WEBVTT - PV & FRANNY - Part 1

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<v Speaker 1>Go, Samory, sound like prison. Here we go one, two, three.

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<v Speaker 2>Samy Ready, I love the all right, and ty whenever

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<v Speaker 2>You're in.

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<v Speaker 3>Act one Interior Overton High Day. We're just inside the

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<v Speaker 3>front doors of a large public high school. We pan

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<v Speaker 3>around the room, a wall covered in construction paper, posters

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<v Speaker 3>about American presidents, a water fountain dribbling gently, the girl's bathroom,

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<v Speaker 3>which opens to disgorged Judy sixteen.

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<v Speaker 4>She looks upset for a brief moment.

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<v Speaker 3>We hear her voice over, which fades away as she

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<v Speaker 3>walks out of frame.

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<v Speaker 2>But if Colin doesn't like me, then why did he

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<v Speaker 2>ask me to help him with his homework?

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<v Speaker 3>We're still panning in the front doors the boys bathroom,

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<v Speaker 3>and finally we're back wore we started, only now Someone

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<v Speaker 3>in a bulldog mascot costume stands in front of the posters,

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<v Speaker 3>looking vaguely sinister.

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<v Speaker 4>He pulls his cigarette out of a pocket and lights it.

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<v Speaker 4>He raises it to his grilled mouth.

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<v Speaker 3>The tip players up, and a moment later, smoke seeps

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<v Speaker 3>out of the grill.

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<v Speaker 4>We hear the squeaking of rubber soul on tile.

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<v Speaker 3>The bulldog looks over and sees Franny Blevins, a fifteen

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<v Speaker 3>year old Elvis Costello who stops in front of a

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<v Speaker 3>flyer close on Franny's face as his eyes scan the text.

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<v Speaker 3>After a moment, we hear a tearing sound and Franny disappears,

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<v Speaker 3>leaving the bulldog in the background staring after him. Exterior

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<v Speaker 3>Seattle Streets, afternoon. That sounded so dragnet. Exterior Exterior Seattle Streets, afternoon. Franny,

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<v Speaker 3>chased by a small dog, bikes along a commercial street.

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<v Speaker 3>He looks two D like a game of Excite Bike.

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<v Speaker 2>I was struck by the flyer and decided I had

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<v Speaker 2>to meet its author immediately.

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<v Speaker 3>Interior coffee shop, afternoon, p V. Gornic fifteen. A bespectacled

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<v Speaker 3>girl with long black hair and torn up clothes sits

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<v Speaker 3>writing in a notebook. On the table are two small

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<v Speaker 3>white cassio keyboards and a glockenspiel. She wears thimbles on

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<v Speaker 3>all of her fingers, which makes writing difficult. Suddenly, a

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<v Speaker 3>flyer slams down in front of her.

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<v Speaker 2>Is this your flyer?

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<v Speaker 4>Insert? The flyer reads, seeking bandmates.

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<v Speaker 3>Influences include Sonic Youth, Except NYC, Ghosts and Flowers, James Blake,

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<v Speaker 3>Jamesteen James Taylor, James Baldwin, and Rick James find me

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<v Speaker 3>after school at that one coffee shop. Peev looks up

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<v Speaker 3>at Franny examines him.

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<v Speaker 5>I didn't think much of him at first.

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<v Speaker 4>Now, she continues, writing, have.

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<v Speaker 2>We met before?

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<v Speaker 5>Not to my knowledge, I only started at Overton this week.

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<v Speaker 5>I used to be homeschooled, but my tutor died.

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<v Speaker 3>Interior PV's house, living room flashback. PV sits opposite her tutor,

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<v Speaker 3>an ancient woman who appears to be asleep. PV glances

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<v Speaker 3>up from a geometry textbook. Missus Llewellyn interior coffee shop, continuous.

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<v Speaker 2>With before, No, I'm pretty sure we've met. Then again,

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<v Speaker 2>I have a terrible memory. They say that's a prerequisite

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<v Speaker 2>for happiness. Not so good for his Stree exams. What's

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<v Speaker 2>your name?

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<v Speaker 4>PV pauses in a writing.

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<v Speaker 2>But he was.

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<v Speaker 5>Persistent, and persistence is important in any artistic endeavor. Did

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<v Speaker 5>you know that the Beatles played more than six hundred

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<v Speaker 5>shows before they even got signed? Did you know that

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<v Speaker 5>the Beatles played more than six hundred shows before they

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<v Speaker 5>even got signed?

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<v Speaker 2>I didn't, but I do know that there are more

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<v Speaker 2>than three hundred and fifty thousand different kinds of beatles.

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<v Speaker 2>I'm Franny PV.

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<v Speaker 5>I'm sorry I was brusque before. I just hate meaning

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<v Speaker 5>new people and old people.

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<v Speaker 2>PV like the amplifier.

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<v Speaker 5>M hm tie.

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<v Speaker 4>On page three, we just missed one pickup right in

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<v Speaker 4>the middle of the scene.

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<v Speaker 3>In the middle of page three, it says, inside a

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<v Speaker 3>picture of a pb amplifier.

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<v Speaker 4>Oh okay, this was marked out in mind. Oh sorry, yeah,

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<v Speaker 4>I'm just not going to take responsibility. This is not

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<v Speaker 4>my fault. This is not my fault. It was not.

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<v Speaker 2>Some fire.

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<v Speaker 4>I'm not sure if I can. What does I say?

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<v Speaker 3>It's an insert a picture.

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<v Speaker 4>Of a PV amplifier. Okay, set inset inset yes, in set.

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<v Speaker 3>Intel in bread a picture of a PV amplifier. In

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<v Speaker 3>set a picture of a PV amplifier.

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<v Speaker 2>That's your real name, I had I legally changed.

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<v Speaker 3>Interior City Hall flashback. PV stands at the desk. A

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<v Speaker 3>registrar looks over her application.

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<v Speaker 2>You need to be eighteen to change your name without

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<v Speaker 2>a guardian President Miami teen.

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<v Speaker 3>She presents a driver's license inset PV's fake driver's license.

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<v Speaker 3>Her real name is blurred out, and her birthday is

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<v Speaker 3>shown as twelve. Twenty five, two thousand and four.

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<v Speaker 2>Could you laminate this yourself? Of course not.

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<v Speaker 3>Interior Kinko's another flashback. PV stands at the desk. A

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<v Speaker 3>Kinko's employee looks over the as yet unlaminated fake driver's license.

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<v Speaker 2>Uh, are you trying to get me to laminate a

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<v Speaker 2>fake driver's license?

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<v Speaker 5>Of course not.

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<v Speaker 3>We hear the sound of a copy or Peev looks

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<v Speaker 3>over and sees Franny making copies. Interior Coffee Shop, continuous.

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<v Speaker 2>With before I knew we'd met before.

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<v Speaker 4>Franny sits down opposite PV.

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<v Speaker 5>I guess we have what were you making copies of? Anyway?

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<v Speaker 3>Interior Kinko's continuous with previous flashback. Franny pulls one of

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<v Speaker 3>the flyers out of the tray. Inset. Franny's flyer shows

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<v Speaker 3>a very ugly dog, along with the text trying to

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<v Speaker 3>lose this dog answers to Lemur. Please, if you see him,

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<v Speaker 3>do not return him to me Franni. Interior Coffee Shop,

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<v Speaker 3>continuous with before did it work? Franny points Lemur's waiting

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<v Speaker 3>outside the coffee shop, just next to Franny's bike.

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<v Speaker 4>Man, that's one ugly dog.

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<v Speaker 2>Sorry, it's okay, So you want to start a band.

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<v Speaker 5>No, I want to continue a band, but with more

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<v Speaker 5>musicians than I have now.

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<v Speaker 2>Oh, how many musicians do you have? Now?

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<v Speaker 5>One? What do you play?

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<v Speaker 2>Guitar, leader, rhythm? Yes, what about you?

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<v Speaker 5>Primarily cassio, b altone, monophonic synthesizer and glockenspiel.

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<v Speaker 2>Cool. So what do you want to call the band?

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<v Speaker 2>What's your name again, Franny? Hmmm?

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<v Speaker 5>Probably just PV?

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<v Speaker 2>Then okay, what about the album?

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<v Speaker 5>I'm torn at the moment. Either My Sorrow is Depthless

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<v Speaker 5>or Where's My Pony?

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<v Speaker 4>They're both really good.

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<v Speaker 5>I know you want to hear a song.

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<v Speaker 2>Sure.

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<v Speaker 3>PEV stands up and shouts at the bristo, who's been

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<v Speaker 3>playing a tranquil Nora Jones tune.

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<v Speaker 4>Hey, Hey.

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<v Speaker 3>He turns off the song. She sits cross legged, cracks

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<v Speaker 3>her knuckles.

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<v Speaker 5>This one's called don't touch Me.

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<v Speaker 3>PV begins. We hear a full band, even though it's

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<v Speaker 3>just her playing.

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<v Speaker 6>Don't touch me, don't touch me. If you touch me.

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<v Speaker 2>I think I'm.

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<v Speaker 6>Gonna scream, don't touch me, don't touch me.

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<v Speaker 2>If you touch me.

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<v Speaker 1>I think I'm gonna scream, don't don't touch me, don't

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<v Speaker 1>don't touch me. If you don't touch me. I think

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<v Speaker 1>I'm gonna scream. Don't don't touch me, don't don't touch me.

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<v Speaker 1>If you don't touch me, I think I'm gonna scream.

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<v Speaker 4>I don't like you.

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<v Speaker 5>I think I even hate you. I don't hate you.

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<v Speaker 2>I think maybe I love you. I don't love you.

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<v Speaker 2>I don't even like you. Don't touch me, don't touch me.

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<v Speaker 6>Don't, don't, don't touch me. Don't, don't don't touch me.

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<v Speaker 6>If you don't, don't, don't, don't, don't, don't, don't, don't

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<v Speaker 6>touch me.

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<v Speaker 2>Don't, don't, don't touch me.

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<v Speaker 6>If you don't, don't, don't, don't, don't.

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<v Speaker 4>I don't like you.

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<v Speaker 1>I think I even hate you, and I think maybe

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<v Speaker 1>I love you even like you.

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<v Speaker 2>Don't talk to me.

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<v Speaker 4>Silence.

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<v Speaker 3>A number of customers have left Franny's clearly in love.

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<v Speaker 3>After a beat that, Barissa turns Nora back on.

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<v Speaker 2>That was awesome. I know.

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<v Speaker 5>Oh sorry, thank you. Now, if we're thinking of starting

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<v Speaker 5>a band, obviously I'll have to audition you.

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<v Speaker 2>How's your lunch period looking?

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<v Speaker 5>Tomorrow?

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<v Speaker 3>Wide open interior, overton lunch room. The next day, we're

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<v Speaker 3>in a traditional high school lunchroom. Franni enters. He spots

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<v Speaker 3>TV alone at a table.

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<v Speaker 2>Hey, so you want to go straight to the music

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<v Speaker 2>room or should we eat?

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<v Speaker 5>Somebody hates me?

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<v Speaker 2>What? Somebody hates me?

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<v Speaker 5>I got a hate note in my locker. We have

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<v Speaker 5>to figure out who put it there.

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<v Speaker 2>What about the audition?

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<v Speaker 5>This is the audition. A band is a family, Franny,

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<v Speaker 5>we have to support each other holistically. Now, who do

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<v Speaker 5>you think wrote it?

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<v Speaker 4>She glances around the lunch room.

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<v Speaker 5>What about him?

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<v Speaker 2>He looks mean? I doubt it. That's Dale Wilson in

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<v Speaker 2>the World's Nicest bully.

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<v Speaker 3>We slide over to Dale Wilson, who does indeed look

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<v Speaker 3>super mean. A small kid walks over and fearfully deposits

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<v Speaker 3>a handful of change on the table.

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<v Speaker 2>Here's my lunch money deal. I've told you a million times.

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<v Speaker 2>I don't want your money. I'm sorry, it's not more.

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<v Speaker 2>I'll do better tomorrow.

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<v Speaker 3>He scurries off. Dale looks confused, even hurt. Please don't

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<v Speaker 3>We slide back to Pev and Franny.

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<v Speaker 5>Okay, what about her? She's got crazy eyes.

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<v Speaker 2>No, that's Aaron Coltrera, Editor at large for the Overton

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<v Speaker 2>Free Press.

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<v Speaker 3>Aaron Coltrera a mousey girl in over large hipster glasses,

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<v Speaker 3>interviewing the bulldog mascot.

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<v Speaker 2>For the last time. Who's inside that costs you? No comment?

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<v Speaker 4>We slide back to PV and Franny.

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<v Speaker 2>Aaron's always looking for dirt, but she's mostly harmless.

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<v Speaker 5>Okay, And what about that girl?

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<v Speaker 2>Huh? That's Judy Cortland. She's weird, but only because she

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<v Speaker 2>thinks she's a protagonist.

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<v Speaker 3>We pull back to find Judy sitting at a table

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<v Speaker 3>directly in front of PV and Franny, who suddenly go

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<v Speaker 3>blurry as if they become background characters.

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<v Speaker 4>There's Colin over there.

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<v Speaker 5>I'm not going to look at him.

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<v Speaker 4>Crap, I looked at him.

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<v Speaker 2>What are those two birdos doing looking at me? I

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<v Speaker 2>bet they're just jealous of what I have with Colin?

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<v Speaker 2>See what I mean? Everybody else is just a side

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<v Speaker 2>character and her story. It's super annoying.

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<v Speaker 4>We return focus to PV and Franny.

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<v Speaker 2>You aren't important enough to Tomereta Hayden?

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<v Speaker 5>No, then, who did it?

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<v Speaker 4>Well?

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<v Speaker 2>Have you rouked anyone recently?

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<v Speaker 5>I did stop by rehearsal for the Overton Orchestra yesterday.

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<v Speaker 3>The Interior Music Room day. The Orchestra wraps up a

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<v Speaker 3>pretty terrible rendition when the Saints go marching in. After

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<v Speaker 3>the last note is parted out, Pev stands up in

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<v Speaker 3>the back of the room.

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<v Speaker 5>That was terrible.

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<v Speaker 1>None of you can be in my band.

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<v Speaker 2>That was terrible.

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<v Speaker 4>None of you can be in my band. Maybe just

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<v Speaker 4>back off it?

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<v Speaker 3>Just me, I honestly thought that was the note.

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<v Speaker 4>I would be a little more gentle.

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<v Speaker 5>That was terrible. None of you can be in my band.

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<v Speaker 3>She storms out the Triangle player dings the Triangle interior

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<v Speaker 3>over to lunchroom, continuous with before.

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<v Speaker 5>You're right, Franny, it must have been one of those

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<v Speaker 5>terrible musicians. You've passed your audition. Let's start a band.

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<v Speaker 3>She puts out a hand to shake, but as Franny

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<v Speaker 3>reaches for it, Pev pulls back.

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<v Speaker 5>Just to be perfectly clear, once we're in a band together,

0:12:00.080 --> 0:12:02.720
<v Speaker 5>there can never be any sort of romantic relationship between us.

0:12:03.120 --> 0:12:08.960
<v Speaker 2>Oh why, I mean not that it, but why exactly?

0:12:09.520 --> 0:12:13.199
<v Speaker 5>Because artistic collaboration and romance are incompatible.

0:12:13.679 --> 0:12:14.680
<v Speaker 2>What about Fleewood Mac.

0:12:15.200 --> 0:12:18.000
<v Speaker 3>We see a brief picture of Stevie and Lindsay, we'll

0:12:18.000 --> 0:12:20.000
<v Speaker 3>see brief flashes of every band couple.

0:12:20.080 --> 0:12:22.400
<v Speaker 4>Franny mentions, sure, but.

0:12:22.559 --> 0:12:26.960
<v Speaker 2>And the white stripes the Cramps Arcade Fire, Sonic, Youth Abba,

0:12:27.240 --> 0:12:32.200
<v Speaker 2>New Order, I don't know, Blondie, Stereo lab the cocktail twins.

0:12:32.440 --> 0:12:35.280
<v Speaker 5>Those are just the many exceptions that prove the rule. Okay,

0:12:35.760 --> 0:12:37.000
<v Speaker 5>so you can take it or leave it.

0:12:37.280 --> 0:12:40.720
<v Speaker 4>She offers her hand again. Franny agonizes, no way.

0:12:41.559 --> 0:12:45.120
<v Speaker 2>Could I have any problem with that? So I'm shaking

0:12:45.160 --> 0:12:45.800
<v Speaker 2>your hand now.

0:12:46.520 --> 0:12:53.040
<v Speaker 5>Eventually he does great Platonic Bandmates for Life, first rehearsal tomorrow.

0:12:53.440 --> 0:12:57.160
<v Speaker 2>Sure, Oh wait, I can't. I've got Chinese class We'll

0:12:57.160 --> 0:12:58.000
<v Speaker 2>have to do Wednesday.

0:12:58.679 --> 0:13:01.000
<v Speaker 5>You speak Chinese, say something.

0:13:01.080 --> 0:13:03.040
<v Speaker 2>Okay oshen when need this?

0:13:03.160 --> 0:13:08.079
<v Speaker 3>Zuyba subtitled translation appears, I want to kiss your mouth?

0:13:09.000 --> 0:13:09.600
<v Speaker 5>What does that mean?

0:13:10.240 --> 0:13:14.080
<v Speaker 2>I dumpling? See you Wednesday.

0:13:14.400 --> 0:13:18.280
<v Speaker 3>Franny turns and walks off interior Chinese classroom evening. The

0:13:18.320 --> 0:13:21.359
<v Speaker 3>class is being led through some drills by a Chinese instructor.

0:13:22.120 --> 0:13:25.560
<v Speaker 3>Phrases for wooing and courtship has been written on the board.

0:13:25.960 --> 0:13:28.880
<v Speaker 3>Franny's distracted, covering his workbook with PV written in the

0:13:28.880 --> 0:13:30.720
<v Speaker 3>style of the PV amplifier's logo.

0:13:31.720 --> 0:13:34.240
<v Speaker 2>Even though we were bandmates now, I couldn't stop having

0:13:34.320 --> 0:13:37.880
<v Speaker 2>romantical thoughts about PV. It made it difficult to concentrate

0:13:39.000 --> 0:13:41.160
<v Speaker 2>was jang ting when need the sway.

0:13:41.320 --> 0:13:44.079
<v Speaker 4>Subtitle I want to kiss you on the mouth.

0:13:44.960 --> 0:13:51.479
<v Speaker 2>No woman, wait tho fa.

0:13:51.800 --> 0:13:54.600
<v Speaker 4>Subtitle Let's go back to my place.

0:13:55.600 --> 0:14:01.760
<v Speaker 2>Woman. By the time Wednesday night rolled around, I was

0:14:01.800 --> 0:14:09.000
<v Speaker 2>a ball of nerves Nita Pungyona subtitle what about your friend?

0:14:09.240 --> 0:14:10.000
<v Speaker 4>Is she single?

0:14:10.640 --> 0:14:12.719
<v Speaker 2>I had to be charming, and I've never been very

0:14:12.720 --> 0:14:13.360
<v Speaker 2>good at charming.

0:14:15.480 --> 0:14:24.040
<v Speaker 4>Ya me wroung wa see walk ganju waufa who see.

0:14:24.720 --> 0:14:29.360
<v Speaker 3>Subtitle you're smothering me. I feel like I can't breathe, so.

0:14:29.280 --> 0:14:32.360
<v Speaker 2>I invited my best friend over to advise me.

0:14:46.200 --> 0:14:51.520
<v Speaker 3>Interior Franny's Room night close on Aj Vascher, a young fifteen.

0:14:51.800 --> 0:14:56.400
<v Speaker 3>He's extremely dorky, but with an unshakable and frankly inexplicable confidence.

0:14:56.520 --> 0:15:00.760
<v Speaker 2>Rannie, it's all about confidence. If you think you're then

0:15:00.840 --> 0:15:04.360
<v Speaker 2>she'll think you're cool. Look at me. I know I'm cool,

0:15:04.560 --> 0:15:06.880
<v Speaker 2>which makes me even cooler than if I just thought

0:15:06.920 --> 0:15:07.320
<v Speaker 2>I was.

0:15:07.600 --> 0:15:09.520
<v Speaker 3>We pull back to see that the two of them

0:15:09.560 --> 0:15:11.560
<v Speaker 3>are playing magic the gathering.

0:15:11.240 --> 0:15:14.200
<v Speaker 2>And I'll remove three tokens from chantre towards there defiance

0:15:14.560 --> 0:15:18.200
<v Speaker 2>to deal four damage to your angel of acid. I

0:15:18.240 --> 0:15:21.000
<v Speaker 2>don't know, Aj, I'm not your confidence can be simulated.

0:15:21.560 --> 0:15:27.080
<v Speaker 2>That's just something unconfident people said exactly. Attack, attack, attack,

0:15:28.080 --> 0:15:31.760
<v Speaker 2>and I think you're dead. That's four six nine damage. Yep,

0:15:32.080 --> 0:15:35.840
<v Speaker 2>you're dead. Sorry, you got any food? No, but my

0:15:35.840 --> 0:15:37.400
<v Speaker 2>mom left money so I could order something.

0:15:37.760 --> 0:15:40.280
<v Speaker 3>Franny points to a fan of five dollar bills pinned

0:15:40.280 --> 0:15:41.240
<v Speaker 3>to a bulletin board.

0:15:41.320 --> 0:15:43.200
<v Speaker 4>A note says for anything but.

0:15:43.280 --> 0:15:49.320
<v Speaker 3>Pizza, pizza obviously. Exterior Seattle Streets, afternoon. Franny bike's along

0:15:49.320 --> 0:15:51.160
<v Speaker 3>the streets, holding his guitar in one hand.

0:15:51.400 --> 0:15:53.280
<v Speaker 4>Lemur is still running along behind him.

0:15:53.760 --> 0:15:56.160
<v Speaker 2>On the way to Pev's house. I was nearly overcome

0:15:56.200 --> 0:15:59.160
<v Speaker 2>with anxiety, even with the encouraging notes I'd written on

0:15:59.200 --> 0:16:00.000
<v Speaker 2>the backs of my hands.

0:16:00.400 --> 0:16:02.560
<v Speaker 3>Franny glances down at the back of his hands. On

0:16:02.640 --> 0:16:06.280
<v Speaker 3>the left, he's written you are cool. On the right

0:16:06.800 --> 0:16:13.240
<v Speaker 3>see other hand. Exterior PV's House, afternoon. Franny looks up

0:16:13.240 --> 0:16:16.320
<v Speaker 3>at the house. It's a castle. You could host royalty here.

0:16:16.960 --> 0:16:20.479
<v Speaker 3>Franny ties up Lemur and passes through a gate. Exterior

0:16:20.520 --> 0:16:25.600
<v Speaker 3>PV's House, gardens continuous. Franny passes through an elaborate Japanese garden.

0:16:26.040 --> 0:16:29.680
<v Speaker 3>Franny crunches across the gravel of a wilder English style garden.

0:16:30.160 --> 0:16:33.200
<v Speaker 3>Franny crosses a tennis court overgrown with weeds, then a

0:16:33.200 --> 0:16:36.720
<v Speaker 3>croquet pitch in a putting green where a creepy groundskeeper

0:16:36.760 --> 0:16:40.200
<v Speaker 3>is trimming the grass with nail scissors. They make eye contact.

0:16:40.960 --> 0:16:44.560
<v Speaker 3>Franny finally arrives at the enormous front door. He presses

0:16:44.640 --> 0:16:45.200
<v Speaker 3>the doorbell.

0:16:45.840 --> 0:16:50.840
<v Speaker 4>Beat. Don't go in there. Franny turns the groundskeeper is

0:16:51.080 --> 0:16:53.160
<v Speaker 4>very close. Don't go in there?

0:16:53.720 --> 0:16:56.520
<v Speaker 2>Why not because.

0:16:58.400 --> 0:17:02.960
<v Speaker 4>We're renovating the foyer. Oh, he uses side door.

0:17:03.920 --> 0:17:04.320
<v Speaker 2>Thanks.

0:17:04.800 --> 0:17:07.879
<v Speaker 3>Franny goes. The grounds keeper notices a blemish on the

0:17:07.880 --> 0:17:11.000
<v Speaker 3>front door. He raises an electric sander he wasn't holding

0:17:11.000 --> 0:17:13.040
<v Speaker 3>a few seconds ago, and begins sanding the door.

0:17:13.240 --> 0:17:13.840
<v Speaker 2>I could do that.

0:17:19.320 --> 0:17:24.000
<v Speaker 3>Interior interior Pev's House. Moments later, Franny enters a large

0:17:24.000 --> 0:17:24.959
<v Speaker 3>dining room.

0:17:25.240 --> 0:17:29.120
<v Speaker 1>Hello, Franny, is that you come upstairs?

0:17:29.880 --> 0:17:30.280
<v Speaker 2>Okay?

0:17:30.800 --> 0:17:33.840
<v Speaker 3>Franny looks around but doesn't see any stairs. He passes

0:17:33.880 --> 0:17:37.160
<v Speaker 3>through a restaurant sized kitchen, a sitting room, a drawing room,

0:17:37.160 --> 0:17:40.600
<v Speaker 3>and an indoor bowling alley. Finally, he finds a small

0:17:40.640 --> 0:17:44.600
<v Speaker 3>elevator manned by a doorman who looks exactly like the groundskeeper.

0:17:45.160 --> 0:17:48.360
<v Speaker 3>Interior elevator continuous, So is.

0:17:48.320 --> 0:17:49.720
<v Speaker 2>That guy outside your twin brother.

0:17:50.520 --> 0:17:56.359
<v Speaker 4>What guy outside? An uncomfortable pause, the elevator stops. Second floor,

0:17:56.720 --> 0:17:57.640
<v Speaker 4>name is the first door.

0:17:57.920 --> 0:18:01.640
<v Speaker 3>Franny exits the elevator. Interior PV's bedroom a while later.

0:18:02.200 --> 0:18:05.159
<v Speaker 3>PV's room is gigantic. A large portion of it has

0:18:05.200 --> 0:18:09.000
<v Speaker 3>given over to musical instruments and recording equipment. Franny Marvel's

0:18:09.000 --> 0:18:12.080
<v Speaker 3>at a nearly wall sized poster of the band The Stranglers.

0:18:12.680 --> 0:18:13.800
<v Speaker 5>You're a Stranglers fan.

0:18:14.119 --> 0:18:16.480
<v Speaker 4>Franny turns to find PV sitting on the bed.

0:18:16.760 --> 0:18:18.400
<v Speaker 2>I don't think I know them well.

0:18:18.440 --> 0:18:20.960
<v Speaker 5>You should. We'll do an overview of seminal punk rock

0:18:21.040 --> 0:18:22.400
<v Speaker 5>musicians at a future rehearsal.

0:18:22.560 --> 0:18:24.119
<v Speaker 4>PV notices Franny's guitar.

0:18:24.840 --> 0:18:26.959
<v Speaker 5>You didn't have to bring that. I've got plenty of

0:18:26.960 --> 0:18:27.520
<v Speaker 5>guitars here.

0:18:27.840 --> 0:18:31.000
<v Speaker 3>PV gestures towards a rack of at least twenty guitars.

0:18:31.280 --> 0:18:32.760
<v Speaker 2>WHOA, I can see that.

0:18:33.480 --> 0:18:36.080
<v Speaker 5>Yeah, my parents buy me a lot of presents. It's

0:18:36.560 --> 0:18:37.879
<v Speaker 5>how they make up for their lack.

0:18:37.760 --> 0:18:41.200
<v Speaker 2>Of presence exactly.

0:18:41.880 --> 0:18:44.600
<v Speaker 5>I think they're getting divorced, and it'll be contentious too,

0:18:44.600 --> 0:18:47.880
<v Speaker 5>because of all the money. Money makes people crazy, even

0:18:47.880 --> 0:18:48.440
<v Speaker 5>more than love.

0:18:48.440 --> 0:18:50.200
<v Speaker 2>I think, where'd it come from?

0:18:50.960 --> 0:18:54.000
<v Speaker 5>Who can say? Where love comes from pheromones.

0:18:54.040 --> 0:18:57.680
<v Speaker 2>I guess, Oh, I meant the money. Oh, bottled water,

0:18:57.960 --> 0:18:58.640
<v Speaker 2>bottled water.

0:18:59.080 --> 0:19:00.800
<v Speaker 5>Yeah, water, bottled water.

0:19:01.280 --> 0:19:04.080
<v Speaker 4>Insert a still image of tapwater bottled water.

0:19:04.520 --> 0:19:07.200
<v Speaker 3>The catchphrase on the label says, who's got time to

0:19:07.240 --> 0:19:07.960
<v Speaker 3>walk to the sink?

0:19:08.440 --> 0:19:08.920
<v Speaker 5>Tap water?

0:19:09.000 --> 0:19:09.520
<v Speaker 2>Bottle water.

0:19:09.840 --> 0:19:13.720
<v Speaker 5>It's tapwater only bottled tap water, bottled water.

0:19:14.119 --> 0:19:14.639
<v Speaker 3>This is not.

0:19:17.720 --> 0:19:23.680
<v Speaker 2>Me. Oh yeah, that stuffs great, really quenching.

0:19:24.280 --> 0:19:27.160
<v Speaker 5>Yeah, my grandfather invented it, which meant my parents never

0:19:27.200 --> 0:19:30.880
<v Speaker 5>had to work, so they make music, terrible music, by

0:19:30.880 --> 0:19:31.800
<v Speaker 5>which I mean classical.

0:19:32.600 --> 0:19:35.240
<v Speaker 2>My parents were never together, and my mom's a pilot,

0:19:35.320 --> 0:19:37.199
<v Speaker 2>so I don't see her much. That's why I do

0:19:37.240 --> 0:19:42.720
<v Speaker 2>so many extracurricular activities like Chinese class yeah, andrama club

0:19:43.000 --> 0:19:46.120
<v Speaker 2>and guitar lessons, book club, aerial gymnastics.

0:19:46.240 --> 0:19:49.360
<v Speaker 3>Interior Blacksmith day Franni stands next to an anvil.

0:19:49.560 --> 0:19:52.360
<v Speaker 2>I'm apprenticed to a blacksmith exterior stable.

0:19:52.480 --> 0:19:55.000
<v Speaker 4>Day Franny brushes the main of a miniature horse.

0:19:55.400 --> 0:19:57.800
<v Speaker 2>I grew miniature horses, even though I'm allergic.

0:19:58.160 --> 0:20:03.240
<v Speaker 4>He sneezes, spooking the horse. Exterior garden.

0:20:03.400 --> 0:20:07.400
<v Speaker 3>Day Franny's drying a cactus with a hair dryer, and.

0:20:07.600 --> 0:20:11.200
<v Speaker 2>I'm a member of the Succulent Horticultural Society of Seattle.

0:20:11.760 --> 0:20:14.480
<v Speaker 2>It's difficult to grow cacti here because of all the rain,

0:20:14.800 --> 0:20:16.080
<v Speaker 2>so we do a lot of drying.

0:20:17.200 --> 0:20:20.919
<v Speaker 3>Interior PV's bedroom continuous with before Franni sits down at

0:20:20.920 --> 0:20:21.720
<v Speaker 3>the mixing board.

0:20:22.240 --> 0:20:24.680
<v Speaker 2>Anyway, how do you want to start? Should we write

0:20:24.720 --> 0:20:25.080
<v Speaker 2>a song?

0:20:25.960 --> 0:20:28.480
<v Speaker 5>I think I should hear one of your originals. Then

0:20:28.520 --> 0:20:31.440
<v Speaker 5>we can attempt to synthesize our style into a cohesive hole.

0:20:31.840 --> 0:20:35.840
<v Speaker 3>Okay, Franny takes out his guitar, a sheep busted up acoustic.

0:20:36.240 --> 0:20:37.320
<v Speaker 4>He takes a deep breath.

0:20:38.280 --> 0:20:39.200
<v Speaker 2>How about a love song,