
00:35:05,960 --> 00:35:10,319
Speaker 4: fucking song? Really every single hour? All dudes, how do

809
00:35:10,320 --> 00:35:11,840
Speaker 4: you feel about it? It's good you like it?

810
00:35:12,960 --> 00:35:13,680
Speaker 2: How do you feel?

811
00:35:13,800 --> 00:35:15,279
Speaker 1: How do you feel about men coming up to you

812
00:35:15,280 --> 00:35:16,120
Speaker 1: to request the song?

813
00:35:16,640 --> 00:35:19,719
Speaker 3: I was not surprised. And then that song. Yeah, I

814
00:35:19,760 --> 00:35:22,160
Speaker 3: don't know about way too sex. I just can't because

815
00:35:22,200 --> 00:35:25,000
Speaker 3: I can't sing the hook. I can't be like, I'm

816
00:35:25,000 --> 00:35:27,920
Speaker 3: way too sexy for this, this hoodie, way too sexy

817
00:35:27,920 --> 00:35:29,560
Speaker 3: for this, supreme, way too sex.

818
00:35:29,640 --> 00:35:32,600
Speaker 2: I can't. I can't say that. No, you can't get right.

819
00:35:32,680 --> 00:35:35,520
Speaker 3: Yeah, I just can't get it off. And I'm not sexy,

820
00:35:35,560 --> 00:35:37,359
Speaker 3: So maybe that's why I don't like it. So, I mean,

821
00:35:37,400 --> 00:35:39,480
Speaker 3: I don't know. Sure someone finds you sexy, yeah, I mean,

822
00:35:39,480 --> 00:35:41,520
Speaker 3: but you know they're probably not sexy if they find

823
00:35:41,520 --> 00:35:41,960
Speaker 3: me sexy.

824
00:35:41,960 --> 00:35:43,920
Speaker 1: So well, if they decide on a TikTok dance, will

825
00:35:43,920 --> 00:35:45,200
Speaker 1: we do it for this one?

826
00:35:45,600 --> 00:35:47,680
Speaker 2: I've never done a TikTok dance in my life. Rory.

827
00:35:47,920 --> 00:35:49,160
Speaker 2: I don't think I'm going to start.

828
00:35:49,000 --> 00:35:51,719
Speaker 1: Here, but I do want to backtrack to men coming

829
00:35:51,800 --> 00:35:54,080
Speaker 1: up to Edd and to request the song. We have

830
00:35:54,120 --> 00:35:55,600
Speaker 1: to add this because you know, men can never have

831
00:35:55,640 --> 00:35:58,399
Speaker 1: fun and we judgment for everything they do. I'm still

832
00:35:58,400 --> 00:36:00,600
Speaker 1: adding this to the list as you can't go up

833
00:36:00,640 --> 00:36:01,600
Speaker 1: to the DJ and request a.

834
00:36:01,600 --> 00:36:03,640
Speaker 4: Song can you play that? They wouldn't say can you

835
00:36:03,640 --> 00:36:05,000
Speaker 4: play way too sexy? That like, can you play that

836
00:36:05,040 --> 00:36:07,080
Speaker 4: new Drake? And I already knew it was way too sexy?

837
00:36:07,440 --> 00:36:08,960
Speaker 2: Oh you already knew that. They alway knew.

838
00:36:09,719 --> 00:36:13,080
Speaker 3: Okay, so you didn't you didn't think about Nope, love

839
00:36:13,120 --> 00:36:15,040
Speaker 3: all the one.

840
00:36:14,920 --> 00:36:17,359
Speaker 4: That the music video dropped that same day. What they

841
00:36:17,360 --> 00:36:18,080
Speaker 4: want to That's what I'm saying.

842
00:36:18,120 --> 00:36:18,719
Speaker 2: I get it.

843
00:36:18,719 --> 00:36:20,600
Speaker 3: It's like you said the parody thing that it having

844
00:36:20,600 --> 00:36:22,520
Speaker 3: fun and not they're not afraid to laugh at themselves

845
00:36:22,560 --> 00:36:25,160
Speaker 3: and have a great time. Like I get that part,

846
00:36:25,200 --> 00:36:27,480
Speaker 3: But I'm just talking about the music. I just can't.

847
00:36:27,840 --> 00:36:30,640
Speaker 3: I can't play this and get jiggy to this. I

848
00:36:30,680 --> 00:36:33,919
Speaker 3: just can't. Just not my vibe. You know, you watch

849
00:36:33,960 --> 00:36:36,319
Speaker 3: them a distancing Oh no, if it comes on, I'm

850
00:36:36,320 --> 00:36:37,880
Speaker 3: not mad, And if I'm in the spot and it

851
00:36:37,880 --> 00:36:39,799
Speaker 3: comes on like I know, I already know what it's

852
00:36:39,800 --> 00:36:41,760
Speaker 3: gonna do in the spot. I'm just saying me personally,

853
00:36:41,800 --> 00:36:42,279
Speaker 3: I just can't.

854
00:36:42,320 --> 00:36:44,640
Speaker 2: Can you your eye it? Can I brop my head too?

855
00:36:44,640 --> 00:36:46,440
Speaker 2: Oh yeah, I bought my head to it? Can you

856
00:36:46,440 --> 00:36:47,160
Speaker 2: swing your hips to it?

857
00:36:47,200 --> 00:36:47,359
Speaker 4: What?

858
00:36:47,840 --> 00:36:49,920
Speaker 2: Hips? No? Hips off limits? When the Way Too Sexy

859
00:36:49,920 --> 00:36:50,160
Speaker 2: comes on?

860
00:36:50,239 --> 00:36:54,360
Speaker 1: Hips don't lie though, Once I get past the sample

861
00:36:54,400 --> 00:36:57,080
Speaker 1: in the beginning, like if I could forget that part,

862
00:36:57,239 --> 00:36:58,920
Speaker 1: if they could like men in Black hit me with

863
00:36:59,000 --> 00:37:03,080
Speaker 1: the forgetful thing halfway through the song, I like it

864
00:37:03,120 --> 00:37:07,120
Speaker 1: a lot. Okay, future futures versus great, but it's still

865
00:37:07,120 --> 00:37:10,879
Speaker 1: coming off the heels of that sample. Listen, Drake has

866
00:37:10,960 --> 00:37:14,600
Speaker 1: Kawhi Lenard, what's dancing? Like, if Kawhi Leonarx.

867
00:37:14,200 --> 00:37:16,160
Speaker 3: Can start dancing, you know what, let me rethink this.

868
00:37:16,200 --> 00:37:19,239
Speaker 3: If Kawhi Lenon can dance, maybe I should be dancing.

869
00:37:19,239 --> 00:37:21,919
Speaker 3: Because Kawhi doesn't do any I doesn't even doesn't talk. Yeah,

870
00:37:21,920 --> 00:37:24,160
Speaker 3: he doesn't even speak, so for him to be dancing

871
00:37:24,200 --> 00:37:26,040
Speaker 3: the Way Too Sexy, it's like, you know what this

872
00:37:26,080 --> 00:37:26,399
Speaker 3: is about.

873
00:37:26,440 --> 00:37:27,239
Speaker 2: They're just having fun.

874
00:37:28,000 --> 00:37:31,879
Speaker 3: They're not taking themselves seriously obviously, so I think it's

875
00:37:31,920 --> 00:37:34,360
Speaker 3: I think it's gonna do exactly what they intended it

876
00:37:34,400 --> 00:37:34,799
Speaker 3: for it to do.

877
00:37:35,560 --> 00:37:38,359
Speaker 1: Kawhi and this video is me at the club. I'm

878
00:37:38,440 --> 00:37:41,719
Speaker 1: just awkward. I'm not quite sure what I should be doing.

879
00:37:42,520 --> 00:37:45,200
Speaker 3: Yeah, Like, look at the ladies splaying water missed on

880
00:37:45,200 --> 00:37:46,239
Speaker 3: on themselves, like, you get it.

881
00:37:46,280 --> 00:37:49,080
Speaker 2: You know what this is about? Just having fun? I

882
00:37:49,120 --> 00:37:49,400
Speaker 2: get it.

883
00:37:49,440 --> 00:37:50,960
Speaker 3: I understood as soon as I saw the video. I

884
00:37:51,040 --> 00:37:52,600
Speaker 3: understood what they were going, what they were going with it.

885
00:37:52,680 --> 00:37:54,080
Speaker 3: I understood that we'll.

886
00:37:53,920 --> 00:37:56,040
Speaker 1: Go quick because I'm sure people are going through every

887
00:37:56,080 --> 00:37:59,200
Speaker 1: single record TSU was off the league from a year ago.

888
00:37:59,239 --> 00:38:01,799
Speaker 1: I ran this one of the round two already love it. Yeah,

889
00:38:01,800 --> 00:38:04,040
Speaker 1: it's cool. I fuck with it again. Wouldn't mind it

890
00:38:04,120 --> 00:38:07,239
Speaker 1: just be a leak but not maden it into deep

891
00:38:08,000 --> 00:38:09,319
Speaker 1: another cool record?

892
00:38:09,719 --> 00:38:11,200
Speaker 2: Whatever? Pipe down?

893
00:38:11,360 --> 00:38:17,759
Speaker 1: Now, if you're gonna give me more of the same pipes, yo, okay.

894
00:38:18,239 --> 00:38:20,040
Speaker 1: If you're gonna give me more of the same sound

895
00:38:20,200 --> 00:38:23,400
Speaker 1: that you've given me before on an album, let it

896
00:38:23,440 --> 00:38:27,360
Speaker 1: be this. Give me twelve of these Like this sounds

897
00:38:27,400 --> 00:38:29,640
Speaker 1: like all right, I know my sound, I know what works.

898
00:38:29,680 --> 00:38:32,160
Speaker 1: I know what my core fan base, which is fucking

899
00:38:32,200 --> 00:38:35,839
Speaker 1: the world, is gonna love this. Just feels a little

900
00:38:35,840 --> 00:38:37,840
Speaker 1: stepped up, feel like there was more care put into

901
00:38:37,880 --> 00:38:41,000
Speaker 1: the traditional sound of Drake in pipe Down, more into

902
00:38:41,040 --> 00:38:45,360
Speaker 1: the lyrics. The point of view the production, like pipe

903
00:38:45,400 --> 00:38:48,720
Speaker 1: Down to me is trying to take that traditional regular

904
00:38:48,760 --> 00:38:50,040
Speaker 1: sound a little bit further.

905
00:38:50,280 --> 00:38:55,280
Speaker 2: Okay, I like piped Down, Love you have his Homebreak phenomenal.

906
00:38:55,320 --> 00:38:56,000
Speaker 2: Wish it was long, but.

907
00:38:56,080 --> 00:38:59,000
Speaker 3: Yeah, I was expecting Drake to have some bars on

908
00:39:00,040 --> 00:39:02,839
Speaker 3: I was singing, But okay, I love the really good

909
00:39:02,840 --> 00:39:03,759
Speaker 3: interlude is what they call it.

910
00:39:03,800 --> 00:39:07,319
Speaker 1: I guess, Yeah, wish it was a little longer, but incredible.

911
00:39:08,080 --> 00:39:10,000
Speaker 1: No friends in the industry. I've heard that record a

912
00:39:10,000 --> 00:39:10,839
Speaker 1: million times from Drake.

913
00:39:11,040 --> 00:39:13,040
Speaker 2: I'm cool to talk.

914
00:39:13,480 --> 00:39:16,239
Speaker 1: I've heard no Friends in the industry plenty of times

915
00:39:16,239 --> 00:39:18,959
Speaker 1: from Drake. I can go back to the other ones

916
00:39:18,960 --> 00:39:20,000
Speaker 1: that are no. I'm listening.

917
00:39:20,000 --> 00:39:23,000
Speaker 2: I got it. I go listen to Energy, I Hate You, I.

918
00:39:22,960 --> 00:39:27,400
Speaker 1: Hey, Knife Talk, twenty one, Savage Project, Pat. I just

919
00:39:27,440 --> 00:39:28,640
Speaker 1: I don't know if I'm the one that should be

920
00:39:28,680 --> 00:39:30,040
Speaker 1: even commenting on that record.

921
00:39:30,480 --> 00:39:33,480
Speaker 2: Maybe I mean I'm cool either way.

922
00:39:34,600 --> 00:39:37,440
Speaker 1: Seven of them on the bridle Path love it.

923
00:39:37,440 --> 00:39:39,239
Speaker 2: It's it's really really good.

924
00:39:39,280 --> 00:39:41,759
Speaker 3: Anytime Drake tells us what Tom he he was on

925
00:39:41,800 --> 00:39:42,920
Speaker 3: the anywhere in the world.

926
00:39:43,640 --> 00:39:46,320
Speaker 2: Where's the bridle path? I'm poor? So is that like

927
00:39:46,400 --> 00:39:49,000
Speaker 2: Alston I don't know what bridle path is.

928
00:39:48,960 --> 00:39:51,080
Speaker 1: And Yugoslavia that I'm not aware or was he was

929
00:39:51,440 --> 00:39:54,040
Speaker 1: in Toronto walking on a bridle path?

930
00:39:54,560 --> 00:40:02,000
Speaker 2: Is it in Toronto US? Okay? Okay, seven am at

931
00:40:02,000 --> 00:40:04,400
Speaker 2: his house, seventy at home at the crib, Yeah, seventy

932
00:40:04,440 --> 00:40:06,480
Speaker 2: game at the house. Okay, And I like that.

933
00:40:06,560 --> 00:40:08,640
Speaker 1: Kanye already put your address out, all right, seven am,

934
00:40:08,680 --> 00:40:09,200
Speaker 1: you know where it is.

935
00:40:09,280 --> 00:40:12,160
Speaker 3: Yeah, But I see whatever Drake gives us a time stamp,

936
00:40:12,520 --> 00:40:14,040
Speaker 3: of course, it's always Gona. I don't think I think

937
00:40:14,040 --> 00:40:16,200
Speaker 3: he's he's he every time he gives us a time stamp.

938
00:40:16,360 --> 00:40:18,960
Speaker 1: We love that record and gonna sound more like a hater.

939
00:40:19,200 --> 00:40:20,000
Speaker 1: I really like it.

940
00:40:20,320 --> 00:40:21,280
Speaker 2: But you had it already.

941
00:40:23,280 --> 00:40:25,360
Speaker 1: He can continue to give me these types of records.

942
00:40:25,400 --> 00:40:27,600
Speaker 1: I didn't need a lot of that focus to be

943
00:40:27,640 --> 00:40:30,880
Speaker 1: on Kanye West. I think I think Drake and Kanye

944
00:40:30,960 --> 00:40:32,640
Speaker 1: think we care about Drake and Kanye now, and I'm

945
00:40:32,640 --> 00:40:33,279
Speaker 1: not talking about just me.

946
00:40:33,280 --> 00:40:34,359
Speaker 2: I'm talking about the rest of the world.

947
00:40:34,360 --> 00:40:36,840
Speaker 1: Of Course, we're gonna watch because we're all messy, so

948
00:40:36,880 --> 00:40:41,480
Speaker 1: we're gonna click it right. Nobody cares, but you two now, like,

949
00:40:41,600 --> 00:40:42,759
Speaker 1: please let this be the end.

950
00:40:43,239 --> 00:40:47,240
Speaker 2: No it's not, but are to go make music?

951
00:40:47,360 --> 00:40:49,640
Speaker 3: Yeah it's not, but we're gonna talk about that. What

952
00:40:49,719 --> 00:40:50,399
Speaker 3: was the next track?

953
00:40:50,920 --> 00:40:52,719
Speaker 2: Race? Race my mind? Love it.

954
00:40:52,760 --> 00:40:55,520
Speaker 3: I feel like this could have been a Magic Jordan record. Yeah,

955
00:40:55,640 --> 00:40:57,960
Speaker 3: this was my favorite leak that came out. Yeah, I'm

956
00:40:58,000 --> 00:40:59,279
Speaker 3: glad he added the second parts to it.

957
00:40:59,320 --> 00:41:02,240
Speaker 2: I love this record, Fountains Fountains, I have it before,

958
00:41:02,280 --> 00:41:04,960
Speaker 2: I have it. I like it. I like it, but

959
00:41:05,000 --> 00:41:07,319
Speaker 2: I have it get along better. I love it, Glad

960
00:41:07,360 --> 00:41:08,440
Speaker 2: it's just him and Tie.

961
00:41:08,320 --> 00:41:09,840
Speaker 1: I think that there needs to be more of that

962
00:41:09,920 --> 00:41:12,160
Speaker 1: on the album with the features, no double features, just

963
00:41:12,200 --> 00:41:13,000
Speaker 1: you and the other artist.

964
00:41:13,640 --> 00:41:15,400
Speaker 2: Love it. You only live twice.

965
00:41:16,080 --> 00:41:18,239
Speaker 3: I'm not mad at any time Wayne Ross and Drake

966
00:41:18,280 --> 00:41:19,680
Speaker 3: get to just get balls off.

967
00:41:19,640 --> 00:41:24,160
Speaker 1: Wayne's pasz Ross. It feels a little dated, like some

968
00:41:24,200 --> 00:41:27,160
Speaker 1: of this had been done and they just it sounds familiar.

969
00:41:27,280 --> 00:41:30,000
Speaker 1: It sounds familiar, but shout out to Bank. It's a

970
00:41:30,000 --> 00:41:30,680
Speaker 1: great bank beat.

971
00:41:32,000 --> 00:41:34,040
Speaker 2: I miss you too. I felt like this was a

972
00:41:34,040 --> 00:41:36,879
Speaker 2: spike just to Kanye. I like it though, it's cool,

973
00:41:37,040 --> 00:41:41,560
Speaker 2: like it fucking fans. I like the rap part of it.

974
00:41:41,960 --> 00:41:45,000
Speaker 1: Yeah, cool, not mad at that one, and then the

975
00:41:45,040 --> 00:41:48,239
Speaker 1: remorse Again, I love it, but I think he could have.

976
00:41:48,160 --> 00:41:50,839
Speaker 2: Went further and a little bit deeper on it.

977
00:41:51,000 --> 00:41:55,480
Speaker 1: Okay, I've said this about certain Drake songs before, and yeah,

978
00:41:55,520 --> 00:41:58,440
Speaker 1: I don't want to say certain full albums, but he

979
00:41:58,520 --> 00:42:00,279
Speaker 1: does have a way of down the line, You're like,

980
00:42:00,480 --> 00:42:01,319
Speaker 1: she was pretty good.

981
00:42:01,360 --> 00:42:04,160
Speaker 2: I was wrong, but this went to me. I don't

982
00:42:04,160 --> 00:42:04,480
Speaker 2: feel like.

983
00:42:04,520 --> 00:42:07,160
Speaker 3: Yeah, I think I think that's uh, that's why I'm man.

984
00:42:07,200 --> 00:42:09,360
Speaker 3: I just you know, again, I don't. I hate to

985
00:42:10,200 --> 00:42:11,960
Speaker 3: you know, we only lived with it for a week

986
00:42:12,080 --> 00:42:14,719
Speaker 3: or not even a full week yet, and that's that's

987
00:42:14,800 --> 00:42:16,799
Speaker 3: unfair to artists a lot of the times because they

988
00:42:16,880 --> 00:42:19,840
Speaker 3: take so long to put this this art together and

989
00:42:20,040 --> 00:42:21,880
Speaker 3: you know, put it out to the world, and we

990
00:42:22,040 --> 00:42:25,000
Speaker 3: take not even a day sometimes when people start tearing

991
00:42:25,000 --> 00:42:27,759
Speaker 3: it down. So yeah, but I just, you know, just

992
00:42:27,840 --> 00:42:30,000
Speaker 3: off of listening to to the music, to the sound

993
00:42:30,680 --> 00:42:35,239
Speaker 3: and the content and you know, just you know, what

994
00:42:35,320 --> 00:42:37,640
Speaker 3: Will was presented. I don't I don't see how people

995
00:42:37,640 --> 00:42:41,439
Speaker 3: are not uh enjoying it, you know what I mean,

996
00:42:41,480 --> 00:42:43,800
Speaker 3: Like it's it doesn't it's it's good music. At the

997
00:42:43,880 --> 00:42:45,399
Speaker 3: end of the day, Like I you know, that's all

998
00:42:45,440 --> 00:42:48,120
Speaker 3: I really care about receiving from artists that I like

999
00:42:48,280 --> 00:42:49,960
Speaker 3: is just give me good music. And I think that

1000
00:42:50,080 --> 00:42:52,399
Speaker 3: this album has really good music on.

1001
00:42:52,400 --> 00:42:53,359
Speaker 2: It so well.

1002
00:42:53,360 --> 00:42:55,400
Speaker 1: I mean, I think how he how he ended the

1003
00:42:55,440 --> 00:42:58,040
Speaker 1: album with when you're winning, nobody's praying for you on

1004
00:42:58,080 --> 00:43:01,520
Speaker 1: a on a deeper level where he is in his career.

1005
00:43:02,120 --> 00:43:04,600
Speaker 1: You get less leeway when you're as great as he is,

1006
00:43:04,680 --> 00:43:06,480
Speaker 1: or once you've yes status.

1007
00:43:07,120 --> 00:43:09,440
Speaker 2: We know, we have high expectations. No, absolutely, I get that,

1008
00:43:09,480 --> 00:43:11,920
Speaker 2: and and that's you know, that's self included. Yeah, that's

1009
00:43:11,960 --> 00:43:12,799
Speaker 2: the expectations for you.

1010
00:43:12,880 --> 00:43:14,440
Speaker 3: That's right, And that's a great position to be in

1011
00:43:14,480 --> 00:43:18,080
Speaker 3: because that means that you've been people have championed you

1012
00:43:18,160 --> 00:43:19,400
Speaker 3: for a long time and they put you on this

1013
00:43:19,480 --> 00:43:21,319
Speaker 3: pedestal so they expect greatness from you.

1014
00:43:21,480 --> 00:43:22,560
Speaker 2: I understand those things.

1015
00:43:22,640 --> 00:43:25,359
Speaker 3: Uh again, I'm just not you know, after only five

1016
00:43:25,440 --> 00:43:27,360
Speaker 3: six days with it, I can't you know, I just

1017
00:43:27,400 --> 00:43:29,759
Speaker 3: don't understand how people not enjoying just good music. You know,

1018
00:43:29,800 --> 00:43:31,120
Speaker 3: a lot of the times you get a lot of

1019
00:43:31,160 --> 00:43:34,320
Speaker 3: these albums, and you know, when it's not good music

1020
00:43:34,480 --> 00:43:36,000
Speaker 3: like this is not you know, I mean, I think

1021
00:43:36,000 --> 00:43:38,799
Speaker 3: that this is just something that people were expecting a

1022
00:43:38,840 --> 00:43:42,560
Speaker 3: different sound. Maybe they were expecting, you know, like I said,

1023
00:43:42,600 --> 00:43:45,160
Speaker 3: more R and B heavy Drake, and I don't think

1024
00:43:45,200 --> 00:43:45,960
Speaker 3: that since.

1025
00:43:45,800 --> 00:43:49,680
Speaker 2: They got they didn't get that. They're disappointed. But I enjoyed.

1026
00:43:49,719 --> 00:43:52,279
Speaker 3: I enjoyed the music on the album, and again we

1027
00:43:52,360 --> 00:43:53,759
Speaker 3: got more time to live with it. We need to

1028
00:43:53,800 --> 00:43:56,239
Speaker 3: hear it in different settings. I think that's important too,

1029
00:43:56,280 --> 00:43:58,200
Speaker 3: once we get around different people and start to hear it.

1030
00:43:58,239 --> 00:44:00,320
Speaker 3: Like I said, the way too sexyre, I know what

1031
00:44:00,320 --> 00:44:01,080
Speaker 3: they're gonna push on me.

1032
00:44:01,120 --> 00:44:02,959
Speaker 2: I know that already. I'm not even I can't even

1033
00:44:03,040 --> 00:44:04,879
Speaker 2: feel sexy. Yeah, I'm gonna move MYX to it, sooner

1034
00:44:04,920 --> 00:44:06,120
Speaker 2: or later. I'm gonna move my hips to it. I

1035
00:44:06,160 --> 00:44:09,360
Speaker 2: know that. But you can get dressed to that record.

1036
00:44:09,440 --> 00:44:11,080
Speaker 2: Excuse me when you're trying to put your fitt together

1037
00:44:11,080 --> 00:44:12,799
Speaker 2: to go out at night, like you think you might,

1038
00:44:12,960 --> 00:44:14,439
Speaker 2: you might throw that one on. No, No, we're gonna

1039
00:44:14,440 --> 00:44:14,880
Speaker 2: skip that.

1040
00:44:15,760 --> 00:44:18,000
Speaker 1: What's some what is some of your like, let me

1041
00:44:18,040 --> 00:44:19,879
Speaker 1: get dressed before I go out? Type of record you're

1042
00:44:19,880 --> 00:44:21,680
Speaker 1: throwing in the crib when you're laying out the fit

1043
00:44:21,800 --> 00:44:24,880
Speaker 1: on the bed, trying to match them to the hat.

1044
00:44:26,360 --> 00:44:28,040
Speaker 2: I need to hear some boom boom boom. You know

1045
00:44:28,080 --> 00:44:28,359
Speaker 2: what I mean.

1046
00:44:28,400 --> 00:44:30,600
Speaker 3: Give me some Give me some West give me some

1047
00:44:30,640 --> 00:44:32,560
Speaker 3: west Side, Give me some Bennie, give me some Conway.

1048
00:44:32,600 --> 00:44:33,759
Speaker 2: Man. You want to feel you want to feel like

1049
00:44:33,760 --> 00:44:35,400
Speaker 2: a drug dealer. Yeah, I want to. I want to.

1050
00:44:35,440 --> 00:44:37,000
Speaker 3: I want to get dressed, minus the gun. I want

1051
00:44:37,000 --> 00:44:37,879
Speaker 3: to lead a gun in the crib.

1052
00:44:37,960 --> 00:44:39,520
Speaker 2: You know what I'm saying. Of course I want to.

1053
00:44:39,560 --> 00:44:41,000
Speaker 3: You know, that's that's the type of ship I like

1054
00:44:41,000 --> 00:44:43,920
Speaker 3: getting dressed to. I like I like that real hardcore

1055
00:44:44,000 --> 00:44:46,719
Speaker 3: hip hop ship. When I'm getting dressed on my on

1056
00:44:46,840 --> 00:44:49,759
Speaker 3: my way to the spot. Oh no, give me some

1057
00:44:50,760 --> 00:44:52,960
Speaker 3: race my mind, give me ship like that. You know,

1058
00:44:53,160 --> 00:44:55,560
Speaker 3: actually know race my mind is leaving the spot. Absolutely,

1059
00:44:55,640 --> 00:44:58,399
Speaker 3: that's leaving this. Yeah, on my way to the spot. Listen,

1060
00:44:58,480 --> 00:45:01,000
Speaker 3: way too sexy. Throw it on, go on, rory, fuck it,

1061
00:45:01,560 --> 00:45:02,719
Speaker 3: were going to the club, throw it on.

1062
00:45:02,920 --> 00:45:05,319
Speaker 1: They better be girls in the car. Oh no, for sure,

1063
00:45:05,400 --> 00:45:07,120
Speaker 1: there's always women in the can. If you and I

1064
00:45:07,200 --> 00:45:08,560
Speaker 1: just oh no, no, no, no, down the west.

1065
00:45:08,440 --> 00:45:10,239
Speaker 3: Side and I try not to throw that in there.

1066
00:45:10,280 --> 00:45:11,640
Speaker 3: I think I thought you would just assumed that we

1067
00:45:11,680 --> 00:45:12,359
Speaker 3: had women in the car.

1068
00:45:12,600 --> 00:45:15,120
Speaker 2: But I'm afraid you for the sake of the listeners. Okay, yeah, no, no,

1069
00:45:15,160 --> 00:45:17,800
Speaker 2: we definitely have women in the car for sure. For sure.

1070
00:45:18,880 --> 00:45:22,200
Speaker 1: Well we shall see. But I want to stay in music.

1071
00:45:22,239 --> 00:45:23,840
Speaker 1: This is gonna be a music podcast today. Sorry for

1072
00:45:23,840 --> 00:45:26,719
Speaker 1: the people that don't particularly care for music or what's

1073
00:45:26,760 --> 00:45:27,439
Speaker 1: going on now.

1074
00:45:27,640 --> 00:45:29,760
Speaker 3: You know, whoever feels a way about us breaking down music.

1075
00:45:29,760 --> 00:45:31,440
Speaker 3: I mean, listen, y'all hate when we don't. So this

1076
00:45:31,560 --> 00:45:34,120
Speaker 3: is listen to the biggest acts in the world drop. Finally,

1077
00:45:34,160 --> 00:45:37,839
Speaker 3: after playing chicken and mouse with each other for like

1078
00:45:37,880 --> 00:45:41,560
Speaker 3: two months, they finally gave it. Yeah, well yeah, two years,

1079
00:45:41,719 --> 00:45:43,600
Speaker 3: they finally gave us the art. They finally gave it

1080
00:45:43,640 --> 00:45:45,040
Speaker 3: to the world. So yeah, this is what we have

1081
00:45:45,080 --> 00:45:46,040
Speaker 3: to do. We have to sit and we have to

1082
00:45:46,080 --> 00:45:49,120
Speaker 3: talk about it together as a community and as fans

1083
00:45:49,200 --> 00:45:49,719
Speaker 3: of the art.

1084
00:45:49,760 --> 00:45:51,000
Speaker 2: We have to This is what we have to do.

1085
00:45:51,080 --> 00:45:52,080
Speaker 2: So this is what we're doing.

1086
00:45:51,920 --> 00:45:56,560
Speaker 1: Today, staying on music. These niggas gotta fight, man.

1087
00:45:57,040 --> 00:46:01,440
Speaker 2: No, I'm joking. They don't fight my triller.

1088
00:46:01,280 --> 00:46:06,160
Speaker 1: And I'm taking Drake in that fight. Ohow, not important.

1089
00:46:06,200 --> 00:46:07,080
Speaker 1: Let's not promote violence.

1090
00:46:07,160 --> 00:46:07,880
Speaker 2: They should pie.

1091
00:46:07,960 --> 00:46:10,800
Speaker 3: Up, you know, they should should be good, good Christians

1092
00:46:10,840 --> 00:46:14,319
Speaker 3: and good Jewish people. And yeah, in all seriousness, it's

1093
00:46:14,320 --> 00:46:17,920
Speaker 3: getting a little uh as as uh as consumers and

1094
00:46:17,920 --> 00:46:19,440
Speaker 3: as fans of both of these gentlemen.

1095
00:46:19,719 --> 00:46:20,719
Speaker 2: It's just a little weird. Now.

1096
00:46:20,840 --> 00:46:22,560
Speaker 1: They can disagree on who the Son of God is,

1097
00:46:22,600 --> 00:46:25,719
Speaker 1: but let's agree on artistry. Yeah, let's let that be

1098
00:46:25,800 --> 00:46:27,440
Speaker 1: the only agreement together we ever have.

1099
00:46:27,640 --> 00:46:29,880
Speaker 3: Yeah, they can exist together, and we can have dond

1100
00:46:29,960 --> 00:46:32,680
Speaker 3: and we can have Certified level boy and enjoy both

1101
00:46:33,000 --> 00:46:35,880
Speaker 3: just as equal as we do anybody else that drops.

1102
00:46:36,200 --> 00:46:39,480
Speaker 3: Although I did love the fact that that whole competition thing.

1103
00:46:39,520 --> 00:46:42,480
Speaker 3: I love the competitiveness of it, though I love the

1104
00:46:43,239 --> 00:46:46,520
Speaker 3: who's gonna drop who's not? But I think this is

1105
00:46:46,520 --> 00:46:49,120
Speaker 3: a lot more personal than we know it is.

1106
00:46:49,160 --> 00:46:50,759
Speaker 1: And I think that's why they and that's why it's

1107
00:46:50,760 --> 00:46:54,439
Speaker 1: weird to me, that fucking digging the ship into the ground. Yeah,

1108
00:46:54,640 --> 00:46:57,200
Speaker 1: just beating us over the head with all the ship

1109
00:46:57,280 --> 00:46:58,799
Speaker 1: because personal to them, and we don't care.

1110
00:46:58,920 --> 00:47:01,719
Speaker 3: Yeah, And it's not only that we didn't get a

1111
00:47:01,760 --> 00:47:03,920
Speaker 3: great piece of art because of it, you know, the

1112
00:47:03,960 --> 00:47:07,160
Speaker 3: whole the life of the Party record, Yo.

1113
00:47:07,800 --> 00:47:09,640
Speaker 1: And on top of that, that Poppy's Home beat. I'm sorry

1114
00:47:09,680 --> 00:47:13,480
Speaker 1: to go back that Poppys home beat take all Drake's

1115
00:47:13,520 --> 00:47:15,759
Speaker 1: concept out of that, Kanye West and Drake on that

1116
00:47:15,800 --> 00:47:16,760
Speaker 1: beat would have been insane.

1117
00:47:17,840 --> 00:47:20,160
Speaker 2: Okay, I see what you mean. Yeah, I can hear it.

1118
00:47:20,200 --> 00:47:22,000
Speaker 1: That would have been a special type of record. I

1119
00:47:22,040 --> 00:47:22,879
Speaker 1: can hear it type of beat.

1120
00:47:23,800 --> 00:47:25,800
Speaker 3: And the fact that he put Cuddy on the album,

1121
00:47:25,880 --> 00:47:27,960
Speaker 3: and he Cuddy was one of the he caught it.

1122
00:47:28,000 --> 00:47:30,200
Speaker 2: He caught some shots on Two Birds One Stone, right, Yeah,

1123
00:47:30,440 --> 00:47:31,560
Speaker 2: there had some disagreements. Yeah.

1124
00:47:31,560 --> 00:47:33,719
Speaker 3: So I mean it's like, listen, man, I understand listen,

1125
00:47:33,760 --> 00:47:36,279
Speaker 3: and and I can only assume what this is about.

1126
00:47:36,280 --> 00:47:38,239
Speaker 3: When there's two of the biggest artists, it can only

1127
00:47:38,280 --> 00:47:39,920
Speaker 3: be two things that this beef is about, first and

1128
00:47:40,000 --> 00:47:42,200
Speaker 3: foremost to me, as far as I'm concerned, I won't

1129
00:47:42,200 --> 00:47:44,480
Speaker 3: say what There's only two things, two things that this

1130
00:47:44,520 --> 00:47:46,920
Speaker 3: could be about. Women and if it is just like

1131
00:47:47,000 --> 00:47:48,560
Speaker 3: come on, man, put that shit in, you know what

1132
00:47:48,560 --> 00:47:50,400
Speaker 3: I mean, Like, let's get past that shit and just

1133
00:47:50,440 --> 00:47:50,920
Speaker 3: get back.

1134
00:47:50,760 --> 00:47:51,439
Speaker 2: To the art. Man.

1135
00:47:52,280 --> 00:47:58,200
Speaker 1: Listen, man, But life for the party. So because of

1136
00:47:58,239 --> 00:48:02,760
Speaker 1: this beef, we got an amazing record. But I still

1137
00:48:02,800 --> 00:48:07,719
Speaker 1: think on both behalfs Kanye and Drake, that was one

1138
00:48:07,760 --> 00:48:13,600
Speaker 1: of the cornier things I've seen them do on two behalves.

1139
00:48:13,600 --> 00:48:15,840
Speaker 1: We'll break down the verse in a second, but I

1140
00:48:15,880 --> 00:48:22,640
Speaker 1: don't understand how you guys hear that three stacks verse Drake,

1141
00:48:22,800 --> 00:48:25,640
Speaker 1: who we know is extremely close with his mother, Kanye,

1142
00:48:25,719 --> 00:48:28,399
Speaker 1: who we know has lost his mother, and heard that

1143
00:48:28,480 --> 00:48:35,040
Speaker 1: type of pain come from somebody's mouth to then say,

1144
00:48:35,200 --> 00:48:39,160
Speaker 1: let's add this as a chest piece in our corny

1145
00:48:39,200 --> 00:48:42,479
Speaker 1: beef that everyone in the world but us two are over.

1146
00:48:44,480 --> 00:48:49,200
Speaker 1: And when Kanye hears that verse says, I'm doing a

1147
00:48:49,239 --> 00:48:53,640
Speaker 1: Donda album, He's speaking to my mother, to his dead mother,

1148
00:48:55,400 --> 00:48:59,160
Speaker 1: and then I'm gonna go and rap about a Drake beef.

1149
00:49:00,680 --> 00:49:05,400
Speaker 1: I think they're both corny and used thousands pain for

1150
00:49:05,520 --> 00:49:06,200
Speaker 1: their bullshit.

1151
00:49:06,440 --> 00:49:10,160
Speaker 3: It was just classless. It was a bad, bad They

1152
00:49:10,160 --> 00:49:13,800
Speaker 3: didn't read it. He Kanye didn't read the room.

1153
00:49:13,080 --> 00:49:16,040
Speaker 1: Nor did Drake well, and I don't know that Drake

1154
00:49:16,120 --> 00:49:17,680
Speaker 1: was the one that was behind leaking it.

1155
00:49:17,760 --> 00:49:19,520
Speaker 3: But yeah, no, so that's why I can't. I can't

1156
00:49:19,600 --> 00:49:21,680
Speaker 3: spread things that are wrong. So yeah, that's why I

1157
00:49:21,680 --> 00:49:23,040
Speaker 3: can't say it because I don't know who leaked it.

1158
00:49:23,040 --> 00:49:25,399
Speaker 3: I don't know who was behind leaking it. I'm just saying,

1159
00:49:25,400 --> 00:49:27,440
Speaker 3: as far as you know, just the energy around it.

1160
00:49:27,440 --> 00:49:30,480
Speaker 3: It was just a misopportunity for the fans to receive

1161
00:49:30,520 --> 00:49:33,200
Speaker 3: this record, even though we received it as a leak.

1162
00:49:33,400 --> 00:49:34,759
Speaker 3: But you know, you know what I mean, Like I

1163
00:49:34,800 --> 00:49:37,560
Speaker 3: would have loved to just fort this record to be

1164
00:49:37,600 --> 00:49:42,719
Speaker 3: on the actual album. I think Andre three thousand reminded

1165
00:49:42,800 --> 00:49:45,680
Speaker 3: us why he's been held as one of the greatest

1166
00:49:46,360 --> 00:49:50,080
Speaker 3: rappers artists that we have in our culture, because whenever

1167
00:49:50,080 --> 00:49:53,439
Speaker 3: he decides to, you know, pop out and and give

1168
00:49:53,520 --> 00:49:56,920
Speaker 3: us some art, it's always something that we just enjoy

1169
00:49:57,000 --> 00:50:00,680
Speaker 3: and love and it hits us in a a different way.

1170
00:50:01,120 --> 00:50:02,399
Speaker 2: This was really special though.

1171
00:50:02,400 --> 00:50:06,759
Speaker 3: This was like a real, real special verse, you know,

1172
00:50:07,080 --> 00:50:11,799
Speaker 3: real heartfelt a lot of emotion, you know, just the

1173
00:50:11,800 --> 00:50:15,840
Speaker 3: way he was talking to Kanye's mom who passed about

1174
00:50:15,840 --> 00:50:18,400
Speaker 3: his own mother that passed and saying, if you see her,

1175
00:50:18,760 --> 00:50:21,000
Speaker 3: you know, telling these things and tell it.

1176
00:50:21,040 --> 00:50:23,719
Speaker 2: I just need a sign. It just showed me, show

1177
00:50:23,760 --> 00:50:25,480
Speaker 2: me something to let me know she's still with me,

1178
00:50:25,680 --> 00:50:26,239
Speaker 2: you know what I mean.

1179
00:50:26,239 --> 00:50:29,600
Speaker 3: Like, I thought that that was real special. And you know,

1180
00:50:29,600 --> 00:50:31,279
Speaker 3: he addressed a lot of things and people saying he

1181
00:50:31,320 --> 00:50:33,239
Speaker 3: was weird and he was high all these years, and

1182
00:50:33,280 --> 00:50:35,759
Speaker 3: he was kind of like and he was like, nah,

1183
00:50:35,840 --> 00:50:37,839
Speaker 3: you know, I wasn't even smoking all those years. I was,

1184
00:50:37,960 --> 00:50:40,760
Speaker 3: I was chilling. I just thought that it was classic.

1185
00:50:41,400 --> 00:50:43,239
Speaker 3: It was a classic way for Andre two thousand to

1186
00:50:43,239 --> 00:50:44,919
Speaker 3: show us that he hears a lot of the shit

1187
00:50:44,960 --> 00:50:47,200
Speaker 3: that people says about him, and he has a lot

1188
00:50:47,239 --> 00:50:49,200
Speaker 3: of reads a lot of the things that people, you know,

1189
00:50:49,719 --> 00:50:52,319
Speaker 3: post about him, and but he's just like, listen, I'm

1190
00:50:52,360 --> 00:50:53,720
Speaker 3: living my life on my terms.

1191
00:50:53,880 --> 00:50:54,160
Speaker 2: I'm not.

1192
00:50:54,280 --> 00:50:56,040
Speaker 3: I don't subscribe to a lot of the things that

1193
00:50:56,040 --> 00:50:59,000
Speaker 3: the world subscribes to these days. I walk around playing

1194
00:50:59,000 --> 00:51:02,080
Speaker 3: a flute. You catch me in the airport playing the flute.

1195
00:51:02,640 --> 00:51:04,640
Speaker 3: I told you. I saw arm two three thousand standing

1196
00:51:04,880 --> 00:51:07,200
Speaker 3: on thirty fourth Street by the old Victoria's Secret Store,

1197
00:51:07,280 --> 00:51:08,400
Speaker 3: just standing.

1198
00:51:08,160 --> 00:51:09,680
Speaker 2: On the corner. Everyone in New York City has met

1199
00:51:09,719 --> 00:51:10,319
Speaker 2: him and c yeah.

1200
00:51:10,360 --> 00:51:13,000
Speaker 3: I'm just like it was almost like double take, Like

1201
00:51:13,040 --> 00:51:14,799
Speaker 3: it was that three stacks like and he was just

1202
00:51:14,800 --> 00:51:15,880
Speaker 3: standing there and he was like, oh, what's up.

1203
00:51:16,120 --> 00:51:17,400
Speaker 2: I was like, oh okay.

1204
00:51:17,719 --> 00:51:20,440
Speaker 3: But you know, that's why he's he's one of the

1205
00:51:20,480 --> 00:51:22,560
Speaker 3: special artists that we have because he does.

1206
00:51:22,360 --> 00:51:24,160
Speaker 2: Things and he on his terms, you know what I mean.

1207
00:51:24,200 --> 00:51:27,440
Speaker 3: He's not with and it's refreshing to see people still

1208
00:51:27,800 --> 00:51:30,160
Speaker 3: carry themselves in the way where they don't get pulled

1209
00:51:30,160 --> 00:51:31,960
Speaker 3: into a lot of the bullshit, which is why this

1210
00:51:32,040 --> 00:51:34,640
Speaker 3: was kind of corny to me, because in a weird way,

1211
00:51:34,719 --> 00:51:37,239
Speaker 3: you pulled three thousand into some bullshit and you know

1212
00:51:37,280 --> 00:51:38,719
Speaker 3: what I mean, And it was like that to me

1213
00:51:38,840 --> 00:51:41,359
Speaker 3: was the unfortunate part, Like you know he does, he's

1214
00:51:41,400 --> 00:51:43,000
Speaker 3: not about none of this shit, and here y'all go

1215
00:51:43,040 --> 00:51:45,640
Speaker 3: putting him in the middle of some shit, and it's

1216
00:51:45,680 --> 00:51:47,920
Speaker 3: just like, fam, I don't want to have anything to

1217
00:51:47,960 --> 00:51:50,319
Speaker 3: do with any of this shit. You asked me for

1218
00:51:50,320 --> 00:51:53,160
Speaker 3: a verse, I gave you a verse, and now I'm

1219
00:51:53,280 --> 00:51:55,600
Speaker 3: smacked dead in the middle of some shit that I

1220
00:51:55,680 --> 00:51:57,280
Speaker 3: know nothing about and don't care about.

1221
00:51:58,719 --> 00:52:02,920
Speaker 1: You could see it in his response, which Andre three

1222
00:52:02,920 --> 00:52:08,120
Speaker 1: thousand does not reply to things, especially off of a verse,

1223
00:52:08,320 --> 00:52:11,600
Speaker 1: off a record, in the public, put out a public statement.

1224
00:52:11,600 --> 00:52:16,839
Speaker 1: He doesn't do that, so you can see his hurt

1225
00:52:17,000 --> 00:52:19,960
Speaker 1: in Hey, listen, I've never lost a parent. It's one

1226
00:52:20,000 --> 00:52:23,320
Speaker 1: of my biggest, biggest, biggest, biggest biggest biggest biggest biggest

1227
00:52:23,320 --> 00:52:26,520
Speaker 1: fucking fears, and then to have to talk about it

1228
00:52:26,520 --> 00:52:29,759
Speaker 1: to the world is just something I couldn't even fathom.

1229
00:52:30,040 --> 00:52:33,560
Speaker 1: So for him to do that and have those those

1230
00:52:33,800 --> 00:52:39,200
Speaker 1: conversations with Kanye about this being a concept of losing

1231
00:52:39,719 --> 00:52:45,359
Speaker 1: our mothers, to then hear Kanye's verse that wasn't about that,

1232
00:52:45,480 --> 00:52:47,480
Speaker 1: and then to have the person he was talking about

1233
00:52:47,800 --> 00:52:51,840
Speaker 1: leak his pain that you know, he would probably like

1234
00:52:51,880 --> 00:52:55,360
Speaker 1: a say, and how it's going to be released. Absolutely,

1235
00:52:55,600 --> 00:52:57,759
Speaker 1: I can feel how annoying that is, but I do

1236
00:52:57,840 --> 00:52:59,920
Speaker 1: want to get a little nerdy and get into this verse.

1237
00:53:00,080 --> 00:53:02,520
Speaker 1: This is the first verse I think in I don't

1238
00:53:02,520 --> 00:53:04,680
Speaker 1: know how many years that like literally made me choke up.

1239
00:53:05,280 --> 00:53:07,759
Speaker 3: Well, it was, yeah, because it was you know, it

1240
00:53:07,800 --> 00:53:09,920
Speaker 3: was you could just you could hear it in his

1241
00:53:10,440 --> 00:53:12,480
Speaker 3: it would see R three three thousand. To me is

1242
00:53:12,600 --> 00:53:15,120
Speaker 3: because he just understands it. He's one of those dudes

1243
00:53:15,120 --> 00:53:18,520
Speaker 3: that just even in his tone on the record, you know,

1244
00:53:18,560 --> 00:53:20,200
Speaker 3: even in his emotion is a.

1245
00:53:21,680 --> 00:53:22,240
Speaker 2: His approach.

1246
00:53:22,440 --> 00:53:25,480
Speaker 3: Everything was really really just it felt like this was

1247
00:53:25,520 --> 00:53:28,680
Speaker 3: something that he said to himself in the privacy of

1248
00:53:28,680 --> 00:53:31,200
Speaker 3: his own home and speaking to his mom and praying

1249
00:53:31,239 --> 00:53:33,040
Speaker 3: and stuff like that. That's what it felt like to me.

1250
00:53:33,120 --> 00:53:36,840
Speaker 3: This felt like something that he said, you know, to alone,

1251
00:53:36,960 --> 00:53:38,000
Speaker 3: to his mom.

1252
00:53:38,880 --> 00:53:39,520
Speaker 2: Thoughts of greeting.

1253
00:53:39,719 --> 00:53:42,239
Speaker 3: Yeah, like it just greathing in real time, right, and

1254
00:53:42,280 --> 00:53:44,000
Speaker 3: it's and it's kind of like that's what to me.

1255
00:53:44,080 --> 00:53:46,360
Speaker 3: That's what bothered me the most about this, this leaking

1256
00:53:46,560 --> 00:53:49,239
Speaker 3: was because it was so intimate and it was so

1257
00:53:49,320 --> 00:53:52,319
Speaker 3: personal that I felt like it was given to the

1258
00:53:52,600 --> 00:53:55,080
Speaker 3: to us the wrong way. And I was like, you know,

1259
00:53:55,160 --> 00:53:59,280
Speaker 3: this was a missed opportunity one, but it just wasn't

1260
00:53:59,760 --> 00:54:01,400
Speaker 3: you know, don't get the full art of it because

1261
00:54:01,400 --> 00:54:03,399
Speaker 3: it was given it was given to us the wrong way,

1262
00:54:03,680 --> 00:54:05,360
Speaker 3: you know what I mean. And that's why I was like, damn,

1263
00:54:05,400 --> 00:54:08,440
Speaker 3: like I so hundred three thousand amazing verse. But it

1264
00:54:08,520 --> 00:54:11,640
Speaker 3: was just so special, you know, to be on Donda

1265
00:54:11,680 --> 00:54:15,600
Speaker 3: and you know it again, it's unfortunate because it you know,

1266
00:54:15,640 --> 00:54:18,640
Speaker 3: it fell into some bullshit. It fell into you know,

1267
00:54:18,880 --> 00:54:22,280
Speaker 3: the middle of some bickering and some quote unquote beef.

1268
00:54:22,920 --> 00:54:24,560
Speaker 3: And this is not what this is about. This is

1269
00:54:24,560 --> 00:54:26,600
Speaker 3: a This puts all of that shit to the side.

1270
00:54:26,600 --> 00:54:29,640
Speaker 3: This puts life in this verse put life into perspective,

1271
00:54:29,880 --> 00:54:31,000
Speaker 3: you know what I mean. Like, we can beef and

1272
00:54:31,040 --> 00:54:32,680
Speaker 3: bicker all we want, but this is what life is.

1273
00:54:33,160 --> 00:54:35,840
Speaker 3: This is the seriousness of life. This is how delicate

1274
00:54:35,880 --> 00:54:40,000
Speaker 3: life is. This is how fragile life is. And it

1275
00:54:40,080 --> 00:54:44,000
Speaker 3: was just a real intimate, private, personal, heartfelt, emotional verse

1276
00:54:44,640 --> 00:54:48,160
Speaker 3: that I think just felling, you know, stumbled into uh

1277
00:54:48,920 --> 00:54:50,080
Speaker 3: unnecessary drama.

1278
00:54:50,120 --> 00:54:51,480
Speaker 2: And you know again, I.

1279
00:54:53,320 --> 00:54:57,279
Speaker 1: Want to get into the concept of the verse. I know,

1280
00:54:57,320 --> 00:55:00,000
Speaker 1: of course, the concept of it, the concept of okay,

1281
00:55:00,000 --> 00:55:02,839
Speaker 1: one thousands verse of telling this to Donda, of course,

1282
00:55:02,840 --> 00:55:05,880
Speaker 1: the obvious Donda album Kanye's Mother Past two. Talking to

1283
00:55:05,920 --> 00:55:11,319
Speaker 1: as dondam it reminded me, do you have like that

1284
00:55:12,680 --> 00:55:15,759
Speaker 1: eld like that other mother that you talk to about

1285
00:55:15,800 --> 00:55:17,480
Speaker 1: your family? Because I don't care how close you and

1286
00:55:17,520 --> 00:55:19,719
Speaker 1: your mother are, there are certain things that you just

1287
00:55:20,440 --> 00:55:22,279
Speaker 1: don't talk about that you would like to talk about.

1288
00:55:22,360 --> 00:55:26,560
Speaker 1: But there's still that mother's son component there. We're not friends,

1289
00:55:26,960 --> 00:55:29,680
Speaker 1: right and we are still family and things just certain

1290
00:55:29,719 --> 00:55:33,000
Speaker 1: things I just can't tell you, Like, for example, my

1291
00:55:33,040 --> 00:55:37,200
Speaker 1: friend Raven, her mother, we talk a lot. I talk

1292
00:55:37,280 --> 00:55:40,000
Speaker 1: to her a lot about certain things I can't say

1293
00:55:40,040 --> 00:55:42,000
Speaker 1: to my mom, certain things from my childhood. I can't

1294
00:55:42,000 --> 00:55:43,440
Speaker 1: say to my mom that I would like to, but

1295
00:55:43,920 --> 00:55:46,239
Speaker 1: it's probably not the right place or time to do so.

1296
00:55:46,560 --> 00:55:48,600
Speaker 1: But there are things you need to say and you

1297
00:55:48,640 --> 00:55:51,600
Speaker 1: can only really say them to a mother, Like, I

1298
00:55:51,600 --> 00:55:53,479
Speaker 1: could talk to my friends all day about certain shit,

1299
00:55:53,520 --> 00:55:55,520
Speaker 1: but you can only talk to a mother sometimes about

1300
00:55:55,560 --> 00:56:00,000
Speaker 1: motherly shit. So just that concept of talking to another

1301
00:56:00,120 --> 00:56:02,600
Speaker 1: the mother about all the shit you have kind of

1302
00:56:02,680 --> 00:56:05,560
Speaker 1: had in your head about your mother's life, your family's life,

1303
00:56:06,120 --> 00:56:08,279
Speaker 1: is such an incredible concept to me to begin with.

1304
00:56:08,360 --> 00:56:09,640
Speaker 2: And I don't care that I'm nerving out on this

1305
00:56:09,640 --> 00:56:09,920
Speaker 2: type of.

1306
00:56:09,880 --> 00:56:15,040
Speaker 1: Shit, but going into that grieving process, I feel like

1307
00:56:15,080 --> 00:56:19,160
Speaker 1: when people die, we either immortalize them in the sense

1308
00:56:19,200 --> 00:56:21,440
Speaker 1: that they were the greatest human being that has ever lived,

1309
00:56:23,040 --> 00:56:25,520
Speaker 1: or they were a piece of shit. It's typically, I

1310
00:56:25,520 --> 00:56:30,480
Speaker 1: feel like how things go when people die. Humanizing both

1311
00:56:30,520 --> 00:56:33,240
Speaker 1: your parents and your experience with them after they pass

1312
00:56:33,360 --> 00:56:35,120
Speaker 1: and then sharing that with the public.

1313
00:56:36,320 --> 00:56:37,279
Speaker 2: Is some shit.

1314
00:56:37,360 --> 00:56:40,480
Speaker 1: I couldn't even really fathom, like to really put that

1315
00:56:40,520 --> 00:56:43,160
Speaker 1: in perspective after your mother dies, because all you want

1316
00:56:43,200 --> 00:56:44,360
Speaker 1: to do is be like, well, she raised me, she

1317
00:56:44,400 --> 00:56:47,720
Speaker 1: was the greatest woman ever. But Andre three thousand has

1318
00:56:48,680 --> 00:56:50,880
Speaker 1: one of those rappers that can say so much in

1319
00:56:50,960 --> 00:56:54,799
Speaker 1: one bar and mean a thousand fucking things to even say.

1320
00:56:54,840 --> 00:56:56,520
Speaker 1: Of course, if I'm doing a tribute to my mother,

1321
00:56:56,560 --> 00:56:58,640
Speaker 1: I want to say all the amazing things, But him,

1322
00:56:58,640 --> 00:57:03,759
Speaker 1: adding him, I really miss her overstepping. Yeah, and we

1323
00:57:03,840 --> 00:57:05,960
Speaker 1: all have had that type of experience with a parent

1324
00:57:06,200 --> 00:57:09,320
Speaker 1: where you feel like when people pass there are certain

1325
00:57:09,360 --> 00:57:11,320
Speaker 1: things that I know, we don't like to admit it

1326
00:57:11,360 --> 00:57:15,040
Speaker 1: because it's taboo to say, but you do have some

1327
00:57:15,080 --> 00:57:19,640
Speaker 1: relieving feelings in certain places. They weren't a perfect person

1328
00:57:20,320 --> 00:57:22,600
Speaker 1: that you don't have to deal with on certain things.

1329
00:57:22,880 --> 00:57:26,560
Speaker 1: So to add in those little tidbits of putting your

1330
00:57:26,560 --> 00:57:29,800
Speaker 1: parents in a human level of saying, yeah, there was

1331
00:57:29,880 --> 00:57:33,680
Speaker 1: just some kids. My mother spited my father. That was wrong,

1332
00:57:33,880 --> 00:57:37,040
Speaker 1: but she was a hurt woman. Does my father have

1333
00:57:37,120 --> 00:57:40,600
Speaker 1: shame over it? Like going through your real childhood after

1334
00:57:40,640 --> 00:57:45,800
Speaker 1: they passed is some real human shit? To me, it's not, Yo.

1335
00:57:45,880 --> 00:57:47,560
Speaker 1: She was the greatest mother. She did everything for me,

1336
00:57:47,640 --> 00:57:49,600
Speaker 1: She struggled. I'm here because of this. Of course we

1337
00:57:49,640 --> 00:57:52,840
Speaker 1: all know that story. This is a real one to me.

1338
00:57:53,200 --> 00:57:53,840
Speaker 2: Yeah.

1339
00:57:53,880 --> 00:57:55,720
Speaker 3: And the reason why this was special was because out

1340
00:57:55,760 --> 00:57:59,640
Speaker 3: of all the tracks on the album, on the Donda album,

1341
00:57:59,680 --> 00:58:02,960
Speaker 3: I think this was the one that kind of summed

1342
00:58:03,040 --> 00:58:05,040
Speaker 3: up what I thought the album was going to be about.

1343
00:58:05,040 --> 00:58:09,520
Speaker 3: When I heard the title, Yeah, right, Donda, which is

1344
00:58:09,600 --> 00:58:13,240
Speaker 3: Kanye's mom who passed so this was like, to me,

1345
00:58:13,360 --> 00:58:15,720
Speaker 3: this was this summed up.

1346
00:58:16,120 --> 00:58:18,400
Speaker 2: A lot for the meaning of the album.

1347
00:58:18,440 --> 00:58:20,040
Speaker 3: And you know, like you said, for two of these

1348
00:58:20,120 --> 00:58:24,160
Speaker 3: artists whose mom mom's transitioned, it was just you know,

1349
00:58:24,600 --> 00:58:32,160
Speaker 3: a beautiful, beautiful, intimate, honest verse and that you know, again,

1350
00:58:32,200 --> 00:58:34,240
Speaker 3: I'm just I'm mad we didn't receive it the way

1351
00:58:34,280 --> 00:58:36,200
Speaker 3: we should have received it. This is kind of like,

1352
00:58:36,840 --> 00:58:40,240
Speaker 3: you know, spoiling a surprise party. Yeah, and this is

1353
00:58:40,240 --> 00:58:41,480
Speaker 3: what it felt like to me. It's like, damn, this

1354
00:58:41,480 --> 00:58:44,080
Speaker 3: would have been amazing. You know, even it's still an

1355
00:58:44,120 --> 00:58:46,360
Speaker 3: amazing piece of art, but it's like we didn't receive

1356
00:58:46,360 --> 00:58:47,520
Speaker 3: it the way I think we should have.

1357
00:58:47,920 --> 00:58:51,040
Speaker 1: And to even get into like back to the idea

1358
00:58:51,080 --> 00:58:53,200
Speaker 1: of things you kind of wish you could share with

1359
00:58:53,240 --> 00:58:56,960
Speaker 1: your mother about your childhood, of maybe intimate moments with

1360
00:58:57,560 --> 00:58:58,920
Speaker 1: you know, when you had to keep that a secret

1361
00:58:58,920 --> 00:59:02,320
Speaker 1: because teenagers really supposed to be fucking and the church party,

1362
00:59:02,360 --> 00:59:04,960
Speaker 1: y'all can debate. I'm give fuck about that, yeah, but

1363
00:59:05,920 --> 00:59:08,040
Speaker 1: to me, that was like he probably wanted to have

1364
00:59:08,080 --> 00:59:11,080
Speaker 1: that conversation with his mother at one point because you

1365
00:59:11,480 --> 00:59:13,520
Speaker 1: all the things that you would probably need your parent

1366
00:59:13,600 --> 00:59:20,880
Speaker 1: through as far as losing virginity, getting into that sexual experience,

1367
00:59:20,880 --> 00:59:22,880
Speaker 1: going through puberty and all that type of things. We're

1368
00:59:22,920 --> 00:59:24,800
Speaker 1: trained to hide those things from our parents. You can

1369
00:59:24,840 --> 00:59:26,520
Speaker 1: never really have those conversations. I think that's why a

1370
00:59:26,520 --> 00:59:28,640
Speaker 1: lot of time shit gets fucked up and doesn't go

1371
00:59:28,720 --> 00:59:30,880
Speaker 1: correctly because you really got to hide that shit.

1372
00:59:31,080 --> 00:59:33,080
Speaker 3: But that was the beautiful part about this is because he,

1373
00:59:33,280 --> 00:59:37,880
Speaker 3: like you said, he was talking to Kanye's mom, like,

1374
00:59:37,920 --> 00:59:38,640
Speaker 3: can you tell her?

1375
00:59:38,720 --> 00:59:40,360
Speaker 1: Because I don't want to tell you no. But that's

1376
00:59:40,960 --> 00:59:43,000
Speaker 1: like with the Raven's mama thing. There's so much things

1377
00:59:43,080 --> 00:59:45,120
Speaker 1: I would love to tell my mother about my childhood,

1378
00:59:45,120 --> 00:59:47,160
Speaker 1: about my teenage years, but I just don't think we're

1379
00:59:47,200 --> 00:59:49,600
Speaker 1: there yet, right Love, We're just starting to get to

1380
00:59:49,600 --> 00:59:51,200
Speaker 1: that point where I can tell her certain things that

1381
00:59:51,280 --> 00:59:55,040
Speaker 1: happened already. So that's why that concept is so ill.

1382
00:59:55,080 --> 01:00:00,880
Speaker 1: And even to go deeper on that mother concept of

1383
01:00:00,960 --> 01:00:04,800
Speaker 1: him saying, the other girl's mother knew, but she was

1384
01:00:04,800 --> 01:00:08,640
Speaker 1: gonna let us experiment. Remember that cool mom conversation we

1385
01:00:08,680 --> 01:00:11,440
Speaker 1: had a long, long, long time ago that there was

1386
01:00:11,440 --> 01:00:15,200
Speaker 1: always the cool mom in the crib. We did it

1387
01:00:15,200 --> 01:00:18,400
Speaker 1: in a joking way, but I don't I don't think

1388
01:00:18,400 --> 01:00:23,000
Speaker 1: we ever got into how important the cool mom kind

1389
01:00:23,000 --> 01:00:26,360
Speaker 1: of is. The cool mom in my neighborhood actually came

1390
01:00:26,680 --> 01:00:30,760
Speaker 1: with my mom to the Maroon five show. She set

1391
01:00:30,840 --> 01:00:34,680
Speaker 1: up an environment where it was safe, but she really

1392
01:00:34,760 --> 01:00:37,400
Speaker 1: let everybody explore in that basement. She knew what was

1393
01:00:37,440 --> 01:00:40,280
Speaker 1: going on down there. Nobody was leaving that fucking house.

1394
01:00:40,640 --> 01:00:42,320
Speaker 1: She knew who was coming in and out of that house.

1395
01:00:43,800 --> 01:00:46,520
Speaker 1: She knew the things that would have been needed, i e. Condoms,

1396
01:00:46,560 --> 01:00:48,080
Speaker 1: things like that. She would have those types of talks

1397
01:00:48,120 --> 01:00:52,120
Speaker 1: with people that was in retrospect. I used to think, Yo,

1398
01:00:52,160 --> 01:00:54,200
Speaker 1: I was the wildest house ever. First time I ever

1399
01:00:54,440 --> 01:00:56,240
Speaker 1: touched a vagina, first time I touched the titty, first

1400
01:00:56,240 --> 01:00:57,960
Speaker 1: time I got drunk, first time I got high, first time.

1401
01:00:58,160 --> 01:00:59,760
Speaker 1: I had a lot of first times in that basement,

1402
01:01:00,160 --> 01:01:03,040
Speaker 1: and we always talk it is a wild fucking place.

1403
01:01:03,560 --> 01:01:05,840
Speaker 2: No, it wasn't. It was the safest fucking.

1404
01:01:05,640 --> 01:01:09,400
Speaker 3: Place exactly exactly. And that's how my home was growing up.

1405
01:01:09,400 --> 01:01:11,280
Speaker 3: Like my mom was the cool mom. But it's funny

1406
01:01:11,320 --> 01:01:14,400
Speaker 3: because as cool as my mom is and was when

1407
01:01:14,400 --> 01:01:16,840
Speaker 3: I was growing up, it's still a lot of things

1408
01:01:16,840 --> 01:01:19,120
Speaker 3: that I would never do for my mom, of course,

1409
01:01:19,160 --> 01:01:22,480
Speaker 3: and my mom smokes weed. I have never smoked with

1410
01:01:22,520 --> 01:01:25,040
Speaker 3: my mom, and I don't think I ever will. It's

1411
01:01:25,080 --> 01:01:27,560
Speaker 3: just certain lines. I just feel like I can't. I

1412
01:01:27,600 --> 01:01:29,000
Speaker 3: can't cross with my mom, you know what I mean,

1413
01:01:29,040 --> 01:01:32,040
Speaker 3: Like even though she knows I smoke, but I can't

1414
01:01:32,080 --> 01:01:34,200
Speaker 3: see me sitting down smoking weed with my mom. I

1415
01:01:34,240 --> 01:01:36,240
Speaker 3: just can't. It's still my mom, you know what I mean. Like,

1416
01:01:36,240 --> 01:01:38,960
Speaker 3: but she was always the cool mom. She would rather

1417
01:01:39,040 --> 01:01:42,200
Speaker 3: us be in the crib than to be outside doing

1418
01:01:42,280 --> 01:01:44,000
Speaker 3: dumb shit, you know what I mean. If y'all want

1419
01:01:44,000 --> 01:01:46,920
Speaker 3: to have a party, come have a party at the house.

1420
01:01:47,800 --> 01:01:51,320
Speaker 3: Don't be in somebody else's crib. I don't know that neighborhood,

1421
01:01:51,400 --> 01:01:53,400
Speaker 3: and it's a safe place to explore when you're under

1422
01:01:53,600 --> 01:01:57,480
Speaker 3: exactly exactly exactly. But you know, to me, that was special, man,

1423
01:01:57,520 --> 01:02:00,200
Speaker 3: that was special for uh Andred three thousand to give

1424
01:02:00,240 --> 01:02:02,200
Speaker 3: us a verse in that way. And like I said,

1425
01:02:02,240 --> 01:02:04,760
Speaker 3: with the title, the title of the album being Donda

1426
01:02:04,800 --> 01:02:07,480
Speaker 3: and this was just like you know, this was to me,

1427
01:02:07,600 --> 01:02:10,600
Speaker 3: this this this completed the album, you know what I mean,

1428
01:02:10,640 --> 01:02:13,760
Speaker 3: because again he just gave us a real intimate, honest,

1429
01:02:14,080 --> 01:02:19,280
Speaker 3: uh you know, special, heartfelt, emotional, you know verse about

1430
01:02:19,360 --> 01:02:22,600
Speaker 3: his mom and still and you know, paying tribute to

1431
01:02:22,680 --> 01:02:25,560
Speaker 3: Kanye's mom as well. So I'm just, you know, I'm

1432
01:02:25,560 --> 01:02:27,440
Speaker 3: just it's just unfortunate that we got it the way

1433
01:02:27,440 --> 01:02:29,280
Speaker 3: we did to me that I think that that was unfortunate.

1434
01:02:29,360 --> 01:02:31,440
Speaker 3: And again, I don't know what this. You know, it's

1435
01:02:31,520 --> 01:02:33,800
Speaker 3: it's like you said, Rory, it's it's weird. Now it's

1436
01:02:33,840 --> 01:02:35,320
Speaker 3: to a weird point. I don't know what this Drake

1437
01:02:35,400 --> 01:02:39,080
Speaker 3: Kanye thing is about. At first, it came off as competitive,

1438
01:02:39,120 --> 01:02:40,400
Speaker 3: which is always great.

1439
01:02:40,960 --> 01:02:42,160
Speaker 2: But now it's reached.

1440
01:02:41,960 --> 01:02:43,800
Speaker 3: A point where it's like, you know, certain things are

1441
01:02:43,840 --> 01:02:47,360
Speaker 3: being said, and you know, Kanye is saying certain things

1442
01:02:47,400 --> 01:02:48,960
Speaker 3: and Drake is saying certain things. And now it was

1443
01:02:49,040 --> 01:02:50,720
Speaker 3: kind of like, you know, it's kind of like if

1444
01:02:51,280 --> 01:02:54,360
Speaker 3: you know, you see two people arguing and it's you're like, yo,

1445
01:02:54,560 --> 01:02:58,320
Speaker 3: they's serious or it's still like a little just joking,

1446
01:02:58,440 --> 01:02:59,640
Speaker 3: like you know what I mean. And I think it's

1447
01:02:59,640 --> 01:03:02,160
Speaker 3: gotten to that point now where it's like this may

1448
01:03:02,240 --> 01:03:04,960
Speaker 3: be more serious than I think we thought it was.

1449
01:03:05,000 --> 01:03:07,480
Speaker 1: At first, I can tell by it and they're both

1450
01:03:07,480 --> 01:03:11,280
Speaker 1: obsessing over it. But yeah, they're both two obsessive.

1451
01:03:10,880 --> 01:03:14,640
Speaker 2: People, naturally both get it. I get it.

1452
01:03:14,680 --> 01:03:16,240
Speaker 3: But now, like I said, it's to a point now

1453
01:03:16,240 --> 01:03:19,240
Speaker 3: where if it starts to affect the art, now it's

1454
01:03:19,280 --> 01:03:21,800
Speaker 3: a problem. Or other other people's are or other people's

1455
01:03:21,800 --> 01:03:24,000
Speaker 3: are someone like Andre three thousand that we barely funck

1456
01:03:24,680 --> 01:03:26,080
Speaker 3: from you. But then when we get to hear from him,

1457
01:03:26,080 --> 01:03:27,960
Speaker 3: he gets to tell us about his mother in the past.

1458
01:03:28,080 --> 01:03:30,959
Speaker 3: Right now, we may we may not ever hit Andre

1459
01:03:31,040 --> 01:03:32,479
Speaker 3: dwo thousands for the next six years.

1460
01:03:32,480 --> 01:03:35,200
Speaker 1: Now, Like, of course, I mean terrified, even though I

1461
01:03:35,280 --> 01:03:36,440
Speaker 1: was so happy he said in that statement that he

1462
01:03:36,440 --> 01:03:38,120
Speaker 1: would love to work with Tyler. I love to work

1463
01:03:38,160 --> 01:03:41,640
Speaker 1: with Jay, love to work Kendrick, there was a few

1464
01:03:41,640 --> 01:03:42,120
Speaker 1: other names.

1465
01:03:42,760 --> 01:03:43,240
Speaker 2: Yeah.

1466
01:03:43,680 --> 01:03:45,440
Speaker 1: I do hope that that actually does happen, and I

1467
01:03:45,480 --> 01:03:48,080
Speaker 1: hope people think off that that to reach out to him,

1468
01:03:48,080 --> 01:03:50,000
Speaker 1: because I think a lot of people think, no, three

1469
01:03:50,040 --> 01:03:51,920
Speaker 1: sacks don't want to fuck with me, and they don't

1470
01:03:51,960 --> 01:03:52,400
Speaker 1: hit him up.

1471
01:03:52,440 --> 01:03:53,720
Speaker 2: I think he needs to be hit up.

1472
01:03:53,880 --> 01:03:56,000
Speaker 3: Well that's good because everybody shouldn't be hitting Andre dwo

1473
01:03:56,000 --> 01:03:57,920
Speaker 3: thousand first of all, first and foremost, like let him

1474
01:03:57,920 --> 01:03:59,840
Speaker 3: say that he wants to work with you. Yeah, you know,

1475
01:03:59,840 --> 01:04:02,320
Speaker 3: I mean, don't certain artists. You should never even think

1476
01:04:02,360 --> 01:04:04,400
Speaker 3: about anybody, you know what I mean? Like don't even

1477
01:04:04,400 --> 01:04:05,000
Speaker 3: play yourself.

1478
01:04:05,200 --> 01:04:07,040
Speaker 1: I mean Kendrick could reach out to Oh no, absolutely,

1479
01:04:07,040 --> 01:04:10,400
Speaker 1: I think Tyler could reach out absolutely absolutely, because Tyler,

1480
01:04:10,480 --> 01:04:13,080
Speaker 1: I mean, Tyler is a three thousand.

1481
01:04:13,120 --> 01:04:14,600
Speaker 3: He's an outcast baby, you know what I mean. You

1482
01:04:14,640 --> 01:04:15,960
Speaker 3: look at the art and you know the way he

1483
01:04:16,000 --> 01:04:18,600
Speaker 3: presents itself, the aesthetics of everything, like you can definitely

1484
01:04:18,600 --> 01:04:21,120
Speaker 3: tell the influence of Andrew three thousands lives in tow.

1485
01:04:21,560 --> 01:04:24,000
Speaker 1: But no, just this this verse. And I was talking

1486
01:04:24,000 --> 01:04:29,240
Speaker 1: to ninth too, from like a music standpoint. Knife was

1487
01:04:29,240 --> 01:04:32,680
Speaker 1: breaking down every last i mean, outside of the obvious

1488
01:04:32,720 --> 01:04:35,240
Speaker 1: with voice control in his tone and how he made

1489
01:04:35,240 --> 01:04:38,120
Speaker 1: it so conversational. Knife was talking about the pockety picked

1490
01:04:38,160 --> 01:04:40,640
Speaker 1: before the horn, and I was like, I mean, he's yeah,

1491
01:04:40,680 --> 01:04:41,640
Speaker 1: he's the fucking greatest.

1492
01:04:41,720 --> 01:04:43,439
Speaker 2: No, No, he like I said, he he does.

1493
01:04:43,840 --> 01:04:46,080
Speaker 3: Dred th thousand is just you know, he's just a

1494
01:04:46,240 --> 01:04:48,600
Speaker 3: very special part of our culture. He's a very special

1495
01:04:48,680 --> 01:04:51,800
Speaker 3: element in our culture. And again I'm just I'm just

1496
01:04:51,960 --> 01:04:54,280
Speaker 3: you know, it's unfortunate that we just received it this way.

1497
01:04:54,320 --> 01:04:55,040
Speaker 2: That's all.

1498
01:04:55,520 --> 01:04:58,120
Speaker 1: Of course, he was quote unquote trending when it happened.

1499
01:04:58,160 --> 01:05:02,200
Speaker 1: So my ig feed a bunch should three stacks interviews

1500
01:05:02,200 --> 01:05:04,760
Speaker 1: came up, and an old one came up. Someone asked

1501
01:05:04,840 --> 01:05:06,960
Speaker 1: him like why he stopped rapping, and he was saying,

1502
01:05:07,280 --> 01:05:10,320
Speaker 1: hip hop is hip. You gotta think of the first word.

1503
01:05:10,840 --> 01:05:13,960
Speaker 1: It's got to be young. If not hip, what's the point.

1504
01:05:14,000 --> 01:05:17,200
Speaker 1: I don't know what I could really offer to the

1505
01:05:17,240 --> 01:05:20,800
Speaker 1: game right now. And that made me sad because then

1506
01:05:20,840 --> 01:05:24,720
Speaker 1: you get moments like this, this is an amazing offering,

1507
01:05:25,080 --> 01:05:29,320
Speaker 1: like this works more than we've ever needed its work. Yes,

1508
01:05:29,400 --> 01:05:31,000
Speaker 1: you can continue to be who you are. You don't

1509
01:05:31,000 --> 01:05:33,080
Speaker 1: have to change what you did or what you want

1510
01:05:33,120 --> 01:05:36,720
Speaker 1: to continue to do and still offer hip hop like

1511
01:05:37,400 --> 01:05:39,160
Speaker 1: it's only hip when you're trying. When you're the old

1512
01:05:39,240 --> 01:05:40,800
Speaker 1: dude trying to do what the young people are doing,

1513
01:05:40,840 --> 01:05:43,880
Speaker 1: then you're not hip. You're yourself and can still offer

1514
01:05:44,000 --> 01:05:47,400
Speaker 1: the world. Hip hop is growing in age, like it's

1515
01:05:47,440 --> 01:05:51,360
Speaker 1: a very young r form. People get older, you be

1516
01:05:51,400 --> 01:05:54,240
Speaker 1: old and still put out music. It still matter absolutely,

1517
01:05:54,280 --> 01:05:55,640
Speaker 1: But I think it's you know again.

1518
01:05:56,000 --> 01:05:58,080
Speaker 3: I like the way three thousand moves in the sense

1519
01:05:58,120 --> 01:06:02,480
Speaker 3: of he doesn't oversaturate, hisl he doesn't, you know, give

1520
01:06:02,520 --> 01:06:05,280
Speaker 3: too much of hisself. He lives on his own terms.

1521
01:06:05,280 --> 01:06:08,200
Speaker 3: He moves on his own terms. If he's not inspired to,

1522
01:06:08,920 --> 01:06:10,800
Speaker 3: you know, work with certain artists, he just doesn't do it.

1523
01:06:10,840 --> 01:06:13,000
Speaker 3: No matter how big the artist may be, he's not

1524
01:06:13,040 --> 01:06:15,880
Speaker 3: going to do it. And there's something special about that.

1525
01:06:15,920 --> 01:06:17,240
Speaker 3: And I think that a lot of people should take

1526
01:06:17,240 --> 01:06:18,600
Speaker 3: a page out of it, because a lot of people

1527
01:06:18,640 --> 01:06:21,240
Speaker 3: do oversaturate themselves, you know what I mean. Like in

1528
01:06:21,240 --> 01:06:23,240
Speaker 3: this court, it's like, you know, you got to keep

1529
01:06:23,280 --> 01:06:27,040
Speaker 3: yourself some type of like, you know, keep your art

1530
01:06:27,120 --> 01:06:29,480
Speaker 3: to yourself most of the times, and don't put so

1531
01:06:29,520 --> 01:06:31,320
Speaker 3: much of yourself out there because again, like you said,

1532
01:06:31,640 --> 01:06:33,320
Speaker 3: you give us this art that you may feel so

1533
01:06:33,400 --> 01:06:36,640
Speaker 3: intimately about and so personable about, and then we tear

1534
01:06:36,640 --> 01:06:38,040
Speaker 3: it down in ten minutes, you know what I mean.

1535
01:06:38,080 --> 01:06:40,400
Speaker 3: So it's kind of like keep someone that shit to yourself.

1536
01:06:40,400 --> 01:06:41,959
Speaker 3: And I think that a lot of these artists should

1537
01:06:42,280 --> 01:06:44,040
Speaker 3: take a page out of undred two thousands book. As

1538
01:06:44,080 --> 01:06:45,760
Speaker 3: far as the way he moves, None of you are

1539
01:06:45,920 --> 01:06:48,600
Speaker 3: hundred two thousand. Let's be clear about that. You need

1540
01:06:48,640 --> 01:06:50,320
Speaker 3: to give us more music. Yeah, some of y'all need

1541
01:06:50,360 --> 01:06:52,880
Speaker 3: to give us more music, but take a page out

1542
01:06:52,920 --> 01:06:54,400
Speaker 3: of his book as far as the way he moves

1543
01:06:54,400 --> 01:06:57,440
Speaker 3: and just being inspired and being true to his art

1544
01:06:57,440 --> 01:06:58,200
Speaker 3: and true to himself.

1545
01:06:58,360 --> 01:07:02,400
Speaker 2: Yeah, and to wrapped his verse up in that topic.

1546
01:07:02,800 --> 01:07:06,280
Speaker 1: This was like that realization I had in my twenties

1547
01:07:06,320 --> 01:07:09,080
Speaker 1: that oh my god, my parents are just two people.

1548
01:07:09,720 --> 01:07:13,200
Speaker 1: Eat holy shit, they're what the fuck? Those are just

1549
01:07:13,200 --> 01:07:14,480
Speaker 1: two people that were trying to figure it.

1550
01:07:14,440 --> 01:07:15,360
Speaker 2: The fuck out. They were eighteen.

1551
01:07:15,600 --> 01:07:17,640
Speaker 1: They all did they both did bad things to each other.

1552
01:07:17,760 --> 01:07:20,000
Speaker 1: Oh my god, they're not superheroes.

1553
01:07:20,040 --> 01:07:21,880
Speaker 2: Holy shit, They're not perfect. Why did I expect them

1554
01:07:21,920 --> 01:07:22,160
Speaker 2: to be that?

1555
01:07:22,240 --> 01:07:25,560
Speaker 1: But no, this was great, And this I think was

1556
01:07:25,560 --> 01:07:27,960
Speaker 1: a perfect example of this was like when you go

1557
01:07:28,040 --> 01:07:30,200
Speaker 1: to the club and you don't like to go to

1558
01:07:30,240 --> 01:07:32,200
Speaker 1: the club and then fight breaks out, and you know,

1559
01:07:32,280 --> 01:07:32,920
Speaker 1: that's why I don't.

1560
01:07:32,760 --> 01:07:36,439
Speaker 2: Go to close. Yeah, exactly, that's that's that's that's perfectly put.

1561
01:07:36,560 --> 01:07:38,240
Speaker 2: That's a three seconds. Absolutely.

1562
01:07:38,480 --> 01:07:40,440
Speaker 1: I came out, got my best fit on. You know

1563
01:07:40,480 --> 01:07:42,800
Speaker 1: I don't come out. You invited me and said it

1564
01:07:42,840 --> 01:07:46,960
Speaker 1: was going to be my vibek. Yeah, this is why

1565
01:07:47,000 --> 01:07:49,640
Speaker 1: I don't come outside, exactly exactly. I do want to

1566
01:07:49,640 --> 01:07:51,680
Speaker 1: ask you, do you think that was interesting?

1567
01:07:51,720 --> 01:07:53,240
Speaker 2: You said the weed thing.

1568
01:07:53,240 --> 01:07:54,920
Speaker 1: You probably couldn't There a certain lines you could never

1569
01:07:54,960 --> 01:07:56,560
Speaker 1: go over with your mother and I'm going through that

1570
01:07:56,600 --> 01:07:58,280
Speaker 1: now with my mom wants certain things to share and

1571
01:07:58,320 --> 01:08:03,080
Speaker 1: do around her. Aink that line 'll ever get erased.

1572
01:08:04,600 --> 01:08:07,280
Speaker 3: I don't think so, man. Like, it's just my mom

1573
01:08:07,400 --> 01:08:08,960
Speaker 3: is always going to be my mom no matter what.

1574
01:08:09,040 --> 01:08:10,520
Speaker 3: You know what I mean, And it's certain levels. It's

1575
01:08:10,560 --> 01:08:13,880
Speaker 3: just certain levels of respect that I just will always have,

1576
01:08:13,960 --> 01:08:15,240
Speaker 3: Like I try not to even curse in front of

1577
01:08:15,280 --> 01:08:18,479
Speaker 3: my mom. I hate that my mom listens to the

1578
01:08:18,520 --> 01:08:22,080
Speaker 3: podcast sometimes because I know she hears things that sometimes

1579
01:08:22,120 --> 01:08:23,000
Speaker 3: I don't want her to hear.

1580
01:08:23,560 --> 01:08:26,200
Speaker 2: But it's just like that's mom. Man.

1581
01:08:26,200 --> 01:08:28,479
Speaker 3: It's just certain things that I just never ever want

1582
01:08:28,600 --> 01:08:31,680
Speaker 3: to expose my mom about me, even though I mean,

1583
01:08:31,760 --> 01:08:32,120
Speaker 3: she knows.

1584
01:08:32,240 --> 01:08:32,920
Speaker 2: My mom knows me.

1585
01:08:32,960 --> 01:08:37,320
Speaker 3: She she she asks certain questions without asking certain questions.

1586
01:08:37,000 --> 01:08:40,519
Speaker 2: And you know, there's some things she knows already. They know. Listen.

1587
01:08:40,600 --> 01:08:42,800
Speaker 3: One thing I learned, and that's why it's really crazy,

1588
01:08:42,880 --> 01:08:44,640
Speaker 3: is because one thing I learned about my mom is

1589
01:08:44,640 --> 01:08:48,800
Speaker 3: that she knows everything about me, whether I tell her

1590
01:08:48,880 --> 01:08:51,680
Speaker 3: or not, Like she knows everything about me, like and

1591
01:08:51,720 --> 01:08:53,960
Speaker 3: it's just like sometimes I decide to tell her something

1592
01:08:53,960 --> 01:08:55,880
Speaker 3: and she's like I been do that, Like I knew that,

1593
01:08:55,920 --> 01:08:57,360
Speaker 3: Like you think you're telling me something that I don't

1594
01:08:57,400 --> 01:08:59,479
Speaker 3: know about you, Like I know that I know my son.

1595
01:08:59,520 --> 01:09:01,360
Speaker 1: I'm like, oh, my father says, I have the user

1596
01:09:01,400 --> 01:09:05,559
Speaker 1: manual on you. Exactly it perfectly, That's what my father

1597
01:09:05,560 --> 01:09:07,559
Speaker 1: says me. But you know, again, it's just certain things

1598
01:09:07,560 --> 01:09:09,680
Speaker 1: I just can't just it's just my mom and I'm

1599
01:09:09,720 --> 01:09:13,160
Speaker 1: not I mean, I don't really mean cursing or smoking

1600
01:09:13,160 --> 01:09:15,520
Speaker 1: weed per se. I guess I just mean certain conversations

1601
01:09:15,640 --> 01:09:17,680
Speaker 1: because I've started to learn. I know, we were joking

1602
01:09:17,680 --> 01:09:19,320
Speaker 1: about the Maroon five shit, and I was like, damn,

1603
01:09:19,360 --> 01:09:22,560
Speaker 1: I'm starting to learn more about my mom in certain settings.

1604
01:09:23,360 --> 01:09:26,800
Speaker 1: I'm started to have conversations about my childhood with my mom,

1605
01:09:27,320 --> 01:09:30,719
Speaker 1: about certain things with her and my father. And because

1606
01:09:30,760 --> 01:09:33,479
Speaker 1: we've gotten into the space that, you know, she knows

1607
01:09:33,520 --> 01:09:36,200
Speaker 1: that I'm an adult and have reached a place mentally

1608
01:09:36,240 --> 01:09:37,920
Speaker 1: as an adult that we can have those types of

1609
01:09:37,920 --> 01:09:41,519
Speaker 1: conversations where she knows she doesn't protect me on certain things.

1610
01:09:41,760 --> 01:09:44,040
Speaker 1: But within that you kind of fall into even like

1611
01:09:44,120 --> 01:09:46,000
Speaker 1: cooler shit you just learned about your parents that they

1612
01:09:46,000 --> 01:09:48,760
Speaker 1: were hiding from you, Yeah, just because they didn't want

1613
01:09:48,760 --> 01:09:50,080
Speaker 1: to look they wanted to be a good example.

1614
01:09:50,320 --> 01:09:52,880
Speaker 3: I think that's something that that's a great way of

1615
01:09:52,880 --> 01:09:54,840
Speaker 3: looking at it, like you know, and having that that

1616
01:09:54,880 --> 01:09:58,000
Speaker 3: type of conversation, you learn things about your mom, you know,

1617
01:09:58,160 --> 01:09:59,760
Speaker 3: or your dad that you didn't know, like, oh shit,

1618
01:10:00,080 --> 01:10:02,000
Speaker 3: I didn't know like you were. It's like, yeah, you

1619
01:10:02,320 --> 01:10:04,160
Speaker 3: thought your mom was just your mom all her life,

1620
01:10:04,200 --> 01:10:05,800
Speaker 3: Like you know, I had a life before I had you.

1621
01:10:05,840 --> 01:10:07,439
Speaker 3: And so it's a lot of things that I learned

1622
01:10:07,439 --> 01:10:09,840
Speaker 3: about my mom just in certain conversations. But again, it's

1623
01:10:09,840 --> 01:10:12,320
Speaker 3: just certain things that I just like, it's mom, Man,

1624
01:10:12,360 --> 01:10:14,000
Speaker 3: I don't want to I don't want to tell my

1625
01:10:14,040 --> 01:10:16,720
Speaker 3: mom how I was slammed piece of shorty last night.

1626
01:10:16,800 --> 01:10:18,439
Speaker 3: Like even though she knows, you know what I'm saying,

1627
01:10:18,479 --> 01:10:20,519
Speaker 3: Like she knows me, so she's like, you know what

1628
01:10:20,520 --> 01:10:22,040
Speaker 3: I mean, Like, yeah, I know as long as you

1629
01:10:22,040 --> 01:10:23,400
Speaker 3: walk kind I'm like, I don't care, like you know

1630
01:10:23,400 --> 01:10:23,680
Speaker 3: what I mean.

1631
01:10:23,720 --> 01:10:26,400
Speaker 2: It is what it is. But it's just certain lines

1632
01:10:26,439 --> 01:10:28,800
Speaker 2: that it's still like, oh, that's mom. I can't do that.

1633
01:10:29,479 --> 01:10:32,360
Speaker 1: Yeah, I'm not saying tell her what positions you had

1634
01:10:32,400 --> 01:10:33,240
Speaker 1: Shorty in but oh.

1635
01:10:33,240 --> 01:10:33,960
Speaker 2: No, don't get in.

1636
01:10:34,080 --> 01:10:35,280
Speaker 3: You know, she knows her son is a freak. She

1637
01:10:35,360 --> 01:10:39,080
Speaker 3: know that she knows that that that's not my mama.

1638
01:10:39,120 --> 01:10:40,960
Speaker 2: Look at me conversations with you.

1639
01:10:41,200 --> 01:10:42,760
Speaker 3: She won't blink, she won't even blink if you tell

1640
01:10:42,800 --> 01:10:45,160
Speaker 3: certain things like oh that I could have been told

1641
01:10:45,160 --> 01:10:45,479
Speaker 3: you that.

1642
01:10:46,040 --> 01:10:46,439
Speaker 2: Yeah.

1643
01:10:46,680 --> 01:10:49,640
Speaker 1: No, man, I have this idea that I that I

1644
01:10:49,640 --> 01:10:51,240
Speaker 1: want to do not just with my mom, but with

1645
01:10:51,320 --> 01:10:54,040
Speaker 1: a lot of my family. And it's where podcasting kind

1646
01:10:54,040 --> 01:10:58,599
Speaker 1: of sparked the idea. And when my grandmother passed at

1647
01:10:58,640 --> 01:11:04,600
Speaker 1: the repass talking to her younger sister and she was

1648
01:11:04,640 --> 01:11:06,880
Speaker 1: just telling me just off the cuff stories about my

1649
01:11:06,920 --> 01:11:10,000
Speaker 1: grandmother that I never knew and all this, and I

1650
01:11:10,080 --> 01:11:11,720
Speaker 1: was like, this sounds like a podcast. But I would

1651
01:11:11,760 --> 01:11:14,439
Speaker 1: never release this podcast because it's our intimate family shit, right,

1652
01:11:14,960 --> 01:11:19,400
Speaker 1: but we should make this a family podcast. It never

1653
01:11:19,439 --> 01:11:22,519
Speaker 1: gets released, but everyone can tell their whole story. And

1654
01:11:22,560 --> 01:11:26,000
Speaker 1: how ill would it be if you were fifteen years

1655
01:11:26,000 --> 01:11:30,040
Speaker 1: old and then your father passed down a bunch of

1656
01:11:30,160 --> 01:11:33,840
Speaker 1: MP three's that told you your whole fucking lineage up

1657
01:11:33,880 --> 01:11:34,960
Speaker 1: until your great grand bather.

1658
01:11:35,080 --> 01:11:35,519
Speaker 2: That's fire.

1659
01:11:36,080 --> 01:11:39,759
Speaker 1: So yeah, I think when we have if we're blessed

1660
01:11:39,800 --> 01:11:41,880
Speaker 1: to have our family here and we're blessed to have

1661
01:11:41,920 --> 01:11:44,759
Speaker 1: this technology here, it should form together.

1662
01:11:45,120 --> 01:11:47,000
Speaker 3: Yeah, at some point, and so I get what you mean.

1663
01:11:47,360 --> 01:11:49,000
Speaker 3: In some way, we should figure out a way to

1664
01:11:49,040 --> 01:11:51,400
Speaker 3: do that. Yeah, and even if the family just keeps it,

1665
01:11:51,840 --> 01:11:53,599
Speaker 3: oh no, no, I don't want to release anything. No,

1666
01:11:53,800 --> 01:11:57,599
Speaker 3: just to pass on like from generation to generation. Let's

1667
01:11:57,720 --> 01:12:01,200
Speaker 3: but my family anymore. Somebody gonna got onto one of

1668
01:12:01,200 --> 01:12:03,920
Speaker 3: my uncles, give them a couple hundred you'll release that,

1669
01:12:04,560 --> 01:12:08,599
Speaker 3: release that family pod my uncles and let that ship fly.

1670
01:12:08,680 --> 01:12:10,800
Speaker 3: And and it's like, all right, now everything is out there.

1671
01:12:10,920 --> 01:12:12,000
Speaker 2: Here's the difference. No one.

1672
01:12:12,280 --> 01:12:14,880
Speaker 1: No one cares about my family's lineage. They might care

1673
01:12:14,920 --> 01:12:17,360
Speaker 1: about yours.

1674
01:12:19,200 --> 01:12:21,720
Speaker 3: Bridges and tunnels and ship like that's listen, that's some

1675
01:12:21,920 --> 01:12:23,040
Speaker 3: important ship in the city.

1676
01:12:23,080 --> 01:12:23,240
Speaker 2: Man.

1677
01:12:24,439 --> 01:12:26,559
Speaker 1: All right, Yes, they built the bridges, but they were

1678
01:12:26,560 --> 01:12:28,639
Speaker 1: only driving over them to go listen to your family

1679
01:12:28,720 --> 01:12:29,280
Speaker 1: make music.

1680
01:12:31,160 --> 01:12:32,479
Speaker 2: That is true. I didn't think about it.

1681
01:12:32,360 --> 01:12:34,559
Speaker 1: Like bridges are timeless, but not in the same way.

1682
01:12:35,120 --> 01:12:36,840
Speaker 1: Not in the same way, not as not like no.

1683
01:12:36,880 --> 01:12:41,719
Speaker 2: One drives over this, Like I wonder who made this. Yeah,

1684
01:12:41,800 --> 01:12:42,760
Speaker 2: but that'd be dope. Though.

1685
01:12:42,880 --> 01:12:45,040
Speaker 1: That was a lot of music. Yeah, I bad everyone,

1686
01:12:45,120 --> 01:12:47,200
Speaker 1: but we had to do it. We had to do

1687
01:12:47,240 --> 01:12:50,000
Speaker 1: those breakdowns. We don't usually get a Drake album and

1688
01:12:50,040 --> 01:12:54,680
Speaker 1: a leaked Andre three thousand verse that doesn't happen very often.

1689
01:12:55,160 --> 01:12:56,679
Speaker 1: Is there anything else that we should we should address

1690
01:12:56,680 --> 01:12:57,200
Speaker 1: while we're here.

1691
01:12:57,240 --> 01:13:00,559
Speaker 2: Oh, let's get some more important things. Uh, would you

1692
01:13:00,600 --> 01:13:01,800
Speaker 2: ever would you break up with your.

1693
01:13:01,680 --> 01:13:04,080
Speaker 3: Girl if she if you found out she had a

1694
01:13:04,160 --> 01:13:06,920
Speaker 3: threesome with two guys, not like cheated on you and

1695
01:13:07,000 --> 01:13:09,559
Speaker 3: did that Like this happened before y'all got together, Like say,

1696
01:13:09,640 --> 01:13:11,880
Speaker 3: y'all was just talking one night and she's like, yeah,

1697
01:13:11,880 --> 01:13:14,280
Speaker 3: you know one night, you know, I had two guys

1698
01:13:14,280 --> 01:13:16,680
Speaker 3: that I was cool with and it just kind of

1699
01:13:16,760 --> 01:13:17,320
Speaker 3: just happened.

1700
01:13:17,760 --> 01:13:18,879
Speaker 2: It kind of just happened.

1701
01:13:19,280 --> 01:13:23,240
Speaker 1: Yeah, I hate when women say that. I've had more

1702
01:13:23,280 --> 01:13:24,320
Speaker 1: than one woman saying.

1703
01:13:24,080 --> 01:13:25,559
Speaker 2: That to me that it kind of just happened. It

1704
01:13:25,640 --> 01:13:27,439
Speaker 2: kind of just happened, and it pissed me off more.

1705
01:13:27,640 --> 01:13:29,600
Speaker 1: Yeah, because I would have respected you more if you

1706
01:13:29,600 --> 01:13:31,360
Speaker 1: would have been like, no, that's what I wanted to

1707
01:13:31,400 --> 01:13:33,639
Speaker 1: do and I just did it. Yeah, I could respect

1708
01:13:33,680 --> 01:13:36,400
Speaker 1: you off that when you started be like I don't know,

1709
01:13:36,479 --> 01:13:38,439
Speaker 1: like I was just in one thing led to another

1710
01:13:38,439 --> 01:13:41,160
Speaker 1: feelings and like I just went this way and things

1711
01:13:41,200 --> 01:13:44,679
Speaker 1: happened so fast. No, that's not off really quick.

1712
01:13:44,760 --> 01:13:45,200
Speaker 2: Yeah, I know.

1713
01:13:47,120 --> 01:13:48,840
Speaker 1: And now if it's with two dudes, now there was,

1714
01:13:49,439 --> 01:13:53,400
Speaker 1: they would take its You could make it. You had

1715
01:13:53,439 --> 01:13:56,280
Speaker 1: double the time to figure it out. I like to

1716
01:13:56,320 --> 01:13:58,800
Speaker 1: pretend that I'm I'm well, not to pretend I think

1717
01:13:58,800 --> 01:14:01,120
Speaker 1: I am one of the more understanding and secure people

1718
01:14:01,840 --> 01:14:05,799
Speaker 1: that one would would that would throw my head for Yeah,

1719
01:14:06,200 --> 01:14:11,400
Speaker 1: that hurt only because I like, I don't like to

1720
01:14:11,439 --> 01:14:15,200
Speaker 1: put things on people that I've done before too.

1721
01:14:17,320 --> 01:14:18,480
Speaker 2: I can't.

1722
01:14:19,040 --> 01:14:21,400
Speaker 1: And it's not a train, it's a threeesome. I've never

1723
01:14:21,600 --> 01:14:24,080
Speaker 1: fucked a girl with my man's because I think it's weird.

1724
01:14:24,960 --> 01:14:27,280
Speaker 1: It's a really weird thing to me. It's a weird concept.

1725
01:14:27,320 --> 01:14:28,840
Speaker 1: I'm not saying if that's your kink. If that's your thing,

1726
01:14:29,720 --> 01:14:32,599
Speaker 1: more power to you go do it all the way,

1727
01:14:32,720 --> 01:14:33,559
Speaker 1: no judgments for me.

1728
01:14:34,200 --> 01:14:36,479
Speaker 2: It's just not my thing. So I like it.

1729
01:14:37,640 --> 01:14:40,120
Speaker 1: That's weird, And then the dudes you did it with

1730
01:14:40,240 --> 01:14:40,960
Speaker 1: gotta be weird.

1731
01:14:42,600 --> 01:14:45,000
Speaker 3: I'm yeah, I think I would break up with my girl,

1732
01:14:46,000 --> 01:14:48,760
Speaker 3: Like if she told me she had a threesome with

1733
01:14:48,840 --> 01:14:49,400
Speaker 3: two guys.

1734
01:14:49,560 --> 01:14:50,200
Speaker 2: It's kind of.

1735
01:14:50,200 --> 01:14:53,559
Speaker 1: Like, well, how far into we are we into the relationship.

1736
01:14:53,640 --> 01:14:54,680
Speaker 1: I don't care how far I am.

1737
01:14:55,640 --> 01:14:57,960
Speaker 3: No, I don't give a fuck, how far If I

1738
01:14:58,000 --> 01:15:04,840
Speaker 3: find out you let two guys.

1739
01:15:02,439 --> 01:15:06,040
Speaker 1: And we finally do shrooms together, five years stops and

1740
01:15:06,120 --> 01:15:07,160
Speaker 1: things just start coming out.

1741
01:15:07,200 --> 01:15:08,320
Speaker 2: This is what a five years stop.

1742
01:15:08,360 --> 01:15:11,120
Speaker 3: We can still be cool, but I can't because you

1743
01:15:11,160 --> 01:15:12,599
Speaker 3: know why, I'm never gonna be able to look at

1744
01:15:12,640 --> 01:15:15,040
Speaker 3: you and not think about that vision that Yeah, like

1745
01:15:15,080 --> 01:15:16,320
Speaker 3: I just weird thinking of the vision.

1746
01:15:16,400 --> 01:15:19,600
Speaker 2: It's just like two dudes at the same time, was

1747
01:15:19,680 --> 01:15:21,080
Speaker 2: just on top of you going to town.

1748
01:15:22,720 --> 01:15:24,599
Speaker 1: I just say I understand the male pride, and I

1749
01:15:24,600 --> 01:15:26,920
Speaker 1: know I'm the one that usually will find understanding and

1750
01:15:27,000 --> 01:15:27,559
Speaker 1: certain things.

1751
01:15:27,920 --> 01:15:28,680
Speaker 2: Yeah, that one is.

1752
01:15:29,040 --> 01:15:31,360
Speaker 3: And I know everybody has it tough. That's what I'm saying.

1753
01:15:31,360 --> 01:15:33,760
Speaker 3: That hasn't passed and all of that. I get all

1754
01:15:33,760 --> 01:15:36,040
Speaker 3: of that, but it's just like, it's just certain shit

1755
01:15:36,080 --> 01:15:36,880
Speaker 3: you shouldn't be doing.

1756
01:15:37,040 --> 01:15:40,439
Speaker 1: And then me, especially with people that I love, I

1757
01:15:40,479 --> 01:15:42,720
Speaker 1: try to do my best to rationalize things, and to

1758
01:15:42,800 --> 01:15:46,799
Speaker 1: rationalize things, it takes details. It takes me to understand

1759
01:15:46,840 --> 01:15:48,920
Speaker 1: where what your point of view was during it and

1760
01:15:49,000 --> 01:15:50,880
Speaker 1: what was going on. And I don't want to know

1761
01:15:50,920 --> 01:15:52,519
Speaker 1: those details because it's just gonna make it worse.

1762
01:15:52,760 --> 01:15:54,360
Speaker 2: This know what I'm saying. And imagine if it's like

1763
01:15:54,360 --> 01:15:54,880
Speaker 2: two dudes.

1764
01:15:54,920 --> 01:15:57,040
Speaker 3: That's like, you know when you see certain dudes, like

1765
01:15:57,040 --> 01:15:59,640
Speaker 3: he doesn't look like the cleanest dude, Like, what if

1766
01:15:59,680 --> 01:16:00,800
Speaker 3: it's like one of those dudes.

1767
01:16:00,880 --> 01:16:02,320
Speaker 2: Yeah, you know what I'm saying. It's like.

1768
01:16:07,360 --> 01:16:08,960
Speaker 1: What if the other dudes clean. It's kind of like

1769
01:16:09,000 --> 01:16:12,800
Speaker 1: they cancel each other out and like a math thing. Yeah,

1770
01:16:12,840 --> 01:16:15,400
Speaker 1: pem does what is it called? You just carry the

1771
01:16:15,439 --> 01:16:18,880
Speaker 1: one like he may be dirty, but the clean god

1772
01:16:19,000 --> 01:16:20,080
Speaker 1: got in there afterwards.

1773
01:16:20,080 --> 01:16:28,400
Speaker 3: And that's like a real situation. Oh, slamming on her? Nah,

1774
01:16:28,640 --> 01:16:30,920
Speaker 3: you and the marriage. You got mad because I said

1775
01:16:30,920 --> 01:16:32,479
Speaker 3: I will break over her after five years?

1776
01:16:32,479 --> 01:16:34,560
Speaker 1: Well, imagine imagine your girl going well, not one of

1777
01:16:34,600 --> 01:16:38,719
Speaker 1: them was cleaned, Oh my god.

1778
01:16:39,280 --> 01:16:41,800
Speaker 3: Pemic pemic is an acronem used to mention the order

1779
01:16:41,840 --> 01:16:45,160
Speaker 3: of operation. No, Rory, I'm not as kids.

1780
01:16:46,200 --> 01:16:49,160
Speaker 1: Pem dos is a math thing from high school, Rory,

1781
01:16:49,360 --> 01:16:52,320
Speaker 1: you went to city public schools. Probably I probably was

1782
01:16:52,360 --> 01:16:54,479
Speaker 1: abtient during I don't know, maybe I don't remember pem

1783
01:16:54,520 --> 01:16:58,240
Speaker 1: do whatever the fuck it was, Ry, I haven't been

1784
01:16:58,240 --> 01:17:00,880
Speaker 1: to high school in twenty years, bro, But is like

1785
01:17:00,920 --> 01:17:03,400
Speaker 1: a staple. Pem dos is up there losing your virginity.

1786
01:17:03,720 --> 01:17:05,080
Speaker 2: Okay, well, yeah I didn't.

1787
01:17:05,160 --> 01:17:09,799
Speaker 3: Yeah, remember parentheses, exponents, multiplication, division, edition, and s attracts.

1788
01:17:09,840 --> 01:17:11,639
Speaker 1: Actually the only thing in math that actually like really

1789
01:17:11,720 --> 01:17:12,840
Speaker 1: makes sense when you get into that way.

1790
01:17:12,840 --> 01:17:15,160
Speaker 3: Okay, yeah, so subtraction. You got to subtract yourself from

1791
01:17:15,160 --> 01:17:17,120
Speaker 3: the relationship at that There you go.

1792
01:17:17,160 --> 01:17:22,320
Speaker 2: Because she was multiplying. Because she was multiplying vagina exactly exactly,

1793
01:17:22,600 --> 01:17:24,599
Speaker 2: they put They put her in the parotia. Man, see,

1794
01:17:24,720 --> 01:17:27,800
Speaker 2: thank you, thank you for this pleasure, shorty. In parentheses

1795
01:17:28,120 --> 01:17:31,160
Speaker 2: she was in it got exactly. So, yeah, I'm breaking

1796
01:17:31,200 --> 01:17:33,200
Speaker 2: up with her. How would you break up with her?

1797
01:17:33,800 --> 01:17:35,840
Speaker 2: I'd be like, yo, listen, man, you know, I know

1798
01:17:35,840 --> 01:17:37,720
Speaker 2: we all have a past, and we all have done

1799
01:17:37,800 --> 01:17:41,439
Speaker 2: things that you know, we're not too happy about. But

1800
01:17:41,479 --> 01:17:43,719
Speaker 2: it's like there's certain things I just can't look past,

1801
01:17:44,240 --> 01:17:47,040
Speaker 2: and you laying down with two men at once is

1802
01:17:47,080 --> 01:17:50,720
Speaker 2: just like I can't get past that. I'm sorry, she.

1803
01:17:50,760 --> 01:17:53,519
Speaker 4: Breaks up with you for have hading a three something

1804
01:17:53,640 --> 01:17:54,240
Speaker 4: she fucked up?

1805
01:17:55,120 --> 01:17:57,400
Speaker 2: Is she fucked up? Yeah? No, I'm lit.

1806
01:17:59,160 --> 01:18:04,200
Speaker 1: Listen, there's can we call spadas, babe? Yes, double standards exist.

1807
01:18:04,320 --> 01:18:07,519
Speaker 1: It exists. We all use double standards as a buffet

1808
01:18:07,520 --> 01:18:09,080
Speaker 1: because some double standards make sense.

1809
01:18:09,240 --> 01:18:09,880
Speaker 2: Absolutely.

1810
01:18:10,360 --> 01:18:12,320
Speaker 1: There's ship about double standers with men that are not

1811
01:18:12,320 --> 01:18:15,439
Speaker 1: fair at all. Also ship that's double standards of women

1812
01:18:15,439 --> 01:18:17,320
Speaker 1: that are not fair at all. But I'm gonna use

1813
01:18:17,360 --> 01:18:21,360
Speaker 1: the ones that work on my end. YEP, getting fucked

1814
01:18:21,360 --> 01:18:22,880
Speaker 1: by two dudes is not the same as a guy

1815
01:18:22,960 --> 01:18:25,560
Speaker 1: having three someme with with two girls. It's not demastics

1816
01:18:25,640 --> 01:18:28,640
Speaker 1: not I'm sorry. I know we're all positive now and

1817
01:18:28,680 --> 01:18:30,479
Speaker 1: I agree with it. No, but let's just call a

1818
01:18:30,520 --> 01:18:33,200
Speaker 1: spadas spade. It's not the same thing. I've gotten past

1819
01:18:33,280 --> 01:18:36,080
Speaker 1: that it's a train. I've gotten to the understanding point

1820
01:18:36,120 --> 01:18:38,479
Speaker 1: that it is a threesome, but it's a different type

1821
01:18:38,479 --> 01:18:39,479
Speaker 1: of threesome it is.

1822
01:18:39,800 --> 01:18:41,360
Speaker 2: I'm with Rory on this one.

1823
01:18:41,400 --> 01:18:44,639
Speaker 1: And girls like girls where I'm from exactly, So it's

1824
01:18:44,680 --> 01:18:46,519
Speaker 1: okay if I do it because she might have liked

1825
01:18:46,520 --> 01:18:58,360
Speaker 1: both them shicks, I promise you cut it.

1826
01:18:57,840 --> 01:19:05,160
Speaker 2: That is fucking hysterically. I probably know they do that

1827
01:19:05,240 --> 01:19:05,839
Speaker 2: where I'm.

1828
01:19:05,640 --> 01:19:10,599
Speaker 1: From, that where I'm from. If you just put beliefs

1829
01:19:10,600 --> 01:19:14,280
Speaker 1: on that that would be funny and keep it. Girls

1830
01:19:14,280 --> 01:19:16,599
Speaker 1: like girls where I'm from. So I think you might

1831
01:19:16,640 --> 01:19:19,160
Speaker 1: have liked those girls, and I may have not liked

1832
01:19:19,200 --> 01:19:23,080
Speaker 1: the gentleman that she decided to let her put her

1833
01:19:23,080 --> 01:19:23,720
Speaker 1: in parentheses.

1834
01:19:24,320 --> 01:19:28,440
Speaker 3: But do you have you ever noticed the one guy

1835
01:19:28,600 --> 01:19:31,840
Speaker 3: that comes around and your girl just has like this

1836
01:19:32,000 --> 01:19:35,000
Speaker 3: different energy which she's always happy to see him. Uh,

1837
01:19:35,040 --> 01:19:37,160
Speaker 3: they always take great pictures of each other.

1838
01:19:37,400 --> 01:19:39,640
Speaker 2: Yeah. Yeah.

1839
01:19:39,800 --> 01:19:42,320
Speaker 3: Do you ever have you ever like asked your girl

1840
01:19:42,400 --> 01:19:45,120
Speaker 3: like yo, y'all ever did anything like or you just

1841
01:19:45,240 --> 01:19:50,240
Speaker 3: kind of just like, yeah, mind your business. But it

1842
01:19:50,320 --> 01:19:52,080
Speaker 3: is my business though, right If it's my girl, I

1843
01:19:52,120 --> 01:19:54,360
Speaker 3: think it is. And this is a guy that we

1844
01:19:54,400 --> 01:19:56,280
Speaker 3: see all the time when we hang out, Like he's

1845
01:19:56,280 --> 01:19:57,320
Speaker 3: a guy that's always around.

1846
01:19:57,560 --> 01:20:01,480
Speaker 1: If that's my girl, it changes things drastically, Yeah, because

1847
01:20:02,280 --> 01:20:06,559
Speaker 1: here's always been my thing. Your past is your past, right.

1848
01:20:07,600 --> 01:20:10,080
Speaker 1: Of course, there's cliff notes in that, it's not just

1849
01:20:10,080 --> 01:20:13,559
Speaker 1: far prints fine print for sure, But for the most part,

1850
01:20:13,680 --> 01:20:14,639
Speaker 1: your past is your past.

1851
01:20:14,720 --> 01:20:15,760
Speaker 2: Yeah, it's who you are.

1852
01:20:15,800 --> 01:20:17,320
Speaker 1: I don't particularly want to sit here and listen to

1853
01:20:17,360 --> 01:20:19,479
Speaker 1: you talk about your past like that, just kind of

1854
01:20:19,479 --> 01:20:20,479
Speaker 1: out of sight, out of mind.

1855
01:20:20,640 --> 01:20:22,519
Speaker 2: I just know everyone has fucked a bunch of people

1856
01:20:22,560 --> 01:20:24,240
Speaker 2: before I'm thirty one years old.

1857
01:20:25,600 --> 01:20:29,439
Speaker 1: I do ask, though, if we ever go into a

1858
01:20:29,520 --> 01:20:32,680
Speaker 1: room or a situation or something I don't need to

1859
01:20:32,720 --> 01:20:35,080
Speaker 1: know the details. Just give me a heads up. Yeah,

1860
01:20:35,479 --> 01:20:37,320
Speaker 1: just so I know how to move. I am still

1861
01:20:37,320 --> 01:20:40,040
Speaker 1: a man with pride. Just let me know how to move. Yeah,

1862
01:20:40,080 --> 01:20:42,400
Speaker 1: you just want to know who? So you don't want

1863
01:20:42,400 --> 01:20:45,880
Speaker 1: to know how? Just yo, Just I need to know. Yeah,

1864
01:20:46,200 --> 01:20:47,639
Speaker 1: that's it. I don't need to know how many times.

1865
01:20:47,640 --> 01:20:49,040
Speaker 1: I don't need to know what the situation was. I

1866
01:20:49,080 --> 01:20:52,000
Speaker 1: don't care how it ended. I just need to know.

1867
01:20:52,600 --> 01:20:55,960
Speaker 1: All Right, men move crazier than women in a lot

1868
01:20:56,000 --> 01:20:58,479
Speaker 1: of caddy ways, So I just need to know how

1869
01:20:58,479 --> 01:21:00,080
Speaker 1: I'm gonna have to deal with this dude if he

1870
01:21:00,120 --> 01:21:03,439
Speaker 1: makes a facial reaction, I just got to have some

1871
01:21:03,479 --> 01:21:05,559
Speaker 1: info so I know what that facial reaction means.

1872
01:21:05,560 --> 01:21:07,559
Speaker 2: So you would actually girl like yo, Like you.

1873
01:21:07,479 --> 01:21:09,160
Speaker 1: Know, i'd ask her ahead of time, which I had

1874
01:21:09,200 --> 01:21:11,000
Speaker 1: with every woman I've been with when I was like

1875
01:21:11,040 --> 01:21:16,200
Speaker 1: an adult adult, especially in some of the spaces we

1876
01:21:16,320 --> 01:21:20,160
Speaker 1: move in. Just in general, always let me know if

1877
01:21:20,160 --> 01:21:24,800
Speaker 1: there's there's something that I should know going into, especially a.

1878
01:21:24,760 --> 01:21:26,439
Speaker 2: Type of work environment or something like that.

1879
01:21:26,720 --> 01:21:30,680
Speaker 1: Right, But I've definitely peeped some times where I'm like,

1880
01:21:31,080 --> 01:21:34,160
Speaker 1: she didn't tell me. I could feel it, y'all. Have

1881
01:21:34,160 --> 01:21:40,599
Speaker 1: amazing chemistry. You should probably fuck tonight. Y'all have better chemistry,

1882
01:21:42,000 --> 01:21:42,760
Speaker 1: way more than I do.

1883
01:21:43,520 --> 01:21:45,640
Speaker 3: If y'all did fuck yet y'all, y'all are going to

1884
01:21:45,760 --> 01:21:48,439
Speaker 3: word Yeah, yeah, I know what you mean, but no,

1885
01:21:48,720 --> 01:21:49,880
Speaker 3: I'm not too proudful to ask that.

1886
01:21:49,880 --> 01:21:52,519
Speaker 2: It's just more of a you gotta let me know. Yeah,

1887
01:21:52,560 --> 01:21:54,559
Speaker 2: I don't. I don't. I try not to ever ask

1888
01:21:55,439 --> 01:21:58,519
Speaker 2: a woman like specifically who she's been with or but

1889
01:21:58,560 --> 01:22:00,840
Speaker 2: it is certain times where you just know it's an energy,

1890
01:22:00,880 --> 01:22:03,639
Speaker 2: it's a certain type of chemistry with her and certain guys,

1891
01:22:03,680 --> 01:22:07,640
Speaker 2: and you just like, yo, like I ain't you know

1892
01:22:08,560 --> 01:22:10,160
Speaker 2: your past is? Your past is? You know?

1893
01:22:10,200 --> 01:22:12,360
Speaker 3: But it's like, how well do you all know each other?

1894
01:22:12,400 --> 01:22:14,639
Speaker 3: Becuse y'all seem to be like on they'll finish each

1895
01:22:14,640 --> 01:22:18,439
Speaker 3: other's sentences, and he knows your favorite drink and you

1896
01:22:18,439 --> 01:22:20,439
Speaker 3: know what I mean, It's like, I just need to know,

1897
01:22:20,560 --> 01:22:21,439
Speaker 3: like what's going on?

1898
01:22:22,000 --> 01:22:22,320
Speaker 2: All right?

1899
01:22:22,360 --> 01:22:24,800
Speaker 1: Let me ask you this and we can wrap what

1900
01:22:24,960 --> 01:22:30,880
Speaker 1: hurts more if you know if you know Shorty has

1901
01:22:30,920 --> 01:22:32,800
Speaker 1: been with this dude, but you're cool with it, like

1902
01:22:32,840 --> 01:22:33,599
Speaker 1: it is what it is.

1903
01:22:34,400 --> 01:22:36,439
Speaker 2: You all end up in the same party, the same room, whatever,

1904
01:22:36,600 --> 01:22:39,240
Speaker 2: y'all moving around. You're not threatened, You don't care.

1905
01:22:41,200 --> 01:22:44,360
Speaker 1: She sees him and her face lights up a little

1906
01:22:44,360 --> 01:22:46,799
Speaker 1: bit and they have a good rapport and a good hug.

1907
01:22:47,800 --> 01:22:53,240
Speaker 1: Or are you more upset if she stand offish and

1908
01:22:53,360 --> 01:22:58,759
Speaker 1: mad that he's in the room, Oh, if she's obvious? Answer,

1909
01:22:58,800 --> 01:23:01,360
Speaker 1: I don't think is the right one. No.

1910
01:23:01,439 --> 01:23:03,920
Speaker 3: If she's standing officeh and mad, that's there's still a

1911
01:23:03,920 --> 01:23:06,439
Speaker 3: certain he's still tapped into you emotionally somewhere.

1912
01:23:06,520 --> 01:23:08,920
Speaker 1: I'm way more upset. If she's upset that he's in

1913
01:23:08,920 --> 01:23:11,680
Speaker 1: the room. You still can Yeah, yeah, you still care

1914
01:23:11,720 --> 01:23:13,360
Speaker 1: about him? And then I gotta, I gotta, I gotta

1915
01:23:13,400 --> 01:23:15,439
Speaker 1: pop on this nigga. Now, now I gotta go across

1916
01:23:15,479 --> 01:23:18,000
Speaker 1: his head with a bottle, Like that's just how I feel.

1917
01:23:18,040 --> 01:23:20,360
Speaker 2: Don't ruin my night because you still got feelings for

1918
01:23:20,400 --> 01:23:21,880
Speaker 2: this guy? Yeah that he here?

1919
01:23:22,080 --> 01:23:24,439
Speaker 1: Yeah, like please, like please have your face light up

1920
01:23:24,439 --> 01:23:26,000
Speaker 1: and hug him and pretend to be friends.

1921
01:23:26,439 --> 01:23:28,599
Speaker 3: Yeah, but it's but hold on, because that's a that's

1922
01:23:28,640 --> 01:23:30,960
Speaker 3: a two way street. Because now what if her face

1923
01:23:31,040 --> 01:23:34,160
Speaker 3: lights up whenever she sees this guy and he hugs her.

1924
01:23:34,240 --> 01:23:35,479
Speaker 3: But what if it's the type of hug where he

1925
01:23:35,520 --> 01:23:38,679
Speaker 3: picks her up and like spins her around, like can.

1926
01:23:38,520 --> 01:23:41,519
Speaker 1: We get into can get back to reality? Get back

1927
01:23:41,560 --> 01:23:44,479
Speaker 1: to it? That happens? Where does that happen?

1928
01:23:44,520 --> 01:23:46,760
Speaker 3: Come on, son, the nigga definitely lifts your shorty up

1929
01:23:46,800 --> 01:23:50,479
Speaker 3: off her feet and like spun her around. And one,

1930
01:23:50,479 --> 01:23:53,679
Speaker 3: I hadn't seen you so long because one thing, there's

1931
01:23:53,680 --> 01:23:54,759
Speaker 3: one thing I have not done.

1932
01:23:56,120 --> 01:23:59,280
Speaker 1: About it about things that make me look crazy all

1933
01:23:59,320 --> 01:24:00,800
Speaker 1: the time in this podcet. So you should know I'm

1934
01:24:00,800 --> 01:24:02,400
Speaker 1: being dead ass of a girl. If a dude pick

1935
01:24:02,479 --> 01:24:05,160
Speaker 1: my girl up and spin her at a party, no,

1936
01:24:05,520 --> 01:24:08,000
Speaker 1: I'm picking him up and spinning around at that party.

1937
01:24:08,680 --> 01:24:10,040
Speaker 2: You gotta be out of your fucking mind.

1938
01:24:10,080 --> 01:24:10,200
Speaker 1: Yea.

1939
01:24:10,240 --> 01:24:12,040
Speaker 3: By the time we spin around, I'm standing right there

1940
01:24:12,120 --> 01:24:15,240
Speaker 3: like your fan on the spinning around. When he turned

1941
01:24:15,280 --> 01:24:16,840
Speaker 3: back around, I'm right there on him. Yo, my man,

1942
01:24:16,920 --> 01:24:19,280
Speaker 3: let me talk you outside real quick. Yeah, no, for sure,

1943
01:24:19,280 --> 01:24:19,840
Speaker 3: I'm with you.

1944
01:24:19,840 --> 01:24:24,280
Speaker 1: No, I'm popping wild. He's in her arms. He gotta

1945
01:24:24,320 --> 01:24:25,160
Speaker 1: lift both us up.

1946
01:24:25,080 --> 01:24:27,160
Speaker 2: Now now.

1947
01:24:29,080 --> 01:24:30,840
Speaker 1: Now we all spin it. Yeah yeah, yeah, no, that's

1948
01:24:30,880 --> 01:24:32,879
Speaker 1: a fact. I'm gonna put her right in the parenthesis.

1949
01:24:32,960 --> 01:24:34,960
Speaker 1: She's gonna be in pemdas she would get trained by

1950
01:24:35,000 --> 01:24:37,880
Speaker 1: two guys. Again, I'm with you on that. I'm with

1951
01:24:37,920 --> 01:24:39,479
Speaker 1: you on that you can't let a nigga pick your girl.

1952
01:24:39,479 --> 01:24:42,280
Speaker 2: But that does not happen, y'all align to me. It happens.

1953
01:24:43,040 --> 01:24:44,800
Speaker 2: You've been picked up before it in front of you. Man.

1954
01:24:45,439 --> 01:24:47,800
Speaker 5: First of all, men don't even pick don't do that

1955
01:24:47,800 --> 01:24:49,920
Speaker 5: to me in public, okay, saying it might be a

1956
01:24:49,960 --> 01:24:56,360
Speaker 5: new relationship, so he might not know that you're ord.

1957
01:24:54,920 --> 01:24:57,160
Speaker 2: Well you know now if it's a group of y'all, wait,

1958
01:24:57,160 --> 01:24:59,640
Speaker 2: but hold up, don't do that because to pick up

1959
01:24:59,640 --> 01:25:04,120
Speaker 2: a woman in the hugging type of thing, it's a

1960
01:25:04,240 --> 01:25:05,320
Speaker 2: ninety ten thing.

1961
01:25:05,479 --> 01:25:07,640
Speaker 1: It takes ninety of you and ten of her to

1962
01:25:07,760 --> 01:25:10,960
Speaker 1: accept the pickup. Yeah, so don't do that like it's

1963
01:25:10,960 --> 01:25:12,599
Speaker 1: some she knows that I'm there.

1964
01:25:13,080 --> 01:25:15,280
Speaker 5: You look crazy if you stopped him from hugging, like

1965
01:25:15,640 --> 01:25:17,960
Speaker 5: like crazy and it looks obvious.

1966
01:25:18,080 --> 01:25:19,679
Speaker 2: Oh what does she give him? Like the two hands

1967
01:25:19,720 --> 01:25:20,320
Speaker 2: like stop?

1968
01:25:22,400 --> 01:25:24,000
Speaker 3: Like if she give him to stop with the two

1969
01:25:24,000 --> 01:25:25,800
Speaker 3: hands on his chest like he go to pick up

1970
01:25:26,040 --> 01:25:27,400
Speaker 3: He's like, come on, you know this was your favorite

1971
01:25:27,400 --> 01:25:29,439
Speaker 3: when I used to spin you around and you're sitting

1972
01:25:29,520 --> 01:25:31,520
Speaker 3: right there sipping your cosa Migos.

1973
01:25:33,800 --> 01:25:35,760
Speaker 1: Rory the bottom next to me, Yeah, but call me

1974
01:25:35,800 --> 01:25:37,800
Speaker 1: the bottom next to me, the bottom neck.

1975
01:25:37,960 --> 01:25:39,559
Speaker 3: Yes, but call me. I'm gonna come sp the block.

1976
01:25:40,800 --> 01:25:42,439
Speaker 3: I'm gonna come spin the block. But you don't worry

1977
01:25:42,479 --> 01:25:42,720
Speaker 3: about it.

1978
01:25:42,760 --> 01:25:43,120
Speaker 2: Just call me.

1979
01:25:43,160 --> 01:25:45,519
Speaker 1: So I got you spin my girl, I spinning the block.

1980
01:25:48,240 --> 01:25:50,720
Speaker 2: That's some funny shit. Man. I still again, I still

1981
01:25:50,720 --> 01:25:52,639
Speaker 2: don't believe you. But it's cool. No, it happens. I've

1982
01:25:52,640 --> 01:25:53,240
Speaker 2: seen it before.

1983
01:25:53,320 --> 01:25:55,880
Speaker 1: It happens for sure, not in front of their man.

1984
01:25:56,840 --> 01:25:59,280
Speaker 2: Yeah, does he have nuts? I don't know.

1985
01:25:59,320 --> 01:26:01,519
Speaker 5: I've never seen him and he didn't react afterwards. But

1986
01:26:01,560 --> 01:26:03,160
Speaker 5: you can't say that it probably.

1987
01:26:02,880 --> 01:26:06,360
Speaker 3: Doesn't go yeah, because he might not know. He might

1988
01:26:06,360 --> 01:26:08,320
Speaker 3: not He might not know. Homie might not know that

1989
01:26:09,000 --> 01:26:10,880
Speaker 3: you you there with your man, or you date someone.

1990
01:26:11,000 --> 01:26:12,760
Speaker 2: I said, it's a ninety ten things. She gotta go

1991
01:26:12,800 --> 01:26:13,040
Speaker 2: with it.

1992
01:26:13,120 --> 01:26:14,839
Speaker 5: With the hug, with the booty grab.

1993
01:26:15,479 --> 01:26:22,120
Speaker 3: Nah see see see No if you grab my girls ass, now,

1994
01:26:22,320 --> 01:26:25,040
Speaker 3: the whole the entire spot get shut down now, like

1995
01:26:25,160 --> 01:26:27,760
Speaker 3: everybody's fighting. Like I'm fighting everybody, Like you know what

1996
01:26:27,760 --> 01:26:30,200
Speaker 3: I'm saying. Who invited me here? I'm fighting him, I'm

1997
01:26:30,479 --> 01:26:33,080
Speaker 3: I'm fighting a waiter. I'm I'm fighting I'm fighting everybody.

1998
01:26:33,200 --> 01:26:36,080
Speaker 3: Everybody has to fight. Don't grab my girls ass. You

1999
01:26:36,120 --> 01:26:38,040
Speaker 3: can't do that. You got to know you can't do that.

2000
01:26:38,120 --> 01:26:39,280
Speaker 2: This is getting me anxiety.

2001
01:26:39,400 --> 01:26:43,360
Speaker 3: Don't worry about it. Were gonna get you off this topic. Yeah,

2002
01:26:43,400 --> 01:26:47,360
Speaker 3: but on some more uh other news, sad news. Unfortunately

2003
01:26:47,439 --> 01:26:50,719
Speaker 3: and uh there we lost a staple in our culture.

2004
01:26:51,439 --> 01:26:55,000
Speaker 3: H staple in New York City culture. Hell yeah, Michael K.

2005
01:26:55,160 --> 01:27:01,760
Speaker 3: Williams uh passed away. Uh this week sad tragic news

2006
01:27:01,760 --> 01:27:04,879
Speaker 3: to receive it definitely, Uh caught us all by surprise.

2007
01:27:04,960 --> 01:27:07,400
Speaker 3: I opened my phone and I saw that I couldn't

2008
01:27:07,439 --> 01:27:10,880
Speaker 3: believe what I was reading. Yeah, and this was a

2009
01:27:11,080 --> 01:27:14,040
Speaker 3: you know, if you never met Michael uh, he was

2010
01:27:14,080 --> 01:27:16,920
Speaker 3: one of those guys that his energy. Man, he was

2011
01:27:16,960 --> 01:27:22,880
Speaker 3: such a down to earth, humble uh, a true true

2012
01:27:23,840 --> 01:27:28,320
Speaker 3: hip hop head. His energy was just like he was

2013
01:27:28,360 --> 01:27:30,519
Speaker 3: just such a pleasure to be around.

2014
01:27:30,520 --> 01:27:30,640
Speaker 2: Man.

2015
01:27:30,680 --> 01:27:34,200
Speaker 3: If you're ever in the same room with him, he

2016
01:27:34,280 --> 01:27:35,760
Speaker 3: had this look if you you know, if you never

2017
01:27:35,800 --> 01:27:37,680
Speaker 3: met him, he had a look that may intimidate some

2018
01:27:38,000 --> 01:27:42,120
Speaker 3: but not but it didn't like it did. Yeah, Like

2019
01:27:42,160 --> 01:27:45,240
Speaker 3: his his look didn't match his personality. Like he was

2020
01:27:45,280 --> 01:27:47,640
Speaker 3: such a cool dude man, and you know, it was

2021
01:27:47,680 --> 01:27:50,519
Speaker 3: so unfortunate to hear about his passion.

2022
01:27:53,000 --> 01:27:56,320
Speaker 1: It's a small type of sentence that we say a lot.

2023
01:27:56,360 --> 01:27:58,759
Speaker 1: But you could you can catch Michael in any spot,

2024
01:27:59,120 --> 01:27:59,360
Speaker 1: and I.

2025
01:27:59,360 --> 01:28:00,920
Speaker 2: Mean anyway, I mean anyway.

2026
01:28:01,000 --> 01:28:03,960
Speaker 1: You could be at like some crazy dive bar in

2027
01:28:04,000 --> 01:28:05,000
Speaker 1: the Lower east Side.

2028
01:28:05,360 --> 01:28:07,000
Speaker 2: Anybody is that? Is that Michael K.

2029
01:28:07,040 --> 01:28:09,720
Speaker 1: Williams Because he was just that such of a down

2030
01:28:09,760 --> 01:28:11,960
Speaker 1: to earth like New Yorker. I'm not even saying with

2031
01:28:12,040 --> 01:28:14,160
Speaker 1: New York because I've seen him out in some dive

2032
01:28:14,200 --> 01:28:15,160
Speaker 1: bars in other cities.

2033
01:28:15,240 --> 01:28:17,680
Speaker 2: YEA wait, hold on, is that what like what you're

2034
01:28:17,680 --> 01:28:17,960
Speaker 2: doing here?

2035
01:28:18,160 --> 01:28:20,479
Speaker 1: He was his like he was just wanted to be

2036
01:28:20,600 --> 01:28:23,840
Speaker 1: himself and be around ship that was authentic to him,

2037
01:28:24,040 --> 01:28:28,160
Speaker 1: not what an actor is stereotypically supposed to be.

2038
01:28:28,240 --> 01:28:32,719
Speaker 3: Yeah, he wasn't. He wasn't. He wasn't the stereotypical actor.

2039
01:28:33,160 --> 01:28:35,439
Speaker 3: He didn't you know, he was. He was still one

2040
01:28:35,439 --> 01:28:37,160
Speaker 3: of the one of the home boys, you know what

2041
01:28:37,160 --> 01:28:38,640
Speaker 3: I mean. Even if you didn't know him, if you

2042
01:28:38,680 --> 01:28:40,760
Speaker 3: met him one time, you felt like you knew him

2043
01:28:40,760 --> 01:28:44,559
Speaker 3: for forever. He had this infectious energy, you know, he

2044
01:28:44,640 --> 01:28:47,800
Speaker 3: was just he loved people, He loved having real conversations.

2045
01:28:47,920 --> 01:28:50,200
Speaker 3: Even if you were a complete stranger his first time

2046
01:28:50,200 --> 01:28:52,479
Speaker 3: meeting you, he would have a real conversation with you.

2047
01:28:52,720 --> 01:28:55,720
Speaker 3: Remember the first time we met, I felt like, this

2048
01:28:55,880 --> 01:28:57,679
Speaker 3: was my boy, this was my hommie, this was exactly

2049
01:28:57,760 --> 01:28:59,160
Speaker 3: that I grew up on. Yeah, it was just like

2050
01:28:59,560 --> 01:29:02,280
Speaker 3: it was. It's crazy how just natural the conversation was.

2051
01:29:03,720 --> 01:29:05,760
Speaker 3: And it's just so unfortunate man, just to hear of

2052
01:29:05,760 --> 01:29:08,680
Speaker 3: his passion, and you know, it definitely was something that

2053
01:29:09,479 --> 01:29:13,040
Speaker 3: caught me off guard, and it hurt me deeper than

2054
01:29:13,040 --> 01:29:14,800
Speaker 3: I thought it would, honestly, Like I didn't think that,

2055
01:29:15,000 --> 01:29:17,519
Speaker 3: you know, hearing about his passion would hurt me the

2056
01:29:17,520 --> 01:29:17,920
Speaker 3: way it did.

2057
01:29:17,960 --> 01:29:19,160
Speaker 2: But that really really hurt me.

2058
01:29:20,200 --> 01:29:24,519
Speaker 3: So prayers to his family, Prayers to his friends, colleagues, uh,

2059
01:29:24,680 --> 01:29:26,760
Speaker 3: anyone that had the opportunity to meet him and that

2060
01:29:26,840 --> 01:29:29,080
Speaker 3: you know, got close to him. I know that it's

2061
01:29:29,080 --> 01:29:31,799
Speaker 3: a sad time and a hard time for for everyone,

2062
01:29:32,360 --> 01:29:35,080
Speaker 3: but you know, let's let's let's keep his his his

2063
01:29:35,120 --> 01:29:37,519
Speaker 3: spirit alive. Let's let's greet each other with the same

2064
01:29:37,640 --> 01:29:40,599
Speaker 3: energy he greeted us with. Let's uh, let's love each other.

2065
01:29:40,600 --> 01:29:42,160
Speaker 3: That was the same way he loved all of his

2066
01:29:42,160 --> 01:29:44,960
Speaker 3: friends and his family, Uh, you know, and let's let's

2067
01:29:45,000 --> 01:29:47,439
Speaker 3: have the same passion for the art. I think that's

2068
01:29:47,520 --> 01:29:48,760
Speaker 3: one thing that I take away from him. He has

2069
01:29:48,800 --> 01:29:52,320
Speaker 3: such a passion for hip hop and and house music,

2070
01:29:52,400 --> 01:29:57,240
Speaker 3: and you know, acting that he put his all into it.

2071
01:29:57,320 --> 01:29:58,760
Speaker 3: He gave it as all. He put all of his

2072
01:29:58,760 --> 01:30:01,000
Speaker 3: his his spirit and his energy into whatever he was doing.

2073
01:30:01,439 --> 01:30:03,920
Speaker 3: And I think that that's something that I can take

2074
01:30:04,000 --> 01:30:07,840
Speaker 3: from from coming into you know, conversation with him, is

2075
01:30:07,840 --> 01:30:10,360
Speaker 3: that he was just so passionate and so if he

2076
01:30:10,520 --> 01:30:12,320
Speaker 3: was doing something, he was giving it all.

2077
01:30:12,479 --> 01:30:14,040
Speaker 2: You know what I mean, He's putting us all into that.

2078
01:30:14,360 --> 01:30:15,760
Speaker 3: And that's something that I think that you know, we

2079
01:30:15,800 --> 01:30:18,360
Speaker 3: need to take from from him and his passing and

2080
01:30:18,360 --> 01:30:20,720
Speaker 3: his legacy is that to give it one hundred percent. Man,

2081
01:30:20,760 --> 01:30:23,639
Speaker 3: don't don't, don't leave nothing on the table. Go hard,

2082
01:30:24,200 --> 01:30:26,720
Speaker 3: love what you do, do what you love, and love

2083
01:30:26,760 --> 01:30:27,960
Speaker 3: one another while you're doing it.

2084
01:30:29,000 --> 01:30:29,200
Speaker 2: Yeah.

2085
01:30:29,200 --> 01:30:33,240
Speaker 1: What really fucked me up on what was that on

2086
01:30:33,479 --> 01:30:39,800
Speaker 1: Saturday Sunday Monday Sunday was over day. I was thinking

2087
01:30:39,800 --> 01:30:43,120
Speaker 1: about the times that I've been around him, and like

2088
01:30:43,160 --> 01:30:46,160
Speaker 1: you were saying, he'd be made you feel like you

2089
01:30:46,200 --> 01:30:50,519
Speaker 1: had known him forever. The moment you got to know him,

2090
01:30:50,600 --> 01:30:54,240
Speaker 1: and it kind of felt like that quality I love

2091
01:30:54,320 --> 01:30:59,000
Speaker 1: so much about him may have also been part of

2092
01:30:59,040 --> 01:31:02,400
Speaker 1: the reason of his passing like he had. When I

2093
01:31:02,400 --> 01:31:04,400
Speaker 1: say he had this certain sadness about him, I don't

2094
01:31:04,439 --> 01:31:06,320
Speaker 1: mean it in the way that you guys are probably thinking,

2095
01:31:06,360 --> 01:31:08,960
Speaker 1: but it's something I identify with. And that type of

2096
01:31:09,000 --> 01:31:13,479
Speaker 1: sadness makes you identify with any walk of life easily,

2097
01:31:14,120 --> 01:31:17,240
Speaker 1: like you could find things in people easily, just because

2098
01:31:17,320 --> 01:31:21,639
Speaker 1: your sadness makes you, I've guess more introspective. I don't

2099
01:31:21,640 --> 01:31:23,320
Speaker 1: when he's that word again, but it just makes you

2100
01:31:23,360 --> 01:31:27,200
Speaker 1: find great qualities in people because you felt so many

2101
01:31:27,240 --> 01:31:32,479
Speaker 1: shitty qualities before. And that just kept racing in my head.

2102
01:31:32,479 --> 01:31:34,160
Speaker 1: Of like that why I loved him so much may

2103
01:31:34,200 --> 01:31:37,639
Speaker 1: have been why he was, you know, in this position

2104
01:31:37,720 --> 01:31:41,720
Speaker 1: that he was fighting for his life. That just made

2105
01:31:41,760 --> 01:31:43,840
Speaker 1: me even more sad. Of why I loved him so

2106
01:31:44,000 --> 01:31:46,599
Speaker 1: much is may could have been that because he could identify,

2107
01:31:46,640 --> 01:31:48,479
Speaker 1: he could make you feel like, he could tap into

2108
01:31:48,520 --> 01:31:52,320
Speaker 1: you so easily, because he understood the human brain and

2109
01:31:52,640 --> 01:31:55,719
Speaker 1: he understood feeling so much. He had felt so much,

2110
01:31:55,800 --> 01:31:58,320
Speaker 1: then he could find anybody and find what they felt

2111
01:31:58,600 --> 01:32:01,639
Speaker 1: and connect with them, which is such a beautiful quality

2112
01:32:01,640 --> 01:32:03,719
Speaker 1: in somebody. But that's the catch twenty two of having

2113
01:32:03,760 --> 01:32:07,920
Speaker 1: that quality. You fight with yourself over it and it

2114
01:32:08,080 --> 01:32:12,200
Speaker 1: fucking sucks. Yeah that you know, he was such such

2115
01:32:12,240 --> 01:32:14,920
Speaker 1: a good dude, real cool dude, real real cool dude.

2116
01:32:14,920 --> 01:32:16,840
Speaker 3: If you never had the pleasure of meeting him, man,

2117
01:32:16,920 --> 01:32:19,480
Speaker 3: trust me when I tell you, just a solid, solid individual,

2118
01:32:20,800 --> 01:32:23,880
Speaker 3: super down to earth. Like I said, you can find

2119
01:32:23,960 --> 01:32:27,360
Speaker 3: him in the most random of spots and you know,

2120
01:32:27,479 --> 01:32:30,439
Speaker 3: literally just hanging with people, hanging with his crew. You know,

2121
01:32:30,520 --> 01:32:31,880
Speaker 3: it's his people that he loved.

2122
01:32:32,360 --> 01:32:35,599
Speaker 2: Yeah. So you know, again, prayers and condolences and rest

2123
01:32:35,600 --> 01:32:38,240
Speaker 2: in peace to Michael K. Williams. And so you're saying

2124
01:32:38,240 --> 01:32:39,280
Speaker 2: how he took his craft.

2125
01:32:41,320 --> 01:32:44,760
Speaker 1: We all know Omar was one of the greatest TV

2126
01:32:44,840 --> 01:32:45,840
Speaker 1: characters of all time.

2127
01:32:46,120 --> 01:32:46,599
Speaker 2: That was said.

2128
01:32:46,640 --> 01:32:51,040
Speaker 1: That was said well before everybody knew that. What I

2129
01:32:51,040 --> 01:32:54,240
Speaker 1: don't think a lot of people do talk about. You

2130
01:32:54,280 --> 01:32:57,920
Speaker 1: know how taboo that role would have been to take,

2131
01:32:58,160 --> 01:33:00,599
Speaker 1: especially from somebody from e He's flatbush.

2132
01:33:02,439 --> 01:33:02,880
Speaker 2: Mm hmm.

2133
01:33:03,360 --> 01:33:06,519
Speaker 1: I'm gonna be playing somebody gay and it's going to

2134
01:33:06,560 --> 01:33:09,320
Speaker 1: show up on Hammerton. It's not just going to be said,

2135
01:33:09,520 --> 01:33:14,160
Speaker 1: We're gonna show it, and for somebody that just speaks

2136
01:33:14,160 --> 01:33:18,519
Speaker 1: to Michael's character of one accepting people and it not mattering,

2137
01:33:18,840 --> 01:33:20,799
Speaker 1: and to how serious he took his craft.

2138
01:33:21,200 --> 01:33:23,120
Speaker 2: If we're gonna do this, We're we're gonna do this.

2139
01:33:23,960 --> 01:33:25,800
Speaker 1: And at a time when the wire came out, it

2140
01:33:25,920 --> 01:33:30,240
Speaker 1: wasn't the most progressive times at all. No, he's not

2141
01:33:30,280 --> 01:33:35,439
Speaker 1: probably from the most progressive place. I'm sure that neighborhood

2142
01:33:35,920 --> 01:33:39,160
Speaker 1: may have probably said something like come on, man, for sure,

2143
01:33:39,520 --> 01:33:44,960
Speaker 1: so so ahead of his time in that representing that community,

2144
01:33:45,920 --> 01:33:50,360
Speaker 1: showing how masculine that community can be, and not giving

2145
01:33:50,360 --> 01:33:55,320
Speaker 1: a fuck what who you grew up with thinks, like

2146
01:33:56,000 --> 01:33:59,240
Speaker 1: right outside of Omar, the character that part, I just

2147
01:33:59,280 --> 01:34:01,080
Speaker 1: think spoke so much much to whom Michael was as

2148
01:34:01,080 --> 01:34:04,360
Speaker 1: a person, not Omar selflessness, Like, yeah, man, I don't

2149
01:34:04,360 --> 01:34:05,519
Speaker 1: can I know who I am?

2150
01:34:05,640 --> 01:34:07,320
Speaker 2: Right? Community is fine with.

2151
01:34:07,280 --> 01:34:11,759
Speaker 1: Me, absolutely absolutely, But yeah, rest in peace, Michael Kay Williams.

2152
01:34:12,120 --> 01:34:15,320
Speaker 1: Prayers to his family, Prayers to his son, m h.

2153
01:34:16,479 --> 01:34:19,200
Speaker 1: I'm not if he has other children. I really apologize.

2154
01:34:19,240 --> 01:34:22,559
Speaker 1: I was just aware of one son, but yes, prayers to.

2155
01:34:22,560 --> 01:34:27,080
Speaker 2: His family absolutely, But yeah, I.

2156
01:34:27,000 --> 01:34:29,920
Speaker 1: Didn't mean to get sad. Really, we really liked Michael

2157
01:34:29,960 --> 01:34:30,200
Speaker 1: a lot.

2158
01:34:30,280 --> 01:34:30,360
Speaker 2: No.

2159
01:34:30,400 --> 01:34:32,040
Speaker 3: Absolutely, that was like I said, that was that was

2160
01:34:32,080 --> 01:34:34,719
Speaker 3: tough to to receive that news. And it's still tough

2161
01:34:34,720 --> 01:34:37,960
Speaker 3: to you know, to have it like really sink in

2162
01:34:38,000 --> 01:34:40,080
Speaker 3: and and and come to terms with it. Man, it's

2163
01:34:40,080 --> 01:34:45,120
Speaker 3: just you know, it's unfortunate, really really unfortunate. But in

2164
01:34:45,240 --> 01:34:48,040
Speaker 3: other news, uh, what we gotta just look forward to

2165
01:34:48,040 --> 01:34:48,519
Speaker 3: this weekend?

2166
01:34:48,720 --> 01:34:52,360
Speaker 1: Are you doing uh? Are are you hitting any fashion

2167
01:34:52,360 --> 01:34:53,000
Speaker 1: week events?

2168
01:34:53,640 --> 01:34:56,600
Speaker 3: Absolutely not. I think that fashion Week should be eliminated

2169
01:34:56,600 --> 01:34:59,519
Speaker 3: from New York. You don't think we're fashionable anymore, not that.

2170
01:34:59,479 --> 01:34:59,960
Speaker 2: We're not fast.

2171
01:35:00,280 --> 01:35:02,439
Speaker 3: I think the city is just's we just have so

2172
01:35:02,560 --> 01:35:04,559
Speaker 3: much shit going on on a regular day. We don't

2173
01:35:04,600 --> 01:35:08,240
Speaker 3: need more reasons for traffic. We don't need more reasons

2174
01:35:08,240 --> 01:35:11,160
Speaker 3: for gridlock. We don't need more reasons to not be

2175
01:35:11,160 --> 01:35:15,720
Speaker 3: able to find parking. Like it's just like enough is

2176
01:35:15,800 --> 01:35:17,720
Speaker 3: fucking enough. I just feel like fashion Week is every

2177
01:35:17,760 --> 01:35:20,439
Speaker 3: other month, this gash. Your week in New York is

2178
01:35:20,479 --> 01:35:23,360
Speaker 3: every week. Every week is fashionable shit going on on

2179
01:35:23,400 --> 01:35:26,559
Speaker 3: the sidewalks, Like when people are dressed, they look good,

2180
01:35:26,680 --> 01:35:29,320
Speaker 3: women look good, they look great. Like It's like, we

2181
01:35:29,360 --> 01:35:32,240
Speaker 3: don't need a week designated to say Hey, We're gonna

2182
01:35:32,240 --> 01:35:34,760
Speaker 3: bring all of the designers in the world and have

2183
01:35:34,880 --> 01:35:36,360
Speaker 3: them showcase their new line.

2184
01:35:36,400 --> 01:35:37,720
Speaker 2: And it's like, all right, we get it.

2185
01:35:38,080 --> 01:35:43,559
Speaker 1: New York is to me the epitome of fashion. Like

2186
01:35:43,840 --> 01:35:45,840
Speaker 1: I feel like you can't do fashion and not say

2187
01:35:45,880 --> 01:35:48,559
Speaker 1: New York. I feel like everything, Oh no, listen, look

2188
01:35:48,640 --> 01:35:50,200
Speaker 1: for your dress. I don't dress fashionable, so.

2189
01:35:51,600 --> 01:35:52,240
Speaker 2: You look great, man.

2190
01:35:52,360 --> 01:35:54,840
Speaker 1: I still feel like New York is fast. You got

2191
01:35:54,840 --> 01:35:57,400
Speaker 1: to do fashion week in New York. It all comes

2192
01:35:57,680 --> 01:35:59,680
Speaker 1: with New York to me, like, maybe do this ship

2193
01:35:59,720 --> 01:36:00,760
Speaker 1: in j is he even calls that?

2194
01:36:01,680 --> 01:36:03,479
Speaker 3: Or how do I just like put everybody on a

2195
01:36:03,479 --> 01:36:05,519
Speaker 3: big ass cruise ship and then send that ship out

2196
01:36:05,520 --> 01:36:08,640
Speaker 3: to like the Hudson River somewhere, and like, have that

2197
01:36:08,680 --> 01:36:09,240
Speaker 3: ship there.

2198
01:36:09,320 --> 01:36:11,479
Speaker 2: I think I saw this in Dark Night. Yeah, they

2199
01:36:11,479 --> 01:36:13,200
Speaker 2: have that ship. Have that ship.

2200
01:36:13,840 --> 01:36:17,320
Speaker 3: Have that ship there, right, and then like when it's done,

2201
01:36:17,360 --> 01:36:19,040
Speaker 3: everybody can dock and then like leave.

2202
01:36:19,960 --> 01:36:21,880
Speaker 1: You want to know why Rihanna's funny to me? For

2203
01:36:21,920 --> 01:36:25,559
Speaker 1: a post Rihanna has If you don't think she was

2204
01:36:25,560 --> 01:36:29,519
Speaker 1: done with music, She's now a party promoter. She posted

2205
01:36:29,600 --> 01:36:33,280
Speaker 1: a regular ass flyer on her ig that had the email.

2206
01:36:32,960 --> 01:36:34,000
Speaker 2: To RSVP.

2207
01:36:35,640 --> 01:36:38,160
Speaker 3: Who has that email. I would love this world, has it?

2208
01:36:38,520 --> 01:36:41,280
Speaker 3: You know, like who's controlling it? Like who's who's answering

2209
01:36:41,320 --> 01:36:43,120
Speaker 3: the email? There's no way that is a function of email.

2210
01:36:43,320 --> 01:36:44,080
Speaker 2: No, not at all.

2211
01:36:44,160 --> 01:36:45,479
Speaker 1: And I want to know what, Like what type of

2212
01:36:45,520 --> 01:36:47,080
Speaker 1: emails you think hit that inbox?

2213
01:36:47,400 --> 01:36:50,240
Speaker 2: Fam? Come on, do one? What do you think the

2214
01:36:50,320 --> 01:36:52,080
Speaker 2: ratio of dick pics were? Oh?

2215
01:36:52,080 --> 01:36:55,439
Speaker 1: There and there they're doings and thousands for sure, but

2216
01:36:55,520 --> 01:36:58,479
Speaker 1: how many? Let me tell you who my client is.

2217
01:36:58,720 --> 01:37:01,439
Speaker 1: Who's nobody? Email came in there?

2218
01:37:01,680 --> 01:37:03,400
Speaker 2: Come on, man? Is that real?

2219
01:37:03,479 --> 01:37:03,559
Speaker 1: Like?

2220
01:37:04,240 --> 01:37:08,360
Speaker 2: Oh yeah, it's right there. Here's the thing.

2221
01:37:08,400 --> 01:37:11,479
Speaker 1: If event, if Rihanna is planning a met Gala after

2222
01:37:11,520 --> 01:37:14,120
Speaker 1: party and says, don't plan one because she's doing one,

2223
01:37:14,680 --> 01:37:17,200
Speaker 1: I'm gonna plan one because y'all not getting in it.

2224
01:37:17,320 --> 01:37:17,960
Speaker 2: You're not getting in that.

2225
01:37:19,080 --> 01:37:20,840
Speaker 1: This is my perfect time to plan a party. You

2226
01:37:20,840 --> 01:37:23,520
Speaker 1: can get your shit off right now for sure? Absolutely

2227
01:37:23,960 --> 01:37:29,720
Speaker 1: all right, fucking Gallipaloosa. See all there, see how the Gallupaloosa.

2228
01:37:29,760 --> 01:37:33,360
Speaker 1: Let's fucking do it, man, fuck it. But I thought

2229
01:37:33,360 --> 01:37:35,559
Speaker 1: that was hysterical that she she posted this with the

2230
01:37:35,640 --> 01:37:37,360
Speaker 1: rs VP email and the time.

2231
01:37:37,200 --> 01:37:38,200
Speaker 2: And it's just private event.

2232
01:37:38,960 --> 01:37:42,160
Speaker 1: But I mean, out of the email I'll see if

2233
01:37:42,160 --> 01:37:44,360
Speaker 1: I get us a plus one. Yeah, there will reply promptly.

2234
01:37:44,400 --> 01:37:46,200
Speaker 3: Yeah, I think they'll reply to our email. I think

2235
01:37:46,240 --> 01:37:47,720
Speaker 3: if we shouldn't email and we try to get on

2236
01:37:47,720 --> 01:37:49,920
Speaker 3: the list, I think they'll I think they'll they'll respond

2237
01:37:49,960 --> 01:37:51,000
Speaker 3: to that, they'll get us in there.

2238
01:37:51,080 --> 01:37:52,559
Speaker 1: But have you ever looked at one of those like

2239
01:37:53,320 --> 01:37:57,720
Speaker 1: party email rs VP things. No, They're the funniest thing

2240
01:37:57,800 --> 01:38:01,160
Speaker 1: on planet Earth, the amount of things that the way

2241
01:38:01,200 --> 01:38:06,720
Speaker 1: people try to validate their client or themselves, Like damn,

2242
01:38:06,800 --> 01:38:10,400
Speaker 1: like yo one time, like when Cutty and Oh nine,

2243
01:38:10,439 --> 01:38:12,599
Speaker 1: I took photos of them, like they'll break down their

2244
01:38:12,600 --> 01:38:14,880
Speaker 1: resume like you have would not believe to get in

2245
01:38:15,000 --> 01:38:15,559
Speaker 1: just to get.

2246
01:38:15,360 --> 01:38:18,519
Speaker 3: Into this part of Yeah, I'm not see you know me, Rory,

2247
01:38:18,520 --> 01:38:20,280
Speaker 3: I could care less about these type of events and

2248
01:38:20,320 --> 01:38:22,439
Speaker 3: these parties and shit like that. Like I don't. I

2249
01:38:22,439 --> 01:38:24,519
Speaker 3: don't try to go. I don't try to you know,

2250
01:38:24,760 --> 01:38:27,519
Speaker 3: reach out to anybody to go. I just don't. It's

2251
01:38:27,560 --> 01:38:29,400
Speaker 3: just not something I'm into like that. So, I mean,

2252
01:38:29,400 --> 01:38:31,160
Speaker 3: I'm pretty sure it's gonna be great. I prepcire everybody's

2253
01:38:31,160 --> 01:38:35,000
Speaker 3: gonna look great. I'm sure Rihanna's gonna look amazing. But

2254
01:38:35,040 --> 01:38:37,720
Speaker 3: I could see I opened my Instagram and see what's

2255
01:38:37,760 --> 01:38:38,040
Speaker 3: going on.

2256
01:38:38,360 --> 01:38:40,120
Speaker 1: I just want to know what they The only thing

2257
01:38:40,160 --> 01:38:42,000
Speaker 1: I care about the MET Gala is what they do inside,

2258
01:38:42,000 --> 01:38:43,720
Speaker 1: because I think that's where they decide where our tax

2259
01:38:43,760 --> 01:38:48,519
Speaker 1: dollars go. I think like it's Illuminati eyes wide shut thing.

2260
01:38:48,720 --> 01:38:51,519
Speaker 1: I think there's weird orgies in there. I think the

2261
01:38:51,560 --> 01:38:55,040
Speaker 1: moment they all get in all them gowns and shit that, yeah,

2262
01:38:55,120 --> 01:38:57,080
Speaker 1: I think those are immediately gone and they're all in

2263
01:38:57,160 --> 01:38:58,880
Speaker 1: like the same knit suit.

2264
01:38:59,240 --> 01:39:00,040
Speaker 2: They don't have fun.

2265
01:39:00,120 --> 01:39:02,640
Speaker 1: Weird things over their eyes and they're all doing rituals.

2266
01:39:02,840 --> 01:39:04,719
Speaker 2: Oh so like at Kanye release party.

2267
01:39:04,840 --> 01:39:08,080
Speaker 1: Yes, I think I think Kanye finally gave us what

2268
01:39:08,120 --> 01:39:09,560
Speaker 1: happens inside the MET Gala, got you?

2269
01:39:09,680 --> 01:39:10,680
Speaker 2: Oh got it?

2270
01:39:11,320 --> 01:39:14,680
Speaker 1: I think they sacrifice a rapper in there, sacrifice the

2271
01:39:14,720 --> 01:39:17,120
Speaker 1: three thousand verse. Yeah, like check on little YACHTI after this,

2272
01:39:20,800 --> 01:39:22,639
Speaker 1: there's always and I'm not saying Yacht's this, but there's

2273
01:39:22,640 --> 01:39:26,280
Speaker 1: always like a rapper that's hot and like we're like, damn.

2274
01:39:26,360 --> 01:39:26,960
Speaker 2: They got that.

2275
01:39:27,040 --> 01:39:29,160
Speaker 1: They got that Met Gala invite off like just that

2276
01:39:29,200 --> 01:39:34,439
Speaker 1: one single and then they disappear. The comminator, Like do

2277
01:39:34,479 --> 01:39:37,559
Speaker 1: you think Designer was sacrificed. I'm not saying his physical body,

2278
01:39:38,000 --> 01:39:40,560
Speaker 1: but like his career. Do you think was like sacrifice

2279
01:39:40,560 --> 01:39:41,479
Speaker 1: that a met Gala wants.

2280
01:39:41,800 --> 01:39:43,320
Speaker 2: No, Okay, I don't think so.

2281
01:39:43,840 --> 01:39:45,800
Speaker 1: I think for all their careers to continue on, they

2282
01:39:45,840 --> 01:39:47,920
Speaker 1: have to take someone hot at the moment and sacrifice.

2283
01:39:47,960 --> 01:39:50,000
Speaker 1: It's like it's like when they drink the blood of

2284
01:39:50,080 --> 01:39:52,760
Speaker 1: unicorns to stay young forever. I think they got to

2285
01:39:52,800 --> 01:39:55,120
Speaker 1: sacrifice somebody's career at the met Galon. How they do

2286
01:39:55,200 --> 01:39:58,360
Speaker 1: it is they they put this light out as young artists, Like,

2287
01:39:58,400 --> 01:40:00,519
Speaker 1: all right, fuck, I got an invite to them that gala.

2288
01:40:01,360 --> 01:40:02,000
Speaker 2: I made it.

2289
01:40:02,640 --> 01:40:04,639
Speaker 1: No, you didn't, sir, we made it. We made You're

2290
01:40:04,640 --> 01:40:08,040
Speaker 1: gonna continue. You're gonna be some reason why we continue.

2291
01:40:10,160 --> 01:40:12,760
Speaker 2: Your career is fucking over after this.

2292
01:40:13,160 --> 01:40:15,040
Speaker 1: Yeah, there's a reason you're you're confused by. Yeah.

2293
01:40:15,040 --> 01:40:16,560
Speaker 3: No, I'm cool on these type of parties though, I

2294
01:40:16,960 --> 01:40:20,320
Speaker 3: get it. Everybody dresses up, looks great. But like I said,

2295
01:40:20,320 --> 01:40:22,120
Speaker 3: once you got Instagram, you open Instagram, you can see

2296
01:40:22,120 --> 01:40:23,519
Speaker 3: what's going on. You don't need to be there.

2297
01:40:24,680 --> 01:40:27,680
Speaker 1: All right, wait, wait till we get invited and they

2298
01:40:27,680 --> 01:40:29,240
Speaker 1: try to sacrifice our podcast career.

2299
01:40:30,640 --> 01:40:35,000
Speaker 2: Have fun. Yeah, so that's about it. This weekend, I'm

2300
01:40:35,000 --> 01:40:36,080
Speaker 2: not I don't have any plans.

2301
01:40:36,320 --> 01:40:39,400
Speaker 1: I'll be at biggies that night. I'll be on Clinton.

2302
01:40:39,400 --> 01:40:41,000
Speaker 3: I still have never been there. I gotta go. I

2303
01:40:41,040 --> 01:40:42,800
Speaker 3: gotta get I gotta stop by there. I gotta see

2304
01:40:42,840 --> 01:40:46,280
Speaker 3: how it is. I see a lot of people frequent

2305
01:40:46,360 --> 01:40:48,640
Speaker 3: that place a lot. I gotta check it out. I

2306
01:40:48,760 --> 01:40:50,320
Speaker 3: just like to see the little cool everyone.

2307
01:40:51,000 --> 01:40:52,880
Speaker 2: It's nice. Yeah, I gotta check it out. And where

2308
01:40:52,880 --> 01:40:54,599
Speaker 2: would you want? You don't have to wear a gown

2309
01:40:54,760 --> 01:40:55,400
Speaker 2: my type of ship.

2310
01:40:56,240 --> 01:40:56,439
Speaker 5: Uh.

2311
01:40:57,160 --> 01:41:00,519
Speaker 2: Any plans this weekend? No, I don't think so. Yeah,

2312
01:41:00,560 --> 01:41:02,679
Speaker 2: I think so though. Yeah, No, no plans. Uh.

2313
01:41:03,200 --> 01:41:05,120
Speaker 3: NFL season is back. I don't know if you're into

2314
01:41:05,160 --> 01:41:06,479
Speaker 3: a fantasy football.

2315
01:41:07,200 --> 01:41:09,920
Speaker 1: I am, but I was kicked out of every league

2316
01:41:10,200 --> 01:41:12,880
Speaker 1: the past two years, so I gotta find new friends.

2317
01:41:13,000 --> 01:41:14,840
Speaker 3: Yeah, I think I think I'm gonna try to follow

2318
01:41:15,240 --> 01:41:17,679
Speaker 3: the NFL again. I started a little bit the last

2319
01:41:18,200 --> 01:41:18,679
Speaker 3: two years.

2320
01:41:18,680 --> 01:41:20,200
Speaker 1: Maybe look at how look at how he turned your

2321
01:41:20,240 --> 01:41:21,080
Speaker 1: back on Caps.

2322
01:41:21,400 --> 01:41:24,519
Speaker 3: I mean Cap he signed a deal for me to

2323
01:41:24,600 --> 01:41:26,120
Speaker 3: do like I was riding with him as long as

2324
01:41:26,160 --> 01:41:29,000
Speaker 3: he Yeah, but I mean the cause is kind of.

2325
01:41:28,920 --> 01:41:30,600
Speaker 2: Like, yeah, he took a track and the fuck it

2326
01:41:30,840 --> 01:41:32,240
Speaker 2: you know what I mean, It is what it is.

2327
01:41:32,439 --> 01:41:35,439
Speaker 3: Still still still a huge Cat fan, but I'm I'm

2328
01:41:35,439 --> 01:41:38,559
Speaker 3: gonna try to get back into football. Go Buccaneers, Go Brady.

2329
01:41:38,840 --> 01:41:40,439
Speaker 3: That's all I know. I'm still a Brady fan. So

2330
01:41:41,800 --> 01:41:45,080
Speaker 3: it is what it is. Uh Baby keen Alvin Tomorrow. Yeah,

2331
01:41:45,160 --> 01:41:49,160
Speaker 3: baby became Ari's uh new single Pressure single. You had

2332
01:41:49,160 --> 01:41:50,719
Speaker 3: a chance to hear it when I was in Atlanta.

2333
01:41:51,400 --> 01:41:54,800
Speaker 3: JD played it for me real dope. I like, sounds

2334
01:41:54,840 --> 01:41:56,439
Speaker 3: really really good. Album is really really good.

2335
01:41:56,720 --> 01:41:58,720
Speaker 2: Now we have some of Walker's album is the one

2336
01:41:58,720 --> 01:42:00,400
Speaker 2: we're looking forward to now, right, But I think we're

2337
01:42:00,439 --> 01:42:03,880
Speaker 2: gonna get Ari in summer around the same time, I hope.

2338
01:42:03,920 --> 01:42:06,240
Speaker 2: So is there a bee festering? Of course not. They

2339
01:42:06,280 --> 01:42:06,800
Speaker 2: love each other.

2340
01:42:06,840 --> 01:42:10,080
Speaker 3: Okay, I was trying to start some bullshit. Yeah, So

2341
01:42:10,080 --> 01:42:12,720
Speaker 3: I'm looking forward to Ari's single Pressure. I loved it.

2342
01:42:13,600 --> 01:42:16,000
Speaker 3: I'm looking forward to Summer's album. I think album is.

2343
01:42:16,640 --> 01:42:18,960
Speaker 3: You know people are gonna love it. It's from what

2344
01:42:19,000 --> 01:42:21,400
Speaker 3: I heard, is again easily one of the best R

2345
01:42:21,439 --> 01:42:26,280
Speaker 3: and B albums in the last haven't many years. Yeah, man,

2346
01:42:26,320 --> 01:42:27,640
Speaker 3: but no plans this weekend.

2347
01:42:27,680 --> 01:42:29,840
Speaker 1: UH twentieth anniversary nine to eleven.

2348
01:42:30,560 --> 01:42:33,800
Speaker 3: Yeah, sort of watched the documentary on Netflix about it.

2349
01:42:34,360 --> 01:42:35,960
Speaker 3: The documentary was fucking crazy.

2350
01:42:36,040 --> 01:42:38,120
Speaker 1: Twenty years That's that's fucking crazy.

2351
01:42:38,160 --> 01:42:41,320
Speaker 2: Did you watch Clickbait? I'm gonna started this weekend. That's

2352
01:42:41,360 --> 01:42:42,200
Speaker 2: actually my weekend plans.

2353
01:42:42,280 --> 01:42:42,439
Speaker 1: Yeah.

2354
01:42:42,439 --> 01:42:45,280
Speaker 2: I watched. I watched the first five episodes that Shit

2355
01:42:45,400 --> 01:42:46,040
Speaker 2: Is Fired. Yeah.

2356
01:42:46,080 --> 01:42:47,439
Speaker 1: I watched Into Chases in It right.

2357
01:42:47,840 --> 01:42:49,920
Speaker 2: Yeah. I watched the first five episodes. Really good.

2358
01:42:49,960 --> 01:42:51,760
Speaker 1: Good to see Vince Fince's back on really good.

2359
01:42:51,800 --> 01:42:54,080
Speaker 2: Thanks Green. I watched.

2360
01:42:54,320 --> 01:42:58,759
Speaker 3: I finished Godfather Harlem the second season. Great, great season.

2361
01:42:59,479 --> 01:43:02,720
Speaker 2: Uh? What else did I finish? Over the weekend?

2362
01:43:04,000 --> 01:43:05,880
Speaker 1: I watched Worth What You Had to Do with nine eleven.

2363
01:43:07,040 --> 01:43:08,880
Speaker 1: It was about the story of the lawyer that had

2364
01:43:08,920 --> 01:43:11,759
Speaker 1: to negotiate, if you will, all the settlements for everyone

2365
01:43:11,760 --> 01:43:12,719
Speaker 1: that lost the family member.

2366
01:43:12,960 --> 01:43:17,679
Speaker 2: Okay in the nine eleven attacks. It was interesting. Okay,

2367
01:43:17,880 --> 01:43:18,439
Speaker 2: it was interesting.

2368
01:43:18,479 --> 01:43:21,120
Speaker 1: You gotta sit, like, don't look for action, you gotta

2369
01:43:21,160 --> 01:43:24,320
Speaker 1: sit and like like dialogue and like lawyer stuff.

2370
01:43:24,600 --> 01:43:26,519
Speaker 3: Yo, the the the older I get, you know, and

2371
01:43:26,560 --> 01:43:29,720
Speaker 3: watching the nine to eleven doc uh, it's crazy that

2372
01:43:29,760 --> 01:43:32,760
Speaker 3: we lived through that, Like and watching that ship on

2373
01:43:32,800 --> 01:43:36,759
Speaker 3: the in the documentary and remembering, you know, being awake

2374
01:43:36,840 --> 01:43:39,120
Speaker 3: and watching the news and watching all that shit happened,

2375
01:43:39,160 --> 01:43:41,800
Speaker 3: and then watching the whole city was just like the

2376
01:43:41,960 --> 01:43:44,040
Speaker 3: uptown was a dead zone that with no cops, there

2377
01:43:44,080 --> 01:43:46,920
Speaker 3: was nothing. Everything was closed, all stores were shut down,

2378
01:43:47,080 --> 01:43:50,400
Speaker 3: and it's just crazy to see that again, like all

2379
01:43:50,400 --> 01:43:52,600
Speaker 3: the footage and know that you lived through that, to

2380
01:43:52,600 --> 01:43:55,200
Speaker 3: see those buildings fall, and to see you know, the

2381
01:43:55,240 --> 01:43:58,040
Speaker 3: aftermath and the clean up and every you know, the

2382
01:43:58,080 --> 01:43:59,320
Speaker 3: work is down there trying.

2383
01:43:59,080 --> 01:44:02,760
Speaker 2: To sort through all of that rubble and debris.

2384
01:44:02,280 --> 01:44:05,360
Speaker 3: And all of that, trying to find human remains, and

2385
01:44:05,640 --> 01:44:07,800
Speaker 3: it's just crazy to watch that shit and realize, like,

2386
01:44:08,000 --> 01:44:12,040
Speaker 3: this wasn't a movie. This was something that happened right

2387
01:44:12,040 --> 01:44:14,280
Speaker 3: down the block from here, you know what I'm saying, Like, yeah,

2388
01:44:14,280 --> 01:44:17,400
Speaker 3: it's like it's fucking insane. But you know, if you

2389
01:44:17,400 --> 01:44:19,240
Speaker 3: get a chance to watch it again, you know, watch

2390
01:44:19,280 --> 01:44:21,679
Speaker 3: the document nine to eleven. Like you said, the twenty

2391
01:44:21,720 --> 01:44:25,000
Speaker 3: year anniversary, it's hard to even fathom watching I don't

2392
01:44:25,000 --> 01:44:27,000
Speaker 3: even like calling it an anniversary because it's not something

2393
01:44:27,000 --> 01:44:27,799
Speaker 3: you're want to celebrate.

2394
01:44:27,880 --> 01:44:29,599
Speaker 2: Yeah, but it's you know, it happened.

2395
01:44:30,320 --> 01:44:32,280
Speaker 3: So Prayers to the families that were affected by that,

2396
01:44:32,320 --> 01:44:34,680
Speaker 3: Prayers to everyone that was affected by that, Yeah, and

2397
01:44:35,600 --> 01:44:38,000
Speaker 3: all in New York City, New York City, tri State,

2398
01:44:38,000 --> 01:44:40,519
Speaker 3: anybody around the world, because there was other events in DC,

2399
01:44:40,680 --> 01:44:44,160
Speaker 3: Depentagon and the crash in Pennsylvania, so it was other

2400
01:44:44,320 --> 01:44:46,280
Speaker 3: pieces pieces of the world that were affected by that

2401
01:44:46,320 --> 01:44:48,800
Speaker 3: as well. But yeah, if you get a chance to

2402
01:44:48,800 --> 01:44:52,320
Speaker 3: watch that, yeah, make sure you watch Clickbait because I like,

2403
01:44:52,479 --> 01:44:53,599
Speaker 3: I want to talk about it next week.

2404
01:44:53,600 --> 01:44:55,880
Speaker 2: We started this weekend, especially Vincent chasing it.

2405
01:44:55,920 --> 01:44:57,880
Speaker 3: I'm cool, all right, man, I'm gonna go and take

2406
01:44:57,960 --> 01:45:00,400
Speaker 3: fill myself over some black seed oil and a whole

2407
01:45:00,400 --> 01:45:03,280
Speaker 3: bunch of other herbs and ship over the weekend man,

2408
01:45:03,360 --> 01:45:06,200
Speaker 3: and try to get right. Please cut these fucking a

2409
01:45:06,320 --> 01:45:09,200
Speaker 3: c's off. The summer is over. The summer was fucking terrible.

2410
01:45:09,439 --> 01:45:12,160
Speaker 3: I'm on record saying this. The summer was trash. I

2411
01:45:12,160 --> 01:45:14,280
Speaker 3: don't give a fuck with anybody else thinks this summer

2412
01:45:14,400 --> 01:45:15,000
Speaker 3: was terrible.

2413
01:45:15,160 --> 01:45:17,680
Speaker 2: That might have been worse than the quarantines. This was.

2414
01:45:17,720 --> 01:45:19,160
Speaker 2: This summer was fucking terrible.

2415
01:45:19,200 --> 01:45:21,280
Speaker 1: But I don't care. Falls Here my favorite season, soah

2416
01:45:21,439 --> 01:45:22,120
Speaker 1: falls here to.

2417
01:45:22,080 --> 01:45:24,720
Speaker 3: They turn those fucking acs off, all these restaurants turn

2418
01:45:24,760 --> 01:45:25,599
Speaker 3: the AC off.

2419
01:45:25,640 --> 01:45:26,280
Speaker 2: You're killing me.

2420
01:45:26,920 --> 01:45:28,880
Speaker 3: I fucking hate it. And now I gotta go fucking

2421
01:45:28,920 --> 01:45:31,600
Speaker 3: docting myself back to one hundred percent. But we'll be

2422
01:45:31,640 --> 01:45:33,920
Speaker 3: back next week. That's the ginger bit, man. I'm all

2423
01:45:34,160 --> 01:45:34,920
Speaker 3: y'all be safe.

2424
01:45:39,200 --> 01:45:40,799
Speaker 2: No Wolli and nond