WEBVTT - OMG: It's Not You It's Me

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<v Speaker 1>It's nine O gene one a lungein with Jenny Garth

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<v Speaker 1>and Tory spelling. You guys, guess what's happening today. I'm

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<v Speaker 1>having just a leisurely lunch with Barbara Eden.

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<v Speaker 2>You're having lunch with Barbara Eden, just like casual.

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<v Speaker 1>Yeah, I invited her lunch.

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<v Speaker 2>She's coming to your house.

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<v Speaker 1>No, we're gonna meet at the Beverly Glinton.

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<v Speaker 2>Now I feel like she doesn't drive. I think she

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<v Speaker 2>has a driver. Oh first, because she's like ninety what now, how.

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<v Speaker 1>I'm fifty three and I don't drive?

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<v Speaker 2>First of all? You drive? Is Barbara Eden now ninety five?

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<v Speaker 2>Or and she looks amazing?

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<v Speaker 1>She told us she was turning ninety five, But are

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<v Speaker 1>things said she was turning ninety.

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<v Speaker 2>She's ninety four. She'll turn ninety five in August. But

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<v Speaker 2>I noticed that, like people like my dad's eighty two,

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<v Speaker 2>but he says eighty three because he's going to be

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<v Speaker 2>eighty three in November, and he likes to, you know,

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<v Speaker 2>say it. Now I feel I think they're so stoked

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<v Speaker 2>about it now because they're.

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<v Speaker 1>Like, I'm all done, No, what's the.

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<v Speaker 2>Because they can like brag about it.

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<v Speaker 1>Oh yeah, yeah, yeah, yeah, maybe I don't know what

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<v Speaker 1>it's gonna be like for us. I'm curious. I can't

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<v Speaker 1>wait time.

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<v Speaker 2>My god, I don't like the zero ones like fifty,

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<v Speaker 2>but I don't mind the fifty one. But I feel

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<v Speaker 2>like I'm gonna be weird about by fifty two.

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<v Speaker 1>Fifty two fifty two is a little weird. Yeah, I'm

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<v Speaker 1>not gonna lie.

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<v Speaker 2>Won't be the exact same? Are you fifty two? Right now?

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<v Speaker 1>I'm fifty three?

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<v Speaker 2>What'd you get older than?

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<v Speaker 1>I'm seventy two in nineteen seventy two, I'm seventy four?

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<v Speaker 2>Wait? Wait serious?

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<v Speaker 1>Your two years?

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<v Speaker 2>Yea, I'm two grades below you. I think I'm high

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<v Speaker 2>school ninety two in your high school ninety I'm.

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<v Speaker 1>The oldest lady on this zoom.

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<v Speaker 2>First of all, I don't want to look. I know

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<v Speaker 2>people are going to be mad. I know they're going

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<v Speaker 2>to be mad, But I have to say it. What

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<v Speaker 2>I just have to what Valerie isn't a friend? What

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<v Speaker 2>she is not a friend?

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<v Speaker 1>Was that ever up for question?

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<v Speaker 2>Yes, because people get so mad every time I say

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<v Speaker 2>it on the comments. But I'm like, I need to

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<v Speaker 2>understand why now I'm not saying I don't like her

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<v Speaker 2>in the show, right, I'm saying that. Yes, I'm just

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<v Speaker 2>saying she's not a friend. She's very like yeah, and like,

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<v Speaker 2>I don't even think she's Tracy's friend per se. She

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<v Speaker 2>says she's doing this for Tray.

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<v Speaker 1>Is she doing it for Tracy her new bff? Or

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<v Speaker 1>she doing it for Brandon whom she loves because she's

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<v Speaker 1>She says, I'm not even doing this for whatever. I'm

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<v Speaker 1>doing this for you.

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<v Speaker 2>She's not. She's doing it to prove that you're You're bad, Kelly.

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<v Speaker 1>Boy. She's gonna have to keep proving that for a

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<v Speaker 1>long time. Never gone.

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<v Speaker 2>Mike dropped it at the end. Dude, you really might

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<v Speaker 2>dropped it.

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<v Speaker 1>Oh, Mike drop Okay, So it's just Amy and I

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<v Speaker 1>for now until maybe Terrible join us. I don't know.

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<v Speaker 2>Yeah, she's having some sort of like technical issues.

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<v Speaker 1>We are talking about Season seven, episode twenty six, The

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<v Speaker 1>Long Goodbye, aired April eighteenth, nineteen ninety seven.

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<v Speaker 2>Brandon leaves Tracy brokenhearted when he gives her the old

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<v Speaker 2>it's not you, It's me speech. I have so many

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<v Speaker 2>thoughts about this. Kelly's loyalty is questioned when she falls

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<v Speaker 2>for valerie sneaky scheme. Some of my thoughts. Donna assumes

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<v Speaker 2>the worst. This was juicy when she spots her mom

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<v Speaker 2>Felie with a former wing the flashback was iconic. Meanwhile,

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<v Speaker 2>at the CU Talent Show, Steve is out of character

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<v Speaker 2>and Clear is out of tune. A ten. By the way,

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<v Speaker 2>this episode is a ten. I have to tell you.

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<v Speaker 1>Okay, wait wait. It was directed by Les Sheldon, written

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<v Speaker 1>by Ken Stringer, who was our first idea, I think,

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<v Speaker 1>and now he's writing scripts.

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<v Speaker 2>That's oh wow, wow, okay. Who sends a telegram?

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<v Speaker 1>By the way, is it what is it night? Is

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<v Speaker 1>it eighteen hundreds?

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<v Speaker 2>What's do you know? The only other telegram moment I

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<v Speaker 2>know is in Back to the Future three, because or no,

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<v Speaker 2>it's in Back to the Future two. So Marty McFly

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<v Speaker 2>gets left behind and Doc has gone back to the

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<v Speaker 2>Old West, and the only way he could communicate Kate

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<v Speaker 2>is by sending a telegram whatever some company that's real,

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<v Speaker 2>like Efficient Western Union, Thank you EasTone.

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<v Speaker 1>He's like, is that how you knew you got a telegram?

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<v Speaker 2>I've never received a telegram in my entire life.

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<v Speaker 1>Have you I feel like I have? Yeah, I'm going

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<v Speaker 1>to take myself. I'm older than you by two years.

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<v Speaker 1>We've just determined that. And I think I have gotten

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<v Speaker 1>a telegram.

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<v Speaker 2>Who sent it? What? It's just totally bananas.

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<v Speaker 1>A little man in a yellow suit brought.

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<v Speaker 2>It Western Union. But but what was in it a message?

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<v Speaker 2>First of all, we had phones in nineteen ninety seven.

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<v Speaker 2>We had cell phones. Dylan could have sent called your

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<v Speaker 2>cell phone, which is a whole other topic I want

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<v Speaker 2>to talk about. We had email, like this is when

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<v Speaker 2>I was getting email and I was late to the

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<v Speaker 2>email party.

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<v Speaker 1>Okay, But if you were Val, since this all came

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<v Speaker 1>from Val, this whole telegram meet me at the airport.

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<v Speaker 1>Don't tell anyone, love Dylan. If you were Vow, would

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<v Speaker 1>you be like, how can I make this work? I could, okay,

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<v Speaker 1>get a I could get a telegram from New York

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<v Speaker 1>City from my friend. They'll say that wack.

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<v Speaker 2>How does she come up with this?

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<v Speaker 1>Like, I you know what I I think sometimes like

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<v Speaker 1>I'm there's I don't have enough it left over at

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<v Speaker 1>the end of the day to be conniving or manipulative

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<v Speaker 1>because that sounds exhausting.

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<v Speaker 2>Beyond she had to like put so much crazy thought

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<v Speaker 2>into that. Here's the other thing. I love the back.

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<v Speaker 2>I'll call him not a background actor because he had

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<v Speaker 2>lines the telegram delivery guy who told you you signed

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<v Speaker 2>it in the wrong place? Why did he ad live that?

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<v Speaker 2>Like did he?

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<v Speaker 1>I gotta roll back to that. I want to I

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<v Speaker 1>want to see that. Can you show me who that

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<v Speaker 1>guy was all rae.

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<v Speaker 2>Because I love it. He's like, sign here, ma'am and

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<v Speaker 2>then you signed and he goes wrong spot and I'm like,

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<v Speaker 2>I think that guy adlind that.

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<v Speaker 1>That's why I'm thinking he must maybe been part of

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<v Speaker 1>the crew or something that they were like give him

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<v Speaker 1>one more, get him in the gilt.

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<v Speaker 2>Something, because that was noticeably odd. Although I signed that

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<v Speaker 2>stuff in the wrong place all the time, so it

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<v Speaker 2>was good acting. First of all, if you got the

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<v Speaker 2>telegram immediately, I'd be like this is so sussy, Like

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<v Speaker 2>what this is just sus Yeah, why would she be

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<v Speaker 2>like a telegram?

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<v Speaker 1>Let me just call him?

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<v Speaker 2>So can we talk about the fact that like Dylan

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<v Speaker 2>is not like he could be calling them all the time,

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<v Speaker 2>Like why are y' all not staying in touch with him?

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<v Speaker 1>Because he's he's gone and has a new life with Brenda.

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<v Speaker 1>Remember that we found out they were together in the

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<v Speaker 1>but they.

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<v Speaker 2>Have cell phones. People communicate. So that's a little bit

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<v Speaker 2>of a plot hole for me.

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<v Speaker 1>You well, her scheme, you didn't buy it.

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<v Speaker 2>No, No, first of all, that's a whole nother chapter.

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<v Speaker 2>But just the fact that, like Dylan isn't just staying

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<v Speaker 2>in touch. Was there texting in nineteen ninety seven? I

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<v Speaker 2>think not quite yet. I think we only had cell phone.

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<v Speaker 1>We could have gone into a chat room with I think.

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<v Speaker 2>Because even if Dylan is with Brenda, Brenda is communicating

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<v Speaker 2>with her parents. We know she has Mono.

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<v Speaker 1>Yeah, where's he? If she has Mono and they're together,

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<v Speaker 1>why isn't he taking care of.

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<v Speaker 2>I don't think. I don't think they're together. I don't

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<v Speaker 2>think we're supposed to think they're together.

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<v Speaker 1>Isn't there an episode where it was literally said that

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<v Speaker 1>Dylan and Brenda were living a happy life together something. Yes, Europe,

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<v Speaker 1>they have kids, I'm pretty sure. I don't know.

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<v Speaker 2>Now he's in New York City, so anyway, I just

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<v Speaker 2>immediately was like the reddest red flag ever.

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<v Speaker 1>But anyway, AnyWho, I do think that this was still

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<v Speaker 1>a really good episode.

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<v Speaker 2>I don't know why I am Brandon at the payphone

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<v Speaker 2>hiding when you're at the airport.

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<v Speaker 1>I mean, yeah, that's hiding.

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<v Speaker 2>I'm hiding. I'm surprised to have h a hat and

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<v Speaker 2>glasses on.

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<v Speaker 1>We're major Leanda starting to hide the bump for sure.

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<v Speaker 2>Oh my god, I keep forgetting to notice.

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<v Speaker 1>First scene of Kelly at the like, whatever this talent show,

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<v Speaker 1>game show? What are they doing?

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<v Speaker 2>What is this talent It's some like sorority Pandeltic talent.

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<v Speaker 1>Show or anything. It looks kind of fun, but not

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<v Speaker 1>fun at all.

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<v Speaker 2>I think it's just the Kegs and they again Malfa

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<v Speaker 2>Alpha big mud pie.

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<v Speaker 1>I don't know, Delta, Delta, Delta, Can I help you?

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<v Speaker 1>Help you? Help you? Is that it?

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<v Speaker 2>Yeah? And then it's try delta. Which delta would you

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<v Speaker 2>like to try? I don't think.

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<v Speaker 1>Oh my god, can you imagine.

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<v Speaker 2>Cried Out's still a good house. There's no Alpha Alfalfa

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<v Speaker 2>or Keg by the way.

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<v Speaker 1>Of Alfalfa, that's my sorority. Okay, anyways, what were we saying?

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<v Speaker 2>The talent show?

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<v Speaker 1>And she's so right. When you see Kelly for the

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<v Speaker 1>very first time, she's like directing people around. There's like, yeah,

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<v Speaker 1>a rolling cart of clothing. Then you see a little

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<v Speaker 1>bit of her and then there's a piano right to

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<v Speaker 1>her little midsection, so I'm definitely seeing her headed then

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<v Speaker 1>she has just like.

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<v Speaker 2>You know, you timed the pregnancy. Well, I just realized

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<v Speaker 2>because you didn't you took maternity leave in the summer.

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<v Speaker 2>I guess you never missed an episode.

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<v Speaker 1>I feel like I had the baby while they were

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<v Speaker 1>on Hawaii vacation.

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<v Speaker 2>Oh did you not go to this Hawaii thing or something?

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<v Speaker 1>Yes, they went. I was having a baby when they

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<v Speaker 1>were in Hawaii, so I didn't go to Hawaii, but I.

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<v Speaker 2>Got a baby. Nice. Yeah, but you don't really miss much.

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<v Speaker 1>No. I think I only stayed out for a month

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<v Speaker 1>with the baby and then we started back to work.

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<v Speaker 2>At first I thought this episode was on Paramount Plus,

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<v Speaker 2>which it isn't, but I thought it was. And then

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<v Speaker 2>I just got kind of like went down the rabbit

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<v Speaker 2>hole of looking what's coming.

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<v Speaker 1>You are naughty. You're not supposed to do that.

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<v Speaker 2>Cherokey does jumpy. I'm not gonna jumping over the sharkey.

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<v Speaker 2>No later, not yet, not yet.

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<v Speaker 1>But I felt I felt as if I started because

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<v Speaker 1>you know, I disagree with you. I felt as if

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<v Speaker 1>last week, I think it was a week you weren't

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<v Speaker 1>with us. I felt it was happening, but I didn't.

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<v Speaker 1>I wouldn't admit it.

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<v Speaker 2>Yeah, I know you guys won't. You'll never admit it,

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<v Speaker 2>but I will, she will. And it's not the whole thing.

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<v Speaker 2>There's just little little bit of Fonsie on the water seas.

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<v Speaker 1>Just in the jacket. Uh huh.

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<v Speaker 2>And first of all, look, this was a good Claire

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<v Speaker 2>moment because at least like, yeah, we saw something lovely.

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<v Speaker 2>Oh yeah. Everyone wants us to mention the reason this

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<v Speaker 2>isn't on streaming is because of the Linda Ronstadt song. Obviously,

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<v Speaker 2>Oh my gosh, that one was pretty obviously, so.

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<v Speaker 1>If you did watch it, you got to hear Kathleen

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<v Speaker 1>Claire seeing yeah, devoted to you by Linda Ronstat.

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<v Speaker 2>It's not I didn't know that Linda Ron's stout song.

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<v Speaker 1>No, but this is the thing that happened to me.

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<v Speaker 1>I loved it so much that I bought that CD.

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<v Speaker 1>Nice and then that is the CD that I put

0:11:03.240 --> 0:11:07.600
<v Speaker 1>my kids to sleep for the no entirety of their childhoods.

0:11:07.200 --> 0:11:10.440
<v Speaker 2>Oh my god, inspired by your pregnancy during this episode?

0:11:10.520 --> 0:11:13.560
<v Speaker 1>Yes, yes see, I like two.

0:11:13.360 --> 0:11:14.880
<v Speaker 2>Other Linda Ronstat songs.

0:11:14.880 --> 0:11:18.640
<v Speaker 1>Better you know good, you know good, you know good?

0:11:18.720 --> 0:11:20.360
<v Speaker 2>That's like, and then I like the one that says

0:11:21.360 --> 0:11:26.160
<v Speaker 2>I'm gonna love you for the long, long time. You

0:11:26.200 --> 0:11:28.360
<v Speaker 2>know that one? I am not Linda Ron's stuff.

0:11:28.600 --> 0:11:29.480
<v Speaker 1>What about Blue Bayou?

0:11:30.440 --> 0:11:31.680
<v Speaker 2>That's only a medium for me?

0:11:31.880 --> 0:11:34.599
<v Speaker 1>Okay, well, I just love that? Is it? Am I

0:11:34.640 --> 0:11:36.520
<v Speaker 1>saying it right? I love that CD? Or can I

0:11:36.520 --> 0:11:37.400
<v Speaker 1>say album?

0:11:37.920 --> 0:11:40.160
<v Speaker 2>You can say album, but it is CD during this era,

0:11:40.280 --> 0:11:42.600
<v Speaker 2>but album is always fine. I think people still call

0:11:42.640 --> 0:11:46.320
<v Speaker 2>it albums now the Jonas Brothers have a new album.

0:11:46.440 --> 0:11:47.360
<v Speaker 2>I feel like you say that.

0:11:47.559 --> 0:11:50.439
<v Speaker 1>Yeah, I guess so, well, whatever it was, I fell

0:11:50.480 --> 0:11:52.840
<v Speaker 1>in love with her music, and it's just.

0:11:52.760 --> 0:11:54.480
<v Speaker 2>Because I kind of knew she wasn't going to be

0:11:54.520 --> 0:11:54.960
<v Speaker 2>so bad.

0:11:55.280 --> 0:11:59.200
<v Speaker 1>I know at first she was really squeaky. Yeah, so

0:11:59.240 --> 0:12:01.160
<v Speaker 1>it was just like, so good job to her for

0:12:01.280 --> 0:12:02.440
<v Speaker 1>acting like a bad singer.

0:12:03.559 --> 0:12:06.360
<v Speaker 2>Yeah, I know, because that's like, really, have you tried that?

0:12:06.520 --> 0:12:08.560
<v Speaker 1>It's actually not that hard? Can you try it right now?

0:12:09.880 --> 0:12:10.320
<v Speaker 1>You seeing?

0:12:12.920 --> 0:12:17.200
<v Speaker 2>I know, I don't know, but I can't remember the lyrics. Yeah,

0:12:17.240 --> 0:12:18.200
<v Speaker 2>that's a hard song.

0:12:18.240 --> 0:12:20.760
<v Speaker 1>By this This is a completely different song. But this

0:12:20.800 --> 0:12:23.439
<v Speaker 1>is what I got. Oh Blissie devoted.

0:12:23.960 --> 0:12:24.640
<v Speaker 2>I kept wanting it.

0:12:26.920 --> 0:12:27.400
<v Speaker 1>Is that bad?

0:12:27.960 --> 0:12:29.520
<v Speaker 2>No, that was pretty bad? You sound like a little

0:12:29.559 --> 0:12:30.200
<v Speaker 2>bit of a hound dog.

0:12:30.520 --> 0:12:34.880
<v Speaker 1>Well that's mine, spose, so I trained with a hound dog.

0:12:34.920 --> 0:12:37.640
<v Speaker 2>Actually, I just like play through the whole talent show, okay,

0:12:37.679 --> 0:12:40.160
<v Speaker 2>because even though they sort of gave Steve and Claire

0:12:40.280 --> 0:12:45.200
<v Speaker 2>something to do, it's still the same, same, the same thing.

0:12:45.400 --> 0:12:47.959
<v Speaker 2>Steve's trying to be nice and he doesn't want to

0:12:47.960 --> 0:12:50.680
<v Speaker 2>tell her the truth and she's sort of like eh.

0:12:50.679 --> 0:12:53.320
<v Speaker 2>And then they do bring the mother in, which I like,

0:12:53.760 --> 0:12:56.040
<v Speaker 2>but we we've had that trope the same. I don't

0:12:56.040 --> 0:12:58.040
<v Speaker 2>want to call it a trope same. I don't want

0:12:58.080 --> 0:12:59.839
<v Speaker 2>to say tropecus it is her mother and bless her,

0:12:59.840 --> 0:13:02.760
<v Speaker 2>but it's like it's just the same. They just cannot

0:13:02.800 --> 0:13:05.280
<v Speaker 2>find anything for these people to do. I feel like

0:13:05.280 --> 0:13:08.080
<v Speaker 2>we've seen Steve dressed as a woman before.

0:13:09.000 --> 0:13:14.440
<v Speaker 1>Have we seen Donna dressed as a Canadian frontierman? I

0:13:14.440 --> 0:13:15.800
<v Speaker 1>don't recall that.

0:13:16.240 --> 0:13:18.760
<v Speaker 2>The jugglers juggling the pins.

0:13:19.280 --> 0:13:22.440
<v Speaker 1>It was a really lame show. My god, it's a

0:13:22.600 --> 0:13:25.319
<v Speaker 1>terrible talent show. No offense you guys, but.

0:13:26.880 --> 0:13:30.079
<v Speaker 2>Oh boy. And then like you come in late and

0:13:30.200 --> 0:13:33.160
<v Speaker 2>Valerie has that snark where she's like where were you?

0:13:33.240 --> 0:13:35.320
<v Speaker 2>And you're like, I didn't meet someone but none of.

0:13:35.320 --> 0:13:39.360
<v Speaker 1>Your business, like mind your own bees wax.

0:13:39.160 --> 0:13:43.920
<v Speaker 2>Because Brandon let her live with him when she's totally

0:13:44.000 --> 0:13:45.480
<v Speaker 2>out to get everybody.

0:13:45.840 --> 0:13:48.520
<v Speaker 1>No, But does now Brandon think at the end that

0:13:48.600 --> 0:13:51.760
<v Speaker 1>he was she was no right because she was wrong?

0:13:52.480 --> 0:13:54.080
<v Speaker 1>Even I thought that was going to be the last

0:13:54.160 --> 0:13:56.760
<v Speaker 1>scene where she comes into his room and he's laying

0:13:56.760 --> 0:14:00.400
<v Speaker 1>there and they talk about how right she was, and

0:14:01.440 --> 0:14:02.839
<v Speaker 1>I thought that was going to be the last scene

0:14:02.840 --> 0:14:04.360
<v Speaker 1>and then there's gonna get dragged on more.

0:14:04.640 --> 0:14:08.920
<v Speaker 2>Knock knock, knock my hair out, knocking, knocking, knocking. Here's

0:14:08.960 --> 0:14:12.199
<v Speaker 2>my thing. If I were Brandon, because Brandon is good

0:14:12.240 --> 0:14:15.520
<v Speaker 2>through and through right, the Brandon I know would not

0:14:15.559 --> 0:14:18.000
<v Speaker 2>have gone to the airport. The Brandon I know would

0:14:18.000 --> 0:14:21.440
<v Speaker 2>have called you and said, hey, hey, what's the Valerie

0:14:21.480 --> 0:14:26.120
<v Speaker 2>did this totally sketchy thing. I'm upset about it. I'm

0:14:26.120 --> 0:14:28.280
<v Speaker 2>a little upset that I think you're going to the airport.

0:14:28.360 --> 0:14:31.520
<v Speaker 2>But let's talk about it. Like going in with the.

0:14:31.400 --> 0:14:34.680
<v Speaker 1>Scheme is just I don't know. There was something like

0:14:34.840 --> 0:14:36.640
<v Speaker 1>after he sees her at the airport and then you

0:14:36.840 --> 0:14:39.560
<v Speaker 1>he turns in the phone booth and you see it's him.

0:14:40.080 --> 0:14:43.480
<v Speaker 1>There was something like I felt for him like that

0:14:43.680 --> 0:14:46.720
<v Speaker 1>kind of he's so scared of getting hurt again, you know.

0:14:47.720 --> 0:14:50.240
<v Speaker 1>And I because it didn't seem right to me that

0:14:50.320 --> 0:14:52.240
<v Speaker 1>he would go and follow her either like that.

0:14:52.680 --> 0:14:55.640
<v Speaker 2>No, I felt bad for you because you're like thinking

0:14:56.000 --> 0:14:57.760
<v Speaker 2>Dylan's going to come off this plane and it's just

0:14:57.800 --> 0:15:00.840
<v Speaker 2>like random dudes who don't look like Dylan.

0:15:00.920 --> 0:15:04.800
<v Speaker 1>And the last guy and they tried nothing. I think that

0:15:04.960 --> 0:15:08.080
<v Speaker 1>was his stand in, like the gut. Maybe it was

0:15:08.120 --> 0:15:11.520
<v Speaker 1>the guy that does his surfing, uh stand in from

0:15:11.560 --> 0:15:12.360
<v Speaker 1>the very beginning.

0:15:13.040 --> 0:15:16.360
<v Speaker 2>Yeah, but I felt bad for you too, because you've

0:15:16.360 --> 0:15:20.360
<v Speaker 2>been like, first of all, if Dylan texted you, it

0:15:20.360 --> 0:15:22.960
<v Speaker 2>doesn't mean you love him or not. You go to

0:15:23.000 --> 0:15:23.920
<v Speaker 2>the airport.

0:15:23.720 --> 0:15:25.760
<v Speaker 1>You care about someone well, and you.

0:15:25.720 --> 0:15:29.600
<v Speaker 2>Guys, he's like your best friend. That's why the whole

0:15:29.600 --> 0:15:32.640
<v Speaker 2>thing is so cuckoo. Can you imagine if you actually

0:15:32.720 --> 0:15:34.960
<v Speaker 2>did get a telegram from Dylan and you're like, gonna

0:15:34.960 --> 0:15:36.080
<v Speaker 2>no show it, but.

0:15:37.080 --> 0:15:38.520
<v Speaker 1>You gotta show up for your friends.

0:15:38.720 --> 0:15:41.240
<v Speaker 2>You have no way to communicate back because you can't

0:15:41.280 --> 0:15:43.640
<v Speaker 2>send a you know, the pony Express.

0:15:44.920 --> 0:15:47.480
<v Speaker 1>I'll send a message in a bottle, maybe it'll get there.

0:15:47.720 --> 0:15:55.160
<v Speaker 2>Wait, so pigeon on his leg. It's totally crazy. Obviously,

0:15:55.200 --> 0:15:56.160
<v Speaker 2>you're going, how.

0:15:56.040 --> 0:15:59.240
<v Speaker 1>Can Valerie convince Brandon though that this means she still

0:15:59.280 --> 0:16:02.080
<v Speaker 1>loves Dylan? Why would he buy you?

0:16:03.320 --> 0:16:07.560
<v Speaker 2>Correct? Now, how creepy was the scene? I'm sorry, and

0:16:07.600 --> 0:16:11.680
<v Speaker 2>it was creepy in the news room or whatever Brandon's work.

0:16:12.360 --> 0:16:15.040
<v Speaker 2>And then Tracy comes in and the massage and then

0:16:15.040 --> 0:16:16.680
<v Speaker 2>she tries to sit on and I'm.

0:16:16.520 --> 0:16:21.240
<v Speaker 1>Just like, that's all because Valerie told her don't give up? Like,

0:16:21.480 --> 0:16:23.520
<v Speaker 1>is Valie trying to help her by making her look

0:16:23.560 --> 0:16:27.840
<v Speaker 1>like a desperado or something like? It's not It's not

0:16:27.880 --> 0:16:29.760
<v Speaker 1>a good look Tracy. It was cringey.

0:16:30.440 --> 0:16:33.200
<v Speaker 2>No, although her hair is great. I have to say

0:16:33.200 --> 0:16:34.280
<v Speaker 2>her hair is so great.

0:16:34.520 --> 0:16:36.320
<v Speaker 1>She looks like she has a ton of hair.

0:16:36.920 --> 0:16:39.280
<v Speaker 2>Is she out? Do we have another episode with her?

0:16:39.360 --> 0:16:41.720
<v Speaker 2>And I'm assuming this was this just the end for her,

0:16:42.200 --> 0:16:44.760
<v Speaker 2>it's a week ending. But yet if I were her,

0:16:44.800 --> 0:16:47.320
<v Speaker 2>I would be like, you made me end with that scene,

0:16:47.440 --> 0:16:50.560
<v Speaker 2>just being a fool. She comes back, she comes back

0:16:50.640 --> 0:16:51.320
<v Speaker 2>next season?

0:16:51.680 --> 0:16:58.080
<v Speaker 1>What why why would they do that? Better? Be good?

0:16:56.800 --> 0:17:02.200
<v Speaker 2>Be good? But yeah, that was so cringey tastic. He cringey,

0:17:02.400 --> 0:17:04.160
<v Speaker 2>Like I was like, I love it, but it's cringey.

0:17:04.200 --> 0:17:08.240
<v Speaker 2>I'm cringing. Wait, she goes to Hawaii, we'll worry about

0:17:08.240 --> 0:17:11.679
<v Speaker 2>that mass. Yeah, how did that scene make you feel?

0:17:11.960 --> 0:17:14.360
<v Speaker 2>Which scene when she comes in and does the missade?

0:17:15.080 --> 0:17:18.159
<v Speaker 1>I was cringing and I thought why. I felt just

0:17:18.240 --> 0:17:22.760
<v Speaker 1>embarrassed for her, and I was like, please make it stop. Yeah,

0:17:23.200 --> 0:17:26.879
<v Speaker 1>because Brandon is the truthful guy. He was like, he

0:17:26.880 --> 0:17:29.080
<v Speaker 1>does there spend times, and he when he hasn't done

0:17:29.080 --> 0:17:29.840
<v Speaker 1>the right thing in those.

0:17:29.760 --> 0:17:31.400
<v Speaker 2>Situations, why do he kiss her in the dorm room?

0:17:31.520 --> 0:17:33.520
<v Speaker 2>That was weird? And then did you see him touch

0:17:33.560 --> 0:17:36.040
<v Speaker 2>his lips And he's like that was the acting of like,

0:17:36.080 --> 0:17:41.680
<v Speaker 2>but I kissed Kelly and I touching my lips. Yeah.

0:17:41.720 --> 0:17:46.960
<v Speaker 1>He was like, oh the memories. I'm a bad guy. Yeah,

0:17:47.000 --> 0:17:52.320
<v Speaker 1>I gotta fix this. It was really I thought I

0:17:52.720 --> 0:17:53.399
<v Speaker 1>was invested.

0:17:54.119 --> 0:17:57.000
<v Speaker 2>His breakup speech was so brutal.

0:17:57.280 --> 0:17:59.120
<v Speaker 1>I was like, I don't wait, what did he say?

0:17:59.160 --> 0:18:02.760
<v Speaker 1>I don't feel what was it? The wording was, I

0:18:02.800 --> 0:18:06.679
<v Speaker 1>think you're more into it than Yeah, basically you deserve

0:18:06.760 --> 0:18:08.120
<v Speaker 1>somebody that's more into it.

0:18:08.240 --> 0:18:11.720
<v Speaker 2>Yeah. Google generic ways for a breakup and all those

0:18:11.760 --> 0:18:15.160
<v Speaker 2>lines would come up for a breakup. It's like, it's

0:18:15.200 --> 0:18:19.640
<v Speaker 2>not you, it's me. The old clas and her fate

0:18:19.680 --> 0:18:22.280
<v Speaker 2>crying was a little rough to. At one point, part

0:18:22.280 --> 0:18:24.080
<v Speaker 2>of her was really good acting right part of it.

0:18:24.119 --> 0:18:25.399
<v Speaker 2>I was like, I'm in, I'm in, I'm in. But

0:18:25.400 --> 0:18:28.800
<v Speaker 2>then there was sort of this thing and I'm like, oh, no.

0:18:29.200 --> 0:18:31.520
<v Speaker 1>I can't just keep taking the same notes over and

0:18:31.560 --> 0:18:36.000
<v Speaker 1>over like as a characters. Like, I'm so grateful that

0:18:36.240 --> 0:18:41.399
<v Speaker 1>my character went through a gajillion different things heartbreaks and

0:18:41.480 --> 0:18:45.080
<v Speaker 1>lessons and beg and highs and loves, because I would

0:18:45.080 --> 0:18:48.680
<v Speaker 1>have been so like frustrated to just keep playing the

0:18:48.720 --> 0:18:50.680
<v Speaker 1>same notes as a character, like so many of the

0:18:50.760 --> 0:18:51.840
<v Speaker 1>characters seem to be doing.

0:18:52.520 --> 0:18:53.720
<v Speaker 2>We're getting a lot of same.

0:18:54.040 --> 0:18:56.320
<v Speaker 1>Yeah, I never knew that or notice that when I

0:18:56.359 --> 0:18:58.040
<v Speaker 1>was like, never watched it.

0:18:58.119 --> 0:19:02.520
<v Speaker 2>Donna does not is not same. I mean there's little things,

0:19:02.520 --> 0:19:06.680
<v Speaker 2>but like this was a nice little curveball for Donna.

0:19:06.800 --> 0:19:09.400
<v Speaker 1>And she's fucking got to do fun like comedy.

0:19:09.640 --> 0:19:13.159
<v Speaker 2>Well yeah, and then she's doing this dramatic thing confronting

0:19:13.200 --> 0:19:15.879
<v Speaker 2>her mom and like the pain she was sort of

0:19:15.880 --> 0:19:17.919
<v Speaker 2>feeling of not knowing and what is going on and

0:19:17.960 --> 0:19:20.000
<v Speaker 2>why are they you know, all the things.

0:19:20.320 --> 0:19:23.440
<v Speaker 1>Oh, because the mom brought the X guy to the town.

0:19:23.720 --> 0:19:26.000
<v Speaker 2>She saw his name on the list and then wanted

0:19:26.040 --> 0:19:29.760
<v Speaker 2>to go see him, and then David Police sort of

0:19:29.760 --> 0:19:33.680
<v Speaker 2>giving props to David that was there's some we're having

0:19:33.720 --> 0:19:34.800
<v Speaker 2>some growth.

0:19:34.600 --> 0:19:51.840
<v Speaker 1>And growth is happening, very excited. Then Police kind of

0:19:51.880 --> 0:19:55.199
<v Speaker 1>like redeems herself because she's like, I just want to

0:19:55.200 --> 0:19:59.640
<v Speaker 1>get your dad, tuppy. Yeah, would make him so happy.

0:20:00.000 --> 0:20:03.199
<v Speaker 1>It was nice, so nice. I agree, And Nat was

0:20:03.200 --> 0:20:04.119
<v Speaker 1>in this episode.

0:20:04.520 --> 0:20:06.840
<v Speaker 2>Yeah, and Nat always with the wise words for Brandon,

0:20:06.960 --> 0:20:08.439
<v Speaker 2>like Brandon, come on.

0:20:08.880 --> 0:20:13.440
<v Speaker 1>Yeah. He asked the tough questions, would Brandon, would you

0:20:13.480 --> 0:20:16.040
<v Speaker 1>have broken up with Tracy if Kelly wasn't in the picture?

0:20:16.960 --> 0:20:18.640
<v Speaker 2>And I think the answer is yes, But.

0:20:18.560 --> 0:20:20.080
<v Speaker 1>Brandon says he doesn't want to answer that.

0:20:20.680 --> 0:20:21.000
<v Speaker 2>I don't know.

0:20:21.200 --> 0:20:22.359
<v Speaker 1>I don't know what the answer is.

0:20:23.119 --> 0:20:25.440
<v Speaker 2>I think the answer is, like it's a really hard question,

0:20:25.480 --> 0:20:27.560
<v Speaker 2>who knows. But I mean, I felt like Brandon was

0:20:27.600 --> 0:20:30.920
<v Speaker 2>sort of the half assing Tracy for a long time. Yes.

0:20:31.520 --> 0:20:35.159
<v Speaker 2>I literally cannot even remember what that other girl looked like,

0:20:35.840 --> 0:20:39.480
<v Speaker 2>she's out of my brain. What other girl, Susan.

0:20:39.560 --> 0:20:41.920
<v Speaker 1>No, you can remember her? Mmm?

0:20:42.640 --> 0:20:44.360
<v Speaker 2>Little, oh there she is now, I got it back.

0:20:44.560 --> 0:20:49.960
<v Speaker 2>Funny are shockingly similar, Like in my brain, they're almost

0:20:49.960 --> 0:20:53.159
<v Speaker 2>the same. Person. Look at a side by side, you guys, wait,

0:20:53.440 --> 0:20:55.440
<v Speaker 2>look at a side by side. Maybe we can put

0:20:55.480 --> 0:20:57.200
<v Speaker 2>on Instagram a side by side.

0:20:57.320 --> 0:20:57.840
<v Speaker 1>Let me see.

0:20:58.119 --> 0:21:03.280
<v Speaker 2>They're extraordinarily similar. Train I, they're the same person.

0:21:05.320 --> 0:21:06.639
<v Speaker 1>You'd think the casting director.

0:21:06.760 --> 0:21:10.080
<v Speaker 2>I'm not the first person to do this, because the

0:21:10.119 --> 0:21:16.960
<v Speaker 2>minute I googled it, guys literally literally the first person

0:21:17.000 --> 0:21:19.080
<v Speaker 2>to do this. I'm trying to see if I can

0:21:19.119 --> 0:21:21.600
<v Speaker 2>send this in the group chat. They look so much alike,

0:21:22.440 --> 0:21:25.600
<v Speaker 2>so much like I had a moment where we thought

0:21:25.640 --> 0:21:27.639
<v Speaker 2>that we look at these two people type.

0:21:28.320 --> 0:21:30.880
<v Speaker 1>Is this his type? Are there other girls in Brandon's

0:21:30.920 --> 0:21:31.880
<v Speaker 1>wheelhouse that have.

0:21:32.320 --> 0:21:35.239
<v Speaker 2>Did you get my text? Look at how similar those

0:21:35.280 --> 0:21:38.479
<v Speaker 2>two people are. Let me look, if I was at

0:21:38.480 --> 0:21:40.800
<v Speaker 2>a party, I would definitely mix them up.

0:21:41.080 --> 0:21:51.399
<v Speaker 1>Oh yeah, same person. The difference Susan's a little softer looking, Okay,

0:21:52.000 --> 0:21:54.600
<v Speaker 1>I mean maybe it's just she's a little more out

0:21:54.600 --> 0:21:55.600
<v Speaker 1>of focus in this picture.

0:21:56.119 --> 0:21:58.280
<v Speaker 2>Like you're telling me with your memory. If you were

0:21:58.280 --> 0:22:00.920
<v Speaker 2>at a restaurant and on one of those people's there,

0:22:01.920 --> 0:22:02.680
<v Speaker 2>I know who's who?

0:22:02.960 --> 0:22:05.399
<v Speaker 1>No, I'd be like, so great to see you again, Susan,

0:22:06.200 --> 0:22:10.560
<v Speaker 1>Oh your name is Jill. Okay, that'd be so embarrassing. Wait,

0:22:10.600 --> 0:22:12.320
<v Speaker 1>does he have a type? Is there have there been

0:22:12.359 --> 0:22:14.800
<v Speaker 1>other girls? Was the ice skater? Did she look like them?

0:22:15.080 --> 0:22:17.000
<v Speaker 1>Or that there be other brunettes?

0:22:17.680 --> 0:22:20.520
<v Speaker 2>And these two like are the same character basically, I

0:22:20.520 --> 0:22:22.040
<v Speaker 2>don't know, you know what I mean, Like they're both

0:22:22.080 --> 0:22:25.480
<v Speaker 2>kind of in the news biz. Yeah, I mean that's

0:22:25.560 --> 0:22:26.399
<v Speaker 2>kind of like the same.

0:22:27.200 --> 0:22:30.399
<v Speaker 1>Well, he never dated another girl that looked like Kelly,

0:22:30.720 --> 0:22:33.960
<v Speaker 1>I know that. I don't think he had a blonde girlfriend.

0:22:34.440 --> 0:22:36.400
<v Speaker 2>I'm forgetting all the past girlfriends me too.

0:22:36.480 --> 0:22:38.120
<v Speaker 1>I can't. I can't picture one of them right now.

0:22:38.520 --> 0:22:38.959
<v Speaker 2>Nothing one.

0:22:39.359 --> 0:22:41.400
<v Speaker 1>I know one was an ice skater, but I can't

0:22:41.400 --> 0:22:42.240
<v Speaker 1>remember what she looked like.

0:22:42.600 --> 0:22:42.959
<v Speaker 2>Nothing.

0:22:43.200 --> 0:22:43.680
<v Speaker 1>Not good?

0:22:44.480 --> 0:22:45.679
<v Speaker 2>God? Are we okay? Is this?

0:22:47.119 --> 0:22:49.560
<v Speaker 1>I feel like this is menopause and overworked.

0:22:49.560 --> 0:22:52.720
<v Speaker 2>When I can name so many of Joey and Ross's

0:22:53.200 --> 0:22:56.560
<v Speaker 2>girl and even Chandlers, and I can name none. Oh,

0:22:56.600 --> 0:23:01.720
<v Speaker 2>I remember the short haired skater girl. I feel like

0:23:01.760 --> 0:23:06.359
<v Speaker 2>she that was Brandon. You can find it Brandon's greatest lovers.

0:23:07.800 --> 0:23:10.920
<v Speaker 2>And the one the teacher lady forgot about her. Oh,

0:23:10.960 --> 0:23:14.000
<v Speaker 2>and the one from Vacation Vacation.

0:23:14.280 --> 0:23:15.760
<v Speaker 1>No, I don't remember any of them.

0:23:16.720 --> 0:23:23.360
<v Speaker 2>The girl from who Cheryl let Lucinda. So remember Lucinda.

0:23:23.560 --> 0:23:29.399
<v Speaker 2>Oh my god, movie forgot Emily Valentine, Emily Valentine and

0:23:29.480 --> 0:23:33.320
<v Speaker 2>Nicky NICKI remember with her nation. Yeah, that was a

0:23:33.320 --> 0:23:37.359
<v Speaker 2>good one. And then Tricia Kinney was the one the

0:23:37.760 --> 0:23:43.720
<v Speaker 2>skater who was famous. She's famous. Gabrielle on Water First

0:23:43.760 --> 0:23:46.080
<v Speaker 2>of all, how about my menopause pulling that out? That

0:23:46.320 --> 0:23:46.880
<v Speaker 2>was solid.

0:23:47.080 --> 0:23:50.399
<v Speaker 1>You're not pausive, You're not menopause pulling anything out right

0:23:50.440 --> 0:23:52.280
<v Speaker 1>now you're reading it from a computer.

0:23:52.600 --> 0:23:55.239
<v Speaker 2>No, okay, I pulled out the name Gabrielle on War

0:23:55.320 --> 0:23:56.280
<v Speaker 2>from my own. Okay. Good.

0:23:56.280 --> 0:23:56.960
<v Speaker 1>I'm proud of you.

0:23:57.040 --> 0:24:00.200
<v Speaker 2>Yeah, yeah, yeah, that's okay. What else to talk about?

0:24:00.240 --> 0:24:02.800
<v Speaker 1>Stephen Claire, how beautifully she sang. We talked about it.

0:24:02.840 --> 0:24:05.320
<v Speaker 1>Donna thinks her mama is cheating again. We talked about that.

0:24:05.320 --> 0:24:08.680
<v Speaker 2>That was pretty like whoa that was? That was gnarly

0:24:08.920 --> 0:24:11.920
<v Speaker 2>because I was like, oh oh, and the flashback scene

0:24:11.920 --> 0:24:14.679
<v Speaker 2>which kind of jarred me. And then it all was

0:24:14.720 --> 0:24:18.240
<v Speaker 2>for good. David's sort of not having a lot but

0:24:18.359 --> 0:24:22.040
<v Speaker 2>being a side thing but doing well in it. So

0:24:22.119 --> 0:24:25.840
<v Speaker 2>that was good. Yes, you went to the airport, which

0:24:26.000 --> 0:24:28.640
<v Speaker 2>you would have after you signed your telegram. Anyone would

0:24:28.680 --> 0:24:32.520
<v Speaker 2>have and they love your mic drop at the end. Oh,

0:24:32.960 --> 0:24:35.320
<v Speaker 2>I dressed up for you. I dressed up for you.

0:24:35.960 --> 0:24:38.400
<v Speaker 2>I thought that was a pretty good scene. What restaurant

0:24:38.400 --> 0:24:40.679
<v Speaker 2>were supposed to be that? I felt like it was

0:24:40.720 --> 0:24:42.200
<v Speaker 2>sort of a regular spot.

0:24:42.680 --> 0:24:45.919
<v Speaker 1>Well, he said something, Cole, what was the name of

0:24:45.920 --> 0:24:46.359
<v Speaker 1>the restaurant?

0:24:46.400 --> 0:24:48.520
<v Speaker 2>He said, it's like katsu Ya, but it wasn't It

0:24:48.560 --> 0:24:49.480
<v Speaker 2>was sushi I think.

0:24:49.320 --> 0:24:51.280
<v Speaker 1>Though, no, but it sounded familiar. It sounded like a

0:24:51.320 --> 0:24:54.680
<v Speaker 1>real place. Yeah, Michelle, mahiro ya Maher's on the topic.

0:24:54.760 --> 0:24:57.800
<v Speaker 1>Y'amiciro real yamhiir is the one that's like up by

0:24:57.840 --> 0:25:02.440
<v Speaker 1>the magic Castle, isn't it. Yeah, it's really beautiful. They're

0:25:02.480 --> 0:25:04.040
<v Speaker 1>not the best. Sushio min is.

0:25:04.040 --> 0:25:05.440
<v Speaker 2>It's still there. It's still there.

0:25:05.560 --> 0:25:09.320
<v Speaker 1>Yes, I mean every tourist comes to La goes to

0:25:09.800 --> 0:25:12.800
<v Speaker 1>Yamashiro because the views are gorgeous and it looks like

0:25:12.880 --> 0:25:15.879
<v Speaker 1>you're in Japan for a second.

0:25:16.480 --> 0:25:17.240
<v Speaker 2>We should go there.

0:25:17.359 --> 0:25:20.280
<v Speaker 1>That would be nice. We have a party there, party there. Yeah,

0:25:20.359 --> 0:25:22.080
<v Speaker 1>it's got some great big rug.

0:25:23.560 --> 0:25:27.959
<v Speaker 2>Get back. Yeah, what else do we forget? Valerie is

0:25:28.040 --> 0:25:31.120
<v Speaker 2>just scu me ski me and I just don't like it.

0:25:31.880 --> 0:25:34.640
<v Speaker 1>Oh my goodness. Well, I hope I don't know what's

0:25:34.680 --> 0:25:36.880
<v Speaker 1>going to happen. What. Okay, so this was what episode

0:25:37.119 --> 0:25:39.280
<v Speaker 1>twenty six? Now we're on to twenty seven. How many

0:25:39.320 --> 0:25:41.120
<v Speaker 1>episodes are in season seven, y'all?

0:25:41.520 --> 0:25:45.359
<v Speaker 2>I think there's thirty two. Oh, we still have five more?

0:25:45.600 --> 0:25:46.879
<v Speaker 1>Can we do it?

0:25:46.960 --> 0:25:49.600
<v Speaker 2>Well? Because you know that this is the season where

0:25:49.920 --> 0:25:51.320
<v Speaker 2>I think this is the bound trigger.

0:25:53.000 --> 0:25:56.359
<v Speaker 1>I think David get down and dirty. Hey, D and

0:25:56.400 --> 0:26:02.240
<v Speaker 1>D get d and D See what I did there? Yeah,

0:26:02.359 --> 0:26:04.280
<v Speaker 1>she said, she said, I think last week that that

0:26:04.600 --> 0:26:08.800
<v Speaker 1>happens before the end of this episode. I have feelings

0:26:08.840 --> 0:26:12.240
<v Speaker 1>about that scene. Yeah, by the end of the season.

0:26:12.520 --> 0:26:16.560
<v Speaker 1>I have feelings about watching that scene, like either in

0:26:16.680 --> 0:26:19.320
<v Speaker 1>dailies or seeing a clip of it. I don't know,

0:26:19.400 --> 0:26:22.639
<v Speaker 1>but there I remember being like, oh my god, I

0:26:22.680 --> 0:26:24.960
<v Speaker 1>don't want to watch this. I can't watch this. Oh

0:26:25.080 --> 0:26:27.320
<v Speaker 1>it's a girl losing her virginity. I'm not into it.

0:26:27.359 --> 0:26:29.840
<v Speaker 1>I can't watch it. It's especially because I think it was

0:26:29.880 --> 0:26:32.880
<v Speaker 1>done it. But we'll get there and I'll probably watch it.

0:26:33.520 --> 0:26:35.280
<v Speaker 1>This was a good one though. You gave it a ten.

0:26:35.400 --> 0:26:37.520
<v Speaker 2>Yeah, I'm gonna give it a ten. It's a ten episode.

0:26:38.320 --> 0:26:39.080
<v Speaker 2>It's filled with.

0:26:39.080 --> 0:26:41.480
<v Speaker 1>Things, filled with things good.

0:26:41.280 --> 0:26:44.360
<v Speaker 2>You know, there was some cohesiveness though. That's what I'm

0:26:44.480 --> 0:26:48.880
<v Speaker 2>maybe liking more is we're seeing like, okay, we've got

0:26:49.040 --> 0:26:52.639
<v Speaker 2>crossover characters coming in. We're not just so like random, random, random,

0:26:52.720 --> 0:26:53.359
<v Speaker 2>right right right.

0:26:53.359 --> 0:26:55.720
<v Speaker 1>They kind of come back together and intercate line.

0:26:56.160 --> 0:26:56.800
<v Speaker 2>That was good.

0:26:57.040 --> 0:27:00.239
<v Speaker 1>Yeah, I agree, And it was just good seeing like

0:27:00.320 --> 0:27:04.240
<v Speaker 1>you know, Nat and like more of the real hearing

0:27:04.240 --> 0:27:06.600
<v Speaker 1>the word Dylan thinking he's coming back. Oh my god,

0:27:06.640 --> 0:27:11.280
<v Speaker 1>I got so excited. Yeah no, it wasn't him, No, rude.

0:27:12.000 --> 0:27:13.119
<v Speaker 1>That's what I have to say.

0:27:13.840 --> 0:27:15.040
<v Speaker 2>What do you give it? Did you give it a

0:27:15.040 --> 0:27:15.400
<v Speaker 2>ten too?

0:27:15.480 --> 0:27:19.160
<v Speaker 1>It's like I'd probably give it like a ten. Yeah, yeah, yeah,

0:27:19.320 --> 0:27:22.240
<v Speaker 1>I'm just gonna give it like a casual ten. I'm

0:27:22.280 --> 0:27:22.919
<v Speaker 1>just gonna throw.

0:27:22.800 --> 0:27:25.920
<v Speaker 2>It right out of ten, A soft ten, a soft yeah.

0:27:25.960 --> 0:27:30.959
<v Speaker 1>Yeah. So next week we have episode twenty seven, y'all,

0:27:31.000 --> 0:27:35.800
<v Speaker 1>and it is called I Only Have Eyes for You Now.

0:27:35.800 --> 0:27:38.640
<v Speaker 2>I'm looking up Can you still? I wrote? Can you still? Send?

0:27:38.840 --> 0:27:39.119
<v Speaker 1>Uh?

0:27:39.240 --> 0:27:40.240
<v Speaker 2>And guess what popped up?

0:27:40.520 --> 0:27:42.200
<v Speaker 1>Telegraph? Graham.

0:27:42.440 --> 0:27:44.120
<v Speaker 2>There is a thing called a telegraph too. You can

0:27:44.160 --> 0:27:47.400
<v Speaker 2>still send a telegram by using online services like Western

0:27:47.480 --> 0:27:49.760
<v Speaker 2>Union and send telegrams.

0:27:49.080 --> 0:27:49.720
<v Speaker 1>Still a thing.

0:27:50.240 --> 0:27:52.199
<v Speaker 2>It must be so expensive to have someone go to

0:27:52.240 --> 0:27:52.639
<v Speaker 2>the house.

0:27:52.880 --> 0:27:55.439
<v Speaker 1>Wait, telegraph is what I was thinking of, Like that

0:27:55.520 --> 0:27:56.600
<v Speaker 1>do didity do do?

0:27:56.600 --> 0:27:57.119
<v Speaker 2>Do? Do?

0:27:57.119 --> 0:27:57.560
<v Speaker 1>Do? Do? Do?

0:27:57.640 --> 0:27:58.760
<v Speaker 2>Do? Yeah?

0:27:58.760 --> 0:27:59.960
<v Speaker 1>He was is that a good done?

0:28:00.840 --> 0:28:03.439
<v Speaker 2>The only thing like a telegram is being subpoena. Have

0:28:03.480 --> 0:28:05.680
<v Speaker 2>you ever been subpoena and they come to your door?

0:28:05.880 --> 0:28:08.320
<v Speaker 2>Now you've been served or whatever it's called.

0:28:08.480 --> 0:28:11.240
<v Speaker 1>I don't think so, wouldn't I remember something like that?

0:28:11.240 --> 0:28:12.600
<v Speaker 2>That seems like a telegram?

0:28:12.800 --> 0:28:14.520
<v Speaker 1>That does not seem like a telegram.

0:28:14.640 --> 0:28:17.320
<v Speaker 2>I've only had it happen weirdly, I've had it happen twice.

0:28:17.560 --> 0:28:21.080
<v Speaker 2>You have the same time. Well, yes, but I got subpoenaed.

0:28:21.160 --> 0:28:22.800
<v Speaker 2>I don't know if it's called subpoena whatever it is,

0:28:23.280 --> 0:28:25.919
<v Speaker 2>for the same thing twice, So it's really once. But

0:28:26.200 --> 0:28:28.280
<v Speaker 2>they came twice, and I was like, you came yesterday's

0:28:28.280 --> 0:28:33.000
<v Speaker 2>find it yesterday. And they're like, oh yeah.

0:28:32.200 --> 0:28:34.800
<v Speaker 1>Wait wait why were you subpoena? Oh?

0:28:34.840 --> 0:28:37.600
<v Speaker 2>I was like a witness. It was nothing, a witness

0:28:37.640 --> 0:28:39.360
<v Speaker 2>to what a crime? Murder?

0:28:39.400 --> 0:28:42.080
<v Speaker 1>What's happened? This is so much more exciting than the episode.

0:28:42.160 --> 0:28:45.000
<v Speaker 1>Tell me everything I can't reveal.

0:28:45.360 --> 0:28:48.200
<v Speaker 2>I can't reveal anymore. I was just a witness and

0:28:48.560 --> 0:28:49.840
<v Speaker 2>it kind of was nothing.

0:28:49.640 --> 0:28:54.720
<v Speaker 1>And I get a witness. Yeah awesome. Well, hope you

0:28:54.720 --> 0:28:58.280
<v Speaker 1>everybody has a great week. We love you, We'll see

0:28:58.280 --> 0:28:58.760
<v Speaker 1>you next time.

0:29:00.200 --> 0:29:00.440
<v Speaker 2>Eight